Documenttranscriptie
G
CD RECORDER
DENON
HHB
JVC
70626, 70766
70192
71294
KENWOOD
LG
MARANTZ
NAD
PHILIPS
PIONEER
RCA
SONY
TDK
TEAC
VICTOR
YAMAHA
70626
71208
70626
71208
70626
70192, 71087
70420
70000
71208
70420
70072, 71294
70888, 71292
MD RECORDER
DENON
KENWOOD
OPTIMUS
PIONEER
SHARP
SONY
TECHNICS
YAMAHA
70873
70681
71063
71063
70861, 71684
70490
71078
70490, 70888,
71909
TAPE DECK
AIWA
70029, 70197
AKAI
70189, 70283
ARCAM
70076
CARVER
70029
DENON
70076
EROICA
70189
GARRARD
70308, 70309
GRUNDIG
70029
HARMAN/KARDON
70029
INKEL
70070
JVC
70244, 70273
KENWOOD
70070, 70205
MAGNAVOX 70029
MARANTZ
70029
MITSUBISHI 70189, 70283
MYRYAD
70029
ONKYO
70135, 70282
OPTIMUS
70027, 70220
ORION
70308, 70309
PANASONIC
PHILIPS
PIONEER
POLK AUDIO
RADIOLA
RCA
REVOX
SANSUI
SHARP
SONY
TEAC
TECHNICS
THORENS
VICTOR
WARDS
YAMAHA
70229
70029, 70229
70027, 70220
70029
70029
70027, 70220
70029
70029
70205, 70231
70170, 70243
70283, 70289,
70308, 70309
70229
70029
70244, 70273
70027, 70029
70097, 70205,
70524
TUNER
ACOUSTIC SOLUTIONS
81467
AIWA
80158, 80189
AKAI
80115, 80609
ANAM
80281, 80609
ARCAM
80189
CAIRN
80189
CAMBRIDGE 80189
CAMBRIDGE AUDIO
81455, 81647
CARVER
80189
DENON
80004, 80273
DUAL
80004
GARRARD
80281
GOLDMUND 80189
GOLDSTAR
80281
GOODMANS 80609
GRADIENTE 80281
GRUNDIG
80189, 80281
HARMAN/KARDON
80110, 80189
INKEL
80027, 80066
JBL
80110
JVC
80074
KENWOOD
80027, 80645
LG
80281
LINN
80189
© 2006
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
LOEWE
80189
MAGNAVOX 80189
MARANTZ
80189
MEMOREX
80014
MICROMEGA 80189
MUSICAL FIDELITY
80445
MYRYAD
80189
NAD
80320, 80609
NIKKO
80609
ONKYO
80103, 80119
PANASONIC 80309, 80518
PHILIPS
80189
PIONEER
80014
POLK AUDIO 80189
RADIOLA
80189
RESTEK
80189
REVOX
80140, 80189
SANSUI
80189, 80609
SHERWOOD 80066
SIEMENS
80609
SONIC
80281
SONY
80158
SOUNDWAVE 80609
TEAC
80110, 80609
TECHNICS
80309, 80518,
81135
TECHWOOD 80281, 80609
THORENS
80189
UNIVERSUM 80189, 80281,
80609
VICTOR
80074
WARDS
80014, 80158,
80189
YAMAHA
80293, 81908
(TUNER ID1)
81916
(TUNER ID2)
81917
ZENITH
80281
HTR-N5060
QUAD
60157
QUASAR
60029
RADIOLA
60157
RADIOTONE 60625
RCA
60032, 60179
REALISTIC
60179
RESTEK
60157
REVOX
60157
ROTEL
60157, 60897
SAE
60157
SAMSUNG
60524
SANSUI
60157, 60625
SANYO
60179
SEG
60625
SHARP
60034
SHERWOOD 60426
SIEMENS
60157, 60362
SIMAUDIO
60157
SONIC FRONTIERS
60157
SONY
60000
STS
60018
SUPERTECH 60625
SYNERGY
60625
TAG MCLAREN
60157
TANDY
60032
TEAC
60362, 60393,
60625, 60643
TECHNICS
60029, 60207,
60303
TECHWOOD 60362
THORENS
60157
THULE AUDIO60157
TOSHIBA
60299, 60481
TRAXDATA 60626
UNIVERSUM 60157, 60362,
60524
WARDS
60000, 60032,
60157, 60179
YAMAHA
60036, 61907
YBA
60625
HTR-N5060
AV Receiver
Ampli-tuner audio-vidéo
OTHER AUDIO
ACCESSORIES
YAMAHA (iPod)
81981
YAMAHA (NET/USB) 81982
All rights reserved.
Printed in Malaysia
WG73970
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
ИНСТРУКЦИЯ ПО ЭКСПЛУАТАЦИИ
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1
2
3
4
5
6
7
8
9
10
11
To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
Install this sound system in a well ventilated, cool, dry, clean
place – away from direct sunlight, heat sources, vibration,
dust, moisture, and/or cold. Allow ventilation space of at
least 30 cm on the top, 20 cm on the left and right, and 20
cm on the back of this unit.
Locate this unit away from other electrical appliances,
motors, or transformers to avoid humming sounds.
Do not expose this unit to sudden temperature changes from
cold to hot, and do not locate this unit in an environment
with high humidity (i.e. a room with a humidifier) to prevent
condensation inside this unit, which may cause an electrical
shock, fire, damage to this unit, and/or personal injury.
Avoid installing this unit where a foreign object may fall
onto this unit and/or this unit may be exposed to liquid
dripping or splashing. On the top of this unit, do not place:
– other components, as they may cause damage and/or
discoloration on the surface of this unit.
– burning objects (i.e. candles), as they may cause fire,
damage to this unit, and/or personal injury.
– containers with liquid in them, as they may fall and
liquid may cause electrical shock to the user and/or
damage to this unit.
Do not cover this unit with a newspaper, tablecloth, curtain,
etc. in order not to obstruct heat radiation. If the temperature
inside this unit rises, it may cause fire, damage to this unit,
and/or personal injury.
Do not plug in this unit to a wall outlet until all connections
are complete.
Do not operate this unit upside-down. It may overheat,
possibly causing damage.
Do not use force on switches, knobs and/or cords.
When disconnecting the power cable from the wall outlet,
grasp the plug; do not pull the cord.
Do not clean this unit with chemical solvents; this might
damage the finish. Use a clean, dry cloth.
12
13
14
15
16
17
18
Only voltage specified on this unit must be used. Using this
unit with a higher voltage than specified is dangerous and
may cause fire, damage to this unit, and/or personal injury.
YAMAHA will not be held responsible for any damage
resulting from use of this unit with a voltage other than
specified.
To prevent damage by lightning, keep the power cable and
outdoor antennas disconnected from a wall outlet or this unit
during a lightning storm.
Do not attempt to modify or fix this unit. Contact qualified
YAMAHA service personnel when any service is needed.
The cabinet should never be opened for any reasons.
When not planning to use this unit for long periods of time
(i.e. vacation), disconnect the AC power plug from the wall
outlet.
Install this unit near the AC wall outlet where the power
cable plug can be reached easily.
Be sure to read the “TROUBLESHOOTING” section on
common operating errors before concluding that this unit is
faulty.
Before moving this unit, press STANDBY/ON to set this
unit to the standby mode, and then disconnect the power
cable from the AC wall outlet.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.
This unit is not disconnected from the AC power
source as long as it is connected to the wall outlet, even
if this unit itself is set to the standby mode. In this
state, this unit is designed to consume a very small
quantity of power.
CONTENTS
FEATURES............................................................. 2
GETTING STARTED............................................ 3
Supplied accessories .................................................. 3
Installing batteries in the remote control ................... 3
CONTROLS AND FUNCTIONS ......................... 4
PREPARATION
Automatic tuning ..................................................... 46
Manual tuning.......................................................... 47
Automatic preset tuning........................................... 48
Manual preset tuning ............................................... 49
Selecting preset stations........................................... 50
Exchanging preset stations ...................................... 51
RADIO DATA SYSTEM TUNING
(EUROPE MODEL ONLY).............................53
Selecting the Radio Data System program .............. 53
Using the Radio Data System station network ........ 54
Displaying the Radio Data System information ...... 55
SOUND FIELD PROGRAMS
CONNECTIONS .................................................. 12
Selecting sound field programs ............................... 57
Sound field program descriptions............................ 58
Changing sound field parameter settings................. 60
ADVANCED OPERATION
SET MENU ............................................................66
Using SET MENU................................................... 68
1 SOUND MENU.................................................... 69
2 INPUT MENU...................................................... 74
3 NET/USB MENU................................................. 76
4 OPTION MENU................................................... 78
ADVANCED SETUP ............................................81
REMOTE CONTROL FEATURES ...................83
Controlling this unit, a TV, or other components.... 83
Setting the remote control code ............................... 85
Setting library codes ................................................ 86
Resetting all remote control codes........................... 87
USING iPod® .........................................................88
SOUND FIELD
PROGRAMS
BASIC SETUP ...................................................... 29
SOUND FIELD PROGRAMS .............................57
BASIC
OPERATION
Placing speakers....................................................... 12
Connecting speakers ................................................ 13
Information on jacks and cable plugs ...................... 16
Audio and video signal flow.................................... 17
Connecting a TV...................................................... 18
Connecting a DVD player, a DVD recorder,
a VCR or an STB................................................. 19
Connecting a CD player, an MD player
or a tape deck....................................................... 21
Connecting a YAMAHA iPod universal dock ........ 22
Connecting the network........................................... 23
Connecting a multi-format player, an external
decoder or a sound processor .............................. 24
Connecting a game console, a video camera
or a portable audio player .................................... 24
Connecting the FM and AM antennas ..................... 25
Connecting the power cable..................................... 26
Setting the speaker impedance................................. 27
Turning on and off the power .................................. 28
PREPARATION
Front panel ................................................................. 4
Remote control........................................................... 6
Front panel display .................................................... 9
Rear panel ................................................................ 11
FM/AM TUNING..................................................46
INTRODUCTION
INTRODUCTION
Controlling iPod ...................................................... 88
BASIC OPERATION
USING VIDEO FEATURES ............................... 40
Displaying the input source information ................. 40
Selecting the OSD mode.......................................... 41
Playing video sources in the background ................ 41
RESETTING THE SYSTEM...............................95
ADDITIONAL INFORMATION
TROUBLESHOOTING .......................................96
GLOSSARY.........................................................103
Audio information ................................................. 103
Video information.................................................. 105
Sound field program information .......................... 105
SPECIFICATIONS.............................................106
English
ENJOYING SURROUND SOUND .................... 42
ADDITIONAL
INFORMATION
Using SILENT CINEMA ........................................ 34
Muting the audio output........................................... 34
Selecting the night listening mode........................... 34
Selecting the input mode ......................................... 35
Using the sleep timer ............................................... 35
Adjusting the speaker level...................................... 36
Selecting the Compressed Music Enhancer mode... 37
Selecting the MULTI CH INPUT component......... 38
Enjoying multi-channel sources
in 2-channel stereo............................................... 39
Enjoying unprocessed input sources........................ 39
Enjoying pure hi-fi stereo sound.............................. 39
Navigating the network and USB menus ................ 90
Using a PC server or YAMAHA
MCX-2000........................................................... 92
Using the Internet radio ........................................... 93
Using a USB memory device or a USB
portable audio player ........................................... 94
ADVANCED
OPERATION
PLAYBACK.......................................................... 32
USING AUDIO FEATURES............................... 34
USING NETWORK/USB FEATURES...............90
Enjoying multi-channel sources
in 6.1-channel surround ....................................... 42
Enjoying 2-channel sources in surround.................. 43
Using Virtual CINEMA DSP .................................. 44
RECORDING ....................................................... 45
1 En
FEATURES
FEATURES
Built-in 6-channel power amplifier
Network features
◆ Minimum RMS output power
(1 kHz, 0.7% THD, 8 Ω)
Front: 110 W + 110 W
Center: 110 W
Surround: 110 W + 110 W
Surround back: 110 W
◆ LAN port to connect a PC and YAMAHA MCX-2000 or
access the Internet radio via a LAN
◆ DHCP automatic or manual network configuration
Sound field programs
◆ Proprietary YAMAHA technology for the creation of sound
fields
◆ Dolby Digital/Dolby Digital EX decoder
◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,
DTS 96/24 decoder
◆ Dolby Pro Logic/Dolby Pro Logic II/
Dolby Pro Logic IIx decoder
◆ Virtual CINEMA DSP
◆ SILENT CINEMA™
Sophisticated AM/FM tuner
◆ 40-station random and direct preset tuning
◆ Automatic preset tuning
◆ Preset station shifting capability (preset editing)
Radio Data System
(Europe model only)
◆ Radio Data System tuning capability
iPod controlling capability
◆ DOCK terminal to connect a YAMAHA iPod universal dock
(such as YDS-10 sold separately), which supports iPod (Click
and Wheel), iPod nano, and iPod mini
Manufactured under license from Dolby
Laboratories.
“Dolby”, “Pro Logic”, and the double-D
symbol are trademarks of Dolby
Laboratories.
Manufactured under license from Digital
Theater Systems, Inc. “DTS”, “DTS-ES”,
“NEO:6”, and “DTS 96/24” are trademarks
of Digital Theater Systems, Inc. Copyright
1996, 2003 Digital Theater Systems, Inc. All
right reserved.
iPod®
“iPod” is a trademark of Apple Computer,
Inc., registered in the U.S. and other
countries.
MPEG Layer-3 audio coding technology licensed from
Fraunhofer IIS and Thomson.
2 En
USB features
◆ USB port to connect a USB memory device or a USB portable
audio player
Other features
◆ 192-kHz/24-bit D/A converter
◆ OSD (on-screen display) menus that allow you to optimize
this unit to suit your individual audiovisual system
◆ 6 additional input jacks for discrete multi-channel input
◆ S-video signal input/output capability
◆ Component video input/output capability
(3 COMPONENT VIDEO INs and 1 MONITOR OUT)
◆ Digital video signal conversion (composite video ↔
S-video → component video) capability for monitor out
◆ Optical and coaxial digital audio signal jacks
◆ Sleep timer
◆ Cinema and music night listening modes
◆ Remote control with preset remote control codes,
backlighting input selector buttons, and an iPod (stationed in a
YAMAHA iPod universal dock connected to the DOCK
terminal) controlling capability
◆ Compressed Music Enhancer mode to improve the sound
quality of compression artifacts (such as the MP3 format) to
that of a high-quality stereo
This receiver supports network connections.
“SILENT CINEMA” is a trademark of
YAMAHA CORPORATION.
This unit contains programs licensed under the GNU General
Public License and GNU Lesser General Public License.
Windows XP, Windows Media Audio, Windows Media Connect
are either registered trademarks or trademarks of Microsoft
corporation in the United States and/or countries.
GETTING STARTED
GETTING STARTED
Check that you received all of the following parts.
Remote control
CODE SET
POWER
AM loop antenna
1
3
TRANSMIT
POWER
TV
AV
CD
CD-R
STANDBY
POWER
MD
SLEEP
MULTI CH IN
CBL
DVD
Installing batteries in the remote
control
INTRODUCTION
Supplied accessories
DTV
TUNER
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
DOCK
USB
2
AMP
SOURCE
TV
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
MOVIE
ENT.
10
EFFECT
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
BAND
SRCH MODE
Indoor FM antenna
(Canada model)
ENTER
1
Take off the battery compartment cover.
2
Insert the two supplied batteries
(AA, R6, UM-3) according to the polarity
markings (+ and –) on the inside of the
battery compartment.
3
Snap the battery compartment cover back
into place.
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
AUDIO
PC/MCX
NET RADIO
FREQ/TEXT
MODE
USB
PTY SEEK START
EON
Batteries (2)
(AA, R6, UM-3)
Indoor FM antenna
(Europe and Australia
models)
About this manual
• Change all of the batteries if you notice the following
conditions:
– the operation range of the remote control decreases.
– the TRANSMIT indicator does not flash or its light becomes
dim.
• Do not use an old battery together with a new one.
• Do not use different types of batteries (such as alkaline and
manganese batteries) together. Read the packaging carefully as
these different types of batteries may have the same shape and
color.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
• Do not throw away batteries with general house waste; dispose
of them correctly in accordance with your local regulations.
• If the remote control is without batteries for more than 2
minutes, or if exhausted batteries remain in the remote control,
the contents of the memory may be cleared. When the memory
is cleared, insert new batteries and set up the remote control
code that may have been cleared.
English
• y indicates a tip for your operation.
• Some operations can be performed by using either the
buttons on the front panel or the ones on the remote control.
In case the button names differ between the front panel and
the remote control, the button name on the remote control is
given in parentheses.
• This manual is printed prior to production. Design and
specifications are subject to change in part as a result of
improvements, etc. In case of differences between the
manual and product, the product has priority.
Notes
3 En
CONTROLS AND FUNCTIONS
CONTROLS AND FUNCTIONS
Front panel
1
2
34 5
6
7
8
9
0
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
l PRESET/TUNING h
MEMORY
TUNING MODE
LEVEL
MAN'L/AUTO FM
AUTO/MAN'L
NEXT
EDIT
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
VIDEO
SILENT CINEMA
A
B
CD
E
F
1 STANDBY/ON
Turns on this unit or sets it to the standby mode
(see page 28).
Notes
• In the standby mode, this unit consumes a small amount of
power in order to receive infrared signals from the remote
control.
• When you turn on this unit, there will be a 4 to 5-second delay
before this unit can reproduce sound.
2 Remote control sensor
Receives signals from the remote control (see page 8).
3 Front panel display
Shows information about the operational status of this unit
(see page 9).
4 PRESET/TUNING, EDIT
• Switches the function of PRESET/TUNING l / h
between selecting preset station numbers and selecting
the tuning frequency.
• Edits the assignments of preset stations (see page 51).
4 En
G
H
I
J
L
AUDIO
R
K
5 FM/AM
Switches the reception band between FM and AM when
“TUNER” is selected as the input source (see page 46).
6 A/B/C/D/E, NEXT
• Selects one of the 5 preset station groups (A to E) when
“TUNER” is selected as the input source (see page 49).
• Selects the speaker channel whose output level you
want to adjust when “TUNER” is not selected as the
input source (see page 36).
7 PRESET/TUNING l / h, LEVEL +/–
• Selects one of the 8 preset station numbers (1 to 8)
when “TUNER” is selected as the input source. The
colon (:) is displayed in the front panel display (see
page 50).
• Selects the tuning frequency when “TUNER” is
selected as the input source. The colon (:) is not
displayed in the front panel display (see page 46).
• Adjusts the level of the speaker channel selected using
NEXT when “TUNER” is not selected as the input
source (see page 36).
CONTROLS AND FUNCTIONS
E BASS/TREBLE +/–
Adjusts the bass/treble balance of the front left and right
speakers in conjunction with TONE CONTROL
(see page 33).
9 TUNING MODE (AUTO/MAN’L)
Switches between automatic tuning (the AUTO indicator
is turned on) and manual tuning (the AUTO indicator is
turned off) (see page 46).
F PROGRAM l / h
Selects sound field programs (see page 33).
0 VOLUME
Controls the output level of all audio channels.
y
This does not affect the AUDIO OUT (REC) level.
A
PHONES (SILENT CINEMA) jack
Outputs audio signals for private listening with
headphones (see page 34).
Notes
• When you connect headphones, no signals are output at the
SUBWOOFER OUTPUT jack or the speaker terminals.
• All Dolby Digital and DTS audio signals are mixed down to the
left and right headphone channels.
B SPEAKERS A/B
Turns on or off the set of front speakers connected to the
FRONT A and/or B terminals on the rear panel each time
the corresponding button is pressed.
C STRAIGHT (EFFECT)
Turns the sound field programs off or on. When the
“STRAIGHT” mode is selected, 2-channel or multichannel input signals are output directly from their
respective speakers without effect processing (see
page 39).
D TONE CONTROL
Selects “BASS” or “TREBLE” to adjust the tonal balance
of the front left and right speakers in conjunction with
BASS/TREBLE +/– (see page 33).
G INPUT MODE
Selects either digital or analog input signals exclusively or
sets this unit to automatically detect the type of input
signals and select the corresponding input signals when
one component is connected via both digital and analog
connections (see page 35).
INTRODUCTION
8 MEMORY (MAN’L/AUTO FM)
Stores a preset station in the memory. Hold down this
button for more than 3 seconds to start automatic preset
tuning (see page 48).
H INPUT selector
Selects the desired input source.
I MULTI CH INPUT
Selects the component connected to the MULTI CH
INPUT jacks as the input source (see page 38).
Note
The input source connected to the MULTI CH INPUT jacks takes
priority over the source selected with the INPUT selector on the
front panel (or the input selector buttons on the remote control).
J VIDEO AUX jacks
Input audio and video signals from a portable external
source such as a game console, a video camera or a
portable audio player (see page 24).
y
To reproduce the source signals input at these jacks, select
“V-AUX” as the input source.
Note
The audio signals input at the DOCK terminal on the rear panel
take priority over the ones input at the VIDEO AUX jacks.
K USB port
Use to connect a USB memory device or a USB portable
audio player (see page 94).
English
5 En
CONTROLS AND FUNCTIONS
Remote control
This section describes the function of each control on the
remote control used to control this unit. To operate other
components, see “REMOTE CONTROL FEATURES” on
page 83.
Note
The operation mode of the remote control buttons in the shaded
area below depends on the component selector switch position.
Set the component selector switch to AMP to control this unit. To
control the TUNER functions, set the component selector switch
to SOURCE and then press TUNER to select “TUNER” as the
input source.
1
2
0
CODE SET
POWER
TV
A
TRANSMIT
POWER
STANDBY
POWER
B
AV
MD
CD
SLEEP
CD-R
3
DVD
DTV
D
TUNER
DOCK
V-AUX
USB
DVR
NET
AMP
SOURCE
TV VOL
C
MULTI CH IN
CBL
TV CH
VOLUME
E
F
TV
4
G
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
MOVIE
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
■ Controlling this unit
Set the component selector switch to AMP to control this
unit.
1 Infrared window
Outputs infrared control signals. Aim this window at the
component you want to operate (see page 8).
2 CODE SET
Use to set up remote control codes (see page 85).
3 Input selector buttons
Select the input source you want to control.
Note
The corresponding input selector button for the currently selected
input source lights up for approximately 5 seconds after you press
any buttons on the remote control, showing which source
component is currently being operated.
4 Sound field program selector buttons
Select sound field programs (see page 57).
– Use SELECT to play back 2-channel sources in
surround (see page 43).
– Use EXTD SUR. to switch between 5.1 and
6.1-channel playback of multi-channel sources
(see page 42).
– Use DIRECT ST. to play back 2-channel sources in
hi-fi stereo sound (see page 39).
5 SPEAKERS
Turns on or off the set of front speakers connected to the
FRONT A and/or B terminals on the rear panel. Press this
button repeatedly to toggle as follows:
A on
5
6
7
ENT.
10
EFFECT
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
BAND
SRCH MODE
8
H
I
J
ENTER
B on
A and B off
6 ENHANCER
Turns on or off the Compressed Music Enhancer mode
(see page 37).
A/B/C/D/E
9
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
K
REC
AUDIO
PC/MCX
NET RADIO
FREQ/TEXT
MODE
USB
PTY SEEK START
EON
L
M
7 LEVEL
Selects the speaker channel to be adjusted and sets the
output level (see page 36).
8 Cursor buttons u / d / j / i, ENTER
Select and adjust the sound field program parameters or
the “SET MENU” parameters.
9 RETURN
Returns to the previous menu level when adjusting the
“SET MENU” parameters.
6 En
CONTROLS AND FUNCTIONS
0 TRANSMIT indicator
Flashes while the remote control is sending infrared
signals.
J SET MENU
Enters “SET MENU” (see page 68).
B POWER
Turns on this unit (see page 28).
K DISPLAY
Selects the on-screen display (OSD) mode for your video
monitor (see page 41).
C SLEEP
Sets the sleep timer (see page 35).
L Network and USB input selector buttons
Select the sub input source of NET/USB (see page 90).
D MULTI CH IN
Selects the component connected to the MULTI CH
INPUT jacks as the input source when using an external
decoder, etc. (see page 38).
PC/MCX
Selects a PC server or YAMAHA MCX-2000 as the
sub input source of NET/USB.
E VOLUME +/–
Increases or decreases the volume level.
NET RADIO
Selects the Internet radio as the sub input source of
NET/USB.
F Component selector switch
Selects the operation mode of the remote control buttons
in the shaded area.
USB
Selects a USB memory device or a USB portable
audio player as the sub input source of NET/USB.
AMP
Operates this unit.
SOURCE
Operates the component selected with an input
selector button (see page 84).
TV
Operates the TV assigned to either DTV/CBL or
(see page 83).
Notes
Notes
• Press NET/USB to select “NET/USB” as the input source
before you press any of the network and USB input selector
buttons stated above to select the corresponding sub input
source of NET/USB.
• When you press any of the network and USB input selector
buttons, the contents previously played for the corresponding
sub input source of NET/USB is automatically played.
M Radio Data System tuning buttons
(Europe model only)
• To set the remote control codes for other components, see
page 85.
• When you set the remote control codes for both DTV/CBL and
(see page 85), priority is given to the one set for DTV/
CBL.
FREQ/TEXT
Switches the Radio Data System display between the
PS mode, PTY mode, RT mode, CT mode (if the
station offers the corresponding data services) and the
frequency display (see page 55).
G MUTE
Mutes the audio output. Press again to restore the audio
output to the previous volume level (see page 34).
PTY SEEK MODE
Sets this unit to the PTY SEEK mode (see page 53).
H STRAIGHT (EFFECT)
Turns the sound field programs off or on. When the
“STRAIGHT” mode is selected, 2-channel or multichannel input signals are output directly from their
respective speakers without effect processing (see
page 39).
INTRODUCTION
A STANDBY
Sets this unit to the standby mode (see page 28).
I NIGHT
Turns on or off the night listening modes (see page 34).
PTY SEEK START
Starts searching for a station once the desired program
type is selected in the PTY SEEK mode (see page 53).
EON
Selects a program type (NEWS, AFFAIRS, INFO, or
SPORT) for automatic tuning (see page 54).
English
7 En
CONTROLS AND FUNCTIONS
■ Controlling the TUNER functions
■ Using the remote control
Set the component selector switch to SOURCE and then
press TUNER to select “TUNER” as the input source.
The remote control transmits a directional infrared ray.
Be sure to aim the remote control directly at the remote
control sensor on this unit during operation.
4 Numeric buttons
Use numbers 1 through 8 to select preset stations.
7 BAND
Switches the reception band between FM and AM.
VOLUME
8 Cursor buttons u / d / j / i
Press j / i to select a preset station group (A to E) and
u / d to select a preset station number (1 to 8)
(see page 50).
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
STRAIGHT
SPEAKERS
A
B
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
VIDEO
SILENT CINEMA
30
30
L
AUDIO
R
Approximately 6 m
Note
CODE SET
POWER
TRANSMIT
POWER
TV
AV
CD
CD-R
STANDBY
POWER
MD
The printed letters “DAB MEMORY” and “SRCH MODE” are
not applicable to this unit.
SLEEP
MULTI CH IN
CBL
DVD
TUNER
DTV
DOCK
USB
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
AMP
SOURCE
TV
TV MUTE
STEREO
TV INPUT
MUTE
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
ENT.
10
EFFECT
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
SRCH MODE
BAND
ENTER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
AUDIO
PC/MCX
NET RADIO
FREQ/TEXT
MODE
USB
PTY SEEK START
EON
Notes
• Do not spill water or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following types
of conditions:
– places of high humidity, such as near a bath
– places of high temperatures, such as near a heater or stove
– places of extremely low temperatures
– dusty places
8 En
CONTROLS AND FUNCTIONS
Front panel display
t
2 3
5 6
7
8
9
0
DOCK
VIRTUAL
STANDARD
SP SILENT CINEMA
NIGHT
AB
C
B
VOLUME
AUTO TUNED STEREO MEMORY
HiFi DSP
PTY HOLD PS PTY RT CT EON SLEEP
dB
MUTE
96/24 LFE
ft
q DIGITAL
q PL x q PL
A
pDVR pV-AUX pDTV/CBL pDVD pMD/CD-R pTUNER pCD
pNET
USB
96
24
MATRIX DISCRETE
ENHANCER
q EX
4
q PL
mS
dB
PCM
D
E
F G
H
I
J
1 Decoder indicators
The respective indicator lights up when any of the
decoders of this unit functions.
2 ENHANCER indicator
Lights up when the Compressed Music Enhancer mode is
turned on (see page 37).
3 Sound field indicators
Light up to indicate the active DSP sound fields.
Presence DSP sound field
Listening position
Surround left
DSP sound field
Surround right
DSP sound field
Surround back DSP sound field
L C R
SL SB SR
K L M
P
INTRODUCTION
1
N
O
(Europe model only)
6 DOCK indicator
Lights up when you station your iPod in a YAMAHA iPod
universal dock (such as YDS-10 sold separately)
connected to the DOCK terminal of this unit
(see page 22).
7 SILENT CINEMA indicator
Lights up when headphones are connected and a sound
field program is selected (see page 34).
8 CINEMA DSP indicator
Lights up when you select a CINEMA DSP sound field
program (see page 58).
9 AUTO indicator
Lights up when this unit is in the automatic tuning mode
(see page 46).
4 VIRTUAL indicator
Lights up when Virtual CINEMA DSP is active (see
page 44).
0 TUNED indicator
Lights up when this unit is tuned into a station
(see page 46).
5 Input source indicators
The corresponding cursor lights up to show the currently
selected input source.
A STEREO indicator
Lights up when this unit is receiving a strong signal for an
FM stereo broadcast while the AUTO indicator is lit.
B MEMORY indicator
Flashes to show that a station can be stored (see page 48).
English
9 En
CONTROLS AND FUNCTIONS
C VOLUME level indicator
Indicates the current volume level.
D PCM indicator
Lights up when this unit is reproducing PCM (Pulse Code
Modulation) digital audio signals.
E STANDARD indicator
Lights up when the “SUR. STANDARD” or “SUR.
ENHANCED” program is selected.
F SP A B indicators
Light up according to the set of front speakers selected.
G Headphones indicator
Lights up when headphones are connected.
H NIGHT indicator
Lights up when you select a night listening mode
(see page 34).
I HiFi DSP indicator
Lights up when you select a HiFi DSP sound field
program (see page 59).
J Multi-information display
Shows the name of the current sound field program and
other information when adjusting or changing settings.
K SLEEP indicator
Lights up while the sleep timer is on (see page 35).
L MUTE indicator
Flashes while the MUTE function is on (see page 34).
M 96/24 indicator
Lights up when a DTS 96/24 signal is input to this unit.
N Input channel indicators
Indicate the channel components of the current digital
input signal.
O LFE indicator
Lights up when the input signal contains the LFE signal.
P Radio Data System indicators
(Europe model only)
The corresponding indicator lights up to show the type
of the Radio Data System information.
EON
Lights up when the EON data service is being
received.
PTY HOLD
Lights up while searching for the Radio Data System
stations in the PTY SEEK mode.
10 En
CONTROLS AND FUNCTIONS
Rear panel
2
AUDIO
3
AUDIO
4 5
MULTI CH INPUT
OUTPUT
CENTER
6
DIGITAL
OUTPUT
MD/CD-R
DIGITAL INPUT
MD/CD-R
DVD
DTV/CBL
7
8
DOCK
LAN
DVD
Y
IN
MD/
OUT
(PLAY) CD-R (REC)
CD
FRONT
SURROUND
SUB
WOOFER
SUB
WOOFER
OPTICAL
OPTICAL
9
INTRODUCTION
1
COAXIAL
PB
PR
Y
PB
PR
DVR
DVD
DTV/
CBL
DVD
DTV/CBL
IN
DVR OUT
VIDEO
TUNER
AM
ANT
GND
MONITOR
OUT
DVD
DTV/CBL
IN
DVR OUT
S VIDEO
MONITOR OUT
MONITOR
OUT
COMPONENT VIDEO
SPEAKERS
FM ANT
75Ω
UNBAL.
SURROUND
FRONT
A
B
CENTER
0
A
1 Video component jacks
See pages 18 and 19 for connection information.
2 Audio component jacks
See page 21 for connection information.
3 MULTI CH INPUT jacks
See page 24 for connection information.
4 SUBWOOFER OUTPUT jack
See page 13 for connection information.
5 DIGITAL OUTPUT jack
See page 21 for connection information.
6 DIGITAL INPUT jacks
See pages 19 and 21 for connection information.
SURROUND BACK
B
8 LAN port
Use to connect a network cable for network connections.
See page 23 for connection information.
9 COMPONENT VIDEO jacks
See pages 18 and 19 for connection information.
0 Antenna terminals
See page 25 for connection information.
A Speaker terminals
See page 13 for connection information.
B AC OUTLET(S)
Use to supply power to your other audiovisual
components.
See page 26 for details.
7 DOCK terminal
Use to connect a YAMAHA iPod universal dock (such as
YDS-10 sold separately) where your iPod can be
stationed.
See page 22 for connection information.
English
11 En
CONNECTIONS
CONNECTIONS
Placing speakers
The speaker layout below shows the standard ITU-R*
speaker setting. You can use it to enjoy CINEMA DSP and
multi-channel audio sources.
*
ITU-R is the radio communication sector of the ITU
(International Telecommunication Union).
FL
Center speaker (C)
The center speaker is for the center channel sounds
(dialog, vocals, etc.). If for some reason it is not practical
to use a center speaker, you can do without it. Best results,
however, are obtained with the full system. Place the
center speaker centrally between the front speakers and as
close to the monitor as possible, such as directly over or
under it.
FR
C
30˚
SL
SR
Surround left and right speakers (SL and SR)
The surround speakers are used for effect and surround
sounds. Place these speakers behind your listening
position, facing slightly inwards, about 1.8 m (6 ft) above
the floor.
60˚
SL
80˚
SR
SB
FR
SW
FL
SR
C
SL
SB
1.8 m (6 ft)
12 En
Front left and right speakers (FL and FR)
The front speakers are used for the main source sound plus
effect sounds. Place these speakers at an equal distance
from the ideal listening position. The distance of each
speaker from each side of the video monitor should be the
same.
Surround back speaker (SB)
The surround back speaker supplements the surround
speakers and provides more realistic front-to-back
transitions. Place this speaker directly behind the listening
position and at the same height as the surround speakers.
Subwoofer (SW)
The use of a subwoofer with a built-in amplifier, such as
the YAMAHA Active Servo Processing Subwoofer
System, is effective not only for reinforcing bass
frequencies from any or all channels, but also for high
fidelity reproduction of the LFE (low-frequency effect)
channel included in Dolby Digital and DTS sources. The
position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the front speakers. Turn it
slightly toward the center of the room to reduce wall
reflections.
CONNECTIONS
Connecting speakers
Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty,
no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be
unnatural and lack bass.
CAUTION
Note
A speaker cord is actually a pair of insulated cables running side by side. Cables are colored or shaped differently, perhaps with a stripe,
groove or ridge. Connect the striped (grooved, etc.) cable to the “+” (red) terminals of this unit and your speaker. Connect the plain cable
to the “–” (black) terminals.
PREPARATION
• Before connecting the speakers, make sure that this unit is turned off (see page 28).
• Do not let the bare speaker wires touch each other or do not let them touch any metal part of this
unit. This could damage this unit and/or speakers.
• Use magnetically shielded speakers. If this type of speakers still creates the interference with the
monitor, place the speakers away from the monitor.
• If you are to use 6 ohm speakers, be sure to set “SP IMP.” to “6ΩMIN” before using this unit (see
page 27). 4 ohm speakers can be also used as the front speakers (see page 82).
Front speakers (A)
Right
Left
Surround speakers
Right
Left
1
2
4
5
Subwoofer
7
OUTPUT
SUB
WOOFER
SPEAKERS
FRONT
SURROUND
A
B
CENTER
Front
speakers
(B)
SURROUND BACK
3
6
Center
speaker
English
Surround back
speaker
13 En
CONNECTIONS
FRONT terminals
Connect one or two sets of front speakers (1, 2) to these
terminals. If you use only one front speaker system,
connect it to the FRONT A or B terminal.
CENTER terminals
Connect a center speaker (3) to these terminals.
SURROUND terminals
Connect surround speakers (4, 5) to these terminals.
SURROUND BACK terminals
Connect a surround back speaker (6) to these terminals.
SUBWOOFER OUTPUT jack
Connect a subwoofer with a built-in amplifier (7) (such as
the YAMAHA Active Servo Processing Subwoofer
System) to this jack.
14 En
1
7
2
4
3
5
Speaker layout
6
CONNECTIONS
■ Connecting the speaker cable
■ Connecting the banana plug
(except Europe model)
1
The banana plug is a single-pole electrical connector
widely used to terminate speaker cables.
Remove approximately 10 mm of insulation
from the end of each speaker cable and then
twist the exposed wires of the cable together
to prevent short circuits.
Banana plug
10 mm
2
PREPARATION
1
Tighten the knob.
Loosen the knob.
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
2
3
Insert one bare wire into the hole on the side
of each terminal.
4
Tighten the knob to secure the wire.
Insert the banana plug connector into the
end of the corresponding terminal.
English
15 En
CONNECTIONS
Information on jacks and cable plugs
Audio jacks and cable plugs
DIGITAL AUDIO
DIGITAL AUDIO
L
R
COAXIAL
OPTICAL
(White)
(Red)
(Orange)
L
R
C
AUDIO
Left and right
Coaxial
analog audio digital audio
cable plugs
cable plug
Video jacks and cable plugs
VIDEO
S VIDEO
(Yellow)
O
V
S
Optical
digital
audio cable
plug
Composite
video cable
plug
S-video
cable plug
COMPONENT VIDEO
Y
PB
PR
(Green)
(Blue)
(Red)
Y
PB
PR
Component
video cable
plugs
■ Audio jacks
■ Video jacks
This unit has three types of audio jacks. Connection
depends on the availability of audio jacks on your other
components.
This unit has three types of video jacks. Connection
depends on the availability of input jacks on your video
monitor.
AUDIO jacks
For conventional analog audio signals transmitted via left
and right analog audio cables. Connect red plugs to the
right jacks and white plugs to the left jacks.
VIDEO jacks
For conventional composite video signals transmitted via
composite video cables.
DIGITAL AUDIO COAXIAL jacks
For digital audio signals transmitted via coaxial digital
audio cables.
DIGITAL AUDIO OPTICAL jacks
For digital audio signals transmitted via optical digital
audio cables.
Notes
• You can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the signals
input at the COAXIAL jack. All digital input jacks are
compatible with 96-kHz sampling digital signals.
• Pull out the cap from the optical jack before you connect the
fiber optic cable. Do not discard the cap. When you are not
using the optical jack, be sure to put the cap back in place. This
cap protects the jack from dust.
16 En
S VIDEO jacks
For S-video signals, separated into the luminance (Y) and
chrominance (C) video signals transmitted on separate
wires of S-video cables.
COMPONENT VIDEO jacks
For component video signals, separated into the
luminance (Y) and chrominance (PB, PR) video signals
transmitted on separate wires of component video cables.
y
When “VIDEO CONV.” is set to “ON” (see page 78), the video
signals input at the VIDEO and S VIDEO jacks are converted and
output at the VIDEO, S VIDEO and COMPONENT VIDEO
jacks interchangeably.
CONNECTIONS
Audio and video signal flow
■ Audio signal flow for AUDIO OUT (REC)
Input
Output
AUDIO OUT (REC)
DIGITAL AUDIO
COAXIAL
Digital audio
L
R
L
R
Analog audio
AUDIO
PREPARATION
DIGITAL AUDIO
OPTICAL
Digital output
Analog output
Note
This unit handles digital and analog signals independently. Thus, audio signals input at the analog jacks are output only at the analog
AUDIO OUT (REC) jacks. Likewise, audio signals input at the DIGITAL INPUT (OPTICAL or COAXIAL) jacks are output only at the
DIGITAL OUTPUT jack.
■ Video signal flow for MONITOR OUT
Input
Y
PB
Output
(MONITOR OUT)
PR
Y
PB
PR
COMPONENT
VIDEO
Analog video
S VIDEO
VIDEO
Through
Video conversion when “VIDEO CONV.” is set to “ON” (see page 78)
Note
17 En
English
If video signals are input at the COMPONENT VIDEO, S VIDEO and VIDEO jacks simultaneously when “VIDEO CONV.” is set to
“ON”, the priority order of the input signals is as follows:
COMPONENT VIDEO > S VIDEO > VIDEO
CONNECTIONS
Connecting a TV
Connect your TV to the VIDEO MONITOR OUT jack, the S VIDEO MONITOR OUT jack or the COMPONENT
VIDEO MONITOR OUT jacks of this unit.
CAUTION
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Y
VIDEO
MONITOR
OUT
MONITOR OUT
MONITOR
OUT
S VIDEO
V
COMPONENT VIDEO
S
Y
PB
PR
S-video in
Component video in
Video in
TV
18 En
PB
PR
CONNECTIONS
Connecting a DVD player, a DVD recorder, a VCR or an STB
Connect your DVD player, DVD recorder, VCR or STB (set-top box) using the same type of video connections as those
made for your TV (see page 18). The cable TV receiver and the satellite receiver are examples of the STB.
CAUTION
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Notes
PREPARATION
• When “VIDEO CONV.” is set to “OFF” (see page 78), be sure to make the same type of video connections as those made for your TV
(see page 18). For example, if you connected your TV to the VIDEO MONITOR OUT jack of this unit, connect your other
components to the VIDEO jacks.
• When “VIDEO CONV.” is set to “ON” (see page 78), the converted video signals are output only at the MONITOR OUT jacks. When
recording a source, you must make the same type of video connections between each component.
• To make a digital connection to a component other than the default component assigned to each DIGITAL INPUT or DIGITAL
OUTPUT jack, select the corresponding setting for “OPTICAL OUT”, “OPTICAL IN”, or “COAXIAL IN” in “I/O ASSIGNMENT”
(see page 74).
• If you connect your DVD player to both the DIGITAL INPUT (OPTICAL) and the DIGITAL INPUT (COAXIAL) jacks, priority is
given to the signals input at the DIGITAL INPUT (COAXIAL) jack.
■ Connecting a DVD player
DVD player
S
O
AUDIO
C
Coaxial audio out
V
Optical audio out
L
S-video out
R
Component video out
Video out
Audio out
Y
PR
PB
DIGITAL INPUT
DVD
DVD
OPTICAL
COAXIAL
Y
PB
PR
DVD
DVD
DVD
VIDEO
S VIDEO
COMPONENT VIDEO
English
19 En
CONNECTIONS
■ Connecting a DVD recorder or a VCR
AUDIO
Y
PB
PR
DVR
DVR OUT
IN
COMPONENT VIDEO
L
V
V
S
S-video in
R
S-video out
L
Video out
Audio in
Audio out
R
DVR OUT
S VIDEO
Video in
IN
VIDEO
S
Y
PB
PR
Component video out
DVD recorder or
VCR
■ Connecting an STB
Cable TV receiver or
satellite receiver
S
O
AUDIO
Optical audio out
V
S-video out
L
Video out
R
Audio out
Component video out
Y
PB
PR
DIGITAL INPUT
DTV/CBL
Y
PB
PR
OPTICAL
DTV/
CBL
DTV/CBL
VIDEO
20 En
DTV/CBL
S VIDEO
COMPONENT VIDEO
CONNECTIONS
Connecting a CD player, an MD player or a tape deck
Connect your CD player, MD player or tape deck via analog and/or digital connections.
CAUTION
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Note
CD player
Audio out
L
AUDIO
DIGITAL
OUTPUT
MD/CD-R
MD/
OUT
OPTICAL
(PLAY) CD-R (REC)
O
Audio out
R
L
R
L
Audio in
Optical audio in
IN
CD
DIGITAL INPUT
MD/CD-R
OPTICAL
O
Optical audio out
R
PREPARATION
To make a digital connection to a component other than the default component assigned to each DIGITAL INPUT or DIGITAL
OUTPUT jack, select the corresponding setting for “OPTICAL OUT”, “OPTICAL IN”, or “COAXIAL IN” in “I/O ASSIGNMENT”
(see page 74).
MD recorder or
tape deck
English
21 En
CONNECTIONS
Connecting a YAMAHA iPod universal dock
This unit is equipped with the DOCK terminal on the rear panel that allows you to connect a YAMAHA iPod universal
dock (such as YDS-10 sold separately) where you can station your iPod and control playback of your iPod using the
supplied remote control. Connect a YAMAHA iPod universal dock (such as YDS-10 sold separately) to the DOCK
terminal on the rear panel of this unit using its dedicated cable. Once the connection is complete, station your iPod in the
YAMAHA iPod universal dock.
CAUTION
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Notes
• Only iPod (Click and Wheel), iPod nano, and iPod mini are supported.
• You need a YAMAHA iPod universal dock (such as YDS-10 sold separately) and its dedicated cable compatible with the DOCK
terminal of this unit.
• Do not connect any iPod accessories (such as headphones, a wired remote control, or an FM transmitter) to your iPod when it is
stationed in a YAMAHA iPod universal dock (such as YDS-10 sold separately).
• Once your iPod is stationed in a YAMAHA iPod universal dock (such as YDS-10 sold separately) connected to the DOCK terminal of
this unit, this unit begins the signal transmission with your iPod.
• Unless your iPod is firmly stationed in a YAMAHA iPod universal dock (such as YDS-10 sold separately) connected to the DOCK
terminal of this unit, audio and/or video signals may not be output properly.
• Once the connection between your iPod and this unit is complete, “iPod connected” appears in the front panel display and the DOCK
indicator lights up in the front panel display. If the connection between your iPod and this unit fails, a status message appears in the
front panel display. For a complete list of connection status messages, see the iPod section in “TROUBLESHOOTING” on page 100.
• Only analog audio and video signals of your iPod are input at the DOCK terminal, and the analog audio signals can be output at the
analog AUDIO OUT (REC) jacks for recording.
• Your iPod battery is automatically charged when your iPod is stationed in a YAMAHA iPod universal dock (such as YDS-10 sold
separately) connected to the DOCK terminal of this unit as long as this unit is turned on.
• Depending on the type of iPod, you may need to insert one of the iPod adapters supplied with a YAMAHA iPod universal dock (such
as YDS-10 sold separately) into the dock slot before you station your iPod.
iPod
YAMAHA iPod universal dock
(such as YDS-10 sold separately)
DOCK
22 En
CONNECTIONS
Connecting the network
To connect this unit to your network, plug one end of a network cable (CAT-5 or higher straight cable) into the LAN port
of this unit, and plug the other end into one of the LAN ports on your router that supports the DHCP (Dynamic Host
Configuration Protocol) server function. The following diagram shows a connection example where this unit is connected
to one of the LAN ports on a 4-port router. To enjoy music files saved on your PC and YAMAHA MCX-2000 or access
the Internet radio, each device must be connected properly in the network.
Note
If the DHCP server function on your router is disabled, you need to configure the network settings manually (see page 76).
YAMAHA MCX-C15
Internet
WAN
YAMAHA MCX-A10
(with optional
speakers)
PC
PREPARATION
YAMAHA MCX-2000
LAN
Modem
Router
Network cable
LAN
English
23 En
CONNECTIONS
Connecting a multi-format player,
an external decoder or a sound
processor
This unit is equipped with 6 additional input jacks
(FRONT L/R, CENTER, SURROUND L/R and
SUBWOOFER) for discrete multi-channel input from a
multi-format player, external decoder or sound processor.
Connect the output jacks on your multi-format player,
external decoder or sound processor to the MULTI CH
INPUT jacks. Be sure to match the left and right output
jacks to the left and right input jacks for the front and
surround channels.
CAUTION
Do not connect this unit or other components to
the AC power supply until all connections
between components are complete.
Connecting a game console, a
video camera or a portable audio
player
Use the VIDEO AUX jacks on the front panel to connect a
game console, a video camera or a portable audio player to
this unit.
CAUTION
Be sure to turn off the volume of this unit and
other components before making connections.
Note
The audio signals input at the DOCK terminal takes priority over
the ones input at the VIDEO AUX jacks.
VOLUME
Notes
STANDBY
/ON
PRESET/TUNING
FM/AM
STRAIGHT
l
L
R
SUB
WOOFER
Multi-format player,
external decoder or
sound processor
24 En
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
VIDEO AUX
USB
MULTI CH
INPUT
EFFECT
BASS/TREBLE
TONE CONTROL
VIDEO
SILENT CINEMA
VIDEO AUX
VIDEO
L
L
AUDIO
R
R
Game console,
video camera or
portable audio player
Center out
R
SURROUND
Subwoofer out
Front out
L
Surround out
FRONT
MEMORY
LEVEL
h
PROGRAM
INPUT MODE
Video out
CENTER
l PRESET/TUNING h
NEXT
INPUT
SPEAKERS
A
B
V
MULTI CH INPUT
A/B/C/D/E
EDIT
PHONES
Audio out
• When you select the component connected to the MULTI CH
INPUT jacks as the input source (see page 38), this unit
automatically turns off the digital sound field processor, and
you cannot select sound field programs.
• This unit does not redirect signals input at the MULTI CH
INPUT jacks to accommodate for missing speakers. We
recommend that you connect at least a 5.1-channel speaker
system before using this feature.
• When headphones are used, only the signals input at the
FRONT L/R jacks are output at the PHONES jack.
L
AUDIO
R
CONNECTIONS
Connecting the FM and AM antennas
Both FM and AM indoor antennas are supplied with this
unit. In general, these antennas should provide sufficient
signal strength. Connect each antenna correctly to the
designated terminals.
2
Press and hold the tab of the AM ANT
terminal.
3
Insert one of the AM loop antenna lead wires
into the AM ANT terminal.
4
Release the tab of the AM ANT terminal back
into place.
5
Repeat steps 2 through 4 to connect the
other lead wire to the GND terminal.
Notes
AM loop antenna
(supplied)
PREPARATION
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
• A properly installed outdoor antenna provides clearer reception
than an indoor one. If you experience poor reception quality,
install an outdoor antenna. Consult the nearest authorized
YAMAHA dealer or service center about outdoor antennas.
Indoor FM antenna
(supplied)
TUNER
AM
ANT
GND
FM ANT
75Ω
UNBAL.
Ground (GND terminal)
For maximum safety and
minimum interference,
connect the antenna GND
terminal to a good earth
ground. A good earth ground
is a metal stake driven into
moist earth.
Outdoor AM antenna
Use a 5 to 10 m of vinyl-covered wire
extended from a window.
■ Connecting the AM loop antenna
y
1
Set up the AM loop antenna.
Once you have properly connected the AM loop antenna to this
unit, orient the AM loop antenna for the best reception when you
tune into AM stations.
English
25 En
CONNECTIONS
Connecting the power cable
Once all connections are complete, plug the power cable into the AC wall outlet.
(Canada model)
AC OUTLETS
To the AC wall outlet
■ AC OUTLET(S) (SWITCHED)
Australia model ..................................................... 1 outlet
Other models .........................................................2 outlets
Use these outlet(s) to supply power to any connected
components. Connect the power cable of your other
components to these outlet(s). Power to these outlet(s) is
supplied when this unit is turned on. However, power to
these outlet(s) is cut off when this unit is set to the standby
mode. For information on the maximum power or the total
power consumption of the components that can be
connected to these outlet(s), see “SPECIFICATIONS” on
page 106.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is in the standby mode.
However, the stored data will be lost in case the power
cable is disconnected from the AC wall outlet or if the
power supply is cut off for more than one week.
26 En
CONNECTIONS
Setting the speaker impedance
CAUTION
3
If you are to use 6 ohm speakers, set “SP IMP.” to
“6ΩMIN” as follows BEFORE using this unit. 4
ohm speakers can be also used as the front
speakers.
Press PROGRAM l / h on the front panel to
select “SP IMP.”.
The following display appears in the front panel
display.
l
PROGRAM
h
2,5
PREPARATION
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
AUTO/MAN'L
SP IMP.-8 MIN
INPUT
PHONES
STRAIGHT
SPEAKERS
A
B
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
VIDEO
SILENT CINEMA
2,4
1
2
L
AUDIO
R
4
3
Make sure this unit is set to the standby
mode.
See page 28 for details about turning on this unit or
setting it to the standby mode.
Press STRAIGHT (EFFECT) on the front
panel repeatedly to select “6ΩMIN”.
The following display appears in the front panel
display.
STRAIGHT
EFFECT
Press and hold STRAIGHT (EFFECT) on the
front panel and then press STANDBY/ON to
turn on this unit.
This unit turns on, and the advanced setup menu
appears in the front panel display.
While holding
down
5
STRAIGHT
STANDBY
/ON
EFFECT
SP IMP.-6 MIN
Press STANDBY/ON on the front panel to
save the new setting and set this unit to the
standby mode.
STANDBY
/ON
Note
The setting you made is reflected next time you turn on this unit.
English
27 En
CONNECTIONS
Turning on and off the power
When all connections are complete, turn on this unit.
STANDBY/ON
CODE SET
STANDBY
TRANSMIT
VOLUME
POWER
POWER
TV
AV
CD
CD-R
STANDBY
/ON
POWER
POWER
MD
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
LEVEL
MAN'L/AUTO FM
DVD
AUTO/MAN'L
DTV
TUNER
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
DOCK
h
VIDEO AUX
INPUT MODE
SLEEP
MULTI CH IN
CBL
TUNING MODE
INPUT
PHONES
STANDBY
USB
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
VIDEO
SILENT CINEMA
L
AUDIO
AMP
R
SOURCE
TV
■ Turning on this unit
■ Setting this unit to the standby mode
Press STANDBY/ON on the front panel (or
POWER on the remote control) to turn on this
unit.
Press STANDBY/ON on the front panel (or
STANDBY on the remote control) to set this unit
to the standby mode.
STANDBY
POWER
STANDBY
/ON
Front panel
28 En
or
STANDBY
/ON
Remote control
Front panel
or
Remote control
BASIC SETUP
BASIC SETUP
The “BASIC SETUP” feature is a useful way to set up your system quickly and with minimal effort.
Notes
• Make sure you disconnect your headphones from this unit.
• If you wish to configure this unit manually using more precise adjustments, use the detailed parameters in “SOUND MENU” (see
page 69).
• Altering any parameters in “BASIC SETUP” resets all parameters manually adjusted in “SOUND MENU” (see page 69).
• Initial settings are indicated in bold under each parameter.
• Press RETURN on the remote control to return to the previous menu level.
TRANSMIT
POWER
TV
AV
CD
CD-R
STANDBY
POWER
MD
SLEEP
DTV
1
4
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
10
EFFECT
LEVEL
NET
SET MENU
TITLE
MENU
BAND
SRCH MODE
AMP
A/B/C/D/E
SOURCE
TV CH
Press ENTER to enter “BASIC SETUP”.
The following display appears in the OSD.
ENT.
ENTER
TV VOL
4
MOVIE
3
EXTD SUR.
PRESET/CH
TUNER
USB
DVR
ENTERTAIN
2
SELECT
MULTI CH IN
CBL
DVD
DOCK
V-AUX
MUSIC
1
STANDARD
PREPARATION
STEREO
CODE SET
POWER
VOLUME
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
2,13
3-12
REC
TV
;BASIC SETUP
PRESET/CH
.ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
ENTER
AUDIO
A/B/C/D/E
p
1
Set the component selector switch to AMP.
5
p
[]/[]:Up/Down
[<]/[>]:Select
Press u / d to select “ROOM” and then j / i
to select the desired setting.
AMP
SOURCE
PRESET/CH
;BASIC SETUP
TV
ENTER
A/B/C/D/E
Press SET MENU to enter “SET MENU”.
The top “SET MENU” display appears in the OSD.
MENU
SRCH MODE
3
p
p
[ ]/[]:Up/Down
[ENTER]:Enter
Press u / d to select “BASIC SETUP”.
PRESET/CH
[]/[]:Up/Down
[<]/[>]:Select
p
SET MENU
.;BASICSETUP
;MANUALSETUP
.;SIGNAL INFO
SET MENU
p
2
.ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
Select the size of the room where you have installed
your speakers. In general, the room sizes are defined
as follows:
Choices: S, M, L
[Canada model]
S (small)
16 x 13ft, 200ft2 (4.8 x 4.0m, 20m2)
M (medium) 20 x 16ft, 300ft2 (6.3 x 5.0m, 30m2)
L (large)
26 x 19ft, 450ft2 (7.9 x 5.8m, 45m2)
[Other models]
S (small)
3.6 x 2.8m, 10m2
M (medium) 4.8 x 4.0m, 20m2
L (large)
6.3 x 5.0m, 30m2
ENTER
A/B/C/D/E
English
29 En
BASIC SETUP
6
Press d to select “SUBWOOFER” and then
j / i to select the desired setting.
PRESET/CH
8
Press d to select “SETUP” and then j / i to
select the desired setting.
PRESET/CH
;BASIC SETUP
ENTER
A/B/C/D/E
ROOM:
S >M L
.SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
;BASIC SETUP
ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
. SETUP:>OK CANCEL
ENTER
A/B/C/D/E
p
p
[]/[]:Up/Down
[<]/[>]:Select
Choices: YES, NONE
• Select “YES” if you have a subwoofer in your
system.
• Select “NONE” if you do not have a subwoofer in
your system.
7
Press d to select “SPEAKERS” and then j / i
to select the number of speakers connected
to this unit.
PRESET/CH
Choices: OK, CANCEL
• Select “OK” to apply the settings you made.
• Select “CANCEL” to cancel the setup procedure
without making any changes.
y
You can also press SET MENU to cancel the setup
procedure.
9
Press ENTER to confirm your selection.
PRESET/CH
;BASIC SETUP
ENTER
A/B/C/D/E
p
p
[]/[]:Up/Down
[<]/[>]:Select
ROOM:
S >M L
SUBWOOFER;;;;YES
.SPEAKERS;;;;6spk
SETUP:>OK CANCEL
ENTER
A/B/C/D/E
p
Choice
Display
2spk
L C R
SL SB SR
30 En
3spk
L C R
SL SB SR
4spk
L C R
SL SB SR
p
[]/[]:Up/Down
[<]/[>]:Select
Speakers
If you selected “OK” in step 8, each speaker outputs a
test tone twice in turn. “CHECK:Test Tone” appears
in the OSD for a few seconds and then “CHECK
OK?” appears in the OSD.
Front L/R
Front L/R, Center
;BASIC SETUP
;BASIC SETUP
ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
.CHECK:Test Tone
ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
.CHECK OK?;;;;YES
[<]/[>]:Select
[<]/[>]:Select
Front L/R, Surround L/R
y
5spk
L C R
SL SB SR
Front L/R, Center, Surround L/R
6spk
L C R
SL SB SR
Front L/R, Center, Surround L/R,
Surround back
Check the speaker connections (see page 13) and adjust the
“SPEAKERS” settings back in step 7, if necessary.
BASIC SETUP
10
Press j / i to select the desired setting.
12
;BASIC SETUP
PRESET/CH
ROOM:
S >M L
SUBWOOFER;;;;YES
SPEAKERS;;;;6spk
SETUP:>OK CANCEL
.CHECK OK?;;;;YES
ENTER
A/B/C/D/E
[<]/[>]:Select
PRESET/CH
ENTER
A/B/C/D/E
• Select “FR” to adjust the balance between the front
left and right speakers.
• Select “C” to adjust the balance between the front
left and center speakers.
• Select “SL” to adjust the balance between the front
left and surround left speakers.
• Select “SB” to adjust the balance between the
surround left and surround back speakers.
• Select “SR” to adjust the balance between the
surround left and surround right speakers.
• Select “SWFR” to adjust the balance between the
front left speaker and the subwoofer.
Press ENTER to confirm your selection.
PRESET/CH
ENTER
A/B/C/D/E
• If you selected “YES” in step 10, the setup
procedure is completed and the display returns to
the top “SET MENU” display.
• If you selected “NO” in step 10, the speaker level
adjustment display appears in the front panel
display.
;BASIC SETUP
-__________+
.FR;;;;;;;;;;
C;;;;;;;;;;
SL;;;;;;;;;;
13
PREPARATION
Choices: YES, NO
• Select “YES” to complete the setup procedure if
the test tone levels from each speaker were
satisfactory.
• Select “NO” to proceed to the speaker level
adjustment menu in step 12 to balance the output
level of each speaker.
11
Press u / d to select a speaker and then j / i
to adjust the balance.
The selected speaker and the front left speaker (or the
surround left speaker) output a test tone in turn.
• Press i to increase the value.
• Press j to decrease the value.
Press SET MENU to exit from “BASIC
SETUP”.
SET MENU
MENU
SRCH MODE
English
31 En
PLAYBACK
PLAYBACK
CAUTION
Extreme caution should be exercised when you play back CDs encoded in DTS. If you play back a CD
encoded in DTS on a DTS-incompatible CD player, you will only hear some unwanted noise that may
damage your speakers. Check whether your CD player supports CDs encoded in DTS. Also, check the
sound output level of your CD player before you play back a CD encoded in DTS.
3
VOLUME
STANDBY
/ON
PRESET/TUNING
A/B/C/D/E
FM/AM
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
Rotate the INPUT selector on the front panel
(or press one of the input selector buttons on
the remote control) to select the desired
input source.
AUTO/MAN'L
INPUT
PHONES
l
STRAIGHT
SPEAKERS
A
B
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
MD
INPUT
SILENT CINEMA
VIDEO
L
AUDIO
CD
CD-R
6
6 7
DVD
5
3
DTV
DOCK
CODE SET
STEREO
TRANSMIT
POWER
POWER
TV
AV
STANDBY
CD
3
2
MUSIC
ENTERTAIN
MULTI CH IN
CBL
2
3
4
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
TUNER
2
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
V-AUX
USB
DVR
7
Front panel
EFFECT
SET MENU
TITLE
NET
MENU
SRCH MODE
BAND
VOLUME
TV
Remote control
Available input sources
A/B/C/D/E
SOURCE
TV CH
NET
ENTER
AMP
TV VOL
DVR
The name of the currently selected input source
appears in the front panel display and in the OSD for
a few seconds.
ENT.
10
PRESET/CH
LEVEL
DOCK
MOVIE
1
STANDARD
SLEEP
CD-R
DTV
MUTE
POWER
MD
DVD
TV INPUT
TUNER
USB
V-AUX
TV MUTE
MULTI CH IN
CBL
or
2
SLEEP
R
5
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
AUDIO
DISC SKIP
TV MUTE
TV INPUT
MUTE
NET
USB
DVR
V-AUX
DTV/CBL pDVD
MD/CD-R
TUNER
CD
VOLUME
SP
A
DVD
1
2
Turn on the video monitor connected to this
unit.
Press SPEAKERS A or B on the front panel
(or set the component selector switch to
AMP and then press SPEAKERS on the
remote control repeatedly) to turn on the set
of front speakers you want to use.
Each time you press SPEAKERS A or B, the
respective set of front speakers are turned on or off.
SPEAKERS
A
B
Front panel
or
AMP
SPEAKERS
SOURCE
9
TV
Remote control
32 En
Currently selected
input source
dB
AUTO
L
R
Currently selected
input mode
Notes
• To enjoy multi-channel sources in surround, connect the
source component via digital connection and set the input
mode to “AUTO” or “DTS” (see page 35).
• See pages 42 for details about surround sound.
4
Start playback on the selected source
component or select a broadcast station.
• Refer to the operating instructions for the source
component.
• See page 46 for details about tuning instructions.
PLAYBACK
5
Rotate VOLUME on the front panel (or press
VOLUME +/– on the remote control) to adjust
the volume to the desired output level.
VOLUME
or
VOLUME
7
Press PROGRAM l / h on the front panel (or
press one of the sound field program
selector buttons on the remote control)
repeatedly to select the desired sound field
program.
The name of the selected sound field program appears
in the front panel display and in the OSD.
See page 58 for details about sound field programs.
l
6
PROGRAM
h
Remote control
Front panel
Front panel
Press TONE CONTROL on the front panel
repeatedly to select “TREBLE” or “BASS”
and then press BASS/TREBLE +/– repeatedly
to adjust the corresponding frequency
response level.
l
STEREO
MUSIC
ENTERTAIN
1
2
3
MOVIE
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
BASIC
OPERATION
TONE CONTROL
or
h
PROGRAM
ENT.
10
EFFECT
Remote control
NET
USB
DVR
V-AUX
DTV/CBL pDVD
MD/CD-R
TUNER
CD
VOLUME
SP
A
TREBLE
dB
0dB
L
NET
USB
R
• Speaker and headphone adjustments are stored
independently.
• When “TONE BYPASS” is set to “AUTO” (see page 73),
and “BASS” and “TREBLE” are set to 0 dB, audio output
automatically bypasses the tone control circuitry of this
unit.
• If you increase or decrease the high-frequency or lowfrequency sound to an extreme level, the tonal quality of
the front speakers may not match that of the other
speakers.
• TONE CONTROL is not effective when the “DIRECT
STEREO” mode (see page 39) is selected or when the
component connected to the MULTI CH INPUT jacks is
selected as the input source (see page 38).
V-AUX
DTV/CBL pDVD
MD/CD-R
TUNER
CD
VOLUME
SP
A
TV Sports
• Select “TREBLE” to adjust the high-frequency
response.
• Select “BASS” to adjust the low-frequency
response.
Notes
DVR
dB
L
R
Currently selected
sound field program
Notes
• Choose a sound field program based on your listening
preference, not merely on the name of the program.
• When you select an input source, this unit automatically
selects the last sound field program used with the
corresponding input source.
• Sound field programs cannot be selected when the
component connected to the MULTI CH INPUT jacks is
selected as the input source (see page 38).
• Sampling frequencies higher than 48 kHz (except for DTS
96/24 signals) are sampled down to 48 kHz and then sound
field programs are applied.
• To display information about the currently selected input
source in the OSD, see page 40 for details.
English
33 En
USING AUDIO FEATURES
USING AUDIO FEATURES
Using SILENT CINEMA
SILENT CINEMA allows you to enjoy multi-channel
music or movie sound, including Dolby Digital and DTS
sources, through ordinary headphones. SILENT CINEMA
activates automatically whenever you connect headphones
to the PHONES jack while listening to a source with a
CINEMA DSP or HiFi DSP sound field program (see
page 58). When activated, the SILENT CINEMA
indicator lights up in the front panel display.
Selecting the night listening mode
The night listening modes are designed to improve
listenability at lower volumes or at night. Choose either
“NIGHT:CINEMA” or “NIGHT:MUSIC” depending on
the type of material you are playing.
1
Notes
• SILENT CINEMA does not activate when the component
connected to the MULTI CH INPUT jacks is selected as the
input source (see page 38).
• SILENT CINEMA is not effective when the “DIRECT
STEREO” (see page 39), “2ch Stereo” (see page 39) or
“STRAIGHT” mode (see page 39) is selected.
AMP
NIGHT
SOURCE
Choices: NIGHT:CINEMA, NIGHT:MUSIC, OFF
• Select “NIGHT:CINEMA” when watching films to
reduce the dynamic range of film soundtracks and
make dialog easier to hear at lower volumes.
• Select “NIGHT:MUSIC” when listening to music
sources to preserve ease-of-listening for all sounds.
• Select “OFF” if you do not want to use this feature.
Press MUTE on the remote control to mute the
audio output. Press MUTE again to resume the
audio output.
y
MUTE
• You can also rotate VOLUME on the front panel or VOLUME
+/– on the remote control to resume the audio output.
• You can adjust the muting level by using the “MUTING TYPE”
parameter in “SOUND MENU” (see page 73).
• The MUTE indicator flashes in the front panel display when the
audio output is muted and disappears from the front panel
display when the audio output is resumed.
Note
If you change the input source or the sound field program with the
remote control while the audio output is being muted, this unit
resumes the audio output.
10
TV
Muting the audio output
y
Set the component selector switch to AMP
and then press NIGHT on the remote control
repeatedly to select “NIGHT:CINEMA” or
“NIGHT:MUSIC”.
When a night listening mode is selected, the NIGHT
indicator lights up in the front panel display.
2
Press j / i on the remote control to adjust the
effect level while “NIGHT:CINEMA” or
“NIGHT:MUSIC” is displayed in the front
panel display.
PRESET/CH
ENTER
A/B/C/D/E
Remote control
Effect.Lvl:MID
Choices: MIN, MID, MAX
• Select “MIN” for minimum compression.
• Select “MID” for standard compression.
• Select “MAX” for maximum compression.
34 En
USING AUDIO FEATURES
y
AUTO
“NIGHT:CINEMA” and “NIGHT:MUSIC” adjustments are
stored independently.
Notes
DTS
• You cannot use the night listening modes in the following
cases:
– when the “DIRECT STEREO” mode (see page 39) is
selected.
– when the component connected to the MULTI CH
INPUT jacks is selected as the input source (see
page 38).
– when headphones are connected to the PHONES jack.
• The effectiveness of the night listening modes may vary
depending on the input source and surround sound settings
you use.
ANALOG
Automatically selects input signals in
the following order:
(1) Digital signals
(2) Analog signals
Selects only digital signals encoded in
DTS. If no DTS signals are input, no
sound is output.
Selects only analog signals. If no
analog signals are input, no sound is
output.
Note
When “INPUT MODE” is set to “AUTO”, this unit
automatically switches to the appropriate decoder if a Dolby
Digital or DTS signal is detected.
Using the sleep timer
Selecting the input mode
This unit comes with a variety of input jacks. Do the
following to select the type of input signals you want to
use.
• We recommend setting “INPUT MODE” to “AUTO” in most
cases.
• You can adjust the default input mode of this unit by using the
“INPUT MODE” parameter in “INPUT MENU” (see page 75).
1
Notes
• To play DTS-encoded CDs when using a digital audio
connection, be sure to set “INPUT MODE” to “DTS”.
• DTS decoding may not be performed correctly depending on
the player even if you make a digital connection between this
unit and the player.
Press one of the input selector buttons on
the remote control to select the desired input
source.
MD
CD
DTV
DOCK
1
Rotate the INPUT selector on the front panel
to select the desired input source.
2
V-AUX
2
INPUT
SLEEP
CD-R
MULTI CH IN
CBL
DVD
BASIC
OPERATION
y
Use this feature to automatically set this unit to the
standby mode after a certain amount of time. The sleep
timer is useful when you are going to sleep while this unit
is playing or recording a source. The sleep timer also
automatically turns off any external components
connected to AC OUTLET(S) (see page 26).
TUNER
USB
DVR
NET
Start playback on the selected source
component or select a broadcast station.
• Refer to the operating instructions for the source
component.
• See page 46 for details about tuning instructions.
Press INPUT MODE on the front panel
repeatedly to select the desired input mode.
INPUT MODE
Available input sources
NET
USB
DVR
V-AUX
DTV/CBL pDVD
MD/CD-R
TUNER
CD
VOLUME
SP
A
Currently selected
input source
dB
AUTO
L
R
English
DVD
Currently selected
input mode
35 En
USING AUDIO FEATURES
3
Press SLEEP on the remote control
repeatedly to set the amount of time.
Each time you press SLEEP, the front panel display
changes as shown below.
SLEEP
Adjusting the speaker level
You can adjust the output level of each speaker while
listening to a music source. This is also possible when
playing sources input at the MULTI CH INPUT jacks.
Note
This operation will override the level adjustments made in
“BASIC SETUP” (see page 29) and “SPEAKER LEVEL” (see
page 71).
SLEEP 120min
SLEEP 90min
AMP
SOURCE
TV VOL
SLEEP OFF
SLEEP 30min
SLEEP
TV CH
VOLUME
1
TV
60min
The SLEEP indicator flashes while you are switching
the amount of time for the sleep timer. Once the sleep
timer is set, the SLEEP indicator lights up in the front
panel display, and the display returns to the selected
sound field program.
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
10
MOVIE
ENT.
EFFECT
1
PRESET/CH
LEVEL
TITLE
SET MENU
MENU
SRCH MODE
BAND
ENTER
3
A/B/C/D/E
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R
SP
A
TUNER pCD
VOLUME
DAB MEMORY
ON SCREEN
REC
dB
L
V-AUX
DTV/CBL
DVD
TUNER pCD
MD/CD-R
SP
A
1
VOLUME
SLEEP
STRAIGHT
2
DISC SKIP
R
Flashes
DVR
DISPLAY
AUDIO
SLEEP
SLEEP 120min
NET
USB
RETURN
Set the component selector switch to AMP
and then press LEVEL on the remote control
repeatedly to select the speaker you want to
adjust.
dB
L
R
AMP
Lights up
SOURCE
LEVEL
TV
BAND
TITLE
4
To cancel the sleep timer, press SLEEP on
the remote control repeatedly until “SLEEP
OFF” appears in the front panel display.
SLEEP
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R
TUNER pCD
VOLUME
SP
A
SLEEP OFF
dB
L
R
The SLEEP indicator turns off, and “SLEEP OFF”
disappears from the front panel display after a few
seconds.
y
The sleep timer setting can also be canceled by pressing
STANDBY/ON on the front panel (or STANDBY on the
remote control) to set this unit to the standby mode.
36 En
• Select “FRONT L” to adjust the front left speaker
output level.
• Select “CENTER” to adjust the center speaker
output level.
• Select “FRONT R” to adjust the front right speaker
output level.
• Select “SUR. R” to adjust the surround right
speaker output level.
• Select “SUR. B” to adjust the surround back
speaker output level.
• Select “SUR. L” to adjust the surround left speaker
output level.
• Select “SWFR” to adjust the subwoofer output
level.
y
Once you press LEVEL on the remote control, you can also
select the speaker by pressing u / d.
USING AUDIO FEATURES
2
Press j / i on the remote control to adjust the
speaker output level.
• Press i to increase the value.
• Press j to decrease the value.
Control range: –10 dB to +10 dB
PRESET/CH
ENTER
A/B/C/D/E
y
This operation can also be performed using the control buttons on
the front panel. Press NEXT on the front panel repeatedly to
select the speaker channel whose output level you want to adjust
and then press LEVEL +/– on the front panel to adjust the output
level.
Selecting the Compressed Music
Enhancer mode
Compression artifacts (such as the MP3 format) are
created by a lossy compression scheme where the audio is
resampled to lower the bitrate and to remove sounds that
are indistinguishable to typical human hearing. The
Compressed Music Enhancer feature of this unit enhances
your listening experience by regenerating the missing
harmonics in a compression artifact. As a result, flattened
complexity due to the loss of high-frequency fidelity as
well as lack of bass due to the loss of low-frequency bass
is compensated, providing the improved performance of
the overall sound system.
Notes
BASIC
OPERATION
• The Compressed Music Enhancer mode is compatible with the
PCM signals (48 kHz), the analog 2-channel input sources and
the music data input at the USB port or the LAN port.
• The Compressed Music Enhancer mode is not effective with
any of the sound field programs.
• When the Compressed Music Enhancer mode is turned on while
an incompatible input source is being played back, “Not
Available” appears in the front panel display and in the OSD.
• When the input source is changed to an incompatible input
source while the Compressed Music Enhancer mode is turned
on, the Compressed Music Enhancer mode is automatically
turned off and the incompatible input source is played back in
2-channel or 6-channel stereo.
y
The ENHANCER indicator lights up in the front panel display
when one of the Compressed Music Enhancer modes is selected.
English
37 En
USING AUDIO FEATURES
1
Set the component selector switch to AMP
and then press ENHANCER on the remote
control repeatedly to select the desired
Compressed Music Enhancer mode.
The following display appears in the OSD and the
ENHANCER indicator lights up in the front panel
display.
AMP
ENHANCER
SOURCE
0
Selecting the MULTI CH INPUT
component
Use this feature to select the component connected to the
MULTI CH INPUT jacks (see page 24) as the input
source.
Press MULTI CH INPUT on the front panel (or
MULTI CH IN on the remote control) so that
“MULTI CH INPUT” appears in the front panel
display.
TV
MULTI CH
INPUT
MULTI CH IN
or
MUSIC ENHANCER
.
Front panel
2ch Enhancer
LOW
>HIGH
ENHANCER
Lights up
Choices: 2ch Enhancer, 6ch Enhancer,
Off (previously selected sound field
program)
• Select “2ch Enhancer” to play back compression
artifacts in 2-channel stereo.
• Select “6ch Enhancer” to play back compression
artifacts in 6-channel stereo.
• Select Off (previously selected sound field
program) to turn off the Compressed Music
Enhancer mode.
y
You can also switch between “2ch Enhancer” and “6ch
Enhancer” by pressing j / i on the remote control when the
arrow is located on the left of “2ch Enhancer” or “6ch
Enhancer” in the OSD.
2
Press d once and then j / i on the remote
control to select the desired effect level.
PRESET/CH
MUSIC ENHANCER
.
ENTER
2ch Enhancer
LOW
>HIGH
A/B/C/D/E
Choices: HIGH, LOW
• Select “HIGH” for a high effect level.
• Select “LOW” for a low effect level.
Note
Set the effect level to “HIGH” or “LOW” according to the
characteristics of a source. The high-frequency signals of
some sources may be emphasized too much. In this case, set
the effect level to “LOW”.
38 En
Remote control
MULTI CH INPUT
Note
When “MULTI CH INPUT” is shown in the front panel display,
no other source can be played. To select another input source with
the INPUT selector on the front panel (or one of the input selector
buttons), press MULTI CH INPUT (or MULTI CH IN on the
remote control) so that “MULTI CH INPUT” disappears from the
front panel display.
USING AUDIO FEATURES
Enjoying multi-channel sources in
2-channel stereo
You can mix down multi-channel sources to 2 channels
and enjoy playback in 2-channel stereo.
Set the component selector switch to AMP and
then press STEREO on the remote control
repeatedly to select “2ch Stereo”.
Enjoying pure hi-fi stereo sound
The “DIRECT STEREO” mode allows sources to bypass
the decoders and DSP processors of this unit so that you
can enjoy pure hi-fi sound from 2-channel PCM and
analog sources.
Set the component selector switch to AMP and
then press DIRECT ST. on the remote control to
select “DIRECT STEREO”.
AMP
STEREO
AMP
SOURCE
1
DIRECT ST.
SOURCE
TV
8
TV
2ch Stereo
DIRECT STEREO
• You can use a subwoofer with this program when “LFE/BASS
OUT” is set to “SWFR” or “BOTH” (see page 70).
• You can also select the “2ch Stereo” mode by pressing
PROGRAM l / h on the front panel repeatedly.
Enjoying unprocessed input
sources
When this unit is in the “STRAIGHT” mode, 2-channel
stereo sources are output from only the front left and right
speakers. Multi-channel sources are decoded straight into
the appropriate channels without any additional effect
processing.
1
Set the component selector switch to AMP
and then press STRAIGHT on the remote
control to select “STRAIGHT”.
Notes
• To avoid unexpected noise, do not play CDs encoded in DTS
when the “DIRECT STEREO” mode is selected.
• When multi-channel signals (Dolby Digital and DTS) are input,
this unit automatically switches to the corresponding analog
input. When “DTS” is selected as the input mode (see page 35),
no sound will be output.
• No sound will be output from the subwoofer.
• “TONE CONTROL” (see page 33) and “SOUND MENU” (see
page 69) settings (except for speaker level settings) are not
effective.
• The front panel display automatically dims.
BASIC
OPERATION
y
y
You can also select the “DIRECT STEREO” mode by pressing
PROGRAM l / h on the front panel repeatedly.
AMP
STRAIGHT
SOURCE
ENT.
TV
EFFECT
STRAIGHT
2
English
To deactivate the “STRAIGHT” mode, press
STRAIGHT on the remote control again so
that “STRAIGHT” disappears from the front
panel display.
The sound effect is turned back on.
y
You can also select the “STRAIGHT” mode by pressing
STRAIGHT (EFFECT) on the front panel.
39 En
USING VIDEO FEATURES
USING VIDEO FEATURES
Signal format FORMAT
Signal format display. When this unit cannot detect a
digital signal, it automatically switches to analog
input.
Display status: Analog, Digital, DolbyD, DTS, MP3,
PCM, WMA, ---
Displaying the input source
information
You can display the format, sampling frequency, channel,
bit rate and flag data of the current input signal.
1
Note
Set the component selector switch to AMP
and then press SET MENU on the remote
control.
The top “SET MENU” display appears in the OSD.
“---” appears when this unit cannot detect any signals.
Sampling frequency SAMPLING
The number of samples per second taken from a
continuous signal to make a discrete signal.
Display status: 8kHz, 11kHz, 12kHz, 16kHz,
22.05kHz, 24kHz, 32kHz, 44.1kHz,
48kHz, 64kHz, 88.2kHz, 96kHz, ---
AMP
SET MENU
SOURCE
MENU
SRCH MODE
TV
Note
“---” appears when this unit cannot detect the sampling
frequency.
SET MENU
.;BASICSETUP
;MANUALSETUP
.;SIGNAL INFO
Channel CHANNEL
The number of source channels in the input signal
(front/surround/LFE). For example, a multi-channel
soundtrack with 3 front channels, 2 surround
channels and LFE, is displayed as “3/2/0.1”.
2
p
p
[ ]/[]:Up/Down
[ENTER]:Enter
Note
Press d repeatedly to select “SIGNAL INFO”
and then press ENTER.
The following information about the input source
appears in the OSD.
PRESET/CH
“---” appears when there is no source channel available.
Bit rate BITRATE
The number of bits passing a given point per second.
PRESET/CH
Note
“---” appears when this unit cannot detect the bit rate.
ENTER
ENTER
A/B/C/D/E
;SIGNAL INFO
FORMAT
PCM
SAMPLING
48kHz
CHANNEL 2/0/--BITRATE
--FLAG
NONE
[RETURN]:Exit
Flag FLAG
Flag data encoded in DTS, Dolby Digital, or PCM
signals that cue this unit to automatically switch
decoders.
A/B/C/D/E
3
Press SET MENU on the remote control again
to exit from “SET MENU”.
SET MENU
MENU
SRCH MODE
40 En
USING VIDEO FEATURES
Selecting the OSD mode
You can display the operating information of this unit on a
video monitor. If you display the “SET MENU” and sound
field program parameter settings on a video monitor, it is
much easier to see the available options and parameters
than it is to read the information in the front panel display.
1
Turn on the video monitor connected to this
unit.
2
Set the component selector switch to AMP
and then press DISPLAY on the remote
control repeatedly to toggle between the
OSD modes.
The OSD mode changes in the following order.
AMP
SOURCE
ON SCREEN
TV
Full display
You can display a gray background in the OSD when there is not
video signal being input by setting “GRAY BACK” in “OPTION
MENU” to “AUTO” (see page 79).
Notes
• The OSD signal is not output at the DVR OUT jacks and will
not be recorded.
• You must set “VIDEO CONV.” in “OPTION MENU” to “ON”
(see page 78) to display the OSD.
• To display the OSD with the component video signals output at
the COMPONENT VIDEO MONITOR OUT jacks, set the
OSD mode to the full display mode.
• When “GRAY BACK” in “OPTION MENU” is set to “OFF”
(see page 79), the OSD may not be displayed correctly
depending on the conditions of the picture.
Playing video sources in the
background
You can combine a video image from a video source with
sound from an audio source. For example, you can enjoy
listening to classical music while viewing beautiful
scenery from the video source on the video monitor.
Press the input selector buttons on the remote
control to select a video source and then an
audio source.
SLEEP
MD
Short display
CD
CD-R
MULTI CH IN
CBL
DVD
Display off
Full display
Fully shows the sound field program parameter
settings as well as the contents of the front panel
display.
Short display
Briefly shows the contents of the front panel display
at the bottom of the screen each time you operate this
unit.
DTV
DOCK
V-AUX
BASIC
OPERATION
DISPLAY
y
TUNER
USB
DVR
Audio sources
NET
Video sources
y
If you want to enjoy an audio source input at the MULTI CH
INPUT jacks together with a video source, first select the video
source and then press MULTI CH INPUT on the front panel (or
MULTI CH IN on the remote control) to select the component
connected to the MULTI CH INPUT jacks as the input source
(see page 38).
Display off
No information is displayed except for the “SET
MENU” screen.
P02
MUSIC
.
Pop/Rock
DSP LEVEL;;;;0dB
P.INIT.DLY;;21ms
P.ROOM SIZE;;1.0
S.INIT.DLY;;25ms
S.ROOM SIZE;;1.0
Full display
P02
MUSIC
Pop/Rock
Short display
English
41 En
ENJOYING SURROUND SOUND
ENJOYING SURROUND SOUND
Enjoying multi-channel sources in
6.1-channel surround
If you connected a surround back speaker, use this feature
to enjoy 6.1-channel playback for multi-channel sources
using the Dolby Pro Logic IIx, Dolby Digital EX or
DTS-ES decoders.
1
Set the component selector switch to AMP
and then press EXTD SUR. on the remote
control repeatedly to switch between 5.1 and
6.1-channel playback.
Decoders
You can select from the following decoders depending on
the format of the source you are playing.
Decoder
Functions
Plays back Dolby Digital or DTS signals
PLIIxMusic in 6.1 channels using the Pro Logic IIx
music decoder.
EX/ES
Plays back Dolby Digital or DTS signals
in 6.1 channels using the Dolby Digital
EX or DTS-ES decoder.
EX
Plays back Dolby Digital or DTS signals
in 6.1 channels using the Dolby Digital
EX decoder.
AMP
EXTD SUR.
SOURCE
7
TV
Off OFF
Decoders are not used to create 6.1 channels.
Notes
2
Press j / i repeatedly to select a decoder
while “PLIIxMusic” (etc.) is displayed.
PRESET/CH
ENTER
A/B/C/D/E
Auto AUTO
When a signal flag that can be recognized by this unit is
input, this unit selects the optimum decoder to play back
the signal in 6.1 channels.
If this unit cannot recognize the flag or no flag is present
in the input signal, it cannot automatically be played in 6.1
channels.
42 En
• Some 6.1-channel compatible discs do not have a signal flag
that can be automatically detected by this unit. When playing
these kinds of discs in 6.1 channels, select a decoder manually
from “PLIIxMusic”, “EX/ES” or “EX”.
• 6.1-channel playback is not possible even if you press EXTD
SUR. in the following cases:
– when “CENTER SP” (see page 70), “SUR. L/R SP” (see
page 70) or “SUR. B SP” (see page 70) is set to “NONE”.
– when the component connected to the MULTI CH INPUT
jacks is being played.
– when the source being played does not contain surround left
and right channel signals.
– when a Dolby Digital KARAOKE source is being played.
– when the “2ch Stereo” (see page 39) or “DIRECT STEREO”
(see page 39) mode is selected.
• When this unit is set to the standby mode, this setting will be
reset to “AUTO”.
• The Pro Logic IIx decoder is not available when “SUR. B SP” is
set to “NONE” (see page 70).
ENJOYING SURROUND SOUND
Enjoying 2-channel sources in
surround
Signals input from 2-channel sources can also be played
back on multi-channels.
1
Set the component selector switch to AMP
and then press STANDARD on the remote
control repeatedly to switch between the
“SUR. STANDARD” and “SUR. ENHANCED”
programs or press MOVIE to select the
“MOVIE THEATER” program.
SUR. STANDARD
Functions
PRO LOGIC
Dolby Pro Logic processing for any
sources
PLII Movie
Dolby Pro Logic II processing for
movie sources
PLII Music
Dolby Pro Logic II processing for
music sources
PLII Game
Dolby Pro Logic II processing for
game sources
PLIIx Movie
Dolby Pro Logic IIx processing for
movie sources
PLIIx Music
Dolby Pro Logic IIx processing for
music sources
PLIIx Game
Dolby Pro Logic IIx processing for
game sources
Neo:6 Cinema
DTS processing for movie sources
Neo:6 Music
DTS processing for music sources
STANDARD
5
AMP
SOURCE
or
TV
MOVIE
2
Press SELECT on the remote control
repeatedly to select the desired decoder.
SUR. ENHANCED
or
MOVIE THEATER
Functions
BASIC
OPERATION
4
SELECT
PRO LOGIC
Dolby Pro Logic processing for any
sources
PLII Movie
Dolby Pro Logic II processing for
movie sources
y
PLIIx Movie
Dolby Pro Logic IIx processing for
movie sources
You can also select a decoder by pressing j / i on the remote
control while the decoder type is displayed in the front panel
display.
Neo:6 Cinema
DTS processing for movie sources
6
You can select from the following modes depending
on the type of source you are playing and your
personal preference.
Note
The Pro Logic IIx decoder is not available when “SUR. B SP” is
set to “NONE” (see page 70).
English
43 En
ENJOYING SURROUND SOUND
Using Virtual CINEMA DSP
Virtual CINEMA DSP allows you to enjoy the CINEMA
DSP programs without surround speakers. It creates
virtual speakers to reproduce the natural sound field.
If you set “SUR. L/R SP” to “NONE” (see page 70),
Virtual CINEMA DSP activates automatically whenever
you select a CINEMA DSP sound field program (see
page 58).
Note
Virtual CINEMA DSP will not activate even when “SUR. L/R
SP” is set to “NONE” (see page 70) in the following cases:
– when the component connected to the MULTI CH INPUT
jacks is selected as the input source (see page 38).
– when headphones are connected to the PHONES jack.
– when the “DIRECT STEREO” (see page 39), “2ch Stereo”
(see page 39) or “STRAIGHT” mode (see page 39) is
selected.
44 En
RECORDING
RECORDING
Recording adjustments and other operations are performed from the recording components. Refer to the operating
instructions for those components.
CAUTION
The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in
noise being recorded. Therefore, if you want to use this unit to record sources encoded in DTS, the
following considerations and adjustments need to be made. To play DTS-encoded DVDs and CDs
(when using a digital audio connection) on your DTS-compatible player, follow its operating
instructions to make a setting so that the analog signal will be output from the player.
Notes
BASIC
OPERATION
• When this unit is set to the standby mode, you cannot record between other components connected to this unit.
• The settings of TONE CONTROL (see page 33), VOLUME, the speaker level (see page 71) and the sound field programs (see
page 58) do not affect the recorded material.
• The source connected to the MULTI CH INPUT jacks of this unit cannot be recorded.
• S-video and composite video signals pass independently through the video circuits of this unit. Therefore, when recording or dubbing
video signals input from a video source component that provides only an S-video or a composite video signal, you can record only an
S-video or a composite video signal on your VCR.
• Digital signals input at the DIGITAL INPUT jacks are not output at the analog AUDIO OUT (REC) jacks for recording. Likewise,
analog signals input at the AUDIO IN jacks are not output at the DIGITAL OUTPUT jack. Therefore, if your source component is
connected to provide only digital or analog signals, you can only record digital or analog signals.
• A given input source is not output on the same OUT (REC) channel.
• Check the copyright laws in your country to record from CDs, radio, etc. Recording of copyrighted material may infringe copyright
laws.
• The analog audio signals input at the DOCK terminal can be output at the analog AUDIO OUT (REC) jacks for recording.
y
Do a test recording before you start an actual recording.
If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture
itself may be disturbed due to those signals.
1
Turn on all the connected components.
2
Rotate the INPUT selector on the front panel
(or press one of the input selector buttons on
the remote control) to select the source
component you want to record from.
VOLUME
STANDBY
/ON
PRESET/TUNING
A/B/C/D/E
FM/AM
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
SILENT CINEMA
VIDEO
L
AUDIO
R
MD
2
SLEEP
INPUT
CD
CD-R
MULTI CH IN
CBL
or
CODE SET
POWER
TV
AV
STANDBY
POWER
MD
CD
2
V-AUX
CD-R
DTV
TUNER
USB
DVR
NET
SLEEP
Front panel
MULTI CH IN
CBL
DVD
DOCK
DTV
DOCK
TRANSMIT
POWER
DVD
Remote control
TUNER
USB
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
AMP
SOURCE
Start playback on the selected source
component or select a broadcast station.
4
Start recording on the recording component.
45 En
English
3
TV
FM/AM TUNING
FM/AM TUNING
There are 2 tuning methods: automatic and manual. Automatic tuning is effective when station signals are strong and
there is no interference. If the signal from the station you want to select is weak, tune into it manually. You can also use
the automatic and manual preset tuning features to store up to 40 stations (A1 to E8: 8 preset station numbers in each of
the 5 preset station groups). Furthermore, you can recall any preset stations and exchange the assignment of two preset
stations with each other.
Note
Orient the connected FM and AM antennas for the best reception.
Automatic tuning
3
Automatic tuning is effective when station signals are
strong and there is no interference.
Press TUNING MODE (AUTO/MAN’L) so that
the AUTO indicator lights up in the front
panel display.
TUNING MODE
2
AUTO/MAN'L
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
NET
USB
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
VIDEO
L
AUDIO
DVR
R
1
4
DTV/CBL
DVD
MD/CD-R pTUNER
CD
VOLUME
AUTO TUNED
A
3
V-AUX
SP
A
BASS/TREBLE
SILENT CINEMA
1 3
dB
AM 1440 kHz
No colon (:)
L
R
Lights up
If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING to turn the
colon (:) off.
Rotate the INPUT selector to select “TUNER”
as the input source.
INPUT
PRESET/TUNING
EDIT
Front panel
2
4
Press FM/AM to select the reception band.
“FM” or “AM” appears in the front panel display.
FM/AM
FM
or
AM
Press PRESET/TUNING l / h once to begin
automatic tuning.
When this unit is tuned into a station, the TUNED
indicator lights up and the frequency of the received
station is shown in the front panel display.
• Press h to tune into a higher frequency.
• Press l to tune into a lower frequency.
l PRESET/TUNING h
LEVEL
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
CD
AUTO TUNED
VOLUME
SP
A
A
dB
AM 1530 kHz
Lights up
46 En
L
R
FM/AM TUNING
Manual tuning
3
If the signal received from the station you want to select is
weak, tune into it manually.
Press TUNING MODE (AUTO/MAN’L) so that
the AUTO indicator disappears from the front
panel display.
TUNING MODE
Note
DISPLAY
AUTO/MAN'L
Manually tuning into an FM station automatically switches the
tuner to monaural reception to increase the signal quality.
NET
USB
2
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
CD
TUNED
VOLUME
SP
A
A
dB
AM 1440 kHz
L
R
VOLUME
No colon (:)
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
TUNING MODE
LEVEL
MAN'L/AUTO FM
AUTO/MAN'L
If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING to turn the
colon (:) off.
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
VIDEO
SILENT CINEMA
4
AUDIO
R
1 3
PRESET/TUNING
EDIT
1
Rotate the INPUT selector to select “TUNER”
as the input source.
INPUT
4
Press PRESET/TUNING l / h to tune into
the desired station manually.
Hold down the button to continue searching.
BASIC
OPERATION
3
L
l PRESET/TUNING h
LEVEL
Front panel
2
Press FM/AM to select the reception band.
“FM” or “AM” appears in the front panel display.
FM/AM
FM
or
AM
English
47 En
FM/AM TUNING
Automatic preset tuning
3
You can use the automatic preset tuning feature to store
FM stations with strong signals up to 40 (A1 to E8: 8
preset station numbers in each of the 5 preset station
groups) of those stations in order. You can then recall any
preset station easily by selecting the preset station number.
2
Press and hold MEMORY (MAN’L/AUTO FM)
for more than 3 seconds.
The preset station number as well as the MEMORY
and AUTO indicators flashes. After approximately 5
seconds, automatic presetting starts from the current
frequency and proceeds toward the higher
frequencies.
3
MEMORY
MAN'L/AUTO FM
VOLUME
Flash
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
NET
USB
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
TONE CONTROL
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
AUTO TUNED
CD
MEMORY
VOLUME
dB
BASS/TREBLE
VIDEO
SILENT CINEMA
L
AUDIO
A1:FM 87.50MHz
R
1
1
DVR
SP
A
MULTI CH
INPUT
EFFECT
L
R
Flashes
Rotate the INPUT selector to select “TUNER”
as the input source.
When automatic preset tuning is completed, the front
panel display shows the frequency of the last preset
station.
y
INPUT
You can specify the preset number from which this unit
stores FM stations and/or begins tuning toward lower
frequencies. For details, see “Automatic preset tuning
options” on page 49.
Front panel
2
Notes
Press FM/AM to select “FM” as the reception
band.
“FM” appears in the front panel display.
FM/AM
FM
48 En
• Any stored station data existing under a preset station
number is cleared when you store a new station under the
same preset station number.
• If the number of received stations does not reach 40 (E8),
automatic preset tuning automatically stops after
searching for all the available stations.
• Only FM stations with sufficient signal strength are stored
automatically by automatic preset tuning. If the station
you want to store is weak in signal strength, tune into it
manually and store it as described in “Manual preset
tuning” on page 49.
FM/AM TUNING
■ Automatic preset tuning options
You can specify the preset number from which this unit
stores FM stations and/or begins tuning toward lower
frequencies.
Note
Manual preset tuning
You can also store up to 40 stations (A1 to E8: 8 preset
station numbers in each of the 5 preset station groups)
manually.
First carry out steps 1 through 3 in “Automatic preset tuning” on
page 48.
3 4 2,5
• Press A/B/C/D/E and then PRESET/TUNING
l / h to select the preset station number
under which the first station will be stored.
Automatic preset tuning stops when stations have all
been stored up to E8.
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
STRAIGHT
SPEAKERS
A
B
l
h
PROGRAM
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
BASS/TREBLE
TONE CONTROL
SILENT CINEMA
A/B/C/D/E
NEXT
VIDEO
L
AUDIO
R
l PRESET/TUNING h
LEVEL
1
Tune into a station automatically or manually.
See pages 46 and 47 for tuning instructions.
NET
USB
DVR
l PRESET/TUNING h
EDIT
LEVEL
DTV/CBL
DVD
MD/CD-R pTUNER
CD
VOLUME
TUNED
A
PRESET/TUNING
V-AUX
SP
A
dB
AM
630 kHz
L
R
When this unit is tuned into a station, the front panel
display shows the frequency of the station received.
2
BASIC
OPERATION
• Press PRESET/TUNING so that the colon (:)
disappears from the front panel display and
then press PRESET/TUNING l to begin tuning
toward lower frequencies.
Press MEMORY (MAN’L/AUTO FM).
The MEMORY indicator flashes in the front panel
display for approximately 5 seconds.
MEMORY
MEMORY
MAN'L/AUTO FM
Flashes
3
Press A/B/C/D/E repeatedly to select a preset
station group (A to E) while the MEMORY
indicator is flashing.
The selected preset station group letter appears.
Check that the colon (:) appears in the front panel
display.
A/B/C/D/E
NEXT
Flashes
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
TUNED
CD
MEMORY
VOLUME
SP
A
C :AM
dB
630 kHz
L
R
English
Preset station Colon (:)
group
49 En
FM/AM TUNING
4
Press PRESET/TUNING l / h to select a
preset station number (1 to 8) while the
MEMORY indicator is flashing.
• Press h to select a higher preset station number.
• Press l to select a lower preset station number.
Selecting preset stations
You can tune into any desired station simply by selecting
the preset station group and number under which it was
stored.
1 2
l PRESET/TUNING h
LEVEL
VOLUME
Flashes
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
TUNED
MEMORY
LEVEL
MAN'L/AUTO FM
TUNING MODE
AUTO/MAN'L
INPUT
CD
MEMORY
l PRESET/TUNING h
NEXT
EDIT
NET
USB
VOLUME
PHONES
STRAIGHT
SPEAKERS
A
B
l
h
PROGRAM
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
SP
A
TONE CONTROL
dB
BASS/TREBLE
SILENT CINEMA
C3:AM
630 kHz
L
VIDEO
L
AUDIO
R
R
Preset station number
STEREO
5
Press MEMORY (MAN’L/AUTO FM) while the
MEMORY indicator is flashing.
The station band and frequency appear in the front
panel display with the preset station group and
number you have selected. The MEMORY indicator
disappears from the front panel display.
DTV/CBL
DVD
MD/CD-R pTUNER
CD
TUNED
VOLUME
SP
A
C3:AM
dB
630 kHz
L
R
The displayed station has been stored as C3.
6
4
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
10
ENT.
EFFECT
PRESET/CH
LEVEL
SET MENU
TITLE
MENU
BAND
SRCH MODE
1
ENTER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
2
REC
1
V-AUX
MOVIE
3
EXTD SUR.
When performing this operation with the remote control, set the
component selector switch to SOURCE and then press TUNER
to select “TUNER” as the input source.
MAN'L/AUTO FM
DVR
ENTERTAIN
2
SELECT
y
MEMORY
NET
USB
MUSIC
1
STANDARD
Press A/B/C/D/E on the front panel (or
A/B/C/D/E on the remote control) to select
the desired preset station group (A to E).
The preset station group letter appears in the front
panel display and changes each time you press the
button.
Repeat steps 1 through 5 to store other
stations.
PRESET/CH
A/B/C/D/E
Notes
• Any stored station data existing under a preset station
number is cleared when you store a new station under the
same preset station number.
• The reception mode (stereo or monaural) is stored along
with the station frequency.
50 En
or
NEXT
Front panel
ENTER
A/B/C/D/E
Remote control
FM/AM TUNING
2
Press PRESET/TUNING l / h on the front
panel (or PRESET/CH u / d on the remote
control) to select the desired preset station
number (1 to 8).
The preset station group and number appear in the
front panel display along with the station band and
frequency.
Exchanging preset stations
You can exchange the assignments of two preset stations
with each other. The example below describes the
procedure to exchange preset station “E1” with “A5”.
2,4
1,3
PRESET/CH
VOLUME
STANDBY
/ON
l PRESET/TUNING h
or
PRESET/TUNING
ENTER
FM/AM
A/B/C/D/E
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
AUTO/MAN'L
INPUT
LEVEL
PHONES
A/B/C/D/E
STRAIGHT
SPEAKERS
A
B
l
PROGRAM
h
VIDEO AUX
INPUT MODE
TONE CONTROL
BASS/TREBLE
SILENT CINEMA
DVR
VIDEO
L
AUDIO
R
Remote control
Front panel
NET
USB
USB
MULTI CH
INPUT
EFFECT
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
Select preset station “E1” using A/B/C/D/E
and PRESET/TUNING l / h.
See “Selecting preset stations” on page 50.
2
Press and hold EDIT for more than 3
seconds.
“E1” and the MEMORY indicator flash in the front
panel display.
CD
TUNED
VOLUME
SP
A
E1:FM 87.50MHz
dB
L
R
BASIC
OPERATION
1
PRESET/TUNING
EDIT
Flashes
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
TUNED
CD
MEMORY
VOLUME
SP
A
E1:FM 87.50MHz
dB
L
R
Flashes
English
51 En
FM/AM TUNING
3
Select preset station “A5” using A/B/C/D/E
and PRESET/TUNING l / h.
“A5” and the MEMORY indicator flash in the front
panel display.
See “Selecting preset stations” on page 50.
A/B/C/D/E
l PRESET/TUNING h
NEXT
LEVEL
Flashes
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
TUNED
CD
MEMORY
VOLUME
SP
A
dB
A5:FM 90.60MHz
L
R
Flashes
4
Press EDIT again.
“EDIT E1–A5” appears in the front panel display and
the assignments of the two preset stations are
exchanged.
PRESET/TUNING
EDIT
NET
USB
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R pTUNER
TUNED
CD
VOLUME
SP
A
EDIT
52 En
dB
E1-A5
L
R
RADIO DATA SYSTEM TUNING (EUROPE MODEL ONLY)
RADIO DATA SYSTEM TUNING
(EUROPE MODEL ONLY)
Radio Data System (Europe model only) is a data transmission system used by FM stations in many countries. The Radio
Data System function is carried out among the network stations. This unit can receive various Radio Data System data
such as PS (program service), PTY (program type), RT (radio text), CT (clock time), and EON (enhanced other
networks) when receiving Radio Data System broadcasting stations.
Selecting the Radio Data System
program
Use this feature to select one of the 15 Radio Data System
program types and search for all the available preset
stations of the selected program type.
9
0
3
Press PRESET/CH u / d on the remote
control to select the desired program type.
The name of the selected program type appears in the
front panel display.
PRESET/CH
ENT.
10
EFFECT
CODE SET
TRANSMIT
PRESET/CH
POWER
POWER
STANDBY
TITLE
POWER
MENU
SRCH MODE
BAND
TV
AV
ENTER
MD
SLEEP
MULTI CH IN
CBL
DVD
DTV
V-AUX
TUNER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
USB
DVR
ENTER
A/B/C/D/E
CD-R
DOCK
3
NET
AMP
2
AUDIO
PC/MCX
FREQ/TEXT
NET RADIO
MODE
USB
PTY SEEK START
BASIC
OPERATION
1
CD
POP M
SET MENU
LEVEL
Lights up
4
EON
SOURCE
TV VOL
TV CH
VOLUME
Program type
TV
1
Press TUNER on the remote control to select
“TUNER” as the input source.
TUNER
2
Press PTY SEEK MODE on the remote
control to set this unit to the PTY SEEK
mode.
The name of the program type or “NEWS” flashes in
the front panel display.
NEWS
MODE
PTY SEEK START
Flashes
y
To cancel the PTY SEEK mode, press PTY SEEK MODE
on the remote control again.
Descriptions
NEWS
News
AFFAIRS
Current affairs
INFO
General information
SPORT
Sports
EDUCATE
Education
DRAMA
Drama
CULTURE
Culture
SCIENCE
Science
VARIED
Light entertainment
POP M
Popular music
ROCK M
Rock music
M.O.R. M
Middle-of-the-road music (easylistening)
LIGHT M
Light classics
CLASSICS
Serious classics
OTHER M
Other music
English
53 En
RADIO DATA SYSTEM TUNING (EUROPE MODEL ONLY)
4
Press PTY SEEK START on the remote
control to start searching for all the available
Radio Data System preset stations.
The name of the selected program type flashes and
the PTY HOLD indicator lights up in the front panel
display while this unit is searching for stations.
MODE
POP M
PTY SEEK START
Using the Radio Data System
station network
Use this feature to receive the EON (enhanced other
networks) data service of the Radio Data System station
network. Once you select one of the 4 Radio Data System
program types (NEWS, AFFAIRS, INFO, or SPORT), this
unit automatically searches for all the available preset
stations that are scheduled to broadcast the EON data
service of the selected program type for a certain duration
of time. When the scheduled EON data service starts, this
unit automatically switches to the local station
broadcasting the EON data service and then switches back
to the nationwide station once the EON data service ends.
PTY HOLD
Notes
Flashes
Lights up
y
To stop searching for stations, press PTY SEEK START on
the remote control again.
• You can use this feature only when the EON data service is
available.
• The EON indicator lights up in the front panel display only
when the EON data service is being received from a Radio Data
System station.
9
0
ENT.
10
EFFECT
Notes
CODE SET
POWER
TRANSMIT
POWER
PRESET/CH
STANDBY
POWER
LEVEL
SET MENU
TITLE
MENU
SRCH MODE
BAND
TV
AV
ENTER
• This unit stops searching for stations when a station
broadcasting the selected program type is found.
• If the station found is not the one you desire, press PTY
SEEK START again to resume searching for another
station broadcasting the same program type.
MD
1
CD
SLEEP
A/B/C/D/E
CD-R
RETURN
MULTI CH IN
CBL
DISPLAY
DAB MEMORY
DVD
DTV
DOCK
TUNER
ON SCREEN
REC
USB
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
AUDIO
PC/MCX
AMP
FREQ/TEXT
NET RADIO
MODE
USB
PTY SEEK START
EON
3
SOURCE
TV
1
Press TUNER on the remote control to select
“TUNER” as the input source.
TUNER
2
54 En
Make sure the EON indicator is lit in the front
panel display.
If the EON indicator is not lit in the front panel
display, select another Radio Data System program so
that the EON indicator lights up.
RADIO DATA SYSTEM TUNING (EUROPE MODEL ONLY)
3
Press EON on the remote control repeatedly
to select one of the 4 Radio Data System
program types (NEWS, AFFAIRS, INFO or
SPORT).
The name of the selected program type appears in the
front panel display.
NEWS
Displaying the Radio Data System
information
Use this feature to display the 4 types of the Radio Data
System information: PS (program service), PTY (program
type), RT (radio text) and CT (clock time). The
corresponding indicators light up in the front panel
display.
Notes
EON
Lights up
y
To cancel the EON feature, press EON on the remote control
repeatedly until the name of the program type disappears
and “EON OFF” appears in the front panel display.
9
0
BASIC
OPERATION
• You can select one of the Radio Data System modes only when
the corresponding Radio Data System indicator lights up in the
front panel display. It may take a while for this unit to receive
all of the Radio Data System data from the station.
• You can select only the available Radio Data System modes
being offered by the station.
• If the signals being received are not strong enough, this unit
may not be able to utilize the Radio Data System data. In
particular, the “RT” mode requires a large amount of data and
may not be available even when the other Radio Data System
modes are available.
• In case of poor reception conditions, press TUNING MODE
(AUTO/MAN’L) on the front panel so that the AUTO indicator
disappears from the front panel display.
• If the signal strength is weakened by external interference while
this unit is receiving the Radio Data System data, the reception
may be cut off unexpectedly and “...WAIT” appears in the front
panel display.
• When the “RT” mode is selected, this unit can display the
program information by a maximum of 64 alphanumeric
characters, including the umlaut symbol. Unavailable characters
are displayed with the “_” (underscore).
• If the reception is cut off when the “CT” mode is selected, “CT
WAIT” appears in the front panel display.
ENT.
10
EFFECT
CODE SET
POWER
TRANSMIT
POWER
PRESET/CH
STANDBY
POWER
LEVEL
SET MENU
TITLE
MENU
SRCH MODE
BAND
TV
AV
ENTER
MD
1
CD
SLEEP
A/B/C/D/E
CD-R
RETURN
MULTI CH IN
CBL
DISPLAY
DAB MEMORY
DVD
DTV
DOCK
TUNER
ON SCREEN
REC
USB
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
AUDIO
AMP
2
PC/MCX
FREQ/TEXT
NET RADIO
MODE
USB
PTY SEEK START
EON
SOURCE
TV
1
Press TUNER on the remote control to select
“TUNER” as the input source.
TUNER
English
55 En
RADIO DATA SYSTEM TUNING (EUROPE MODEL ONLY)
2
Press FREQ/TEXT on the remote control
repeatedly to select the desired Radio Data
System display mode.
FREQ/TEXT
PS
PTY
RT
CT
Frequency display
• Select “PS” to display the name of the Radio Data
System program currently being received.
• Select “PTY” to display the type of the Radio Data
System program currently being received.
• Select “RT” to display the information on the
Radio Data System program currently being
received.
• Select “CT” to display the current time.
56 En
SOUND FIELD PROGRAMS
SOUND FIELD PROGRAMS
What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In
addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and
shape of the room in which we are sitting.
■ Elements of a sound field
There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound
coming straight to our ears from the player’s instrument.
Early reflections
Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one
surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound.
Reverberations
These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous
that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct
sound.
Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and
shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound
fields.
If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be
able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a
dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA
has done with the digital sound field processor.
Selecting sound field programs
• Choose a sound field program based on your listening preference, not merely on the name of the program.
• When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source.
• Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input
source (see page 38).
• Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs
are applied.
■ Front panel operations
SOUND FIELD
PROGRAMS
Notes
■ Remote control operations
AMP
AMP
SOURCE
TV VOL
VOLUME
TV CH
VOLUME
TV
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
NEXT
EDIT
l PRESET/TUNING h
MEMORY
TUNING MODE
LEVEL
MAN'L/AUTO FM
AUTO/MAN'L
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
MOVIE
INPUT
PHONES
SPEAKERS
A
B
l
STRAIGHT
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
Sound field program
selector buttons
EFFECT
TONE CONTROL
BASS/TREBLE
SILENT CINEMA
VIDEO
L
AUDIO
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
R
10
ENT.
EFFECT
PROGRAM l / h
Set the component selector switch to AMP and
then press one of the sound field program
selector buttons on the remote control
repeatedly.
The name of the selected sound field program appears in
the front panel display and in the OSD.
57 En
English
Press PROGRAM l / h on the front panel
repeatedly.
The name of the selected sound field program appears in
the front panel display and in the OSD.
PRESET/CH
SOUND FIELD PROGRAMS
Sound field program descriptions
This unit is equipped with a variety of precise digital decoders that allow you to enjoy multi-channel playback from
almost any stereo or multi-channel sound source. This unit is also equipped with a YAMAHA digital sound field
processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience.
y
The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set “INPUT MODE”
to “AUTO” (see page 35) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.
Notes
• The DSP sound field programs of this unit are recreations of real-world acoustic environments made from precise measurements taken
in the actual concert hall, music venue, movie theater, etc. Thus, you may notice variations in the strength of the reflections coming
from the front, back, left and right.
• Choose a sound field program based on your listening preference, not merely on the name of the program itself.
■ For movie/video sources
You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI”
can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel
stereo sources like TV programs, video tapes, etc.
y
Press PROGRAM l / h on the front panel repeatedly (or set the component selector switch to AMP and then press one of the sound
field program selector buttons on the remote control) to select the desired sound field program (see page 57).
Remote
control
button
Sound field program
Features
1
STEREO
2ch Stereo
Downmixes multi-channel sources to 2 channels or plays back 2-channel
sources as they are.
2
MUSIC
Pop/Rock
CINEMA DSP processing. This program creates an enthusiastic atmosphere
where you can feel as if you are in an actual jazz or rock concert.
ENTERTAINMENT
TV Sports
CINEMA DSP processing. This program reproduces the sound environment of a
large concert hall using the surround sound field to enhance your experience of
watching various TV programs such as news, variety shows, music programs or
sports programs.
ENTERTAINMENT
Mono Movie
CINEMA DSP processing. This program reproduces monaural video sources
(such as old movies) at the optimum reverberation level to create sound depth
using only the presence sound field.
ENTERTAINMENT
Game
CINEMA DSP processing. This program adds a deep and spatial feeling to
video game sounds.
3
58 En
Sources
MULTI
2-CH
SOUND FIELD PROGRAMS
Remote
control
button
Sound field program
Features
MOVIE THEATER
Spectacle
CINEMA DSP processing. This program reproduces the extremely wide sound
field of a 70-mm movie theater in detail, making both the video and the sound
field incredibly real. This is ideal for any kind of video source encoded in Dolby
Surround, Dolby Digital or DTS, especially large-scale movie productions.
MOVIE THEATER
Sci-Fi
CINEMA DSP processing. This program reproduces dialog and sound effects in
the latest sound form for science fiction films, thus creating a broad and
expansive cinematic space amid silence. You can enjoy science fiction films
encoded in Dolby Surround, Dolby Digital or DTS in a virtual-space sound field
employing the most advanced techniques.
MOVIE THEATER
Adventure
CINEMA DSP processing. This program reproduces the sound design of the
newest 70-mm and multi-channel soundtrack films similar to the sound field of
the newest movie theaters, so the reverberations of the sound field itself are
restrained as much as possible.
MOVIE THEATER
General
CINEMA DSP processing. This program reproduces sounds from 70-mm and
multi-channel soundtrack films characterized by soft and extensive sound field.
SUR. STANDARD
Standard processing for the selected decoder.
SUR. ENHANCED
Enhanced processing for the selected decoder.
4
Sources
MULTI
2-CH
5
■ For music sources
You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.
y
Press PROGRAM l / h on the front panel repeatedly (or set the component selector switch to AMP and then press one of the sound
field program selector buttons on the remote control) to select the desired sound field program (see page 57).
Sound field program
Features
STEREO
2ch Stereo
Plays back 2-channel sources.
STEREO
6ch Stereo
Plays back 2-channel sources from all speakers in 6.1 channels, providing a
larger sound field ideal for background music at parties, etc.
MUSIC
Hall in Vienna
HiFi DSP processing. This program reproduces a classic shoe-box type concert
hall with approximately 1700 seats. Pillars and ornate carvings create extremely
complex reflections which produce a very full, rich sound.
MUSIC
The Bttm Line
HiFi DSP processing. This program reproduces the stage front in “The Bottom
Line”, a famous New York jazz club where 300 people can be seated.
MUSIC
The Roxy Thtr
HiFi DSP processing. This program reproduces the dynamic rock music
environment of “The Roxy Theatre”, one of the hottest rock clubs in L.A. The
listener’s imaginary seat is at the center-left of the hall.
ENTERTAINMENT
Disco
HiFi DSP processing. This program reproduces the acoustic environment of a
lively disco in the heart of a big city to create a highly concentrated and
energetic sound.
SUR. STANDARD
Standard processing for the selected decoder.
SUR. ENHANCED
Enhanced processing for the selected decoder.
2-CH
1
2
3
Sources
SOUND FIELD
PROGRAMS
Remote
control
button
MULTI
2-CH
5
English
59 En
SOUND FIELD PROGRAMS
Changing sound field parameter
settings
2
Turn on the video monitor and then press
DISPLAY on the remote control.
The following display is shown in the OSD.
You can enjoy good quality sound with the initial factory
settings. Although you do not have to change the initial
factory settings, you can change some of the parameters to
better suit the input source or your listening room.
DISPLAY
ON SCREEN
Notes
• Use the “PARAM. INI” feature in “OPTION MENU” to
initialize the parameters of each sound field program within a
sound field program group (see page 80).
• When you set a sound field parameter to a value other than the
initial factory settings, an asterisk mark (*) appears by the
sound field parameter name in the OSD.
• You cannot change the sound field parameter values when
“MEMORY GUARD” in “OPTION MENU” is set to “ON”
(see page 79). If you want to change the sound field parameter
values, set “MEMORY GUARD” to “OFF”.
Sound field program category
P02
Cursor
MUSIC
.
Pop/Rock
DSP LEVEL;;;;0dB
P.INIT.DLY;;21ms
P.ROOM SIZE;;1.0
S.INIT.DLY;;25ms
S.ROOM SIZE;;1.0
Sound field parameters
Sound field parameter
values
y
• For details about the function and control range of each sound
field parameter, see page 61.
• Repeat steps 3 and 4 as necessary to change other sound field
program parameter settings.
• The available sound field parameters for some of the sound field
programs may be displayed on more than one page in the OSD.
In this case, press u / d to scroll through pages.
• If you press and hold j / i to change the sound field parameter
value, the initial factory settings are shown momentarily in the
front panel display.
CODE SET
POWER
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
SELECT
EXTD SUR.
Press one of the sound field program
selector buttons repeatedly to select the
desired sound field program you want to
adjust.
STEREO
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
TRANSMIT
POWER
TV
AV
CD
CD-R
STANDBY
POWER
STANDARD
MD
SLEEP
MULTI CH IN
CBL
DVD
3
DTV
TUNER
DVR
NET
6
7
8
ENHANCER
NIGHT
STRAIGHT
9
0
10
3
DIRECT ST.
5
SPEAKERS
10
ENT.
EFFECT
ENT.
EFFECT
DOCK
USB
PRESET/CH
LEVEL
V-AUX
1
TITLE
SET MENU
MENU
SRCH MODE
BAND
AMP
ENTER
SOURCE
TV VOL
TV CH
A/B/C/D/E
VOLUME
TV
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
4
2
AUDIO
1
Set the component selector switch to AMP.
4
Press u / d to select the desired sound field
parameter and then j / i to change the
selected sound field parameter value.
• Press i to increase the value.
• Press j to decrease the value.
PRESET/CH
AMP
SOURCE
TV
ENTER
A/B/C/D/E
60 En
SOUND FIELD PROGRAMS
■ Sound field parameter descriptions
You can adjust the values of certain digital sound field parameters so that the sound fields are recreated accurately in your
listening room. Not all of the following parameters are found in every program.
y
To change sound field parameter settings to suit your listening environment, see page 60 for details.
Sound field parameter
DSP LEVEL
Features
DSP level. Adjusts the level of all the DSP effect sounds within a narrow range. Depending on
the acoustics of your listening room, you may want to increase or decrease the DSP effect level
relative to the level of the direct sound.
Control range: –6 dB to +3 dB
Initial delay. Presence, surround, and surround back initial delays. Changes the apparent distance
from the source sound by adjusting the delay between the direct sound and the first reflection
heard by the listener. The smaller the value, the closer the sound source seems to the listener. The
larger the value, the farther it seems. For a small room, set to a small value. For a large room, set
to a large value.
Control range: 1 to 99 ms (INIT.DLY and P.INIT.DLY)
1 to 49 ms (S.INIT.DLY and SB INI.DLY)
Source sound
Level
Level
Early
reflections
Level
INIT.DLY
P.INIT.DLY
S.INIT.DLY
SB INI.DLY
Time
Time
Time
Delay
Delay
Delay
SOUND FIELD
PROGRAMS
Sound source
Reflection face
Small value = 1 ms
Large value = 99 ms
English
61 En
SOUND FIELD PROGRAMS
Sound field parameter
ROOM SIZE
P.ROOM SIZE
S.ROOM SIZE
SB ROOM SIZE
Features
Room size. Presence, surround, and surround back room sizes. Adjusts the apparent size of the
surround sound field. The larger the value, the larger the surround sound field becomes. As the
sound is repeatedly reflected around a room, the larger the hall is, the longer the time between
the original reflected sound and the subsequent reflections. By controlling the time between the
reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter
from one to two doubles the apparent length of the room.
Control range: 0.1 to 2.0
Time
Early
reflections
Level
Level
Level
Source sound
Time
Time
Sound source
Small value = 0.1
LIVENESS
S.LIVENESS
SB LIVENESS
Large value = 2.0
Liveness. Surround and surround back liveness. Adjusts the reflectivity of the virtual walls in the
hall by changing the rate at which the early reflections decay. The early reflections of a sound
source decay much faster in a room with acoustically absorbent wall surfaces than in one which
has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as
“dead”, while a room with highly reflective surfaces is referred to as “live”. This parameter lets
you adjust the early reflection decay rate and thus the “liveness” of the room.
Control range: 0 to 10
Source sound
Time
Small reflected
sound
Small value = 0
62 En
Level
Dead
Level
Level
Live
Time
Time
Large reflected
sound
Large value = 10
SOUND FIELD PROGRAMS
Sound field parameter
REV.TIME
Features
Reverberation time. Adjusts the amount of time taken for the dense, subsequent reverberation
sound to decay by 60 dB at 1 kHz. This changes the apparent size of the acoustic environment
over an extremely wide range. Set a longer reverberation time for “dead” sources and listening
room environments, and a shorter time for “live” sources and listening room environments.
Control range: 1.0 to 5.0 s
Source sound
Reverberation
Reverberation
Early reflections
60 dB
REV.TIME
Sound source
60 dB
REV.TIME
Short
reverberation
REV.TIME
Long
reverberation
Small value = 1.0 s
Large value = 5.0 s
Reverberation delay. Adjusts the time difference between the beginning of the direct sound and
the beginning of the reverberation sound. The larger the value, the later the reverberation sound
begins. A later reverberation sound makes you feel as if you are in a larger acoustic environment.
Control range: 0 to 250 ms
SOUND FIELD
PROGRAMS
Level
REV.DELAY
60 dB
Source sound
(dB)
60 dB
Reverberation
Time
REV.DELAY
REV.TIME
English
63 En
SOUND FIELD PROGRAMS
Sound field parameter
REV.LEVEL
Features
Reverberation level. Adjusts the volume of the reverberation sound. The larger the value, the
stronger the reverberation becomes.
Level
Control range: 0 to 100%
Source sound
REV. LEVEL
Time
2ch Stereo
DIRECT
2-channel stereo direct. Bypasses the decoders and DSP processors of this unit for pure hi-fi
stereo sound when playing 2-channel analog sources.
Choices: AUTO, OFF
y
• The “AUTO” setting bypasses the decoders and DSP processors only when “BASS” and
“TREBLE” are set to 0 dB (see page 33).
• When multi-channel signals (Dolby Digital and DTS) are input, they are downmixed to 2
channels and output from the front left and right speakers.
• The low-frequency signals input from the front left and right speakers are redirected to the
subwoofer in the following cases:
– “LFE/BASS OUT” is set to “BOTH” (see page 70).
– “FRONT SP” is set to “SMALL” (see page 69) and “LFE/BASS OUT” is set to “SWFR”
(see page 70).
6ch Stereo
CT LEVEL
SL LEVEL
SR LEVEL
SB LEVEL
64 En
6-channel stereo center, surround left, surround right and surround back levels. Adjusts the
volume level of each channel in the 6-channel stereo mode.
Control range: 0 to 100%
SOUND FIELD PROGRAMS
Sound field parameter
Features
PRO LOGIC IIx Music
PRO LOGIC II Music
PANORAMA
Pro Logic IIx Music and Pro Logic II Music panorama. Sends stereo signals to the surround
speakers as well as the front speakers for a wraparound effect.
PRO LOGIC IIx Music
PRO LOGIC II Music
DIMENSION
Pro Logic IIx Music and Pro Logic II Music dimension. Adjusts the sound field either towards
the front or towards the rear.
Choices: OFF, ON
Control range: –3 (towards the rear) to +3 (towards the front)
Initial setting: STD (standard)
PRO LOGIC IIx Music
PRO LOGIC II Music
CENTER WIDTH
Pro Logic IIx Music and Pro Logic II Music center width. Moves the center channel output
completely towards the center speaker or towards the front left and right speakers. A larger value
moves the center channel output towards the front left and right speakers.
Control range: 0 (center channel sound is output only from the center speaker) to
7 (center channel sound is output only from the front left and right speakers)
Initial setting: 3
DTS Neo:6 Music
C.IMAGE
DTS Neo:6 Music center image. Adjusts the front left and right channel output relative to the
center channel to make the center channel more or less dominant as necessary.
Control range: 0.0 to 1.0
Initial setting: 0.3
y
SOUND FIELD
PROGRAMS
The “PRO LOGIC IIx Music”, “PRO LOGIC II Music”, and “DTS Neo:6 Music” parameters can be set only when “SUR.
STANDARD” is selected. Set the component selector switch to AMP and then press STANDARD on the remote control repeatedly to
select “SUR. STANDARD” (see page 43).
English
65 En
SET MENU
SET MENU
You can use the following parameters in “SET MENU” to adjust a variety of system settings and customize the way this
unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening
environment.
■ Basic setup BASIC SETUP
Use this feature to set up your system quickly and with minimal effort (see page 29).
■ Manual setup MANUAL SETUP
Use this feature to manually adjust speaker and system parameters.
Sound menu 1 SOUND MENU
Use this menu to manually adjust any speaker settings, alter the quality and tone of the sound output by the system or
compensate for video signal processing delays when using LCD monitors or projectors.
Parameter
Features
Page
A)SPEAKER SET
Selects the size of each speaker, the speakers for low-frequency signal output, and the
crossover frequency.
69
B)SPEAKER LEVEL
Adjusts the output level of each speaker.
71
C)SP DISTANCE
Adjusts the delay time of each speaker.
72
D)CENTER GEQ
Adjusts the tonal quality of the center speaker.
72
E)LFE LEVEL
Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.
72
F)DYNAMIC RANGE
Adjusts the dynamic range of Dolby Digital or DTS signals.
73
G)AUDIO SET
Adjusts the muting level, audio delay and tone bypass settings.
73
Input menu 2 INPUT MENU
Use this menu to manually reassign the input/output jacks, select the input mode or rename the input source.
Parameter
Features
Page
A)I/O ASSIGNMENT
Assigns the input/output jacks of this unit according to the component to be used.
74
B)INPUT MODE
Selects the initial input mode of the source.
75
C)INPUT RENAME
Changes the name of the input source.
75
D)VOLUME TRIM
Adjusts the output volume of each jack.
76
66 En
SET MENU
Network and USB menu 3 NET/USB MENU
Use this menu to manually adjust the network and USB system parameters.
Parameter
Features
Page
A)NETWORK
Configures the network settings automatically or manually.
76
B)PLAY STYLE
Adjusts the playback style.
77
C)INFORMATION
Displays the network system information.
78
Option menu 4 OPTION MENU
Use this menu to manually adjust the optional system parameters.
Parameter
Features
Page
A)DISPLAY SET
Adjusts the brightness of the display and converts video signals. Sets the OSD display time as
well as the front panel display scrolling mode.
78
B)MEMORY GUARD
Locks sound field program parameters and other “SET MENU” settings.
79
C)PARAM. INI
Initializes the parameters of a group of sound field programs.
80
D)MULTI ZONE SET
Specifies the location of the speakers connected to the SPEAKERS B terminals.
80
■ Signal information SIGNAL INFO
Use this feature to check audio signal information (see page 40).
ADVANCED
OPERATION
English
67 En
SET MENU
Using SET MENU
2
Press u / d to select “MANUAL SETUP”.
Use the remote control to access and adjust each
parameter.
TV
AV
CD
CD-R
STEREO
MD
SLEEP
V-AUX
MOVIE
2
3
4
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
USB
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
NET
9
0
TUNER
DVR
ENTER
A/B/C/D/E
[ ]/[]:Up/Down
[ENTER]:Enter
p
DTV
ENTERTAIN
SET MENU
;BASICSETUP
.;MANUALSETUP
.;SIGNAL INFO
p
DVD
DOCK
MUSIC
1
STANDARD
MULTI CH IN
CBL
PRESET/CH
ENT.
10
EFFECT
1
AMP
SOURCE
TV VOL
TV CH
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
SRCH MODE
BAND
VOLUME
TV
ENTER
A/B/C/D/E
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
1,7
2-6
3
REC
MOVIE
Press ENTER to enter “MANUAL SETUP”.
The “MANUAL SETUP” display appears in the
OSD.
y
;MANUAL SETUP
PRESET/CH
ENTER
4
Note
You cannot change some “SET MENU” parameters when
“NIGHT:CINEMA” or “NIGHT:MUSIC” is selected as the night
listening mode (see page 34).
Press u / d repeatedly and then press
ENTER to select and enter the desired menu.
The following displays are examples where “SOUND
MENU” is selected.
PRESET/CH
1
p
A/B/C/D/E
.1SOUNDMENU
2INPUTMENU
3NET/USBMENU
4OPTIONMENU
[]/[]:Up/Down
[ENTER]:Enter
p
• You can change the “SET MENU” parameters while this unit is
reproducing sound.
• If you press one of the sound field program selector buttons
during the “SET MENU” operation, the “SET MENU”
operation is canceled.
• Repeat the following procedure to select and adjust each
parameter setting.
• Press RETURN to return to the previous menu level.
Set the component selector switch to AMP
and then press SET MENU to enter “SET
MENU”.
The top “SET MENU” display appears in the OSD.
PRESET/CH
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
AMP
SET MENU
SOURCE
MENU
1 SOUND MENU 1/2
1 SOUND MENU 2/2
SRCH MODE
TV
p
68 En
p
p
[ ]/[]:Up/Down
[ENTER]:Enter
.E)LFE LEVEL
F)DYNAMIC RANGE
G)AUDIO SET
[]/[]:Up/Down
[ENTER]:Enter
p
SET MENU
.;BASICSETUP
;MANUALSETUP
.;SIGNAL INFO
p
p
.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTER GEQ
[]/[]:Up/Down
[ENTER]:Enter
SET MENU
5
Press u / d repeatedly and then press
ENTER to select and enter the desired
submenu.
The following display is an example where
“SPEAKER LEVEL” is selected.
PRESET/CH
1 SOUND MENU
Use this menu to manually adjust any speaker settings or
compensate for video signal processing delays when using
LCD monitors or projectors.
1 SOUND MENU 1/2
PRESET/CH
ENTER
1 SOUND MENU 2/2
p
.E)LFE LEVEL
F)DYNAMIC RANGE
G)AUDIO SET
[]/[]:Up/Down
[ENTER]:Enter
p
A/B/C/D/E
p
p
ENTER
A/B/C/D/E
.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTER GEQ
[]/[]:Up/Down
[ENTER]:Enter
■ Speaker settings A)SPEAKER SET
B)SPEAKER LEVEL
Use this feature to manually adjust any speaker settings.
-__________+
.FL;;;;;;;;;;
FR;;;;;;;;;;
C;;;;;;;;;;
y
If you are not satisfied with the bass sounds from your speakers,
you can change these settings according to your preference.
Front speakers FRONT SP
Choices: SMALL, LARGE
6
Press u / d to select the desired parameter
and then j / i to change the parameter
settings.
• Press i to increase the value.
• Press j to decrease the value.
PRESET/CH
SMALL>LARGE
PRESET/CH
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
Press SET MENU to exit from “SET MENU”.
SET MENU
• Select “SMALL” (small) if you have small front
speakers that do not reproduce low-frequency signals
effectively. The low-frequency signals of the front left
and right channels are directed to the speakers selected
in “LFE/BASS OUT” (see page 70).
• Select “LARGE” (large) if you have large front
speakers that reproduce low-frequency signals
effectively. All the front left and right channel signals
are directed to the front left and right speakers.
MENU
SRCH MODE
Note
Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is in the standby mode.
However, the stored data will be lost in case the power
cable is disconnected from the AC wall outlet or if the
power supply is cut off for more than one week.
ADVANCED
OPERATION
7
FRONT SP
If “LFE/BASS OUT” is set to “FRNT” (see page 70), the LFE
signals found in Dolby Digital or DTS sources, the low-frequency
signals of the front left and right channels, and the low-frequency
signals of other speakers set to “SML” (or “SMALL”) are all
directed to the front left and right speakers regardless of the
“FRONT SP” setting.
English
69 En
SET MENU
Center speaker CENTER SP
Choices: NONE, SML, LRG
Surround back speakers SUR. B SP
Choices: NONE, SML, LRG
SUR. B SP
CENTER SP
NONE>SML LRG
NONE>SMLLRG
• Select “NONE” (none) if you did not connect a center
speaker. The center channel signals are directed to the
front left and right speakers.
• Select “SML” (small) if you have a small center
speaker that does not reproduce low-frequency signals
effectively. The low-frequency signals of the center
channel are directed to the speakers selected in “LFE/
BASS OUT”.
• Select “LRG” (large) if you have a large center speaker
that reproduces low-frequency signals effectively. All
the center channel signals are directed to the center
speaker.
Surround left/right speakers
Choices: NONE, SML, LRG
SUR. L/R SP
• Select “NONE” (none) if you did not connect a
surround back speaker. The surround back channel
signals are directed to the surround left and right
speakers.
• Select “SML” (small) if you have a small surround
back speaker that does not reproduce low-frequency
signals effectively. The low-frequency signals of the
surround back channel are directed to the speakers
selected in “LFE/BASS OUT”.
• Select “LRG” (large) if you have a large surround back
speaker that reproduces low-frequency signals
effectively. All the surround back channel signals are
directed to the surround back speaker.
Bass out LFE/BASS OUT
Use this feature to select the speakers that output the LFE
(low-frequency effect) and the low-frequency signals.
Choices: SWFR, FRNT, BOTH
SUR. L/R SP
LFE/BASS OUT
NONE>SMLLRG
SWFRFRNT>BOTH
• Select “NONE” (none) if you did not connect surround
speakers. This unit is set to the Virtual CINEMA DSP
mode (see page 44) and “SUR. B SP” is automatically
set to “NONE”.
• Select “SML” (small) if you have small surround left
and right speakers that do not reproduce low-frequency
signals effectively. The low-frequency signals of the
surround left and right channels are directed to the
speakers selected in “LFE/BASS OUT”.
• Select “LRG” (large) if you have large surround left
and right speakers that reproduce low-frequency
signals effectively. All the surround channel signals are
directed to the surround left and right speakers.
70 En
• Select “SWFR” (subwoofer) if you connected a
subwoofer. The LFE signals as well as the lowfrequency signals of other speakers set to “SML” (or
“SMALL”) are directed to the subwoofer.
• Select “FRNT” (front) if you did not connect a
subwoofer. The LFE signals, the low-frequency signals
of the front left and right channels, and the lowfrequency signals of other speakers set to “SML” (or
“SMALL”) are all directed to the front left and right
speakers regardless of the “FRONT SP” setting (see
page 69).
• Select “BOTH” (both) if you connected a subwoofer.
The low-frequency signals of any source are output
from the subwoofer. The LFE signals as well as the
low-frequency signals of other speakers set to “SML”
(or “SMALL”) are directed to the subwoofer. The lowfrequency signals of the front left and right channels
are directed to the front left and right speakers and the
subwoofer regardless of the “FRONT SP” setting (see
page 69).
SET MENU
Crossover CROSSOVER
Use this feature to select a crossover frequency of all the
speakers set to “SML” (or “SMALL”) or to “NONE” in
“SPEAKER SET” (see pages 69 and 70). All frequencies
below the selected frequency will be sent to the subwoofer
or to the speakers set to “LRG” (or “LARGE”) in
“SPEAKER SET” (see pages 69 and 70).
Choices: 40Hz, 60Hz, 80Hz, 90Hz, 100Hz, 110Hz,
120Hz, 160Hz, 200Hz
■ Speaker level B)SPEAKER LEVEL
Use this feature to manually balance the speaker levels
between the front left or surround left speakers and each
speaker selected in “SPEAKER SET” (see page 69).
Control range: –10.0 to +10.0 dB
Control step: 1.0 dB
Initial setting: 0 dB
B)SPEAKER LEVEL
-__________+
.FL;;;;;;;;;;
FR;;;;;;;;;;
C;;;;;;;;;;
CROSSOVER
FREQ;;;80Hz
Subwoofer phase SUBWOOFER PHASE
Use this feature to switch the phase of your subwoofer if
bass sounds are lacking or unclear.
Choices: NORMAL, REVERSE
02ASUBWOOFER PHASE
>NORMALREVERSE
• Select “NORMAL” if you do not want to reverse the
phase of your subwoofer.
• Select “REVERSE” to reverse the phase of your
subwoofer.
• Select “FL” to adjust the balance of the front left
speaker.
• Select “FR” to adjust the balance of the front right
speaker.
• Select “C” to adjust the balance of the center speaker.
• Select “SL” to adjust the balance of the surround left
speaker.
• Select “SR” to adjust the balance of the surround right
speaker.
• Select “SB” to adjust the balance of the surround back
speaker.
• Select “SWFR” to adjust the balance of the subwoofer.
Note
“C”, “SL”, “SR”, “SB” and “SWFR” cannot be adjusted if
“CENTER SP” (see page 70), “SUR. L/R SP” (see page 70),
“SUR. B SP” (see page 70) and “LFE/BASS OUT” (see page 70)
are set to “NONE” respectively.
ADVANCED
OPERATION
English
71 En
SET MENU
■ Speaker distance C)SP DISTANCE
Use this feature to manually adjust the distance of each
speaker and the delay applied to the respective channel.
Ideally, each speaker should be the same distance from the
main listening position. However, this is not possible in
most home situations. Thus, a certain amount of delay
must be applied to the sound from each speaker so that all
sounds will arrive at the listening position at the same
time.
■ Center graphic equalizer D)CENTER GEQ
Use this feature to adjust the built-in 5-frequency band
(100Hz, 300Hz, 1kHz, 3kHz and 10kHz) graphic
equalizer for the center channel so that the tonal quality of
the center speaker matches that of the front speakers. You
can make adjustments while listening to the currently
selected source component or a test tone.
Control range: –6 to +6 dB
Control step: 0.5 dB
Initial setting: 0 dB
C)SP DISTANCE
D)CENTER GEQ
p
Unit UNIT
Choices: meters (m), feet (ft)
Initial setting:
[Canada model]: feet (ft)
[Other models]: meters (m)
• Select “meters” to adjust speaker distances in meters.
• Select “feet” to adjust speaker distances in feet.
y
Press u / d to select a frequency band and j / i to adjust the
selected frequency band.
■ Low-frequency effect level E)LFE LEVEL
Use this feature to adjust the output level of the LFE (lowfrequency effect) channel according to the capacity of
your subwoofer or headphones. The LFE channel carries
low-frequency special effects which are only added to
certain scenes. This setting is effective only when this unit
decodes Dolby Digital or DTS signals.
Control range: –20 to 0 dB
Control step: 1 dB
E)LFE LEVEL
.SPEAKER;;;;;;0dB
HEADPHONE;;;;0dB
[]/[]:Up/Down
[<]/[>]:Adjust
p
Note
“CENTER”, “SUR.L”, “SUR.R”, “SUR.B” and “SWFR” cannot
be adjusted if “CENTER SP” (see page 70), “SUR. L/R SP” (see
page 70), “SUR. B SP” (see page 70) and “LFE/BASS OUT” (see
page 70) are set to “NONE” respectively.
Test tone TEST
Choices: OFF, ON
• Select “OFF” to stop test tones and output the currently
selected source component.
• Select “ON” to output test tones from the front left and
center speakers, and adjust the tonal quality of the
center speaker.
p
Speaker distances
Control range: 0.30 to 24.00 m (1.0 to 80.0 ft)
Control step: 0.10 m (0.5 ft)
• Select “FRONT L” to adjust the distance of the front
left speaker.
Initial setting: 3.00 m (10.0 ft)
• Select “FRONT R” to adjust the distance of the front
right speaker.
Initial setting: 3.00 m (10.0 ft)
• Select “CENTER” to adjust the distance of the center
speaker.
Initial setting: 3.00 m (10.0 ft)
• Select “SUR. L” to adjust the distance of the surround
left speaker.
Initial setting: 3.00 m (10.0 ft)
• Select “SUR. R” to adjust the distance of the surround
right speaker.
Initial setting: 3.00 m (10.0 ft)
• Select “SUR. B” to adjust the distance of the surround
back speaker.
Initial setting: 2.10 m (7.0 ft)
• Select “SWFR” to adjust the distance of the subwoofer.
Initial setting: 3.00 m (10.0 ft)
0dB
0dB
0dB
0dB
0dB
p
.TEST>OFFON
-______+
100Hz ;;;;;;
300Hz ;;;;;;
1kHz ;;;;;;
3kHz ;;;;;;
10kHz ;;;;;;
[]/[]:Up/Down
[<]/[>]:Adjust
p
p
. UNIT;;;;;;meters
FRONTL;;;;3.00m
FRONTR;;;;3.00m
CENTER;;;;;3.00m
[]/[]:Up/Down
[<]/[>]:Adjust
Speaker SPEAKER
Adjusts the speaker LFE level.
Headphone HEADPHONE
Adjusts the headphone LFE level.
Note
Depending on the settings of “LFE/BASS OUT” (see page 70),
some signals may not be output at the SUBWOOFER OUTPUT
jack.
72 En
SET MENU
■ Dynamic range F)DYNAMIC RANGE
Use this feature to select the amount of dynamic range
compression to be applied to your speakers or
headphones. This setting is effective only when this unit is
decoding Dolby Digital and DTS signals.
■ Audio settings G)AUDIO SET
Use this feature to adjust the overall audio settings of this
unit.
G)AUDIO SET
F)DYNAMIC RANGE
p
[]/[]:Up/Down
[<]/[>]:Select
p
.SP:MINSTD>MAX
HP:MINSTD>MAX
.MUTING TYPE;FULL
AUDIO DELAY;;0ms
TONE BYPASS;AUTO
p
p
[]/[]:Up/Down
[<]/[>]:Select
Speaker SP
Adjusts the speaker compression.
Headphone HP
Adjusts the headphone compression.
Choices: MIN, STD, MAX
• Select “MIN” (minimum) if you regularly listen at low
volume levels.
• Select “STD” (standard) for general use.
• Select “MAX” (maximum) to preserve the greatest
amount of dynamic range.
Muting type MUTING TYPE
Use this feature to adjust how much the mute function
reduces the output volume (see page 34).
Choices: FULL, –20dB
• Select “FULL” to completely mute all the audio
output.
• Select “–20dB” to reduce the current volume by 20 dB.
Audio delay AUDIO DELAY
Use this feature to delay the sound output and synchronize
it with the video image. This may be necessary when
using certain LCD monitors or projectors.
Control range: 0 to 160 ms
Control step: 1 ms
Tone bypass TONE BYPASS
Use this feature to select whether audio output bypasses
tone control circuitry when “TREBLE” and “BASS” are
set to 0 dB (see page 33).
Choices: AUTO, OFF
• Select “AUTO” if you want signals to bypass tone
control circuitry to provide the purest signal possible.
• Select “OFF” if you do not want signals to bypass tone
control circuitry.
ADVANCED
OPERATION
English
73 En
SET MENU
2 INPUT MENU
Use this menu to reassign the input/output jacks, select the
input mode or rename the input source.
2 INPUTMENU
p
p
.A)I/OASSIGNMENT
B)INPUTMODE
C)INPUTRENAME
D)VOLUME TRIM
[]/[]:Up/Down
[ENTER]:Enter
For OPTICAL INPUT jacks 2, 3 and 4
OPTICAL IN (2)
OPTICAL IN (3)
OPTICAL IN (4)
Choices: (2) CD, MD/CD-R, DVD, DTV/CBL, V-AUX,
DVR
(3) CD, MD/CD-R, DVD, DTV/CBL, V-AUX,
DVR
(4) CD, MD/CD-R, DVD, DTV/CBL, V-AUX,
DVR
OPTICALIN
■ Input/output assignment
A)I/O ASSIGNMENT
Use this feature to assign the input/output jacks according
to the component to be used if the initial settings of this
unit do not correspond to your needs. Change the
following parameters to reassign the respective jacks and
effectively connect more components.
Once the input/output jacks are reassigned, you can select
the corresponding component by using the INPUT
selector on the front panel (or the input selector buttons on
the remote control).
For COMPONENT VIDEO jacks A, B and C
CMPNT-V INPUT [A]
CMPNT-V INPUT [B]
CMPNT-V INPUT [C]
Choices: [A] DVD, DTV/CBL, V-AUX, DVR
[B] DVD, DTV/CBL, V-AUX, DVR
[C] DVD, DTV/CBL, V-AUX, DVR
CMPNT-VINPUT
.[A];;;;;DVD
(DVD)
[B];;;;;DTV/CBL
(DTV/CBL)
[C];;;;; DVR
( DVR )
For OPTICAL OUTPUT jack 1 OPTICAL OUT (1)
Choices: CD, MD/CD-R, DVD, DTV/CBL, V-AUX,
DVR
OPTICALOUT
.(1);;;;;MD/CD-R
(MD/CD-R )
74 En
.(2);;;;;MD/CD-R
(MD/CD-R)
(3);;;;; DVD
(DVD )
(4);;;;;DTV/CBL
(DTV/CBL )
For COAXIAL INPUT jack 5 COAXIAL IN (5)
Choices: (5) CD, MD/CD-R, DVD, DTV/CBL, V-AUX,
DVR
COAXIALIN
.(5);;;;;
(
DVD
DVD
)
Notes
• You cannot select a specific item more than once for the same
type of jack.
• When you connect a component to both the DIGITAL INPUT
(COAXIAL) and DIGITAL INPUT (OPTICAL) jacks, priority
is given to the signals input at the DIGITAL INPUT
(COAXIAL) jack.
SET MENU
■ Input mode B)INPUT MODE
Use this feature to set this unit to reset “INPUT MODE”
back to “AUTO” (see page 35) regardless of the previous
setting or to recall the last input mode (“AUTO”, “DTS”,
or “ANALOG”) used for that source whenever you turn on
this unit.
Choices: AUTO, LAST
2
Press j / i on the remote control to place the
“_” (underscore) under the space or the
character you want to edit.
PRESET/CH
ENTER
B)INPUTMODE
A/B/C/D/E
>AUTOLAST
[<]/[>]:Select
[ENTER]:Return
3
• Select “AUTO” to reset “INPUT MODE” back to
“AUTO” (see page 35) regardless of the previous
setting whenever you turn on this unit. This unit
automatically selects input signals in the following
order:
(1) Digital signals
(2) Analog signals
• Select “LAST” to set this unit to automatically recall
the last input mode (“AUTO”, “DTS”, or “ANALOG”)
used for that source whenever you turn on this unit.
C)INPUTRENAME
Press one of the input selector buttons on
the remote control to select the input source
you want to change the name of.
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
Notes
• You can use up to 8 characters for each input.
• Press d to change the character in the following order, or
press u to go in the reverse order:
A to Z, a space, 0 to 9, a space, a to z, a space, symbols (#,
*, +, –, etc.)
4
Repeat steps 1 through 3 to rename each
input source.
5
Press ENTER on the remote control to exit
from “INPUT RENAME”.
PRESET/CH
ENTER
ADVANCED
OPERATION
1
p
p
[<]/[>]:Position
[]/[]:Chara.
PRESET/CH
PRESET/CH
■ Input rename C)INPUT RENAME
Use this feature to change the name of the input source
that appears in the OSD and in the front panel display.
DVD-> DVD
Press u / d to select the character you want
to use and then press j / i to move to the
next space.
A/B/C/D/E
MD
CD
SLEEP
CD-R
MULTI CH IN
CBL
DVD
DTV
DOCK
V-AUX
TUNER
USB
DVR
NET
English
75 En
SET MENU
3 NET/USB MENU
Use this menu to adjust the network and USB system
parameters.
3 NET/USBMENU
.A)NETWORK
B)PLAY STYLE
C)INFORMATION
p
[]/[]:Up/Down
[ENTER]:Enter
p
■ Volume trim D)VOLUME TRIM
Use this feature to adjust the level of the signal input at
each jack. This is useful if you want to balance the level of
each input source to avoid sudden changes in volume
when switching between input sources.
Choices: CD, MD/CD-R, TUNER, DVD, DTV/CBL,
V-AUX, DOCK, DVR, PC/MCX, USB, NET
RADIO, MULTI CH IN
Control range: –6.0 to +6.0 dB
Control step: 1.0 dB
Initial setting: 0.0 dB
D)VOLUME TRIM
DVD
DVD-> 0.0dB
[<]/[>]:Adjust
[RETURN]:Exit
■ Network settings A)NETWORK
Use this feature to view the network parameters (IP
address, etc.) or to change them manually.
A)NETWORK
p
p
. DHCP
ON
IP
192.168.000.002
SUBNET 255.255.255.000
GATEWAY 192.168.000.001
DNS (P) 192.168.000.001
DNS (S) 000.000.000.000
SET
>CANCEL
[]/[]:Up/Down
[ENTER]:Enter
Note
The above display is an example.
DHCP DHCP
When this parameter is set to “ON”, network parameters
for “IP”, “SUBNET”, “GATEWAY”, “DNS (P)” and
“DNS (S)” obtained from a DHCP enabled router are
displayed. If DHCP server function is not available, set
this parameter to “OFF” to configure the network
parameters manually.
Choices: ON, OFF
IP address IP
Use this parameter to specify an IP address assigned to
this unit. This value must not duplicate the one used for
other devices in the target network.
Subnet mask SUBNET
Use this parameter to specify the subnet mask value
assigned to this unit.
y
For most of the cases, the subnet mask value can be set as
“255.255.255.0”.
Default gateway GATEWAY
Use this parameter to specify the IP address of the default
gateway.
76 En
SET MENU
Primary DNS server DNS (P)
Secondary DNS server DNS (S)
Use this parameter to specify the IP address of the primary
and secondary DNS (Domain Name System) servers.
■ Playback styles B)PLAY STYLE
Use this feature to adjust the playback style according to
your preference. You can shuffle songs in a random order
or repeat one specific song or a sequence of songs.
Note
B)PLAY STYLE
If you have only one DNS address, enter the DNS address in
“DNS (P)”. If you have two or more DNS addresses, enter one of
them in “DNS (P)” and another in “DNS (S)”.
Note
When “DHCP” is set to “ON”, you cannot select and adjust
any other network settings. To specify the other parameters,
you need to first set “DHCP” to “OFF”.
2
To specify the parameter, press u / d repeatedly
to change the number and press j / i to select
the digit to change.
3
Press ENTER to confirm the parameter.
4
Repeat steps 1 through 3 to configure each
network parameter.
5
Select “SET” and then press ENTER to finish
configuration.
Note
In case you have changed your network configuration, you may
need to reconfigure the network settings again.
You can reset the network settings of this unit to the initial factory
settings by using “N-RESET” in the advanced setup menu (see
page 82).
Repeat REPEAT
Use this feature to set this unit to repeat one song or a
sequence of songs.
Choices: OFF, SINGLE, ALL
• Select “OFF” to deactivate this feature.
• Select “SINGLE” to set this unit to repeat one song.
• Select “ALL” to set this unit to repeat a sequence of
songs.
Notes
• When “REPEAT” is set to a setting other than “OFF”, the
highlighted letter “R” appears in the top right corner of the
playback status screen while one song or a sequence of songs
are being repeated.
• If “REPEAT” is set to “SINGLE”, the setting will be reset to
“OFF” when this unit is set to the standby mode.
Shuffle SHUFFLE
Use this feature to set this unit to play songs or albums in a
random order.
Choices: OFF, ON
• Select “OFF” to deactivate this feature.
• Select “ON” to set this unit to play songs or albums in a
random order.
Note
When “SHUFFLE” is set to “ON”, the highlighted letter “S”
appears in the top right corner of the playback status screen while
songs or albums are being shuffled.
ADVANCED
OPERATION
y
[]/[]:Up/Down
[<]/[>]:Select
p
Press u / d on the remote control repeatedly
and then press ENTER to select and enter
the desired network parameter.
p
1
.REPEAT;;;;;;;OFF
SHUFFLE;;;;;;OFF
English
77 En
SET MENU
■ Network information C)INFORMATION
Use this feature to display the network system
information.
4 OPTION MENU
Use this menu to adjust the optional system parameters.
C)INFORMATION
4 OPTIONMENU
MAC ADDRESS
XX:XX:XX:XX:XX:XX
STATUS
10BASE-T
FULL-DUPLEX
[ENTER]:Return
p
p
Note
.A)DISPLAYSET
B)MEMORYGUARD
C)PARAM.INI
D)MULTI ZONESET
[]/[]:Up/Down
[ENTER]:Enter
■ Display settings A)DISPLAY SET
The above display is an example.
[]/[]:Up/Down
[<]/[>]:Select
p
“NO LINK” appears when network connection is not made.
p
Note
A)DISPLAYSET
.ON SCREEN;;;;10s
FL SCROLL;;;CONT
p
Status STATUS
This information displays the current link status of the
network.
Display status: 10BASE-T, 100BASE-TX,
FULL-DUPLEX, HALF-DUPLEX,
NO LINK
A)DISPLAYSET
.DIMMER;;;;;;;;;0
VIDEOCONV.;;;ON
OSD SHIFT;;;;;;0
GRAY BACK;;;AUTO
[]/[]:Up/Down
[<]/[>]:Select
p
MAC (Media Access Control) address
MAC ADDRESS
This information displays the MAC address that is
assigned to this unit.
Dimmer DIMMER
Use this feature to adjust the brightness of the front panel
display.
Control range: – 4 to 0
Control step: 1
• Press j to make the front panel display dimmer.
• Press i to make the front panel display brighter.
Video conversion VIDEO CONV.
Use this feature to set whether to convert the video signals
input at the VIDEO and S VIDEO jacks.
Choices: ON, OFF
• Select “ON” to convert composite and S-video signals
interchangeably and up-convert composite and S-video
signals to component video signals.
• Select “OFF” not to convert any signals.
Notes
• The converted video signals are only output at the MONITOR
OUT jacks. When recording a video source, you must make the
same type of video connections between each component.
• When composite video or S-video signals from a VCR are
converted to component video signals, the picture quality may
suffer depending on your VCR.
• You must set “VIDEO CONV.” to “ON” to display the OSD.
• Unconventional signals input at the composite video or S-video
jacks cannot be converted or may be output abnormally. In such
cases, set “VIDEO CONV.” to “OFF”.
78 En
SET MENU
OSD shift OSD SHIFT
Use this feature to adjust the vertical position of the OSD.
Control range: –5 (upward) to +5 (downward)
Control step: 1
Initial setting: 0
• Press j to raise the position of the OSD.
• Press i to lower the position of the OSD.
Gray back GRAY BACK
Use this feature to display a gray background in the OSD
when there is no video signal being input.
Choices: AUTO, OFF
• Select “AUTO” to display a gray background in the
OSD when there is no video signal being input.
• Select “OFF” not to display any background in the
OSD.
Notes
Front panel display scroll FL SCROLL
Use this feature to set whether to display the information
(such as song title or channel name) in the front panel
display in a continuous manner or by the first 14
alphanumeric characters after scrolling all characters once
when “DOCK” or “NET/USB” is selected as the input
source.
Choices: CONT, ONCE
• Select “CONT” to display the operation status in the
front panel display in a continuous manner.
• Select “ONCE” to display the operation status in the
front panel display by the first 14 alphanumeric
characters after scrolling all characters once.
■ Memory guard B)MEMORY GUARD
Use this feature to prevent accidental changes to DSP
program parameter values and other system settings.
Choices: OFF, ON
• Depending on the video signals being input or the system
setting of your video monitor (NTSC or PAL), the OSD may be
displayed abnormally. In such cases, set “GRAY BACK” to
“OFF”.
• Even when “GRAY BACK” is set to “OFF”, the OSD may not
be displayed correctly depending on the conditions of the
picture.
On-screen display time ON SCREEN
Use this feature to set the amount of time to display the
iPod menu or NET/USB menu in the OSD after you
perform a certain operation.
Choices: ON, 10s, 30s
• Select “ON” to display the OSD unceasingly during an
operation.
• Select “10s” to turn off the OSD 10 seconds after you
perform a certain operation.
• Select “30s” to turn off the OSD 30 seconds after you
perform a certain operation.
B)MEMORYGUARD
>OFFON
[<]/[>]:Select
[ENTER]:Return
• Select “OFF” to turn off the “MEMORY GUARD”
feature.
• Select “ON” to protect:
– DSP program parameters
– all “SET MENU” items
– all speaker levels
Note
When “MEMORY GUARD” is set to “ON”, you cannot select
and adjust any other “SET MENU” items.
ADVANCED
OPERATION
English
79 En
SET MENU
■ Parameter initialization C)PARAM. INI
■ Zone set D)MULTI ZONE SET
Use this feature to initialize the parameters of each sound
field program within a sound field program group. When
you initialize a sound field program group, all of the
parameter values within that group revert to their initial
factory settings.
Press the corresponding sound field program selector
buttons on the remote control to select the sound field
program that you want to initialize.
An asterisk (*) appears to the left of the sound field
program names that have been changed from their initial
factory settings.
Choices: STEREO, MUSIC, ENTERTAINMENT,
MOVIE THEATER, STANDARD
Use this feature to specify the location of speakers
connected to the SPEAKERS B terminals of this unit.
C)PARAM.INI
STEREO
*MUSIC
ENTERTAINMENT
MOVIE THEATER
*STANDARD
Press DSP key
Notes
• You cannot automatically revert to the previous parameter
settings once you initialize a sound field program group.
• You cannot separately initialize individual sound field
programs.
• You cannot initialize any sound field program groups when
“MEMORY GUARD” is set to “ON” (see page 79).
80 En
D)MULTI ZONESET
.SPB;;;;;;;FRONT
[<]/[>]:Select
[ENTER]:Return
Speaker B setting SP B
Use this feature to select the location of the front speakers
connected to the SPEAKERS B terminals.
Choices: FRONT, ZONE B
• Select “FRONT” to turn on or off SPEAKERS A and B
when the speakers connected to the SPEAKERS B
terminals are set in the main zone.
• Select “ZONE B” if the speakers connected to the
SPEAKERS B terminals are set in another zone. If
SPEAKERS A is turned off and SPEAKERS B is
turned on, all the speakers including the subwoofer in
the main zone are muted and this unit outputs sound at
the SPEAKERS B terminals only.
Notes
• If you connect headphones to the PHONES jack of this unit, the
sound is output from both headphones and the SPEAKERS B
terminals when “SP B” is set to “ZONE B”.
• If a DSP program is selected when “SP B” is set to “ZONE B”,
this unit automatically enters the Virtual CINEMA DSP mode
(see page 44).
ADVANCED SETUP
ADVANCED SETUP
This unit has additional menus that are displayed in the front panel display. The advanced setup menu offers additional
operations to adjust and customize the way this unit operates. Change the initial settings (indicated in bold under each
parameter) to reflect the needs of your listening environment.
Notes
• The settings you make are reflected next time you turn on this unit by pressing STANDBY/ON on the front panel (or POWER on the
remote control) (see page 28).
• Only STANDBY/ON, STRAIGHT (EFFECT) and PROGRAM l / h are effective while you are using the advanced setup menu.
• All the other operations cannot be made while you are using the advanced setup menu.
• The advanced setup menu is only available in the front panel display.
3
1-2,5
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
Press PROGRAM l / h on the front panel
repeatedly to select the parameter you want
to adjust.
The name of the selected parameter appears in the
front panel display.
See page 82 for a complete list of available
parameters.
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
SILENT CINEMA
VIDEO
L
AUDIO
R
l
2,4
1
PROGRAM
h
3
Currently selected
parameter
Currently selected
parameter setting
Press STANDBY/ON on the front panel to set
this unit to the standby mode.
SP IMP.-8 MIN
STANDBY
/ON
4
2
While holding
down
ADVANCED
OPERATION
Press and hold STRAIGHT (EFFECT) on the
front panel, and then press STANDBY/ON to
turn on this unit.
This unit turns on, and the advanced setup menu
appears in the front panel display.
Press STRAIGHT (EFFECT) on the front
panel repeatedly to change the selected
parameter setting.
STRAIGHT
EFFECT
5
STRAIGHT
STANDBY
/ON
Press STANDBY/ON on the front panel to
save the new setting and set this unit to the
standby mode.
EFFECT
STANDBY
/ON
y
The settings you made are reflected next time you turn on this
unit.
English
81 En
ADVANCED SETUP
■ Speaker impedance SP IMP.
■ Network reset N-RESET
Use this feature to set the speaker impedance of this unit
so that it matches that of your speakers.
Choices: 8ΩMIN, 6ΩMIN
• Select “8ΩMIN” to set the speaker impedance to 8 Ω .
• Select “6ΩMIN” to set the speaker impedance to 6 Ω .
Use this feature to reset the network settings of this unit
(see page 76) to the initial factory settings.
Choices: CANCEL, RESET
• Select “CANCEL” not to reset any network settings of
this unit.
• Select “RESET” to reset the network settings of this
unit.
SP IMP.
Speaker
Impedance level
If you use one set (A or B),
the impedance of each
speaker must be 8 Ω or
higher.
Front
If you use two sets (A and
B), the impedance of each
speaker must be 16 Ω or
higher.*
8ΩMIN
Center
Surround
The impedance of each
speaker must be 8 Ω or
higher.
Surround back
If you use one set (A or B),
the impedance of each
speaker must be 4 Ω or
higher.
Notes
• The initial factory settings are activated next time you turn on
this unit.
• When the network settings are reset, “DHCP” in “NET/USB
MENU” is automatically set to “ON” (see page 76) and the
registered client ID of this unit on your YAMAHA MCX-2000
is cleared (see page 92).
■ Remote control AMP ID REMOTE AMP
Use this feature to set the AMP ID of this unit for remote
control recognition (see page 86).
Choices: ID1, ID2
• Select “ID1” when the remote control AMP ID library
code is set to “00001”.
• Select “ID2” when the remote control AMP ID library
code is set to “00002”.
Note
Front
If you use two sets (A and
B), the impedance of each
speaker must be 8 Ω or
higher.
6ΩMIN
Center
Surround
The impedance of each
speaker must be 6 Ω or
higher.
Surround back
*
The Canada model cannot use two separate speaker systems
(A and B) simultaneously when “SP IMP.” is set to “8ΩMIN”.
■ Factory presets PRESET
Use this feature to reset all the parameters of this unit to
the initial factory settings (see page 95).
Choices: CANCEL, RESET
• Select “CANCEL” not to reset any parameters of this
unit.
• Select “RESET” to reset the parameters of this unit.
Notes
• This setting completely resets all the parameters of this unit
including the “SET MENU” parameters. However, the
advanced setup menu parameters will not be initialized.
• The initial factory settings are activated next time you turn on
this unit.
82 En
You need to set the corresponding remote control AMP library
code for the remote control (see page 86).
■ Remote control TUNER ID REMOTE TUN
Use this feature to set the TUNER ID of this unit for
remote control recognition (see page 86).
Choices: ID1, ID2
• Select “ID1” when the remote control TUNER ID
library code is set to “81916”.
• Select “ID2” when the remote control TUNER ID
library code is set to “81917”.
Note
You need to set the corresponding remote control TUNER library
code for the remote control (see page 86).
REMOTE CONTROL FEATURES
REMOTE CONTROL FEATURES
In addition to controlling this unit, the remote control can also operate other audiovisual components made by YAMAHA
and other manufacturers. To control your TV or other components, you must set the appropriate remote control code for
each input source (see page 85).
Controlling this unit, a TV, or other components
■ Controlling this unit
■ Controlling a TV
Set the component selector switch to AMP to control this
unit.
Set the component selector switch to TV to control your
TV. To control your TV, you must set the appropriate
remote control code for DTV/CBL or
(see page 85).
When you set the remote control codes for both
DTV/CBL and
, priority is given to the one set for
DTV/CBL.
CODE SET
TRANSMIT
POWER
POWER
TV
AV
STANDBY
POWER
MD
CD
SLEEP
CD-R
MULTI CH IN
CBL
DVD
TUNER
DTV
DOCK
V-AUX
USB
CODE SET
NET
DVR
AMP
*1
POWER
TV
AV
CD
CD-R
SOURCE
TV VOL
TV CH
TRANSMIT
POWER
STANDBY
MD
VOLUME
TV
SLEEP
MULTI CH IN
CBL
DVD
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
POWER
*1
TUNER
DTV
DOCK
USB
V-AUX
DVR
NET
TV VOL
TV CH
VOLUME
AMP
SPEAKERS
ENHANCER
9
0
NIGHT
SOURCE
STRAIGHT
TV
ENT.
10
EFFECT
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
BAND
SRCH MODE
*2
TV MUTE
TV INPUT
MUTE
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
MOVIE
ENTER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
ENT.
10
AUDIO
PC/MCX
FREQ/TEXT
NET RADIO
MODE
EFFECT
PRESET/CH
USB
PTY SEEK START
SET MENU
LEVEL
EON
TITLE
MENU
BAND
SRCH MODE
*2
ENTER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
REC
AUDIO
PC/MCX
NET RADIO
FREQ/TEXT
MODE
USB
PTY SEEK START
EON
ADVANCED
OPERATION
Notes
*1
These buttons always control this unit regardless of the
component selector switch position.
*2 These buttons control this unit only when the component
selector switch is set to AMP.
Notes
*1
These buttons always control your TV regardless of the
component selector switch position.
Remote control
TV POWER
Turns on or off the power.
TV VOL +/–
Increases or decreases the volume
level.
TV CH +/–
Changes the channel number.
TV MUTE
Mutes the audio output.
TV INPUT
Changes the input source.
These buttons control your TV only when the component
selector switch is set to TV. For details, see the “Digital TV/
Cable TV” column on page 84.
83 En
English
*2
Digital TV/Cable TV
REMOTE CONTROL FEATURES
■ Controlling other components
U
Set the component selector switch to SOURCE to control
other components selected with the input selector buttons,
or the blank button on the right of MD/CD-R. You
must set the appropriate remote control code for each
input source (see page 85). The following table shows the
function of each control button used to control other
components assigned to each input selector button,
and the blank button on the right of MD/CD-R. Be advised
that some buttons may not correctly operate the selected
component.
Remote control
DVD player/
recorder
1
CODE SET
POWER
TRANSMIT
POWER
TV
AV
CD
CD-R
STANDBY
POWER
MD
DTV
TUNER
DVR
NET
DOCK
USB
V-AUX
AMP
SOURCE
TV VOL
TV CH
VOLUME
3
4
5
TV INPUT
MUTE
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
LD/CD player
MD/CD
recorder
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
MOVIE
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
ENT.
10
PRESET/CH
SET MENU
LEVEL
TITLE
MENU
SRCH MODE
BAND
7
8
ENTER
A/B/C/D/E
RETURN
DISPLAY
DAB MEMORY
ON SCREEN
9
REC
6
TV MUTE
STEREO
Digital TV/
Cable TV
ENTERTAIN
2
EFFECT
TV
VCR
U
MUSIC
1
MULTI CH IN
CBL
DVD
2
SLEEP
U
STEREO
Tuner
AUDIO
PC/MCX
NET RADIO
FREQ/TEXT
MODE
USB
PTY SEEK START
iPod®
EON
PC/MCX-2000/
Internet radio/
USB
1
2
AV POWER
Power *1
Power *1
Power *2
Power *1
Power *1
1-9, 0, +10
Numeric
buttons
Numeric
buttons
Numeric
buttons
Numeric
buttons
Numeric
buttons
3
4
TITLE
Title
PRESET/CH
u
Up
VCR channel up Up
Preset up
(1-8)
Up
Up
PRESET/CH
d
Down
VCR channel
down
Down
Preset down
(1-8)
Down
Down
A/B/C/D/E j
Left
Left
Preset down
(A-E)
Previous menu
Previous menu
Preset up
(A-E)
Subsequent
menu
Subsequent
menu
Subsequent
menu
Subsequent
menu
5
6
7
Band
A/B/C/D/E i
Right
Right
ENTER
Enter
Enter
RETURN
Return
Return
REC
Disc skip
(player)
Rec (recorder)
*3
Rec *3
Rec *2*3
Disc skip
(CD player)
Bookmark *5
Rec *3
Select PC/MCX
p
Play
Play
Play *2
Play
Play
Play
Play
w
Search
backward
Search
backward
Search
backward *2
Search
backward
Search
backward
Search
backward *4
Select
NET RADIO
f
Search
forward
Search
forward
Search
forward *2
Search
forward
Search
forward
Search
forward *4
Select USB
AUDIO
Audio
Audio
Audio *2
Sound
(LD player)
e
Pause
Pause
Pause *2
Pause
Pause
Pause
b
Skip
backward
Skip
backward
Skip
backward *2
Skip
backward
Skip
backward
Skip
backward
Skip
backward *6
a
Skip
forward
Skip
forward
Skip
forward *2
Skip
forward
Skip
forward
Skip
forward
Skip
forward *6
s
Stop
Stop
Stop *2
Stop
Stop
Stop
Stop
Enter
Chapter/Time
(LD player)
Index
(CD player)
Index
Previous menu
Previous menu
Display
Display
Display
Display
ENT.
Title/Index
8
9
Preset stations
(1-8)
MENU
Menu
DISPLAY
Display
Enter
Menu
Display
Display
Notes
*1
This button is operational only when the original remote control supplied with the component has a POWER button.
These buttons control your VCR or DVD recorder only when you set the appropriate remote control code for DVR (see page 85).
*3 When you use this button to record a source, press it twice repeatedly to prevent a malfunction.
*4 Press and hold to search backward or forward.
*5 Press and hold to store your favorite Internet radio stations with bookmarks (see page 93).
*6 These buttons are not operational when the Internet radio is selected as the sub input source of NET/USB.
*2
84 En
REMOTE CONTROL FEATURES
Setting the remote control code
1
You can control your TV and other components by setting
the appropriate remote control code for each input source.
For a complete list of available remote control codes, refer
to “LIST OF REMOTE CONTROL CODES” at the end of
this manual.
Press one of the input selector buttons,
or the blank button on the right of MD/CD-R
to select the component you want to set up.
MD
CD
SLEEP
CD-R
MULTI CH IN
CBL
DVD
The following table shows the default component in the
“Library (component category)” column and the remote
control code for each input source.
DTV
DOCK
V-AUX
TUNER
USB
DVR
NET
Remote Control Code Default Settings
2
Input
source
Library
(component
category)
Manufacturer
Default
code
CD
CD
YAMAHA
61907
MD/CD-R
MD
YAMAHA
70888
DVD
DVD
YAMAHA
40539
DTV/
CBL
–
–
–
TUNER
TUNER
YAMAHA
81916
V-AUX/
DOCK
OTHER AUDIO
ACCESSORIES
(iPod)
YAMAHA
81981
DVR
DVR
YAMAHA
51544
NET/
USB
OTHER AUDIO
ACCESSORIES
(NET/USB)
YAMAHA
–
–
–
TAPE
YAMAHA
70524
Press CODE SET using a ballpoint pen or a
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
TRANSMIT
CODE SET
Flashes
3
Press the numeric buttons (0 to 9) to enter
the five-digit remote control code for the
component to be used.
The TRANSMIT indicator on the remote control
flashes twice, and the remote control code for the
selected component is set.
STEREO
MUSIC
ENTERTAIN
1
2
3
MOVIE
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
TRANSMIT
81982
10
Flashes
ENT.
EFFECT
y
Note
To clear the remote control code previously set for the selected
component, enter the code number “9980”.
You may not be able to operate your YAMAHA component even
if a YAMAHA remote control code is initially set as listed above.
In this case, try setting other YAMAHA remote control codes.
Notes
y
The blank button is the one on the right of MD/CD-R.
ADVANCED
OPERATION
Blank
button
• If the manufacturer of your component has more than one code,
try each of them until you find the correct one.
• If you do not press any buttons within 30 seconds in step 3, the
setup process is canceled. If this happens, repeat the setup
procedure.
English
85 En
REMOTE CONTROL FEATURES
■ Setting remote control TUNER ID library
codes
Setting library codes
You can operate multiple YAMAHA receivers or
amplifiers in the same room with the supplied remote
control simultaneously. Set the appropriate library code to
select and operate the desired component with the
supplied remote control.
Select one of the following codes to set the remote control
TUNER ID library code for the component you want to
use.
1
■ Setting remote control AMP ID library
codes
Press TUNER to select “TUNER” as the input
source.
TUNER
Select one of the following codes to set the remote control
AMP ID library code for the component you want to use.
1
Press CODE SET using a ballpoint pen or a
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
2
Press CODE SET using a ballpoint pen or a
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
TRANSMIT
CODE SET
TRANSMIT
CODE SET
Flashes
Flashes
2
Press the numeric buttons to enter the code
number “00001” or “00002”.
The TRANSMIT indicator on the remote control
flashes twice, and the AMP ID library code is
changed.
3
Press the numeric buttons to enter the code
number “81916” or “81917”.
The TRANSMIT indicator on the remote control
flashes twice, and the TUNER ID library code is
changed.
STEREO
MUSIC
ENTERTAIN
MOVIE
STEREO
MUSIC
ENTERTAIN
MOVIE
1
2
3
4
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
9
0
10
ENT.
TRANSMIT
Flashes
Function
00001
To operate this unit using
(initial setting) the default code.
00002
*1
*2
To operate this unit using
an alternative code.
ENT.
Flashes
EFFECT
EFFECT
AMP ID
library code
*1
10
TRANSMIT
Remote
control AMP
ID *2
TUNER ID
library code
*1
ID1
(initial setting)
81916
To operate this unit using
(initial setting) the default code.
81917
ID2
The remote control setting
The setting of this unit (see page 82)
*1
*2
Function
To operate this unit using
an alternative code.
Remote
control
TUNER ID *2
ID1
(initial setting)
ID2
The remote control setting
The setting of this unit (see page 82)
Notes
Notes
• You need to set the corresponding remote control AMP ID
of this unit in the advanced setup (see page 82).
• When using multiple YAMAHA receivers/amplifiers, you
may be able to operate the other components
simultaneously with the default code setting. In this case,
set one of the alternative codes to operate this unit
separately.
• You need to set the corresponding remote control TUNER
ID of this unit in the advanced setup (see page 82).
• When using multiple YAMAHA receivers/amplifiers, you
may be able to operate the other components
simultaneously with the default code setting. In this case,
set one of the alternative codes to operate this unit
separately.
86 En
REMOTE CONTROL FEATURES
Resetting all remote control codes
Use this feature to clear all the remote control codes
previously set and reset all of them to the initial factory
settings.
1
Press CODE SET using a ballpoint pen or a
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
TRANSMIT
CODE SET
Flashes
2
Press the numeric buttons to enter the code
number “9981”.
The TRANSMIT indicator on the remote control
flashes twice, and all the remote control codes
previously set are cleared and reset to the initial
factory settings.
STEREO
MUSIC
ENTERTAIN
1
2
3
4
STANDARD
SELECT
EXTD SUR.
DIRECT ST.
5
6
7
8
SPEAKERS
ENHANCER
NIGHT
STRAIGHT
9
0
10
MOVIE
ENT.
TRANSMIT
Flashes
EFFECT
y
If you do not press any buttons within 30 seconds after step
2, the clearing process is canceled. In this case, repeat the
clearing procedure.
ADVANCED
OPERATION
English
87 En
USING IPOD®
USING iPod®
Once you have stationed your iPod in a YAMAHA iPod universal dock (such as YDS-10 sold separately) connected to
the DOCK terminal of this unit (see page 22), you can enjoy playback of your iPod using the supplied remote control.
You can also use the Compressed Music Enhancer mode of this unit to improve the sound quality of the compression
artifacts (such as the MP3 format) stored on your iPod (see page 37).
Notes
• Only iPod (Click and Wheel), iPod nano, and iPod mini are supported.
• Some features may not be compatible depending on the model or the software version of your iPod.
y
• For a complete list of the remote control functions used to control your iPod, see the “iPod” column in “Controlling other
components” on page 84.
• For a complete list of status messages that appear in the front panel display and in the OSD, see the “iPod” section in
“TROUBLESHOOTING” on page 100.
Controlling iPod
You can control your iPod when “V-AUX” is selected as
the input source. The operations of your iPod can be done
with the aid of the OSD of this unit (menu browse mode)
or without it (simple remote mode).
■ Controlling iPod in the simple remote
mode
You can perform the basic operations of your iPod (play,
stop, skip, etc.) using the supplied remote control without
the aid of the OSD of this unit.
y
• You can view the photos or video clips stored on your iPod.
• Operations can be also done with the controls on your iPod.
88 En
■ Controlling iPod in the menu browse
mode
You can perform the advanced operations of your iPod
using the supplied remote control with the aid of the OSD
of this unit. The name of the song being played appears in
the front panel display according to the “FL SCROLL”
parameter in “OPTION MENU” (see page 79). You can
also browse the songs stored on your iPod in the OSD.
Further, you can change or adjust settings for your iPod to
suit your personal preferences.
Notes
• Operations cannot be done with the controls on your iPod.
• The YAMAHA logo appears in the display window of your
iPod.
• There are some characters that cannot be displayed in the front
panel display or in the OSD of this unit. Those characters are
replaced with underscores “_”.
• The “Setup” parameters can be changed or adjusted only in the
OSD. Press ENTER on the remote control to toggle between the
“Setup” parameter settings.
• You cannot browse the photos or video clips stored on your
iPod in the OSD. Instead, you must use the controls on your
iPod to select the desired photos or video clips.
USING iPod®
1
Press DISPLAY on the remote control.
The following display appears in the OSD.
iPod
Top
Playlists
Artists
Albums
Songs
Genres
Composers
Setup
DISPLAY
ON SCREEN
>
>
>
>
>
>
>
Shuffle Shuffle
Use this feature to set this unit to play songs or albums in a
random order.
Choices: Off, Songs, Albums
• Select “Off ” to deactivate this feature.
• Select “Songs” to set this unit to play songs in a
random order.
• Select “Albums” to set this unit to play albums in a
random order.
Note
2
Press u / d / j / i on the remote control to
navigate the iPod menu and then press
ENTER to begin playback of the selected
song.
PRESET/CH
PRESET/CH
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
When “Shuffle” is set to a setting other than “Off ”, the
highlighted letter “S” appears in the top right corner while songs
or albums are being shuffled.
Repeat Repeat
Use this feature to set this unit to repeat one song or a
sequence of songs.
Choices: Off, One, All
• Select “Off ” to deactivate this feature.
• Select “One” to set this unit to repeat one song.
• Select “All” to set this unit to repeat a sequence of
songs.
Note
Choices: Playlists (playlists), Artists (artists),
Albums (albums), Songs (songs),
Genres (genres), Composers (composers)
• Playlists > Songs
• Artists > Albums > Songs
• Albums > Songs
• Songs
• Genres > Artists > Albums > Songs
• Composers > Albums > Songs
• Setup > Shuffle, Repeat
When “Repeat” is set to a setting other than “Off ”, the
highlighted letter “R” appears in the top right corner while one
song or a sequence of songs are being repeated.
ADVANCED
OPERATION
English
89 En
USING NETWORK/USB FEATURES
USING NETWORK/USB FEATURES
This unit is equipped with network and USB features that allow you to enjoy WAV (PCM format only), MP3 and WMA
files saved on your PC, YAMAHA MCX-2000, USB memory device and USB portable audio player or access the
Internet radio.
Notes
• YAMAHA MCX-2000 may not be for sale in some locations.
• For further details about networking, refer to the operation manuals supplied with your network devices. Also refer to technical
reference books, if needed.
• Some WAV, MP3 and WMA files may not be playable or may be noisy when played.
y
• For a complete list of the remote control functions used to control the network and USB features, see the “PC/MCX-2000/Internet
radio/USB” column in “Controlling other components” on page 84.
• For a complete list of status messages that appear in the front panel display and in the OSD, see the “Network and USB” section in
“TROUBLESHOOTING” on page 101.
Navigating the network and USB menus
The following diagram shows the construction of the network and USB menu.
NET/USB
PC/MusicCAST
(MCX-2000)
Server*
Playlists
Selects a song by playlist stored on the server. Refer to the documents of
the server for details about the playlist file format, the process of creating
the playlist file, etc.
Artists
Selects a song by artist. In addition, you can select an album within the
artist (MCX-2000 only).
Albums
Selects a song by album.
Songs
Selects a song directly.
Genres
Selects a song by genre. In addition, you can select an album within the
genre (MCX-2000 only).
Recall Play
Makes this unit recall play from MCX-2000 or another client. For details,
refer to the instruction manual of MCX-2000.
(MCX-2000
only)
Internet Radio
USB
Bookmarks
Selects an Internet radio station that has been added to the “Bookmarks” list (see page 93).
Locations
Selects an Internet radio station or a Podcast service by location.
Genres
Selects an Internet radio station or a Podcast service by genre.
New Stations
Selects an Internet radio station from the ones that have recently started the service.
Popular Stations
Selects an Internet radio station from the list of popular stations.
Podcasts
Selects a Podcast service by location or genre.
Help
Broadcasts voice-assisted guidelines on various topics of the related Internet service.
Files/Directories
Selects a file by navigating directories.
Note
*
Only the available PC servers and MCX-2000 are displayed.
90 En
USING NETWORK/USB FEATURES
The following procedure shows the basic steps to navigate
the network and USB menus. See pages 92 and 93 for
details about each sub input source.
2
Note
“Please wait” may appear whenever it takes time for
communication. This is not a system malfunction. Wait for a
while.
1
Press MENU on the remote control to display
the top NET/USB menu.
The following display appears in the OSD.
If any other display appears in the OSD, press MENU
on the remote control repeatedly until the top
NET/USB menu appears.
NET/USB
Set the component selector switch to
SOURCE and then press NET/USB on the
remote control to select “NET/USB” as the
input source.
The cursor on the left of the NET/USB indicator
lights up in the front panel display, and the contents
previously played for the corresponding sub input
source of NET/USB is automatically played.
SET MENU
MENU
1/3
3
You can also select the desired sub input source by pressing
the corresponding button on the remote control (see page 7).
NET
TV
4
Lights up
DVR
V-AUX
DTV/CBL
DVD
MD/CD-R
TUNER
CD
VOLUME
SP
A
PC/MCX
Press u / d to select the desired sub input
source and then press i or ENTER.
y
USB
pNET
USB
>
>
>
SRCH MODE
AMP
SOURCE
Top
PC/MusicCAST
Internet Radio
USB
dB
L
R
Press u / d / j / i on the remote control to
select the desired song or Internet radio
station.
• Press u / d to select the desired menu.
• Press i to enter the selected menu.
• Press j to return to the previous menu level.
y
• “i” in the right corner of each menu line indicates that
there is a submenu available in the next menu level.
• You can press ENTER or MENU to enter the selected
menu or to return to the previous menu level.
5
ADVANCED
OPERATION
Press ENTER to play the selected song or to
listen to the selected station.
English
91 En
USING NETWORK/USB FEATURES
Using a PC server or YAMAHA
MCX-2000
Use this feature to enjoy music files saved on your PC or
YAMAHA MCX-2000. MCX-2000 is a music server that
enhances the concept of YAMAHA exclusive
MusicCAST, a digital music delivery method over a
personal network.
1
Install Windows Media Connect 2.0 on your
PC, or register this unit on your YAMAHA
MCX-2000.
• Refer to “Installing Windows Media Connect 2.0
on your PC” on page 92 and “Registering this unit
on the YAMAHA MCX-2000” on page 93.
• This procedure is needed only the first time.
2
Turn on your PC or MCX-2000.
The PC server or MCX-2000 is added to the server
list on the submenu of PC/MusicCAST.
3
Select a desired PC server or MCX-2000 to
begin playback.
Notes
• YAMAHA MCX-2000 may not be for sale in some locations.
• You can connect this unit to up to 4 PC servers and 1
MCX-2000, and each server must be connected to the same
subnet as this unit.
• Some WAV, MP3 and WMA files on your PC may not be
playable or may be noisy when played.
• (MCX-2000 only) Files marked with an asterisk (*) have not
been converted to MP3 format. You cannot play back such files
immediately unless you set the “Receive PCM Stream” setting
of this unit to “ON” on MCX-2000. For details, refer to the
instruction manual of MCX-2000.
y
• While a song is being played, the time elapsed is displayed at
the bottom of the OSD.
• You can use b / a to skip backward/forward and h / s
to start/stop playback independently from the menu in the OSD.
• You can set the settings for repeat and shuffle mode by using the
“PLAY STYLE” parameters in “NET/USB MENU” (see
page 77).
• You can set whether to display the operation status in the front
panel display in a continuous manner or by the first 14
characters after scrolling all characters once by using “FL
SCROLL” in “OPTION MENU” (see page 79).
92 En
■ Installing Windows Media Connect 2.0
on your PC
With Windows Media Connect 2.0, you can play back the
audio files on your PC. For details refer to the documents
of Windows Media Connect 2.0.
1
Install Windows Media Connect 2.0 on your
PC.
You can download the installer of Windows Media
Connect 2.0 from the Microsoft website.
2
Turn on your PC and then share a folder on
the PC.
The Shared folder is added to the server list on the
submenu of PC/MusicCAST.
Notes
• Some security software installed on your PC (anti-virus
software, firewall software, etc.) may block the access of this
unit to your PC. In such cases, configure the security software
appropriately.
• If you are using a PC with Windows XP Professional, and the
PC is logging on to a domain, you may not be able to connect
the PC server. In such cases, log on to the local machine instead
of the domain.
USING NETWORK/USB FEATURES
■ Registering this unit on the YAMAHA
MCX-2000
You must register this unit on your YAMAHA MCX-2000
so that this unit can be recognized by your YAMAHA
MCX-2000. For details, refer to the operation manual
supplied with your YAMAHA MCX-2000.
1
Turn off this unit.
Using the Internet radio
Use this feature to listen to Internet radio stations. This
unit uses the vTuner Internet radio station database service
particularly customized for this unit, providing over 2000
radio station database. Further, you can store your favorite
stations with bookmarks.
Notes
2
Set your YAMAHA MCX-2000 to the “Auto
Config” mode.
3
Turn on this unit.
• MCX-2000 is added to the server list on the
submenu of PC/MCX.
• The client ID of this unit appears in the OSD of
your YAMAHA MCX-2000 (shown as CLXXXXX), and this completes the automatic
configuration procedure.
Notes
• The latter part of the client ID of this unit is same as the last 5
digits of the MAC address of this unit. For details about MAC
address, see page 78.
• To clear the registered client ID of this unit, use the “Manual
Config” mode of your YAMAHA MCX-2000 (refer to the
instruction manual of MCX-2000) and then set “N-RESET” in
the advanced setup menu of this unit to “RESET” (see page 82).
• The client control functions of MCX-2000 over this unit other
than “View Play Info”, “Receive PCM Stream” and “Edit Client
title” are not available. Avoid using these functions as it will
stop the playback on this unit.
• This service may be discontinued without notice.
• Some Internet radio stations may not be played even if they are
selected in the NET RADIO menu.
• To listen to the Internet radio, connect this unit to your network
(see page 23).
• A narrowband Internet connection (i.e. 56K modem, ISDN) will
not provide satisfactory results, and a broadband connection is
strongly recommended (i.e. a cable modem, an xDSL modem,
etc.). For detailed information, consult with your ISP.
y
• You can use h / s to start/stop playback independently from
the menu in the OSD.
• “Podcast” is a type of the Internet radio service, and there are a
number of Podcast services available on the Internet. The
Podcast is not a continuous service. That is, this unit stops
playback when an episode of the Podcast ends.
• Some security devices (such as firewall) may block the access
of this unit to Internet radio stations. In such cases, configure
the security settings appropriately.
■ Storing your favorite Internet radio
stations with bookmarks
Use this feature to select your favorite Internet radio
stations quickly.
y
To remove the stored station from the list, select the item in the
first level of the “Bookmarks” list and then press and hold TITLE
on the remote control.
ADVANCED
OPERATION
Press and hold TITLE on the remote control while
the selected Internet radio station service is
being broadcast.
The stored Internet radio station is added to the
“Bookmarks” list (see page 90).
English
93 En
USING NETWORK/USB FEATURES
Using a USB memory device or a
USB portable audio player
Use this feature to enjoy WAV (PCM format only), MP3
and WMA files saved on your USB memory device or
USB portable audio player connected to the USB port on
the front panel of this unit.
Notes
• This unit supports USB mass storage class devices using FAT
16 or FAT 32.
• Only the first partition is displayed in the OSD. You cannot
select files in other partitions.
• Up to 8 levels of directory hierarchy and 500 music files per
directory are recognized.
• Some devices may not work properly even if they meet the
requirements.
• Some WAV, MP3 and WMA files may not be playable or may
be noisy when played.
• When you connect your USB memory device or USB portable
audio player, there may be an about 10 seconds delay.
y
• While a song is being played, the time elapsed is displayed at
the bottom of the OSD.
• You can use b / a to skip backward/forward and h / s
to start/stop playback independently from the menu in the OSD.
• You can set the settings for repeat and shuffle mode by using the
“PLAY STYLE” parameters in “NET/USB MENU” (see
page 77).
• You can set whether to display the operation status in the front
panel display in a continuous manner or by the first 14
characters after scrolling all characters once by using “FL
SCROLL” in “OPTION MENU” (see page 79).
94 En
RESETTING THE SYSTEM
RESETTING THE SYSTEM
Use this feature to reset all the parameters of this unit to the initial factory settings.
Notes
• This procedure completely resets all the parameters of this unit including the “SET MENU” parameters. However, the advanced setup
menu parameters will not be initialized.
• The initial factory settings are activated next time you turn on this unit.
y
To cancel the initialization procedure at any time without making any changes, press STANDBY/ON on the front panel (or STANDBY
on the remote control) to set this unit to the standby mode.
3
1-2,5
Press PROGRAM l / h on the front panel
repeatedly to select “PRESET”.
l
PROGRAM
h
VOLUME
STANDBY
/ON
PRESET/TUNING
FM/AM
A/B/C/D/E
l PRESET/TUNING h
MEMORY
LEVEL
MAN'L/AUTO FM
NEXT
EDIT
TUNING MODE
AUTO/MAN'L
INPUT
PHONES
SPEAKERS
A
B
STRAIGHT
l
PROGRAM
h
VIDEO AUX
INPUT MODE
USB
MULTI CH
INPUT
EFFECT
TONE CONTROL
BASS/TREBLE
SILENT CINEMA
VIDEO
2,4
1
L
AUDIO
R
3
PRESET-CANCEL
Press STANDBY/ON on the front panel to set
this unit to the standby mode.
4
Press STRAIGHT (EFFECT) on the front
panel repeatedly to select “RESET”.
STRAIGHT
STANDBY
/ON
EFFECT
2
PRESET-RESET
y
While holding
down
Select “CANCEL” to cancel the initialization procedure
without making any changes.
ADVANCED
OPERATION
Press and hold STRAIGHT (EFFECT) on the
front panel and then press STANDBY/ON to
turn on this unit.
This unit turns on, and the advanced setup menu
appears in the front panel display.
STRAIGHT
STANDBY
/ON
EFFECT
5
Press STANDBY/ON on the front panel to
confirm your selection and set this unit to the
standby mode.
STANDBY
/ON
English
95 En
TROUBLESHOOTING
TROUBLESHOOTING
Refer to the table below when this unit does not function properly. If the problem you are experiencing is not listed below
or if the instruction below does not help, set this unit to the standby mode, disconnect the power cable, and contact the
nearest authorized YAMAHA dealer or service center.
■ General
Problem
This unit fails to turn
on or enters the
standby mode soon
after the power is
turned on.
No sound
No picture
96 En
Cause
Remedy
See
page
The power cable is not connected or the
plug is not completely inserted.
Connect the power cable firmly.
—
The speaker impedance setting is
incorrect.
Set the speaker impedance to match your speakers.
27
The protection circuitry has been
activated.
Make sure that all speaker wire connections on this
unit and on all speakers are secure and that the wire
for each connection does not touch anything other
than its respective connection.
13
This unit has been exposed to a strong
external electric shock (such as lightning
or strong static electricity).
Set this unit to the standby mode, disconnect the
power cable, plug it back in after 30 seconds and then
use it normally.
—
Incorrect input or output cable
connections.
Connect the cables properly. If the problem persists,
the cables may be defective.
18-24
“INPUT MODE” is set to “DTS” or
“ANALOG”.
Set “INPUT MODE” to “AUTO”.
No appropriate input source has been
selected.
Select an appropriate input source with the INPUT
selector on the front panel (or the input selector
buttons on the remote control) and MULTI CH
INPUT on the front panel (or MULTI CH IN on the
remote control).
Speaker connections are not secure.
Secure the connections.
13
The front speakers to be used have not
been selected properly.
Select the set of front speakers with SPEAKERS A or
B on the front panel or SPEAKERS on the remote
control.
32
The volume is turned down.
Turn up the volume.
—
The sound is muted.
Press MUTE or VOLUME +/– on the remote control
to resume audio output and then adjust the volume.
34
“INPUT MODE” is set to “ANALOG”
while playing a source encoded in DTS.
Set “INPUT MODE” to “AUTO” or “DTS”.
35
Signals this unit cannot reproduce are
being input from a source component,
such as a CD-ROM.
Play a source whose signals can be reproduced by this
unit.
—
The output and input for the picture are
connected to different types of video
jacks.
Set “VIDEO CONV.” to “ON”.
78
35
32, 38
TROUBLESHOOTING
Problem
The sound suddenly
goes off.
Sound is heard from
the speaker on one
side only.
Cause
The protection circuitry has been activated
because of a short circuit, etc.
Remedy
See
page
Check that the speaker impedance setting is correct.
27, 82
Check that the speaker wires are not touching each
other and then turn this unit back on.
—
The sleep timer has set this unit to the
standby mode.
Turn on this unit, and play the source again.
—
The sound is muted.
Press MUTE or VOLUME +/– on the remote control
to resume audio output.
34
Incorrect cable connections.
Connect the cables properly. If the problem persists,
the cables may be defective.
13
Incorrect settings in “SPEAKER
LEVEL”.
Adjust the “SPEAKER LEVEL” settings.
71
Only the center
speaker outputs
substantial sound.
When playing a monaural source with a
CINEMA DSP program, the source signal
is directed to the center channel, and the
front and surround speakers output effect
sounds.
No sound is heard
from the center
speaker.
“CENTER SP” in “SET MENU” is set to
“NONE”.
Set “CENTER SP” to “SML” or “LRG”.
70
One of the HiFi DSP programs (except for
“6ch Stereo”) has been selected.
Try another sound field program.
57
“SUR. L/R SP” in “SET MENU” is set to
“NONE”.
Set “SUR. L/R SP” to “SML” or “LRG”.
70
This unit is in the “STRAIGHT” mode
and a monaural source is being played
back.
Press STRAIGHT (EFFECT) on the front panel so
that “STRAIGHT” disappears from the front panel
display.
39
“SUR. L/R SP” in “SET MENU” is set to
“NONE” and “SUR. B SP” is
automatically set to “NONE”.
Set “SUR. L/R SP” and “SUR. B SP” to “SML” or
“LRG”.
70
“SUR. B SP” in “SET MENU” is set to
“NONE”.
Set “SUR. B SP” to “SML” or “LRG”.
70
“LFE/BASS OUT” in “SET MENU” is
set to “FRNT” when a Dolby Digital or
DTS signal is being played.
Set “LFE/BASS OUT” to “SWFR” or “BOTH”.
70
“LFE/BASS OUT” in “SET MENU” is
set to “SWFR” or “FRNT” when a 2channel source is being played.
Set “LFE/BASS OUT” to “BOTH”.
70
No sound is heard
from the surround
speakers.
No sound is heard
from the surround
back speaker.
No sound is heard
from the subwoofer.
The source does not contain lowfrequency signals.
ADDITIONAL
INFORMATION
English
97 En
TROUBLESHOOTING
Problem
Cause
Remedy
See
page
Dolby Digital or DTS
sources cannot be
played. (Dolby Digital
or DTS indicator in
the front panel
display does not light
up.)
The connected component is not set to
output Dolby Digital or DTS digital
signals.
Make an appropriate setting following the operating
instructions for your component.
—
“INPUT MODE” is set to “ANALOG”.
Set “INPUT MODE” to “AUTO” or “DTS”.
35
A humming sound is
heard.
Incorrect cable connections.
Connect the audio cables firmly. If the problem
persists, the cables may be defective.
—
The volume level
cannot be increased,
or the sound is
distorted.
The component connected to the AUDIO
OUT (REC) jacks of this unit is turned
off.
Turn on the power of the component.
—
The sound effect
cannot be recorded.
It is not possible to record the sound effect
with a recording component.
A source cannot be
recorded by a digital
recording component
connected to the
DIGITAL OUTPUT
jack.
The source component is not connected to
the DIGITAL INPUT jacks of this unit.
A source cannot be
recorded by an
analog component
connected to the
AUDIO OUT (REC)
jacks.
The source component is not connected to
the analog AUDIO IN jacks of this unit.
Connect the source component to the analog AUDIO
IN jacks.
21
The sound field
parameters and some
other settings of this
unit cannot be
changed.
“MEMORY GUARD” in “SET MENU”
is set to “ON”.
Set “MEMORY GUARD” to “OFF”.
79
This unit does not
operate properly.
The internal microcomputer has been
frozen by an external electric shock (such
as lightning or excessive static electricity)
or by a power supply with low voltage.
Disconnect the power cable from the AC wall outlet
and then plug it in again after about 30 seconds.
—
“CHECK SP WIRES”
appears in the front
panel display.
Speaker cables are short-circuited.
Make sure all speaker cables are connected correctly.
13
There is noise
interference from
digital or radio
frequency equipment.
This unit is too close to the digital or highfrequency equipment.
Move this unit further away from such equipment.
—
The picture is
disturbed.
The video source uses scrambled or
encoded signals to prevent dubbing.
This unit suddenly
enters the standby
mode.
The internal temperature becomes too
high and the overheat protection circuitry
has been activated.
Wait about 1 hour for this unit to cool down and then
turn it back on.
—
98 En
Connect the source component to the DIGITAL
INPUT jacks.
19, 21
Some components cannot record the
Dolby Digital or DTS sources.
TROUBLESHOOTING
■ Tuner
Problem
Cause
FM stereo reception is
noisy.
FM
AM
Remedy
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
See
page
Check the antenna connections.
25
Try using a high-quality directional FM
antenna.
—
Use the manual tuning method.
47
There is distortion, and
clear reception cannot
be obtained even with a
good FM antenna.
There is multi-path interference.
Adjust the antenna position to eliminate
multi-path interference.
—
The desired station
cannot be tuned into
with the automatic
tuning method.
The signal is too weak.
Use a high-quality directional FM antenna.
—
Use the manual tuning method.
47
Previously preset
stations can no longer
be tuned into.
This unit has been disconnected for a
long period.
Set preset stations.
The desired station
cannot be tuned into
with the automatic
tuning method.
The signal is weak or the antenna
connections are loose.
Tighten the AM loop antenna connections
and orient it for the best reception.
—
Use the manual tuning method.
47
There are continuous
crackling and hissing
noises.
Noises result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
Use an outdoor antenna and a ground wire.
This will help somewhat, but it is difficult to
eliminate all noise.
—
There are buzzing and
whining noises.
A TV set is being used nearby.
Move this unit away from the TV set.
—
Remedy
See
page
48, 49
■ Remote control
Problem
The remote control
does not work nor
function properly.
Cause
The remote control functions within a maximum
range of 6 m (20 ft) and no more than 30 degrees offaxis from the front panel.
8
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.
Reposition this unit.
—
The batteries are weak.
Replace all batteries.
3
The remote control code is not correctly
set.
Set the remote control code correctly using “LIST OF
REMOTE CONTROL CODES” at the end of this
manual.
85
Try setting another code for the same manufacturer
using “LIST OF REMOTE CONTROL CODES” at
the end of this manual.
85
The library code of the remote control and
the remote control ID of this unit do not
match.
Match the remote control ID of this unit with the
corresponding remote control library code.
82, 86
English
Even if the remote control code is
correctly set, there are some models that
do not respond to the remote control.
ADDITIONAL
INFORMATION
Wrong distance or angle.
99 En
TROUBLESHOOTING
■ iPod
Note
In case of a transmission error without a status message appearing in the front panel and in the OSD, check the connection to your iPod
(see page 22).
Status message
Loading...
Cause
Remedy
See
page
This unit is in the middle of recognizing
the connection with your iPod.
This unit is in the middle of acquiring
song lists from your iPod.
Connect error
There is a problem with the signal path
from your iPod to this unit.
Set this unit to the standby mode and reconnect the
YAMAHA iPod universal dock to the DOCK
terminal of this unit.
22
Try resetting your iPod.
—
Only iPod (Click and Wheel), iPod nano, and iPod
mini are supported.
—
Unknown type
The iPod being used is not supported by
this unit.
iPod connected
Your iPod is properly stationed in a
YAMAHA iPod universal dock (such as
YDS-10 sold separately) connected to the
DOCK terminal of this unit, and the
connection between your iPod and this
unit is complete.
Disconnected
Your iPod was removed from a YAMAHA
iPod universal dock (such as YDS-10 sold
separately) connected to the DOCK
terminal of this unit.
Station your iPod back in a YAMAHA iPod universal
dock (such as YDS-10 sold separately) connected to
the DOCK terminal of this unit.
22
Unable to play
This unit cannot play back the songs
currently stored on your iPod.
Check that the songs currently stored on your iPod
are playable.
—
Store some other playable music files on your iPod.
—
100 En
TROUBLESHOOTING
■ Network and USB
Problem
The PC server/MCX-2000/
Internet radio does not
function properly.
Cause
Remedy
See
page
Set the DHCP server function of the router to ON.
Alternately, perform manual configuration
according to the current operating environment.
76
The network cable is not connected.
Connect it properly.
23
The PC does not have Windows Media
Connect 2.0 installed in it.
Install Windows Media Connect 2.0 in the PC.
—
The music is recorded in a format that
cannot be played on this unit. This unit
cannot play music formats other than
WMA, MP3 and WAV (PCM format).
Also note that it cannot play certain
music files even if these are recorded in
the WMA, MP3 or WAV format.
Play music recorded in a format that this unit is
compatible with.
—
The music is copyright-protected.
This unit cannot play copyright-protected music.
—
Windows Media Connect
2.0 cannot be connected.
The Windows XP PC is logging on to a
domain.
Log on to the local machine instead of the
domain.
—
The MusicCAST server
cannot be connected.
You are attempting to connect to
MCX-1000. The MusicCAST server that
can be connected by this unit is
MCX-2000.
Use MCX-2000 or the PC server.
—
Auto Configuration is not executed.
Execute “Auto Configure”.
92
The firewall of the network device is
activated. The Internet radio can be
played only when it passes through the
port designated by each radio station.
The port number is variable depending
on radio station.
Check the firewall setting of the network device.
—
Connection to the Internet is
disconnected.
Check the configuration of the network device,
and then contact the network connection provider.
—
The music files and
directories in the USB
device cannot be viewed.
The music files and directories are placed
in locations other than the FAT area.
Place music files and directories in the FAT area.
—
You are attempting to browse directory
hierarchies of over 8 levels or a directory
with more than 500 files.
Modify the data structure on your USB device.
—
The USB device cannot
be recognized.
The connected USB device is other than
a USB mass storage class USB memory
device or USB portable audio player.
This unit can recognize only a USB mass storage
class USB memory device or USB portable audio
player. Also note that it cannot recognize certain
USB devices even when they are devices as
described above.
94
Some devices may become easier to recognize
when they are inserted before turning this unit on.
28
Turn this unit off then on again.
28
The music in the PC
server cannot be played
back.
The Internet radio cannot
be played.
“Disconnected” is
displayed even when a
USB device is present.
This unit recognized the USB device as
an illegal device.
ADDITIONAL
INFORMATION
The IP address is not set properly.
English
101 En
TROUBLESHOOTING
Status message
Please wait
Cause
Remedy
See
page
This unit is in the middle of recognizing
the connection with your network.
This is not a system malfunction. Wait for a
while.
—
This unit is in the middle of recognizing
the connection with your USB memory
device or USB portable audio player.
This is not a system malfunction. Wait for a
while.
—
Please wait
(Starting Server)
This unit is in the middle of waking up
MCX-2000 that has been set to the
standby mode.
Wait for approximately 20 seconds.
—
Connect error
There is a problem with the signal path
from your network to this unit.
Check the connection between this unit and the
LAN port on your router or hub.
23
Make sure your router is properly connected and
turned on. Also, make sure your modem is
properly connected and turned on when you are
attempting to listen to Internet radio.
23
Your USB memory device or USB
portable audio player has been
disconnected from the USB port of this
unit.
Check the connection between this unit and your
USB memory device or USB portable audio
player.
—
The PC server or MCX-2000 server
previously connected to this unit no
longer exists.
Connect this unit to the available PC server or
MCX-2000.
92
There is a problem with the signal path
from your USB memory device or USB
portable audio player to this unit.
Turn off this unit and reconnect your USB
memory device or USB portable audio player to
the USB port of this unit.
28
Try resetting your USB memory device or USB
portable audio player.
—
This unit cannot access your USB
memory device or USB portable audio
player.
Try another USB memory device or USB portable
audio player.
—
There is a problem with the signal path
from your USB memory device or USB
portable audio player to this unit.
Turn off this unit and reconnect your USB
memory device or USB portable audio player to
the USB port of this unit.
28
Try resetting your USB memory device or USB
portable audio player.
—
Make sure Windows Media Connect 2.0 is
installed on your PC.
—
Check that the songs currently stored on your PC
are playable (MP3, WMA, and WAV).
—
Store some other playable music files (MP3,
WMA, and WAV) on your PC.
—
Try preparing a network exclusively for use with
this unit to separate it from general network
traffic.
—
Disconnected
Access error
Unable to play
This unit cannot play back the songs
currently stored on your PC.
The network may be overloaded with
heavy traffic, and playback is interrupted.
List updated
The list of the contents stored on your PC
server or MCX-2000 has been updated.
Bookmark ON
The desired Internet radio station has
been added to the “Bookmarks” list.
Bookmark OFF
The stored Internet radio station has been
removed from the “Bookmarks” list.
102 En
GLOSSARY
GLOSSARY
Audio information
■ Dolby Digital
Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With 3
front channels (front L/R and center), and 2 surround
stereo channels, Dolby Digital provides 5 full-range audio
channels. With an additional channel especially for bass
effects, called LFE (Low Frequency Effect), the system
has a total of 5.1-channels (LFE is counted as 0.1
channel). By using 2-channel stereo for the surround
speakers, more accurate moving sound effects and
surround sound environment are possible than with Dolby
Surround. The wide dynamic range from maximum to
minimum volume reproduced by the 5 full-range channels
and the precise sound orientation generated using digital
sound processing provide listeners with unprecedented
excitement and realism. With this unit, any sound
environment from monaural up to a 5.1-channel
configuration can be freely selected for your enjoyment.
■ Dolby Digital EX
Dolby Digital EX creates 6 full-bandwidth output
channels from 5.1-channel sources. This is done using a
matrix decoder that derives 3 surround channels from the
2 in the original recording. For the best results, Dolby
Digital EX should be used with movie sound tracks
recorded with Dolby Digital Surround EX. With this
additional channel, you can experience more dynamic and
realistic moving sound especially with scenes with “flyover” and “fly-around” effects.
■ Dolby Pro Logic II
■ Dolby Pro Logic IIx
Dolby Pro Logic IIx is a new technology enabling discrete
multi-channel playback from 2-channel or multi-channel
sources. There are three modes available: “Music mode”
for music sources, “Movie mode” for movie sources (for
2-channel sources only) and “Game mode” for game
sources.
Dolby Surround uses a 4-channel analog recording system
to reproduce realistic and dynamic sound effects: 2 front
left and right channels (stereo), a center channel for dialog
(monaural), and a surround channel for special sound
effects (monaural). The surround channel reproduces
sound within a narrow frequency range. Dolby Surround is
widely used with nearly all video tapes and laser discs,
and in many TV and cable broadcasts as well. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that automatically stabilizes the
volume on each channel to enhance moving sound effects
and directionality.
■ DTS 96/24
DTS 96/24 offers an unprecedented level of audio quality
for multi-channel sound on DVD video, and is fully
backward-compatible with all DTS decoders. “96” refers
to a 96 kHz sampling rate compared to the typical 48 kHz
sampling rate. “24” refers to 24-bit word length. DTS 96/
24 offers sound quality transparent to the original 96/24
master, and 96/24 5.1-channel sound with full-quality fullmotion video for music programs and motion picture
soundtracks on DVD video.
■ DTS (Digital Theater Systems)
Digital Surround
DTS digital surround was developed to replace the analog
soundtracks of movies with a 6.1-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc.
has developed a home theater system so that you can enjoy
the depth of sound and natural spatial representation of
DTS digital surround in your home. This system produces
practically distortion-free 6.1-channel sound (technically,
front left and right, center, surround left and right, and
LFE 0.1 (subwoofer) channels for a total of 5.1 channels).
This unit incorporates a DTS-ES decoder that enables 6.1channel reproduction by adding the surround back channel
to the existing 5.1-channel format.
■ ITU-R
ITU-R is the radio communication sector of the ITU
(International Telecommunication Union). ITU-R
recommends a standard speaker placement which is used
in many critical listening rooms, especially for mastering
purposes.
ADDITIONAL
INFORMATION
Dolby Pro Logic II is an improved technique used to
decode vast numbers of existing Dolby Surround sources.
This new technology enables a discrete 5-channel
playback with 2 front left and right channels, 1 center
channel, and 2 surround left and right channels instead of
only 1 surround channel for conventional Pro Logic
technology. There are three modes available: “Music
mode” for music sources, “Movie mode” for movie
sources and “Game mode” for game sources.
■ Dolby Surround
English
103 En
GLOSSARY
■ LFE 0.1 channel
This channel reproduces low-frequency signals. The
frequency range of this channel is from 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low-frequency range compared to the full-range
reproduced by the other 5/6 channels in Dolby Digital or
DTS 5.1/6.1-channel systems.
■ MP3
One of the audio compression methods used by MPEG. It
employs the irreversible compression method, which
achieves a high compression rate by thinning out the data
of hardly audible part to the human ears. It is said to be
capable of compressing the data quantity by about 1/11
(128 kbps) while maintaining a similar audio quality to
music CD.
■ Neo:6
Neo:6 decodes the conventional 2-channel sources for 6channel playback by the specific decoder. It enables
playback with the full-range channels with higher
separation just like digital discrete signal playback. There
are two modes available: “Music mode” for music sources
and “Cinema mode” for movie sources.
■ PCM (Linear PCM)
Linear PCM is a signal format under which an analog
audio signal is digitized, recorded and transmitted without
using any compression. This is used as a method of
recording CDs and DVD audio. The PCM system uses a
technique for sampling the size of the analog signal per
very small unit of time. Standing for “Pulse Code
Modulation”, the analog signal is encoded as pulses and
then modulated for recording.
104 En
■ Sampling frequency and number of
quantized bits
When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits. The range of rates that can
be played back is determined based on the sampling rate,
while the dynamic range representing the sound level
difference is determined by the number of quantized bits.
In principle, the higher the sampling frequency, the wider
the range of frequencies that can be played back, and the
higher the number of quantized bits, the more finely the
sound level can be reproduced.
■ WAV
Windows standard audio file format, which defines the
method of recording the digital data obtained by
converting audio signals. It does not specify the
compression (coding) method so a desired compression
method can be used with it. By default, it is compatible
with the PCM method (no compression) and some
compression methods including the ADPCM method.
■ WMA
An audio compression method developed by Microsoft
Corporation. It employs the irreversible compression
method, which achieves a high compression rate by
thinning out the data of hardly audible part to the human
ears. It is said to be capable of compressing the data
quantity by about 1/22 (64 kbps) while maintaining a
similar audio quality to music CD.
GLOSSARY
Video information
Sound field program information
■ Component video signal
■ CINEMA DSP
With the component video signal system, the video signal
is separated into the Y signal for the luminance and the PB
and PR signals for the chrominance. Color can be
reproduced more faithfully with this system because each
of these signals is independent. The component signal is
also called the “color difference signal” because the
luminance signal is subtracted from the color signal. A
monitor with component input jacks is required in order to
output component signals.
Since the Dolby Surround and DTS systems were
originally designed for use in movie theaters, their effect
is best felt in a theater having many speakers designed for
acoustic effects. Since home conditions, such as room
size, wall material, number of speakers, and so on, can
differ so widely, it is inevitable that there are differences in
the sound heard. Based on a wealth of actually measured
data, YAMAHA CINEMA DSP uses YAMAHA original
sound field technology to combine Dolby Pro Logic,
Dolby Digital and DTS systems to provide the audiovisual
experience of movie theater in the listening room of your
own home.
■ Composite video signal
With the composite video signal system, the video signal
is composed of three basic elements of a video picture:
color, brightness and synchronization data. A composite
video jack on a video component transmits these three
elements combined.
■ S-video signal
With the S-video signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S-video cable. Using the
S VIDEO jack eliminates video signal transmission loss
and allows recording and playback of even more beautiful
images.
■ SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones. Parameters for
headphones have been set for each sound field so that
accurate representations of all the sound field programs
can be enjoyed on headphones.
■ Virtual CINEMA DSP
YAMAHA has developed a Virtual CINEMA DSP
algorithm that allows you to enjoy DSP sound field
surround effects even without any surround speakers by
using virtual surround speakers. It is even possible to
enjoy Virtual CINEMA DSP using a minimal two-speaker
system that does not include a center speaker.
ADDITIONAL
INFORMATION
English
105 En
SPECIFICATIONS
SPECIFICATIONS
AUDIO SECTION
FM SECTION
• Minimum RMS Output Power for Front, Center, Surround,
Surround back
1 kHz, 0.7% THD, 8 Ω ....................................................... 110 W
• Tuning Range
[Canada model] .............................................. 87.5 to 107.9 MHz
[Other models] ............................................ 87.50 to 108.00 MHz
• Dynamic Power (IHF)
8/6/4/2 Ω ....................................................... 130/165/195/240 W
• Usable Sensitivity (IHF) ....................................... 1.0 µV (11.2 dBf)
• Maximum Output Power [Europe model]
1 kHz, 0.7% THD, 4 Ω ........................................................ 145 W
• IEC Output Power [Europe model]
1 kHz, 0.06% THD, 8 Ω ...................................................... 105 W
• Damping Factor
20 Hz to 20 kHz, 8 Ω ...................................................120 or more
• Maximum Input Voltage
CD, etc. (1 kHz, 0.5% THD) ................................... 2.2 V or more
• Frequency Response
CD, etc. ................................................. 10 Hz to 100 kHz, –3 dB
V-AUX .................................................... 10 Hz to 20 kHz, –3 dB
• Total Harmonic Distortion
CD, etc. to Front L/R (20 Hz to 20 kHz, 50 W, 8 Ω)
................................................................................ 0.06% or less
• Signal to Noise Ratio (IHF-A Network)
CD, etc. (250 mV) to Front L/R ........................... 100 dB or more
• Residual Noise (IHF-A Network)
Front L/R ................................................................ 150 µV or less
• Channel Separation (1 kHz/10 kHz)
CD (5.1 kΩ terminated) to Front L/R ......... 60 dB/45 dB or more
• Tone Control (Front L/R)
BASS Boost/Cut ...................................................... ±10 dB/60 Hz
TREBLE Boost/Cut .............................................. ±10 dB/20 kHz
• Phones Output .......................................................... 150 mV/100 Ω
• Input Sensitivity/Input Impedance
CD, etc. ................................................................. 200 mV/47 kΩ
MULTI CH INPUT ............................................... 200 mV/47 kΩ
• Signal to Noise Ratio (IHF)
Mono/Stereo ............................................................. 76 dB/70 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ................................................................ 0.2%/0.3%
• Stereo Separation (1 kHz) ....................................................... 42 dB
• Frequency Response ......................... 20 Hz to 15 kHz, +0.5, –2 dB
AM SECTION
• Tuning Range
[Canada model] .................................................. 530 to 1710 kHz
[Other models] .................................................... 531 to 1611 kHz
• Usable Sensitivity ............................................................. 300 µV/m
GENERAL
• Power Supply
[Canada model] ................................................. AC 120 V, 60 Hz
[Australia model] ............................................... AC 240 V, 50 Hz
[Europe model] .................................................. AC 230 V, 50 Hz
• Power Consumption
[Canada model] ..................................................... 350 W/440 VA
[Other models] .................................................................... 360 W
• Standby Power Consumption ...................................... 0.1 W or less
• AC Outlets
[Australia model] ......................................... 1 (100 W maximum)
[Canada model] ................................... 2 (Total 100 W maximum)
[Europe model] ..................................... 2 (Total 50 W maximum)
• Dimensions (W x H x D).................................. 435 x 161 x 391 mm
(17.1 x 6.3 x 15.4 in)
• Weight .................................................................. 11.2 kg (24.7 lbs)
• Rated Output Voltage/Output Impedance
OUT (REC) ........................................................... 200 mV/1.2 kΩ
SUBWOOFER ............................................................ 4 V/1.2 kΩ
• Volume Control ........................... Mute/–80 dB to +16 dB/1 dB step
VIDEO SECTION
• Video Format (Gray Back)
[Canada model] .................................................................... NTSC
[Other models] ........................................................................ PAL
• Video Format (Video Conversion) ................................. NTSC/PAL
• Rated Input Voltage
Composite ..................................................................1 Vp-p/75 Ω
S-video (Y) .................................................................1 Vp-p/75 Ω
S-video (C) ..........................................................0.286 Vp-p/75 Ω
Component (Y) ..........................................................1 Vp-p/75 Ω
Component (PB, PR) .................................................0.7 Vp-p/75 Ω
GPL/LGPL
This product includes software code subject to the GNU General
Public License (GPL) or the GNU Lesser General Public License
(LGPL). The copy, distribution, or change of this software code is
licensed under the terms of the GPL or the LGPL. The source
code is available at the following website:
http://www.global.yamaha.com/download/
• Signal to Noise Ratio ................................................ 50 dB or more
The source code is also available on a physical media (such as a
CD-ROM) at actual cost.
Contact: AV products division, YAMAHA CORPORATION,
10-1 Nakazawa-cho, Hamamatsu 430-8650, Japan
• Frequency Response (MONITOR OUT)
Component ............................................... 5 Hz to 60 MHz, –3 dB
In principle, the source code is offered for 3 years from the day of
purchase.
106 En
■
GNU GENERAL PUBLIC LICENSE
These requirements apply to the modified work as a whole. If identifiable sections
of that work are not derived from the Program, and can be reasonably considered
independent and separate works in themselves, then this License, and its terms, do
not apply to those sections when you distribute them as separate works. But when
you distribute the same sections as part of a whole which is a work based on the
Program, the distribution of the whole must be on the terms of this License,
whose permissions for other licensees extend to the entire whole, and thus to each
and every part regardless of who wrote it.
Version 2, June 1991
Copyright (C) 1989, 1991 Free Software Foundation, Inc. 59 Temple Place, Suite 330,
Boston, MA 02111-1307 USA Everyone is permitted to copy and distribute verbatim
copies of this license document, but changing it is not allowed.
Preamble
The licenses for most software are designed to take away your freedom to share and
change it. By contrast, the GNU General Public License is intended to guarantee your
freedom to share and change free software–to make sure the software is free for all its
users. This General Public License applies to most of the Free Software Foundation’s
software and to any other program whose authors commit to using it. (Some other Free
Software Foundation software is covered by the GNU Library General Public License
instead.) You can apply it to your programs, too.
Thus, it is not the intent of this section to claim rights or contest your rights to work
written entirely by you; rather, the intent is to exercise the right to control the
distribution of derivative or collective works based on the Program.
In addition, mere aggregation of another work not based on the Program with the
Program (or with a work based on the Program) on a volume of a storage or distribution
medium does not bring the other work under the scope of this License.
3.
When we speak of free software, we are referring to freedom, not price. Our General
Public Licenses are designed to make sure that you have the freedom to distribute
copies of free software (and charge for this service if you wish), that you receive source
code or can get it if you want it, that you can change the software or use pieces of it in
new free programs; and that you know you can do these things.
a) Accompany it with the complete corresponding machine-readable source
code, which must be distributed under the terms of Sections 1 and 2 above on
a medium customarily used for software interchange; or,
To protect your rights, we need to make restrictions that forbid anyone to deny you
these rights or to ask you to surrender the rights. These restrictions translate to certain
responsibilities for you if you distribute copies of the software, or if you modify it.
b) Accompany it with a written offer, valid for at least three years, to give any
third party, for a charge no more than your cost of physically performing
source distribution, a complete machine-readable copy of the corresponding
source code, to be distributed under the terms of Sections 1 and 2 above on a
medium customarily used for software interchange; or,
For example, if you distribute copies of such a program, whether gratis or for a fee, you
must give the recipients all the rights that you have. You must make sure that they, too,
receive or can get the source code. And you must show them these terms so they know
their rights.
c) Accompany it with the information you received as to the offer to distribute
corresponding source code. (This alternative is allowed only for
noncommercial distribution and only if you received the program in object
code or executable form with such an offer, in accord with Subsection b
above.)
We protect your rights with two steps: (1) copyright the software, and (2) offer you this
license which gives you legal permission to copy, distribute and/or modify the software.
Also, for each author’s protection and ours, we want to make certain that everyone
understands that there is no warranty for this free software. If the software is modified
by someone else and passed on, we want its recipients to know that what they have is
not the original, so that any problems introduced by others will not reflect on the
original authors’ reputations.
Finally, any free program is threatened constantly by software patents. We wish to avoid
the danger that redistributors of a free program will individually obtain patent licenses,
in effect making the program proprietary. To prevent this, we have made it clear that any
patent must be licensed for everyone’s free use or not licensed at all.
The precise terms and conditions for copying, distribution and modification follow.
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND
MODIFICATION
0.
This License applies to any program or other work which contains a notice placed
by the copyright holder saying it may be distributed under the terms of this
General Public License. The “Program”, below, refers to any such program or
work, and a “work based on the Program” means either the Program or any
derivative work under copyright law: that is to say, a work containing the Program
or a portion of it, either verbatim or with modifications and/or translated into
another language. (Hereinafter, translation is included without limitation in the
term “modification”.) Each licensee is addressed as “you”.
Activities other than copying, distribution and modification are not covered by this
License; they are outside its scope. The act of running the Program is not restricted, and
the output from the Program is covered only if its contents constitute a work based on
the Program (independent of having been made by running the Program). Whether that
is true depends on what the Program does.
1.
You may copy and distribute verbatim copies of the Program’s source code as you
receive it, in any medium, provided that you conspicuously and appropriately
publish on each copy an appropriate copyright notice and disclaimer of warranty;
keep intact all the notices that refer to this License and to the absence of any
warranty; and give any other recipients of the Program a copy of this License
along with the Program.
You may charge a fee for the physical act of transferring a copy, and you may at your
option offer warranty protection in exchange for a fee.
2.
You may modify your copy or copies of the Program or any portion of it, thus
forming a work based on the Program, and copy and distribute such modifications
or work under the terms of Section 1 above, provided that you also meet all of
these conditions:
a) You must cause the modified files to carry prominent notices stating that you
changed the files and the date of any change.
b) You must cause any work that you distribute or publish, that in whole or in
part contains or is derived from the Program or any part thereof, to be
licensed as a whole at no charge to all third parties under the terms of this
License.
c) If the modified program normally reads commands interactively when run,
you must cause it, when started running for such interactive use in the most
ordinary way, to print or display an announcement including an appropriate
copyright notice and a notice that there is no warranty (or else, saying that
you provide a warranty) and that users may redistribute the program under
these conditions, and telling the user how to view a copy of this License.
(Exception: if the Program itself is interactive but does not normally print
such an announcement, your work based on the Program is not required to
print an announcement.)
You may copy and distribute the Program (or a work based on it, under Section 2)
in object code or executable form under the terms of Sections 1 and 2 above
provided that you also do one of the following:
The source code for a work means the preferred form of the work for making
modifications to it. For an executable work, complete source code means all the source
code for all modules it contains, plus any associated interface definition files, plus the
scripts used to control compilation and installation of the executable. However, as a
special exception, the source code distributed need not include anything that is normally
distributed (in either source or binary form) with the major components (compiler,
kernel, and so on) of the operating system on which the executable runs, unless that
component itself accompanies the executable.
If distribution of executable or object code is made by offering access to copy from a
designated place, then offering equivalent access to copy the source code from the same
place counts as distribution of the source code, even though third parties are not
compelled to copy the source along with the object code.
4.
You may not copy, modify, sublicense, or distribute the Program except as
expressly provided under this License. Any attempt otherwise to copy, modify,
sublicense or distribute the Program is void, and will automatically terminate
your rights under this License. However, parties who have received copies, or
rights, from you under this License will not have their licenses terminated so long
as such parties remain in full compliance.
5.
You are not required to accept this License, since you have not signed it.
However, nothing else grants you permission to modify or distribute the Program
or its derivative works. These actions are prohibited by law if you do not accept
this License. Therefore, by modifying or distributing the Program (or any work
based on the Program), you indicate your acceptance of this License to do so, and
all its terms and conditions for copying, distributing or modifying the Program or
works based on it.
6.
Each time you redistribute the Program (or any work based on the Program), the
recipient automatically receives a license from the original licensor to copy,
distribute or modify the Program subject to these terms and conditions. You may
not impose any further restrictions on the recipients’ exercise of the rights granted
herein. You are not responsible for enforcing compliance by third parties to this
License.
7.
If, as a consequence of a court judgment or allegation of patent infringement or
for any other reason (not limited to patent issues), conditions are imposed on you
(whether by court order, agreement or otherwise) that contradict the conditions of
this License, they do not excuse you from the conditions of this License. If you
cannot distribute so as to satisfy simultaneously your obligations under this
License and any other pertinent obligations, then as a consequence you may not
distribute the Program at all. For example, if a patent license would not permit
royalty-free redistribution of the Program by all those who receive copies directly
or indirectly through you, then the only way you could satisfy both it and this
License would be to refrain entirely from distribution of the Program.
If any portion of this section is held invalid or unenforceable under any particular
circumstance, the balance of the section is intended to apply and the section as a whole
is intended to apply in other circumstances.
It is not the purpose of this section to induce you to infringe any patents or other
property right claims or to contest validity of any such claims; this section has the sole
purpose of protecting the integrity of the free software distribution system, which is
implemented by public license practices. Many people have made generous
contributions to the wide range of software distributed through that system in reliance
on consistent application of that system; it is up to the author/donor to decide if he or
she is willing to distribute software through any other system and a licensee cannot
impose that choice.
APPENDIX-i
This section is intended to make thoroughly clear what is believed to be a consequence
of the rest of this License.
8.
9.
If the distribution and/or use of the Program is restricted in certain countries
either by patents or by copyrighted interfaces, the original copyright holder who
places the Program under this License may add an explicit geographical
distribution limitation excluding those countries, so that distribution is permitted
only in or among countries not thus excluded. In such case, this License
incorporates the limitation as if written in the body of this License.
The Free Software Foundation may publish revised and/or new versions of the
General Public License from time to time. Such new versions will be similar in
spirit to the present version, but may differ in detail to address new problems or
concerns.
Each version is given a distinguishing version number. If the Program specifies a
version number of this License which applies to it and “any later version”, you have the
option of following the terms and conditions either of that version or of any later
version published by the Free Software Foundation. If the Program does not specify a
version number of this License, you may choose any version ever published by the Free
Software Foundation.
10.
If you wish to incorporate parts of the Program into other free programs whose
distribution conditions are different, write to the author to ask for permission. For
software which is copyrighted by the Free Software Foundation, write to the Free
Software Foundation; we sometimes make exceptions for this. Our decision will
be guided by the two goals of preserving the free status of all derivatives of our
free software and of promoting the sharing and reuse of software generally.
You should also get your employer (if you work as a programmer) or your school, if
any, to sign a “copyright disclaimer” for the program, if necessary. Here is a sample;
alter the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the program
‘Gnomovision’ (which makes passes at compilers) written by James Hacker.
<signature of Ty Coon>, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program into
proprietary programs. If your program is a subroutine library, you may consider it more
useful to permit linking proprietary applications with the library. If this is what you
want to do, use the GNU Library General Public License instead of this License.
■
GNU LESSER GENERAL PUBLIC LICENSE
Version 2.1, February 1999
Copyright (C) 1991, 1999 Free Software Foundation, Inc.
59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
Everyone is permitted to copy and distribute verbatim copies of this license document,
but changing it is not allowed.
[This is the first released version of the Lesser GPL. It also counts as the successor of
the GNU Library Public License, version 2, hence the version number 2.1.]
NO WARRANTY
Preamble
11.
The licenses for most software are designed to take away your freedom to share and change
it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to
share and change free software–to make sure the software is free for all its users.
12.
BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS
NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING
THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE
PROGRAM “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER
EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND
PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL
NECESSARY SERVICING, REPAIR OR CORRECTION.
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED
TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER
PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS
PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING
ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL
DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR
DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO
OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR
OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
DAMAGES.
END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest possible use to the
public, the best way to achieve this is to make it free software which everyone can
redistribute and change under these terms.
To do so, attach the following notices to the program. It is safest to attach them to the
start of each source file to most effectively convey the exclusion of warranty; and each
file should have at least the “copyright” line and a pointer to where the full notice is
found.
<one line to give the program’s name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
This program is free software; you can redistribute it and/or modify it under the
terms of the GNU General Public License as published by the Free Software
Foundation; either version 2 of the License, or (at your option) any later version.
This program is distributed in the hope that it will be useful, but WITHOUT ANY
WARRANTY; without even the implied warranty of MERCHANTABILITY or
FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public
License for more details.
You should have received a copy of the GNU General Public License along with
this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place,
Suite 330, Boston, MA 02111-1307 USA.
Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this when it starts in an
interactive mode:
Gnomovision version 69, Copyright (C) year name of author Gnomovision comes with
ABSOLUTELY NO WARRANTY; for details type ‘show w’. This is free software, and
you are welcome to redistribute it under certain conditions; type ‘show c’ for details.
The hypothetical commands ‘show w’ and ‘show c’ should show the appropriate parts
of the General Public License. Of course, the commands you use may be called
something other than ‘show w’ and ‘show c’; they could even be mouse-clicks or menu
items–whatever suits your program.
APPENDIX-ii
This license, the Lesser General Public License, applies to some specially designated
software packages–typically libraries–of the Free Software Foundation and other
authors who decide to use it. You can use it too, but we suggest you first think carefully
about whether this license or the ordinary General Public License is the better strategy
to use in any particular case, based on the explanations below.
When we speak of free software, we are referring to freedom of use, not price. Our
General Public Licenses are designed to make sure that you have the freedom to distribute
copies of free software (and charge for this service if you wish); that you receive source
code or can get it if you want it; that you can change the software and use pieces of it in
new free programs; and that you are informed that you can do these things.
To protect your rights, we need to make restrictions that forbid distributors to deny you
these rights or to ask you to surrender these rights. These restrictions translate to certain
responsibilities for you if you distribute copies of the library or if you modify it.
For example, if you distribute copies of the library, whether gratis or for a fee, you must
give the recipients all the rights that we gave you. You must make sure that they, too,
receive or can get the source code. If you link other code with the library, you must
provide complete object files to the recipients, so that they can relink them with the
library after making changes to the library and recompiling it. And you must show them
these terms so they know their rights.
We protect your rights with a two-step method: (1) we copyright the library, and (2) we
offer you this license, which gives you legal permission to copy, distribute and/or
modify the library.
To protect each distributor, we want to make it very clear that there is no warranty for
the free library. Also, if the library is modified by someone else and passed on, the
recipients should know that what they have is not the original version, so that the
original author’s reputation will not be affected by problems that might be introduced
by others.
Finally, software patents pose a constant threat to the existence of any free program. We
wish to make sure that a company cannot effectively restrict the users of a free program
by obtaining a restrictive license from a patent holder. Therefore, we insist that any
patent license obtained for a version of the library must be consistent with the full
freedom of use specified in this license.
Most GNU software, including some libraries, is covered by the ordinary GNU General
Public License. This license, the GNU Lesser General Public License, applies to certain
designated libraries, and is quite different from the ordinary General Public License. We
use this license for certain libraries in order to permit linking those libraries into nonfree programs.
When a program is linked with a library, whether statically or using a shared library, the
combination of the two is legally speaking a combined work, a derivative of the original
library. The ordinary General Public License therefore permits such linking only if the
entire combination fits its criteria of freedom. The Lesser General Public License
permits more lax criteria for linking other code with the library.
We call this license the “Lesser” General Public License because it does Less to protect the
user’s freedom than the ordinary General Public License. It also provides other free
software developers Less of an advantage over competing non-free programs. These
disadvantages are the reason we use the ordinary General Public License for many libraries.
However, the Lesser license provides advantages in certain special circumstances.
For example, on rare occasions, there may be a special need to encourage the widest
possible use of a certain library, so that it becomes a de-facto standard. To achieve this,
non-free programs must be allowed to use the library. A more frequent case is that a free
library does the same job as widely used non-free libraries. In this case, there is little to
gain by limiting the free library to free software only, so we use the Lesser General
Public License.
In other cases, permission to use a particular library in non-free programs enables a
greater number of people to use a large body of free software. For example, permission
to use the GNU C Library in non-free programs enables many more people to use the
whole GNU operating system, as well as its variant, the GNU/Linux operating system.
3.
Although the Lesser General Public License is Less protective of the users’ freedom, it
does ensure that the user of a program that is linked with the Library has the freedom
and the wherewithal to run that program using a modified version of the Library.
The precise terms and conditions for copying, distribution and modification follow. Pay
close attention to the difference between a “work based on the library” and a “work that
uses the library”. The former contains code derived from the library, whereas the latter
must be combined with the library in order to run.
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND
MODIFICATION
0.
This License Agreement applies to any software library or other program which
contains a notice placed by the copyright holder or other authorized party saying
it may be distributed under the terms of this Lesser General Public License (also
called “this License”). Each licensee is addressed as “you”.
A “library” means a collection of software functions and/or data prepared so as to be
conveniently linked with application programs (which use some of those functions and
data) to form executables.
The “Library”, below, refers to any such software library or work which has been
distributed under these terms. A “work based on the Library” means either the Library
or any derivative work under copyright law: that is to say, a work containing the Library
or a portion of it, either verbatim or with modifications and/or translated
straightforwardly into another language. (Hereinafter, translation is included without
limitation in the term “modification”.)
“Source code” for a work means the preferred form of the work for making
modifications to it. For a library, complete source code means all the source code for all
modules it contains, plus any associated interface definition files, plus the scripts used
to control compilation and installation of the library.
Activities other than copying, distribution and modification are not covered by this
License; they are outside its scope. The act of running a program using the Library is
not restricted, and output from such a program is covered only if its contents constitute
a work based on the Library (independent of the use of the Library in a tool for writing
it). Whether that is true depends on what the Library does and what the program that
uses the Library does.
1.
You may copy and distribute verbatim copies of the Library’s complete source
code as you receive it, in any medium, provided that you conspicuously and
appropriately publish on each copy an appropriate copyright notice and
disclaimer of warranty; keep intact all the notices that refer to this License and to
the absence of any warranty; and distribute a copy of this License along with the
Library.
You may charge a fee for the physical act of transferring a copy, and you may at your
option offer warranty protection in exchange for a fee.
2.
You may modify your copy or copies of the Library or any portion of it, thus
forming a work based on the Library, and copy and distribute such modifications
or work under the terms of Section 1 above, provided that you also meet all of
these conditions:
a) The modified work must itself be a software library.
b) You must cause the files modified to carry prominent notices stating that you
changed the files and the date of any change.
c) You must cause the whole of the work to be licensed at no charge to all third
parties under the terms of this License.
d) If a facility in the modified Library refers to a function or a table of data to be
supplied by an application program that uses the facility, other than as an
argument passed when the facility is invoked, then you must make a good
faith effort to ensure that, in the event an application does not supply such
function or table, the facility still operates, and performs whatever part of its
purpose remains meaningful.
(For example, a function in a library to compute square roots has a purpose that is
entirely well-defined independent of the application. Therefore, Subsection 2d requires
that any application-supplied function or table used by this function must be optional: if
the application does not supply it, the square root function must still compute square
roots.)
These requirements apply to the modified work as a whole. If identifiable sections of
that work are not derived from the Library, and can be reasonably considered
independent and separate works in themselves, then this License, and its terms, do not
apply to those sections when you distribute them as separate works. But when you
distribute the same sections as part of a whole which is a work based on the Library, the
distribution of the whole must be on the terms of this License, whose permissions for
other licensees extend to the entire whole, and thus to each and every part regardless of
who wrote it.
Thus, it is not the intent of this section to claim rights or contest your rights to work
written entirely by you; rather, the intent is to exercise the right to control the
distribution of derivative or collective works based on the Library.
In addition, mere aggregation of another work not based on the Library with the Library
(or with a work based on the Library) on a volume of a storage or distribution medium
does not bring the other work under the scope of this License.
You may opt to apply the terms of the ordinary GNU General Public License
instead of this License to a given copy of the Library. To do this, you must alter all
the notices that refer to this License, so that they refer to the ordinary GNU
General Public License, version 2, instead of to this License. (If a newer version
than version 2 of the ordinary GNU General Public License has appeared, then
you can specify that version instead if you wish.) Do not make any other change
in these notices.
Once this change is made in a given copy, it is irreversible for that copy, so the ordinary
GNU General Public License applies to all subsequent copies and derivative works
made from that copy.
This option is useful when you wish to copy part of the code of the Library into a
program that is not a library.
4.
You may copy and distribute the Library (or a portion or derivative of it, under
Section 2) in object code or executable form under the terms of Sections 1 and 2
above provided that you accompany it with the complete corresponding machinereadable source code, which must be distributed under the terms of Sections 1 and
2 above on a medium customarily used for software interchange.
If distribution of object code is made by offering access to copy from a designated
place, then offering equivalent access to copy the source code from the same place
satisfies the requirement to distribute the source code, even though third parties are not
compelled to copy the source along with the object code.
5.
A program that contains no derivative of any portion of the Library, but is
designed to work with the Library by being compiled or linked with it, is called a
“work that uses the Library”. Such a work, in isolation, is not a derivative work of
the Library, and therefore falls outside the scope of this License.
However, linking a “work that uses the Library” with the Library creates an executable
that is a derivative of the Library (because it contains portions of the Library), rather
than a “work that uses the library”. The executable is therefore covered by this License.
Section 6 states terms for distribution of such executables.
When a “work that uses the Library” uses material from a header file that is part of the
Library, the object code for the work may be a derivative work of the Library even
though the source code is not. Whether this is true is especially significant if the work
can be linked without the Library, or if the work is itself a library. The threshold for this
to be true is not precisely defined by law.
If such an object file uses only numerical parameters, data structure layouts and
accessors, and small macros and small inline functions (ten lines or less in length), then
the use of the object file is unrestricted, regardless of whether it is legally a derivative
work. (Executables containing this object code plus portions of the Library will still fall
under Section 6.)
Otherwise, if the work is a derivative of the Library, you may distribute the object code
for the work under the terms of Section 6. Any executables containing that work also
fall under Section 6, whether or not they are linked directly with the Library itself.
6.
As an exception to the Sections above, you may also combine or link a “work that
uses the Library” with the Library to produce a work containing portions of the
Library, and distribute that work under terms of your choice, provided that the
terms permit modification of the work for the customer’s own use and reverse
engineering for debugging such modifications.
You must give prominent notice with each copy of the work that the Library is used in it
and that the Library and its use are covered by this License. You must supply a copy of
this License. If the work during execution displays copyright notices, you must include
the copyright notice for the Library among them, as well as a reference directing the
user to the copy of this License. Also, you must do one of these things:
a) Accompany the work with the complete corresponding machine-readable
source code for the Library including whatever changes were used in the
work (which must be distributed under Sections 1 and 2 above); and, if the
work is an executable linked with the Library, with the complete machinereadable “work that uses the Library”, as object code and/or source code, so
that the user can modify the Library and then relink to produce a modified
executable containing the modified Library. (It is understood that the user
who changes the contents of definitions files in the Library will not
necessarily be able to recompile the application to use the modified
definitions.)
b) Use a suitable shared library mechanism for linking with the Library. A
suitable mechanism is one that (1) uses at run time a copy of the library
already present on the user’s computer system, rather than copying library
functions into the executable, and (2) will operate properly with a modified
version of the library, if the user installs one, as long as the modified version
is interface-compatible with the version that the work was made with.
c) Accompany the work with a written offer, valid for at least three years, to give
the same user the materials specified in Subsection 6a, above, for a charge no
more than the cost of performing this distribution.
d) If distribution of the work is made by offering access to copy from a
designated place, offer equivalent access to copy the above specified
materials from the same place.
e) Verify that the user has already received a copy of these materials or that you
have already sent this user a copy.
For an executable, the required form of the “work that uses the Library” must include
any data and utility programs needed for reproducing the executable from it. However,
as a special exception, the materials to be distributed need not include anything that is
normally distributed (in either source or binary form) with the major components
(compiler, kernel, and so on) of the operating system on which the executable runs,
unless that component itself accompanies the executable.
APPENDIX-iii
It may happen that this requirement contradicts the license restrictions of other
proprietary libraries that do not normally accompany the operating system. Such a
contradiction means you cannot use both them and the Library together in an executable
that you distribute.
7.
NO WARRANTY
15.
BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO
WARRANTY FOR THE LIBRARY, TO THE EXTENT PERMITTED BY
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING
THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE
LIBRARY “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER
EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND
PERFORMANCE OF THE LIBRARY IS WITH YOU. SHOULD THE
LIBRARY PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL
NECESSARY SERVICING, REPAIR OR CORRECTION.
16.
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED
TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER
PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE LIBRARY AS
PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING
ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL
DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
LIBRARY (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA
BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR
THIRD PARTIES OR A FAILURE OF THE LIBRARY TO OPERATE WITH
ANY OTHER SOFTWARE), EVEN IF SUCH HOLDER OR OTHER PARTY
HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
You may place library facilities that are a work based on the Library side-by-side
in a single library together with other library facilities not covered by this License,
and distribute such a combined library, provided that the separate distribution of
the work based on the Library and of the other library facilities is otherwise
permitted, and provided that you do these two things:
a) Accompany the combined library with a copy of the same work based on the
Library, uncombined with any other library facilities. This must be distributed
under the terms of the Sections above.
b) Give prominent notice with the combined library of the fact that part of it is a
work based on the Library, and explaining where to find the accompanying
uncombined form of the same work.
8.
You may not copy, modify, sublicense, link with, or distribute the Library except
as expressly provided under this License. Any attempt otherwise to copy, modify,
sublicense, link with, or distribute the Library is void, and will automatically
terminate your rights under this License. However, parties who have received
copies, or rights, from you under this License will not have their licenses
terminated so long as such parties remain in full compliance.
9.
You are not required to accept this License, since you have not signed it.
However, nothing else grants you permission to modify or distribute the Library
or its derivative works. These actions are prohibited by law if you do not accept
this License. Therefore, by modifying or distributing the Library (or any work
based on the Library), you indicate your acceptance of this License to do so, and
all its terms and conditions for copying, distributing or modifying the Library or
works based on it.
10.
11.
Each time you redistribute the Library (or any work based on the Library), the
recipient automatically receives a license from the original licensor to copy,
distribute, link with or modify the Library subject to these terms and conditions.
You may not impose any further restrictions on the recipients’ exercise of the
rights granted herein. You are not responsible for enforcing compliance by third
parties with this License.
If, as a consequence of a court judgment or allegation of patent infringement or
for any other reason (not limited to patent issues), conditions are imposed on you
(whether by court order, agreement or otherwise) that contradict the conditions of
this License, they do not excuse you from the conditions of this License. If you
cannot distribute so as to satisfy simultaneously your obligations under this
License and any other pertinent obligations, then as a consequence you may not
distribute the Library at all. For example, if a patent license would not permit
royalty-free redistribution of the Library by all those who receive copies directly
or indirectly through you, then the only way you could satisfy both it and this
License would be to refrain entirely from distribution of the Library.
If any portion of this section is held invalid or unenforceable under any particular
circumstance, the balance of the section is intended to apply, and the section as a whole
is intended to apply in other circumstances.
It is not the purpose of this section to induce you to infringe any patents or other
property right claims or to contest validity of any such claims; this section has the sole
purpose of protecting the integrity of the free software distribution system which is
implemented by public license practices. Many people have made generous
contributions to the wide range of software distributed through that system in reliance
on consistent application of that system; it is up to the author/donor to decide if he or
she is willing to distribute software through any other system and a licensee cannot
impose that choice.
This section is intended to make thoroughly clear what is believed to be a consequence
of the rest of this License.
12.
13.
If the distribution and/or use of the Library is restricted in certain countries either
by patents or by copyrighted interfaces, the original copyright holder who places
the Library under this License may add an explicit geographical distribution
limitation excluding those countries, so that distribution is permitted only in or
among countries not thus excluded. In such case, this License incorporates the
limitation as if written in the body of this License.
The Free Software Foundation may publish revised and/or new versions of the
Lesser General Public License from time to time. Such new versions will be
similar in spirit to the present version, but may differ in detail to address new
problems or concerns.
Each version is given a distinguishing version number. If the Library specifies a version
number of this License which applies to it and “any later version”, you have the option
of following the terms and conditions either of that version or of any later version
published by the Free Software Foundation. If the Library does not specify a license
version number, you may choose any version ever published by the Free Software
Foundation.
14.
If you wish to incorporate parts of the Library into other free programs whose
distribution conditions are incompatible with these, write to the author to ask for
permission. For software which is copyrighted by the Free Software Foundation,
write to the Free Software Foundation; we sometimes make exceptions for this.
Our decision will be guided by the two goals of preserving the free status of all
derivatives of our free software and of promoting the sharing and reuse of
software generally.
APPENDIX-iv
END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New Libraries
If you develop a new library, and you want it to be of the greatest possible use to the
public, we recommend making it free software that everyone can redistribute and
change. You can do so by permitting redistribution under these terms (or, alternatively,
under the terms of the ordinary General Public License).
To apply these terms, attach the following notices to the library. It is safest to attach
them to the start of each source file to most effectively convey the exclusion of
warranty; and each file should have at least the “copyright” line and a pointer to where
the full notice is found.
<one line to give the library’s name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
This library is free software; you can redistribute it and/or modify it under the
terms of the GNU Lesser General Public License as published by the Free
Software Foundation; either version 2.1 of the License, or (at your option) any
later version.
This library is distributed in the hope that it will be useful, but WITHOUT ANY
WARRANTY; without even the implied warranty of MERCHANTABILITY or
FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General
Public License for more details.
You should have received a copy of the GNU Lesser General Public License
along with this library; if not, write to the Free Software Foundation, Inc., 59
Temple Place, Suite 330, Boston, MA 02111-1307 USA
Also add information on how to contact you by electronic and paper mail.
You should also get your employer (if you work as a programmer) or your school, if
any, to sign a “copyright disclaimer” for the library, if necessary. Here is a sample; alter
the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the library ‘Frob’ (a
library for tweaking knobs) written by James Random Hacker.
<signature of Ty Coon>, 1 April 1990
Ty Coon, President of Vice
That’s all there is to it!
LIST OF REMOTE CONTROL CODES
LISTE DES CODES DE COMMANDE
LISTE DER FERNBEDIENUNGSCODES
LISTA DEI CODICI DI TELECOMANDO
LISTA DE CÓDIGOS DE MANDO A DISTANCIA
LIJST MET AFSTANDSBEDIENINGSCODES
СПИСОК КОДОВ ДИСТАНЦИОННОГО УПРАВЛЕНИЯ
CABLE TV RECEIVER
ABC
10003
ADB
11230, 11269
AICHI DENSHI11512
AMSTRAD
11222
AUNA
11230, 11269
AUSTAR
10276
BIRMINGHAM
CABLE COMMUNICATIONS
10276
BRITISH TELECOM
10003
CABLE & WIRELESS
11068
DX ANTENNA
11500, 11502
FASTWEB
11630
FRANCE TELECOM
10817, 11734
FREEBOX
11482
FUJITSU
11497
GENERAL INSTRUMENT
10003, 10276
GOLDEN CHANNEL
11110
HOMECHOICE11590
JERROLD
10003, 10276
MACAB
10817
MADRITEL
11230
MASPRO
11510
MOTOROLA 10276, 11106,
11483
MR ZAP
11112
MR. ZAP
11112
NEC
11496
NOKIA
11569
NOOS
10817, 11624
NTL
10003, 11060,
11068
ONO
11068
OPTUS
10276
PACE
11060, 11068,
11577
PANASONIC 10375, 11488
PHILIPS
10817
PIONEER
11021, 11500
PVP STEREO
VISUAL MATRIX
10003
SAGEM
10817, 11112,
11624
SAMSUNG
11060, 11666
SATBOX
10375
SCIENTIFIC ATLANTA
11510
SONY
11460
STARCOM
10003
SUMITOMO 11500, 11503,
11504
SUPERCABLE
10276
TELE DANMARK
11016
TELEWEST
11068
THOMSON
11110, 11734
TORX
10003
TOSHIBA
11509
TRI-VISION 11257
UNITED CABLE
10003
UPC
11582
US ELECTRONICS
10276
CABLE/PVR
COMBINATION
FRANCE TELECOM11734
FREEBOX
11482
MOTOROLA 11106
NOKIA
11569
NOOS
11624
SUPERCABLE 10276
THOMSON
11734
UPC
11582
DBS/PVR
COMBINATION
@SAT
11300
ATSAT
11300
BRITISH SKY BROADCASTING
11175
CANALSATELLITE
11339
COMAG
11412
DIGIFUSION 11645
DIRECTV
10099, 10639
DREAM MULTIMEDIA
11237
ECHOSTAR
10610
FORCE
11194
FOXTEL
11356
GBSAT
11214
HUMAX
11176, 11427,
11670, 11675
KATHREIN
11221, 11561
MAXIMUM
11334
NOKIA
11310, 11311
OPENTEL
11412
PACE
11423, 11623
PANASONIC 11320
PHILIPS
10099
REBOX
11214
SAGEM
11253, 11307,
11692
SHARP
11489
SIEMENS
11657
SKY
11175, 11848,
11850
SKYPLUS
11412
SONY
10639
STRONG
11300
THOMSON
11534, 11900
TOPFIELD
11206, 11545
TPS
11253, 11307
ZEHNDER
11075, 11412
SATELLITE RECEIVER
@SAT
@SKY
ABSAT
ADB
11300
11334
10713
10642, 11259,
11367, 11473,
11491
AIWA
11514, 11515
AKAI
10200
ALBA
10713, 11284
ALLSAT
10200, 11017,
11043
ALLSONIC
10369
ALLTECH
10713
ALLVISION
11232, 11334,
11412
AMITRONICA 10713
AMPERE
10132
AMSTRAD
10132, 10713,
10847, 10885,
11113, 11175
ANGLO
10713
ANKARO
10369, 10713,
11279
ANTSAT
11017, 11083
ARCON
11043, 11075,
11279
ARNION
11300
ASAT
10200
ASCI
10114, 11334,
11461
ASLF
10713
ASSCOM
10853
ASTON
11129
ASTRA
10713
ASTRO
10133, 10173,
10369, 10658,
11099, 11100,
11113
ATSAT
11300
ATSKY
11334
AUDIOLINE 11429
AURORA
10879
AUSTAR
10642, 10879,
11259
AXIS
10369, 11111
B@YTRONIC 11412
BENTLEY WALKER
11017
BEST
10369
BIG SAT
11457
BLACK DIAMOND
11284
BLAUPUNKT 10173
BLUE SKY
10713
BOCA
10132, 10713,
11232, 11366,
11474
BOSTON
11251
BRAINWAVE 10658
BRITISH SKY BROADCASTING
10847, 11175
BROCO
10713
BSKYB
BT
BUBU SAT
BUSH
10847, 11175
11296
10713
11284, 11471,
11672
CANAL DIGITAL
10853, 11622
CANAL+
10853
CANALSATELLITE
10853, 11339,
11853
CENTREX
11457
CGV
11413
CHESS
10114, 10713,
11334
CITYCOM
10299, 10818,
11075, 11176,
11232
COLOMBIA 10132
COLUMBIA 10132
COMAG
10132, 11232,
11366, 11412,
11413, 11579
CONDOR
10369
CONRAD
10132, 10369
COSHIP
11457
CYRUS
10200
D-BOX
10873
DAEWOO
10713, 11111,
11296, 11743
DELTASAT
11075
DGTEC
11242
DIGENIUS
10299, 11161
DIGIALITY
11685
DIGIFUSION 11645
DIGIQUEST 11457, 11473
DIGISAT
11232
DIGISKY
11457
DIGITALL WORLD
11227
DIJAM
11296
DIRECTV
10099, 10639
DISTRATEL 10885, 11283,
11704
DMT
11075
DNT
10200
DREAM MULTIMEDIA
11237
DUNE
10369
DX ANTENNA 11530
ECHOSTAR
10167, 10610,
10713, 10853,
11200, 11323,
11409, 11467,
11473, 11477
EINHELL
10132, 10713
ELAP
10587, 10713,
11129, 11567
ELSAT
10713
ELTA
10200, 10369
EMME ESSE 10369
EMTECH
11214
ENGEL
10713, 11017,
11251
APPENDIX-v
EURIEULT
EUROLINE
EUROPHON
EUROSKY
10885
11251
10132, 10299
10114, 10132,
10262, 10299,
10369
EUROSTAR
10818, 10898
EUTELSAT
10713
FENNER
10369, 10713
FERGUSON 10711, 11291
FINLUX
10573
FLAIR MATE 10713
FMD
11457
FORCE
11194
FORTEC STAR 11017, 11083
FOXTEL
10879, 11356
FRACARRO 10125
FTEMAXIMAL10369, 10713,
11556
FUBA
10173, 10262,
10299, 10369,
10573, 11161,
11214
FUGIONKYO 10125
GALAXIS
10369, 10853,
11111, 11557
GARDINER
10818
GARNET
11075
GBSAT
11214
GECCO
11157, 11273,
11412
GENERAL SATELLITE
11176
GF
11043
GF STAR
11043
GLOBO
11251, 11626
GOD DIGITAL 10200
GOLD BOX
10292, 10853
GOLDEN INTERSTAR
11283
GOLDVISION 11017
GOODMANS 11246, 11284
GRUNDIG
10173, 10847,
10853, 10879,
11291
HAENSEL & GRETEL
10132
HANDAN
11622
HANSEATIC 11099, 11100
HAUPPAUGE 11672
HB
11214
HDT
11011
HE@D
11279
HIRSCHMANN10125, 10173,
10299, 10369,
10573, 11111,
11232, 11412
HITACHI
11250, 11284,
11518, 11523,
11525
HUMAX
11176, 11225,
11427, 11648,
11670, 11675,
11743
HUTH
10132, 11017,
11075
HYUNDAI
11011, 11075
ICAN
11367
ID DIGITAL 11176
ILLUSION SAT11557
IMPERIAL
11429
INGELEN
10114
INTERNATIONAL
10132
INTERSTAR 11017, 11214
APPENDIX-vi
JAEGER
JVC
11334
11507, 11531,
11532
K-SAT
10713
KAMM
10713
KAON
11300
KATELCO
11111
KATHREIN
10114, 10173,
10200, 10249,
10442, 10480,
10504, 10553,
10622, 10658,
10713, 10818,
10898, 11221,
11416, 11561,
11567
KENNEX
10125
KENWOOD
10853
KEY WEST
10132
KITON
10114
KOSCOM
11043
KOSMOS
10442
KREILING
10114, 10249,
10658, 11461
KREISELMEYER
10173
L&S ELECTRONIC
10132, 10369,
11043, 11334
LABGEAR
11296
LASAT
10132, 10173,
10299, 10369
LEMON
11461
LENCO
10369, 10713
LENOXX
11611
LG
11075, 11226
LIFESAT
10132, 10299,
10369, 10713,
11043
LIFETEC
10587
LODOS
11284
LOGIX
11017, 11075
LORENZEN 10132, 10299,
10867, 11161,
11579
LUPUS
10369
LUXOR
10573
LUXORIT
11681
M VISION
11557
MANATA
10132, 10713
MANHATTAN 11017, 11083
MARANTZ
10200
MASPRO
10173, 10713,
11520, 11530
MATSUI
10173, 11284
MAXIMUM
11075, 11334,
11685
MDS
11225
MEDIACOM 11206
MEDIASAT
10292, 10853
MEDION
10132, 10299,
10369, 10713,
11043, 11075,
11232, 11334,
11412, 11626
MEDISON
10713
MEGA
10200
MELECTRONIC
10818
METRONIC
10132, 10713,
10818, 10885,
11279, 11283,
11334, 11691,
11704
METZ
10173
MICRO
10713
MICRO ELEKTRONIC
10713
MICROMAXX 10299, 10369
MICROSTAR 11075
MICROTEC
10713
MORGAN'S
10132, 10200,
10713, 11232,
11412
MULTICHOICE10642, 10879
MYRYAD
10200
MYSAT
10713
NEC
11270, 11519
NEOTION
11334
NETGEM
11322
NETSAT
10099
NEUF TELECOM
11322
NEUF TV
11322
NEUHAUS
10713
NEULING
10132, 11232
NEUSAT
10587, 10713,
11279
NEVELING
11161
NEXTWAVE 11017
NIKKO
10200, 10713
NOKIA
10573, 10751,
10853, 10873,
11023, 11223,
11310, 11311,
11723
NORDMENDE 11611
OKANO
10442
OPENTEL
11232, 11412
OPTEX
10114, 10713,
11043, 11283
OPTUS
10879
ORBIS
11232, 11334,
11412
ORBITECH
10114, 10541,
11099, 11100
P/SAT
11232
PACE
10200, 10329,
10720, 10847,
10853, 10867,
11175, 11323,
11423, 11623,
11850
PACIFIC
11284
PACKARD BELL
11111
PALCOM
10299, 10587,
11161, 11409
PANASAT
10879
PANASONIC 10847, 11104,
11304, 11320,
11404, 11508,
11526, 11527,
11528
PANDA
10173
PANSAT
11011
PATRIOT
10132
PHILIPS
10099, 10133,
10173, 10200,
10292, 10818,
10853, 10898,
11114, 11118,
11672
PHONOTREND11017, 11200
PILOTIME
11339
PINO
11334
PIONEER
10292, 10329,
10352, 10853,
11308
PLASMATIC 10442
PMB
PREISNER
10713
10132, 10262,
11113, 11366
PREMIER
10292
PREMIERE
10292, 10873,
11429
PRIMACOM 11111
QUADRAL
10369
QUELLE
10299
RADIOLA
10200
RADIX
11113
RCA
11291
REBOX
11214
RED STAR
10369
REGAL
11251
RFT
10200, 10541
ROADSTAR
10713, 10853
ROVER
10369, 10713
S-ZWO
11207
SAB
11251
SABA
10885
SAGEM
10820, 11114,
11253, 11307,
11690, 11691,
11692, 11694
SAMSUNG
10853, 11017,
11206, 11243,
11293, 11458,
11570
SANYO
11219
SAT CONTROL11300
SAT TEAM
10713
SATEC
10713
SATELCO
10369, 11232
SATPLUS
11100
SATSTATION 11083
SCHAUB LORENZ
11214
SCHNEIDER 11206, 11251
SCHWAIGER 10132, 10504,
10587, 10885,
11075, 11083,
11111, 11334,
11412, 11457,
11474
SCS
10299
SEDEA ELECTRONIQUE
10125, 10132,
11206, 11283
SEG
10114, 10369,
11075, 11251,
11626
SEPTIMO
10885
SERINO
10610
SERVISAT
10713, 11251
SHARP
10541, 11489,
11513, 11517
SIEMENS
10173, 11657
SILVA
10299
SKANTIN
10713
SKARDIN
10587
SKR
10713
SKT
11449
SKY
10099, 10847,
11175, 11848,
11849, 11850
SKY ITALIA 11848, 11849
SKY XL
11251, 11412
SKY+
11175
SKYMASTER 10587, 10713,
11075, 11200,
11409, 11611
SKYMAX
10200
SKYPLUS
11232, 11334,
11412
SKYSAT
10114, 10713
SKYVISION 11334
SL
10132, 10299
SM ELECTRONIC
10587, 10713,
11200, 11409
SMART
10132, 10299,
10713, 11113,
11157, 11232,
11273, 11413
SONY
10282, 10292,
10639, 10847,
10853, 11524,
11558
SR
10132
STARLITE
10200
STREAM
11848
STRONG
10125, 10132,
10369, 10713,
10820, 10853,
10879, 11146,
11157, 11258,
11300, 11409,
11430, 11626
SUNNY
11300
SUNNY SOUND
10369
SUNSAT
10713
SUNSTAR
10132, 10369,
10642
SYSTEC
11334
TARBS
11225
TBOSTON
11457
TEAC
11225, 11227,
11251, 11322
TECHNISAT 10114, 10200,
10262, 10541,
11099, 11100,
11322
TECHNOMATE
11283, 11610
TECHNOSONIC
11672
TECHNOTREND
11429
TECHNOWELT10132
TECHSAN
11017
TECHWOOD 10114, 11284
TEKCOMM
11017
TELE SYSTEM ELECTRONIC
11611
TELECIEL
11043
TELEKA
10262
TELESTAR
10114, 11099,
11100, 11251,
11334
TELESYSTEM 11251, 11409
TELETECH
10114
TELEVES
10132, 11214,
11300
TELEWIRE
11232
TEVEBOX
11681
TEVION
10713, 11409,
11622
THOMSON
10292, 10711,
10713, 10820,
10847, 10853,
11046, 11175,
11291, 11498,
11534, 11900
TINY
11672
TIOKO
10132
TOKAI
10200
TONNA
10587, 10713,
11611
TOPFIELD
11206, 11207,
11208, 11545,
11722
TOSHIBA
11501, 11516,
11530
TPS
10820, 11253,
11307
TRIAD
10372
TRIAX
10114, 10132,
10200, 10713,
10853, 11099,
11113, 11157,
11227, 11251,
11291, 11296
TT-MICRO
11429
TURNSAT
10713
TWINNER
10713
UEC
10879
UNIDEN
11521
UNISAT
10132, 10200
UNITED
11251
UNIVERSUM 10114, 10173,
10299, 11099,
11251
VAN HUNEN 11161
VARIOSAT
10173
VEGA
10369
VENTANA
10200
VESTEL
10114, 11251
VISIONIC
10125, 11279,
11283
VISIOSAT
10114, 10713,
11129, 11457
VTECH
10818
WISI
10173, 10299,
10372, 10406,
10638
WISPLUS
11258
WORLDSAT 10114, 11214,
11251, 11323
XRYPTON
10369
XSAT
10713, 10847,
11214, 11323
XTREME
11300
YAKUMO
11413
ZEHNDER
10114, 10369,
10504, 10818,
11075, 11232,
11251, 11334,
11412, 11413
HDTV DECORDER
PIONEER
SHARP
11010
11010
OTHER VIDEO
ACCESSORIES
ABS
11272
ALIENWARE 11272
CYBERPOWER11272
GATEWAY
11272
HAUPPAUGE 11408
HEWLETT PACKARD
11272
HOWARD COMPUTERS
11272
HP
11272
HUSH
11272
IBUYPOWER 11272
LINKSYS
11272
MEDIA CENTER PC
11272
MICROSOFT 11272
MIND
11272
NIVEUS MEDIA
11272
NORTHGATE 11272
PACKARD BELL
11272
PINNACLE SYSTEMS
11447
PIONEER
11010
RICAVISION 11272
SHARP
11010
SONY
11272, 11733
STACK 9
11272
SYSTEMAX 11272
TOSHIBA
11272
TOUCH
11272
VIEWSONIC 11272
VOODOO
11272
ZT GROUP
11272
TV
A.R. SYSTEMS20374, 20455
ACER
21339
ACURA
20009
ADL
21217
ADMIRAL
20093, 20163,
20264
ADVENT
20817
AGB
20516
AIKO
20009, 20264
AIM
20805
AIWA
21180
AKAI
20009, 20035,
20037, 20163,
20178, 20208,
20218, 20264,
20361, 20371,
20433, 20473,
20480, 20516,
20548, 20556,
20602, 20606,
20631, 20696,
20714, 20715,
20729, 20745,
20753, 21207
AKIBA
20037, 20218,
20455
AKITO
20037
AKURA
20009, 20037,
20218, 20264,
20412, 20668,
20714, 21037,
21982
ALBA
20009, 20037,
20163, 20218,
20355, 20371,
20418, 20443,
20487, 20668,
20714, 21037
ALL-TEL
20865
ALLSTAR
20037
AMPLIVISION 20370
AMSTRAD
20009, 20037,
20218, 20264,
20371, 20412,
20433, 20516,
21037
ANAM
20009, 20250
ANAM NATIONAL2
0250
ANDERSSON 21149, 21163
ANGLO
20009, 20264
ANITECH
20009, 20037
ANSONIC
20009, 20292,
20370, 20668
APEX DIGITAL20890, 21217
ARDEM
20037, 20714
ARISTONA
20037, 20556
ART
21037
ASORA
20009
ASUKA
20218, 20264
AUDIOSONIC 20009, 20037,
20109, 20218,
20264, 20370,
20374, 20486,
20714, 20715
AUDIOTON
20264, 20486
AUDIOWORLD20698
AWA
20009, 20108,
20606
AXXENT
20009
BAIRD
20208
BANG & OLUFSEN
20565
BASIC LINE 20009, 20037,
20218, 20374,
20455, 20556,
20668, 21037,
21163
BAUER
20805
BAUR
20037, 20361,
20512
BEAUMARK 20178
BEKO
20037, 20370,
20418, 20486,
20606, 20714,
20715, 20808,
21037
BELSON
20698
BEON
20037, 20418
BERTHEN
20668
BESTAR
20037, 20370,
20374
BESTAR-DAEWOO
20374
BLACK DIAMOND
20614, 20821,
21037, 21909
BLAUPUNKT 20170, 20195,
20200, 20327,
20455
BLUE SKY
20037, 20218,
20455, 20487,
20556, 20668,
20714, 20715,
20808, 21037,
21191
BLUESKY
21388
BOOTS
20009
BOXLIGHT
20736
BPL
20037, 20896
BRANDT
20109, 20335,
20560, 20625,
20714
BRINKMANN 20037, 20418,
20486, 20668
BTC
20218
BUSH
20009, 20037,
20208, 20218,
20264, 20355,
20361, 20371,
20374, 20487,
20556, 20614,
20617, 20660,
20668, 20698,
20714, 20778,
21037, 21243
BYDESIGN
21309, 21311
APPENDIX-vii
CANTON
CARAD
20218
20610, 20668,
21037
CARENA
20037, 20455
CARVER
20054, 20170
CASCADE
20009, 20037
CASIO
20037
CATHAY
20037
CCE
20037
CELEBRITY 20000
CELESTIAL 20820, 20821
CENTREX
20780
CENTRUM
21037
CENTURION 20037
CGE
20074, 20370,
20418
CHANGHONG 20821
CIMLINE
20009, 20218
CITIZEN
20060
CITY
20009
CLARIVOX
20037
CLATRONIC 20009, 20037,
20218, 20264,
20370, 20371,
20606, 20714
CLAYTON
21037
CONDOR
20009, 20037,
20264, 20370,
20411, 20418
CONIA
20754
CONRAC
20808
CONTEC
20009, 20037
CONTINENTAL EDISON
20109, 20487
COSMEL
20037
CROSLEY
20054, 20074
CROWN
20009, 20037,
20053, 20208,
20370, 20412,
20418, 20486,
20487, 20606,
20712, 20714,
20715, 21037
CS ELECTRONICS
20218
CURTIS MATHES
20054, 20060,
20093, 20145
CYBERTRON 20218
CYTRONIX
21298
D-VISION
20556
DAEWOO
20009, 20037,
20218, 20374,
20556, 20634,
20865, 20880,
21307, 21909
DAINICHI
20218
DANSAI
20009, 20035,
20037, 20208
DANSETTE
20412
DANTAX
20714, 20715
DAVIS
20736
DAYTEK
21207
DAYTON
20009, 21207
DAYTRON
20374
DE GRAAF
20208, 20548
DECCA
20037, 20516
DENKO
20264
DENON
20145, 20511
DENVER
20037, 20587,
21189
DESMET
20009, 20037
DIAMANT
20037
DIAMOND
20825
APPENDIX-viii
DICK SMITH ELECTRONICS
20698
DIGATRON
20037
DIGILINE
20105, 20668
DIGITAL LIFE 20780, 20872,
20891
DIGITOR
20037, 20698
DIGIX
20880
DIXI
20009, 20037
DL
20891
DMTECH
21338
DOMEOS
20668
DOMLAND
20394
DREAM VISION
21704
DSE
20698
DUAL
20037, 20352,
20394
DVX
20891
DYNATRON 20037
E-ELITE
20218
ECCO
20773
EDISON-MINERVA
20487
EIKI
20735
ELBE
20292, 20411,
20435, 20516,
20610
ELBE-SHARP 20516
ELECTROBAND
20000
ELECTROGRAPH
21755
ELEKTA
20264
ELIN
20009, 20037,
20361, 20548
ELITE
20218
ELTA
20009, 20264
EMERSON
20037, 20178,
20361, 20370,
20371, 20486,
20714, 21909
ENVISION
21365
ERRES
20037
ESC
20037
ETRON
20001, 20009
EUROFEEL
20264
EUROMAN
20037, 20264
EUROPA
20037
EUROPHON 20516
EVOLUTION 21756
EXQUISIT
20037
FENNER
20009, 20374
FERGUSON 20037, 20053,
20109, 20195,
20335, 20443,
20548, 20560,
20625, 21037
FIDELITY
20037, 20163,
20264, 20361,
20371, 20412,
20512
FINLANDIA 20163, 20208,
20346, 20548
FINLUX
20037, 20105,
20346, 20411,
20473, 20480,
20492, 20516,
20631, 20714,
20715, 20808
FIRSTLINE
20009, 20037,
20208, 20361,
20374, 20411,
20556, 20668,
20714, 20808,
21037, 21191,
21307, 21363,
21388
FISHER
20208, 20370,
20555
FLINT
20037, 20218,
20264, 20455,
20610
FORCE
21149
FORMENTI
20037
FORTRESS
20093
FRABA
20037, 20370
FRIAC
20009, 20037,
20370, 20610
FRONTECH
20009, 20163,
20264
FUJIMARO
20865
FUJITSU
20009, 20683,
20853
FUJITSU GENERAL
20009, 20683
FUJITSU SIEMENS
21298
FUNAI
20264, 20668
GALAXI
20037
GALAXIS
20037, 20370
GATEWAY
21755, 21756
GBC
20009, 20218,
20374
GE
20093, 20178,
20560, 20625,
20735
GEC
20037, 20163,
20361, 20516
GELOSO
20009, 20374
GENERAL TECHNIC
20009
GENESIS
20009
GENEXXA
20009, 20163,
20218
GERICOM
20808, 20865,
20880, 21206,
21217, 21298
GOLDFUNK 20668
GOLDSTAR
20001, 20037,
20109, 20163,
20178, 20361,
20377, 20606,
20714, 20715
GOODING
20487
GOODMANS 20009, 20035,
20037, 20218,
20264, 20335,
20360, 20371,
20374, 20480,
20487, 20516,
20556, 20560,
20634, 20668,
20714, 20808,
20880, 21037,
21163, 21909
GORENJE
20370
GPM
20218
GRADIENTE 20053, 20170
GRAETZ
20163, 20361,
20371, 20487,
20714
GRANADA
20037, 20108,
20163, 20208,
20226, 20473,
20516, 20548,
20560
GRANDIN
20009, 20037,
20163, 20374,
20455, 20610,
20668, 20714,
20715, 20865,
20880, 21037,
21191, 21374,
21388
GRUNDIG
20037, 20195,
20443, 20487,
20556, 20587,
20740, 21223
H&B
20808
HAIER
20698, 20891
HALLMARK 20178
HANIMEX
20218
HANSEATIC 20009, 20037,
20361, 20377,
20394, 20556,
20634, 20714,
20808
HANTAREX 20009, 20037,
20516, 20829,
20865, 21338
HANTOR
20037
HARMAN/KARDON
20054
HARSPER
20865
HARWA
20773, 21196,
21269
HARWOOD
20009, 20037,
20412, 20487
HAVERMY
20093
HCM
20009, 20037,
20218, 20264,
20412, 20418
HELIOS
20865
HEMA
20009
HIKONA
20218
HINARI
20009, 20037,
20218, 20264,
20355
HISAWA
20218, 20455,
20610, 20714
HISENSE
20508, 20556,
20780, 21363
HITACHI
20037, 20105,
20108, 20109,
20145, 20163,
20178, 20225,
20473, 20480,
20481, 20492,
20516, 20548,
20578, 20634,
20744, 20797,
21037, 21149,
21194, 21576
HITACHI FUJIAN
20108
HITSU
20009, 20218,
20455, 20610
HOEHER
20714, 20865
HOME ELECTRONICS
20606
HORNYPHON 20037
HUANYU
20374
HUGOSON
20890, 21217
HUMAX
21295
HYPER
20009
HYPSON
20037, 20264,
20455, 20668,
20714, 20715,
21037
HYUNDAI
20860, 20865,
20876, 21152,
21244, 21294
IBERIA
20037
ICE
20218, 20264,
20371
ICES
20218
IIYAMA
20877, 21217
IMPERIAL
20037, 20074,
20370, 20418
INDIANA
20037
INFINITY
20054
INFOCUS
20736, 20752,
21164, 21206
INGELEN
20163, 20487,
20610, 20714
INGERSOLL 20009
INNO HIT
20009, 20516,
21163
INNOWERT
20865, 21298
INTERBUY
20037, 20264
INTERFUNK 20037, 20163,
20200, 20327,
20361, 20512
INTERNAL
20037, 21909
INTERVISION 20009, 20037,
20218, 20264,
20377, 20394,
20455, 20486,
20487
IRRADIO
20218, 20371
ISUKAI
20037, 20218,
20455
ITS
20264, 20371
ITT
20163, 20208,
20346, 20361,
20473, 20480,
20548, 20610
ITT NOKIA
20163, 20208,
20346, 20361,
20473, 20480,
20548, 20606,
20610
ITV
20037, 20264,
20374
IX
20877
JBL
20054
JCB
20000
JDV
21982
JENSEN
20817
JMB
20443, 20556,
20634
JOCEL
20712
JUBILEE
20556
JVC
20053, 20093,
20218, 20371,
20418, 20606,
20650, 20653,
20683, 20731
KAISUI
20009, 20037,
20218, 20455
KAPSCH
20163, 20361
KARCHER
20264, 20606,
20610, 20714,
20778
KATHREIN
20556
KAWA
20371
KB ARISTOCRAT
20163
KENDO
20037, 20411,
20610
KENNEDY
KENNEX
KIOTA
KITON
KNEISSEL
20435
21037
20001
20037, 20668
20037, 20292,
20374, 20411,
20435, 20556,
20610
KONKA
20037, 20218,
20371, 20418,
20587, 20641,
20714, 20754
KONTAKT
20487
KORPEL
20037
KOYODA
20009
KREISEN
20876
KYOSHU
20412, 20418
KYOTO
20163
L&S ELECTRONIC
20714, 20808
LASAT
20486
LEADER
20009
LECSON
20037
LEMAIR
20411
LENCO
20037, 20374
LEYCO
20037, 20264
LG
20037, 20178,
20442, 20556,
20698, 20714,
20715, 20829,
21146, 21148,
21191
LIESENK & TTER
20037
LIESENKOTTER
20037, 20327
LIFETEC
20037, 20218,
20374, 20668,
20714, 21037
LOCAL INDIA TV
20264, 20371,
20602
LODOS
21037
LOEWE
20037, 20136,
20292, 20512,
20516, 20633,
20790
LOGIK
20001, 20773,
20880, 21217
LOGIX
20668
LUKER
21982
LUMA
21037
LUX MAY
20009, 20037
LUXOR
20163, 20208,
20361, 20473,
20480, 20548,
20631, 21037,
21163
LXI
20054, 20156,
20178
M ELECTRONIC
20009, 20037,
20105, 20109,
20163, 20346,
20374, 20480
MADISON
20037
MAGNADYNE 20516
MAGNAFON 20516
MAGNAVOX 20054, 20780
MAGNUM
20037, 20714,
20715
MANESTH
20035, 20037,
20264
MANHATTAN 20037, 20668,
20778, 21037
MARANTZ
20037, 20054,
20412, 20556,
20704
MARK
20037, 20714,
20715
MASUDA
20009, 20218
MATSUI
20009, 20035,
20037, 20195,
20208, 20335,
20355, 20371,
20433, 20443,
20455, 20487,
20516, 20556,
20714, 21037
MATSUSHITA 20250, 20650
MAXENT
21755
MEDIATOR
20037
MEDION
20037, 20512,
20556, 20668,
20698, 20714,
20808, 20880,
21037, 21248
MEGAS
20610
MEGATRON 20145, 20178
MEI
21037
MELECTRONIC
20009, 20037,
20105, 20163,
20195, 20346,
20374, 20411,
20480, 20492,
20512, 20634,
20714
MEMOREX
20009, 20060,
20178, 20250,
21037
MERCURY
20009
METRONIC
20625
METZ
20037, 20367,
20388, 20447,
20587, 20668,
20746, 21163
MGA
20178
MICROMAXX 20037, 20668,
20808, 21037
MICROSTAR 20808
MIKOMI
21149
MINATO
20037
MINERVA
20108, 20487,
20516
MINOKA
20412
MITSUBISHI 20037, 20093,
20108, 20178,
20250, 20512,
20556, 21037
MIVAR
20292, 20516,
20609
MONACO
20009
MORGAN'S
20037
MOTOROLA 20093
MTC
20060, 20370,
20512
MTLOGIC
20714
MULTITEC
20037, 20486,
20668, 21037
MULTITECH 20009, 20037,
20264, 20486
MURPHY
20163
MUSIKLAND 20218
MYRYAD
20556
NAD
20156, 20178,
20361
NAIKO
20037, 20606,
21982
NAT
20226
NATIONAL
NEC
20226
20009, 20053,
20156, 20170,
20374, 20455,
20587, 20704,
21704
NECKERMANN
20037, 20200,
20327, 20370,
20411, 20418,
20556
NEI
20037, 20371
NEOVIA
20865, 20876,
21206, 21318,
21338, 21371,
21373, 21376,
21390
NETSAT
20037
NETTV
21755
NEUFUNK
20037, 20218,
20556, 20610,
20714
NIKKAI
20009, 20035,
20037, 20218,
20264
NIKKO
20178
NOKIA
20163, 20208,
20346, 20361,
20374, 20473,
20480, 20548,
20606, 20610,
20631
NORCENT
21365
NORDMENDE 20037, 20109,
20195, 20560,
20714
NORMEREL 20037
NOVATRONIC 20037, 20105,
20374
OCEANIC
20163, 20208,
20361, 20473,
20548
OKANO
20009, 20037,
20370
OMEGA
20264
OMNI
20891
ONIMAX
20714
ONWA
20218, 20371,
20433
OPTIMUS
20250, 20650
OPTONICA
20093
ORION
20037, 20355,
20412, 20443,
20516, 20556,
20714, 20880
ORLINE
20037, 20218
ORMOND
20668, 21037
ORSOWE
20516
OSAKI
20037, 20218,
20264, 20355,
20374, 20412,
20556
OSO
20218
OSUME
20037, 20218
OTTO VERSAND
20037, 20093,
20109, 20226,
20361, 20512,
20556
PACIFIC
20443, 20556,
20714, 21037
PALLADIUM 20037, 20370,
20411, 20418,
20714
APPENDIX-ix
PALSONIC
20001, 20037,
20264, 20418,
20698, 20773
PANAMA
20037, 20264
PANASHIBA 20001
PANASONIC 20037, 20163,
20226, 20250,
20361, 20367,
20516, 20548,
20650, 20853,
21210, 21310
PANAVISION 20037, 20411
PATHE CINEMA
20163
PAUSA
20009
PENNEY
20060, 20156,
20178
PERDIO
20037, 20163
PHILCO
20037, 20054,
20074, 20145,
20370, 20418
PHILIPS
20009, 20037,
20054, 20200,
20361, 20374,
20556, 20772,
21756
PHOENIX
20037, 20486
PHONOLA
20037
PIONEER
20037, 20109,
20163, 20361,
20486, 20512,
20679, 20760
PIONIER
20486
PLANTRON 20009
PLAYSONIC 20037, 20714,
20715
POLAROID
20865
PORTLAND 20374
POWERPOINT
20037, 20487,
20698
PRANDONI-PRINCE
20361, 20516
PRIMA
20264, 20412
PRINSTON
21037
PRINZ
20361
PROFEX
20009, 20163,
20361
PROFI
20009
PROFITRONIC
20037
PROLINE
20037, 20411,
20625, 20634,
21037
PROSONIC
20037, 20668,
20714
PROTECH
20009, 20037,
20264, 20418,
20486, 20668,
21037
PROTON
20178
PROVISION 20037, 20556,
20714
PROXIMA
20735
PYE
20037, 20374,
20556
QUADRAL
20218
QUASAR
20009, 20250,
20650, 20865
QUELLE
20037, 20074,
20200, 20327,
20361, 20512,
20668, 21037
R-LINE
20037
RADIALVA
20218
APPENDIX-x
RADIOLA
20037, 20556
RADIOMARELLI
20037, 20516
RADIOSHACK 20037, 20178
RADIOTONE 20009, 20037,
20264, 20412,
20668, 21037
RCA
20093, 20625,
20679
REALISTIC
20178
REDIFFUSION 20346, 20361,
20548
REFLEX
20037, 20668,
21037
RELISYS
20865, 20876,
20877, 20878,
21206, 21207,
21268, 21298
REOC
20714
REVOX
20037
REX
20163, 20264,
20411
RFT
20037, 20264
RINEX
20773
ROADSTAR
20009, 20037,
20218, 20264,
20418, 20668,
20714, 21037,
21189
ROVER
20877
ROWA
20698, 20712
ROYAL LUX 20335, 20412
SABA
20109, 20163,
20250, 20335,
20361, 20498,
20516, 20548,
20560, 20625,
20714
SAGEM
20455, 20610,
20830, 21313
SAISHO
20009, 20264,
20516
SAIVOD
20037, 20668,
20712, 21037,
21163, 21982
SAKAI
20163
SALORA
20163, 20208,
20361, 20480,
20516, 20548,
20631
SALSA
20335
SAMBERS
20516
SAMPO
21755
SAMSUNG
20009, 20037,
20060, 20163,
20178, 20208,
20264, 20370,
20482, 20556,
20587, 20618,
20644
SANSUI
20037, 20727,
20729, 20861
SANTON
20009
SANYO
20088, 20108,
20170, 20208,
20370, 20555,
20704, 20735
SBR
20037, 20556
SCEPTRE
21217
SCHAUB LORENZ
20361, 20374,
20486, 20548,
20606, 20714,
21191
SCHNEIDER
20037, 20163,
20218, 20352,
20361, 20371,
20394, 20556,
20668, 20714,
21037
SCOTCH
20178
SCOTLAND 20163
SCOTT
20178
SEARS
20054, 20156,
20178
SEAWAY
20634
SEELVER
21037
SEG
20009, 20037,
20218, 20264,
20487, 20634,
20668, 21037,
21163
SEI
20516
SEI-SINUDYNE
20037, 20516
SELECO
20163, 20264,
20346, 20371,
20411, 20435
SEMP
20156
SENCORA
20009
SENTRA
20035
SERINO
20093, 20455,
20610
SHARP
20053, 20093,
20200, 20491,
20516, 21163,
21193
SHENG CHIA 20093
SHINTOSHI 20037
SHIVAKI
20037, 20443
SIAREM
20516
SIEMENS
20037, 20195,
20200, 20327
SIERA
20556
SIESTA
20370
SILVA
20037, 20361
SILVA SCHNEIDER
20037
SILVER
20361, 20715
SILVERCREST 21037
SINGER
20009, 20335,
20433, 20435
SINOTEC
20773
SINUDYNE
20516
SKY
20037, 20880
SKYSONIC
20696
SLIDING
20865, 20880,
21318, 21374,
21388
SLX
20668
SMARAGD
20487
SOEMTRON 20865, 21298
SOLAVOX
20037, 20163,
20361, 20548
SONAWA
20218
SONIKO
20037
SONITRON
20208, 20370
SONOKO
20009, 20037
SONOLOR
20163, 20208,
20361, 20548
SONTEC
20009, 20037,
20370
SONY
20000, 20037,
20053, 20093,
20145, 20156,
20170, 20250,
20353, 21100,
21505, 21751
SOUND & VISION
20374
SOUNDESIGN 20178
SOUNDWAVE 20037, 20418,
20715
SPECTRA
20009
SSANGYONG 20009
STANDARD 20009, 20037,
20218, 20374,
21037
STARLITE
20009, 20037,
20264
STENWAY
20218
STERN
20163, 20411
STEVISON
21982
STRATO
20009, 20037,
20264
STRONG
21149, 21163
SUNKAI
20355, 20455,
20487, 20610,
20865
SUNSTAR
20009, 20037,
20264, 20371
SUNWOOD
20037
SUPERLA
20516
SUPERSCAN 20093
SUPERSONIC 21189
SUPERTECH 20009, 20037,
20218
SUPRA
20009
SUPREME
20000
SUSUMU
20218, 20335
SVA
20587, 20865,
20872
SYLVANIA
20054
SYSLINE
20037
T+A
20447
TANDBERG 20367
TANDY
20093, 20163,
20218
TARGA
21307
TASHIKO
20163
TATUNG
20037, 20516,
21756
TCM
20714, 20808
TEAC
20009, 20037,
20170, 20178,
20264, 20412,
20418, 20455,
20512, 20668,
20698, 20712,
21037, 21149,
21755, 21909
TEC
20009, 20037
TECH LINE
20037, 20668
TECHNICS
20250, 20556,
20650
TECHNISAT 20556
TECHNISSON 20714
TECHNOSONIC
20556
TECHWOOD 21163
TECNIMAGEN 20556
TEDELEX
20009, 20891
TEKNIKA
20054, 20060
TELECOR
20394
TELEFUNKEN 20037, 20074,
20109, 20335,
20346, 20486,
20498, 20560,
20625, 20714,
20896
TELEFUSION 20037
TELEGAZI
20037
TELEMAGIC 20735
TELESONIC
TELESTAR
TELESYSTEM
TELETECH
20037
20037, 20556
20876
20009, 20037,
20668, 21037
TELEVIEW
20037
TEMPEST
20009
TENNESSEE 20037
TENSAI
20009, 20037,
20105, 20218,
20371, 20374,
20377, 20715,
21037
TENSON
20009
TEVION
20556, 20668,
20714, 20808,
21037, 21248,
21298
TEXET
20009, 20218,
20374
THOMSON
20037, 20109,
20335, 20560,
20625
THORN
20035, 20037,
20074, 20109,
20335, 20361,
20512
TINY
21269
TINY DIGITAL 20660
TMK
20178
TOKAI
20009, 20037,
20163, 20374,
20668, 21037
TOKAIDO
21037
TOKYO
20035
TOMASHI
20218
TONGTEL
20780
TOSHIBA
20035, 20060,
20109, 20156,
20195, 20241,
20508, 20618,
20650, 20714,
20736, 21163,
21164, 21704
TRANS CONTINENS
20037, 20668,
21037
TRANS-CONTINENTS
20865, 21374
TRANSONIC 20009, 20037,
20587, 20698,
20712
TRIDENT
20516
TRISTAR
20218
TRIUMPH
20346, 20516,
20556
TVTEXT 95
20556
UHER
20037, 20374,
20418, 20480,
20486
ULTRAVOX
20037
UNIC LINE
20037, 20455
UNITED
20037, 20714,
20715, 21037
UNIVERSAL 20037
UNIVERSUM 20009, 20037,
20074, 20105,
20170, 20200,
20264, 20327,
20346, 20361,
20370, 20411,
20418, 20473,
20480, 20492,
20512, 20618,
20631, 20668,
21037, 21163
UNIVOX
20037, 20163
V2MAX
20865
V7 VIDEOSEVEN
21376, 21755
V7VIDEOSEVEN
20880
VESTEL
20037, 20556,
20668, 21037,
21163
VICTOR
20053, 20653
VIDEOCON
20508
VIDEOLOGIC 20218
VIDEOLOGIQUE
20218
VIDIKRON
20054, 20735
VIDTECH
20178
VIEWPIA
20876
VIEWSONIC 20797, 21755
VIORE
21207
VISION
20037
VIZIO
21756
VOXSON
20163, 20178,
20418
WALTHAM
20037, 20109,
20163, 20418,
20443, 20668,
21037
WARDS
20000, 20054,
20060, 20156,
20178
WATSON
20009, 20037,
20218, 20394,
20668, 21037
WAYCON
20156
WEGA
20037
WELLTECH 20714
WESTINGHOUSE
20890
WHARFEDALE
20037, 20556
WHITE WESTINGHOUSE
20037, 21909
WINDSOR
21037
WINDY SAM 20556
WORLD-OF-VISION
20865, 20877,
20880, 20890,
21298
X-VIEW
21191
XENIUS
20634
XLOGIC
20860
XORO
21196, 21217,
21243
XRYPTON
20037
YAMADA
21340
YAMAHA
20650, 20769,
20797, 21405,
21406, 21407,
21576
YAMISHI
20455
YAPSHE
20250
YOKAN
20037
YOKO
20009, 20037,
20218, 20264
ZANUSSI
ZENITH
20264
20178, 21909
PVR
ABS
31972
ALIENWARE 31972
CYBERPOWER
31972
DELL
31972
GATEWAY
31972
HEWLETT PACKARD
31972
HOWARD COMPUTERS
31972
HP
31972
HUSH
31972
IBUYPOWER 31972
JVC
31279
LINKSYS
31972
MEDIA CENTER PC
31972
MICROSOFT 31972
MIND
31972
NIVEUS MEDIA31972
NORTHGATE 31972
PANASONIC 31244, 31807,
31808, 31809
PHILIPS
31340
SONY
31636, 31972
STACK 9
31972
SYSTEMAX 31972
TAGAR SYSTEMS
31972
TOSHIBA
30828, 31008,
31972
TOUCH
31972
VIEWSONIC 31972
VOODOO
31972
ZT GROUP
31972
VCR
ABS
ACCENT
ADMIRAL
ADVENTURA
ADYSON
AIKO
AIWA
31972
30072
30048
30000
30072
30278
30000, 30032,
30037, 30307,
30348, 30352
AKAI
30041, 30106,
30240, 30315,
30348, 30352,
30642
AKIBA
30072
AKURA
30072
ALBA
30000, 30072,
30081, 30278,
30315, 30348,
30352
ALIENWARE 31972
ALLSTAR
30081
AMERICA ACTION
30278
AMSTRAD
30000, 30072,
30278
ANAM
30037, 30162,
30226, 30240
ANAM NATIONAL
30162, 30226
ANITECH
30072
ANSONIC
30000
ARISTONA
30081
ASA
ASHA
ASUKA
AUDIOSONIC
AUDIOVOX
AVP
AWA
BAIRD
30037, 30081
30240
30037, 30038
30278
30037, 30278
30000, 30352
30043
30000, 30041,
30104, 30106
BASIC LINE 30072, 30104,
30278
BEAUMARK 30240
BEKO
30104
BELL & HOWELL
30104
BESTAR
30278
BLACK DIAMOND
30642
BLACK PANTHER
30278
BLAUPUNKT 30034, 30081,
30162, 30226
BLUE SKY
30037, 30072,
30278, 30348,
30352, 30480,
30642
BONDSTEC 30072
BRANDT
30041, 30206,
30320, 30321
BRANDT ELECTRONIQUE
30041
BRINKMANN 30348
BROKSONIC 30348
BUSH
30000, 30072,
30081, 30278,
30315, 30348,
30352, 30642
CALIX
30037
CARREFOUR 30045
CARVER
30081
CASIO
30000
CATHAY
30278
CCE
30072, 30278
CGE
30000
CIMLINE
30072
CITIZEN
30037, 30278
CLATRONIC 30000, 30072
COLT
30072
COMBITECH 30352
CONDOR
30278
CRAIG
30037, 30072,
30240
CROWN
30037, 30072,
30278, 30480
CURTIS MATHES
30041, 30162
CYBERNEX 30240
CYBERPOWER31972
CYRUS
30081
DAEWOO
30045, 30278,
30352, 30637,
30642
DANSAI
30072, 30278
DANTAX
30352
DE GRAAF
30042, 30048,
30081, 30104,
30166
DECCA
30000, 30067,
30081, 30352
DEITRON
30278
DELL
31972
DENKO
30072
DENON
30042
DIAMANT
30037
APPENDIX-xi
DICK SMITH ELECTRONICS
30642
DIGITOR
30642
DSE
30642
DUAL
30000, 30041,
30081, 30278,
30348
DUMONT
30000, 30081,
30104
DYNATECH 30000
ELBE
30038, 30278
ELCATECH
30072
ELECTROHOME
30037
ELECTROPHONIC
30037
ELIN
30240
ELSAY
30072
ELTA
30072, 30278
EMEREX
30032
EMERSON
30000, 30037,
30043, 30045,
30072, 30278,
30637
ESC
30240, 30278
FERGUSON 30000, 30041,
30278, 30320,
30321
FIDELITY
30000, 30072,
30240, 30352
FINLANDIA 30000, 30037,
30042, 30043,
30048, 30081,
30104, 30106,
30166, 30226
FINLUX
30000, 30042,
30081, 30104
FIRSTLINE
30037, 30043,
30045, 30072,
30278, 30348,
30480
FISHER
30104
FLINT
30348
FRONTECH
30072
FUJI
30033
FUJITSU
30000, 30045
FUNAI
30000
GALAXIS
30278
GARRARD
30000
GATEWAY
31972
GE
30048, 30240,
30320
GEC
30081
GENERAL
30045
GENERAL TECHNIC
30348
GENEXXA
30104
GOLDHAND 30072
GOLDSTAR 30037, 30038,
30480
GOODMANS 30000, 30037,
30072, 30081,
30278, 30348,
30352, 30637,
30642
GPX
30037
GRADIENTE 30000
GRAETZ
30041, 30104,
30240
GRANADA
30000, 30037,
30042, 30048,
30081, 30104,
30226, 30240
GRANDIN
30000, 30037,
30072, 30278
APPENDIX-xii
GRUNDIG
30034, 30072,
30081, 30226,
30320, 30347,
30348, 30352
HANIMEX
30352
HANSEATIC 30037, 30038,
30081
HARLEY DAVIDSON
30000
HARMAN/KARDON
30038, 30081
HARWOOD
30072
HCM
30072
HEWLETT PACKARD
31972
HINARI
30041, 30072,
30240, 30278,
30352
HISAWA
30352
HISCHITO
30045
HITACHI
30000, 30037,
30041, 30042,
30081, 30166,
30240
HOEHER
30278, 30642
HORNYPHON 30081
HOWARD COMPUTERS
31972
HP
31972
HUGHES NETWORK SYSTEMS
30042
HUSH
31972
HYPSON
30000, 30037,
30072, 30278,
30480
IBUYPOWER 31972
IMPERIAL
30000
INGERSOLL 30240
INNO HIT
30072
INTERBUY
30072
INTERFUNK 30081, 30104
INTERNAL
30278, 30637
INTERNATIONAL
30037, 30278,
30642
INTERVISION 30000, 30278
IRRADIO
30072, 30081
ITT
30041, 30104,
30106, 30240
ITV
30037, 30278
JBL
30278
JENSEN
30041
JMB
30348, 30352
JOYCE
30000
JVC
30041, 30067,
30206, 31008,
31279
KAISUI
30072
KAMBROOK 30037
KARCHER
30081, 30278,
30642
KEC
30037, 30278
KENDO
30072, 30106,
30278, 30315,
30348, 30642
KENWOOD
30038, 30041,
30067
KLH
30072
KNEISSEL
30037, 30278,
30348, 30352
KODAK
30037
KORPEL
30072
KYOTO
30072
LENCO
30278
LEYCO
30072
LG
LIFETEC
LINKSYS
LLOYD'S
LOEWE
30037, 30480
30348
31972
30000
30037, 30081,
30162, 31562
LOGIK
30072, 30106,
30240
LUX MAY
30072
LUXOR
30043, 30048,
30104, 30106,
30315
LXI
30037
M ELECTRONIC
30000, 30038
MAGNASONIC30278
MAGNAVOX 30000, 30081,
30642
MAGNIN
30240
MAGNUM
30642
MANESTH
30045, 30072,
30081
MARANTZ
30038, 30081
MARK
30000, 30278
MARTA
30037
MASTEC
30642
MASTER'S
30278
MATSUI
30240, 30348,
30352
MATSUSHITA 30162, 30226
MEDIA CENTER PC
31972
MEDION
30348, 30352,
30642
MELECTRONIC
30000, 30037,
30038
MEMOREX
30000, 30037,
30048, 30104,
30162, 30240,
30307, 30348
MEMPHIS
30072
METRONIC
30081
METZ
30037, 30081,
30162, 30226,
30347, 30836,
31562
MGA
30043, 30240
MGN TECHNOLOGY
30240
MICORMAY 30348
MICROSOFT 31972
MIND
31972
MINOLTA
30042
MITSUBISHI 30043, 30048,
30067, 30081,
30480, 30642
MOTOROLA 30048
MTC
30000, 30240
MULTITEC
30037
MULTITECH 30000, 30072
MURPHY
30000
MYRYAD
30081
NAD
30104
NAIKO
30348, 30642
NATIONAL
30226
NEBULA ELECTRONICS
30033
NEC
30037, 30038,
30041, 30067,
30104, 30278
NECKERMANN
30081
NESCO
30072
NIKKAI
30072, 30278
NIKKO
30037
NIKON
30034
NIVEUS MEDIA
31972
NOBLEX
30240
NOKIA
30041, 30042,
30048, 30081,
30104, 30106,
30240, 30278,
30315
NORDMENDE 30041, 30067,
30320, 30321
NORTHGATE 31972
OCEANIC
30000, 30041,
30048, 30081,
30104, 30106
OKANO
30072, 30278,
30315, 30348
OLYMPUS
30226
ONIMAX
30642
OPTIMUS
30037, 30048,
30104, 30162
ORBIT
30072
ORION
30348, 30352
OSAKI
30000, 30037,
30072
OSUME
30072
OTTO VERSAND
30081
PACE
30352
PACIFIC
30000, 30348,
30642
PACKARD BELL
31972
PALLADIUM 30037, 30041,
30072, 30348
PALSONIC
30000, 30072,
30642
PANASONIC 30162, 30226,
30836, 31244,
31562, 31807,
31808, 31809
PATHE CINEMA
30043
PATHE MARCONI
30041
PENNEY
30037, 30038,
30042, 30240
PENTAX
30042
PERDIO
30000
PHILCO
30038, 30072
PHILIPS
30081
PHOENIX
30278
PHONOLA
30081
PILOT
30037
PIONEER
30042, 30067,
30081, 30162
POLK AUDIO 30081
PORTLAND 30278, 30637
PRINZ
30000
PROFITRONIC
30081, 30240
PROLINE
30000, 30278,
30320, 30642
PROSONIC
30278
PROTEC
30072
PROTECH
30081
PROVISION 30278
PYE
30081
QUASAR
30162, 30278
QUELLE
30081
RADIALVA
30037, 30048
RADIOLA
30081
RADIONETTE 30037
RADIOSHACK 30000, 30037
RADIX
30037
RANDEX
30037
RANK ARENA 30041
RCA
30042, 30048,
30106, 30240,
30320
REALISTIC
30000, 30037,
30048, 30104
REOC
30348
REX
30041
RFT
30072
RICAVISION 31972
RICOH
30034
ROADSTAR
30037, 30072,
30081, 30240,
30278
ROYAL
30072
SABA
30041, 30206,
30278, 30320,
30321
SAISHO
30348
SALORA
30043, 30104,
30106
SAMSUNG
30045, 30240
SANKY
30048
SANSUI
30000, 30041,
30067, 30072,
30106
SANYO
30048, 30067,
30104, 30240
SAVILLE
30240, 30278,
30352
SBR
30081
SCHAUB LORENZ
30000, 30041,
30104, 30106,
30315, 30348
SCHNEIDER 30000, 30037,
30042, 30072,
30081, 30240,
30278, 30348,
30352, 30642
SCOTT
30043, 30045
SEARS
30000, 30037,
30042, 30104
SEAWAY
30278
SEG
30072, 30081,
30240, 30278,
30637, 30642
SEI
30081
SELECO
30037, 30041
SEMP
30045
SENTRA
30072
SHARP
30037, 30048
SHINTOM
30072, 30104
SHIVAKI
30037
SHOGUN
30240
SIEMENS
30037, 30081,
30104, 30320,
30347
SIERA
30081
SILVA
30037
SILVER
30278
SINGER
30045, 30072
SINUDYNE
30081, 30352
SMARAGD
30348
SONNECLAIR 30072
SONTEC
30037
SONWA
30642
SONY
30000, 30032,
30033, 30034,
30106, 31032,
31636, 31972
SOUNDWAVE 30037, 30348
SSANGYONG 30072
STACK 9
STERN
STS
SUNKAI
SUNSTAR
SUNTRONIC
SUNWOOD
SUPRA
SYLVANIA
31972
30278
30042
30278, 30348
30000
30000
30072
30037
30000, 30043,
30081
SYMPHONIC 30000
SYSTEMAX 31972
T+A
30162
TAGAR SYSTEMS
31972
TANDBERG 30278
TANDY
30000, 30104
TASHIKO
30000, 30037,
30048, 30081,
30240
TATUNG
30000, 30041,
30043, 30048,
30081, 30348,
30352
TCHIBO
30348
TCM
30348
TEAC
30000, 30037,
30041, 30278,
30307, 30637,
30642
TEC
30072
TECH LINE
30072
TECHNICS
30081, 30162,
30226
TEDELEX
30642
TEKNIKA
30000, 30037
TELEAVIA
30041
TELEFUNKEN 30041, 30206,
30278, 30320,
30321, 30642
TELERENT
30226
TELETECH
30000, 30072,
30278
TENOSAL
30072
TENSAI
30000, 30072,
30278
TEVION
30348, 30642
TEXET
30278
THOMAS
30000
THOMSON
30041, 30067,
30278, 30320,
30321
THORN
30037, 30041,
30104
TMK
30240
TOKAI
30037, 30072
TOPLINE
30348
TOSHIBA
30041, 30042,
30043, 30045,
30081, 30352,
30828, 31008,
31972
TOTEVISION 30037, 30240
TOUCH
31972
TOWADA
30072
TRADEX
30081
UHER
30240
ULTRAVOX
30278
UNITECH
30240
UNITED
30348
UNIVERSUM 30000, 30037,
30081, 30104,
30106, 30240,
30348
VECTOR
30045
VECTOR RESEARCH
30038
VICTOR
30041, 30067
VIDEO CONCEPTS
30045
VIDEO TECHNIC
30000
VIDEOMAGIC 30037
VIDEOSONIC 30240
VIEWSONIC 31972
VILLAIN
30000
VOODOO
31972
WARDS
30000, 30033,
30038, 30042,
30045, 30048,
30072, 30081,
30240
WATSON
30081, 30352,
30642
WHITE WESTINGHOUSE
30072, 30278,
30637
WORLD
30348
XR-1000
30000, 30072
YAMAHA
30038
YAMISHI
30072, 30278
YOKAN
30072
YOKO
30037, 30240
ZENITH
30000, 30033,
30034, 30637
ZT GROUP
31972
ZX
30348, 30352
DVD PLAYER
3D LAB
40539
A-TREND
40714
ACOUSTIC SOLUTIONS
40713, 40730,
41450
AEG
40770, 40788,
40790
AIRIS
40672, 41005,
41107
AIWA
40533, 40641
AKAI
40766, 40770,
40788, 40790,
40898, 41115,
41233
AKI
41005
AKURA
40898, 41140,
41170, 41233,
41367
ALBA
40539, 40672,
40695, 40713,
40730, 41140
ALCO
40790
ALIZE
41151
ALL-TEL
41451
ALLEGRO
40869
AMITECH
40770, 40850
AMOI
40852
AMPHION MEDIA WORKS
40872
AMSTRAD
40713
AMW
40872
ANSONIC
40759, 40831
APEX DIGITAL40672, 41004,
41020, 41833
ARIANET
40818
AUDIOSONIC 41265
AUDIOVOX
40790
AUVIO
40843, 41090
AVIOUS
41165
AXION
40730
BASE
41451
BASIC LINE 40713
BAZE
40898, 41165
BBK
40862
BEL CANTO DESIGN
41571
BELLAGIO
41004
BLACK DIAMOND
40713, 40766,
40833
BLUE PARADE40571
BLUE SKY
40651, 40672,
40695, 40713,
40804, 40843
BOGHE
41004
BOMAN
40898
BRAINWAVE 40770, 41115
BRANDT
40503, 40651
BROKSONIC 40695
BUSH
40516, 40672,
40695, 40713,
40730, 40831,
40833, 40879,
41128, 41165
CAMBRIDGE AUDIO
41109
CCE
40730
CELESTIAL 41020
CENTREX
40672, 41004
CENTRUM
40713, 40779,
41005
CGV
40751, 41115
CINEA
40831, 40841
CINETEC
40713
CINEVISION 40833, 40869,
41483
CLASSIC
40730
CLATRONIC 40672, 40788,
40818, 41165
CLAYTON
40713
COBY
40730, 40852,
41107, 41165
CODEX
41233
COMPACKS 41107, 41265
CONIA
40852
CONTINENTAL EDISON
40831
CRAIG
40831
CROWN
40770, 41115
CRYPTO
41228
CYBERCOM 40831
CYBERHOME 40714, 40816,
41023
CYTRON
40651
D-VISION
41115
DAENYX
40872
DAEWOO
40705, 40714,
40770, 40833,
40869, 40872
DAEWOO INTERNATIONAL
40872
DALTON
41036, 41107
DANSAI
40770, 41115
DANTAX
40539, 40713,
40723, 40790
DAYTEK
40872, 41005
DAYTON
40872
DCE
40831
DECCA
40770, 41115
DENON
40490, 40634,
41282, 41634
DENVER
40788, 40898,
41107, 41165,
41450
DESAY
40843, 41090
APPENDIX-xiii
DIAMOND
40651, 40768
DICK SMITH ELECTRONICS
40833, 41483
DIGATRON
41009
DIGIHOME
40713
DIGITOR
41005
DIGITREX
40672
DIK
40831
DINAMIC
40788
DISNEY
40675
DIVIDO
40705
DK DIGITAL 40831
DMTECH
41271
DRAGON
40831
DREAMX
41151
DSE
40833, 41483
DUAL
40651, 40665,
40713, 40730,
40779, 40790,
40831
DURABRAND 40713, 40831
EASY HOME 40857
ECC
40730
ECLIPSE
40723, 40751
ELFUNK
40850
ELIN
40770
ELLION
40850
ELTA
40672, 40770,
40788, 40850,
41115, 41151
ELTAX
40766
EMERSON
40591, 40675,
40705
ENTERPRISE 40591
ENZER
41228
EUROLINE
40788, 41115,
41233
FENNER
40651
FERGUSON 40651, 40898
FINLUX
40591, 40672,
40741, 40751,
40770, 41165
FIRSTLINE
40713, 40843,
40869
FISHER
40670
FUNAI
40675, 40695
FUSION
40862
GE
40522
GLOBAL SOLUTIONS
40768
GO VIDEO
40741, 40744,
40833, 40869,
41075, 41483
GOLDSTAR 40591, 40741
GOODMANS 40651, 40713,
40723, 40730,
40790, 40833,
40879, 41004,
41140
GRAETZ
40665
GRAN PRIX 40831, 40898
GRANDIN
40713, 41233
GRUNDIG
40539, 40651,
40670, 40695,
40705, 40713,
40775, 40790,
41004, 41036,
41128
GRUNKEL
40770
H&B
40818, 40841,
40850, 41233
H&B
40713, 40818,
40841, 40850,
41233
HANSEATIC 40741, 40790
APPENDIX-xiv
HARMAN/KARDON
40702
HCM
40788
HDT
40705
HENSS
40713
HIMAX
40843
HITACHI
40573, 40664,
40713
HITEKER
40672
HOEHER
40651, 40713,
40831
HOME ELECTRONICS
40730
HOME TECH INDUSTRIES
41107, 41451
HOYO
40665
HYUNDAI
40766, 40850,
41228
INGELEN
40788
INTEGRA
40627
ISP
40695
JATON
40665
JBL
40702
JDB
40730
JDV
41367
JMB
40695
JVC
40503, 40539,
40558, 40623,
40867
KANSAI
41107
KANSAS TECHNOLOGIES
41233
KAWASAKI
40790
KENDO
40713, 40831
KENNEX
40713, 40770,
40898
KENWOOD
40490, 40534
KIIRO
40770
KINGAVON
40818
KISS
40665, 40841,
41523
KLH
40790, 41020
KOSS
40651
KXD
40857
LAWSON
40768
LENCO
40651, 40713,
40770, 41165
LEXIA
40768
LG
40591, 40741,
40790, 40801,
40869
LIFETEC
40651, 40831
LIMIT
40768
LITEON
41058
LODOS
40713
LOEWE
40511, 40539,
40741
LOGIX
40705
LUKER
41367
LUMATRON 40695, 40705,
40741, 40833,
41115
LUNATRON 40741
LUXMAN
40573
LUXOR
40713, 41004
MAGNAVOX 40503, 40539,
40675, 40713,
41140
MAGNEX
40723, 41165
MAJESTIC
41107
MANHATTAN 40705, 40713
MARANTZ
40539
MARK
40713
MARQUANT 40770
MATSUI
40651, 40672,
40695, 40713,
41004
MAXIM
40713, 40872
MBO
40730
MDS
40713
MECOTEK
40770
MEDION
40630, 40651,
40831, 40879,
41107, 41345
MEI
40790
MEMOREX
40695, 40831
METZ
40525, 40571,
40713
MICO
40723, 40751,
41223
MICROBOSS 40718
MICROMEDIA 40503, 40539
MICROMEGA 40539
MICROSOFT 40522
MICROSTAR 40831
MINAX
40713
MINERVA
40705
MINOKA
40770
MINOWA
41165
MIRROR
40879
MITSUBISHI 40713, 41521
MIZUDA
40770, 40818
MONYKA
40665
MPX
40843
MTLOGIC
41265
MUSTEK
40730
MX ONDA
40651, 40751,
41223
NAD
40741
NAIKO
40770, 41004,
41367
NEC
40785, 40869
NEOVIA
41271
NEUFUNK
40665
NEVIR
40770, 40831,
41197
NORCENT
40872, 41107,
41265
NORDMENDE 40831
NU-TEC
41228
OLIDATA
40672
ONKYO
40503, 40627,
40792
OPTIM
40843
OPTIMUS
40525
ORAVA
40818
ORBIT
40872
ORION
40695, 41006,
41128, 41233
ORITRON
40651
ORMOND
40713
P&B
40818, 41451
PACIFIC
40695, 40713,
40759, 40768,
40790, 40804,
40831
PACKARD BELL
40831
PALLADIUM 40695, 40779
PALSONIC
40672, 40852
PANASONIC 40490, 41282
PARAMOUNT PICTURES
40779
PEEKTON
40898
PHILCO
40788
PHILIPS
40503, 40539,
40675
PHILO
41345
PHONOTREND41165
PIONEER
40525, 40571,
41571
PLAYGO
41265
PLU2
40850, 41090
POLAROID
41020
POLK AUDIO 40539
PORTLAND 40770
POWERPOINT 40872
PRIMA
40766
PRIMA ELECTRONIC
40766
PRINZ
40831
PRISM
40705, 41006
PRO2
41107, 41345
PROLINE
40651, 40672,
40833, 41004
PROSCAN
40522
PROSON
40713
QWESTAR
40651
RADIONETTE 40741, 40869
RAITE
40665
RCA
40522, 40571,
40790
REC
40490, 40766
RED STAR
40759, 40763,
40770, 40788,
40898, 41107,
41345
REDSTAR
40763, 40898
REOC
40768
REVOY
40841
RIO
40869
ROADSTAR
40713, 40730,
40818, 40833,
40879, 40898,
41006
RONIN
40872
ROTEL
40558, 40623
ROWA
40516, 40872,
41004
SABA
40651
SAIVOD
40759, 40831,
41367
SALORA
40741
SAMSUNG
40490, 40573,
40744, 41075
SANSUI
40695, 40751,
40768
SANTOSH
41115
SANYO
40670, 40695,
40713, 40873
SCAN
40705, 40850
SCANMAGIC 40730
SCHAUB LORENZ
40770, 40788,
41115, 41151
SCHNEIDER 40539, 40651,
40705, 40713,
40779, 40788,
40790, 40804,
40831
SCIENTIFIC LABS
40768
SCOTT
40651, 40672,
40718, 41005,
41036, 41233
SEG
40665, 40713,
40763, 40768,
40872
SHANGHAI
40672
SHARP
40630, 40675,
40713, 41256
SHERWOOD 40741, 40770
SHINSONIC 40533
SILVA
40788, 40898
SILVA SCHNEIDER
40831, 40898
SINGER
40751
SKANTIC
40539, 40713
SKYMASTER 40730, 40768
SKYWORTH 40766, 40898
SLIDING
41115
SM ELECTRONIC
40730, 40768
SMART
40705, 40713,
40718
SONIC BLUE 40869
SONY
40533, 40573,
40772, 40864,
41033, 41633
SOUND COLOR
41233
SOUNDMASTER
40768
STANDARD 40651, 40768,
40788, 40831,
40898
STARLOGIC 41005
STARMEDIA 40818, 41005
STEVISON
41367
STRONG
40713
SUNKAI
40770, 40850
SUNSTECH
40831
SUNWOOD
40788, 40898
SUPERVISION 40768
SVA
40672
SYLVANIA
40675
SYMPHONIC 40675
SYNN
40768
TANDBERG 40713
TATUNG
40770
TEAC
40516, 40571,
40695, 40741,
40759, 40768,
40790, 40809,
40833, 41006,
41197, 41483
TEC
40898
TECHNICS
40490
TECHNIKA
40770, 40831,
41115, 41165
TECHNISSON 41115
TECHNOSONIC
40730, 41115
TECHWOOD 40713
TEDELEX
41228
TELETECH
40713, 40768
TENSAI
40651, 40770
TEVION
40651, 40833,
40898, 41036,
41170, 41382
THETA DIGITAL
40571
THOMSON
40522
TOKAI
40665, 40788,
40790, 40898
TOM-TEC
41450
TOSHIBA
40503, 40695
TRANS-CONTINENTS
40831, 40872,
41165, 41327
TREDEX
40804, 40843
TRUVISION 40857
UMAX
41151
UNITED
40672, 40695,
40788, 41115,
41165, 41228
UNIVERSUM 40591, 40713,
40741, 40779,
40790, 40869
UPTEK
40763
UPXUS
41345
URBAN CONCEPTS
40503
VENTURER 40790
VESTEL
40713
VIETA
40705, 41265
VIEWMASTER40862
VOXSON
40730, 40831
VTREK
41228
WAITEC
41151
WELKIN
40831
WELLINGTON 40713
WELTSTAR
40713
WHARFEDALE
40751, 40790
WILSON
40831, 41233
WINDSOR
40713
WINDY SAM 40573
WOXTER
41005, 41151
XBOX
40522
XENIUS
40790
XLOGIC
40768
XMS
40770
XORO
41183
YAKUMO
41004
YAMADA
40872, 41004,
41151
YAMAHA
40490, 40539,
41282, 41543
YAMAKAWA 40665, 40872
YUKAI
40730
ZENITH
40503, 40591,
40741, 40869
ZENNOX
41265
ZOECE
41265
LD PLAYER
AIWA
40203
CARVER
40064, 40194
DENON
40059
FUNAI
40203
HARMAN/KARDON
40194
HITACHI
40395
KENWOOD
40258
MAGNAVOX 40194, 40217
MARANTZ
40064, 40194
MITSUBISHI 40059
NAD
40059
NAGSMI
40059
OPTIMUS
40059
PANASONIC 40204
PHILIPS
40064, 40194
PIONEER
40059
POLK AUDIO 40194
QUASAR
40204
REALISTIC
40203
SALORA
40064
SHARP
40001
SONY
40193, 40201
TECHNICS
40204
TELEFUNKEN 40059
THETA DIGITAL
40194
VICTOR
40245
WARDS
40059
YAMAHA
40217
DVD RECORDER
APEX DIGITAL51056
BOGHE
51221
DENON
50490
DICK SMITH ELECTRONICS
51730
DIGITREX
51056
DSE
51730
ELTAX
51321
FUNAI
50675
GATEWAY
51158
GO VIDEO
50741, 51158,
51730
H&B
51235, 51421
HITACHI
51664
JVC
51164, 51275
KREISEN
51421
LG
50741
LITEON
51158, 51416,
51440, 51456
LOEWE
50741
MAGNAVOX 50646
MEDION
51347
MICO
51221
MITSUBISHI 51403
MUSTEK
51730
NEC
51404
PANASONIC 50490, 51010,
51011
PHILIPS
50646, 51158,
51818
PIONEER
50631, 51475,
51476
RCA
50522
RELISYS
51347
SAMSUNG
50490
SENSORY SCIENCE51158
SHARP
50630, 50675,
51419, 51550,
51556
SINUDYNE
51221
SONY
51033, 51069,
51070, 51433
SYLVANIA
50675
TANGENT
51321
TEVION
51227
THOMSON
50551
TOSHIBA
51510
VICTOR
51275
XORO
51221
YAMADA
51056, 51158,
51416
YAMAHA
51544
ZENITH
50741
CD PLAYER
ADC
ADCOM
ADVANTAGE
AIWA
AKAI
60018
60234
60032
60157
60156, 60362,
60643
ALTO
60625
ANAM
60362
ARCAM
60157
ARISTON
60625
AUDIO DYNAMICS
60018
AUDIO RESEARCH
60157
AUDIOLAB
60157
AUDIOMECA 60157
AUDIOTON
60157
BUSH
60643
CAIRN
60157
CALIFORNIA AUDIO LABS
60029, 60303
CAMBRIDGE 60157, 60625
CAMBRIDGE AUDIO
60625
CARVER
60157, 60179,
60299
CCE
60643
COPLAND
60393
CYRUS
60157
DENON
60003, 60034,
60626
DKK
60000
DMX ELECTRONICS
60157
DUAL
60003
ECLIPSE
60625
EROICA
60481
FIDELITY
60625
FISHER
60179
GARRARD
60393, 60643
GEMINI
60625
GENEXXA
60032, 60426
GOLDMUND 60157
GOLDSTAR 60643
GOODMANS 60362, 60625
GRUNDIG
60157
GTX
60362
HARMAN/KARDON
60157, 60173,
60426
HCM
60625
HIRO
60625
HITACHI
60032
INTEGRA
60101
KENWOOD
60028, 60157,
60190, 60626
KRELL
60157
KYOCERA
60018
LINN
60157
LG
71208
LOEWE
60157
LUXMAN
60093
MAGNAVOX 60157
MARANTZ
60029, 60157,
60626
MATSUI
60157, 60643
MCS
60029
MEMOREX
60032
MERIDIAN
60157
MICROMEGA 60157
MIRO
60000
MISSION
60157
MITSUBISHI 60156
MTC
60625
MUSICAL FIDELITY
60393
MYRYAD
60157
NAD
60000, 60299,
60721
NAGAOKA
60018
NAIM
60157
NAKAMICHI 60147
NEC
60234
NIKKO
60362, 60625
NSM
60157
ONKYO
60101, 61327
OPTIMUS
60000, 60032,
60179, 60426
ORION
60393
PANASONIC 60029, 60303
PHILIPS
60157, 60626
PINK TRIANGLE
60625
PIONEER
60032, 60101
POLK AUDIO 60157
PROTON
60157
QED
60157
APPENDIX-xv
G
CD RECORDER
DENON
HHB
JVC
70626, 70766
70192
71294
KENWOOD
LG
MARANTZ
NAD
PHILIPS
PIONEER
RCA
SONY
TDK
TEAC
VICTOR
YAMAHA
70626
71208
70626
71208
70626
70192, 71087
70420
70000
71208
70420
70072, 71294
70888, 71292
MD RECORDER
DENON
KENWOOD
OPTIMUS
PIONEER
SHARP
SONY
TECHNICS
YAMAHA
70873
70681
71063
71063
70861, 71684
70490
71078
70490, 70888,
71909
TAPE DECK
AIWA
70029, 70197
AKAI
70189, 70283
ARCAM
70076
CARVER
70029
DENON
70076
EROICA
70189
GARRARD
70308, 70309
GRUNDIG
70029
HARMAN/KARDON
70029
INKEL
70070
JVC
70244, 70273
KENWOOD
70070, 70205
MAGNAVOX 70029
MARANTZ
70029
MITSUBISHI 70189, 70283
MYRYAD
70029
ONKYO
70135, 70282
OPTIMUS
70027, 70220
ORION
70308, 70309
PANASONIC
PHILIPS
PIONEER
POLK AUDIO
RADIOLA
RCA
REVOX
SANSUI
SHARP
SONY
TEAC
TECHNICS
THORENS
VICTOR
WARDS
YAMAHA
70229
70029, 70229
70027, 70220
70029
70029
70027, 70220
70029
70029
70205, 70231
70170, 70243
70283, 70289,
70308, 70309
70229
70029
70244, 70273
70027, 70029
70097, 70205,
70524
TUNER
ACOUSTIC SOLUTIONS
81467
AIWA
80158, 80189
AKAI
80115, 80609
ANAM
80281, 80609
ARCAM
80189
CAIRN
80189
CAMBRIDGE 80189
CAMBRIDGE AUDIO
81455, 81647
CARVER
80189
DENON
80004, 80273
DUAL
80004
GARRARD
80281
GOLDMUND 80189
GOLDSTAR
80281
GOODMANS 80609
GRADIENTE 80281
GRUNDIG
80189, 80281
HARMAN/KARDON
80110, 80189
INKEL
80027, 80066
JBL
80110
JVC
80074
KENWOOD
80027, 80645
LG
80281
LINN
80189
© 2006
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
LOEWE
80189
MAGNAVOX 80189
MARANTZ
80189
MEMOREX
80014
MICROMEGA 80189
MUSICAL FIDELITY
80445
MYRYAD
80189
NAD
80320, 80609
NIKKO
80609
ONKYO
80103, 80119
PANASONIC 80309, 80518
PHILIPS
80189
PIONEER
80014
POLK AUDIO 80189
RADIOLA
80189
RESTEK
80189
REVOX
80140, 80189
SANSUI
80189, 80609
SHERWOOD 80066
SIEMENS
80609
SONIC
80281
SONY
80158
SOUNDWAVE 80609
TEAC
80110, 80609
TECHNICS
80309, 80518,
81135
TECHWOOD 80281, 80609
THORENS
80189
UNIVERSUM 80189, 80281,
80609
VICTOR
80074
WARDS
80014, 80158,
80189
YAMAHA
80293, 81908
(TUNER ID1)
81916
(TUNER ID2)
81917
ZENITH
80281
HTR-N5060
QUAD
60157
QUASAR
60029
RADIOLA
60157
RADIOTONE 60625
RCA
60032, 60179
REALISTIC
60179
RESTEK
60157
REVOX
60157
ROTEL
60157, 60897
SAE
60157
SAMSUNG
60524
SANSUI
60157, 60625
SANYO
60179
SEG
60625
SHARP
60034
SHERWOOD 60426
SIEMENS
60157, 60362
SIMAUDIO
60157
SONIC FRONTIERS
60157
SONY
60000
STS
60018
SUPERTECH 60625
SYNERGY
60625
TAG MCLAREN
60157
TANDY
60032
TEAC
60362, 60393,
60625, 60643
TECHNICS
60029, 60207,
60303
TECHWOOD 60362
THORENS
60157
THULE AUDIO60157
TOSHIBA
60299, 60481
TRAXDATA 60626
UNIVERSUM 60157, 60362,
60524
WARDS
60000, 60032,
60157, 60179
YAMAHA
60036, 61907
YBA
60625
HTR-N5060
AV Receiver
Ampli-tuner audio-vidéo
OTHER AUDIO
ACCESSORIES
YAMAHA (iPod)
81981
YAMAHA (NET/USB) 81982
All rights reserved.
Printed in Malaysia
WG73970
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
ИНСТРУКЦИЯ ПО ЭКСПЛУАТАЦИИ