STANDBY
/ON
NATURAL SOUND AV RECEIVER RX–V3000
INPUT MODE
INPUT
VOLUME
SILENT
PHONES
SPEAKERS
B
A
PROCESSOR
DIRECT
BASS
EXTENSION
BASS TREBLE REC OUT/ZONE 2
VIDEO AUX
VCR 1
SAT
CABLE
D-TV/LD
DVD
SOURCE
/REMOTE
MD/TAPE
CD-R
TUNER
CD
PHONO
VCR 2/DVR
EFFECT
6CH
INPUT
TUNING
MODE
MEMORY
S VIDEO VIDEO L R OPTICALAUDIO
MAN'L/AUTO FM AUTO/NAN'L MONO
FM/AM
PRESET
/TUNING
DSP
PROGRAM
EDIT
VIDEO AUX
RX-V3000
Natural Sound AV Receiver
Ampli-Tuner Audio-Video
OWNER'S MANUAL
MODE D'EMPLOI
UCA
CAUTION
• Explanation of Graphical Symbols
The lightning flash with arrowhead
symbol, within an equilateral triangle, is
intended to alert you to the presence of
uninsulated “dangerous voltage” within the
product’s enclosure that may be of
sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert you
to the presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.
1 Read Instructions – All the safety and operating instructions
should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the operating
instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near water –
for example, near a bathtub, washbowl, kitchen sink, laundry
tub, in a wet basement, or near a swimming pool, etc.
6 Carts and Stands – The unit should be used only with a cart or
stand that is recommended by the
manufacturer.
6A A unit and cart combination should be moved
with care. Quick stops, excessive force, and
uneven surfaces may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to a
wall or ceiling only as recommended by the manufacturer.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
IMPORTANT SAFETY INSTRUCTIONS
8 Ventilation – The unit should be situated so that its location or
position does not interfere with its proper ventilation. For
example, the unit should not be situated on a bed, sofa, rug, or
similar surface, that may block the ventilation openings; or
placed in a built-in installation, such as a bookcase or cabinet
that may impede the flow of air through the ventilation
openings.
9 Heat – The unit should be situated away from heat sources such
as radiators, stoves, or other appliances that produce heat.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating instructions
or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be routed
so that they are not likely to be walked on or pinched by items
placed upon or against them, paying particular attention to
cords at plugs, convenience receptacles, and the point where
they exit from the unit.
12 Cleaning – The unit should be cleaned only as recommended by
the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long period of
time.
14 Object and Liquid Entry – Care should be taken so that objects
do not fall into and liquids are not spilled into the inside of the
unit.
15 Damage Requiring Service – The unit should be serviced by
qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the unit;
or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits a
marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating instructions. All
other servicing should be referred to qualified service
personnel.
17 Power Lines – An outdoor antenna should be located away from
power lines.
18 Grounding or Polarization – Precautions should be taken so that
the grounding or polarization is not defeated.
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is grounded
so as to provide some protection against voltage surges and
built-up static charges. Article 810 of the National Electrical
Code, ANSI/NFPA 70, provides information with regard to
proper grounding of the mast and supporting structure,
grounding of the lead-in wire to an antenna discharge unit, size
of grounding conductors, location of antenna discharge unit,
connection to grounding electrodes, and requirements for the
grounding electrode.
CAUTION
FCC INFORMATION (for US customers only)
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of your equipment
by playing it at a safe level. One that lets the sound come through
loud and clear without annoying blaring or distortion – and, most
importantly, without affecting your sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid prolonged
exposure from excessive volume levels.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
1. IMPORTANT NOTICE : DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements.
Modifications not expressly approved by Yamaha may void
your authority, granted by the FCC, to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to
follow instructions could void your FCC authorization to use
this product in the USA.
3. NOTE : This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that
your use of this product in a residential environment will not
result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if not
installed and used according to the instructions found in the
users manual, may cause interference harmful to the
operation of other electronic devices.
Note to CATV system installer:
This reminder is provided to call the CATV system installer’s
attention to Article 820-40 of the NEC that provides guidelines
for proper grounding and, in particular, specifies that the cable
ground shall be connected to the grounding system of the
building, as close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
CAUTION
CAUTION: READ THIS BEFORE OPERATING THIS UNIT.
1 To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2 Install this unit in a well ventilated, cool, dry, clean place with
at least 30 cm on the top, 20 cm on the right and left, and 10
cm at the back of this unit for ventilation space — away from
direct sunlight, heat sources, vibration, dust, moisture, and/or
cold.
3 Locate this unit away from other electrical appliances, motors,
or transformers to avoid humming sounds. To prevent fire or
electrical shock, do not place this unit where it may get
exposed to rain, water, and/or any type of liquid.
4 Do not expose this unit to sudden temperature changes from
cold to hot, and do not locate this unit in a environment with
high humidity (i.e. a room with a humidifier) to prevent
condensation inside this unit, which may cause an electrical
shock, fire, damage to this unit, and/or personal injury.
5 On the top of this unit, do not place:
– Other components, as they may cause damage and/or
discoloration on the surface of this unit.
– Burning objects (i.e. candles), as they may cause fire,
damage to this unit, and/or personal injury.
– Containers with liquid in them, as they may cause electrical
shock to the user and/or damage to this unit.
6 Do not cover this unit with a newspaper, tablecloth, curtain,
etc. in order not to obstruct heat radiation. If the temperature
inside this unit rises, it may cause fire, damage to this unit, and/
or personal injury.
7 Do not plug in this unit to a wall outlet until all connections are
complete.
8 Do not operate this unit upside-down. It may overheat, possibly
causing damage.
9 Do not use force on switches, knobs, and/or cords.
10 When disconnecting the power cord from the wall outlet, grasp
the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this might
damage the finish. Use a clean, dry cloth.
12 Only the voltage specified on this unit must be used. Using this
unit with a higher voltage than specified is dangerous and may
cause fire, damage to this unit, and/or personal injury.
YAMAHA will not be held responsible for any damage
resulting from use of this unit with a voltage other than
specified.
13 To prevent damage by lightning, disconnect the power cord
from the wall outlet during an electrical storm.
14 Take care of this unit so that no foreign objects and/or liquid
drops inside this unit.
15 Do not attempt to modify or fix this unit. Contact qualified
YAMAHA service personnel when any service is needed. The
cabinet should never be opened for any reasons.
16 When not planning to use this unit for long periods of time (i.e.
vacation), disconnect the AC power plug from the wall outlet.
17 Be sure to read the “Troubleshooting” section on common
operating errors before concluding that this unit is faulty.
This unit is not disconnected from the AC power source as long
as it is connected to the wall outlet, even if this unit itself is
turned off. This state is called the standby mode. In this state,
this unit is designed to consume a very small quantity of power.
FREQUENCY STEP switch
(General and China models only)
Because the interstation frequency
spacing differs in different areas, set
the FREQUENCY STEP switch
(located at the rear) according to the
frequency spacing in your area.
Be sure to change the setting of this
switch with the AC supply lead of
this unit disconnected from the AC
outlet.
For CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to wide slot
and fully insert.
This Class B digital apparatus complies with Canadian ICES-
003.
Manufactured under license from Dolby Laboratories. “Dolby”,
“AC-3”, “Pro Logic” and the double-D symbol are trademarks of
Dolby Laboratories.
Confidential Unpublished Works. ©1992-1997 Dolby Laboratories,
Inc. All rights reserved.
Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround” and “DTS ES” are
trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital
Theater Systems, Inc. All Rights Reserved.
DOLBY
DIGITAL
18 Before moving this unit, press STANDBY/ON to set this unit
in the standby mode, and disconnect the AC power plug from
the wall outlet.
FREQUENCY
STEP
FM
AM
50kHz
9kHz
100kHz
10kHz
English
1
Contents
Introduction 2
Getting Started..........................................................................................................3
Controls and Functions.............................................................................................4
Preparations 8
Speaker System Configurations ...............................................................................9
Hookups .................................................................................................................10
On-Screen Displays (OSD) .................................................................................... 19
Speaker Placement ................................................................................................. 20
Speaker Settings .....................................................................................................21
Speaker Output Levels ........................................................................................... 22
Basic Operation 24
Basic Playback ....................................................................................................... 25
AM/FM Tuner ........................................................................................................29
Basic Recording ..................................................................................................... 33
Advanced Operation 34
SET MENU Items ..................................................................................................35
Remote Control Features........................................................................................44
ZONE 2 .................................................................................................................. 55
Adjusting the Levels of the Effect Speakers ..........................................................57
Setting the Sleep Timer .......................................................................................... 57
Additional Information 58
Digital Sound Field Processing (DSP) ................................................................... 59
CINEMA-DSP .......................................................................................................61
DSP Parameter ....................................................................................................... 64
Appendix 68
Troubleshooting .....................................................................................................69
Specifications ......................................................................................................... 73
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
2
Welcome to the exciting world of digital home entertainment. This unit is the most complete and
advanced AV receiver available. Though some of the more advanced features of this unit may not be
familiar to you, they are easy to use. Incorporated state-of-the-art technology such as Dolby Digital and
DTS can bring the same audio experience to your home as they have brought to feature films in quality
theaters around the world. To make the listening experience even more enjoyable, this unit includes a
number of exclusive, digitally created listening environments known as digital sound fields. Choosing a
sound field program is like transporting yourself to such venues as an outdoor arena, a European church,
or a cozy jazz club. Take some time now to read more about these features and enjoy the new
experiences this unit brings to your home theater.
Introduction
Features
Dolby Digital and DTS decoder
Dolby Digital Matrix 6.1/DTS ES decoder
Digital Sound Fields (DSP)
CINEMA-DSP: Dolby Digital + DSP and DTS + DSP
Virtual CINEMA DSP and HP CINEMA DSP
Multi-function remote control
Built-in 8-channel power amplifier
Getting Started 3
Checking the Package Contents ............................................................................... 3
Installing Batteries in the Remote Control ............................................................... 3
Using the Remote Control........................................................................................ 3
Controls and Functions 4
Front Panel ............................................................................................................... 4
Display Indicators .................................................................................................... 5
Rear panel................................................................................................................. 6
Remote Control ........................................................................................................7
English
3
Getting Started
Checking the Package Contents
Check your package to make sure it has the following items.
Installing Batteries in the Remote Control
Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity illustrations (+ and –) inside the
battery compartment.
Change the batteries periodically. Do not use old batteries together with new ones.
Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different
types of batteries may have the same shape and color.
■About changing batteries
As the batteries wear out, the operating range of the remote control decreases and
the TRANSMIT indicator does not flash or its light becomes dim. When you
notice any of these conditions, change all of the batteries.
Notes:
• If the remote control is without batteries for more than 20 minutes, or if worn out
batteries remain in the unit, the contents of the memory may be cleared.
If the memory is cleared, insert new batteries and reprogram any functions that may have
been cleared.
• After you insert new batteries, be sure to push RESET in the battery compartment using
a ball point pen or similar object before using the remote control. (This does not clear the
contents of the memory.)
Using the Remote Control
The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main
unit to operate. When the sensor is covered or there is a large object between the remote control and the main unit, the sensor cannot receive
signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a
fluorescent or strobe light). In this case, change the direction of the light or reposition the main unit to avoid direct lighting.
■About handling the remote control
Handle the remote control with care.
Do not spill water or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following types of conditions:
• high humidity or temperature such as near a heater, stove or bath; or
• dusty places; or
• in places subject to extremely low temperatures.
Remote Control
Alkaline Batteries (3) (LR6)
Quick Reference Guide
AM Loop Antenna
Power Cord
(U.S.A. and Canada
models only)
FM Antenna
(Australia and Singapore
models only)
Reset button
STANDBY
/ON
NATURAL SOUND AV RECEIVER RX–V3000
INPUT MODE
INPUT
VOLUME
SILENT
PHONES
SPEAKERS
B
A
PROCESSOR
DIRECT
BASS
EXTENSION
BASS TREBLE REC OUT/ZONE 2
VIDEO AUX
VCR 1
SAT
CABLE
D-TV/LD
DVD
SOURCE
/REMOTE
MD/TAPE
CD-R
TUNER
CD
PHONO
VCR 2/DVR
EFFECT
6CH
INPUT
TUNING
MODE
MEMORY
S VIDEO VIDEO L R OPTICALAUDIO
MAN'L/AUTO FM AUTO/NAN'L MONO
FM/AM
PRESET
/TUNING
DSP
PROGRAM
EDIT
VIDEO AUX
30°30°
Approximately 6m
(20 feet)
FM Antenna
(U.S.A., Canada, China,
and General models only)
Power Cord
(Singapore model only)
Quick Reference Card
■ Remote Control ■ TUNER button (TUNER area) ■ CD button (CD area)
■ MD/TAPE button (MD area) ■ CD-R button (CD-R area)
V655120
Infrared window
CLEAR
RE-NAME
TRANSMIT
STANDBY
SYSTEM POWER
Display
Source selector
LIGHT
Operational buttons
10 KEY/DSP
Operational buttons
LEVEL
ON SCREEN
SLEEP
TEST
LEARN
MACRO
MACRO ON/OFF
A
button
Input buttons
6CH INPUT
Sound program selector/
Numeric buttons
MUTE
VOLUME +/–
EFFECT
PARAMETER/SET MENU
Cursor buttons
Cover
POWER
Preset number 1 to 8
Preset group A through E from left.
Preset group A/B/C/D/E
Preset +/–
(Set 10KEY)
POWER
DISPLAY
SEARCH
Skip Search
STOP
PLAY
PAUSE (/Stop)
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
DISC +/– (Disc Skip)
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
CLEAR
INDEX
(Set 10KEY)
POWER
REC/PAUSE
DISPLAY
SEARCH
Skip Search
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
(Set 10KEY)
STOP
PLAY
PAUSE
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
POWER
REC/PAUSE
DISPLAY
SEARCH
SOUND
Skip Search
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
INDEX
(Set 10KEY)
When finding it difficult to fit this unit onto the shelf, remove the side panels after removing the screws tightened on the side panels. Put this
sticker to cover the screw holes after tearing off the back side of the sticker.
Side Panel Sticker
RL
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
4
Controls and Functions
Front Panel
When you are not operating the controls behind the front panel door, close the door. To open the door, press gently on the lower part of the
panel.
STANDBY
/ON
NATURAL SOUND AV RECEIVER RX–V3000
INPUT MODE
INPUT
VOLUME
SILENT
PHONES
SPEAKERS
B
A
PROCESSOR
DIRECT
BASS
EXTENSION
BASS TREBLE REC OUT/ZONE 2
VIDEO AUX
VCR 1
SAT
CABLE
D-TV/LD
DVD
SOURCE
/REMOTE
MD/TAPE
CD-R
TUNER
CD
PHONO
VCR 2/DVR
EFFECT
6CH
INPUT
TUNING
MODE
MEMORY
S VIDEO VIDEO L R OPTICALAUDIO
MAN'L/AUTO FM AUTO/NAN'L MONO
FM/AM
PRESET
/TUNING
DSP
PROGRAM
EDIT
VIDEO AUX
ZONE 2
BASS
STEREO
SLEEP
P.DIRECT
AUTO
MEMORY TUNED
D-TV/LD
DVD
CABLE
MD/TAPE
SAT CD-R
VCR 1 TUNER
VCR2/DVR
CD
V-AUX PHONO
ZONE 2
BASS
STEREO
SLEEP
P.DIRECT
AUTO
MEMORY TUNED
1
2
3
4
5
76
8
9
0
q
w e
u
r
y
i
t
o
5
6
0
q
w
e
9
8
7
1
2
3
4
r
1 STANDBY/ON
Turns this unit on (On mode) and off (Standby mode). When
you turn on this unit, you will hear a click and there will be a
four to five second delay before this unit can reproduce sound.
In Standby mode, this unit consumes a small amount of power
to be ready to respond to the remote control.
2 Remote Control Sensor
3 INPUT MODE
Selects the type of audio signal for the selected source.
4 INPUT selector
Selects a source component.
5 VOLUME
Controls the output level of all audio channels. This does not
affect the REC OUT level.
6 PHONES
Outputs audio signals for private listening using headphones.
When you connect headphones, no signals are output to the
PREOUT jacks or the speakers.
7 SPEAKERS A/B
When SPEAKERS A/B is on, these buttons turn on the set of
Main speakers connected to the A and/or B terminals on the
rear panel.
8 BASS EXTENSION ON/OFF
When BASS EXTENSION is on, this feature boosts the bass
frequency of the left and right Main channels by +6dB (60Hz)
while maintaining overall tonal balance. This boost is useful if
you do not use a subwoofer. However, this boost may not be
noticeable if the Main speakers are set to “SMALL” and the
bass output mode is set to “SWFR.”
9 PROCESSOR DIRECT ON/OFF
When PROCESSOR DIRECT is on, BASS, TREBLE,
BALANCE, and BASS EXTENSION are bypassed,
eliminating any alteration of the original signal.
0 BASS
Adjusts the low frequency response for the left and right Main
speaker channels. Turn the control to the right to increase the
low frequency response and turn the control to the left to
decrease the low frequency response.
English
5
q TREBLE
Adjusts the high frequency response for the left and right Main
channels. Turn the control to the right to increase the high
frequency response.
w REC OUT/ZONE 2
Selects the source you want to direct to the audio/video
recorder.
e EFFECT
Switches the effect speakers (Center, Front Effect, Rear and
Rear Center) on and off. If you turn off the output of these
speakers using EFFECT, all DTS and Dolby Digital audio
signals are directed to the Main left and right channels except
for the LFE channel.
r 6CH INPUT
Switches between 6CH INPUT mode and normal input modes.
6CH INPUT mode takes priority over the source selected with
the INPUT selector. You cannot use DSP sound field programs
while using an external decoder.
t VIDEO AUX
Inputs audio and video signals from a portable external source
such as a video camera. To reproduce source signals from these
jacks, select V-AUX as the input source. To direct this source
to the VCR 1 and VCR 2/DVR output jacks, select VIDEO
AUX using REC OUT.
y FM/AM
Switches the reception band between FM and AM.
u Multi jog knob
Selects the tuning frequency in the tuning mode.
Selects the preset station after pressing PRESET/TUNING to
display a colon (:) in the tuning mode.
Selects the DSP program after pressing DSP PROGRAM.
i MEMORY (MAN’L/AUTO FM)
Stores a station in the memory.
o TUNING MODE (AUTO/MAN’L MONO)
Switches the tuning mode between automatic and manual. To
select the automatic tuning mode, press this button so that the
AUTO tuning indicator appears in the front panel display (the
STEREO indicator also appears if receiving a stereo broadcast).
To select the manual tuning mode, press this button so that the
AUTO tuning indicator does not appear.
Display Indicators
1 Processor indicators
When any function of DTS/VIRTUAL/Dolby Digital/Dolby
PROLOGIC/DSP/Dolby Digital Matrix 6.1/DTS ES is
operating, its indicator lights up.
2 PCM
Lights up when this unit is reproducing PCM (Pulse Code
Modulation) digital audio signals.
3 SPEAKERS A/B
Lights up according to which set of Main speakers is selected.
Both indicators light up when both sets of speakers are selected.
4 Headphones
Lights up when headphones are connected.
5 Multi-information display
Shows the current DSP program and other information when
adjusting or changing settings.
6 Input source
Shows the current input source with the arrow-shaped cursor.
7 BASS
Lights up while the BASS EXTENSION is on.
8 SLEEP
Lights up while the Sleep Timer is on.
9 P. DIRECT
Lights up while the PROCESSOR DIRECT is on.
0 STEREO
Lights up when the AUTO tuning indicator is on and the unit is
receiving a strong signal for an FM stereo broadcast.
q MEMORY
Flashes to show a station can be saved.
w TUNED
Lights up when this unit tunes into a station.
e AUTO
Shows that the Tuner is in Automatic tuning mode.
r ZONE 2
Lights up when you select the input source while the remote
control is in the Zone 2 mode.
Controls and Functions
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
6
Controls and Functions
OPTICAL
MD/TAPE
R
L
R
L
R
L
CENTER
R
L
R
L
R
L
R
L
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
TUNER
FM ANT
75Ω
UNBAL.
AM
ANT
– GND
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 6
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 16
Ω
MIN./SPEAKER
CTRL OUT
+5V
100Ω 20mA
REMOTE
ZONE 2 OUT
0
5
8q
r
w
2t9
4
6
3
7
1
2
e
Rear panel
1 Audio component jacks
2 Video component jacks
3 Antenna input terminals
4 Speaker terminals
5 AC OUTLETS
Use these outlets to supply power to your other audio/video
component.
6 IMPEDANCE SELECTOR
7 DIGITAL OPTICAL/COAXIAL jacks
8 6CH INPUT jacks
9 PRE OUT/MAIN IN jacks
0 AC power cord
Connect to a power outlet.
General, China, and Australia models cannot disconnect the AC
power cord from the unit.
q GROUND terminal
w RS232C/CTRL OUT +5V terminals
These are control expansion terminals for Substitute Custom
Installation use. Consult your dealer for details.
e REMOTE IN/OUT jacks
r q RF (AC-3) input jack
General, China, and Singapore models only.
t ZONE 2 OUT jack
(Singapore model)
English
7
Controls and Functions
Remote Control
1 CLEAR
Erases the content of learning.
2 RE-NAME
Renames the input name.
3 TRANSMIT
Flashes while the remote control is sending signals.
4 LEARN
Starts the learning function.
5 MACRO
Makes the MACRO setting.
6 MACRO ON/OFF
Turns the macro function on and off.
7 Input buttons
Selects the input source for playback.
8 6CH INPUT
Switches to the 6CH INPUT mode when using an external
decoder.
u
y
i
o
h
p
9
a
d
s
f
j
t
r
e
w
q
0
8
7
6
k
5
4
g
1
2
3
9 Operational buttons
Performs the operation selected by input selector.
0
Sound program selector/Numeric buttons
Selects the sound program.
q MUTE
Mutes the sound. Press again to restore audio output at the
previous volume level.
w VOLUME +/–
Increases or decreases the volume level.
e EFFECT
Switches the effect speakers (Center, Front, Rear, and Rear
Center) on and off.
r PARAMETER/SET MENU
Selects the PARAMETER mode or SET MENU mode.
t Cursor buttons
Selects and adjusts DSP program parameters and SET MENU
items according to the position of PARAMETER/SET MENU.
y STANDBY
Turns off the power.
u SYSTEM POWER
Turns on the power.
i Display
Displays the input or operation status.
o Source selector
Selects the source component.
p 10 KEY/DSP
Selects the numeric button mode or DSP program mode.
a LEVEL
Selects the effect speaker channel to be adjusted and sets the
level.
s ON SCREEN
Selects the On-Screen Display mode for your video monitor.
d SLEEP
Sets the sleep timer.
f TEST
Outputs the test tone to adjust the speaker levels.
g Infrared window
h LIGHT
Turns the light on or off. When you press this button once, the
light turns on for about ten seconds. Press again to turn off the
light.
j Cover
k Å button
Switches the control area.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
8
Preparations
Speaker System Configurations 9
Hookups 10
Connecting Audio Components ............................................................................. 10
Connecting Video Components ............................................................................. 12
Connecting Speakers .............................................................................................. 14
Connecting Subwoofers ......................................................................................... 16
Connecting an External Decoder............................................................................ 17
Connecting External Amplifiers............................................................................. 17
Others ..................................................................................................................... 18
On-Screen Displays (OSD) 19
OSD Modes ............................................................................................................19
Selecting the OSD Mode........................................................................................ 19
Speaker Placement 20
Speaker Settings 21
Speaker Output Levels 22
Before You Begin................................................................................................... 22
Dolby Surround Test .............................................................................................. 22
DSP Test................................................................................................................. 23
English
9
Speaker System Configurations
The most complete speaker configuration consists of eight speakers: the left and right Main speakers, a Center speaker, the left and right Rear
speakers, the left and right Front Effect speakers, and a Rear Center speaker. If you do not use eight speakers, you can direct the signals for
speakers that are not in your system to other speakers in your configuration. A Subwoofer can be used with any of these configurations to
produce a fuller sound.
■Eight or Seven Speaker Configuration
–Full Cinema DSP–
When you reproduce feature film software, this configuration fully expresses the
powerful and realistic sound qualities of 70 mm multitrack audio. The dialogue is
positioned as if it were coming from directly on the screen, the sound effect is
positioned slightly behind the screen, and the soundtrack music is positioned even
further behind the screen to express the width and depth of the overall presentation.
This configuration makes the most of this unit’s capability.
The Rear Center speaker is useful for playback of 6-channel Digital Surround.
■Six Speaker Configuration –Hi Fi DSP–
This configuration is used the most for audio playback with HiFi DSP. It does not
position the dialogue sound as well as a seven or eight speaker configuration.
However, it creates a dynamic DSP (Digital Sound Field Processor) sound field
which adds depth to the sound.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE” and 1D. REAR CT SP to “NONE”.
■Five Speaker Configuration –Standard 5.1 Channel–
This configuration does not express the height of the sound field as well as the
seven or eight speaker configuration. However, it positions the dialogue sound as
coming directly from the screen.
For this speaker configuration, change SET MENU item 1F. FRNT EFCT SP to
“NONE” and 1D. REAR CT SP to “NONE”.
■Four Speaker Configuration
–Minimum Requirement–
In this configuration, the Center speaker signals and Front Effect speaker signals
are directed to the left and right Main speakers.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE,” item 1F. FRNT EFCT SP to “NONE,” and item 1D. REAR CT SP to
“NONE”.
Front Effect Speakers
Center Speaker
Front Subwoofer
Main Speakers
Rear Speakers
Rear Center Speaker
Rear Subwoofer
( )
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
10
Hookups
Connecting Audio Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and
determine which jacks are for the left and right channels and for input and output.
When you connect other YAMAHA audio component (such as a CD player or changer, MD deck, or tape deck), connect to terminals with
the same number labels. Yamaha applies this labelling system to all its products.
In the hookup illustrations on the following pages:
■Connecting to digital jacks
This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks
to input PCM, DTS, and Dolby Digital bitstreams. When you connect components to both the COAXIAL and OPTICAL jacks (for CD and
CABLE) priority is given to the input signals from the COAXIAL jack. All digital input jacks are acceptable for 96 kHz/24 bit digital
signals.
■About the dust protection cap
Pull out the cap from the optical jack before you connect the fiber optic cable. Do
not discard the cap. When you are not using the optical jack, be sure to put the cap
back in place. This cap protects the jack from dust.
The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber
optic cable that does not conform to this standard, this unit may not function
properly.
■Connecting a turntable
These jacks are for connecting a turntable with an MM or high output MC
cartridge. If you have a turntable with a low output MC cartridge, use an inline
boosting transformer or MC-head amplifier when connecting to these jacks.
The GND terminal does not electrically ground the turntable. It simply reduces
noise in the signal. In some cases, you may hear less noise if you do not connect to
the GND terminal.
■Connecting a CD player
• The COAXIAL CD and OPTICAL CD jacks are available for a CD player
which has coaxial or optical digital outputs.
• When you connect a CD player to both the COAXIAL CD and OPTICAL CD
jacks, priority is given to the input signals from the COAXIAL CD jack.
■Connecting an MD or DAT deck
• When you connect a recorder to this unit, keep the deck’s power on while using
this unit. If the power is off, this unit may distort the sound from other
component.
• When you record from source component connected to this unit while this unit’s
power is off, the recorded sound may be distorted. To avoid this problem, turn
on this unit.
• When you connect a CD recorder to both the analog and digital input and output
jacks, priority is given to the digital signals.
English
11
Hookups
OPTICAL
OPTICAL
OUT (REC)
OUT (REC)
CENTER
ZONE 2 OUT
CTRL OUT
+5V
100Ω 20mA
L
R
L
R
L
R
L
R
L
R
L
R
OUTPUT
OUTPUT
OUTPUT
OUTPUT
INPUT
INPUT
GROUND
OPTICAL
OUTPUT
OPTICAL
INPUT
OPTICAL
INPUT
OPTICAL
OUTPUT
COAXIAL
OUTPUT
<Digital>
<Digital>
<Digital>
<Digital>
<Digital>
<Analog>
<Analog>
<Analog>
<Analog>
<Analog>
<Analog>
MD/TAPE
recorder
CD recorder
CD player
Turntable
to/from External
Amplifier
to/from External
Controller
from External
Decoder
(Singapore model)
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
12
Hookups
Connecting Video Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and
determine which jacks are for the left and right channels and for input and output. After you finish all hookups, check them again to make
sure they are correct.
■About the video jacks
There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composite video signals. Video
signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals. The S-video signals achieve high
quality color reproduction.
Video signals input through the COMPONENT VIDEO jacks are separated into luminance (Y) and color difference (P
B/CB, PR/CR) video
signals. The jacks are also separated into three for each signal. The labels of the component video jacks may be different depending on the
component (e.g. Y, C
B, CR / Y, PB, PR / Y, B-Y, R-Y/ etc.). Component video signals provide the best quality in picture reproduction.
If your video component has an S-video output or component video output, you can
connect it to this unit. Connect the S-video signal output jack on your video
component to the S-VIDEO jack or connect the component signal output jacks on
your video component to the COMPONENT VIDEO jacks.
Notes:
• Each type of video jack works independently. Signals input through the composite video,
S-video, and component jacks are output through the corresponding composite video, S-
video, and component jacks respectively.
• Use a commercially available S-video cable when connecting to the S VIDEO jacks, and
commercially available video cables when connecting to the COMPONENT VIDEO
jacks.
• When you are using the COMPONENT VIDEO jacks, check the details in the owner’s
manual that came with the component being connected.
Composite VIDEO jack
S VIDEO jack
COMPONENT VIDEO jacks
English
13
Hookups
OPTICAL
OUT (REC)
OUT (REC)
CENTER
ZONE 2 OUT
CTRL OUT
+5V
100Ω 20mA
VIDEO
OUTPUT
COMPONENT
INPUT
AUDIO
OUTPUT
AUDIO
INPUT
S VIDEO
INPUT
VIDEO
INPUT
S VIDEO
INPUT
VIDEO
INPUT
S VIDEO
OUTPUT
S VIDEO
OUTPUT
VIDEO
OUTPUT
S VIDEO
OUTPUT
VIDEO
OUTPUT
S VIDEO
OUTPUT
COMPONENT
OUTPUT
COMPONENT
OUTPUT
AUDIO
OUTPUT
AUDIO
OUTPUT
RF
OUTPUT
AUDIO
OUTPUT
OPTICAL
OUTPUT
OPTICAL
OUTPUT
SAT OPTICAL
OUTPUT
<Digital>
<Analog>
<Video>
<Video>
<Video>
<RF>
<Video>
<Video>
<Video>
<Component Video>
<Component Video>
<Component Video>
<Analog>
<Analog>
VIDEO
OUTPUT
CABLE COAXIAL
OUTPUT
<Digital>
<Digital>
<Digital>
<Analog>
<Analog>
L
R
L
R
L
R
L
R
L
R
DVD player
DTV/LD player
Cable TV/SAT
VCR 1/2
Monitor
RF-Signal Output*
(General, China and Singapore
models only)
* <U.S.A., Canada, and Australia models>
If your LD player has a Dolby Digital RF signal output jack, connect it to this unit through an external RF demodulator.
(You can connect the Dolby Digital RF signal output of your LD player to the COAXIAL jacks using the “I/O ASSIGN” on the SET
MENU.)
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
14
Hookups
Connecting Speakers
This section explains how to connect speakers to this unit. After you finish connecting your speakers, use the SET MENU to change the
signal output settings according to the number and size of the speakers in your configuration.
Before connecting any speaker cords, identify which terminals are for the right and left channels and also the + and – polarities. If you
connect speakers with the wrong polarity (+ to –), this unit will not reproduce clear sound.
■Using speaker cords
A speaker cord is actually a pair of insulated cables running side by side. One of
the cables is colored or shaped differently, perhaps with a stripe, groove, or ridge.
To make sure you always connect speakers with the correct polarity, determine the
difference between the cables of your speaker cord, make a note of which cable
you plan to use for which polarity (+ and –), and always connect the speaker cords
consistently.
1
1
Strip off 9 mm (3/8 in.) of an inch of insulation from the ends of the cables.
2
2
Twist the exposed wires of the cable together to prevent short circuits.
3
3
Loosen the terminal knob by turning it counterclockwise.
4
4
Insert only the exposed portion of the cable into the slot in the side of the
terminal, and tighten the terminal knob.
Note:
• If your speaker cords have banana plugs, tighten the terminal knob and insert the
plug into the end of the terminal. (Except for Singapore model)
Caution:
• Connect the speaker cords with care to avoid creating a short circuit. If you turn on
the power and there is a short circuit, this unit may be damaged even though the
protection circuit automatically shuts off the power.
■About the q RF (AC-3) signal input jack <For China, Singapore, and General models only.>
If your LD player has an q RF (AC-3) signal output jack, connect it to the q RF (AC-3) input jack on this unit. For this connection,
change SET MENU item 7D. COAXIAL IN (10) to “LD-RF”. If q RF (AC-3) and analog signals are input at the same time, priority is
given to the RF signals. When you want to reproduce q RF (AC-3) signals, set the input mode to “D.D. RF” using INPUT MODE.
Note:
• q RF (AC-3) signals cannot be output using the REC OUT selector. When you record
sound or images from an LD player, be sure to connect the player to either the DIGITAL
OPTICAL or analog AUDIO jacks.
Caution:
• Even if you connect an LD player with an q RF (AC-3) output jack to this unit, you
cannot reproduce Dolby Digital sound from all LD discs. You must playback an LD disc
encoded with Dolby Digital signals in order to take advantage of the Dolby Digital
sound.
Banana Plug
(Except for Singapore model)
English
15
Hookups
Right Front
Speaker
Left Front
Speaker
Rear Center
Speaker
Right Rear
Speaker
Left Rear
Speaker
To other component
Subwoofer
system
Right Main B
Speaker
Left Main B
Speaker
Right Main A
Speaker
Left Main A
Speaker
Center Speaker
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
TUNER
FM ANT
75Ω
UNBAL.
AM
ANT
– GND
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 6
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 16
Ω
MIN./SPEAKER
(Singapore model)
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
16
Hookups
Connecting Subwoofers
■Connecting a front subwoofer
Connect the signal input jack on your subwoofer to one of the PRE OUT/
MAIN IN SUBWOOFER jacks.
Notes:
• The SUBWOOFER jacks (output) have a built-in high cut-off filter (90 Hz). When
using a powered subwoofer, set the high cut-off frequency to “MAX” on your
Subwoofer.
• Both SUBWOOFER jacks output the same signal.
■Connecting a rear subwoofer
By using both Front and Rear Subwoofers, the CINEMA-DSP sound field
programs can produce realistic movie effects with powerful, dynamic sound. To
take advantage of this dynamic sound, be sure to set the 1C. REAR L/R SP item in
the SET MENU to “LARGE”, and connect your Rear speakers and Subwoofer as
described below.
1
1
Connect the right + input terminal on your Subwoofer to the REAR R +
terminal, and the right – input terminal on your Subwoofer to the REAR R –
terminal with speaker cords.
2
2
Connect the left + input terminal on your Subwoofer to the REAR L +
terminal, and the left – input terminal on your Subwoofer to the REAR L –
terminal with speaker cords.
3
3
Connect your Rear speakers to the output terminals on the Rear Subwoofer.
Be sure to connect the Rear speakers to the Subwoofer with the correct
polarity.
Note:
• Adjust the speaker volume for the Subwoofer with the controls on the Subwoofers,
not on this unit.
R
L
CENTER
R
L
Subwoofer system
R
L
Subwoofer system
Right Rear
Speaker
Left Rear
Speaker
English
17
Hookups
Connecting an External Decoder
This unit is equipped with six additional input jacks (left and right MAIN, CENTER, left and right SURROUND and SUBWOOFER) for
discrete multi-channel input from an external decoder, sound processor, or pre-amplifier. Connect the output jacks on your external decoder
to the 6CH INPUT jacks.
Be sure to match the left and right outputs to the left and right input jacks for the main
and surround channels.
To listen to the sound from your external decoder, press 6CH INPUT on this unit or
the remote control.
Notes:
• When you select 6CH INPUT as the input source, this unit automatically turns off the
digital sound field processor, and you cannot listen to DSP programs.
• When you select 6CH INPUT as the input source, changing SPEAKER SET on the SET
MENU is not affected.
Connecting External Amplifiers
If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the PRE OUT/
MAIN IN terminals as follows.
R
L
CENTER
R
L
q
w
e
t
y
r
q FRONT jacks
Front Effect channel line output jacks.
w REAR (Surround) jacks
Rear channel line output jacks.
e SUBWOOFER jacks
Main, Center, and Rear channel frequencies below 90 Hz are
output through these jacks. You can also direct DTS and Dolby
Digital LFE signals to this output.
Adjust the volume level of the subwoofer with the control on
the subwoofer. Subwoofer volume cannot be adjusted from this
unit.
r CENTER jack
Center channel line output jack.
t REAR CENTER jack
Rear Center channel line output jack.
y MAIN jacks
MAIN IN jacks .......... Line input to this unit’s Main channel
amplifiers.
When connecting to these jacks, signals input to the
preamplifier of this unit will not be output from the main
amplifier of this unit.
MAIN OUT jacks ..... Main channel line output jacks.
The signals output through these jacks
are affected by BASS, TREBLE,
BALANCE, and BASS EXTENSION
settings.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
18
Hookups
Others
■IMPEDANCE SELECTOR switch
Select the position whose requirements your speaker system meets.
(Upper position)
FRONT EFFECT:
The impedance of each speaker must be 6Ω or higher.
<U.S.A. and Canada models>
REAR: The impedance of each speaker must be 4Ω or higher.
REAR CENTER: The impedance of the speaker must be 4Ω or higher.
<Except for U.S.A. and Canada models>
REAR: The impedance of each speaker must be 6Ω or higher.
REAR CENTER: The impedance of the speaker must be 6Ω or higher.
CENTER: The impedance of the speaker must be 4Ω or higher.
MAIN: If you use one pair of main speakers, the impedance of each speaker
must be 4Ω or higher.
If you use two pairs of main speakers, the impedance of each speaker
must be 8Ω or higher.
(Lower position)
FRONT EFFECT:
The impedance of each speaker must be 8Ω or higher.
REAR: The impedance of each speaker must be 8Ω or higher.
REAR CENTER:
The impedance of the speaker must be 8Ω or higher.
CENTER: The impedance of the speaker must be 8Ω or higher.
MAIN: <Except for Canada model>
If you use one pair of main speakers, the impedance of each speaker
must be 8Ω or higher.
If you use two pairs of main speakers, the impedance of each speaker
must be 16Ω or higher.
<For Canada model only>
The impedance of each speaker must be 8Ω or higher.
■Connecting the AC power cord
Plug in this unit to a wall outlet when all connections are complete.
Caution:
• Do not use other AC power cords than the one provided. (U.S.A., Canada, and Singapore
models only)
■AC OUTLETS
Use these to connect the power cords from your other components to this unit. The
power to the switched outlets is controlled by this unit’s STANDBY/ON
(SYSTEM POWER or STANDBY on the remote). These outlets will supply
power to any connected unit whenever this unit is turned on. The maximum power
(total power consumption of components) that can be connected to AC OUTLETS
is 100 W.
■Voltage selector (General and China models)
The voltage selector on the rear panel of this unit must be set for your local main
voltage BEFORE plugging into the AC main supply.
WARNING
Do not change the IMPEDANCE
SELECTOR switch setting while the power to
this unit is on, otherwise this unit may be
damaged.
IF THIS UNIT FAILS TO TURN ON
WHEN THE STANDBY/ON SWITCH IS
PRESSED:
The IMPEDANCE SELECTOR switch may
not be set to either end. If so, set the switch to
either end when this unit is in the standby
mode.
G.
IMPEDANCE SELECTOR
VOLTAGE SELECTOR
SET BEFORE POWER ON
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 6
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 4
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
FRONT
REAR
REAR CENTER
CENTER
MAIN A OR B
A + B
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 8
Ω
MIN./SPEAKER
: 16
Ω
MIN./SPEAKER
240
R
W
ER ON
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
N
./SPEAKER
IN./SPEAKER
AC OUTLETS
VOLTAGE SELECTOR
(General and China models)
AC Power Cord
(General, China, and Australia models)
IMPEDANCE SELECTOR switch
AC Power Cord
(U.S.A., Canada, and Singapore models only)
English
19
On-Screen Displays (OSD)
You can display the operation information for this unit on a video monitor. If you display the SET MENU and DSP sound field program
parameter settings on a screen, it is much easier to see the available options and parameters than it is by reading this information on the front
panel display.
If a video source is being reproduced, the OSD is superimposed over the image.
If a video source is not being reproduced (or the source component is set in the standby mode), you can set the OSD to turn on (blue
background) or off with “14 DISPLAY SET” on the SET MENU.
OSD Modes
You can change the amount of information the OSD shows.
Full Display ..........This mode always shows the sound field program parameter
settings on the video monitor.
Short Display........ This mode briefly shows the same contents as the front panel
display at the bottom of the screen, then disappears.
Display Off ........... This mode briefly shows the “DISPLAY OFF” message at the
bottom of the screen, then disappears. Afterwards, no changes to
operations appear on the screen except those of the ON
SCREEN.
Notes:
• When you choose the Full Display mode, the INPUT selector, VOLUME, and some
other types of operation information are displayed at the bottom of the screen in the same
format as the front panel display.
• The OSD signal is not output through the REC OUT selector, and will not be recorded
with any video signal.
• The SET MENU, TEST DOLBY SUR and TEST DSP appear regardless of the OSD
mode.
Selecting the OSD Mode
1
1
When you turn on the power, the video monitor and front panel display shows
the level of the main volume for a few seconds and then switches to show the
current sound field program.
2
2
Press ON SCREEN on the remote control repeatedly to change the display
mode.
The OSD mode changes in the following order: Full Display, Short Display,
and Display Off.
Notes:
• If you choose a video input source that has component connected to both the S
VIDEO IN and composite VIDEO IN jacks, and both the S VIDEO OUT and
composite VIDEO OUT jacks are connected to a video monitor, the video signal is
output to both the S VIDEO OUT and VIDEO OUT jacks. However, the OSD is
carried only on the S-video signal. If no video signal is input, the OSD is carried on
both the S-video and composite video signals.
• If your video monitor is connected only to the COMPONENT VIDEO jacks of this
unit, the OSD is not shown. Make sure to connect your video monitor to the
COMPONENT VIDEO jack and either VIDEO or S VIDEO jacks if you would
like to see the OSD.
• Playing back video software that has an anti-copy signal or video signals with a lot
of noise may produce unstable images.
P01 CONCERT HALL 1
≥ Europe Hall A
INIT.DLY…………30ms
ROOM SIZE…………1.0
LIVENESS…………………5
CONCERT HALL 1
Europe Hall A
P01
Full Display (ex.)
Short Display (ex.)
ON SCREEN
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
20
Speaker Placement
Where you place your speakers has a tremendous effect on how well your system sounds.
■Placing the Main speakers
Place the left and right Main speakers an equal distance from the main listening
position.
If you have a TV or video monitor in your system, the distance of each speaker
from each side of the TV or video monitor should be the same.
■Placing the Center speaker
If you have a TV or video monitor in your system, align the front face of the
Center speaker with the front face of the monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the monitor. If you place the
speaker under the monitor, the Front Effect speakers can adjust the height of the
sound to correspond with the action on the screen (depending on the listener’s
position). If you have a projection screen in your system, place the Center speaker
under the screen. Be sure to align the speaker with the center of the screen.
■Placing the Front Effect, Rear, and Rear Center
speakers
The Front Effect speakers should be placed about 0.5~1m (1~3 feet) outside the
Main speakers and in the front of the room. They should be turned toward the main
listening position. Place the Rear speakers in the back of the room so they face the
main listening position. The Rear speakers can be placed farther apart than the
Front Effect speakers. The Front Effect and Rear speakers should be placed about
1.8m (6 feet) above the floor.
Once you begin listening to programs, continue to adjust the speaker placement
until you obtain a balanced sound from the Main speakers and the Front Effect and
Rear speakers.
■When you use a projection screen
Place the speakers as shown in the illustration.
The Main speakers should be placed about one-quarter of the way up from the
bottom of the screen.
Place the Center speaker in the center and directly under the screen. The Center
speaker provides precise dialogue localization.
When you use a projection screen with your system, the Front Effect speakers
provide better effect quality. The CINEMA-DSP sound field programs raise the
sound from the Center speaker upward and provide natural sound corresponding
with the video images.
■Placing the Subwoofers
Place the Front Subwoofer near the Main speakers. Turn it slightly toward the
center of the room to reduce wall reflections.
If you use a Rear Subwoofer, place it behind the main listening position. The
placement of the Rear Subwoofer is not critical because of the ultralow frequencies
of the sound being reproduced.
By adding a high quality Subwoofer to the speaker system configurations shown
on page 9, you can enjoy more powerful and realistic movie effects, even if your
Main speakers are large.
Notes:
• If you use different brands of speakers (with different tonal qualities) in your
configuration, the tone of a moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the same manufacturer or speakers
with the same tonal quality.
You can also adjust the output levels and equalization of your effect speakers using the
SET MENU.
• If you are using small speakers, the addition of a Subwoofer will reinforce the sound
effects of movies.
Main
Speaker
Main
Speaker
TV or Video
monitor
TV or Video
monitor
Center Speaker
FL
L
0.5~1m1m 1m0.5~1m1.5~3m
(1~3ft)(3ft) (3ft)(1~3ft)(5~15ft)
RL
CR
FR
RR
RC
L
C
R
1/4
1
Front Effect speakers
Front
Subwoofer
Center
Speaker
Rear Subwoofer
Rear Center speaker
Rear speakers
1.8 m (6 feet)
Main speakers
English
21
Speaker Settings
This unit has seven SPEAKER SET items in the SET MENU that you must set according to the number of speakers in your configuration
and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings. If
the initial settings are not appropriate for your speaker configuration, change the settings in the SET MENU.
Summary of SPEAKER SET items 1A through 1G
Item
1A. CENTER SP
1B. MAIN SP
1C. REAR L/R SP
1D. REAR CT SP
1E. LFE/BASS OUT
1F. FRNT EFCT SP
1G. MAIN LEVEL
Description
Selects the Center channel output mode according to the size of the Center speaker.
The possible settings are LRG (large), SML (small), and NONE.
Selects the Main channel output mode according to the size of the Main speakers.
The possible settings are LARGE and SMALL.
Selects the Rear channel output mode according to the size of the Rear speakers.
The possible settings are LRG (large), SML (small), and NONE.
Selects the Rear Center channel output according to the size of the Rear Center speaker.
The possible settings are LRG (large), SML (small), and NONE.
Selects a speaker for the LFE/Bass signal output.
The possible settings are SWFR (subwoofer), MAIN, and BOTH.
Selects the Front Effect signal output mode for the Front Effect signals.
The possible settings are YES and NONE.
Selects the output level for the Main channel signal.
The possible settings are Normal and –10 dB.
Initial Setting
LRG
LARGE
LRG
LRG
BOTH
YES
Normal
Note:
• When you adjust the balance of the output level from the Right and Left Main speakers, use “L/R BALANCE” on the SET MENU.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
22
Dolby Surround Test
1
1
After the Dolby Surround test is selected, “TEST DOLBY SUR.” appears in
the video monitor and in the front display.
2
2
Adjust VOLUME +/– to hear the test tone for each speaker. Make an
adjustment so that the output level coming from each speaker is same.
• The test tone is produced from the left Main speaker, Center speaker, right
Main speaker, Rear Right speaker, Rear Center speaker, and Rear Left
speaker in order. The tone lasts for 2.5 seconds each time.
• Press and hold h or g to stop the sequence temporarily.
• Press h or g to select the speaker to be tested.
3
3
When adjusting is complete, press TEST twice to stop the test tone.
You can increase the output levels of the effect channels (Rear Left, Rear
Right, Rear Center, and Center) to +10dB. If the output level of the Center,
Rear and Rear Center speakers is lower than that from the Main speakers even
after you have increased the sound volume level of the Center, Rear, and Rear
Center speakers up to +10dB, set the 1G. MAIN LEVEL item to this setting
decreases the Main speaker volume level to about one-third the normal level.
After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,”
adjust the levels for the Center, Rear, and Rear Center speakers again.
FL
L
RL
C
RC
R
FR
RR
EFFECT LEVEL
L SUR. 0dB
TEST DOLBY SUR.
EFFECT LEVEL
L SUR. 0dB
Speaker Output Levels
This section explains how to set the speaker levels using the test tone. There are two tests; Dolby Surround test and DSP test.
Before You Begin
1
1
Set BASS and TREBLE on the front panel to “0” (the center position) and
turn off BASS EXTENSION.
2
2
Use the remote control for the next three steps. Sit in the main listening
position and set PARAMETER/SET MENU on the remote control to
PARAMETER.
3
3
Set 10 KEY/DSP to DSP and press q/DTS SUR.
4
4
Press TEST to select the test to be performed.
Select “TEST DOLBY SUR.” to match the output levels of the Center, Rear
Center and Rear Left and Rear Right speakers to the left and right Main
speakers.
Select “TEST DSP” to match the output levels of the Front Effect speakers to
the Main speakers.
BASS TREBLE
English
23
Speaker Output Levels
DSP Test
1
1
After the dsp test is selected, “TEST DSP” appears on the video monitor and
in the front display.
2
2
Adjust VOLUME +/– to hear the test tone. Make an adjustment so that the
output level coming from the Front Effect speakers is the same as that of the
Main speakers.
• The test tone is produced alternately from the Front Effect speakers and
Main speakers. The tone is produced for 2.5 seconds each time.
3
3
Adjust the output level of the Front Effect speakers using + and – so the
output level coming from the Front Effect speakers is the same as that of the
Main speakers.
• The test tone is automatically produced from the Front Effect speakers
while you are adjusting the level.
Notes:
• If you cannot hear the test tone, set VOLUME, turn off the power, and check the
speaker cords and hookups.
• The test tone can be reproduced separately from the left and right Front Effect
speakers. This is useful when you want to check the hookups to these speakers.
Press h to reproduce the test tone from the left speaker, and press g to reproduce
the tone from the right speaker. (The OSD shows which speaker is reproducing the
tone.)
• You cannot adjust the output level of the left and right Front Effect speakers
separately.
• You can hear the test tone only from the Right Front Effect speaker by pressing g
and the Left Front Effect speaker by pressing h. You can return to the original
mode by releasing the buttons.
• The tonal quality of the speakers can be adjusted using the 5. CENTER GEQ items
in the SET MENU.
• If the sound volume of the Front Effect speakers is lower than that of the Main
speakers, even after you have increased the output level up to +10 dB, set the 1G.
MAIN LEVEL item in the SET MENU to “–10dB.” Setting the 1G. MAIN LEVEL
item to “–10dB” decreases the Main speaker output level to about one-third of the
normal level.
After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,” repeat
the TEST DOLBY SUR. procedure on the previous page.
• If you do not use Front Effect speakers, set the 1F FRNT EFCT SP item in the SET
MENU to “NONE”, and the DSP Front Effect signals will be mixed with the Main
channel signals.
• When the headphones are connected to this unit, you cannot select the Dolby
Surround test and the dsp test.
TEST DSP
MAIN
FL
L
RL
C
RC
R
FR
RR
EFFECT LEVEL
FRONT 0dB
TEST DSP
EFFECT LEVEL
FRONT 0dB
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
24
Basic Operation
Basic Playback 25
Power Control ........................................................................................................ 25
Selecting a Source .................................................................................................. 26
Input Modes and Indications ..................................................................................27
Selecting a Sound Field Program ...........................................................................28
AM/FM Tuner 29
Connecting the Antennas ....................................................................................... 29
Automatic Tuning .................................................................................................. 30
Tuning to Preset Stations........................................................................................ 30
Presetting Stations .................................................................................................. 31
Exchanging Preset Stations .................................................................................... 32
Basic Recording 33
Preparations ............................................................................................................ 33
English
25
Basic Playback
Playback operation is described with buttons on this unit and the remote control. These button names are noted in the order of “button name
(remote control button name).”
Power Control
1
1
Press STANDBY/ON (or SYSTEM POWER on the remote control) to turn
on the power.
• The front panel (and the monitor screen) shows the level of the volume for a
few seconds and then switches to show the current sound field program.
2
2
Press STANDBY/ON (or STANDBY on the remote control) to turn off the
power.
Note:
• This unit stores its current operational status in memory before the power is turned
off. By connecting a commercially available timer to this unit, you can easily
playback or record a source at any time you wish.
STANDBY
SYSTEM
POWER
VOLUME
EFFECT
STANDBY
/ON
NATURAL SOUND AV RECEIVER RX–V3000
INPUT MODE
INPUT
VOLUME
SILENT
PHONES
SPEAKERS
B
A
PROCESSOR
DIRECT
BASS
EXTENSION
BASS TREBLE REC OUT/ZONE 2
VIDEO AUX
VCR 1
SAT
CABLE
D-TV/LD
DVD
SOURCE
/REMOTE
MD/TAPE
CD-R
TUNER
CD
PHONO
VCR 2/DVR
EFFECT
6CH
INPUT
TUNING
MODE
MEMORY
S VIDEO VIDEO L R OPTICALAUDIO
MAN'L/AUTO FM AUTO/NAN'L MONO
FM/AM
PRESET
/TUNING
DSP
PROGRAM
EDIT
VIDEO AUX
STANDBY/ON VOLUME
EFFECT
INPUT MODE
Input
buttons
STANDBY
/ON
STANDBY
/ON
INPUT selector
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
26
Basic Playback
Selecting a Source
1
1
Select the source using the INPUT selector, or press one of the input buttons
on the remote control.
• The current source is indicated on the front panel display with an arrow.
• The current source name and input mode appear on the front panel display
and the video monitor for a few seconds.
Select this source: To reproduce the signal
from this component.
DVD........................................ DVD player
D-TV/LD ................................ LD player/Digital TV or TV
CABLE ................................... Cable TV
VCR 1 ..................................... Video deck 1
VCR 2/DVR ........................... Video deck 2 or Digital Video Recorder
V-AUX ................................... Other AV component
PHONO .................................. Turntable
CD........................................... CD player
TUNER ................................... AM/FM tuner
MD/TAPE............................... MD recorder/TAPE deck
CD-R....................................... CD Recorder
SAT......................................... Satellite tuner
2
2
Start playback (or select a broadcast station) on the source component.
• Refer to the operation instructions for the component.
3
3
Adjust VOLUME (or VOLUME +/– on the remote control).
Caution:
• If the power of the component connected to the VCR 1, VCR 2/DVR, MD/TAPE,
and CD-R OUT jacks is turned off, reproduced sound may be distorted or the
volume may be lowered. In these cases, turn on the component.
■BGV (Back Ground Video) function
The BGV (Back Ground Video) function allows you to combine a video signal
from a video source with a sound signal from an audio source. (For example, you
can listen to classical music while you are watching a video.)
Using the remote control, select a source from the video group, then select a source
from the audio group. Use the input buttons on the remote control to make your
selections. The BGV function does not work if you select the sources using the
INPUT selector on the front panel.
INPUT
D-TV/LD
DVD
CABLE
MD/TAPE
SAT CD-R
VCR 1 TUNER
VCR2/DVR
CD
V-AUX PHONO
The selected source
VOLUME
English
27
Basic Playback
Input Modes and Indications
This unit comes with various input jacks. If your external component is connected to more than one type of input jack, you can set the
priority of the input signal. Press INPUT MODE on the front panel or an input button (press it repeatedly) on the remote control to display or
change the input mode.
AUTO:........... This mode is automatically selected when you turn on the power of
this unit. In this mode, the input signal is automatically selected in the
following order.
1) Dolby Digital or DTS encoded signals
2) Digital (PCM) signals
3) Analog signals
DTS: .............. In this mode, only digital input signals encoded with DTS are selected
even if other signals are input at the same time.
ANALOG: ..... In this mode, only analog input signals are selected even if digital
signals are input at the same time.
<When LD is selected as the input source> (General, China, and Singapore models
only)
AUTO:........... In this mode, this unit automatically selects the signal in the following
order.
1) Dolby Digital RF encoded signals
2) DTS encoded signals
3) Digital (PCM) signals
4) Analog signals
D.D. RF: ........ This unit only selects Dolby Digital RF signals.
DTS: .............. In this mode, only digital input signals encoded with DTS are selected
even if other signals are input at the same time.
DGTL: ........... This unit only selects digital signals input through the OPTICAL
jacks.
ANALOG: ..... This unit only selects signals input through the ANALOG jacks. This
unit will not select Dolby Digital RF or DTS signals.
Notes:
• If digital signals are input from both the COAXIAL and OPTICAL jacks, the digital signal from the COAXIAL jack is selected.
• When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder
automatically switches to the appropriate setting and reproduces 5.1 channel source.
• The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed
while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the
digital signal was selected again.
■Notes on playing a source encoded with a DTS signal
• If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make
a digital connection between this unit and the player.
• If you play a source encoded with a DTS signal and set the input mode to ANALOG, this unit reproduces the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to connect the source to a digital input jack and set the input mode to
AUTO or DTS.
• If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound.
• If you play a source encoded with a DTS signal and set the input mode to AUTO, there will be a moment of noise while the unit
recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction. You can avoid this by setting the input mode to
DTS beforehand.
• If you continue to play a source encoded with a DTS signal with the input mode setting left to AUTO, this unit automatically switches
to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on
the front panel display.) The “t” indicator will flash immediately after playback of a source encoded with a DTS signal has
finished. Only a source encoded with a DTS signal can be played back while this indicator is flashing. If you want to play a normal
PCM source soon, set the input mode back to AUTO.
• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with a DTS signal. If this status continues for 30 or more seconds, the unit will automatically switch from the “DTS-
decoding” mode to PCM digital signal input mode and the “t” indicator will go out.
■Notes on playing an LD or DTS CD source
• For LD software that does not contain a digital soundtrack, connect the LD player to the analog jacks and set the input mode to AUTO
or ANALOG.
• If the LD player is transmitting a signal by a non-standard method, this unit cannot detect the Dolby Digital or DTS signal. In this case,
the decoder automatically switches to PCM or analog.
• Some A/V components such as LD players output different audio signals through their analog and digital jacks. Change the input mode
as necessary.
• While you are operating the LD player and playing a disc encoded with a Dolby Digital signal, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital signal is played.
AUTO:DOLBY D.
AUTO:DTS
AUTO:PCM
AUTO:ANALOG
AUTO:---
• AUTO
• DTS
DTS
DTS:---
• ANALOG
ANALOG
ANALOG:---
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
28
Basic Playback
Selecting a Sound Field Program
You can enhance your listening experience by selecting a DSP sound field program. The 25 DSP sound field programs are divided into 12
DSP program groups.
1
1
Set 10KEY/DSP on the remote to DSP.
2
2
Press the DSP button on main unit and rotate the Multi jog knob to select the
desired sound field program.
Notes:
• If a DTS or Dolby Digital signal is input when the input mode is set to “AUTO”,
the sound field program automatically switches to the appropriate decoding
program.
• Choose a sound field program based on your listening preference, not on the name
of the program. The acoustics of your listening room affect the sound field
program. Minimize the sound reflections in your room to maximize the effect
created by the program.
• When you select an input source, the main unit automatically selects the last sound
field program used with that source.
• When you turn off the main unit, the current source and sound field program are
memorized and are automatically selected when you turn on the power again.
• When high rate 96 kHz sampling digital signals are output from source equipment,
the DSP sound field cannot operate on the source sounds. In this case, the sounds
are reproduced as normal 2-channel stereo.
■Virtual CINEMA DSP and HP CINEMA DSP
You can experience the virtual CINEMA DSP sound field by setting the 1C. REAR L/R SP item in the SET MENU to “NONE.” The sound
field processing is changed to the Virtual CINEMA DSP mode according to the selected sound field program. The Virtual CINEMA DSP
allows you to enjoy the virtual sound fields without Rear speakers. Signals for Rear channels are output from the Main speakers. You can
also listen to HP (Headphone) CINEMA DSP by connecting your headphones to the PHONES jack while the DSP sound fields are on.
When high rate 96 kHz sampling digital signals are output from source component, the Virtual CINEMA DSP and HP CINEMA DSP cannot
operate on the source sounds.
Note:
• This unit is not set in the virtual CINEMA DSP mode even if “1C REAR L/R SP” is set to NONE in the following cases:
– when the 8ch Stereo, DOLBY DIGITAL/Normal or DTS/Normal program is selected;
– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
– when connecting the headphones.
■Normal stereo reproduction
For normal stereo reproduction, press EFFECT to turn off the effect.
Notes:
• When you turn off the effect, no sound is reproduced from the Front Effect, Center, Rear,
and Rear Center speakers.
• If you turn off the effect while DTS or Dolby Digital signals are being reproduced, the
dynamic range of the signal is automatically compressed.
• The sound volume may be extremely reduced when you turn off the effect or if you
change a SET MENU item. In this case turn on the effect.
6.1/ES
If you want to utilize the Rear Center speaker
with a 5.1 channel program source, press 6.1/
ES.
10KEY/DSP
Hi-Fi DSP Programs
CINEMA-DSP Programs
Entertainment
Game
Concert Video
Pop/Rock
Classical/Opera
TV Theater
Mono Movie
Variety/Sports
Movie Theater 1
Spectacle
Sci-Fi
Movie Theater 2
Adventure
General
q/DTS SURROUND
Normal/Matrix 6.1/ES
Enhanced/6.1/ES
EFFECT
EFFECT OFF
Concert Hall 1
Europe Hall A
Europe Hall B
Concert Hall 2
U.S.A. Hall C
Live Concert
Church
Freiburg
Royaumont
Jazz Club
Village Gate
The Bottom Line
Rock Concert
Roxy Theatre
Arena
Stadium
Anaheim
Bowl
Entertainment
Disco
8ch Stereo
English
29
AM/FM Tuner
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. These antennas should provide sufficient signal strength in most situations.
However, a properly installed outdoor antenna provides clearer reception. If you experience poor reception quality using the indoor antennas,
an outdoor antenna may improve the reception.
Connect each antenna as shown below.
L
L
R
L
R
R
CAUTION
SEE INSTRUCTION MANUAL FOR
TUNER
FM ANT
75Ω
UNBAL.
AM
ANT
– GND
■Connecting the indoor FM antenna
Connect the included indoor antenna to the 75Ω UNBAL.
FM ANT terminal.
■Optional outdoor FM/AM antenna
Consult your dealer or authorized service center about the
best method of selecting and erecting outdoor antennas.
■Connecting the AM loop antenna
1
1
Press the tab to unlock the terminal hole.
2
2
Insert the AM loop antenna lead wires to the AM ANT and GND terminals.
3
3
Lift the tab to its original position to lock the lead wires.
Lightly pull on the lead wires to confirm a good connection.
4
4
Attach the loop antenna to the antenna stand.
5
5
Orient the AM loop antenna so that the best reception is obtained.
Notes:
• The AM loop antenna should be placed away from this unit. The antenna may be
hung on a wall.
• The AM loop antenna should remain connected, even if an outdoor AM antenna is
connected to this unit.
• To minimize the influence of automobile ignition noise, locate the antenna as far
from heavy traffic as possible.
• Keep the ribbon cable or coaxial cable as short as possible.
Do not bundle or roll up excess cable.
• The antenna should be at least 1.8m (6 feet) from reinforced concrete walls and
metallic structures.
Indoor FM antenna (included) AM loop antenna (included)
Ground
1
3
2
Loop Antenna
Antenna stand
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
30
AM/FM Tuner
Automatic Tuning
1
1
Select “TUNER” as the input source.
You can use the INPUT selector on the main unit or the input button on the
remote control.
2
2
Press AM/FM to select the reception band.
“FM” or “AM” appears in the display.
3
3
Press TUNING MODE so that the AUTO tuning indicator appears in the
display.
If the colon (:) appears in the display next to the AM or FM indicator, press
PRESET/TUNING to turn it off.
4
4
Turn the Multi jog knob clockwise or counterclockwise to start automatic
tuning.
Turn the Multi jog knob clockwise to tune to a higher frequency or
counterclockwise to tune to a lower frequency.
Use manual tuning if the tuning search does not stop at the correct station
because the signals are weak.
■For manual tuning
1
1
Press TUNING MODE so that the AUTO tuning indicator goes off in the
display.
If the colon (:) appears in the display next to the AM or FM indicator, press
PRESET/TUNING to turn it off.
2
2
Turn the Multi jog knob clockwise or counterclockwise to tune to the desired
station manually.
Hold on the knob to continue the tuning search.
Automatic tuning is effective when the radio signals are strong and have no
interference. However, manual tuning is best for weaker signals that have some
interference.
Note:
• Manually selecting an FM station will automatically change the reception to monaural to
increase the signal quality.
Tuning to Preset Stations
1
1
Press PRESET/TUNING so that the colon (:) appears next to the AM or FM
indicator.
The colon (:) must appear in the display to recall preset stations. If necessary,
press PRESET/TUNING again.
2
2
Turn the Multi jog knob clockwise or counterclockwise to select the desired
preset station number.
The preset number appears in the display along with the band, frequency and
signal strength information.
FM/AM
FM
AM
or
TUNING
MODE
AUTO/NAN'L MONO
AUTO
A :FM 89.
Turn this indicator off.
A :FM
PRESET
/TUNING
EDIT
A1
—
A2 A8
—
B1
E8
—
E7 C1
—
B8
English
31
AM/FM Tuner
Presetting Stations
■Automatically presetting stations
You can use the Automatic Preset Tuning feature to store FM stations. With this
function, the unit automatically tunes to FM stations with strong signals, then
stores up to 40 of those stations in order.
1
1
Tune to the FM station from which you want automatic presetting to begin.
2
2
Press and hold MEMORY for more than 3 seconds.
The preset number and the MEMORY and AUTO tuning indicators flash.
Then, after about five seconds, automatic preset tuning begins.
When Automatic Preset Tuning is complete, the display shows the frequency
of the last preset station.
Notes:
• You can replace a preset station with another FM or AM station manually by simply
following the procedure of the section “Manually presetting stations”.
• If the number of received stations does not reach to E8, the search finishes automatically
after searching all frequencies.
• With this function, only FM stations with sufficient signal strength are stored
automatically. If the station you want to program is weak in signal strength, tune to it in
monaural mode manually, then program it by following the procedure in “Manually
presetting stations”.
■Manually presetting stations
This unit can store up to 40 stations (8 stations x 5 groups). Using this feature, you
can easily tune to any preset station by selecting the preset station number.
1
1
Tune to a station.
2
2
Press MEMORY (MAN’L/AUTO FM).
The MEMORY indicator flashes for about five seconds.
3
3
Turn the Multi jog knob clockwise or counterclockwise to select a preset
station number.
Note:
• You must select a preset station number before the MEMORY indicator goes off
(about five seconds).
Automatic Preset Tuning Options
Before Automatic Preset Tuning begins (within about five seconds), you can set
the preset number from which the unit will store FM stations and the direction in
which the unit will scan for stations.
1 Press PRESET/TUNING to display the colon (:). Then turn the Multi jog knob
to select the preset station number where the first station will be stored. The unit
will stop storing stations if it reaches preset number E8.
2 Press PRESET/TUNING to turn off the colon (:). Then turn the Multi jog knob
counterclockwise to scan for lower frequency stations or clockwise to scan for
higher frequency stations. If you do not turn either direction before Automatic
Preset Tuning begins, the unit will scan for higher frequency stations.
MEMORY
MAN'L/AUTO FM
A-1:FM 89.0 MHz
STEREO
AUTO
MEMORY
D-TV/LD
DVD
CABLE
MD/TAP
E
SAT CD-R
VCR 1 TUNER
VCR2/DVR
CD
V-AUX PHONO
MEMORY
MAN'L/AUTO FM
MEMORY
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
32
4
4
Press MEMORY (MAN’L/AUTO FM).
The station band and frequency appear in the display with the preset group
and number you selected.
5
5
Repeat steps 1 through 4 to store other stations.
You can store up to 40 stations (A1~A8, B1~B8, C1~C8, D1~D8, and
E1~E8).
AM/FM Tuner
MEMORY
MAN'L/AUTO FM
A-1:FM 89.0 MHz
STEREO
MEMORY
D-TV/LD
DVD
CABLE
MD/TAP
E
SAT CD-R
VCR 1 TUNER
VCR2/DVR
CD
V-AUX PHONO
Shows the displayed station has been
programmed to A-1.
Exchanging Preset Stations
You can exchange the stations stored on two preset numbers. The example below
describes the procedure for exchanging the stored stations at preset numbers E1 and
A5.
1
1
Tune to the E1 preset station number.
See “Tuning to Preset Stations.”
2
2
Press and hold PRESET/TUNING (EDIT) for more than 3 seconds.
“E-1” flashes in the display.
3
3
Tune to the A5 preset station number.
See “Tuning to Preset Stations.”
A-5 flashes in the display.
4
4
Press PRESET/TUNING (EDIT) again.
The stations stored at the two preset locations are exchanged.
Notes:
• The memory back-up circuit prevents the stored data from being lost even if this
unit is set to standby mode, the power cord is disconnected from the AC outlet, or
power service is temporarily cut due to power failure. However, if the power is cut
for more than one week, the memory may be deleted.
• Any stored station data existing at a preset number is cleared when you store a new
station at that preset number.
• The reception mode (stereo or monaural) is stored along with the station frequency.
PRESET
/TUNING
EDIT
E-1:FM
A-5:FM
PRESET
/TUNING
EDIT
EDIT E1-A5
STEREO
AUTO
D-TV/LD
DVD
CABLE
MD/TAP
E
SAT CD-R
VCR 1 TUNER
VCR2/DVR
CD
V-AUX PHONO
Shows the exchange of stations is completed.
English
33
Basic Recording
REC OUT allows you to record one source while viewing and/or listening to another source.
Preparations
1
1
Turn on the power to this unit and all connected component.
2
2
Select the source component you want to record using REC OUT.
• To record the current source, set REC OUT to SOURCE/REMOTE.
• To record a source that you do not want to reproduce, set REC OUT to the
source you want to record.
3
3
Start playback (or select a broadcast station) on the source component.
4
4
Start recording on the recording component.
• If you want to listen to another source, and REC OUT is not set to
SOURCE/REMOTE, select the source you want to reproduce with the
INPUT selector and adjust the volume.
Notes:
• Do a test recording before you start an actual recording.
• When this unit’s power is off, you cannot record between other component
connected to this unit.
• Operating BASS and TREBLE, BASS EXTENSION, BALANCE, VOLUME,
and DSP programs do not affect the recorded signal.
■Special considerations when recording DTS
software
The DTS signal is a digital bitstream. Attempting to digitally record the DTS
bitstream will result in noise being recorded. Therefore, if you want to use this unit
to record sources that have DTS signals recorded on them, the following
considerations need to be made.
For DTS encoded LDs, DVDs, and CDs:
Only 2-channel analog audio signals may be recorded as follows:
• LDs:
Set your Laser Disc player’s left and right outputs to the analog soundtrack.
• DVDs:
Use the disc menu to set the DVD player’s mixed 2-channel left and right
audio outputs to the PCM or Dolby Digital soundtrack.
• CDs:
The DTS signal recorded on CDs can only be output as a digital bitstream,
and therefore cannot be recorded.
STANDBY
/ON
REC OUT
VIDEO AUX
VCR 1
SAT
CABLE
D-TV/LD
DVD
SOURCE
/REMOTE
MD/TAPE
CD-R
TUNER
CD
PHONO
VCR 2/DVR
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
34
Advanced Operation
SET MENU Items 35
Operating the SET MENU ..................................................................................... 36
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL) .............................. 37
2. LOW FREQ. TEST ............................................................................................39
3. L/R BALANCE..................................................................................................40
4. HP TONE CTRL (Headphone Tone Control).................................................... 40
5. CENTER GEQ (Center Graphic Equalizer)....................................................... 40
6. INPUT RENAME ..............................................................................................40
7. I/O ASSIGN ....................................................................................................... 41
8. INPUT MODE ................................................................................................... 41
9. PARAMETER INI (Parameter Initialization)....................................................41
10. DOLBY D. SET (Dolby Digital Set) ...............................................................42
11. DTS SET ..........................................................................................................42
12. 6.1/ES AUTO ...................................................................................................42
13. SP DELAY TIME ............................................................................................ 43
14. DISPLAY SET ................................................................................................. 43
15. MEMORY GUARD......................................................................................... 43
16. ZONE 2 SET .................................................................................................... 43
Remote Control Features 44
Using the Remote Control......................................................................................44
Each Component Control Area ..............................................................................46
Setting the Manufacturer Code in the Remote Control..........................................49
Programming a New Remote Control Function..................................................... 50
Using the Macro Feature ........................................................................................51
Changing the Source Name in the Display Window.............................................. 53
Clearing a Learned Function or Macro ..................................................................53
Clearing Learned Functions and Setups................................................................. 54
ZONE 2 55
Connections ............................................................................................................ 55
Remote Control in Zone 2 ...................................................................................... 56
Adjusting the Levels of the Effect Speakers 57
Setting the Sleep Timer 57
English
35
SET MENU Items
The SET MENU consists of sixteen items including the Speaker Set, Center Graphic Equalizer and Parameter Initialization features.
Choose the appropriate item and adjust or select the values as necessary.
Notes:
• You can adjust the items in the SET MENU while reproducing a source.
• We recommend that you adjust the items in the SET MENU while using a video monitor. It is easier to see the video monitor screen than it is to see
the front panel display on this unit while adjusting SET MENU items.
Items
1. SPEAKER SET
1A. CENTER SP
1B. MAIN SP
1C. REAR L/R SP
1D. REAR CT SP
1E. LFE/BASS OUT
1F. FRNT EFCT SP
1G. MAIN LEVEL
2. LOW FREQ. TEST
3. L/R BALANCE
4. HP TONE CTRL
5. CENTER GEQ
6. INPUT RENAME
7. I/O ASSIGN
8. INPUT MODE
9. PARAMETER INI
10. DOLBY D. SET
10A. LFE LEVEL
10B. D-RANGE
11. DTS SET
12. 6.1/ES AUTO
13. SP DELAY TIME
14. DISPLAY SET
15. MEMORY GUARD
16. ZONE 2 SET
Descriptions
Selects the output mode suitable for your Center speaker.
Selects the output mode suitable for your Main speakers.
Selects the output mode suitable for your Rear speakers.
Selects the output mode suitable for your Rear Center speaker.
Selects the output mode for LFE/BASS signal output.
Selects the output mode suitable for your Front Effect speakers.
Selects the output level for your Main channels.
Matches the Subwoofer level with the level of the other speakers.
Adjusts the sound balance for Left and Right channels.
Adjusts the tonal balance of the headphones.
Matches the Center speaker tonal quality with the Main speakers.
Changes the name of the inputs.
Assigns the I/O terminals to the designated input sources.
Selects the initial input mode of the sources.
Initializes the parameters of a group of DSP programs.
Adjusts the output level of the LFE channel for Dolby Digital signals.
Adjusts the dynamic range for Dolby Digital signals.
Adjusts the output level of the LFE channel for DTS signals.
Selects the AUTO mode of Dolby Digital Matrix 6.1 and DTS ES
decoding.
Adjusts the delay time for Center and Rear Center speakers.
Selects the display settings.
Locks DSP program parameters and other SET MENU settings.
Selects the mode of Zone 2.
Setting
LRG / SML / NONE
LARGE / SMALL
LRG / SML / NONE
LRG / SML / NONE
SWFR / MAIN / BOTH
YES / NONE
Normal / –10dB
TEST TONE;
OFF / ON
OUTPUT;
MAIN L/R, MAIN L, CENTER, MAIN R, R
SUR, REAR CT, L SUR, SWFR, FRONT
FREQ.;
35Hz—250Hz
(Wide or narrow band)
L to 0 to R
BASS; –6dB to +3dB
TRBL; –6dB to +3dB
5-band; –6dB to +6dB
Up to eight characters.
Digital I/O, CMPNT input.
AUTO / LAST
1 to 12
SP, HP; –20dB to 0dB
SP, HP; MAX / STD / MIN
SP, HP; –10dB to +10dB
ON / OFF
CENTER; 0ms to 5ms
REAR CNTR; 0ms to 30ms
BLUE BACK; AUTO/OFF
OSD SHIFT; 0 to 10
DIMMER; –4 to 0
OFF / ON
ZONE2 OUT; FIXED / VAR. (variable)
Page
37–39
39
40
40
40
40
41
41
41
42
42
42
43
43
43
43
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
36
SET MENU Items
Operating the SET MENU
Adjustment should be performed with the remote control. Some items require extra steps to change to the desired setting.
1
1
Set PARAMETER/SET MENU to SET MENU.
2
2
Press h or g repeatedly to select an item from the table of SET MENU, then press + or – to enter the setting of that item.
• The last item you adjusted appears on the display.
• Some items have sub items.
3
3
Press + or – to change the setting of the item.
4
4
Press h or g repeatedly or a DSP program button to exit the SET MENU.
PARAMETER / SET MENU
Cursor buttons
SET MENU 1/4
1 SPEAKER SET
≥ 2 LOW FREQ.TEST
3 L/R BALANCE
4 HP TONE CTRL
OSD (On Screen Display)
Front Panel Display
2 LOW FREQ.TEST
≥ TEST TONE………OFF
OUTPUT…MAIN L/R
FREQ.………………88Hz
2 LOW FREQ.TEST
TEST TONE………OFF
or
2 LOW FREQ.TEST
-/+ : Enter
English
37
SET MENU Items
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL)
Use this feature to select suitable output modes for your speaker configuration. You must set the output mode when you use a subwoofer.
■1A. CENTER SP (Center Speaker Mode)
By adding a Center speaker to your speaker configuration, this unit can provide good dialogue localization for many listeners and superior
synchronization of sound and images. The OSD shows a large, small, or no center speaker depending on how you set this item. The initial
setting is “LRG”.
Select the “LRG” (Large) setting if you have a large Center speaker. The entire range of Center channel signals is sent to the Center
speaker.
Select the “SML” (Small) setting if you have a small Center speaker. Center channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have a Center speaker. All of the Center channel signals are directed to the left and right
Main speakers. The “NONE” position provides good dialogue localization for the person sitting in the main listening position.
■1B. MAIN SP (Main Speaker Mode)
The display shows small or large Main speakers depending on how you set this item. The initial setting is “LARGE”.
Select the “LARGE” setting if you have large Main speakers. The entire range of left and right Main channel signals is directed to the
left and right Main speakers.
Select the “SMALL” setting if you have small Main speakers. The Main channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Note:
• When you select the “MAIN” setting for the 1E. LFE/BASS OUT item, the Main channel low frequency signals of 90 Hz and below are directed to the
Main speakers even if you select the “SMALL” setting for the Main speaker mode.
■1C. REAR L/R SP (Rear Speaker Mode)
The OSD shows large, small, or no Rear speakers depending on how you set this item. The initial setting is “LRG”.
Select the “LRG” setting if you have large left and right Rear speakers or if you use a Rear Subwoofer. The entire range of Rear
channel signals is sent to the left and right Rear speakers.
Select the “SML” setting if you have small left and right Rear speakers. Rear channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have Rear speakers.
• In this case, the Rear Center speaker will automatically be set to “NONE” and the 1D. REAR CT SP item will be skipped.
1A CENTER SP
“LRG SML NONE
1A CENTER SP
LRG “SML NONE
1A CENTER SP
LRG SML “NONE
1A CENTER SP
“LRG SML NONE
Large Small None
1B MAIN SP
“LARGE SMALL
1B MAIN SP
LARGE “SMALL
1B MAIN SP
“LARGE SMALL
Large Small
1C REAR L/R SP
“LRG SML NONE
1C REAR L/R SP
LRG “SML NONE
1C REAR L/R SP
LRG SML “NONE
1C REAR L/R SP
“LRG SML NONE
Large Small None
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
38
SET MENU Items
■1D. REAR CT SP (Rear Center Speaker Mode)
By adding a Rear Center speaker to your speaker configuration, this unit can provide more realistic front-to-back and back-to-front
transitions. The initial setting is “LRG”.
Select the “LRG” setting if you have a large Rear Center speaker. The entire range of Rear Center channel signals is sent to the Rear
Center speakers.
Select the “SML” (small) setting if you have a small Rear Center speaker. Rear Center channel low frequency signals of 90 Hz and
below are distributed to speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have a Rear Center speaker. The Rear Center signal is directed to the Rear L/R speakers.
■1E. LFE/BASS OUT (Bass Output Mode)
LFE signals carry low frequency effects when this unit decodes DTS or Dolby Digital signals. Low frequency signals are defined as
90 Hz and below. The initial setting is “BOTH”.
Select the “SWFR” (Subwoofer) setting if you use a Subwoofer. The LFE signals are directed to the Subwoofer.
Select the “MAIN” setting if you do not use a Subwoofer. The LFE signals are directed to the Main speakers.
Select the “BOTH” setting if you use a Subwoofer and you want to mix the Main channel low frequency sound signals with the LFE
signals.
Note:
• The low frequency signals of 90Hz and below from all Main, Center, Rear, and Rear Center channels are directed to the LFE channel when you select
the small speaker setting in items 1A, 1B, 1C, and 1D.
■1F. FRNT EFCT SP (Front Effect Speaker Mode)
This unit uses Front Effect speakers to localize the virtual sound sources of the sound field programs. If you do not use Front Effect
speakers, you can direct the Front Effect signals to the Main speakers.
The OSD shows small or no Front Effect speakers depending on how you set this item. The initial setting is “YES”.
Select the “YES” setting if you use Front Effect speakers.
Select the “NONE” setting if you do not use Front Effect speakers. The Front Effect signals are mixed with the Main channels.
1D REAR CT SP
“LRG SML NONE
1D REAR CT SP
LRG “SML NONE
1D REAR CT SP
LRG SML “NONE
1D REAR CT SP
“LRG SML NONE
Large Small None
1E LFE/BASS OUT
SWFR MAIN“BOTH
1E LFE/BASS OUT
“SWFR MAIN BOTH
1E LFE/BASS OUT
SWFR“MAIN BOTH
1E LFE/BASS OUT
SWFR MAIN“BOTH
Subwoofer Main Both
1F FRNT EFCT SP
“YES NONE
1F FRNT EFCT SP
“YES NONE
1F FRNT EFCT SP
YES “NONE
YES NONE
English
39
SET MENU Items
■1G. MAIN LEVEL
Change this setting if you cannot match the sound volume of the Front, Rear, and Center speakers with the Main speakers because of the
unusually high efficiency performance of the Main speakers. The initial setting is “Normal”.
Select the “Normal” setting if you can match the volume of your effect speakers with the volume of your Main speakers using the
Dolby Surround Test.
Select the “–10dB” setting if you cannot match the volume of your effect speakers with the volume of your Main speakers using the
Dolby Surround Test.
Notes:
• When 96-kHz sampling digital signals are input to this unit, level adjustments in items 1B and 1E are possible, but those in items 1A, 1C, 1D and 1F
are not affected.
• When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1F are not affected.
1G MAIN LEVEL
“Normal -10dB
1G MAIN LEVEL
“Normal -10dB
1G MAIN LEVEL
Normal “-10dB
Normal –10dB
2. LOW FREQ. TEST
Use this feature to adjust the Subwoofer volume so it matches the volume of the other speakers in your configuration. Change the setting
using the remote control while sitting in the main listening position.
1
1
Press + or – to set the TEST TONE to “ON”, and adjust the volume using VOLUME + so you can hear the tone.
2
2
Press g repeatedly to go to OUTPUT and press + or – to select the speaker you want to compare with the Subwoofer.
• If “SUBWOOFER” is selected, test tones above 90 Hz will not be output from the Subwoofer. The test tone will not necessarily be
output from the selected speakers. The output mode of the test tone depends on the settings of the 1. SPEAKER SET items in the
SET MENU.
3
3
Press g repeatedly to go to FREQ. and press + or – to select the frequency you want to use.
4
4
Adjust the Subwoofer volume using the controls on the Subwoofer so it matches the volume of the speaker you are comparing it to.
Notes:
• Do not turn up the VOLUME too high.
• If no test tone is heard, turn off the power and make sure all the necessary hookups are correct.
• When the headphones are connected to this unit, you cannot set the TEST TONE to “ON”.
■About the test tone
The test tone is produced by the tone generator.
The tone generator produces a narrow band of noise centered at a specified
frequency by the band pass filter.
You can change the center frequency from 35 Hz through 250 Hz in one-sixth
octave steps.
You can use the test tone not only for adjusting the subwoofer level, but also for
checking the low frequency characteristics of your listening room. Low frequency
sounds are especially affected by the listener’s position, speaker placement,
subwoofer polarity, and other conditions.
2 LOW FREQ.TEST
TEST TONE………OFF
2 LOW FREQ.TEST
OUTPUT…MAIN L/R
2 LOW FREQ.TEST
FREQ.………………88Hz
2 LOW FREQ.TEST
≥ TEST TONE………OFF
OUTPUT…MAIN L/R
FREQ.………………88Hz
2 LOW FREQ.TEST
TEST TONE…………ON
≥ OUTPUT…MAIN L/R
FREQ.………………88Hz
2 LOW FREQ.TEST
TEST TONE…………ON
OUTPUT…MAIN L/R
≥ FREQ.………………88Hz
35 Hz~250 Hz
Band Pass Filter
Center freq.
Digital Generator
(Wide Band Noise Produced)
NOISE
FREQ.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
40
SET MENU Items
3. L/R BALANCE
Use this feature to adjust the balance of the output level from the right and left main
speakers. Initial setting is the neutral position.
4. HP TONE CTRL (Headphone Tone Control)
Use this feature to adjust the level of bass and treble when you use your headphones.
The initial Setting is 0 dB for both bass and treble.
Select BASS or TRBL and press + or – to change each level. You can adjust
the level from –6 dB to +3 dB.
5. CENTER GEQ (Center Graphic Equalizer)
Use this feature to adjust the built-in five band graphic equalizer so the Center speaker
tone matches that of the left and right Main speakers. You can select the 100 Hz, 300
Hz, 1 kHz, 3 kHz, or 10 kHz frequencies.
1
1
Use g to select a higher frequency and h to select a lower frequency.
2
2
Press + or – to adjust the level of that frequency.
Note:
• You can monitor the Center speaker sound while adjusting this item using the
Dolby Surround test tone generator. Press TEST before starting the procedure
above. “TEST DOLBY SUR.” appears, and the test tone starts alternating among
the speakers. Once you begin the procedure above, the test tone remains at the
Center speaker and you can hear how the sound changes as you adjust the various
frequency levels. To turn off the test tone generator, press TEST repeatedly until
the current DSP program appears.
6. INPUT RENAME
Use this feature to change the name of the input which appears on the OSD or the
front panel display.
1
1
Select the input you want to change the name of by pressing an input button
(or using the INPUT selector).
2
2
Press + or – to blink the underbar for the space or character you want to edit.
3
3
Press h or g to select the character you want to use and + or – to move to the
next one.
• Press g to change the character in the following order, or press h to go in
the reverse order.
A~Z, a space, 0~9, a space, a~z, a space, #, *, +, and so on.
• Follow the procedure above to rename other inputs.
4
4
Press + or – repeatedly to exit the INPUT RENAME mode.
3L R
0
3 L/R BALANCE
LR
0
4 HP TONE
BASS 0dB
4 HP TONE
TRBL 0dB
4 HP TONE CTRL
BASS |
__________
TRBL |
-
--------
+
0dB
5 CENTER
100Hz
5 CENTER GEQ
≥ 100Hz |
300Hz |
1kHz |
3kHz |
10kHz |
-
-------
+
_________
VCR1 -> VCR1
--------
6 INPUT RENAME
VCR1 -> VCR1
--------
English
41
SET MENU Items
7. I/O ASSIGN
Use this feature to designate the input for the COMPONENT jacks (A and B) and DIGITAL INPUT/OUTPUT jacks (1) to (10)* to any
sources you want. Change the setting when there are not enough digital input jacks depending on the source components you are using.
(*(10) can be selected for General, China, and Singapore models only.) Initial settings are shown on the display.
8. INPUT MODE
Use this feature to designate the input mode for sources connected to DIGITAL
INPUT jacks when you turn on this unit.
Select “AUTO” to allow this unit to automatically detect the type of input
signal and select the appropriate input mode.
Select “LAST” to set this unit to automatically select the last input mode used
for that source.
9. PARAMETER INI (Parameter Initialization)
Use this feature to initialize the parameters for each DSP program within a DSP
program group. When you initialize a DSP program group, all of the parameter values
within that group revert to their initial settings.
Press the DSP program group button on the remote control for the DSP
program you want to initialize.
• All of the DSP programs within the selected program group are initialized.
Repeat this step to initialize other DSP program groups.
Notes:
• The asterisk (*) mark next to a DSP program group number indicates that you have
changed the parameter values in one or more DSP programs within that group.
• The parameter values of the DSP programs do not change if you initialize a
program group that does not have the asterisk (*) mark.
• When the MEMORY GUARD function is set to “ON”, you cannot initialize any
program groups.
• You cannot initialize the individual DSP programs within a group separately.
Caution:
• Once you initialize a DSP program group, you cannot have this unit revert the
parameter values back to the previous settings automatically.
■7A. For the
COMPONENT
VIDEO INPUT jacks
[A] and [B]
■7B. For the
OPTICAL OUTPUT
jacks (1) and (2)
■7C. For the
OPTICAL INPUT
jacks (3) to (7)
■7D. For the
COAXIAL INPUT
jacks (8) to (10)*
7A CMPNT-V INPT
[A]………… DVD
7A CMPNT-V INPUT
≥ [A]………… DVD
[B]…………D-TV/LD
7B OPTICAL OUT
(1)…………MD/TAPE
7B OPTICAL OUT
≥ (1)…………MD/TAPE
(2)………… CD-R
7C OPTICAL IN
(5)………… DVD
7C OPTICAL IN
≥
(3)………… CD
(4)………… CD-R
(5)………… DVD
(6)…………D-TV/LD
(7)………… SAT
7D COAXIAL IN
(9)………… CABLE
8 INPUT MODE
“AUTO LAST
8 INPUT MODE
>AUTO LAST
9 PARAM. INI
*1234
9 PARAM. INI
5678
9 PARAM. INI
9101112
9 PARAM. INI
*1234
5678
9101112
7D COAXIAL IN
≥
(8)………… CD
(9)………… CABLE
(10)……… LD-RF
*
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
42
SET MENU Items
10. DOLBY D. SET (Dolby Digital Set)
■10A. LFE LEVEL
Use this feature to adjust the output level of the LFE (low frequency effect)
channel when playing back Dolby Digital encoded software. This setting is
effective only when this unit decodes Dolby Digital signals. The LFE signal carries
the low frequency special effect sound which is only added to certain scenes.
You can adjust the levels from 0 dB to –20 dB.
• Adjust the LFE levels according to the capacity of your subwoofer or
headphones.
■10B. D-RANGE (Dynamic Range)
Use this feature to adjust the dynamic range. This setting is effective only when
this unit decodes Dolby Digital signals.
Select the “MAX” setting for feature films.
Select the “STD” (Standard) setting for general use.
Select the “MIN” setting for listening to sources at extremely low volume
levels.
11. DTS SET
■11. LFE LEVEL
Use this feature to adjust the output level of the LFE (low frequency effect)
channel when playing back DTS encoded software. This setting is effective only
when this unit decodes DTS signals. The LFE signal carries the low frequency
special effect sound which is only added to certain scenes.
You can adjust the levels from –10 dB to +10 dB.
• Adjust the LFE level according to the capacity of your subwoofer or
headphones.
12. 6.1/ES AUTO
Use this feature to switch the DOLBY Digital Matrix 6.1 and DTS ES AUTO mode
on or off.
Select “ON” to allow the main unit to automatically turn on the Dolby Digital
Matrix 6.1 or DTS ES decoder when the software with identification signal is
detected.
Select “OFF” if you want to control the mode manually by pressing 6.1/ES
on the remote.
10A LFE LEVEL
SP………………0dB
10A LFE LEVEL
SPEAKER………………0dB
HEADPHONE…………0dB
≥
10B D-RANGE
SP:“MAX STD MIN
10B D-RANGE
SP:>MAX STD MIN
HP:>MAX STD MIN
≥
11 LFE LEVEL
SP………………0dB
11 LFE LEVEL
SPEAKER………………0dB
HEADPHONE…………0dB
≥
12 6.1/ES AUTO
“ON OFF
12 6.1/ES AUTO
>ON OFF
English
43
SET MENU Items
13. SP DELAY TIME
Use this feature to adjust the delay of the Center and the Rear Center channel sounds.
This feature works when this unit decodes DTS or Dolby Digital signals. Ideally, the
Center speaker and the Rear Center speaker should be the same distance from the
main listening position as the left and right Main speakers. However, in most home
situations, the Center speaker or the Rear Center speaker is placed in line with the
Main speakers or the Rear speakers. By delaying the sound from the Center speaker
and the Rear Center speaker, the apparent distance from the Center speaker and the
Rear Center speaker to the main listening position can be adjusted to make it seem the
same as the distance between the left and right Main speaker, and the left and right
Rear speakers to the listening position. Adjusting the delay time for the Center
speaker is especially important for giving depth to the dialogue.
You can adjust the delay time from 0 ms to 5 ms for the Center speaker and
from 0 ms to 30 ms for the Rear Center speaker.
• Increasing the delay 1 ms simulates moving the speakers about 30 cm (one
foot) farther away from the listening position.
14. DISPLAY SET
■BLUE BACK > AUTO/OFF
You can set the OSD background to blue if the video source is not being
reproduced (or the power of the source component is off).
■OSD SHIFT
This setting is used to adjust the vertical position of the OSD.
■DIMMER
You can adjust the brightness of the front panel display.
15. MEMORY GUARD
Use this feature to prevent accidental changes to DSP program parameter values and
other settings on this unit.
Select “ON” to use MEMORY GUARD to protect the following features:
• DSP program parameters
• All SET MENU items
• Front, Rear Center speaker and Subwoofer levels
• The On-Screen Display mode
Notes:
• When MEMORY GUARD is “ON”, you cannot use any of the test modes.
• When MEMORY GUARD is “ON”, you cannot select any other SET MENU item.
13 SP DLY TIME
CENTER………………0ms
13 SP DELAY TIME
CENTER………………0ms
REAR CNTR………3ms
≥
14 DISPLAY SET
BLUE BACK……AUTO
14 DISPLAY SET
BLUE BACK………AUTO
OSD SHIFT………………0
DIMMER………………………0
≥
15 MEMORY GUARD
“OFF ON
15 MEMORY GUARD
>OFF ON
16. ZONE 2 SET
Select ZONE2 OUT to change the setting of the ZONE 2 output volume.
Select “FIXED” when you don’t want to change the volume of output to
ZONE 2 with the remote control.
Selecting “VAR.” allows you to control the volume output to ZONE 2 with
the remote control.
16 ZONE2 SET
FIXED VAR.
16 ZONE2 SET
“FIXED VAR.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
44
Remote Control Features
The remote control can operate not only the main unit but also other Yamaha and other manufactures’ audio and video components by using
the Learning function and other manufactures’ code settings. The Macro feature also improves the operability of this unit allowing you to
program a series of operations in sequence onto a single button.
Using the Remote Control
<Main Unit Control Area>
The main unit control area is the shaded area shown below. It is for
controlling this unit. You can use functions within this area no
matter which component control area is selected.
<Component Control Area>
The component control area is the shaded area shown below. Each
component has different functions for operation buttons in the
component control area. The component, which was chosen by
pressing an input button, can be controlled and the display window
shows the corresponding name of the input.
Å button and
input buttons
10KEY/DSP
(DSP is selected)
Å button and input
buttons switch the
control area for
each component
10KEY/DSP
(10KEY is selected)
There are 14 component control areas. You can setup the
manufacturer code and program other remote control functions in
each area (Cannot setup the manufacturer code in the OPTN area).
English
45
Remote Control Features
■SOURCE SELECT
You can control another component independently from the input you selected by
pressing an input button.
1
1
Press SOURCE SELECT h or g to choose a component and set the remote
control to be used for it.
2
2
The display window will show one of the following: V-AUX, TAPE,
PHONO, TUNER, MD, CD, VCR 1, VCR 2, DVD, CD-R, CABLE (Cable
TV), SAT (Satellite TV), A, TV/LD (digital and regular TV/LD player),
OPTN (Option).
■About OPTN
OPTN is an extra component control area to be programmed with other remote
control functions. (You cannot setup the manufacturer code in this area.)
■Light up function
The buttons which are active and the display window light up for 10 seconds after
pressing LIGHT.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
46
■TUNER button (Tuner area)
■MD/TAPE button (MD area*
1
)
*1 When operating a Tape Deck, set the manufacturer code for
TAPE before using the remote control.
Remote Control Features
Each Component Control Area
The general operational buttons are shown for each area. Some of them may not function depending on the component you have.
POWER
(Set 10KEY)
Preset number 1 to 8
Preset group A through E from left.
Preset group A/B/C/D/E
Preset +/–
■CD button (CD area)
■CD-R button (CD-R area)
POWER
REC/PAUSE
DISPLAY
SEARCH
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
(Set 10KEY)
POWER
DISPLAY
SEARCH
STOP
PLAY
CLEAR
INDEX
Skip Search
PAUSE (/Stop)
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
DISC +/– (Disc Skip)
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
(Set 10KEY)
POWER
REC/PAUSE
DISPLAY
SEARCH
SOUND
STOP
PLAY
PAUSE
INDEX
Skip Search
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
(Set 10KEY)
Skip Search
English
47
Remote Control Features
■PHONO and V-AUX buttons, and OPTN
area*
2
*2 Operational buttons do not work without setting the manufacturer
code for the source component.
■D-TV/LD button (TV area*
3
)
*3 Set the manufacturer code for TV before using the remote
control. When operating a LD player, set the manufacturer code
for LD before using the remote control.
When LD is selected, TV cannot be operated. Set TV code in
PHONO button if necessary.
(Set 10KEY)
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
DISPLAY
POWER
TV INPUT
TV MUTE
TV VOL +/–
CH +/–
You can control your VCR, if you
have set up the code for VCR1.
Numeric buttons 1 to 9
Numeric button 10 or 0
Enter
(Set 10KEY)
■DVD button (DVD area)
■VCR1 and VCR2/DVR button (VCR
areas*
4
)
*4 Set the manufacturer code for VCR before using the remote
control.
TITLE
SOUND
SEARCH
PLAY
PAUSE
STOP
CLEAR
POWER
MENU
DISPLAY
Menu cursor/ENTER
Return
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
Disc Skip
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
Title/index
STOP
PLAY
PAUSE
TV/VIDEO
POWER
CH +/–
Rewind/Fast Forward
REC (Press twice)
Numeric buttons 1 to 9
Numeric button 10 or 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
Skip Search
(Set 10KEY)
(Set 10KEY)
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
48
Remote Control Features
■CABLE and SAT buttons (CABLE and
SAT areas*
5
)
*5 Set the manufacturer code for Cable TV Tuner and Satellite
Tuner before using the remote control.
POWER
MENU
DISPLAY
CH +/–
Menu cursor/ENTER
You can control your VCR, if you
have set up the code for VCR1.
Numeric buttons 1 to 9
Recall
Numeric button 0
Enter
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
■Å button (ex. LD area*
6
)
*6 You can control other components that are not connected to this
unit. (“Å” cannot be used as an Input selector.)
POWER
STOP
PLAY
PAUSE
CLEAR
DISPLAY
SEARCH
SOUND
CHAPTER +/– (Chapter Search)
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
Chapter/Time
(Set 10KEY)
(Set 10KEY)
English
49
Setting the Manufacturer Code in the Remote Control
You can control other components by setting a manufacturer code. A code can be set up in each component control area except for the OPTN
area. The Yamaha code is factory preset for DVD, CD-R, CD, MD, TUNER, and Å (LD code). There is no factory preset code on VCR1,
VCR2/DVR, V-AUX, PHONO, TAPE, CABLE, SAT.
1
1
Select the source component you want to preset by using the
input buttons.
2
2
Press and hold LEARN for about three seconds using a
ballpoint pen or similar object.
3
3
Use h/g to select the name of your component’s
manufacturer.
• You will find the names of most audio-video
manufacturers worldwide in alphabetical order on the
display window.
4
4
Press POWER (or any other button) on the remote control
while pointing it at the component to check if you have set
up the code correctly. If the component cannot be controlled
by the remote control, try entering another code for the same
manufacturer.
5
5
Press LEARN to confirm the preset.
• If you want to preset another code for another component
immediately, press ENTER and repeat steps 1 to 4.
Note:
• If you have already programmed a remote control function to a button, the function takes priority over the set up manufacturer code’s function.
■Controlling a different component from the source component (input) you selected
1
1
Repeat steps 1 and 2 of the procedure in “Setting the
Manufacturer Code in the Remote Control”.
2
2
Select a Library (component category) by using q/w.
• There are 13 Libraries to set up a manufacturer code;
L:TV, L:CAB (CABLE), L:DBS, L:SAT, L:VCR,
L:DVD, L:LD, L:CD, L:MD, L:TAP (TAPE), L:TUN
(TUNER), L:CDR, *L:AMP.
3
3
Repeat steps 3 and 4 of the procedure in “Setting the
Manufacturer Code in the Remote Control”.
About amplifier libraries (L:AMP)
L:AMP has 4 codes: YPC, Zone2, DSP, and No. “YPC” or “Zone2” should be selected to operate this unit. “DSP” is for operating
YAMAHA DSP amplifiers other than this unit. “No” is to clear this unit control area functions. (“YPC” is factory-set as the amplifier
library. When you make up a second audio-video room with this unit’s Zone 2 feature, you must set “Zone2” as the amplifier library in
the remote control.)
Note:
• “ERROR” appears in the display window in the following conditions: when pressing a button other than the cursor and ENTER; when pressing more
than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
Remote Control Features
Flashes
alternately
LEARN
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
50
Programming a New Remote Control Function
If you desire to program functions not included in the basic operations covered by the manufacturer code, or a manufacturer code is not
available, the following procedure needs to be performed. The possible programming area is the same as a component control area, so
buttons are programmable independently for each source component area. It is also possible to program in the main unit control area.
1
1
Place this remote control and the other remote control about
5 to 10 cm (2 to 4 in.) apart on a flat surface so that their
infrared transmitters are aimed at each other.
2
2
Select a source component.
3
3
Press LEARN using a ball point pen or similar object.
Do not press and hold LEARN longer than three seconds.
Otherwise this unit enters the Setting the Manufacture Code
mode.
4
4
Press and release the button where you want the new
function to be programmed.
5
5
Press and hold the button on the other remote control that
has the function you want to program into this remote
control until “OK” appears in the display window.
• “NG” appears in display window when programming is
not done correctly. Repeat step 4 until “OK” appears in
the display.
6
6
Repeat Steps 4 and 5 to program additional functions.
7
7
Press LEARN again to exit the Learn mode.
Notes:
• If you do not press any button within 30 seconds, the learning process is canceled.
• This remote control transmits infrared rays. If the other remote control also uses infrared rays, this remote control can learn most of the other remote
control’s functions. However, you may not be able to program some special signals or extremely long transmissions. (Refer to the operation instructions for
the other remote control.) When the memory is full, “FULL” appears in the display window, and this remote control cannot acquire any more functions.
Clear unnecessary programmed functions to allow the unit to acquire new functions.
• Even if the batteries in the other remote control have enough power to transmit signals for operation, they may not have enough power to transmit signals to
this remote control.
• When the remote controls are either too close together or too far apart, you may not be able to program this remote control.
• Direct sunlight interferes with infrared rays.
• “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
5~10 cm (2 to 4 in.)
LEARN
Flashes
alternately
LEARN
Remote Control Features
English
51
Remote Control Features
Using the Macro Feature
The Macro feature makes it possible to perform a series of operations by pressing just one button. For example, when you want to play a CD,
normally you would turn on the components, select the CD input, and press the play button to start playback. Using the Macro feature, you
can perform all those operations by simply pressing the CD macro button. The macro buttons (the input buttons and SYSTEM POWER /
STANDBY) are factory preset with macro programs. You can also program your own macros.
*1 In order to turn on some Yamaha components connected to this unit, connect those components to AC OUTLETS on the rear panel.
*2 If the macro you select includes power on/off functions, the component may turn off if it is already on when you press the macro button. For example, if
your TV is on and you press the SYSTEM POWER macro button, the TV turns off.
*3 The components for which playback can be started are any YAMAHA remote control-compatible MD recorders, CD players, CD recorders, and DVD
players. When using macros to operate components other than these or non-YAMAHA components, it is either necessary to learn the PLAY button on the
control area of that component or to setup a manufacturer code.
(ex) Press a Macro button Automatically transmits signals of each button sequentially
(CD Area*
3
)
Macro button First Second
—————
—————
Third
—————
—————
—————
—————
—————
—————
—————
—————
—————
(D-TV Area*
2
)
(MD/TAPE Area*
3
)
(DVD Area*
3
)
(VCR1 Area*
3
)
(VCR2/DTR Area*
3
)
(CD-R Area*
3
)
*
1
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
52
Remote Control Features
■Operating the Macro feature
1
1
Set MACRO ON/OFF to ON.
2
2
Press a Macro button.
Notes:
• When you are finished using the Macro feature, set MACRO
ON/OFF to OFF.
• While the main unit is carrying out a macro program, the main
unit does not receive any other button’s function until the
macro is complete (the TRANSMIT indicator stops flashing).
• Continue to aim the remote control at the component the macro
is operating until the macro program is complete.
■Programming a Macro
You can use the Macro feature to transmit many remote control commands by pressing a single button.
1
1
Press MACRO using a ball point pen or similar object.
• If you do not initiate the procedure within 30 seconds, the
macro programming process is canceled.
2
2
Press the macro button on which you want to program the
Macro.
• If you want to change the source component, use
SOURCE SELECT h/g or input buttons. When you use
input buttons, input is selected as a Macro step, whereas
SOURCE SELECT h/g only changes the component.
• The display window shows the button you chose for
programming the macro and the component name in
alternation.
3
3
Press the buttons of the functions that you want to include in
the macro sequence in order.
• You can set up to 10 Macro steps (10 functions).
(ex)
1
MCR 1 : DVD input
2
MCR 2 : DVD y
3
MCR 3 : DVD w
4
4
Press MACRO again when the sequence you want to
program is complete.
• After you set 10 steps, “FULL” is displayed.
Notes:
• “NG” appears in the display window when programming is not done correctly.
• “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
MACRO ON/OFF
Macro buttons
MACRO
Flashes
alternately
1
2
3
Flashes
alternately
indicates the number
of macrosteps you
entered
MACRO
English
53
Remote Control Features
Changing the Source Name in the Display Window
1
1
Select the source component you want to rename by using
the input buttons.
2
2
Press RE-NAME using a ballpoint pen or similar object.
3
3
Use the cursor buttons h/g to select a character.
• Pressing g changes the character in the following order:
A~Z, a~z, 0~9, space, -(hyphen), /(slash).
4
4
Use the cursor buttons q/w to enter a character or move to
the next cursor postion.
5
5
Press RE-NAME to confirm renaming.
• If you want to rename another source component
immediately, press ENTER and repeat steps 1, 3 and 4.
Clearing a Learned Function or Macro
1
1
Select the source component that you want to clear on the
window by using input buttons.
2
2
Press LEARN if you want to clear a learned function, or
press MACRO to clear a programmed macro, using a ball
point pen or similar object.
3
3
Press and hold CLEAR using a ball point pen or similar
object, and at the same time press the button from which you
want to clear the learned function or macro for about 3
seconds.
• “C:NG” appears in the display window if the operation is
unsuccessful. Should this occur, try doing step 3 again.
You can clear other learned functions and macros at this
time by continuing to hold down CLEAR and pressing the
other buttons on which those learned functions or macros are
programmed.
4
4
Press LEARN again to confirm clearing a learned function,
or press MACRO again to confirm clearing a programmed
macro.
• Once you clear a learned function or macro from a button,
the button reverts to its factory preset function or macro.
RE-NAME
MACRO
LEARN
Flashes
alternately
or
or
CLEAR
Flashes
alternately
While pressing
MACRO
LEARN
or
RE-NAME
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
54
Remote Control Features
Clearing Learned Functions and Setups
1
1
Press CLEAR using a ballpoint pen or similar object.
2
2
Press h/g to select the mode to be cleared. The mode is
shown in the window in the following order:
(L: name of a component) Clears all learning functions of
the component.
Clears all learning functions of the main unit control area.
Clears all learning functions.
Clears all macros.
Clears all renamed displays in the display window.
Clears all programmed functions including manufacturer
code presets. This returns to the factory presets.
3
3
Press and hold CLEAR again for about 3 seconds.
• “C:NG” appears in the display window if the operation is
unsuccessful.
4
4
Press CLEAR to confirm clearing.
• Once you clear a learned function or macro from a button,
the button reverts to its factory preset function or macro.
Notes:
• If the remote control is without batteries for more than twenty minutes, or if worn out batteries remain in the unit, the contents of the memory may be
cleared. When the memory is cleared, insert new batteries and program any acquired functions that may have been cleared.
• “ERROR” appears in the display window for the following conditions: when pressing a button other than the cursor and ENTER; when pressing more
than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
CLEAR
CLEAR
CLEAR
For example, when DVD is selected as
the source component.
English
55
ZONE 2
You can make up a multi-room audio-video system with this unit. With this feature, you can set this unit to reproduce separate input sources
in the main room and in a second (Zone 2) room using the supplied remote control in the second room.
Only analog signals are sent to the second room. For any source you wish to listen to in the second room, you must connect the analog output
from the source to the corresponding analog input on this unit.
Connections
To use the multi-room functions of this unit, you need several additional components:
• Since there are so many ways to connect and use this unit in a multi-room installation, we recommend that you consult with a custom
installation specialist for the Zone 2 connections which will best meet your requirements.
• Some Yamaha models are able to connect directly to the REMOTE OUT jacks of this unit. If you own these products, you may not need
to use an infrared emitter. Up to six Yamaha components can be connected as shown.
■A sample of system configuration and connections
■Special considerations when using DTS software
The DTS signal is a digital bitstream. Therefore, if you attempt to send the DTS signal to Zone 2, you will only be able to hear the digital
noise sound that could damage your loudspeakers.
Due to this characteristic of DTS encoded discs, the following considerations and adjustments need to be made.
For DTS encoded LDs or DVDs
Only 2-channel audio signals may be sent to Zone 2, as follows:
• LDs – Set your Laser Disc player’s left and right outputs to the analog sound track.
• DVDs – Use the disc menu to set the DVD player’s mixed 2-channel left and right audio outputs to PCM or Dolby Digital.
For DTS encoded compact discs
DO NOT USE the Zone 2 feature with DTS encoded compact discs.
OUT IN OUT IN Remote OUT
This unit
VIDEO SIGNAL ZONE 2 OUT
AUDIO SIGNAL
ZONE 2 OUT
Second RoomMain Room
DVD Player
(or other component)
Infrared emitter
This unit
Remote control
(in the Zone 2 mode)
Infrared signal receiver
Amplifier
Video
monitor
REMOTE OUT REMOTE IN
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
56
Remote Control in Zone 2
In the second room (Zone 2), the supplied remote control can be used for the Zone 2 remote control. You can select the input source and
control the component which is located in the main room directly from the second room regardless of the listening condition in the main
room.
Before starting the following procedure, set REC OUT/ZONE 2 on the front panel to the SOURCE/REMOTE position.
1
1
Press an input button to select the source component you
want to set up.
2
2
Press and hold LEARN for about 3 seconds by using a
ballpoint pen or similar object.
“SETUP” and the selected component name appear
alternately in the display window.
3
3
Press q/w to select “L:AMP”.
4
4
Press / to select “ZONE 2”.
5
5
Press LEARN to complete the Zone 2 setup.
6
6
Press SOURCE SELECT to display “Zone2” in the
display window.
7
7
Press an input button to select the input source you want to
listen to in the second room.
The display window shows “2: (name of selected input)” if
the remote control is in the Zone 2 mode.
8
8
You can control the component by using the component
control area buttons.
Note:
• VOLUME +/– can be used to adjust the volume if you set the
SET MENU item 16. ZONE2 SET, ZONE2 OUT to “VAR.”.
Press SOURCE SELECT / to exit from the Zone 2
mode.
ZONE 2
Flashes
alternately
LEARN
LEARN
English
57
Adjusting the Levels of the Effect Speakers
You can adjust the volume level of each effect speaker (Center, Right Rear, Rear Center, Left Rear, Front Effect, and Subwoofer) while
listening to a music source.
1
1
Set PARAMETER/SET MENU to PARAMETER.
2
2
Press LEVEL to select the speaker(s) you want to adjust.
Each time you press this button the selected speaker changes and appears in
the front panel display only as follows: Center, Right Rear, Rear Center, Left
Rear, Front Effect speakers, and Subwoofer
3
3
Adjust the speaker volume level using the + or – on the remote control.
You can adjust the Center, Right Rear, Rear Center, Left Rear, Front Effect
speakers from +10 dB to –10 dB.
You can adjust the Subwoofer from 0 dB down to –20 dB.
Notes:
• You cannot adjust the left and right speakers independently.
• When you adjust the speaker level using LEVEL, the settings you made using the
Dolby Surround Test and DSP Test change.
• When PARAMETER/SET MENU is set to SET MENU, you cannot adjust the
speaker level using LEVEL. However, each time you press LEVEL the current
level setting of each speaker appears. Select the speaker level you want to check
using h or g.
• When the headphones are connected to this unit, the levels of the effect speakers
cannot be adjusted.
Setting the Sleep Timer
Use this feature to automatically turn off the main unit after the amount of time you set. The Sleep Timer is useful when you plan to fall
asleep while the main unit is reproducing or recording a source. The Sleep Timer also automatically turns off external components connected
to AC OUTLETS. The Sleep Timer can only be set using the remote control.
■To set the sleep timer
1
1
Select a source using the INPUT selector and start playback (or select a
broadcast station) on the source component.
2
2
Press SLEEP repeatedly to set the amount of time before the main unit
automatically turns off.
Each time you press SLEEP, the front panel display changes as shown below.
After a few seconds the display returns to the previous indication.
■To cancel the sleep timer
1
1
Press SLEEP repeatedly until “SLEEP OFF” appears in the front panel
display.
After a few seconds, the display returns to the previous indication.
Note:
• The Sleep Timer setting can also be canceled by turning off the main unit using
STANDBY on the remote control (or STANDBY/ON on the front panel) or by
disconnecting the AC Power Cord from the AC outlet.
EFFECT LEVEL
CENTER 0dB
EFFECT LEVEL
R SUR. 0dB
EFFECT LEVEL
REAR CT 0dB
EFFECT LEVEL
L SUR. 0dB
EFFECT LEVEL
FRONT 0dB
EFFECT LEVEL
SWFR 0dB
Center
Right Rear
Rear Center
Left Rear
Front
Subwoofer
SLEEP 120 min SLEEP 90 min
SLEEP OFF SLEEP 30 min SLEEP 60 min
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
58
Additional Information
Digital Sound Field Processing (DSP) 59
Understanding Sound Fields .................................................................................. 59
Hi-Fi DSP Programs............................................................................................... 60
CINEMA-DSP 61
Sound Design of CINEMA-DSP............................................................................ 61
CINEMA-DSP Programs ....................................................................................... 62
DSP Parameter 64
Changing Parameter Settings .................................................................................64
Parameter Descriptions .......................................................................................... 64
Resetting to the Factory Preset Value ....................................................................67
English
59
Digital Sound Field Processing (DSP)
Understanding Sound Fields
A sound field is defined as the “characteristic sound reflections of a particular space.”
In concert halls and other music venues, we hear early reflections and reverberations
as well as the direct sound produced by the artist(s). The variations in the early
reflections and other reverberations among the different music venues is what gives
each venue its special and recognizable sound quality.
Yamaha sent teams of sound engineers all around the world to measure the sound
reflections of famous concert halls and music venues, and collect detailed sound field
information such as the direction, strength, range, and delay time of those reflections.
Then we stored this enormous amount of data in the ROM chips of this unit.
■Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the
virtual sound sources in your listening room. The traditional stereo system that uses
only two speakers is not capable of recreating a realistic sound field. Yamaha’s DSP
requires four effect speakers to recreate sound fields based on the measured sound
field data. The processor controls the strength and delay time of the signals output
from the four effect speakers to localize the virtual sound sources in a full circle
around the listener.
The DSP sound field programs can be classified in two types based on the sound field
processing method: programs that use early reflections only and programs that use
both early reflections and reverberation.
■E/R (Early Reflection)
Each sound field is distinguished by the structure of the reflected sound. The increased processing capability of DSP technology enables
Yamaha engineers to incorporate even minute reflections with long delay times into the sound field data.
■4ch REV. (Four Channel Reverberation)
This type of program consists of early reflections and high quality digital reverberation processing. Reverberation is the most important
element for recreating the sound field of a church, for example. To recreate a realistic spatial sound image from reverberation data, Yamaha
has adapted the four-channel-output reverberation technology.
■Illustration of the virtual sound sources and echo patterns
The virtual sound sources and echo patterns for the DSP sound field programs are shown below. The illustration of the virtual sound sources
shows early reflection sound only and the illustration of the echo patterns shows both reflected sound and reverberation.
RL
FR
RR
FL
Virtual Sound Sources
The center of these circles represents the virtual
sound source.
The size of the circle indicates the strength of the
virtual sound source.
The direct sound source
The listening position
Echo Patterns
Direct sound source
Early
reflections Reverbration
50~80 mSec
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
60
Hi-Fi DSP Programs
Concert Hall 1 Program Group 1
Concert Hall 2 Program Group 2
Church Program Group 3
Jazz Club Program Group 4
Rock Concert Program Group 5
Entertainment Program Group 7
■Europe Hall A
This is a large fan-shaped concert hall with approximately 2500
seats. There is relatively little reflection from the walls, and
sound spreads finely and beautifully.
■Europe Hall B
A classic shoe-box type concert hall with approximately 1700
seats. Pillars and ornate carvings create extremely complex
reflections which produce a very full, rich sound.
■U.S.A. Hall C
This is a large 2600 seat concert hall in the United States which
features a fairly traditional European design. The middle and
high frequencies are richly and beautifully reinforced.
■Live Concert
A large round concert hall with a rich surround effect.
Pronounced reflections from all directions emphasize the
extension of sounds. The sound field has a great deal of presence,
and your virtual seat is near the center, close to the stage.
■Freiburg
This program recreates the acoustic environment of a big church
located in south Germany. The reverberation delay is very long
while the early reflections are smaller than with other sound field
programs.
■Royaumont
This program features the sound field created by the refectory
(dining hall) of a beautiful medieval Gothic monastery located in
Royaumont on the outskirts of Paris.
■Village Gate
This is the sound field at a jazz club in New York. It is in a
basement and has a relatively spacious floor area. The listener’s
virtual seat is at the center left of the hall.
■The Bottom Line
This is the sound field at stage front in “The Bottom Line”, a
famous New York jazz club. The floor can seat 300 people to the
left and right in a sound field offering a real and vibrant sound.
■Roxy Theatre
The ideal program for lively, dynamic rock music. The data for
this program was recorded at LA’s “hottest” rock club. The
listener’s virtual seat is at the center-left of the hall.
■Arena
A classic shoe-box type concert hall. This program gives you
long delays between direct sounds and effect sounds, with the
extraordinarily spacious feel of a large arena.
Stadium Program Group 6
■Anaheim
This program gives you the long delays and extraordinarily
spacious feel of a stadium that is no less than 990 feet (300
meters) in diameter.
■Bowl
This program gives you the feel of an outdoor stadium with the
typical bowl-shaped seating arrangement.
■Disco
This program recreates the acoustic environment of a lively disco
in the heart of a big city. The sound is dense and highly
concentrated.
■8ch Stereo
This is a sound field suitable for background music at parties
where you can hear the sound directly from the rear as well.
The number of speakers to output depends on SPEAKER SET in
SET MENU.
Digital Sound Field Processing (DSP)
English
61
CINEMA-DSP
Sound Design of CINEMA-DSP
Filmmakers intend the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and
the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen.
CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS,
Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide the surround sound
field. It recreates the most complete movie sound design in your audio room. In CINEMA-DSP sound field programs, Yamaha’s exclusive
DSP processing is added to the right and left Main and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth
transition between sound sources, and a surround sound field that goes beyond the screen.
When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound
field program for that signal.
■Movie theater programs
The six-channel soundtracks found on 70 mm film produce precise sound field localization and rich, deep sound without using matrix
processing. This unit’s Movie Theater 70 mm Programs provide the same quality of sound and sound localization that six-channel
soundtracks do. The built-in Dolby Digital decoder brings the professional quality sound designed for movie theaters into your home. With
this unit’s Movie Theater program, you can recreate a dynamic sound that gives you the feeling of being at a public theater in your living
room using the Dolby Digital technology.
Dolby Pro Logic + DSP sound field effect
These programs express an immense sound field and a large surround effect. They
also give depth to the sound from the Main speakers to recreate the realistic sound
of a Dolby Stereo theater.
Dolby Digital/DTS + DSP sound field effect
These programs use Yamaha’s tri-field DSP process on each of the Dolby Digital
or DTS signals for the front, Left surround, and Right surround channels. This
processing enables this unit to reproduce the immense sound field and surround
expression of a Dolby Digital or DTS equipped movie theater without sacrificing
the clear separation of all channels.
Dolby Digital Matrix 6.1/DTS ES + DSP sound field
effect
These programs provide you the maximum experience of the spacious surround
effects since an extra rear center DSP sound field created from the Rear Center
channel is added.
L SURROUND SOUND FIELD
R SURROUND SOUND FIELD
AV ROOM
PRESENCE SOUND FIELD
DIALOG EFFECT MUSIC
Presence DSP sound
field
Surround DSP sound
field
Presence DSP
sound field
Left surround DSP
sound field
Right surround DSP
sound field
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
62
CINEMA-DSP Programs
According to the input signal format, this unit automatically chooses the appropriate decoder and DSP sound field pattern.
Table of Program Names for Each Input Format
* The Matrix decoder is ON.
■Program groups 7 (Game)~9
These are sound field programs for audio-video sources.
■Program groups 10~12
Ideal for reproducing a movie program which is encoded with Dolby Surround, Dolby Digital, or DTS. When the newest movie program
encoded with 6-channel Digital Surround is input, you can enjoy the full 6.1 channel reproduction using the internal Matrix decoder.
PRO LOGIC functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in two channels.
DOLBY DIGITAL functions when the input signal is encoded with Dolby Digital in more than two channels.
DTS DIGITAL SUR functions when the input signal is encoded with DTS.
Note:
• No sound will be output from the Main speakers when a monaural source is played with sound field Program Groups 7 (Game) and 8–12.
CINEMA-DSP
Input
Program
Group
7
8
9
10
11
12
ENTERTAINMENT
CONCERT VIDEO
TV THEATER
MOVIE THEATER 1
MOVIE THEATER 2
PRO LOGIC
DOLBY DIGITAL
DTS DIGITAL SUR
Stereo
(2ch)
Game
Classical/Opera
Pop/Rock
Mono Movie
Variety/Sports
70 mm Spectacle
70 mm Sci-Fi
70 mm Adventure
70 mm General
Normal
Enhanced
–––––––
–––––––
–––––––
–––––––
DOLBY DIGITAL
(5.1ch)
–––––––
–––––––
–––––––
–––––––
–––––––
DGTL Spectacle
DGTL Sci-Fi
DGTL Adventure
DGTL General
–––––––
–––––––
Normal
Enhanced
–––––––
–––––––
DTS
(5.1ch)
–––––––
–––––––
–––––––
–––––––
–––––––
DTS Spectacle
DTS Sci-Fi
DTS Adventure
DTS General
–––––––
–––––––
–––––––
–––––––
Normal
Enhanced
DOLBY DIGITAL
(6.1ch)*
–––––––
–––––––
–––––––
–––––––
–––––––
Spectacle 6.1
Sci-Fi 6.1
Adventure 6.1
General 6.1
–––––––
–––––––
Matrix 6.1
Enhanced 6.1
–––––––
–––––––
DTS ES
(6.1ch)*
–––––––
–––––––
–––––––
–––––––
–––––––
Spectacle ES
Sci-Fi ES
Adventure ES
General ES
–––––––
–––––––
–––––––
–––––––
ES
Enhanced ES
English
63
CINEMA-DSP
Concert Video Program Group 8
TV Theater Program Group 9
Movie Theater 1 Program Group 10
Movie Theater 2 Program Group 11
Dolby/DTS Surround Program Group 12
■Classical/Opera
This program provides excellent vocal depth and overall clarity
by restraining excessive reverberation.
The surround sound field is relatively moderate but it reproduces
beautiful sound using data collected from a concert hall.
■Pop/Rock
This program produces an enthusiastic atmosphere and lets you
feel as if you are at an actual jazz or rock concert.
■Mono Movie
This program is provided for reproducing monaural video
sources (such as old movies). The program produces the
optimum reverberation to create sound depth using only the
presence sound field.
■Variety/Sports
Though the presence sound field is relatively narrow, the
surround sound field employs the sound environment of a large
concert hall. With this program, you can enjoy watching various
TV programs such as news, variety shows, music programs, or
sports programs.
■Spectacle
This program creates the extremely wide sound field of a 70 mm
movie theater. It precisely reproduces the source sound in detail,
making both the video and the sound fields incredibly real. This
program is ideal for any kind of Dolby Surround video source
(especially large-scale movie productions).
■Sci-Fi
This program clearly reproduces the broad and expansive
cinematic space from the soundtracks of the latest science fiction
films.
■Adventure
This program is ideal for precisely reproducing the sound design
of the newest 70 mm and multichannel soundtrack films. The
sound field is made to be similar to that of the newest movie
theaters, so the reverberations of the sound field itself are
restrained as much as possible.
■General
This program is for reproducing sounds from 70 mm and
multichannel soundtrack films, and is characterized by a soft and
extensive sound field. The presence sound field is relatively
narrow. It spatially spreads all around and toward the screen,
restraining the effect of conversations without losing clarity.
■Normal/Matrix 6.1/ES
The built-in decoder precisely reproduces sounds and sound
effects from sources. The highly efficient decoding process
improves crosstalk and channel separation and makes sound
positioning smoother and more precise.
In this program, no DSP effect is applied.
■Enhanced/6.1/ES
This program ideally simulates the multiple surround speaker
systems of 35 mm film theaters. The Dolby Surround decoding
and the digital sound field processing create precise effects
without altering the original sound orientation. The surround
effects produced by this sound field wrap around the viewer
naturally from the back to the left and right and toward the
screen.
Entertainment Program Group 7
■Game
This program adds a deep and spatial feeling to video game
sounds.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
64
DSP Parameter
You can enjoy good quality sound with the preset parameters. Although you do not have to change the initial settings, you can change some
of the parameters to better suit the input source or your listening room.
Changing Parameter Settings
1
1
Set PARAMETER/SET MENU to PARAMETER on the remote control.
2
2
Turn on your video monitor and press ON SCREEN to select the full display.
3
3
Select the sound field program you want to adjust.
4
4
Press g or h to select the parameter.
5
5
Press + or – to change the parameter value.
When you set the parameter to a value other than the factory preset value, an
asterisk mark appears by the parameter name on the monitor screen.
6
6
Repeat steps 3 through 5 above as necessary to change other program
parameters.
Parameter Descriptions
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room. Not all
of the following parameters are found in every program.
INIT. DLY (Initial Delay)
[P. INT. DLY for the presence sound field] Control Range 1 – 99 msec
Function.............. This parameter changes the apparent distance from the source sound by adjusting the delay between the direct sound
and the first reflection heard by the listener.
Description ......... The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther the apparent
distance seems. For a small room, this parameter would be set to a small value, and for a large room, it would be set to
a large value.
P05 ROCK CONCERT
Roxy Theatre
≥ INIT.DLY…………15ms
LIVENESS…………………5
REV.TIME…………1.6s
REV.DELAY……100ms
REV.LEVEL……………7%
Program No. Program Name
Program Type (subprogram)
Cursor Parameters
Example using the ROCK CONCERT program
Level
Level
Time Time Time
INIT.DLY INIT.DLY INIT.DLY
Sound Source
Reflection Face
Small value = 1 ms Large value = 99 ms
Sound Source
Early
Reflections
Level
English
65
ROOM SIZE
[P. ROOM SIZE for the presence sound field] Control Range 0.1 – 2.0
Function .............. This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the surround sound
field becomes.
Description ......... As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between the original
reflected sound and the subsequent reflections. By controlling the time between the reflected sounds, you can change
the apparent size of the virtual venue. Changing this parameter from one to two, doubles the apparent length of the
room.
LIVENESS Control Range 0 – 10
Function .............. This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the early reflections
decay.
Description ......... The early reflections of a sound source decay much faster in a room with acoustically absorbent wall surfaces than in
one which has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as “dead,” while a
room with highly reflective surfaces is referred to as “live.” The LIVENESS parameter lets you adjust the early
reflection decay rate, and thus the “liveness” of the room.
S. DELAY (Surround Delay) Control Range 0 – 49 msec (The range depends on the signal format.)
Function .............. This parameter adjusts the delay between the direct sound and the first reflection in the surround sound field.
S. INIT. DLY (Surround Initial Delay) Control Range 1 – 49 msec
Function .............. This parameter adjusts the delay between the direct sound and the first reflection on the surround side of the sound
field. You can only adjust this parameter when at least two front channels and two rear channels are used.
S. ROOM SIZE (Surround Room Size) Control Range 0.1 – 2.0
Function .............. This parameter adjusts the apparent size of the surround sound field.
DSP Parameter
Level
Level
Level
Time Time Time
Sound Source
Early
Reflections
Sound Source
Small value = 0.1 Large value = 2.0
Level
Level
Time Time
Sound Source
Small Reflected
Sound
Small value = 0 Large value =10
Sound Source
Dead
Level
Large
Reflected Sound
Live
Time
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
66
S. LIVENESS (Surround Liveness) Control Range 0 –10
Function.............. This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
RC. INIT. DLY (Rear Center Initial Delay) Control Range 1 – 49 msec
Function.............. This parameter adjusts the delay between the direct sound and the first reflection in the rear center sound field.
RC. ROOM SIZE (Rear Center Room Size) Control Range 0.1 – 2.0
Function.............. This parameter adjusts the apparent size of the rear center sound field.
RC. LIVENESS (Rear Center Liveness) Control Range 0 – 10
Function.............. This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field.
REV. TIME (Reverberation Time) Control Range 1.0 – 5.0 sec
Function.............. This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by 60 dB (at
1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range.
Description ......... Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time for “live”
sources and listening room environments.
REV. DELAY (Reverberation Delay) Control Range 0 – 250 msec
Function.............. This parameter adjusts the time difference between the beginning of the direct sound and the beginning of the
reverberation sound.
Description ......... The larger the value, the later the reverberation sound begins. A later reverberation sound makes you feel like you are
in a larger acoustic environment.
DSP Parameter
60 dB 60 dB 60 dB
Reverberation
Sound Source
Reverberation
REV. TIME REV. TIME REV. TIME
Sound Source
Short
Reverberation
Long
Reverberation
Small value = 1.0 s Large value = 5.0 s
(dB)
60 dB
Level
Sound Source
Reverberation
REV.
DELAY
REV TIME
Time
Early Reflections
English
67
DSP Parameter
REV. LEVEL (Reverberation Level) Control Range 0 – 100 %
Function .............. This parameter adjusts the volume of the reverberation sound.
Description ......... The larger the value, the stronger the reverberation becomes.
CT. DELAY (Center Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
LS. DELAY (Left Surround Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
RC. DELAY (Rear Center Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
RS. DELAY (Right Surround Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
FL. DELAY (Front Left Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
FR. DELAY (Front Right Delay) Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
Level
Sound Source
REV. LEVEL
Time
Resetting to the Factory Preset Value
■To reset a parameter to the factory preset value
Select the parameter you want to reset. Then, press and hold + or – until the value stops at the factory preset value temporarily. (The
asterisk mark by the parameter name disappears on the video monitor.)
■To reset all of the parameters back to the factory preset values
Use the SET MENU to reset all of the parameter values of all DSP programs within the selected group to the factory preset values. This
operation resets all of the parameter values of all DSP programs within that group to the factory preset values.
Notes:
• The available parameters may be displayed on more than one OSD page for some of the programs. To scroll through pages, press g or h.
• When “MEMORY GUARD!” appears on the screen, the Memory Guard function is on, and you cannot change parameter values. Turn off the
Memory Guard function using the SET MENU.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
68
Appendix
Troubleshooting 69
Specifications 73
English
69
Troubleshooting
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the
instruction below does not help, turn the power off, disconnect the power cord, and contact your dealer or the nearest Yamaha Audio
Products Service Department.
After this unit is exposed to strong external electric shock (such as lightning and large static electricity) or you mishandle the operation of
this unit, it may not function properly. In these cases, turn the power off, unplug the power cord, plug it back in after 30 seconds, and start
operating.
General
Problem
The unit fails to turn on when
STANDBY/ON is pressed, or
returns to standby mode
suddenly soon after the power is
turned on.
Hum
No sound or no picture
No picture
No sound is coming from one
side.
The volume level cannot be
increased very much when
adjusting VOLUME.
The sound suddenly goes off.
No sound is coming from the
Effect speakers.
No OSD on the video monitor.
Possible Cause
The power cord is not plugged in or is not
completely inserted.
IMPEDANCE SELECTOR on the rear panel
is not set correctly.
The protection circuitry has been activated.
There is a faulty cable connection.
No connection from the turntable to the GND
terminal.
The volume is turned down.
Faulty or incorrect input or output connection.
Incorrect input source.
This unit is set to DTS input mode.
Digital signals other than PCM audio, Dolby
Digital, or DTS encoded signals are input to this
unit by playing a CD-ROM, etc.
The source component is connected to this unit
using an S-video cable, but there is no S-video
connection between this unit and your video
monitor.
There is a faulty cable connection.
MUTE is on.
The component connected to the MD/TAPE
OUT or CD-R OUT jacks of this unit is turned
off.
The protection circuitry has been activated
because of short circuit etc.
The SLEEP timer came on.
The sound is muted.
The effect is off.
A Dolby Surround or DTS decoding sound field
program is being used with material not encoded
with Dolby Surround or DTS.
DISPLAY OFF is selected.
BLUE BACK is OFF at DISPLAY SET.
What to Do
Plug in the power cord securely.
Set the switch completely to either position
(depending on your speakers) while this unit is in
standby mode.
Make sure all speaker wire connections on this unit
and on all speakers are secure and that the wire for
each connection does not touch anything other than
its respective connection.
Connect the audio plugs securely. If the problem
persists, the cords may be defective.
Connect the grounding cord of your turntable to the
GND terminal of this unit.
Turn up the volume.
Connect the component correctly. If the problem
persists, the cords may be defective.
Select the appropriate input source with the INPUT
selector.
Press INPUT MODE to select another input mode
Play a source whose signals this unit can reproduce.
Connect this unit’s S VIDEO MONITOR OUT
terminal to the TV’s S-video input terminal or
disconnect the S-video cable from the source
component.
Connect all cables securely. If the problem persists,
the cords may be defective.
Turn VOLUME to minimum, press MUTE to
restore audio, and adjust the volume again.
Turn on the power to the component.
Check that the IMPEDANCE SELECTOR switch
is set to the appropriate position and then turn the
unit back on.
Check that the speaker wires are not touching each
other and then turn the unit back on.
Cancel the SLEEP timer function.
Press MUTE or any operation buttons of this unit to
cancel a mute and adjust the volume.
Press EFFECT to turn on the effect sound.
Select another sound field program.
Select “Full Display” or “Short Display”.
Select “AUTO”.
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
70
Troubleshooting
Problem
No sound is coming from the
Front Effect speakers.
No sound is coming from the
Center speaker.
No sound is coming from the
Rear Effect speakers.
No sound is coming from the
Subwoofer.
Poor bass reproduction.
The volume level cannot be
increased, or sound is distorted.
DSP parameters and some other
settings on this unit cannot be
changed.
This unit does not operate
properly.
A source cannot be recorded by
a tape deck or VCR connected to
this unit.
CHECK SP WIRES!" appears
on the display.
There is noise from a nearby TV
or tuner.
The sound is degraded when
listening with the headphones
connected to a CD player or
cassette deck that is connected
to this unit.
“INPUT DATA ERROR”
appears on the display and no
sound is heard.
Possible Cause
PRO LOGIC/Normal, DOLBY DIGITAL/
Normal or DTS DIGITAL SUR./Normal of DSP
program 12 is selected.
The front level is set to minimum.
The 1F. FRNT EFCT item in the SET MENU is
set to “NONE”.
The 1A. CENTER SP item in the SET MENU is
set to “NONE”.
One of the Hi-Fi DSP sound field programs (1
to 7 (except “Game”)) is selected.
The input signals of a source encoded with
Dolby Digital or DTS do not include center
channel signals.
The right and left Rear speaker levels are set to
minimum.
A monaural source is played with sound field
program 12.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “MAIN” when a Dolby Digital
or DTS encoded software is played.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SWFR” or “MAIN” when 2-
channel encoded software is played.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SWFR” or “BOTH” and your
system does not include a subwoofer.
The output mode selection for each channel
(MAIN, CENTER, or REAR) in the SET
MENU does not match your speaker
configuration.
The power to the component connected to the
REC OUT jacks of this unit is off.
The 15. MEMORY GUARD item in the SET
MENU is set to “ON”.
The internal microcomputer has been frozen by
an external electric shock (such as lightning or
excessive static electricity) or by a power supply
with low voltage.
The source unit is connected to this unit using
digital jacks only.
Speaker cables are short circuited.
This unit is too close to the affected component.
The power to this unit is off.
A non-standard source is played back, or the
component playing back the source is not
operating correctly.
What to Do
Select another sound field program.
Adjust the Front Effect speaker level.
Select “YES”.
Select the appropriate mode for your Center
speaker.
Select another sound field program.
Refer to the instructions for the source currently
playing.
Increase the right and left Rear speaker levels.
Select another sound field program.
Select “SWFR” or “BOTH”.
Select “BOTH”.
Select “MAIN”.
Select the appropriate output mode for each channel
based on the size of the speakers in your
configuration.
Turn on the power to the component.
Select “OFF”.
Disconnect the AC power cord from the outlet, then
plug it in again after about one minute.
Make additional connections to the analog jacks.
Make sure all speaker cables are connected
correctly.
Move this unit farther away from the affected
component.
Turn on the power to this unit.
Check the source, or turn off the source component,
then turn it on again.
English
71
Troubleshooting
Tuner
Problem
FM stereo reception is noisy.
There is distortion and clear
reception cannot be obtained
even with a good FM
antenna.
A desired station cannot be
tuned in with the automatic
tuning method.
Previously preset stations
can no longer be tuned in
using preset tuning.
A desired station cannot be
tuned in with the automatic
tuning method.
There are continuous
crackling and hissing noises.
There are buzzing and
whining noises (especially in
the evening).
Possible Cause
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input
is poor.
There is multipath interference.
The station is too weak.
This unit has been unplugged for a long period.
Weak signal or loose antenna connections.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
component.
A television set is being used nearby.
What to Do
Check the antenna connections.
Try using a high quality directional FM antenna.
Set TUNING MODE to the manual tuning mode.
Adjust the antenna orientation to eliminate
multipath interference.
Use the manual tuning method.
Use a high quality directional FM antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna connections and
adjust the antenna’s orientation for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire.
This will help somewhat but it is difficult to
eliminate all the noises.
Relocate this unit away from the TV.
FMAM
IntroductionPreparationsBasic Operation
Advanced
Operation
Additional
Information
Appendix
72
Remote Control
Problem
The remote control does not
work.
The remote control does not
function properly.
The remote control does not
“learn” new functions. (The
TRANSMIT indicator does not
light up or flash.)
Continuous functions such as
volume are learned, but operate
only for a moment before
stopping.
Possible Cause
The batteries are dead.
The internal microcomputer has “frozen”.
Wrong distance or angle.
Direct sunlight or lighting (such as an inverter
type of fluorescent lamp) is striking the remote
control sensor of this unit.
The internal microcomputer has “frozen”.
The batteries of this remote control and/or the
other remote control are too weak.
The distance between the two remote controls is
too far or near.
The signal coding or modulation of the other
remote control is not compatible with this
remote control.
Memory capacity is full.
The internal microcomputer has “frozen”.
The learning process is incomplete.
What to Do
Replace the batteries with new ones and press
RESET inside the battery compartment.
Press RESET inside the battery compartment.
The remote control will function within a maximum
range of 6 m (20 feet), no more than 30 degrees off-
axis from the front panel.
Change the position of this unit.
Press RESET inside the battery compartment.
Replace the batteries (and press RESET inside the
battery compartment).
Place the remote controls at the proper distance.
Learning is not possible.
Further learning is not possible without deleting
unnecessary functions.
Press RESET inside the battery compartment.
Be sure to press and hold the function button on the
other remote control until TRANSMIT begins
flashing slowly.
Troubleshooting
English
73
Specifications
Audio Section
Minimum RMS Output Power
20 Hz to 20 kHz, 0.02% THD, 8 ohms
Main L/R, Center, Rear L/R, Rear Center......................100 W
1 kHz, 0.05% THD
Front L/R ..........................................................................25 W
<General and China models>
Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms
Main L/R, Center, Rear L/R, Rear Center......................135 W
Front L/R ..........................................................................35 W
DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms, Main L/R ................................160 W
IEC Output Power
1 kHz, 0.015% THD, 8 ohms, Main L/R ............................115 W
Dynamic Power (IHF)
8/6/4/2 ohms, Main L/R ................................ 140/170/220/320 W
Damping Factor
20 Hz to 20 kHz, 8 ohms, Main L/R ..........................200 or more
Power Band Width
50 W, 0.08% THD, 8 ohms, Main L/R ............... 10 Hz to 50 kHz
Frequency Response
CD to Main L/R..................................... 10 Hz to 100 kHz, –3 dB
Total Harmonic Distortion
20 Hz to 20 kHz, 50 W, 8 ohms, Main L/R ...................... 0.015%
Signal to Noise Ratio (IHF-A Network)
CD (250 mV input shorted) to Main L/R, Effect Off.........100 dB
PHONO (5 mV input shorted) to Main L/R, Effect Off
[U.S.A., Canada, General and China models] ......................86 dB
[Australia and Singapore models] ........................................82 dB
Residual Noise (IHF-A Network)
Main L/R ................................................................ 150 µV or less
Channel Separation (1 kHz/10 kHz)
CD (5.1k terminated) to Main L/R ............................ 60 dB/45 dB
Tone Control (Main L/R)
BASS Boost/Cut......................................................±10 dB/50 Hz
TREBLE Boost/Cut...............................................±10 dB/20 kHz
Bass Extension ..........................................................+6 dB/60 Hz
Phones Output .......................................................150 mV/100 ohms
Input Sensitivity
CD etc. ..............................................................150 mV/47 kohms
Phono.................................................................2.5 mV/47 kohms
Main In ....................................................................1 V/47 kohms
Output Level
REC OUT ...........................................................150 mV/1 kohms
PRE OUT ...............................................................1 V/1.2 kohms
SUB WOOFER ......................................................4 V/1.2 kohms
ZONE 2 OUT .........................................................1 V/1.5 kohms
Video Section
Video Signal Type
[U.S.A. and Canada models] ............................................... NTSC
[Australia and Singapore models] .......................................... PAL
[General and China models]....................................... NTSC/PAL
Composite Video Signal Level................................. 1 Vp-p/75 ohms
S-Video Signal Level
Y .......................................................................... 1 Vp-p/75 ohms
C ................................................................... 0.286 Vp-p/75 ohms
Component Video Signal Level
Y .......................................................................... 1 Vp-p/75 ohms
PB/CB, PR/CR ..................................................... 0.7 Vp-p/75 ohms
Signal to Noise Ratio.................................................................50 dB
Frequency Response (MONITOR OUT)
Composite, S-Video ..................................5 Hz to 10 MHz –3 dB
Component .................................................. DC to 30 MHz –3 dB
FM Section
Tuning Range
[U.S.A. and Canada models] ........................... 87.5 to 107.9 MHz
[Others]........................................................ 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF, 100% mod.)
Mono/Stereo ........................ 2.0 µV (17.3 dBf) /25 µV (39.2 dBf)
Selectivity (400 kHz).................................................................70 dB
Signal to Noise Ratio (IHF)
Mono/Stereo .............................................................. 76 dB/70 dB
Harmonic Distortion (1 kHz)
Mono/Stereo .................................................................0.2%/0.3%
Stereo Separation (1 kHz) .........................................................45 dB
Frequency Response ............................. 20 Hz to 15 kHz +0.5, –2 dB
AM Section
Tuning Range
[U.S.A. and Canada models] ...............................530 to 1710 kHz
[General and China models] ............... 530/531 to 1710/1611 kHz
[Australia and Singapore models] .......................531 to 1611 kHz
Usable Sensitivity ............................................................... 300 µV/m
General
Power Supply
[U.S.A. and Canada models] .............................. AC 120 V/60 Hz
[Australia model]................................................ AC 240 V/50 Hz
[Singapore model] .............................................. AC 230 V/50 Hz
[General and China models] .... AC 110/120/220/240 V, 50/60 Hz
Power Consumption ...................................................480 W/630 VA
Standby Mode.......................................................................1.5 W
AC Outlets (Total 100W /1A maximum) .......................3 (Switched)
[Australia model]....................................................... 1 (Switched)
Dimension (W x H x D)
...................... 449 x 191 x 468 mm (17-5/8" x 7-1/2" x 18-7/16")
Weight ....................................................................... 22 kg (48.5 lbs)
Accessories ................................................................Remote Control
Batteries
AM Loop Antenna
Indoor FM Antenna
Quick Reference Guide
Side Panel Sticker
[U.S.A., Canada, and Singapore models].............. Power Cord
* Specifications are subject to change without notice.
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Japan V652420-1
Quick Reference Card
■ Remote Control ■ TUNER button (TUNER area) ■ CD button (CD area)
■ MD/TAPE button (MD area) ■ CD-R button (CD-R area)
V655120
Infrared window
CLEAR
RE-NAME
TRANSMIT
STANDBY
SYSTEM POWER
Display
Source selector
LIGHT
Operational buttons
10 KEY/DSP
Operational buttons
LEVEL
ON SCREEN
SLEEP
TEST
LEARN
MACRO
MACRO ON/OFF
A
button
Input buttons
6CH INPUT
Sound program selector/
Numeric buttons
MUTE
VOLUME +/–
EFFECT
PARAMETER/SET MENU
Cursor buttons
Cover
POWER
Preset number 1 to 8
Preset group A through E from left.
Preset group A/B/C/D/E
Preset +/–
(Set 10KEY)
POWER
DISPLAY
SEARCH
Skip Search
STOP
PLAY
PAUSE (/Stop)
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
DISC +/– (Disc Skip)
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
CLEAR
INDEX
(Set 10KEY)
POWER
REC/PAUSE
DISPLAY
SEARCH
Skip Search
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
(Set 10KEY)
STOP
PLAY
PAUSE
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
POWER
REC/PAUSE
DISPLAY
SEARCH
SOUND
Skip Search
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
INDEX
(Set 10KEY)
Quick Reference Card
■
PHONO and V-AUX buttons, and OPTN area
■ D-TV/LD button (TV area) ■
CABLE and SAT buttons (CABLE and SAT areas)
■
VCR1 and VCR2/DVR button (VCR areas)
■ DVD button (DVD area)
V655120
■ A button (ex. LD area)
(Set 10KEY)
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
DISPLAY
You can control your VCR, if you have
set up the code for VCR1.
POWER
Numeric buttons 1 to 9
Numeric button 10 or 0
TV INPUT
TV MUTE
TV VOL +/–
Enter
(Set 10KEY)
CH +/–
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric button 10 or 0
TV/VIDEO
POWER
Rewind/Fast Forward
REC (Press twice)
CH +/–
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
POWER
Numeric buttons 1 to 9
Recall
Numeric button 0
MENU
Menu cursor/ENTER
You can control your VCR, if you have
set up the code for VCR1.
DISPLAY
CH +/–
Enter
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
POWER
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
Chapter/Time
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
CLEAR
DISPLAY
SEARCH
SOUND
CHAPTER +/– (Chapter Search)
(Set 10KEY)
(Set 10KEY)
(Set 10KEY)
TITLE
Menu cursor/ENTER
SOUND
Skip Search
SEARCH
PLAY
PAUSE
STOP
Return
(Set 10KEY)
Numeric buttons 1 to 9
CLEAR
Numeric button +10
Numeric button 0
Disc Skip
Title/index
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
POWER
MENU
DISPLAY
Documenttranscriptie
UCA RX-V3000 Natural Sound AV Receiver Ampli-Tuner Audio-Video VOLUME INPUT INPUT MODE NATURAL SOUND AV RECEIVER RX–V3000 STANDBY /ON SPEAKERS A B SOURCE /REMOTE DVD D-TV/LD SILENT SAT VCR 1 VCR 2/DVR VIDEO AUX BASS TREBLE EFFECT PRESET /TUNING FM/AM MEMORY TUNING MODE MD/TAPE CD-R TUNER CABLE BASS PROCESSOR EXTENSION DIRECT PHONES CD 6CH PHONO INPUT REC OUT/ZONE 2 EDIT MAN'L/AUTO FM AUTO/NAN'L MONO S VIDEO VIDEO L AUDIO R OPTICAL DSP PROGRAM VIDEO AUX OWNER'S MANUAL MODE D'EMPLOI IMPORTANT SAFETY INSTRUCTIONS 8 Ventilation – The unit should be situated so that its location or CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. • Explanation of Graphical Symbols 9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat. 10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. 11 Power-Cord Protection – Power-supply cords should be routed The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 13 Nonuse Periods – The power cord of the unit should be WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. 1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to. 4 Follow Instructions – All operating and other instructions should be followed. 5 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. 6 Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer. 6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. CAUTION position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit. 12 Cleaning – The unit should be cleaned only as recommended by the manufacturer. unplugged from the outlet when left unused for a long period of time. 14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit. 15 Damage Requiring Service – The unit should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or exhibits a marked change in performance; or E. The unit has been dropped, or the cabinet damaged. 16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel. 17 Power Lines – An outdoor antenna should be located away from power lines. 18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated. 19 For US customers only: Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. EXAMPLE OF ANTENNA GROUNDING MAST ANTENNA LEAD IN WIRE GROUND CLAMP ANTENNA DISCHARGE UNIT (NEC SECTION 810–20) ELECTRIC SERVICE EQUIPMENT GROUNDING CONDUCTORS (NEC SECTION 810–21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H) NEC – NATIONAL ELECTRICAL CODE FCC INFORMATION (for US customers only) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. Relocate either this product or the device that is being affected by the interference. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. We Want You Listening For A Lifetime YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels. CAUTION CAUTION: READ THIS BEFORE OPERATING THIS UNIT. 1 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2 Install this unit in a well ventilated, cool, dry, clean place with at least 30 cm on the top, 20 cm on the right and left, and 10 cm at the back of this unit for ventilation space — away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. 3 Locate this unit away from other electrical appliances, motors, or transformers to avoid humming sounds. To prevent fire or electrical shock, do not place this unit where it may get exposed to rain, water, and/or any type of liquid. 4 Do not expose this unit to sudden temperature changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury. 5 On the top of this unit, do not place: – Other components, as they may cause damage and/or discoloration on the surface of this unit. – Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury. – Containers with liquid in them, as they may cause electrical shock to the user and/or damage to this unit. 6 Do not cover this unit with a newspaper, tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/ or personal injury. 7 Do not plug in this unit to a wall outlet until all connections are complete. 8 Do not operate this unit upside-down. It may overheat, possibly causing damage. 9 Do not use force on switches, knobs, and/or cords. 10 When disconnecting the power cord from the wall outlet, grasp the plug; do not pull the cord. 18 Before moving this unit, press STANDBY/ON to set this unit in the standby mode, and disconnect the AC power plug from the wall outlet. This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power. FREQUENCY STEP switch (General and China models only) Because the interstation frequency spacing differs in different areas, set FREQUENCY the FREQUENCY STEP switch STEP (located at the rear) according to the FM 50kHz 100kHz frequency spacing in your area. AM 9kHz 10kHz Be sure to change the setting of this switch with the AC supply lead of this unit disconnected from the AC outlet. For CANADIAN CUSTOMERS To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with Canadian ICES003. DOLBY D I G I T A L Manufactured under license from Dolby Laboratories. “Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992-1997 Dolby Laboratories, Inc. All rights reserved. 11 Do not clean this unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 12 Only the voltage specified on this unit must be used. Using this unit with a higher voltage than specified is dangerous and may cause fire, damage to this unit, and/or personal injury. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified. 13 To prevent damage by lightning, disconnect the power cord from the wall outlet during an electrical storm. 14 Take care of this unit so that no foreign objects and/or liquid drops inside this unit. 15 Do not attempt to modify or fix this unit. Contact qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons. 16 When not planning to use this unit for long periods of time (i.e. vacation), disconnect the AC power plug from the wall outlet. 17 Be sure to read the “Troubleshooting” section on common operating errors before concluding that this unit is faulty. CAUTION Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround” and “DTS ES” are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved. English Contents Introduction 2 Getting Started .......................................................................................................... 3 Controls and Functions ............................................................................................. 4 Preparations 8 Speaker System Configurations ............................................................................... 9 Hookups ................................................................................................................. 10 On-Screen Displays (OSD) .................................................................................... 19 Speaker Placement ................................................................................................. 20 Speaker Settings ..................................................................................................... 21 Speaker Output Levels ........................................................................................... 22 Basic Operation 24 Basic Playback ....................................................................................................... 25 AM/FM Tuner ........................................................................................................ 29 Basic Recording ..................................................................................................... 33 Advanced Operation 34 SET MENU Items .................................................................................................. 35 Remote Control Features ........................................................................................ 44 ZONE 2 .................................................................................................................. 55 Adjusting the Levels of the Effect Speakers .......................................................... 57 Setting the Sleep Timer .......................................................................................... 57 Additional Information 58 Digital Sound Field Processing (DSP) ................................................................... 59 CINEMA-DSP ....................................................................................................... 61 DSP Parameter ....................................................................................................... 64 Appendix 68 Troubleshooting ..................................................................................................... 69 Specifications ......................................................................................................... 73 1 Introduction Preparations Introduction Basic Operation Welcome to the exciting world of digital home entertainment. This unit is the most complete and advanced AV receiver available. Though some of the more advanced features of this unit may not be familiar to you, they are easy to use. Incorporated state-of-the-art technology such as Dolby Digital and DTS can bring the same audio experience to your home as they have brought to feature films in quality theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater. Features Dolby Digital and DTS decoder Dolby Digital Matrix 6.1/DTS ES decoder Digital Sound Fields (DSP) Advanced Operation CINEMA-DSP: Dolby Digital + DSP and DTS + DSP Virtual CINEMA DSP and HP CINEMA DSP Multi-function remote control Additional Information Built-in 8-channel power amplifier Getting Started 3 Appendix Checking the Package Contents ............................................................................... 3 Installing Batteries in the Remote Control ............................................................... 3 Using the Remote Control ........................................................................................ 3 Controls and Functions 4 Front Panel ............................................................................................................... 4 Display Indicators .................................................................................................... 5 Rear panel ................................................................................................................. 6 Remote Control ........................................................................................................ 7 2 Getting Started English Checking the Package Contents Check your package to make sure it has the following items. Alkaline Batteries (3) (LR6) R L Side Panel Sticker AM Loop Antenna FM Antenna (Australia and Singapore models only) Quick Reference Card ■ Remote Control ■ TUNER button (TUNER area) ■ CD button (CD area) Infrared window POWER LEARN MACRO CLEAR RE-NAME TRANSMIT STANDBY SYSTEM POWER A DISPLAY SEARCH Skip Search STOP PLAY PAUSE (/Stop) Numeric buttons 1 to 9 (Set 10KEY) MACRO ON/OFF button POWER Input buttons Preset number 1 to 8 6CH INPUT Display Preset group A through E from left. Source selector CLEAR Numeric button +10 Numeric button 0 Preset group A/B/C/D/E LIGHT DISC +/– (Disc Skip) Operational buttons Preset +/– 10 KEY/DSP INDEX (Set 10KEY) Sound program selector/ Numeric buttons ■ MD/TAPE button (MD area) MUTE TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. ■ CD-R button (CD-R area) VOLUME +/– Operational buttons EFFECT LEVEL ON SCREEN PARAMETER/SET MENU Cursor buttons SLEEP TEST Cover REC/PAUSE POWER REC/PAUSE POWER DISPLAY SEARCH Skip Search STOP PLAY PAUSE DISPLAY SEARCH SOUND Skip Search STOP PLAY PAUSE Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button +10 Numeric button 0 (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. Remote Control Numeric button +10 Numeric button 0 INDEX (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. V655120 Quick Reference Guide Power Cord (U.S.A. and Canada models only) Power Cord (Singapore model only) FM Antenna (U.S.A., Canada, China, and General models only) When finding it difficult to fit this unit onto the shelf, remove the side panels after removing the screws tightened on the side panels. Put this sticker to cover the screw holes after tearing off the back side of the sticker. Installing Batteries in the Remote Control Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity illustrations (+ and –) inside the battery compartment. Change the batteries periodically. Do not use old batteries together with new ones. Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different types of batteries may have the same shape and color. ■ About changing batteries Reset button As the batteries wear out, the operating range of the remote control decreases and the TRANSMIT indicator does not flash or its light becomes dim. When you notice any of these conditions, change all of the batteries. Notes: • If the remote control is without batteries for more than 20 minutes, or if worn out batteries remain in the unit, the contents of the memory may be cleared. If the memory is cleared, insert new batteries and reprogram any functions that may have been cleared. • After you insert new batteries, be sure to push RESET in the battery compartment using a ball point pen or similar object before using the remote control. (This does not clear the contents of the memory.) Using the Remote Control The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main unit to operate. When the sensor is covered or there is a large object between the remote control and the main unit, the sensor cannot receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a fluorescent or strobe light). In this case, change the direction of the light or reposition the main unit to avoid direct lighting. ■ About handling the remote control VOLUME INPUT INPUT MODE NATURAL SOUND AV RECEIVER RX–V3000 STANDBY /ON SPEAKERS A B SOURCE /REMOTE DVD D-TV/LD SILENT SAT VCR 1 VCR 2/DVR VIDEO AUX BASS 30° TREBLE EFFECT FM/AM MEMORY TUNING MODE MD/TAPE CD-R TUNER CABLE BASS PROCESSOR EXTENSION DIRECT PHONES PRESET /TUNING CD 6CH PHONO INPUT REC OUT/ZONE 2 30° EDIT MAN'L/AUTO FM AUTO/NAN'L MONO S VIDEO VIDEO L AUDIO R OPTICAL DSP PROGRAM VIDEO AUX Approximately 6m (20 feet) Handle the remote control with care. Do not spill water or other liquids on the remote control. Do not drop the remote control. Do not leave or store the remote control in the following types of conditions: • high humidity or temperature such as near a heater, stove or bath; or • dusty places; or • in places subject to extremely low temperatures. 3 Introduction Controls and Functions Front Panel When you are not operating the controls behind the front panel door, close the door. To open the door, press gently on the lower part of the panel. 1 q w 0 e MEMORY TUNED STEREO AUTO Preparations 4 BASS P.DIRECT ZONE 2 SLEEP 3 2 7r9 8 63 5 2 1 5 4 VOLUME INPUT INPUT MODE Basic Operation NATURAL SOUND AV RECEIVER RX–V3000 MEMORY TUNED SPEAKERS A B SOURCE /REMOTE DVD D-TV/LD SILENT SAT BASS PROCESSOR EXTENSION DIRECT VCR 1 VCR 2/DVR VIDEO AUX PHONES BASS Advanced Operation 7 68 9 0 TREBLE q EFFECT VCR2/DVR PRESET /TUNING V-AUX FM/AM CD-R TUNER CD PHONO EDIT MEMORY CD 6CH PHONO INPUT S VIDEO 2 Remote Control Sensor 3 INPUT MODE Selects the type of audio signal for the selected source. 4 INPUT selector Selects a source component. 5 VOLUME Controls the output level of all audio channels. This does not affect the REC OUT level. 6 PHONES Outputs audio signals for private listening using headphones. When you connect headphones, no signals are output to the PREOUT jacks or the speakers. VIDEO L AUDIO R OPTICAL DSP PROGRAM VIDEO AUX w e r Turns this unit on (On mode) and off (Standby mode). When you turn on this unit, you will hear a click and there will be a four to five second delay before this unit can reproduce sound. In Standby mode, this unit consumes a small amount of power to be ready to respond to the remote control. TUNING MODE MAN'L/AUTO FM AUTO/NAN'L MONO REC OUT/ZONE 2 1 STANDBY/ON Additional Information MD/TAPE SAT MD/TAPE CD-R TUNER CABLE Appendix DVD CABLE VCR 1 BASS P.DIRECT ZONE 2 SLEEP 4 D-TV/LD STEREO AUTO STANDBY /ON u i y t o 7 SPEAKERS A/B When SPEAKERS A/B is on, these buttons turn on the set of Main speakers connected to the A and/or B terminals on the rear panel. 8 BASS EXTENSION ON/OFF When BASS EXTENSION is on, this feature boosts the bass frequency of the left and right Main channels by +6dB (60Hz) while maintaining overall tonal balance. This boost is useful if you do not use a subwoofer. However, this boost may not be noticeable if the Main speakers are set to “SMALL” and the bass output mode is set to “SWFR.” 9 PROCESSOR DIRECT ON/OFF When PROCESSOR DIRECT is on, BASS, TREBLE, BALANCE, and BASS EXTENSION are bypassed, eliminating any alteration of the original signal. 0 BASS Adjusts the low frequency response for the left and right Main speaker channels. Turn the control to the right to increase the low frequency response and turn the control to the left to decrease the low frequency response. Controls and Functions q TREBLE w REC OUT/ZONE 2 Selects the source you want to direct to the audio/video recorder. e EFFECT Switches the effect speakers (Center, Front Effect, Rear and Rear Center) on and off. If you turn off the output of these speakers using EFFECT, all DTS and Dolby Digital audio signals are directed to the Main left and right channels except for the LFE channel. r 6CH INPUT Switches between 6CH INPUT mode and normal input modes. 6CH INPUT mode takes priority over the source selected with the INPUT selector. You cannot use DSP sound field programs while using an external decoder. t VIDEO AUX Inputs audio and video signals from a portable external source such as a video camera. To reproduce source signals from these jacks, select V-AUX as the input source. To direct this source to the VCR 1 and VCR 2/DVR output jacks, select VIDEO AUX using REC OUT. English Adjusts the high frequency response for the left and right Main channels. Turn the control to the right to increase the high frequency response. y FM/AM Switches the reception band between FM and AM. u Multi jog knob Selects the tuning frequency in the tuning mode. Selects the preset station after pressing PRESET/TUNING to display a colon (:) in the tuning mode. Selects the DSP program after pressing DSP PROGRAM. i MEMORY (MAN’L/AUTO FM) Stores a station in the memory. o TUNING MODE (AUTO/MAN’L MONO) Switches the tuning mode between automatic and manual. To select the automatic tuning mode, press this button so that the AUTO tuning indicator appears in the front panel display (the STEREO indicator also appears if receiving a stereo broadcast). To select the manual tuning mode, press this button so that the AUTO tuning indicator does not appear. Display Indicators 1 Processor indicators When any function of DTS/VIRTUAL/Dolby Digital/Dolby PROLOGIC/DSP/Dolby Digital Matrix 6.1/DTS ES is operating, its indicator lights up. 2 PCM Lights up when this unit is reproducing PCM (Pulse Code Modulation) digital audio signals. 3 SPEAKERS A/B Lights up according to which set of Main speakers is selected. Both indicators light up when both sets of speakers are selected. 4 Headphones Lights up when headphones are connected. 5 Multi-information display Shows the current DSP program and other information when adjusting or changing settings. 6 Input source Shows the current input source with the arrow-shaped cursor. 8 SLEEP Lights up while the Sleep Timer is on. 9 P. DIRECT Lights up while the PROCESSOR DIRECT is on. 0 STEREO Lights up when the AUTO tuning indicator is on and the unit is receiving a strong signal for an FM stereo broadcast. q MEMORY Flashes to show a station can be saved. w TUNED Lights up when this unit tunes into a station. e AUTO Shows that the Tuner is in Automatic tuning mode. r ZONE 2 Lights up when you select the input source while the remote control is in the Zone 2 mode. 7 BASS Lights up while the BASS EXTENSION is on. 5 Controls and Functions Introduction Rear panel 3 2 e 1 7 5 0 TUNER L R OPTICAL R L CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. AM ANT MD/TAPE – GND R R L FM ANT 75Ω UNBAL. L Preparations REMOTE IMPEDANCE SELECTOR SET BEFORE POWER ON FRONT : 6ΩMIN./SPEAKER REAR : 4ΩMIN./SPEAKER REAR CENTER : 4ΩMIN./SPEAKER : 4ΩMIN./SPEAKER CENTER MAIN A OR B : 4ΩMIN./SPEAKER A + B : 8ΩMIN./SPEAKER FRONT : 8ΩMIN./SPEAKER REAR : 8ΩMIN./SPEAKER REAR CENTER : 8ΩMIN./SPEAKER : 8ΩMIN./SPEAKER CENTER MAIN A OR B : 8ΩMIN./SPEAKER A + B : 16ΩMIN./SPEAKER CENTER ZONE 2 OUT CTRL OUT +5V 100Ω 20mA Basic Operation r q 8t 2 R w L R 9 R L 4 6 9 PRE OUT/MAIN IN jacks 2 Video component jacks 0 AC power cord 4 Speaker terminals 5 AC OUTLETS Use these outlets to supply power to your other audio/video component. 6 IMPEDANCE SELECTOR 7 DIGITAL OPTICAL/COAXIAL jacks 8 6CH INPUT jacks Connect to a power outlet. General, China, and Australia models cannot disconnect the AC power cord from the unit. q GROUND terminal w RS232C/CTRL OUT +5V terminals These are control expansion terminals for Substitute Custom Installation use. Consult your dealer for details. e REMOTE IN/OUT jacks r q RF (AC-3) input jack General, China, and Singapore models only. Appendix Additional Information t ZONE 2 OUT jack 6 (Singapore model) 1 Audio component jacks 3 Antenna input terminals Advanced Operation L Controls and Functions Remote Control 1 2 3 y u English g 9 Operational buttons 4 5 6 k 7 8 i o Performs the operation selected by input selector. 0 Sound program selector/Numeric buttons Selects the sound program. q MUTE Mutes the sound. Press again to restore audio output at the previous volume level. w VOLUME +/– Increases or decreases the volume level. e EFFECT h Switches the effect speakers (Center, Front, Rear, and Rear Center) on and off. r PARAMETER/SET MENU p 0 9 Selects the PARAMETER mode or SET MENU mode. t Cursor buttons q Selects and adjusts DSP program parameters and SET MENU items according to the position of PARAMETER/SET MENU. w e a s d f r t y STANDBY Turns off the power. u SYSTEM POWER Turns on the power. i Display Displays the input or operation status. j o Source selector Selects the source component. p 10 KEY/DSP Selects the numeric button mode or DSP program mode. 1 CLEAR Erases the content of learning. 2 RE-NAME Renames the input name. 3 TRANSMIT Flashes while the remote control is sending signals. 4 LEARN Starts the learning function. 5 MACRO Makes the MACRO setting. 6 MACRO ON/OFF Turns the macro function on and off. 7 Input buttons Selects the input source for playback. 8 6CH INPUT Switches to the 6CH INPUT mode when using an external decoder. a LEVEL Selects the effect speaker channel to be adjusted and sets the level. s ON SCREEN Selects the On-Screen Display mode for your video monitor. d SLEEP Sets the sleep timer. f TEST Outputs the test tone to adjust the speaker levels. g Infrared window h LIGHT Turns the light on or off. When you press this button once, the light turns on for about ten seconds. Press again to turn off the light. j Cover k Å button Switches the control area. 7 Introduction Preparations Basic Operation Advanced Operation Preparations Speaker System Configurations Hookups 9 10 Additional Information Connecting Audio Components ............................................................................. 10 Connecting Video Components ............................................................................. 12 Connecting Speakers .............................................................................................. 14 Connecting Subwoofers ......................................................................................... 16 Connecting an External Decoder ............................................................................ 17 Connecting External Amplifiers ............................................................................. 17 Others ..................................................................................................................... 18 On-Screen Displays (OSD) 19 Appendix OSD Modes ............................................................................................................ 19 Selecting the OSD Mode ........................................................................................ 19 Speaker Placement 20 Speaker Settings 21 Speaker Output Levels 22 Before You Begin ................................................................................................... 22 Dolby Surround Test .............................................................................................. 22 DSP Test ................................................................................................................. 23 8 Speaker System Configurations English The most complete speaker configuration consists of eight speakers: the left and right Main speakers, a Center speaker, the left and right Rear speakers, the left and right Front Effect speakers, and a Rear Center speaker. If you do not use eight speakers, you can direct the signals for speakers that are not in your system to other speakers in your configuration. A Subwoofer can be used with any of these configurations to produce a fuller sound. Front Effect Speakers Rear Speakers Main Speakers Center Speaker Rear Center Speaker Front Subwoofer Rear Subwoofer ■ Eight or Seven Speaker Configuration –Full Cinema DSP– ( ) When you reproduce feature film software, this configuration fully expresses the powerful and realistic sound qualities of 70 mm multitrack audio. The dialogue is positioned as if it were coming from directly on the screen, the sound effect is positioned slightly behind the screen, and the soundtrack music is positioned even further behind the screen to express the width and depth of the overall presentation. This configuration makes the most of this unit’s capability. The Rear Center speaker is useful for playback of 6-channel Digital Surround. ■ Six Speaker Configuration –Hi Fi DSP– This configuration is used the most for audio playback with HiFi DSP. It does not position the dialogue sound as well as a seven or eight speaker configuration. However, it creates a dynamic DSP (Digital Sound Field Processor) sound field which adds depth to the sound. For this speaker configuration, change SET MENU item 1A. CENTER SP to “NONE” and 1D. REAR CT SP to “NONE”. ■ Five Speaker Configuration –Standard 5.1 Channel– This configuration does not express the height of the sound field as well as the seven or eight speaker configuration. However, it positions the dialogue sound as coming directly from the screen. For this speaker configuration, change SET MENU item 1F. FRNT EFCT SP to “NONE” and 1D. REAR CT SP to “NONE”. ■ Four Speaker Configuration –Minimum Requirement– In this configuration, the Center speaker signals and Front Effect speaker signals are directed to the left and right Main speakers. For this speaker configuration, change SET MENU item 1A. CENTER SP to “NONE,” item 1F. FRNT EFCT SP to “NONE,” and item 1D. REAR CT SP to “NONE”. 9 Introduction Hookups Connecting Audio Components Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and determine which jacks are for the left and right channels and for input and output. When you connect other YAMAHA audio component (such as a CD player or changer, MD deck, or tape deck), connect to terminals with the same number labels. Yamaha applies this labelling system to all its products. In the hookup illustrations on the following pages: ■ Connecting to digital jacks Preparations This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, DTS, and Dolby Digital bitstreams. When you connect components to both the COAXIAL and OPTICAL jacks (for CD and CABLE) priority is given to the input signals from the COAXIAL jack. All digital input jacks are acceptable for 96 kHz/24 bit digital signals. ■ About the dust protection cap Basic Operation Pull out the cap from the optical jack before you connect the fiber optic cable. Do not discard the cap. When you are not using the optical jack, be sure to put the cap back in place. This cap protects the jack from dust. The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber optic cable that does not conform to this standard, this unit may not function properly. ■ Connecting a turntable These jacks are for connecting a turntable with an MM or high output MC cartridge. If you have a turntable with a low output MC cartridge, use an inline boosting transformer or MC-head amplifier when connecting to these jacks. The GND terminal does not electrically ground the turntable. It simply reduces noise in the signal. In some cases, you may hear less noise if you do not connect to the GND terminal. ■ Connecting a CD player Advanced Operation • The COAXIAL CD and OPTICAL CD jacks are available for a CD player which has coaxial or optical digital outputs. • When you connect a CD player to both the COAXIAL CD and OPTICAL CD jacks, priority is given to the input signals from the COAXIAL CD jack. ■ Connecting an MD or DAT deck • When you connect a recorder to this unit, keep the deck’s power on while using this unit. If the power is off, this unit may distort the sound from other component. Additional Information • When you record from source component connected to this unit while this unit’s power is off, the recorded sound may be distorted. To avoid this problem, turn on this unit. Appendix • When you connect a CD recorder to both the analog and digital input and output jacks, priority is given to the digital signals. 10 Hookups English OPTICAL INPUT MD/TAPE recorder INPUT OUTPUT L <Analog> R R L (Singapore model) INPUT L OPTICAL INPUT <Digital> <Analog> R OPTICAL OUTPUT L <Analog> <Digital> OUTPUT CD recorder <Analog> R OPTICAL OUT (REC) <Digital> <Digital> OUT (REC) OPTICAL OUTPUT OPTICAL OUTPUT L <Analog> R CD player COAXIAL OUTPUT <Digital> CENTER ZONE 2 OUT CTRL OUT +5V 100Ω 20mA L OUTPUT <Analog> R Turntable GROUND to/from External Amplifier to/from External Controller from External Decoder 11 Hookups Connecting Video Components Introduction Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and determine which jacks are for the left and right channels and for input and output. After you finish all hookups, check them again to make sure they are correct. ■ About the video jacks Preparations There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composite video signals. Video signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals. The S-video signals achieve high quality color reproduction. Video signals input through the COMPONENT VIDEO jacks are separated into luminance (Y) and color difference (PB/CB, PR/CR) video signals. The jacks are also separated into three for each signal. The labels of the component video jacks may be different depending on the component (e.g. Y, CB, CR / Y, PB, PR / Y, B-Y, R-Y/ etc.). Component video signals provide the best quality in picture reproduction. Composite VIDEO jack S VIDEO jack COMPONENT VIDEO jacks If your video component has an S-video output or component video output, you can connect it to this unit. Connect the S-video signal output jack on your video component to the S-VIDEO jack or connect the component signal output jacks on your video component to the COMPONENT VIDEO jacks. Notes: • Each type of video jack works independently. Signals input through the composite video, S-video, and component jacks are output through the corresponding composite video, Svideo, and component jacks respectively. Basic Operation • Use a commercially available S-video cable when connecting to the S VIDEO jacks, and commercially available video cables when connecting to the COMPONENT VIDEO jacks. Appendix Additional Information Advanced Operation • When you are using the COMPONENT VIDEO jacks, check the details in the owner’s manual that came with the component being connected. 12 Hookups English COMPONENT OUTPUT S VIDEO OUTPUT OPTICAL OUTPUT DVD player COMPONENT OUTPUT VIDEO OUTPUT <Video> R <Analog> <Digital> L <Component Video> AUDIO OUTPUT <Component Video> VIDEO OUTPUT <Video> S VIDEO OUTPUT AUDIO OUTPUT OPTICAL OUT (REC) L RF OUTPUT R DTV/LD player OPTICAL OUTPUT <Analog> OUT (REC) <Digital> L <Analog> R AUDIO OUTPUT SAT OPTICAL OUTPUT <Digital> Cable TV/SAT S VIDEO OUTPUT VIDEO OUTPUT <Digital> CABLE COAXIAL OUTPUT CENTER ZONE 2 OUT AUDIO INPUT L <Video> <Video> <Analog> <Video> CTRL OUT +5V 100Ω 20mA <RF> <Analog> RF-Signal Output* (General, China and Singapore models only) <Component Video> <Video> AUDIO OUTPUT R L VIDEO INPUT R S VIDEO OUTPUT S VIDEO INPUT S VIDEO VIDEO OUTPUT INPUT Monitor VCR 1/2 VIDEO INPUT COMPONENT INPUT * <U.S.A., Canada, and Australia models> If your LD player has a Dolby Digital RF signal output jack, connect it to this unit through an external RF demodulator. (You can connect the Dolby Digital RF signal output of your LD player to the COAXIAL jacks using the “I/O ASSIGN” on the SET MENU.) 13 Hookups Connecting Speakers Introduction This section explains how to connect speakers to this unit. After you finish connecting your speakers, use the SET MENU to change the signal output settings according to the number and size of the speakers in your configuration. Before connecting any speaker cords, identify which terminals are for the right and left channels and also the + and – polarities. If you connect speakers with the wrong polarity (+ to –), this unit will not reproduce clear sound. ■ Using speaker cords Preparations A speaker cord is actually a pair of insulated cables running side by side. One of the cables is colored or shaped differently, perhaps with a stripe, groove, or ridge. To make sure you always connect speakers with the correct polarity, determine the difference between the cables of your speaker cord, make a note of which cable you plan to use for which polarity (+ and –), and always connect the speaker cords consistently. 1 Strip off 9 mm (3/8 in.) of an inch of insulation from the ends of the cables. 2 Twist the exposed wires of the cable together to prevent short circuits. 3 Loosen the terminal knob by turning it counterclockwise. Banana Plug 4 Insert only the exposed portion of the cable into the slot in the side of the terminal, and tighten the terminal knob. Note: Basic Operation • If your speaker cords have banana plugs, tighten the terminal knob and insert the plug into the end of the terminal. (Except for Singapore model) Caution: • Connect the speaker cords with care to avoid creating a short circuit. If you turn on the power and there is a short circuit, this unit may be damaged even though the protection circuit automatically shuts off the power. (Except for Singapore model) ■ About the q RF (AC-3) signal input jack <For China, Singapore, and General models only.> If your LD player has an q RF (AC-3) signal output jack, connect it to the q RF (AC-3) input jack on this unit. For this connection, change SET MENU item 7D. COAXIAL IN (10) to “LD-RF”. If q RF (AC-3) and analog signals are input at the same time, priority is given to the RF signals. When you want to reproduce q RF (AC-3) signals, set the input mode to “D.D. RF” using INPUT MODE. Note: Advanced Operation • q RF (AC-3) signals cannot be output using the REC OUT selector. When you record sound or images from an LD player, be sure to connect the player to either the DIGITAL OPTICAL or analog AUDIO jacks. Caution: Appendix Additional Information • Even if you connect an LD player with an q RF (AC-3) output jack to this unit, you cannot reproduce Dolby Digital sound from all LD discs. You must playback an LD disc encoded with Dolby Digital signals in order to take advantage of the Dolby Digital sound. 14 Hookups English Right Front Speaker Left Front Speaker Right Rear Speaker Left Rear Speaker Rear Center Speaker (Singapore model) TUNER CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. AM ANT – GND FM ANT 75Ω UNBAL. To other component IMPEDANCE SELECTOR SET BEFORE POWER ON FRONT : 6ΩMIN./SPEAKER REAR : 4ΩMIN./SPEAKER REAR CENTER : 4ΩMIN./SPEAKER CENTER : 4ΩMIN./SPEAKER MAIN A OR B : 4ΩMIN./SPEAKER A + B : 8ΩMIN./SPEAKER FRONT : 8ΩMIN./SPEAKER REAR : 8ΩMIN./SPEAKER REAR CENTER : 8ΩMIN./SPEAKER CENTER : 8ΩMIN./SPEAKER MAIN A OR B : 8ΩMIN./SPEAKER A + B : 16ΩMIN./SPEAKER Center Speaker Subwoofer system Right Main B Speaker Left Main B Speaker Right Main A Speaker Left Main A Speaker 15 Hookups Connecting Subwoofers Introduction ■ Connecting a front subwoofer R L Connect the signal input jack on your subwoofer to one of the PRE OUT/ MAIN IN SUBWOOFER jacks. Notes: • The SUBWOOFER jacks (output) have a built-in high cut-off filter (90 Hz). When using a powered subwoofer, set the high cut-off frequency to “MAX” on your Subwoofer. CENTER R • Both SUBWOOFER jacks output the same signal. L Preparations Subwoofer system ■ Connecting a rear subwoofer Subwoofer system By using both Front and Rear Subwoofers, the CINEMA-DSP sound field programs can produce realistic movie effects with powerful, dynamic sound. To take advantage of this dynamic sound, be sure to set the 1C. REAR L/R SP item in the SET MENU to “LARGE”, and connect your Rear speakers and Subwoofer as described below. Basic Operation 1 Connect the right + input terminal on your Subwoofer to the REAR R + terminal, and the right – input terminal on your Subwoofer to the REAR R – terminal with speaker cords. Right Rear Speaker Left Rear Speaker 2 Connect the left + input terminal on your Subwoofer to the REAR L + terminal, and the left – input terminal on your Subwoofer to the REAR L – terminal with speaker cords. 3 Connect your Rear speakers to the output terminals on the Rear Subwoofer. Be sure to connect the Rear speakers to the Subwoofer with the correct polarity. Note: Appendix Additional Information Advanced Operation R 16 L • Adjust the speaker volume for the Subwoofer with the controls on the Subwoofers, not on this unit. Hookups Connecting an External Decoder English This unit is equipped with six additional input jacks (left and right MAIN, CENTER, left and right SURROUND and SUBWOOFER) for discrete multi-channel input from an external decoder, sound processor, or pre-amplifier. Connect the output jacks on your external decoder to the 6CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the main and surround channels. To listen to the sound from your external decoder, press 6CH INPUT on this unit or the remote control. Notes: • When you select 6CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot listen to DSP programs. • When you select 6CH INPUT as the input source, changing SPEAKER SET on the SET MENU is not affected. Connecting External Amplifiers If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the PRE OUT/ MAIN IN terminals as follows. R r L q w e t CENTER y R q FRONT jacks Front Effect channel line output jacks. w REAR (Surround) jacks Rear channel line output jacks. e SUBWOOFER jacks Main, Center, and Rear channel frequencies below 90 Hz are output through these jacks. You can also direct DTS and Dolby Digital LFE signals to this output. Adjust the volume level of the subwoofer with the control on the subwoofer. Subwoofer volume cannot be adjusted from this unit. L r CENTER jack Center channel line output jack. t REAR CENTER jack Rear Center channel line output jack. y MAIN jacks MAIN IN jacks .......... Line input to this unit’s Main channel amplifiers. When connecting to these jacks, signals input to the preamplifier of this unit will not be output from the main amplifier of this unit. MAIN OUT jacks ..... Main channel line output jacks. The signals output through these jacks are affected by BASS, TREBLE, BALANCE, and BASS EXTENSION settings. 17 Hookups Others Introduction ■ IMPEDANCE SELECTOR switch WARNING Select the position whose requirements your speaker system meets. Preparations Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ON SWITCH IS PRESSED: The IMPEDANCE SELECTOR switch may not be set to either end. If so, set the switch to either end when this unit is in the standby mode. AC Power Cord (General, China, and Australia models) VOLTAGE SELECTOR (General and China models) (Upper position) FRONT EFFECT: The impedance of each speaker must be 6Ω or higher. <U.S.A. and Canada models> REAR: The impedance of each speaker must be 4Ω or higher. REAR CENTER: The impedance of the speaker must be 4Ω or higher. <Except for U.S.A. and Canada models> REAR: The impedance of each speaker must be 6Ω or higher. REAR CENTER: The impedance of the speaker must be 6Ω or higher. CENTER: The impedance of the speaker must be 4Ω or higher. MAIN: If you use one pair of main speakers, the impedance of each speaker must be 4Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8Ω or higher. Basic Operation G. VOLTAGE SELECTOR 240 (Lower position) IMPEDANCE SELECTOR SET BEFORE POWER ON FRONT : 6ΩMIN./SPEAKER REAR : 4ΩMIN./SPEAKER REAR CENTER : 4ΩMIN./SPEAKER CENTER : 4ΩMIN./SPEAKER MAIN A OR B : 4ΩMIN./SPEAKER A + B : 8ΩMIN./SPEAKER Advanced Operation FRONT : 8ΩMIN./SPEAKER REAR : 8ΩMIN./SPEAKER REAR CENTER : 8ΩMIN./SPEAKER CENTER : 8ΩMIN./SPEAKER MAIN A OR B : 8ΩMIN./SPEAKER A + B : 16ΩMIN./SPEAKER IMPEDANCE SELECTOR switch AC Power Cord (U.S.A., Canada, and Singapore models only) FRONT EFFECT: The impedance of each speaker must be 8Ω or higher. REAR: The impedance of each speaker must be 8Ω or higher. REAR CENTER: The impedance of the speaker must be 8Ω or higher. CENTER: The impedance of the speaker must be 8Ω or higher. MAIN: <Except for Canada model> If you use one pair of main speakers, the impedance of each speaker must be 8Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16Ω or higher. <For Canada model only> The impedance of each speaker must be 8Ω or higher. ■ Connecting the AC power cord Plug in this unit to a wall outlet when all connections are complete. Caution: Additional Information • Do not use other AC power cords than the one provided. (U.S.A., Canada, and Singapore models only) AC OUTLETS R WER ON N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER N./SPEAKER IN./SPEAKER ■ AC OUTLETS Use these to connect the power cords from your other components to this unit. The power to the switched outlets is controlled by this unit’s STANDBY/ON (SYSTEM POWER or STANDBY on the remote). These outlets will supply power to any connected unit whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to AC OUTLETS is 100 W. ■ Voltage selector (General and China models) Appendix The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. 18 On-Screen Displays (OSD) English You can display the operation information for this unit on a video monitor. If you display the SET MENU and DSP sound field program parameter settings on a screen, it is much easier to see the available options and parameters than it is by reading this information on the front panel display. If a video source is being reproduced, the OSD is superimposed over the image. If a video source is not being reproduced (or the source component is set in the standby mode), you can set the OSD to turn on (blue background) or off with “14 DISPLAY SET” on the SET MENU. OSD Modes P01 CONCERT HALL 1 ≥ Europe Hall A INIT.DLY…………30ms ROOM SIZE…………1.0 LIVENESS…………………5 Full Display (ex.) You can change the amount of information the OSD shows. Full Display .......... This mode always shows the sound field program parameter settings on the video monitor. Short Display ........ This mode briefly shows the same contents as the front panel display at the bottom of the screen, then disappears. Display Off ........... This mode briefly shows the “DISPLAY OFF” message at the bottom of the screen, then disappears. Afterwards, no changes to operations appear on the screen except those of the ON SCREEN. Notes: P01 CONCERT HALL 1 Europe Hall A Short Display (ex.) • When you choose the Full Display mode, the INPUT selector, VOLUME, and some other types of operation information are displayed at the bottom of the screen in the same format as the front panel display. • The OSD signal is not output through the REC OUT selector, and will not be recorded with any video signal. • The SET MENU, TEST DOLBY SUR and TEST DSP appear regardless of the OSD mode. Selecting the OSD Mode ON SCREEN 1 When you turn on the power, the video monitor and front panel display shows the level of the main volume for a few seconds and then switches to show the current sound field program. 2 Press ON SCREEN on the remote control repeatedly to change the display mode. The OSD mode changes in the following order: Full Display, Short Display, and Display Off. Notes: • If you choose a video input source that has component connected to both the S VIDEO IN and composite VIDEO IN jacks, and both the S VIDEO OUT and composite VIDEO OUT jacks are connected to a video monitor, the video signal is output to both the S VIDEO OUT and VIDEO OUT jacks. However, the OSD is carried only on the S-video signal. If no video signal is input, the OSD is carried on both the S-video and composite video signals. • If your video monitor is connected only to the COMPONENT VIDEO jacks of this unit, the OSD is not shown. Make sure to connect your video monitor to the COMPONENT VIDEO jack and either VIDEO or S VIDEO jacks if you would like to see the OSD. • Playing back video software that has an anti-copy signal or video signals with a lot of noise may produce unstable images. 19 Speaker Placement Introduction Where you place your speakers has a tremendous effect on how well your system sounds. ■ Placing the Main speakers TV or Video monitor Main Speaker Main Speaker Place the left and right Main speakers an equal distance from the main listening position. If you have a TV or video monitor in your system, the distance of each speaker from each side of the TV or video monitor should be the same. ■ Placing the Center speaker Preparations TV or Video monitor If you have a TV or video monitor in your system, align the front face of the Center speaker with the front face of the monitor. Place the speaker as close to the monitor as possible, such as directly over or under the monitor. If you place the speaker under the monitor, the Front Effect speakers can adjust the height of the sound to correspond with the action on the screen (depending on the listener’s position). If you have a projection screen in your system, place the Center speaker under the screen. Be sure to align the speaker with the center of the screen. Center Speaker 1m 0.5~1m 1.5~3m 0.5~1m 1m (3ft) (1~3ft) (5~15ft) (1~3ft) (3ft) FR L C R Basic Operation FL R RR L RC ■ Placing the Front Effect, Rear, and Rear Center speakers The Front Effect speakers should be placed about 0.5~1m (1~3 feet) outside the Main speakers and in the front of the room. They should be turned toward the main listening position. Place the Rear speakers in the back of the room so they face the main listening position. The Rear speakers can be placed farther apart than the Front Effect speakers. The Front Effect and Rear speakers should be placed about 1.8m (6 feet) above the floor. Once you begin listening to programs, continue to adjust the speaker placement until you obtain a balanced sound from the Main speakers and the Front Effect and Rear speakers. ■ When you use a projection screen 1 Advanced Operation L R 1/4 C Place the speakers as shown in the illustration. The Main speakers should be placed about one-quarter of the way up from the bottom of the screen. Place the Center speaker in the center and directly under the screen. The Center speaker provides precise dialogue localization. When you use a projection screen with your system, the Front Effect speakers provide better effect quality. The CINEMA-DSP sound field programs raise the sound from the Center speaker upward and provide natural sound corresponding with the video images. ■ Placing the Subwoofers Front Effect speakers Rear speakers Additional Information Main speakers 1.8 m (6 feet) Center Speaker Front Subwoofer Rear Center speaker Rear Subwoofer Place the Front Subwoofer near the Main speakers. Turn it slightly toward the center of the room to reduce wall reflections. If you use a Rear Subwoofer, place it behind the main listening position. The placement of the Rear Subwoofer is not critical because of the ultralow frequencies of the sound being reproduced. By adding a high quality Subwoofer to the speaker system configurations shown on page 9, you can enjoy more powerful and realistic movie effects, even if your Main speakers are large. Notes: Appendix • If you use different brands of speakers (with different tonal qualities) in your configuration, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacturer or speakers with the same tonal quality. You can also adjust the output levels and equalization of your effect speakers using the SET MENU. • If you are using small speakers, the addition of a Subwoofer will reinforce the sound effects of movies. 20 Speaker Settings Summary of SPEAKER SET items 1A through 1G Item Description Initial Setting 1A. CENTER SP Selects the Center channel output mode according to the size of the Center speaker. The possible settings are LRG (large), SML (small), and NONE. LRG 1B. MAIN SP Selects the Main channel output mode according to the size of the Main speakers. The possible settings are LARGE and SMALL. LARGE 1C. REAR L/R SP Selects the Rear channel output mode according to the size of the Rear speakers. The possible settings are LRG (large), SML (small), and NONE. LRG 1D. REAR CT SP Selects the Rear Center channel output according to the size of the Rear Center speaker. The possible settings are LRG (large), SML (small), and NONE. LRG 1E. LFE/BASS OUT Selects a speaker for the LFE/Bass signal output. The possible settings are SWFR (subwoofer), MAIN, and BOTH. BOTH 1F. FRNT EFCT SP Selects the Front Effect signal output mode for the Front Effect signals. The possible settings are YES and NONE. YES 1G. MAIN LEVEL Selects the output level for the Main channel signal. The possible settings are Normal and –10 dB. Normal Note: • When you adjust the balance of the output level from the Right and Left Main speakers, use “L/R BALANCE” on the SET MENU. 21 English This unit has seven SPEAKER SET items in the SET MENU that you must set according to the number of speakers in your configuration and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings. If the initial settings are not appropriate for your speaker configuration, change the settings in the SET MENU. Speaker Output Levels Introduction This section explains how to set the speaker levels using the test tone. There are two tests; Dolby Surround test and DSP test. Before You Begin 1 Set BASS and TREBLE on the front panel to “0” (the center position) and turn off BASS EXTENSION. BASS TREBLE Preparations 2 Use the remote control for the next three steps. Sit in the main listening position and set PARAMETER/SET MENU on the remote control to PARAMETER. 3 Set 10 KEY/DSP to DSP and press q/DTS SUR. 4 Press TEST to select the test to be performed. Basic Operation Select “TEST DOLBY SUR.” to match the output levels of the Center, Rear Center and Rear Left and Rear Right speakers to the left and right Main speakers. Select “TEST DSP” to match the output levels of the Front Effect speakers to the Main speakers. Dolby Surround Test 1 After the Dolby Surround test is selected, “TEST DOLBY SUR.” appears in the video monitor and in the front display. FL 2 Adjust VOLUME +/– to hear the test tone for each speaker. Make an adjustment so that the output level coming from each speaker is same. FR L C R Advanced Operation • The test tone is produced from the left Main speaker, Center speaker, right Main speaker, Rear Right speaker, Rear Center speaker, and Rear Left speaker in order. The tone lasts for 2.5 seconds each time. • Press and hold h or g to stop the sequence temporarily. R RR L RC TEST DOLBY SUR. Additional Information EFFECT L SUR. Appendix EFFECT L SUR. 22 LEVEL 0dB LEVEL 0dB • Press h or g to select the speaker to be tested. 3 When adjusting is complete, press TEST twice to stop the test tone. You can increase the output levels of the effect channels (Rear Left, Rear Right, Rear Center, and Center) to +10dB. If the output level of the Center, Rear and Rear Center speakers is lower than that from the Main speakers even after you have increased the sound volume level of the Center, Rear, and Rear Center speakers up to +10dB, set the 1G. MAIN LEVEL item to this setting decreases the Main speaker volume level to about one-third the normal level. After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,” adjust the levels for the Center, Rear, and Rear Center speakers again. Speaker Output Levels DSP Test English 1 After the dsp test is selected, “TEST DSP” appears on the video monitor and in the front display. TEST DSP MAIN FL 2 Adjust VOLUME +/– to hear the test tone. Make an adjustment so that the output level coming from the Front Effect speakers is the same as that of the Main speakers. FR L C R • The test tone is produced alternately from the Front Effect speakers and Main speakers. The tone is produced for 2.5 seconds each time. R RR L RC TEST DSP 3 Adjust the output level of the Front Effect speakers using + and – so the output level coming from the Front Effect speakers is the same as that of the Main speakers. • The test tone is automatically produced from the Front Effect speakers while you are adjusting the level. EFFECT FRONT EFFECT FRONT LEVEL 0dB LEVEL 0dB Notes: • If you cannot hear the test tone, set VOLUME, turn off the power, and check the speaker cords and hookups. • The test tone can be reproduced separately from the left and right Front Effect speakers. This is useful when you want to check the hookups to these speakers. Press h to reproduce the test tone from the left speaker, and press g to reproduce the tone from the right speaker. (The OSD shows which speaker is reproducing the tone.) • You cannot adjust the output level of the left and right Front Effect speakers separately. • You can hear the test tone only from the Right Front Effect speaker by pressing g and the Left Front Effect speaker by pressing h. You can return to the original mode by releasing the buttons. • The tonal quality of the speakers can be adjusted using the 5. CENTER GEQ items in the SET MENU. • If the sound volume of the Front Effect speakers is lower than that of the Main speakers, even after you have increased the output level up to +10 dB, set the 1G. MAIN LEVEL item in the SET MENU to “–10dB.” Setting the 1G. MAIN LEVEL item to “–10dB” decreases the Main speaker output level to about one-third of the normal level. After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,” repeat the TEST DOLBY SUR. procedure on the previous page. • If you do not use Front Effect speakers, set the 1F FRNT EFCT SP item in the SET MENU to “NONE”, and the DSP Front Effect signals will be mixed with the Main channel signals. • When the headphones are connected to this unit, you cannot select the Dolby Surround test and the dsp test. 23 Introduction Preparations Basic Operation Additional Information Advanced Operation Basic Operation Basic Playback 25 Power Control ........................................................................................................ 25 Selecting a Source .................................................................................................. 26 Input Modes and Indications .................................................................................. 27 Selecting a Sound Field Program ........................................................................... 28 AM/FM Tuner 29 Appendix Connecting the Antennas ....................................................................................... 29 Automatic Tuning .................................................................................................. 30 Tuning to Preset Stations ........................................................................................ 30 Presetting Stations .................................................................................................. 31 Exchanging Preset Stations .................................................................................... 32 Basic Recording 33 Preparations ............................................................................................................ 33 24 Basic Playback English Playback operation is described with buttons on this unit and the remote control. These button names are noted in the order of “button name (remote control button name).” EFFECT STANDBY SYSTEM POWER STANDBY/ON INPUT selector VOLUME INPUT MODE VOLUME INPUT INPUT MODE NATURAL SOUND AV RECEIVER RX–V3000 Input buttons STANDBY /ON SPEAKERS A B SOURCE /REMOTE DVD D-TV/LD SILENT SAT BASS PROCESSOR EXTENSION DIRECT VCR 1 VCR 2/DVR VIDEO AUX PHONES BASS TREBLE EFFECT PRESET /TUNING FM/AM MEMORY TUNING MODE MD/TAPE CD-R TUNER CABLE CD 6CH PHONO INPUT REC OUT/ZONE 2 EDIT MAN'L/AUTO FM AUTO/NAN'L MONO S VIDEO VIDEO L AUDIO R OPTICAL DSP PROGRAM VIDEO AUX VOLUME EFFECT Power Control STANDBY /ON STANDBY /ON 1 Press STANDBY/ON (or SYSTEM POWER on the remote control) to turn on the power. • The front panel (and the monitor screen) shows the level of the volume for a few seconds and then switches to show the current sound field program. 2 Press STANDBY/ON (or STANDBY on the remote control) to turn off the power. Note: • This unit stores its current operational status in memory before the power is turned off. By connecting a commercially available timer to this unit, you can easily playback or record a source at any time you wish. 25 Basic Playback Introduction Selecting a Source 1 Select the source using the INPUT selector, or press one of the input buttons on the remote control. INPUT • The current source is indicated on the front panel display with an arrow. The selected source D-TV/LD DVD CABLE MD/TAPE SAT VCR 1 VCR2/DVR Preparations V-AUX CD-R TUNER CD PHONO • The current source name and input mode appear on the front panel display and the video monitor for a few seconds. Select this source: To reproduce the signal from this component. DVD ........................................ DVD player D-TV/LD ................................ LD player/Digital TV or TV CABLE ................................... Cable TV VCR 1 ..................................... Video deck 1 VCR 2/DVR ........................... Video deck 2 or Digital Video Recorder V-AUX ................................... Other AV component PHONO .................................. Turntable CD ........................................... CD player TUNER ................................... AM/FM tuner MD/TAPE ............................... MD recorder/TAPE deck CD-R ....................................... CD Recorder SAT ......................................... Satellite tuner Basic Operation 2 Start playback (or select a broadcast station) on the source component. • Refer to the operation instructions for the component. VOLUME 3 Adjust VOLUME (or VOLUME +/– on the remote control). Caution: Advanced Operation • If the power of the component connected to the VCR 1, VCR 2/DVR, MD/TAPE, and CD-R OUT jacks is turned off, reproduced sound may be distorted or the volume may be lowered. In these cases, turn on the component. Additional Information ■ BGV (Back Ground Video) function The BGV (Back Ground Video) function allows you to combine a video signal from a video source with a sound signal from an audio source. (For example, you can listen to classical music while you are watching a video.) Appendix Using the remote control, select a source from the video group, then select a source from the audio group. Use the input buttons on the remote control to make your selections. The BGV function does not work if you select the sources using the INPUT selector on the front panel. 26 Basic Playback Input Modes and Indications AUTO:--• DTS DTS DTS:--• ANALOG ANALOG ANALOG:--- <When LD is selected as the input source> (General, China, and Singapore models only) AUTO: ........... In this mode, this unit automatically selects the signal in the following order. 1) Dolby Digital RF encoded signals 2) DTS encoded signals 3) Digital (PCM) signals 4) Analog signals D.D. RF: ........ This unit only selects Dolby Digital RF signals. DTS: .............. In this mode, only digital input signals encoded with DTS are selected even if other signals are input at the same time. DGTL: ........... This unit only selects digital signals input through the OPTICAL jacks. ANALOG: ..... This unit only selects signals input through the ANALOG jacks. This unit will not select Dolby Digital RF or DTS signals. Notes: • If digital signals are input from both the COAXIAL and OPTICAL jacks, the digital signal from the COAXIAL jack is selected. • When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting and reproduces 5.1 channel source. • The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital signal was selected again. ■ Notes on playing a source encoded with a DTS signal • If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player. • If you play a source encoded with a DTS signal and set the input mode to ANALOG, this unit reproduces the noise of an unprocessed DTS signal. When you want to play a DTS source, be sure to connect the source to a digital input jack and set the input mode to AUTO or DTS. • If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound. • If you play a source encoded with a DTS signal and set the input mode to AUTO, there will be a moment of noise while the unit recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction. You can avoid this by setting the input mode to DTS beforehand. • If you continue to play a source encoded with a DTS signal with the input mode setting left to AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on the front panel display.) The “t” indicator will flash immediately after playback of a source encoded with a DTS signal has finished. Only a source encoded with a DTS signal can be played back while this indicator is flashing. If you want to play a normal PCM source soon, set the input mode back to AUTO. • The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a source encoded with a DTS signal. If this status continues for 30 or more seconds, the unit will automatically switch from the “DTSdecoding” mode to PCM digital signal input mode and the “t” indicator will go out. ■ Notes on playing an LD or DTS CD source • For LD software that does not contain a digital soundtrack, connect the LD player to the analog jacks and set the input mode to AUTO or ANALOG. • If the LD player is transmitting a signal by a non-standard method, this unit cannot detect the Dolby Digital or DTS signal. In this case, the decoder automatically switches to PCM or analog. • Some A/V components such as LD players output different audio signals through their analog and digital jacks. Change the input mode as necessary. • While you are operating the LD player and playing a disc encoded with a Dolby Digital signal, if you switch from the pause or chapter forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital signal is played. 27 English This unit comes with various input jacks. If your external component is connected to more than one type of input jack, you can set the priority of the input signal. Press INPUT MODE on the front panel or an input button (press it repeatedly) on the remote control to display or change the input mode. AUTO: ........... This mode is automatically selected when you turn on the power of • AUTO this unit. In this mode, the input signal is automatically selected in the following order. AUTO:DOLBY D. 1) Dolby Digital or DTS encoded signals 2) Digital (PCM) signals AUTO:DTS 3) Analog signals DTS: .............. In this mode, only digital input signals encoded with DTS are selected AUTO:PCM even if other signals are input at the same time. ANALOG: ..... In this mode, only analog input signals are selected even if digital AUTO:ANALOG signals are input at the same time. Basic Playback Selecting a Sound Field Program Introduction You can enhance your listening experience by selecting a DSP sound field program. The 25 DSP sound field programs are divided into 12 DSP program groups. 10KEY/DSP 1 Set 10KEY/DSP on the remote to DSP. 2 Press the DSP button on main unit and rotate the Multi jog knob to select the desired sound field program. Notes: Preparations • If a DTS or Dolby Digital signal is input when the input mode is set to “AUTO”, the sound field program automatically switches to the appropriate decoding program. • Choose a sound field program based on your listening preference, not on the name of the program. The acoustics of your listening room affect the sound field program. Minimize the sound reflections in your room to maximize the effect created by the program. 6.1/ES If you want to utilize the Rear Center speaker with a 5.1 channel program source, press 6.1/ ES. • When you select an input source, the main unit automatically selects the last sound field program used with that source. • When you turn off the main unit, the current source and sound field program are memorized and are automatically selected when you turn on the power again. • When high rate 96 kHz sampling digital signals are output from source equipment, the DSP sound field cannot operate on the source sounds. In this case, the sounds are reproduced as normal 2-channel stereo. Basic Operation Hi-Fi DSP Programs Concert Hall 1 Concert Hall 2 Church Jazz Club Rock Concert Stadium Entertainment Europe Hall A Europe Hall B U.S.A. Hall C Live Concert Freiburg Royaumont Village Gate The Bottom Line Roxy Theatre Arena Anaheim Bowl Disco 8ch Stereo CINEMA-DSP Programs Entertainment Concert Video TV Theater Movie Theater 1 Movie Theater 2 q/DTS SURROUND Game Pop/Rock Classical/Opera Mono Movie Variety/Sports Spectacle Sci-Fi Adventure General Normal/Matrix 6.1/ES Enhanced/6.1/ES ■ Virtual CINEMA DSP and HP CINEMA DSP Advanced Operation You can experience the virtual CINEMA DSP sound field by setting the 1C. REAR L/R SP item in the SET MENU to “NONE.” The sound field processing is changed to the Virtual CINEMA DSP mode according to the selected sound field program. The Virtual CINEMA DSP allows you to enjoy the virtual sound fields without Rear speakers. Signals for Rear channels are output from the Main speakers. You can also listen to HP (Headphone) CINEMA DSP by connecting your headphones to the PHONES jack while the DSP sound fields are on. When high rate 96 kHz sampling digital signals are output from source component, the Virtual CINEMA DSP and HP CINEMA DSP cannot operate on the source sounds. Note: Additional Information • This unit is not set in the virtual CINEMA DSP mode even if “1C REAR L/R SP” is set to NONE in the following cases: – when the 8ch Stereo, DOLBY DIGITAL/Normal or DTS/Normal program is selected; – when the sound effect is turned off; – when 6CH INPUT is selected as the input source; – when 96-kHz sampling digital signals are input to this unit; – when the Dolby Digital KARAOKE source is played; – when using the test tone; or – when connecting the headphones. EFFECT ■ Normal stereo reproduction For normal stereo reproduction, press EFFECT to turn off the effect. EFFECT OFF Notes: • When you turn off the effect, no sound is reproduced from the Front Effect, Center, Rear, and Rear Center speakers. Appendix • If you turn off the effect while DTS or Dolby Digital signals are being reproduced, the dynamic range of the signal is automatically compressed. • The sound volume may be extremely reduced when you turn off the effect or if you change a SET MENU item. In this case turn on the effect. 28 AM/FM Tuner Both AM and FM indoor antennas are included with this unit. These antennas should provide sufficient signal strength in most situations. However, a properly installed outdoor antenna provides clearer reception. If you experience poor reception quality using the indoor antennas, an outdoor antenna may improve the reception. Connect each antenna as shown below. Indoor FM antenna (included) AM loop antenna (included) ■ Connecting the indoor FM antenna Connect the included indoor antenna to the 75Ω UNBAL. FM ANT terminal. ■ Optional outdoor FM/AM antenna Consult your dealer or authorized service center about the best method of selecting and erecting outdoor antennas. TUNER CAUTION SEE INSTRUCTION MANUAL FOR AM ANT – GND R FM ANT 75Ω UNBAL. L L L R R Ground ■ Connecting the AM loop antenna 1 3 1 Press the tab to unlock the terminal hole. 2 Insert the AM loop antenna lead wires to the AM ANT and GND terminals. 3 Lift the tab to its original position to lock the lead wires. 2 Lightly pull on the lead wires to confirm a good connection. 4 Attach the loop antenna to the antenna stand. 5 Orient the AM loop antenna so that the best reception is obtained. Notes: Loop Antenna • The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall. • The AM loop antenna should remain connected, even if an outdoor AM antenna is connected to this unit. • To minimize the influence of automobile ignition noise, locate the antenna as far from heavy traffic as possible. • Keep the ribbon cable or coaxial cable as short as possible. Do not bundle or roll up excess cable. Antenna stand • The antenna should be at least 1.8m (6 feet) from reinforced concrete walls and metallic structures. 29 English Connecting the Antennas AM/FM Tuner Introduction Automatic Tuning 1 Select “TUNER” as the input source. You can use the INPUT selector on the main unit or the input button on the remote control. FM/AM 2 Press AM/FM to select the reception band. FM AM or 3 Press TUNING MODE so that the AUTO tuning indicator appears in the display. TUNING MODE AUTO AUTO/NAN'L MONO Preparations “FM” or “AM” appears in the display. If the colon (:) appears in the display next to the AM or FM indicator, press PRESET/TUNING to turn it off. Turn this indicator off. :FM 89. Turn the Multi jog knob clockwise to tune to a higher frequency or counterclockwise to tune to a lower frequency. Use manual tuning if the tuning search does not stop at the correct station because the signals are weak. Basic Operation A 4 Turn the Multi jog knob clockwise or counterclockwise to start automatic tuning. ■ For manual tuning 1 Press TUNING MODE so that the AUTO tuning indicator goes off in the display. If the colon (:) appears in the display next to the AM or FM indicator, press PRESET/TUNING to turn it off. 2 Turn the Multi jog knob clockwise or counterclockwise to tune to the desired station manually. Hold on the knob to continue the tuning search. Advanced Operation Automatic tuning is effective when the radio signals are strong and have no interference. However, manual tuning is best for weaker signals that have some interference. Note: • Manually selecting an FM station will automatically change the reception to monaural to increase the signal quality. Tuning to Preset Stations Additional Information PRESET /TUNING EDIT A :FM 1 Press PRESET/TUNING so that the colon (:) appears next to the AM or FM indicator. The colon (:) must appear in the display to recall preset stations. If necessary, press PRESET/TUNING again. Appendix 2 Turn the Multi jog knob clockwise or counterclockwise to select the desired preset station number. 30 A1—A2 A8—B1 E8—E7 C1—B8 The preset number appears in the display along with the band, frequency and signal strength information. AM/FM Tuner Presetting Stations English ■ Automatically presetting stations You can use the Automatic Preset Tuning feature to store FM stations. With this function, the unit automatically tunes to FM stations with strong signals, then stores up to 40 of those stations in order. 1 Tune to the FM station from which you want automatic presetting to begin. 2 Press and hold MEMORY for more than 3 seconds. MEMORY The preset number and the MEMORY and AUTO tuning indicators flash. Then, after about five seconds, automatic preset tuning begins. When Automatic Preset Tuning is complete, the display shows the frequency of the last preset station. MAN'L/AUTO FM A-1:FM 89.0 MHz MEMORY D-TV/LD CABLE STEREO AUTO SAT VCR 1 VCR2/DVR V-AUX DVD MD/TAPE CD-R TUNER Automatic Preset Tuning Options CD PHONO Before Automatic Preset Tuning begins (within about five seconds), you can set the preset number from which the unit will store FM stations and the direction in which the unit will scan for stations. 1 Press PRESET/TUNING to display the colon (:). Then turn the Multi jog knob to select the preset station number where the first station will be stored. The unit will stop storing stations if it reaches preset number E8. 2 Press PRESET/TUNING to turn off the colon (:). Then turn the Multi jog knob counterclockwise to scan for lower frequency stations or clockwise to scan for higher frequency stations. If you do not turn either direction before Automatic Preset Tuning begins, the unit will scan for higher frequency stations. Notes: • You can replace a preset station with another FM or AM station manually by simply following the procedure of the section “Manually presetting stations”. • If the number of received stations does not reach to E8, the search finishes automatically after searching all frequencies. • With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural mode manually, then program it by following the procedure in “Manually presetting stations”. ■ Manually presetting stations This unit can store up to 40 stations (8 stations x 5 groups). Using this feature, you can easily tune to any preset station by selecting the preset station number. 1 Tune to a station. MEMORY 2 Press MEMORY (MAN’L/AUTO FM). MEMORY MAN'L/AUTO FM The MEMORY indicator flashes for about five seconds. 3 Turn the Multi jog knob clockwise or counterclockwise to select a preset station number. Note: • You must select a preset station number before the MEMORY indicator goes off (about five seconds). 31 AM/FM Tuner 4 Press MEMORY (MAN’L/AUTO FM). MEMORY The station band and frequency appear in the display with the preset group and number you selected. Introduction MAN'L/AUTO FM 5 Repeat steps 1 through 4 to store other stations. Shows the displayed station has been programmed to A-1. MEMORY A-1:FM 89.0 MHz D-TV/LD CABLE STEREO SAT VCR 1 VCR2/DVR V-AUX You can store up to 40 stations (A1~A8, B1~B8, C1~C8, D1~D8, and E1~E8). DVD MD/TAPE CD-R TUNER CD PHONO Preparations Exchanging Preset Stations You can exchange the stations stored on two preset numbers. The example below describes the procedure for exchanging the stored stations at preset numbers E1 and A5. 1 Tune to the E1 preset station number. See “Tuning to Preset Stations.” PRESET /TUNING 2 Press and hold PRESET/TUNING (EDIT) for more than 3 seconds. E-1:FM Basic Operation “E-1” flashes in the display. EDIT 3 Tune to the A5 preset station number. A-5:FM See “Tuning to Preset Stations.” A-5 flashes in the display. PRESET /TUNING 4 Press PRESET/TUNING (EDIT) again. The stations stored at the two preset locations are exchanged. EDIT Notes: • The memory back-up circuit prevents the stored data from being lost even if this unit is set to standby mode, the power cord is disconnected from the AC outlet, or power service is temporarily cut due to power failure. However, if the power is cut for more than one week, the memory may be deleted. Advanced Operation Shows the exchange of stations is completed. EDIT Appendix Additional Information 32 E1-A5 D-TV/LD CABLE STEREO AUTO SAT VCR 1 VCR2/DVR V-AUX DVD • Any stored station data existing at a preset number is cleared when you store a new station at that preset number. MD/TAPE CD-R TUNER CD PHONO • The reception mode (stereo or monaural) is stored along with the station frequency. Basic Recording English REC OUT allows you to record one source while viewing and/or listening to another source. Preparations 1 Turn on the power to this unit and all connected component. STANDBY /ON DVD D-TV/LD SOURCE /REMOTE 2 Select the source component you want to record using REC OUT. MD/TAPE CD-R TUNER CABLE SAT CD VCR 1 VCR 2/DVR VIDEO AUX REC OUT PHONO • To record the current source, set REC OUT to SOURCE/REMOTE. • To record a source that you do not want to reproduce, set REC OUT to the source you want to record. 3 Start playback (or select a broadcast station) on the source component. 4 Start recording on the recording component. • If you want to listen to another source, and REC OUT is not set to SOURCE/REMOTE, select the source you want to reproduce with the INPUT selector and adjust the volume. Notes: • Do a test recording before you start an actual recording. • When this unit’s power is off, you cannot record between other component connected to this unit. • Operating BASS and TREBLE, BASS EXTENSION, BALANCE, VOLUME, and DSP programs do not affect the recorded signal. ■ Special considerations when recording DTS software The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations need to be made. For DTS encoded LDs, DVDs, and CDs: Only 2-channel analog audio signals may be recorded as follows: • LDs: Set your Laser Disc player’s left and right outputs to the analog soundtrack. • DVDs: Use the disc menu to set the DVD player’s mixed 2-channel left and right audio outputs to the PCM or Dolby Digital soundtrack. • CDs: The DTS signal recorded on CDs can only be output as a digital bitstream, and therefore cannot be recorded. 33 Introduction Preparations Basic Operation Advanced Operation SET MENU Items 35 Additional Information Advanced Operation Operating the SET MENU ..................................................................................... 36 1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL) .............................. 37 2. LOW FREQ. TEST ............................................................................................ 39 3. L/R BALANCE .................................................................................................. 40 4. HP TONE CTRL (Headphone Tone Control) .................................................... 40 5. CENTER GEQ (Center Graphic Equalizer) ....................................................... 40 6. INPUT RENAME .............................................................................................. 40 7. I/O ASSIGN ....................................................................................................... 41 8. INPUT MODE ................................................................................................... 41 9. PARAMETER INI (Parameter Initialization) .................................................... 41 10. DOLBY D. SET (Dolby Digital Set) ............................................................... 42 11. DTS SET .......................................................................................................... 42 12. 6.1/ES AUTO ................................................................................................... 42 13. SP DELAY TIME ............................................................................................ 43 14. DISPLAY SET ................................................................................................. 43 15. MEMORY GUARD ......................................................................................... 43 16. ZONE 2 SET .................................................................................................... 43 Remote Control Features 44 Using the Remote Control ...................................................................................... 44 Each Component Control Area .............................................................................. 46 Setting the Manufacturer Code in the Remote Control .......................................... 49 Programming a New Remote Control Function ..................................................... 50 Using the Macro Feature ........................................................................................ 51 Changing the Source Name in the Display Window .............................................. 53 Clearing a Learned Function or Macro .................................................................. 53 Clearing Learned Functions and Setups ................................................................. 54 Appendix ZONE 2 55 Connections ............................................................................................................ 55 Remote Control in Zone 2 ...................................................................................... 56 34 Adjusting the Levels of the Effect Speakers 57 Setting the Sleep Timer 57 SET MENU Items English The SET MENU consists of sixteen items including the Speaker Set, Center Graphic Equalizer and Parameter Initialization features. Choose the appropriate item and adjust or select the values as necessary. Notes: • You can adjust the items in the SET MENU while reproducing a source. • We recommend that you adjust the items in the SET MENU while using a video monitor. It is easier to see the video monitor screen than it is to see the front panel display on this unit while adjusting SET MENU items. Descriptions Items Setting Page 1. SPEAKER SET 1A. CENTER SP 1B. MAIN SP 1C. REAR L/R SP 1D. REAR CT SP 1E. LFE/BASS OUT 1F. FRNT EFCT SP 1G. MAIN LEVEL Selects the output mode suitable for your Center speaker. Selects the output mode suitable for your Main speakers. Selects the output mode suitable for your Rear speakers. Selects the output mode suitable for your Rear Center speaker. Selects the output mode for LFE/BASS signal output. Selects the output mode suitable for your Front Effect speakers. Selects the output level for your Main channels. LRG / SML / NONE LARGE / SMALL LRG / SML / NONE LRG / SML / NONE SWFR / MAIN / BOTH YES / NONE Normal / –10dB 2. LOW FREQ. TEST Matches the Subwoofer level with the level of the other speakers. TEST TONE; OFF / ON OUTPUT; MAIN L/R, MAIN L, CENTER, MAIN R, R SUR, REAR CT, L SUR, SWFR, FRONT FREQ.; 35Hz—250Hz (Wide or narrow band) 39 3. L/R BALANCE Adjusts the sound balance for Left and Right channels. L to 0 to R 40 4. HP TONE CTRL Adjusts the tonal balance of the headphones. BASS; –6dB to +3dB TRBL; –6dB to +3dB 40 5. CENTER GEQ Matches the Center speaker tonal quality with the Main speakers. 5-band; –6dB to +6dB 40 6. INPUT RENAME Changes the name of the inputs. Up to eight characters. 40 7. I/O ASSIGN Assigns the I/O terminals to the designated input sources. Digital I/O, CMPNT input. 41 8. INPUT MODE Selects the initial input mode of the sources. AUTO / LAST 41 9. PARAMETER INI Initializes the parameters of a group of DSP programs. 1 to 12 41 10. DOLBY D. SET 10A. LFE LEVEL 10B. D-RANGE Adjusts the output level of the LFE channel for Dolby Digital signals. Adjusts the dynamic range for Dolby Digital signals. SP, HP; –20dB to 0dB SP, HP; MAX / STD / MIN 42 11. DTS SET Adjusts the output level of the LFE channel for DTS signals. SP, HP; –10dB to +10dB 42 12. 6.1/ES AUTO Selects the AUTO mode of Dolby Digital Matrix 6.1 and DTS ES decoding. ON / OFF 42 13. SP DELAY TIME Adjusts the delay time for Center and Rear Center speakers. CENTER; 0ms to 5ms REAR CNTR; 0ms to 30ms 43 14. DISPLAY SET Selects the display settings. BLUE BACK; AUTO/OFF OSD SHIFT; 0 to 10 DIMMER; –4 to 0 43 15. MEMORY GUARD Locks DSP program parameters and other SET MENU settings. OFF / ON 43 16. ZONE 2 SET Selects the mode of Zone 2. ZONE2 OUT; FIXED / VAR. (variable) 43 37–39 35 SET MENU Items Operating the SET MENU Introduction Adjustment should be performed with the remote control. Some items require extra steps to change to the desired setting. PARAMETER / SET MENU Preparations Cursor buttons 1 Set PARAMETER/SET MENU to SET MENU. 2 Press h or g repeatedly to select an item from the table of SET MENU, then press + or – to enter the setting of that item. Basic Operation • The last item you adjusted appears on the display. • Some items have sub items. OSD (On Screen Display) SET MENU 1/4 1 ≥ 2 3 4 SPEAKER SET LOW FREQ.TEST L/R BALANCE HP TONE CTRL Front Panel Display 2 LOW FREQ.TEST -/+ : Enter Advanced Operation 3 Press + or – to change the setting of the item. 2 LOW FREQ.TEST ≥ TEST TONE………OFF OUTPUT…MAIN L/R FREQ.………………88Hz 2 LOW FREQ.TEST TEST TONE………OFF Additional Information 4 Press h or g repeatedly or a DSP program button to exit the SET MENU. Appendix or 36 SET MENU Items 1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL) English Use this feature to select suitable output modes for your speaker configuration. You must set the output mode when you use a subwoofer. ■ 1A. CENTER SP (Center Speaker Mode) By adding a Center speaker to your speaker configuration, this unit can provide good dialogue localization for many listeners and superior synchronization of sound and images. The OSD shows a large, small, or no center speaker depending on how you set this item. The initial setting is “LRG”. Select the “LRG” (Large) setting if you have a large Center speaker. The entire range of Center channel signals is sent to the Center speaker. Select the “SML” (Small) setting if you have a small Center speaker. Center channel low frequency signals of 90 Hz and below are directed to the speakers selected with the 1E. LFE/BASS OUT item. Select the “NONE” setting if you do not have a Center speaker. All of the Center channel signals are directed to the left and right Main speakers. The “NONE” position provides good dialogue localization for the person sitting in the main listening position. Large Small 1A CENTER SP None 1A CENTER SP 1A CENTER SP 1A CENTER SP “LRG SML NONE “LRG SML NONE LRG “SML NONE LRG SML “NONE ■ 1B. MAIN SP (Main Speaker Mode) The display shows small or large Main speakers depending on how you set this item. The initial setting is “LARGE”. Select the “LARGE” setting if you have large Main speakers. The entire range of left and right Main channel signals is directed to the left and right Main speakers. Select the “SMALL” setting if you have small Main speakers. The Main channel low frequency signals of 90 Hz and below are directed to the speakers selected with the 1E. LFE/BASS OUT item. Large Small 1B MAIN SP 1B MAIN SP 1B MAIN SP “LARGE SMALL “LARGE SMALL LARGE “SMALL Note: • When you select the “MAIN” setting for the 1E. LFE/BASS OUT item, the Main channel low frequency signals of 90 Hz and below are directed to the Main speakers even if you select the “SMALL” setting for the Main speaker mode. ■ 1C. REAR L/R SP (Rear Speaker Mode) The OSD shows large, small, or no Rear speakers depending on how you set this item. The initial setting is “LRG”. Select the “LRG” setting if you have large left and right Rear speakers or if you use a Rear Subwoofer. The entire range of Rear channel signals is sent to the left and right Rear speakers. Select the “SML” setting if you have small left and right Rear speakers. Rear channel low frequency signals of 90 Hz and below are directed to the speakers selected with the 1E. LFE/BASS OUT item. Select the “NONE” setting if you do not have Rear speakers. • In this case, the Rear Center speaker will automatically be set to “NONE” and the 1D. REAR CT SP item will be skipped. Large Small 1C REAR L/R SP None 1C REAR L/R SP 1C REAR L/R SP 1C REAR L/R SP “LRG SML NONE “LRG SML NONE LRG “SML NONE LRG SML “NONE 37 SET MENU Items ■ 1D. REAR CT SP (Rear Center Speaker Mode) Introduction By adding a Rear Center speaker to your speaker configuration, this unit can provide more realistic front-to-back and back-to-front transitions. The initial setting is “LRG”. Select the “LRG” setting if you have a large Rear Center speaker. The entire range of Rear Center channel signals is sent to the Rear Center speakers. Select the “SML” (small) setting if you have a small Rear Center speaker. Rear Center channel low frequency signals of 90 Hz and below are distributed to speakers selected with the 1E. LFE/BASS OUT item. Select the “NONE” setting if you do not have a Rear Center speaker. The Rear Center signal is directed to the Rear L/R speakers. Large Small 1D REAR CT SP None 1D REAR CT SP 1D REAR CT SP Preparations 1D REAR CT SP “LRG SML NONE “LRG SML NONE LRG “SML NONE LRG SML “NONE ■ 1E. LFE/BASS OUT (Bass Output Mode) LFE signals carry low frequency effects when this unit decodes DTS or Dolby Digital signals. Low frequency signals are defined as 90 Hz and below. The initial setting is “BOTH”. Select the “SWFR” (Subwoofer) setting if you use a Subwoofer. The LFE signals are directed to the Subwoofer. Basic Operation Select the “MAIN” setting if you do not use a Subwoofer. The LFE signals are directed to the Main speakers. Select the “BOTH” setting if you use a Subwoofer and you want to mix the Main channel low frequency sound signals with the LFE signals. Subwoofer Main 1E LFE/BASS OUT Both 1E LFE/BASS OUT 1E LFE/BASS OUT 1E LFE/BASS OUT SWFR MAIN“BOTH “SWFR MAIN BOTH SWFR“MAIN BOTH SWFR MAIN“BOTH Advanced Operation Note: • The low frequency signals of 90Hz and below from all Main, Center, Rear, and Rear Center channels are directed to the LFE channel when you select the small speaker setting in items 1A, 1B, 1C, and 1D. ■ 1F. FRNT EFCT SP (Front Effect Speaker Mode) This unit uses Front Effect speakers to localize the virtual sound sources of the sound field programs. If you do not use Front Effect speakers, you can direct the Front Effect signals to the Main speakers. The OSD shows small or no Front Effect speakers depending on how you set this item. The initial setting is “YES”. Select the “YES” setting if you use Front Effect speakers. Additional Information Select the “NONE” setting if you do not use Front Effect speakers. The Front Effect signals are mixed with the Main channels. YES NONE 1F FRNT EFCT SP 1F FRNT EFCT SP 1F FRNT EFCT SP “YES NONE Appendix “YES 38 NONE YES “NONE SET MENU Items ■ 1G. MAIN LEVEL English Change this setting if you cannot match the sound volume of the Front, Rear, and Center speakers with the Main speakers because of the unusually high efficiency performance of the Main speakers. The initial setting is “Normal”. Select the “Normal” setting if you can match the volume of your effect speakers with the volume of your Main speakers using the Dolby Surround Test. Select the “–10dB” setting if you cannot match the volume of your effect speakers with the volume of your Main speakers using the Dolby Surround Test. Normal –10dB 1G MAIN LEVEL 1G MAIN LEVEL 1G MAIN LEVEL “Normal -10dB “Normal -10dB Normal “-10dB Notes: • When 96-kHz sampling digital signals are input to this unit, level adjustments in items 1B and 1E are possible, but those in items 1A, 1C, 1D and 1F are not affected. • When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1F are not affected. 2. LOW FREQ. TEST Use this feature to adjust the Subwoofer volume so it matches the volume of the other speakers in your configuration. Change the setting using the remote control while sitting in the main listening position. 1 Press + or – to set the TEST TONE to “ON”, and adjust the volume using VOLUME + so you can hear the tone. 2 Press g repeatedly to go to OUTPUT and press + or – to select the speaker you want to compare with the Subwoofer. • If “SUBWOOFER” is selected, test tones above 90 Hz will not be output from the Subwoofer. The test tone will not necessarily be output from the selected speakers. The output mode of the test tone depends on the settings of the 1. SPEAKER SET items in the SET MENU. 3 Press g repeatedly to go to FREQ. and press + or – to select the frequency you want to use. 2 LOW FREQ.TEST 2 LOW FREQ.TEST 2 LOW FREQ.TEST ≥ TEST TONE………OFF OUTPUT…MAIN L/R FREQ.………………88Hz TEST TONE…………ON ≥ OUTPUT…MAIN L/R FREQ.………………88Hz TEST TONE…………ON OUTPUT…MAIN L/R ≥ FREQ.………………88Hz 2 LOW FREQ.TEST TEST TONE………OFF 2 LOW FREQ.TEST OUTPUT…MAIN L/R 2 LOW FREQ.TEST FREQ.………………88Hz 4 Adjust the Subwoofer volume using the controls on the Subwoofer so it matches the volume of the speaker you are comparing it to. Notes: • Do not turn up the VOLUME too high. • If no test tone is heard, turn off the power and make sure all the necessary hookups are correct. • When the headphones are connected to this unit, you cannot set the TEST TONE to “ON”. Digital Generator (Wide Band Noise Produced) NOISE FREQ. Center freq. Band Pass Filter 35 Hz~250 Hz ■ About the test tone The test tone is produced by the tone generator. The tone generator produces a narrow band of noise centered at a specified frequency by the band pass filter. You can change the center frequency from 35 Hz through 250 Hz in one-sixth octave steps. You can use the test tone not only for adjusting the subwoofer level, but also for checking the low frequency characteristics of your listening room. Low frequency sounds are especially affected by the listener’s position, speaker placement, subwoofer polarity, and other conditions. 39 SET MENU Items Introduction 3. L/R BALANCE Use this feature to adjust the balance of the output level from the right and left main speakers. Initial setting is the neutral position. 3 L/R BALANCE L R 0 3 L R 0 4. HP TONE CTRL (Headphone Tone Control) 4 HP__________ TONE CTRL Preparations BASS TRBL | | - -------- + 0dB 4 HP TONE BASS 0dB 4 HP TONE TRBL 0dB Use this feature to adjust the level of bass and treble when you use your headphones. The initial Setting is 0 dB for both bass and treble. Select BASS or TRBL and press + or – to change each level. You can adjust the level from –6 dB to +3 dB. 5. CENTER GEQ (Center Graphic Equalizer) 5 CENTER GEQ _________ Basic Operation ≥ 100Hz 300Hz 1kHz 3kHz 10kHz | | | | | - ------- + 5 CENTER 100Hz Use this feature to adjust the built-in five band graphic equalizer so the Center speaker tone matches that of the left and right Main speakers. You can select the 100 Hz, 300 Hz, 1 kHz, 3 kHz, or 10 kHz frequencies. 1 Use g to select a higher frequency and h to select a lower frequency. 2 Press + or – to adjust the level of that frequency. Note: • You can monitor the Center speaker sound while adjusting this item using the Dolby Surround test tone generator. Press TEST before starting the procedure above. “TEST DOLBY SUR.” appears, and the test tone starts alternating among the speakers. Once you begin the procedure above, the test tone remains at the Center speaker and you can hear how the sound changes as you adjust the various frequency levels. To turn off the test tone generator, press TEST repeatedly until the current DSP program appears. Advanced Operation 6. INPUT RENAME Use this feature to change the name of the input which appears on the OSD or the front panel display. 6 INPUT RENAME VCR1 -> VCR1 -------- VCR1 -> VCR1 -------- 1 Select the input you want to change the name of by pressing an input button (or using the INPUT selector). 2 Press + or – to blink the underbar for the space or character you want to edit. 3 Press h or g to select the character you want to use and + or – to move to the next one. Additional Information • Press g to change the character in the following order, or press h to go in the reverse order. A~Z, a space, 0~9, a space, a~z, a space, #, *, +, and so on. • Follow the procedure above to rename other inputs. Appendix 4 Press + or – repeatedly to exit the INPUT RENAME mode. 40 SET MENU Items 7. I/O ASSIGN English Use this feature to designate the input for the COMPONENT jacks (A and B) and DIGITAL INPUT/OUTPUT jacks (1) to (10)* to any sources you want. Change the setting when there are not enough digital input jacks depending on the source components you are using. (*(10) can be selected for General, China, and Singapore models only.) Initial settings are shown on the display. ■ 7A. For the ■ 7B. For the ■ 7C. For the COMPONENT OPTICAL OUTPUT OPTICAL INPUT VIDEO INPUT jacks jacks (1) and (2) jacks (3) to (7) [A] and [B] 7A CMPNT-V INPUT ≥ [A]………… DVD [B]…………D-TV/LD 7A CMPNT-V INPT [A]………… DVD 7B OPTICAL OUT 7C OPTICAL IN (3)………… CD (4)………… CD-R ≥ (5)………… DVD (6)…………D-TV/LD (7)………… SAT ≥ (1)…………MD/TAPE (2)………… CD-R 7B OPTICAL OUT (1)…………MD/TAPE 7C OPTICAL IN (5)………… DVD ■ 7D. For the COAXIAL INPUT jacks (8) to (10)* 7D COAXIAL IN (8)………… CD ≥ (9)………… CABLE (10)……… LD-RF * 7D COAXIAL IN (9)………… CABLE 8. INPUT MODE Use this feature to designate the input mode for sources connected to DIGITAL INPUT jacks when you turn on this unit. 8 INPUT MODE >AUTO LAST 8 INPUT MODE “AUTO LAST Select “AUTO” to allow this unit to automatically detect the type of input signal and select the appropriate input mode. Select “LAST” to set this unit to automatically select the last input mode used for that source. 9. PARAMETER INI (Parameter Initialization) 9 PARAM. INI *1 2 3 5 6 7 8 9 10 11 12 9 PARAM. INI *1 2 3 4 9 PARAM. INI 5 6 7 8 4 9 PARAM. INI 9 10 11 12 Use this feature to initialize the parameters for each DSP program within a DSP program group. When you initialize a DSP program group, all of the parameter values within that group revert to their initial settings. Press the DSP program group button on the remote control for the DSP program you want to initialize. • All of the DSP programs within the selected program group are initialized. Repeat this step to initialize other DSP program groups. Notes: • The asterisk (*) mark next to a DSP program group number indicates that you have changed the parameter values in one or more DSP programs within that group. • The parameter values of the DSP programs do not change if you initialize a program group that does not have the asterisk (*) mark. • When the MEMORY GUARD function is set to “ON”, you cannot initialize any program groups. • You cannot initialize the individual DSP programs within a group separately. Caution: • Once you initialize a DSP program group, you cannot have this unit revert the parameter values back to the previous settings automatically. 41 SET MENU Items Introduction 10. DOLBY D. SET (Dolby Digital Set) ■ 10A. LFE LEVEL 10A LFE LEVEL ≥ SPEAKER………………0dB HEADPHONE…………0dB 10A LFE LEVEL SP………………0dB Use this feature to adjust the output level of the LFE (low frequency effect) channel when playing back Dolby Digital encoded software. This setting is effective only when this unit decodes Dolby Digital signals. The LFE signal carries the low frequency special effect sound which is only added to certain scenes. You can adjust the levels from 0 dB to –20 dB. • Adjust the LFE levels according to the capacity of your subwoofer or headphones. ■ 10B. D-RANGE (Dynamic Range) Preparations 10B D-RANGE ≥ SP:>MAX STD MIN HP:>MAX STD MIN 10B D-RANGE SP:“MAX STD MIN Use this feature to adjust the dynamic range. This setting is effective only when this unit decodes Dolby Digital signals. Select the “MAX” setting for feature films. Select the “STD” (Standard) setting for general use. Select the “MIN” setting for listening to sources at extremely low volume levels. Basic Operation 11. DTS SET ■ 11. LFE LEVEL 11 LFE LEVEL ≥ SPEAKER………………0dB HEADPHONE…………0dB 11 LFE LEVEL SP………………0dB Use this feature to adjust the output level of the LFE (low frequency effect) channel when playing back DTS encoded software. This setting is effective only when this unit decodes DTS signals. The LFE signal carries the low frequency special effect sound which is only added to certain scenes. You can adjust the levels from –10 dB to +10 dB. • Adjust the LFE level according to the capacity of your subwoofer or headphones. Advanced Operation 12. 6.1/ES AUTO Use this feature to switch the DOLBY Digital Matrix 6.1 and DTS ES AUTO mode on or off. 12 6.1/ES AUTO >ON OFF 12 6.1/ES AUTO “ON OFF Select “ON” to allow the main unit to automatically turn on the Dolby Digital Matrix 6.1 or DTS ES decoder when the software with identification signal is detected. Appendix Additional Information Select “OFF” if you want to control the mode manually by pressing 6.1/ES on the remote. 42 SET MENU Items 13. SP DELAY TIME ≥ CENTER………………0ms REAR CNTR………3ms 13 SP DLY TIME CENTER………………0ms English 13 SP DELAY TIME Use this feature to adjust the delay of the Center and the Rear Center channel sounds. This feature works when this unit decodes DTS or Dolby Digital signals. Ideally, the Center speaker and the Rear Center speaker should be the same distance from the main listening position as the left and right Main speakers. However, in most home situations, the Center speaker or the Rear Center speaker is placed in line with the Main speakers or the Rear speakers. By delaying the sound from the Center speaker and the Rear Center speaker, the apparent distance from the Center speaker and the Rear Center speaker to the main listening position can be adjusted to make it seem the same as the distance between the left and right Main speaker, and the left and right Rear speakers to the listening position. Adjusting the delay time for the Center speaker is especially important for giving depth to the dialogue. You can adjust the delay time from 0 ms to 5 ms for the Center speaker and from 0 ms to 30 ms for the Rear Center speaker. • Increasing the delay 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position. 14. DISPLAY SET ■ BLUE BACK > AUTO/OFF 14 DISPLAY SET ≥ BLUE BACK………AUTO OSD SHIFT………………0 DIMMER………………………0 14 DISPLAY SET BLUE BACK……AUTO You can set the OSD background to blue if the video source is not being reproduced (or the power of the source component is off). ■ OSD SHIFT This setting is used to adjust the vertical position of the OSD. ■ DIMMER You can adjust the brightness of the front panel display. 15. MEMORY GUARD Use this feature to prevent accidental changes to DSP program parameter values and other settings on this unit. 15 MEMORY GUARD >OFF ON 15 MEMORY GUARD “OFF ON Select “ON” to use MEMORY GUARD to protect the following features: • DSP program parameters • All SET MENU items • Front, Rear Center speaker and Subwoofer levels • The On-Screen Display mode Notes: • When MEMORY GUARD is “ON”, you cannot use any of the test modes. • When MEMORY GUARD is “ON”, you cannot select any other SET MENU item. 16. ZONE 2 SET Select ZONE2 OUT to change the setting of the ZONE 2 output volume. 16 ZONE2 SET FIXED VAR. 16 ZONE2 SET “FIXED VAR. Select “FIXED” when you don’t want to change the volume of output to ZONE 2 with the remote control. Selecting “VAR.” allows you to control the volume output to ZONE 2 with the remote control. 43 Remote Control Features Introduction The remote control can operate not only the main unit but also other Yamaha and other manufactures’ audio and video components by using the Learning function and other manufactures’ code settings. The Macro feature also improves the operability of this unit allowing you to program a series of operations in sequence onto a single button. Using the Remote Control <Component Control Area> The main unit control area is the shaded area shown below. It is for controlling this unit. You can use functions within this area no matter which component control area is selected. The component control area is the shaded area shown below. Each component has different functions for operation buttons in the component control area. The component, which was chosen by pressing an input button, can be controlled and the display window shows the corresponding name of the input. Preparations <Main Unit Control Area> Basic Operation Å button and input buttons 10KEY/DSP (10KEY is selected) Additional Information Advanced Operation 10KEY/DSP (DSP is selected) Å button and input buttons switch the control area for each component Appendix There are 14 component control areas. You can setup the manufacturer code and program other remote control functions in each area (Cannot setup the manufacturer code in the OPTN area). 44 Remote Control Features ■ SOURCE SELECT English You can control another component independently from the input you selected by pressing an input button. 1 Press SOURCE SELECT h or g to choose a component and set the remote control to be used for it. 2 The display window will show one of the following: V-AUX, TAPE, PHONO, TUNER, MD, CD, VCR 1, VCR 2, DVD, CD-R, CABLE (Cable TV), SAT (Satellite TV), A, TV/LD (digital and regular TV/LD player), OPTN (Option). ■ About OPTN OPTN is an extra component control area to be programmed with other remote control functions. (You cannot setup the manufacturer code in this area.) ■ Light up function The buttons which are active and the display window light up for 10 seconds after pressing LIGHT. 45 Remote Control Features Each Component Control Area Introduction The general operational buttons are shown for each area. Some of them may not function depending on the component you have. ■ TUNER button (Tuner area) ■ CD button (CD area) Preparations POWER (Set 10KEY) DISPLAY SEARCH Skip Search POWER STOP PLAY PAUSE (/Stop) Preset number 1 to 8 Numeric buttons 1 to 9 Preset group A through E from left. CLEAR Numeric button +10 Numeric button 0 Preset group A/B/C/D/E Basic Operation DISC +/– (Disc Skip) Preset +/– INDEX (Set 10KEY) Additional Information Advanced Operation ■ MD/TAPE button (MD area*1) (Set 10KEY) Appendix ■ CD-R button (CD-R area) REC/PAUSE POWER REC/PAUSE POWER DISPLAY SEARCH Skip Search DISPLAY SEARCH SOUND Skip Search STOP PLAY PAUSE STOP PLAY PAUSE Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button +10 Numeric button 0 Numeric button +10 Numeric button 0 TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. *1 When operating a Tape Deck, set the manufacturer code for TAPE before using the remote control. 46 TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. INDEX (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. Remote Control Features ■ PHONO and V-AUX buttons, and OPTN area*2 ■ DVD button (DVD area) English DISPLAY MENU TITLE Menu cursor/ENTER SOUND Skip Search (Set 10KEY) POWER (Set 10KEY) SEARCH PLAY PAUSE STOP Return Numeric buttons 1 to 9 CLEAR Numeric button +10 Numeric button 0 TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. *2 Operational buttons do not work without setting the manufacturer code for the source component. ■ D-TV/LD button (TV area*3) Disc Skip Title/index TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. ■ VCR1 and VCR2/DVR button (VCR areas*4) REC (Press twice) POWER DISPLAY Rewind/Fast Forward You can control your VCR, if you have set up the code for VCR1. STOP PLAY PAUSE POWER Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button 10 or 0 Numeric button 10 or 0 CH +/– CH +/– TV INPUT TV MUTE TV VOL +/– Enter (Set 10KEY) *3 Set the manufacturer code for TV before using the remote control. When operating a LD player, set the manufacturer code for LD before using the remote control. When LD is selected, TV cannot be operated. Set TV code in PHONO button if necessary. TV/VIDEO (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. *4 Set the manufacturer code for VCR before using the remote control. 47 Remote Control Features Introduction ■ CABLE and SAT buttons (CABLE and SAT areas*5) ■ Å button (ex. LD area*6) Preparations DISPLAY MENU POWER Menu cursor/ENTER DISPLAY SEARCH SOUND CHAPTER +/– (Chapter Search) You can control your VCR, if you have set up the code for VCR1. STOP PLAY PAUSE POWER Numeric buttons 1 to 9 Numeric buttons 1 to 9 CLEAR Numeric button +10 Numeric button 0 Recall Numeric button 0 CH +/– Enter Basic Operation (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. Appendix Additional Information Advanced Operation *5 Set the manufacturer code for Cable TV Tuner and Satellite Tuner before using the remote control. 48 Chapter/Time (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. *6 You can control other components that are not connected to this unit. (“Å” cannot be used as an Input selector.) Remote Control Features Setting the Manufacturer Code in the Remote Control 1 Select the source component you want to preset by using the input buttons. 2 Press and hold LEARN for about three seconds using a ballpoint pen or similar object. LEARN Flashes alternately 3 Use h/g to select the name of your component’s manufacturer. • You will find the names of most audio-video manufacturers worldwide in alphabetical order on the display window. 4 Press POWER (or any other button) on the remote control while pointing it at the component to check if you have set up the code correctly. If the component cannot be controlled by the remote control, try entering another code for the same manufacturer. 5 Press LEARN to confirm the preset. • If you want to preset another code for another component immediately, press ENTER and repeat steps 1 to 4. Note: • If you have already programmed a remote control function to a button, the function takes priority over the set up manufacturer code’s function. ■ Controlling a different component from the source component (input) you selected 1 Repeat steps 1 and 2 of the procedure in “Setting the Manufacturer Code in the Remote Control”. 2 Select a Library (component category) by using q/w. • There are 13 Libraries to set up a manufacturer code; L:TV, L:CAB (CABLE), L:DBS, L:SAT, L:VCR, L:DVD, L:LD, L:CD, L:MD, L:TAP (TAPE), L:TUN (TUNER), L:CDR, *L:AMP. 3 Repeat steps 3 and 4 of the procedure in “Setting the Manufacturer Code in the Remote Control”. About amplifier libraries (L:AMP) L:AMP has 4 codes: YPC, Zone2, DSP, and No. “YPC” or “Zone2” should be selected to operate this unit. “DSP” is for operating YAMAHA DSP amplifiers other than this unit. “No” is to clear this unit control area functions. (“YPC” is factory-set as the amplifier library. When you make up a second audio-video room with this unit’s Zone 2 feature, you must set “Zone2” as the amplifier library in the remote control.) Note: • “ERROR” appears in the display window in the following conditions: when pressing a button other than the cursor and ENTER; when pressing more than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position. 49 English You can control other components by setting a manufacturer code. A code can be set up in each component control area except for the OPTN area. The Yamaha code is factory preset for DVD, CD-R, CD, MD, TUNER, and Å (LD code). There is no factory preset code on VCR1, VCR2/DVR, V-AUX, PHONO, TAPE, CABLE, SAT. Remote Control Features Programming a New Remote Control Function Introduction If you desire to program functions not included in the basic operations covered by the manufacturer code, or a manufacturer code is not available, the following procedure needs to be performed. The possible programming area is the same as a component control area, so buttons are programmable independently for each source component area. It is also possible to program in the main unit control area. 1 Place this remote control and the other remote control about 5 to 10 cm (2 to 4 in.) apart on a flat surface so that their infrared transmitters are aimed at each other. 2 Select a source component. 5~10 cm (2 to 4 in.) Preparations 3 Press LEARN using a ball point pen or similar object. LEARN Flashes alternately Do not press and hold LEARN longer than three seconds. Otherwise this unit enters the Setting the Manufacture Code mode. Basic Operation 4 Press and release the button where you want the new function to be programmed. 5 Press and hold the button on the other remote control that has the function you want to program into this remote control until “OK” appears in the display window. • “NG” appears in display window when programming is not done correctly. Repeat step 4 until “OK” appears in the display. 6 Repeat Steps 4 and 5 to program additional functions. 7 Press LEARN again to exit the Learn mode. Advanced Operation LEARN Notes: • If you do not press any button within 30 seconds, the learning process is canceled. • This remote control transmits infrared rays. If the other remote control also uses infrared rays, this remote control can learn most of the other remote control’s functions. However, you may not be able to program some special signals or extremely long transmissions. (Refer to the operation instructions for the other remote control.) When the memory is full, “FULL” appears in the display window, and this remote control cannot acquire any more functions. Clear unnecessary programmed functions to allow the unit to acquire new functions. • Even if the batteries in the other remote control have enough power to transmit signals for operation, they may not have enough power to transmit signals to this remote control. • When the remote controls are either too close together or too far apart, you may not be able to program this remote control. Additional Information • Direct sunlight interferes with infrared rays. Appendix • “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is switched to another position. 50 Remote Control Features Using the Macro Feature (ex) Press a Macro button Automatically transmits signals of each button sequentially (CD Area*3) Macro button First Second ————— Third ————— ————— ————— ————— ————— (MD/TAPE Area*3) (CD-R Area*3) *1 ————— ————— (VCR1 Area*3) (VCR2/DTR Area*3) (DVD Area*3) (D-TV Area*2) ————— ————— ————— *1 In order to turn on some Yamaha components connected to this unit, connect those components to AC OUTLETS on the rear panel. *2 If the macro you select includes power on/off functions, the component may turn off if it is already on when you press the macro button. For example, if your TV is on and you press the SYSTEM POWER macro button, the TV turns off. *3 The components for which playback can be started are any YAMAHA remote control-compatible MD recorders, CD players, CD recorders, and DVD players. When using macros to operate components other than these or non-YAMAHA components, it is either necessary to learn the PLAY button on the control area of that component or to setup a manufacturer code. 51 English The Macro feature makes it possible to perform a series of operations by pressing just one button. For example, when you want to play a CD, normally you would turn on the components, select the CD input, and press the play button to start playback. Using the Macro feature, you can perform all those operations by simply pressing the CD macro button. The macro buttons (the input buttons and SYSTEM POWER / STANDBY) are factory preset with macro programs. You can also program your own macros. Remote Control Features ■ Operating the Macro feature MACRO ON/OFF Introduction 1 Set MACRO ON/OFF to ON. 2 Press a Macro button. Notes: • When you are finished using the Macro feature, set MACRO ON/OFF to OFF. Macro buttons • While the main unit is carrying out a macro program, the main unit does not receive any other button’s function until the macro is complete (the TRANSMIT indicator stops flashing). Preparations • Continue to aim the remote control at the component the macro is operating until the macro program is complete. ■ Programming a Macro You can use the Macro feature to transmit many remote control commands by pressing a single button. 1 Press MACRO using a ball point pen or similar object. MACRO Basic Operation • If you do not initiate the procedure within 30 seconds, the macro programming process is canceled. Flashes alternately 2 Press the macro button on which you want to program the Macro. • If you want to change the source component, use SOURCE SELECT h/g or input buttons. When you use input buttons, input is selected as a Macro step, whereas SOURCE SELECT h/g only changes the component. • The display window shows the button you chose for programming the macro and the component name in alternation. 3 Press the buttons of the functions that you want to include in the macro sequence in order. Advanced Operation 1 2 indicates the number of macrosteps you entered • You can set up to 10 Macro steps (10 functions). (ex) Flashes alternately 3 Additional Information MACRO 1 MCR 1 : DVD input 2 MCR 2 : DVD y 3 MCR 3 : DVD w 4 Press MACRO again when the sequence you want to program is complete. • After you set 10 steps, “FULL” is displayed. Notes: • “NG” appears in the display window when programming is not done correctly. Appendix • “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is switched to another position. 52 Remote Control Features Changing the Source Name in the Display Window English 1 Select the source component you want to rename by using the input buttons. 2 Press RE-NAME using a ballpoint pen or similar object. RE-NAME 3 Use the cursor buttons h/g to select a character. • Pressing g changes the character in the following order: A~Z, a~z, 0~9, space, -(hyphen), /(slash). 4 Use the cursor buttons q/w to enter a character or move to the next cursor postion. 5 Press RE-NAME to confirm renaming. RE-NAME • If you want to rename another source component immediately, press ENTER and repeat steps 1, 3 and 4. Clearing a Learned Function or Macro 1 Select the source component that you want to clear on the window by using input buttons. 2 Press LEARN if you want to clear a learned function, or press MACRO to clear a programmed macro, using a ball point pen or similar object. MACRO or or LEARN Flashes alternately 3 Press and hold CLEAR using a ball point pen or similar object, and at the same time press the button from which you want to clear the learned function or macro for about 3 seconds. CLEAR While pressing • “C:NG” appears in the display window if the operation is unsuccessful. Should this occur, try doing step 3 again. Flashes alternately MACRO or LEARN You can clear other learned functions and macros at this time by continuing to hold down CLEAR and pressing the other buttons on which those learned functions or macros are programmed. 4 Press LEARN again to confirm clearing a learned function, or press MACRO again to confirm clearing a programmed macro. • Once you clear a learned function or macro from a button, the button reverts to its factory preset function or macro. 53 Remote Control Features Introduction Clearing Learned Functions and Setups CLEAR 1 Press CLEAR using a ballpoint pen or similar object. 2 Press h/g to select the mode to be cleared. The mode is shown in the window in the following order: (L: name of a component) Clears all learning functions of the component. Clears all learning functions of the main unit control area. Preparations For example, when DVD is selected as the source component. Clears all learning functions. Clears all macros. Basic Operation Clears all renamed displays in the display window. Clears all programmed functions including manufacturer code presets. This returns to the factory presets. CLEAR 3 Press and hold CLEAR again for about 3 seconds. Advanced Operation • “C:NG” appears in the display window if the operation is unsuccessful. CLEAR 4 Press CLEAR to confirm clearing. • Once you clear a learned function or macro from a button, the button reverts to its factory preset function or macro. Notes: • If the remote control is without batteries for more than twenty minutes, or if worn out batteries remain in the unit, the contents of the memory may be cleared. When the memory is cleared, insert new batteries and program any acquired functions that may have been cleared. Appendix Additional Information • “ERROR” appears in the display window for the following conditions: when pressing a button other than the cursor and ENTER; when pressing more than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position. 54 ZONE 2 Only analog signals are sent to the second room. For any source you wish to listen to in the second room, you must connect the analog output from the source to the corresponding analog input on this unit. Connections To use the multi-room functions of this unit, you need several additional components: • Since there are so many ways to connect and use this unit in a multi-room installation, we recommend that you consult with a custom installation specialist for the Zone 2 connections which will best meet your requirements. • Some Yamaha models are able to connect directly to the REMOTE OUT jacks of this unit. If you own these products, you may not need to use an infrared emitter. Up to six Yamaha components can be connected as shown. OUT IN OUT IN Remote OUT This unit ■ A sample of system configuration and connections VIDEO SIGNAL ZONE 2 OUT AUDIO SIGNAL ZONE 2 OUT Main Room Second Room Amplifier DVD Player (or other component) This unit Remote control (in the Zone 2 mode) Infrared signal receiver Infrared emitter REMOTE OUT Video monitor REMOTE IN ■ Special considerations when using DTS software The DTS signal is a digital bitstream. Therefore, if you attempt to send the DTS signal to Zone 2, you will only be able to hear the digital noise sound that could damage your loudspeakers. Due to this characteristic of DTS encoded discs, the following considerations and adjustments need to be made. For DTS encoded LDs or DVDs Only 2-channel audio signals may be sent to Zone 2, as follows: • LDs – Set your Laser Disc player’s left and right outputs to the analog sound track. • DVDs – Use the disc menu to set the DVD player’s mixed 2-channel left and right audio outputs to PCM or Dolby Digital. For DTS encoded compact discs DO NOT USE the Zone 2 feature with DTS encoded compact discs. 55 English You can make up a multi-room audio-video system with this unit. With this feature, you can set this unit to reproduce separate input sources in the main room and in a second (Zone 2) room using the supplied remote control in the second room. ZONE 2 Remote Control in Zone 2 Introduction In the second room (Zone 2), the supplied remote control can be used for the Zone 2 remote control. You can select the input source and control the component which is located in the main room directly from the second room regardless of the listening condition in the main room. Before starting the following procedure, set REC OUT/ZONE 2 on the front panel to the SOURCE/REMOTE position. Preparations 1 Press an input button to select the source component you want to set up. LEARN Flashes alternately 2 Press and hold LEARN for about 3 seconds by using a ballpoint pen or similar object. “SETUP” and the selected component name appear alternately in the display window. Basic Operation 3 Press q/w to select “L:AMP”. Advanced Operation 4 Press / to select “ZONE 2”. LEARN 5 Press LEARN to complete the Zone 2 setup. 6 Press SOURCE SELECT display window. to display “Zone2” in the Additional Information 7 Press an input button to select the input source you want to listen to in the second room. The display window shows “2: (name of selected input)” if the remote control is in the Zone 2 mode. 8 You can control the component by using the component control area buttons. Note: • VOLUME +/– can be used to adjust the volume if you set the SET MENU item 16. ZONE2 SET, ZONE2 OUT to “VAR.”. Appendix Press SOURCE SELECT / to exit from the Zone 2 mode. 56 Adjusting the Levels of the Effect Speakers English You can adjust the volume level of each effect speaker (Center, Right Rear, Rear Center, Left Rear, Front Effect, and Subwoofer) while listening to a music source. 1 Set PARAMETER/SET MENU to PARAMETER. 2 Press LEVEL to select the speaker(s) you want to adjust. Each time you press this button the selected speaker changes and appears in the front panel display only as follows: Center, Right Rear, Rear Center, Left Rear, Front Effect speakers, and Subwoofer Center EFFECT CENTER Right Rear EFFECT R SUR. Rear Center EFFECT REAR CT Left Rear EFFECT L SUR. Front EFFECT FRONT Subwoofer EFFECT SWFR 3 Adjust the speaker volume level using the + or – on the remote control. LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB You can adjust the Center, Right Rear, Rear Center, Left Rear, Front Effect speakers from +10 dB to –10 dB. You can adjust the Subwoofer from 0 dB down to –20 dB. Notes: • You cannot adjust the left and right speakers independently. • When you adjust the speaker level using LEVEL, the settings you made using the Dolby Surround Test and DSP Test change. • When PARAMETER/SET MENU is set to SET MENU, you cannot adjust the speaker level using LEVEL. However, each time you press LEVEL the current level setting of each speaker appears. Select the speaker level you want to check using h or g. • When the headphones are connected to this unit, the levels of the effect speakers cannot be adjusted. LEVEL 0dB Setting the Sleep Timer Use this feature to automatically turn off the main unit after the amount of time you set. The Sleep Timer is useful when you plan to fall asleep while the main unit is reproducing or recording a source. The Sleep Timer also automatically turns off external components connected to AC OUTLETS. The Sleep Timer can only be set using the remote control. ■ To set the sleep timer 1 Select a source using the INPUT selector and start playback (or select a broadcast station) on the source component. 2 Press SLEEP repeatedly to set the amount of time before the main unit automatically turns off. Each time you press SLEEP, the front panel display changes as shown below. After a few seconds the display returns to the previous indication. SLEEP 120 min SLEEP OFF SLEEP 90 min SLEEP 30 min SLEEP 60 min ■ To cancel the sleep timer 1 Press SLEEP repeatedly until “SLEEP OFF” appears in the front panel display. After a few seconds, the display returns to the previous indication. Note: • The Sleep Timer setting can also be canceled by turning off the main unit using STANDBY on the remote control (or STANDBY/ON on the front panel) or by disconnecting the AC Power Cord from the AC outlet. 57 Introduction Preparations Basic Operation Additional Information Advanced Operation Additional Information Digital Sound Field Processing (DSP) 59 Understanding Sound Fields .................................................................................. 59 Hi-Fi DSP Programs ............................................................................................... 60 CINEMA-DSP 61 Appendix Sound Design of CINEMA-DSP ............................................................................ 61 CINEMA-DSP Programs ....................................................................................... 62 DSP Parameter 64 Changing Parameter Settings ................................................................................. 64 Parameter Descriptions .......................................................................................... 64 Resetting to the Factory Preset Value .................................................................... 67 58 Digital Sound Field Processing (DSP) English Understanding Sound Fields A sound field is defined as the “characteristic sound reflections of a particular space.” In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality. Yamaha sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit. R L R R FR FL ■ Recreating a sound field Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. Yamaha’s DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources in a full circle around the listener. The DSP sound field programs can be classified in two types based on the sound field processing method: programs that use early reflections only and programs that use both early reflections and reverberation. ■ E/R (Early Reflection) Each sound field is distinguished by the structure of the reflected sound. The increased processing capability of DSP technology enables Yamaha engineers to incorporate even minute reflections with long delay times into the sound field data. ■ 4ch REV. (Four Channel Reverberation) This type of program consists of early reflections and high quality digital reverberation processing. Reverberation is the most important element for recreating the sound field of a church, for example. To recreate a realistic spatial sound image from reverberation data, Yamaha has adapted the four-channel-output reverberation technology. ■ Illustration of the virtual sound sources and echo patterns The virtual sound sources and echo patterns for the DSP sound field programs are shown below. The illustration of the virtual sound sources shows early reflection sound only and the illustration of the echo patterns shows both reflected sound and reverberation. Virtual Sound Sources Echo Patterns The center of these circles represents the virtual sound source. The size of the circle indicates the strength of the virtual sound source. Direct sound source Early reflections Reverbration 50~80 mSec The direct sound source The listening position 59 Digital Sound Field Processing (DSP) Hi-Fi DSP Programs Introduction Concert Hall 1 ■ Europe Hall A This is a large fan-shaped concert hall with approximately 2500 seats. There is relatively little reflection from the walls, and sound spreads finely and beautifully. Concert Hall 2 ■ U.S.A. Hall C Preparations This is a large 2600 seat concert hall in the United States which features a fairly traditional European design. The middle and high frequencies are richly and beautifully reinforced. Church ■ Freiburg Basic Operation This program recreates the acoustic environment of a big church located in south Germany. The reverberation delay is very long while the early reflections are smaller than with other sound field programs. Jazz Club ■ Village Gate This is the sound field at a jazz club in New York. It is in a basement and has a relatively spacious floor area. The listener’s virtual seat is at the center left of the hall. Rock Concert ■ Roxy Theatre Advanced Operation The ideal program for lively, dynamic rock music. The data for this program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of the hall. Program Group 1 ■ Europe Hall B A classic shoe-box type concert hall with approximately 1700 seats. Pillars and ornate carvings create extremely complex reflections which produce a very full, rich sound. Program Group ■ Live Concert A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage. Program Group This program gives you the long delays and extraordinarily spacious feel of a stadium that is no less than 990 feet (300 meters) in diameter. Additional Information Entertainment ■ Disco Appendix This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. 60 3 ■ Royaumont This program features the sound field created by the refectory (dining hall) of a beautiful medieval Gothic monastery located in Royaumont on the outskirts of Paris. Program Group 4 ■ The Bottom Line This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club. The floor can seat 300 people to the left and right in a sound field offering a real and vibrant sound. Program Group 5 ■ Arena A classic shoe-box type concert hall. This program gives you long delays between direct sounds and effect sounds, with the extraordinarily spacious feel of a large arena. Stadium ■ Anaheim 2 Program Group 6 ■ Bowl This program gives you the feel of an outdoor stadium with the typical bowl-shaped seating arrangement. Program Group 7 ■ 8ch Stereo This is a sound field suitable for background music at parties where you can hear the sound directly from the rear as well. The number of speakers to output depends on SPEAKER SET in SET MENU. CINEMA-DSP English Sound Design of CINEMA-DSP Filmmakers intend the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide the surround sound field. It recreates the most complete movie sound design in your audio room. In CINEMA-DSP sound field programs, Yamaha’s exclusive DSP processing is added to the right and left Main and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal. AV ROOM L SURROUND SOUND FIELD PRESENCE SOUND FIELD DIALOG EFFECT MUSIC R SURROUND SOUND FIELD ■ Movie theater programs The six-channel soundtracks found on 70 mm film produce precise sound field localization and rich, deep sound without using matrix processing. This unit’s Movie Theater 70 mm Programs provide the same quality of sound and sound localization that six-channel soundtracks do. The built-in Dolby Digital decoder brings the professional quality sound designed for movie theaters into your home. With this unit’s Movie Theater program, you can recreate a dynamic sound that gives you the feeling of being at a public theater in your living room using the Dolby Digital technology. Dolby Pro Logic + DSP sound field effect Presence DSP sound field These programs express an immense sound field and a large surround effect. They also give depth to the sound from the Main speakers to recreate the realistic sound of a Dolby Stereo theater. Surround DSP sound field Dolby Digital/DTS + DSP sound field effect Presence DSP sound field Left surround DSP sound field These programs use Yamaha’s tri-field DSP process on each of the Dolby Digital or DTS signals for the front, Left surround, and Right surround channels. This processing enables this unit to reproduce the immense sound field and surround expression of a Dolby Digital or DTS equipped movie theater without sacrificing the clear separation of all channels. Right surround DSP sound field Dolby Digital Matrix 6.1/DTS ES + DSP sound field effect These programs provide you the maximum experience of the spacious surround effects since an extra rear center DSP sound field created from the Rear Center channel is added. 61 CINEMA-DSP CINEMA-DSP Programs Introduction According to the input signal format, this unit automatically chooses the appropriate decoder and DSP sound field pattern. Table of Program Names for Each Input Format Input Program Group ENTERTAINMENT 7 Preparations 8 Stereo (2ch) DOLBY DIGITAL (5.1ch) DTS (5.1ch) DOLBY DIGITAL (6.1ch)* DTS ES (6.1ch)* Game ––––––– ––––––– ––––––– ––––––– Classical/Opera ––––––– ––––––– ––––––– ––––––– Pop/Rock ––––––– ––––––– ––––––– ––––––– Mono Movie ––––––– ––––––– ––––––– ––––––– Variety/Sports ––––––– ––––––– ––––––– ––––––– 70 mm Spectacle DGTL Spectacle DTS Spectacle Spectacle 6.1 Spectacle ES 70 mm Sci-Fi DGTL Sci-Fi DTS Sci-Fi Sci-Fi 6.1 Sci-Fi ES 70 mm Adventure DGTL Adventure DTS Adventure Adventure 6.1 Adventure ES 70 mm General DGTL General DTS General General 6.1 General ES Normal ––––––– ––––––– ––––––– ––––––– Enhanced ––––––– ––––––– ––––––– ––––––– ––––––– Normal ––––––– Matrix 6.1 ––––––– ––––––– Enhanced ––––––– Enhanced 6.1 ––––––– ––––––– ––––––– Normal ––––––– ES ––––––– ––––––– Enhanced ––––––– Enhanced ES CONCERT VIDEO 9 TV THEATER 10 11 MOVIE THEATER 1 MOVIE THEATER 2 Basic Operation PRO LOGIC 12 DOLBY DIGITAL DTS DIGITAL SUR * The Matrix decoder is ON. ■ Program groups 7 (Game)~9 Advanced Operation These are sound field programs for audio-video sources. ■ Program groups 10~12 Ideal for reproducing a movie program which is encoded with Dolby Surround, Dolby Digital, or DTS. When the newest movie program encoded with 6-channel Digital Surround is input, you can enjoy the full 6.1 channel reproduction using the internal Matrix decoder. PRO LOGIC functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in two channels. DOLBY DIGITAL functions when the input signal is encoded with Dolby Digital in more than two channels. DTS DIGITAL SUR functions when the input signal is encoded with DTS. Note: Appendix Additional Information • No sound will be output from the Main speakers when a monaural source is played with sound field Program Groups 7 (Game) and 8–12. 62 CINEMA-DSP Program Group 7 Program Group 8 English Entertainment ■ Game This program adds a deep and spatial feeling to video game sounds. Concert Video ■ Classical/Opera This program provides excellent vocal depth and overall clarity by restraining excessive reverberation. The surround sound field is relatively moderate but it reproduces beautiful sound using data collected from a concert hall. TV Theater ■ Mono Movie This program is provided for reproducing monaural video sources (such as old movies). The program produces the optimum reverberation to create sound depth using only the presence sound field. Movie Theater 1 ■ Spectacle This program creates the extremely wide sound field of a 70 mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound fields incredibly real. This program is ideal for any kind of Dolby Surround video source (especially large-scale movie productions). Movie Theater 2 ■ Adventure This program is ideal for precisely reproducing the sound design of the newest 70 mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. Dolby/DTS Surround ■ Normal/Matrix 6.1/ES The built-in decoder precisely reproduces sounds and sound effects from sources. The highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise. In this program, no DSP effect is applied. ■ Pop/Rock This program produces an enthusiastic atmosphere and lets you feel as if you are at an actual jazz or rock concert. Program Group 9 ■ Variety/Sports Though the presence sound field is relatively narrow, the surround sound field employs the sound environment of a large concert hall. With this program, you can enjoy watching various TV programs such as news, variety shows, music programs, or sports programs. Program Group 10 ■ Sci-Fi This program clearly reproduces the broad and expansive cinematic space from the soundtracks of the latest science fiction films. Program Group 11 ■ General This program is for reproducing sounds from 70 mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. The presence sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining the effect of conversations without losing clarity. Program Group 12 ■ Enhanced/6.1/ES This program ideally simulates the multiple surround speaker systems of 35 mm film theaters. The Dolby Surround decoding and the digital sound field processing create precise effects without altering the original sound orientation. The surround effects produced by this sound field wrap around the viewer naturally from the back to the left and right and toward the screen. 63 DSP Parameter Introduction You can enjoy good quality sound with the preset parameters. Although you do not have to change the initial settings, you can change some of the parameters to better suit the input source or your listening room. Changing Parameter Settings 1 Set PARAMETER/SET MENU to PARAMETER on the remote control. 2 Turn on your video monitor and press ON SCREEN to select the full display. 3 Select the sound field program you want to adjust. Preparations Program Type (subprogram) Program No. Program Name 4 Press g or h to select the parameter. 5 Press + or – to change the parameter value. P05 ROCK CONCERT When you set the parameter to a value other than the factory preset value, an asterisk mark appears by the parameter name on the monitor screen. Roxy Theatre ≥ INIT.DLY…………15ms LIVENESS…………………5 REV.TIME…………1.6s REV.DELAY……100ms REV.LEVEL……………7% Basic Operation Cursor 6 Repeat steps 3 through 5 above as necessary to change other program parameters. Parameters Example using the ROCK CONCERT program Parameter Descriptions You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room. Not all of the following parameters are found in every program. INIT. DLY (Initial Delay) [P. INT. DLY for the presence sound field] Control Range 1 – 99 msec Advanced Operation Function .............. This parameter changes the apparent distance from the source sound by adjusting the delay between the direct sound and the first reflection heard by the listener. Description ......... The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther the apparent distance seems. For a small room, this parameter would be set to a small value, and for a large room, it would be set to a large value. Time Additional Information INIT.DLY Early Reflections Level Level Level Sound Source Time INIT.DLY Time INIT.DLY Sound Source Reflection Face Appendix Small value = 1 ms 64 Large value = 99 ms DSP Parameter ROOM SIZE [P. ROOM SIZE for the presence sound field] Control Range 0.1 – 2.0 Description ......... As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between the original reflected sound and the subsequent reflections. By controlling the time between the reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from one to two, doubles the apparent length of the room. Time Level Early Reflections Level Level Sound Source Time Time Sound Source Small value = 0.1 Large value = 2.0 LIVENESS Control Range 0 – 10 Function .............. This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the early reflections decay. Description ......... The early reflections of a sound source decay much faster in a room with acoustically absorbent wall surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as “dead,” while a room with highly reflective surfaces is referred to as “live.” The LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the room. Sound Source Time Level Dead Level Level Live Time Time Sound Source Small Reflected Sound Small value = 0 S. DELAY (Surround Delay) Large Reflected Sound Large value =10 Control Range 0 – 49 msec (The range depends on the signal format.) Function .............. This parameter adjusts the delay between the direct sound and the first reflection in the surround sound field. S. INIT. DLY (Surround Initial Delay) Control Range 1 – 49 msec Function .............. This parameter adjusts the delay between the direct sound and the first reflection on the surround side of the sound field. You can only adjust this parameter when at least two front channels and two rear channels are used. S. ROOM SIZE (Surround Room Size) Control Range 0.1 – 2.0 Function .............. This parameter adjusts the apparent size of the surround sound field. 65 English Function .............. This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the surround sound field becomes. DSP Parameter S. LIVENESS (Surround Liveness) Control Range 0 –10 Introduction Function .............. This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field. RC. INIT. DLY (Rear Center Initial Delay) Control Range 1 – 49 msec Function .............. This parameter adjusts the delay between the direct sound and the first reflection in the rear center sound field. RC. ROOM SIZE (Rear Center Room Size) Control Range 0.1 – 2.0 Function .............. This parameter adjusts the apparent size of the rear center sound field. RC. LIVENESS (Rear Center Liveness) Control Range 0 – 10 Preparations Function .............. This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field. REV. TIME (Reverberation Time) Control Range 1.0 – 5.0 sec Function .............. This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range. Description ......... Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time for “live” sources and listening room environments. Sound Source Reverberation Reverberation Basic Operation Early Reflections 60 dB 60 dB REV. TIME Sound Source 60 dB REV. TIME REV. TIME Long Reverberation Short Reverberation Advanced Operation Small value = 1.0 s Large value = 5.0 s REV. DELAY (Reverberation Delay) Control Range 0 – 250 msec Function .............. This parameter adjusts the time difference between the beginning of the direct sound and the beginning of the reverberation sound. Level Description ......... The larger the value, the later the reverberation sound begins. A later reverberation sound makes you feel like you are in a larger acoustic environment. Sound Source Additional Information (dB) 60 dB Reverberation Time Appendix REV. DELAY 66 REV TIME DSP Parameter REV. LEVEL (Reverberation Level) Control Range 0 – 100 % English Function .............. This parameter adjusts the volume of the reverberation sound. Description ......... The larger the value, the stronger the reverberation becomes. Level Sound Source REV. LEVEL Time CT. DELAY (Center Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. LS. DELAY (Left Surround Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. RC. DELAY (Rear Center Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. RS. DELAY (Right Surround Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. FL. DELAY (Front Left Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. FR. DELAY (Front Right Delay) Control Range 0 – 50 msec Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode. Resetting to the Factory Preset Value ■ To reset a parameter to the factory preset value Select the parameter you want to reset. Then, press and hold + or – until the value stops at the factory preset value temporarily. (The asterisk mark by the parameter name disappears on the video monitor.) ■ To reset all of the parameters back to the factory preset values Use the SET MENU to reset all of the parameter values of all DSP programs within the selected group to the factory preset values. This operation resets all of the parameter values of all DSP programs within that group to the factory preset values. Notes: • The available parameters may be displayed on more than one OSD page for some of the programs. To scroll through pages, press g or h. • When “MEMORY GUARD!” appears on the screen, the Memory Guard function is on, and you cannot change parameter values. Turn off the Memory Guard function using the SET MENU. 67 Appendix Additional Information Advanced Operation Basic Operation Appendix 68 Troubleshooting 69 Specifications 73 Preparations Introduction Troubleshooting English Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, turn the power off, disconnect the power cord, and contact your dealer or the nearest Yamaha Audio Products Service Department. After this unit is exposed to strong external electric shock (such as lightning and large static electricity) or you mishandle the operation of this unit, it may not function properly. In these cases, turn the power off, unplug the power cord, plug it back in after 30 seconds, and start operating. General Problem The unit fails to turn on when STANDBY/ON is pressed, or returns to standby mode suddenly soon after the power is turned on. What to Do Possible Cause The power cord is not plugged in or is not completely inserted. Plug in the power cord securely. IMPEDANCE SELECTOR on the rear panel is not set correctly. Set the switch completely to either position (depending on your speakers) while this unit is in standby mode. The protection circuitry has been activated. Make sure all speaker wire connections on this unit and on all speakers are secure and that the wire for each connection does not touch anything other than its respective connection. There is a faulty cable connection. Connect the audio plugs securely. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Connect the grounding cord of your turntable to the GND terminal of this unit. The volume is turned down. Turn up the volume. Faulty or incorrect input or output connection. Connect the component correctly. If the problem persists, the cords may be defective. Incorrect input source. Select the appropriate input source with the INPUT selector. This unit is set to DTS input mode. Press INPUT MODE to select another input mode Digital signals other than PCM audio, Dolby Digital, or DTS encoded signals are input to this unit by playing a CD-ROM, etc. Play a source whose signals this unit can reproduce. No picture The source component is connected to this unit using an S-video cable, but there is no S-video connection between this unit and your video monitor. Connect this unit’s S VIDEO MONITOR OUT terminal to the TV’s S-video input terminal or disconnect the S-video cable from the source component. No sound is coming from one side. There is a faulty cable connection. Connect all cables securely. If the problem persists, the cords may be defective. The volume level cannot be increased very much when adjusting VOLUME. MUTE is on. Turn VOLUME to minimum, press MUTE to restore audio, and adjust the volume again. The component connected to the MD/TAPE OUT or CD-R OUT jacks of this unit is turned off. Turn on the power to the component. The sound suddenly goes off. The protection circuitry has been activated because of short circuit etc. Check that the IMPEDANCE SELECTOR switch is set to the appropriate position and then turn the unit back on. Hum No sound or no picture Check that the speaker wires are not touching each other and then turn the unit back on. The SLEEP timer came on. Cancel the SLEEP timer function. The sound is muted. Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume. No sound is coming from the Effect speakers. The effect is off. Press EFFECT to turn on the effect sound. No OSD on the video monitor. DISPLAY OFF is selected. Select “Full Display” or “Short Display”. BLUE BACK is OFF at DISPLAY SET. Select “AUTO”. A Dolby Surround or DTS decoding sound field Select another sound field program. program is being used with material not encoded with Dolby Surround or DTS. 69 Troubleshooting Problem Introduction No sound is coming from the Front Effect speakers. Adjust the Front Effect speaker level. The 1F. FRNT EFCT item in the SET MENU is set to “NONE”. Select “YES”. The 1A. CENTER SP item in the SET MENU is set to “NONE”. Select the appropriate mode for your Center speaker. One of the Hi-Fi DSP sound field programs (1 to 7 (except “Game”)) is selected. Select another sound field program. The input signals of a source encoded with Dolby Digital or DTS do not include center channel signals. Refer to the instructions for the source currently playing. The right and left Rear speaker levels are set to minimum. Increase the right and left Rear speaker levels. A monaural source is played with sound field program 12. Select another sound field program. The 1E. LFE/BASS OUT item in the SET MENU is set to “MAIN” when a Dolby Digital or DTS encoded software is played. Select “SWFR” or “BOTH”. The 1E. LFE/BASS OUT item in the SET MENU is set to “SWFR” or “MAIN” when 2channel encoded software is played. Select “BOTH”. The 1E. LFE/BASS OUT item in the SET MENU is set to “SWFR” or “BOTH” and your system does not include a subwoofer. Select “MAIN”. The output mode selection for each channel (MAIN, CENTER, or REAR) in the SET MENU does not match your speaker configuration. Select the appropriate output mode for each channel based on the size of the speakers in your configuration. The volume level cannot be increased, or sound is distorted. The power to the component connected to the REC OUT jacks of this unit is off. Turn on the power to the component. DSP parameters and some other settings on this unit cannot be changed. The 15. MEMORY GUARD item in the SET MENU is set to “ON”. Select “OFF”. This unit does not operate properly. The internal microcomputer has been frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage. Disconnect the AC power cord from the outlet, then plug it in again after about one minute. Preparations No sound is coming from the Rear Effect speakers. Basic Operation No sound is coming from the Subwoofer. Additional Information Advanced Operation Poor bass reproduction. Appendix What to Do The front level is set to minimum. No sound is coming from the Center speaker. 70 Possible Cause PRO LOGIC/Normal, DOLBY DIGITAL/ Select another sound field program. Normal or DTS DIGITAL SUR./Normal of DSP program 12 is selected. A source cannot be recorded by The source unit is connected to this unit using a tape deck or VCR connected to digital jacks only. this unit. Make additional connections to the analog jacks. CHECK SP WIRES!" appears on the display. Speaker cables are short circuited. Make sure all speaker cables are connected correctly. There is noise from a nearby TV or tuner. This unit is too close to the affected component. Move this unit farther away from the affected component. The sound is degraded when listening with the headphones connected to a CD player or cassette deck that is connected to this unit. The power to this unit is off. Turn on the power to this unit. “INPUT DATA ERROR” appears on the display and no sound is heard. A non-standard source is played back, or the component playing back the source is not operating correctly. Check the source, or turn off the source component, then turn it on again. Troubleshooting Tuner FM AM Possible Cause What to Do Check the antenna connections. Try using a high quality directional FM antenna. Set TUNING MODE to the manual tuning mode. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference. Adjust the antenna orientation to eliminate multipath interference. A desired station cannot be tuned in with the automatic tuning method. The station is too weak. Use the manual tuning method. Previously preset stations can no longer be tuned in using preset tuning. This unit has been unplugged for a long period. Repeat the presetting procedure. A desired station cannot be tuned in with the automatic tuning method. Weak signal or loose antenna connections. Tighten the AM loop antenna connections and adjust the antenna’s orientation for best reception. There are continuous crackling and hissing noises. Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical component. English Problem FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. Use a high quality directional FM antenna. Use the manual tuning method. There are buzzing and A television set is being used nearby. whining noises (especially in the evening). Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all the noises. Relocate this unit away from the TV. 71 Troubleshooting Remote Control Introduction Problem The remote control does not work. Preparations The remote control does not function properly. Basic Operation The remote control does not “learn” new functions. (The TRANSMIT indicator does not light up or flash.) Appendix Additional Information Advanced Operation Continuous functions such as volume are learned, but operate only for a moment before stopping. 72 Possible Cause What to Do The batteries are dead. Replace the batteries with new ones and press RESET inside the battery compartment. The internal microcomputer has “frozen”. Press RESET inside the battery compartment. Wrong distance or angle. The remote control will function within a maximum range of 6 m (20 feet), no more than 30 degrees offaxis from the front panel. Direct sunlight or lighting (such as an inverter type of fluorescent lamp) is striking the remote control sensor of this unit. Change the position of this unit. The internal microcomputer has “frozen”. Press RESET inside the battery compartment. The batteries of this remote control and/or the other remote control are too weak. Replace the batteries (and press RESET inside the battery compartment). The distance between the two remote controls is too far or near. Place the remote controls at the proper distance. The signal coding or modulation of the other remote control is not compatible with this remote control. Learning is not possible. Memory capacity is full. Further learning is not possible without deleting unnecessary functions. The internal microcomputer has “frozen”. Press RESET inside the battery compartment. The learning process is incomplete. Be sure to press and hold the function button on the other remote control until TRANSMIT begins flashing slowly. Specifications Minimum RMS Output Power 20 Hz to 20 kHz, 0.02% THD, 8 ohms Main L/R, Center, Rear L/R, Rear Center ...................... 100 W 1 kHz, 0.05% THD Front L/R .......................................................................... 25 W <General and China models> Maximum Output Power (EIAJ) 1 kHz, 10% THD, 8 ohms Main L/R, Center, Rear L/R, Rear Center ...................... 135 W Front L/R .......................................................................... 35 W DIN Standard Output Power 1 kHz, 0.7% THD, 4 ohms, Main L/R ................................ 160 W IEC Output Power 1 kHz, 0.015% THD, 8 ohms, Main L/R ............................ 115 W Component Video Signal Level Y .......................................................................... 1 Vp-p/75 ohms PB/CB, PR/CR ..................................................... 0.7 Vp-p/75 ohms Signal to Noise Ratio ................................................................. 50 dB Frequency Response (MONITOR OUT) Composite, S-Video .................................. 5 Hz to 10 MHz –3 dB Component .................................................. DC to 30 MHz –3 dB FM Section Tuning Range [U.S.A. and Canada models] ........................... 87.5 to 107.9 MHz [Others] ........................................................ 87.50 to 108.00 MHz 50 dB Quieting Sensitivity (IHF, 100% mod.) Mono/Stereo ........................ 2.0 µV (17.3 dBf) /25 µV (39.2 dBf) Selectivity (400 kHz) ................................................................. 70 dB Dynamic Power (IHF) 8/6/4/2 ohms, Main L/R ................................ 140/170/220/320 W Signal to Noise Ratio (IHF) Mono/Stereo .............................................................. 76 dB/70 dB Damping Factor 20 Hz to 20 kHz, 8 ohms, Main L/R .......................... 200 or more Harmonic Distortion (1 kHz) Mono/Stereo ................................................................. 0.2%/0.3% Power Band Width 50 W, 0.08% THD, 8 ohms, Main L/R ............... 10 Hz to 50 kHz Stereo Separation (1 kHz) ......................................................... 45 dB Frequency Response CD to Main L/R ..................................... 10 Hz to 100 kHz, –3 dB Total Harmonic Distortion 20 Hz to 20 kHz, 50 W, 8 ohms, Main L/R ...................... 0.015% Signal to Noise Ratio (IHF-A Network) CD (250 mV input shorted) to Main L/R, Effect Off ......... 100 dB PHONO (5 mV input shorted) to Main L/R, Effect Off [U.S.A., Canada, General and China models] ...................... 86 dB [Australia and Singapore models] ........................................ 82 dB Residual Noise (IHF-A Network) Main L/R ................................................................ 150 µV or less Channel Separation (1 kHz/10 kHz) CD (5.1k terminated) to Main L/R ............................ 60 dB/45 dB Tone Control (Main L/R) BASS Boost/Cut ...................................................... ±10 dB/50 Hz TREBLE Boost/Cut ............................................... ±10 dB/20 kHz Bass Extension .......................................................... +6 dB/60 Hz Phones Output ....................................................... 150 mV/100 ohms Input Sensitivity CD etc. .............................................................. 150 mV/47 kohms Phono ................................................................. 2.5 mV/47 kohms Main In .................................................................... 1 V/47 kohms Output Level REC OUT ........................................................... 150 mV/1 kohms PRE OUT ............................................................... 1 V/1.2 kohms SUB WOOFER ...................................................... 4 V/1.2 kohms ZONE 2 OUT ......................................................... 1 V/1.5 kohms Video Section Video Signal Type [U.S.A. and Canada models] ............................................... NTSC [Australia and Singapore models] .......................................... PAL [General and China models] ....................................... NTSC/PAL Frequency Response ............................. 20 Hz to 15 kHz +0.5, –2 dB AM Section Tuning Range [U.S.A. and Canada models] ............................... 530 to 1710 kHz [General and China models] ............... 530/531 to 1710/1611 kHz [Australia and Singapore models] ....................... 531 to 1611 kHz Usable Sensitivity ............................................................... 300 µV/m General Power Supply [U.S.A. and Canada models] .............................. AC 120 V/60 Hz [Australia model] ................................................ AC 240 V/50 Hz [Singapore model] .............................................. AC 230 V/50 Hz [General and China models] .... AC 110/120/220/240 V, 50/60 Hz Power Consumption ................................................... 480 W/630 VA Standby Mode ....................................................................... 1.5 W AC Outlets (Total 100W /1A maximum) ....................... 3 (Switched) [Australia model] ....................................................... 1 (Switched) Dimension (W x H x D) ...................... 449 x 191 x 468 mm (17-5/8" x 7-1/2" x 18-7/16") Weight ....................................................................... 22 kg (48.5 lbs) Accessories ................................................................ Remote Control Batteries AM Loop Antenna Indoor FM Antenna Quick Reference Guide Side Panel Sticker [U.S.A., Canada, and Singapore models] .............. Power Cord * Specifications are subject to change without notice. Composite Video Signal Level ................................. 1 Vp-p/75 ohms S-Video Signal Level Y .......................................................................... 1 Vp-p/75 ohms C ................................................................... 0.286 Vp-p/75 ohms 73 English Audio Section YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA Printed in Japan V652420-1 Quick Reference Card ■ Remote Control ■ TUNER button (TUNER area) ■ CD button (CD area) Infrared window POWER CLEAR RE-NAME TRANSMIT STANDBY SYSTEM POWER LEARN MACRO A DISPLAY SEARCH Skip Search STOP PLAY PAUSE (/Stop) Numeric buttons 1 to 9 (Set 10KEY) MACRO ON/OFF button POWER Input buttons Preset number 1 to 8 Display 6CH INPUT Preset group A through E from left. Source selector CLEAR Numeric button +10 Numeric button 0 Preset group A/B/C/D/E LIGHT DISC +/– (Disc Skip) Operational buttons Preset +/– 10 KEY/DSP INDEX (Set 10KEY) Sound program selector/ Numeric buttons MUTE Operational buttons ■ MD/TAPE button (MD area) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. ■ CD-R button (CD-R area) VOLUME +/– EFFECT LEVEL ON SCREEN SLEEP TEST PARAMETER/SET MENU Cursor buttons Cover (Set 10KEY) REC/PAUSE POWER REC/PAUSE POWER DISPLAY SEARCH Skip Search STOP PLAY PAUSE DISPLAY SEARCH SOUND Skip Search STOP PLAY PAUSE Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button +10 Numeric button 0 Numeric button +10 Numeric button 0 TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. INDEX (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. V655120 Quick Reference Card ■ PHONO and V-AUX buttons, and OPTN area ■ D-TV/LD button (TV area) ■ CABLE and SAT buttons (CABLE and SAT areas) DISPLAY MENU Menu cursor/ENTER DISPLAY (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. You can control your VCR, if you have set up the code for VCR1. You can control your VCR, if you have set up the code for VCR1. POWER POWER Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button 10 or 0 Recall Numeric button 0 CH +/– CH +/– TV INPUT TV MUTE TV VOL +/– Enter (Set 10KEY) ■ DVD button (DVD area) ■ VCR1 and VCR2/DVR button (VCR areas) DISPLAY MENU TITLE Enter (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. ■ A button (ex. LD area) REC (Press twice) POWER POWER Menu cursor/ENTER POWER (Set 10KEY) SOUND Skip Search Rewind/Fast Forward SEARCH PLAY PAUSE STOP Return STOP PLAY PAUSE DISPLAY SEARCH SOUND CHAPTER +/– (Chapter Search) STOP PLAY PAUSE Numeric buttons 1 to 9 Numeric buttons 1 to 9 Numeric button 10 or 0 CLEAR Numeric button +10 Numeric button 0 Numeric buttons 1 to 9 CLEAR Numeric button +10 Numeric button 0 CH +/– Disc Skip Title/index TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. TV/VIDEO (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. Chapter/Time (Set 10KEY) TV VOL +/–, TV INPUT, and TV MUTE function if you have set up the manufacturer code for the TV Area. V655120-
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Yamaha RX-V3000GL Handleiding
- Categorie
- AV-ontvangers
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- Handleiding
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- English: Yamaha RX-V3000GL User manual
- italiano: Yamaha RX-V3000GL Manuale utente
- русский: Yamaha RX-V3000GL Руководство пользователя
- français: Yamaha RX-V3000GL Manuel utilisateur
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- suomi: Yamaha RX-V3000GL Ohjekirja
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