Yamaha CL3 de handleiding

Merk: Yamaha

Model: CL3

Categorie: Audiomixers

Type: de handleiding

Deze handleiding is ook geschikt voor

Owner’s Manual

Keep This Manual For Future Reference.

Owner’s Manual

Contents

PRECAUTIONS................................... 5

Introduction .................................... 7

Welcome! ..........................................................7

Accessories.........................................................7

About utility software.........................................7

About firmware updates.....................................7

About the Owner’s Manual ................................7

Conventions in this manual................................7

An overview of the CL series ........... 8

Features .............................................................8

About the models ..............................................9

Controls and functions .................. 10

Top panel ........................................................10

Front Panel ......................................................16

Rear Panel........................................................16

Touch screen.................................. 18

Basic touch screen operations ..........................18

The on-screen user interface ............................18

Viewing the touch screen.................................20

Entering names................................................21

Using the tool buttons .....................................22

Using libraries ..................................................23

Initializing settings ...........................................26

Copying/pasting settings .................................26

Comparing two settings...................................27

Basic operation of the CL series .... 28

Controlling selected channels

(SELECTED CHANNEL section) ..................28

Controlling eight channels as a group

(Centralogic section).................................28

Using the top panel

(Channel Strip section)..............................29

Connections ................................... 31

About network connections .............................31

Connecting to I/O devices ...............................31

Audio input/output connections ......................33

Installing an option card ..................................34

Setup.............................................. 35

Specifying the brightness of the touch screen,

LEDs, channel name displays, and lamps...35

Setting the date and time of the internal

clock .........................................................35

Word clock connections and settings ...............36

Making HA (Head Amp) analog gain settings...37

Sending an input channel signal to the

STEREO bus...............................................38

Quick Guide ................................... 40

Connecting the devices....................................40

Setting the input channels ...............................41

Applying EQ/dynamics.....................................42

Setting the output channels .............................42

Using GEQ .......................................................42

Applying effects ...............................................43

Changing the patch settings ............................45

Grouping and linking.......................................46

Setting a custom fader bank ............................47

Using talkback..................................................47

Routing the oscillator to an output channel......48

Using scene memories .....................................48

Recording and playing audio using a USB

flash drive .................................................49

Saving and loading the unit settings ................50

Other functions ............................. 51

Initializing the unit to factory default settings...51

Restoring the current scene to the default

state..........................................................51

Adjusting the faders (Calibration function) .......52

Troubleshooting ............................ 53

Installing the MBCL meter bridge

(option) ......................................... 55

Specifications................................. 56

General specifications ......................................56

Input/output characteristics .............................57

Pin Assignment ................................................58

Dimensions .................................... 59

Index .............................................. 60

Block Diagram ............ End of Manual

Level Diagram............. End of Manual

Owner’s Manual

The above warning is located on the rear of the unit.

L’avertissement ci-dessus est situé sur l’arrière de l’unité.

Explanation of Graphical Symbols

Explication des symboles

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “danger-

ous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension

dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (ser-

vicing) instructions in the literature accompanying the product.

Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions

importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie.

IMPORTANT SAFETY

INSTRUCTIONS

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accordance with the

manufacturer’s instructions.

8 Do not install near any heat sources such as radiators, heat registers,

stoves, or other apparatus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or grounding-type

plug. A polarized plug has two blades with one wider than the other. A

grounding type plug has two blades and a third grounding prong. The

wide blade or the third prong are provided for your safety. If the pro-

vided plug does not fit into your outlet, consult an electrician for

replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly

at plugs, convenience receptacles, and the point where they exit from

the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tripod, bracket, or

table specified by the manufacturer, or sold with

the apparatus. When a cart is used, use caution

when moving the cart/apparatus combination to

avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualified service personnel. Servicing is

required when the apparatus has been damaged in any way, such as

power-supply cord or plug is damaged, liquid has been spilled or

objects have fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally, or has been

dropped.

(UL60065_03)

PRÉCAUTIONS CONCER-

NANT LA SÉCURITÉ

1 Lire ces instructions.

2 Conserver ces instructions.

3 Tenir compte de tous les avertissements.

4 Suivre toutes les instructions.

5 Ne pas utiliser ce produit à proximité d’eau.

6 Nettoyer uniquement avec un chiffon propre et sec.

7 Ne pas bloquer les orifices de ventilation. Installer l’appareil confor-

mément aux instructions du fabricant.

8 Ne pas installer l’appareil à proximité d’une source de chaleur comme

un radiateur, une bouche de chaleur, un poêle ou tout autre appareil

(y compris un amplificateur) produisant de la chaleur.

9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la

fiche de terre. Une fiche polarisée dispose de deux broches dont une

est plus large que l’autre. Une fiche de terre dispose de deux broches

et d’une troisième pour le raccordement à la terre. Cette broche plus

large ou cette troisième broche est destinée à assurer la sécurité de

l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec

les prises de courant disponibles, faire remplacer les prises par un

électricien.

10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas

piétinés ni coincés, en faisant tout spécialement attention aux fiches,

prises de courant et au point de sortie de l’appareil.

11 Utiliser exclusivement les fixations et accessoires spécifiés par le

fabricant.

12 Utiliser exclusivement le chariot, le stand, le tré-

pied, le support ou la table recommandés par le

fabricant ou vendus avec cet appareil. Si l’appa-

reil est posé sur un chariot, déplacer le chariot

avec précaution pour éviter tout risque de chute

et de blessure.

13 Débrancher l’appareil en cas d’orage ou

lorsqu’il doit rester hors service pendant une période prolongée.

14 Confier toute réparation à un personnel qualifié. Faire réparer l’appa-

reil s’il a subi tout dommage, par exemple si la fiche ou le cordon

d’alimentation est endommagé, si du liquide a coulé ou des objets

sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la

pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement

ou est tombé.

(UL60065_03)

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT

EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

AVERTISSEMENT

POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE

ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À

L’HUMIDITÉ.

Owner’s Manual

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please con-

tact Yamaha Corporation of America, Electronic Service Division,

6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance

with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in

your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected

to the terminal in the plug which is marked by the letter E or by the

safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the termi-

nal which is marked with the letter L or coloured RED.

(3 wires)

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning

må kun ske med batteri af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller

en ekvivalent typ som rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty

paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of

gelieve dan contact op te nemen met de vertegenwoordiging van

Yamaha in uw land.

• For the removal of the battery at the moment of the disposal at the

end of life please consult your retailer or Yamaha representative

office in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

(Perchlorate)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone : 714-522-9011

Type of Equipment : Digital Mixing Console

Model Name : CL5/CL3/CL1

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interfer-

ence that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

This product contains a high intensity lamp that contains

a small amount of mercury. Disposal of this material

may be regulated due to environmental considerations.

For disposal information in the United States, refer to

the Electronic Industries Alliance web site:

www.eiae.org

(mercury)* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

(class b korea)

Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid

the possibility of serious injury or even death from

electrical shock, short-circuiting, damages, fire or other

hazards. These precautions include, but are not limited

to, the following:

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Only use the voltage specified as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the supplied power cord/plug.

If you intend to use the device in an area other than in the one you purchased,

the included power cord may not be compatible. Please check with your Yamaha

dealer.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Be sure to connect to an appropriate outlet with a protective grounding

connection. Improper grounding can result in electrical shock.

• This device contains no user-serviceable parts. Do not open the device or

attempt to disassemble the internal parts or modify them in any way. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualified Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place on it any containers (such as vases, bottles or glasses) containing

liquids which might spill into any openings. If any liquid such as water seeps

into the device, turn off the power immediately and unplug the power cord from

the AC outlet. Then have the device inspected by qualified Yamaha service

personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit. A burning item may fall

over and cause a fire.

• When one of the following problems occur, immediately turn off the power

switch and disconnect the electric plug from the outlet. Then have the device

inspected by Yamaha service personnel.

- The power cord or plug becomes frayed or damaged.

- It emits unusual smells or smoke.

- Some object has been dropped into the instrument.

- There is a sudden loss of sound during use of the device.

CAUTION

Always follow the basic precautions listed below to avoid

the possibility of physical injury to you or others, or

damage to the device or other property. These

precautions include, but are not limited to, the following:

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not block the vents. This device has ventilation holes at the rear to prevent

the internal temperature from becoming too high. In particular, do not place the

device on its side or upside down. Inadequate ventilation can result in

overheating, possibly causing damage to the device(s), or even fire.

• Do not place the device in a location where it may come into contact with

corrosive gases or salt air. Doing so may result in malfunction.

• Before moving the device, remove all connected cables.

• When setting up the device, make sure that the AC outlet you are using is easily

accessible. If some trouble or malfunction occurs, immediately turn off the

power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still flowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

• When transporting or moving the device, always use two or more people.

Attempting to lift the device by yourself may damage your back, result in other

injury, or cause damage to the device itself.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• Remove the power plug from the AC outlet when cleaning the device.

• Do not insert your fingers or hands in any gaps or openings on the device

(vents).

• Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device (vents). If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then have the

device inspected by qualified Yamaha service personnel.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

• Do not use headphones for a long period of time at a high or uncomfortable

volume level, since this can cause permanent hearing loss. If you experience

any hearing loss or ringing in the ears, consult a physician.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

Maintenance

Handling caution

PA_en_1 1/2

Owner’s Manual

• This device has a built-in backup battery that maintains internal clock data even

when the device’s power is switched off.

However, the backup battery will eventually become depleted, and when that

happens the internal clock data will be reset. Replace the backup battery before it

becomes fully depleted.

When the backup battery is running low, the LCD display indicates “Low

Battery” when you start up the system.

In this case, contact your Yamaha dealer and have qualified Yamaha service

personnel replace the backup battery.

The average life of the backup battery is approximately five years, depending on

operating conditions.

NOTICE

To avoid the possibility of malfunction/ damage to the

product, damage to data, or damage to other property,

follow the notices below.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Otherwise, the instrument, TV, or radio may

generate noise.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disfiguration, damage to the internal

components or unstable operation.

(Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Condensation may occur if the ambient temperature around the device fluctuates

drastically (for example, if the device is relocated or placed under a fast-acting

air cooling or heating system, etc.).

Using the device while condensation is present may result in malfunction. Do

not turn on the power to the device for several hours until condensation

disappears. Only then is it safe to start the device.

• To protect against data loss through media damage, we recommend that you

save your important data onto two USB storage devices/external media.

Information

About copyrights

* Copying of the commercially available musical data including but not limited to

MIDI data and/or audio data is strictly prohibited except for your personal use.

About functions/data bundled with the instrument

* MPEG Layer-3 audio coding technology licensed from Fraunhofer

IIS and Thomson.

* Supply of this product does not convey a license nor imply any right

to distribute content created with this product in revenue-generating broadcast

systems (terrestrial, satellite, cable and/or other distribution channels),

streaming applications (via Internet, intranets, and/or other networks), other

content distribution systems(pay-audio or audio-on-demand applications and

the like) or on physical media (compact discs, digital versatile discs,

amiconductor chips, hard drives, memory cards and the like). An independent

license for such use is required.

For ditails, please visit http://mp3licensing.com/

About this manual

* The illustrations and LCD screens as shown in this manual are for instructional

purposes only, and may appear somewhat different from those on your

instrument.

* Windows is a registered trademark of Microsoft(R) Corporation in the United

States and other countries.

* Apple, Mac, Macintosh and iPad are trademarks of Apple Inc., registered in the

U.S. and other countries.

* The company names and product names in this manual are the trademarks or

registered trademarks of their respective companies.

Always turn the power off when the device is not in use.

(weee_eu)

Backup battery

Handling and Maintenance

Saving data

Yamaha cannot be held responsible for damage caused by improper use or

modifications to the device, or data that is lost or destroyed.

Information for Users on Collection and Disposal of Old

Equipment

This symbol on the products, packaging, and/or

accompanying documents means that used electrical

and electronic products should not be mixed with

general household waste.

For proper treatment, recovery and recycling of old

products, please take them to applicable collection

points, in accordance with your national legislation and

the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save valuable

resources and prevent any potential negative effects on human health and the

environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products, please

contact your local municipality, your waste disposal service or the point of sale

where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your

dealer or supplier for further information.

[Information on Disposal in other Countries outside the European

Union]

This symbol is only valid in the European Union. If you wish to discard these

items, please contact your local authorities or dealer and ask for the correct

method of disposal.

PA_en_1 2/2

Introduction

Owner’s Manual

Introduction

Welcome!

Thank you for choosing a Yamaha CL series CL5/CL3/CL1

Digital Mixing Console. To take full advantage of the

superior features and performance offered by your

CL-series console, and to enjoy years of trouble-free use,

please read this owner’s manual carefully before operating

your console. After you have read the manual, keep it in a

safe place.

Accessories

• AC power cord

• Owner’s Manual (this book)

• Dante Virtual Soundcard Token leaflet

About utility software

CL-series products can be used with a variety of utility

software.

•CL Editor

This software application enables you to set up and operate

the unit from a connected computer. You can also use the

application to back up console settings or set console

parameters without connecting the unit.

• Console File Converter

This software application enables you to convert Yamaha

PM5D, M7CL, or LS9 settings files to or from CL-series

setting files.

• CL StageMix

This software application enables you to control the unit

remotely from an iPad on a WiFi network.

• MonitorMix

This app allows you to use your mobile device and a Wi-Fi

connection to adjust the CL-series console’s monitor mix

remotely.

Information about these software applications is available

on the Yamaha pro audio website:

http://www.yamahaproaudio.com/

Information about downloading, installing and setting up

the software applications is available on the website listed

above. In addition, refer to the installation guide that

comes with each downloaded application.

About firmware updates

This product enables you to update the unit firmware to

improve the operation, add functions, and correct possible

malfunctions. The following two types of firmware are

available for the unit.

• Console firmware

• Dante module firmware

You must update each type of firmware separately.

Details on updating the firmware are available on the

following website:

http://www.yamahaproaudio.com/

For information about updating and setting up the unit,

please refer to the firmware update guide available on the

website.

About the Owner’s Manual

Owner’s Manual (this book)

This book primarily explains panel controls and functions

and basic operation of the CL series.

Reference Manual (PDF format;

downloadable from the website)

This book primarily explains details about functions,

effects parameters, and MIDI.

Using the PDF manual

The Reference Manual is an electronic file in PDF format.

You can read this book on a computer. Use Adobe® Reader®

to read this book on screen, search for words very quickly,

print specific pages, or click links to display sections of

special interest. The ability to search for words, or to follow

links directly to relevant sections in the document, are

helpful attributes of this electronic file format. We

encourage you to take advantage of these benefits.

You can download the latest Adobe Reader application

from the website listed below.

http://www.adobe.com/

Help file (XML file; downloadable from

the website)

You can read this Help file on the unit’s screen. Install the

file on the unit, then press the Help button on the display to

view related sections.

You can download the Reference Manual and Help file

from the following website.

http://www.yamahaproaudio.com/

Conventions in this manual

In this manual, switch-type controls on the panel are called

“keys.” Control knobs on the panel are called “knobs.”

Some knobs rotate from a minimum value to a maximum

value, while others rotate endlessly.

Virtual buttons displayed on the screen are called “buttons,”

and virtual knobs are called “knobs.”

Controls located on the panel are enclosed in square

brackets [ ] (e.g., [CUE] key) to distinguish them from

virtual buttons and knobs displayed on screen. For certain

controls, the name of the section appears before the

brackets (e.g., SCENE MEMORY [STORE] key).

An overview of the CL series

Owner’s Manual

An overview of the

CL series

Features

CL series digital mixing consoles create high-quality,

refined, live-sound environments.

These consoles carry forward the digital evolution of a

broad array of advanced concepts, including Yamaha’s

exclusive “Centralogic

” control interface, which helps to

make the consoles easy and intuitive to use.

The built-in effect processor and an I/O device can

accommodate the most demanding situations at the

highest level of quality, while retaining the flexibility

necessary to configure a system that meets your needs.

User interface friendly to newcomers but

familiar to seasoned users

All channels routed to the top-panel faders are organized

into a “Fader Bank” that enables you to select and switch a

group of channels easily. The Fader Bank holds input and

output channel banks, as well as custom fader banks. The

custom fader banks enable you to select various

combinations of channels, regardless of channel types.

Each channel strip offers easy visual identification. The

channel name appears on a display, and an indicator shows

the channel color. You can adjust the brightness of each

indicator across a broad range to accommodate dimly-lit

environments.

The SELECTED CHANNEL section located to the left of

the display lets you use the knobs to control the main

parameters (gain, EQ, dynamics threshold, bus send levels,

etc.) for a particular channel. This section can be operated

much like a module in an analog mixer.

In the center of the top panel is the Centralogic section,

which enables you to control eight channels at once. You

can control fader, cue, on/off and other settings for the

eight channels or for DCA groups recalled to this section

by pressing a single key.

The display is a touch screen. You can turn functions on or

off or select items simply by touching buttons or knobs on

the screen.

Mix parameter settings, including gain and phantom

power for input channels, can be stored and recalled as

“scenes.” All faders on the panel are moving faders. When

you recall a scene, the recorded fader locations will be

reproduced immediately.

Flexible system configuration with Dante

The Ethernet-compatible Dante audio network protocol

facilitates connecting CL series consoles to external

devices, such as the Rio3224-D I/O device. A connected

I/O device that has been assigned a unique unit ID will

automatically be recognized and will facilitate patching

functions.

Using an I/O device, you can configure a redundant

network to defend against unforeseen difficulties that can

arise in large-scale Dante networks. If multiple CL units

share the same I/O device, the gain compensation function

will maintain network audio streams at a constant level to

help you enjoy the benefits of a large-scale sound system.

The Dante Virtual Soundcard software driver enables you

to carry out multi-channel recording to DAW software

installed on a computer. Consequently, no other audio

interface is needed.

Ultra-realistic digital reproduction of

analog sound by PREMIUM RACK

The CL series features PREMIUM RACK, which employs

VCM technology. This technology models analog circuitry

on a component level to faithfully reproduce amazing

analog sounds. PREMIUM RACK creates stunning sounds

by modeling and faithfully capturing the sonic

characteristics of analog circuitry fine-tuned to be faithful

to the original sound. The CL’s PREMIUM RACK includes

8 types, including a Portico 5033 EQ/Portico 5043

Compressor by Rupert Neve Designs, a U76 Compressor,

an Opt-2A Leveling Amplifier, etc.

Sonic flexibility from versatile effects and

GEQ rack

Independent of the PREMIUM RACK, high-quality

multi-effect processors are built into your CL series

console, with up to eight available simultaneously. Effects

such as reverb, delay, multiband compression, and various

modulation effects can be routed via internal buses or

inserted into the desired channel.

In addition to the effects, the CL series features a GEQ rack.

A 31BandGEQ, a Flex15GEQ, an 8BandPEQ, an 8ch

Automixer and a 16ch Automixer are included and can be

inserted into any output bus. The Flex15GEQ allows you to

adjust the gain for any 15 of the 31 bands. Since two GEQ

units can be mounted in one virtual rack, a total of up to 32

GEQ units can be used simultaneously. To use effects or the

graphic EQ, you mount them in virtual racks displayed on

the touch screen. The currently-mounted modules can be

seen at a glance, and you can switch modules and change

input/output patching in an intuitive manner.

Complete support tools

The CL-series can be used with a variety of utility software.

CL Editor, which can be installed on Windows or Mac

computers, enables you to edit the unit’s parameter settings.

It can also operate as a stand-alone and lets you set

parameters off-line without connecting to the console.

CL StageMix, an application for iPads, offers remote

control of a networked CL series console from anywhere

within wireless range via an intuitive graphical interface.

The software has been specifically designed to allow

engineers to adjust EQ while monitoring mixes from the

performers’ positions on stage, or to control mix

parameters from various spots in the venue while listening

to the sound.

MonitorMix is an iOS-compatible app that allows

performers to adjust the levels of the monitor mix directly

from the stage.

Console File Converter is an application that converts

PM5D/M7CL/LS9 settings files to or from the CL series

settings file format. You can use data from other models on

the CL series.

About the models

Owner’s Manual

I/O card and processing card expansion

The rear panel provides three slots in which separately sold

mini-YGDAI cards can be installed. You can add inputs

and outputs by installing AD cards, DA cards, or digital I/O

cards in these slots. You can also expand processing or

effects by installing a DSP card.

Cascade connections in the digital

domain

You can cascade a second CL series unit or a digital mixer,

such as the Yamaha M7CL, PM5D or LS9, connected via a

digital I/O card installed in a slot.

You can cascade any of the MIX, MATRIX, STEREO (L/R),

MONO, and CUE (L/R) buses.

Recorder function useful for sound checks

and mix recording

The CL series features a USB memory recorder function

that enables you to record output from STEREO or MIX

buses onto a USB flash drive.

It also enables you to play audio files that reside on a USB

flash drive by assigning the files to input channels or

monitor outputs. The MP3 format (MPEG-1 Audio

Layer-3) is supported for recording. For playback, MP3,

WMA (Windows Media Audio), and MPEG-4 AAC

(Advanced Audio Coding) formats are supported. This

function can be useful if you want to record certain bus mix

outputs or play music for a sound check through speakers.

Security functions at user or system level

Functionality can be restricted for users other than the

administrator at three levels of security: administrator,

guest, and user. Passwords can be specified for the

administrator and for users to help prevent important

settings from being changed accidentally

Information specific to each user (user level, system

settings, and user-defined key/knob settings) can be stored

in the console or on a USB flash drive as a “user

authentication key.” By loading your own user

authentication key, you can instantly set up the ideal

operating environment for yourself.

Help file downloadable to the unit

You can download from the website a Help file that explains

the parameters and messages displayed on the screen. Once

you download the Help file, it will be stored inside the unit

so that you can use the Help function at any time.

About the models

The CL series is available in three models: CL5, CL3, and

CL1. Each model features a different number of monaural

input channels and top-panel channel strips. In addition,

the CL5 features an Output Meter section. The CL3 and

CL1 allow you to install an optional MBCL meter bridge.

Other functions are common to all three models. Model

differences are shown in the table below.

NOTE

In this manual, most explanations refer to the CL5.

Monaural

input channels

Channel strips

Output

meters

CL5 72

Block A: 16

Block B (Centralogic section): 8

Block C: 8

MASTER section: 2

Ye s

CL3 64

Block A: 16

Block B (Centralogic section): 8

MASTER section: 2

Optional

MBCL

CL1 48

Block A: 8

Block B (Centralogic section): 8

MASTER section: 2

Optional

MBCL

Block A Centralogic section

(Block B)

Output meter

MASTER section

Block C

•CL5

Block A Centralogic section

(Block B)

MASTER section

Meter bridge

MBCL (optional)

•CL3

Block A Centralogic section

(Block B)

MASTER section

Meter bridge

MBCL (optional)

•CL1

Controls and functions

Owner’s Manual

Controls and functions

Top panel

The top panel of the CL series is divided into the following sections.

1 Channel Strip section ➔ page 11

2 SELECTED CHANNEL section ➔ page 12

3 Display section ➔ page 13

4 Centralogic section ➔ page 13

5 SCENE MEMORY/MONITOR section ➔ page 14

6 USER DEFINED KNOBS section ➔ page 14

7 USER DEFINED KEYS section ➔ page 14

8 Master section ➔ page 15

9 USB connector ➔ page 15

0 Meter section (for CL5 only) ➔ page 15

NOTE

This illustration shows the top panel of the CL5.

The CL3 and CL1 do not feature a Meter section, but enable you to install an optional MBCL meter bridge.

236j

118

Top panel

Owner’s Manual

Channel Strip section

1 GAIN/PAN/ASSIGN knob

Adjusts the gain or pan of the channel. You can also

assign a parameter to this knob.

You can switch the function of the knob by using the

9 [GAIN/PAN/ASSIGN] key.

A gain parameter value indicated on the display or

channel name display indicates the amount of

amplification of a currently-input signal. Refer to the

Conversion Table for information on the relationship

to input sensitivity.

Conversion Table for Input Sensitivity

2 [SEL] key

Selects a channel that will be controlled in the

Channel Strip section and on the touch screen. When

a channel is selected, the key LED will light.

If you control an ST IN channel in Block A of the

Channel Strip section, the L channel will be routed to

an odd-numbered channel, and the R channel will be

routed to the adjacent even-numbered channel.

If you control a channel in the CUSTOM bank or in

Block C of the Channel Strip section, and if you assign

L/R channels, the selected object of control will

alternate between the L and R channels each time you

press the [SEL] key.

NOTE

If you assign either the L or R channel, this key will simply

select the channel.

3 [CUE] key

Selects the channel to be cue-monitored. If the cue is

on, the key LED will light.

4 Meter LEDs

Indicate the channel level.

5 [ON] key

Switches the channel on or off. If a channel is on, the

key LED will light. In SENDS ON FADER mode, this

is an on/off switch for signals sent from each channel

to the currently-selected MIX/MATRIX bus.

6 Channel name display

Indicates the channel name, knob value, fader value,

etc. You can set the display so that it will indicate only

the channel name. Use the PREFERENCE tab in the

USER SETUP screen to select information to be

displayed.

7 Channel color indicator

Lights in a color specified on the PATCH/NAME

screen. You can select the channel color from eight

options.

8 Fader

Adjusts the input/output level of the channel. In

SENDS ON FADER mode, this fader adjusts the send

level of the signal from each channel to the

currently-selected MIX/MATRIX bus.

9 [GAIN/PAN/ASSIGN] key

Switches the knob function for each block on the

channel strip. The LED for the selected function will

light. Use the USER DEFINED KNOBS tab in the

USER SETUP screen to select a parameter to control

when the ASSIGN function is selected.

0 Bank Select keys

These keys switch the channel faders controlled in the

Channel Strip section. The [CUSTOM] keys enable

you to select your own custom fader bank. For details

on the custom fader banks, refer to page 47.

Gain Input Sensitivity

–6dB +10dBu

0 +4dBu

+66dB –62dBu

Controls and functions

Owner’s Manual

SELECTED CHANNEL section

This section enables you to set the mix parameters for the

currently-selected channel.

1 [MIX1–16] key/[MIX17–24/MATRIX] key

Select a MIX or MATRIX bus that is controlled by the

knobs located below the keys.

2 [1]–[16] knobs

Adjust the send level from currently-selected channels

to the MIX or MATRIX bus.

In SENDS ON FADER mode, push in a knob to select

the corresponding destination bus. Push the knob

again to turn the cue monitor on for the

corresponding MIX/MATRIX channel.

NOTE

If the SIGNAL TYPE of the destination bus is set to

STEREO, use the left knobs (odd-numbered channels) to

adjust PAN and the right knobs (even-numbered channels)

to adjust the send level.

3 [GAIN] knob

Adjusts the head amp’s analog gain for an input

channel.

On the other hand, it adjusts the digital gain if GAIN

KNOB FUNCTION is set to DIGITAL GAIN in the

PREFERENCE tab of the USER SETUP screen.

This knob has no effect for other types of channels.

NOTE

• The PAD will be switched on or off internally when the HA

analog gain is adjusted between +17 dB and +18 dB.

Keep in mind that noise may be generated when using

phantom power if there is a difference between the Hot and

Cold output impedance of an external device connected to

the INPUT connector.

• The gain parameter value indicates the amount of

amplification of the currently-input signal. Refer to the

Conversion Table (page 11) for information on the

relationship to conventional input sensitivity values.

4 [PAN] knob

When a monaural channel is selected, this knob

adjusts the panning of the signal sent to the STEREO

bus.

When a stereo channel is selected, this knob adjusts

the PAN or left/right balance, whichever is selected.

5 [DYNAMICS 1] knob

6 [DYNAMICS 2] knob

Adjust the THRESHOLD parameter of the gate,

compressor, etc.

The [DYNAMICS 2] knob has no effect if the MIX,

MATRIX, STEREO, or MONO channel is selected.

7 [HPF] knob

Adjusts the HPF cutoff frequency for an input

channel. It has no effect on other types of channels.

8 EQ [Q], EQ [FREQUENCY], EQ [GAIN] knobs

For each band of the four-band EQ, these knobs adjust

the Q, center frequency (cutoff frequency), and gain.

Press the EQ [Q] and EQ [GAIN] knobs

simultaneously to reset the GAIN setting for each

band to the default value (0.0 dB).

Top panel

Owner’s Manual

Display section

This is a touch screen that you can operate by touching the

surface of the screen. You can touch your finger to the

screen to select menus or set parameters. Please note that

you cannot operate the unit by touching multiple points

simultaneously.

NOTE

If the touch screen becomes dirty, wipe it with a soft dry

cloth.

NOTICE

Never use a sharp or pointed object such as your fingernail

to operate the touch panel. Doing so may scratch the

screen and render the touch screen inoperable.

Centralogic section

This section enables you to control up to eight channel

modules that are selected from channel groups, DCA

groups, or custom groups selected by the Bank Select keys.

1 Bank Select keys

Select a bank to be controlled in the Centralogic

section. Press the [INPUT] key, then press one of the

Bank Select keys below to route the channel bank

(labeled to the left of the key) to the Centralogic

section. Press the [OUTPUT] key, then press one of

the Bank Select keys below to route the channel

(labeled to the right of the key) to the Centralogic

section.

2 Multifunction knob

Controls the knob currently selected on the touch

screen. The knob function can vary depending on the

screen currently displayed.

3 [SEL] key

4 [CUE] key

5 Meter LEDs

Same as those in the Channel Strip section.

6 [ON] key

Switches the channel on or off. If a channel is on, the

key LED will light. In SENDS ON FADER mode, this

is an on/off switch for signals sent from each channel

Controls and functions

Owner’s Manual

to the currently-selected MIX/MATRIX bus. If the

graphic EQ is used, this key resets the gain to 0 dB.

7 Channel name display

8 Channel color indicator

Same as that in the Channel Strip section. If the

graphic EQ is used, this indicator displays the

frequency and gain parameter value.

9 Fader

Adjusts the input/output level of the channel. You can

also make internal settings so that the fader will be

used as a controller to adjust the gain of each GEQ

band.

SCENE MEMORY/MONITOR section

In this section you can perform operations for scene

memory and monitoring.

1 SCENE MEMORY [STORE] key

Stores the current mix parameter settings in a

dedicated scene memory.

2 SCENE MEMORY [RECALL] key

Recalls a scene (previously-saved settings) from scene

memory.

3 SCENE MEMORY [INC]/[DEC] keys

Select the scene number of a scene that you want to

store or recall. The number of the currently-selected

scene appears in the function access area on the right

of the touch screen.

Press the [INC]/[DEC] keys simultaneously to return

to the current scene number.

4 [UNDO] key

Cancels the scene recall and recovers the status

obtained prior to recall. The key LED lights if you can

still cancel the scene recall.

5 [PREVIEW] key

This key selects PREVIEW mode, which lets you view

the scene settings in the display and the panel without

affecting the signal processing of the current scene.

6 [MONITOR LEVEL] knob

Adjusts the signal level of the monitor output. If the

PHONES LEVEL LINK function is turned on in the

MONITOR screen, this knob will also adjust the

signal level at the PHONES Out jack located on the

front panel.

USER DEFINED KNOBS

section

USER DEFINED knobs [A]–[D]

Control the parameters that have been

assigned by the user (input channel

digital gain, high-pass filter frequency,

etc.).

You can assign various parameters at will.

Use the USER SETUP popup window in

the SETUP screen to assign the

parameters.

USER DEFINED KEYS

section

USER DEFINED keys [1]–[16]

Execute functions as assigned by the user

(scene changes, switching the talkback or

internal oscillator on/off, etc.). Use the

USER SETUP popup window to assign

functions.

126

Top panel

Owner’s Manual

Master section

This section is similar to the Channel Strip section, and

enables you to control the principal parameters of the

assigned channels. When the unit is in the default state,

STEREO/MONO channels are assigned.

1 GAIN/PAN/ASSIGN knob

Adjusts the gain or pan of the

channel. You can also assign

parameters to the knob.

On the CL5, switch the

function of the knob using the

[GAIN/PAN/ASSIGN] key

located to the left of the Master

section. On the CL3 and CL1,

switch the function of the knob

using the

[GAIN/PAN/ASSIGN] key

located in the upper right

corner of the Block A in the

Channel Strip section.

2 [SEL] key

Selects the channel you wish to

control. Pressing this key will

cause the channel LED to light

up, and you will be able to

control the channel in both the

SELECTED CHANNEL

section and on the touch

screen.

If the STEREO bus has been

assigned, the selected object of

control will alternate between

the L and R channels each time

you press the [SEL] key.

3 [CUE] key

Selects the channel to be

cue-monitored. If cue is on, the

LED will light.

4 [ON] key

Switches the channel on or off. If a channel is on, the

key LED will light.

If MONITOR has been assigned, this key switches the

monitor output on or off.

5 Channel name display

6 Channel color indicator

Same as that in the Channel Strip section.

7 Fader

Adjusts the output level of the channel.

If MONITOR has been assigned, this fader adjusts the

monitor output level.

USB connector

You can connect a USB flash drive to

the USB connector to record or play

audio files, and to save or load

internal data. The Help file displayed

on the unit screen is loaded from a

connected USB flash drive.

You can also save on a USB flash drive “User authentication

key” data that determines the user level and limit the

functionality to which the user has access.

NOTE

Operation is guaranteed only for a connection with a USB

flash drive.

■ USB flash drive capacities and formats

The operation of USB flash drives with capacities of up to

32 GB has been verified. (However, this does not guarantee

operation of all USB flash drives.)

The FAT16 and FAT32 formats are supported.

■ Prevention of accidental erasure

Some USB flash drives have a write-protect setting that lets

you prevent data from being erased accidentally. If your

flash drive contains important data, it is a good idea to use

the write-protect setting to prevent accidental erasure.

On the other hand, you will need to make sure that your

USB flash drive’s write-protect setting is turned off before

you save data onto it.

NOTICE

An ACCESS indicator appears in the Function Access

Area while data is being accessed (saved, loaded, or

deleted). During this time, do not disconnect the USB flash

drive or power-off the CL unit. Doing so may damage your

flash drive, or may damage the data in the CL unit or on

your media device.

Meter section (for CL5 only)

Indicates the level of MIX/MATRIX, STEREO/MONO and

CUE channels. You can select the monitoring position from

PRE EQ (immediately before EQ), PRE FADER

(immediately before the fader), or POST ON (immediately

after the [ON] key).

You can use this function on the CL3 or CL1 if you install

an optional MBCL meter bridge.

Controls and functions

Owner’s Manual

Front Panel

1 PHONES LEVEL knob

Adjusts the level of the signal output from the

PHONES Out jack.

2 PHONES Out (headphone output) jack

Lets you monitor the MONITOR OUT or CUE signal.

3 TALKBACK jack

A balanced XLR-3-31 jack to which a talkback mic

can be connected. You can make settings in the screen

to supply +48V phantom power to this jack. This jack

sends instructions from the mixer operator to the

desired output channel.

4 TALKBACK LEVEL knob

Adjusts the input level of the mic connected to the

TALKBACK jack.

Rear Panel

1 LAMP connectors

Four-pin female XLR output jacks that supply power

to separately-sold gooseneck lamps (such as the

Yamaha LA1L). (The CL3 includes these connectors at

two locations. The CL1 includes one.)

2 MIDI IN/OUT connectors

Used to transmit and receive MIDI messages to and

from external MIDI devices. The MIDI IN connector

receives messages from an external device, and the

MIDI OUT connector transmits messages from the

CL unit.

These are used mainly to record CL parameter

operations or scene/library selections on an external

device, or to control CL parameters from an external

device.

3 WORD CLOCK IN/OUT connectors

BNC connectors used to transmit and receive word

clock signals to and from an external device. The

WORD CLOCK IN connector features internal

75-ohm termination.

4 GPI connector

D-sub 15-pin female connector that allows

communication (5-in/5-out) with a GPI-equipped

external device.

5 DIGITAL OUT connector

An AES/EBU (XLR-3-32 male) jack that outputs the

digital audio signal of a desired channel in AES/EBU

format.

6 OMNI IN jacks

Balanced XLR-3-31 female input jacks that input

analog audio signals from line level devices or

microphones. Nominal input level is −62 dBu to

+10 dBu.

7 OMNI OUT jacks

XLR-3-32 male output jacks that output analog audio

signals. These jacks are used mainly to output the

signals of MIX channels or MATRIX channels.

Nominal output level is +4 dBu.

12 34

21 3 4 5

876 A90 C D FEB

Male XLR plug

1 (Ground)

3 (Cold)

2 (Hot)

Female XLR plug

1 (Ground)

3 (Cold)

2 (Hot)

Rear Panel

Owner’s Manual

NOTE

Although OMNI OUT jacks feature a nominal input/output

level of +4 dBu (maximum level +24 dBu), an internal

switch allows this to be changed to –2 dBu (maximum level

+18 dBu) if necessary. (A fee will be charged for this

procedure.) For details, contact your Yamaha dealer.

8 Dante PRIMARY/SECONDARY connectors

Used to connect to other Dante-compatible network

devices, such as an Rio3224-D I/O device.

Use standard Ethernet cables with Neutrik etherCON

CAT5 compatible RJ-45 plugs.

NOTE

Use STP (shielded twisted pair) cable to prevent

electromagnetic interference. Make sure that the metal

parts of the plugs are electrically connected to the STP

cable shield by conductive tape or comparable means.

9 LINK/ACT Indicators

These indicators show the communication status of

the PRIMARY and SECONDARY connectors.

They flash fast if the Ethernet cables are connected

properly.

0 1G Indicators

These indicators light when the Dante network is

functioning as Giga-bit Ethernet.

A NETWORK connector

Allows the CL unit to be connected to a computer via

an Ethernet cable (CAT5e or higher recommended).

This connector is used mainly to control mix

parameters or to edit scene memories and libraries

from the dedicated “CL Editor” application program

or “StageMix” iPad application.

NOTE

Use STP (shielded twisted pair) cable to prevent

electromagnetic interference. Make sure that the metal

parts of the plugs are electrically connected to the STP

cable shield by conductive tape or comparable means.

B SLOT 1–3

Allow for the installation of separately-sold DSP

cards, or mini-YGDAI I/O cards to expand the

number of input/output ports.

C DC POWER INPUT connector

You can connect the separately-sold PW800W power

supply here as a backup external power supply. If the

PW800W is connected, the CL unit will continue

receiving power from the PW800W, even if its own

internal power supply shuts down due to a problem.

Caution

If you plan to connect the PW800W, be sure to first

power-off both the CL unit and the PW800W. Then, use the

power supply cable (PSL360) to make the connection.

Failure to observe this caution may cause malfunction or

electric shock.

NOTE

• If a PW800W is connected, the CL series will operate

correctly whether its own internal power supply and the

PW800W are both turned on, or just one of them is turned

on.

• If both power supplies are turned on, and an abnormality

is detected in one of the power supplies, the CL series will

automatically switch to the other power supply. If this

occurs, the touch screen will display a message to inform

you.

D AC IN connector

Connect the supplied AC power cable here. First

connect the AC power cable to the CL unit, then insert

the power cable plug into an AC power outlet.

The supplied AC power cable features a special

latching mechanism (V-LOCK) to prevent the power

cable from being disconnected accidentally.

Connect the power cable by inserting the cable plug

fully until it is locked.

Caution

Be sure to turn the power off before connecting or

disconnecting the power cable.

To disconnect the power

cable, press the latch button

on the plug.

E (Power Switch)

This switch turns power on or off. When the power

switch is set to , the power to the unit is on. When

the power switch is set to , the power to the unit is

off.

Caution

• Rapidly turning the unit on and off in succession can cause

it to malfunction. After turning the unit off, wait for at least 6

seconds before turning it on again.

• Even when the power switch is turned off, a small amount

of current is flowing through the unit. If you plan not to use

the unit for a long period of time, remove the power cable

from the AC outlet.

F Grounding screw

The supplied AC power cable is a 3-wire type.

Therefore, if the AC outlet used is properly grounded,

the CL will be grounded as well. Also, grounding this

screw may effectively eliminate noise such as hum and

interference.

Touch screen

Owner’s Manual

Touch screen

Basic touch screen

operations

This section explains the basic procedures you can perform

on the CL’s touch screen. In general, you will operate the CL

using an appropriate combination of the operations

explained here.

Pressing the touch screen

You will mainly use this operation to switch screens and

pages, to select a parameter to operate, and to turn a button

on or off. Certain buttons let you specify a number based

on the area of the button itself that you touch.

Multiple selection (specifying a range)

While pressing your finger on the touch panel, move it in

the left or right direction to specify a range within a

character string. You will use this technique primarily

when assigning a name to a scene or library.

For the channel select buttons, you can select multiple

buttons by moving your finger across the touch screen

while continuing to press down.

NOTE

This makes it easy to select a range of buttons to be turned

on or off together.

Special key operations

Typically, you will press a top panel key once, but in certain

cases you can access special functions by rapidly pressing a

key twice in succession.

Knob operations

Typically, knobs are rotated left or right to change the value

of the corresponding parameter. By pressing a knob, you

can recall a specific screen.

For certain parameters, you can adjust the value in finer

steps (greater detail) by rotating the knob while pressing it.

Multifunction knob operations

Multifunction knobs 1–8 are used to operate knobs

selected in the touch screen.

A thick line will be displayed around a selected knob if it

can be controlled by a multifunction knob. (Typically, a

knob of this type corresponds to the multifunction knob

located immediately below it and allows you to control up

to eight parameters simultaneously.)

While a knob is selected, turning the multifunction knob

located immediately below it will change the value of the

corresponding parameter.

In the SCENE LIST screen, you can select multiple items by

rotating a multifunction knob while pressing it.

The on-screen user interface

The section below explains various user interface

components that appear in the touch screen, and how to

use them.

Tabs

Tabs enable you to switch between multiple pages. Each tab

indicates its page name.

Buttons

Buttons are used to execute specific functions, to switch

parameters on or off, or to select one of the multiple

choices. Buttons that perform on/off operations appear in

solid colors while they are turned on, and dark while when

turned off.

When you press a button labeled with two overlaid “■”

symbols or a “▼” mark, a separate window will open,

allowing you to make detailed settings.

Faders / Knobs

Faders and knobs on screen move in tandem when you

operate the top panel faders and knobs. The current value

appears immediately below the fader or knob.

If you press once a knob that can be operated by a

multifunction knob, a thick frame appears around the

knob. This frame indicates that the knob has been selected

for operation.

NOTE

Pressing certain knobs a second time while a thick frame

is displayed around them will open a window in which you

can make additional detailed settings.

Buttons

Ta bs

The on-screen user interface

Owner’s Manual

List windows

Windows similar to the following enable you to select items

from a list, such as a list of USER DEFINED keys.

The highlighted item in the middle indicates it has been

selected for operation. Press the arrow / below the list

to scroll the list up or down.

NOTE

• You can also scroll the list up or down by using the

multifunction knob.

• If there is more than one list on the screen, your operations

will apply to the list surrounded by a pink frame. You can

press the multifunction knob to move the focus of your

operations to the next column.

Keyboard window

The keyboard window enables you to assign a name or

comment to a scene or library, or to assign a name to a

channel. Press the keys in the window to enter the

corresponding character.

Popup windows

When you press a button or field for a specific parameter in

a screen, a window showing detailed parameters or lists

will appear. This type of window is called a “popup

window.”

You can switch between popup windows using tabs as

needed.

Some popup windows show several buttons called “tool

buttons” at the top of the window. You can use these tool

buttons to recall libraries or to perform copy and paste

operations.

Press the “X” symbol to close the popup window and

return to the previous screen.

Dialog boxes

Dialog boxes similar to the following enable you to confirm

operations you just performed.

Press the OK button to execute the operation. The

operation will be canceled if you press the CANCEL

button.

Touch screen

Owner’s Manual

Viewing the touch screen

The touch screen of the CL series is broadly divided into

two areas.

Function access area

1 Selected channel

This field indicates the number,

name, icon and channel color

of the channel that is currently

selected for operation. Press the

left half of the selected channel

to switch to the preceding

channel; press the right half to

switch to the next channel.

2 Time

This area indicates the

current time.

3 Status Indicator

This area indicates the

current unit status. Normally

it indicates the name of the

user who is currently logged

in (i.e., is authenticated and

able to operate the system).

The following table shows the

indications and their

corresponding status.

*1 The signal type (IN/OUT/DCA/KEYIN/EFFECT) is shown in the

upper part of the CUE meter.

This indicator appears when the operation switches from the primary

to the secondary Dante audio network in a redundant connection

NOTICE

An ACCESS indicator appears in the Function Access

Area while data is being accessed (saved, loaded, or

deleted). During this time, do not disconnect the USB flash

drive or power-off the CL unit. Doing so may damage your

flash drive, or may damage the data in the CL unit or on

your media device.

4 HELP

Pressing this button will show on-line help in the

main area. To view the on-line Help, first you must

load the Help file from a USB flash drive. Once the

Help file has been loaded, it will be kept in internal

memory.

5 SENDS ON FADER

Press this button to switch to SENDS ON FADER mode,

where you can use the faders of the top panel to adjust

the MIX/MATRIX send level. During this time, the

function access area will switch to a screen that enables

you to select the send-destination MIX/MATRIX bus.

6 I/O DEVICE

When you press this button, the I/O DEVICE screen

will appear in the main area, allowing you to make

settings for I/O devices and external head amps.

7 CH JOB (Channel Job)

When you press this button, the CH JOB menu which

allows you to group and link channels will appear,

allowing you to select the function you want to operate.

8 RACK

When you press this button, the VIRTUAL RACK

screen will appear in the main area, allowing you to

edit the GEQ and effect settings.

9 MONITOR

When you press this button, the MONITOR screen

will appear in the main area, allowing you to edit the

monitor or oscillator settings.

0 METER

These are level meters that show the level of the

STEREO bus (L/R), MONO bus (M), and cue signal

(CUE). When you press this field, the METER screen

will appear in the main area. If you press part of the

CUE meters when the cue monitor is on, the cue

monitor will be canceled.

A SETUP

When you press this button, the SETUP screen will

appear in the main area, allowing you to make basic

system settings and user-specific settings.

B RECORDER

When you press this button, the recorder screen will

appear in the main area, allowing you to operate and

set up the recorder function (USB/Nuendo Live) for

audio recording and playback.

C SCENE

This area indicates the number and title of the scene

that was last stored or recalled. An “R” symbol is

displayed for read-only scenes, and a lock icon is

displayed for write-protected scenes. If you edit the

parameters from their last stored or recalled state, an

“E” symbol will appear in the lower right. When you

press this field, the SCENE LIST screen will appear in

the main area, allowing you to store or recall scenes.

In PREVIEW mode, this field is shown in red.

D USER DEFINED KEY

This area indicates the bank for the USER DEFINED

key that is currently selected.

Indication Status

OSC Oscillator enabled

TALKBACK Talkback enabled

CUE Cue monitor on*

ACCESS Accessing internal memory or USB memory

PATCHING Now performing Dante patching

ALT ALTERNATE mode enabled

PLAY Playing an audio file

REC Recording an audio file

SECONDARY

Switching to the secondary network

Function access areaMain area

Entering names

Owner’s Manual

When you press a button (6, 8, 9, 0, A, B, C) to

access the corresponding screen, the button will be

highlighted. In this state, pressing the button once again

will return either to the most recently recalled SELECTED

CHANNEL VIEW screen or the OVERVIEW screen.

Main area

The contents of the main area will change depending on

the function that is currently selected. Mixing operations

will involve mainly the following two types of screens.

■ SELECTED CHANNEL VIEW screen

This screen shows all the mix parameters for the

currently-selected channel. To access this screen, press one

of the knobs of the SELECTED CHANNEL section.

■ OVERVIEW screen

This screen simultaneously shows the main parameters for

the (up to) eight channels currently assigned to the

Centralogic section. To access this screen, press one of the

BANK SELECT keys in the Centralogic section or one of

the multifunction knobs.

NOTE

While the HELP, METER or SCENE screen is displayed in

the main area, the OVERVIEW screen will not open even if

you press a BANK SELECT key in the Centralogic section.

To return to the OVERVIEW screen, press a user-defined

key to which the OVERVIEW function is assigned.

Alternatively, press the highlighted HELP, METER or

SCENE field once again.

Entering names

On the CL series, you can assign a name to each input

channel, output channel, and DCA group, and assign a title

to scene and library data when saving it.

To assign a name, you will use the keyboard window shown

in the main area.

1. Access the screen for assigning a name.

The screen shot below shows how to assign a name to

a channel.

The box shows the characters you have entered and a

cursor that indicates the current position.

2. Use the keyboard window in the touch screen

to enter the desired characters.

When you press a character key in the keyboard

window, the corresponding character will be entered

in the box, and the cursor will move to the right.

3. Input the subsequent characters in the same

way.

When entering characters, you can also use the

following buttons in the keyboard window.

• COPY button

Copies the selected (highlighted) string of characters

in the text box.

• CUT button

Deletes and copies the selected (highlighted) string of

characters in the text box.

• PASTE button

Inserts the string of characters copied by COPY or

CUT at the cursor location (or overwrites the

currently-selected range of characters).

Touch screen

Owner’s Manual

• CLEAR button

Deletes all characters that have been input in the text

entry box.

• INS button

Inserts a space (blank) at the cursor position.

• DEL button

Deletes the character at the right of the cursor (or the

string of characters selected in the text entry box).

•BS button

Deletes the character to the left of the cursor (or the

string of characters selected in the text box).

• TAB button

Accesses the next selectable item. For example in the

SCENE STORE window you can use this button to

switch between two text entry boxes, and in the

PATCH/NAME window you can use this to switch

channels.

•SHIFT LOCK button

Switches between uppercase and lowercase

alphabetical characters. You can enter uppercase

characters and symbols while this button is on, and

lowercase characters and numerals while this button

is off.

• ENTER button

Finalizes the name you entered.

4. After you enter the name, press the STORE

button or the ENTER button.

The name you entered will be applied.

NOTE

• This basic procedure also applies to screens in which you

enter names for channels or other library items. When you

enter a name for a channel, your input will be reflected

immediately without pressing the ENTER button.

• Press in the text entry box to move the input position. If you

select a region of characters entered in the box and then

enter a new character, the newly-entered character will

overwrite the selected region.

Using the tool buttons

In some popup windows, the title bar at the top of the

window contains tool buttons for additional functions. You

can use these buttons to access related libraries or to copy

parameters from one channel to another channel. This

section explains how to use the tool buttons.

About the tool buttons

In the HPF/EQ, DYNAMICS 1/2, GEQ, EFFECT, and

PREMIUM popup windows, the following tool buttons

appear.

1 LIBRARY button

This button opens the library associated with the

current popup window (EQ, dynamics, GEQ, effect,

or Premium Rack libraries).

2 DEFAULT button

This button returns the currently-selected channel

(EQ/dynamics) or rack (effect/Premium Rack) to its

default state.

NOTE

GEQ does not feature this button. To initialize GEQ, use

the FLAT button in the GEQ edit window.

3 COPY button

This button copies the settings of the

currently-selected channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack). The copied content is

held in a buffer memory (a temporary memory area).

4 PASTE button

This button pastes the settings from the buffer

memory to the currently-selected channel

(EQ/dynamics) or rack (GEQ/effect/Premium Rack).

5 COMPARE button

This button exchanges and compares the settings in

the buffer memory with the settings of the

currently-selected channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack).

For some windows, some of the various tool buttons also

appear.

1 2 3 4 5

Using libraries

Owner’s Manual

Using libraries

This section explains basic operations for libraries.

Libraries allow you to store and recall settings for the

currently-selected channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack).

The following libraries are provided.

• Input channel library

• Output channel library

• Input EQ library

• Output EQ library

• Dynamics library

• GEQ library

• Effect library

• Dante input patch library

• Premium Rack library

The method of operation is essentially the same for each

library.

NOTE

Premium Rack library features a library for each Premium

Rack type.

■ Recalling settings from a library

1. Open a popup window that provides the tool

buttons.

To access each popup window, proceed as follows. To

recall settings from a channel library, first display the

SELECTED CHANNEL VIEW screen. Then, proceed

to Step 3.

[SELECTED CHANNEL VIEW screen]

Press one of the knobs in the SELECTED CHANNEL

section to access the SELECTED CHANNEL VIEW

screen.

[HPF/EQ popup window]

[Dynamics 1/2 popup window]

In the SELECTED CHANNEL VIEW screen or the

OVERVIEW screen, press the appropriate field for EQ

or Dynamics 1/2.

1 EQ field

2 Dynamics 1/2 field

[GEQ/EFFECT/PREMIUM RACK popup

window]

In the VIRTUAL RACK window that appears when

you press the RACK button in the function access

area, press a rack in which a GEQ/effect/Premium

Rack is already mounted.

1 RACK button

2 Racks

Touch screen

Owner’s Manual

Select the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) for which you

want to recall settings.

The method of selecting a channel or rack depends on

the type of popup window that is displayed.

[HPF/EQ popup window (1ch)]

[DYNAMICS 1/2 popup window (1ch)]

Use the panel [SEL] keys or the channel select button

in the function access area to select a channel.

[HPF/EQ popup window (8ch)]

[DYNAMICS 1/2 popup window (8ch)]

In addition to using the panel [SEL] keys or the

channel select button in the function access area, you

can also select a channel by pressing the channel

number / channel name buttons in the popup

window.

If you use the channel number/channel name buttons

in the 8ch popup window, you can select multiple

channels by selecting a region. In this case, the same

library data will be recalled to all the selected

channels.

[GEQ/EFFECT/PREMIUM RACK popup

window]

Use the rack select tabs at the bottom of the popup

window to select a rack.

NOTE

You cannot select a rack select tab of a rack in which no

GEQ, effect, or Premium Rack is mounted.

3. Press the LIBRARY tool button to open the

corresponding library window.

Library windows contain the following items.

1 CURRENT TYPE

(Only for output channel library)

This field displays the type of channel selected via the

[SEL] key.

2 List

This list shows the data saved in the library.

A highlighted line indicates that it is selected for

operations. Read-only data is indicated by an R

symbol.

NOTE

The right side of the list displays information regarding the

relevant setting data (such as the type of output channels,

dynamics type or effect type being used). The dynamics

library also displays symbols indicating whether the data

can be recalled into Dynamic 1 and/or Dynamics 2.

Channel select button

Channel number / Channel name buttons

Selected region

Using libraries

Owner’s Manual

3 RECALL button

This button recalls the data selected in the list into the

currently-selected channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack).

4. Rotate any of the multifunction knobs to

move the highlight line up or down to select

a library item you want to recall.

Depending on the data you selected for recall, it may

not be possible to recall it into the currently-selected

channel or rack. Each library has the following

restrictions.

• Channel library

If the type of channel selected via the [SEL] key is

different from the one selected in the list in the output

channel library, “CONFLICT” appears to the right of

CURRENT TYPE. You can recall the data even if

“CONFLICT” appears, although the data would

include different parameters. Parameters that do not

exist in the library will be set to the default value.

• Dynamics library

The dynamics library contains three types of data:

Dynamics 1 and Dynamics 2 for input channels, and

Dynamics 1 for output channels. You cannot recall the

data if an inappropriate type of dynamics data is

selected in the library.

•GEQ library

The GEQ library contains two types of data:

31BandGEQ or Flex15GEQ. You cannot recall the

31BandGEQ library data into the Flex15GEQ library

if the data contains the gain settings for 16 or more

bands.

•Effect library

Effect library items that use effect types “HQ.Pitch” or

“Freeze” can be recalled only to effect racks 1, 3, 5 or

7. These cannot be recalled if any other rack is

selected.

If you select a library number that cannot be recalled,

it will not be possible to press the RECALL button.

5. Press the RECALL button.

6. The selected data will immediately be loaded

into the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) you selected in

step 2.

NOTE

If you recall channel library data to a channel that is linked

to another channel, the link setting of the channel to which

data was recalled will be canceled.

■ Storing settings in a library

1. Open a popup window that provides the tool

buttons.

2. Select the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) for which you

want to store settings.

NOTE

You can select only one channel or rack as the source for

storing. If multiple channels are selected in the dynamics

or EQ popup window, you will not be able to perform the

Store operation.

3. At the top of the popup window, press the

LIBRARY button to access the library.

1 STORE button

The settings of the currently-selected channel

(EQ/dynamics) or rack (GEQ/effect/Premium Rack)

will be stored to the position selected in the list.

4. Turn one of the multifunction knobs to select

the store-destination library number.

NOTE

You cannot store information to a library number that

contains read-only data (indicated by an R symbol).

5. Press the STORE button.

The LIBRARY STORE popup window will appear,

allowing you to assign a title to the settings. For details

on entering text, refer to “Entering names” (see

page 21).

6. After you assign a title to the settings, press

the STORE button in the LIBRARY STORE

popup window.

A dialog box will ask you to confirm the Store

operation.

7. To execute the Store operation, press the OK

button.

The current settings will be stored to the library

number you selected in step 4. If you decide to cancel

the Store operation, press the CANCEL button instead

of the OK button.

Touch screen

Owner’s Manual

NOTE

• Even after you have stored the settings, you can edit the

title of the settings by pressing the data title in the list to

access the LIBRARY TITLE EDIT popup window.

However, you cannot edit the title of a read-only library item

(indicated by an R symbol).

• Be aware that if you store settings to a location that already

contains data, the existing data will be overwritten.

(Read-only data cannot be overwritten.)

■ Erasing settings from a library

1. Open a popup window that provides the tool

buttons.

2. At the top of the popup window, press the

LIBRARY button to access the library.

1 CLEAR button

This button erases the settings that are selected in the

list.

3. Turn one of the multifunction knobs to select

the library item that you want to clear.

NOTE

You cannot clear read-only data (indicated by an R

symbol).

4. Press the CLEAR button.

A dialog box will ask you to confirm the Clear

operation.

5. To execute the Clear operation, press the OK

button.

The data you selected in step 3 will be cleared. If you

decide to cancel the Clear operation, press the

CANCEL button instead of the OK button.

Initializing settings

This section explains how to return the EQ/dynamics

settings of the currently-selected channel or the effect

settings of a rack to their default state. A GEQ can be

initialized by using the FLAT button on the screen.

1. Open a popup window that provides the tool

buttons.

2. Select the channel (EQ/dynamics) or rack

(effect/Premium Rack) for which you want to

initialize the settings.

3. Press the DEFAULT button.

A dialog box will ask you to confirm the initialization

operation.

4. To execute the initialization, press the OK

button.

The EQ/dynamics of the channel or the

effect/processor settings of the rack you selected in

step 2 will be initialized. If you decide to cancel the

initialization, press the CANCEL button instead of the

OK button.

NOTE

In the case of EQ/dynamics, you can use the channel

number / channel name buttons in the 8ch or ALL popup

window to select a range of channels and initialize them in

a single operation.

Copying/pasting settings

This section explains how to copy the EQ/dynamics

settings of the currently-selected channel or the

GEQ/effect/Premium Rack settings of a rack to a buffer

memory, and then paste them into another channel or rack.

Copy/paste operations are restricted to the following

combinations:

• Between input channel EQ settings

• Between output channel EQ settings

• Between dynamics processors for which the

paste-destination has the same type (GATE, DUCKING,

COMPRESSOR, EXPANDER, COMPANDER-H,

COMPANDER-S, or DE-ESSER) as the copy-source

• Between effects/GEQ mounted in a rack

• Between same processors mounted in a Premium Rack

NOTE

Only 31BandGEQ settings that use less than fifteen bands

can be copied to a Flex15GEQ.

1. Open a popup window that provides the tool

buttons.

2. Select the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) from which you

want to copy the settings.

3. Press the COPY button.

The current settings will be saved in the buffer

memory.

Comparing two settings

Owner’s Manual

NOTE

• Be aware that if you copy other settings before you paste,

the buffer memory will be overwritten.

• You can select only one channel or rack as the

copy-source. If multiple channels are selected in the 8

ch/ALL popup window, the COPY button will be

unavailable.

4. Select the paste-destination channel or rack.

NOTE

If you are pasting EQ/dynamics settings, you can use the

8ch or ALL popup window to select multiple channels as

the paste-destination. In this case, the same content will be

pasted to all selected channels.

5. Press the PASTE button.

The settings of the channel (EQ/dynamics) or the rack

(GEQ/effect/Premium Rack) you selected in step 2

will be pasted.

NOTE

• Be aware that when you paste, the settings will overwrite

the paste-destination.

• If nothing has been stored in the buffer memory, the PASTE

button cannot be pressed.

• Of the two types of GEQ, using the tool buttons in a rack in

which a Flex15GEQ is selected will cause the settings to

be copied/pasted for rack A and B individually.

• You cannot paste effect settings that use effect types

“HQ.Pitch” or “Freeze” to racks 2, 4, 6 or 8.

Comparing two settings

You can use the COMPARE button to exchange the settings

held in the buffer memory with the settings of the

currently-selected channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack). This is convenient if you

want to temporarily keep the settings at a certain point, and

compare them later with subsequently edited settings.

1. Open a popup window that provides the tool

buttons.

2. Select a channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack).

3. Press the COPY button to place the current

settings in the buffer memory.

This will be the first set of settings.

NOTE

Be aware that if you copy other settings before you

compare, the buffer memory will be overwritten.

4. Edit the settings of the currently-selected

channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack).

This will be the second set of settings.

NOTE

After you store the first set of settings in the buffer memory,

you can initialize the channel or rack and edit the second

set of settings from an initialized state if desired.

5. To compare the first set of settings with the

current settings (the second set), press the

COMPARE button.

You will return to the first set of settings. At this time,

the second set of settings will be held in the buffer

memory.

6. You can press the COMPARE button

repeatedly to compare the first and second

sets of settings.

Each time you press the COMPARE button, the

current settings will be exchanged with the settings

held in the buffer memory. Unlike the Paste operation,

the Compare operation always lets you return to the

previous settings as long as the buffer memory has not

been overwritten.

NOTE

• The settings in the buffer memory can also be used for the

Paste operation.

• Of the two types of GEQ, using the tool buttons in a rack in

which a Flex15GEQ is selected will cause the settings to

be replaced with the buffer memory data for rack A and B

individually.

COPY

COMPARE

The first set The first set

Buffer memory

Edit the settings

(The second set)

The first set

The second set

Buffer memory

Basic operation of the CL series

Owner’s Manual

Basic operation of

the CL series

This section explains the basic operations of the CL series.

CL series operations are divided into three main categories:

• Controlling selected channels

(SELECTED CHANNEL section)

• Controlling eight channels as a group

(Centralogic section)

• Using the faders on the top panel

(Channel Strip section)

In general, you will operate the CL series for mixing using

a combination of these operations.

Controlling selected

channels (SELECTED

CHANNEL section)

The SELECTED CHANNEL section located to the left of

the display corresponds to the mixer module on a

conventional analog mixer, and allows you to manually

adjust all the major parameters of the currently-selected

channel. Operations in this section will affect the channel

that was most recently selected by its [SEL] key. The basic

procedure is as follows:

1. Press the Bank Select key of a bank that

includes the channel that you want to control.

Select one of the preset or custom fader banks in the

Channel Strip section or Centralogic section.

2. Use a [SEL] key to select the channel that you

want to control.

To select a MIX or MATRIX channel, use the Bank

Select keys to recall the desired channel to the

Centralogic section, and then press the [SEL] key for

the desired channel.

3. Press any one of the knobs in the SELECTED

CHANNEL section.

The SELECTED CHANNEL VIEW screen for the

selected channel will appear. You can view the actual

setting values on screen.

Even if a different screen is selected, the knobs of the

SELECTED CHANNEL section always affect the

currently-selected channel. In this case, a mini popup

window indicating the value of that parameter will

appear on screen when you operate a knob.

4. Use the knobs of the SELECTED CHANNEL

section and the buttons in the SELECTED

CHANNEL VIEW screen to edit the parameters

of the selected channel.

Controlling eight channels as

a group (Centralogic section)

The Centralogic section located below the touch screen lets

you recall and simultaneously control a set of up to eight

input channels, output channels, or DCA groups. Use the

Bank Select keys on the right side of the Centralogic

section to select the channels that you want to control.

When you press the keys, the corresponding channels or

DCA groups will be assigned to the Centralogic section,

and the touch screen will display the OVERVIEW screen

for those channels. The OVERVIEW screen displays the

main parameters, which you can control using the

Centralogic section’s faders and keys. The basic procedure

is as follows:

1. Use a Bank Select key to select the channel or

DCA group that you want to control.

Press the [INPUT] key to select from channel groups

labeled at the left of the Bank Select keys, and press the

[OUTPUT] key to select from channel groups labeled

at the right of the Bank Select keys.

When you press the Bank Select key, the touch screen

will display the OVERVIEW screen, and the

parameters of the eight channels you selected will

appear.

NOTE

When the SELECTED CHANNEL VIEW screen is

displayed, you can switch to the OVERVIEW screen by

pressing any of the multifunction knobs 1–8. This is

convenient when you want to quickly switch to the

OVERVIEW screen while leaving the same channels or

DCA groups selected for control.

2. Use the controls of the Centralogic section

and the fields in the OVERVIEW screen to

control the channels.

NOTE

• The bottom line of the OVERVIEW screen shows the

channels or DCA groups that can be controlled by the

faders, [ON] keys and [CUE] keys of the Centralogic

section.

• The top line of the OVERVIEW screen shows the channels

that can be controlled by the multifunction knobs 1–8.

Controlling another set of eight channels

in the OVERVIEW screen

You can retain channels or DCA groups controlled by the

faders, [ON] keys, meters, [CUE] keys and [SEL] keys of

the Centralogic section, and switch to another group of

eight channels for control in the OVERVIEW screen. In

this case, the multifunction knobs will control a different

set of eight channels than the Centralogic section’s

controls.

1. Press the Bank Select key for the channels or

DCA group that you want to retain for the

Centralogic section, and hold it down for two

seconds or longer.

The LED of the Bank Select key will start blinking.

The blinking indicates that the corresponding

channels or DCA groups are now retained for the

Centralogic section.

Using the top panel (Channel Strip section)

Owner’s Manual

2. Press a Bank Select key to select the eight

channels (other than the DCA groups) that

you want to control in the OVERVIEW screen.

The Bank Select key will light. The lit status indicates

that the corresponding channels can be controlled in

the OVERVIEW screen and by the multifunction

knobs.

3. To release the channels or DCA groups that

were retained for the Centralogic section,

press the Bank Select key you operated in step

1 once again, and hold it down until the Bank

Select key LED changes from blinking to lit.

When the Bank Select key LED changes to being lit, its

channels or DCA groups will be assigned to both the

Centralogic section and the OVERVIEW screen.

Using the top panel

(Channel Strip section)

The Channel Strip section of the top panel enables you to

control the level, gain, pan, CUE, and other parameters for

the selected channels. The basic procedure is as follows:

1. Use the Bank Select keys located on the right

of the Channel Strip section to select the

channels or DCA groups that you want to

control.

Each Bank Select key holds a “Bank,” which bundles a

group of multiple channels.

“CUSTOM” Bank Select keys enable you to assign and

recall a bank with your own assortment of the

channels or DCA groups. These banks are called

“custom fader banks.” Since the custom fader banks

enable you to assign a combination of different types

of channels, you can control different types of

channels as a group.

2. Use the controls of the Channel Strip section.

Use the channel knob to adjust a parameter selected

by the [GAIN/PAN/ASSIGN] key.

Each channel’s display indicates the

currently-assigned channel information. For the

channel display information, access SETUP→USER

SETUP→PREFERENCE, then set NAME DISPLAY to

NAME ONLY or FULL FUNCTION.

Custom fader bank settings

Follow the procedure below to set up a custom fader bank for

control on the Channel Strip section.

1. Press the SETUP button located in the

function access area in the display.

2. Press the USER SETUP button in the upper left

of the SETUP screen.

3. Press the CUSTOM FADER tab near the

bottom of the USER SETUP screen.

The CUSTOM FADER BANK / MASTER FADER

screen will appear.

These controls affect

INPUT channels 1–8

in the OVERVIEW

screen.

These controls affect

DCA groups 1–8.

Basic operation of the CL series

Owner’s Manual

4. Select a target custom fader bank.

Channel strips are categorized into four blocks; from

your left, block A, block B (Centralogic section), block

C (only for CL5), and Master.

5. Press the number in the FADER area, then

press the [SEL] key for the channel that you

want to assign to that fader.

You can also select a channel in the display. Press the

button below the desired number to display the CH

SELECT screen. First select the tab for a channel

group, then select individual channels. To return to

the previous screen, press the CLOSE button.

6. Repeat step 5 to select all channels that you

want to assign to the custom fader bank.

7. When you have finished, press the X symbol

in the upper right corner of the screen.

Adjusting the send level to a MIX bus or

MATRIX bus (SENDS ON FADER mode)

Each fader on the top panel enables you to adjust the level

of the corresponding channel, as well as the send level of

the signal routed from each channel to the

currently-selected MIX/MATRIX bus (SENDS ON

FADER mode).

Follow the procedure below to use the faders on the top

panel to adjust a signal that is sent from all input channels

to a specific MIX bus.

1. In the function access area

in the display, press the

SENDS ON FADER button.

The CL will switch to SENDS

ON FADER mode. The most

recently selected group of

MIX/MATRIX buses will be

assigned to the Centralogic

section. The faders in the

Channel Strip section will move

to indicate the send level of the

signals that are routed from each

channel to the currently-selected

MIX/MATRIX bus.

In SENDS ON FADER mode,

the function access area in the

display will show the button that

enables you to switch between MIX1–16 and

MIX17–24/MATRIX, and the buttons that enable you

to select the destination MIX/MATRIX buses.

1 ON FADER switch button

Pressing this button repeatedly will switch between

MIX1–16 and MIX17–24/MATRIX.

2 MIX/MATRIX bus select buttons

These buttons enable you to select the destination

MIX/MATRIX buses. Two buses that are paired in

stereo are represented by one button.

2. Press the ON FADER switch button repeatedly

to select MIX1–16 or MIX17–24/MATRIX.

In this way, you can use the MIX/MATRIX bus select

buttons to specify the destination MIX/MATRIX

buses.

3. Use the MIX or MATRIX bus select buttons in

the function access area to select the

send-destination MIX/MATRIX bus.

NOTE

• Alternatively, press a SEND LEVEL knob in the

SELECTED CHANNEL section to display a popup window,

from which you can select a MIX/MATRIX bus.

• You can also select a MIX/MATRIX bus by using the Bank

Select keys and the [SEL] keys in the Centralogic section.

If you select the MIX buses or MATRIX buses by pressing

the [SEL] keys, the setting of the MIX/MTRX ON FADER

switch button will be changed automatically.

• If you press the currently-selected MIX/MATRIX bus select

button again, cue monitoring will be turned on for the

related MIX/MATRIX channel. This method is convenient if

you want to monitor the signal that is being sent to the

selected MIX/MATRIX bus.

4. Use the faders in the INPUT section to adjust

the send level from the input channels to the

selected MIX/MATRIX bus.

NOTE

You can assign the SENDS ON FADER function to a USER

DEFINED key. This lets you quickly switch to SENDS ON

FADER mode for a specific MIX/MATRIX bus, and quickly

switch back again.

5. Repeat steps 3–4 to adjust the send level for

other MIX/MATRIX buses in the same way.

6. When you have finished adjusting the

MIX/MATRIX send levels, press the X symbol

in the function access area.

The function access area display will return to its prior

state, and the unit will return to normal mode.

Connections

Owner’s Manual

Connections

About network connections

About Dante

This product features Dante technology as a protocol to

transmit audio signals. Dante is a network protocol

developed by Audinate. It is designed to deliver

multi-channel audio signals at various sampling and bit

rates, as well as device control signals over a Giga-bit

Ethernet (GbE) network. Dante also offers the following

benefits:

• It transmits up to 512 in/512 out, for a total 1024

channels (in theory) of audio over a GbE network. (The

CL series features 64 in/64 out with a 24/32-bit

resolution.)

• Dante-enabled devices will automatically configure their

network interfaces and find each other on the network.

You can label Dante devices and their audio channels

with names that make sense to you.

•

Dante uses high accuracy network synchronization

standards to achieve sample-accurate playback with

extremely low latency and jitter. 5 types of latency are

offered by the CL series: 0.25 msec, 0.5 msec, 1.0 msec,

2.0 msec, and 5.0 msec.

• Dante supports resilient redundant connections against

unexpected network problems via primary and

secondary networks.

• Connecting a computer to Dante network using an

Ethernet connection enables you to directly input or

output audio signals without using any audio interface

devices.

• Audio can be transferred over distances up to 100

meters* between devices using CAT5e network cables.

* Maximum practical distance may vary

according to the cable used.

By taking advantage of these benefits, you can: skip any

complicated procedures to automate connections and

setups of Dante-enabled devices; remotely control I/O

devices from a mixing console; or make multi-track

recordings to a DAW, such as Nuendo, installed on a

computer in the network.

Visit the Audinate website for more details on Dante.

http://www.audinate.com/

Additional information on Dante is also posted on the

Yamaha Pro Audio website:

http://www.yamahaproaudio.com/

NOTE

Please do not use the EEE function (*) of network switches

in a Dante network.

Although power management should be negotiated

automatically in switches that support EEE, some switches

do not perform the negotiation properly. This may cause

EEE to be enabled in Dante networks when it is not

appropriate, resulting in poor synchronization performance

and occasional dropouts.

Therefore we strongly recommend that:

• If you use managed switches, ensure that they allow EEE

to be disabled. Make sure that EEE is disabled on all ports

used for real-time Dante traffic.

• If you use unmanaged switches, make sure to not use

network switches that support the EEE function, since

EEE operation cannot be disabled in these switches.

* EEE (Energy Efficient Ethernet) is a technology that

reduces switch power consumption during periods of

low network traffic. It is also known as Green Ethernet

and IEEE802.3az.

About Dante Controller

Dante Controller is a software application that allows

configuration and audio routing of Dante networks. Use

this application if you plan to connect or set up

Dante-enabled devices (such as Dante-MY16-AUD) that

do not feature CL native support, or if you wish to set up

complicated signal routings on a Dante network. More

information is posted on the following website.

http://www.yamahaproaudio.com/

To run Dante Controller, a computer must feature a

GbE-compatible Ethernet connector.

Refer to the Dante Controller owner’s manual for details on

Dante Controller.

Connecting to I/O devices

This section explains how to connect the CL series to I/O

devices (such as RIO3224-D) in a daisy chain network and

in a star network (redundant network). Before you make

connections with I/O devices, perform the steps described

in “Setting up the Dante network” (see page 40), and then

turn off the power of the CL series unit.

Daisy chain network

A daisy chain is a wiring scheme in which multiple devices

are connected together in sequence. In this way,

networking is simple and requires no network switches.

This connection method is suitable for a simple system

with a small number of devices.

However, if a large number of devices are connected, the

latency value must be increased. Also, if a connection is

broken in a daisy chain network, the signal flow is

interrupted at that point and no signal will be transferred

beyond that point.

Connections

Owner’s Manual

■ Connecting I/O devices to the CL series

Make connections as shown below using the Dante

connectors of the CL series and the I/O devices, and set the

rotary switches and DIP switches of the I/O devices.

■ Rotary switch and DIP switch settings of the I/O

devices

Star network (redundant network)

In a star network, each device is connected to a central hub.

Using a GbE-compatible network switch enables you to

configure a wide-band, large-scale network. We

recommend a network switch that gives you the ability to

control and monitor the network (such as QoS, the ability

to assign priority to data flows - e.g., clock synchronization

or audio transmission on certain data circuits).

With this topology, it is usual to configure a redundant

network so that even if an unexpected network problem

occurs, communication can occur without affecting the

audio.

About redundant networks

A redundant network consists of two circuits, a primary

circuit and a secondary circuit. Normally, the network

operates on the primary circuit. However, if the primary

connection is broken, the secondary circuit will

automatically take over communications. Therefore, using

a redundant network with a star topology would increase

communication stability relative to a daisy chain network.

■ Connecting I/O devices to the CL series

Make connections as shown below using the Dante

connectors of the CL series and the I/O devices, and set the

rotary switches and DIP switches of the I/O devices.

CL5

Rio3224-D (ID#1)

Rio3224-D (ID#2)

SECONDARY

PRIMARY

(ID#1)

(ID#2)

1 2 3 4 5 6 7 8

CL5

SECONDARY

PRIMARY

Rio3224-D

(ID#1)

Rio3224-D

(ID#2)

Network switch

Audio input/output connections

Owner’s Manual

■ Rotary switch and DIP switch settings of the I/O

devices

Audio input/output

connections

Analog input connections

The INPUT jacks on the I/O devices and the OMNI IN

jacks are used mainly to connect microphones or monaural

line-level devices.

NOTE

In the default state, the OMNI IN jacks are not patched. To

use the signals connected here as inputs, you will need to

make patch settings.

Analog output connections

To the OMNI OUT jacks on the CL series and the

OUTPUT jacks on the Rio3224-D units, you can patch the

output signals from output channels (MIX, MATRIX,

STEREO (L/R), MONO (C)), monitor signals (MONITOR

OUT L/R/C channels), and the direct out signals of the

input channels. For information about patches, refer to

“Patching the mixer output to the I/O device” (see page 41)

in the Quick Guide section.

The PHONES Out jack located on the front panel is for

monitoring, which always enables you to monitor the

monitoring source signal. By assigning the MONITOR

OUT L/R/C channels to the desired output jacks, you can

also monitor the same signal through external speakers.

Digital input/output connections

Use the DIGITAL OUT jack to send the CL’s internal

signals to an external digital audio device. When the CL is

in the default state, the output signal of the STEREO

channel is patched to the DIGITAL OUT jack, which

enables you to record the main mix onto a CD recorder or

other device.

You can connect this jack to the AES/EBU jack on an I/O

device, such as Rio3224-D. Also, by installing separately

sold mini-YGDAI I/O cards in slots 1–3, you can add

input/output jacks to the CL or connect speaker processor

units.

Refer to the Yamaha professional audio website for the

most recent information on available I/O cards.

http://www.yamahaproaudio.com/

(ID#1)

(ID#2)

1 2 3 4 5 6 7 8

Rio3224-D

CL series

Rio3224-D

Main speakers

Monitor speakers

CL series

Connections

Owner’s Manual

Installing an option card

Before you install I/O cards in slots 1–3, you must check the

Yamaha website to determine whether the card is

compatible with the CL series, and to verify the total

number of Yamaha or third-party cards that can be

installed in combination with that card.

Yamah a web site:

http://www.yamahaproaudio.com/global/en/

To install an optional mini-YGDAI card, proceed as

follows.

1. Make sure that the power is turned off.

2. Loosen the screws that hold the slot cover in

place, and remove the slot cover.

Keep the removed slot cover and screws in a safe

place.

3. Align the edges of the card with the guide

rails inside the slot, and insert the card into

the slot.

Push the card all the way into the slot so that the

connector at the end of the card is correctly inserted

into the connector inside the slot.

4. Use the screws included with the card to

fasten the card in place.

Malfunctions or incorrect operation may occur if the

card is not fastened.

Caution

Before connecting a separately sold mini-YGDAI I/O card

to the CL unit, you must turn off the power switches for the

CL and the PW800W power supply. Failure to observe this

will cause malfunction or electric shock.

Slot cover

Card

Setup

Owner’s Manual

Setup

This section explains the setup required when starting up

the CL series for the first time. This section will also discuss

basic operations for sending an input channel signal out

from the STEREO bus so that you can check the

connections.

Specifying the brightness of

the touch screen, LEDs,

channel name displays, and

lamps

Here is how to specify the brightness of the touch screen,

top panel LEDs, channel name displays, and lamps

connected to the rear panel LAMP connectors.

1. In the function access area, press the SETUP

button to access the SETUP screen.

2. In the field located in the right of the bottom

row of the SETUP screen, press the BANK A or

BANK B button.

You can save two different brightness settings in bank

A and B, and switch between them rapidly if desired.

3. Use the multifunction knobs to set the

following parameters.

CONTRAST field

•NAME

Adjusts the contrast of the characters of the channel

name displays on the top panel.

BRIGHTNESS field

•NAME

Adjusts the brightness of the channel name displays

on the top panel.

• CH COLOR

Specifies the balance of brightness between the top

panel channel color indicator and channel name

display.

•SCREEN

Adjusts the brightness of the touch screen.

If you have set the brightness to lower than level 2, the

CL will start up next time with a brightness setting of

2 so that you will be able to see the screen.

•PANEL

Adjusts the brightness of the top panel LEDs. If the

optional MBCL meter bridge is installed on the

CL3/CL1, this knob setting will also affect the LEDs

on the meter bridge.

•LAMP

Adjusts the brightness of the lamps connected to the

rear panel LAMP jacks.

4. If desired, switch between banks A and B and

make settings for the other bank in the same

way.

Now you can switch between the BANK A and BANK

B buttons to change the brightness of the touch

screen, LCD, channel name displays, and lamps in a

single operation. You can also assign this parameter to

a USER DEFINED key, and press that key to switch

between banks A and B.

Setting the date and time of

the internal clock

This section explains how to set the date and time of the

clock built into the CL unit, and how to select a date and

time display format.

The date and time you specify here will affect the time

stamp used when saving a scene.

1. In the function access area, press the SETUP

button to access the SETUP screen.

2. Press the DATE/TIME button located in the

bottom row of the SETUP screen, to open the

DATE / TIME popup window.

The popup window includes the following items.

1) DATE

This field specifies the date of the internal clock.

2) TIME

This field specifies the time of the internal clock.

3) DISPLAY FORMAT

This field specifies the format in which the time of the

internal clock is displayed.

3. In the DISPLAY FORMAT field, press the

MODE buttons several times to select the

desired format for date and time display.

You can select from the following display formats.

•Date

MM/DD/YYYY (Month/Day/Year)

DD/MM/YYYY (Day/Month/Year)

YYYY/MM/DD (Year/Month/Day)

•Time

24Hours (hours shown in a range of 0–23)

12Hours (hours shown from 0am–11am, and 0pm–

11pm)

Setup

Owner’s Manual

4. Use multifunction knobs 1–6 on the top panel

to specify the current date and time.

5. When you have finished making settings,

press the OK button.

The date, time, and display format you specified will

be finalized, and the popup window will close. If you

press the CANCEL button or the X symbol instead of

the OK button, your changes will be discarded and the

popup window will close.

Word clock connections and

settings

To send and receive digital audio signals between the CL

and a connected external device, the word clock of both

devices must be synchronized.

1. In the function access area, press the SETUP

button.

2. Press the WORD CLOCK/SLOT button in the

SYSTEM SETUP field in the middle of the

window.

3. In the WORD CLOCK SELECT field, select the

desired clock source.

• When using the internal word clock

Press the INT 48k or INT 44.1k button.

• When a device on the Dante network serves

as the clock master

Press the DANTE 48k or DANTE 44.1k button.

• When using clock data from a digital audio

signal as the clock source

Press a valid two-channel button for the

corresponding slot.

• When using word clock data from the WORD

CLOCK IN jack as the clock source

Press the WORD CLOCK IN button.

If the CL unit is operating correctly with the selected

clock, the symbol immediately above the

corresponding button will turn light blue.

NOTE

The clock data of the digital audio signal supplied via a

digital I/O card in one of the slots 1–3 can be selected in

two-channel units.

4. To close the WORD CLOCK/SLOT popup

window, press the X symbol located in the

upper right.

You will return to the SETUP screen.

5. To close the SETUP screen, press the SETUP

button in the function access area.

Making HA (Head Amp) analog gain settings

Owner’s Manual

Making HA (Head Amp)

analog gain settings

This section explains how to adjust the analog gain of the

HA (Head Amp) for each input channel to which a mic or

instrument is connected.

There are two ways to control channel parameters on the

CL unit: using the SELECTED CHANNEL section to make

settings for a single channel; and using the Centralogic

section to make settings for up to eight channels all

together.

Using the SELECTED CHANNEL section

(settings for one channel)

1. Connect a mic or instrument to an INPUT jack.

2. In the top panel Channel Strip section, press

the [SEL] key for the channel corresponding

to the INPUT jack that you want to control.

3. While playing a musical instrument or

speaking or singing into a microphone, rotate

the [GAIN] knob in the SELECTED CHANNEL

section to adjust the gain of the

currently-selected channel.

Adjust the gain level as high as possible without

allowing the OVER segment of the channel strip level

meter to light at the highest audio input level.

When you press one of the knobs in the SELECTED

CHANNEL section located to the left of the touch

screen, the SELECTED CHANNEL VIEW screen will

appear in the touch screen. When you rotate the

[GAIN] knob in the SELECTED CHANNEL section,

the knob in the HA field of the SELECTED

CHANNEL VIEW screen will move in tandem with

the knob.

4. Press the [SEL] key of another input channel,

and adjust the head amp gain in the same

way.

When you press a [SEL] key to select another channel,

the channel shown in the SELECTED CHANNEL

VIEW screen will change accordingly.

Using the Centralogic section

(settings for eight channels)

Use the Centralogic section and the OVERVIEW screen to

make head amp settings for up to eight channels. This

method is convenient when you want to adjust the same

parameter for multiple channels simultaneously.

1. Connect a mic or instrument to an INPUT jack.

2. Press a Bank Select key in the

Centralogic section so that the

input channels you want to

control are assigned to the

Centralogic section.

Press the [INPUT] key, then press

the key of the channels you want to

control.

If you want to control the STEREO

IN channels, press the [OUTPUT]

key, then press the [ST IN] key.

When you press a Bank Select key,

the OVERVIEW screen will appear

in the display, and the principal

parameters of the up to eight

selected channels will be shown

simultaneously.

3. Press a knob in the HA/PHASE field of the

screen to select it.

When you press a knob shown in the OVERVIEW

screen, a bold frame is displayed around the

horizontal row of knobs of the same type. This frame

indicates that you can use the multifunction knobs of

the Centralogic section to operate the corresponding

knobs.

4. While playing a musical instrument or

speaking or singing into a microphone, use

the Centralogic section’s multifunction knobs

1–8 to adjust the HA gain of each channel.

Adjust the level as high as possible without allowing

the OVER segment of the channel strip level meter in

the Centralogic section to light at the highest audio

input level.

The input level is also shown by the level meter of the

corresponding INPUT section or ST IN section.

5. Use the Bank Select keys to switch the eight

channels controlled by the Centralogic

section, and adjust the gain for the other

input channels in the same way.

Setup

Owner’s Manual

Sending an input channel

signal to the STEREO bus

This section explains how to adjust the level of a

gain-adjusted signal sent from an input channel to the

STEREO bus; adjust the pan/balance; and monitor signals

from external speakers connected to the STEREO channel.

The following procedure enables you to check whether the

connections with the mic, instrument, and main speakers

are appropriate.

In this case as well, you can either use the SELECTED

CHANNEL section to make settings for one channel at a

time, or use the Centralogic section to make settings for up

to eight channels collectively.

Using the SELECTED CHANNEL section

(settings for one channel)

1. Press the [SEL] key of the input channel that

you want to control.

2. Press one of the knobs in the SELECTED

CHANNEL section.

The SELECTED CHANNEL VIEW screen for the

selected channel will appear.

3. In the To ST PAN/BALANCE field of the

SELECTED CHANNEL VIEW screen, make sure

that the ST button is on (white characters on

a pink background).

In the TO ST PAN/BALANCE field you can switch

the signal sent from the input channel to the

STEREO/MONO buses on or off by using the

ST/MONO button. The knob in this field indicates the

pan/balance of the signal sent to the STEREO bus.

If the ST button is off (black characters on gray

background), press the button to switch it on.

4. Verify that in the top panel, the [ON] key of

the corresponding input channel is turned on.

If the [ON] key is off (the LED is dark), press the key

to turn it on (the LED will light).

5. In the STEREO/MONO MASTER section, make

sure that the [ON] key of the STEREO channel

is turned on, and raise the STEREO channel

fader to 0 dB.

6. Raise the fader of the currently-selected input

channel to an appropriate volume.

In this state, you should now hear sound from the

speaker system that is patched to the STEREO

channel.

If you do not hear sound, check whether the LR

meters are moving in the METER field of the function

access area.

If the LR meters are moving:

It may be that the STEREO channel is

not correctly patched to the output

jacks that are connected to your

speaker system. Check the output

port patching.

If the LR meters are not

moving:

Make sure that signals are being

routed correctly to the patched input

channels.

7. To adjust the pan/balance of the signal sent

from the input channel to the STEREO bus,

rotate the [PAN] knob of the SELECTED

CHANNEL section.

When you rotate the [PAN] knob, the knob in the TO

ST PAN/BALANCE field of the SELECTED

CHANNEL VIEW screen will move in tandem with

the [PAN] knob.

8. Press the [SEL] key of another input channel,

then repeat this procedure from step 2.

When you press a [SEL] key to select another channel,

the channel shown in the SELECTED CHANNEL

VIEW screen will change accordingly.

Sending an input channel signal to the STEREO bus

Owner’s Manual

Using the Centralogic section (settings

for eight channels)

Here is how to use the Centralogic section and

OVERVIEW screen to adjust the level and pan/balance of

the signals sent to the STEREO bus for up to eight channels

at a time.

1. Press a Bank Select key so that the input

channels you want to control are assigned to

the Centralogic section.

The selected eight channels are shown in the

OVERVIEW screen.

TO STEREO/MONO field

2. Make sure that in the TO STEREO/MONO field

of the screen, the ST symbol of each channel

is on (white characters on pink background).

The ST/MONO symbol in the OVERVIEW screen

indicates the on/off status of the signal sent from that

input channel to the STEREO/MONO buses. If the ST

symbol is off (gray characters on a black background),

press the TO ST PAN/BALANCE field of the

SELECTED CHANNEL VIEW page to display a

popup window, then switch the status on.

3. In the Centralogic section, verify that the

[ON] key of the corresponding input channel

is turned on.

4. In the STEREO/MONO MASTER section, make

sure that the [ON] key of the STEREO channel

is turned on, and raise the STEREO channel

fader to 0 dB.

5. In the Centralogic section, raise the fader of

the corresponding input channel to an

appropriate volume.

In this state, you should now hear sound from the

speaker system that is patched to the STEREO

channel.

6. To adjust the pan/balance of the signal sent

from each input channel to the STEREO bus,

press a knob in the TO STEREO/MONO field

of the screen to select it, and rotate the

multifunction knobs of the Centralogic

section.

When you rotate a multifunction knob, the knob in

the TO STEREO/MONO field of the OVERVIEW

screen will also rotate.

7. Use the Bank Select keys to switch the eight

channels controlled by the Centralogic

section, and control other input channels in

the same way.

Quick Guide

Owner’s Manual

Quick Guide

This section explains the general procedures in a mixing

workflow. The example below is based on a system in

which one CL5, one I/O device, an amplifier and speakers

are connected. If there are multiple methods to achieve the

same result, this section introduces the simplest method.

For details on the functions and their parameters, refer to

the Reference Manual.

Connecting the devices

Setting up the Dante network

1. Press the SETUP button in the touchscreen.

2. Press the DANTE SETUP button in the SETUP

screen.

3. In the lower part of the DANTE SETUP screen,

press the SETUP tab.

4. Set CONSOLE ID to #1, and SECONDARY

PORT to DAISY CHAIN.

NOTE

If you want to change the settings, you must first

disconnect all I/O devices before doing so. If you fail to do

so, communication with the I/O devices will become

impossible.

If you changed the settings, press the APPLY button;

when the confirmation screen appears, click the OK

button.

The button you changed will change from red back to

white; please wait approximately 30 seconds for the

settings to be applied.

5. Set BIT to 24, and LATENCY to 0.25.

Connecting I/O devices

1. Make sure that power to all devices to be

connected is turned off. Then, use an

Ethernet cable to connect the Dante

PRIMARY connector on the CL to the Dante

PRIMARY connector on the I/O device.

2. Specify the ID of the I/O device.

NOTE

If you plan to use one I/O device, set its ID number to “1.”

If you plan to use multiple devices, you must assign a

unique ID number to each device.

3. Turn on the power to the I/O device, the CL

series, and then the amplifier, in that order.

4. In the touchscreen, press the SETUP button,

then the DANTE SETUP button, and finally the

DEVICE MOUNT tab.

5. Check the I/O devices.

NOTE

If you’re connecting an I/O device other than the

Rio3224-D, you’ll need to mount it.

See the reference manual for details.

6. Connect mics or instruments to the I/O

device.

Setting the word clock

1. Press the SETUP button in

the display screen, then

press the WORD

CLOCK/SLOT button.

2. Select INT 48k or INT

44.1k.

3. Press the X symbol to close the screen.

➩

Setting the input channels

Owner’s Manual

Patching the input port

Press the I/O DEVICE button in the touchscreen.

2. In the upper part of the I/O

DEVICE screen, press the

DANTE PATCH tab.

3. In the I/O DEVICE screen,

press the DANTE INPUT

PATCH button.

4. Press the AUTO SETUP button.

5. When a confirmation dialog appears, press

the OK button.

6. Press the X symbol to close the screen.

Patching the mixer output to the I/O device

1. Press the I/O DEVICE button

in the display screen, then

press the Rio tab.

2. Press the OUTPUT display area of the I/O

device that will be the output destination.

3. Press the OUTPUT 1 button.

4. In the PORT SELECT screen, select the output

channels you want to output to the rack.

5. Press the CLOSE button.

6. In the same way, set OUTPUT 2 and

subsequent outputs, if necessary.

Setting the input channels

Switching phantom power on or off

1. Press the [SEL] key for the channel that you

want to control in the Channel Strip section

or Centralogic section.

2. Press the GAIN knob in the SELECTED

CHANNEL section.

3. Press the +48V button in the GAIN/PATCH

popup window as necessary, depending on

the microphone you use.

NOTE

• The phantom power master switch on the I/O device must

be turned on first.

• Make sure that phantom power is turned OFF unless it is

needed.

• When turning phantom power on, pay careful attention to

the following to prevent damage or noise in the mixing

console or connected equipment.

- Turn the +48 button off if equipment that does not use

phantom power is connected to the OMNI IN jacks.

- Do not connect or disconnect a cable to or from the

OMNI IN jacks while the +48 button is on.

- Set all digital mixing console output controls to minimum

when turning phantom power ON or OFF.

Adjusting the analog gain

1. Press the [SEL] key for the channel that you

want to control in the Channel Strip section

or Centralogic section.

2. Press the [CUE] key of the same channel.

3. While checking the sound level through the

headphones and meters, adjust the channel

[GAIN] knob of the Channel Strip section.

4. Adjust the gain level for other channels in the

same way, by pressing their [SEL] and [CUE]

keys, and then rotating the [GAIN] knobs.

5. After adjustment is complete, switch the

[CUE] key off (the key LED turns off).

GAIN knob

➩

Quick Guide

Owner’s Manual

Applying EQ/dynamics

Applying EQ

1. Press the [SEL] key of the channel that you

want to control.

2. Adjust EQ in the SELECTED CHANNEL section.

3. Press the EQ area in the display screen.

4. Edit the EQ type and filter type in the HPF /

EQ popup window.

Applying dynamics

1. Press the [SEL] key of the channel that you

want to control.

2. Press the ON button of the DYNAMICS 1 field

in the display screen.

3. Press the DYNAMICS 1 area.

4. Edit the dynamics type and parameters in the

DYNAMICS popup window.

Use the knobs in the Centralogic section to edit the

parameters.

5. Edit the DYNAMICS 2 parameters in the same

way.

Setting the output channels

1. Use the [OUTPUT] key of the Centralogic

section, then Bank Select keys to select the

desired output channel bank.

2. Press the [SEL] key of the output channel that

you want to control.

3. Press any one of the knobs in the SELECTED

CHANNEL section.

4. Edit the EQ and dynamics parameters in the

same way as for the input channels.

Using GEQ

1. Press the RACK button in the display screen.

2. Press the GEQ 1–8 tab.

3. Press the INPUT PATCH button for GEQ1.

Applying effects

Owner’s Manual

4. Select an input source in the left column of

the CH SELECT popup window, then select a

channel in the right column.

5. Press the CLOSE button.

6. Press the GEQ icon to open the GEQ popup

window.

7. Press FADER ASSIGN to select the GEQ you

will control using the Centralogic section’s

faders.

8. Perform the same operations for other GEQs

as desired.

Applying effects

Using EFFECT RACK with send/return

1. Press the RACK button in the display screen.

2. Press the EFFECT tab.

3. Modify the INPUT CH/OUTPUT CH patch

settings, if necessary.

4. Press the rack icon in the middle to open the

EFFECT popup window.

5. Press the effect icon.

6. Select an effect you want to use from the

EFFECT TYPE popup window.

7. In the Channel Strip section, select the bank

that includes the channel to which you want

to apply the effect.

Quick Guide

Owner’s Manual

8. Press the SENDS ON FADER button in the

display screen.

9. In the Centralogic section, press the

[OUTPUT] key, then [MIX17–24/MATRIX] key.

10. From Fx1–Fx8 routed to the Centralogic

section, select and press the [SEL] key for the

effect channel that you want to use.

11. Use the faders of the Channel Strip section to

control effect sends.

12. Press the X symbol for the MIX1–16,

MIX17–24/MATRIX button to exit SENDS ON

FADER mode.

13. In the Centralogic section, press the

[OUTPUT] key, then [ST IN] key.

14. Adjust the effect return level using the fader

in the Centralogic section.

15. If necessary, press the RACK button, then the

effect track icon of the EFFECT tab, and then

set the effect parameters.

Inserting PREMIUM RACK processor

1. Press the RACK button in the display screen.

2. Press the PREMIUM tab.

3. Press the rack icon in the middle to open the

PREMIUM RACK popup window.

4. Select a processor you want to use from the

MODULE SELECT field, then press the OK

button.

5. Press the INPUT PATCH button.

6. Select an input source in the left column of

the CH SELECT popup window, and then

select a channel in the right column.

7. Press the CLOSE button.

Changing the patch settings

Owner’s Manual

8. In the Centralogic or Channel Strip section,

select the bank that includes the channel to

which you want to apply the processor.

9. Press the [SEL] key of the channel to which

you want to apply the processor.

10. In the INSERT field of the SELECTED

CHANNEL VIEW screen, press the button that

indicates the name of the inserted PREMIUM

RACK.

11. Adjust the parameters in the PREMIUM RACK

popup window.

Changing the patch settings

Setting up INSERT or DIRECT OUT

1. Select the bank that contains the channel for

which you want to set up INSERT or DIRECT

OUT in the Channel Strip section or

Centralogic section.

2. Press the [SEL] key of the channel for which

you want to change the patching.

3. Press the setting button in the DIRECT OUT

area of the SELECTED CHANNEL screen.

4. Assign OUT and IN for INSERT or DIRECT OUT.

5. Press the ON button to enable it.

6. Modify the INSERT or DIRECT OUT point by

pressing it, if necessary.

Quick Guide

Owner’s Manual

Changing the signal output to each

output port

1. Press the SETUP button in the display screen.

2. Press the OUTPUT PORT button in the

SYSTEM SETUP screen.

3. Select the OUTPUT PORT tab you want to

change.

4. Press the output channel select button to

select the output channel for which you want

to change the port.

Grouping and linking

Creating a channel link

1. Press the CH JOB button in

the display screen.

2. Press the CH LINK button.

3. Select the bank that contains the channels

you want to link in the Channel Strip section

or Centralogic section.

4. While pressing and holding down the [SEL]

key of one channel, press the [SEL] key of the

Documenttranscriptie

Owner’s Manual Keep This Manual For Future Reference. EN Contents Setup.............................................. 35 PRECAUTIONS................................... 5 Introduction .................................... 7 Welcome! ..........................................................7 Accessories.........................................................7 About utility software.........................................7 About firmware updates.....................................7 About the Owner’s Manual ................................7 Conventions in this manual................................7 An overview of the CL series ........... 8 Features .............................................................8 About the models ..............................................9 Controls and functions .................. 10 Top panel ........................................................ 10 Front Panel ......................................................16 Rear Panel........................................................ 16 Touch screen .................................. 18 Basic touch screen operations .......................... 18 The on-screen user interface ............................18 Viewing the touch screen.................................20 Entering names ................................................21 Using the tool buttons ..................................... 22 Using libraries .................................................. 23 Initializing settings ...........................................26 Copying/pasting settings .................................26 Comparing two settings................................... 27 Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps...35 Setting the date and time of the internal clock .........................................................35 Word clock connections and settings ...............36 Making HA (Head Amp) analog gain settings ...37 Sending an input channel signal to the STEREO bus...............................................38 Quick Guide ................................... 40 Connecting the devices....................................40 Setting the input channels ...............................41 Applying EQ/dynamics.....................................42 Setting the output channels .............................42 Using GEQ .......................................................42 Applying effects ...............................................43 Changing the patch settings ............................45 Grouping and linking .......................................46 Setting a custom fader bank ............................47 Using talkback..................................................47 Routing the oscillator to an output channel......48 Using scene memories .....................................48 Recording and playing audio using a USB flash drive .................................................49 Saving and loading the unit settings ................50 Other functions ............................. 51 Initializing the unit to factory default settings...51 Restoring the current scene to the default state..........................................................51 Adjusting the faders (Calibration function) .......52 Troubleshooting ............................ 53 Installing the MBCL meter bridge (option) ......................................... 55 Basic operation of the CL series .... 28 Controlling selected channels (SELECTED CHANNEL section) ..................28 Controlling eight channels as a group (Centralogic section).................................28 Using the top panel (Channel Strip section).............................. 29 Connections ................................... 31 About network connections ............................. 31 Connecting to I/O devices ............................... 31 Audio input/output connections ......................33 Installing an option card ..................................34 2 Owner’s Manual Specifications................................. 56 General specifications ......................................56 Input/output characteristics .............................57 Pin Assignment ................................................58 Dimensions .................................... 59 Index .............................................. 60 Block Diagram ............ End of Manual Level Diagram ............. End of Manual The above warning is located on the rear of the unit. L’avertissement ci-dessus est situé sur l’arrière de l’unité. Explanation of Graphical Symbols Explication des symboles The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie. IMPORTANT SAFETY INSTRUCTIONS PRÉCAUTIONS CONCERNANT LA SÉCURITÉ 1 2 3 4 5 6 7 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specified by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. 8 9 10 11 12 13 14 Lire ces instructions. Conserver ces instructions. Tenir compte de tous les avertissements. Suivre toutes les instructions. Ne pas utiliser ce produit à proximité d’eau. Nettoyer uniquement avec un chiffon propre et sec. Ne pas bloquer les orifices de ventilation. Installer l’appareil conformément aux instructions du fabricant. Ne pas installer l’appareil à proximité d’une source de chaleur comme un radiateur, une bouche de chaleur, un poêle ou tout autre appareil (y compris un amplificateur) produisant de la chaleur. Ne pas modifier le système de sécurité de la fiche polarisée ou de la fiche de terre. Une fiche polarisée dispose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est destinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les prises de courant disponibles, faire remplacer les prises par un électricien. Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas piétinés ni coincés, en faisant tout spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil. Utiliser exclusivement les fixations et accessoires spécifiés par le fabricant. Utiliser exclusivement le chariot, le stand, le trépied, le support ou la table recommandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un chariot, déplacer le chariot avec précaution pour éviter tout risque de chute et de blessure. Débrancher l’appareil en cas d’orage ou lorsqu’il doit rester hors service pendant une période prolongée. Confier toute réparation à un personnel qualifié. Faire réparer l’appareil s’il a subi tout dommage, par exemple si la fiche ou le cordon d’alimentation est endommagé, si du liquide a coulé ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement ou est tombé. (UL60065_03) AVERTISSEMENT POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ. (UL60065_03) Owner’s Manual 3 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren. VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion. VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti. (lithium caution) NEDERLAND / THE NETHERLANDS • Dit apparaat bevat een lithium batterij voor geheugen back-up. COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : Digital Mixing Console Model Name : CL5/CL3/CL1 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. • This apparatus contains a lithium battery for memory back-up. • Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van Yamaha in uw land. • For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country. • Gooi de batterij niet weg, maar lever hem in als KCA. • Do not throw away the battery. Instead, hand it in as small chemical waste. (lithium disposal) This product contains a battery that contains perchlorate material. Perchlorate Material—special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) (Perchlorate) (FCC DoC) IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. (3 wires) This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. 4 (mercury) Owner’s Manual (class b korea) PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING CAUTION Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following: Power supply/Power cord Power supply/Power cord • Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device. • Use only the supplied power cord/plug. If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock. • When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. Location • Do not place the device in an unstable position where it might accidentally fall over. • Do not block the vents. This device has ventilation holes at the rear to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire. • Do not place the device in a location where it may come into contact with corrosive gases or salt air. Doing so may result in malfunction. • Before moving the device, remove all connected cables. Do not open • This device contains no user-serviceable parts. Do not open the device or attempt to disassemble the internal parts or modify them in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Water warning • Do not expose the device to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. • When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. • When transporting or moving the device, always use two or more people. Attempting to lift the device by yourself may damage your back, result in other injury, or cause damage to the device itself. Connections • Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. • Never insert or remove an electric plug with wet hands. Maintenance Fire warning • Remove the power plug from the AC outlet when cleaning the device. • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. Handling caution • Do not insert your fingers or hands in any gaps or openings on the device (vents). If you notice any abnormality • When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel. - The power cord or plug becomes frayed or damaged. - It emits unusual smells or smoke. - Some object has been dropped into the instrument. - There is a sudden loss of sound during use of the device. PA_en_1 • Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents). If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. • Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors. • Do not use headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. 1/2 Owner’s Manual 5 Backup battery • This device has a built-in backup battery that maintains internal clock data even when the device’s power is switched off. However, the backup battery will eventually become depleted, and when that happens the internal clock data will be reset. Replace the backup battery before it becomes fully depleted. When the backup battery is running low, the LCD display indicates “Low Battery” when you start up the system. In this case, contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup battery. The average life of the backup battery is approximately five years, depending on operating conditions. NOTICE About this manual To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below. * The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. * Windows is a registered trademark of Microsoft(R) Corporation in the United States and other countries. * Apple, Mac, Macintosh and iPad are trademarks of Apple Inc., registered in the U.S. and other countries. Handling and Maintenance • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.) • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Condensation may occur if the ambient temperature around the device fluctuates drastically (for example, if the device is relocated or placed under a fast-acting air cooling or heating system, etc.). Using the device while condensation is present may result in malfunction. Do not turn on the power to the device for several hours until condensation disappears. Only then is it safe to start the device. * The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed. Always turn the power off when the device is not in use. Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. Saving data For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC. • To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices/external media. Information About copyrights * Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. About functions/data bundled with the instrument * MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson. PA_en_1 Owner’s Manual For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items. [For business users in the European Union] * Supply of this product does not convey a license nor imply any right to distribute content created with this product in revenue-generating broadcast systems (terrestrial, satellite, cable and/or other distribution channels), streaming applications (via Internet, intranets, and/or other networks), other content distribution systems(pay-audio or audio-on-demand applications and the like) or on physical media (compact discs, digital versatile discs, amiconductor chips, hard drives, memory cards and the like). An independent license for such use is required. For ditails, please visit http://mp3licensing.com/ 6 By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. (weee_eu) 2/2 Introduction Introduction Welcome! Thank you for choosing a Yamaha CL series CL5/CL3/CL1 Digital Mixing Console. To take full advantage of the superior features and performance offered by your CL-series console, and to enjoy years of trouble-free use, please read this owner’s manual carefully before operating your console. After you have read the manual, keep it in a safe place. Accessories • AC power cord • Owner’s Manual (this book) • Dante Virtual Soundcard Token leaflet About utility software • Dante module firmware You must update each type of firmware separately. Details on updating the firmware are available on the following website: http://www.yamahaproaudio.com/ For information about updating and setting up the unit, please refer to the firmware update guide available on the website. About the Owner’s Manual Owner’s Manual (this book) This book primarily explains panel controls and functions and basic operation of the CL series. Reference Manual (PDF format; downloadable from the website) This book primarily explains details about functions, effects parameters, and MIDI. • Console File Converter This software application enables you to convert Yamaha PM5D, M7CL, or LS9 settings files to or from CL-series setting files. Using the PDF manual The Reference Manual is an electronic file in PDF format. You can read this book on a computer. Use Adobe® Reader® to read this book on screen, search for words very quickly, print specific pages, or click links to display sections of special interest. The ability to search for words, or to follow links directly to relevant sections in the document, are helpful attributes of this electronic file format. We encourage you to take advantage of these benefits. You can download the latest Adobe Reader application from the website listed below. http://www.adobe.com/ • CL StageMix This software application enables you to control the unit remotely from an iPad on a WiFi network. Help file (XML file; downloadable from the website) • MonitorMix This app allows you to use your mobile device and a Wi-Fi connection to adjust the CL-series console’s monitor mix remotely. You can read this Help file on the unit’s screen. Install the file on the unit, then press the Help button on the display to view related sections. You can download the Reference Manual and Help file from the following website. http://www.yamahaproaudio.com/ CL-series products can be used with a variety of utility software. • CL Editor This software application enables you to set up and operate the unit from a connected computer. You can also use the application to back up console settings or set console parameters without connecting the unit. Information about these software applications is available on the Yamaha pro audio website: http://www.yamahaproaudio.com/ Information about downloading, installing and setting up the software applications is available on the website listed above. In addition, refer to the installation guide that comes with each downloaded application. About firmware updates This product enables you to update the unit firmware to improve the operation, add functions, and correct possible malfunctions. The following two types of firmware are available for the unit. • Console firmware Conventions in this manual In this manual, switch-type controls on the panel are called “keys.” Control knobs on the panel are called “knobs.” Some knobs rotate from a minimum value to a maximum value, while others rotate endlessly. Virtual buttons displayed on the screen are called “buttons,” and virtual knobs are called “knobs.” Controls located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key) to distinguish them from virtual buttons and knobs displayed on screen. For certain controls, the name of the section appears before the brackets (e.g., SCENE MEMORY [STORE] key). Owner’s Manual 7 An overview of the CL series An overview of the CL series Features CL series digital mixing consoles create high-quality, refined, live-sound environments. These consoles carry forward the digital evolution of a broad array of advanced concepts, including Yamaha’s exclusive “CentralogicTM” control interface, which helps to make the consoles easy and intuitive to use. The built-in effect processor and an I/O device can accommodate the most demanding situations at the highest level of quality, while retaining the flexibility necessary to configure a system that meets your needs. User interface friendly to newcomers but familiar to seasoned users All channels routed to the top-panel faders are organized into a “Fader Bank” that enables you to select and switch a group of channels easily. The Fader Bank holds input and output channel banks, as well as custom fader banks. The custom fader banks enable you to select various combinations of channels, regardless of channel types. Each channel strip offers easy visual identification. The channel name appears on a display, and an indicator shows the channel color. You can adjust the brightness of each indicator across a broad range to accommodate dimly-lit environments. The SELECTED CHANNEL section located to the left of the display lets you use the knobs to control the main parameters (gain, EQ, dynamics threshold, bus send levels, etc.) for a particular channel. This section can be operated much like a module in an analog mixer. In the center of the top panel is the Centralogic section, which enables you to control eight channels at once. You can control fader, cue, on/off and other settings for the eight channels or for DCA groups recalled to this section by pressing a single key. The display is a touch screen. You can turn functions on or off or select items simply by touching buttons or knobs on the screen. Mix parameter settings, including gain and phantom power for input channels, can be stored and recalled as “scenes.” All faders on the panel are moving faders. When you recall a scene, the recorded fader locations will be reproduced immediately. Flexible system configuration with Dante The Ethernet-compatible Dante audio network protocol facilitates connecting CL series consoles to external devices, such as the Rio3224-D I/O device. A connected I/O device that has been assigned a unique unit ID will automatically be recognized and will facilitate patching functions. Using an I/O device, you can configure a redundant network to defend against unforeseen difficulties that can arise in large-scale Dante networks. If multiple CL units share the same I/O device, the gain compensation function 8 Owner’s Manual will maintain network audio streams at a constant level to help you enjoy the benefits of a large-scale sound system. The Dante Virtual Soundcard software driver enables you to carry out multi-channel recording to DAW software installed on a computer. Consequently, no other audio interface is needed. Ultra-realistic digital reproduction of analog sound by PREMIUM RACK The CL series features PREMIUM RACK, which employs VCM technology. This technology models analog circuitry on a component level to faithfully reproduce amazing analog sounds. PREMIUM RACK creates stunning sounds by modeling and faithfully capturing the sonic characteristics of analog circuitry fine-tuned to be faithful to the original sound. The CL’s PREMIUM RACK includes 8 types, including a Portico 5033 EQ/Portico 5043 Compressor by Rupert Neve Designs, a U76 Compressor, an Opt-2A Leveling Amplifier, etc. Sonic flexibility from versatile effects and GEQ rack Independent of the PREMIUM RACK, high-quality multi-effect processors are built into your CL series console, with up to eight available simultaneously. Effects such as reverb, delay, multiband compression, and various modulation effects can be routed via internal buses or inserted into the desired channel. In addition to the effects, the CL series features a GEQ rack. A 31BandGEQ, a Flex15GEQ, an 8BandPEQ, an 8ch Automixer and a 16ch Automixer are included and can be inserted into any output bus. The Flex15GEQ allows you to adjust the gain for any 15 of the 31 bands. Since two GEQ units can be mounted in one virtual rack, a total of up to 32 GEQ units can be used simultaneously. To use effects or the graphic EQ, you mount them in virtual racks displayed on the touch screen. The currently-mounted modules can be seen at a glance, and you can switch modules and change input/output patching in an intuitive manner. Complete support tools The CL-series can be used with a variety of utility software. CL Editor, which can be installed on Windows or Mac computers, enables you to edit the unit’s parameter settings. It can also operate as a stand-alone and lets you set parameters off-line without connecting to the console. CL StageMix, an application for iPads, offers remote control of a networked CL series console from anywhere within wireless range via an intuitive graphical interface. The software has been specifically designed to allow engineers to adjust EQ while monitoring mixes from the performers’ positions on stage, or to control mix parameters from various spots in the venue while listening to the sound. MonitorMix is an iOS-compatible app that allows performers to adjust the levels of the monitor mix directly from the stage. Console File Converter is an application that converts PM5D/M7CL/LS9 settings files to or from the CL series settings file format. You can use data from other models on the CL series. About the models I/O card and processing card expansion The rear panel provides three slots in which separately sold mini-YGDAI cards can be installed. You can add inputs and outputs by installing AD cards, DA cards, or digital I/O cards in these slots. You can also expand processing or effects by installing a DSP card. Cascade connections in the digital domain You can cascade a second CL series unit or a digital mixer, such as the Yamaha M7CL, PM5D or LS9, connected via a digital I/O card installed in a slot. You can cascade any of the MIX, MATRIX, STEREO (L/R), MONO, and CUE (L/R) buses. Monaural input channels Channel strips Output meters CL5 72 Block A: 16 Block B (Centralogic section): 8 Block C: 8 MASTER section: 2 Yes CL3 64 Block A: 16 Block B (Centralogic section): 8 MASTER section: 2 Optional MBCL CL1 48 Block A: 8 Block B (Centralogic section): 8 MASTER section: 2 Optional MBCL NOTE In this manual, most explanations refer to the CL5. • CL5 Output meter Recorder function useful for sound checks and mix recording The CL series features a USB memory recorder function that enables you to record output from STEREO or MIX buses onto a USB flash drive. It also enables you to play audio files that reside on a USB flash drive by assigning the files to input channels or monitor outputs. The MP3 format (MPEG-1 Audio Layer-3) is supported for recording. For playback, MP3, WMA (Windows Media Audio), and MPEG-4 AAC (Advanced Audio Coding) formats are supported. This function can be useful if you want to record certain bus mix outputs or play music for a sound check through speakers. Security functions at user or system level Block A Centralogic section (Block B) • CL3 Block C MASTER section Meter bridge MBCL (optional) Functionality can be restricted for users other than the administrator at three levels of security: administrator, guest, and user. Passwords can be specified for the administrator and for users to help prevent important settings from being changed accidentally Information specific to each user (user level, system settings, and user-defined key/knob settings) can be stored in the console or on a USB flash drive as a “user authentication key.” By loading your own user authentication key, you can instantly set up the ideal operating environment for yourself. Help file downloadable to the unit You can download from the website a Help file that explains the parameters and messages displayed on the screen. Once you download the Help file, it will be stored inside the unit so that you can use the Help function at any time. Block A Centralogic section (Block B) MASTER section Meter bridge MBCL (optional) • CL1 About the models The CL series is available in three models: CL5, CL3, and CL1. Each model features a different number of monaural input channels and top-panel channel strips. In addition, the CL5 features an Output Meter section. The CL3 and CL1 allow you to install an optional MBCL meter bridge. Other functions are common to all three models. Model differences are shown in the table below. Block A Centralogic section (Block B) MASTER section Owner’s Manual 9 Controls and functions Controls and functions Top panel The top panel of the CL series is divided into the following sections. 2 3 6 j 9 5 1 4 7 1 1 Channel Strip section ➔ page 11 2 SELECTED CHANNEL section ➔ page 12 3 Display section ➔ page 13 4 Centralogic section ➔ page 13 5 SCENE MEMORY/MONITOR section ➔ page 14 6 USER DEFINED KNOBS section ➔ page 14 7 USER DEFINED KEYS section ➔ page 14 8 Master section ➔ page 15 9 USB connector ➔ page 15 0 Meter section (for CL5 only) ➔ page 15 NOTE This illustration shows the top panel of the CL5. The CL3 and CL1 do not feature a Meter section, but enable you to install an optional MBCL meter bridge. 10 Owner’s Manual 8 Top panel 2 [SEL] key Channel Strip section Selects a channel that will be controlled in the Channel Strip section and on the touch screen. When a channel is selected, the key LED will light. If you control an ST IN channel in Block A of the Channel Strip section, the L channel will be routed to an odd-numbered channel, and the R channel will be routed to the adjacent even-numbered channel. If you control a channel in the CUSTOM bank or in Block C of the Channel Strip section, and if you assign L/R channels, the selected object of control will alternate between the L and R channels each time you press the [SEL] key. 1 2 9 3 4 5 NOTE If you assign either the L or R channel, this key will simply select the channel. 6 7 3 [CUE] key Selects the channel to be cue-monitored. If the cue is on, the key LED will light. 4 Meter LEDs Indicate the channel level. j 5 [ON] key 8 Switches the channel on or off. If a channel is on, the key LED will light. In SENDS ON FADER mode, this is an on/off switch for signals sent from each channel to the currently-selected MIX/MATRIX bus. 6 Channel name display Indicates the channel name, knob value, fader value, etc. You can set the display so that it will indicate only the channel name. Use the PREFERENCE tab in the USER SETUP screen to select information to be displayed. 1 GAIN/PAN/ASSIGN knob Adjusts the gain or pan of the channel. You can also assign a parameter to this knob. You can switch the function of the knob by using the 9 [GAIN/PAN/ASSIGN] key. A gain parameter value indicated on the display or channel name display indicates the amount of amplification of a currently-input signal. Refer to the Conversion Table for information on the relationship to input sensitivity. Conversion Table for Input Sensitivity 7 Channel color indicator Lights in a color specified on the PATCH/NAME screen. You can select the channel color from eight options. 8 Fader Adjusts the input/output level of the channel. In SENDS ON FADER mode, this fader adjusts the send level of the signal from each channel to the currently-selected MIX/MATRIX bus. 9 [GAIN/PAN/ASSIGN] key Gain Input Sensitivity –6dB +10dBu : : 0 +4dBu : : +66dB –62dBu Switches the knob function for each block on the channel strip. The LED for the selected function will light. Use the USER DEFINED KNOBS tab in the USER SETUP screen to select a parameter to control when the ASSIGN function is selected. 0 Bank Select keys These keys switch the channel faders controlled in the Channel Strip section. The [CUSTOM] keys enable you to select your own custom fader bank. For details on the custom fader banks, refer to page 47. Owner’s Manual 11 Controls and functions 4 [PAN] knob SELECTED CHANNEL section This section enables you to set the mix parameters for the currently-selected channel. 1 34 When a monaural channel is selected, this knob adjusts the panning of the signal sent to the STEREO bus. When a stereo channel is selected, this knob adjusts the PAN or left/right balance, whichever is selected. 5 [DYNAMICS 1] knob 6 [DYNAMICS 2] knob 5 6 7 7 [HPF] knob Adjusts the HPF cutoff frequency for an input channel. It has no effect on other types of channels. 8 EQ [Q], EQ [FREQUENCY], EQ [GAIN] knobs 2 8 1 [MIX1–16] key/[MIX17–24/MATRIX] key Select a MIX or MATRIX bus that is controlled by the knobs located below the keys. 2 [1]–[16] knobs Adjust the send level from currently-selected channels to the MIX or MATRIX bus. In SENDS ON FADER mode, push in a knob to select the corresponding destination bus. Push the knob again to turn the cue monitor on for the corresponding MIX/MATRIX channel. NOTE If the SIGNAL TYPE of the destination bus is set to STEREO, use the left knobs (odd-numbered channels) to adjust PAN and the right knobs (even-numbered channels) to adjust the send level. 3 [GAIN] knob Adjusts the head amp’s analog gain for an input channel. On the other hand, it adjusts the digital gain if GAIN KNOB FUNCTION is set to DIGITAL GAIN in the PREFERENCE tab of the USER SETUP screen. This knob has no effect for other types of channels. NOTE • The PAD will be switched on or off internally when the HA analog gain is adjusted between +17 dB and +18 dB. Keep in mind that noise may be generated when using phantom power if there is a difference between the Hot and Cold output impedance of an external device connected to the INPUT connector. • The gain parameter value indicates the amount of amplification of the currently-input signal. Refer to the Conversion Table (page 11) for information on the relationship to conventional input sensitivity values. 12 Adjust the THRESHOLD parameter of the gate, compressor, etc. The [DYNAMICS 2] knob has no effect if the MIX, MATRIX, STEREO, or MONO channel is selected. Owner’s Manual For each band of the four-band EQ, these knobs adjust the Q, center frequency (cutoff frequency), and gain. Press the EQ [Q] and EQ [GAIN] knobs simultaneously to reset the GAIN setting for each band to the default value (0.0 dB). Top panel Display section Centralogic section This is a touch screen that you can operate by touching the surface of the screen. You can touch your finger to the screen to select menus or set parameters. Please note that you cannot operate the unit by touching multiple points simultaneously. This section enables you to control up to eight channel modules that are selected from channel groups, DCA groups, or custom groups selected by the Bank Select keys. 2 3 4 5 6 7 8 1 NOTE If the touch screen becomes dirty, wipe it with a soft dry cloth. NOTICE Never use a sharp or pointed object such as your fingernail to operate the touch panel. Doing so may scratch the screen and render the touch screen inoperable. 9 1 Bank Select keys Select a bank to be controlled in the Centralogic section. Press the [INPUT] key, then press one of the Bank Select keys below to route the channel bank (labeled to the left of the key) to the Centralogic section. Press the [OUTPUT] key, then press one of the Bank Select keys below to route the channel (labeled to the right of the key) to the Centralogic section. 2 Multifunction knob Controls the knob currently selected on the touch screen. The knob function can vary depending on the screen currently displayed. 3 [SEL] key 4 [CUE] key 5 Meter LEDs Same as those in the Channel Strip section. 6 [ON] key Switches the channel on or off. If a channel is on, the key LED will light. In SENDS ON FADER mode, this is an on/off switch for signals sent from each channel Owner’s Manual 13 Controls and functions to the currently-selected MIX/MATRIX bus. If the graphic EQ is used, this key resets the gain to 0 dB. 7 Channel name display 8 Channel color indicator Same as that in the Channel Strip section. If the graphic EQ is used, this indicator displays the frequency and gain parameter value. 9 Fader Adjusts the input/output level of the channel. You can also make internal settings so that the fader will be used as a controller to adjust the gain of each GEQ band. USER DEFINED KNOBS section USER DEFINED knobs [A]–[D] Control the parameters that have been assigned by the user (input channel digital gain, high-pass filter frequency, etc.). You can assign various parameters at will. Use the USER SETUP popup window in the SETUP screen to assign the parameters. SCENE MEMORY/MONITOR section In this section you can perform operations for scene memory and monitoring. 3 4 5 USER DEFINED KEYS section USER DEFINED keys [1]–[16] Execute functions as assigned by the user (scene changes, switching the talkback or internal oscillator on/off, etc.). Use the USER SETUP popup window to assign functions. 1 2 6 1 SCENE MEMORY [STORE] key Stores the current mix parameter settings in a dedicated scene memory. 2 SCENE MEMORY [RECALL] key Recalls a scene (previously-saved settings) from scene memory. 3 SCENE MEMORY [INC]/[DEC] keys Select the scene number of a scene that you want to store or recall. The number of the currently-selected scene appears in the function access area on the right of the touch screen. Press the [INC]/[DEC] keys simultaneously to return to the current scene number. 4 [UNDO] key Cancels the scene recall and recovers the status obtained prior to recall. The key LED lights if you can still cancel the scene recall. 5 [PREVIEW] key This key selects PREVIEW mode, which lets you view the scene settings in the display and the panel without affecting the signal processing of the current scene. 6 [MONITOR LEVEL] knob Adjusts the signal level of the monitor output. If the PHONES LEVEL LINK function is turned on in the MONITOR screen, this knob will also adjust the signal level at the PHONES Out jack located on the front panel. 14 Owner’s Manual Top panel Master section USB connector This section is similar to the Channel Strip section, and enables you to control the principal parameters of the assigned channels. When the unit is in the default state, STEREO/MONO channels are assigned. You can connect a USB flash drive to the USB connector to record or play audio files, and to save or load internal data. The Help file displayed on the unit screen is loaded from a connected USB flash drive. You can also save on a USB flash drive “User authentication key” data that determines the user level and limit the functionality to which the user has access. 1 GAIN/PAN/ASSIGN knob Adjusts the gain or pan of the channel. You can also assign parameters to the knob. On the CL5, switch the function of the knob using the [GAIN/PAN/ASSIGN] key located to the left of the Master section. On the CL3 and CL1, switch the function of the knob using the [GAIN/PAN/ASSIGN] key located in the upper right corner of the Block A in the Channel Strip section. 2 [SEL] key 1 2 3 4 5 6 Selects the channel you wish to control. Pressing this key will cause the channel LED to light up, and you will be able to control the channel in both the 7 SELECTED CHANNEL section and on the touch screen. If the STEREO bus has been assigned, the selected object of control will alternate between the L and R channels each time you press the [SEL] key. 3 [CUE] key Selects the channel to be cue-monitored. If cue is on, the LED will light. NOTE Operation is guaranteed only for a connection with a USB flash drive. ■ USB flash drive capacities and formats The operation of USB flash drives with capacities of up to 32 GB has been verified. (However, this does not guarantee operation of all USB flash drives.) The FAT16 and FAT32 formats are supported. ■ Prevention of accidental erasure Some USB flash drives have a write-protect setting that lets you prevent data from being erased accidentally. If your flash drive contains important data, it is a good idea to use the write-protect setting to prevent accidental erasure. On the other hand, you will need to make sure that your USB flash drive’s write-protect setting is turned off before you save data onto it. NOTICE An ACCESS indicator appears in the Function Access Area while data is being accessed (saved, loaded, or deleted). During this time, do not disconnect the USB flash drive or power-off the CL unit. Doing so may damage your flash drive, or may damage the data in the CL unit or on your media device. Meter section (for CL5 only) 4 [ON] key Switches the channel on or off. If a channel is on, the key LED will light. If MONITOR has been assigned, this key switches the monitor output on or off. 5 Channel name display 6 Channel color indicator Same as that in the Channel Strip section. 7 Fader Adjusts the output level of the channel. If MONITOR has been assigned, this fader adjusts the monitor output level. Indicates the level of MIX/MATRIX, STEREO/MONO and CUE channels. You can select the monitoring position from PRE EQ (immediately before EQ), PRE FADER (immediately before the fader), or POST ON (immediately after the [ON] key). You can use this function on the CL3 or CL1 if you install an optional MBCL meter bridge. Owner’s Manual 15 Controls and functions Front Panel 3 TALKBACK jack 1 2 3 A balanced XLR-3-31 jack to which a talkback mic can be connected. You can make settings in the screen to supply +48V phantom power to this jack. This jack sends instructions from the mixer operator to the desired output channel. 4 1 PHONES LEVEL knob 4 TALKBACK LEVEL knob Adjusts the level of the signal output from the PHONES Out jack. Adjusts the input level of the mic connected to the TALKBACK jack. 2 PHONES Out (headphone output) jack Lets you monitor the MONITOR OUT or CUE signal. Rear Panel 1 67 2 3 8 90 4 5 A 1 LAMP connectors C DFE 5 DIGITAL OUT connector Four-pin female XLR output jacks that supply power to separately-sold gooseneck lamps (such as the Yamaha LA1L). (The CL3 includes these connectors at two locations. The CL1 includes one.) 2 MIDI IN/OUT connectors Used to transmit and receive MIDI messages to and from external MIDI devices. The MIDI IN connector receives messages from an external device, and the MIDI OUT connector transmits messages from the CL unit. These are used mainly to record CL parameter operations or scene/library selections on an external device, or to control CL parameters from an external device. 3 WORD CLOCK IN/OUT connectors BNC connectors used to transmit and receive word clock signals to and from an external device. The WORD CLOCK IN connector features internal 75-ohm termination. An AES/EBU (XLR-3-32 male) jack that outputs the digital audio signal of a desired channel in AES/EBU format. 6 OMNI IN jacks Balanced XLR-3-31 female input jacks that input analog audio signals from line level devices or microphones. Nominal input level is −62 dBu to +10 dBu. Male XLR plug D-sub 15-pin female connector that allows communication (5-in/5-out) with a GPI-equipped external device. Owner’s Manual 1 (Ground) 3 (Cold) 2 (Hot) 7 OMNI OUT jacks XLR-3-32 male output jacks that output analog audio signals. These jacks are used mainly to output the signals of MIX channels or MATRIX channels. Nominal output level is +4 dBu. Female XLR plug 4 GPI connector 16 B 2 (Hot) 3 (Cold) 1 (Ground) Rear Panel NOTE D AC IN connector Although OMNI OUT jacks feature a nominal input/output level of +4 dBu (maximum level +24 dBu), an internal switch allows this to be changed to –2 dBu (maximum level +18 dBu) if necessary. (A fee will be charged for this procedure.) For details, contact your Yamaha dealer. Connect the supplied AC power cable here. First connect the AC power cable to the CL unit, then insert the power cable plug into an AC power outlet. The supplied AC power cable features a special latching mechanism (V-LOCK) to prevent the power cable from being disconnected accidentally. Connect the power cable by inserting the cable plug fully until it is locked. 8 Dante PRIMARY/SECONDARY connectors Used to connect to other Dante-compatible network devices, such as an Rio3224-D I/O device. Use standard Ethernet cables with Neutrik etherCON CAT5 compatible RJ-45 plugs. Caution Be sure to turn the power off before connecting or disconnecting the power cable. NOTE Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means. To disconnect the power cable, press the latch button on the plug. 9 LINK/ACT Indicators These indicators show the communication status of the PRIMARY and SECONDARY connectors. They flash fast if the Ethernet cables are connected properly. 0 1G Indicators These indicators light when the Dante network is functioning as Giga-bit Ethernet. A NETWORK connector Allows the CL unit to be connected to a computer via an Ethernet cable (CAT5e or higher recommended). This connector is used mainly to control mix parameters or to edit scene memories and libraries from the dedicated “CL Editor” application program or “StageMix” iPad application. NOTE Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means. B SLOT 1–3 E (Power Switch) This switch turns power on or off. When the power switch is set to , the power to the unit is on. When the power switch is set to , the power to the unit is off. Caution • Rapidly turning the unit on and off in succession can cause it to malfunction. After turning the unit off, wait for at least 6 seconds before turning it on again. • Even when the power switch is turned off, a small amount of current is flowing through the unit. If you plan not to use the unit for a long period of time, remove the power cable from the AC outlet. F Grounding screw The supplied AC power cable is a 3-wire type. Therefore, if the AC outlet used is properly grounded, the CL will be grounded as well. Also, grounding this screw may effectively eliminate noise such as hum and interference. Allow for the installation of separately-sold DSP cards, or mini-YGDAI I/O cards to expand the number of input/output ports. C DC POWER INPUT connector You can connect the separately-sold PW800W power supply here as a backup external power supply. If the PW800W is connected, the CL unit will continue receiving power from the PW800W, even if its own internal power supply shuts down due to a problem. Caution If you plan to connect the PW800W, be sure to first power-off both the CL unit and the PW800W. Then, use the power supply cable (PSL360) to make the connection. Failure to observe this caution may cause malfunction or electric shock. NOTE • If a PW800W is connected, the CL series will operate correctly whether its own internal power supply and the PW800W are both turned on, or just one of them is turned on. • If both power supplies are turned on, and an abnormality is detected in one of the power supplies, the CL series will automatically switch to the other power supply. If this occurs, the touch screen will display a message to inform you. Owner’s Manual 17 Touch screen Touch screen Basic touch screen operations This section explains the basic procedures you can perform on the CL’s touch screen. In general, you will operate the CL using an appropriate combination of the operations explained here. Multifunction knob operations Multifunction knobs 1–8 are used to operate knobs selected in the touch screen. A thick line will be displayed around a selected knob if it can be controlled by a multifunction knob. (Typically, a knob of this type corresponds to the multifunction knob located immediately below it and allows you to control up to eight parameters simultaneously.) While a knob is selected, turning the multifunction knob located immediately below it will change the value of the corresponding parameter. In the SCENE LIST screen, you can select multiple items by rotating a multifunction knob while pressing it. Pressing the touch screen You will mainly use this operation to switch screens and pages, to select a parameter to operate, and to turn a button on or off. Certain buttons let you specify a number based on the area of the button itself that you touch. Multiple selection (specifying a range) While pressing your finger on the touch panel, move it in the left or right direction to specify a range within a character string. You will use this technique primarily when assigning a name to a scene or library. The on-screen user interface The section below explains various user interface components that appear in the touch screen, and how to use them. Tabs Tabs enable you to switch between multiple pages. Each tab indicates its page name. Buttons For the channel select buttons, you can select multiple buttons by moving your finger across the touch screen while continuing to press down. Buttons are used to execute specific functions, to switch parameters on or off, or to select one of the multiple choices. Buttons that perform on/off operations appear in solid colors while they are turned on, and dark while when turned off. Buttons Tabs When you press a button labeled with two overlaid “■” symbols or a “▼” mark, a separate window will open, allowing you to make detailed settings. NOTE This makes it easy to select a range of buttons to be turned on or off together. Special key operations Faders / Knobs Typically, you will press a top panel key once, but in certain cases you can access special functions by rapidly pressing a key twice in succession. Faders and knobs on screen move in tandem when you operate the top panel faders and knobs. The current value appears immediately below the fader or knob. If you press once a knob that can be operated by a multifunction knob, a thick frame appears around the knob. This frame indicates that the knob has been selected for operation. Knob operations Typically, knobs are rotated left or right to change the value of the corresponding parameter. By pressing a knob, you can recall a specific screen. For certain parameters, you can adjust the value in finer steps (greater detail) by rotating the knob while pressing it. 18 Owner’s Manual NOTE Pressing certain knobs a second time while a thick frame is displayed around them will open a window in which you can make additional detailed settings. The on-screen user interface List windows Popup windows Windows similar to the following enable you to select items from a list, such as a list of USER DEFINED keys. When you press a button or field for a specific parameter in a screen, a window showing detailed parameters or lists will appear. This type of window is called a “popup window.” The highlighted item in the middle indicates it has been selected for operation. Press the arrow / below the list to scroll the list up or down. NOTE • You can also scroll the list up or down by using the multifunction knob. • If there is more than one list on the screen, your operations will apply to the list surrounded by a pink frame. You can press the multifunction knob to move the focus of your operations to the next column. Keyboard window The keyboard window enables you to assign a name or comment to a scene or library, or to assign a name to a channel. Press the keys in the window to enter the corresponding character. You can switch between popup windows using tabs as needed. Some popup windows show several buttons called “tool buttons” at the top of the window. You can use these tool buttons to recall libraries or to perform copy and paste operations. Press the “X” symbol to close the popup window and return to the previous screen. Dialog boxes Dialog boxes similar to the following enable you to confirm operations you just performed. Press the OK button to execute the operation. The operation will be canceled if you press the CANCEL button. Owner’s Manual 19 Touch screen 4 HELP Viewing the touch screen The touch screen of the CL series is broadly divided into two areas. Main area Function access area Pressing this button will show on-line help in the main area. To view the on-line Help, first you must load the Help file from a USB flash drive. Once the Help file has been loaded, it will be kept in internal memory. 5 SENDS ON FADER Press this button to switch to SENDS ON FADER mode, where you can use the faders of the top panel to adjust the MIX/MATRIX send level. During this time, the function access area will switch to a screen that enables you to select the send-destination MIX/MATRIX bus. 6 I/O DEVICE When you press this button, the I/O DEVICE screen will appear in the main area, allowing you to make settings for I/O devices and external head amps. 7 CH JOB (Channel Job) When you press this button, the CH JOB menu which allows you to group and link channels will appear, allowing you to select the function you want to operate. 8 RACK Function access area When you press this button, the VIRTUAL RACK screen will appear in the main area, allowing you to edit the GEQ and effect settings. 1 Selected channel 1 This field indicates the number, name, icon and channel color 2 of the channel that is currently 3 selected for operation. Press the left half of the selected channel to switch to the preceding channel; press the right half to 6 switch to the next channel. 8 2 Time 4 5 7 9 This area indicates the current time. 3 Status Indicator This area indicates the current unit status. Normally it indicates the name of the user who is currently logged in (i.e., is authenticated and k able to operate the system). The following table shows the indications and their corresponding status. Indication OSC TALKBACK CUE ACCESS PATCHING ALT PLAY REC SECONDARY j l m n Status Oscillator enabled Talkback enabled Cue monitor on*1 Accessing internal memory or USB memory Now performing Dante patching ALTERNATE mode enabled Playing an audio file Recording an audio file Switching to the secondary network *2 NOTICE An ACCESS indicator appears in the Function Access Area while data is being accessed (saved, loaded, or deleted). During this time, do not disconnect the USB flash drive or power-off the CL unit. Doing so may damage your flash drive, or may damage the data in the CL unit or on your media device. Owner’s Manual When you press this button, the MONITOR screen will appear in the main area, allowing you to edit the monitor or oscillator settings. 0 METER These are level meters that show the level of the STEREO bus (L/R), MONO bus (M), and cue signal (CUE). When you press this field, the METER screen will appear in the main area. If you press part of the CUE meters when the cue monitor is on, the cue monitor will be canceled. A SETUP *1 The signal type (IN/OUT/DCA/KEYIN/EFFECT) is shown in the upper part of the CUE meter. *2 This indicator appears when the operation switches from the primary to the secondary Dante audio network in a redundant connection. 20 9 MONITOR When you press this button, the SETUP screen will appear in the main area, allowing you to make basic system settings and user-specific settings. B RECORDER When you press this button, the recorder screen will appear in the main area, allowing you to operate and set up the recorder function (USB/Nuendo Live) for audio recording and playback. C SCENE This area indicates the number and title of the scene that was last stored or recalled. An “R” symbol is displayed for read-only scenes, and a lock icon is displayed for write-protected scenes. If you edit the parameters from their last stored or recalled state, an “E” symbol will appear in the lower right. When you press this field, the SCENE LIST screen will appear in the main area, allowing you to store or recall scenes. In PREVIEW mode, this field is shown in red. D USER DEFINED KEY This area indicates the bank for the USER DEFINED key that is currently selected. Entering names When you press a button (6, 8, 9, 0, A, B, C) to access the corresponding screen, the button will be highlighted. In this state, pressing the button once again will return either to the most recently recalled SELECTED CHANNEL VIEW screen or the OVERVIEW screen. Main area NOTE While the HELP, METER or SCENE screen is displayed in the main area, the OVERVIEW screen will not open even if you press a BANK SELECT key in the Centralogic section. To return to the OVERVIEW screen, press a user-defined key to which the OVERVIEW function is assigned. Alternatively, press the highlighted HELP, METER or SCENE field once again. The contents of the main area will change depending on the function that is currently selected. Mixing operations will involve mainly the following two types of screens. Entering names ■ SELECTED CHANNEL VIEW screen This screen shows all the mix parameters for the currently-selected channel. To access this screen, press one of the knobs of the SELECTED CHANNEL section. On the CL series, you can assign a name to each input channel, output channel, and DCA group, and assign a title to scene and library data when saving it. To assign a name, you will use the keyboard window shown in the main area. 1. Access the screen for assigning a name. The screen shot below shows how to assign a name to a channel. ■ OVERVIEW screen This screen simultaneously shows the main parameters for the (up to) eight channels currently assigned to the Centralogic section. To access this screen, press one of the BANK SELECT keys in the Centralogic section or one of the multifunction knobs. The box shows the characters you have entered and a cursor that indicates the current position. 2. Use the keyboard window in the touch screen to enter the desired characters. When you press a character key in the keyboard window, the corresponding character will be entered in the box, and the cursor will move to the right. 3. Input the subsequent characters in the same way. When entering characters, you can also use the following buttons in the keyboard window. • COPY button Copies the selected (highlighted) string of characters in the text box. • CUT button Deletes and copies the selected (highlighted) string of characters in the text box. • PASTE button Inserts the string of characters copied by COPY or CUT at the cursor location (or overwrites the currently-selected range of characters). Owner’s Manual 21 Touch screen • CLEAR button Deletes all characters that have been input in the text entry box. • INS button Inserts a space (blank) at the cursor position. • DEL button Deletes the character at the right of the cursor (or the string of characters selected in the text entry box). • BS button Deletes the character to the left of the cursor (or the string of characters selected in the text box). • TAB button Accesses the next selectable item. For example in the SCENE STORE window you can use this button to switch between two text entry boxes, and in the PATCH/NAME window you can use this to switch channels. • SHIFT LOCK button Switches between uppercase and lowercase alphabetical characters. You can enter uppercase characters and symbols while this button is on, and lowercase characters and numerals while this button is off. • ENTER button Finalizes the name you entered. 4. After you enter the name, press the STORE button or the ENTER button. The name you entered will be applied. NOTE • This basic procedure also applies to screens in which you enter names for channels or other library items. When you enter a name for a channel, your input will be reflected immediately without pressing the ENTER button. • Press in the text entry box to move the input position. If you select a region of characters entered in the box and then enter a new character, the newly-entered character will overwrite the selected region. Using the tool buttons In some popup windows, the title bar at the top of the window contains tool buttons for additional functions. You can use these buttons to access related libraries or to copy parameters from one channel to another channel. This section explains how to use the tool buttons. About the tool buttons In the HPF/EQ, DYNAMICS 1/2, GEQ, EFFECT, and PREMIUM popup windows, the following tool buttons appear. 1 2 3 4 5 1 LIBRARY button This button opens the library associated with the current popup window (EQ, dynamics, GEQ, effect, or Premium Rack libraries). 2 DEFAULT button This button returns the currently-selected channel (EQ/dynamics) or rack (effect/Premium Rack) to its default state. NOTE GEQ does not feature this button. To initialize GEQ, use the FLAT button in the GEQ edit window. 3 COPY button This button copies the settings of the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). The copied content is held in a buffer memory (a temporary memory area). 4 PASTE button This button pastes the settings from the buffer memory to the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). 5 COMPARE button This button exchanges and compares the settings in the buffer memory with the settings of the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). For some windows, some of the various tool buttons also appear. 22 Owner’s Manual Using libraries Using libraries This section explains basic operations for libraries. Libraries allow you to store and recall settings for the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). The following libraries are provided. • Input channel library • Output channel library • Input EQ library • Output EQ library • Dynamics library • GEQ library • Effect library • Dante input patch library • Premium Rack library [HPF/EQ popup window] [Dynamics 1/2 popup window] In the SELECTED CHANNEL VIEW screen or the OVERVIEW screen, press the appropriate field for EQ or Dynamics 1/2. 2 1 The method of operation is essentially the same for each library. NOTE 1 2 Premium Rack library features a library for each Premium Rack type. ■ Recalling settings from a library 1. Open a popup window that provides the tool buttons. To access each popup window, proceed as follows. To recall settings from a channel library, first display the SELECTED CHANNEL VIEW screen. Then, proceed to Step 3. [SELECTED CHANNEL VIEW screen] Press one of the knobs in the SELECTED CHANNEL section to access the SELECTED CHANNEL VIEW screen. 1 EQ field 2 Dynamics 1/2 field [GEQ/EFFECT/PREMIUM RACK popup window] In the VIRTUAL RACK window that appears when you press the RACK button in the function access area, press a rack in which a GEQ/effect/Premium Rack is already mounted. 1 2 1 RACK button 2 Racks Owner’s Manual 23 Touch screen 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) for which you want to recall settings. The method of selecting a channel or rack depends on the type of popup window that is displayed. [GEQ/EFFECT/PREMIUM RACK popup window] Use the rack select tabs at the bottom of the popup window to select a rack. [HPF/EQ popup window (1ch)] [DYNAMICS 1/2 popup window (1ch)] Use the panel [SEL] keys or the channel select button in the function access area to select a channel. Channel select button NOTE You cannot select a rack select tab of a rack in which no GEQ, effect, or Premium Rack is mounted. 3. Press the LIBRARY tool button to open the [HPF/EQ popup window (8ch)] [DYNAMICS 1/2 popup window (8ch)] In addition to using the panel [SEL] keys or the channel select button in the function access area, you can also select a channel by pressing the channel number / channel name buttons in the popup window. corresponding library window. Library windows contain the following items. 1 Channel number / Channel name buttons 2 3 1 CURRENT TYPE If you use the channel number/channel name buttons in the 8ch popup window, you can select multiple channels by selecting a region. In this case, the same library data will be recalled to all the selected channels. Selected region (Only for output channel library) This field displays the type of channel selected via the [SEL] key. 2 List This list shows the data saved in the library. A highlighted line indicates that it is selected for operations. Read-only data is indicated by an R symbol. NOTE The right side of the list displays information regarding the relevant setting data (such as the type of output channels, dynamics type or effect type being used). The dynamics library also displays symbols indicating whether the data can be recalled into Dynamic 1 and/or Dynamics 2. 24 Owner’s Manual Using libraries 3 RECALL button This button recalls the data selected in the list into the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). 4. Rotate any of the multifunction knobs to move the highlight line up or down to select a library item you want to recall. Depending on the data you selected for recall, it may not be possible to recall it into the currently-selected channel or rack. Each library has the following restrictions. • Channel library If the type of channel selected via the [SEL] key is different from the one selected in the list in the output channel library, “CONFLICT” appears to the right of CURRENT TYPE. You can recall the data even if “CONFLICT” appears, although the data would include different parameters. Parameters that do not exist in the library will be set to the default value. ■ Storing settings in a library 1. Open a popup window that provides the tool buttons. 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) for which you want to store settings. NOTE You can select only one channel or rack as the source for storing. If multiple channels are selected in the dynamics or EQ popup window, you will not be able to perform the Store operation. 3. At the top of the popup window, press the LIBRARY button to access the library. • Dynamics library The dynamics library contains three types of data: Dynamics 1 and Dynamics 2 for input channels, and Dynamics 1 for output channels. You cannot recall the data if an inappropriate type of dynamics data is selected in the library. • GEQ library The GEQ library contains two types of data: 31BandGEQ or Flex15GEQ. You cannot recall the 31BandGEQ library data into the Flex15GEQ library if the data contains the gain settings for 16 or more bands. • Effect library Effect library items that use effect types “HQ.Pitch” or “Freeze” can be recalled only to effect racks 1, 3, 5 or 7. These cannot be recalled if any other rack is selected. If you select a library number that cannot be recalled, it will not be possible to press the RECALL button. 5. Press the RECALL button. 6. The selected data will immediately be loaded into the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) you selected in step 2. NOTE If you recall channel library data to a channel that is linked to another channel, the link setting of the channel to which data was recalled will be canceled. 1 1 STORE button The settings of the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) will be stored to the position selected in the list. 4. Turn one of the multifunction knobs to select the store-destination library number. NOTE You cannot store information to a library number that contains read-only data (indicated by an R symbol). 5. Press the STORE button. The LIBRARY STORE popup window will appear, allowing you to assign a title to the settings. For details on entering text, refer to “Entering names” (see page 21). 6. After you assign a title to the settings, press the STORE button in the LIBRARY STORE popup window. A dialog box will ask you to confirm the Store operation. 7. To execute the Store operation, press the OK button. The current settings will be stored to the library number you selected in step 4. If you decide to cancel the Store operation, press the CANCEL button instead of the OK button. Owner’s Manual 25 Touch screen NOTE • Even after you have stored the settings, you can edit the title of the settings by pressing the data title in the list to access the LIBRARY TITLE EDIT popup window. However, you cannot edit the title of a read-only library item (indicated by an R symbol). • Be aware that if you store settings to a location that already contains data, the existing data will be overwritten. (Read-only data cannot be overwritten.) Initializing settings This section explains how to return the EQ/dynamics settings of the currently-selected channel or the effect settings of a rack to their default state. A GEQ can be initialized by using the FLAT button on the screen. 1. Open a popup window that provides the tool buttons. ■ Erasing settings from a library 1. Open a popup window that provides the tool buttons. 2. At the top of the popup window, press the LIBRARY button to access the library. 2. Select the channel (EQ/dynamics) or rack (effect/Premium Rack) for which you want to initialize the settings. 3. Press the DEFAULT button. A dialog box will ask you to confirm the initialization operation. 4. To execute the initialization, press the OK button. The EQ/dynamics of the channel or the effect/processor settings of the rack you selected in step 2 will be initialized. If you decide to cancel the initialization, press the CANCEL button instead of the OK button. NOTE In the case of EQ/dynamics, you can use the channel number / channel name buttons in the 8ch or ALL popup window to select a range of channels and initialize them in a single operation. 1 Copying/pasting settings 1 CLEAR button This button erases the settings that are selected in the list. 3. Turn one of the multifunction knobs to select the library item that you want to clear. NOTE You cannot clear read-only data (indicated by an R symbol). 4. Press the CLEAR button. A dialog box will ask you to confirm the Clear operation. 5. To execute the Clear operation, press the OK button. The data you selected in step 3 will be cleared. If you decide to cancel the Clear operation, press the CANCEL button instead of the OK button. This section explains how to copy the EQ/dynamics settings of the currently-selected channel or the GEQ/effect/Premium Rack settings of a rack to a buffer memory, and then paste them into another channel or rack. Copy/paste operations are restricted to the following combinations: • Between input channel EQ settings • Between output channel EQ settings • Between dynamics processors for which the paste-destination has the same type (GATE, DUCKING, COMPRESSOR, EXPANDER, COMPANDER-H, COMPANDER-S, or DE-ESSER) as the copy-source • Between effects/GEQ mounted in a rack • Between same processors mounted in a Premium Rack NOTE Only 31BandGEQ settings that use less than fifteen bands can be copied to a Flex15GEQ. 1. Open a popup window that provides the tool buttons. 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) from which you want to copy the settings. 3. Press the COPY button. The current settings will be saved in the buffer memory. 26 Owner’s Manual Comparing two settings NOTE • Be aware that if you copy other settings before you paste, the buffer memory will be overwritten. • You can select only one channel or rack as the copy-source. If multiple channels are selected in the 8 ch/ALL popup window, the COPY button will be unavailable. 5. To compare the first set of settings with the current settings (the second set), press the COMPARE button. You will return to the first set of settings. At this time, the second set of settings will be held in the buffer memory. 4. Select the paste-destination channel or rack. NOTE If you are pasting EQ/dynamics settings, you can use the 8ch or ALL popup window to select multiple channels as the paste-destination. In this case, the same content will be pasted to all selected channels. COPY The first set The first set 5. Press the PASTE button. Buffer memory The settings of the channel (EQ/dynamics) or the rack (GEQ/effect/Premium Rack) you selected in step 2 will be pasted. NOTE • Be aware that when you paste, the settings will overwrite the paste-destination. • If nothing has been stored in the buffer memory, the PASTE button cannot be pressed. • Of the two types of GEQ, using the tool buttons in a rack in which a Flex15GEQ is selected will cause the settings to be copied/pasted for rack A and B individually. • You cannot paste effect settings that use effect types “HQ.Pitch” or “Freeze” to racks 2, 4, 6 or 8. Edit the settings (The second set) Buffer memory COMPARE Comparing two settings You can use the COMPARE button to exchange the settings held in the buffer memory with the settings of the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). This is convenient if you want to temporarily keep the settings at a certain point, and compare them later with subsequently edited settings. 1. Open a popup window that provides the tool buttons. 2. Select a channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). 3. Press the COPY button to place the current settings in the buffer memory. This will be the first set of settings. NOTE Be aware that if you copy other settings before you compare, the buffer memory will be overwritten. 4. Edit the settings of the currently-selected channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack). This will be the second set of settings. The first set The first set The second set Buffer memory 6. You can press the COMPARE button repeatedly to compare the first and second sets of settings. Each time you press the COMPARE button, the current settings will be exchanged with the settings held in the buffer memory. Unlike the Paste operation, the Compare operation always lets you return to the previous settings as long as the buffer memory has not been overwritten. NOTE • The settings in the buffer memory can also be used for the Paste operation. • Of the two types of GEQ, using the tool buttons in a rack in which a Flex15GEQ is selected will cause the settings to be replaced with the buffer memory data for rack A and B individually. NOTE After you store the first set of settings in the buffer memory, you can initialize the channel or rack and edit the second set of settings from an initialized state if desired. Owner’s Manual 27 Basic operation of the CL series Basic operation of the CL series This section explains the basic operations of the CL series. CL series operations are divided into three main categories: • Controlling selected channels (SELECTED CHANNEL section) • Controlling eight channels as a group (Centralogic section) • Using the faders on the top panel (Channel Strip section) In general, you will operate the CL series for mixing using a combination of these operations. Controlling selected channels (SELECTED CHANNEL section) The SELECTED CHANNEL section located to the left of the display corresponds to the mixer module on a conventional analog mixer, and allows you to manually adjust all the major parameters of the currently-selected channel. Operations in this section will affect the channel that was most recently selected by its [SEL] key. The basic procedure is as follows: 1. Press the Bank Select key of a bank that includes the channel that you want to control. Select one of the preset or custom fader banks in the Channel Strip section or Centralogic section. 2. Use a [SEL] key to select the channel that you want to control. To select a MIX or MATRIX channel, use the Bank Select keys to recall the desired channel to the Centralogic section, and then press the [SEL] key for the desired channel. 3. Press any one of the knobs in the SELECTED CHANNEL section. The SELECTED CHANNEL VIEW screen for the selected channel will appear. You can view the actual setting values on screen. Even if a different screen is selected, the knobs of the SELECTED CHANNEL section always affect the currently-selected channel. In this case, a mini popup window indicating the value of that parameter will appear on screen when you operate a knob. 4. Use the knobs of the SELECTED CHANNEL section and the buttons in the SELECTED CHANNEL VIEW screen to edit the parameters of the selected channel. 28 Owner’s Manual Controlling eight channels as a group (Centralogic section) The Centralogic section located below the touch screen lets you recall and simultaneously control a set of up to eight input channels, output channels, or DCA groups. Use the Bank Select keys on the right side of the Centralogic section to select the channels that you want to control. When you press the keys, the corresponding channels or DCA groups will be assigned to the Centralogic section, and the touch screen will display the OVERVIEW screen for those channels. The OVERVIEW screen displays the main parameters, which you can control using the Centralogic section’s faders and keys. The basic procedure is as follows: 1. Use a Bank Select key to select the channel or DCA group that you want to control. Press the [INPUT] key to select from channel groups labeled at the left of the Bank Select keys, and press the [OUTPUT] key to select from channel groups labeled at the right of the Bank Select keys. When you press the Bank Select key, the touch screen will display the OVERVIEW screen, and the parameters of the eight channels you selected will appear. NOTE When the SELECTED CHANNEL VIEW screen is displayed, you can switch to the OVERVIEW screen by pressing any of the multifunction knobs 1–8. This is convenient when you want to quickly switch to the OVERVIEW screen while leaving the same channels or DCA groups selected for control. 2. Use the controls of the Centralogic section and the fields in the OVERVIEW screen to control the channels. NOTE • The bottom line of the OVERVIEW screen shows the channels or DCA groups that can be controlled by the faders, [ON] keys and [CUE] keys of the Centralogic section. • The top line of the OVERVIEW screen shows the channels that can be controlled by the multifunction knobs 1–8. Controlling another set of eight channels in the OVERVIEW screen You can retain channels or DCA groups controlled by the faders, [ON] keys, meters, [CUE] keys and [SEL] keys of the Centralogic section, and switch to another group of eight channels for control in the OVERVIEW screen. In this case, the multifunction knobs will control a different set of eight channels than the Centralogic section’s controls. 1. Press the Bank Select key for the channels or DCA group that you want to retain for the Centralogic section, and hold it down for two seconds or longer. The LED of the Bank Select key will start blinking. The blinking indicates that the corresponding channels or DCA groups are now retained for the Centralogic section. Using the top panel (Channel Strip section) 2. Press a Bank Select key to select the eight channels (other than the DCA groups) that you want to control in the OVERVIEW screen. The Bank Select key will light. The lit status indicates that the corresponding channels can be controlled in the OVERVIEW screen and by the multifunction knobs. Using the top panel (Channel Strip section) The Channel Strip section of the top panel enables you to control the level, gain, pan, CUE, and other parameters for the selected channels. The basic procedure is as follows: 1. Use the Bank Select keys located on the right These controls affect INPUT channels 1–8 in the OVERVIEW screen. These controls affect DCA groups 1–8. of the Channel Strip section to select the channels or DCA groups that you want to control. Each Bank Select key holds a “Bank,” which bundles a group of multiple channels. “CUSTOM” Bank Select keys enable you to assign and recall a bank with your own assortment of the channels or DCA groups. These banks are called “custom fader banks.” Since the custom fader banks enable you to assign a combination of different types of channels, you can control different types of channels as a group. 2. Use the controls of the Channel Strip section. Use the channel knob to adjust a parameter selected by the [GAIN/PAN/ASSIGN] key. Each channel’s display indicates the currently-assigned channel information. For the channel display information, access SETUP→USER SETUP→PREFERENCE, then set NAME DISPLAY to NAME ONLY or FULL FUNCTION. 3. To release the channels or DCA groups that were retained for the Centralogic section, press the Bank Select key you operated in step 1 once again, and hold it down until the Bank Select key LED changes from blinking to lit. When the Bank Select key LED changes to being lit, its channels or DCA groups will be assigned to both the Centralogic section and the OVERVIEW screen. Custom fader bank settings Follow the procedure below to set up a custom fader bank for control on the Channel Strip section. 1. Press the SETUP button located in the function access area in the display. 2. Press the USER SETUP button in the upper left of the SETUP screen. 3. Press the CUSTOM FADER tab near the bottom of the USER SETUP screen. The CUSTOM FADER BANK / MASTER FADER screen will appear. Owner’s Manual 29 Basic operation of the CL series 4. Select a target custom fader bank. Channel strips are categorized into four blocks; from your left, block A, block B (Centralogic section), block C (only for CL5), and Master. enables you to switch between MIX1–16 and MIX17–24/MATRIX, and the buttons that enable you to select the destination MIX/MATRIX buses. 1 ON FADER switch button Pressing this button repeatedly will switch between MIX1–16 and MIX17–24/MATRIX. 2 MIX/MATRIX bus select buttons These buttons enable you to select the destination MIX/MATRIX buses. Two buses that are paired in stereo are represented by one button. 5. Press the number in the FADER area, then press the [SEL] key for the channel that you want to assign to that fader. 2. Press the ON FADER switch button repeatedly to select MIX1–16 or MIX17–24/MATRIX. In this way, you can use the MIX/MATRIX bus select buttons to specify the destination MIX/MATRIX buses. 3. Use the MIX or MATRIX bus select buttons in the function access area to select the send-destination MIX/MATRIX bus. You can also select a channel in the display. Press the button below the desired number to display the CH SELECT screen. First select the tab for a channel group, then select individual channels. To return to the previous screen, press the CLOSE button. 6. Repeat step 5 to select all channels that you want to assign to the custom fader bank. 7. When you have finished, press the X symbol in the upper right corner of the screen. Adjusting the send level to a MIX bus or MATRIX bus (SENDS ON FADER mode) Each fader on the top panel enables you to adjust the level of the corresponding channel, as well as the send level of the signal routed from each channel to the currently-selected MIX/MATRIX bus (SENDS ON FADER mode). Follow the procedure below to use the faders on the top panel to adjust a signal that is sent from all input channels to a specific MIX bus. 1. In the function access area in the display, press the SENDS ON FADER button. 1 The CL will switch to SENDS ON FADER mode. The most recently selected group of MIX/MATRIX buses will be assigned to the Centralogic section. The faders in the Channel Strip section will move 2 to indicate the send level of the signals that are routed from each channel to the currently-selected MIX/MATRIX bus. In SENDS ON FADER mode, the function access area in the display will show the button that 30 Owner’s Manual NOTE • Alternatively, press a SEND LEVEL knob in the SELECTED CHANNEL section to display a popup window, from which you can select a MIX/MATRIX bus. • You can also select a MIX/MATRIX bus by using the Bank Select keys and the [SEL] keys in the Centralogic section. If you select the MIX buses or MATRIX buses by pressing the [SEL] keys, the setting of the MIX/MTRX ON FADER switch button will be changed automatically. • If you press the currently-selected MIX/MATRIX bus select button again, cue monitoring will be turned on for the related MIX/MATRIX channel. This method is convenient if you want to monitor the signal that is being sent to the selected MIX/MATRIX bus. 4. Use the faders in the INPUT section to adjust the send level from the input channels to the selected MIX/MATRIX bus. NOTE You can assign the SENDS ON FADER function to a USER DEFINED key. This lets you quickly switch to SENDS ON FADER mode for a specific MIX/MATRIX bus, and quickly switch back again. 5. Repeat steps 3–4 to adjust the send level for other MIX/MATRIX buses in the same way. 6. When you have finished adjusting the MIX/MATRIX send levels, press the X symbol in the function access area. The function access area display will return to its prior state, and the unit will return to normal mode. Connections Connections About network connections About Dante This product features Dante technology as a protocol to transmit audio signals. Dante is a network protocol developed by Audinate. It is designed to deliver multi-channel audio signals at various sampling and bit rates, as well as device control signals over a Giga-bit Ethernet (GbE) network. Dante also offers the following benefits: • It transmits up to 512 in/512 out, for a total 1024 channels (in theory) of audio over a GbE network. (The CL series features 64 in/64 out with a 24/32-bit resolution.) • Dante-enabled devices will automatically configure their network interfaces and find each other on the network. You can label Dante devices and their audio channels with names that make sense to you. • Dante uses high accuracy network synchronization standards to achieve sample-accurate playback with extremely low latency and jitter. 5 types of latency are offered by the CL series: 0.25 msec, 0.5 msec, 1.0 msec, 2.0 msec, and 5.0 msec. • Dante supports resilient redundant connections against unexpected network problems via primary and secondary networks. • Connecting a computer to Dante network using an Ethernet connection enables you to directly input or output audio signals without using any audio interface devices. • Audio can be transferred over distances up to 100 meters* between devices using CAT5e network cables. * Maximum practical distance may vary according to the cable used. By taking advantage of these benefits, you can: skip any complicated procedures to automate connections and setups of Dante-enabled devices; remotely control I/O devices from a mixing console; or make multi-track recordings to a DAW, such as Nuendo, installed on a computer in the network. Visit the Audinate website for more details on Dante. http://www.audinate.com/ Additional information on Dante is also posted on the Yamaha Pro Audio website: http://www.yamahaproaudio.com/ NOTE Please do not use the EEE function (*) of network switches in a Dante network. Although power management should be negotiated automatically in switches that support EEE, some switches do not perform the negotiation properly. This may cause EEE to be enabled in Dante networks when it is not appropriate, resulting in poor synchronization performance and occasional dropouts. Therefore we strongly recommend that: • If you use managed switches, ensure that they allow EEE to be disabled. Make sure that EEE is disabled on all ports used for real-time Dante traffic. • If you use unmanaged switches, make sure to not use network switches that support the EEE function, since EEE operation cannot be disabled in these switches. * EEE (Energy Efficient Ethernet) is a technology that reduces switch power consumption during periods of low network traffic. It is also known as Green Ethernet and IEEE802.3az. About Dante Controller Dante Controller is a software application that allows configuration and audio routing of Dante networks. Use this application if you plan to connect or set up Dante-enabled devices (such as Dante-MY16-AUD) that do not feature CL native support, or if you wish to set up complicated signal routings on a Dante network. More information is posted on the following website. http://www.yamahaproaudio.com/ To run Dante Controller, a computer must feature a GbE-compatible Ethernet connector. Refer to the Dante Controller owner’s manual for details on Dante Controller. Connecting to I/O devices This section explains how to connect the CL series to I/O devices (such as RIO3224-D) in a daisy chain network and in a star network (redundant network). Before you make connections with I/O devices, perform the steps described in “Setting up the Dante network” (see page 40), and then turn off the power of the CL series unit. Daisy chain network A daisy chain is a wiring scheme in which multiple devices are connected together in sequence. In this way, networking is simple and requires no network switches. This connection method is suitable for a simple system with a small number of devices. However, if a large number of devices are connected, the latency value must be increased. Also, if a connection is broken in a daisy chain network, the signal flow is interrupted at that point and no signal will be transferred beyond that point. Owner’s Manual 31 Connections ■ Connecting I/O devices to the CL series Make connections as shown below using the Dante connectors of the CL series and the I/O devices, and set the rotary switches and DIP switches of the I/O devices. About redundant networks A redundant network consists of two circuits, a primary circuit and a secondary circuit. Normally, the network operates on the primary circuit. However, if the primary connection is broken, the secondary circuit will automatically take over communications. Therefore, using a redundant network with a star topology would increase communication stability relative to a daisy chain network. ■ Connecting I/O devices to the CL series Make connections as shown below using the Dante connectors of the CL series and the I/O devices, and set the rotary switches and DIP switches of the I/O devices. Network switch PRIMARY EF 23 789A BC D 45 6 CL5 01 PRIMARY SECONDARY EF 23 789A BC D 45 6 Rio3224-D (ID#1) 01 PRIMARY CL5 SECONDARY PRIMARY 45 6 EF 45 6 23 ON Rio3224-D (ID#2) ON 3456 1 2 3 4 5 6 7 8 012 789A BCD 3456 EF (ID#2) 1 2 3 4 5 6 7 8 012 Star network (redundant network) In a star network, each device is connected to a central hub. Using a GbE-compatible network switch enables you to configure a wide-band, large-scale network. We recommend a network switch that gives you the ability to control and monitor the network (such as QoS, the ability to assign priority to data flows - e.g., clock synchronization or audio transmission on certain data circuits). With this topology, it is usual to configure a redundant network so that even if an unexpected network problem occurs, communication can occur without affecting the audio. 32 PRIMARY 789A BC D BCD 789A SECONDARY 01 (ID#1) Rio3224-D (ID#1) EF 01 ■ Rotary switch and DIP switch settings of the I/O devices EF 23 789A BC D Rio3224-D (ID#2) Owner’s Manual Network switch SECONDARY Audio input/output connections Analog output connections CL series 45 6 23 ON ON EF 3456 789A 1 2 3 4 5 6 7 8 012 789A BCD 3456 1 2 3 4 5 6 7 8 EF (ID#2) Rio3224-D BC D BCD 789A 01 (ID#1) EF ■ Rotary switch and DIP switch settings of the I/O devices 012 Audio input/output connections Analog input connections CL series Monitor speakers Main speakers EF 23 789A BC D 45 6 To the OMNI OUT jacks on the CL series and the OUTPUT jacks on the Rio3224-D units, you can patch the output signals from output channels (MIX, MATRIX, STEREO (L/R), MONO (C)), monitor signals (MONITOR OUT L/R/C channels), and the direct out signals of the input channels. For information about patches, refer to “Patching the mixer output to the I/O device” (see page 41) in the Quick Guide section. The PHONES Out jack located on the front panel is for monitoring, which always enables you to monitor the monitoring source signal. By assigning the MONITOR OUT L/R/C channels to the desired output jacks, you can also monitor the same signal through external speakers. 01 Digital input/output connections Rio3224-D The INPUT jacks on the I/O devices and the OMNI IN jacks are used mainly to connect microphones or monaural line-level devices. NOTE In the default state, the OMNI IN jacks are not patched. To use the signals connected here as inputs, you will need to make patch settings. Use the DIGITAL OUT jack to send the CL’s internal signals to an external digital audio device. When the CL is in the default state, the output signal of the STEREO channel is patched to the DIGITAL OUT jack, which enables you to record the main mix onto a CD recorder or other device. You can connect this jack to the AES/EBU jack on an I/O device, such as Rio3224-D. Also, by installing separately sold mini-YGDAI I/O cards in slots 1–3, you can add input/output jacks to the CL or connect speaker processor units. Refer to the Yamaha professional audio website for the most recent information on available I/O cards. http://www.yamahaproaudio.com/ Owner’s Manual 33 Connections Installing an option card Before you install I/O cards in slots 1–3, you must check the Yamaha website to determine whether the card is compatible with the CL series, and to verify the total number of Yamaha or third-party cards that can be installed in combination with that card. Yamaha website: http://www.yamahaproaudio.com/global/en/ To install an optional mini-YGDAI card, proceed as follows. 1. Make sure that the power is turned off. 2. Loosen the screws that hold the slot cover in place, and remove the slot cover. Keep the removed slot cover and screws in a safe place. Slot cover 3. Align the edges of the card with the guide rails inside the slot, and insert the card into the slot. Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot. Card 34 Owner’s Manual 4. Use the screws included with the card to fasten the card in place. Malfunctions or incorrect operation may occur if the card is not fastened. Caution Before connecting a separately sold mini-YGDAI I/O card to the CL unit, you must turn off the power switches for the CL and the PW800W power supply. Failure to observe this will cause malfunction or electric shock. Setup Setup This section explains the setup required when starting up the CL series for the first time. This section will also discuss basic operations for sending an input channel signal out from the STEREO bus so that you can check the connections. Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps Here is how to specify the brightness of the touch screen, top panel LEDs, channel name displays, and lamps connected to the rear panel LAMP connectors. 1. In the function access area, press the SETUP button to access the SETUP screen. 2. In the field located in the right of the bottom row of the SETUP screen, press the BANK A or BANK B button. You can save two different brightness settings in bank A and B, and switch between them rapidly if desired. • LAMP Adjusts the brightness of the lamps connected to the rear panel LAMP jacks. 4. If desired, switch between banks A and B and make settings for the other bank in the same way. Now you can switch between the BANK A and BANK B buttons to change the brightness of the touch screen, LCD, channel name displays, and lamps in a single operation. You can also assign this parameter to a USER DEFINED key, and press that key to switch between banks A and B. Setting the date and time of the internal clock This section explains how to set the date and time of the clock built into the CL unit, and how to select a date and time display format. The date and time you specify here will affect the time stamp used when saving a scene. 1. In the function access area, press the SETUP button to access the SETUP screen. 2. Press the DATE/TIME button located in the bottom row of the SETUP screen, to open the DATE / TIME popup window. 3. Use the multifunction knobs to set the following parameters. CONTRAST field • NAME Adjusts the contrast of the characters of the channel name displays on the top panel. BRIGHTNESS field • NAME Adjusts the brightness of the channel name displays on the top panel. • CH COLOR Specifies the balance of brightness between the top panel channel color indicator and channel name display. • SCREEN Adjusts the brightness of the touch screen. If you have set the brightness to lower than level 2, the CL will start up next time with a brightness setting of 2 so that you will be able to see the screen. • PANEL Adjusts the brightness of the top panel LEDs. If the optional MBCL meter bridge is installed on the CL3/CL1, this knob setting will also affect the LEDs on the meter bridge. The popup window includes the following items. 1) DATE This field specifies the date of the internal clock. 2) TIME This field specifies the time of the internal clock. 3) DISPLAY FORMAT This field specifies the format in which the time of the internal clock is displayed. 3. In the DISPLAY FORMAT field, press the MODE buttons several times to select the desired format for date and time display. You can select from the following display formats. • Date MM/DD/YYYY (Month/Day/Year) DD/MM/YYYY (Day/Month/Year) YYYY/MM/DD (Year/Month/Day) • Time 24Hours (hours shown in a range of 0–23) 12Hours (hours shown from 0am–11am, and 0pm– 11pm) Owner’s Manual 35 Setup 4. Use multifunction knobs 1–6 on the top panel to specify the current date and time. 5. When you have finished making settings, press the OK button. The date, time, and display format you specified will be finalized, and the popup window will close. If you press the CANCEL button or the X symbol instead of the OK button, your changes will be discarded and the popup window will close. Word clock connections and settings To send and receive digital audio signals between the CL and a connected external device, the word clock of both devices must be synchronized. 1. In the function access area, press the SETUP button. 3. In the WORD CLOCK SELECT field, select the desired clock source. • When using the internal word clock Press the INT 48k or INT 44.1k button. • When a device on the Dante network serves as the clock master Press the DANTE 48k or DANTE 44.1k button. • When using clock data from a digital audio signal as the clock source Press a valid two-channel button for the corresponding slot. • When using word clock data from the WORD CLOCK IN jack as the clock source Press the WORD CLOCK IN button. If the CL unit is operating correctly with the selected clock, the symbol immediately above the corresponding button will turn light blue. NOTE The clock data of the digital audio signal supplied via a digital I/O card in one of the slots 1–3 can be selected in two-channel units. 4. To close the WORD CLOCK/SLOT popup window, press the X symbol located in the upper right. You will return to the SETUP screen. 5. To close the SETUP screen, press the SETUP button in the function access area. 2. Press the WORD CLOCK/SLOT button in the SYSTEM SETUP field in the middle of the window. 36 Owner’s Manual Making HA (Head Amp) analog gain settings Making HA (Head Amp) analog gain settings Using the Centralogic section (settings for eight channels) This section explains how to adjust the analog gain of the HA (Head Amp) for each input channel to which a mic or instrument is connected. There are two ways to control channel parameters on the CL unit: using the SELECTED CHANNEL section to make settings for a single channel; and using the Centralogic section to make settings for up to eight channels all together. 1. Connect a mic or instrument to an INPUT jack. Using the SELECTED CHANNEL section (settings for one channel) 1. Connect a mic or instrument to an INPUT jack. 2. In the top panel Channel Strip section, press the [SEL] key for the channel corresponding to the INPUT jack that you want to control. 3. While playing a musical instrument or speaking or singing into a microphone, rotate the [GAIN] knob in the SELECTED CHANNEL section to adjust the gain of the currently-selected channel. Adjust the gain level as high as possible without allowing the OVER segment of the channel strip level meter to light at the highest audio input level. When you press one of the knobs in the SELECTED CHANNEL section located to the left of the touch screen, the SELECTED CHANNEL VIEW screen will appear in the touch screen. When you rotate the [GAIN] knob in the SELECTED CHANNEL section, the knob in the HA field of the SELECTED CHANNEL VIEW screen will move in tandem with the knob. Use the Centralogic section and the OVERVIEW screen to make head amp settings for up to eight channels. This method is convenient when you want to adjust the same parameter for multiple channels simultaneously. 2. Press a Bank Select key in the Centralogic section so that the input channels you want to control are assigned to the Centralogic section. Press the [INPUT] key, then press the key of the channels you want to control. If you want to control the STEREO IN channels, press the [OUTPUT] key, then press the [ST IN] key. When you press a Bank Select key, the OVERVIEW screen will appear in the display, and the principal parameters of the up to eight selected channels will be shown simultaneously. 3. Press a knob in the HA/PHASE field of the screen to select it. When you press a knob shown in the OVERVIEW screen, a bold frame is displayed around the horizontal row of knobs of the same type. This frame indicates that you can use the multifunction knobs of the Centralogic section to operate the corresponding knobs. 4. While playing a musical instrument or 4. Press the [SEL] key of another input channel, and adjust the head amp gain in the same way. When you press a [SEL] key to select another channel, the channel shown in the SELECTED CHANNEL VIEW screen will change accordingly. speaking or singing into a microphone, use the Centralogic section’s multifunction knobs 1–8 to adjust the HA gain of each channel. Adjust the level as high as possible without allowing the OVER segment of the channel strip level meter in the Centralogic section to light at the highest audio input level. The input level is also shown by the level meter of the corresponding INPUT section or ST IN section. 5. Use the Bank Select keys to switch the eight channels controlled by the Centralogic section, and adjust the gain for the other input channels in the same way. Owner’s Manual 37 Setup Sending an input channel signal to the STEREO bus This section explains how to adjust the level of a gain-adjusted signal sent from an input channel to the STEREO bus; adjust the pan/balance; and monitor signals from external speakers connected to the STEREO channel. The following procedure enables you to check whether the connections with the mic, instrument, and main speakers are appropriate. In this case as well, you can either use the SELECTED CHANNEL section to make settings for one channel at a time, or use the Centralogic section to make settings for up to eight channels collectively. Using the SELECTED CHANNEL section (settings for one channel) 1. Press the [SEL] key of the input channel that 6. Raise the fader of the currently-selected input channel to an appropriate volume. In this state, you should now hear sound from the speaker system that is patched to the STEREO channel. If you do not hear sound, check whether the LR meters are moving in the METER field of the function access area. If the LR meters are moving: It may be that the STEREO channel is not correctly patched to the output jacks that are connected to your speaker system. Check the output port patching. If the LR meters are not moving: Make sure that signals are being routed correctly to the patched input channels. you want to control. 2. Press one of the knobs in the SELECTED CHANNEL section. The SELECTED CHANNEL VIEW screen for the selected channel will appear. 7. To adjust the pan/balance of the signal sent from the input channel to the STEREO bus, rotate the [PAN] knob of the SELECTED CHANNEL section. When you rotate the [PAN] knob, the knob in the TO ST PAN/BALANCE field of the SELECTED CHANNEL VIEW screen will move in tandem with the [PAN] knob. 8. Press the [SEL] key of another input channel, then repeat this procedure from step 2. When you press a [SEL] key to select another channel, the channel shown in the SELECTED CHANNEL VIEW screen will change accordingly. 3. In the To ST PAN/BALANCE field of the SELECTED CHANNEL VIEW screen, make sure that the ST button is on (white characters on a pink background). In the TO ST PAN/BALANCE field you can switch the signal sent from the input channel to the STEREO/MONO buses on or off by using the ST/MONO button. The knob in this field indicates the pan/balance of the signal sent to the STEREO bus. If the ST button is off (black characters on gray background), press the button to switch it on. 4. Verify that in the top panel, the [ON] key of the corresponding input channel is turned on. If the [ON] key is off (the LED is dark), press the key to turn it on (the LED will light). 5. In the STEREO/MONO MASTER section, make sure that the [ON] key of the STEREO channel is turned on, and raise the STEREO channel fader to 0 dB. 38 Owner’s Manual Sending an input channel signal to the STEREO bus Using the Centralogic section (settings for eight channels) Here is how to use the Centralogic section and OVERVIEW screen to adjust the level and pan/balance of the signals sent to the STEREO bus for up to eight channels at a time. 1. Press a Bank Select key so that the input channels you want to control are assigned to the Centralogic section. The selected eight channels are shown in the OVERVIEW screen. 6. To adjust the pan/balance of the signal sent from each input channel to the STEREO bus, press a knob in the TO STEREO/MONO field of the screen to select it, and rotate the multifunction knobs of the Centralogic section. When you rotate a multifunction knob, the knob in the TO STEREO/MONO field of the OVERVIEW screen will also rotate. 7. Use the Bank Select keys to switch the eight channels controlled by the Centralogic section, and control other input channels in the same way. TO STEREO/MONO field 2. Make sure that in the TO STEREO/MONO field of the screen, the ST symbol of each channel is on (white characters on pink background). The ST/MONO symbol in the OVERVIEW screen indicates the on/off status of the signal sent from that input channel to the STEREO/MONO buses. If the ST symbol is off (gray characters on a black background), press the TO ST PAN/BALANCE field of the SELECTED CHANNEL VIEW page to display a popup window, then switch the status on. 3. In the Centralogic section, verify that the [ON] key of the corresponding input channel is turned on. 4. In the STEREO/MONO MASTER section, make sure that the [ON] key of the STEREO channel is turned on, and raise the STEREO channel fader to 0 dB. 5. In the Centralogic section, raise the fader of the corresponding input channel to an appropriate volume. In this state, you should now hear sound from the speaker system that is patched to the STEREO channel. Owner’s Manual 39 Quick Guide Quick Guide This section explains the general procedures in a mixing workflow. The example below is based on a system in which one CL5, one I/O device, an amplifier and speakers are connected. If there are multiple methods to achieve the same result, this section introduces the simplest method. For details on the functions and their parameters, refer to the Reference Manual. Connecting the devices Setting up the Dante network 1. Press the SETUP button in the touchscreen. 5. Set BIT to 24, and LATENCY to 0.25. Connecting I/O devices 1. Make sure that power to all devices to be connected is turned off. Then, use an Ethernet cable to connect the Dante PRIMARY connector on the CL to the Dante PRIMARY connector on the I/O device. 2. Specify the ID of the I/O device. NOTE If you plan to use one I/O device, set its ID number to “1.” If you plan to use multiple devices, you must assign a unique ID number to each device. 3. Turn on the power to the I/O device, the CL series, and then the amplifier, in that order. 4. In the touchscreen, press the SETUP button, 2. Press the DANTE SETUP button in the SETUP screen. then the DANTE SETUP button, and finally the DEVICE MOUNT tab. 5. Check the I/O devices. 3. In the lower part of the DANTE SETUP screen, press the SETUP tab. 4. Set CONSOLE ID to #1, and SECONDARY PORT to DAISY CHAIN. NOTE If you’re connecting an I/O device other than the Rio3224-D, you’ll need to mount it. See the reference manual for details. 6. Connect mics or instruments to the I/O NOTE If you want to change the settings, you must first disconnect all I/O devices before doing so. If you fail to do so, communication with the I/O devices will become impossible. If you changed the settings, press the APPLY button; when the confirmation screen appears, click the OK button. The button you changed will change from red back to white; please wait approximately 30 seconds for the settings to be applied. ➩ 40 Owner’s Manual device. Setting the word clock 1. Press the SETUP button in the display screen, then press the WORD CLOCK/SLOT button. 2. Select INT 48k or INT 44.1k. 3. Press the X symbol to close the screen. Setting the input channels Patching the input port Setting the input channels 1. Press the I/O DEVICE button in the touchscreen. Switching phantom power on or off 2. In the upper part of the I/O 1. Press the [SEL] key for the channel that you DEVICE screen, press the DANTE PATCH tab. 3. In the I/O DEVICE screen, press the DANTE INPUT PATCH button. want to control in the Channel Strip section or Centralogic section. 2. Press the GAIN knob in the SELECTED CHANNEL section. 4. Press the AUTO SETUP button. GAIN knob 5. When a confirmation dialog appears, press the OK button. 6. Press the X symbol to close the screen. 3. Press the +48V button in the GAIN/PATCH popup window as necessary, depending on the microphone you use. ➩ Patching the mixer output to the I/O device 1. Press the I/O DEVICE button in the display screen, then press the Rio tab. 2. Press the OUTPUT display area of the I/O device that will be the output destination. 3. Press the OUTPUT 1 button. NOTE • The phantom power master switch on the I/O device must be turned on first. • Make sure that phantom power is turned OFF unless it is needed. • When turning phantom power on, pay careful attention to the following to prevent damage or noise in the mixing console or connected equipment. - Turn the +48 button off if equipment that does not use phantom power is connected to the OMNI IN jacks. - Do not connect or disconnect a cable to or from the OMNI IN jacks while the +48 button is on. - Set all digital mixing console output controls to minimum when turning phantom power ON or OFF. Adjusting the analog gain 4. In the PORT SELECT screen, select the output channels you want to output to the rack. 1. Press the [SEL] key for the channel that you want to control in the Channel Strip section or Centralogic section. 2. Press the [CUE] key of the same channel. 3. While checking the sound level through the headphones and meters, adjust the channel [GAIN] knob of the Channel Strip section. 4. Adjust the gain level for other channels in the same way, by pressing their [SEL] and [CUE] keys, and then rotating the [GAIN] knobs. 5. After adjustment is complete, switch the [CUE] key off (the key LED turns off). 5. Press the CLOSE button. 6. In the same way, set OUTPUT 2 and subsequent outputs, if necessary. Owner’s Manual 41 Quick Guide Applying EQ/dynamics Applying EQ 4. Edit the dynamics type and parameters in the DYNAMICS popup window. Use the knobs in the Centralogic section to edit the parameters. 1. Press the [SEL] key of the channel that you want to control. 2. Adjust EQ in the SELECTED CHANNEL section. 3. Press the EQ area in the display screen. 5. Edit the DYNAMICS 2 parameters in the same way. Setting the output channels 4. Edit the EQ type and filter type in the HPF / 1. Use the [OUTPUT] key of the Centralogic section, then Bank Select keys to select the desired output channel bank. EQ popup window. 2. Press the [SEL] key of the output channel that you want to control. 3. Press any one of the knobs in the SELECTED CHANNEL section. 4. Edit the EQ and dynamics parameters in the same way as for the input channels. Using GEQ 1. Press the RACK button in the display screen. Applying dynamics 1. Press the [SEL] key of the channel that you want to control. 2. Press the GEQ 1–8 tab. 2. Press the ON button of the DYNAMICS 1 field in the display screen. 3. Press the INPUT PATCH button for GEQ1. 3. Press the DYNAMICS 1 area. 42 Owner’s Manual Applying effects 4. Select an input source in the left column of the CH SELECT popup window, then select a channel in the right column. Applying effects Using EFFECT RACK with send/return 1. Press the RACK button in the display screen. 2. Press the EFFECT tab. 5. Press the CLOSE button. 3. Modify the INPUT CH/OUTPUT CH patch settings, if necessary. 6. Press the GEQ icon to open the GEQ popup window. 4. Press the rack icon in the middle to open the EFFECT popup window. 7. Press FADER ASSIGN to select the GEQ you will control using the Centralogic section’s faders. 5. Press the effect icon. 6. Select an effect you want to use from the EFFECT TYPE popup window. 8. Perform the same operations for other GEQs as desired. 7. In the Channel Strip section, select the bank that includes the channel to which you want to apply the effect. Owner’s Manual 43 Quick Guide 8. Press the SENDS ON FADER button in the Inserting PREMIUM RACK processor display screen. 1. Press the RACK button in the display screen. 9. In the Centralogic section, press the [OUTPUT] key, then [MIX17–24/MATRIX] key. 2. Press the PREMIUM tab. 10. From Fx1–Fx8 routed to the Centralogic section, select and press the [SEL] key for the effect channel that you want to use. 11. Use the faders of the Channel Strip section to 3. Press the rack icon in the middle to open the control effect sends. 12. Press the X symbol for the MIX1–16, PREMIUM RACK popup window. MIX17–24/MATRIX button to exit SENDS ON FADER mode. 4. Select a processor you want to use from the 13. In the Centralogic section, press the MODULE SELECT field, then press the OK button. [OUTPUT] key, then [ST IN] key. 14. Adjust the effect return level using the fader in the Centralogic section. 15. If necessary, press the RACK button, then the effect track icon of the EFFECT tab, and then set the effect parameters. 5. Press the INPUT PATCH button. 6. Select an input source in the left column of the CH SELECT popup window, and then select a channel in the right column. 7. Press the CLOSE button. 44 Owner’s Manual Changing the patch settings 8. In the Centralogic or Channel Strip section, select the bank that includes the channel to which you want to apply the processor. 9. Press the [SEL] key of the channel to which you want to apply the processor. 10. In the INSERT field of the SELECTED CHANNEL VIEW screen, press the button that indicates the name of the inserted PREMIUM RACK. Changing the patch settings Setting up INSERT or DIRECT OUT 1. Select the bank that contains the channel for which you want to set up INSERT or DIRECT OUT in the Channel Strip section or Centralogic section. 2. Press the [SEL] key of the channel for which you want to change the patching. 3. Press the setting button in the DIRECT OUT area of the SELECTED CHANNEL screen. 11. Adjust the parameters in the PREMIUM RACK popup window. 4. Assign OUT and IN for INSERT or DIRECT OUT. 5. Press the ON button to enable it. 6. Modify the INSERT or DIRECT OUT point by pressing it, if necessary. Owner’s Manual 45 Quick Guide Changing the signal output to each output port Grouping and linking 1. Press the SETUP button in the display screen. Creating a channel link 1. Press the CH JOB button in the display screen. 2. Press the OUTPUT PORT button in the SYSTEM SETUP screen. 2. Press the CH LINK button. 3. Select the bank that contains the channels 3. Select the OUTPUT PORT tab you want to change. you want to link in the Channel Strip section or Centralogic section. 4. While pressing and holding down the [SEL] 4. Press the output channel select button to select the output channel for which you want to change the port. key of one channel, press the [SEL] key of the other channel that you want to link. 5. To release the link, press and hold down the [SEL] key for one of the linked channels, and press the [SEL] key for the other channel. NOTE You can also set or release a channel link in the display. Setting a DCA or MUTE group 1. Press the [SEL] key of the channel that you want to control. 2. Press the DCA tab or MUTE tab in the SELECTED CHANNEL screen. 3. Press the desired group number button. 4. To assign other channels to a group, press DCA or MUTE group numbers in the same way. 46 Owner’s Manual Setting a custom fader bank Setting a custom fader bank Using talkback 1. Press the SETUP button in the display screen. 1. Connect a mic to the front panel TALKBACK jack. 2. Press the MONITOR button in the display screen. 2. Press the USER SETUP button in the CURRENT USER area. 3. Press the ASSIGN button in the TALKBACK area. 3. Press the CUSTOM FADER tab near the bottom of the screen. 4. In the CUSTOM FADER BANK / MASTER FADER screen, press the button for the custom fader bank you want to set up. 5. In the FADER field, press the channel strip number button. 6. Press the [SEL] key for the channel that you want to assign in the Channel Strip section. 4. In the ASSIGN area, select a bus to which you want to send the talkback signal. 5. Press the TALKBACK ON button. 6. While observing the TALKBACK IN meter, use the front panel VOLUME knob to adjust the level. 7. In the same way, select other channels that you want to assign. Owner’s Manual 47 Quick Guide Routing the oscillator to an output channel 1. Press the MONITOR button in the display screen. Using scene memories Storing a scene 1. Use the [INC]/[DEC] keys in the SCENE MEMORY section to select the store-destination scene number. 2. Press the [STORE] key. 3. Enter the scene name and comments in the SCENE STORE screen. 2. Press the setting button in the OSCILLATOR field. 4. Press the [STORE] key. 5. When a confirmation dialog appears, press the [STORE] key again. Recalling a scene 1. Use the [INC]/[DEC] keys in the SCENE 3. Set the MODE, LEVEL, and FREQ parameters. MEMORY field to select the scene number that you want to recall. 2. Press the [RECALL] key on the unit. 4. In the ASSIGN area, press the desired OUTPUT tab to select the output destination. 5. Return to the previous screen, then press the OUTPUT button in the OSCILLATOR area. 48 Owner’s Manual Recording and playing audio using a USB flash drive Recording and playing audio using a USB flash drive Playing audio files from a USB flash drive 1. Connect a USB flash drive that contains audio files to the CL unit. Recording audio to a USB flash drive 1. Connect a USB flash drive to the USB 2. Press the RECORDER button in the display screen. connector of the CL unit. 2. Press the RECORDER button in the display screen. 3. In the PLAYBACK OUT field, select a channel from which you want to play audio files. 3. Press the USB tab. 4. Press the REC RATE button to switch the 4. Select an audio file to play from the list. recording bit rate for an MP3 file. 5. In the RECORDER INPUT field, select a recording source channel and set the recording level. 5. Press the Play button. 6. Adjust the gain using the knob in the PLAYBACK OUT area, then in the Channel Strip section, use the faders for the channels selected in the PLAYBACK OUT field to adjust the volume level. 6. Press the Rec button to arm recording. 7. Press the Play button to start recording. 8. When you have finished recording, press the Stop button. Owner’s Manual 49 Quick Guide Saving and loading the unit settings Saving the unit settings to a USB flash drive 1. Connect a USB flash drive to the USB connector of the CL unit. 2. Press the SETUP button in the display screen. 7. Enter the data name and comments, then press the SAVE button. Loading the unit settings from a USB flash drive 1. Press the SETUP button in the display screen. 2. Press the SAVE/LOAD button. 3. To select the file that you want to load, press the name of the desired file in the file list, or rotate a multifunction knob on the panel. 4. Press the LOAD button. 5. Press the LOAD button in the LOAD SELECT 3. Press the SAVE/LOAD button. popup window. 6. When a confirmation dialog appears, press the OK button. Formatting a USB flash drive on the CL unit 4. If necessary, press the directory icon and change the directory. To move to the next higher level, press the arrow button in the PATH field. 1. Connect a USB flash drive (that you want to format) to the CL unit. 2. Press the FORMAT button in the SAVE/LOAD popup window. 3. Enter a name in the VOLUME NAME field, and then press the FORMAT button. 4. When a confirmation dialog appears, press the OK button. 5. Press the SAVE button. 6. Press the SAVE button in the SAVE SELECT popup window. 50 Owner’s Manual Other functions Other functions 5. A message indicates that the initialization process is complete. Press the EXIT button. The CL will start up in normal operating mode. NOTE Initializing the unit to factory default settings If an error occurs in the CL’s internal memory, or if you forget the password and cannot operate the unit, you can use the following procedure to initialize the internal memory. NOTICE The entire memory will be deleted if you initialize the internal memory. • Alternatively, you can continue the operation by selecting a different menu instead of pressing the EXIT button. • DANTE SETUP will not be initialized. Restoring the current scene to the default state Turn on the power to the CL unit, and recall (load) the default setting scene (scene number 000). NOTE Proceed with the following operation only if you are very sure you want to do this! 1. While holding down the SCENE MEMORY [STORE] key on the panel, turn on the power to the CL unit. After the opening screen, the following startup menu screen will appear. In the procedure described here, you are asked to recall this default setting scene so that the remaining step in this chapter can be performed appropriately. In actual operation, there is no need to recall the default setting scene each time. 1. Turn on the power to the CL unit. When you turn on the power to the CL, you should first power-on the CL, and then power-on your power amp and monitor system. (Reverse this order when turning the system off.) NOTE If a PW800W power supply is connected to the CL, the power will turn on regardless of whether you first turn on the power switch of the CL or of the PW800W. 2. Use the top panel SCENE MEMORY [INC]/[DEC] keys to make scene number “000” appear in the SCENE field in the function access area of the display. 2. Press one of the following buttons depending on the type of initialization you want to perform. • INITIALIZE ALL MEMORIES All memories including scene memories and libraries will be returned to their initial settings except for DANTE SETUP. • INITIALIZE CURRENT MEMORIES Memories other than scene memories and libraries will be returned to their initial settings except for DANTE SETUP. 3. A dialog box will ask you to confirm the initialization. Press the INITIALIZE button. A dialog box will ask you to reconfirm the operation. 4. Press the OK button in the confirmation dialog box. Initialization will begin. NOTE SCENE field 3. Press the top panel SCENE MEMORY [RECALL] key. Scene number “000” will be loaded, and the mix parameters and bus settings will return to the default state. NOTE Be aware that when scene number “000” is loaded, the input patch, output patch, internal effect, and HA (Head Amp) settings will also return to their default state. Do not press any buttons until initialization is complete. Owner’s Manual 51 Other functions Adjusting the faders (Calibration function) Depending on the environment in which you use the CL series, discrepancies may occur in the motion of the motor faders. You can use the Calibration function to correct these discrepancies. NOTE For information about adjusting the input gain or the detection point of the touch screen, refer to the Reference Manual. 1. While holding down the SCENE MEMORY [STORE] key on the panel, turn on the power to the CL unit. After the opening screen, the following startup menu screen will appear. 7. After you adjust the fader position, press the [NEXT] button. The process will proceed to the next fader position. 8. Repeat steps 6–7 to adjust the faders for positions (1) through (4). After the positions are corrected, automatic motorized calibration will start. 9. When calibration is complete and the RESTART button has not appeared, press the APPLY button. The calibration settings will be saved in internal memory. If the RESTART button appears, calibration has failed. Press the RESTART button to execute calibration once again. 10. Press the EXIT button. The CL unit will start up in normal operating mode. NOTE Alternatively, you can continue the operation by selecting a different menu instead of pressing the EXIT button. 2. Press the FADER CALIBRATION button. The FADER CALIBRATION MODE screen will appear, enabling you to adjust the faders. The specified INPUT faders, Centralogic faders, STEREO/MONO faders will be semi-automatically calibrated. This window will also appear if a problem is detected in the fader settings while the CL is starting up. 3. Press a [SEL] key to specify the faders that you want to calibrate. Faders for which a problem was detected at start-up will already be selected. 4. Press the START button. A confirmation dialog box will appear. 5. Press the OK button in the dialog box. 6. Each of the specified faders will move to the target positions in the following sequence. Manually move the faders to the correct positions. 1 –∞ (all the way down) 2 –20dB 3 0dB 4 +10dB (all the way up) 52 Owner’s Manual Troubleshooting Troubleshooting Frequently asked questions are posted on the Yamaha Pro Audio website: http://www.yamahaproaudio.com/ Power does not turn on; panel LEDs and the LCD display do not light. ❍ Is the CL’s POWER switch turned on? ❍ Is the power cable connected to a proper AC outlet? ❍ Is the power cable plug inserted all the way — has it clicked and locked in securely? ➥ If the power still does not turn on, contact your Yamaha dealer. The unit is not receiving an input signal. ❍ Did you correctly set the UNIT ID and the DIP switches on the I/O device connected to the CL before turning on the power to the devices? ❍ Are the settings in the DANTE SETUP screen on the unit specified correctly? ❍ Is a signal being input from an external device? ❍ Is the SIG indicator on the I/O device lit? ❍ If a phantom-powered microphone is connected to the CL unit, are the I/O device’s the [+48 MASTER] switch, CL’s [+48V MASTER] switch, and [+48V] button of each channel set to on? ❍ Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level? ❍ Is the input port patched to an input channel? ❍ Is the [ON] key indicator of the input channel lit? ❍ Is the fader of the input channel raised? ❍ Is the EQ attenuator raised? ❍ Could the insert be turned on even though it has not been specified correctly? ❍ If you are using an optional I/O card, is it installed correctly? ❍ Could the GATE/COMP threshold or ratio setting be set to an extreme value? ❍ Are the output channel faders raised? ❍ Check the level in the corresponding METER function screens. ❍ Is the channel fader assigned to a DCA group raised? ❍ Could MUTE MASTER be turned on for the channel assigned to a MUTE group? Sound is distorted. ❍ Is the word clock set correctly? ❍ Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level? ❍ Could you have turned gain compensation on while the analog gain was set inappropriately? Alternatively, could you have turned gain compensation on, and then raised the analog gain to an extreme level? ➥ Temporarily turn gain compensation off, then set analog gain to an appropriate level, and then turn gain compensation on again. ❍ Could the digital gain be set to an extremely high setting? ❍ Could the input channel fader be raised too high? ❍ Could the STEREO channel fader be raised too high? ❍ Could the EQ gain be set to an extremely high setting? ❍ Could the latency have been too low in the DANTE SETUP screen? Sound is output even though it is not patched to an output channel. ❍ Could you have assigned an input channel to direct out? ❍ Could you have assigned an output channel as the insert out? The volume of a specific channel rises and falls. ❍ Could DYNAMICS1/2 be set to ducking or to an extreme parameter value? Sound is not output from headphones or the MONITOR OUT jacks. Operating a fader does not control the level as you expect. ❍ Is the [PHONES] knob or [MONITOR LEVEL] knob set to an appropriate volume? ❍ Is the monitor fader set to an appropriate level? ❍ Has the monitoring source been selected? ❍ Could the DIMMER be applied to the signal? ❍ Could the function access area indicate MIX/MTRX ON FADER? And could SENDS ON FADER mode be engaged? ➥ Press the MONITOR button, then check the MONITOR area on the display. The sound level is too low. ❍ Is the GAIN or digital gain on the head amplifier, external head amp device or I/O device set to an appropriate level? ❍ Are the input channel faders raised? ❍ Could the EQ gain be turned down excessively? ❍ Are EQ’s attenuators raised? Only the sound of a specific channel is heard from the MONITOR OUT or PHONES jack. ❍ Could a [CUE] key be on? Noise occurs from an externally connected recorder or other device. ❍ Is the word clock set correctly? ❍ Could the input signal be unsynchronized? ❍ Could the oscillator or talkback be turned on? Owner’s Manual 53 Troubleshooting High frequency range is attenuated. ❍ Could emphasis be applied? This problem will occur if the input signal status does not match the emphasis data. ❍ Could EQ be applied? There is insufficient headroom, especially when EQ boost is applied. ❍ Use the EQ attenuator function to lower the level. An input signal is being input, but there is no monitor output. ❍ Could the DIMMER be applied? ❍ Could the MONITOR CH be assigned even though its output port has not been connected to an external device? When you recall a scene, some channels/parameters are not updated. ❍ Could that channel or parameter be set to Recall Safe? ❍ Could Focus be set in such a way that the channels or parameters will not be updated? ❍ Could user level restrictions have been specified? You turn on a CUE button in the EFFECT screen, but it is automatically defeated. ❍ This is defeated automatically when you switch screens in the display. When you recall a scene, it takes a certain amount of time for the faders to stop. ❍ Could you have specified a fade time? Signal is delayed. The panel LEDs or LCD display are too dark / too bright. ❍ Check whether the delay setting for each input channel and output port is set correctly. ❍ This can be adjusted in the SETUP screen. Signal level of a specific frequency is low. Rotating a MIX knob does not change the send level to the MIX bus. ❍ Is the TO MIX SEND ON/OFF button turned on? ❍ Is the MIX [ON] key turned on? ❍ Is the MIX bus set to VARI type? ❍ Could the fader have been lowered if the send point is set to POST? ❍ Could the EQ gain be turned down excessively? ❍ Routing a signal through a GEQ or effect will delay it relative to other signals. If this signal is mixed with another signal that is routed via a different signal path, a comb filtering effect will cause the level of a specific frequency to be decreased. Cannot control an I/O device. Cannot save scene memory or various library data. ❍ Are you attempting to save the data to a read-only scene/library or a protected scene? ❍ Could user level restrictions have been specified? ❍ Are the rotary switch and DIP switches on the I/O devices set correctly? ❍ Does the channel being controlled match the channel on the I/O device? Cannot control the CL unit from CL Editor. Cannot save to a USB flash drive. ❍ Could the USB flash drive be protected? ❍ Does the USB flash drive have enough free capacity to save the data? ❍ When formatting the USB flash drive, format it in FAT32 or FAT16 format. ❍ Could the recorder be playing? Cannot transmit or receive MIDI data. ❍ Is the MIDI PORT selected correctly? ❍ Are the transmission and reception modes and channels selected correctly? ❍ Has an event corresponding to the particular Program Change message been specified? ❍ Is the computer connected to the unit’s Network jack correctly? ❍ Is the network setting of the CL unit specified correctly? ❍ For details on settings, refer to the CL Editor installation guide posted on our website. Cannot control the CL unit from CL StageMix/ MonitorMix. ❍ Is the WiFi setting in CL StageMix/MonitorMix set correctly? ❍ Is the unit’s Network jack on the CL unit connected to the WiFi access point correctly? ❍ Is the network setting of the CL unit specified correctly? ❍ Refer to the CL StageMix Owner’s Manual on our website. In the LCD display, there are some black points (unlit) or white points (always lit). ❍ Unfortunately, this is a common characteristic of TFT-LCDs and not a malfunction. 54 Owner’s Manual Installing the MBCL meter bridge (option) 3. Tighten screws ‘A’ to secure the MBCL, Installing the MBCL meter bridge (option) starting with the upper two screws. 4. Connect the MBCL connector ‘C’ to the METER port ‘D’ on the CL3/CL1, and fasten the locking screws. A 1. On the back of the CL3/CL1 console’s touch screen, loosen screws ‘A’ (three locations) so that they are backed-out approximately 4 mm. The CL3 has screws ‘A’ in two locations. Choose one or the other location as appropriate for your situation. C A D A 4 mm A CL3 console NOTICE Make sure that the console and the PW800W are powered-off before you connect the MBCL meter bridge to the console. Failure to observe this will cause malfunction or electric shock. CL3 console 2. Hook holes ‘B’ of the MBCL mounting strap onto screws ‘A’ of the CL3/CL1. A A B CL3 console Owner’s Manual 55 Specifications Specifications General specifications 44.1kHz 48kHz Internal Sampling Frequency External 44.1kHz +4.1667%, +0.1%, –0.1%, –4.0% ±200ppm 48kHz +4.1667%, +0.1%, –0.1%, –4.0% ±200ppm Signal Delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs= 48kHz Fader 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders Frequency Response Total Harmonic Distortion*4 +0.5, –1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain= Min. Hum&Noise*5 –128dBu typ., Equivalent Input Noise, Input Gain= Max., –88dBu, Residual output noise, ST master off Dynamic Range 112dB typ., DA Converter, 108dB typ., OMNI IN to OMNI OUT, Input Gain= Min. Crosstalk@1kHz –100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain= Min. Dimensions (W x H x D) and Net Weight CL5: 1053mm x 299mm x 667mm, 36kg CL3: 839mm x 299mm*2 x 667mm, 29kg*2 CL1: 648mm x 299mm*2 x 667mm, 24kg*2 Power Requirements (wattage) CL5/CL3/CL1: 170W, Internal Power Supply CL5/CL3/CL1: 200W, Simultaneous use of Internal PSU and External PW800W Power Requirements (voltage and hertz) US/Canada: Japan: China: Korea: Other: Temperature Range Operating temperature range: 0-40°C Storage temperature range: –20-60°C Included Accessories Owner’s Manual, Dust Cover, Power Cord Optional Accessories Meter Bridge MBCL (CL3/CL1 only), Mini-YGDAI cards*3, Gooseneck Lamp LA1L Power Supply PW800W, Power Supply Link Cable PSL360 120V 60Hz 100V 50/60Hz 110-240V 50/60Hz 220V 60Hz 110-240V 50/60Hz *1. Crosstalk is measured with a 30dB/octave filter @22kHz *2. Excluded MBCL optional meter bridge. *3. Refer to the Yamaha pro audio website for information on supported cards. http://www.yamahaproaudio.com/ *4. Total Harmonic Distortion is measured with 18dB/octave filter @80kHz *5. Hum & Noise are measured with A-Weight filter. European Models Purchaser/User Information specified in EN55103-1:2009 and EN55103-2:2009. Inrush Current: 10A (on initial switch-on) 6A (after a supply interruption of 5s) Conforms to Environments: E1, E2, E3 and E4 * 56 The contents of this manual apply to the latest specifications as of the printing date. Since Yamaha makes continuous improvements to the product, this manual may not apply to the specifications of your particular product. To obtain the latest manual, access the Yamaha website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer. Owner’s Manual Input/output characteristics Input/output characteristics ANALOG INPUT CHARACTERISTICS Input Terminals +66dB OMNI IN 1-8 –6dB +64dB TALKBACK Input Level Actual Load For Use With Impedance Nominal GAIN +20dB Sensitivity*1 Nominal Max. before clip –82dBu (61.6μV) –62dBu (0.616mV) –42dBu (6.16mV) –10dBu (245mV) +10dBu (2.45V) +30dBu (24.5V) 7.5kΩ 50-600Ω Mics & 600Ω Lines 10kΩ 50-600Ω Mics –70dBu (0.245mV) –60dBu (0.775mV) & 600Ω Lines –26dBu (38.8mV) –16dBu (0.123V) –40dBu (7.75mV) +4dBu (1.23V) Connector XLR-3-31 type (Balanced)*2 XLR-3-31 type (Balanced)*2 *1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.) *2. XLR-3-31 type connectors are balanced. (1= GND, 2= HOT, 3= COLD) *3. In these specifications, 0dBu= 0.775 Vrms. *4. All input AD converters are 24bit linear, 128times oversampling. *5. +48V DC ( phantom power ) is supplied to OMNI IN (1-8) and TALKBACK XLR type connectors via each individual software controlled switches. ANALOG OUTPUT CHARACTERISTICS Output Terminals Actual Source For Use With Impedance Nominal OMNI OUT 1-8 75Ω PHONES 15Ω Output Level GAIN SW*5 600Ω Lines Nominal Connector Max. before clip +24dB (default) +4dBu (1.23V) +24dBu (12.3V) XLR-3-32 type +18dB –2dBu (616mV) +18dBu (6.16V) (Balanced)*1 – 75mW*6 150mW Stereo Phone Jack (TRS) – 65mW*6 150mW (Unbalanced)*2 8Ω Phones 40Ω Phones *1. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD) *2. PHONES stereo phone jack is unbalanced. (Tip= LEFT, Ring= RIGHT, Sleeve= GND) *3. In these specifications, 0dBu= 0.775 Vrms. *4. All output DA converters are 24bit, 128times oversampling. *5. There are switches inside the body to preset the maximum output level. *6. The position of the level control is 10dB lowered from Max. DIGITAL INPUT & OUTPUT CHARACTERISTICS Terminal Format Data length Level Audio Connector Primary/Secondary Dante 24bit or 32bit 1000Base-T 64ch Input/64ch Output @48kHz EtherCON Cat5e DIGITAL OUTPUT CHARACTERISTICS Terminal DIGITAL OUT AES/EBU Format Data Length Level Connector AES/EBU Professional Use 24bit RS422 XLR-3-32 type (Balanced)*1 *1. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD) I/O SLOT (1-3) CHARACTERISTICS Each I/O Slot accepts a mini-YGDAI card. Only Slot1 has a serial interface. CONTROL I/O CHARACTERISTICS Terminal MIDI WORD CLOCK Format Level IN MIDI – OUT MIDI – IN – TTL/75Ω terminated BNC Connector OUT – TTL/75Ω BNC Connector – – IEEE802.3 10BASE-T/100Base-TX – 0V-12V*4 GPI (5IN/5OUT) NETWORK LAMP (CL5: x3, CL3: x2, CL1: x1) USB HOST Connector DIN Connector 5P DIN Connector 5P D Sub Connector 15P (Female)*1 RJ-45 XLR-4-31 type*2 USB 2.0 – USB A Connector (Female) DC POWER INPUT – – JL05 Connector METER (CL3/CL1 only) – – D Sub Connector 9P (Female) *1. Input pin: TTL level, w/ internal pull-up (47kΩ) Output pin: Open drain output (Vmax=12V, maximum sink current/pin=75mA) Power supply pin: Output voltage Vp=5V, Max. output current Imax=300mA *2. 4pin= +12V, 3pin= GND, Lamp rating 5W. Voltage control by software. Owner’s Manual 57 Specifications Pin Assignment 4 9 14 15 20 1 2 3 8 7 13 19 6 12 18 23 11 2 1 10 16 17 22 3 8 5 21 15 DC POWER INPUT 11 10 9 GPI Pin Signal Name Pin Signal Name Pin 1 +24V 13 GND 1 2 +24V 14 GND 2 3 +24V 15 GND 3 4 +24V 16 GND 4 5 +24V 17 GND 6 +24V 18 GND 7 +24V 19 CAUTION(+) 8 +24V 20 CAUTION(–) 9 +24V 21 DETECT A 10 GND 22 DETECT B 11 GND 23 DETECT GND 12 GND Signal Name Pin Signal Name GPO1 9 GPO2 GPO3 10 GPO4 GPO5 11 GND GND 12 GND 5 +5V 13 +5V 6 GPI1 14 GPI2 7 GPI3 15 GPI4 8 GPI5 Frame GND 5 1 9 6 METER (CL3/CL1 only) 58 Owner’s Manual Pin Signal Name Pin Signal Name 1 RESET 6 +3.3LD 2 SDA 7 +3.3LD 3 DGND 8 LDGND 4 SCL 9 LDGND 5 +3.3D Dimensions Dimensions 15 CL5 667 299 201 1053 130 15 CL3 667 299 201 839 130 15 CL1 MBCL 26 29.2 667 70 374 184.5 90.4 299 201 648 130 Unit: mm Owner’s Manual 59 Index Index M Analog gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Main area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIX/MATRIX bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Multifunction knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MUTE group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B N Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Name displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Network connections . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 A C Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Channel link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Comparing (Libraries) . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Copying/pasting (Libraries) . . . . . . . . . . . . . . . . . . . . . . 26 Custom fader bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Custom fader bank settings . . . . . . . . . . . . . . . . . . . . . . . 29 D Daisy chain network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Dante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 31 INPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 OUTPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Dante Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 DCA group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 DIRECT OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 E EFFECT RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 F Factory set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Faders Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Faders / Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Function access area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 G GEQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 GEQ rack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 H HA (Head Amp) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 I I/O devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Initializing (Libraries) . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Initializing (Unit) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Input channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Input port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 INSERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Internal clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 K Keyboard window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 L Lamps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 List windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 60 Owner’s Manual 21 30 18 46 O Option card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 P Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Phantom power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Popup windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 PREMIUM RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 44 R Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Redundant network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Restoring (Current scene) . . . . . . . . . . . . . . . . . . . . . . . . 16 49 32 51 S Scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SENDS ON FADER mode . . . . . . . . . . . . . . . . . . . . . . . Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Star network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEREO bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 30 35 32 38 T Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tool buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Top panel Centralogic section . . . . . . . . . . . . . . . . . . . . . . . . . . Channel Strip section . . . . . . . . . . . . . . . . . . . . . . . . Display section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Master section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Meter section (for CL5 only) . . . . . . . . . . . . . . . . . . SCENE MEMORY/MONITOR section . . . . . . . . . SELECTED CHANNEL section . . . . . . . . . . . . . . . USB connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . USER DEFINED KEYS section . . . . . . . . . . . . . . . . USER DEFINED KNOBS section . . . . . . . . . . . . . . Touch screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 47 22 13 11 13 15 15 14 12 15 14 14 18 U USB flash drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Formatting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Loading (Unit settings) . . . . . . . . . . . . . . . . . . . . . . . Playing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Saving (Unit settings) . . . . . . . . . . . . . . . . . . . . . . . . 49 50 50 49 49 50 W Word clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 MEMO 62 Owner’s Manual Block Diagram MIX 1 2 2324 M O MATRIX N (USE 7-8 ST O AS CUE B ) CUE (A ) L R (C) 1 2 7 8 L R CASCADE OUT MIX CASCADE OUT1-24 To OUTPUT PATCH To OUTPUT PATCH CASCADE IN To OUTPUT PATCH To OUTPUT PATCH STEREO CASCADE OUT L ,R,MO NO(C) SLOT1 1-16 SLOT2 1-16 SLOT3 1-16 CASCADE IN SELECT +48V MASTER +48V To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH MATRIX CASCADE OUT 1-6,7-8(CUE B L ,R) To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH ON CUE(A) CASCADE OUT LR To OUTPUT PATCH HA +48V [TALKBACK INPUT] 2 TALKBACK INPUT METER + - 1 3 AD 1 DANTE IN METER [DANTE] INPUT PATCH 2 OMNI IN 3 GAIN/TRIM 8 SLOT1 1-16 16 METER RACK IN A METER RACK IN B GEQ1 IN A(L)/B(R) METER RACK OUT A METER RACK OUT B 8BandPEQ Automixer8ch 8 LEVEL ON LEVEL Key in Self PRE EQ Self POST EQ MIX21-24 OUT ST IN 1L-8R POST EQ 8 ON ON LEVEL PAN LEVEL/ DCA1-16 ON LCR DELAY Max 1000ms PAN MODE OMNI IN 1-8 SLOT1 1-16 SLOT2 1-16 SLOT3 1-16 METER RACK OUT L METER RACK OUT R EFFECT CUE PRE EQ INSERT 1,2 OUT SAME as INPUT1-72{64,48} INSERT PRE FADER CUE B ON Key in Self PRE EQ/Self POST EQ/MIX21-24 OUT/ ST(L,R,MO NO(C)) POST EQ POST ON INSERT 1,2 OUT (PRE FADER)PFL / (POST ON)AFL MATRIX1,3...7 LEVEL ON MATRIX2,4...8 LEVEL ON LEVEL ON ST L To MATRIX PRE FADER / POST ON PRE FADER / POST ON VARI To MATRIX VARI STEREO PAN/BAL INSERT POINT To RACKIN PATCH To OUTPUT PATCH POST ON INSERT 1,2 OUT PRE FADER INSERT 1,2 OUT PRE EQ INSERT 1,2 OUT MATRIX INSERT 1,2 OUT 1-6,7-8(CUE B L ,R) MATRIX INSERT 1,2 IN 1-6,7-8(CUE B L ,R) PRE EQ METER MATRIX1,3...7 EQ OUT DYNA OUT METER METER GR METER MATRIX2,4...8 ON ATT 4BAND EQ CUE(A) L ON CUE(A) R (PRE FADER)PFL / (POST ON)AFL / POST PAN L ON CUE B L (PRE FADER)PFL / (POST ON)AFL / POST PAN R ON CUE B R PRE EQ INSERT 1,2 OUT TRIM CUE(A) ON 1-6 COMP COMPAND EXPAND POST ON METER PRE FADER METER LEVEL ON INSERT INSERT PRE FADER INSERT 1,2 OUT BAL Key in Self PRE EQ/Self POST EQ/MIX21-24 OUT/ MATRIX1-8 POST EQ POST ON INSERT 1,2 OUT (PRE FADER)PFL / (POST ON)AFL KEY IN CH1-72{64,48} ST IN 1L-8R KEY IN CUE SELECT ON FX1-8 OUT L/R PR1-8 OUT L/R EFFECT CUE SELECT ON 24 3 To MIX INSERT 1,2 IN STEREO INSERT 1,2 IN L,R,MO NO(C) To STEREO INSERT 1,2 IN RECORDER CUE SELECT ON MATRIX INSERT 1,2 IN 1-6,7-8(CUE B L ,R) To MATRIX INSERT 1,2 IN RECORDER INL/R RECORDER CUE PLAYBACK OUT L/R 8 CUE(A) / MONITOR Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2 RTA Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2 Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2 PROCESSOR PR1 OUT A(L)/B(R) PR2-8 OUT A(L)/B(R) MATRIX OUT 1-6,7-8(CUE B L ,R) To OUTPUT PATCH To MONITOR SELECT POST ON PRE FADER This section does not exist in MATRIX 7-8. To CH INSERT 1,2 IN MIX INSERT 1,2 IN 1-24 To OUTPUT PATCH To MONITOR SELECT POST ON (PRE FADER)PFL / (POST ON)AFL MIX2,4...24 OUTPUTS METER RACK OUT L METER RACK OUT R PREMIUM RACK2-8 (same as PREMIUM RACK 1) INSERT PRE FADER INSERT 1,2 OUT STEREO OUT L,R,MO NO(C) ON MATRIX 1-6,7-8(CUE B L ,R) To MIX FX2-8 OUT A(L)/B(R) PREMIUM RACK1(PR1) PR2-8 IN A(L)/B(R) BAL CUE(A) ON TRIM MIX1,3...23 To RTA FX1 OUT A(L)/B(R) EFFECT CUE COMP COMPAND EXPAND 4BAND EQ LEVEL TRIM POST ON GEQ1-16 OUT A(L)/B(R) EFFECT PR1 IN A(L)/B(R) ATT POST ON METER PRE FADER METER CSR EFFECT CUE INSERT 1,2 IN PATCH (OUTPUT CH) Flex15GEQ METER RACK IN L METER RACK IN R EQ OUT DYNA OUT METER METER GR METER (PRE FADER)PFL / (POST ON)AFL METER RACK OUT A METER RACK OUT B EFFECT RACK 2-8(FX2-8) (same as EFFECT RACK 1) PRE EQ METER PRE EQ POST EQ PAN LINK KEY IN CUE LCR POST ON INSERT 1,2 OUT PRE FADER INSERT 1,2 OUT PRE EQ INSERT 1,2 OUT TRIM CUE B ON METER RACK OUT 8BandPEQ INSERT POINT MO NO(C) TO LCR (PRE FADER)PFL / (POST ON)AFL / POST PAN R 72{64,48} PAN/BAL LR MONO PAN MODE TO ST TO MO NO ST R EFFECT RACK 1(FX1) METER RACK OUT A METER RACK OUT B VARI STEREO POST ON INSERT CH INSERT 1,2 IN 1-72{64,48} METER RACK IN A METER RACK IN B To MATRIX TO LCR INSERT POST PAN L POST PAN R LR MONO TO MO NO TO ST POST ON METER PRE FADER PRE FADER / POST ON PRE EQ POST EQ GEQ RACK9-16(GEQ9-16) (same as GEQ RACK 1) METER RACK IN L METER RACK IN R PRE FADER / POST ON MATRIX2,4...8 16 METER RACK IN A METER RACK IN B VARI ON To MATRIX MATRIX1,3...7 SAME as INPUT1-72{64,48} METER METER RACK IN ON STEREO INSERT 1,2 OUT L,R,MO NO(C) STEREO INSERT 1,2 IN L,R,MO NO(C) Automixer16ch 16 ON LEVEL MO NO(C) LFE To MATRIX (PRE FADER)PFL / (POST ON)AFL / POST PAN L POST ON (PRE FADER)PFL / (POST ON)AFL LEVEL CUE(A) L DYNA1OUT EQ OUT DYNA2OUT PRE FADER METER METER METER METER GR METER GR METER POST EQ (21-24)To KEYIN To RACKIN PATCH To OUTPUT PATCH To MONITOR SELECT POST ON INSERT 1,2 OUT ST R PAN/BAL POST DG METER MIX O UT1-24 STEREO L,R,MONO(C) CUE B R Digital GAIN PRE FADER INSERT 1,2 OUT PRE FADER Key in Self PRE EQ/Self POST EQ/MIX21-24 OUT/ MIX(1-8,9-16,17-24) POST EQ (PRE FADER)PFL / (POST ON)AFL MATRIX2,4...8 To RACKIN PATCH To OUTPUT PATCH ON PRE D.GAIN METER R PRE EQ / PRE FADER / POST ON GATE COMP DUCK COMPAND EXPAND DE-ESSER COMP KEY IN CUE Key in Filter INSERT MATRIX1,3...7 POST ON (PRE FADER)PFL / (POST ON)AFL / POST PAN R OSCILLATOR 8 METER ON CUE B L PR1-8 OUT A(L)/B(R) METER PRE EQ / PRE FADER / POST ON ON ON CUE(A)R FX1-8OUT OUT FX1-8 A(L)/B(R) A(L)/B(R) GEQ RACK2-8(GEQ2-8) (same as GEQ RACK 1) PRE EQ / PRE FADER / POST ON VARI STEREO ON 4BAND EQ INSERT MIX1-6 ON ATT ON SURROUND PAN ON Digital GAIN BAL CSR (PRE FADER)PFL / (POST ON)AFL / POST PAN L PRE EQ METER CUE B ON LEVEL PAN/BAL (PRE FADER)PFL / (POST ON)AFL / POST PAN R HPF OMNI IN 1-8 SLOT1 1-16 SLOT2 1-16 SLOT3 1-16 METER RACK OUT A METER RACK OUT B 31BandGEQ PREMIUM RACK IN PATCH ON LEVEL PAN Automixer 16ch RACK 1-8 (GEQ1-8) FX2-8 IN A(L)/B(R) ON ON INSERT 1,2 IN PATCH (INPUT CH) Automixer 8ch RACK 1-4 (GEQ1-4) FX1 IN A(L)/B(R) POST PAN R ON OSCILLATOR EFFECT RACK IN PATCH POST PAN L ON To MATRIX L METER OUT [MIX 1-24, STEREO L,R,MONO(C), MATRIX 1-6,7-8(CUE B L,R)] ON ON LEVEL PRE D.GAIN METER COMP COMPAND EXPAND 4BAND EQ POST ON METER PRE FADER METER ST L PAN LINK MIX2,4...24 ON LEVEL METER RACK OUT Flex15GEQ GEQ9-16 IN A(L)/B(R) POST ON ON POST DG METER ATT LEVEL MIX1,3...23 ON ST IN 1L – 8R TRIM ST L MO NO(C) ON ON 8 GEQ1-8 IN A(L)/B(R) ON ON 31BandGEQ GEQ1-4 IN A(L)/B(R) POST ON POST ON INSERT 1,2 OUT To MATRIX PRE EQ / PRE FADER / POST ON VARI GEQ RACK1(GEQ1) METER RACK IN A METER RACK IN B GEQ2-8 IN A(L)/B(R) PRE FADER PRE FADER INSERT 1,2 OUT PR1-2 OUT A(L)/B(R) (PRE FADER)PFL / (POST ON)AFL / POST PAN L PAN MODE EQ OUT DYNA OUT METER METER GR METER PRE EQ POST EQ PRE EQ INSERT 1,2 OUT CUE(A) ON ST R VARI STEREO GAIN METER RACK IN PRE EQ METER CSR FIXED To MIX DECODER GEQ RACK IN PATCH POST ON INSERT 1,2 OUT PRE FADER INSERT 1,2 OUT PRE EQ INSERT 1,2 OUT MIX INSERT 1,2 OUT 1-24 MIX INSERT 1,2 IN 1-24 To OUTPUT PATCH TO LCR LCR INSERT FX1-8 OUT A(L)/B(R) RECORDER CUE INSERT 1,2 OUT [MIX 1-24, STEREO L,R,MONO(C), MATRIX 1-6,7-8(CUE B L,R)] ON DELAY Max 1000ms VARI To MONITOR SELECT INSERT 1,2 OUT [CH 1-72{64,48}] LEVEL/ DCA1-16 To MIX To MIX SLOT3 1-16 USB DIRECT OUT 1-72{64,48} POST PAN L POST PAN R LR MONO TO MO NO TO ST POST ON METER SLOT2 1-16 4 LEVEL ON PRE FADER METER INSERT To MIX FIXED STEREO PLAYBACK O UT METER 3 PRE EQ INSERT 1,2 OUT 16 SLOT3 2 PRE EQ POST EQ GATE COMP DUCK COMPAND EXPAND DE-ESSER COMP KEY IN CUE Key in Filter 16 SLOT2 1 ATT 4BAND EQ Key in Self PRE EQ Self POST EQ MIX21-24 OUT CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64, 65-72]POST EQ(CL5) CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64]POST EQ(CL3) CH[1-8,9-16,17-24,25-32,33-40,41-48]POST EQ(CL1) METER METER METER [PLAYBACK OUT] INSERT HPF OSCILLATOR SLOT IN SLOT IN SLOT IN [SLOT] HPF LPF PRE HPF / PRE EQ / PRE FADER/POST ON DYNA1OUT DYNA2OUT EQ OUT METER METER METER GR METER GR METER PRE EQ METER PRE HPF To MONITOR SELECT SLOT1 To CH 1-72{64,48},ST IN 1L-8R PAN Digital GAIN 72 {64, 48} To CASCADE IN SELECT INSERT POINT To RACKIN PATCH To OUTPUT PATCH INSERT POST ON INSERT 1,2 OUT PRE FADER INSERT 1,2 OUT PRE EQ INSERT 1,2 OUT POST DG METER PRE D.GAIN METER OMNI IN 1-8 AD MIX 1-24 ON INSERT POINT CH INSERT 1,2 OUT 1-72{64,48} CH INSERT 1,2 IN 1-72{64,48} METER + - 1 OSC METER CH 1-72{64,48} HA [OMNI IN] [1-8] LEVEL Sine Wave Sine Wave 2CH To RACKIN PATCH To OUTPUT PATCH +48V OSCILLATOR Pink Noise Burst Noise DANTE IN 1-64 64 ON INPUT SELECT TALKBACK LEVEL DANTE INPUT To OUTPUT PATCH TALKBACK TB INPUT DANTE IN 1-64 OMNI IN 1-8 CUE(A) / STEREO MONITOR CUE(A) / SURROUND MONITOR MO NITOR DELAY AUTO BYPASS CUE(A) TRIM (INPUT/OUTPUT/DCA) MO NITOR DELAY AUTO BYPASS CUE(A) TRIM (INPUT/OUTPUT/DCA) CUE(A) L CUE(A) R BUS CUE(A) R CUE(A) OUT ON METER CUE(A) L DELAY (MAX:1000ms) METER CUE(A) R DELAY (MAX:1000ms) CUE(A) OUT L To OUTPUT PATCH CUE(A) OUT R To OUTPUT PATCH CUE(A) L BUS CUE(A) L METER CUE(A) L CUE(A) R BUS CUE(A) R METER CUE(A) R DELAY (MAX:1000ms) METER MO NITOR L MONITOR R METER MO NITOR R MONITOR MONO(C) METER MO NITOR MONO(C) DELAY (MAX:1000ms) D IM M ER MONITOR L DELAY (MAX:1000ms) ON ON DELAY (MAX:1000ms) +MO NO(C) PHONES L To PHONES OUT PHONES R To PHONES OUT MO NITOR OUT L MO NITOR OUT MONO(C) METER To OUTPUT PATCH To OUTPUT PATCH STEREO OUT L/R MONO PLAYBACK OUT MIX OUT1-24 MATRIX OUT 1-6,7-8(CUE B L,R) EXT IN ST-1 EXT IN ST-2 EXT IN ST-3 EXT IN ST-4 2ch Monitor Select 2 MIX OUT 1-6 EXT IN 5.1-1 EXT IN 5.1-2 EXT IN 5.1-3 2ch selected 6 6 6 2 5.1 Solo Down Mix 5.1 -> St ereo , Mono EFFECT RACK 1-8 OUT CH 1-72{64,48} POST EQ PHONES OUT LR 2 DA [PHONES] PHONES LEVEL MONITOR OUT L,R,MONO(C) CUE(A) OUT L,R GAIN TRIM DELAY (MAX:1000ms) METER SLOT1OUT DELAY (MAX:1000ms) METER SLOT2OUT DELAY (MAX:1000ms) METER OUTPUT PATCH DELAY (MAX:1000ms) METER OMNI OUT OUTPUT PATCH DELAY (MAX:1000ms) METER DANTE OUT OUTPUT PATCH DELAY (MAX:1000ms) METER CH INSERT 1,2 OUT 1-72{64,48} MIX INSERT OUT 1-24 STEREO INSERT OUT L,R,MONO(C) MATRIX INSERT OUT 1-6,7-8(CUE B L,R) SLOT1 16 [SLOT] SLOT2 16 SLOT3OUT SLOT3 16 GAIN TRIM 8 DA 2 + - 1 [OMNI OUT] (1-8) 3 GAIN DANTE OUTPUT 64 DIGITAL OUT [DANTE OUT] (1-64) GAIN TRIM 2 DIT [DIGITAL OUT] AES/EBU RECORDER IN METER STEREO L MONO(C) STEREO R OUTPUT PATCH RECORDER CUE ENCODER 2 GAIN 1 2 3 USB 4 To PHONES OUT MO NITOR MO NITOR LEVEL FADER [2TR RECORDER] 32 16 72{64,48} ST IN 1L-8R POST EQ 16 MIX1-24 POST EQ 24 STEREO L,R,MONO(C) POST EQ 3 MATRIX 1-6,7-8(CUE B L,R) POST EQ 8 MIX OUT 1-24 24 STEREO OUT L,R,MONO(C) 3 MATRIX OUT 1-6,7-8(CUE B L,R) 8 CUE(A) OUT L,R 2 DELAY (MAX:1000ms) L DELAY (MAX:1000ms) R DELAY (MAX:1000ms) C DELAY (MAX:1000ms) SURROUND MONITOR Ls To OMNI OUT, SLOT DELAY (MAX:1000ms) Rs DELAY (MAX:1000ms) LFE An output port delay becomes invalid by assigning a monitor out to the output port . To OUTPUT PATCH OMNI OUT OUTPUT PATCH To PHONES OUT PHONES R 6 EXT IN ** are assignable from DANTE , SLOT, OMNI IN GEQ RACK 1-16 OUT SURROUND MONITOR1-6 MONITOR MATRIX OUT1-6 SPEAKER MUTE 6 RTA MIX OUT 1-24 STEREO OUT L,R,MONO(C) MATRIX OUT 1-6,7-8(CUE B L,R) PHONES L CUE(A) INTERRUPTION To OUTPUT PATCH Surround Monitor Select Tip Ring Sleeve To OUTPUT PATCH MO NITOR LEVEL TALKBACK ON MO NITOR MO NITOR MO NITOR DIMM ON LEVEL FADER DIRECT OUT 1-72{64,48} To OUTPUT PATCH CUE(A) OUT R ON MO NITOR OUT R OUTPUTS MIX CASCADE OUT 1-24 STEREO CASCADE OUT L,R,MONO(C) MATRIX CASCADE OUT 1-6,7-8(CUE B L,R) CUE(A) CASCADE OUT L,R DELAY (MAX:1000ms) DELAY (MAX:1000ms) An output port delay becomes invalid by assigning a monitor out to the output port . CUE(A) INTERRUPTION PHONES LEVEL LINK M ONI T OR M AT R IX ( D OWN M IX ) DEFINE MIX (MAX:8ch) M ONI T OR S ELEC T MO NO STEREO OUT L,R STEREO OUT MONO(C) STEREO OUT L,C,R STEREO OUT L,R STEREO OUT MONO(C) MIX OUT1-24 MATRIX OUT 1-6,7-8(CUE B L,R) DELAY (MAX:1000ms) DELAY (MAX:1000ms) OMNI IN 1/2 OMNI IN 3/4 OMNI IN 5/6 OMNI IN 7/8 PLAYBACK O UT OMNI IN 1/2 OMNI IN 3/4 OMNI IN 5/6 OMNI IN 7/8 PLAYBACK O UT CUE(A) LOGIC PHONES LEVEL LINK CUE(A) OUT L CUE(A) OUT LEVEL CUE(A) OUT LEVEL CUE(A) LOGIC DELAY (MAX:1000ms) D IM M ER CUE(A) L BUS CUE(A) ON MO NO CUE(A) ON CUE(A) OUT ON RTA MO NITOR MATRIX OUT To SLOT To OUTPUT PATCH Level Diagram Analog Digital GAIN dBu +30 +24 +20 dBFS 0 1 -10 2 3 4 5 6 -20 -10 -40 -20 -50 -30 -60 -40 -70 -30 -50 -80 -60 -90 -70 -100 -80 -110 -90 -120 -100 -130 -110 -140 -120 -150 -130 -160 -140 -170 -150 -180 -160 -190 -170 -180 -190 -200 -210 AD 㱂㪠㪥㪧㪬㪫㩷㪆㪛㫀㪾㫀㫋㪸㫃㪧㪘㪫㪚㪟㪞㪸㫀㫅㪟㪧㪝 INSERT ATT. EQ (x4) DYN 1 DYN 2 INSERT DELAY DCA LEVEL /ON PAN BUS Adder INSERT ATT. EQ (x4) DYN MASTER LEVEL / BAL MASTER ON OUTPUT PATCH DELAY 㱢㪃㪘㪫㪫㪃㩷㪫㪩㪠㪤 Analog Analog DA dBu Bit 0 +10 +4 0 Digital Digital Analog 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 㽲Max. Input [+30dBu] IN IN OUT OUT IN CASCADE IN 㽲Nominal Input [+10dBu] Digital Clipping Level 㽴Max. Input [+4dBu] [0dBu = 0.775Vrms] [0dBFS = Full Scale] +10 +4 0 PHONES Max Output (150mW@8㱅) 㽴Nominal Input [-16dBu] Nominal Output (75mW@8㱅) 㪲㪫㪿㪼㩷㫇㫆㫊㫀㫋㫀㫆㫅㩷㫆㪽㩷㫋㪿㪼㩷㫃㪼㫍㪼㫃㪺㫆㫅㫋㫉㫆㫃㩷㫀㫊㩷㪈㪇㪻㪙㩷㫃㫆㫎㪼㫉㪼㪻㪽㫉㫆㫄㩷㪤㪸㫏㪴㽵Max. Input [-40dBu] -10 -20 -30 -40 㽳Max. Input [-42dBu] OMNI OUT1-8 [Default setting] 㽵Nominal Input [-60dBu] -50 -60 㽳Nominal Input [-62dBu] -70 㽲 OMNI IN 1-8 (GAIN MIN.) 㽳 OMNI IN 1-8 (GAIN MAX.) 㽴 TALKBACK (GAIN MIN.) 㽵 TALKBACK (GAIN MAX.) -80 -90 -100 -110 -120 -130 -140 -150 30 31 36 Nominal Output [+4dBu] OUT 27 28 29 34 35 +30 +24 +20 CASCADE OUT 24 25 26 32 33 Max. Output [+24dBu] -160 Max. DSP Noise Floor -170 -180 -190 ADDRESS LIST NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Toronto, Ontario, M1S 3R1, Canada Tel: +1-416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: +1-714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México, S.A. de C.V. Av. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, Delegación Benito Juárez, México, D.F., C.P. 03900 Tel: +52-55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B – Vila Olímpia – CEP 04551-010 – São Paulo/SP, Brazil Tel: +55-11-3704-1377 ARGENTINA Yamaha Music Latin America, S.A., Sucursal Argentina Olga Cossettini 1553, Piso 4 Norte, Madero Este-C1107CEK, Buenos Aires, Argentina Tel: +54-11-4119-7000 VENEZUELA Yamaha Musical de Venezuela, C.A. AV. Manzanares, C.C. 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Valletta Road, Mosta MST9010, Malta Tel: +356-2133-2093 NETHERLANDS/BELGIUM/ LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5b, 4133 AB Vianen, The Netherlands Tel: +31-347-358040 FRANCE Yamaha Music Europe 7 rue Ambroise Croizat, Zone d'activités de Pariest, 77183 Croissy-Beaubourg, France Tel: +33-1-6461-4000 ITALY Yamaha Music Europe GmbH, Branch Italy Viale Italia 88, 20020, Lainate (Milano), Italy Tel: +39-02-93577-1 SPAIN/PORTUGAL Yamaha Music Europe GmbH Ibérica, Sucursal en España Ctra. de la Coruna km. 17,200, 28231 Las Rozas de Madrid, Spain Tel: +34-91-639-88-88 GREECE Philippos Nakas S.A. The Music House 19th klm. Leof. Lavriou 190 02 Peania – Attiki, Greece Tel: +30-210-6686168 SWEDEN/FINLAND/ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia JA Wettergrensgata 1, 400 43 Göteborg, Sweden Tel: +46-31-89-34-00 DENMARK Yamaha Music Denmark, Fillial of Yamaha Music Europe GmbH, Tyskland Generatorvej 8C, ST. 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No:3, Sariyer Istanbul, Turkey Tel: +90-212-999-8010 CYPRUS Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany Tel: +49-4101-303-0 ASIA THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: +86-400-051-7700 INDIA Yamaha Music India Private Limited Spazedge Building, Ground Floor, Tower A, Sector-47, Gurgaon- Sohna Road, Gurgaon-122002, Haryana, India Tel: +91-124-485-3300 INDONESIA PT. Yamaha Musik Indonesia (Distributor) Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: +62-21-520-2577 KOREA Yamaha Music Korea Ltd. 8F, Dongsung Bldg. 21, Teheran-ro 87-gil, Gangnam-gu, Seoul, 135-880, Korea Tel: +82-2-3467-3300 MALAYSIA Yamaha Music (Malaysia) Sdn. Bhd. 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Level 1, 99 Queensbridge Street, Southbank, VIC 3006, Australia Tel: +61-3-9693-5111 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Sales & Marketing Division 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 OTHER COUNTRIES Yamaha Music Gulf FZE JAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAE Tel: +971-4-801-1500 HEAD OFFICE Yamaha Corporation, Audio Products Sales and Marketing Division 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, Japan 430-8650 Yamaha Pro Audio global website http://www.yamahaproaudio.com/ Yamaha Downloads http://download.yamaha.com/ Manual Development Department © 2012 Yamaha Corporation Published 4/2016 MATO-F0 Printed in Japan ZC58320