Yamaha DTX500 de handleiding

Categorie
Muziek drums
Type
de handleiding

Deze handleiding is ook geschikt voor

EN
For details of products, please contact your nearest
Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Ya maha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, German
y
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVA K I A /
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norw
ay
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom L e e Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Ya maha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16
th
floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUR
OPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICE
Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2432
SY51
Yamaha Electronic Drums web site:
http://www.yamaha.co.jp/english/product/drums/ed/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
002PO***.*-01A0
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2010 Yamaha Corporation
WU53720
Owner’s Manual
PLEASE KEEP THIS MANUAL
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a cart,
etc., is used, please observe all safety markings and instructions
that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct
at the time of printing. However, Yamaha reserves the right to
change or modify any of the specifications without notice or obliga-
tion to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound lev-
els that could cause permanent hearing loss. DO NOT operate for
long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and are
therefore the owners responsibility. Please study this manual care-
fully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
type of battery is approximately five years. When replacement
becomes necessary, contact a qualified service representative to
perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended for
the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed correctly.
Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery dis-
posal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on
this plate. You should record the model number, serial number, and
the date of purchase in the spaces provided below and retain this
manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
SPECIAL MESSAGE SECTION
92-BP (bottom)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements. Modifica-
tions not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these requirements
provides a reasonable level of assurance that your use of this
product in a residential environment will not result in harmful
interference with other electronic devices. This equipment
generates/uses radio frequencies and, if not installed and
used according to the instructions found in the users manual,
may cause interference harmful to the operation of other elec-
tronic devices. Compliance with FCC regulations does not
guarantee that interference will not occur in all installations.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
If this product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”, please
try to eliminate the problem by using one of the following mea-
sures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distrib-
ute this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America, Elec-
tronic Service Division, 6600 Orangethorpe Ave, Buena Park,
CA90620
The above statements apply ONLY to those products distrib-
uted by Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
3
DTX500 Owner’s Manual
Introduction
Thank you for purchasing the YAMAHA DTX500.
The DTX500 is a compact drum trigger module that includes a wealth of rich, high-quality
drum voices and is compatible with snare pads equipped with a pad controller. It also has a
comprehensive variety of features that help you build your drumming and rhythm section
skills, a built-in sequencer for recording your own songs and performances, an effective
Groove Check function that helps you tighten your timing, and a versatile, multi-function
metronome for enhancing your practice sessions. Moreover, it provides a large selection of
preset songs that you can play along with and improve your ability in a variety of musical
styles.
To get the most out of your DTX500, please read this manual carefully. After reading
through the manual, make sure to store it in a safe place so that you can refer back to it
again as needed.
Accessories
Yamaha AC power adaptor (PA-130)*
Module stand
Module stand fastening screws x 2
Owner’s Manual (this book)
*May not be included depending on your particular area. Please check with your Yamaha dealer.
About the Descriptions and Conventions in this Manual
• [DRUM KIT], [CLICK], etc.
Panel buttons and controls are indicated with [ ] (brackets).
• [SHIFT] + [DRUM KIT], etc.
This means to simultaneously hold down the [SHIFT] button and press the [DRUM KIT] button.
•[
<<
<<
]/[
>>
>>
], etc.
This means that you can use either the [
<<
<<
] button or [
>>
>>
] button in the operation.
• “Completed!”, etc.
Words in quotation marks indicate a message shown on the LCD display.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on your instrument.
About the pads
This Owner’s Manual described the model names of the drum pads which can be connected to the DTX500. Note that these were the latest models at the
time this Owner’s Manual was produced. For details about more recently released models, refer to the following website.
http://www.yamaha.co.jp/english/product/drums/ed/
4
DTX500 Owner’s Manual
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Do not place the power cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the
cord, place heavy objects on it, or place it in a position where
anyone could walk on, trip over, or roll anything over it.
Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
Use the specified adaptor (page 3) only. Using the wrong adaptor
can result in damage to the instrument or overheating.
Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.
• This instrument contains no user-serviceable parts. Do not attempt
to disassemble or modify the internal components in any way. If it
should appear to be malfunctioning, discontinue use immediately
and have it inspected by qualified Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or
wet conditions, or place containers on it containing liquids which
might spill into any openings. If any liquid such as water seeps into
the instrument, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
When one of the following problems occur, immediately turn off the
power switch and disconnect the electric plug from the outlet. Then
have the device inspected by Yamaha service personnel.
• The power cord or plug becomes frayed or damaged.
• It emits unusual smells or smoke.
• Some object has been dropped into the instrument.
• There is a sudden loss of sound during use of the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound quality, or
possibly cause overheating in the outlet.
When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord can
damage it.
Remove the electric plug from the outlet when the instrument is not
to be used for extended periods of time, or during electrical storms.
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug from
the outlet. Even when the power switch is turned off, electricity is
still flowing to the product at the minimum level. When you are not
using the product for a long time, make sure to unplug the power
cord from the wall AC outlet.
• Use only the rack specified for the instrument. When attaching the
stand or rack, use the provided screws only. Failure to do so could
cause damage to the internal components or result in the instrument
falling over.
• Before connecting the instrument to other electronic components,
turn off the power for all components. Before turning the power on
or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum
levels and gradually raise the volume controls while playing the
instrument to set the desired listening level.
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons, switches
or connectors.
Do not use the instrument/device or headphones for a long period of
time at a high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss or
ringing in the ears, consult a physician.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptor
Location
Connections
Handling caution
(7)-1
1/2
5
DTX500 Owner’s Manual
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using
the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
NOTICE
To avoid the possibility of damage to the product, data or other property, follow the notices below.
Handling and Maintenance
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the
instrument, TV, or radio may generate noise.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car
during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
Saving data
• Never attempt to turn off the power while data is being written to Flash ROM (while a “now storing...” message is shown). Turning the
power off in this state results in loss of all user data and may cause the system to freeze (due to corruption of data in the Flash ROM). This
means that this instrument may not be able to start up properly, even when turning the power on next time.
Information
About copyrights
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for
your personal use.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files,
WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not
permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
(7)-1
2/2
Information for Users on Collection and Disposal of Old Equipment
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should
not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your
national legislation and the Directives 2002/96/EC.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human
health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service
or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and
ask for the correct method of disposal.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget,
även om själva apparaten har stängts av.
ADVARSEL:
Netspændingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en
stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder.
VAROITUS:
Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
(standby)
6
DTX500 Owner’s Manual
The DTX500 is equipped with a high-quality 32-polyphony tone generator that produces realistic
voices, includes a high-performance, multi-function metronome, a built-in sequencer and a vari-
ety of songs—all combined into a compact, portable package. The DTX500 is an exceptionally
versatile instrument that can be used in a variety of situations such as live performance, per-
sonal practice, and much more.
Drum Triggers
The DTX500 drum trigger module is compatible with the new pads (XP series.)
Built into the unit are twelve trigger input jacks and a hi-hat controller jack. The instrument also features jacks that are
compatible with two-zone or three-zone pads (pads that transmit different signals depending on the area that is hit).
Moreover, the snare drum jack is compatible with pad-controller-equipped pads. This lets you adjust the ‘virtual’
snares and the tuning—just as you would with an acoustic snare drum. All in all, the DTX500 has the operability, func-
tionality and performance that is virtually equivalent to an acoustic drum kit.
•You can connect the DTX500 to an acoustic drum kit by using drum triggers such as Yamaha DT20. The setup data
such as the trigger input types and sensitivity can be customized to suit your playing preferences, style and particular
setup.
Also included in the unit are 50 preset drum kits which naturally contain acoustic drum kits, and cover a wide range of
music genres, such as rock, funk, jazz, reggae, Latin, etc. Moreover, User kit memory is available for storing 20 sets.
With this, you can set up your own original drum kits using the various drum voices.
* The word “trigger” refers to the means by which hitting a pad sends a signal to the DTX500 as to what sound to play on the built-in
tone generator and how loud the sound should be played.
Tone Generator
The DTX500 is equipped with a high-quality, 16-bit AWM2 (PCM) tone generator with 32-voice polyphony that pro-
duces dynamic voices or exceptional realism. The voices—totalling 427—cover a wide range sounds, such as authen-
tic acoustic drums, unique electronic percussion, sound effects, and much more. The instrument also features a built-in
high-quality digital reverb for enhancing the sound.
High-performance Metronome
The DTX500 provides with a comprehensive, multi-function metronome, allowing various click settings for each note
value. Each note value can be assigned its own separate click sound and pitch. You can also set a timer that will deter-
mine when the click stops and set breaks which how many measures the click will play and then be muted.
The DTX500 also features a “Tap” function that lets you set the tempo for the song or click by tapping in tempo on a
pad to any tempo you like. This lets you set whatever tempo you desire for playing or practicing.
Sequencer
The built-in sequencer contains a wide variety of 63 preset songs. Two functions that make the DTX500 great for prac-
tice are the Drum Mute Function, which mutes a specific drum part, and the Bass Solo function, which lets you play
along with just the song’s bass part. The DTX500 also allows you to record your performance in real time—and allows
you to play along with your recorded performance data.
In addition to one main song that is controlled from the panel, three pad songs can be individually controlled and
simultaneously played by trigger input from the pads.
Groove Check
The Groove Check function monitors your playing and provides instant feedback on your rhythmic skills, providing a
powerful way to quickly improve your technique. It includes a Rhythm Gate function that produces sounds only if
your timing is accurate, and also has a Challenge mode that evaluates your playing, giving you a letter grade—and
makes mastering the drums easier and more fun than ever before.
Interface
•A MIDI OUT jack on the rear panel lets you connect other devices and play sounds from an external tone generator or
synchronize the metronome with an external sequencer. Also provided are an AUX IN jack, which lets you plug in and
play along with an external audio device, such as a CD player or MD player, and a headphones jack for convenient
practice without disturbing others.
Main Features
7
DTX500 Owner’s Manual
Introduction ............................................................3
Accessories...............................................................3
About the Descriptions and Conventions
in this Manual ............................................................3
Main Features ...........................................................6
Controls and Functions.........................................8
Top Panel..................................................................8
Rear Panel ................................................................9
1
Connections ....................................................10
1 Connecting the Pads ..........................................10
Setting up with Acoustic Drums.......................10
2 Setting Up the Power Supply..............................10
3 Connecting to Speakers or Headphones............10
4 Turning the Power On.........................................11
5 Selecting the Trigger Setup ................................12
2
Time to Play.....................................................13
Adjusting the Hi-hat.................................................14
Pad Controller Settings ...........................................15
3
Playing Along With the Click .........................16
Click Out Select.......................................................18
Tap Tempo Function ...............................................19
LED Display Setting ................................................19
4
Playing Along With a Song ............................20
Pad Function Settings .............................................21
5
Using the Groove Check Function ............... 22
Groove Check Mode............................................... 22
6
Record Your Performance............................. 24
Recording System .................................................. 24
7
Create Your Own Original Drum Kit ............. 26
Factory Set ............................................................. 33
8
Trigger Setup Edit .......................................... 34
Trigger Setup procedure......................................... 34
Explanations of Each Display Page........................ 35
Error Messages ................................................... 38
Troubleshooting.................................................. 38
Index..................................................................... 40
Appendix.............................................................. 41
LCD Displays .......................................................... 41
MIDI Implementation Chart..................................... 44
Drum Voice List ...................................................... 45
Preset Drum Kit List................................................ 46
Preset Song List .................................................... 46
Specifications.......................................................... 47
MIDI Data Format ................................................... 47
Contents
8
DTX500 Owner’s Manual
Controls and Functions
q
Drum Kit button (DRUM KIT)
•For entering the Drum Kit Select display
.
(p. 13)
Hold the [SHIFT] button and press the [DRUM KIT] button to
enter the Trigger Setup Select page
.
(p. 12)
This button can also be used to temporarily mute all sounds of
all voices.
w
Click button (CLICK)
•For entering the Click (Metronome) Setting page. (p. 16)
Hold the [SHIFT] button and press the [CLICK] button to enter
the Groove Check Setting display
.
(p. 22)
e
Song button (SONG
>>
>>
/
)
•For entering the Song Select page
.
(p. 20)
Hold the [SHIFT] button and press the [SONG
>>
>>
/
] button to
enable recording standby mode for the DTX500.
Press this button to start/stop song playback or recording.
r
Shift button (SHIFT)
Holding this button and pressing another specific button switches
to the function printed above each button on the top panel.
t
Select buttons (
<<
<<
,
>>
>>
)
•For selecting an item you want to edit (the selected item
flashes). If there are multiple pages either before or after the
page currently displayed, the buttons are used to view the next
or previous page. Hold the button to continuously move the
flashing cursor.
Press these two buttons together to scroll continuously back
and forth through the pages. Holding the [
<
] button first and
pressing the [
>
] button moves to the previous page while
holding the [
>
] button first and pressing the [
<
] button moves
to the next.
Hold the [SHIFT] button and press the [
<
]/[
>
] buttons to
select the trigger input you want to edit.
y
Click ON/OFF button ( ON/OFF)
•For starting/stopping the click sound (metronome). (
p. 16
)
Hold the [SHIFT] button and press the [ ON/OFF] button to
enter the Tap Tempo Setting page. (p. 19)
u Save/Enter button (SAVE/ENTER)
•For saving data or executing an operation (Enter).
Hold the [SHIFT] button and press the [SAVE/ENTER] button
to enter the Utility page, which is used to make overall settings
for operating the DTX500.
i Click lamp
The red lamp lights on the first beat of every measure when the
click or a song is playing. The other beats are indicated with a
green light.
o LED display
For indicating the tempo, the number selected in the current page,
or the click timer depending on the setting made. (p. 19)
!0 LCD display
For displaying important information and data used in operating
the DTX500.
!1 Jog dial
Rotate the jog dial to change the value selected with the cursor
(the flashed item to be edited) in the display. Rotate the dial to the
right (clockwise) to increase the value, and to the left to decrease.
The jog dial can also be used to change the layer (A/B) and for
Drum mute.
Hold the [SHIFT] button and rotate the knob to change the cur-
rent tempo.
q
o
i
w
er
u
t
y
!0
!1
~~~~~YAMAHA ~~~~
~~~ DTX drums~~
8.8.8.
Top Panel
Controls and Functions
9
DTX500 Owner’s Manual
!2 MIDI OUT jack
For sending data from the DTX500 to an external MIDI device.
With this jack, you can use the DTX500 as a control device to
trigger voices from an external tone generator, or synchronize
song playback or the click of the DTX500 with the playback of
an external sequencer. (p. 11)
!3 Trigger Input jacks (1SNARE thru 8KICK/9)
For connecting pads or drum triggers (Yamaha DT20, etc.) to
receive trigger signals.
Connect external pads such as a snare, tom, etc., according to the
indication below each input. (p. 10)
1SNARE ..................... Compatible with three-zone pads and the pad
controller.
2TOM1/ 0, 3TOM2/ !, 4TOM3/ @, 8KICK/ 9
.............................. Mono x 2 inputs
A Y-shaped cable (stereo plug—mono jack x
2; refer to the illustration below) can be used to
trigger inputs 9, 0, !, and @ (monaural
pad). Also, if the KP125W/125/65 kick pad is
connected to this jack with a stereo cable, the
external pad input jack on the KP125W/125/65
can be used as the input for input jacks 9, 0,
!, or @.
5RIDE, 6CRASH ..... Compatible with three-zone pads.
7HI HAT ..................... Compatible with stereo pads (with switches)
!4 Hi-hat controller jack (HI HAT CONTROL)
For connecting a hi-hat controller.
* Use a cable with a stereo plug (shown below) when connect-
ing a hi-hat controller.
!5 Output jacks (OUTPUT L/MONO, R)
For connecting the DTX500 to an external amplifier, mixer, etc.
For mono playback use the L/MONO jack. For stereo playback
connect both L and R jacks. (p. 10)
!6 Headphones jack (PHONES)
Connect a set of stereo headphones to this jack to monitor the
DTX500. (p. 10)
!7 AUX IN jack
Connect the output of an external audio device, etc., to this jack
(stereo mini jack). (p. 11)
This is convenient for playing along with music from a CD
player, etc.
* Use the volume control on the external device to adjust the
volume balance.
!8 Master Volume (VOLUME)
Adjusts the DTX500’s overall volume (output level of the signal
sent via the OUTPUT jacks and PHONES jack). Rotate the knob
clockwise to increase the volume, or counter-clockwise to
decrease it.
!9 DC IN terminal (12V)
Connect the supplied AC power adaptor to this terminal. To pre-
vent the adaptor from becoming unplugged, secure the cable to
the cable clip.
@0 Cable clip
Prevents the power cord from accidentally becoming unplugged.
(p. 10)
@1 Standby/On Switch
The power is turned on when the button is set to this position:
(>). The power is off when set this way: (?).
!2 !3 !6 !7 !8!5
!4 !9 @0 @1
Rear Panel
Stereo phone plug
Mono phone jack
Mono phone jack
Y-shaped cable
Double insulator
10
DTX500 Owner’s Manual
1 Connections
In this chapter, you’ll learn how to set up the DTX500. Read these instructions carefully and in
the following order to ensure that the instrument sounds and operates properly:
1 Connecting the Pads 2 Setting Up the Power Supply (p. 10) 3 Connecting to Speakers or Head-
phones (p. 10) 4 Turning the Power On (p. 11) 5 Selecting the Trigger Setup (p. 12)
1 Connecting the Pads
Referring to the illustration below, connect the output cable from
each pad to each Trigger Input jack located on the rear panel of
the DTX500. For details, see the Assembly Manual that comes
with the drum set you are using.
The DTX500 can be played from an acoustic drum kit if the kit is
fitted with an optional set of drum triggers (such as Yamaha DT20
Drum Triggers) and the triggers are properly connected to the
input jacks of the DTX500.
2 Setting Up the Power Supply
A special power source adaptor supplies power to the DTX500.
2-1. Make sure that the Standby/On Switch of the DTX500 is
set to the standby (?) position.
2-2. Connect the DC plug of the included AC power adaptor to
the DC IN terminal on the rear panel.
To prevent the cord from being unplugged accidentally,
wrap the cord around the cable clip and secure it.
2-3. Connect the other end of the power cord to an AC outlet.
3 Connecting to Speakers or
Headphones
Since the DTX500 has no built-in speakers, you’ll need an exter-
nal audio system or a set of stereo headphones to properly moni-
tor it.
!! IMPORTANT !!
You’ll need to change the Trigger Settings of the DTX500 according to the type of drum set you are using. If the
setting is not appropriate, problems may occur—such as improper sound, or inappropriate volume balance
among the pads.
Refer to the “Selecting the Trigger Setup” section on page 12 on how to select the appropriate setup.
•To prevent electric shock and damage to the devices,
make sure the power is switched OFF on the DTX500 and
all related devices before making any connections to the
DTX500’s input and output jacks.
Setting up with Acoustic Drums
CAUTION
Make sure that the power adaptor’s cord is not bent at an
extreme angle when wrapping the cord around the clip.
Doing this can damage or sever the cord and create a fire
hazard.
Please use the specified AC power adaptor. The use of
any other adaptors may cause irregular operation or
damage to the device.
Only use the voltage specified as correct for the DTX500.
The required voltage is printed on the name plate of the
DTX500.
Unplug the AC Power Adaptor when not using the
DTX500, or during electrical storms.
CAUTION
WARNING
CAUTION
Headphones
Monitor system for the DTX series
MS100DR, MS50DR, etc.
OUTPUT L/MONO and R jacks
PHONES jack
1 Connections
11
DTX500 Owner’s Manual
OUTPUT L/MONO, R jacks (standard mono phone)
These jacks allow you to connect the
DTX500 to an external amplifier + speak-
ers and produce full, amplified sound, or
connect the DTX500 to audio recording
equipment for recording your own perfor-
mance.
* Use the DTX500’s OUTPUT L/MONO jack when connect-
ing to a device with a mono input.
PHONES jack
(standard stereo phone jack)
Use the VOLUME knob on the rear panel
to adjust the headphone volume.
AUX IN jack (stereo mini phone jack)
The audio output from a MP3 player or
CD player connected to the AUX IN jack
can be mixed with the sound of the
DTX500 and transmitted via the OUT-
PUT jacks or PHONES jack. This jack
can be used when you want to play along
with your favorite songs.
* Use the volume control on the external device (MP3 player,
etc.) to adjust the volume balance.
MIDI OUT jack
The MIDI functions on the DTX500 lets you play voices on an
external tone generator with the pads of the DTX500, or synchro-
nize the DTX500’s song or click playback with the playback of
an external sequencer.
About MIDI
MIDI (Musical Instrument Digital Inter-
face) is a worldwide standard that enables
you to connect instruments and comput-
ers—of different manufacturers and differ-
ent types—and transmit performance and
other data among them.
* Also, use a MIDI cable that is not more than 15 meters in
length. Using a longer cable may result in irregular operation
and other problems.
4Turning the Power On
4-1.
Make sure the volume settings of the DTX500 and external
devices are turned down to the minimum.
4-2.
Turn the power on (
>
) by pressing the Standby/On
Switch on the rear panel of the DTX500, then turn on the
power of the amplifiers.
4-3.
To turn off the power, press the Standby/On Switch
again.
Connecting a Mixer or MIDI Devices
Make sure that all volume settings are turned down all the way to
the minimum. Then turn on the every device in your setup in the
order of MIDI masters (controllers), MIDI slaves (receivers),
then audio equipment (mixers, amplifiers, speakers, etc.).
When powering down the setup, first turn down the volume for
each audio devices, then switch off each device in the reverse
order (first audio equipment, then MIDI).
Whenever making connections, make sure that the plug
on the cable being used corresponds to the type of jack
on the device.
Do not use the DTX500 at a high volume level for a long
period of time, or your hearing may be damaged.
NOTICE
CAUTION
Even when the instrument is turned off, electricity is still
flowing to the instrument at the minimum level. When you
are not using the DTX500 for a long time, make sure to
unplug the AC power adaptor from the wall AC outlet.
CAUTION
~~~~~YAMAHA ~~~~
~~~ DTX drums~~
8.8.8.
3
Audio equipment
(first mixer, then amplifier)
1
DTX500 (MIDI Master)
2
MIDI slave
1 Connections
12
DTX500 Owner’s Manual
5 Selecting the Trigger Setup
This setting lets you select the Trigger Setup that most closely
matches the trigger output levels and functions of your pads.
Use the operation described below to select the Trigger Setup you
want to use.
Procedure
5-1. Press the [SHIFT] + [DRUM KIT] buttons to view Page 1 in
the Trigger Setup Select display (TRG1).
5-2. Rotate the jog dial to select the Trigger Setup that matches
the drum kit you are using.
Trigger Setup List
TRG1~~~ååååååååå
1~:XP~Med~~~~~~
Tr igger Setup
TRG1~~~ååååååååå
5~:STD~Med~~~~~
If you want to replace some of the pads from your drum set, or if
you need to solve any crosstalk problems, the operation “Trigger
Setup Edit” on page 34 describes how to make a detailed setting
for each pad after the above setting is done. If you have created a
setup for these reasons, that setup can be saved to one of the Trig-
ger Setup locations (8-11).
NOTE
About Connecting Pads
The DTX500’s input jack parameters are preset with settings
suitable for pads when an appropriate Trigger Setup is
selected. If you intend to connect any other type of pad or a
drum trigger (Yamaha DT20, etc.) to the input jack, that
jack’s parameters (sensitivity, etc.) should be changed to set-
tings that suit the particular pad. Pad sensitivity is set in the
Trigger Setup Select display’s Page 3 [TRG3 Gain] setting
(p. 36).
•Pad-controller-equipped pads like the XP100SD, TP100,
etc., can be connected to Trigger Input jack 1SNARE.
Three-zone pads like the TP65S, PCY155/150S, PCY135/
130SC, etc., can be connected to Trigger Input jacks
5RIDE and 6CRASH.
7HI HAT is a stereo input type jack. Pads equipped with
trigger switches like the TP65S, PCY65S, PCY130S, etc.
can be connected to this jack.
The 2TOM1/ 0, 3TOM2/ !, 4TOM3/ @ jacks corre-
spond to a two-trigger input that uses a stereo jack for L and
R. A Y-shaped cable (stereo plug—mono jack x 2) can be
used to input two trigger signals.
The 8KICK/ 9 jack accepts a two-trigger input using a
stereo cable and jack for L and R signals. A Y-shaped cable
(stereo plug—mono jack x 2) can be used to input two trig-
ger signals.
Also, if the KP125W/125/65 kick pad is connected to the
DTX500’s input jack 9 with a stereo cable, the external pad
input jack on the KP125W/125/65 can be used as the input
for Input jack 9.
In addition to the 8KICK/
9
jack, the 2TOM1/
0
,
3TOM2/
!
, and 4 TOM3/
@
jacks can be used to con-
nect a second bass drum pedal to create a double-bass drum
set.
* In the default setting, “1: XP Med” is selected.
No. Name Features
1 XP Med
Drum Set with new pads
(XP series)
Normal Setting
2 XP Dyna
Wide dynamic range. This setting is designed for maximum expressive control, allow-
ing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
3 SP Med
for DTXPRESS IV
Special Drum Set
Normal Setting
4 SP Dyna
Wide dynamic range. This setting is designed for maximum expressive control, allow-
ing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
5 STD Med
for DTXPRESS IV
Standard Drum Set
Normal Setting
6 STD Dyna
Wide dynamic range. This setting is designed for maximum expressive control, allow-
ing performance subtleties over a wide dynamic range. Excessive vibration however,
may result in crosstalk (sound being produced by other pads).
7 DT10/20 Use for DT10/20 drum trigger systems applied to acoustic drums.
8
|
11
UserTrig
Allows creation of custom trigger setups. (Settings are made using Trigger Setup
Edit on page 34.)
13
DTX500 Owner’s Manual
2 Time to Play
Now that your DTX500 is properly connected, it’s time to make some music!
1
Play the DTX500
While hitting the pads, turn the VOLUME knob on the rear
panel to raise the overall volume to a comfortable level.
The trigger input level will be displayed in the bar graph in
the upper right corner of the display. The bar graph indicates
the input levels of the following input jacks.
2
Select a Drum Kit
A ‘Drum Kit’ is a collection of drum sounds (or voices) that
play when you hit the pads. Try selecting some of the Drum
Kits (1–50) and enjoy the variety of sounds and drum setups
available.
* Preset Drum Kit List (p. 46)
Rotate the jog dial to select a Drum Kit.
Try out the different drum kits and select one drum kit you
like.
* Some Drum Kits have pad songs and drum loops that start
playback when the corresponding pad is hit.
3
Change the Volume for Each Pad
Change the volume for each pad and adjust the overall bal-
ance of the Drum Kit.
Press the [
>] button once in the previous Drum Kit Select
page.
The following display appears and the flashing cursor is at
˙” in the LCD.
Press the [
>] button again to move the flashing cursor to the
S” position, the first character of “S01:OakCustom”.
Press the [
>] button twice to view the KIT 3 page.
Use the [
<]/[>] buttons in this manner to select the desired
item (the cursor flashes). When the page only contains a sin-
gle item, pressing the [
<]/[>] buttons will select the next or
previous page.
* The “mark on the lower right side of the display indicates
that a succeeding page is available. Likewise, the mark
on the lower left side of the display indicates that a previous
page is available.
In the KIT 3 page, hit the pad for which you want to change
the volume. The selected pad (input jack) is shown in the
upper half of the display.
Rotate the jog dial to adjust the volume (the value is flashing)
of the pad.
* Some drum voices have two voices in a layer (in other words,
two voices sound at the same time when a pad is hit). In case
of two-layer voices, select the
˙
or
mark in the upper right
side of the display (press the [
<]/[>] buttons so that the
mark flashes, and use the jog dial to select) then adjust each
volume.
Bar graph (from left) Corresponding input jacks
1
2
3
4
5
6
7
8
9
1 SNARE
2 TOM1/ 0
3 TOM2/ !
4 TOM3/ @
5 RIDE
6 CRASH
7 HI HAT
8 KICK
8 PAD 9
Bar graph
KIT1~~~∑åååååø¥å
1~:Oak~Custom~~
KIT1~~~ååååååååå
1~:Oak~Custom~~
Drum kit Number Drum kit Name
KIT2~~~ƒsnare~~˙
”S01:OakCustom~
KIT2~~~ƒsnare~~˙
”S01:OakCustom~
KIT3~~~ƒsnare~~
~~Volume=120~~
KIT3~~~™tom1~~~˙
~~Volume=120~~
Volume (0–127)
Pad (Input jack)
Layer (
˙
/
)
2 Time to Play
14
DTX500 Owner’s Manual
4
Change the Output Sound Quality
Use the Master Equalizer found on Utility Page 5 to change
the output sound quality. Overall settings for the DTX500 are
set in the Utility pages.
First, press the [SHIFT] + [SAVE/ENTER] buttons to view
the Utility pages.
Press the [
>] button five times to view Utility Page 5.
Now use the Master Equalizer (two-band shelving type) set-
ting to change the sound quality.
Lo=” is for the low-range gain setting (+0dB to +12dB) and
Hi=” for the high-range gain setting (+0dB to +12dB).
Press the [
<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
You can also adjust or set the individual pad voices,
tuning, reverb type/level, and other settings that fine
tune the DTX500 (p. 26).
An asterisk “*will appear next to KIT3in the display
once the volume is changed, indicating that the kit has
been edited. This asterisk will disappear after the Store
operation (p. 32) is carried out. If a different drum kit is
selected, etc., before carrying out the Store operation,
the current settings will return to their original condition.
If you want to keep changes made to the data, make sure
you carry out the Store operation.
NOTICE
KIT3*~~™tom1~~~˙
~~Volume=110~~
Utility (Page 1)
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL5~MasterEQ
”Lo=+~2~Hi=+~2~
UTIL5~MasterEQ
”Lo=+~8~Hi=+~0~
Adjusting the Hi-hat
Hi-hat adjustment is used to determine the point at which
the hi-hat closes when the hi-hat pedal (foot controller) is
pressed. You can also set the threshold at which foot
‘splashes’ are produced.
* This setting is only valid when a foot controller is con-
nected to the HI HAT CONTROL jack. The setting has no
effect on a foot controller connected to any other jack.
Operation
1. Press the [SHIFT] + [SAVE/ENTER] buttons to view
Utility Page 1.
Use this display to adjust the hi-hat.
2. To set the point at which the hi-hat closes, move the
flashing cursor to the HHofs=value then use the
jog dial to adjust the value.
The range of adjustment is -32 to 0 to +32. Smaller
values produce a shallower closing point.
To set the ease at which foot splashes are produced,
move the flashing cursor to the “T=value then use
the jog dial to adjust the value.
Settings include “off and a range of 1 to 127. Larger
values make foot splashes that are long and easier to
produce. When this is set to “off,” foot splashes are
not produced.
*Too high a value will make foot splashes too easy to pro-
duce, resulting in the continuous production of foot
splashes when the pedal is held down continuously.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL1~Hi-hat
HHofs=-12~T=~~5‚
UTIL1~Hi-hat
HHofs=-12~T=~20‚
2 Time to Play
15
DTX500 Owner’s Manual
Pad Controller Settings
When a pad-controller-equipped pad (XP100SD, etc.) is connected, you can adjust the snares setting and tightness, tuning, or
tempo by rotating the pad controller knob of the pad.
Operation
In the default setting, you can adjust the snares setting
and tightness using the pad controller of the XP100SD
(the snare drum pad). To use functions other than the
snares adjustment, change the setting as follows.
1.
Press the [DRUM KIT] button to enter the Drum Kit
Select display.
2.
Next, continue pressing the [
>
] button until Page 22
of the Drum Kit Select pages is called up.
3.
Rotate the jog dial to change the value for
PadCtl=
”. You can select from the following func-
tions.
off
.......... No function is assigned.
snares
.... Adjusting the snares setting and tight-
ness (also affects the open rim sound)
tuning
.... Tuning adjustment (also affects the open
rim sound)
tempo
...... Adjusting the tempo
Operation
(Replacing the pad with one equipped
with pad controller)
Here’s how you can use the pad with pad controller
(XP100SD) as a snare drum.
1.
Connect the XP100SD with trigger input
1
SNARE
on the DTX500.
* The other trigger input jacks other than the
1
SNARE are
not compatible with pad-controller-equipped pads. The
pad controller will not work if this type of pad is connected
to a trigger input jack other than
1
SNARE.
2.
Press the [SHIFT] + [DRUM KIT] buttons to view the
Tr igger Setup display.
3.
Next, press the [
>
] button once to view the following
display (pad type).
Hit the snare pad to view
ƒsnare
in the upper half
of the display, then rotate the jog dial to set
Type=SN-1
.”
4.
Now you are ready to use the pad-controller-
equipped pad.
See the section “Operation” in the left column to
change the function you want to use for the pad con-
troller.
KIT1~~~_________
1~:Oak~Custom~~
KIT22*
”PadCtl=tuning~
An asterisk “*will appear next to KIT22in the
display if the data has been changed. This asterisk
will disappear after the Store operation (p. 32) is car-
ried out. If a different drum kit is selected or the
power is turned off before carrying out the Store
operation, the current settings will return to their
original condition. If you want to keep changes made
to the data, make sure to carry out the Store opera-
tion.
NOTICE
TRG1~~~ååååååååå
1~:XP Med~~~~~~
TRG2*~ƒsnare~~0%
”Type=SN-1~~~~~
An asterisk *will appear next to TRG2in the dis-
play if the data has been changed. This asterisk will
disappear after the Store operation (p. 34) is carried
out. If a different drum kit is selected or the power is
turned off before carrying out the Store operation, the
current settings will return to their original condition.
If you want to use the selected pad again, make sure
to carry out the Store operation.
NOTICE
16
DTX500 Owner’s Manual
3 Playing Along With the Click
Play the DTX500 along with the click (metronome).
The DTX500 is equipped with a high-performance metronome that gives you a comprehensive
variety of settings and allows you to create complex rhythms.
1
Start the Click (Metronome)
Press the [ ON/OFF] button to start the click sound. The
left lamp lights in red on the first beat of every measure when
the click is playing. Other beats are indicated with the right
lamp in green. The click tempo (
q=) is also indicated on the
LED display. Press the [ ON/OFF] button again to stop.
* If tempo is not shown, change the LED display setting (p.
19) to “Disp=tempo.
2
Set the settings for Click Set, Tempo, Beat,
etc.
By fine tuning the different note value clicks that are shown
in the illustration below, the DTX500 can be used to create a
variety of click patterns. The patterns you set are called Click
Sets, and you can save up to 30 original patterns in the
DTX500’s memory.
Example: Beat timings used when Beat=4
Press the [CLICK] button to view Click Setting Page 1.
Use this display to select the desired Click Set, and then set
the beat, tempo, timer, and the click sound’s overall volume.
Press the [
<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
Click Set Number [Range] 1 to 30
Selects the Click Set to be used.
Beat [Range] 1 to 9
Determines the click’s time signature.
•Tempo [Range] 30 to 300
Determines the click’s tempo (
q=).
* The tempo can also be set using the Tap Tempo Func-
tion. This function lets you set the song or click’s tempo
by tapping in tempo on a pad. With this, you can set the
tempo to one that feels best to you. Refer to page 19 for
more information.
Click Timer [Range] 0 to 600 seconds (in 30-second
steps)
This function is used to automatically stop the click at the
time set in this setting.
* The value (the remaining number of seconds) of the Click
Timer can be shown in the LED display. Refer to page 19
for more information.
Click Master Volume [Range] 0 to 16
Determines the click’s overall volume.
* When the flashing cursor is not positioned here, the
speaker icon will be displayed.
123
1st beat (red) Other beats (green)
CLK1~~~~~B=4~֍
1~:User~~~⁄=123‚
An asterisk “*will appear next to CLK1in the display
if settings for beat and tempo are changed. This asterisk
will disappear after the Store operation (p. 18) is carried
out. If a different Click Set is selected, etc., before carry-
ing out the Store Operation, the current settings will
return to their original condition. If you want to keep
changes made to the data, make sure to carry out the
Store Operation.
Tempo
Click Setting display (page 1)
Click Timer
Click Master Volume
Click Set Number:
Click Set Name
Beat
CLK1~~~~~B=4~֍
1~:User~~~⁄=123‚
NOTICE
CLK1*~~~~B=4~֍
1~:User~~~⁄=130‚
3 Playing Along With the Click
17
DTX500 Owner’s Manual
3
Create Your Own Original Click Set
Press the [>] button to view Click Setting Page 2.
Use this display to set the individual volume levels (0 to 9)
for each of the five click beats. Set the volume level to “0” if
you don’t want the beat to sound. Use this page to create your
own original click set.
*For details about the five click beats, see the illustration
example “Beat timings used when Beat=4” in step 2 on page
16.
4
Set the Click Measure Break
Press the [>] button to view Click Setting Page 3.
The Click Measure Break puts a muted “break” for the num-
ber of measures decided with the “Brk” setting (off, 1 to 9)
after the click has played for the number of measures deter-
mined by the “Meas” setting (1 to 9). When values are set as
above, the click is played for a measure then muted for 3
measures.
* Decide the number of measures to be muted at “Brk=” then
the number of measures to be played at “Meas=.
* If the setting “Brk=off” is used, the click will not be muted.
5
Set the Click Sound Set
Press the [>] button to view page 4 in the Click Setting dis-
play.
The Click Sound Set is used to assign the five different click
sounds that are produced by the metronome. The sounds are
changed as a group.
[Range] Metronome, Wood Block, Percussion,
Agogo, Stick, Pulse, UserClick
With the “UserClick” setting you can use the CLK5 and
CLK6 pages to fine-tune the click sound settings.
6
Set the User Click Sounds
Press the [>] button to view Click Setting Page 5.
You can assign a different drum voice to each of the five click
voices.
* This setting is only available if “UserClickis selected in
the CLK4 page.
First, select the click value type (, , , ßß, Œ) in the
upper half of the display, then move the flashing cursor to the
lower half of the display and select the voice you want to
assign to the click.)
First, select the voice category.
Voice Category
K : Kick
S : Snare
T : Tom
C : Cymbal
H : Hi-hat
P : Percussion
E : Effect
Next, select the voice number and voice name. If the voice
number is set to “
00
,” the indication “
NoAssign
” is shown
for the voice name and no sound will be produced.
7
Tuning the User Click Sounds
Press the [>] button to view Click Setting Page 6.
You can individually tune each of the five click sounds.
* This setting is only available if “UserClickis selected in
the CLK4 page.
First, select the click value type in the upper half of the dis-
play, and then move the flashing cursor to the lower half of
the display and set the tuning value in semitones (-24.0 to 0 to
+ 24.0).
CLK2*~A˘=9~⁄=9
~‹=6~ßß=4~Œ=2~
CLK3*MeasBreak
”Meas=1~Brk=3~~
CLK4*Sound
~1:Metronome~~
Voice Category/Voice Number: Voice Name
CLK5*Sound=¤
”E20:Click1~~~~
Click Value Type
Click Value Type
Tuning
CLK6*Sound=¤
~~Tune=+~0.0
3 Playing Along With the Click
18
DTX500 Owner’s Manual
8
Save an Original Click Set
After creating your own original Click Set, save it in the
DTX500’s memory using the Store Operation described
below.
8-1. Press the [SAVE/ENTER] button. The following dis-
play will appear.
8-2. Rotate the jog dial to select the destination memory
number (1 to 30) to which you want to store the Click
Set.
8-3. If you want to change the Click Set name, press the
[
<]/[>] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select the desired character. A Click Set name can con-
tain a maximum of six characters, and these can be
selected from the following list.
8-4. Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
8-5. Press the [SAVE/ENTER] button to actually execute
the Store operation.
*To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
The following display appears after the Store opera-
tion is complete.
•Any changes made to the data will be lost if another Click
Set is selected before carrying out the store operation. If
you want to keep settings or changes, make sure to carry
out the Store Operation.
NOTICE
Click Set Name
CLK~save~to~1
:[User~~]
Store Destination
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
CLK~save~to~1
~Are~you~sure~?
~~~Completed!
Click Out Select
The DTX500 lets you select from which output jack the
signal of the click (metronome) is sent. Click output and
performance output can be routed to separate outputs.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility display.
2. Next, press the [>] button twice to call up the follow-
ing display.
3. Rotate the jog dial to select the output from the out-
puts listed below.
mix
This is the standard output setting. The click sig-
nal is output from both the OUTPUT L and R
jacks.
clickL The click signal is output from the OUTPUT L
jack only. All drum performance and song play-
back are output in mono via the OUTPUT R jack.
clickR The click signal is output from the OUTPUT R
jack only. All drum performance and song play-
back are output in mono via the OUTPUT L jack.
* The PHONES jack outputs the same signal as the OUT-
PUT jacks. The settings in this section would then also be
applied to the PHONES jack’s stereo L and R.
•You can use the Factory Set operation to reset the click sets 1
through 30 to their original factory condition. However,
please proceed with caution because carrying out this opera-
tion will rewrite the DTX500’s entire contents (all Click Sets,
User Trigger Setups 8–11, User Drum Kits 51–70, User
Songs 64–83, Utility settings) with the data that was set in the
unit’s memory when it was shipped from the factory (p. 33).
NOTE
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL2~Click
”OutSel=mix~~~~
3 Playing Along With the Click
19
DTX500 Owner’s Manual
Tap Tempo Function
With the Tap Tempo Function, you can set the song or
click’s tempo by manually tapping in the tempo on a pad.
This lets you set the tempo to one that is most comfortable
for you.
The [
<<
<<
]/[>>
>>
] buttons can also be used to set the tempo
instead of tapping on a pad.
Operation
1. Press the [SHIFT] + [ ON/OFF] button.
The Tap Tempo Setting display shown below will
appear.
* The Tap Tempo function can even be used during song
playback or while the click is sounding.
2. Tap on the pad at the tempo in which you want to play
the song. (Or use the [<]/[>] buttons.) Tap on the pad
steadily and repeatedly—as many times as there are
circles (≠ªªªª) in the display. Every time you tap a
circle disappears, and the resulting tempo value is set
and shown in the LED display.
*Any pad will do.
* The jog dial can also be used to change the tempo value.
3. Press the [ ON/OFF] button to hear your newly set
tempo.
4. Press the [DRUM KIT], [CLICK], or [SONG >/] but-
ton to exit from the Tap Tempo page. In the Click Set-
ting page and Song Select page, the tempo is set to
the newly selected tempo. If the song or click is play-
ing, the tempo will immediately change to the new
tempo.
TAP~TEMPO
¤=123~≠ªªªª
LED Display Setting
Generally, the tempo is shown in the LED display. You can
change the value to be displayed to one of the following
three types.
tempo ..... Shows the current tempo.
mode........ • When pressing the [DRUM KIT] button:
Drum kit Number
When pressing the [SHIFT] + [DRUM KIT]
buttons: Trigger Setup Number
When pressing the [SONG] button: Song
Number
When pressing the [CLICK] button: Click
Set Number
When pressing the [SHIFT] + [SAVE/
ENTER] buttons: Shows nothing.
Others: Shows the current tempo.
timer ......Shows the current click timer (p. 16).
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
2. Next, press the [>] button four times to call up the fol-
lowing page.
3. Rotate the jog dial to select the type you want to dis-
play.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL4~LED
~Disp=tempo~~~
Even though a parameter value other than tempo
is shown in the LED display, when tempo is
changed by one of the operations below, the new
tempo briefly appears in the LED after the change is
made.
• When the tempo is changed by holding the
[SHIFT] button and rotating the jog dial.
• When operating a pad controller (p. 15) whose
function is set to tempo.”
• When hitting a specific pad whose pad function
(p. 21) is set to “inc tempoor “dec tempo.”
20
DTX500 Owner’s Manual
4 Playing Along With a Song
The DTX500 contains a wide variety of 63 preset songs. Try selecting among these and play
along with them—they are effective tools that help you learn how to drum and master drumming
techniques. The DTX500 conveniently lets you mute the drum part of a song and have only the
bass part sound during playback, so you can play the drum part yourself.
1
Select a Song
Select one of the DTX500’s songs and listen. The DTX500
contains 63 preset songs that, in addition to drums, include
accompaniment with keyboard, brass, and other voices.
* Preset Song List (p. 46)
Press the [SONG >/] button to view the Song Select dis-
play.
Make sure the song number is flashing, then use the jog dial
to select a song number (1 to 63) you want to listen to.
* When a different song is selected, the drum kit changes to
one that matches the song.
2
Listen to the Song
Press the [SONG >/] button and after the count, the song
will start playback from the beginning.
After the song has played to the end, it will automatically
start playing from the beginning again.
Press the [SONG
>/] button to stop playback.
* If you’ve changed the song’s tempo or its voices and want to
return to the original, re-select the song.
* If a different song is selected during song playback, the new
song will start playback from the beginning.
3
Adjust the Song’s Volume and Tempo
Use the [<]/[>] buttons to select the tempo value (the value
flashes), and then use the jog dial to set the song’s playback
tempo (q = 30–300).
Next, press the [
>] button to move the flashing cursor to the
right. The speaker icon will change to a numeric value and
flash. This determines the volume (range: 0–16) for parts
other than the drum. Rotate the jog dial and adjust the balance
between the song accompaniment and your performance.
* The tempo can also be set using the Tap Tempo function.
This lets you set the song or click’s tempo by tapping in
tempo on a pad. With this, you can conveniently set the
tempo to one that feels best to you. Refer to page 19 for more
information.
4
Mute the Drum Part
Try playing along with the song.
Press the [
>] button several times so that the “∞¢” mark
flashes in the lower right side of the display.
Next, rotate the jog dial clockwise to change the mark to
˚¡” in the lower right side of the display, to mute the drum
part of the song during playback.
Now play the drum part yourself.
To cancel the Drum Mute function and hear the original
drums, rotate the jog dial counterclockwise to change the
˚¡” mark to “∞¢” again.
* The Drum Mute setting can also be changed during song
playback.
5
Adjust the Tuning
The song’s tuning can be adjusted in increments of 10 cents.
The Tuning setting is found in the Utility pages.
First, press the [SHIFT] + [SAVE/ENTER] buttons to call up
the Utility pages. Next, press the [
>] button 7 times to view
the Master Tuning page shown below, then use the jog dial to
adjust the tuning in semitones (-24.0 to 0 to +24.0).
SONG1~~~⁄=123~÷ç
1~:Demo~1~~~~∞¢‚
Song Number
SONG1~~~⁄=123~÷ç
1~:Demo~1~~~~∞¢‚
Song Name
Tempo Song Volume
SONG1~~~⁄=130~11
1~:Demo~1~~~~∞¢‚
SONG1~~~⁄=130~÷›
1~:Demo~1~~~~∞¢‚
Rotate the jog dial
clockwise.
˚¡
Mute
(The drum part
doesn’t play.)
Rotate the jog dial
counterclockwise.
∞¢
Cancel the mute
function.
(The drum part plays.)
UTIL6~MasterTune
~~Tune=+18.0~~
4 Playing Along With a Song
21
DTX500 Owner’s Manual
6
Play Along with Bass Solo
The useful Bass Solo function lets you isolate just the bass
part during playback and play along with it. Since this func-
tion mutes the other accompaniment parts, it lets you concen-
trate on mastering the important technique of ‘locking in’
with the bass and forming a tight rhythm section.
First, press the [SHIFT] + [SAVE/ENTER] buttons to call up
the Utility pages.
Next, press the [
>] button three times to call up the follow-
ing page. Rotate the jog dial and select “BassSolo=on.”
With this set, press the [SONG
>/] button to start play-
back—only the bass part will be heard.
*You may find that with the drum part muted or the bass solo,
it may be a little difficult to keep time. In this case, use the
click along with the song. Using the click sound as a refer-
ence will make it easier to play along with the song.
Press the [ ON/OFF] button to have the click play in tempo
along with song playback. Press the [ ON/OFF] button
again to stop.
* Changing the song will normally change the drum kit to the
kit that is pre-assigned to the song.
If you want to use a different drum kit when playing along with
the song, press the [DRUM KIT] button to enter the Drum Kit
Select display, and then select another drum kit number.
If a different song is selected while Drum Mute is active, the
drum kit will not change when a different song is selected.
UTIL3~Song
~BassSolo=off~
Pad Function Settings
The DTX500 conveniently lets you execute important
operations by hitting a specific pad—without having to
press buttons on the panel. You can assign the following
functions to the pads.
off ................... Normal operation.
inc~kitNo..... Increases the drum kit number by 1
(increment).
dec~kitNo..... Decreases the drum kit number by 1
(decrement).
inc~clkNo..... Increases the click set number by 1
(increment).
dec~clkNo..... Decreases the click set number by 1
(decrement).
inc~tempo..... Increases the value of the tempo by 1
(increment).
dec~tempo..... Decreases the value of the tempo by 1
(decrement).
clkOn/Off..... Switches the click sound on/off.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
2. Press the [>] button several times to call up the
UTIL7 page.
3. To select the pad (Trigger Input Source) to which you
want to assign a function, simply hit the target pad, or
press the [SHIFT] + [<]/[>] buttons.
4. Rotate the jog dial to select the desired function.
In the above setting, the click sound can be switched
ON/OFF by hitting the tom1 pad which is connected
to the 2TOM1/ 0 jack.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL7~~ƒsnare
”Func=off~~~~~~
UTIL7~~™tom1
”Func=clkOn/Off‚
Pad (trigger input source) to which
a pad function is assigned
Function assigned to the pad
22
DTX500 Owner’s Manual
5 Using the Groove Check Function
Another highly useful feature of the DTX500 is the Groove Check function. As you play along
with a song or the click, Groove Check compares your timing with the song or click playback
and lets you know how accurate your playing is.
The related Rhythm Gate function—in which the sound is cancelled if your timing is off—also
offers you a great way to improve your technique.
Groove Check Mode
The Groove Check function has the following two modes.
Numeric Display Mode
In this mode, the accuracy of your drum hits is shown in
numeric display.
The aspects shown in the numeric display are the average
inaccuracy in the timing of each hit and the deviation in tim-
ing inaccuracy of all hits. To use this mode, select one of the
modes other than “Challenge” from the Rhythm Gate set-
tings in the GRV2 page.
* Hit timing display
If your timing is slow or you’re dragging the beat, the
mark will move to the right side of the display. If your
timing is fast or you’re pushing the beat, the mark will
move to the left.
*Rhythm Gate range
With the Rhythm Gate function, sound is produced only
if the hit is within the specified range, and sound is not
produced if the hit is outside this range. The range of
Rhythm Gate can be selected from three levels according
to the degree of difficulty and if this is set to off, sound is
always produced, no matter what your timing is. The
selected range is shown in the lower side of the upper half
of the display.
*Tempo
The jog dial can be used to adjust the tempo for the song
or click from 30 to 300.
* Inaccurate timing display
The average inaccuracies in timing as compared to the
note value set in page GRV4 are shown in numeric dis-
play. Range: 0 (perfectly accurate), 19 (in units of 1/24
of a 16th note)
The deviation in timing inaccuracy is 0.0 to 9.9. Of
course, the smaller this value is, more “in the pocket”
your playing is.
Challenge Mode
The DTX500 automatically evaluates the accuracy of 100
times hits over six grade levels from A to F and sets the range
of Rhythm Gate according to the result. The tolerance auto-
matically narrows if your hits are accurate and widens if your
hits are inaccurate.
This mode can be used by selecting “Challenge” from the
Rhythm Gate settings in the GRV2 page.
* Hit timing display
Just as with the Numeric Display mode, your timing is
displayed with an icon.
*Rhythm gate range
The set range of the Rhythm Gate is shown in the lower
side of the upper half of the display.
After a pad (pads) is hit a specific number of times, the
DTX500 evaluates the accuracy of the hits and sets the
range of Rhythm Gate automatically.
Hit accuracy evaluation
In the lower half of the display, the number of remaining
hits and the current evaluation result (%) are shown.
The current level (evaluation) and the status change dur-
ing playback. If your playing accuracy result (%) was
90% or more, the level is raised one step, and if accuracy
is 60% or less, the level is lowered one step.
Current level (evaluation): A (best) to F (worst)
The icon and the meaning of evaluation
Ã
: Increases the strictness (as you continue playing in
the same way)
: Maintains the same strictness (as you continue play-
ing in the same way)
À
: Decreases the strictness (as you continue playing in
the same way)
*Tempo
Tempo is not shown in the Challenge mode display. To
change the tempo, hold the [SHIFT] button and rotate the
jog dial. You can adjust the tempo for the song or click
from 30 to 300 (the tempo is shown in the LED display).
Now let’s use the Groove Check function.
Your hit
Deviation in timing
inaccuracy (0.0 to 9.9)
Tempo
Average inaccuracy
in timing (-9 to +9)
GRV1~--æ√æ’æææ--
⁄=130~Gr=-2œ0.0‚
Rhythm gate range
Perfect timing
The level (evaluation) when the challenge mode begins is set to D.
NOTE
Status display for evaluation
Ã
,
,
À
Remaining
number of hits
The percentage in which
sound is produced
GRV1~--æ√æ’æææ--
80Hits/~16%(DÀ)‚
Rhythm gate range
Current level (evaluation)
A (best) to F (worst)
Your hit
Perfect timing
5 Using the Groove Check Function
23
DTX500 Owner’s Manual
1
Select a Song or a Click Set
First, select the song or click set that you want to play along
with.
2
Set the Rhythm Gate (select a mode)
Press the [SHIFT] + [CLICK] buttons to call up page 1
(GRV1) in the Groove Check Setting pages.
Next, press the [>] button once to call up the GRV2 page,
then rotate the jog dial to set the Rhythm Gate.
Rhythm Gate settings
off .................Sound is always produced
easy...............Wide tolerance for sound production
(easy)
normal ..........Mid-level tolerance for sound production
(average)
pro .................Narrow tolerance for sound production
(difficult)
challenge...Tolerance changes by automatic evalua-
tion (Challenge mode)
3
Select the Pad
Press the [>] button to call up the GRV3 page, then rotate the
jog dial to select the pad (Trigger Input Source) that you want
to check. The “ALL” setting selects all pads.
[Range] ƒsnare, ™tom1, ... ƒ™pad12, all
4
Set the Timing (note value)
Press the [>] button to view page GRV4, then rotate the jog
dial to select the note value of the timing you want to check.
[Range] Accent , quarter note ⁄(4),
eighth note Ö(8), sixteenth note Ü(16),
eighth note triplet Ö3
5
Start the Groove Check
After setup is complete, start playback of the song ([SONG
>/]) or the click sound ([ ON/OFF]) and go back to the
Groove Check’s main menu (the GRV1 page).
Groove Check begins as soon as you hit the pad specified in
the GRV3 page.
6
Play as accurately as possible
Listen to the song or click and concentrate on playing the
pads accurately. The jog dial can be used to adjust the tempo
for the song or click.
If the Numeric Display mode is selected, stop the song or
click and check the results. Change the Rhythm Gate setting,
pad type, or note value as you like and enjoy practicing.
* The Groove Check’s results are reset the next time song or
click starts playing.
If the Challenge mode is selected, when the remaining hits
become zero, the final evaluation is displayed in six levels
from A to F. With this evaluation, the range over which the
sound is produced is set automatically. The higher the evalua-
tion (A is the highest and F the lowest), the narrower the tol-
erance becomes.
* The Groove Check’s results are reset the next time song or
click starts playing. The current level (evaluation) and the
range over which sound is produced are also reset.
GRV1~--æææ’æææ--
⁄=123~Gr=~0œ0.0‚
GRV2~RhythmGate
”Mode=easy
Rhythm Gate setting
AAABBB B
Note value set in GRV4 page
A: Range within which sound is produced. (The gate narrows
as the setting changes from “easy” to “normal” to “pro.”)
B: Range within which sound will not be produced even though
the pad is struck.
GRV3
~Input=ƒsnare~
Pad (Trigger Input Source)
GRV4
~~Note=⁄(4)
Timing (Note value)
24
DTX500 Owner’s Manual
6 Record Your Performance
In this section, you’ll learn how to record your performance to the DTX500’s built-in sequencer.
In the song data you record, you can switch Drum Kits, change the tempo and playback in the
same way as with Preset Songs.
Recording System
Recording can be done with any of the User Songs (64–83).
However, you cannot record to Preset Songs (1–63).
•A recorded song doesn’t contain recordings of the audio
‘sounds’ of the drums, but rather the performance ‘informa-
tion’ or data of precisely when and how each pad was hit. This
information is called sequence data. Unlike audio data,
sequence data can be freely used to change the tempo, select
the voice or drum kit during playback.
Now, let’s start recording…
1
Select the Song you want to record
Press the [SONG] button to display the Song Select display,
select a User Song number (64–83).
If you want to play along with a Preset Song and record it,
select the desired song (1–63). In this case, the lowest num-
bered empty User Song will automatically be selected for
recording.
2
Set the Recording Conditions
Simultaneously hold down the [SHIFT] button and press the
[SONG
>/] button to call up the following Recording Con-
ditions setting page.
* If a Preset Song is selected for recording and all User Songs
already contain data, the error message “Memory full” is
shown. Use the Song Clear function (p. 25) to prepare an
empty User Song, then set the recording conditions.
In this display set the click tempo, beat, and quantize.
Press the [
<]/[>] buttons to move the flashing cursor to the
item you want to set, then rotate the jog dial to set its value.
•Tempo [Range] 30 to 300
Sets the click’s tempo (
q=) when recording.
Beat [Range] 1 to 9
Sets the click’s beat when recording.
Quantize [Range]
, ⁄3, Ö (eighth note), Ö3 (eighth
note triplet),
Ü (sixteenth note), Ü3 (sixteenth note trip-
let),
no
The Quantize function can be applied during recording
and is used to align the timing of your performance with
that of the nearest specified beat. The accuracy of quanti-
zation is assigned with a note value.
*A setting of “no” results in no quantization.
3
Start Recording
Press the [SONG >/] button and after the count, recording
will start. Record while listening to the click sound.
If a User Song containing data is selected, any recorded
data previously existing is overwritten and lost.
NOTICE
Quantize
Tempo
Beat
REC~~~~~~~~⁄=130
Beat=4~Quant=⁄3
•Never attempt to turn off the power during recording. All
User Song data may be lost.
How Quantize Works (an example)
Recorded notes were not played in time.
The Quantize Function aligns the timing.
Perfect timing
REC~~Meas=~10
~Now~Recording.
Current measure number during recording
NOTICE
6 Record Your Performance
25
DTX500 Owner’s Manual
4
Finish recording
Press the [SONG >/] button to finish recording. A
now~storing~...” message is shown for a short time.
When saving is complete, a “completed!” message is
shown and the Song Select page will reappear.
Even if the power is switched off, the com-
pleted song will be stored.
5
Listen to the Song
Following recording, the User Song number you recorded
flashes in the Song Select page.
Press the [SONG
>/] button, and playback of the song you
just recorded will start from its beginning.
*You can change the Drum Kit used for the recorded song. To
change Drum Kits, press the [DRUM KIT] button to enter the
Drum Kit Select display (KIT1 page) and rotate the jog dial to
select a different kit.
6
Give the User Song a name
The song name of the recorded User Song is shown as the
song name of the Preset Song or “Untitled.” Enter your
own original name for the recorded User Song.
* The song names of the Preset Songs cannot be edited.
6-1. Press the [SAVE/ENTER] button in the Song Select
page. The Song Name setting page is shown.
6-2. Press the [
<]/[>] buttons to move the flashing cursor
to the character you want to edit, then rotate the jog
dial to select a character. A User Song name can con-
tain a maximum of eight characters, and these can be
selected from the following list.
6-3. Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
6-4. Press the [SAVE/ENTER] button once more to actu-
ally execute the Store operation.
*To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
When saving is complete, a “completed!” message
appears and the Song Select page will reappear. The
song name is confirmed.
7
Clearing a User Song
If you want to clear any unneeded User Songs, follow the
operation below.
* Preset Songs cannot be deleted.
7-1. In the Song Select page, move the flashing cursor to
the song number, and use the jog dial to select the
User Song you want to delete.
7-2. Press the [
>] button twice to view the SONG2 page.
7-3. Press the [SAVE/ENTER] button. A “now~clear-
ing~...” message is shown for a short time.
7-4. When clearing data is complete, a “completed!
message is shown and the SONG1 page will reappear.
•Never attempt to turn off the power while the now
storing ...
message is shown; all User Song data
may be lost.
~now~storing~...
NOTICE
SONG~save~name
:[Untitled]
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
•Never attempt to turn off the power while the message
now clearing...is shown; all User Song data may
be lost.
SONG~save~name
~Are~you~sure~?
SONG2~Clear
”Are~You~Sure~?
NOTICE
If the Factory Set operation is executed, all User Songs (64–
83) will be lost. Please proceed with caution, since executing
this operation will also rewrite the entire memory contents of
the DTX500 (all Click Sets, User Trigger Setups 8–11, User
Drum Kits 51–70, Utility data) with the data that was set in
the unit’s memory when it was shipped from the factory (p.
33).
NOTE
26
DTX500 Owner’s Manual
7 Create Your Own Original Drum Kit
The DTX500 lets you create your own original Drum Kit by assigning your favorite Drum Voice to
each pad and setting its tuning, pan, decay, reverb, etc.
*Drum Voice: Mainly individual percussion/drum sounds that are assigned to each of the pads.
*Drum Kit: A collection of Drum Voices assigned to pads.
1
Select a Drum Kit
Press the [DRUM KIT] button to view the Drum Kit Select
display (KIT1).
Rotate the jog dial to select the Drum Kit you want to use as a
starting point for your original Drum Kit. A good idea is to
select a Drum Kit that is close in sound to the type of kit you
intend to create.
* Preset Drum Kits (1–50) and user Drum Kits (51–70) can be
used for editing as well.
2
Assign Drum Voices
In this example, we’ll create a bass drum (kick) sound.
2-1. Press the [
>] button to view the Drum Voice Select
page (KIT2).
2-2. To select the pad (trigger input source) you want to
edit, simply hit the pad you want to edit or use the
[SHIFT] + [
<]/[>] buttons.
Step on the kick pedal or press the [SHIFT] + [<]/
[
>] buttons and select “äkick.” Now the pad that is
connected to the 8KICK Trigger Input Jack is
selected. In other words, the kick pedal’s pad input is
selected.
KIT1~~~ååååååååå
1~:Oak~Custom~~
KIT2~~~ƒsnare~~˙
”S01:OakCustom~
Pad to be edited
KIT2~~~äkick~~~˙
”K01:OakCustom~
About the Trigger Input Sources
The Input Source indicates the trigger data that is transmitted by the pads
or drum triggers (Yamaha DT20, etc.) that are connected to trigger input
jacks 1SNARE to 8KICK/ 9 of the DTX500.
When mono pads TP65, KP125W/125/65, PCY65/130, DT10/20, etc. are
used, one Input Source is assigned to one input jack. When stereo pads
RHH135/130, PCY65S, etc. are used, two Input Sources (pad input and
rim switch input or 2 kinds of pad inputs, etc.) are assigned to one input
jack.
When three-zone pads XP100T/100SD/120T/120SD, TP65S, TP120SD/
100, PCY155/150S/135/130SC, etc., are used, three Input Sources (pad
input and two rim switch inputs, etc.) will be assigned to one input jack.
Each Input Source is defined as follows.
ƒsnare Pad input for 1SNARE jack.
ƒsnrOp Open rim switch input for 1SNARE jack.
ƒsnrCl Closed rim switch input for 1SNARE jack.
ƒsnrOff Pad input for 1SNARE jack with the snares off.
ƒsnrOfOp Open rim switch input for 1SNARE jack with the
snares off.
ƒsnrOfCl Closed rim switch input for 1SNARE jack with the
snares off.
™tom1 Pad input for 2TOM1 jack.
£tom2 Pad input for 3TOM2 jack.
Ωtom3 Pad input for 4TOM3 jack.
•ride Pad input for 5RIDE jack.
•rideE Edge rim switch input for 5RIDE jack.
•rideC Cup switch input for 5RIDE jack.
öcrash Pad input for 6CRASH jack.
öcrashE Edge rim switch input for 6CRASH jack.
öcrashC Cup switch input for 6CRASH jack.
ühhOp Pad input for 7HI HAT jack when the hi-hat controller
is open.
ühhOpE Edge rim switch input for 7HI HAT jack when the hi-
hat controller is open.
ühhCl Pad input for 7HI HAT jack when the hi-hat controller
is closed.
ühhClE Edge rim switch input for 7HI HAT jack when the hi-
hat controller is closed.
ühhFtCl Input when the hi-hat controller is pressed (foot close).
ühhSplsh Foot splash input of the hi-hat controller.
äkick Pad input for 8KICK jack.
“pad9 Pad input for 8PAD 9 jack.
ƒπpad10 Pad input for 2PAD 0 jack.
ƒƒpad11 Pad input for 3PAD ! jack.
Īpad12 Pad input for 4PAD @ jack.
* Mono pads do not have a rim switch function.
7 Create Your Own Original Drum Kit
27
DTX500 Owner’s Manual
2-3. The letter “˙” displayed next to “äkick” indicates
layer number 1, and “” indicates layer number 2.
Two voices can be output (in a layer) through one
input source. Select the voice to be edited here.
2-4. Next, decide the Drum Voice category. Drum Voice
categories are the same as those used in the user click
sound setting (p. 17).
Voice Category
K: Kick
S: Snare
T: Tom
C: Cymbal
H: Hi-hat
P: Percussion
E: Effect
Here, select “K: Kick”. Press the [
<]/[>] buttons to
move the flashing cursor to the Voice Category and
rotate the jog dial to select “K”.
2-5. Next, let’s select a Drum Voice.
Press the [
<]/[>] buttons so that the voice number
flashes, then rotate the jog dial and assign a Drum
Voice. The voice number and voice name will be dis-
played.
Here, select “
K02:MapleCustm
.”
* If the voice number is set to 00,”NoAssignis dis-
played as the voice name and no sound will be pro-
duced.
Now you’ve selected the Drum Voice that will
be used as the base for your original Drum
Voice.
Next, let’s edit this Drum Voice and create
your original bass Drum Voice.
Select and set the display that you want to be edited from
page 3 to page 25 in the KIT screen.
3
Change the Volume
This determines the volume of the Drum Voice that is output
when the pad is hit. Use this to adjust the volume balance
among the other pads.
Use the [
>] button to call up the KIT3 page, then rotate the
jog dial to set the volume (0–127).
4
Change the Tuning (Pitch)
This determines the tuning (pitch) of the Drum Voice.
Use the [
>] button to call up the KIT4 page, then rotate the
jog dial to set the tuning in semitones (-24.0 to 0 to +24.0).
5
Change the Pan
This determines the Drum Voice’s pan setting (the voice’s
position within the stereo field).
Use the [
>] button to call up the page KIT5, then rotate the
jog dial to set the voice’s pan position.
The range is from “L64” (hard left) to “C” (center) to “R63
(hard right). As you rotate the dial, notice the voice change its
position within the stereo field according to the setting.
An asterisk “*will appear next to KITin the display if
data is changed. This asterisk will disappear after the
Store operation (p. 32) is carried out. If a different Drum
Kit is selected, etc., before carrying out the Store opera-
tion, the current settings will return to their original con-
dition. If you want to keep changes made to the data,
make sure to carry out the Store operation.
KIT2~~~äkick~~~˙
”K01:OakCustom~
Layer number
NOTICE
KIT2*~~äkick~~~˙
”K02:MapleCustm‚
When Drum Voices are set for both layers 1 and 2, layer icon
˙
or
is shown in the upper right hand corner of the KIT3 to
KIT10 displays. Move the flashing cursor to this icon (if nec-
essary) and rotate the jog dial to change the layer to be edited.
When a Drum Voice is assigned to either of the layers 1 and 2
(the other is set to “NoAssign”), the layer icon is not shown
in the KIT3 to KIT10 displays. The layer which has a Drum
Voice is the target layer for editing.
When Drum Voices are not assigned for either layer 1 or 2
(“NoAssign”), “---” will be shown in the KIT3 to KIT18
displays and the settings cannot be made.
NOTE
Store the data when you change the settings!
Make sure to store the data after any settings
have been changed.
For information about how to save, see steps 26.
If a different drum kit is selected, etc., before carrying
out the Store Operation, the current settings will
return to their original condition. If you want to keep
changes made to the data, make sure to carry out
the Store Operation.
KIT3*~~äkick~~~˙
~~Volume=120~~
KIT4*~~äkick~~~˙
~~Tune=-~3.0~~
KIT5*~~äkick~~~˙
~~~~Pan=L~5~~~
7 Create Your Own Original Drum Kit
28
DTX500 Owner’s Manual
6
Change the Decay
This determines the Drum Voice’s decay time (the time it
takes the sound to fade out after being produced).
Use the [
>] button to call up the KIT6 page, then rotate the
jog dial to set the decay (-64–0–+63). Positive values produce
a crisper sound.
7
Change the Voice Character (Filter Set-
ting)
This determines the filter’s cutoff frequency to change the
Drum Voice’s character (brightness).
Use the [
>] button to call up the KIT7 page, then rotate the
jog dial to set the cutoff frequency (-64–0–+63). Positive val-
ues produce a brighter sound.
8
Set the MIDI Note Number
This determines the MIDI Note Number that is transmitted
when a signal is received from the input source. This affects
which particular percussion or drum sound of a voice will
play on a connected MIDI device.
Use the [
>] button to call up the KIT8 page, then rotate the
jog dial to set the MIDI Note Number (0–127). Displays the
note number and note name (C-2–G8).
* When the selected MIDI Note Number has already been
assigned to another input source, an asterisk “*will be dis-
played next to Note=.”
* If the same MIDI Note Number is set to more than one pad
within the same Drum Kit, the lowest numbered Input Source
will take priority. In the case of the duplicate input sources,
the same voice will be output.
If the setting is not available because of an already assigned
MIDI note number, “
(Note# in use)or “(# in
use)
is shown in the lower half of the display.
9
Set the MIDI Channel
This determines the MIDI Transmit Channel for the MIDI
note on data that is transmitted when a signal is received from
the input source. This affects which particular channel will be
used when playing a voice on a connected MIDI device.
Use the [
>] button to call up the KIT9 page, then rotate the
jog dial to set the MIDI Transmit Channel (1–16).
10
Set the Gate Time of the MIDI Output
This determines the Gate Time (the length of time from Key
On to Key Off) for the MIDI note on data.
Use the [
>] button to call up the KIT10 page, then rotate the
jog dial to set the Gate Time (0.0s–9.9s).
11
Set the MIDI Key On/Off
This determines whether to recognize MIDI Key Off events
or not.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT11 page, then rotate the
jog dial to set Key On/Key Off.
enable
............Recognizes Key Off events.
disable .........Does not recognize Key Off events.
* When this is set to “disable,” some voices may sound continu-
ously. Press the [DRUM KIT] button to stop the sound.
12
Set the Hold Mode
Every time the pad is hit, Key On and Key Off messages are
alternately sent. This means that one hit of the pad turns the
sound on and the next turns it off.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT12 page, then rotate the
jog dial to set the Hold Mode.
KIT6*~~äkick~~~˙
~~Decay=+~8~~~
KIT7*~~äkick~~~˙
”CutOffFreq=+~4‚
KIT8*~~äkick~~~˙
”Note=~~32/G#0~
KIT9*~~äkick~~~˙
~~MIDI~Ch=10~~
KIT10*~äkick~~~˙
”GateTime=0.3s~
KIT11*~äkick
”KeyOff=disable‚
KIT12*~äkick
~HoldMode=off~
7 Create Your Own Original Drum Kit
29
DTX500 Owner’s Manual
on................... Each time the pad is hit, either a MIDI Key
On or MIDI Key Off event will be transmitted
alternately.
off................. Normal operation. When a pad is hit, only a
MIDI Key On event will be transmitted. After
the decay time elapses, a Key Off event will
be transmitted automatically.
* When this is set to “on,” you should also set the Key Assign
Mode to “highin the KIT15 page.
13
Set the Cross Fade
This determines the Velocity Cross Fade between the layer
voices
˙ and .
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT13 page, then rotate the
jog dial to set the Cross Fade type.
Cross Fade Type
0 .........Cross Fade function is not in effect.
14
Set the Alternate Group
This function allows you to assign different voices to the
same alternate group, so that the playing of one sound in the
group will automatically cancel others in the same group. A
practical example of this is with the open and closed hi-hat
voices. When you play an actual hi-hat—first open, then
closed—the closed hi-hat naturally mutes the ringing open
sound. Likewise, when the open and closed hi-hat voices are
assigned to the same alternate group, the playing of one
mutes the other.
* This setting has no affect on two-layer input sources. The ˙/
indication is not shown in the upper right corner of the dis-
play.
Use the [>] button to call up the KIT14 page, then rotate the
jog dial to set the Alternate Group.
off .................No cancellation
HH~pad ..........For the voice (ühhOp, ühhOpE, etc.) that is
played when the hi-hat pad is hit.
HH~pdl ..........For the voice (ühhFtCl, ühhSplsh,
ühhCl, ühhClE, etc.) that is played when
the hi-hat pedal is pressed.
19..................Alternate group number. Assigns the same
group number for voices that you do not want
to be output simultaneously.
15
Set the Key Assign Mode
This defines the sound output rules when multiple voices that
are assigned to the same MIDI note number are simulta-
neously output.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT15 page, then rotate the
jog dial to set the key assign mode.
poly ...............Voices are output simultaneously.
semi ...............Up to three voices for this note number can
be produced at one time. When a fourth voice
is triggered, one of the first two voices will be
muted (cancelled).
mono ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
high ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
However, even if the maximum number of 32
notes is exceeded, the note number selected
here will not be muted.
KIT13*~äkick
~~VelXFade=0~~
1
2
3
4
5
˙¶
˙¶
˙¶
˙
˙¶
˙
˙¶
˙
˙
6
7
8
9
Vertical axis: Balance between layers
˙ and
Horizontal axis: Velocity
Layer
˙
Layer
KIT14*~äkick
~AltGrp=off~~~
KIT15*~äkick
”KeyAssign=semi‚
7 Create Your Own Original Drum Kit
30
DTX500 Owner’s Manual
16
Set the Pad Song
When the pad is hit, the assigned pad song will start play-
back. In addition to one main song that is selected in the Song
Select display, a maximum of three Pad Songs can be individ-
ually set for a Drum Kit.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
Use the [>] button to call up the KIT16 page, then rotate the
jog dial to set the Song Number to be assigned, the Repeat
function, and the Playback mode.
Song Number
off, 4563... Assigns the Song Number that is assigned to
the pad
Repeat Playback
áé................... Repeats playback of the song (when the song
reaches the end it will start again from the
beginning, continuously).
-≥................... Normal playback.
Playback Mode
play .............. When the pad is hit, playback of the assigned
pad song will start/stop.
chse .............. When the pad is hit, one measure of the
assigned pad song will start playback then
pause.
ctof .............. When the pad is hit, playback of the assigned
pad song will start/stop. However, if the pad
song is set to “ctof,” the pad song will stop
when another pad song with the “ctof” setting
is started. This function allows only one
“ctof” pad song to be played at a time.
* Up to three pad songs can be set for each Drum Kit. To
assign a pad song for other pads, hit the target pad, or press
the [SHIFT] + [<]/[>] buttons, so that the target pad name
(trigger input source) is shown in the upper half of the display.
However, when three pad songs are set, “Song=off” is shown
and the settings cannot be made.
* The tempo of the pad song is the same as that of the main
song that is found in the Song Select display or the Click Set-
ting display.
* If a function is already assigned in the UTIL7 page to the
input source that the pad song is assigned, “Song=(in
use!)
is shown and the setting in the UTIL7 takes priority.
(p. 21)
* When multiple pad songs are assigned and played back in
combination, the voices within the songs may change unex-
pectedly or sound different than intended.
17
Set the Rim to Pad
This function is effective only when the input source is from
a rim switch. When the rim is hit, pad events triggered from
the same pad (trigger input jack) can be simultaneously trans-
mitted with rim switch events. With this setting, a snare pad’s
sound can be triggered at the same time as the snare’s rim
shot.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
* When an input other than the rim switch is selected for the
input source, RimToPad=---will be displayed and the
settings cannot be made. The following display appears
when “ƒsnrOpis selected for the input source.
Use the [>] button to call up the KIT17 page, then rotate the
jog dial to set the Rim to Pad.
off
.....................Only transmits rim switch event.
on........................ Transmits both rim switch event and pad event.
18
Change the Reverb Level (1)
This determines the Reverb Send Level for the voices (layers
1, 2) triggered by the input source. This effectively allows
you to adjust the reverb depth.
* This setting affects both layers ˙ and . The ˙/ indication is
not shown in the upper right corner of the display.
* The actual Reverb Send Level is determined by adding the
Send Level set here to the Drum Reverb Send Level set in
the KIT19 page.
Use the [>] button to call up the KIT18 page, then rotate the
jog dial to set the Reverb Send Level (0–127).
19
Change the Reverb Level (2)
This determines the Overall Reverb Send Level of the Drum
Voice.
* This setting affects the entire Drum Voice. The ˙/ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT19 page, then rotate the
jog dial to set the Drum Reverb Send Level (0–127).
KIT16*~äkick
”Song=~45áéplay‚
Song Number
Repeat
Playback mode
KIT17*~ƒsnrOp
~RimToPad=off~
KIT18*~äkick
~RevSend=~30~~
KIT19*
~RevSendDr=~40‚
7 Create Your Own Original Drum Kit
31
DTX500 Owner’s Manual
20
Change the Reverb Type
This determines the Type of Reverb effect for each Drum Kit.
The same Reverb Type is applied to the entire Drum Kit.
* This setting affects the entire Drum Voice. The ˙/ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT20 page, then rotate the
jog dial to set the Reverb Type.
none .............. No reverb (same as thru).
hall15 ....... Simulates the reverb in a hall.
room15 ....... Simulates the reverb in a room.
stage15..... Simulates the ambience of a stage.
plate............ Simulates a steel plate reverb.
white............ A special short reverb effect.
tunnel ......... Simulates the reverb of a tunnel.
bsemnt ......... Simulates the reverb of a basement.
* The hall, room, or stage types with larger values produce a
more pronounced reverb effect.
21
Change the Reverb Level (3)
This determines the Signal Return Level from the reverb
effect for every Drum Kit. The same reverb type is applied to
the entire Drum Kit.
By setting the level, you can adjust the reverb effect for the
overall DTX500 system.
* This setting affects the entire Drum Voice. The ˙/ indication
is not shown in the upper right corner of the display.
Use the [>] button to call up the KIT21 page, then rotate the
jog dial to set the Reverb Master Return level (0–127).
22
Set the Pad Controller
This is effective only when a pad equipped with pad control-
ler is connected to the 1SNARE jack, and also when “SN-
1”, “SN-2”, “TM-1” or “TM-2” is assigned in the TRG2
page (pad type) of the Trigger Setup pages.
The following settings can be made by rotating the pad con-
troller knob.
off .................No function is assigned.
snares ..........Adjusting the snares (also effective for the
open rim sound)
tuning ..........Adjusting the tuning (also effective for the
open rim sound)
tempo.............Adjusting the tempo
* The ˙/ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the page KIT22, then rotate the
jog dial to set the Pad Controller function.
23
Set the Snares
This adjusts the snares effect (the characteristic sound of the
coiled wires on the bottom of an actual snare drum) of the
pad connected to the 1SNARE jack.
This also applies to pads not having a pad controller.
* The ˙/ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the KIT23 page, then rotate the
jog dial to set the Snares adjustment level.
off .................Snares off (reproduces the sound with the
snares lifted off the drum)
124 ...............Snares are applied to the sound; the higher
the value, the tighter the snares sound. (A
value of “1” is the “loosest” snares setting.)
* When you change this setting, the decay setting (KIT6) for
the input sources “ƒsnareand “ƒsnrOpalso changes.
KIT20*
”RevType=hall1~
KIT21*
”RevMastRet=~64‚
KIT22*
”PadCtl=snares~
KIT23*
~~Snares=24~~~
7 Create Your Own Original Drum Kit
32
DTX500 Owner’s Manual
24
Set the Program Change and Bank Select
When a Drum Kit is selected, this function sets the MIDI Pro-
gram Change Number and the Bank Select MSB and LSB
that will be transmitted. This can be set for each MIDI chan-
nel.
By transmitting a program change message, you can have the
voice of an external MIDI device automatically change when
switching the Drum Kit on the DTX500.
* The ˙/ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the KIT24 page, then rotate the
jog dial to make the following settings.
* When the Program Change Transmit On/Off is set to off,”
values for PC, M and L will be ---and the settings cannot
be made.
MIDI Channel
116............... Target MIDI channel for the Program Change
Program Change Transmit On/Off
on................... Transmits.
off................. Does not transmit.
Program Change Number
001128 ....... Transmitted program change number.
Bank Select MSB, LSB
000127 ....... Bank select MSB number, LSB number
*For more information on Bank Select MSB and LSB, refer to
the Voice List and MIDI Data Format documents, etc. of the
particular external MIDI device you are using.
25
Set MIDI Volume and Pan—Control
Change
This function sets the MIDI Control Change Volume and Pan
values that will be transmitted when a Drum Kit is selected.
This can be set independently for each MIDI channel.
This lets you automatically change the voice Volume and Pan
on an external MIDI device when you switch the Drum Kit of
the DTX500.
* The ˙/ indication is not shown in the upper right corner of
the display.
Use the [>] button to call up the KIT25 page, then rotate the
jog dial to make the following settings.
* When the Control Change Transmit On/Off is set to “off,”
values for Vol and Pan will show ---and the settings can-
not be made.
MIDI Channel
116 ...............Target MIDI channel for Control Change
messages
Control Change Transmit On/Off
on....................Transmits.
off .................Does not transmit.
Volume
0127 .............Sets the Volume Control Change data value
that will be transmitted.
Pan
0127 .............Sets the Pan Control Change data value that
will be transmitted.
26
Save the Original Voice
To save the Drum Voice you created, use the Store operation
described below and save it to the DTX500’s memory. Origi-
nal kits can be saved as a Drum Kit to the User Drum Kit
(51–70) memory locations.
26-1. Press the [SAVE/ENTER] button. The following dis-
play will appear.
26-2. Rotate the jog dial to select the destination user Drum
Kit number (51–70) that you want to store.
* Data cannot be stored to the Preset Drum Kits (1–50).
*You can save data to a User Drum Kit number that
already contains data. However, be careful when
doing this, since the previous data will be overwritten
with the new data.
KIT24*PC~Ch1=on
”PC003~M000L003‚
Program Change Number
Bank Select MSB
Program Change
Transmit On/Off
MIDI Channel
Bank Select LSB
If you select a different Drum Kit before performing the
Store operation, all changes you have made to the data
will be lost. If you want to keep settings or changes, make
sure to perform the Store operation.
KIT25*CC~Ch1=on
”Vol=127~Pan=~64
Control Change
Transmit On/Off
MIDI Channel
Volume
Pan
NOTICE
Edited Drum Kit name
KIT~save~to~51
:[Oak~Custom~~]
Store destination
7 Create Your Own Original Drum Kit
33
DTX500 Owner’s Manual
26-3. If you want to change the Drum Kit name, press the
[
<]/[>] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select a character. A Drum Kit name can contain a
maximum of 12 characters, and these can be selected
from the following list.
26-4. Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
26-5. Press the [SAVE/ENTER] button once more to actu-
ally execute the Store operation.
*To cancel the Store operation, press any button except
for the [SAVE/ENTER] and [SHIFT] buttons. (When
“Are you sure?” appears in the display, the jog dial will
also cancel the operation.)
When the Store operation is complete, the following
display appears.
With this operation, you have now created a
Drum Kit that has an original bass Drum
Voice.
Use the same procedure to create Drum
Voices for the other pads (input sources) and
create a complete custom Drum Kit of your
own.
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
KIT~save~to~51
~Are~you~sure~?
~~~Completed!
Factory Set
This operation returns all of the DTX500’s internal set-
tings back to their original factory defaults.
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
call up the Utility pages.
2. Press the [>] button several times to call up the
UTIL8 page.
3. From the page shown above, press the [SAVE/
ENTER] button to call up the prompt shown below,
asking for confirmation of the Factory Set operation.
*To cancel the Factory Set operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons (the
jog dial can also be used to cancel the operation).
4. Once again, press the [SAVE/ENTER] button to pro-
ceed with the operation.
Please proceed with caution, since executing
this operation will also rewrite the entire mem-
ory contents of the DTX500 (all Click Sets, User
Trigger Setups 8–11, User Drum Kits 51–70, User
Songs 64–83, Utility data) with the data that was
set in the unit’s memory when it was shipped
from the factory.
UTIL1~Hi-hat
HHofs=~~0~T=~~5‚
UTIL8
~Factory~Set
All~data~will~be
lost.AreYouSure?
~All~Memory
~Initializing...
34
DTX500 Owner’s Manual
8
Trigger Setup Edit
Trigger Setup Edit contains various settings related to trigger input signals received from pads
or drum triggers (Yamaha DT20, etc.) that are connected to the trigger input jacks. These set-
tings let you optimize the DTX500 for best operation and response to these signals.
If you are using drum triggers attached to acoustic drums, or pads other than those that came
with the DTX500 set, you’ll need to adjust the sensitivity. This section also has settings that help
prevent crosstalk* and double triggering*.
* Crosstalk: The interference between trigger signals of physically adjacent pads, producing unexpected notes.
* Double triggering: The condition where a single pad hit causes multiple (usually two) triggers.
Trigger Setup procedure
If you want to replace some of the pads from your drum set, or if
you need to solve problems with double triggering or crosstalk,
the Trigger Setup provides more detailed settings—such as
changing the preset’s trigger setup—for individual pads.
If you’ve created a custom setup for these reasons or others, that
setup can be saved to one of the Trigger Setup locations (8–11).
1
Press the [SHIFT] + [DRUM KIT] buttons to call up the Trig-
ger Setup Select page (TRG1). The currently selected Trigger
Setup is indicated in the display.
* If you want to edit a different trigger setup, use the jog dial
and select the setup here.
2
Use pages TRG2 through TRG8 to edit the Trigger Setup.
Press the [
<
]/[
>
] buttons to change pages and move the
flashing cursor to the parameter you want to set.
* Refer to pages 35 to 37 for more information on individual
parameters.
To select the Trigger Input (input jack) you want to edit, sim-
ply hit the pad you want to edit or use the [SHIFT] + [
<
]/
[
>
] buttons.
3
Rotate the jog dial to change the setting.
* An asterisk “
*
will appear next to
TRG
in the display if data
is changed. This asterisk will disappear after the Store opera-
tion is carried out.
* The Trigger Input Level produced when a pad is hit is shown
on the upper right side of the display. When setting the gain,
use this level as a guide to measure how hard a pad is being
hit.
4
To save changes you’ve made to the data, use the procedure
described below to store them to a User Trigger Setup (8–11).
4-1.
Press the [SAVE/ENTER] button. The following dis-
play will appear.
4-2.
Rotate the jog dial to select the destination trigger
setup number (8–11).
4-3.
If you want to change the Trigger Setup name, press
the [
<
]/[
>
] buttons to move the flashing cursor to the
character you want to edit, then rotate the jog dial to
select a character. A Trigger Setup name can contain a
maximum of eight characters, and these can be
selected from the following list.
Tr igger Setup Select display (page 1)
Tr igger Setup Number: Setup Name
TRG1~~~ååååååååå
1~:XP~Med~~~~~~
Tr igger Input to be edited
Next page icon
Previous page icon
Flashing cursor (parameter)
TRG2~ ƒsnare~~0%
”Type=SN-1~~~~~
If a different trigger setup is selected before executing
the Store operation, all changes you have made to the
data will be lost. If you want to keep settings or changes,
make sure to carry out the Store operation.
Tr igger Input Level
TRG2* ƒsnare~~0%
”Type=DT~Snare~
NOTICE
Tr igger Setup name
TRG~save~to~8
:[XP~Med~~]
Store destination
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
8 Trigger Setup Edit
35
DTX500 Owner’s Manual
4-4.
Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation.
4-5.
Press the [SAVE/ENTER] button once more to actu-
ally execute the Store operation.
*To cancel the Store operation, press any button
except for the [SAVE/ENTER] and [SHIFT] buttons.
(When “Are you sure?” appears in the display, the jog
dial will also cancel the operation.)
The following display appears after the Store opera-
tion is complete.
Explanations of Each Display Page
The following explanations cover the available parameters in the
pages TRG1 through TRG8. To save the edited data, refer to step
4 on page 34.
[Range]
1–11
Selects the Trigger Setup Type (p. 12)
Sets the type of pad that is connected to the input jack assigned in
the upper half of the display ([
1
SNARE] in the example shown
above).
*Values set in [TRG3 Gain, MVl (Mininimum Velocity)] (p. 36)
and [TRG5 RejTime (Self Rejection Time)] (p. 36) will auto-
matically changed to the proper values for the pad type you
set here.
Pad types are defined as follows.
KICK
KP125W/125/80S/80/65/60
SN-1
XP100T/100SD/120T/120SD
(mainly used as a snare pad)
SN-2
TP100/120SD (mainly used as a snare pad)
SN-3
TP65S/65 (mainly used as a snare pad)
TM-1
XP100T/100SD/120T/120SD
(mainly used as a tom pad)
TM-2
TP100/120SD(mainly used as a tom pad)
TM-3
TP65S/65(mainly used as a tom pad)
CY-1
PCY155/150S/135 *1
CY-2
PCY155/150S/135 *1
CY-3
PCY155/150S/135 *1
CY-4
PCY130SC
CY-5
PCY130S/130
CY-6
PCY65S
HH-1
RHH135
HH-2
RHH130
DT Snare
DT series drum trigger (for a snare drum)
DT HiTom
DT series drum trigger (for a small toms)
•Never attempt to turn off the power while the message
now
storing...
is shown. All Trigger Setup data
may be lost.
TRG~save~to~8
~Are~you~sure~?
~~~Completed!
NOTICE
TRG1 Trigger Setup Select
TRG2 Type (Pad Type)
TRG1~~~ååååååååå
1~:XP~Med~~~~~~
TRG2~ ƒsnare~~0%
”Type=SN-1~~~~~
If you want to replace some of the pads from your drum set,
refer to the operation on page 34 (Trigger Setup Edit) after
the above setting is done, to make sure that the settings (such
as sensitivity) are appropriate for each pad.
NOTE
8 Trigger Setup Edit
36
DTX500 Owner’s Manual
DT LoTom DT series drum trigger (for a large toms)
DT Kick DT series drum trigger (for a bass drum)
misc~16 Other manufacturer’s pads 1 to 6
*1 These pad types are different in the sensitivity settings among
the three sections (the Bow section, Edge section, and Cup
section in 3-zone cymbal pad.) You can change these as
desired.
CY-1is the setting that the sensitivities of the three sections
are same.
CY-2is the setting that the sensitivity of the Edge section is
set fairly lower than the other section.
CY-3is the setting that the sensitivity of the Cup section is
set fairly lower than the other section.
Gain [Range] 0–99
Adjusts the input gain (sensitivity) for the input jack assigned in
the upper half of the page.
Setting a larger value lets a smaller input level from the pad cre-
ate sound.
* This value will be automatically set after the appropriate pad
type is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary.
* Some pads are equipped with a sensitivity adjustment knob.
For details, refer to the owner’s manual that came with the
particular pad.
MVI [Range] 1–127
Sets the MIDI Velocity (volume) that is transmitted when the pad
is hit the softest. Large values will produce a high volume level
even if the pad is hit softly. However, this will result in a narrow
volume range making it difficult to adequately produce wider
dynamic levels.
The Trigger Input Level will be displayed in percentage in the
upper right hand corner of the display. The maximum velocity
(input level 99 percent) will be 127. The lower the level is when
the pad is hit the weakest, the wider the potential dynamic range
will be.
* This value is automatically set after the appropriate pad type
is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary.
Sets the Input Velocity Curve for the input jack assigned in the
upper half of the page.
[Range] 0–9
Prevents double triggering from occurring in the input jack
assigned in the upper half of the page. After an event is detected,
further events will be automatically muted for a certain length of
time. The larger the value, the longer time events will be muted.
[Range] 0–9
Prevents crosstalk from occurring in the input jack assigned in
the upper half of the page. Events triggered by other pads (input
jacks) that are of a lower input value than what is set here will not
be triggered for a certain length of time. Larger values require a
greater input level in order to produce a trigger event.
TRG3 Gain, MVI (Minimum Velocity)
TRG3~ ƒsnare~~0%
”Gain=65MVl=~12‚
TRG4 VelCurve (Velocity Curve)
TRG5 RejTime (Self Rejection Time)
TRG6 RejLvlAll (Rejection Level)
TRG4~ ƒsnare~~0%
”VelCurve=norm~
norm loud2 loud1 hard1 hard2
Velocity
Strength of hit
TRG5 ~ƒsnare~~0%
~~RejTime=1~~~
TRG6 ~ƒsnare~~0%
~RejLvlAll=2~~
8 Trigger Setup Edit
37
DTX500 Owner’s Manual
RejLvl [Range] 0–9
Frm [Range] 1–6, 56 (5 and 6), 7–12, 17 (1 and 7),
tm, cy, tc
This setting is used to prevent crosstalk between the input jack
assigned in the upper half of the page and the input jack assigned
in the “Frm=” setting.
After an triggering event occurs from the pad that is assigned in
the “Frm=” setting, the pad assigned in the upper half of the dis-
play will not sound for a certain length of time unless the input
level is greater than the value set here. Larger values will require
a greater input level in order to produce a trigger event.
A “Frm=56” setting assigns trigger input jacks 5 and 6.
A “Frm=17” setting assigns trigger input jacks 1 and 7.
A “Frm=tm” setting assigns trigger input jacks 2, 3, and 4.
A “Frm=cy” setting assigns trigger input jacks 5, 6, 7, and 9.
A “Frm=tc” setting assigns trigger input jacks 2, 3, 4, 5, 6, 7,
and 9.
This function allows you to copy all data settings in pages [TRG2
Type (Pad Type)] through [TRG7 RejLvl (Specified Rejection
Level)] to another input jack.
Operation
1. Hit a pad to select the copy source (input jack) from
which the data will be copied.
Rotate the jog dial and assign the copy destination (input
jack).
2. Press the [SAVE/ENTER] button. A prompt appears ask-
ing confirmation of the Copy operation.
3. Press the [SAVE/ENTER] button to actually execute the
Copy operation.
*To cancel the Copy operation, press any button except for the
[SAVE/ENTER] and [SHIFT] buttons (the jog dial can also be
used to cancel the operation).
The following display appears after the Copy operation is
complete.
TRG7 RejLvl (Specified Rejection Level)
TRG8 CopyToInput (Trigger Setup Copy)
When the Trigger Setup Copy operation is carried out, the
Trigger Setup data will be replaced with the settings of
the copy source.
TRG7~ ƒsnare~~0%
”RejLv1=3Frm=56‚
TRG8 ~ƒsnare
”CopyToInput=~2‚
NOTICE
Copy source (input jack)
Copy destination (input jack)
TRG8~ ƒsnare
”CopyToInput=~2‚
Input~Copy~to~2
~Are~you~sure~?
~~~Completed!
38
DTX500 Owner’s Manual
Error Messages
The DTX500 displays error messages when incorrect settings have been made or invalid opera-
tions have been detected, or when any abnormal operation or malfunction occurs.
If an error message appears, check the list below and make the appropriate corrections.
This message appears just after the power is switched on and the device cannot correctly
read the data due to the Factory Reset operation being active.
The backup ROM data may have been damaged. Contact the nearest Yamaha Service Cen-
ter or the dealer where you purchased the device.
You have exceeded the memory capacity of the user song.
Delete unused songs to make more memory available and try recording again.
Writing data to the backup ROM has failed.
Troubleshooting
The DTX500 does not produce sound, or does not rec-
ognize trigger inputs.
Are the pads or drum triggers (Yamaha DT20, etc.) properly
connected to the DTX500’s trigger input jacks? (p. 10)
Is the DTX500 properly connected to headphones or an exter-
nal audio device such as an amplifier, speaker, etc.? (p. 10)
Check the position of the Standby/On switches and volume
levels of any connected external audio devices, such as an
amplifier, speaker, etc.
The volume knob on the rear panel may be turned down (p.
13).
Is the gain set too low? (p. 36 [TRG3 Gain, MVI (Minimum
Velocity)])
The volume setting on the Drum Kit Select display’s “KIT3 Vol-
ume” page (p. 27) may be set to “0.
Is there a problem with the cable you are using?
The drum voices for both layers
˙ and may be set to
00:NoAssign.” (p. 27 Step2: [KIT2])
The external tone generator does not produce sound.
Is the MIDI cable (connector) properly connected? (p. 11)
Is the correct MIDI connector being used? (p. 11)
Are the MIDI note number values appropriate?
(p. 28 Steps 8 to 10: [KIT8], [KIT9], [KIT10])
The drum voices for both layers ˙ and may be set to
00:NoAssign.” (p. 27 Step2: [KIT2])
A voice other than the set voice is produced.
Is the transmitting MIDI channel set to a channel that is not
used for the drum voice (ch=10)? (p. 28, Step 9: [KIT9])
Are two-layer voices set in the voice setting on the Drum Kit
Select display? (p. 27 Step 2: [KIT2])
Produces sound but the sensitivity is too low (volume
is low).
Is the gain set too low? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
Pads with a level adjustment knob should be adjusted
(increased).
Is the minimum velocity set too low? (p. 36: [TRG3 Gain, MVI
(Minimum Velocity)])
Are you using a proper velocity curve? (p. 36: [TRG4 VelCurve
(Velocity Curve)])
Is the volume of the voice you want to use too low? (p. 27 Step
3: [KIT3])
ERROR
Data~Initialized
ERROR
Memory~full
ERROR
Can'tWriteMemory
Troubleshooting
39
DTX500 Owner’s Manual
The trigger sound is not stable. (For acoustic drums)
Check the entry “Produces sound but the sensitivity is too low
(volume is low)” above.
Tr y selecting a larger pad type setting (DT snare DT HiTom
DT LoTom DT Kick). (p. 35: [TRG2 Type (Pad Type)])
Is the Drum Trigger (Yamaha DT20, etc.) improperly attached
with duct tape? (Is there any old adhesive remaining on the
head?)
Is the cable securely connected to the drum trigger (Yamaha
DT20, etc.) jack?
Double triggering is produced.
Pads with a level adjustment knob should be adjusted (low-
ered).
Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
Use the self-rejection setting. (p. 36: [TRG5 RejTime (Self
Rejection Time)])
(KP65) Is the pad type for the input jack to which the KP65 is
connected set to Kick Pad? (p. 35: [TRG2 Pad Type])
Are you using drum triggers (trigger sensors) made by other
manufacturers? Too large a signal can result in double trigger-
ing.
Is the head causing irregular vibrations? It may be necessary
to mute the head.
When using acoustic drums, make sure the Drum Trigger is
attached near the rim (above the bearing) and not near the
center of the head.
When using acoustic drums, make sure that nothing is touch-
ing the Drum Trigger.
Crosstalk (trigger interference from different inputs) is
produced.
Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum
Velocity)])
Tr y increasing the rejection parameter. However, avoid setting
this value too high since that may cause the sound to not be
produced when another pad (trigger input) is hit at the same
time. (p. 36: [TRG6 RejLvlAll (Rejection Level)])
If crosstalk is produced with a specific trigger input, try using
specific rejection. (p. 37: [TRG7 RejLvl (Specified Rejection
Level)])
When using acoustic drums, place the Drum Trigger away from
any nearby drum.
Sounds are cut when you play continuously.
The maximum polyphony of 32 voices might be exceeded. In
the Drum Kit Select dispaly’s “KIT15 Key Assign Mode” page
(p. 29), set the “KeyAssign” value to “semi” or “mono.
When two pads (drums) are played only one sound is
heard.
Raise the gain setting of the pad (trigger input) that is not pro-
ducing sound. (p. 36: [TRG3 Gain, MVI (Minimum Velocity)])
Lower the rejection setting of the pad (trigger input) that is not
producing sound. (p. 36: [TRG6 RejLvlAll (Rejection Level)])
Lower the specified rejection setting of the pad (trigger input)
that is not producing sound (p. 37: [TRG7 RejLvl (Specified
Rejection Level)])
Are both pads (trigger inputs) set to the same alternate group?
(p. 29 Step 14: [KIT14])
The sound is always loud.
Is the minimum velocities minimum value set too high? (p. 36:
[TRG3 Gain, MVI (Minimum Velocity)])
Are you using an appropriate velocity curve? (p. 36: [TRG4
VelCurve (Velocity Curve)])
Are you using a pad made by another manufacturer? Depend-
ing upon the manufacturer, output levels might be too large.
The DTX500 does not receive any switch or trigger sig-
nals.
If you can access the Utility display, perform the Factory Set
operation. The DTX500 will reset to its factory settings. (p. 33:
[UTIL8 Factory Set])
Turn the power off then on while holding the [
<] and [>] but-
tons together. The DTX500 will reset to its factory settings.
The sound does not stop.
Some voices have very long release times when the “key off
parameter is set to “disable.” (p. 28 Step 11: [KIT11])
Press the [DRUM KIT] button to temporarily stop the sound.
The pad controller function does not work
Have you connected a pad equipped with a pad controller,
such as the TP100 or TP120SD?
Are the pad controller settings properly set? (p. 15)
The Closed Hi-Hat voice is not produced.
Is the proper pad type selected? If the RHH135/130 is used as
a hi-hat controller, the pad type must be set to “RHH. (
p. 35
:
[TRG2 Pad Type])
The edge or cup sections of the cymbal pad do not pro-
duce sound when struck. The choke functions do not
work.
Is the proper pad type selected? Select the appropriate pad
type for the kind of cymbal pad you are using. (
p. 35
: [TRG2
Pad Type])
The sound produced by the edge and cup section will not be
produced when a pad equipped with a rim switch (PCY135/
155 etc.) is connected to the Input jack 9@.
Foot Splashes are not produced.
Is the foot controller connected to the HI HAT CONTROL jack?
Adjust the detection time of foot splashes. (p. 14: Adjusting the
Hi-hat)
I need to restore the original factory settings of the
instrument.
Use the Factory Set function (p. 33) to reset the DTX500 inter-
nal settings to the initial factory settings.
40
DTX500 Owner’s Manual
Symbols
.................................... 13
.................................... 13
[
<], [>] ............................ 8
[ ON/OFF] ..............8
16
*
.................14
15
16
27
˙
,
.............................. 13
˚¡
,
∞¢
......................... 20
A
Accessories ..................... 3
Acoustic drums .......10
39
Alternate group ............. 29
AUX IN ......................9
11
B
Bank select ................... 32
Bass solo ...................... 21
Beat ............................... 16
C
Cable clip ..................9
10
Challenge mode ............ 22
Clear ............................. 25
[CLICK] ........................... 8
Click ..............................16
Click lamp ....................... 8
Click master volume ...... 16
Click measure break .....17
Click out select .............. 18
Click set ..................16
17
Click set name .............. 18
Click sound set .............. 17
Click timer ...............16
19
Closing point .................14
Connections .................. 10
Control change .............. 32
Copy .............................. 37
CopyToInput ................. 37
Cross fade ..................... 29
Crosstalk .......... 34
36
39
D
DC IN 12V .................9
10
Decay ............................ 28
Double triggering
...................... 34
36
39
Double-bass drum set ... 12
[DRUM KIT] ..................... 8
Drum kit ...................13
26
Drum kit list ...................46
Drum kit name ............... 33
Drum voice .................... 26
Drum voice list ...............45
DT20 .................12
34
39
E
Error messages .............38
F
Factory set .....................33
Filter ..............................28
Foot controller ...............14
Foot splashes ......... 14
39
G
Gain ...............................36
Gate time .......................28
Groove check ................22
H
Headphones ............. 9
10
HI HAT CONTROL ..........9
Hi-hat controller ...............9
Hi-hat pedal ...................14
Hold mode .....................28
I
Input level ......................13
J
Jog dial ............................8
K
Key assign mode ...........29
Kick pad .........................12
L
Layer ................13
27
29
LCD display .............. 8
41
LED display .............. 8
19
M
Master equalizer ............14
Metronome ....................16
MIDI ...............................11
MIDI channel .................28
MIDI data format ............47
MIDI implementation chart
...................................44
MIDI key on/off ..............28
MIDI note number ..........28
MIDI OUT ................. 9
11
Minimum velocity ...........36
Mute ....................... 17
20
MVI ................................36
N
Numeric display mode ...22
O
OUTPUT ...................9
11
P
Pad ............................... 26
Pad controller
.................9
12
15
31
Pad function .................. 21
Pad song .................13
30
Pad type ........................ 35
Pad with switch .........9
12
Pan .........................27
32
PHONES ...................9
11
Playback mode ............. 30
Power supply ..... 9
10
11
Program change ........... 32
Q
Quantize ....................... 24
R
Rear panel ...................... 9
Record .......................... 24
Rejection level .............. 36
RejLvl ............................ 37
RejLvlAll ........................ 36
RejTime ........................ 36
Repeat playback ........... 30
Reverb ....................30
31
Reverb type .................. 31
Rhythm gate ...........22
23
Rim shot ........................ 30
Rim to pad .................... 30
S
Save ................. 18
32
34
[SAVE/ENTER] ............... 8
Self rejection time ......... 36
Sensitivity ......... 12
36
38
[SHIFT] ........................... 8
Snares ....................15
31
[SONG
>
/
] .............8
20
Song ............................. 20
Song list ........................ 46
Song name ................... 25
Sound quality ................ 14
Speaker ........................ 10
Specifications ................ 47
Specified rejection level
.................................. 37
Standby/On switch .......... 9
Stereo pad ...................... 9
Stereo plug ..................... 9
Store operation
......................18
32
34
T
Tap tempo .....................19
Tempo ........15
16
19
20
Three-zone pad ........ 9
12
Top panel ........................8
Trigger input jacks ...........9
Trigger input source ......26
Trigger setup ....12
34
35
Trigger setup copy ........37
Trigger setup name .......34
Tuning
Click ...........................17
Drum voice .................27
Pad controller .............15
Song ..........................20
Type ..............................35
U
User click sound ............17
User drum kit .................32
User song ......................25
User trigger setup ..........34
Utility .............................14
V
VelCurve .......................36
Velocity curve ................36
Voice category . 17
27
45
Voice character .............28
VOLUME .................. 9
13
Volume
Click ...........................16
Control change ..........32
Drum voice .................27
Headphone ................11
Overall .................. 9
13
Pad ............................13
Song ..........................20
Y
Y-shaped cable ........ 9
12
Index
41
DTX500 Owner’s Manual
Appendix
LCD Displays
* The above “LCD Displays” charts show you the pages available in each display.
Keep in mind that the actual displays on the instrument may be different from those shown here.
Drum Kit Settings
KIT1 ååååååååå
1 :Oak Custom
KIT2 ƒsnare ˙
”S01:OakCustom ‚
KIT3 ƒsnare
Volume=127
KIT4 ƒsnare
Tune=+ 0.0
KIT5 ƒsnare
Pan= C
KIT6 ƒsnare
Decay= 0
KIT7 ƒsnare
”CutOffFreq= 0‚
KIT8 ƒsnare
”Note= 32/G#0 ‚
KIT9 ƒsnare
MIDI Ch=10
KIT10 ƒsnare
”GateTime=0.3s ‚
KIT11 ƒsnare
”KeyOff=disable‚
KIT12 ƒsnare
” HoldMode=off ‚
(Page 13)
(Page 26)
(Page
13, 27)
(Page 27)
(Page 27)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
(Page 28)
KIT14 ƒsnare
” AltGrp=off
KIT15 ƒsnare
”KeyAssign=poly‚
KIT13 ƒsnare
VelXFade=0
KIT16 ƒsnare
”Song= 45áéplay‚
KIT17 ƒsnare
” RimToPad=--- ‚
KIT18 ƒsnare
” RevSend= 75
KIT23
Snares=32
KIT24 PC Ch1=on
”PC001 M000L001‚
KIT25 CC Ch1=on
”vol=127 Pan= 64
KIT19
” RevSendDr= 40‚
KIT20
”RevType=hall2 ‚
KIT21
”RevMastRet= 64‚
KIT22
”PadCtl=snares ‚
(Page 29)
(Page 29)
(Page 30)
(Page 30)
(Page 30)
(Page 30)
(Page 31)
(Page 31)
(Page
15, 31)
(Page 31)
(Page 32)
(Page 32)
(Page 29)
KIT save to 51
:[Oak Custom ]
KIT save to 51
Are you sure ?
(Page 32)
(Page 33)
42
DTX500 Owner’s Manual
Appendix
Song Selection
Song Recording
Groove Check Function
SONG1 ⁄=123 ÷›
1 :Demo 1 ∞¢‚
SONG2 Clear
”Are You Sure ?
(Page 20)
(Page 25)
*Displayed when
a user song is
selected.
(Page 25)
(Page 25)
SONG save name
:[Untitled]
SONG save name
Are you sure ?
REC ⁄=120
Beat=4 Quant=⁄
REC Meas= 10
Now Recording.
(Page 24)
(Page 24)
GRV1 --æ√æ’æææ--
⁄=130 Gr=-2œ0.0‚
GRV2 RhythmGate
”Mode=challenge‚
GRV3
” Input=ƒsnare ‚
GRV4
Note=⁄(4)
GRV1 --æ√æ’æææ--
80Hits/ 16%(DÀ)‚
(Page 22)
(Page 22)
(Page 23)
(Page 23)
(Page 23)
Challenge Mode
Click Settings
CLK1 ∫ B=4 ÷›
1 :User ⁄=130‚
CLK2 A˘=9 ¤=9
” ‹=6 ßß=4 Œ=2 ‚
CLK3 MeasBreak
”Meas=1 Brk=3
CLK4 Sound
” 1:Metronome
CLK5 Sound=¤
”E20:Click1
CLK6 Sound=¤
Tune=+ 0.0
(Page 16)
(Page 17)
(Page 17)
(Page 17)
(Page 17)
(Page 17)
CLK save to 1
:[User ]
CLK save to 1
Are you sure ?
(Page 18)
(Page 18)
43
DTX500 Owner’s Manual
Appendix
Utility Settings
Tap Tempo Function
UTIL1 Hi-hat
HHofs=-13 T=112‚
UTIL2 Click
”OutSel=clickR ‚
UTIL3 Song
” BassSolo=off ‚
UTIL4 LED
” Disp=tempo
UTIL5 MasterEQ
”Lo=+ 4 Hi=+ 0 ‚
UTIL6 MasterTune
Tune=+15.7
UTIL7 ƒsnare
”Func=off
UTIL8
” Factory Set
(Page 14)
(Page 18)
(Page 21)
(Page 19)
(Page 14)
(Page 20)
(Page 21)
(Page 33)
TAP TEMPO
¤=123 ≠ªªªª
(Page 19)
Trigger Setup Edit
TRG1 ååååååååå
1 :XP Med
TRG2 ƒsnare 0%
”Type=SN-1
TRG3 ƒsnare 0%
”Gain=65MVl= 12‚
TRG4 ƒsnare 0%
”VelCurve=norm ‚
TRG5 ƒsnare 0%
RejTime=1
TRG6 ƒsnare 0%
” RejLvlAll=2
TRG7 ƒsnare 0%
”RejLvl=3Frm=56‚
TRG8 ƒsnare
”CopyToInput= 1
(Page 12, 34)
(Page 15, 35)
(Page 36)
(Page 36)
(Page 36)
(Page 36)
(Page 37)
(Page 37)
TRG save to 8
:[XP Med ]
TRG save to 8
Are you sure ?
(Page 34)
(Page 35)
44
DTX500 Owner’s Manual
MIDI Implementation Chart
Transmitted Recognized Remarks
Function ...
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
Notes:
:
All Sound Off
xx
Aux :
Reset All Cntrls
ox
:
Local ON/OFF
xx
Mes- :
All Notes OFF
xx
sages:
Active Sense
ox
:
Reset
xx
System :Clock o x
Real Time :Commands o x
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System Exclusive o x
Prog o 0 - 127 x
Change : True # ************** x
0,32 o x Bank Select
4,7,10 o x
1,2,5,6,8,11,12,13 x x
16-19 x x
Control 33-63 x x
64-84 x x
Change 91-95 x x
96-101 x x
Pitch Bender x x
After Key's x x
Touch Ch's x x
Velocity Note ON o 9nH,v=1-127 x
Note OFF x 9nH,v=0 x
Note 0 - 127 x
Number : True voice ************** x
Default x x
Mode Messages x x
Altered ************** x
Basic Default 1 - 16 x memorized
Channel Changed 1 - 16 x
YAMAHA [ DRUM TRIGGER MODULE ] Date :7-Dec-2009
Model DTX500 MIDI Implementation Chart Version : 1.0
45
DTX500 Owner’s Manual
Appendix
Drum Voice List
Voice Category
K : Kick
S : Snare
T : Tom
C : Cymbal
H : Hi-hat
P : Percussion
E : Effect
1 OakCustom
2 MapleCustm
3 MapleVintg
4 Beech
5 BirchDry
6 BirchJazz
7DryDeep
8DryTight 1
9DryTight 2
10 SoTight
11 2Head
12 BigSofty
13 RockAmb 1
14 RockAmb 2
15 BD Room 1
16 BD Room 2
17 GateKick1
18 GateKick2
19 T8 Kick
20 T9 Kick
21 CR Kick
22 T9 HrdAtk
23 T9 Long
24 Sm Kick
25 T8 Down
26 T9 Dist
27 TechKick1
28 TechKick2
29 TechKick3
30 BreakKick1
31 BreakKick2
32 BreakKick3
33 BreakKick4
34 BreakKick5
35 BreakKick6
36 VoxKick
37 KickBass
38 ResoKick1
39 ResoKick2
40 DidgerKick
41 ReversBD
1 OakCustom
2 OakCusOpRm
3 OakCusClRm
4 OakCusOff
5 OakCusOffO
6 OakCusOffC
7 MapleCustm
8 MapCusOpRm
9 MapCusClRm
10 MplCusOff
11 MplCusOffO
12 MplCusOffC
13 Beech
14 BeechOpRim
15 BeechClRim
16 BeechOff
17 BeechOffOR
18 BeechOffCR
19 Metal
20 MetalOpRim
21 MetalClRim
22 MetalOff
23 MetalOffOp
24 MetalOffCl
25 MapleVtg
26 MapleVtgR
27 Loosy
28 LoosyRim
29 LiteWood
30 LiteWoodRm
31 RockAmb 1
32 RockAmb 2
33 RockAmb R
34 BirchDeep
35 BirchDeepR
36 Studio
37 StudioRim
38 MapleLite
39 MapleLiteR
40 DryMute
41 Brush
42 BrushRim
43 BrushOff
44 BrshOffRim
45 SnareRoll*
46 GateSnare1
47 GateSnare2
48 GateSnare3
49 GateSnare4
50 GateSnare5
51 T8 Snare1
52 T8 Snare2
53 T8 Rim
54 T9 Rim
55 Tek Snare
56 LoBitSnare
57 Sm Snare1
58 Sm Snare2
59 SynSnare
60 BreakSnr 1
61 BreakSnr 2
62 BreakSnr 3
63 BreakSnr 4
64 DB Snare1
65 DB Snare2
66 DB Snare3
67 DB Snare4
68 DB Snare5
69 DB Snare6
70 Snappy
71 R&BSnare1
72 R&BSnare2
73 R&BSnare3
74 VoxSnare1
75 VoxSnare2
76 GunSnare
77 ResoSnare1
78 ResoSnare2
1 OakCustomH
2 OakCustomM
3 OakCustomL
4 MapleCus H
5 MapleCus M
6 MapleCus L
7 BeechCus H
8 BeechCus M
9 BeechCus L
10 Studio H
11 Studio M
12 Studio L
13 RockAmb H
14 RockAmb M
15 RockAmb L
16 MapleAmb H
17 MapleAmb M
18 MapleAmb L
19 JazzTom H
20 JazzTom M
21 JazzTom L
22 BrushTom H
23 BrushTom M
24 BrushTom L
25 T8 Tom1 H
26 T8 Tom1 M
27 T8 Tom1 L
28 T8 Tom2 H
29 T8 Tom2 M
30 T8 Tom2 L
31 T9 Tom1 H
32 T9 Tom1 M
33 T9 Tom1 L
34 T9 Tom2 H
35 T9 Tom2 M
36 T9 Tom2 L
37 Sm Tom1 H
38 Sm Tom1 M
39 Sm Tom1 L
40 Sm Tom2 H
41 Sm Tom2 M
42 Sm Tom2 L
43 PulseTom H
44 PulseTom M
45 PulseTom L
46 VoxTom
47 E.BendTom
48 E.Talking
49 DidgeriTom
50 ReverseTom
1Bright18
2Bright18Eg
3Bright18Cp
4Warm16
5Warm16Edge
6Warm16Cup
7 Dark18
8 Dark18Edge
9 Dark18Cup
10 CrCustom17
11 CrLight17
12 CrFast16
13 CrFast14
14 Bright20
15 Bright20Eg
16 Bright20Cp
17 Warm20
18 Warm20Edge
19 Warm20Cup
20 Dark20
21 Dark20Edge
22 Dark20Cup
23 RideCool
24 RideCoolCp
25 RideDry
26 RideDryCup
27 SizzleRide
28 SizzRideEg
29 SizzRideCp
30 ChinaHi
31 ChinaLoCtr
32 ChinaLoEg
33 Splash 1
34 Splash 2
35 Trash 1
36 Trash 2
37 T8 Crash
38 T9 Crash
39 T8 Ride
40 T9 Ride
41 ElecCymbal
42 NoiseCym1
43 NoiseCym2
44 VoxCymbal1
45 VoxCymbal2
46 ReverseCym
1 Dark14 Opn
2 Dark14 OpE
3 Dark14 Cls
4 Dark14 ClE
5 Dark14 Ft
6 Dark14 Sp
7 Dark13 Opn
8 Dark13 OpE
9 Dark13 Cls
10 Dark13 ClE
11 Dark13 Ft
12 Dark13 Sp
13 Bright14Op
14 Bright14OE
15 Bright14Cl
16 Bright14CE
17 Bright14Ft
18 Bright14Sp
19 Warm13Opn
20 Warm13OpE
21 Warm13Cls
22 Warm13ClE
23 Warm13Ft
24 Warm13Sp
25 Tight12Opn
26 Tight12OpE
27 Tight12Cls
28 Tight12ClE
29 Tight12Ft
30 Tight12Sp
31 T8 HH Opn
32 T8 HH Cls
33 T9 HH Opn
34 T9 HH Cls
35 CR HH Opn
36 CR HH Cls
37 Break HHOp
38 Break HHCl
39 Brack HHFt
40 NoiseHHOpn
41 NoiseHHCls
1 CongaHiOpn
2 CongaHiSlp
3 CongaHiOSw
4 CongaHiTip
5 CongaHiHel
6 CongaLoOpn
7 BongoHi
8 BongoLo
9 TimbalHi
10 TimbalLo
11 PailaHi
12 PailaLo
13 SurdoOpn
14 SurdoMt
15 SurdoHO
16 SurdoSw
17 PandieroOp
18 PandieroMt
19 PandieroSl
20 Tambarin1
21 Tambarin2
22 Tambarin3
23 Cowbell 1
24 Cowbell 2
25 Cowbell 3
26 Cowbell3Mt
27 Cowbell 4
28 Cowbell4Mt
29 Claves
30 Maracas
31 Vibraslap
32 Castanet
33 TriangleOp
34 TriangleCl
35 TriangleHO
36 TriangleSw
37 GuiroShort
38 GuiroLong
39 Agogo Hi
40 Agogo Lo
41 WoodBlockH
42 WoodBlockL
43 Shaker1
44 Shaker2
45 Caxixi1
46 Caxixi2
47 DjembeOpen
48 DjembeSlap
49 DjembeMute
50 CajonLo
51 CajonHi
52 CajonSlp
53 TalkDrOp
54 TalkDrMt
55 TalkDrSlp
56 TalkDrBend
57 PotDrOpn
58 PotDrCls
59 PotDrMute
60 PotDrBody
61 TablaOpen1
62 TablaOpen2
63 TablaMute
64 TablaSlp
65 BayaOpn
66 BayaMute
67 BayaBend
68 CuicaHi
69 CuicaLo
70 WhistleH
71 WhistleL
72 SleighBell
73 BellTree
74 WindChime
75 TimpaniF#2
76 Timpani B1
77 Timpani E1
78 ConctBDop
79 ConctBDmt
80 HandCymOp
81 HandCymMt
82 Gong
83 ChinaGong
84 Odaiko
85 OdaikoRim
86 Yagura
87 YaguraRim
88 Shimedaiko
89 ShimeRim
90 Atarigane
91 AtariganeM
92 AnaConga
93 AnaCowbell
94 AnaMaracas
95 AnaShaker1
96 AnaShaker2
46
DTX500 Owner’s Manual
Appendix
Preset Drum Kit List
Preset Song List
1 StickHit1
2 StickHit2
3 FingerSnap
4 E.Clap1
5 E.Clap2
6 E.Clap3
7 NoiseHit
8 Metal1
9 Metal2
10 Metal3
11 AmbShot
12 Tunnel
13 HiQ
14 Noise 1
15 Noise 2
16 Pulse
17 Zap
18 MetrBell 1
19 MetrBell 2
20 Click1
21 Click2
22 Vo Go!
23 Vo Hoo!
24 Vo Yoo!
25 Vo Ha!
26 Vo Uh!
27 Vo aYeah!
28 Scratch1
29 Scratch2
30 Scratch3
31 Scratch4
32 Scratch5
33 Scratch6
34 Scratch7
35 OrchHit1
36 OrchHit2
37 R&BHit1
38 R&BHit2
39 BrassHit
40 ScratchHit
41 Industry
42 CompuVoice
43 Radio
44 Thunder
45 Tire
46 Crash
47 Glass
48 GunShot1
49 GunShot2
50 Bomb
51 ResoNzClap
52 Strike
53 AmbientCym
54 SFXCymbal1
55 SFXCymbal2
56 SFXCymbal3
57 NzAmbient
58 LoDroneAmb
59 NzEcho
60 Vel-Decay1
61 Vel-Decay2
62 DlyScratch
63 Boyon
64 P!
65 E.Bass
66 SlapBass
67 Turntable*
68 Train*
69 Helicoptr*
70 Applause*
71 Police*
72 Ring*
73 FX Pad*
74 Didgerido*
75 VinylMan*
* Loop
Kit No. Kit Name
1 Oak Custom
2 Maple Custom
3 Beech Custom
4 Rock Kit
5 Gate Kit
6 HipHop Kit
7 Synth Drums
8 Street Beat
9Brazil Kit
10 Sm Kit
11 Studio Kit
12 Dry Beat
13 SessionMastr
14 T8 Kit
15 T9 Kit
16 D’n’B Kit
17 Nu Electro
18 Perc. Kit
19 Social Cuban
20 SFX Kit
21 Funky Men
22 Power Kit
23 Reso Kit
24 Phase Drum
25 Jazz Kit
26 Brush Kit
Kit No. Kit Name
27 Matsuri
28 AsianGypsy
29 Elec.Classic
30 Hey DJ!
31 VOX Kit
32 Vintage Kit
33 Room Kit
34 Afro Kit
35 Latin Club
36 Drum Corps
37 Orchestra
38 Dubstep
39 R&B Cool
Kit No. Kit Name
40 WikkidPocket
41 Reggae Kit
42 BrokenFunk
43 GoGo1988
44 Re-0
45 Elec 5/4
46 Backbone
47 Groovin’
48 8/8 Craze
49 Bs.@Base
50 GM Standard
Kit No. Kit Name
No. Genre Name
1 Demo Demo 1
2 Demo 2
3 Demo 3
4 Rock Rock 1
5 Rock 2
6 Rock 3
7 Rock 4
8 Rock 5
9 Rock 6
10 Shuffle Shuffle 1
11 Shuffle 2
12 Shuffle 3
13 Funk Funk 1
14 Funk 2
15 Funk 3
16 Blues Blues 1
17 Blues 2
18 Hip Hop HipHop 1
19 HipHop 2
20 R&B R&B 1
21 R&B 2
22 Dance Dance 1
23 Dance 2
24 Pops Pops 1
25 Pops 2
26 Pop Rock PopRock1
27 PopRock2
28 Jazz Jazz 1
29 Jazz 2
30 Bossa Nova Bossa 1
31 Bossa 2
32 Fusion Fusion 1
33 Fusion 2
34 Samba Samba 1
35 Samba 2
36 Samba 3
37 Latin Latin 1
38 Latin 2
39 Reggae Reggae
40 Soul Soul
41 Ballad Ballad 1
42 Ballad 2
No. Genre Name
43 Second Line 2ndLine
44 Ska Ska
45 Pad Song 8Craze A
46 8Craze B
47 BassGrv
48 HornGrv
49 BassRiff
50 PadBass
51 GoGo Tp
52 GoGo Br
53 GoGo Lp
54 Re-O
55 BFunk A
56 BFunk B
57 BFunk C
58 Elec5/4A
59 Elec5/4B
60 Elec5/4C
61 Backb Ld
62 Backb St
63 Backb Pf
No. Genre Name
47
DTX500 Owner’s Manual
Appendix
Specifications
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or mod-
ify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale,
please check with your Yamaha dealer.
MIDI Data Format
1. Channel Messages
The channel messages described below are sent from
the drum triggers only. Other messages are sent from
both the drum triggers and the sequencer.
1.1 Key On, Key Off
Note range: 0 (C-2)–127 (G8)
Velocity range: 0–127
1.2 Control Change
1.2.1 Bank select MSB, LSB–0, 32
data = 0–127
1.2.2 Foot controller–4 (Ch. 10 only)
1.2.3 Main volume–7
1.2.4 Pan–10 (left 0, right 127)
1.3 Program Change
2. System Exclusive Messages
2.1 Parameter Change
2.1.1 GM system ON
$F0 $7E $7F $09 $01 $F7 (hexadecimal)
Sets all messages (except MIDI master tun-
ing) to their initial values.
3. System Realtime Message
3.1 Timing clock
Sends data.
3.2 Start, Stop
Sends data.
3.3 Active sensing
Sends the messages within an interval of approxi-
mately 300 msec.
Tone Genera-
tor block
Tone Generator AWM2
Maximum Polyphony 32
Voices 427 Drum, Percussion Voices, 22 Keyboard Voices
Drum Kits Preset: 50, User: 20
Effects Reverb x 19 types, Master EQ
Trigger
Tr igger Setups Preset: 7, User: 4
Pad Controller Snares adjustment, Tuning, Tempo
Pad Functions Drum Kit INC/DEC, Click Set INC/DEC, Tempo INC/DEC, Click ON/OFF
Pad Songs Start/Stop, Chase, Cut Off, 3 songs (max.) can be played simultaneously.
Sequencer
Note Capacity Approx. 16,000 notes
Note Resolution 96 parts per quarter note
Recording Type Real Time Replace
Tra ck 1
Songs 3 Demo Songs, 41 Practice Songs, 19 Pad Songs, 20 User Songs
Metronome
Tempo 30–300 beats/minute, Tap Tempo function
Beat 1–9
Timing Accent, Quarter note, Eighth note, Sixteenth note, Triplet
Click Sound Sets Preset: 6, User: 1
Click Sets 30
Click Timer 0–600 seconds (in 30-second steps)
Training Functions Measure Break, Groove Check, Rhythm Gate
Others
Controls
Buttons: DRUMKIT, CLICK, SONG
>
/
, SHIFT,
<
,
>
, ON/OFF, SAVE/ENTER
Controllers: Volume, Jog Dial
Displays 16 characters x 2 lines backlit LCD, 7-segment LED (3-digit), Tempo LED x 2
Connectors Trigger inputs 1, 5, 6, 7 (stereo phone jack L: trigger input, R: rim switch)
Tr igger inputs 2, 3, 4, 8 (stereo phone jack L: trigger input, R: trigger input)
HI HAT CONTROL (stereo phone jack)
OUTPUT L/MONO, R (mono phone jack)
PHONES (stereo phone jack), AUX IN (stereo mini jack)
MIDI OUT, DC IN
Power Consumption 8.0W (DTX500), 13.0W (DTX500 and AC power adapter)
Dimensions (W x D x H) 252 x 147 x 52 mm (9-15/16" x 5-13/16" x 2-1/16")
Weight 898 g (2 lbs.)
For details of products, please contact your nearest
Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, German
y
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVA K I A /
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w P
olsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Ya maha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16
th
floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Works LTD
P. O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUR
OPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICE
Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2432
SY51
Yamaha Electronic Drums web site:
http://www.yamaha.co.jp/english/product/drums/ed/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
003PO***.*-01B0
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2010 Yamaha Corporation
WU53720
Printed in Vietnam

Documenttranscriptie

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ASIA THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha Música Ibérica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM/IRELAND Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 GERMANY Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 SWITZERLAND/LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Zürich Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1, N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha Music (Russia) Office 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 495 626 0660 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 AUSTRIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 POLAND/LITHUANIA/LATVIA/ESTONIA Yamaha Music Europe GmbH Branch Sp.z o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDIA Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE RUSSIA Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 THE PEOPLE’S REPUBLIC OF CHINA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868 SY51 Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Owner’s Manual Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2432 Yamaha Electronic Drums web site: http://www.yamaha.co.jp/english/product/drums/ed/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2010 Yamaha Corporation 002PO***.*-01A0 WU53720 EN SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. SPECIFICATIONS SUBJECT TO CHANGE: Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. 92-BP (bottom) Model Serial No. Purchase Date PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) Introduction Thank you for purchasing the YAMAHA DTX500. The DTX500 is a compact drum trigger module that includes a wealth of rich, high-quality drum voices and is compatible with snare pads equipped with a pad controller. It also has a comprehensive variety of features that help you build your drumming and rhythm section skills, a built-in sequencer for recording your own songs and performances, an effective Groove Check function that helps you tighten your timing, and a versatile, multi-function metronome for enhancing your practice sessions. Moreover, it provides a large selection of preset songs that you can play along with and improve your ability in a variety of musical styles. To get the most out of your DTX500, please read this manual carefully. After reading through the manual, make sure to store it in a safe place so that you can refer back to it again as needed. Accessories Yamaha AC power adaptor (PA-130)* Module stand Module stand fastening screws x 2 Owner’s Manual (this book) *May not be included depending on your particular area. Please check with your Yamaha dealer. About the Descriptions and Conventions in this Manual • [DRUM KIT], [CLICK], etc. Panel buttons and controls are indicated with [ ] (brackets). • [SHIFT] + [DRUM KIT], etc. This means to simultaneously hold down the [SHIFT] button and press the [DRUM KIT] button. • [<]/[>], etc. This means that you can use either the [<] button or [>] button in the operation. • “Completed!”, etc. Words in quotation marks indicate a message shown on the LCD display. The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument. ■ About the pads This Owner’s Manual described the model names of the drum pads which can be connected to the DTX500. Note that these were the latest models at the time this Owner’s Manual was produced. For details about more recently released models, refer to the following website. http://www.yamaha.co.jp/english/product/drums/ed/ DTX500 Owner’s Manual 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Water warning • Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (page 3) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Never insert or remove an electric plug with wet hands. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. Do not open • This instrument contains no user-serviceable parts. Do not attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. If you notice any abnormality • When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel. • The power cord or plug becomes frayed or damaged. • It emits unusual smells or smoke. • Some object has been dropped into the instrument. • There is a sudden loss of sound during use of the instrument. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. Location • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected cables. • When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. (7)-1 4 DTX500 Owner’s Manual • Use only the rack specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. Connections • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. • Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Handling caution • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. 1/2 Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet. Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC. By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items. [For business users in the European Union] If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. OBSERVERA! Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) NOTICE To avoid the possibility of damage to the product, data or other property, follow the notices below. ■ Handling and Maintenance • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. ■ Saving data • Never attempt to turn off the power while data is being written to Flash ROM (while a “now storing...” message is shown). Turning the power off in this state results in loss of all user data and may cause the system to freeze (due to corruption of data in the Flash ROM). This means that this instrument may not be able to start up properly, even when turning the power on next time. Information ■ About copyrights • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. • This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. ■ About this manual • The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. (7)-1 2/2 DTX500 Owner’s Manual 5 Main Features The DTX500 is equipped with a high-quality 32-polyphony tone generator that produces realistic voices, includes a high-performance, multi-function metronome, a built-in sequencer and a variety of songs—all combined into a compact, portable package. The DTX500 is an exceptionally versatile instrument that can be used in a variety of situations such as live performance, personal practice, and much more. ■ Drum Triggers • The DTX500 drum trigger module is compatible with the new pads (XP series.) • Built into the unit are twelve trigger input jacks and a hi-hat controller jack. The instrument also features jacks that are compatible with two-zone or three-zone pads (pads that transmit different signals depending on the area that is hit). Moreover, the snare drum jack is compatible with pad-controller-equipped pads. This lets you adjust the ‘virtual’ snares and the tuning—just as you would with an acoustic snare drum. All in all, the DTX500 has the operability, functionality and performance that is virtually equivalent to an acoustic drum kit. • You can connect the DTX500 to an acoustic drum kit by using drum triggers such as Yamaha DT20. The setup data such as the trigger input types and sensitivity can be customized to suit your playing preferences, style and particular setup. • Also included in the unit are 50 preset drum kits which naturally contain acoustic drum kits, and cover a wide range of music genres, such as rock, funk, jazz, reggae, Latin, etc. Moreover, User kit memory is available for storing 20 sets. With this, you can set up your own original drum kits using the various drum voices. * The word “trigger” refers to the means by which hitting a pad sends a signal to the DTX500 as to what sound to play on the built-in tone generator and how loud the sound should be played. ■ Tone Generator • The DTX500 is equipped with a high-quality, 16-bit AWM2 (PCM) tone generator with 32-voice polyphony that produces dynamic voices or exceptional realism. The voices—totalling 427—cover a wide range sounds, such as authentic acoustic drums, unique electronic percussion, sound effects, and much more. The instrument also features a built-in high-quality digital reverb for enhancing the sound. ■ High-performance Metronome • The DTX500 provides with a comprehensive, multi-function metronome, allowing various click settings for each note value. Each note value can be assigned its own separate click sound and pitch. You can also set a timer that will determine when the click stops and set breaks which how many measures the click will play and then be muted. • The DTX500 also features a “Tap” function that lets you set the tempo for the song or click by tapping in tempo on a pad to any tempo you like. This lets you set whatever tempo you desire for playing or practicing. ■ Sequencer • The built-in sequencer contains a wide variety of 63 preset songs. Two functions that make the DTX500 great for practice are the Drum Mute Function, which mutes a specific drum part, and the Bass Solo function, which lets you play along with just the song’s bass part. The DTX500 also allows you to record your performance in real time—and allows you to play along with your recorded performance data. • In addition to one main song that is controlled from the panel, three pad songs can be individually controlled and simultaneously played by trigger input from the pads. ■ Groove Check • The Groove Check function monitors your playing and provides instant feedback on your rhythmic skills, providing a powerful way to quickly improve your technique. It includes a Rhythm Gate function that produces sounds only if your timing is accurate, and also has a Challenge mode that evaluates your playing, giving you a letter grade—and makes mastering the drums easier and more fun than ever before. ■ Interface • A MIDI OUT jack on the rear panel lets you connect other devices and play sounds from an external tone generator or synchronize the metronome with an external sequencer. Also provided are an AUX IN jack, which lets you plug in and play along with an external audio device, such as a CD player or MD player, and a headphones jack for convenient practice without disturbing others. 6 DTX500 Owner’s Manual Contents Introduction ............................................................3 5 Using the Groove Check Function ............... 22 Accessories ...............................................................3 Groove Check Mode ............................................... 22 About the Descriptions and Conventions in this Manual ............................................................3 6 Record Your Performance............................. 24 Main Features ...........................................................6 Controls and Functions.........................................8 Top Panel ..................................................................8 Recording System .................................................. 24 7 Create Your Own Original Drum Kit ............. 26 Factory Set ............................................................. 33 Rear Panel ................................................................9 1 Connections ....................................................10 1 Connecting the Pads ..........................................10 8 Trigger Setup Edit .......................................... 34 Trigger Setup procedure ......................................... 34 Explanations of Each Display Page........................ 35 Setting up with Acoustic Drums.......................10 2 Setting Up the Power Supply..............................10 3 Connecting to Speakers or Headphones............10 4 Turning the Power On.........................................11 5 Selecting the Trigger Setup ................................12 2 Time to Play.....................................................13 Adjusting the Hi-hat .................................................14 Pad Controller Settings ...........................................15 3 Playing Along With the Click .........................16 Click Out Select.......................................................18 Tap Tempo Function ...............................................19 LED Display Setting ................................................19 Error Messages ................................................... 38 Troubleshooting .................................................. 38 Index ..................................................................... 40 Appendix .............................................................. 41 LCD Displays .......................................................... 41 MIDI Implementation Chart ..................................... 44 Drum Voice List ...................................................... 45 Preset Drum Kit List ................................................ 46 Preset Song List .................................................... 46 Specifications.......................................................... 47 MIDI Data Format ................................................... 47 4 Playing Along With a Song ............................20 Pad Function Settings .............................................21 DTX500 Owner’s Manual 7 Controls and Functions Top Panel i o 8.8.8. ~~~~~YAMAHA ~~~~ !0 ~~~ DTX drums~~ w q e r t !1 y u q Drum Kit button (DRUM KIT) y Click ON/OFF button ( • For entering the Drum Kit Select display. (p. 13) • Hold the [SHIFT] button and press the [DRUM KIT] button to enter the Trigger Setup Select page. (p. 12) • This button can also be used to temporarily mute all sounds of all voices. • For starting/stopping the click sound (metronome). (p. 16) • Hold the [SHIFT] button and press the [ ON/OFF] button to enter the Tap Tempo Setting page. (p. 19) w Click button (CLICK) • For entering the Click (Metronome) Setting page. (p. 16) • Hold the [SHIFT] button and press the [CLICK] button to enter the Groove Check Setting display. (p. 22) e Song button (SONG >/■) • For entering the Song Select page. (p. 20) • Hold the [SHIFT] button and press the [SONG >/■] button to enable recording standby mode for the DTX500. • Press this button to start/stop song playback or recording. r Shift button (SHIFT) Holding this button and pressing another specific button switches to the function printed above each button on the top panel. t Select buttons (<, >) • For selecting an item you want to edit (the selected item flashes). If there are multiple pages either before or after the page currently displayed, the buttons are used to view the next or previous page. Hold the button to continuously move the flashing cursor. • Press these two buttons together to scroll continuously back and forth through the pages. Holding the [<] button first and pressing the [>] button moves to the previous page while holding the [>] button first and pressing the [<] button moves to the next. • Hold the [SHIFT] button and press the [<]/[>] buttons to select the trigger input you want to edit. 8 DTX500 Owner’s Manual ON/OFF) u Save/Enter button (SAVE/ENTER) • For saving data or executing an operation (Enter). • Hold the [SHIFT] button and press the [SAVE/ENTER] button to enter the Utility page, which is used to make overall settings for operating the DTX500. i Click lamp The red lamp lights on the first beat of every measure when the click or a song is playing. The other beats are indicated with a green light. o LED display For indicating the tempo, the number selected in the current page, or the click timer depending on the setting made. (p. 19) !0 LCD display For displaying important information and data used in operating the DTX500. !1 Jog dial Rotate the jog dial to change the value selected with the cursor (the flashed item to be edited) in the display. Rotate the dial to the right (clockwise) to increase the value, and to the left to decrease. The jog dial can also be used to change the layer (A/B) and for Drum mute. Hold the [SHIFT] button and rotate the knob to change the current tempo. Controls and Functions Rear Panel !2 !3 !5 !6 !4 !7 !9 !8 @0 @1 !2 MIDI OUT jack !5 Output jacks (OUTPUT L/MONO, R) For sending data from the DTX500 to an external MIDI device. With this jack, you can use the DTX500 as a control device to trigger voices from an external tone generator, or synchronize song playback or the click of the DTX500 with the playback of an external sequencer. (p. 11) For connecting the DTX500 to an external amplifier, mixer, etc. For mono playback use the L/MONO jack. For stereo playback connect both L and R jacks. (p. 10) !3 Trigger Input jacks (1SNARE thru 8KICK/9) For connecting pads or drum triggers (Yamaha DT20, etc.) to receive trigger signals. Connect external pads such as a snare, tom, etc., according to the indication below each input. (p. 10) 1SNARE ..................... Compatible with three-zone pads and the pad controller. 2TOM1/ 0, 3TOM2/ !, 4TOM3/ @, 8KICK/ 9 .............................. Mono x 2 inputs A Y-shaped cable (stereo plug—mono jack x 2; refer to the illustration below) can be used to trigger inputs 9, 0, !, and @ (monaural pad). Also, if the KP125W/125/65 kick pad is connected to this jack with a stereo cable, the external pad input jack on the KP125W/125/65 can be used as the input for input jacks 9, 0, !, or @. 5RIDE, 6CRASH ..... Compatible with three-zone pads. 7HI HAT ..................... Compatible with stereo pads (with switches) ● Y-shaped cable Mono phone jack !6 Headphones jack (PHONES) Connect a set of stereo headphones to this jack to monitor the DTX500. (p. 10) !7 AUX IN jack Connect the output of an external audio device, etc., to this jack (stereo mini jack). (p. 11) This is convenient for playing along with music from a CD player, etc. * Use the volume control on the external device to adjust the volume balance. !8 Master Volume (VOLUME) Adjusts the DTX500’s overall volume (output level of the signal sent via the OUTPUT jacks and PHONES jack). Rotate the knob clockwise to increase the volume, or counter-clockwise to decrease it. !9 DC IN terminal (12V) Connect the supplied AC power adaptor to this terminal. To prevent the adaptor from becoming unplugged, secure the cable to the cable clip. @0 Cable clip Prevents the power cord from accidentally becoming unplugged. (p. 10) Stereo phone plug Mono phone jack !4 Hi-hat controller jack (HI HAT CONTROL) @1 Standby/On Switch The power is turned on when the button is set to this position: (>). The power is off when set this way: (?). For connecting a hi-hat controller. * Use a cable with a stereo plug (shown below) when connecting a hi-hat controller. Double insulator DTX500 Owner’s Manual 9 1 Connections In this chapter, you’ll learn how to set up the DTX500. Read these instructions carefully and in the following order to ensure that the instrument sounds and operates properly: 1 Connecting the Pads → 2 Setting Up the Power Supply (p. 10) → 3 Connecting to Speakers or Headphones (p. 10) → 4 Turning the Power On (p. 11) → 5 Selecting the Trigger Setup (p. 12) !! IMPORTANT !! You’ll need to change the Trigger Settings of the DTX500 according to the type of drum set you are using. If the setting is not appropriate, problems may occur—such as improper sound, or inappropriate volume balance among the pads. Refer to the “Selecting the Trigger Setup” section on page 12 on how to select the appropriate setup. 1 Connecting the Pads CAUTION Referring to the illustration below, connect the output cable from each pad to each Trigger Input jack located on the rear panel of the DTX500. For details, see the Assembly Manual that comes with the drum set you are using. CAUTION • To prevent electric shock and damage to the devices, make sure the power is switched OFF on the DTX500 and all related devices before making any connections to the DTX500’s input and output jacks. Setting up with Acoustic Drums The DTX500 can be played from an acoustic drum kit if the kit is fitted with an optional set of drum triggers (such as Yamaha DT20 Drum Triggers) and the triggers are properly connected to the input jacks of the DTX500. 2 Setting Up the Power Supply A special power source adaptor supplies power to the DTX500. 2-1. Make sure that the Standby/On Switch of the DTX500 is set to the standby (?) position. • Make sure that the power adaptor’s cord is not bent at an extreme angle when wrapping the cord around the clip. Doing this can damage or sever the cord and create a fire hazard. 2-3. Connect the other end of the power cord to an AC outlet. WARNING • Please use the specified AC power adaptor. The use of any other adaptors may cause irregular operation or damage to the device. • Only use the voltage specified as correct for the DTX500. The required voltage is printed on the name plate of the DTX500. CAUTION • Unplug the AC Power Adaptor when not using the DTX500, or during electrical storms. 3 Connecting to Speakers or Headphones Since the DTX500 has no built-in speakers, you’ll need an external audio system or a set of stereo headphones to properly monitor it. Monitor system for the DTX series MS100DR, MS50DR, etc. Headphones 2-2. Connect the DC plug of the included AC power adaptor to the DC IN terminal on the rear panel. To prevent the cord from being unplugged accidentally, wrap the cord around the cable clip and secure it. OUTPUT L/MONO and R jacks 10 DTX500 Owner’s Manual PHONES jack 1 Connections 4 Turning the Power On NOTICE • Whenever making connections, make sure that the plug on the cable being used corresponds to the type of jack on the device. ● OUTPUT L/MONO, R jacks (standard mono phone) These jacks allow you to connect the DTX500 to an external amplifier + speakers and produce full, amplified sound, or connect the DTX500 to audio recording equipment for recording your own performance. * Use the DTX500’s OUTPUT L/MONO jack when connecting to a device with a mono input. ● PHONES jack (standard stereo phone jack) Use the VOLUME knob on the rear panel to adjust the headphone volume. CAUTION • Do not use the DTX500 at a high volume level for a long period of time, or your hearing may be damaged. ● AUX IN jack (stereo mini phone jack) The audio output from a MP3 player or CD player connected to the AUX IN jack can be mixed with the sound of the DTX500 and transmitted via the OUTPUT jacks or PHONES jack. This jack can be used when you want to play along with your favorite songs. * Use the volume control on the external device (MP3 player, etc.) to adjust the volume balance. 4-1. Make sure the volume settings of the DTX500 and external devices are turned down to the minimum. 4-2. Turn the power on (>) by pressing the Standby/On Switch on the rear panel of the DTX500, then turn on the power of the amplifiers. 4-3. To turn off the power, press the again. Standby/On Switch CAUTION • Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the DTX500 for a long time, make sure to unplug the AC power adaptor from the wall AC outlet. ● Connecting a Mixer or MIDI Devices Make sure that all volume settings are turned down all the way to the minimum. Then turn on the every device in your setup in the order of MIDI masters (controllers), MIDI slaves (receivers), then audio equipment (mixers, amplifiers, speakers, etc.). When powering down the setup, first turn down the volume for each audio devices, then switch off each device in the reverse order (first audio equipment, then MIDI). 1 2 DTX500 (MIDI Master) MIDI slave 8.8.8. ~~~~~YAMAHA ~~~~ ~~~ DTX drums~~ ● MIDI OUT jack The MIDI functions on the DTX500 lets you play voices on an external tone generator with the pads of the DTX500, or synchronize the DTX500’s song or click playback with the playback of an external sequencer. About MIDI 3 Audio equipment (first mixer, then amplifier) MIDI (Musical Instrument Digital Interface) is a worldwide standard that enables you to connect instruments and computers—of different manufacturers and different types—and transmit performance and other data among them. * Also, use a MIDI cable that is not more than 15 meters in length. Using a longer cable may result in irregular operation and other problems. DTX500 Owner’s Manual 11 1 Connections 5 Selecting the Trigger Setup ● About Connecting Pads This setting lets you select the Trigger Setup that most closely matches the trigger output levels and functions of your pads. Use the operation described below to select the Trigger Setup you want to use. ● Procedure 5-1. Press the [SHIFT] + [DRUM KIT] buttons to view Page 1 in the Trigger Setup Select display (TRG1). TRG1~~~ååååååååå 1~:XP~Med~~~~~~‚ 5-2. Rotate the jog dial to select the Trigger Setup that matches the drum kit you are using. TRG1~~~ååååååååå 5~:STD~Med~~~~~‚ Trigger Setup NOTE • If you want to replace some of the pads from your drum set, or if you need to solve any crosstalk problems, the operation “Trigger Setup Edit” on page 34 describes how to make a detailed setting for each pad after the above setting is done. If you have created a setup for these reasons, that setup can be saved to one of the Trigger Setup locations (8-11). • The DTX500’s input jack parameters are preset with settings suitable for pads when an appropriate Trigger Setup is selected. If you intend to connect any other type of pad or a drum trigger (Yamaha DT20, etc.) to the input jack, that jack’s parameters (sensitivity, etc.) should be changed to settings that suit the particular pad. Pad sensitivity is set in the Trigger Setup Select display’s Page 3 [TRG3 Gain] setting (p. 36). • Pad-controller-equipped pads like the XP100SD, TP100, etc., can be connected to Trigger Input jack 1SNARE. • Three-zone pads like the TP65S, PCY155/150S, PCY135/ 130SC, etc., can be connected to Trigger Input jacks 5RIDE and 6CRASH. • 7HI HAT is a stereo input type jack. Pads equipped with trigger switches like the TP65S, PCY65S, PCY130S, etc. can be connected to this jack. • The 2TOM1/ 0, 3TOM2/ !, 4TOM3/ @ jacks correspond to a two-trigger input that uses a stereo jack for L and R. A Y-shaped cable (stereo plug—mono jack x 2) can be used to input two trigger signals. • The 8KICK/ 9 jack accepts a two-trigger input using a stereo cable and jack for L and R signals. A Y-shaped cable (stereo plug—mono jack x 2) can be used to input two trigger signals. Also, if the KP125W/125/65 kick pad is connected to the DTX500’s input jack 9 with a stereo cable, the external pad input jack on the KP125W/125/65 can be used as the input for Input jack 9. • In addition to the 8KICK/ 9 jack, the 2TOM1/ 0, 3TOM2/ !, and 4 TOM3/ @ jacks can be used to connect a second bass drum pedal to create a double-bass drum set. ● Trigger Setup List No. Name 1 XP Med 2 XP Dyna 3 SP Med 4 SP Dyna 5 STD Med Features Normal Setting Drum Set with new pads (XP series) Normal Setting for DTXPRESS IV Special Drum Set Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however, may result in crosstalk (sound being produced by other pads). Normal Setting 6 STD Dyna for DTXPRESS IV Standard Drum Set 7 DT10/20 — Use for DT10/20 drum trigger systems applied to acoustic drums. 8 | 11 UserTrig — Allows creation of custom trigger setups. (→Settings are made using Trigger Setup Edit on page 34.) * In the default setting, “1: XP Med” is selected. 12 Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however, may result in crosstalk (sound being produced by other pads). DTX500 Owner’s Manual Wide dynamic range. This setting is designed for maximum expressive control, allowing performance subtleties over a wide dynamic range. Excessive vibration however, may result in crosstalk (sound being produced by other pads). 2 Time to Play Now that your DTX500 is properly connected, it’s time to make some music! 1 3 Play the DTX500 While hitting the pads, turn the VOLUME knob on the rear panel to raise the overall volume to a comfortable level. Change the Volume for Each Pad Change the volume for each pad and adjust the overall balance of the Drum Kit. Press the [>] button once in the previous Drum Kit Select page. The following display appears and the flashing cursor is at “˙” in the LCD. KIT2~~~ƒsnare~~˙ ”S01:OakCustom~‚ The trigger input level will be displayed in the bar graph in the upper right corner of the display. The bar graph indicates the input levels of the following input jacks. KIT1~~~∑åååååø¥å 1~:Oak~Custom~~‚ 2 Bar graph Bar graph (from left) Corresponding input jacks 1 2 3 4 5 6 7 8 9 1 SNARE 2 TOM1/ 0 3 TOM2/ ! 4 TOM3/ @ 5 RIDE 6 CRASH 7 HI HAT 8 KICK 8 PAD 9 Select a Drum Kit A ‘Drum Kit’ is a collection of drum sounds (or voices) that play when you hit the pads. Try selecting some of the Drum Kits (1–50) and enjoy the variety of sounds and drum setups available. * Preset Drum Kit List (p. 46) Rotate the jog dial to select a Drum Kit. KIT1~~~ååååååååå 1~:Oak~Custom~~‚ Drum kit Number Press the [>] button again to move the flashing cursor to the “S” position, the first character of “S01:OakCustom”. KIT2~~~ƒsnare~~˙ ”S01:OakCustom~‚ Press the [>] button twice to view the KIT 3 page. KIT3~~~ƒsnare~~ ”~~Volume=120~~‚ Use the [<]/[>] buttons in this manner to select the desired item (the cursor flashes). When the page only contains a single item, pressing the [<]/[>] buttons will select the next or previous page. * The “‚” mark on the lower right side of the display indicates that a succeeding page is available. Likewise, the “”” mark on the lower left side of the display indicates that a previous page is available. In the KIT 3 page, hit the pad for which you want to change the volume. The selected pad (input jack) is shown in the upper half of the display. Rotate the jog dial to adjust the volume (the value is flashing) of the pad. * Some drum voices have two voices in a layer (in other words, two voices sound at the same time when a pad is hit). In case of two-layer voices, select the ˙ or ¶ mark in the upper right side of the display (press the [<]/[>] buttons so that the mark flashes, and use the jog dial to select) then adjust each volume. Drum kit Name Pad (Input jack) Try out the different drum kits and select one drum kit you like. * Some Drum Kits have pad songs and drum loops that start playback when the corresponding pad is hit. KIT3~~~™tom1~~~˙ ”~~Volume=120~~‚ ˙/¶) Layer ( Volume (0–127) DTX500 Owner’s Manual 13 2 Time to Play Adjusting the Hi-hat NOTICE • An asterisk “*” will appear next to “KIT3” in the display once the volume is changed, indicating that the kit has been edited. This asterisk will disappear after the Store operation (p. 32) is carried out. If a different drum kit is selected, etc., before carrying out the Store operation, the current settings will return to their original condition. If you want to keep changes made to the data, make sure you carry out the Store operation. KIT3*~~™tom1~~~˙ ”~~Volume=110~~‚ 4 Change the Output Sound Quality Use the Master Equalizer found on Utility Page 5 to change the output sound quality. Overall settings for the DTX500 are set in the Utility pages. First, press the [SHIFT] + [SAVE/ENTER] buttons to view the Utility pages. Utility (Page 1) UTIL1~Hi-hat HHofs=~~0~T=~~5‚ Press the [>] button five times to view Utility Page 5. UTIL5~MasterEQ ”Lo=+~2~Hi=+~2~‚ Now use the Master Equalizer (two-band shelving type) setting to change the sound quality. “Lo=” is for the low-range gain setting (+0dB to +12dB) and “Hi=” for the high-range gain setting (+0dB to +12dB). Press the [<]/[>] buttons to move the flashing cursor to the item you want to set, then rotate the jog dial to set its value. UTIL5~MasterEQ ”Lo=+~8~Hi=+~0~‚ You can also adjust or set the individual pad voices, tuning, reverb type/level, and other settings that fine tune the DTX500 (p. 26). 14 DTX500 Owner’s Manual Hi-hat adjustment is used to determine the point at which the hi-hat closes when the hi-hat pedal (foot controller) is pressed. You can also set the threshold at which foot ‘splashes’ are produced. * This setting is only valid when a foot controller is connected to the HI HAT CONTROL jack. The setting has no effect on a foot controller connected to any other jack. Operation 1. Press the [SHIFT] + [SAVE/ENTER] buttons to view Utility Page 1. Use this display to adjust the hi-hat. UTIL1~Hi-hat HHofs=~~0~T=~~5‚ 2. To set the point at which the hi-hat closes, move the flashing cursor to the “HHofs=” value then use the jog dial to adjust the value. The range of adjustment is -32 to 0 to +32. Smaller values produce a shallower closing point. UTIL1~Hi-hat HHofs=-12~T=~~5‚ To set the ease at which foot splashes are produced, move the flashing cursor to the “T=” value then use the jog dial to adjust the value. Settings include “off” and a range of 1 to 127. Larger values make foot splashes that are long and easier to produce. When this is set to “off,” foot splashes are not produced. * Too high a value will make foot splashes too easy to produce, resulting in the continuous production of foot splashes when the pedal is held down continuously. UTIL1~Hi-hat HHofs=-12~T=~20‚ 2 Time to Play Pad Controller Settings When a pad-controller-equipped pad (XP100SD, etc.) is connected, you can adjust the snares setting and tightness, tuning, or tempo by rotating the pad controller knob of the pad. Operation In the default setting, you can adjust the snares setting and tightness using the pad controller of the XP100SD (the snare drum pad). To use functions other than the snares adjustment, change the setting as follows. 1. Press the [DRUM KIT] button to enter the Drum Kit Select display. KIT1~~~_________ 1~:Oak~Custom~~‚ Operation (Replacing the pad with one equipped with pad controller) Here’s how you can use the pad with pad controller (XP100SD) as a snare drum. 1. Connect the XP100SD with trigger input 1SNARE on the DTX500. * The other trigger input jacks other than the 1SNARE are not compatible with pad-controller-equipped pads. The pad controller will not work if this type of pad is connected to a trigger input jack other than 1SNARE. 2. Press the [SHIFT] + [DRUM KIT] buttons to view the Trigger Setup display. 2. Next, continue pressing the [>] button until Page 22 of the Drum Kit Select pages is called up. 3. Rotate the jog dial to change the value for “PadCtl=”. You can select from the following functions. off .......... No function is assigned. snares .... Adjusting the snares setting and tightness (also affects the open rim sound) tuning.... Tuning adjustment (also affects the open rim sound) tempo ...... Adjusting the tempo KIT22* ”PadCtl=tuning~‚ NOTICE • An asterisk “*” will appear next to “KIT22” in the display if the data has been changed. This asterisk will disappear after the Store operation (p. 32) is carried out. If a different drum kit is selected or the power is turned off before carrying out the Store operation, the current settings will return to their original condition. If you want to keep changes made to the data, make sure to carry out the Store operation. TRG1~~~ååååååååå 1~:XP Med~~~~~~‚ 3. Next, press the [>] button once to view the following display (pad type). Hit the snare pad to view “ƒsnare” in the upper half of the display, then rotate the jog dial to set “Type=SN-1.” TRG2*~ƒsnare~~0% ”Type=SN-1~~~~~‚ NOTICE • An asterisk “*” will appear next to “TRG2” in the display if the data has been changed. This asterisk will disappear after the Store operation (p. 34) is carried out. If a different drum kit is selected or the power is turned off before carrying out the Store operation, the current settings will return to their original condition. If you want to use the selected pad again, make sure to carry out the Store operation. 4. Now you are ready to use the pad-controllerequipped pad. See the section “Operation” in the left column to change the function you want to use for the pad controller. DTX500 Owner’s Manual 15 3 Playing Along With the Click Play the DTX500 along with the click (metronome). The DTX500 is equipped with a high-performance metronome that gives you a comprehensive variety of settings and allows you to create complex rhythms. 1 Start the Click (Metronome) Press the [ ON/OFF] button to start the click sound. The left lamp lights in red on the first beat of every measure when the click is playing. Other beats are indicated with the right lamp in green. The click tempo (q=) is also indicated on the LED display. Press the [ ON/OFF] button again to stop. Use this display to select the desired Click Set, and then set the beat, tempo, timer, and the click sound’s overall volume. Press the [<]/[>] buttons to move the flashing cursor to the item you want to set, then rotate the jog dial to set its value. Click Setting display (page 1) * If tempo is not shown, change the LED display setting (p. 19) to “Disp=tempo.” 1st beat (red) CLK1~~~~∫~B=4~÷ç 1~:User~~~⁄=123‚ Other beats (green) Click Set Number: Click Set Name 123 2 Click Master Volume Beat Set the settings for Click Set, Tempo, Beat, etc. By fine tuning the different note value clicks that are shown in the illustration below, the DTX500 can be used to create a variety of click patterns. The patterns you set are called Click Sets, and you can save up to 30 original patterns in the DTX500’s memory. Example: Beat timings used when Beat=4 Tempo Click Timer • Click Set Number [Range] 1 to 30 Selects the Click Set to be used. • Beat [Range] 1 to 9 Determines the click’s time signature. • Tempo [Range] 30 to 300 Determines the click’s tempo (q=). * The tempo can also be set using the Tap Tempo Function. This function lets you set the song or click’s tempo by tapping in tempo on a pad. With this, you can set the tempo to one that feels best to you. Refer to page 19 for more information. • Click Timer [Range] 0 to 600 seconds (in 30-second steps) This function is used to automatically stop the click at the time set in this setting. * The value (the remaining number of seconds) of the Click Timer can be shown in the LED display. Refer to page 19 for more information. • Click Master Volume [Range] 0 to 16 Determines the click’s overall volume. * When the flashing cursor is not positioned here, the speaker icon will be displayed. NOTICE Press the [CLICK] button to view Click Setting Page 1. CLK1~~~~∫~B=4~÷ç 1~:User~~~⁄=123‚ • An asterisk “*” will appear next to “CLK1” in the display if settings for beat and tempo are changed. This asterisk will disappear after the Store operation (p. 18) is carried out. If a different Click Set is selected, etc., before carrying out the Store Operation, the current settings will return to their original condition. If you want to keep changes made to the data, make sure to carry out the Store Operation. CLK1*~~~∫~B=4~÷ç 1~:User~~~⁄=130‚ 16 DTX500 Owner’s Manual 3 Playing Along With the Click 3 Create Your Own Original Click Set 6 Press the [>] button to view Click Setting Page 2. Set the User Click Sounds Press the [>] button to view Click Setting Page 5. Click Value Type CLK2*~A˘=9~⁄=9 ”~‹=6~ßß=4~Œ=2~‚ CLK5*Sound=¤ ”E20:Click1~~~~‚ Use this display to set the individual volume levels (0 to 9) for each of the five click beats. Set the volume level to “0” if you don’t want the beat to sound. Use this page to create your own original click set. Voice Category/Voice Number: Voice Name You can assign a different drum voice to each of the five click voices. * For details about the five click beats, see the illustration example “Beat timings used when Beat=4” in step 2 on page 16. 4 * This setting is only available if “UserClick” is selected in the CLK4 page. First, select the click value type (A˘, ⁄, ‹, ßß, Œ) in the upper half of the display, then move the flashing cursor to the lower half of the display and select the voice you want to assign to the click.) First, select the voice category. Set the Click Measure Break Press the [>] button to view Click Setting Page 3. CLK3*MeasBreak ”Meas=1~Brk=3~~‚ ● Voice Category K : Kick S : Snare T : Tom C : Cymbal H : Hi-hat P : Percussion E : Effect The Click Measure Break puts a muted “break” for the number of measures decided with the “Brk” setting (off, 1 to 9) after the click has played for the number of measures determined by the “Meas” setting (1 to 9). When values are set as above, the click is played for a measure then muted for 3 measures. Next, select the voice number and voice name. If the voice number is set to “00,” the indication “NoAssign” is shown for the voice name and no sound will be produced. * Decide the number of measures to be muted at “Brk=” then the number of measures to be played at “Meas=.” * If the setting “Brk=off” is used, the click will not be muted. 5 Set the Click Sound Set Press the [>] button to view page 4 in the Click Setting display. CLK4*Sound ”~1:Metronome~~‚ 7 Tuning the User Click Sounds Press the [>] button to view Click Setting Page 6. Click Value Type CLK6*Sound=¤ ”~~Tune=+~0.0 Tuning The Click Sound Set is used to assign the five different click sounds that are produced by the metronome. The sounds are changed as a group. [Range] Metronome, Wood Block, Percussion, Agogo, Stick, Pulse, UserClick With the “UserClick” setting you can use the CLK5 and CLK6 pages to fine-tune the click sound settings. You can individually tune each of the five click sounds. * This setting is only available if “UserClick” is selected in the CLK4 page. First, select the click value type in the upper half of the display, and then move the flashing cursor to the lower half of the display and set the tuning value in semitones (-24.0 to 0 to + 24.0). DTX500 Owner’s Manual 17 3 Playing Along With the Click 8 Save an Original Click Set After creating your own original Click Set, save it in the DTX500’s memory using the Store Operation described below. NOTICE • Any changes made to the data will be lost if another Click Set is selected before carrying out the store operation. If you want to keep settings or changes, make sure to carry out the Store Operation. 8-1. NOTE • You can use the Factory Set operation to reset the click sets 1 through 30 to their original factory condition. However, please proceed with caution because carrying out this operation will rewrite the DTX500’s entire contents (all Click Sets, User Trigger Setups 8–11, User Drum Kits 51–70, User Songs 64–83, Utility settings) with the data that was set in the unit’s memory when it was shipped from the factory (p. 33). Press the [SAVE/ENTER] button. The following display will appear. Click Out Select Store Destination CLK~save~to~1 :[User~~] Click Set Name 8-2. Rotate the jog dial to select the destination memory number (1 to 30) to which you want to store the Click Set. 8-3. If you want to change the Click Set name, press the [<]/[>] buttons to move the flashing cursor to the character you want to edit, then rotate the jog dial to select the desired character. A Click Set name can contain a maximum of six characters, and these can be selected from the following list. space !"#$%&'()*+,-./0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}≥≤ 8-4. Press the [SAVE/ENTER] button again. A prompt appears asking you to confirm the Store operation. CLK~save~to~1 ~Are~you~sure~? 8-5. Press the [SAVE/ENTER] button to actually execute the Store operation. * To cancel the Store operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons. (When “Are you sure?” appears in the display, the jog dial will also cancel the operation.) The following display appears after the Store operation is complete. ~~~Completed! 18 DTX500 Owner’s Manual The DTX500 lets you select from which output jack the signal of the click (metronome) is sent. Click output and performance output can be routed to separate outputs. Operation 1. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility display. UTIL1~Hi-hat HHofs=~~0~T=~~5‚ 2. Next, press the [>] button twice to call up the following display. UTIL2~Click ”OutSel=mix~~~~‚ 3. Rotate the jog dial to select the output from the outputs listed below. mix This is the standard output setting. The click signal is output from both the OUTPUT L and R jacks. clickL The click signal is output from the OUTPUT L jack only. All drum performance and song playback are output in mono via the OUTPUT R jack. clickR The click signal is output from the OUTPUT R jack only. All drum performance and song playback are output in mono via the OUTPUT L jack. * The PHONES jack outputs the same signal as the OUTPUT jacks. The settings in this section would then also be applied to the PHONES jack’s stereo L and R. 3 Playing Along With the Click Tap Tempo Function LED Display Setting With the Tap Tempo Function, you can set the song or click’s tempo by manually tapping in the tempo on a pad. This lets you set the tempo to one that is most comfortable for you. The [<]/[>] buttons can also be used to set the tempo instead of tapping on a pad. Generally, the tempo is shown in the LED display. You can change the value to be displayed to one of the following three types. tempo ..... Shows the current tempo. mode........ • When pressing the [DRUM KIT] button: Drum kit Number • When pressing the [SHIFT] + [DRUM KIT] buttons: Trigger Setup Number • When pressing the [SONG] button: Song Number • When pressing the [CLICK] button: Click Set Number • When pressing the [SHIFT] + [SAVE/ ENTER] buttons: Shows nothing. • Others: Shows the current tempo. timer ......Shows the current click timer (p. 16). Operation 1. Press the [SHIFT] + [ ON/OFF] button. The Tap Tempo Setting display shown below will appear. * The Tap Tempo function can even be used during song playback or while the click is sounding. TAP~TEMPO ¤=123~≠ªªªª Operation 2. Tap on the pad at the tempo in which you want to play the song. (Or use the [<]/[>] buttons.) Tap on the pad steadily and repeatedly—as many times as there are circles (≠ªªªª) in the display. Every time you tap a circle disappears, and the resulting tempo value is set and shown in the LED display. 1. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility pages. UTIL1~Hi-hat HHofs=~~0~T=~~5‚ * Any pad will do. * The jog dial can also be used to change the tempo value. 2. Next, press the [>] button four times to call up the following page. UTIL4~LED ”~Disp=tempo~~~‚ 3. Press the [ tempo. ON/OFF] button to hear your newly set 4. Press the [DRUM KIT], [CLICK], or [SONG >/■] button to exit from the Tap Tempo page. In the Click Setting page and Song Select page, the tempo is set to the newly selected tempo. If the song or click is playing, the tempo will immediately change to the new tempo. 3. Rotate the jog dial to select the type you want to display. Even though a parameter value other than “tempo” is shown in the LED display, when tempo is changed by one of the operations below, the new tempo briefly appears in the LED after the change is made. • When the tempo is changed by holding the [SHIFT] button and rotating the jog dial. • When operating a pad controller (p. 15) whose function is set to “tempo.” • When hitting a specific pad whose pad function (p. 21) is set to “inc tempo” or “dec tempo.” DTX500 Owner’s Manual 19 4 Playing Along With a Song The DTX500 contains a wide variety of 63 preset songs. Try selecting among these and play along with them—they are effective tools that help you learn how to drum and master drumming techniques. The DTX500 conveniently lets you mute the drum part of a song and have only the bass part sound during playback, so you can play the drum part yourself. 1 Select a Song Tempo Select one of the DTX500’s songs and listen. The DTX500 contains 63 preset songs that, in addition to drums, include accompaniment with keyboard, brass, and other voices. SONG1~~~⁄=130~11 1~:Demo~1~~~~∞¢‚ * Preset Song List (p. 46) Press the [SONG >/■] button to view the Song Select display. * The tempo can also be set using the Tap Tempo function. This lets you set the song or click’s tempo by tapping in tempo on a pad. With this, you can conveniently set the tempo to one that feels best to you. Refer to page 19 for more information. SONG1~~~⁄=123~÷ç 1~:Demo~1~~~~∞¢‚ Make sure the song number is flashing, then use the jog dial to select a song number (1 to 63) you want to listen to. 4 SONG1~~~⁄=123~÷ç 1~:Demo~1~~~~∞¢‚ 2 SONG1~~~⁄=130~÷› 1~:Demo~1~~~~∞¢‚ Song Name Listen to the Song Press the [SONG >/■] button and after the count, the song will start playback from the beginning. After the song has played to the end, it will automatically start playing from the beginning again. Press the [SONG >/■] button to stop playback. * If a different song is selected during song playback, the new song will start playback from the beginning. Adjust the Song’s Volume and Tempo Use the [<]/[>] buttons to select the tempo value (the value flashes), and then use the jog dial to set the song’s playback tempo (q = 30–300). Next, press the [>] button to move the flashing cursor to the right. The speaker icon will change to a numeric value and flash. This determines the volume (range: 0–16) for parts other than the drum. Rotate the jog dial and adjust the balance between the song accompaniment and your performance. 20 DTX500 Owner’s Manual Rotate the jog dial counterclockwise. Rotate the jog dial clockwise. ∞¢ ˚¡ Cancel the mute function. (The drum part plays.) Mute (The drum part doesn’t play.) Now play the drum part yourself. To cancel the Drum Mute function and hear the original drums, rotate the jog dial counterclockwise to change the “˚¡” mark to “∞¢” again. * If you’ve changed the song’s tempo or its voices and want to return to the original, re-select the song. 3 Mute the Drum Part Try playing along with the song. Press the [>] button several times so that the “∞¢” mark flashes in the lower right side of the display. Next, rotate the jog dial clockwise to change the mark to “˚¡” in the lower right side of the display, to mute the drum part of the song during playback. * When a different song is selected, the drum kit changes to one that matches the song. Song Number Song Volume * The Drum Mute setting can also be changed during song playback. 5 Adjust the Tuning The song’s tuning can be adjusted in increments of 10 cents. The Tuning setting is found in the Utility pages. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility pages. Next, press the [>] button 7 times to view the Master Tuning page shown below, then use the jog dial to adjust the tuning in semitones (-24.0 to 0 to +24.0). UTIL6~MasterTune ”~~Tune=+18.0~~‚ 4 Playing Along With a Song 6 Play Along with Bass Solo The useful Bass Solo function lets you isolate just the bass part during playback and play along with it. Since this function mutes the other accompaniment parts, it lets you concentrate on mastering the important technique of ‘locking in’ with the bass and forming a tight rhythm section. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility pages. Next, press the [>] button three times to call up the following page. Rotate the jog dial and select “BassSolo=on.” UTIL3~Song ”~BassSolo=off~‚ With this set, press the [SONG >/■] button to start playback—only the bass part will be heard. * You may find that with the drum part muted or the bass solo, it may be a little difficult to keep time. In this case, use the click along with the song. Using the click sound as a reference will make it easier to play along with the song. Press the [ ON/OFF] button to have the click play in tempo along with song playback. Press the [ ON/OFF] button again to stop. * Changing the song will normally change the drum kit to the kit that is pre-assigned to the song. If you want to use a different drum kit when playing along with the song, press the [DRUM KIT] button to enter the Drum Kit Select display, and then select another drum kit number. If a different song is selected while Drum Mute is active, the drum kit will not change when a different song is selected. Pad Function Settings The DTX500 conveniently lets you execute important operations by hitting a specific pad—without having to press buttons on the panel. You can assign the following functions to the pads. off ................... Normal operation. inc~kitNo..... Increases the drum kit number by 1 (increment). dec~kitNo..... Decreases the drum kit number by 1 (decrement). inc~clkNo..... Increases the click set number by 1 (increment). dec~clkNo..... Decreases the click set number by 1 (decrement). inc~tempo..... Increases the value of the tempo by 1 (increment). dec~tempo..... Decreases the value of the tempo by 1 (decrement). clkOn/Off..... Switches the click sound on/off. Operation 1. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility pages. UTIL1~Hi-hat HHofs=~~0~T=~~5‚ 2. Press the [>] button several times to call up the UTIL7 page. UTIL7~~ƒsnare ”Func=off~~~~~~‚ 3. To select the pad (Trigger Input Source) to which you want to assign a function, simply hit the target pad, or press the [SHIFT] + [<]/[>] buttons. 4. Rotate the jog dial to select the desired function. Pad (trigger input source) to which a pad function is assigned UTIL7~~™tom1 ”Func=clkOn/Off‚ Function assigned to the pad In the above setting, the click sound can be switched ON/OFF by hitting the tom1 pad which is connected to the 2TOM1/ 0 jack. DTX500 Owner’s Manual 21 5 Using the Groove Check Function Another highly useful feature of the DTX500 is the Groove Check function. As you play along with a song or the click, Groove Check compares your timing with the song or click playback and lets you know how accurate your playing is. The related Rhythm Gate function—in which the sound is cancelled if your timing is off—also offers you a great way to improve your technique. Groove Check Mode The Groove Check function has the following two modes. ● Numeric Display Mode In this mode, the accuracy of your drum hits is shown in numeric display. The aspects shown in the numeric display are the average inaccuracy in the timing of each hit and the deviation in timing inaccuracy of all hits. To use this mode, select one of the modes other than “Challenge” from the Rhythm Gate settings in the GRV2 page. * Hit timing display If your timing is slow or you’re dragging the beat, the mark will move to the right side of the display. If your timing is fast or you’re pushing the beat, the mark will move to the left. of Rhythm Gate according to the result. The tolerance automatically narrows if your hits are accurate and widens if your hits are inaccurate. This mode can be used by selecting “Challenge” from the Rhythm Gate settings in the GRV2 page. * Hit timing display Just as with the Numeric Display mode, your timing is displayed with an icon. * Rhythm gate range The set range of the Rhythm Gate is shown in the lower side of the upper half of the display. After a pad (pads) is hit a specific number of times, the DTX500 evaluates the accuracy of the hits and sets the range of Rhythm Gate automatically. ● Hit accuracy evaluation In the lower half of the display, the number of remaining hits and the current evaluation result (%) are shown. The current level (evaluation) and the status change during playback. If your playing accuracy result (%) was 90% or more, the level is raised one step, and if accuracy is 60% or less, the level is lowered one step. • Current level (evaluation): A (best) to F (worst) • The icon and the meaning of evaluation Ã: Increases the strictness (as you continue playing in the same way) ≥: Maintains the same strictness (as you continue playing in the same way) À: Decreases the strictness (as you continue playing in the same way) * Rhythm Gate range With the Rhythm Gate function, sound is produced only if the hit is within the specified range, and sound is not produced if the hit is outside this range. The range of Rhythm Gate can be selected from three levels according to the degree of difficulty and if this is set to off, sound is always produced, no matter what your timing is. The selected range is shown in the lower side of the upper half of the display. * Tempo The jog dial can be used to adjust the tempo for the song or click from 30 to 300. * Inaccurate timing display The average inaccuracies in timing as compared to the note value set in page GRV4 are shown in numeric display. Range: 0 (perfectly accurate), 1–9 (in units of 1/24 of a 16th note) The deviation in timing inaccuracy is 0.0 to 9.9. Of course, the smaller this value is, more “in the pocket” your playing is. Your hit * Tempo Tempo is not shown in the Challenge mode display. To change the tempo, hold the [SHIFT] button and rotate the jog dial. You can adjust the tempo for the song or click from 30 to 300 (the tempo is shown in the LED display). Average inaccuracy in timing (-9 to +9) Your hit Rhythm gate range Deviation in timing inaccuracy (0.0 to 9.9) ● Challenge Mode The DTX500 automatically evaluates the accuracy of 100 times hits over six grade levels from A to F and sets the range 22 • The level (evaluation) when the challenge mode begins is set to D. Perfect timing GRV1~--æ√æ’æææ-⁄=130~Gr=-2œ0.0‚ Tempo NOTE DTX500 Owner’s Manual Perfect timing GRV1~--æ√æ’æææ-80Hits/~16%(DÀ)‚ Remaining number of hits The percentage in which sound is produced Rhythm gate range Status display for evaluation Ã, ≥, À Current level (evaluation) A (best) to F (worst) Now let’s use the Groove Check function. 5 Using the Groove Check Function 1 4 Select a Song or a Click Set First, select the song or click set that you want to play along with. 2 Set the Timing (note value) Press the [>] button to view page GRV4, then rotate the jog dial to select the note value of the timing you want to check. [Range] Set the Rhythm Gate (select a mode) Press the [SHIFT] + [CLICK] buttons to call up page 1 (GRV1) in the Groove Check Setting pages. Accent A˘, quarter note ⁄(4), eighth note Ö(8), sixteenth note Ü(16), eighth note triplet Ö3 GRV4 ”~~Note=⁄(4) GRV1~--æææ’æææ-⁄=123~Gr=~0œ0.0‚ Timing (Note value) Next, press the [>] button once to call up the GRV2 page, then rotate the jog dial to set the Rhythm Gate. 5 After setup is complete, start playback of the song ([SONG >/■]) or the click sound ([ ON/OFF]) and go back to the Groove Check’s main menu (the GRV1 page). Groove Check begins as soon as you hit the pad specified in the GRV3 page. GRV2~RhythmGate ”Mode=easy Rhythm Gate setting 6 ● Rhythm Gate settings off .................Sound is always produced easy...............Wide tolerance for sound production (easy) normal ..........Mid-level tolerance for sound production (average) pro .................Narrow tolerance for sound production (difficult) challenge...Tolerance changes by automatic evaluation (Challenge mode) Note value set in GRV4 page B A B A B A B A: Range within which sound is produced. (The gate narrows as the setting changes from “easy” to “normal” to “pro.”) B: Range within which sound will not be produced even though the pad is struck. 3 Start the Groove Check Play as accurately as possible Listen to the song or click and concentrate on playing the pads accurately. The jog dial can be used to adjust the tempo for the song or click. If the Numeric Display mode is selected, stop the song or click and check the results. Change the Rhythm Gate setting, pad type, or note value as you like and enjoy practicing. * The Groove Check’s results are reset the next time song or click starts playing. If the Challenge mode is selected, when the remaining hits become zero, the final evaluation is displayed in six levels from A to F. With this evaluation, the range over which the sound is produced is set automatically. The higher the evaluation (A is the highest and F the lowest), the narrower the tolerance becomes. * The Groove Check’s results are reset the next time song or click starts playing. The current level (evaluation) and the range over which sound is produced are also reset. Select the Pad Press the [>] button to call up the GRV3 page, then rotate the jog dial to select the pad (Trigger Input Source) that you want to check. The “ALL” setting selects all pads. [Range] ƒsnare, ™tom1, ... ƒ™pad12, all GRV3 ”~Input=ƒsnare~‚ Pad (Trigger Input Source) DTX500 Owner’s Manual 23 6 Record Your Performance In this section, you’ll learn how to record your performance to the DTX500’s built-in sequencer. In the song data you record, you can switch Drum Kits, change the tempo and playback in the same way as with Preset Songs. Recording System • Tempo [Range] 30 to 300 Sets the click’s tempo (q=) when recording. • Recording can be done with any of the User Songs (64–83). However, you cannot record to Preset Songs (1–63). • A recorded song doesn’t contain recordings of the audio ‘sounds’ of the drums, but rather the performance ‘information’ or data of precisely when and how each pad was hit. This information is called sequence data. Unlike audio data, sequence data can be freely used to change the tempo, select the voice or drum kit during playback. • Beat [Range] 1 to 9 Sets the click’s beat when recording. • Quantize [Range] ⁄, ⁄3, Ö (eighth note), Ö3 (eighth note triplet), Ü (sixteenth note), Ü3 (sixteenth note triplet), no The Quantize function can be applied during recording and is used to align the timing of your performance with that of the nearest specified beat. The accuracy of quantization is assigned with a note value. * A setting of “no” results in no quantization. Now, let’s start recording… 1 ● How Quantize Works (an example) Select the Song you want to record Recorded notes were not played in time. Press the [SONG] button to display the Song Select display, select a User Song number (64–83). If you want to play along with a Preset Song and record it, select the desired song (1–63). In this case, the lowest numbered empty User Song will automatically be selected for recording. The Quantize Function aligns the timing. NOTICE • If a User Song containing data is selected, any recorded data previously existing is overwritten and lost. 2 Perfect timing Set the Recording Conditions Simultaneously hold down the [SHIFT] button and press the [SONG >/■] button to call up the following Recording Conditions setting page. * If a Preset Song is selected for recording and all User Songs already contain data, the error message “Memory full” is shown. Use the Song Clear function (p. 25) to prepare an empty User Song, then set the recording conditions. 3 Start Recording Press the [SONG >/■] button and after the count, recording will start. Record while listening to the click sound. Current measure number during recording In this display set the click tempo, beat, and quantize. Press the [<]/[>] buttons to move the flashing cursor to the item you want to set, then rotate the jog dial to set its value. REC~~Meas=~10 ~Now~Recording. Tempo NOTICE REC~~~~~~~~⁄=130 Beat=4~Quant=⁄3 Beat 24 DTX500 Owner’s Manual Quantize • Never attempt to turn off the power during recording. All User Song data may be lost. 6 Record Your Performance 4 Finish recording 6-3. Press the [SONG >/■] button to finish recording. A “now~storing~...” message is shown for a short time. Press the [SAVE/ENTER] button again. A prompt appears asking you to confirm the Store operation. SONG~save~name ~Are~you~sure~? ~now~storing~... 6-4. NOTICE Press the [SAVE/ENTER] button once more to actually execute the Store operation. • Never attempt to turn off the power while the “now storing ...” message is shown; all User Song data may be lost. * To cancel the Store operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons. (When “Are you sure?” appears in the display, the jog dial will also cancel the operation.) When saving is complete, a “completed!” message is shown and the Song Select page will reappear. When saving is complete, a “completed!” message appears and the Song Select page will reappear. The song name is confirmed. Even if the power is switched off, the completed song will be stored. 5 7 Clearing a User Song If you want to clear any unneeded User Songs, follow the operation below. Listen to the Song Following recording, the User Song number you recorded flashes in the Song Select page. Press the [SONG >/■] button, and playback of the song you just recorded will start from its beginning. * Preset Songs cannot be deleted. 7-1. 7-2. In the Song Select page, move the flashing cursor to the song number, and use the jog dial to select the User Song you want to delete. Press the [>] button twice to view the SONG2 page. * You can change the Drum Kit used for the recorded song. To change Drum Kits, press the [DRUM KIT] button to enter the Drum Kit Select display (KIT1 page) and rotate the jog dial to select a different kit. 6 SONG2~Clear ”Are~You~Sure~? Give the User Song a name The song name of the recorded User Song is shown as the song name of the Preset Song or “Untitled.” Enter your own original name for the recorded User Song. * The song names of the Preset Songs cannot be edited. 6-1. Press the [SAVE/ENTER] button in the Song Select page. The Song Name setting page is shown. SONG~save~name :[Untitled] 6-2. Press the [<]/[>] buttons to move the flashing cursor to the character you want to edit, then rotate the jog dial to select a character. A User Song name can contain a maximum of eight characters, and these can be selected from the following list. space !"#$%&'()*+,-./0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}≥≤ 7-3. Press the [SAVE/ENTER] button. A “now~clearing~...” message is shown for a short time. NOTICE • Never attempt to turn off the power while the message “now clearing...” is shown; all User Song data may be lost. 7-4. When clearing data is complete, a “completed!” message is shown and the SONG1 page will reappear. NOTE • If the Factory Set operation is executed, all User Songs (64– 83) will be lost. Please proceed with caution, since executing this operation will also rewrite the entire memory contents of the DTX500 (all Click Sets, User Trigger Setups 8–11, User Drum Kits 51–70, Utility data) with the data that was set in the unit’s memory when it was shipped from the factory (p. 33). DTX500 Owner’s Manual 25 7 Create Your Own Original Drum Kit The DTX500 lets you create your own original Drum Kit by assigning your favorite Drum Voice to each pad and setting its tuning, pan, decay, reverb, etc. * Drum Voice: Mainly individual percussion/drum sounds that are assigned to each of the pads. * Drum Kit: A collection of Drum Voices assigned to pads. 1 Select a Drum Kit Press the [DRUM KIT] button to view the Drum Kit Select display (KIT1). KIT1~~~ååååååååå 1~:Oak~Custom~~‚ Rotate the jog dial to select the Drum Kit you want to use as a starting point for your original Drum Kit. A good idea is to select a Drum Kit that is close in sound to the type of kit you intend to create. * Preset Drum Kits (1–50) and user Drum Kits (51–70) can be used for editing as well. 2 Assign Drum Voices In this example, we’ll create a bass drum (kick) sound. 2-1. Press the [>] button to view the Drum Voice Select page (KIT2). KIT2~~~ƒsnare~~˙ ”S01:OakCustom~‚ 2-2. To select the pad (trigger input source) you want to edit, simply hit the pad you want to edit or use the [SHIFT] + [<]/[>] buttons. Step on the kick pedal or press the [SHIFT] + [<]/ [>] buttons and select “äkick.” Now the pad that is connected to the 8KICK Trigger Input Jack is selected. In other words, the kick pedal’s pad input is selected. ● About the Trigger Input Sources The Input Source indicates the trigger data that is transmitted by the pads or drum triggers (Yamaha DT20, etc.) that are connected to trigger input jacks 1SNARE to 8KICK/ 9 of the DTX500. When mono pads TP65, KP125W/125/65, PCY65/130, DT10/20, etc. are used, one Input Source is assigned to one input jack. When stereo pads RHH135/130, PCY65S, etc. are used, two Input Sources (pad input and rim switch input or 2 kinds of pad inputs, etc.) are assigned to one input jack. When three-zone pads XP100T/100SD/120T/120SD, TP65S, TP120SD/ 100, PCY155/150S/135/130SC, etc., are used, three Input Sources (pad input and two rim switch inputs, etc.) will be assigned to one input jack. Each Input Source is defined as follows. ƒsnare ƒsnrOp ƒsnrCl ƒsnrOff ƒsnrOfOp Open rim switch input for 1SNARE jack. Closed rim switch input for 1SNARE jack. Pad input for 1SNARE jack with the snares off. Open rim switch input for 1SNARE jack with the snares off. ƒsnrOfCl Closed rim switch input for 1SNARE jack with the snares off. ™tom1 £tom2 Ωtom3 •ride •rideE •rideC öcrash öcrashE öcrashC ühhOp Pad input for 2TOM1 jack. Pad input for 3TOM2 jack. Pad input for 4TOM3 jack. Pad input for 5RIDE jack. Edge rim switch input for 5RIDE jack. Cup switch input for 5RIDE jack. Pad input for 6CRASH jack. Edge rim switch input for 6CRASH jack. Cup switch input for 6CRASH jack. Pad input for 7HI HAT jack when the hi-hat controller is open. ühhOpE Edge rim switch input for 7HI HAT jack when the hihat controller is open. ühhCl Pad input for 7HI HAT jack when the hi-hat controller is closed. ühhClE Edge rim switch input for 7HI HAT jack when the hihat controller is closed. ühhFtCl ühhSplsh äkick “pad9 ƒπpad10 ƒƒpad11 ƒ™pad12 Input when the hi-hat controller is pressed (foot close). Pad to be edited KIT2~~~äkick~~~˙ ”K01:OakCustom~‚ Pad input for 1SNARE jack. Foot splash input of the hi-hat controller. Pad input for 8KICK jack. Pad input for 8PAD 9 jack. Pad input for 2PAD 0 jack. Pad input for 3PAD ! jack. Pad input for 4PAD @ jack. * Mono pads do not have a rim switch function. 26 DTX500 Owner’s Manual 7 Create Your Own Original Drum Kit 2-3. The letter “˙” displayed next to “äkick” indicates layer number 1, and “¶” indicates layer number 2. Two voices can be output (in a layer) through one input source. Select the voice to be edited here. KIT2~~~äkick~~~˙ ”K01:OakCustom~‚ 2-4. Layer number Now you’ve selected the Drum Voice that will be used as the base for your original Drum Voice. Next, let’s edit this Drum Voice and create your original bass Drum Voice. Select and set the display that you want to be edited from page 3 to page 25 in the KIT screen. Next, decide the Drum Voice category. Drum Voice categories are the same as those used in the user click sound setting (p. 17). ● Voice Category K: Kick S: Snare T: Tom C: Cymbal H: Hi-hat P: Percussion E: Effect Here, select “K: Kick”. Press the [<]/[>] buttons to move the flashing cursor to the Voice Category and rotate the jog dial to select “K”. Store the data when you change the settings! Make sure to store the data after any settings have been changed. For information about how to save, see steps 26. If a different drum kit is selected, etc., before carrying out the Store Operation, the current settings will return to their original condition. If you want to keep changes made to the data, make sure to carry out the Store Operation. 3 This determines the volume of the Drum Voice that is output when the pad is hit. Use this to adjust the volume balance among the other pads. NOTICE • An asterisk “*” will appear next to “KIT” in the display if data is changed. This asterisk will disappear after the Store operation (p. 32) is carried out. If a different Drum Kit is selected, etc., before carrying out the Store operation, the current settings will return to their original condition. If you want to keep changes made to the data, make sure to carry out the Store operation. 2-5. Next, let’s select a Drum Voice. Press the [<]/[>] buttons so that the voice number flashes, then rotate the jog dial and assign a Drum Voice. The voice number and voice name will be displayed. Use the [>] button to call up the KIT3 page, then rotate the jog dial to set the volume (0–127). KIT3*~~äkick~~~˙ ”~~Volume=120~~‚ 4 Use the [>] button to call up the KIT4 page, then rotate the jog dial to set the tuning in semitones (-24.0 to 0 to +24.0). played as the voice name and no sound will be produced. KIT4*~~äkick~~~˙ ”~~Tune=-~3.0~~‚ KIT2*~~äkick~~~˙ ”K02:MapleCustm‚ • When Drum Voices are set for both layers 1 and 2, layer icon ˙ or ¶ is shown in the upper right hand corner of the KIT3 to KIT10 displays. Move the flashing cursor to this icon (if necessary) and rotate the jog dial to change the layer to be edited. • When a Drum Voice is assigned to either of the layers 1 and 2 (the other is set to “NoAssign”), the layer icon is not shown in the KIT3 to KIT10 displays. The layer which has a Drum Voice is the target layer for editing. • When Drum Voices are not assigned for either layer 1 or 2 (“NoAssign”), “---” will be shown in the KIT3 to KIT18 displays and the settings cannot be made. Change the Tuning (Pitch) This determines the tuning (pitch) of the Drum Voice. Here, select “K02:MapleCustm.” * If the voice number is set to “00,” “NoAssign” is dis- NOTE Change the Volume 5 Change the Pan This determines the Drum Voice’s pan setting (the voice’s position within the stereo field). Use the [>] button to call up the page KIT5, then rotate the jog dial to set the voice’s pan position. The range is from “L64” (hard left) to “C” (center) to “R63” (hard right). As you rotate the dial, notice the voice change its position within the stereo field according to the setting. KIT5*~~äkick~~~˙ ”~~~~Pan=L~5~~~‚ DTX500 Owner’s Manual 27 7 Create Your Own Original Drum Kit 6 Change the Decay This determines the Drum Voice’s decay time (the time it takes the sound to fade out after being produced). Use the [>] button to call up the KIT6 page, then rotate the jog dial to set the decay (-64–0–+63). Positive values produce a crisper sound. KIT6*~~äkick~~~˙ ”~~Decay=+~8~~~‚ 7 Change the Voice Character (Filter Setting) This determines the filter’s cutoff frequency to change the Drum Voice’s character (brightness). Use the [>] button to call up the KIT7 page, then rotate the jog dial to set the cutoff frequency (-64–0–+63). Positive values produce a brighter sound. KIT7*~~äkick~~~˙ ”CutOffFreq=+~4‚ 9 Set the MIDI Channel This determines the MIDI Transmit Channel for the MIDI note on data that is transmitted when a signal is received from the input source. This affects which particular channel will be used when playing a voice on a connected MIDI device. Use the [>] button to call up the KIT9 page, then rotate the jog dial to set the MIDI Transmit Channel (1–16). KIT9*~~äkick~~~˙ ”~~MIDI~Ch=10~~‚ 10 Set the Gate Time of the MIDI Output This determines the Gate Time (the length of time from Key On to Key Off) for the MIDI note on data. Use the [>] button to call up the KIT10 page, then rotate the jog dial to set the Gate Time (0.0s–9.9s). KIT10*~äkick~~~˙ ”GateTime=0.3s~‚ 11 Set the MIDI Key On/Off 8 Set the MIDI Note Number This determines the MIDI Note Number that is transmitted when a signal is received from the input source. This affects which particular percussion or drum sound of a voice will play on a connected MIDI device. Use the [>] button to call up the KIT8 page, then rotate the jog dial to set the MIDI Note Number (0–127). Displays the note number and note name (C-2–G8). KIT8*~~äkick~~~˙ ”Note=~~32/G#0~‚ This determines whether to recognize MIDI Key Off events or not. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT11 page, then rotate the jog dial to set Key On/Key Off. KIT11*~äkick ”KeyOff=disable‚ enable ............Recognizes Key Off events. disable .........Does not recognize Key Off events. * When this is set to “disable,” some voices may sound continuously. Press the [DRUM KIT] button to stop the sound. * When the selected MIDI Note Number has already been assigned to another input source, an asterisk “*” will be displayed next to “Note=.” * If the same MIDI Note Number is set to more than one pad within the same Drum Kit, the lowest numbered Input Source will take priority. In the case of the duplicate input sources, the same voice will be output. If the setting is not available because of an already assigned MIDI note number, “(Note# in use)” or “(# in use)” is shown in the lower half of the display. 12 Set the Hold Mode Every time the pad is hit, Key On and Key Off messages are alternately sent. This means that one hit of the pad turns the sound on and the next turns it off. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT12 page, then rotate the jog dial to set the Hold Mode. KIT12*~äkick ”~HoldMode=off~‚ 28 DTX500 Owner’s Manual 7 Create Your Own Original Drum Kit on ................... Each time the pad is hit, either a MIDI Key On or MIDI Key Off event will be transmitted alternately. off................. Normal operation. When a pad is hit, only a MIDI Key On event will be transmitted. After the decay time elapses, a Key Off event will be transmitted automatically. * When this is set to “on,” you should also set the Key Assign Mode to “high” in the KIT15 page. 13 Set the Cross Fade 14 Set the Alternate Group This function allows you to assign different voices to the same alternate group, so that the playing of one sound in the group will automatically cancel others in the same group. A practical example of this is with the open and closed hi-hat voices. When you play an actual hi-hat—first open, then closed—the closed hi-hat naturally mutes the ringing open sound. Likewise, when the open and closed hi-hat voices are assigned to the same alternate group, the playing of one mutes the other. This determines the Velocity Cross Fade between the layer voices ˙ and ¶. * This setting has no affect on two-layer input sources. The ˙/¶ indication is not shown in the upper right corner of the display. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT14 page, then rotate the jog dial to set the Alternate Group. Use the [>] button to call up the KIT13 page, then rotate the jog dial to set the Cross Fade type. KIT13*~äkick ”~~VelXFade=0~~‚ ● Cross Fade Type 0 .........Cross Fade function is not in effect. 1 ˙ ¶ 2 ˙ ¶ 6 7 ˙ ¶ ˙ ¶ KIT14*~äkick ”~AltGrp=off~~~‚ off .................No cancellation HH~pad ..........For the voice (ühhOp, ühhOpE, etc.) that is played when the hi-hat pad is hit. HH~pdl ..........For the voice (ühhFtCl, ühhSplsh, ühhCl, ühhClE, etc.) that is played when the hi-hat pedal is pressed. 1–9..................Alternate group number. Assigns the same group number for voices that you do not want to be output simultaneously. 15 Set the Key Assign Mode 3 4 5 ˙ ¶ 8 ˙ ¶ 9 ˙ ˙ ˙ ¶ ¶ ¶ Vertical axis: Balance between layers ˙ and ¶ Horizontal axis: Velocity Layer ˙ Layer ¶ This defines the sound output rules when multiple voices that are assigned to the same MIDI note number are simultaneously output. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT15 page, then rotate the jog dial to set the key assign mode. KIT15*~äkick ”KeyAssign=semi‚ poly ...............Voices are output simultaneously. semi ...............Up to three voices for this note number can be produced at one time. When a fourth voice is triggered, one of the first two voices will be muted (cancelled). mono ...............One voice can be delivered at one time, and the previous voice will be muted (cancelled). high ...............One voice can be delivered at one time, and the previous voice will be muted (cancelled). However, even if the maximum number of 32 notes is exceeded, the note number selected here will not be muted. DTX500 Owner’s Manual 29 7 Create Your Own Original Drum Kit 16 Set the Pad Song 17 Set the Rim to Pad When the pad is hit, the assigned pad song will start playback. In addition to one main song that is selected in the Song Select display, a maximum of three Pad Songs can be individually set for a Drum Kit. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT16 page, then rotate the jog dial to set the Song Number to be assigned, the Repeat function, and the Playback mode. KIT16*~äkick ”Song=~45áéplay‚ Song Number ● Song Number off, 45–63 ... Assigns the Song Number that is assigned to the pad ● Repeat Playback áé ................... Repeats playback of the song (when the song reaches the end it will start again from the beginning, continuously). -≥ ................... Normal playback. ● Playback Mode play .............. When the pad is hit, playback of the assigned pad song will start/stop. chse .............. When the pad is hit, one measure of the assigned pad song will start playback then pause. ctof .............. When the pad is hit, playback of the assigned pad song will start/stop. However, if the pad song is set to “ctof,” the pad song will stop when another pad song with the “ctof” setting is started. This function allows only one “ctof” pad song to be played at a time. * Up to three pad songs can be set for each Drum Kit. To assign a pad song for other pads, hit the target pad, or press the [SHIFT] + [<]/[>] buttons, so that the target pad name (trigger input source) is shown in the upper half of the display. However, when three pad songs are set, “Song=off” is shown and the settings cannot be made. * The tempo of the pad song is the same as that of the main song that is found in the Song Select display or the Click Setting display. * If a function is already assigned in the UTIL7 page to the input source that the pad song is assigned, “Song=(in use!)” is shown and the setting in the UTIL7 takes priority. (p. 21) * When multiple pad songs are assigned and played back in combination, the voices within the songs may change unexpectedly or sound different than intended. DTX500 Owner’s Manual * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. * When an input other than the rim switch is selected for the input source, “RimToPad=---” will be displayed and the settings cannot be made. The following display appears when “ƒsnrOp” is selected for the input source. Use the [>] button to call up the KIT17 page, then rotate the jog dial to set the Rim to Pad. Playback mode Repeat 30 This function is effective only when the input source is from a rim switch. When the rim is hit, pad events triggered from the same pad (trigger input jack) can be simultaneously transmitted with rim switch events. With this setting, a snare pad’s sound can be triggered at the same time as the snare’s rim shot. KIT17*~ƒsnrOp ”~RimToPad=off~‚ off .....................Only transmits rim switch event. on........................Transmits both rim switch event and pad event. 18 Change the Reverb Level (1) This determines the Reverb Send Level for the voices (layers 1, 2) triggered by the input source. This effectively allows you to adjust the reverb depth. * This setting affects both layers ˙ and ¶. The ˙/¶ indication is not shown in the upper right corner of the display. * The actual Reverb Send Level is determined by adding the Send Level set here to the Drum Reverb Send Level set in the KIT19 page. Use the [>] button to call up the KIT18 page, then rotate the jog dial to set the Reverb Send Level (0–127). KIT18*~äkick ”~RevSend=~30~~‚ 19 Change the Reverb Level (2) This determines the Overall Reverb Send Level of the Drum Voice. * This setting affects the entire Drum Voice. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT19 page, then rotate the jog dial to set the Drum Reverb Send Level (0–127). KIT19* ”~RevSendDr=~40‚ 7 Create Your Own Original Drum Kit 20 Change the Reverb Type This determines the Type of Reverb effect for each Drum Kit. The same Reverb Type is applied to the entire Drum Kit. * This setting affects the entire Drum Voice. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT20 page, then rotate the jog dial to set the Reverb Type. KIT20* ”RevType=hall1~‚ none .............. No reverb (same as thru). hall1–5 ....... Simulates the reverb in a hall. room1–5 ....... Simulates the reverb in a room. stage1–5 ..... Simulates the ambience of a stage. plate............ Simulates a steel plate reverb. white............ A special short reverb effect. tunnel ......... Simulates the reverb of a tunnel. bsemnt ......... Simulates the reverb of a basement. * The hall, room, or stage types with larger values produce a more pronounced reverb effect. 21 Change the Reverb Level (3) This determines the Signal Return Level from the reverb effect for every Drum Kit. The same reverb type is applied to the entire Drum Kit. By setting the level, you can adjust the reverb effect for the overall DTX500 system. * This setting affects the entire Drum Voice. The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT21 page, then rotate the jog dial to set the Reverb Master Return level (0–127). KIT21* ”RevMastRet=~64‚ 22 Set the Pad Controller This is effective only when a pad equipped with pad controller is connected to the 1SNARE jack, and also when “SN1”, “SN-2”, “TM-1” or “TM-2” is assigned in the TRG2 page (pad type) of the Trigger Setup pages. The following settings can be made by rotating the pad controller knob. off .................No function is assigned. snares ..........Adjusting the snares (also effective for the open rim sound) tuning ..........Adjusting the tuning (also effective for the open rim sound) tempo.............Adjusting the tempo * The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the page KIT22, then rotate the jog dial to set the Pad Controller function. KIT22* ”PadCtl=snares~‚ 23 Set the Snares This adjusts the snares effect (the characteristic sound of the coiled wires on the bottom of an actual snare drum) of the pad connected to the 1SNARE jack. This also applies to pads not having a pad controller. * The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT23 page, then rotate the jog dial to set the Snares adjustment level. KIT23* ”~~Snares=24~~~‚ off .................Snares off (reproduces the sound with the snares lifted off the drum) 1–24 ...............Snares are applied to the sound; the higher the value, the tighter the snares sound. (A value of “1” is the “loosest” snares setting.) * When you change this setting, the decay setting (KIT6) for the input sources “ƒsnare” and “ƒsnrOp” also changes. DTX500 Owner’s Manual 31 7 Create Your Own Original Drum Kit 24 Set the Program Change and Bank Select When a Drum Kit is selected, this function sets the MIDI Program Change Number and the Bank Select MSB and LSB that will be transmitted. This can be set for each MIDI channel. By transmitting a program change message, you can have the voice of an external MIDI device automatically change when switching the Drum Kit on the DTX500. * The ˙/¶ indication is not shown in the upper right corner of the display. Use the [>] button to call up the KIT24 page, then rotate the jog dial to make the following settings. Program Change Transmit On/Off MIDI Channel KIT24*PC~Ch1=on ”PC003~M000L003‚ Program Change Number Bank Select LSB Bank Select MSB * When the Program Change Transmit On/Off is set to “off,” values for PC, M and L will be “---” and the settings cannot be made. ● MIDI Channel 1–16............... Target MIDI channel for the Program Change ● Program Change Transmit On/Off on ................... Transmits. off................. Does not transmit. ● Program Change Number 001–128 ....... Transmitted program change number. ● Bank Select MSB, LSB 000–127 ....... Bank select MSB number, LSB number * For more information on Bank Select MSB and LSB, refer to the Voice List and MIDI Data Format documents, etc. of the particular external MIDI device you are using. 25 Set MIDI Volume and Pan—Control Change This function sets the MIDI Control Change Volume and Pan values that will be transmitted when a Drum Kit is selected. This can be set independently for each MIDI channel. This lets you automatically change the voice Volume and Pan on an external MIDI device when you switch the Drum Kit of the DTX500. * The ˙/¶ indication is not shown in the upper right corner of the display. 32 DTX500 Owner’s Manual Use the [>] button to call up the KIT25 page, then rotate the jog dial to make the following settings. MIDI Channel Control Change Transmit On/Off KIT25*CC~Ch1=on ”Vol=127~Pan=~64 Volume Pan * When the Control Change Transmit On/Off is set to “off,” values for Vol and Pan will show “---” and the settings cannot be made. ● MIDI Channel 1–16 ...............Target MIDI channel for Control Change messages ● Control Change Transmit On/Off on....................Transmits. off .................Does not transmit. ● Volume 0–127 .............Sets the Volume Control Change data value that will be transmitted. ● Pan 0–127 .............Sets the Pan Control Change data value that will be transmitted. 26 Save the Original Voice To save the Drum Voice you created, use the Store operation described below and save it to the DTX500’s memory. Original kits can be saved as a Drum Kit to the User Drum Kit (51–70) memory locations. NOTICE • If you select a different Drum Kit before performing the Store operation, all changes you have made to the data will be lost. If you want to keep settings or changes, make sure to perform the Store operation. 26-1. Press the [SAVE/ENTER] button. The following display will appear. Store destination KIT~save~to~51 :[Oak~Custom~~] Edited Drum Kit name 26-2. Rotate the jog dial to select the destination user Drum Kit number (51–70) that you want to store. * Data cannot be stored to the Preset Drum Kits (1–50). * You can save data to a User Drum Kit number that already contains data. However, be careful when doing this, since the previous data will be overwritten with the new data. 7 Create Your Own Original Drum Kit 26-3. If you want to change the Drum Kit name, press the [<]/[>] buttons to move the flashing cursor to the character you want to edit, then rotate the jog dial to select a character. A Drum Kit name can contain a maximum of 12 characters, and these can be selected from the following list. space !"#$%&'()*+,-./0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}≥≤ 26-4. Press the [SAVE/ENTER] button again. A prompt appears asking you to confirm the Store operation. KIT~save~to~51 ~Are~you~sure~? 26-5. Press the [SAVE/ENTER] button once more to actually execute the Store operation. *To cancel the Store operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons. (When “Are you sure?” appears in the display, the jog dial will also cancel the operation.) When the Store operation is complete, the following display appears. ~~~Completed! With this operation, you have now created a Drum Kit that has an original bass Drum Voice. Use the same procedure to create Drum Voices for the other pads (input sources) and create a complete custom Drum Kit of your own. Factory Set This operation returns all of the DTX500’s internal settings back to their original factory defaults. Please proceed with caution, since executing this operation will also rewrite the entire memory contents of the DTX500 (all Click Sets, User Trigger Setups 8–11, User Drum Kits 51–70, User Songs 64–83, Utility data) with the data that was set in the unit’s memory when it was shipped from the factory. Operation 1. First, press the [SHIFT] + [SAVE/ENTER] buttons to call up the Utility pages. UTIL1~Hi-hat HHofs=~~0~T=~~5‚ 2. Press the [>] button several times to call up the UTIL8 page. UTIL8 ”~Factory~Set 3. From the page shown above, press the [SAVE/ ENTER] button to call up the prompt shown below, asking for confirmation of the Factory Set operation. * To cancel the Factory Set operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons (the jog dial can also be used to cancel the operation). All~data~will~be lost.AreYouSure? 4. Once again, press the [SAVE/ENTER] button to proceed with the operation. ~All~Memory ~Initializing... DTX500 Owner’s Manual 33 8 Trigger Setup Edit Trigger Setup Edit contains various settings related to trigger input signals received from pads or drum triggers (Yamaha DT20, etc.) that are connected to the trigger input jacks. These settings let you optimize the DTX500 for best operation and response to these signals. If you are using drum triggers attached to acoustic drums, or pads other than those that came with the DTX500 set, you’ll need to adjust the sensitivity. This section also has settings that help prevent crosstalk* and double triggering*. * Crosstalk: The interference between trigger signals of physically adjacent pads, producing unexpected notes. * Double triggering: The condition where a single pad hit causes multiple (usually two) triggers. Trigger Setup procedure 3 If you want to replace some of the pads from your drum set, or if you need to solve problems with double triggering or crosstalk, the Trigger Setup provides more detailed settings—such as changing the preset’s trigger setup—for individual pads. If you’ve created a custom setup for these reasons or others, that setup can be saved to one of the Trigger Setup locations (8–11). 1 Rotate the jog dial to change the setting. * An asterisk “*” will appear next to “TRG” in the display if data is changed. This asterisk will disappear after the Store operation is carried out. * The Trigger Input Level produced when a pad is hit is shown on the upper right side of the display. When setting the gain, use this level as a guide to measure how hard a pad is being hit. Trigger Input Level TRG2* ƒsnare~~0% ”Type=DT~Snare~‚ Press the [SHIFT] + [DRUM KIT] buttons to call up the Trigger Setup Select page (TRG1). The currently selected Trigger Setup is indicated in the display. * If you want to edit a different trigger setup, use the jog dial and select the setup here. 4 To save changes you’ve made to the data, use the procedure described below to store them to a User Trigger Setup (8–11). Trigger Setup Select display (page 1) NOTICE TRG1~~~ååååååååå 1~:XP~Med~~~~~~‚ Trigger Setup Number: Setup Name 2 • If a different trigger setup is selected before executing the Store operation, all changes you have made to the data will be lost. If you want to keep settings or changes, make sure to carry out the Store operation. 4-1. Use pages TRG2 through TRG8 to edit the Trigger Setup. Press the [<]/[>] buttons to change pages and move the flashing cursor to the parameter you want to set. Press the [SAVE/ENTER] button. The following display will appear. Store destination TRG~save~to~8 :[XP~Med~~] * Refer to pages 35 to 37 for more information on individual parameters. Trigger Setup name To select the Trigger Input (input jack) you want to edit, simply hit the pad you want to edit or use the [SHIFT] + [<]/ [>] buttons. 4-2. Rotate the jog dial to select the destination trigger setup number (8–11). Trigger Input to be edited 4-3. If you want to change the Trigger Setup name, press the [<]/[>] buttons to move the flashing cursor to the character you want to edit, then rotate the jog dial to select a character. A Trigger Setup name can contain a maximum of eight characters, and these can be selected from the following list. space !"#$%&'()*+,-./0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}≥≤ TRG2~ ƒsnare~~0% ”Type=SN-1~~~~~‚ Previous page icon Next page icon Flashing cursor (parameter) 34 DTX500 Owner’s Manual 8 Trigger Setup Edit 4-4. Press the [SAVE/ENTER] button again. A prompt appears asking you to confirm the Store operation. TRG~save~to~8 ~Are~you~sure~? Explanations of Each Display Page The following explanations cover the available parameters in the pages TRG1 through TRG8. To save the edited data, refer to step 4 on page 34. TRG1 4-5. Press the [SAVE/ENTER] button once more to actually execute the Store operation. * To cancel the Store operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons. (When “Are you sure?” appears in the display, the jog dial will also cancel the operation.) The following display appears after the Store operation is complete. Trigger Setup Select TRG1~~~ååååååååå 1~:XP~Med~~~~~~‚ [Range] 1–11 Selects the Trigger Setup Type (p. 12) TRG2 Type (Pad Type) ~~~Completed! TRG2~ ƒsnare~~0% ”Type=SN-1~~~~~‚ NOTICE • Never attempt to turn off the power while the message “now storing...” is shown. All Trigger Setup data may be lost. Sets the type of pad that is connected to the input jack assigned in the upper half of the display ([1SNARE] in the example shown above). * Values set in [TRG3 Gain, MVl (Mininimum Velocity)] (p. 36) and [TRG5 RejTime (Self Rejection Time)] (p. 36) will automatically changed to the proper values for the pad type you set here. NOTE • If you want to replace some of the pads from your drum set, refer to the operation on page 34 (Trigger Setup Edit) after the above setting is done, to make sure that the settings (such as sensitivity) are appropriate for each pad. Pad types are defined as follows. KICK KP125W/125/80S/80/65/60 SN-1 XP100T/100SD/120T/120SD (mainly used as a snare pad) SN-2 TP100/120SD (mainly used as a snare pad) SN-3 TP65S/65 (mainly used as a snare pad) TM-1 XP100T/100SD/120T/120SD (mainly used as a tom pad) TM-2 TP100/120SD(mainly used as a tom pad) TM-3 TP65S/65(mainly used as a tom pad) CY-1 PCY155/150S/135 *1 CY-2 PCY155/150S/135 *1 CY-3 PCY155/150S/135 *1 CY-4 PCY130SC CY-5 PCY130S/130 CY-6 PCY65S HH-1 RHH135 HH-2 RHH130 DT Snare DT series drum trigger (for a snare drum) DT HiTom DT series drum trigger (for a small toms) DTX500 Owner’s Manual 35 8 Trigger Setup Edit *1 These pad types are different in the sensitivity settings among the three sections (the Bow section, Edge section, and Cup section in 3-zone cymbal pad.) You can change these as desired. “CY-1” is the setting that the sensitivities of the three sections are same. “CY-2” is the setting that the sensitivity of the Edge section is set fairly lower than the other section. “CY-3” is the setting that the sensitivity of the Cup section is set fairly lower than the other section. TRG3 Gain, MVI (Minimum Velocity) TRG4 VelCurve (Velocity Curve) TRG4~ ƒsnare~~0% ”VelCurve=norm~‚ Sets the Input Velocity Curve for the input jack assigned in the upper half of the page. norm loud2 loud1 hard1 hard2 Velocity → DT LoTom DT series drum trigger (for a large toms) DT Kick DT series drum trigger (for a bass drum) misc~1–6 Other manufacturer’s pads 1 to 6 Strength of hit → TRG3~ ƒsnare~~0% ”Gain=65MVl=~12‚ Gain [Range] 0–99 Adjusts the input gain (sensitivity) for the input jack assigned in the upper half of the page. Setting a larger value lets a smaller input level from the pad create sound. * This value will be automatically set after the appropriate pad type is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the value will be necessary. * Some pads are equipped with a sensitivity adjustment knob. For details, refer to the owner’s manual that came with the particular pad. MVI [Range] 1–127 Sets the MIDI Velocity (volume) that is transmitted when the pad is hit the softest. Large values will produce a high volume level even if the pad is hit softly. However, this will result in a narrow volume range making it difficult to adequately produce wider dynamic levels. The Trigger Input Level will be displayed in percentage in the upper right hand corner of the display. The maximum velocity (input level 99 percent) will be 127. The lower the level is when the pad is hit the weakest, the wider the potential dynamic range will be. * This value is automatically set after the appropriate pad type is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the value will be necessary. 36 TRG5 DTX500 Owner’s Manual RejTime (Self Rejection Time) TRG5 ~ƒsnare~~0% ”~~RejTime=1~~~‚ [Range] 0–9 Prevents double triggering from occurring in the input jack assigned in the upper half of the page. After an event is detected, further events will be automatically muted for a certain length of time. The larger the value, the longer time events will be muted. TRG6 RejLvlAll (Rejection Level) TRG6 ~ƒsnare~~0% ”~RejLvlAll=2~~‚ [Range] 0–9 Prevents crosstalk from occurring in the input jack assigned in the upper half of the page. Events triggered by other pads (input jacks) that are of a lower input value than what is set here will not be triggered for a certain length of time. Larger values require a greater input level in order to produce a trigger event. 8 Trigger Setup Edit TRG7 RejLvl (Specified Rejection Level) TRG7~ ƒsnare~~0% ”RejLv1=3Frm=56‚ RejLvl [Range] 0–9 Frm 1–6, 56 (5 and 6), 7–12, 17 (1 and 7), tm, cy, tc [Range] This setting is used to prevent crosstalk between the input jack assigned in the upper half of the page and the input jack assigned in the “Frm=” setting. After an triggering event occurs from the pad that is assigned in the “Frm=” setting, the pad assigned in the upper half of the display will not sound for a certain length of time unless the input level is greater than the value set here. Larger values will require a greater input level in order to produce a trigger event. 2. Press the [SAVE/ENTER] button. A prompt appears asking confirmation of the Copy operation. Input~Copy~to~2 ~Are~you~sure~? 3. Press the [SAVE/ENTER] button to actually execute the Copy operation. * To cancel the Copy operation, press any button except for the [SAVE/ENTER] and [SHIFT] buttons (the jog dial can also be used to cancel the operation). The following display appears after the Copy operation is complete. ~~~Completed! A “Frm=“56” setting assigns trigger input jacks 5 and 6. A “Frm=“17” setting assigns trigger input jacks 1 and 7. A “Frm=“tm” setting assigns trigger input jacks 2, 3, and 4. A “Frm=“cy” setting assigns trigger input jacks 5, 6, 7, and 9. A “Frm=“tc” setting assigns trigger input jacks 2, 3, 4, 5, 6, 7, and 9. TRG8 CopyToInput (Trigger Setup Copy) TRG8 ~ƒsnare ”CopyToInput=~2‚ This function allows you to copy all data settings in pages [TRG2 Type (Pad Type)] through [TRG7 RejLvl (Specified Rejection Level)] to another input jack. NOTICE • When the Trigger Setup Copy operation is carried out, the Trigger Setup data will be replaced with the settings of the copy source. Operation 1. Hit a pad to select the copy source (input jack) from which the data will be copied. Rotate the jog dial and assign the copy destination (input jack). Copy source (input jack) TRG8~ ƒsnare ”CopyToInput=~2‚ Copy destination (input jack) DTX500 Owner’s Manual 37 Error Messages The DTX500 displays error messages when incorrect settings have been made or invalid operations have been detected, or when any abnormal operation or malfunction occurs. If an error message appears, check the list below and make the appropriate corrections. ERROR Data~Initialized ERROR Memory~full ERROR Can'tWriteMemory This message appears just after the power is switched on and the device cannot correctly read the data due to the Factory Reset operation being active. The backup ROM data may have been damaged. Contact the nearest Yamaha Service Center or the dealer where you purchased the device. You have exceeded the memory capacity of the user song. Delete unused songs to make more memory available and try recording again. Writing data to the backup ROM has failed. Troubleshooting The DTX500 does not produce sound, or does not recognize trigger inputs. ● Are the pads or drum triggers (Yamaha DT20, etc.) properly connected to the DTX500’s trigger input jacks? (p. 10) ● Is the DTX500 properly connected to headphones or an external audio device such as an amplifier, speaker, etc.? (p. 10) ● Check the position of the Standby/On switches and volume levels of any connected external audio devices, such as an amplifier, speaker, etc. ● The volume knob on the rear panel may be turned down (p. 13). ● Is the gain set too low? (p. 36 [TRG3 Gain, MVI (Minimum Velocity)]) ● The volume setting on the Drum Kit Select display’s “KIT3 Volume” page (p. 27) may be set to “0.” ● Is there a problem with the cable you are using? ● The drum voices for both layers ˙ and ¶ may be set to “00:NoAssign.” (p. 27 Step2: [KIT2]) 38 DTX500 Owner’s Manual The external tone generator does not produce sound. ● Is the MIDI cable (connector) properly connected? (p. 11) ● Is the correct MIDI connector being used? (p. 11) ● Are the MIDI note number values appropriate? (p. 28 Steps 8 to 10: [KIT8], [KIT9], [KIT10]) ● The drum voices for both layers ˙ and ¶ may be set to “00:NoAssign.” (p. 27 Step2: [KIT2]) A voice other than the set voice is produced. ● Is the transmitting MIDI channel set to a channel that is not used for the drum voice (ch=10)? (p. 28, Step 9: [KIT9]) ● Are two-layer voices set in the voice setting on the Drum Kit Select display? (p. 27 Step 2: [KIT2]) Produces sound but the sensitivity is too low (volume is low). ● Is the gain set too low? (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Pads with a level adjustment knob should be adjusted (increased). ● Is the minimum velocity set too low? (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Are you using a proper velocity curve? (p. 36: [TRG4 VelCurve (Velocity Curve)]) ● Is the volume of the voice you want to use too low? (p. 27 Step 3: [KIT3]) Troubleshooting The trigger sound is not stable. (For acoustic drums) ● Check the entry “Produces sound but the sensitivity is too low (volume is low)” above. ● Try selecting a larger pad type setting (DT snare → DT HiTom → DT LoTom → DT Kick). (p. 35: [TRG2 Type (Pad Type)]) ● Is the Drum Trigger (Yamaha DT20, etc.) improperly attached with duct tape? (Is there any old adhesive remaining on the head?) ● Is the cable securely connected to the drum trigger (Yamaha DT20, etc.) jack? Double triggering is produced. ● Pads with a level adjustment knob should be adjusted (lowered). ● Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Use the self-rejection setting. (p. 36: [TRG5 RejTime (Self Rejection Time)]) ● (KP65) Is the pad type for the input jack to which the KP65 is connected set to Kick Pad? (p. 35: [TRG2 Pad Type]) ● Are you using drum triggers (trigger sensors) made by other manufacturers? Too large a signal can result in double triggering. ● Is the head causing irregular vibrations? It may be necessary to mute the head. ● When using acoustic drums, make sure the Drum Trigger is attached near the rim (above the bearing) and not near the center of the head. ● When using acoustic drums, make sure that nothing is touching the Drum Trigger. Crosstalk (trigger interference from different inputs) is produced. ● Is the gain set too high? (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Try increasing the rejection parameter. However, avoid setting this value too high since that may cause the sound to not be produced when another pad (trigger input) is hit at the same time. (p. 36: [TRG6 RejLvlAll (Rejection Level)]) ● If crosstalk is produced with a specific trigger input, try using specific rejection. (p. 37: [TRG7 RejLvl (Specified Rejection Level)]) ● When using acoustic drums, place the Drum Trigger away from any nearby drum. Sounds are cut when you play continuously. ● The maximum polyphony of 32 voices might be exceeded. In the Drum Kit Select dispaly’s “KIT15 Key Assign Mode” page (p. 29), set the “KeyAssign” value to “semi” or “mono.” When two pads (drums) are played only one sound is heard. ● Raise the gain setting of the pad (trigger input) that is not producing sound. (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Lower the rejection setting of the pad (trigger input) that is not producing sound. (p. 36: [TRG6 RejLvlAll (Rejection Level)]) ● Lower the specified rejection setting of the pad (trigger input) that is not producing sound (p. 37: [TRG7 RejLvl (Specified Rejection Level)]) ● Are both pads (trigger inputs) set to the same alternate group? (p. 29 Step 14: [KIT14]) The sound is always loud. ● Is the minimum velocities minimum value set too high? (p. 36: [TRG3 Gain, MVI (Minimum Velocity)]) ● Are you using an appropriate velocity curve? (p. 36: [TRG4 VelCurve (Velocity Curve)]) ● Are you using a pad made by another manufacturer? Depending upon the manufacturer, output levels might be too large. The DTX500 does not receive any switch or trigger signals. ● If you can access the Utility display, perform the Factory Set operation. The DTX500 will reset to its factory settings. (p. 33: [UTIL8 Factory Set]) ● Turn the power off then on while holding the [<] and [>] buttons together. The DTX500 will reset to its factory settings. The sound does not stop. ● Some voices have very long release times when the “key off” parameter is set to “disable.” (p. 28 Step 11: [KIT11]) Press the [DRUM KIT] button to temporarily stop the sound. The pad controller function does not work ● Have you connected a pad equipped with a pad controller, such as the TP100 or TP120SD? ● Are the pad controller settings properly set? (p. 15) The Closed Hi-Hat voice is not produced. ● Is the proper pad type selected? If the RHH135/130 is used as a hi-hat controller, the pad type must be set to “RHH.” (p. 35: [TRG2 Pad Type]) The edge or cup sections of the cymbal pad do not produce sound when struck. The choke functions do not work. ● Is the proper pad type selected? Select the appropriate pad type for the kind of cymbal pad you are using. (p. 35: [TRG2 Pad Type]) ● The sound produced by the edge and cup section will not be produced when a pad equipped with a rim switch (PCY135/ 155 etc.) is connected to the Input jack 9– @. Foot Splashes are not produced. ● Is the foot controller connected to the HI HAT CONTROL jack? ● Adjust the detection time of foot splashes. (p. 14: Adjusting the Hi-hat) I need to restore the original factory settings of the instrument. ● Use the Factory Set function (p. 33) to reset the DTX500 internal settings to the initial factory settings. DTX500 Owner’s Manual 39 Index Symbols ” .................................... 13 ‚ .................................... 13 [<], [>] ............................ 8 [ ON/OFF] ..............8, 16 * .................14, 15, 16, 27 ˙, ¶ .............................. 13 ˚¡, ∞¢ ......................... 20 A Accessories ..................... 3 Acoustic drums .......10, 39 Alternate group ............. 29 AUX IN ......................9, 11 B Bank select ................... 32 Bass solo ...................... 21 Beat ............................... 16 C Cable clip ..................9, 10 Challenge mode ............ 22 Clear ............................. 25 [CLICK] ........................... 8 Click .............................. 16 Click lamp ....................... 8 Click master volume ...... 16 Click measure break ..... 17 Click out select .............. 18 Click set ..................16, 17 Click set name .............. 18 Click sound set .............. 17 Click timer ...............16, 19 Closing point ................. 14 Connections .................. 10 Control change .............. 32 Copy .............................. 37 CopyToInput ................. 37 Cross fade ..................... 29 Crosstalk .......... 34, 36, 39 D DC IN 12V .................9, 10 Decay ............................ 28 Double triggering ...................... 34, 36, 39 Double-bass drum set ... 12 [DRUM KIT] ..................... 8 Drum kit ...................13, 26 Drum kit list ................... 46 Drum kit name ............... 33 Drum voice .................... 26 40 DTX500 Owner’s Manual O Drum voice list ...............45 DT20 .................12, 34, 39 OUTPUT ...................9, 11 Store operation ...................... 18, 32, 34 E P T Error messages .............38 Pad ............................... 26 Pad controller ................. 9, 12, 15, 31 Pad function .................. 21 Pad song .................13, 30 Pad type ........................ 35 Pad with switch .........9, 12 Pan .........................27, 32 PHONES ...................9, 11 Playback mode ............. 30 Power supply ..... 9, 10, 11 Program change ........... 32 Quantize ....................... 24 Tap tempo .....................19 Tempo ........15, 16, 19, 20 Three-zone pad ........ 9, 12 Top panel ........................8 Trigger input jacks ...........9 Trigger input source ......26 Trigger setup .... 12, 34, 35 Trigger setup copy ........37 Trigger setup name .......34 Tuning Click ...........................17 Drum voice .................27 Pad controller .............15 Song ..........................20 Type ..............................35 R U Rear panel ...................... 9 Record .......................... 24 Rejection level .............. 36 RejLvl ............................ 37 RejLvlAll ........................ 36 RejTime ........................ 36 Repeat playback ........... 30 Reverb ....................30, 31 Reverb type .................. 31 Rhythm gate ...........22, 23 Rim shot ........................ 30 Rim to pad .................... 30 User click sound ............17 User drum kit .................32 User song ......................25 User trigger setup ..........34 Utility .............................14 F Factory set .....................33 Filter ..............................28 Foot controller ...............14 Foot splashes ......... 14, 39 G Gain ...............................36 Gate time .......................28 Groove check ................22 H Headphones ............. 9, 10 HI HAT CONTROL ..........9 Hi-hat controller ...............9 Hi-hat pedal ...................14 Hold mode .....................28 I Input level ......................13 J Jog dial ............................8 K Key assign mode ...........29 Kick pad .........................12 L Layer ................13, 27, 29 LCD display .............. 8, 41 LED display .............. 8, 19 M Master equalizer ............14 Metronome ....................16 MIDI ...............................11 MIDI channel .................28 MIDI data format ............47 MIDI implementation chart ...................................44 MIDI key on/off ..............28 MIDI note number ..........28 MIDI OUT ................. 9, 11 Minimum velocity ...........36 Mute ....................... 17, 20 MVI ................................36 N Numeric display mode ...22 Q S Save ................. 18, 32, 34 [SAVE/ENTER] ............... 8 Self rejection time ......... 36 Sensitivity ......... 12, 36, 38 [SHIFT] ........................... 8 Snares ....................15, 31 [SONG >/■] .............8, 20 Song ............................. 20 Song list ........................ 46 Song name ................... 25 Sound quality ................ 14 Speaker ........................ 10 Specifications ................ 47 Specified rejection level .................................. 37 Standby/On switch .......... 9 Stereo pad ...................... 9 Stereo plug ..................... 9 V VelCurve .......................36 Velocity curve ................36 Voice category . 17, 27, 45 Voice character .............28 VOLUME .................. 9, 13 Volume Click ...........................16 Control change ..........32 Drum voice .................27 Headphone ................11 Overall .................. 9, 13 Pad ............................13 Song ..........................20 Y Y-shaped cable ........ 9, 12 Appendix LCD Displays * The above “LCD Displays” charts show you the pages available in each display. Keep in mind that the actual displays on the instrument may be different from those shown here. Drum Kit Settings KIT1 ååååååååå 1 :Oak Custom ‚ KIT2 ƒsnare ˙ ”S01:OakCustom ‚ KIT3 ƒsnare ” Volume=127 KIT4 ƒsnare ” Tune=+ 0.0 KIT5 ƒsnare ” Pan= C KIT6 ƒsnare ” Decay= 0 ‚ ‚ ‚ ‚ KIT7 ƒsnare ”CutOffFreq= 0‚ KIT8 ƒsnare ”Note= 32/G#0 ‚ KIT9 ƒsnare ” MIDI Ch=10 ‚ KIT10 ƒsnare ”GateTime=0.3s ‚ KIT11 ƒsnare ”KeyOff=disable‚ KIT12 ƒsnare ” HoldMode=off ‚ KIT13 ƒsnare ” VelXFade=0 (Page 13) (Page 26) (Page 13, 27) (Page 27) (Page 27) (Page 28) (Page 28) (Page 28) (Page 28) (Page 28) (Page 28) (Page 28) KIT14 ƒsnare ” AltGrp=off ‚ KIT save to 51 :[Oak Custom ] ‚ KIT15 ƒsnare ”KeyAssign=poly‚ KIT16 ƒsnare ”Song= 45áéplay‚ KIT17 ƒsnare ” RimToPad=--- ‚ KIT18 ƒsnare ” RevSend= 75 (Page 29) ‚ KIT19 ” RevSendDr= 40‚ (Page 29) (Page 29) KIT save to 51 Are you sure ? (Page 30) (Page 30) (Page 30) (Page 31) KIT21 ”RevMastRet= 64‚ (Page 31) KIT23 ” Snares=32 (Page 33) (Page 30) KIT20 ”RevType=hall2 ‚ KIT22 ”PadCtl=snares ‚ (Page 32) (Page 15, 31) ‚ (Page 31) KIT24 PC Ch1=on ”PC001 M000L001‚ (Page 32) KIT25 CC Ch1=on ”vol=127 Pan= 64 (Page 32) DTX500 Owner’s Manual 41 Appendix Song Selection Click Settings SONG1 ⁄=123 ÷› 1 :Demo 1 ∞¢‚ CLK1 ∫ B=4 ÷› 1 :User ⁄=130‚ (Page 16) CLK2 A˘=9 ¤=9 ” ‹=6 ßß=4 Œ=2 ‚ (Page 17) CLK3 MeasBreak ”Meas=1 Brk=3 ‚ (Page 17) CLK4 Sound ” 1:Metronome ‚ (Page 17) CLK5 Sound=¤ ”E20:Click1 ‚ (Page 17) SONG2 Clear ”Are You Sure ? SONG save name :[Untitled] SONG save name Are you sure ? (Page 20) * Displayed when a user song is selected. (Page 25) (Page 25) (Page 25) Song Recording REC ⁄=120 Beat=4 Quant=⁄ REC Meas= 10 Now Recording. (Page 22) GRV1 --æ√æ’æææ-80Hits/ 16%(DÀ)‚ (Page 22) GRV2 RhythmGate ”Mode=challenge‚ (Page 23) GRV3 ” Input=ƒsnare ‚ (Page 23) GRV4 ” Note=⁄(4) (Page 23) DTX500 Owner’s Manual CLK save to 1 :[User ] (Page 18) CLK save to 1 Are you sure ? (Page 18) (Page 24) Challenge Mode 42 (Page 17) (Page 24) Groove Check Function GRV1 --æ√æ’æææ-⁄=130 Gr=-2œ0.0‚ CLK6 Sound=¤ ” Tune=+ 0.0 Appendix Utility Settings Trigger Setup Edit UTIL1 Hi-hat HHofs=-13 T=112‚ (Page 14) TRG1 ååååååååå 1 :XP Med ‚ (Page 18) TRG2 ƒsnare ”Type=SN-1 (Page 21) TRG3 ƒsnare 0% ”Gain=65MVl= 12‚ (Page 19) TRG4 ƒsnare 0% ”VelCurve=norm ‚ (Page 14) TRG5 ƒsnare ” RejTime=1 (Page 20) TRG6 ƒsnare 0% ” RejLvlAll=2 ‚ (Page 21) TRG7 ƒsnare 0% ”RejLvl=3Frm=56‚ (Page 37) (Page 33) TRG8 ƒsnare ”CopyToInput= 1 (Page 37) TRG save to 8 :[XP Med ] (Page 34) TRG save to 8 Are you sure ? (Page 35) UTIL2 Click ”OutSel=clickR ‚ UTIL3 Song ” BassSolo=off ‚ UTIL4 LED ” Disp=tempo ‚ UTIL5 MasterEQ ”Lo=+ 4 Hi=+ 0 ‚ UTIL6 MasterTune ” Tune=+15.7 ‚ UTIL7 ƒsnare ”Func=off UTIL8 ” Factory Set ‚ Tap Tempo Function TAP TEMPO ¤=123 ≠ªªªª 0% ‚ 0% ‚ (Page 12, 34) (Page 15, 35) (Page 36) (Page 36) (Page 36) (Page 36) (Page 19) DTX500 Owner’s Manual 43 MIDI Implementation Chart YAMAHA [ DRUM TRIGGER MODULE ] Model DTX500 MIDI Implementation Chart Transmitted Recognized Date :7-Dec-2009 Version : 1.0 Remarks Function ... Basic Channel Default Changed 1 - 16 1 - 16 x x Mode Default Messages Altered x x ************** x x x Note 0 - 127 Number : True voice ************** x x Velocity Note ON Note OFF o 9nH,v=1-127 x 9nH,v=0 x x After Touch x x x x Pitch Bender x x 0,32 4,7,10 1,2,5,6,8,11,12,13 16-19 Control 33-63 64-84 Change 91-95 96-101 o o x x x x x x x x x x x x x x Prog Change : True # o 0 - 127 ************** x x System Exclusive o x : Song Pos. Common : Song Sel. : Tune x x x x x x System :Clock o Real Time :Commands o x x :All Sound Off Aux :Reset All Cntrls :Local ON/OFF Mes- :All Notes OFF sages:Active Sense :Reset x x x x x x Key's Ch's x o x x o x memorized Bank Select Notes: Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY 44 DTX500 Owner’s Manual Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO o : Yes x : No Appendix Drum Voice List Voice Category K : Kick S : Snare T : Tom C : Cymbal H : Hi-hat P : Percussion E : Effect K: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Kick OakCustom MapleCustm MapleVintg Beech BirchDry BirchJazz DryDeep DryTight 1 DryTight 2 SoTight 2Head BigSofty RockAmb 1 RockAmb 2 BD Room 1 BD Room 2 GateKick1 GateKick2 T8 Kick T9 Kick CR Kick T9 HrdAtk T9 Long Sm Kick T8 Down T9 Dist TechKick1 TechKick2 TechKick3 BreakKick1 BreakKick2 BreakKick3 BreakKick4 BreakKick5 BreakKick6 VoxKick KickBass ResoKick1 ResoKick2 DidgerKick ReversBD S: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Snare OakCustom OakCusOpRm OakCusClRm OakCusOff OakCusOffO OakCusOffC MapleCustm MapCusOpRm MapCusClRm MplCusOff MplCusOffO MplCusOffC Beech BeechOpRim BeechClRim BeechOff BeechOffOR BeechOffCR Metal MetalOpRim 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 MetalClRim MetalOff MetalOffOp MetalOffCl MapleVtg MapleVtgR Loosy LoosyRim LiteWood LiteWoodRm RockAmb 1 RockAmb 2 RockAmb R BirchDeep BirchDeepR Studio StudioRim MapleLite MapleLiteR DryMute Brush BrushRim BrushOff BrshOffRim SnareRoll* GateSnare1 GateSnare2 GateSnare3 GateSnare4 GateSnare5 T8 Snare1 T8 Snare2 T8 Rim T9 Rim Tek Snare LoBitSnare Sm Snare1 Sm Snare2 SynSnare BreakSnr 1 BreakSnr 2 BreakSnr 3 BreakSnr 4 DB Snare1 DB Snare2 DB Snare3 DB Snare4 DB Snare5 DB Snare6 Snappy R&BSnare1 R&BSnare2 R&BSnare3 VoxSnare1 VoxSnare2 GunSnare ResoSnare1 ResoSnare2 T : Tom 1 OakCustomH 2 OakCustomM 3 OakCustomL 4 MapleCus H 5 MapleCus M 6 MapleCus L 7 BeechCus H 8 BeechCus M 9 BeechCus L 10 Studio H 11 Studio M 12 Studio L 13 RockAmb H 14 RockAmb M 15 RockAmb L 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 MapleAmb H MapleAmb M MapleAmb L JazzTom H JazzTom M JazzTom L BrushTom H BrushTom M BrushTom L T8 Tom1 H T8 Tom1 M T8 Tom1 L T8 Tom2 H T8 Tom2 M T8 Tom2 L T9 Tom1 H T9 Tom1 M T9 Tom1 L T9 Tom2 H T9 Tom2 M T9 Tom2 L Sm Tom1 H Sm Tom1 M Sm Tom1 L Sm Tom2 H Sm Tom2 M Sm Tom2 L PulseTom H PulseTom M PulseTom L VoxTom E.BendTom E.Talking DidgeriTom ReverseTom C : Cymbal 1 Bright18 2 Bright18Eg 3 Bright18Cp 4 Warm16 5 Warm16Edge 6 Warm16Cup 7 Dark18 8 Dark18Edge 9 Dark18Cup 10 CrCustom17 11 CrLight17 12 CrFast16 13 CrFast14 14 Bright20 15 Bright20Eg 16 Bright20Cp 17 Warm20 18 Warm20Edge 19 Warm20Cup 20 Dark20 21 Dark20Edge 22 Dark20Cup 23 RideCool 24 RideCoolCp 25 RideDry 26 RideDryCup 27 SizzleRide 28 SizzRideEg 29 SizzRideCp 30 ChinaHi 31 ChinaLoCtr 32 ChinaLoEg 33 Splash 1 34 Splash 2 35 Trash 1 36 Trash 2 37 T8 Crash 38 T9 Crash 39 40 41 42 43 44 45 46 T8 Ride T9 Ride ElecCymbal NoiseCym1 NoiseCym2 VoxCymbal1 VoxCymbal2 ReverseCym H : Hi-Hat 1 Dark14 Opn 2 Dark14 OpE 3 Dark14 Cls 4 Dark14 ClE 5 Dark14 Ft 6 Dark14 Sp 7 Dark13 Opn 8 Dark13 OpE 9 Dark13 Cls 10 Dark13 ClE 11 Dark13 Ft 12 Dark13 Sp 13 Bright14Op 14 Bright14OE 15 Bright14Cl 16 Bright14CE 17 Bright14Ft 18 Bright14Sp 19 Warm13Opn 20 Warm13OpE 21 Warm13Cls 22 Warm13ClE 23 Warm13Ft 24 Warm13Sp 25 Tight12Opn 26 Tight12OpE 27 Tight12Cls 28 Tight12ClE 29 Tight12Ft 30 Tight12Sp 31 T8 HH Opn 32 T8 HH Cls 33 T9 HH Opn 34 T9 HH Cls 35 CR HH Opn 36 CR HH Cls 37 Break HHOp 38 Break HHCl 39 Brack HHFt 40 NoiseHHOpn 41 NoiseHHCls P: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 Percussion CongaHiOpn CongaHiSlp CongaHiOSw CongaHiTip CongaHiHel CongaLoOpn BongoHi BongoLo TimbalHi TimbalLo PailaHi PailaLo SurdoOpn SurdoMt SurdoHO SurdoSw PandieroOp PandieroMt PandieroSl Tambarin1 Tambarin2 Tambarin3 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 Cowbell 1 Cowbell 2 Cowbell 3 Cowbell3Mt Cowbell 4 Cowbell4Mt Claves Maracas Vibraslap Castanet TriangleOp TriangleCl TriangleHO TriangleSw GuiroShort GuiroLong Agogo Hi Agogo Lo WoodBlockH WoodBlockL Shaker1 Shaker2 Caxixi1 Caxixi2 DjembeOpen DjembeSlap DjembeMute CajonLo CajonHi CajonSlp TalkDrOp TalkDrMt TalkDrSlp TalkDrBend PotDrOpn PotDrCls PotDrMute PotDrBody TablaOpen1 TablaOpen2 TablaMute TablaSlp BayaOpn BayaMute BayaBend CuicaHi CuicaLo WhistleH WhistleL SleighBell BellTree WindChime TimpaniF#2 Timpani B1 Timpani E1 ConctBDop ConctBDmt HandCymOp HandCymMt Gong ChinaGong Odaiko OdaikoRim Yagura YaguraRim Shimedaiko ShimeRim Atarigane AtariganeM AnaConga AnaCowbell AnaMaracas AnaShaker1 AnaShaker2 DTX500 Owner’s Manual 45 Appendix E: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Effect StickHit1 StickHit2 FingerSnap E.Clap1 E.Clap2 E.Clap3 NoiseHit Metal1 Metal2 Metal3 AmbShot Tunnel HiQ Noise 1 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 Noise 2 Pulse Zap MetrBell 1 MetrBell 2 Click1 Click2 Vo Go! Vo Hoo! Vo Yoo! Vo Ha! Vo Uh! Vo aYeah! Scratch1 Scratch2 Scratch3 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 Scratch4 Scratch5 Scratch6 Scratch7 OrchHit1 OrchHit2 R&BHit1 R&BHit2 BrassHit ScratchHit Industry CompuVoice Radio Thunder Tire Crash 63 64 65 66 67 68 69 70 71 72 73 74 75 Glass GunShot1 GunShot2 Bomb ResoNzClap Strike AmbientCym SFXCymbal1 SFXCymbal2 SFXCymbal3 NzAmbient LoDroneAmb NzEcho Vel-Decay1 Vel-Decay2 DlyScratch Boyon P! E.Bass SlapBass Turntable* Train* Helicoptr* Applause* Police* Ring* FX Pad* Didgerido* VinylMan* * Loop Preset Drum Kit List Kit No. 1 2 3 4 5 6 7 8 9 10 11 12 13 Kit Name Oak Custom Maple Custom Beech Custom Rock Kit Gate Kit HipHop Kit Synth Drums Street Beat Brazil Kit Sm Kit Studio Kit Dry Beat SessionMastr Kit No. 14 15 16 17 18 19 20 21 22 23 24 25 26 Kit Name T8 Kit T9 Kit D’n’B Kit Nu Electro Perc. Kit Social Cuban SFX Kit Funky Men Power Kit Reso Kit Phase Drum Jazz Kit Brush Kit Kit No. 27 28 29 30 31 32 33 34 35 36 37 38 39 Kit Name Matsuri AsianGypsy Elec.Classic Hey DJ! VOX Kit Vintage Kit Room Kit Afro Kit Latin Club Drum Corps Orchestra Dubstep R&B Cool Kit No. 40 41 42 43 44 45 46 47 48 49 50 Kit Name WikkidPocket Reggae Kit BrokenFunk GoGo1988 Re-0 Elec 5/4 Backbone Groovin’ 8/8 Craze Bs.@Base GM Standard Preset Song List No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 46 Genre Demo Rock Shuffle Funk Blues Hip Hop R&B Name Demo 1 Demo 2 Demo 3 Rock 1 Rock 2 Rock 3 Rock 4 Rock 5 Rock 6 Shuffle 1 Shuffle 2 Shuffle 3 Funk 1 Funk 2 Funk 3 Blues 1 Blues 2 HipHop 1 HipHop 2 R&B 1 R&B 2 DTX500 Owner’s Manual No. 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Genre Dance Pops Pop Rock Jazz Bossa Nova Fusion Samba Latin Reggae Soul Ballad Name Dance 1 Dance 2 Pops 1 Pops 2 PopRock1 PopRock2 Jazz 1 Jazz 2 Bossa 1 Bossa 2 Fusion 1 Fusion 2 Samba 1 Samba 2 Samba 3 Latin 1 Latin 2 Reggae Soul Ballad 1 Ballad 2 No. 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Genre Second Line Ska Pad Song Name 2ndLine Ska 8Craze A 8Craze B BassGrv HornGrv BassRiff PadBass GoGo Tp GoGo Br GoGo Lp Re-O BFunk A BFunk B BFunk C Elec5/4A Elec5/4B Elec5/4C Backb Ld Backb St Backb Pf Appendix Specifications Tone Generator block Trigger Sequencer Metronome Others Tone Generator Maximum Polyphony Voices Drum Kits Effects Trigger Setups Pad Controller Pad Functions Pad Songs Note Capacity Note Resolution Recording Type Track Songs Tempo Beat Timing Click Sound Sets Click Sets Click Timer Training Functions Controls Displays Connectors Power Consumption Dimensions (W x D x H) Weight AWM2 32 427 Drum, Percussion Voices, 22 Keyboard Voices Preset: 50, User: 20 Reverb x 19 types, Master EQ Preset: 7, User: 4 Snares adjustment, Tuning, Tempo Drum Kit INC/DEC, Click Set INC/DEC, Tempo INC/DEC, Click ON/OFF Start/Stop, Chase, Cut Off, 3 songs (max.) can be played simultaneously. Approx. 16,000 notes 96 parts per quarter note Real Time Replace 1 3 Demo Songs, 41 Practice Songs, 19 Pad Songs, 20 User Songs 30–300 beats/minute, Tap Tempo function 1–9 Accent, Quarter note, Eighth note, Sixteenth note, Triplet Preset: 6, User: 1 30 0–600 seconds (in 30-second steps) Measure Break, Groove Check, Rhythm Gate Buttons: DRUMKIT, CLICK, SONG >/■, SHIFT, <, >, ON/OFF, SAVE/ENTER Controllers: Volume, Jog Dial 16 characters x 2 lines backlit LCD, 7-segment LED (3-digit), Tempo LED x 2 Trigger inputs 1, 5, 6, 7 (stereo phone jack L: trigger input, R: rim switch) Trigger inputs 2, 3, 4, 8 (stereo phone jack L: trigger input, R: trigger input) HI HAT CONTROL (stereo phone jack) OUTPUT L/MONO, R (mono phone jack) PHONES (stereo phone jack), AUX IN (stereo mini jack) MIDI OUT, DC IN 8.0W (DTX500), 13.0W (DTX500 and AC power adapter) 252 x 147 x 52 mm (9-15/16" x 5-13/16" x 2-1/16") 898 g (2 lbs.) * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. MIDI Data Format 1. Channel Messages The channel messages described below are sent from the drum triggers only. Other messages are sent from both the drum triggers and the sequencer. 1.1 2. System Exclusive Messages 2.1 $F0 $7E $7F $09 $01 $F7 (hexadecimal) Sets all messages (except MIDI master tuning) to their initial values. Key On, Key Off Note range: 0 (C-2)–127 (G8) Velocity range: 0–127 1.2 Control Change 1.2.1 Bank select MSB, LSB–0, 32 data = 0–127 1.2.2 Foot controller–4 (Ch. 10 only) 1.2.3 Main volume–7 1.2.4 Pan–10 (left 0, right 127) 1.3 Program Change Parameter Change 2.1.1 GM system ON 3. System Realtime Message 3.1 Timing clock Sends data. 3.2 Start, Stop Sends data. 3.3 Active sensing Sends the messages within an interval of approximately 300 msec. DTX500 Owner’s Manual 47 dtx500_en_3.fm Page 48 Tuesday, March 23, 2010 11:48 AM For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ASIA THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha Música Ibérica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM/IRELAND Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 GERMANY Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 SWITZERLAND/LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Zürich Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1, N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha Music (Russia) Office 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 495 626 0660 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 AUSTRIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 POLAND/LITHUANIA/LATVIA/ESTONIA Yamaha Music Europe GmbH Branch Sp.z o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDIA Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE RUSSIA Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 THE PEOPLE’S REPUBLIC OF CHINA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868 SY51 Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2432 Yamaha Electronic Drums web site: http://www.yamaha.co.jp/english/product/drums/ed/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2010 Yamaha Corporation 003PO***.*-01B0 Printed in Vietnam WU53720
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