Yamaha PLG150 de handleiding

Merk: Yamaha

Model: PLG150

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

PLG150-AN

Analog Physical Modeling Plug-in Board

Carte Plug-in de Synthèse à Modélisation Analogique

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Precautions

●

Do not expose the plug-in board to direct sunlight,

excessive humidity, high temperatures, excessive dust or

strong vibrations.

●

Before handling the plug-in board, be sure to touch a

metal surface to discharge any static electricity which

may be in your body.

●

When holding the plug-in board, do not touch the inside

area of the circuit board or apply excessive pressure to

the board, and be sure to protect the board from contact

with water or other liquids.

●

Before installing the plug-in board onto a tone genera-

tor/sound card, unplug the power connector of your

computer.

●

Before connecting the computer to other devices, turn

off the power switches of all devices.

●

Yamaha is not responsible for loss of data through com-

puter malfunctions or operator actions.

●

The plug-in board contains no user-serviceable parts, so

never touch the inside area of the circuit board or

tamper with the electronic circuitry in any way. Doing

so may result in electrical shock or damage to the plug-

in board.

YAMAHA CANNOT BE HELD RESPONSIBLE

FOR DAMAGE CAUSED BY IMPROPER

CARE AND USE OF THE PLUG-IN BOARD.

* The company names and product names in this Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

* The screens as illustrated in this owner’s manual are for instructional purposes only, and may

appear somewhat different from the ones of your instrument.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modiﬁcations

not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class

”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product

in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses

radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will

not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit

”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this

type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA 90620

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

CANADA

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

Congratulations and thank you for purchasing the Yamaha PLG150-AN Control Synthesizer

Plug-in Board!

The PLG150-AN is a custom tone generator designed for use with a variety of Yamaha elec-

tronic musical instruments. Foremost, the PLG150-AN can be installed to and integrated with

instruments of the Modular Synthesis Plug-in System (such as the CS6x, CS6R, S80, etc.) It

can also be used seamlessly with the MU128 Tone Generator (as well as other MU-series

instruments and the SW1000XG PCI Audio/MIDI Board). The PLG150-AN employs Analog

Physical Modeling synthesis, for faithful reproduction of analog synthesizer sounds. It not only

features the same familiar oscillator, ﬁlter and other sound creation elements on traditional ana-

log synthesizers — it gives you the full spectrum of warm, fat, and punchy sounds that made

those legendary instruments famous.

The settings and parameters of the PLG150-AN can also be conveniently edited with a Win-

dows PC computer by using the AN Easy Editor and AN Expert Editor software modules

(included in the XGworks Music Sequencer software).

Table of Contents

Overview of the PLG150-AN

.....................................4

Analog Physical Modeling Synthesis and

the PLG150-AN Tone Generator

..........................6

PLG150-AN Tone Generator Block Diagram.......7

VCO......................................................................7

Noise, Ring Modulator and Feedback................10

VCF....................................................................11

VCA....................................................................11

LFO 1, 2 and PEG, FEG ....................................12

Effects ................................................................12

Memory Buffer Structure

......................................13

Specifications

...........................................................14

About the Included Floppy Disks

............................14

Installing the PLG150-AN

........................................16

Included Items

...........................................................16

Required and Recommended Items

......................16

Synthesizer/Tone Generator/

Sound Card Compatible with the Modular

Synthesis or XG Plug-in Systems..................16

XGworks or XGworks lite

Music Sequencing Software..........................17

AN Easy Editor...................................................17

AN Expert Editor.................................................17

Installing and Starting the Plug-in

Editor Software (Windows 95/98)

...................18

Installing the Software........................................18

Starting the AN Easy Editor................................18

Starting the AN Expert Editor.............................19

Selecting AN Voices

(Modular Synthesis Plug-in System)

................20

Enabling and Selecting AN Voices.....................20

Editing the AN Native Part Parameters

(Modular Synthesis Plug-in System)

................21

Selecting/Editing the AN System Parameters

(Modular Synthesis Plug-in System)

................22

Selecting AN Voices (XG Plug-in System)

............23

Enabling and Selecting AN Voices.....................23

Editing the AN Native Part Parameters

(XG Plug-in System)

..............................................25

Selecting/Editing the AN System Parameters

(XG Plug-in System)

..............................................27

Parameters

...............................................................28

AN Native Part Parameters................................28

AN System Parameters......................................34

Appendix

.....................................................................38

Voice List

................................................................38

Tone Generator And Effect Signal Flow

...........47

Arpeggio Type List

...............................................48

Control Matrix &

Free EG Track Parameter List

.........................49

Parameter List

(XG / Modular Synthesis Plug-in System)

....50

MIDI Data Format

..................................................51

MIDI Implementation Chart

.................................70

Overview of the PLG150-AN

The PLG150-AN gives you a full-featured, powerful synthesizer with stunning analog-like sound —

thanks to the Analog Physical Modeling system — in a compact plug-in board. In addition to being

packed with standard synthesizer “modules” (including VCO, VCF and VCA) that provide compre-

hensive, ﬂexible control over the sound, the PLG150-AN also features a built-in Arpeggio and Step

Sequencer for generating and playing back complex patterns at the touch of a key.

■

Easy Installation

Once it is connected, the PLG150-AN automatically becomes another sound source in the tone gener-

ator/sound card, and can be used as one of the instrument Parts. You can create your own original AN

voices and combine AN voices with the other voices in the “mother” device.

■

256 Voices and Five-note Polyphony

The PLG150-AN is packed with a total of 256 dynamic and powerful voices, each of which can be

changed temporarily, using the Part Edit parameters, or edited (using the AN Expert Editor software)

to create your own original voices. With the ﬁve notes of polyphony, you can play the rich sounds

with full-handed chords, or use the Unison mode to create huge, fat monophonic sounds.

■

Comprehensive Editing Functions

Naturally, the AN voices can be processed and edited in the same way as the normal voices of the tone

generator/sound card. Moreover, once you’ve equipped your tone generator with the PLG150-AN

board, a special set of AN parameters become automatically available — letting you edit and change

the sounds as desired. And for further editing convenience and power, the included AN Easy Editor

and AN Expert Editor software let you change all parameters from a computer.

■

Super Fat Unison Sound

The PLG150-AN gives you all the sonic power and punch of vintage analog synthesizers with the

Unison feature. This slightly detunes each of the ﬁve available sound elements in a voice, and gangs

them together to create one huge, fat monophonic sound.

■

Powerful “Morphing” Control

This exceptionally powerful function allows you to use any MIDI controller (such as a modulation

wheel, foot controller, or after touch) to “morph” or crossfade between two distinct voices — in real

time as you play! Naturally, you can record controller data to a sequencer for automated morphing

within a song as well. This lets you create dramatic or subtle sonic changes in your performance or

song.

Overview of the PLG150-AN

■

Pattern Generator with Arpeggio and Step Sequencer

These features let you automatically produce a wide variety of note patterns in real time as you per-

form. Arpeggio lets you play perfect arpeggiated chords at the simple press of a key. The Step

Sequencer permits quick, easy creation of highly sophisticated looped patterns which can be triggered

from the keyboard in a variety of ways. Both of these can be edited in detail with the AN Expert Edi-

tor software in XGworks (page 17).

■

Four-track Free EG

The four-track Free EG lets you program changes to four independent parameters — such as ﬁlter,

resonance, LFO and many others — and have the changes play back automatically by simply playing

a voice, and even have the tempo of the changes sync to MIDI clock. The Free EG can be edited in

detail with the AN Expert Editor software in XGworks (page 17).

About the Modular Synthesis Plug-in System

The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabil-

ities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards.

This enables you to easily and effectively take advantage of the latest and most sophisticated

synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted

advances in modern music production.

About the XG Plug-in System

The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XG-

Plug-in-compatible tone generators and sound cards. This enables you to easily and effectively

take advantage of the latest and most sophisticated synthesizer and effects technology, allowing

you to keep pace with the rapid and multi-faceted advances in modern music production.

About AN-XG

The AN Extension for XG (abbrieviated as “AN-XG”) built-into the PLG150-AN signiﬁcantly

enhances and expands the musical capabilities of the XG format with the rich analog-style

sounds and comprehensive control features of the Analog Physical Modeling synthesis system.

The PLG150-AN incorporates all the versatile functions of the AN1x Control Synthesizer —

including multiple oscillators, ﬁlters, Morphing, Free EG, and a Pattern Generator with Arpeg-

gio and Step Sequencer — into an XG tone generator/sound card.

Analog Physical Modeling Synthesis and

the PLG150-AN Tone Generator

As the PLG150-AN Tone Generator Block Diagram (page 7) illustrates, the VCO module generates

the basic signal, then passes it along the signal path to the MIXER and VCF modules, processing

the signal in a variety of ways before passing it on to the VCA module, which controls the volume of

the signal — before passing it along to be processed (by Distortion and 3-BandEQ) along with the

other Parts of the tone generator. Along the way, various real-time and other controllers can be

applied to each module in a variety of ways, providing enormous sound-shaping and sound-creating

possibilities.

Some of the parameters mentioned in the following explanations cannot be accessed from the “mother” device;

however, they can be controlled with the special AN Easy Editor and AN Expert Editor plug-in software modules

(used in XGworks or XGworks lite). Even without the use of the plug-in software, the original AN voices of the

PLG150-AN provide enormous sonic complexity and ﬂexibility, especially with the use of the Part parameters and

the AN Assignable Controllers on the “mother” device.

Oscillators, Filters And Ampliﬁers

What does it take to make a sound? And how does the PLG150-AN generate sounds?

In the simplest of terms, there are three basic elements which make up a sound: pitch, or how low or high it

is; tone, or what its overall quality, or timbre is like; and amplitude, or how loud the volume level is.

Synthesizers rely on three key electronic components to generate sounds and electronically imitate the

soundwaves of familiar musical instruments, as well as create entirely unique sounds. In traditional analog

synthesis, the source sound pitch and waveform is generated by an oscillator; its tone is controlled by a ﬁl-

ter; and its volume is determined by an ampliﬁer. With the PLG150-AN, these three elements are termed

the VCO (voltage controlled oscillator), the VCF (voltage controlled ﬁlter), and the VCA (voltage con-

trolled ampliﬁer).

The “signal path” starts at the VCO, ﬂows to the VCF, then ﬂows to the VCA. The signal is “processed” at

each block, or “module” along the way to the ﬁnal output.

VCO VCF VCA OUT

The oscillator creates the source pitch

(and also the basic timbre, depending on the waveform)

The amplifier determines the volume

The filter controls the timbre

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

PLG150-AN Tone Generator Block Diagram

VCO

The VCO module is where the original sound waveform is generated. In general, the VCOs of analog

synthesizers feature the simple waveforms shown below.

In theory, these waveforms are very simple; in the real world, they’re not so simple. Because of the

characteristics of electronic circuits, all analog synthesizers introduce subtle imperfections into the

waveform. These imperfections result in slightly rounding off the edges of the wave, or adding noise,

and other artifacts — and they give each synthesizer its own special, unique sound.

Although a single oscillator is enough to generate the basic sawtooth, pulse (square) or other waves

required for different types of musical instrument sounds, the PLG150-AN’s VCO module provides

far greater ﬂexibility. The PLG150-AN’s digital VCO creates mathematically exact waveforms.

FEG AEG

Distortion

Effects

3-Band EQVCF

VCO1

Oscillator Sync

Oscillator

Sync

MIXER

LFO1 & LFO2

Ring

Modulator

Noise

Feedback

Slave

VCO2

Master

PEG

VCA

Saw (Sawtooth) Pulse (Square) Triangle

Basic sawtooth waveform Basic pulse waveform Basic triangle waveform

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

However, the instrument also gives you a wide variety of tools (including Pulse Width Modulation

and Edge) for introducing analog-like “imperfections” to the waveforms and making them much more

complex and interesting.

The VCO of the PLG150-AN actually has two blocks: VCO 1 and VCO 2. With VCO 1, you can

select a variety of waves, and it can be conﬁgured with one of three “sync modes” that syncs “master”

and “slave” oscillators within the VCO 1. Thus, when the sync is on, the VCO 1 is actually two oscil-

lators in one, and additional waves are available.

The VCO 1 is always ﬁxed as the FM carrier, but the carrier can either be the master or slave oscillator

depending on the selected algorithm, when Sync mode is set to on. The FM modulator can be

selected from VCO2, the PEG, FEG, LFO1, LFO2 or others. The Pitch Envelope Generator (PEG)

lets you determine how the pitch of the VCO changes over time, and the LFO can be used to modulate

the VCO to create vibrato.

The PLG150-AN also has a second oscillator section: VCO 2. VCO 2 has many of the same waves

and controls as does VCO 1, but differs slightly in the waves that are available . For certain waves, it

also features special cross-modulation that generates complex harmonics by modulating the fre-

quency of the oscillator. The VCO 2 can also be set (with the Sync parameter) to modulate the VCO

■

Pulse Width and Pulse Width Modulation

In conventional analog synthesizers, pulse width (PW) is used to change the shape of a pulse wave-

form. This changes the harmonics or overtones (which determine the timbre or tone) of the sound.

Pulse width modulation (PWM) uses an LFO to periodically change the width, and hence, the har-

monics.

The PLG150-AN lets you control not only the Pulse wave in this way, but also Saw and Mix (a com-

bination of Saw and Pulse). In addition to using an LFO to modulate the Pulse Width, the PLG150-

AN lets you create a “fat” chorus-like effect, depending on the parameter settings.

Basic sawtooth

waveform.

When Pulse Width

is set to a value

under “64”.

...the sound has

many harmonics.

...the sound is that

of typical pulse

wave, with only

odd-numbered

harmonics.

...the sound has

many harmonics.

When Pulse

Width is small...

When the Pulse

Width is set to

"64" (50%)...

When Pulse

Width is large...

Saw (Sawtooth)Pulse

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

■

Edge

This useful parameter lets you make ﬁne, subtle

changes to the waveform. Higher Edge values pro-

duce a sharper waveform, resulting in a harder,

harsher sound with many harmonics. Reducing the

value makes the waveform rounder, producing a

softer, warmer sound. (At the minimum value, this

actually results in a sine wave.)

■

Oscillator Sync

Oscillator Sync is another common function in analog synthesis that synchronizes one oscillator’s

waveform with that of another oscillator.

In the illustration below, the waveform of oscillator 1 is constantly reset so that it starts its wave cycle

at the same phase point (the ﬁrst position of the wave cycle) as oscillator 2. As a result, the waveform

of oscillator 1 becomes more complex than normal, adding harmonics to the sound. (In the illustra-

tion below, the sound of oscillator 1 becomes brighter than what it would be originally.)

Here, oscillator 1 is referred to as the “slave” oscillator, while oscillator 2 is called the “master.”

Changing the pitch of the master oscillator changes the pitch of the overall sound. On the other hand,

changing the pitch of the slave oscillator changes the timbre or tone of the overall sound by altering

the amount of harmonics.

Just as with conventional analog synthesizers, the PLG150-AN allows you to synchronize the oscilla-

tors of VCO 1 and VCO 2. What’s more, it allows you to use Oscillator Sync with only VCO 1, since

VCO 1 actually has two oscillators by itself.

Sharp-edged

waveform

Slightly rounded

edges

Sine wave

Oscillator 2 (master)

Oscillator 1 (slave)

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

■

FM uses the wave of one oscillator (called the “modulator”) to periodically change the pitch or fre-

quency of another oscillator (called the “carrier”).

The FM generated sound is output by the carrier, and the type and amount of harmonics that are added

to the sound differs depending on the ratio of the modulator and carrier frequencies.

On the PLG150-AN, the following can be used as the modulator: VCO 2, LFO, and each EG. The

carrier is ﬁxed to VCO 1.

Noise, Ring Modulator and Feedback

In addition to the VCO 1 and VCO 2 oscillators, the PLG150-AN includes a Noise oscillator, plus

Ring Modulator and Feedback controls. The levels of these ﬁve sound sources can be freely mixed,

giving you a wide range of sonic possibilities and comprehensive sound shaping control.

Avoid making drastic changes to Feedback, or setting the Feedback level to values at or near

the maximum. Doing so could damage your speakers (and your ears!). If you hear any strange

or unusual vibrations in your speakers as you are adjusting the Feedback level, immediately

turn Feedback down.

Adds harmonics to

the sound, due to

Oscillator Sync.

A different sound can

be layered, completely

independent of the

oscillator sync output

of VCO 1.

Oscillator Sync

Slave

oscillator

Determines

the timbre or tone.

Determines

the pitch.

Master

oscillator

Adds harmonics

to the sound,

due to Oscillator

Sync.

Output of the

basic sound.

Slave oscillator.

Determines the timbre

or tone.

Oscillator Sync

Master oscillator.

(This determines the pitch.)

VCO1

VCO2

VCO1

Using Oscillator Sync to lock VCO 1 to VCO2

This method is the same as on conventional analog

synthesizers. The sound quality can be changed by

giving VCO 1 and VCO 2 different pitches.

Using Oscillator Sync within VCO 1

This method is unique to the PLG150-AN. Since

VCO 1 and VCO 2 are independent, you can still use

Oscillator Sync to get more harmonics, yet layer VCO

1 and VCO 2 to produce sound of even greater

complexity and richness.

VCO2

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

VCF

Once the VCO 1, VCO 2, Ring Modulator, Noise and Feedback signals are mixed in the MIXER

module, they can then be ﬁltered by the VCF module. The VCF includes a comprehensive set of ﬁl-

ters, including Low Pass Filter (LPF), High Pass Filter (HPF), Band Pass Filter (BPF) and Band Elim-

inate Filter (BEF). You can determine the Cutoff frequency of the VCF, as well as amount of

Resonance, or emphasis around the frequency cutoff point. Resonance and Cutoff actually work

interdependently with each other, and their overall effect depends also on the voice selected. On the

PLG150-AN, you can adjust the Cutoff frequency over an exceptionally wide range. Also, high val-

ues for Resonance create a relatively warm analog-like quality.

The Filter Envelope Generator (FEG) lets you determine how the timbre of the signal changes over

time, and the LFO1 or LFO2 can be used to modulate the VCF to create wah.

The FEG features four parameters:

Attack Time

Decay Time

Sustain Level

Release Time

VCA

The VCA module is where the overall output level of the signal is determined. The Amplitude Enve-

lope Generator (AEG) lets you determine how the volume of the signal changes over time, and the

LFO1 or LFO2 can be used to modulate the VCA to create tremolo.

The AEG features four parameters:

Attack Time

Decay Time

Sustain Level

Release Time

Key on Key off

Attack ReleaseDecay

Time

Level

Sustain

Key on Key off

Attack ReleaseDecay

Time

Level

Sustain

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

LFO 1, 2 and PEG, FEG

The LFO 1 and LFO 2 sections provide a sophisticated set of modulation possibilities, allowing you

to modulate the VCO 1, VCO 2, VCA, and VCF sections in various ways and degrees.

The LFO can be used to control:

Pmod (pitch of the oscillator) PWM (Pulse Width Modulation)

Fmod (Cutoff frequency of the ﬁlter) Sync Pitch (pitch of the slave oscillator)

Amod (depth of the ampliﬁer, or volume) FM Depth

This gives you enormous ﬂexibility in controlling and shaping the sound.

The PEG (Pitch EG) section lets you control the pitch of the VCO 1 and/or VCO 2 over time, with a

conventional envelope generator. The FEG (Filter EG) gives you similar control over how the ﬁlter

affects the sound over time. On the PLG150-AN, the PEG and FEG give you additional modulation

control sources, providing the comprehensive and ﬂexible control as found on vintage analog synthe-

sizers — yet without the expense of additional modules and the complexity of dozens of patch cords.

Effects

The PLG150-AN also features an Effects section that includes Distortion and 3-Band EQ. These

effects give you further sonic control over the AN voice, letting you apply and adjust distortion, and

make detailed equalization settings.

FEG

Opening and

closing the filter

over time.

Changing the

harmonics

over time.

Oscillator

Sync

Filter cutoff frequency

Pitch of the slave

oscillator (determines

the timbre or tone

of the overall sound).

Pitch of the master

oscillator (determines the

pitch of the overall sound).

Example

Memory Buffer Structure

AN Native System Parameter

System Parameter

Voice

● AN-XG Bank Voice 236 voices

MSB=84 (AN-XG/A)

LSB=0, 64 — 81, 96 — 107

PrgNo.=39 — 128 (origin : 1)

MSB=100 (AN-XG/B)

LSB=0, 64 — 76

PrgNo.=39 — 120 (origin : 1)

Voice

Tone Generator Parameter

VCO1, VCO2, SYNC, FM

MIXER, LFO1, LFO2

PEG, VCF (FEG), VCA (AEG),

DISTORTION, 3-Band EQ

Voice Parameter

Free EG

Free EG Parameter

Free EG Data

Pattern Generator

Arpeggio Parameter

Step SEQ Parameter

Step SEQ Pattern Data

User Step SEQ Pattern

Step SEQ Parameter

Step SEQ Pattern Data

128

patterns

XG Part Parameter

AN Native Part Parameter

Part Parameter

● Custom Bank Voice

Preset1 128 voices

MSB=36

LSB=0

PrgNo.=1 — 128 (origin : 1)

Voice

Preset2 128 voices

MSB=36

LSB=1

PrgNo.=1 — 128 (origin : 1)

Voice

User 128 voices

MSB=36

LSB=2

PrgNo.=1 — 128 (origin : 1)

* When the power is turned off and on again, the

contents of the User memory are replaced by voices

from the Preset 1 and 2 banks. To save your edits to a

User voice, use the AN Expert Editor software.

Speciﬁcations

TONE GENERATOR/MODULES :

Analog Physical Modeling, 2VCO(OSCILLATOR & FM), Ring Modulator,

Noise, VCF(FEG), VCA(AEG), PEG, 2LFO, Arpeggio/Step Sequencer

Generator, 4 Track FreeEG

POLYPHONY :

5 notes maximum (latest note priority; polyphony is expandable *1)

*1 Depending on the particular “mother” device, up to eight additional

boards can be installed, for a total of 40-note polyphony. On the CS6x,

for example, two boards can be installed for a maximum of 10 notes; on

the MU128, three boards can be installed for a maximum of 15 notes.

NUMBER OF VOICES :

236 XG voices (AN-XG/A, AN-XG/B)

256 Preset voices

128 User voices

INTERFACE :

XG Plug-in connector

EFFECTOR :

Guitar Amp.Simulator (Distortion)

3-Band EQ

XG Part EQ

DIMENSIONS (W x H x D) :

138.5 x 89.0 x 8.5mm

WEIGHT :

65g

POWER REQUIREMENTS :

320mA

INCLUDED ITEMS :

Owner’s Manual, Floppy disk (3)

* Speciﬁcations subject to change without notice.

About the Included Floppy Disks

The three included ﬂoppy disks contain editing software for the PLG150-AN as well as demonstra-

tion songs and Voice/Performance data for the “mother” device.

To use the editing software and transfer the song/Voice/Performance data to your particular “mother”

device, you should have a computer (running Windows 95/98) with a MIDI interface, with the MIDI

OUT on the interface connected to the MIDI IN of the “mother” device. You should also have

XGworks (v3.0 or higher) or XGworks lite installed to your computer; this is necessary to use the

editing software (page 17). For playing back the demonstration songs and transferring the Voice/

Performance data, you can use any compatible sequence software (such as XGworks/XGworks lite)

or hardware sequencer capable of sending bulk data. Insert Disk #1 into the computer and start the

installation.

The following software is included on the disks:

About the Included Floppy Disks

■

AN Easy Editor (page 17)

■

AN Expert Editor (page 17)

■

Demonstration Songs

(1) “AN Solo” (for Modular Synthesis Plug-in System devices:M_Solo.MID)

(for XG Plug-in System devices:X_Solo.MID)

By: Katsunori Ujiie (Idecs, Inc.)

For: Modular Synthesis Plug-in System devices (CS6x, etc.) and XG Plug-in System devices

(MU128, etc.)

To play this song with a Modular Synthesis Plug-in System device (such as the CS6x, etc.), ﬁrst call up

the Voice mode (press the VOICE button), then press PLG1 or PLG2 (depending on which slot the

PLG150-AN board has been installed to), and select a voice.

(2) “R&B” (R&B.MID)

By: Takashi Morio

For: XG Plug-in System devices (MU128, etc.)

(3) “Old Tek” (Old_Tek.MID)

By: Takashi Morio

For: XG Plug-in System devices (MU128, etc.)

(4) “Progressive Rock” (Progrock.MID)

By: Katsumi Nagae (Idecs, Inc.)

For: XG Plug-in System devices (MU128, etc.)

(5) “Trance” (Trance.MID)

By: Katsumi Nagae (Idecs, Inc.)

For: MU128/MU100/MU100R

■

Plug-in Voice Data for the CS6x/CS6R/S80

(Modular Synthesis Plug-in System)

This is Plug-in voice data, featuring a total of 64 voices that were created using the PLG150-AN Pre-

set voices. When the PLG150-AN is installed to PLG1, select the ﬁle “PLG_vce1.MID”; when the

board is installed to PLG2, select the ﬁle “PLG_vce2.MID.”

For a complete list of these voices, refer to the Plug-in Voice List (page 45) in the Owner’s Manual.

■

Performance Data for the MU128/MU100/MU100R (XG Plug-in System)

This is Performance data, featuring a total of 64 Performances that were created using the PLG150-

AN Preset voices (“AN_Perf.MID”).

For a complete list of these Performances, refer to the Performance List (page 46) in the Owner’s Man-

ual.

Installing the PLG150-AN

For detailed instructions on installing the PLG150-AN, refer to the owner’s manual of the Plug-in-

compatible “mother” device (e.g., CS6x, MU128, etc.).

Included Items

The following items have been included in the package of your new PLG150-AN. Please make sure

that you have them all before starting to setup and use the instrument. If an item is missing, contact

the store or dealer from which you purchased the PLG150-AN.

• PLG150-AN board

• PLG150-AN Owner’s Manual (this book)

• Three ﬂoppy disks

Required and Recommended Items

In addition to the included items listed above, you should also have the following:

Synthesizer/Tone Generator/Sound Card Compatible with the Modu-

lar Synthesis or XG Plug-in Systems

In order to use the PLG150-AN, you’ll need a synthesizer, tone generator or sound card compatible

with the Modular Synthesis Plug-in System or the XG Plug-in System. Compatible instruments

include the CS6x, MU128, and the SW1000XG. The synthesizer/tone generator/sound card should

also have an available slot or space for installing the PLG150-AN.

Required and Recommended Items

XGworks or XGworks lite Music Sequencing Software

These software sequencers provide convenient tools for taking full advantage of the PLG150-AN, let-

ting you create song data that automatically selects and plays back the AN voices. They also include

the powerful AN Easy Editor and AN Expert Editor (see below) for editing and controlling the AN

voices. XGworks lite is contained on a CD-ROM included with the CS6x, MU128, etc., and

XGworks is contained on a CD-ROM included with the SW1000XG.

AN Easy Editor

The AN Easy Editor is a special plug-in software module for XGworks and XGworks lite. It provides

convenient easy-to-use control over the most important PLG150-AN settings and parameters. It also

provides exceptionally intuitive editing, with a virtual “front panel” display that lets you change the

settings with knobs and buttons.

Using the AN Easy Editor is just like using the Part editing controls on your tone generator — it indi-

rectly and temporarily changes the AN voices without making changes to the original voice. The

changed parameters can either be inserted into a song to automate sound changes, or can be saved as

an AN parameter ﬁle for future recall. Continuous real-time parameter changes can be recorded to a

song as well. The AN Easy Editor software is contained on the included ﬂoppy disks.

AN Expert Editor

As with AN Easy Editor above, the AN Expert Editor is special software for use with XGworks and

XGworks lite. It allows you to directly edit all of the AN voice settings and parameters from your

computer. It also provides exceptionally intuitive editing, with a virtual “front panel” display that lets

you change the settings with knobs, buttons and other controls.

More comprehensive than the AN Easy Editor above, the AN Expert Editor gives you convenient

access to all of the PLG150-AN’s parameters, controls and functions. The changed parameters can

either be inserted into a song to automate sound changes, or can be saved as an AN Expert Data ﬁle

for future recall. Continuous real-time parameter changes can be recorded to a song as well. It also

lets you save your edits directly as a User voice for future recall.

The AN Expert Editor software is contained on the included ﬂoppy disks.

Installing and Starting the Plug-in Editor Software

(Windows 95/98)

Installing the Software

Double-click the “Setup.exe” ﬁle in the “plg-an” folder on the ﬂoppy disk to start the installation.

Click “Next” or “Yes” and follow the subsequent instructions on the screen to complete the installa-

tion.

Starting the AN Easy Editor

Start XGworks (or XGworks lite).

Click the “Plug-in” menu and select “AN

Easy Editor.”

Alternately, press Alt + P, then A, and ENTER. The

“Select AN Part” dialog box appears.

Set the desired Part number and click “OK.”

The AN Easy Editor window appears.

If the PLG150-AN has been

properly installed and all com-

puter/MIDI connections have

been properly made, operating

the AN Easy Editor should

directly affect the PLG150-AN.

For details on using the AN Easy

Editor, refer to the on-line help

ﬁle that is included with the soft-

ware.

When using a Modular Synthesis Plug-in System “mother” device, the Part assignment depends on

which mode is used — Voice or Performance — and also on whether the PLG150-AN board is

installed/assigned to PLG1 or PLG2, as described below.

When using the Voice mode:

Depending on which slot the PLG150-AN board has been installed to, press PLG1 or PLG2, then

set the Part to “1” (no matter what the PLG1 or PLG2 assignment is).

When using the Performance (Multi) mode:

If the PLG150-AN board is assigned to PLG1, set the Part to “16.”

If the PLG150-AN board is assigned to PLG2, set the Part to “15.”

Installing and Starting the Plug-in Editor Software (Windows 95/98)

Starting the AN Expert Editor

1 Start XGworks (or XGworks lite).

2 Click the “Plug-in” menu and select “AN

Expert Editor.”

Alternately, press Alt + P, then A (twice), and ENTER.

The “Select AN Part” dialog box appears.

3 Set the desired Part number and click “OK.”

The AN Expert Editor window appears.

If the PLG150-AN has been properly installed and all computer/MIDI connections have been

properly made, operating the AN Expert Editor should directly affect the PLG150-AN. For

details on using the AN Expert Editor, refer to the on-line help ﬁle that is included with the soft-

ware.

● To use the AN Expert Editor, your copy of XGworks must be version 1.05 or later.

You can download the proper update of XGworks or XGworks lite from the Yamaha website

(http://www.yamaha.co.uk).

● When using a Modular Synthesis Plug-in System “mother” device, the Part assignment depends on

which mode is used — Voice or Performance — and also on whether the PLG150-AN board is

installed/assigned to PLG1 or PLG2, as described below.

When using the Voice mode:

Depending on which slot the PLG150-AN board has been installed to, press PLG1 or PLG2,

then set the Part to “1” (no matter what the PLG1 or PLG2 assignment is).

When using the Performance (Multi) mode:

If the PLG150-AN board is assigned to PLG1, set the Part to “16.”

If the PLG150-AN board is assigned to PLG2, set the Part to “15.”

Selecting AN Voices

(Modular Synthesis Plug-in System)

When the PLG150-AN is installed to a CS6x Control Synthesizer, the AN voices can be selected in

the same way as the internal voices of the synthesizer.

The example displays used in the following explanations are all taken from the CS6x.

Enabling and Selecting AN Voices

1 Press the VOICE button.

2 Press the appropriate PLG button (PLG1 or PLG2, depending on which

slot the PLG150-AN board has been installed to), then press the appropri-

ate BANK button and PROGRAM button to select the desired Plug-in

voice.

To select a different bank, simultaneously hold down the appropriate PLG button and turn knob C (or

press the DEC/INC buttons) to select the desired bank.

The bank is expressed in two numbers: MSB and LSB.

If a selected bank is not available, the bank letter indication in the display (A - H) will not change.

For a list of the available banks and their MSB/LSB values, refer to the “AN-XG Voice Map” at

the back of this manual (pages 43 — 44).

VCE Play) PLG1:001(A01)[--:Killer ]

EQLow-G EQMid-G EQHi-G ------- -------

VCE Play) PLG1:001(A01)[--:Killer ]

BANK= 036/000

Editing the AN Native Part Parameters

(Modular Synthesis Plug-in System)

● Keep in mind that the parameter values and settings below represent offsets of the actual voice settings. This

means that adjustments made to the parameters may not make much change in the actual sound, depending

on the original settings of the voice. For parameter values, a setting of “0” results in no change, while positive

and negative values increase and decrease the value respectively.

● The following explanations show how to edit the AN native part parameters when creating PLG voices, using

the CS6x Control Synthesizer as an example. For information on storing the PLG voices with your particular

Modular Synthesis Plug-in System compatible instrument, refer to the owner’s manual of that instrument.

1 Select the desired AN voice, as described in “Selecting AN Voices” on

page 20.

2 Press the EDIT button.

The EDIT menu display appears.

3 Turn knob A clockwise until “Elem” is shown at the bottom left of the dis-

play.

4 Turn the PAGE knob clockwise until “PLG150-AN” is shown at the bottom

left of the display.

Keep turning the knob to select the different AN Part parameters, indicated just above knob C and

knob 2.

5 Use knobs C and 2 to select the desired parameter and change the value.

Once one of the parameters is selected (the arrow cursor appears next to the value), you can also

adjust the value with the DATA knob or the DEC/INC buttons.

● In order to store User voices on a Modular Synthesis Plug-in System compatible instrument that

have been edited/created with the computer-based AN Expert Editor (or with the compatible instru-

ment itself), you’ll need to use an external memory device, such as a memory card. For details on

storing voices, refer to the owner’s manual of your Modular Synthesis Plug-in System compatible

instrument.

● The actual parameter names may differ, depending on whether the instrument you are using is XG

Plug-in System compatible or Modular Synthesis Plug-in System compatible. For details, refer to

the Parameter List (XG / Modular Synthesis Plug-in System) on page 50.

You can use the Mono/Poly Mode and Portamento Switch parameters in tandem to create a smoother

note-to-note sound when playing legato passages. To do this, set Mono/Poly Mode to “Mono” and Por-

tamento Switch to “On.” When set in this way, sucessively played notes do not retrigger the PEG, FEG

or AEG, resulting in a smoother, more consistent sound.

GEN Name) Pf-Sq a-Z 0-? Cursor

Common [--:Killer ]

PLG Assign) Bank Number

Elem 036/000 1[Killer ]

NTV Param) Unison Sw Arp/SEQ Sw

PLG150-AN Vce Off

Selecting/Editing the AN System Parameters

(Modular Synthesis Plug-in System)

The example displays used in the following explanations are all taken from the CS6x.

1 Press the UTILITY button.

The Utility Mode display appears.

2 Turn the PAGE knob clockwise until “PLG150-AN” is shown at the bottom

left of the display.

Keep turning the knob to select the different AN System parameters, indicated just above knob C

and knob 2.

3 Use knobs C and 2 to select the desired AN System parameter and change

the value.

Once one of the parameters is selected (the arrow cursor appears next to the value), you can also

adjust the value with the DATA knob or the DEC/INC buttons.

MSTR TG) Vol NtShift Tune

Sys 127 + 0 + 0.0c

PLG1 MIDI) Mrph CtrlNo Mrph Pgm No

PLG150-AN 0 0

Selecting AN Voices (XG Plug-in System)

The PLG150-AN voices can be selected just like the voices of the XG tone generator. Keep in mind,

though, that they can only be selected when the Sound Module Mode is set to XG or Performance.

Also, the Part Assign parameter in the Utility mode (see below) must be set to the desired Part.

The example displays used in the following explanations are all taken from the MU128.

Enabling and Selecting AN Voices

1 Set the Sound Module Mode to “XG” or “PFM” (Performance).

Press the MODE button and use the SELECT </> buttons.

The Performance mode is not available on the SW1000XG.

2 Set the Part Assign parameter to the desired Part number.

To do this:

1) Press the UTIL button.

2) Select the “PLUGIN” menu (with the SELECT

> button) and press ENTER.

3) Select the “PLG150-AN” menu if necessary (with the SELECT

</> buttons), and press

ENTER.

4) Select the Part Assign parameter (with the SELECT

< button), and use the VALUE -/+ but-

tons or dial to change the Part number.

The Part Assign range for the XG mode is 1 - 16 and “off”; for the Performance mode, it is 1 - 4 and

“off.”

Press the EXIT button to return to the Play mode.

This operation can also be quickly and conveniently done from the AN Easy Editor or AN Expert

Editor (in XGworks).

3 Enable the PLG150-AN board for the desired Part.

First, make sure that the appropriate Part is selected (using the PART -/+ buttons), then press the

SELECT button. The icon of the selected board appears in the display and the corresponding

LED at the bottom of the panel (PLG-1, -2, or -3) ﬂashes brieﬂy.

Selecting AN Voices (XG Plug-in System)

4 Select the desired bank number.

Move the cursor to the Bank Number parameter with the SELECT </> buttons and use the

VALUE -/+ buttons to select the desired bank.

5 Select the desired voice number.

Move the cursor to the Voice (Program) Number parameter with the SELECT </> buttons and

use the VALUE -/+ buttons to select the desired voice.

Voices (and Voice banks) can also be selected by using the Voice Category buttons.

Alternately, you can select voices from a connected MIDI keyboard, or from sequencing software

(such as XGworks) on a connected computer.

For a list of available voices and their bank/voice numbers, see page 43.

Bank Number parameter

Editing the AN Native Part Parameters

(XG Plug-in System)

Any of the AN voices can be freely edited from the front panel with the AN Part parameters. These

same parameters can also be edited from a computer using the AN Easy Editor software (in

XGworks).

Keep in mind that changing the Part parameters does not permanently affect the original voice set-

tings. The edits that you make here temporarily change the settings of the currently selected voice.

When you select a different voice for the Part, the settings are applied to the newly selected voice.

● The Part parameter settings cannot be saved in Multi Play mode. If you wish to save your Part parameter

edits, do it from the Performance mode or the AN Easy Editor. If you wish to save your edits to a voice, use the

AN Expert Editor software to edit the parameters of a voice, then save it as a User voice.

● The example displays used in the following explanations are all taken from the MU128.

1 Select the Part having the AN voice, then select the desired voice.

Select the appropriate Part with the PART -/+ buttons, then, with the cursor at the Voice Number

parameter, select the desired voice.

2 Press the EDIT button to enter the Edit mode.

3 Select the “PLUGIN” menu.

Use the SELECT > button, then press the ENTER button. The PLG150-AN Edit menu appears.

4 Select the desired parameter.

Use the [SELECT </>] buttons.

5 Adjust the value or change the setting for the selected parameter.

Use the [VALUE +/-] buttons.

Editing the AN Native Part Parameters (XG Plug-in System)

6 Return to the main Play display.

Press the [EXIT] button several times, or press the [PLAY] button once.

● When an AN voice is selected from one of the custom banks (Preset 1, Preset 2, or User), the AN

voice’s settings for the following parameters take precedence over the corresponding XG Part set-

tings.

Mono/Poly Mode

Pitch Bend Control

Portamento Switch

Portamento Time

In other words, the settings of these XG Part parameters (on an MU128, etc.) are replaced by those

of the selected AN voice. Naturally, once the voice is selected, the Part parameter values can then

be changed from the panel of the XG-compatible “mother” device (MU128, etc.), or by sending

appropriate MIDI messages.

● When an AN voice is properly assigned to a Part on an XG-compatible “mother” device (MU128,

etc.), the AN voice can be changed by editing the XG Part parameters from the panel. However, for

the following XG Part parameters, changing the value has no effect on the sound (even though the

value changes in the display).

PEG ReleTime (Pitch EG Release Time)

PEG ReleLvl (Pitch EG Release Level)

Selecting/Editing the AN System Parameters

(XG Plug-in System)

The parameters that apply to the entire system of the PLG150-AN are included in the Utility mode

menu of the XG tone generator.

The example displays used in the following explanations are all taken from the MU128.

1 Press the [UTIL] button.

The Utility mode menu appears.

2 Select the “PLUGIN” menu.

Use the [SELECT >] button to highlight “PLUGIN,” then press the [ENTER] button.

3 Select the PLG150-AN board.

If the PLG150-AN board is the only one installed, “PLG150-AN” is already displayed and can be

selected by pressing the [ENTER] button. If additional boards have been installed to the tone

generator, you may need to select “PLG150-AN.” To do this, ﬁrst use the [SELECT </>] but-

tons, then press [ENTER].

The System parameter menu for the PLG150-AN appears.

4 Select the desired parameter.

Use the [SELECT </>] buttons.

5 Adjust the value or change the setting for the selected parameter.

Use the [VALUE +/-] buttons.

6 Return to the main Play display.

Press the [EXIT] button several times, or press the [PLAY] button once.

Parameters

AN Native Part Parameters

Keep in mind that the parameter values and settings represent offsets of the actual voice settings. This

means that the actual sound that results from the settings made here depends on the original settings

of the voice.

Also keep in mind that these are “Part” parameters and as such, are temporary; they simply alter or

offset the settings of the currently selected voice. The original voice settings are permanently main-

tained in memory.

For parameter values, a setting of “0” results in no change, while positive and negative values increase

and decrease the value respectively.

Let’s look at a speciﬁc example. If the original Mix VCO1 Level parameter of the selected voice is

set to 100, and you set the Mix VCO1 Level (below) to “-25,” the actual Mix VCO1 Level will

become “75.” If you set it to “+10,” the value will become “110.” Naturally, this also means that the

parameter value cannot be increased or decreased beyond its maximum or minimum values. In our

example, Mix VCO1 Level values higher than “+27” have no effect on the sound, since the actual

range is 0 — 127.

● Depending on the selected voice and the particular parameter being edited, the sound or actual

parameter value of certain voices may change very little or not at all, even when the parameter value

is changed drastically.

● For Modular Synthesis Plug-in System compatible devices, the voices you edit/create can be stored

to the device as PLG voices. For details on storing voices, refer to the owner’s manual of your Mod-

ular Synthesis Plug-in System compatible instrument.

■ Unison Sw (Unison Switch)

Settings: vce (voice), off, on

This determines whether the Unison mode is on or off. Setting this to on is an instant way to get a “fat”

analog-like lead sound. When Unison is on, the selected voice is layered with slightly detuned copies

of itself, and set to play monophonically (one note at a time). When this is set to “vce” (voice), the

default Unison Switch setting for the voice is used. In other words, the Unison mode will turn on and off

automatically, depending on the selected voice.

● This setting overrides the Mono/Poly Mode parameter setting (of the Modular Synthesis Plug-in Sys-

tem PLG voice or the XG Part). Even if the PLG voice or the XG Part is set to “poly,” the voice will

only play monophonically (with up to ﬁve voices sounding together) when Unison Switch is set to on.

● All voices in the AN-XG voice bank have a default Unison Switch setting of “off.” This means that

setting this parameter to “vce” (voice) is the same as setting it to “off.”

Parameters

■ Arp/SEQ Sw (Arpeggio/Step Sequencer Switch)

Settings: vce (voice), off, on

This determines whether the Arpeggio or Step Sequencer is on or off. When this is set to on, the

Arpeggio or Step Sequencer function can be used. When this is set to “vce” (voice), the default Arpeg-

gio/Step Sequencer Switch setting for the voice is used. In other words, the Arpeggio/Step Sequencer

will turn on and off automatically, depending on the selected voice.

Refer to the Preset1/2 Bank Voice List (pages 38 — 41) for details on whether the Arpeggio or Step

Sequencer is set to on or not for the selected voice.

■ Tempo

Settings: vce (voice), midi (midi clock), 40 - 240 bpm

This determines the tempo for the PLG150-AN’s internal clock in beats per minute (bpm), over a range

of 40 - 240 bpm. The Tempo setting controls the playback of both the Arpeggio and Step Sequencer.

When Tempo is set to “midi,” the clock of the PLG150-AN can be controlled by the clock of an external

MIDI device such as a music sequencer, connected to the MIDI IN terminal. When this is set to “vce”

(voice), the default Tempo setting for the voice is used.

When the Free EG Length parameter is set to one of the “bar,” the Free EG sequence will be synchro-

nized with the Tempo set here.

■ LFO2 Speed

Range: -64 — +63

This determines the speed of the LFO2 modulation. The higher the value, the greater the modulation

speed.

The LFO1 speed is controlled by Vibrato Rate in the Modular Synthesis Plug-in System PLG voice and

the XG Part parameters. (Refer to the manual of your speciﬁc synthesizer/tone generator.)

■ Sync Pitch (Oscillator Sync Pitch)

Range: -64 — +63

This determines the pitch of the slave oscillator in semitones, available only when Sync is set to on.

This lets you create a difference in pitch between master and slave oscillators and control the resulting

harmonic interval.

Higher values increase the interval, and lower values result in a softer sound.

● To acheive a discernible result, make sure that the VCO1 Level (page 31) is set to an appropriately

high value.

● For voices whose Oscillator Sync Mode parameter is set to off, this parameter cannot be changed

(“

****” appears in the display).

Parameters

■ FM Depth

Range: -64 — +63

This determines the amount of modulation created by the FM function. Higher values result in greater

modulation depth.

● This parameter differs from that in FM Synthesis (such as used by DX-series synthesizers). Too

deep of a setting will change the pitch of the voice.

● Depending on the selected voice, this parameter may not be changeable (“****” appears in the

display).

■ VCO Detune

Range: -64 — +63

This determines the amount of pitch difference between VCO1 and VCO2.

■ VCO1 Edge

Range: -64 — +63

This determines the sharpness or smoothness of

the edge of the VCO1 waveform. Higher (positive)

values produce a sharper wave, resulting in a

harsher sound. Lower (negative) values produce a

rounder wave, resulting in a softer sound. A value

of “-64” results in a sine wave.

■ VCO1 PW (Pulse Width)

Range: -64 — 0 — +63

This determines the width of the VCO1 pulse wave. Higher (positive) values produce more harmonics,

resulting in a fatter sound. In general, pulse width is used to control the pulse wave; however, the

PLG150-AN can use PW with other waves as well, for a wider possible variety of sounds than usual.

Sharp-edged

waveform

Slightly rounded

edges

Sine wave

...the sound has

many harmonics.

...the sound is that of typical

pulse wave, with only

odd-numbered harmonics.

...the sound has

many harmonics.

When Pulse

Width is small...

When the Pulse

Width is set to "64" (50%)...

When Pulse

Width is large...

Parameters

■ VCO1 PWMDp (Pulse Width Modulation Depth)

Range: -64 — +63

This determines the amount of depth of the pulse width modulation of the VCO1, based on the PWM

Source parameter. Higher (positive) values produce a deeper modulation.

For most of the voices, the PWM Source is set to LFO2, but for some voices this is set to LFO1 or

another setting (depending on the selected voice).

■ VCO2 Edge

■ VCO2 PW (Pulse Width)

■ VCO2 PWMDp (Pulse Width Modulation Depth)

These parameters are the same as those of VCO1, described on pages 30 — 31.

■ Mix VCO1 (Mix VCO1 Level)

Range: -64 — +63

This determines the balance of the VCO1 level in relation to the VCO2, Ring Modulator, and Noise lev-

els. Higher values result in a higher VCO1 level. Set this to "-64" when not using VCO 1.

■ Mix VCO2 (Mix VCO2 Level)

Range: -64 — +63

This determines the balance of the VCO2 level in relation to the VCO1, Ring Modulator, and Noise lev-

els. Higher values result in a higher VCO2 level. Set this to "-64" when not using VCO 2.

■ Mix RingMd (Mix Ring Modulator Level)

Range: -64 — +63

This determines the balance of the Ring Modulator level in relation to the VCO1, VCO2, Noise, and

VCA Feedback levels. The higher the value, the greater the Ring Modulator level. When not using the

Ring Modulator, set this value to “-64.”

The Ring Modulator combines the VCO1 and VCO2 signals. It is particularly effective for producing

dissonant interval sounds with a clangorous, or metallic effect.

■ Mix Noise (Mix Noise Level)

Range: -64 — +63

This determines the balance of the Noise signal in relation to the VCO1, VCO2, Ring Modulator, and

VCA Feedback levels. The higher the value, the greater the Noise Level. When not using Noise, set

the level value to “-64.”

By mixing in Noise and using the AN Expert Editor to select an appropriate Filter Type (such as VCF,

HPF, etc.), you can create a wide variety of unique “special effect” sounds.

Parameters

■ Mix FdBack (Mix Feedback Level)

Range: -64 — +63

This determines the level of feedback output from the VCA that is returned (or “fed back”) into the input

of the mixer, causing the signal to build up in amplitude according to the level you set. Higher values

increase the Feedback level, resulting in a fatter sound.

● Feedback should be applied slowly and with caution. Too much feedback can create extremely high

frequencies, potentially resulting in damage to your speakers.

● Too much feedback may drastically change the VCF characteristics.

■ VCF FmodDp (Filter Modulation Depth)

Range: -64 — +63

This determines the depth of the ﬁlter modulation of the VCF by the LFO1 or LFO2 (depending on the

voice selected). Filter Modulation adds a cyclical change to the ﬁlter cutoff frequency to create a wah

effect. Higher (positive) values widen the range of the cutoff frequency change.

■ FEG Depth (Filter EG Depth)

Range: -64 — +63

This determines the range of movement of the cutoff frequency. Higher (positive) values increase the

FEG Depth. This must be set to a proper level for the FEG parameters (Attack, Decay, Sustain, and

Release) to have an effect on the sound.

■ FEG Attack (Filter EG Attack Time)

Range: -64 — +63

This determines the attack time of the FEG, which is the time it takes for the signal to reach its maxi-

mum cutoff frequency level after a key is pressed (key on). Higher values produce a longer Attack

time.

■ FEG Decay (Filter EG Decay Time)

Range: -64 — +63

This determines the decay time of the FEG, which is the time it takes for the signal to reach its sustain

level from the maximum level while a key is held. Higher values produce a longer Decay time.

VCO Mixer HPF

Feedback

VCF VCA OUT

Parameters

■ FEG Sustin (Filter EG Sustain Level)

Range: -64 — +63

This determines the level of sustain of the FEG, which is the ﬁxed level of the cutoff frequency main-

tained as long as the key is held. Higher values increase the Sustain level.

■ FEG Releas (Filter EG Release Time)

Range: -64 — +63

This determines the release time of the FEG, which is the time it takes for the ﬁlter to reach a level of

“0” after a key is released (key off). Higher values increase the Release time.

■ VCA AmodDp (VCA Amplitude Modulation Depth)

Range: -64 — +63

This determines the depth of the amplitude modulation of the VCA by the LFO1 or LFO2 (depending

on the voice selected). Amplitude Modulation adds a cyclical change to the volume level to create a

tremolo effect. Higher (positive) values widen the range of the volume change.

■ AEG Attack (Amplitude EG Attack Time)

Range: -64 — +63

This determines the attack time of the AEG, which is the time it takes for the signal to reach its maxi-

mum volume level after a key is pressed (key on). Higher values produce a longer Attack time.

■ AEG Decay (Amplitude EG Decay Time)

Range: -64 — +63

This determines the decay time of the AEG, which is the time it takes for the signal to reach its sustain

level from the maximum level while a key is held. Higher values produce a longer Decay time.

■ AEG Sustin (Amplitude EG Sustain Level)

Range: -64 — +63

This determines the level of sustain of the AEG, which is the level at which the volume will be main-

tained as long as the key is held. Higher values increase the Sustain level.

■ AEG Releas (Amplitude EG Release Time)

Range: -64 — +63

This determines the release time of the AEG, which is the time it takes for the signal to reach a level of

“0” after a key is released (key off). Higher values increase the Release time.

Parameters

■ Dist Drive (Distortion Drive)

Range: off, -63 — +63

This determines the amount of distortion “drive” for the guitar ampliﬁer simulation effect block. The

higher the value, the greater the degree of distortion in the sound. When this is et to “off,” the guitar

ampliﬁer simulation block is bypassed, regardless of the setting of the selected voice.

■ AC1CtrlPrm (AC1 Control Parameter Number)

Settings: off, P:1 — P:46

This determines which PLG150-AN parameter number is to be controlled by the Assignable Controller

(AC1). This allows you to continuously control any one of the PLG150-AN parameters in real time with

the desired MIDI controller (modulation wheel, breath controller, foot controller, etc.). For a list of the

parameters that can be controlled, see page 49. When this is set to “off,” AC1 control over the

PLG150-AN is disabled.

The actual controller that is used to affect the PLG150-AN is determined by the Assignable Controller

1 Control Change Number parameter (in the Modular Synthesis Plug-in System PLG voice or the XG

Part parameters). Refer to the relevant section in the manual of your speciﬁc synthesizer/tone genera-

tor.

■ AC1CtrlDp (AC1 Control Depth)

Range: -64 — drct (direct) — +63

This determines the depth over which the AC1 controller affects the speciﬁed PLG150-AN parameter

(set in AC1 Control Parameter Number above).

When the Control Depth is set to “drct,” the Direct Control function is enabled, allowing you to directly

edit the parameter assigned to the controller within its original range.

AN System Parameters

■ Part Assign

Settings: 01 — 16, off

This determines the Part to which the PLG150-AN voice is assigned. If a Part is not properly assigned

here, none of the PLG150-AN voices can be selected for the Part. (This applies to XG Plug-in System

compatible "mother" devices.)

The PLG150-AN voices can only be assigned to a single Part.

Parameters

■ Vel Curve (Velocity Curve)

Settings: norm, soft1, soft2, easy, wide, hard

This determines how key velocity (the strength at which the keys are played) affects the volume of the

voices. Six different preset velocity “curves” let you quickly tailor the response to your playing prefer-

ences.

● norm (Normal)

The volume of the sound changes in direct proportion to the

strength at which you play the keyboard.

● soft1

Compared to “norm,” this curve produces greater volume in the soft

velocity range, making it suitable for players having a light touch.

● soft2

This curve also produces greater volume in the soft velocity range,

but is less pronounced than “soft1” above.

● easy

This curve also produces greater volume in the soft velocity range,

but results in a more consistent, stable response throughout the

entire velocity range than the other “soft” curves .

● wide

This curve decreases the volume for softer velocities and increases

it for stronger velocities, resulting in a wider dynamic range overall.

Playing strength

Volume

Playing strength

Volume

Playing strength

Volume

Playing strength

Volume

Playing strength

Volume

Parameters

● hard

Compared to “norm,” this curve produces greater volume in the

hard (strong) velocity range, making it suitable for players having a

heavy touch.

■ Mrph CtrlNo (Morphing Control Change Number)

Settings: off, 1 — 95, AT

This determines which MIDI controller (modulation wheel, breath controller, foot controller, etc.) is used

to “morph” or crossfade between two different voices.

Morphing is an exceptionally powerful function that allows you to use any MIDI controller to “morph” or

crossfade between two distinct voices — in real time as you play. Naturally, the controller data can be

recorded to a sequencer for automated morphing within a song as well.

Any one of the 95 control change numbers can be used as the Morphing controller. When this is set to

“AT,” channel after touch (the amount of pressure you apply to the keys while holding them down), is

used to morph between voices. When this is set to “off,” the Morphing function is cancelled.

The Morphing function affects the following voice parameters:

[PEG] PEG Attack Time, PEG Decay Time, PEG Depth

[LFO] LFO1 Speed, LFO2 Speed, LFO1 Delay

VCO1 Pmod Depth, VCO2 Pmod Depth, VCA Mod Depth, VCF Mod Depth

[SYNC] Sync Pitch Control Depth

[FM] FM Depth

[VCO1] VCO1 Pitch, VCO1 Fine, PWM Depth, PW, Edge, Sync Pitch

[VCO2] VCO2 Pitch, VCO2 Fine, PWM Depth, PW, Edge

[MIXER] VCO1 Level, VCO2 Level, Noise Level, Ring Mod. Level, Feedback Level

[VCF] VCF Cutoff, Resonance, Key Track, HPF Cutoff, FEG Velocity Sense

FEG Depth, FEG Attack, FEG Decay, FEG Sustain, FEG Release

[VCA] Volume, Veleocity Sense,

AEG Attack, AEG Decay, AEG Sustain, AEG Release

Parameters not listed here do not respond to the Morphing control and remain ﬁxed at the values set

for the currently selected voice (not the Morphing voice).

■ Mrph Pgm No (Morphing Program Number)

Range: 001 — 128

■ MrphBankLSB (Morphing Bank Select LSB Number)

Range: 000 — 002 (when set to Custom; MSB = 036)

000 — 107 (when set to AN-XG/A; MSB = 084)

000 — 076 (when set to AN-XG/B; MSB = 100)

Playing strength

Volume

Parameters

■ MrphBankMSB (Morphing Bank Select MSB Number)

Settings: 036 (Custom), 084 (AN-XG/A), 100 (AN-XG/B)

These parameters are used together to select the “second” voice for the Morphing function. The cur-

rently selected voice (called up from the panel or by MIDI) is paired with the voice selected here, letting

you “morph” between them.

Each voice is assigned to a different program number — up to a maximum of 128. Each group of 128

voices is assigned to a different voice bank, selectable with the LSB and MSB parameters.

Normally, you should set these parameters in the following order:

1) Bank Select MSB (for the Custom, AN-XG/A, or AN-XG/B bank sets)

2) Bank Select LSB (for the speciﬁc bank)

3) Program Number (for the speciﬁc voice)

● When the Morphing Control Change Number parameter is set to “off,” the morphing function is can-

celled.

● The available range of voices (program numbers) may differ, depending on the selected bank (MSB

and LSB).

● The available range of LSB values may differ, depending on the selected MSB value.

■ AN CtrlNo.1 (AN Control Change Number - Assignable Controller 1)

■ AN CtrlNo.2 (AN Control Change Number - Assignable Controller 2)

■ AN CtrlNo.3 (AN Control Change Number - Assignable Controller 3)

■ AN CtrlNo.4 (AN Control Change Number - Assignable Controller 4)

Settings: off, 1 — 95, AT

This determines which MIDI controller (modulation wheel, breath controller, foot controller, etc.) is used

for each of the four Assignable Controllers (AC 1 - AC 4). Any one of the 95 control change numbers

can be used as the controller.

The Assignable Controllers can be used to affect various parameters, such as the ﬁlter, volume, or the

Distortion. Naturally, for optimum control, each of these should be set to different values, and they

should be different from the Morphing Control Change Number parameter above.

When this is set to “AT,” channel after touch (the amount of pressure you apply to the keys while hold-

ing them down), is used to change the selected parameter. When this is set to “off,” the selected

Assignable Controller has no effect.

For a list of the available parameters that can be controlled with the Assignable Controllers, refer to the

Voice List on pages 38 — 41.

Voice List

■

Preset 1 Bank Voice List

(Bank Select MSB = 36, LSB = 0)

No.

VoiceName Category Key Assign Pattern Generator AN AC1 AN AC2 AN AC3 AN AC4

Mode

Unison

Type Switch ( Default CC#41 ) ( Default CC#42 ) ( Default CC#43 ) ( Default CC#44 )

Killer Sq Legato StepSEQ On Sync Pitch Dp FEG Decay FEG Sustain VCF Cutoff

Cream Ba Legato StepSEQ FEG Decay FEG Sustain VCF Cutoff Resonance

2001 Ba Legato On Techno-B Sync Pitch FEG Decay FEG Sustain VCF Cutoff

Uni Saw Ba Legato On StepSEQ FEG Decay FEG Sustain VCF Cutoff Resonance

Ruff Ba Mono Techno-C VCF Mod Dp Dist. Dry/Wet VCF Cutoff Resonance

Squeaky Ba Legato UpOct2 Sync Pitch VCO1 Level,

Ring Mod

LFO2 Speed HPF Cutoff

BiggMac Ba Mono UpDwBOct1 VCF Mod Dp FEG Attack FEG Decay VCF Cutoff

Monty Ba Legato StepSEQ VCO1 Edge LFO2 Speed HPF Cutoff VCF Cutoff

Insomnia Ba Poly StepSEQ Sync Pitch VCA Feedback,

VCA Volume

PEG Depth HPF Cutoff

Maise Ld Poly UpOct1 Sync Pitch VCO1 Edge VCO2 PW FEG Attack

Bombastc Ld Legato On PulseLine FEG Decay FEG Sustain VCF Cutoff Resonance

ANSyncLd Ld Legato UpDwBOct4 Sync Pitch VCO1 PW,

VCO2 PW

Dist. Dry/Wet LFO2 Speed

Squeamer Ld Legato PulseLine Sync Pitch VCF Mod Dp VCF Cutoff Resonance

Dre-full Ld Poly BassLineC VCO2 PWM Dp VCF Mod Dp HPF Cutoff VCF Cutoff

Faaaat Ld Poly StepSEQ FEG Decay FEG Sustain VCF Cutoff Resonance

VA Pig Ld Legato On StepSEQ Sync Pitch HPF Cutoff VCF Cutoff Resonance

Lipstick Ld Poly UpOct4 VCO1 Edge,

VCO2 Edge

VCF Mod Dp FEG Attack HPF Cutoff

HardBrss Br Poly Techno-C VCO1 Pmod Dp,

VCO2 Pmod Dp

Portmnt Time VCF Cutoff Resonance

ToToHorn Br Poly UpDwAOct2 Sync Picth VCO2 Edge VCA Feedback FEG Attack

So-Lina St Poly DwOct2 FEG Release VCF Mod Dp VCF Cutoff Resonance

MultiSaw St Poly DwOct4 VCO1 Edge VCO1 Mix Noise Level HPF Cutoff

Contnent Pd Poly UpOct2 VCO1 Edge,

VCO2 Edge

Noise Level HPF Cutoff VCF Cutoff

PWMSweep Pd Poly UpOct1 Sync Pitch VCO1 PWM Dp,

VCO2 PWM Dp

VCF Cutoff Resonance

Laos Fx Poly UpOct1 Sync Pitch VCO1 Edge VCA Feedback LFO1 Speed,

LFO2 Speed

CyberBag Fx Poly DAHouse Sync Pitch Dist. Dry/Wet VCO1 Level HPF Cutoff

Unstable Fx Poly UpOct1 Sync Pitch VCO1 Edge,

VCO2 Edge

Dist. Dry/Wet Portmnt Time

Fire Fx Poly StepSEQ VCO1 Pmod Dp VCF Mod Dp LFO2 Speed FEG Decay

Jack Fx Poly UpOct1 LFO1 Speed Dist. Dry/Wet VCF Cutoff Resonance

ULTSound Dr Poly UpOct2 VCO2 X-Mod Dp VCA Feedback VCO1 Level PEG Decay

HiQ Reso Pc Poly SyncopaA FEG Decay Noise Level Dist. Dry/Wet VCF Cutoff

Fumble Se Poly UpOct1 Sync Pitch VCO1 Edge VCO2 X-Mod Dp HPF Cutoff

Invade Se Poly UpOct1 Noise Level VCO1 Level,

VCO2 Level

FEG Attack FEG Depth

FreeEdge Se Poly UpOct2 Sync Pitch Dp PEG Depth PEG Decay VCF Cutoff

Touch Se Poly Techno-C VCO2 X-Mod Dp AEG Attack AEG Decay AEG Release

Chemical Se Poly UpOct1 Sync Pitch FM Depth LFO1 Speed HPF Cutoff

AnalgAge Se Mono UpOct1 FEG Attack FEG Decay FEG Depth LFO1 Delay,

LFO1 Speed

Fat Run Sq Poly StepSEQ On VCO1 Mix FEG Decay VCF Cutoff Resonance

Power Sq Legato StepSEQ On Dist. Dry/Wet FEG Attack HPF Cutoff VCF Cutoff

Metallic Sq Poly StepSEQ On VCA Feedback Noise Level FEG Depth FEG Decay

Zebedee Sq Legato StepSEQ On VCO1 Edge,

VCO2 Edge

VCA Feedback FEG Attack FEG Sustain

ANSynBas Ba Poly Techno-C VCO2 Edge VCO1 Level VCF Cutoff Resonance

RealMini Ba Legato UpDwBOct1 VCO1 Edge,

VCO2 Edge

VCF Mod Dp FEG Decay,

FEG Release

Portmnt Time

Chamleon Ba Legato Techno-B VCO1 Edge,

VCO2 Edge

VCF Mod Dp FEG Decay,

FEG Release

Portmnt Time

Maxx Ba Legato DwOct2 FEG Decay FEG Sustain VCF Cutoff Resonance

BlapMoth Ba Mono Techno-B FEG Attack VCF Mod Dp VCF Cutoff Resonance

Prphtic1 Ba Legato On SyncopaB FEG Depth FEG Decay FEG Sustain Portmnt Time

Prphtic2 Ba Mono On UpOct1 PEG Depth VCF Mod Dp VCF Cutoff Resonance

Wonder Ba Legato Techno-C VCO2 Edge VCO1 Level VCF Cutoff Resonance

Slum Ba Legato BassLineC Sync Pitch VCF Mod Dp VCO1 Edge VCO1 PW

X-Bass Ba Legato On UpDwBOct2 VCO2 X-Mod Dp VCA Feedback,

VCA Volume

Dist. Dry/Wet HPF Cutoff

DustedUp Ba Poly SyncopaA Sync Pitch VCO1 Edge,

VCO2 Edge

VCA Feedback HPF Cutoff

FootBase Ba Poly SyncopaA FEG Decay FEG Depth VCO2 Level Dist. Dry/Wet

Mini Low Ba Legato UpOct1 Sync Pitch VCO1 PWM Dp VCF Cutoff Resonance

DuckBass Ba Legato Techno-C VCO2 Edge VCO1 Level HPF Cutoff VCF Cutoff

10thTone Ba Poly Techno-D VCO1 Edge,

VCO2 Edge

Portmnt Time VCF Cutoff Resonance

DuckBas2 Ba Poly Techno-C VCO2 Edge VCO1 Level HPF Cutoff VCF Cutoff

BirdWrld Ba Mono On UpDwAOct4 FEG Decay FEG Depth VCF Cutoff Resonance

Woodbass Ba Poly BassLineA Sync Pitch Dist. Dry/Wet VCF Cutoff Resonance

RubbaBas Ba Mono SyncoEcho Sync Pitch VCO1 Edge VCF Cutoff Resonance

Smooth Ba Legato TekkEchoA VCO2 Edge VCO2 PW VCA Mod Dp HPF Cutoff

Smoovey Ba Poly UpOct2 Sync Pitch VCF Mod Dp VCF Cutoff Resonance

Zed Bass Ba Poly UpDwBOct1 VCF Mod Dp Dist. Dry/Wet VCF Cutoff Resonance

Oizo Ba Legato StepSEQ Sync Pitch Sync Pitch Dp VCO1 Edge,

VCO2 Edge

VCA Feedback

Dog Bass Ba Legato UpOct1 VCO2 Edge Ring Mod HPF Cutoff Resonance

Stranger Ba Legato UpOct1 Sync Pitch,

Sync Pitch Dp

VCO1 Edge,

VCO2 Edge

VCA Feedback HPF Cutoff

Hardstep Ba Poly UpOct1 Sync Pitch VCO1 Edge VCO2 Edge PEG Decay

Appen-

Voice List

Stevie Ld Legato UpOct1 VCO1 Edge Dist. Dry/Wet VCF Cutoff Resonance

Pulsate Ld Legato StepSEQ VCO1 Edge,

VCO2 Edge

Portmnt Time HPF Cutoff Resonance

Silent Ld Legato UpDwBOct2 VCO1 Edge VCF Mod Dp VCA Mod Dp Portmnt Time

KnivesLd Ld Mono SyncopaA VCO1 Edge VCO1 PW VCO2 Level FEG Decay

Pulser Ld Legato Techno-B VCO1 Edge,

VCO2 Edge

VCO2 X-Mod Dp VCO1 PW FEG Decay

Sliver Ld Poly PulseLine Sync Pitch VCF Mod Dp FEG Attack VCF Cutoff,

Resonance

Lucky Ld Legato On UpOct4 VCO1 PW,

VCO2 PW,

VCA Volume

VCA Mod Dp LFO1 Speed Portmnt Time

ANPopcrn Ld Mono BassLineA VCO2 Level FEG Depth Portmnt Time Resonance

X-mod Ld Poly Techno-A VCO1 Level,

VCA Volume

VCO2 X-Mod Dp VCA Feedback,

VCA Volume

LFO2 Speed

Caner Ld Poly TekkEchoB VCO1 Pmod Dp Dist. Dry/Wet,

VCF Cutoff

VCF Cutoff Resonance

ANSyncHd Ld Poly Techno-C Sync Pitch Dist. Dry/Wet LFO1 Speed VCF Cutoff

Chick Ld Poly UpDwBOct4 VCO1 Edge,

VCO2 Edge

VCF Mod Dp,

LFO1 Speed,

VCF Cutoff,

Resonance

HPF Cutoff Resonance

Susy Ld Poly DwOct4 Sync Pitch Dist. Dry/Wet VCF Cutoff Resonance

EarthLd Ld Poly RandmOct4 Dist. Dry/Wet Portmnt Time VCF Cutoff Resonance

P-5 Saw Ld Poly UpOct1 VCO1 Edge,

VCO2 Edge

Portmnt Time HPF Cutoff VCF Cutoff

Rock It Ld Legato StepSEQ VCO1 Detune VCO2 Edge LFO2 Speed HPF Cutoff

DirtySaw Ld Poly StepSEQ FEG Decay VCF Mod Dp PEG Decay VCF Cutoff

Rhubarb Ld Mono Techno-D Dist. Dry/Wet Portmnt Time VCF Cutoff Resonance

J.Hammer Ld Legato DwOct2 Sync Pitch VCO1 Edge LFO2 Speed Portmnt Time

X-mod 2 Ld Legato UpOct4 VCO1 Edge VCO2 X-Mod Dp VCA Feedback,

VCA Volume

LFO2 Speed

PitchMan Ld Poly BassLineC FEG Sustain PEG Depth VCF Cutoff Resonance

Hyprtune Ld Legato On DAHouse FEG Decay FEG Sustain VCF Cutoff Resonance

EarthLd2 Ld Legato Techno-B Dist. Dry/Wet Portmnt Time VCF Cutoff Resonance

Fhomhair Ld Legato On UpOct1 Sync Pitch FM Depth VCO2 Edge PEG Decay

On One Ld Legato On StepSEQ VCA Feedback,

VCA Volume

Dist. Dry/Wet,

VCA Volume

VCF Cutoff Resonance

ANCaliop Ld Poly UpOct4 VCO1 PW,

VCO2 PW,

VCA Volume

VCA Mod Dp LFO1 Speed VCF Cutoff

AN Chiff Ld Poly UpDwAOct2 VCA Feedback,

VCA Volume

Dist. Dry/Wet HPF Cutoff VCF Cutoff

Pastel Ld Poly PulseLine Dist. Dry/Wet FEG Attack FEG Decay FEG Sustain

Chromes Ld Legato Techno-B Sync Pitch FM Depth HPF Cutoff VCF Cutoff

MegaDron Ld Legato On UpOct1 FEG Attack FEG Decay FEG Sustain FEG Release

Metal Ld Ld Legato On BassLineC Sync Pitch VCO1 Edge,

VCO2 Edge

PEG Decay VCF Cutoff

Hardily Ld Mono On StepSEQ VCO1 Edge,

VCO2 Edge

Dist. Dry/Wet,

VCA Volume

PEG Decay HPF Cutoff,

VCA Feedback

Billy Ld Poly PulseLine Dist. Dry/Wet FEG Attack FEG Decay FEG Sustain

100

Funky Ld Poly StepSEQ VCO1 Edge,

VCO2 Edge

VCO2 X-Mod Dp,

VCO2 Level

Dist. Dry/Wet HPF Cutoff

101

Sun Head Ld Legato On Techno-B VCO1 Edge,

VCO2 Edge

VCO1 Detune,

VCO2 PW

VCA Feedback,

VCA Volume

HPF Cutoff

102

AN VoxLd Ld Poly Techno-C VCF Mod Dp Noise Level VCA Feedback HPF Cutoff

103

Abacab Ld Legato UpOct2 FM Depth VCF Mod Dp VCO1 Edge,

VCO2 Edge

HPF Cutoff

104

Mr.Hook Ld Poly BassLineA FEG Decay PEG Depth VCF Cutoff Resonance

105

SupaSync Ld Mono BassLineB Dist. Dry/Wet Sync Pitch Dp VCF Cutoff Resonance

106

Fatty Br Poly UpDwAOct2 Sync Pitch VCA Feedback HPF Cutoff VCF Cutoff

107

MajorBrs Br Poly SyncoEcho Sync Pitch VCO1 PWM Dp VCF Cutoff Resonance

108

Bronze Br Poly UpDwAOct1 Sync Pitch PEG Decay Portmnt Time Resonance

109

ANSoftBr Br Poly UpDwAOct4 HPF Cutoff VCF Mod Dp VCF Cutoff Resonance

110

SlowBras Br Poly UpDwAOct2 FEG Attack FEG Sustain VCF Cutoff Resonance

111

Analog St Poly UpOct1 Sync Pitch VCO1 Pmod Dp VCF Cutoff Resonance

112

Choclate St Poly UpDwAOct2 Sync Pitch Portmnt Time VCF Cutoff Resonance

113

Stringer St Poly UpOct1 Sync Pitch VCO1 Edge,

VCO2 Edge

LFO2 Speed HPF Cutoff

114

Lush St Poly StepSEQ Sync Pitch PEG Decay VCF Cutoff Resonance

115

Bonn St Poly UpOct2 VCO1 Edge,

VCO2 Edge

VCF Mod Dp VCO1 Mix HPF Cutoff

116

PWMStrng St Poly UpDwBOct2 VCO1 Edge,

VCO2 Edge

VCF Mod Dp VCO2 Level HPF Cutoff

117

AnaStrng St Poly DwOct2 VCF Mod Dp HPF Cutoff VCF Cutoff Resonance

118

StrngPad St Poly UpOct1 Sync Pitch VCA Feedback VCF Cutoff Resonance

119

Hardcore Sq Legato StepSEQ On VCO1 Edge,

VCO2 Edge

VCA Feedback Portmnt Time HPF Cutoff

120

Kangaroo Sq Legato StepSEQ On FEG Attack FEG Depth FEG Decay,

FEG Release

HPF Cutoff,

VCA Volume

121

AcidSeq1 Sq Legato StepSEQ On VCO1 Edge VCA Feedback FEG Attack Portmnt Time

122

AcidSeq2 Sq Legato StepSEQ On Portmnt Time FEG Depth VCF Cutoff Resonance

123

Harmsync Sq Poly StepSEQ On VCO1 Edge,

VCO2 Edge

VCA Feedback,

HPF Cutoff

Portmnt Time VCF Cutoff

124

KickLine Sq Poly StepSEQ On Sync Pitch FEG Decay FEG Sustain Resonance

125

Free Cut Sq Poly StepSEQ On Sync Pitch Dp FEG Decay VCF Cutoff Resonance

126

ElecGrov Sq Poly StepSEQ On Sync Pitch FEG Decay VCF Cutoff Resonance

127

ANSeqBas Sq Legato StepSEQ On Dist. Dry/Wet FEG Attack VCF Cutoff Resonance

128

Cool man Sq Poly StepSEQ On Sync Pitch VCO1 PWM Dp FEG Depth Dist. Dry/Wet

No.

VoiceName Category Key Assign Pattern Generator AN AC1 AN AC2 AN AC3 AN AC4

Mode

Unison

Type Switch ( Default CC#41 ) ( Default CC#42 ) ( Default CC#43 ) ( Default CC#44 )

Voice List

■

Preset 2 Bank Voice List

(Bank Select MSB = 36, LSB = 1)

No.

VoiceName Category Key Assign Pattern Generator AN AC1 AN AC2 AN AC3 AN AC4

Mode

Unison

Type Switch ( Default CC#41 ) ( Default CC#42 ) ( Default CC#43 ) ( Default CC#44 )

Cracker Ba Mono UpOct1 VCO1 Edge,

VCO2 Edge

VCO1 PW VCO2 Level HPF Cutoff

Behind Ba Mono UpOct2 Sync Pitch FM Depth VCO2 Edge HPF Cutoff

Rydeen Ba Poly Techno-C VCO1 Edge,

VCO2 Edge

VCO1 PW Portmnt Time HPF Cutoff

Knives Ba Poly StepSEQ Sync Pitch VCO1 PW VCO2 Edge HPF Cutoff

Knives 2 Ba Mono Techno-B Sync Pitch VCO2 Edge VCA Feedback HPF Cutoff

Mg Wood Ba Poly BassLineA Sync Pitch VCO1 Edge VCO2 X-Mod Dp VCA Feedback

Mg Frtls Ba Poly DAHouse FM Depth VCO2 X-Mod Dp Portmnt Time HPF Cutoff

Logic Ba Mono StepSEQ Sync Pitch VCO1 Edge,

VCO2 Edge

VCA Feedback HPF Cutoff

MgVoice Fx Poly UpOct1 FM Depth VCO1 Edge,

VCO2 Edge

VCA Feedback Dist. Dry/Wet

MgVoice2 Ld Poly Techno-C FM Depth Noise Level VCA Feedback HPF Cutoff

MgWhistl Ld Legato UpDwAOct4 VCO1 Level VCA Mod Dp Ring Mod,

VCA Volume

Portmnt Time

MgSoloLd Ld Mono StepSEQ VCO1 Level VCA Feedback Dist. Dry/Wet Resonance

Mg Cat Ld Poly RandmOct2 Sync Pitch VCO1 Edge,

VCO2 Edge

VCA Feedback,

VCA Volume

Dist. Dry/Wet

Cosmic Ld Poly SyncopaA Sync Pitch VCO1 PWM Dp,

VCO2 PWM Dp

VCA Feedback HPF Cutoff

Q Lead Ld Poly UpOct2 Sync Pitch VCO1 Edge VCO2 Edge HPF Cutoff

5th Ring Ld Poly UpOct1 FM Depth VCO1 Edge,

VCO2 Edge

Portmnt Time HPF Cutoff

DistOdsy Ld Poly TekkEchoB Sync Pitch FM Depth VCO1 Edge,

VCO2 Edge

VCO2 PWM Dp

ObDetune Br Poly UpOct1 VCO1 Edge,

VCO2 Edge

VCO1 Mix VCO1 Detune VCA Feedback

Hi Wedge St Poly UpOct1 VCO1 Edge,

VCO2 Edge

VCO1 Mix VCO1 Detune VCA Feedback

ObCembal Pf Poly SyncoEcho Sync Pitch VCO1 PWM Dp,

VCO2 PWM Dp

VCO1 Edge,

VCO2 Edge

VCA Feedback

ProAtack Fx Poly Techno-C FM Depth Noise Level VCA Feedback,

VCA Volume

Resonance

ProAtck2 Pd Poly UpOct1 VCO1 PWM Dp VCA Feedback HPF Cutoff Resonance

Pro Sync Pd Poly UpOct2 Sync Pitch FM Depth VCO1 PWM Dp VCO2 Level

ProBrass Br Poly PulseLine VCO1 Detune VCO1 Edge VCO2 Edge VCF Cutoff

Loom Pd Poly UpOct2 VCO1 Edge,

VCO2 Edge

VCO1 Detune Noise Level VCA Feedback

CS80Bras Br Poly UpOct4 VCF Mod Dp LFO2 Speed Portmnt Time HPF Cutoff

Behind 2 Fx Poly StepSEQ FM Depth VCO1 Level VCF Cutoff Resonance

HarmoSq Fx Poly StepSEQ Sync Pitch Sync Pitch Dp VCF Mod Dp VCF Cutoff

MiniTech Ld Poly StepSEQ VCO1 Edge,

VCO2 Edge

VCO1 Detune VCO2 PWM Dp HPF Cutoff

Nz Power Fx Poly StepSEQ Sync Pitch Dp FM Depth VCO1 Edge VCO2 Edge

AsianTek Ld Poly StepSEQ VCO1 Detune VCO2 X-Mod Dp Noise Level VCA Feedback

SeqWater Fx Poly StepSEQ VCO2 X-Mod Dp VCA Feedback VCF Cutoff Resonance

HarmoSq2 Fx Poly StepSEQ Sync Pitch Sync Pitch Dp FM Depth Resonance

AnaDrum Dr Poly SyncopaA FEG Depth Noise Level VCA Feedback HPF Cutoff

SynthTom Dr Poly UpOct1 Sync Pitch Sync Pitch Dp VCO1 Edge,

VCO2 Edge

HPF Cutoff

SynShake Dr Mono BassLineA Dist. Dry/Wet HPF Cutoff VCF Cutoff Resonance

EthnoTom Dr Poly UpOct1 VCO1 Edge,

VCO2 Edge

VCO2 X-Mod Dp Noise Level Resonance

Contact Se Poly UpOct1 Sync Pitch Sync Pitch Dp VCO2 X-Mod Dp HPF Cutoff

EthTeck Pc Poly StepSEQ FM Depth VCO2 X-Mod Dp VCA Feedback HPF Cutoff

India Et Poly StepSEQ Sync Pitch FM Depth VCO1 Edge,

VCO2 Edge

VCO1 PWM Dp,

VCO2 PWM Dp

MaMa Fx Poly UpDwAOct2 VCO1 Detune VCF Mod Dp VCA Mod Dp FEG Attack

Magic Pd Poly UpOct2 Sync Pitch VCO1 Edge,

VCO2 Edge

HPF Cutoff VCF Cutoff

Yellow Pd Poly UpOct2 FEG Attack FEG Depth VCF Cutoff Resonance

5th Pad Pd Poly DwOct2 FEG Attack FEG Depth VCF Cutoff Resonance

Kelp Pd Poly UpDwBOct1 VCO1 Edge,

VCO2 Edge

VCF Mod Dp HPF Cutoff VCF Cutoff

SyncBrPd Pd Poly UpOct1 Sync Pitch VCO1 Edge,

VCO2 Edge

VCF Cutoff Resonance

Soar Pd Poly UpOct2 Sync Pitch FEG Depth VCF Cutoff Resonance

AN Bowed Pd Poly UpOct2 VCF Mod Dp VCA Mod Dp VCF Cutoff Resonance

AN Dawn Pd Poly UpOct1 VCO1 Detune VCF Mod Dp VCF Cutoff Resonance

Sync Eko Pd Poly Techno-C Sync Pitch FM Depth VCF Cutoff Resonance

Sharpsyn Pd Poly TekkEchoB Sync Picth VCO1 Edge,

VCO2 Edge

VCF Cutoff Resonance

SyncEko2 Pd Poly Techno-C Sync Pitch FM Depth VCF Cutoff Resonance

Vangelzm Pd Poly UpDwAOct2 Sync Pitch VCF Mod Dp HPF Cutoff VCF Cutoff

Mars Pd Poly UpDwBOct2 Sync Pitch VCA Mod Dp VCO1 Edge,

VCO2 Edge

LFO2 Speed

WaterPad Pd Poly RandmOct4 Sync Pitch VCF Mod Dp PEG Decay Resonance

HighSwep Pd Poly UpOct1 Sync Pitch VCF Mod Dp LFO2 Speed VCF Cutoff

SyncSwep Pd Poly UpOct1 Sync Pitch VCO2 Level VCF Cutoff Resonance

Mountain Pd Poly UpOct1 VCO1 Mix FEG Attack VCF Cutoff Resonance

FunnyLFO Fx Poly RandmOct2 Dist. Dry/Wet LFO1 Speed Portmnt Time VCF Cutoff

Phenomna Fx Poly RandmOct2 VCA Feedback Portmnt Time VCF Cutoff Resonance

AN Track Fx Poly UpOct2 FEG Sustain VCF Mod Dp VCF Cutoff Resonance

Voice List

BPF Pad Fx Poly UpOct1 FEG Sustain VCF Mod Dp VCF Cutoff Resonance

X Bells Fx Poly StepSEQ VCO1 Edge VCO2 Edge VCA Feedback VCF Cutoff

ResoBell Fx Poly UpOct4 VCO2 X-Mod Dp VCF Mod Dp VCO1 Level Noise Level

Triangle Fx Poly BassLineA VCO1 Detune VCO2 X-Mod Dp VCF Cutoff Resonance

XmodBell Fx Poly UpOct2 VCO2 X-Mod Dp VCF Mod Dp VCF Cutoff Resonance

Saphire Fx Poly StepSEQ Sync Pitch Dist. Dry/Wet PEG Depth HPF Cutoff

Ropey Fx Legato On StepSEQ Sync Pitch FM Depth Dist. Dry/Wet,

VCA Volume

HPF Cutoff

SepaWays Fx Poly Techno-A VCO1 Edge VCO2 PW VCO2 Level VCF Cutoff

DeepBlue Fx Poly UpOct1 VCO1 Edge,

VCO2 Edge

Sync Pitch Dp,

FM Depth,

VCF Mod Dp

VCA Feedback HPF Cutoff

Ice Pad Fx Poly RandmOct2 VCO2 Level Noise Level VCF Cutoff Resonance

Jah Fx Poly StepSEQ Sync Pitch VCF Mod Dp VCO1 Edge,

VCO2 Edge

LFO1 Speed

Polaris Fx Poly UpOct1 Sync Pitch VCO1 Edge,

VCO2 Edge

LFO1 Speed HPF Cutoff,

VCA Feedback

Microdot Fx Poly UpOct1 VCO1 Edge,

VCO2 Edge

VCA Mod Dp LFO2 Speed HPF Cutoff

Snowball Fx Poly StepSEQ FEG Attack VCF Mod Dp VCO1 Level VCO2 Level

Syncrome Fx Poly BassLineD Sync Pitch Dist. Dry/Wet LFO1 Speed VCF Cutoff

RhthmCty Fx Poly UpOct1 Sync Pitch VCF Mod Dp FEG Depth Portmnt Time

Slalom Fx Poly UpOct1 Dist. Dry/Wet VCF Mod Dp VCA Volume LFO2 Speed

SyncSitr Fx Poly SyncopaA Dist. Dry/Wet VCO1 Level FEG Attack,

AEG Attack

FEG Decay

Dragnﬂy Fx Poly UpOct1 Sync Pitch VCO1 Edge LFO1 Speed HPF Cutoff

DownUndr Fx Poly DwOct4 FEG Attack HPF Cutoff VCF Cutoff Resonance

Indosync Fx Poly RandmOct2 Sync Pitch VCO1 Edge FEG Decay HPF Cutoff

ANBeltre Pc Poly UpOct2 VCO1 Detune VCO2 X-Mod Dp FEG Decay VCF Cutoff

Woob Pc Poly RandmOct2 VCO1 Edge,

VCO2 Edge

VCO1 Level HPF Cutoff VCF Cutoff

ANCowbel Pc Poly BassLineC VCO1 Edge VCO1 PW VCF Cutoff Resonance

TriblTom Dr Poly BassLineC Dist. Dry/Wet HPF Cutoff VCF Cutoff Resonance

AN Snare Dr Poly BassLineC FM Depth VCO1 Edge Noise Level Dist. Dry/Wet

AN Toms Dr Poly BassLineC VCO1 Edge VCF Mod Dp VCF Cutoff VCF Cutoff,

Resonance

Tranix Dr Poly BassLineC Sync Pitch Dp FM Depth VCO2 Level HPF Cutoff

Rimshot Dr Poly BassLineC Noise Level VCF Mod Dp VCF Cutoff Resonance

XstikSnr Dr Poly BassLineC Noise Level VCF Mod Dp FEG Attack FEG Decay

MufﬂKik Dr Poly BassLineC FEG Attack VCF Mod Dp FEG Decay VCF Cutoff

Euro kik Dr Poly BassLineC FEG Attack VCF Mod Dp FEG Decay VCF Cutoff

AN HiHat Dr Poly StepSEQ AEG Attack AEG Decay AEG Sustain AEG Release

95 ANHlcptr Se Poly UpOct1 FEG Attack,

AEG Attack

LFO1 Speed HPF Cutoff VCF Cutoff

96 Siren Se Poly UpOct1 FEG Attack AEG Release LFO1 Speed VCF Cutoff

97 RadioNz Se Poly SyncopaA Sync Pitch VCF Mod Dp FM Depth PEG Decay

98 Chemicl2 Se Poly UpOct1 Sync Pitch FM Depth LFO1 Speed HPF Cutoff

99 PropProp Se Poly UpOct1 Dist. Dry/Wet Ring Mod Noise Level HPF Cutoff

100 WelcomBk Se Poly StepSEQ VCO2 PW,

Noise Level

FM Depth LFO1 Speed PEG Decay

101 PlyChord Se Poly UpOct1 Sync Pitch Sync Pitch Dp FM Depth VCO2 Level

102 AN Cave Se Poly UpOct1 Dist. Dry/Wet FEG Depth VCO1 Level Noise Level

103 Invade 2 Se Poly UpOct1 Dist. Dry/Wet LFO2 Speed FEG Depth FEG Attack

104 FM Waves Se Poly SyncopaB FM Depth Portmnt Time VCF Cutoff Resonance

105 Moment Se Poly DwOct4 Sync Pitch VCF Mod Dp Portmnt Time HPF Cutoff

106 XScreech Se Legato UpOct4 Dist. Dry/Wet VCO2 X-Mod Dp VCA Feedback VCF Cutoff,

Resonance

107 CybrClck Sq Poly SyncopaA On Sync Pitch VCF Mod Dp Portmnt Time HPF Cutoff

108 Earth Sq Poly UpDwAOct2 On Ring Mod VCF Mod Dp Noise Level Portmnt Time

109 FreeRthm Sq Poly UpOct1 On FM Depth VCA Feedback Noise Level VCF Cutoff

110 Quarks Sq Poly StepSEQ On Sync Pitch,

Sync Pitch Dp

VCO1 Edge,

VCO2 Edge

VCA Feedback Dist. Dry/Wet

111 OldOkt Sq Poly StepSEQ On Dist. Dry/Wet FEG Attack FEG Decay FEG Sustain

112 BPF Step Sq Poly StepSEQ On Sync Pitch Dist. Dry/Wet FEG Attack FEG Sustain

113 Poptart Sq Poly StepSEQ On Sync Pitch VCO2 Edge FEG Attack HPF Cutoff

114 Virtual Sq Poly StepSEQ On Sync Pitch VCO1 Edge VCO1 PW VCO2 Edge

115 Cactus Sq Mono StepSEQ On Dist. Dry/Wet Noise Level FEG Attack FEG Decay

116 Omega Sq Poly StepSEQ On Dist. Dry/Wet Noise Level FEG Attack FEG Decay

117 Seismic Sq Poly StepSEQ On Dist. Dry/Wet Noise Level VCF Cutoff Resonance

118 JarreSQ Sq Poly StepSEQ On Sync Pitch Sync Pitch Dp FM Depth VCO1 Edge,

VCO2 Edge

119 TechPlck Sq Poly StepSEQ On Sync Pitch Sync Pitch Dp FM Depth VCO1 Edge

120 Krftwrks Sq Poly StepSEQ On Dist. Dry/Wet FEG Decay VCF Cutoff Resonance

121 Filtrﬂw Sq Poly StepSEQ On VCO2 Level FEG Decay PEG Depth VCF Cutoff

122 Dist5th Sq Poly StepSEQ On Sync Pitch VCO2 Level FEG Decay VCF Cutoff

123 HardNoiz Sq Poly StepSEQ On Sync Pitch Noise Level FEG Sustain VCF Cutoff

124 Lightstk Sq Legato StepSEQ On VCO2 X-Mod Dp FEG Attack,

AEG Attack

FEG Sustain VCO1 Edge,

AEG Release

125 Lotus Sq Poly DwOct2 On VCO1 Edge VCO2 X-Mod Dp VCO2 Pmod Dp Dist. Dry/Wet

126 Xalimba Sq Poly StepSEQ On Sync Pitch FM Depth VCO1 Edge PEG Decay

127 Uni Bass Sq Legato On StepSEQ On Dist. Dry/Wet FEG Depth VCF Cutoff Resonance

128 Hrmsync2 Sq Legato On StepSEQ On VCO1 Edge,

VCO2 Edge

FEG Decay VCA Feedback,

HPF Cutoff

Portmnt Time

No. VoiceName Category Key Assign Pattern Generator AN AC1 AN AC2 AN AC3 AN AC4

Mode

Unison

Type Switch ( Default CC#41 ) ( Default CC#42 ) ( Default CC#43 ) ( Default CC#44 )

Voice List

■ User Bank Voice List (factory bank from Preset 1/2)

Bank Select MSB=36, LSB=2

User No. Preset 1/2 Preset No. Voice Name Category

1 1 39 Metallic Sq

2 2 116 Omega Sq

3 1 126 ElecGrov Sq

4 2 112 BPF Step Sq

5 1 1 Killer Sq

6 1 37 Fat Run Sq

7 2 120 Krftwrks Sq

8 1 38 Power Sq

9 1 119 Hardcore Sq

10 2 122 Dist5th Sq

11 2 123 HardNoiz Sq

12 1 120 Kangaroo Sq

13 1 123 Harmsync Sq

14 1 121 AcidSeq1 Sq

15 2 127 Uni Bass Sq

16 1 127 ANSeqBas Sq

17 2 117 Seismic Sq

18 1 124 KickLine Sq

19 1 40 Zebedee Sq

20 1 2 Cream Ba

21 1 7 BiggMac Ba

22 1 49 Slum Ba

23 1 47 Prphtic2 Ba

24 1 4 Uni Saw Ba

25 1 57 BirdWrld Ba

26 1 48 Wonder Ba

27 1 50 X-Bass Ba

28 1 9 Insomnia Ba

29 2 1 Cracker Ba

30 2 4 Knives Ba

31 1 3 2001 Ba

32 1 6 Squeaky Ba

33 1 55 10thTone Ba

34 1 66 Hardstep Ba

35 1 8 Monty Ba

36 1 62 Zed Bass Ba

37 1 5 Ruff Ba

38 1 59 RubbaBas Ba

39 2 7 Mg Frtls Ba

40 1 12 ANSyncLd Ld

41 1 15 Faaaat Ld

42 1 85 J.Hammer Ld

43 1 14 Dre-full Ld

44 1 13 Squeamer Ld

45 1 10 Maise Ld

46 1 81 P-5 Saw Ld

47 1 78 Chick Ld

48 1 67 Stevie Ld

49 1 100 Funky Ld

50 1 83 DirtySaw Ld

51 1 11 Bombastc Ld

52 1 17 Lipstick Ld

53 1 103 Abacab Ld

54 1 73 Lucky Ld

55 1 87 PitchMan Ld

56 1 75 X-mod Ld

57 1 77 ANSyncHd Ld

58 2 14 Cosmic Ld

59 2 29 MiniTech Ld

60 2 16 5th Ring Ld

61 1 94 Pastel Ld

62 2 13 Mg Cat Ld

63 2 11 MgWhistl Ld

64 1 102 AN VoxLd Ld

• When the power is turned off and on again, the contents of the User memory are replaced by

voices from Preset 1 and 2 banks in this list.”

65 2 31 AsianTek Ld

66 1 95 Chromes Ld

67 1 18 HardBrss Br

68 1 106 Fatty Br

69 1 19 ToToHorn Br

70 2 18 ObDetune Br

71 2 24 ProBrass Br

72 1 110 SlowBras Br

73 1 20 So-Lina St

74 1 21 MultiSaw St

75 1 114 Lush St

76 1 22 Contnent Pd

77 1 23 PWMSweep Pd

78 2 47 Soar Pd

79 2 56 HighSwep Pd

80 2 22 ProAtck2 Pd

81 2 51 Sharpsyn Pd

82 2 57 SyncSwep Pd

83 2 44 5th Pad Pd

84 2 61 AN Track Fx

85 2 62 BPF Pad Fx

86 2 69 SepaWays Fx

87 1 27 Fire Fx

88 1 25 CyberBag Fx

89 1 26 Unstable Fx

90 2 82 Indosync Fx

91 1 28 Jack Fx

92 2 71 Ice Pad Fx

93 2 59 FunnyLFO Fx

94 2 80 Dragnﬂy Fx

95 2 32 SeqWater Fx

96 2 9 MgVoice Fx

97 2 27 Behind 2 Fx

98 2 21 ProAtack Fx

99 2 33 HarmoSq2 Fx

100 2 64 ResoBell Fx

101 2 20 ObCembal Pf

102 1 29 ULTSound Dr

103 1 30 HiQ Reso Pc

104 2 89 Tranix Dr

105 2 34 AnaDrum Dr

106 2 87 AN Snare Dr

107 2 93 Euro kik Dr

108 2 35 SynthTom Dr

109 2 37 EthnoTom Dr

110 2 39 EthTeck Pc

111 2 94 AN HiHat Dr

112 2 85 ANCowbel Pc

113 2 36 SynShake Dr

114 1 31 Fumble Se

115 1 32 Invade Se

116 1 33 FreeEdge Se

117 1 35 Chemical Se

118 1 36 AnalgAge Se

119 1 34 Touch Se

120 2 96 Siren Se

121 2 97 RadioNz Se

122 2 38 Contact Se

123 2 105 Moment Se

124 2 126 Xalimba Sq

125 2 109 FreeRthm Sq

126 2 113 Poptart Sq

127 2 107 CybrClck Sq

128 2 110 Quarks Sq

User No. Preset 1/2 Preset No. Voice Name Category

Voice List

■ AN-XG Voice Map

Bank Select MSB = 84 (XG/A), 100 (XG/B)

Bank Select LSB 0 64 65 66 67 68 69 70 71 72 73 74 75 76

Instrument

Group

Pgm#

Bass 39 ANSynBas RealMini Chamleon Cream Maxx 2001 BlapMoth Ruff BiggMac Prphtic1 Prphtic2 Wonder Slum

40 FootBase Mini Low DuckBass 10thTone DuckBas2 Cracker Monty BirdWrld Woodbass RubbaBas Smooth Smoovey Zed Bass Oizo

Strings 51 Analog So-Lina Choclate Stringer

52 Lush Bonn PWM Pad MultiSaw AnaStrng StrngPad

Ensemble 55 MaMa

Brass 63 Fatty MajorBrs Bronze HardBras

64 ANSoftBr CS80Bras ToToHorn SlowBras

Synth

Lead

81 Stevie Pulsate Silent Maise KnivesLd Pulser Sliver Lucky ANPopcrn

82 Caner ANSyncHd Chick Susy EarthLd P-5 Saw Rock It Faaaat DirtySaw Rhubarb J.Hammer X-mod 2 PitchMan EarthLd2

83 ANCaliop

84 AN Chiff Pastel

85 ANSyncLd Billy Dre-full Funky

86 AN VoxLd

87 Lipstick Abacab

88 Squeamer Mr. Hook Suprsync

Synth

Pad

90 Magic Contnent Yellow 5th Pad Kelp

91 SyncBrPd

92 Soar

93 AN Bowed

94 Sync Eko Sharpsyn SyncEko2

95 Vangelzm

96 PWMSweep HighSwep SyncSwep Mountain

Synth

Effects

98 AN Track

99 X Bells ResoBell Triangle XmodBell

100 Saphire

101 SepaWays

102 DeepBlue

103 Microdot Snowball

104 Slalom SyncSitr

Percussive 113 ANBeltre

115 Woob

117 TriblTom

119 SynthTom ULTSound AN Toms Tranix

120 AN HiHat

• Bank Select MSB = 84 : Empty areas of the columns produce no sound (Silence).

• Bank Select MSB = 100 : Empty areas of the columns produce the voice (Bank Select MSB = 0) of the XG Plug-in System device (MU128, etc.).

Voice List

Bank Select MSB = 84 (XG/A)

Bank Select LSB 0 64 65 66 67 68 69 70 71 72 73 74 75 76

Instrument

Group

Pgm#

Sound

Effects

126 ANHlcptr Siren RadioNz Fumble Invade FreeEdge Touch Chemical AnalgAge Chemicl2 PropProp WelcomBk PlyChord AN Cave

Sequence 127 Hardcore Kangaroo AcidSeq1 AcidSeq2 Harmsync KickLine Free Cut ElecGrov ANSeqBas Cool man Uni Bass Hrmsync2 Killer CybrClck

128 BPF Step Poptart Virtual Cactus Omega Seismic JarreSQ TechPlck Krftwrks Filtrﬂw Dist5th HardNoiz Lightstk Lotus

Bank Select LSB 77 78 79 80 81 96 97 98 99 100 101 102 103 104 105 106 107

Instrument

Group

Pgm#

Sound

Effects

126 Invade 2 FM Waves Moment Contact Xscreech

Sequence 127 Earth FreeRthm Quarks OldOkt

128 Xalimba Fat Run Power Metallic Zebedee

Bank Select LSB 96 97 98 99 100 101 102 103 104 105 106 107

Instrument

Group

Pgm#

Bass 39 X-Bass

40 Dog Bass Squeaky Insomnia Stranger Hardstep Behind Rydeen Knives Knives 2 Mg Wood Mg Frtls Logic

Strings 51

52 Hi Wedge

Ensemble 55 MgVoice

Brass 63 ObDetune ProBrass

Synth Lead 81 X-mod MgSoloLd Mg Cat

82 Cosmic Q Lead MiniTech

83 AsianTek

84 Synchrms

85 DistOdsy

86 MgVoice2

87 5th Ring

Synth Pad 90 Loom

91 ProAtck2 Pro Sync

93 AN Dawn

95 Mars Water Pad

96 Laos

Synth

Effects

98 BPF Pad

100 ProAtack Behind 2 HarmoSq HarmoSq2

101

102 Ice Pad Jah Polaris CyberBag SeqWater

103 Syncrome RhthmCty Jack

104 Fire Dragnﬂy Unstable DownUndr Indosync Nz Power

Percussive 113 EthTeck

115 ANCowbel

117 AN Snare AnaDrum

119 Rimshot XstikSnr EthnoTom SynShake

120

• Empty areas of the columns produce no sound (Silence).

Voice List

■ Plug-in Voice List (for CS6x, CS6R, S80)

No. VoiceName Category

1 Killer Sq

2 Power Sq

3 ElecGrov Sq

4 HardNoiz Sq

5 Zebedee Sq

6 BPF Step Sq

7 DirtySaw Sc

8 Faaaat Sc

9 X-mod Sc

10 Cream Ba

11 2001 Ba

12 Uni Saw Ba

13 X-Bass Ba

14 Ruff Ba

15 Squeaky Ba

16 BiggMac Ba

17 Monty Ba

18 Insomnia Ba

19 Bombastc Ld

20 ANSyncLd Ld

21 Maise Ld

22 Squeamer Ld

23 Dre-full Ld

24 VA Pig Ld

25 Lipstick Ld

26 HardBrss Br

27 Fatty Br

28 ToToHorn Br

29 So-Lina St

30 MultiSaw St

31 Contnent Pd

32 PWMSweep Pd

33 Laos Fx

34 CyberBag Fx

35 Unstable Fx

36 Fire Fx

37 Jack Fx

38 ULTSound Dr

39 HiQ Reso Pc

40 Fumble Se

41 Invade Se

42 FreeEdge Se

43 Touch Se

44 Chemical Se

45 AnalgAge Se

46 ANSynBas Ba

47 Prphtic Ba

48 DuckBass Ba

49 Rydeen Ba

50 Stranger Ba

51 J.Hammer Ld

52 Rock It Ld

53 MgWhistl Ld

54 ANSyncHd Ld

55 On One Ld

56 Indosync Fx

57 RadioNz Se

58 Invade 2 Se

59 Fat Run Sq

60 Metallic Sq

61 KickLine Sq

62 Krftwrks Sq

63 Seismic Sq

64 Harmsync Sq

No. VoiceName Category

Voice List

■ Performance List (for MU128/100/100R)

No. VoiceName Category

1 Kraftworkers Sq

2 Millennium Sq

3 Metalwork Sq

4 PsychoClock Sq

5 2010 Ba

6 Bigger Ba

7 Monticule Ba

8 Knivez Ba

9 Bomber Ld

10 DoubleMaise Ld

11 Rouge Ld

12 Jump Brass Br

13 MultiSawPad St

14 ForcdStrings St

15 Glassweep Pd

16 Blue Wind Pd

17 Mars Aurora Pd

18 Laoscroll Fx

19 RoundBells Fx

20 Fire Pad Fx

21 Microcosm Fx

22 Ultra Drum Dr

23 Cream Ba

24 Smoovey Ba

25 RuffRound Ba

26 Squeaky Ba

27 Insomnia Ba

28 Slum Ba

29 Funky Ld

30 Squeamer Ld

31 Dre-full Ld

32 Faaaat Ld

33 Abacab Ld

34 MgWhistle Ld

35 Pulser Ld

36 ToToHorn Br

37 So-Lina St

38 Continent Pd

39 ProSyncDist Pd

40 in the Loom Pd

41 SyncSweep Pd

42 5th Pad Pd

43 BPF Pad Fx

44 Ice Pad Fx

45 Sepaways Fx

46 Jack Fx

47 MgVoice2 Fx

48 ProAttack Fx

49 Phenomina Fx

50 Hi Q Reso Pc

51 AnaDrum Dr

52 Fumble Se

53 Invade Se

54 Free Edge Se

55 Touchtones Se

56 Chemical Se

57 AnalogAge Se

58 KillerLoop Sq

59 Fat Run Sq

60 Power Line Sq

61 Zebedee Sq

62 HyperNoise Sq

63 Harmosync Sq

64 Seismic Sq

No. VoiceName Category

Tone Generator And Effect Signal Flow

VCO1

WAVE: SAW / PULSE / SAW2 / MIX

MULTI SAW (SYNC = Off)

INNER1 — 3 / SQUARE /

NOISE (SYNC = On)

LFO1

WAVE:

SAW / SQUARE /

SINE / TRIANGLE /

S&H / S&H2

DELAY

PEG

ATTACK / DECAY

LFO

Assign

Group

HPF

(-6dB)

MIXER

RING

MOD.

NOISE

FEG

ATTACK / DECAY /

SUSTAIN / RELEASE

VCF

AEG

ATTACK / DECAY /

SUSTAIN / RELEASE

VCA

VELOCITY SENS.

LFO2

WAVE:

SAW / SQUARE /

SINE / TRIANGLE /

S&H / S&H2

FILTER TYPE:

LPF (-12/-18/-24 dB)

BPF

HPF (-12 dB)

BEF

VELOCITY SENS.

KEY FOLLOW

VCO1

Master

SYNC Mode

Selector

VCO1

Slave

Sync

Sync Pitch

Control

Pitch

PWM

Pitch

PWM

DISTORTION

GUITAR

AMP. SIM.

3-Band

2-Band

(XG)

FEEDBACK

Dry / Wet

VCO2

WAVE: SAW / PULSE / SAW2 / MIX /

TRIANGLE / SINE

FM Modurator

Selector

Depth

VOLUME

Controller

Control Source:

Ctrl Change #1 — 95

XG part AC1, AC2

AN AC1 — AC4

Pitch Bend

Mod. Wheel

Foot Controller

Channel Ather Touch

Velocity

Key Track

Arpeggio Type List

No. Param Name Comments

1 UpOct1 The chord (or phrase) ascends up 1 Octave.

2 UpOct2 The chord (or phrase) ascends up 2 Octaves.

3 UpOct4 The chord (or phrase) ascends up 4 Octaves.

4 DwnOct1 The chord (or phrase) descends down 1 Octave.

5 DwnOct2 The chord (or phrase) descends down 2 Octaves.

6 DwnOct4 The chord (or phrase) descends down 4 Octaves.

7 UpDwnAOct1 The chord (or phrase) ascends up 1 Octave, then descends.

8 UpDwnAOct2 The chord (or phrase) ascends up 2 Octaves, then descends.

9 UpDwnAOct4 The chord (or phrase) ascends up 4 Octaves, then descends.

10 UpDwnBOct1 The chord (or phrase) ascends up 1 Octave, then descends. (This is slightly different from

type UpDwAOct1.)

11 UpDwnBOct2 The chord (or phrase) ascends up 2 Octaves, then descends. (This is slightly different

from type UpDwAOct2.)

12 UpDwnBOct4 The chord (or phrase) ascends up 4 Octaves, then descends. (This is slightly different

from type UpDwAOct4.)

13 RandmOct1 Plays up and down randomly over 1 Octave, based on the chord you play.

14 RandmOct2 Plays up and down randomly over 2 Octaves, based on the chord you play.

15 RandmOct4 Plays up and down randomly over 4 Octaves, based on the chord you play.

16 Techno-A Typical techno sequence TYPE A. (Euro techno type.)

17 Techno-B Typical techno sequence TYPE B. (UK type with Velocity.)

18 Techno-C Typical techno sequence TYPE C. (Japan techno type.)

19 Techno-D Typical techno sequence TYPE D. (German techno type.)

20 DAHouse Backing sequence with House music feel. (Bass for left hand, Chord play for right hand.)

21 SyncopaA Syncopation type sequence TYPE A.

22 SyncopaB Syncopation type sequence TYPE B. (Octave moves considerably.)

23 Synco Echo Syncopated type echo.

24 TekkEchoA Echo with moving ﬁlter A.

25 TekkEchoB Echo with moving ﬁlter B.

26 PulseLine Sequence mixed with bass line and sequence line.

27 BassLineA Arpeggio phrase TYPE A for bass.

28 BassLineB Arpeggio phrase TYPE B for bass. (With Velocity.)

29 BassLineC Arpeggio phrase TYPE C for bass.

30 BassLineD Arpeggio phrase TYPE D for bass.

Control Matrix & Free EG Track Parameter List

*1. The effect of the controller on the parameter value is either added or multiplied as indicated. Also, when two or more different controllers are simultaneously assigned

and applied to the same parameter, the combined effect of the controllers on the parameter value follows the same rule (is either added or multiplied).

*2. For these parameters, positive values decrease the time, making the EG rate faster.

Parameter Name

Ctrl Matrix :

Parameter

Ctrl Matrix :

Calc. Method

Ctrl Matrix : Source

Free EG :

Trk Param

Group Param Name Data Value

Multiply

or Add *1

Data Range

Vel

KeyRnd

Data Range KeyTrk Data Range Data Value

--- off 0 --- --- --- --- 0

--- Total Tune

Pitch Up

Pitch Down

add

(-24) - (+24)

(-64) - (+63) x

PEG PEG Decay

PEG Depth

PEG Switch

Portmnt Time

add *2

mul

add

(-64) - (+63)

LFO LFO1 Wave

LFO1 Speed

LFO1 Delay

LFO2 Speed

add

(-64) - (+63)

SYNC Sync Mode

Sync Pitch

SyncPit Dp

Sync Pitch Src

Sync Pmod Sw

add

mul

(-64) - (+63)

(-32) - (+32)

(-64) - (+63)

FM FM Depth

FM Source1

FM Source2

12 mul O

(-64) - (+63) O

(-64) - (+63) 14

VCO1

(LFO)

VCO1 Wave

VCO1 Pitch

VCO1 Fine

VCO1 Edge

PW1/Mix

PWM1/Detune

PWM1 Src

VCO1 Pmod Dp

add

mul

add

(-64) - (+63)

(-63) - (+63)

(-64) - (+63)

VCO2

(LFO)

VCO2 Wave

VCO2 Pitch

VCO2 Fine

VCO2 Edge

PW2

PWM2/Xmod Dp

PWM2/Xmod Src

VCO2 Pmod Dp

add

mul

add

(-64) - (+63)

(-63) - (+63)

(-64) - (+63)

MIXER VCO1 Lvl

VCO2 Lvl

Ring Mod Lvl

Noise Lvl

mul

(-64) - (+63)

VCF

(LFO)

FEG Attack

FEG Decay

FEG Sustain

FEG Release

HPF Cutoff

VCF Type

VCF Cutoff

Resonance

FEG Depth

FEG Vel Sens

VCF Key Trk

VCF FMod Dp

add *2

add

add *2

add

mul

add

(-64) - (+63)

(Vel x)

KeyRnd

(-64) - (+63)

FEG VelSns

(-64) - (+63)

(x)

(-64) - (+63)

VCF KeyTrk

(-64) - (+63)

VCA

(MIXER)

(LFO)

AEG Attack

AEG Decay

AEG Sustain

AEG Release

VCA F.B.

VCA Volume

AEG Vel Sns

VCA Mod Dp

add *2

add

add *2

mul

add

(-64) - (+63)

(Vel x)

KeyRnd

(-64) - (+63)

AEG VelSns

(-64) - (+63)

Dist. Dry/Wet 45 O (-64) - (+63) x x ---

PLG-AN PEG Attack

LFO2 Wave

FM Algorithm

46 add *2 O

(-64) - (+63) O

(-64) - (+63) 57

Parameter List (XG / Modular Synthesis Plug-in System)

(Common Parameter)

(Element Parameter)

*1 : Changing the values of these parameters has no effect on the sound (even though the values change in the display).

Modular Synthesis Plug-in System XG Plug-in System (LCD of CS6x/CS6R/S80/etc.)

Parameter Name Parameter Name Group Parameter

Volume VOLUME QED*Level Vol

Pan PAN QED*Level Pan

Reverb Send REVERB SEND QED*Level RevSend

Chorus Send CHORUS SEND QED*Level ChoSend

LPF Cutoff Frequency LOW PASS FILTER CUTOFF FREQUENCY QED*Filter Cutoff

LPF Resonance LOW PASS FILTER RESONANCE QED*Filter Reso

Attack Time EG ATTACK TIME QED*EG Attack

Decay Time EG DECAY TIME QED*EG Decay

Release Time EG RELEASE TIME QED*EG Release

Pitch Bend Range BEND PITCH CONTROL CTL*Pitch Pitch Bend

Portamento Switch PORTAMENTO SWITCH CTL*Pitch Portamento

Portamento Time PORTAMENTO TIME CTL*Pitch Time

Mono/Poly Mode MONO/POLY MODE GEN*Other Mode

Same Note Number Key On Assign SAME NOTE NUMBER KEY ON ASSIGN *1 GEN*Other Assign

Parameter Name Parameter Name Group Parameter

Plug-in Board Voice Bank MSB BANK SELECT MSB PLG*Assign Bank

Plug-in Board Voice Bank LSB BANK SELECT LSB PLG*Assign Bank

Plug-in Board Voice Program Number PROGRAM NUMBER PLG*Assign Number

Note Shift NOTE SHIFT PLG*Velocity NoteSft

Velocity Sense Depth VELOCITY SENSE DEPTH PLG*Velocity Depth

Velocity Sense Offset VELOCITY SENSE OFFSET PLG*Velocity Offset

Pitch EG Initial Level PITCH EG INITIAL LEVEL PCH*PEG InitLvl

Pitch EG Attack Time PITCH EG ATTACK TIME PCH*PEG Attack

Pitch EG Release Level PITCH EG RELEASE LEVEL *1 PCH*PEG --Level

Pitch EG Release Time PITCH EG RELEASE TIME *1 PCH*PEG Release

LFO Rate VIBRATO RATE LFO Param Speed

LFO Pitch Modulation Depth VIBRATO DEPTH LFO Param PMod

LFO Delay VIBRATO DELAY LFO Param Delay

HPF Cutoff Frequency HIGH PASS FILTER CUTOFF FREQUENCY QED*Filter HPF

EQ Low Gain EQ BASS GAIN EQ*Param LoGain

EQ High Gain EQ TREBLE GAIN EQ*Param HiGain

EQ Low Frequency EQ BASS FREQUENCY EQ*Param LoFreq

EQ High Frequency EQ TREBLE FREQUENCY EQ*Param HiFreq

MW Filter Control MW LOW PASS FILTER CONTROL CTL*MW Control Filter

MW LFO Pitch Modulation Depth MW LFO PMOD DEPTH CTL*MW Modulation PMod

MW LFO Filter Modulation Depth MW LFO FMOD DEPTH CTL*MW Modulation FMod

MW LFO Amplitude Modulation Depth MW LFO AMOD DEPTH CTL*MW Modulation AMod

CAT Pitch Control CAT PITCH CONTROL CTL*AT Control Pitch

CAT Filter Control CAT LOW PASS FILTER CONTROL CTL*AT Control Filter

CAT LFO Pitch Modulation Depth CAT LFO PMOD DEPTH CTL*AT Modulation PMod

CAT LFO Filter Modulation Depth CAT LFO FMOD DEPTH CTL*AT Modulation FMod

CAT LFO Amplitude Modulation Depth CAT LFO AMOD DEPTH CTL*AT Modulation AMod

AC1 Controller Number AC1 CONTROLLER NUMBER CTL*AC Control Source

AC1 Filter Control AC1 LOW PASS FILTER CONTROL CTL*AC Control Filter

AC1 LFO Pitch Modulation Depth AC1 LFO PMOD DEPTH CTL*AC Modulation PMod

AC1 LFO Filter Modulation Depth AC1 LFO FMOD DEPTH CTL*AC Modulation FMod

AC1 LFO Amplitude Modulation Depth AC1 LFO AMOD DEPTH CTL*AC Modulation AMod

MIDI Data Format

1. Channel messages

1.1 Note on/note off

These messages convey keyboard performance data.

Range of note numbers received = C-2...G8

Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will

not receive these messages.

1.2 Control changes

These messages convey control operation information for volume or pan etc.

Their functions are differentiated by the control number (Ctrl#).

If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not

receive control changes.

1.2.1 Bank Select

This message selects the voice bank.

Control# Parameter Data Range

0 Bank Select MSB 0...127

32 Bank Select LSB 0...127

The Bank Select data will be processed only after a Program Change is received,

and then voice bank will change at that time. If you wish to change the voice

bank as well as the voice, you must transmit Bank Select and Program Change

messages as a set, in the following order: Bank Select MSB, LSB, and Program

Change.

1.2.2 Modulation

This message is used primarily to control the depth of vibrato, but the depth of

the following 6 types of effect can be controlled. The effect of this message can

be changed by the following parameters.

* Multi Part Parameter

l. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range

1 Modulation 0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive

Modulation.

1.2.3 Portamento Time

This message controls the degree of Portamento (see 1.2.9).

Control# Parameter Data Range

5 Portamento Time 0...127

When Portamento is ON, this regulates the speed of the pitch change. A value of

0 is the shortest Portamento time, and 127 is the longest Portamento time.

1.2.4 Data Entry

This message sets the value of the parameter which was speciﬁed by RPN (see

1.2.17) and NRPN (see 1.2.16).

Control# Parameter Data Range

6 Data Entry MSB 0...127

38 Data Entry LSB 0...127

1.2.5 Main Volume

This message controls the volume of each part. (It is used to adjust the volume

balance between parts.)

Control# Parameter Data Range

7 Main Volume 0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive

Main Volume. With a value of 0 there will be no sound, and a value of 127 will

produce the maximum volume.

1.2.6 Panpot

This message controls the panning (stereo location) of each part.

Control# Parameter Data Range

10 Pan 0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will not receive Pan-

pot. 0 is left, 64 is center, and 127 is right.

1.2.7 Expression

This message controls expression for each part. It is used to create volume

changes during a song.

Control# Parameter Data Range

1l Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive

Expression.

1.2.8 Holdl

This message controls sustain pedal on/off.

Control# Parameter Data Range

64 Hold1 0...63, 64...127

(OFF, ON)

When this is ON, currently-sounding notes will continue to sound even if note-

off messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that

part will not receive Holdl.

1.2.9 Portamento

This message controls Portamento pedal on/off.

Control# Parameter Data Range

65 Portamento 0...63, 64...127

(OFF, ON)

When ON, Portamento produces a smooth glide connecting two notes of differ-

ent pitch. The time over which the pitch changes is adjusted by Portamento Time

(see 1.2.3). When the Multi Part Parameter MONO/POLY MODE = MONO, the

tone will also change smoothly (legato) if Portamento = ON.

If the Multi Part parameter Rcv PORTAMENTO = OFF, that part will not receive

Portamento.

* Rcv PORTAMENTO = OFF

1.2.10 Harmonic Content

This message adjusts the resonance of the ﬁlter that is speciﬁed for the sound.

Control# Parameter Data Range

71 Harmonic Content 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64. Higher values will produce a more distinctive sound.

For some sounds, the effective range may be less than the possible range of set-

tings.

1.2.11 Release Time

This message adjusts the EG release time that was speciﬁed by the sound data.

Control# Parameter Data Range

72 Release Time 0...64... 127

(-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64. Increasing this value will lengthen the release time that follows a note-

off.

1.2.12 Attack Time

This message adjusts the EG attack time that was speciﬁed by the sound data.

Control# Parameter Data Range

73 Attack Time 0...64... 127

(-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64. Increasing this value will make the attack more gradual, and decreas-

ing this value will make the attack sharper.

1.2.13 Brightness

This message adjusts the cutoff frequency of the low pass ﬁlter speciﬁed by the

sound data.

Control# Parameter Data Range

74 Brightness 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64. Lower values will produce a more mellow sound.

For some sounds, the effective range may be less than the possible range of set-

tings.

1.2.14 Decay Time

This message adjusts the EG decay time that was speciﬁed by sound data.

Control# Parameter Data Range

75 Decay Time 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64.

It determines how long it takes for the sound changes from maximum level to

sustain level.

1.2.15 Data Increment/Decrement (for RPN)

This message is used to increment or decrement values for parameters speciﬁed

by RPN (see 1.2.17), in steps of 1.

Control# Parameter Data Range

96 RPN Increment —

97 RPN Decrement —

The data byte is ignored.

MIDI Data Format

1.2.16 NRPN (Non-registered parameter number)

This is a message for setting the sound for things like vibrato, ﬁlter or EG. Use

NRPN MSB and NRPN LSB to specify the parameter that you wish to modify,

and then use Data Entry (see 1.2.4) to set the value for the speciﬁed parameter.

Control# Parameter Data Range

98 NRPN LSB 0...127

99 NPRN MSB 0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

*1 See 1.2.4

*2 “--” means that the set value will be ignored.

*3 Adjusts the time after the note is played until vibrato begins to take effect. The effect

will begin more quickly for lower values, and more slowly for higher values.

1.2.17 RPN (Registered parameter number)

This message is used to specify part parameters such as Pitch Bend Sensitivity or

Tuning. Use RPN MSB and RPN LSB to specify the parameter that you wish to

modify, and then use Data Entry (see 1.2.4) to set the value of the speciﬁed

parameter.

Control# Parameter Data Range

100 RPN LSB 0 ... 127

101 RPN MSB 0 ... 127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this mes-

sage.

The following RPN messages can be received.

*1 Refer to 1.2.4

*2 “--” means that the set value will be ignored.

1.2.18 Assignable controller

By assigning a control change number of 0...95 to a part, application of effects

can be controlled. This device allows two control change numbers (AC1 and

AC2) to be speciﬁed for each part.

The following parameters specify the effect of AC1 and AC2:

* Multi Part Parameter

1. AC1, AC2 PITCH CONTROL

2. AC1, AC2 FILTER CONTROL

3. AC1, AC2 AMPLITUDE CONTROL

4. AC1, AC2 LFO PMOD DEPTH

5. AC1, AC2 LFO FMOD DEPTH

6. AC1, AC2 LFO AMOD DEPTH

The AC1 control change number is speciﬁed by the Multi Part parameter ACl

CONTROLLER NUMBER, and the AC2 control change number is speciﬁed by

the Multi Part parameter AC2 CONTROLLER NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1 All Sound Off

This message silences all notes being played on the corresponding channel.

However, channel messages such as Note-on and Hold-on will be maintained in

their present state.

Control# Parameter Data Range

120 All Sound Off 0

1.3.2 Reset All Controllers

This message changes the settings of the following controllers.

The following data is not changed

Parameter values speciﬁed for program change, bank select MSB/LSB, volume,

pan, effect send levels 1, 3, 4, RPN and NRPN.

Control# Parameter Data Range

121 Reset All Controllers 0

1.3.3 All Note Off

This message turns off all notes which are currently on for the corresponding

part.

However, if Hold 1 or Sostenuto are on, notes will continue to sound until these

are turned off.

Control# Parameter Data Range

123 All Note Off 0

1.3.4 Omni Off

Works the same as when All Note Off is received.

Control# Parameter Data Range

124 Omni Off 0

1.3.5 Omni On

Works the same as when All Note Off is received.

Control# Parameter Data Range

125 Omni On 0

1.3.6 Mono

Works the same as when All Sound Off is received, and if the value (mono num-

ber) is in the range of 0... 16, sets the corresponding channel to Mode4* (m = 1).

Control# Parameter Data Range

126 Mono 0 ... 16

* Mode4 is a state in which only channel messages on the speciﬁed channel will

be received, and notes will be played individually (monophonically).

1.3.7 Poly

Works the same as when All Sound Off is received, and sets the corresponding

channel to Mode3*.

Control# Parameter Data Range

127 Poly 0

* Mode3 is when channel messages will be received only on the speciﬁed chan-

nel, and notes will be sounded polyphonically.

NRPN

MSB LSB

Data Entry*1

MSB LSB

Parameter Name and Data Range

01H 08H

mm --*2 Vibrato rate

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 09H

mm -- Vibrato depth

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 0AH

mm --*3 Vibrato delay

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 20H

mm -- Low pass ﬁlter cutoff frequency

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 24H

mm -- High pass ﬁlter cutoff frequency

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 30H

mm -- EQ bass gain

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 31H

mm -- EQ treble gain

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 34H

mm -- EQ bass frequency

mm: 04H - 28H (32 ... 2.0K [Hz])

01H 35H

mm -- EQ treble frequency

mm: 1CH - 3AH (500 ... 16.0K [Hz])

01H 63H

mm -- EG Attack Time

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 64H

mm -- EG Decay Time

mm: 00H - 40H - 7FH (-64 ...0...+63)

01H 66H

mm -- EG Release Time

mm: 00H - 40H - 7FH (-64 ...0...+63)

RPN

MSB LSB

Data Entry *1

MSB LSB

Parameter Name and Value Range

00 00H mm --*2 Pitch bend sensitivity

mm: 00-18H (0...+24 semitones)

Specify up to 2 octaves in semitone steps

00 01H mm ll Fine tuning

mm ll: 00H 00H -100 cents

mm 11: 40H 00H 0 cents

mm ll: 7FH 7FH +100 cents

Note: The next after mm 11: 00H 7FH (= -87.5)

cent is 01H 00H (-87.4) cents.

00H 02H mm -- Coarse tuning

mm: 28H - 40H - 58H (-24...0...+24 semitones)

7FH 7FH -- -- RPN Null

This empties settings from RPN and NRPN

numbers.

Internal data is not affected.

Controller Value

Pitch bend change

Channel pressure

Modulation

Expression

Hold

Portamento

RPN

NRPN

±0 (Center)

0 (OFF)

127 (Max.)

0 (OFF)

Number unset, internal data is not affected.

MIDI Data Format

1.4 Program change

This message is used to switch voices.

It changes the program number on the receiving channel. When the change is to

include the voice bank, transmit the program change after sending the Bank

Select message (see 1.2.1).

If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not

receive program changes.

1.5 Pitch bend

This message conveys information on pitch bend operations.

Basically, this message is for changing the pitch of a part, but the depth of the fol-

lowing six effects can be controlled.

The effect of this message can be modiﬁed by the following parameters.

* Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH

By default, the Pitch Control effect is applied.

If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will

not receive pitch bend messages.

1.6 Channel aftertouch

This message conveys the pressure after the key is played on the keyboard (for an

entire MIDI channel). The pressure can be controlled for each part. This message

will affect the notes currently playing.

The effect of this message can be modiﬁed by the following parameters.

* Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMPLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH

By default, there will be no effect.

If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part

will not receive Channel Aftertouch.

2. System exclusive messages

2.1 Parameter changes

This device uses the following parameter changes.

[ UNIVERSAL REALTIME MESSAGE ]

1) Master Volume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI System On

[ DX1 PARAMETER CHANGE]

1) DX1 Master Tuning

[ XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Part parameter change

4) PLG150-AN Part Assign parameter change

[ PLG150-AN NATIVE PARAMETER CHANGE ]

1) PLG150-AN System parameter change

2) PLG150-AN Part parameter change

3) AN1x System parameter change

4) Current Voice Common parameter change

5) Current Voice Scene parameter change

6) Currnet Voice Step Seq. Patten parameter change

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

01111111 7FH = ID of target device

00000100 04H = Sub-ID #1=Device Control Message

00000001 01H = Sub-ID #2=Master Volume

* 0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

0xxxnnnn XNH = Device Number, xxx = don't care

00000100 04H = Sub-ID #1=Device Control Message

00000001 01H = Sub-ID #2=Master Volume

0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

When received, the Volume MSB is reﬂected in the System Parameter MAS-

TER VOLUME.

* The binary expression 0sssssss is expressed in hexadecimal as SSH.

The same applies elsewhere.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

01111111 7FH = ID of target device

00001001 09H = Sub-ID #1=General MIDI Message

00000001 01H = Sub-ID #2=General MIDI On

11110111 F7H = End of Exclusive

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

0xxxnnnn XNH = N:Device Number, X:don't care

00001001 09H = Sub-ID #1=General MIDI Message

00000001 01H = Sub-ID #2=General MIDI On

11110111 F7H = End of Exclusive

When this message is received, the XG parameters are initialized.

Since approximately 50ms is required to process this message, be sure to

allow an appropriate interval before sending the next message.

2.1.3 DX1 MASTER TUNING

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

00000100 04H

01000000 40H

0vvvvvvv VVH Data

11110111 F7H End of Exclusive

The DX1-compatible messages are received, and the Master Tune of the

AN1x System Data is changed.

The value of VV is used as the MIDI master tuning parameter.

VV = -64(00H) — 0(40H) — +63(7FH)

2.1.4 XG Parameter Change

This message sets XG-related parameters. Each message can set a single

parameter.

The message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

11110111 F7H End of Exclusive

For parameters whose Data Size is 2 or 4, the appropriate amount of data will

be transmitted as indicated by Size.

2.1.4.1 XG System On

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

00000000 00H Address High

00000000 00H Address Mid

01111110 7EH Address Low

00000000 00H Data

11110111 F7H End of Exclusive

When ON is received, the XG parameters are initialized.

Since approximately 50ms is required to process this message, be sure to

allow an appropriate interval before sending the next message.

2.1.4.2 XG System parameter change

This message sets the XG SYSTEM block (see Tables <1-1> and <1-2>).

2.1.4.3 Multi Part parameter change

This message sets the Multi Part block (see Tables <1-1> and <1-3>).

2.1.4.4 Part Assign parameter change

This message sets the part assigned to PLG150-AN (see Tables <1-1> and

<1-4>).

MIDI Data Format

2.1.5 PLG150-AN Native parameter change

This message sets parameters unique to the PLG150-AN.

Each message can set a single parameter. The message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:Device Number

01011100 5CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

11110111 F7H End of Exclusive

For parameters whose Data Size is 2 or 4, the appropriate amount of data will

be transmitted as indicated by Size.

2.1.5.1 PLG150-AN Native System parameter change

This message sets the PLG150-AN SYSTEM block (see Tables <2-1> and

<2-2>).

2.1.5.2 PLG150-AN Native Part parameter change

This message sets the PLG150-AN MULTI PART block (see Tables <2-1>

and <2-3>).

2.1.5.3 AN1x System parameter change

This message sets the PLG150-AN original System block (see Tables <2-1>

and <2-4>).

2.1.5.4 Current Common parameter change

This message sets the Common block of the voice is sounding currently (see

Tables <2-1> and <2-5>).

2.1.5.5 Current Scene parameter change

This message sets the Scene block of the voice is sounding currently (see

Tables <2-1> and <2-6>).

2.1.5.6 Current Step SEQ Pattern parameter change

This message sets the Step SEQ block of the voice is sounding currently (see

Tables <2-1> and <2-7>).

2.2 Bulk dump

This device uses only the following bulk dump messages.

[ XG BULK DUMP ]

1) XG System bulk dump

2) Multi Part bulk dump

[ PLG150-AN NATIVE BULK DUMP ]

1) PLG150-AN Native System bulk dump

2) PLG150-AN Native Part bulk dump

3) AN1x Sytem bulk dump

4) Current Common bulk dump

5) Current Scene bulk dump

6) Current Step Seq Pattern bulk dump

7) User Step Seq Pattern

8) User Voice

And the following bulk dump messages are received and changed as data of

the PLG150-AN.

[ AN1x BULK DUMP ]

1) AN1x Sytem bulk dump

2) AN1x Current Common bulk dump

3) AN1x Current Scene bulk dump

4) AN1x Current Step Seq Pattern bulk dump

5) AN1x User Step Seq Pattern

6) AN1x User Voice

2.2.1 XG bulk dump

This message sets XG-related parameters. Unlike parameter change mes-

sages, a single message can modify multiple parameters.

This message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0000nnnn 0NH N:Device Number

01001100 4CH Model ID

0sssssss SSH ByteCountMSB

0ttttttt TTH ByteCountLSB

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

0kkkkkkk KKH Check-sum

11110111 F7H End of Exclusive

Address and Byte Count are given in tables <1-n>.

Byte Count is indicated by the total size of the Data in tables <1-n>.

Bulk dump is received when the beginning of the block is speciﬁed in

"Address."

"Block" indicates the unit of the data string that is indicated in tables <1-n>

as "Total Size."

Check sum is the value that produces a lower 7 bits of 0 when ths Start

Address, Byte Count, Data, and the Check sum itself are added.

2.2.1.1 XG System bulk dump

This message sets the XG SYSTEM block (see Tables <1-1> and <1-2>).

2.2.1.2 Multi Part bulk dump

This message sets the MULTI PART block (see Tables <1-1> and <1-3>).

2.2.2 PLG150-AN Native Bulk Dump

This message sets the special parameters for PLG150-AN.

Unlike Parameter change, one message can modify multiple parameters.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0000nnnn 0NH N:Device Number

01011100 5CH Model ID

0sssssss SSH ByteCountMSB

0ttttttt TTH ByteCountLSB

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

0kkkkkkk KKH Check-sum

11110111 F7H End of Exclusive

The detail are the same as for 2.2.1 XG Bulk Dump. However, see Tables <2-

n> for the Address, Byte, Count, and block.

2.2.2.1 PLG150-AN Naitve System bulk dump

This message sets the PLG150-AN SYSTEM block (see Tables <2-1> and

<2-2>).

2.2.2.2 PLG150-AN Native Part bulk dump

This message sets the PLG150-AN MULTI PART block (see Tables <2-1>

and <2-3>).

2.2.2.3 AN1x System bulk dump

This message sets the PLG150-AN original System block (see Tables <2-1>

and <2-4>).

2.2.2.4 Current Common bulk dump

This message sets the Common block of the voice is sounding currently (see

Tables <2-1> and <2-5>).

2.2.2.5 Current Scene bulk dump

This message sets the Scene block of the voice is sounding currently (see

Tables <2-1> and <2-6>).

2.2.2.6 Current Step Seq Pattern bulk dump

This message sets the Step SEQ block of the voice is sounding currently (see

Tables <2-1> and <2-7>).

2.2.2.7 User Voice bulk dump

This message sets the PLG150-AN original User Voice block (see Tables

<2-1> and <2-8>).

2.2.2.8 User Pattern bulk dump

This message sets the PLG150-AN original User Step Seq Pattern block (see

Tables <2-1> and <2-9>).

MIDI Data Format

2.2.3 AN1x bulk dump

The AN1x bulk dump messages are received and changed as data of the

PLG150-AN.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0000nnnn 0NH N:Device Number

01011100 5CH Model ID

0sssssss SSH ByteCountMSB

0ttttttt TTH ByteCountLSB

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

0kkkkkkk KKH Check-sum

11110111 F7H End of Exclusive

The details are the same as for 2.2.1 XF Bulk Dump. However, see Table

<3-1> for the Base address.

More details (Address, Byte Count, etc.), see the AN1x parameter list

included with the AN1x.

2.2.3.1 AN1x System bulk dump

When the System block bulk data is received from the AN1x, the PLG150-

AN responds to it.

The following parameters are reacted by the PLG150-AN.

Keyboard Velocity Curve

Keyboard Fixed Veleocity

Keyboard Transmit Channel

Arpeggio/StepSEQ Transmit Channel

Receive Channel 1

Receive Channel 2

Midi Device Number

Midi Local

2.2.3.2 AN1x Current Common bulk dump

When the Common block bulk data of the voice sounds currenly is received

from the AN1x, the PLG150-AN responds to it (see the Table <3-1>).

The following parameters are invalid on the PLG150-AN, or affect differ-

ently compared with the ones applied to the AN1x.

Scene Select (Always "Scene1" is ﬁxed.)

Layer Mode ("Single" or "Unison")

Layer Pan, Layer Separation

Common Vtrl Matrix 1—2 Data (Source, Parameter, Depth)

Vari-Ef Type (Always "Gutar Amp.Simulator" is ﬁxed.)

Dly-Ef, Rev-Ef Data (Type, Return, Parameter 1—7)

Arpeggio/StepSEQ Scene Sw. ("Off" or "On (only Scene1-side)")

FreeEG Track Scene Switch ("Off or "On (only Scene1-side)")

2.2.3.3 AN1x Current Scene1 bulk dump

When the Scene1 block bulk data of the voice sounds currenly is received

from the AN1x, the PLG150-AN responds to it (see the Table <3-1>).

The following parameters are reacted by the PLG150-AN.

Ctrl Matrix 16 Data (Source, Parameter, Depth)

2.2.3.4 AN1x Current Step Seq Pattern bulk dump

When the Step SEQ block of the voice sounds currenly is received from the

AN1x, the PLG150-AN responds to it (see the Table <3-1>).

2.2.3.5 AN1x User Pattern bulk dump

When the User Step Seq Pattern block bulk data is received from the AN1x,

the PLG150-AN responds to it (see the Table <3-1>).

2.2.3.6 AN1x User Voice bulk dump

When the User Voice block bulk data is received from the AN1x, the

PLG150-AN responds to it (see the Table <3-1>).

The following parameters are invalid on the PLG150-AN, or affect differ-

ently compared with the ones applied to the AN1x.

Data of Scene 2

Common Data (See 2.2.3.2)

Scene1 Data (See 2.2.3.3)

3. Realtime Messages

3.1 Active Sensing

a) Send

This is not transmitted.

b) Receive

After FE is received one time, if the MIDI signal does not come within 400

msec, PLG150-AN will act the same as when ALL SOUND OFF, ALL

NOTE OFF, and RESET ALL CONTROLLERS are received, and return

to the condition where has not been received once.

<1-1>

Parameter Base Address

MODEL ID = 4C

<1-2>

MIDI Parameter Change table ( XG SYSTEM )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

0 0 0 4 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00

1 00 - 0F 1st bit3-0mbit15-12

2 00 - 0F 2nd bit3-0mbit11-8

3 00 - 0F 3rd bit3-0mbit7-4

4th bit3-0mbit3-0

4 1 00 - 7F MASTER VOLUME** 0...127 7F

5 1 00 - 7F MASTER ATTENUATOR** 0...127 0

6 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40

7D 1 NOT USED

7E 1 0 XG SYSTEM ON 00=XG system ON (receive only) —

7F 1 0 ALL PARAMETER RESET 00=ON (receive only) —

TOTAL SIZE 7

** Processed on the XG platform side (MU128, MU100, etc.)

Parameter Address Description

(H) (M) (L)

XG SYSTEM 00 00 00 System

00 00 7E XG System On

00 00 7F All Parameter Reset

MULTI PART 08 00 00

: : :

08 0F 00

Multi Part 1

Multi Part 16

MULTI PART

(additional)

0A 00 00

: : :

0A 0F 00

Multi Part 1

Multi Part 16

PART ASSIGN 70 03 nn PLG150-AN Part Assign

( nn = PLG150-AN serial number )

MIDI Data Format

<1-3>

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

08 0p 00 1 NOT USED --

01 1 00 - 7F BANK SELECT MSB 0 - 127 00

02 1 00 - 7F BANK SELECT LSB 0 - 127 00

03 1 00 - 7F PROGRAM NUMBER 1 - 128 00

04 1 00 - 0F, 7F Rcv CHANNEL ch1 - ch16,OFF 00

05 1 00 - 01 MONO/POLY MODE 0:MONO,1:POLY 01

06 1 NOT USED --

07 1 00 - 05 PART MODE 0:NORMAL 00

08 1 28 - 58 NOTE SHIFT -24 - +24[semitones] 40

09 2 00 - FF DETUNE -12.8 - +12.7[Hz] 08 00

1st bit3-0mbit7-4,2nd bit3-0mbit3-0

0B 1 00 - 7F VOLUME ** 0 - 127 64

0C 1 00 - 7F VELOCITY SENS DEPTH 0 - 127 40

0D 1 00 - 7F VELOCITY SENS OFFSET 0 - 127 40

0E 1 00 - 7F PAN ** CENTER(0),L63...C...R63(1...64...127) 40

0F 1 00 - 7F NOTE LIMIT LOW C-2 - G8 00

10 1 00 - 7F NOTE LIMIT HIGH C-2 - G8 7F

11 1 00 - 7F DRY LEVEL ** 0 - 127 7F

12 1 00 - 7F CHORUS SEND ** 0 - 127 00

13 1 00 - 7F REVERB SEND ** 0 - 127 28

14 1 00 - 7F VARIATION SEND ** 0 - 127 00

15 1 00 - 7F VIBRATO RATE -64 - +63 40

16 1 00 - 7F VIBRATO DEPTH -64 - +63 40

17 1 00 - 7F VIBRATO DELAY -64 - +63 40

18 1 00 - 7F FILTER CUTOFF FREQUENCY -64 - +63 40

19 1 00 - 7F FILTER RESONANCE -64 - +63 40

1A 1 00 - 7F EG ATTACK TIME -64 - +63 40

1B 1 00 - 7F EG DECAY TIME -64 - +63 40

1C 1 00 - 7F EG RELEASE TIME -64 - +63 40

1D 1 28 - 58 MW PITCH CONTROL -24 - +24[semitones] 40

1E 1 00 - 7F MW FILTER CONTROL -9600 - +9450[cent] 40

1F 1 00 - 7F MW AMPLITUDE CONTROL ** -100 - +100[%] 40

20 1 00 - 7F MW LFO PMOD DEPTH 0 - 127 0A

21 1 00 - 7F MW LFO FMOD DEPTH 0 - 127 00

22 1 00 - 7F MW LFO AMOD DEPTH 0 - 127 00

23 1 28 - 58 BEND PITCH CONTROL -24 - +24[semitones] 42

24 1 00 - 7F BEND FILTER CONTROL -9600 - +9450[cent] 40

25 1 00 - 7F BEND AMPLITUDE CONTROL ** -100 - +100[%] 40

26 1 00 - 7F BEND LFO PMOD DEPTH 0 - 127 00

27 1 00 - 7F BEND LFO FMOD DEPTH 0 - 127 00

28 1 00 - 7F BEND LFO AMOD DEPTH 0 - 127 00

TOTAL SIZE 29

08 0p 30 1 00 - 01 Rcv PITCH BEND OFF/ON 01

31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF/ON 01

32 1 00 - 01 Rcv PROGRAM CHANGE OFF/ON 01

33 1 00 - 01 Rcv CONTROL CHANGE OFF/ON 01

34 1 NOT USED --

35 1 00 - 01 Rcv NOTE MESSAGE OFF/ON 01

36 1 00 - 01 Rcv RPN OFF/ON 01

37 1 00 - 01 Rcv NRPN OFF/ON 01

38 1 00 - 01 Rcv MODULATION OFF/ON 01

39 1 00 - 01 Rcv MAIN VOLUME OFF/ON 01

3A 1 00 - 01 Rcv PAN OFF/ON 01

3B 1 00 - 01 Rcv EXPRESSION OFF/ON 01

3C 1 00 - 01 Rcv HOLD1 OFF/ON 01

3D 1 00 - 01 Rcv PORTAMENTO OFF/ON 01

3E 1 NOT USED --

3F 1 NOT USED --

40 1 00 - 01 Rcv BANK SELECT OFF/ON 01

41 1 NOT USED --

42 1 NOT USED --

43 1 NOT USED --

44 1 NOT USED --

45 1 NOT USED --

46 1 NOT USED --

47 1 NOT USED --

48 1 NOT USED --

49 1 NOT USED --

4A 1 NOT USED --

4B 1 NOT USED --

4C 1 NOT USED --

4D 1 28 - 58 CAT PITCH CONTROL -24 - +24[semitones] 40

4E 1 00 - 7F CAT FILTER CONTROL -9600 - +9450[cent] 40

4F 1 00 - 7F CAT AMPLITUDE CONTROL ** -100 - +100[%] 40

50 1 00 - 7F CAT LFO PMOD DEPTH 0 - 127 00

51 1 00 - 7F CAT LFO FMOD DEPTH 0 - 127 00

52 1 00 - 7F CAT LFO AMOD DEPTH 0 - 127 00

53 1 NOT USED --

54 1 NOT USED --

55 1 NOT USED --

56 1 NOT USED --

57 1 NOT USED --

58 1 NOT USED --

59 1 00 - 5F AC1 CONTROLLER NUMBER off - 95 10

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

5A 1 28 - 58 AC1 PITCH CONTROL -24 - +24[semitones] 40

5B 1 00 - 7F AC1 FILTER CONTROL -9600 - +9450[cent] 40

5C 1 00 - 7F AC1 AMPLITUDE CONTROL ** -100 - +100[%] 40

5D 1 00 - 7F AC1 LFO PMOD DEPTH 0 - 127 00

5E 1 00 - 7F AC1 LFO FMOD DEPTH 0 - 127 00

5F 1 00 - 7F AC1 LFO AMOD DEPTH 0 - 127 00

60 1 00 - 5F AC2 CONTROLLER NUMBER 0 - 95 10

61 1 28 - 58 AC2 PITCH CONTROL -24 - +24[semitone] 40

62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600 - +9450[sent] 40

63 1 00 - 7F AC2 AMPLITUDE CONTROL ** -100 - +100[%] 40

64 1 00 - 7F AC2 LFO PMOD DEPTH 0 - 127 00

65 1 00 - 7F AC2 LFO FMOD DEPTH 0 - 127 00

66 1 00 - 7F AC2 LFO AMOD DEPTH 0 - 127 00

67 1 00 - 01 PORTAMENTO SWITCH OFF/ON 00

68 1 00 - 7F PORTAMENTO TIME 0 - 127 00

69 1 00 - 7F PITCH EG INITIAL LEVEL (DEPTH) -64 - +63 40

6A 1 00 - 7F PITCH EG ATTACK/DECAY TIME -64 - +63 40

6B 1 NOT USED --

6C 1 NOT USED --

6D 1 1 - 7F VELOCITY LIMIT LOW 1 - 127 01

6E 1 1 - 7F VELOCITY LIMIT HIGH 1 - 127 7F

TOTAL SIZE 3F

08 0p 70 1 NOT USED --

71 1 NOT USED --

72 1 00 - 7F EQ BASS GAIN -12 - 12[dB] 40

73 1 00 - 7F EQ TREBLE GAIN -12 - 12[dB] 40

TOTAL SIZE 4

08 0p 74 1 NOT USED --

75 1 NOT USED --

76 1 04 - 28 EQ BASS FREQUENCY 32 - 2.0k[Hz] 0C

77 1 1C - 3A EQ TREBLE FREQUENCY 500 - 16.0k[Hz] 36

78 1 NOT USED --

79 1 NOT USED --

7A 1 NOT USED --

7B 1 NOT USED --

7C 1 NOT USED --

7D 1 NOT USED --

7E 1 NOT USED --

7F 1 NOT USED --

TOTAL SIZE 0C

0A 0p 20 1 00 - 7F

HIGH PASS FILTER CUTOFF FREQUENCY

-64 - +63 40

21 1 NOT USED --

TOTAL SIZE 2

p = Part Number(0 - F)

** Processed on the XG platform side (MU128, MU100, etc.)

<1-4>

MIDI Parameter Change table ( PART ASSIGN )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

70 03 nn 1 00 - 0F,7F Part Assign A1...A16, OFF 0 (A1)

TOTAL SIZE 1

nn = PLG150-AN Serial Number

<2-1>

Native Parameter Base Address

MODEL ID = 5C (AN1x)

Parameter Address Description

(H) (M) (L)

System 00 00 00 AN1x System

00 08 00 PLG150-AN System

User Step Seq 01

User Step Seq Pattern 1

User Step Seq Pattern 128

Part Param 09

PLG150-AN Native Part 1:

PLG150-AN native Part 16

Curret Voice 10 00 00 Current Voice Common

10 0E 00 Current Voice Step Seq Pattern

10 10 00 Current Voice Scene

User Voice 20

User Voice 1

User Voice 128

MIDI Data Format

<2-2>

MIDI Parameter Change table ( PLG150-AN Naitve System )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

00 08 00 1 NOT USED --

01 1 NOT USED --

02 1 00-05 Velocity Curve 0:normal, 1:soft1, 2:soft2, 3:easy, 00

4:wide, 5:hard

03 1 NOT USED --

04 1 00-60 Morphing Ctrl No. (Morph off/on) 0:off, 1-95, 96:AT 00

05 1 00-7F Morphing to Program No. 0-127 00

06 1 00-7F Morphing to Bank Select LSB No. 0-127 00

07 1 00-7F Morphing to Bank Select MSB No. 36(0x24):Custom, 84(0x54):XG-a, 0x24

100(0x64):XG-b

08 1 00-60 AN AC1 Ctrl Change No. 0:off, 1-95, 96:AT 0x29

09 1 00-60 AN AC2 Ctrl Change No. 0:off, 1-95, 96:AT 0x2A

0A 1 00-60 AN AC3 Ctrl Change No. 0:off, 1-95, 96:AT 0x2B

0B 1 00-60 AN AC4 Ctrl Change No. 0:off, 1-95, 96:AT 0x2C

TOTAL SIZE 0C

<2-3>

MIDI Parameter Change table ( PLG150-AN Native Part )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

09 0p 00 1 00-01 Unison Off/On Switch vce(0), off(1), on(2) 0

01 1 00-01 Arpeggio/StepSEQ Off/On Switch vce(0), off(1), on(2) 0

02 2 00-7F Tempo vce(0), midi(39), 40-240 0

04 1 00-7F LFO2 Speed -64 - +63 40

05 1 00-7F Sync Pitch -64 - +63 40

06 1 00-7F FM Depth -64 - +63 40

07 1 00-7F VCO Detune -64 - +63 40

08 1 00-7F VCO1 Edge -64 - +63 40

09 1 00-7F VCO1 Pulse Width -64 - +63 40

0A 1 00-7F VCO1 PWM Depth -64 - +63 40

0B 1 00-7F VCO2 Edge -64 - +63 40

0C 1 00-7F VCO2 Pulse Width -64 - +63 40

0D 1 00-7F VCO2 PWM Depth -64 - +63 40

0E 1 00-7F Mixer VCO1 Level -64 - +63 40

0F 1 00-7F Mixer VCO2 Level -64 - +63 40

10 1 00-7F Mixer Ring Modulator Level -64 - +63 40

11 1 00-7F Mixer Noise Level -64 - +63 40

12 1 00-7F VCA Feedback Level -64 - +63 40

13 1 00-7F VCF Filter Mod Depth -64 - +63 40

14 1 00-7F FilterEG Depth -64 - +63 40

15 1 00-7F FilterEG Attack Time -64 - +63 40

16 1 00-7F FilterEG Decay Time -64 - +63 40

17 1 00-7F FilterEG SustainLevel -64 - +63 40

18 1 00-7F FilterEG Release Time -64 - +63 40

19 1 00-7F VCA Amp Mod Depth -64 - +63 40

1A 1 00-7F AmpEG Attack Time -64 - +63 40

1B 1 00-7F AmpEG Decay Time -64 - +63 40

1C 1 00-7F AmpEG Sustain Level -64 - +63 40

1D 1 00-7F AmpEG Release Time -64 - +63 40

1E 1 00-7F Distortion Gain -64 - +63 40

1F 1 NOT USED --

20 1 00-2E AC1 Control Destination Param off(0) - PEG Attack(2E) 00

21 1 00-7F AC1 Control Depth Depends on Ctrl Matrix Param 40

TOTAL SIZE 22

p = Part Number(0 - F)

<2-4>

MIDI Parameter Change table ( AN1x System )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

00 00 00 2 0AE...352 Master tune -98.9(0AE)...+98.9 cent(352) 200(+0)

02 1 NOT USED --

03 1 NOT USED --

04 1 NOT USED --

05 1 00...04 Effect Bypass off(0),all(4) 00(off)

06 1 NOT USED --

07 1 NOT USED --

08 1 NOT USED --

09 1 NOT USED --

0a 1 NOT USED --

0b 1 NOT USED --

0c 1 00...60 Scene Ctrl Number off(0),1...95,AT(60) 01(1)

0d 1 00...60 MW Ctrl Number off(0),1...95,AT(60) 01(1)

0e 1 00...60 FV Ctrl Number off(0),1...95,AT(60) 07(7)

0f 1 00...60 FC Ctrl Number off(0),1...95,AT(60) 04(4)

10 1 00...60 FS Ctrl Number off(0),1...95,AT(60) 40(64)

11 1 00...60 Ribbon X Ctrl Number off(0),1...95,AT(60) 0d(13)

12 1 00...60 Ribbon Z Ctrl Number off(0),1...95,AT(60) 0c(12)

13 1 00...60 Assignable Ctrl 1 Number off(0),1...95,AT(60) 28(41)

14 1 00...60 Assignable Ctrl 2 Number off(0),1...95,AT(60) 29(42)

15 1 00...60 Assignable Ctrl 3 Number off(0),1...95,AT(60) 2a(43)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

16 1 00...60 Assignable Ctrl 4 Number off(0),1...95,AT(60) 2b(44)

17 1 00...60 Assignable Ctrl 5 Number off(0),1...95,AT(60) 2c(45)

18 1 00...60 Assignable Ctrl 6 Number off(0),1...95,AT(60) 2d(46)

19 1 00...60 Assignable Ctrl 7 Number off(0),1...95,AT(60) 2e(47)

1a 1 00...60 Assignable Ctrl 8 Number off(0),1...95,AT(60) 2f(48)

1b 1 NOT USED --

TOTAL SIZE 1C

<2-5>

MIDI Parameter Change table ( Current Voice Common Buffffer )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

10 00 00 1 20...7F Voice Name 1 Ascii Code I

01 1 20...7F Voice Name 2 Ascii Code n

02 1 20...7F Voice Name 3 Ascii Code i

03 1 20...7F Voice Name 4 Ascii Code t

04 1 20...7F Voice Name 5 Ascii Code

05 1 20...7F Voice Name 6 Ascii Code V

06 1 20...7F Voice Name 7 Ascii Code c

07 1 20...7F Voice Name 8 Ascii Code e

08 1 20...7F Voice Name 9 Ascii Code

09 1 20...7F Voice Name 10 Ascii Code

0a 1 00...16 Voice Category --,Pf...Wv --

0b 1 NOT USED (AN1x : Scene Select) Scene1(1) : ﬁxed 1(scene1)

0c 1 00...01 Unison Sw. (AN1x : Layer Mode) off(0),on(1) 00(off)

0d 1 NOT USED --

0e 1 NOT USED --

0f 1 01...20 Unison Detune 1...32 6

10 2 27...F0 Common Tempo midi(27),40(28)...240(F0) 8C(140)

12 1 00...7F Common Split Point C-2(0)...G8(7F) 3C(C3)

13 1 00...01 Common Portamento Switch off(0)...on(1) 00(off)

14 1 NOT USED --

15 1 NOT USED --

16 1 NOT USED --

17 1 NOT USED --

18 1 NOT USED --

19 1 NOT USED --

1a 1 NOT USED (AN1x : Var-Ef Type) Guitar Amp.Simulator : ﬁxed 0d (Amp.Sim.)

1b 1 00...02 Output Gain (AN1x : reserve) +0dB(0), +6dB(1), +12dB(2) 00(+0dB)

1c 2 00...64 Gutar Amp.Simulator : Dist Drive 0...100 64(100)

1e 2 00...03 Gutar Amp.Simulator : Amp.Type off(0) ,stack(1) ,combo(2) ,tube(3) 01(stack)

20 2 22...3C Gutar Amp.Simulator : LPF 1.0k—Thru 30(5.0kHz)

22 2 00...64 Gutar Amp.Simulator : Dist Out Level 0—100 3c(60)

24 2 NOT USED --

26 2 NOT USED --

28 1 04...28 3-Band EQ Low Freq 32Hz(04)...2.0kHz(28) 11(140Hz)

29 1 34...4C 3-Band EQ Low Gain -12dB(34)...0(40)...+12dB(76) 40(+0dB)

2a 1 0E...36 3-Band EQ Mid Freq 100Hz(0E)...10.0kHz(36) 28(2.0kHz)

2b 1 34...4C 3-Band EQ Mid Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB)

2c 1 0A...78 3-Band EQ Mid Resonance(Q) 1.0(10)...12.0(78) 0A(1.0)

2d 1 1C...3A 3-Band EQ High Freq 500Hz(1C)...16.0kHz(3A) 34(8.0kHz)

2e 1 34...4C 3-Band EQ High Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB)

2f 1 NOT USED --

30 1 NOT USED --

31 1 NOT USED --

32 2 NOT USED --

34 2 NOT USED --

36 2 NOT USED --

38 2 NOT USED --

3a 2 NOT USED --

3c 2 NOT USED --

3e 2 NOT USED --

40 1 NOT USED --

41 1 NOT USED --

42 2 NOT USED --

44 2 NOT USED --

46 2 NOT USED --

48 2 NOT USED --

4a 2 NOT USED --

4c 2 NOT USED --

4e 2 NOT USED --

50 1 00...01 Arpeggio/StepSEQ On/Off Switch off(0),on(1) 00(off)

51 1 00...01 Arpeggio/StepSEQ Select Switch Arpeggio(0),Step Seq(1) 00(Arpeggio)

52 1 00...1D ArpeggioType/StepSEQ Ptn No UpDwn1(0)...BassLineD(1D) *2 00(UpDwn1)

00...7F C#1:Usr001(0)...Usr128(7F) *3

53 1 00...01 Arpeggio/StepSEQ Kbd Mode chord(0),chord&normal(1) *4 00(chord)

00...03 normal(0),note-shift&normal(1), *5

ptn-sel&normal(2),pt-sel&note-shift(3) *6

54 1 00...01 Arpeggio/StepSEQ Hold off(0),on(1) 00(off)

00...02 off(0),mode1(1),mode2(2) *3

55 1 NOT USED --

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

56 1 00...09 Arpeggio Subdivide 3/8(0)...1/32(9) 04(1/8)

57 1 32...53 Play Effect Swing 50%(32)...83%(53) *5 32(50%)

58 2 00...C8 Play Effect Velocity realtime(0),1%(1)...200%(C8) 64(100%)

5a 2 01...C8 Play Effect Gate Time 1%(1)...200%(C8) *5 64(100%)

5c 1 00...02 Free EG Trigger free(0),midi in notes(1),all notes(2) 01(midi in notes)

5d 1 00...04 Free EG Loop Type off(0),forward(1),forward-half(2), 04(alternate-half)

alternate(3),alternate-half(4)

5e 1 02...60 Free EG Length 1/2bar(2),1bar(3),3/2bars(4), 28(4.0sec)

2bars(5),3bars(6),4bars(7),6bars(8),

8bars(9),1.0sec(0A)...8.0sec(50)

...16.0sec(60)

5f 1 00...7F Free EG Keyboard Track -64...+63 40(+0)

60 1 00...3B Free EG Trk Param 1 off(0)...FM Algorithm(3B) *7 00(off)

61 1 00...01 Free EG Trk Scene Switch 1 off(0),on(1) 00(off)

62 1 00...3B Free EG Trk Param 2 off(0)...FM Algorithm(3B) *7 00(off)

63 1 00...01 Free EG Trk Scene Switch 2 off(0),on(1) 00(off)

64 1 00...3B Free EG Trk Param 3 off(0)...FM Algorithm(3B) *7 00(off)

65 1 00...01 Free EG Trk Scene Switch 3 off(0),on(1) 00(off)

66 1 00...3B Free EG Trk Param 4 off(0)...FM Algorithm(3B) *7 00(off)

67 1 00...01 Free EG Trk Scene Switch 4 off(0),on(1) 00(off)

68 2 00...01 Free EG Trk1 Data1 MSB 0...1 *8 1

00...7F Free EG Trk1 Data1 LSB 0...127 *8 0

6a 2 00...01 Free EG Trk1 Data2 MSB 0...1 *8 1

00...7F Free EG Trk1 Data2 LSB 0...127 *8 0

:: :

03 66 2 00...01 Free EG Trk1 Data192 MSB 0...1 *8 1

00...7F Free EG Trk1 Data192 LSB 0...127 *8 0

03 68 2 00...01 Free EG Trk2 Data1 MSB 0...1 *8 1

00...7F Free EG Trk2 Data1 LSB 0...127 *8 0

03 6a 2 00...01 Free EG Trk2 Data2 MSB 0...1 *8 1

00...7F Free EG Trk2 Data2 LSB 0...127 *8 0

:: :

06 66 2 00...01 Free EG Trk2 Data192 MSB 0...1 *8 1

00...7F Free EG Trk2 Data192 LSB 0...127 *8 0

06 68 2 00...01 Free EG Trk3 Data1 MSB 0...1 *8 1

00...7F Free EG Trk3 Data1 LSB 0...127 *8 0

06 6a 2 00...01 Free EG Trk3 Data2 MSB 0...1 *8 1

00...7F Free EG Trk3 Data2 LSB 0...127 *8 0

:: :

09 66 2 00...01 Free EG Trk3 Data128 MSB 0...1 *8 1

00...7F Free EG Trk3 Data128 LSB 0...127 *8 0

09 68 2 00...01 Free EG Trk4 Data1 MSB 0...1 *8 1

00...7F Free EG Trk4 Data1 LSB 0...127 *8 0

09 6a 2 00...01 Free EG Trk4 Data2 MSB 0...1

00...7F Free EG Trk4 Data2 LSB 0...127 *8 0

:: :

0C 66 2 00...01 Free EG Trk4 Data128 MSB 0...1 *8 1

00...7F Free EG Trk4 Data128 LSB 0...127 *8 0

TOTAL SIZE 668

*1 : see other table(Arpeggio Type List)

*2 : see other table(Ctrl Matrix Parameter List)

*3 : become available only when Step Seq is selected and Kbd Mode='ptn-sel&norm' or 'ptn-sel&note-shift'

*4 : only when Arpeggio is selected

*5 : only when Step Seq is selected

*6 : except *3

*7 : see other table (Free EG Track Paramter List)

*8 : only Bulk Dump (not received as parameter change)

<2-6>

MIDI Parameter Change table ( Current Voice Scene Buffer )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

10 10 00 1 00...02 Key Assign Mode poly(0),mono(1),legato(2) 00(poly)

01 1 28...58 Pich Up (PB Range +) -24(28)...+24(58) 42(+2)

02 1 28...58 Pich Down (PB Range -) -24(28)...+24(58) 3E(-2)

03 1 00...7F PEG Decay 0...127 0

04 1 00...7F PEG Depth -64...+63 semitones 40(+0)

05 1 01...03 PEG Switch VCO1(1),VCO2(2),both(3) 03(both)

06 1 00...01 Portamento Mode normal(0),sustain-key(1) *1 00(normal)

full-time(0),ﬁngered(1) *2

07 1 00...7F Portamento Time 0...127 2C(44)

08 1 00...01 LFO Reset Mode off(0),key-on(1) 00(off)

09 1 00...14 LFO1 Wave sine(0)...offset-s/h2(14) 00(sine)

0a 2 00...FF LFO1 Speed 1(0)...256(FF) 53(84)

0c 1 00...7F LFO1 Delay 0...127 0

0d 2 00...FF LFO2 Speed 1(0)...256(FF) 1F(32)

0f 1 00...02 Sync Mode off(0),vco1 mastter to slave(1), vco2 to vco1(2) 0(off)

10 1 00...7F Sync Pitch -64...+63 40(+0)

11 1 00...7F Sync Pitch Depth -64...+63 40(+0)

12 1 00...04 Sync Pitch Source ﬁxed(0),PEG(1),FEG(2),LFO1(3), 00(ﬁxed)

LFO2(4)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

13 1 01...03 Sync Pitch Mod Switch master(1),slave(2),both(3) *5 03(both)

14 1 00...7F FM Depth -64...+63 40(+0)

15 1 00...04 FM Source 1 ﬁxed(0),PEG(1),FEG(2),LFO1(3), 00(ﬁxed)

LFO2(4)

16 1 00...07 FM Source 2 VCO2 freq(0),VCO1(1),VCO1-sub(2), 00(VCO2 freq)

PEG(3),FEG(4),LFO1(5),LFO2(6),VCO2 output(7)

17 1 00...04 VCO1 Wave saw(0),pulse(1),saw2(2),mix(3) *3 00(saw)

multi-saw(4)

00...06 VCO1 Wave saw(0),pulse(1),inner1(2), *4

inner2(3),inner3(4),square(5),noise(6)

18 1 00...7F VCO1 Pitch Coarse -64...+63 semitone 40(+0)

19 1 0E...72 VCO1 Pitch Fine -50...+50 cent 40(+0)

1a 1 00...7F VCO1 Edge 0...127 64(100)

1b 1 00...7F VCO1 Pulse Width 0%(0)...50%(40)...99%(7F) *7 40(50%)

00...7F VCO1 Mix 0...127 *8

1c 1 00...7F VCO1 PWM Depth -64...+63 *7 40(+0)

00...7F Detune 0...127 *8

1d 1 00...07 VCO1 PWM Source ﬁxed(0),PEG(1),FEG(2), *7 04(LFO2)

LFO1(3),LFO2(4),LFO2-phase(5),

LFO2-fast(6),VCO2(7)

1e 2 01...FF VCO1 Pitch Mod Depth -127...+127 80(+0)

20 1 00...05 VCO2 Wave saw(0),pulse(1),saw2(2),mix(3) 00(saw)

triangle(4),sine(5)

21 1 00...7F VCO2 Pitch Coarse -64...+63 semitone 40(+0)

22 1 0E...72 VCO2 Pitch Fine -50(0E)...+50 cent(72) 40(+0)

23 1 00...7F VCO2 Edge 0...127 *9 7F(127)

24 1 00...7F VCO2 Pulse Width 0%(0)...50%(40)...99%(7F) *9 40(50%)

25 1 00...7F VCO2 PWM Depth -64...+63 *9 40(+0)

00...7F VCO2 X-MOD Depth -64...+63 *10

26 1 00...07 VCO2 PWM Source ﬁxed(0),PEG(1),FEG(2), *9 04(LFO2)

LFO1(3),LFO2(4),LFO2-phase(5),

LFO2-fast(6),VCO1(7)

00...04 VCO2 X-MOD Source ﬁxed(0),PEG(1),FEG(2), *10

LFO1(3),LFO2(4)

27 2 01...FF VCO2 Pitch Mod Depth -127...+127 80(+0)

29 1 00...7F Mixer VCO1 Level 0...127 7F(127)

2a 1 00...7F Mixer VCO2 Level 0...127 0

2b 1 00...7F Mixer Ring Mod Level 0...127 0

2c 1 00...7F Mixer Noise Level 0...127 0

2d 1 00...7F FilterEG Attack Time 0...127 0

2e 1 00...7F FilterEG Decay Time 0...127 40(64)

2f 1 00...7F FilterEG Sustain Level 0...127 7F(127)

30 1 00...7F FilterEG Release Time 0...127 55(85)

31 1 00...7F HPF Cutoff Freq 0(thru)...127 00(thru)

32 1 00...05 VCF Filter Type LPF-24dB(0),LFP-18dB(1), 00(LPF-24dB)

LPF-12dB(2),BPF(3),HPF-12dB(4),

BEF(5)

33 1 00...7F VCF Filter Cutoff 0...127 64(100)

34 1 0D...7F VCF Filter Resonance -12(0D)...0(19)...+102(7F) 19(+0)

35 2 00...FF FilterEG Depth -128...+127 A0(+32)

37 1 00...7F FillrEG Velocity Sens -64...+63 40(+0)

38 1 20...7F VCF Keyboard Track -32...+63 40(+0)

39 1 00...7F VCF Filter Mod Depth -64...+63 40(+0)

3a 1 00...7F AmpEG Attack Time 0...127 0

3b 1 00...7F AmpEG Decay Time 0...127 40(64)

3c 1 00...7F AmpEG Sustain Level 0...127 7F(127)

3d 1 00...7F AmpEG Release Time 0...127 24(36)

3e 1 00...7F VCA Feedback Level 0...127 0

3f 1 00...7F VCA Volume 0...127 69(105)

40 1 00...7F AmpEG Velocity Sens -64...+63 40(+0)

41 1 00...7F VCA Amp Mod Depth -64...+63 40(+0)

42 1 01...7F Gutitar Amp.Simulator Dry/Wet D63>W(1)...D=W(40)...D<W63(7F) 01(D63>W)

43 1 NOT USED --

44 1 00...72 Ctrl Matrix Source1 off(0)...Assign Knob8(72) *6 0(off)

45 1 00...2E Ctrl Matrix Param 1 off...PEG Attack(2E) *6 0(off)

46 1 00...7F Ctrl Matrix Depth 1 Depends on Ctrl Matrix Param *6 40(+0)

47 1 00...72 Ctrl Matrix Source2 off(0)...Assign Knob8(72) *6 0(off)

48 1 00...2E Ctrl Matrix Param 2 off...PEG Attack(2E) *6 0(off)

49 1 00...7F Ctrl Matrix Depth 2 Depends on Ctrl Matrix Param *6 40(+0)

4a 1 00...72 Ctrl Matrix Source3 off(0)...Assign Knob8(72) *6 0(off)

4b 1 00...2E Ctrl Matrix Param 3 off...PEG Attack(2E) *6 0(off)

4c 1 00...7F Ctrl Matrix Depth 3 Depends on Ctrl Matrix Param *6 40(+0)

4d 1 00...72 Ctrl Matrix Source4 off(0)...Assign Knob8(72) *6 0(off)

4e 1 00...2E Ctrl Matrix Param 4 off...PEG Attack(2E) *6 0(off)

4f 1 00...7F Ctrl Matrix Depth 4 Depends on Ctrl Matrix Param *6 40(+0)

50 1 00...72 Ctrl Matrix Source5 off(0)...Assign Knob8(72) *6 0(off)

51 1 00...2E Ctrl Matrix Param 5 off...PEG Attack(2E) *6 0(off)

52 1 00...7F Ctrl Matrix Depth 5 Depends on Ctrl Matrix Param *6 40(+0)

53 1 00...72 Ctrl Matrix Source6 off(0)...Assign Knob8(72) *6 0(off)

54 1 00...2E Ctrl Matrix Param 6 off...PEG Attack(2E) *6 0(off)

55 1 00...7F Ctrl Matrix Depth 6 Depends on Ctrl Matrix Param *6 40(+0)

56 1 00...72 Ctrl Matrix Source7 off(0)...Assign Knob8(72) *6 0(off)

57 1 00...2E Ctrl Matrix Param 7 off...PEG Attack(2E) *6 0(off)

58 1 00...7F Ctrl Matrix Depth 7 Depends on Ctrl Matrix Param *6 40(+0)

59 1 00...72 Ctrl Matrix Source8 off(0)...Assign Knob8(72) *6 0(off)

5a 1 00...2E Ctrl Matrix Param 8 off...PEG Attack(2E) *6 0(off)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

5b 1 00...7F Ctrl Matrix Depth 8 Depends on Ctrl Matrix Param *6 40(+0)

5c 1 00...72 Ctrl Matrix Source9 off(0)...Assign Knob8(72) *6 0(off)

5d 1 00...2E Ctrl Matrix Param 9 off...PEG Attack(2E) *6 0(off)

5e 1 00...7F Ctrl Matrix Depth 9 Depends on Ctrl Matrix Param *6 40(+0)

5f 1 00...72 Ctrl Matrix Source10 off(0)...Assign Knob8(72) *6 0(off)

60 1 00...2E Ctrl Matrix Param 10 off...PEG Attack(2E) *6 0(off)

61 1 00...7F Ctrl Matrix Depth 10 Depends on Ctrl Matrix Param *6 40(+0)

62 1 00...72 Ctrl Matrix Source11 off(0)...Assign Knob8(72) *6 0(off)

63 1 00...2E Ctrl Matrix Param 11 off...PEG Attack(2E) *6 0(off)

64 1 00...7F Ctrl Matrix Depth 11 Depends on Ctrl Matrix Param *6 40(+0)

65 1 00...72 Ctrl Matrix Source12 off(0)...Assign Knob8(72) *6 0(off)

66 1 00...2E Ctrl Matrix Param 12 off...PEG Attack(2E) *6 0(off)

67 1 00...7F Ctrl Matrix Depth 12 Depends on Ctrl Matrix Param *6 40(+0)

68 1 00...72 Ctrl Matrix Source13 off(0)...Assign Knob8(72) *6 0(off)

6a 1 00...7F Ctrl Matrix Depth 13 Depends on Ctrl Matrix Param *6 40(+0)

6b 1 00...72 Ctrl Matrix Source14 off(0)...Assign Knob8(72) *6 0(off)

6c 1 00...2E Ctrl Matrix Param 14 off...PEG Attack(2E) *6 0(off)

6d 1 00...7F Ctrl Matrix Depth 14 Depends on Ctrl Matrix Param *6 40(+0)

6e 1 00...72 Ctrl Matrix Source15 off(0)...Assign Knob8(72) *6 0(off)

6f 1 00...2E Ctrl Matrix Param 15 off...PEG Attack(2E) *6 0(off)

70 1 00...7F Ctrl Matrix Depth 16 Depends on Ctrl Matrix Param *6 40(+0)

71 1 NOT USED --

72 1 NOT USED --

73 1 NOT USED --

74 1 NOT USED --

75 1 3E...42 Oct Shift -2(3E), 0(40),+2(42) 40(+0)

76 1 00...7F PEG Attack 0...127 0

77 1 00...14 LFO2 Wave sine(0)...offset-s/h2(14) 05(triangle)

78 1 00...0F LFO Assign Group VCO1(bit3),VCO2(bit2),VCA(bit1), 00(LFO1 to All)

VCF(bit0)

79 1 01..03 FM Algorithm both(1),master(2),slave(3) *5 03(slave)

TOTAL SIZE 7A

*1 : Key Assign Mode = poly

*2 : Key Assign Mode = mono,legato

*3 : Oscillator Sync Mode = off

*4 : Oscillator Sync Mode = on ('VCO1 master to slave' or 'VCO2 to VC1')

*5 : Oscillator Sync Mode = 'VCO1 master to slave'

*6 : see other table (Ctrl Matrix Paramter List)

*7 : VCO1 Wave is not MultiSaw.

*8 : VCO1 Wave is MultiSaw.

*9 : VCO2 Wave is not Triangle or Sine.

*10 : VCO1 Wave is Triangle or Sine.

<2-7>

MIDI Parameter Change table ( Current Step Seq Buffer )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

10 0e 00 1 00...09 Step Seq Base Unit 3/8(0)...1/32(9) 04(1/8)

01 1 01...10 Step Seq Length 1step(0)...16steps(10) 8

02 1 00...03 Step Seq Loop Type forward(0),backward(1),alternateA(2), 00(forward)

alternateB(3)

03 1 00...60 Step Seq Ctrl Change No off(0)...95,AT(60) 00(off)

04 1 NOT USED --

05 1 NOT USED --

06 1 00...7F Step Seq Note No 1 C-2(0)...G8(7F) C3(3C)

07 1 00...7F Step Seq Note No 2 C-2(0)...G8(7F) C3(3C)

08 1 00...7F Step Seq Note No 3 C-2(0)...G8(7F) C3(3C)

09 1 00...7F Step Seq Note No 4 C-2(0)...G8(7F) C3(3C)

0a 1 00...7F Step Seq Note No 5 C-2(0)...G8(7F) C3(3C)

0b 1 00...7F Step Seq Note No 6 C-2(0)...G8(7F) C3(3C)

0c 1 00...7F Step Seq Note No 7 C-2(0)...G8(7F) C3(3C)

0d 1 00...7F Step Seq Note No 8 C-2(0)...G8(7F) C3(3C)

0e 1 00...7F Step Seq Note No 9 C-2(0)...G8(7F) C3(3C)

0f 1 00...7F Step Seq Note No 10 C-2(0)...G8(7F) C3(3C)

10 1 00...7F Step Seq Note No 11 C-2(0)...G8(7F) C3(3C)

11 1 00...7F Step Seq Note No 12 C-2(0)...G8(7F) C3(3C)

12 1 00...7F Step Seq Note No 13 C-2(0)...G8(7F) C3(3C)

13 1 00...7F Step Seq Note No 14 C-2(0)...G8(7F) C3(3C)

14 1 00...7F Step Seq Note No 15 C-2(0)...G8(7F) C3(3C)

15 1 00...7F Step Seq Note No 16 C-2(0)...G8(7F) C3(3C)

16 1 00...7F Step Seq Velocity 1 rest(0),1...127 100(64)

17 1 00...7F Step Seq Velocity 2 rest(0),1...127 100(64)

18 1 00...7F Step Seq Velocity 3 rest(0),1...127 100(64)

19 1 00...7F Step Seq Velocity 4 rest(0),1...127 100(64)

1a 1 00...7F Step Seq Velocity 5 rest(0),1...127 100(64)

1b 1 00...7F Step Seq Velocity 6 rest(0),1...127 100(64)

1c 1 00...7F Step Seq Velocity 7 rest(0),1...127 100(64)

1d 1 00...7F Step Seq Velocity 8 rest(0),1...127 100(64)

1e 1 00...7F Step Seq Velocity 9 rest(0),1...127 100(64)

1f 1 00...7F Step Seq Velocity 10 rest(0),1...127 100(64)

20 1 00...7F Step Seq Velocity 11 rest(0),1...127 100(64)

21 1 00...7F Step Seq Velocity 12 rest(0),1...127 100(64)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

22 1 00...7F Step Seq Velocity 13 rest(0),1...127 100(64)

23 1 00...7F Step Seq Velocity 14 rest(0),1...127 100(64)

24 1 00...7F Step Seq Velocity 15 rest(0),1...127 100(64)

25 1 00...7F Step Seq Velocity 16 rest(0),1...127 100(64)

26 1 00...7F Step Seq Gate Time 1 1%(0)...100%(40)...200%(7F) 94%(3C)

27 1 00...7F Step Seq Gate Time 2 1%(0)...100%(40)...200%(7F) 94%(3C)

28 1 00...7F Step Seq Gate Time 3 1%(0)...100%(40)...200%(7F) 94%(3C)

29 1 00...7F Step Seq Gate Time 4 1%(0)...100%(40)...200%(7F) 94%(3C)

2a 1 00...7F Step Seq Gate Time 5 1%(0)...100%(40)...200%(7F) 94%(3C)

2b 1 00...7F Step Seq Gate Time 6 1%(0)...100%(40)...200%(7F) 94%(3C)

2c 1 00...7F Step Seq Gate Time 7 1%(0)...100%(40)...200%(7F) 94%(3C)

2d 1 00...7F Step Seq Gate Time 8 1%(0)...100%(40)...200%(7F) 94%(3C)

2e 1 00...7F Step Seq Gate Time 9 1%(0)...100%(40)...200%(7F) 94%(3C)

2f 1 00...7F Step Seq Gate Time 10 1%(0)...100%(40)...200%(7F) 94%(3C)

30 1 00...7F Step Seq Gate Time 11 1%(0)...100%(40)...200%(7F) 94%(3C)

31 1 00...7F Step Seq Gate Time 12 1%(0)...100%(40)...200%(7F) 94%(3C)

32 1 00...7F Step Seq Gate Time 13 1%(0)...100%(40)...200%(7F) 94%(3C)

33 1 00...7F Step Seq Gate Time 14 1%(0)...100%(40)...200%(7F) 94%(3C)

34 1 00...7F Step Seq Gate Time 15 1%(0)...100%(40)...200%(7F) 94%(3C)

35 1 00...7F Step Seq Gate Time 16 1%(0)...100%(40)...200%(7F) 94%(3C)

36 1 00...7F Step Seq CtrlChange Value 1 0...127 0(00)

37 1 00...7F Step Seq CtrlChange Value 2 0...127 0(00)

38 1 00...7F Step Seq CtrlChange Value 3 0...127 0(00)

39 1 00...7F Step Seq CtrlChange Value 4 0...127 0(00)

3a 1 00...7F Step Seq CtrlChange Value 5 0...127 0(00)

3b 1 00...7F Step Seq CtrlChange Value 6 0...127 0(00)

3c 1 00...7F Step Seq CtrlChange Value 7 0...127 0(00)

3d 1 00...7F Step Seq CtrlChange Value 8 0...127 0(00)

3e 1 00...7F Step Seq CtrlChange Value 9 0...127 0(00)

3f 1 00...7F Step Seq CtrlChange Value10 0...127 0(00)

40 1 00...7F Step Seq CtrlChange Value11 0...127 0(00)

41 1 00...7F Step Seq CtrlChange Value12 0...127 0(00)

42 1 00...7F Step Seq CtrlChange Value13 0...127 0(00)

43 1 00...7F Step Seq CtrlChange Value14 0...127 0(00)

44 1 00...7F Step Seq CtrlChange Value15 0...127 0(00)

45 1 00...7F Step Seq CtrlChange Value16 0...127 0(00)

TOTAL SIZE 46

<2-8>

MIDI Bulk Dump Parameter table ( User Voice )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

20 mm 00 1 20...7F Voice Name 1 Ascii Code I

1 20...7F Voice Name 2 Ascii Code n

1 20...7F Voice Name 3 Ascii Code i

1 20...7F Voice Name 4 Ascii Code t

1 20...7F Voice Name 5 Ascii Code

1 20...7F Voice Name 6 Ascii Code V

1 20...7F Voice Name 7 Ascii Code c

1 20...7F Voice Name 8 Ascii Code e

1 20...7F Voice Name 9 Ascii Code

1 20...7F Voice Name 10 Ascii Code

1 00...16 Voice Category --,Pf...Wv --

1 NOT USED (AN1x : Scene Select) Scene1(1) : ﬁxed 1(scene1)

1 00...01 Unison Sw. (AN1x : Layer Mode) off(0),on(1) 00(off)

1 NOT USED --

1 01...20 Unison Detune 1...32 6

2 27...F0 Common Tempo midi(27),40(28)...240(F0) 8C(140)

1 00...7F Common Split Point C-2(0)...G8(7F) 3C(C3)

1 00...01 Common Portamento Switch off(0)...on(1) 00(off)

1 NOT USED --

1 NOT USED (AN1x : Var-Ef Type) Guitar Amp.Simulator : ﬁxed 0d (Amp.Sim.)

1 00...02 Output Gain (AN1x : reserve) +0dB(0), +6dB(1), +12dB(2) 00(+0dB)

2 00...64 Gutar Amp.Simulator : Dist Drive 0...100 64(100)

2 00...03 Gutar Amp.Simulator : Amp.Type off(0) ,stack(1) ,combo(2) ,tube(3) 01(stack)

2 22...3C Gutar Amp.Simulator : LPF 1.0kÅ`Thru 30(5.0kHz)

2 00...64 Gutar Amp.Simulator : Dist Out Level 0Å`100 3c(60)

2 NOT USED --

1 04...28 3-Band EQ Low Freq 32Hz(04)...2.0kHz(28) 11(140Hz)

1 34...4C 3-Band EQ Low Gain -12dB(34)...0(40)...+12dB(76) 40(+0dB)

1 0E...36 3-Band EQ Mid Freq 100Hz(0E)...10.0kHz(36) 28(2.0kHz)

1 34...4C 3-Band EQ Mid Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB)

1 0A...78 3-Band EQ Mid Resonance(Q) 1.0(10)...12.0(78) 0A(1.0)

1 1C...3A 3-Band EQ High Freq 500Hz(1C)...16.0kHz(3A) 34(8.0kHz)

1 34...4C 3-Band EQ High Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

1 NOT USED --

2 NOT USED --

1 NOT USED --

2 NOT USED --

1 00...01 Arpeggio/StepSEQ On/Off Switch off(0),on(1) 00(off)

1 00...01 Arpeggio/StepSEQ Select Switch Arpeggio(0),Step Seq(1) 00(Arpeggio)

1 00...1D ArpeggioType/StepSEQ Ptn No UpDwn1(0)...BassLineD(1D) *2 00(UpDwn1)

00...7F C#1:Usr001(0)...Usr128(7F) *3

1 00...01 Arpeggio/StepSEQ Kbd Mode chord(0),chord&normal(1) *4 00(chord)

00...03 normal(0),note-shift&normal(1), *5

ptn-sel&normal(2),pt-sel&note-shift(3) *6

1 00...01 Arpeggio/StepSEQ Hold off(0),on(1) 00(off)

00...02 off(0),mode1(1),mode2(2) *3

1 NOT USED --

1 00...09 Arpeggio Subdivide 3/8(0)...1/32(9) 04(1/8)

1 32...53 Play Effect Swing 50%(32)...83%(53) *5 32(50%)

2 00...C8 Play Effect Velocity realtime(0),1%(1)...200%(C8) 64(100%)

2 01...C8 Play Effect Gate Time 1%(1)...200%(C8) *5 64(100%)

1 00...02 Free EG Trigger free(0),midi in notes(1),all notes(2) 01(midi in notes)

1 00...04 Free EG Loop Type off(0),forwardd(1),forwardd-half(2), 04(alternate-half)

alternate(3),alternate-half(4)

1 02...60 Free EG Length 1/2bar(2),1bar(3),3/2bars(4), 28(4.0sec)

2bars(5),3bars(6),4bars(7),6bars(8),

8bars(9),1.0sec(0A)...8.0sec(50)

...16.0sec(60)

1 00...7F Free EG Keyboard Track -64...+63 40(+0)

1 00...3B Free EG Trk Param 1 off(0)...FM Algorithm(3B) *7 00(off)

1 00...01 Free EG Trk Scene Switch 1 off(0),on(1) 00(off)

1 00...3B Free EG Trk Param 2 off(0)...FM Algorithm(3B) *7 00(off)

1 00...01 Free EG Trk Scene Switch 2 off(0),on(1) 00(off)

1 00...3B Free EG Trk Param 3 off(0)...FM Algorithm(3B) *7 00(off)

1 00...01 Free EG Trk Scene Switch 3 off(0),on(1) 00(off)

1 00...3B Free EG Trk Param 4 off(0)...FM Algorithm(3B) *7 00(off)

1 00...01 Free EG Trk Scene Switch 4 off(0),on(1) 00(off)

2 00...01 Free EG Trk1 Data1 MSB 0...1 *8 1

00...7F Free EG Trk1 Data1 LSB 0...127 *8 0

2 00...01 Free EG Trk1 Data2 MSB 0...1 *8 1

00...7F Free EG Trk1 Data2 LSB 0...127 *8 0

2 00...01 Free EG Trk1 Data192 MSB 0...1 *8 1

00...7F Free EG Trk1 Data192 LSB 0...127 *8 0

2 00...01 Free EG Trk2 Data1 MSB 0...1 *8 1

00...7F Free EG Trk2 Data1 LSB 0...127 *8 0

2 00...01 Free EG Trk2 Data2 MSB 0...1 *8 1

00...7F Free EG Trk2 Data2 LSB 0...127 *8 0

2 00...01 Free EG Trk2 Data192 MSB 0...1 *8 1

00...7F Free EG Trk2 Data192 LSB 0...127 *8 0

2 00...01 Free EG Trk3 Data1 MSB 0...1 *8 1

00...7F Free EG Trk3 Data1 LSB 0...127 *8 0

2 00...01 Free EG Trk3 Data2 MSB 0...1 *8 1

00...7F Free EG Trk3 Data2 LSB 0...127 *8 0

2 00...01 Free EG Trk3 Data128 MSB 0...1 *8 1

00...7F Free EG Trk3 Data128 LSB 0...127 *8 0

2 00...01 Free EG Trk4 Data1 MSB 0...1 *8 1

00...7F Free EG Trk4 Data1 LSB 0...127 *8 0

2 00...01 Free EG Trk4 Data2 MSB 0...1

00...7F Free EG Trk4 Data2 LSB 0...127 *8 0

2 00...01 Free EG Trk4 Data128 MSB 0...1 *8 1

00...7F Free EG Trk4 Data128 LSB 0...127 *8 0

( from Here : User Voice Scene's Data )

1 00...02 Key Assign Mode poly(0),mono(1),legato(2) 00(poly)

1 28...58 Pich Up (PB Range +) -24(28)...+24(58) 42(+2)

1 28...58 Pich Down (PB Range -) -24(28)...+24(58) 3E(-2)

1 00...7F PEG Decay 0...127 0

1 00...7F PEG Depth -64...+63 semitones 40(+0)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

1 01...03 PEG Switch VCO1(1),VCO2(2),both(3) 03(both)

1 00...01 Portamento Mode normal(0),sustain-key(1) *9 00(normal)

full-time(0),ﬁngered(1) *10

1 00...7F Portamento Time 0...127 2C(44)

1 00...01 LFO Reset Mode off(0),key-on(1) 00(off)

1 00...14 LFO1 Wave sine(0)...offset-s/h2(14) 00(sine)

2 00...FF LFO1 Speed 1(0)...256(FF) 53(84)

1 00...7F LFO1 Delay 0...127 0

2 00...FF LFO2 Speed 1(0)...256(FF) 1F(32)

1 00...02 Sync Mode off(0),vco1 mastter to slave(1), vco2 to vco1(2) 0(off)

1 00...7F Sync Pitch -64...+63 40(+0)

1 00...7F Sync Pitch Depth -64...+63 40(+0)

1 00...04 Sync Pitch Source ﬁxed(0),PEG(1),FEG(2),LFO1(3), 00(ﬁxed)

LFO2(4)

1 01...03 Sync Pitch Mod Switch master(1),slave(2),both(3) 03(both)

1 00...7F FM Depth -64...+63 40(+0)

1 00...04 FM Source 1 ﬁxed(0),PEG(1),FEG(2),LFO1(3), 00(ﬁxed)

LFO2(4)

1 00...07 FM Source 2 VCO2 freq(0),VCO1(1),VCO1-sub(2), 00(VCO2 freq)

PEG(3),FEG(4),LFO1(5),LFO2(6),VCO2 output(7)

1 00...04 VCO1 Wave saw(0),pulse(1),saw2(2),mix(3) *11 00(saw)

multi-saw(4)

00...06 VCO1 Wave saw(0),pulse(1),inner1(2), *12

inner2(3),inner3(4),square(5),noise(6)

1 00...7F VCO1 Pitch Coarse -64...+63 semitone 40(+0)

1 0E...72 VCO1 Pitch Fine -50...+50 cent 40(+0)

1 00...7F VCO1 Edge 0...127 64(100)

1 00...7F VCO1 Pulse Width 0%(0)...50%(40)...99%(7F) *15 40(50%)

00...7F VCO1 Mix 0...127 *16

1 00...7F VCO1 PWM Depth -64...+63 *15 40(+0)

00...7F Detune 0...127 *16

1 00...07 VCO1 PWM Source ﬁxed(0),PEG(1),FEG(2), *15 04(LFO2)

LFO1(3),LFO2(4),LFO2-phase(5),

LFO2-fast(6),VCO2(7)

2 01...FF VCO1 Pitch Mod Depth -127...+127 80(+0)

1 00...05 VCO2 Wave saw(0),pulse(1),saw2(2),mix(3) 00(saw)

triangle(4),sine(5)

1 00...7F VCO2 Pitch Coarse -64...+63 semitone 40(+0)

1 0E...72 VCO2 Pitch Fine -50(0E)...+50 cent(72) 40(+0)

1 00...7F VCO2 Edge 0...127 *17 7F(127)

1 00...7F VCO2 Pulse Width 0%(0)...50%(40)...99%(7F) *17 40(50%)

1 00...7F VCO2 PWM Depth -64...+63 *17 40(+0)

00...7F VCO2 X-MOD Depth -64...+63 *18

1 00...07 VCO2 PWM Source ﬁxed(0),PEG(1),FEG(2), *17 04(LFO2)

LFO1(3),LFO2(4),LFO2-phase(5),

LFO2-fast(6),VCO1(7)

00...04 VCO2 X-MOD Source ﬁxed(0),PEG(1),FEG(2), *18

LFO1(3),LFO2(4)

2 01...FF VCO2 Pitch Mod Depth -127...+127 80(+0)

1 00...7F Mixer VCO1 Level 0...127 7F(127)

1 00...7F Mixer VCO2 Level 0...127 0

1 00...7F Mixer Ring Mod Level 0...127 0

1 00...7F Mixer Noise Level 0...127 0

1 00...7F FilterEG Attack Time 0...127 0

1 00...7F FilterEG Decay Time 0...127 40(64)

1 00...7F FilterEG Sustain Level 0...127 7F(127)

1 00...7F FilterEG Release Time 0...127 55(85)

1 00...7F HPF Cutoff Freq 0(thru)...127 00(thru)

1 00...05 VCF Filter Type LPF-24dB(0),LFP-18dB(1), 00(LPF-24dB)

LPF-12dB(2),BPF(3),HPF-12dB(4),

BEF(5)

1 00...7F VCF Filter Cutoff 0...127 64(100)

1 0D...7F VCF Filter Resonance -12(0D)...0(19)...+102(7F) 19(+0)

2 00...FF FilterEG Depth -128...+127 A0(+32)

1 00...7F FillrEG Velocity Sens -64...+63 40(+0)

1 20...7F VCF Keyboard Track -32...+63 40(+0)

1 00...7F VCF Filter Mod Depth -64...+63 40(+0)

1 00...7F AmpEG Attack Time 0...127 0

1 00...7F AmpEG Decay Time 0...127 40(64)

1 00...7F AmpEG Sustain Level 0...127 7F(127)

1 00...7F AmpEG Release Time 0...127 24(36)

1 00...7F VCA Feedback Level 0...127 0

1 00...7F VCA Volume 0...127 69(105)

1 00...7F AmpEG Velocity Sens -64...+63 40(+0)

1 00...7F VCA Amp Mod Depth -64...+63 40(+0)

1 01...7F Gutitar Amp.Simulator Dry/Wet D63>W(1)...D=W(40)...D<W63(7F) 01(D63>W)

1 NOT USED --

1 00...72 Ctrl Matrix Source1 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 1 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 1 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source2 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 2 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 2 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source3 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 3 off...PEG Attack(2E) *14 0(off)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

1 00...7F Ctrl Matrix Depth 3 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source4 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 4 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 4 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source5 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 5 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 5 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source6 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 6 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 6 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source7 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 7 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 7 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source8 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 8 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 8 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source9 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 9 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 9 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source10 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 10 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 10 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source11 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 11 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 11 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source12 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 12 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 12 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source13 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 13 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 13 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source14 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 14 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 14 Depends on Ctrl Matrix Param *14 40(+0)

1 00...72 Ctrl Matrix Source15 off(0)...Assign Knob8(72) *14 0(off)

1 00...2E Ctrl Matrix Param 15 off...PEG Attack(2E) *14 0(off)

1 00...7F Ctrl Matrix Depth 16 Depends on Ctrl Matrix Param *14 40(+0)

1 NOT USED --

1 3E...42 Oct Shift -2(3E), 0(40),+2(42) 40(+0)

1 00...7F PEG Attack 0...127 0

1 00...14 LFO2 Wave sine(0)...offset-s/h2(14) 05(triangle)

1 00...0F LFO Assign Group VCO1(bit3),VCO2(bit2),VCA(bit1), 00(LFO1 to All)

VCF(bit0)

1 01..03 FM Algorithm both(1),master(2),slave(3) *13 03(slave)

( from Here : User Voice StepSEQ's Data )

1 00...09 Step Seq Base Unit 3/8(0)...1/32(9) 04(1/8)

1 01...10 Step Seq Length 1step(0)...16steps(10) 8

1 00...03 Step Seq Loop Type forward(0),backward(1),alternateA(2), 00(forward)

alternateB(3)

1 00...60 Step Seq Ctrl Change No off(0)...95,AT(60) 00(off)

1 NOT USED --

1 00...7F Step Seq Note No 1 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 2 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 3 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 4 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 5 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 6 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 7 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 8 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 9 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 10 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 11 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 12 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 13 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 14 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 15 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 16 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Velocity 1 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 2 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 3 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 4 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 5 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 6 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 7 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 8 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 9 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 10 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 11 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 12 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 13 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 14 rest(0),1...127 100(64)

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) (H)

1 00...7F Step Seq Velocity 15 rest(0),1...127 100(64)

1 00...7F Step Seq Velocity 16 rest(0),1...127 100(64)

1 00...7F Step Seq Gate Time 1 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 2 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 3 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 4 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 5 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 6 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 7 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 8 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 9 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 10 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 11 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 12 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 13 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 14 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 15 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq Gate Time 16 1%(0)...100%(40)...200%(7F) 94%(3C)

1 00...7F Step Seq CtrlChange Value 1 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 2 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 3 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 4 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 5 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 6 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 7 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 8 0...127 0(00)

1 00...7F Step Seq CtrlChange Value 9 0...127 0(00)

1 00...7F Step Seq CtrlChange Value10 0...127 0(00)

1 00...7F Step Seq CtrlChange Value11 0...127 0(00)

1 00...7F Step Seq CtrlChange Value12 0...127 0(00)

1 00...7F Step Seq CtrlChange Value13 0...127 0(00)

1 00...7F Step Seq CtrlChange Value14 0...127 0(00)

1 00...7F Step Seq CtrlChange Value15 0...127 0(00)

1 00...7F Step Seq CtrlChange Value16 0...127 0(00)

TOTAL SIZE 728

mm = 00 —7F : User Voice No.1— User Voice No.128

*1 : see other table(Arpeggio Type List)

*2 : see other table(Ctrl Matrix Parameter List)

*3 : become available only when Step Seq is selected and Kbd Mode='ptn-sel&norm' or 'ptn-sel&note-shift'

*4 : only when Arpeggio is selected

*5 : only when Step Seq is selected

*6 : except *3

*7 : see other table (Free EG Track Paramter List)

*8 : only Bulk Dump (not received as parameter change)

*9 : Key Assign Mode = poly

*10 : Key Assign Mode = mono,legato

*11 : Oscillator Sync Mode = off

*12 : Oscillator Sync Mode = on ('VCO1 master to slave' or 'VCO2 to VC1')

*13 : Oscillator Sync Mode = 'VCO1 master to slave'

*14 : see other table (Ctrl Matrix Paramter List)

*15 : VCO1 Wave is not MultiSaw.

*16 : VCO1 Wave is MultiSaw.

*17 : VCO2 Wave is not Triangle or Sine.

*18 : VCO1 Wave is Triangle or Sine.

<2-9>

MIDI Bulk Dump Parameter table ( User Step Seq Pattern )

Address Size Data Parameter Description Default

(H) (H) (H) (H)

01 mm 00 1 00...09 Step Seq Base Unit 3/8(0)...1/32(9) 04(1/8)

1 01...10 Step Seq Length 1step(0)...16steps(10) 8

1 00...03 Step Seq Loop Type forward(0),backward(1),alternateA(2), 00(forward)

alternateB(3)

1 00...60 Step Seq Ctrl Change No off(0)...95,AT(60) 00(off)

1 NOT USED --

1 00...7F Step Seq Note No 1 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 2 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 3 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 4 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 5 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 6 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 7 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 8 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 9 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 10 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 11 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 12 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 13 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 14 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 15 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Note No 16 C-2(0)...G8(7F) C3(3C)

1 00...7F Step Seq Velocity 1 rest(0),1...127 100(64)