Yamaha PLG150-VL Handleiding
- Categorie
- Synthesizer
- Type
- Handleiding
Deze handleiding is ook geschikt voor
Yamaha Virtual Acoustic Plug-in Board
Virtual Acoustic Plug-in-Karte
Carte Plug-in Acoustique Virtuelle
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
2
Precautions
●
Do not expose the plug-in board to direct sunlight,
excessive humidity, high temperatures, excessive dust
or strong vibrations.
●
Before handling the plug-in board, be sure to touch a
metal surface to discharge any static electricity which
may be in your body.
●
When holding the plug-in board, do not touch the inside
area of the circuit board or apply excessive pressure to
the board, and be sure to protect the board from contact
with water or other liquids.
●
Before installing the plug-in board onto a tone genera-
tor/sound card, unplug the power connector of your
computer.
●
Before connecting the computer to other devices, turn
off the power switches of all devices.
●
Yamaha is not responsible for loss of data through com-
puter malfunctions or operator actions.
●
The plug-in board contains no user-serviceable parts, so
never touch the inside area of the circuit board or
tamper with the electronic circuitry in any way. Doing
so may result in electrical shock or damage to the plug-
in board.
YAMAHA CANNOT BE HELD RESPONSIBLE
FOR DAMAGE CAUSED BY IMPROPER
CARE AND USE OF THE PLUG-IN BOARD.
* The company names and product names in this Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
* The screens as illustrated in this owner’s manual are for instructional purposes only, and may
appear somewhat different from the ones of your instrument.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications
not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class
”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product
in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses
radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will
not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit
”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this
type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Divi-
sion, 6600 Orangethorpe Ave, Buena Park, CA 90620
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
CANADA
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
3
Introduction
Virtual Acoustic Plug-in Board PLG150-VL will expand your synthesizer of the Modular Synthe-
sis Plug-in System (such as CS6x and S80) by adding 256 VL voices, created by the unique Vir-
tual Acoustic Synthesis (including 137 VL-XG, XG compatible, voices). It also expands your
tone generator/ sound card of the XG Plug-in System (such as MU128 and SW1000XG) as
well. Using the included software, VL Visual Editor, you can edit VL voices and create your own
voices from scratch.
Please read through this manual to take full advantage of the PLG150-VL before use and keep
the manual in a safe place for future reference.
Table of Contents
Overview of the PLG150-VL
.......................................................... 4
Virtual Acoustic Synthesis
........................................................... 9
Voice Organization
................................................................... 13
Selecting Voices
...................................................................... 15
Editing VL Voice Part Parameters
................................................ 19
VL System Parameters
............................................................. 30
Q & A
.................................................................................... 34
Appendix
Voice List
............................................................................... 36
MIDI Data Format
..................................................................... 40
MIDI Implementation Chart
......................................................... 48
4
Overview of the PLG150-VL
Main Features
●
Allows you to play back the songs which are programmed with the VL-XG voice data (p.13).
●
Lets you edit the VL parameters on the synthesizer/ tone generator (a model with LCD screen)
(p.19).
●
Allows you to simulate an acoustic musical instrument and create a “virtual” musical instrument
using the “VL Visual Editor,” even if you don't have further musical knowledge (p.7).
●
Allows you to play the PLG150-VL by WX5 (via BT7) connected to the tone generator via MIDI
(p.33).
About the Modular Synthesis Plug-in System
The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabil-
ities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards.
This enables you to easily and effectively take advantage of the latest and most sophisticated
synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted
advances in modern music production.
About the XG Plug-in System
The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XG-
Plug-in-compatible tone generators and sound cards. This enables you to easily and effectively
take advantage of the latest and most sophisticated synthesizer and effects technology, allowing
you to keep pace with the rapid and multi-faceted advances in modern music production.
About Sondius XG
Products bearing the SONDIUS-XG logo are licensed under patents of Stanford University and
Yamaha as listed on the internet web site, <http://www.sondius-xg.com>.
About VL-XG
The VL Extension for XG (“VL Extension for XG” is abbreviated to VL-XG) included in the
PLG150-VL significantly enhances and expands the musical capabilities of the XG format with
the superior sound and expressive potential of Yamaha Virtual Acoustic Synthesis. The
PLG150-VL provides superior wind and string instrument voices while the XG tone generator/
sound card supplies drums, percussion, keyboard, and other voices.
5
Overview of the PLG150-VL
VL Voice Edit
Editing VL-XG Voices
If you want to edit the existing MIDI files or create a MIDI song using various VL-XG voices from
the PLG150-VL, you need to use a sequencing software which is capable of editing system exclusive
messages and transmit bank select/program change messages and/or parameter changes to the
PLG150-VL. See MIDI Data Format (p. 40) for more information on the system exclusive messages.
However, using the XG Editor Window of the music sequencing software, “XGworks lite” (an Win-
dows application, provided in the “mother” synthesizer/ tone generator) lets you visually and easily
enter the VL program change data and edit its data instead of inputting rather complicated system
exclusive messages.
Creating Your Own VL Voices
Even if you have no experience in voice creation, the “VL Visual Editor” (provided in the included
disk) lets you easily create VL voices (p. 7).
To use the “XGworks lite” and “VL Visual Editor” you need to connect the “mother” synthesizer/ tone
generator/ sound card to your PC, and properly set the “Driver” and “Input/ Output devices.” For the
details refer to the owner’s manual of the “XGworks lite.”
Installation
For the installation of the PLG150-VL see the manual of respectiv “mother” synthesizer/ tone genera-
tor/ sound card.
Included Items
• PLG150-VL
• Demonstration & Plug-in Voice Disk (FD)
• TOOLS for PLG150-DX/PLG150-VL (CD-ROM)
• Owner’s Manual
Overview of the PLG150-VL
6
Specifications
Tone Generator :
S/VA
(Self-oscillating Virtual Acoustic Synthesis: VLR Algorithm)
Polyphony :
1 note monophonic (latest note priority)
Sound Module Mode :
VL-XG
Interface :
XG Plug-in Connector (15-pin Digital Connector)
Number of Voice :
256 Preset voices (including 137 VL-XG voices)
6 Custom voices
64 Internal voices
Dimensions (W x H x D) :
138.5mm(W) 89mm(D) 8.5mm(H)
WEIGHT :
56g
* Specifications subject to change without notice.
About the Demonstration Data in the Included Floppy Disk
The demonstration songs, and the performances for XG tone generators and the Plug-in voice data
for "Modular Synthesis Plug-in System" synthesizers are provided in the included floppy disk, which
will give you an idea of some of the PLG150-VL’s capability.
Contents
1. XG Demonstration Songs (only for the XG tone generator)
XG Demonstration songs can be played back using the XGworks lite (sequencing software, provided in the “mother”
synthesizer/tone generator) or a sequencer like QY700.
2. Performance Data (only for the XG tone generators)
VLPFM1.MID
VLPFM2.MID
VLPFM3.MID
VLPFM4.MID
Performance data : send them as the bulk data to the XG tone generator using the “XGworks lite.”
3. MSPS Demonstration song (only for the Modular Synthesis Plug-in System synthesizers)
02VlDemo.mid
MSPS Demonstration song can be played back using the XGworks lite or an external MIDI data storage device like
MDF3.
File Name
Song Name Composer
COOLJIVA.MID Cool JiVA Katsunori Ujiie
OXYGEN.MID Oxygen Andy Mowat
Daniel Powell (YAHAMA R&D London)
NOBODY.MID Nobody Knows Akio Suzuki
SILHOUET.MID Silhouettes Tom Scott (GRP Recording Artist)
Nate Tschetter
Charles Feilding (YAMAHA Sound Design Office)
VAMBIENT.MID VAmbient Katsunori Ujiie
DOGROOVA.MID Do GrooVA Katsunori Ujiie
CLOUDS.MID Clouds Akio Suzuki
7
Overview of the PLG150-VL
4. Plug-in voice data (only for the Modular Synthesis Plug-in System synthesizers)
• for the PLG1 slot
01PlgV1A.mid (Wind instruments for TouchEG) (64 voices)
01PlgV1B.mid (Keyboards) (64 voices)
01PlgV1C.mid (Wind instruments for Breath controller) (64 voices)
• for the PLG2 slot
01PlgV2A.mid (Wind instruments for TouchEG) (64 voices)
01PlgV2B.mid (Keyboards) (64 voices)
01PlgV2C.mid (Wind instruments for Breath controller) (64 voices)
See page 39 for the information on each voice.
Plug-in voice data are provided as MIDI files. You can get the voices by playing back the MIDI files using a
sequencer. The voice data will be loaded onto the Plug-in voice data area of your synthesizer.
About the Applications in the Included CD-ROM
A voice editing tool, VL Visual Editor, is provided in the included CD-ROM. You can create VL
voices using the VL Visual Editor.
Contents
• VL Visual Editor (for Windows) : This is a Plug-in software for the XGworks lite, which is included in your
“mother” XG tone generator or “Modular Synthesis Plug-in System” synthesizer.
• VL Visual Editor for Macintosh : This software can run on the models, PowerPC or upper.
• DX Easy Editor : A tool for the PLG150-DX, another Plug-in board.
• DX Simulator : A tool for the PLG150-DX, another Plug-in board.
• OMS (Open Music System 2.3.6) : Enables you to use several MIDI applications on the Macintosh OS at the
same time.
Installing and Starting the VL Visual Editor
■
Installing the Software
Windows
1
Double-click on the “Setup.exe” file in the CD-ROM.
Installer will be started up.
2
Execute the installation by following the directions appearing on the
screen.
After the installation, [VL Visual Editor] is added to the [Plug-in] menu on the XGworks lite.
Overview of the PLG150-VL
8
Macintosh
: English version only
1
Double-click on the “Install VL Visual Editor” in the “English”/“VL Visual
Editor” folder of the CD-ROM.
Installer will be started up.
2
Execute the installation by following the directions appearing on the
screen.
After the installation, “VL Visual Editor 1.02E” is added to the Hard Disk as the default.
■
Starting up the VL Visual Editor
Windows
Start up the XGworks lite, and then select [VL Visual Editor] from its [Plug-in]
menu.
The VL Visual Editor window appears.
Macintosh
: English version only
Double-click on the "VL Visual Editor for Mac" icon in the "VL Visual Editor
1.02E" folder.
The VL Visual Editor window appears.
●
For the detailed information about the VL Visual Editor see the on-line manual of the VL Visual Editor.
●
When using a “Modular Synthesis Plug-in System” synthesizer:
When in the Voice Mode, assign the Part number 1 to the VL Visual Editor.
In the Performance (Multi) Mode, you can not use the VL Visual Editor.
The VL voices created by the VL Visual Editor can be loaded to the Custom Voice Bank (p.13) of the PLG150-VL
and played back. However, the loaded data will be lost once you turn off the “mother” synthesizer/ tone generator.
You need to load the data again if you want to use the voices. You can save the VL voice data in a file as a part of
the “XGworks lite” song data or in an external MIDI data storage device such as MDF3 as a part of bulk data
(voice file).
9
Virtual Acoustic Synthesis
Unlike previous tone generation systems which use oscillators, function generators, preset wave-
forms or samples to produce sound, Yamaha Virtual Acoustic (“VA”) Synthesis applies sophisticated
computer-based “physical modeling” technology to musical sound synthesis. In the same way that
computer “models” are used to simulate weather systems or the flight characteristics of aircraft in
the design stage, the PLG150-VL simulates the very complex vibrations, resonances, reflections
and other acoustic phenomena that occur in a real wind or string instrument.
VA Advantages
The PLG150-VL offers many advantages in terms of musical performance. Not just in terms of
sound, but also in terms of the “behavior” that makes acoustic instruments so … well, musical!
Yamaha Virtual Acoustic Synthesis is simply the most musical tone generation system ever created.
• The PLG150-VL sounds better, has more depth, and is more realistic in the musical sense than any
other tone generation system.
• Simply playing a note in the same way does not always produce precisely the same sound. The
instrument is responsive and “alive”.
• Note-to-note transitions have the same continuity exhibited by acoustic instruments. What goes on
in between the notes is just as important musically as the notes themselves.
• It has extraordinary expressive capability. Rather than simply controlling parameters like volume
or pitch, you can control characteristics such as breath and reed pressure with appropriate complex
effects on the timbre of the sound.
VL Tone Generator Model
The overall VL tone generation model or “algorithm” consists of three main blocks: the instrument,
controllers, and modifiers. In schematic form these blocks are arranged as follows:
Controllers (also envelopes)
Instrument Modifiers
Sound out
Virtual Acoustic Synthesis
10
The Instrument
The key block in this algorithm is the instrument, since it is here that the fundamental tone or “tim-
bre” of the sound is defined. The instrument model consists primarily of a driver — the reed/mouth-
piece, lip/mouthpiece, or bow/string system — and a resonant system corresponding to the tube and
air column or string..
●
The sound thus produced is amplified and sustained by the body of the instrument.
●
The pitch of the sound is determined by the length of the air column or string, and the timbre is a
complex product of the driving source (reed, lip, air, string), the shape of the resonant cavity, the
materials from which the instrument is made, etc.
One of the remarkable features of the Virtual Acoustic Synthesis system is that just about any driver
can be used with any type of pipe or string.
In all these instruments pressure applied here (the driving point)
causes vibration which results in sound.
Reed vibration
Lip vibration
Air vibration
String vibration
Drivers
Pipes/String
11
Virtual Acoustic Synthesis
The Controllers
The input to an acoustic wind instrument comes from the player’s lungs, trachea, oral cavity, and lips.
In a string instrument it comes from the player’s arm movement, transmitted to the string via a bow.
These elements actually form an important part of the sound generating system and, in the PLG150-
VL, are included in the controllers block. The player also influences the sound of the instrument by
playing the keys, tone holes, or frets, and this aspect of control constitutes another part of the control-
lers block. These and other control parameters provided by the PLG150-VL are listed in the illustra-
tion below.
In essence, the controller parameters determine how the instrument “plays”. All of these parameters
can be assigned to any external controller that can be used with the PLG150-VL: breath controller,
foot controller, modulation wheel, etc. The pressure parameter, for example, will normally be
assigned to a breath controller so the player can control the dynamics of the instrument by varying the
breath pressure applied to the controller — a natural, instinctive way to play wind-instrument voices.
At the same time the growl and throat parameters might also be assigned to the breath controller in
order to achieve life-like response and effects.
Pitch
Changes the length of the air column
or string, and thereby the pitch of the
sound.
Throat
Controls the characteristics of the
“player’s” throat or bowing arm.
Pressure
The amount of breath pressure
applied to the reed or mouthpiece, or
bow velocity applied to the string.
Growl
A periodic pressure (bow velocity)
modulation which produces the “growl”
effect often heard in wind instruments.
Scream
Drives the entire system into chaotic
oscillation, creating effects that can
only be achieved with physical model-
ling technology.
Embouchure
The tightness of the lips against the
reed or against each other, or the force
of the bow against the string.
Tonguing
Simulates the half-tonguing technique
used by saxophone players by chang-
ing the “slit” of the reed.
Damping & Absorption
Simulate the effects of air friction in the
pipe or on the string, and of high-fre-
quency losses at the end of the pipe or
string.
Virtual Acoustic Synthesis
12
The Modifiers
The modifiers block consists of 4 sections as shown in the diagram. Although these may appear to be
simple effects, they are actually intimately related to the PLG150-VL’s sound-producing model and
have a significant effect on the sound.
● Harmonic Enhancer
The Harmonic Enhancer determines the harmonic structure of the sound to
the extent that it can produce radical timbral variations within an instru-
ment “family” (e.g. saxes). Adjusting the Harmonic Enhancer may not
produce audible effects since many of the PLG150-VL voices’ harmonics
are created without the Harmonic Enhancer.
● Dynamic Filter
This section is similar to the dynamic filters found in many conventional
synthesizers, with high-pass, bandpass, band elimination, and low-pass
modes. Some filter parameters are available via the PLG150-VL controls,
but the filter type cannot be changed.
● The degree how much the filter is applied can be changed using
the key scaling.
● The incline of the filters is -12dB/oct.
● This effect may vary depending on the selected voice.
● Frequency Equalizer
The Equalizer boosts or decreases the output level around the designated frequency. The PLG150-VL
lets you access the equalizer function using “Low Gain (Bass)” and “High Gain (Treble)” parameters.
● Resonator
The Resonator uses simulated “resonator” pipes or strings and delays to produce a “woody” reso-
nance effect — although it has little or no effect on some voices. The resonator parameters are not
accessible but preset for some of the preset voices.
Harmonic
Enhancer
Dynamic
Filter
Frequency
Equalizer
Resonator
13
Voice Organization
The VL voices have each program number and are organized into 12 banks. For the voice list see
page 36.
• Banks 112 through 119: VL-XG Banks
These banks are used when the PLG150-VL functions as the VL-XG tone generator.
The voices from the PRESET 1 and PRESET 2 banks are assigned to MIDI banks and program
change numbers conforming to the Yamaha XG format.
Since the PLG150-VL does not have a full set of XG-compatible voices, some voice numbers will be skipped (e.g.
22, 23, 25, 27, etc.). If the truncated number is designated, the XG voice having the same program number in the
bank 1 will sound, instead.
• Bank 000: PRESET 1 (Pr1)
The PRESET 1 bank contains 128 preset voices which have been created primarily to be played via a
keyboard.
• Bank 001: PRESET 2 (Pr2)
The PRESET 2 bank contains 128 preset voices which have been created to provide maximum
expressive capability when played with a breath controller or WX-series Wind MIDI Controller.
• Bank 002: CUSTOM (Cst)
The CUSTOM bank has 6 memory locations (program numbers 001 - 006) in which you can load the
voices created by the Yamaha VL Visual Editor (p. 7).
The loaded voices cannot be backed up. When the “mother” tone generator/sound card is turned off,
the voices are reset to their defaults, the sound-effect type voices from the PRESET banks.
• Bank 003: INTERNAL (Int)
The INTERNAL voices of the VL70-m can be received and loaded (bulk data). The loaded voices
cannot be backed up. When the “mother” tone generator/sound card is turned off, the voices are reset
to their defaults, the voices from the PRESET banks, set up to be played via a WX-series Wind MIDI
Controller.
● The edited voices cannot be stored in the INTERNAL voice bank.
● (When using a synthesizer/ tone generator) Saving a performance containing a VL voice as a part records the
program number of the VL voice and the VL parameter settings edited on the “mother” synthesizer/ tone gener-
ator.
● The VL-XG voices edited with XG Editor Window of the “XGworks lite” can be saved as a part of the song data.
● Note that the “program numbers” here are 001–128 and the “MIDI program change numbers” are 000–127.
When selecting voices (programs) using an external MIDI device, subtract a value of “1” from the “program
numbers” to match the “MIDI program change numbers.”
Voice Organization
14
Selecting Banks
Use the MIDI bank MSB (control number 00) and LSB (control number 32) numbers listed below to
select VL banks from an external MIDI device.
BANK MSB LSB
BANK 112 97 or 81 112
BANK 113 97 or 81 113
BANK 114 97 or 81 114
BANK 115 97 or 81 115
BANK 116 97 or 81 116
BANK 117 97 or 81 117
BANK 118 97 or 81 118
BANK 119 97 or 81 119
PRESET 1 33 0
PRESET 2 33 1
CUSTOM 33 2
INTERNAL 33 3
15
Selecting Voices
Modular Synthesis Plug-in System
■ Selecting VL Voices
When the PLG150-VL is properly installed on your synthesizer, the VL voices can be selected in the
same way as the internal voices of the synthesizer. For more information see the manual of the synthe-
sizer.
The example displays used in the following explanations are all taken from CS6x. Therefore, the illustrations may
be somewhat different from the LCDs of your instrument.
1 Press the VOICE button.
Voice mode will be displayed.
2 Press the appropriate PLG button (PLG1 or PLG2, depending on which
slot the PLG150-VL board has been installed to).
3 Then select the VL voice by pressing the appropriate BANK button and
PROGRAM button.
To select a different voice bank, simultaneously hold down the appropriate PLG button and turn knob C
(or press the INC/ DEC buttons). The bank is expressed in two numbers: MSB and LSB. If a selected
bank is not available, the bank letter indication in the display (A - H) will not change.
VCE Play) INT:001(A01)[Sq:Generation]
EQLow-G EQMid-G EQHi-G FLT-Rez EfHPF
VCE Play) PLG1:001(A01)[--:Plug-InVce]
EQLow-G EQMid-G EQHi-G ------- -------
Selecting Voices
16
XG Plug-in System
The VL voices can be selected as you do with the XG voices. However, you have to select XG Mode
or Performance Mode from the “mother” tone generator/sound card Sound Module Mode, first. You
also have to designate the Part, to which you want to assign the VL voice, in the Utility sub-mode
(PLUGIN).
● The sound cards like the SW1000XG do not include “Performance Mode.” Please check the owner’s
manual of the “mother” tone generator/sound card whether it includes the Performance Mode, or
not.
● The steps how to select a VL voice, set up the utilities and edit the VL part parameters shown below
are explained using the MU128. Therefore, the illustrations may be somewhat different from the
LCDs of your instrument.
IMPORTANT
When you use a sound card or a tone generator with no panel buttons...
To select a VL voice, to set up the utilities and to edit the VL part parameters, you need to use a
sequencing software and transmit the MIDI messages such as XG System On, Bank Select
MSB/LSB, program change and parameter change to the “mother” sound card/tone generator,
instead of following the steps below.
Using the“XGworks lite,” properly installed in your PC (which is connected to the sound card/
tone generator) allows you to access the VL-XG voices through the Voice List dialog of the
“XGworks lite.”
■ Selecting VL Voice
1 Select XG or PERFORM from the “mother” tone generator Sound Module
Mode.
When you select XG, Multi Play Mode will be engaged.
When you select PERFORM, Performance Play Mode will be engaged.
The VL voices can be selected only when “normal” is selected in the Part Mode.
The VL voices can be played as a “part” in the XG Mode and as a “layer” in the Performance
Mode.
2 Press SELECT button to place the cursor at the Bank Number.
3 Press VALUE button to select the Bank you want to use.
Depending on the Bank selected, 112–119 (VL-XG), 000 (Preset 1), 001 (Preset 2), 002 (Cus-
tom) or 003 (Internal) appears at the Bank Number location on the LCD.
17
Selecting Voices
When a VL voice is selected VL voice icon will be displayed on the LCD.
You may unintentionally select a bank number of the “mother” tone generator. Be sure to confirm that
the VL voice icon is displayed on the LCD.
4 Press SELECT button to place the cursor at the Program Number.
5 Press VALUE button to select the Program Number (voice) you want to
use.
If an invalid Program Change Number is selected while one of the VL-XG Banks (112–119) is chosen,
VL voice icon will be replaced with one of the XG voice icons.
■ Designating the Part for the VL Voice
1 Press UTIL button to enter the Utility Mode.
2 Press SELECT button to place the cursor at PLUGIN.
3 Press ENTER.
The following display appears.
(If necessary) Press SELECT button to place the cursor at PLG150-VL.
4 Press ENTER.
The System Parameter Edit display exclusive to the PLG150-VL appears.
(If necessary) Press SELECT button to place the cursor at Part Assign.
Selecting Voices
18
5 Press VALUE button to select the Part you want to use.
In the XG Mode: 01–16, off
In the Performance Mode: 01–04, off
The VL voices cannot be assigned to several parts at the same time since the PLG150-VL is mono-
phonic.
When you use a sound card or a tone generator with no panel buttons...
To select a part for the VL voice you need to use a sequencing software and transmit the follow-
ing system exclusive message (part assign parameter) to the “mother” sound card/tone genera-
tor:
F0 43 1n 4C 70 nn ss pp F7 (Hexadecimal)
n : Device Number
nn : Plug-in Board Type (PLG150-VL is “00.”)
ss : Serial Number (which identifies the PLG boards when two same boards are installed)
“00” : for the first PLG150-VL
“01” : for the second PLG150-VL
pp : Part Number (to which the PLG150-VL is assigned)
“00” : Part 1
::
::
“0F” : Part 16
“7F” : off
19
Editing VL Voice Part Parameters
Modular Synthesis Plug-in System
The example displays used in the following explanations are all taken from the CS6x.
● See the manual of the synthesizer how to save the edited voices.
● The VL-XG voices edited using XG Editor Window of the "XGworks lite" can be saved as a part of the song
data.
1 Select the desired VL voice, as described in "Selecting Voices" on page 15.
2 Press the EDIT button.
The EDIT menu display appears.
3 Turn knob A clockwise until "Elem" is shown at the bottom left of the dis-
play.
4 Turn the PAGE knob clockwise until "PLG150-VL" is shown at the bottom
left of the display.
The VL part parameters will be displayed above the knob C and knob 2.
5 Use knobs C and 2 to select the desired parameter and change the value.
Once one of the parameters is selected (the arrow cursor appears next to the value), you can also
adjust the value with the DATA knob or the DEC/INC buttons.
The element parameters available on the “mother” synthesizer/tone generator can also be applied to
the VL voices. However, some of them may not be applied to the VL voices.
GEN Name) Ctgry a-Z 0-? Cursor
Common [--:Plug-InVce]
OSC Assign) Bank Number
Elem NORM/000 1[ ]
NTV Param) FilEG Dept Prs CC NO.
PLG150-VL +00 off
Editing VL Voice Part Parameters
20
XG Plug-in System
The editings done to the parameters below affect all the voices in the XG mode. In other words the
voices cannot be individually edited. The parameter settings are effective even when you select a dif-
ferent voice.
The edited voices cannot be stored in the INTERNAL voice bank. Instead, the VL-XG voices edited using XG Edi-
tor Window of the “XGworks lite” can be saved as a part of the song data.
1 Enter the Multi Part Edit Mode.
The sub-mode menu appears on the LCD.
2 Press SELECT button to place the cursor to PLUGIN.
3 Press ENTER.
The Part Parameter Edit display exclusive to the PLG150-VL appears.
4 Press SELECT button to select the parameter you want to edit.
5 Use VALUE button to set the value of the selected parameter as required.
6 Press the EXIT button to quit editing.
The part parameters available on the “mother” tone generator can also be applied to the VL voices
except for the following parameters: HPF Cutoff Frequency, EQ Low/High Frequency, Element Reserve
and Velocity Limit Low/High.
21
Editing VL Voice Part Parameters
VL Part Parameter
The parameters below can be divided into the following two types: ones for selecting the controller
(Control Number) by which the parameter will be controlled and the others for setting the depth of the
parameter. Even though you have designated the controller, you cannot get audible changes if you set
the parameter to be controlled to 0 or around 0.
For the relationship between the control numbers and controllers see page 29.
IMPORTANT
When you use a sound card or a tone generator with no panel buttons...
To edit the VL part parameters you need to use a sequencing software and transmit the system
exclusive messages shown on the MIDI Data Format (p. 40), to the “mother” sound card/tone
generator.
Using the “XGworks lite,” properly installed in your PC (which is connected to the sound card/
tone generator) allows you to access almost all the VL part parameters (except for Filter EG
Depth) for VL-XG voices through the “XG Editor window.”
1 Filter EG Depth
FilEG Dept (Filter Envelope Generator Depth) ..................................... Settings: -64 … +63
The “FilEG Dept” parameter determines to what degree the amplitude/filter envelope generator
affects the filter's cutoff frequency. Higher values allow the envelope generator to vary the filter
cutoff frequency over a wider range.
2 Pressure
Prs CC No. (Pressure Control Change Number) ................ Settings: off … 95, AT, VEL, PB
“Pressure” corresponds to the amount of breath pressure applied to a reed or mouthpiece, or the
speed of the bow applied to a string. Pressure variations affect both volume and timbre. The “Prs
CC No.” parameter specifies the controller to be used for pressure control. When set to “off” max-
imum pressure is applied at all times.
• Please note that pressure affects not only volume, but timbre and pitch as well. Accurate keyboard/controller
pitch is produced only at maximum pressure.
Editing VL Voice Part Parameters
22
PrsCtrlDpt (Pressure Control Depth) ...................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to pressure. The higher the value
the greater the variation. Positive values cause an increase in pressure in response to higher con-
troller values (e.g. increased breath pressure or higher modulation wheel position), while minus
values cause a decrease in pressure in response to higher controller values.
3 Embouchure
Emb CC No. (Embouchure Control Change Number) ...... Settings: off … 95, AT, VEL, PB
“Embouchure” corresponds to the tightness of the lips against the reed or against each other. In a
string instrument voice embouchure corresponds to how strongly the bow is pressed against the
string. Affects both pitch and timbre. The “Emb CC No.” parameter specifies the controller to be
used for embouchure control. When set to “off” medium embouchure is applied at all times.
• Please note that with many voices accurate keyboard/controller pitch is produced only at medium embou-
chure.
EmbCtrlDpt (Embouchure Control Depth) .............................................Setting: -64 … +63
Sets the amount of variation produced by the controller assigned to embouchure. The higher the
value the greater the variation. Positive values cause an increase in embouchure in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause an decrease in embouchure in response to higher controller values.
4 Tonguing
Tng CC No. (Tonguing Control Change Number) ............. Settings: off … 95, AT, VEL, PB
“Tonguing” simulates the half-tonguing technique used by saxophone players by changing the
“slit” of the reed. The slit is the space between the tip of the reed and the mouthpiece. The “Tng
CC No.” parameter specifies the controller to be used for tonguing control. When set to “off” no
tonguing is applied.
23
Editing VL Voice Part Parameters
• Please note that accurate keyboard pitch is produced only when maximum tonguing is applied or the tonguing
controller is turned off.
TngCtrlDpt (Tonguing Control Depth) ................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to tonguing. The higher the
value the greater the variation. Positive values cause an decrease in tonguing in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause an increase in tonguing in response to higher controller values.
5 Scream
Scr CC No. (Scream Control Change Number) .................. Settings: off … 95, AT, VEL, PB
“Scream” drives the entire system into chaotic oscillation, creating effects that can only be
achieved with physical modeling technology. The “Scr CC No.” parameter specifies the controller
to be used for scream control. When set to “off” no scream variation can be produced via a con-
troller, but a continuous scream value is determined by the “ScrCtrlDpt” parameter, below (nega-
tive values increase the scream level).
ScrCtrlDpt (Scream Control Depth) ........................................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to scream. The higher the value
the greater the variation. Positive values cause an increase in scream effect in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause a decrease in scream effect in response to higher controller values.
Editing VL Voice Part Parameters
24
6 Breath Noise
Bnz CC No. (Breath Noise Control Change Number) ....... Settings: off … 95, AT, VEL, PB
“Breath Noise” can be used to add the required amount of breath noise to a voice. The “Bnz CC
No.” parameter specifies the controller to be used for breath noise control. When set to “off” no
breath noise variation can be produced via a controller, but a continuous breath noise value is
determined by the “BnzCtrlDpt” parameter, below (negative values increase the breath noise
level).
BnzCtrlDpt (Breath Noise Control Depth) .............................................Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to breath noise. The higher the
value the greater the variation. Positive values cause an increase in breath noise in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause a decrease in breath noise in response to higher controller values.
7 Growl
Grl CC No. (Growl Control Change Number) ................... Settings: off … 95, AT, VEL, PB
“Growl” produces a periodic pressure modulation which produces the “growl” effect often heard
in wind instruments. The “Grl CC No.” parameter specifies the controller to be used for growl
control. When set to “off” no growl variation can be produced via a controller, but a continuous
growl value is determined by the “GrlCtrlDpt” parameter, below (negative values increase the
growl level).
25
Editing VL Voice Part Parameters
GrlCtrlDpt (Growl Control Depth) ......................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to growl. The higher the value
the greater the variation. Positive values cause an increase in growl effect in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause a decrease in growl effect in response to higher controller values.
8 Throat Formant
Thr CC No. (Throat Formant Control Change Number)
...... Settings: off … 95, AT, VEL, PB
“Throat Formant” controls the characteristics of the simulated player’s lungs, trachea, and oral
cavity. Can add a realistic “roughness” to the sound. The “Thr CC No.” parameter specifies the
controller to be used for throat formant control. When set to “off” no throat formant variation can
be produced via a controller, but a continuous throat formant value is determined by the “ThrC-
trlDpt” parameter, below (negative values increase the throat formant level).
• Throat Formant only applies to some reed-type voices.
ThrCtrlDpt (Throat Formant Control Depth) ........................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to throat formant. The higher the
value the greater the variation. Positive values cause an increase in throat formant effect in
response to higher controller values (e.g. increased breath pressure or higher modulation wheel
position), while minus values cause a decrease in throat formant effect in response to higher con-
troller values.
Editing VL Voice Part Parameters
26
9 Harmonic Enhancer
Hrm CC No. (Harmonic Enhancer Control Change Number)
.................................................................................................. Settings: off … 95, AT, VEL, PB
The Harmonic Enhancer can vary the harmonic structure of the sound over a wide range. The
“Hrm CC No.” parameter specifies the controller to be used for harmonic enhancer depth (wet/
dry balance) control. When set to “off” no harmonic enhancer depth variation can be applied via a
controller.
• Since most VL voices have sufficient natural harmonic content, the Harmonic Enhancer is actually only used
on a few voices. Therefore changing the controller destination with many voices will produce either no change
in the sound or a simple change in amplitude.
HrmCtrlDpt (Harmonic Enhancer Control Depth) ............................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to the harmonic enhancer. The
higher the value the greater the variation. Positive values cause an increase in harmonic enhancer
depth in response to higher controller values (e.g. increased breath pressure or higher modulation
wheel position), while minus values cause a decrease in harmonic enhancer depth in response to
higher controller values.
10 Damping
Dmp CC No. (Damping Control Change Number) ............ Settings: off … 95, AT, VEL, PB
“Damping” simulates the effect of damping due to losses within the body of a wind instrument or
in a string due to air friction. Affects both pitch and timbre. The “Dmp CC No.” parameter speci-
fies the controller to be used for damping control. When set to “off” no damping variation can be
applied via a controller.
• Please note that accurate keyboard pitch is produced only when damping is maximum.
27
Editing VL Voice Part Parameters
DmpCtrlDpt (Damping Control Depth) .................................................. Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to damping. The higher the
value the greater the variation. Positive values cause a decrease in damping in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause an increase in damping in response to higher controller values.
11 Absorption
Abs CC No. (Absorption Control Change Number) .......... Settings: off … 95, AT, VEL, PB
“Absorption” simulates the effect of high-frequency loss at the end of the air column or string.
The “Abs CC No.” parameter specifies the controller to be used for absorption control. When set
to “off” no absorption variation can be applied via a controller.
• Please note that accurate keyboard pitch is produced only at when absorption is maximum.
AbsCtrlDpt (Absorption Control Depth) ................................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to absorption. The higher the
value the greater the variation. Positive values cause a decrease in absorption in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause an increase in absorption in response to higher controller values.
Editing VL Voice Part Parameters
28
12 Breath Mode ................................................Settings: System, BC/WX, Velocity, Touch EG
Set the control source to be used for "breath" control. This Breath Mode is the same as the one in
the VL System Parameters except for the setting, "System." When set to "System," the control
source is determined by the setting done in the VL System Parameters.
This parameter should be set to “BC/WX” when a breath controller or Yamaha WX-series Wind
MIDI Controller is being used. When set to “Velocity,” breath variation is controlled by keyboard
initial touch response. When “Touch EG” is selected breath variation is controlled by a combina-
tion of initial keyboard touch response and aftertouch pressure. Initial key velocity sets the initial
breath level, then aftertouch pressure determines the shape of the subsequent breath envelope.
127
0
127
0
127
0
127
0
A
B
Expressivity of Each Controller
The expressivity will differ depending on the selected controller.
Original Image of
Breathing
Breath Control
BC/WX
You can accomplish the breathing as you blow
the Breath controller.
Velocity
The initial attack determines the sustained breath
strength from the beginning through the end.
Touch EG
You can express the portion “A” with the velocity
and “B” with the aftertouch.
Breath Control
Breath Control
Breath Control
29
Editing VL Voice Part Parameters
MIDI Control Number Assignments
Control No. Controller
off(00) off (used by Bank Select MSB)
01 Modulation Wheel
02 Breath Controller
03 Unassigned
04 Foot Controller
05 Portamento Time
06 Data Entry MSB
07 Volume Control
08…09 Unassigned
10 Panpot
11 Expression
12…31 Unassigned
off(32) off (used by Bank Select LSB)
33…37 Unassigned
38 Data Entry LSB
39…63 Unassigned
64 Hold1
65 Portamento Switch
66 Unassigned
67 Soft Pedal
68…70 Unassigned
71 Harmonic Content
72 Release Time
73 Attack Time
74 Brightness
75…90 Unassigned
91 Effect Send Level 1 (Reverb Effect)
92 Unassigned
93 Effect Send Level 3 (Chorus Effect)
94 Effect Send Level 4 (Variation Effect)
95 Unassigned
AT(96) After Touch
VEL(97) Velocity
PB(98) Pitch Bend
30
VL System Parameters
Modular Synthesis Plug-in System
Five System related parameters for PLG150-VL will be added to the “mother” synthesizer.
The example displays used in the following explanations are all taken from the CS6x.
1 Press the UTILITY button.
The Utility Mode display appears.
2 Turn the PAGE knob clockwise until “PLG150-VL” is shown at the bottom
left of the display.
The VL system parameters will be displayed above the knob C and knob 2.
3 Use knobs C and 2 to select the desired VL System parameter and change
the value.
Once one of the parameters is selected (the arrow cursor appears next to the value), you can also
adjust the value with the DATA knob or the DEC/INC buttons.
XG Plug-in System
Five System related parameters for PLG150-VL will be added to the “mother” tone generator.
1 Press UTIL button to enter the Utility Mode.
The sub-mode menu appears on the LCD.
2 Press SELECT button to place the cursor to PLUGIN.
MSTR TG) Vol NoteShift Tune
Sys 127 + 0 + 0.0c
PLG1 MIDI) Clock DevNo
PLG150-VL off 1
31
VL System Parameters
3 Press ENTER.
The following display appears.
(If necessary) Press SELECT button to place the cursor to PLG150-VL.
4 Press ENTER.
The System Parameter Edit display exclusive to the PLG150-VL appears.
5 Press SELECT button to select the parameter you want to edit.
6 Press VALUE button to change its setting.
7 Press the EXIT button to quit editing.
System Parameters
1 Part Assign..................................................Settings: In the XG Mode: 01…16, off
In the Performance Mode: 01…04 , off
Designates the Part to which the VL voice is assigned.
• The VL voices cannot be assinged to several parts at one time since the PLG150-VL is monophonic.
• The SW1000XG doesn’t include “Performance” mode.
VL System Parameters
32
2 WX Lip Mode ............................................................Settings:Norm (Normal), Expd (Expand)
WX-series Wind MIDI Controllers produce pitch bend data ranging from “-16” to “+32” in
response to lip (reed) pressure. The “WX Lip” parameter determines whether these values are
used as is (“Norm”), or expanded to a full “-64” through “+63” range (“Expd”). The pitch bend
data transmitted from the device other than WX-series can be received.
• The “Expd” setting is recommended when using a WX controller in the “tight lip” mode. The “Norm” setting is
recommended when using the WX controller “loose lip” mode.
• The settings made here is effective only for the PLG150-VL.
3 Breath Mode .................................................................Settings: BC/WX, Velocity, Touch EG
The same parameter, Breath Mode, can be found in the VL Part Parameters. The setting done here
is effective only when the Breath Mode in the VL Part Parameters is set to “System.”
See page 28 for the detailed information on each parameter.
-16
+32
-16
+32
0
-16
+32
-64
+63
0
Data sent to the
tone generator
When “Norm” is selected When “Expd” is selected
Received data
Received data Data sent to the
tone generator
Pitch Bend Range When Using a WX Controller in the “tight lip” Mode
33
VL System Parameters
4 Breath Control............................................. Settings:BC (Breath Control), Exp (Expression)
Specifies the MIDI control change number to be used for breath control when breath control is
applied from a breath controller or WX-series Wind MIDI Controller. When “BC” is selected
control change number “02” (breath control) is used for breath control. When “Exp” is selected
control change number “11” (expression) is used for breath control.
• This parameter is also available for the breath controller data transmitted from a device other than the WX-
series.
• This parameter is effective only when “BC/WX” is selected from Breath Mode.
5 Breath Curve .............................................................................................Settings: -16 … +16
Determines the relationship between breath control data received from a breath controller, WX-
series Wind MIDI Controller (via the BT7 and MIDI IN connector), and the actual amount of
breath variation applied. Minus settings result in a large breath variation with a relatively small
amount of breath pressure applied to the controller, while plus settings required a greater range of
input breath control values to produce the same degree of breath variation.
• This parameter is also available for the breath controller data transmitted from the device other than WX-
series.
• The settings made here is effective only when “BC/WX” is selected from Breath Mode.
• Connection Between WX-series and “mother” tone generator/sound card
When you use a sound card built into PC...
To control PLG150-VL using WX-series Wind Controller, select “SW1000 #1 Synthesizer” for the
MIDI Thru setting in the System Setup dialog of the “XGworks lite.”
MU128
BT7
WX IN
WX5
MIDI
OUT
MIDI
IN
CS6x
MIDI OUT
34
Q & A
1 Some voices sound as if they are in the original octave even when
shifted down an octave.
This is because Virtual Acoustic synthesis accurately simulates the acoustic
behaviour of a pipe or string. Simply stated, the harmonic balance of the voice
when played in the normal octave is retained even when the voice is shifted down
an octave. The change in timbre can be greater or less, depending on the selected
voice.
2 Portamento doesn't produce smooth effect on some voices.
Trumpets and some other brass instruments tend to exhibit this phenomenon more
than others. In a VA tone generator portamento is produced by lengthening or
shortening the instrument's pipe. A trumpet is designed to emphasize the “modes”
of the pipe(s) to produce notes over a wide range using only three valves. When
portamento is applied to a trumpet voice, the pitch tends to jump from mode to
mode, thus producing the observed glissando effect. The same effect occurs with
some flute voices. Saxophone modes are not nearly as strong as trumpet modes,
but some sax voices do have two definite modes which, when spanned by a porta-
mento slide, can produce irregularities.
3 The filter, EG, and other parameters have more effect on some voices
than others.
Most voices use the low-pass filter type, but some use the bandpass or high-pass
type. Some voices use very little filter processing at all. Changing the filter settings
may not produce a particularly noticeable effect. Also the Breath Noise, Throat For-
mant, Growl, Harmonic Enhancer and Pitch EG parameter settings cannot have a
significant effect on some voices.
4 Some bowed string instrument voices tend to “squeak.”
As anyone who has played (or tried to play) a real violin knows, these instruments
naturally tend to squeak if not properly controlled. The same occurs with VA syn-
thesis. As with a real bowed string instrument, bow speed and pressure must be
properly controlled to produce the desired sound. Bow speed is usually controlled
either via breath control or an expression pedal. Bow pressure is controlled via
control number 13: “64” is medium pressure, lower values produced reduced bow
pressure, and higher values produce increased bow pressure.
35
Q & A
5 Pitch bends produced by a pitch bend wheel are not always accurate.
Natural acoustic musical instruments have no “pitch parameter.” Pitch is deter-
mined by the properties of the instrument’s resonant body as well as the condition
of the instrument’s driver. The same applies to Virtual Acoustic Synthesis: in the
pitch bend is simulated by manipulating the appropriate pipe/string length and
driver characteristics. As a result, the pitch bend range may not always be “mathe-
matically” accurate.
With reed instruments such as saxophone or clarinet, highly realistic pitch bends
are produced by controlling both pitch and embouchure at the same time. Since
the embouchure component of the pitch bend behaves with characteristics acous-
tic unpredictability, precise pitch bends are not always produced.
6 Some voices don’t respond as expected to EG edits.
The effect of editing envelope generator parameters may not always be as
expected — particularly with plucked string instrument voices such as guitar or
bass. This is because the VL actually simulates the plucking, free oscillation, and
muting of the strings rather than simply using an EG to approximate these events.
If the sound of a string voice decays naturally, for example, setting a long release
time will have little or no effect on the actual sound of the voice. Since the attack
and decay portions of the voice also have natural timbre variations, these can be
unnaturally altered by inappropriate EG settings — which is OK if you’re trying to
produce an unnatural effect. Trial and experimentation and the only sure ways to
determine how the EG parameters are going to affect a particular voice.
7 The PLG150-VL is a monophonic tone generator. Why is the “poly”
mode initialy selected when the VL-XG sound module mode is
engaged?
This is to provide compatibility between the current XG format and future poly-
phonic VL-series tone generators. It also provides a certain degree of compatibility
to allow playback of VL-XG song data on existing tone generators which do not
feature the VL-XG extension. Specifically, to switch the PLG150-VL to the mono
mode a “mono mode” command (control change no.126, value 0-16) is embedded
in the song data which, when received by a 32-note or 64-note polyphonic XG tone
generator, switches the appropriate parts to the mono mode. The same will apply
to future polyphonic VL-series tone generators, so no changes will be required.
The PLG150-VL therefore has a “poly” which is automatically selected when a
MIDI “XG on” system exclusive message is received.
36
Voice List
■
VL-XG Voice List
Bank Select MSB=81, 97
* When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank.
When the Bank Select MSB is set to “97,” the voices of the Bank 1 of the XG tone generator will be used and played for the above empty
spaces of each bank.
Instrument
Group
Pch# Bank 112 Bank 113 Bank 114 Bank 115 Bank 116 Bank 117 Bank 118 Bank 119
Organ 22 Squeeze
23 MouthKey AmpdHarp CromHarp
Guitar 25 Spanish
27 JazzGtr! Carlos Destiny
28 L7 Pluck WetPluck
Bass 33 Upright
34 Fnground Birdland
35 FlageoBs DampBass
36 Fretles! Frtles!2
37 New Slap ThumBass
39 AcidBas! SqrBass!
40 PulsClav MogueBas
Strings 41 NuViolin Viol Inn C Violin BrtVioln MuteViol
42 BrtViola ViolOutt
43 Cello! Eleanor Nu Cello
44 Contrair DoublBow
Brass 57 Trumpet! Trumpt!2 FluglHr! Cornet
58 Trmbone! Melwbone
59 Tuba!
60 MuteTp! MuteTp!2
61 Horn! Horn!2
Reed 65 SoprSax! CvSopSax SoprPipe LiteSopr
66 AltoSax! SweetAlt LiteAlto HarpAlto HarpAlt2 GlassAlt
67 TenrSax! MildTenr Jazz Sax TenorSub BellMike GlasTenr FnkyTenr OldTenor
68 BariSax! VoxoSaxo
69 Oboe! Oboe!2 DblReedy TripleRd
70 EngHorn! Loboe
71 Bassoon! Flurinet
72 Clarint! LitePipe HyperCla
Pipe 73 Piccolo! Piccol!2 BowPicol
74 C Flute C Flute2 JazFlute OakFlute
75 Recordr! Claricrd SoftPipe
76 Pan Pipe PanPicol
77 YamaBotl Bamboo Andean BtlFlute BtlFlut2
78 Shakuha!
79 BowedSaw
80 Ocarina!
Synth Lead 81 50 / 50 ChalPuls PluckLd
82 Brassyn AcoSynLd VintgLd
83 Maysbe? Air Sax Baroquen LipClari
84 Grunge Ossyncro Talk Box
85 MizuHorn Floboe
86 SoftReed BrethBow
88 Chamlion Old Mini
Ethnic 105 Sitar! India
110 Chanter ThaiReed
111 JetLpBow
Percussive 115 YamSteel
Appendix
Voice List
37
Bank Select MSB=81
* When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank.
When the Bank Select MSB is set to “97,” the voices in the above list is not available.
Instrument Pch# Bank 112 Bank 113 Bank 114 Bank 115 Bank 116 Bank 117 Bank 118 Bank 119
Synth
Effects
97 Mad Tube
98 StoneHng
99 Mu
100 Moby
101 Igneous
102 SquealAT
Sound
Effects
121 Jurassic
122 Formula
123 Waterphn
124 Devil
125 SpcHorse
126 DinoPerc
127 SpaceZoo
128 Jason
■
Preset 1 Voice List
Voice
No.
Voice Name Recommended
Range
001 Mad Tube C0~B3
002 VintgLd B-1~C6
003 SpaceZoo ***
004 GuitHero G-1~C4
005 StoneHng F0~G6
006 Whizzer G
#
-1~F
#
4
007 SimpleBa C-1~C5
008 ClavBass C-1~E2
009 SuperBas C-1~F
#
2
010 New Slap C-1~D4
011 RockPigs C-1~E3
012 Igneous C0~C5
013 50 / 50 C0~F5
014 Cybastrg C-2~C5
015 Wynth A-1~G5
016 BuzzSaw E-1~C6
017 ZubZub B-1~C6
018 Blue G-1~D2
019 OsciLead C-1~G4
020 SqrLead D
#
0~C6
021 Bigger C-1~C6
022 AnaSquid G-2~C5
023 SharpSyn G-1~C5
024 AnaWave C-1~E3
025 AnaWurl C-1~C5
026 Babalog C0~C6
027 FngerBass B-2~C3
028 Upright B-2~C3
029 Fnground A-2~C3
030 Birdland A-2~C3
031 FlageoBs G-1~C3
032 DampBass G-2~C2
033 Fretles! E-2~C3
034 Frtles!2 B-2~C
#
3
035 ThumBass C-1~C2
036 RockBass G-2~C3
037 SmooBass B-2~A
#
2
038 WarmBass B-2~C3
039 YamaBass A-2~C3
040 Box Bass C-1~C3
041 BassCab B-2~G
#
3
042 FruitBas C-1~C3
043 AcidBas! B-2~C4
044 SqrBass! B-2~G3
045 PulsClav A-1~G5
046 MogueBas B-2~C
#
6
047 BoppaBas B-2~C3
048 BuzzrBas D-1~E3
049 MuteHrBs C-1~C4
050 TekBass B-2~C3
051 TranzBas C-1~F
#
3
052 Chamlion C-1~B3
053 ParaSyn A-2~C3
054 SteamBas C-1~C
#
6
055 BooBass B-2~C4
056 WhelkBas E-2~C
#
4
057 AtackSyn G0~B4
058 Q.Klav A-2~C
#
3
059 Sitar! G-1~E3
060 India F
#
-1~C5
061 YamSteel A2~C6
062 StungSt F
#
0~B5
063 Mu ***
064 Waterphn ***
065 DinoPerc ***
066 Formula ***
067 Jurassic ***
068 Devil ***
069 SpcHorse ***
070 Jason ***
071 Suedhead F-2~C5
072 Spanish F-1~E4
073 JazzGtr! B-1~A4
074 JazzyGtr A-1~C6
075 L7 Pluck B-1~E4
076 WetPluck B-1~E4
077 Comp Gtr B-1~A4
078 FunkyGtr B-1~D5
079 Thin Gtr B-1~G5
080 Carlos B-1~G4
081 Destiny C0~C5
082 Gonzo B-1~G5
083 Grunge C0~B6
084 Ossyncro B-2~G4
085 Talk Box F
#
0~E7
086 SyncLed B-1~E6
Voice
No.
Voice Name Recommended
Range
087 Old Mini A-1~A5
088 Fat Mini G-1~A5
089 Parlopho B-1~C5
090 SimpleSy B-1~E5
091 Choronic C-1~G4
092 SlitMinu F0~C6
093 SynHarmo B-2~G5
094 Flaggoot C-1~D3
095 SynSkex C-1~A
#
4
096 ResoSqr A-2~D4
097 WurliLd B-1~C6
098 FlatLead G
#
1~G5
099 PhilTur B-1~C6
100 ChalPuls B-1~C6
101 Pluck Ld B-1~C6
102 Brassyn B-1~C6
103 AcoSynLd A-1~C6
104 Moby G-2~F4
105 Digitrn C0~C6
106 LyricOff B-1~C6
107 Rezzawi B-1~G5
108 Macro B-1~C6
109 Claribo G
#
-1~G5
110 Binaphon C0~C6
111 MokoPipe C-1~C5
112 AliBaba B-1~C6
113 Persinet B-1~G5
114 PicoPipe Ab0~C6
115 Gertrude C0~C6
116 Xynth G-1~C6
117 Duality G-1~C6
118 AltKwek G
#
2~C8
119 Softblow C-1~C5
120 AlbaPipe C0~C6
121 Electrum C0~C6
122 Edgeopho B-1~F5
123 BassCla! C0~C6
124 WX Clari C1~C6
125 WX Oboe C0~B5
126 WX J Gtr C0~A4
127 Shakuha! C1~C6
128 LipClari F-1~C6
Voice
No.
Voice Name Recommended
Range
38
Voice List
■
Preset 2 Voice List
Voice No. Voice Name Recommended
Range
001 Vento C0~C6
002 Floboe C0~C6
003 Sintax F0~G5
004 Eastern E0~C6
005 Trumpet! C0~C6
006 SoprSax! C0~C6
007 LiteAlto E0~C6
008 Trmbone! C0~C6
009 BtlFlute C0~C6
010 Air Sax G0~C6
011 TenrSax! C-1~C5
012 Coca C1~C6
013 JetLpBow A-1~C6
014 Viol Inn C0~C6
015 MuteCone G0~C6
016 BrethBow B-1~C6
017 Trumpt!2 C0~C6
018 FluglHr! C0~C6
019 Cornet C0~C6
020 JzTrump F
#
2~C6
021 JzTrump2 G
#
1~C6
022 Flumpet D0~C6
023 WXTrumpt C0~C6
024 MuteTp! E0~C6
025 MuteTp!2 C0~C6
026 Melwbone C0~C6
027 NerzoBr E0~C6
028 Horn! B-1~C6
029 Horn!2 C0~C6
030 NuHorne B-1~C6
031 WX Horn B-2~C5
032 Tuba! C-1~C5
033 NuViolin C0~C6
034 C Violin C0~C6
035 BrtVioln C0~C6
036 MuteViol C0~C6
037 BrtViola C0~C6
038 ViolOutt C0~C6
039 Cello! C-1~C4
040 Eleanor C-1~C4
041 Nu Cello B-2~C5
042 Contrair A-2~C4
043 DoublBow A-2~C4
044 Piccolo! C0~C7
045 Piccol!2 C0~C7
046 BowPicol C0~G6
047 C Flute C0~C6
048 C Flute2 C0~C6
049 JazFlute B-1~C6
050 OakFlute E0~C6
051 BtlFlut2 C0~C6
052 RzdeFlt E0~C6
053 Flutuen G1~C6
054 Nz Flute C0~C6
055 WX Shaku C1~C6
056 Pan Pipe E0~G5
057 PanPicol C0~G6
058 Bamboo C0~C6
059 Andean C0~C6
060 Flurinet F0~C6
061 SoftReed C0~C6
062 Flurmod F0~B5
063 Jhopali G0~C5
064 Baroquen C-1~C5
065 SquealAT C0~C6
066 NuSopSax C0~G5
067 CvSopSax A-1~C6
068 SoprPipe F0~C6
069 LiteSopr E0~C6
070 AnaSoprn F0~C6
071 NuAltSax C0~C5
072 SweetAlt F
#
0~E5
073 AltoSax! E0~C6
074 HarpAlto G0~C6
075 HarpAlt2 G0~C6
076 GlassAlt C0~C6
077 AcidSax C0~C6
078 WackSax G
#
0~E5
079 NuTenrSx D-1~E4
080 MildTenr C-1~C5
081 Jazz Sax A
#
-1~E4
082 TenorSub A
#
-1~A4
083 BellMike C-1~C4
084 GlasTenr G-1~E4
085 FnkyTenr C-1~G4
086 OldTenor C-1~A4
087 BrtTenor C-1~C5
088 BariSax! C-1~C4
089 VoxoSaxo C-1~C4
090 Oboe! F0~C6
091 Oboe!2 C0~C6
092 Noboe C0~G5
093 OboeWhi G2~G7
094 DblReedy C0~A5
095 TripleRd C0~C6
096 EngHorn! C0~C6
097 Loboe C0~C6
098 Bassoon! C-1~C4
099 Clarint! A0~C6
100 LitePipe C0~C6
101 HyperCla C0~C6
102 Clarint2 F0~C6
103 IslePipe C1~C5
104 Chanter D1~C6
105 ThaiReed C0~C5
106 Recordr! C0~A5
107 Claricrd C0~C5
108 SoftPipe G0~C5
109 BowdSaw C0~C5
110 Ocarina! F1~C8
111 Lonely C
#
3~E7
112 Ophelia C0~C6
113 Maysbe? D
#
0~A5
114 MizuHorn C0~C6
115 PicoStrg G
#
0~C5
116 Sylophon C0~C5
117 BowLead C-1~C5
118 Squeeze C0~C6
119 MouthKey C0~C6
120 AmpdHarp C0~C6
121 CromHarp A-1~C6
122 WahUpHp B-1~C6
123 YamaBotl A
#
-1~C6
124 Blowsoo G-2~C4
125 Brappo C-1~C4
126 Crumbon E0~G5
127 Klarina E0~B5
128 ReedWin E0~C6
Voice No. Voice Name Recommended
Range
Voice List
39
■
VL Plug-in Voice Data
(provided by Floppy Disk)
For PLG1/2 Slot : Wind Instrument Voices (01PlgV1A.mid, 01PlgV1C.mid, 01PlgV2A.mid, 01PlgV2C.mid)
For PLG1/2 Slot : Keyboard Voices (01PlgV1B.mid, 01PlgV2B.mid)
Br : brass Rd : reed Pi : pipe St : strings Or : organ Gt : guitar Ba : bass
Et : ethnic Ld : synth lead Fx : synth effects Se : sound effects Sc : synth comp
■
Voices Used for MSPS Demonstration Song
Br : brass Rd : reed Pi : pipe St : strings Or : organ Gt : guitar Ba : bass
Et : ethnic Ld : synth lead Fx : synth effects Se : sound effects Sc : synth comp
No.
Category Voice Name No. Category Voice Name No. Category Voice Name No. Category Voice Name
1 Br Trumpet 1 17 Br Tuba 33 Pi Piccolo 49 Ld Floboe
2 Br Trombone 18 Rd SopranoSax 34 Pi Pan Pipe 50 Ld TripleReed
3 Rd Alto Sax 19 Rd Cv SopSax 35 Pi Bamboo 51 Ld Lite Pipe
4 Rd TenorSax 1 20 Rd SoprnoPipe 36 Pi Recorder 52 Ld Hyper Cla
5 Rd Clarinet 21 Rd Sweet Alto 37 Pi Isle Pipe 53 Ld Lip Clari
6 Rd Oboe 22 Rd Lite Alto 38 Ld VoxoSaxo 54 Ld Chanter
7 Pi C Flute 23 Rd Glass Alto 39 Ld AnaSoprano 55 Ld Thai Reed
8 Pi Shakuhachi 24 Rd TenorSax 2 40 Ld Air Sax 56 Ld Bowed Saw
9 Pi Ocarina 25 Rd Tenor Sub 41 Ld Sintax 57 Or Squeeze
10 St Violin 1 26 Rd BellMike 42 Ld JetLipBow 58 Or Crom Harp
11 Br Trumpet 2 27 Rd Old Tenor 43 Ld AltKwek 59 Or Amped Harp
12 Br FlugelHorn 28 Rd BaritonSax 44 Ld Noboe 60 Or WahUp Harp
13 Br JzTrumpet 29 Rd Eng Horn 45 Ld Flurinet 61 St Violin 2
14 Br MuteTrumpt 30 Rd Bassoon 46 Ld Soft Reed 62 St Brt Violin
15 Br NerzoBrass 31 Rd Bass Cla 47 Ld Flumod 63 St Cello 1
16 Br Horn 32 Pi Jazz Flute 48 Ld Baroquen 64 St Cello 2
No. Category Voice Name No. Category Voice Name No. Category Voice Name No. Category Voice Name
1 Ld Mad Tube 17 Ld Talk Box 33 Ba Boo Bass 49 Ld Alba Pipe
2 Ld VintageLd 18 Ld Old Mini 34 Gt Spanish 50 Ld Electrum
3 Ld Igneous 19 Ld Parlophone 35 Gt JazzGuiter 51 Ld Edgeophone
4 Ld 50/50 20 Ld WurliLead 36 Gt L7 Pluck 52 Ld Maysbe
5 Ba SimpleBass 21 Ld AcoSynLead 37 Gt ThinGuiter 53 Ld Mizu Horn
6 Ba New Slap 22 Ld Digitoron 38 Gt Destiny 54 Ld Sylophone
7 Gt GuiterHero 23 Ld Lyric Off 39 Ld Macro 55 Fx Stonehenge
8 Sc Q.Klav 24 Ld Rezzawi 40 Ld Binaphone 56 Fx Moby
9 Et Sitar 25 Ba FingerBass 41 Ld AliBaba 57 Se Mu
10 Et Steel Drum 26 Ba Upright 42 Ld Pico Pipe 58 Se Suedhead
11 Ld Buzz Saw 27 Ba Birdland 43 Ld Gertrude 59 Se Dino Perc
12 Ld Ana Wave 28 Ba Damp Bass 44 Ld Moko Pipe 60 Se Waterphone
13 Ld Osci Lead 29 Ba Bass Cab 45 Ld Persinet 61 Se Space Zoo
14 Ld SquareLead 30 Ba Acid Bass 46 Ld Xynth 62 Se Formula
15 Ld Babalog 31 Ba Tranz Bass 47 Ld Duality 63 Se Jurassic
16 Ld Ossyncro 32 Ba Steam Bass 48 Ld Softblow 64 Se Jason
No.
Category Voice Name group No. Category Voice Name group
1 Rd TenorSax 1 Wind Instrument 14 Ld AliBaba Keyboard
2 Rd Alto Sax Wind Instrument 15 Pi Bamboo Wind Instrument
3 Rd SopranoSax Wind Instrument 16 Ld Thai Reed Wind Instrument
4 Pi Jazz Flute Wind Instrument 17 Ld Maysbe Keyboard
5 Pi Shakuhachi Wind Instrument 18 Ld Floboe Wind Instrument
6 Br Trumpet 1 Wind Instrument 19 Ld Soft Reed Wind Instrument
7 Br Trombone Wind Instrument 20 Ld Hyper Cla Wind Instrument
8 Gt Spanish Keyboard 21 Ld Mizu Horn Keyboard
9 Ba Damp Bass Keyboard 22 Ld Sylophone Keyboard
10 Sc Q.Klav Keyboard 23 Ld AcoSynLead Keyboard
11 Et Sitar Keyboard 24 Se Jason Keyboard
12 St Cello 2 Wind Instrument 25 Se Jurassic Keyboard
13 Or Amped Harp Wind Instrument 26 Se Waterphone Keyboard
40
MIDI Data Format
1. KEY ON / KEY OFF
Status: 9nH/8nH
If the Part Parameter Rcv NOTE MESSAGE = OFF, that Part will ignore Key ON and Key
OFF messages.
2. PROGRAM CHANGE
Status: CnH
If the Part Parameter Rcv PROGRAM CHANGE = OFF, that Part will not receive Pro-
gram Change Messages.
3. PITCH BEND
Status: EnH
If the Part Parameter Rcv PITCH BEND = OFF, that Part will not receive Pitch Bend Mes-
sages.
4. CONTROL CHANGE
Status: BnH
If the Part Parameter Rcv CONTROL CHANGE = OFF, that Part will not receive Control
Change Messages.
<Bank Select MSB/LSB> 00H/20H
Cntrl# parameter Data Range
0 Bank Select MSB 33:Preset1/Preset2/Custom/Internal
81: VL-XG non alternative voice.
97: VL-XG alternative voice.
32 Bank Select LSB 0 :Preset1
1 :Preset2
2 :Custom
3 :Internal
112...119: VL-XG Alternative or non alternative varia-
tion.
If the Part Parameter Rcv BANK SELECT = OFF, that Part will not receive Bank Select
Messages. A new bank selection will not become effective until the next Program Change
is received.
<Modulation> 01H
Cntrl# parameter Data Range
1 Modulation 0...127
If the Part Parameter Rcv MODULATION = OFF, that Part will not receive Modulation
Messages.
<Breath Controller> 02H
Cntrl# parameter Data Range
2 Breath Controller 0...127
<Foot Controller> 04H
Cntrl# parameter Data Range
4 Foot Controller 0...127
<Portamento Time> 05H
Cntrl# parameter Data Range
5 Portamento Time 0...127
When the Portamento parameter = ON, values will adjust the speed of pitch change.
A setting of 0= minimum portamento time, and 127 = maximum portamento time.
<Data Entry MSB/LSB> 06H/26H
Cntrl# parameter Data Range
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127
Messages which set the value for the parameter specified by RPN, NRPN.
<Main Volume> 07H
Cntrl# parameter Data Range
7 Main Volume 0...127
If the Part Parameter Rcv MAIN VOLUME = OFF, that Part will not receive Main Volume
Messages.
<Pan> 0AH
Cntrl# parameter Data Range
10 Panpot 0...127
If the Part Parameter Rcv PAN = OFF, that Part will not receive Pan Pot Messages.
1=Left, 127=Right; 0=Center
<Expression> 0BH
Cntrl# parameter Data Range
11 Expression 0...127
If the Part Parameter Rcv EXPRESSION = OFF, that Part will not receive Expression
Messages.
<Control Change 13> 0DH
Cntrl# parameter Data Range
13 Control Change13 0...127
<Hold1> 40H
Cntrl# parameter Data Range
64 Hold1 0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv HOLD 1 = OFF, that Part will not receive Hold 1 Messages.
<Portamento> 41H
Cntrl# parameter Data Range
65 Portamento 0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv PORTAMENTO = OFF, that Part will not receive Portamento
Messages. If the Portamento parameter = ON, values will adjust the speed of the porta-
mento. If the Mono mode is activated and Portamento = ON, the Single Trigger Mode will
be activated. If not, the Multi-Trigger Mode will be effective.
<Soft Pedal> 43H
Cntrl# parameter Data Range
67 Soft Pedal 0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv SOFT PEDAL = OFF, that Part will not receive Soft Pedal Mes-
sages. When the SOFT PEDAL is set “ON” the effect will take place from the next Key
On signal. Messages will control the Filter Cutoff Frequency. Depending upon the Voice,
the effect may or may not have an effect.
<Harmonic Content> 47H
Cntrl# parameter Data Range
71 Harmonic Content 0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the resonance set for each. Based on a standard of 64, these values
will be added to or subtracted from the Voice data. Depending on the Voice, the effective
range may be narrower.
<Release Time> 48H
Cntrl# parameter Data Range
72 Release Time 0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope release time. Based on a standard of 64, values will
be added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Attack Time> 49H
Cntrl# parameter Data Range
73 Attack Time 0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope attack time. Based on a standard of 64, values will be
added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Brightness> 4AH
Cntrl# parameter Data Range
74 Brightness 0...127 (0:-64, 64:+0, 127:+63)
Default:40H
Messages which adjust the filter cutoff frequency. Based on a standard of 64, values will
be added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Data Increment / Decrement> 60H/61H
Cntrl# parameter Data Range
96 Increment 0...127
97 Decrement 0...127
The data byte is ignored.
RPN messages which increase or decrease the MSB value of the parameter by 1.
<NRPN (Non-Registered Parameter Number) LSB/MSB> 62H/63H
Cntrl# parameter Data Range
98 NRPN LSB 0...127
99 NRPN MSB 0...127
If the Part Parameter Rcv NRPN = OFF, that Part will not receive NRPN Messages.
First send the NRPN MSB and NRPN LSB to specify the parameter which is to be con-
trolled. Then use the Data Entry to set the value of the specified parameter.
The following NRPN numbers can be received.
NRPNData-entry
MSB LSB MSB parameter Data Range
01H 08H mmH Vibrato Rate mm:00H-40H-7FH
(-64-0-+63)
01H 09H mmH Vibrato Depth mm:00H-40H-7FH
(-64-0-+63)
01H 0AH mmH Vibrato Delay mm:00H-40H-7FH
(-64-0-+63)
The Rate, Depth, and Delay Time for the Vibrato is controlled.
01H 20H mmH
Filter Cutoff Frequency
mm:00H-40H-7FH
(-64-0-+63)
01H 21H mmH Filter Resonance mm:00H-40H-7FH
(-64-0-+63)
01H 22H mmH Filter EG Depth mm:00H-40H-7FH
(-64-0-+63)
The Cut-off frequency, Resonance, and Envelope Depth for the Filter is controlled.
01H 30H mmH Bass mm:00H-40H-7FH
(-64-0-+63)
01H 31H mmH Treble mm:00H-40H-7FH
(-64-0-+63)
The Bass and Treble are controlled.
01H 63H mmH EG Attack Time mm:00H-40H-7FH
(-64-0-+63)
01H 64H mmH EG Decay Time mm:00H-40H-7FH
(-64-0-+63)
01H 66H mmH EG Release mm:00H-40H-7FH
(-64-0-+63)
The Attack time, Decay time, and Release time for the Envelope are controlled. Based on
a standard of 64, values will be added to or subtracted from the Voice data. Depending on
the Voice, the effective range may be narrower.
<RPN (Registered Parameter Number) LSB/MSB> 64H/65H
Cntrl# parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127
If the Part Parameter Rcv RPN = OFF, that Part will not receive RPN Messages.
In correspondence to the following parameters.
MIDI Data Format
41
RPN Data-entry
LSB MSB MSB parameter Data Range
00H 00H mmH Pitch Bend Sensitivity mm:00H-18H (0-+24)
Default:02H
01H 00H mmH Fine Tune mm:00H-40H-7FH
(-64-0-+63)
Default : 40H 00H
02H 00H mmH Coarse Tune mm:28H-40H-58H
(-24-0-+24)
Default : 40H 00H
7FH 7FH — Null —
5. CHANNEL MODE MESSAGES
<All Sounds Off> 78H
Cntrl# parameter Data Range
120 ———— 0
Terminates all sounds currently sounding. However, the status of channel messages are
maintained.
<Reset All Controllers> 79H
Cntrl# parameter Data Range
121 ———— 0
The values of the following controllers will be reset to the defaults.
Pitch Bend Center
Channel Aftertouch 0
Modulation 0
Breath Control Max
Foot Control Max
Expression Max
Control Change 13 Center
Hold 1 Off
Portamento Off
Soft Pedal Off
RPN Null
<All Notes Off> 7BH
Cntrl# parameter Data Range
123 ———— 0
Terminates all notes currently on. However, if Hold 1 is on, notes will continue sounding
for the time set previously.
<Omni Off> 7CH
Cntrl# parameter Data Range
124 ———— 0
Performs the same function as when an All Notes Off message is received.
<Omni On> 7DH
Cntrl# parameter Data Range
125 ———— 0
Performs the same function as when an All Notes Off message is received. It will not acti-
vate OMNI ON.
<Mono> 7EH
Cntrl# parameter Data Range
126 Mono 0...16
Performs the same function as when an All Sounds Off message is received, and if the 3rd
byte (mono number) is in the range of 0 - 16, and sets the instrument to Mono Mode.
<Poly> 7FH
Cntrl# parameter Data Range
127 ———— 0
Performs the same function as when an All Sounds Off message is received, and sets the
instrument to Poly mode.
6. CHANNEL AFTERTOUCH
Status: DnH
If the Part Parameter Rcv CHANNEL AFTER TOUCH = OFF, that Part will not receive
Channel After Touch Messages.
7. SYSTEM EXCLUSIVE MESSAGES
If the Part Parameter Rcv SYSTEM EXCLUSIVE = OFF, that Part will not receive Sys-
tem Exclusive Messages.
<UNIVERSAL REALTIME MESSAGES>
1)MIDI Master Volume(receive only)
F0H, 7FH, xnH, 04H, 01H, llH, mmH, F7H
xn : n=Device Number, xn=7F : Broadcast
ll : Master Volume LSB
mm : Master Volume MSB
When received, the Volume MSB will be effective for the System Parameter MASTER
VOLUME.
2)General MIDI System On (receive only)
F0H, 7EH, 7FH, 09H, 01H,F7H or F0H, 7EH, xnH, 09H, 01H, F7H
xn : n=Device Number
<PARAMETER CHANGE>
[VL70-m Native Format]
F0H, 43H, 1nH, 57H, ahH, amH, alH, ddH, ~, ddH, F7H
1n : n=Device Number
ah : Address High
am : Address Mid
al : Address Low
dd : Data
1) VL System Parameters See <Table 3>
2) Current Voice / Common Misc Parameters See <Table 4>
3) VL Part Parameters See <Table 6>
4) Current Voice / Element Parameters See <Table 8>
[XG Format]
F0H, 43H, 1nH, 4CH, ahH, amH, alH, ddH, ~, ddH, F7H
1n : n=Device Number
ah : Address High
am : Address Mid
al : Address Low
dd : Data
1) XG System On(receive only) See <Table 1>
2) XG System Parameters See <Table 2>
3) Multi Part Parameters See <Table 3>
When this message is sent, the preset Part Number is used.
[Other]
1) MIDI Master Tune(receive only)
F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mmH, llH, ccH, F7H
1n : n=Device Number
mm : Master Tune MSB
ll : Master Tune LSB
cc : Don’t care
When received, the System Parameter will reflect the Master Tune.
<BULK DUMP> (receive only)
[VL70-m Native Format]
F0H, 43H, 0nH, 57H, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H
0n : n=Device Number
bm : Byte Count MSB
bl : Byte Count LSB
ah : Address High
am : Address Mid
al : Address Low
dd : Data
cc : Check Sum
1) VL System Parameters See <Table 3>
2) Current Voice / Common Misc Parameters See <Table 4>
3) VL Part Parameters See <Table 6>
4) Current Voice / Element Parameters See <Table 8>
5) Custom Voice Parameters See <Table 9>
6) Internal Voice Parameters See <Table 10>
[XG Format]
F0H, 43H, 0nH, 4CH, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H
0n : n=Device Number
bm : Byte Count MSB
bl : Byte Count LSB
ah : Address High
am : Address Mid
al : Address Low
dd : Data
cc : Check Sum
1) XG System Parameters See <Table 2>
2) Multi Part Parameters See <Table 5>
For the Address and Byte Count, refer to the supplementary tables.
Here, the Byte Count is indicated by the “TOTAL SIZE” in the table.
The block’s leading byte is the Bulk Dump and Dump Request’s Address.
A “Block” is the lumped together unit which is bound by the “Total Size”.
The Check Sum is the value that results in a value of 0 for the lower 7 bits when the
Address, Byte Count, Data, plus the Check Sum itself are added.
3) Part Assign (MIDI Parameter Change) See <Table 7>
F0H 43H 1nH 4CH 70H nnH ssH ppH F7H
n: Device Number
nn: Plug-in Board Type (PLG150-VL is "00.")
ss: Serial Number (which identifies the PLG boards when two same boards are installed)
00: for first PLG150-VL
01: for second PLG150-VL
pp: Part Number (to which the PLG150-VL is assigned.)
00: Part 1
.
.
0F: Part 16
7F: off
8. REALTIME MESSAGES
<Active Sensing> (receive only)
Status: FEH
Once Active Sensing is received, if no MIDI data is received for longer than an interval of
300msec, the instrument will perform the same function as when ALL SOUND OFF and
ALL NOTE OFF, RESET ALL CONTROLLER messages are received, and will return to
the status in which Active Sensing is not monitored.
42
MIDI Data Format
<Table 1> XG System On
Address Size Data Parameter Description
(H) (H) (H)
00 00 7E 1 00 XG SYSTEM ON 0:VL-XG
00 00 7F 1 00 ALL PARAMETERS RESET 0:ON
TOTAL SIZE 2
<Table 2> XG System Parameters
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
00 00 00 4 0000 - 07FF MASTER TUNE -102.4 - +102.3[cent] 00 04 00 00
1st bit3-0
→
bit15-12
2nd bit3-0
→
bit11-8
3rd bit3-0
→
bit7-4
4th bit3-0
→
bit3-0
04 1 00 - 7F MASTER VOLUME 0 - 127 7F
05 1 MASTER ATTENUATOR 0 - 127 00
06 1 28 - 58 TRANSPOSE -24 - +24[semitones] 40
TOTAL SIZE 7
<Table 3> VL System Parameters
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
00 00 00 4 0000 - 07FF MASTER TUNE -102.4 - +102.3[cent] 00 04 00 00
1st bit3-0
→
bit15-12
2nd bit3-0
→
bit11-8
3rd bit3-0
→
bit7-4
4th bit3-0
→
bit3-0
04 1 00 - 7F MASTER VOLUME 0 - 127 7F
05 1 MASTER ATTENUATOR 0 - 127 00
06 1 28 - 58 TRANSPOSE -24 - +24[semitones] 40
07 1 NOT USED --
08 1 NOT USED --
09 1 NOT USED --
0A 1 NOT USED --
0B 1 00 - 01 BREATH CONTROL NUMBER BC, EXPRESSION 00
0C 1 30 - 50 BREATH CONTROL CURVE -16 - +16 40
0D 1 00 - 01 WX LIP LOCK OFF/ON 00
0E 1 00 - 01 BREATH SET LOCK OFF/ON 00
0F 1 00 - 01 WX LIP NORMAL,EXPAND 00
10 1 00 - 02 SYSTEM BREATH MODE BC/WX, VELOCITY, TOUCH EG 00
11 1 00 - 7F VELOCITY DEPTH 0 - 127 30
12 1 00 - 7F VELOCITY OFFSET 0 - 127 50
13 1 00 - 7F TOUCH EG TIME 0 - 127 2A
14 1 00 - 7F AT LOW DEPTH 0 - 127 1B
15 1 00 - 7F AT LOW OFFSET 0 - 127 50
16 1 00 - 7F AT HIGH DEPTH 0 - 127 25
17 1 00 - 7F AT HIGH OFFSET 0 - 127 65
TOTAL SIZE 18
* Addresses 00 00 0B through 00 00 17 are supported for parameter changes.
<Table 4> Current Voice / Common Misc Parameters
Address Size Data Parameter Description
(H) (H) (H)
10 00 00 1 20 - 7F VOICE NAME #1 (Only for VL70-m) 32 - 127 (ASCII)
01 1 20 - 7F VOICE NAME #2 (Only for VL70-m) 32 - 127 (ASCII)
02 1 20 - 7F VOICE NAME #3 (Only for VL70-m) 32 - 127 (ASCII)
03 1 20 - 7F VOICE NAME #4 (Only for VL70-m) 32 - 127 (ASCII)
04 1 20 - 7F VOICE NAME #5 (Only for VL70-m) 32 - 127 (ASCII)
05 1 20 - 7F VOICE NAME #6 (Only for VL70-m) 32 - 127 (ASCII)
06 1 20 - 7F VOICE NAME #7 (Only for VL70-m) 32 - 127 (ASCII)
07 1 20 - 7F VOICE NAME #8 (Only for VL70-m) 32 - 127 (ASCII)
08 1 NOT USED
09 1 00 - 7F VOICE LEVEL 0 - 127
0A 1 00 - 02 ASSIGN MODE BOTTOM, TOP, LAST
0B 1 NOT USED
0C 1 NOT USED
0D 1 00 - 01 PORTAMENTO MODE FULLTIME, FINGERED
0E 1 NOT USED
TOTAL SIZE 0F
MIDI Data Format
43
<Table 5> Multi Part Parameters
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
08 0p 00 1 NOT USED
01 1 00 - 7F BANK SELECT MSB 0 - 127 00
02 1 00 - 7F BANK SELECT LSB 0 - 127 00
03 1 00 - 7F PROGRAM NUMBER 1 - 128 00
04 1 00 - 0F, 7F Rcv CHANNEL ch1 - ch16, OFF 00
05 1 00 - 01 MONO/POLY MODE 0:MONO, 1:POLY 01
06 1 NOT USED --
07 1 00 - 05 PART MODE 0:NORMAL 00
08 1 28 - 58 NOTE SHIFT -24 - +24[semitones] 40
09 2 00 - FF DETUNE -12.8 - +12.7[Hz], --
1st bit3-0
→
bit7-4, 2nd bit3-0
→bit3-0 08 00
0B 1 00 - 7F VOLUME 0 - 127 64
0C 1 00 - 7F VELOCITY SENSE DEPTH 0 - 127 40
0D 1 00 - 7F VELOCITY SENSE OFFSET 0 - 127 40
0E 1 00 - 7F PAN
CENTER (0), L63...C...R63 (1...64...127)
40
0F 1 00 - 7F NOTE LIMIT LOW C-2 - G8 00
10 1 00 - 7F NOTE LIMIT HIGH C-2 - G8 7F
11 1 00 - 7F DRY LEVEL 0 - 127 7F
12 1 00 - 7F CHORUS SEND 0 - 127 00
13 1 00 - 7F REVERB SEND 0 - 127 28
14 1 00 - 7F VARIATION SEND 0 - 127 00
15 1 00 - 7F VIBRATO RATE -64 - +63 40
16 1 00 - 7F VIBRATO DEPTH -64 - +63 40
17 1 00 - 7F VIBRATO DELAY -64 - +63 40
18 1 00 - 7F FILTER CUTOFF FREQUENCY -64 - +63 40
19 1 00 - 7F FILTER RESONANCE -64 - +63 40
1A 1 00 - 7F EG ATTACK TIME -64 - +63 40
1B 1 00 - 7F EG DECAY TIME -64 - +63 40
1C 1 00 - 7F EG RELEASE TIME -64 - +63 40
1D 1 28 - 58 MW PITCH CONTROL -24 - +24[semitones] 40
1E 1 00 - 7F MW FILTER CONTROL -9600 - +9450[cent] 40
1F 1 00 - 7F MW AMPLITUDE CONTROL -100 - +100[%] 40
20 1 00 - 7F MW LFO PMOD DEPTH 0 - 127 0A
21 1 00 - 7F MW LFO FMOD DEPTH 0 - 127 00
22 1 NOT USED --
23 1 28 - 58 BEND PITCH CONTROL -24 - +24[semitones] 42
24 1 00 - 7F BEND FILTER CONTROL -9600 - +9450[cent] 40
25 1 00 - 7F BEND AMPLITUDE CONTROL -100 - +100[%] 40
26 1 00 - 7F BEND LFO PMOD DEPTH 0 - 127 00
27 1 00 - 7F BEND LFO FMOD DEPTH 0 - 127 00
28 1 NOT USED
TOTAL SIZE 29
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
08 0p 30 1 00 - 01 Rcv PITCH BEND OFF/ON 01
31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF/ON 01
32 1 00 - 01 Rcv PROGRAM CHANGE OFF/ON 01
33 1 00 - 01 Rcv CONTROL CHANGE OFF/ON 01
34 1 NOT USED --
35 1 00 - 01 Rcv NOTE MESSAGE OFF/ON 01
36 1 00 - 01 Rcv RPN OFF/ON 01
37 1 00 - 01 Rcv NRPN OFF/ON 01
38 1 00 - 01 Rcv MODULATION OFF/ON 01
39 1 00 - 01 Rcv MAIN VOLUME OFF/ON 01
3A 1 00 - 01 Rcv PAN OFF/ON 01
3B 1 00 - 01 Rcv EXPRESSION OFF/ON 01
3C 1 00 - 01 Rcv HOLD1 OFF/ON 01
3D 1 00 - 01 Rcv PORTAMENTO OFF/ON 01
3E 1 NOT USED --
3F 1 00 - 01 Rcv SOFT PEDAL OFF/ON 01
40 1 00 - 01 Rcv BANK SELECT OFF/ON 01
41 1 00 - 7F SCALE TUNING C -64 - +63[cent] 40
42 1 00 - 7F SCALE TUNING C# -64 - +63[cent] 40
43 1 00 - 7F SCALE TUNING D -64 - +63[cent] 40
44 1 00 - 7F SCALE TUNING D# -64 - +63[cent] 40
45 1 00 - 7F SCALE TUNING E -64 - +63[cent] 40
46 1 00 - 7F SCALE TUNING F -64 - +63[cent] 40
47 1 00 - 7F SCALE TUNING F# -64 - +63[cent] 40
48 1 00 - 7F SCALE TUNING G -64 - +63[cent] 40
49 1 00 - 7F SCALE TUNING G# -64 - +63[cent] 40
4A 1 00 - 7F SCALE TUNING A -64 - +63[cent] 40
4B 1 00 - 7F SCALE TUNING A# -64 - +63[cent] 40
4C 1 00 - 7F SCALE TUNING B -64 - +63[cent] 40
4D 1 28 - 58 AT PITCH CONTROL -24 - +24[semitones] 40
4E 1 00 - 7F AT FILTER CONTROL -9600 - +9450[cent] 40
4F 1 00 - 7F AT AMPLITUDE CONTROL -100 - +100[%] 40
50 1 00 - 7F AT LFO PMOD DEPTH 0 - 127 00
51 1 00 - 7F AT LFO FMOD DEPTH 0 - 127 00
52 1 NOT USED --
53 1 NOT USED --
54 1 NOT USED --
55 1 NOT USED --
56 1 NOT USED --
57 1 NOT USED --
58 1 NOT USED --
59 1 00 - 5F AC1 CONTROLLER NUMBER off - 95 10
44
MIDI Data Format
5A 1 28 - 58 AC1 PITCH CONTROL -24 - +24[semitones] 40
5B 1 00 - 7F AC1 FILTER CONTROL -9600 - +9450[cent] 40
5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100 - +100[%] 40
5D 1 00 - 7F AC1 LFO PMOD DEPTH 0 - 127 00
5E 1 00 - 7F AC1 LFO FMOD DEPTH 0 - 127 00
5F 1 NOT USED --
60 1 NOT USED --
61 1 NOT USED --
62 1 NOT USED --
63 1 NOT USED --
64 1 NOT USED --
65 1 NOT USED --
66 1 NOT USED --
67 1 00 - 01 PORTAMENTO SWITCH OFF/ON 00
68 1 00 - 7F PORTAMENTO TIME 0 - 127 00
69 1 00 - 7F PITCH EG INITIAL LEVEL -64 - +63 40
6A 1 00 - 7F PITCH EG ATTACK TIME -64 - +63 40
6B 1 00 - 7F PITCH EG RELEASE LEVEL -64 - +63 40
6C 1 00 - 7F PITCH EG RELEASE TIME -64 - +63 40
6D 1 NOT USED --
6E 1 NOT USED --
TOTAL SIZE 3F
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
08 0p 70 1 28 - 58 BEND PITCH LOW CONTROL -24 - +24[semitones] 3E
71 1 00 - 7F FILTER EG DEPTH -64 - +63 40
72 1 00 - 7F BASS -64 - +63 40
73 1 00 - 7F TREBLE -64 - +63 40
TOTAL SIZE 04
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
09 0p 00 1 00 - 01 NOTE ASSIGN OFF/ON 01
01 1 00 - 03 BREATH MODE
SYSTEM, BC/WX, VELOCITY, TOUCH EG
00
02 1 NOT USED --
03 1 00 - 62 PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB 00
04 1 00 - 7F DEPTH -64 - +63 40
05 1 00 - 62 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB 00
06 1 00 - 7F DEPTH -64 - +63 40
07 1 00 - 62 TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB 00
08 1 00 - 7F DEPTH -64 - +63 40
09 1 00 - 62 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB 00
0A 1 00 - 7F DEPTH -64 - +63 40
0B 1 00 - 62 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB 00
0C 1 00 - 7F DEPTH -64 - +63 40
0D 1 00 - 62 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB 00
0E 1 00 - 7F DEPTH -64 - +63 40
0F 1 00 - 62 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB 00
10 1 00 - 7F DEPTH -64 - +63 40
11 1 00 - 62 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB 00
12 1 00 - 7F DEPTH -64 - +63 40
13 1 00 - 62 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB 00
14 1 00 - 7F DEPTH -64 - +63 40
15 1 00 - 62 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB 00
16 1 00 - 7F DEPTH -64 - +63 40
TOTAL SIZE 17
* p = Part Number
<Table 6> VL Part Parameters
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
09 0p 17 1 00 - 7F AMP LEVEL SCALE BREAK POINT C-2 - G8 3C
18 1 00 - 7F DEPTH -64 - +63 40
19 1 00 - 7F FILTER CUTOFF SCALE BREAK POINT C-2 - G8 3C
1A 1 00 - 7F DEPTH -64 - +63 40
1B 1 NOT USED --
1C 1 NOT USED --
TOTAL SIZE 06
* p = Part Number
<Table 7> MIDI Parameter Change (VL Part Assign)
Address Size Data Parameter Description Default
(H) (H) (H) value(H)
70 00 ss 1 00 - 0F, 7F Part Assign A 1.....A 16, off 0
TOTAL SIZE 01
* ss = Serial Number for PLG150-VL
<Table 8> Current Voice / Element Parameter
Address Size Data Parameter Description
(H) (H) (H)
20 00 00 1 20 - 7F ELEMENT NAME #1 32 - 127 (ASCII)
00 01 1 20 - 7F ELEMENT NAME #2 32 - 127 (ASCII)
00 02 1 20 - 7F ELEMENT NAME #3 32 - 127 (ASCII)
00 03 1 20 - 7F ELEMENT NAME #4 32 - 127 (ASCII)
00 04 1 20 - 7F ELEMENT NAME #5 32 - 127 (ASCII)
00 05 1 20 - 7F ELEMENT NAME #6 32 - 127 (ASCII)
MIDI Data Format
45
00 06 1 20 - 7F ELEMENT NAME #7 32 - 127 (ASCII)
00 07 1 20 - 7F ELEMENT NAME #8 32 - 127 (ASCII)
00 08 1 20 - 7F ELEMENT NAME #9 32 - 127 (ASCII)
00 09 1 20 - 7F ELEMENT NAME #10 32 - 127 (ASCII)
00 0A 1 00 - 01 EXPRESSION MODE BC, VOLUME
00 0B 1 00 - 62 PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB
00 0C 2 01 01 - 00 7F DEPTH -127 - +127
00 0E 1 70 - 10 CURVE -16 - +16
00 0F 1 00 - 62 FILTER CONTROL NO. off - 95, AT, VELOCITY, PB
00 10 2 01 01 - 00 7F DEPTH -127 - +127
00 12 1 70 - 10 CURVE -16 - +16
00 13 1 00 - 62 AMPLITUDE CONTROL NO. off - 95, AT, VELOCITY, PB
00 14 2 01 01 - 00 7F DEPTH -127 - +127
00 16 1 70 - 10 CURVE -16 - +16
00 17 1 00 - 62 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB
00 18 2 01 01 - 00 7F UPPER DEPTH -127 - +127
00 1A 2 01 01 - 00 7F LOWER DEPTH -127 - +127
00 1C 1 00 - 01 MODE CENTER BASE, MINIMUM BASE
00 1D 1 00 - 62 TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB
00 1E 2 01 01 - 00 7F DEPTH -127 - +127
00 20 1 70 - 10 CURVE -16 - +16
00 21 1 00 - 62 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB
00 22 2 01 01 - 00 7F DEPTH -127 - +127
00 24 1 70 - 10 CURVE -16 - +16
00 25 1 00 - 62 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB
00 26 2 01 01 - 00 7F DEPTH -127 - +127
00 28 1 70 - 10 CURVE -16 - +16
00 29 1 00 - 62 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB
00 2A 2 01 01 - 00 7F DEPTH -127 - +127
00 2C 1 70 - 10 CURVE -16 - +16
00 2D 1 00 - 62 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB
00 2E 2 01 01 - 00 7F DEPTH -127 - +127
00 30 1 70 - 10 CURVE -16 - +16
00 31 1 00 - 62 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB
00 32 2 01 01 - 00 7F DEPTH -127 - +127
00 34 1 70 - 10 CURVE -16 - +16
00 35 1 00 - 62 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB
00 36 2 01 01 - 00 7F DEPTH -127 - +127
00 38 1 70 - 10 CURVE -16 - +16
00 39 1 00 - 62 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB
00 3A 2 01 01 - 00 7F DEPTH -127 - +127
00 3C 1 70 - 10 CURVE -16 - +16
00 3D NOT USED
| | NOT USED
0A 6A NOT USED
TOTAL SIZE 56B
<Table 9> Custom Voice Parameters
Address Size Data Parameter Description
(H) (H) (H)
30 00 0n 1 20 - 7F VOICE NAME #1 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #2 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #3 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #4 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #5 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #6 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #7 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #8 32 - 127 (ASCII)
1 NOT USED
1 00 - 7F VOICE LEVEL 0 - 127
1 00 - 02 ASSIGN MODE BOTTOM, TOP, LAST
2 00 00 - 1F 1F POLY EXPAND off...32>32
1 00 - 01 PORTAMENTO MODE FULLTIME, FINGERED
1 NOT USED
1 00 - 01 MONO/POLY MODE 0:MONO, 1:POLY
1 28 - 58 NOTE SHIFT -24 - +24[semitones]
2 00 - FF DETUNE -12.8 - +12.7[Hz], 1st bit3-0Æbit7-4, 2nd bit3-0→bit3-0
1 NOT USED
1 00 - 7F VELOCITY SENSE DEPTH 0 - 127
1 00 - 7F VELOCITY SENSE OFFSET 0 - 127
1 00 - 7F PAN RANDOM (0), L63...C...R63 (1...64...127)
1 NOT USED
1 NOT USED
1 00 - 7F DRY LEVEL 0 - 127
1 00 - 7F CHORUS SEND 0 - 127
1 00 - 7F REVERB SEND 0 - 127
1 00 - 7F VARIATION SEND 0 - 127
1 28 - 58 MW PITCH CONTROL -24 - +24[semitones]
1 00 - 7F MW FILTER CONTROL -9600 - +9450[cent]
1 00 - 7F MW AMPLITUDE CONTROL -100 - +100[%]
1 00 - 7F MW LFO PMOD DEPTH 0 - 127
1 00 - 7F MW LFO FMOD DEPTH 0 - 127
1 28 - 58 BEND PITCH CONTROL -24 - +24[semitones]
1 00 - 7F BEND FILTER CONTROL -9600 - +9450[cent]
1 00 - 7F BEND AMPLITUDE CONTROL -100 - +100[%]
1 00 - 7F BEND LFO PMOD DEPTH 0 - 127
1 00 - 7F BEND LFO FMOD DEPTH 0 - 127
1 00 - 7F SCALE TUNING C -64 - +63[cent]
1 00 - 7F SCALE TUNING C# -64 - +63[cent]
46
MIDI Data Format
1 00 - 7F SCALE TUNING D -64 - +63[cent]
1 00 - 7F SCALE TUNING D# -64 - +63[cent]
1 00 - 7F SCALE TUNING E -64 - +63[cent]
1 00 - 7F SCALE TUNING F -64 - +63[cent]
1 00 - 7F SCALE TUNING F# -64 - +63[cent]
1 00 - 7F SCALE TUNING G -64 - +63[cent]
1 00 - 7F SCALE TUNING G# -64 - +63[cent]
1 00 - 7F SCALE TUNING A -64 - +63[cent]
1 00 - 7F SCALE TUNING A# -64 - +63[cent]
1 00 - 7F SCALE TUNING B -64 - +63[cent]
1 28 - 58 AT PITCH CONTROL -24 - +24[semitones]
1 00 - 7F AT FILTER CONTROL -9600 - +9450[cent]
1 00 - 7F AT AMPLITUDE CONTROL -100 - +100[%]
1 00 - 7F AT LFO PMOD DEPTH 0 - 127
1 00 - 7F AT LFO FMOD DEPTH 0 - 127
1 00 - 5F AC1 CONTROLLER NUMBER off - 95
1 28 - 58 AC1 PITCH CONTROL -24 - +24[semitones]
1 00 - 7F AC1 FILTER CONTROL -9600 - +9450[cent]
1 00 - 7F AC1 AMPLITUDE CONTROL -100 - +100[%]
1 00 - 7F AC1 LFO PMOD DEPTH 0 - 127
1 00 - 7F AC1 LFO FMOD DEPTH 0 - 127
1 00 - 01 PORTAMENTO SWITCH OFF/ON
1 00 - 7F PORTAMENTO TIME 0 - 127
1 28 - 58 BEND PITCH LOW CONTROL -24 - +24[semitones]
62 NOT USED
TOTAL SIZE A3
Address Size Data Parameter Description
(H) (H) (H)
31 00 0n 1 20 - 7F ELEMENT NAME #1 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #2 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #3 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #4 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #5 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #6 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #7 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #8 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #9 32 - 127 (ASCII)
1 20 - 7F ELEMENT NAME #10 32 - 127 (ASCII)
1 00 - 01 EXPRESSION MODE BC, VOLUME
1 00 - 62 PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 FILTER CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 AMPLITUDE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F UPPER DEPTH -127 - +127
2 01 01 - 00 7F LOWER DEPTH -127 - +127
1 00 - 01 MODE CENTER BASE, MINIMUM BASE
1 00 - 62 TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
52E NOT USED
TOTAL SIZE 56B
n = Voice Number(0 - 5)
MIDI Data Format
47
<Table 10> Internal Voice Parameters
Address Size Data Parameter Description
(H) (H) (H)
40 00 nn 1 20 - 7F VOICE NAME #1 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #2 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #3 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #4 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #5 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #6 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #7 32 - 127 (ASCII)
1 20 - 7F VOICE NAME #8 32 - 127 (ASCII)
1 00 - 7F VOICE LEVEL 0 - 127
1 00 - 02 ASSIGN MODE BOTTOM, TOP, LAST
2D NOT USED
1 00 - 7F AMP LEVEL SCALE BREAK POINT C-2 - G8
1 00 - 7F DEPTH -64 - +63
1 00 - 7F FILTER CUTOFF SCALE BREAK POINT C-2 - G8
1 00 - 7F DEPTH -64 - +63
1 00 - 02 BANK POINTER PRESET1, PRESET2, CUSTOM
1 00 - 7F PROGRAM POINTER 1 - 128
33 NOT USED
1 00 - 01 EXPRESSION MODE BC, VOLUME
1 00 - 62 PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 FILTER CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 AMPLITUDE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F UPPER DEPTH -127 - +127
2 01 01 - 00 7F LOWER DEPTH -127 - +127
1 00 - 01 MODE CENTER BASE, MINIMUM BASE
1 00 - 62 TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
1 00 - 62 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB
2 01 01 - 00 7F DEPTH -127 - +127
1 70 - 10 CURVE -16 - +16
TOTAL SIZE A3
nn = Voice Number (00 - 3F)
48
MIDI Implementation Chart
YAMAHA [ Virtual Acoustic Plug-in Board ] Date:21-SEP-1999
Model PLG150-VL MIDI Implementation Chart Version : 1.0
Transmitted Recognized Remarks
Function...
Basic Default x 1
Channel Changed x 1 - 16
Default x 3
Mode Messages x 3,4 (m=1) *2
Altered ************** x
Note x 0 - 127
Number : True voice ************** 0 - 127
Velocity Note ON x o 9nH,v=1-127
Note OFF x x
After Key’s x x
Touch Ch’s x o *1
Pitch Bend x o 0-24 semi *1
0,32 x o *1 Bank Select
1,2,4,5,13 x o *1
6,38 x o *1 Data Entry
64,65,67 x o *1
Control 71-74 x o *1 Sound Controller
96-97 x o *1 RPN Inc,Dec
Change 98-99 x o *1 NRPN LSB,MSB
100-101 x o *1 RPN LSB,MSB
MIDI Implementation Chart
49
Prog x o 0 - 127
Change : True # **************
System Exclusive o *3 o *3
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System :Clock x x
Real Time:Commands x x
Aux :All Sound OFF x o(120,126,127)
:Reset All Cntrls x o(121)
:Local ON/OFF x x
:All Notes OFF x o(123-125)
Mes- :Active Sense x o
sages:Reset x x
Notes: *1 receive if switch is on.
*2 m is always treated as "1" regardless of its value.
*3 transmit/receive if exclusive switch is on.
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No
50
SOFTWARE LICENSING AGREEMENT
The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha
software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this
licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree
to the terms, return this package unopened to Yamaha for a full refund.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (“SOFT-
WARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The
SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provi-
sions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the
SOFTWARE like any other copyrighted materials.
2. RESTRICTIONS
The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE
by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in
whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with
other computers.
You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that
you retain no copies and the recipient agrees to the terms of the licensing agreement.
3. TERMINATION
The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one
of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automati-
cally without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.
4. PRODUCT WARRANTY
Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the
functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which
proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the
SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with respect to this software,
including, without limitation the implied warranties of merchantability and fitness for a particular purpose.
5. LIMITED LIABILITY
Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any other
person for any damages, including without limitation any incidental or consequential damages, expenses, lost profits, lost
savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer
has been advised of the possibility of such damages, or for any claim by any other party.
6. GENERAL
This license agreement shall be interpreted according to and governed by Japanese laws.
51
SOFTWARE-LIZENZVEREINBARUNG
Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corpora-
tion („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm ausschließlich
zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig.
Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn
Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an Yamaha zurückgeben; der Kauf-
preis wird in voller Höhe zurückerstattet.
1. ERETILUNG VON LIZENZ UND COPYRIGHT
Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und der
darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen sie nicht
auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist
durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein
Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher müssen Sie die SOFTWARE wie
alle anderen durch Copyright geschützten Materialien behandeln.
2. EINSCHRÄNKUNGEN
Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden repro-
duzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modifizieren, verändern, gegen Entgelt oder
unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE keine Ableitungen
erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigen-
tum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis unter den Voraussetzungen übertra-
gen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung
einverstanden erklärt.
3. BEENDIGUNG
Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein Copy-
rightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch
Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre Kopien unverzüg-
lich vernichten.
4. PRODUKTGARANTIE
Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen
nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin bestehen
wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler auf-
weist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht” geliefert, und es werden
keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software übernommen, einschließlich,
aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität und Eignung für einen bestimmten
Einsatzzweck.
5. BESCHRÄNKTE HAFTUNG
Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha Ihnen
oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige Schäden oder
Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die aus der Verwendung
der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn
Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für
etwaige andere Ansprüche einer anderen Partei.
6. ALLGEMEINES
Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden.
52
CONTRAT DE LICENCE DE LOGICIEL
Ceci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-inclus est
concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues aux présentes.
Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez l’ensemble des termes
du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour en obtenir le remboursement
intégral.
1. CONCESSION DE LICENCE ET DROITS D’AUTEUR
Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à
celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments sur plus
d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relati-
ves au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en droit de revendiquer
l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout autre élément protégé par
le droit d’auteur.
2. RESTRICTIONS
Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à repro-
duire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modifier, prêter, louer, revendre
ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des fins de création dérivée. Vous n’êtes pas auto-
risé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau.
Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous réserve
que vous n’en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat.
3. RESILIATION
Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis.
Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées, le contrat de
licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement détruire le LOGI-
CIEL concédé sous licence ainsi que les copies réalisées.
4. GARANTIE PRODUIT
Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni,
Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu
défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul recours opposable à
Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et toute autre garantie
expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite de qualité marchande et
d’adéquation à un usage particulier, est exclue.
5. RESPONSABILITE LIMITEE
Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha ne
pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment et de
manière non limitative, de dommages indirects, frais, pertes de bénéfices, pertes de fonds ou d’autres dommages résultant de
l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été prévenus de
l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie.
6. REMARQUE GENERALE
Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété.
For details of products, please contact your nearest Yamaha or
the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à
Yamaha ou au distributeur le plus proche de vous figurant dans
la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweili-
gen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más
cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif.
90620, U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
ARGENTINA
Yamaha Music Argentina S.A.
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panama S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panam*, Panam*
Tel: 507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria
Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands
Tel: 030-2828411
BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium
Tel: 02-7258220
FRANCE
Yamaha Musique France,
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ASIA
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Cosmos Corporation
1461-9, Seocho Dong, Seocho Gu, Seoul, Korea
Tel: 02-3486-0011
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
10F, 150, Tun-Hwa Northroad,
Taipei, Taiwan, R.O.C.
Tel: 02-2713-8999
THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic.
3205, Australia
Tel: 3-699-2388
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
International Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2312
ITALY
Yamaha Musica Italia S.P.A.,
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Electronica Musical, S.A.
Jorge Juan 30, 28001, Madrid, Spain
Tel: 91-577-7270
GREECE
Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens,
Greece
Tel: 01-364-7111
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: 04101-3030
AFRICA
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-
8650
Tel: 053-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: 971-4-81-5868
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2445
SY20
M.D.G., EMI Division, Yamaha Corporation
© 1999 Yamaha Corporation
V?????? 911PO???.?-01A0 Printed in Japan
This document is printed on recycled chlorine free (ECF) paper.
Auf Recycling-Umweltpapier gedruckt.
Ce document a été imprimé sur du papier recyclé non blanchi au chlore.
Documenttranscriptie
Yamaha Virtual Acoustic Plug-in Board Virtual Acoustic Plug-in-Karte Carte Plug-in Acoustique Virtuelle Owner’s Manual Bedienungsanleitung Mode d’emploi Precautions ● Do not expose the plug-in board to direct sunlight, excessive humidity, high temperatures, excessive dust or strong vibrations. ● Before handling the plug-in board, be sure to touch a metal surface to discharge any static electricity which may be in your body. ● When holding the plug-in board, do not touch the inside area of the circuit board or apply excessive pressure to the board, and be sure to protect the board from contact with water or other liquids. ● Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your computer. ● Before connecting the computer to other devices, turn off the power switches of all devices. ● Yamaha is not responsible for loss of data through computer malfunctions or operator actions. ● The plug-in board contains no user-serviceable parts, so never touch the inside area of the circuit board or tamper with the electronic circuitry in any way. Doing so may result in electrical shock or damage to the plugin board. YAMAHA CANNOT BE HELD RESPONSIBLE FOR DAMAGE CAUSED BY IMPROPER CARE AND USE OF THE PLUG-IN BOARD. * The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies. * The screens as illustrated in this owner’s manual are for instructional purposes only, and may appear somewhat different from the ones of your instrument. FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class ”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit ”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. CANADA This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. 2 Introduction Virtual Acoustic Plug-in Board PLG150-VL will expand your synthesizer of the Modular Synthesis Plug-in System (such as CS6x and S80) by adding 256 VL voices, created by the unique Virtual Acoustic Synthesis (including 137 VL-XG, XG compatible, voices). It also expands your tone generator/ sound card of the XG Plug-in System (such as MU128 and SW1000XG) as well. Using the included software, VL Visual Editor, you can edit VL voices and create your own voices from scratch. Please read through this manual to take full advantage of the PLG150-VL before use and keep the manual in a safe place for future reference. Table of Contents Overview of the PLG150-VL .......................................................... 4 Virtual Acoustic Synthesis ........................................................... 9 Voice Organization ................................................................... 13 Selecting Voices ...................................................................... 15 Editing VL Voice Part Parameters ................................................ 19 VL System Parameters ............................................................. 30 Q & A .................................................................................... 34 Appendix Voice List ............................................................................... 36 MIDI Data Format ..................................................................... 40 MIDI Implementation Chart ......................................................... 48 3 Overview of the PLG150-VL Main Features ● Allows you to play back the songs which are programmed with the VL-XG voice data (p.13). ● Lets you edit the VL parameters on the synthesizer/ tone generator (a model with LCD screen) (p.19). ● Allows you to simulate an acoustic musical instrument and create a “virtual” musical instrument using the “VL Visual Editor,” even if you don't have further musical knowledge (p.7). ● Allows you to play the PLG150-VL by WX5 (via BT7) connected to the tone generator via MIDI (p.33). About the Modular Synthesis Plug-in System The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted advances in modern music production. About the XG Plug-in System The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted advances in modern music production. About Sondius XG Products bearing the SONDIUS-XG logo are licensed under patents of Stanford University and Yamaha as listed on the internet web site, <http://www.sondius-xg.com>. About VL-XG The VL Extension for XG (“VL Extension for XG” is abbreviated to VL-XG) included in the PLG150-VL significantly enhances and expands the musical capabilities of the XG format with the superior sound and expressive potential of Yamaha Virtual Acoustic Synthesis. The PLG150-VL provides superior wind and string instrument voices while the XG tone generator/ sound card supplies drums, percussion, keyboard, and other voices. 4 Overview of the PLG150-VL VL Voice Edit Editing VL-XG Voices If you want to edit the existing MIDI files or create a MIDI song using various VL-XG voices from the PLG150-VL, you need to use a sequencing software which is capable of editing system exclusive messages and transmit bank select/program change messages and/or parameter changes to the PLG150-VL. See MIDI Data Format (p. 40) for more information on the system exclusive messages. However, using the XG Editor Window of the music sequencing software, “XGworks lite” (an Windows application, provided in the “mother” synthesizer/ tone generator) lets you visually and easily enter the VL program change data and edit its data instead of inputting rather complicated system exclusive messages. Creating Your Own VL Voices Even if you have no experience in voice creation, the “VL Visual Editor” (provided in the included disk) lets you easily create VL voices (p. 7). To use the “XGworks lite” and “VL Visual Editor” you need to connect the “mother” synthesizer/ tone generator/ sound card to your PC, and properly set the “Driver” and “Input/ Output devices.” For the details refer to the owner’s manual of the “XGworks lite.” Installation For the installation of the PLG150-VL see the manual of respectiv “mother” synthesizer/ tone generator/ sound card. Included Items • PLG150-VL • Demonstration & Plug-in Voice Disk (FD) • TOOLS for PLG150-DX/PLG150-VL (CD-ROM) • Owner’s Manual 5 Overview of the PLG150-VL Specifications Tone Generator : S/VA (Self-oscillating Virtual Acoustic Synthesis: VLR Algorithm) Polyphony : 1 note monophonic (latest note priority) Sound Module Mode : VL-XG Interface : XG Plug-in Connector (15-pin Digital Connector) Number of Voice : 256 Preset voices (including 137 VL-XG voices) 6 Custom voices 64 Internal voices Dimensions (W x H x D) : 138.5mm(W) 89mm(D) 8.5mm(H) WEIGHT : 56g * Specifications subject to change without notice. About the Demonstration Data in the Included Floppy Disk The demonstration songs, and the performances for XG tone generators and the Plug-in voice data for "Modular Synthesis Plug-in System" synthesizers are provided in the included floppy disk, which will give you an idea of some of the PLG150-VL’s capability. Contents 1. XG Demonstration Songs (only for the XG tone generator) File Name COOLJIVA.MID OXYGEN.MID Song Name Cool JiVA Oxygen NOBODY.MID SILHOUET.MID Nobody Knows Silhouettes VAMBIENT.MID DOGROOVA.MID CLOUDS.MID VAmbient Do GrooVA Clouds Composer Katsunori Ujiie Andy Mowat Daniel Powell (YAHAMA R&D London) Akio Suzuki Tom Scott (GRP Recording Artist) Nate Tschetter Charles Feilding (YAMAHA Sound Design Office) Katsunori Ujiie Katsunori Ujiie Akio Suzuki XG Demonstration songs can be played back using the XGworks lite (sequencing software, provided in the “mother” synthesizer/tone generator) or a sequencer like QY700. 2. Performance Data (only for the XG tone generators) VLPFM1.MID VLPFM2.MID VLPFM3.MID VLPFM4.MID Performance data : send them as the bulk data to the XG tone generator using the “XGworks lite.” 3. MSPS Demonstration song (only for the Modular Synthesis Plug-in System synthesizers) 02VlDemo.mid MSPS Demonstration song can be played back using the XGworks lite or an external MIDI data storage device like MDF3. 6 Overview of the PLG150-VL 4. Plug-in voice data (only for the Modular Synthesis Plug-in System synthesizers) • for the PLG1 slot 01PlgV1A.mid (Wind instruments for TouchEG) (64 voices) 01PlgV1B.mid (Keyboards) (64 voices) 01PlgV1C.mid (Wind instruments for Breath controller) (64 voices) • for the PLG2 slot 01PlgV2A.mid (Wind instruments for TouchEG) (64 voices) 01PlgV2B.mid (Keyboards) (64 voices) 01PlgV2C.mid (Wind instruments for Breath controller) (64 voices) See page 39 for the information on each voice. Plug-in voice data are provided as MIDI files. You can get the voices by playing back the MIDI files using a sequencer. The voice data will be loaded onto the Plug-in voice data area of your synthesizer. About the Applications in the Included CD-ROM A voice editing tool, VL Visual Editor, is provided in the included CD-ROM. You can create VL voices using the VL Visual Editor. Contents • VL Visual Editor (for Windows) : This is a Plug-in software for the XGworks lite, which is included in your “mother” XG tone generator or “Modular Synthesis Plug-in System” synthesizer. • VL Visual Editor for Macintosh : This software can run on the models, PowerPC or upper. • DX Easy Editor : A tool for the PLG150-DX, another Plug-in board. • DX Simulator : A tool for the PLG150-DX, another Plug-in board. • OMS (Open Music System 2.3.6) : Enables you to use several MIDI applications on the Macintosh OS at the same time. Installing and Starting the VL Visual Editor ■ Installing the Software Windows 1 Double-click on the “Setup.exe” file in the CD-ROM. Installer will be started up. 2 Execute the installation by following the directions appearing on the screen. After the installation, [VL Visual Editor] is added to the [Plug-in] menu on the XGworks lite. 7 Overview of the PLG150-VL Macintosh : English version only 1 Double-click on the “Install VL Visual Editor” in the “English”/“VL Visual Editor” folder of the CD-ROM. Installer will be started up. 2 Execute the installation by following the directions appearing on the screen. After the installation, “VL Visual Editor 1.02E” is added to the Hard Disk as the default. ■ Starting up the VL Visual Editor Windows Start up the XGworks lite, and then select [VL Visual Editor] from its [Plug-in] menu. The VL Visual Editor window appears. Macintosh : English version only Double-click on the "VL Visual Editor for Mac" icon in the "VL Visual Editor 1.02E" folder. The VL Visual Editor window appears. ● ● For the detailed information about the VL Visual Editor see the on-line manual of the VL Visual Editor. When using a “Modular Synthesis Plug-in System” synthesizer: When in the Voice Mode, assign the Part number 1 to the VL Visual Editor. In the Performance (Multi) Mode, you can not use the VL Visual Editor. The VL voices created by the VL Visual Editor can be loaded to the Custom Voice Bank (p.13) of the PLG150-VL and played back. However, the loaded data will be lost once you turn off the “mother” synthesizer/ tone generator. You need to load the data again if you want to use the voices. You can save the VL voice data in a file as a part of the “XGworks lite” song data or in an external MIDI data storage device such as MDF3 as a part of bulk data (voice file). 8 Virtual Acoustic Synthesis Unlike previous tone generation systems which use oscillators, function generators, preset waveforms or samples to produce sound, Yamaha Virtual Acoustic (“VA”) Synthesis applies sophisticated computer-based “physical modeling” technology to musical sound synthesis. In the same way that computer “models” are used to simulate weather systems or the flight characteristics of aircraft in the design stage, the PLG150-VL simulates the very complex vibrations, resonances, reflections and other acoustic phenomena that occur in a real wind or string instrument. VA Advantages The PLG150-VL offers many advantages in terms of musical performance. Not just in terms of sound, but also in terms of the “behavior” that makes acoustic instruments so … well, musical! Yamaha Virtual Acoustic Synthesis is simply the most musical tone generation system ever created. • The PLG150-VL sounds better, has more depth, and is more realistic in the musical sense than any other tone generation system. • Simply playing a note in the same way does not always produce precisely the same sound. The instrument is responsive and “alive”. • Note-to-note transitions have the same continuity exhibited by acoustic instruments. What goes on in between the notes is just as important musically as the notes themselves. • It has extraordinary expressive capability. Rather than simply controlling parameters like volume or pitch, you can control characteristics such as breath and reed pressure with appropriate complex effects on the timbre of the sound. VL Tone Generator Model The overall VL tone generation model or “algorithm” consists of three main blocks: the instrument, controllers, and modifiers. In schematic form these blocks are arranged as follows: Controllers (also envelopes) Instrument Modifiers Sound out 9 Virtual Acoustic Synthesis The Instrument The key block in this algorithm is the instrument, since it is here that the fundamental tone or “timbre” of the sound is defined. The instrument model consists primarily of a driver — the reed/mouthpiece, lip/mouthpiece, or bow/string system — and a resonant system corresponding to the tube and air column or string.. In all these instruments pressure applied here (the driving point) causes vibration which results in sound. Reed vibration Lip vibration Air vibration String vibration ● ● The sound thus produced is amplified and sustained by the body of the instrument. The pitch of the sound is determined by the length of the air column or string, and the timbre is a complex product of the driving source (reed, lip, air, string), the shape of the resonant cavity, the materials from which the instrument is made, etc. One of the remarkable features of the Virtual Acoustic Synthesis system is that just about any driver can be used with any type of pipe or string. Drivers 10 Pipes/String Virtual Acoustic Synthesis The Controllers The input to an acoustic wind instrument comes from the player’s lungs, trachea, oral cavity, and lips. In a string instrument it comes from the player’s arm movement, transmitted to the string via a bow. These elements actually form an important part of the sound generating system and, in the PLG150VL, are included in the controllers block. The player also influences the sound of the instrument by playing the keys, tone holes, or frets, and this aspect of control constitutes another part of the controllers block. These and other control parameters provided by the PLG150-VL are listed in the illustration below. In essence, the controller parameters determine how the instrument “plays”. All of these parameters can be assigned to any external controller that can be used with the PLG150-VL: breath controller, foot controller, modulation wheel, etc. The pressure parameter, for example, will normally be assigned to a breath controller so the player can control the dynamics of the instrument by varying the breath pressure applied to the controller — a natural, instinctive way to play wind-instrument voices. At the same time the growl and throat parameters might also be assigned to the breath controller in order to achieve life-like response and effects. Embouchure The tightness of the lips against the reed or against each other, or the force of the bow against the string. Tonguing Simulates the half-tonguing technique used by saxophone players by changing the “slit” of the reed. Throat Controls the characteristics of the “player’s” throat or bowing arm. Pressure The amount of breath pressure applied to the reed or mouthpiece, or bow velocity applied to the string. Growl A periodic pressure (bow velocity) modulation which produces the “growl” effect often heard in wind instruments. Pitch Changes the length of the air column or string, and thereby the pitch of the sound. Scream Drives the entire system into chaotic oscillation, creating effects that can only be achieved with physical modelling technology. Damping & Absorption Simulate the effects of air friction in the pipe or on the string, and of high-frequency losses at the end of the pipe or string. 11 Virtual Acoustic Synthesis The Modifiers The modifiers block consists of 4 sections as shown in the diagram. Although these may appear to be simple effects, they are actually intimately related to the PLG150-VL’s sound-producing model and have a significant effect on the sound. ● Harmonic Enhancer The Harmonic Enhancer determines the harmonic structure of the sound to the extent that it can produce radical timbral variations within an instrument “family” (e.g. saxes). Adjusting the Harmonic Enhancer may not produce audible effects since many of the PLG150-VL voices’ harmonics are created without the Harmonic Enhancer. Harmonic Enhancer Dynamic Filter ● Dynamic Filter This section is similar to the dynamic filters found in many conventional synthesizers, with high-pass, bandpass, band elimination, and low-pass modes. Some filter parameters are available via the PLG150-VL controls, but the filter type cannot be changed. ● Frequency Equalizer Resonator The degree how much the filter is applied can be changed using the key scaling. ● The incline of the filters is -12dB/oct. ● This effect may vary depending on the selected voice. ● Frequency Equalizer The Equalizer boosts or decreases the output level around the designated frequency. The PLG150-VL lets you access the equalizer function using “Low Gain (Bass)” and “High Gain (Treble)” parameters. ● Resonator The Resonator uses simulated “resonator” pipes or strings and delays to produce a “woody” resonance effect — although it has little or no effect on some voices. The resonator parameters are not accessible but preset for some of the preset voices. 12 Voice Organization The VL voices have each program number and are organized into 12 banks. For the voice list see page 36. • Banks 112 through 119: VL-XG Banks These banks are used when the PLG150-VL functions as the VL-XG tone generator. The voices from the PRESET 1 and PRESET 2 banks are assigned to MIDI banks and program change numbers conforming to the Yamaha XG format. Since the PLG150-VL does not have a full set of XG-compatible voices, some voice numbers will be skipped (e.g. 22, 23, 25, 27, etc.). If the truncated number is designated, the XG voice having the same program number in the bank 1 will sound, instead. • Bank 000: PRESET 1 (Pr1) The PRESET 1 bank contains 128 preset voices which have been created primarily to be played via a keyboard. • Bank 001: PRESET 2 (Pr2) The PRESET 2 bank contains 128 preset voices which have been created to provide maximum expressive capability when played with a breath controller or WX-series Wind MIDI Controller. • Bank 002: CUSTOM (Cst) The CUSTOM bank has 6 memory locations (program numbers 001 - 006) in which you can load the voices created by the Yamaha VL Visual Editor (p. 7). The loaded voices cannot be backed up. When the “mother” tone generator/sound card is turned off, the voices are reset to their defaults, the sound-effect type voices from the PRESET banks. • Bank 003: INTERNAL (Int) The INTERNAL voices of the VL70-m can be received and loaded (bulk data). The loaded voices cannot be backed up. When the “mother” tone generator/sound card is turned off, the voices are reset to their defaults, the voices from the PRESET banks, set up to be played via a WX-series Wind MIDI Controller. ● ● ● ● The edited voices cannot be stored in the INTERNAL voice bank. (When using a synthesizer/ tone generator) Saving a performance containing a VL voice as a part records the program number of the VL voice and the VL parameter settings edited on the “mother” synthesizer/ tone generator. The VL-XG voices edited with XG Editor Window of the “XGworks lite” can be saved as a part of the song data. Note that the “program numbers” here are 001–128 and the “MIDI program change numbers” are 000–127. When selecting voices (programs) using an external MIDI device, subtract a value of “1” from the “program numbers” to match the “MIDI program change numbers.” 13 Voice Organization Selecting Banks Use the MIDI bank MSB (control number 00) and LSB (control number 32) numbers listed below to select VL banks from an external MIDI device. BANK BANK 112 BANK 113 BANK 114 BANK 115 BANK 116 BANK 117 BANK 118 BANK 119 PRESET 1 PRESET 2 CUSTOM INTERNAL 14 MSB 97 or 81 97 or 81 97 or 81 97 or 81 97 or 81 97 or 81 97 or 81 97 or 81 33 33 33 33 LSB 112 113 114 115 116 117 118 119 0 1 2 3 Selecting Voices Modular Synthesis Plug-in System ■ Selecting VL Voices When the PLG150-VL is properly installed on your synthesizer, the VL voices can be selected in the same way as the internal voices of the synthesizer. For more information see the manual of the synthesizer. The example displays used in the following explanations are all taken from CS6x. Therefore, the illustrations may be somewhat different from the LCDs of your instrument. 1 Press the VOICE button. Voice mode will be displayed. VCE Play) INT:001(A01)[Sq:Generation] EQLow-G EQMid-G EQHi-G FLT-Rez EfHPF 2 Press the appropriate PLG button (PLG1 or PLG2, depending on which slot the PLG150-VL board has been installed to). VCE Play) PLG1:001(A01)[--:Plug-InVce] EQLow-G EQMid-G EQHi-G ------- ------- 3 Then select the VL voice by pressing the appropriate BANK button and PROGRAM button. To select a different voice bank, simultaneously hold down the appropriate PLG button and turn knob C (or press the INC/ DEC buttons). The bank is expressed in two numbers: MSB and LSB. If a selected bank is not available, the bank letter indication in the display (A - H) will not change. 15 Selecting Voices XG Plug-in System The VL voices can be selected as you do with the XG voices. However, you have to select XG Mode or Performance Mode from the “mother” tone generator/sound card Sound Module Mode, first. You also have to designate the Part, to which you want to assign the VL voice, in the Utility sub-mode (PLUGIN). ● ● The sound cards like the SW1000XG do not include “Performance Mode.” Please check the owner’s manual of the “mother” tone generator/sound card whether it includes the Performance Mode, or not. The steps how to select a VL voice, set up the utilities and edit the VL part parameters shown below are explained using the MU128. Therefore, the illustrations may be somewhat different from the LCDs of your instrument. IMPORTANT When you use a sound card or a tone generator with no panel buttons... To select a VL voice, to set up the utilities and to edit the VL part parameters, you need to use a sequencing software and transmit the MIDI messages such as XG System On, Bank Select MSB/LSB, program change and parameter change to the “mother” sound card/tone generator, instead of following the steps below. Using the“XGworks lite,” properly installed in your PC (which is connected to the sound card/ tone generator) allows you to access the VL-XG voices through the Voice List dialog of the “XGworks lite.” ■ Selecting VL Voice 1 Select XG or PERFORM from the “mother” tone generator Sound Module Mode. When you select XG, Multi Play Mode will be engaged. When you select PERFORM, Performance Play Mode will be engaged. The VL voices can be selected only when “normal” is selected in the Part Mode. The VL voices can be played as a “part” in the XG Mode and as a “layer” in the Performance Mode. 2 Press SELECT button to place the cursor at the Bank Number. 3 Press VALUE button to select the Bank you want to use. Depending on the Bank selected, 112–119 (VL-XG), 000 (Preset 1), 001 (Preset 2), 002 (Custom) or 003 (Internal) appears at the Bank Number location on the LCD. 16 Selecting Voices When a VL voice is selected VL voice icon will be displayed on the LCD. You may unintentionally select a bank number of the “mother” tone generator. Be sure to confirm that the VL voice icon is displayed on the LCD. 4 Press SELECT button to place the cursor at the Program Number. 5 Press VALUE button to select the Program Number (voice) you want to use. If an invalid Program Change Number is selected while one of the VL-XG Banks (112–119) is chosen, VL voice icon will be replaced with one of the XG voice icons. ■ Designating the Part for the VL Voice 1 Press UTIL button to enter the Utility Mode. 2 Press SELECT button to place the cursor at PLUGIN. 3 Press ENTER. The following display appears. (If necessary) Press SELECT button to place the cursor at PLG150-VL. 4 Press ENTER. The System Parameter Edit display exclusive to the PLG150-VL appears. (If necessary) Press SELECT button to place the cursor at Part Assign. 17 Selecting Voices 5 Press VALUE button to select the Part you want to use. In the XG Mode: 01–16, off In the Performance Mode: 01–04, off The VL voices cannot be assigned to several parts at the same time since the PLG150-VL is monophonic. When you use a sound card or a tone generator with no panel buttons... To select a part for the VL voice you need to use a sequencing software and transmit the following system exclusive message (part assign parameter) to the “mother” sound card/tone generator: F0 43 1n 4C 70 nn ss pp F7 (Hexadecimal) n : Device Number nn : Plug-in Board Type (PLG150-VL is “00.”) ss : Serial Number (which identifies the PLG boards when two same boards are installed) “00” : for the first PLG150-VL “01” : for the second PLG150-VL pp : Part Number (to which the PLG150-VL is assigned) “00” : Part 1 : : : : “0F” : Part 16 “7F” : off 18 Editing VL Voice Part Parameters Modular Synthesis Plug-in System The example displays used in the following explanations are all taken from the CS6x. ● See the manual of the synthesizer how to save the edited voices. ● The VL-XG voices edited using XG Editor Window of the "XGworks lite" can be saved as a part of the song data. 1 Select the desired VL voice, as described in "Selecting Voices" on page 15. 2 Press the EDIT button. The EDIT menu display appears. GEN Name) Ctgry Common 3 0-? Cursor [--:Plug-InVce] Turn knob A clockwise until "Elem" is shown at the bottom left of the display. OSC Assign) Elem 4 a-Z Bank NORM/000 Number 1[ ] Turn the PAGE knob clockwise until "PLG150-VL" is shown at the bottom left of the display. The VL part parameters will be displayed above the knob C and knob 2. NTV Param) PLG150-VL 5 FilEG Dept +00 Prs CC NO. off Use knobs C and 2 to select the desired parameter and change the value. Once one of the parameters is selected (the arrow cursor appears next to the value), you can also adjust the value with the DATA knob or the DEC/INC buttons. The element parameters available on the “mother” synthesizer/tone generator can also be applied to the VL voices. However, some of them may not be applied to the VL voices. 19 Editing VL Voice Part Parameters XG Plug-in System The editings done to the parameters below affect all the voices in the XG mode. In other words the voices cannot be individually edited. The parameter settings are effective even when you select a different voice. The edited voices cannot be stored in the INTERNAL voice bank. Instead, the VL-XG voices edited using XG Editor Window of the “XGworks lite” can be saved as a part of the song data. 1 Enter the Multi Part Edit Mode. The sub-mode menu appears on the LCD. 2 Press SELECT button to place the cursor to PLUGIN. 3 Press ENTER. The Part Parameter Edit display exclusive to the PLG150-VL appears. 4 Press SELECT button to select the parameter you want to edit. 5 Use VALUE button to set the value of the selected parameter as required. 6 Press the EXIT button to quit editing. The part parameters available on the “mother” tone generator can also be applied to the VL voices except for the following parameters: HPF Cutoff Frequency, EQ Low/High Frequency, Element Reserve and Velocity Limit Low/High. 20 Editing VL Voice Part Parameters VL Part Parameter The parameters below can be divided into the following two types: ones for selecting the controller (Control Number) by which the parameter will be controlled and the others for setting the depth of the parameter. Even though you have designated the controller, you cannot get audible changes if you set the parameter to be controlled to 0 or around 0. For the relationship between the control numbers and controllers see page 29. IMPORTANT When you use a sound card or a tone generator with no panel buttons... To edit the VL part parameters you need to use a sequencing software and transmit the system exclusive messages shown on the MIDI Data Format (p. 40), to the “mother” sound card/tone generator. Using the “XGworks lite,” properly installed in your PC (which is connected to the sound card/ tone generator) allows you to access almost all the VL part parameters (except for Filter EG Depth) for VL-XG voices through the “XG Editor window.” 1 Filter EG Depth FilEG Dept (Filter Envelope Generator Depth) ..................................... Settings: -64 … +63 The “FilEG Dept” parameter determines to what degree the amplitude/filter envelope generator affects the filter's cutoff frequency. Higher values allow the envelope generator to vary the filter cutoff frequency over a wider range. 2 Pressure Prs CC No. (Pressure Control Change Number) ................ Settings: off … 95, AT, VEL, PB “Pressure” corresponds to the amount of breath pressure applied to a reed or mouthpiece, or the speed of the bow applied to a string. Pressure variations affect both volume and timbre. The “Prs CC No.” parameter specifies the controller to be used for pressure control. When set to “off” maximum pressure is applied at all times. • Please note that pressure affects not only volume, but timbre and pitch as well. Accurate keyboard/controller pitch is produced only at maximum pressure. 21 Editing VL Voice Part Parameters PrsCtrlDpt (Pressure Control Depth) ...................................................... Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to pressure. The higher the value the greater the variation. Positive values cause an increase in pressure in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in pressure in response to higher controller values. 3 Embouchure Emb CC No. (Embouchure Control Change Number) ...... Settings: off … 95, AT, VEL, PB “Embouchure” corresponds to the tightness of the lips against the reed or against each other. In a string instrument voice embouchure corresponds to how strongly the bow is pressed against the string. Affects both pitch and timbre. The “Emb CC No.” parameter specifies the controller to be used for embouchure control. When set to “off” medium embouchure is applied at all times. • Please note that with many voices accurate keyboard/controller pitch is produced only at medium embouchure. EmbCtrlDpt (Embouchure Control Depth) .............................................Setting: -64 … +63 Sets the amount of variation produced by the controller assigned to embouchure. The higher the value the greater the variation. Positive values cause an increase in embouchure in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause an decrease in embouchure in response to higher controller values. 4 Tonguing Tng CC No. (Tonguing Control Change Number) ............. Settings: off … 95, AT, VEL, PB “Tonguing” simulates the half-tonguing technique used by saxophone players by changing the “slit” of the reed. The slit is the space between the tip of the reed and the mouthpiece. The “Tng CC No.” parameter specifies the controller to be used for tonguing control. When set to “off” no tonguing is applied. 22 Editing VL Voice Part Parameters • Please note that accurate keyboard pitch is produced only when maximum tonguing is applied or the tonguing controller is turned off. TngCtrlDpt (Tonguing Control Depth) ................................................... Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to tonguing. The higher the value the greater the variation. Positive values cause an decrease in tonguing in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause an increase in tonguing in response to higher controller values. 5 Scream Scr CC No. (Scream Control Change Number) .................. Settings: off … 95, AT, VEL, PB “Scream” drives the entire system into chaotic oscillation, creating effects that can only be achieved with physical modeling technology. The “Scr CC No.” parameter specifies the controller to be used for scream control. When set to “off” no scream variation can be produced via a controller, but a continuous scream value is determined by the “ScrCtrlDpt” parameter, below (negative values increase the scream level). ScrCtrlDpt (Scream Control Depth) ........................................................ Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to scream. The higher the value the greater the variation. Positive values cause an increase in scream effect in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in scream effect in response to higher controller values. 23 Editing VL Voice Part Parameters 6 Breath Noise Bnz CC No. (Breath Noise Control Change Number) ....... Settings: off … 95, AT, VEL, PB “Breath Noise” can be used to add the required amount of breath noise to a voice. The “Bnz CC No.” parameter specifies the controller to be used for breath noise control. When set to “off” no breath noise variation can be produced via a controller, but a continuous breath noise value is determined by the “BnzCtrlDpt” parameter, below (negative values increase the breath noise level). BnzCtrlDpt (Breath Noise Control Depth) ............................................. Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to breath noise. The higher the value the greater the variation. Positive values cause an increase in breath noise in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in breath noise in response to higher controller values. 7 Growl Grl CC No. (Growl Control Change Number) ................... Settings: off … 95, AT, VEL, PB “Growl” produces a periodic pressure modulation which produces the “growl” effect often heard in wind instruments. The “Grl CC No.” parameter specifies the controller to be used for growl control. When set to “off” no growl variation can be produced via a controller, but a continuous growl value is determined by the “GrlCtrlDpt” parameter, below (negative values increase the growl level). 24 Editing VL Voice Part Parameters GrlCtrlDpt (Growl Control Depth) ......................................................... Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to growl. The higher the value the greater the variation. Positive values cause an increase in growl effect in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in growl effect in response to higher controller values. 8 Throat Formant Thr CC No. (Throat Formant Control Change Number) ...... Settings: off … 95, AT, VEL, PB “Throat Formant” controls the characteristics of the simulated player’s lungs, trachea, and oral cavity. Can add a realistic “roughness” to the sound. The “Thr CC No.” parameter specifies the controller to be used for throat formant control. When set to “off” no throat formant variation can be produced via a controller, but a continuous throat formant value is determined by the “ThrCtrlDpt” parameter, below (negative values increase the throat formant level). • Throat Formant only applies to some reed-type voices. ThrCtrlDpt (Throat Formant Control Depth) ........................................ Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to throat formant. The higher the value the greater the variation. Positive values cause an increase in throat formant effect in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in throat formant effect in response to higher controller values. 25 Editing VL Voice Part Parameters 9 Harmonic Enhancer Hrm CC No. (Harmonic Enhancer Control Change Number) .................................................................................................. Settings: off … 95, AT, VEL, PB The Harmonic Enhancer can vary the harmonic structure of the sound over a wide range. The “Hrm CC No.” parameter specifies the controller to be used for harmonic enhancer depth (wet/ dry balance) control. When set to “off” no harmonic enhancer depth variation can be applied via a controller. • Since most VL voices have sufficient natural harmonic content, the Harmonic Enhancer is actually only used on a few voices. Therefore changing the controller destination with many voices will produce either no change in the sound or a simple change in amplitude. HrmCtrlDpt (Harmonic Enhancer Control Depth) ............................... Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to the harmonic enhancer. The higher the value the greater the variation. Positive values cause an increase in harmonic enhancer depth in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause a decrease in harmonic enhancer depth in response to higher controller values. 10 Damping Dmp CC No. (Damping Control Change Number) ............ Settings: off … 95, AT, VEL, PB “Damping” simulates the effect of damping due to losses within the body of a wind instrument or in a string due to air friction. Affects both pitch and timbre. The “Dmp CC No.” parameter specifies the controller to be used for damping control. When set to “off” no damping variation can be applied via a controller. • Please note that accurate keyboard pitch is produced only when damping is maximum. 26 Editing VL Voice Part Parameters DmpCtrlDpt (Damping Control Depth) .................................................. Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to damping. The higher the value the greater the variation. Positive values cause a decrease in damping in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause an increase in damping in response to higher controller values. 11 Absorption Abs CC No. (Absorption Control Change Number) .......... Settings: off … 95, AT, VEL, PB “Absorption” simulates the effect of high-frequency loss at the end of the air column or string. The “Abs CC No.” parameter specifies the controller to be used for absorption control. When set to “off” no absorption variation can be applied via a controller. • Please note that accurate keyboard pitch is produced only at when absorption is maximum. AbsCtrlDpt (Absorption Control Depth) ................................................ Settings: -64 … +63 Sets the amount of variation produced by the controller assigned to absorption. The higher the value the greater the variation. Positive values cause a decrease in absorption in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus values cause an increase in absorption in response to higher controller values. 27 Editing VL Voice Part Parameters 12 Breath Mode ................................................ Settings: System, BC/WX, Velocity, Touch EG Set the control source to be used for "breath" control. This Breath Mode is the same as the one in the VL System Parameters except for the setting, "System." When set to "System," the control source is determined by the setting done in the VL System Parameters. This parameter should be set to “BC/WX” when a breath controller or Yamaha WX-series Wind MIDI Controller is being used. When set to “Velocity,” breath variation is controlled by keyboard initial touch response. When “Touch EG” is selected breath variation is controlled by a combination of initial keyboard touch response and aftertouch pressure. Initial key velocity sets the initial breath level, then aftertouch pressure determines the shape of the subsequent breath envelope. Expressivity of Each Controller The expressivity will differ depending on the selected controller. Original Image of Breathing 127 Breath Control 0 BC/WX 127 Breath Control 0 You can accomplish the breathing as you blow the Breath controller. 127 Velocity Breath Control 0 The initial attack determines the sustained breath strength from the beginning through the end. Touch EG 127 Breath Control 0 A B You can express the portion “A” with the velocity and “B” with the aftertouch. 28 Editing VL Voice Part Parameters MIDI Control Number Assignments Control No. Controller off(00) off (used by Bank Select MSB) 01 Modulation Wheel 02 Breath Controller 03 Unassigned 04 Foot Controller 05 Portamento Time 06 Data Entry MSB 07 Volume Control 08…09 Unassigned 10 Panpot 11 Expression 12…31 Unassigned off(32) off (used by Bank Select LSB) 33…37 Unassigned 38 Data Entry LSB 39…63 Unassigned 64 Hold1 65 Portamento Switch 66 Unassigned 67 Soft Pedal 68…70 Unassigned 71 Harmonic Content 72 Release Time 73 Attack Time 74 Brightness 75…90 Unassigned 91 Effect Send Level 1 (Reverb Effect) 92 Unassigned 93 Effect Send Level 3 (Chorus Effect) 94 Effect Send Level 4 (Variation Effect) 95 Unassigned AT(96) After Touch VEL(97) Velocity PB(98) Pitch Bend 29 VL System Parameters Modular Synthesis Plug-in System Five System related parameters for PLG150-VL will be added to the “mother” synthesizer. The example displays used in the following explanations are all taken from the CS6x. 1 Press the UTILITY button. The Utility Mode display appears. MSTR TG) Sys 2 Vol 127 NoteShift + 0 + Tune 0.0c Turn the PAGE knob clockwise until “PLG150-VL” is shown at the bottom left of the display. The VL system parameters will be displayed above the knob C and knob 2. PLG1 MIDI) PLG150-VL 3 Clock off DevNo 1 Use knobs C and 2 to select the desired VL System parameter and change the value. Once one of the parameters is selected (the arrow cursor appears next to the value), you can also adjust the value with the DATA knob or the DEC/INC buttons. XG Plug-in System Five System related parameters for PLG150-VL will be added to the “mother” tone generator. 1 Press UTIL button to enter the Utility Mode. The sub-mode menu appears on the LCD. 2 30 Press SELECT button to place the cursor to PLUGIN. VL System Parameters 3 Press ENTER. The following display appears. (If necessary) Press SELECT button to place the cursor to PLG150-VL. 4 Press ENTER. The System Parameter Edit display exclusive to the PLG150-VL appears. 5 Press SELECT button to select the parameter you want to edit. 6 Press VALUE button to change its setting. 7 Press the EXIT button to quit editing. System Parameters 1 Part Assign ..................................................Settings: In the XG Mode: 01…16, off In the Performance Mode: 01…04 , off Designates the Part to which the VL voice is assigned. • The VL voices cannot be assinged to several parts at one time since the PLG150-VL is monophonic. • The SW1000XG doesn’t include “Performance” mode. 31 VL System Parameters 2 WX Lip Mode ............................................................Settings:Norm (Normal), Expd (Expand) WX-series Wind MIDI Controllers produce pitch bend data ranging from “-16” to “+32” in response to lip (reed) pressure. The “WX Lip” parameter determines whether these values are used as is (“Norm”), or expanded to a full “-64” through “+63” range (“Expd”). The pitch bend data transmitted from the device other than WX-series can be received. • The “Expd” setting is recommended when using a WX controller in the “tight lip” mode. The “Norm” setting is recommended when using the WX controller “loose lip” mode. • The settings made here is effective only for the PLG150-VL. Pitch Bend Range When Using a WX Controller in the “tight lip” Mode When “Norm” is selected When “Expd” is selected +63 +32 +32 0 +32 0 -16 Received data -16 -16 Data sent to the tone generator -64 Received data 3 Data sent to the tone generator Breath Mode ................................................................. Settings: BC/WX, Velocity, Touch EG The same parameter, Breath Mode, can be found in the VL Part Parameters. The setting done here is effective only when the Breath Mode in the VL Part Parameters is set to “System.” See page 28 for the detailed information on each parameter. 32 VL System Parameters 4 Breath Control ............................................. Settings:BC (Breath Control), Exp (Expression) Specifies the MIDI control change number to be used for breath control when breath control is applied from a breath controller or WX-series Wind MIDI Controller. When “BC” is selected control change number “02” (breath control) is used for breath control. When “Exp” is selected control change number “11” (expression) is used for breath control. • This parameter is also available for the breath controller data transmitted from a device other than the WXseries. • This parameter is effective only when “BC/WX” is selected from Breath Mode. 5 Breath Curve .............................................................................................Settings: -16 … +16 Determines the relationship between breath control data received from a breath controller, WXseries Wind MIDI Controller (via the BT7 and MIDI IN connector), and the actual amount of breath variation applied. Minus settings result in a large breath variation with a relatively small amount of breath pressure applied to the controller, while plus settings required a greater range of input breath control values to produce the same degree of breath variation. • This parameter is also available for the breath controller data transmitted from the device other than WXseries. • The settings made here is effective only when “BC/WX” is selected from Breath Mode. • Connection Between WX-series and “mother” tone generator/sound card WX5 CS6x WX IN BT7 MIDI OUT MIDI IN MU128 MIDI OUT When you use a sound card built into PC... To control PLG150-VL using WX-series Wind Controller, select “SW1000 #1 Synthesizer” for the MIDI Thru setting in the System Setup dialog of the “XGworks lite.” 33 Q&A 1 Some voices sound as if they are in the original octave even when shifted down an octave. This is because Virtual Acoustic synthesis accurately simulates the acoustic behaviour of a pipe or string. Simply stated, the harmonic balance of the voice when played in the normal octave is retained even when the voice is shifted down an octave. The change in timbre can be greater or less, depending on the selected voice. 2 Portamento doesn't produce smooth effect on some voices. Trumpets and some other brass instruments tend to exhibit this phenomenon more than others. In a VA tone generator portamento is produced by lengthening or shortening the instrument's pipe. A trumpet is designed to emphasize the “modes” of the pipe(s) to produce notes over a wide range using only three valves. When portamento is applied to a trumpet voice, the pitch tends to jump from mode to mode, thus producing the observed glissando effect. The same effect occurs with some flute voices. Saxophone modes are not nearly as strong as trumpet modes, but some sax voices do have two definite modes which, when spanned by a portamento slide, can produce irregularities. 3 The filter, EG, and other parameters have more effect on some voices than others. Most voices use the low-pass filter type, but some use the bandpass or high-pass type. Some voices use very little filter processing at all. Changing the filter settings may not produce a particularly noticeable effect. Also the Breath Noise, Throat Formant, Growl, Harmonic Enhancer and Pitch EG parameter settings cannot have a significant effect on some voices. 4 Some bowed string instrument voices tend to “squeak.” As anyone who has played (or tried to play) a real violin knows, these instruments naturally tend to squeak if not properly controlled. The same occurs with VA synthesis. As with a real bowed string instrument, bow speed and pressure must be properly controlled to produce the desired sound. Bow speed is usually controlled either via breath control or an expression pedal. Bow pressure is controlled via control number 13: “64” is medium pressure, lower values produced reduced bow pressure, and higher values produce increased bow pressure. 34 Q&A 5 Pitch bends produced by a pitch bend wheel are not always accurate. Natural acoustic musical instruments have no “pitch parameter.” Pitch is determined by the properties of the instrument’s resonant body as well as the condition of the instrument’s driver. The same applies to Virtual Acoustic Synthesis: in the pitch bend is simulated by manipulating the appropriate pipe/string length and driver characteristics. As a result, the pitch bend range may not always be “mathematically” accurate. With reed instruments such as saxophone or clarinet, highly realistic pitch bends are produced by controlling both pitch and embouchure at the same time. Since the embouchure component of the pitch bend behaves with characteristics acoustic unpredictability, precise pitch bends are not always produced. 6 Some voices don’t respond as expected to EG edits. The effect of editing envelope generator parameters may not always be as expected — particularly with plucked string instrument voices such as guitar or bass. This is because the VL actually simulates the plucking, free oscillation, and muting of the strings rather than simply using an EG to approximate these events. If the sound of a string voice decays naturally, for example, setting a long release time will have little or no effect on the actual sound of the voice. Since the attack and decay portions of the voice also have natural timbre variations, these can be unnaturally altered by inappropriate EG settings — which is OK if you’re trying to produce an unnatural effect. Trial and experimentation and the only sure ways to determine how the EG parameters are going to affect a particular voice. 7 The PLG150-VL is a monophonic tone generator. Why is the “poly” mode initialy selected when the VL-XG sound module mode is engaged? This is to provide compatibility between the current XG format and future polyphonic VL-series tone generators. It also provides a certain degree of compatibility to allow playback of VL-XG song data on existing tone generators which do not feature the VL-XG extension. Specifically, to switch the PLG150-VL to the mono mode a “mono mode” command (control change no.126, value 0-16) is embedded in the song data which, when received by a 32-note or 64-note polyphonic XG tone generator, switches the appropriate parts to the mono mode. The same will apply to future polyphonic VL-series tone generators, so no changes will be required. The PLG150-VL therefore has a “poly” which is automatically selected when a MIDI “XG on” system exclusive message is received. 35 Appendix Voice List ■ VL-XG Voice List Instrument Group Organ Guitar Bass Strings Brass Reed Pipe Synth Lead Ethnic Percussive * 36 Bank Select MSB=81, 97 Pch# Bank 112 22 23 25 27 28 33 34 35 36 37 39 40 41 42 43 44 57 58 59 60 61 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 88 105 110 111 115 Squeeze MouthKey Spanish JazzGtr! L7 Pluck Upright Fnground FlageoBs Fretles! New Slap AcidBas! PulsClav NuViolin BrtViola Cello! Contrair Trumpet! Trmbone! Tuba! MuteTp! Horn! SoprSax! AltoSax! TenrSax! BariSax! Oboe! EngHorn! Bassoon! Clarint! Piccolo! C Flute Recordr! Pan Pipe YamaBotl Shakuha! BowedSaw Ocarina! 50 / 50 Brassyn Maysbe? Grunge MizuHorn SoftReed Chamlion Sitar! Chanter JetLpBow YamSteel Bank 113 Bank 114 AmpdHarp CromHarp Carlos WetPluck Destiny Birdland DampBass Frtles!2 ThumBass SqrBass! MogueBas Viol Inn ViolOutt Eleanor DoublBow Trumpt!2 Melwbone MuteTp!2 Horn!2 CvSopSax SweetAlt MildTenr VoxoSaxo Oboe!2 Loboe Flurinet LitePipe Piccol!2 C Flute2 Claricrd PanPicol Bamboo ChalPuls AcoSynLd Air Sax Ossyncro Floboe BrethBow Old Mini India ThaiReed C Violin Bank 115 Bank 116 BrtVioln MuteViol Bank 117 Bank 118 Bank 119 GlassAlt GlasTenr FnkyTenr OldTenor Nu Cello FluglHr! Cornet SoprPipe LiteAlto Jazz Sax LiteSopr HarpAlto TenorSub DblReedy TripleRd HyperCla BowPicol JazFlute SoftPipe Andean PluckLd VintgLd Baroquen Talk Box HarpAlt2 BellMike OakFlute BtlFlute BtlFlut2 LipClari When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank. When the Bank Select MSB is set to “97,” the voices of the Bank 1 of the XG tone generator will be used and played for the above empty spaces of each bank. Voice List Bank Select MSB=81 Instrument Synth Effects Sound Effects * Pch# 97 98 99 100 101 102 121 122 123 124 125 126 127 128 Bank 112 Mad Tube StoneHng Mu Moby Igneous SquealAT Jurassic Formula Waterphn Devil SpcHorse DinoPerc SpaceZoo Jason Bank 113 Bank 114 Bank 115 Bank 116 Bank 117 Bank 118 Bank 119 When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank. When the Bank Select MSB is set to “97,” the voices in the above list is not available. ■ Preset 1 Voice List Voice No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 Voice Name Mad Tube VintgLd SpaceZoo GuitHero StoneHng Whizzer SimpleBa ClavBass SuperBas New Slap RockPigs Igneous 50 / 50 Cybastrg Wynth BuzzSaw ZubZub Blue OsciLead SqrLead Bigger AnaSquid SharpSyn AnaWave AnaWurl Babalog FngerBass Upright Fnground Birdland FlageoBs DampBass Fretles! Frtles!2 ThumBass RockBass SmooBass WarmBass YamaBass Box Bass BassCab FruitBas AcidBas! Recommended Range C0~B3 B-1~C6 *** G-1~C4 F0~G6 G#-1~F#4 C-1~C5 C-1~E2 C-1~F#2 C-1~D4 C-1~E3 C0~C5 C0~F5 C-2~C5 A-1~G5 E-1~C6 B-1~C6 G-1~D2 C-1~G4 D#0~C6 C-1~C6 G-2~C5 G-1~C5 C-1~E3 C-1~C5 C0~C6 B-2~C3 B-2~C3 A-2~C3 A-2~C3 G-1~C3 G-2~C2 E-2~C3 B-2~C#3 C-1~C2 G-2~C3 B-2~A#2 B-2~C3 A-2~C3 C-1~C3 B-2~G#3 C-1~C3 B-2~C4 Voice No. 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 Voice Name SqrBass! PulsClav MogueBas BoppaBas BuzzrBas MuteHrBs TekBass TranzBas Chamlion ParaSyn SteamBas BooBass WhelkBas AtackSyn Q.Klav Sitar! India YamSteel StungSt Mu Waterphn DinoPerc Formula Jurassic Devil SpcHorse Jason Suedhead Spanish JazzGtr! JazzyGtr L7 Pluck WetPluck Comp Gtr FunkyGtr Thin Gtr Carlos Destiny Gonzo Grunge Ossyncro Talk Box SyncLed Recommended Range B-2~G3 A-1~G5 B-2~C#6 B-2~C3 D-1~E3 C-1~C4 B-2~C3 C-1~F#3 C-1~B3 A-2~C3 C-1~C#6 B-2~C4 E-2~C#4 G0~B4 A-2~C#3 G-1~E3 F#-1~C5 A2~C6 F#0~B5 *** *** *** *** *** *** *** *** F-2~C5 F-1~E4 B-1~A4 A-1~C6 B-1~E4 B-1~E4 B-1~A4 B-1~D5 B-1~G5 B-1~G4 C0~C5 B-1~G5 C0~B6 B-2~G4 F#0~E7 B-1~E6 Voice No. 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Voice Name Old Mini Fat Mini Parlopho SimpleSy Choronic SlitMinu SynHarmo Flaggoot SynSkex ResoSqr WurliLd FlatLead PhilTur ChalPuls Pluck Ld Brassyn AcoSynLd Moby Digitrn LyricOff Rezzawi Macro Claribo Binaphon MokoPipe AliBaba Persinet PicoPipe Gertrude Xynth Duality AltKwek Softblow AlbaPipe Electrum Edgeopho BassCla! WX Clari WX Oboe WX J Gtr Shakuha! LipClari Recommended Range A-1~A5 G-1~A5 B-1~C5 B-1~E5 C-1~G4 F0~C6 B-2~G5 C-1~D3 C-1~A#4 A-2~D4 B-1~C6 G#1~G5 B-1~C6 B-1~C6 B-1~C6 B-1~C6 A-1~C6 G-2~F4 C0~C6 B-1~C6 B-1~G5 B-1~C6 G#-1~G5 C0~C6 C-1~C5 B-1~C6 B-1~G5 Ab0~C6 C0~C6 G-1~C6 G-1~C6 G#2~C8 C-1~C5 C0~C6 C0~C6 B-1~F5 C0~C6 C1~C6 C0~B5 C0~A4 C1~C6 F-1~C6 37 Voice List ■ Preset 2 Voice List 38 Voice No. Voice Name 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 Vento Floboe Sintax Eastern Trumpet! SoprSax! LiteAlto Trmbone! BtlFlute Air Sax TenrSax! Coca JetLpBow Viol Inn MuteCone BrethBow Trumpt!2 FluglHr! Cornet JzTrump JzTrump2 Flumpet WXTrumpt MuteTp! MuteTp!2 Melwbone NerzoBr Horn! Horn!2 NuHorne WX Horn Tuba! NuViolin C Violin BrtVioln MuteViol BrtViola ViolOutt Cello! Eleanor Nu Cello Contrair DoublBow Piccolo! Piccol!2 BowPicol C Flute C Flute2 JazFlute OakFlute BtlFlut2 RzdeFlt Flutuen Nz Flute WX Shaku Pan Pipe PanPicol Bamboo Andean Flurinet SoftReed Flurmod Jhopali Baroquen Recommended Range C0~C6 C0~C6 F0~G5 E0~C6 C0~C6 C0~C6 E0~C6 C0~C6 C0~C6 G0~C6 C-1~C5 C1~C6 A-1~C6 C0~C6 G0~C6 B-1~C6 C0~C6 C0~C6 C0~C6 F#2~C6 G#1~C6 D0~C6 C0~C6 E0~C6 C0~C6 C0~C6 E0~C6 B-1~C6 C0~C6 B-1~C6 B-2~C5 C-1~C5 C0~C6 C0~C6 C0~C6 C0~C6 C0~C6 C0~C6 C-1~C4 C-1~C4 B-2~C5 A-2~C4 A-2~C4 C0~C7 C0~C7 C0~G6 C0~C6 C0~C6 B-1~C6 E0~C6 C0~C6 E0~C6 G1~C6 C0~C6 C1~C6 E0~G5 C0~G6 C0~C6 C0~C6 F0~C6 C0~C6 F0~B5 G0~C5 C-1~C5 Voice No. Voice Name 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 SquealAT NuSopSax CvSopSax SoprPipe LiteSopr AnaSoprn NuAltSax SweetAlt AltoSax! HarpAlto HarpAlt2 GlassAlt AcidSax WackSax NuTenrSx MildTenr Jazz Sax TenorSub BellMike GlasTenr FnkyTenr OldTenor BrtTenor BariSax! VoxoSaxo Oboe! Oboe!2 Noboe OboeWhi DblReedy TripleRd EngHorn! Loboe Bassoon! Clarint! LitePipe HyperCla Clarint2 IslePipe Chanter ThaiReed Recordr! Claricrd SoftPipe BowdSaw Ocarina! Lonely Ophelia Maysbe? MizuHorn PicoStrg Sylophon BowLead Squeeze MouthKey AmpdHarp CromHarp WahUpHp YamaBotl Blowsoo Brappo Crumbon Klarina ReedWin Recommended Range C0~C6 C0~G5 A-1~C6 F0~C6 E0~C6 F0~C6 C0~C5 F#0~E5 E0~C6 G0~C6 G0~C6 C0~C6 C0~C6 G#0~E5 D-1~E4 C-1~C5 A#-1~E4 A#-1~A4 C-1~C4 G-1~E4 C-1~G4 C-1~A4 C-1~C5 C-1~C4 C-1~C4 F0~C6 C0~C6 C0~G5 G2~G7 C0~A5 C0~C6 C0~C6 C0~C6 C-1~C4 A0~C6 C0~C6 C0~C6 F0~C6 C1~C5 D1~C6 C0~C5 C0~A5 C0~C5 G0~C5 C0~C5 F1~C8 C#3~E7 C0~C6 D#0~A5 C0~C6 G#0~C5 C0~C5 C-1~C5 C0~C6 C0~C6 C0~C6 A-1~C6 B-1~C6 A#-1~C6 G-2~C4 C-1~C4 E0~G5 E0~B5 E0~C6 Voice List ■ VL Plug-in Voice Data (provided by Floppy Disk) For PLG1/2 Slot : Wind Instrument Voices (01PlgV1A.mid, 01PlgV1C.mid, 01PlgV2A.mid, 01PlgV2C.mid) Voice Name No. Category 1 Br Trumpet 1 2 Br Trombone 3 Rd Alto Sax 4 Rd TenorSax 1 5 Rd Clarinet 6 Rd Oboe 7 Pi C Flute 8 Pi Shakuhachi 9 Pi Ocarina 10 St Violin 1 11 Br Trumpet 2 12 Br FlugelHorn 13 Br JzTrumpet 14 Br MuteTrumpt 15 Br NerzoBrass 16 Br Horn No. Category Voice Name 17 Br Tuba 18 Rd SopranoSax 19 Rd Cv SopSax 20 Rd SoprnoPipe 21 Rd Sweet Alto 22 Rd Lite Alto 23 Rd Glass Alto 24 Rd TenorSax 2 25 Rd Tenor Sub 26 Rd BellMike 27 Rd Old Tenor 28 Rd BaritonSax 29 Rd Eng Horn 30 Rd Bassoon 31 Rd Bass Cla 32 Pi Jazz Flute No. Category Voice Name 33 Pi Piccolo 34 Pi Pan Pipe 35 Pi Bamboo 36 Pi Recorder 37 Pi Isle Pipe 38 Ld VoxoSaxo 39 Ld AnaSoprano 40 Ld Air Sax 41 Ld Sintax 42 Ld JetLipBow 43 Ld AltKwek 44 Ld Noboe 45 Ld Flurinet 46 Ld Soft Reed 47 Ld Flumod 48 Ld Baroquen No. Category Voice Name 49 Ld Floboe 50 Ld TripleReed 51 Ld Lite Pipe 52 Ld Hyper Cla 53 Ld Lip Clari 54 Ld Chanter 55 Ld Thai Reed 56 Ld Bowed Saw 57 Or Squeeze 58 Or Crom Harp 59 Or Amped Harp 60 Or WahUp Harp 61 St Violin 2 62 St Brt Violin 63 St Cello 1 64 St Cello 2 For PLG1/2 Slot : Keyboard Voices (01PlgV1B.mid, 01PlgV2B.mid) No. Category Voice Name 1 Ld Mad Tube 2 Ld VintageLd 3 Ld Igneous 4 Ld 50/50 5 Ba SimpleBass 6 Ba New Slap 7 Gt GuiterHero 8 Sc Q.Klav 9 Et Sitar 10 Et Steel Drum 11 Ld Buzz Saw 12 Ld Ana Wave 13 Ld Osci Lead 14 Ld SquareLead 15 Ld Babalog 16 Ld Ossyncro Br : brass Et : ethnic No. Category Voice Name 17 Ld Talk Box 18 Ld Old Mini 19 Ld Parlophone 20 Ld WurliLead 21 Ld AcoSynLead 22 Ld Digitoron 23 Ld Lyric Off 24 Ld Rezzawi 25 Ba FingerBass 26 Ba Upright 27 Ba Birdland 28 Ba Damp Bass 29 Ba Bass Cab 30 Ba Acid Bass 31 Ba Tranz Bass 32 Ba Steam Bass Rd : reed Pi : pipe St : strings Ld : synth lead Fx : synth effects No. Category Voice Name 33 Ba Boo Bass 34 Gt Spanish 35 Gt JazzGuiter 36 Gt L7 Pluck 37 Gt ThinGuiter 38 Gt Destiny 39 Ld Macro 40 Ld Binaphone 41 Ld AliBaba 42 Ld Pico Pipe 43 Ld Gertrude 44 Ld Moko Pipe 45 Ld Persinet 46 Ld Xynth 47 Ld Duality 48 Ld Softblow No. Category Voice Name 49 Ld Alba Pipe 50 Ld Electrum 51 Ld Edgeophone 52 Ld Maysbe 53 Ld Mizu Horn 54 Ld Sylophone 55 Fx Stonehenge 56 Fx Moby 57 Se Mu 58 Se Suedhead 59 Se Dino Perc 60 Se Waterphone 61 Se Space Zoo 62 Se Formula 63 Se Jurassic 64 Se Jason Or : organ Gt : guitar Ba : bass Se : sound effects Sc : synth comp ■ Voices Used for MSPS Demonstration Song Voice Name No. Category 1 Rd TenorSax 1 2 Rd Alto Sax 3 Rd SopranoSax 4 Pi Jazz Flute 5 Pi Shakuhachi 6 Br Trumpet 1 7 Br Trombone 8 Gt Spanish 9 Ba Damp Bass 10 Sc Q.Klav 11 Et Sitar 12 St Cello 2 13 Or Amped Harp Br : brass Et : ethnic group Wind Instrument Wind Instrument Wind Instrument Wind Instrument Wind Instrument Wind Instrument Wind Instrument Keyboard Keyboard Keyboard Keyboard Wind Instrument Wind Instrument Rd : reed Pi : pipe St : strings Ld : synth lead Fx : synth effects No. Category Voice Name 14 Ld AliBaba 15 Pi Bamboo 16 Ld Thai Reed 17 Ld Maysbe 18 Ld Floboe 19 Ld Soft Reed 20 Ld Hyper Cla 21 Ld Mizu Horn 22 Ld Sylophone 23 Ld AcoSynLead 24 Se Jason 25 Se Jurassic 26 Se Waterphone group Keyboard Wind Instrument Wind Instrument Keyboard Wind Instrument Wind Instrument Wind Instrument Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Or : organ Gt : guitar Ba : bass Se : sound effects Sc : synth comp 39 MIDI Data Format 1. KEY ON / KEY OFF <Soft Pedal> 43H Status: 9nH/8nH If the Part Parameter Rcv NOTE MESSAGE = OFF, that Part will ignore Key ON and Key OFF messages. 2. PROGRAM CHANGE Status: CnH If the Part Parameter Rcv PROGRAM CHANGE = OFF, that Part will not receive Program Change Messages. 3. PITCH BEND Status: EnH If the Part Parameter Rcv PITCH BEND = OFF, that Part will not receive Pitch Bend Messages. Cntrl# parameter Data Range 67 Soft Pedal 0...127 (0-63:Off, 64-127:On) If the Part Parameter Rcv SOFT PEDAL = OFF, that Part will not receive Soft Pedal Messages. When the SOFT PEDAL is set “ON” the effect will take place from the next Key On signal. Messages will control the Filter Cutoff Frequency. Depending upon the Voice, the effect may or may not have an effect. <Harmonic Content> 47H Cntrl# parameter Data Range 71 Harmonic Content 0...127 (0:-64, 64:+0, 127:+63) Messages which adjust the resonance set for each. Based on a standard of 64, these values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower. <Release Time> 48H 4. CONTROL CHANGE Status: BnH If the Part Parameter Rcv CONTROL CHANGE = OFF, that Part will not receive Control Change Messages. <Bank Select MSB/LSB> 00H/20H Cntrl# 0 parameter Bank Select MSB Data Range 33:Preset1/Preset2/Custom/Internal 81: VL-XG non alternative voice. 97: VL-XG alternative voice. 32 Bank Select LSB 0 :Preset1 1 :Preset2 2 :Custom 3 :Internal 112...119: VL-XG Alternative or non alternative variation. If the Part Parameter Rcv BANK SELECT = OFF, that Part will not receive Bank Select Messages. A new bank selection will not become effective until the next Program Change is received. <Modulation> 01H Cntrl# parameter Data Range 1 Modulation 0...127 If the Part Parameter Rcv MODULATION = OFF, that Part will not receive Modulation Messages. <Breath Controller> 02H Cntrl# 2 parameter Breath Controller Data Range 0...127 <Foot Controller> 04H Cntrl# 4 parameter Foot Controller Data Range 0...127 <Portamento Time> 05H Cntrl# parameter Data Range 5 Portamento Time 0...127 When the Portamento parameter = ON, values will adjust the speed of pitch change. A setting of 0= minimum portamento time, and 127 = maximum portamento time. <Data Entry MSB/LSB> 06H/26H Cntrl# parameter Data Range 6 Data Entry MSB 0...127 38 Data Entry LSB 0...127 Messages which set the value for the parameter specified by RPN, NRPN. <Main Volume> 07H Cntrl# parameter Data Range 7 Main Volume 0...127 If the Part Parameter Rcv MAIN VOLUME = OFF, that Part will not receive Main Volume Messages. <Pan> 0AH Cntrl# parameter Data Range 10 Panpot 0...127 If the Part Parameter Rcv PAN = OFF, that Part will not receive Pan Pot Messages. 1=Left, 127=Right; 0=Center <Expression> 0BH Cntrl# parameter Data Range 11 Expression 0...127 If the Part Parameter Rcv EXPRESSION = OFF, that Part will not receive Expression Messages. <Control Change 13> 0DH Cntrl# 13 parameter Control Change13 Data Range 0...127 <Hold1> 40H Cntrl# parameter Data Range 64 Hold1 0...127 (0-63:Off, 64-127:On) If the Part Parameter Rcv HOLD 1 = OFF, that Part will not receive Hold 1 Messages. <Portamento> 41H Cntrl# parameter Data Range 65 Portamento 0...127 (0-63:Off, 64-127:On) If the Part Parameter Rcv PORTAMENTO = OFF, that Part will not receive Portamento Messages. If the Portamento parameter = ON, values will adjust the speed of the portamento. If the Mono mode is activated and Portamento = ON, the Single Trigger Mode will be activated. If not, the Multi-Trigger Mode will be effective. 40 Cntrl# parameter Data Range 72 Release Time 0...127 (0:-64, 64:+0, 127:+63) Messages which adjust the envelope release time. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower. <Attack Time> 49H Cntrl# parameter Data Range 73 Attack Time 0...127 (0:-64, 64:+0, 127:+63) Messages which adjust the envelope attack time. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower. <Brightness> 4AH Cntrl# 74 parameter Brightness Data Range 0...127 (0:-64, 64:+0, 127:+63) Default:40H Messages which adjust the filter cutoff frequency. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower. <Data Increment / Decrement> 60H/61H Cntrl# parameter Data Range 96 Increment 0...127 97 Decrement 0...127 The data byte is ignored. RPN messages which increase or decrease the MSB value of the parameter by 1. <NRPN (Non-Registered Parameter Number) LSB/MSB> 62H/63H Cntrl# parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127 If the Part Parameter Rcv NRPN = OFF, that Part will not receive NRPN Messages. First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use the Data Entry to set the value of the specified parameter. The following NRPN numbers can be received. NRPNData-entry MSB LSB MSB parameter 01H 08H mmH Vibrato Rate Data Range mm:00H-40H-7FH (-64-0-+63) 01H 09H mmH Vibrato Depth mm:00H-40H-7FH (-64-0-+63) 01H 0AH mmH Vibrato Delay mm:00H-40H-7FH (-64-0-+63) The Rate, Depth, and Delay Time for the Vibrato is controlled. 01H 20H mmH mm:00H-40H-7FH Filter Cutoff Frequency (-64-0-+63) 01H 21H mmH Filter Resonance mm:00H-40H-7FH (-64-0-+63) 01H 22H mmH Filter EG Depth mm:00H-40H-7FH (-64-0-+63) The Cut-off frequency, Resonance, and Envelope Depth for the Filter is controlled. 01H 30H mmH Bass mm:00H-40H-7FH (-64-0-+63) 01H 31H mmH Treble mm:00H-40H-7FH (-64-0-+63) The Bass and Treble are controlled. 01H 63H mmH EG Attack Time mm:00H-40H-7FH (-64-0-+63) 01H 64H mmH EG Decay Time mm:00H-40H-7FH (-64-0-+63) 01H 66H mmH EG Release mm:00H-40H-7FH (-64-0-+63) The Attack time, Decay time, and Release time for the Envelope are controlled. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower. <RPN (Registered Parameter Number) LSB/MSB> 64H/65H Cntrl# parameter Data Range 100 RPN LSB 0...127 101 RPN MSB 0...127 If the Part Parameter Rcv RPN = OFF, that Part will not receive RPN Messages. In correspondence to the following parameters. MIDI Data Format RPN Data-entry LSB MSB MSB parameter 00H 00H mmH Pitch Bend Sensitivity 01H 00H mmH Fine Tune 02H 00H mmH Coarse Tune 7FH 7FH — Null Data Range mm:00H-18H (0-+24) Default:02H mm:00H-40H-7FH (-64-0-+63) Default : 40H 00H mm:28H-40H-58H (-24-0-+24) Default : 40H 00H — 5. CHANNEL MODE MESSAGES <All Sounds Off> 78H Cntrl# parameter Data Range 120 ———— 0 Terminates all sounds currently sounding. However, the status of channel messages are maintained. <Reset All Controllers> 79H Cntrl# parameter Data Range 121 ———— 0 The values of the following controllers will be reset to the defaults. Pitch Bend Center Channel Aftertouch 0 Modulation 0 Breath Control Max Foot Control Max Expression Max Control Change 13 Center Hold 1 Off Portamento Off Soft Pedal Off RPN Null <All Notes Off> 7BH Cntrl# parameter Data Range 123 ———— 0 Terminates all notes currently on. However, if Hold 1 is on, notes will continue sounding for the time set previously. <Omni Off> 7CH Cntrl# parameter Data Range 124 ———— 0 Performs the same function as when an All Notes Off message is received. <Omni On> 7DH Cntrl# parameter Data Range 125 ———— 0 Performs the same function as when an All Notes Off message is received. It will not activate OMNI ON. <Mono> 7EH Cntrl# parameter Data Range 126 Mono 0...16 Performs the same function as when an All Sounds Off message is received, and if the 3rd byte (mono number) is in the range of 0 - 16, and sets the instrument to Mono Mode. <Poly> 7FH Cntrl# parameter Data Range 127 ———— 0 Performs the same function as when an All Sounds Off message is received, and sets the instrument to Poly mode. 6. CHANNEL AFTERTOUCH Status: DnH If the Part Parameter Rcv CHANNEL AFTER TOUCH = OFF, that Part will not receive Channel After Touch Messages. 7. SYSTEM EXCLUSIVE MESSAGES If the Part Parameter Rcv SYSTEM EXCLUSIVE = OFF, that Part will not receive System Exclusive Messages. <UNIVERSAL REALTIME MESSAGES> 1)MIDI Master Volume(receive only) F0H, 7FH, xnH, 04H, 01H, llH, mmH, F7H xn : n=Device Number, xn=7F : Broadcast ll : Master Volume LSB mm : Master Volume MSB When received, the Volume MSB will be effective for the System Parameter MASTER VOLUME. 2)General MIDI System On (receive only) F0H, 7EH, 7FH, 09H, 01H,F7H or F0H, 7EH, xnH, 09H, 01H, F7H xn : n=Device Number 1) 2) 3) 4) VL System Parameters Current Voice / Common Misc Parameters VL Part Parameters Current Voice / Element Parameters See <Table 3> See <Table 4> See <Table 6> See <Table 8> [XG Format] F0H, 43H, 1nH, 4CH, ahH, amH, alH, ddH, ~, ddH, F7H 1n : n=Device Number ah : Address High am : Address Mid al : Address Low dd : Data 1) XG System On(receive only) 2) XG System Parameters 3) Multi Part Parameters When this message is sent, the preset Part Number is used. See <Table 1> See <Table 2> See <Table 3> [Other] 1) MIDI Master Tune(receive only) F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mmH, llH, ccH, F7H 1n : n=Device Number mm : Master Tune MSB ll : Master Tune LSB cc : Don’t care When received, the System Parameter will reflect the Master Tune. <BULK DUMP> (receive only) [VL70-m Native Format] F0H, 43H, 0nH, 57H, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H 0n : n=Device Number bm : Byte Count MSB bl : Byte Count LSB ah : Address High am : Address Mid al : Address Low dd : Data cc : Check Sum 1) VL System Parameters See <Table 3> 2) Current Voice / Common Misc Parameters See <Table 4> 3) VL Part Parameters See <Table 6> 4) Current Voice / Element Parameters See <Table 8> 5) Custom Voice Parameters See <Table 9> 6) Internal Voice Parameters See <Table 10> [XG Format] F0H, 43H, 0nH, 4CH, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H 0n : n=Device Number bm : Byte Count MSB bl : Byte Count LSB ah : Address High am : Address Mid al : Address Low dd : Data cc : Check Sum 1) XG System Parameters See <Table 2> 2) Multi Part Parameters See <Table 5> For the Address and Byte Count, refer to the supplementary tables. Here, the Byte Count is indicated by the “TOTAL SIZE” in the table. The block’s leading byte is the Bulk Dump and Dump Request’s Address. A “Block” is the lumped together unit which is bound by the “Total Size”. The Check Sum is the value that results in a value of 0 for the lower 7 bits when the Address, Byte Count, Data, plus the Check Sum itself are added. 3) Part Assign (MIDI Parameter Change) See <Table 7> F0H 43H 1nH 4CH 70H nnH ssH ppH F7H n: Device Number nn: Plug-in Board Type (PLG150-VL is "00.") ss: Serial Number (which identifies the PLG boards when two same boards are installed) 00: for first PLG150-VL 01: for second PLG150-VL pp: Part Number (to which the PLG150-VL is assigned.) 00: Part 1 . . 0F: Part 16 7F: off 8. REALTIME MESSAGES <Active Sensing> (receive only) Status: FEH Once Active Sensing is received, if no MIDI data is received for longer than an interval of 300msec, the instrument will perform the same function as when ALL SOUND OFF and ALL NOTE OFF, RESET ALL CONTROLLER messages are received, and will return to the status in which Active Sensing is not monitored. <PARAMETER CHANGE> [VL70-m Native Format] F0H, 43H, 1nH, 57H, ahH, amH, alH, ddH, ~, ddH, F7H 1n : n=Device Number ah : Address High am : Address Mid al : Address Low dd : Data 41 MIDI Data Format <Table 1> XG System On Address (H) 00 00 7E 00 00 7F TOTAL SIZE Size (H) 1 1 2 <Table 2> Address (H) 00 00 Parameter Description XG SYSTEM ON ALL PARAMETERS RESET 0:VL-XG 0:ON Parameter Description MASTER TUNE -102.4 - +102.3[cent] 1st bit3-0→bit15-12 2nd bit3-0→bit11-8 3rd bit3-0→bit7-4 4th bit3-0→bit3-0 0 - 127 0 - 127 -24 - +24[semitones] XG System Parameters 00 04 05 06 TOTAL SIZE <Table 3> Address (H) 00 00 Data (H) 00 00 Size (H) 4 Data (H) 0000 - 07FF 1 1 1 7 00 - 7F 28 - 58 MASTER VOLUME MASTER ATTENUATOR TRANSPOSE 00 Size (H) 4 Data (H) 0000 - 07FF 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 18 00 - 7F 28 - 58 00 - 01 30 - 50 00 - 01 00 - 01 00 - 01 00 - 02 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description MASTER TUNE -102.4 - +102.3[cent] 1st bit3-0→bit15-12 2nd bit3-0→bit11-8 3rd bit3-0→bit7-4 4th bit3-0→bit3-0 0 - 127 0 - 127 -24 - +24[semitones] MASTER VOLUME MASTER ATTENUATOR TRANSPOSE NOT USED NOT USED NOT USED NOT USED BREATH CONTROL NUMBER BREATH CONTROL CURVE WX LIP LOCK BREATH SET LOCK WX LIP SYSTEM BREATH MODE VELOCITY DEPTH VELOCITY OFFSET TOUCH EG TIME AT LOW DEPTH AT LOW OFFSET AT HIGH DEPTH AT HIGH OFFSET BC, EXPRESSION -16 - +16 OFF/ON OFF/ON NORMAL,EXPAND BC/WX, VELOCITY, TOUCH EG 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 * Addresses 00 00 0B through 00 00 17 are supported for parameter changes. <Table 4> 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E TOTAL SIZE 42 7F 00 40 VL System Parameters 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 TOTAL SIZE Address (H) 10 00 Default value(H) 00 04 00 00 Current Voice / Common Misc Parameters Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0F Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 00 - 7F 00 - 02 00 - 01 Parameter Description VOICE NAME #1 (Only for VL70-m) VOICE NAME #2 (Only for VL70-m) VOICE NAME #3 (Only for VL70-m) VOICE NAME #4 (Only for VL70-m) VOICE NAME #5 (Only for VL70-m) VOICE NAME #6 (Only for VL70-m) VOICE NAME #7 (Only for VL70-m) VOICE NAME #8 (Only for VL70-m) NOT USED VOICE LEVEL ASSIGN MODE NOT USED NOT USED PORTAMENTO MODE NOT USED 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST FULLTIME, FINGERED Default value(H) 00 04 00 00 7F 00 40 ----00 40 00 00 00 00 30 50 2A 1B 50 25 65 MIDI Data Format <Table 5> Address (H) 08 0p Multi Part Parameters 00 01 02 03 04 05 06 07 08 09 Size (H) 1 1 1 1 1 1 1 1 1 2 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 0F, 7F 00 - 01 00 - 05 28 - 58 00 - FF 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 23 24 25 26 27 28 TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 29 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F Address (H) 08 0p Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Data (H) 00 - 01 00 - 01 00 - 01 00 - 01 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F Parameter NOT USED BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE NOT USED PART MODE NOTE SHIFT DETUNE VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH NOT USED BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH NOT USED Description Default value(H) 0 - 127 0 - 127 1 - 128 ch1 - ch16, OFF 0:MONO, 1:POLY 00 00 00 00 01 -00 40 -08 00 64 40 40 40 00 7F 7F 00 28 00 40 40 40 40 40 40 40 40 40 40 40 0A 00 -42 40 40 00 00 0:NORMAL -24 - +24[semitones] -12.8 - +12.7[Hz], 1st bit3-0→bit7-4, 2nd bit3-0→bit3-0 0 - 127 0 - 127 0 - 127 CENTER (0), L63...C...R63 (1...64...127) C-2 - G8 C-2 - G8 0 - 127 0 - 127 0 - 127 0 - 127 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 Parameter Description Rcv PITCH BEND Rcv CH AFTER TOUCH(CAT) Rcv PROGRAM CHANGE Rcv CONTROL CHANGE NOT USED Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODULATION Rcv MAIN VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLD1 Rcv PORTAMENTO NOT USED Rcv SOFT PEDAL Rcv BANK SELECT SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B AT PITCH CONTROL AT FILTER CONTROL AT AMPLITUDE CONTROL AT LFO PMOD DEPTH AT LFO FMOD DEPTH NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED AC1 CONTROLLER NUMBER OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 off - 95 Default value(H) 01 01 01 01 -01 01 01 01 01 01 01 01 01 -01 01 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 00 00 -------10 43 MIDI Data Format 5A 5B 5C 5D 5E 5F 60 61 62 63 64 65 66 67 68 69 6A 6B 6C 6D 6E TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F Address (H) 08 0p Size (H) 1 1 1 1 04 Data (H) 28 - 58 00 - 7F 00 - 7F 00 - 7F Address (H) 09 0p Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 17 Data (H) 00 - 01 00 - 03 70 71 72 73 TOTAL SIZE 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 TOTAL SIZE * p = Part Number <Table 6> 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 00 - 62 00 - 7F 17 18 19 1A 1B 1C TOTAL SIZE * p = Part Number <Table 7> Size (H) 1 1 1 1 1 1 06 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F OFF/ON 0 - 127 -64 - +63 -64 - +63 -64 - +63 -64 - +63 Parameter Description BEND PITCH LOW CONTROL FILTER EG DEPTH BASS TREBLE -24 - +24[semitones] -64 - +63 -64 - +63 -64 - +63 Parameter Description NOTE ASSIGN BREATH MODE NOT USED PRESSURE CONTROL NO. DEPTH EMBOUCHURE CONTROL NO. DEPTH TONGUING CONTROL NO. DEPTH SCREAM CONTROL NO. DEPTH BREATH NOISE CONTROL NO. DEPTH GROWL CONTROL NO. DEPTH THROAT FORMANT CONTROL NO. DEPTH HARMONIC ENHANCER CONTROL NO. DEPTH DAMPING CONTROL NO. DEPTH ABSORPTION CONTROL NO. DEPTH OFF/ON SYSTEM, BC/WX, VELOCITY, TOUCH EG off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 off - 95, AT, VELOCITY, PB -64 - +63 40 40 40 00 00 --------00 00 40 40 40 40 --- Default value(H) 3E 40 40 40 Default value(H) 01 00 -00 40 00 40 00 40 00 40 00 40 00 40 00 40 00 40 00 40 00 40 Parameter Description AMP LEVEL SCALE BREAK POINT DEPTH FILTER CUTOFF SCALE BREAK POINT DEPTH NOT USED NOT USED C-2 - G8 -64 - +63 C-2 - G8 -64 - +63 Default value(H) 3C 40 3C 40 --- MIDI Parameter Change (VL Part Assign) Address Size Data (H) (H) (H) 70 00 ss 1 00 - 0F, 7F TOTAL SIZE 01 * ss = Serial Number for PLG150-VL <Table 8> 44 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 VL Part Parameters Address (H) 09 0p Address (H) 20 00 00 00 00 00 00 AC1 PITCH CONTROL AC1 FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED PORTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME NOT USED NOT USED Parameter Description Part Assign A 1.....A 16, off Current Voice / Element Parameter 00 01 02 03 04 05 Size (H) 1 1 1 1 1 1 Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F Parameter Description ELEMENT NAME #1 ELEMENT NAME #2 ELEMENT NAME #3 ELEMENT NAME #4 ELEMENT NAME #5 ELEMENT NAME #6 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) Default value(H) 0 MIDI Data Format 00 06 00 07 00 08 00 09 00 0A 00 0B 00 0C 00 0E 00 0F 00 10 00 12 00 13 00 14 00 16 00 17 00 18 00 1A 00 1C 00 1D 00 1E 00 20 00 21 00 22 00 24 00 25 00 26 00 28 00 29 00 2A 00 2C 00 2D 00 2E 00 30 00 31 00 32 00 34 00 35 00 36 00 38 00 39 00 3A 00 3C 00 3D | | 0A 6A TOTAL SIZE <Table 9> Address (H) 30 00 1 1 1 1 1 1 2 1 1 2 1 1 2 1 1 2 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 20 - 7F 20 - 7F 20 - 7F 20 - 7F 00 - 01 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 01 01 - 00 7F 00 - 01 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 ELEMENT NAME #7 ELEMENT NAME #8 ELEMENT NAME #9 ELEMENT NAME #10 EXPRESSION MODE PRESSURE CONTROL NO. DEPTH CURVE FILTER CONTROL NO. DEPTH CURVE AMPLITUDE CONTROL NO. DEPTH CURVE EMBOUCHURE CONTROL NO. UPPER DEPTH LOWER DEPTH MODE TONGUING CONTROL NO. DEPTH CURVE SCREAM CONTROL NO. DEPTH CURVE BREATH NOISE CONTROL NO. DEPTH CURVE GROWL CONTROL NO. DEPTH CURVE THROAT FORMANT CONTROL NO. DEPTH CURVE HARMONIC ENHANCER CONTROL NO. DEPTH CURVE DAMPING CONTROL NO. DEPTH CURVE ABSORPTION CONTROL NO. DEPTH CURVE NOT USED NOT USED NOT USED 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) BC, VOLUME off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -127 - +127 CENTER BASE, MINIMUM BASE off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 56B Custom Voice Parameters 0n Size (H) 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 00 - 7F 00 - 02 00 00 - 1F 1F 00 - 01 00 - 01 28 - 58 00 - FF 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description VOICE NAME #1 VOICE NAME #2 VOICE NAME #3 VOICE NAME #4 VOICE NAME #5 VOICE NAME #6 VOICE NAME #7 VOICE NAME #8 NOT USED VOICE LEVEL ASSIGN MODE POLY EXPAND PORTAMENTO MODE NOT USED MONO/POLY MODE NOTE SHIFT DETUNE NOT USED VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOT USED NOT USED DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND MW PITCH CONTROL MW FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH SCALE TUNING C SCALE TUNING C# 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST off...32>32 FULLTIME, FINGERED 0:MONO, 1:POLY -24 - +24[semitones] -12.8 - +12.7[Hz], 1st bit3-0Æbit7-4, 2nd bit3-0→bit3-0 0 - 127 0 - 127 RANDOM (0), L63...C...R63 (1...64...127) 0 - 127 0 - 127 0 - 127 0 - 127 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 -64 - +63[cent] -64 - +63[cent] 45 MIDI Data Format TOTAL SIZE Address (H) 31 00 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 62 A3 Size (H) 0n 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 2 1 1 2 1 1 2 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1 52E TOTAL SIZE 56B n = Voice Number(0 - 5) 46 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F 28 - 58 SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B AT PITCH CONTROL AT FILTER CONTROL AT AMPLITUDE CONTROL AT LFO PMOD DEPTH AT LFO FMOD DEPTH AC1 CONTROLLER NUMBER AC1 PITCH CONTROL AC1 FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME BEND PITCH LOW CONTROL NOT USED -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 off - 95 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - 127 0 - 127 OFF/ON 0 - 127 -24 - +24[semitones] Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 00 - 01 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 01 01 - 00 7F 00 - 01 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 00 - 62 01 01 - 00 7F 70 - 10 Parameter Description ELEMENT NAME #1 ELEMENT NAME #2 ELEMENT NAME #3 ELEMENT NAME #4 ELEMENT NAME #5 ELEMENT NAME #6 ELEMENT NAME #7 ELEMENT NAME #8 ELEMENT NAME #9 ELEMENT NAME #10 EXPRESSION MODE PRESSURE CONTROL NO. DEPTH CURVE FILTER CONTROL NO. DEPTH CURVE AMPLITUDE CONTROL NO. DEPTH CURVE EMBOUCHURE CONTROL NO. UPPER DEPTH LOWER DEPTH MODE TONGUING CONTROL NO. DEPTH CURVE SCREAM CONTROL NO. DEPTH CURVE BREATH NOISE CONTROL NO. DEPTH CURVE GROWL CONTROL NO. DEPTH CURVE THROAT FORMANT CONTROL NO. DEPTH CURVE HARMONIC ENHANCER CONTROL NO. DEPTH CURVE DAMPING CONTROL NO. DEPTH CURVE ABSORPTION CONTROL NO. DEPTH CURVE NOT USED 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) BC, VOLUME off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -127 - +127 CENTER BASE, MINIMUM BASE off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 MIDI Data Format <Table 10> Address (H) 40 00 Internal Voice Parameters Size Data (H) (H) nn 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 20 - 7F 1 00 - 7F 1 00 - 02 2D 1 00 - 7F 1 00 - 7F 1 00 - 7F 1 00 - 7F 1 00 - 02 1 00 - 7F 33 1 00 - 01 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 2 01 01 - 00 7F 1 00 - 01 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 1 00 - 62 2 01 01 - 00 7F 1 70 - 10 TOTAL SIZE A3 nn = Voice Number (00 - 3F) Parameter Description VOICE NAME #1 VOICE NAME #2 VOICE NAME #3 VOICE NAME #4 VOICE NAME #5 VOICE NAME #6 VOICE NAME #7 VOICE NAME #8 VOICE LEVEL ASSIGN MODE NOT USED AMP LEVEL SCALE BREAK POINT DEPTH FILTER CUTOFF SCALE BREAK POINT DEPTH BANK POINTER PROGRAM POINTER NOT USED EXPRESSION MODE PRESSURE CONTROL NO. DEPTH CURVE FILTER CONTROL NO. DEPTH CURVE AMPLITUDE CONTROL NO. DEPTH CURVE EMBOUCHURE CONTROL NO. UPPER DEPTH LOWER DEPTH MODE TONGUING CONTROL NO. DEPTH CURVE SCREAM CONTROL NO. DEPTH CURVE BREATH NOISE CONTROL NO. DEPTH CURVE GROWL CONTROL NO. DEPTH CURVE THROAT FORMANT CONTROL NO. DEPTH CURVE HARMONIC ENHANCER CONTROL NO. DEPTH CURVE DAMPING CONTROL NO. DEPTH CURVE ABSORPTION CONTROL NO. DEPTH CURVE 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST C-2 - G8 -64 - +63 C-2 - G8 -64 - +63 PRESET1, PRESET2, CUSTOM 1 - 128 BC, VOLUME off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -127 - +127 CENTER BASE, MINIMUM BASE off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 off - 95, AT, VELOCITY, PB -127 - +127 -16 - +16 47 48 x x ************** Default Messages Altered Mode Change Control 0,32 1,2,4,5,13 6,38 64,65,67 71-74 96-97 98-99 100-101 Key’s Ch’s After Touch Pitch Bend Note ON Note OFF Velocity x x x x x x x x x x x x x x : True voice ************** x x Default Changed Basic Channel Note Number *2 o o o o o o o o o 0-24 semi x o o 9nH,v=1-127 x 0 - 127 0 - 127 3 3,4 (m=1) x 1 1 - 16 *1 *1 *1 *1 *1 *1 *1 *1 *1 *1 Sound Controller RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB Data Entry Bank Select Remarks Transmitted Recognized Date:21-SEP-1999 Version : 1.0 [ Virtual Acoustic Plug-in Board ] Model PLG150-VL MIDI Implementation Chart Function... YAMAHA MIDI Implementation Chart : True # x x x x x x Aux *3 *3 o(120,126,127) o(121) x o(123-125) o x x x x x x o o 0 - 127 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO *1 receive if switch is on. *2 m is always treated as "1" regardless of its value. *3 transmit/receive if exclusive switch is on. Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY Notes: :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset x x x x x o x ************** System : Clock Real Time: Commands Common : Song Pos. : Song Sel. : Tune System Exclusive Prog Change o : Yes x : No MIDI Implementation Chart 49 SOFTWARE LICENSING AGREEMENT The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund. 1. GRANT OF LICENSE AND COPYRIGHT Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials. 2. RESTRICTIONS The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers. You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement. 3. TERMINATION The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately. 4. PRODUCT WARRANTY Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and fitness for a particular purpose. 5. LIMITED LIABILITY Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any other person for any damages, including without limitation any incidental or consequential damages, expenses, lost profits, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer has been advised of the possibility of such damages, or for any claim by any other party. 6. GENERAL This license agreement shall be interpreted according to and governed by Japanese laws. 50 SOFTWARE-LIZENZVEREINBARUNG Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm ausschließlich zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig. Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet. 1. ERETILUNG VON LIZENZ UND COPYRIGHT Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und der darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen sie nicht auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher müssen Sie die SOFTWARE wie alle anderen durch Copyright geschützten Materialien behandeln. 2. EINSCHRÄNKUNGEN Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modifizieren, verändern, gegen Entgelt oder unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE keine Ableitungen erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung einverstanden erklärt. 3. BEENDIGUNG Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre Kopien unverzüglich vernichten. 4. PRODUKTGARANTIE Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin bestehen wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht” geliefert, und es werden keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software übernommen, einschließlich, aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität und Eignung für einen bestimmten Einsatzzweck. 5. BESCHRÄNKTE HAFTUNG Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha Ihnen oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige Schäden oder Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die aus der Verwendung der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für etwaige andere Ansprüche einer anderen Partei. 6. ALLGEMEINES Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden. 51 CONTRAT DE LICENCE DE LOGICIEL Ceci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-inclus est concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues aux présentes. Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez l’ensemble des termes du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour en obtenir le remboursement intégral. 1. CONCESSION DE LICENCE ET DROITS D’AUTEUR Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments sur plus d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en droit de revendiquer l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout autre élément protégé par le droit d’auteur. 2. RESTRICTIONS Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modifier, prêter, louer, revendre ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des fins de création dérivée. Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau. Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous réserve que vous n’en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat. 3. RESILIATION Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis. Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées, le contrat de licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées. 4. GARANTIE PRODUIT Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni, Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul recours opposable à Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et toute autre garantie expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite de qualité marchande et d’adéquation à un usage particulier, est exclue. 5. RESPONSABILITE LIMITEE Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha ne pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment et de manière non limitative, de dommages indirects, frais, pertes de bénéfices, pertes de fonds ou d’autres dommages résultant de l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été prévenus de l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie. 6. REMARQUE GENERALE Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété. 52 For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRAZIL Yamaha Musical do Brasil LTDA. Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377 ARGENTINA Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam*, Panam* Tel: 507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ITALY Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270 GREECE Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111 Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AUSTRIA Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411 BELGIUM Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220 Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 FRANCE Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 SY20 PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999 THAILAND OTHER EUROPEAN COUNTRIES Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317 AFRICA Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 4308650 Tel: 053-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-81-5868 INDONESIA MALAYSIA DENMARK OTHER COUNTRIES Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 Cosmos Corporation 1461-9, Seocho Dong, Seocho Gu, Seoul, Korea Tel: 02-3486-0011 SWEDEN Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY/SWITZERLAND ASIA HONG KONG OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, International Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312 HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2445 This document is printed on recycled chlorine free (ECF) paper. Auf Recycling-Umweltpapier gedruckt. Ce document a été imprimé sur du papier recyclé non blanchi au chlore. M.D.G., EMI Division, Yamaha Corporation © 1999 Yamaha Corporation V?????? 911PO???.?-01A0 Printed in Japan-
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Yamaha PLG150-VL Handleiding
- Categorie
- Synthesizer
- Type
- Handleiding
- Deze handleiding is ook geschikt voor
in andere talen
- English: Yamaha PLG150-VL User manual
- italiano: Yamaha PLG150-VL Manuale utente
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