Yamaha F11 de handleiding

Merk: Yamaha

Model: F11

Categorie: Synthesizer

Type: de handleiding

Deze handleiding is ook geschikt voor

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

ESPAÑOL

FRANÇAIS

DEUTSCH

ENGLISH

For information on assembling the keyboard stand, refer to the instructions at the end of this manual.

IMPORTANT – Check your power supply –

Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be

provided on the rear of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set

at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the

pointer on the panel.

Weitere Informationen über die Montage des Keyboard-Ständers erhalten Sie in den Anweisungen am Ende dieses Handbuchs.

WICHTIG —Überprüfung der Stromversorgung—

Vergewissern Sie sich vor dem Anschließen an das Stromnetz, daß die örtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite

des Instruments entspricht. In bestimmten Regionen ist auf der Rückseite des Instruments in der Nähe des Netzkabels ein Spannungswähler angebracht. Falls

vorhanden, muß der Spannungswähler auf die örtliche Netzspannung eingestellt werden. Der Spannungswähler wurde werkseitig auf 240 V voreingestellt. Zum

Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist.

Pour obtenir les détails sur l'assemblage du pupitre du clavier, reportez-vous aux instructions figurant à la fin de ce manuel.

IMPORTANT —Contrôler la source d'alimentation—

Vérifiez que la tension spécifiée sur le panneau inférieur correspond à la tension du secteur. Dans certaines régions, l’instrument peut être équipé d’un sélecteur de

tension à l’arrière de l’unité principale, à côté du cordon d'alimentation. Vérifiez que ce sélecteur est bien réglé en fonction de la tension secteur de votre région. Le

sélecteur de tension est réglé sur 240 V au depart d'usine. Pour modifier ce réglage, utilisez un tournevis à lame plate pour tourner le sélecteur afin de mettre

l'indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau.

Para información sobre el montaje del soporte del teclado, consulte las instrucciones al final de este manual.

IMPORTANTE —Verifique la alimentación de corriente—

Asegúrese de que tensión de alimentación de CA de su área corresponde con la tensión especificada en la placa de características del panel inferior. Es posible

que en algunas zonas se suministre un selector de tensión en la parte posterior de la unidad principal, junto al cable de alimentación. Asegúrese de que el selector

de tensión esté ajustado a la tensión de su área. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Para cambiar el ajuste, emplee un

destornillador de cabeza "recta" para girar el selector de modo que aparezca la tensión correcta al lado del indicador del panel.

92-469 1 (bottom)

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these

graphics appears on this page. Please observe all cautions

indicated on this page and those indicated in the safety

instruction section.

See bottom of Keyboard enclosure for graphic symbol markings.

The exclamation point within the

equilateral triangle is intended to alert

the user to the presence of important

operating and maintenance (servic-

ing) instructions in the literature

accompanying the product.

The lightning ﬂash with arrowhead

symbol, within the equilateral trian-

gle, is intended to alert the user to the

presence of uninsulated “dangerous

voltage” within the product’s enclo-

sure that may be of sufﬁcient magni-

tude to constitute a risk of electrical

shock.

IMPORTANT NOTICE: All Yamaha electronic products

are tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO

NOT modify this unit or commission others to do so

unless speciﬁcally authorized by Yamaha. Product perfor-

mance and/or safety standards may be diminished.

Claims ﬁled under the expressed warranty may be denied

if the unit is/has been modiﬁed. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the speciﬁcations

without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is

approximately ﬁve years. When replacement becomes

necessary, contact a qualiﬁed service representative to

perform the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the man-

ufacturer’s warranty, and are therefore the owners respon-

sibility. Please study this manual carefully and consult

your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

Model

Serial No.

Purchase Date

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

(F01)

(2 wires)

• This applies only to products distributed by Yamaha-Kemble Music

(U.K.) Ltd.

(F11)

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc-

tions contained in this manual, meets FCC require-

ments. Modiﬁcations not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT: When connecting this product to acces-

sories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions. Fail-

ure to follow instructions could void your FCC authori-

zation to use this product in the USA.

3. NOTE: This product has been tested and found to com-

ply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices. This equipment generates/

uses radio frequencies and, if not installed and used

according to the instructions found in the users manual,

may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not occur

in all installations. If this product is found to be the

source of interference, which can be determined by

turning the unit “OFF” and “ON”, please try to eliminate

the problem by using one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfac-

tory results, please contact the local retailer authorized

to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Corpo-

ration of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this appa-

ratus may not correspond with the coloured makings iden-

tifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to

the terminal which is marked with the letter N or coloured

BLACK.

The wire which is coloured BROWN must be connected to

the terminal which is marked with the letter L or coloured

RED.

Making sure that neither core is connected to the earth ter-

minal of the three pin plug.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus

may not correspond with the coloured markings identifying the

terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be con-

nected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or colored GREEN or GREEN-

and-YELLOW.

The wire which is coloured BLUE must be connected to the ter-

minal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

• This applies only to products distributed by Yamaha-Kemble

Music (U.K.) Ltd.

(3 wires)

F11/F01 Owner’s Manual

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Use only the supplied power cord/plug.

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• (F11) Be sure to connect to an appropriate outlet with a protective grounding

connection. Improper grounding can result in electrical shock.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings. If any liquid such as water seeps into the instrument, turn off the

power immediately and unplug the power cord from the AC outlet. Then have

the instrument inspected by qualiﬁed Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• (F11) Always connect the three-pin attachment plug to a properly grounded

power source. (For more information about the main power supply, see

page 15.)

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the instrument is not to be used

for extended periods of time, or during electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Read carefully the attached documentation explaining the assembly process.

Failure to assemble the instrument in the proper sequence might result in

damage to the instrument or even injury.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected cables.

• When setting up the product, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/Power cord

Assembly

Location

(1)B-12

1/2

ENGLISH

F11/F01 Owner’s Manual

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• In the case of a model with a polished ﬁnish, gently remove dust and dirt with a

soft cloth. Do not wipe too hard since small particles of dirt can scratch the

instrument's ﬁnish.

• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use

paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping

cloths.

•Take care that the key cover does not pinch your ﬁngers, and do not insert a

ﬁnger or hand in any gaps on the key cover or instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the key

cover, panel or keyboard. If this happens, turn off the power immediately and

unplug the power cord from the AC outlet. Then have the instrument inspected

by qualiﬁed Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• In the case of a model with a polished ﬁnish, bumping the surface of the

instrument with metal, porcelain, or other hard objects can cause the ﬁnish to

crack or peel. Use caution.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not use the instrument/device or headphones for a long period of time at a

high or uncomfortable volume level, since this can cause permanent hearing

loss. If you experience any hearing loss or ringing in the ears, consult a

physician.

• Do not place the bench in an unstable position where it might accidentally fall

over.

• Do not play carelessly with or stand on the bench. Using it as a tool or step-

ladder or for any other purpose might result in accident or injury.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• If the bench screws become loose due to extensive long-term use, tighten them

periodically using the included tool.

• Some data will be saved to internal memory of the F11/F01 (pages 55, 57). The

data is maintained even when the power is turned off. For maximum data

security Yamaha recommends that you save your important data to the USB

ﬂash memory (F11) or computer (F01). This provides a convenient backup if the

internal memory is damaged (pages 55, 57).

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Connections

Maintenance

Handling caution

Using the bench (If included)

Saving data

(1)B-12

2/2

F11/F01 Owner’s Manual

ENGLISH

About this Owner’s Manual

Thank you for purchasing the Yamaha Digital Piano F11/F01! We recommend that you read this manual carefully so that

you can fully take advantage of the advanced and convenient functions of the F11/F01.

We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual

The documentation for this instrument includes: Owner’s Manual (this document), Quick Operation Guide, and Data

List.

Owner’s Manual

Introduction (page 2):

Please read this section ﬁrst.

Reference (page 10):

This section explains how to make detailed settings for the F11/F01’s various functions.

Appendix (page 68):

This section introduces reference material.

Quick Operation Guide

This explains the button/key assignments and how to use the panel controls.

Data List

The Data List contains XG voice/XG effect (for the F11) and MIDI related information. The Data List is available for

downloading from the Yamaha Manual Library.

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

*The panel illustrations are taken from the F11.

*The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear

somewhat different from those on your instrument.

(F11) AVE-TCP, a TCP/IP protocol stack by ACCESS Co., Ltd., is installed in this product.

(F01) AVE

-SSL, an encryption module technology by ACCESS Co., Ltd., is installed in this product.

Trademarks:

•Windows is the registered trademarks of Microsoft

Corporation.

•All other trademarks are the property of their respective holders.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with

respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all

computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of

such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright

has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

This device is capable of using various types/formats of music data by optimizing them to the proper format music

data for use with the device in advance. As a result, this device may not play them back precisely as their producers or

composers originally intended.

Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is

strictly prohibited except for your personal use.

ENGLISH

Accessories

F11/F01 Owner’s Manual

Accessories

• Owner’s Manual

This manual contains complete instructions for operating your F11/F01.

• Quick Operation Guide

• Bench

• AC Power Cord

Tuning

Unlike an acoustic piano, the instrument does not need to be tuned. It always stays perfectly in tune.

Transporting

If you move to another location, you can transport the instrument along with your other belongings. You can move the

unit as it is (assembled) or you can disassemble the unit.

Tr ansport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the

instrument to excessive vibration or shock.

F11/F01 Owner’s Manual

ENGLISH

Main Features

Stylish and sophisticated digital piano

The instrument combines true piano sound in a modern, attractive cabinet that evokes the beauty of a

real acoustic grand piano–adding sophistication and musical expressiveness to your living space.

NW (Natural Wood) keyboard

The special Natural Wood keyboard of the instrument uses real-wood white keys, to reproduce as

closely as possible the experience of playing an actual acoustic grand piano. The authentic touch and

feel of the keys goes far beyond existing electronic keyboards, realistically recreating the hardness of the

keys, the balance between the weight of the key and hammer, and the characteristic weight gradations

of the keys. heavy in the low end, light in the high register. to make you feel as if you’re playing a real

grand piano. Moreover, this specially crafted keyboard lets you use techniques only possible on grand

pianos, such as playing the same note successively and having the sounds blend smoothly even without

use of the damper pedal, or playing the same key quickly and having perfect articulation without the

sound cutting off unnaturally.

Moving Key (F11)

The F11 features an impressive moving keyboard—with the Moving Key function. Whatever songs you

play back on the instrument, including the included 50 piano preset songs (Classic & Jazz), songs saved

to USB ﬂash memory, or songs from the Internet using the streaming service, you can enjoy the perfor-

mance visually as well as aurally. This makes the F11 a wonderful instrument to have at home, as well

as an eye-catching, ear-catching instrument for a restaurant, store or any public space.

AWM Dynamic Stereo Sampling

The F11/F01 offers unmatched sonic realism as well as Yamaha’s original AWM Dynamic Stereo Sam-

pling tone-generation technology for rich, authentic voices. The G. Piano 1 and 2 voices are completely

constructed from samples painstakingly recorded from a full concert grand piano. The G. Piano 1 voice

features three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” that samples

the unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is

pressed, and “Keyoff Samples” that add the subtle sound produced when the keys are released. These

sophisticated features and advanced technologies ensure that the instrument sounds and plays virtually

the same as an actual acoustic piano.

Internet Direct Connection (IDC) (F11)

Yamaha provides a special streaming service on its website that enables you to automatically play back

a wide variety of songs (song data) in various musical genres as background music directly on your

instrument.

ENGLISH

Table of Contents

F11/F01 Owner’s Manual

Introduction

Reference

Appendix

Table of Contents

SPECIAL MESSAGE SECTION ...................... 2

About this Owner’s Manual........................ 6

Accessories .................................................. 7

Main Features ............................................. 8

Table of Contents ....................................... 9

Panel Controls and Terminals................... 10

Accessing Various Background Music

(BGM) Functions .................................... 12

Before Using the F11/F01 ......................... 13

Key Cover ...........................................................13

Music Rest ..........................................................14

Connecting the Power Cord (F11)....................15

Connecting the Power Cord (F01)....................16

Turning the Power On.......................................17

Setting the Volume.............................................17

Using Headphones (option)..............................18

Checking the version number (F11) .................18

Listening to the 50 Piano Preset Songs

(Classic & Jazz) ....................................... 19

Enjoying the Moving Key Feature (F11)...........21

Listening to songs in USB Flash Memory... 22

Handling the USB Storage Device

(USB Flash Memory/Floppy Disk, etc.) .. 25

Handling the Floppy Disk Drive (FDD)

and Floppy Disks .................................... 26

Listening to the Songs on Internet (F11)... 27

Song Auto Revoice (F11)...................................28

Selecting & Playing Voices........................ 29

Selecting Voices..................................................29

Listening to the Voice Demonstration Tunes ..29

Selecting Alternate Voices (VARIATION) .......30

Using the Pedals .................................................30

Combining Two Voices (Dual mode)...............31

Saving the Voice Settings (F11)........................32

Splitting the Keyboard Range and Playing

Two Different Voices (Split mode)...............32

Using the Metronome........................................34

Selecting various digital reverb effects

(REVERB) ......................................................35

Transposition – [TRANSPOSE]........................36

Fine Tuning of the Pitch ....................................36

Touch Sensitivity – [TOUCH] ..........................37

Recording Your Performance.................... 38

Playing Back Recorded Songs ................... 40

Saving Your Recorded Performance to

USB Flash Memory.................................. 41

Internet Direct Connection (IDC) (F11) ... 42

Setting Up the Instrument to the Internet

Connection .................................................... 42

Connecting the Instrument to the Internet ..... 44

About the Internet Settings............................... 45

Checking the field strength

(when using a USB wireless LAN adaptor).. 46

Exporting the Connection Information ........... 47

Initializing Internet Settings.............................. 48

Internet Initial Settings...................................... 48

Glossary of Internet Terms ............................... 49

Connections ..............................................51

Connectors......................................................... 51

Connecting to a Computer ............................... 52

About MIDI................................................53

Data Backup (F11)..................................... 55

Backup Data in Internal Memory..................... 55

Backing Up Data to USB Flash Memory.......... 55

Restoring the Backup Data................................ 56

Data Backup (F01)..................................... 57

Backup Data in Internal Memory..................... 57

Backing Up Data to a Computer ...................... 57

Restoring the Backup Data................................ 57

Message List (F11) ....................................58

Message List (F01) ....................................59

Troubleshooting........................................ 60

Keyboard Stand Assembly ........................61

50 Piano Preset Songs (Classic & Jazz)

List........................................................... 64

Preset Voice List ........................................ 66

Voice Demo Song List ............................... 67

Index..........................................................68

Normal Setting List ...................................70

Program Change ....................................... 71

Specifications ............................................72

F11/F01 Owner’s Manual

ENGLISH

Panel Controls and Terminals

The illustrations are taken from the F11.

The jacks and terminals on the underside of the instrument as shown here may seem to be in reverse from your perspec-

tive in front of the instrument. Make sure when using these to carefully check the names as printed on the panel before

making connections.

1 [POWER] switch ..........................p. 17

Turns the power on/off.

2 [VOLUME] control....................... p. 17

Adjusts the volume level.

3 Display ........................................ p. 11

For showing various messages and certain settings of

the instrument. This may be unavailable, depending

on the status.

CAUTION

Do not turn off the power to the instrument while ﬂash-

ing dashes appear in the display (indicating the opera-

tion is in process). Doing so may damage the data.

4 [PRESET 1]/[PRESET 2] lamp ........ p. 19

When this is lit, you can listen to the 50 piano preset

songs (Classic & Jazz).

5 [USB] lamp.................................. p. 22

When this is lit, you can listen to songs contained in

USB ﬂash memory.

6 [USB] access lamp ....................... p. 22

Flashes in red while loading data from USB ﬂash

memory.

7 [INTERNET] lamp (F11) ............... p. 27

When this is lit, you can listen to songs on the Inter-

net.

8 [INTERNET] access lamp (F11)..... p. 27

Flashes in red while accessing to the Internet.

9 [BGM] button ......... pp. 19, 22, 27, 29

Switches the BGM mode on and off for [PRESET 1]/

[PRESET 2]/[USB]/[INTERNET] (F11). For more

information, refer to page 12.

0 [– /NO]/[+/YES] button

For setting values or performing ﬁle operations.

PHONES

AUX INAUX OUT

L L RR L L R

MIDI USB

OUT

IN TO DEVICE

32 965 8740A

CEF

ENGLISH

Panel Controls and Terminals

F11/F01 Owner’s Manual

A Voice buttons .............................. p. 29

Selects voices from 20 internal sounds including G.

PIANO 1 and 2 (in tandem with the

[VARIATION]

but-

ton). You can also combine two voices at the same time.

B [VARIATION] button .................... p. 30

This lets you call up an alternate setting (for example,

an alternate voice), depending on the selected setting.

[MOVING KEY] status lamp (F11) ..p. 21

Lights up in red if an error occurs while using the

Moving Key feature.

D [MOVING KEY] button (F11) ....... p. 21

Enables the Moving Key feature, which automati-

cally moves the keys in response to song playback—

including that of the 50 piano preset songs, songs in

USB ﬂash memory, and songs from the Internet

using the streaming service.

E [PLAY/STOP] button ......pp. 20, 23, 28

For starting/stopping song playback of the 50 piano

preset songs (Classic & Jazz), songs in USB ﬂash

memory, or songs on from the Internet using the

streaming service (F11).

F [REC] button ............................... p. 38

Record your performance.

G [METRONOME] button ............... p. 34

Control the metronome functions.

H [SPLIT] button ............................. p. 32

Allows you to play different voices on the left- and

right-hand sections of the keyboard.

I [PHONES] jacks ........................... p. 18

A set of standard stereo headphones can be plugged

in here for private practice.

J AUX OUT[L/L+R][R] jacks............. p. 51

For connecting recording equipment (such as a cassette

tape recorder), allowing you to record your performance.

K AUX IN[L/L+R][R] jacks ................ p. 51

Sends the output of the F11/F01 to a connected

instrument ampliﬁer, mixing console, PA system, or

recording equipment.

L MIDI [IN][OUT] connectors ......... p. 52

For connecting to a MIDI device, allowing you to

take advantage of various MIDI functions.

M USB [TO DEVICE] terminal........... p. 52

For connecting to a USB ﬂash memory device,

allowing you to save your own recorded songs and

play back songs contained on the device.

N [LAN] port (F11).......................... p. 52

By directly connecting the F11 to the Internet, you can

use the special streaming service on the Yamaha website

that enables you to automatically play back a wide vari-

ety of songs (song data) in various musical genres as

background music directly on your instrument.

CAUTION

Do not directly connect the [LAN] port to your computer.

The Internet functions cannot be used if so connected.

O [AC INLET] connector.......... pp. 15, 16

For connection of the power cord.

P Pedals ......................................... p. 30

For producing a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

Display

•Check the operation on the display of the top panel as you use the instrument.

•The display indicates different values, as shown below, depending on the operation.

LAN

rear panel

F11

One of the song numbers from “50

Piano Preset Songs (Classic & Jazz)”

Tempo Parameter value

F11/F01 Owner’s Manual

ENGLISH

Accessing Various Background Music (BGM) Functions

Accessing Various Background Music

(BGM) Functions

A variety of functions can be called up (as listed below) by switching the [BGM] button on/off.

BGM

Consists of the following:

[PRESET 1]/[PRESET 2]....... Listening to the 50 Piano Preset Songs (Classic & Jazz) (page 19)

[USB]................................... Listening to songs in USB ﬂash memory (page 22), saving your recorded performances to

USB ﬂash memory (page 41)

[INTERNET] (F11)............. Listening to the songs on the internet using the streaming service (page 27)

BGM OFF

Pressing the [BGM] button turns off the [PRESET 1]/[PRESET 2]/[USB]/[INTERNET] (F11) lamps.

Playing Back Recorded Songs (page 40), Recording Your Performance (page 38), Selecting & Playing Voices (Playing)

(page 29)

MOVING KEY ON/OFF (F11)

The Moving Key feature on the F11 makes it possible for the keys of the keyboard to move automatically in response to

song playback. For more information, refer to page 21.

BGM BGM OFF

PRESET

USB

INTERNET (F11) The left lamps are turned off.

12 Playing Back Recorded Songs/Recording Your Performance/Selecting & Playing Voices

MOVING KEY ON/OFF (F11)

ENGLISH

Before Using the F11/F01

F11/F01 Owner’s Manual

Before Using the F11/F01

Key Cover

To open the key cover:

1. To open the cover, insert your ﬁngers in the indenta-

tions on its front, lift the cover gently and fold it back.

2. Raise the folded cover and lean it against the front

panel.

To close the key cover:

1. If the music rest (page 14) is raised, lift it up and

against the cover to prevent damage to the panel.

2. Pull the cover down and toward yourself gently.

3. Unfold the cover and gently lower its front half.

CAUTION

Be careful to avoid catching your ﬁngers

when opening or closing the cover.

CAUTION

Be careful to avoid catching your ﬁngers

when opening or closing the cover.

CAUTION

Be careful to avoid catching your ﬁngers

when opening or closing the cover.

CAUTION

Be careful to avoid catching your ﬁngers

when opening or closing the cover.

CAUTION

Hold the key cover with both hands when opening or closing it, and do not release it until it is fully opened or closed.

Be careful to avoid catching ﬁngers (yours or others, and especially those of children) in folding portion or between

the cover and main unit.

F11/F01 Owner’s Manual

ENGLISH

Before Using the F11/F01

Music Rest

The music rest is attached to the inside of the key cover.

To position the music rest for use:

Pull the music rest on the cover down and toward yourself.

To replace the music rest:

Lift the music rest up and against the cover.

ENGLISH

Before Using the F11/F01

F11/F01 Owner’s Manual

Connecting the Power Cord (F11)

Carefully read the following instructions and warnings before connecting the power cord.

1. Connect the supplied power cord to the [AC INLET] connector on the instrument’s rear panel. For an illustration of the

location of the [AC INLET] connector, see “Panel Controls and Terminals” (page 10).

2. Connect the other end of the power cord to an AC outlet. Make sure your F11 meets the voltage requirement for the

country or region in which it is being used.

In some areas, a plug adaptor may be provided to match the pin conﬁguration of the AC wall outlets in your area.

WARNING

Make sure your F11 is rated for the AC voltage supplied in the area in which it is to be used (as listed

on the rear panel). Connecting the unit to the wrong AC supply can cause serious damage to the inter-

nal circuitry and may even pose a shock hazard!

WARNING

Use only the AC power cord supplied with the F11. If the supplied cord is lost or damaged and needs

to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre

and shock hazard!

WARNING

The type of AC power cord provided with the F11 may be different depending on the country in which

it is purchased (a third prong may be provided for grounding purposes). Improper connection of the

grounding conductor can create the risk of electrical shock. Do NOT modify the plug provided with the

F11. If the plug will not ﬁt the outlet, have a proper outlet installed by a qualiﬁed electrician. Do not

use a plug adapter which defeats the grounding conductor.

(The shape of plug differs

depending on your particular

locale.)

[AC INLET] connector

F11/F01 Owner’s Manual

ENGLISH

Before Using the F11/F01

Connecting the Power Cord (F01)

Carefully read the following instructions and warnings before connecting the power cord.

1. Connect the supplied power cord to the [AC INLET] connector on the instrument’s rear panel. For an illustration of the

location of the [AC INLET] connector, see “Panel Controls and Terminals” (page 10).

2. Connect the other end of the power cord to an AC outlet. Make sure your F01 meets the voltage requirement for the

country or region in which it is being used.

In some areas, a plug adaptor may be provided to match the pin conﬁguration of the AC wall outlets in your area.

WARNING

Make sure your F01 is rated for the AC voltage supplied in the area in which it is to be used (as listed

on the rear panel). Connecting the unit to the wrong AC supply can cause serious damage to the inter-

nal circuitry and may even pose a shock hazard!

WARNING

Use only the AC power cord supplied with the F01. If the supplied cord is lost or damaged and needs

to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre

and shock hazard!

[AC INLET] connector

(The shape of plug differs

depending on your particular

locale.)

ENGLISH

Before Using the F11/F01

F11/F01 Owner’s Manual

Turning the Power On

Press the [POWER] switch.

The power indicator located below the left end of the keyboard lights.

To turn off the power, press the [POWER] switch again.

CAUTION

Never interrupt the power supply while the instrument is loading data from a USB ﬂash memory! Doing so can result in

loss of data.

CAUTION

Even when the instrument is turned off, electricity is still ﬂowing to the instrument at the minimum level. When you are

not using the instrument for a long time or during electrical storms, make sure you unplug the AC power plug from the

wall AC outlet.

Setting the Volume

Initially set the [VOLUME] control about halfway between the “MIN” and “MAX” settings. Then, when you start playing,

re-adjust the

[VOLUME] control to the most comfortable listening level.

CAUTION

Do not use the instrument at a high volume level for a long period of time, or your hearing may be damaged.

TIP

Power indicator

If you close the key cover without turning the power off, the power indicator remains lit, indicating that the

power is still on.

TERMINOLOGY

VOLUME:

The volume level of the entire keyboard sound.

TIP

You can also adjust the [PHONES] output level and the AUX IN input level using the [VOLUME] control.

[POWER]

switch

Power indicator

The level decreases. The level increases.

F11/F01 Owner’s Manual

ENGLISH

Before Using the F11/F01

Using Headphones (option)

Connect a pair of headphones to one of the [PHONES] jacks.

Two [PHONES] jacks are provided.

You can connect two sets of standard stereo headphones. (If you are

using only one pair of headphones, you can plug them into either

jack.)

CAUTION

Do not use headphones at a high volume for an extended period of

time.

Doing so may cause hearing loss.

Checking the version number (F11)

You can check the version number of this instrument by simultaneously holding down the [MOVING KEY] button and

pressing A-1 on the keyboard (also see Quick Operation Guide). Press the [–/NO] or[+/YES] button to return to the orig-

inal display.

For instructions about how to update the instrument to the latest version, refer to the Yamaha website:

http://www.music.yamaha.com/idc

PHONES

bottom surface

standard stereo

phone plug

A-1

ENGLISH

Listening to the 50 Piano Preset Songs (Classic & Jazz)

F11/F01 Owner’s Manual

Listening to the 50 Piano Preset Songs

(Classic & Jazz)

The instrument features ﬁfty built-in piano preset songs, including both classic pieces and jazz stan-

dards.

1 Turn the power on.

Press the [POWER] switch to turn the power on.

2 Adjust the volume.

Initially set the [VOLUME] control about half way between the “MIN” and

“MAX” settings. Then, when you start playing, re-adjust the [VOLUME] control

to the most comfortable listening level.

3 Turn on the [PRESET 1] or [PRESET 2] lamp.

Press the [BGM] button to turn on the [PRESET 1] or [PRESET 2] lamp. Preset 1

contains a variety of well-known classical music pieces while Preset 2 contains

many popular jazz standards. For a list of all 50 piano preset songs, see page 64.

4 Play any of the 50 piano preset songs.

4-1 Press the [–/NO] or [+/YES] button to select the num-

ber of the song you want to play.

rnd: Play all preset songs continuously

in random order.

ALL: Play all preset songs in sequence.

Sxx: Play all preset songs in each scene

(special sub categories within Classic or Jazz).

1 - 30 (PRESET 1): Select a preset song number and play only the selected song.

31 - 50 (PRESET 2): Select a preset song number and play only the selected song.

-1

-2

TERMINOLOGY

On the F11/F01, performance

data is called a “Song”. This

includes voice demonstration

tunes and 50 piano preset

songs (Classic & Jazz).

NOTE

You cannot select the [PRE-

SET 1] and [PRESET 2] lamps

while voice demo song playback

is in use (page 29) or the [REC]

button is on (page 38).

TERMINOLOGY

Random order:

The 50 Piano Preset Songs

(Classic & Jazz) are selected

and played back randomly by

the instrument—similar to the

shufﬂing of a deck of cards—

when pressing the [PLAY/

STOP] button.

Operation

Song number

F11/F01 Owner’s Manual

ENGLISH

Listening to the 50 Piano Preset Songs (Classic & Jazz)

Scene:

The 50 Piano Preset Songs (Classic & Jazz) have been divided into twenty three groups

or categories, to match a variety of listening preferences and to let you select your favor-

ite songs based on a scene description. For instance, if you want to listen to some “Ele-

gant” songs, select scene number 4. The songs that match that category will play

sequentially. For a list of the 50 piano preset songs (Classic & Jazz), see page 64.

Scene Titles:

Classic

Jazz

4-2 Press the [PLAY/STOP] button to start playback.

On the F11, the keys of the keyboard move automatically in response to song

playback (Moving Key). For more information, refer to page 21.

Adjust the Volume

Use the [VOLUME] control to adjust the volume.

5 Stop playback.

Press the [PLAY/STOP] button.

6 Turn the [PRESET 1] or [PRESET 2] lamp off.

Turn the [PRESET 1] or [PRESET 2] lamp off by pressing the [BGM] button.

TIP

Feel free to play the keyboard

along with the preset song. You

can also change the voice play-

ing on the keyboard.

TIP

You can adjust the Reverb Type

(page 35) that is applied to the

voice you play on the keyboard

and for preset song playback.

The Touch sensitivity (page 37)

for the keyboard voice can also

be adjusted to your liking.

NOTE

The default tempo “---” is auto-

matically selected whenever a

new preset song is selected, or

when playback of a new preset

song begins during “rnd” (ran-

dom), “ALL,” or “Sxx” (scene)

playback.

NOTE

When you select a different song

(or a different song is selected

during chained playback), an

appropriate Reverb Type will be

selected accordingly.

NOTE

The data of the 50 piano preset

songs is not transmitted via the

MIDI connectors.

- Home Party

- Morning

- Upbeat

- Elegant

- Relaxing

- Nighttime

- Melancholy

- Mood Music

- Fantasy

- Baroque and Pre-romantic Music

- Pre-romantic (Chopin)

- Post-romantic

- Modern French

- Home Party

- Daytime

- Afternoon

- Evening

- Midnight

- Elegant

- Upbeat

- Ballad

- Innocent

- Mood Music

ENGLISH

Listening to the 50 Piano Preset Songs (Classic & Jazz)

F11/F01 Owner’s Manual

Enjoying the Moving Key Feature (F11)

The F11 has a Moving Key feature in which the keys of the keyboard move automatically in response to song play-

back—including the included 50 piano preset songs (Classic & Jazz), songs saved to USB ﬂash memory, and songs from

the Internet using the streaming service. This makes the instrument a true pleasure to see as well as hear. For more

information on the relationship between the Moving Key and the background music (BGM) mode, see page 12.

1 Turn on the Moving Key function.

Press the [MOVING KEY] button so that its indicator lights.

Keep in mind that the Moving Key feature applies only to the keys of the keyboard; the pedals do not move

automatically even if the [MOVING KEY] button is turned on and song playback is started.

2 Start playback.

Play back the desired songs. You can use Moving Key with the 50 piano preset songs (page 19), songs in USB

ﬂash memory (page 22), or songs on the Internet using the streaming service (page 27).

The [MOVING KEY] status lamp (next to the button) lights, if an error occurs while using Moving Key. For

more information, refer to “Message List” on page 58.

3 Stop playback.

Stop song playback of the 50 piano preset songs (page 19), songs in USB ﬂash memory (page 22), or songs on

the Internet using the streaming service (page 27).

4 Turn off the Moving Key function.

Press the [MOVING KEY] button again so that its indicator goes out.

Selecting the Part (Channel) for Moving Key

Depending on the particular song data, the song you’re playing may have several parts. Under the normal setting (Auto), the

instrument automatically chooses the best part for Moving Key playing, based on the particular song data. If you want to

change this part, manually select the channel for the desired part. Press one of the C4-F5 keys while holding the

[MOVING

KEY]

button (also see Quick Operation Guide). The current part setting appears on the display while both controls are held.

Press one of the C4-F5 keys while holding the [MOVING KEY] button (Quick operation guide). The current part set-

ting appears on the display while both controls are held.

Operation

[MOVING KEY] button

TIP

Normal setting: ON

TERMINOLOGY

Normal setting:

The phrase “Normal setting” refers to the default setting (factory setting) that is active when you

ﬁrst turn on the power to the instrument.

C4-D

5Keyboard part (channel) 1-16

E5 Even if the song changes, the current part is maintained. The part is not selected automatically. “OFF”

appears on the display.

F5 The best part for each song is selected automatically (Normal setting). “ON” appears on the display.

F11/F01 Owner’s Manual

ENGLISH

Listening to songs in USB Flash Memory

You can conveniently connect a USB ﬂash memory device to the instrument and listen to songs recorded to that device

(on a computer). You can also save your recorded performances on the instrument to the connected device and play those

songs back as well. Before using a USB ﬂash memory device, be sure to read “Handling the USB Storage Device (USB

Flash Memory/Floppy Disk, etc.)” on page 25.

CAUTION

While playing a USB song or while the [USB] access lamp ﬂashes in red, DO NOT pull out the USB ﬂash memory or turn

the power off. Doing so can result in a loss of data.

Character Code

If the song cannot be loaded, you may need to change the character code setting.

International

Files with western alphabetical names (including umlaut or diacritic marks) can

be loaded (ﬁles with names in Japanese cannot be loaded).

Turn the power on while holding the [HARPSI.] and [VARIATION] buttons.

Japanese

Files with western alphabetical names and Japanese names can be loaded; how-

ever, ﬁle names including umlauts or diactric marks cannot be loaded.

Turn the power on while holding the [BASS] and [SPLIT] buttons.

1 Turn on the [USB] lamp.

Make sure that the USB ﬂash memory is connected to the instrument, then turn

on the [USB] lamp by pressing the [BGM] button.

2 Play any of the USB songs.

2-1 Press the [–/NO] or [+/YES] button to select the num-

ber of the song you want to play.

rnd: Play all USB songs continuously in

random order.

ALL: Play all USB songs in sequence.

Uxx: Select the number of the desired USB

song, that of the performance which you’ve recorded and saved.

001-600 (F11): Select the number of the desired USB song, that which you’ve

saved by using a computer and play the song. The total num-

ber of available USB songs (including ones saved on the

instrument itself and those saved on computer) is 600. Hence,

the available number here may be less than 600 if some USB

songs (in Uxx above) have been saved on the instrument.

001-400(F01): Select a number of USB song, that which you’ve saved by

using a computer and play the song.

-2

-1

TIP

Normal setting: International

TERMINOLOGY

Normal setting:

The phrase “Normal setting”

refers to the default setting (fac-

tory setting) that is active when

you ﬁrst turn on the power to the

instrument.

NOTE

You cannot turn on the [USB]

lamp while the voice demo song

playback is in use (page 29) or

the [REC] button is on (page 38).

NOTE

Certain songs may take more

time than others to start play-

back. Keep in mind that this

also affects the time between

playback of successively played

songs.

Operation

Song number

ENGLISH

Listening to songs in USB Flash Memory

F11/F01 Owner’s Manual

2-2 Press the [PLAY/STOP] button to start playback.

Adjust the Volume

Use the [VOLUME] control to adjust the volume.

3 Stop playback.

Press the [PLAY/STOP] button.

4 Turn the [USB] lamp off.

Turn the [USB] lamp off by pressing the [BGM] button.

Data format

This instrument can play back SMF Format 0 and Format 1 (Standard MIDI

ﬁle) and DOC (Disk Orchestra Collection) song data. When copying song data

from computer to USB ﬂash memory, make sure to save it by using SMF Format

0 and Format 1. Keep in mind that songs recorded on other devices may use a

variety of voices not available on this instrument and hence may sound different

than the original songs.

TIP

The instrument has a conve-

nient Song Auto Revoice func-

tion (F11).

Refer to page 28.

TIP

Normal setting: ON (using the

specially created G. PIANO 1

Voice of the instrument)

To switch the specially created

G. PIANO 1 Voice of the instru-

ment to the conventional XG

Piano Voices of the same type,

turn the function OFF.

TIP

Feel free to play the keyboard

along with the USB song. You

can also change the voice play-

ing on the keyboard.

TIP

You can adjust the Reverb Type

(page 35) that is applied to the

voice you play on the keyboard

and for USB song playback. The

Touch sensitivity (page 37) for

the keyboard voice can also be

adjusted to your liking.

NOTE

The default tempo “---” is auto-

matically selected whenever a

new USB song is selected, or

when playback of a new USB

song begins during “rnd” (ran-

dom) or “ALL” playback.

NOTE

When you select a different

song (or a different song is

selected during chained play-

back), an appropriate Reverb

Type will be selected accord-

ingly.

NOTE

USB song data is not transmit-

ted via the MIDI connectors.

TERMINOLOGY

What is SMF (Standard MIDI

File)?

The SMF (Standard MIDI File)

format is one of the most com-

mon and widely compatible

sequence formats used for stor-

ing sequence data. There are

two variations: Format 0 and

Format 1. A large number of

MIDI devices are compatible

with SMF Format 0, and most

commercially available MIDI

sequence data is provided in

SMF Format 0.

IMPORTANT

When playing songs copied to a USB ﬂash memory device from

a computer or other device, the songs must be stored either in

the USB ﬂash memory’s root directory or a ﬁrst-level/second-

level folder in the root directory. Songs stored in these locations

can be played as song data. Songs stored in third-level folders

created inside a second-level folder cannot be played by this

instrument.

USB ﬂash memory

Can be played.

Cannot be played.

Song

File

Song

Folder

Song

File

Song

Folder

Song

File

Song

Folder

(Root)

F11/F01 Owner’s Manual

ENGLISH

Listening to songs in USB Flash Memory

Commercially Available Song Data

Song data purchased by using a computer and commercially available Disk Songs are

available when you connect the ﬂoppy disk drive to the instrument. The instrument is

compatible with the Song disks (ﬂoppy disks) that bear the following marks:

Specify the Song Part (Channel) and Play the Song (F01)

When listening to songs contained in USB ﬂash memory, you can specify the song parts in this setting.

The “ALL” setting plays back all 16 parts, while “1+2” plays back parts 1 and 2.

Since piano songs are generally recorded to parts 1 and 2 exclusively, the “1+2” setting is best used with only the

piano voice.

Default setting is “ALL.”

Specify all parts as the designated part (ALL)

Press the A-1 key while holding the [BGM] button (also see Quick Operation Guide).

Specify parts 1 and 2 as the designated part (1+2)

Press the A

-1 key while holding the [BGM] button (also see Quick Operation Guide).

Keep in mind that songs recorded on other devices may use a variety of voices not available on this instrument and

hence may sound different than the original songs. In general, this instrument should be used to play back piano

songs.

(ALL)

Part 1 Part 2 Part 3

Piano voices

(1+2)

Other voices

NOTE

Before using a USB storage

device, be sure to read “Han-

dling the USB Storage Device

(USB Flash Memory/Floppy

Disk, etc.)” on page 25.

NOTE

Before using a ﬂoppy disk and

the disk slot, be sure to read

“Handling the Floppy Disk Drive

FDD) and Floppy Disks” on

page 26.

NOTE

Commercially available music

data is subject to protection by

mercially available data is

strictly prohibited, except for

your own personal use.

ENGLISH

Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc.)

F11/F01 Owner’s Manual

Handling the USB Storage Device

(USB Flash Memory/Floppy Disk, etc.)

This instrument features a built-in USB [TO DEVICE] terminal. By connecting the instrument to a USB storage device

with a standard USB cable, you can save data you’ve created to the connected device, as well as read data from the con-

nected device. Be sure to handle USB storage device with care. Follow the important precautions below.

For more information about the handling of USB storage device, refer to the owner’s manual of the USB storage device.

■ Compatible USB storage devices

• One USB storage device, such as a ﬂoppy disk drive,

hard disk drive, CD-ROM drive, ﬂash memory

reader/writer, etc., can be connected to the USB [TO

DEVICE]

terminal. (If necessary, use a USB hub. The

number of USB storage devices that can be used with

musical instruments simultaneously even when a USB

hub is used is a maximum of one.) Other USB devices

such as a computer keyboard or mouse cannot be

used.

•The instrument does not necessarily support all com-

mercially available USB storage devices. Yamaha can-

not guarantee operation of USB storage devices that

you purchase. Before purchasing USB storage devices,

please consult your Yamaha dealer, or an authorized

Yamaha distributor (see list at end of the Owner’s

Manual) for advice, or visit the following web page:

http://music.yamaha.com/homekeyboard

Although CD-R/RW drives can be used to read data to

the instrument, they cannot be used for saving data.

■ Using USB Storage Devices

•When connecting a USB storage device to the USB

[TO DEVICE], make sure that the connector on the

device is appropriate and that it is connected in the

proper direction. Before removing the media from the

device, make sure that the instrument is not accessing

data (such as in the Save and Copy operations).

CAUTION

Avoid frequently turning the power on/off to the USB

storage device, or connecting/disconnecting the cable

too often. Doing so may result in the operation of the

instrument “freezing” or hanging up. While the instru-

ment is accessing data (such as in the Save and Copy

operations), do NOT unplug the USB cable, do NOT

remove the media from the device, and do NOT turn the

power off to either device. Doing so may corrupt the

data on either or both devices.

•If you are connecting a USB storage device and a LAN

adaptor at the same time, you should use a USB hub

device. The USB hub must be self-powered (with its

own power source) and the power must be on. Only

one USB hub can be used. If an error message appears

while using the USB hub, disconnect the hub from the

instrument, then turn on the power of the instrument

and re-connect the USB hub.

•Though the instrument supports the USB 1.1 stan-

dard, you can connect and use a USB 2.0 storage

device with the instrument. However, note that the

transfer speed is that of USB 1.1.

■ To protect your data (write-protect):

To prevent important data from being inadvertently

erased, apply the write-protect provided with each stor-

age device or media. If you are saving data to the USB

storage device, make sure to disable write-protect.

F11/F01 Owner’s Manual

ENGLISH

Handling the Floppy Disk Drive (FDD) and Floppy Disks

Handling the Floppy Disk Drive (FDD)

and Floppy Disks

The ﬂoppy disk drive allows you to load data from ﬂoppy disk to the instrument.

Be sure to handle ﬂoppy disks and treat the disk drive with care. Follow the important precautions below.

■ Floppy Disk Compatibility

3.5" 2DD and 2HD type ﬂoppy disks can be used.

■ Inserting/Removing Floppy Disks

Inserting a Floppy Disk into the Disk Drive:

•Hold the disk so that the label of the disk is facing

upward and the sliding shutter is facing forward,

towards the disk slot. Carefully insert the disk into the

slot, slowly pushing it all the way in until it clicks into

place and the eject button pops out.

Removing a Floppy Disk

•After checking that the instrument is not accessing*

the ﬂoppy disk (checking that the use lamp on the

ﬂoppy disk drive is off), ﬁrmly press the eject button

at the upper right of the disk slot all the way in.

When the ﬂoppy disk is ejected, pull it out of the

drive. If the ﬂoppy disk cannot be removed because it

is stuck, do not try to force it, but instead try pressing

the eject button again, or try re-inserting the disk and

attempt to eject it again.

*Access of the disk indicates an active operation and

the loading of data.

If a ﬂoppy disk is inserted while the power is on, the

disk is automatically accessed, since the instrument

checks whether the disk has data.

CAUTION

Do not remove the ﬂoppy disk or turn off the instrument

itself while the disk is being accessed.

Doing so may result not only in loss of data on the disk

but also damage to the ﬂoppy disk drive.

*Be sure to remove the ﬂoppy disk from the disk drive

before turning off the power. A ﬂoppy disk left in the

drive for extended periods can easily pick up dust and

dirt that can cause data-read and -write errors.

■ Cleaning the Disk Drive Read/Write Head

•Clean the read/write head regularly. This instrument

employs a precision magnetic read/write head which,

after an extended period of use, will pick up a layer of

magnetic particles from the disks used that will even-

tually cause read and write errors.

•To maintain the disk drive in optimum working order

Yamaha recommends that you use a commercially-

available dry-type head cleaning disk to clean the head

about once a month. Ask your Yamaha dealer about

the availability of proper headcleaning disks.

■ About Floppy Disks

Handle ﬂoppy disks with care, and follow

these precautions:

•Do not place heavy objects on a disk or bend or apply

pressure to the disk in any way. Always keep ﬂoppy

disks in their protective cases when they are not in

use.

•Do not expose the disk to direct sunlight, extremely

high or low temperatures, or excessive humidity, dust

or liquids.

•Do not open the sliding shutter and touch the exposed

surface of the ﬂoppy disk inside.

•Do not expose the disk to magnetic ﬁelds, such as

those produced by televisions, speakers, motors, etc.,

since magnetic ﬁelds can partially or completely erase

data on the disk, rendering it unreadable.

•Never use a ﬂoppy disk with a deformed shutter or

housing.

•Do not attach anything other than the provided labels

to a ﬂoppy disk. Also make sure that labels are

attached in the proper location.

To Protect Your Data (Write-protect Tab):

•To prevent accidental erasure of important data, slide

the disk’s write-protect tab to the “protect” position

(tab open). When saving data, make sure that the

disk’s write-protect tab is set to the “overwrite” posi-

tion (tab closed).

NOTE

Never insert anything but ﬂoppy disks

into the disk drive. Other objects may

cause damage to the disk drive or

ﬂoppy disks.

Write-protect tab open

(protect position)

ENGLISH

Listening to the Songs on Internet (F11)

F11/F01 Owner’s Manual

Listening to the Songs on Internet

(F11)

Yamaha provides a special website with a streaming data service that enables you to play back a range of songs (song data)

in various musical genres as background music on your instrument.

Before connect the instrument to the Internet, be sure to read “Internet Direct Connection (IDC) (F11)” on page 42.

1 Turn on the [INTERNET] lamp.

Make sure that the instrument is connected to the Internet, then select the

[INTERNET] lamp by pressing the [BGM] button (the [INTERNET] access lamp

ﬂashes in red during Internet access).

2 Change the Channel.

Press the [–/NO] or [+/YES] button to change the channel. The current chan-

nel setting appears on the display.

TERMINOLOGY

Streaming

Streaming lets you listen to the

song data while it is being sent

from the Internet. It allows you

to call up the data repeatedly

but it does not allow you to save

the data to a ﬁle.

NOTE

You cannot select the [INTER-

NET] lamp while voice demo

song playback is in use

(page 29) or the [REC] button is

on (page 38).

NOTE

The LED displays shown in this

owner’s manual are for instruc-

tional purposes only and may

appear somewhat different from

those on your instrument.

Operation

F11/F01 Owner’s Manual

ENGLISH

Listening to the Songs on Internet (F11)

3 Start playback.

Press the [PLAY/STOP] button to start playback (the [INTERNET] access lamp

ﬂashes in red during Internet access).

4 Stop playback.

Press the [PLAY/STOP] button.

5 Turn the [INTERNET] lamp off.

Turn the [INTERNET] lamp off by pressing the [BGM] button.

Song Auto Revoice (F11)

When you play back any commercially available XG song data or that created on other instruments, you can use Auto

Revoice to automatically assign the specially created G. PIANO 1 Voice of the instrument instead of the conventional XG

piano voices of the same type. If you want to keep the XG voice and disable this automatic reassignment, set Auto Revoice

to off.

Press the F

0 key while holding the [BGM] button to switch the function on/off. When

set to on, the instrument automatically replaces the conventional XG piano voice with

the G.PIANO Voice. When set to off, the XG voice is maintained.

The current ON/OFF setting appears on the display while both controls are held.

TIP

Feel free to play the keyboard

along with the streaming song.

You can also change the voice

playing on the keyboard.

TIP

You can adjust the Reverb Type

(page 35) that is applied to the

voice you play on the keyboard

as well as for the streaming

song on Internet playback. The

Touch sensitivity (page 37) for

the keyboard voice can also be

adjusted to your liking.

NOTE

The default tempo “---” is auto-

matically selected whenever a

song is selected.

NOTE

When you select a different

song (or a different song is

selected during chained play-

back), an appropriate Reverb

Type will be selected accord-

ingly.

NOTE

Song data streaming from the

Internet is not transmitted via

the MIDI connectors.

Operation

TIP

Normal setting: ON (using the

specially created G. PIANO 1

Voice of the instrument)

To switch the specially created

G. PIANO 1 Voice of the instru-

ment to the conventional XG

Piano Voices of the same type,

turn the function OFF.

NOTE

This setting will not affect the

voice you play on the keyboard.

The keyboard voice used is the

specially created G. PIANO 1

Voice of the instrument.

A-1

ENGLISH

Selecting & Playing Voices

F11/F01 Owner’s Manual

Selecting & Playing Voices

Selecting Voices

Select the desired voice by pressing one of the [VOICE] buttons.

To learn characteristics of the voices, listen to voice demo songs for each voice (page 29). Refer to

“Preset Voice List” on page 66 for more information on the characteristics of each preset voice.

Then, when you start playing, re-adjust the [VOLUME] control for the most comfort-

able listening level.

Listening to the Voice Demonstration Tunes

Vo ice demonstration tunes are provided that effectively demonstrate each of the F11/F01’s voices.

1 Play a Voice demo.

Press one of the voice buttons while holding the [BGM] button to start playback of all

demo songs starting from top left button to bottom right button-featuring the voice

normally selected by that voice button. For a list of the voice demo songs, see page 67.

2 Stop the Voice demo.

Press the [BGM] or [PLAY/STOP] button.

Voice buttons

Operation

TIP

You can control the loudness of

a voice by adjusting the force

with which you strike the keys,

although different playing styles

(touch sensitivities) have little or

no effect with certain musical

instruments.

Refer to “Preset Voice List” on

page 66.

NOTE

MIDI reception is not possible while

Voice demo playback is in use.

Voice demo song data is not trans-

mitted via the MIDI connectors.

NOTE

A voice demo cannot be played

while the [REC] button is on

(page 38).

Operation

NOTE

You cannot adjust the tempo of

voice demo songs. The default

tempo “---” of the selected voice

demo song is automatically set

and ﬁxed during playback.

NOTE

Press the current voice button

during the voice demo song

playback to restart playback

from the top of the song.

F11/F01 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Selecting Alternate Voices (VARIATION)

This feature lets you call up alternate “Variation” voices for each voice, each with its own characteristic sound and effect.

Refer to “Preset Voice List” on page 66 for more information on the characteristics of each variation.

Pressing the [VARIATION] or selected voice button toggles the variation on and off.

The indicator lights (ON) each time the [VARIATION] button is pressed.

Using the Pedals

The instrument has three foot pedals that produce a

range of expressive effects similar to those produced by

the pedals on an acoustic piano.

Damper (Right) Pedal

The damper pedal functions in the same way as a

damper pedal on an acoustic piano. When the damper

pedal is pressed, notes sustain longer. Releasing the pedal

immediately stops (damps) any sustained notes.

When you select the G. PIANO 1 or G. PIANO 1 VARIA-

TION voice on the F11/F01, pressing the damper pedal

activates the instrument’s special “Sustain Samples” to

accurately recreate the unique resonance of an acoustic

grand piano’s soundboard and strings.

Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the

sostenuto pedal while the note(s) are held, those notes will

sustain as long as you hold the pedal (as if the damper

pedal had been pressed) but all subsequently played notes

will not be sustained. This makes it possible to sustain a

chord, for example, while other notes are played “staccato.”

Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of notes played while the

pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed.

[VARIATION] button

TIP

Normal setting: OFF

Operation

TIP

In Split mode, the Damper

Pedal Range function deter-

mines whether the damper

pedal affects the right voice, the

left voice, or both the left and

right voices (page 33).















When you press the damper

pedal here, the notes you

play before you release the

pedal have a longer sustain.

TIP

Organ and string voices will

continue to sound for as long as

the sostenuto pedal is

depressed.















When you press the soste-

nuto pedal here while holding

the note, the note will sustain

as long as you hold the pedal.

ENGLISH

Selecting & Playing Voices

F11/F01 Owner’s Manual

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody

duet or combine two similar voices to create a thicker sound.

1 Engage Dual mode.

Press two voice buttons at the same time (or press one voice button while hold-

ing another). The voice indicators of both selected voices will light when Dual

mode is active.

•According to the voice numbering priority shown in the diagram on the

right, the lower value voice number will be designated as Voice 1 (the other

voice will be designated as Voice 2).

You can make the following settings for Voices 1 and 2 in Dual:

Dual Balance

You can set one voice as the main voice, and another voice as a softer, mixed voice.

While holding down the [METRONOME] button, press one of the F

5-F

6 keys (see

Quick Operation Guide). The current balance setting appears on the display while

both controls are held. A setting of “0” produces an equal balance between the two

Dual mode voices. Settings below “0” increase the volume of Voice 2 in relation to

Vo ice 1, and settings above “0” increase the volume of Voice 1 in relation to Voice 2.

Octave Shift

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-

pendently. Depending on which voices you combine in Dual mode, the combi-

nation may sound better if one of the voices is shifted up or down an octave.

While holding down the [METRONOME] button, press one of the A4-D5 keys

(see Quick Operation Guide). The current Octave Shift setting appears on the

display while both controls are held.

Voice 2 Reverb Depth (F11)

While holding down the [METRONOME] button, press one of the F

1-F2 keys

(see Quick Operation Guide). The current Reverb Depth setting appears on the

display while both controls are held.

2 Exit from the Dual mode.

Press any single voice button.

TERMINOLOGY

Mode:

A mode is an operating condi-

tion of the instrument that allows

you to perform some special

function. In the Dual mode, for

example, you can play two

voices simultaneously across

the entire range of the keyboard.

NOTE

Dual and Split (page 32) modes

cannot be engaged at the same

time.

TIP

[VARIATION] in Dual Mode

The [VARIATION] button’s indicator

will light if the variation is engaged

for either or both of the Dual mode

voices. While Dual mode is

engaged, the [VARIATION] button

can be used to turn the variation for

both voices on or off.

To turn the variation on or off for

only one of the voices, hold the

voice button for the other voice

and press the button of the

voice for which you want to

change the variation.

TERMINOLOGY

Normal setting:

Balance will be decided accord-

ing to the balance default value

of the voice combination.

TIP

[REVERB] in Dual Mode

The Reverb Type (page 35)

assigned to Voice 1 will take pri-

ority over the other. (If the

reverb is set to OFF, Voice 2

Reverb Type will be in effect.)

TERMINOLOGY

Normal setting:

Octave will be decided accord-

ing to the octave default value of

the voice combination.

TERMINOLOGY

Normal setting: F2

The Voice 2 Reverb Depth is

determined according to the

default Voice 2 Reverb Depth

value for the voice.

Operation

Voice 1

A4 -1

Voice 2

C5 -1

40 C

B4 +1 D5 +1

345

67 910

Voice numbering priority

F11/F01 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Saving the Voice Settings (F11)

Some of the current voice settings can be saved in the internal memory of the instrument. The data is maintained even

when the power is turned off.

Press the

[G. PIANO 1] button while holding the [REC] button (see Quick Operation

Guide). When saving is complete, an “End” message appears on the display for three

seconds. The following settings can be saved:

•Reverb Type and Depth

• Octave

•Volume

To initialize the voice settings

Turn the power on while holding the [REC] and [G. PIANO 1] buttons.

Splitting the Keyboard Range and Playing Two Dif-

ferent Voices (Split mode)

Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right

hand. For example, you can play a bass part using the Bass voice with the left hand, and a melody with the right hand.

1 Engage Split mode.

Press the [SPLIT] button so that its indicator lights. The default setting (BASS)

will be selected for the left-hand voice at ﬁrst.

2 Specify the split point (the border between the

right-and left-hand range).

You can change the split point to any other key by pressing the key while hold-

ing the [SPLIT] button (or change the split point by pressing the [–/NO] or [+/

YES] button while holding the [SPLIT] button). The name of the current split

point key appears on the LED display while the [SPLIT] button is held.

The split point is initially set at the F

2 key by default.

If you do not need to change the split point, skip this operation.

NOTE

On the F01, you cannot specify

whether the voice settings are

saved in internal memory of the

instrument or not. The settings

are automatically saved when

you change the settings. When

you turn off the power to the

instrument, however, the saved

data will be lost.

Operation

12 534

Operation

NOTE

Dual (page 31) and Split modes

cannot be engaged simulta-

neously.

TIP

A speciﬁed “split point” key is

included in the left-hand range.

TIP

Normal setting:

2) (G2) (A

An example of split-point key display

followed by a high bar if sharp followed by a low bar if ﬂat

ENGLISH

Selecting & Playing Voices

F11/F01 Owner’s Manual

3 Select a voice for the right hand.

Press a voice button.

4 Select a voice for the left hand.

Press the corresponding voice button while holding the [SPLIT] button. (The

indicator of the Left Voice button will light while the

[SPLIT] button is pressed.)

You can make the following settings for right and left voices in Split:

Split Balance

While holding down the [METRONOME] button, press one of the F

5-F

keys (see Quick Operation Guide). The current balance setting appears on the

display while both controls are held. A setting of “0” produces an equal balance

between the two Split mode voices. Settings below “0” increase the volume of

the left voice in relation to the right voice, and settings above “0” increase the

volume of the right voice in relation to the left voice.

Octave Shift

You can shift the pitch up and down in octave steps for the right voice and left

voice independently. You should make the setting depending on the note range

of the songs you play. While holding down the [METRONOME] button, press

one of the A4-D5 keys (see Quick Operation Guide). The current Octave Shift

setting appears on the display while both controls are held.

Left Voice Reverb Depth (F11)

While holding down the [METRONOME] button, press one of the F

1-F2 keys

(see Quick Operation Guide). The current Reverb Depth setting appears on the

display while both controls are held.

Damper Pedal Range

The Damper Pedal Range function determines whether the damper pedal

affects the right voice, the left voice, or both the left and right voices in Split

mode. While holding down the

[BGM] button, press one of the C0-D0 keys (see

Quick Operation Guide). The current range setting appears on the display while

both controls are held.

5 Exit Split mode.

Press the [SPLIT] button again so that its indicator goes out.

TIP

[VARIATION] in Split Mode

You can turn the variation on or

off for Split mode voices. Nor-

mally, the voice indicator of the

right voice lights in Split mode.

The [VARIATION] can be used

to turn the variation for the right

voice on or off as required.

While the [SPLIT] button is

held, however, the voice indica-

tor of the left voice lights. In this

state the [VARIATION] button

turns the variation for the left

voice on or off.

TIP

[REVERB] in Split Mode

The Reverb Type (page 35)

assigned to the right voice will

take priority over the other. (If

the reverb is set to OFF, the left

voice’s Reverb Type will be in

effect.)

TERMINOLOGY

Normal setting:

Balance will be decided accord-

ing to the balance default value

of the voice combination.

TERMINOLOGY

Normal setting:

Octave will be decided accord-

ing to the octave default value of

the voice combination.

TERMINOLOGY

Normal setting: F2

Left voice Reverb Depth will be

decided according to the left

voice Reverb Depth default

value of the voice.

TIP

The normal setting of Damper

pedal range is “for the right

Voice”.

Right Voice

A4 -1

Left Voice

C5 -1

40 C

B4 +1 D5 +1

C0 for the left Voice

0for both voices

D0 for the right Voice

F11/F01 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Using the Metronome

The instrument features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.

1 Start the metronome.

The metronome sound is turned on by pressing

the [METRONOME] button.

Metronome volume

While holding down the [METRONOME] button, press one of the A-1-F

keys (see Quick Operation Guide). The current metronome volume setting

appears on the display while both controls are held.

Adjusting the tempo

The tempo of the metronome and user song recorder playback can be set by

using the [–/NO] or [+/YES] button.

Adjusting the time signature

The time signature (beat) of the metronome can be

set by pressing one of the A0-D1 keys while holding

the [METRONOME] button. You can set the beat to

0, 2, 3, 4, 5 or 6. The current setting appears on the

LED display while both controls are held.

2 Stop the metronome.

Turn off the metronome by pressing the [METRONOME] button.

[–/NO][+/YES] button

Operation

The beat indicator ﬂashes

at the current tempo.

TIP

Normal setting:

F11: 7

F01: 5

TERMINOLOGY

F11: 5 to 500 beats per minute

Normal setting: 120

When the song is selected, it

becomes the default tempo “---”

of the song automatically during

playback.

F01: 32 to 280 beats per minute

Normal setting: 120

When the song is selected, it

becomes the default tempo “---”

of the song automatically during

playback.

NOTE

Because the metronome is for

practicing purposes, the tempo

of the metronome may differ

with the tempo of certain songs

in the 50 Piano Preset Songs.

beat

TIP

Normal setting:

ENGLISH

Selecting & Playing Voices

F11/F01 Owner’s Manual

Selecting various digital reverb effects (REVERB)

This control enables you to select various digital reverb effects for adding extra depth and expression to the sound, and

creating a realistic acoustic ambience.

Selecting Reverb Type

Press one of the G

6-C7 keys while holding the [METRONOME] button (see Quick

Operation Guide). The current Reverb Type setting appears on the display while both

controls are held.

Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when

the G. PIANO 1 or 2 voice is selected.

Adjusting Reverb Depth

Press one of the A2-F

4 keys while holding the [METRONOME] button (see Quick

Operation Guide). The current Reverb Depth setting appears on the display while both

controls are held.

TIP

The default Reverb Type

(including OFF) and depth set-

tings are different for each

voice.

Operation

KeyReverb Type Description

6ROOM This setting adds a continuous reverb effect to the sound, similar to

the acoustic reverberation you would hear in a room.

A6 HALL1 For a “bigger” reverb sound, use the HALL 1 setting. This effect simu-

lates the natural reverberation of a small-size concert hall.

6 HALL 2 For a truly spacious reverb sound, use the HALL 2 setting. This effect

simulates the natural reverberation of a large concert hall.

B6 STAGE Simulates the reverb of a stage environment.

C7 OFF When no reverb effect is selected, no REVERB indicator is lit.

TIP

depth 0: no effect

depth 20: maximum Reverb

Depth

TIP

Default depth settings are differ-

ent for each voice.

F11/F01 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Transposition – [TRANSPOSE]

This instrument’s Transpose function makes it possible to easily match the pitch of the keyboard in semitone intervals to

the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing the C key pro-

duces a pitch of F. In this way, you can play a song as though it were in C major, and the F11/F01 will automatically trans-

pose it to the key of F.

Press one of the F

5-F

6 keys while holding the [BGM] but-

ton (see Quick Operation Guide). The current amount of

transposition appears on the display while both controls are

held.

To transpose the pitch down (in semitone steps)

Press one of the F

5-B5 keys while holding the [BGM] button.

To transpose the pitch up (in semitone steps)

Press one of the C

6-F

6 keys while holding the [BGM] button.

To initialize the normal pitch

Press the C6 key while holding the [BGM] button.

Fine Tuning of the Pitch

You can ﬁne tune the pitch of the entire instrument. This function is useful when you play the F11/F01 along with other

instruments or CD music. For the key assignment, refer to the Quick Operation Guide.

You can also use the keyboard to set the pitch.

To tune up (in about 0.2Hz steps)

Hold the A-1, B-1, and C0 keys simultaneously and press any key between C3 and B3.

The current pitch setting appears on the display while the key combination is held.

Example:

432.0Hz

To tune down (in about 0.2Hz steps)

Hold the A-1, B-1, and C

0 keys simultaneously and press any key between C3 and B3.

The current pitch setting appears on the display while the key combination is held.

To initialize standard pitch

Hold the A-1, B-1, C0, and C

0 keys simultaneously and press any key between C3 and

B3. The current pitch setting appears on the display while the key combination is held.

Operation

TERMINOLOGY

Transpose:

Changing the key signature of a

song. On the F11/F01, trans-

posing shifts the pitch of the

entire keyboard.

TIP

The transposition range:

5: -6 semitones (down one

octave)

C6: normal pitch

6: +6 semitones (up one

octave)

TIP

Notes below and above the C-2

…. G8 range of the F11/F01

sound one octave higher and

lower, respectively.

Transposition

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers

to the frequency of a sound and

represents the number of times

a sound wave vibrates in a sec-

ond.

TIP

Setting range:

F11: 414.8Hz - 466.8Hz

F01: 427.0Hz - 453.0Hz

TIP

Normal setting:

440.0Hz

Operation

ENGLISH

Selecting & Playing Voices

F11/F01 Owner’s Manual

Touch Sensitivity – [TOUCH]

You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match dif-

ferent playing styles and preferences.

Press one of the A6-A7 keys while holding the

[BGM] button (see Quick Operation

Guide).

The current touch type setting appears on the display while both controls are held.

TIP

This setting does not change

the weight of the keyboard.

TIP

Normal setting: MEDIUM

TIP

The touch sensitivity type will

become the common setting for

all voices. However, the touch

sensitivity settings may have lit-

tle or no effect with certain

voices that are not normally

responsive to keyboard dynam-

ics. (Refer to the “Preset Voice

List” on page 66.)

Operation

KeyTouch Type Description

A6 FIXED All notes are produced at the same volume no matter how hard the

keyboard is played.

6 SOFT Allows maximum loudness to be produced with relatively light key

pressure.

B6 MEDIUM Produces a fairly “standard” keyboard response.

C7 HARD Requires that the keys be played quite hard to produce maximum

loudness.

F11/F01 Owner’s Manual

ENGLISH

Recording Your Performance

The ability to record and play back what you’ve played on the F11/F01

keyboard can be an effective practice aid. The F11/F01’s Song Recorder

allows the recording of one User song.

1 Exit from BGM mode.

Press the [BGM] button to exit from BGM mode (page 12).

2 Make all the initial settings.

Before you begin to record, select the voice you want to record (or voices if you

will be using Dual or Split mode). Make any other desired settings (tempo,

reverb, etc.) as well. You might also want to set the volume.

You can also adjust the playback volume using [VOLUME] control.

3 Turn the [REC] button on.

Press the [REC] button. Recording does not actually start yet.

The [REC] button indicator ﬂashes in red.

The [PLAY/STOP] button indicator will ﬂash at the current METRO-

NOME tempo setting.

CAUTION

Record mode can be disengaged before recording by pressing the [REC] button a sec-

ond time.

CAUTION

Keep in mind that when recording starts, the previously recorded data will be erased.

Please be careful not to erase important data.

TIP

You can record your perfor-

mance (audio data) to a cas-

sette tape recorder or other

recording device via the AUX

OUT[L/L+R][R] connector

(page 51).

Recording vs. Saving:

The format of performance data recorded on a cassette tape differs from that of

data recorded on the F11/F01. A cassette tape records audio signals. The F11/F01

“saves” information regarding note timing, voices, and a tempo value, but not

audio signals. When you play back recorded songs, the F11/F01 produces sound

based on the saved information. Therefore, recording on the F11/F01 may be

more accurately called “saving information.” However, this book often uses the

word “recording” because it seems to make more sense.

345 42

NOTE

A voice demo and a 50 Piano

Preset Song (Classic & Jazz)

cannot be played while the

[REC] button is on.

Operation

NOTE

You cannot record the perfor-

mance to the connected USB

ﬂash memory directly. The

recorded songs are saved to the

instrument automatically. If you

want to save data to USB ﬂash

memory, perform the Save

operation (page 41) after stop-

ping recording.

ENGLISH

Recording Your Performance

F11/F01 Owner’s Manual

4 Start recording.

Recording will begin automatically as soon as you play a note on the keyboard

or press the [PLAY/STOP] button.

The current measure number will appear on the display while recording

and the right-most dot on the LED display will ﬂash at the current metro-

nome tempo setting.

5 Stop recording.

Press either the [REC] or [PLAY/STOP] button to stop recording.

When the recording is ﬁnished, the “End” appears on the display for three

seconds.

6 Play back the recorded performance.

Refer to “Playing Back Recorded Songs” on page 40.

TIP

If the metronome was on when

you started recording, you’ll be

able to keep time with the met-

ronome while recording, but the

metronome sound will not be

recorded.

NOTE

On the F01, the [PLAY/STOP]

and [REC] button indicators will

begin to ﬂash when the recorder

memory is almost full. If the

memory becomes full during

recording, “FUL” will appear on

the display and recording will

stop automatically. (All recorded

data up to that point will be

retained.)

NOTE

Pressing the [PLAY/STOP] but-

ton to start recording, then

pressing it again to stop record-

ing will erase previously

recorded data

NOTE

You cannot re-record in the mid-

dle of a song.

The user song recorder records the following data:

•Notes played

•Voice selection

•[VARIATION] ON/OFF

•Pedal (Damper/Soft/Sostenuto)

•Reverb Type (including OFF)

•Reverb Depth

•Tempo

•Time signature (beat)

•Dual mode voices

•Dual balance

•Dual Octave Shift

•Dual Reverb Type

• Split mode voices

• Split balance

• Split Octave Shift

• Split Reverb Type

ﬂash ﬂash ﬂash

F11/F01 Owner’s Manual

ENGLISH

Playing Back Recorded Songs

You can play back songs recorded using the Record function (page 38). You can also

play the keyboard along with the playback.

1 Exit from BGM mode.

Press the [BGM] button to exit from BGM mode (page 12).

2 Start playback.

Press the [PLAY/STOP] button.

The current measure number appears on the display during playback.

•You can play the keyboard while the instrument is playing back a song. You

can also play the notes in a voice different from the playback voice by select-

ing a voice from the panel.

Adjust the volume

Use the [VOLUME] control to adjust the volume.

Adjust the tempo

You can adjust the playback tempo as required before or during playback. Refer

to page 34.

3 Stop playback.

When playback is complete, the instrument automatically stops and locates the

top of the song. To stop playback in the middle of a song, press the [PLAY/

STOP]

button.

NOTE

Song data is not transmitted via

the MIDI connectors.

NOTE

You cannot start playback while

voice demo song playback is in

use or the unit is in BGM mode.

NOTE

Playback cannot be started when

the recorder contains no data.

TIP

You can also enjoy playing

duets with yourself by recording

one part of a duet or a song for

two pianos, then playing the

other part while the recorded

part plays back.

TIP

F11 can move the keyboard

according to the recorded song

playback (Moving Key). For

more information, refer to

page 21.

TIP

If the metronome is being used

during playback, the metro-

nome will automatically stop

when playback is stopped.

TIP

If the Reverb Type is changed via

the panel controls during play-

back, both the playback and key-

board reverb effects will be

changed. On the F01, tempo

cannot be adjusted during play-

back.

TIP

Normal setting:

120

Operation

ENGLISH

Saving Your Recorded Performance to USB Flash Memory

F11/F01 Owner’s Manual

Saving Your Recorded Performance to

USB Flash Memory

The built-in song recorder on the F11/F01 allows you to record one User song, which you can then save to a USB ﬂash

memory device (page 38). Use of a such a device allows you to save many songs (up to the capacity of the device), and

always maintain free space on the instrument itself for recording a new song.

1 Select a ﬁle container in the USB ﬂash memory and

save the User song.

After making sure that the USB ﬂash memory is connected to the instrument,

press the [PLAY/STOP] button while holding down the [VARIATION] button.

Then, press the [–/NO] and [+/YES] buttons to select a container (U00-U99)

and press the [PLAY/STOP] button. On the F01, after pressing the [PLAY/STOP]

button and the prompt “n y” (no/yes) appears in the display, press the [+/YES]

button to save the song. When the save operation is ﬁnished, an “End” message

appears on the display for three seconds.

CAUTION

To cancel the save operation, press any button (except [PLAY/STOP], [–/NO], or [+/

YES]) before pressing the [PLAY/STOP] button.

Overwriting the user song

If you select a container which contains a User song, three dots appear in the display

(e.g., “U.0.0.”). Press the [PLAY/STOP] button. If you do not want to overwrite the

song, press the [–/NO] button at the “n

–

y” (no/yes) prompt and select another con-

tainer. On the F01, after pressing the [PLAY/STOP] button and the prompt “n y” (no/

yes) appears in the display, press the [–/NO] button, and then select another container.

If you want to overwrite the song, press the [+/YES] button when “n

–

y” (no/yes)

appears in the display. On the F01, after pressing the [PLAY/STOP] button and the

prompt “n y” (no/yes) appears in the display, press the [+/YES] button to conﬁrm

whether you wish to overwrite the user song or not, and then press the [+/YES] button

once more. When the save operation is ﬁnished, an “End” message appears on the dis-

play for three seconds.

[PLAY/STOP] button

[–/NO]/[+/YES] button [VARIATION] button

NOTE

Before using a USB ﬂash mem-

ory device, be sure to read

“Handling the USB Storage

Device (USB Flash Memory/

Floppy Disk, etc.)” on page 25.

NOTE

The number of available ﬁle

containers is 100 (U00-U99).

NOTE

The user song is saved as SMF

Format 0.

Operation

Internal memory of

the instrument

User song

Save

USB ﬂash memory

U00

U01

U02

U99

File

container

F11/F01 Owner’s Manual

ENGLISH

Internet Direct Connection (IDC) (F11)

This feature lets you directly connect your instrument to the Internet. A streaming ser-

vice in the special Yamaha website enables you to play back a range of songs (song data)

in various musical genres as background music. You can enjoy not only listening to the

songs by your ears but also seeing the automatic playing keyboard by your eyes.

Here in this section, you may come across some unfamiliar terms and phrases related

to computers and online communications. To look up the meaning of these terms,

refer to the “Glossary of Internet Terms” on page 49.

Setting Up the Instrument to the Internet Connection

You can connect the instrument to a full-time online connection (ADSL, optical ﬁber,

cable Internet, etc.) via a router or a modem equipped with a router. For the latest ser-

vices and the speciﬁc instructions on connecting (as well as information on compatible

devices etc.), refer to the Yamaha website:

http://music.yamaha.com/homekeyboard

To use the Internet connection, you will ﬁrst need to subscribe to an Internet service or

provider.

Connection example 1: Connecting by cable

(using a modem without router)

TERMINOLOGY

Streaming

Streaming lets you listen to the

song data while it is being sent

from the Internet. It allows you

to call up the data repeatedly

but it does not allow you to save

the data to a ﬁle.

Use a computer to connect to the Internet and get online before connecting the instrument,

since no modem or router settings can be made from the instrument itself.

NOTE

Depending on the Internet con-

nection, you may not be able to

connect to two or more devices

(for example, a computer and

the instrument), depending on

the contract with the provider.

This means you cannot connect

with the instrument. If in doubt,

check your contract or contact

your provider.

At the rear of the instrument, the [LAN] port is protected by a board. Before connecting the

LAN cable to the [LAN] port, loosen the right and left screws with your hand and remove the

board.

After connecting the cable, reattach the board and tighten both screws to secure it.

Rear view

NOTE

Connect the LAN cable to the

[LAN] port.

NOTE

Some types of modems require

an optional Ethernet hub net-

work for simultaneously con-

necting to several devices (such

as computer, musical instru-

ment, etc.).

Modem* No

router capability

Router

Cable type

LAN cable

[LAN] port

* Here, “modem” refers to an ADSL modem, optical network unit (ONU) or cable modem.

ENGLISH

Internet Direct Connection (IDC) (F11)

F11/F01 Owner’s Manual

Connection example 2: Connecting by cable (using a modem with router)

Connection example 3: Wireless connection

(using a wireless game adaptor)

Connection example 4: Wireless connection

(using a USB wireless LAN adaptor)

NOTE

Connect the LAN cable to the

[LAN] port.

ADSL modem

Router capability

LAN cable

[LAN] port

NOTE

Connect the wireless game

adaptor to the [LAN] port.

NOTE

In addition to the modem or an

access point, this connection

requires a router.

Modem* Access point

[LAN] port

Wireless Game Adaptor

* Here, “modem” refers to an ADSL modem, optical network unit (ONU) or cable modem.

NOTE

Connect the USB wireless LAN

adaptor to the USB [TO

DEVICE] terminal.

NOTE

In addition to the modem or an

access point, this connection

requires a router.

NOTE

The F11 is encrypted in WEP

format only.

Modem*

Access point

USB Wireless LAN Adaptor

USB [TO DEVICE] terminal

* Here, “modem” refers to an ADSL modem, optical network unit (ONU) or cable modem.

F11/F01 Owner’s Manual

ENGLISH

Internet Direct Connection (IDC) (F11)

Connecting the Instrument to the Internet

If you are using a connection by cable (using DHCP):

You do not need to make settings on the instrument. You can access the Internet simply

by connecting a router or a modem equipped with a router to the instrument via a

LAN cable.

Once the instrument is successfully connected to the Internet, the channel streamed

from the Internet will be shown on the display when you select the [INTERNET] lamp

with the [BGM] button.

You can play back the songs on the Internet using the streaming service. For

instructions on playing back songs, see “Listening to the Songs on Internet (F11)”

on page 27.

If you are using a connection by cable (using static IP address,

proxy server):

You need to make Internet settings on the instrument.

For instructions on making Internet settings, see “About the Internet Settings” on

page 45.

If you are using a wireless LAN (using a wireless game adaptor):

You do not need to make settings on the instrument.

You can access the Internet simply by connecting a wireless game adaptor to the instru-

ment.

*The wireless game adaptor requires settings such as the access point. For information

about how to make settings, read the owner's manual for the product you are using.

Once the instrument is successfully connected to the Internet, the channel streamed

from the Internet will be shown on the display when you select the [INTERNET] lamp

with the [BGM] button.

You can play back the songs on the Internet using the streaming service. For

instructions on playing back songs, see “Listening to the Songs on Internet (F11)”

on page 27.

If you are using a wireless LAN (using a USB wireless LAN adaptor):

You need to make Internet settings on the instrument.

For instructions on making Internet settings, see “About the Internet Settings” on

page 45.

NOTE

The most common router and

modem equipped with a router

have a DHCP function.

ENGLISH

Internet Direct Connection (IDC) (F11)

F11/F01 Owner’s Manual

About the Internet Settings

You can conveniently make Internet settings for your instrument from the special

Yamaha website.

If you select a wireless connection using the USB wireless LAN adaptor or a connection

by cable (using static IP address or proxy server), you need to make Internet settings

explained as follows.

Internet Settings

When you use the Internet Direct Connection (IDC) for the ﬁrst time, you should make

the Internet settings according to the following illustration ﬂow. This ﬂow is shown to

make you easily understand how to load the setting ﬁle created by the computer to your

instrument. By following this ﬂow, you won’t need to make difﬁcult settings such as typ-

ing various data on your instrument.

For details, refer to the Yamaha webpage:

http://music.yamaha.com/idc

Creating the Internet Setting Files

You need to create the Internet setting ﬁles on the special Yamaha webpage using your

computer before making the Internet settings.

For information about how to create the Internet setting ﬁles, read the instructions on

the Yamaha webpage: http://music.yamaha.com/idc

Loading the Internet Setting Files

This procedure lets you make Internet settings by loading the Internet setting ﬁles created on the special Yamaha webpage

to the instrument.

1 Engage the Load mode.

Make sure that the USB ﬂash memory device containing the saved Internet set-

ting ﬁle named “conﬁg.n21” is connected to the instrument, and then simulta-

neously hold down the

[BGM] button and press the [REC] button.

NOTE

You do not need to make the

Internet settings here if you are

using a connection by cable

(using DHCP) or a wireless LAN

(using a wireless game adaptor).

NOTE

The Internet settings will be

backed up.

F11

Access the spe-

cial Yamaha

website

Create the Inter-

net setting ﬁle

USB Flash

Memory

Save the ﬁle

to USB ﬂash

memory

Load the

ﬁle to the

F11

NOTE

The Load mode cannot be

engaged while voice demo song

playback is in use (page 29) or

the unit is in BGM mode

(page 12) or when the [REC] but-

ton is on (page 38) or user song

playback is active (page 40).

NOTE

You can create the Internet set-

ting ﬁles (named “conﬁg.n21”)

on the special Yamaha webpage.

Operation

F11/F01 Owner’s Manual

ENGLISH

Internet Direct Connection (IDC) (F11)

CAUTION

To cancel loading, press any button (except the [PLAY/STOP] button) before

pressing the [PLAY/STOP] button in step 2.

2 Start loading.

Press the [PLAY/STOP] button.

When loading from the USB ﬂash memory device

is completed, an “End” message will appear on

the display. Press any button to exit from this dis-

play.

Once loading is completed, you are now ready to access the Internet.

Once the instrument is successfully connected to the Internet, the channel

streamed from the Internet will be shown on the display when you select

[INTERNET] lamp with the [BGM] button.

For instructions on streaming, see “Listening to the Songs on Internet (F11)” on

page 27.

Checking the ﬁeld strength (when using a USB wire-

less LAN adaptor)

You can check the ﬁeld strength on the display, if you are using a USB wireless LAN

adaptor (Connection example 4 on page 43).

While holding down the [BGM] button, press the [VARIATION] button.

The ﬁeld strength indication will appear on the display for about three seconds.

Field Strength Indications

NOTE

If loading is not successfully

completed, an “Err” message

and the error code will appear

alternately on the display.

NOTE

Error Code

You can check the description

for the error code on the

Yamaha website:

http://music.yamaha.com/idc

NOTE

Yamaha recommends that you

back up the Internet setting ﬁles

(page 55).

NOTE

The ﬁeld strength can be dis-

played after making the Inter-

net connection.

NOTE

If you are using a wireless

game adaptor, the display pat-

tern for “No wireless LAN is

used” will appear.

Radio Status Display

No signal is present.

Field strength: Weak

Field strength: Medium

Field strength: Strong

No wireless LAN is used.

ENGLISH

Internet Direct Connection (IDC) (F11)

F11/F01 Owner’s Manual

Exporting the Connection Information

This procedure lets you export the detailed information on the current connection as a

text ﬁle to a USB ﬂash memory device. You can check the information on your com-

puter.

1 Turn on the Export mode.

Make sure that a USB ﬂash memory device is connected to the instrument, and

then press the [MOVING KEY] button while holding down the [BGM] button.

CAUTION

To cancel exporting, press any button (except the [PLAY/STOP], [–/NO] and

[+/YES] buttons) before pressing the [PLAY/STOP] button in step 2.

2 Start exporting.

Press the [PLAY/STOP] button.

A “n

–

y” message will appear on the display if a USB ﬂash memory device con-

tains a ﬁle with the same name as the one you are attempting to export. Press

the [+/YES] button to execute the overwriting operation. Press the [–/NO] but-

ton to cancel exporting.

When exporting to the USB ﬂash memory device

is completed, an “End” message will appear on

the display. Press any button to exit from this dis-

play.

After exporting, connect the USB ﬂash memory device to your computer, and

then open the text ﬁle named “ConnectionInfo.txt” in the root directory of the

USB ﬂash memory device to check the detailed connection information.

NOTE

The connection information ﬁle

does not allow you to manually

make Internet settings. The con-

nection information ﬁle is set to

“read only” and cannot be edited.

NOTE

The export mode cannot be

engaged while voice demo song

playback is in use (page 29) or

the unit is in BGM mode

(

page 12

) or when the [REC]

button is on (page 38) or user

song playback is active

(

page 40

Operation

NOTE

If exporting is not successfully

completed, an “Err” message

and the error code will appear

alternately on the display.

NOTE

Error Code

You can check the description

for the error code on the

Yamaha website:

http://music.yamaha.com/idc

F11/F01 Owner’s Manual

ENGLISH

Internet Direct Connection (IDC) (F11)

Initializing Internet Settings

To initialize the Internet settings, simultaneously hold down the [BGM] button and the

[PLAY/STOP] button and turn on the power.

Internet Initial Settings

NOTE

The settings of the Internet

function are not initialized when

using the “Initializing the data”

on page 55.

NOTE

Information of the streaming

channels and cookies will be ini-

tialized at the same time.

CAUTION

Initializing restores the instrument to the factory-programmed settings for all

Internet settings. Yamaha recommends you that you back up the Internet settings

before initializing.

See “Data Backup (F11)” on page 55 for details.

DHCP ON (available)

Wireless LAN OFF (no settings)

Proxy server OFF (no settings)

ENGLISH

Internet Direct Connection (IDC) (F11)

F11/F01 Owner’s Manual

Glossary of Internet Terms

Access point

A device that acts as a communication hub for multiple wireless devices, and

conventionally enables both wired and wireless LAN connections.

Broadband

An Internet connection technology/service (such as ADSL and optical ﬁber) that

allows for high-speed, high-volume data communication.

Browser

The software used to search for, access, and view web pages. For this instrument,

this refers to the display that shows the contents of the web pages.

A system that records certain information that the user transfers when visiting a

website and using the Internet. The function is similar to a preference ﬁle in a

conventional computer program, in that it “remembers” certain information

such as your user name and password, so you don’t have to re-enter the informa-

tion each time you visit the site.

DHCP

This is a standard or protocol by which IP addresses and other low-level network

conﬁguration information can be dynamically and automatically assigned each

time connection is made to the Internet.

Download

Tr ansferring data over a network, from a larger “host” system to a smaller “cli-

ent” system’s hard drive or other local storage device—much like copying ﬁles

from your hard disk drive to a ﬂoppy disk. For this instrument, this refers to the

process of transferring Song and other data from a website to the instrument.

Home page

The ﬁrst page shown when opening a browser and connecting to the Internet.

This phrase is also used to mean the “front screen” or top page of a website.

Internet

A huge network made up of networks, the Internet allows high-speed data trans-

fer among computers, mobile phones and other devices.

IP address

A string of numbers assigned to each computer connected to a network, and

indicating the device’s location on the network.

LAN

Short for Local Area Network, this is a data-transfer network that connects a

group of computers at a single location (such as an ofﬁce or home) by means of

a special cable.

Link

Location information in other sentences and images, etc. that are under buttons

and character strings on a web page. When the place with the link is clicked, the

page selection jumps to the relevant link.

Modem

A device which connects and allows data transfer between a conventional tele-

phone line and a computer. It converts the digital signals from the computer to

analog audio for sending over the phone line, and vice versa.

Provider

A communications business that offers Internet connection services. In order to

connect to the Internet, it is necessary to contract to a provider.

Proxy

A proxy server is a server that all computers on a local network have to go

through before accessing information on the Internet. It intercepts all or desig-

nated requests to the real server to see if it can fulﬁll the requests itself. If not, it

forwards the request to the real server. Proxy servers are used to improve perfor-

mance and speed, and to ﬁlter requests, usually for security and to prevent unau-

thorized access to an internal network.

Router

A device for connecting multiple computer networks. For example, a router is

necessary when connecting several computers in a house or ofﬁce, and allow

them to all access the Internet and share data. A router is usually connected

between a modem and a computer, although some modems have a built-in

router.

F11/F01 Owner’s Manual

ENGLISH

Internet Direct Connection (IDC) (F11)

Server

A hardware system or computer used as a central point for a network, providing

access to ﬁles and services.

Site

Short for “website,” this refers to the group of web pages that are opened

together. For example, the collection of web pages whose addresses begin with

“http://www.yamaha.com/” is referred to as the Yamaha site.

SSL

Short for Secure Sockets Layer, a standard for transmitting conﬁdential data

such as credit card numbers over the Internet.

Streaming

A method of data transfer over the Internet that allows you to listen to the song

data while it is being sent. The data can be accessed repeatedly, but it cannot be

saved.

URL

Short for Uniform Resource Locator, a string of characters used to identify and

link to speciﬁc websites and pages on the Internet. A complete URL usually starts

with the characters “http://.”

Web page

Refers to each individual page that makes up a website.

WEP

Short for Wired Equivalent Privacy, a security protocol for wireless networks.

WEP protects communication contents from being intercepted.

Wireless LAN

A LAN connection that allows data transfer through a wireless, cable-free con-

nection.

Wireless Game Adaptor (Wireless

Ethernet Converter or Bridge)

Device that allows easy wireless connection with digital consumer electronic

devices, printers, and game machines, etc. equipped with [LAN] ports.

ENGLISH

Connections

F11/F01 Owner’s Manual

Connections

Connectors

CAUTION

Before connecting the F11/F01 to other electronic components, turn off the power to all the components. Before turning

the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the

components may result.

1 AUX OUT[L/L+R][R] jacks

You can connect these jacks to a stereo system to amplify the F11/F01 or to a cas-

sette tape recorder to record your performance. Refer to the diagram below and use

audio cables to make the connections.

CAUTION

When the F11/F01’s AUX OUT jacks are connected to an external audio system, ﬁrst

turn on the power to the F11/F01, then to the external audio system. Reverse this order

when you turn the power off.

2 AUX IN[L/L+R][R] jacks

The stereo outputs from another instrument can be connected to these jacks,

allowing the sound of an external instrument to be reproduced via the F11/F01’s

speakers. Refer to the diagram below and use audio cables to make the connec-

tions.

AUX INAUX OUT

L L RR L L R

MIDI USB

OUT

IN TO DEVICE

LAN

(F11)

NOTE

Use audio cables and adaptor

plugs with no resistance.

NOTE

When the sound from the AUX

OUT jacks is routed to the AUX

IN jacks, the input sound will be

output from the speaker of the

F11/F01. The output sound may

be excessively loud and may

cause noise.

NOTE

Use only the AUX OUT [L/L+R]

jacks for connection with a

mono device.

AUX OUT

R L L R

Digital Piano Stereo

AUX OUT AUX IN

phone plug

(standard)

phone plug

(standard)

audio cable

NOTE

The F11/F01’s [VOLUME] con-

trol setting affects the input sig-

nal from the AUX IN jacks, but

the [REVERB] setting does not.

NOTE

Use only the AUX IN [L/L+R]

jack for connection with a mono

device.

F11/F01 Owner’s Manual

ENGLISH

Connections

CAUTION

When the F11/F01’s AUX IN jacks are connected to an external device, ﬁrst turn on the

power to the external device, then to the F11/F01. Reverse this order when you turn

the power off.

3 USB [TO DEVICE] terminal

This terminal is for connection to a USB ﬂash memory device. For more informa-

tion, refer to “Handling the USB Storage Device (USB Flash Memory/Floppy Disk,

etc.)” on page 25.

4 MIDI [IN][OUT] connectors

Use MIDI cables to connect external MIDI devices to these connectors.

Refer to “About MIDI” on page 53 for more information.

5 [LAN] port (F11)

This port allows direct connection of the F11 to the Internet, letting you use a spe-

cial streaming service on the Yamaha website for playing back songs in a variety of

musical genres as background music on the instrument. Before connecting the

instrument to the Internet, be sure to read “Internet Direct Connection (IDC)

(F11)” on page 42.

Connecting to a Computer

By connecting the F11/F01 to a computer, performance data of the instrument can be

used on the computer, and also performance data from the computer can be sent to

and play the sounds of the F11/F01.

A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be necessary for

MIDI connection between the F11/F01 and a USB-equipped computer. Make sure to

purchase a Yamaha UX16 or a quality USB-MIDI interface at a musical instrument

store, computer store or electrical appliance store. If you use the UX16 interface, install

the driver supplied with the interface on your computer.

AUX IN

L L R

F11/F01

phone plug

(standard)

AUX IN

audio cable

phone plug

(standard)

AUX OUT

Tone

Generator

Tone

Generator

stereo phone plug

(standard)

OUTPUT

AUX IN

audio cable

phone plug

(standard)

USB

MIDI

OUT

USB

MIDI OUT MIDI IN

A USB-MIDI interface

(such as the Yamaha UX16)

ENGLISH

About MIDI

F11/F01 Owner’s Manual

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for

data transmission/reception. It enables the transfer of performance

data and commands between MIDI devices and personal computers.

Using MIDI, you can control a connected MIDI device from the instru-

ment, or control the instrument from a connected MIDI device or com-

puter.

MIDI connectors

MIDI [IN]: Receives MIDI data.

MIDI [OUT]: Tr ansmits MIDI data.

MIDI cables

Prepare dedicated MIDI cables.

MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving equip-

ment must be matched for proper data transfer. This parameter enables you to specify

the channel on which the instrument transmits MIDI data. Press one of the C1-E2 keys

while holding the [BGM] button (see Quick Operation Guide).

F11:

In Dual mode, Voice 1 data (the main voice) is transmitted on the speciﬁed channel and Voice 2

data is transmitted on the next higher channel number. In Split mode, the right voice data is trans-

mitted on the speciﬁed channel and the left voice data is transmitted on the channel two numbers

higher. (In other words, if the right voice is set to channel 3, then the left voice data will be transmit-

ted on channel 5). In either mode, no data is transmitted if the transmit channel is set to “OFF.”

F01:

In Dual/Split mode, Voice 1/right voice data is transmitted on its speciﬁed channel (Voice 2/left

voice data is transmitted on the next higher channel number relative to the speciﬁed channel). In

either mode, no data is transmitted if the transmit channel is set to “OFF.”

MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving equip-

ment must be matched for proper data transfer. This parameter enables you to specify

the channel on which the instrument receives MIDI data. Press one of the C3-F4 keys

while holding the [BGM] button (see Quick Operation Guide).

TIP

MIDI performance data and

commands are transferred in

the form of numeric values.

TIP

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to ﬁnd out

what MIDI data and commands

your devices can transmit or

receive.

TIP

You can also obtain detailed

information about MIDI from

various music books and other

publications.

TIP

Setting range: 1-16, OFF (not

transmitted)

Normal setting: 1

NOTE

Voice Demo/50 piano preset

song data and recorder play-

back data are not transmitted

via MIDI.

TIP

Setting range: ALL, 1&2(F01),

1-16

Normal setting: ALL

TIP

Program change and other like channel messages received will affect

the F11/F01’s panel settings or the notes you play on the keyboard, only

when you select the appropriate channels 1-16 on F11.

MIDI

OUT

F11/F01 Owner’s Manual

ENGLISH

About MIDI

Local Control ON/OFF

“Local Control” refers to the fact that, normally, the F11/F01 keyboard controls its

internal tone generator, allowing the internal voices to be played directly from the key-

board. This situation is “Local Control On,” since the internal tone generator is con-

trolled locally by its own keyboard. Local control can be turned OFF, however, so that

the F11/F01 keyboard does not play the internal voices, but the appropriate MIDI

information is still transmitted via the MIDI OUT connector when notes are played on

the keyboard. At the same time, the internal tone generator responds to MIDI informa-

tion received via the MIDI IN connector. Press the C5 key while holding the [BGM]

button (see Quick Operation Guide).

Program Change ON/OFF

Normally the F11/F01 will respond to MIDI program change numbers received from

an external keyboard or other MIDI device, causing the correspondingly numbered

voice to be selected on the corresponding channel (the keyboard voice does not

change). The F11/F01 will normally also send a MIDI program change number when-

ever one of its voices is selected, causing the correspondingly numbered voice or pro-

gram to be selected on the external MIDI device if the device is set up to receive and

respond to MIDI program change numbers. This function makes it possible to cancel

program change number reception and transmission so that voices can be selected on

the F11/F01 without affecting the external MIDI device. Press the C

5 key while hold-

ing the [BGM] button (see Quick Operation Guide).

Control Change ON/OFF

Normally the F11/F01 will respond to MIDI control change data received from an

external MIDI device or keyboard, causing the voice on the corresponding channel to

be affected by pedal and other “control” settings received from the controlling device

(the keyboard voice is not affected only when you select 1-16 channels on F11). The

F11/F01 also transmits MIDI control change information when the pedal or other

appropriate controls are operated. This function makes it possible to cancel control

change data reception and transmission so that, for example, the F11/F01’s pedal and

other controls can be operated without affecting an external MIDI device. Press the D5

key while holding the [BGM] button (see Quick Operation Guide).

TIP

Setting range: ON/OFF

Normal setting: ON

TIP

Setting range: ON/OFF

Normal setting: ON

TIP

Setting range: ON/OFF

Normal setting: ON

TIP

For information on control change messages that can be used with the

F11/F01, refer to PROGRAM CHANGE on page 71.

TIP

For information on control change messages that can be used with the

F11/F01, refer to the MIDI Data Format on Data List. You can download

the Data List from the Yamaha website (page 6).

ENGLISH

Data Backup (F11)

F11/F01 Owner’s Manual

Data Backup (F11)

Backup Data in Internal Memory

The following data will be saved to internal memory of the instrument. The data is maintained even when the power is

turned off.

• BGM Mode

•Metronome Volume/Time Signature

•Moving Key On/Off

• Split Point

• Fine Tuning of the Pitch

•Character Code

•Internet Settings

•Channel (for streaming service)

•Cookies

Initializing the data

Turn off the power to the instrument. Then turn the power on while holding the C7 key.

Backing Up Data to USB Flash Memory

For maximum data security Yamaha recommends that you save your important data to a USB ﬂash memory as backup.

This important data includes backup data in internal memory of the instrument (page 55), voice settings (page 32), and

the recorded performance (page 38).

1 Engage the Backup mode.

Make sure that the USB ﬂash memory device is connected to the instrument,

then press the [REC] button while holding the [VARIATION] button.

CAUTION

To cancel backup, press any button (except [PLAY/STOP], [–/NO], or [+/YES]) before

pressing the [PLAY/STOP] button in step 2.

NOTE

To initialize the Internet settings,

refer to “Initializing Internet Set-

tings” on page 48.

Operation

F11/F01 Owner’s Manual

ENGLISH

Data Backup (F11)

2 Start backup.

Press the [START] button.

The “n

–

y” prompt will appear on the display if the USB ﬂash memory device

contains a ﬁle with the same name as the one you are attempting to backup.

Press the [+/YES] button to execute the overwrite operation. Press the [–/NO]

button to cancel backup. When the backup is ﬁnished, an “End” message

appears on the display.

3 Exit from the Backup mode.

Press the [–/NO] or [+/YES] button.

Restoring the Backup Data

The backup data in a USB ﬂash memory device can be restored to the instrument.

1 Engage the Backup mode.

Make sure that the USB ﬂash memory device containing the restore data

"F11.bup" is connected to the instrument, then press the [REC] button while

holding the [VARIATION] button.

2 Enable the Restore mode.

Press the [+/YES] button.

CAUTION

To cancel restore, press any button (except [PLAY/STOP], [–/NO], or [+/YES]) before

pressing the [PLAY/STOP] button in step 3.

3 Start the restore operation.

Press the [START] button.

When the restore operation is ﬁnished, an “End” message appears on the dis-

play.

4 Exit from the Restore mode.

Press the [–/NO] or [+/YES] button.

NOTE

The backup data ﬁle is automat-

ically named "F11.bup."

Operation

ENGLISH

Data Backup (F01)

F11/F01 Owner’s Manual

Data Backup (F01)

Backup Data in Internal Memory

The following data will be saved to internal memory of the instrument. The data is maintained even when the power is

turned off.

•Metronome Volume/Time Signature

• Fine Tuning of the Pitch

•Character Code

Initializing the data

Turn off the power to the instrument. Then turn the power on while holding the C7 key.

Backing Up Data to a Computer

In order to back up data from the instrument to a computer, you must ﬁrst download

Musicsoft Downloader from the Yamaha website (below), and install it on your com-

puter.

http://music.yamaha.com/download/

System requirement for Musicsoft Downloader

For maximum data security Yamaha recommends that you use Musicsoft Downloader

to save your important data to a computer. This important data includes backup data

in internal memory of the instrument (page 55) and the recorded performance

(page 38). For information on saving backup data from the instrument to a computer,

refer to “Transferring Data Between the Computer and Instrument (for unprotected

data)” in the Help ﬁle that came with Musicsoft Downloader.

Restoring the Backup Data

The backup data "F01.bup" on a computer can be restored to the instrument. For

information on loading song data from a computer to this instrument, refer to “Trans-

ferring Data Between the Computer and Instrument (for unprotected data)” in the

Help ﬁle that came with Musicsoft Downloader.

NOTE

You can download Musicsoft

Downloader without charge

from the Yamaha website.

CAUTION

Do not turn off the power to

the instrument or unplug

the instrument during data

transmission. Otherwise, the

data will not be saved. Fur-

thermore, USB ﬂash mem-

ory operation may become

unstable, causing the entire

memory to be erased when

you turn the power to the

instrument on or off.

NOTE

Before you use this instrument,

close the Musicsoft Downloader

window and quit the application.

NOTE

The backup data ﬁle is automat-

ically named "F01.bup."

• OS : Windows

98SE/Me/2000/XP/Vista

• CPU : Intel

Pentium

or Celeron

chip of 233MHz or higher (500MHz or

higher recommended)

•Memory : 64MB or higher (256MB or higher recommended)

•Available hard disk capacity: 128MB or higher (512MB or higher recommended)

•Display : 800 × 600 High Color (16-bit)

•Others : Microsoft

Internet Explorer

version 5.5 or higher

F11/F01 Owner’s Manual

ENGLISH

Message List (F11)

In this chart, the comments are divided into three different parts: The initial sentence explains the meaning of the mes-

sage, while the “•” mark indicates the underlying problem and the “ → ” mark indicates the possible solution.

* When the message is a three-digit number (001-052), “Err” (Error) ﬂashes alternately in the display with the number.

* When an operation (such as saving or data transfer) is in process, the display shows a sequence of ﬂashing dashes.

Message*

Comment

001Indicates failure in accessing the USB ﬂash memory or media.

• The USB ﬂash memory device or media is not connected.

→ Connect a USB ﬂash memory device or proper media to the USB [TO DEVICE] terminal.

• The media has not been formatted.

→ Format the USB ﬂash memory device or media after making sure on your computer that the USB ﬂash memory or

media you are formatting does not contain important data.

• If this message appears repeatedly other than described above:

→ Use another USB ﬂash memory or media.

002Indicates that the song data cannot be loaded correctly.

004Indicates that the song data is too large to be loaded.

Indicates that the protected song data cannot be loaded.

005Media has not been formatted.

→ Format the USB ﬂash memory device or media after making sure on your computer that the USB ﬂash memory or

media you are formatting does not contain important data.

006Indicates that the protected song data cannot be loaded.

007There is no song data.

There is no ﬁle.

008Indicates failure in accessing the USB ﬂash memory or media.

• The USB ﬂash memory device or media is not connected.

→ Connect a USB ﬂash memory device or media to the USB [TO DEVICE] terminal.

• The media has not been formatted.

→ Format the USB ﬂash memory device or media after making sure on your computer that the USB ﬂash memory or

media you are formatting does not contain important data.

010The data cannot be saved to internal memory of the instrument.

011Data in the USB ﬂash memory hasn't been restored.

→ Press the [PLAY/STOP] button.

020This USB ﬂash memory device cannot be used.

→ Use only USB ﬂash memory devices compatible with the instrument.

022Displayed when the total amount of USB ﬂash memory or USB hub has become too large.

→ Refer to “Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc.)” on page 25.

023Indicates failure in connecting the USB ﬂash memory or media.

051An error has occurred in the Moving Key function. The [MOVING KEY] status lamp lights in red.

→ Please contact your nearest Yamaha dealer or authorized distributor.

052The temperature of moving key unit increases. The [MOVING KEY] status lamp ﬂashes in red.

→ The instrument is automatically reset.

---Processing the current operation.

C L1Initializing the voice settings to the normal settings (factory defaults).

C L2Initializing the Internet settings to the normal settings.

C L3Initializing to the normal settings.

E50

Some abnormality has been detected in the power of the Moving Key function. The [MOVING KEY] status lamp lights in red.

→ If this happens, turn off the power to the instrument and disconnect the plug. However, if the [USB] access lamp is

ﬂashing in red as well, turn off the power only after the lamp [USB] access lamp is off. Please contact your nearest

Yamaha dealer or authorized distributor.

E ndDisplayed when the current operation is completed.

FCL

Indicates that internal memory has been cleaned up. The backup data in internal memory of the instrument, voice settings, and

recorded performance are cleared, because the power has been turned off before the song save or load operations were completed.

CAUTION

Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the instrument to malfunction.

FULDisplayed when the total amount of ﬁles has become too large.

Displayed when internal memory is full.

Displayed when the media is full.

–

y Prompts you to conﬁrm or cancel the overwrite operation.

Pr oIndicates that the media is write-protected.

ENGLISH

Message List (F01)

F11/F01 Owner’s Manual

Message List (F01)

In this chart, the comments are divided into three different parts: The initial sentence explains the meaning of the mes-

sage, while the “•” mark indicates the underlying problem and the “ → ” mark indicates the possible solution.

Message Comment

CL r Initializing to the normal settings (factory defaults).

c onDisplayed when Musicsoft Downloader is started on a computer connected to the instrument.

When this message appears, you cannot operate the instrument.

E 01Indicates failure in accessing the USB ﬂash memory or media.

→ Use another USB ﬂash memory or media.

E 02Indicates that the song data cannot be properly loaded.

E ndDisplayed when the current operation is completed.

E rrDisplayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer connected

to the instrument.

FCLIndicates that internal memory has been cleaned up. The backup data in internal memory of the instrument and

recorded performance are cleared, because the power has been turned off before the song save or load operations

were completed.

CAUTION

Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the instrument to

malfunction.

FULDisplayed when the total amount of ﬁles has become too large.

Displayed when internal memory is full.

Displayed when the media is full.

LodDisplayed when a protected song is loading.

nyConﬁrms whether each operation is executed or not.

–

y Prompts you to conﬁrm or cancel the overwrite operation.

Pr oIndicates that the media is protected.

F11/F01 Owner’s Manual

ENGLISH

Troubleshooting

Problem Possible Cause and Solution

The instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female plug into

the socket on the instrument, and the male plug into a proper AC outlet (page 15, 16).

A click or pop is heard when the power is

turned on or off.

This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or head-

phones.

The noise may be due to interference caused by the use of a mobile phone in close

proximity to the instrument. Turn off the mobile phone, or use it further away from the

instrument.

The overall volume is low, or no sound is

heard.

• The Volume is set too low: set it to an appropriate level using the [VOLUME] control.

• Make sure a pair of headphones is not connected to the headphones jack

(page 18).

• Make sure that Local Control (page 54) is ON.

The pitch and/or tone of the Piano Voices in

certain ranges do not sound right.

The Piano Voices attempt to precisely simulate actual piano sounds. However, as a

result of sampling algorithms, overtones in some ranges may sound exaggerated, pro-

ducing a somewhat different pitch or tone. This is normal, and no cause for concern.

Mechanical noise is heard when the keys

move.

The keyboard mechanism of this instrument simulates the keyboard mechanism of an

actual piano. Mechanical noise is also heard on a piano. This is normal, and is no

cause for concern.

The USB ﬂash memory device cannot be nor-

mally read and written.

The particular USB ﬂash memory device is not supported by the instrument. The oper-

ation of the USB ﬂash memory may become unstable.

The USB ﬂash memory device has hung up

(stopped).

• The USB ﬂash memory is not compatible with the instrument. Only use the USB

ﬂash memory device whose compatibility has been conﬁrmed by Yamaha (page 25).

• Disconnect the device and connect it to the instrument again.

(F11) The cover under the keyboard becomes

warm.

Heat might be generated while using the instrument. This is normal, and no cause for

concern.

ENGLISH

Keyboard Stand Assembly

F11/F01 Owner’s Manual

Keyboard Stand Assembly

The illustrations here are taken from the F11.

CAUTION

• Be careful not to confuse parts, and be sure to

install all parts in the correct direction. Please

assemble in accordance with the sequence given

below.

• Assembly should be carried out by at least two per-

sons.

• Be sure to use the correct screw size, as indicated

below. Use of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing

assembly of each unit.

•To disassemble, reverse the assembly sequence

given below.

Remove the following parts from the package.

1 Insert the rear panel (center).

Position the rear panel (center) so that the holes

face away from the front (keyboard side). Then

insert the projections on the panel into the holes

on top of the unit, as shown in the illustration.

CAUTION

• When the rear panel (center) is inserted in the

main unit, do not apply pressure to the rear panel

(center) from the front or rear. Doing so may dam-

age the projections of the rear panel (center),

allowing it to fall or be damaged.

Have a Phillips-head (+) screwdriver ready.

Assembly Parts

6 × 45 mm long screws × 4 1

6 × 14 mm short screws × 12 2

Rear panel (left) Rear panel (center) Rear panel (right)

Main unit

AC power cord

keyboard stand stabilizers: 2 pieces

Included in the packing pads.

Preparing the rear panels

When the package is shipped from the factory, the

rear panels are secured to the wooden ﬁxing pads

with screws. Before you can start assembling the

rear panels, you must ﬁrst remove them from the

ﬁxing pads.

Removing the panels:

Stack two packing pads (included in the packing

box with the rear panels) under the rear panels,

then remove the screws as shown in the illustra-

tions.

CAUTION

• Do not use screws ﬁxing rear panels to assem-

ble the instrument.

Rear panel (center)

Rear panels (left, right)

Stack two packing pads.

Fixing pad

F11/F01 Owner’s Manual

ENGLISH

Keyboard Stand Assembly

2 Install the rear panels (left and right).

1 Attach two short screws (6 ×

14mm) to each edge of the

rear panel (center) using

your ﬁngers so that the

screw threads project about

10mm from the surface.

Make sure that the screws

will not loosen and fall out

of the holes.

2 Make sure that the screws you ﬁnger-tightened

in Step 1 have not loosened. Then position the

handhold of the rear (left) panel toward the

rear, and hook the bracket of the rear (left)

panel onto the projecting screws as shown in

the illustration 2. When doing so, be careful

that the bracket does not scratch the rear panel

(center).

3 Align the holes located under the handhold on

the rear panel (left) with the holes on the main

unit, then tighten two long screws (6 × 45mm)

to secure the panel to the unit.

4 Lightly tighten two short screws (6 × 14mm)

into the bracket on the bottom of the unit to

secure the panel to the unit.

5 Follow the same steps to install the rear panel

(right).

3 Fasten the rear panels securely.

Tighten the screws securely in the order shown in

the illustration. Be careful not to permit mis-

aligned levels on the front surface, or a gap on the

top surface of rear panels (center, left, and right).

4 Attach the fall-prevention bracket.

Align the second and fourth holes on the fall-pre-

vention bracket with the bracket holes on the bot-

tom of the unit, then secure the bracket using two

short screws (6 × 14mm).

5 Set the voltage selector and connect the

power cord.

Insert the AC power cord plug into the [AC

INLET] connector on the rear of the unit.

Voltage Selector

Before connecting the AC power cord, check the setting

of the voltage selector which is provided in some areas.

To set the selector for 110V, 127V, 220V or 240V main

voltages, use a “minus” screwdriver to rotate the selector

dial so that the correct voltage for your region appears

next to the pointer on the panel. The voltage selector is

set at 240V when the unit is initially shipped. After the

proper voltage has been selected, connect the AC power

cord to the AC INLET and an AC wall outlet. A plug

adaptor may be also provided in some areas to match the

pin conﬁguration of the AC wall outlets in your area.

WARNING

An improper voltage setting can cause serious

damage to the instrument or result in improper

operation.

10mm

Position the bracket to

the rear of the rear

panel (left).

Edges must

be ﬂush.

Do not allow

a gap.

(F11) (F01)

Voltage

Selector

Voltage

Selector

ENGLISH

Keyboard Stand Assembly

F11/F01 Owner’s Manual

After completing the assembly, please

check the following.

When you move the assembled instrument, be sure to

grasp the handles and the bottom of the keyboard.

CAUTION

Do not hold the key cover. Improper handling can

result in damage to the instrument or personal

injury.

• Are there any parts left over?

➝ Review the assembly procedure and correct any

errors.

• Is the instrument clear of doors and other mov-

able ﬁxtures?

➝ Move the instrument to an appropriate location.

• Does the instrument make a rattling noise when

you shake it?

➝ Tighten all screws.

➝ Be sure to install the fall-prevention brackets

securely.

• Is the power cord inserted securely into the

sockets?

➝ Check the connection.

• If the main unit creaks or is otherwise unsteady

when you play on the keyboard, refer to the

assembly diagrams and retighten all screws.

Key cover

Hold here.

Do not hold here.

F11/F01 Owner’s Manual

ENGLISH

50 Piano Preset Songs (Classic & Jazz) List

50 Piano Preset Songs (Classic & Jazz)

List

[PRESET 1] (Classic)

The numbers below the Scene Title indicate the order of songs in each scene.

Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

Scene No. 12345678910111213

Song

No.

1 Sonate, K.380, L.23 (D. Scarlatti) 1 1

2Aria, Goldberg-Variationen, BWV.988 (J. S. Bach) 1 1 2

3 Sonate für Klavier Nr.5, K.283 (W. A. Mozart) 2 1 3

4 Sonate für Klavier Nr.12, K.332 (W. A. Mozart) 1 3 2 4

5 Sonate für Klavier Nr.14 “Mondschein”, op.27-2 (L. v. Beethoven) 2 1 5

6Frühlingslied, op.62-6 (F. Mendelssohn) 3 1 6

7 Etude “Chanson de l'adieu”, op.10-3 (F. F. Chopin) 4 2 1 1

8 Etude “Aeolian Harp”, op.25-1 (F. F. Chopin) 5 3 2 2

9Valse, op.64-2 (F. F. Chopin) 33

10 Valse, op.69-2 (F. F. Chopin) 44

11 Nocturne, op.9-1 (F. F. Chopin) 53 5

12 Nocturne, op.9-2 (F. F. Chopin) 6 2 2 4 6

13 Träumerei, op.15-7 (R. Schumann) 7 3 2 1 7

14 Consolation No.3 (F. Liszt) 45 1

15 Melody in F, op.3-1 (A. Rubinstein) 8 3 2

16 Humoresque, op.101-7 (A. Dvoák) 9 4 2 3

17 Arietta, Lyriske småstykker I, op.12-1 (E. H. Grieg) 10 5 3 3 4

18 Romance sans paroles, op.17-3 (G. Fauré) 5 1

19 Salut d'amour, op.12 (E. Elgar) 11 4 4 6 5

20 To a wild rose, Woodland sketches, op.51-1 (E. A. MacDowell) 6 4 4 6

21 Tango, España, op.165-2 (I. Albéniz) 12 5 7 7

22 La ﬁlle aux cheveux de lin (C. A. Debussy) 13 7 5 2

23 Arabesque 1 (C. A. Debussy) 14 8 3

24 Clair de lune (C. A. Debussy) 15 8 4

25 Rêverie (C. A. Debussy) 96 5

26 Gymnopédie No.1 (E. Satie) 10 7 6

27 Je te veux (E. Satie) 16 6 9 7

28 Pavane pour une infante défunte (M. Ravel) 17 11 6 8

29 Menuet, Le tombeau de Couperin (M. Ravel) 18 12 9

30 A la manière de Borodine (M. Ravel) 10 10

Song Name (Composer)

Scene Title

Home Party

Morning

Upbeat

Elegant

Relaxing

Nighttime

Melancholy

Mood Music

Fantasy

Baroque and

Pre-romantic Music

Pre-romantic (Chopin)

Post-romantic

Modern French

ENGLISH

50 Piano Preset Songs (Classic & Jazz) List

F11/F01 Owner’s Manual

[PRESET 2] (Jazz)

* Performed by Shigeo Fukuda

The numbers below the Scene Title indicate the order of songs in each scene.

Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

Scene No. 14 15 16 17 18 19 20 21 22 23

Song

No.

1 Alﬁe (B. Bacharach)* 1 1 1

2 Besame Mucho (C. Velazquez)* 1 1 1

3Bewitched (R. Rodgers) 2 1 2 2

4 Emily (J. Mandel)* 2 1 3 1 2

5Hey Jude (J. Lennon & P. McCartney)* 3 2 3

6How Deep Is the Ocean (I. Berlin)* 2 2

7I Didn't Know What Time It Was (R. Rodgers)* 3 3 3

8 If I Should Lose You (L. Robin & R. Rainger) 4 4

9 It Might As Well Be Spring (R. Rodgers)* 4 4 4 5 3

10 It Never Entered My Mind (R. Rodgers) 5 2 4

11 Mona Lisa (J. Livingston & R. Evans)* 5 5613 543

12 My Funny Valentine (R. Rodgers)* 2 4

13 Never Let Me Go (J. Livingston & R. Evans)* 3 6 5

14 Norwegian Wood (J. Lennon & P. McCartney)* 6 6 7 5

15 On Green Dolphin Street (N. Washington & B. Kaper)* 7 5 6

16 Over the Rainbow (H. Arlen)* 8 4 4 8 6

17 Smoke Gets in Your Eyes (J. Kern)* 9 7 5 5 9

18 Stella by Starlight (V. Young)* 10 6 8 6 7

19 The Nearness of You (H. Carmichael)* 11 9 7 6 10 6

20 You Are Too Beautiful (R. Rodgers) 7 10 7 7

Song Name (Composer)

Scene Title

Home Party

Daytime

Afternoon

Evening

Midnight

Elegant

Upbeat

Ballad

Innocent

Mood Music

F11/F01 Owner’s Manual

ENGLISH

Preset Voice List

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

G. PIANO 1

Recorded samples from a full concert grand piano. Also

includes three levels of dynamic sampling, sustain samples,

and key-off samples for exceptionally realistic acoustic

grand piano sound. Perfect for classical compositions as

well as any other style that requires acoustic piano.

VARIATION

Warm and mellow piano. Good for classical compositions.

G. PIANO 2

Spacious and clear piano with bright reverb. Good for popu-

lar music.

VARIATION

Bright, spacious piano. Good for popular or rock music.

E.PIANO 1

An electronic piano sound created by FM synthesis.

Extremely “musical” response with varying timbre according

to keyboard dynamics. Good for standard popular music.

VARIATION

A synth-generated type electronic piano sound often heard

in popular music. Used in the DUAL mode it blends well with

an acoustic piano voice.

E.PIANO 2

The sound of an electric piano using hammer-struck metallic

“tines”. Soft tone when played lightly, and an aggressive

tone when played hard.

VARIATION

A slightly different electric piano sound often heard in rock

and popular music.

HARPSI.

The deﬁnitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.

There is, however, a characteristic additional sound when

the keys are released.

VARIATION

Mixes the same voice an octave higher for a more brilliant

tone.

ORGAN 1

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

VARIATION

This is the organ's full coupler sound often associated with

Beach’s “Toccata and Fugue”.

ORGAN 2

The sound of a “tonewheel” type electric organ. Often heard

in jazz and rock idioms.

VARIATION

Uses a rotary speaker effect with a different speed. The vari-

ations speed is faster. If the variation is selected while hold-

ing a chord, the speed of the effect will gradually change.

STRINGS

Stereo-sampled, large-scale strings ensemble with realistic

reverb. Try combining this voice with piano in the DUAL

mode.

VARIATION

Spacious strings ensemble with a slow attack. Try combining

this voice with a piano or electric piano in the DUAL mode.

VIB./GTR.

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

VARIATION

Warm and natural-sounding nylon guitar. Enjoy the quiet

ambience of nylon strings.

BASS

An upright bass played ﬁngerstyle. Ideal for jazz and Latin

music.

VARIATION

Electric bass for a wide range of music styles, jazz, rock,

popular, and more.

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of

an acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

ENGLISH

Voice Demo Song List

F11/F01 Owner’s Manual

Voice Demo Song List

The voice demonstration pieces listed above are short rearranged excerpts the original compositions.

Voice Name Title Composer

G. PIANO 1 “Eintritt” Waldszenen Op.82 R. Schumann

HARPSI. Gavotte J.S. Bach

F11/F01 Owner’s Manual

ENGLISH

Index

Numerics

50 Piano Preset Songs (Classic & Jazz)...........................19

50 Piano Preset Songs (Classic & Jazz) List ...................64

Accessories.........................................................................7

ALL (display) .............................................................19, 22

AWM Dynamic Stereo Sampling .....................................8

Backup (F11) ...................................................................55

Backup (F01) ...................................................................57

BGM mode ......................................................................12

BGM OFF mode..............................................................12

Channel (Internet) (F11)................................................27

Character Code................................................................22

Control Change ...............................................................54

Damper Pedal Range (Split mode).................................33

Data Format.....................................................................23

Data List.............................................................................6

Display .............................................................................11

Dual Balance....................................................................31

Dual mode .......................................................................31

Floppy Disk......................................................................26

Floppy Disk Drive ...........................................................26

Headphones.....................................................................18

[INTERNET] (F11)...................................................12, 27

Internet Direct Connection (IDC) (F11)...................8, 42

Internet Settings (F11) ....................................................45

Key Cover ........................................................................13

Keyboard Stand Assembly .............................................. 61

Left Voice Reverb Depth (F11) ...................................... 33

Local Control ..................................................................54

Metronome......................................................................34

Metronome Volume .......................................................34

MIDI ................................................................................ 53

MIDI Receive Channel Selection ...................................53

MIDI Transmit Channel Selection ................................53

Mode................................................................................31

Moving Key (F11) .................................................8, 12, 21

Music Rest .......................................................................14

Musicsoft Downloader ...................................................57

Normal Setting (Factory Default) ............................ 21, 22

Normal Setting List.........................................................70

NW (Natural Wood) Keyboard ....................................... 8

Octave Shift (Dual mode)...............................................31

Octave Shift (Split mode) ...............................................33

Part (F01) ........................................................................24

Part (Moving Key) (F11) ................................................21

Pedals...............................................................................30

Pitch.................................................................................36

Power...............................................................................17

[PRESET 1] ...............................................................12, 19

[PRESET 2] ...............................................................12, 19

Preset Voice List..............................................................66

Program Change ....................................................... 54, 71

ENGLISH

Index

F11/F01 Owner’s Manual

Quick Operation Guide ....................................................6

Radio Field Strength (F11) .............................................46

Recording.........................................................................38

Restore (F01) ...................................................................57

Restore (F11) ...................................................................56

Reverb ..............................................................................35

rnd (display) ..............................................................19, 22

Scene ................................................................................20

SMF Format.....................................................................23

Song Auto Revoice (F11) ................................................28

Specifications...................................................................72

Split Balance ....................................................................33

Split mode........................................................................32

Split point ........................................................................32

Streaming (F11).........................................................27, 42

Sxx (display) ....................................................................19

Tempo..............................................................................34

Time Signature ................................................................34

Touch...............................................................................37

Transpose.........................................................................36

[USB] .........................................................................12, 22

USB song..........................................................................22

USB Storage Device.........................................................25

User Song.........................................................................41

Uxx (display) ...................................................................22

Variation ..........................................................................30

Version Number (F11) ...................................................18

Voice 2 Reverb Depth (F11) ...........................................31

Voice Demo .....................................................................29

Voice Demo Song List.....................................................67

Voice Demonstration Tunes...........................................29

Voice Settings ..................................................................32

Volume ............................................................................17

F11/F01 Owner’s Manual

Normal Setting List/Liste der Normaleinstellungen/Liste

des réglages normaux/Lista de ajustes normales

Function Normal setting (factory default)

Part (Channel) Setting (Moving Key) ON (AUTO)

Song Auto Revoice ON

Voice G. PIANO 1

Variation OFF

Dual Mode OFF

Split Mode OFF

Split Mode Left Voice BASS

Reverb Type Preset for each voice

Reverb Depth Preset for each voice

Effect Type Preset for each voice

Effect Depth Preset for each voice

Touch Sensitivity MEDIUM

Metronome OFF

Metronome Volume F11: 7

F01: 5

Metronome Time Signature 0 (no accent)

Tempo 120

Transpose 0

Tuning 440Hz

Dual Balance Preset for each voice combination

Dual Octave Shift Preset for each voice combination

Dual Reverb Depth Preset for each voice combination

Split Point F

Split Balance Preset for each voice combination

Split Octave Shift Preset for each voice combination

Split Reverb Depth Preset for each voice combination

Split Damper Pedal Range Right

MIDI Transmit Channel 1

MIDI Receive Channel ALL

Local Control ON

Program Change Send & Receive ON

Control Change Send & Receive ON

F11/F01 Owner’s Manual

Program Change/Programmwechsel/Changement de

programme/Cambio de programa

*If you assign Program Change numbers using numbers 0 through 127, subtract one (1) from a Program change number (P.C. #)

listed above. For example, if you wish to change to a Program with the P.C. #1, specify number 0. When program change reception

is turned OFF, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.

*Wenn Sie zu den Programmen Nr. 0 bis 127 wechseln möchten, ziehen Sie bitte von der vorstehend aufgeführten Program-Change-

Nummer (P.C.#) eine Eins (1) ab. Wenn Sie beispielsweise zu einem Programm mit der P.C.# 1 wechseln möchten, geben Sie die

Nummer 0 an. Wenn der Empfang von Programmwechseln ausgeschaltet ist (OFF), werden keine Program-Change-Daten gesendet

oder empfangen. Außerdem werden keine Bank-MSB/LSB-Meldungen gesendet oder empfangen.

*Si vous affectez des numéros de changement de programme compris entre 0 et 127 ; vous devrez soustraire une unité (1) du numéro

de changement de programme correspondant inscrit dans la liste P.C. #. Par exemple, pour passer à un programme doté de la valeur

P.C. #1, il faut spéciﬁer le chiffre 0. Lorsque la réception de changement de programme est désactivée (OFF), aucune donnée de

changement de programme n'est transmise ou reçue. La valeur du réglage Bank MSB/LSB n'est ni transmise ni reçue.

*Si asigna números de cambio de programa usando los números del 0 al 127, reste uno (1) de uno de los números de cambio de pro-

grama (nº P.C.) enumerados. Por ejemplo, si desea cambiar al programa con el nº P.C. 1, especiﬁque el número 0. Cuando la

recepción de cambios de programa está apagada, no se transmite ni recibe ningún dato de cambio de programa. Tampoco se trans-

mite ni recibe el MSB/LSB de banco.

P. C .#=Program Change number/

Program-Change-Nummer/

Numéro de changement de programme/

Número de cambio de programa

Voice Name MSB LSB

P.C.#

(1–128)

G. PIANO 1 0 122 1

VARIATION 0 123 1

G. PIANO 2 0 112 1

VARIATION 0 112 2

E.PIANO 1 0 122 6

VARIATION 0 122 89

E.PIANO 2 0 122 5

VARIATION 0 123 5

HARPSI. 0 122 7

VARIATION 0 123 7

ORGAN 1 0 123 20

VARIATION 0 122 20

ORGAN 2 0 122 17

VARIATION 0 123 17

STRINGS 0 122 49

VARIATION 0 125 50

VIB./GTR. 0 122 12

VARIATION 0 122 25

BASS 0 122 33

VARIATION 0 122 34

F11/F01 Owner’s Manual

Speciﬁcations/Technische Daten/Caractéristiques

techniques/Especiﬁcaciones

*Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change

or modify products or speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the

same in every locale, please check with your Yamaha dealer.

*Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich

das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modiﬁzieren. Da

die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit

Ihrem Yamaha-Händler in Verbindung.

*Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se

réserve le droit de changer ou modiﬁer les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que

les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur

Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha

Corp. se reserva el derecho a efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cualquier momento sin pre-

vio aviso. Puesto que las especiﬁcaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información

a su distribuidor Yamaha.

Model

F11 F01

Keyboard NW (Natural Wood) Keyboard (Wood is used for the white keys)

Number of keys 88

Moving Key YES –

Sound Source AWM Dynamic Stereo Sampling

Polyphony (max.) 128 64

Voice Selection 10 × 2 variations

For Song playback: 480 XG Voices,

13 Drum/SFX Kits, GM2, GS

10 × 2 variations

Effect Reverb

Controls Dual, Split, Metoronome, Transpose,

Touch (Hard/Medium/Soft/Fixed), Tuning

Recording/Playback 1 user song; can be saved to USB device

Pedal Damper (apply a half pedal), Sostenuto, Soft

Voice Demo Songs 50 Piano Preset Songs (Classic & Jazz), 10 voice Demo Songs

Internet Direct Connection

[LAN] Port,

Wireless Game Adaptor ([LAN] Port),

External Adaptor

(via USB [TO DEVICE])

–

Memory Device Flash Memory (Internal) about 2MB about 512KB

USB Flash Memory YES (via USB [TO DEVICE])

Floppy Disk (2HD, 2DD) External Adaptor (via USB [TO DEVICE])

Hard Disk External Adaptor (via USB [TO DEVICE])

Memory Card (SmartMedia, etc.)

External Adaptor (via USB [TO DEVICE])

Connectors [PHONES] × 2, AUX OUT[L/L+R][R] jacks, AUX IN [L/L+R][R] jacks,

MIDI [IN][OUT], USB [TO DEVICE]

[LAN] –

Main Ampliﬁers 40W × 2

Speakers 16cm × 2, 5cm × 2

Dimensions (W × D × H) 1427mm × 400mm × 995mm

[56-3/16" × 15-3/4" × 39-3/16"]

Dimensions with keyboard stand stabilizers

(W × D × H)

1427mm × 480mm × 995mm

(56-3/16" × 18-15/16" × 39-3/16")

Weight 90kg (198lbs.,7oz) 76kg (167lbs., 9oz)

Accessories Owner's Manual, Quick Operation Guide, Bench, AC Power Cord

F11/F01 Owner’s Manual

*The followings are the titles, credits and copyright notices for seventeen (17) of the 50 Piano Preset Songs (Classic & Jazz) in this instrument:

*Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für siebzehn (17) der 50 Preset-Songs für Klavier (Klassik & Jazz) in

diesem Instrument:

* La liste suivante répertorie les titres, auteurs et avis de droits d'auteur de dix-sept (17) morceaux parmi les 50 morceaux de piano

présélectionnés (Classic & Jazz) sur l'instrument:

*A continuación se incluyen los títulos, ﬁchas técnicas y avisos de copyright de diecisiete (17) de las 50 melodías predeﬁnidas para

piano (clásica y jazz) de este instrumento:

Alﬁe

Theme from the Paramount Picture ALFIE

Wor ds by Hal David

Music by Burt Bacharach

1966 (Renewed 1994) by Famous Music LLC

Bésame Mucho (Kiss Me Much)

Music and Spanish Words by Consuelo Velazquez

English Words by Sunny Skylar

1941, 1943 by Promotora Hispano Americana de

Musica, S.A.

Copyrights Renewed

All Rights Administered by Peer International Corporation

Bewitched

from PAL JOEY

Wor ds by Lorenz Hart

Music by Richard Rodgers

1941 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled

by Williamson Music and WB Music Corp. o/b/o The Estate Of

Lorenz Hart

Hey Jude

Wor ds and Music by John Lennon and Paul McCartney

1968 Sony/ATV Songs LLC

All Rights Administered by Sony/ATV Music Publishing, 8

Music Square West, Nashville, TN 37203

How Deep Is The Ocean (How High Is The Sky)

Wor ds and Music by Irving Berlin

1932 by Irving Berlin

I Didn’t Know What Time It Was

from TOO MANY GIRLS

Wor ds by Lorenz Hart

Music by Richard Rodgers

1939 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled

by Williamson Music and WB Music Corp. o/b/o The Estate Of

Lorenz Hart

If I Should Lose You

from the Paramount Picture ROSE OF THE RANCHO

Wor ds and Music by Leo Robin and Ralph Rainger

1935 (Renewed 1962) by Famous Music LLC

It Might As Well Be Spring

from STATE FAIR

Lyrics by Oscar Hammerstein II

Music by Richard Rodgers

1945 by WILLIAMSON MUSIC

It Never Entered My Mind

from HIGHER AND HIGHER

Wor ds by Lorenz Hart

Music by Richard Rodgers

1940 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled

by Williamson Music and WB Music Corp. o/b/o The Estate Of

Lorenz Hart

Mona Lisa

from the Paramount Picture CAPTAIN CAREY, U.S.A.

Wor ds and Music by Jay Livingston and Ray Evans

1949 (Renewed 1976) by Famous Music LLC

My Funny Valentine

from BABES IN ARMS

Wor ds by Lorenz Hart

Music by Richard Rodgers

1937 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled

by Williamson Music and WB Music Corp. o/b/o The Estate Of

Lorenz Hart

The Nearness Of You

from the Paramount Picture ROMANCE IN THE DARK

Wor ds by Ned Washington

Music by Hoagy Carmichael

1937, 1940 (Renewed 1964, 1967) by Famous

Music LLC

Never Let Me Go

from the Paramount Picture THE SCARLET HOUR

Wor ds and Music by Jay Livingston and Ray Evans

1956 (Renewed 1984) by Famous Music LLC

Norwegian Wood (This Bird Has Flown)

Wor ds and Music by John Lennon and Paul McCartney

1965 Sony/ATV Songs LLC

All Rights Administered by Sony/ATV Music Publishing, 8

Music Square West, Nashville, TN 37203

Smoke Gets In Your Eyes

from ROBERTA

Wor ds by Otto Harbach

Music by Jerome Kern

1933 UNIVERSAL - POLYGRAM INTERNA-

TIONAL PUBLISHING, INC.

Stella By Starlight

from the Paramount Picture THE UNINVITED

Wor ds by Ned Washington

Music by Victor Young

1946 (Renewed 1973, 1974) by Famous Music LLC

You Are Too Beautiful

from HALLELUJAH, I’M A BUM

Wor ds by Lorenz Hart

Music by Richard Rodgers

1932 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled

by Williamson Music and WB Music Corp. o/b/o The Estate Of

Lorenz Hart

F11/F01 Owner’s Manual

*The followings are the titles, credits and copyright notices for three (3) of the 50 Piano Preset Songs in this instrument:

*Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für drei (3) der 50 Preset-Songs für Klavier (Klassik & Jazz) in

diesem Instrument:

* La liste suivante répertorie les titres, auteurs et avis de droits d'auteur de trois (3) morceaux parmi les 50 morceaux de piano

présélectionnés (Classic & Jazz) sur l'instrument :

*A continuación se incluyen los títulos, ﬁchas técnicas y avisos de copyright de tres (3) de las 50 melodías predeﬁnidas para piano de

este instrumento:

Composition Title: ON GREEN DOLPHIN STREET

Composer’s Name: Bronislaw Kaper0372642

Owner’s Name: EMI MUSIC PUBLISHING LTD

Composition Title: EMILY

Composer’s Name: Johnny Mandel0258202

Owner’s Name: EMI MUSIC PUBLISHING LTD

Composition Title: OVER THE RAINBOW

Composer’s Name: Harold Arlen0286708

Owner’s Name: EMI MUSIC PUBLISHING LTD

*Reservados todos los derechos. Queda terminantemente prohibida toda copia, interpretación o difusión pública no autorizada.

F11/F01 Owner’s Manual

MEMO

The above warning is located on the bottom of the unit.

Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to alert

the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude to

constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including

ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding type plug

has two blades and a third grounding prong. The wide

blade or the third prong are provided for your safety. If

the provided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the

point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by the

manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed

by the manufacturer, or sold with

the apparatus. When a cart is

used, use caution when moving

the cart/apparatus combination

to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of

time.

14 Refer all servicing to qualiﬁed service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power-supply cord or plug

is damaged, liquid has been spilled or objects have

fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally,

or has been dropped.

(98-6500)

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,

CEP 04534-013 Sao Paulo, SP. BRAZIL

Tel: 011-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LOB 16-513, P.O.Box 17328, Jubel Ali,

Dubai, United Arab Emirates

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: 080-004-0022

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

EKB41

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WK23540 709APAP5,2-02B0

Printed in China

Yamaha Home Keyboards Home Page (English only)

http://music.yamaha.com/homekeyboard

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha F11 de handleiding

Merk: Yamaha

Model: F11

Categorie: Synthesizer

Type: de handleiding

Deze handleiding is ook geschikt voor

PDF downloaden

rapport

in andere talen

English: Yamaha F11 Owner's manual
italiano: Yamaha F11 Manuale del proprietario
русский: Yamaha F11 Инструкция по применению
français: Yamaha F11 Le manuel du propriétaire
español: Yamaha F11 El manual del propietario
Deutsch: Yamaha F11 Bedienungsanleitung
português: Yamaha F11 Manual do proprietário
dansk: Yamaha F11 Brugervejledning
suomi: Yamaha F11 Omistajan opas
čeština: Yamaha F11 Návod k obsluze
svenska: Yamaha F11 Bruksanvisning
Türkçe: Yamaha F11 El kitabı
polski: Yamaha F11 Instrukcja obsługi
română: Yamaha F11 Manualul proprietarului

Yamaha F11 de handleiding

Deze handleiding is ook geschikt voor

Yamaha F11 de handleiding

in andere talen

Gerelateerde papieren

Andere documenten