Yamaha P-155 de handleiding

Merk: Yamaha

Model: P-155

Categorie: Synthesizer

Type: de handleiding

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

ENGLISHDEUTSCHFRANÇAISESPAÑOL

PIANO NUMERIQUE

DIGITAL PIANO

P-155

Owner’s Manual

PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply

or adapter other than one described in the manual, on the

name plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where

anyone could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25’ cord (or less ) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

This product should be used only with the components sup-

plied or; a cart, rack, or stand that is recommended by

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves the

right to change or modify any of the speciﬁcations without

notice or obligation to update existing units.

This product, either alone or in combination with an ampliﬁer

and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO

NOT operate for long periods of time at a high volume level

or at a level that is uncomfortable. If you experience any

hearing loss or ringing in the ears, you should consult an

audiologist.

IMPORTANT: The louder the sound, the shorter the time

period before damage occurs.

Some Yamaha products may have benches and / or acces-

sory mounting ﬁxtures that are either supplied with the prod-

uct or as optional accessories. Some of these items are

designed to be dealer assembled or installed. Please make

sure that benches are stable and any optional ﬁxtures

(where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only.

No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating

to how a function or effect works (when the unit is operating

as designed) are not covered by the manufacturer’s warranty,

and are therefore the owners responsibility. Please study this

manual carefully and consult your dealer before requesting

service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe

and environmentally friendly. We sincerely believe that our

products and the production methods used to produce them,

meet these goals. In keeping with both the letter and the

spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery

which (if applicable) is soldered in place. The average life

span of this type of battery is approximately ﬁve years. When

replacement becomes necessary, contact a qualiﬁed service

representative to perform the replacement.

This product may also use “household” type batteries. Some

of these may be rechargeable. Make sure that the battery

being charged is a rechargeable type and that the charger is

intended for the battery being charged.

When installing batteries, do not mix batteries with new, or

with batteries of a different type. Batteries MUST be installed

correctly. Mismatches or incorrect installation may result in

overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery.

Keep all batteries away from children. Dispose of used bat-

teries promptly and as regulated by the laws in your area.

Note: Check with any retailer of household type batteries in

your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for

some reason its useful life is considered to be at an end,

please observe all local, state, and federal regulations that

relate to the disposal of products that contain lead, batteries,

plastics, etc. If your dealer is unable to assist you, please

contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The

model number, serial number, power requirements, etc., are

located on this plate. You should record the model number,

serial number, and the date of purchase in the spaces pro-

vided below and retain this manual as a permanent record of

your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP

(bottom)

P-155

Owner’s Manual

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc-

tions contained in this manual, meets FCC requirements.

Modiﬁcations not expressly approved by Yamaha may void

your authority, granted by the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accesso-

ries and/or another product use only high quality shielded

cables. Cable/s supplied with this product MUST be used.

Follow all installation instructions. Failure to follow instruc-

tions could void your FCC authorization to use this prod-

uct in the USA.

3. NOTE:

This product has been tested and found to com-

ply with the requirements listed in FCC Regulations, Part

15 for Class “B” digital devices. Compliance with these

requirements provides a reasonable level of assurance

that your use of this product in a residential environment

will not result in harmful interference with other electronic

devices. This equipment generates/uses radio frequen-

cies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Com-

pliance with FCC regulations does not guarantee that

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

interference will not occur in all installations. If this product

is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try

to eliminate the problem by using one of the following

measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to dis-

tribute this type of product. If you can not locate the appro-

priate retailer, please contact Yamaha Corporation of

America, Electronic Service Division, 6600 Orangethorpe

Ave, Buena Park, CA90620

The above statements apply ONLY to those products dis-

tributed by Yamaha Corporation of America or its subsid-

iaries.

FCC INFORMATION (U.S.A.)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så

länge som den ar ansluten till vägguttaget, även om själva

apparaten har stängts av.

ADVARSEL:

Netspæendingen til dette apparat er IKKE

afbrudt, sålæenge netledningen siddr i en stikkontakt,

som er t endt — også selvom der or slukket på apparatets

afbryder.

VAROITUS:

Laitteen toisiopiiriin kytketty käyttökytkin ei

irroita koko laitetta verkosta.

(standby)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this appa-

ratus may not correspond with the coloured makings iden-

tifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to

the terminal which is marked with the letter N or coloured

BLACK.

The wire which is coloured BROWN must be connected to

the terminal which is marked with the letter L or coloured

RED.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

• This applies only to products distributed

by Yamaha Music U.K. Ltd.

(2 wires)

P-155

Owner’s Manual

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (page 68) only. Using the wrong adaptor can result in

damage to the instrument or overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings. If any liquid such as water seeps into the instrument, turn off the

power immediately and unplug the power cord from the AC outlet. Then have

the instrument inspected by qualiﬁed Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When setting up the product, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor Location

(3)-12

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P-155

Owner’s Manual

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• During extreme changes in temperature or humidity, condensation may occur

and water may collect on the surface of the instrument. If water is left, the

wooden parts may absorb the water and be damaged. Make sure to wipe any

water off immediately with a soft cloth.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not use the instrument/device or headphones for a long period of time at a

high or uncomfortable volume level, since this can cause permanent hearing

loss. If you experience any hearing loss or ringing in the ears, consult a

physician.

Saving and backing up your data

• Data in the instrument’s internal memory can be lost due to operational errors or

malfunction. Be sure to save any important data to external media via a

computer connected to the instrument. (page 52)

Backing up the USB Storage device

•To protect against data loss through media damage, we recommend that you

save your important data onto two USB storage devices.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long

time, make sure you unplug the AC power adaptor from the wall AC outlet.

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• Windows is a registered trademark of Microsoft

Corporation in the United States and other countries.

• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

(bottom)

Connections

Maintenance

Handling caution

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use

others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound

recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has

legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

The serial number of this product may be found on the bottom of the unit. You

should note this serial number in the space provided below and retain this manual

as a permanent record of your purchase to aid identiﬁcation in the event of theft.

Model No.

Serial No.

(3)-12

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P-155

Owner’s Manual

ENGLISH

Introduction

Thank you for purchasing the Yamaha Digital Piano!

We recommend that you read this manual carefully so that you can

fully take advantage of the advanced and convenient functions.

We also recommend that you keep this manual in a safe and

handy place for future reference.

Main Features

Graded Hammer Effect Keyboard

Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with

action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower

notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can

even be adjusted to match your playing style.

AWM Dynamic Stereo Sampling

This digital piano offers a rich and versatile range of sounds, which are created using Yamaha’s proprietary sampling

tone-generation system, “AWM Dynamic Stereo Sampling.”

AWM (Advanced Wave Memory) is a sampling system that creates sounds close to those of an acoustic instrument by

digitally recording the sounds of an instrument and applying high-quality digital ﬁltering technology to the recorded

audio samples.

The sound waveform created by an acoustic piano differs depending on the player’s strength of touch, from pianissimo

to fortissimo.

AWM Dynamic Stereo Sampling can create extremely dynamic nuances by recording samples at various playing

strengths. The greater the number of samples used, the greater the resulting expressiveness of the instrument.

The piano voice “Grand Piano 1” features a totally new sample recorded from a full-size concert grand piano. Each

note in the sample has been adjusted meticulously so that the digital piano will play only the very best piano sounds.

The piano voices are well-separated sounds featuring a fast attack and a satisfying response.

The “Grand Piano 1” voice features multiple wave samples for different velocities (Dynamic Sampling). That is, differ-

ent samples are used depending on how fast or strong the player strikes the keys. Therefore, this voice expresses

detailed dynamics and sounds much closer to those of a true acoustic piano.

The instrument creates a rich, luxurious sound using “Sustain Sampling,” which is a sample of the soundboard and the

resonance of the strings when the damper pedal is pressed. The instrument also features “Key-off Sampling,” which is a

sample of the very delicate noises that are caused when keys are released.

Accessories

• Owner’s Manual

•AC Power Adaptor*

*May not be included depending on your particular area. Please check with your Yamaha dealer.

• Foot Switch FC4

•Music Rest

•My Yamaha Product User Registration*

*The PRODUCT ID on the sheet will be needed when you ﬁll out the User Registration form.

P-155 Owner’s Manual

ENGLISH

Table of Contents

This manual consists of three main sections: Introduction, Reference and Appendix.

Introduction

Main Features..................................................... 6

Accessories ......................................................... 6

Panel Controls and Terminals............................ 8

Before Using the Instrument ........................... 10

Turning the Power On ...............................................10

Setting the Volume.....................................................10

Using the Pedals..........................................................11

Using Headphones .....................................................11

Music Rest...................................................................11

Reference

Listening to the Demo Songs .......................... 12

Using the 50 Piano “Preset” Songs ................. 13

Listening to the 50 Piano Preset Songs......................13

Practicing a One-Hand Part Using

the 50 Preset Songs (Part Cancel Function) ...........14

A-B Repeat for the 50 Preset Songs ...........................15

Selecting & Playing Voices............................... 16

Selecting Voices ..........................................................16

Combining Voices (Dual)..........................................17

Splitting the Keyboard Range and

Playing Two Different Voices ([SPLIT]) ................18

Adding Variations to the Sound –

[BRILLIANCE]/[REVERB]/

[EFFECT]/“Damper Resonance” ............................20

Touch Sensitivity – [TOUCH] ..................................22

Transposition – [TRANSPOSE] ................................23

Using the Metronome ................................................24

Recording Your Performance .......................... 25

Recording a performance quickly..............................25

Re-recording a previously recorded song..................27

Recording to RIGHT/LEFT .......................................28

Changing the Initial Settings

(data recorded at the beginning of a song).............30

Handling Recorded Songs with

a USB Storage Device....................................... 31

About Save and Load..................................................31

Saving a Song ..............................................................32

Loading a Song ...........................................................33

Deleting Song Files .....................................................34

Formatting the USB Storage Device..........................35

Playing Back “USER” and “USB” Songs ........... 36

Detailed Settings – [FUNCTION]...................... 38

Basic Procedure in Function......................................39

About Each Function .................................................40

F1. Fine Tuning of the Pitch ...............................40

F2. Selecting a Scale.............................................40

F3. Dual Functions ..............................................41

F4. Split Functions...............................................42

F5. Other Functions ............................................43

F6. Metronome Volume .....................................44

F7. MIDI Functions.............................................44

F8. Backup Functions..........................................46

Connections ..................................................... 47

Connectors..................................................................47

Connecting to a USB storage device..........................49

Connecting a Personal Computer .............................50

Transmitting Song Data between

the Computer and the Instrument..........................51

Data Backup Using a Computer....................... 52

Precautions when using

the USB [TO DEVICE] terminal......................... 53

Using USB Storage Devices........................................53

Handling the Floppy Disk Drive (FDD) and

Floppy Disks (Optional) ................................... 54

Message List ..................................................... 55

Troubleshooting............................................... 56

Preset Voice List ............................................... 57

Index................................................................. 58

Appendix

Preset Song List................................................ 60

Factory Setting List .......................................... 61

MIDI Data Format ............................................ 62

MIDI Implementation Chart ............................ 66

Specifications ................................................... 68

*The illustrations and displays as shown in this owner’s man-

ual are for instructional purposes only, and may appear some-

what different from those on your instrument.

Please read this section first.

This section explains in detail all of the instrument’s

features, functions and operations.

This section introduces reference material.

Panel Controls and Terminals

P-155

Owner’s Manual

ENGLISH

Panel Controls and Terminals

[STANDBY/ON] switch

page 10

For turning the power on or off.

[MASTER VOLUME] dial

page 10

For adjusting the volume level of the entire sound.

[DEMO] button

page 12

For playing the demo songs.

[TRANSPOSE] button

page 23

For shifting the pitch of the entire keyboard up or down.

[REC] button

page 25

For recording your keyboard performance.

[PLAY/PAUSE], [STOP] buttons

pages 13, 37

For playing back/pausing/stopping the preset songs, your

recorded material or commercially available music data, etc.

[SONG SELECT] button

pages 13, 37

For selecting a song to play back or edit.

[FILE] button

page 32

For saving songs to and loading songs from a USB storage

device, as well as managing song ﬁles. Also, lets you format a

USB storage device.

[RIGHT], [LEFT] buttons

pages 14, 37

For turning the left- and right-hand parts on or off as required

so you can practice the corresponding part (the part that is

turned off) on the keyboard.

[METRONOME] button

pages 24, 44

For starting/stopping the metronome function.

[TEMPO/FUNCTION –, +] button

pages 24, 39

For changing the song tempo (speed) and selecting other useful

functions (pages 38–46).

Display

page 10

For showing information on certain settings and values of the

instrument.

[–/NO], [+/YES] buttons

For setting values or performing ﬁle operations.

Pressing both buttons simultaneously for certain value settings

(Transpose, Tempo, etc.) restores the default value.

Voice group buttons page 16

For selecting voices from 17 internal sounds including Grand

Piano 1, 2 and 3.

[SPLIT] button page 18

For playing different voices on the left- and righthand sections

of the keyboard.

[BRILLIANCE] button page 20

For adjusting the brightness of the sound.

[REVERB], [EFFECT] buttons pages 20, 21

For adding reverb and chorus effects to the selected voice for

your keyboard performance.

[TOUCH] button page 22

For selecting the touch response.

[PHONES] jack page 11

For connecting a set of standard stereo headphones, allowing

private practice.

CAUTION

Never attempt to turn off the power while ﬂashing dashes

appear in the display, indicating data is being written to internal

memory. Doing so may result in loss of all user data.

Front panel

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3

q erty ui o !0 !1 !2

Panel Controls and Terminals

P-155 Owner’s Manual

ENGLISH

USB [TO DEVICE] terminal page 47

For connecting the instrument to a USB storage device, allowing

saving/loading of data to and from the connected device.

AUX OUT [L/L+R][R] jacks page 47

For connecting an external tone generator, allowing you to play

the sound of that device via the instrument’s internal sound sys-

tem and speakers.

MIDI [IN] [OUT] terminals page 48

For connecting external MIDI devices, allowing the use of vari-

ous MIDI functions.

[SUSTAIN PEDAL] jack pages 11, 48

For connecting an included FC4 foot switch or an optional FC3

foot pedal/FC5 foot switch.

[AUX PEDAL] jack pages 11, 48

For connecting an included FC4 foot switch or an optional FC3

foot pedal/FC5 foot switch/FC7 foot controller.

[DC IN 16V] jack page 10

For connecting the included power adaptor.

Rear panel

F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

!3 !4 !5 !6 !7 !8

@5 @0 @1 @2 @3 @4

Before Using the Instrument

P-155 Owner’s Manual

ENGLISH

Before Using the Instrument

Tur ning the Power On

1. Connect the power adaptor’s DC cable to

the [DC IN 16V] jack.

2. Plug the AC adaptor into an AC outlet.

WARNING

Use the speciﬁed adaptor (page 68) only. The use of other adaptors

may result in irreparable damage to both the adaptor and the Instru-

ment.

CAUTION

Unplug the AC Power Adaptor when not using the Instrument, or

during electrical storms.

3. Press the [STANDBY/ON] switch to turn the power on.

The display located in the center of the front panel lights up.

When you’re ready to turn off the power, press the [STANDBY/ON] switch again.

CAUTION

Even when the instrument is turned off, electricity is still ﬂowing to the instrument at the minimum level. When you are

not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Setting the Volume

Initially set the [MASTER VOLUME] dial about halfway between the

“MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] dial to the most comfortable listening level.

TERMINOLOGY

MASTER VOLUME:

The volume level of the entire keyboard sound

(The shape of plug differs

depending on locale.)

Display

Normally indicates tempo.

[STANDBY/ON] switch

The level

increases.

The level

decreases.

Before Using the Instrument

P-155 Owner’s Manual

ENGLISH

Using the Pedals

Sustain Pedal (Sustain Pedal jack)

This jack is for connecting the included foot switch FC4. The pedal functions in the

same way as a damper pedal on an acoustic piano. Connect the included foot switch

FC4 to this jack and press the pedal to sustain the sound.

When “Damper Resonance” is on, the instrument simulates the sustain sound that

occurs when you press the damper pedal of a grand piano, as you press the damper

pedal and play the keyboard.

An optional FC3 foot pedal or FC5 foot switch can also be connected to this jack. For

the FC3, the further down the pedal is pressed, the longer the sound will be sustained.

(It can be used like a half pedal effect).

• The depth of the effect produced by the Sustain Samples can be adjusted via the Pedal func-

tions (pages 39, 43) in Function.

AUX Pedal (AUX Pedal jack)

This jack is for connecting an optional FC3 foot pedal, FC5 foot switch or FC7 foot

controller. An included foot switch FC4 can also be connected to this jack. A wide

range of functions, including the Soft Pedal function, can be assigned to this jack. For

instructions on assigning the pedal, refer to pages 39, 43.

• The FC7 Foot Controller can be used to control Expression (pages 39, 43).

Using Headphones

Connect a set of headphones to one of the [PHONES] jacks.

Two [PHONES] jacks are provided.

You can connect two sets of standard stereo headphones. (If you are using

only one set of headphones, you can plug them into either jack.)

CAUTION

Do not use the instrument at a high volume level for a long period of time, or

your hearing may be damaged.

CAUTION

The speakers are automatically shut off when a plug is inserted into this jack.

• Optional headphones:

HPE-150 Yamaha headphones

Music Rest

The instrument includes a music rest that can be attached to the

instrument by inserting it into the holes at the top of the control

panel.

If the sustain pedal doesn’t work,

make sure that the pedal cord is

properly plugged into the jack.

TERMINOLOGY

Half-pedal:

While playing the piano with Sus-

tain and you want to slightly mute

the sustained sound, release the

pedal from maximum position to

half position.

NOTE

FC4

On front panel

Standard stereo

phone plug

Listening to the Demo Songs

P-155 Owner’s Manual

ENGLISH

Listening to the Demo Songs

Demo songs are provided that effectively demonstrate each of the instrument’s voices.

1. Press the [STANDBY/ON] switch to turn the power

on (page 10).

When the power is turned ON, one of the voice button indicators will light.

2. Adjust the volume (page 10).

Initially set the [MASTER VOLUME] dial about half way between the “MIN” and

“MAX” settings. Then, when you start playing, re-adjust the [MASTER VOL-

UME]

dial to the most comfortable listening level.

3. Press the [DEMO] button to listen to the Demo

songs.

The VOICE button indicators will ﬂash in sequence, then the GRAND PIANO 1

demo song will start. Demo songs provided for each voice will play back in

sequence until you press the [DEMO] or [STOP] button.

Changing a demo song

You can change to another Demo song during playback by pressing the desired

VOICE button.

Demo Song List

• The demonstration song of CHURCH ORGAN features short rearranged excerpts of the

original composition.

4. Press the [DEMO] or [STOP] button to stop the

Voice demo.

Demo song data is not transmit-

ted via the MIDI terminals.

MIDI reception is not possible

during Demo song playback.

Demo songs cannot be played

during song recording (page 25)

or in the File Operation mode

(page 39).

You cannot adjust the tempo of

demo songs.

You cannot use the Part Cancel

function (page 14) or the Song

A-B Repeat function (page 15) in

Demo.

NOTE

Voice Name Title Composer

GRAND PIANO 1 Original Original

GRAND PIANO 2 Original Original

ELECTRIC PIANO 1 Original Original

ELECTRIC PIANO 2 Original Original

JAZZ ORGAN Original Original

CHURCH ORGAN

Herr Christ, der ein’ge Gottes-

Sohn, BWV.601

J. S. Bach

STRINGS 1

([STRINGS/OTHERS] o 1)

Original Original

Reference

Using the 50 Piano “Preset” Songs

P-155 Owner’s Manual

ENGLISH

Using the 50 Piano “Preset” Songs

Listening to the 50 Piano Preset Songs

The instrument provides performance data of 50 piano songs. You can simply listen to these songs

(page 60) or use them for practice (page 14).

1. Press the [SONG SELECT] button a few times until

the “PRESET” indicator lights.

2. Press the [–/NO], [+/YES] buttons to select the num-

ber of the tune you want to play.

The number will appear on the display.

1–50: Select a preset song number and play only the song.

ALL: Play all preset songs in sequence.

rnd: Play all preset songs continuously in random order.

3. Press the [PLAY/PAUSE] button to start playback.

Adjust the tempo

You can use the [TEMPO/FUNCTION –, +] buttons to adjust the playback tempo

as required. This produces a relative tempo variation, with a range from “–50”

through “0” to “50” at maximum; the range will differ depending on the

selected song.

The default tempo can be recalled by simultaneously pressing the [–] and [+]

buttons.

4. Stop playback.

Playback will stop automatically when the selected preset song has ﬁnished. To

stop the song during playback (or continuous playback), press the [STOP] but-

ton. You can also pause playback by pressing the [PLAY/PAUSE] button.

To play back another song continuously, see step 2 above.

Press the [SONG SELECT] button to exit Preset Song

playback.

The indicator turns off, and the instrument returns to normal play.

Preset songs cannot be played

during Demo/USER/USB songs

playback, song recording

(page 25), or in the File Operation

mode.

TERMINOLOGY

Song:

On the instrument, performance

data is called a “Song.” This

includes demonstration tunes and

piano preset tunes.

Preset:

Preset Data supplied with the

internal memory of the instrument

shipped from the factory.

You can play the keyboard along

with the preset song. You can

change the voice playing on the

keyboard.

The default tempo “0” is automati-

cally selected whenever a new

preset song is selected, or when

playback of a new preset song

begins during “ALL” or “rnd”

playback.

When you select a different song

(or a different song is selected

during chained playback), appro-

priate reverb and effect types will

be selected accordingly.

You can adjust the Brilliance con-

trol (page 20) and Reverb type

(page 20) that is applied to the

voice played from the keyboard

and to preset song playback. You

can change the Effect settings

(page 21) and Touch sensitivity

(page 22) for the keyboard voice

as well.

NOTE

Using the 50 Piano “Preset” Songs

P-155 Owner’s Manual

ENGLISH

Practicing a One-Hand Part Using the 50 Preset Songs

(Part Cancel Function)

The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the

left- and right-hand parts on or off as required so you can practice the corresponding part (the part

that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part

is played by [LEFT].

1. Turn off the playback part you wish to practice.

After you select a song to practice, press the [RIGHT] or [LEFT] button to turn

off the corresponding part.

When you ﬁrst select a song, both [RIGHT] and [LEFT] indicators light up, indi-

cating that you can play back both parts. When you press one of the buttons to

turn off playback, the corresponding button indicator turns off and the corre-

sponding part playback is muted.

Pressing the buttons repeatedly toggles playback between on and off. The parts

can be turned on or off even during playback.

2. Press the [PLAY/PAUSE] button to start playback

and playing.

Play the part you just turned off.

Starting playback automatically

as you start playing the keyboard (Sync Start)

You can cause playback to begin when you play the keyboard (Sync Start). Hold

down the [STOP] button and press the [PLAY/PAUSE] button. The [PLAY/

PAUSE]

indicator will blink, and the instrument will wait for Sync Start. Now

when you play the keyboard, playback will begin at the same moment. If you

press the [STOP] button while waiting, Sync Start will be cancelled.

Pedal Play/Pause

A pedal connected to the

[AUX PEDAL] connector can be assigned to play and

pause preset song playback via the AUX Pedal function described on pages 39,

43.

3. Stop playback.

When playback is complete, it automatically stops and the instrument locates

the top of the song. If you wish to stop playback in the middle of a song, press

the [STOP] button. You can also pause playback by pressing the [PLAY/PAUSE]

button.

The Preset Song Part Cancel

function cannot be used during

“ALL” or “rnd” (page 13) play-

back.

Resetting the part playback

Both parts are automatically

turned ON whenever you select a

new song.

NOTE

TERMINOLOGY

Sync:

Synchronized; occurring at the

same time.

Using the 50 Piano “Preset” Songs

P-155 Owner’s Manual

ENGLISH

A-B Repeat for the 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a speciﬁed phrase within a preset song.

Combined with the Part Cancel function (page 14), this provides an excellent way to practice difﬁ-

cult phrases.

1. Select and play a preset song.

2. Press the [TEMPO/FUNCTION] button at the begin-

ning of the phrase you want to repeat.

This sets the “A” point ( will appear on the display).

3. Press the [TEMPO/FUNCTION] button a second

time at the end of the phrase.

This sets the “B” point ( will appear on the display).

At this point, repeat playback will begin between the speciﬁed A and B points.

4. Press the [STOP] button to stop playback.

A-B repeat playback will resume if you press the [PLAY/PAUSE] button.

To cancel the A and B points, press the

[TEMPO/FUNCTION] button once.

4 3

The A-B Repeat function cannot

be used during “ALL” or “rnd”

(page 13) playback.

NOTE

•To set the “A” point at the very

beginning of the song, press

the [TEMPO/FUNCTION] but-

ton before starting playback.

•You can have the B point auto-

matically be set to the song’s

end, by setting the A point and

letting the song play to the end.

An automatic lead-in (to help

guide you into the phrase) starts

at the A point of the song.

After setting the A and B points,

you can set the Sync Start

(page 14) and Pedal Play/Pause

(page 14) functions.

NOTE

Repeat A through B

The A and B points are automati-

cally canceled when a new song

is selected.

NOTE

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Selecting & Playing Voices

Selecting Voices

Select the desired voice by pressing one of the Voice

buttons.

[STRINGS/OTHERS] button

Pressing the [STRINGS/OTHERS] button switches among the following eleven

voices.

Then, when you start playing, re-adjust the

[MASTER VOLUME] dial for the most com-

fortable listening level.

Voice Name

To familiarize yourself with the

characteristics of the voices, lis-

ten to the demo songs for each

voice (page 12). Refer to “Preset

Voice List” on page 57 for more

information on the characteristics

of each preset voice.

TERMINOLOGY

Voice:

On the instrument, the term

“voice” means “instrument

sound.”

You can control the loudness of a

voice by adjusting the force with

which you strike the keys,

although different playing styles

(touch sensitivities) have little or

no effect with certain musical

instruments.

Refer to “Preset Voice List” on

page 57.

If you select the voice via the

[STRINGS/OTHERS] button then

press another VOICE button, the

voice last selected via the

[STRINGS/OTHERS] button will

be maintained. In other words,

pressing the [STRINGS/OTH-

ERS] button again calls up the

last selected voice.

NOTE

Display Voice Name

o 1

STRINGS 1

o 2

STRINGS 2

o 3

CHURCH ORGAN 2

o 4

HARPSICHORD

o 5

E.CLAVICHORD

o 6

VIBRAPHONE

o 7

CHOIR

o 8

GUITAR

o 9

WOOD BASS

o10

BASS & CYMBAL

o11

E.BASS

Selecting & Playing Voices

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ENGLISH

Combining Voices (Dual)

You can play voices simultaneously across the entire range of the keyboard. In this way, you can

combine similar voices to create a thicker sound.

1. Press two voice buttons at the same time (or press

one voice button while holding another) to engage

Dual.

The voice indicators of both selected voices will light when Dual is active.

Play the keyboard.

If you want to use a voice selected via the [STRINGS/OTHERS] button, press the

[STRINGS/OTHERS] button several times to call up the desired voice while

holding any other VOICE button. The number of the voice name of the

[STRINGS/OTHERS] button is displayed on screen.

According to the voice numbering priority shown in the diagram below, the

lower value voice number will be designated as Voice 1 (the other voice will be

designated as Voice 2).

The Function provides access to a number of other Dual functions, such as vol-

ume balance setting and octave setting (pages 39, 41). (If you do not set the

Dual functions, the appropriate setting will be set in each voice by default.)

2. Press any single voice button to return to the nor-

mal single-voice play.

Two voices in the [STRINGS/

OTHERS] button cannot be

engaged at the same time.

Dual and Split cannot be

engaged at the same time.

[REVERB] in Dual:

The reverb type assigned to

Voice 1 will take priority over the

other. (If the reverb is set to OFF,

Voice 2 reverb type will be in

effect.)

[EFFECT] in Dual:

Depending on the condition, one

effect type may take priority over

the other. The depth is deter-

mined according to the default

depth value of the voice combina-

tion. However, using function F3

(page 41) you can adjust the

depth value for each voice to your

liking.

NOTE

1 2 3 4 5 6 7

Voice numbering priority

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ENGLISH

Splitting the Keyboard Range and Playing Two Different

Vo ices ([SPLIT])

Split enables you to play two different voices on the keyboard — one with the left hand and

another with the right hand. For example, you can play a bass part using the Wood Bass or Electric

Bass voice with the left hand, and a melody with the right hand.

1. Press the [SPLIT] button to engage Split.

The [SPLIT] button lights.

As a default setting, WOOD BASS will be selected for the left-hand part.

The Function provides access to a number of other Split functions (pages 39,

42). (If you make no settings for the Split functions, the appropriate setting will

be set in each voice by default.)

2. Specify the split point (the border between the

right- and left-hand range).

Press and hold down the [SPLIT] button and play the key you wish to assign as

the split point.

(The split point is initially set at the F#2 key by default. If you do not need to

change the split point, skip this step.) You can check the name of the current

split point key on the LED display by holding down the [SPLIT] button.

An example of split-point key display

Split point (default setting: F#2)

Bass voice Melody

452

Dual and Split cannot be

engaged at the same time.

TERMINOLOGY

Default setting:

The “Default setting” refers to the

factory setting obtained when you

ﬁrst turn on the power to the

instrument.

A speciﬁed “split point” key is

included in the left-hand range.

The split point can also be set by

the Function F4.1 (page 42).

The split point can also be

changed by simultaneously hold-

ing down the [SPLIT] button and

pressing the [–/NO] or [+/YES]

button.

The default split point can be

recalled by simultaneously hold-

ing down the [SPLIT] button and

pressing both the [–/NO] and [+/

YES] buttons together.

NOTE

F 2

F#2

Eb2

followed by a high bar if sharp

followed by a low bar if ﬂat

Selecting & Playing Voices

P-155 Owner’s Manual

ENGLISH

3. Press a voice button to select a voice for the right

hand.

If you want to use a voice selected via the [STRINGS/OTHERS] button, press the

[STRINGS/OTHERS] button several times to call up the desired voice. The voice

number of the [STRINGS/OTHERS] button is displayed on screen.

4. Press the corresponding voice button while holding

the [SPLIT] button to select a voice for the left hand.

The indicator of the left voice button will light while the [SPLIT] button is

pressed.

If you want to use a voice selected via the [STRINGS/OTHERS] button, press the

[STRINGS/OTHERS] button several times to call up the desired voice while

holding the [SPLIT] button. The voice number of the [STRINGS/OTHERS] but-

ton is displayed on screen.

5. Press the [SPLIT] button to return to the normal sin-

gle-voice play.

[REVERB] in Split

The reverb type assigned to the

right voice will take priority over

the other. (If the reverb is set to

OFF, the left voice’s reverb type

will be in effect.) Reverb depth

settings made via the panel con-

trols (i.e., pressing the [–/NO] or

[+/YES] buttons while holding the

[REVERB] button; see page 20)

will be applied to both voices.

[EFFECT] in Split

Depending on the conditions, one

effect type will take priority over

the other. The depth will be

decided according to the default

depth value of the voice combina-

tion. However, using Function F4

(pages 39, 42) you can change

the depth value for each voice as

you like. Effect depth settings

made via the panel controls (i.e.,

pressing the [–/NO] or [+/YES]

buttons while holding the

[EFFECT] button; see page 21)

will be applied to the right voice

only.

NOTE

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P-155 Owner’s Manual

ENGLISH

Adding Variations to the Sound – [BRILLIANCE]/

[REVERB]/[EFFECT]/“Damper Resonance”

[BRILLIANCE]

You can use this control to adjust the brilliance of the tone and change the tonality to

suit your preference.

BRIGHT: Bright tone

NORMAL: Standard tone

MELLOW: Soft and mellow tone

To select a brilliance type, press the [BRILLIANCE] button a few times until the indica-

tor corresponding to the desired type lights (the indicator lights in sequence each time

you press the [BRILLIANCE] button). Brilliance can be selected among ﬁve types. When

two adjacent indicators are lit, the type that is between the two indicated types is

selected. For example, when both NORMAL and MELLOW are lit, the brilliance set-

ting between NORMAL and MELLOW is selected.

[REVERB]

This control enables you to select various digital reverb effects for adding extra depth

and expression to the sound and creating a realistic acoustic ambience.

OFF: When no reverb effect is selected, no REVERB indicator is lit.

ROOM: This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall.

HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-

lates the natural reverberation of a large concert hall.

STAGE: Simulates the reverb of a stage environment.

Pressing the [REVERB] button repeatedly toggles the reverb on and off.

The indicators light in sequence each time the [REVERB] button is pressed. When all

indicators are off, no effect is produced.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by using the

[–/NO] [+/YES] buttons

while holding the

[REVERB] button. Default depth settings are different for each voice.

The depth range is from 0 (no effect) through 20 (maximum reverb depth). The cur-

rent depth setting appears on the display while the [REVERB] button is held.

[BRILLIANCE] button[–/NO] [+/YES] buttons

[REVERB] button

[EFFECT] button

Default setting = NORMAL

When the BRILLIANCE is set to

BRIGHT, the overall sound will be

slightly louder. If the MASTER

VOLUME is set at a high level the

sound may become distorted. If

so, lower the MASTER VOLUME

level.

NOTE

The default reverb type (including

OFF) and depth settings are dif-

ferent for each voice.

NOTE

Releasing the [REVERB] button

changes the reverb type.

If you are changing the reverb

depth by holding the [REVERB]

button, releasing the [REVERB]

button will not change the reverb

type.

NOTE

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P-155 Owner’s Manual

ENGLISH

[EFFECT]

The [EFFECT] button allows you to select an effect to give your sound greater depth and

animation.

OFF: When no effect is selected, no EFFECT indicator is lit.

CHORUS: A shimmering, broadening effect.

PHASER: Adds a sweeping effect to the sound.

TREMOLO: Adds an animated, vibrating effect to the sound.

ROTARY SP:Adds the vibrato effect of a rotary speaker.

To select an effect type, press the [EFFECT] button a few times until the indicator corre-

sponding to the desired type lights (the indicators light in sequence each time you press

the [EFFECT] button). No effect is produced when all indicators are off.

Adjusting Effect Depth

You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES]

buttons while holding the [EFFECT] button.

Default depth settings are different for each voice. The depth range is from 0 (no effect)

through 20 (maximum effect depth). The current depth setting appears on the display

while the [EFFECT] button is held.

“Damper Resonance”

The damper resonance lets you hear a simulation of the sustain sound of the damper

pedal on a grand piano, as you press the damper pedal and play the keyboard.

This effect is applied to the voice you play on the keyboard and the part (channel 1 &

2.)

Switching Damper Resonance Effect On or

Off and Adjusting Damper Resonance Effect Depth

You can switch the “Damper Resonance” effect on or off via F5.8 Damper Resonance

Effect ON/OFF (page 43) in Function and set damper resonance depth via F5.9

Damper Resonance Effect Depth (page 43) in Function.

The default effect type (including

OFF) and depth settings are dif-

ferent for each voice.

NOTE

Releasing the [EFFECT] button

changes the effect type.

If you are changing the depth set-

tings by holding the [EFFECT]

button, releasing the [EFFECT]

button will not change the effect

type.

NOTE

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P-155 Owner’s Manual

ENGLISH

Touch Sensitivity – [TOUCH]

[TOUCH]

You can select four different types of keyboard touch sensitivity — HARD, MEDIUM,

SOFT or FIXED — to match different playing styles and preferences.

HARD: Requires that the keys be played quite hard to produce maximum loud-

ness.

MEDIUM: Produces a fairly “standard” keyboard response.

SOFT: Allows maximum loudness to be produced with relatively light key pres-

sure.

FIXED: All notes are produced at the same volume no matter how hard the key-

board is played. (No indicators are lit.) The ﬁxed volume can be changed.

To select a touch sensitivity type press the [TOUCH] button a few times until the indica-

tor corresponding to the desired type lights (the indicators light in sequence each time

the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.

Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes played in FIXED by using the

[–/NO] and [+/YES] buttons while you hold the [TOUCH] button. The current volume

level appears on the display. The volume range is from 1 (minimum volume) through

127 (maximum volume). The default setting is 64.

[–/NO] [+/YES] buttons [TOUCH] button

This setting does not change the

weight of the keyboard.

Default setting = MEDIUM

The touch sensitivity type will

become the common setting for

all voices. However, the touch

sensitivity settings may have little

or no effect with certain voices

that are not normally responsive

to keyboard dynamics. (Refer to

the “Preset Voice List” on

page 57.)

NOTE

The touch volume set in FIXED

will become the common setting

for all voices.

Releasing the [TOUCH] button

changes the touch type.

If you are changing the volume by

holding the [TOUCH] button,

releasing the [TOUCH] button will

not change the touch sensitivity

type. (FIXED will remain

selected.)

NOTE

Volume range

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P-155 Owner’s Manual

ENGLISH

Transposition – [TRANSPOSE]

The instrument’s Transpose function makes it possible to shift the pitch of the entire keyboard up or

down in semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily

match the pitch of the keyboard to the range of a singer or other instruments. For example, if you

set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a

song as though it were in C major, and the instrument will transpose it to the key of F.

Use the [–/NO] and [+/YES] button while holding the [TRANSPOSE] button to trans-

pose down or up as required. The amount of transposition appears on the display while

the [TRANSPOSE] button is held. The default transpose setting is “0.”

The [TRANSPOSE] button indicator remains lit when a transpose setting other than

“0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the

transpose function ON or OFF.

[–/NO] [+/YES] buttons[TRANSPOSE] button

TERMINOLOGY

Transpose:

Changing the key signature of a

song. On the instrument, trans-

posing shifts the pitch of the

entire keyboard.

The transposition range:

–12: –12 semitones (down one

octave)

0: normal pitch

12: 12 semitones (up one

octave)

NOTE

Transposition

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ENGLISH

Using the Metronome

The instrument features a built-in metronome for convenience in practicing and use with the

Recording features.

1. Press the [METRONOME] button to start the metro-

nome.

The metronome sound is turned on.

Adjusting the tempo

The tempo of the metronome and song recorder playback (the recorder is

described in the next section) can be set from 32 to 280 beats per minute by

using the [TEMPO/FUNCTION –, +] buttons (when the [TEMPO/FUNCTION –,

button’s [TEMPO] indicator is lit).

Adjusting the time signature

The time signature (beat) of the metronome can be set by using the [–/NO] and

[+/YES] buttons while holding the [METRONOME] button. You can set the beat

from 0 to 15. The current setting appears on the display while you are holding

the [METRONOME] button.

2. Press the [METRONOME] button to stop the metro-

nome.

The metronome sound is turned off.

[–/NO] [+/YES] buttons

[TEMPO/FUNCTION –, +] buttons

The beat indicator ﬂashes

at the current tempo.

If the [TEMPO/FUNCTION] but-

ton’s [FUNCTION] indicator is lit,

press the [TEMPO/FUNCTION]

button to light the [TEMPO] indi-

cator.

NOTE

The volume of the metronome can

be adjusted via the Metronome

Volume function in Function

(pages 39, 44).

NOTE

Beat

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P-155 Owner’s Manual

ENGLISH

Recording Your Performance

The ability to record and play back what you’ve played on the keyboard can be an effective practice

aid. You can, for example, record just the left-hand part, and then practice the right-hand part

while playing back the recorded left-hand part. Or, since you can record up to two parts separately,

you could record the left- and right-hand parts separately, or record both parts of a duet and hear

how they sound when played back. The two-part Song Recorder on the instrument allows the

recording of up to three songs (U01–U03) or up to a maximum of about 100KB (11,000 notes) in

each song on the instrument depending on pedal usage and other factors.

You cannot record the performance to the connected USB storage device directly. The recorded

songs are saved to the instrument automatically. If you want to save data to the device, perform the

Save operation (page 31) after stopping recording.

Recording a performance quickly

This convenient and simple recording method lets you quickly record your performance without

specifying the recording parts — useful, for example, in recording solo piano pieces.

In this way, the performance is automatically recorded to right part.

CAUTION

To avoid erasing previously recorded song(s):

If the ﬁle contains data, the part indicator lights up green when you select a ﬁle. Note

that recording new data on this part will erase the existing data.

1. Select the voice you want to record (or voices if you

will be using Dual or Split), before you begin to

record.

Make any other desired settings (reverb, effect, etc.) as well. You might also want

to set the volume.

You can also adjust the playback volume using the [MASTER VOLUME] dial.

You can record your performance

(audio data) to an MD recorder or

other recording device via the

AUX OUT jack (page 47).

NOTE

TERMINOLOGY

Recording vs. Saving:

The format of performance data recorded on an MD differs from that of data recorded on the instrument.

An MD records audio signals. The instrument “saves” information regarding note timing, voices, and a

tempo value, but not audio signals. When you play back recorded songs, the instrument produces

sound based on the saved information. Therefore, recording on the instrument may be more accurately

called “saving information.” However, this book often uses the word “recording” because it seems to

make more sense.

2 4

43 5

Record mode cannot be engaged

during Demo/PRESET/USER/USB

song playback or in the File Oper-

ation mode.

NOTE

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P-155 Owner’s Manual

ENGLISH

2. Press the [REC] button to engage Record Ready

mode.

This automatically selects an empty ﬁle (U01–U03) for recording and makes the

RIGHT part’s indicator turn red. If all ﬁle numbers contain recorded data, File

U01 will be selected. This simply enables recording; to start recording, go on to

step 3.

The [PLAY/PAUSE] indicator will ﬂash at the current METRONOME tempo

setting.

You can turn on the metronome in this step, and adjust the tempo by using the

[TEMPO/FUNCTION –, +] buttons. (Range: 32–280)

Record Ready mode can be disengaged before recording by pressing the [REC]

button again.

3. Start recording.

Recording will begin automatically as soon as you play a note on the keyboard

or press the [PLAY/PAUSE] button. The current measure’s number will appear

on the display while recording.

4. Press either [REC] or [STOP] button to stop record-

ing.

When recording is stopped, dashes appear in the display in succession to indi-

cate that the recorded data is being saved to the instrument automatically. After

the data is saved, the ﬁle name (U01–U03) appears in the display. The recorded

part’s indicator will light in green to indicate that it now contains data. (Record

mode is disengaged automatically.)

CAUTION

Never attempt to turn the [STANDBY/ON] switch OFF while ﬂashing dashes appear

in the display (these indicate data is being written to internal memory). Turning the

power off in this state results in loss of all recorded data.

5. Play back the recorded performance.

Press the [PLAY/PAUSE] button to play back the recorded performance. To stop

playback in the middle of a song, press the [STOP] button.

TERMINOLOGY

Mode:

A mode is a status under which

you can execute a certain func-

tion. In Record Ready mode, you

can record your performance.

If you have selected the LEFT

part previously in the same ﬁle,

the LEFT part will automatically

be made active when pressing

the [REC] button in step 2.

If the metronome was on when

you started recording, you’ll be

able to keep time with the metro-

nome while recording, but the

metronome sound will not be

recorded.

For more recording information,

see page 29.

The function of the [PLAY/

PAUSE] button can be assigned

to the AUX pedal (pages 39, 43).

This allows you to start recording

by pressing the Footswitch con-

nected to the AUX jack.

Song recording can not be

paused, even by pressing the

[PLAY/PAUSE] button.

If the memory becomes full dur-

ing recording, “FUL” will appear

on the display and recording will

stop automatically. (All recorded

data up to that point will be

retained.)

Pressing the [PLAY/PAUSE] but-

ton to start recording, then press-

ing the [STOP] button to stop

recording will erase all previously

recorded data on the selected

part.

NOTE

Recording Your Performance

P-155 Owner’s Manual

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Re-recording a previously recorded song

If you are not satisﬁed with the recording, you can record it again. Using the following operation.

1. Select a voice or voices (and other settings) for

recording, if necessary.

Repeat step 1 on page 25 if you wish to change the previous settings.

2. Press the [REC] button again to re-engage Record

Ready mode.

The selected part’s indicator lights in red.

Follow the procedure from step 3 in “Recording a performance quickly” on

page 26 to re-record.

If you want to change the tempo,

reverb type, or effect type when

re-recording a part or when

recording to another part, do so

after engaging the Record Ready

mode.

You cannot re-record in the mid-

dle of a song.

NOTE

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P-155 Owner’s Manual

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Recording to RIGHT/LEFT

This lets you record the right and left parts separately. Since you can record the left part while play-

ing back the right, this is useful for independently recording both parts of a duet.

1. Make all the initial settings.

Same as step 1 in “Recording a performance quickly” on page 25.

2. Select a ﬁle (U01–U03) to record.

Press the [SONG SELECT] button so that the “USER” indicator lights then press

the [–/NO][+/YES] buttons to select a ﬁle for recording.

CAUTION

To avoid erasing previously recorded song(s):

If the ﬁle contains data, the part indicator lights up green when you select a ﬁle.

Note that recording new data on this part will erase the existing data.

3. Engage the Record Ready mode.

Press the [REC] button and press the [RIGHT]/[LEFT] button to engage the

Record Ready mode. Recording does not actually start yet.

The [PLAY/PAUSE] indicator will ﬂash at the current METRONOME tempo

setting.

Record Ready mode can be disengaged before recording by pressing the [REC]

button again.

4. Start and stop recording.

Same as steps 3–5 in “Recording a performance quickly” on page 26.

Part button indications

Off: Contains no data

On (green): Contains data

On (red): Part is enabled for

recording

If the metronome was on when

you started recording, you’ll be

able to keep time with the metro-

nome while recording, but the

metronome sound will not be

recorded.

If you want to change the tempo,

reverb type, or effect type when

rerecording a part or when

recording to another part, do so

after entering the Record Ready

mode.

If you don’t want to hear the previ-

ously recorded part while you

record (for example, when you

want to record a song different

from what you recorded on the

previous part), press the play-

back part button before pressing

the [REC] button so that its indi-

cator is turned off.

For more information on record-

ing, see page 29.

NOTE

Recording Your Performance

P-155 Owner’s Manual

ENGLISH

The song recorder records the following data:

Data in addition to the notes and voices you play is recorded.

This data includes “Individual Parts” and “Entire Song.” See below.

Individual Parts

•Notes played

•Voice selection

•Pedal (Sustain/Soft/Sostenuto/Expression)

• [REVERB] depth

• [EFFECT] depth

•Dual voices

•Dual balance (F3)

•Dual detune (F3)

•Dual octave shift (F3)

• Split voices (F4)

• Split balance (F4)

• Split octave shift (F4)

Entire Song

•Tempo

•Time signature (beat)

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

Recording Your Performance

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ENGLISH

Changing the Initial Settings (data recorded at the

beginning of a song)

The initial settings (data recorded at the beginning of a song) can be changed after the recording.

For example, after recording, you can change the voice to create a different ambience or adjust the

song tempo to your taste.

You can change the following initial settings.

Individual Parts

•Voice selection

• [REVERB] depth

• [EFFECT] depth

•Dual voices

• Split voices

• Damper/soft/expression pedal depth

Entire Song

•Tempo

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

1. Change the settings via the panel controls.

For example, if you wish to change the recorded voice from [ELECTRIC PIANO

to [ELECTRIC PIANO 2], press the [ELECTRIC PIANO 2] button.

2. Press the [REC] button to engage Record mode and

select a part to change the initial settings.

The indicator lights in red. (Data shared by two parts can be changed via either

part.)

CAUTION

Be careful not to press the [PLAY/PAUSE] button or a key on the keyboard after

step 2, either of which will start recording and erase all previously-recorded data

on the selected part.

3. Press the [REC] button to exit the Record mode.

2 3

Handling Recorded Songs with a USB Storage Device

P-155 Owner’s Manual

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Handling Recorded Songs with a USB

Storage Device

You can handle recorded songs (save, load, and delete) with a USB storage device. You can also for-

mat the device or media.

Before using a USB device, read the “Precautions when using the USB [TO DEVICE] terminal” sec-

tion on page 53.

About Save and Load

Save

You can save three recorded songs in the instrument to the USB storage device as SMF

song ﬁles. These songs can be saved to a “container” (or “USB” ﬁle) in the USB storage

device. 100 containers are available — S00–S99.

Since the recorded songs are saved in SMF format, they can be played back on other

instruments.

Load

If you want to only play the song in the USB storage device, the following operation is

not necessary. For instructions on playing the song, see “Playing Back USER and USB

Songs” on page 36. The Load operation can be used if you want to edit the recorded

song on the instrument. Data can be loaded to “USER” ﬁle (U03).

Handling of recorded songs can-

not be done during Demo/PRE-

SET/USER/USB Song playback

and in the Record mode.

For details on connecting a USB

storage device, see page 49.

The ﬁle numbers which can be

handled in this instrument are 100

ﬁles.

• SMF song numbers: S00–S99

NOTE

Save

Instrument USB storage device

Internal memory Memory

“USER” ﬁle (U01)

Recorded Song 1

“USER” ﬁle (U02)

Recorded Song 2

“USER” ﬁle (U03)

Recorded Song 3

“USB” ﬁle (S00)

SMF Song 0

“USB” ﬁle (S02)

SMF Song 2

“USB” ﬁle (S01)

SMF Song 1

“USB” ﬁle (S99)

SMF Song 99

The “S” indication at the top of the

ﬁle name represents “SMF.”

TERMINOLOGY

SMF (Standard MIDI File):

The SMF (Standard MIDI File)

format is one of the most common

and widely compatible sequence

formats used for storing sequence

data. There are two variations:

Format 0 and Format 1.

A large number of MIDI devices

are compatible with SMF Format 0,

and most commercially available

MIDI sequence data is provided in

SMF Format 0. The SMF format for

sequence ﬁles allows you to

exchange song data between

different sequencers. User songs

recorded on the instrument are

SMF Format 0.

NOTE

Load

Instrument USB storage device

Internal memory Memory

“USER” ﬁle (U01)

Recorded Song 1

“USER” ﬁle (U02)

Recorded Song 2

“USER” ﬁle (U03)

Recorded Song 3

“USB” ﬁle (S00)

SMF Song 0

“USB” ﬁle (S02)

SMF Song 2

“USB” ﬁle (S01)

SMF Song 1

“USB” ﬁle (S99)

SMF Song 99

Handling Recorded Songs with a USB Storage Device

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Saving a Song

1. Select a “USER” ﬁle to save.

Select a “USER” ﬁle to save by using the [SONG SELECT] and [–/NO][+/YES]

buttons.

2. Select a “USB” ﬁle in the device and save the

“USER” ﬁle.

After making sure that the USB storage device is connected to the instrument,

press the [FILE] button (the “SAVE TO USB” indicator lights). Then, while hold-

ing the [FILE] button, simultaneously press the [–/NO][+/YES] buttons to select

a “USB” ﬁle (S00–S99). After releasing the [FILE] button, “n Y” (no/yes)

appears in the display. Press the [+/YES] button to save the ﬁles. The ﬁle is saved

into the “USER FILES” folder and named as “USERSONGxx.MID.”

Overwriting the song

If you select a “USB” ﬁle which contains an SMF song, three dots appear in the

display (ex., “S.0.0.”). If you do not want to overwrite the ﬁle, press the [–/NO]

button when “n Y (no or yes)” appears in the display and select another “USB”

ﬁle. If you want to overwrite the ﬁle, press the [+/YES] button. After “n~Y ”

appears in the display again to conﬁrm whether you wish to overwrite the ﬁle or

not, press the [+/YES] button once more.

CAUTION

While the instrument is accessing data (such as during Save, Load, Delete and For-

mat operations) or is mounting the USB storage device (shortly after the connection:

until the FILE LOAD LED ﬂash stops), do NOT unplug the USB cable, do NOT remove

the media from the device, and do NOT turn the power off to either devices. Doing

so may corrupt the data on either or both devices.

3. Exit from the ﬁle operation mode.

Press the [FILE] button several times to exit the ﬁle operation mode. (The FILE

indicators turn off.)

Play the recorded song (see pages 36).

CAUTION

Do not rename “USER” ﬁles on a computer. If the ﬁle name is changed in this way,

the ﬁle cannot be loaded to the instrument.

If the selected ﬁle has no data,

the ﬁle will not be saved (you can-

not select a container for SMF

songs — S00–S99). Conﬁrm that

the selected ﬁle has data by mak-

ing sure that the indicator of

[RIGHT] or [LEFT] is turned on.

NOTE

If you move an SMF song from the

“USER FILES” folder to the top

folder using a computer, the ﬁle

type will be changed — from a

SMF song (S00–S99) to an Exter-

nal song.

NOTE

Handling Recorded Songs with a USB Storage Device

P-155 Owner’s Manual

ENGLISH

Loading a Song

CAUTION

If the “USER” ﬁle (U03) on the instrument already contains data, this operation can

result in overwriting of the data. Make sure to save important data to your computer

beforehand.

1. Select a “USB” ﬁle in the device.

After making sure that the USB storage device is connected to the instrument,

press the [FILE] button (the “LOAD TO USER.” indicator lights). Then, while

holding the [FILE] button, press the [–/NO][+/YES] buttons to select a ﬁle

(S00–S99). Data saved on the instrument can only be loaded back to the instru-

ment.

2. Load a song to “USER” ﬁle (U03).

“n Y” (no/yes) appears in the display. Press the [+/YES] button to load a “USB”

ﬁle. The ﬁle will automatically be loaded into the “USER” ﬁle (U03).

The indication “-” moves from left to right in display, indicating that save oper-

ation is in process.

CAUTION

While the instrument is accessing data (such as during Save, Load, Delete and For-

mat operations) or is mounting the USB storage device (shortly after the connection:

until the LOAD TO USER LED ﬂash stops), do NOT unplug the USB cable, do NOT

remove the media from the device, and do NOT turn the power off to either devices.

Doing so may corrupt the data on either or both devices.

CAUTION

Do not manually change the ﬁle name on the USB storage device by using a com-

puter; doing so will render the ﬁle unplayable or unable for loading on the instru-

ment.

CAUTION

Do not turn off the power to the instrument while ﬂashing dashes appear in the dis-

play (indicating the operation is in process). Doing so may damage the data.

When loading is completed, the “End” indication appears in the display, and

the “USB” ﬁle is loaded into the “USER” ﬁle (U03).

3. Exit from the ﬁle operation mode.

Press the [FILE] button several times to exit the ﬁle operation mode. (The FILE

indicators turn off.)

Handling Recorded Songs with a USB Storage Device

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ENGLISH

Deleting Song Files

1. Select a “USB” ﬁle to be deleted.

Press the [FILE] button. (The “DEL./FORMAT” indicator lights.) Then, hold the

[FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a ﬁle to

be deleted. Two types of ﬁles will be displayed in order:

• Sxx....... SMF songs

• xxx....... External songs (commercially available songs or songs which have

been edited on a computer)

2. Delete the ﬁle.

After releasing the [FILE] button, “n Y (no or yes)” appears in the display. If you

want to delete the ﬁle, press the [+/YES] button. After “n~Y” appears in the dis-

play again to conﬁrm whether you wish to delete the ﬁle or not, press the

[+/YES] button once more.

If you do not want to delete the ﬁle, press the [–/NO] button.

CAUTION

While the instrument is accessing data (such as during Save, Delete, Load and For-

mat operations) or is mounting the USB storage device (shortly after the connection:

until the LOAD TO USER LED ﬂash stops), do NOT unplug the USB cable, do NOT

remove the media from the device, and do NOT turn the power off to either devices.

Doing so may corrupt the data on either or both devices.

3. Exit from the ﬁle operation mode.

Press the [FILE] button to exit the ﬁle operation mode. (The FILE indicators

turn off.)

3 2

Audition the song to be deleted

before deleting. Songs cannot be

played back after engaging the

File Operation mode.

Only ﬁles which contain data will

be displayed.

The following types of songs can-

not be deleted. If you try to delete

the song, “Pro” (Protected)

appears in the display.

•Protected songs (extension:

Cxx, Exx or SME)

• Disklavier Piano Soft songs

For SMF songs (Sxx), the ﬁle

numbers are ﬁxed and not

changed by deleting ﬁles.

However, the ﬁle numbers of

External songs are not ﬁxed and

may be changed by deleting

External songs.

NOTE

Handling Recorded Songs with a USB Storage Device

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Formatting the USB Storage Device

CAUTION

If data is already saved to the USB storage device, be careful not to format it.

If you format the device, all the previously saved data will be deleted.

1. Engage the ﬁle operation mode.

Press the [FILE] button. (The “DEL/ FORMAT” indicator lights.) Then, while

holding the [FILE] button, simultaneously press the [–/NO] and [+/YES] but-

tons. When “For” (Format) appears in the display, release the [FILE] button to

display “n Y” (no/yes).

2. Execute the format operation.

After “n Y” (no/yes) appears in the display, press the [+/YES] button. After

“n~Y” appears in the display again to conﬁrm whether you wish to format the

device or not, press the [+/YES] button once more. If you do not want to format

the device, press the [–/NO] button.

CAUTION

While the instrument is accessing data (such as during Save, Delete, Load and For-

mat operations) or is mounting the USB storage device (shortly after the connection:

until the LOAD TO USER LED ﬂash stops), do NOT unplug the USB cable, do NOT

remove the media from the device, and do NOT turn the power off to either devices.

Doing so may corrupt the data on either or both devices.

3. Exit from the ﬁle operation mode.

Press the [FILE] button to exit the ﬁle operation mode. (The FILE indicators

turn off.)

Playing Back “USER” and “USB” Songs

P-155 Owner’s Manual

ENGLISH

Playing Back “USER” and “USB” Songs

The following types of songs are available. You can simply listen to these songs or use them for

practice (pages 14, 15).

“USER” songs

•Songs (U01–U03) which you recorded to the instrument by using the

record function (page 25).

• External songs in the instrument

Songs transferred from a computer (including commercially available songs and

songs which have been edited on a computer). Songs can be transferred (saved) to

the instrument by using the included Musicsoft Downloader software (pages 51).

The songs are saved to an area of the internal memory separate from the area for

recorded songs. Up to 255 songs can be played back on this instrument (numbers

001–255).

“USB” songs

•Songs (S00–S99) which you recorded to the instrument by using the

record function (pages 32) and saved to the USB storage device.

• External songs in the USB storage device

Songs saved in the USB storage device (including commercially available songs and

songs which have been edited on a computer). Up to 999 songs can be played back

on this instrument (numbers 001–999).

Sequence formats that can be played on the instrument

•SMF (Standard MIDI File) Formats 0 and 1

The SMF format is one of the most common and widely compatible sequence for-

mats used for storing sequence data. There are two variations: Format 0 and For-

mat 1. A large number of MIDI devices are compatible with SMF Format 0, and

most commercially available MIDI sequence data is provided in SMF Format 0.

The SMF format for sequence ﬁles allows you to exchange song data between dif-

ferent sequencers.

The “USER” and “USB” songs

cannot be played back during

Demo/PRESET song playback or

in the File Operation and Record

modes.

If the metronome is being used

during playback, the metronome

will automatically stop when play-

back is stopped.

If the REVERB type is changed

via the panel controls during play-

back, both the playback and key-

board reverb effects will be

changed.

If the EFFECT type is changed via

the panel controls during playback,

the playback effect may be

switched off in some cases.

NOTE

Specify the Song Part (Channel) and Play the Song

Because this instrument is not compatible with GM/XG/DOC/GS/XF Format, when listening to external songs, you can specify

the song parts in this setting.

The “ALL” setting plays back all 16 parts, while “1+2” plays back parts 1 and 2.

Keep in mind that songs recorded on other devices may use a variety of voices not available on this instrument and hence may

sound different than the original songs. In general, this instrument should be used to play back piano songs.

Since piano songs are generally recorded to parts 1 and 2 exclusively, the “1+2” setting is best used with only the piano voice.

Default setting is “ALL.”

Setting range: ALL, 1&2

To set the song part (channel), see Function F5.5 (page 43).

Part 1 Part 2 Part 3

(ALL)

Piano voices

(1+2)

Other voices

Playing Back “USER” and “USB” Songs

P-155 Owner’s Manual

ENGLISH

1. Press the [SONG SELECT] button (the USER or USB

indicator lights).

2. Press the [–/NO] [+/YES] buttons to select a song

(Uxx*)/(xxx*) or (Sxx*)/(xxx*).

The letters “xx” represent the song number.

3. Press the [PLAY/PAUSE] button to start playback.

The current measure number appears on the display during playback.

•You can play the keyboard while the instrument is playing back a song. You

can also play the notes with a voice different from the playback voice by

selecting a voice from the panel.

Adjust the tempo

You can use the [TEMPO/FUNCTION –, +] buttons to adjust the playback

tempo as required before or during playback. The default tempo (the song’s

original tempo) is set when you press the [–] and [+] buttons simultaneously.

4. Press the [STOP] button or [PLAY/PAUSE] button to

stop playback.

When playback is complete, the instrument automatically stops and locates the

top of the song. To stop playback in the middle of a song, press the [STOP] but-

ton. You can also pause playback by pressing the [PLAY/PAUSE] button.

Turning part playback on and off

When you select a song on the instrument, the indicators for parts that contain data

(one of [RIGHT] [LEFT] or both) are lit in green. While the instrument is playing or

stopped, pressing these part buttons turns off the indicators, and the data on those

parts is not played. Pressing the part buttons toggles part playback on and off.

134

Recorded song playback cannot

be started when the recorder con-

tains no data.

You can also enjoy playing duets

with yourself by recording one

part of a duet or a song for two

pianos, then playing the other

part while the recorded part plays

back.

If you have External songs in the

instrument, you can use the

repeat function.

ALL: Play all External songs in

sequence.

rnd: Play all External songs con-

tinuously in random order.

NOTE

Parts can be turned on or off

before or during playback.

NOTE

Part button indication

On: Contains data

Off: Contains no data

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

Detailed Settings – [FUNCTION]

You can set various parameters to make the best use of instrument functions, such as ﬁne tuning the pitch or selecting a

scale, etc.

The following parameters are available.

This instrument has eight main functions.

Some of these main functions consist of a set of sub-functions.

Function List

Function Sub-function Default setting Display

Reference

page

Backup

Group

Fine tuning of

the pitch

— 440.0Hz F1. 40 F8.3

Selecting a scale

Scale 1 (Equal Temperament) F2.1 40

F8.1

Base Note C F2.2 41

Dual functions

Dual Balance Different for each voice combination. F3.1 41

F8.1

Dual Detune Different for each voice combination. F3.2 41

Voice 1 Octave Shift Different for each voice combination. F3.3 41

Voice 2 Octave Shift Different for each voice combination. F3.4 41

Voice 1 Effect Depth Different for each voice combination. F3.5 41

Voice 2 Effect Depth Different for each voice combination. F3.6 41

Reset — F3.7 41

Split functions

Split Point F#2 F4.1 42

F8.1

Split Balance Different for each voice combination. F4.2 42

Right Voice Octave Shift Different for each voice combination. F4.3 42

Left Voice Octave Shift Different for each voice combination. F4.4 42

Right Voice Effect Depth Different for each voice combination. F4.5 42

Left Voice Effect Depth Different for each voice combination. F4.6 42

Sustain Pedal Range 1 (for the right Voice) F4.7 42

Reset — F4.8 42

Other functions

AUX Pedal 1 (Soft Pedal) F5.1 43

F8.4

Soft Pedal Effect Depth 3 F5.2 43

Sustain Sample Depth 12 F5.3 43

Keyoff Sample Volume 10 F5.4 43

Song Channel Selection ALL F5.5 43

Sustain Pedal Type 1 F5.6 43

AUX Pedal Type 1 F5.7 43

Damper Resonance Effect ON/OFF ON F5.8 43

Damper Resonance Effect Depth 5 F5.9 43

Metronome volume — 10 F6. 44 F8.1

MIDI functions

MIDI Transmit Channel Selection 1 F7.1 44

F8.2

MIDI Receive Channel Selection ALL F7.2 44

Local Control ON/OFF ON F7.3 44

Program Change ON/OFF ON F7.4 44

Control Change ON/OFF ON F7.5 45

Panel/Status Transmit — F7.6 45

Initial Setup Send — F7.7 45

Backup functions

Voice OFF F8.1 46

—

MIDI ON F8.2 46

Tuning ON F8.3 46

Others ON F8.4 46

Character Code Int (International) F8.5 46

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

Basic Procedure in Function

Follow the steps below to use the functions.

If you become lost while using a function, return to this page and read the basic procedure.

1. Press the [TEMPO/FUNCTION] button to enter the

Function.

The [FUNCTION] indicator lights.

2. Use the [TEMPO/FUNCTION –, +] buttons to select

the desired function from F1–F8.

When (that include the sub-functions) is selected, go on to step 3.

When F1 or F6 is selected (these have no sub-functions), go on to step 5.

3. Press the [+/YES] button to enter the sub-function.

4. Use the [TEMPO/FUNCTION –, +] buttons to select

the desired sub-function.

In the example below, the sub-functions of F4 (Split) are shown.

Use the [–/NO] and [+/YES] buttons to change the

ON/OFF setting, select the type, or change the value.

The default setting (which is used when you ﬁrst turn on the power to the

instrument) is recalled by pressing the [–/NO] and [+/YES] buttons simulta-

neously.

Press the [TEMPO/FUNCTION] to exit the Function.

The [TEMPO] indicator lights.

1246

Functions cannot be selected

during Demo/PRESET/USER/USB

song playback or in the File Oper-

ation and Record modes.

To cancel the function in step 2, 3,

or 4, press the [TEMPO/FUNC-

TION –, +] button any time to exit

Function.

NOTE

Desired function Sub- function

Desired

function

Sub-function

After you select the function, the

current setting will be displayed

when the [–/NO] or [+/YES] but-

ton is pressed for the ﬁrst time.

NOTE

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

About Each Function

The explanations here apply when entering the Function in step 5 on page 39.

You can ﬁne tune the pitch of the entire instru-

ment. This function is useful when you play

the instrument along with other instruments

or CD music.

Use the [–/NO] and [+/YES] buttons to lower

or raise the pitch of the A3 key in approxi-

mately 0.2 Hz increments.

Te nths of a hertz are indicated on the display by the

appearance and position of a dot, as in the following

example:

You can select various scales.

Equal Temperament is the most common con-

temporary piano tuning scale. However, his-

tory has known numerous other scales, many

of which serve as the basis for certain genres of

music. You can experience these tunings with

the instrument.

F2.1: Scale

Setting range: 1: Equal Temperament

2: Pure Major

3: Pure Minor

4: Pythagorean

5: Mean Tone

6: Werckmeister

7: Kirnberger

Default setting: 1: Equal Temperament

EQUAL TEMPERAMENT

The pitch range of each octave is divided equally into

twelve parts, with each half-step evenly spaced in pitch.

This is the most commonly used tuning in music today.

PURE MAJOR/PURE MINOR

These tunings preserve the pure mathematical intervals of

each scale, especially for triad chords (root, third, ﬁfth).

You can hear this best in actual vocal harmonies - such as

choirs and a cappella singing.

PYTHAGOREAN

This scale was devised by the famous Greek philosopher

and is created from a series of perfect ﬁfths, which are col-

lapsed into a single octave.

The 3rd in this tuning are slightly unstable, but the 4th and

5th are beautiful and suitable for some leads.

MEAN-TONE

This scale was created as an improvement on the

Pythagorean scale, by making the major third interval more

“in tune.” It was especially popular from the 16th century

to the 18th century. Handel, among others, used this scale.

WERCKMEISTER/KIRNBERGER

This composite scale combines the Werckmeister and Kirn-

berger systems, which were themselves improvements on

the mean-tone and Pythagorean scales. The main feature of

this scale is that each key has its own unique character. The

scale was used extensively during the time of Bach and

Beethoven, and even now it is often used when performing

period music on the harpsichord.

F1. Fine Tuning of the Pitch

Display Value

440.0

Setting range:

440.2

427.0–453.0 (Hz)

440.4

Default setting:

446.6

440.0 (Hz)

453.0

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers to the frequency of a sound and

represents the number of times a sound wave vibrates in a second.

Using the keyboard to set the pitch

You can ﬁne tune the pitch by pressing a key on the

keyboard, without having to call up the FUNCTION

display. See the “Panel Controls and Terminals”

(page 8) for the key (note) name.

To tune up (in roughly 0.2Hz steps): Hold the A-1,

B-1, and C0 keys simultaneously and press any key

between C3 and B3.

To tune down (in roughly 0.2Hz steps): Hold the A-

1, B-1, and C#0 keys simultaneously and press any

key between C3 and B3.

To restore standard pitch: Hold the A-1, B-1, C0,

and C#0 keys simultaneously and press any key

between C3 and B3.

To tune down or up, respectively, in approximately

1 Hz increments: Hold the A-1, B-1 and C0 keys or

the A-1, B-1 and C#0 keys simultaneously and press

the [–/NO] or [+/YES] button.

To restore standard pitch: Hold the A-1, B-1 and C0

keys or the A-1, B-1 and C#0 keys simultaneously

and press the [–/NO] [+/YES] buttons simulta-

neously.

F2. Selecting a Scale

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

F2.2: Base Note

If you select a scale other than Equal Temperament, you

need to specify the root. (You can also specify the root

note with Equal Temperament selected, but it will have

no effect. The base note setting is effective for tunings

other than the Equal Temperament tuning.)

Setting range: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B

Default setting: C

•Root indication example

You can set various parameters for Dual

(page 17) to optimize the settings for the

songs you play, such as adjusting the volume

balance between two voices.

Dual function settings are set individually for

each voice combination.

If Dual is not engaged, will appear

instead of and you will be unable to

select the Dual functions. If this happens, press

two voice buttons at the same time to engage

Dual.

F3.1: Dual Balance

Setting range: 0–20 (A setting of “10” produces an

equal balance between the two Dual

voices. Settings below “10” increase

the volume of Voice 2 in relation to

Vo ice 1, and settings above “10”

increase the volume of Voice 1 in

relation to Voice 2.)

Default setting: Different for each voice combina-

tion.

You can set one voice as the main voice, and another

voice as a softer, mixed voice.

F3.2: Dual Detune

Setting range: -20–0–20 (With positive values, the

pitch of Voice 1 is raised and the

pitch of Voice 2 is lowered. With neg-

ative values, the pitch of Voice 1 is

lowered and the pitch of Voice 2 is

raised.)

Default setting: Different for each voice combina-

tion.

Detune Voice 1 and Voice 2 for Dual to create a thicker

sound.

F3.3: Voice 1 Octave Shift

F3.4: Voice 2 Octave Shift

Setting range: –1, 0, 1

Default setting: Different for each voice combina-

tion.

You can shift the pitch up and down in octave steps for

Vo ice 1 and Voice 2 independently. Depending on which

voices you combine in Dual, the combination may sound

better if one of the voices is shifted up or down an octave.

F3.5: Voice 1 Effect Depth

F3.6: Voice 2 Effect Depth

Setting range: 0–20

Default setting: Different for each voice combina-

tion.

These functions make it possible to individually set the

depth of the effect for Voices 1 and 2 for Dual. (The effect

depth settings cannot be changed unless the [EFFECT] is

ON. Function must be exited before the [EFFECT] can be

turned ON.)

•“Vo ice 1” and “Voice 2” are explained on page 17.

F3.7: Reset

This function resets all Dual functions to their default

values. Press the [+/YES] button to reset the values.

F3. Dual Functions

Followed by

a high bar if sharp

Followed by

a low bar if ﬂat

(F#) (G) (Ab)

The available setting range is wider in the lower range (± 60 cents

for A-1), and narrower in the higher range (± 5 cents for C7). (100

cents equal one semitone.)

SHORTCUT:

You can jump directly to the Dual functions by pressing the

[TEMPO/FUNCTION] button while holding the two Dual voice but-

tons.

NOTE

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

This menu enables you to make various

detailed settings for Split.

By changing the split point or other setting,

you can optimize the settings for the songs

you play.

Be sure to select the Split by pressing the

[SPLIT] button before engaging Function.

If Split is not engaged, will appear

instead of and you will be unable to

select the Split functions. Also note that you

must exit Function before you can engage

Split.

F4.1: Split Point

Setting range: The entire keyboard

Default setting: F#2

Set the point on the keyboard that separates the right and

left-hand sections (split point). The pressed key is

included in the left-hand range.

•Instead of pressing the [–/NO] [+/YES] buttons, you

can engage the split point by pressing the appropriate

key on the keyboard.

•Example key name indications for Split Point:

F4.2: Split Balance

Setting range: 0–20 (A setting of “10” produces an

equal balance between the two Split

voices. Settings below “10” increase

the volume of the left voice in rela-

tion to the right voice, and settings

above “10” increase the volume of

the right voice in relation to the left

voice.)

Default setting: Different for each voice combina-

tion.

The volume level of the two voices combined in Split can

be adjusted as required. You can make this setting for

each combination of voices individually.

F4.3: Right Voice Octave Shift

F4.4: Left Voice Octave Shift

Setting range: –1, 0, 1

Default setting: Different for each voice combination

You can shift the pitch up and down in octave steps for

the Right Voice and Left Voice independently. Make a set-

ting depending on the note range of the songs you play.

You can make this setting for each combination of voices

individually.

F4.5: Right Voice Effect Depth

F4.6: Left Voice Effect Depth

Setting range: 0–20

Default setting: Different for each voice combination

These functions make it possible to individually set the

depth of the effect for the left and right Split voices.

The effect depth settings cannot be changed unless the

[EFFECT] is ON. You must exit Function before you can

turn on an [EFFECT].

You can make this setting for each combination of voices

individually.

F4.7: Sustain Pedal Range

Setting range: ALL (for both voices)

1 (for the right Voice)

2 (for the left Voice)

Default setting: 1 (for the right Voice)

The Sustain Pedal Range function determines whether

the sustain pedal affects the right voice, the left voice, or

both the left and right voices in Split.

F4.8: Reset

This function resets all Split functions to their default

values. Press the [+/YES] button to reset the values.

F4. Split Functions

Followed by

a high bar if sharp

Followed by

a low bar if ﬂat

(F#2) (G2)

(Ab2)

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

This section provides a variety of other func-

tions, including letting you assign the opera-

tion of the AUX pedal to one of several

settings, and allowing you to select speciﬁc

song channels for playback.

F5.1: AUX Pedal

Setting range:

1. Soft Pedal

The soft pedal reduces the volume and slightly

changes the timbre of notes played while the pedal is

pressed. The soft pedal will not affect notes that are

already playing.

2. Sostenuto pedal

If you play a note or chord on the keyboard and press

the pedal while the note(s) are held, those notes will

be sustained for as long as the pedal is held (as if the

sustain pedal had been pressed) but all notes played

thereafter will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are

played “staccato.”

3. Expression

This setting allows control of dynamics during perfor-

mance.

4. Song Play/Pause

This setting allows you to start or pause song play-

back. In this setting, the AUX Pedal functions in the

same manner as the [PLAY/PAUSE] button on the

panel.

Default setting: 1 (Soft Pedal)

F5.2: Soft Pedal Effect Depth

Setting range: 1–5

Default setting: 3

This function sets the depth of the soft pedal effect.

F5.3: Sustain Sample Depth

Setting range: 0–20

Default setting: 12

The GRAND PIANO 1 voice features special “Sustain

Samples” that recreate the unique resonance of an acous-

tic grand piano’s soundboard and strings when the sus-

tain pedal is pressed. This function lets you adjust the

depth of this effect.

F5.4: Keyoff Sample Volume

Setting range: 0–20

Default setting: 10

You can adjust the volume of the keyoff sound (the sub-

tle sound produced when the keys are released) for voices

[GRAND PIANO 1], [HARPSICHORD], [E.CLAVI-

CHORD]

F5.5: Song Channel Selection

Setting range: ALL, 1&2

Default setting: ALL

The setting here only affects External songs. You can

specify which song channels will play back on this instru-

ment. When “ALL” is selected, channels 1–16 will be

played back. When “1&2” is selected, only channels 1 and

2 will be played back, while channels 3–16 will be trans-

mitted via MIDI.

F5.6: SUSTAIN PEDAL Type

F5.7: AUX PEDAL Type

Setting range: 1, 2

Default setting: 1

Depending upon the pedal that is connected to the SUS-

TAIN PEDAL jack or AUX PEDAL jack, the effect pro-

duced by operating the pedal (ON/OFF, dynamics, etc.)

might be reversed.

If this happens, you can use this setting to correct the

pedal operation. The setting range is from 1 to 2.

Press the [–/NO] and [+/YES] buttons simultaneously to

recall the default setting of “1.”

F5.8: Damper Resonance Effect ON/OFF

Setting range: ON/OFF

Default setting: ON

F5.9: Damper Resonance Effect Depth

Setting range: 0–20

Default setting: 5

The Damper Resonance lets you apply a simulation of

the sustain sound of the damper pedal on a grand piano,

as you press the damper pedal and play the keyboard.

This effect is applied to the voice you play on the key-

board and the part (channels 1 & 2).

F5. Other Functions

Organ, string and choir voices will continue to sound for as long

as the sostenuto pedal is depressed.

NOTE

• Make sure that the power is switched OFF when connecting or

disconnecting the pedal.

• If the SUSTAIN PEDAL type is set to “2”, disconnecting the sustain

pedal while the power is switched on may leave the sustain active,

causing notes to sustain indeﬁnitely. In this case, switch the power

off, then back on.

NOTE

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

Use this function to adjust the metronome vol-

ume.

Setting range: 1–20

Default setting: 10

You can make detailed adjustments to the

MIDI settings.

For more information about MIDI, see the

“About MIDI” section (page 48).

F7.1: MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving devices must be matched for

proper data transfer.

This parameter enables you to specify the channel on

which the instrument transmits MIDI data.

Setting range: 1–16, OFF (not transmitted)

Default setting: 1

F7.2: MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving devices must be matched for

proper data transfer. This parameter enables you to spec-

ify the channel on which the instrument receives MIDI

data.

Setting range: ALL, 1&2, 1–16

Default setting: ALL

F7.3: Local Control ON/OFF

“Local Control” refers to the fact that, normally, the

instrument keyboard controls its internal tone generator,

allowing the internal voices to be played directly from the

keyboard. This situation is “Local Control On,” since the

internal tone generator is controlled locally by its own

keyboard.

Local control can be turned OFF, however, so that the

keyboard does not play the internal voices, but the

appropriate MIDI information is still transmitted via the

MIDI OUT terminal when notes are played on the key-

board. At the same time, the internal tone generator

responds to MIDI information received via the MIDI IN

terminal.

Setting range: ON/OFF

Default setting: ON

F7.4: Program Change ON/OFF

Normally the instrument will respond to MIDI program

change numbers received from an external keyboard or

other MIDI device, causing the correspondingly num-

bered voice to be selected on the corresponding channel

(the keyboard voice does not change). The instrument

will normally also send a MIDI program change number

whenever one of its voices is selected, causing the corre-

spondingly numbered voice or program to be selected on

the external MIDI device if the device is set up to receive

and respond to MIDI program change numbers.

This function makes it possible to cancel program

change number reception and transmission so that

voices can be selected on the instrument without affect-

ing the external MIDI device.

Setting range: ON/OFF

Default setting: ON

F6. Metronome Volume

SHORTCUT:

You can jump directly to the metronome functions by press-

ing the [TEMPO/FUNCTION] button while holding the [METRO-

NOME] button.

F7. MIDI Functions

• In Dual, Voice 1 data is transmitted on its speciﬁed channel. In

Split, right voice data is transmitted on its speciﬁed channel. In

Dual, Voice 2 data is transmitted on the next greater channel num-

ber relative to the speciﬁed channel. In Split, left voice data is

transmitted on the next greater channel number relative to the

speciﬁed channel. In either case, no data is transmitted if the

transmit channel is set to “OFF.”

• Song data is not transmitted via the MIDI connections. However,

channels 3–16 of External songs will be transmitted via the MIDI

connections depending on the Song Channel Selection setting

(page 43).

NOTE

• ALL:

“Multi-timbre” Receive. This allows simultaneous reception of dif-

ferent parts on all 16 MIDI channels, enabling the instrument to

play multi-channel song data received from a music computer or

sequencer.

1&2:

“1&2” Receive. This allows simultaneous reception on channels 1

and 2 only, enabling the instrument to play 1 and 2 channel song

data received from a music computer or sequencer.

•Program change and other like channel messages received will

not affect the instrument’s panel settings or the notes you play on

the keyboard.

For information on program change numbers for each of the instru-

ment’s voices, refer to MIDI Data Format page 62.

NOTE

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

F7.5: Control Change ON/OFF

Normally the instrument will respond to MIDI control

change data received from an external MIDI device or

keyboard, causing the voice on the corresponding chan-

nel to be affected by pedal and other “control” settings

received from the controlling device (the keyboard voice

is not affected).

The instrument also transmits MIDI control change

information when the pedal or other appropriate con-

trols are operated.

This function makes it possible to cancel control change

data reception and transmission so that, for example, the

instrument’s pedal and other controls can be operated

without affecting an external MIDI device.

Setting range: ON/OFF

Default setting: ON

F7.6: Panel/Status Transmit

This function causes all the current instrument panel set-

tings (selected voice, etc.) to be transmitted via the MIDI

OUT terminal.

1. Set up the panel controls as desired.

2. Connect the instrument to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

3. Engage the Function and select .

4. Press the [+/YES] button to transmit the panel/status

data.

will appear on the display when the data has been

successfully transmitted.

F7.7: Initial Setup Send

This function lets you send the data of the panel settings

to a computer. By transmitting the panel settings and

recording them on the MIDI sequence recorder prior to

the actual performance data, the instrument will be

automatically restored to the same settings when the per-

formance is played back. You can also use this function to

change the settings of a connected tone generator to the

same settings as the instrument.

1. Set up the panel controls as desired.

2. Connect the instrument to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

3. Engage the Function and select .

4. Press the [+/YES] button to transmit the panel/status

data.

will appear on the display when the data has been

successfully transmitted.

The following data can be sent.

•Voice selection

• [REVERB] type

• [REVERB] depth

• [EFFECT] type

• [EFFECT] depth

• Split point

•Tuning (F1)

•Dual detune (F3.2)

For information on control changes that can be used with the instru-

ment, refer to MIDI Data Format on page 62.

Setup Data:

Data that contains a set of panel settings for the instrument.

• See page 63 for a list of the Panel Data Contents transmitted by

this function.

• Receiving the transmitted data:

1. Connect the instrument via MIDI to the device to which the

setup data was transmitted previously.

2. Start sending the setup data from the device.

The instrument automatically receives the setup data, which will

be reﬂected in the panel settings.

(For the data to be accepted, the instrument that receives the

setup data should be the same model as the one that transmitted

the setup data to the sequencer.)

• For more information on transmitting and receiving setup data via

MIDI, refer to the owner’s manual for the connected MIDI device.

NOTE

Detailed Settings – [FUNCTION]

P-155 Owner’s Manual

ENGLISH

You can back up some settings, such as voice

selection and reverb type, so that they will not

be lost when you turn off the power to the

instrument. If the backup function is turned

on, the settings at power off are effective. If

the backup function is turned off, the settings

in memory are erased when you turn off the

power. In this case, when you turn on the

power to the unit, the default settings (the ini-

tial settings) will be used. (The factory setting

default list is found on page 61.)

However, the backup settings themselves, the

contents of the user song recorder memory,

and character code setting are always backed

up. Refer to “Data Backup Using a Computer”

on page 52.

You can turn the backup function on or off for

each function group. Different Backup Groups

are provided for the different function catego-

ries of the instrument: Voice, MIDI, Tuning and

Others.

F8.1: Voice

Setting range: ON/OFF

Default setting: OFF

•Voice (Keyboard, Dual, and Split)

•Dual (ON/OFF, Voice, and Dual Functions for each

voice combination)

• Split (ON/OFF, Voice, and Split Functions for each

voice combination)

•Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each voice)

•Touch Sensitivity (including the FIXED volume)

•Metronome Beat, Volume ( settings)

F8.2: MIDI

Setting range: ON/OFF

Default setting: ON

The MIDI functions ( settings)

(expect for )

F8.3: Tuning

Setting range: ON/OFF

Default setting: ON

•Transpose

•Tuning ( settings)

• Scale (including base note) ( settings)

F8.4: Others

Setting range: ON/OFF

Default setting: ON

•Other functions ( settings)

• BRILLIANCE setting

F8.5: Character Code

If the song cannot be loaded, you may need to change the

character code setting.

Setting range: Int (English)/JA (Japanese)

Default setting: Int (English)

F8. Backup Functions

Factory Preset Recall

All settings affected by the Functions (F1–F8) can be

restored to their original factory preset values by

turning the [STANDBY/ON] switch ON while hold-

ing the C7 key (right-most-key on the keyboard).

This operation also erases all user song data. The fac-

tory preset values are listed on page 61.

CAUTION

After turning the [STANDBY/ON] switch ON while

holding the C7 key (right-most-key on the key-

board), “CLr” appears in the display. Never attempt

to turn off the power while “CLr” appears in the dis-

play. Turning the power off in this state may cause

the system to freeze.

Connections

P-155 Owner’s Manual

ENGLISH

Connections

Connectors

CAUTION

Before connecting the instrument to other electronic components, turn off the power to all the components. Before turn-

ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to

the components may result.

1 USB [TO DEVICE] terminal

This terminal allows connection to USB storage devices.

Refer to “Connecting to a USB storage device” on page 49.

2 AUX OUT [L/L+R] [R] jacks

These jacks let you connect the instrument to external powered speaker systems,

for playing in larger venues at higher volumes.

CAUTION

When the instrument’s AUX OUT jacks are connected to an external system, ﬁrst turn on the

power to the instrument, then to the external system. Reverse this order when you turn the

power off.

34152

Use audio cables and adaptor

plugs with zero resistance.

If you want to take a mono signal

via the AUX OUT jack, connect a

cable to the [L/L+R] jack.

NOTE

Instrument

The instrument’s [MASTER VOLUME] setting will affect

the sound that is output from the AUX OUT jacks.

Powered speaker

AUX OUT

Phone plug

(standard)

AUX IN

Phone plug

(standard)

Cable

Connections

P-155 Owner’s Manual

ENGLISH

3 MIDI [IN] [OUT] terminals

Use MIDI cables to connect external MIDI devices to these connectors.

MIDI [IN]: Receives MIDI data.

MIDI [OUT]: Transmits MIDI data.

Refer to the “Connecting a Personal Computer” on page 50.

4 SUSTAIN PEDAL Jack

This jack is for connecting an included foot switch FC4 here. An optional FC3 foot

pedal or FC5 foot switch can also be connected to this jack.

CAUTION

Make sure that power is OFF when connecting or disconnecting the pedal.

Do not turn on the power to the unit while pressing the foot switch or foot pedal. Otherwise,

the switch or pedal type (on/off) will be reversed.

5 AUX PEDAL Jack

This jack is for connecting an optional FC3 foot pedal, FC5 foot switch or FC7

foot controller. An included foot switch FC4 can also be connected to this jack.

A wide range of functions such as the Soft Pedal function, etc. can be assigned to

this jack. Use the Function settings to assign the function. (page 43)

CAUTION

Make sure that power is OFF when connecting or disconnecting the pedal.

Do not turn on the power to the unit while pressing the foot switch, foot pedal, or foot con-

troller. Otherwise, the switch or pedal type (on/off) will be reversed.

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to ﬁnd out what

MIDI data and commands your

devices can transmit or receive.

The instrument’s MIDI Implemen-

tation Chart appears on page 66.

NOTE

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/

reception. It enables the transfer of performance data and commands between MIDI

devices and personal computers. Using MIDI, you can control a connected MIDI device

from the instrument, or control the instrument from a connected MIDI device or com-

puter.

Depending upon the pedal that is

connected to the SUSTAIN

PEDAL jack, the effect produced

by operating the pedal (ON/OFF,

dynamics, etc.) might be

reversed. If this happens, refer to

the “SUSTAIN PEDAL Type” sec-

tion (page 43).

NOTE

FC4

Depending upon the pedal that is

connected to the AUX PEDAL

jack, the effect produced by oper-

ating the pedal (ON/OFF, dynam-

ics, etc.) might be reversed. If this

happens, refer to the “AUX

PEDAL Type” section (page 43).

NOTE

FC5

Connections

P-155 Owner’s Manual

ENGLISH

Connecting to a USB storage device

To connect to a USB storage device, be sure to read the section “Precautions when using the USB

[TO DEVICE] terminal” on page 53.

To display the data in the USB storage device

To view the data of the USB storage device on the display, press the [SONG SELECT] button a

few times until the “USB” indicator lights. If the “USB” indicator is lit before connecting the

USB storage device, press the [EXIT] button to exit from “USB” and re-engage “USB.”

Backing up your data to a computer

■ Backing up the instrument data to a computer

Once you’ve saved data to a USB storage device, you can copy the data to the hard disk of your computer, then archive

and organize the ﬁles as desired. Simply reconnect the device as shown below.

■ Copying ﬁles from a computer hard disk to a USB storage device

Files contained on the hard disk of a computer can be transferred to the instrument by ﬁrst copying them to the stor-

age media, then connecting/inserting the media to the instrument.

Not only ﬁles created on the instrument itself but also Standard MIDI ﬁles created on other devices can be copied to a

USB storage device from the hard disk of the computer. Once you’ve copied the data, connect the device to the USB

[TO DEVICE] terminal of the instrument, and play back the data on the instrument.

Saves internal data to a USB storage device.

Instrument

USB [TO DEVICE] terminal

USB storage device

Disconnect the USB storage device from the instrument and connect it to the computer.

Backing up data to a computer and organizing ﬁles/folders.

Computer

USB storage device

Copying the ﬁles of the hard disk of the computer to the USB storage device.

Disconnect the USB storage device from the computer and connect it to the instrument.

Reading ﬁles on the USB storage device from the instrument.

Computer

USB storage device

Instrument

USB [TO DEVICE] terminal

USB storage device

Connections

P-155 Owner’s Manual

ENGLISH

Connecting a Personal Computer

By connecting a computer to the MIDI terminals, you can transfer data between the instrument

and the computer via MIDI. To do this, install the USB MIDI interface driver and Musicsoft Down-

loader software.

There are two ways you can connect the instrument to a computer:

1. Connecting the USB port on the computer to the instrument via a USB MIDI

interface.

2. Using a MIDI interface and the instrument’s MIDI terminals.

For more information, see below.

CAUTION

When connecting the instrument to a computer, ﬁrst turn off the power to both the instrument

and the computer before connecting any cables. After making connections, turn on the power to

the computer ﬁrst, then to the instrument.

Connecting the USB port on the computer to the

instrument via a USB MIDI interface

Use a USB MIDI interface device to connect the USB port on your computer to the

instrument’s MIDI terminals.

Using a MIDI interface and the instrument’s MIDI

terminals

Use a MIDI interface device to connect a computer to the instrument using MIDI

cables.

Optional USB MIDI interface

UX16

TERMINOLOGY

Driver:

A driver is software that provides

a data-transfer interface between

the computer’s operating system

and a connected hardware

device.

You can download the USB MIDI

interface driver and Musicsoft

Downloader (MSD). Please check

the following URL for the latest

version.

http://music.yamaha.com/

download/

NOTE

For information on setting up your

sequence software, refer to the

owner’s manual of the relevant

software.

NOTE

Instrument

Computer

USB terminal

USB MIDI

interface

MIDI [IN]

terminal

MIDI [OUT]

terminal

USB port or serial port

(modem or printer terminal)

Computer

MIDI

interface

MIDI cable

MIDI [IN] terminal

MIDI [OUT]

terminal

Instrument

Connections

P-155 Owner’s Manual

ENGLISH

Transmitting Song Data between the Computer and the

Instrument

In addition to the demo songs and the 50 piano preset songs stored in

this instrument, you can play data for other song by loading it from a

connected computer. To be able to use this function, you must ﬁrst

download Musicsoft Downloader from Yamaha website.

http://music.yamaha.com/download/

System requirement for Musicsoft Downloader

Loading Song Data from a Computer to the Instrument

You can load piano song data from a computer to this instrument. Also, after you

record your performance on this instrument and save the recording to a computer, you

can load the recording back to the instrument.

This instrument can read MIDI data in SMF Format 0. However, if such data includes

any information for functions that are not supported by this instrument, the instru-

ment will not play the data correctly.

For more information on loading song data from a computer to this instrument, please

refer to “Transferring Data Between the Computer and Instrument (for unprotected

data)” in the Help ﬁle that came with Musicsoft Downloader.

Requirements for song data that can be loaded from a computer to this

instrument

You can play the loaded Songs (page 36).

CAUTION

Do not turn off the power to this instrument or unplug the instrument during data transmission.

Otherwise, the data being transmitted will not be saved. Furthermore, ﬂash memory operation

may become unstable, causing the entire memory to be erased when you turn the power to the

instrument on or off.

Transmitting Song Data from the Instrument to a

Computer

Musicsoft Downloader enables you to transfer the recorded song in this instrument to

a computer. For more information on transferring song data from this instrument to a

computer, please refer to “Transferring Data Between the Computer and Instrument

(for unprotected data)” in the Help ﬁle that came with Musicsoft Downloader.

Data you can transfer from this instrument to a computer

You can download free Musicsoft

Downloader from the Yamaha

website.

Do not manually change the ﬁle

name by using a computer; doing

so will render the ﬁle unable for

loading on the instrument.

NOTE

•OS:Windows 2000/XP Home Edition/XP Professional/Vista

*For XP and Vista, the 32-bit version is supported, but not the 64-bit version.

• CPU : Intel

Pentium

or Celeron

chip of 233MHz or Higher (500 MHz or higher

is recommended) or higher

• Memory : 64MB or more (256MB or more is recommended)

•Available hard : at least 128MB of free space (at least 512MB of free space is recom-

mended) disk capacity

• Display : 800 x 600 High Color (16-bit)

• Others : Microsoft

Internet Explorer

version 5.5 or higher

TERMINOLOGY

SMF (Standard MIDI File):

This ﬁle features a popular

sequence format (for recording

performance data). This ﬁle is

sometimes called a “MIDI ﬁle.”

The ﬁle extension is MID.

You can play the SMF format

song using music software or a

sequencer that supports SMF.

This instrument also supports

SMF.

• Songs : Recorded songs (loaded from instrument), SMF Format 0 songs

• Maximum data size : 748KB

• Data format : SMF Format 0

: Backuped data (loaded from instrument)

File name

09P-M.BUP

Before you use this instrument,

close the Musicsoft Downloader

window and quit the application.

NOTE

•Your recorded songs

• Back up data : panel settings

• Song data (once it has been loaded from the computer)

Data Backup Using a Computer

P-155 Owner’s Manual

ENGLISH

Data Backup Using a Computer

For maximum data security Yamaha recommends that you save your important data to your com-

puter by using the Musicsoft Downloader (MSD) software. This provides a convenient backup if the

internal memory is damaged.

Data that can be saved

● Panel settings and recorded songs

Panel settings are the same data that can be backed up using the Backup Functions

(page 46). You can save the panel settings and recorded songs as one ﬁle.

● External songs received via computer.

1. Install the USB MIDI driver and MSD to your com-

puter (Windows), then connect the computer and

the instrument.

For connection, see page 50.

2. Save the data to the computer.

Using MSD, save the “09P-M.BUP” ﬁle from “System Drive” under “Electronic

Musical Instruments” to the computer.

The “09P-M.BUP” ﬁle contains the panel settings and recorded songs. Also, if

you store the external songs in the instrument from the computer, save the

songs from “Flash Memory” under “Electronic Musical Instruments” to the

computer via the MSD.

For instructions on using MSD, see the Help in the MSD.

To recall the settings and load songs to the instrument, save the

“09P-M.BUP” ﬁle and the External songs under the folders to which you saved

the ﬁles.

You can download the USB MIDI

interface driver and Musicsoft

Downloader (MSD). Please check

the following URL for the latest

version.

http://music.yamaha.com/

download/

NOTE

When MSD is started on a com-

puter connected to the instru-

ment, “con (computer

connection)” appears in the dis-

play. When this indication

appears, you cannot operate the

instrument.

The Musicsoft Downloader can-

not be used when the instrument

is in the following state:

• During Demo playback.

• During song playback.

• During Record mode.

• During File operations

The panel settings and recorded

songs (09P-M.BUP ﬁle) remain in

the instrument after being saved

to the computer.

NOTE

Precautions when using the USB [TO DEVICE] terminal

P-155 Owner’s Manual

ENGLISH

Precautions when using the USB [TO

DEVICE] terminal

This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the

terminal, be sure to handle the USB device with care. Follow the important precautions below.

For more information about the handling of USB devices, refer to the owner’s manual of the USB device.

Compatible USB devices

• USB storage devices (ﬂash memory, ﬂoppy disk drive,

hard disk drive, etc.)

The instrument does not necessarily support all commer-

cially available USB devices. Yamaha cannot guarantee

operation of USB devices that you purchase. Before pur-

chasing a USB device for use with this instrument, please

visit the following web page:

http://music.yamaha.com/download/

Other USB devices such as a computer keyboard or

mouse cannot be used.

Connecting USB device

•When connecting a USB device to the USB [TO

DEVICE] terminal, make sure that the connector on

the device is appropriate and that it is connected in the

proper direction.

•Though the instrument supports the USB 1.1 standard,

you can connect and use a USB 2.0 storage device with

the instrument. However, note that the transfer speed is

that of USB 1.1.

Using USB Storage Devices

By connecting the instrument to a USB storage device, you can save data you’ve created to the

connected device, as well as read data from the connected device.

Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.

Number of USB storage devices that can

be used

Only one USB storage device can be connected to the

USB [TO DEVICE] terminal.

Formatting USB storage media

When a USB storage device is connected or media is

inserted, a message may appear prompting you to format

the device/media. If so, execute the Format operation

(page 35).

CAUTION

The format operation overwrites any previously existing data.

Make sure that the media you are formatting does not contain

important data.

To protect your data (write-protect)

To prevent important data from being inadvertently

erased, apply the write-protect provided with each stor-

age device or media. If you are saving data to the USB

storage device, make sure to disable write-protect.

Connecting/removing USB storage

device

Before removing the media from the device, make sure

that the instrument is not accessing data (such as in the

Save and Delete operations).

CAUTION

Avoid frequently turning the power on/off to the USB storage

device, or connecting/disconnecting the device too often. Doing

so may result in the operation of the instrument “freezing” or

hanging up. While the instrument is accessing data (such as dur-

ing Save, Delete, Load and Format operations) or is mounting

the USB storage device (shortly after the connection), do NOT

unplug the USB connector, do NOT remove the media from the

device, and do NOT turn the power off to either device. Doing

so may corrupt the data on either or both devices.

NOTE

Handling the Floppy Disk Drive (FDD) and Floppy Disks (Optional)

P-155 Owner’s Manual

ENGLISH

Handling the Floppy Disk Drive (FDD)

and Floppy Disks (Optional)

An optional ﬂoppy disk drive can be installed to this

instrument.

The ﬂoppy disk drive lets you save original data you’ve

created on the instrument to ﬂoppy disk, and allows you

to load data from ﬂoppy disk to the instrument.

Be sure to handle ﬂoppy disks and treat the disk drive

with care. Follow the important precautions below.

Floppy Disk Compatibility

3.5" 2DD and 2HD type ﬂoppy disks can be used.

Formatting a Floppy Disk

If you ﬁnd that you are unable to use new, blank disks or

old disks that have been used with other devices, you may

need to format them. For details on how to format a disk,

see pages 35. Keep in mind that all data on the disk will be

lost after formatting. Make sure to check beforehand

whether or not the disk contains important data.

Floppy disks formatted on this device may or may not be

useable as is on other devices.

Inserting/Removing Floppy Disks

Inserting a Floppy Disk into the Disk Drive:

Hold the disk so that the label of the disk is facing upward

and the sliding shutter is facing forward, towards the disk

slot. Carefully insert the disk into the slot, slowly pushing

it all the way in until it clicks into place and the eject but-

ton pops out.

Never insert anything but ﬂoppy disks into the disk drive.

Other objects may cause damage to the disk drive or

ﬂoppy disks.

Removing a Floppy Disk

After checking that the instrument is not accessing* the

ﬂoppy disk (checking that the use lamp on the ﬂoppy disk

drive is off), ﬁrmly press the eject button at the upper

right of the disk slot all the way in. When the ﬂoppy disk

is ejected, pull it out of the drive. If the ﬂoppy disk cannot

be removed because it is stuck, do not try to force it, but

instead try pressing the eject button again, or try re-

inserting the disk and attempt to eject it again.

*Access of the disk indicates an active operation, such as play-

back or deletion of data. If a ﬂoppy disk is inserted while the

power is on, the disk is automatically accessed, since the

instrument checks whether the disk has data.

CAUTION

Do not remove the ﬂoppy disk or turn off the instrument itself

while the disk is being accessed.

Doing so may result not only in loss of data on the disk but also

damage to the ﬂoppy disk drive.

Be sure to remove the ﬂoppy disk from the disk drive

before turning off the power. A ﬂoppy disk left in the

drive for extended periods can easily pick up dust and dirt

that can cause data-read and -write errors.

Cleaning the Disk Drive Read/Write Head

Clean the read/write head regularly. This instrument

employs a precision magnetic read/write head which,

after an extended period of use, will pick up a layer of

magnetic particles from the disks used that will eventually

cause read and write errors.

To maintain the disk drive in optimum working order

Ya maha recommends that you use a commercially-avail-

able dry-type head cleaning disk to clean the head about

once a month. Ask your Yamaha dealer about the avail-

ability of proper head cleaning disks.

About Floppy Disks

Handle ﬂoppy disks with care, and follow

these precautions:

•Do not place heavy objects on a disk or bend or apply

pressure to the disk in any way. Always keep ﬂoppy

disks in their protective cases when they are not in use.

•Do not expose the disk to direct sunlight, extremely

high or low temperatures, or excessive humidity, dust

or liquids.

•Do not open the sliding shutter and touch the exposed

surface of the ﬂoppy disk inside.

•Do not expose the disk to magnetic ﬁelds, such as those

produced by televisions, speakers, motors, etc., since

magnetic ﬁelds can partially or completely erase data

on the disk, rendering it unreadable.

•Never use a ﬂoppy disk with a deformed shutter or

housing.

•Do not attach anything other than the provided labels

to a ﬂoppy disk. Also make sure that labels are attached

in the proper location.

To Protect Your Data (Write-protect Tab):

To prevent accidental erasure of important data, slide the

disk’s write-protect tab to the “protect” position (tab

open). When saving data, make sure that the disk’s write-

protect tab is set to the “overwrite” position (tab closed).

NOTE

Write-protect tab

ON (locked or

write protected)

Write-protect tab

OFF (unlocked or

write enabled)

Message List

P-155 Owner’s Manual

ENGLISH

Message List

Message Comment

CLr

Displayed after factory presets are recalled.

CAUTION

Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all song

data in the instrument, including external songs (page 36).

con

Displayed when Musicsoft Downloader is started on a computer connected to the instrument.

When this message appears, you cannot operate the instrument.

E01

Indicates failure in accessing the USB storage device because the device or media is damaged.

E02

Displayed when the song data is damaged or not recognized.

E04

Indicates that the song data is too large to be loaded.

End

Displayed when the current operation is completed.

Err

Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer con-

nected to the instrument.

FCL

Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been

loaded from a computer are cleared, because the power has been turned off before the song save or load

operations were completed.

CAUTION

Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the

instrument to malfunction.

For

Indicates that the instrument has engaged format mode for the USB storage device.

FUL

Displayed when internal memory becomes full during song recording.

Displayed when the USB storage device becomes full and the song cannot be saved.

Displayed when the total amount of ﬁles has become too large.

Lod

Displayed when a protected song is loading.

n Y

Conﬁrms whether each operation is executed or not.

n~Y

Reconﬁrms whether the overwriting, delete or format operation is executed or not.

Pro

Indicates that the USB storage device or media is protected.

Troubleshooting

P-155 Owner’s Manual

ENGLISH

Troubleshooting

Problem Possible Cause and Solution

The instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female plug

into the socket on the instrument, and the male plug into a proper AC outlet

(page 10).

A click or pop is heard when the power is turned

on or off.

This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or head-

phones.

The noise may be due to interference caused by the use of a mobile phone in

close proximity to the instrument. Turn off the mobile phone, or use it further away

from the instrument.

The overall volume is low, or no sound is heard. • The Master Volume is set too low; set it to an appropriate level using the [MAS-

TER VOLUME] dial.

• Make sure a pair of headphones is not connected to the headphones jack

(page 11).

• Make sure that Local Control (page 44) is ON.

The sustain pedal has no effect. The pedal cable/plug may not be properly connected. Make sure to securely

insert the pedal plug into the proper jack (page 48).

The foot pedal seems to produce the opposite

effect. For example, pressing the foot pedal cuts

off the sound and releasing it sustains the

sounds.

The type of the foot pedal is reversed.

If this happens, use F5.6 or F5.7 to correct the pedal type (pages 39, 43).

The USB storage device is not recognized by

the instrument.

The USB storage device may not be recognized by the instrument depending on

the timing of the device connection.

If the [USB] indicator is already lit by pressing of the [SONG SELECT] button, re-

select the [USB] indicator after turning the [USB] indicator off by pressing the

[SONG SELECT] button.

If the device is still not recognized, it may not be supported by Yamaha. Only use

devices supported by Yamaha (pages 53).

The USB storage device has hung up

(stopped).

The USB storage device is not compatible with the instrument.

Only use devices whose compatibility has been conﬁrmed by Yamaha (pages 53).

The USB storage device does not operate properly.

Disconnect the device and connect it to the instrument again.

The three LEDs of “SAVE TO USB,” “LOAD TO

USER” and “DEL./FORMAT” at the [FILE] but-

ton ﬂash simultaneously when a storage device

is connected.

Disconnect the USB storage device and turn the power of the instrument off. The

USB storage device is not compatible with the instrument.

Only use devices whose compatibility has been conﬁrmed by Yamaha (pages 53).

The three LEDs of “SAVE TO USB,” “LOAD TO

USER” and “DEL./FORMAT” at the [FILE] but-

ton ﬂash simultaneously for ﬁve seconds when

the USB storage device is operated.

Disconnect the USB storage device and connect it again.

Preset Voice List

P-155 Owner’s Manual

ENGLISH

Preset Voice List

Ø : Yes / — : No

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an

acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

Voice

Number

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

1 GRAND PIANO 1 ØØØØ

Recorded samples from a full concert grand piano. Also

includes four levels of dynamic sampling, sustain samples,

and key-off samples for exceptionally realistic acoustic

grand piano sound. Perfect for classical compositions as

well as any other style that requires acoustic piano.

2 GRAND PIANO 2 ØØ——

Spacious and clear piano with bright reverb. Good for pop-

ular music.

3 ELECTRIC PIANO 1 — ØØ—

An electronic piano sound created by FM synthesis. Excep-

tional musical response with varying timbre according to

keyboard dynamics. Good for standard popular music.

4 ELECTRIC PIANO 2 — ØØØ

The sound of an electric piano using hammer-struck

metallic tines. Soft tone when played lightly, and an

aggressive tone when played hard.

5JAZZ ORGAN — — — —

The sound of a tonewheel type electric organ. Often heard

in jazz and rock idioms.

6 CHURCH ORGAN 1 Ø ———

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

STRINGS/OTHERS

Voice

Number

Display Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

7 o 1 STRINGS 1 ØØ——

Stereo-sampled, large-scale strings ensemble with realis-

tic reverb. Try combining this voice with piano in the DUAL.

8 o 2 STRINGS 2 ØØ——

Spacious strings ensemble with a slow attack. Try combin-

ing this voice with a piano or electric piano in the DUAL.

9 o 3

CHURCH

ORGAN 2

Ø ———

This is the organ’s full coupler sound often associated with

Bach’s “Toccata and Fugue.”

10 o 4 HARPSICHORD Ø ——Ø

The deﬁnitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.

There is, however, a characteristic additional sound when

the keys are released.

11 o 5 E.CLAVICHORD — Ø — Ø

A hammer-struck keyboard instrument that utilizes an

electric pickup that is often heard in funk and soul music.

Its tone is noted for the unique sound produced when the

keys are released.

12 o 6 VIBRAPHONE ØØØ—

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

13 o 7 CHOIR — Ø ——

A big, spacious choir voice. Perfect for creating rich har-

monies in slow pieces.

14 o 8 GUITAR ØØØ—

Warm and natural-sounding nylon guitar. Enjoy the quiet

ambience of nylon strings.

15 o 9 WOOD BASS — ØØ—

An upright bass played ﬁngerstyle. Ideal for jazz and Latin

music.

16 o10

BASS &

CYMBAL

— Ø ——

Adds a soft ride cymbal to the bass sound. Ideal for walk-

ing bass lines in jazz tunes.

17 o11 E.BASS — Ø ——

Electric bass for a wide range of music styles, jazz, rock,

popular, and more.

Index

P-155 Owner’s Manual

ENGLISH

Index

Numerics

50 Piano Preset Songs .....................................................13

A-B Repeat.......................................................................15

Adjust

Tempo (50 Piano Preset Songs) ...............................13

Tempo (Recorded Songs) .........................................37

Volume (Metronome) ..............................................44

ALL (display) ...................................................................13

AUX OUT [L/L+R] [R] jacks .........................................47

AUX Pedal .................................................................11, 43

[AUX PEDAL] jack .........................................................48

Backup (data) ..................................................................52

Backup Functions............................................................46

[BRILLIANCE] button ...................................................20

CLr (display)....................................................................55

Combining Voices (Dual)...............................................17

con (display)....................................................................55

Connecting a Personal Computer..................................50

Connections.....................................................................47

Computer...................................................................50

MIDI interface...........................................................50

Connectors ......................................................................47

Damper Resonance .........................................................21

Default setting ...........................................................18, 38

DEL./FORMAT ...............................................................34

Delete ...............................................................................34

[DEMO] button ..............................................................12

Detailed Settings (FUNCTION).....................................38

Display .............................................................................10

Dual............................................................................17, 41

E01 (display)....................................................................55

E02 (display)....................................................................55

E04 (display)....................................................................55

[EFFECT] button ............................................................21

Effects...............................................................................21

End (display) ...................................................................55

Err (display) ....................................................................55

Export ..............................................................................31

Factory Setting List .........................................................61

FCL (display)................................................................... 55

[FILE] button .................................................................. 32

Fine Tuning of the Pitch.................................................40

Floppy Disk .....................................................................54

For (display)....................................................................55

Format .............................................................................35

FUL (display) ..................................................................55

FUNCTION ..............................................................40–46

Basic Procedure.........................................................39

Functions.........................................................................38

Hz (Hertz) .......................................................................40

[LEFT] button........................................................... 14, 28

Left part .....................................................................14, 28

List

Factory Setting........................................................... 61

Functions...................................................................38

Message List...............................................................55

Preset Song ................................................................60

Preset Voice ...............................................................57

Load ........................................................................... 31, 33

LOAD TO USER ............................................................. 33

Lod (display) ...................................................................55

[MASTER VOLUME] dial .............................................10

Message List.....................................................................55

[METRONOME] button................................................24

Metronome Volume .......................................................44

MIDI ................................................................................48

MIDI [IN] [OUT]...........................................................48

MIDI Data Format..........................................................62

MIDI Functions ..............................................................44

MIDI Implementation Chart ......................................... 66

Music Rest .......................................................................11

Index

P-155 Owner’s Manual

ENGLISH

n y (display) .....................................................................55

n–Y (display) ...................................................................55

Other Functions ..............................................................43

Part Cancel.......................................................................14

Part Playback On and Off ...............................................37

Pedal Type .......................................................................43

Pedals ...............................................................................11

[PHONES] jack ...............................................................11

Pitch ➝ Fine Tuning of the Pitch...................................40

[PLAY/PAUSE] button .............................................13, 37

Play/Pause playback

Demo Songs...............................................................12

Recorded Songs .........................................................36

Playing Back Songs..........................................................36

Practicing a One-Hand Part Using the 50 Preset Songs14

PRECAUTIONS ................................................................4

Preset................................................................................13

“Preset” Song...................................................................13

Preset Song List ...............................................................60

Preset songs ➝ 50 Piano Preset Songs ...........................13

Preset Voice List ..............................................................57

Pro (display) ....................................................................55

[REC] button...................................................................25

Recording.........................................................................25

Initial Settings............................................................30

Repeat ........................................................................13, 15

Re-recording....................................................................27

[REVERB] button ...........................................................20

[RIGHT] button........................................................14, 28

Right part...................................................................14, 28

rnd (display) ....................................................................13

Save ............................................................................31, 32

SAVE TO USB .................................................................32

Scale..................................................................................40

SMF (Standard MIDI File) .................................31, 36, 51

Soft Pedal .........................................................................43

Song..................................................................................13

Song playback..................................................................36

[SONG SELECT] button..........................................13, 37

Sostenuto pedal...............................................................43

Specifications...................................................................68

SPLIT .........................................................................18, 42

[STANDBY/ON] switch .................................................10

[STOP] button ..........................................................13, 37

[STRINGS/OTHERS] button.........................................16

Sustain Pedal ....................................................... 42, 43, 48

[SUSTAIN PEDAL] jack.................................................11

Sync.................................................................................. 14

Sync Start.........................................................................14

TEMPO...................................................................... 13, 37

TEMPO (METRONOME) .............................................24

[TEMPO/FUNCTION] button................................ 24, 39

[TOUCH] button............................................................22

Touch Sensitivity.............................................................22

[TRANSPOSE] button....................................................23

Troubleshooting.............................................................. 56

Tuning ➝ Fine Tuning of the Pitch............................... 40

“USB” Song .....................................................................36

USB Storage Device ........................................................35

USB [TO DEVICE] terminal.................................... 47, 53

“USER” Song...................................................................36

VOICE .............................................................................16

Voice group buttons .......................................................16

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas

Preset Song List / Liste der voreingestellten Songs /

Liste des morceaux prédéﬁnis /

Lista de canciones preseleccionadas

No. Title Composer

1Invention No. 1 J.S.Bach

2Invention No. 8 J.S.Bach

3Gavotte J.S.Bach

Prelude (Wohltemperierte Klavier

I No.1)

J.S.Bach

5 Menuett G dur BWV.Anh.114 J.S.Bach

6 Le Coucou L-C.Daquin

7 Piano Sonate No.15 K.545 1st mov. W.A.Mozart

8Turkish March W.A.Mozart

9 Menuett G dur W.A.Mozart

10 Little Serenade J.Haydn

11 Perpetuum mobile C.M.v.Weber

12 Ecossaise L.v.Beethoven

13 Für Elise L.v.Beethoven

14 Marcia alla Turca L.v.Beethoven

15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven

16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven

17 Piano Sonate op.49-2 1st mov. L.v.Beethoven

18 Impromptu op.90-2 F.P.Schubert

19 Moments Musicaux op.94-3 F.P.Schubert

20 Frühlingslied op.62-2 J.L.F.Mendelssohn

21 Jägerlied op.19b-3 J.L.F.Mendelssohn

22 Fantaisie-Impromptu F.F.Chopin

23 Prelude op.28-15 “Raindrop” F.F.Chopin

24 Etude op.10-5 “Black keys” F.F.Chopin

25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin

26 Etude op.10-12 “Revolutionary” F.F.Chopin

27 Valse op.64-1 “Petit chien” F.F.Chopin

28 Valse op.64-2 F.F.Chopin

29 Valse op.69-1 “L’adieu” F.F.Chopin

30 Nocturne op.9-2 F.F.Chopin

31 Träumerei R.Schumann

32 Fröhlicher Landmann R.Schumann

33 La prière d’une Vierge T.Badarzewska

34 Dolly’s Dreaming and Awakening T.Oesten

35 Arabesque J.F.Burgmüller

36 Pastorale J.F.Burgmüller

37 La chevaleresque J.F.Burgmüller

38 Liebesträume Nr.3 F.Liszt

39 Blumenlied G.Lange

40 Barcarolle P.I.Tchaikovsky

41 Melody in F A.Rubinstein

42 Humoresque A.Dvorák

43 Tango (España) I.Albéniz

44 The Entertainer S.Joplin

45 Maple Leaf Rag S.Joplin

46 La Fille aux Cheveux de Lin C.A.Debussy

47 Arabesque 1 C.A.Debussy

48 Clair de lune C.A.Debussy

49 Rêverie C.A.Debussy

50 Cakewalk C.A.Debussy

Appendix

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica

Factory Setting List / Liste der Vorgabeeinstellungen /

Liste des réglages / Lista de ajustes de fábrica

Default Backup Group

Voice GRAND PIANO 1

F8.1

Dual OFF

Split OFF

Split Left Voice WOOD BASS

Brilliance NORMAL F8.4

Reverb Type Preset for each voice

F8.1

Reverb Depth Preset for each voice

Effect Type Preset for each voice

Effect Depth Preset for each voice

Touch Sensitivity MEDIUM

Volume in the FIXED 64

Metronome OFF —

Metronome Time Signature 0 (no accent) F8.1

Tempo 120 —

Transpose 0 F8.3

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI

messages, the data provided in this section can help you to control the instrument.

Wenn Sie mit MIDI bereits sehr vertraut sind, oder wenn Sie einen Computer verwenden, um Ihre Musik-Hardware mit MIDI-Meldungen

vom Computer aus anzusteuern, sind die Daten in diesem Abschnitt hilfreich für die Steuerung des Instruments.

Si vous êtes connaissez déjà la norme MIDI ou que vous utilisez un ordinateur pour contrôler votre matériel musical avec des messages

MIDI générés par l’ordinateur, les données fournies dans cette section pourront vous aider à commander l’instrument.

Si ya está familiarizado con MIDI o utiliza un ordenador para controlar su hardware de música con mensajes MIDI generados por

ordenador, la información suministrada en esta sección puede ayudarle a controlar el instrumento.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H–78H = A-2–C8 /

Receive: 00H–7FH = C-2–G8)

vv = Velocity (Key ON = 01H–7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H–7FH = C-2–G8)

vv = Velocity

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of

next Program Change message.

(2) Modulation

01H Modulation 00H...7FH

(3) Main Volume

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(4) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(5) Sustain

ccH Parameter Data Range (vvH)

40H Sustain MSB 00H...7FH

(6) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(7) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(8) Effect1 Depth (Reverb Send Level)

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(9) Effect3 Depth (Chorus Send Level)

ccH Parameter Data Range (vvH)

5DH Effect4 Depth 00H...7FH

(10)

RPN

65H RPN MSB

64H RPN LSB

06H Data Entry MSB

26H Data Entry LSB

60H Data Increment

61H Data Decrement

* Parameters that are controllable with RPN

• Coarse Tune

• Fine Tune

• Pitch Bend Range

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H Reset All Controllers 00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Sustain Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the spec-

iﬁed channel. Any notes being held by the sustain or soste-

nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When Control Change is turned OFF, Control Change mes-

sages will not be transmitted or received.

• Local on/off, OMNI on/off are not transmitted. (The appropri-

ate note off number is supplied with “All Note Off” transmis-

sion).

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

•Poly mode is always active. This mode will not change when

the instrument receives MONO/POLY mode message.

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P. C .#=Program Change number

• Some devices use a “0 to 127” numbering system for program

change messages. Since the instrument uses a “1 to 128”

numbering system, you will need to subtract 1 from the trans-

mitted program change numbers to select the appropriate

sound: e.g. to select P.C.#1 in the list above, transmit program

change number 0.

5. PITCH BEND CHANGE

[EnH] -> [ccH] -> [ddH]

ccH = LSB

ddH = MSB

6. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Sustain,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off message occurs.

7. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, LLH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 38H

3xH, 3yH (version x.y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H (End of Exclusive)

• Panel Data Contents

•Panel data send requests cannot be received.

8. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0–F, whichever is received.

X = irrelevant

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

VoiceName MSB LSB P.C.#

GRAND PIANO 1 0 122 1

GRAND PIANO 2 0 112 1

ELECTRIC PIANO 1 0 122 6

ELECTRIC PIANO 2 0 122 5

JAZZ ORGAN 0 122 17

CHURCH ORGAN 1 0 123 20

STRINGS 1 0 122 49

STRINGS 2 0 125 50

CHURCH ORGAN 2 0 122 20

HARPSICHORD 0 122 7

E.CLAVICHORD 0 122 8

VIBRAPHONE 0 122 12

CHOIR 0 122 53

GUITAR 0 122 25

WOOD BASS 0 122 33

BASS & CYMBAL 0 124 33

E.BASS 0 122 34

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External.

FAH Song start

Song start

Not received when the MIDI clock is

set to Internal.

FCH Song stop

Song stop

Not received when the MIDI clock is

set to Internal.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the same

processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1’st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

(11) Split Voice

(12) Split Point

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Sustain Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) —

(27) Touch Sensitivity

(28) Fixed Data

(29) AUX Pedal

(30) Soft Pedal Depth

(31) Absolute tempo low byte

(32) Absolute tempo high byte

(33) Key-Off Sampling Depth

(34) Damper Resonance On/Off

(35) Damper Resonance Depth

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0–F.

X = irrelevant

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When a General MIDI mode ON message is received, the

MIDI system will be reset to its default settings.

This message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

9. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] ->...-> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0–F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When an XG System On message is received, the MIDI sys-

tem will be reset to its default settings.

The message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->

[ccH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

0nH = When received, n=0–F.

When transmitted, n=0.

4CH = Model ID of XG

aaH = Byte Count

bbH = Byte Count

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

| |

ccH = Check sum

F7H = End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitializa-

tion of relevant parameters and Control Change values. Allow

sufﬁcient time for processing to execute (about 50 msec)

before sending the instrument another message.

• XG Native Parameter Change message may contain two or

four bytes of parameter data (depending on the parameter

size).

•For information about the Address and Byte Count values,

refer to Table 1 below. Note that the table’s Total Size value

gives the size of a bulk block. Only the top address of the

block (00H, 00H, 00H) is valid as a bulk data address.

10. SYSTEM EXCLUSIVE MESSAGES

(P-155 MIDI Format)

Data format:

[F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = P-155 ID

01H = Product ID (CLP common)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

F7H = End of Exclusive

11. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [

H] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = When received, n=0–F.

When transmitted, n=0.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH = Master Tune MSB

llH = Master Tune LSB

ccH = irrelevant (under 7FH)

F7H = End of Exclusive

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4 020C - 05F4* MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 ➝ bit 15 - 12 400

02 2nd bit 3 - 0 ➝ bit 11 - 8

03 3rd bit 3 - 0 ➝ bit 7 - 4

4th bit 3 - 0 ➝ bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

7E 00 XG SYSTEM ON 00=XG system ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

MIDI Parameter Change table (EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01 (=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

• Effect MIDI Map

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

OFF 00H 00H

EFFECT

MSB LSB

CHORUS 41H 08H

PHASER 48H 11H

TREMOLO 77H 00H

ROTARY SP 42H 12H

OFF 00H 00H

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráfico de implementación MIDI

MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráﬁco de implementación MIDI

TransmittedFunction... Recognized Remarks

Basic

Channel

Note

Number : True voice

Velocity

After

Touch

Pitch Bend

Control

Change

Mode

Default

Changed

Note ON

Note OFF

Key's

Ch's

0,32

6,38

64,66,67

71-74

91,93

96-97

100-101

1 - 16

Ø 9nH,v=1-127

˛ 9nH,v=0

˛ *1

**************

0 - 127

**************

˛ *1 Ø 0-24 semi

1 - 16

Ø 9nH,v=1-127

0 - 127

Default

Messages

Altered

YAMAHA [ Digital Piano ] Date : 24-JUN-2008

P-155 MIDI Implementation Chart

Version : 1.0

Bank Select

Modulation

Main Volume

Panpot

Expression

Data Entry

Pedal

Portament Control

Effect Depth

RPN Inc,Dec

RPN LSB,MSB

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráfico de implementación MIDI

Prog

Change : True #

System Exclusive

Common : Song Pos.

: Song Sel.

: Tune

System : Clock

Real Time : Commands

: All Sound Off

Aux :

Reset

All

Cntrls

: Local ON/OFF

Mes- : All Notes OFF

sages: Active Sense

: Reset

Notes: *1 Although these control change messages are not transmitted

by panel operations, they may be transmitted during a song

performance.

Ø 0 - 127

**************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

(120,126,127)

Ø (121)

Ø (122)

Ø (123-125)

Ø : Yes

˛ : No

Ø 0 - 127

P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones

Specifications / Technische Daten / Caractéristiques techniques / Especificaciones

Speciﬁcations / Technische Daten /

Caractéristiques techniques / Especiﬁcaciones

*Speciﬁcations and descriptions in this owner’s manual are for information pur-

poses only. Yamaha Corp. reserves the right to change or modify products or

speciﬁcations at any time without prior notice. Since speciﬁcations, equipment

or options may not be the same in every locale, please check with your Yamaha

dealer.

*Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung die-

nen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte

oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verän-

dern oder zu modiﬁzieren. Da die technischen Daten, das Gerät selbst oder Son-

derzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit

Ihrem Yamaha-Händler in Verbindung.

*Les caractéristiques techniques et les descriptions du mode d’emploi ne sont

données que pour information. Yamaha Corp. se réserve le droit de changer ou

modiﬁer les produits et leurs caractéristiques techniques à tout moment sans

aucun avis. Du fait que les caractéristiques techniques, les équipements et les

options peuvent différer d’un pays à l’autre, adressez-vous au distributeur

Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen sólo el

propósito de servir como información. Yamaha Corp. se reserva el derecho a

efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cual-

quier momento sin previo aviso. Puesto que las especiﬁcaciones, equipos u

opciones pueden no ser las mismas en todos los mercados, solicite información

a su distribuidor Yamaha.

Model P-155

Size/Weight

Dimensions

(with music rest)

Width 1,334 mm [52-1/2"]

Height 140 mm [5-1/2"] (332 mm) [13-1/16"]

Depth 351 mm [13-13/16"] (357 mm) [14-1/16"]

Weight Weight 18.6 kg (37 lbs., 1 oz.)

Control

Interface

Keyboard

Number of Keys 88

Type Graded Hammer (GH) Keyboard

Touch Sensitivity Hard/Medium/Soft/Fixed

Display

Type LED

Size 7-segment, 3-digit

Panel Language English

Voices

Tone Generation

Tone Generating Technology AWM Dynamic Stereo Sampling

Number of Dynamic Levels 4

Stereo Sustain Samples Yes

Key-off Samples Yes

Polyphony Number of Polyphony (Max.) 128

Preset Number of Voices 17

Effects

Types

Reverb Ye s

Chorus Ye s

Brilliance 3 types

Damper Resonance Ye s

Functions

Dual/Layers Ye s

Split Ye s

Songs

Preset Number of Preset Songs 50

Recording

Number of Songs 3

Number of Tracks 2

Data Capacity 300 KB (100 KB for each song) for “USER” Song, 447 KB for External Songs

Recording Function Yes

Compatible

Data Format

Playback SMF (Format 0 & 1)

Recording SMF (Format 0)

Functions Overall Controls

Metronome Ye s

Tempo Range 32–280

Transpose -12 to 0, 0 to +12

Tuning Ye s

Scale Type 7 types

Storage and

Connectivity

Storage Internal Memory 300 KB (100 KB for each song) for “USER” Song, 447 KB for External Songs

Connectivity

DC IN DC IN 16V

Headphones x 2

Sustain Pedal Yes

MIDI [In][Out]

AUX OUT [L/L+R][R]

AUX Pedal Yes

USB TO DEVICE Yes

Ampliﬁers and Speakers

Ampliﬁers 12 W x 2

Speakers (12 cm x 6 cm) x 2

Power Supply Power Supply Adaptor (PA-301/PA-300 or an equivalent recommended by Yamaha)

Accessories

Included

Accessories

Owner’s Manual, Foot Switch FC4, Music Rest, AC power adaptor PA-301 (not for sale),

PA-300 or an equivalent recommended by Yamaha, My Yamaha Product User Registration

Optional Equipment

Stereo Headphones HPE-150

Foot Pedal FC3/FC4/FC5/FC7

Keyboard Stand L-140/L-140S

USB MIDI Interface UX16

Power Adaptor PA-300 or an equivalent recommended by Yamaha

Floppy Disk Drive UD-FD01

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For proper treatment, recovery and recycling of old products, please take them to applicable collection

points, in accordance with your national legislation and the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save valuable resources and prevent any poten-

tial negative effects on human health and the environment which could otherwise arise from inappropriate

waste handling.

For more information about collection and recycling of old products, please contact your local municipality,

your waste disposal service or the point of sale where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for fur-

ther information.

[Information on Disposal in other Countries outside the European Union]

This symbol is only valid in the European Union. If you wish to discard these items, please contact your

local authorities or dealer and ask for the correct method of disposal.

Verbraucherinformation zur Sammlung und Entsorgung alter Elektrogeräte

Beﬁndet sich dieses Symbol auf den Produkten, der Verpackung und/oder beiliegenden Unterlagen, so

sollten benutzte elektrische Geräte nicht mit dem normalen Haushaltsabfall entsorgt werden.

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CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

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C.P. 09300, México, D.F., México

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Yamaha Musical do Brasil Ltda.

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Tel: 011-3704-1377

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Yamaha Music Latin America, S.A.

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ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

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Yamaha Musique France

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Yamaha Musica Italia S.P.A.

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Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

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Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

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Yamaha Scandinavia AB

J. A. Wettergrens Gata 1, Box 30053

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YS Copenhagen Liaison Ofﬁce

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F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

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Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1, N-1345 Østerås, Norway

Tel: 67 16 77 70

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Skifan HF

Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland

Tel: 525 5000

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Yamaha Music (Russia)

Ofﬁce 4015, entrance 2, 21/5 Kuznetskii

Most street, Moscow, 107996, Russia

Tel: 495 626 0660

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LOB 16-513, P.O.Box 17328, Jubel Ali,

Dubai, United Arab Emirates

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDIA

Yamaha Music India Pvt. Ltd.

5F Ambience Corporate Tower Ambience Mall Complex

Ambience Island, NH-8, Gurgaon-122001, Haryana, India

Tel: 0124-466-5551

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: 080-004-0022

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

4, 6, 15 and 16

ﬂoor, Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680,

New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

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HEAD OFFICE

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Tel: +81-53-460-3273

EKB50

U.R.G., Digital Musical Instruments Division

WQ76270 005POCP?.?-02B0

Printed in Japan

Yamaha Home Keyboards Home Page

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Documenttranscriptie

I A N O N U M E R I Q U E Owner’s Manual Bedienungsanleitung Mode d’emploi ENGLISH P I A N O P DEUTSCH D I G I T A L ESPAÑOL FRANÇAIS Manual de instrucciones EN DE FR ES SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less ) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Model Serial No. Purchase Date ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-BP (bottom) 2 PLEASE KEEP THIS MANUAL P-155 Owner’s Manual FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. OBSERVERA! Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) (class B) IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. • This applies only to products distributed by Yamaha Music U.K. Ltd. (2 wires) P-155 Owner’s Manual 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: ENGLISH Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (page 68) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Do not open • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Never insert or remove an electric plug with wet hands. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If you notice any abnormality • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Location • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. • When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. • Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. (3)-12 4 P-155 Owner’s Manual 1/2 Connections Saving data • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Saving and backing up your data • Data in the instrument’s internal memory can be lost due to operational errors or malfunction. Be sure to save any important data to external media via a computer connected to the instrument. (page 52) Backing up the USB Storage device Maintenance • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. • To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices. • During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth. ENGLISH Handling caution • Do not insert a finger or hand in any gaps on the instrument. • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. • Windows is a registered trademark of Microsoft ® Corporation in the United States and other countries. • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. The serial number of this product may be found on the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No. (bottom) (3)-12 2/2 P-155 Owner’s Manual 5 Introduction ENGLISH Thank you for purchasing the Yamaha Digital Piano! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions. We also recommend that you keep this manual in a safe and handy place for future reference. Main Features Graded Hammer Effect Keyboard Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can even be adjusted to match your playing style. AWM Dynamic Stereo Sampling This digital piano offers a rich and versatile range of sounds, which are created using Yamaha’s proprietary sampling tone-generation system, “AWM Dynamic Stereo Sampling.” AWM (Advanced Wave Memory) is a sampling system that creates sounds close to those of an acoustic instrument by digitally recording the sounds of an instrument and applying high-quality digital filtering technology to the recorded audio samples. The sound waveform created by an acoustic piano differs depending on the player’s strength of touch, from pianissimo to fortissimo. AWM Dynamic Stereo Sampling can create extremely dynamic nuances by recording samples at various playing strengths. The greater the number of samples used, the greater the resulting expressiveness of the instrument. The piano voice “Grand Piano 1” features a totally new sample recorded from a full-size concert grand piano. Each note in the sample has been adjusted meticulously so that the digital piano will play only the very best piano sounds. The piano voices are well-separated sounds featuring a fast attack and a satisfying response. The “Grand Piano 1” voice features multiple wave samples for different velocities (Dynamic Sampling). That is, different samples are used depending on how fast or strong the player strikes the keys. Therefore, this voice expresses detailed dynamics and sounds much closer to those of a true acoustic piano. The instrument creates a rich, luxurious sound using “Sustain Sampling,” which is a sample of the soundboard and the resonance of the strings when the damper pedal is pressed. The instrument also features “Key-off Sampling,” which is a sample of the very delicate noises that are caused when keys are released. Accessories • Owner’s Manual • AC Power Adaptor* * May not be included depending on your particular area. Please check with your Yamaha dealer. • Foot Switch FC4 • Music Rest • My Yamaha Product User Registration* * The PRODUCT ID on the sheet will be needed when you fill out the User Registration form. 6 P-155 Owner’s Manual Table of Contents Introduction Please read this section first. Main Features..................................................... 6 Accessories ......................................................... 6 Panel Controls and Terminals............................ 8 Before Using the Instrument ........................... 10 Turning the Power On ...............................................10 Setting the Volume .....................................................10 Using the Pedals..........................................................11 Using Headphones .....................................................11 Music Rest...................................................................11 Reference This section explains in detail all of the instrument’s features, functions and operations. Listening to the Demo Songs .......................... 12 Using the 50 Piano “Preset” Songs ................. 13 Listening to the 50 Piano Preset Songs......................13 Practicing a One-Hand Part Using the 50 Preset Songs (Part Cancel Function) ...........14 A-B Repeat for the 50 Preset Songs ...........................15 Selecting & Playing Voices............................... 16 Selecting Voices ..........................................................16 Combining Voices (Dual)..........................................17 Splitting the Keyboard Range and Playing Two Different Voices ([SPLIT]) ................18 Adding Variations to the Sound – [BRILLIANCE]/[REVERB]/ [EFFECT]/“Damper Resonance” ............................20 Touch Sensitivity – [TOUCH] ..................................22 Transposition – [TRANSPOSE] ................................23 Using the Metronome ................................................24 Recording Your Performance .......................... 25 Recording a performance quickly..............................25 Re-recording a previously recorded song..................27 Recording to RIGHT/LEFT .......................................28 Changing the Initial Settings (data recorded at the beginning of a song) .............30 Handling Recorded Songs with a USB Storage Device....................................... 31 About Save and Load..................................................31 Saving a Song ..............................................................32 Loading a Song ...........................................................33 Deleting Song Files .....................................................34 Formatting the USB Storage Device ..........................35 Playing Back “USER” and “USB” Songs ........... 36 Detailed Settings – [FUNCTION]...................... 38 Basic Procedure in Function......................................39 About Each Function .................................................40 F1. Fine Tuning of the Pitch ...............................40 F2. Selecting a Scale .............................................40 F3. Dual Functions ..............................................41 F4. Split Functions...............................................42 F5. Other Functions ............................................43 F6. Metronome Volume .....................................44 F7. MIDI Functions.............................................44 F8. Backup Functions..........................................46 Connections ..................................................... 47 Connectors..................................................................47 Connecting to a USB storage device..........................49 Connecting a Personal Computer .............................50 Transmitting Song Data between the Computer and the Instrument..........................51 Data Backup Using a Computer....................... 52 Precautions when using the USB [TO DEVICE] terminal......................... 53 Using USB Storage Devices........................................53 Handling the Floppy Disk Drive (FDD) and Floppy Disks (Optional) ................................... 54 Message List ..................................................... 55 Troubleshooting............................................... 56 Preset Voice List ............................................... 57 Index................................................................. 58 ENGLISH This manual consists of three main sections: Introduction, Reference and Appendix. Appendix This section introduces reference material. Preset Song List................................................ 60 Factory Setting List .......................................... 61 MIDI Data Format ............................................ 62 MIDI Implementation Chart ............................ 66 Specifications ................................................... 68 * The illustrations and displays as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument. P-155 Owner’s Manual 7 Panel Controls and Terminals Panel Controls and Terminals e r t y u i o !0 !1 !2 ENGLISH q w A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 Front panel q [STANDBY/ON] switch page 10 For turning the power on or off. w [MASTER VOLUME] dial page 10 For adjusting the volume level of the entire sound. e [DEMO] button page 12 For playing the demo songs. page 23 r [TRANSPOSE] button For shifting the pitch of the entire keyboard up or down. t [REC] button page 25 For recording your keyboard performance. y [PLAY/PAUSE], [STOP] buttons pages 13, 37 For playing back/pausing/stopping the preset songs, your recorded material or commercially available music data, etc. u [SONG SELECT] button pages 13, 37 For selecting a song to play back or edit. i [FILE] button page 32 For saving songs to and loading songs from a USB storage device, as well as managing song files. Also, lets you format a USB storage device. o [RIGHT], [LEFT] buttons pages 14, 37 For turning the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. !0 [METRONOME] button pages 24, 44 For starting/stopping the metronome function. !1 [TEMPO/FUNCTION –, +] button pages 24, 39 P-155 Owner’s Manual page 10 For showing information on certain settings and values of the instrument. CAUTION Never attempt to turn off the power while flashing dashes appear in the display, indicating data is being written to internal memory. Doing so may result in loss of all user data. !3 [–/NO], [+/YES] buttons For setting values or performing file operations. Pressing both buttons simultaneously for certain value settings (Transpose, Tempo, etc.) restores the default value. !4 Voice group buttons page 16 For selecting voices from 17 internal sounds including Grand Piano 1, 2 and 3. !5 [SPLIT] button page 18 For playing different voices on the left- and righthand sections of the keyboard. !6 [BRILLIANCE] button page 20 For adjusting the brightness of the sound. !7 [REVERB], [EFFECT] buttons pages 20, 21 For adding reverb and chorus effects to the selected voice for your keyboard performance. !8 [TOUCH] button page 22 For selecting the touch response. !9 [PHONES] jack For changing the song tempo (speed) and selecting other useful functions (pages 38–46). 8 !2 Display page 11 For connecting a set of standard stereo headphones, allowing private practice. D3 E3 Panel Controls and Terminals !4 !5 !6 !7 !8 ENGLISH !3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 !9 @5 @0 @1 @2 @3 @4 Rear panel @0 USB [TO DEVICE] terminal page 47 For connecting the instrument to a USB storage device, allowing saving/loading of data to and from the connected device. @1 AUX OUT [L/L+R][R] jacks page 47 For connecting an external tone generator, allowing you to play the sound of that device via the instrument’s internal sound system and speakers. @2 MIDI [IN] [OUT] terminals page 48 @3 [SUSTAIN PEDAL] jack pages 11, 48 For connecting an included FC4 foot switch or an optional FC3 foot pedal/FC5 foot switch. @4 [AUX PEDAL] jack pages 11, 48 For connecting an included FC4 foot switch or an optional FC3 foot pedal/FC5 foot switch/FC7 foot controller. @5 [DC IN 16V] jack page 10 For connecting the included power adaptor. For connecting external MIDI devices, allowing the use of various MIDI functions. P-155 Owner’s Manual 9 Before Using the Instrument Before Using the Instrument Turning the Power On 1. Connect the power adaptor’s DC cable to the [DC IN 16V] jack. ENGLISH 2. Plug the AC adaptor into an AC outlet. WARNING Use the specified adaptor (page 68) only. The use of other adaptors may result in irreparable damage to both the adaptor and the Instrument. (The shape of plug differs depending on locale.) CAUTION Unplug the AC Power Adaptor when not using the Instrument, or during electrical storms. 3. Press the [STANDBY/ON] switch to turn the power on. [STANDBY/ON] switch Display Normally indicates tempo. The display located in the center of the front panel lights up. When you’re ready to turn off the power, press the [STANDBY/ON] switch again. CAUTION Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Setting the Volume Initially set the [MASTER VOLUME] dial about halfway between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] dial to the most comfortable listening level. TERMINOLOGY MASTER VOLUME: The volume level of the entire keyboard sound 10 P-155 Owner’s Manual The level decreases. The level increases. Before Using the Instrument Using the Pedals NOTE If the sustain pedal doesn’t work, make sure that the pedal cord is properly plugged into the jack. FC4 TERMINOLOGY ENGLISH Sustain Pedal (Sustain Pedal jack) This jack is for connecting the included foot switch FC4. The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included foot switch FC4 to this jack and press the pedal to sustain the sound. When “Damper Resonance” is on, the instrument simulates the sustain sound that occurs when you press the damper pedal of a grand piano, as you press the damper pedal and play the keyboard. An optional FC3 foot pedal or FC5 foot switch can also be connected to this jack. For the FC3, the further down the pedal is pressed, the longer the sound will be sustained. (It can be used like a half pedal effect). Half-pedal: While playing the piano with Sustain and you want to slightly mute the sustained sound, release the pedal from maximum position to half position. • The depth of the effect produced by the Sustain Samples can be adjusted via the Pedal functions (pages 39, 43) in Function. AUX Pedal (AUX Pedal jack) This jack is for connecting an optional FC3 foot pedal, FC5 foot switch or FC7 foot controller. An included foot switch FC4 can also be connected to this jack. A wide range of functions, including the Soft Pedal function, can be assigned to this jack. For instructions on assigning the pedal, refer to pages 39, 43. • The FC7 Foot Controller can be used to control Expression (pages 39, 43). Using Headphones Connect a set of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one set of headphones, you can plug them into either jack.) CAUTION On front panel Standard stereo phone plug Do not use the instrument at a high volume level for a long period of time, or your hearing may be damaged. CAUTION The speakers are automatically shut off when a plug is inserted into this jack. • Optional headphones: HPE-150 Yamaha headphones Music Rest The instrument includes a music rest that can be attached to the instrument by inserting it into the holes at the top of the control panel. P-155 Owner’s Manual 11 Reference Listening to the Demo Songs Listening to the Demo Songs Demo songs are provided that effectively demonstrate each of the instrument’s voices. ENGLISH 3 4 4 3 1. Press the [STANDBY/ON] switch to turn the power on (page 10). When the power is turned ON, one of the voice button indicators will light. NOTE 2. Adjust the volume (page 10). Initially set the [MASTER VOLUME] dial about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] dial to the most comfortable listening level. 3. Press the [DEMO] button to listen to the Demo songs. The VOICE button indicators will flash in sequence, then the GRAND PIANO 1 demo song will start. Demo songs provided for each voice will play back in sequence until you press the [DEMO] or [STOP] button. Changing a demo song Demo Song List Voice Name Title Original Composer Original GRAND PIANO 2 Original Original ELECTRIC PIANO 1 Original Original ELECTRIC PIANO 2 Original Original JAZZ ORGAN Original Original CHURCH ORGAN Herr Christ, der ein’ge GottesSohn, BWV.601 J. S. Bach STRINGS 1 ([STRINGS/OTHERS] o 1) Original Original • The demonstration song of CHURCH ORGAN features short rearranged excerpts of the original composition. • All songs except CHURCH ORGAN are original (© 2008 Yamaha Corporation). 4. Press the [DEMO] or [STOP] button to stop the Voice demo. 12 P-155 Owner’s Manual NOTE MIDI reception is not possible during Demo song playback. NOTE Demo songs cannot be played during song recording (page 25) or in the File Operation mode (page 39). NOTE You can change to another Demo song during playback by pressing the desired VOICE button. GRAND PIANO 1 Demo song data is not transmitted via the MIDI terminals. You cannot adjust the tempo of demo songs. You cannot use the Part Cancel function (page 14) or the Song A-B Repeat function (page 15) in Demo. Using the 50 Piano “Preset” Songs Using the 50 Piano “Preset” Songs Listening to the 50 Piano Preset Songs The instrument provides performance data of 50 piano songs. You can simply listen to these songs (page 60) or use them for practice (page 14). 1 5 2 1. Press the [SONG SELECT] button a few times until the “PRESET” indicator lights. 2. Press the [–/NO], [+/YES] buttons to select the number of the tune you want to play. The number will appear on the display. 1–50: Select a preset song number and play only the song. ALL: Play all preset songs in sequence. rnd: Play all preset songs continuously in random order. 3. Press the [PLAY/PAUSE] button to start playback. Adjust the tempo You can use the [TEMPO/FUNCTION –, +] buttons to adjust the playback tempo as required. This produces a relative tempo variation, with a range from “–50” through “0” to “50” at maximum; the range will differ depending on the selected song. The default tempo can be recalled by simultaneously pressing the [–] and [+] buttons. ENGLISH 4 3 NOTE Preset songs cannot be played during Demo/USER/USB songs playback, song recording (page 25), or in the File Operation mode. TERMINOLOGY Song: On the instrument, performance data is called a “Song.” This includes demonstration tunes and piano preset tunes. Preset: Preset Data supplied with the internal memory of the instrument shipped from the factory. NOTE You can play the keyboard along with the preset song. You can change the voice playing on the keyboard. NOTE The default tempo “0” is automatically selected whenever a new preset song is selected, or when playback of a new preset song begins during “ALL” or “rnd” playback. NOTE 4. Stop playback. Playback will stop automatically when the selected preset song has finished. To stop the song during playback (or continuous playback), press the [STOP] button. You can also pause playback by pressing the [PLAY/PAUSE] button. To play back another song continuously, see step 2 above. 5. Press the [SONG SELECT] button to exit Preset Song playback. The indicator turns off, and the instrument returns to normal play. When you select a different song (or a different song is selected during chained playback), appropriate reverb and effect types will be selected accordingly. NOTE You can adjust the Brilliance control (page 20) and Reverb type (page 20) that is applied to the voice played from the keyboard and to preset song playback. You can change the Effect settings (page 21) and Touch sensitivity (page 22) for the keyboard voice as well. P-155 Owner’s Manual 13 Using the 50 Piano “Preset” Songs Practicing a One-Hand Part Using the 50 Preset Songs (Part Cancel Function) The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part is played by [LEFT]. ENGLISH 3 2 1 1. Turn off the playback part you wish to practice. After you select a song to practice, press the [RIGHT] or [LEFT] button to turn off the corresponding part. When you first select a song, both [RIGHT] and [LEFT] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the corresponding part playback is muted. Pressing the buttons repeatedly toggles playback between on and off. The parts can be turned on or off even during playback. NOTE The Preset Song Part Cancel function cannot be used during “ALL” or “rnd” (page 13) playback. NOTE Resetting the part playback Both parts are automatically turned ON whenever you select a new song. 2. Press the [PLAY/PAUSE] button to start playback and playing. Play the part you just turned off. Starting playback automatically as you start playing the keyboard (Sync Start) You can cause playback to begin when you play the keyboard (Sync Start). Hold down the [STOP] button and press the [PLAY/PAUSE] button. The [PLAY/ PAUSE] indicator will blink, and the instrument will wait for Sync Start. Now when you play the keyboard, playback will begin at the same moment. If you press the [STOP] button while waiting, Sync Start will be cancelled. Pedal Play/Pause A pedal connected to the [AUX PEDAL] connector can be assigned to play and pause preset song playback via the AUX Pedal function described on pages 39, 43. 3. Stop playback. When playback is complete, it automatically stops and the instrument locates the top of the song. If you wish to stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [PLAY/PAUSE] button. 14 P-155 Owner’s Manual TERMINOLOGY Sync: Synchronized; occurring at the same time. Using the 50 Piano “Preset” Songs A-B Repeat for the 50 Preset Songs The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function (page 14), this provides an excellent way to practice difficult phrases. ENGLISH 2 3 4 1. Select and play a preset song. 2. Press the [TEMPO/FUNCTION] button at the beginning of the phrase you want to repeat. This sets the “A” point ( will appear on the display). 3. Press the [TEMPO/FUNCTION] button a second time at the end of the phrase. This sets the “B” point ( will appear on the display). At this point, repeat playback will begin between the specified A and B points. A B NOTE The A-B Repeat function cannot be used during “ALL” or “rnd” (page 13) playback. NOTE • To set the “A” point at the very beginning of the song, press the [TEMPO/FUNCTION] button before starting playback. • You can have the B point automatically be set to the song’s end, by setting the A point and letting the song play to the end. NOTE Repeat A through B An automatic lead-in (to help guide you into the phrase) starts at the A point of the song. NOTE After setting the A and B points, you can set the Sync Start (page 14) and Pedal Play/Pause (page 14) functions. 4. Press the [STOP] button to stop playback. A-B repeat playback will resume if you press the [PLAY/PAUSE] button. To cancel the A and B points, press the [TEMPO/FUNCTION] button once. NOTE The A and B points are automatically canceled when a new song is selected. P-155 Owner’s Manual 15 Selecting & Playing Voices Selecting & Playing Voices Selecting Voices ENGLISH Voice Name Select the desired voice by pressing one of the Voice buttons. [STRINGS/OTHERS] button Pressing the [STRINGS/OTHERS] button switches among the following eleven voices. Display Voice Name o 1 STRINGS 1 o 2 STRINGS 2 o 3 CHURCH ORGAN 2 o 4 HARPSICHORD o 5 E.CLAVICHORD o 6 VIBRAPHONE o 7 CHOIR o 8 GUITAR o 9 WOOD BASS o10 BASS & CYMBAL o11 E.BASS Then, when you start playing, re-adjust the [MASTER VOLUME] dial for the most comfortable listening level. NOTE To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 12). Refer to “Preset Voice List” on page 57 for more information on the characteristics of each preset voice. TERMINOLOGY Voice: On the instrument, the term “voice” means “instrument sound.” NOTE You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments. Refer to “Preset Voice List” on page 57. NOTE If you select the voice via the [STRINGS/OTHERS] button then press another VOICE button, the voice last selected via the [STRINGS/OTHERS] button will be maintained. In other words, pressing the [STRINGS/OTHERS] button again calls up the last selected voice. 16 P-155 Owner’s Manual Selecting & Playing Voices Combining Voices (Dual) You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar voices to create a thicker sound. 1. Press two voice buttons at the same time (or press one voice button while holding another) to engage Dual. The voice indicators of both selected voices will light when Dual is active. Play the keyboard. If you want to use a voice selected via the [STRINGS/OTHERS] button, press the [STRINGS/OTHERS] button several times to call up the desired voice while holding any other VOICE button. The number of the voice name of the [STRINGS/OTHERS] button is displayed on screen. According to the voice numbering priority shown in the diagram below, the lower value voice number will be designated as Voice 1 (the other voice will be designated as Voice 2). Voice numbering priority 1 2 3 4 5 6 7 The Function provides access to a number of other Dual functions, such as volume balance setting and octave setting (pages 39, 41). (If you do not set the Dual functions, the appropriate setting will be set in each voice by default.) NOTE Two voices in the [STRINGS/ OTHERS] button cannot be engaged at the same time. ENGLISH 1 2 NOTE Dual and Split cannot be engaged at the same time. NOTE [REVERB] in Dual: The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) [EFFECT] in Dual: Depending on the condition, one effect type may take priority over the other. The depth is determined according to the default depth value of the voice combination. However, using function F3 (page 41) you can adjust the depth value for each voice to your liking. 2. Press any single voice button to return to the normal single-voice play. P-155 Owner’s Manual 17 Selecting & Playing Voices Splitting the Keyboard Range and Playing Two Different Voices ([SPLIT]) Split enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand. ENGLISH Split point (default setting: F#2) Bass voice Melody 3 1. Press the [SPLIT] button to engage Split. 1245 NOTE The [SPLIT] button lights. As a default setting, WOOD BASS will be selected for the left-hand part. Dual and Split cannot be engaged at the same time. The Function provides access to a number of other Split functions (pages 39, 42). (If you make no settings for the Split functions, the appropriate setting will be set in each voice by default.) Default setting: The “Default setting” refers to the factory setting obtained when you first turn on the power to the instrument. TERMINOLOGY 2. Specify the split point (the border between the right- and left-hand range). Press and hold down the [SPLIT] button and play the key you wish to assign as the split point. (The split point is initially set at the F#2 key by default. If you do not need to change the split point, skip this step.) You can check the name of the current split point key on the LED display by holding down the [SPLIT] button. An example of split-point key display F2 followed by a high bar if sharp F#2 Eb2 followed by a low bar if flat 18 P-155 Owner’s Manual NOTE A specified “split point” key is included in the left-hand range. NOTE The split point can also be set by the Function F4.1 (page 42). NOTE The split point can also be changed by simultaneously holding down the [SPLIT] button and pressing the [–/NO] or [+/YES] button. The default split point can be recalled by simultaneously holding down the [SPLIT] button and pressing both the [–/NO] and [+/ YES] buttons together. Selecting & Playing Voices 3. Press a voice button to select a voice for the right If you want to use a voice selected via the [STRINGS/OTHERS] button, press the [STRINGS/OTHERS] button several times to call up the desired voice. The voice number of the [STRINGS/OTHERS] button is displayed on screen. 4. Press the corresponding voice button while holding the [SPLIT] button to select a voice for the left hand. The indicator of the left voice button will light while the [SPLIT] button is pressed. If you want to use a voice selected via the [STRINGS/OTHERS] button, press the [STRINGS/OTHERS] button several times to call up the desired voice while holding the [SPLIT] button. The voice number of the [STRINGS/OTHERS] button is displayed on screen. 5. Press the [SPLIT] button to return to the normal single-voice play. NOTE [REVERB] in Split The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voice’s reverb type will be in effect.) Reverb depth settings made via the panel controls (i.e., pressing the [–/NO] or [+/YES] buttons while holding the [REVERB] button; see page 20) will be applied to both voices. NOTE [EFFECT] in Split Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the default depth value of the voice combination. However, using Function F4 (pages 39, 42) you can change the depth value for each voice as you like. Effect depth settings made via the panel controls (i.e., pressing the [–/NO] or [+/YES] buttons while holding the [EFFECT] button; see page 21) will be applied to the right voice only. P-155 Owner’s Manual ENGLISH hand. 19 Selecting & Playing Voices Adding Variations to the Sound – [BRILLIANCE]/ [REVERB]/[EFFECT]/“Damper Resonance” [–/NO] [+/YES] buttons [BRILLIANCE] button [EFFECT] button ENGLISH [REVERB] button [BRILLIANCE] You can use this control to adjust the brilliance of the tone and change the tonality to suit your preference. BRIGHT: NORMAL: MELLOW: Bright tone Standard tone Soft and mellow tone To select a brilliance type, press the [BRILLIANCE] button a few times until the indicator corresponding to the desired type lights (the indicator lights in sequence each time you press the [BRILLIANCE] button). Brilliance can be selected among five types. When two adjacent indicators are lit, the type that is between the two indicated types is selected. For example, when both NORMAL and MELLOW are lit, the brilliance setting between NORMAL and MELLOW is selected. NOTE Default setting = NORMAL NOTE When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level. [REVERB] This control enables you to select various digital reverb effects for adding extra depth and expression to the sound and creating a realistic acoustic ambience. OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. STAGE: Simulates the reverb of a stage environment. Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. When all indicators are off, no effect is produced. Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the [–/NO] [+/YES] buttons while holding the [REVERB] button. Default depth settings are different for each voice. The depth range is from 0 (no effect) through 20 (maximum reverb depth). The current depth setting appears on the display while the [REVERB] button is held. 20 P-155 Owner’s Manual NOTE The default reverb type (including OFF) and depth settings are different for each voice. NOTE Releasing the [REVERB] button changes the reverb type. If you are changing the reverb depth by holding the [REVERB] button, releasing the [REVERB] button will not change the reverb type. Selecting & Playing Voices [EFFECT] OFF: When no effect is selected, no EFFECT indicator is lit. CHORUS: A shimmering, broadening effect. PHASER: Adds a sweeping effect to the sound. TREMOLO: Adds an animated, vibrating effect to the sound. ROTARY SP: Adds the vibrato effect of a rotary speaker. To select an effect type, press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES] buttons while holding the [EFFECT] button. Default depth settings are different for each voice. The depth range is from 0 (no effect) through 20 (maximum effect depth). The current depth setting appears on the display while the [EFFECT] button is held. NOTE The default effect type (including OFF) and depth settings are different for each voice. NOTE Releasing the [EFFECT] button changes the effect type. If you are changing the depth settings by holding the [EFFECT] button, releasing the [EFFECT] button will not change the effect type. ENGLISH The [EFFECT] button allows you to select an effect to give your sound greater depth and animation. “Damper Resonance” The damper resonance lets you hear a simulation of the sustain sound of the damper pedal on a grand piano, as you press the damper pedal and play the keyboard. This effect is applied to the voice you play on the keyboard and the part (channel 1 & 2.) Switching Damper Resonance Effect On or Off and Adjusting Damper Resonance Effect Depth You can switch the “Damper Resonance” effect on or off via F5.8 Damper Resonance Effect ON/OFF (page 43) in Function and set damper resonance depth via F5.9 Damper Resonance Effect Depth (page 43) in Function. P-155 Owner’s Manual 21 Selecting & Playing Voices Touch Sensitivity – [TOUCH] [–/NO] [+/YES] buttons ENGLISH [TOUCH] [TOUCH] button NOTE You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences. HARD: Requires that the keys be played quite hard to produce maximum loudness. MEDIUM: Produces a fairly “standard” keyboard response. SOFT: Allows maximum loudness to be produced with relatively light key pressure. FIXED: All notes are produced at the same volume no matter how hard the keyboard is played. (No indicators are lit.) The fixed volume can be changed. This setting does not change the weight of the keyboard. NOTE Default setting = MEDIUM NOTE The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the “Preset Voice List” on page 57.) To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected. Changing the volume when FIXED is selected When you select FIXED, you can set the volume for notes played in FIXED by using the [–/NO] and [+/YES] buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume range is from 1 (minimum volume) through 127 (maximum volume). The default setting is 64. NOTE The touch volume set in FIXED will become the common setting for all voices. NOTE Volume range 22 P-155 Owner’s Manual Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, releasing the [TOUCH] button will not change the touch sensitivity type. (FIXED will remain selected.) Selecting & Playing Voices Transposition – [TRANSPOSE] The instrument’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the instrument will transpose it to the key of F. [–/NO] [+/YES] buttons Use the [–/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The amount of transposition appears on the display while the [TRANSPOSE] button is held. The default transpose setting is “0.” ENGLISH [TRANSPOSE] button TERMINOLOGY Transpose: Changing the key signature of a song. On the instrument, transposing shifts the pitch of the entire keyboard. NOTE Transposition The [TRANSPOSE] button indicator remains lit when a transpose setting other than “0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF. The transposition range: –12: –12 semitones (down one octave) 0: normal pitch 12: 12 semitones (up one octave) P-155 Owner’s Manual 23 Selecting & Playing Voices Using the Metronome The instrument features a built-in metronome for convenience in practicing and use with the Recording features. 1 2 [–/NO] [+/YES] buttons ENGLISH [TEMPO/FUNCTION –, +] buttons 1. Press the [METRONOME] button to start the metronome. The metronome sound is turned on. The beat indicator flashes at the current tempo. Adjusting the tempo The tempo of the metronome and song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO/FUNCTION –, +] buttons (when the [TEMPO/FUNCTION –, +] button’s [TEMPO] indicator is lit). Adjusting the time signature The time signature (beat) of the metronome can be set by using the [–/NO] and [+/YES] buttons while holding the [METRONOME] button. You can set the beat from 0 to 15. The current setting appears on the display while you are holding the [METRONOME] button. Beat 2. Press the [METRONOME] button to stop the metronome. The metronome sound is turned off. 24 P-155 Owner’s Manual NOTE If the [TEMPO/FUNCTION] button’s [FUNCTION] indicator is lit, press the [TEMPO/FUNCTION] button to light the [TEMPO] indicator. NOTE The volume of the metronome can be adjusted via the Metronome Volume function in Function (pages 39, 44). Recording Your Performance Recording Your Performance You cannot record the performance to the connected USB storage device directly. The recorded songs are saved to the instrument automatically. If you want to save data to the device, perform the Save operation (page 31) after stopping recording. TERMINOLOGY NOTE Recording vs. Saving: The format of performance data recorded on an MD differs from that of data recorded on the instrument. An MD records audio signals. The instrument “saves” information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the instrument produces sound based on the saved information. Therefore, recording on the instrument may be more accurately called “saving information.” However, this book often uses the word “recording” because it seems to make more sense. You can record your performance (audio data) to an MD recorder or other recording device via the AUX OUT jack (page 47). ENGLISH The ability to record and play back what you’ve played on the keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two parts separately, you could record the left- and right-hand parts separately, or record both parts of a duet and hear how they sound when played back. The two-part Song Recorder on the instrument allows the recording of up to three songs (U01–U03) or up to a maximum of about 100KB (11,000 notes) in each song on the instrument depending on pedal usage and other factors. Recording a performance quickly This convenient and simple recording method lets you quickly record your performance without specifying the recording parts — useful, for example, in recording solo piano pieces. In this way, the performance is automatically recorded to right part. 2 44 3 5 1 CAUTION To avoid erasing previously recorded song(s): If the file contains data, the part indicator lights up green when you select a file. Note that recording new data on this part will erase the existing data. NOTE Record mode cannot be engaged during Demo/PRESET/USER/USB song playback or in the File Operation mode. 1. Select the voice you want to record (or voices if you will be using Dual or Split), before you begin to record. Make any other desired settings (reverb, effect, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using the [MASTER VOLUME] dial. P-155 Owner’s Manual 25 Recording Your Performance 2. Press the [REC] button to engage Record Ready mode. This automatically selects an empty file (U01–U03) for recording and makes the RIGHT part’s indicator turn red. If all file numbers contain recorded data, File U01 will be selected. This simply enables recording; to start recording, go on to step 3. The [PLAY/PAUSE] indicator will flash at the current METRONOME tempo setting. ENGLISH You can turn on the metronome in this step, and adjust the tempo by using the [TEMPO/FUNCTION –, +] buttons. (Range: 32–280) Record Ready mode can be disengaged before recording by pressing the [REC] button again. 3. Start recording. Recording will begin automatically as soon as you play a note on the keyboard or press the [PLAY/PAUSE] button. The current measure’s number will appear on the display while recording. TERMINOLOGY Mode: A mode is a status under which you can execute a certain function. In Record Ready mode, you can record your performance. NOTE If you have selected the LEFT part previously in the same file, the LEFT part will automatically be made active when pressing the [REC] button in step 2. NOTE If the metronome was on when you started recording, you’ll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. NOTE For more recording information, see page 29. NOTE 4. Press either [REC] or [STOP] button to stop recording. When recording is stopped, dashes appear in the display in succession to indicate that the recorded data is being saved to the instrument automatically. After the data is saved, the file name (U01–U03) appears in the display. The recorded part’s indicator will light in green to indicate that it now contains data. (Record mode is disengaged automatically.) CAUTION Never attempt to turn the [STANDBY/ON] switch OFF while flashing dashes appear in the display (these indicate data is being written to internal memory). Turning the power off in this state results in loss of all recorded data. 5. Play back the recorded performance. Press the [PLAY/PAUSE] button to play back the recorded performance. To stop playback in the middle of a song, press the [STOP] button. 26 P-155 Owner’s Manual The function of the [PLAY/ PAUSE] button can be assigned to the AUX pedal (pages 39, 43). This allows you to start recording by pressing the Footswitch connected to the AUX jack. NOTE Song recording can not be paused, even by pressing the [PLAY/PAUSE] button. NOTE If the memory becomes full during recording, “FUL” will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.) NOTE Pressing the [PLAY/PAUSE] button to start recording, then pressing the [STOP] button to stop recording will erase all previously recorded data on the selected part. Recording Your Performance Re-recording a previously recorded song If you are not satisfied with the recording, you can record it again. Using the following operation. 1. Select a voice or voices (and other settings) for recording, if necessary. Repeat step 1 on page 25 if you wish to change the previous settings. 2. Press the [REC] button again to re-engage Record The selected part’s indicator lights in red. Follow the procedure from step 3 in “Recording a performance quickly” on page 26 to re-record. NOTE If you want to change the tempo, reverb type, or effect type when re-recording a part or when recording to another part, do so after engaging the Record Ready mode. ENGLISH Ready mode. NOTE You cannot re-record in the middle of a song. P-155 Owner’s Manual 27 Recording Your Performance Recording to RIGHT/LEFT This lets you record the right and left parts separately. Since you can record the left part while playing back the right, this is useful for independently recording both parts of a duet. ENGLISH 3 2 3 2 1 1. Make all the initial settings. Same as step 1 in “Recording a performance quickly” on page 25. 2. Select a file (U01–U03) to record. Press the [SONG SELECT] button so that the “USER” indicator lights then press the [–/NO][+/YES] buttons to select a file for recording. CAUTION To avoid erasing previously recorded song(s): If the file contains data, the part indicator lights up green when you select a file. Note that recording new data on this part will erase the existing data. 3. Engage the Record Ready mode. Press the [REC] button and press the [RIGHT]/[LEFT] button to engage the Record Ready mode. Recording does not actually start yet. The [PLAY/PAUSE] indicator will flash at the current METRONOME tempo setting. Record Ready mode can be disengaged before recording by pressing the [REC] button again. 4. Start and stop recording. NOTE Part button indications Off: Contains no data On (green): Contains data On (red): Part is enabled for recording NOTE If the metronome was on when you started recording, you’ll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. NOTE If you want to change the tempo, reverb type, or effect type when rerecording a part or when recording to another part, do so after entering the Record Ready mode. NOTE If you don’t want to hear the previously recorded part while you record (for example, when you want to record a song different from what you recorded on the previous part), press the playback part button before pressing the [REC] button so that its indicator is turned off. Same as steps 3–5 in “Recording a performance quickly” on page 26. NOTE For more information on recording, see page 29. 28 P-155 Owner’s Manual Recording Your Performance The song recorder records the following data: Data in addition to the notes and voices you play is recorded. This data includes “Individual Parts” and “Entire Song.” See below. ENGLISH Individual Parts • Notes played • Voice selection • Pedal (Sustain/Soft/Sostenuto/Expression) • [REVERB] depth • [EFFECT] depth • Dual voices • Dual balance (F3) • Dual detune (F3) • Dual octave shift (F3) • Split voices (F4) • Split balance (F4) • Split octave shift (F4) Entire Song • Tempo • Time signature (beat) • [REVERB] type (including OFF) • [EFFECT] type (including OFF) P-155 Owner’s Manual 29 Recording Your Performance Changing the Initial Settings (data recorded at the beginning of a song) The initial settings (data recorded at the beginning of a song) can be changed after the recording. For example, after recording, you can change the voice to create a different ambience or adjust the song tempo to your taste. ENGLISH You can change the following initial settings. Individual Parts • Voice selection • [REVERB] depth • [EFFECT] depth • Dual voices • Split voices • Damper/soft/expression pedal depth Entire Song • Tempo • [REVERB] type (including OFF) • [EFFECT] type (including OFF) 2 3 2 1. Change the settings via the panel controls. For example, if you wish to change the recorded voice from [ELECTRIC PIANO 1] to [ELECTRIC PIANO 2], press the [ELECTRIC PIANO 2] button. 2. Press the [REC] button to engage Record mode and select a part to change the initial settings. The indicator lights in red. (Data shared by two parts can be changed via either part.) CAUTION Be careful not to press the [PLAY/PAUSE] button or a key on the keyboard after step 2, either of which will start recording and erase all previously-recorded data on the selected part. 3. Press the [REC] button to exit the Record mode. 30 P-155 Owner’s Manual Handling Recorded Songs with a USB Storage Device Handling Recorded Songs with a USB Storage Device You can handle recorded songs (save, load, and delete) with a USB storage device. You can also format the device or media. Before using a USB device, read the “Precautions when using the USB [TO DEVICE] terminal” section on page 53. Save NOTE You can save three recorded songs in the instrument to the USB storage device as SMF song files. These songs can be saved to a “container” (or “USB” file) in the USB storage device. 100 containers are available — S00–S99. Since the recorded songs are saved in SMF format, they can be played back on other instruments. Instrument USB storage device Internal memory “USER” file (U01) Handling of recorded songs cannot be done during Demo/PRESET/USER/USB Song playback and in the Record mode. ENGLISH About Save and Load NOTE For details on connecting a USB storage device, see page 49. Memory Save Recorded Song 1 “USB” file (S00) SMF Song 0 “USB” file (S01) “USER” file (U02) NOTE The file numbers which can be handled in this instrument are 100 files. • SMF song numbers: S00–S99 SMF Song 1 Recorded Song 2 “USER” file (U03) “USB” file (S02) SMF Song 2 Recorded Song 3 “USB” file (S99) SMF Song 99 Load If you want to only play the song in the USB storage device, the following operation is not necessary. For instructions on playing the song, see “Playing Back USER and USB Songs” on page 36. The Load operation can be used if you want to edit the recorded song on the instrument. Data can be loaded to “USER” file (U03). Instrument USB storage device Internal memory Memory “USB” file (S00) “USER” file (U01) Recorded Song 1 “USER” file (U02) Recorded Song 2 “USER” file (U03) Recorded Song 3 SMF Song 0 Load “USB” file (S01) SMF Song 1 “USB” file (S02) SMF Song 2 “USB” file (S99) NOTE The “S” indication at the top of the file name represents “SMF.” TERMINOLOGY SMF (Standard MIDI File): The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0. The SMF format for sequence files allows you to exchange song data between different sequencers. User songs recorded on the instrument are SMF Format 0. SMF Song 99 P-155 Owner’s Manual 31 Handling Recorded Songs with a USB Storage Device Saving a Song 1 2 3 1 2 ENGLISH 1. Select a “USER” file to save. Select a “USER” file to save by using the [SONG SELECT] and [–/NO][+/YES] buttons. 2. Select a “USB” file in the device and save the “USER” file. NOTE If the selected file has no data, the file will not be saved (you cannot select a container for SMF songs — S00–S99). Confirm that the selected file has data by making sure that the indicator of [RIGHT] or [LEFT] is turned on. After making sure that the USB storage device is connected to the instrument, press the [FILE] button (the “SAVE TO USB” indicator lights). Then, while holding the [FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a “USB” file (S00–S99). After releasing the [FILE] button, “n Y” (no/yes) appears in the display. Press the [+/YES] button to save the files. The file is saved into the “USER FILES” folder and named as “USERSONGxx.MID.” Overwriting the song If you select a “USB” file which contains an SMF song, three dots appear in the display (ex., “S.0.0.”). If you do not want to overwrite the file, press the [–/NO] button when “n Y (no or yes)” appears in the display and select another “USB” file. If you want to overwrite the file, press the [+/YES] button. After “n~Y” appears in the display again to confirm whether you wish to overwrite the file or not, press the [+/YES] button once more. CAUTION While the instrument is accessing data (such as during Save, Load, Delete and Format operations) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT remove the media from the device, and do NOT turn the power off to either devices. Doing so may corrupt the data on either or both devices. 3. Exit from the file operation mode. Press the [FILE] button several times to exit the file operation mode. (The FILE indicators turn off.) Play the recorded song (see pages 36). CAUTION Do not rename “USER” files on a computer. If the file name is changed in this way, the file cannot be loaded to the instrument. 32 P-155 Owner’s Manual NOTE If you move an SMF song from the “USER FILES” folder to the top folder using a computer, the file type will be changed — from a SMF song (S00–S99) to an External song. Handling Recorded Songs with a USB Storage Device Loading a Song 1 3 1 2 CAUTION ENGLISH If the “USER” file (U03) on the instrument already contains data, this operation can result in overwriting of the data. Make sure to save important data to your computer beforehand. 1. Select a “USB” file in the device. After making sure that the USB storage device is connected to the instrument, press the [FILE] button (the “LOAD TO USER.” indicator lights). Then, while holding the [FILE] button, press the [–/NO][+/YES] buttons to select a file (S00–S99). Data saved on the instrument can only be loaded back to the instrument. 2. Load a song to “USER” file (U03). “n Y” (no/yes) appears in the display. Press the [+/YES] button to load a “USB” file. The file will automatically be loaded into the “USER” file (U03). The indication “-” moves from left to right in display, indicating that save operation is in process. CAUTION While the instrument is accessing data (such as during Save, Load, Delete and Format operations) or is mounting the USB storage device (shortly after the connection: until the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove the media from the device, and do NOT turn the power off to either devices. Doing so may corrupt the data on either or both devices. CAUTION Do not manually change the file name on the USB storage device by using a computer; doing so will render the file unplayable or unable for loading on the instrument. CAUTION Do not turn off the power to the instrument while flashing dashes appear in the display (indicating the operation is in process). Doing so may damage the data. When loading is completed, the “End” indication appears in the display, and the “USB” file is loaded into the “USER” file (U03). 3. Exit from the file operation mode. Press the [FILE] button several times to exit the file operation mode. (The FILE indicators turn off.) P-155 Owner’s Manual 33 Handling Recorded Songs with a USB Storage Device Deleting Song Files 1 2 3 1 2 ENGLISH 1. Select a “USB” file to be deleted. Press the [FILE] button. (The “DEL./FORMAT” indicator lights.) Then, hold the [FILE] button, simultaneously press the [–/NO][+/YES] buttons to select a file to be deleted. Two types of files will be displayed in order: • Sxx....... SMF songs • xxx....... External songs (commercially available songs or songs which have been edited on a computer) 2. Delete the file. After releasing the [FILE] button, “n Y (no or yes)” appears in the display. If you want to delete the file, press the [+/YES] button. After “n~Y” appears in the display again to confirm whether you wish to delete the file or not, press the [+/YES] button once more. If you do not want to delete the file, press the [–/NO] button. NOTE Audition the song to be deleted before deleting. Songs cannot be played back after engaging the File Operation mode. NOTE Only files which contain data will be displayed. NOTE The following types of songs cannot be deleted. If you try to delete the song, “Pro” (Protected) appears in the display. • Protected songs (extension: Cxx, Exx or SME) • Disklavier Piano Soft songs NOTE CAUTION While the instrument is accessing data (such as during Save, Delete, Load and Format operations) or is mounting the USB storage device (shortly after the connection: until the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove the media from the device, and do NOT turn the power off to either devices. Doing so may corrupt the data on either or both devices. 3. Exit from the file operation mode. Press the [FILE] button to exit the file operation mode. (The FILE indicators turn off.) 34 P-155 Owner’s Manual For SMF songs (Sxx), the file numbers are fixed and not changed by deleting files. However, the file numbers of External songs are not fixed and may be changed by deleting External songs. Handling Recorded Songs with a USB Storage Device Formatting the USB Storage Device 1 3 1 2 CAUTION ENGLISH If data is already saved to the USB storage device, be careful not to format it. If you format the device, all the previously saved data will be deleted. 1. Engage the file operation mode. Press the [FILE] button. (The “DEL/ FORMAT” indicator lights.) Then, while holding the [FILE] button, simultaneously press the [–/NO] and [+/YES] buttons. When “For” (Format) appears in the display, release the [FILE] button to display “n Y” (no/yes). 2. Execute the format operation. After “n Y” (no/yes) appears in the display, press the [+/YES] button. After “n~Y” appears in the display again to confirm whether you wish to format the device or not, press the [+/YES] button once more. If you do not want to format the device, press the [–/NO] button. CAUTION While the instrument is accessing data (such as during Save, Delete, Load and Format operations) or is mounting the USB storage device (shortly after the connection: until the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove the media from the device, and do NOT turn the power off to either devices. Doing so may corrupt the data on either or both devices. 3. Exit from the file operation mode. Press the [FILE] button to exit the file operation mode. (The FILE indicators turn off.) P-155 Owner’s Manual 35 Playing Back “USER” and “USB” Songs Playing Back “USER” and “USB” Songs The following types of songs are available. You can simply listen to these songs or use them for practice (pages 14, 15). “USER” songs NOTE • Songs (U01–U03) which you recorded to the instrument by using the record function (page 25). ENGLISH • External songs in the instrument Songs transferred from a computer (including commercially available songs and songs which have been edited on a computer). Songs can be transferred (saved) to the instrument by using the included Musicsoft Downloader software (pages 51). The songs are saved to an area of the internal memory separate from the area for recorded songs. Up to 255 songs can be played back on this instrument (numbers 001–255). “USB” songs • Songs (S00–S99) which you recorded to the instrument by using the record function (pages 32) and saved to the USB storage device. The “USER” and “USB” songs cannot be played back during Demo/PRESET song playback or in the File Operation and Record modes. NOTE If the metronome is being used during playback, the metronome will automatically stop when playback is stopped. NOTE If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed. NOTE • External songs in the USB storage device Songs saved in the USB storage device (including commercially available songs and songs which have been edited on a computer). Up to 999 songs can be played back on this instrument (numbers 001–999). If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases. Sequence formats that can be played on the instrument • SMF (Standard MIDI File) Formats 0 and 1 The SMF format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0. The SMF format for sequence files allows you to exchange song data between different sequencers. Specify the Song Part (Channel) and Play the Song Because this instrument is not compatible with GM/XG/DOC/GS/XF Format, when listening to external songs, you can specify the song parts in this setting. The “ALL” setting plays back all 16 parts, while “1+2” plays back parts 1 and 2. Keep in mind that songs recorded on other devices may use a variety of voices not available on this instrument and hence may sound different than the original songs. In general, this instrument should be used to play back piano songs. Since piano songs are generally recorded to parts 1 and 2 exclusively, the “1+2” setting is best used with only the piano voice. Default setting is “ALL.” (ALL) Part 1 Part 2 Piano voices (1+2) Setting range: ALL, 1&2 To set the song part (channel), see Function F5.5 (page 43). 36 P-155 Owner’s Manual Part 3 Other voices Playing Back “USER” and “USB” Songs 43 1 2 1. Press the [SONG SELECT] button (the USER or USB indicator lights). ENGLISH 2. Press the [–/NO] [+/YES] buttons to select a song (Uxx*)/(xxx*) or (Sxx*)/(xxx*). The letters “xx” represent the song number. 3. Press the [PLAY/PAUSE] button to start playback. The current measure number appears on the display during playback. NOTE Recorded song playback cannot be started when the recorder contains no data. • You can play the keyboard while the instrument is playing back a song. You can also play the notes with a voice different from the playback voice by selecting a voice from the panel. Adjust the tempo You can use the [TEMPO/FUNCTION –, +] buttons to adjust the playback tempo as required before or during playback. The default tempo (the song’s original tempo) is set when you press the [–] and [+] buttons simultaneously. 4. Press the [STOP] button or [PLAY/PAUSE] button to stop playback. When playback is complete, the instrument automatically stops and locates the top of the song. To stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [PLAY/PAUSE] button. NOTE You can also enjoy playing duets with yourself by recording one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back. NOTE If you have External songs in the instrument, you can use the repeat function. ALL: Play all External songs in sequence. rnd: Play all External songs continuously in random order. Turning part playback on and off When you select a song on the instrument, the indicators for parts that contain data (one of [RIGHT] [LEFT] or both) are lit in green. While the instrument is playing or stopped, pressing these part buttons turns off the indicators, and the data on those parts is not played. Pressing the part buttons toggles part playback on and off. NOTE Parts can be turned on or off before or during playback. Part button indication Off: Contains no data On: Contains data P-155 Owner’s Manual 37 Detailed Settings – [FUNCTION] Detailed Settings – [FUNCTION] You can set various parameters to make the best use of instrument functions, such as fine tuning the pitch or selecting a scale, etc. The following parameters are available. This instrument has eight main functions. Some of these main functions consist of a set of sub-functions. Function List ENGLISH Function Fine tuning of the pitch Selecting a scale Dual functions Sub-function — F2.1 40 C F2.2 41 Dual Balance Different for each voice combination. F3.1 41 Dual Detune Different for each voice combination. F3.2 41 Voice 1 Octave Shift Different for each voice combination. F3.3 41 Voice 2 Octave Shift Different for each voice combination. F3.4 41 Voice 1 Effect Depth Different for each voice combination. F3.5 41 Voice 2 Effect Depth Different for each voice combination. F3.6 41 Base Note — F3.7 41 F#2 F4.1 42 Split Balance Different for each voice combination. F4.2 42 Right Voice Octave Shift Different for each voice combination. F4.3 42 Left Voice Octave Shift Different for each voice combination. F4.4 42 Right Voice Effect Depth Different for each voice combination. F4.5 42 Left Voice Effect Depth Different for each voice combination. F4.6 42 1 (for the right Voice) F4.7 42 AUX Pedal F4.8 42 F5.1 43 3 F5.2 43 Sustain Sample Depth 12 F5.3 43 10 F5.4 43 ALL F5.5 43 Sustain Pedal Type 1 F5.6 43 AUX Pedal Type 1 F5.7 43 ON F5.8 43 5 F5.9 43 Song Channel Selection Damper Resonance Effect ON/OFF Damper Resonance Effect Depth Metronome volume — 10 F6. 44 MIDI Transmit Channel Selection 1 F7.1 44 MIDI Receive Channel Selection ALL F7.2 44 Local Control ON/OFF ON F7.3 44 Program Change ON/OFF ON F7.4 44 Control Change ON/OFF ON F7.5 45 Panel/Status Transmit — F7.6 45 Initial Setup Send — F7.7 45 Voice OFF F8.1 46 MIDI ON F8.2 46 Tuning ON F8.3 46 Others ON F8.4 46 Int (International) F8.5 46 Character Code P-155 Owner’s Manual — 1 (Soft Pedal) Soft Pedal Effect Depth Keyoff Sample Volume 38 F8.3 1 (Equal Temperament) Scale Reset Backup functions Backup Group 40 Sustain Pedal Range MIDI functions Reference page F1. Reset Other functions Display 440.0Hz Split Point Split functions Default setting F8.1 F8.1 F8.1 F8.4 F8.1 F8.2 — Detailed Settings – [FUNCTION] Basic Procedure in Function Follow the steps below to use the functions. If you become lost while using a function, return to this page and read the basic procedure. 2 4 5 3 1. Press the [TEMPO/FUNCTION] button to enter the Function. The [FUNCTION] indicator lights. NOTE Functions cannot be selected during Demo/PRESET/USER/USB song playback or in the File Operation and Record modes. ENGLISH 1 6 NOTE Desired function Sub- function To cancel the function in step 2, 3, or 4, press the [TEMPO/FUNCTION –, +] button any time to exit Function. 2. Use the [TEMPO/FUNCTION –, +] buttons to select the desired function from F1–F8. When (that include the sub-functions) is selected, go on to step 3. When F1 or F6 is selected (these have no sub-functions), go on to step 5. Desired function 3. Press the [+/YES] button to enter the sub-function. Sub-function 4. Use the [TEMPO/FUNCTION –, +] buttons to select the desired sub-function. In the example below, the sub-functions of F4 (Split) are shown. 5. Use the [–/NO] and [+/YES] buttons to change the ON/OFF setting, select the type, or change the value. The default setting (which is used when you first turn on the power to the instrument) is recalled by pressing the [–/NO] and [+/YES] buttons simultaneously. NOTE After you select the function, the current setting will be displayed when the [–/NO] or [+/YES] button is pressed for the first time. 6. Press the [TEMPO/FUNCTION] to exit the Function. The [TEMPO] indicator lights. P-155 Owner’s Manual 39 Detailed Settings – [FUNCTION] About Each Function The explanations here apply when entering the Function in step 5 on page 39. ENGLISH F1. Fine Tuning of the Pitch You can fine tune the pitch of the entire instrument. This function is useful when you play the instrument along with other instruments or CD music. Use the [–/NO] and [+/YES] buttons to lower or raise the pitch of the A3 key in approximately 0.2 Hz increments. Tenths of a hertz are indicated on the display by the appearance and position of a dot, as in the following example: Display Value 440.0 440.2 440.4 446.6 Setting range: 427.0–453.0 (Hz) Default setting: 440.0 (Hz) F2. Selecting a Scale You can select various scales. Equal Temperament is the most common contemporary piano tuning scale. However, history has known numerous other scales, many of which serve as the basis for certain genres of music. You can experience these tunings with the instrument. F2.1: Scale Setting range: 1: Equal Temperament 2: Pure Major 3: Pure Minor 4: Pythagorean 5: Mean Tone 6: Werckmeister 7: Kirnberger Default setting: 1: Equal Temperament 453.0 TERMINOLOGY Hz (Hertz): This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. Using the keyboard to set the pitch You can fine tune the pitch by pressing a key on the keyboard, without having to call up the FUNCTION display. See the “Panel Controls and Terminals” (page 8) for the key (note) name. To tune up (in roughly 0.2Hz steps): Hold the A-1, B-1, and C0 keys simultaneously and press any key between C3 and B3. To tune down (in roughly 0.2Hz steps): Hold the A1, B-1, and C#0 keys simultaneously and press any key between C3 and B3. To restore standard pitch: Hold the A-1, B-1, C0, and C#0 keys simultaneously and press any key between C3 and B3. To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1, B-1 and C0 keys or the A-1, B-1 and C#0 keys simultaneously and press the [–/NO] or [+/YES] button. To restore standard pitch: Hold the A-1, B-1 and C0 keys or the A-1, B-1 and C#0 keys simultaneously and press the [–/NO] [+/YES] buttons simultaneously. 40 P-155 Owner’s Manual EQUAL TEMPERAMENT The pitch range of each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. This is the most commonly used tuning in music today. PURE MAJOR/PURE MINOR These tunings preserve the pure mathematical intervals of each scale, especially for triad chords (root, third, fifth). You can hear this best in actual vocal harmonies - such as choirs and a cappella singing. PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created from a series of perfect fifths, which are collapsed into a single octave. The 3rd in this tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for some leads. MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by making the major third interval more “in tune.” It was especially popular from the 16th century to the 18th century. Handel, among others, used this scale. WERCKMEISTER/KIRNBERGER This composite scale combines the Werckmeister and Kirnberger systems, which were themselves improvements on the mean-tone and Pythagorean scales. The main feature of this scale is that each key has its own unique character. The scale was used extensively during the time of Bach and Beethoven, and even now it is often used when performing period music on the harpsichord. Detailed Settings – [FUNCTION] F2.2: Base Note F3.2: If you select a scale other than Equal Temperament, you need to specify the root. (You can also specify the root note with Equal Temperament selected, but it will have no effect. The base note setting is effective for tunings other than the Equal Temperament tuning.) Setting range: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B Default setting: C Dual Detune Setting range: -20–0–20 (With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With negative values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised.) NOTE • Root indication example (G) Followed by a high bar if sharp (Ab) Followed by a low bar if flat F3. Dual Functions You can set various parameters for Dual (page 17) to optimize the settings for the songs you play, such as adjusting the volume balance between two voices. Dual function settings are set individually for each voice combination. If Dual is not engaged, will appear instead of and you will be unable to select the Dual functions. If this happens, press two voice buttons at the same time to engage Dual. F3.1: Dual Balance Setting range: 0–20 (A setting of “10” produces an equal balance between the two Dual voices. Settings below “10” increase the volume of Voice 2 in relation to Voice 1, and settings above “10” increase the volume of Voice 1 in relation to Voice 2.) Default setting: Different for each voice combination. You can set one voice as the main voice, and another voice as a softer, mixed voice. Default setting: Different for each voice combination. Detune Voice 1 and Voice 2 for Dual to create a thicker sound. F3.3: Voice 1 Octave Shift F3.4: Voice 2 Octave Shift ENGLISH (F#) The available setting range is wider in the lower range (± 60 cents for A-1), and narrower in the higher range (± 5 cents for C7). (100 cents equal one semitone.) Setting range: –1, 0, 1 Default setting: Different for each voice combination. You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination may sound better if one of the voices is shifted up or down an octave. F3.5: Voice 1 Effect Depth F3.6: Voice 2 Effect Depth Setting range: 0–20 Default setting: Different for each voice combination. These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual. (The effect depth settings cannot be changed unless the [EFFECT] is ON. Function must be exited before the [EFFECT] can be turned ON.) • “Voice 1” and “Voice 2” are explained on page 17. F3.7: Reset This function resets all Dual functions to their default values. Press the [+/YES] button to reset the values. NOTE SHORTCUT: You can jump directly to the Dual functions by pressing the [TEMPO/FUNCTION] button while holding the two Dual voice buttons. P-155 Owner’s Manual 41 Detailed Settings – [FUNCTION] F4. Split Functions ENGLISH This menu enables you to make various detailed settings for Split. By changing the split point or other setting, you can optimize the settings for the songs you play. Be sure to select the Split by pressing the [SPLIT] button before engaging Function. If Split is not engaged, will appear instead of and you will be unable to select the Split functions. Also note that you must exit Function before you can engage Split. F4.1: Split Point Setting range: The entire keyboard Default setting: F#2 Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. • Instead of pressing the [–/NO] [+/YES] buttons, you can engage the split point by pressing the appropriate key on the keyboard. • Example key name indications for Split Point: (F#2) (G2) Followed by a high bar if sharp F4.2: (Ab2) Followed by a low bar if flat Right Voice Octave Shift F4.4: Left Voice Octave Shift Setting range: –1, 0, 1 Default setting: Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently. Make a setting depending on the note range of the songs you play. You can make this setting for each combination of voices individually. F4.5: Right Voice Effect Depth F4.6: Left Voice Effect Depth Setting range: 0–20 Default setting: Different for each voice combination These functions make it possible to individually set the depth of the effect for the left and right Split voices. The effect depth settings cannot be changed unless the [EFFECT] is ON. You must exit Function before you can turn on an [EFFECT]. You can make this setting for each combination of voices individually. F4.7: Sustain Pedal Range Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice) Default setting: 1 (for the right Voice) The Sustain Pedal Range function determines whether the sustain pedal affects the right voice, the left voice, or both the left and right voices in Split. Split Balance Setting range: 0–20 (A setting of “10” produces an equal balance between the two Split voices. Settings below “10” increase the volume of the left voice in relation to the right voice, and settings above “10” increase the volume of the right voice in relation to the left voice.) Default setting: Different for each voice combination. The volume level of the two voices combined in Split can be adjusted as required. You can make this setting for each combination of voices individually. 42 F4.3: P-155 Owner’s Manual F4.8: Reset This function resets all Split functions to their default values. Press the [+/YES] button to reset the values. Detailed Settings – [FUNCTION] F5.4: Keyoff Sample Volume This section provides a variety of other functions, including letting you assign the operation of the AUX pedal to one of several settings, and allowing you to select specific song channels for playback. Setting range: 0–20 Default setting: 10 You can adjust the volume of the keyoff sound (the subtle sound produced when the keys are released) for voices [GRAND PIANO 1], [HARPSICHORD], [E.CLAVICHORD]. F5.1: F5.5: AUX Pedal Setting range: 1. Soft Pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing. 2. Sostenuto pedal If you play a note or chord on the keyboard and press the pedal while the note(s) are held, those notes will be sustained for as long as the pedal is held (as if the sustain pedal had been pressed) but all notes played thereafter will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.” NOTE Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed. 3. Expression This setting allows control of dynamics during performance. 4. Song Play/Pause This setting allows you to start or pause song playback. In this setting, the AUX Pedal functions in the same manner as the [PLAY/PAUSE] button on the panel. Default setting: 1 (Soft Pedal) F5.2: Soft Pedal Effect Depth Setting range: 1–5 Default setting: 3 This function sets the depth of the soft pedal effect. F5.3: Song Channel Selection Setting range: ALL, 1&2 Default setting: ALL The setting here only affects External songs. You can specify which song channels will play back on this instrument. When “ALL” is selected, channels 1–16 will be played back. When “1&2” is selected, only channels 1 and 2 will be played back, while channels 3–16 will be transmitted via MIDI. F5.6: SUSTAIN PEDAL Type F5.7: AUX PEDAL Type ENGLISH F5. Other Functions Setting range: 1, 2 Default setting: 1 Depending upon the pedal that is connected to the SUSTAIN PEDAL jack or AUX PEDAL jack, the effect produced by operating the pedal (ON/OFF, dynamics, etc.) might be reversed. If this happens, you can use this setting to correct the pedal operation. The setting range is from 1 to 2. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting of “1.” NOTE • Make sure that the power is switched OFF when connecting or disconnecting the pedal. • If the SUSTAIN PEDAL type is set to “2”, disconnecting the sustain pedal while the power is switched on may leave the sustain active, causing notes to sustain indefinitely. In this case, switch the power off, then back on. F5.8: Damper Resonance Effect ON/OFF Setting range: ON/OFF Default setting: ON Sustain Sample Depth Setting range: 0–20 Default setting: 12 The GRAND PIANO 1 voice features special “Sustain Samples” that recreate the unique resonance of an acoustic grand piano’s soundboard and strings when the sustain pedal is pressed. This function lets you adjust the depth of this effect. F5.9: Damper Resonance Effect Depth Setting range: 0–20 Default setting: 5 The Damper Resonance lets you apply a simulation of the sustain sound of the damper pedal on a grand piano, as you press the damper pedal and play the keyboard. This effect is applied to the voice you play on the keyboard and the part (channels 1 & 2). P-155 Owner’s Manual 43 Detailed Settings – [FUNCTION] F6. Metronome Volume Use this function to adjust the metronome volume. Setting range: 1–20 Default setting: 10 NOTE ENGLISH SHORTCUT: You can jump directly to the metronome functions by pressing the [TEMPO/FUNCTION] button while holding the [METRONOME] button. F7. MIDI Functions You can make detailed adjustments to the MIDI settings. For more information about MIDI, see the “About MIDI” section (page 48). F7.1: MIDI Transmit Channel Selection In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the instrument transmits MIDI data. Setting range: 1–16, OFF (not transmitted) Default setting: 1 NOTE • In Dual, Voice 1 data is transmitted on its specified channel. In Split, right voice data is transmitted on its specified channel. In Dual, Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In Split, left voice data is transmitted on the next greater channel number relative to the specified channel. In either case, no data is transmitted if the transmit channel is set to “OFF.” • Song data is not transmitted via the MIDI connections. However, channels 3–16 of External songs will be transmitted via the MIDI connections depending on the Song Channel Selection setting (page 43). F7.2: MIDI Receive Channel Selection In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the instrument receives MIDI data. Setting range: ALL, 1&2, 1–16 Default setting: ALL 44 P-155 Owner’s Manual NOTE • ALL: “Multi-timbre” Receive. This allows simultaneous reception of different parts on all 16 MIDI channels, enabling the instrument to play multi-channel song data received from a music computer or sequencer. 1&2: “1&2” Receive. This allows simultaneous reception on channels 1 and 2 only, enabling the instrument to play 1 and 2 channel song data received from a music computer or sequencer. • Program change and other like channel messages received will not affect the instrument’s panel settings or the notes you play on the keyboard. F7.3: Local Control ON/OFF “Local Control” refers to the fact that, normally, the instrument keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT terminal when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN terminal. Setting range: ON/OFF Default setting: ON F7.4: Program Change ON/OFF Normally the instrument will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The instrument will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the instrument without affecting the external MIDI device. NOTE For information on program change numbers for each of the instrument’s voices, refer to MIDI Data Format page 62. Setting range: ON/OFF Default setting: ON Detailed Settings – [FUNCTION] Control Change ON/OFF Normally the instrument will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The instrument also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the instrument’s pedal and other controls can be operated without affecting an external MIDI device. NOTE For information on control changes that can be used with the instrument, refer to MIDI Data Format on page 62. Setting range: ON/OFF Default setting: ON F7.6: Panel/Status Transmit This function causes all the current instrument panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. F7.7: Initial Setup Send This function lets you send the data of the panel settings to a computer. By transmitting the panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the instrument will be automatically restored to the same settings when the performance is played back. You can also use this function to change the settings of a connected tone generator to the same settings as the instrument. 1. Set up the panel controls as desired. 2. Connect the instrument to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Engage the Function and select . 4. Press the [+/YES] button to transmit the panel/status data. will appear on the display when the data has been successfully transmitted. ENGLISH F7.5: The following data can be sent. • Voice selection • [REVERB] type • [REVERB] depth • [EFFECT] type • [EFFECT] depth • Split point • Tuning (F1) • Dual detune (F3.2) NOTE Setup Data: Data that contains a set of panel settings for the instrument. 1. Set up the panel controls as desired. 2. Connect the instrument to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Engage the Function and select . 4. Press the [+/YES] button to transmit the panel/status data. will appear on the display when the data has been successfully transmitted. NOTE • See page 63 for a list of the Panel Data Contents transmitted by this function. • Receiving the transmitted data: 1. Connect the instrument via MIDI to the device to which the setup data was transmitted previously. 2. Start sending the setup data from the device. The instrument automatically receives the setup data, which will be reflected in the panel settings. (For the data to be accepted, the instrument that receives the setup data should be the same model as the one that transmitted the setup data to the sequencer.) • For more information on transmitting and receiving setup data via MIDI, refer to the owner’s manual for the connected MIDI device. P-155 Owner’s Manual 45 Detailed Settings – [FUNCTION] ENGLISH F8. Backup Functions You can back up some settings, such as voice selection and reverb type, so that they will not be lost when you turn off the power to the instrument. If the backup function is turned on, the settings at power off are effective. If the backup function is turned off, the settings in memory are erased when you turn off the power. In this case, when you turn on the power to the unit, the default settings (the initial settings) will be used. (The factory setting default list is found on page 61.) However, the backup settings themselves, the contents of the user song recorder memory, and character code setting are always backed up. Refer to “Data Backup Using a Computer” on page 52. You can turn the backup function on or off for each function group. Different Backup Groups are provided for the different function categories of the instrument: Voice, MIDI, Tuning and Others. F8.1: Voice Setting range: ON/OFF Default setting: OFF • Voice (Keyboard, Dual, and Split) • Dual (ON/OFF, Voice, and Dual Functions for each voice combination) • Split (ON/OFF, Voice, and Split Functions for each voice combination) • Reverb (ON/OFF, Type, and Depth for each voice) • Effect (ON/OFF, Type, and Depth for each voice) • Touch Sensitivity (including the FIXED volume) • Metronome Beat, Volume ( settings) F8.2: Setting range: ON/OFF Default setting: ON (expect for 46 P-155 Owner’s Manual settings) ) Tuning Setting range: ON/OFF Default setting: ON • Transpose • Tuning ( settings) • Scale (including base note) ( F8.4: settings) Others Setting range: ON/OFF Default setting: ON • Other functions ( • BRILLIANCE setting F8.5: settings) Character Code If the song cannot be loaded, you may need to change the character code setting. Setting range: Int (English)/JA (Japanese) Default setting: Int (English) Factory Preset Recall All settings affected by the Functions (F1–F8) can be restored to their original factory preset values by turning the [STANDBY/ON] switch ON while holding the C7 key (right-most-key on the keyboard). This operation also erases all user song data. The factory preset values are listed on page 61. CAUTION After turning the [STANDBY/ON] switch ON while holding the C7 key (right-most-key on the keyboard), “CLr” appears in the display. Never attempt to turn off the power while “CLr” appears in the display. Turning the power off in this state may cause the system to freeze. MIDI The MIDI functions ( F8.3: Connections Connections Connectors CAUTION Before connecting the instrument to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may result. 2 3 4 5 ENGLISH 1 1 USB [TO DEVICE] terminal This terminal allows connection to USB storage devices. Refer to “Connecting to a USB storage device” on page 49. 2 AUX OUT [L/L+R] [R] jacks These jacks let you connect the instrument to external powered speaker systems, for playing in larger venues at higher volumes. NOTE Use audio cables and adaptor plugs with zero resistance. CAUTION When the instrument’s AUX OUT jacks are connected to an external system, first turn on the power to the instrument, then to the external system. Reverse this order when you turn the power off. Powered speaker Instrument AUX OUT NOTE If you want to take a mono signal via the AUX OUT jack, connect a cable to the [L/L+R] jack. AUX IN Phone plug (standard) Phone plug (standard) Cable The instrument’s [MASTER VOLUME] setting will affect the sound that is output from the AUX OUT jacks. P-155 Owner’s Manual 47 Connections 3 MIDI [IN] [OUT] terminals Use MIDI cables to connect external MIDI devices to these connectors. MIDI [IN]: Receives MIDI data. MIDI [OUT]: Transmits MIDI data. Refer to the “Connecting a Personal Computer” on page 50. About MIDI ENGLISH MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/ reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the instrument, or control the instrument from a connected MIDI device or computer. NOTE Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive. The instrument’s MIDI Implementation Chart appears on page 66. 4 SUSTAIN PEDAL Jack This jack is for connecting an included foot switch FC4 here. An optional FC3 foot pedal or FC5 foot switch can also be connected to this jack. FC4 NOTE Depending upon the pedal that is connected to the SUSTAIN PEDAL jack, the effect produced by operating the pedal (ON/OFF, dynamics, etc.) might be reversed. If this happens, refer to the “SUSTAIN PEDAL Type” section (page 43). CAUTION Make sure that power is OFF when connecting or disconnecting the pedal. Do not turn on the power to the unit while pressing the foot switch or foot pedal. Otherwise, the switch or pedal type (on/off) will be reversed. 5 AUX PEDAL Jack This jack is for connecting an optional FC3 foot pedal, FC5 foot switch or FC7 foot controller. An included foot switch FC4 can also be connected to this jack. A wide range of functions such as the Soft Pedal function, etc. can be assigned to this jack. Use the Function settings to assign the function. (page 43) FC5 CAUTION Make sure that power is OFF when connecting or disconnecting the pedal. Do not turn on the power to the unit while pressing the foot switch, foot pedal, or foot controller. Otherwise, the switch or pedal type (on/off) will be reversed. 48 P-155 Owner’s Manual NOTE Depending upon the pedal that is connected to the AUX PEDAL jack, the effect produced by operating the pedal (ON/OFF, dynamics, etc.) might be reversed. If this happens, refer to the “AUX PEDAL Type” section (page 43). Connections Connecting to a USB storage device To connect to a USB storage device, be sure to read the section “Precautions when using the USB [TO DEVICE] terminal” on page 53. To display the data in the USB storage device To view the data of the USB storage device on the display, press the [SONG SELECT] button a few times until the “USB” indicator lights. If the “USB” indicator is lit before connecting the USB storage device, press the [EXIT] button to exit from “USB” and re-engage “USB.” ■ Backing up the instrument data to a computer Once you’ve saved data to a USB storage device, you can copy the data to the hard disk of your computer, then archive and organize the files as desired. Simply reconnect the device as shown below. ENGLISH Backing up your data to a computer Saves internal data to a USB storage device. Instrument USB [TO DEVICE] terminal USB storage device Disconnect the USB storage device from the instrument and connect it to the computer. Backing up data to a computer and organizing files/folders. Computer USB storage device ■ Copying files from a computer hard disk to a USB storage device Files contained on the hard disk of a computer can be transferred to the instrument by first copying them to the storage media, then connecting/inserting the media to the instrument. Not only files created on the instrument itself but also Standard MIDI files created on other devices can be copied to a USB storage device from the hard disk of the computer. Once you’ve copied the data, connect the device to the USB [TO DEVICE] terminal of the instrument, and play back the data on the instrument. Copying the files of the hard disk of the computer to the USB storage device. Computer USB storage device Disconnect the USB storage device from the computer and connect it to the instrument. Reading files on the USB storage device from the instrument. USB [TO DEVICE] terminal Instrument USB storage device P-155 Owner’s Manual 49 Connections Connecting a Personal Computer By connecting a computer to the MIDI terminals, you can transfer data between the instrument and the computer via MIDI. To do this, install the USB MIDI interface driver and Musicsoft Downloader software. There are two ways you can connect the instrument to a computer: NOTE 1. Connecting the USB port on the computer to the instrument via a USB MIDI interface. 2. Using a MIDI interface and the instrument’s MIDI terminals. TERMINOLOGY For more information, see below. ENGLISH Optional USB MIDI interface UX16 CAUTION When connecting the instrument to a computer, first turn off the power to both the instrument and the computer before connecting any cables. After making connections, turn on the power to the computer first, then to the instrument. Driver: A driver is software that provides a data-transfer interface between the computer’s operating system and a connected hardware device. NOTE You can download the USB MIDI interface driver and Musicsoft Downloader (MSD). Please check the following URL for the latest version. http://music.yamaha.com/ download/ Connecting the USB port on the computer to the instrument via a USB MIDI interface Use a USB MIDI interface device to connect the USB port on your computer to the instrument’s MIDI terminals. MIDI [IN] terminal MIDI [OUT] terminal USB terminal Instrument USB MIDI interface Computer Using a MIDI interface and the instrument’s MIDI terminals Use a MIDI interface device to connect a computer to the instrument using MIDI cables. MIDI cable Instrument MIDI [IN] terminal MIDI [OUT] terminal MIDI interface 50 P-155 Owner’s Manual USB port or serial port (modem or printer terminal) Computer NOTE For information on setting up your sequence software, refer to the owner’s manual of the relevant software. Connections Transmitting Song Data between the Computer and the Instrument System requirement for Musicsoft Downloader • OS : Windows 2000/XP Home Edition/XP Professional/Vista * For XP and Vista, the 32-bit version is supported, but not the 64-bit version. : Intel® Pentium® or Celeron® chip of 233MHz or Higher (500 MHz or higher is recommended) or higher Memory : 64MB or more (256MB or more is recommended) Available hard : at least 128MB of free space (at least 512MB of free space is recommended) disk capacity Display : 800 x 600 High Color (16-bit) Others : Microsoft® Internet Explorer® version 5.5 or higher • CPU • • • • NOTE You can download free Musicsoft Downloader from the Yamaha website. NOTE Do not manually change the file name by using a computer; doing so will render the file unable for loading on the instrument. ENGLISH In addition to the demo songs and the 50 piano preset songs stored in this instrument, you can play data for other song by loading it from a connected computer. To be able to use this function, you must first download Musicsoft Downloader from Yamaha website. http://music.yamaha.com/download/ Loading Song Data from a Computer to the Instrument You can load piano song data from a computer to this instrument. Also, after you record your performance on this instrument and save the recording to a computer, you can load the recording back to the instrument. This instrument can read MIDI data in SMF Format 0. However, if such data includes any information for functions that are not supported by this instrument, the instrument will not play the data correctly. For more information on loading song data from a computer to this instrument, please refer to “Transferring Data Between the Computer and Instrument (for unprotected data)” in the Help file that came with Musicsoft Downloader. TERMINOLOGY SMF (Standard MIDI File): This file features a popular sequence format (for recording performance data). This file is sometimes called a “MIDI file.” The file extension is MID. You can play the SMF format song using music software or a sequencer that supports SMF. This instrument also supports SMF. Requirements for song data that can be loaded from a computer to this instrument • Songs : • Maximum data size : • Data format : : Recorded songs (loaded from instrument), SMF Format 0 songs 748KB SMF Format 0 Backuped data (loaded from instrument) File name 09P-M.BUP You can play the loaded Songs (page 36). CAUTION Do not turn off the power to this instrument or unplug the instrument during data transmission. Otherwise, the data being transmitted will not be saved. Furthermore, flash memory operation may become unstable, causing the entire memory to be erased when you turn the power to the instrument on or off. NOTE Before you use this instrument, close the Musicsoft Downloader window and quit the application. Transmitting Song Data from the Instrument to a Computer Musicsoft Downloader enables you to transfer the recorded song in this instrument to a computer. For more information on transferring song data from this instrument to a computer, please refer to “Transferring Data Between the Computer and Instrument (for unprotected data)” in the Help file that came with Musicsoft Downloader. Data you can transfer from this instrument to a computer • Your recorded songs • Back up data : panel settings • Song data (once it has been loaded from the computer) P-155 Owner’s Manual 51 Data Backup Using a Computer Data Backup Using a Computer For maximum data security Yamaha recommends that you save your important data to your computer by using the Musicsoft Downloader (MSD) software. This provides a convenient backup if the internal memory is damaged. Data that can be saved ENGLISH ● Panel settings and recorded songs Panel settings are the same data that can be backed up using the Backup Functions (page 46). You can save the panel settings and recorded songs as one file. ● External songs received via computer. 1. Install the USB MIDI driver and MSD to your computer (Windows), then connect the computer and the instrument. For connection, see page 50. 2. Save the data to the computer. Using MSD, save the “09P-M.BUP” file from “System Drive” under “Electronic Musical Instruments” to the computer. The “09P-M.BUP” file contains the panel settings and recorded songs. Also, if you store the external songs in the instrument from the computer, save the songs from “Flash Memory” under “Electronic Musical Instruments” to the computer via the MSD. For instructions on using MSD, see the Help in the MSD. To recall the settings and load songs to the instrument, save the “09P-M.BUP” file and the External songs under the folders to which you saved the files. NOTE You can download the USB MIDI interface driver and Musicsoft Downloader (MSD). Please check the following URL for the latest version. http://music.yamaha.com/ download/ NOTE When MSD is started on a computer connected to the instrument, “con (computer connection)” appears in the display. When this indication appears, you cannot operate the instrument. NOTE The Musicsoft Downloader cannot be used when the instrument is in the following state: • During Demo playback. • During song playback. • During Record mode. • During File operations NOTE The panel settings and recorded songs (09P-M.BUP file) remain in the instrument after being saved to the computer. 52 P-155 Owner’s Manual Precautions when using the USB [TO DEVICE] terminal Precautions when using the USB [TO DEVICE] terminal This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below. For more information about the handling of USB devices, refer to the owner’s manual of the USB device. Compatible USB devices Connecting USB device • USB storage devices (flash memory, floppy disk drive, hard disk drive, etc.) • When connecting a USB device to the USB [TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction. The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page: http://music.yamaha.com/download/ NOTE • Though the instrument supports the USB 1.1 standard, you can connect and use a USB 2.0 storage device with the instrument. However, note that the transfer speed is that of USB 1.1. ENGLISH NOTE Other USB devices such as a computer keyboard or mouse cannot be used. Using USB Storage Devices By connecting the instrument to a USB storage device, you can save data you’ve created to the connected device, as well as read data from the connected device. NOTE Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data. Number of USB storage devices that can be used Only one USB storage device can be connected to the USB [TO DEVICE] terminal. To protect your data (write-protect) To prevent important data from being inadvertently erased, apply the write-protect provided with each storage device or media. If you are saving data to the USB storage device, make sure to disable write-protect. Formatting USB storage media When a USB storage device is connected or media is inserted, a message may appear prompting you to format the device/media. If so, execute the Format operation (page 35). Connecting/removing USB storage device Before removing the media from the device, make sure that the instrument is not accessing data (such as in the Save and Delete operations). CAUTION The format operation overwrites any previously existing data. Make sure that the media you are formatting does not contain important data. CAUTION Avoid frequently turning the power on/off to the USB storage device, or connecting/disconnecting the device too often. Doing so may result in the operation of the instrument “freezing” or hanging up. While the instrument is accessing data (such as during Save, Delete, Load and Format operations) or is mounting the USB storage device (shortly after the connection), do NOT unplug the USB connector, do NOT remove the media from the device, and do NOT turn the power off to either device. Doing so may corrupt the data on either or both devices. P-155 Owner’s Manual 53 Handling the Floppy Disk Drive (FDD) and Floppy Disks (Optional) Handling the Floppy Disk Drive (FDD) and Floppy Disks (Optional) ENGLISH An optional floppy disk drive can be installed to this instrument. The floppy disk drive lets you save original data you’ve created on the instrument to floppy disk, and allows you to load data from floppy disk to the instrument. Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below. Floppy Disk Compatibility 3.5" 2DD and 2HD type floppy disks can be used. Formatting a Floppy Disk If you find that you are unable to use new, blank disks or old disks that have been used with other devices, you may need to format them. For details on how to format a disk, see pages 35. Keep in mind that all data on the disk will be lost after formatting. Make sure to check beforehand whether or not the disk contains important data. NOTE Floppy disks formatted on this device may or may not be useable as is on other devices. Inserting/Removing Floppy Disks Inserting a Floppy Disk into the Disk Drive: Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out. NOTE Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks. Removing a Floppy Disk After checking that the instrument is not accessing* the floppy disk (checking that the use lamp on the floppy disk drive is off), firmly press the eject button at the upper right of the disk slot all the way in. When the floppy disk is ejected, pull it out of the drive. If the floppy disk cannot be removed because it is stuck, do not try to force it, but instead try pressing the eject button again, or try reinserting the disk and attempt to eject it again. * Access of the disk indicates an active operation, such as playback or deletion of data. If a floppy disk is inserted while the power is on, the disk is automatically accessed, since the instrument checks whether the disk has data. Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data-read and -write errors. Cleaning the Disk Drive Read/Write Head Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors. To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-available dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head cleaning disks. About Floppy Disks Handle floppy disks with care, and follow these precautions: • Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use. • Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids. • Do not open the sliding shutter and touch the exposed surface of the floppy disk inside. • Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable. • Never use a floppy disk with a deformed shutter or housing. • Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location. To Protect Your Data (Write-protect Tab): To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open). When saving data, make sure that the disk’s writeprotect tab is set to the “overwrite” position (tab closed). CAUTION Do not remove the floppy disk or turn off the instrument itself while the disk is being accessed. Doing so may result not only in loss of data on the disk but also damage to the floppy disk drive. 54 P-155 Owner’s Manual Write-protect tab ON (locked or write protected) Write-protect tab OFF (unlocked or write enabled) Message List Message List Message Comment Displayed after factory presets are recalled. CLr CAUTION con Displayed when Musicsoft Downloader is started on a computer connected to the instrument. When this message appears, you cannot operate the instrument. E01 Indicates failure in accessing the USB storage device because the device or media is damaged. E02 Displayed when the song data is damaged or not recognized. E04 Indicates that the song data is too large to be loaded. End Displayed when the current operation is completed. Err Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer connected to the instrument. ENGLISH Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all song data in the instrument, including external songs (page 36). Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been loaded from a computer are cleared, because the power has been turned off before the song save or load operations were completed. FCL CAUTION Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the instrument to malfunction. For Indicates that the instrument has engaged format mode for the USB storage device. Displayed when internal memory becomes full during song recording. FUL Displayed when the USB storage device becomes full and the song cannot be saved. Displayed when the total amount of files has become too large. Lod Displayed when a protected song is loading. n Y Confirms whether each operation is executed or not. n~Y Reconfirms whether the overwriting, delete or format operation is executed or not. Pro Indicates that the USB storage device or media is protected. P-155 Owner’s Manual 55 Troubleshooting Troubleshooting ENGLISH Problem Possible Cause and Solution The instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female plug into the socket on the instrument, and the male plug into a proper AC outlet (page 10). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in close proximity to the instrument. Turn off the mobile phone, or use it further away from the instrument. The overall volume is low, or no sound is heard. • The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] dial. • Make sure a pair of headphones is not connected to the headphones jack (page 11). • Make sure that Local Control (page 44) is ON. The sustain pedal has no effect. The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the proper jack (page 48). The foot pedal seems to produce the opposite effect. For example, pressing the foot pedal cuts off the sound and releasing it sustains the sounds. The type of the foot pedal is reversed. If this happens, use F5.6 or F5.7 to correct the pedal type (pages 39, 43). The USB storage device is not recognized by the instrument. The USB storage device may not be recognized by the instrument depending on the timing of the device connection. If the [USB] indicator is already lit by pressing of the [SONG SELECT] button, reselect the [USB] indicator after turning the [USB] indicator off by pressing the [SONG SELECT] button. If the device is still not recognized, it may not be supported by Yamaha. Only use devices supported by Yamaha (pages 53). The USB storage device has hung up (stopped). The USB storage device is not compatible with the instrument. Only use devices whose compatibility has been confirmed by Yamaha (pages 53). The USB storage device does not operate properly. Disconnect the device and connect it to the instrument again. 56 The three LEDs of “SAVE TO USB,” “LOAD TO USER” and “DEL./FORMAT” at the [FILE] button flash simultaneously when a storage device is connected. Disconnect the USB storage device and turn the power of the instrument off. The USB storage device is not compatible with the instrument. Only use devices whose compatibility has been confirmed by Yamaha (pages 53). The three LEDs of “SAVE TO USB,” “LOAD TO USER” and “DEL./FORMAT” at the [FILE] button flash simultaneously for five seconds when the USB storage device is operated. Disconnect the USB storage device and connect it again. P-155 Owner’s Manual Preset Voice List Preset Voice List Ø : Yes / — : No Voice Name Dynamic Key-Off Stereo Touch Sampling Sampling Sampling Response *1 *2 Voice Descriptions 1 GRAND PIANO 1 Ø Ø Ø Ø Recorded samples from a full concert grand piano. Also includes four levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. 2 GRAND PIANO 2 Ø Ø — — Spacious and clear piano with bright reverb. Good for popular music. 3 ELECTRIC PIANO 1 — Ø Ø — An electronic piano sound created by FM synthesis. Exceptional musical response with varying timbre according to keyboard dynamics. Good for standard popular music. 4 ELECTRIC PIANO 2 — Ø Ø Ø The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard. 5 JAZZ ORGAN — — — — The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms. 6 CHURCH ORGAN 1 Ø — — — This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. ENGLISH Voice Number STRINGS/OTHERS Voice Display Number Voice Name Dynamic Key-Off Stereo Touch Sampling Sampling Sampling Response *1 *2 Voice Descriptions 7 o 1 STRINGS 1 Ø Ø — — Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL. 8 o 2 STRINGS 2 Ø Ø — — Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL. 9 o 3 CHURCH ORGAN 2 Ø — — — This is the organ’s full coupler sound often associated with Bach’s “Toccata and Fugue.” 10 o 4 HARPSICHORD Ø — — Ø The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. 11 o 5 E.CLAVICHORD — Ø — Ø A hammer-struck keyboard instrument that utilizes an electric pickup that is often heard in funk and soul music. Its tone is noted for the unique sound produced when the keys are released. 12 o 6 VIBRAPHONE Ø Ø Ø — Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. 13 o 7 CHOIR — Ø — — A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. 14 o 8 GUITAR Ø Ø Ø — Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. 15 o 9 WOOD BASS — Ø Ø — An upright bass played fingerstyle. Ideal for jazz and Latin music. 16 o10 BASS & CYMBAL — Ø — — Adds a soft ride cymbal to the bass sound. Ideal for walking bass lines in jazz tunes. 17 o11 E.BASS — Ø — — Electric bass for a wide range of music styles, jazz, rock, popular, and more. *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released. P-155 Owner’s Manual 57 Index Index Numerics 50 Piano Preset Songs .....................................................13 Effects...............................................................................21 End (display) ...................................................................55 ENGLISH Err (display) ....................................................................55 A Export ..............................................................................31 A-B Repeat.......................................................................15 F Adjust Tempo (50 Piano Preset Songs) ...............................13 Tempo (Recorded Songs) .........................................37 Volume (Metronome) ..............................................44 Factory Setting List .........................................................61 FCL (display)...................................................................55 [FILE] button ..................................................................32 ALL (display) ...................................................................13 Fine Tuning of the Pitch.................................................40 AUX OUT [L/L+R] [R] jacks .........................................47 Floppy Disk .....................................................................54 AUX Pedal .................................................................11, 43 For (display) ....................................................................55 [AUX PEDAL] jack .........................................................48 Format .............................................................................35 B FUL (display) ..................................................................55 Backup (data) ..................................................................52 FUNCTION ..............................................................40–46 Basic Procedure.........................................................39 Backup Functions............................................................46 Functions.........................................................................38 [BRILLIANCE] button ...................................................20 C CLr (display)....................................................................55 H Hz (Hertz) .......................................................................40 Combining Voices (Dual)...............................................17 L con (display) ....................................................................55 [LEFT] button ........................................................... 14, 28 Connecting a Personal Computer ..................................50 Left part ..................................................................... 14, 28 Connections.....................................................................47 Computer...................................................................50 MIDI interface ...........................................................50 List Factory Setting...........................................................61 Functions ...................................................................38 Message List...............................................................55 Preset Song ................................................................60 Preset Voice ...............................................................57 Connectors ......................................................................47 D Load ........................................................................... 31, 33 Damper Resonance .........................................................21 Default setting ...........................................................18, 38 LOAD TO USER .............................................................33 Lod (display) ...................................................................55 DEL./FORMAT ...............................................................34 Delete ...............................................................................34 [DEMO] button ..............................................................12 Detailed Settings (FUNCTION).....................................38 Display .............................................................................10 Dual............................................................................17, 41 E M [MASTER VOLUME] dial .............................................10 Message List.....................................................................55 [METRONOME] button................................................24 Metronome Volume .......................................................44 MIDI ................................................................................48 MIDI [IN] [OUT]...........................................................48 E01 (display)....................................................................55 E02 (display)....................................................................55 E04 (display)....................................................................55 [EFFECT] button ............................................................21 58 P-155 Owner’s Manual MIDI Data Format..........................................................62 MIDI Functions ..............................................................44 MIDI Implementation Chart .........................................66 Music Rest .......................................................................11 Index N n y (display) .....................................................................55 n–Y (display) ...................................................................55 [SONG SELECT] button .......................................... 13, 37 Sostenuto pedal ...............................................................43 Specifications...................................................................68 SPLIT ......................................................................... 18, 42 O Other Functions ..............................................................43 [STANDBY/ON] switch .................................................10 [STOP] button .......................................................... 13, 37 [STRINGS/OTHERS] button.........................................16 Part Cancel.......................................................................14 Part Playback On and Off ...............................................37 Pedal Type .......................................................................43 Pedals ...............................................................................11 Sustain Pedal ....................................................... 42, 43, 48 [SUSTAIN PEDAL] jack.................................................11 Sync..................................................................................14 Sync Start.........................................................................14 T [PHONES] jack ...............................................................11 Pitch ➝ Fine Tuning of the Pitch...................................40 [PLAY/PAUSE] button .............................................13, 37 Play/Pause playback Demo Songs...............................................................12 Recorded Songs .........................................................36 TEMPO...................................................................... 13, 37 TEMPO (METRONOME) .............................................24 [TEMPO/FUNCTION] button................................ 24, 39 [TOUCH] button............................................................22 Touch Sensitivity.............................................................22 Playing Back Songs..........................................................36 [TRANSPOSE] button....................................................23 Practicing a One-Hand Part Using the 50 Preset Songs14 Troubleshooting..............................................................56 PRECAUTIONS ................................................................4 Tuning ➝ Fine Tuning of the Pitch...............................40 Preset................................................................................13 ENGLISH P “Preset” Song...................................................................13 U Preset Song List ...............................................................60 “USB” Song .....................................................................36 Preset songs ➝ 50 Piano Preset Songs ...........................13 USB Storage Device ........................................................35 Preset Voice List ..............................................................57 USB [TO DEVICE] terminal.................................... 47, 53 Pro (display) ....................................................................55 “USER” Song...................................................................36 R V [REC] button...................................................................25 VOICE .............................................................................16 Recording.........................................................................25 Initial Settings............................................................30 Voice group buttons .......................................................16 Repeat ........................................................................13, 15 Re-recording....................................................................27 [REVERB] button ...........................................................20 [RIGHT] button........................................................14, 28 Right part ...................................................................14, 28 rnd (display) ....................................................................13 S Save ............................................................................31, 32 SAVE TO USB .................................................................32 Scale..................................................................................40 SMF (Standard MIDI File) .................................31, 36, 51 Soft Pedal .........................................................................43 Song..................................................................................13 Song playback ..................................................................36 P-155 Owner’s Manual 59 Appendix Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéfinis / Lista de canciones preseleccionadas No. 60 Title Composer 1 Invention No. 1 J.S.Bach 2 Invention No. 8 J.S.Bach 3 Gavotte J.S.Bach 4 Prelude (Wohltemperierte Klavier I No.1) J.S.Bach 5 Menuett G dur BWV.Anh.114 J.S.Bach 6 Le Coucou L-C.Daquin 7 Piano Sonate No.15 K.545 1st mov. W.A.Mozart 8 Turkish March W.A.Mozart 9 Menuett G dur W.A.Mozart 10 Little Serenade J.Haydn 11 Perpetuum mobile C.M.v.Weber 12 Ecossaise L.v.Beethoven 13 Für Elise L.v.Beethoven 14 Marcia alla Turca L.v.Beethoven 15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven 16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven 17 Piano Sonate op.49-2 1st mov. L.v.Beethoven 18 Impromptu op.90-2 F.P.Schubert 19 Moments Musicaux op.94-3 F.P.Schubert 20 Frühlingslied op.62-2 J.L.F.Mendelssohn 21 Jägerlied op.19b-3 J.L.F.Mendelssohn 22 Fantaisie-Impromptu F.F.Chopin 23 Prelude op.28-15 “Raindrop” F.F.Chopin 24 Etude op.10-5 “Black keys” F.F.Chopin 25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin 26 Etude op.10-12 “Revolutionary” F.F.Chopin 27 Valse op.64-1 “Petit chien” F.F.Chopin 28 Valse op.64-2 F.F.Chopin 29 Valse op.69-1 “L’adieu” F.F.Chopin 30 Nocturne op.9-2 F.F.Chopin 31 Träumerei R.Schumann 32 Fröhlicher Landmann R.Schumann 33 La prière d’une Vierge T.Badarzewska 34 Dolly’s Dreaming and Awakening T.Oesten 35 Arabesque J.F.Burgmüller 36 Pastorale J.F.Burgmüller 37 La chevaleresque J.F.Burgmüller 38 Liebesträume Nr.3 F.Liszt 39 Blumenlied G.Lange 40 Barcarolle P.I.Tchaikovsky 41 Melody in F A.Rubinstein 42 Humoresque A.Dvorák ˇ 43 Tango (España) I.Albéniz 44 The Entertainer S.Joplin 45 Maple Leaf Rag S.Joplin 46 La Fille aux Cheveux de Lin C.A.Debussy 47 Arabesque 1 C.A.Debussy 48 Clair de lune C.A.Debussy 49 Rêverie C.A.Debussy 50 Cakewalk C.A.Debussy P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica Default Voice GRAND PIANO 1 Dual OFF Split OFF Backup Group F8.1 Split Left Voice Brilliance WOOD BASS NORMAL Reverb Type Preset for each voice Reverb Depth Preset for each voice Effect Type Preset for each voice Effect Depth Preset for each voice F8.4 F8.1 Touch Sensitivity Volume in the FIXED Metronome Metronome Time Signature Tempo Transpose MEDIUM 64 OFF — 0 (no accent) F8.1 120 — 0 F8.3 P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones 61 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the instrument. Wenn Sie mit MIDI bereits sehr vertraut sind, oder wenn Sie einen Computer verwenden, um Ihre Musik-Hardware mit MIDI-Meldungen vom Computer aus anzusteuern, sind die Daten in diesem Abschnitt hilfreich für die Steuerung des Instruments. Si vous êtes connaissez déjà la norme MIDI ou que vous utilisez un ordinateur pour contrôler votre matériel musical avec des messages MIDI générés par l’ordinateur, les données fournies dans cette section pourront vous aider à commander l’instrument. Si ya está familiarizado con MIDI o utiliza un ordenador para controlar su hardware de música con mensajes MIDI generados por ordenador, la información suministrada en esta sección puede ayudarle a controlar el instrumento. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H–78H = A-2–C8 / Receive: 00H–7FH = C-2–G8) vv = Velocity (Key ON = 01H–7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H–7FH = C-2–G8) vv = Velocity 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Modulation 01H Modulation 00H...7FH (3) Main Volume ccH Parameter 07H Volume MSB Data Range (vvH) 00H...7FH (4) Expression ccH Parameter 0BH Expression MSB Data Range (vvH) 00H...7FH (5) Sustain ccH Parameter 40H Sustain MSB Data Range (vvH) 00H...7FH (6) Sostenuto ccH Parameter 42H Sostenuto Data Range (vvH) 00H-3FH:off, 40H-7FH:on (7) Soft Pedal ccH Parameter 43H Soft Pedal Data Range (vvH) 00H-3FH:off, 40H-7FH:on (8) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (9) Effect3 Depth (Chorus Send Level) ccH Parameter Data Range (vvH) 5DH Effect4 Depth 00H...7FH (10) RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN • Coarse Tune • Fine Tune • Pitch Bend Range 62 BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Sustain Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. • When Control Change is turned OFF, Control Change messages will not be transmitted or received. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • Poly mode is always active. This mode will not change when the instrument receives MONO/POLY mode message. P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI 4. PROGRAM CHANGE 7. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number VoiceName GRAND PIANO 1 GRAND PIANO 2 ELECTRIC PIANO 1 ELECTRIC PIANO 2 JAZZ ORGAN CHURCH ORGAN 1 STRINGS 1 STRINGS 2 CHURCH ORGAN 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE CHOIR GUITAR WOOD BASS BASS & CYMBAL E.BASS MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 122 112 122 122 122 123 122 125 122 122 122 122 122 122 122 124 122 P.C.# 1 1 6 5 17 20 49 50 20 7 8 12 53 25 33 33 34 • Some devices use a “0 to 127” numbering system for program change messages. Since the instrument uses a “1 to 128” numbering system, you will need to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select P.C.#1 in the list above, transmit program change number 0. 5. PITCH BEND CHANGE [EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing F8H Transmission Transmitted every 96 clocks FAH Song start FCH Song stop FEH Transmitted every 200 milliseconds F0H, 43H, 0nH, 7CH (n: channel number) 00H, LLH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 38H 3xH, 3yH (version x.y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H (End of Exclusive) • Panel Data Contents (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) 1’st Voice Dual On/Off Dual Voice Dual Balance Dual Detune Dual Voice1 Octave Dual Voice2 Octave Dual Voice1 Effect Depth Dual Voice2 Effect Depth Split On/Off Split Voice Split Point Split Balance Split Voice1 Octave Split Voice2 Octave Split Voice1 Effect Depth Split Voice2 Effect Depth Split Sustain Mode (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33) (34) (35) Reverb Type 1 Reverb Type 2 Reverb Depth 1 Reverb Depth 2 Effect Type 1 Effect Type 2 Effect Depth — Touch Sensitivity Fixed Data AUX Pedal Soft Pedal Depth Absolute tempo low byte Absolute tempo high byte Key-Off Sampling Depth Damper Resonance On/Off Damper Resonance Depth • Panel data send requests cannot be received. 8. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message 6. SYSTEM REALTIME MESSAGES Data Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H] Reception Received as 96-clock tempo timing when MIDI clock is set to External. Song start Not received when the MIDI clock is set to Internal. Song stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All Note Off message occurs. Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0–F, whichever is received. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones 63 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H = 7EH = 7FH = 09H = 01H = F7H = or F0H = 7EH = XnH = Exclusive status Universal Non-Realtime ID of target device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive Exclusive status Universal Non-Realtime When received, n=0–F. X = irrelevant 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When a General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 9. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] ->...-> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0–F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When an XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 10. SYSTEM EXCLUSIVE MESSAGES (P-155 MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H] F0H = 43H = 73H = 01H = nnH = nn 02H 03H F7H = Exclusive status Yamaha ID P-155 ID Product ID (CLP common) Substatus Control Internal MIDI clock External MIDI clock End of Exclusive 11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0–F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = irrelevant (under 7FH) F7H = End of Exclusive (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0–F. When transmitted, n=0. 4CH = Model ID of XG aaH = Byte Count bbH = Byte Count hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the instrument another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 64 P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4* 01 02 03 04 7E 7F TOTAL SIZE 1 00 - 7F 00 00 Parameter MASTER TUNE MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 00=XG system ON 00=ON (receive only) Default value (H) 00 04 00 00 400 7F 07 *Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. <Table 2> MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 02 01 40 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB 00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB • “VARIATION” refers to the EFFECT on the panel. Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) 00 Refer to Effect MIDI Map 00 : basic type 00(=Effect off) 00 Description 0 - 127 Default value (H) 7F <Table 3> MIDI Parameter Change table (MULTI PART) Address (H) Size (H) 08 nn 11 1 nn = Part Number Data (H) 00 - 7F Parameter DRY LEVEL • Effect MIDI Map REVERB ROOM HALL 1 HALL 2 STAGE OFF MSB 02H 01H 01H 03H 00H LSB 10H 10H 11H 10H 00H MSB 41H 48H 77H 42H 00H LSB 08H 11H 00H 12H 00H EFFECT CHORUS PHASER TREMOLO ROTARY SP OFF P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones 65 66 0 - 127 0 - 127 0 - 127 ************** Note Number : True voice Ø ˛ Ø ˛ Ø ˛ Ø ˛ ˛ Ø ˛ Ø Control Change 0,32 1 7 10 11 6,38 64,66,67 71-74 84 91,93 96-97 100-101 ˛ Pitch Bend P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones *1 *1 *1 *1 *1 *1 *1 Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø ˛ ˛ Key's Ch's After Touch ˛ ˛ Ø ˛ Note ON Ø 9nH,v=1-127 Note OFF ˛ 9nH,v=0 Velocity 0-24 semi 9nH,v=1-127 ˛ ˛ 3 ************** ˛ 3 Default Messages Altered Mode 1 - 16 1 - 16 Recognized 1 1 - 16 Transmitted Default Changed Function... [ Digital Piano ] P-155 MIDI Implementation Chart Basic Channel YAMAHA Portament Control Effect Depth RPN Inc,Dec RPN LSB,MSB Bank Select Modulation Main Volume Panpot Expression Data Entry Pedal Remarks Date : 24-JUN-2008 Version : 1.0 MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráfico de implementación MIDI MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráfico de implementación MIDI : True # ˛ ˛ ˛ ˛ Ø ˛ Ø Ø Ø Ø Ø ˛ Ø Ø ˛ ˛ ˛ Ø Ø (120,126,127) (121) (122) (123-125) 0 - 127 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø ˛ : Yes : No *1 Although these control change messages are not transmitted by panel operations, they may be transmitted during a song performance. Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY Notes: All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset : : : Mes- : sages: : Aux Ø Ø : Song Pos. ˛ : Song Sel. ˛ ˛ : Tune Ø Ø 0 - 127 ************** System : Clock Real Time : Commands Common System Exclusive Prog Change MIDI Implementation Chart / MIDI-Implementierungstabelle / Feuille d’implémentation MIDI / Gráfico de implementación MIDI P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones 67 Specifications / Technische Daten / Caractéristiques techniques / Especificaciones Specifications / Technische Daten / Caractéristiques techniques / Especificaciones Model Size/Weight Dimensions (with music rest) Weight Keyboard Control Interface Display Panel Tone Generation Voices Polyphony Preset Types Effects Functions Preset Songs Recording Compatible Data Format Functions Overall Controls Storage Storage and Connectivity Connectivity Amplifiers and Speakers Power Supply Accessories Included Accessories Optional Equipment * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung. 68 P-155 Width 1,334 mm [52-1/2"] Height 140 mm [5-1/2"] (332 mm) [13-1/16"] Depth 351 mm [13-13/16"] (357 mm) [14-1/16"] Weight 18.6 kg (37 lbs., 1 oz.) Number of Keys 88 Type Graded Hammer (GH) Keyboard Touch Sensitivity Hard/Medium/Soft/Fixed Type LED Size 7-segment, 3-digit Language English Tone Generating Technology AWM Dynamic Stereo Sampling Number of Dynamic Levels 4 Stereo Sustain Samples Yes Key-off Samples Yes Number of Polyphony (Max.) 128 Number of Voices 17 Reverb Yes Chorus Yes Brilliance 3 types Damper Resonance Yes Dual/Layers Yes Split Yes Number of Preset Songs 50 Number of Songs 3 Number of Tracks 2 Data Capacity 300 KB (100 KB for each song) for “USER” Song, 447 KB for External Songs Recording Function Yes Playback SMF (Format 0 & 1) Recording SMF (Format 0) Metronome Yes Tempo Range 32–280 Transpose -12 to 0, 0 to +12 Tuning Yes Scale Type 7 types Internal Memory 300 KB (100 KB for each song) for “USER” Song, 447 KB for External Songs DC IN DC IN 16V Headphones x2 Sustain Pedal Yes MIDI [In][Out] AUX OUT [L/L+R][R] AUX Pedal Yes USB TO DEVICE Yes Amplifiers 12 W x 2 Speakers (12 cm x 6 cm) x 2 Power Supply Adaptor (PA-301/PA-300 or an equivalent recommended by Yamaha) Owner’s Manual, Foot Switch FC4, Music Rest, AC power adaptor PA-301 (not for sale), PA-300 or an equivalent recommended by Yamaha, My Yamaha Product User Registration Stereo Headphones HPE-150 Foot Pedal FC3/FC4/FC5/FC7 Keyboard Stand L-140/L-140S USB MIDI Interface UX16 Power Adaptor PA-300 or an equivalent recommended by Yamaha Floppy Disk Drive UD-FD01 * Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche. * Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha. P-155 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones EN Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC. By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items. [For business users in the European Union] If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. DE Verbraucherinformation zur Sammlung und Entsorgung alter Elektrogeräte Befindet sich dieses Symbol auf den Produkten, der Verpackung und/oder beiliegenden Unterlagen, so sollten benutzte elektrische Geräte nicht mit dem normalen Haushaltsabfall entsorgt werden. In Übereinstimmung mit Ihren nationalen Bestimmungen und den Richtlinien 2002/96/EC, bringen Sie alte Geräte bitte zur fachgerechten Entsorgung, Wiederaufbereitung und Wiederverwendung zu den entsprechenden Sammelstellen. Durch die fachgerechte Entsorgung der Elektrogeräte helfen Sie, wertvolle Ressourcen zu schützen und verhindern mögliche negative Auswirkungen auf die menschliche Gesundheit und die Umwelt, die andernfalls durch unsachgerechte Müllentsorgung auftreten könnten. Für weitere Informationen zum Sammeln und Wiederaufbereiten alter Elektrogeräte, kontaktieren Sie bitte Ihre örtliche Stadt- oder Gemeindeverwaltung, Ihren Abfallentsorgungsdienst oder die Verkaufsstelle der Artikel. [Information für geschäftliche Anwender in der Europäischen Union] Wenn Sie Elektrogeräte ausrangieren möchten, kontaktieren Sie bitte Ihren Händler oder Zulieferer für weitere Informationen. [Entsorgungsinformation für Länder außerhalb der Europäischen Union] Dieses Symbol gilt nur innerhalb der Europäischen Union. Wenn Sie solche Artikel ausrangieren möchten, kontaktieren Sie bitte Ihre örtlichen Behörden oder Ihren Händler und fragen Sie nach der sachgerechten Entsorgungsmethode. FR Information concernant la Collecte et le Traitement des déchets d’équipements électriques et électroniques Le symbole sur les produits, l’emballage et/ou les documents joints signifie que les produits électriques ou électroniques usagés ne doivent pas être mélangés avec les déchets domestiques habituels. Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et électroniques, veuillez les déposer aux points de collecte prévus à cet effet, conformément à la réglementation nationale et aux Directives 2002/96/EC. En vous débarrassant correctement des déchets d’équipements électriques et électroniques, vous contribuerez à la sauvegarde de précieuses ressources et à la prévention de potentiels effets négatifs sur la santé humaine qui pourraient advenir lors d’un traitement inapproprié des déchets. Pour plus d’informations à propos de la collecte et du recyclage des déchets d’équipements électriques et électroniques, veuillez contacter votre municipalité, votre service de traitement des déchets ou le point de vente où vous avez acheté les produits. [Pour les professionnels dans l’Union Européenne] Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques veuillez contacter votre vendeur ou fournisseur pour plus d’informations. [Information sur le traitement dans d’autres pays en dehors de l’Union Européenne] Ce symbole est seulement valables dans l’Union Européenne. Si vous souhaitez vous débarrasser de déchets d’équipements électriques et électroniques, veuillez contacter les autorités locales ou votre fournisseur et demander la méthode de traitement appropriée. ES Información para Usuarios sobre Recolección y Disposición de Equipamiento Viejo Este símbolo en los productos, embalaje, y/o documentación que se acompañe significa que los productos electrónicos y eléctricos usados no deben ser mezclados con desechos hogareños corrientes. Para el tratamiento, recuperación y reciclado apropiado de los productos viejos, por favor llévelos a puntos de recolección aplicables, de acuerdo a su legislación nacional y las directivas 2002/96/EC. Al disponer de estos productos correctamente, ayudará a ahorrar recursos valiosos y a prevenir cualquier potencial efecto negativo sobre la salud humana y el medio ambiente, el cual podría surgir de un inapropiado manejo de los desechos. Para mayor información sobre recolección y reciclado de productos viejos, por favor contacte a su municipio local, su servicio de gestión de residuos o el punto de venta en el cual usted adquirió los artículos. [Para usuarios de negocios en la Unión Europea] Si usted desea deshacerse de equipamiento eléctrico y electrónico, por favor contacte a su vendedor o proveedor para mayor información. [Información sobre la Disposición en otros países fuera de la Unión Europea] Este símbolo sólo es válidos en la Unión Europea. Si desea deshacerse de estos artículos, por favor contacte a sus autoridades locales y pregunte por el método correcto de disposición. For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM/IRELAND Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 GERMANY Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Zürich Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 POLAND/LITHUANIA/LATVIA/ESTONIA Yamaha Music Europe GmbH Branch Sp.z o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 Yamaha Música Ibérica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND ASIA THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDIA Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 SINGAPORE NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1, N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000 RUSSIA Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Yamaha Music (Russia) Office 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 495 626 0660 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868 Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 EKB50 Yamaha Home Keyboards Home Page http://music.yamaha.com/homekeyboard/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Digital Musical Instruments Division © 2008 Yamaha Corporation WQ76270 005POCP?.?-02B0 Printed in Japan