Yamaha HTR-6280 de handleiding

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HTR-5150
Natural Sound AV Receiver
Ampli-Tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5150
Printed in Malaysia ID
V403350
U C A T
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
04HTR-5150-e/f cv1/4 6/28/99, 2:31 PM1
2
SAFETY INSTRUCTIONS
1 Read Instructions – All the safety and operating instructions
should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be moved
with care. Quick stops, excessive force, and
uneven surfaces may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to a
wall or ceiling only as recommended by the manufacturer.
8 Ventilation – The unit should be situated so that its location
or position does not interfere with its proper ventilation. For
example, the unit should not be situated on a bed, sofa,
rug, or similar surface, that may block the ventilation
openings; or placed in a built-in installation, such as a
bookcase or cabinet that may impede the flow of air
through the ventilation openings.
9 Heat – The unit should be situated away from heat sources
such as radiators, stoves, or other appliances that produce
heat.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating instruc-
tions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience recep-
tacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as recom-
mended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating instruc-
tions. All other servicing should be referred to qualified
service personnel.
17 Power Lines – An outdoor antenna should be located away
from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert
you to the presence of uninsulated “dangerous
voltage” within the product’s enclosure that may
be of sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert you to the presence
of important operating and maintenance
(servicing) instructions in the literature
accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
01RX-V595a-e/f1 6/24/99, 11:42 AM2
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English
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides informa-
tion with regard to proper grounding of the mast and
supporting structure, grounding of the lead-in wire to an
antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.
FCC INFORMATION (for US customers only)
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of your
equipment by playing it at a safe level. One that lets the sound
come through loud and clear without annoying blaring or
distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If this
product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the
following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instruc-
tions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regula-
tions, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
01RX-V595a-e/f1 6/24/99, 11:42 AM3
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SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
After unpacking, check that the following parts are included.
Après le déballage, vérifier que les pièces suivantes sont incluses.
Indoor FM Antenna
Antenne FM intérieure
AM Loop Antenna
Cadre-antenne AM
Antenna adapter
(U.S.A. and Canada models only)
Adaptateur d’antenne
(Modèles pour les États-Unis et le
Canada seulement)
Batteries (size AA, R6, UM-3)
Piles (taille AA, R6, UM-3)
Remote control
Before using the remote control, install the supplied
batteries. See page 48 for battery installation.
Télécommande
Avant d’utiliser la télécommande, mettre les piles fournies en
place. Pour la mise en place des piles, voir page 98.
01RX-V595a-e/f1 6/24/99, 11:42 AM4
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English
5-Channel Power Amplification
Mininum RMS Output
(0.04% THD, 20 Hz 20 kHz)
U.S.A. and Canada models
Main: 70 W + 70 W (8 )
Center: 70 W (8 )
Rear: 70 W + 70 W (8 )
Australia and China models
Main: 65 W + 65 W (8 )
Center: 65 W (8 )
Rear: 65 W + 65 W (8 )
Multi-mode Digital Sound Field Processing
Digital Sound Field Processor (DSP)
Dolby Digital Decoder
Dolby Pro Logic Decoder
DTS Decoder
SUPPLIED ACCESSORIES........................................... 4
FEATURES .................................................................... 5
CAUTION ....................................................................... 6
Introduction
FEATURES OF THE SOUND EFFECTS....................... 7
CONTROLS AND THEIR FUNCTIONS ....................... 10
Preparation
SPEAKER SETUP ....................................................... 13
CONNECTIONS........................................................... 14
ADJUSTMENTS BEFORE USING THIS UNIT............ 21
Basic Operation
BASIC OPERATION .................................................... 26
TUNING ....................................................................... 30
SETTING THE SLEEP TIMER..................................... 35
Information about DSP
SOUND FIELD PROGRAM ......................................... 36
Advanced Information
ADJUSTMENTS IN THE “SET MENU” MODE ............ 41
Remote control
REMOTE CONTROL ................................................... 43
SETUP CODES ...........................................................49
TROUBLESHOOTING ................................................. 50
SPECIFICATIONS ....................................................... 53
LIST OF MANUFACTURERS’ CODES...................... 105
FEATURES
CONTENTS
CINEMA DSP: Theater-like Sound
Experience by the Combination of
YAMAHA DSP Technology and Dolby
Digital, Dolby Pro Logic or DTS
Automatic Input Balance Control for
Dolby Pro Logic decoding
Test Tone Generator for Easier Speaker
Balance Adjustment
Speaker Output Mode Selection
Sophisticated FM/AM Tuner
40-Station Random Access Preset Tuning
Automatic Preset Tuning
Preset Station Shifting Capability
(Preset Editing)
6-Channel External Decoder Input for
Other Future Formats
Video Signal Input/Output Capability
(Including S Video Connections)
SLEEP Timer
Universal Remote Control with Preset
Manufacturer Codes
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the cover assure proper ventilation of the
unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
<China model only>
Be sure to allow a space of at least 20 cm behind, 20 cm
on both sides and 30 cm above the top panel of the unit to
prevent fire and damage.
6. The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from the use of this unit with a voltage
other than that specified.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers and TVs. Move
this unit farther away from such equipment if interference is
observed.
8. Always set the VOLUME control to “
” before starting the
audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
9. Do not attempt to clean the unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
11. When not planning to use this unit for a long period of time
(e.g., a vacation), disconnect the AC power plug from the
wall outlet.
12. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
13. Grounding or polarization – Precautions should be taken so
that the grounding or polarization of the unit is not
defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
15. Voltage Selector (China model only)
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode. In
this state, this unit is designed to consume a very small
quantity of power.
FREQUENCY STEP switch
(China model only)
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owners Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to wide
slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
01RX-V595a-e/f1 6/24/99, 11:42 AM6
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English
FEATURES OF THE SOUND EFFECTS
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
receivers available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater Systems
(DTS) may be new to your home, but you have probably
experienced the amazing realism they bring to feature films in
theaters around the world.
To make the listening experience even more enjoyable, this unit
includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but the chances are that you’ll
still notice something missing — the acoustic environment of
the live concert hall. Extensive research into the exact nature
of the sonic reflections that create the ambience of a large hall
has made it possible for YAMAHA engineers to bring you this
same sound to your listening room, so you’ll feel all the sound
of a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any
one of these live performance environments, all in your own
home.
Dolby Surround has been used in movie theaters since the mid-
seventies. It has also been available in home entertainment
systems since the late eighties and continues to be a popular
format for home theater systems. It uses four discrete channels
and five speakers to reproduce realistic and dynamic sound
effects: two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby Pro
Logic decoder built into this unit employs a digital signal
processing system that stabilizes each channel for even more
accurate sound positioning than is available with standard
analog processors.
Introduction
Dolby Pro Logic
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Dolby Digital
Dolby Digital is the next level of the Dolby Surround sound
system that was developed for 35 mm-film movies by
employing low bit-rate audio coding.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to you. Dolby
Digital provides five full-range channels in what is sometimes
referred to as a “3/2” configuration: three front channels (left,
center and right), and two surround channels. A sixth bass-only
effect channel is also provided for output of LFE (low frequency
effect), or low bass effects that are independent of other
channels. (This is called the “LFE channel”.) This channel is
counted as 0.1, thus giving rise to the term 5.1 channels in
total.
Compared to Dolby Surround, which is referred to a “3/1”
system (left front, center, right front and just one surround
channel), Dolby Digital features two surround channels, called
stereo or split surrounds, each offering the same full-range
fidelity as the three front channels.
By using the built-in Dolby Digital decoder, you can experience
the dramatic realism and impact of Dolby Digital theater sound
in your home.
The wide dynamic range of sound reproduced by the five full-
range channels and precise sound orientation by digital sound
processing provides listeners with excitement and realism that
have never been experienced before.
Dolby Digital forms 5.1 channels as already mentioned, but it
can also form fewer channels, for example 2-channel stereo
and monaural. You may be able to find some 2-channel stereo
and/or monaural sources encoded with Dolby Digital in the
market.
Laser disc and DVD are home audio/video program sources
that could benefit from Dolby Digital. In the near future, Dolby
Digital will also be applied to DBS, CATV and HDTV. The
ongoing release of Dolby Digital theatrical films now underway
will provide an immediate source of Dolby Digital encoded
video software.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic” and the double-D symbol are trademarks of Dolby
Laboratories.
DTS Digital Surround
DTS (Digital Theater Systems) was developed to replace
analog soundtracks of movies with six discrete channels of
digital soundtracks, and it is now installed in many theaters
around the world. The DTS digital playback system changed
the way we experienced movies in theaters with six discrete
channels of superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode discrete
technology to home audio surround-sound entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically,
it is 5.1 channels, which means 5 full-range (left, center, right
and two surround) channels, plus a subwoofer (LFE) channel
(as “0.1”). It is compatible with the 5.1 speaker configurations
that are currently available for home theater systems.
The DTS Digital Surround algorithm is designed to encode the
six channels of 20-bit audio on to some laser discs, compact
discs and DVDs with considerably less data compression.
By using the DTS decoder built into this unit, you can
experience the dramatic realism and impact of the DTS-
installed theater’s high quality sound in your home.
Laser disc, compact disc and DVD are home audio formats by
which DTS can present its high-quality multi-channel audio. (In
addition to movies on laser discs, many exciting new multi-
channel music recordings will also become available in the
form of DTS-encoded compact discs.)
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued
and pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
01RX-V595a-e/f1 6/24/99, 11:42 AM8
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English
CINEMA DSP: Dolby Surround + DSP / DTS + DSP
The Dolby Surround sound and DTS systems show their full
ability in a large movie theater, because movie sounds are
originally designed to be reproduced in a large movie theater
that uses a multitude of speakers. Trying to create a sound
environment similar to that of a movie theater in your home is
difficult because of the room size, material inside the walls, the
number of speakers, and so on. In other words, your listening
room is very different from a movie theater.
However, YAMAHA DSP technology allows you to create nearly
the same sound experience as that of a large movie theater in
your home by compensating for the lack of presence and
dynamics in the listening room with original digital sound fields
combined with Dolby Surround or DTS Digital Surround
sounds.
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of YAMAHA DSP
technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the
rear surround side of the Dolby Pro Logic-decoded sound
field, respectively. They create a wide acoustic environment
and emphasize the surround effect in the room, letting you
feel as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
Refer to pages 36 to 37 for the DSP program.
CINEMA DSP
Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the
independent left and right surround sides of the Dolby Digital-
decoded or DTS-decoded sound field, respectively. They
create a wide acoustic environment and strong surround
effect in the room without losing high-channel separation. With
the wide dynamic range of Dolby Digital or DTS sound, this
sound field combination lets you feel as if you were watching
a movie in the newest Dolby Digital theater or DTS-installed
theater. This is the most ideal home theater sound at the
present time.
Refer to pages 36 to 37 for the DSP program.
01RX-V595a-e/f1 6/24/99, 11:42 AM9
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STANDBY/ON
TAPE/MD MON
/EXT. DECODER
–dB
0
2
4
8
12
18
20
22
40
80
1
0
2
3
4
55
4
3
2
1
2
3
4
4
3
2
1
BALANCETREBLEBASS
VIDEO AUX
PHONES
SPEAKERS
A
B
ON OFF
PROGRAM
INPUT
VCR • V
AUX • TV
/
DBS • DVD
/
LD • CD • TUNER • PHONO
VOLUME
L
8 VIDEO VIDEO
AUDIO R
A
/
B
/
C
/
D
/
E1 2
3
4
5
678
TUNING
MODE
MEMORY EDIT
FM/AM
DOWN
TUNING
UP
INPUT MODE
0
1
1
0
2
3
4
5 RL 5
4
3
2
1
TIME/
LEVEL
SET
MENU
EFFECT
55
MAN’L
/
AUTO FM AUTO
/
MAN’L MONO
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
1
STANDBY/ON
Press this switch to turn on the power of this unit. Press it
again to set this unit in the standby mode.
Standby mode
In this state, this unit consumes a very small quantity of
power to receive infrared-signals from the remote control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 12 for details.)
4 MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations.
When this button is pressed and held for more than three
seconds, automatic preset tuning begins.
5 EDIT
This button is used to exchange the assigment of two preset
stations with each other.
6 TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that the “AUTO TUNING” indicator lights up on the display.
To select the manual tuning mode, press this button so that the
“AUTO TUNING” indicator goes off.
7 FM/AM
Press this button to switch the reception band between FM and
AM.
8 TUNING UP/DOWN
This button is used for tuning. Press the UP side to tune in to
higher frequencies, and press the DOWN side to tune in to
lower frequencies.
9 TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
When you press the button next, the “TAPE/MD MON” indicator
goes off, “EXT. DECDR” appears on the display and you can
play the signal connected to the EXTERNAL DECODER
INPUT terminals.
0 INPUT
Turn this selector to select the input source (VCR, VIDEO AUX,
TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to
listen to or watch.
The name of the selected input source appears on the display.
Refer to pages 43 to 48 for the remote control.
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English
q INPUT MODE
This button switches between the DVD/LD and TV/DBS input
signal modes.
w VOLUME
This control is used to raise or lower the volume level.
e PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from
the main speakers through the headphones.
When using headphones only, set both SPEAKERS A and B to
the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by
pressing EFFECT.
r SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) for the main speaker system you don’t want to
use to the OFF position.
t A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
y Preset station number selector
Each of these buttons selects a preset station number (1 to 8).
u Tone controls
These controls are only effective for the sound from the main
speakers.
BASS
Use this control to increase or decrease the low-frequency
response. The “0” position produces a flat response.
TREBLE
Use this control to increase or decrease the high-frequency
response. The “0” position produces a flat response.
i BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume to
the left and right speakers to compensate for sound imbalance
caused by the speaker location or listening room conditions.
o TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
p +/–
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,
press + to increase the delay time or speaker output level.
Press to decrease the delay time or speaker output level.
a SET MENU
Press this button to select functions in the SET MENU mode.
s PROGRAM selector
Press
or to select a DSP program.
The name of the selected program appears on the display.
d EFFECT
Press this button once to switch the effect speakers (center and
rear) on or off. If you turn off the effect by using EFFECT, all
Dolby Digital and DTS audio signals are directed to the main
left and right channels. In that case, the left and right channel
signal levels may not match.
f VIDEO AUX terminals
Connect an auxiliary video or audio input source such as a
camcorder to these terminals. If the connected video unit has
an S video output terminal, connect it to the S VIDEO terminal
to obtain a high-resolution picture. The source connected to
these terminals can be selected by INPUT.
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1 Multi-information display
This displays various information, for example the station
frequency, preset station number and name of the selected
input source.
2 MEMORY indicator
When MEMORY is pressed, this indicator flashes for about five
seconds. During this period, the displayed station can be
stored in the memory.
3 AUTO TUNING indicator
This lights up when the unit is in the automatic tuning mode.
4 TAPE/MD MON indicator
This lights up when the tape deck (or MD recorder, etc.) is
selected as the input source by pressing TAPE/MD MON / EXT.
DECODER on the front panel or TAPE/MD on the remote control.
5 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
6 Signal-level indicator
This indicates the signal level of the station being received.
If multipath interference is detected, the indication decreases.
DISPLAY PANEL
7
indicators
Either “dts” indicator lights up when the built-in DTS decoder is
turned on.
The red “dts” indicator lights up when playing a CD or LD
encoded with DTS.
The orange “dts” indicator lights up when playing a DVD
encoded with DTS.
* An orange “dts” indicator may light up when playing a CD or
LD encoded with DTS after playing a video-CD or DVD on a
DVD/LD combi-player.
8 , and indicators
” lights up when the built-in Dolby Digital decoder is
on and the signals of the selected source encoded with Dolby
Digital are not in 2-channel. “ ” lights up when the built-in
digital sound field processor is on, and “
” lights up
when the built-in Dolby Pro Logic decoder is on. Depending on
the selected DSP program, both “
” and “ ”, or
both “
” and “ ” will light up.
9 SLEEP indicator
This lights up while the built-in SLEEP timer is functioning.
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English
SPEAKER SETUP
This unit is designed to provide the best sound-field quality with
a 5-speaker configuration, using main speakers, rear speakers
and a center speaker.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it is
not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the maximum
output of your audio system.
The other speakers do not have to be equal to the main
speakers. For precise sound localization, however, it is ideal to
use high-performance models that can reproduce sounds over
the full range for the center speaker and the rear speakers.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) sound with high fidelity when playing back a source that
is Dolby Digital or DTS-decoded. The YAMAHA Active Servo
Processing Subwoofer System is ideal for natural and lively
bass reproduction.
SPEAKERS TO BE USED
SPEAKER PLACEMENT
Refer to the following diagram when you place the speakers.
Main: The position of your present stereo speaker
system.
Rear: Behind your listening position, facing slightly
inward. Nearly 1.8 m (approx. 6 feet) up from the
floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.)
Subwoofer: The position of the subwoofer is not as critical,
because low bass tones are not highly directional.
Rear
speaker (R)
Main
speaker (R)
Center speaker
Subwoofer
Main
speaker (L)
Rear
speaker
(L)
Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and
right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 21
for details.)
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AC OUTLET(S) (SWITCHED)
U.S.A., Canada and China models ....................... 2 OUTLETS
Australia model .........................................................1 OUTLET
Use these to connect the power cords from your components to
this unit.
The power to the AC OUTLET(S) is controlled by this unit’s
STANDBY/ON or the provided remote control’s POWER and
STANDBY. These outlets will supply power to any connected
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 watts.
CONNECTIONS
Never plug in this unit and other components until all connections have been completed.
CONNECTIONS WITH OTHER COMPONENTS
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “” to “”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
.
Turntable Monitor TV
DVD player,
LD player, etc.
CD player Tape deck,
MD recorder, etc.
TV/DBS tuner VCR
(Video cassette recorder)
To AC outlet
(U.S.A. model)
GND terminal (for turntable use)
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
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English
CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with
coaxial or optical digital audio signal output terminals, they can
be connected to this unit’s COAXIAL and/or OPTICAL digital
signal input terminals.
Digital audio signals are transmitted with less loss than analog
audio signals. In addition, digital audio signal connections are
necessary, especially for an LD player or a DVD player, to send
signals encoded with Dolby Digital or DTS to this unit.
To make a connection between optical digital audio signal
terminals, remove the cover from each terminal, and then
connect them by using a commercially available optical fiber
cable that conforms to EIAJ standards. Other cables might not
function correctly.
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit
connected with the same-named analog audio signal terminals
of this unit, because a digital signal cannot be recorded by a
tape deck, MD recorder or VCR connected to this unit. You can
easily switch the selection of input signals between “digital” and
“analog.” (See page 28 for details.)
Notes
When connecting an audio/video unit to both the digital and
analog terminals of this unit, make sure to connect between
both terminals of the same name.
Be sure to attach the covers when the OPTICAL terminals
are not being used in order to protect them from dust.
The input signal from the DVD/LD input terminals is selected
in the following order of priority with the input mode set to the
AUTO position:
1 COAXIAL terminal
2 OPTICAL terminal
3 Analog terminal
If the DIGITAL OUT data of the player has been processed in
any way, you may not be able to perform DTS playback even
if you make a digital connection between this unit and the
player.
All digital audio signal input terminals are applicable to
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.
No sound will be generated when connecting your LD
player’s Dolby Digital RF signal output terminal directly to
this unit’s COAXIAL DVD/LD digital signal input terminal.
DVD or LD player*
* If your LD player has a Dolby Digital RF signal
output terminal, be sure to use the RF
demodulator (separately purchased).
TV/DBS tuner
(U.S.A. model)
01RX-V595a-e/f2 6/24/99, 11:42 AM15
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S
S
CONNECTING TO S VIDEO TERMINALS
If you have a VCR and a monitor equipped with “S” (high-
resolution) video terminals, those terminals can be connected
to this unit’s S VIDEO terminals. Connect the VCR’s “S” video
input and output terminals to this unit’s S VIDEO VCR OUT and
IN terminals, respectively, and connect the monitors “S” video
input terminal to this unit’s S VIDEO MONITOR OUT terminal.
Otherwise, connect the VCR’s composite video terminals to this
unit’s composite video terminals, and connect the monitor’s
composite video input terminal to this unit’s composite
MONITOR OUT terminal.
In addition, if you have a DVD or LD player equipped with an
“S” video terminal, connect the DVD/LD players “S” video
output terminal to this unit’s S VIDEO DVD/LD terminal.
Note
If video signals are sent to both S VIDEO input and com-
posite input terminals, the signals will be sent to their
respective output terminals.
S VIDEO terminals
This unit provides you with S VIDEO terminals in addition
to standard VIDEO terminals.
S VIDEO terminals transmit video signals separated into
luminance (Y) signals and color (C) signals. In comparison
with S VIDEO terminals, standard VIDEO terminals transmit
“composite” video signals.
Monitor TV
S
S S S
S
Camcorder
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
DVD/LD player
S VIDEO cable
VCR
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English
CONNECTING TO AN EXTERNAL DECODER
This unit is equipped with additional 6-channel audio signal
input terminals for inputting signals from an external decoder to
this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals of this
unit.
Notes
When signals input to these terminals are selected, the digital
sound field processor cannot be used.
The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the
SET MENU mode have no effect on the signals input to these
terminals. The setting of “M.LVL” is effective. (Refer to
page 21 for details.)
Adjustment of the output level of the center speakers, rear
speakers and subwoofer is effective when the signals input to
these terminals are selected as the input source. (Refer to
page 39 for details.)
External decoder with
6-channel discrete
outputs
(U.S.A. model)
WARNING
Do not change the IMPEDANCE SELECTOR switch setting
while the power to this unit is on, otherwise this unit may be
damaged.
If this unit fails to turn on when the STANDBY/ON switch is
pressed, the IMPEDANCE SELECTOR switch may not be
fully set to either end. If so, set the switch to either end fully
when this unit is in the standby mode.
Select the position whose requirements your speaker system
meets.
(Upper position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 4 or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8 or higher.
Center: The impedance of the speaker must be 6 or higher.
Rear: The impedance of each speaker must be 6 or
higher.
(Lower position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 8 or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16 or higher.
<Canada model only>
The impedance of each speaker must be 8 or
higher.
Center: The impedance of the speaker must be 8 or higher.
Rear: The impedance of each speaker must be 8 or
higher.
IMPEDANCE SELECTOR SWITCH
IMPEDANCE SELECTOR
(U.S.A. model)
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Note
Use speakers with the specified impedance shown on the
rear panel of this unit.
Main speaker connections
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either of the
SPEAKERS A or B terminals.
Rear speaker connections
A rear speaker system can be connected to this unit. Place
them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or
under the TV.
Subwoofer connection
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHA Active Servo Processing Subwoofer System, connect
the SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer system.
CONNECTING SPEAKERS
Rear speakers
Subwoofer system
Center speaker
Right
Left
Main speakers A Main speakers B
Right
Left
Right Left
(U.S.A. model)
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How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Tighten the knob to
secure the wire.
1 Press the tab.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Release the tab to
secure the wire.
1
2
3
2
3
1
Connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Banana plug connections are also possible. Simply insert the
banana plug connector into the corresponding terminal.
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Connecting the AM loop antenna
The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.
The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.
1
2
3
ANTENNA CONNECTIONS
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may result in improvement.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground
is a metal stake driven into moist earth.
2 Attach the loop antenna to the
antenna stand.
Outdoor
FM antenna
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm
antenna adapter
300-ohm feeder
Ground
AM loop
antenna
(included)
Outdoor AM antenna
* If you cannot obtain good
reception with the AM loop
antenna, connect 5 m to
10 m of vinyl covered wire
to the AM ANT terminal
and extend it outdoors
from a window. (Be sure
to also connect the AM
loop antenna at this time.)
Indoor FM antenna
(included)
* Firmly insert the
connector into the FM
ANT terminal.
Loop antenna
Antenna stand
* You may be unable to obtain good FM radio
reception depending on your local
conditions (distance from the broadcast
station, interposing buildings and
mountains, etc.). Consult your dealer or
authorized service center and be sure to
install an antenna that suits your local
conditions.
Install the special FM outdoor antenna in a
high place as far away from any roads as
possible to avoid being affected by
automobile ignition noise.
1 1 Press the tab and unlock the terminal hole.
2 Connect the AM loop antenna lead wires to the
AM ANT and GND terminals.
3 Return the tab to its original position to lock the
lead wires. Lightly pull the lead wires to confirm
a good connection.
3 Orient the AM loop
antenna so that the best
reception is obtained.
(U.S.A. model)
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English
ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 41.)
1.
CNTR (CENTER SPEAKER)
2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)
DESCRIPTION OF EACH FUNCTION
CNTR (CENTER SPEAKER)
Choices: LARGE/SMALL/NONE
Preset position: LARGE
LARGE: Select this position when your center speaker is
approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker
that is smaller than the main speakers.
In this position, low bass signals (below 90 Hz) on the
center channel are output from the main speakers (or
the SUBWOOFER OUTPUT terminal if the SMALL
position is selected for “MAIN” and the SW position is
selected for “BASS”).
NONE: Select this position when you do not have a center
speaker (four speaker system). The center channel
sound will be output from the left and right main
speakers.
REAR (REAR SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have high
ability for bass reproduction, or if a subwoofer is
connected in parallel to the rear speaker.
In this position, full-range signals are output from the
rear speakers.
SMALL: Select this position if your rear speakers do not have
high ability for bass reproduction.
In this position, low bass signals (below 90 Hz) on
the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN
position is selected for “BASS”).
MAIN (MAIN SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have high
ability for bass reproduction.
In this position, full-range signals present on the
main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not
have high ability for bass reproduction. However, if
your system does not include a subwoofer, do not
select this position.
In this position, low bass signals (below 90 Hz) on
the main channels are output from the
SUBWOOFER OUTPUT terminal if the SW or BOTH
position is selected for “BASS”.
BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN: Select this position if your system does not include a
subwoofer.
In this position, full-range signals present on the
main channels, signals from the LFE channel and
other low bass signals that are distributed from other
channels are output from the main speakers.
SW/BOTH:
Select either the SW or BOTH position if your
system includes a subwoofer.
In either position, signals on the LFE channel and
other low bass signals that are distributed from other
channels are output from the SUBWOOFER
OUTPUT terminal.
When the LARGE position is selected for “MAIN”, in
the SW position, no signal is distributed from the
main channels to the SUBWOOFER OUTPUT
terminal; however, in the BOTH position, low bass
signals from the main channels are output to both
the main speakers and the SUBWOOFER OUTPUT
terminal.
M.LVL (MAIN LEVEL)
Choices: NRML (NORMAL)/–10 dB
Preset position: NRML (NORMAL)
NRML (NORMAL):
Normally select this position.
–10 dB: Select this position if the sound output from the main
speakers is too loud and cannot be balanced with
the sound output from the center and rear speakers.
In this position, the sound output from the main
speakers is attenuated.
Note
The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no
effect on the signals input to the EXTERNAL DECODER
INPUT terminals on the rear of this unit.
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ADJUSTMENT METHOD
Adjustments should be made while watching the information on this unit’s display.
When adjusting with the remote control, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the
remote control.
or
1 Turn the power on.
Front panel Remote control
or
2 Press SET MENU once or more to select the function
“CNTR” on the display.
Front panel Remote control
or
* After pressing SET MENU once on the remote control, you
can also select the function by pressing
. (Pressing
goes back one selection.)
1
2
3
1 2
3
3 Press + or once or more to select the setting you
want.
Front panel Remote control
or
4 Repeat steps 2 and 3 to change the settings for
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same
way.
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SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby
Pro Logic decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control.
After completing the adjustment of the output level for each speaker, use VOLUME (
) on the remote control at your
listening position to check if the adjustments are satisfactory.
Set the SELECTOR DIAL to the AMP/TUN or DSP position
on the remote control.
or
1 Set VOLUME to the “ ” position.
Front panel
2 1
4,74
3
2
8
5,9
6
2 Turn the power on.
Front panel Remote control
or
3 Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
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6 Turn up the volume.
Remote control
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left main
speaker, center speaker, right main speaker, right rear
speaker and left rear speaker. The display changes as
shown below.
* If the function “CNTR” in the SET MENU mode is set to
the NONE position, you will hear the center channel test
tone from the left and right main speakers.
7 Adjust BALANCE so that the sound output level of the
left main speaker and the right main speaker is the
same.
Front panel
Main (L)
Center
Main (R)
Rear (R)
Rear (L)
4 Set BASS, TREBLE and BALANCE to the “0” position.
Front panel
5 Press TEST so that “TEST LEFT” appears on the
display.
Remote control
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English
8 Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost the
same as that of the main speakers.
Press TIME/LEVEL once or more to select the speaker
to be adjusted so that “CENTER”, “R SUR.” or “L SUR.”
appears on the display.
Remote control
* You cannot adjust the delay time while the test tone is
sounding even if “DELAY” appears on the display
after pressing TIME/LEVEL once or more.
Adjust the level.
* Pressing
raises and lowers the level.
* While adjusting, the test tone is heard from the
selected speaker.
Remote control
9 When the adjustment is finished, press TEST again to
stop the test tone.
Remote control
Notes
Once you have completed these adjustments, you can only
adjust the overall sound level of your audio system by using
VOLUME (or VOLUME (
) on the remote control).
If you use external power amplifiers, you may also use their
volume controls to achieve the proper balance.
If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted in step 8. The center sound is automati-
cally output from the left and right main speakers.
If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level
by setting “M.LVL” to “–10 dB”.
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BASIC OPERATION
TO PLAY A SOURCE
3 Select the desired input source by using INPUT.
(Turn on the monitor TV for video sources.)
Front panel Remote control
or
The name of the selected input source will appear on the
display.
To play a tape or an MD
Press TAPE/MD MON / EXT. DECODER
on the front panel or TAPE/MD on the
remote control so that the “TAPE/MD
MON” indicator lights up on the display.
To use a decoder connected to the EXTERNAL
DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER once or more on
the front panel or EXT. DEC. on the remote control so that
“EXT. DECDR” appears on the display.
When using the remote control
Set the SELECTOR DIAL to the AMP/TUN position on the
remote control.
To operate the CD player, DVD/LD player, tape deck, MD
recorder, or other components with this remote control, set
the SELECTOR DIAL to the component to be used. (See
“SETUP CODES” on page 49.)
1 Set VOLUME to the “ ” position.
Front panel
2 Turn the power on.
Front panel Remote control
or
2
1,73
4
5
8 8
2
7
3,4
8
Front panel
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English
7 Adjust the volume to the desired output level.
Front panel Remote control
or
8 If desired, adjust BASS, TREBLE, BALANCE, etc.
and use the digital sound field processor (see pages 36
to 37).
BASS: Turn this control clockwise to increase (or
counterclockwise to decrease) the low-
frequency response.
TREBLE: Turn this control clockwise to increase (or
counterclockwise to decrease) the high-
frequency response.
BALANCE: Adjust the balance of the output volume
from the left and right speakers to
compensate for any sound imbalance
caused by the speaker location or
listening room conditions.
Front panel
* These controls are only effective for the sound from the
main speakers.
Front panel Remote control
or
When you have finished using this unit
Press STANDBY/ON on the front panel again or STANDBY on
the remote control to set this unit in the standby mode.
4 For a DVD/LD or TV/DBS source, the current input
mode is also shown.
* To change the input mode for the DVD/LD or TV/DBS
source, press INPUT MODE (or the button that you
have pressed to select the input source in step 3 on
the remote control) once or more until the desired
input mode is shown on the display. (See page 28 for
details on switching the input mode.)
Front panel Remote control
or
Input mode
5 Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
6 Play the source. (See page 30 for detailed information
on tuning.)
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28
Notes on using INPUT
The audio source selected by INPUT will not be played if the
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is
displayed.
If you select a video source by INPUT without canceling the
selection of TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control), the
play back result will be a video image from the video source
and the sound from the audio source selected by TAPE/MD
MON / EXT. DECODER on the front panel (or TAPE/MD or
EXT. DEC. on the remote control).
If an audio source is selected by INPUT while watching a
video source, the selected audio source will be played, but
the video image will not be interrupted.
When you select an input source by INPUT, the DSP
program (or no DSP program) that was being used when the
same input source was selected the last time will be auto-
matically recalled.
If “DATA ERR” appears on the display while playing a CD or
LD encoded with DTS, stop playback and turn the player off
and then on again.
Switching the input mode
(for DVD/LD and TV/DBS)
This unit allows you to switch the input mode for sources that
send two or more types of signal to this unit.
The following three input modes are provided.
AUTO
This mode is automatically selected when you turn on the
power of this unit.
In this mode, the input signal is automatically selected in the
following order of priority:
1. Digital signal encoded with Dolby Digital or DTS, or normal
digital input signal (PCM)
2. Analog input signal (ANALOG)
* For a DVD/LD source, if digital signals are input from both the
OPTICAL and COAXIAL terminals, the digital signal from the
COAXIAL terminal is selected.
DTS
In this mode, only a digital input signal encoded with DTS is
selected, even though other signals are input at the same time.
ANALOG
In this mode, only an analog input signal is selected, even
though digital signals are input at the same time.
Select this mode when you want to use an analog input signal
instead of digital input signals.
Notes on input mode selection
The input mode for a TV/DBS source is selected with the
function “INPUT” in the SET MENU mode. (See page 42 for
details.)
Set the input mode to AUTO to play a DVD/LD source
encoded with Dolby Digital.
Set the input mode to ANALOG to play a normal 2-channel
source with a Dolby Surround program.
The sound output may be interrupted in some LD and DVD
players in the following situation:
The input mode is set to AUTO. A search is made while
playing the disc encoded with Dolby Digital or DTS, and then
disc playing is restored. The sound output is interrupted for a
moment because the digital input signal was selected again.
The input mode cannot be changed for the PHONO, TUNER,
TAPE/MD, CD, VCR and VIDEO AUX sources because only
analog signals are used.
The present input mode appears on the display when the
input source is changed to DVD/LD or TV/DBS, or the input
mode is changed.
Notes on playing a source encoded with DTS
If you play a CD or LD encoded with DTS while the AUTO
mode is selected, there will be a short noise at first while the
unit identifies the DTS signal and activates the DTS decoder.
This is not a malfunction, and can be avoided by setting the
input mode to DTS beforehand. In addition, If you continue
to play a CD or LD encoded with DTS with the input mode
setting left at AUTO, this unit automatically switches to the
“DTS-decoding” mode to prevent noise from being gener-
ated during future operation. (The red “dts” indicator lights
up on the display.)
No sound will be heard if a normal PCM CD or LD is played
in this mode. (The red “dts” indicator will flash.) To play a
normal disk, return the input mode from DTS to AUTO.
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29
English
TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE
4 21
2
4
1
1 Select the source to be recorded.
Front panel Remote control
or
2 Play the source and then turn up the volume to confirm
the input source. (See page 30 for detailed information
on tuning.)
Front panel Remote control
or
3 Begin recording on the tape deck, MD recorder or VCR
connected to this unit.
4 When a tape deck or MD recorder is being used for
recording, you can monitor the sounds being recorded
by pressing TAPE/MD MON / EXT. DECODER on the
front panel or TAPE/MD on the remote control so that
the “TAPE/MD MON” indicator lights up on the display.
Front panel Remote control
or
Notes
The settings of DSP and VOLUME, BASS, TREBLE and
BALANCE have no effect on the material being recorded.
Composite video and S video signals pass independently
through this unit’s video circuits. Therefore, when recording
or dubbing video signals, if your video source unit is con-
nected to provide only an S video (or only a composite video)
signal, you can record only an S video (or only a composite
video) signal on your VCR.
A source that is connected to this unit only through the digital
terminals cannot be recorded on a tape deck, MD recorder or
VCR connected to this unit.
A source of signals input to the EXTERNAL DECODER
INPUT terminals of this unit cannot be recorded.
Please check the copyright laws in your country to record
from records, compact discs, radio, etc. Recording of
copyright material may infringe copyright laws.
If you watch video software that uses scrambled or encoded
signals to prevent it from being dubbed, there may be a case
that the picture itself will be affected by those signals.
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30
32
1
AUTOMATIC TUNING
TUNING
Quick automatic-search tuning (AUTOMATIC TUNING) is effective when station signals are strong and there is no interference.
However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
MANUAL TUNING
Check that the “AUTO
TUNING” indicator goes off.
Set the SELECTOR DIAL to the AMP/TUN position on the remote control and select TUNER as the input source.
1 Select the reception band (FM or AM) and confirm it on
the display.
Front panel
or
2 Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
Front panel
Lights up
3 To tune in to a higher frequency, press the UP side of
TUNING once.
To tune in to a lower frequency, press the DOWN side
of TUNING once.
Front panel
* If the station where the tuning search stops is not the
desired one, press once more.
* If the tuning search does not stop at the desired station
(because the signal from the station is weak), take the
manual tuning procedure.
1 Select the reception band (FM or AM) and confirm it on
the display.
Front panel
or
2 Press TUNING MODE.
Front panel
3 Tune in manually to the desired station.
Front panel
* To continue the tuning search, press and hold the button.
Notes
If you tune in manually to an FM station, it will be automati-
cally received in monaural mode to increase the signal
quality.
When tuned in to a station, the frequency of the received
station is shown on the display.
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31
English
MANUAL PRESET TUNING
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by
selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
4 Select the preset station number with which you want to
store the station before the “MEMORY” indicator goes
off from the display.
Front panel
The displayed station has been stored as A1.
* In the same way, store other stations as A2, A3 ... A8.
* You can store more stations as preset station numbers in
other groups in the same way by selecting another group
in step 2.
To store stations
1 Tune in to the desired station.
(See page 30 for the tuning procedure.)
2 Press A/B/C/D/E once or more to select the desired
group (A to E) of preset stations and confirm it on the
display.
Front panel
3 Press MEMORY so that the “MEMORY” indicator
flashes for about five seconds.
Front panel
Flashes
2 4
3
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32
To recall a preset station
1 Select the group of preset stations.
Front panel Remote control
or
2 Select the preset station number.
Front panel Remote control
or
Notes
A new setting can be stored in place of the former one.
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the memory will be erased. If so, it can be re-stored
by simply following the preset tuning procedure.
1 2
2
1
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33
English
To store stations
1 Select the FM band.
Front panel
2 Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
Front panel
Lights up
3 Press MEMORY and hold for about three seconds.
Front panel
Flashes
AUTOMATIC PRESET TUNING (for FM stations only)
You can also make use of the automatic preset tuning function for FM stations only. This function enables the unit to perform
automatic tuning and to sequentially store FM stations with strong signals. Up to 40 stations can be stored automatically in the
same way as that for manual preset tuning on page 31. Note that a new setting can be stored in place of the former one.
4 To tune in to higher frequencies, press the UP side of
TUNING once.
To tune in to lower frequencies, press the DOWN side
of TUNING once.
Front panel
* If TUNING is not pressed, automatic preset tuning soon
begins automatically toward the higher frequencies.
Automatic preset tuning begins from the frequency currently
displayed. Received stations are sequentially stored as A1,
A2 ... A8.
* If more than 8 stations are received, they are stored as
preset station numbers in other groups (B, C, D and E) in
that order.
If you want to store the first station received by automatic
preset tuning as a desired preset station number
For example, if you want to store the first received station as C5,
select “C5” while “A1”, the “MEMORY” indicator and the “AUTO
TUNING” indicator flash after pressing MEMORY in step 3. Then
press TUNING. The first received station is stored as C5, and the
next stations as sequentially C6, C7 ... .
If stations have all been stored up to E8, automatic preset tuning
stops automatically.
When automatic preset tuning is completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To recall a preset
station” on page 32.
31
42
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34
EXCHANGING PRESET STATIONS
You can exchange the assignment of two preset stations with each other as shown below.
3 Next, recall preset station “A5” by following the same
procedure as that in step 1.
Flashes
4 Press EDIT once more.
Front Panel
Shows the exchange of
stations has been completed.
Notes
You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To
store stations” on page 31.
Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after searching all
frequencies.
With this function, only FM stations with sufficient signal strength are automatically stored. If the station you want to store is weak
in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store sta-
tions” on page 31.
1 Recall preset station “E1” by following the procedure in
the section “To recall a preset station” on page 32.
2 Press EDIT.
Front Panel
Flashes
2,4
Example
If you want to change the preset station from “E1” to “A5”, or vice versa.
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35
English
SETTING THE SLEEP TIMER
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the
remote control.
Notes
To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for
your TV, set the SELECTOR DIAL to the TV position.
The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of
this unit.
To set the SLEEP time
1 Play the source which you want to enjoy when you are
going to sleep and press SLEEP once or more to select
the desired SLEEP time.
Remote control
The SLEEP time is displayed.
Flashes
Each time you press SLEEP, the SLEEP time will change as
follows:
(Minutes)
120 90 60 30
The SLEEP timer is off (SLEEP OFF).
(This is the state before SLEEP is
pressed.)
The “SLEEP” indicator soon lights up and the display returns
to the indication before the SLEEP timer was set.
2 The unit will be switched to the standby mode automati-
cally at the selected SLEEP time.
To cancel the selected SLEEP time
Remote control
Press SLEEP once or more so that “SLEEP OFF” appears on
the display. (It will soon disappear and the “SLEEP” indicator
will go off from the display.)
Note
The SLEEP timer setting can also be canceled by setting the
unit in the standby mode with STANDBY/ON on the front panel
(or STANDBY on the remote control) or by disconnecting the
power plug of the unit from the AC outlet.
1
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36
No. PROGRAM
1 Normal Program
[1] DOLBY PRO LOGIC (
)
• Input source : Dolby Surround
2-ch Dolby Digital
• Output channel : 4 channels
• DSP :
[2] DOLBY DIGITAL (
)
• Input source : Dolby Digital
• Output channel : 5.1 channels
• DSP :
[3] DTS (
)
• Input source : DTS
• Output channel : 5.1 channels
• DSP :
2 Enhanced Program
[1] DOLBY PRO LOGIC/Enhanced (
)
• Input source : Dolby Surround
2-ch Dolby Digital
• Output channel : 4 channels
• DSP : 1 (surround)
[2] DOLBY DIGITAL/Enhanced (
)
• Input source : Dolby Digital
• Output channel : 5.1 channels
• DSP : 2 (surround L, R)
[3] DTS/Enhanced (
)
• Input source : DTS
• Output channel : 5.1 channels
• DSP : 2 (surround L, R)
FEATURES
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,
depend on what you are listening to) and adding any desired adjustments.
The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP
program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most
of these are precise digital re-creations of actual acoustic environments.
The built-in Dolby Pro Logic, Dolby Digital or DTS
decoder precisely reproduces the sound and effect of
the encoded source.
The realization of a highly efficient decoding process
improves cross talk and channel separation and makes
sound positioning smoother and more precise.
This program ideally simulates the multi-surround
speaker systems of the 35 mm-film movie theater. Each
decoding and digital sound field processing operation is
precisely performed without altering the original sound
orientation.
The surround effect produced by the sound field folds
around the viewer naturally from the rear to the left and
right and toward the screen.
For movie or audio/video sources
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English
No. PROGRAM
3 CINEMA DSP Program
[1] 70 mm MOVIE THEATER (
)
• Input source : Dolby Surround
2-ch Dolby Digital
• Output channel : 3 channels
• DSP : 2 (presence & surround)
[2] 70 mm MOVIE THEATER – DOLBY D. (
)
• Input source : Dolby Digital
• Output channel : 5.1 channels
• DSP : 3 (presence & surround L, R)
[3] 70 mm MOVIE THEATER – DTS (
)
• Input source : DTS
• Output channel : 5.1 channels
• DSP : 3 (presence & surround L, R)
4 MONO MOVIE
• Input source : Monaural
• Output channel : 1
• DSP : 1
5 TV SPORTS
• Input source : Audio/Video
• Output channel : 2 to 5.1 channels
• DSP : 2 to 3 (presence & surround)
FEATURES
Creates the extremely wide sound field of a movie
theater. It precisely reproduces the source sound in
detail, giving both the video and the sound field
incredible reality. Any kind of video source encoded
with Dolby Digital or DTS (especially large-scale movie
productions) is ideal for use with this program.
This program is designed specifically to enhance
monaural sources. Compared to a strictly mono setting,
the sound image is wider and slightly forward of the
speaker pair, lending an immediacy to the overall
sound.
This program is furnished with a tight sound field in
which the sound will not spread excessively at the front,
but the rear surround produces dynamic sound
expansion.
No. PROGRAM
6 Hi-Fi DSP Program
• Input source : 2-ch PCM/Analog audio
• Output channel : 2 channels
• DSP : 1
[1] DISCO
[2] ROCK CONCERT
[3] CONCERT HALL
For Hi-Fi Audio sources
Simulates the acoustics of disco in the heart of a lively
city. The sound is dense and highly concentrated.
Ideally suited for rock music. You will experience a
dynamic and lively sound field.
Creates the expansive ambience of a large concert hall.
Orchestra and opera music are suited to this program.
FEATURES
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38
PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT
Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on
pages 26 to 27.
Select the desired DSP program that is suitable for the source.
Front panel Remote control
or
Press DSP. While the indicator is lit up for about
three seconds, select a DSP program with the
numeric buttons (1 to 8).
* If the SELECTOR DIAL is set to the DSP position, you can
also select a DSP program directly with the numeric
buttons (1 to 8).
The name of the selected program appears
on the display.
If desired, adjust the delay time and the output level of each
speaker. (See pages 39 and 40 for details.)
The following indicators on the display show you what sound
processing is being undertaken.
12 3 4 5
1 This lights up in orange when a DVD source encoded with
DTS is played back and DTS is decoded.
2 This lights up in red when an LD source or a CD source
encoded with DTS is played back and DTS is decoded.
3 This lights up when Dolby Digital is being decoded and the
signals of the selected source encoded with Dolby Digital is
not in 2-channel.
4 This lights up when the digital sound field processor is
turned on.
5 This lights up when Dolby Surround is being decoded by
Dolby Pro Logic.
TO CANCEL THE SOUND EFFECT
To cancel the sound effect and monitor only the main sound,
press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT
ON/OFF once more to turn sound effect back on.
Front panel Remote control
or
Notes
You can select a program for each of the input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called up.
When a monaural sound source is being played with DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound
will be heard from the main speakers and the rear speakers.
Sound can only be heard from the center speaker. However,
if the NONE position is selected for “CNTR” in the SET
MENU mode, the main speakers will output the sound of the
center channel.
When the source of signals input to the EXTERNAL
DECODER INPUT terminals of this unit is selected, DSP
cannot be used.
If the sound effect is canceled when signals encoded with
Dolby Digital or DTS are input to this unit, the signals of all
channels are mixed and are output from the main speakers.
If EFFECT or EFCT ON/OFF is pressed to turn the sound
effects off when Dolby Digital or DTS is decoded, it may
happen that the sound is output faintly or not output normally,
depending on the source. In that case, press EFFECT or
EFCT ON/OFF to turn on the sound effects.
If you change the LD (or CD) being played back with DTS
being decoded to another disc that is not encoded with DTS
when the red “dts” indicator lights up, playing back the newly
selected disc will result in no sound output. In this state, the
red “dts” indicator flashes to show that this unit is locked in
the DTS-decoding mode.
To play back the disc normally, change the current DTS-
decoding mode to another mode by INPUT MODE on the
front panel or by INPUT on the remote control so that the red
“dts” indicator goes off.
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39
English
2 Press + or to adjust the settings for the delay time or
speaker output levels.
Front panel Remote control
or
3 Repeat steps 1 and 2 to adjust the settings of any other
item.
ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you
can adjust the delay time between the main sound and sound effect, and each speakers output level as you prefer.
Adjustment method
When adjusting with the remote control, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the
remote control.
or
1 Press TIME/LEVEL once or more until the name of the
item which you want to adjust appears on the display.
Front panel Remote control
or
* After pressing TIME/LEVEL once on the remote control,
you can also select the name of item by pressing
.
When pressed, the selection changes as follows:
DELAY
CENTER
R SUR.
L SUR.
SWFR
* Pressing on the remote control changes the selection in
the reverse order.
* Depending on the setting in the SET MENU mode, you
may not be able to select all these items.
1
2
2
1
Delay time
Center speaker output level
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
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40
Adjusting the delay time
You can adjust the time difference between the beginning of the
sound from the main speakers and the beginning of the sound
effect from the rear speakers.
The larger the value, the later the sound effect is generated.
This adjustment can be individually made to all programs.
Notes
Adding too much delay will cause an unnatural effect with
some sources.
When + or is pressed, the sound is momentarily inter-
rupted.
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer
Program
1. DOLBY PRO LOGIC
DOLBY DIGITAL
DTS
2. DOLBY PRO LOGIC/Enhanced
DOLBY DIGITAL/Enhanced
DTS/Enhanced
3. 70 mm MOVIE THEATER
70 mm MOVIE THEATER – DOLBY D.
70 mm MOVIE THEATER – DTS
4. MONO MOVIE
5. TV SPORTS
6. DISCO
7. ROCK CONCERT
8. CONCERT HALL
If desired, you can adjust the sound output level of each
speaker even if the output level has already been set in
“SPEAKER BALANCE ADJUSTMENT” on pages 23 to 25.
Notes
The output level of the center speaker cannot be adjusted
when the DISCO, ROCK CONCERT or CONCERT HALL
program is selected, and the input signal is analog, PCM
audio, or encoded with Dolby Digital in 2-channel.
If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted. This is because, in this mode, the center
speaker sound is automatically output from the left and right
main speakers.
Once the output level has been adjusted, the level will be the
same for all digital sound field programs.
Memory back-up
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest
values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If
so, they can be re-set by simply following the adjustment method on page 39.
Speaker
CENTER
RIGHT REAR
LEFT REAR
SUBWOOFER
Control range (dB)
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
Preset value
0
0
0
0
Preset value
20
5
5
20
5
5
20
16
16
49
9
40
16
44
Control range (ms)
15 to 30
0 to 15
0 to 15
15 to 30
0 to 15
0 to 15
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
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41
English
However, at the normal level suitable for listening in your room,
the low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to reduce an
original sound track’s dynamic range for a home audio format
by “compressing” the sound data.
MAX: In this position, a source encoded with Dolby Digital
is reproduced in the original sound track’s wide
dynamic range to provide you with powerful sounds
just like those in a movie theater.
Selecting this position will be even better if you can
listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard):
In this position, a source encoded with Dolby Digital
is reproduced in the “compressed” dynamic range of
the source that is suitable for low-level listening.
MIN: In this position, the dynamic range is more reduced
than in the STD position.
Selecting this position will be effective when you
must listen to a sound source at a low level.
* In this position, it may happen that sound is output
faintly or not output normally depending on the
source. In that case, select the MAX or STD
position.
DTS LFE (Adjusting the level of the LFE
channel for DTS)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when DTS is being decoded
and the signals of the selected source encoded with DTS
contain LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they are
output from the same speakers, the ratio of the LFE signal level
to the level of the other signals can be adjusted.
(See page 8 for details about the LFE channel.)
ADJUSTMENTS IN THE “SET MENU” MODE
The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening
and video watching.
1. CNTR (CENTER SPEAKER)
2. REAR (REAR SPEAKERS)
3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT)
5. M.LVL (MAIN LEVEL)
6. D.D.LFE
(DOLBY DIGITAL LFE LEVEL)
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,
see page 21. (Once you have selected the appropriate
settings, you do not have to change any settings unless an
alteration is made in your speaker system.)
D.D.LFE (Adjusting the level of the LFE
channel for Dolby Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when Dolby Digital is being
decoded and the signals of the selected source encoded with
Dolby Digital contain LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they are
output from the same speakers, the ratio of the LFE signal level
to the level of the other signals can be adjusted.
(See page 8 for details about the LFE channel.)
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN
Preset position: MAX
* This adjustment is effective only when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum level
and the minimum level of sounds.
Sounds on a movie originally designed for movie theaters
feature a very wide dynamic range.
Dolby Digital technology can modify the original sound track
into a home audio format with this wide dynamic range un-
changed.
Powerful sounds of extremely wide dynamic range are not
always suitable for home use. Depending upon the condition of
your listening environment, it may not be possible to increase
the sound output to a level as high as that in a movie theater.
7. D.RNG (DYNAMIC RANGE)
8. DTS LFE (DTS LFE LEVEL)
9. C.DELAY (CENTER DELAY)
10. GUARD (MEMORY GUARD)
11. INPUT (INPUT MODE)
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C.DELAY [Adjusting the delay of
center sounds (dialog, etc.)]
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
* This adjustment is effective only when Dolby Digital or DTS is
being decoded and the signals of the selected source
encoded with Dolby Digital or DTS contain center-channel
signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel).
The larger the value, the later the dialog, etc. is generated.
This is for making sounds from the left main, center and right
main speakers reach your listening position at the same time.
This is achieved by delaying the sound from the center speaker
if the distance from the center speaker to your listening position
is shorter than the distance from the left or right main speaker
to your listening position.
GUARD (Memory guard)
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to SET MENU and
other adjustments on this unit, select ON. The following
functions on this unit can be locked by this operation:
Other functions in the SET MENU mode
Functions in the TIME/LEVEL mode
Functions when using TEST
INPUT
(Selecting the mode of the TV/DBS input)
Choices: AUTO/LAST
Preset position: AUTO
You can designate the input mode that is automatically selected
when the power of this unit is switched on for only the sources
connected to the TV/DBS input terminals of this unit.
AUTO: In this position, the AUTO input mode is always
selected when the power for this unit is switched on.
LAST: In this position, the input mode you selected last time
is memorized and will not be changed when the
power is switched on again.
* See page 28 for details on switching the input mode.
Adjustment method
Adjustments should be made while watching the information on
this unit’s display.
When adjusting with the remote control, set the SELECTOR
DIAL to the AMP/TUN or DSP position on the remote control.
or
Press SET MENU once or more so that the function which you
want to change appears on the display.
Front panel Remote control
or
* After pressing SET MENU once on the remote control, you
can also select the title by pressing
. (Pressing goes back
one selection.)
Press + or to select any desired position or to edit parameters
of the chosen function.
Front panel Remote control
or
Repeat these steps to change or adjust the settings of any
other function.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the settings of the SET MENU mode will automati-
cally return to the factory settings. If so, they can be re-set by
simply following the procedure above.
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43
English
You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory
set to control this unit and most YAMAHA audio components.
To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from
page 105.
2 Press the desired operation button.
Note: Press the button with the remote control aimed at
the front panel.
REMOTE CONTROL
Basic operation
1 Select the position for the component that you want to
control by turning the SELECTOR DIAL.
Note: Turn the SELECTOR DIAL until it stops with a click.
Components which can be controlled
There are nine positions that you can select to control connected components with this remote control. When turning the
SELECTOR DIAL, the position changes as follows:
SELECTOR
DIAL
Notes
1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.
Note that you can preset only one code for one position. (See “SETUP CODES” on page 49 for details).
2. DVD/LD and DVD MENU positions:
Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The
code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the
code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.
DVD MENU operations cannot be performed for some DVD players.
3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 49 for details.):
If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS
position.
If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in
this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.
4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the
following pages for details.
DVD/LD & DVD MENU:
An LD player can be controlled by using the DVD/LD position.
A DVD player can be controlled by using the DVD/LD and
DVD MENU positions. The code for a YAMAHA DVD player is
preset. If the remote control will not operate your YAMAHA
DVD player, you need to preset code number “4490.”
AMP/TUN:
You can perform the basic
operations of this unit with the
SELECTOR DIAL set to this
position.
TAPE/MD:
The code for a YAMAHA tape deck is preset.
(Be sure to preset the proper code when operating a YAMAHA
MD recorder.)
CD:
The code for a YAMAHA CD player is preset.
DSP:
This unit can be controlled and DSP programs can be selected
directly.
VCR:
A VCR can be controlled.
CBL/DBS:
A cable television or
DBS tuner can be
controlled.
TV:
A television can be
controlled.
Indicator
The indicator will flash when the button is
pressed.
The position name is displayed
in this window.
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44
AMP/TUN Note: TV POWER and TV VOLUME function if you have preset the code for your TV.
1 POWER
This button turns the unit on.
2 INPUT
Press one of these buttons to select the required input source.
3 EXT. DEC.
Press this button when using an external decoder.
4 A/B/C/D/E
Press this button to select a group of preset stations.
5 DSP
Press this button. While the indicator is lit up for about three
seconds, select a DSP program by using the number buttons (1
to 8). No DSP program can be selected after the indicator goes
off.
6 PRESET (+/–)
Press these buttons to select the preset station number.
7 VOLUME ( )
Press these buttons to adjust the volume level.
8 MUTE
Press this button to mute the sound. To cancel mute, press this
button once more, or press the operation buttons of this unit.
9 SLEEP
Press this button to set the SLEEP timer.
0 (LEFT), (RIGHT)
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode.
q TIME/LEVEL
Press this button to set the unit in the TIME/LEVEL mode and to
select the item.
w STANDBY
Press this button to set this unit in the standby mode.
e TEST
Press this button to output a test tone for adjusting the output
level of the speakers.
r EFCT (EFFECT) ON/OFF
Press this button to turn on or off the DSP program which
includes the Dolby Pro Logic decoder, the Dolby Digital
decoder and the DTS decoder.
t (NEXT), (BACK)
These buttons are used to advance or go back one selection in
the SET MENU mode and TIME/LEVEL mode.
y SET MENU
Press this button to set the unit in the SET MENU mode and to
select functions.
2 DSP program
Press one of these buttons to select the required DSP program
(1 to 8). When you select the input source, set the SELECTOR
DIAL to the AMP/TUN position.
Note: The function of all buttons other than DSP program is
the same as that with the AMP/TUN position.
w
1
2
3
7
5
4
8
9
r
e
y
t
q
0
6
2
DSP
Indicator:
Flashes in red
when the button
is pressed.
Indicator window:
Displays the names of
components which
can be controlled.
SELECTOR DIAL:
Selects the
position for the
component to be
controlled.
The lightly marked buttons do not function.
TV VOLUME
TV POWER
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English
The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here.
Please refer to the owner’s manual for details of each component.
1
3
5
4
2
8
7
6
CD
TAPE/MD
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code
for your TV.
1 POWER
This button turns the unit on under factory settings. If another code for your CD player
whose remote control has a power button is preset, the button will turn on the CD
player.
2 DISC SKIP (+/–) (for a CD player with a CD changer)
Press these buttons to skip to the next or previous CD.
3 , (SKIP)
Press
to skip to the beginning of the next track. Press to skip to the beginning
of the previous track.
4 (PLAY)
Press this button to play a CD.
5 (SEARCH)
This button initiates a backward search on the track that is playing to find the point
from which you want to listen.
6 (PAUSE)
Press this button to give a pause in operation. This button functions as PAUSE/
STOP* for operating YAMAHA CD players under factory settings.
7 (STOP)
Press this button to stop operation. This button functions as PAUSE/STOP* for
operating YAMAHA CD players under factory settings.
8 (SEARCH)
This button initiates a fast-forward search on the track that is playing to find the point
from which you want to listen.
1
2
3
4
5
8
7
6
9
0
q
Notes:
TV POWER and TV VOLUME function if you have preset the code for your TV.
Be sure to preset the proper code for your MD recorder.
TAPE
1 POWER
This button turns the unit on under factory settings. If another
code for your tape deck whose remote control has a power
button is preset, the button will turn on the tape deck.
2 (REC/PAUSE)
Press this button to give a pause in recording on the
tape deck.
3 DIR A
Press this button to select the playing direction of deck A.
4 (PLAY)
Press this button to play a tape.
5 (REWIND)
Press this button to rewind a tape.
7 DECK A/B
Press this button to select deck A or B on the double
cassette tape deck.
9 DIR B
Press this button to select the playing direction of deck B.
0 (STOP)
Press this button to stop the operation of a tape.
q (FAST FORWARD)
Press this button to fast forward a tape.
MD
1 POWER
This button turns the unit on if
you have preset the code for
the YAMAHA MD recorder. If
another code for your MD
recorder whose remote control
has a power button is preset,
the button will turn on the MD
recorder.
2 (REC/PAUSE)
3 (SKIP)
4 (PLAY)
5 (SEARCH)
6 DISP (DISPLAY)
8 (PAUSE)
9 (SKIP)
0 (STOP)
q (SEARCH)
TV VOLUME
TV
POWER
TV VOLUME
TV
POWER
TV INPUT
DISPLAY
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.
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DVD MENU
The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here.
Please refer to the owner’s manual for details of each component.
DISC SKIP
SKIP/SEARCH
PLAY
SUBTITLE (DVD)/SEARCH (LD)
SUBTITLE ON/OFF (DVD)
DISPLAY
PAUSE
STOP
ANGLE (DVD)/SEARCH (LD)
AUDIO (DVD)
Numeric buttons
+10
DISC SKIP
MENU LEFT
MENU SELECT
SET UP
TITLE
CLEAR
TITLE/INDEX
MENU UP
MENU RIGHT
MENU DOWN
RETURN
MENU
Note: TV POWER, TV VOLUME and TV INPUT
function if you have preset the code for your TV.
DVD/LD
Note: TV POWER, TV VOLUME and TV INPUT
function if you have preset the code for your TV.
TV POWER
TV VOLUME
TV INPUT
TV POWER
TV VOLUME
TV INPUT
POWER
(DVD) This button turns the unit on under factory
settings. If another code for your DVD player
whose remote control has a power button is
preset, the button will turn on the DVD player.
(LD) This button turns the unit on if you have
preset the code for the YAMAHA LD player. If
another code for your LD player whose remote
control has a power button is preset, the button
will turn on the LD player.
POWER
This button turns the unit on under factory
settings. If another code for your DVD player
whose remote control has a power button is
preset, the button will turn on the DVD player.
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English
CBL/DBS
Note: TV POWER, TV VOLUME and TV
INPUT function if you have preset
the code for your TV.
VCR
Note: TV POWER, TV VOLUME and TV INPUT function if you
have preset the code for your TV.
POWER
DISPLAY
CHANNEL
CHANNEL ENTER
VCR REC
Press this button twice
to start recording.
CHANNEL UP DOWN
PLAY
REWIND
PAUSE
STOP
FAST FORWARD
POWER
DISPLAY
CHANNEL
CHANNEL ENTER
MENU LEFT
CHANNEL UP DOWN
MENU SELECT
MENU UP
MENU RIGHT
MENU DOWN
+100
RECALL
MENU
TV
Note: You can only control your VCR if you have preset the
code for it.
DISPLAY
CHANNEL
CHANNEL ENTER
TV MUTE
CHANNEL UP DOWN
TV SLEEP
TV POWER
TV INPUT
TV EFFECT ON/OFF
TV VOLUME
The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here.
Please refer to the owner’s manual for details of each component.
TV VOLUME
TV INPUT
TV POWER
TV VOLUME
TV INPUT
VCR REC
Press this button twice.
VCR REWIND
VCR PLAY
VCR PAUSE
VCR STOP
VCR FAST
FORWARD
TV POWER
POWER
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Remote control operation range
Notes
There should be no large obstacles between the remote
control and the unit.
If the remote control sensor is directly illuminated by strong
lighting (especially from an inverter type of fluorescent lamp),
it might cause the remote control not to work correctly. In this
case, reposition the unit to avoid direct lighting.
NOTES ABOUT THE REMOTE CONTROL
Battery installation
1. Turn the remote control over and slide the battery compart-
ment cover in the direction of the arrow.
2. Insert the batteries (AA, R6 or UM-3 type) according the
polarity markings on the inside of the battery compartment.
3. Close the battery compartment cover.
Battery replacement
If the remote control operates only when it is close to the unit,
the batteries are weak. Replace all the batteries with new
ones.
Be sure to replace the batteries within about two minutes. If
it takes longer than two minutes, the codes preset for the
remote control will return to the factory settings.
Notes
Use only AA, R6 or UM-3 batteries for replacement.
Be sure the battery polarity is correct. (See the illustration
inside the battery compartment.)
Remove the batteries if the remote control will not be used for
an extended period of time.
If the batteries have leaked, dispose of them immediately.
Avoid touching the leaked material or letting it come into
contact with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
Remote control
sensor
Within approximately
6 m (20 feet)
1
2
3
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English
SETUP CODES
If you are using the DVD MENU position
for a second (or third) VCR, you must
preset the code for an LD player to the
DVD/LD position.
1. Turn on the VCR to be used.
2. Set the SELECTOR DIAL to the
CBL/DBS or DVD MENU position.
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
4. Press MUTE.
5. Use the numeric buttons to enter the
four-digit code for the second (or
third) VCR. Make sure that the
indicator flashes twice. If the
indicator does not flash, repeat
steps 3 and 4, and re-enter the
code.
6. Press POWER (or any other button)
on the remote control to check if you
have preset the code correctly. If
the VCR cannot be controlled with
the remote control, try entering
another code for the same manufac-
turer.
To control your components
(MD recorder, DVD player,
TV, etc.)
1. Turn on the component to be used.
2. Set the SELECTOR DIAL to the
desired position for the component
(TAPE/MD, DVD/LD, TV, etc.).
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
4. Use the numeric buttons to enter the
four-digit manufacturers code for
the component to be used. Make
sure that the indicator flashes twice.
If the indicator does not flash, repeat
step 3 and re-enter the code.
5. Press POWER (or any other button)
on the remote control to check if you
have preset the code correctly. If
the component cannot be controlled
with the remote control, try entering
another code for the same manufac-
turer.
To use a second (and third) VCR
You can use the CBL/DBS and/or DVD
MENU positions to control a second
(and/or third) VCR if a CBL (or DBS) or
DVD player is not being used.
Returning to the factory-set
codes
To return all components to the factory-
set codes, follow these steps.
1. Set the SELECTOR DIAL to a
position other than the AMP/TUN or
DSP position.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter code number “9987”.
4. Make sure that the indicator flashes
twice.
To return each component to the factory-
set code, follow these steps.
1. Set the SELECTOR DIAL to the
position for the component to be
returned to the factory-set code.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter code number “9999”.
4. Make sure that the indicator flashes
twice.
The following codes are preset as the
factory settings.
Factory-set codes
POSITION Component Code
*1
Code
*2
TV TV 0037 0047
CBL/DBS DBS tuner 2455 2566
VCR VCR 3072 3060
DVD/LD DVD player
4545 YAMAHA
CD CD player
6187 YAMAHA
TAPE/MD Tape deck
8524 YAMAHA
*1: Australia model
*2: U.S.A., Canada and China models
We recommend that you write all the
code numbers you have preset on the
“Quick Reference Card.”
Presetting the remote control
Perform the presetting procedure for each component you want to control with the remote control.
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was
supplied with the component.
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50
SYMPTOM
The unit fails to turn on when
STANDBY/ON is pressed, or set in
the standby mode suddenly soon
after the power has been turned on.
The unit does not work normally.
No sound or no picture.
No picture.
The sound suddenly goes off.
Only the speakers on one side can
be heard.
A “humming” sound can be heard.
The volume level is low while playing
a record.
The volume level cannot be
increased, or the sound is distorted.
CAUSE
The power cord is not plugged in or the
plug is not completely inserted.
The IMPEDANCE SELECTOR switch
on the rear panel is not fully set to the
upper or lower end.
The internal microcomputer has been
frozen by an external electric shock
(lightning, excessive static electricity,
etc.) or by a power supply with low
voltage.
Incorrect output cord connections.
An appropriate input source has not
been selected.
SPEAKERS have not been set
properly.
The speaker connections are not
secure.
Digital signals other than PCM audio
and Dolby Digital or DTS encoded
signals which this unit cannot
reproduce are input to this unit by
playing a CD-ROM etc.
There is no S video terminal connection
between this unit and the TV, although
S video signals are input to this unit.
The protection circuit has been
activated because of a short circuit, etc.
The SLEEP timer has functioned.
Incorrect setting of BALANCE.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the
GND terminal.
The record is being played on a
turntable with an MC cartridge.
The component connected to the REC
OUT terminals of this unit is in the
standby mode.
REMEDY
Firmly plug in the power cord.
Set the switch fully to the upper or
lower end when the unit is in the
standby mode.
Set the unit in the standby mode and
disconnect the AC power cord from the
AC outlet. After about 30 seconds have
passed, connect the power and operate
the unit again.
Connect the cords properly. If the
problem persists, the cords may be
defective.
Select an appropriate input source with
INPUT or TAPE/MD MON / EXT.
DECODER.
Set SPEAKERS corresponding to the
speakers in use to the ON position.
Secure the connections.
Play a source whose signals this unit
can reproduce.
Connect this unit’s S VIDEO MONITOR
OUT terminal to the TV’s S video input
terminal.
Set the unit in the standby mode and
then switch on again to reset the
protection circuit.
Turn on the power, and play the source
again.
Adjust it to the appropriate position.
Connect the cords properly. If the
problem persists, the cords may be
defective.
Firmly connect the audio plugs. If the
problem persists, the cords may be
defective.
Make the GND connection between the
turntable and this unit.
The turntable should be connected to
the unit through the MC head amplifier.
Turn on the power to the component.
Amplifier
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
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English
SYMPTOM
No sound from the effect speakers.
No sound from the rear speakers.
No sound from the center speaker.
The sound field cannot be recorded.
The DVD/LD, TV or DBS source
cannot be recorded on a tape deck,
MD recorder or VCR connected to
this unit.
FM stereo reception is noisy.
There is distortion and clear
reception cannot be obtained even
with a good FM antenna.
The desired station cannot be tuned
in with the automatic tuning method.
Previously preset stations can no
longer be tuned in.
The desired station cannot be tuned
in with the automatic tuning method.
There are continuous crackling and
hissing noises.
There are buzzing and whining
noises (especially in the evening).
CAUSE
The sound effect setting is off.
A Dolby Surround or DTS decoding
program is being used with material not
encoded with Dolby Surround or DTS.
The sound output level of the rear
speakers is set to minimum.
A monaural sound source is being
played in the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED
program.
The sound output level of the center
speaker is set to minimum.
The function “CNTR” in the SET MENU
is set to the NONE position.
Incorrect sound field program selection.
The input signals of the source encoded
with Dolby Digital or DTS do not have
center channel signals.
It is not possible to record the sound
field on a tape deck or MD recorder
connected to the unit’s REC OUT
terminals.
The DVD/LD player, TV or DBS tuner is
connected to the unit by only the digital
terminals.
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
There is multipath interference.
The station is too weak.
The unit has been unplugged for a long
period.
The signal is weak or the antenna
connections are loose.
Noise will result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
A television set is being used nearby.
REMEDY
Press EFFECT on the front panel or
EFCT ON/OFF on the remote control to
turn it on.
Use a different sound field program.
Raise the sound output level of the rear
speakers.
Select another sound field program
suitable for the monaural sound source.
Raise the sound output level of the
center speaker.
Select the LARGE or SMALL position.
Select the appropriate program.
Refer to the instructions for the source
being currently played.
Make additional connections between
the analog terminals.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Set TUNING MODE to the manual
tuning mode.
Adjust the antenna position to eliminate
multipath interference.
Use the manual tuning method.
Use a high-quality directional FM
antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna
connections and rotate it for best
reception.
Use the manual tuning method.
Use an outdoor antenna and a ground
wire. This will help somewhat, but it is
difficult to eliminate all noise.
Relocate this unit away from the TV.
Amplifier
FM
AM
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Remote control
Others
SYMPTOM
The remote control does not work.
The sound is degraded when
listening with the headphones to a
CD player or tape deck that is
connected to this unit.
There is noise interference from
digital or high-frequency equipment
or the unit.
CAUSE
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.
The manufacturers code has not been
set properly.
The proper manufacturers code for the
component to be controlled has not
been set.
The component to be controlled has not
been selected.
This unit is in the standby mode.
The unit is too close to the digital or
high-frequency equipment.
REMEDY
Change the position of this unit.
Set the code again.
Try entering another code for the same
manufacturer.
Set the SELECTOR DIAL to the proper
position.
Turn on the power of the unit.
Move the unit further away from such
equipment.
SYMPTOM
A loud hissing noise is heard when you
play back a source encoded with DTS.
A percussive noise is heard when you
begin playing back a source encoded
with DTS.
No sound is heard when you play back a
source encoded with DTS, even though
the AUTO input mode is selected on this
unit.
No sound is heard when you play back
an MD or DAT on to which you have
recorded a source encoded with DTS.
No sound is heard when you play back a
source (CD, etc.) even though the
currently selected input mode is AUTO.
CAUSE
The player which plays back the source
is not connected to a digital audio signal
input terminal of this unit.
The ANALOG input mode is selected on
this unit.
If the AUTO input mode is selected,
depending on some sources, there may
be a case that a noise is heard while
this unit is identifying the format of the
input signal.
The DTS decoder built into this unit
does not function because the player
has a digital volume control and it is set
at a position other than “maximum,”
“neutral” or “ineffective.”
A source encoded with DTS cannot be
recorded on to an MD or DAT.
In the AUTO mode, the DTS-decoding
mode cannot be automatically changed
to the normal (PCM) digital signal input
mode.
REMEDY
The player must be connected to a
digital audio signal input terminal of this
unit besides the analog audio signal
terminal connections.
Select a proper input mode on this unit
to turn on the DTS decoder built into
the unit.
Set the input mode of the currently
selected input source to DTS.
Set the players digital volume control
at the maximum, neutral or ineffective
position.
Press INPUT MODE on the front panel
or INPUT (for the currently selected
source) on the remote control so that
AUTO appears on the display.
When playing back a source encoded with DTS
Notes
It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must
be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or
only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will
be heard.
If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode
to prevent a noise from being output.
01RX-V595a-e/f7 6/24/99, 11:47 AM52
53
English
AUDIO SECTION
Minimum RMS Output Power
8 ohms, 20 Hz to 20 kHz, 0.04% THD
[U.S.A. and Canada models]
MAIN L/R ........................... 70 W + 70 W
CENTER......................................... 70 W
REAR L/R.......................... 70 W + 70 W
[Australia, Singapore, China and General
models]
MAIN L/R ........................... 65 W + 65 W
CENTER......................................... 65 W
REAR L/R.......................... 65 W + 65 W
8 ohms, 1 kHz, 0.07% THD
[U.S.A. and Canada models]
MAIN L/R ........................... 85 W + 85 W
CENTER......................................... 85 W
REAR L/R.......................... 85 W + 85 W
[Australia, Singapore, China and General
models]
MAIN L/R ........................... 80 W + 80 W
CENTER......................................... 80 W
REAR L/R.......................... 80 W + 80 W
Maximum Power
[China and General models only]
8 ohms, 1 kHz, 10% THD
MAIN L/R ......................... 105 W + 105 W
CENTER ......................................... 105 W
REAR L/R ........................ 105 W + 105 W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
MAIN L/R
8/6/4/2 ohms
[U.S.A. and Canada models]
................................... 100/120/145/170 W
[Australia, Singapore, China and General
models] ........................ 90/110/135/160 W
Dynamic Headroom (8 ohms)
[U.S.A. and Canada models only] ... 1.55 dB
Power Band Width
MAIN L/R
8 ohms, 35 W, 0.1% THD
.........................................10 Hz to 50 kHz
Damping Factor (SPEAKER A)
8 ohms, 20 Hz to 20 kHz ............ 60 or more
Input Sensitivity/Impedance
PHONO MM ................... 2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX ................... 150 mV/47 k-ohms
EXT. DECODER
MAIN L/R .................... 150 mV/47 k-ohms
CENTER/SURROUND L/R/SUBWOOFER
.................................... 150 mV/40 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.1% THD .............100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT ON)
1 kHz, 0.5% THD ..................2.2V or more
Output Level/Impedance
REC OUT ..................... 150 mV/1.2 k-ohms
SUBWOOFER
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms
Headphones Jack Rated Output/Impedance
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX input,
1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX to MAIN L/R SP OUT
.................................................... 0±0.5 dB
RIAA Equalization Deviation
PHONO MM .................................. 0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1 V........................................0.02% or less
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP OUT
35 W/8
ohms ......................0.025% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
(5 mV, Input Shorted)
[U.S.A., Canada, China and General
models] ...............................86 dB or more
[Australia and Singapore models]
............................................81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP OUT
(150 mV, Input Shorted) ......96 dB or more
Residual Noise (IHF-A Network)
MAIN L/R SP OUT................ 150 µV or less
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted, 1 kHz/10 kHz)
....................60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
....................60 dB or more/45 dB or more
Tone Control Characteristics
BASS: Boost/cut ............. ±10 dB (50 Hz)
Turnover Frequency......... 350 Hz
TREBLE: Boost/cut ........... ±10 dB (20 kHz)
Turnover Frequency........ 3.5 kHz
Filter Characteristics
MAIN L/R, REAR L/R (SPEAKER: SMALL)
(H.P.F.) .................... fc = 90 Hz, 12 dB/oct.
SUBWOOFER
(L.P.F.) ..................... fc = 90 Hz, 18 dB/oct.
VIDEO SECTION
Video Signal Type
[U.S.A. and Canada models] ..............NTSC
[Australia and Singapore models] ......... PAL
[China and General models]....... NTSC/PAL
Video Signal Level ................ 1 Vp-p/75 ohms
S-Video Signal Level
Y ......................................... 1 Vp-p/75 ohms
C .................................. 0.286 Vp-p/75 ohms
Maximum Input Level .......... 1.5 Vp-p or more
Signal-to-Noise Ratio ...............50 dB or more
Monitor Out Frequency Response
.............................. 5 Hz to 10 MHz, –3 dB
SPECIFICATIONS
01RX-V595a-e/f7 6/24/99, 11:47 AM53
54
FM SECTION
Tuning Range
[U.S.A. and Canada models]
..................................... 87.5 to 107.9 MHz
[Australia and Singapore models]
................................. 87.50 to 108.00 MHz
[China and General models]
100 kHz step ................ 87.5 to 108.0 MHz
50 kHz step .............. 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF)
(100% mod., 1 kHz)
[U.S.A., Canada, China and General models
only]
Mono .............................. 1.6 µV (15.3 dBf)
Stereo ............................. 23 µV (38.5 dBf)
Usable Sensitivity (DIN)
[Australia and Singapore models only]
Mono (S/N 26 dB) ........................... 0.9 µV
Stereo (S/N 46 dB)........................... 28 µV
Alternate Channel Selectivity (±400 kHz )
[U.S.A., Canada, China and General models
only] .................................................... 75 dB
Selectivity (two signals, 40 kHz Dev. ±300 kHz)
[Australia and Singapore models only]
......................................................... 55 dB
Signal-to-Noise Ratio
[U.S.A., Canada, China and General
models]
(IHF) Mono/Stereo .................81 dB/75 dB
[Australia and Singapore models]
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
...............................................75 dB/69 dB
Harmonic Distortion (1 kHz)
Mono/Stereo .................................. 0.1/0.2%
Stereo Separation (1 kHz) .................... 48 dB
Frequency Response
20 Hz to 15 kHz ................................ 0±1 dB
Antenna Input.............. 75 ohms, Unbalanced
Output Level
[U.S.A., Canada, China and General
models]
(100% mod., 1 kHz) ...................... 550 mV
[Australia and Singapore models]
(40 kHz Dev., 1 kHz) ..................... 550 mV
AM SECTION
Tuning Range
[U.S.A. and Canada models]
....................................... 530 to 1,710 kHz
[Australia and Singapore models]
....................................... 531 to 1,611 kHz
[China and General models]
10 kHz step .................... 530 to 1,710 kHz
9 kHz step ...................... 531 to 1,611 kHz
Usable Sensitivity............................ 300 µV/m
Signal-to-Noise Ratio ............................ 52 dB
Antenna.................................... Loop antenna
Output Level
(30% mod., 1 kHz)........................... 150 mV
GENERAL
Power Supply
[U.S.A. and Canada models]
........................................ AC 120 V, 60 Hz
[Australia model]................ AC 240 V, 50 Hz
[General model]
.............. AC 110/120/220/240 V, 50/60 Hz
[China model] .................... AC 220 V, 50 Hz
[Singapore model] .............AC 230 V, 50 Hz
Power Consumption
[U.S.A. model] ................................... 280 W
[Canada model] .................... 310 W/410 VA
[Australia and Singapore models] ..... 300 W
[China and General models].............. 310 W
Maximum Power Consumption
[General model only]
5 ch, 10% THD .................................. 650 W
AC Outlets
2 SWITCHED OUTLETS
[U.S.A., Canada, Singapore, China and
General models]............. 100 W max. total
1 SWITCHED OUTLET
[Australia model] .................... 100 W max.
Dimensions (W x H x D)
..................................435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Weight ..........................12.5 kg (27 lbs. 8 oz.)
Accessories......................... AM loop antenna
Indoor FM antenna
Remote control
Batteries
Antenna adapter
(U.S.A. and Canada models only)
Specifications are subject to change without
notice.
01RX-V595a-e/f7 6/24/99, 11:47 AM54
105
Quasar 0250
Quelle 0037, 0010, 0554,
0011, 0070, 0074,
0084, 0200, 0213,
0306, 0327,
0328, 0361
Questa 0036
R-Line 0037
RBM 0070
RCA 0090, 0093
Radio Shack 0032
Radiola 0037, 0012, 0323
Rank Arena 0036
Realistic 0032
Rediffusion 0361
Revox 0037
Rex 0206, 0264, 0163, 0259
Rhapsody 0216
Roadstar 0218, 0418,
0009, 0264
SBR 0037, 0012, 0043
SEG 0217, 0264, 0036, 0076
SEI 0294, 0102, 0213
Saba 0109, 0075, 0163,
0196, 0198, 0205,
0213, 0287,
0335, 0343
Saccs 0238
Saisho 0009, 0264, 0431,
0011, 0235
Salora 0163, 0349, 0359, 0361
Sambers 0102, 0076, 0213
Sampo 0032
Samsung 0037, 0370, 0217,
0009, 0264, 0032,
0090, 0290
Sandra 0216
Sanyo 0072, 0036, 0011,
0146, 0157, 0208,
0213, 0339
Schaub Lorenz 0361
Schneider 0037, 0218, 0371,
0247, 0303, 0323,
0336, 0352
Sears 0146
Sei-Sinudyne 0010
Seleco 0206, 0163, 0259, 0362
Sentra 0035
Sharp 0036, 0093, 0157
Shorai 0294
Siarem 0102, 0213
Siemens 0037, 0554, 0157,
0191, 0195, 0200,
0213, 0327, 0328
Silver 0036
Sinudyne 0294, 0102,
0213, 0235
Solavox 0032, 0163
Sonitron 0208
Sonoko 0037, 0009
Sonolor 0163, 0208, 0215
Sontec 0037
Sony 0036, 0010, 0011
Soundwave 0037, 0418
Standard 0217, 0218, 0009
Stern 0206, 0163, 0259
Sunkai 0294, 0321
Susumu 0218
Sysline 0037
Tandy 0217, 0218, 0072,
0093, 0163
Tashiko 0217, 0036, 0043, 0359
Tatung 0037, 0217, 0072
Tec 0217, 0247
Technema 0320
Technics 0250
Teknika 0150
Teleavia 0205, 0333, 0343
Telefunken 0109, 0005, 0074,
0084, 0101, 0213,
0262, 0306,
0335, 0343
Telemeister 0320
Teletech 0009
Teleton 0217, 0206, 0349
TV
Abex 0032
Acura 0009
Admiral 0093, 0163, 0213
Adyson 0217, 0032
Akai 0208, 0361
Akura 0218, 0264, 0369
Alaron 0216
Alba 0037, 0218, 0371,
0009, 0036, 0235
Allorgan 0294
Amplivision 0217
Amstrad 0371, 0009,
0362, 0369
Anam 0009, 0068
Anitech 0009, 0068, 0076
Arcam 0216, 0217
Asberg 0076
Asuka 0218
Atlantic 0206
Audiosonic 0037, 0109
Autovox 0206, 0076, 0336
BPL 0282
BSR 0294
BTC 0218
Baird 0343
Basic Line 0218, 0009
Baur 0037, 0010, 0554,
0349, 0361
Beko 0370
Beon 0037
Binatone 0217
Blaupunkt 0554, 0191, 0195,
0200, 0213,
0327, 0328
Blue Sky 0218
Blue Star 0282
Bondstec 0247
Boots 0217
Brandt 0109, 0196, 0198,
0205, 0333, 0335
Brionvega 0362
Britannia 0216
Bush 0037, 0218, 0374,
0371, 0294, 0009,
0282, 0036, 0349
CCE 0037, 0217
CGE 0074, 0076, 0084,
0247, 0306
CS Electronics 0216
CTC 0247
Carrefour 0036
Cascade 0009
Cathay 0037
Centurion 0037
Century 0213
Cimline 0009
Clarivox 0037
Clatronic 0370, 0076, 0247
Condor 0370, 0320
Contec 0216, 0009, 0036, 0157
Continental Edison 0196, 0198,
0205, 0333
Crosley 0074, 0076, 0084, 0213
Crown 0037, 0370, 0418,
0009, 0076
Crystal 0431
Curtis Mathes 0093
Cybertron 0218
Daewoo 0037, 0374, 0009
Dainichi 0218, 0215
Dansai 0037
Dayton 0009
De Graaf 0208
Decca 0037, 0072
Dixi 0037, 0009
Dual 0336, 0352
Dual Tec 0217
Dumont 0070
Elbe 0259
Elin 0037
Elite 0218, 0320
Elta 0009
Emerson 0282, 0213, 0361
Erres 0037, 0012
Expert 0206
Ferguson 0037, 0109, 0005,
0073, 0190, 0238,
0287, 0335, 0343
Fidelity 0216, 0361
Finlandia 0208, 0346, 0359
Finlux 0037, 0072, 0070,
0105, 0346
Firstline 0216, 0217, 0294,
0009, 0321, 0247
Fisher 0370, 0217, 0208, 0303
Flint 0455
Formenti 0037, 0320, 0213
Frontech 0264, 0431,
0163, 0247
Fujitsu 0072, 0206
Funai 0294, 0264, 0303
GE 0282, 0093
GEC 0037, 0217, 0072,
0043, 0205
GPM 0218
Geloso 0009, 0213
Genexxa 0218, 0163
GoldStar 0037, 0217, 0109,
0032, 0290
Goodmans 0037, 0217, 0374,
0371, 0072, 0036,
0235, 0317, 0343
Gorenje 0370
Gradiente 0053
Graetz 0163, 0361
Granada 0037, 0217, 0072,
0146, 0208,
0339, 0359
Grandin 0282
Grundig 0037, 0554, 0070,
0191, 0195, 0205
HCM 0009, 0282
Hanseatic 0037, 0320, 0361
Harley Davidson 0043
Harvard 0068
Hinari 0037, 0218, 0009, 0036
Hisawa 0282, 0455
Hitachi 0217, 0036, 0109,
0032, 0043, 0044,
0105, 0163, 0196,
0198, 0225,
0306, 0349
Huanyu 0216, 0374
Hypson 0037, 0282, 0264
ICE 0217, 0371, 0264
ICeS 0218
ITS 0371
ITT 0163, 0361
Imperial 0370, 0418, 0074,
0076, 0084, 0247
Indiana 0037
Ingelen 0163
Inno Hit 0072
Interbuy 0068
Interfunk 0037, 0163,
0247, 0361
Intervision 0037, 0217, 0264,
0102, 0068
Isukai 0218
JVC 0371, 0036, 0053,
0190, 0192
KTV 0217
Kaisui 0216, 0217, 0218,
0009, 0282
Kamp 0216
Kapsch 0206, 0163
Kawasho 0216
Kendo 0037, 0235, 0362
Kingsley 0216
Kneissel 0259
Korpel 0037
Koyoda 0009
Leyco 0037, 0294, 0072, 0264
Liesenk & Tter 0037
Lloytron 0032
Loewe 0075
Luma 0206
Luxor 0349, 0361
M Electronic 0037, 0217,
0374, 0009,
0109, 0068,
0105, 0163,
0287, 0346
MGA 0150
MTC 0216, 0349
Magnadyne 0102, 0247
Magnafon 0102, 0076, 0213
Magnavox 0036
Manesth 0217, 0320,
0264, 0235
Marantz 0037
Mark 0037
Matsui 0037, 0217, 0371, 0294,
0009, 0072, 0036, 0035,
0011, 0208, 0235
Matsushita 0250
McMichael 0043
Mediator 0037, 0012
Memorex 0009, 0250, 0150
Memphis 0337
Metz 0213, 0367
Midland 0032
Minerva 0554, 0070
Minoka 0369
Mitsubishi 0036, 0093, 0108, 0150
Mivar 0216, 0290, 0291, 0292
Motion 0076
Motorola 0093
Multitech 0216, 0217, 0009,
0102, 0076
NEC 0455, 0036
NEI 0037, 0431, 0337
Neckermann 0037, 0554, 0191,
0213, 0349
Nikkai 0037, 0216, 0218, 0072,
0264, 0035, 0032, 0337
Nikko 0317
Nobliko 0102, 0076
Nokia 0361
Nordmende 0109, 0196, 0198,
0213, 0287, 0343
Oceanic 0163, 0215, 0361
Optimus 0250
Optonica 0093
Orion 0037, 0294, 0320,
0321, 0235
Osaki 0217, 0218, 0072,
0264, 0032
Oso 0218
Osume 0072, 0032, 0157
Otake 0317
Otto Versand 0037, 0217,
0320, 0036,
0010, 0554,
0191, 0213,
0343, 0349
Palladium 0370, 0418
Panama 0217, 0264
Panasonic 0250, 0163, 0213,
0214, 0226, 0367
Pathe Cinema 0216, 0320,
0213, 0238
Pathe Marconi 0196, 0198,
0205, 0333
Pausa 0009
Penney 0032
Perdio 0320
Phase 0032
Philco 0074, 0076, 0084,
0213, 0247
Philips 0037, 0374, 0554,
0012, 0043, 0323
Phonola 0037, 0012
Pioneer 0109, 0163, 0287
Profex 0009, 0076, 0361
Proline 0321
Protech 0037, 0217, 0418,
0009, 0264, 0102,
0431, 0247, 0337
Pye 0012
LIST OF MANUFACTURERS’ CODES (Australia model)
LISTES DES CODES FABRICANT (Modèle pour l’Australie)
03RX-V595a-CODE(EU) 6/24/99, 11:51 AM105
106
Tensai 0218, 0294, 0320, 0317
Texet 0216, 0218
Thomson 0109, 0196, 0198,
0205, 0287, 0333,
0343, 0349
Thorn 0037, 0072, 0035, 0074,
0084, 0190, 0192, 0361
Thorn-Ferguson 0343
Tomashi 0282
Toshiba 0036, 0035, 0070, 0243
Trical 0157
Triumph 0243
Uher 0206, 0320, 0303
Ultra 0192
Ultravox 0102
Universum 0037, 0370, 0264,
0105, 0346
Vestel 0037
Victor 0053
Videosat 0247
Videotechnic 0217
Vidtech 0036
Vision 0320
Voxson 0163
Waltham 0217
Watson 0037, 0320
Watt Radio 0102
Wega 0036
White Westinghouse 0037, 0216,
0320
Yoko 0037, 0217, 0264, 0431
Zanussi 0206
CABLE
ABC 1003, 1008, 1014, 1017
Birgmingham Cable
Communications 1276
British Telecom 1003, 1105
Cabletime 1161, 1271, 1377
Clyde 1086
Contec 1019
Decsat 1423
Filmnet 1443
France Telecom 1451
GEC 1086
General Instrument 1276
GoldStar 1144
Jerrold 1003, 1276, 1014
MNet 1443, 1019
Magnavox 1032
Memorex 1000
Movie Time 1156
NSC 1156
Oak 1019
PVP Stereo Visual Matrix 1003
Panasonic 1000
Paragon 1000
Pioneer 1144, 1260
Pulsar 1000
Runco 1000
STS 1156
Salora 1382
Samsung 1144
Satbox 1375
Scientific Atlanta 1008, 1277,
1017
Starcom 1003
Tele+1 1443
Teleservice 1281
Toshiba 1000
Tudi 1286
United Cable 1003
Videoway 1250
Westminster 1105
Zenith 1000
DBS TUNER
AST 2321, 2351
Alba 2455, 2421, 2362, 2613
Aldes 2288
Allantide 2333
Amstrad 2080, 2252, 2345,
2461, 2501
Ankaro 2369, 2288, 2220,
2519, 2217
Anttron 2421, 2183
Arcon 2368
Armstrong 2243
Astra 2108, 2539
Astro 2520, 2173, 2358, 2501
Avalon 2396
Axis 2369, 2530
BT 2668
Barcom 2217
Beko 2189
Best 2369, 2217
Blaupunkt 2173
Boca 2243, 2513
Brain Wave 2332
Bush 2067
CNT 2520
Cambridge 2344
Channel Master 2362
Chaparral 2053, 2209
CityCom 2394
Commlink 2288
Connexions 2396
Crown 2243
Cyrus 2200
D-box 2723
DDC 2362
DNT 2396, 2200
Diskxpress 2217
Drake 2268
EIF 2417
Echostar 2396, 2871
Emanon 2421
FTE 2331
Ferguson 2183, 2067,
2189, 2336
Fidelity 2252
Finlux 2455, 2108, 2344, 2397
Fracarro 2871
Freecom 2421, 2335
Fuba 2421, 2369, 2396,
2217, 2297, 2417
G-Sat 2183
Galaxis 2288, 2834, 2863
Galaxisat 2321
GoldStar 2335
Gooding 2571
Goodmans 2189
Grothusen 2335
Grundig 2571, 2173,
2189, 2328
Harting und Helling 2333
Hinari 2183
Hirschmann 2502, 2173, 2573,
2287, 2333,
2397, 2398
Hitachi 2455
Houston 2668
Huth 2243, 2288, 2220, 2346
ITT 2108
InVideo 2871
Intervision 2592
JVC 2571
Johansson 2332
Kathrein 2173, 2200, 2092,
2331, 2358, 2394,
2442, 2480, 2504
Kosmos 2331, 2335
Kreiselmeyer 2173
Kyostar 2421
La Sat 2520, 2513, 2464
Lemon 2692
Lenco 2421, 2335
Lennox 2592
Lupus 2369
Luxor 2573, 2108
Manhattan 2455, 2592, 2520
Marantz 2200
Maspro 2092, 2328, 2336
Matsui 2571, 2344
Mediamarkt 2243
Micro Technology 2333, 2539
Minerva 2571
Morgan’s 2243, 2513
Multistar 2331, 2464
Muratto 2335
Navex 2332
Neuhaus 2501
Neusat 2692, 2834
Newhaus 2220
Nikko 2360
Nokia 2455, 2573, 2108,
2328, 2397, 2873
Nordmende 2362
Orbitech 2501
Oxford 2344
Pace 2455, 2183, 2067,
2328, 2336, 2791
Palcom 2297
Palladium 2571
Palsat 2501
Panda 2455
Philips 2455, 2571, 2200,
2292, 2328
Phonotrend 2288, 2592
Planet 2871
Plasmatic 2442
Polytron 2394
Promax 2455
Prosat 2288
Quadral 2362, 2519
RFT 2288, 2220, 2200
Radiola 2200
Radix 2396, 2882
SAT 2321, 2351, 2461
SEG 2421, 2369, 2539
STVI 2417
Saba 2520, 2336
Sabre 2455
Sagem 2820
Salora 2108
Samsung 2287
SatPartner 2421, 2332, 2520,
2502, 2335, 2692
Satcom 2605, 2346
Satec 2183, 2328
Satmaster 2346
Schwaiger 2183, 2394, 2504
Seemann 2396, 2530
Siemens 2173
Skymaster 2288, 2605, 2519
Star Trak 2421
Strong 2421
Sunstar 2513
TPS 2820
Tantec 2455, 2297, 2336
TechniSat 2262, 2501
Techniland 2346
Telefunken 2421
Teleka 2243, 2613
Telesat 2605
Thomson 2455
Tonna 2668, 2346
Triad 2321, 2333, 2335, 2351
Triasat 2501
Unitor 2332, 2217
Universum 2571, 2173
Vector 2333
Ventana 2200
Vortec 2421
Vtech 2351
Wevasat 2333
Winersat 2332
Wisi 2455, 2396, 2173, 2321,
2351, 2372, 2406, 2407
XSat 2889
Xcom Multimedia 2889
Zehnder 2520, 2321, 2331
VCR
ASA 3037, 3081
Admiral 3048
Adventura 3000
Aiko 3278
Aiwa 3000, 3037, 3307,
3348, 3352
Akai 3315, 3106, 3041, 3053
Akiba 3072
Alba 3072, 3020, 3278,
3209, 3315, 3352
Ambassador 3020
Amstrad 3000, 3278,
3325, 3332
Anitech 3072
Asha 3240
Asuka 3037
Audiovox 3037
Baird 3000, 3041, 3104, 3107
Basic Line 3072, 3020, 3278
Beaumark 3240
Bell & Howell 3104
Blaupunkt 3034, 3226, 3195,
3003, 3006, 3154,
3162, 3227, 3403
Brandt 3320, 3187, 3321
Brandt Electronic 3041
Broksonic 3209
Bush 3072, 3278, 3209, 3352
CCE 3072, 3278
CGE 3000
Calix 3037
Capehart 3020
Carver 3081
Catron 3020
Cimline 3072
Cineral 3278
Citizen 3037, 3278
Clatronic 3020
Colt 3072
Combitech 3352
Condor 3020
Craig 3072, 3037, 3047, 3240
Crown 3072, 3020, 3278
Curtis Mathes 3041, 3162
Cybernex 3240
Cyrus 3081
Daewoo 3020, 3278, 3045
Dansai 3072
Daytron 3020
De Graaf 3042, 3166
Decca 3000, 3081
Denon 3042
Dual 3041
Dumont 3000, 3081, 3104
Dynatech 3000
ESC 3278, 3240
Elbe 3038
Elcatech 3072
Electrohome 3037
Electrophonic 3037
Emerex 3032
Emerson 3000, 3037, 3278,
3209, 3036,
3043, 3088
Ferguson 3320, 3041,
3107, 3321
Fidelity 3000
Finlandia 3081, 3104
Finlux 3000, 3081, 3042, 3104
Firstline 3072, 3037, 3209,
3045, 3043
Fisher 3046, 3047, 3054, 3104
Frontech 3020
Fuji 3033
Funai 3000
GE 3048, 3240
GEC 3081
Garrard 3000
General 3020
Go Video 3432
GoldHand 3072
GoldStar 3037, 3038, 3225
Goodmans 3072, 3000, 3020,
3037, 3278, 3403
Gradiente 3000, 3008
Graetz 3005, 3041, 3104, 3240
Granada 3081, 3046, 3104
Grandin 3072, 3000, 3037
Grundig 3072, 3081, 3347,
3226, 3195, 3003,
3006, 3007, 3207,
3349, 3403
HCM 3072
HI-Q 3047
Hanseatic 3037
Harley Davidson 3000
Harman/Kardon 3038
Harwood 3072
Headquarter 3046
Hinari 3072, 3004, 3240, 3352
Hitachi 3000, 3004, 3042, 3041,
3166, 3235, 3240
Hypson 3072
ITT 3106, 3046, 3384, 3005,
3041, 3104, 3240
ITV 3037, 3278
Imperial 3000
Ingersol 3004
Interfunk 3081
JVC 3067, 3384, 3008, 3041,
3206, 3207, 3486
03RX-V595a-CODE(EU) 6/24/99, 11:51 AM106
107
Micromega 6157
Mission 6157
Mitsubishi 6108, 6156
NAD 6000
NSM 6157
Naim 6157
Nikko 6525, 6164
Onkyo 6101, 6102
Optimus 6000, 6032, 6037,
6536, 6048, 6179,
6196, 6342
Panasonic 6303, 6029, 6367
Philips 6157, 6274, 6287
Pioneer 6032
Poppy 6164
Proton 6157
QED 6157
Quad 6157
Quasar 6029
RCA 6179
Realistic 6164, 6179
Revox 6157, 6113
Roadstar 6461, 6525, 6527
Rotel 6157
SAE 6157
Sansui 6157, 6202, 6513
Sanyo 6048, 6179, 6342
Schneider 6134
Scott 6164
Sharp 6037, 6262, 6265
Sherwood 6114, 6196
Siemens 6516
Signature 6108
Sony 6000, 6490
Teac 6378
Technics 6207, 6303, 6029
Toshiba 6481
Universum 6157
Victor 6072
Wards 6157, 6108
Yamaha 6036, 6082,
6187, 6712
Yorx 6461
MD RECORDER
Kenwood 7826
Sony 7490
Yamaha 7888, 7490
TAPE DECK
Aiwa 8029, 8197, 8200
Akai 8188, 8189
Arcam 8076
Carver 8029
Denon 8076, 8412
Fisher 8074
Grundig 8029
Harman/Kardon 8182
JVC 8244, 8273, 8274
Kenwood 8070, 8071, 8092,
8205, 8233, 8234
Magnavox 8029
Marantz 8029, 8009
Memorex 8099, 8101
Mitsubishi 8189
Onkyo 8136, 8135
Optimus 8027, 8220
Panasonic 8229
Philips 8029
Pioneer 8027, 8099, 8101, 8220
Revox 8029
Sansui 8029, 8009
Sanyo 8074
Sharp 8205
Sony 8170, 8243
Technics 8229
Victor 8273, 8274
Wards 8027
Yamaha 8094, 8097, 8205,
8478, 8524
Jensen 3041
KEC 3037, 3278
KLH 3072
Kaisui 3072
Kendo 3209, 3106
Kenwood 3067, 3384,
3038, 3041
Kodak 3037
Korpel 3072
LXI 3037
Lenco 3278
Leyco 3072
LIoyd’s 3000
Loewe 3037, 3004, 3081, 3006
Logik 3072, 3004, 3240
Luxor 3106, 3048, 3046,
3043, 3104
M Electronic 3000
MGA 3043, 3240
MGN Technology 3240
MTC 3000, 3240
Magnasonic 3278
Magnavox 3000, 3081
Magnin 3240
Manesth 3072, 3045
Marantz 3081, 3003, 3006
Marta 3037
Matsui 3209, 3004, 3036,
3088, 3348, 3352
Matsushita 3162
Memorex 3000, 3037, 3048,
3046, 3047, 3104,
3162, 3240, 3307
Memphis 3072
Metz 3347, 3195, 3003,
3006, 3162, 3227
Minerva 3195, 3006
Minolta 3042
Mitsubishi 3081, 3067,
3048, 3043
Motorola 3048
Multitech 3072, 3000
Murphy 3000
NEC 3067, 3038, 3041, 3104
Neckermann 3081
Nesco 3072
Nikko 3037
Nikon 3034
Noblex 3240
Nokia 3106, 3046, 3041,
3104, 3240
Nordmende 3320, 3384, 3041,
3297, 3321
Oceanic 3000, 3041
Okano 3315, 3348
Olympus 3226
Optimus 3037, 3432, 3048,
3104, 3162
Orion 3209, 3004, 3036,
3088, 3348, 3352
Osaki 3072, 3000, 3037
Otto Versand 3081
Palladium 3072, 3037,
3006, 3041
Panasonic 3226, 3162,
3225, 3227
Pathe Cinema 3036
Pathe Marconi 3041
Penney 3037, 3042, 3038,
3054, 3240
Pentax 3042
Perdio 3000
Philco 3209, 3038
Philips 3081, 3384, 3403
Phonola 3081
Pilot 3037
Pioneer 3081, 3067, 3162, 3235
Portland 3020
Profex 3322
Profitronic 3240
Proline 3000
Protec 3072
Pye 3081
Quarter 3046
Quartz 3046
Quasar 3162
Quelle 3081
RCA 3106, 3042, 3048, 3240
RFT 3403
Radio Shack 3000, 3037
Radiola 3081
Radix 3037
Randex 3037
Realistic 3000, 3037, 3048,
3046, 3047, 3104
Rex 3384, 3041
Ricoh 3034
Roadstar 3072, 3037,
3278, 3240
SBR 3081
SEG 3322, 3240
SEI 3004, 3081
STS 3042
Saba 3320, 3384, 3041, 3206,
3207, 3297, 3321
Saisho 3209, 3004, 3036, 3088
Salora 3106, 3046, 3043
Samsung 3432, 3045,
3053, 3240
Sanky 3048
Sansui 3000, 3067, 3041
Sanyo 3046, 3047, 3104, 3240
Saville 3352
Schaub Lorenz 3000, 3005,
3041, 3104
Schneider 3072, 3000, 3081
Scott 3045, 3043
Sears 3000, 3037, 3042, 3046,
3047, 3054, 3104
Seleco 3041
Semp 3045
Sentra 3020
Sharp 3048
Shintom 3072, 3104
Shogun 3240
Shorai 3004
Siemens 3037, 3081, 3195,
3003, 3006,
3054, 3104
Silva 3037
Singer 3072, 3045
Sinudyne 3004, 3081
Solavox 3020
Sonolor 3046
Sontec 3037
Sony 3000, 3032, 3033,
3034, 3011
Sunkai 3348
Sunstar 3000
Suntronic 3000
Sylvania 3000, 3081, 3043
Symphonic 3000
TMK 3036, 3240
Tashiko 3000
Tatung 3000, 3081, 3041
Teac 3000, 3041
Tec 3020
Technics 3226, 3162
Teknika 3000, 3037
Teleavia 3041
Telefunken 3320, 3384, 3041,
3187, 3321
Tenosal 3072
Tensai 3322, 3000
Thomas 3000
Thomson 3320, 3384, 3041
Thorn 3036, 3041, 3104
Toshiba 3081, 3045, 3384,
3041, 3043
Totevision 3037, 3240
Towada 3322
Uher 3240
Unitech 3240
Universum 3000, 3037, 3081,
3106, 3195, 3006,
3240, 3325
Vector 3045
Vector Research 3038
Video Concepts 3045
Videosonic 3240
Wards 3072, 3000, 3081, 3042,
3048, 3047, 3240
White Westinghouse 3278
XR-1000 3072, 3000
Yamaha 3038
Yamishi 3072
Yokan 3072
Yoko 3020, 3240
Zenith 3000, 3033, 3034
DVD PLAYER
Kenwood 4534
Magnavox 4503
Onkyo 4503
Panasonic 4490
Philips 4539, 4503
Pioneer 4525
Sony 4533
Technics 4490
Thomson 4551
Toshiba 4503
Yamaha 4490, 4545
Zenith 4503
LD PLAYER
Aiwa 5203
Carver 5064, 5194
Cyrus 5388
Denon 5059, 5172
Disco Vision 5023
Funai 5203
Hitachi 5023
Magnavox 5194, 5217
Marantz 5064, 5194
Mitsubishi 5059
NAD 5059
Panasonic 5204, 5496
Philips 5064, 5388, 5194
Pioneer 5023, 5059
Quasar 5204
Radiola 5388
Realistic 5203
Salora 5064
Sega 5023
Sharp 5001
Sony 5193, 5201
Technics 5204, 5496
Telefunken 5059
Theta Digital 5194
Thorn 5014
Yamaha 5217
CD PLAYER
Aiwa 6124, 6157, 6419
Akai 6108, 6156, 6199
Alba 6536, 6288, 6334
Arcam 6157
Audio Research 6157
Audio Ton 6157
Audiolab 6157
Audiomeca 6157
BSR 6134
Bestar 6164
Binatone 6452
California Audio Lab 6029
Carver 6157, 6179
Condor 6134, 6164
Cyrus 6157
DKK 6000
Denon 6003, 6034
Dual 6196
Emerson 6164
Fisher 6048, 6179, 6342
GE 6334
Genexxa 6032, 6164
GoldStar 6525, 6383
Goodmans 6536
Grundig 6157
Harman/Kardon 6108, 6173
Hitachi 6032, 6291
JVC 6072
Kenwood 6037, 6523, 6028,
6048, 6190
Kodak 6287
Krell 6157
Linn 6157
Luxman 6328
M Electronic 6525
MCS 6029
Magnavox 6157, 6038, 6129
Marantz 6157, 6029,
6038, 6129
Matsui 6157, 6288, 6307
Mclntosh 6287
Memorex 6032, 6164
Meridian 6157
03RX-V595a-CODE(EU) 6/24/99, 11:51 AM107
108
LIST OF MANUFACTURERS’ CODES (U.S.A, Canada and China models)
LISTES DES CODES FABRICANT (Modèles pour les Etats-Unis, le Canada et la Chine)
TV
A-Mark 0003
AOC 0030, 0019, 0003,
0052, 0185
Abex 0032
Acura 0009
Admiral 0093
Adventura 0046
Adyson 0032
Aiko 0092
Akai 0030, 0208
Akura 0264
Alaron 0179, 0216
Alba 0009, 0037
Ambassador 0177
Amstrad 0009, 0171, 0177
Anam 0180, 0004, 0009, 0068
Anam National 0161
Anitech 0009, 0068
Arcam 0216
Archer 0003
Audinac 0391
Audiosonic 0037, 0109
Audiovox 0451, 0180,
0003, 0092
BPL 0282
Basic Line 0009
Baur 0037, 0512, 0535, 0554
Baysonic 0180
Belcor 0019
Bell & Howell 0154, 0016
Beon 0037
Blaupunkt 0535, 0554
Blue Star 0282
Bradford 0180
Brandt 0109
Britannia 0216
Brockwood 0019
Broksonic 0236, 0463,
0003, 0426
Bush 0282, 0009, 0037
CCE 0037
CS Electronics 0216
CXC 0180
Candle 0030, 0056, 0046, 0186
Carnivale 0030
Carver 0054, 0170
Cascade 0009
Cathay 0037
Celebrity 0000
Centurion 0037
Cimline 0009
Cineral 0451, 0092
Citizen 0060, 0030, 0056, 0039,
0046, 0092, 0186, 0280
Clairtone 0185
Clarivox 0037
Concerto 0056
Contec 0180, 0009, 0185, 0216
Craig 0180, 0161
Crosley 0054
Crown 0180, 0039, 0009,
0037, 0418
Curtis Mathes 0047, 0054,
0154, 0051,
0451, 0093,
0060, 0030,
0145, 0056,
0016, 0039,
0166
Daewoo 0451, 0019, 0039,
0009, 0037,
0066, 0092
Dansai 0037
Dayton 0009
Daytron 0019
De Graaf 0208
Decca 0037
Denon 0145
Dixi 0004, 0009, 0037
Dumont 0017, 0019
Ectec 0391
Electroband 0000, 0185
Elin 0037
Elta 0009
Emerson 0154, 0236, 0463,
0180, 0282, 0178,
0019, 0179, 0039,
0177, 0185, 0280
Envision 0030
Erres 0037
Ferguson 0037, 0109,
0287, 0560
Fidelity 0216
Finlandia 0208
Finlux 0179, 0037
Firstline 0009, 0216
Fisher 0154, 0159, 0208
Formenti 0037
Frontech 0264
Fujitsu 0179
Funai 0180, 0179, 0171, 0264
Futuretech 0180
GE 0047, 0051, 0451, 0093,
0282, 0178, 0021, 0135
GEC 0037
Geloso 0009
Gibralter 0017, 0030, 0019
GoldStar 0030, 0178, 0019,
0056, 0001, 0002,
0032, 0037, 0109
Goodmans 0179, 0037
Gradiente 0053, 0056, 0170
Granada 0037, 0208,
0339, 0502
Grandin 0282
Grundig 0037, 0535, 0554
Grunpy 0180, 0179
HCM 0282, 0009
Hallmark 0178
Hanseatic 0037
Harley Davidson 0179
Harvard 0180, 0068
Hinari 0179, 0009, 0037, 0283
Hisawa 0282
Hitachi 0145, 0056, 0032,
0109, 0151, 0576
Huanyu 0216
Hypson 0282, 0037, 0264
ICE 0264
ITT 0283
Imperial 0418
Indiana 0037
Infinity 0054
Inteq 0017
Interbuy 0068
Interfunk 0037, 0512
Intervision 0037, 0068, 0264
JBL 0054
JCB 0000
JEC 0502
JVC 0053, 0069, 0160
Janeil 0046
KEC 0180
KTV 0180, 0030, 0039,
0185, 0280
Kaisui 0282, 0009, 0216
Kamp 0216
Kawasho 0216
Kaypani 0052
Kendo 0037
Kenwood 0030, 0019
Kingsley 0216
Kloss 0046
Korpel 0037
Koyoda 0009
LG 0056
LXI 0047, 0054, 0154,
0156, 0178
Leyco 0037, 0264
Liesenk & Tter 0037
Lloytron 0032
Loewe 0512
Logik 0016, 0001
Luxman 0056
M Electronic 0009, 0037, 0068,
0109, 0287
MEI 0185
MGA 0150, 0030, 0178, 0019
MTC 0060, 0030, 0019, 0056,
0185, 0216, 0512
Magnavox 0054, 0030, 0179,
0186, 0187
Majestic 0016
Manesth 0264
Marantz 0054, 0030, 0037
Mark 0037
Matsui 0009, 0035, 0037,
0177, 0208
Matsushita 0250
Mediator 0037
Megatron 0178, 0145, 0003
Memorex 0154, 0250, 0150,
0178, 0056,
0016, 0009
Metz 0535
Midland 0047, 0017, 0051,
0039, 0032, 0135
Minerva 0535, 0554
Minutz 0021
Mitsubishi 0093, 0150, 0178,
0019, 0512, 0535
Mivar 0216
Motorola 0093
Multitech 0180, 0009, 0216
NAD 0156, 0178, 0166
NEC 0030, 0019, 0056, 0170
NEI 0037
NTC 0092
Neckermann 0037, 0554
Nesco 0179
Nikkai 0032, 0035, 0037,
0216, 0264
Nikko 0030, 0178, 0092
Nisato 0391
Nordmende 0109, 0287, 0560
Noshi 0018
Onwa 0180
Optimus 0154, 0250, 0166
Optonica 0093, 0165
Orion 0236, 0463, 0179,
0037, 0177
Osaki 0032, 0264
Osume 0032
Otto Versand 0037, 0512,
0535, 0554
Palladium 0418
Panama 0264
Panasonic 0051, 0250, 0226
Pathe Cinema 0216
Pausa 0009
Penney 0047, 0156, 0051,
0060, 0030, 0178,
0021, 0019, 0018,
0056, 0039, 0002,
0003, 0032,
0135, 0149
Phase 0032
Philco 0054, 0463, 0030,
0145, 0019
Philips 0054, 0037, 0554
Phonola 0037
Pilot 0030, 0019, 0039
Pioneer 0109, 0166, 0287
Portland 0019, 0039, 0092
Prism 0051
Profex 0009
Proscan 0047
Protech 0009, 0037, 0264, 0418
Proton 0178, 0003, 0052
Pulsar 0017, 0019
Quasar 0051, 0250, 0165
Quelle 0037, 0252, 0512,
0535, 0554
R-Line 0037
RCA 0047, 0051, 0093, 0019,
0018, 0090, 0135
Radio Shack 0047, 0154, 0165,
0180, 0030, 0178,
0019, 0056,
0039, 0032
Radiola 0037
Realistic 0154, 0165, 0180,
0030, 0178, 0019,
0056, 0039, 0032
Revox 0037
Rex 0264
Rhapsody 0185, 0216
Roadstar 0009, 0264, 0418
Runco 0017, 0030
SBR 0037
SEG 0264
SEI 0177
SSS 0180, 0019
Saba 0109, 0287
Saisho 0009, 0177, 0264
Sampo 0030, 0039, 0032, 0052
Samsung 0060, 0030, 0178,
0019, 0056, 0039,
0009, 0032, 0037,
0090, 0264, 0427
Samsux 0039
Sandra 0216
Sansei 0451
Sansui 0463
Sanyo 0154, 0159, 0208, 0339
Schneider 0037
Scimitsu 0019
Scotch 0178
Scott 0236, 0180, 0178,
0019, 0179
Sears 0047, 0054, 0154, 0156,
0178, 0179, 0056, 0149,
0159, 0171
Semivox 0180
Semp 0156
Sentra 0035, 0283
Sharp 0093, 0165, 0039
Shogun 0019
Siemens 0037, 0535, 0554
Signature 0016
Simpson 0186, 0187
Sinudyne 0177
Solavox 0032
Sonitron 0208
Sonoko 0009, 0037
Sonolor 0208
Sontec 0037
Sony 0000, 0080
Soundesign 0180, 0178,
0179, 0186
Soundwave 0037, 0418
Spectricon 0003
Squareview 0171
Standard 0009
Starlite 0180
Supra 0056
Supre-Macy 0046
Supreme 0000
Sylvania 0054, 0030
Symphonic 0171
Sysline 0037
TMK 0178, 0056, 0177
Tandy 0093
Tatung 0003, 0037
Technics 0051, 0250
Technol Ace 0179
Techwood 0051, 0056, 0003
Teknika 0054, 0180, 0150,
0060, 0019, 0179,
0056, 0016, 0039,
0092, 0186
Telefunken 0056, 0109, 0252
Teletech 0009
Teleton 0186
Texet 0216
Thomson 0109, 0287
Thorn 0035, 0037, 0512, 0535
Tomashi 0282
Toshiba 0154, 0156, 0060,
0035, 0149, 0502
Tosonic 0185
Totevision 0039
Triumph 0177
Ultra 0391
Universum 0037, 0264, 0535
Vector Research 0030
Vestel 0037
Victor 0053
Vidikron 0054
03RX-V595a-CODE(US) 6/24/99, 11:51 AM108
109
Vidtech 0178, 0019
Viking 0046
Wards 0054, 0165, 0030, 0178,
0021, 0019, 0179, 0056,
0016, 0080
Watson 0037
White Westinghouse 0037, 0216
Yamaha 0030, 0019
Yoko 0037, 0264
Zenith 0017, 0016, 0092
Zonda 0003
CABLE
ABC 1003, 1008, 1014, 1011
Allegro 1315
Archer 1797
BBT 1267
Belcor 1056
British Telecom 1003
Cable Star 1056
Citizen 1315
Colour Voice 1031
Comtronics 1040
Contec 1019
Emerson 1797
Everquest 1015, 1040
Focus 1400
GC Electronics 1056
Gemini 1015
General Instrument 1476, 1011
GoldStar 1144, 1040
Goodmind 1797
Hamlin 1020, 1259, 1009, 1034
Hitachi 1011
Jasco 1315
Jerrold 1003, 1012, 1476, 1014,
1015, 1011, 1024
MNet 1019
Magnavox 1027
Memorex 1000
Movie Time 1063
NSC 1063
Novaplex 1618
Oak 1019
Optimus 1021
PVP Stereo Visual Matrix 1003
Panasonic 1000, 1107, 1021
Paragon 1000
Philips 1027, 1031
Pioneer 1144, 1533
Popular Mechanics 1400
Prelude 1770
Pulsar 1000
RCA 1021
Radio Shack 1015, 1315
Recoton 1400
Regal 1020, 1259
Rembrandt 1011
Runco 1000
SL Marx 1040
Samsung 1144, 1040
Scientific Atlanta 1008, 1477
Signal 1015, 1040
Signature 1011
Sprucer 1021
StarSight 1422
Starcom 1003, 1015
Stargate 1015, 1040, 1770, 1797
Starquest 1015
TV86 1063
TeleCaption 1221
Teleview 1040
Timeless 1418
Tocom 1012
Toshiba 1000
Tusa 1015
United Cable 1003
Universal 1056, 1191
Viewstar 1063, 1027
Zenith 1000, 1054, 1525
Zentek 1400
DBS TUNER
AST 2321
Audio Ton 2364
Avalon 2396
Chaparral 2053, 2209
Connexions 2396
DNT 2396
Echostar 2396
Elta 2364
Expressvu 2775
Fuba 2396
Galaxis 2364
Galaxisat 2321
General Instrument 2361
Huth 2364
JSR 2364
JVC 2775
Jerrold 2361
Lemon 2692
NEC 2507
Neusat 2692
Next-Wave 2732
Primestar 2361
Radix 2396
SAT 2321
SatPartner 2692
Seemann 2396
Triad 2321
Wisi 2321, 2396
Zehnder 2321
(DSS)
AlphaStar 2772
Echostar 2775
General Instrument 2869
HTS 2775
Hitachi 2819
Hughes Network System 2749
Jerrold 2627
Magnavox 2724
Memorex 2724
Panasonic 2701
Philips 2724
Primestar 2627
RCA 2566
Sony 2639
Star Choice 2869
Toshiba 2790
Uniden 2724
VCR
ASA 3037, 3081
Admiral 3048
Adventura 3000
Aiko 3278
Aiwa 3037, 3000
Akai 3041, 3061, 3281, 3288
Akiba 3072
Akura 3271
Alba 3209, 3072, 3278,
3020, 3295
Ambassador 3020
American High 3035
Amstrad 3000, 3278
Anitech 3072
Asha 3240
Asuka 3037
Audiovox 3037
Baird 3000, 3104, 3041
Basic Line 3072, 3278, 3020
Beaumark 3240
Bell & Howell 3104
Blaupunkt 3162, 3034, 3195,
3226, 3227
Brandt 3187, 3320
Brandt Electronic 3041
Broksonic 3184, 3121, 3209,
3002, 3295,
3361, 3479
Bush 3209, 3072, 3278
CCE 3072, 3278
CGE 3000
Calix 3037
Canon 3035
Capehart 3020
Carver 3081
Catron 3020
Cimline 3072
Cineral 3278
Citizen 3037, 3278
Clatronic 3020
Colt 3072
Condor 3020
Craig 3037, 3047, 3240,
3072, 3271
Crown 3072, 3278, 3020
Curtis Mathes 3060, 3035,
3041, 3162
Cybernex 3240
Cyrus 3081
Daewoo 3045, 3278, 3020
Dansai 3072
Daytron 3020
De Graaf 3042, 3166
Decca 3081, 3000
Denon 3042
Dual 3041
Dumont 3081, 3000, 3104
Dynatech 3000
ESC 3240, 3278
Elbe 3038
Elcatech 3072
Electrohome 3037
Electrophonic 3037
Emerex 3032
Emerson 3037, 3184, 3000,
3121, 3043, 3209,
3002, 3278, 3036,
3061, 3068, 3208,
3212, 3295,
3361, 3479
Ferguson 3041, 3320
Fidelity 3000
Finlandia 3081, 3104
Finlux 3081, 3000, 3042, 3104
Firstline 3037, 3045, 3043,
3209, 3072
Fisher 3047, 3104, 3046,
3054, 3066
Frontech 3020
Fuji 3035, 3033
Funai 3000
GE 3060, 3035, 3048,
3240, 3202
GEC 3081
Garrard 3000
General 3020
GoldHand 3072
GoldStar 3037, 3038,
3225, 3471
Goodmans 3037, 3000, 3072,
3278, 3062, 3020
Gradiente 3000, 3008
Graetz 3240, 3104, 3041
Granada 3081, 3104, 3046
Grandin 3037, 3000, 3072
Grundig 3081, 3072,
3195, 3226
HCM 3072
HI-Q 3047
Hanseatic 3037
Harley Davidson 3000
Harman/Kardon 3038
Harwood 3072, 3068
Headquarter 3046
Hinari 3240, 3072, 3208
Hitachi 3240, 3000, 3042,
3041, 3166, 3235
Hypson 3072
ITT 3240, 3104, 3041,
3046, 3384
ITV 3037, 3278
Imperial 3000
Interfunk 3081
JVC 3067, 3041, 3008, 3384
Jensen 3041
KEC 3037, 3278
KLH 3072
Kaisui 3072
Kendo 3209
Kenwood 3067, 3041,
3038, 3384
Kodak 3035, 3037
Korpel 3072
LXI 3037
Lenco 3278
Leyco 3072
LIoyd’s 3000, 3208
Loewe 3037, 3081
Logik 3240, 3072
Luxor 3048, 3104, 3043,
3062, 3046
M Electronic 3000
MEI 3035
MGA 3240, 3043, 3061
MGN Technology 3240
MTC 3240, 3000
Magnasonic 3278
Magnavox 3035, 3039,
3081, 3000
Magnin 3240
Manesth 3045, 3072
Marantz 3035, 3081, 3062, 3295
Marta 3037
Matsui 3209, 3036, 3208, 3295
Matsushita 3035, 3162
Memorex 3035, 3037, 3048,
3039, 3047, 3240,
3000, 3104,
3162, 3046
Memphis 3072
Metz 3162, 3195, 3227
Minerva 3195
Minolta 3042
Mitsubishi 3048, 3081, 3067,
3043, 3061,
3173, 3196
Motorola 3035, 3048
Multitech 3000, 3072
Murphy 3000
NEC 3104, 3067, 3041,
3038, 3040
Neckermann 3081
Nesco 3072
Nikko 3037
Nikon 3034
Noblex 3240
Nokia 3240, 3104, 3041, 3046
Nordmende 3041, 3320, 3384
Oceanic 3000, 3041
Olympus 3035, 3226
Optimus 3037, 3048,
3104, 3162
Optonica 3062
Orion 3184, 3121, 3209, 3002,
3036, 3208, 3295, 3479
Osaki 3037, 3000, 3072
Otto Versand 3081
Palladium 3037, 3041, 3072
Panasonic 3035, 3162, 3225,
3226, 3227
Pathe Cinema 3036
Pathe Marconi 3041
Penney 3035, 3037, 3240, 3042,
3038, 3040, 3054
Pentax 3042
Perdio 3000
Philco 3035, 3209, 3038, 3479
Philips 3035, 3081, 3062, 3384
Phonola 3081
Pilot 3037
Pioneer 3081, 3067, 3162, 3235
Portland 3020
Profitronic 3240
Proline 3000
Proscan 3060, 3202
Protec 3072
Pulsar 3039
Pye 3081
Quarter 3046
Quartz 3046
Quasar 3035, 3162
Quelle 3081
RCA 3060, 3035, 3048,
3240, 3042, 3202
Radio Shack 3037, 3000
Radiola 3081
Radix 3037
Randex 3037
Realistic 3035, 3037, 3048,
3047, 3000, 3104,
3062, 3046, 3066
Rex 3041, 3384
Ricoh 3034
Roadstar 3037, 3240,
3072, 3278
Runco 3039
SBR 3081
03RX-V595a-CODE(US) 6/24/99, 11:51 AM109
110
SEG 3240
SEI 3081
STS 3042
Saba 3041, 3320, 3384
Saisho 3209, 3036, 3208
Salora 3043, 3046
Samsung 3240, 3045
Sanky 3048, 3039
Sansui 3000, 3067, 3041,
3271, 3479
Sanyo 3047, 3240, 3104, 3046
Schaub Lorenz 3000, 3104,
3041
Schneider 3081, 3000, 3072
Scott 3184, 3045, 3121, 3043, 3212
Sears 3035, 3037, 3047,
3000, 3042, 3104,
3046, 3054, 3066
Seleco 3041
Semp 3045
Sentra 3020
Sharp 3048, 3062
Shintom 3104, 3072
Shogun 3240
Siemens 3037, 3081, 3104,
3054, 3195
Silva 3037
Singer 3045, 3072
Sinudyne 3081
Solavox 3020
Sonolor 3046
Sontec 3037
Sony 3035, 3032, 3000,
3033, 3034
Sunstar 3000
Suntronic 3000
Sylvania 3035, 3081,
3000, 3043
Symphonic 3000
TMK 3240, 3036, 3208
Tashiko 3000
Tatung 3081, 3000, 3041
Teac 3000, 3041
Tec 3020
Technics 3035, 3162, 3226
Teknika 3035, 3037, 3000
Teleavia 3041
Telefunken 3041, 3187,
3320, 3384
Tenosal 3072
Tensai 3000
Thomas 3000
Thomson 3041, 3320, 3384
Thorn 3104, 3041, 3036
Toshiba 3081, 3045, 3043, 3041,
3066, 3212, 3366, 3384
Totevision 3037, 3240
Triumph 3208
Uher 3240
Unitech 3240
Universum 3037, 3081, 3240,
3000, 3195
Vector 3045
Vector Research 3038, 3040
Video Concepts 3045, 3040,
3061
Videosonic 3240
Wards 3060, 3035, 3048, 3047,
3081, 3240, 3000, 3042,
3072, 3062, 3212
White Westinghouse 3278
XR-1000 3035, 3000, 3072
Yamaha 3038
Yamishi 3072
Yokan 3072
Yoko 3240, 3020
Zenith 3039, 3000, 3033, 3034
DVD PLAYER
JVC 4558
Kenwood 4534
Magnavox 4503
Mitsubishi 4521
Onkyo 4503
Panasonic 4490
Philips 4503, 4539
Pioneer 4525
Proscan 4522
RCA 4522
Sony 4533
Technics 4490
Toshiba 4503
Yamaha 4490, 4545
Zenith 4503
LD PLAYER
Aiwa 5203
Carver 5064, 5194, 5323
Denon 5059, 5172
Disco Vision 5023
Funai 5203
Hitachi 5023
Magnavox 5194, 5217
Marantz 5064, 5194
Mitsubishi 5059
NAD 5059
Panasonic 5204
Philips 5064, 5194
Pioneer 5059, 5023
Quasar 5204
Realistic 5203
Salora 5064
Samsung 5323
Sega 5023
Sony 5193, 5201
Technics 5204
Telefunken 5059
Theta Digital 5194
Yamaha 5217
CD PLAYER
ADC 6018
Acoustic Research 6420
Adcom 6155
Aiwa 6157, 6012, 6124
Akai 6156
Arcam 6157
Audio Pro 6437
Audio Research 6157
Audio-Technica 6170
Audio Ton 6157
Audiolab 6157
Audiomeca 6157
BSR 6245
Bestar 6164
Burmester 6420
Bush 6245
California Audio Lab 6029
Carver 6157, 6179, 6437
Condor 6164
Crown 6122
Cyrus 6157
DAK 6245
DKK 6000
Denon 6003, 6034
Elektra 6393, 6437
Emerson 6305, 6155, 6164
Fisher 6179, 6048, 6088, 6342
Garrard 6420, 6393, 6245,
6280, 6425
Genexxa 6032, 6305,
6164, 6426
Goodmans 6305, 6245, 6280
Grundig 6157
Harman/Kardon 6426
Hitachi 6032, 6155
JVC 6072
Kenwood 6028, 6037,
6190, 6048
Kodak 6287
Krell 6157
Kyocera 6018
LXI 6305
Linn 6157
Luxman 6093
MCS 6029, 6043
MTC 6420
Magnavox 6157, 6305
Marantz 6029, 6157, 6180
Matsui 6157
Mclntosh 6287
Memorex 6032, 6305, 6155,
6164, 6180
Meridian 6157
Micromega 6157
Mission 6157
Mitsubishi 6156
NAD 6000
NEC 6043
NSM 6157
Nagaoka 6018
Naim 6157
Nakamichi 6147
Nikko 6164, 6170
Onkyo 6101
Optimus 6000, 6032, 6179,
6305, 6037, 6420,
6048, 6145, 6468,
6087, 6280, 6342,
6426, 6437
Panasonic 6029, 6303
Parasound 6420
Philips 6157, 6287
Pioneer 6032, 6305, 6468, 6244
Poppy 6164
Proton 6157
QED 6157
Quad 6157
Quasar 6029
RCA 6179, 6305, 6053, 6155
Realistic 6179, 6420, 6155,
6164, 6180
Revox 6157
Roadstar 6461
Rotel 6157, 6420
Royal 6420
SAE 6157
STS 6018
Sansui 6157, 6305, 6202
Sanyo 6179, 6048, 6087, 6342
Scott 6305, 6155, 6164
Sears 6305
Sharp 6037, 6180, 6261
Sherwood 6114, 6180, 6426
Shure 6043
Sony 6000, 6185
Soundesign 6145, 6425
Tascam 6420
Teac 6420, 6393, 6180
Technics 6029, 6303
Universum 6157, 6437
Victor 6072
Wards 6157, 6053
Yamaha 6036, 6187, 6261,
6082, 6712
Yorx 6461
MD RECORDER
Kenwood 7826
Sony 7490
Yamaha 7888, 7490
TAPE DECK
ADC 8171
Aiwa 8029, 8197
Akai 8283
Arcam 8076
Carver 8029
Denon 8076
Fisher 8074
Garrard 8308, 8309, 8375
GoldStar 8375
Grundig 8029, 8375
JVC 8244, 8274, 8303,
8304, 8310
Kenwood 8071, 8092,
8233, 8234
Kyocera 8171
Magnavox 8029
Marantz 8029, 8009
Memorex 8099
Mitsubishi 8283
Onkyo 8136, 8282
Optimus 8027, 8220, 8337
Panasonic 8229
Philips 8029
Phonotrend 8337
Pioneer 8027, 8220, 8099
Revox 8029, 8190
Sansui 8029, 8009
Sanyo 8074
Sharp 8231
Sherwood 8337
Sonic 8375
Sony 8243, 8170, 8291
Teac 8280, 8289, 8308, 8309
Technics 8229
Universum 8375
Victor 8274
Wards 8027
Yamaha 8097, 8094, 8478, 8524
03RX-V595a-CODE(US) 6/24/99, 11:51 AM110
HTR-5150
Natural Sound AV Receiver
Ampli-Tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5150
Printed in Malaysia ID
V403350
U C A T
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
04HTR-5150-e/f cv1/4 6/28/99, 2:31 PM1
Quick Reference Card
AMP/TUN
DSP
TAPE/MD CD DVD/LD
POWER
INPUT
EXT. DEC.
A/B/C/D/E
DSP
PRESET
UP DOWN
VOLUME
MUTE
SLEEP
TV POWER
TIME/LEVEL
DSP program
STANDBY
SELECTOR
DIAL
TEST
EFFECT
ON/OFF
TV VOLUME
POWER
TV POWER
REC/PAUSE
PLAY
DIR A (TAPE)
SKIP (MD)
REWIND (TAPE)
SEARCH (MD)
INPUT
TV VOLUME
DISPLAY (MD)
PAUSE (MD)
DECK A/B (TAPE)
DIR B (TAPE)
SKIP (MD)
STOP
FAST
FORWARD (TAPE)
SEARCH (MD)
POWER
TV POWER
PLAY
SUBTITLE
ON/OFF (DVD)
SKIP/SEARCH
SUBTITLE (DVD)
SEARCH (LD)
INPUT
TV VOLUME
DISPLAY
PAUSE
TV INPUT
STOP
ANGLE (DVD)
SEARCH (LD)
AUDIO (DVD)
POWER
TV POWER
DISC SKIP DISC SKIP
PLAY
SKIP
SEARCH
INPUT
TV VOLUME
PAUSE
TV INPUT
STOP
SEARCH
DISPLAY
SET MENU
V404530
VCR CBL/DBS TVDVD MENU
TV POWER
VCR REC (*1)
PLAY
REWIND
CHANNEL
POWER
CHANNEL
ENTER
CHANNEL
UP DOWN
CHANNEL
ENTER
CHANNEL
UP DOWN
CHANNEL
ENTER
CHANNEL
UP DOWN
TV VOLUME
DISPLAY
PAUSE
TV INPUT
STOP
FAST FORWARD
POWER
TV POWER
+10
DISC SKIP
MENU SELECT
MENU LEFT
SET UP
TITLE
Numeric
buttons
TV VOLUME
CLEAR
TITLE/INDEX
MENU UP
TV INPUT
MENU RIGHT
MENU DOWN
RETURN
MENU
TV POWER
TV MUTE
TV SLEEP
VCR PLAY
VCR REC (*1)
VCR REWIND
CHANNEL
TV VOLUME
TV EFFECT
ON/OFF
DISPLAY
VCR PAUSE
TV INPUT
VCR STOP
VCR FAST
FORWARD
POWER
TV POWER
MENU SELECT
MENU LEFT
CHANNEL
TV VOLUME
+100
MENU UP
MENU RIGHT
TV INPUT
DISPLAY
MENU DOWN
MENU
RECALL
POWER
*1: Press this button twice to start recording.
*1: Appuyer deux fois sur cette touche pour démarrer l’enregistrement.
*1: Diese Taste zweimal drücken, um die Aufnahme zu starten.
*1: Tryck två gånger på denna knapp för att starta inspelningen.
*1: Premere due volte questo tasto per iniziare la registrazione.
*1: Presione dos veces este botón para empezar a grabar.
*1: Druk tweemaal op deze toets om met opnemen te beginnen.
Quick Reference Card
V404530

Documenttranscriptie

U C AT HTR-5150 HTR-5150 Natural Sound AV Receiver Ampli-Tuner audio-vidéo YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA OWNER’S MANUAL MODE D’EMPLOI ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA Printed in Malaysia ID 04HTR-5150-e/f cv1/4 1 V403350 6/28/99, 2:31 PM SAFETY INSTRUCTIONS 8 Ventilation – The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. 9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. • Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. 1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to. 4 Follow Instructions – All operating and other instructions should be followed. 5 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. 6 Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer. 6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit. 11 Power-Cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit. 12 Cleaning – The unit should be cleaned only as recommended by the manufacturer. 13 Nonuse Periods – The power cord of the unit should be unplugged from the outlet when left unused for a long period of time. 14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit. 15 Damage Requiring Service – The unit should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or exhibits a marked change in performance; or E. The unit has been dropped, or the cabinet damaged. 16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel. 17 Power Lines – An outdoor antenna should be located away from power lines. 18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated. Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. 2 01RX-V595a-e/f1 2 6/24/99, 11:42 AM Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. English 19 For US customers only: Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. EXAMPLE OF ANTENNA GROUNDING MAST ANTENNA LEAD IN WIRE GROUND CLAMP ANTENNA DISCHARGE UNIT (NEC SECTION 810–20) ELECTRIC SERVICE EQUIPMENT GROUNDING CONDUCTORS (NEC SECTION 810–21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H) NEC – NATIONAL ELECTRICAL CODE FCC INFORMATION (for US customers only) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. We Want You Listening For A Lifetime YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels. 3 01RX-V595a-e/f1 3 6/24/99, 11:42 AM SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS • After unpacking, check that the following parts are included. • Après le déballage, vérifier que les pièces suivantes sont incluses. • Remote control Before using the remote control, install the supplied batteries. See page 48 for battery installation. • Télécommande Avant d’utiliser la télécommande, mettre les piles fournies en place. Pour la mise en place des piles, voir page 98. • Indoor FM Antenna • Antenne FM intérieure • AM Loop Antenna • Cadre-antenne AM • Antenna adapter (U.S.A. and Canada models only) • Adaptateur d’antenne (Modèles pour les États-Unis et le Canada seulement) • Batteries (size AA, R6, UM-3) • Piles (taille AA, R6, UM-3) 4 01RX-V595a-e/f1 4 6/24/99, 11:42 AM English FEATURES ● CINEMA DSP: Theater-like Sound Experience by the Combination of YAMAHA DSP Technology and Dolby Digital, Dolby Pro Logic or DTS ● Automatic Input Balance Control for Dolby Pro Logic decoding 5-Channel Power Amplification Mininum RMS Output (0.04% THD, 20 Hz – 20 kHz) U.S.A. and Canada models Main: 70 W + 70 W (8 Ω) Center: 70 W (8 Ω) Rear: 70 W + 70 W (8 Ω) ● Test Tone Generator for Easier Speaker Balance Adjustment ● Speaker Output Mode Selection Australia and China models Main: 65 W + 65 W (8 Ω) Center: 65 W (8 Ω) Rear: 65 W + 65 W (8 Ω) Sophisticated FM/AM Tuner Multi-mode Digital Sound Field Processing ● ● ● ● Digital Sound Field Processor (DSP) Dolby Digital Decoder Dolby Pro Logic Decoder DTS Decoder ● 40-Station Random Access Preset Tuning ● Automatic Preset Tuning ● Preset Station Shifting Capability (Preset Editing) ● 6-Channel External Decoder Input for Other Future Formats ● Video Signal Input/Output Capability (Including S Video Connections) ● SLEEP Timer ● Universal Remote Control with Preset Manufacturer Codes CONTENTS SUPPLIED ACCESSORIES ........................................... 4 FEATURES .................................................................... 5 CAUTION ....................................................................... 6 ● Information about DSP SOUND FIELD PROGRAM ......................................... 36 ● Advanced Information ● Introduction ADJUSTMENTS IN THE “SET MENU” MODE ............ 41 FEATURES OF THE SOUND EFFECTS ....................... 7 CONTROLS AND THEIR FUNCTIONS ....................... 10 ● Remote control ● Preparation REMOTE CONTROL ................................................... 43 SETUP CODES ........................................................... 49 SPEAKER SETUP ....................................................... 13 CONNECTIONS ........................................................... 14 ADJUSTMENTS BEFORE USING THIS UNIT ............ 21 TROUBLESHOOTING ................................................. 50 SPECIFICATIONS ....................................................... 53 ● Basic Operation BASIC OPERATION .................................................... 26 TUNING ....................................................................... 30 SETTING THE SLEEP TIMER ..................................... 35 LIST OF MANUFACTURERS’ CODES ...................... 105 5 01RX-V595a-e/f1 5 6/24/99, 11:42 AM CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 3. Never open the cabinet. If something drops into the set, contact your dealer. 4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves. 5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage. <China model only> Be sure to allow a space of at least 20 cm behind, 20 cm on both sides and 30 cm above the top panel of the unit to prevent fire and damage. 6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified. 7. Digital signals generated by this unit may interfere with other equipment such as tuners, receivers and TVs. Move this unit farther away from such equipment if interference is observed. 8. Always set the VOLUME control to “ ” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started. 9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty. This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power. FREQUENCY STEP switch (China model only) Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet. IMPORTANT Please record the serial number of this unit in the space below. MODEL: Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. FOR CANADIAN CUSTOMERS To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with Canadian ICES-003. 11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power plug from the wall outlet. 12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 13. Grounding or polarization – Precautions should be taken so that the grounding or polarization of the unit is not defeated. 14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide. 15. Voltage Selector (China model only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz. 6 01RX-V595a-e/f1 6 6/24/99, 11:42 AM English FEATURES OF THE SOUND EFFECTS Introduction Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receivers available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater. Digital Sound Field Processing What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but the chances are that you’ll still notice something missing — the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound to your listening room, so you’ll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your own home. Dolby Pro Logic Dolby Surround has been used in movie theaters since the midseventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors. 7 01RX-V595a-e/f1 7 6/24/99, 11:42 AM Dolby Digital Dolby Digital is the next level of the Dolby Surround sound system that was developed for 35 mm-film movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Surround, which is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full-range fidelity as the three front channels. By using the built-in Dolby Digital decoder, you can experience the dramatic realism and impact of Dolby Digital theater sound in your home. The wide dynamic range of sound reproduced by the five fullrange channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before. Dolby Digital forms 5.1 channels as already mentioned, but it can also form fewer channels, for example 2-channel stereo and monaural. You may be able to find some 2-channel stereo and/or monaural sources encoded with Dolby Digital in the market. Laser disc and DVD are home audio/video program sources that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software. Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. DTS Digital Surround DTS (Digital Theater Systems) was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio. DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems. Laser disc, compact disc and DVD are home audio formats by which DTS can present its high-quality multi-channel audio. (In addition to movies on laser discs, many exciting new multichannel music recordings will also become available in the form of DTS-encoded compact discs.) Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved. The DTS Digital Surround algorithm is designed to encode the six channels of 20-bit audio on to some laser discs, compact discs and DVDs with considerably less data compression. By using the DTS decoder built into this unit, you can experience the dramatic realism and impact of the DTSinstalled theater’s high quality sound in your home. 8 01RX-V595a-e/f1 8 6/24/99, 11:42 AM English CINEMA DSP: Dolby Surround + DSP / DTS + DSP The Dolby Surround sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround or DTS Digital Surround sounds. CINEMA DSP The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS. Dolby Pro Logic + 2 Digital Sound Fields Dolby Digital or DTS + 3 Digital Sound Fields Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic-decoded sound field, respectively. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater. Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded or DTS-decoded sound field, respectively. They create a wide acoustic environment and strong surround effect in the room without losing high-channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time. Refer to pages 36 to 37 for the DSP program. Refer to pages 36 to 37 for the DSP program. 9 01RX-V595a-e/f1 9 6/24/99, 11:42 AM CONTROLS AND THEIR FUNCTIONS FRONT PANEL INPUT VCR • V–AUX • TV/DBS • DVD/LD • CD • TUNER • PHONO VOLUME 18 12 20 STANDBY/ON 22 8 80 2 40 TAPE/MD MON /EXT. DECODER 4 0 –dB A/ B/ C/ D/ E 1 2 3 5 4 6 7 8 MEMORY MAN’L/AUTO FM BASS PHONES TREBLE 1 1 1 2 2 ON OFF 4 4 5 5 2 2 3 3 4 4 5 FM/AM 5 DOWN TUNING UP INPUT MODE AUTO/MAN’L MONO TIME/ LEVEL 0 1 1 2 3 3 TUNING MODE BALANCE 0 0 SPEAKERS A B EDIT 1 SET MENU VIDEO AUX EFFECT 2 3 3 PROGRAM 4 4 L 5 5 R 8 VIDEO VIDEO L AUDIO R Refer to pages 43 to 48 for the remote control. 1 STANDBY/ON 6 TUNING MODE (AUTO/MAN’L MONO) Press this switch to turn on the power of this unit. Press it again to set this unit in the standby mode. Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that the “AUTO TUNING” indicator lights up on the display. To select the manual tuning mode, press this button so that the “AUTO TUNING” indicator goes off. Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control. 2 Remote control sensor 7 FM/AM Press this button to switch the reception band between FM and AM. This receives signals from the remote control. 8 TUNING UP/DOWN 3 Display This button is used for tuning. Press the UP side to tune in to higher frequencies, and press the DOWN side to tune in to lower frequencies. This shows various information. (Refer to page 12 for details.) 4 MEMORY (MAN’L/AUTO FM) Press this button to store the broadcasting stations. When this button is pressed and held for more than three seconds, automatic preset tuning begins. 5 EDIT This button is used to exchange the assigment of two preset stations with each other. 9 TAPE/MD MON / EXT. DECODER Press this button to play a tape or an MD. The “TAPE/MD MON” indicator lights up on the display. When you press the button next, the “TAPE/MD MON” indicator goes off, “EXT. DECDR” appears on the display and you can play the signal connected to the EXTERNAL DECODER INPUT terminals. 0 INPUT Turn this selector to select the input source (VCR, VIDEO AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to listen to or watch. The name of the selected input source appears on the display. 10 01RX-V595a-e/f1 10 6/24/99, 11:42 AM i BALANCE This button switches between the DVD/LD and TV/DBS input signal modes. This control is used to raise or lower the volume level. This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by the speaker location or listening room conditions. e PHONES jack o TIME/LEVEL When you use headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When using headphones only, set both SPEAKERS A and B to the OFF position and switch off the digital sound field processor (so that no DSP program name appears on the display) by pressing EFFECT. Press this button to select the item in the TIME/LEVEL mode. w VOLUME p +/– These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME/LEVEL mode, press + to increase the delay time or speaker output level. Press – to decrease the delay time or speaker output level. r SPEAKERS a SET MENU Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) for the main speaker system you don’t want to use to the OFF position. Press this button to select functions in the SET MENU mode. t A/B/C/D/E Press this button to select one of a group (A to E) of preset stations. y Preset station number selector Each of these buttons selects a preset station number (1 to 8). u Tone controls These controls are only effective for the sound from the main speakers. BASS Use this control to increase or decrease the low-frequency response. The “0” position produces a flat response. TREBLE Use this control to increase or decrease the high-frequency response. The “0” position produces a flat response. s PROGRAM selector Press or to select a DSP program. The name of the selected program appears on the display. d EFFECT Press this button once to switch the effect speakers (center and rear) on or off. If you turn off the effect by using EFFECT, all Dolby Digital and DTS audio signals are directed to the main left and right channels. In that case, the left and right channel signal levels may not match. f VIDEO AUX terminals Connect an auxiliary video or audio input source such as a camcorder to these terminals. If the connected video unit has an S video output terminal, connect it to the S VIDEO terminal to obtain a high-resolution picture. The source connected to these terminals can be selected by INPUT. 11 01RX-V595a-e/f1 11 6/24/99, 11:42 AM English q INPUT MODE DISPLAY PANEL 1 Multi-information display This displays various information, for example the station frequency, preset station number and name of the selected input source. 2 MEMORY indicator When MEMORY is pressed, this indicator flashes for about five seconds. During this period, the displayed station can be stored in the memory. 3 AUTO TUNING indicator This lights up when the unit is in the automatic tuning mode. 4 TAPE/MD MON indicator This lights up when the tape deck (or MD recorder, etc.) is selected as the input source by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control. 5 STEREO indicator This lights up when an FM stereo broadcast with sufficient signal strength is being received. 6 Signal-level indicator 7 indicators Either “dts” indicator lights up when the built-in DTS decoder is turned on. The red “dts” indicator lights up when playing a CD or LD encoded with DTS. The orange “dts” indicator lights up when playing a DVD encoded with DTS. * An orange “dts” indicator may light up when playing a CD or LD encoded with DTS after playing a video-CD or DVD on a DVD/LD combi-player. 8 , and indicators ” lights up when the built-in Dolby Digital decoder is “ on and the signals of the selected source encoded with Dolby Digital are not in 2-channel. “ ” lights up when the built-in digital sound field processor is on, and “ ” lights up when the built-in Dolby Pro Logic decoder is on. Depending on the selected DSP program, both “ ” and “ ”, or ” and “ ” will light up. both “ 9 SLEEP indicator This lights up while the built-in SLEEP timer is functioning. This indicates the signal level of the station being received. If multipath interference is detected, the indication decreases. 12 01RX-V595a-e/f1 12 6/24/99, 11:42 AM English SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. Use of a subwoofer expands your sound field It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source that is Dolby Digital or DTS-decoded. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction. The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high-performance models that can reproduce sounds over the full range for the center speaker and the rear speakers. SPEAKER PLACEMENT Refer to the following diagram when you place the speakers. Main: The position of your present stereo speaker system. Rear: Behind your listening position, facing slightly inward. Nearly 1.8 m (approx. 6 feet) up from the floor. Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.) Main speaker (R) Subwoofer Center speaker Main speaker (L) Rear speaker (R) Subwoofer: The position of the subwoofer is not as critical, because low bass tones are not highly directional. Rear speaker (L) Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 21 for details.) 13 01RX-V595a-e/f2 13 6/24/99, 11:42 AM CONNECTIONS Never plug in this unit and other components until all connections have been completed. CONNECTIONS WITH OTHER COMPONENTS Use RCA-type pin plug cables for connecting audio/video components with the exception described later. When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit. AC OUTLET(S) (SWITCHED) U.S.A., Canada and China models ....................... 2 OUTLETS Australia model ......................................................... 1 OUTLET Turntable DVD player, LD player, etc. Monitor TV Use these to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON or the provided remote control’s POWER and STANDBY. These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 watts. (U.S.A. model) To AC outlet CD player Tape deck, MD recorder, etc. TV/DBS tuner VCR (Video cassette recorder) GND terminal (for turntable use) Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better . results may be obtained with the ground wire disconnected. 14 01RX-V595a-e/f2 14 6/24/99, 11:42 AM English CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS If your DVD (LD) player, TV/DBS tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. Digital audio signals are transmitted with less loss than analog audio signals. In addition, digital audio signal connections are necessary, especially for an LD player or a DVD player, to send signals encoded with Dolby Digital or DTS to this unit. To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly. Even if you connect an audio/video unit to the COAXIAL (or OPTICAL) terminal of this unit, you must keep the unit connected with the same-named analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit. You can easily switch the selection of input signals between “digital” and “analog.” (See page 28 for details.) Notes • When connecting an audio/video unit to both the digital and analog terminals of this unit, make sure to connect between both terminals of the same name. • Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust. • The input signal from the DVD/LD input terminals is selected in the following order of priority with the input mode set to the AUTO position: 1 COAXIAL terminal 2 OPTICAL terminal 3 Analog terminal • If the DIGITAL OUT data of the player has been processed in any way, you may not be able to perform DTS playback even if you make a digital connection between this unit and the player. • All digital audio signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz. No sound will be generated when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal. DVD or LD player* * If your LD player has a Dolby Digital RF signal output terminal, be sure to use the RF demodulator (separately purchased). TV/DBS tuner (U.S.A. model) 15 01RX-V595a-e/f2 15 6/24/99, 11:42 AM CONNECTING TO S VIDEO TERMINALS If you have a VCR and a monitor equipped with “S” (highresolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the VCR’s “S” video input and output terminals to this unit’s S VIDEO VCR OUT and IN terminals, respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the VCR’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal. In addition, if you have a DVD or LD player equipped with an “S” video terminal, connect the DVD/LD player’s “S” video output terminal to this unit’s S VIDEO DVD/LD terminal. VCR S Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals. DVD/LD player S S VIDEO terminals This unit provides you with S VIDEO terminals in addition to standard VIDEO terminals. S VIDEO terminals transmit video signals separated into luminance (Y) signals and color (C) signals. In comparison with S VIDEO terminals, standard VIDEO terminals transmit “composite” video signals. S VIDEO cable CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL) These terminals are used to connect any video input source such as a camcorder to this unit. S S Camcorder 16 01RX-V595a-e/f2 16 S S S 6/24/99, 11:42 AM Monitor TV English CONNECTING TO AN EXTERNAL DECODER This unit is equipped with additional 6-channel audio signal input terminals for inputting signals from an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit. Notes • When signals input to these terminals are selected, the digital sound field processor cannot be used. • The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the SET MENU mode have no effect on the signals input to these terminals. The setting of “M.LVL” is effective. (Refer to page 21 for details.) • Adjustment of the output level of the center speakers, rear speakers and subwoofer is effective when the signals input to these terminals are selected as the input source. (Refer to page 39 for details.) External decoder with 6-channel discrete outputs (U.S.A. model) IMPEDANCE SELECTOR SWITCH WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. If this unit fails to turn on when the STANDBY/ON switch is pressed, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully when this unit is in the standby mode. IMPEDANCE SELECTOR Select the position whose requirements your speaker system meets. (Upper position) Main: If you use one pair of main speakers, the impedance of each speaker must be 4 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher. Center: The impedance of the speaker must be 6 Ω or higher. Rear: The impedance of each speaker must be 6 Ω or higher. (U.S.A. model) (Lower position) Main: If you use one pair of main speakers, the impedance of each speaker must be 8 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher. <Canada model only> The impedance of each speaker must be 8 Ω or higher. Center: The impedance of the speaker must be 8 Ω or higher. Rear: The impedance of each speaker must be 8 Ω or higher. 17 01RX-V595a-e/f2 17 6/24/99, 11:43 AM CONNECTING SPEAKERS Main speakers A Right Main speakers B Left Right Left (U.S.A. model) Rear speakers Left Center speaker Subwoofer system Note Use speakers with the specified impedance shown on the rear panel of this unit. Main speaker connections One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals. Subwoofer connection You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel. If you have a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system. Rear speaker connections A rear speaker system can be connected to this unit. Place them to the rear of your listening position. Center speaker connection A center speaker can be connected to this unit. Place it on or under the TV. 18 01RX-V595a-e/f2 Right 18 6/24/99, 11:43 AM English How to connect Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers. Connecting to the MAIN SPEAKERS terminals Connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative (–) Red: positive (+) Black: negative (–) 1 Unscrew the knob. 2 Remove approx. 5 mm (1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal. 3 Tighten the knob to secure the wire. 2 1 3 1 3 2 1 Press the tab. 2 Remove approx. 5 mm (1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal. 3 Release the tab to secure the wire. Banana plug connections are also possible. Simply insert the banana plug connector into the corresponding terminal. 19 01RX-V595a-e/f2 19 6/24/99, 11:43 AM ANTENNA CONNECTIONS Each antenna should be correctly connected to the designated terminals, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna * You may be unable to obtain good FM radio reception depending on your local conditions (distance from the broadcast station, interposing buildings and mountains, etc.). Consult your dealer or authorized service center and be sure to install an antenna that suits your local conditions. Install the special FM outdoor antenna in a high place as far away from any roads as possible to avoid being affected by automobile ignition noise. Indoor FM antenna (included) Outdoor AM antenna * Firmly insert the connector into the FM ANT terminal. * If you cannot obtain good reception with the AM loop antenna, connect 5 m to 10 m of vinyl covered wire to the AM ANT terminal and extend it outdoors from a window. (Be sure to also connect the AM loop antenna at this time.) (U.S.A. model) AM loop antenna (included) 75-ohm/300-ohm antenna adapter 75-ohm coaxial cable 75-ohm/300-ohm antenna adapter Ground 300-ohm feeder GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. Connecting the AM loop antenna 1 1 Press the tab and unlock the terminal hole. 2 Connect the AM loop antenna lead wires to the AM ANT and GND terminals. 3 Return the tab to its original position to lock the lead wires. Lightly pull the lead wires to confirm a good connection. 2 Attach the loop antenna to the antenna stand. 3 Orient the AM loop antenna so that the best reception is obtained. Loop antenna 1 3 2 Antenna stand • The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall. • The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit. 20 01RX-V595a-e/f2 20 6/24/99, 11:43 AM English ADJUSTMENTS BEFORE USING THIS UNIT SELECTING THE OUTPUT MODES This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections have all been completed, select the proper setting for each function to make the best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 41.) 1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL) DESCRIPTION OF EACH FUNCTION CNTR (CENTER SPEAKER) Choices: LARGE/SMALL/NONE Preset position: LARGE LARGE: Select this position when your center speaker is approximately the same size as the main speakers. SMALL: Select this position when you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected for “MAIN” and the SW position is selected for “BASS”). NONE: Select this position when you do not have a center speaker (four speaker system). The center channel sound will be output from the left and right main speakers. REAR (REAR SPEAKERS) Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your rear speakers have high ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals are output from the rear speakers. SMALL: Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected for “BASS”). MAIN (MAIN SPEAKERS) Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals present on the main channels are output from the main speakers. SMALL: Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are output from the SUBWOOFER OUTPUT terminal if the SW or BOTH position is selected for “BASS”. 3. MAIN (MAIN SPEAKERS) BASS (LFE/BASS OUT) Choices: SW/MAIN/BOTH Preset position: SW MAIN: Select this position if your system does not include a subwoofer. In this position, full-range signals present on the main channels, signals from the LFE channel and other low bass signals that are distributed from other channels are output from the main speakers. SW/BOTH: Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals on the LFE channel and other low bass signals that are distributed from other channels are output from the SUBWOOFER OUTPUT terminal. When the LARGE position is selected for “MAIN”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal; however, in the BOTH position, low bass signals from the main channels are output to both the main speakers and the SUBWOOFER OUTPUT terminal. M.LVL (MAIN LEVEL) Choices: NRML (NORMAL)/–10 dB Preset position: NRML (NORMAL) NRML (NORMAL): Normally select this position. –10 dB: Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated. Note The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no effect on the signals input to the EXTERNAL DECODER INPUT terminals on the rear of this unit. 21 01RX-V595a-e/f2 21 6/24/99, 11:43 AM ADJUSTMENT METHOD Adjustments should be made while watching the information on this unit’s display. 1 2 1 3 2 3 When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control. 3 Front panel or 1 Press + or – once or more to select the setting you want. Remote control Turn the power on. Front panel or Remote control or 2 Press SET MENU once or more to select the function “CNTR” on the display. Front panel Remote control 4 Repeat steps 2 and 3 to change the settings for “REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same way. or * After pressing SET MENU once on the remote control, you can also select the function by pressing . (Pressing goes back one selection.) 22 01RX-V595a-e/f2 22 6/24/99, 11:43 AM English SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic decoder and the DTS decoder. The adjustment of each speaker output level should be done at your listening position with the remote control. After completing the adjustment of the output level for each speaker, use VOLUME ( ) on the remote control at your listening position to check if the adjustments are satisfactory. 2 1 5,9 2 6 3 8 4 4,7 Set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control. 2 Turn the power on. Front panel Remote control or or 1 Set VOLUME to the “ ” position. Front panel 3 Select the main speakers to be used. Front panel * If you use two main speaker systems, press both A and B. 23 01RX-V595a-e/f2 23 6/24/99, 11:43 AM 4 Set BASS, TREBLE and BALANCE to the “0” position. 6 Front panel 5 Press TEST so that “TEST LEFT” appears on the display. Remote control Turn up the volume. Remote control You will hear a test tone (like pink noise) from each speaker for about two seconds in following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below. Main (L) Center Main (R) Rear (R) Rear (L) * If the function “CNTR” in the SET MENU mode is set to the NONE position, you will hear the center channel test tone from the left and right main speakers. 7 Adjust BALANCE so that the sound output level of the left main speaker and the right main speaker is the same. Front panel 24 01RX-V595a-e/f2 24 6/24/99, 11:43 AM Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers. Press TIME/LEVEL once or more to select the speaker to be adjusted so that “CENTER”, “R SUR.” or “L SUR.” appears on the display. Remote control * You cannot adjust the delay time while the test tone is sounding even if “DELAY” appears on the display after pressing TIME/LEVEL once or more. Adjust the level. * Pressing raises and lowers the level. * While adjusting, the test tone is heard from the selected speaker. Remote control 9 When the adjustment is finished, press TEST again to stop the test tone. Remote control 25 01RX-V595a-e/f2 25 6/24/99, 11:43 AM English 8 Notes • Once you have completed these adjustments, you can only adjust the overall sound level of your audio system by using VOLUME (or VOLUME ( ) on the remote control). • If you use external power amplifiers, you may also use their volume controls to achieve the proper balance. • If the function “CNTR” in the SET MENU mode is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers. • If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “M.LVL” to “–10 dB”. BASIC OPERATION TO PLAY A SOURCE 2 3 1,7 2 3,4 5 8 8 48 7 When using the remote control • Set the SELECTOR DIAL to the AMP/TUN position on the remote control. • To operate the CD player, DVD/LD player, tape deck, MD recorder, or other components with this remote control, set the SELECTOR DIAL to the component to be used. (See “SETUP CODES” on page 49.) 1 3 Select the desired input source by using INPUT. (Turn on the monitor TV for video sources.) Front panel Remote control or Set VOLUME to the “ ” position. Front panel The name of the selected input source will appear on the display. 2 Turn the power on. Front panel Remote control or To play a tape or an MD Press TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control so that the “TAPE/MD MON” indicator lights up on the display. To use a decoder connected to the EXTERNAL DECODER INPUT terminals Press TAPE/MD MON / EXT. DECODER once or more on the front panel or EXT. DEC. on the remote control so that “EXT. DECDR” appears on the display. 26 01RX-V595a-e/f3 26 Front panel 6/24/99, 11:43 AM For a DVD/LD or TV/DBS source, the current input mode is also shown. * To change the input mode for the DVD/LD or TV/DBS source, press INPUT MODE (or the button that you have pressed to select the input source in step 3 on the remote control) once or more until the desired input mode is shown on the display. (See page 28 for details on switching the input mode.) Front panel 7 Adjust the volume to the desired output level. Front panel Remote control or Remote control 8 or If desired, adjust BASS, TREBLE, BALANCE, etc. and use the digital sound field processor (see pages 36 to 37). BASS: Turn this control clockwise to increase (or counterclockwise to decrease) the lowfrequency response. TREBLE: Turn this control clockwise to increase (or counterclockwise to decrease) the highfrequency response. Input mode 5 English 4 Select the main speakers to be used. Front panel BALANCE: Adjust the balance of the output volume from the left and right speakers to compensate for any sound imbalance caused by the speaker location or listening room conditions. Front panel * If you use two main speaker systems, press both A and B. 6 Play the source. (See page 30 for detailed information on tuning.) * These controls are only effective for the sound from the main speakers. Front panel Remote control or When you have finished using this unit Press STANDBY/ON on the front panel again or STANDBY on the remote control to set this unit in the standby mode. 27 01RX-V595a-e/f3 27 6/24/99, 11:44 AM Notes on using INPUT • The audio source selected by INPUT will not be played if the “TAPE/MD MON” indicator lights up or if “EXT. DECDR” is displayed. • If you select a video source by INPUT without canceling the selection of TAPE/MD MON / EXT. DECODER on the front panel (or TAPE/MD or EXT. DEC. on the remote control), the play back result will be a video image from the video source and the sound from the audio source selected by TAPE/MD MON / EXT. DECODER on the front panel (or TAPE/MD or EXT. DEC. on the remote control). • If an audio source is selected by INPUT while watching a video source, the selected audio source will be played, but the video image will not be interrupted. • When you select an input source by INPUT, the DSP program (or no DSP program) that was being used when the same input source was selected the last time will be automatically recalled. • If “DATA ERR” appears on the display while playing a CD or LD encoded with DTS, stop playback and turn the player off and then on again. Switching the input mode (for DVD/LD and TV/DBS) This unit allows you to switch the input mode for sources that send two or more types of signal to this unit. The following three input modes are provided. AUTO This mode is automatically selected when you turn on the power of this unit. In this mode, the input signal is automatically selected in the following order of priority: 1. 2. Notes on input mode selection • The input mode for a TV/DBS source is selected with the function “INPUT” in the SET MENU mode. (See page 42 for details.) • Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital. • Set the input mode to ANALOG to play a normal 2-channel source with a Dolby Surround program. • The sound output may be interrupted in some LD and DVD players in the following situation: The input mode is set to AUTO. A search is made while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital input signal was selected again. • The input mode cannot be changed for the PHONO, TUNER, TAPE/MD, CD, VCR and VIDEO AUX sources because only analog signals are used. • The present input mode appears on the display when the input source is changed to DVD/LD or TV/DBS, or the input mode is changed. Notes on playing a source encoded with DTS If you play a CD or LD encoded with DTS while the AUTO mode is selected, there will be a short noise at first while the unit identifies the DTS signal and activates the DTS decoder. This is not a malfunction, and can be avoided by setting the input mode to DTS beforehand. In addition, If you continue to play a CD or LD encoded with DTS with the input mode setting left at AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during future operation. (The red “dts” indicator lights up on the display.) No sound will be heard if a normal PCM CD or LD is played in this mode. (The red “dts” indicator will flash.) To play a normal disk, return the input mode from DTS to AUTO. Digital signal encoded with Dolby Digital or DTS, or normal digital input signal (PCM) Analog input signal (ANALOG) * For a DVD/LD source, if digital signals are input from both the OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected. DTS In this mode, only a digital input signal encoded with DTS is selected, even though other signals are input at the same time. ANALOG In this mode, only an analog input signal is selected, even though digital signals are input at the same time. Select this mode when you want to use an analog input signal instead of digital input signals. 28 01RX-V595a-e/f3 28 6/24/99, 11:44 AM English TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE 4 1 2 4 1 2 1 4 Select the source to be recorded. Front panel Remote control When a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control so that the “TAPE/MD MON” indicator lights up on the display. Front panel Remote control or or 2 Play the source and then turn up the volume to confirm the input source. (See page 30 for detailed information on tuning.) Front panel Remote control or 3 Begin recording on the tape deck, MD recorder or VCR connected to this unit. Notes • The settings of DSP and VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded. • Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source unit is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal on your VCR. • A source that is connected to this unit only through the digital terminals cannot be recorded on a tape deck, MD recorder or VCR connected to this unit. • A source of signals input to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded. • Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws. If you watch video software that uses scrambled or encoded signals to prevent it from being dubbed, there may be a case that the picture itself will be affected by those signals. 29 01RX-V595a-e/f3 29 6/24/99, 11:44 AM TUNING Quick automatic-search tuning (AUTOMATIC TUNING) is effective when station signals are strong and there is no interference. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING). 2 3 1 AUTOMATIC TUNING MANUAL TUNING Set the SELECTOR DIAL to the AMP/TUN position on the remote control and select TUNER as the input source. 1 Select the reception band (FM or AM) and confirm it on the display. 1 Front panel Select the reception band (FM or AM) and confirm it on the display. Front panel or 2 Press TUNING MODE so that the “AUTO TUNING” indicator lights up on the display. or 2 Press TUNING MODE. Front panel Front panel Check that the “AUTO TUNING” indicator goes off. Lights up 3 To tune in to a higher frequency, press the UP side of TUNING once. To tune in to a lower frequency, press the DOWN side of TUNING once. 3 Tune in manually to the desired station. Front panel Front panel * To continue the tuning search, press and hold the button. * If the station where the tuning search stops is not the desired one, press once more. * If the tuning search does not stop at the desired station (because the signal from the station is weak), take the manual tuning procedure. Notes • If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality. • When tuned in to a station, the frequency of the received station is shown on the display. 30 01RX-V595a-e/f3 30 6/24/99, 11:44 AM English MANUAL PRESET TUNING This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored. 2 4 3 To store stations 1 2 Tune in to the desired station. (See page 30 for the tuning procedure.) 4 Select the preset station number with which you want to store the station before the “MEMORY” indicator goes off from the display. Front panel Press A/B/C/D/E once or more to select the desired group (A to E) of preset stations and confirm it on the display. Front panel 3 The displayed station has been stored as A1. Press MEMORY so that the “MEMORY” indicator flashes for about five seconds. Front panel * In the same way, store other stations as A2, A3 ... A8. * You can store more stations as preset station numbers in other groups in the same way by selecting another group in step 2. Flashes 31 01RX-V595a-e/f3 31 6/24/99, 11:44 AM 1 2 1 2 To recall a preset station 1 Select the group of preset stations. Front panel Remote control or 2 Select the preset station number. Front panel Remote control Notes • A new setting can be stored in place of the former one. • For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the memory will be erased. If so, it can be re-stored by simply following the preset tuning procedure. or 32 01RX-V595a-e/f3 32 6/24/99, 11:44 AM English AUTOMATIC PRESET TUNING (for FM stations only) You can also make use of the automatic preset tuning function for FM stations only. This function enables the unit to perform automatic tuning and to sequentially store FM stations with strong signals. Up to 40 stations can be stored automatically in the same way as that for manual preset tuning on page 31. Note that a new setting can be stored in place of the former one. 3 1 2 4 To store stations 1 4 Select the FM band. Front panel To tune in to higher frequencies, press the UP side of TUNING once. To tune in to lower frequencies, press the DOWN side of TUNING once. Front panel 2 Press TUNING MODE so that the “AUTO TUNING” indicator lights up on the display. * If TUNING is not pressed, automatic preset tuning soon begins automatically toward the higher frequencies. Front panel Lights up 3 Automatic preset tuning begins from the frequency currently displayed. Received stations are sequentially stored as A1, A2 ... A8. * If more than 8 stations are received, they are stored as preset station numbers in other groups (B, C, D and E) in that order. Press MEMORY and hold for about three seconds. Front panel Flashes If you want to store the first station received by automatic preset tuning as a desired preset station number For example, if you want to store the first received station as C5, select “C5” while “A1”, the “MEMORY” indicator and the “AUTO TUNING” indicator flash after pressing MEMORY in step 3. Then press TUNING. The first received station is stored as C5, and the next stations as sequentially C6, C7 ... . If stations have all been stored up to E8, automatic preset tuning stops automatically. When automatic preset tuning is completed The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure in the section “To recall a preset station” on page 32. 33 01RX-V595a-e/f3 33 6/24/99, 11:44 AM Notes • You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To store stations” on page 31. • Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after searching all frequencies. • With this function, only FM stations with sufficient signal strength are automatically stored. If the station you want to store is weak in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store stations” on page 31. EXCHANGING PRESET STATIONS You can exchange the assignment of two preset stations with each other as shown below. 2,4 Example If you want to change the preset station from “E1” to “A5”, or vice versa. 1 2 Recall preset station “E1” by following the procedure in the section “To recall a preset station” on page 32. 3 Next, recall preset station “A5” by following the same procedure as that in step 1. Press EDIT. Front Panel Flashes Flashes 4 Press EDIT once more. Front Panel Shows the exchange of stations has been completed. 34 01RX-V595a-e/f3 34 6/24/99, 11:44 AM English SETTING THE SLEEP TIMER The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the remote control. Notes • To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for your TV, set the SELECTOR DIAL to the TV position. • The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of this unit. 1 To set the SLEEP time 1 To cancel the selected SLEEP time Play the source which you want to enjoy when you are going to sleep and press SLEEP once or more to select the desired SLEEP time. Remote control Remote control Press SLEEP once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.) The SLEEP time is displayed. Note The SLEEP timer setting can also be canceled by setting the unit in the standby mode with STANDBY/ON on the front panel (or STANDBY on the remote control) or by disconnecting the power plug of the unit from the AC outlet. Flashes Each time you press SLEEP, the SLEEP time will change as follows: (Minutes) 120 90 60 30 The SLEEP timer is off (SLEEP OFF). (This is the state before SLEEP is pressed.) The “SLEEP” indicator soon lights up and the display returns to the indication before the SLEEP timer was set. 2 The unit will be switched to the standby mode automatically at the selected SLEEP time. 35 01RX-V595a-e/f3 35 6/24/99, 11:44 AM SOUND FIELD PROGRAM This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course, depend on what you are listening to) and adding any desired adjustments. The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS. The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments. For movie or audio/video sources No. FEATURES PROGRAM 1 Normal Program [1] DOLBY PRO LOGIC ( ) • Input source : Dolby Surround 2-ch Dolby Digital • Output channel : 4 channels • DSP :— [2] DOLBY DIGITAL ( ) • Input source : Dolby Digital • Output channel : 5.1 channels • DSP :— [3] DTS ( ) • Input source : DTS • Output channel : 5.1 channels • DSP :— 2 Enhanced Program [1] DOLBY PRO LOGIC/Enhanced ( • Input source : Dolby Surround 2-ch Dolby Digital • Output channel : 4 channels • DSP : 1 (surround) [2] DOLBY DIGITAL/Enhanced ( • Input source : Dolby Digital • Output channel : 5.1 channels • DSP : 2 (surround L, R) [3] DTS/Enhanced ( ) • Input source : DTS • Output channel : 5.1 channels • DSP : 2 (surround L, R) The built-in Dolby Pro Logic, Dolby Digital or DTS decoder precisely reproduces the sound and effect of the encoded source. The realization of a highly efficient decoding process improves cross talk and channel separation and makes sound positioning smoother and more precise. ) ) This program ideally simulates the multi-surround speaker systems of the 35 mm-film movie theater. Each decoding and digital sound field processing operation is precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the left and right and toward the screen. 36 01RX-V595a-e/f4 36 6/24/99, 11:45 AM 3 FEATURES PROGRAM CINEMA DSP Program [1] 70 mm MOVIE THEATER ( ) • Input source : Dolby Surround 2-ch Dolby Digital • Output channel : 3 channels • DSP : 2 (presence & surround) [2] 70 mm MOVIE THEATER – DOLBY D. ( • Input source : Dolby Digital • Output channel : 5.1 channels • DSP : 3 (presence & surround L, R) [3] 70 mm MOVIE THEATER – DTS ( ) • Input source : DTS • Output channel : 5.1 channels • DSP : 3 (presence & surround L, R) English No. Creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. Any kind of video source encoded with Dolby Digital or DTS (especially large-scale movie productions) is ideal for use with this program. ) 4 MONO MOVIE • Input source : Monaural • Output channel : 1 • DSP :1 This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. 5 TV SPORTS • Input source : Audio/Video • Output channel : 2 to 5.1 channels • DSP : 2 to 3 (presence & surround) This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion. For Hi-Fi Audio sources No. 6 PROGRAM Hi-Fi DSP Program • Input source : 2-ch PCM/Analog audio • Output channel : 2 channels • DSP :1 [1] DISCO FEATURES Simulates the acoustics of disco in the heart of a lively city. The sound is dense and highly concentrated. [2] ROCK CONCERT Ideally suited for rock music. You will experience a dynamic and lively sound field. [3] CONCERT HALL Creates the expansive ambience of a large concert hall. Orchestra and opera music are suited to this program. 37 01RX-V595a-e/f4 37 6/24/99, 11:45 AM PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on pages 26 to 27. Select the desired DSP program that is suitable for the source. Front panel Remote control TO CANCEL THE SOUND EFFECT To cancel the sound effect and monitor only the main sound, press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT ON/OFF once more to turn sound effect back on. Front panel Remote control or or Press DSP. While the indicator is lit up for about three seconds, select a DSP program with the numeric buttons (1 to 8). * If the SELECTOR DIAL is set to the DSP position, you can also select a DSP program directly with the numeric buttons (1 to 8). The name of the selected program appears on the display. If desired, adjust the delay time and the output level of each speaker. (See pages 39 and 40 for details.) The following indicators on the display show you what sound processing is being undertaken. 1 2 3 4 5 1 This lights up in orange when a DVD source encoded with DTS is played back and DTS is decoded. 2 This lights up in red when an LD source or a CD source encoded with DTS is played back and DTS is decoded. 3 This lights up when Dolby Digital is being decoded and the signals of the selected source encoded with Dolby Digital is not in 2-channel. 4 This lights up when the digital sound field processor is turned on. 5 This lights up when Dolby Surround is being decoded by Dolby Pro Logic. Notes • You can select a program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called up. • When a monaural sound source is being played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if the NONE position is selected for “CNTR” in the SET MENU mode, the main speakers will output the sound of the center channel. • When the source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, DSP cannot be used. • If the sound effect is canceled when signals encoded with Dolby Digital or DTS are input to this unit, the signals of all channels are mixed and are output from the main speakers. • If EFFECT or EFCT ON/OFF is pressed to turn the sound effects off when Dolby Digital or DTS is decoded, it may happen that the sound is output faintly or not output normally, depending on the source. In that case, press EFFECT or EFCT ON/OFF to turn on the sound effects. If you change the LD (or CD) being played back with DTS being decoded to another disc that is not encoded with DTS when the red “dts” indicator lights up, playing back the newly selected disc will result in no sound output. In this state, the red “dts” indicator flashes to show that this unit is locked in the DTS-decoding mode. To play back the disc normally, change the current DTSdecoding mode to another mode by INPUT MODE on the front panel or by INPUT on the remote control so that the red “dts” indicator goes off. 38 01RX-V595a-e/f4 38 6/24/99, 11:45 AM English ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer. 1 2 1 2 Adjustment method When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control. 2 Press + or – to adjust the settings for the delay time or speaker output levels. Front panel Remote control or 1 or Press TIME/LEVEL once or more until the name of the item which you want to adjust appears on the display. Front panel Remote control 3 or Repeat steps 1 and 2 to adjust the settings of any other item. * After pressing TIME/LEVEL once on the remote control, you can also select the name of item by pressing . When pressed, the selection changes as follows: DELAY CENTER Delay time Center speaker output level R SUR. Right rear speaker output level L SUR. Left rear speaker output level SWFR Subwoofer output level * Pressing on the remote control changes the selection in the reverse order. * Depending on the setting in the SET MENU mode, you may not be able to select all these items. 39 01RX-V595a-e/f4 39 6/24/99, 11:45 AM Adjusting the delay time You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. This adjustment can be individually made to all programs. Notes • Adding too much delay will cause an unnatural effect with some sources. • When + or – is pressed, the sound is momentarily interrupted. Program Control range (ms) Preset value 1. 15 to 30 0 to 15 0 to 15 15 to 30 0 to 15 0 to 15 15 to 30 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99 20 5 5 20 5 5 20 16 16 49 9 40 16 44 2. 3. 4. 5. 6. 7. 8. DOLBY PRO LOGIC DOLBY DIGITAL DTS DOLBY PRO LOGIC/Enhanced DOLBY DIGITAL/Enhanced DTS/Enhanced 70 mm MOVIE THEATER 70 mm MOVIE THEATER – DOLBY D. 70 mm MOVIE THEATER – DTS MONO MOVIE TV SPORTS DISCO ROCK CONCERT CONCERT HALL Adjusting the output level of the center, right rear and left rear speakers, and subwoofer If desired, you can adjust the sound output level of each speaker even if the output level has already been set in “SPEAKER BALANCE ADJUSTMENT” on pages 23 to 25. Notes • The output level of the center speaker cannot be adjusted when the DISCO, ROCK CONCERT or CONCERT HALL program is selected, and the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel. • If the function “CNTR” in the SET MENU mode is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because, in this mode, the center speaker sound is automatically output from the left and right main speakers. • Once the output level has been adjusted, the level will be the same for all digital sound field programs. Speaker Control range (dB) Preset value CENTER RIGHT REAR LEFT REAR SUBWOOFER MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to 0 0 0 0 0 Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If so, they can be re-set by simply following the adjustment method on page 39. 40 01RX-V595a-e/f4 40 6/24/99, 11:45 AM English ADJUSTMENTS IN THE “SET MENU” MODE The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening and video watching. 1. 2. 3. 4. 5. 6. CNTR (CENTER SPEAKER) REAR (REAR SPEAKERS) MAIN (MAIN SPEAKERS) BASS (LFE/BASS OUT) M.LVL (MAIN LEVEL) D.D.LFE (DOLBY DIGITAL LFE LEVEL) For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”, see page 21. (Once you have selected the appropriate settings, you do not have to change any settings unless an alteration is made in your speaker system.) D.D.LFE (Adjusting the level of the LFE channel for Dolby Digital) Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB * This adjustment is effective only when Dolby Digital is being decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. (See page 8 for details about the LFE channel.) D.RNG (Adjusting the dynamic range) Choices: MAX/STD/MIN Preset position: MAX * This adjustment is effective only when Dolby Digital is being decoded. “Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater. 7. 8. 9. 10. 11. D.RNG (DYNAMIC RANGE) DTS LFE (DTS LFE LEVEL) C.DELAY (CENTER DELAY) GUARD (MEMORY GUARD) INPUT (INPUT MODE) However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data. MAX: In this position, a source encoded with Dolby Digital is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening. MIN: In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a sound source at a low level. * In this position, it may happen that sound is output faintly or not output normally depending on the source. In that case, select the MAX or STD position. DTS LFE (Adjusting the level of the LFE channel for DTS) Control range: –10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB * This adjustment is effective only when DTS is being decoded and the signals of the selected source encoded with DTS contain LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. (See page 8 for details about the LFE channel.) 41 01RX-V595a-e/f5 41 6/24/99, 11:45 AM C.DELAY [Adjusting the delay of center sounds (dialog, etc.)] Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms * This adjustment is effective only when Dolby Digital or DTS is being decoded and the signals of the selected source encoded with Dolby Digital or DTS contain center-channel signals. This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated. Adjustment method Adjustments should be made while watching the information on this unit’s display. When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control. or Press SET MENU once or more so that the function which you want to change appears on the display. Front panel This is for making sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position. GUARD (Memory guard) Choices: ON/OFF Preset position: OFF Remote control or * After pressing SET MENU once on the remote control, you can also select the title by pressing . (Pressing goes back one selection.) Press + or – to select any desired position or to edit parameters of the chosen function. If you wish to prevent accidental alterations to SET MENU and other adjustments on this unit, select ON. The following functions on this unit can be locked by this operation: • Other functions in the SET MENU mode • Functions in the TIME/LEVEL mode • Functions when using TEST Front panel Remote control or INPUT (Selecting the mode of the TV/DBS input) Repeat these steps to change or adjust the settings of any other function. Choices: AUTO/LAST Preset position: AUTO You can designate the input mode that is automatically selected when the power of this unit is switched on for only the sources connected to the TV/DBS input terminals of this unit. AUTO: LAST: In this position, the AUTO input mode is always selected when the power for this unit is switched on. In this position, the input mode you selected last time is memorized and will not be changed when the power is switched on again. Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the settings of the SET MENU mode will automatically return to the factory settings. If so, they can be re-set by simply following the procedure above. * See page 28 for details on switching the input mode. 42 01RX-V595a-e/f5 42 6/24/99, 11:45 AM You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory set to control this unit and most YAMAHA audio components. To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from page 105. Components which can be controlled There are nine positions that you can select to control connected components with this remote control. When turning the SELECTOR DIAL, the position changes as follows: AMP/TUN: You can perform the basic operations of this unit with the SELECTOR DIAL set to this position. TV: A television can be controlled. CBL/DBS: A cable television or DBS tuner can be controlled. VCR: A VCR can be controlled. TAPE/MD: The code for a YAMAHA tape deck is preset. (Be sure to preset the proper code when operating a YAMAHA MD recorder.) CD: The code for a YAMAHA CD player is preset. SELECTOR DIAL DSP: This unit can be controlled and DSP programs can be selected directly. DVD/LD & DVD MENU: An LD player can be controlled by using the DVD/LD position. A DVD player can be controlled by using the DVD/LD and DVD MENU positions. The code for a YAMAHA DVD player is preset. If the remote control will not operate your YAMAHA DVD player, you need to preset code number “4490.” Notes 1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component. Note that you can preset only one code for one position. (See “SETUP CODES” on page 49 for details). 2. DVD/LD and DVD MENU positions: • Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position. • DVD MENU operations cannot be performed for some DVD players. 3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 49 for details.): • If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS position. • If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used. 4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the following pages for details. Basic operation 1 Select the position for the component that you want to control by turning the SELECTOR DIAL. Note: Turn the SELECTOR DIAL until it stops with a click. 2 Press the desired operation button. Note: Press the button with the remote control aimed at the front panel. The position name is displayed in this window. Indicator The indicator will flash when the button is pressed. 43 01RX-V595a-e/f6 43 6/24/99, 11:45 AM English REMOTE CONTROL The lightly marked buttons do not function. ■ AMP/TUN Note: TV POWER and TV VOLUME function if you have preset the code for your TV. 1 POWER w 1 Indicator window: Displays the names of components which can be controlled. Indicator: Flashes in red when the button is pressed. SELECTOR DIAL: Selects the position for the component to be controlled. 2 3 4 5 6 e r This button turns the unit on. 2 INPUT Press one of these buttons to select the required input source. 3 EXT. DEC. Press this button when using an external decoder. 4 A/B/C/D/E Press this button to select a group of preset stations. 5 DSP Press this button. While the indicator is lit up for about three seconds, select a DSP program by using the number buttons (1 to 8). No DSP program can be selected after the indicator goes off. 6 PRESET (+/–) Press these buttons to select the preset station number. 7 VOLUME ( ) Press these buttons to adjust the volume level. 7 8 TV VOLUME 8 MUTE Press this button to mute the sound. To cancel mute, press this button once more, or press the operation buttons of this unit. 9 9 SLEEP TV POWER Press this button to set the SLEEP timer. 0 t 0 (LEFT), (RIGHT) These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode. q TIME/LEVEL y q Press this button to set the unit in the TIME/LEVEL mode and to select the item. w STANDBY Press this button to set this unit in the standby mode. e TEST Press this button to output a test tone for adjusting the output level of the speakers. r EFCT (EFFECT) ON/OFF Press this button to turn on or off the DSP program which includes the Dolby Pro Logic decoder, the Dolby Digital decoder and the DTS decoder. ■ DSP t (NEXT), (BACK) These buttons are used to advance or go back one selection in the SET MENU mode and TIME/LEVEL mode. y SET MENU Press this button to set the unit in the SET MENU mode and to select functions. 2 DSP program Press one of these buttons to select the required DSP program (1 to 8). When you select the input source, set the SELECTOR DIAL to the AMP/TUN position. 2 Note: The function of all buttons other than DSP program is the same as that with the AMP/TUN position. 44 01RX-V595a-e/f6 44 6/24/99, 11:45 AM ■ TAPE/MD 1 Notes: • TV POWER and TV VOLUME function if you have preset the code for your TV. • Be sure to preset the proper code for your MD recorder. TAPE MD 1 POWER 1 POWER This button turns the unit on under factory settings. If another code for your tape deck whose remote control has a power button is preset, the button will turn on the tape deck. This button turns the unit on if you have preset the code for the YAMAHA MD recorder. If another code for your MD recorder whose remote control has a power button is preset, the button will turn on the MD recorder. 2 (REC/PAUSE) Press this button to give a pause in recording on the tape deck. 3 DIR A Press this button to select the playing direction of deck A. 4 (PLAY) TV VOLUME Press this button to play a tape. 5 (REWIND) Press this button to rewind a tape. 6 TV POWER 7 8 9 0 q 2 3 4 5 7 DECK A/B Press this button to select deck A or B on the double cassette tape deck. 9 DIR B Press this button to select the playing direction of deck B. 0 (STOP) Press this button to stop the operation of a tape. q (FAST FORWARD) Press this button to fast forward a tape. ■ CD 2 (REC/PAUSE) 3 (SKIP) 4 (PLAY) 5 (SEARCH) 6 DISP (DISPLAY) 8 (PAUSE) 9 (SKIP) 0 (STOP) q (SEARCH) Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV. 1 1 POWER This button turns the unit on under factory settings. If another code for your CD player whose remote control has a power button is preset, the button will turn on the CD player. 2 DISC SKIP (+/–) (for a CD player with a CD changer) Press these buttons to skip to the next or previous CD. 3 , (SKIP) to skip to the beginning of the next track. Press Press of the previous track. to skip to the beginning 4 (PLAY) Press this button to play a CD. 2 TV VOLUME TV POWER DISPLAY TV INPUT 6 3 4 5 7 8 5 (SEARCH) This button initiates a backward search on the track that is playing to find the point from which you want to listen. 6 (PAUSE) Press this button to give a pause in operation. This button functions as PAUSE/ STOP* for operating YAMAHA CD players under factory settings. 7 (STOP) Press this button to stop operation. This button functions as PAUSE/STOP* for operating YAMAHA CD players under factory settings. 8 (SEARCH) This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen. * PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation. 45 01RX-V595a-e/f6 45 6/24/99, 11:46 AM English The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here. Please refer to the owner’s manual for details of each component. The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here. Please refer to the owner’s manual for details of each component. ■ DVD/LD POWER (DVD) This button turns the unit on under factory settings. If another code for your DVD player whose remote control has a power button is preset, the button will turn on the DVD player. (LD) This button turns the unit on if you have preset the code for the YAMAHA LD player. If another code for your LD player whose remote control has a power button is preset, the button will turn on the LD player. Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV. DISC SKIP TV VOLUME TV POWER SKIP/SEARCH PLAY SUBTITLE (DVD)/SEARCH (LD) SUBTITLE ON/OFF (DVD) DISPLAY TV INPUT PAUSE STOP ANGLE (DVD)/SEARCH (LD) AUDIO (DVD) ■ DVD MENU Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV. POWER This button turns the unit on under factory settings. If another code for your DVD player whose remote control has a power button is preset, the button will turn on the DVD player. Numeric buttons CLEAR +10 DISC SKIP TV VOLUME TV POWER MENU LEFT MENU SELECT SET UP TITLE TITLE/INDEX TV INPUT MENU UP MENU RIGHT MENU DOWN RETURN MENU 46 01RX-V595a-e/f6 46 6/24/99, 11:46 AM ■ VCR ■ TV Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV. Note: You can only control your VCR if you have preset the code for it. POWER POWER CHANNEL CHANNEL CHANNEL ENTER CHANNEL ENTER CHANNEL UP DOWN CHANNEL UP DOWN TV EFFECT ON/OFF TV VOLUME TV POWER DISPLAY VCR REC Press this button twice to start recording. TV INPUT PAUSE PLAY STOP REWIND FAST FORWARD TV MUTE TV SLEEP TV POWER VCR REC Press this button twice. TV VOLUME DISPLAY TV INPUT VCR PAUSE VCR PLAY VCR REWIND VCR STOP VCR FAST FORWARD ■ CBL/DBS Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV. POWER CHANNEL CHANNEL ENTER +100 CHANNEL UP DOWN TV VOLUME TV POWER MENU LEFT MENU SELECT DISPLAY TV INPUT MENU UP MENU RIGHT MENU DOWN RECALL MENU 47 01RX-V595a-e/f6 47 6/24/99, 11:46 AM English The lightly marked buttons do not function. See “AMP/TUN” on page 44 for those buttons which are not described here. Please refer to the owner’s manual for details of each component. NOTES ABOUT THE REMOTE CONTROL Battery installation 1. 2. 3. Remote control operation range Turn the remote control over and slide the battery compartment cover in the direction of the arrow. Insert the batteries (AA, R6 or UM-3 type) according the polarity markings on the inside of the battery compartment. Close the battery compartment cover. Remote control sensor Within approximately 6 m (20 feet) 2 1 3 Battery replacement If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones. Notes • There should be no large obstacles between the remote control and the unit. • If the remote control sensor is directly illuminated by strong lighting (especially from an inverter type of fluorescent lamp), it might cause the remote control not to work correctly. In this case, reposition the unit to avoid direct lighting. Be sure to replace the batteries within about two minutes. If it takes longer than two minutes, the codes preset for the remote control will return to the factory settings. Notes • Use only AA, R6 or UM-3 batteries for replacement. • Be sure the battery polarity is correct. (See the illustration inside the battery compartment.) • Remove the batteries if the remote control will not be used for an extended period of time. • If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. 48 01RX-V595a-e/f6 48 6/24/99, 11:46 AM English SETUP CODES Presetting the remote control Perform the presetting procedure for each component you want to control with the remote control. Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was supplied with the component. To control your components (MD recorder, DVD player, TV, etc.) 1. 2. Turn on the component to be used. Set the SELECTOR DIAL to the desired position for the component (TAPE/MD, DVD/LD, TV, etc.). 3. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. 4. 5. Use the numeric buttons to enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and re-enter the code. Press POWER (or any other button) on the remote control to check if you have preset the code correctly. If the component cannot be controlled with the remote control, try entering another code for the same manufacturer. To use a second (and third) VCR You can use the CBL/DBS and/or DVD MENU positions to control a second (and/or third) VCR if a CBL (or DBS) or DVD player is not being used. If you are using the DVD MENU position for a second (or third) VCR, you must preset the code for an LD player to the DVD/LD position. 1. 2. Turn on the VCR to be used. Set the SELECTOR DIAL to the CBL/DBS or DVD MENU position. 3. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. To return all components to the factoryset codes, follow these steps. 1. Set the SELECTOR DIAL to a position other than the AMP/TUN or DSP position. 2. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. 3. Enter code number “9987”. 4. Make sure that the indicator flashes twice. To return each component to the factoryset code, follow these steps. 1. Set the SELECTOR DIAL to the position for the component to be returned to the factory-set code. 2. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. 3. Enter code number “9999”. 4. Make sure that the indicator flashes twice. 4. Press MUTE. 5. Use the numeric buttons to enter the four-digit code for the second (or third) VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat steps 3 and 4, and re-enter the code. 6. Returning to the factory-set codes Press POWER (or any other button) on the remote control to check if you have preset the code correctly. If the VCR cannot be controlled with the remote control, try entering another code for the same manufacturer. The following codes are preset as the factory settings. Factory-set codes POSITION Component Code*1 Code*2 TV 0037 0047 CBL/DBS DBS tuner TV 2455 2566 VCR VCR 3072 3060 DVD/LD DVD player 4545 YAMAHA CD CD player 6187 YAMAHA TAPE/MD Tape deck 8524 YAMAHA *1: Australia model *2: U.S.A., Canada and China models We recommend that you write all the code numbers you have preset on the “Quick Reference Card.” 49 01RX-V595a-e/f6 49 6/24/99, 11:46 AM TROUBLESHOOTING If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. Amplifier SYMPTOM REMEDY CAUSE The unit fails to turn on when STANDBY/ON is pressed, or set in the standby mode suddenly soon after the power has been turned on. The power cord is not plugged in or the plug is not completely inserted. Firmly plug in the power cord. The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the upper or lower end. Set the switch fully to the upper or lower end when the unit is in the standby mode. The unit does not work normally. The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage. Set the unit in the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate the unit again. No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists, the cords may be defective. An appropriate input source has not been selected. Select an appropriate input source with INPUT or TAPE/MD MON / EXT. DECODER. SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers in use to the ON position. The speaker connections are not secure. Secure the connections. Digital signals other than PCM audio and Dolby Digital or DTS encoded signals which this unit cannot reproduce are input to this unit by playing a CD-ROM etc. Play a source whose signals this unit can reproduce. No picture. There is no S video terminal connection between this unit and the TV, although S video signals are input to this unit. Connect this unit’s S VIDEO MONITOR OUT terminal to the TV’s S video input terminal. The sound suddenly goes off. The protection circuit has been activated because of a short circuit, etc. Set the unit in the standby mode and then switch on again to reset the protection circuit. The SLEEP timer has functioned. Turn on the power, and play the source again. Only the speakers on one side can be heard. Incorrect setting of BALANCE. Adjust it to the appropriate position. Incorrect cord connections. Connect the cords properly. If the problem persists, the cords may be defective. A “humming” sound can be heard. Incorrect cord connections. Firmly connect the audio plugs. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The turntable should be connected to the unit through the MC head amplifier. The volume level cannot be increased, or the sound is distorted. The component connected to the REC OUT terminals of this unit is in the standby mode. Turn on the power to the component. 50 01RX-V595a-e/f7 50 6/24/99, 11:47 AM No sound from the effect speakers. FM Amplifier No sound from the rear speakers. No sound from the center speaker. CAUSE REMEDY The sound effect setting is off. Press EFFECT on the front panel or EFCT ON/OFF on the remote control to turn it on. A Dolby Surround or DTS decoding program is being used with material not encoded with Dolby Surround or DTS. Use a different sound field program. The sound output level of the rear speakers is set to minimum. Raise the sound output level of the rear speakers. A monaural sound source is being played in the DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED program. Select another sound field program suitable for the monaural sound source. The sound output level of the center speaker is set to minimum. Raise the sound output level of the center speaker. The function “CNTR” in the SET MENU is set to the NONE position. Select the LARGE or SMALL position. Incorrect sound field program selection. Select the appropriate program. The input signals of the source encoded with Dolby Digital or DTS do not have center channel signals. Refer to the instructions for the source being currently played. The sound field cannot be recorded. It is not possible to record the sound field on a tape deck or MD recorder connected to the unit’s REC OUT terminals. The DVD/LD, TV or DBS source cannot be recorded on a tape deck, MD recorder or VCR connected to this unit. The DVD/LD player, TV or DBS tuner is connected to the unit by only the digital terminals. Make additional connections between the analog terminals. FM stereo reception is noisy. The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor. Check the antenna connections. Try using a high-quality directional FM antenna. Set TUNING MODE to the manual tuning mode. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference. Adjust the antenna position to eliminate multipath interference. The desired station cannot be tuned in with the automatic tuning method. The station is too weak. Use the manual tuning method. Use a high-quality directional FM antenna. Previously preset stations can no longer be tuned in. The unit has been unplugged for a long period. Repeat the presetting procedure. The desired station cannot be tuned in with the automatic tuning method. The signal is weak or the antenna connections are loose. Tighten the AM loop antenna connections and rotate it for best reception. AM Use the manual tuning method. There are continuous crackling and hissing noises. Noise will result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. There are buzzing and whining noises (especially in the evening). A television set is being used nearby. Relocate this unit away from the TV. 51 01RX-V595a-e/f7 51 6/24/99, 11:47 AM English SYMPTOM SYMPTOM The remote control does not work. Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. Change the position of this unit. The manufacturer’s code has not been set properly. Set the code again. The proper manufacturer’s code for the component to be controlled has not been set. Try entering another code for the same manufacturer. The component to be controlled has not been selected. Set the SELECTOR DIAL to the proper position. The sound is degraded when listening with the headphones to a CD player or tape deck that is connected to this unit. This unit is in the standby mode. Turn on the power of the unit. There is noise interference from digital or high-frequency equipment or the unit. The unit is too close to the digital or high-frequency equipment. Move the unit further away from such equipment. Remote control Others REMEDY CAUSE When playing back a source encoded with DTS SYMPTOM CAUSE REMEDY The player which plays back the source is not connected to a digital audio signal input terminal of this unit. The player must be connected to a digital audio signal input terminal of this unit besides the analog audio signal terminal connections. The ANALOG input mode is selected on this unit. Select a proper input mode on this unit to turn on the DTS decoder built into the unit. A percussive noise is heard when you begin playing back a source encoded with DTS. If the AUTO input mode is selected, depending on some sources, there may be a case that a noise is heard while this unit is identifying the format of the input signal. Set the input mode of the currently selected input source to DTS. No sound is heard when you play back a source encoded with DTS, even though the AUTO input mode is selected on this unit. The DTS decoder built into this unit does not function because the player has a digital volume control and it is set at a position other than “maximum,” “neutral” or “ineffective.” Set the player’s digital volume control at the maximum, neutral or ineffective position. No sound is heard when you play back an MD or DAT on to which you have recorded a source encoded with DTS. A source encoded with DTS cannot be recorded on to an MD or DAT. No sound is heard when you play back a source (CD, etc.) even though the currently selected input mode is AUTO. In the AUTO mode, the DTS-decoding mode cannot be automatically changed to the normal (PCM) digital signal input mode. A loud hissing noise is heard when you play back a source encoded with DTS. Press INPUT MODE on the front panel or INPUT (for the currently selected source) on the remote control so that AUTO appears on the display. Notes • It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will be heard. • If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being output. 52 01RX-V595a-e/f7 52 6/24/99, 11:47 AM English SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power 8 ohms, 20 Hz to 20 kHz, 0.04% THD [U.S.A. and Canada models] MAIN L/R ........................... 70 W + 70 W CENTER ......................................... 70 W REAR L/R .......................... 70 W + 70 W [Australia, Singapore, China and General models] MAIN L/R ........................... 65 W + 65 W CENTER ......................................... 65 W REAR L/R .......................... 65 W + 65 W 8 ohms, 1 kHz, 0.07% THD [U.S.A. and Canada models] MAIN L/R ........................... 85 W + 85 W CENTER ......................................... 85 W REAR L/R .......................... 85 W + 85 W [Australia, Singapore, China and General models] MAIN L/R ........................... 80 W + 80 W CENTER ......................................... 80 W REAR L/R .......................... 80 W + 80 W Maximum Power [China and General models only] 8 ohms, 1 kHz, 10% THD MAIN L/R ......................... 105 W + 105 W CENTER ......................................... 105 W REAR L/R ........................ 105 W + 105 W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) MAIN L/R 8/6/4/2 ohms [U.S.A. and Canada models] ................................... 100/120/145/170 W [Australia, Singapore, China and General models] ........................ 90/110/135/160 W Dynamic Headroom (8 ohms) [U.S.A. and Canada models only] ... 1.55 dB Power Band Width MAIN L/R 8 ohms, 35 W, 0.1% THD ......................................... 10 Hz to 50 kHz Damping Factor (SPEAKER A) 8 ohms, 20 Hz to 20 kHz ............ 60 or more Input Sensitivity/Impedance PHONO MM ................... 2.5 mV/47 k-ohms CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX ................... 150 mV/47 k-ohms EXT. DECODER MAIN L/R .................... 150 mV/47 k-ohms CENTER/SURROUND L/R/SUBWOOFER .................................... 150 mV/40 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.1% THD ............. 100 mV or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT ON) 1 kHz, 0.5% THD .................. 2.2V or more Output Level/Impedance REC OUT ..................... 150 mV/1.2 k-ohms SUBWOOFER (MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms Headphones Jack Rated Output/Impedance CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX input, 1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX to MAIN L/R SP OUT .................................................... 0±0.5 dB Residual Noise (IHF-A Network) MAIN L/R SP OUT ................ 150 µV or less Channel Separation (Vol. –30 dB, EFFECT OFF) PHONO MM (Input Shorted, 1 kHz/10 kHz) .................... 60 dB or more/55 dB or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz) .................... 60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut ............. ±10 dB (50 Hz) Turnover Frequency ......... 350 Hz TREBLE: Boost/cut ........... ±10 dB (20 kHz) Turnover Frequency ........ 3.5 kHz Filter Characteristics MAIN L/R, REAR L/R (SPEAKER: SMALL) (H.P.F.) .................... fc = 90 Hz, 12 dB/oct. SUBWOOFER (L.P.F.) ..................... fc = 90 Hz, 18 dB/oct. VIDEO SECTION Video Signal Type [U.S.A. and Canada models] .............. NTSC [Australia and Singapore models] ......... PAL [China and General models] ....... NTSC/PAL RIAA Equalization Deviation PHONO MM .................................. 0±0.5 dB Video Signal Level ................ 1 Vp-p/75 ohms Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1 V ........................................ 0.02% or less S-Video Signal Level Y ......................................... 1 Vp-p/75 ohms C .................................. 0.286 Vp-p/75 ohms CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT 35 W/8 ohms ...................... 0.025% or less Maximum Input Level .......... 1.5 Vp-p or more Signal-to-Noise Ratio ............... 50 dB or more Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV, Input Shorted) [U.S.A., Canada, China and General models] ............................... 86 dB or more [Australia and Singapore models] ............................................ 81 dB or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT (150 mV, Input Shorted) ...... 96 dB or more Monitor Out Frequency Response .............................. 5 Hz to 10 MHz, –3 dB 53 01RX-V595a-e/f7 53 6/24/99, 11:47 AM FM SECTION GENERAL Tuning Range [U.S.A. and Canada models] ..................................... 87.5 to 107.9 MHz [Australia and Singapore models] ................................. 87.50 to 108.00 MHz [China and General models] 100 kHz step ................ 87.5 to 108.0 MHz 50 kHz step .............. 87.50 to 108.00 MHz 50 dB Quieting Sensitivity (IHF) (100% mod., 1 kHz) [U.S.A., Canada, China and General models only] Mono .............................. 1.6 µV (15.3 dBf) Stereo ............................. 23 µV (38.5 dBf) AM SECTION Tuning Range [U.S.A. and Canada models] ....................................... 530 to 1,710 kHz [Australia and Singapore models] ....................................... 531 to 1,611 kHz [China and General models] 10 kHz step .................... 530 to 1,710 kHz 9 kHz step ...................... 531 to 1,611 kHz Usable Sensitivity ............................ 300 µV/m Signal-to-Noise Ratio ............................ 52 dB Antenna .................................... Loop antenna Usable Sensitivity (DIN) [Australia and Singapore models only] Mono (S/N 26 dB) ........................... 0.9 µV Stereo (S/N 46 dB) ........................... 28 µV Alternate Channel Selectivity (±400 kHz ) [U.S.A., Canada, China and General models only] .................................................... 75 dB Selectivity (two signals, 40 kHz Dev. ±300 kHz) [Australia and Singapore models only] ......................................................... 55 dB Signal-to-Noise Ratio [U.S.A., Canada, China and General models] (IHF) Mono/Stereo ................. 81 dB/75 dB [Australia and Singapore models] (DIN-Weighted, 40 kHz Dev.) Mono/Stereo ............................................... 75 dB/69 dB Harmonic Distortion (1 kHz) Mono/Stereo .................................. 0.1/0.2% Stereo Separation (1 kHz) .................... 48 dB Output Level (30% mod., 1 kHz) ........................... 150 mV Power Supply [U.S.A. and Canada models] ........................................ AC 120 V, 60 Hz [Australia model] ................ AC 240 V, 50 Hz [General model] .............. AC 110/120/220/240 V, 50/60 Hz [China model] .................... AC 220 V, 50 Hz [Singapore model] ............. AC 230 V, 50 Hz Power Consumption [U.S.A. model] ................................... 280 W [Canada model] .................... 310 W/410 VA [Australia and Singapore models] ..... 300 W [China and General models] .............. 310 W Maximum Power Consumption [General model only] 5 ch, 10% THD .................................. 650 W AC Outlets 2 SWITCHED OUTLETS [U.S.A., Canada, Singapore, China and General models] ............. 100 W max. total 1 SWITCHED OUTLET [Australia model] .................... 100 W max. Dimensions (W x H x D) .................................. 435 x 151 x 391 mm (17-1/8” x 5-15/16” x 15-3/8”) Weight .......................... 12.5 kg (27 lbs. 8 oz.) Accessories ......................... AM loop antenna Indoor FM antenna Remote control Batteries Antenna adapter (U.S.A. and Canada models only) Specifications are subject to change without notice. Frequency Response 20 Hz to 15 kHz ................................ 0±1 dB Antenna Input .............. 75 ohms, Unbalanced Output Level [U.S.A., Canada, China and General models] (100% mod., 1 kHz) ...................... 550 mV [Australia and Singapore models] (40 kHz Dev., 1 kHz) ..................... 550 mV 54 01RX-V595a-e/f7 54 6/24/99, 11:47 AM LIST OF MANUFACTURERS’ CODES (Australia model) LISTES DES CODES FABRICANT (Modèle pour l’Australie) TV Abex Acura Admiral Adyson Akai Akura Alaron Alba 0032 0009 0093, 0163, 0213 0217, 0032 0208, 0361 0218, 0264, 0369 0216 0037, 0218, 0371, 0009, 0036, 0235 Allorgan 0294 Amplivision 0217 Amstrad 0371, 0009, 0362, 0369 Anam 0009, 0068 Anitech 0009, 0068, 0076 Arcam 0216, 0217 Asberg 0076 Asuka 0218 Atlantic 0206 Audiosonic 0037, 0109 Autovox 0206, 0076, 0336 BPL 0282 BSR 0294 BTC 0218 Baird 0343 Basic Line 0218, 0009 Baur 0037, 0010, 0554, 0349, 0361 Beko 0370 Beon 0037 Binatone 0217 Blaupunkt 0554, 0191, 0195, 0200, 0213, 0327, 0328 Blue Sky 0218 Blue Star 0282 Bondstec 0247 Boots 0217 Brandt 0109, 0196, 0198, 0205, 0333, 0335 Brionvega 0362 Britannia 0216 Bush 0037, 0218, 0374, 0371, 0294, 0009, 0282, 0036, 0349 CCE 0037, 0217 CGE 0074, 0076, 0084, 0247, 0306 CS Electronics 0216 CTC 0247 Carrefour 0036 Cascade 0009 Cathay 0037 Centurion 0037 Century 0213 Cimline 0009 Clarivox 0037 Clatronic 0370, 0076, 0247 Condor 0370, 0320 Contec 0216, 0009, 0036, 0157 Continental Edison 0196, 0198, 0205, 0333 Crosley 0074, 0076, 0084, 0213 Crown 0037, 0370, 0418, 0009, 0076 Crystal 0431 Curtis Mathes 0093 Cybertron 0218 Daewoo 0037, 0374, 0009 Dainichi 0218, 0215 Dansai 0037 Dayton 0009 De Graaf 0208 Decca 0037, 0072 Dixi 0037, 0009 Dual 0336, 0352 Dual Tec 0217 Dumont 0070 Elbe 0259 Elin 0037 Elite 0218, 0320 Elta 0009 Emerson 0282, 0213, 0361 Erres Expert Ferguson 0037, 0012 0206 0037, 0109, 0005, 0073, 0190, 0238, 0287, 0335, 0343 Fidelity 0216, 0361 Finlandia 0208, 0346, 0359 Finlux 0037, 0072, 0070, 0105, 0346 Firstline 0216, 0217, 0294, 0009, 0321, 0247 Fisher 0370, 0217, 0208, 0303 Flint 0455 Formenti 0037, 0320, 0213 Frontech 0264, 0431, 0163, 0247 Fujitsu 0072, 0206 Funai 0294, 0264, 0303 GE 0282, 0093 GEC 0037, 0217, 0072, 0043, 0205 GPM 0218 Geloso 0009, 0213 Genexxa 0218, 0163 GoldStar 0037, 0217, 0109, 0032, 0290 Goodmans 0037, 0217, 0374, 0371, 0072, 0036, 0235, 0317, 0343 Gorenje 0370 Gradiente 0053 Graetz 0163, 0361 Granada 0037, 0217, 0072, 0146, 0208, 0339, 0359 Grandin 0282 Grundig 0037, 0554, 0070, 0191, 0195, 0205 HCM 0009, 0282 Hanseatic 0037, 0320, 0361 Harley Davidson 0043 Harvard 0068 Hinari 0037, 0218, 0009, 0036 Hisawa 0282, 0455 Hitachi 0217, 0036, 0109, 0032, 0043, 0044, 0105, 0163, 0196, 0198, 0225, 0306, 0349 Huanyu 0216, 0374 Hypson 0037, 0282, 0264 ICE 0217, 0371, 0264 ICeS 0218 ITS 0371 ITT 0163, 0361 Imperial 0370, 0418, 0074, 0076, 0084, 0247 Indiana 0037 Ingelen 0163 Inno Hit 0072 Interbuy 0068 Interfunk 0037, 0163, 0247, 0361 Intervision 0037, 0217, 0264, 0102, 0068 Isukai 0218 JVC 0371, 0036, 0053, 0190, 0192 KTV 0217 Kaisui 0216, 0217, 0218, 0009, 0282 Kamp 0216 Kapsch 0206, 0163 Kawasho 0216 Kendo 0037, 0235, 0362 Kingsley 0216 Kneissel 0259 Korpel 0037 Koyoda 0009 Leyco 0037, 0294, 0072, 0264 Liesenk & Tter 0037 Lloytron 0032 Loewe 0075 Luma 0206 Luxor M Electronic 0349, 0361 0037, 0217, 0374, 0009, 0109, 0068, 0105, 0163, 0287, 0346 MGA 0150 MTC 0216, 0349 Magnadyne 0102, 0247 Magnafon 0102, 0076, 0213 Magnavox 0036 Manesth 0217, 0320, 0264, 0235 Marantz 0037 Mark 0037 Matsui 0037, 0217, 0371, 0294, 0009, 0072, 0036, 0035, 0011, 0208, 0235 Matsushita 0250 McMichael 0043 Mediator 0037, 0012 Memorex 0009, 0250, 0150 Memphis 0337 Metz 0213, 0367 Midland 0032 Minerva 0554, 0070 Minoka 0369 Mitsubishi 0036, 0093, 0108, 0150 Mivar 0216, 0290, 0291, 0292 Motion 0076 Motorola 0093 Multitech 0216, 0217, 0009, 0102, 0076 NEC 0455, 0036 NEI 0037, 0431, 0337 Neckermann 0037, 0554, 0191, 0213, 0349 Nikkai 0037, 0216, 0218, 0072, 0264, 0035, 0032, 0337 Nikko 0317 Nobliko 0102, 0076 Nokia 0361 Nordmende 0109, 0196, 0198, 0213, 0287, 0343 Oceanic 0163, 0215, 0361 Optimus 0250 Optonica 0093 Orion 0037, 0294, 0320, 0321, 0235 Osaki 0217, 0218, 0072, 0264, 0032 Oso 0218 Osume 0072, 0032, 0157 Otake 0317 Otto Versand 0037, 0217, 0320, 0036, 0010, 0554, 0191, 0213, 0343, 0349 Palladium 0370, 0418 Panama 0217, 0264 Panasonic 0250, 0163, 0213, 0214, 0226, 0367 Pathe Cinema 0216, 0320, 0213, 0238 Pathe Marconi 0196, 0198, 0205, 0333 Pausa 0009 Penney 0032 Perdio 0320 Phase 0032 Philco 0074, 0076, 0084, 0213, 0247 Philips 0037, 0374, 0554, 0012, 0043, 0323 Phonola 0037, 0012 Pioneer 0109, 0163, 0287 Profex 0009, 0076, 0361 Proline 0321 Protech 0037, 0217, 0418, 0009, 0264, 0102, 0431, 0247, 0337 Pye 0012 Quasar Quelle 0250 0037, 0010, 0554, 0011, 0070, 0074, 0084, 0200, 0213, 0306, 0327, 0328, 0361 Questa 0036 R-Line 0037 RBM 0070 RCA 0090, 0093 Radio Shack 0032 Radiola 0037, 0012, 0323 Rank Arena 0036 Realistic 0032 Rediffusion 0361 Revox 0037 Rex 0206, 0264, 0163, 0259 Rhapsody 0216 Roadstar 0218, 0418, 0009, 0264 SBR 0037, 0012, 0043 SEG 0217, 0264, 0036, 0076 SEI 0294, 0102, 0213 Saba 0109, 0075, 0163, 0196, 0198, 0205, 0213, 0287, 0335, 0343 Saccs 0238 Saisho 0009, 0264, 0431, 0011, 0235 Salora 0163, 0349, 0359, 0361 Sambers 0102, 0076, 0213 Sampo 0032 Samsung 0037, 0370, 0217, 0009, 0264, 0032, 0090, 0290 Sandra 0216 Sanyo 0072, 0036, 0011, 0146, 0157, 0208, 0213, 0339 Schaub Lorenz 0361 Schneider 0037, 0218, 0371, 0247, 0303, 0323, 0336, 0352 Sears 0146 Sei-Sinudyne 0010 Seleco 0206, 0163, 0259, 0362 Sentra 0035 Sharp 0036, 0093, 0157 Shorai 0294 Siarem 0102, 0213 Siemens 0037, 0554, 0157, 0191, 0195, 0200, 0213, 0327, 0328 Silver 0036 Sinudyne 0294, 0102, 0213, 0235 Solavox 0032, 0163 Sonitron 0208 Sonoko 0037, 0009 Sonolor 0163, 0208, 0215 Sontec 0037 Sony 0036, 0010, 0011 Soundwave 0037, 0418 Standard 0217, 0218, 0009 Stern 0206, 0163, 0259 Sunkai 0294, 0321 Susumu 0218 Sysline 0037 Tandy 0217, 0218, 0072, 0093, 0163 Tashiko 0217, 0036, 0043, 0359 Tatung 0037, 0217, 0072 Tec 0217, 0247 Technema 0320 Technics 0250 Teknika 0150 Teleavia 0205, 0333, 0343 Telefunken 0109, 0005, 0074, 0084, 0101, 0213, 0262, 0306, 0335, 0343 Telemeister 0320 Teletech 0009 Teleton 0217, 0206, 0349 105 03RX-V595a-CODE(EU) 105 6/24/99, 11:51 AM Tensai Texet Thomson 0218, 0294, 0320, 0317 0216, 0218 0109, 0196, 0198, 0205, 0287, 0333, 0343, 0349 Thorn 0037, 0072, 0035, 0074, 0084, 0190, 0192, 0361 Thorn-Ferguson 0343 Tomashi 0282 Toshiba 0036, 0035, 0070, 0243 Trical 0157 Triumph 0243 Uher 0206, 0320, 0303 Ultra 0192 Ultravox 0102 Universum 0037, 0370, 0264, 0105, 0346 Vestel 0037 Victor 0053 Videosat 0247 Videotechnic 0217 Vidtech 0036 Vision 0320 Voxson 0163 Waltham 0217 Watson 0037, 0320 Watt Radio 0102 Wega 0036 White Westinghouse 0037, 0216, 0320 Yoko 0037, 0217, 0264, 0431 Zanussi 0206 CABLE ABC 1003, 1008, 1014, 1017 Birgmingham Cable Communications 1276 British Telecom 1003, 1105 Cabletime 1161, 1271, 1377 Clyde 1086 Contec 1019 Decsat 1423 Filmnet 1443 France Telecom 1451 GEC 1086 General Instrument 1276 GoldStar 1144 Jerrold 1003, 1276, 1014 MNet 1443, 1019 Magnavox 1032 Memorex 1000 Movie Time 1156 NSC 1156 Oak 1019 PVP Stereo Visual Matrix 1003 Panasonic 1000 Paragon 1000 Pioneer 1144, 1260 Pulsar 1000 Runco 1000 STS 1156 Salora 1382 Samsung 1144 Satbox 1375 Scientific Atlanta 1008, 1277, 1017 Starcom 1003 Tele+1 1443 Teleservice 1281 Toshiba 1000 Tudi 1286 United Cable 1003 Videoway 1250 Westminster 1105 Zenith 1000 DBS TUNER AST Alba Aldes Allantide Amstrad Ankaro Anttron Arcon 2321, 2351 2455, 2421, 2362, 2613 2288 2333 2080, 2252, 2345, 2461, 2501 2369, 2288, 2220, 2519, 2217 2421, 2183 2368 Armstrong 2243 Astra 2108, 2539 Astro 2520, 2173, 2358, 2501 Avalon 2396 Axis 2369, 2530 BT 2668 Barcom 2217 Beko 2189 Best 2369, 2217 Blaupunkt 2173 Boca 2243, 2513 Brain Wave 2332 Bush 2067 CNT 2520 Cambridge 2344 Channel Master 2362 Chaparral 2053, 2209 CityCom 2394 Commlink 2288 Connexions 2396 Crown 2243 Cyrus 2200 D-box 2723 DDC 2362 DNT 2396, 2200 Diskxpress 2217 Drake 2268 EIF 2417 Echostar 2396, 2871 Emanon 2421 FTE 2331 Ferguson 2183, 2067, 2189, 2336 Fidelity 2252 Finlux 2455, 2108, 2344, 2397 Fracarro 2871 Freecom 2421, 2335 Fuba 2421, 2369, 2396, 2217, 2297, 2417 G-Sat 2183 Galaxis 2288, 2834, 2863 Galaxisat 2321 GoldStar 2335 Gooding 2571 Goodmans 2189 Grothusen 2335 Grundig 2571, 2173, 2189, 2328 Harting und Helling 2333 Hinari 2183 Hirschmann 2502, 2173, 2573, 2287, 2333, 2397, 2398 Hitachi 2455 Houston 2668 Huth 2243, 2288, 2220, 2346 ITT 2108 InVideo 2871 Intervision 2592 JVC 2571 Johansson 2332 Kathrein 2173, 2200, 2092, 2331, 2358, 2394, 2442, 2480, 2504 Kosmos 2331, 2335 Kreiselmeyer 2173 Kyostar 2421 La Sat 2520, 2513, 2464 Lemon 2692 Lenco 2421, 2335 Lennox 2592 Lupus 2369 Luxor 2573, 2108 Manhattan 2455, 2592, 2520 Marantz 2200 Maspro 2092, 2328, 2336 Matsui 2571, 2344 Mediamarkt 2243 Micro Technology 2333, 2539 Minerva 2571 Morgan’s 2243, 2513 Multistar 2331, 2464 Muratto 2335 Navex 2332 Neuhaus 2501 Neusat 2692, 2834 Newhaus 2220 Nikko 2360 Nokia 2455, 2573, 2108, 2328, 2397, 2873 Nordmende Orbitech Oxford Pace 2362 2501 2344 2455, 2183, 2067, 2328, 2336, 2791 Palcom 2297 Palladium 2571 Palsat 2501 Panda 2455 Philips 2455, 2571, 2200, 2292, 2328 Phonotrend 2288, 2592 Planet 2871 Plasmatic 2442 Polytron 2394 Promax 2455 Prosat 2288 Quadral 2362, 2519 RFT 2288, 2220, 2200 Radiola 2200 Radix 2396, 2882 SAT 2321, 2351, 2461 SEG 2421, 2369, 2539 STVI 2417 Saba 2520, 2336 Sabre 2455 Sagem 2820 Salora 2108 Samsung 2287 SatPartner 2421, 2332, 2520, 2502, 2335, 2692 Satcom 2605, 2346 Satec 2183, 2328 Satmaster 2346 Schwaiger 2183, 2394, 2504 Seemann 2396, 2530 Siemens 2173 Skymaster 2288, 2605, 2519 Star Trak 2421 Strong 2421 Sunstar 2513 TPS 2820 Tantec 2455, 2297, 2336 TechniSat 2262, 2501 Techniland 2346 Telefunken 2421 Teleka 2243, 2613 Telesat 2605 Thomson 2455 Tonna 2668, 2346 Triad 2321, 2333, 2335, 2351 Triasat 2501 Unitor 2332, 2217 Universum 2571, 2173 Vector 2333 Ventana 2200 Vortec 2421 Vtech 2351 Wevasat 2333 Winersat 2332 Wisi 2455, 2396, 2173, 2321, 2351, 2372, 2406, 2407 XSat 2889 Xcom Multimedia 2889 Zehnder 2520, 2321, 2331 VCR ASA Admiral Adventura Aiko Aiwa 3037, 3081 3048 3000 3278 3000, 3037, 3307, 3348, 3352 Akai 3315, 3106, 3041, 3053 Akiba 3072 Alba 3072, 3020, 3278, 3209, 3315, 3352 Ambassador 3020 Amstrad 3000, 3278, 3325, 3332 Anitech 3072 Asha 3240 Asuka 3037 Audiovox 3037 Baird 3000, 3041, 3104, 3107 Basic Line 3072, 3020, 3278 Beaumark 3240 Bell & Howell 3104 106 03RX-V595a-CODE(EU) 106 6/24/99, 11:51 AM Blaupunkt 3034, 3226, 3195, 3003, 3006, 3154, 3162, 3227, 3403 Brandt 3320, 3187, 3321 Brandt Electronic 3041 Broksonic 3209 Bush 3072, 3278, 3209, 3352 CCE 3072, 3278 CGE 3000 Calix 3037 Capehart 3020 Carver 3081 Catron 3020 Cimline 3072 Cineral 3278 Citizen 3037, 3278 Clatronic 3020 Colt 3072 Combitech 3352 Condor 3020 Craig 3072, 3037, 3047, 3240 Crown 3072, 3020, 3278 Curtis Mathes 3041, 3162 Cybernex 3240 Cyrus 3081 Daewoo 3020, 3278, 3045 Dansai 3072 Daytron 3020 De Graaf 3042, 3166 Decca 3000, 3081 Denon 3042 Dual 3041 Dumont 3000, 3081, 3104 Dynatech 3000 ESC 3278, 3240 Elbe 3038 Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032 Emerson 3000, 3037, 3278, 3209, 3036, 3043, 3088 Ferguson 3320, 3041, 3107, 3321 Fidelity 3000 Finlandia 3081, 3104 Finlux 3000, 3081, 3042, 3104 Firstline 3072, 3037, 3209, 3045, 3043 Fisher 3046, 3047, 3054, 3104 Frontech 3020 Fuji 3033 Funai 3000 GE 3048, 3240 GEC 3081 Garrard 3000 General 3020 Go Video 3432 GoldHand 3072 GoldStar 3037, 3038, 3225 Goodmans 3072, 3000, 3020, 3037, 3278, 3403 Gradiente 3000, 3008 Graetz 3005, 3041, 3104, 3240 Granada 3081, 3046, 3104 Grandin 3072, 3000, 3037 Grundig 3072, 3081, 3347, 3226, 3195, 3003, 3006, 3007, 3207, 3349, 3403 HCM 3072 HI-Q 3047 Hanseatic 3037 Harley Davidson 3000 Harman/Kardon 3038 Harwood 3072 Headquarter 3046 Hinari 3072, 3004, 3240, 3352 Hitachi 3000, 3004, 3042, 3041, 3166, 3235, 3240 Hypson 3072 ITT 3106, 3046, 3384, 3005, 3041, 3104, 3240 ITV 3037, 3278 Imperial 3000 Ingersol 3004 Interfunk 3081 JVC 3067, 3384, 3008, 3041, 3206, 3207, 3486 Jensen KEC KLH Kaisui Kendo Kenwood 3041 3037, 3278 3072 3072 3209, 3106 3067, 3384, 3038, 3041 Kodak 3037 Korpel 3072 LXI 3037 Lenco 3278 Leyco 3072 LIoyd’s 3000 Loewe 3037, 3004, 3081, 3006 Logik 3072, 3004, 3240 Luxor 3106, 3048, 3046, 3043, 3104 M Electronic 3000 MGA 3043, 3240 MGN Technology 3240 MTC 3000, 3240 Magnasonic 3278 Magnavox 3000, 3081 Magnin 3240 Manesth 3072, 3045 Marantz 3081, 3003, 3006 Marta 3037 Matsui 3209, 3004, 3036, 3088, 3348, 3352 Matsushita 3162 Memorex 3000, 3037, 3048, 3046, 3047, 3104, 3162, 3240, 3307 Memphis 3072 Metz 3347, 3195, 3003, 3006, 3162, 3227 Minerva 3195, 3006 Minolta 3042 Mitsubishi 3081, 3067, 3048, 3043 Motorola 3048 Multitech 3072, 3000 Murphy 3000 NEC 3067, 3038, 3041, 3104 Neckermann 3081 Nesco 3072 Nikko 3037 Nikon 3034 Noblex 3240 Nokia 3106, 3046, 3041, 3104, 3240 Nordmende 3320, 3384, 3041, 3297, 3321 Oceanic 3000, 3041 Okano 3315, 3348 Olympus 3226 Optimus 3037, 3432, 3048, 3104, 3162 Orion 3209, 3004, 3036, 3088, 3348, 3352 Osaki 3072, 3000, 3037 Otto Versand 3081 Palladium 3072, 3037, 3006, 3041 Panasonic 3226, 3162, 3225, 3227 Pathe Cinema 3036 Pathe Marconi 3041 Penney 3037, 3042, 3038, 3054, 3240 Pentax 3042 Perdio 3000 Philco 3209, 3038 Philips 3081, 3384, 3403 Phonola 3081 Pilot 3037 Pioneer 3081, 3067, 3162, 3235 Portland 3020 Profex 3322 Profitronic 3240 Proline 3000 Protec 3072 Pye 3081 Quarter 3046 Quartz 3046 Quasar 3162 Quelle 3081 RCA 3106, 3042, 3048, 3240 RFT 3403 Radio Shack Radiola Radix Randex Realistic 3000, 3037 3081 3037 3037 3000, 3037, 3048, 3046, 3047, 3104 Rex 3384, 3041 Ricoh 3034 Roadstar 3072, 3037, 3278, 3240 SBR 3081 SEG 3322, 3240 SEI 3004, 3081 STS 3042 Saba 3320, 3384, 3041, 3206, 3207, 3297, 3321 Saisho 3209, 3004, 3036, 3088 Salora 3106, 3046, 3043 Samsung 3432, 3045, 3053, 3240 Sanky 3048 Sansui 3000, 3067, 3041 Sanyo 3046, 3047, 3104, 3240 Saville 3352 Schaub Lorenz 3000, 3005, 3041, 3104 Schneider 3072, 3000, 3081 Scott 3045, 3043 Sears 3000, 3037, 3042, 3046, 3047, 3054, 3104 Seleco 3041 Semp 3045 Sentra 3020 Sharp 3048 Shintom 3072, 3104 Shogun 3240 Shorai 3004 Siemens 3037, 3081, 3195, 3003, 3006, 3054, 3104 Silva 3037 Singer 3072, 3045 Sinudyne 3004, 3081 Solavox 3020 Sonolor 3046 Sontec 3037 Sony 3000, 3032, 3033, 3034, 3011 Sunkai 3348 Sunstar 3000 Suntronic 3000 Sylvania 3000, 3081, 3043 Symphonic 3000 TMK 3036, 3240 Tashiko 3000 Tatung 3000, 3081, 3041 Teac 3000, 3041 Tec 3020 Technics 3226, 3162 Teknika 3000, 3037 Teleavia 3041 Telefunken 3320, 3384, 3041, 3187, 3321 Tenosal 3072 Tensai 3322, 3000 Thomas 3000 Thomson 3320, 3384, 3041 Thorn 3036, 3041, 3104 Toshiba 3081, 3045, 3384, 3041, 3043 Totevision 3037, 3240 Towada 3322 Uher 3240 Unitech 3240 Universum 3000, 3037, 3081, 3106, 3195, 3006, 3240, 3325 Vector 3045 Vector Research 3038 Video Concepts 3045 Videosonic 3240 Wards 3072, 3000, 3081, 3042, 3048, 3047, 3240 White Westinghouse 3278 XR-1000 3072, 3000 Yamaha 3038 Yamishi 3072 Yokan 3072 Yoko 3020, 3240 Zenith 3000, 3033, 3034 DVD PLAYER Kenwood Magnavox Onkyo Panasonic Philips Pioneer Sony Technics Thomson Toshiba Yamaha Zenith 4534 4503 4503 4490 4539, 4503 4525 4533 4490 4551 4503 4490, 4545 4503 LD PLAYER Aiwa Carver Cyrus Denon Disco Vision Funai Hitachi Magnavox Marantz Mitsubishi NAD Panasonic Philips Pioneer Quasar Radiola Realistic Salora Sega Sharp Sony Technics Telefunken Theta Digital Thorn Yamaha 5203 5064, 5194 5388 5059, 5172 5023 5203 5023 5194, 5217 5064, 5194 5059 5059 5204, 5496 5064, 5388, 5194 5023, 5059 5204 5388 5203 5064 5023 5001 5193, 5201 5204, 5496 5059 5194 5014 5217 Micromega Mission Mitsubishi NAD NSM Naim Nikko Onkyo Optimus 6157 6157 6108, 6156 6000 6157 6157 6525, 6164 6101, 6102 6000, 6032, 6037, 6536, 6048, 6179, 6196, 6342 6303, 6029, 6367 6157, 6274, 6287 6032 6164 6157 6157 6157 6029 6179 6164, 6179 6157, 6113 6461, 6525, 6527 6157 6157 6157, 6202, 6513 6048, 6179, 6342 6134 6164 6037, 6262, 6265 6114, 6196 6516 6108 6000, 6490 6378 6207, 6303, 6029 6481 6157 6072 6157, 6108 6036, 6082, 6187, 6712 6461 Panasonic Philips Pioneer Poppy Proton QED Quad Quasar RCA Realistic Revox Roadstar Rotel SAE Sansui Sanyo Schneider Scott Sharp Sherwood Siemens Signature Sony Teac Technics Toshiba Universum Victor Wards Yamaha Yorx CD PLAYER MD RECORDER Aiwa 6124, 6157, 6419 Akai 6108, 6156, 6199 Alba 6536, 6288, 6334 Arcam 6157 Audio Research 6157 Audio Ton 6157 Audiolab 6157 Audiomeca 6157 BSR 6134 Bestar 6164 Binatone 6452 California Audio Lab 6029 Carver 6157, 6179 Condor 6134, 6164 Cyrus 6157 DKK 6000 Denon 6003, 6034 Dual 6196 Emerson 6164 Fisher 6048, 6179, 6342 GE 6334 Genexxa 6032, 6164 GoldStar 6525, 6383 Goodmans 6536 Grundig 6157 Harman/Kardon 6108, 6173 Hitachi 6032, 6291 JVC 6072 Kenwood 6037, 6523, 6028, 6048, 6190 Kodak 6287 Krell 6157 Linn 6157 Luxman 6328 M Electronic 6525 MCS 6029 Magnavox 6157, 6038, 6129 Marantz 6157, 6029, 6038, 6129 Matsui 6157, 6288, 6307 Mclntosh 6287 Memorex 6032, 6164 Meridian 6157 Kenwood Sony Yamaha 7826 7490 7888, 7490 TAPE DECK Aiwa Akai Arcam Carver Denon Fisher Grundig Harman/Kardon JVC Kenwood Magnavox Marantz Memorex Mitsubishi Onkyo Optimus Panasonic Philips Pioneer Revox Sansui Sanyo Sharp Sony Technics Victor Wards Yamaha 8029, 8197, 8200 8188, 8189 8076 8029 8076, 8412 8074 8029 8182 8244, 8273, 8274 8070, 8071, 8092, 8205, 8233, 8234 8029 8029, 8009 8099, 8101 8189 8136, 8135 8027, 8220 8229 8029 8027, 8099, 8101, 8220 8029 8029, 8009 8074 8205 8170, 8243 8229 8273, 8274 8027 8094, 8097, 8205, 8478, 8524 107 03RX-V595a-CODE(EU) 107 6/24/99, 11:51 AM LIST OF MANUFACTURERS’ CODES (U.S.A, Canada and China models) LISTES DES CODES FABRICANT (Modèles pour les Etats-Unis, le Canada et la Chine) Elta Emerson TV A-Mark AOC 0003 0030, 0019, 0003, 0052, 0185 Abex 0032 Acura 0009 Admiral 0093 Adventura 0046 Adyson 0032 Aiko 0092 Akai 0030, 0208 Akura 0264 Alaron 0179, 0216 Alba 0009, 0037 Ambassador 0177 Amstrad 0009, 0171, 0177 Anam 0180, 0004, 0009, 0068 Anam National 0161 Anitech 0009, 0068 Arcam 0216 Archer 0003 Audinac 0391 Audiosonic 0037, 0109 Audiovox 0451, 0180, 0003, 0092 BPL 0282 Basic Line 0009 Baur 0037, 0512, 0535, 0554 Baysonic 0180 Belcor 0019 Bell & Howell 0154, 0016 Beon 0037 Blaupunkt 0535, 0554 Blue Star 0282 Bradford 0180 Brandt 0109 Britannia 0216 Brockwood 0019 Broksonic 0236, 0463, 0003, 0426 Bush 0282, 0009, 0037 CCE 0037 CS Electronics 0216 CXC 0180 Candle 0030, 0056, 0046, 0186 Carnivale 0030 Carver 0054, 0170 Cascade 0009 Cathay 0037 Celebrity 0000 Centurion 0037 Cimline 0009 Cineral 0451, 0092 Citizen 0060, 0030, 0056, 0039, 0046, 0092, 0186, 0280 Clairtone 0185 Clarivox 0037 Concerto 0056 Contec 0180, 0009, 0185, 0216 Craig 0180, 0161 Crosley 0054 Crown 0180, 0039, 0009, 0037, 0418 Curtis Mathes 0047, 0054, 0154, 0051, 0451, 0093, 0060, 0030, 0145, 0056, 0016, 0039, 0166 Daewoo 0451, 0019, 0039, 0009, 0037, 0066, 0092 Dansai 0037 Dayton 0009 Daytron 0019 De Graaf 0208 Decca 0037 Denon 0145 Dixi 0004, 0009, 0037 Dumont 0017, 0019 Ectec 0391 Electroband 0000, 0185 Elin 0037 0009 0154, 0236, 0463, 0180, 0282, 0178, 0019, 0179, 0039, 0177, 0185, 0280 Envision 0030 Erres 0037 Ferguson 0037, 0109, 0287, 0560 Fidelity 0216 Finlandia 0208 Finlux 0179, 0037 Firstline 0009, 0216 Fisher 0154, 0159, 0208 Formenti 0037 Frontech 0264 Fujitsu 0179 Funai 0180, 0179, 0171, 0264 Futuretech 0180 GE 0047, 0051, 0451, 0093, 0282, 0178, 0021, 0135 GEC 0037 Geloso 0009 Gibralter 0017, 0030, 0019 GoldStar 0030, 0178, 0019, 0056, 0001, 0002, 0032, 0037, 0109 Goodmans 0179, 0037 Gradiente 0053, 0056, 0170 Granada 0037, 0208, 0339, 0502 Grandin 0282 Grundig 0037, 0535, 0554 Grunpy 0180, 0179 HCM 0282, 0009 Hallmark 0178 Hanseatic 0037 Harley Davidson 0179 Harvard 0180, 0068 Hinari 0179, 0009, 0037, 0283 Hisawa 0282 Hitachi 0145, 0056, 0032, 0109, 0151, 0576 Huanyu 0216 Hypson 0282, 0037, 0264 ICE 0264 ITT 0283 Imperial 0418 Indiana 0037 Infinity 0054 Inteq 0017 Interbuy 0068 Interfunk 0037, 0512 Intervision 0037, 0068, 0264 JBL 0054 JCB 0000 JEC 0502 JVC 0053, 0069, 0160 Janeil 0046 KEC 0180 KTV 0180, 0030, 0039, 0185, 0280 Kaisui 0282, 0009, 0216 Kamp 0216 Kawasho 0216 Kaypani 0052 Kendo 0037 Kenwood 0030, 0019 Kingsley 0216 Kloss 0046 Korpel 0037 Koyoda 0009 LG 0056 LXI 0047, 0054, 0154, 0156, 0178 Leyco 0037, 0264 Liesenk & Tter 0037 Lloytron 0032 Loewe 0512 Logik 0016, 0001 Luxman 0056 M Electronic 0009, 0037, 0068, 0109, 0287 MEI 0185 MGA 0150, 0030, 0178, 0019 MTC 0060, 0030, 0019, 0056, 0185, 0216, 0512 Magnavox 0054, 0030, 0179, 0186, 0187 Majestic 0016 Manesth 0264 Marantz 0054, 0030, 0037 Mark 0037 Matsui 0009, 0035, 0037, 0177, 0208 Matsushita 0250 Mediator 0037 Megatron 0178, 0145, 0003 Memorex 0154, 0250, 0150, 0178, 0056, 0016, 0009 Metz 0535 Midland 0047, 0017, 0051, 0039, 0032, 0135 Minerva 0535, 0554 Minutz 0021 Mitsubishi 0093, 0150, 0178, 0019, 0512, 0535 Mivar 0216 Motorola 0093 Multitech 0180, 0009, 0216 NAD 0156, 0178, 0166 NEC 0030, 0019, 0056, 0170 NEI 0037 NTC 0092 Neckermann 0037, 0554 Nesco 0179 Nikkai 0032, 0035, 0037, 0216, 0264 Nikko 0030, 0178, 0092 Nisato 0391 Nordmende 0109, 0287, 0560 Noshi 0018 Onwa 0180 Optimus 0154, 0250, 0166 Optonica 0093, 0165 Orion 0236, 0463, 0179, 0037, 0177 Osaki 0032, 0264 Osume 0032 Otto Versand 0037, 0512, 0535, 0554 Palladium 0418 Panama 0264 Panasonic 0051, 0250, 0226 Pathe Cinema 0216 Pausa 0009 Penney 0047, 0156, 0051, 0060, 0030, 0178, 0021, 0019, 0018, 0056, 0039, 0002, 0003, 0032, 0135, 0149 Phase 0032 Philco 0054, 0463, 0030, 0145, 0019 Philips 0054, 0037, 0554 Phonola 0037 Pilot 0030, 0019, 0039 Pioneer 0109, 0166, 0287 Portland 0019, 0039, 0092 Prism 0051 Profex 0009 Proscan 0047 Protech 0009, 0037, 0264, 0418 Proton 0178, 0003, 0052 Pulsar 0017, 0019 Quasar 0051, 0250, 0165 Quelle 0037, 0252, 0512, 0535, 0554 R-Line 0037 RCA 0047, 0051, 0093, 0019, 0018, 0090, 0135 Radio Shack 0047, 0154, 0165, 0180, 0030, 0178, 0019, 0056, 0039, 0032 Radiola 0037 Realistic 0154, 0165, 0180, 0030, 0178, 0019, 0056, 0039, 0032 108 03RX-V595a-CODE(US) 108 6/24/99, 11:51 AM Revox Rex Rhapsody Roadstar Runco SBR SEG SEI SSS Saba Saisho Sampo Samsung 0037 0264 0185, 0216 0009, 0264, 0418 0017, 0030 0037 0264 0177 0180, 0019 0109, 0287 0009, 0177, 0264 0030, 0039, 0032, 0052 0060, 0030, 0178, 0019, 0056, 0039, 0009, 0032, 0037, 0090, 0264, 0427 Samsux 0039 Sandra 0216 Sansei 0451 Sansui 0463 Sanyo 0154, 0159, 0208, 0339 Schneider 0037 Scimitsu 0019 Scotch 0178 Scott 0236, 0180, 0178, 0019, 0179 Sears 0047, 0054, 0154, 0156, 0178, 0179, 0056, 0149, 0159, 0171 Semivox 0180 Semp 0156 Sentra 0035, 0283 Sharp 0093, 0165, 0039 Shogun 0019 Siemens 0037, 0535, 0554 Signature 0016 Simpson 0186, 0187 Sinudyne 0177 Solavox 0032 Sonitron 0208 Sonoko 0009, 0037 Sonolor 0208 Sontec 0037 Sony 0000, 0080 Soundesign 0180, 0178, 0179, 0186 Soundwave 0037, 0418 Spectricon 0003 Squareview 0171 Standard 0009 Starlite 0180 Supra 0056 Supre-Macy 0046 Supreme 0000 Sylvania 0054, 0030 Symphonic 0171 Sysline 0037 TMK 0178, 0056, 0177 Tandy 0093 Tatung 0003, 0037 Technics 0051, 0250 Technol Ace 0179 Techwood 0051, 0056, 0003 Teknika 0054, 0180, 0150, 0060, 0019, 0179, 0056, 0016, 0039, 0092, 0186 Telefunken 0056, 0109, 0252 Teletech 0009 Teleton 0186 Texet 0216 Thomson 0109, 0287 Thorn 0035, 0037, 0512, 0535 Tomashi 0282 Toshiba 0154, 0156, 0060, 0035, 0149, 0502 Tosonic 0185 Totevision 0039 Triumph 0177 Ultra 0391 Universum 0037, 0264, 0535 Vector Research 0030 Vestel 0037 Victor 0053 Vidikron 0054 Vidtech Viking Wards 0178, 0019 0046 0054, 0165, 0030, 0178, 0021, 0019, 0179, 0056, 0016, 0080 Watson 0037 White Westinghouse 0037, 0216 Yamaha 0030, 0019 Yoko 0037, 0264 Zenith 0017, 0016, 0092 Zonda 0003 CABLE ABC 1003, 1008, 1014, 1011 Allegro 1315 Archer 1797 BBT 1267 Belcor 1056 British Telecom 1003 Cable Star 1056 Citizen 1315 Colour Voice 1031 Comtronics 1040 Contec 1019 Emerson 1797 Everquest 1015, 1040 Focus 1400 GC Electronics 1056 Gemini 1015 General Instrument 1476, 1011 GoldStar 1144, 1040 Goodmind 1797 Hamlin 1020, 1259, 1009, 1034 Hitachi 1011 Jasco 1315 Jerrold 1003, 1012, 1476, 1014, 1015, 1011, 1024 MNet 1019 Magnavox 1027 Memorex 1000 Movie Time 1063 NSC 1063 Novaplex 1618 Oak 1019 Optimus 1021 PVP Stereo Visual Matrix 1003 Panasonic 1000, 1107, 1021 Paragon 1000 Philips 1027, 1031 Pioneer 1144, 1533 Popular Mechanics 1400 Prelude 1770 Pulsar 1000 RCA 1021 Radio Shack 1015, 1315 Recoton 1400 Regal 1020, 1259 Rembrandt 1011 Runco 1000 SL Marx 1040 Samsung 1144, 1040 Scientific Atlanta 1008, 1477 Signal 1015, 1040 Signature 1011 Sprucer 1021 StarSight 1422 Starcom 1003, 1015 Stargate 1015, 1040, 1770, 1797 Starquest 1015 TV86 1063 TeleCaption 1221 Teleview 1040 Timeless 1418 Tocom 1012 Toshiba 1000 Tusa 1015 United Cable 1003 Universal 1056, 1191 Viewstar 1063, 1027 Zenith 1000, 1054, 1525 Zentek 1400 DBS TUNER AST Audio Ton Avalon Chaparral 2321 2364 2396 2053, 2209 Connexions DNT Echostar Elta Expressvu Fuba Galaxis Galaxisat General Instrument Huth JSR JVC Jerrold Lemon NEC Neusat Next-Wave Primestar Radix SAT SatPartner Seemann Triad Wisi Zehnder 2396 2396 2396 2364 2775 2396 2364 2321 2361 2364 2364 2775 2361 2692 2507 2692 2732 2361 2396 2321 2692 2396 2321 2321, 2396 2321 (DSS) AlphaStar Echostar General Instrument HTS Hitachi Hughes Network System Jerrold Magnavox Memorex Panasonic Philips Primestar RCA Sony Star Choice Toshiba Uniden 2772 2775 2869 2775 2819 2749 2627 2724 2724 2701 2724 2627 2566 2639 2869 2790 2724 VCR ASA Admiral Adventura Aiko Aiwa Akai Akiba Akura Alba 3037, 3081 3048 3000 3278 3037, 3000 3041, 3061, 3281, 3288 3072 3271 3209, 3072, 3278, 3020, 3295 Ambassador 3020 American High 3035 Amstrad 3000, 3278 Anitech 3072 Asha 3240 Asuka 3037 Audiovox 3037 Baird 3000, 3104, 3041 Basic Line 3072, 3278, 3020 Beaumark 3240 Bell & Howell 3104 Blaupunkt 3162, 3034, 3195, 3226, 3227 Brandt 3187, 3320 Brandt Electronic 3041 Broksonic 3184, 3121, 3209, 3002, 3295, 3361, 3479 Bush 3209, 3072, 3278 CCE 3072, 3278 CGE 3000 Calix 3037 Canon 3035 Capehart 3020 Carver 3081 Catron 3020 Cimline 3072 Cineral 3278 Citizen 3037, 3278 Clatronic Colt Condor Craig 3020 3072 3020 3037, 3047, 3240, 3072, 3271 Crown 3072, 3278, 3020 Curtis Mathes 3060, 3035, 3041, 3162 Cybernex 3240 Cyrus 3081 Daewoo 3045, 3278, 3020 Dansai 3072 Daytron 3020 De Graaf 3042, 3166 Decca 3081, 3000 Denon 3042 Dual 3041 Dumont 3081, 3000, 3104 Dynatech 3000 ESC 3240, 3278 Elbe 3038 Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032 Emerson 3037, 3184, 3000, 3121, 3043, 3209, 3002, 3278, 3036, 3061, 3068, 3208, 3212, 3295, 3361, 3479 Ferguson 3041, 3320 Fidelity 3000 Finlandia 3081, 3104 Finlux 3081, 3000, 3042, 3104 Firstline 3037, 3045, 3043, 3209, 3072 Fisher 3047, 3104, 3046, 3054, 3066 Frontech 3020 Fuji 3035, 3033 Funai 3000 GE 3060, 3035, 3048, 3240, 3202 GEC 3081 Garrard 3000 General 3020 GoldHand 3072 GoldStar 3037, 3038, 3225, 3471 Goodmans 3037, 3000, 3072, 3278, 3062, 3020 Gradiente 3000, 3008 Graetz 3240, 3104, 3041 Granada 3081, 3104, 3046 Grandin 3037, 3000, 3072 Grundig 3081, 3072, 3195, 3226 HCM 3072 HI-Q 3047 Hanseatic 3037 Harley Davidson 3000 Harman/Kardon 3038 Harwood 3072, 3068 Headquarter 3046 Hinari 3240, 3072, 3208 Hitachi 3240, 3000, 3042, 3041, 3166, 3235 Hypson 3072 ITT 3240, 3104, 3041, 3046, 3384 ITV 3037, 3278 Imperial 3000 Interfunk 3081 JVC 3067, 3041, 3008, 3384 Jensen 3041 KEC 3037, 3278 KLH 3072 Kaisui 3072 Kendo 3209 Kenwood 3067, 3041, 3038, 3384 Kodak 3035, 3037 Korpel 3072 LXI 3037 Lenco 3278 Leyco 3072 LIoyd’s 3000, 3208 Loewe 3037, 3081 Logik Luxor 3240, 3072 3048, 3104, 3043, 3062, 3046 M Electronic 3000 MEI 3035 MGA 3240, 3043, 3061 MGN Technology 3240 MTC 3240, 3000 Magnasonic 3278 Magnavox 3035, 3039, 3081, 3000 Magnin 3240 Manesth 3045, 3072 Marantz 3035, 3081, 3062, 3295 Marta 3037 Matsui 3209, 3036, 3208, 3295 Matsushita 3035, 3162 Memorex 3035, 3037, 3048, 3039, 3047, 3240, 3000, 3104, 3162, 3046 Memphis 3072 Metz 3162, 3195, 3227 Minerva 3195 Minolta 3042 Mitsubishi 3048, 3081, 3067, 3043, 3061, 3173, 3196 Motorola 3035, 3048 Multitech 3000, 3072 Murphy 3000 NEC 3104, 3067, 3041, 3038, 3040 Neckermann 3081 Nesco 3072 Nikko 3037 Nikon 3034 Noblex 3240 Nokia 3240, 3104, 3041, 3046 Nordmende 3041, 3320, 3384 Oceanic 3000, 3041 Olympus 3035, 3226 Optimus 3037, 3048, 3104, 3162 Optonica 3062 Orion 3184, 3121, 3209, 3002, 3036, 3208, 3295, 3479 Osaki 3037, 3000, 3072 Otto Versand 3081 Palladium 3037, 3041, 3072 Panasonic 3035, 3162, 3225, 3226, 3227 Pathe Cinema 3036 Pathe Marconi 3041 Penney 3035, 3037, 3240, 3042, 3038, 3040, 3054 Pentax 3042 Perdio 3000 Philco 3035, 3209, 3038, 3479 Philips 3035, 3081, 3062, 3384 Phonola 3081 Pilot 3037 Pioneer 3081, 3067, 3162, 3235 Portland 3020 Profitronic 3240 Proline 3000 Proscan 3060, 3202 Protec 3072 Pulsar 3039 Pye 3081 Quarter 3046 Quartz 3046 Quasar 3035, 3162 Quelle 3081 RCA 3060, 3035, 3048, 3240, 3042, 3202 Radio Shack 3037, 3000 Radiola 3081 Radix 3037 Randex 3037 Realistic 3035, 3037, 3048, 3047, 3000, 3104, 3062, 3046, 3066 Rex 3041, 3384 Ricoh 3034 Roadstar 3037, 3240, 3072, 3278 Runco 3039 SBR 3081 109 03RX-V595a-CODE(US) 109 6/24/99, 11:51 AM SEG SEI STS Saba Saisho Salora Samsung Sanky Sansui 3240 3081 3042 3041, 3320, 3384 3209, 3036, 3208 3043, 3046 3240, 3045 3048, 3039 3000, 3067, 3041, 3271, 3479 Sanyo 3047, 3240, 3104, 3046 Schaub Lorenz 3000, 3104, 3041 Schneider 3081, 3000, 3072 Scott 3184, 3045, 3121, 3043, 3212 Sears 3035, 3037, 3047, 3000, 3042, 3104, 3046, 3054, 3066 Seleco 3041 Semp 3045 Sentra 3020 Sharp 3048, 3062 Shintom 3104, 3072 Shogun 3240 Siemens 3037, 3081, 3104, 3054, 3195 Silva 3037 Singer 3045, 3072 Sinudyne 3081 Solavox 3020 Sonolor 3046 Sontec 3037 Sony 3035, 3032, 3000, 3033, 3034 Sunstar 3000 Suntronic 3000 Sylvania 3035, 3081, 3000, 3043 Symphonic 3000 TMK 3240, 3036, 3208 Tashiko 3000 Tatung 3081, 3000, 3041 Teac 3000, 3041 Tec 3020 Technics 3035, 3162, 3226 Teknika 3035, 3037, 3000 Teleavia 3041 Telefunken 3041, 3187, 3320, 3384 Tenosal 3072 Tensai 3000 Thomas 3000 Thomson 3041, 3320, 3384 Thorn 3104, 3041, 3036 Toshiba 3081, 3045, 3043, 3041, 3066, 3212, 3366, 3384 Totevision 3037, 3240 Triumph 3208 Uher 3240 Unitech 3240 Universum 3037, 3081, 3240, 3000, 3195 Vector 3045 Vector Research 3038, 3040 Video Concepts 3045, 3040, 3061 Videosonic 3240 Wards 3060, 3035, 3048, 3047, 3081, 3240, 3000, 3042, 3072, 3062, 3212 White Westinghouse 3278 XR-1000 3035, 3000, 3072 Yamaha 3038 Yamishi 3072 Yokan 3072 Yoko 3240, 3020 Zenith 3039, 3000, 3033, 3034 DVD PLAYER JVC Kenwood Magnavox Mitsubishi Onkyo Panasonic Philips Pioneer Proscan RCA Sony Technics Toshiba Yamaha Zenith 4558 4534 4503 4521 4503 4490 4503, 4539 4525 4522 4522 4533 4490 4503 4490, 4545 4503 LD PLAYER Aiwa Carver Denon Disco Vision Funai Hitachi Magnavox Marantz Mitsubishi NAD Panasonic Philips Pioneer Quasar Realistic Salora Samsung Sega Sony Technics Telefunken Theta Digital Yamaha 5203 5064, 5194, 5323 5059, 5172 5023 5203 5023 5194, 5217 5064, 5194 5059 5059 5204 5064, 5194 5059, 5023 5204 5203 5064 5323 5023 5193, 5201 5204 5059 5194 5217 CD PLAYER ADC 6018 Acoustic Research 6420 Adcom 6155 Aiwa 6157, 6012, 6124 Akai 6156 Arcam 6157 Audio Pro 6437 Audio Research 6157 Audio-Technica 6170 Audio Ton 6157 Audiolab 6157 Audiomeca 6157 BSR 6245 Bestar 6164 Burmester 6420 Bush 6245 California Audio Lab 6029 Carver 6157, 6179, 6437 Condor 6164 Crown 6122 Cyrus 6157 DAK 6245 DKK 6000 Denon 6003, 6034 Elektra 6393, 6437 Emerson 6305, 6155, 6164 Fisher 6179, 6048, 6088, 6342 Garrard 6420, 6393, 6245, 6280, 6425 Genexxa 6032, 6305, 6164, 6426 Goodmans Grundig Harman/Kardon Hitachi JVC Kenwood 6305, 6245, 6280 6157 6426 6032, 6155 6072 6028, 6037, 6190, 6048 Kodak 6287 Krell 6157 Kyocera 6018 LXI 6305 Linn 6157 Luxman 6093 MCS 6029, 6043 MTC 6420 Magnavox 6157, 6305 Marantz 6029, 6157, 6180 Matsui 6157 Mclntosh 6287 Memorex 6032, 6305, 6155, 6164, 6180 Meridian 6157 Micromega 6157 Mission 6157 Mitsubishi 6156 NAD 6000 NEC 6043 NSM 6157 Nagaoka 6018 Naim 6157 Nakamichi 6147 Nikko 6164, 6170 Onkyo 6101 Optimus 6000, 6032, 6179, 6305, 6037, 6420, 6048, 6145, 6468, 6087, 6280, 6342, 6426, 6437 Panasonic 6029, 6303 Parasound 6420 Philips 6157, 6287 Pioneer 6032, 6305, 6468, 6244 Poppy 6164 Proton 6157 QED 6157 Quad 6157 Quasar 6029 RCA 6179, 6305, 6053, 6155 Realistic 6179, 6420, 6155, 6164, 6180 Revox 6157 Roadstar 6461 Rotel 6157, 6420 Royal 6420 SAE 6157 STS 6018 Sansui 6157, 6305, 6202 Sanyo 6179, 6048, 6087, 6342 Scott 6305, 6155, 6164 Sears 6305 Sharp 6037, 6180, 6261 Sherwood 6114, 6180, 6426 Shure 6043 Sony 6000, 6185 Soundesign 6145, 6425 Tascam 6420 Teac 6420, 6393, 6180 Technics 6029, 6303 Universum 6157, 6437 Victor 6072 Wards 6157, 6053 Yamaha 6036, 6187, 6261, 6082, 6712 Yorx 6461 110 03RX-V595a-CODE(US) 110 6/24/99, 11:51 AM MD RECORDER Kenwood Sony Yamaha 7826 7490 7888, 7490 TAPE DECK ADC Aiwa Akai Arcam Carver Denon Fisher Garrard GoldStar Grundig JVC Kenwood Kyocera Magnavox Marantz Memorex Mitsubishi Onkyo Optimus Panasonic Philips Phonotrend Pioneer Revox Sansui Sanyo Sharp Sherwood Sonic Sony Teac Technics Universum Victor Wards Yamaha 8171 8029, 8197 8283 8076 8029 8076 8074 8308, 8309, 8375 8375 8029, 8375 8244, 8274, 8303, 8304, 8310 8071, 8092, 8233, 8234 8171 8029 8029, 8009 8099 8283 8136, 8282 8027, 8220, 8337 8229 8029 8337 8027, 8220, 8099 8029, 8190 8029, 8009 8074 8231 8337 8375 8243, 8170, 8291 8280, 8289, 8308, 8309 8229 8375 8274 8027 8097, 8094, 8478, 8524 U C AT HTR-5150 HTR-5150 Natural Sound AV Receiver Ampli-Tuner audio-vidéo YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA OWNER’S MANUAL MODE D’EMPLOI ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA Printed in Malaysia ID 04HTR-5150-e/f cv1/4 1 V403350 6/28/99, 2:31 PM Quick Reference Card TAPE/MD AMP/TUN POWER STANDBY CD DVD/LD POWER POWER POWER INPUT INPUT INPUT DISC SKIP DISC SKIP SELECTOR DIAL INPUT EXT. DEC. TEST A/B/C/D/E DSP PRESET UP DOWN VOLUME MUTE EFFECT ON/OFF TV VOLUME TV VOLUME TV VOLUME TV VOLUME TV POWER DISPLAY (MD) SLEEP TV POWER REC/PAUSE DIR A (TAPE) SKIP (MD) PLAY SET MENU TIME/LEVEL REWIND (TAPE) SEARCH (MD) DISPLAY DISPLAY TV POWER DECK A/B (TAPE) PAUSE (MD) DIR B (TAPE) SKIP (MD) STOP FAST FORWARD (TAPE) SEARCH (MD) SKIP PLAY SEARCH TV POWER TV INPUT PAUSE STOP SEARCH SKIP/SEARCH PLAY TV INPUT PAUSE STOP SUBTITLE (DVD) SEARCH (LD) ANGLE (DVD) SEARCH (LD) SUBTITLE ON/OFF (DVD) AUDIO (DVD) DSP DSP program V404530 Quick Reference Card DVD MENU VCR CBL/DBS TV POWER POWER POWER POWER Numeric buttons CHANNEL CHANNEL CHANNEL CHANNEL ENTER CHANNEL UP DOWN CHANNEL ENTER CHANNEL UP DOWN +10 CLEAR DISC SKIP TV VOLUME TITLE/INDEX TV VOLUME TV POWER MENU LEFT TITLE DISPLAY TV POWER TV INPUT MENU UP MENU RIGHT MENU SELECT SET UP TV VOLUME DISPLAY TV POWER VCR REC (*1) PLAY MENU DOWN RETURN REWIND TV INPUT PAUSE STOP FAST FORWARD MENU *1: Press this button twice to start recording. *1: Appuyer deux fois sur cette touche pour démarrer l’enregistrement. *1: Diese Taste zweimal drücken, um die Aufnahme zu starten. *1: Tryck två gånger på denna knapp för att starta inspelningen. +100 MENU LEFT MENU SELECT TV INPUT MENU UP MENU RIGHT MENU DOWN RECALL CHANNEL ENTER CHANNEL UP DOWN TV MUTE TV SLEEP TV POWER VCR REC (*1) TV EFFECT ON/OFF TV VOLUME DISPLAY TV INPUT VCR PAUSE VCR PLAY VCR REWIND MENU VCR STOP VCR FAST FORWARD *1: Premere due volte questo tasto per iniziare la registrazione. *1: Presione dos veces este botón para empezar a grabar. *1: Druk tweemaal op deze toets om met opnemen te beginnen. V404530
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