Printed in Malaysia ID
V342050
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
RX-V4 95
RX-V4 95
Natural Sound AV Receiver
Ampli-Tuner Audio-Video
OWNER’S MANUAL
MODE D’EMPLOI
U C A
01RX-V495-e/f cv1/4 6/22/99, 2:40 PM1
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SAFETY INSTRUCTIONS
1 Read Instructions – All the safety and operating instructions
should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be moved
with care. Quick stops, excessive force, and
uneven surfaces may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to a
wall or ceiling only as recommended by the manufacturer.
8 Ventilation – The unit should be situated so that its location
or position does not interfere with its proper ventilation. For
example, the unit should not be situated on a bed, sofa,
rug, or similar surface, that may block the ventilation
openings; or placed in a built-in installation, such as a
bookcase or cabinet that may impede the flow of air
through the ventilation openings.
9 Heat – The unit should be situated away from heat sources
such as radiators, stoves, or other appliances that produce
heat.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located away
from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert
you to the presence of uninsulated “dangerous
voltage” within the product’s enclosure that may
be of sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert you to the presence
of important operating and maintenance
(servicing) instructions in the literature
accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
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English
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.
FCC INFORMATION (for US customers only)
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of your
equipment by playing it at a safe level. One that lets the sound
come through loud and clear without annoying blaring or
distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If this
product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the
following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instruc-
tions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regula-
tions, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
01RX-V495-e/f-1 6/22/99, 1:32 PM3
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• Indoor FM Antenna
• Antenne FM intérieure
• AM Loop Antenna
• Cadre-antenne AM
• Antenna adapter
(U.S.A. and Canada models only)
• Adaptateur d’antenne
(Modèles pour les Etats-Unis et le
Canada seulement)
• Batteries (size AAA, R6, UM-4)
• Piles (taille AAA, R6, UM-4)
SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
• After unpacking, check that the following parts are included.
• Après le déballage, vérifier que les pièces suivantes sont incluses.
• Remote control transmitter
• Télécommande
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English
● 5-Channel Power Amplification
Minimum RMS Output Power
<0.04% THD, 20 Hz – 20 kHz>
Main: 60 W + 60 W (8 Ω)
Center:60 W (8 Ω)
Rear: 60 W + 60 W (8 Ω)
<0.07% THD, 1 kHz>
Main: 70 W + 70 W (8 Ω)
Center:70 W (8 Ω)
Rear: 70 W + 70 W (8 Ω)
● Digital Sound Field Processor
● Dolby Digital Decoder
● Dolby Pro Logic Surround Decoder
● CINEMA DSP: Theater-like Sound
Experience by the Combination of Dolby
Surround and YAMAHA DSP Technology
SUPPLIED ACCESSORIES........................................... 4
FEATURES .................................................................... 5
CAUTION ....................................................................... 6
●Introduction
FEATURES OF SOUND EFFECTS............................... 7
CONTROLS AND THEIR FUNCTIONS ......................... 9
●Preparation
SPEAKER SETUP ....................................................... 14
CONNECTIONS........................................................... 16
ADJUSTMENTS
BEFORE USING THIS UNIT .................................. 23
●Basic Operation
BASIC OPERATIONS .................................................. 28
TUNING OPERATIONS ............................................... 32
SETTING THE SLEEP TIMER.....................................37
●Information about DSP
USING THE DIGITAL SOUND FIELD
PROCESSOR (DSP) .............................................. 38
●Advanced Information
ADJUSTMENTS
IN THE “SET MENU” MODE...................................44
●Remote Control Transmitter
REMOTE CONTROL TRANSMITTER......................... 46
SETUP CODES ........................................................... 53
TROUBLESHOOTING ................................................. 54
SPECIFICATIONS ....................................................... 57
LIST OF MANUFACTURER’S CODES...................... 113
FEATURES
CONTENTS
● 6-Channel External Decoder Input for DTS
and other future formats
● Automatic Input Balance Control for
Dolby Pro Logic Surround
● Test Tone Generator for Easier Speaker
Balance Adjustment
● Speaker Output Mode Changing
Capability
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
● Preset Station Shifting Capability
(Preset Editing)
● Video Signal Input/Output Capability
● SLEEP Timer
● Universal Remote Control
Transmitter with Preset Manufacturer
Codes
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the unit cover assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
<Singapore model only>
Be sure to allow a space of at least 20 cm behind, 20 cm
on the both sides and 30 cm above the top panel of the unit
to prevent fire and damage.
6. The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from use of this unit with a voltage other
than specified.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers or TVs. Move
this unit farther away from such equipment if interference is
observed.
8. Always set the VOLUME control to “
” before starting the
audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
9. Do not attempt to clean the unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
11. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.
12. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
13. Grounding or polarization – Precautions should be taken so
that the grounding or polarization of an appliance is not
defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
15. Voltage Selector (China and General Models only)
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode. In
this state, this unit is designed to consume a very small
quantity of power.
FREQUENCY STEP switch
(China and General Models only)
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to wide
slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
01RX-V495-e/f-1 6/22/99, 1:32 PM6
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English
FEATURES OF SOUND EFFECTS
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
receivers available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater Systems
(DTS) may be new to your home, but you have probably
experienced the amazing realism they bring to feature films in
theaters around the world.
To make the listening experience even more enjoyable, this unit
includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but the chances are that you’ll
still notice something missing — the acoustic environment of
the live concert hall. Extensive research into the exact nature
of the sonic reflections that create the ambience of a large hall
has made it possible for YAMAHA engineers to bring you this
same sound to your listening room, so you’ll feel all the sound
of a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any
one of these live performance environments, all in your own
home.
Dolby Pro Logic Surround
Dolby Pro Logic Surround has been used in movie theaters
since the mid-seventies. It has also been available in home
entertainment systems since the late eighties and continues to
be a popular format for home theater systems. It uses four
discrete channels and five speakers to reproduce realistic and
dynamic sound effects: two main channels (left and right), a
center channel for dialog, and a rear channel for special sound
effects. The rear channel reproduces sound within a narrow
frequency range.
Most video tapes and laser discs include Dolby Pro Logic
Surround encoding, as do many TV and cable broadcasts. The
Dolby Pro Logic Surround decoder built into this unit employs a
digital signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
Dolby Digital
The built-in Dolby Digital decoder leads you into a totally new
sound experience.
Dolby Digital is a new generation of multi-channel digital audio
technology, or the newest spatial sound processing format
developed for 35 mm-film movies by employing a new kind of
low bit-rate audio coding.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to listeners. In
multi-channel form, Dolby Digital provides 5 full-range channels
in what is sometimes referred to as a “3/2” configuration: three
front channels (left, center and right), plus two surround
channels. A sixth bass-only effect channel is also provided for
output of LFE (low frequency effect), or low bass effects that
are independent of other channels. This channel is counted as
0.1, thus giving rise to the term 5.1 channels in total.
Compared to Dolby Pro Logic, which is referred to a “3/1”
system (left front, center, right front and just one surround
channel), Dolby Digital features two surround channels, called
stereo or split surrounds, each offering the same full-range
fidelity as the three front channels.
Sound of wide dynamic range reproduced by the 5 full-range
channels provides listeners with excitement that has never
been experienced before. Precise sound orientation by
discrete digital sound processing expands the realism that the
original movie possesses.
LD and DVD are home audio/video program source that could
benefit from Dolby Digital. In the near future, Dolby Digital will
also be applied to DBS, CATV and HDTV. The ongoing release
of Dolby Stereo Digital theatrical films now underway will
provide an immediate source of Dolby Digital encoded video
software.
Introduction
01RX-V495-e/f-1 6/22/99, 1:32 PM7
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Manufactured under license from Dolby Laboratories Licensing
Corporation. “DOLBY”, “PRO LOGIC”, and the double-D symbol
are trademarks of Dolby Laboratories Licensing Corporation.
Copyright 1992 Dolby Laboratories, Inc. All rights reserved.
The following original functions make the surround-sound effect
of Dolby Digital become the most suitable for your audio
system and the listening conditions.
CINEMA DSP: Dolby Surround + DSP
The Dolby Surround sound system shows its full ability in a
large movie theater, because movie sounds are originally
designed to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room are very different from those of a
movie theater.
YAMAHA DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for the lack of
presence and dynamics in your listening room with its original
digital sound fields combined with the Dolby Surround sound
system.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of Dolby Surround and
YAMAHA DSP technology.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the
rear surround side of the Dolby Pro Logic Surround-decoded
sound field, respectively. They create a wide acoustic
environment and emphasize the surround effect in the room,
letting you feel as much presence as if you are watching a
movie in a popular Dolby Stereo theater.
This combination is available when the DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound
field program is selected, and the input signal of source is
analog, PCM audio or encoded with Dolby Digital sound in
2-channel.
Dolby Digital + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the
independent left and right surround sides of the Dolby Digital-
decoded sound field, respectively. They create a wide
acoustic environment and strong surround effect in the room
without losing high-channel separation. With the wide
dynamic range of Dolby Digital sound, this sound field
combination lets you feel as if you are watching a movie in the
newest Dolby Stereo Digital theater. This will be the most
ideal home theater sound at the present time.
This combination is available when the DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound
field program is selected, and the input signal of source is
encoded with Dolby Digital sound (except in 2-channel).
01RX-V495-e/f-1 6/22/99, 1:32 PM8
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English
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
1 STANDBY/ON
Press this switch to turn on the power to this unit. Press it
again to set this unit to the standby mode.
Standby mode
In this state, this unit consumes a very small quantity of
power to receive infrared-signals from the remote control
transmitter.
2 Remote control sensor
This receives signals from the remote control transmitter.
3 Display
This shows various information. (Refer to page 11 for details.)
4 MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations.
When this button is pressed and held for more than three
seconds, the automatic preset tuning begins.
5 EDIT
This button is used to exchange the assignment of two preset
stations with each other.
6 TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that the “AUTO TUNING” indicator lights up on the display.
To select the manual tuning mode, press this button so that the
“AUTO TUNING” indicator goes off.
7 FM/AM
Press this button to switch the reception band to FM or AM.
8 TUNING UP/DOWN
This button is used for tuning. Press the UP side to tune in to
higher frequencies, and press the DOWN side to tune in to
lower frequencies.
9 TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
When you press the button next, the “TAPE/MD MON” indicator
goes off, “EXT. DECDR” appears on the display and you can
play the signal connected to the EXTERNAL DECODER
INPUT terminals.
0 INPUT
Turn this selector to select the program source (VCR, VIDEO
AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or
watch.
The name of the selected program source appears on the
display.
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10
q INPUT MODE
This button switches the DVD/LD and TV/DBS input signal
mode (AUTO/ANALOG).
w VOLUME
This control is used to raise or lower the volume level.
e PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from
the main speakers through the headphones.
When using headphones only, set both SPEAKERS A and B to
the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by
pressing EFFECT.
r SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) for the main speaker system you don’t want to
use to the OFF position.
t A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
y Preset station number selector
Each of these buttons selects a preset station number
(1 to 8).
u Tone controls
These controls are only effective for the sound from the main
speakers.
BASS
Use this control to increase or decrease the low-frequency
response. The “0” position produces flat response.
TREBLE
Use this control to increase or decrease the high-frequency
response. The “0” position produces flat response.
i BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume to
the left and right speakers to compensate for sound imbalance
caused by the speaker location or listening room conditions.
o TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
p +/–
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,
press + to increase the delay time or speaker output level.
Press – to decrease the delay time or speaker output level.
a SET MENU
Press this button to select functions in the SET MENU mode.
s PROGRAM selector
Press
or to select the DSP program.
The name of the selected program appears on the display.
d EFFECT
This button switches on and off the output from the center and
rear speakers so that the sound becomes the normal
2-channel.
* Even if the output from the center and rear speakers is off,
when the Dolby Digital is decoded, the signals on all
channels are distributed to the main channels and output
from the main speakers.
f VIDEO AUX terminals
Connect an auxiliary video or audio input source unit such as a
camcorder to these terminals. The source connected to these
terminals can be selected by INPUT.
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English
1 Multi-information display
This displays various information, for example the station
frequency, preset station number and name of the selected
program source.
2 MEMORY indicator
When MEMORY is pressed, this indicator flashes for about five
seconds. During this period, the displayed station can be
stored in the memory.
3 AUTO TUNING indicator
This lights up when the unit is in the automatic tuning mode.
4 TAPE/MD MON indicator
This lights up when the tape deck (or MD recorder, etc.) is
selected as the program source by pressing TAPE/MD MON /
EXT. DECODER on the front panel or TAPE/MD on the remote
control transmitter.
5 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
DISPLAY PANEL
6
Signal-level meter
This indicates the signal level of the station being received.
If multipath interference is detected, the indication decreases.
7 , and indicators
“
” lights up when the built-in Dolby Digital decoder is
on and the signal of the selected source encoded in Dolby
Digital sound is not in 2-channel. “
” lights up when the
built-in digital sound field processor is on, and “
”
lights up when the built-in Dolby Pro Logic Surround decoder is
on. Depending on the selected DSP program, both “
”
and “
”, or both “ ” and “ ” will light up.
8 SLEEP indicator
This lights up while the built-in SLEEP timer is functioning.
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REMOTE CONTROL TRANSMITTER
See “REMOTE CONTROL TRANSMITTER” on page 46 for full details.
1 Component selector
Press the button for the component you want to control with the
remote control transmitter. (The proper code must be set for
your component. See “SETUP CODES” on page 53.)
When the component selector has been pressed, the remote
control transmitter is set to operate that component.
2 POWER
When you have preset the code for a YAMAHA component, this
button switches between the power on and standby mode.
When you have preset the code for another manufacturer’s
component, this button turns on that component if it has a
remote control transmitter with a power button.
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD or
DVD MENU on the component selector has been pressed.
3 TEST
Press this button to output the test tone for each speaker.
* It only functions when AMP<TUNER> on the component selector
has been pressed.
4 A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
* They only function when AMP<TUNER> on the component selector
has been pressed.
5 MUTE
Press this button to mute the sound.
6 VOLUME
These buttons are used to adjust the volume.
: Turns up the volume.
: Turns down the volume.
7 SLEEP
This button is used to set the SLEEP timer.
8 PRG+, PRG–
These buttons are used to select a DSP program.
* They only function when AMP<TUNER> on the component selector
has been pressed.
9 Indicator
This flashes in red when a button on the remote control
transmitter is pressed. When it flashes rapidly several times,
press the selected button again.
0 Input selector (1 to 9)
1)
/Numeric buttons
2)
1) These buttons are used to select the program source to be
played.
* They only function when AMP<TUNER>, TAPE/MD, CD or
DVD/LD on the component selector has been pressed.
2) These buttons are used to select the menu or channel.
* They only function when DVD MENU, VCR, CBL/DBS or TV on
the component selector has been pressed.
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q EFFECT
1)
/CLEAR
2)
/+100
3)
1) This button is used to switch the DSP program on or off.
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD,
VCR or TV on the component selector has been pressed.
2) This button is used to clear the settings.
* It only functions when DVD MENU on the component selector
has been pressed.
3) This button is used to select the channel.
* It only functions when CBL/DBS on the component selector has
been pressed.
w ENTER
1)
/+10
2)
1) This button is used to enter the channel.
* It only functions when VCR, CBL/DBS or TV on the component
selector has been pressed.
2) This button is used to select the menu.
* It only functions when DVD MENU on the component selector
has been pressed.
e DISC SKIP +/–
1)
/CH +/–
2)
1) These buttons are used to skip to the next or previous disc.
* They only function when CD, DVD/LD or DVD MENU on the
component selector has been pressed.
2) These buttons are used to select the next or previous
channel.
* They only function when VCR, CBL/DBS or TV on the
component selector has been pressed.
r Operation buttons
1)
/Setup buttons
2)
1) These buttons function as play, stop, skip, etc. for
operating the component.
* They only function when TAPE/MD, CD, DVD/LD, VCR or TV on
the component selector has been pressed.
2) These buttons are for adjusting various settings.
* They only function when AMP<TUNER>, DVD MENU or CBL/
DBS on the component selector has been pressed.
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14
SPEAKER SETUP
This unit is designed to provide the best sound-field quality with
a 5-speaker configuration, using main speakers, rear speakers
and a center speaker.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it is
not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the maximum
output of your audio system.
The other speakers do not have to be equal to the main
speakers. For precise sound localization, however, it is ideal to
use high-performance models that can reproduce sounds over
the full-range for the center speaker and the rear speakers.
5-Speaker Configuration
This configuration is the most effective and recommended one.
When playing back a source using the DSP program,
DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV
SPORTS, or when playing back a source which contains
center-channel signals (dialog, vocals, etc.) using any DSP
program that is Dolby Digital-decoded, conversations will be
output from the center speaker and the ambience will be
excellent.
Note: Set the CNTR (CENTER SPEAKER) mode to the
“LARGE” or “SMALL” position. (See page 23 for
details.)
SPEAKER CONFIGURATION
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the
addition of a subwoofer and amplifier. The use of a subwoofer
is effective not only for reinforcing bass frequencies from any or
all channels, but also for reproducing the LFE (low frequency
effect) sound with high fidelity when playing back a source that
is Dolby Digital-decoded. You may wish to choose the
convenience of a YAMAHA Active Servo Processing Subwoofer
System, which has its own built-in power amplifier.
4-Speaker Configuration
The center speaker is not used in this configuration. When
playing back a source using the DSP program, DOLBY PRO
LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/
DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/
DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or
when playing back a source which contains center-channel
signals (dialog, vocals, etc.) using any DSP program that is
Dolby Digital-decoded, the center sound is output from the left
and the right main speakers. However, the sound effect of
other programs will be the same as that of the 5-speaker
configuration.
Note: Be sure to set the CNTR (CENTER SPEAKER) mode to
the “NONE” position. (See page 23 for details.)
SPEAKERS TO BE USED
Main L Main R
Rear L Rear R
Dialog
Surround sound
Main L Center Main R
Rear L Rear R
Dialog
Surround sound
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SPEAKER PLACEMENT
Refer to the following diagram when you place the speakers.
Main: The position of your present stereo speaker
system.
Rear: Behind your listening position, facing slightly
inward. Nearly 1.8 m (approx. 6 feet) up from the
floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.)
Subwoofer: The position of the subwoofer is not as critical,
because low bass tones are not highly directional.
Rear
speaker (R)
Main
speaker (R)
Center speaker
Subwoofer
Main
speaker (L)
Rear
speaker
(L)
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SWITCHED AC OUTLET(S)
U.S.A., Canada, Singapore, China and General models
........................................................... 2 SWITCHED OUTLETS
Australia model .....................................1 SWITCHED OUTLET
Use these to connect the power cords from your components to
this unit.
The power to the SWITCHED AC OUTLET(S) is controlled by
this unit’s STANDBY/ON or the provided remote control
transmitter’s POWER. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.
CONNECTIONS
Never plug in this unit and other components until all connections have been completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
Turntable Monitor TV
DVD player,
LD player, etc.
CD player Tape deck,
MD recorder, etc.
TV/DBS tuner
VCR
(Video cassette recorder)
To AC outlet
(U.S.A. model)
GND terminal (for turntable use)
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
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R
L
R
L
CONNECTING TO AN EXTERNAL DECODER
When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the
decoder to the EXTERNAL DECODER INPUT terminals of this unit.
DTS or other decoder with 6-channel
discrete outputs
DVD player, LD player or other
unit with digital outputs
(U.S.A. model)
Camcorder
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source, such as a camcorder, to this unit.
VIDEO AUX
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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with
coaxial or optical digital audio signal output terminals, they can
be connected to this unit’s COAXIAL and/or OPTICAL digital
signal input terminals.
To make a connection between optical digital audio signal
terminals, remove the cover from each terminal, and then
connect them by using a commercially available optical fiber
cable that conforms to EIAJ standards. Other cables might not
function correctly.
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit
connected with the same named analog audio signal terminals
of this unit, because a digital signal cannot be recorded by a
tape deck, MD recorder or VCR connected to this unit. You can
easily switch the selection of input signals between “digital” and
“analog”. (See page 30 for details.)
Notes
• When connecting an audio/video unit to both the digital and
analog terminals of this unit, make sure to connect between
terminals of the same name.
• Be sure to attach the covers when the OPTICAL terminals
are not being used in order to protect them from dust.
• The input signal from the DVD/LD input terminals is selected
in the following order of priority with the input mode set to the
AUTO position:
1 COAXIAL terminal
2 OPTICAL terminal
3 Analog terminal
• All digital audio signal input terminals are applicable to
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.
• If your LD player has Dolby Digital RF signal output terminal
and not digital signal output, use the RF demodulator
(separate purchase).
DVD or LD player TV/DBS tuner
(U.S.A. model)
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Note
Use speakers with the specified impedance shown on the
rear panel of this unit.
Main speaker connections
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either of the
SPEAKERS A or B terminals.
Rear speaker connections
A rear speaker system can be connected to this unit. Place
them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or
under the TV.
Subwoofer connection
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHA Active Servo Processing Subwoofer System, connect
the SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer system.
If you have a separate amplifier and subwoofer, connect the
SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer amplifier, and then connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
When the input signals to this unit are for normal 2-channel
stereo, this terminal outputs only frequencies below 90 Hz from
the main and center channels. When discrete signals are input
to this unit and are selected as the input source, this terminal
outputs signals from the subwoofer channel.
Note: The output level of signals from this terminal is adjusted
by VOLUME on the front panel or VOLUME (
) on
the remote control transmitter.
CONNECTING SPEAKERS
Rear speakers
Subwoofer system
Center speaker
Right
Left
Main speakers A Main speakers B
Right
Left
Right Left
R
L
REAR
(SURROUND)
CENTER
MAIN
SUB
WOOFER
R
L
OUTPUT
SPEAKERS
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How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert the bare
wire into the terminal.
3 Tighten the knob to
secure the wire.
1 Press the tab.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert the bare
wire into the terminal.
3 Release the tab to
secure the wire.
Connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
2
3
2
3
1
Banana plug connections are also possible (except for the
Singapore model). Simply insert the banana plug connector
into the corresponding terminal.
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IMPEDANCE SELECTOR SWITCH
Select the position whose requirements your speaker system
meets.
(Upper position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 4 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8 Ω or higher.
Center: The impedance of the speaker must be 6 Ω or higher.
Rear: The impedance of each speaker must be 6 Ω or
higher.
(Lower position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 8 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16 Ω or higher.
<Canada model only>
The impedance of each speaker must be 8 Ω or
higher.
Center: The impedance of the speaker must be 8 Ω or higher.
Rear: The impedance of each speaker must be 8 Ω or
higher.
WARNING
Do not change the IMPEDANCE SELECTOR switch setting
while the power to this unit is on, otherwise this unit may be
damaged.
If this unit fails to turn on when the STANDBY/ON switch is
pressed, the IMPEDANCE SELECTOR switch may not be
fully set to either end. If so, set the switch to either end fully
when this unit is in the standby mode.
IMPEDANCE SELECTOR
(U.S.A. model)
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Connecting the AM loop antenna
* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.
* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.
ANTENNA CONNECTIONS
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may result in improvement.
GND TERMINAL
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is a
metal stake driven into moist earth.
Notes
• When connecting the indoor FM
antenna, firmly insert its connector
into the FM ANT terminal.
• If you need an outdoor FM antenna to
improve FM reception quality, either
300-ohm feeder or coaxial
cable may be used. In locations
troubled by electrical interference, coaxial cable is preferable.
Orient so that the best
reception is obtained.
12 3
Outdoor FM antenna
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm
antenna adapter
300-ohm feeder
Ground
AM loop
antenna
(included)
Outdoor AM antenna
Indoor FM
antenna
(included)
1
3
2
(U.S.A. model)
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ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 44.)
1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)
DESCRIPTION OF EACH FUNCTION
CNTR (CENTER SPEAKER)
Choices: LARGE/SMALL/NONE
Preset position: LARGE
LARGE: Select this position when your center speaker is
approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker
that is smaller than the main speakers.
In this position, low bass signals (below 90 Hz) on the
center channel are output from the main speakers (or
the SUBWOOFER OUTPUT terminal if the SMALL
position is selected for “MAIN” and the SW position is
selected for “BASS”).
NONE: Select this position when you do not have a center
speaker. The center channel sound will be output
from the left and right main speakers.
REAR (REAR SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have high
ability for bass reproduction, or a subwoofer is
connected to the rear speaker in parallel.
In this position, full-range signals are output from the
rear speakers.
SMALL: Select this position if your rear speakers do not have
high ability for bass reproduction.
In this position, low bass signals (below 90 Hz) on
the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN
position is selected for “BASS”).
MAIN (MAIN SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have high
ability for bass reproduction.
In this position, full-range signals present on the
main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not
have high ability for bass reproduction. However, if
your system does not include a subwoofer, do not
select this position.
In this position, low bass signals (below 90 Hz) on
the main channels are output from the
SUBWOOFER OUTPUT terminal if the SW or BOTH
position is selected for “BASS”.
BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN: Select this position if your system does not include a
subwoofer.
In this position, full-range signals present on the
main channels, signals from the LFE channel and
other low bass signals that are selected for “CNTR”
to “MAIN” to be distributed from other channels are
output from the main speakers.
SW/BOTH:
Select either the SW or BOTH position if your
system includes a subwoofer.
In either position, signals on the LFE channel and
other low bass signals that are selected for “CNTR”
to “MAIN” to be distributed from other channels are
output from the SUBWOOFER OUTPUT terminal.
When the LARGE position is selected for “MAIN”, in
the SW position, no signal is distributed from the
main channels to the SUBWOOFER OUTPUT
terminal; however, in the BOTH position, low bass
signals from the main channels are output to both
the main speakers and the SUBWOOFER OUTPUT
terminal.
M.LVL (MAIN LEVEL)
Choices: NRML (NORMAL)/–10 dB
Preset position: NRML (NORMAL)
NRML (NORMAL):
Normally select this position.
–10 dB: Select this position if the sound output from the main
speakers is too loud and cannot be balanced with
the sound output from the center and rear speakers.
In this position, the sound output from the main
speakers is attenuated.
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1 2
3
ADJUSTING METHOD
Adjustments should be made while watching the information on this unit’s display.
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector on the remote
control transmitter.
1 Turn the power on.
Front panel Remote control
or
2 Press SET MENU once or more to select the function
“CNTR” on the display.
Front panel Remote control
or
3 Press + or – once or more to select the setting you
want.
Front panel Remote control
or
4 Repeat steps 2 and 3 to change the setting for
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same
way.
1
2
3
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English
2 1
4,74
3
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the
Dolby Pro Logic Surround decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
After completing the adjustment of the output level for each speaker, use VOLUME (
) on the remote control
transmitter at your listening position to check if the adjustments are satisfactory.
Press AMP<TUNER> on the component selector on the
remote control transmitter.
1 Set VOLUME to the “ ” position.
Front panel
2 Turn the power on.
Front panel Remote control
or
3 Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
2
5,9
8
6
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26
6 Turn up the volume.
Remote control
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left main
speaker, center speaker, right main speaker, right rear
speaker and left rear speaker. The display changes as
shown below.
* If the function “CNTR” in the SET MENU mode is set to
the NONE position, you will hear the center channel test
tone from the left and right main speakers.
7 Adjust BALANCE so that the sound output level of the
left main speaker and the right main speaker is the
same.
Front panel
Main (L)
Center
Main (R)
Rear (R)
Rear (L)
4 Set BASS, TREBLE and BALANCE to the “0” position.
Front panel
5 Press TEST so that “TEST LEFT” appears on the
display.
Remote control
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8 Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost the
same as that of the main speakers.
Press TIME/LEVEL once or more to select the speaker
to be adjusted so that “CENTER”, “R SUR.”, “L SUR.”
or “SWFR” appears on the display.
Remote control
* You cannot adjust the delay time while the test tone is
sounding even if “DELAY” appears on the display
after pressing TIME/LEVEL once or more.
Adjust the level.
* Pressing + raises and – lowers the level.
* While adjusting, the test tone is fixed on the selected
speaker.
Remote control
9 Press TEST again to stop the test tone.
Remote control
Notes
• Once you have completed these adjustments, you can only
adjust the overall sound level of your audio system by using
VOLUME (or VOLUME (
) on the remote control
transmitter).
• If you use external power amplifiers, you may also use their
volume controls to achieve the proper balance.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted in step 8. The center sound is
automatically output from the left and right main speakers.
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level
by setting “M.LVL” to “–10 dB”.
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2
3,4
7
BASIC OPERATIONS
TO PLAY A SOURCE
3 Select the desired program source by using INPUT.
(Turn on the TV/monitor for video sources.)
Front panel Remote control
or
The name of the selected program source will appear on
the display.
To play a tape or an MD
Press TAPE/MD MON / EXT. DECODER
on the front panel or TAPE/MD on the
remote control transmitter so that the
“TAPE/MD MON” indicator lights up on
the display.
To use a decoder connected to the EXTERNAL
DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER once or more on
the front panel or EXT. DEC. on the remote control
transmitter so that “EXT. DECDR” appears on the display.
When using the remote control transmitter
• Press AMP<TUNER> on the component selector.
• When controlling an audio/visual component (tape deck,
MD recorder, CD player, DVD/LD player, etc.), press the
button on the component selector, TAPE/MD, CD, DVD/
LD, etc., for the component you want to control. (See
“SETUP CODES” on page 53.)
1 Set VOLUME to the “ ” position.
Front panel
2 Turn the power on.
Front panel Remote control
or
2 1,73
4
5
8
Front panel
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7 Adjust the volume to the desired output level.
Front panel Remote control
or
8 If desired, adjust BASS, TREBLE, BALANCE, etc.
and use the digital sound field processor (see
page 38).
BASS: Turn this control clockwise to increase (or
counterclockwise to decrease) the low-
frequency response.
TREBLE: Turn this control clockwise to increase (or
counterclockwise to decrease) the high-
frequency response.
BALANCE: Adjust the balance of the output volume
from the left and right speakers to
compensate for sound imbalance caused
by the speaker location or listening room
conditions.
Front panel
* These controls are only effective for the sound from the
main speakers.
When you have finished using this unit
Press STANDBY/ON on the front panel again or POWER on
the remote control transmitter to set this unit to the standby
mode.
4 For a DVD/LD or TV/DBS source, the current input
mode is also shown.
* To change the input mode for the DVD/LD or TV/DBS
source, press INPUT MODE (or the button that you
have pressed to select the program source in step 3
on the remote control transmitter) once or more until
the desired input mode (AUTO or ANALOG) is shown
on the display. (See page 30 for details on switching
the input mode.)
Front panel Remote control
or
Input mode
5 Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
6 Play the source. (See page 32 for detailed information
on tuning.)
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Notes on using INPUT
• The audio source selected by INPUT will not be played if the
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is
displayed.
• If you select INPUT for a video source without canceling the
selection of TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control
transmitter), the play back result will be a video image from
the video source and the sound from the audio source
selected by TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control
transmitter).
• Once you start playing a video source, the video image will
not be interrupted even if INPUT for an audio source is
selected.
• When you select a program source by using INPUT, the DSP
program (or no DSP program) that was being used when the
same program source was selected the last time, will be
automatically recalled.
Switching the input mode
(for DVD/LD and TV/DBS)
This unit allows you to switch the input mode only for those
sources connected to the DVD/LD and TV/DBS input terminals
(on the rear panel of this unit) that input two or three types of
signal.
The following two input modes are provided:
AUTO For a source connected to the DVD/LD input
terminals
This mode is automatically selected when you turn on
the power to this unit. In this mode, the input signal is
automatically selected in the following order of priority:
1. Digital input signal from the COAXIAL terminal
2. Digital input signal from the OPTICAL terminal
3. Analog input signal
For a source connected to the TV/DBS input
terminals
This mode is selected when you turn on the power to
this unit if the AUTO position is selected for “INPUT” in
the SET MENU mode. (See page 45 for details.) In
this mode, the input signal is automatically selected in
the following order of priority:
1. Digital input signal from the OPTICAL terminal
2. Analog input signal
ANALOG
In this mode, only an analog input signal is selected,
even if a digital signal is input at the same time.
Select this mode when you want to use the analog
input signal instead of the digital input signal.
Notes on input mode selection
• To play back a source that is Dolby Digital-decoded, set the
input mode to AUTO.
• For the TV/DBS source only, the input mode selected for
“INPUT” in the SET MENU mode is effective when you turn
on the power to this unit.
• When you want to enjoy a source which has normal
2-channel signals with a Dolby Pro Logic Surround program,
select the ANALOG mode.
• In the AUTO mode, there may be a case, depending on the
LD player or DVD player, that when you search for a source
encoded with Dolby Digital during play and then play is
restored, the sound output is interrupted for a moment
because the digital input signal is selected again.
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2
1,4
4 21
TO RECORD A SOURCE ON TAPE OR MD
1 Select the source to be recorded.
Front panel Remote control
or
2 Play the source and then turn up the volume to confirm
the program source. (See page 32 for detailed
information on tuning.)
Front panel Remote control
or
3 Begin recording on the tape deck, MD recorder or VCR
connected to this unit.
4 When a tape deck or MD recorder is being used for
recording, you can monitor the sounds being recorded
by pressing TAPE/MD MON / EXT. DECODER on the
front panel or TAPE/MD on the remote control
transmitter so that the “TAPE/MD MON” indicator lights
up on the display.
Front panel Remote control
or
Notes
• The settings of DSP and VOLUME, BASS, TREBLE and
BALANCE have no effect on the material being recorded.
• A source that is connected to this unit only through the digital
terminals cannot be recorded by a tape deck, MD recorder or
VCR connected to this unit.
• Please check the copyright laws in your country to record
from records, compact discs, radio, etc. Recording of
copyright material may infringe copyright laws.
If you use a video source that has scrambled or encoded
signals to prevent it from being dubbed, there may be a case
that the picture itself will be affected by those signals.
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32
32
1
AUTOMATIC TUNING
1 Select the reception band (FM or AM) and confirm it on
the display.
Front panel
or
2 Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
Front panel
Lights up
3 To tune in to a higher frequency, press the UP side of
TUNING once.
To tune in to a lower frequency, press the DOWN side
of TUNING once.
Front panel
* If the station where the tuning search stops is not the
desired one, press once more.
* If the tuning search does not stop at the desired station
(because the signal from the station is weak), take the
manual tuning procedure.
TUNING OPERATIONS
Set INPUT on the front panel to the TUNER position. When using the remote control transmitter, press AMP<TUNER> on the
component selector and then press TUNER on the input selector.
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
MANUAL TUNING
1 Select the reception band (FM or AM) and confirm it on
the display.
Front panel
or
2 Press TUNING MODE.
Front panel
3 Tune in manually to the desired station.
Front panel
* To continue the tuning search, press and hold the button.
Note
If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
Confirm that the “AUTO
TUNING” indicator goes off.
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English
2 4
3
MANUAL PRESET TUNING
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by
selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
4 Select the preset station number with which you want to
store the station before the “MEMORY” indicator goes
off from the display.
Front panel
The displayed station has been stored as A1.
* In the same way, store other stations as A2, A3 ... A8.
* You can store more stations as preset station numbers in
other groups in the same way by selecting another group
in step 2.
To store stations
1 Tune in to the desired station.
(See the previous page for the tuning procedure.)
2 Press A/B/C/D/E once or more to select the desired
group (A to E) of preset stations and confirm it on the
display.
Front panel
3 Press MEMORY so that the “MEMORY” indicator
flashes for about five seconds.
Front panel
Flashes
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34
To recall a preset station
1 Select the group of preset stations.
Front panel Remote control
or
2 Select the preset station number.
Front panel Remote control
or
Notes
• A new setting can be stored in place of the former one.
• For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the memory will be erased. If so, it can be re-stored
by simply following the preset tuning procedure.
1 2
2
1
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35
English
3 1
42
To store stations
1 Select the FM band.
Front panel
2 Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
Front panel
Lights up
3 Press MEMORY and hold for about three seconds.
Front panel
Flashes
AUTOMATIC PRESET TUNING (for FM stations only)
You can also make use of the automatic preset tuning function for FM stations only. This function enables the unit to perform
automatic tuning and to sequentially store FM stations with strong signals. Up to 40 stations can be stored automatically in the
same way as that for manual preset tuning on page 33. Note that a new setting can be stored in place of the former one.
4 To tune in to higher frequencies, press the UP side of
TUNING once.
To tune in to lower frequencies, press the DOWN side
of TUNING once.
Front panel
* If TUNING is not pressed, the automatic preset tuning
soon begins automatically toward higher frequencies.
Automatic preset tuning begins from the frequency currently
displayed. Received stations are sequentially stored as A1,
A2 ... A8.
* If more than 8 stations are received, they are stored as the
preset station numbers in other groups (B, C, D and E) in
that order.
If you want to store the first station received by automatic
preset tuning as a desired preset station number
For example, if you want to store the first received station as C5,
select “C5” while “A1”, the “MEMORY” indicator and the “AUTO
TUNING” indicator flash after pressing MEMORY in step 3. Then
press TUNING. The first received station is stored as C5, and the
next stations as C6, C7 ... sequentially.
If stations have been stored up to E8, automatic preset tuning
automatically stops.
When automatic preset tuning is complete
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To recall a preset
station” on page 34.
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36
EXCHANGING PRESET STATIONS
You can exchange the assigment of two preset stations with each other as shown below.
3 Next, recall preset station “A5” by following the same
procedure as in step 1.
Flashes
4 Press EDIT once more.
Front Panel
Shows the exchange of
stations has been
completed.
Notes
• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To
store stations” on page 33.
• Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after searching all
frequencies.
• With this function, only FM stations with sufficient signal strength are automatically stored. If the station you want to store is weak
in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store
stations” on page 33.
Example
If you want to change the preset station from “E1” to “A5”, or vice versa.
1 Recall preset station “E1” by following the procedure in
the section “To recall a preset station” on page 34.
2 Press EDIT.
Front Panel
Flashes
2,4
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English
SETTING THE SLEEP TIMER
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while
enjoying a broadcast or other desired program source, this timer function is useful. The SLEEP timer can only be controlled with
the remote control transmitter.
Notes
• To set the SLEEP timer for this unit, press AMP<TUNER>, TAPE/MD, CD or DVD/LD on the component selector.
• The components for which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
To set the SLEEP time
1 Press SLEEP once or more to select the desired
SLEEP time.
Remote control
The SLEEP time is displayed.
Flashes
Each time you press SLEEP, the SLEEP time will change as
follows:
(Minutes)
120 90 60 30
The SLEEP timer is off (SLEEP OFF).
(This is the state before SLEEP
is pressed.)
The “SLEEP” indicator soon lights up and the display returns
to the indication before the SLEEP timer was set.
2 The unit will be switched to the standby mode
automatically at the selected SLEEP time.
To cancel the selected SLEEP time
Remote control
Press SLEEP once or more so that “SLEEP OFF” appears on
the display. (It will soon disappear and the “SLEEP” indicator
will go off from the display.)
Note
The SLEEP timer setting can also be canceled by setting the
unit in the standby mode with STANDBY/ON on the front panel
(or POWER on the remote control transmitter) or by
disconnecting the power plug of the unit from the AC outlet.
1
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38
No. PROGRAM
1 DOLBY PRO LOGIC ( )
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
DOLBY DIGITAL (
)
This functions when the input signal is encoded with
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
2 DOLBY PRO LOGIC ENHANCED
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
DOLBY DIGITAL ENHANCED
(
)
This functions when the input signal is encoded with
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
3 70 mm MOVIE THEATER
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
DIGITAL MOVIE THEATER
(
)
This functions when the input signal is encoded with
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
FEATURES
This reproduces video discs, video tapes and similar sources
which are Dolby Surround encoded and bear the “DOLBY
SURROUND” logo.
The built-in Dolby Pro Logic Surround decoder or Dolby Digital
decoder precisely reproduces the sounds and sound effects of
a source encoded with Dolby Surround. The realization of a
highly efficient decoding process improves crosstalk and
channel separation and makes sound positioning smoother
and more precise.
Note: If the main channel sound is considerably altered by
overadjusting BASS or TREBLE, it may not produce suitable
surround sound.
This reproduces video discs, video tapes and similar sources
which are Dolby Surround encoded and bear the “DOLBY
SURROUND” logo.
This program ideally simulates the multi-surround speaker
systems of the 35 mm film theater. Dolby Surround decoding
is precisely performed without altering the original sound
orientation. The surround effects produced by this sound field
fold around the viewer naturally from the rear to the left and
right and toward the screen.
This is ideal for reproducing video discs, video tapes and
similar sources which are Dolby Surround encoded and bear
the “DOLBY SURROUND” logo.
This program is ideal for precisely reproducing the sound
design of the newest 70 mm/Dolby Digital multi-track films.
The sound field is similar to that of the newest movie theaters,
so the reverberations of the sound field itself are restrained as
much as possible. The three-dimensional feeling of the sound
field is emphasized, and dialog is precisely oriented on the
screen. You can enjoy watching Sci-Fi, adventure movies, etc.
with considerable presence.
USING THE DIGITAL SOUND FIELD PROCESSOR
(
DSP
)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,
depend on what you are listening to) and adding any desired adjustments.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most
of these are precise digital re-creations of actual acoustic environments. The data for these sound fields were recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound fields are a re-creation of actual acoustic environments.
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS
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English
FEATURES
This program is designed specifically to enhance mono audio
sources. Compared to a strictly mono setting, the sound image
created in this mode is wider and slightly forward of the speaker
pair, lending an immediacy to the overall sound. It is particularly
effective when used with old mono movies, news broadcasting
and dialog.
This program is furnished with a tight sound field in which the
sound will not spread excessively on the front side, but the rear
surround side produces dynamic sound expansion. This
program is the most suitable for sports events.
This program re-creates the acoustic environment of a lively
disco in the heart of a very lively city. The sound is dense and
highly concentrated. It is also characterized by a high-energy,
“immediate” sound.
This program is ideally suited for rock music. You will
experience a very dynamic and lively sound field.
In this program, the center will appear to be deep behind the
main speakers, creating an expansive, large hall ambience.
Orchestra and opera music are suited to this sound field.
No. PROGRAM
4 MONO MOVIE
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
5 TV SPORTS
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
6 DISCO
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
7 ROCK CONCERT
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
8 CONCERT HALL
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
Note: When the NONE position is selected for “CNTR” in the SET MENU mode, no sound is output from the center speaker(s).
01RX-V495-e/f-4 6/22/99, 1:33 PM39
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2
PLAYING AN AUDIO/VIDEO SOURCE WITH THE DIGITAL SOUND FIELD
PROCESSOR (DSP) EFFECT
1 Follow steps 1 to 7 shown in “BASIC OPERATIONS” on
pages 28 to 29.
2 Select the desired DSP program that is suitable for the
source. When using the remote control transmitter,
press AMP<TUNER> on the component selector first.
Front panel Remote control
or
The name of the selected program appears
on the display.
3 If desired, adjust the delay time and the output level of
each speaker. (See pages 42 and 43 for details.)
Notes
• You can select a program for each of the program sources.
Once you select a program, it is linked with the program
source selected at that time. So, when you select the
program source next time, the same program is automatically
called.
• If you prefer to cancel the DSP function, press EFFECT. The
sound will be that of normal 2-channel stereo without a
surround sound effect.
• When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound can
be heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if the
NONE position is selected for “CNTR” in the SET MENU
mode, the main speakers output the sound of the center
channel.
2
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41
English
To enjoy a video source with Dolby Pro Logic
Surround or Dolby Digital-decoded
When you select the DOLBY PRO LOGIC/DOLBY DIGITAL,
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER program, and the input signal of the source is
2-channel stereo, Dolby Pro Logic Surround is decoded. When
a program is selected and the input signal of the source is
encoded with Dolby Digital, Dolby Digital is automatically
decoded.
* The following indicators on the display show you what sound
processing is being undertaken.
This lights up when Dolby Digital is being decoded and the
input signal of the selected source encoded with Dolby Digital
is not in 2-channel.
This lights up when the digital sound
field processor is turned on.
This lights up when Dolby Pro
Logic Surround is being decoded.
* In addition, for the DOLBY PRO LOGIC/DOLBY DIGITAL,
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER program, the name of the program on the display
will change according to the type of decoding. (See page 38
for details.)
Note
If the input signal of the source is encoded with Dolby Digital in
2-channel only, their sound processing is similar to that for
analog or PCM audio signals.
To cancel the sound effect
EFFECT on the front panel and on the remote control
transmitter make it simple to compare the normal stereo sound
with the fully processed sound effect.
To cancel the sound effect and monitor only the main sound,
press EFFECT. Press EFFECT once more to turn sound effect
on.
Front panel Remote control
or
Notes
• If the sound effect is canceled when signals encoded with
Dolby Digital are input to this unit, the signals of all channels
are mixed and are output from the main speakers.
• If EFFECT is pressed to turn sound effects off when Dolby
Digital is decoded, it may happen that the sound is output
faintly or not output normally, depending on the source. In
that case, press EFFECT to turn sound effects on, or use
input signals not encoded with Dolby Digital.
This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of
sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP
program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.
01RX-V495-e/f-4 6/22/99, 1:33 PM41
42
1
2
2 Press + or – to adjust the settings for the delay time or
speaker output levels.
Front panel Remote control
or
3 Repeat steps 1 to 2 to adjust the settings of any other
item.
ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can
adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.
Adjusting method
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector.
1 Press TIME/LEVEL once or more until the name of the
item which you want to adjust appears on the display.
Front panel Remote control
or
When pressed, the selection changes as follows:
DELAY
CENTER
R SUR.
L SUR.
SWFR
* Depending on the setting in the SET MENU mode, you
may not be able to select all items.
Delay time
Center speaker output level
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
2
1
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43
English
Adjusting the delay time
You can adjust the time difference between the beginning of the
sound from the main speakers and the beginning of the sound
effect from the rear speakers.
The larger the value, the later the sound effect is generated.
This adjustment can be individually made to all programs.
Notes
• Adding too much delay will cause an unnatural effect with
some sources.
• When + or – is pressed, the sound is momentarily
interrupted.
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer
Program
1. DOLBY PRO LOGIC
DOLBY DIGITAL
2. DOLBY PRO LOGIC ENHANCED
DOLBY DIGITAL ENHANCED
3. 70 mm MOVIE THEATER
DIGITAL MOVIE THEATER
4. MONO MOVIE
5. TV SPORTS
6. DISCO
7. ROCK CONCERT
8. CONCERT HALL
If desired, you can adjust the sound output level of each
speaker even if the output level has already been set in
“SPEAKER BALANCE ADJUSTMENT” on pages 25 to 27.
Notes
• The output level of the center speaker cannot be adjusted
when the DISCO, ROCK CONCERT or CONCERT HALL
program is selected, and the input signal is analog, PCM
audio, or encoded with Dolby Digital in 2-channel format.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted. This is because, in this mode, the center
sound is automatically output from the left and right main
speakers.
• Once the output level has been adjusted, the level will be the
same for all digital sound field programs.
Speakers
CENTER
RIGHT REAR
LEFT REAR
SUBWOOFER
Control range (dB)
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
Preset value
0
0
0
0
Preset value
20
5
20
5
20
16
49
9
40
16
44
Control range (ms)
15 to 30
0 to 15
15 to 30
0 to 15
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
Memory back-up
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the
values for the delay time and the center/rear/subwoofer output levels you set the last time will automatically return to the preset
values. If so, they can be re-set by simply following the adjusting method on page 42.
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44
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN
Preset position: MAX
* This adjustment is effective only when Dolby Digital is
decoded.
MAX: “Dynamic range” is the difference between the
maximum level and the minimum level of sounds.
Sounds on a movie originally designed for movie
theaters feature very wide dynamic range. Dolby
Digital technology can modify the original sound
track into a home audio format with this wide
dynamic range unchanged.
In this position, a source encoded with Dolby Digital
is reproduced in the original sound track’s wide
dynamic range providing you with powerful sounds
just like those in a movie theater. Selecting this
position will be even better if you can listen to a
source at a high output level in a room specially
soundproofed for audio/video enjoyment.
STD (Standard):
Powerful sounds of extremely wide dynamic range
are not always suitable for home use. Depending on
the condition of your listening environment, it may
not be possible to increase the sound output level as
high as that in a movie theater. However, at the
normal level suitable for listening to in your room, the
low-level parts of source sound often cannot be
heard well because they will be lost among noise in
your environment. Dolby Digital technology has also
made it possible to reduce an original sound track’s
dynamic range for a home audio format by
“compressing” the sound data.
In this position, a source encoded with sound Dolby
Digital is reproduced in the “compressed” dynamic
range of sound that is suitable for low-level listening.
MIN: In this position, the dynamic range is more reduced
than in the STD position.
Selecting this position will be effective when you
must listen to a source at a low level.
ADJUSTMENTS IN THE “SET MENU” MODE
The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and
video watching.
1. CNTR (CENTER SPEAKER)
2. REAR (REAR SPEAKERS)
3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT)
5. M.LVL (MAIN LEVEL)
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,
see page 23. (Once you have selected the appropriate modes,
you do not have to change settings unless any alteration is
made in your speaker system.)
LFE [Adjusting the output level of the
LFE (low frequency effect) channel]
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when Dolby Digital is
decoded and the signals of the selected source encoded with
Dolby Digital contain LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels to output them
from the same speakers, the ratio of the LFE signal level to the
level of the other signals is adjusted.
(See page 7 for details about the LFE channel.)
6. LFE (LFE LEVEL)
7. D.RNG (DYNAMIC RANGE)
8. C.DELAY (CENTER DELAY)
9. GUARD (MEMORY GUARD)
10. INPUT (INPUT MODE)
01RX-V495-e/f-5 6/22/99, 1:33 PM44
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English
C.DELAY [Adjusting the delay of
center sounds (dialog, etc.)]
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
* This adjustment is effective only when Dolby Digital is
decoded and the signals of the selected source encoded with
Dolby Digital contain center-channel signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel).
The larger the value, the later the dialog, etc. is generated.
This is for making sounds from the left main, center and right
main speakers reach your listening position at the same time.
This is achieved by delaying the sound from the center speaker
if the distance from the center speaker to your listening position
is shorter than the distance from the left or right main speaker
to your listening position.
GUARD
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to SET MENU and
other adjustments on this unit, select ON. The following
functions on this unit can be locked by this operation:
• Functions in the SET MENU mode
• Functions in the TIME/LEVEL mode
• Functions when using TEST
INPUT (Selecting the initial input mode of
the sources connected to the TV/DBS
input terminals)
Choices: AUTO/LAST
Preset position: AUTO
You can designate the input mode that is automatically selected
when the power for this unit is switched on for only the sources
connected to the TV/DBS input terminals of this unit.
AUTO: In this position, the AUTO input mode is always
selected when the power for this unit is switched on.
LAST: In this position, the input mode you selected last time
is memorized and will not be changed when the
power is switched on again.
* See page 30 for details on switching the input mode.
Adjusting method
Adjustments should be made while watching the information on
this unit’s display.
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector.
Press SET MENU once or more so that the function which you
want to change appears on the display.
Front panel Remote control
or
Press + or – to select any desired setting or to edit parameters
of the function.
Front panel Remote control
or
Repeat these steps to change or adjust the settings of any
other function.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the settings of the SET MENU mode will
automatically return to the factory settings. If so, they can be
re-set by simply following the procedure above.
01RX-V495-e/f-5 6/22/99, 1:33 PM45
46
Components which can be controlled
There are eight buttons on the component selector that you can select to control connected components with this remote control
transmitter. For example, if CD on the component selector is pressed, the remote control transmitter selects the CD operation
mode, allowing the CD player to be operated by the buttons on the remote control transmitter.
Notes
1. You can preset the code for the manufacturer of your component after pressing the shaded buttons in the illustration above.
Note that you can preset only one code for one mode. See “SETUP CODES” on page 53 for details.
2. In the DVD/LD and DVD MENU modes:
• Be sure to press DVD/LD on the component selector before presetting the code for the DVD/LD player. The code preset in
the DVD/LD mode is also simultaneously preset in the DVD MENU mode. You cannot preset the code for a DVD player in
the DVD MENU mode.
• DVD MENU operations cannot be performed for some DVD players.
3. When using a second (and third) VCR: (See “To use a second (and third) VCR” on page 53 for details.)
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset in the CBL/DBS mode.
• If you are not using a DVD player, the second (or third) VCR can be preset in the DVD MENU mode. Note that in this case
you must preset the code for an LD player in the DVD/LD mode even if an LD player is not being used.
You can use the remote control transmitter to control not only this unit but also other components connected to it. The remote
control transmitter is factory set to control this unit and most YAMAHA audio components. To control other brands of components,
you must preset the remote control transmitter with manufacturers’ codes listed on pages 113 to 117.
REMOTE CONTROL TRANSMITTER
TAPE/MD
The code for a YAMAHA tape deck is
preset. (The code for the YAMAHA MD
recorder can also be preset.)
CD
The code for a YAMAHA CD player is preset.
DVD/LD & DVD MENU
An LD player can be controlled in the DVD/LD
mode. A DVD player can be controlled in the
DVD/LD and DVD MENU modes. The code for
a YAMAHA DVD player is preset. If the remote
control transmitter will not operate your
YAMAHA DVD player, you need to preset code
number “0048”.
AMP<TUNER>
You can perform the basic operations of this unit,
set the speaker level, and set the DSP level and
delay time in the AMP<TUNER> mode.
VCR
A VCR can be controlled.
CBL/DBS
A cable television or DBS tuner can be
controlled.
TV
A television can be controlled.
01RX-V495-e/f-6 6/22/99, 1:33 PM46
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English
TV VOLUME
EFFECT
This button switches the DSP
program on or off.
PRG+/PRG–
These buttons select a DSP program.
SET MENU
This button selects functions in the SET
MENU mode.
Input selector
These buttons select the program source.
CD: To play a CD
TUNER: To listen to an FM or AM
broadcast
TAPE/MD: To play a tape or MD
DVD/LD: To play a DVD or LD
TV/DBS: To watch a television or
satellite broadcast
VCR: To play a video tape
PHONO: To play an analog record
V-AUX: To use a camcorder
EXT. DEC.: To output the signals of a DTS
or other multi-channel
decoder
TV INPUT
VOLUME (
)
These buttons adjust the volume level.
MUTE
This button mutes the sound. To cancel mute,
press this button once more, or press any
operation buttons of this unit.
+/–
These buttons adjust the settings of the SET
MENU mode and the TIME/LEVEL mode.
TEST
This button outputs a test tone for adjusting
the output levels of the speakers.
SLEEP
This button sets the SLEEP timer.
A/B/C/D/E & PRESET +/–
These buttons select a preset FM or AM
broadcast.
A/B/C/D/E: To select a group of preset
stations.
PRESET +/–: To select the preset station
number.
Press AMP<TUNER>.
POWER
Each time this button is pressed, the unit
will switch between the power on and
standby modes.
The lightly marked buttons do not function.
■AMP<TUNER> MODE
Note:
TV VOLUME and TV INPUT function if you have preset the code for your TV.
TIME/LEVEL
This button selects the item in the TIME/LEVEL
mode.
01RX-V495-e/f-6 6/22/99, 1:33 PM47
48
The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
TV VOLUME
■TAPE/MD MODE
Notes: •
TV VOLUME functions if you have preset the code for your TV.
• The code for the YAMAHA MD recorder can be preset.
POWER
(TAPE) When you have preset the code for
a YAMAHA tape deck, this button turns the
unit on. When you have preset the code for
another manufacturer, this button turns on
that component if it has a remote control
transmitter with a power button.
(MD) When you have preset the code for the
YAMAHA MD recorder, this button turns the
unit on.
REC/PAUSE
This button pauses recording on a tape
deck or MD recorder.
DIR A (TAPE)
This button selects the playing direction of
deck A.
SKIP– (MD)
This button skips to the previous track.
PLAY
This button plays a tape or an MD.
REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on
the track that is playing to find the point from
which you want to listen.
DECK A/B (TAPE)
This button selects double-cassette tape
deck A or B.
DIR B (TAPE)
This button selects the playing direction of
deck B.
SKIP+ (MD)
This button skips to the next track.
STOP
This button stops operation of a tape or
MD.
FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search
on the track that is playing to find the point
from which you want to listen.
DISPLAY (MD)
PAUSE (MD)
This button gives a pause in operation.
Press TAPE/MD.
INPUT
EFFECT
SLEEP
MUTE
VOLUME
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English
TV VOLUME
TV INPUT
The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
■CD MODE
Note: TV VOLUME and TV INPUT function if you have preset the code for your TV.
POWER
When you have preset the code for a
YAMAHA CD player, this button turns the
unit on. When you have preset the code for
another manufacturer, this button turns on
that component if it has a remote control
transmitter with a power button.
DISC SKIP +/–
(for the CD player with CD changer)
These buttons skip to the next or previous
CD.
SKIP–
This button skips to the previous track.
PLAY
This button plays a CD.
SEARCH
This button initiates a backward search on
the track that is playing to find the point from
which you want to listen.
PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for operating
YAMAHA CD player under factory setting.
STOP
This button stops operation. The button
functions as PAUSE/STOP* for operating
YAMAHA CD players.
SEARCH
This button initiates a fast-forward search
on the track that is playing to find the point
from which you want to listen.
DISPLAY
Press CD.
INPUT
EFFECT
SLEEP
MUTE
VOLUME
SKIP+
This button skips to the next track.
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.
01RX-V495-e/f-6 6/22/99, 1:33 PM49
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■DVD MENU MODE
The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
DISC SKIP +/–
SKIP–
PLAY
SEARCH
DISPLAY
PAUSE
STOP
SEARCH
Numeric buttons
+10
DISC SKIP +/–
MENU LEFT
MENU SELECT
TITLE
CLEAR
INDEX
MENU UP
MENU RIGHT
MENU DOWN
RETURN
MENU
Note: TV VOLUME and TV INPUT function if you have
preset the code for your TV.
■DVD/LD MODE
Note: TV VOLUME and TV INPUT function if you have
preset the code for your TV.
TV VOLUME
TV INPUT
TV VOLUME
TV INPUT
POWER
When you have preset the code for a YAMAHA DVD
player, this button turns the unit on. When you have
preset the code for another manufacturer, this button
turns on that component if it has a remote control
transmitter with a power button.
Press DVD/LD.
Press DVD MENU.
INPUT
EFFECT
SLEEP
MUTE
VOLUME
SKIP+
MUTE
VOLUME
POWER
(DVD) When you have preset the code for
a YAMAHA DVD player, this button turns
the unit on. When you have preset the
code for another manufacturer, this button
turns on that component if it has a remote
control transmitter with a power button.
(LD) When you have preset the code for a
YAMAHA LD player, this button turns the
unit on. When you have preset the code
for another manufacturer, this button turns
on that component if it has a remote
control transmitter with a power button.
01RX-V495-e/f-6 6/22/99, 1:33 PM50
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English
■CBL/DBS MODE
Note: TV VOLUME, TV INPUT and TV SLEEP
function if you have preset the code for your TV.
■VCR MODE
Note: TV VOLUME, TV INPUT and TV SLEEP function if you
have preset the code for your TV.
VCR POWER
DISPLAY
CHANNEL
CHANNEL ENTER
VCR REC
Press this button twice
to start recording.
VCR CHANNEL +/–
VCR PLAY
VCR REWIND
VCR PAUSE
VCR STOP
VCR
FAST FORWARD
CBL/DBS POWER
DISPLAY
CHANNEL
CHANNEL ENTER
MENU LEFT
CBL/DBS CHANNEL +/–
MENU SELECT
MENU UP
MENU RIGHT
MENU DOWN
+100
TV SLEEP
MENU
■TV MODE
Note: You can control your VCR if you have preset the code for
it.
DISPLAY
CHANNEL
CHANNEL ENTER
TV MUTE
TV CHANNEL +/–
TV SLEEP
TV INPUT
EFFECT
TV VOLUME
The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
TV VOLUME
TV INPUT
TV VOLUME
TV INPUT
VCR REC
Press this button twice.
VCR REWIND
VCR PLAY
VCR PAUSE
VCR STOP
VCR
FAST FORWARD
Press VCR.
Press TV.
Press CBL/DBS.
MUTE
VOLUME
TV SLEEP
EFFECT
TV POWER
VOLUME
MUTE
VOLUME
RECALL
01RX-V495-e/f-6 6/22/99, 1:33 PM51
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NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation Remote control transmitter operation range
Notes
• There should be no large obstacles between the remote
control transmitter and the unit.
• If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp, etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the unit to avoid direct
lighting.
2
1
3
Battery replacement
If the remote control transmitter operates only when it is close
to the unit, the batteries are weak. Replace all batteries with
new ones.
Be sure to replace batteries within about two minutes. If it
takes longer than two minutes, the codes preset for the
remote control transmitter will return to the factory-set.
Notes
• Use only AAA, R03, UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration
inside the battery compartment.)
• Remove the batteries if the remote control transmitter will not
be used for an extended period of time.
• If the batteries have leaked, dispose of them immediately.
Avoid touching the leaked material or letting it come into
contact with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
Within approximately
6 m (20 feet)
Remote control
sensor
01RX-V495-e/f-6 6/22/99, 1:33 PM52
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English
SETUP CODES
To control your components
(MD recorder, DVD player,
TV, etc.)
1. Turn on the component to be used.
2. Press the component selector which
matches the component to be
controlled (TAPE/MD, DVD/LD, TV
etc.).
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
4. Use the numeric buttons to enter the
four-digit manufacturer’s code for
the component to be used. Make
sure that the indicator flashes twice.
If the indicator does not flash, repeat
step 3 and re-enter the code.
5. Press POWER (or any other button)
on the remote control transmitter to
check if you have preset the code
correctly. If the component cannot
be controlled by the remote control
transmitter, try entering another
code for the same manufacturer.
Returning to the factory-set
codes
To return all components to the factory-
set codes, follow these steps.
1. Press a button on the component
selector other than AMP<TUNER>.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter the code number “9990”.
4. Make sure that the indicator flashes
twice.
To return each component to the factory-
set codes, follow these steps.
1. Press the component selector which
matches the component to be
returned to the factory-set codes.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter the code number “0000”.
4. Make sure that the indicator flashes
twice.
The following codes are preset by the
factory.
Factory-set codes
Component
Component Code
selector
TV TV 0101
CBL/DBS DBS tuner 0006
VCR VCR 0002
DVD/LD DVD player
0008 YAMAHA
CD CD player
0005 YAMAHA
TAPE/MD Tape deck
0004 YAMAHA
We recommend that you write all code
numbers you have preset on the “Quick
Reference Card”.
Presetting the remote control transmitter
Perform the presetting procedure for each component you want to control with the remote control transmitter.
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
transmitter that was supplied with the component.
To use a second (and third) VCR
You can control a second (and/or third)
VCR in the CBL/DBS and DVD MENU
modes if a CBL (or DBS) or DVD player
is not being used.
If you want to control a second (and/or
third) VCR in the DVD MENU mode, you
must preset the code for an LD player in
that mode.
1. Turn on the VCR to be used.
2. Press CBL/DBS or DVD MENU on
the component selector.
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
4. Use the numeric buttons to enter the
four-digit code for the second (or
third) VCR. Make sure that the
indicator flashes twice. If the
indicator does not flash, repeat step
3 and re-enter the code.
5. Press POWER (or any other button)
on the remote control transmitter to
check if you have preset the code
correctly. If the VCR cannot be
controlled by the remote control
transmitter, try entering another
code for the same manufacturer.
01RX-V495-e/f-6 6/22/99, 1:33 PM53
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SYMPTOM
The unit fails to turn on when
STANDBY/ON is pressed, or set in
the standby mode suddenly soon
after the power has been turned on.
The unit does not work normally.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs
sound.
A “humming” sound can be heard.
The volume level is low while
playing a record.
The volume level cannot be
increased, or the sound is distorted.
No sound from the effect speakers.
No sound from the rear speakers.
CAUSE
The power cord is not plugged in or the
plug is not completely inserted.
The IMPEDANCE SELECTOR switch
on the rear panel is not fully set at the
upper or lower end.
The internal microcomputer has been
frozen by an external electric shock
(lightning, excessive static electricity,
etc.) or by a power supply with low
voltage.
Incorrect output cord connections.
Appropriate program source has not
been selected.
SPEAKERS have not been set
properly.
The speaker connections are not
secure.
The protection circuit has been
activated because of a short circuit, etc.
The SLEEP timer has functioned.
Incorrect setting of BALANCE.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the
GND terminal.
The record is being played on a
turntable with an MC cartridge.
The component connected to the REC
OUT terminals of this unit is in the
standby mode.
The sound effect is set off.
A Dolby Surround decoding program is
being used with material not encoded
with Dolby Surround.
The sound output level of the rear
speakers is set to minimum.
A monaural sound source is being
played in the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED
program.
REMEDY
Firmly plug in the power cord.
Slide the switch fully to the upper or
lower end.
Set the unit in the standby mode and
disconnect the AC power cord from the
AC outlet. After about 30 seconds have
passed, connect the power cord and
operate the unit again.
Connect the cords properly. If the
problem persists, the cords may be
defective.
Select an appropriate program source
by INPUT.
Set SPEAKERS corresponding to the
speakers in use to the ON position.
Secure the connections.
Set the unit in the standby mode and
then switch on again to reset the
protection circuit.
Cancel the SLEEP timer.
Adjust it to the appropriate position.
Connect the cords properly. If the
problem persists, the cords may be
defective.
Firmly connect the audio plugs. If the
problem persists, the cords may be
defective.
Make the GND connection between the
turntable and this unit.
The turntable should be connected to
the unit through the MC head amplifier.
Turn on the power to the component.
Press EFFECT to turn it on.
Use a different sound field program.
Raise the sound output level of the rear
speakers.
Select another sound field program
suitable for the monaural sound source.
Amplifier
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
01RX-V495-e/f-7 6/22/99, 1:34 PM54
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English
SYMPTOM
No sound from the center speaker.
The sound field cannot be recorded.
The DVD/LD, TV or DBS source
cannot be recorded on a tape deck,
MD recorder or VCR connected to
this unit.
FM stereo reception is noisy.
There is distortion and clear
reception cannot be obtained even
with a good FM antenna.
The desired station cannot be tuned
in with the automatic tuning method.
Previously preset stations can no
longer be tuned in.
The desired station cannot be tuned
in with the automatic tuning method.
There are continuous crackling and
hissing noises.
There are buzzing and whining
noises (especially in the evening).
<China and General models only>
Although you do the operations to
recall a preset station, the station
cannot be tuned in, or a station other
than the preset one is tuned in.
The remote control transmitter does
not work.
CAUSE
The input signals of the source encoded
with Dolby Digital do not have center
channel signals.
The sound output level of the center
speaker is set to minimum.
The function “CNTR” in the SET MENU
is set to the NONE position.
Incorrect sound field program selection.
It is not possible to record the sound
field on a tape deck or MD recorder
connected to the unit’s REC OUT
terminals.
The DVD/LD player, TV or DBS tuner is
connected to the unit by only the digital
terminals.
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
There is multipath interference.
The station is too weak.
This unit has been unplugged for a long
period.
The signal is weak or antenna
connections are loose.
Noise will result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
A television set is being used nearby.
Some of the preset station data has
been modified because the setting of
the FREQUENCY STEP switch was
changed after storing the station data.
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of the
this unit.
The manufacturer’s code has not been
set properly.
The proper manufacturer’s code for the
component to be controlled has not
been set.
The component to be controlled has not
been selected.
REMEDY
Refer to the instruction for the source
being currently played.
Raise the sound output level of the
center speaker.
Select the LARGE or SMALL position.
Select the appropriate program.
Make additional connections between
the analog terminals.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Set TUNING MODE to the manual
tuning mode.
Adjust antenna position to eliminate
multipath interference.
Use the manual tuning method.
Use a high-quality directional FM
antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna
connections and rotate it for best
reception.
Use the manual tuning method.
Use an outdoor antenna and a ground
wire. This will help somewhat, but it is
difficult to eliminate all noise.
Relocate this unit away from the TV.
Preset the stations again by following
the preset tuning procedure.
Change the position of the unit.
Set the code again.
Try entering another code for the same
manufacturer.
Press the component selector which
matches the component to be
controlled.
Remote control transmitter
AM
FM
Amplifier
FM/AM
01RX-V495-e/f-7 6/22/99, 1:34 PM55
56
SYMPTOM
The sound is degraded when
listening with the headphones to a
CD player or tape deck that is
connected to this unit.
There is noise interference from
digital or high-frequency equipment
or the unit.
CAUSE
The unit is in the standby mode.
The unit is too close to the digital or
high-frequency equipment.
REMEDY
Turn on the power to the unit.
Move the unit further away from those
equipment.
Others
01RX-V495-e/f-7 6/22/99, 1:34 PM56
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English
AUDIO SECTION
Minimum RMS Output Power
8 ohms, 20 Hz to 20 kHz, 0.04% THD
MAIN L/R ........................... 60 W + 60 W
CENTER......................................... 60 W
REAR L/R.......................... 60 W + 60 W
8 ohms, 1 kHz, 0.07% THD
MAIN L/R ........................... 70 W + 70 W
CENTER......................................... 70 W
REAR L/R.......................... 70 W + 70 W
Maximum Power
[China and General models only]
8 ohms, 1 kHz, 10% THD
MAIN L/R ............................. 95 W + 95 W
CENTER ........................................... 95 W
REAR L/R ............................ 95 W + 95 W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
MAIN L/R
8/6/4/2 ohms ................ 80/100/120/145 W
Dynamic Headroom (8 ohms)
[U.S.A. and Canada models only]
...................................................... 1.55 dB
Power Band Width
8 ohms, 30 W, 0.1% THD
.........................................10 Hz to 50 kHz
Damping Factor
MAIN L/R
8 ohms, 20 Hz to 20 kHz.......... 60 or more
Input Sensitivity/Impedance
PHONO MM ................... 2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX ................... 150 mV/47 k-ohms
EXT. DECODER
MAIN L/R .................... 150 mV/47 k-ohms
CENTER/SURROUND L/R/SUBWOOFER
.................................... 150 mV/40 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.1% THD .............100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT ON)
1 kHz, 0.5% THD .................2.2 V or more
Output Level/Impedance
REC OUT ..................... 150 mV/1.2 k-ohms
SUBWOOFER
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms
Headphones Jack Rated Output/Impedance
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX input,
1 kHz, 150 mV, 8 ohms ...... 0.4 V/390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX to MAIN L/R SP OUT
.................................................... 0±0.5 dB
RIAA Equalization Deviation
PHONO MM .................................. 0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1 V........................................0.02% or less
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP
OUT
30 W/8 ohms......................0.025% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
[U.S.A., Canada, China and General
models]
(5 mV, Input Shorted) ..........86 dB or more
[Australia and Singapore models]
(5 mV, Input Shorted) ..........81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP
OUT
(150 mV, Input Shorted) ......96 dB or more
Residual Noise (IHF-A Network)
MAIN L/R SP OUT................ 150 µV or less
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted, 1 kHz/10 kHz)
....................60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
....................60 dB or more/45 dB or more
Tone Control Characteristics
BASS: Boost/cut ............. ±10 dB (50 Hz)
Turnover Frequency......... 350 Hz
TREBLE: Boost/cut ........... ±10 dB (20 kHz)
Turnover Frequency........ 3.5 kHz
Filter Characteristics
MAIN L/R, REAR L/R (SPEAKER: SMALL)
(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.
SUBWOOFER
(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.
VIDEO SECTION
Video Signal Type
[U.S.A. and Canada models] ..............NTSC
[Australia and Singapore models] ......... PAL
[China and General models]....... NTSC/PAL
Video Signal Level ................ 1 Vp-p/75 ohms
Maximum Input Level .......... 1.5 Vp-p or more
Signal-to-Noise Ratio ...............50 dB or more
Monitor Output Frequency Response
.............................. 5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
..................................... 87.5 to 107.9 MHz
[Australia and Singapore models]
................................. 87.50 to 108.00 MHz
[China and General models]
100 kHz step ................ 87.5 to 108.0 MHz
50 kHz step .............. 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF)
(100% mod., 1 kHz)
Mono................................. 1.6 µV (15.3 dBf)
Stereo ................................ 23 µV (38.5 dBf)
Usable Sensitivity (DIN)
[Australia and Singapore models only]
Mono (S/N 26 dB) ........................... 0.9 µV
Stereo (S/N 46 dB)........................... 28 µV
Alternate Channel Selectivity (±400 kHz)
[U.S.A., Canada, China and General
models only] ....................................... 75 dB
Selectivity
(two signals, 40 kHz Dev. ±300 kHz)
[Australia and Singapore models only]
......................................................... 55 dB
SPECIFICATIONS
01RX-V495-e/f-7 6/22/99, 1:34 PM57
58
Signal-to-Noise Ratio
(IHF) Mono/Stereo
[U.S.A., Canada, China and General
models] ..................................81 dB/75 dB
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[Australia and Singapore models]
...............................................75 dB/69 dB
Harmonic Distortion (1 kHz)
Mono/Stereo ............................... 0.1%/0.2%
Stereo Separation (1 kHz) .................... 48 dB
Frequency Response
20 Hz to 15 kHz ................................ 0±1 dB
Antenna Input.............. 75 ohms, Unbalanced
Output Level
[U.S.A., Canada, China and General
models]
(100% mod., 1 kHz) ...................... 550 mV
[Australia and Singapore models]
(40 kHz Dev., 1 kHz)] .................... 550 mV
AM SECTION
Tuning Range
[U.S.A. and Canada models]
....................................... 530 to 1,710 kHz
[Australia and Singapore models]
....................................... 531 to 1,611 kHz
[China and General models]
10 kHz step .................... 530 to 1,710 kHz
9 kHz step ...................... 531 to 1,611 kHz
Usable Sensitivity............................ 300 µV/m
Signal-to-Noise Ratio ............................ 52 dB
Antenna.................................... Loop antenna
Output Level
(30% mod., 1 kHz) ........................ 150 mV
GENERAL
Power Supply
[U.S.A. and Canada models]
........................................ AC 120 V, 60 Hz
[Australia model]................ AC 240 V, 50 Hz
[General model]
.............. AC 110/120/220/240 V, 50/60 Hz
[China model] .................... AC 220 V, 50 Hz
[Singapore model] ............. AC 230 V, 50 Hz
Power Consumption
[U.S.A., Australia, Singapore, China and
General models] ................................ 230 W
[Canada model] .................... 260 W/340 VA
Maximum Power Consumption
5 ch, 10% THD
[General model only] ......................... 630 W
AC Outlets
2 SWITCHED OUTLETS
[U.S.A., Canada, Singapore, China and
General models]............. 100 W max. total
1 SWITCHED OUTLET
[Australia model] .................... 100 W max.
Dimensions (W x H x D)
..................................435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Weight
.............................. 11.2 kg (24 lbs. 11 oz.)
Accessories......................... AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
Antenna adapter
(U.S.A. and Canada models only)
Specifications are subject to change without
notice.
01RX-V495-e/f-7 6/22/99, 1:34 PM58
113
TV
A-Mark 1161
A Tandy 0941
Abex 1151
Admira 1141
Adventura 1131
Aiko 1121
Akai 0331, 1101, 1111
Alba 0431
Alleron 1091
Ambassador 1081
Amstrad 0481, 1081
Anam 0251, 1041, 1051, 1061, 1071
Anam National 1041
AOC 0361, 1021, 1031, 1111, 1161
Archer 1161
Audiosonic 1001
Audiovox 1051, 1161
Awai 1481
Bauer 0441
Baur 1001
Beijing 1511, 1551, 1561
Belcor 1031
Bell & Howell 0981, 0991
Beon 1001
Bradford 1051
Brockwood 1031
Broksonic 1161
Bush 1001
Candle 0351, 0361, 0961,
0971, 1111, 1131
Capehart 1021
Carver 0101
Cathay 1001
Celebrity 0951
Centurion 0411
Changhong 1541, 1551, 1561, 1621
Citizen 0351, 0361, 0921, 0931,
0941, 0961, 0971, 1111,
1121, 1131
Clairtone 1011
Clarivox 1001
Concerto 0351, 0971
Conrowa 1751
Contec 0901, 0911, 1011, 1051
Corando 0941
Craig 0251, 1051
Crown 0941, 1051
Curtis Mathes 0161, 0361, 0931,
0941, 0981, 1111
CXC 1051
Daewoo 0291, 0301, 0331, 0721,
0941, 1001, 1031, 1121,
1191, 1531, 1581,
1591, 1601
Dansai 1001
Daytron 0941, 1031
Decca 0271, 1001
Dixi 0331, 1001, 1071
Dumont 0891, 1031
Dynatech 0881
Electroband 0951, 1011
Electrohome 0941
Electron 0941
Elin 1001
Elta 0331
Emerson 0001, 0021, 0061, 0071,
0081, 0091, 0111, 0811,
0821, 0831, 0841, 0851,
0861, 0871, 0901, 0921,
0941, 0981, 1011, 1031,
1051, 1081, 1091
Envision 0361, 1111
Erres 1001
Etron 0331
Ferguson 1001
Finlux 1001
Fisher 0171, 0801, 0981
Formenti 0441
Formonti 1001
Fortress 1141
Fujitsu 1091
Funai 1051, 1091, 1341, 1361,
1411, 1451, 1501, 1521
Futuretech 1051
GE 0131, 0161, 0201, 0751,
0761, 0771, 0781, 0791,
0811, 0861, 1041
GEC 0271, 1001
Gemini 0391
Genexxa 0431
Gibralter 0891, 1031, 1111
GoldStar 0031, 0121, 0351, 0411,
0731, 0741, 0861, 0941,
0971, 1001, 1031,
1111, 1151
Goodmans/Tashiko 0271, 0661, 1001
Granada 1001
Grundig 1781, 1791, 1801, 1811,
1821, 1831, 1841, 1851,
1861, 1871, 1881
Gunpy 1051, 1091
H/K 0721
Hallmark 0861
Hanseatic 1001
Harvard 1051, 1061
Hinari 1001, 1091
Hitachi 0181, 0351, 0671, 0681,
0691, 0701, 0711, 0871,
0941, 0971, 1351
Hypson 1001
Ima 1051
Indiana 1001
Infinity Reference 0101
Interfunk 1001
ITT 0611
Janeil 1131
JBL 0101
JCB 0951
Jensen 0311
Jinxing 1531, 1541, 1551, 1561,
1571, 1621, 1631, 1641,
1651, 1691, 1731
JVC 0261, 0281, 0641,
0651, 0661, 0841
Kawasho 0901
Kaypani 1021
Kenwood 0361, 1031, 1111
Kloss 0631, 0721, 1131
KTV 0921, 0941, 1011, 1051, 1111
Leyco 1001
Liesenk & Tter 1001
Lloytron 0941
Loewe 1001
Logik 0991, 1771
Luxman 0351, 0971
Lxi 0101, 0621, 0761, 0861, 0981
Magnavox 0101, 0341, 0391, 0401,
0411, 0421, 0581, 0591,
0601, 0611, 0631,
0661, 0961, 1111
Majestic 0991
Marantz 0101, 0221, 0361, 1001, 1111
Mark 1001
Matsui 0271, 0331, 1001
Mediator 1001
Megatron 0691, 0861, 1161
MEI 1011
M Electronic 1001
Memorex 0331, 0571, 0861, 0971,
0981, 0991, 1771
Metz 1791, 1831, 1891, 1901,
1911, 1921, 1931, 1941
MGA 0361, 0561, 0571,
0861, 1031, 1111
Midland 0751, 0761, 0891, 0941, 1151
Mitsubishi 0221, 0321, 0561,
0571, 0661, 0861,
1031, 1101, 1381
Montgomery 1091
Motorola 1041, 1141
MTC 0351, 0361, 0881, 0931,
0971, 1011, 1031, 1111
Multitech 0881, 1051
NAD 0551, 0621, 0861
NEC 0241, 0351, 0361, 0661, 0971,
1031, 1111, 1321, 1711
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
02RX-V495-CODE(E/F) 6/22/99, 1:35 PM113
114
Neckermann 1001
Nei 1001
Nikkai 0271, 0431, 1001, 1151
Nikko 0861, 1111, 1121
Novabeam 0721
NTC 1121
Onwa 1051
Optimus 0551
Optonica 0541, 1141
Orion 0831, 1001
Osaki 0271, 1151
Otto Versand 1001
Panasonic 0101, 0191, 0251, 0751,
1041, 1311, 1371, 1431
Panda 1541, 1721
Penny 0161, 0361, 0521, 0531, 0621,
0731, 0751, 0761, 0781, 0791,
0861, 0931, 0941, 1031, 1041,
1111, 1151, 1161
Peony 1561, 1621
Philco 0361, 0581, 0591, 0601, 0611,
0631, 0961, 1031, 1111
Philips 0101, 0401, 1001
Phonola 1001
Pilot 0941, 1031, 1111
Pioneer 0511, 0551, 0871, 1331
Portland 0941, 1031, 1121
Priceclub 0931
Prism 0751
Proscan 0761
Protech 1001
Proton 0501, 0861, 0941, 1021, 1161
Pulsar 0891
Pulser 1031
Quasar 0251, 0751, 1041
Quelle 1001
Radio Shack 0541, 0941, 1031,
1051, 1151
Radiola 1001
RCA 0051, 0141, 0151, 0181,
0411, 0491, 0531, 0761,
0771, 0871, 1031
Realistic 0541, 0861, 0941, 0971,
0981, 1031, 1051,
1111, 1151
Rhapsody 1011
R-line 1001
Runco 0891, 1111
Saisho 0331, 1081
Sampo 0361, 0941, 1021, 1111, 1151
Samsung 0331, 0341, 0351, 0361,
0861, 0931, 0941, 0971,
1001, 1031, 1111,
1151, 1461
Samsux 0941
Sanyo 0171, 0231, 0271, 0661, 0801,
0911, 0981, 1231, 1251, 1261
SBR 1001
Schneider 1001
Scimitsu 1031
Scotch 0861
Scott 0831, 0861, 0941,
1031, 1051, 1091
Sears 0101, 0161, 0171, 0351, 0481,
0521, 0621, 0761, 0801, 0861,
0971, 0981, 1091
Shanghai 1561, 1681
Sharp 0461, 0471, 0541, 0661, 0911,
0941, 1141, 1241, 1271
Shogun 1031
Signature 0991, 1771
Simpson 0581, 0961
Solavox 1151
Sonoko 1001
Sontec 1001
Sony 0371, 0451, 0661, 0841,
0951, 1281, 1441
Soundesign 0861, 0961, 1051, 1091
Soundwave 1001
Spectricon 1161
Squareview 0481
SSS 1031, 1051
Star-lite 1051
Suprem 0951
Supre-macy 1131
Surpa 0351, 0971
Sylvania 0101, 0361, 0441, 0581,
0591, 0601, 0611, 0631,
0961, 1111
Symphonic 0481
Sysline 1001
Tandy 0271, 0431, 1141
Tatung 0271, 0881, 1001, 1041, 1161
Tcl 1561, 1631, 1701
Technics 0751
Techwood 0351, 0751, 0971
Teknika 0101, 0351, 0571, 0931, 0941,
0961, 0971, 0991, 1031,1051,
1091, 1121, 1131, 1771
Teletech 0331
Tera 0501
Thakral 1671
Thorm 1001
TMK 0351, 0861, 0971, 1081
Toshiba 0381, 0521, 0621, 0661,
0931, 0981, 1301
Tosonic 1011
Totevision 0941
Trical 0911
Universal 0781, 0791
Universum 1001
Vector Research 0361, 1111
Vestel 1001
Victor 0651, 1201, 1211, 1221
Video Concept 1101
Vidikron 0101, 0211
Vidtech 0861, 1031
Viking 1131
Wards 0101, 0361, 0451, 0541, 0581,
0591, 0601, 0611, 0771, 0781,
0791, 0861, 0971, 0991, 1031,
1091, 1111, 1771
Watson 1001
Xogego 1611, 1621, 1661, 1741, 1761
Yamaha 0221, 0361, 0571, 1031,
1111, 1141, 1381
Yoko 1001
Zenith 0011, 0041, 0891, 0991, 1771
Zonda 1161
CABLE
ABC 0256, 0376
Antronix 0136
Archer 0136, 0286
BBT 0076
Cabletime 0166
Cablevision 0196
Colour Voice 0306, 0346
Comtronics 0216, 0276
Eagle Comronics 0276
Eastern 0066
Electricord 0206
Electus 0266
GE 0116, 0126
GEC Cable System 0196
Hamlin H5 0676
Hamlin H6 0666
Hamlin H6S 0656
Hamlin H8 0646
Hamlin H9 0636
Jerrold 0256
Jerrold 400L 0626
Jerrold 450L 0616
Jerrold 550 0606
Jerrold Osd Catv 0596
Jerrold Sprucer 0436
Magnavox/Philips 0416, 0426
Mamm 0296
Memorex 0386
Movie Time 0146, 0206
Northcoast 0016
NSC 0146
Oak 0106
Oak Sigma 450 0546
Oak Sigma 550 0536
Panasonic TZ 120/130 0476
Panasonic TZ 170/180 0446
Panasonic TZ140 0466
Panasonic TZ150/160 0456
Paragon 0386
02RX-V495-CODE(E/F) 6/22/99, 1:35 PM114
115
Philips 0036, 0216, 0306, 0316,
0326, 0336, 0346
Pioneer 0006, 0086
Pioneer BR50 0846
Pioneer BR60/70/80/81/82 0696
Pioneer BR90 0556
Pulsar 0386
RCA Digital Satellite System 0396, 0406
Realistic 0136
Regency/Eastern 0686
Runco 0386
Samsung 0276
Scientific Atlanta 175/475 0576
Scientific Atlanta 75 0366, 0586
Scientific Atlanta 8650 0566
Signal 0276
SL Marx 0276
Spectavision 0236
Standard Components 0186
Starcom V 0256
Stargate 0276
Sylvania/Texscan 0376, 0496
Teknika 0176
Teleservice 0056
Teleview 0276
Texscan 0186, 0376
TFC 0026
Tocom 0226, 0356
Tocom 5503A 0526
Tocom 5503VIP/5507 0516
Tocom TC56 0506
Toshiba 0386
Tudi 0046
Unika 0136
Universal 0136, 0156, 0206, 0286
Videoway 0096
Viewstar 0216
Zenith 0246, 0386, 0486
DBS TUNER
Alpha Star 0826
Chaparral 0756
Echostar 0836
General Instrument 0776
HTS 0836
Hughes Network Systems 0816
Jerrold 0776, 0786
Panasonic 0806
Primestar 0776, 0786
RCA 0766
Sony 0796
VCR
A Tandy 0902
Adventura 0992
Aiko 0982
Aiwa 0992
Akai 0262, 0942, 0952, 0962, 0972
American High 0932
Amstrad 0992
ASA 0002, 0912
Asha 0922
Audio Dynamics 0202
Audiovox 0912
Beaumark 0922
Bell & Howell 0902
Blaupunkt 0412
Broksonic 0872, 0882, 0892
Bush 0852
Calix 0912
Canon 0862, 0932
CCE 0852, 0982
Citizen 0912, 0982
Colt 0852
Craig 0832, 0842, 0852, 0912, 0922
Curtis Mathes 0662, 0822, 0932
Cybernex 0922
Daewoo 0802, 0812, 0982
DBX 0202
Dynatech 0472, 0992
Electrohome 0912
Electrophonic 0912
Emerex 0792
Emerson 0072, 0132, 0142, 0152,
0162, 0172, 0182, 0192,
0212, 0702, 0712, 0722,
0732, 0742, 0752, 0762,
0772, 0782, 0872, 0882,
0892, 0912, 0952,
0992, 1072
Finlux 0002, 0992
Fisher 0682, 0692, 0842, 0902
Fuji 0672, 0932
Funai 0992
Garrard 0992
GE 0662, 0822, 0932
Go Video 0642, 0652
GoldStar 0082, 0632, 0912
Goodmans 0402
Gradiente 0992
Granda 0612, 0902
Grundig 0002
H/K 1082
Harley Davidson 0992
Harmon/Kardon 0632, 1082
Harwood 0752, 0852
Headquarter 0612
HI-Q 0842
Hinari 0852
Hitachi 0102, 0562, 0572, 0582,
0592, 0602, 0992
ITT 0942
JVC 0202, 0522, 0532, 0542, 0552
Kenwood 0202, 0542, 0612,
0632, 0902
KLH 0852
Kodak 0912, 0932
Lloyd 0992
Logik 0852
Luxor 0942
LXI 0022, 0912
Magnavox 0002, 0482, 0492,
0502, 0512, 0932
Magnin 0922
Marantz 0002, 0202, 0402, 0632, 0932
Marta 0912
Matsui 0722
Matsushita 0932
MEI 0222, 0932
Memorex 0232, 0242, 0472, 0512,
0612, 0842, 0902, 0912,
0922, 0932, 0992
MGA 0762, 0952
MGA Technology 0922
Minolta 0592, 0602
Mitsubishi 0452, 0462, 0542,
0762, 0952, 1082
Motorola 0472, 0932
MTC 0922, 0992
Multitech 0852, 0992
NAD 0442
NEC 0122, 0202, 0292, 0422,
0432, 0542, 0632
Nikko 0912
Noblex 0922
Olympus 0412, 0932
Optimus 0442, 0472, 0912
Optonica 0402
Orion 0212, 0722, 0742, 0772
Osaki 0912
Panasonic 0012, 0052, 0092,
0222, 0372, 0382,
0392, 0412, 0932
Penny 0202, 0432, 0602, 0632,
0692, 0912, 0922, 0932
Pentax 0592, 0602
Perdio 0992
Philco 0002, 0932
Philips 0002, 0282, 0402, 0492, 0932
Pilot 0912
Pioneer 0442, 0542
Proscan 1002, 1012, 1022, 1032,
1042, 1052, 1062
Pulsar 0512
Quarter 0612
02RX-V495-CODE(E/F) 6/22/99, 1:35 PM115
116
Quartz 0272, 0612
Quasar 0382, 0392, 0932
Radio Shack 0912, 0992
Radix 0912
Randex 0912
RCA 0112, 0382, 0392, 0482, 0592,
0602, 0662, 0822, 0942
Realistic 0402, 0472, 0612, 0682,
0842, 0902, 0912,
0922, 0932, 0992
Ricoh 0352, 0362
Saisho 0212, 0582, 0722,
0732, 0742, 0772
Salora 0612, 0762
Samsung 0212, 0312, 0922, 0962
Sanky 0472, 0512
Sansui 0292, 0542, 0832
Sanyo 0242, 0612, 0842, 0902, 0922
SBR 0002, 0282
Schneider 0852
Scott 0342, 0712, 0762,
0872, 0882, 0892
Sears 0302, 0592, 0602, 0612,
0682, 0692, 0842,
0902, 0912, 0932
Sharp 0402, 0472
Shintom 0852
Shogun 0922
Singer 0852
Sony 0032, 0332, 0352, 0362,
0672, 0792, 0932
STS 0602
Sunpak 0352
Sylvania 0002, 0492, 0502,
0762, 0932, 0992
Symphonic 0992
Tandy 0992
Tashiko 0712, 0992
Teac 0992
Technics 0932
Teknika 0322, 0912, 0932, 0992
Telefunken 0252
TMK 0212, 0732, 0772, 0922
Toshiba 0062, 0302, 0342, 0622,
0682, 0712, 0762
Totevision 0912, 0922
Unitech 0922
Vector Research 0202, 0432, 0632
Victor 0532, 0542, 0552
Video Concepts 0202, 0432,
0632, 0952
Wards 0322, 0402, 0472, 0482,
0602, 0712, 0842, 0852,
0922, 0932, 0992
Yamaha 0202, 0632, 0762
Zenith 0042, 0362, 0512, 0672
DVD PLAYER
Akai 0108
JVC 0168
Onkyo 0128
Panasonic 0048
Philips 0188
Pioneer 0208, 0228
Samsung 0148
Sharp 0068
Sony 0028
Toshiba 0088
Yamaha 0008, 0048
LD PLAYER
Aiwa 0157
Denon 0147
Disco Vision 0017
Funai 0157
Hitachi (E) 0017
Kenwood 0087, 0107
Magnavox 0027
Marantz 0027
Mitsubishi 0137
NAD 0137
Panasonic 0077, 0177
Philips 0027
Pioneer 0037, 0017, 0137
RCA 0167
Realistic 0157
Sharp 0127
Sony 0047, 0057, 0117
Victor 0097
Yamaha 0007, 0067
CD PLAYER
Acoustic Research 1295
ADC 0025, 0065
Adcom 0205, 0255, 1015
ADS 0265
Aiwa 0295, 0945, 1035, 1055
Akai 0175, 0485, 0535
Alpine 1215, 1305
Audio-Technica 0545
BSR 0245, 0655, 0775
California Audio Lab 0055
Capetronic 1205
Carrera 0245
Carver 0285, 1135
Casio 0345
Crown 0185
Curtis Maths 0345
Denon 0275, 0875, 0885
Deual (E) 0505
Dynamic Bass (H) 0555
Emerson 0205, 0325, 1105
Eroica 1275
Fisher 0095, 0555, 0925, 1005
Garrard 0365
Genexxa 0305, 0325, 1105
GoldStar 1225, 1265, 1135, 1335
H/K 0105, 0175, 0465, 0995
Hitachi 0195, 0505, 0205, 0815
Inkel 0115, 0395
JVC 0315
Kenwood 0045, 0095, 0405,
0585, 0725, 0735,
0745, 0755, 0895
Kyocera 0025
Luxman 0075, 0425, 0675,
0705, 0715, 0985
Magnavox 0165, 0215, 0645, 0955
Marantz 0215, 0235, 0375, 0785, 1345
McIntosh 0355, 1085
MCS 0905, 1315
Memorex 0205, 0225, 0235,
0305, 0325, 1105
MGA 0135
Mission 0215
Mitsubishi 0135, 0445
MTC 1255
NAD 0035, 0615, 0685, 0695
Nakamichi 0125, 0435, 0515
NEC 0255, 0905, 0965
Nikko 0545, 1005
Onkyo 0155, 0455, 0495, 0805, 1155
Optimus 0225, 0245, 0555, 0595,
0845, 0855, 0865,
0895, 0935
Panasonic 0055, 0825, 1095, 1125
Penny 0905
Philips 0165, 0215
Pioneer 0305, 0935, 1045
Proton 0215, 1185
Quasar 0055
RCA 0205, 0915, 1115
Realistic 0205, 0225, 0235,
0325, 0555, 0845
Revox 1175
Rotel 0215
Saba Telecommander (E) 0505
SAE 0215
Samsung 1285
Sansui 0215, 0625, 0975, 1025, 1105
Sanyo 0145, 0555, 0635, 0765
Scott 0325, 1105
Sears 0345
Sharp 0235, 0665, 0895, 1065, 1075
Sherwood 0115, 0235, 0395, 0475
Siements Garrard 1245
Signature 0175
Sontec 1165
02RX-V495-CODE(E/F) 6/22/99, 1:35 PM116
117
Sony 0065, 0565, 0865, 1145
Staron 1235
STS 0025
Sylvania 0215
Symphnoic 0335
Tandy 0305
Tangberg 1195
Teac 0235, 0335, 0385, 0525,
0795, 0835, 1355
Technics 0055, 0605, 1095
Techwood 1325
Telefunken (E) 0505
Thomson (E) 0505
Toshiba 0035, 0685
Vector Research 0065, 1135
Victor 0315
Wards 0175
Yamaha 0005, 0015, 0575, 1065
MD RECORDER
Yamaha 0024
TAPE DECK
Aiwa 0094, 0214, 0224
Akai 0184
Carver 0094
Denon 0304
Fisher 0144
Garrard 0194, 0204
JVC 0274, 0284, 0294
Kenwood 0124, 0134, 0154,
0234, 0244, 0264
Magnavox 0094
Marantz 0094, 0344
Mitsubishi 0184
Onkyo 0364, 0374
Optimus 0034, 0064, 0204, 0334
Philips 0094
Pioneer 0034, 0044, 0064
Revox 0354
Sansui 0094, 0344
Sharp 0264
Sherwood 0334
Sony 0054, 0084, 0324
Teac 0194, 0254
Technics 0074, 0314
Victor 0294
Wards 0034
Yamaha 0004, 0014
02RX-V495-CODE(E/F) 6/22/99, 1:35 PM117
Printed in Malaysia ID
V342050
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
RX-V4 95
RX-V4 95
Natural Sound AV Receiver
Ampli-Tuner Audio-Video
OWNER’S MANUAL
MODE D’EMPLOI
U C A
01RX-V495-e/f cv1/4 6/22/99, 2:40 PM1
Quick Reference Card
AMP<TUNER>
TAPE/MD CD DVD/LD
POWER
Input selector Input selector Input selector Input selector
A/B/C/D/E &
PRESET +/–
TEST
VOLUME
MUTE
SLEEP
+/–
TIME/LEVEL
EFFECT
TV VOLUME
PRG+/PRG–
TV INPUT
POWER
VOLUME VOLUME
MUTE MUTE
SLEEP SLEEP SLEEP
SKIP–
REC/PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)
REWIND (TAPE)
SEARCH (MD)
TV VOLUME
EFFECT
EFFECT
DISC SKIP +/–
EFFECT
DISC SKIP +/–
DISPLAY (MD)
PAUSE (MD)
DECK A/B (TAPE)
DIR B (TAPE)
SKIP+ (MD)
STOP
FAST
FORWARD (TAPE)
SEARCH (MD)
POWER
MUTE
STOP
SKIP–
SEARCH
DISPLAY
PAUSE
SKIP+
PLAY
SEARCH
POWER
VOLUME
PLAY
SEARCH
TV VOLUME TV VOLUME
PAUSE
TV INPUT TV INPUT
SKIP+
STOP
SEARCH
DISPLAY
SET MENU
V342650
VCR CBL/DBS TVDVD MENU
VCR REC (*1)
TV SLEEP
VCR PLAY
VCR REWIND
MENU SELECT
MENU LEFT
RECALL
CHANNEL
VCR POWER
VCR
CHANNEL +/–
CBL/DBS
CHANNEL +/–
TV VOLUME TV VOLUME
CHANNEL
ENTER
CHANNEL
ENTER
CHANNEL
ENTER
EFFECT
DISPLAY
VCR PAUSE
TV INPUT
TV INPUT
VCR STOP
VCR FAST
FORWARD
POWER
VOLUME
MUTE
VOLUME VOLUME
MUTE MUTE
+10
DISC SKIP+/–
MENU SELECT
MENU LEFT
TITLE
Numeric
buttons
TV VOLUME
CLEAR
INDEX
MENU UP
TV INPUT
MENU RIGHT
MENU DOWN
RETURN
MENU
TV VOLUME
EFFECT
DISPLAY
VCR PAUSE
TV INPUT
VCR STOP
VCR FAST
FORWARD
CBL/DBS POWER
TV SLEEP
CHANNEL
VCR REC (*1)
VCR PLAY
VCR REWIND
TV
CHANNEL +/–
VOLUME
TV MUTE
TV POWER
TV SLEEP
CHANNEL
+100
MENU UP
MENU RIGHT
DISPLAY
MENU DOWN
MENU
*1: Press this button twice to start recording.
*1: Appuyer deux fois sur cette touche pour lancer l’enregistrement.
*1: Diese Taste zweimal drücken, um die Aufnahme zu starten.
*1: Tryck två gånger på den här knappen för att börja spela in på videobandspelaren.
*1: Premere due volte questo tasto per iniziare la registrazione.
*1: Presione dos veces este botón para comenzar a grabar.
*1: Druk tweemaal op deze toets om te beginnen met opnemen.
Quick Reference Card
V342650
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in andere talen
- English: Yamaha RX-V495 Owner's manual
- italiano: Yamaha RX-V495 Manuale del proprietario
- русский: Yamaha RX-V495 Инструкция по применению
- français: Yamaha RX-V495 Le manuel du propriétaire
- español: Yamaha RX-V495 El manual del propietario
- Deutsch: Yamaha RX-V495 Bedienungsanleitung
- português: Yamaha RX-V495 Manual do proprietário
- dansk: Yamaha RX-V495 Brugervejledning
- suomi: Yamaha RX-V495 Omistajan opas
- čeština: Yamaha RX-V495 Návod k obsluze
- svenska: Yamaha RX-V495 Bruksanvisning
- Türkçe: Yamaha RX-V495 El kitabı
- polski: Yamaha RX-V495 Instrukcja obsługi
- română: Yamaha RX-V495 Manualul proprietarului