Yamaha CVP-905 de handleiding

Yamaha
Merk
Yamaha
Model
CVP-905
Categorie
Muziekinstrumenten
Type
de handleiding

Deze handleiding is ook geschikt voor

CVP-909
CVP-905
Owner’s Manual
Mode d’emploi
Manual de instrucciones
Español
Français
English
Thank you for purchasing this Yamaha Digital Piano!
This instrument provides a comprehensive array of authentic voices and a superb grand piano touch with versatile functions.
We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient
functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference.
Before using the instrument, be sure to read “PRECAUTIONS” on pages 5-6.
For information on assembling the instrument, refer to the instructions on page 116, 120 or 124.
Nous vous remercions d'avoir choisi ce piano numérique de Yamaha !
Cet instrument dispose d'un ensemble complet de sonorités authentiques, d'un remarquable toucher de piano à queue et de
nombreuses fonctions polyvalentes.
Nous vous conseillons de lire attentivement ce mode d'emploi afin de tirer pleinement profit des fonctions avancées et
pratiques de votre instrument. Nous vous recommandons également de garder ce manuel à portée de main pour toute
référence ultérieure.
Avant d'utiliser l'instrument, lisez attentivement la section « PRÉCAUTIONS D'USAGE » aux pages 5 et 6.
Pour plus d'informations sur le montage de l'instrument, reportez-vous aux instructions figurant aux pages 116, 120 ou 124.
Gracias por adquirir este piano digital Yamaha
Este instrumento ofrece una completa gama de voces auténticas y un excelente tacto de piano de cola con funciones
versátiles.
Le aconsejamos que lea detenidamente este manual para poder disfrutar de las útiles y avanzadas funciones del
instrumento. Recomendamos guardar el manual en un lugar seguro y accesible, para futuras consultas.
Antes de utilizar el instrumento, lea las “PRECAUCIONES”, en las páginas 5-6.
Para obtener más información sobre el montaje del instrumento, consulte las instrucciones de la página 116, 120 o 124.
EN FR ES
2
Explanation of Graphical Symbols
Explication des symboles
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension dangereuse » non isolée à
l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the
literature accompanying the product.
Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la
maintenance (réparation) de l’appareil dans la documentation fournie.
IMPORTANT SAFETY
INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat
registers, stoves, or other apparatus (including amplifiers) that
produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other.
A grounding type plug has two blades and a third grounding prong.
The wide blade or the third prong are provided for your safety. If the
provided plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particularly
at plugs, convenience receptacles, and the point where they exit
from the apparatus.
11 Only use attachments/accessories specified by the manufacturer.
12 Use only with the cart, stand, tripod, bracket, or table
specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when
moving the cart/apparatus combination to avoid
injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel. Servicing is
required when the apparatus has been damaged in any way, such as
power-supply cord or plug is damaged, liquid has been spilled or
objects have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been
dropped.
PRÉCAUTIONS CONCERNANT
LA SÉCURITÉ
1 Lire ces instructions.
2 Conserver ces instructions.
3 Tenir compte de tous les avertissements.
4 Suivre toutes les instructions.
5 Ne pas utiliser ce produit à proximité d’eau.
6 Nettoyer uniquement avec un chiffon propre et sec.
7 Ne pas bloquer les orifices de ventilation. Installer l’appareil
conformément aux instructions du fabricant.
8 Ne pas installer l’appareil à proximité d’une source de chaleur
comme un radiateur, une bouche de chaleur, un poêle ou tout autre
appareil (y compris un amplificateur) produisant de la chaleur.
9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la
fiche de terre. Une fiche polarisée dispose de deux broches dont une
est plus large que l’autre. Une fiche de terre dispose de deux broches
et d’une troisième pour le raccordement à la terre. Cette broche plus
large ou cette troisième broche est destinée à assurer la sécurité de
l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec
les prises de courant disponibles, faire remplacer les prises par un
électricien.
10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas
piétinés ni coincés, en faisant tout spécialement attention aux fiches,
prises de courant et au point de sortie de l’appareil.
11 Utiliser exclusivement les fixations et accessoires spécifiés par le
fabricant.
12 Utiliser exclusivement le chariot, le stand, le trépied,
le support ou la table recommandés par le fabricant
ou vendus avec cet appareil. Si l’appareil est posé
sur un chariot, déplacer le chariot avec précaution
pour éviter tout risque de chute et de blessure.
13 Débrancher l’appareil en cas d’orage ou lorsqu’il doit
rester hors service pendant une période prolongée.
14 Confier toute réparation à un personnel qualifié. Faire réparer
l’appareil s’il a subi tout dommage, par exemple si la fiche ou le
cordon d’alimentation est endommagé, si du liquide a coulé ou des
objets sont tombés à l’intérieur de l’appareil, si l’appareil a été
exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas
normalement ou est tombé.
(502-M01 UL 60065-1 01)
CAUTION:
TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ATTENTION :
POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION, NE PAS RETIRER
LE CAPOT (OU LE DOS). NE CONTIENT PAS DE PIÈCES NÉCESSITANT
L'INTERVENTION DE L'UTILISATEUR. POUR TOUTE INTERVENTION,
FAIRE APPEL À DES PROFESSIONNELS QUALIFIÉS.
ATTENTION
RISQUE DE CHOC
ELECTRIQUE-NE PAS OUVRIR
The above warning is located on the bottom of the unit. L’avertissement ci-dessus est situé sur le dessous de l’unité.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS APPARATUS TO RAIN OR MOISTURE. AVERTISSEMENT
POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE,
N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ.
3
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instruc-
tions. Failure to follow instructions could void your
FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC Regula-
tions, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users man-
ual, may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regula-
tions does not guarantee that interference will not
occur in all installations. If this product is found to be
the source of interference, which can be determined
by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following mea-
sures:
- Relocate either this product or the device that is
being affected by the interference.
- Utilize power outlets that are on different branch (cir-
cuit breaker or fuse) circuits or install AC line filter/s.
- In the case of radio or TV interference, relocate/reori-
ent the antenna. If the antenna lead-in is 300 ohm
ribbon lead, change the lead-in to co-axial type
cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Cor-
poration of America, 6600 Orangethorpe Avenue,
Buena Park, CA 90620, U.S.A.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
(529-M04 FCC class B YCA 02)
FCC INFORMATION (U.S.A.)
(529-M02 FCC sdoc YCA 02)
COMPLIANCE INFORMATION STATEMENT
(Supplierʼs declaration of conformity procedure)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, CA 90620, U.S.A.
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : CVP-909GP/CVP-909/CVP-905
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that
may cause undesired operation.
The model number, serial number, power requirements, etc., may be
found on or near the name plate, which is at the bottom of the unit. You
should note this serial number in the space provided below and retain
this manual as a permanent record of your purchase to aid identification
in the event of theft.
Model No.
Serial No.
(1003-M06 plate bottom en 01)
The name plate is located on the bottom of the unit.
CVP-909/CVP-905 Owner’s Manual
4
Information for users on collection and disposal of old equipment:
This symbol on the products, packaging, and/or accompanying documents means that used
electrical and electronic products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable
collection points, in accordance with your national legislation.
By disposing of these products correctly, you will help to save valuable resources and prevent any
potential negative effects on human health and the environment which could otherwise arise from
inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local
municipality, your waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for
further information.
Information on Disposal in other Countries outside the European Union:
This symbol is only valid in the European Union. If you wish to discard these items, please contact
your local authorities or dealer and ask for the correct method of disposal.
(58-M02 WEEE en 01)
CVP-909/CVP-905 Owner’s Manual 5
PLEASE READ CAREFULLY
BEFORE PROCEEDING
Especially in the case of children, a guardian
should provide guidance on how to properly use
and handle the product before actual use.
Please keep this manual in a safe and handy place
for future reference.
WARNING
Always follow the basic precautions listed below to
avoid the possibility of serious injury or even death
from electrical shock, short-circuiting, damages, fire
or other hazards. These precautions include, but are
not limited to, the following:
Power supply
• Do not place the power cord near heat sources such as
heaters or radiators. Also, do not excessively bend or
otherwise damage the cord, or place heavy objects on
it.
• Do not touch the product or the power plug during an
electrical storm.
• Use only the correct voltage specified for the product.
The required voltage is printed on the name plate of the
product.
• Use only the supplied power cord/plug. Do not use the
power cord/plug for other devices.
• Check the power plug periodically and remove any dirt
or dust which may have accumulated on it.
• Insert the power plug firmly all the way into the AC
outlet. Using the product when it is not plugged in
sufficiently can cause dust to accumulate on the plug,
possibly resulting in fire or skin burns.
• When setting up the product, make sure that the AC
outlet you are using is easily accessible. If some trouble
or malfunction occurs, immediately turn off the power
switch and disconnect the plug from the outlet. Even
when the power switch is turned off, as long as the
power cord is not unplugged from the wall AC outlet, the
product will not be disconnected from the power source.
• Do not connect the product to an electrical outlet using
a multi-plug outlet extender. Doing so can result in
lower sound quality, or possibly cause overheating in
the outlet.
• When disconnecting the power plug, always hold the
plug itself and not the cord. Pulling by the cord can
damage it and cause electric shocks or a fire.
• If not using the product for long periods of time, be sure
to pull the power plug from the AC outlet.
Do not disassemble
• This product contains no user-serviceable parts. Do not
attempt to disassemble the internal parts or modify
them in any way.
Water warning
• Do not expose the product to rain, use it near water or
in damp or wet conditions, or place on it any containers
(such as vases, bottles or glasses) containing liquids
which might spill into any openings or places where
water may drop. A liquid such as water getting into the
product may cause a fire, electric shocks, or
malfunctions.
• Never insert or remove a power plug with wet hands.
Fire warning
• Do not place any burning items or open flames near the
product, since they may cause a fire.
Wireless unit
• Radio waves from this product may affect electro-
medical devices, such as a heart pacemaker implant or
defibrillator implant.
- Do not use the product near medical devices or inside
medical facilities. Radio waves from this product may
affect electro-medical devices.
- Do not use the product within 15 cm (6 in.) of persons
with a heart pacemaker implant or a defibrillator
implant.
Connections
• Be sure to read the manual of the device to be
connected, and follow the instructions. Failure to
observe this may cause a fire, overheating, explosion,
or malfunction.
Using the bench (if included)
• Do not place the bench in an unstable position where it
might accidentally fall over.
• Do not play carelessly with or stand on the bench.
Using it as a tool or stepladder or for any other purpose
might result in accident or injury.
• Only one person should sit on the bench at a time, in
order to prevent the possibility of accident or injury.
• If the bench screws become loose due to extensive
long-term use, tighten them periodically using the
specified tool in order to prevent the possibility of
accident or injury.
• Keep special watch over any small children so that they
don’t fall off the rear of the bench. Since the bench does
not have a backrest, unsupervised use may result in
accident or injury.
PRECAUTIONS
CVP-909/CVP-905 Owner’s Manual
6
If you notice any abnormality
• If any of the following problems occur, immediately turn
off the power switch and disconnect the power plug
from the outlet.
Finally have the device inspected by Yamaha service
personnel.
- The power cord or plug becomes frayed or damaged.
- Unusual smells or smoke are emitted.
- Some object, or water has been dropped into the
product.
- There is a sudden loss of sound during use of the
product.
- Cracks or other visible damage appear on the
product.
CAUTION
Always follow the basic precautions listed below to
avoid the possibility of physical injury to you or
others, or damage to the instrument or other property.
These precautions include, but are not limited to, the
following:
Assembly
• Assemble the product in the proper sequence by
following the assembly instructions in this manual. Also,
make sure to tighten the screws regularly. Failure to do
so might result in damage to the product or even injury.
Location
• Do not place the product in an unstable position or a
location with excessive vibration, where it might
accidentally fall over and cause injury.
• Do not go near the product during an earthquake.
Strong shaking during an earthquake could cause the
product to move or tip over, resulting in damage to the
product or its parts, and possibly causing injury.
• (CVP-909 grand piano type) Since this product is very
heavy, make sure that a sufficient number of people are
on hand to help, so you can lift and move it safely and
easily. Attempting to lift or move the instrument by force
may damage your back, result in other injury, or cause
damage to the product itself.
• (CVP-909, CVP-905) When transporting or moving the
product, always use two or more people. Attempting to
lift the product by yourself may result in injuries, such as
back injuries, or cause the product to be dropped and
broken, which could lead to other injuries.
• Before moving the product, remove all connected
cables, to prevent damage to the cables or injury to
anyone who might trip over them.
Connections
• Before connecting the product to other devices, turn off
the power for all devices. Before turning the power on or
off for all devices, set all volume levels to minimum.
• Be sure to set the volumes of all devices at their
minimum levels and gradually raise the volume controls
while playing the product to set the desired listening
level.
Handling
• Do not insert your finger or hand in any gaps on the key
cover or product. Also take care that the key cover does
not pinch your finger.
• Do not insert foreign materials such as metal or paper
into any openings or gaps of the product. Failure to
observe this may cause a fire, electric shocks, or
malfunctions.
• Do not rest your weight on, or place heavy objects on
the product, and do not use excessive force on the
buttons, switches or connectors.
• Keep small parts out of the reach of infants. Your
children may accidentally swallow them.
• Do not use the product or headphones for a long period
of time at a high or uncomfortable volume level, since
this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears,
consult a physician.
• Remove the power plug from the AC outlet before
cleaning the unit. Failure to observe this may cause
electric shocks.
Using the bench (if included)
• For benches that can be adjusted, do not adjust the
bench height while sitting on the bench, since this can
cause excessive force applied to the adjustment
mechanism, possibly resulting in damage to the
mechanism or even injury.
• Do not place your hand between moving parts.
Otherwise, your hand could be pinched between the
parts, possibly resulting in injury.
Always turn the power off when the instrument is not in
use.
Even when the [ ] (Standby/On) switch is in standby
status (display is off), electricity is still flowing to the
instrument at the minimum level.
When you are not using the instrument for a long time,
make sure you unplug the power cord from the wall AC
outlet.
(DMI-11)
Yamaha cannot be held responsible for damage
caused by improper use or modifications to the
instrument, or data that is lost or destroyed.
CVP-909/CVP-905 Owner’s Manual 7
NOTICE
To avoid the possibility of malfunction/damage to
the product, damage to data, or damage to other
property, follow the notices below.
Handling
• Do not connect this product to a public Wi-Fi and/or
Internet service directly. Only connect this product to
the Internet through a router with strong password
protections. Consult your router manufacturer for
information on optimum security practices.
• Do not use this product in the vicinity of a TV, radio,
stereo equipment, mobile phone, or other electric
devices. Otherwise, this product or the other device
may generate noise.
• When you use the product along with an app on your
smart device such as a smartphone or tablet, we
recommend that you enable “Airplane Mode” on the
device to avoid noise caused by communication.
When wirelessly connecting a smart device with this
product, make sure that the Wi-Fi or Bluetooth® setting
on the device is turned on.
• Do not expose the product to excessive dust or
vibrations, or extreme cold or heat (such as in direct
sunlight, near a heater, or in a car during the day) to
prevent the possibility of disfiguration, damage to the
internal components or unstable operation. (Verified
operating temperature range: 5° – 40°C, or 41° –
104°F.)
• Do not place vinyl, plastic or rubber objects on the
product, since this might discolor the product.
• In the case of a model with a polished finish, bumping
the surface of the product with metal, porcelain, or
other hard objects can cause the finish to crack or
peel. Use caution.
Maintenance
• When cleaning the product, use a soft and dry (or
slightly damp) cloth. Do not use paint thinners,
solvents, alcohol, cleaning fluids, or chemical-
impregnated wiping cloths.
• In the case of a model with a polished finish, gently
remove dust and dirt with a soft cloth. Do not wipe too
hard since small particles of dirt can scratch the
instrument's finish.
• During extreme changes in temperature or humidity,
condensation may occur and water may collect on the
surface of the product. If water is left, the wooden parts
may absorb the water and be damaged. Make sure to
wipe any water off immediately with a soft cloth.
Saving data
• Recorded Song and edited Song/Style/Voice/MIDI
setup data, etc. are lost when you turn off the power to
the product. This also occurs when the power is turned
off by the Auto Power Off function (page 19). Save the
data to the product, or to a USB flash drive (page 32).
• You can back up the data and settings of this product
to the USB flash drive as a backup file (page 43), as
well as restore a backup file to the product. To protect
against data loss due to some failure, an operation
mistake, etc., save your important data to a USB flash
drive.
• To protect against data loss through USB flash drive
damage, we recommend that you save your important
data onto spare USB flash drive or an external device
such as a computer as backup data.
Information
About copyrights
• The copyright of the “content”*1 installed in this product
belongs to Yamaha Corporation or its copyright holder.
Except as permitted by copyright laws and other
relevant laws, such as copying for personal use, it is
prohibited to “reproduce or divert”*2 without the
permission of the copyright holder. When using the
content, consult with a copyright expert.
If you create music or perform with the contents
through the original use of the product, and then
record and distribute them, the permission of Yamaha
Corporation is not required regardless of whether the
distribution method is paid or free of charge.
*1: The word “content” includes a computer program, audio
data, Accompaniment Style data, MIDI data, waveform
data, voice recording data, music score, and score data,
etc.
*2: The phrase “reproduce or divert” includes taking out the
content itself in this product, or recording and distributing it
without changes in a similar manner.
About functions/data bundled with
the product
• Some of the preset songs have been edited for length
or arrangement, and may not be exactly the same as
the original.
• This device is capable of using various types/formats
of music data by optimizing them to the proper format
music data for use with the device in advance. As a
result, this device may not play them back precisely as
their producers or composers originally intended.
About this manual
• Unless indicated otherwise, the illustrations and
displays as shown in this manual are based on the
CVP-909 (in English). These are for instructional
purposes only.
• The letters at the end of the model name (such as “B,”
“PE,” “GP”) indicate the color, finish or shape of the
instrument. Since they simply indicate the appearance,
these letters are omitted in this manual.
• Windows is a registered trademark of Microsoft®
Corporation in the United States and other countries.
• Wi-Fi is a registered trademark of Wi-Fi Alliance®.
CVP-909/CVP-905 Owner’s Manual
8
• The Bluetooth® word mark and logos are registered
trademarks owned by Bluetooth SIG, Inc. and any use
of such marks by Yamaha Corporation is under
license.
• The company names and product names in this
manual are the trademarks or registered trademarks of
their respective companies.
Tuning
• Unlike an acoustic piano, this instrument does not
need to be tuned by an expert (although the pitch can
be user-adjusted to match other instruments). This is
because the pitch of digital instruments is always
maintained perfectly.
About disposal
• When disposing of this product, please contact the
appropriate local authorities.
Compatible formats for this
instrument
GM2
“GM (General MIDI)” is one of the most common
Voice allocation formats. “GM System Level 2” is a
standard specification that enhances the original
“GM” and improves Song data compatibility. It
provides for increased polyphony, greater Voice
selection, expanded Voice parameters, and
integrated effect processing.
XG
XG is a major enhancement of the GM System
Level 1 format, and was developed by Yamaha
specifically to provide more Voices and variations,
as well as greater expressive control over Voices
and effects, and to ensure compatibility of data well
into the future.
GS
GS was developed by the Roland Corporation. In
the same way as Yamaha XG, GS is a major
enhancement of the GM specifically to provide more
Voices and Drum kits and their variations, as well as
greater expressive control over Voices and effects.
XF
The Yamaha XF format enhances the SMF
(Standard MIDI File) standard with greater
functionality and open-ended expandability for the
future. This instrument is capable of displaying lyrics
when an XF file containing lyric data is played.
SFF GE (Guitar Edition)
“SFF (Style File Format)” is an original Style file
format by Yamaha which uses a unique conversion
system to provide high-quality automatic
accompaniment based on a wide range of chord
types. “SFF GE (Guitar Edition)” is an enhanced
format of SFF, which features improved note
transposition for guitar tracks.
CVP-909/CVP-905 Owner’s Manual 9
About the Manuals
This instrument has the following documents and instructional materials.
Supplied with the instrument
Owner’s Manual (this book)
Explains the basic operations and functions of this instrument. Please read this manual first.
Available on the website
Reference Manual (only in English, French, German and Spanish)
Explains advanced functions and operations for each icon shown in the Menu display (page 28). Please
read this manual after reading the Owner’s Manual.
Data List
Contains various important preset content lists such as Voices, Styles, etc., as well as MIDI-related
information of this instrument.
Smart Device Connection Manual
Explains how to connect the instrument to a smart device such as smartphone or tablet, etc.
Computer-related Operations
Includes instructions on connecting this instrument to a computer, and other operations.
Included Accessories
Owner’s Manual (this book)
“50 Classical Music Masterpieces” (Music Book)
Online Member Product Registration
Power cord
Bench*
* May not be included depending on your area. Check with your Yamaha dealer.
To obtain these manuals, access the Yamaha website below:
Yamaha Downloads
https://download.yamaha.com/
Enter the model name for searching the desired manuals.
CVP-909/CVP-905 Owner’s Manual
10
Contents
PRECAUTIONS..................................................................................................................................5
NOTICE........................................................................................................................................................ 7
Information ................................................................................................................................................... 7
Compatible formats for this instrument ........................................................................................................ 8
About the Manuals ....................................................................................................................................... 9
Included Accessories ................................................................................................................................... 9
Welcome to the World of CVP! 12
Panel Controls 14
Starting Up 16
Opening/Closing the Key Cover................................................................................................................. 16
Using the Music Rest ................................................................................................................................. 16
Opening/Closing the Lid (CVP-909 Grand Piano type).............................................................................. 17
Power Supply............................................................................................................................................. 18
Turning the Power On/Off .......................................................................................................................... 19
Adjusting the Master Volume ..................................................................................................................... 20
Using Headphones..................................................................................................................................... 20
Making Basic Settings................................................................................................................................ 22
Changing the Brightness of Display........................................................................................................... 23
1 Basic Operations 24
Display Structure........................................................................................................................................ 24
Display Configuration................................................................................................................................. 26
Closing the Current Display ....................................................................................................................... 28
Display-based Controls.............................................................................................................................. 29
Using the ASSIGNABLE Buttons............................................................................................................... 31
File Management ....................................................................................................................................... 32
Entering Characters ................................................................................................................................... 36
Using the Pedals........................................................................................................................................ 38
Using the Metronome................................................................................................................................. 39
Adjusting the Tempo .................................................................................................................................. 39
Setting the Touch Sensitivity of the Keyboard ........................................................................................... 40
Transposing the Pitch in Semitones........................................................................................................... 41
Adjusting the Volume Balance ................................................................................................................... 42
Restoring the Factory-programmed Settings (Initializing).......................................................................... 42
Data Backup............................................................................................................................................... 43
2 Piano Room – Enjoying the Piano Performance – 44
Playing a Piano Performance in the Piano Room...................................................................................... 44
Playing the Piano in Session with Other Instruments ................................................................................ 45
Changing/Resetting the Piano Room Settings........................................................................................... 47
Recording your Performance in the Piano Room....................................................................................... 48
3 Voices – Playing the Keyboard – 49
Playing Preset Voices ................................................................................................................................ 49
Setting the Split Point................................................................................................................................. 54
Playing Super Articulation Voices .............................................................................................................. 55
Creating Original Organ Flutes Voices....................................................................................................... 56
CVP-909/CVP-905 Owner’s Manual 11
4 Styles – Playing Rhythm and Accompaniment – 58
Playing with a Style.................................................................................................................................... 58
Style Control Operations............................................................................................................................ 60
Calling up Panel Settings Appropriate for the Current Style (One Touch Setting)..................................... 63
Changing the Chord Fingering Type.......................................................................................................... 65
5 Song Playback – Playing and Practice Songs – 67
Playback of Songs ..................................................................................................................................... 67
Displaying Music Notation (Score)............................................................................................................. 70
Displaying Lyrics ........................................................................................................................................ 71
One-handed Practice with the Guide Function .......................................................................................... 72
Repeat Playback........................................................................................................................................ 73
Adjusting the Pitch in Semitones (Pitch Shift)............................................................................................ 74
Adjusting the Playback Speed (Time Stretch)............................................................................................ 75
Canceling the Vocal Part (Vocal Cancel)................................................................................................... 75
6 Song Recording – Recording Your Performance – 76
Basic Procedure for Recording (MIDI/Audio Recording)............................................................................ 76
Independently Recording the Right- and Left-hand Parts (MIDI Recording).............................................. 79
Recording to Specific Channels (MIDI Recording)..................................................................................... 82
Converting a MIDI Song to an Audio Song ................................................................................................ 85
7 Microphone – Adding Vocal Harmony Effects to Your Singing – 86
Connecting a Microphone .......................................................................................................................... 86
Applying Vocal Harmony Effects to Your Voice ......................................................................................... 87
8 Registration Memory/Playlist – Saving and Recalling Custom Panel Setups – 89
Saving and Recalling Custom Panel Setups with Registration Memory.................................................... 90
Using Playlists to Manage a Large Repertoire of Panel Setups ................................................................ 94
9 Mixer – Editing the Volume and Tonal Balance – 98
Basic Procedure for the Mixer.................................................................................................................... 98
Turning Each Channel of the Style or MIDI Song On/Off......................................................................... 100
10 Connections – Using Your Instrument with Other Devices – 101
I/O Connectors......................................................................................................................................... 101
Connecting USB Devices ([USB TO DEVICE] terminal).......................................................................... 103
Connecting to a Computer ([USB TO HOST] terminal)............................................................................ 105
Connecting to a Smart Device ([AUX IN] jack/Bluetooth/[USB TO HOST] terminal/Wireless LAN) ........ 106
Listening to Audio Playback by the External Device through the Instrument’s Speaker
([AUX IN] jack/Bluetooth/[USB TO HOST] terminal)................................................................................ 107
Using an External Speaker System for Playback (AUX OUT [L/L+R]/[R] jacks)...................................... 110
Connecting External MIDI Devices (MIDI terminals)................................................................................ 111
Viewing the Instrument’s Display on an External Monitor........................................................................ 111
Connecting a Microphone or Guitar ([MIC/LINE IN] jack) ........................................................................ 112
Connecting a Footswitch/Foot Controller ([AUX PEDAL] jack)................................................................ 112
Menu Display Function List 113
CVP-909 (Grand piano type) Assembly 116
CVP-909 Assembly 120
CVP-905 Assembly 124
Troubleshooting 126
Specifications 130
Index 133
CVP-909/CVP-905 Owner’s Manual
12
Welcome to the World of CVP!
This new CVP model is equipped with a convenient touch screen, enabling visual and intuitive control over
virtually all instrument functions. Simply by touching this large and easy-to-see display, you can select
desired items, enable and control various features, or edit parameter values—with greater ease and speed
than ever before!
The instrument also has many advanced features that enhance your musical enjoyment and expand your
creative and performance possibilities. Let’s take a look…
This instrument features gorgeous piano Voices, created with
samples of the Yamaha CFX flagship concert grand piano and the
famous Bösendorfer* concert grand piano, as well as the
GrandTouch Keyboard and GrandTouch Pedal mechanisms which
reproduce the authentic touch and feel of an actual grand piano, and
provide exceptionally expressive control from pianissimo to
fortissimo. The instrument also features VRM technology which
accurately recreates the acoustic resonance of a grand piano, which
changes subtly by the timing and strength of the player’s touch and
pedal operation. This enables expression of even the most delicate
performance nuances and responds minutely to your pedal use and
key playing. Moreover, advanced technologies such as Binaural
Sampling give you the impression of being thoroughly immersed in the sound, as if it was actually emanating from the
piano—even when listening to the sound through headphones.
When you want to immerse yourself in piano performance with the features above, we recommend that you use the
Piano Room. Piano Room lets you select the desired piano type as well as different room ambiences—enabling a
complete, realistic piano experience, as if you were playing an actual piano. What’s more, you can play along with other
virtual “session” players, and enjoy a convincing band-like performance experience with other musical instruments.
* Bösendorfer is a subsidiary company of Yamaha.
Page 44
Naturally, the CVP provides many realistic piano Voices for your playing enjoyment. But it also features a wide variety of
authentic instruments, both acoustic and electronic, including organ, guitar, sax, and others used in many music
genres—letting you convincingly perform in any desired music style. Moreover, the special Super Articulation Voices
realistically recreate many of the performance techniques and characteristic sounds generated when an artist plays an
instrument. The result is superbly detailed expression—such as the realistic sound of finger slides on guitar, and the
expressive breath noises of saxophone and other wind instruments.
Page 49
Full Backing Band Accompaniment
Even if you’re playing alone, the CVP can put an entire backing
band behind you! Simply playing chords automatically triggers
and controls the auto accompaniment backing (Style function).
Select an accompaniment Style—such as pop, jazz, Latin, and
various other music genres in the world—and let the Clavinova be
your complete backing band! You can change arrangements on
the fly, instantly selecting different rhythm variations and breaks
in real time, including Intro, Ending, and Fill-in, during your performance.
Page 58
True Acoustic Piano Feel
Play in Various Music Genres
CVP-909/CVP-905 Owner’s Manual 13
Welcome to the World of CVP!
The Lesson features are a fun way to learn and master Songs,
with notation shown on the display. Moreover, each key of the
keyboard has a guide lamp, which lights to indicate the notes to
be played, letting you practice melodies and phrases
smoothly—even if you are a beginner or have trouble reading
notation.
Page 72
Since a microphone can be connected to the Clavinova and
Song lyrics can be shown on the display, you can enjoy singing
along with your keyboard performance or along with Song
playback. Moreover, a powerful Vocal Harmony effect
automatically applies lush, authentic sounding vocal harmonies
to your singing voice. You can also cancel the vocal part on
audio recordings, letting you sing along with (or instead of!)
your favorite artists and groups, and enjoy performing even
more.
Pages 71, 86
Enjoyable Song Lesson Features—with Score Display and Guide Lamps
Sing Along with Song Playback or Your Own Performance
Want to learn more about the
Clavinova’s features?
Press the [DEMO] button and start
the demonstration!
To stop the demonstration, press the [HOME]
button located at right of the display.
CVP-909/CVP-905 Owner’s Manual
14
Panel Controls
1[USB TO DEVICE] terminal .........page 103
For connecting a USB flash drive, USB wireless
LAN adaptor or USB display adaptor. This
terminal is also located at the bottom of the
instrument.
2[P] (Standby/On) switch ...............page 19
For turning the power on or setting it to standby.
3[MASTER VOLUME] control .........page 20
For adjusting the overall volume.
4[DEMO] button ...............................page 13
For calling up the Demo display.
5[MIC] lamp.......................................page 86
For checking the input level of the microphone.
6[METRONOME ON/OFF] button ...page 39
For turning the metronome on or off.
7TRANSPOSE buttons ....................page 41
For transposing the pitch in semitone steps.
8[TAP TEMPO]/TEMPO [−]/[+] buttons
.........................................................page 39
For controlling the tempo for Style, MIDI Song and
metronome playback.
9STYLE buttons ..............................page 58
For selecting a Style category.
)ASSIGNABLE buttons....................page 31
For assigning shortcuts to often used functions.
!STYLE CONTROL buttons............ page 60
For controlling Style playback.
@LCD (touch screen) ....................... page 24
Allows you to select or change the parameters by
simply touching the ‘virtual’ buttons or sliders on
the display.
#Data dial ......................................... page 30
For selecting an item or changing the value.
$[HOME] button............................... page 30
For calling up the Home display, or the first
display when the power is turned on.
%[PIANO ROOM] button .................. page 44
For instantly calling up the optimum piano-related
settings for playing the instrument simply as a
piano.
^SONG CONTROL buttons............. page 69
For controlling Song playback.
&VOICE buttons ............................... page 49
For selecting a keyboard part or a Voice category.
*REGISTRATION MEMORY buttons... page 89
For registering and recalling panel setups.
(ONE TOUCH SETTING buttons .... page 63
For calling up the appropriate panel settings for
the Style.
Panel Setup (Panel Settings)
These settings of the instrument made by using the controls on the panel are together referred to as “panel setup” or
“panel settings” in this manual.
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3
CVP-909/CVP-905 Owner’s Manual 15
Panel Controls
F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
Key cover (page 16)
Guide lamps
(page 72)
I/O connectors
(page 101)
Sheet music braces
(page 17)
Music rest (page 17)
Music rest (page 16)
Sheet music braces
(page 16)
I/O connectors
(page 101)
Key cover
(page 16)
Guide lamps
(page 72)
Pedals
(page 38)
Music rest
(page 17)
Sheet music braces
(page 17)
I/O connectors
(page 101)
Key cover (page 16)
Guide lamps (page 72)
Pedals (page 38)
Pedals (page 38)
Lid (page 17)
[AC IN] jack (page 18)
For connecting the
power cord.
[AC IN] jack
(page 18)
For connecting
the power cord.
CVP-909 CVP-905
CVP-909
(Grand Piano type)
[AC IN] jack (page 18)
For connecting the power cord.
CVP-909/CVP-905 Owner’s Manual
16
Starting Up
For information on assembling the instrument, refer to the instructions on pages 116, 120 or 124.
To open the key cover, hold the hand grip with both hands, and then lift the key cover slightly, and push it up
and back.
To close the key cover, lower the key cover back in place gently with both hands.
CAUTION
• Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be
careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit.
• Do not place anything (such as metal objects or pieces of paper) on top of the key cover. Small objects placed on the
key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. Once inside, they
could cause electric shock, short circuit, fire or other serious damage to the instrument.
CVP-909 Grand Piano type
To raise the music rest:
1Pull the music rest up and toward yourself as far
as it will go.
2Flip down the two metal supports at the left and
right on the rear of the music rest.
3Lower the music rest so that the metal supports
latch into place.
4Music braces allow you to hold the pages of
music books in place.
CAUTION
Do not try to use the music rest in a half-raised position. Also,
when raising or lowering the music rest, do not release your
hands from the music rest until it is all the way up or down.
Opening/Closing the Key Cover
Using the Music Rest
CAUTION
Be careful to avoid catching your fingers when opening/closing the cover.
Music braces
CVP-909/CVP-905 Owner’s Manual 17
Starting Up
To lower the music rest:
Close the Music braces if they are open, and then lower
the music rest by following the instructions below.
1Pull the music rest toward yourself as far as it
will go.
2Raise the two metal supports (at the rear of the
music rest).
3Gently lower the music rest backward until it is
all the way down.
CVP-909/CVP-905
Pull the music rest toward yourself as far as it will go.
When raised, the music rest locks in place at a certain
angle and cannot be adjusted. The braces allow you to
hold the pages of music books in place.
CAUTION
When raising or lowering the music rest, do not release your
hands from the music rest until it is all the way up or down.
To lower the music rest, close the sheet music braces,
and then lift the music rest slightly, and turn it back
slowly.
CAUTION
Before lowering the music rest, close the sheet music
braces. Otherwise you may catch your fingers between the
music rest and the music braces and injure them.
One long stay and one short stay are provided on the lid. Use one of them to hold the lid open at the desired
angle.
Opening the Lid
1Raise the music rest.
2Raise and hold the right side of the lid (viewed from
the keyboard end of the instrument).
3Raise the lid stay and carefully lower the lid so that
the end of the stay fits into the recess in the lid.
CAUTION
Do not let children open or close the lid. Also, be careful to avoid
catching fingers (yours or others, and especially those of children)
when raising or lowering the lid.
Opening/Closing the Lid (CVP-909 Grand Piano type)
Music braces
Sheet music braces
CAUTION
Be careful to avoid catching
your fingers.
Close the sheet
music braces
CVP-909/CVP-905 Owner’s Manual
18
For the longer stay, use the inner recess, and for the shorter stay, use the outer recess to support the lid.
CAUTION
• Do not use the outer recess for the longer stay. Doing so makes the lid unstable and may cause it to fall, resulting in
damage or injury.
• Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid
may fall, causing damage or injury.
• Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess
causing the lid to fall.
Closing the Lid
1Hold the lid stay and carefully raise the lid.
2Continue to hold the lid in its raised position and
lower the lid stay.
3Carefully lower the lid.
Connect the plugs of the power cord in the order shown in the illustration.
In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your
area.
WARNING
• Use only the supplied power cord. Do not use the power cord for other products.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or
malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.
NOTE
When disconnecting the power cord, first turn off the power, and then follow this procedure in reverse order.
Power Supply
Longer stay Shorter stay
12
AC Outlet
The shape of the plug and
outlet differ depending on
your locale.
[AC IN] jack
CVP-909/CVP-905 Owner’s Manual 19
Starting Up
1Turn down the [MASTER VOLUME] control to “MIN.”
2Press the [P] (Standby/On) switch to turn the power on.
The [MIC] lamp located at right of the [MASTER VOLUME] control and the
display light up. After a while, the Home display (page 26) is shown and the
instrument starts up. Adjust the volume as desired while playing the keyboard.
NOTE
Before the Home display is shown, no sound is emitted when the keys are pressed. Moreover, the power does not turn off
even when the [P] (Standby/On) switch is pressed in this condition.
3Press and hold the [P] (Standby/On) switch for about a second to turn the
power off.
CAUTION
Even when the [P] (Standby/On) switch is in standby status, electricity is still flowing to the instrument at the
minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended
periods of time, or during electrical storms.
NOTICE
While recording or editing, or while a message is displayed, the power cannot be turned off even if you press the
[P] (Standby/On) switch. If you want to turn off the power, press the [P] (Standby/On) switch after recording,
editing, or after the message has disappeared. If you need to force-quit the instrument, hold down the
[P] (Standby/On) switch for longer than three seconds. Note that the force-quit operation might cause data loss
and damage to the instrument.
Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto Power Off function that
automatically turns the power off if the instrument is not operated for a specified period of time. The amount
of time that elapses before the power is automatically turned off is approximately 30 minutes by default;
however, you can change the setting (page 22).
NOTICE
Any data which is not saved via the Save operation will be lost if the power automatically turns off. Make sure to save
your data before this happens.
Turning the Power On/Off
Disabling Auto Power Off (simple method)
Turn the power on while holding down the lowest key on the keyboard. An “Auto power off disabled” message
appears briefly and Auto Power Off is disabled.
+
A-1
CVP-909/CVP-905 Owner’s Manual
20
To adjust the volume of the entire keyboard sound, use the [MASTER VOLUME] control while playing the
keyboard.
CAUTION
Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause
permanent hearing loss.
Intelligent Acoustic Control (IAC)
IAC is a function which automatically adjusts and controls the sound quality according to the overall volume
of the instrument. Even when the volume is low, it permits both low sounds and high sounds to be clearly
heard. IAC Control affects only the sound output of the instrument speakers. The default setting for this
function is on. You can turn the IAC setting on or off, and set the depth. For details, refer to the “Utility”
section in the Reference Manual on the website (page 9).
Connect a pair of headphones to the [PHONES] jack. Since this instrument is equipped with two [PHONES]
jacks, you can connect two pairs of headphones. If you are using only one pair, insert the plug into either of
these jacks.
CAUTION
Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause
permanent hearing loss.
NOTE
If you are using an adaptor plug, be sure to remove this as well when unplugging the headphones. No sound will come out of the
instrument’s speakers if the adaptor plug is left connected.
Adjusting the Master Volume
Using Headphones
Stereo mini plug
Headphone hanger
Adaptor plug (standard stereo phone plug)
CVP-909/CVP-905 Owner’s Manual 21
Starting Up
Reproducing a Natural Sound Distance Sensation (even when using
Headphones)—Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy exceptionally realistic, natural
sound, even though listening on headphones.
Binaural Sampling
Binaural Sampling is a method that uses two special microphones set at the ear position of a performer and
records the sound from a piano as it would actually be heard. Listening to the sound with this effect through
headphones gives the impression of being immersed in the sound, as if it was actually emanating from the
piano. Moreover, you can enjoy the sound naturally for a long time without ear fatigue. When the “CFX
Concert Grand” or “Bösendorfer Grand” Voice is selected, connecting the headphones automatically
enables the binaural sampling sound.
Sampling
A technology which records the sounds of an acoustic instrument then stores them to the tone generator to be played based on information
received from the keyboard.
Stereophonic Optimizer
Stereophonic Optimizer is an effect which reproduces the natural sound distance, like with the sound of
Binaural Sampling, even though you are listening to it on headphones. When one of the VRM Voices
(page 53) other than “CFX Concert Grand” or “Bösendorfer Grand” is selected, connecting the headphones
automatically enables the Stereophonic Optimizer.
Using the Headphone Hanger
A headphone hanger is included in the instrument package so that you can hang the headphones on the
instrument. Install the headphone hanger by following the instructions on pages 119, 122 or 125.
NOTICE
Do not hang anything other than the headphones on the hanger. Otherwise, the instrument or the hanger may be
damaged.
When headphones are connected, the VRM Voices (page 53) automatically change to the sound of Binaural
Sampling or the sound enhanced with the Stereophonic Optimizer, by the default settings. However, when
headphones are connected, these functions also affect the sound from the external speaker connected to the
AUX OUT jacks or the sound for Audio recording (page 76), and may result in unusual or unnatural sound. If
this happens, turn this function off.
You can turn this function on or off on the display called up via [Menu] [Utility] [Speaker/Connectivity]. For
details, refer to the Reference Manual on the website (page 9).
CVP-909/CVP-905 Owner’s Manual
22
As necessary, make basic settings for the instrument, such as the language shown on the display.
1Call up the operation display (Utility).
First, touch [Menu] at the bottom right corner of the Home display which is shown when the
power is turned on. Then touch [] to move to page 2 (if necessary), and touch [Utility].
2Touch [System] on the display.
3Make the necessary settings by touching the display.
For information on page 2/2 of this display, refer to the “Utility” section in the Reference Manual
on the website (page 9).
Making Basic Settings
Version Indicates the firmware version of this instrument.
Yamaha may from time to time update firmware of the product without notice
for improvement in functions and usability. To take full advantage of this
instrument, we recommend that you upgrade your instrument to the latest
version. The latest firmware can be downloaded from the website below:
https://download.yamaha.com/
Licenses Touch here to call up license information of the open source software which is
used on this instrument.
Copyright Touch here to call up copyright information.
Language Determines the language used in the display for menu names and messages.
Touch this setting to call up the language list, and then select the desired one.
Owner Name Lets you input your name which appears in the opening display (called up
when the power is turned on). Touch this setting to call up the character entry
window, and then input your name (page 36).
Auto Power
Off
Lets you set the amount of time that elapses before the power is turned off by
the Auto Power Off function (page 19). Touch this to call up the list of settings,
and then select the desired one. To disable Auto Power Off, select “Disabled”
here.
CVP-909/CVP-905 Owner’s Manual 23
Starting Up
Here you can change certain display settings as desired, including brightness.
1Call up the operation display (Utility) (step 1 on page 22).
2Touch [Touch Screen/Display] on the display.
3Change the settings by touching the display.
For information on the other items in this display, refer to the “Utility” section in the Reference
Manual on the website (page 9).
Changing the Brightness of Display
Touch
Screen
Sound Determines whether or not touching the display will trigger the click
sound.
Calibration Lets you calibrate the display when it does not respond properly to
your touching (Normally, you do not need this operation, since it is
calibrated by factory default). Touch here to call up the Calibration
display, then touch the center of the plus marks (+) in order.
Brightness Screen Move the slider to adjust the brightness of the display.
Button
Lamps
Touch [L]/[R] to adjust the brightness of the button lamps on the
control panel.
NOTE
The brightness of the guide lamps cannot be adjusted.
CVP-909/CVP-905 Owner’s Manual
24
Basic Operations
Turning on this instrument calls up the Home display, from which you can call up the File Selection display
and Menu display, providing you convenient access to various functions and allowing you to make various
settings. For detailed instructions on the display, refer to page 26.
Display Structure
File Selection
display (page 27)
You can call up the
desired type of display by
touching the Style name,
Voice name or Song name
on the Home display.
Home display (page 26)
This is the portal or home base of the
instrument’s display structure.
By expanding the Style area, you can
call up the playback-related controls
on the display.
Menu display
(page 28)
By touching each of the icons,
you can call up various
functions, such as Song Score,
Volume Balance and other
detailed settings.
Style Selection display
Voice Selection display
Touch here
to expand.
1
CVP-909/CVP-905 Owner’s Manual 25
1
Basic Operations
By expanding the Song area, you can
call up the playback-related controls on
the display.
Song Selection display
Touch here
to expand.
CVP-909/CVP-905 Owner’s Manual
26
This section covers the most often used displays: Home, File Selection and Menu. The Home display
appears when the power is turned on. The File Selection display and Menu display can be called up from
the Home display.
Home Display
Appears when the power is turned on, and can be called up when the [HOME] button is pressed. This
display shows the current basic settings such as the current Voice and Style, allowing you to see them at a
single glance. Because of this, you should normally have the Home display shown when you perform on the
keyboard.
1Voice area
Indicates the current Voices for each of the keyboard parts (Main, Left and Layer) and the on/off status
of these parts (page 49). Touching a Voice name calls up the Voice Selection display.
NOTE
On the Voice area, Style area or Song area, flicking right expands the Style area, while flicking left expands the Song area.
2Style area
Indicates the current Style (page 58). Touching a Style name calls up the Style Selection display. Touch
[] at the upper left of this area to expand the area. To reset the area to the default status, touch [],
which appears at the upper right of the Voice area.
3Song area
Indicates the current Song (page 67). Touching a Song name calls up the Song Selection display.
Touch [] at the upper right of this area to expand the area. To reset the area to the default status,
touch [], which appears at the upper left of the Voice area.
If a recorded or edited Song exists but has not yet been saved, (Save) is shown. Touching it calls up
the display for saving the data (page 32).
4Registration area
Indicates the currently selected Registration Memory Bank name, Registration name and Registration
Sequence when it is active (page 90). Touching this area calls up the Registration Bank Selection
display. You can hide or show this area by touching [] or [] in the area.
NOTE
Flicking right or left on the Registration area can also hide or show this area.
5Menu area
Contains the shortcut icons which let you call up various functions with a single touch. Touching a
shortcut icon will call up the display of the corresponding function. Touch [Menu] icon at the right end to
call up the Menu display (page 28), from which you can register shortcut icons as desired here.
Display Configuration
CVP-909/CVP-905 Owner’s Manual 27
1
Basic Operations
File Selection Display
The File Selection display is for selecting a Voice, Style, Song, and other data. You can call up this display
by touching the name of the Voice, Style or Song on the Home display, or by pressing one of the VOICE or
STYLE buttons, etc.
1Category
A wide variety of data such as Voices and Styles are divided into several categories (tabs) according to
the data type. Except for the following two, all tabs are referred to as “preset” tabs, since they contain
preset data.
2Sub Category / Folder (Path)
• When one of the preset tabs is selected, the sub categories are shown here according to the data
type. For example, various piano types such as Grand Piano and Electric Piano are shown when you
touch the “Piano” tab on the Voice Selection display.
• When the Favorite tab is selected, this is not available.
• When the User tab is selected, the current path or folder is shown here according to the folder
structure.
3Selectable data (files)
The files that can be selected are shown. If two or more pages are available, you can call up another
page by touching [] or [] at the right.
NOTE
You can call up another page also by flicking vertically on the list.
4Operation icons
The functions (save, copy, delete, etc.) which can be operated via the File Selection display are shown.
The icons shown here differ depending on which File Selection display is selected. For detailed
instructions, refer to pages 32 – 36, or the instructions for each function’s File Selection display.
(Favorite tab)
Location where the Voices or Styles which you have registered as Favorites are shown
(page 35). This tab is available only for Voices and Styles.
(User tab)
Location where recorded or edited data is saved. Data saved to the instrument are shown
in “USER” (User memory), while data in the connected USB flash drive are shown in
“USB.” In this manual, data in the User tab is referred to as “User data.”
Path To the upper folder
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Menu Display
This is the portal display for using various functions and can be called up by touching the [Menu] icon at the
bottom right corner of the Home display.
1Function list
Various convenient functions are shown via icons. Touching each of them calls up the corresponding
function. This list consists of two pages, which you can select by pressing [] or [].
For information on each function, refer to the “Menu Display Function List” (page 113) or the Reference
Manual on the website (page 9).
NOTE
You can also change pages by flicking horizontally.
2Shortcuts
By registering often used functions here as Shortcuts, you can call up them quickly from the Menu area
of the Home display. To register as a Shortcut, first touch and hold the icon on the Function list until the
Shortcut list changes color, then touch the desired location for entering the function. For details, refer to
the “Contents” in the Reference Manual on the website (page 9).
To close the current display, touch [×] at the upper right of the display (or window) or [Close] at the lower
right of the display (or window). When a message (information or confirmation dialog) appears, touching the
appropriate item such as “Yes” or “No” closes the message.
If you want to quickly return to the Home display press the [HOME] button on the panel.
Instruction conventions for the Menu display
Throughout this manual, instructions with multiple steps are given in convenient shorthand, with arrows
indicating the proper sequence.
Example: [Menu] [Utility] [System] [Language]
The example above describes a three step operation:
1) From the Menu display, touch [Utility].
2) Touch [System].
3) Touch [Language].
Closing the Current Display
CVP-909/CVP-905 Owner’s Manual 29
1
Basic Operations
The display of this instrument is a special touch screen that allows you to select or change the desired
parameter by simply touching the corresponding setting on the display. The Data dial and the [HOME]
button can also be used.
Using the Display (Touch Screen)
NOTICE
Do not use any sharp or hard tools to operate the touch screen. Doing so may damage the display.
NOTE
Keep in mind that operation by simultaneously touching two or more points on the display is not possible.
Touch
To select an item, lightly touch the corresponding indication on
the display.
NOTE
You can turn on/off system sounds produced when touching the display (page 23).
Slide
Hold down the display slider, then slide your finger vertically or
horizontally to change the parameter value.
Slide your finger vertically or horizontally on the display to turn
pages, or to show or hide some part of a particular display.
Display-based Controls
Data dial
[HOME] button
Display
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Rotate
Touch and hold the display knob, and rotate your finger around
the knob to change the parameter value.
Touch and hold
This instruction means to touch the object in the display and hold
it for a while.
When setting values by using []/[], a slider or a knob, you can
restore the default value by touching and holding the value on
the display.
Rotating the Data Dial
Depending on the display, the Data dial can be used in the following two ways.
Adjusting the parameter values
After selecting the desired parameter, use the Data dial to adjust the value. This is useful if you have
difficulty adjusting by touching on the display, or want finer control over the adjustment.
Selecting an item from a list
In File Selection displays (page 27) and the List windows for setting parameters, use the Data dial to select
an item.
Pressing the [HOME] Button
You can quickly return to the Home display (the display shown when the power is turned on) by pressing the
[HOME] button whenever you want.
Data dial
CVP-909/CVP-905 Owner’s Manual 31
1
Basic Operations
You can assign the functions which you use frequently to these four panel buttons at the left side of the
display. Also, any of the functions listed on the Menu display (page 28) can be assigned here as a shortcut.
1Call up the operation display via [Menu] [Assignable] [Assignable].
2Touch the desired button number to call up the list.
3Select the desired item from the functions and shortcuts (equivalent to the
functions in the Menu display).
NOTE
For details about the functions which can be assigned to these buttons, refer to the Reference Manual on the website
(page 9).
Using the ASSIGNABLE Buttons
23
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32
Data you have created such as recorded Song and edited Voice can be saved as files to the instrument
(referred to as “User memory”) and a USB flash drive. If you’ve saved a lot of files, you may have trouble
finding the desired file quickly. To make operation easier, you can organize your files in folders, or you can
use the search function. These operations are done in the File Selection display.
NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
Saving a File
You can save your original data (such as Songs you’ve recorded and Voices you’ve edited) as a file to the
instrument or USB flash drive.
1In the relevant display, touch (Save) to call up the display for selecting the
saving destination.
2Select the location to which you want to save the file.
To show the next higher level folder, touch (Above).
You can create a new folder by touching (New Folder).
3Touch [Save here] to call up the Character Entry window.
NOTE
To cancel this operation, touch [Cancel].
4Enter the file name (page 36).
Even if you skip this step, you can rename the file at any time (page 33) after saving.
5Touch [OK] in the Character Entry window to actually save the file.
The saved file will be automatically located at the appropriate position among the files in
alphabetical order.
File Management
3
CVP-909/CVP-905 Owner’s Manual 33
1
Basic Operations
Creating a New Folder
Folders can be created, named and organized as desired, making it easier to find and select your original
data.
NOTE
• The maximum total number of files/folders which can be saved to the User memory differs depending on the file size and the length of
the file/folder names.
• The maximum number of files/folders which can be stored in a folder is 2,500.
1In the File Selection display, touch the User tab (page 27) then select the
location to which you want to create a new folder.
To show the next higher level folder, touch (Above).
NOTE
You cannot create a new folder in the “Piano Room” folder (page 48).
2Touch [File] to call up the File Management icons.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
3Touch (New Folder) to call up the Character Entry window.
4Input the name of the new folder (page 36).
Renaming a File/Folder
You can rename files/folders.
NOTE
• Files in the Preset tabs cannot be renamed.
• The “Piano Room” folder (page 48) cannot be renamed.
1Call up the File Selection display, on which the desired file/folder is shown.
2Touch [File] to call up the File Management icons.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
3Enter a checkmark to the desired file or folder by touching it.
4Touch (Rename) to call up the Character Entry window.
NOTE
Only one file or folder can be renamed at a time.
5Input the name of the selected file or folder (page 36).
File Management icons
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Copying or Moving Files
You can copy or cut a file and paste it to another location (folder). You can also copy a folder (but not move
it) by using the same procedure.
NOTE
• Files in the Preset tabs cannot be moved.
• Copying of commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for
your personal use. Commercially available Song data may be copy protected to prevent illegal copying or accidental erasure.
• Preset Songs copied to the User tab are indicated by (key icon) at the left side of the Song name on the Song Selection display.
These cannot be copied or moved to USB flash drives.
1Call up the appropriate File Selection display, on which the desired files/folders
are shown.
2Touch [File] to call up the File Management icons (page 33).
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
3Enter checkmarks to the desired files/folders by touching each item.
One or more files/folders can be checked. When you want to enter checkmarks to all displayed
items, touch (Check All). Touch (Check All) again to remove all the checkmarks.
4Touch (Copy) or (Move), to call up the display for selecting the destination.
5Select the desired destination (path) to paste the files/ folders.
You can create a new folder by touching (New Folder).
NOTE
To cancel this operation, touch [Cancel] before going to step 6.
6Touch [CopyHere] or [MoveHere] to paste the files/folders you’ve selected in
step 3.
The pasted file/folder appears on the display at the appropriate position among the files in
alphabetical order.
Deleting Files/Folders
You can delete files/folders.
NOTE
• Files in the Preset tabs cannot be deleted.
• The “Piano Room” folder (page 48) cannot be deleted.
1Call up the appropriate File Selection display, on which the desired files/folders
are shown.
2Touch [File] to call up the File Management icons (page 33).
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
3Enter checkmarks to the desired files/folders by touching each item.
One or more files/folders can be checked. When you want to enter checkmarks to all displayed
items, touch (Check All). Touch (Check All) again to remove all the checkmarks.
4Touch (Delete).
5After the confirmation message appears, touch [Yes] to actually delete the files/
folders you’ve selected in step 3.
To cancel this operation, touch [No] instead of [Yes].
CVP-909/CVP-905 Owner’s Manual 35
1
Basic Operations
Registering Files to the Favorite Tab
You can call up your favorite or often used Voices or Styles quickly by registering them to the Favorite tab.
Touch the star mark ( ) at the right side of each file to register the corresponding file to the Favorite tab.
To remove the registered file from the Favorite tab, touch the colored star mark ( ) in the Favorite tab or in
the tab which actually contains the corresponding file.
NOTE
• If you change the name of the original file or move/delete the original file, touching the corresponding file name in the Favorite tab
cannot call up the file.
• Within the Favorite tab, to actually remove the file, you need to touch the colored star then close or switch the display.
Sorting the File Order in the Favorite Tab
You can change the order of the files such as Voices and Styles in the Favorite tab.
1In the Voice Selection display or Style Selection display, touch the Favorite tab.
2Touch (Order) to call up the Order Edit display.
3Touch the file you want to move.
4Touch the location to which you want to move the file selected in step 3.
5Repeat steps 3 – 4 as necessary.
6Touch [Complete] to exit from the Order Edit display.
Favorite tab
Registered
Not
registered
4
3
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Searching for Files
1In the File Selection display, touch (Search) to call up the Search display.
2Touch the Search box to call up the Character Entry window.
3Enter the file name or the folder name (or just a part of it) to start searching
(page 37).
If you want to enter multiple words, insert a space between each word.
After the search is complete, the resulting list appears. If no files are listed, try this step again
with another word.
NOTE
On the Registration Bank Selection display, you can narrow the search by filtering. For details, refer to page 92.
4Select the desired file.
After selecting the file, touch the appropriate button such as [OK] or [Add to Playlist] for desired
operation. Touching [Cancel] calls up the display which was opened before the Search display
was called up.
This section covers how to enter characters for naming your files/folders and inputting words for searching
files. Entering characters is done in the display shown below.
Entering Characters
Search box
1
2
CVP-909/CVP-905 Owner’s Manual 37
1
Basic Operations
1Touch the character type.
When the Language (page 22) is set to other than Japanese:
When the Language (page 22) is set to Japanese:
2Touch []/[] or rotate the Data dial to move the cursor to the desired location.
3Input the desired character one by one.
To delete a single character, touch [Delete]; to delete all characters at once, touch and hold
[Delete]. To enter a space, touch the space key indicated in the illustration on the previous
page.
NOTE
• Depending on the display for character entry you are working in, some types of characters cannot be entered.
• A file name can contain up to 46 characters and a folder name can contain up to 50 characters.
• The following characters (half size) cannot be used: \ / : * ? " < > I
To input letters with auxiliary symbols (when Language is set to other than
Japanese):
You can input letters with auxiliary symbols such as umlaut by touching and holding a letter to
call up a list. For example, touch and hold “E” to enter “Ё” from the list.
To convert into Kanji (when the Language is set to Japanese):
When the entered “hiragana” characters are shown in reverse display (highlighted), touch
[ ] several times to call up the conversion options. You can change the reversed area by
touching [] or []. When you find the desired Kanji, touch [ ].
To change the converted kanji back to “hiragana,” touch [ ].
To clear the reversed area at once, touch [ ].
NOTE
To cancel this operation, touch [Cancel] before going on to step 4.
4Touch [OK] to finalize the characters (file name, etc.) you have input.
Touching [Symbol] (or [abc]) switches between entering symbols or Roman letters (and numbers).
To switch between entering capital letters or small letters, touch (Shift).
• : Roman letters and numbers in half size (full size)
• : Symbols in half size (full size)
• : Katakana in full size (half size)
• : Hiragana and Kanji
To switch between full size or half size, touch and hold the Character Type. For example, [ ]
can be called up by holding [ ].
When entering Roman letters, you can switch between capital and small letters by touching
(Shift).
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NOTE
• The pedals are protected with vinyl covers when shipped from the factory.
Remove the covers from the pedals before using to ensure optimum use
of the pedal effects.
• If the pedal box rattles or gives way when you step on the pedals, turn the
adjuster so that it is set firmly against the floor (pages 119, 122, 125).
Damper Pedal (Right)
Pressing this pedal sustains notes. Releasing this pedal immediately stops
(damps) any sustained notes. Pressing this pedal while you play a VRM Voice
(page 53) recreates the characteristic string resonance of a real acoustic
piano.
NOTE
• Certain Voices, such as strings and brass, sustain continuously when the damper/sostenuto pedal
is pressed.
• Certain Voices such as drum kits may not be affected by use of the damper/sostenuto pedal.
Half-pedal function
A “half-pedal” function of the damper pedal creates partial sustain effects, depending on how far down you
press the pedal. The farther you press the pedal, the more the sound sustains. For example, if you press
the damper pedal and the notes you play sound a bit murky and loud with too much sustain, you can
partially release the pedal to lessen the sustain (murkiness).
Since the pressing sensation may vary depending on the situation, including the location where the
instrument is installed, you can adjust the half-pedal point to the desired setting on the display called up via
[Menu] [Assignable] [Pedal]. For details, refer to the Reference Manual on the website (page 9).
Sostenuto Pedal (Center)
When the Piano Voice is selected, if you play a note or chord on the keyboard
and press this pedal while holding the note(s), the notes will sustain as long as
the pedal is held. All subsequent notes will not sustain.
When a Voice other than piano is selected, a specific function appropriate for
the Voice is automatically assigned to the center pedal.
Soft Pedal (Left)
When the Piano Voice is selected, pressing this pedal reduces the volume and slightly changes the timbre
of the notes you play. When a Voice other than piano is selected, a specific function appropriate for the
Voice is automatically assigned to the left pedal.
You can adjust the depth of the Soft pedal effect on the display called up via [Menu] [Assignable]
[Pedal]. For details, refer to the Reference Manual on the website (page 9).
Using the Pedals
GP Response Damper (CVP-909 only)
The damper pedal of the CVP-909 has been designed to provide enhanced tactile response and, when
pressed, is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience
the half-pedal point and more easily apply the half-pedal effect than other pedals.
Assigning a function to each pedal
Various functions can be assigned to each of the three pedals and a foot controller/footswitch (sold separately)
— including start/stop of Song playback and controlling a Super Articulation Voice. These can be set on the
display called up via [Menu] [Assignable] [Pedal]. For details, refer to the Reference Manual on the
website (page 9).
Damper PedalSostenuto Pedal
Soft Pedal
If you press and hold the damper
pedal here, all the notes shown
will be sustained.
If you press and hold the
sostenuto pedal here, only the
notes held at this timing will be
sustained.
CVP-909/CVP-905 Owner’s Manual 39
1
Basic Operations
The [METRONOME ON/OFF] button lets you start or stop the metronome. The metronome provides a click
sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific
tempo sounds.
NOTE
You can also change the time signature, volume and sound of the metronome on the display called up via [Menu] [Metronome]
[Metronome].
The TEMPO [−] and [+] buttons let you change the playback tempo of Metronome, Style and MIDI Song.
The tempo of the Style and MIDI Song can also be adjusted via the [TAP TEMPO] button.
NOTE
If you want to adjust the tempo of an Audio Song, use the Time Stretch function on page 75.
TEMPO [−]/[+] buttons
Press the TEMPO [−] or [+] button to call up the Tempo pop-up display.
Use the TEMPO [−]/[+] buttons to decrease or increase the tempo over a
range of 5 – 500 beats per minute. Holding down either button changes
the value continuously. Pressing both TEMPO [−] and [+] buttons calls up
the default tempo of the last selected Style or Song.
[TAP TEMPO] button
During playback of a Style or MIDI Song, you can change the tempo by tapping the [TAP TEMPO] button
twice at the desired tempo. When Style and Song are stopped, tapping the [TAP TEMPO] button (four times
for a 4/4 time signature) starts playback of the rhythm part of the Style at the tempo you tapped.
NOTE
You can change the sound type or volume of the sound caused when tapping the [TAP TEMPO] button via [Menu] [Metronome] [Tap
Tempo].
Using the Metronome
Adjusting the Tempo
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Touch Sensitivity determines how the sound responds to your playing strength. This setting does not
change the weight of the keyboard.
1Call up the display via [Menu] [Keyboard].
2Make the settings by touching the display.
For details on the Left Hold function, refer to page 52.
Setting the Touch Sensitivity of the Keyboard
Touch Curve Enter checkmarks to the boxes of the desired keyboard parts, then touch here to
call up the setting window and select the Touch Sensitivity type. If you remove
the checkmark, playing the corresponding part will produce a fixed velocity
regardless of your playing strength.
NOTE
The Touch Sensitivity settings may have no effect with certain Voices.
•Hard2: Requires strong playing to produce high volume. Best for players with
a heavy touch.
•Hard1: Requires moderately strong playing for high volume.
•Medium: Standard Touch Sensitivity.
•Soft1: Produces high volume with moderate playing strength.
•Soft2: Produces relatively high volume even with light playing strength. Best
for players with a light touch.
Fixed
Velocity
Make sure that the box of the desired keyboard parts are checked, and then
touch here to call up the setting window and set the velocity with which you play
the keys, which stays fixed regardless of your playing strength.
CVP-909/CVP-905 Owner’s Manual 41
1
Basic Operations
The TRANSPOSE [−]/[+] buttons transpose the overall pitch of the instrument (the keyboard sound, Style
playback, MIDI Song playback, and so on) in semitone steps (from −12 to 12). Pressing the [−] and [+]
buttons simultaneously resets the value to 0.
NOTE
• If you want to transpose the pitch of the Audio Song, use the Pitch Shift parameter on page 74.
• The Transpose functions do not affect the Drum Kit or SFX Kit Voices.
You can independently select the part to be transposed as desired. Touch the Transpose pop-up several
times until the desired part appears, then use the TRANSPOSE [−]/[+] buttons to transpose it.
NOTE
Transpose can be done on the display also via [Menu] [Transpose].
Transposing the Pitch in Semitones
Master Transposes the pitch of the entire sound with the exception of the Audio Song, the input
sound from the [MIC/LINE IN] jack and the Audio Input Sound from the external device.
Keyboard Transposes the keyboard pitch including the chord root for triggering Style playback.
Song Transposes the pitch of the MIDI Song.
Fine tuning the pitch
By default, the pitch of the entire instrument is set to 440.0 Hz according to equal temperament. This setup
can be changed from the display called up via [Menu] [Tuning]. For details, refer to the Reference Manual
on the website (page 9).
Hz (Hertz):
This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.
CVP-909/CVP-905 Owner’s Manual
42
From the Balance display called up via [Menu] [Balance], you can adjust the volume balance among the
keyboard parts (Main, Layer, Left), the Style, the Song, the microphone sound, and the Audio Input Sound
from the external device (page 107). Slide your finger vertically for each part to adjust the volume.
Since the volume of MIDI Songs and Audio Songs are handled individually, you need to set the volume
balance for each case (when a MIDI Song is selected, or when an Audio Song is selected).
While holding the C7 key (right-most key on the keyboard), turn the power on. This restores (or initialize) all
of the settings to their factory defaults, with the exception of “Language” (page 22), “Owner Name”
(page 22) and Bluetooth pairing information (page 109).
NOTE
You can also restore the factory default value of specified settings or delete all files/folders in the User memory on the display called up via
[Menu] [Utility] [Factory Reset/Backup] page 1/2. For details, refer to the Reference Manual on the website (page 9).
Adjusting the Volume Balance
Restoring the Factory-programmed Settings (Initializing)
To restore the default value of any parameter you’ve changed
Touch and Hold the value on the display (page 30).
+
C7
CVP-909/CVP-905 Owner’s Manual 43
1
Basic Operations
You can back up all data in the User memory of this instrument (except for Protected Songs) and all settings
to the USB flash drive as a single file (file extension: .bup). This procedure is recommended for data
security and backup in case of damage.
NOTE
• For information on the settings that can be backed up, refer to the “Backup/Restore” column of the “Parameter Chart” in the Data List on
the website (page 9).
• Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
• You can back up User data such as Voice, Song, Style, Registration Memory and Playlist by copying them individually to USB flash
drive. For instructions, refer to page 34.
• You can back up the System settings, MIDI settings and User Effect settings individually. For details, refer to the “Utility” section in the
Reference Manual on the website (page 9).
1Connect the USB flash drive to the [USB TO DEVICE] terminal as backup
destination.
2Call up the display via [Menu] [Utility] [Factory Reset/ Backup] page 2/2.
If you want to back up the Audio Songs (WAV/MP3) saved to the User memory, enter a
checkmark to the “Include Audio Files” box. Since audio files use large memory, remove the
checkmark if you do not want to save them.
3Touch [Backup] to save the backup file to the USB flash drive and follow the
on-screen instructions.
Restoring the Backup File
To do this, touch [Restore] in step 3 above. When the operation is complete, the instrument will be restarted
automatically.
NOTICE
• If any of the files (such as Songs or Styles) in the User memory of the instrument have the same name with the data
contained in the backup file, the data are overwritten by restoring the backup file. Move or copy the files in the User
memory of the instrument to USB flash drive before restoring (page 34).
• Completing the backup/restore operation may take a few minutes. Do not turn off the power during backup or
restoring. If you turn off the power during backup or restoring, data may be lost or damaged.
Data Backup
3
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Piano Room
– Enjoying the Piano Performance –
The Piano Room function is for those who want to simply, conveniently, and fully enjoy playing the
instrument as a piano. No matter what settings you’ve made from the panel, you can instantly call up the
optimum settings for piano performance with a single button press. You can also change the piano settings
as you like, or you can enjoy playing the piano as if you are in a small ensemble.
1Press the [PIANO ROOM] button to call up the Piano Room display.
This calls up the relevant panel settings for piano performance. All buttons on the control panel
with the exception of the [PIANO ROOM] and [HOME] buttons are disabled.
2Play the keyboard.
Change the piano settings, such as Piano Type, Environment (Reverb Type), etc., according to
the type of music you want to play.
Selecting a Piano Type
Touch the picture of the piano to call up the piano list, and then select the desired one. When
a grand piano Voice is selected, you can open or close the lid by sliding up or down on the lid
or by rotating the Data dial.
Selecting an Environment (Reverb Type)
Touch the background picture of the piano to call up the environment list, and then select the
desired one. This sets the Reverb Type for the selected Environment.
Using the Metronome
Touch (Metronome) to call up the pop-up display. You can turn the metronome on or off,
or change its tempo. You can also change the tempo by tapping [Tap] in the pop-up display
twice at the desired tempo.
To close a list or a setting display, touch anywhere outside of the list or setting display.
3Press the [PIANO ROOM] button or [HOME] button to exit the Piano Room
display.
All panel settings are restored to those which were set before the Piano Room display was
called up.
Playing a Piano Performance in the Piano Room
Accompaniment (page 45)
Detailed settings (page 47)Recording/playback (page 48)
2
CVP-909/CVP-905 Owner’s Manual 45
Piano Room – Enjoying the Piano Performance –
2
1Press the [PIANO ROOM] button to call up the Piano Room display.
2Touch (Accompaniment) at the upper right of the display.
Session players appear in the display. Session players can be shown or hidden by touching
(Accompaniment) or (Piano).
3Select the type of accompaniment.
Touch the picture of the session players to call up the list for selecting the desired
accompaniment. To close the list, touch anywhere outside of the list.
4Touch (Start).
The Intro starts playing back.
If you want to adjust the tempo, touch [L] or [R] in the display called up in step 3. Tapping [Tap]
twice at the desired tempo can also change the tempo.
5Play the keyboard following the Intro.
The Session players provide accompaniment for your performance. Jazz or Pop is
recommended.
6Touch (Stop) to stop the accompaniment.
Accompaniment stops after an ending part is played.
NOTE
The function of accompaniment is available outside the Piano Room. For details, refer to page 58.
Playing the Piano in Session with Other Instruments
23
Session
players
4
Accompaniment Type
To scroll through pages of the list, slide it horizontally.
Accompaniment tempo
CVP-909/CVP-905 Owner’s Manual
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Changing the Accompaniment Settings
Touch (Settings) at the bottom of the accompaniment type list of step 3 on page 45, to call up the
setting display.
1Turns all parts, except those of rhythm and bass, on or off.
2Turns the rhythm parts and bass parts on or off.
3Turns the bass part on or off.
4Move the slider to adjust the volume of the accompaniment.
5Touch here to go back to the accompaniment type list.
CVP-909/CVP-905 Owner’s Manual 47
Piano Room – Enjoying the Piano Performance –
2
You can change various Piano Room settings as you like. You can also restore all Piano Room settings to
the default.
1Press the [PIANO ROOM] button to call up
the Piano Room display.
To change the settings of the accompaniment,
touch (Accompaniment) to call up the session
players.
2Touch (Settings) to change the
settings.
Shaded items in the list below are available only when session players are displayed. To close
the setting display, touch anywhere outside of the setting display.
The settings marked with * (asterisk) will be maintained even if you exit from this display or turn
off the power. Pressing the [PIANO ROOM] button next time will call up the Piano Room
settings which were made the previous time.
Changing/Resetting the Piano Room Settings
Environment* For selecting the environment (Reverb Type).
Lid Position* Determines how much the Lid is opened. Available only when a grand
piano Voice is selected.
Tune Determines the pitch of this instrument in 1 Hz steps.
Dynamics Control Determines how the volume of the accompaniment responds to the
strength with which you play the keys.
Off ........... The accompaniment volume does not respond to your playing
strength.
Narrow .... The accompaniment volume changes over a narrow range in
response to your playing strength. In other words, you must
play very strongly or softly to have the volume change.
Medium ... The accompaniment volume changes normally in response to
your playing strength.
Wide ........ The accompaniment volume changes over a wide range in
response to your playing strength. In other words, playing
strongly or softly produces greater changes in the volume.
Section Control* Turning this on calls up buttons for changing variations (Sections) of
accompaniment (A, B, C, D) in the display. By using these sections
effectively, you can easily add variations to your performance.
Fingering Type* Set the Fingering type (page 65) to “AI Full Keyboard” or “AI Fingered.”
Split Point* Set the Style Split Point (page 54) when the “AI Fingered” is selected in
Fingering Type above.
Reset Restores all settings of Piano Room to the default.
2
1
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You can record your performance in Piano Room as a MIDI Song (page 67) to the User memory of the
instrument.
1Press the [PIANO ROOM] button to call up the Piano Room display.
Make any necessary settings, such as the type of piano, calling up the session players, and so
on.
2Touch [I] (Rec) to start recording, and
then play the keyboard.
If you want to record from the Intro section of the
accompaniment, start the accompaniment.
3Touch [J] (Stop) to stop recording.
4After a message appears prompting you
to save, touch “Yes” to save the file.
NOTICE
The recorded data will be lost if you turn the power off
without executing the save operation.
5To hear the recorded performance, touch (Song), and then touch [R] (Play)
on the display that is called up.
Touch [J] (Stop) to stop playback.
NOTE
The Songs recorded in the Piano Room are shown in the “PianoRoom” folder in the User tab (MIDI) on the Song Selection
display (page 68).
Playing Back Recorded Songs, Changing Song Names, Deleting Songs
1Touch (Song) on the Piano Room
display to call up the Song list.
2Touch the desired Song.
3Touch the desired icon.
•[R] (Play): Starts playback of the selected
Song. To stop playback, touch [J] (Stop).
• (Rename): Changes the name of the
selected Song. For details on entering
characters, refer to page 36.
• (Delete): Deletes the selected Song.
NOTE
The Songs recorded in the Piano Room can be selected and played back from the “PianoRoom” folder in the User tab
(MIDI) on the Song Selection display (page 68).
Recording your Performance in the Piano Room
2 5
1
3
3
2
CVP-909/CVP-905 Owner’s Manual 49
3
Voices – Playing the Keyboard –
Voices
– Playing the Keyboard –
The instrument features a wide variety of exceptionally realistic instrumental Voices, including piano, guitar,
strings, brass, wind instruments and more.
The Voices can be played via three keyboard parts: Main, Layer and Left. These playing modes allow you to
play just one single Voice (Main), play two different Voices in layer (Main and Layer), or play different
Voices in the right- and left-hand areas of the keyboard (Main/Layer and Left). By combining these three
parts, you can create luscious instrument textures and convenient performance combinations.
When the Left part is turned off, the entire keyboard is used for the Main and Layer parts. When the Left part
is turned on, the FP2 and lower keys are used for the Left part while the upper keys (excluding FP2) are used
for the Main and Layer parts. The key which divides the keyboard into the left-hand and right-hand areas is
referred to as “Split Point” and its guide lamp lights when the Left part is turned on. The Voices of the parts
which are turned on can be confirmed on the Home display.
NOTE
• You can also play only the Layer part by turning the Main part off.
• The Split Point can be changed (page 54).
• The guide lamp lights up also at the Style Split Point, when the STYLE CONTROL [ACMP ON/OFF] button is turned on.
1Select the keyboard part then call up the Voice Selection display.
Do this to select a Voice for each keyboard part.
Touching the display
1-1 On the Home display, touch [Main], [Left], or [Layer] to turn on the desired keyboard
part.
The center of the display shows the keyboard parts which are turned on and their
corresponding Voices.
1-2 Touch the Voice of the desired part to call up the Voice Selection display.
Playing Preset Voices
Left part Layer part
Main part
Split Point (F#2 as default)
Keyboard parts
which are turned on
and their Voices
On/off status of the
keyboard parts
3
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Using the panel buttons
1-1 To select the keyboard part, press the VOICE [MAIN/LAYER/LEFT] button repeatedly
if necessary until the desired part’s lamp lights.
1-2 Press one of the desired VOICE category buttons to call up the Voice Selection
display.
NOTE
• You can select Voices for the Main and Layer parts simply by using the Voice category selection buttons. While holding
down one of the Voice category selection buttons, press another Voice category selection button. The Voice
corresponding to the first pressed button is assigned to the Main part while the Voice of the second pressed button is
assigned to the Layer part.
• You can change the sub category by pressing the same Voice category button twice or more.
2 Touch the desired Voice.
NOTE
The “Others” tab contains XG Voices and so on. For details about how to select those Voices, refer to the “VoiceSetting”
section in the Reference Manual on the website (page 9).
3Make sure that the desired keyboard part is turned on.
The on/off setting for the keyboard part can be made as described in step 1-1 in “Touching the
display.”
4Play the keyboard.
To hear the characteristics of the Voices:
Touch (Demo) to start demo playback of the selected Voice. Touch (Demo) again to stop
playback.
Touch (Information) to call up the Voice Information window, which may or may not be
available depending on the Voice.
1-1 1-2
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Voices – Playing the Keyboard –
3
Displaying the Instruments Assigned to the Keyboard (Drum Kit Tutor)
For Drums Voices in which (Drum Kit Tutor) is appeared on the Voice area of the Home display or below
the Voice Selection display, you can call up the key assignment by touching the icon.
1Touch (Drum Kit Tutor) to call up the Drum Kit Tutor window.
2Press the desired key to check the key assignment.
The illustration and the name of the instrument assigned to the key appear on the Drum Kit
Tutor window. Touch [L]/[R] to shift the illustration and instrument names by octaves (or press
the desired key outside the displayed range).
Voice Characteristics
At the left side of each Voice name on the Voice Selection display, the
icon which represents its defining characteristic is indicated.
There are various Voice characteristics; however, only the following
ones are covered here. For detailed explanations, refer to the
“VoiceSetting” section in the Reference Manual on the website (page 9).
• : VRM Voices (page 53)
These recreate the characteristic string resonance of a real acoustic piano.
• / : Super Articulation (S.Art, S.Art2) Voices (page 55)
The word “articulation” in music usually refers to the transition or continuity between notes. This is often
reflected in specific performance techniques, such as staccato, legato and slur.
• : Organ Flutes Voices (page 56)
Lets you recreate all of the classic organ sounds by adjusting the flute footage levels and the percussive
sounds, just like on conventional organs.
• / / : Drum Voices, / / : SFX Voices
Lets you play various drums and percussion instruments or SFX (sound effects) sounds which are assigned
to each key. For details on the Key assignments, refer to the “Drum/Key Assignment List” in the Data List on
the website (page 9). On some Drum and SFX Voices, you can use the Drum Kit Tutor function to see the
Key assignment on the display as described below.
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Maintaining the Left Voice even when releasing the keys (Left Hold)
When the Left Hold function is set to “On” via [Menu] [Keyboard], the Voice for the Left part is held even
when the keys are released. Non-decaying Voices such as strings are held continuously, while decay-type
Voices such as piano decay more slowly (as if the sustain pedal has been pressed).
When the Left Hold is “On,” an “H” indication appears at the left side of the keyboard illustration in the center
of the Home display.
Calling up the Appropriate Settings for Piano Performance (Piano Reset)
You can easily reset to appropriate settings for playing the instrument as a piano, no matter what settings
you’ve made from the panel. This function called “Piano Reset” allows you to play the “CFX Concert Grand”
Voice across the entire keyboard.
NOTE
This function cannot be used while the Piano Room display (page 44) or the Piano Lock display (see below) is shown.
1Press and hold down the [PIANO ROOM] button for two seconds or longer.
A message appears in the display.
2Touch [Reset] to call up the appropriate settings for playing as a piano.
Locking the Settings for Piano Performance (Piano Lock)
You can “lock” the panel settings to the appropriate settings for playing the instrument as a piano instantly,
no matter what settings you’ve made from the panel. Once locked, the instrument stays in the default piano
settings, even if other buttons are pressed — only allowing you to play the keyboard, use the pedals, or
adjust the master volume. In other words, Piano Lock prevents you from accidentally selecting and playing
another sound during your piano performance.
1Press and hold down the [PIANO ROOM] button for two seconds or longer.
A message appears in the display.
2Touch [Lock] to call up the Piano Lock display.
The panel settings will be locked in the appropriate settings for playing as a piano.
To disable Piano Lock, press and hold the [PIANO ROOM] button again for two seconds or longer.
If you turn off the power with Piano Lock enabled, turning on the power next time will call up the Piano Lock
display.
CVP-909/CVP-905 Owner’s Manual 53
Voices – Playing the Keyboard –
3
Playing Realistic Resonance-enhanced Piano Sounds (VRM Voices)
Simply by selecting a VRM Voice, you can enjoy the VRM effect (see below). An icon [VRM] is shown at the
left side of the Voice name of a VRM Voice on the Voice Selection display.
The default setting of the VRM effect is on. You can turn it on or off, and adjust the depth via [Menu]
[Voice Setting] [Piano] 1/2 page. For details, refer to the Reference Manual on the website (page 9).
Reproducing tonal variations that respond to subtle changes in touch
(Grand Expression Modeling)
When the Voice of “CFX Concert Grand” or “Bösendorfer Grand” is selected, the Grand Expression
Modeling effect is automatically added, and it faithfully reflects nuances of your playing touch to tonal
variations, just as on a real grand piano.
VRM (Virtual Resonance Modeling)
On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the
pressed key vibrate, it also causes other strings and the soundboard to vibrate, with each influencing the rest,
creating a rich and brilliant resonance that sustains and expands. The VRM (Virtual Resonance Modeling)
technology featured in this instrument reproduces the complicated interaction between both string and
soundboard resonance, and make the sound more like that of a real acoustic piano. Since resonance
instantaneously occurs depending on the action of the keys and pedal, you can expressively vary the sound
by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.
Grand Expression Modeling
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch
from when you press a key to when you release it. For example, when you press a key all the way to its
bottom, the key hits the keybed underneath and the noise reaches the strings, changing the sound slightly.
Furthermore, the tone when the damper is lowered onto strings to mute the sound is changed by how quickly
you release the key. Grand Expression Modeling technology recreates these subtle changes in the sound that
respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly
to produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering
sound produced when releasing the keys slowly.
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The key which divides the keyboard into two or three areas is referred to as “Split Point.” There are two
types of Split Point: “Left Split Point” and “Style Split Point.” The “Left Split Point” divides the keyboard into
the Left part area and Main part area while the “Style Split Point” divides the keyboard into the Chord
section for Style playback (page 59) and the Main or Left part area. Though both Split Points are at the
same key (FP2) by default, you can also set them individually (as shown).
NOTE
The guide lamp located at the Split Point lights up when the Left part is turned on or the [ACMP ON/OFF] button is turned on.
1Call up the Split Point/Fingering window: [Menu] [Split&Fingering].
NOTE
The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.
2Touch [Left] or [Style] to turn it on.
If you want to set both Split Points to the same key, turn both of them on.
3Touch []/[] to select the desired key as Split Point.
You can set the Split Point also by pressing the actual key while holding down the keyboard
illustration on the display.
NOTE
The Left Split Point cannot be set lower than the Style Split Point.
Setting the Split Point
Style Split Point
Left Split Point
Chord section
Left part
Left part, Main (and Layer) part
Main (and Layer) part
3
2
Style
Split Point
Left Split Point
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Voices – Playing the Keyboard –
3
The Super Articulation Voices (S.Art Voices and S.Art2 Voices) enable you to create subtle, very realistic
musical expressions, simply by how you play. The [S.Art]/[S.Art2] icons are shown beside the Voice name
of Super Articulation Voices (S.Art, S.Art2) on the Voice Selection display or the Home display. For specific
performance instructions on certain Voices, you can call up the Information window of the selected S.Art
Voice or S.Art2 Voice by touching this icon on the Home display.
S.Art Voices
The S.Art Voices provide many benefits with great playability and expressive control in real time.
• Example: Saxophone Voice
If you play a C note and then an adjacent D in a very legato way, you will hear the
note change seamlessly, as though a saxophone player played it in a single breath.
• Example: Guitar Voice
If you play a C note and then the E just above in a very legato but firm way, the pitch
slides up from C to E.
S.Art2 Voices (CVP-909 only)
For wind instrument Voices and string instrument Voices, a special technology called AEM has been used,
which features detailed samples of special expressive techniques used on those specific instruments — to
bend or slide into notes, to “join” different notes together, or to add expressive nuances at the end of a note,
etc.
NOTE
AEM is a technology that simulates the sound of acoustic instruments naturally by smoothly joining the most appropriate sound samples
selected from the data base in realtime during performance.
• Example: Clarinet Voice
If you hold a C note and play the BR above, you’ll hear a glissando up to the BR.
NOTE
• S.Art and S.Art2 Voices are only compatible with other models which have those types of Voices installed. Any Song or Style data you’ve
created on the instrument using these Voices will not sound properly when played back on other instruments.
• S.Art and S.Art2 Voices sound differently depending on the keyboard range, velocity, touch, etc. Hence, if you turn on a Keyboard
Harmony effect, change the transpose setting or change the Voice Settings, unexpected or undesired sounds may result.
• The characteristics of S.Art2 Voices (default vibrato setting and articulation effects applied by the pedals) are effective for real-time
performance; however, these effects may not be completely reproduced when you play back a Song which has been recorded using
S.Art2 Voices.
Playing Super Articulation Voices
Adding Articulation Effects by Using the Pedal
When you assign an S.Art or S.Art2 Voice to the Main part, the function of the center or/and left pedals are
switched to control articulation effects. Pressing a pedal triggers different playing effects, separate from your
keyboard playing. For example, pressing a pedal for a saxophone Voice can produce breath noises or key
noises, while doing the same for a guitar Voice can produce fret noises or body-tapping sounds. You can
effectively intersperse these into the notes as you play.
When an S.Art2 Voice is selected, pressing a pedal and playing/releasing a note enables you to add
articulation effects, such as bend up/down, glissando up/down, brass falls, etc.
NOTE
• For some Super Articulation Voices, articulation effects are not assigned to pedals.
• If you want to lock the pedal function regardless of the Voice, turn off the Switch With Main Voice parameter called up via [Menu]
[Assignable] [Pedal] [Switch With Main Voice (Center & Left)].
• If you assign the Articulation function to the ASSIGNABLE buttons (page 31), you can control articulation effects by using the
buttons instead of the pedals.
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The instrument uses advanced digital technology to recreate the legendary sound of vintage organs. Just
as on a traditional organ, you can create your own sound by increasing and decreasing the levels of the
flute footages. The created Voice can be saved for future recall.
NOTE
The term “footage” is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different
lengths (in feet).
There are three organ types, and each organ type has its own display, which beautifully recreates the actual
appearance of an actual instrument. Each type provides realistic, intuitive control over the sound with
special footage levers, tabs and switches—letting you adjust the sound with much the same feel as on an
actual instrument.
•Vintage: Simulating the iconic sound of an American vintage jazz and rock organ.
•Euro: A well known European Pops organ with the iconic rotary sound captured in the sample.
•Home: A traditional American tabs organ of the 70s and 80s suited for middle-of-the road standards.
1On the Voice Selection display, select the desired Organ Flutes Voice.
Touch the [Organ Flutes] tab in the [Organ] category, and then select the desired Organ Voice.
2Return to the Home display, and then touch (Organ Flutes) located at the
upper right of the Voice name to call up the Organ Flutes Voice Edit display.
3Slide the Footage levers to adjust the footage settings.
The footage settings determine the basic sound of the Organ Flutes.
If you want, you can change the settings such as Rotary Speaker and Vibrato.
Creating Original Organ Flutes Voices
Vintage Euro Home
3
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Voices – Playing the Keyboard –
3
The parameters indicated by “*” are available only for the Vintage and Home type.
NOTE
You can also make Effects and EQ (equalizer) settings. For details, refer to the “VoiceEdit” section in the Reference Manual
on the website (page 9).
4Touch (Save) and save the created Organ Voice.
For instructions on saving, refer to page 32.
NOTICE
The settings will be lost if you select another Voice or turn the power to the instrument off without executing the
Save operation.
NOTE
In addition to the Organ Flutes Voices, other Voices can be edited by calling up the Voice Edit display from the Menu after
selecting the desired Voice. For details, refer to the Reference Manual on the website (page 9).
1Volume Determines the volume of the entire Organ Flutes sound.
2Rotary/
Tremolo*
Alternately switches the Rotary Speaker speed between “Slow” and “Fast.” This
parameter is available only when an effect type which contains “Rotary” in its name
is applied.
3Vibrato* Turns the vibrato on or off, and allows you to adjust the vibrato depth and vibrato
speed.
4Response Adjusts the response speed of both the Attack and Release portions of the sound.
5Attack Switches between two different Attack modes: First and Each, and determines the
length of the Attack sound.
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Styles
– Playing Rhythm and Accompaniment –
The instrument features a variety of accompaniment and rhythmic backing patterns (called “Styles”) in a
variety of different musical genres including pop, jazz, and many others. Each Style features Auto
Accompaniment, letting you produce automatic accompaniment playback simply by playing “chords” with
your left hand. This lets you automatically recreate the sound of a full band or orchestra — even if you’re
playing by yourself.
Try out Style accompaniment with the following song. After you understand how to use the Style, try out
other songs by using various Styles.
Mary Had a Little Lamb (Style: Country 8Beat 2)
NOTE
The Fingering type (page 65) of “Multi Finger” (default setting) or “Single Finger” can be used for the example score here; the instructions
hereafter assume one or the other is used.
1On the Home display, touch the Style name to call up the Style Selection
display.
Playing with a Style
CCFC
C
G
G
CC
Ending
4
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Styles – Playing Rhythm and Accompaniment –
4
2Touch the desired Style.
For the example score above, touch [Country & Blues] category and touch [Modern Country],
and then touch [Country 8Beat 2].
The Style category can be selected also by pressing one of the
STYLE buttons.
NOTE
You can change the sub category by pressing the same Style category button
twice or more.
3Make sure that the STYLE CONTROL [ACMP ON/OFF] button is turned on.
When turned on, the specific left-hand section of the keyboard can be used as the Chord
section, and chords played in this section are automatically detected and used as a basis for
fully automatic accompaniment with the selected Style.
NOTE
• The Split Point can be changed as desired (page 54).
• By default, the chord section (Chord Detection Area) is set to the left-hand section, but you can change it to the right-
hand section (page 66) if desired.
• When the [ACMP ON/OFF] button is off, only the rhythm part is played back (auto accompaniment is not played back).
4Return to the Home display, touch [] at the upper left to expand the Style area,
and then touch [ ] (SYNC START) to enable Sync Start.
Here and in the later steps, the operation in the Style area of the Home display can be
controlled by the STYLE CONTROL buttons (page 60).
5Play a chord with your left hand to start the selected Style.
Referring to the notation on page 58, play chords with your left hand and a melody with your
right.
6Touch [R/J] (START/STOP) to stop Style playback.
You can also stop playback by pressing one of the ENDING/rit. [I] – [III] buttons at the “Ending”
location on the notation (page 61).
Chord section
Split Point (FP2 as default)
4
6
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A Style generally consists of eight parts (channels): rhythm, bass, etc. You can add variations and change
the feeling of a Style by selectively turning channels on/off or by changing the Voices (page 100).
Style File Compatibility
This instrument uses the SFF GE file format (page 8) and can play back existing SFF files; however, they will be saved in the SFF GE
format when the file is saved (or loaded) in this instrument. Please keep in mind that the saved file can only be played back on instruments
that are compatible with the SFF GE format.
To do this, use the on-screen buttons called up by touching [L] in the Style area of the Home display, or
use the STYLE CONTROL buttons.
NOTE
For instructions on adjusting the tempo, refer to page 39.
[ACMP ON/OFF], [AUTO FILL IN] and [SYNC STOP] can be controlled only by using the panel buttons.
Style Characteristics
The Style type and its defining characteristics are indicated on the
Preset Style icon (such as Pro and Session).
For details about these icons, refer to the “StyleSetting” section in the
Reference Manual on the website (page 9).
Style Control Operations
Style Control Style Control
While Style is stopped While Style is playing
STYLE CONTROL buttons
Home display
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Styles – Playing Rhythm and Accompaniment –
4
To Start/Stop Playing
[R/J] (START/STOP)
Starts playback of the rhythm part of the current Style. To stop playback, press this
button again.
[ ] (SYNC START)
This puts the Style playback in standby. The Style starts playing back when you play
a chord with your left hand (when [ACMP ON/OFF] is on) or you press any note on
the keyboard (when [ACMP ON/OFF] is off). During Style playback, pressing this
button stops the Style and puts playback in standby.
[SYNC STOP] button
You can start and stop the Style anytime you want by simply playing
or releasing the keys in the chord section of the keyboard. Make sure
that the [ACMP ON/OFF] button is on, press the [SYNC STOP]
button, and then play the keyboard.
NOTE
When the Fingering type (page 65) is set to “Full Keyboard” or “AI Full Keyboard,” Sync Stop cannot be turned on.
INTRO [I] – [III]
The instrument features three different Intro sections to add an introduction before
starting Style playback. After pressing (or touching) one of the INTRO [I] – [III]
buttons, start playback of the Style. When the Intro finishes playing, Style playback
automatically shifts to the Main section.
NOTE
When you select INTRO [II] or [III], you need to play chords in the chord section to play the complete Intro section.
ENDING/rit. [I] – [III]
The instrument features three different Ending sections to add an ending before
stopping Style playback. When you press (or touch) one of the ENDING/rit. [I] – [III]
buttons while a Style is playing back, the Style will automatically stop after the ending
is played. You can have the ending gradually slow down (ritardando) by pressing the
same ENDING/rit. button once again, while the ending is playing.
NOTE
If you press the ENDING/rit. [I] button when the Style is playing, a fill-in automatically plays before ENDING/rit. [I].
Playing back both rhythm and auto accompaniment ([ACMP ON/OFF]
button)
If you turn on the [ACMP ON/OFF] button, both the rhythm part and auto accompaniment
can be played back when playing chords in the chord section during Style playback.
NOTE
• The rhythm does not sound for some Styles. When you want to use any of these Styles, always make sure
that [ACMP ON/OFF] button is turned on.
• By default, [ACMP ON/OFF] is turned on when you turn the power on. You can set whether the [ACMP ON/OFF] button is on or off
when the power is turned on via [Menu] [StyleSetting] [Setting] [ACMP On/Off default].
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Changing Variation (Sections) During Style Playback
Each Style features four different Main sections, four Fill-in sections and a Break section. By using these
sections effectively, you can easily make your performance sound more dynamic and professional. The
section can be freely changed while the Style is playing back.
MAIN VARIATION [A] − [D]
Press (or touch) one of the MAIN VARIATION [A] – [D] to select the desired Main section (the button lights
in red). Each is an accompaniment pattern of a few measures and it plays indefinitely. Pressing the selected
MAIN VARIATION button again maintains the same section, but plays an appropriate fill-in pattern to spice
up the rhythm and break the repetition.
[ ] (BREAK)
This lets you add dynamic breaks in the rhythm of the accompaniment. Press this
button during Style playback. When the one-measure Break pattern finishes playing,
the Style playback automatically shifts to the Main section.
Playing Styles Automatically with Custom Chord Progressions
(Chord Looper)
Normally, while playing along with a Style, you play chords in the chord section of the keyboard. However,
by using the Chord Looper function, you can record chord progressions you want to play over, and the Style
can be played back in a loop responding to the chord progression data. For example, if you play the chords
C, F, G and C in order and record it, the Style loops and keeps playing back as “C / F / G / C C / F / G / C
...” —without the need for you to play chords in the chord section of the keyboard. This extends your
performance capability, letting you play freely with both your left and right hands.
For details, refer to the “ChordLooper” section in the Reference Manual on the website (page 9).
Adding a Fill-in when changing the Main section ([AUTO FILL IN]
button)
When the [AUTO FILL IN] button is turned on, pressing any of the Main [A] − [D] buttons
as you play automatically plays a fill-in section.
About the lamp status of the section buttons (INTRO/MAIN VARIATION/BREAK/
ENDING)
•White: The section is currently selected.
•White (flashing): The section will be played next, following the currently selected section.
* The Main [A] − [D] button lamps also flash in white.
•Blue: The section contains data but is not currently selected.
•Off: The section contains no data and cannot be played.
Press the selected Main section
(lit in white) again.
The fill-in of the selected Main section plays
(flashes in white).
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Styles – Playing Rhythm and Accompaniment –
4
One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate
panel settings (Voices or effects, etc.) for the currently selected Style, with the touch of a single button. If
you’ve already decided which Style you wish to use, you can have One Touch Setting automatically select
the appropriate Voice for you.
1Select the desired Style (steps 1– 2 on page 58).
2Press one of the ONE TOUCH SETTING [1] − [4] buttons.
Not only does this instantly call up all the settings (Voices, effects, etc.) that match the current
Style, it also automatically turns on ACMP and SYNC START, so that you can immediately start
playing the Style.
3As soon as you play a chord with your left hand, the selected Style starts.
Each Style has four One Touch Setting setups. Press the other ONE TOUCH SETTING [1] − [4]
buttons to try out other setups.
NOTE
You can change the timing in which the One Touch Settings change with MAIN VARIATION [A] − [D] changes. To do this,
touch [Menu] [StyleSetting] [Setting] then set the OTS Link Timing parameter. For details, refer to the Reference
Manual on the website (page 9).
Calling up Panel Settings Appropriate for the Current Style
(One Touch Setting)
Confirming the One Touch Setting Contents
In the Style Selection display, touch (Information) to call up the Information window that shows
what Voices are assigned to the ONE TOUCH SETTING [1] – [4] buttons for the current Style.
You can call up the desired settings also by touching one of the One Touch Settings 1– 4 directly
on the Information window.
NOTE
Gray color for a Voice name indicates that the corresponding Voice part is currently turned off.
Automatically Changing One Touch Settings with the Main Sections
The convenient OTS (One Touch Setting) Link function lets you automatically have
One Touch Settings change when you select a different Main section (A − D). The
Main sections A, B, C and D correspond to One Touch Settings 1, 2, 3 and 4
respectively. To use the OTS Link function, turn the [OTS LINK] button on.
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Memorizing original settings to One Touch Setting
You can memorize your original panel settings to the One Touch Setting. The newly created One Touch
Setting will be saved in the User tab as a User Style, and you can call up the One Touch Setting as a part of
the Style file.
1Select the desired Style to memorize your One Touch Setting.
2Make the desired panel settings, such as those for Voices and Effects.
3Press the [MEMORY] button of REGISTRATION MEMORY.
4Press one of the ONE TOUCH SETTING [1] – [4] buttons.
A message appears prompting you to save the panel settings.
5Touch [Yes] to call up the Style Selection display for saving your data, and then
save the current settings as a User Style.
For instructions on saving, refer to page 32.
NOTE
To cancel this operation, touch [No].
NOTICE
The memorized One Touch Setting will be lost if you change to another Style or you turn the power off without
executing the save operation.
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Styles – Playing Rhythm and Accompaniment –
4
You can change the Chord Fingering type depending on your playing style.
1Call up the Split Point/Fingering window: [Menu] [Split&Fingering].
NOTE
The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.
2Touch []/[] to select the desired Fingering Type.
Changing the Chord Fingering Type
Single Finger Lets you easily play chords in the accompaniment range of the keyboard using
only one, two or three fingers. This type is available only for Style playback.
Major chord
Press the root key only.
Minor chord
Simultaneously press the root key and a black key to its left.
Seventh chord
Simultaneously press the root key and a white key to its left.
Minor seventh chord
Simultaneously press the root key and both a white and black
key to its left.
Multi Finger Automatically detects Single Finger or Fingered chord fingerings, so you can
use either type of fingering without having to switch fingering types.
Fingered Lets you finger your own chords on the chord section of the keyboard, while the
instrument supplies appropriately orchestrated rhythm, bass, and chord
accompaniment in the selected Style. The Fingered type recognizes the
various chord types which are listed on the “Split&Fingering” section in the
Reference Manual on the website (page 9) and can be looked up using the
Chord Tutor function called up via [Menu] [ChordTutor].
Fingered On
Bass
Accepts the same fingerings as Fingered, but the lowest note played in the
Chord section of the keyboard is used as the bass note, allowing you to play
“on bass” chords. (In the Fingered mode, the root of the chord is always used
as the bass note.)
Full Keyboard Detects chords in the entire key range. Chords are detected in a way similar to
Fingered, even if you split the notes between your left and right hands — for
example, playing a bass note with your left hand and a chord with your right, or
by playing a chord with your left hand and a melody note with your right.
2
C
Cm
7
C
Cm
7
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NOTE
When the Chord Detection Area is set to “Upper” (see below), only “Fingered*” is available. This type is basically same as
“Fingered,” except that “1+5,” “1+8” and Chord Cancel are not available.
AI Fingered
Basically the same as Fingered, with the exception that less than three notes can
be played to indicate the chords (based on the previously played chord, etc.).
NOTE
Only in the Piano Room, your performance in the Chord section produces the sound of the
selected Voice as well as that of the accompaniment.
AI Full
Keyboard
When this advanced fingering type is engaged, the instrument will
automatically create appropriate accompaniment while you play just about
anything, anywhere on the keyboard using both hands. You don’t have to worry
about specifying the Style chords. Although the AI Full Keyboard type is
designed to work with many songs, some arrangements may not be suitable for
use with this feature. This type is similar to Full Keyboard, with the exception
that less than three notes can be played to indicate the chords (based on the
previously played chord, etc.). 9th, 11th and 13th chords cannot be played.
This type is available only for Style playback.
Specifying Chords with Your Right Hand for Style Playback (Changing the Chord
Detection Area)
By changing the Chord Detection Area from the left-hand section (“Lower”) to the right-hand section (“Upper”),
you can play the bass line with your left hand while using your right hand to control Style playback. For details,
refer to the “Split&Fingering” section in the Reference Manual on the website (page 9).
Major
C
D
E
F
G
A
B
Minor
Cm
Dm
Em
Fm
Gm
Am
Bm
Seventh Minor Seventh Major Seventh
C7
D7
E7
F7
G7
A7
B7
Cm7
Dm7
Em7
Fm7
Gm7
Am7
GM7
AM7
BM7
CM7
DM7
EM7
FM7
Bm7
For users who are unfamiliar with chords, this handy chart features common
chords for your quick reference. Since there are many useful chords and many
different ways to use them musically, refer to commercially available chord books
for further details. Indicates the root note.
Chords
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Song Playback – Playing and Practice Songs –
5
Song Playback
– Playing and Practice Songs –
For the Clavinova, “Song” refers to MIDI or audio data which include preset songs, commercially available
music files, etc. Not only can you play back a Song and listen to it, but you can also play the keyboard along
with Song playback.
There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and
Audio Songs.
• MIDI Song
A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual
sound itself. The performance information refers to which keys are played, at what timing, and at what
strength — just as in a musical score. Based on the recorded performance information, the tone generator
(of the Clavinova, etc.) outputs the corresponding sound. Since MIDI Song data contains the information
such as keyboard part and Voice, you can practice effectively by viewing the score, turning the particular
part on or off, or changing Voices.
• Audio Song
An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that
used with voice recorders, etc. Audio data in WAV or MP3 format can be played back on this instrument just
like playing it on your smartphone or portable music player, etc.
Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons
indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.
Example: … Indicates explanation applies only to MIDI Songs.
You can play back the following types of Songs.
• Preset Songs (MIDI Songs)
• Your own recorded Songs (see page 76 for instructions on recording)
• Commercially available Songs: MIDI files in SMF (Standard MIDI File) format, Audio files in WAV or MP3
format.
NOTE
For information on compatible MIDI formats, refer to page 8.
If you want to play back a Song in a USB flash drive, connect the USB flash drive containing Song data to
the [USB TO DEVICE] terminal beforehand.
NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
Playback of Songs
WAV 44.1 kHz sample rate, 16 bit resolution, stereo
MP3 MPEG-1 Audio Layer-3: 44.1/48.0 kHz sample rate, 128 – 320 kbps and variable bit rate, mono/
stereo
MIDI Audio
MIDI Audio
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1On the Home display, touch the Song name to call up the Song Selection
display.
2Touch the desired Song on the display to select it.
A Preset Song can be selected from one of the following tabs:
•60 Popular: Various popular Songs divided into several categories
•50 Classics: Various classical Songs included in the “50 Classical Music Masterpieces”
(Music book)
•Lesson: Various Songs suitable for piano practice
The Songs you recorded or the commercially available songs can be selected from one of the
following tabs:
• : Calls up a list of the MIDI Songs
• : Calls up a list of the Audio Songs
NOTE
• The “PianoRoom” folder in the User tab (MIDI) contains the Songs recorded in the Piano Room (page 48).
• On the Song Selection display or the Home display, you can distinguish the data format of the Audio Song by the icon
shown next to the Song name. If it is in MP3 format, “MP3” appears in the icon, and in case of WAV format, nothing is
shown.
3Return to the Home display, touch [R] at the upper right to expand the Song
area, and then touch [R/K] (Play/Pause) to start playback.
Here and in the later steps, the operation in the Song area of the Home display can be
controlled by the SONG CONTROL buttons (page 69).
Viewing Audio Song information
When an Audio Song is selected, touching (Information) on the Song Selection display calls
up the Song Information window which shows the Song title, artist name, etc.
4
3
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Song Playback – Playing and Practice Songs –
5
4Touch [J] (Stop) to stop playback.
Song Control Operations
To control Song playback, you can use the on-screen buttons called up by touching [R] in the Song area of
the Home display, or use the SONG CONTROL buttons on the panel.
Keep in mind that, unlike with certain panel button operations, you cannot touch two buttons simultaneously
on the display.
NOTE
• For instructions on adjusting the tempo, refer to page 39 for MIDI Songs, and page 75 for Audio Songs.
•For information about [I] (Rec), refer to page 76.
Pause
Press (or touch) [R/K] (Play/Pause) during playback. Pressing it again resumes Song playback from the
current position.
Rewind/Fast Forward
Press (or touch) [LL] (Rewind) or [RR] (Fast forward) during playback or while the Song stopped.
Pressing one of them once moves one measure back/forward for MIDI Songs, or one second for Audio
Songs. Holding one of them scrolls backward/forward continuously.
When you press (or touch) [LL] (Rewind) or [RR] (Fast forward), a setting display appears showing the
current position of the Song.
The Phrase Mark number appears only when a MIDI Song containing Phrase Marks is selected. You can
choose to rewind/fast forward the Song in “Bar” or “Phrase Mark” units by touching the setting display
beforehand.
Queuing the next Song for playback (MIDI Song only)
While a MIDI Song is playing back, you can queue up the next MIDI Song for playback. This is
convenient for chaining it to the next Song smoothly during stage performance. Select the Song
you want to play next in the Song Selection display, while a Song is playing back. The [Next] icon
appears at the right side of the corresponding Song name. To cancel this setting, touch the [Next]
icon.
Song Control
Home display SONG CONTROL buttons
For MIDI Songs For Audio Songs
Current measure number
Phrase Mark number
Elapsed time
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NOTE
• The pop-up window mentioned here does not appear when you rewind or fast forward a MIDI Song not having Phrase Marks or an
Audio Song by touching on the display.
•Phrase Mark is a pre-programmed marker in certain MIDI Song data, which specifies a specific location in the Song.
Synchro Start (MIDI Song)
You can conveniently start playback of a MIDI Song as soon as you start
playing the keyboard. While playback is stopped, hold down the SONG
CONTROL [J] (Stop) button and press the [R/K] (Play/Pause) button.
To cancel the Synchro Start function, repeat the same operation.
NOTE
You can also enable the Synchro Start function by holding [R/K] (Play/Pause) in the Song area (when expanded) of the Home display.
You can view the music notation (score) of the selected Song. We suggest that you read through the music
notation before starting to practice.
1Select a MIDI Song (steps 1 − 2 on page 68).
2Call up the Score display via [Menu] [Score].
You can look through the entire notation by touching [L] or [R] when the Song playback is
stopped. As starting playback, the “ball” bounces along through the score, indicating the current
position.
NOTE
• The instrument can generate and display music notation for MIDI Songs, such as preset Songs, commercially available
music data, and even your recorded performances.
• The displayed notation is generated by the instrument based on the Song data. As a result, it may not be exactly the
same as commercially available sheet music of the same song — especially when displaying notation of complicated
passages or many short notes.
Moving the Song Playback
Position
In the Song area (when expanded) of the
Home display, the current position of the
Song playback is shown. This can be
moved forward or backward by moving
the slider on the display.
Displaying Music Notation (Score)
When an Audio Song is selected:When a MIDI Song is selected:
Current measure
number
Last measure
number Elapsed time Total time
MIDI Audio
For changing the page. For changing the settings of the Score display.
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Song Playback – Playing and Practice Songs –
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Changing the Size of the Score/Displaying Lyrics in a Score
By touching (View Settings) shown on the lower right of the display, you can change the settings of the
Score display, such as changing the size of the score, or displaying note names or lyrics within the score,
and so on. For details on the Score display, refer to the Reference Manual on the website (page 9).
NOTE
Lyrics can be shown only when the MIDI Song contains lyric data.
When the selected Song contains lyric data (for Audio Songs, only those of MP3 format are compatible),
you can view it on the instrument’s display during playback.
1Select a Song (steps 1 − 2 on page 68).
2Call up the Lyrics display via [Menu] [Lyrics].
When the Song data contains lyrics data, the lyrics are shown on the display. You can look
through the entire lyrics by touching [L] or [R] when Song playback is stopped. As Song
playback starts, the color of the lyrics changes, indicating the current position.
NOTE
The Lyrics can be displayed on an external monitor or television (page 111).
For details on the Lyrics display, refer to the Reference Manual on the website (page 9).
Displaying Lyrics
Displaying Text
Regardless of whether a Song is selected or not, you can view the text file (.txt) created by using a computer
on the instrument’s display ([Menu] [TextViewer]). This feature enables various useful possibilities, such as
the showing of lyrics, chord names, and text notes. For details on the Text display, refer to the Reference
Manual on the website (page 9).
MIDI Audio
For changing the page.
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You can mute the right-hand part to try practicing that part on your own. The explanations here apply when
you practice the right-hand part with “Follow Lights” of the Guide functions. The guide lamps indicate the
notes you should play and when you should play them. You can also practice at your own pace — since the
accompaniment waits for you to play the notes correctly.
NOTE
When the [ACMP ON/OFF] button is turned on, the guide lamps for the left-hand part do not work. As necessary, turn off the [ACMP ON/
OFF] button when using it.
1Select a MIDI Song and call up the Score display (page 70).
2Touch (Playback Settings) to call up the Playback Settings menu.
NOTE
The Playback Settings can also be controlled from the Home display and Lyrics display.
3Touch [Guide] to turn it on.
4Touch [Right] to turn off the right-hand part.
The right-hand part is muted and the Guide for the right-hand part is enabled.
NOTE
Usually, Ch 1 is assigned to [Right], Ch 2 is assigned to [Left], and Ch 3 − 16 are assigned to [Extra], but you can change
which channel is assigned to the right- or left- hand part via [Menu] [SongSetting] [Part Ch]. You can turn each
channel on or off from the Mixer display (page 100).
5Press the SONG CONTROL [R/K] (Play/Pause) button to start playback.
Practice the right-hand part at your own pace along with the guide lamps. The playback of the
Left and Extra parts will wait for you to play the notes correctly.
NOTE
The guide lamps light in white for the white keys and in blue for the black keys.
After you’ve finished practicing, touch [Guide] to turn off the Guide function.
One-handed Practice with the Guide Function
MIDI Audio
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Song Playback – Playing and Practice Songs –
5
The Song Repeat functions can be used to repeatedly play back a Song or a specific range of measures in
a Song. This function controlled in the Song area (when expanded) of the Home display is useful for
repeated practicing of difficult-to-play phrases.
NOTE
When a MIDI Song is selected, you can control Repeat playback also on the Playback Settings menu called up from the Score display or
Lyrics display (page 72).
Playing an Entire Song Repeatedly
To repeat an entire Song, turn on (A-B Repeat) in the display and start playback of the Song.
To cancel Repeat playback, turn off (A-B Repeat).
Specifying a Range of Measures and Playing them Back Repeatedly (A-B
Repeat)
1Select a Song (steps 1 − 2 on page 68).
2Touch [R/K] (Play/Pause) to start playback.
3Specify the repeat range.
When playback reaches the point you want to specify as the starting point (A), turn on (A-B
Repeat). When playback reaches the point you want to specify as the ending point (B), touch
(A-B Repeat) again. The range from Point A to Point B will be played back repeatedly. For
MIDI Songs, an automatic lead-in (to help guide you into the phrase) is added before Point A.
Other guide functions
In addition to the “Follow Lights” function explained above, there are more functions in the Guide features, for
practicing the timing of playing the keys (Any Key mode), for Karaoke or for practicing a song at your own
pace (Your Tempo). You can select the functions via [Menu] [SongSetting] [Guide] [Type].
For more information, refer to the Reference Manual on the website (page 9).
Repeat Playback
MIDI Audio
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NOTE
• When you want to repeat from the top of the song to somewhere in the middle of the song:
1. Turn on the A-B Repeat icon, and then start Song playback.
2. Touch the A-B Repeat icon again at the desired ending point (B).
• Specifying only Point A results in repeat playback between Point A and the end of the Song.
4Touch [J] (Stop) to stop playback.
The Song position will return to Point A.
After your practice, turn off (A-B Repeat).
Playing Multiple Songs Repeatedly
You can play several songs repeatedly. Select “All” or “Random” in “Repeat Mode” ([Menu] [SongSetting]
[Play]), and then touch [R/K] (Play/Pause) to start playback. All Songs saved in a designated folder will
then be played repeatedly in either consecutive order or random order. To reset the repeat setting, select
“Off” in “Repeat Mode.”
Like the Transpose function (page 41) of the MIDI Song, the pitch of an Audio Song in the USB flash drive
can be adjusted in semitone steps (from −12 to 12) on the Home display.
1Connect the USB flash drive containing Audio Songs to the [USB TO DEVICE]
terminal.
NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
2Select an Audio Song (steps 1 – 2 on page 68).
Specifying the repeat range while Songs are stopped
1. Fast-forward the Song to Point A then turn on (A-B Repeat).
2. Fast-forward the Song to Point B then touch (A-B Repeat) again.
Adjusting the Pitch in Semitones (Pitch Shift)
AB
Top of the Song End of the Song
MIDI Audio
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Song Playback – Playing and Practice Songs –
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3In the Song area (when expanded) of the Home display, touch (Pitch Shift)
to call up the Setup window.
NOTE
Pitch Shift cannot be applied to MP3 files of 48.0 kHz sample rate.
4 Set the value by touching [L]/[R].
Like Tempo adjustment of a MIDI Song (page 39), you can adjust the playback
speed of an Audio Song in USB flash drive by stretching or compressing it.
To do this, select an Audio Song then touch (Time Stretch) in the Song area of
the Home display to call up the Setup window. Touch [L]/[R] in this window to set
the value (from 70% to 160%). Higher values result in a faster tempo.
NOTE
Playback speed cannot be changed for MP3 files of 48.0 kHz sampling rate.
You can cancel or attenuate the center position of the stereo sound. This lets you
sing “karaoke” style with just instrumental backing, or play the melody part on the
keyboard, since the vocal sound is usually at the center of the stereo image in most
recordings.
To turn the Vocal Cancel function on/off, first select an Audio Song, and then turn on/
off (Vocal Cancel) in the Song area of the Home display.
NOTE
•Though the Vocal Cancel function is highly effective on most audio recordings, the vocal sound on some songs may not be completely
canceled.
•Vocal cancel does not affect the Audio Input Sound (page 107) from external devices.
Adjusting the Playback Speed (Time Stretch)
Canceling the Vocal Part (Vocal Cancel)
MIDI Audio
MIDI Audio
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Song Recording
– Recording Your Performance –
This instrument allows you to record your performance in the following two methods.
• MIDI Recording
With this method, recorded performances are saved to the User memory of the instrument or a USB flash drive as
an SMF (format 0) MIDI file. If you want to re-record a specific section or change Voices and edit other
parameters, use this method. Also if you want to record your performance to each channel one by one, execute
Multi Track Recording of the MIDI recording method. Since a MIDI Song can be converted to an Audio Song after
recording (page 85), you may want to use MIDI recording (with overdubbing and multiple parts) to first create a
complex arrangement you would not otherwise be able to play live, and then convert it to an Audio Song. This
instrument allows you to record approximately 3 MB per Song.
• Audio Recording
With this method, recorded performances are saved to the User memory of the instrument or a USB flash drive as
Audio files. Since they are saved in stereo WAV format of normal CD quality resolution (44.1 kHz/16-bit) by
default, they can be transmitted to and played on portable music players by using a computer. The sound input
from [MIC/LINE IN] jack, [AUX IN] jack, etc. is also recorded, so you can record your singing voice through the
microphone or the sound played back on the connected audio device. The file format can be changed to MP3 via
[Menu] [SongSetting] [Rec] [Audio Rec Format]. This instrument allows you to record up to 80 minutes per
single recording.
NOTE
For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the website (page 9).
Before recording, make the necessary settings such as Voice/Style selection (for MIDI Recording and Audio
Recording) and the microphone connection (only for Audio Recording, if you want to record your vocal). As
necessary, connect the USB flash drive to the [USB TO DEVICE] terminal, especially if you want to execute
Audio Recording.
NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
Quick and easy recording of your piano performance
If you simply want to play a piano piece and record it without having to make any complicated settings, you
can do this by recording in the Piano Room. In this special display, you can start recording with just a single
touch. For details, refer to page 48.
Basic Procedure for Recording (MIDI/Audio Recording)
Before starting Audio Recording:
In Audio Recording, the performance data is automatically saved to the USB flash drive or User memory while
recording. If you want to save the data to a USB flash drive, connect the USB flash drive to the [USB TO
DEVICE] terminal beforehand. If it is not connected, the recorded data is automatically saved to User memory.
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1Make the necessary settings such as Voice and Style selection.
2On the Home display, touch [] at the upper right to expand the Song area, and
then touch [I] (Rec) to call up the Song Recording window.
NOTE
•The Song Recording window can be called up also by pressing the SONG CONTROL [I] (Rec) button. Here and in the
later steps, the operation in the Song area of the Home display can be controlled by the SONG CONTROL buttons
(page 69).
• On the Song Recording window, touching the triangle at the left of “Channel” lets you expand or close the Channel (part)
area.
3Touch [New MIDI] for MIDI recording, or [New Audio] for Audio recording to
select the desired recording type.
When a MIDI Song has been selected, [Overwrite MIDI] also appears in the window. Selecting it
allows you to add or overwrite data of the selected MIDI Song.
NOTE
If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before going
on to the next step.
4Start recording.
With MIDI Recording, you can start recording either by playing the keyboard or touching [Rec
Start]. With Audio Recording, start recording by touching [Rec Start].
You can also start recording by pressing the SONG CONTROL [R/K] (Play/Pause) button.
Part Assignment to Channels (MIDI Recording)
With MIDI Recording, you can record your performance to each channel one by one (page 82). When you execute MIDI
Recording without specifying the part as explained here, the keyboard parts will be recorded to channels 1 – 3 and the Style
parts will be recorded to channels 9 – 16.
5Play the keyboard.
2
3
4
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6After you finish your performance, touch [J] (Stop) on the Home display to stop
recording.
7To hear the recorded performance, touch [R/K] (Play/Pause).
8Save the recorded performance.
In MIDI Recording
After recording, (Save) appears in the Song area of the Home display. This icon indicates
that recorded data exists but has not yet been saved.
8-1 On the Home display, touch (Save) shown in the Song area to call up the
display for selecting a destination to save the recorded Song.
8-2 Save the recorded data as a file by following the instructions on page 32,
steps 2 – 5.
MIDI Songs can be saved to (User MIDI Song tab).
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the
save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).
In Audio Recording
Since the Audio Song file is automatically saved to the USB flash drive or User memory while
recording, the Save operation is not required. The recorded Audio Song will appear in the
(User Audio Song tab) on the Song Selection display. If desired, rename the file
name by following the instructions on page 33.
Re-recording a Specific Section of the MIDI Song
You can re-record a specific section of an already-recorded MIDI Song. For details, refer to the
“SongSetting” section in the Reference Manual on the website (page 9).
7
6
8
(MIDI Recording only)
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Song Recording – Recording Your Performance –
6
With MIDI Recording, you can create a MIDI Song which consists of 16 channels (parts) by recording each
channel independently, allowing you create a complete piece which may be difficult to play live. For
example, you can record the right-hand part first and then record the left-hand part while listening to the
already recorded right-hand part, or you can record the Style playback first and then record melodies while
listening to the already recorded Style playback.
Here, you will learn how to record right-hand and left-hand parts separately. If you want to specify the
channels and parts to record, refer to page 82 for instructions.
1Make necessary settings and call up the Song Recording window, and then
touch [New MIDI] (steps 1 − 3 on page 77).
2Touch [R] at the left of “Channel” to expand the Channel area.
3Touch [Right Hand] to specify the target channels for recording the right-hand
parts.
Touching [Right Hand] sets “Main” and “Layer” to [Rec], and other parts to [Off]. The target
channel for recording is automatically set in this way: Main part to channel 1, and Layer part to
channel 3. If the Layer part is turned off from the Home display, the Layer part will not be
recorded even when the Layer part is set to [Rec] here (silence will be recorded to the channel).
NOTE
• The target channels are automatically set here, however, you can also specify the channels to which each part will be
recorded (page 82).
• If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before
going on to the next step. The [Rec]/[Off] and channel settings will also be canceled.
4Play the keyboard with your right hand to start recording.
You can also start recording by touching [Rec Start] or pressing the SONG CONTROL [R/K]
(Play/Pause) button.
Independently Recording the Right- and Left-hand Parts
(MIDI Recording)
1
2
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5After you finish your performance, touch [J] (Stop) on the Home display to stop
recording.
6To hear the recorded performance, touch [R/K] (Play/Pause).
If you want to record the right-hand performance from scratch, return to step 1.
Since recording of the right-hand part is completed, go on to the next step to record the left-
hand part.
7Touch [I] (Rec) to call up the Song Recording window, and then confirm that
[Overwrite MIDI] is selected.
8Touch [Left Hand] to specify the target channel for recording the left-hand part.
When the Left part is turned off from the Home display
Touching [Left Hand] sets “Main” and “Layer” to [Rec], and other parts to [Off]. The target
channel for recording is automatically set in this way: Main part to channel 2, and Layer part to
channel 4. If the Layer part is turned off from the Home display, the Layer part will not be
recorded even when the Layer part is set to [Rec] here (silence will be recorded to the channel).
6
7
5
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Song Recording – Recording Your Performance –
6
When the Left part is turned on from the Home display
Touching [Left Hand] sets only “Left” to [Rec], and other parts to [Off]. The target channel for
recording Left part is automatically set to channel 2.
NOTICE
Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To
check whether each channel has recorded data or not, first cancel recording, and then play back the Song while
viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain
data will flash during Song playback.
NOTE
If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before going
on to the next step.
9Play the keyboard with your left hand to start recording.
You can also start recording by touching [Rec Start] or pressing the SONG CONTROL [R/K]
(Play/Pause) button.
10 After you finish your performance, touch [J] (Stop) on the Home display to stop
recording.
11 To hear the recorded performance, touch [R/K] (Play/Pause).
If you want to re-record only the left-hand performance, return to step 7.
12 On the Home display, touch (Save) shown in the Song area to save the
recorded performance.
When the display for selecting a destination appears, save the recorded data as a file by
following the instructions on page 32, steps 2 – 5.
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the
save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).
11
10
12
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With MIDI Recording, you can create a MIDI Song which consists of 16 channels (parts) by recording each
channel independently, allowing you create a complete piece. By default, keyboard parts are assigned to
channels 1 − 3, and Style parts such as rhythm and bass are assigned to channels 9 − 16. Here, you will
learn how to specify the channel and part for recording as you like, and overdub the channels one by one.
NOTE
If you want to add channel data to an existing Song, select the desired Song, make necessary settings, and then go on to step 7 here.
1Make necessary settings and call up the Song Recording window, and then
touch [New MIDI] (steps 1 – 3 on page 77).
If you want to re-record an existing MIDI Song, select the desired MIDI Song before calling up
the Song Recording window. After doing that, touch [Overwrite MIDI].
2Touch [] at the left of “Channel” to expand the Channel area.
3Specify the target channel and part for recording.
3-1 From the display, set the part or parts you intend to record to [Rec], and set
all other parts to [Off].
For example, if you want to record only the Style parts, set all Style parts to [Rec], and all
keyboard parts to [Off].
3-2 Touch the channel number under the part(s) you set to [Rec] in step 3-1. In
the setting display that appears, specify the channel (1 – 16) for recording.
NOTICE
Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To
check whether each channel has recorded data or not, first cancel recording, and then play back the Song while
viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain
data will flash during Song playback.
NOTE
• Multiple parts can not be recorded to one channel.
•If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before
going on to the next step. The [Rec]/[Off] and channel settings will also be canceled.
Recording to Specific Channels (MIDI Recording)
2
1
3-1
3-2
For quickly specifying recording parts
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Song Recording – Recording Your Performance –
6
4Play the keyboard to start recording.
Make sure to play the part(s) you specified in step 4. You can also start recording by touching
[Rec Start] or pressing the SONG CONTROL [R/K] (Play/Pause) button.
5After you finish your performance, touch [] (Stop) on the Home display to stop
recording.
6To hear the recorded performance, touch [R/K] (Play/Pause).
Since recording of the first part is now completed, you can record another part. Make sure to
make any necessary settings, and then go on to the next step.
Specifying recording parts quickly
Touching the buttons at the bottom left ([Keyboard All], [Style All], [Left Hand] or [Right Hand]) can
set [Rec]/[Off] for multiple parts at once. This is convenient when you to separately record the
Style parts and the keyboard parts, or the right-hand parts and the left-hand part.
•[Keyboard All]: You can turn all of the Keyboard parts (Main, Left and Layer) [Rec] or [Off]
together.
•[Style All]: You can turn all of the Style parts [Rec] or [Off] together.
•[Right Hand]: This can be selected when recording only the right-hand part. The Main part of
the Voice will be recorded to channel 1, and the Layer part will be recorded to channel 3.
•[Left Hand]: This can be selected when recording only the left-hand part. The Left part of the
Voice will be recorded to channel 2. When the Left part of the Voice is off, the Main part will be
recorded to channel 2 and the Layer part will be recorded to channel 4.
6
7
5
10
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7Touch [I] (Rec) to call up the Song Recording window, and then confirm that
[Overwrite MIDI] is selected.
8Specify the next target channel and part for recording, and record your
performance (steps 3 – 6).
As soon as you start recording, the previously recorded channel also starts playback. You can
set whether to play back the previously recorded channel(s) in the Mixer display (page 100).
NOTICE
Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To
check whether each channel has recorded data or not, first cancel recording, and then play back the Song while
viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain
data will flash during Song playback.
9As necessary, repeat steps 7 – 8 to record other channels.
NOTE
To delete the recorded channel data, select the desired channel and start recording, and then touch [J] (Stop) to stop
recording without playing the keyboard.
10 On the Home display, touch (Save) shown in the Song area to save the
recorded performance.
When the display for selecting a destination appears, save the recorded data as a file by
following the instructions on page 32, steps 2 – 5.
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the
save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).
8
7
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Song Recording – Recording Your Performance –
6
You can convert a recorded MIDI Song in the User memory or USB flash drive to an Audio Song.
Conversion is executed by playing back the MIDI Song and re-recording it as an Audio Song. By default, the
converted data is saved in WAV format, in the same way as Audio recording (page 76).
NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.
1Call up the Song Selection display which contains the MIDI Song to be
converted.
2Touch [File] to call up the File Management icons.
3Enter a checkmark to the MIDI Song to be converted.
NOTE
Audio Conversion can only be done one file at a time.
4Touch (Audio Convert) to call up the Song Selection display for selecting
the Save destination.
5Specify the Save destination location.
To show the next higher level folder, touch (Above).
You can add a new folder by touching (New Folder).
6Touch [Convert] to start conversion.
This operation starts playback and conversion from MIDI to audio. If you play the keyboard or
input audio signals via a microphone, the [AUX IN] jack, etc. during conversion, these sounds
will also be recorded.
When conversion is completed, the message indicating that the conversion is being executed
will no longer be shown in the display, and the newly created new Audio Song is shown in the
Song Selection display.
Converting a MIDI Song to an Audio Song
2 43
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Microphone
– Adding Vocal Harmony Effects to Your Singing –
By connecting a microphone to the [MIC/LINE IN] jack (standard mono phone jack), you can enjoy singing
along with your keyboard performance or with Song playback. The instrument outputs your vocals through
the built-in speakers. Moreover, you can automatically apply various Vocal Harmony effects to your voice as
you sing.
1Before turning on the power of the
instrument, set the [INPUT VOLUME]
knob to the minimum position.
2Connect the microphone to the [MIC/
LINE IN] jack.
NOTE
Make sure you have a conventional dynamic microphone.
3Set the [MIC/LINE] switch to “MIC.”
4Turn on the power of the instrument.
5(If necessary, turn on the microphone.)
Adjust the [INPUT VOLUME] knob
while singing into the microphone.
Adjust the control while checking the [MIC] lamp on the panel. Make sure to adjust the control
so the lamp lights in blue. Make sure that the lamp does not light in red, since this indicates that
the input level is too high.
6On the Balance display (page 42), adjust the volume balance between the
microphone sound and the instrument sound.
NOTE
Before turning the power off, make sure to set the [INPUT VOLUME] knob to the minimum position.
Connecting a Microphone
Disconnecting the microphone
1. Set the [INPUT VOLUME] knob to the minimum position.
2. Disconnect the microphone from the [MIC/LINE IN] jack.
32
Standard mono phone
plug (1/4")
7
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7
Microphone – Adding Vocal Harmony Effects to Your Singing –
The Vocal Harmony feature lets you add harmonies to your singing voice, input via the microphone sound.
1Connect the microphone to the instrument (page 86).
2Call up the Vocal Harmony display via [Menu] [VocalHarmony].
NOTE
The display shown at left is called up when the Harmony Mode is set to “Vocoder.” A different display appears when the
Harmony Mode is set to “Chordal.”
3Make sure that Harmony is set to “On.”
4Touch the Vocal Harmony name to call up the Vocal Harmony Selection display.
5Select a Vocal Harmony type.
The Vocal Harmony features three different Modes which can be selected automatically by
selecting a Vocal Harmony type.
Harmony mode
Icons shown in the Vocal Harmony Selection display indicate the following meanings.
• (Blue): Vocal Harmony type of Chordal mode.
• : Vocal Harmony type of Vocoder mode.
• : Vocal Harmony type having unusual effects, such as a robotic voice.
• (Gray): Vocal Harmony type without any effect.
NOTE
For details on Vocal Harmony types, refer to the Data List on the website (page 9).
Applying Vocal Harmony Effects to Your Voice
Chordal The harmony notes are determined by the chords you play in the chord
section (with [ACMP ON/OFF] turned on), the left hand section (with [ACMP
ON/OFF] turned off and the Left part turned on) or chord data of Song.
Vocoder The microphone sound is output via the notes you play on the keyboard or
the Song playback notes.
Vocoder-Mono Same as the Vocoder basically. In this mode, only single-note melodies or
lines can be played back (with last-note priority).
4
3
6-1
Mode
Vocal Harmony
name
(When the Mode is set to “Vocoder” or
“Vocoder Mono”)
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6Follow the steps below, depending on which Type (and mode) you selected.
If you selected the Chordal type:
6-1 Make sure that the [ACMP ON/OFF] button is turned on.
6-2 Play back a Style, or play back a Song which contains chords.
Vocal harmonies based on the chords are applied to your singing.
If you selected the Vocoder or Vocoder-Mono type:
6-1 As necessary, change the “Keyboard” setting to “Off,” “Upper,” or “Lower.”
When “Upper” or “Lower” is selected, playing the right-hand or left-hand section of the
keyboard will control the Vocoder effect. When “Off” is selected, playing the keyboard will
not control the Vocoder effect.
6-2 Play melodies on the keyboard or play back a Song, and sing into the
microphone.
You’ll notice that you don’t actually have to sing pitched notes. The Vocoder effect takes
the words you say and applies them to the pitch of the instrument sounds.
Using the Talk Function
This function lets you instantly change the microphone settings for talking or making
announcements between song performances.
To call up the Talk setting, touch [Talk] located at the left on the Vocal Harmony display. To
recall the Vocal Harmony settings, touch [Vocal] and turn it on.
NOTE
You can adjust the microphone settings for Talk on the Mic Setting display called up via [Menu] [MicSetting].
To get the most convenient use of this function, assign one of the pedals or ASSIGNABLE buttons to “Talk
On/Off” ([Menu] [Assignable]). For details, refer to the Reference Manual on the website (page 9).
Useful functions for Karaoke
• Lyrics on the display ..........page 71
• Transpose, Pitch Shift ........pages 41, 74
• Vocal Cancel......................page 75
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Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –
8
Registration Memory/Playlist
– Saving and Recalling Custom Panel Setups –
The Registration Memory function allows you to save (or “register”) panel settings such as Voice and Style
to a Registration Memory button, and then instantly recall your custom panel settings by simply pressing a
single button. When you’ve saved lots of data to the Registration Memory, use the Playlist to manage your
repertoire so that you can quickly call up the desired Registration Memory for each piece of music.
Registration Memory (page 90)
You can register your custom panel settings to each of the Registration Memory [1] – [8] buttons. You can
also save all eight registered panel setups as a single Registration Memory Bank file. If you select a
Registration Memory Bank file beforehand, you can easily call up the registered settings simply by pressing
a button during your performance.
Playlist (page 94)
The Playlist function allows you to create custom performance lists. A Playlist contains links to call up
Registration Memory Bank files for each piece you play. Each link to the Registration Memory is called a
“Record,” and you can collectively store the Playlist Records as a single Playlist file. Each Playlist Record
can directly recall a specified Registration Memory number in the selected Registration Memory Bank file.
By using the Playlist, you can select only the desired files from the huge number of the Registration Memory
Bank files without changing the bank file configuration.
NOTE
By importing Music Finder Records (.mfd) used on previous Yamaha digital pianos (such as CVP-709, CVP-705, etc.), you can use the
Records on the Playlist of this instrument, just like using the Music Finder function on those other instruments. For details, refer to the
“Playlist” section in the Reference Manual on the website (page 9). For details on using Music Finder, refer to the Owner’s Manual of the
Yamaha digital piano which contains your desired Music Finder Records.
Panel settings can be saved to a single button.
Bank 01
Save
Recall Registration
Bank file
Playlist file 01
: Link to call up
Record 01
Record 02
Record 03
Registration Memory Bank files
Bank 01
Bank 02
8
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Registering Your Panel Setups
1Set up the panel controls (such as Voice, Style and so on) as desired.
Refer to “Parameter Chart” in the Data List on the website (page 9) for a list of parameters that
can be registered with the Registration Memory function.
2Press the [MEMORY] button in the REGISTRATION MEMORY section to call up
the Registration Memory window.
3Press the desired REGISTRATION MEMORY [1] – [8] button to which you wish
to memorize the panel setup.
Memorized buttons are lit in red, indicating that the number button contains data and its number
is selected.
NOTICE
If you select the button whose lamp is lit in red or green here, the panel setup previously memorized to the button
will be erased and replaced by the new settings. Hence, you should memorize panel setups only to buttons that are
turned off.
4Register various panel setups to other buttons by repeating steps 1 – 3.
The registered panel setups can be recalled by simply pressing the desired number button.
NOTE
You can also disable recall of specific item(s) when calling up the registered panel setups: [Menu] [RegistFreeze].
Saving and Recalling Custom Panel Setups with Registration
Memory
Selecting the items to be registered
Touching [] at the bottom left of the window calls up the list for selecting the items to be
registered. Before going on to step 3, enter or remove checkmarks by touching the desired items.
Items having checkmarks will be registered.
About the lamp status
•White: Data registered and currently selected
•Blue: Data registered but not currently selected
•Off: No data registered
Displays or hides the list of items
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8
Saving the Registration Memory as a Bank File
All of the panel settings are registered to the eight Registration Memory buttons as a single Bank file.
1On the Home display, touch [] at the upper right corner to show the
Registration area, and then touch the area to call up the Registration Bank
Selection display.
NOTE
In general, Registration Memory data (Bank files) is compatible between the CVP-909/CVP-905 and CVP-809/CVP-805.
However, the data may not be perfectly compatible, depending on the specifications of each model.
The Registration Bank Selection display can be called up also by pressing the REGIST BANK
[+] and [−] buttons simultaneously.
2Touch (Save) to save the Bank file.
For instructions on saving, refer to page 32.
NOTE
If you rename, move or delete the Registration Bank file which is linked to a Playlist Record, the Registration Memory Bank
cannot be called up from the Playlist.
Recalling a Registered Panel Setup
The saved Registration Memory Bank files can be recalled by using the REGIST BANK [−]/[+] buttons or the
following procedure.
NOTE
• When recalling setups that include Song, Style or text files selected from a USB flash drive, make sure that the appropriate USB flash
drive containing the registered Song, Style or text is connected into the [USB TO DEVICE] terminal. Before using a USB flash drive, be
sure to read “Connecting USB Devices” on page 103.
• You can also call up the eight setups by using pedals in any order you specify via [Menu] [RegistSeq]. For details, refer to the
Reference Manual on the website (page 9).
1Call up the Registration Bank Selection display (step 1 on page 91).
2Touch and select the desired Bank on the display.
You can also use the REGIST BANK [−]/[+] buttons to select a Bank.
3Press one of the blue-lit numbered buttons ([1] – [8]) in the Registration Memory
section.
2
1
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Confirming the Registration Memory Information
You can call up the information window to confirm which Voices and Style are memorized to the [1] – [8]
buttons of a Registration Memory Bank.
1Call up the Registration Bank Selection display, and then select the desired
Bank.
2Touch (Information) to call up the Registration Bank Information window.
This display consists of two pages: Voice-related and Style-related. You can alternate between
the two via []/[].
NOTE
If a certain Voice part is set to off, the Voice name for the corresponding part is shown in gray.
Select one of the Registration Memory numbers and touch the following icon to edit it.
• : Rename it.
• : Delete the data.
• : Add Tags (page 93) or edit it.
Filtering a Search for Registration Bank Files
On the Registration Bank Selection display, you can quickly find a desired file by filtering the search results
(page 36).
1On the Search display for the Registration Memory Bank files (page 36), touch
(Filter).
For switching the pages.
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8
2Enter the search options in the box.
•Tag: Enter tags (see below) to the box, or select tags from the list by touching [Existing Tag
List]. If you want to enter multiple tags to the box, insert a space between each tag.
•Song: Enter the Song name.
•Style: Enter the Style name.
•Style Tempo: Enter the Style tempo range.
To clear each search query, touch [Clear]. To clear all, touch [All Clear].
3Touch (Filter) to show the search result.
Adding Tags on Registration Memory Bank for Search
The tags of Registration Memory Banks help you to quickly find desired files when searching.
1On the Registration Bank Information window (page 92), touch (Tag) to call
up the Tag Edit window.
2Touch [New Tag] to call up the Character Entry window, and then enter the
desired text.
If you have already added any tags to another Registration Memory Bank file, existing tags
appear in the list and can be selected by entering checkmarks. It may take some time for the list
to be shown.
3Touch (Save) to register the tag information to the Registration Memory
Bank file.
3
3
2
Existing tag list
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The Playlist is useful for managing multiple set lists for your performances. You can select only the desired
files from a large repertoire (the huge number of the Registration Memory Bank files) and create a new set
list for each performance.
Adding a Record (Link to a Bank file) to a Playlist
By adding Records to a Playlist, you can directly recall desired Registration Memory Bank files from the
Playlist for each performance.
1Call up the Playlist display via [Menu] [Playlist].
The Playlist file which was selected the last time appears. (The sample preset Playlist will
appear for the first time.)
2If you want to create a new Playlist, touch (New).
3Add a Record to the Playlist.
To add a Record via the Registration Bank Selection display:
3-1 Touch Add Record [List] to call up the Registration Bank Selection display.
3-2 Select the desired Bank file to register as a Playlist Record. Touching [Add
to Playlist] closes the display, and the new Record is added to the bottom of
the Playlist.
To add a Record by using the search function
3-1 Touch Add Record [Search] to search for the desired Registration Bank file.
3-2 From the search result, select the desired file. Touching [Add to Playlist]
closes the display, and the new Record is added to the bottom of the
Playlist.
Using Playlists to Manage a Large Repertoire of Panel Setups
2
3
4
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8
4If necessary, edit the Record.
The newly added Playlist Record simply recalls the selected registration Bank file. If you want to
set more detailed settings (such as directly recalling a specified Registration Memory number),
you can edit the Record.
4-1 Touch [Edit] to call up the Record Edit window.
4-2 Touch to edit the Record.
4-3 Touch [Close] to close the Record Edit display.
5Touch (Save) to save the added Record to the current Playlist file.
To recall the registered Record, select the desired Record on the Playlist display (page 96).
(Record
name)
Determines the name of the Record. Touching [Rename] calls up the Character
Entry window.
Action Additional actions after selecting the Record and recalling the Bank.
•Load Registration Memory: Recalls the Registration Memory corresponding to
the number selected here. When no item is selected, no Registration Memory is
recalled.
•View: Displays the view (score, lyrics or text) selected here. When no item is
selected, no view is displayed.
NOTE
This setting is shown at right of the Record name on the Playlist display.
Record name
File path of the Registration
Bank file linked to the Record.
This file will be recalled by
selecting the Record.
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Recalling Custom Panel Setups via the Playlist
1Call up the Playlist display via [Menu] [Playlist].
2Touch the Playlist name to call up the Playlist Selection display.
3Select the desired Playlist file.
4Select the Record name on the Playlist display, and then touch [Load].
The Registration Memory Bank registered as the Playlist Record is recalled and the Action
you’ve made (page 95) is executed. You can load the Record also by touching the desired
Record name twice.
Touching [Info] calls up the Registration Bank Information window (page 92).
Changing the Order of the Records in the Playlist
1On the Playlist display, touch the desired Record to move.
2Touch [Up] or [Down] to move the Record you selected in step 1.
3Touch (Save) to save the edited Playlist file.
Disabling Recall of Specific Panel Setups in the Registration Memory
Touching (Freeze) at the upper right of the display calls up the Registration Freeze display.
For details, refer to the “RegistFreeze” section in the Reference Manual on the website (page 9).
2
4
Registration Memory number called up
when the Record is loaded.
Display called up after loading the Record.
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Deleting the Record from the Playlist
1On the Playlist display, touch the desired Record to delete.
2Touch [Delete].
A confirmation message appears. If you want to cancel the operation, touch [No] here.
3Touch [Yes] to delete the Record.
4Touch (Save) to save the edited Playlist file.
Copying the Playlist Records from Another Playlist (Append Playlist)
“Append Playlist” allows you to copy the existing Playlist file and add it to the current Playlist file.
1Touch [Append Playlist] to call up the Playlist File Selection display.
2Touch the desired Playlist file to append.
A confirmation message appears. If you want to cancel the operation, touch [No] here.
3Touch [Yes] to add the Records.
All Records in the selected Playlist file are added at the bottom of the current Playlist.
4Touch (Save) to save the appended Records to the current Playlist file.
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Mixer
– Editing the Volume and Tonal Balance –
The Mixer gives you intuitive control over aspects of the keyboard parts and Song/Style channels, including
volume balance and the timbre of the sounds. It lets you adjust the levels and stereo position (pan) of each
Voice to set the optimum balance and stereo image, and lets you set how the effects are applied.
This chapter covers the basic procedures for the Mixer. For details, refer to the Reference Manual on the
website (page 9).
1Call up the Mixer display via [Menu] [Mixer].
2Touch a tab for editing the balance among the desired parts.
Basic Procedure for the Mixer
Panel Use this display when you want to adjust the balance among the entire Song
part, entire Style part, Mic part, Audio Input part, Main part, Layer part and Left
part.
Style Use this display when you want to adjust the balance among the parts of the
Style.
• Rhythm1, Rhythm2
These are the basic parts of the Style, containing the drum and percussion
rhythm patterns.
• Bass
The bass part uses various appropriate instrument sounds to match the Style.
• Chord1, Chord2
These comprise the rhythmic chord backing, commonly consisting of piano or
guitar Voices.
• Pad
This part is used for sustained instruments such as strings, organ, choir, etc.
• Phrase1, Phrase2
These parts are used for punchy brass stabs, arpeggiated chords, and other
extras that make the accompaniment more interesting.
Song Ch1-8 /
9-16
Use this display when you want to adjust the balance among all the parts of the
MIDI Song. This is available only when a MIDI Song is selected.
2
3
9
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Mixer – Editing the Volume and Tonal Balance –
9
3Touch a tab for editing the desired parameters.
When a tab other than “Master” is selected in step 2:
When “Master” is selected in step 2:
4Set the value of each parameter.
NOTE
To reset each parameter to the default value, touch the number value or setting and hold it.
5Save your Mixer settings.
To save the “Panel” Mixer settings:
Register them to Registration Memory (page 90).
To save the “Style” Mixer settings:
Save them as a Style file to the User memory or USB flash drive. If you want to recall the
settings for future use, select the Style file saved here.
1. Call up the operation display via [Menu] [StyleCreator].
2. Touch (Save) to call up the Style Selection display, and then save as a
Style file (page 32).
To save the “Song Ch 1-8/9-16” Mixer settings:
First register the edited settings as part of the Song data (Setup), and then save the Song to the
User memory or USB flash drive. If you want to recall the settings for future use, select the Song
file saved here.
1. Call up the operation display via [Menu] [SongCreator] [Channel Edit].
2. Touch [Setup].
3. Touch [Execute] to execute the Setup.
Audio Use this display when you want to adjust the balance among audio sounds
input via the USB Audio Interface function and Bluetooth Audio function, etc.
(page 107).
Master Unlike the other displays, use this display when you want to adjust the tonal
characteristics of the entire sound (except for Audio Songs) of this instrument.
Filter For adjusting the Harmonic Content (resonance) and sound brightness.
EQ For adjusting equalization parameters to correct the tone or timbre of the
sound.
Effect For selecting an Effect type and adjusting its depth for each part.
Chorus/Reverb For selecting a Chorus/Reverb type and adjusts its depth for each part.
Pan/Volume For adjusting panning and volume for each part.
Compressor
Lets you turn the Master Compressor (which is applied to the entire
sound) on or off, select the Master Compressor type, and edit the related
parameters. Your original edits can be saved as the Master Compressor
type.
EQ Lets you select the Master EQ type applied to the entire sound and edit
the related parameters. Your original edits can be saved as the Master
EQ type.
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4. Touch (Save) to call up the Song Selection display, and then save as a
Song file (page 32).
To save the “Audio” Mixer settings:
Saving operation is not necessary. Audio Mixer settings are retained even when the power is
turned off.
To store the “Master” Mixer settings:
Your original edits can be stored as a Master Compressor type and Master EQ type. If you want
to recall the settings for future use, select the corresponding type at the upper right of each
display.
1. Touch (Save) in the “Compressor” display or “EQ” display.
2. Select one of User1 – User30, and then touch [Save] to call up the Character
Entry window.
3. On the Character Entry window, change the name as necessary, and then
touch [OK] to save the data.
The Mixer display lets you turn each channel of the current Style or MIDI Song on or off.
1In the Mixer display, touch the [Style] tab, [Song Ch 1-8] tab or [Song Ch 9-16]
tab.
2Touch the Channel which you want to turn on or off.
If you want to solo a specific channel, touch and hold the desired channel until the number turns
green. To cancel solo, simply touch the (green) channel number again.
3As necessary, make other settings then save them as a Style file or Song file
(step 5 on page 99).
Turning Each Channel of the Style or MIDI Song On/Off
To change the Voice for each channel:
Touch the instrument icon below the channel number to call up the Voice Selection display, and
then select the desired Voice.
Channel
Voice
CVP-909/CVP-905 Owner’s Manual 101
Connections – Using Your Instrument with Other Devices –
10
Connections
– Using Your Instrument with Other Devices –
CAUTION
Before connecting the instrument to other electronic devices, turn off the power of all the devices. Also, before turning any
devices on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even
permanent hearing loss may occur.
NOTICE
Do not place any devices in an unstable position. Doing so may cause the device to fall and result in damage.
To see where these connectors are located on the instrument, refer to page 15.
CVP-909 Grand Piano type
CVP-909/CVP-905
I/O Connectors
Right
(higher-key side)
Left
(lower-key side)
Front (keyboard side)
Right
(higher-key side)
Left
(lower-key side)
Front (keyboard side)
Right
(higher-key side)
Left
(lower-key side)
Front (keyboard side)
CVP-909 Grand Piano type/
CVP-909/CVP-905
10
CVP-909/CVP-905 Owner’s Manual
102
1[AUX PEDAL] jack
For connecting a separately sold foot controller or footswitch (page 112).
2MIDI terminals
For connecting to a computer or external MIDI device, such as a synthesizer or a sequencer (page 111).
3[USB TO HOST] terminal
For connecting to a computer or smart device such as smartphone or tablet (page 105).
4AUX OUT [L/L+R]/[R] jacks
For connecting to external powered speaker systems (page 110).
5[USB TO DEVICE] terminal
For connecting a USB flash drive (page 103), USB display adaptor (page 111) or USB wireless LAN
adaptor (page 106). Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when
using the [USB TO DEVICE] terminal” on page 103.
6[MIC/LINE IN] jack, [MIC/LINE] switch, [INPUT VOLUME] knob
For connecting a microphone or guitar (pages 86 and 112).
7[PHONES] jacks
For connecting headphones (page 20).
8[AUX IN] jack
For connecting an audio player (page 107).
CVP-909/CVP-905 Owner’s Manual 103
10
Connections – Using Your Instrument with Other Devices –
You can connect a USB flash drive, USB display adaptor or a USB wireless LAN adaptor to the [USB TO
DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash drive (page 32), as
well as connect to an external monitor by using a USB display adaptor to show the instrument’s display
(page 111) or connect the instrument to a smart device via USB wireless LAN adaptor (page 106).
Connecting USB Devices ([USB TO DEVICE] terminal)
Precautions when using the [USB TO
DEVICE] terminal
This instrument features a built-in [USB TO
DEVICE] terminal. When connecting a USB device
to the terminal, be sure to handle the USB device
with care. Follow the important precautions below.
NOTE
For more information about the handling of USB devices, refer
to the owner’s manual of the USB device.
Compatible USB devices
• USB flash drive
• USB display adaptor
• USB wireless LAN adaptor (UD-WL01; sold
separately)
Other USB devices such as a USB hub, computer
keyboard or mouse cannot be used.
The instrument does not necessarily support all
commercially available USB devices. Yamaha
cannot guarantee operation of USB devices that
you purchase. Before purchasing a USB device for
use with this instrument, please visit the following
web page:
https://download.yamaha.com/
Although USB devices 2.0 or 3.0 can be used on
this instrument, the amount of time for saving to or
loading from the USB device may differ depending
on the type of data or the status of the instrument.
NOTICE
The rating of the [USB TO DEVICE] terminal is a maximum
of 5V/500mA. Do not connect USB devices having a rating
above this, since this can cause damage to the instrument
itself.
Connecting a USB device
When connecting a USB
device to the [USB TO
DEVICE] terminal, make
sure that the connector
on the device is
appropriate and that it is
connected in the proper
direction.
NOTICE
• When connecting a USB device to the [USB TO DEVICE]
terminal on the top panel, remove it before closing the
key cover. If the key cover is closed with the USB device
connected, the USB device may be damaged.
• Avoid connecting or disconnecting the USB device while
executing playback/recording and file management
operations (such as Save, Copy, Delete and Format), or
when accessing the USB device. Failure to observe this
may result in “freezing” of the operation of the
instrument or corruption of the USB device and the data.
• When connecting then disconnecting the USB device
(and vice versa), make sure to wait a few seconds
between the two operations.
• Do not use an extension cable when connecting a USB
device.
Using USB flash drives
By connecting the instrument to a USB flash drive,
you can save data you’ve created to the connected
device, as well as read data from the connected
USB flash drive.
Maximum number of USB flash drives
Up to two USB flash drives can be connected to the
[USB TO DEVICE] terminals.
Formatting USB flash drives
You should format the USB flash drive only with this
instrument (page 104). A USB flash drive formatted
on another device may not operate properly.
NOTICE
The format operation overwrites any previously existing
data. Make sure that the USB flash drive you are formatting
does not contain important data.
To protect your data (write-protect)
To prevent important data from being inadvertently
erased, apply the write-protect provided with each
USB flash drive. If you are saving data to the USB
flash drive, make sure to disable write-protect.
Turning off the instrument
When turning off the instrument, make sure that the
instrument is NOT accessing the USB flash drive by
playback/recording or file management (such as
during Save, Copy, Delete and Format operations).
Failure to do so may corrupt the USB flash drive
and the data.
CVP-909/CVP-905 Owner’s Manual
104
Formatting a USB Flash Drive
When a USB flash drive is connected, a message may appear indicating that the connected USB flash drive
is not formatted. If so, execute the format operation.
NOTICE
The Format operation deletes any previously existing data. Make sure that the USB flash drive you are formatting does not
contain important data. Proceed with caution, especially when connecting multiple USB flash drives.
1Connect a USB flash drive for formatting to the [USB TO DEVICE] terminal.
2Call up the operation display via [Menu] [Utility] [Storage].
3Touch the name of the USB flash drive to be formatted in the device list.
The indications USB 1, USB 2, etc. are displayed depending on the number of the connected
devices. USER indicates the User memory of this instrument.
4Touch [Format] to execute the Format operation.
4
CVP-909/CVP-905 Owner’s Manual 105
10
Connections – Using Your Instrument with Other Devices –
By connecting a computer to the [USB TO HOST] terminal, you can transmit/receive MIDI data or Audio
data between the instrument and the computer. For details on using a computer with this instrument, refer
to the “Computer-related Operations” on the website (page 9).
CAUTION
If you are using a DAW (digital audio workstation) application with this instrument, set the Audio Loopback function (page 105)
to off. Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.
NOTICE
Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
NOTE
• When using a USB cable to connect the instrument to your computer, make the connection directly without passing through a USB hub.
• The instrument will begin transmission a short time after the computer is connected.
• Unexpected sounds may occur if you edit MIDI data related to the Grand Expression Modeling (page 53) on a computer.
Transmitting/Receiving Audio Data (USB Audio Interface function)
By connecting a computer or a smart device to the [USB TO HOST] terminal via a USB cable, digital audio
data can be transmitted/received. This USB Audio Interface function provides the following advantages:
Playing back audio data with high sound quality
This gives you direct, clear sound in which the sound quality has less noise and deterioration than that from
the [AUX IN] jack.
Recording performance on the instrument as audio data by using a recording
software or a music production software
The recorded audio data can be played back on the computer or smart device.
NOTE
• When transmitting or receiving audio signals by using a computer running Windows, the Yamaha Steinberg USB Driver should be
installed to the computer. For details, refer to the “Computer-related Operations” on the website.
• For instructions on connecting to a smart device, refer to the “Smart Device Connection Manual” on the website.
Turning Audio Loopback On/Off
This allows you to set whether Audio Input Sound (page 107) from the external device is output to a
computer or a smart device or not along with the performance played on the instrument. To output the Audio
Input Sound, set the Audio Loopback to “On.”
For example, if you want to record the Audio Input Sound as well as the sound played on the instrument by
using the connected computer or smart device, set this to “On.” If you intend to record only the sound
played on the instrument by using the computer or smart device, set this to “Off.”
The setting can be made via [Menu] [Utility] [Speaker/Connectivity] [Audio Loopback].
NOTE
• With Audio Recording (page 76), the Audio Input Sound from the external device is recorded when this is set to “On,” and not recorded
when set to “Off.”
• The sound cannot be output to a device connected by the [AUX IN] jack or Bluetooth.
Connecting to a Computer ([USB TO HOST] terminal)
Computer
USB terminal
Instrument
USB cable
Example
CVP-909/CVP-905 Owner’s Manual
106
Connecting a smart device such as a smartphone or tablet provides the following advantages:
• By connecting via the [AUX IN] jack (page 107) or Bluetooth (page 108), you can hear the sound of the
smart device through the built-in speakers of the instrument.
• By connecting via the [USB TO HOST] terminal, you can transmit/receive audio data (USB Audio
Interface function; page 105).
• By connecting via a USB wireless LAN adaptor (UD-WL01; sold separately) or USB cable, you can use
compatible smart device apps.
For instructions on connection by using a method other than via [AUX IN] jack or Bluetooth, refer to the
“Smart Device Connection Manual” on the website (page 9).
NOTICE
• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
• Do not connect this product to a public Wi-Fi and/or Internet service directly. Only connect this product to the Internet through
a router with strong password protections. Consult your router manufacturer for information on optimum security practices.
NOTE
• The USB wireless LAN adaptor (UD-WL01) may not be available depending on your area.
• When you use your smart device near the instrument, we recommend that you enable “Airplane Mode” on the device to avoid noise
caused by communication. When wirelessly connecting a smart device with this product, make sure that the Wi-Fi or Bluetooth setting
on the device is turned on.
• Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 103.
• When using a USB cable to connect the instrument to your smart device, make the connection directly without passing through a USB
hub.
• The instrument will begin transmission a short time after the smart device is connected.
• You can set whether Audio Input Sound from the external device is output to a computer or smart device or not along with the
performance played on the instrument. For details, refer to the section on Audio Loopback on page 105.
Using a Smart Device App
By connecting this instrument to a smart device, you can use the apps below to make using it more
convenient and more enjoyable.
Smart Pianist
This app lets you record your performance to the smart device, or use the “Audio to Score” function which
allows you to view the score of the audio data in the smart device.
Rec'n'Share
This app lets you record audio and video of your performance in high sound quality (without noise such as
voices around you), and share the recorded data on the Internet.
For details on these apps and compatible smart devices, access the web page of the respective apps on the
following page:
https://www.yamaha.com/kbdapps/
Connecting to a Smart Device ([AUX IN] jack/Bluetooth/[USB
TO HOST] terminal/Wireless LAN)
Example
Instrument USB wireless LAN
adaptor (UD-WL01)
Wireless LAN Smart device
CVP-909/CVP-905 Owner’s Manual 107
10
Connections – Using Your Instrument with Other Devices –
Audio playback by the connected device can be output from the instrument’s speaker. To input audio,
connect an external device by one of the following methods.
• Connecting to the [AUX IN] jack by using an audio cable
• Connecting by Bluetooth (Bluetooth Audio function)
• Connecting to the [USB TO HOST] terminal by using a USB cable (USB Audio Interface function;
page 105)
When connecting to a smart device, you can also connect by using a USB wireless LAN adaptor
(UD-WL01; sold separately). For information about connection with a smart device, refer to page 106.
NOTE
• The volume of the Audio Input Sound can be adjusted from the external device.
• You can adjust the volume balance among the sounds of the instrument and the Audio Input Sound in the Balance display (page 42).
• You can set whether Audio Input Sound from the external device is output to a computer or a smart device or not along with the
performance played on the instrument. For details, refer to “Turning Audio Loopback On/Off” on page 105.
Connecting to an Audio Player by using an Audio Cable ([AUX IN] jack)
You can connect the headphone jack of an audio player such as a smartphone and portable audio player to
the instrument’s [AUX IN] jack. Audio playback on the connected device is output from the built-in speakers
of this instrument.
NOTICE
To avoid damage to the devices, first turn on the power to the external device, and then to the instrument. When turning off the
power, first turn off the power to the instrument, and then to the external device.
NOTE
Use audio cables and adaptor plugs having no (zero) resistance.
Listening to Audio Playback by the External Device through
the Instrument’s Speaker ([AUX IN] jack/Bluetooth/[USB TO
HOST] terminal)
Audio Input Sound:
In this manual, “Audio Input Sound” refers to audio input to the instrument from the external devices
connected by these methods.
Minimizing noise of the input sound via Noise Gate
By default, this instrument cuts unwanted noise from the input sound. However, this may result in wanted
sounds also being cut, such as the soft decay sound of a piano or acoustic guitar. To avoid this, set the Noise
Gate to off via [Menu] [Utility] [Speaker/Connectivity] [AUX IN Noise Gate].
Instrument Audio player
Headphone jack
Phone plug
(stereo mini)
Phone plug
(stereo mini)
Audio cable
Audio signal
Example
CVP-909/CVP-905 Owner’s Manual
108
Listening to Audio data from a Bluetooth-equipped device through this
instrument (Bluetooth Audio Function)
You can play the sound of audio data saved in a Bluetooth-equipped device, such as a smartphone or
portable audio player, on this instrument and listen to it through the built-in speaker of the instrument.
Bluetooth-equipped device:
In this manual, “Bluetooth-equipped device” refers to a device that can transmit audio data saved in it to the instrument using the Bluetooth
function, via wireless communication. For proper operation, the device must be compatible with A2DP (Advanced Audio Distribution
Profile). The Bluetooth Audio function is explained here by using a smart device as an example of such Bluetooth-equipped devices.
1Call up the Bluetooth display via [Menu] [Bluetooth].
2Make sure that the Bluetooth function is set to “On.”
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 109.
Bluetooth capability
Depending on the country in which you purchased the
product, the instrument may not have Bluetooth
capability.
If the Bluetooth icon is shown in the Menu display, this
means that the product is equipped with Bluetooth
functionality.
Instrument
Bluetooth-equipped
device
Bluetooth
Audio
Example
Bluetooth
icon
2
3
Device name
CVP-909/CVP-905 Owner’s Manual 109
10
Connections – Using Your Instrument with Other Devices –
3Touch [Pairing] to pair with a Bluetooth-equipped device.
If you wish to connect your Bluetooth-equipped device to the instrument, the device needs to be
paired with the instrument first. Once the device has been paired with this instrument, there is
no need to perform pairing again.
NOTE
• “Pairing” means to register Bluetooth-equipped devices on this instrument, and establish the mutual recognition for
wireless communication between the two.
• Only one smart device can be connected to this instrument at a time (although up to 8 smart devices can be paired to this
instrument). When pairing with the 9th smart device has succeeded, pairing data for the device with the oldest
connection date will be deleted.
• Bluetooth headphones or speakers cannot be paired.
4On the Bluetooth-equipped device, set the Bluetooth function to on and select
this instrument (the device name is shown on the display in step 1) from the
connection list.
After pairing is completed, the name of the Bluetooth-equipped device and “Connected” are
shown in the display.
NOTE
If you are required to enter a passkey, enter the numerals “0000.”
5Play back audio data on the Bluetooth-equipped device to confirm that the built-
in speakers of the instrument can output the audio sound.
When you turn on the instrument the next time, the last-connected Bluetooth-equipped device
will be connected to this instrument automatically, if the Bluetooth function of the Bluetooth-
equipped device and the instrument is set to on. If it is not connected automatically, select this
instrument from the connection list on the Bluetooth-equipped device.
About Bluetooth
Bluetooth is a technology for wireless communication between devices within an area of about 10 meters
(33 ft.) employing the 2.4 GHz frequency band.
Handling Bluetooth communications
The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by many types of
equipment. While Bluetooth compatible devices use a technology minimizing the influence of other
components using the same radio band, such influence may reduce the speed or distance of
communications and in some cases interrupt communications.
• The speed of signal transfer and the distance at which communication is possible differs according to the
distance between the communicating devices, the presence of obstacles, radio wave conditions and the
type of equipment.
• Yamaha does not guarantee all wireless connections between this unit and devices compatible with
Bluetooth function.
CVP-909/CVP-905 Owner’s Manual
110
You can connect a stereo system to amplify the instrument’s sound by using the AUX OUT [L/L+R]/[R]
jacks. The microphone or guitar sound connected to the instrument’s [MIC/LINE IN] jack is output at the
same time.
NOTICE
• To avoid possible damage, first turn on the power to the instrument, and then to the external device. When turning off the
power, first turn off the power to the external device, and then to the instrument. Since this instrument’s power may
automatically be turned off due to the Auto Power Off function (page 19), turn off the power to the external device, or disable
Auto Power Off when you do not intend to operate the instrument.
• Do not route the output from the AUX OUT jacks to the [AUX IN] jack. If you make this connection, the signal input at the [AUX
IN] jack is output from the AUX OUT jacks. These connections could result in a feedback loop that will make normal
performance impossible, and may even damage the equipment.
NOTE
• Use audio cables and adaptor plugs having no (zero) resistance.
• Use only the [L/L+R] jack for connection with a monaural device.
• Use an appropriate adaptor plug if the input jack of the powered speaker does not match the phone plug of the audio cable.
• When you are monitoring the sound output via the AUX OUT jacks from headphones connected to the instrument, we recommend that
you set the Binaural Sampling and Stereophonic Optimizer functions to off. For details, refer to page 21.
Using an External Speaker System for Playback
(AUX OUT [L/L+R]/[R] jacks)
Instrument Powered speaker
Audio cable
Audio signal
Standard phone
plug (1/4")
Standard phone
plug (1/4")
Input jack
Example
CVP-909/CVP-905 Owner’s Manual 111
10
Connections – Using Your Instrument with Other Devices –
By using MIDI cables and connecting to an external MIDI device (keyboard, sequencer, etc.) or a computer,
you can control the MIDI device from the instrument or control the instrument from the MIDI device.
•MIDI [IN]: Receives MIDI messages from another MIDI device.
•MIDI [OUT]: Transmits MIDI messages generated by the instrument to another MIDI device.
•MIDI [THRU]: Simply relays the MIDI messages received at MIDI IN.
The MIDI settings such as transmit/receive channels on the instrument can be set via [Menu] [MIDI]. For
details, refer to the Reference Manual on the website (page 9).
NOTE
• For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the website (page 9).
• For information on setting up your sequence software, refer to the owner’s manual of the relevant software.
• When transmitting MIDI data from this instrument to an external MIDI device, unexpected sounds may occur because of data related to
the Grand Expression Modeling (page 53).
By connecting with an external monitor such as a television, you can duplicate the instrument display
(mirroring) or separately show the lyrics/text on an external monitor. Use a USB display adaptor and a
display cable which are compatible with both this instrument and the monitor to connect to the [USB TO
DEVICE] terminal of this instrument. For a list of compatible USB display adaptors, visit the following
website:
https://download.yamaha.com/
NOTE
Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 103.
Set the display content that is to be output via [Menu] [Utility] [Speaker/Connectivity] page 2/2.
Connecting External MIDI Devices (MIDI terminals)
Viewing the Instrument’s Display on an External Monitor
Lyrics/Text Only the lyrics of the Song or text files (whichever you used last time) are output, regardless
of the display that is called up on the instrument.
Mirroring The currently selected display is output.
External MIDI deviceInstrument
MIDI reception
MIDI OUT MIDI INMIDI OUTMIDI IN
MIDI transmission
MIDI cables
Example
USB display adaptor
External monitorInstrument
Display cable
Example
CVP-909/CVP-905 Owner’s Manual
112
To the [MIC/LINE IN] jack (standard 1/4" phone jack), you can connect a microphone, guitar, or other
various equipment. For instructions on connecting a microphone, refer to page 86.
Note that you need to select “MIC” or “LINE IN” depending on the connected equipment. When the output
level of the connected equipment (such as a microphone, guitar, bass) is low, set the [MIC/LINE] switch to
“MIC.” When the output level of the connected equipment (such as a synthesizer, keyboard, CD player) is
high, set the [MIC/LINE] switch to “LINE.”
The FC4A or FC5 footswitches and the FC7 foot controller (sold separately) can be connected to [AUX
PEDAL] jack. A footswitch can be used for switching functions on and off, while a foot controller controls
continuous parameters such as volume.
Example 1: Using a foot controller to control the volume of the performance
data played on the keyboard.
Connect an FC7 foot controller to the [AUX PEDAL] jack. With the initial factory settings, no special setup is
necessary.
Example 2: Using a footswitch to control Song Start/Stop.
Connect a footswitch (FC4A or FC5) to the [AUX PEDAL] jack. To assign the function to the connected
pedal, select “Song Play/Pause” in the operation display: [Menu] [Assignable] [Pedal].
NOTE
• Make sure to connect or disconnect the pedal only when the power is off.
• Do not press the footswitch/foot pedal while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting
in reversed footswitch operation.
Connecting a Microphone or Guitar ([MIC/LINE IN] jack)
Connecting a Footswitch/Foot Controller ([AUX PEDAL] jack)
Foot Pedals (sold separately)
Footswitch FC4A Footswitch FC5 Foot Controller FC7
CVP-909/CVP-905 Owner’s Manual 113
Menu Display Function List
Menu Display Function List
This section explains simply and very briefly explains what you can do in the displays which are called up by
touching each icon on the Menu display. Some functions are described in this Owner’s Manual on the
pages indicated below. For details about each function, refer to the Reference Manual on the website
(page 9).
Menu Description Pages
Tempo
For adjusting the tempo of MIDI Song, Style or Metronome. The same
operation as using TEMPO [−]/[+] and [TAP TEMPO] buttons can be done on
the display. 39
Transpose For transposing the pitch of the entire sound in semitones, or just the sound
of the keyboard or MIDI Song. 41
Split Point & Fingering Type Lets you set the Split Point or change the Chord Fingering type and Chord
Detection Area. 54, 65
Chord Tutor Shows you an example of how to play a chord that corresponds to the
specified chord name. –
Balance
For adjusting the volume balance among the keyboard parts (Main, Layer,
Left), Style, Song, and the sound input via the microphone, [AUX IN] jack,
etc. 42
Mixer
Filter For adjusting the Harmonic Content (resonance) and sound brightness.
98
EQ For adjusting equalization parameters to correct the tone or timbre of the
sound.
Effect For selecting an Effect type and adjusts its depth for each part.
Chorus/Reverb For selecting a Chorus/Reverb type and adjusts its depth for each part.
Pan/Volume For adjusting panning and volume for each part.
(Master)
Compressor Lets you turn on/off the Master Compressor, and edit related parameters.
(Master) EQ For editing the Master EQ.
Score For displaying the music notation (score) of the current MIDI Song. 70
Lyrics For displaying the lyrics of the current MIDI Song. 71
Text Viewer For displaying text files created on your computer. –
Keyboard Harmony For adding the Harmony effect to the right-hand section of the keyboard.
Parameters such as Harmony type can be set. –
Mic Setting Makes settings for the microphone sound. –
Vocal Harmony For adding Vocal Harmony effects to your singing. You can edit the Vocal
Harmony and save as your original harmony. 87
Playlist
For creating your own repertoire list in which the links to the Registration
Memory Bank file for each performance are registered. You can conveniently
select just the panel settings you want (as a Record) for your performance
from the huge number of Registration Memory Bank files.
89
Registration Sequence Determines the order for calling up Registration Memory settings when using
the pedal or ASSIGNABLE button. –
Registration Freeze Determines the item(s) to be unchanged even when you call up panel setups
from the Registration Memory. –
CVP-909/CVP-905 Owner’s Manual
114
Chord Looper
By recording chord progressions you play, the Style can be played back
automatically in response to the chord progression data—without the need
for you to play chords in the chord section of the keyboard. –
Assignable Pedal Determines the functions assigned to the pedals. –
Assignable Determines the functions assigned to the ASSIGNABLE [1] – [4] buttons. 31
Voice Edit
Lets you edit the preset Voices to create your own Voices. The display differs
depending on whether an Organ Flutes Voice or another kind of Voice is
selected. 56
Style Creator Lets you create a Style by editing the preset Style, or by recording Style
channels one by one. –
Song Creator Lets you create a Song by “writing” it down one event at a time, or by editing
an existing recorded Song. –
Voice
Setting
Tune For adjusting the pitch for each keyboard part (Main/Layer/Left).
–
Piano For editing the parameters of the piano Voices, including VRM and Grand
Expression Modeling.
Each Key
Setting
For adjusting the pitch or the volume of each note (or key) individually for the
Main part’s Voice.
Voice Set Determines which settings (effects, etc.) linked to the Voices are not called
up when selecting a Voice.
Other Setting Determines how the Voice Selection display is opened when one of the
VOICE category buttons is pressed. Also determines whether to add
articulation effects or not when selecting an S.Art2 Voice (CVP-909 only).
Style
Setting
Setting For editing parameters for Style playback such as Stop ACMP (Stop
Accompaniment) and OTS Link Timing. –
Change
Behavior
Determines the Style condition (sections, tempo, etc.) when selecting a
different Style.
Song
Setting
Guide For selecting the type of the Guide function, or changes the guide lamp
settings.
–
Part Ch Determines which MIDI channel in the Song data is used for the right-hand/
left-hand part.
Lyrics Determines the language of the displayed lyrics.
Play For editing parameters for Song playback such as Repeat Playback and the
Performance Assistant Technology.
Rec For editing parameters for re-recording of MIDI Songs, or setting the file
format for Audio recording.
Tuning
Master Tune For fine-tuning the pitch of the entire instrument in approx. 0.2 Hz steps.
–
Scale Tune For selecting the scale type and tuning the pitch of the desired note (key) in
cents.
Keyboard Setting Determines the Touch Response of the keyboard, or turns the Left Hold
function on/off. 40, 52
Metronome
Setting
Metronome Determines the metronome volume, sound and time signature.
–
Tap Tempo Determines the volume and sound type of the sound caused when the [TAP
TEMPO] button is pressed.
MIDI Setting
System For editing the parameters for MIDI system messages.
–
Transmit For editing the parameters for MIDI transmission.
Receive For editing the parameters for MIDI reception.
On Bass Note Determines the bass note for Style playback based on the note messages
received via MIDI.
Chord Detect Determines the chord type for Style playback based on the note messages
received via MIDI.
Menu Description Pages
CVP-909/CVP-905 Owner’s Manual 115
Menu Display Function List
*1 This icon appears only if the instrument is equipped with Bluetooth functionality. Depending on the country in which you purchased it,
Bluetooth may not be available.
*2 These icons appear only when the USB wireless LAN adaptor (UD-WL01; sold separately) has been connected once.
Utility
Speaker/
Connectivity
For making the settings for the instrument’s speakers and the external
monitor. 111
Touch Screen/
Display
For editing the parameters for the display settings, such as the theme of the
home display, brightness, and touch panel calibration. 23
Parameter Lock Determines which parameters (effect, Split Point, etc.) will not be changed
when the panel setups are changed via Registration Memory. –
Storage Indicates the capacity of the User memory and the connected USB flash
drive or allows you to format it. 104
System Indicates the firmware version of this instrument, and lets you make basic
settings, such as the language for the display and voice guide. 22
Factory Reset/
Backup
For initializing the instrument to the factory default, or backing up the data
stored in the instrument. 43
Bluetooth*1 For connecting to a Bluetooth-equipped device. 108
Wireless LAN Settings*2 For making settings for connecting the instrument to a smart device, such as
a smartphone or tablet, via a USB wireless LAN adaptor. –
Time*2 For making settings of the time shown on the display. –
Menu Description Pages
CVP-909/CVP-905 Owner’s Manual
116
CVP-909 (Grand piano type) Assembly
CAUTION
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to
install all parts in the correct orientation. Please assemble the
unit in accordance with the sequence described here.
• Assembly should be carried out by at least four persons.
• Be sure to use only the included screws of the specified sizes.
Do not use any other screws. Use of incorrect screws can cause
damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each
unit.
• To disassemble the unit, reverse the assembly sequence.
Remove all parts from the package and make sure you
have all of the items.
1Lean the main unit against the wall as
shown.
1Spread a large soft cloth, such as a blanket, as shown
to protect the floor and wall surfaces.
2Lean the main unit against the wall with the key cover
closed and the keyboard side on the bottom.
CAUTION
Be careful not to pinch your fingers.
Have a Phillips-head (+) screwdriver of the appropriate size
ready.
Power cord
Legs
To prevent the key cover from accidentally opening during assembly,
press down on the key cover, making sure that the sheets (shown) remain
in place.
MIC-HPJ
To prevent damage to the MIC-HPJ unit located at the bottom of main unit,
make sure to place main unit on the styrofoam pads.
Also, make sure that the pads do not touch the MIC-HPJ.
Pedal box
Bundled pedal cord inside.
The pedals are protected with
vinyl covers when shipped from
the factory. Remove the covers
from the pedals before using to
ensure optimum use of the
pedal effects.
Leg beams
Lyre braces
Cord holder
6 × 40 mm fixing screws × 12
NOTICE
Do not place the main unit as shown in the illustration here.
6 × 20 mm fixing screws × 4
Protective pads × 2
Headphone hanger
4 × 10 mm
thin screws × 2
4 × 10 mm thin screws × 12
4 × 16 mm thin screws × 4
Large soft cloth
Styrofoam pads
Protective pads
Incorrect Incorrect
Incorrect
CVP-909/CVP-905 Owner’s Manual 117
CVP-909 (Grand piano type) Assembly
2Attach the three legs and three leg
beams.
Refer to the diagram below to verify the orientation
of the legs.
1Install and tighten four screws on each leg, starting
with one of the front legs.
2Slide the leg beams over the legs, and attach them to
each of the legs using four thin screws (4 × 10 mm).
Make sure that the gradually inclined side of the leg
beams faces the inside of the unit as shown.
3Attach the lyre braces.
1Attach the lyre braces using the four thin screws (4 ×
16 mm).
4Raise the unit to the standing position.
Use the front legs as support to raise the unit.
Rear leg
Front leg Front leg
6 × 40 mm fixing screws
The gradually
inclined side faces
the inside.
4 × 10 mm
thin screws
4 × 16 mm
thin screws
CVP-909/CVP-905 Owner’s Manual
118
5Install the pedal box.
1Remove the twist tie and tape that affix the pedal cord
to the upper portion of the pedal box.
.
2Attach the front side of the pedal box to the bottom of
the unit by finger-tightening the two fixing screws (6 ×
20 mm).
3Insert the lyre braces into the pedal box recesses and
make sure they fit securely.
4Align the cord with the groove on the unit and attach
the backside of the pedal box using the two fixing
screws (6 × 20 mm), and then securely tighten the
two screws of the front side of the pedal box that were
attached in step 5-2.
5Loosen the four screws that were attached in step 3,
and then securely tighten the four screws again while
pushing the lyre braces in the direction of arrows as
illustrated.
6Insert the pedal cord plug into the pedal connector.
Insert the plug so the arrow side faces front (toward
the keyboard).
If the plug will not go in easily, do not force it. Double-
check the orientation of the plug, then try again.
7Attach the cord holder to the bottom of the main unit
as shown, then clip the holder around the cord.
Twist tie
Tape
6 × 20 mm
fixing screws
6 × 20 mm fixing screws
Insert the pedal
cord securely
until the metal
part of the cord
plug disappears
from view.
Otherwise, the
pedal may not
function properly.
CVP-909/CVP-905 Owner’s Manual 119
CVP-909 (Grand piano type) Assembly
6Rotate the adjuster until it comes in
firm contact with the floor surface.
7Plug the power cord into the [AC IN]
jack.
8Attach the headphone hanger.
Attach the headphone hanger using two thin screws
(4 × 10 mm) as shown in the illustration.
CAUTION
To disassemble the unit, reverse the assembly sequence.
Failure to do so can result in damage to the instrument or
personal injury. In particular, if you lay down the main unit
without detaching the pedal box, the pedals will break.
Right leg on the bottom
of the main unit, when
viewed from front.
4 × 10 mm thin screws
After completing the assembly, please check the
following.
• Are there any parts left over?
Review the assembly procedure and correct any errors.
• Is the instrument clear of doors and other
movable fixtures?
Move the instrument to an appropriate location.
• Does the instrument make a rattling noise when
you shake it?
Tighten all screws.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely
into the sockets?
Transporting
CAUTION
When moving the instrument, always hold the bottom of the
main unit. Do not hold the key cover or top portion. Improper
handling can result in damage to the instrument or personal
injury.
If you move to another location, you can transport the
instrument along with other belongings. You can move
the unit as it is (assembled) or you can disassemble the
unit down to the condition it was in when you first took it
out of the box. Transport the keyboard horizontally. Do
not lean it up against a wall or stand it up on its side. Do
not subject the instrument to excessive vibration or
shock. When transporting the assembled instrument,
make sure all screws are properly tightened and have not
been loosened by moving the instrument.
CAUTION
If the unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten
all screws.
Do not hold
here.
Do not hold here.
CVP-909/CVP-905 Owner’s Manual
120
CVP-909 Assembly
CAUTION
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to
install all parts in the correct orientation. Please assemble the
unit in accordance with the sequence described here.
• Assembly should be carried out by at least two persons.
• Be sure to use only the included screws of the specified sizes.
Do not use any other screws. Use of incorrect screws can cause
damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each
unit.
• To disassemble the unit, reverse the assembly sequence.
Remove all parts from the package and make sure you
have all of the items.
1Lean unit A against the wall as shown.
1Spread a large soft cloth, such as a blanket, as shown
to protect the floor and wall surfaces.
2Lean unit A against the wall with the key cover closed
and the keyboard side on the bottom.
CAUTION
Be careful not to pinch your fingers.
NOTICE
• The top part of the music rest is not fixed. Support the music
rest with your hand so that the music rest will not fall.
• Do not place the main unit upside down or with the rear side
facing down.
Have a Phillips-head (+) screwdriver of the appropriate size
ready.
5 × 30 mm × 4
H
4 × 20 mm × 3
M
4 × 10 mm × 2
P
To prevent the key cover from accidentally opening during assembly,
press down on the key cover, making sure that the sheets (shown) remain
in place.
To prevent damage to the speaker box located at the bottom of unit A,
make sure to place unit A on the styrofoam pads. Also, make sure that the
pads do not touch the speaker box.
Bundled pedal cord
inside. The pedals are
protected with vinyl
covers when shipped
from the factory.
Remove the covers
from the pedals before
using to ensure
optimum use of the
pedal effects.
Power cordProtective pads × 2 Headphone
hanger
N
5 × 18 mm × 10
4 × 10 mm × 2 5 × 15 × 1.2 mm × 4
JQ
Large soft cloth
Styrofoam
pads
NOTICE
Do not touch the speaker net.
Doing so may damage the
speaker inside.
Protective pads
Protective pads
CVP-909/CVP-905 Owner’s Manual 121
CVP-909 Assembly
2Attach units B and C to unit A.
1Align units B and A so that the protrusion fits into the
hole.
2Fix unit B to the bottom surface of unit A using two
screws H.
Attach the parts, pressing unit B onto unit A so that
the two fit tightly together.
3Fix unit B to the speaker box of unit A using two
screws J.
If the screw holes do not align, loosen the other
screws and adjust the position of unit B.
4Fasten unit C to unit A in the same way.
3Attach unit E to unit D.
Fix unit E to unit D using two screws J.
4Attach unit D to unit A.
1Fix unit D to the bottom surface of unit A using two
screws J.
2Fix unit D to the speaker box of unit A using two
screws J.
If the screw holes do not align, loosen the other
screws and adjust the position of unit D.
5Raise unit A into the upright position.
CAUTION
• Be careful not to pinch your fingers.
• When you raise the unit, do not hold the key cover.
6Install unit F.
1Remove the cover from unit D.
2Untie and straighten out the bundled cord.
H
J
Q
J
J
J
D
D
FF
CVP-909/CVP-905 Owner’s Manual
122
3Pass the pedal cord from under unit D to the backside
of the main unit.
4Place unit F on the bracket of unit D.
5Attach unit F to unit D using three screws M.
7Connect the pedal cord.
4Attach unit G using two screws N.
8Insert the AC power cord plug into the
[AC IN] jack.
9Rotate the adjuster until it comes in
firm contact with the floor surface.
10 Attach the headphone hanger.
Attach the headphone hanger using two screws P
as shown in the illustration.
M
1Insert the pedal cord plug into
the pedal connector.
Insert the pedal cord securely
until the metal part of the cord
plug disappears from view.
Otherwise, the pedal may not
function properly.
2Pass the pedal
cord between
units D and E.
3Align the pedal cord into the
groove on unit D, then install
the cover onto the groove
correctly.
Correct
Incorrect
GG
N
After completing the assembly, please check the
following.
• Are there any parts left over?
Review the assembly procedure and correct any errors.
• Is the instrument clear of doors and other
movable fixtures?
Move the instrument to an appropriate location.
• Does the instrument make a rattling noise when
you shake it?
Tighten all screws.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely
into the sockets?
P
CVP-909/CVP-905 Owner’s Manual 123
CVP-909 Assembly
Transporting
CAUTION
When moving the instrument, always hold the bottom of the
main unit. Do not hold the key cover or top portion. Improper
handling can result in damage to the instrument or personal
injury.
If you move to another location, you can transport the
instrument along with other belongings. You can move
the unit as it is (assembled) or you can disassemble the
unit down to the condition it was in when you first took it
out of the box. Transport the keyboard horizontally. Do
not lean it up against a wall or stand it up on its side. Do
not subject the instrument to excessive vibration or
shock. When transporting the assembled instrument,
make sure all screws are properly tightened and have not
been loosened by moving the instrument.
CAUTION
If the unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten
all screws.
Hold here.
Do not hold here.
CVP-909/CVP-905 Owner’s Manual
124
CVP-905 Assembly
CAUTION
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to
install all parts in the correct orientation. Please assemble the
unit in accordance with the sequence described here.
• Assembly should be carried out by at least two persons.
• Be sure to use only the included screws of the specified sizes.
Do not use any other screws. Use of incorrect screws can cause
damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each
unit.
• To disassemble the unit, reverse the assembly sequence.
Remove all parts from the package and make sure you
have all of the items.
1Attach C to D and E.
1Place C, D and E as shown in the illustration.
2Untie and straighten out the bundled pedal cord.
Do not discard the vinyl tie. You will need the vinyl tie
later in step 5.
3Secure D and E to C using four screws F.
Press D and E toward C while securing.
2Attach B.
1Align the holes on the upper side of B with the bracket
holes on D and E, then attach the upper corners of B
to D and E by finger-tightening two screws G. These
screws will be securely tightened in step 4-3.
2Secure the bottom end of B using four screws H.
3Mount A.
Be sure to place your hands at least 15 cm from
either end of A when positioning it. The projections
on top of D and E should be inserted to the holes on
the bottom of A.
CAUTION
• Be extra careful not to drop the unit or let your fingers be
pinched by the main unit.
• Do not hold the main unit in any position other than the position
specified here.
Have a Phillips-head (+) screwdriver of the appropriate size
ready.
B
C
DE
6 × 20 mm × 10
4 × 12 mm × 2
4 × 20 mm × 4
4 × 10
mm
× 2
F
G
H
J
Remove foamed styrol pads from the package, position them on
the floor, then place A on top of them. Position the pads so that
they will not block the speaker box on the bottom of A.
Bundled pedal cord inside here.
Cord holders × 2
Headphone hanger
Power cord
Speaker box
FF
H
G
D
B
E4-
Projections
15 cm or further in
CVP-909/CVP-905 Owner’s Manual 125
CVP-905 Assembly
4Secure A.
1Adjust the position of A so that the inner lines of the
side boards of A and D/E are aligned as shown in the
illustration.
2Attach A using six screws F.
3Securely tighten the screws G on the top of B that
were attached in step 2-1.
5Connect the pedal cord and power
cord.
1Insert the pedal cord plug into the pedal connector.
Insert the pedal cord securely
until the metal part of the cord
plug disappears from view.
Otherwise, the pedal may not
function properly.
2Attach the cord holders to the rear panel as shown,
then clip the cord into the holders.
3Use a vinyl tie to take up any slack in the pedal cord.
4Insert the AC power cord plug into the [AC IN] jack.
6Rotate the adjuster until it comes in
firm contact with the floor surface.
7Attach the headphone hanger.
Attach the headphone hanger using two screws J
as shown in the illustration.
A
F
D
E
F
After completing the assembly, please check the
following.
• Are there any parts left over?
Review the assembly procedure and correct any errors.
• Is the instrument clear of doors and other
movable fixtures?
Move the instrument to an appropriate location.
• Does the instrument make a rattling noise when
you shake it?
Tighten all screws.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely
into the sockets?
Transporting
CAUTION
When moving the instrument, always hold the bottom of the
main unit. Do not hold the key cover or top portion. Improper
handling can result in damage to the instrument or personal
injury.
If you move to another location, you can transport the
instrument along with other belongings. You can move the unit
as it is (assembled) or you can disassemble the unit down to
the condition it was in when you first took it out of the box.
Transport the keyboard horizontally. Do not lean it up against a
wall or stand it up on its side. Do not subject the instrument to
excessive vibration or shock. When transporting the
assembled instrument, make sure all screws are properly
tightened and have not been loosened by moving the
instrument.
CAUTION
If the unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten all
screws.
J
Do not hold here.
Hold here.
CVP-909/CVP-905 Owner’s Manual
126
Troubleshooting
Overall
A click or pop is heard when the power is
turned on or off.
Electrical current is being applied to the instrument. This is normal.
The power is automatically turned off. This is normal and due to the Auto Power Off function. If necessary, set the
parameter of the Auto Power Off function (page 19).
Noise is heard from the instrument’s
speakers.
Noise may be heard if a mobile phone is used near the instrument or if the
phone is ringing. Turn off the mobile phone, or use it further away from the
instrument.
Noise is heard from the instrument’s
speakers or headphones when using the
instrument with the app on the smart device
such as smartphone or tablet.
When you use the instrument along with the app on your smart device, we
recommend that you enable “Airplane Mode” on the device to avoid noise
caused by communication. When wirelessly connecting a smart device with
this product, make sure that the Wi-Fi or Bluetooth setting on the device is
turned on.
In the LCD, there are some specific points
that are always lit or unlit.
These are the result of defective pixels and occasionally occur in TFT-
LCDs; they do not indicate a problem in operation.
Mechanical noise is heard during
performance.
The keyboard mechanism of this instrument simulates the keyboard
mechanism of an actual piano. Mechanical noise is also heard on a piano.
There is a slight difference in sound quality
among different notes played on the
keyboard.
This is normal and is a result of the instrument’s sampling system.
Some Voices have a looping sound.
Some noise or vibrato is noticeable at higher
pitches, depending upon the Voice.
The overall volume is too low or no sound is
heard.
The master volume may be set too low. Set it to an appropriate level with
the [MASTER VOLUME] control (page 20).
All keyboard parts are set to off. On the Home display, touch [Main]/[Layer]/
[Left] to turn on the part (page 49).
The volume of the individual parts may be set too low. Raise the volume in
the Balance display (page 42).
Make sure the desired channel is set to on (page 100).
Make sure a pair of headphones or an adapter plug is not connected to the
[PHONES] jack.
Make sure that the “Speaker” is set to “On” from [Menu] [Utility]
[Speaker/Connectivity].
The sound is distorted or noisy. The volume may be turned up too high. Make sure all relevant volume
settings are appropriate.
This may be caused by certain effects or filter resonance settings. Check
the effect or filter settings and change them accordingly in the Mixer display,
referring to the Reference Manual on the website (page 9).
Not all simultaneously played notes sound, or
the sound of Style or Song seems to be cut
off.
You are probably exceeding the maximum polyphony (page 130) of the
instrument. When the maximum polyphony is exceeded, the earliest played
notes will stop sounding, letting the latest played notes sound.
The keyboard volume is lower than the Song/
Style playback volume.
The volume of the keyboard parts may be set too low. Raise the keyboard
volume (Main/Layer/Left), or lower the Song/Style volume in the Balance
display (page 42).
Some characters of the file/folder name are
garbled.
The language settings have been changed. Set the appropriate language
for the file/folder name (page 22).
CVP-909/CVP-905 Owner’s Manual 127
Troubleshooting
An existing file is not shown on the display. The file extension (.MID, etc.) may have been changed or deleted.
Manually rename the file on a computer, adding the appropriate extension.
Data files with names of more than 50 characters cannot be handled by the
instrument. Rename the file, reducing the number of characters to 50 or
less.
Metronome, MIDI Song or Style goes out of
tempo slightly when you play the keyboard.
This occurs infrequently when Grand Expression Modeling is set to
“Dynamic.” If this happens, set Grand Expression Modeling to “Static” via
[Menu] [Voice Setting] [Piano].
Voice
The Voice selected from the Voice Selection
display does not sound.
Check whether or not the selected part is turned on (page 49).
A strange “flanging” or “doubling” sound
occurs. The sound is slightly different each
time the keys are played.
The Main and Layer parts are set to on, and both parts are set to play the
same Voice. Turn off the Layer part or change the Voice of one of the parts.
Some Voices will jump an octave in pitch
when played in the upper or lower registers.
This is normal. Some Voices have a pitch limit which, when reached,
causes this type of pitch shift.
No sound is heard or sound is strange in the
left-hand section.
If the “Stop ACMP” parameter is set to something other than “Disabled” via
[Menu] [StyleSetting] [Setting], the Voice on the chord section does
not sound normally when the [ACMP ON/OFF] button is on. Set the “Stop
ACMP” parameter to “Disabled” or turn the [ACMP ON/OFF] button off. For
details about the Stop ACMP function, refer to the Reference Manual on the
website (page 9).
Style
The Style does not start even when the
[START/STOP] button is pressed.
The Rhythm channel of the selected Style may not contain any data. Turn
the [ACMP ON/OFF] button on and play in the left-hand section on the
keyboard to sound the accompaniment part of the Style.
Only the rhythm channel plays;
accompaniment sounds are not heard.
Make sure the Auto Accompaniment function is turned on; press the
[ACMP ON/OFF] button.
Make sure to play keys in the chord section of the keyboard (page 59).
Styles in a USB flash drive cannot be
selected.
If the size of the Style data is large (about 120 KB or greater), the Style
cannot be selected because the data is too large to be read by the
instrument.
Song
Songs cannot be selected. This may be because the language settings have been changed. Set the
appropriate language for the Song file name (page 22).
If the size of the Song data is large (about 3 MB or greater), the Song
cannot be selected because the data is too large to be read by the
instrument.
The file format is not supported. Refer to page 67 for details on supported
Song formats.
Song playback does not start. The Song has been stopped at the end of the Song data. Return to the
beginning of the Song by pressing the SONG CONTROL [J] (Stop) button.
(MIDI)
Song playback stops before the Song is
finished.
The Guide function is turned on. (In this case, playback is “waiting” for the
correct key to be played.) Turn off the Guide function (page 72).
Overall
CVP-909/CVP-905 Owner’s Manual
128
(MIDI)
The measure number is different from that of
the score in the Song Position display, shown
by pressing the [LL] (Rewind)/[RR] (Fast
forward) buttons.
This happens when playing back music data for which a specific, fixed
tempo is set.
(MIDI)
When playing back a Song, some channels
do not play.
Playback of these channels may be set to off. Turn playback on for those
channels that are set to off (page 100).
The guide lamps do not light during Song
playback, even after turning on the Guide
function.
The Guide function can be used only when a MIDI Song is played back.
It is not available for Audio Songs.
Any notes outside of the 88-key range cannot be indicated by the guide
lamps.
When the [ACMP ON/OFF] button is turned on, the guide lamps for the left-
hand part do not work. As necessary, turn off the [ACMP ON/OFF] button
when using it.
(MIDI)
The guide lamps light an octave or two lower/
higher than the actual pitch.
The guide lamps sometimes light an octave or two lower/higher than the
actual pitch depending on the selected Voice.
(MIDI)
The tempo, beat, measure and music notation
is not displayed correctly.
Some Song data for the instrument has been recorded with special “free
tempo” settings. For such Song data, the tempo, beat, measure and music
notation will not be displayed correctly.
(MIDI)
When viewing the lyrics on the Score display,
some lyrics are omitted and cannot be seen.
There is not enough space to show the lyrics. Change the size of the Score
to other than “Medium” via the View Setting (page 71).
A message indicating the USB flash drive is
unavailable appears, and the recording is
aborted.
Make sure to use a compatible USB flash drive (page 103).
Make sure that the USB flash drive has enough memory (page 104).
If you are using a USB flash drive to which data has already been recorded,
check first that no important data remains on the device, and then format it
(page 104) and try recording again.
The Song playback volume differs depending
on the selected Song.
The volume of MIDI Songs and Audio Songs are set independently. Adjust
the volume in the Balance display (page 42) after selecting a Voice.
Microphone
The microphone input signal cannot be
recorded.
The microphone input signal cannot be recorded by MIDI Recording.
Record by using Audio recording (page 76).
Harmony can be heard in addition to the
microphone sound.
Vocal Harmony is set to “On.” Turn Vocal Harmony off (page 87).
The Vocal Harmony effect sounds distorted or
out-of-tune.
Your vocal microphone may be picking up extraneous sounds, such as the
Style sound from the instrument. In particular, bass sounds can cause
mistracking of Vocal Harmony. To remedy this:
• Sing as closely to the microphone as possible.
• Use a unidirectional microphone.
• Turn down the Master volume, or adjust the volume balance on the
Balance display (page 42).
The Vocal Harmony effect is not applied even
when it is turned on.
In the Chordal mode, Vocal Harmony is added only when chords are
detected. Try one of the following:
• Turn on the [ACMP ON/OFF] button and play chords in the chord section
during Style playback.
• Turn on the Left part and play chords in the left hand section.
• Play back a Song which contains chords.
• Set the “Stop ACMP” parameter to something other than “Disabled” via
[Menu] [StyleSetting] [Setting]. For details, refer to the Reference
Manual on the website (page 9).
Song
CVP-909/CVP-905 Owner’s Manual 129
Troubleshooting
Mixer
The sound seems strange or different than
expected when changing a rhythm Voice
(drum kit, etc.) of the Style or Song from the
Mixer.
When changing the rhythm/percussion Voices (drum kits, etc.) of the Style
and Song from the VOICE parameter, the detailed settings related to the
drum voice are reset, and in some cases you may be unable to restore the
original sound. You can restore the original sound by selecting the same
Song or Style again.
Pedal/AUX Pedal
The damper, sostenuto and soft functions do
not work for the relevant pedals.
The pedal cord plug is not connected to the pedal jack securely. Securely
insert the pedal cord plug into the proper jack (pages 118, 122, 125).
Make sure that each pedal is properly assigned to “Sustain,” “Sostenuto”
and “Soft” (page 38).
The on/off setting of the footswitch/foot
controller connected to the [AUX PEDAL] jack
is reversed.
Turn the instrument’s power off, and then turn it on again without pressing
the footswitch/foot controller, or change the Polarity parameter from [Menu]
[Assignable] [Pedal].
The damper pedal does not function properly. The power of the instrument may have been turned on while the damper
pedal was pressed. Press and release the damper pedal to restore proper
operation.
Connection
The speakers do not switch off when a pair of
headphones is connected to the [PHONES]
jack.
The Speaker setting is “On.” Set the speaker setting to “Headphone Switch”
via [Menu] [Utility] [Speaker/Connectivity].
The Wireless LAN icon is not shown in the
Menu display even though the USB wireless
LAN adaptor is connected.
Disconnect the USB wireless LAN adaptor and connect it again.
The Bluetooth-equipped device cannot be
paired with nor connected to the instrument.
Check the Bluetooth function of the Bluetooth-equipped device is activated.
To connect the Bluetooth-equipped device and the instrument, Bluetooth
function of both devices need to be turned on.
The Bluetooth-equipped device and the instrument need to be paired to
connect each other via Bluetooth (page 108).
In case there is a device (microwave oven, wireless LAN device, etc.) that
outputs signals in the 2.4 GHz frequency band nearby, move this
instrument away from the device that is emitting radio-frequency signals.
Sound input to the [AUX IN] jack is
interrupted.
The output volume of the external device connected to the [AUX IN] jack of
this instrument is too low. Increase the output volume of the external
device. The volume level reproduced via this instrument’s speakers can be
adjusted by using the [MASTER VOLUME] control.
The Noise Gate function may be cutting the soft sounds. If this happens,
turn off the “AUX IN Noise Gate” parameter (page 107).
CVP-909/CVP-905 Owner’s Manual
130
Specifications
CVP-909GP
(Grand Piano type)
CVP-909 CVP-905
Product Name Digital Piano
Size/Weight Width
[For models with polished finish] [1,430 mm (56-5/16")] 1,426 mm (56-1/8")
[1,429 mm (56-1/4")] 1,420 mm (55-15/16")
[1,423 mm (56-0")]
Height
[For models with
polished finish]
With music rest closed [913 mm (35-15/16")] 868 mm (34-3/16")
[872 mm (34-5/16")] 868 mm (34-3/16")
[871 mm (34-5/16")]
With music rest raised [1,076 mm (42-3/8")] 1,027 mm (40-7/16")
[1,028 mm (40-1/2")] 1,026 mm (40-3/8")
[1,027 mm (40-7/16")]
With lid up [1,554 mm (61-3/16")] –
Depth
[For models with polished finish] [1,236 mm (48-11/16")] 612 mm (24-1/8")
[612 mm (24-1/8")] 592 mm (23-5/16")
[593 mm (23-3/8")]
Weight
[For models with polished finish] [130 kg (286 lb, 10 oz)] 82 kg (180 lb, 12 oz)
[85 kg (187 lb, 6 oz)] 82 kg (180 lb, 12 oz)
[84 kg (185 lb, 3 oz)]
Control
Interface Keyboard Number of Keys 88
Type GrandTouch Keyboard: wooden keys (white only), synthetic ebony and ivory key tops,
escapement
88-key Linear Graded
Hammers Yes
Counter Weight Yes –
Touch Response Hard2/Hard1/Medium/Soft1/Soft2
Pedal Number of Pedals 3: Damper (with Half-pedal function), Sostenuto, Soft
GrandTouch Pedals Yes (with GP Response Damper) Yes
Assignable Functions Sustain, Sostenuto, Soft, Glide, Song Play/Pause, Style Start/Stop, Volume, etc.
Display Type TFT Color LCD (Touch Screen)
Size 800 × 480 dots
9.0 inch 800 × 480 dots
7.0 inch
Score/Lyrics/Text
Display Function Yes
Language English, German, French, Spanish, Italian, Japanese
Panel Language English
Cabinet Key Cover Style Folding
Music Rest Yes (with music braces)
Voices Tone Generation Piano Sound Yamaha CFX, Bösendorfer Imperial
Binaural Sampling Yes (“CFX Concert Grand” and “Bösendorfer Grand” Voice only)
Piano Effects VRM Yes
Grand Expression
Modeling Yes
Key-off Samples Yes
Smooth Release Yes
Polyphony (max.) 256
Preset Number of Voices 1,605 Voices + 58 Drum/SFX Kits + 480 XG Voices 1,315 Voices + 49 Drum/
SFX Kits + 480 XG Voices
Number of VRM Voices 17 14
Number of Super
Articulation Voices S.Art2: 36, S.Art: 301 S.Art: 227
Custom Voice Edit Yes
Compatibility XG, GS (for Song playback), GM, GM2
Other Features Mono/Poly Yes
CVP-909/CVP-905 Owner’s Manual 131
Specifications
Effects Types Reverb 65 Preset + 30 User
Chorus 107 Preset + 30 User 106 Preset + 30 User
Insertion Effect 358 Preset + 30 User 322 Preset + 30 User
Variation Effect 358 Preset + 30 User 322 Preset + 30 User
Master Compressor 5 Preset + 30 User
Master EQ 5 Preset + 30 User
Part EQ 27 Parts
Vocal Harmony 54 Preset + 60 User
Intelligent Acoustic
Control (IAC) Yes
Stereophonic Optimizer
Yes
Functions Dual (Layer) Yes
Split Yes
Styles Preset Number of Styles 675 525
Fingering Types Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, Full Keyboard,
AI Full Keyboard
Style Control INTRO × 3, MAIN VARIATION × 4, FILL × 4, BREAK, ENDING × 3
Custom Style Creator Yes
Other Features
One Touch Setting (OTS)
4 for each Style
Chord Looper Yes
Compatibility Style File Format (SFF), Style File Format GE (SFF GE)
Songs (MIDI) Preset
Number of Preset Songs
50 Classics + 303 Lesson Songs + 60 Popular
Recording Number of Tracks 16
Data Capacity approx. 3 MB/Song
Song Creator Yes
Format Playback SMF (Format 0, Format 1), XF
Recording SMF (Format 0)
Songs (Audio) Recording Time (max.) 80 minutes/Song
Format Playback WAV (44.1kHz, 16bit, stereo), MP3 (MPEG-1 Audio Layer-3)
Recording WAV (44.1kHz, 16bit, stereo), MP3 (MPEG-1 Audio Layer-3)
Functions Time Stretch,
Pitch Shift,
Vocal Cancel
Yes
Functions Registration
Memory Number of Buttons 8
Control Registration Sequence, Freeze
Playlist Number of Records
(max.) 2,500
Lesson/Guide Follow Lights, Any Key, Karao-Key, Your Tempo (with guide lamps)
Overall Controls Metronome Yes
Tempo Range 5 – 500, Tap Tempo
Transpose −12 – 0 – +12
Tuning 414.8 – 440 – 466.8 Hz (approx. 0.2 Hz increments)
Scale Type 9 Types
CVP-909GP
(Grand Piano type)
CVP-909 CVP-905
CVP-909/CVP-905 Owner’s Manual
132
The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then
download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your
Yamaha dealer.
Functions Bluetooth
(May not have
this functionality
depending on the
country in which
you purchased
the product.)
Bluetooth version 4.2
Supported profile A2DP
Compatible codec SBC
Wireless output Bluetooth class 2
Maximum communication
distance
Approx. 10 m
Radio Frequency 2,401 – 2,481 MHz
Maximum output power
(EIRP) 4 dBm
Type of modulation FHSS
Miscellaneous Piano Room Yes
Display output to an
external monitor Yes (by using a commercially available USB display adaptor*)
* For a list of compatible devices, access the “Yamaha Downloads” website.
Brightness Adjustment Yes (display/button lamps)
USB audio interface 44.1 kHz, 24 bit, stereo
Storage and
Connectivity Storage Internal Memory approx. 2 GB
External Drives USB flash drive
Connectivity Headphones Standard stereo phone jack (× 2)
Microphone Mic/Line in (standard mono phone jack), Input volume
MIDI IN, OUT, THRU
AUX IN Stereo mini jack
AUX OUT L/L+R, R
AUX PEDAL Yes
USB TO DEVICE Yes (× 2)
USB TO HOST Yes
Sound
System Amplifiers (40W + 30W + 20W) × 2 + 80W (45 W + 20 W) × 2
Speakers (16 cm + 5 cm + 2.5 cm (dome)) × 2 + 20 cm,
Spruce Cone Speaker, Twisted Flare Port (16 cm + 2.5 cm (dome)) × 2
Power Supply Auto Power Off Yes
Included Accessories Owner’s Manual, Music Book, Online Member Product Registration, Power cord, Bench*
* May not be included depending on your area. Check with your Yamaha dealer.
Separately Sold Accessories
(May not be available depending on your area.) Headphones (HPH-150/HPH-100/HPH-50), Footswitches (FC4A/FC5),
Foot controller (FC7), USB wireless LAN adaptor (UD-WL01)
CVP-909GP
(Grand Piano type)
CVP-909 CVP-905
CVP-909/CVP-905 Owner’s Manual 133
Index
Index
A
A-B Repeat ................................................................73
Accessories .................................................................9
ACMP ON/OFF button ..................................................61
AI Fingered ................................................................66
AI Full Keyboard .........................................................66
Assembly ................................................116, 120, 124
ASSIGNABLE buttons ..................................................31
Audio conversion .........................................................85
Audio Input Sound .....................................................107
Audio Loopback ........................................................105
Audio recording ...........................................................76
Audio Song ................................................................67
Auto Accompaniment ...................................................58
Auto Power Off ...........................................................19
AUX IN ...................................................................107
B
Backup .....................................................................43
Balance .....................................................................42
Bank .........................................................................91
Binaural Sampling .......................................................21
Bluetooth Audio ........................................................108
Break ........................................................................62
Brightness .................................................................23
C
Channel ............................................................82, 100
Character entry ...........................................................36
Chord .......................................................................66
Chord Looper .............................................................62
Chord section .............................................................59
Chordal .....................................................................87
Chorus ......................................................................99
Compressor ...............................................................99
Computer ................................................................105
Connection ..............................................................101
Copy ........................................................................34
Copyright ...................................................................22
D
Damper Pedal ............................................................38
Data dial ....................................................................30
Delete .......................................................................34
Demo .......................................................................13
Display ......................................................................26
E
Edit (Song) ..........................................................78, 99
Effect ........................................................................99
Ending section ............................................................61
EQ ...........................................................................99
F
Factory Reset .............................................................42
Fast Forward ..............................................................69
Favorite .....................................................................35
File ...........................................................................32
File Selection display ....................................................27
Fill-in ........................................................................62
Filter .........................................................................99
Fingered ....................................................................65
Fingered On Bass ........................................................65
Fingering type .............................................................65
Fixed Velocity .............................................................40
Folder .......................................................................33
Foot Controller ..........................................................112
Footswitch ...............................................................112
Force-quit ..................................................................19
Format ................................................................8, 104
Full Keyboard .............................................................65
G
GP Response Damper ..................................................38
Grand Expression Modeling ...........................................53
Guide ........................................................................72
H
Half-pedal ..................................................................38
Headphones ...............................................................20
Home display ..............................................................26
I
IAC (Intelligent Acoustic Control) .....................................20
Initialize (Factory Reset) ................................................42
Intro section ...............................................................61
K
Karaoke ....................................................................88
Key cover ..................................................................16
L
Language ..................................................................22
Layer part ..................................................................49
Left Hold ....................................................................52
Left part .....................................................................49
Left Split Point ............................................................54
Lid ............................................................................17
Lyrics ........................................................................71
M
Main part ...................................................................49
Main section ...............................................................62
Master Compressor ......................................................99
Master volume ............................................................20
Menu area .................................................................26
Menu display ......................................................28, 113
CVP-909/CVP-905 Owner’s Manual
134
Metronome ................................................................39
Microphone ................................................................86
MIDI connection ........................................................111
MIDI Recording ...........................................................76
MIDI Song .................................................................67
Mixer ........................................................................98
Monitor ...................................................................111
Move ........................................................................34
MP3 .........................................................................76
Multi channel recording .................................................82
Multi Finger ................................................................65
Music notation ............................................................70
Music rest ..................................................................16
N
Noise Gate ..............................................................107
O
One Touch Setting .......................................................63
Organ Flutes Voice ......................................................56
OTS .........................................................................63
Owner Name ..............................................................22
P
Pairing ....................................................................109
Pan ..........................................................................99
Pause .......................................................................69
Pedal ................................................................38, 112
Piano Lock .................................................................52
Piano Reset ...............................................................52
Piano Room ...............................................................44
Pitch .........................................................................41
Pitch Shift ..................................................................74
Playback (Song) ..........................................................67
Playback (Style) ..........................................................61
Playlist ......................................................................89
Power .......................................................................18
R
Record ......................................................................94
Recording (Piano Room) ...............................................48
Recording (Song) ........................................................76
Reference Manual .........................................................9
Registration area .........................................................26
Registration Memory ....................................................89
Rename ....................................................................33
Repeat ......................................................................73
Restore .....................................................................42
Reverb ......................................................................99
Rewind .....................................................................69
Rotary Speaker ...........................................................57
S
S.Art/S.Art2 Voice .......................................................55
Save .........................................................................32
Score ........................................................................70
Search ......................................................................36
Single Finger ..............................................................65
Soft Pedal ..................................................................38
Song ........................................................................67
Song area ..................................................................26
Sostenuto Pedal ..........................................................38
Speed (Tempo) ...........................................................75
Split Point ..................................................................54
Stereophonic Optimizer .................................................21
Style .........................................................................58
Style area ..................................................................26
Style Split Point ...........................................................54
Super Articulation Voice ................................................55
Synchro Start (MIDI Song) .............................................70
Synchro Start (Style) ....................................................61
Synchro Stop ..............................................................61
T
Tag ..........................................................................93
Talk ..........................................................................88
Tempo ......................................................................39
Text ..........................................................................71
Time Stretch ...............................................................75
Touch Curve ...............................................................40
Touch Response .........................................................40
Touch screen ..............................................................29
Touch Sensitivity .........................................................40
Transpose .................................................................41
Troubleshooting ........................................................126
Tuning ......................................................................41
U
USB Audio Interface ...................................................105
USB flash drive .........................................................103
USB TO DEVICE .......................................................103
USB TO HOST .........................................................105
USB wireless LAN adaptor ..........................................106
User data ...................................................................27
V
Version .....................................................................22
Vocal Cancel ..............................................................75
Vocal Harmony ...........................................................87
Vocoder ....................................................................87
Vocoder-Mono ............................................................87
Voice ........................................................................49
Voice area .................................................................26
Volume .....................................................................20
Volume (Song) ............................................................42
Volume (Style) ............................................................42
Volume Balance ..........................................................42
VRM .........................................................................53
W
WAV .........................................................................76
CVP-909/CVP-905 Owner’s Manual 135
MEMO
136
GNU GENERAL PUBLIC LICENSE
Version 2, June 1991
Copyright © 1989, 1991 Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA
Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.
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END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New
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See the GNU General Public License for more details.
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Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this when it
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The hypothetical commands ‘show w’ and ‘show c’ should show the
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Here is a sample; alter the names:
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<signature of Ty Coon>, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program into
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138
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END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New
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Yoyodyne, Inc., hereby disclaims all copyright interest in the library ‘Frob’
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Ty Coon, President of Vice
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solicitarle que reembolse a Yamaha los gastos de envío.
• Debe tenerse en cuenta que no admitiremos responsabilidad alguna por
cualesquiera daños que puedan derivarse de los cambios (adiciones o
eliminaciones) realizados en el software de este producto por un tercero
que no sea Yamaha (o alguien autorizado por Yamaha).
• Asimismo, debe tenerse en cuenta que la reutilización del código fuente
que Yamaha hace de dominio público no tiene garantía alguna, y Yamaha
no asumirá responsabilidad respecto a este código.
• El código fuente se puede descargar de la dirección siguiente:
https://download.yamaha.com/sourcecodes/ekb/
141
libpng
This copy of the libpng notices is provided for your convenience. In case of
any discrepancy between this copy and the notices in the file png.h that is
included in the libpng distribution, the latter shall prevail.
COPYRIGHT NOTICE, DISCLAIMER, and LICENSE:
If you modify libpng you may insert additional notices immediately following
this sentence.
This code is released under the libpng license.
libpng versions 1.0.7, July 1, 2000 through 1.6.28, January 5, 2017 are
Copyright (c) 2000-2002, 2004, 2006-2017 Glenn Randers-Pehrson, are
derived from libpng-1.0.6, and are distributed according to the same
disclaimer and license as libpng-1.0.6 with the following individuals added to
the list of Contributing Authors:
Simon-Pierre Cadieux
Eric S. Raymond
Mans Rullgard
Cosmin Truta
Gilles Vollant
James Yu
Mandar Sahastrabuddhe
and with the following additions to the disclaimer:
There is no warranty against interference with your enjoyment of the
library or against infringement. There is no warranty that our efforts or the
library will fulfill any of your particular purposes or needs. This library is
provided with all faults, and the entire risk of satisfactory quality,
performance, accuracy, and effort is with the user.
Some files in the “contrib” directory and some configure-generated files that
are distributed with libpng have other copyright owners and are released
under other open source licenses.
libpng versions 0.97, January 1998, through 1.0.6, March 20, 2000, are
Copyright (c) 1998-2000 Glenn Randers-Pehrson, are derived from libpng-
0.96, and are distributed according to the same disclaimer and license as
libpng-0.96, with the following individuals added to the list of Contributing
Authors:
Tom Lane
Glenn Randers-Pehrson
Willem van Schaik
libpng versions 0.89, June 1996, through 0.96, May 1997, are Copyright (c)
1996-1997 Andreas Dilger, are derived from libpng-0.88, and are distributed
according to the same disclaimer and license as libpng-0.88, with the
following individuals added to the list of Contributing Authors:
John Bowler
Kevin Bracey
Sam Bushell
Magnus Holmgren
Greg Roelofs
Tom Tanner
Some files in the “scripts” directory have other copyright owners but are
released under this license.
libpng versions 0.5, May 1995, through 0.88, January 1996, are Copyright (c)
1995-1996 Guy Eric Schalnat, Group 42, Inc.
For the purposes of this copyright and license, “Contributing Authors” is
defined as the following set of individuals:
Andreas Dilger
Dave Martindale
Guy Eric Schalnat
Paul Schmidt
Tim Wegner
The PNG Reference Library is supplied “AS IS”. The Contributing Authors and
Group 42, Inc. disclaim all warranties, expressed or implied, including, without
limitation, the warranties of merchantability and of fitness for any purpose.
The Contributing Authors and Group 42, Inc. assume no liability for direct,
indirect, incidental, special, exemplary, or consequential damages, which may
result from the use of the PNG Reference Library, even if advised of the
possibility of such damage.
Permission is hereby granted to use, copy, modify, and distribute this source
code, or portions hereof, for any purpose, without fee, subject to the following
restrictions:
1. The origin of this source code must not be misrepresented.
2. Altered versions must be plainly marked as such and must not be
misrepresented as being the original source.
3. This Copyright notice may not be removed or altered from any source
or altered source distribution.
The Contributing Authors and Group 42, Inc. specifically permit, without fee,
and encourage the use of this source code as a component to supporting the
PNG file format in commercial products. If you use this source code in a
product, acknowledgment is not required but would be appreciated.
END OF COPYRIGHT NOTICE, DISCLAIMER, and LICENSE.
TRADEMARK:
The name “libpng” has not been registered by the Copyright owner as a
trademark in any jurisdiction. However, because libpng has been distributed
and maintained world-wide, continually since 1995, the Copyright owner
claims “common-law trademark protection” in any jurisdiction where common-
law trademark is recognized.
OSI CERTIFICATION:
Libpng is OSI Certified Open Source Software. OSI Certified Open Source is
a certification mark of the Open Source Initiative. OSI has not addressed the
additional disclaimers inserted at version 1.0.7.
EXPORT CONTROL:
The Copyright owner believes that the Export Control Classification Number
(ECCN) for libpng is EAR99, which means not subject to export controls or
International Traffic in Arms Regulations (ITAR) because it is open source,
publicly available software, that does not contain any encryption software.
See the EAR, paragraphs 734.3(b)(3) and 734.7(b).
Glenn Randers-Pehrson
glennrp at users.sourceforge.net
January 5, 2017
libuuid
Copyright: 1996, 1997, 1998, 1999, 2007 Theodore Ts’o.
1999 Andreas Dilger ([email protected])
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, and
the entire permission notice in its entirety, including the disclaimer of
warranties.
2. Redistributions in binary form must reproduce the above copyright notice,
this list of conditions and the following disclaimer in the documentation
and/or other materials provided with the distribution.
3. The name of the author may not be used to endorse or promote products
derived from this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED “AS IS” AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE, ALL OF WHICH ARE HEREBY DISCLAIMED. IN
NO EVENT SHALL THE AUTHOR BE LIABLE FOR ANY DIRECT,
INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR
PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON
ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF
NOT ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
libjpeg
This software is based in part on the work of the Independent JPEG Group.
imagemagick
Licensed under the ImageMagick License (the “License”); you may not use
this file except in compliance with the License. You may obtain a copy of the
License at
https://www.imagemagick.org/script/license.php
Unless required by applicable law or agreed to in writing, software distributed
under the License is distributed on an “AS IS” BASIS, WITHOUT
WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
FreeType
Portions of this software are copyright © 2016 The FreeType Project
(www.freetype.org). All rights reserved.
ICU
COPYRIGHT AND PERMISSION NOTICE
Copyright © 1991-2016 Unicode, Inc. All rights reserved.
Distributed under the Terms of Use in http://www.unicode.org/copyright.html.
Permission is hereby granted, free of charge, to any person obtaining a copy
of the Unicode data files and any associated documentation (the “Data Files”)
or Unicode software and any associated documentation (the “Software”) to
deal in the Data Files or Software without restriction, including without
limitation the rights to use, copy, modify, merge, publish, distribute, and/or sell
copies of the Data Files or Software, and to permit persons to whom the Data
142
Files or Software are furnished to do so, provided that either
(a) this copyright and permission notice appear with all copies of the Data
Files or Software, or
(b) this copyright and permission notice appear in associated Documentation.
THE DATA FILES AND SOFTWARE ARE PROVIDED “AS IS”, WITHOUT
WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A
PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY
RIGHTS.
IN NO EVENT SHALL THE COPYRIGHT HOLDER OR HOLDERS
INCLUDED IN THIS NOTICE BE LIABLE FOR ANY CLAIM, OR ANY
SPECIAL INDIRECT OR CONSEQUENTIAL DAMAGES, OR ANY
DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR
PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR
OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION
WITH THE USE OR PERFORMANCE OF THE DATA FILES OR
SOFTWARE.
Except as contained in this notice, the name of a copyright holder shall not be
used in advertising or otherwise to promote the sale, use or other dealings in
these Data Files or Software without prior written authorization of the
copyright holder.
jemalloc
Copyright (C) 2002-2014 Jason Evans <jasone@canonware.com>.
All rights reserved.
Copyright (C) 2007-2012 Mozilla Foundation. All rights reserved.
Copyright (C) 2009-2014 Facebook, Inc. All rights reserved.
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice(s),
this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright
notice(s), this list of conditions and the following disclaimer in the
documentation and/or other materials provided with the distribution.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDER(S) “AS IS”
AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT
LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO
EVENT SHALL THE COPYRIGHT HOLDER(S) BE LIABLE FOR ANY
DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,
PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF
USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
libss2 / libcomerr2
Copyright 1987, 1988 by the Student Information Processing Board of the
Massachusetts Institute of Technology
Permission to use, copy, modify, and distribute this software and its
documentation for any purpose and without fee is hereby granted, provided
that the above copyright notice appear in all copies and that both that
copyright notice and this permission notice appear in supporting
documentation, and that the names of M.I.T. and the M.I.T. S.I.P.B. not be
used in advertising or publicity pertaining to distribution of the software without
specific, written prior permission.
M.I.T. and the M.I.T. S.I.P.B. make no representations about the suitability of
this software for any purpose. It is provided “as is” without express or implied
warranty.
libpopt0
Copyright (c) 1998 Red Hat Software
Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the “Software”), to deal in
the Software without restriction, including without limitation the rights to use,
copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the
Software, and to permit persons to whom the Software is furnished to do so,
subject to the following conditions:
The above copyright notice and this permission notice shall be included in all
copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY
KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE
WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE X
CONSORTIUM BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR
OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE
SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Except as contained in this notice, the name of the X Consortium shall not be
used in advertising or otherwise to promote the sale, use or other dealings in
this Software without prior written authorization from the X Consortium.
pcre
PCRE LICENCE
PCRE is a library of functions to support regular expressions whose syntax
and semantics are as close as possible to those of the Perl 5 language.
Release 8 of PCRE is distributed under the terms of the “BSD” licence, as
specified below. The documentation for PCRE, supplied in the “doc” directory,
is distributed under the same terms as the software itself.
The basic library functions are written in C and are freestanding. Also included
in the distribution is a set of C++ wrapper functions, and a just-in-time
compiler that can be used to optimize pattern matching. These are both
optional features that can be omitted when the library is built.
THE BASIC LIBRARY FUNCTIONS
Written by: Philip Hazel
Email local part: ph10
Email domain: cam.ac.uk
University of Cambridge Computing Service,
Cambridge, England.
Copyright (c) 1997-2012 University of Cambridge
All rights reserved.
PCRE JUST-IN-TIME COMPILATION SUPPORT
Written by: Zoltan Herczeg
Email local part: hzmester
Email domain: freemail.hu
Copyright (c) 2010-2012 Zoltan Herczeg
All rights reserved.
STACK-LESS JUST-IN-TIME COMPILER
Written by: Zoltan Herczeg
Email local part: hzmester
Email domain: freemail.hu
Copyright (c) 2009-2012 Zoltan Herczeg
All rights reserved.
THE C++ WRAPPER FUNCTIONS
Contributed by: Google Inc.
Copyright (c) 2007-2012, Google Inc.
All rights reserved.
THE “BSD” LICENCE
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
* Redistributions of source code must retain the above copyright notice,
this list of conditions and the following disclaimer.
* Redistributions in binary form must reproduce the above copyright
notice, this list of conditions and the following disclaimer in the
documentation and/or other materials provided with the distribution.
* Neither the name of the University of Cambridge nor the name of
Google Inc. nor the names of their contributors may be used to endorse
or promote products derived from this software without specific prior
written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE
COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT,
INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF
SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR
PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON
ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)
ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
End
Gen Shin Gothic
• Gen Shin Gothic is a variant of Source Han Sans that also contains some
glyphs derived from M+ OUTLINE FONTS.
• The copyrights to the glyphs in the font data derived from Source Han Sans
belong to Adobe.
• The copyrights to the glyphs in the font data derived from M+ OUTLINE
FONTS belong to M+ FONTS PROJECT.
• The Gen Shin Gothic font files can be used under the same license as
Source Han Sans, SIL Open Font License 1.1.
143
This Font Software is licensed under the SIL Open Font License, Version 1.1.
This license is copied below, and is also available with a FAQ at:
http://scripts.sil.org/OFL
SIL OPEN FONT LICENSE Version 1.1
- 26 February 2007
PREAMBLE
The goals of the Open Font License (OFL) are to stimulate worldwide
development of collaborative font projects, to support the font creation efforts
of academic and linguistic communities, and to provide a free and open
framework in which fonts may be shared and improved in partnership with
others.
The OFL allows the licensed fonts to be used, studied, modified and
redistributed freely as long as they are not sold by themselves. The fonts,
including any derivative works, can be bundled, embedded, redistributed and/
or sold with any software provided that any reserved names are not used by
derivative works. The fonts and derivatives, however, cannot be released
under any other type of license. The requirement for fonts to remain under this
license does not apply to any document created using the fonts or their
derivatives.
DEFINITIONS
“Font Software” refers to the set of files released by the Copyright Holder(s)
under this license and clearly marked as such. This may include source files,
build scripts and documentation.
“Reserved Font Name” refers to any names specified as such after the
copyright statement(s).
“Original Version” refers to the collection of Font Software components as
distributed by the Copyright Holder(s).
“Modified Version” refers to any derivative made by adding to, deleting, or
substituting -- in part or in whole -- any of the components of the Original
Version, by changing formats or by porting the Font Software to a new
environment.
“Author” refers to any designer, engineer, programmer, technical writer or
other person who contributed to the Font Software.
PERMISSION & CONDITIONS
Permission is hereby granted, free of charge, to any person obtaining a copy
of the Font Software, to use, study, copy, merge, embed, modify, redistribute,
and sell modified and unmodified copies of the Font Software, subject to the
following conditions:
1) Neither the Font Software nor any of its individual components, in Original
or Modified Versions, may be sold by itself.
2) Original or Modified Versions of the Font Software may be bundled,
redistributed and/or sold with any software, provided that each copy contains
the above copyright notice and this license. These can be included either as
stand-alone text files, human-readable headers or in the appropriate machine-
readable metadata fields within text or binary files as long as those fields can
be easily viewed by the user.
3) No Modified Version of the Font Software may use the Reserved Font
Name(s) unless explicit written permission is granted by the corresponding
Copyright Holder. This restriction only applies to the primary font name as
presented to the users.
4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
Software shall not be used to promote, endorse or advertise any Modified
Version, except to acknowledge the contribution(s) of the Copyright Holder(s)
and the Author(s) or with their explicit written permission.
5) The Font Software, modified or unmodified, in part or in whole, must be
distributed entirely under this license, and must not be distributed under any
other license. The requirement for fonts to remain under this license does not
apply to any document created using the Font Software.
TERMINATION
This license becomes null and void if any of the above conditions are not met.
DISCLAIMER
THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF
ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A
PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT,
PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR
OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT,
INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN
ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT
OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
OTHER DEALINGS IN THE FONT SOFTWARE.
Apache License2.0
Copyright (c) 2009-2018 Arm Limited. All rights reserved.
SPDX-License-Identifier: Apache-2.0
Licensed under the Apache License, Version 2.0 (the License); you may not
use this file except in compliance with the License. You may obtain a copy of
the License at
www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed
under the License is distributed on an AS IS BASIS, WITHOUT
WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
Modified BSD license
COPYRIGHT(c) 2016 STMicroelectronics
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, this
list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice,
this list of conditions and the following disclaimer in the documentation and/or
other materials provided with the distribution.
3. Neither the name of STMicroelectronics nor the names of its contributors
may be used to endorse or promote products derived from this software
without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND
CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE
COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY
DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,
PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF
USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR
OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
144
Credits and Copyrights for the pre-installed
Songs
All I Want For Christmas Is You
Words and Music by Mariah Carey and Walter
Afanasieff
Copyright © 1994 UNIVERSAL TUNES,
BEYONDIDOLIZATION, SONY MUSIC
PUBLISHING (US) LLC, TAMAL VISTA MUSIC
and KOBALT MUSIC COPYRIGHTS SARL
All Rights for BEYONDIDOLIZATION
Administered by UNIVERSAL TUNES
All Rights for SONY MUSIC PUBLISHING (US)
LLC and TAMAL VISTA MUSIC Administered
by SONY MUSIC PUBLISHING (US) LLC, 424
Church Street, Suite 1200, Nashville, TN 37219
All Rights for KOBALT MUSIC COPYRIGHTS
SARL Administered Worldwide by KOBALT
SONGS MUSIC PUBLISHING
All Rights Reserved Used by Permission
All The Things You Are
Lyrics by Oscar Hammerstein II
Music by Jerome Kern
Copyright © 1939 UNIVERSAL - POLYGRAM
INTERNATIONAL PUBLISHING, INC.
Copyright Renewed
All Rights Reserved Used by Permission
Autumn Leaves
English lyric by Johnny Mercer
French lyric by Jacques Prevert
Music by Joseph Kosma
© 1947, 1950 (Renewed) ENOCH ET CIE
Sole Selling Agent for U.S. and Canada:
MORLEY MUSIC CO., by agreement with
ENOCH ET CIE
All Rights Reserved
Back For Good
Words and Music by Gary Barlow
Copyright © 1995 Sony Music Publishing (UK)
Limited
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Bad Day
Words and Music by Daniel Powter
Copyright © 2005 Song 6 Music
All Rights Administered by BMG Rights
Management (US) LLC
All Rights Reserved Used by Permission
Ballade Pour Adeline
By Paul de Senneville
Copyright © 1977 (Renewed) by Coronet-
Delphine, Inc. (ASCAP)
All Rights Administered by Regent Music
Corporation (BMI)
International Copyright Secured All Rights
Reserved
Used by Permission
Beauty And The Beast
from BEAUTY AND THE BEAST
Music by Alan Menken
Lyrics by Howard Ashman
© 1991 Wonderland Music Company, Inc. and
Walt Disney Music Company
All Rights Reserved. Used by Permission.
Billie Jean
Words and Music by Michael Jackson
Copyright © 1982 Mijac Music
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Blinding Lights
Words and Music by Abel Tesfaye, Max Martin,
Jason Quenneville, Oscar Holter and Ahmad
Balshe
Copyright © 2019 KMR Music Royalties II
SCSp, MXM, Universal Music Corp., Sal And
Co LP, WC Music Corp. and Songs Of Wolf
Cousins
All Rights for KMR Music Royalties II SCSp and
MXM Administered Worldwide by Kobalt Songs
Music Publishing
All Rights for Sal And Co LP Administered by
Universal Music Corp.
All Rights for Songs Of Wolf Cousins
Administered by WC Music Corp.
All Rights Reserved Used by Permission
Can’t Take My Eyes Off Of You
Words and Music by Bob Crewe and Bob
Gaudio
Copyright (c) 1967 EMI Longitude Music,
Songs Of Universal, Inc., PW Ballads and
Seasons Four Music
Copyright Renewed
All Rights on behalf of EMI Longitude Music
Administered by Sony Music Publishing (US)
LLC, 424 Church Street, Suite 1200, Nashville,
TN 37219
All Rights on behalf of PW Ballads and
Seasons Four Music Administered by Songs Of
Universal, Inc.
International Copyright Secured All Rights
Reserved
Candle In The Wind
Words and Music by Elton John and Bernie
Taupin
Copyright © 1973 UNIVERSAL/DICK JAMES
MUSIC LTD.
Copyright Renewed
All Rights in the United States and Canada
Controlled and Administered by UNIVERSAL -
SONGS OF POLYGRAM INTERNATIONAL,
INC.
All Rights Reserved Used by Permission
Clocks
Words and Music by Guy Berryman, Jon
Buckland, Will Champion and Chris Martin
Copyright © 2002 by Universal Music
Publishing MGB Ltd.
All Rights in the United States Administered by
Universal Music - MGB Songs
International Copyright Secured All Rights
Reserved
Cold Heart (PNAU Remix)
Words and Music by Elton John, Bernard J.P.
Taupin, Nicholas Littlemore, Peter Mayes, Sam
Littlemore, Dean Meredith and Andrew John
Meecham
Copyright © 2021 UNIVERSAL MUSIC
PUBLISHING LTD., COW DOG MUSIC, INC.,
HST PUBLISHING LTD., CHENFELD LTD.,
UNIVERSAL MUSIC PUBLISHING PTY LTD.
and BMG RIGHTS MANAGEMENT (UK) LTD.
All Rights for UNIVERSAL MUSIC
PUBLISHING LTD., COW DOG MUSIC, INC.
and CHENFELD LTD. in the United States
Administered by UNIVERSAL - POLYGRAM
INTERNATIONAL PUBLISHING, INC.
All Rights for HST PUBLISHING LTD. and
UNIVERSAL MUSIC PUBLISHING PTY LTD.
in the United States Administered by
UNIVERSAL - SONGS OF POLYGRAM
INTERNATIONAL, INC.
All Rights for BMG RIGHTS MANAGEMENT
(UK) LTD. Administered by BMG RIGHTS
MANAGEMENT (US) LLC
All Rights Reserved Used by Permission
- Contains elements of “Sacrifice” and “Rocket
Man (I Think It’s Gonna Be A Long Long Time)”
by Elton John and Bernie Taupin
Dancing Queen
Words and Music by Benny Andersson, Bjorn
Ulvaeus and Stig Anderson
Copyright © 1976, 1977 UNIVERSAL/UNION
SONGS MUSIKFORLAG AB
Copyright Renewed
All Rights in the United States and Canada
Administered by UNIVERSAL - POLYGRAM
INTERNATIONAL PUBLISHING, INC. and EMI
GROVE PARK MUSIC, INC.
All Rights Reserved Used by Permission
Don’t You Worry ’Bout A Thing
Words and Music by Stevie Wonder
Copyright © 1973 Jobete Music Co., Inc. and
Black Bull Music
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Eternal Flame
Words and Music by Billy Steinberg, Tom Kelly
and Susanna Hoffs
Copyright © 1988 Sony Music Publishing (US)
LLC and Bangophile Music
All Rights on behalf of Sony Music Publishing
(US) LLC Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
All Rights on behalf of Bangophile Music
Controlled and Administered by Songs Of
Universal, Inc.
International Copyright Secured All Rights
Reserved
Every Breath You Take
Music and Lyrics by Sting
Copyright © 1983 SONGS OF UNIVERSAL,
INC.
All Rights Reserved Used by Permission
Fields Of Gold
Music and Lyrics by Sting
Copyright © 1993 SONGS OF UNIVERSAL,
INC.
All Rights Reserved Used by Permission
Final Countdown
Words and Music by Joey Tempest
Copyright © 1986 EMI Music Publishing Ltd.
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
The Girl From Ipanema (Garôta De
Ipanema)
Music by Antônio Carlos Jobim
English Words by Norman Gimbel
Original Words by Vinícius De Moraes
Copyright © 1963 ANTONIO CARLOS JOBIM
and VINICIUS DE MORAES, Brazil
Copyright Renewed 1991 and Assigned to
SONGS OF UNIVERSAL, INC. and WORDS
WEST LLC
English Words Renewed 1991 by NORMAN
GIMBEL for the World and Assigned to
WORDS WEST LLC (P.O. Box 15187, Beverly
Hills, CA 90209 USA)
All Rights Reserved Used by Permission
Hallelujah
Words and Music by Leonard Cohen
Copyright © 1985 Sony Music Publishing (US)
LLC
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
145
Hey Jude
Words and Music by John Lennon and Paul
McCartney
Copyright © 1968 Sony Music Publishing (US)
LLC
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Higher Love
Words and Music by Will Jennings and Steve
Winwood
Copyright © 1986 BLUE SKY RIDER SONGS
and F.S. MUSIC LTD.
All Rights for BLUE SKY RIDER SONGS
Administered by IRVING MUSIC, INC.
All Rights for F.S. MUSIC LTD. Administered
Worldwide by SONGS OF KOBALT MUSIC
PUBLISHING
All Rights Reserved Used by Permission
The House Of The Rising Sun
Words and Music by Alan Price
Copyright © 1964 Keith Prowse Music
Publishing Co., Ltd. and Anthem Cantaloupe
Music
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
I Will Always Love You
Words and Music by Dolly Parton
Copyright © 1973 Velvet Apple Music
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
In The Mood
By Joe Garland
Copyright © 1939, 1960 Shapiro, Bernstein &
Co., Inc., New York
Copyright Renewed
All Rights Administered Worldwide by
Reservoir Media Management, Inc.
All Rights Reserved Used by Permission
Into The Unknown
from FROZEN 2
Music and Lyrics by Kristen Anderson-Lopez
and Robert Lopez
© 2019 Wonderland Music Company, Inc.
All Rights Reserved. Used by Permission.
It Must Have Been Love
Words and Music by Per Gessle
Copyright © 1990 JIMMY FUN MUSIC
All Rights Administered in the United States
and Canada by UNIVERSAL - SONGS OF
POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission
Just The Way You Are
Words and Music by Billy Joel
Copyright © 1977 IMPULSIVE MUSIC
Copyright Renewed
All Rights Administered by ALMO MUSIC
CORP.
All Rights Reserved Used by Permission
La Bamba
By Richard Valenzuela
Copyright © 1959 EMI Longitude Music and
Valens Heirs Designee
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Let It Be
Words and Music by John Lennon and Paul
McCartney
Copyright © 1970 Sony Music Publishing (US)
LLC
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Let It Go
from FROZEN
Music and Lyrics by Kristen Anderson-Lopez
and Robert Lopez
© 2013 Wonderland Music Company, Inc.
All Rights Reserved. Used by Permission.
Let There Be Love
Lyric by Ian Grant
Music by Lionel Rand
Copyright © 1940 Shapiro, Bernstein & Co.,
Inc., New York
Copyright Renewed
All Rights Administered Worldwide by
Reservoir Media Management, Inc.
All Rights Reserved Used by Permission
Lover
Words and Music by Taylor Swift
Copyright © 2019 Sony Music Publishing (US)
LLC and Taylor Swift Music
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Mas Que Nada
Words and Music by Jorge Ben
Copyright © 1963 by Peermusic do Brasil
Edições Musicais Ltda.
Copyright Renewed
All Rights Administered by Peer International
Corporation
International Copyright Secured All Rights
Reserved
Moon River
from the Paramount Picture BREAKFAST AT
TIFFANY'S
Words by Johnny Mercer
Music by Henry Mancini
Copyright © 1961 Sony Music Publishing (US)
LLC
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Moves Like Jagger
Words and Music by Adam Levine, Benjamin
Levin, Ammar Malik and Shellback
Copyright © 2010, 2011 by Universal Music -
Careers, Sudgee Music, Matza Ball Music,
Where Da Kasz At, Maru Cha Cha and MXM
All Rights for Sudgee Music Administered by
Universal Music - Careers
All Rights for Matza Ball Music Administered by
Concord Avenue c/o Concord Music Publishing
All Rights for Where Da Kasz At and Maru Cha
Cha Administered Worldwide by Songs Of
Kobalt Music Publishing
All Rights for MXM Administered Worldwide by
Kobalt Songs Music Publishing
International Copyright Secured All Rights
Reserved
My Heart Will Go On (Love Theme From
‘Titanic’)
from the Paramount and Twentieth Century Fox
Motion Picture TITANIC
Music by James Horner
Lyric by Will Jennings
Copyright © 1997 Sony Harmony, Sony
Melody, T C F Music Publishing, Inc., Fox Film
Music Corporation and Blue Sky Rider Songs
All Rights on behalf of Sony Harmony and Sony
Melody Administered by Sony Music Publishing
(US) LLC, 424 Church Street, Suite 1200,
Nashville, TN 37219
All Rights on behalf of Blue Sky Rider Songs
Administered by Irving Music, Inc.
International Copyright Secured All Rights
Reserved
My Life
Words and Music by Billy Joel
Copyright © 1978 IMPULSIVE MUSIC
All Rights Administered by ALMO MUSIC
CORP.
All Rights Reserved Used by Permission
Perfect
Words and Music by Ed Sheeran
Copyright © 2017 Sony Music Publishing (UK)
Limited
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Poker Face
Words and Music by Stefani Germanotta and
RedOne
Copyright © 2008 Sony Music Publishing (US)
LLC, House Of Gaga Publishing Inc. and
RedOne Productions, LLC
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Pride And Joy
Written by Stevie Ray Vaughan
Copyright © 1985 Ray Vaughan Music
(ASCAP)
All Rights Administered by Wixen Music
Publishing, Inc.
All Rights Reserved Used by Permission
Route 66
By Bobby Troup
Copyright © 1946, Renewed 1973, Assigned
1974 to Londontown Music
All Rights outside the U.S.A. controlled by
Edwin H. Morris & Company, A Division of MPL
Music Publishing, Inc.
International Copyright Secured All Rights
Reserved
Señorita
Words and Music by Camila Cabello, Charlotte
Aitchison, Jack Patterson, Shawn Mendes,
Magnus Hoiberg, Benjamin Levin, Ali Tamposi
and Andrew Wotman
Copyright © 2019 Maidmetal Limited, Milamoon
Songs, Stellar Songs Ltd., EMI Music
Publishing Ltd., Songs Of Universal, Inc.,
Mendes Music, Infinite Stripes, Back Hair Music
Publishing, Universal Music Works, Please
Don’t Forget To Pay Me Music, Reservoir 416
and Andrew Watt Music
All Rights on behalf of Maidmetal Limited,
Milamoon Songs, Stellar Songs Ltd. and EMI
Music Publishing Ltd. Administered by Sony
Music Publishing (US) LLC, 424 Church Street,
Suite 1200, Nashville, TN 37219
All Rights on behalf of Mendes Music, Infinite
Stripes and Back Hair Music Publishing
Administered by Songs Of Universal, Inc.
146
All Rights on behalf of Please Don’t Forget To
Pay Me Music Administered by Universal Music
Works
All Rights on behalf of Reservoir 416
Administered Worldwide by Reservoir Media
Management, Inc.
All Rights on behalf of Andrew Watt Music
Administered Worldwide by Songs Of Kobalt
Music Publishing
International Copyright Secured All Rights
Reserved
Shallow
from A STAR IS BORN
Words and Music by Stefani Germanotta, Mark
Ronson, Andrew Wyatt and Anthony
Rossomando
Copyright © 2018 Sony Music Publishing (US)
LLC, SG Songs Worldwide, Concord
Copyrights, Songs Of Zelig, Concord Road,
White Bull Music Group, Concord Boulevard,
Stephaniesays Music, Warner-Barham Music,
LLC and Warner-Olive Music, LLC
All Rights on behalf of Sony Music Publishing
(US) LLC and SG Songs Worldwide
Administered by Sony Music Publishing (US)
LLC, 424 Church Street, Suite 1200, Nashville,
TN 37219
All Rights on behalf of Songs Of Zelig
Administered by Concord Copyrights c/o
Concord Music Publishing
All Rights on behalf of White Bull Music Group
Administered by Concord Road c/o Concord
Music Publishing
All Rights on behalf of Stephaniesays Music
Administered by Concord Boulevard c/o
Concord Music Publishing
All Rights (Excluding Print) on behalf of
Warner-Barham Music, LLC Administered by
Songs Of Universal, Inc.
All Rights (Excluding Print) on behalf of
Warner-Olive Music, LLC Administered by
Universal Music Corp.
Exclusive Worldwide Print Rights on behalf of
Warner-Barham Music, LLC and Warner-Olive
Music, LLC Administered by Alfred Music
International Copyright Secured All Rights
Reserved
Someone Like You
Words and Music by Adele Adkins and Dan
Wilson
Copyright © 2011 MELTED STONE
PUBLISHING LTD., BMG MONARCH and
SUGAR LAKE MUSIC
All Rights for MELTED STONE PUBLISHING
LTD. in the U.S. and Canada Administered by
UNIVERSAL - POLYGRAM INTERNATIONAL
TUNES, INC.
All Rights for BMG MONARCH and SUGAR
LAKE MUSIC Administered by BMG RIGHTS
MANAGEMENT (US) LLC
All Rights Reserved Used by Permission
Someone You Loved
Words and Music by Lewis Capaldi, Benjamin
Kohn, Peter Kelleher, Thomas Barnes and
Samuel Roman
Copyright © 2018 BMG Gold Songs, BMG
Rights Management (UK) Ltd., Sony Music
Publishing (UK) Limited and EMI Music
Publishing Ltd.
All Rights for BMG Gold Songs and BMG
Rights Management (UK) Ltd. Administered by
BMG Rights Management (US) LLC
All Rights for Sony Music Publishing (UK)
Limited and EMI Music Publishing Ltd.
Administered by Sony Music Publishing (US)
LLC, 424 Church Street, Suite 1200, Nashville,
TN 37219
All Rights Reserved Used by Permission
Spanish Eyes
Words by Charles Singleton and Eddie Snyder
Music by Bert Kaempfert
Copyright © 1965 Bert Kaempfert Music
Copyright Renewed
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
10,000 Hours
Words and Music by Dan Smyers, Jordan
Reynolds, Shay Mooney, Justin Bieber, Jason
Boyd and Jessie Jo Dillon
© 2019 WC MUSIC CORP., BEATS AND
BANJOS, BUCKEYE26, JREYNMUSIC,
WARNER-TAMERLANE PUBLISHING CORP.,
SHAY MOONEY MUSIC, UNIVERSAL MUSIC
CORP., BIEBER TIME PUBLISHING, BMG
GOLD SONGS, POO BZ PUBLISHING INC.,
BIG MUSIC MACHINE and BIG ASS PILE OF
DIMES MUSIC
All Rights for BEATS AND BANJOS,
BUCKEYE26 and JREYNMUSIC Administered
by WC MUSIC CORP.
All Rights for SHAY MOONEY MUSIC
Administered by WARNER-TAMERLANE
PUBLISHING CORP.
All Rights for BIEBER TIME PUBLISHING
Administered by UNIVERSAL MUSIC CORP.
All Rights for BMG GOLD SONGS and POO
BZ PUBLISHING INC. Administered by BMG
RIGHTS MANAGEMENT (US) LLC
All Rights Reserved Used by Permission
Unchained Melody
Lyric by Hy Zaret
Music by Alex North
© 1955 (Renewed) North Melody Publishing
(SESAC) and HZUM Publishing (SESAC) c/o
Unchained Melody Publishing, LLC
All Rights Reserved Used by Permission
Up Where We Belong
from the Paramount Picture AN OFFICER AND
A GENTLEMAN
Words by Will Jennings
Music by Buffy Sainte-Marie and Jack Nitzsche
Copyright © 1982 Sony Music Publishing (US)
LLC
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
What A Wonderful World
Words and Music by George David Weiss and
Bob Thiele
Copyright © 1967 by Range Road Music Inc.,
Quartet Music and Abilene Music
Copyright Renewed
All Rights for Range Road Music Inc.
Administered by Round Hill Carlin, LLC
All Rights for Quartet Music Administered by
BMG Rights Management (US) LLC
All Rights for Abilene Music Administered by
Concord Sounds c/o Concord Music Publishing
International Copyright Secured All Rights
Reserved
Used by Permission
White Christmas
from the Motion Picture Irving Berlin’s
HOLIDAY INN
Words and Music by Irving Berlin
© Copyright 1940, 1942 by Irving Berlin
Copyright Renewed
International Copyright Secured All Rights
Reserved
Wonderful Tonight
Words and Music by Eric Clapton
Copyright © 1977 by Eric Patrick Clapton
Copyright Renewed
International Copyright Secured All Rights
Reserved
Wonderwall
Words and Music by Noel Gallagher
Copyright © 1995 SM Music Publishing UK
Limited and Oasis Music
All Rights Administered by Sony Music
Publishing (US) LLC, 424 Church Street, Suite
1200, Nashville, TN 37219
International Copyright Secured All Rights
Reserved
You’ve Lost That Lovin’ Feelin’
Words and Music by Barry Mann, Cynthia Weil
and Phil Spector
Copyright © 1964, 1965 Screen Gems-EMI
Music Inc., Dyad Music Ltd. and Mother Bertha
Music
Copyright Renewed
All Rights on behalf of Screen Gems-EMI Music
Inc. Administered by Sony Music Publishing
(US) LLC, 424 Church Street, Suite 1200,
Nashville, TN 37219
International Copyright Secured All Rights
Reserved
Your Song
Words and Music by Elton John and Bernie
Taupin
Copyright © 1969 UNIVERSAL/DICK JAMES
MUSIC LTD.
Copyright Renewed
All Rights in the United States and Canada
Controlled and Administered by UNIVERSAL -
SONGS OF POLYGRAM INTERNATIONAL,
INC.
All Rights Reserved Used by Permission
147
For U.S.A.
For Canada
This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.
(554-M01 FCC transmitter 01)
This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the
FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to
comply without testing of specific absorption rate (SAR).
(554-M04 FCC portable 01)
Important Notice:
U.S. LIMITED WARRANTY for Customers in the United States
For detailed information about this Yamaha product and warranty service, please either visit the following
website address (printable file is available at our website) or contact Customer Service at the address or
telephone number identified below.
Website Address:
Yamaha.io/ClavinovaWarranty
Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620-1273
Telephone: 800-854-1569
This equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment and meets
RSS-102 of the ISED radio frequency (RF) Exposure rules as this equipment has very low levels of RF energy.
Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non
contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’ISDE puisque cet
appareil a une niveau tres bas d’energie RF.
(0555-M05_ised_portable_01)
This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic
Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:
1. This device may not cause interference.
2. This device must accept any interference, including interference that may cause undesired operation of the
device.
L’émetteur/récepteur exempt de licence contenu dans le présent appareil est conforme aux CNR d’Innovation,
Sciences et Développement économique Canada applicables aux appareils radio exempts de licence. L’exploitation
est autorisée aux deux conditions suivantes :
1. L’appareil ne doit pas produire de brouillage ;
2. L’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en
compromettre le fonctionnement.
(555-M13 ISED RSS 01)
148
For European Union and United Kingdom
EN SIMPLIFIED EU DECLARATION OF CONFORMITY / SIMPLIFIED UK DECLARATION OF CONFORMITY
Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [CVP-909GP, CVP-909, CVP-905] is in compliance with
Directive 2014/53/EU and the radio equipment regulations of UK. The full texts of the EU declaration of conformity and the UK
declaration of conformity are available at the following internet address:
https://europe.yamaha.com/en/support/compliance/doc.html
FR DECLARATION UE DE CONFORMITE SIMPLIFIEE
Le soussigné, Yamaha Music Europe GmbH, déclare que l'équipement radioélectrique du type [CVP-909GP, CVP-909, CVP-905] est
conforme à la directive 2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante :
https://europe.yamaha.com/en/support/compliance/doc.html
DE VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG
Hiermit erklärt Yamaha Music Europe GmbH, dass der Funkanlagentyp [CVP-909GP, CVP-909, CVP-905] der Richtlinie 2014/53/EU
entspricht. Der vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar:
https://europe.yamaha.com/en/support/compliance/doc.html
SV FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE
Härmed försäkrar Yamaha Music Europe GmbH att denna typ av radioutrustning [CVP-909GP, CVP-909, CVP-905] överensstämmer
med direktiv 2014/53/EU. Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:
https://europe.yamaha.com/en/support/compliance/doc.html
IT DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA
Il fabbricante, Yamaha Music Europe GmbH, dichiara che il tipo di apparecchiatura radio [CVP-909GP, CVP-909, CVP-905] è
conforme alla direttiva 2014/53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet:
https://europe.yamaha.com/en/support/compliance/doc.html
ES DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA
Por la presente, Yamaha Music Europe GmbH declara que el tipo de equipo radioeléctrico [CVP-909GP, CVP-909, CVP-905] es
conforme con la Directiva 2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la dirección Internet
siguiente:
https://europe.yamaha.com/en/support/compliance/doc.html
PT DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA
O(a) abaixo assinado(a) Yamaha Music Europe GmbH declara que o presente tipo de equipamento de rádio [CVP-909GP, CVP-909,
CVP-905] está em conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no
seguinte endereço de Internet:
https://europe.yamaha.com/en/support/compliance/doc.html
NL VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING
Hierbij verklaar ik, Yamaha Music Europe GmbH, dat het type radioapparatuur [CVP-909GP, CVP-909, CVP-905] conform is met
Richtlijn 2014/53/EU. De volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:
https://europe.yamaha.com/en/support/compliance/doc.html
BG ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ
С настоящото Yamaha Music Europe GmbH декларира, че този тип радиосъоръжение [CVP-909GP, CVP-909, CVP-905] е в
съответствие с Директива 2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се намери на следния
интернет адрес:
https://europe.yamaha.com/en/support/compliance/doc.html
CS ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ
Tímto Yamaha Music Europe GmbH prohlašuje, že typ rádiového zařízení [CVP-909GP, CVP-909, CVP-905] je v souladu se směrnicí
2014/53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:
https://europe.yamaha.com/en/support/compliance/doc.html
DA FORENKLET EU-OVERENSSTEMMELSESERKLÆRING
Hermed erklærer Yamaha Music Europe GmbH, at radioudstyrstypen [CVP-909GP, CVP-909, CVP-905] er i overensstemmelse med
direktiv 2014/53/EU. EU-overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse:
https://europe.yamaha.com/en/support/compliance/doc.html
149
(559-M01 RED DoC URL 02)
ET LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON
Käesolevaga deklareerib Yamaha Music Europe GmbH, et käesolev raadioseadme tüüp [CVP-909GP, CVP-909, CVP-905] vastab
direktiivi 2014/53/EL nõuetele. ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil:
https://europe.yamaha.com/en/support/compliance/doc.html
EL ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ
Με την παρούσα ο/η Yamaha Music Europe GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [CVP-909GP, CVP-909, CVP-905] πληροί την
οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:
https://europe.yamaha.com/en/support/compliance/doc.html
HR POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI
Yamaha Music Europe GmbH ovime izjavljuje da je radijska oprema tipa [CVP-909GP, CVP-909, CVP-905] u skladu s Direktivom
2014/53/EU. Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljedećoj internetskoj adresi:
https://europe.yamaha.com/en/support/compliance/doc.html
LV VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA
Ar šo Yamaha Music Europe GmbH deklarē, ka radioiekārta [CVP-909GP, CVP-909, CVP-905] atbilst Direktīvai 2014/53/ES. Pilns ES
atbilstības deklarācijas teksts ir pieejams šādā interneta vietnē:
https://europe.yamaha.com/en/support/compliance/doc.html
LT SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA
Aš, Yamaha Music Europe GmbH, patvirtinu, kad radijo įrenginių tipas [CVP-909GP, CVP-909, CVP-905] atitinka Direktyvą 2014/53/
ES. Visas ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu:
https://europe.yamaha.com/en/support/compliance/doc.html
HU EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT
Yamaha Music Europe GmbH igazolja, hogy a [CVP-909GP, CVP-909, CVP-905] típusú rádióberendezés megfelel a 2014/53/EU
irányelvnek. Az EU-megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen:
https://europe.yamaha.com/en/support/compliance/doc.html
PL UPROSZCZONA DEKLARACJA ZGODNOŚCI UE
Yamaha Music Europe GmbH niniejszym oświadcza, że typ urządzenia radiowego [CVP-909GP, CVP-909, CVP-905] jest zgodny z
dyrektywą 2014/53/UE. Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:
https://europe.yamaha.com/en/support/compliance/doc.html
RO DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ
Prin prezenta, Yamaha Music Europe GmbH declară că tipul de echipamente radio [CVP-909GP, CVP-909, CVP-905] este în
conformitate cu Directiva 2014/53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea adresă internet:
https://europe.yamaha.com/en/support/compliance/doc.html
SK ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE
Yamaha Music Europe GmbH týmto vyhlasuje, že rádiové zariadenie typu [CVP-909GP, CVP-909, CVP-905] je v súlade so smernicou
2014/53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese:
https://europe.yamaha.com/en/support/compliance/doc.html
SL POENOSTAVLJENA IZJAVA EU O SKLADNOSTI
Yamaha Music Europe GmbH potrjuje, da je tip radijske opreme [CVP-909GP, CVP-909, CVP-905] skladen z Direktivo 2014/53/EU.
Celotno besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:
https://europe.yamaha.com/en/support/compliance/doc.html
FI YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS
Yamaha Music Europe GmbH vakuuttaa, että radiolaitetyyppi [CVP-909GP, CVP-909, CVP-905] on direktiivin 2014/53/EU mukainen.
EU-vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa:
https://europe.yamaha.com/en/support/compliance/doc.html
TR BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ
İşbu belge ile, Yamaha Music Europe GmbH, radyo cihaz tipinin [CVP-909GP, CVP-909, CVP-905], Direktif 2014/53/ AB'ye
uygunluğunu beyan eder. AB uyumu beyanının tam metni aşağıdaki internet adresinden edinilebilir:
https://europe.yamaha.com/en/support/compliance/doc.html
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à
Yamaha ou au distributeur le plus proche de vous figurant dans la
liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den
jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más
cercana o el distribuidor autorizado que se lista debajo.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario M1S 3R1,
Canada
Tel: +1-416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park,
CA 90620, U.S.A.
Tel: +1-714-522-9011
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José
Insurgentes, Delegación Benito Juárez, CDMX,
C.P. 03900, México
Tel: +52-55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Praça Professor José Lannes, 40-Cjs 21 e 22,
Brooklin Paulista Novo CEP 04571-100 – São
Paulo – SP, Brazil
Tel: +55-11-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.,
Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte,
Madero Este-C1107CEK,
Buenos Aires, Argentina
Tel: +54-11-4119-7000
PANAMA AND OTHER LATIN AMERICAN
REGIONS/CARIBBEAN REGIONS
Yamaha Music Latin America, S.A.
Edificio Torre Davivienda, Piso: 20 Avenida
Balboa, Marbella, Corregimiento de Bella Vista,
Ciudad de Panamá, Rep. de Panamá
Tel: +507-269-5311
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, U.K.
Tel: +44-1908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH, Branch
Switzerland in Thalwil
Seestrasse 18a, 8800 Thalwil, Switzerland
Tel: +41-44-3878080
AUSTRIA/CROATIA/
CZECH REPUBLIC
/
HUNGARY/ROMANIA/SLOVAKIA/
SLOVENIA
Yamaha Music Europe GmbH, Branch Austria
Schleiergasse 20, 1100 Wien, Austria
Tel: +43-1-60203900
POLAND
Yamaha Music Europe
Sp.z o.o. Oddział w Polsce
ul. Młynarska 48, 01-171 Warszawa, Poland
Tel: +48-22-880-08-88
BULGARIA
Dinacord Bulgaria LTD.
Bul.Iskarsko Schose 7 Targowski Zentar
Ewropa 1528 Sofia, Bulgaria
Tel: +359-2-978-20-25
MALTA
Olimpus Music Ltd.
Valletta Road, Mosta MST9010, Malta
Tel: +356-2133-2093
NETHERLANDS/BELGIUM/
LUXEMBOURG
Yamaha Music Europe, Branch Benelux
Wattbaan 1 3439ML Nieuwegein,
The Netherlands
Tel: +31-347-358040
FRANCE
Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activités de
Pariest, 77183 Croissy-Beaubourg, France
Tel: +33-1-6461-4000
ITALY
Yamaha Music Europe GmbH, Branch Italy
Via Tinelli N.67/69 20855 Gerno di Lesmo (MB),
Italy
Tel: +39-039-9065-1
SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica,
Sucursal en España
Ctra. de la Coruña km. 17,200, 28231
Las Rozas de Madrid, Spain
Tel: +34-91-639-88-88
GREECE
Philippos Nakas S.A. The Music House
19th klm. Leof. Lavriou 190 02 Peania – Attiki,
Greece
Tel: +30-210-6686260
SWEDEN
Yamaha Music Europe GmbH Germany Filial
Scandinavia
JA Wettergrensgata 1, 400 43 Göteborg, Sweden
Tel: +46-31-89-34-00
DENMARK
Yamaha Music Denmark,
Fillial of Yamaha Music Europe GmbH, Tyskland
Generatorvej 8C, ST. TH., 2860 Søborg, Denmark
Tel: +45-44-92-49-00
FINLAND
F-Musiikki Oy
Antaksentie 4
FI-01510 Vantaa, Finland
Tel: +358 (0)96185111
NORWAY
Yamaha Music Europe GmbH Germany -
Norwegian Branch
c/o Box 30053, 400 43 Göteborg, Sweden
Tel: +47-6716-7800
ICELAND
Hljodfaerahusid Ehf.
Sidumula 20
IS-108 Reykjavik, Iceland
Tel: +354-525-5050
CYPRUS
Nakas Music Cyprus Ltd.
Nikis Ave 2k
1086 Nicosia
Tel: + 357-22-511080
Major Music Center
21 Ali Riza Ave. Ortakoy
P.O.Box 475 Lefkoşa, Cyprus
Tel: (392) 227 9213
RUSSIA
Yamaha Music (Russia) LLC.
Room 37, entrance 7, bld. 7, Kievskaya street,
Moscow, 121059, Russia
Tel: +7-495-626-5005
OTHER EUROPEAN REGIONS
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500
TURKEY
Dore Muzik
Yeni Sülün Sokak No. 10
Levent İstanbul / Turkiye
Tel: +90-212-236-3640
Fax: +90-212-259-5567
ISRAEL
RBX International Co., Ltd.
P.O Box 10245, Petach-Tikva, 49002
Tel: (972) 3-925-6900
OTHER REGIONS
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co., Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: +86-400-051-7700
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: +852-2737-7688
INDIA
Yamaha Music India Private Limited
P-401, JMD Megapolis, Sector-48, Sohna Road,
Gurugram-122018, Haryana, India
Tel: +91-124-485-3300
INDONESIA
PT Yamaha Musik Indonesia Distributor
Yamaha Music Center Bldg. Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: +62-21-520-2577
KOREA
Yamaha Music Korea Ltd.
11F, Prudential Tower, 298, Gangnam-daero,
Gangnam-gu, Seoul, 06253, Korea
Tel: +82-2-3467-3300
MALAYSIA
Yamaha Music (Malaysia) Sdn. Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301
Petaling Jaya, Selangor, Malaysia
Tel: +60-3-78030900
SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00,
Singapore 530202, Singapore
Tel: +65-6740-9200
TAIWAN
Yamaha Music & Electronics Taiwan Co., Ltd.
2F., No.1, Yuandong Rd., Banqiao Dist.,
New Taipei City 22063, Taiwan (R.O.C.)
Tel: +886-2-7741-8888
THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15, 16th Fl., Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: +66-2215-2622
VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach
Mang Thang Tam St., Ward 4, Dist.3,
Ho Chi Minh City, Vietnam
Tel: +84-28-3818-1122
OTHER ASIAN REGIONS
https://asia.yamaha.com/
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 80 Market Street, South Melbourne,
VIC 3205 Australia
Tel: +61-3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: +64-9-634-0099
REGIONS AND TRUST TERRITORIES IN
PACIFIC OCEAN
https://asia.yamaha.com/
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
DMI31
Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan
Importer (European Union): Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany
Importer (United Kingdom): Yamaha Music Europe GmbH (UK) Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, United Kingdom
© 2023 Yamaha Corporation
Published 02/2023 MWMA-A0
VFT3090
Yamaha Global Site
https://www.yamaha.com/
Yamaha Downloads
https://download.yamaha.com/
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Yamaha CVP-905 de handleiding

Yamaha
Merk
Yamaha
Model
CVP-905
Categorie
Muziekinstrumenten
Type
de handleiding
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