Yamaha CVP-905 de handleiding

Merk: Yamaha

Model: CVP-905

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

CVP-909

CVP-909

CVP-905

Owner’s Manual

Mode d’emploi

Manual de instrucciones

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English

Thank you for purchasing this Yamaha Digital Piano!

This instrument provides a comprehensive array of authentic voices and a superb grand piano touch with versatile functions.

We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient

functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference.

Before using the instrument, be sure to read “PRECAUTIONS” on pages 5-6.

For information on assembling the instrument, refer to the instructions on page 116, 120 or 124.

Nous vous remercions d'avoir choisi ce piano numérique de Yamaha !

Cet instrument dispose d'un ensemble complet de sonorités authentiques, d'un remarquable toucher de piano à queue et de

nombreuses fonctions polyvalentes.

Nous vous conseillons de lire attentivement ce mode d'emploi afin de tirer pleinement profit des fonctions avancées et

pratiques de votre instrument. Nous vous recommandons également de garder ce manuel à portée de main pour toute

référence ultérieure.

Avant d'utiliser l'instrument, lisez attentivement la section « PRÉCAUTIONS D'USAGE » aux pages 5 et 6.

Pour plus d'informations sur le montage de l'instrument, reportez-vous aux instructions figurant aux pages 116, 120 ou 124.

Gracias por adquirir este piano digital Yamaha

Este instrumento ofrece una completa gama de voces auténticas y un excelente tacto de piano de cola con funciones

versátiles.

Le aconsejamos que lea detenidamente este manual para poder disfrutar de las útiles y avanzadas funciones del

instrumento. Recomendamos guardar el manual en un lugar seguro y accesible, para futuras consultas.

Antes de utilizar el instrumento, lea las “PRECAUCIONES”, en las páginas 5-6.

Para obtener más información sobre el montaje del instrumento, consulte las instrucciones de la página 116, 120 o 124.

EN FR ES

Explanation of Graphical Symbols

Explication des symboles

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the

product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension dangereuse » non isolée à

l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the

literature accompanying the product.

Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la

maintenance (réparation) de l’appareil dans la documentation fournie.

IMPORTANT SAFETY

INSTRUCTIONS

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accordance with the

manufacturer’s instructions.

8 Do not install near any heat sources such as radiators, heat

registers, stoves, or other apparatus (including amplifiers) that

produce heat.

9 Do not defeat the safety purpose of the polarized or grounding-type

plug. A polarized plug has two blades with one wider than the other.

A grounding type plug has two blades and a third grounding prong.

The wide blade or the third prong are provided for your safety. If the

provided plug does not fit into your outlet, consult an electrician for

replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly

at plugs, convenience receptacles, and the point where they exit

from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tripod, bracket, or table

specified by the manufacturer, or sold with the

apparatus. When a cart is used, use caution when

moving the cart/apparatus combination to avoid

injury from tip-over.

13 Unplug this apparatus during lightning storms or

when unused for long periods of time.

14 Refer all servicing to qualified service personnel. Servicing is

required when the apparatus has been damaged in any way, such as

power-supply cord or plug is damaged, liquid has been spilled or

objects have fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally, or has been

dropped.

PRÉCAUTIONS CONCERNANT

LA SÉCURITÉ

1 Lire ces instructions.

2 Conserver ces instructions.

3 Tenir compte de tous les avertissements.

4 Suivre toutes les instructions.

5 Ne pas utiliser ce produit à proximité d’eau.

6 Nettoyer uniquement avec un chiffon propre et sec.

7 Ne pas bloquer les orifices de ventilation. Installer l’appareil

conformément aux instructions du fabricant.

8 Ne pas installer l’appareil à proximité d’une source de chaleur

comme un radiateur, une bouche de chaleur, un poêle ou tout autre

appareil (y compris un amplificateur) produisant de la chaleur.

9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la

fiche de terre. Une fiche polarisée dispose de deux broches dont une

est plus large que l’autre. Une fiche de terre dispose de deux broches

et d’une troisième pour le raccordement à la terre. Cette broche plus

large ou cette troisième broche est destinée à assurer la sécurité de

l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec

les prises de courant disponibles, faire remplacer les prises par un

électricien.

10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas

piétinés ni coincés, en faisant tout spécialement attention aux fiches,

prises de courant et au point de sortie de l’appareil.

11 Utiliser exclusivement les fixations et accessoires spécifiés par le

fabricant.

12 Utiliser exclusivement le chariot, le stand, le trépied,

le support ou la table recommandés par le fabricant

ou vendus avec cet appareil. Si l’appareil est posé

sur un chariot, déplacer le chariot avec précaution

pour éviter tout risque de chute et de blessure.

13 Débrancher l’appareil en cas d’orage ou lorsqu’il doit

rester hors service pendant une période prolongée.

14 Confier toute réparation à un personnel qualifié. Faire réparer

l’appareil s’il a subi tout dommage, par exemple si la fiche ou le

cordon d’alimentation est endommagé, si du liquide a coulé ou des

objets sont tombés à l’intérieur de l’appareil, si l’appareil a été

exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas

normalement ou est tombé.

(502-M01 UL 60065-1 01)

CAUTION:

TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

ATTENTION :

POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION, NE PAS RETIRER

LE CAPOT (OU LE DOS). NE CONTIENT PAS DE PIÈCES NÉCESSITANT

L'INTERVENTION DE L'UTILISATEUR. POUR TOUTE INTERVENTION,

FAIRE APPEL À DES PROFESSIONNELS QUALIFIÉS.

ATTENTION

RISQUE DE CHOC

ELECTRIQUE-NE PAS OUVRIR

The above warning is located on the bottom of the unit. L’avertissement ci-dessus est situé sur le dessous de l’unité.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE

THIS APPARATUS TO RAIN OR MOISTURE. AVERTISSEMENT

POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE,

N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS

UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC,

to use the product.

2. IMPORTANT: When connecting this product to

accessories and/or another product use only high

quality shielded cables. Cable/s supplied with this

product MUST be used. Follow all installation instruc-

tions. Failure to follow instructions could void your

FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to

comply with the requirements listed in FCC Regula-

tions, Part 15 for Class “B” digital devices. Compliance

with these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices. This equipment generates/

uses radio frequencies and, if not installed and used

according to the instructions found in the users man-

ual, may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not

occur in all installations. If this product is found to be

the source of interference, which can be determined

by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following mea-

sures:

- Relocate either this product or the device that is

being affected by the interference.

- Utilize power outlets that are on different branch (cir-

cuit breaker or fuse) circuits or install AC line filter/s.

- In the case of radio or TV interference, relocate/reori-

ent the antenna. If the antenna lead-in is 300 ohm

ribbon lead, change the lead-in to co-axial type

cable.

If these corrective measures do not produce satisfac-

tory results, please contact the local retailer authorized

to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Cor-

poration of America, 6600 Orangethorpe Avenue,

Buena Park, CA 90620, U.S.A.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

(529-M04 FCC class B YCA 02)

FCC INFORMATION (U.S.A.)

(529-M02 FCC sdoc YCA 02)

COMPLIANCE INFORMATION STATEMENT

(Supplierʼs declaration of conformity procedure)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, CA 90620, U.S.A.

Telephone : 714-522-9011

Type of Equipment : Digital Piano

Model Name : CVP-909GP/CVP-909/CVP-905

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that

may cause undesired operation.

The model number, serial number, power requirements, etc., may be

found on or near the name plate, which is at the bottom of the unit. You

should note this serial number in the space provided below and retain

this manual as a permanent record of your purchase to aid identification

in the event of theft.

Model No.

Serial No.

(1003-M06 plate bottom en 01)

The name plate is located on the bottom of the unit.

CVP-909/CVP-905 Owner’s Manual

Information for users on collection and disposal of old equipment:

This symbol on the products, packaging, and/or accompanying documents means that used

electrical and electronic products should not be mixed with general household waste.

For proper treatment, recovery and recycling of old products, please take them to applicable

collection points, in accordance with your national legislation.

By disposing of these products correctly, you will help to save valuable resources and prevent any

potential negative effects on human health and the environment which could otherwise arise from

inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local

municipality, your waste disposal service or the point of sale where you purchased the items.

For business users in the European Union:

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for

further information.

Information on Disposal in other Countries outside the European Union:

This symbol is only valid in the European Union. If you wish to discard these items, please contact

your local authorities or dealer and ask for the correct method of disposal.

(58-M02 WEEE en 01)

CVP-909/CVP-905 Owner’s Manual 5

PLEASE READ CAREFULLY

BEFORE PROCEEDING

Especially in the case of children, a guardian

should provide guidance on how to properly use

and handle the product before actual use.

Please keep this manual in a safe and handy place

for future reference.

WARNING

Always follow the basic precautions listed below to

avoid the possibility of serious injury or even death

from electrical shock, short-circuiting, damages, fire

or other hazards. These precautions include, but are

not limited to, the following:

Power supply

• Do not place the power cord near heat sources such as

heaters or radiators. Also, do not excessively bend or

otherwise damage the cord, or place heavy objects on

it.

• Do not touch the product or the power plug during an

electrical storm.

• Use only the correct voltage specified for the product.

The required voltage is printed on the name plate of the

product.

• Use only the supplied power cord/plug. Do not use the

power cord/plug for other devices.

• Check the power plug periodically and remove any dirt

or dust which may have accumulated on it.

• Insert the power plug firmly all the way into the AC

outlet. Using the product when it is not plugged in

sufficiently can cause dust to accumulate on the plug,

possibly resulting in fire or skin burns.

• When setting up the product, make sure that the AC

outlet you are using is easily accessible. If some trouble

or malfunction occurs, immediately turn off the power

switch and disconnect the plug from the outlet. Even

when the power switch is turned off, as long as the

power cord is not unplugged from the wall AC outlet, the

product will not be disconnected from the power source.

• Do not connect the product to an electrical outlet using

a multi-plug outlet extender. Doing so can result in

lower sound quality, or possibly cause overheating in

the outlet.

• When disconnecting the power plug, always hold the

plug itself and not the cord. Pulling by the cord can

damage it and cause electric shocks or a fire.

• If not using the product for long periods of time, be sure

to pull the power plug from the AC outlet.

Do not disassemble

• This product contains no user-serviceable parts. Do not

attempt to disassemble the internal parts or modify

them in any way.

Water warning

• Do not expose the product to rain, use it near water or

in damp or wet conditions, or place on it any containers

(such as vases, bottles or glasses) containing liquids

which might spill into any openings or places where

water may drop. A liquid such as water getting into the

product may cause a fire, electric shocks, or

malfunctions.

• Never insert or remove a power plug with wet hands.

Fire warning

• Do not place any burning items or open flames near the

product, since they may cause a fire.

Wireless unit

• Radio waves from this product may affect electro-

medical devices, such as a heart pacemaker implant or

defibrillator implant.

- Do not use the product near medical devices or inside

medical facilities. Radio waves from this product may

affect electro-medical devices.

- Do not use the product within 15 cm (6 in.) of persons

with a heart pacemaker implant or a defibrillator

implant.

Connections

• Be sure to read the manual of the device to be

connected, and follow the instructions. Failure to

observe this may cause a fire, overheating, explosion,

or malfunction.

Using the bench (if included)

• Do not place the bench in an unstable position where it

might accidentally fall over.

• Do not play carelessly with or stand on the bench.

Using it as a tool or stepladder or for any other purpose

might result in accident or injury.

• Only one person should sit on the bench at a time, in

order to prevent the possibility of accident or injury.

• If the bench screws become loose due to extensive

long-term use, tighten them periodically using the

specified tool in order to prevent the possibility of

accident or injury.

• Keep special watch over any small children so that they

don’t fall off the rear of the bench. Since the bench does

not have a backrest, unsupervised use may result in

accident or injury.

PRECAUTIONS

CVP-909/CVP-905 Owner’s Manual

If you notice any abnormality

• If any of the following problems occur, immediately turn

off the power switch and disconnect the power plug

from the outlet.

Finally have the device inspected by Yamaha service

personnel.

- The power cord or plug becomes frayed or damaged.

- Unusual smells or smoke are emitted.

- Some object, or water has been dropped into the

product.

- There is a sudden loss of sound during use of the

product.

- Cracks or other visible damage appear on the

product.

CAUTION

Always follow the basic precautions listed below to

avoid the possibility of physical injury to you or

others, or damage to the instrument or other property.

These precautions include, but are not limited to, the

following:

Assembly

• Assemble the product in the proper sequence by

following the assembly instructions in this manual. Also,

make sure to tighten the screws regularly. Failure to do

so might result in damage to the product or even injury.

Location

• Do not place the product in an unstable position or a

location with excessive vibration, where it might

accidentally fall over and cause injury.

• Do not go near the product during an earthquake.

Strong shaking during an earthquake could cause the

product to move or tip over, resulting in damage to the

product or its parts, and possibly causing injury.

• (CVP-909 grand piano type) Since this product is very

heavy, make sure that a sufficient number of people are

on hand to help, so you can lift and move it safely and

easily. Attempting to lift or move the instrument by force

may damage your back, result in other injury, or cause

damage to the product itself.

• (CVP-909, CVP-905) When transporting or moving the

product, always use two or more people. Attempting to

lift the product by yourself may result in injuries, such as

back injuries, or cause the product to be dropped and

broken, which could lead to other injuries.

• Before moving the product, remove all connected

cables, to prevent damage to the cables or injury to

anyone who might trip over them.

Connections

• Before connecting the product to other devices, turn off

the power for all devices. Before turning the power on or

off for all devices, set all volume levels to minimum.

• Be sure to set the volumes of all devices at their

minimum levels and gradually raise the volume controls

while playing the product to set the desired listening

level.

Handling

• Do not insert your finger or hand in any gaps on the key

cover or product. Also take care that the key cover does

not pinch your finger.

• Do not insert foreign materials such as metal or paper

into any openings or gaps of the product. Failure to

observe this may cause a fire, electric shocks, or

malfunctions.

• Do not rest your weight on, or place heavy objects on

the product, and do not use excessive force on the

buttons, switches or connectors.

• Keep small parts out of the reach of infants. Your

children may accidentally swallow them.

• Do not use the product or headphones for a long period

of time at a high or uncomfortable volume level, since

this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears,

consult a physician.

• Remove the power plug from the AC outlet before

cleaning the unit. Failure to observe this may cause

electric shocks.

Using the bench (if included)

• For benches that can be adjusted, do not adjust the

bench height while sitting on the bench, since this can

cause excessive force applied to the adjustment

mechanism, possibly resulting in damage to the

mechanism or even injury.

• Do not place your hand between moving parts.

Otherwise, your hand could be pinched between the

parts, possibly resulting in injury.

Always turn the power off when the instrument is not in

use.

Even when the [ ] (Standby/On) switch is in standby

status (display is off), electricity is still flowing to the

instrument at the minimum level.

When you are not using the instrument for a long time,

make sure you unplug the power cord from the wall AC

outlet.

(DMI-11)

Yamaha cannot be held responsible for damage

caused by improper use or modifications to the

instrument, or data that is lost or destroyed.

CVP-909/CVP-905 Owner’s Manual 7

NOTICE

To avoid the possibility of malfunction/damage to

the product, damage to data, or damage to other

property, follow the notices below.

Handling

• Do not connect this product to a public Wi-Fi and/or

Internet service directly. Only connect this product to

the Internet through a router with strong password

protections. Consult your router manufacturer for

information on optimum security practices.

• Do not use this product in the vicinity of a TV, radio,

stereo equipment, mobile phone, or other electric

devices. Otherwise, this product or the other device

may generate noise.

• When you use the product along with an app on your

smart device such as a smartphone or tablet, we

recommend that you enable “Airplane Mode” on the

device to avoid noise caused by communication.

When wirelessly connecting a smart device with this

product, make sure that the Wi-Fi or Bluetooth® setting

on the device is turned on.

• Do not expose the product to excessive dust or

vibrations, or extreme cold or heat (such as in direct

sunlight, near a heater, or in a car during the day) to

prevent the possibility of disfiguration, damage to the

internal components or unstable operation. (Verified

operating temperature range: 5° – 40°C, or 41° –

104°F.)

• Do not place vinyl, plastic or rubber objects on the

product, since this might discolor the product.

• In the case of a model with a polished finish, bumping

the surface of the product with metal, porcelain, or

other hard objects can cause the finish to crack or

peel. Use caution.

Maintenance

• When cleaning the product, use a soft and dry (or

slightly damp) cloth. Do not use paint thinners,

solvents, alcohol, cleaning fluids, or chemical-

impregnated wiping cloths.

• In the case of a model with a polished finish, gently

remove dust and dirt with a soft cloth. Do not wipe too

hard since small particles of dirt can scratch the

instrument's finish.

• During extreme changes in temperature or humidity,

condensation may occur and water may collect on the

surface of the product. If water is left, the wooden parts

may absorb the water and be damaged. Make sure to

wipe any water off immediately with a soft cloth.

Saving data

• Recorded Song and edited Song/Style/Voice/MIDI

setup data, etc. are lost when you turn off the power to

the product. This also occurs when the power is turned

off by the Auto Power Off function (page 19). Save the

data to the product, or to a USB flash drive (page 32).

• You can back up the data and settings of this product

to the USB flash drive as a backup file (page 43), as

well as restore a backup file to the product. To protect

against data loss due to some failure, an operation

mistake, etc., save your important data to a USB flash

drive.

• To protect against data loss through USB flash drive

damage, we recommend that you save your important

data onto spare USB flash drive or an external device

such as a computer as backup data.

Information

About copyrights

• The copyright of the “content”*1 installed in this product

belongs to Yamaha Corporation or its copyright holder.

Except as permitted by copyright laws and other

relevant laws, such as copying for personal use, it is

prohibited to “reproduce or divert”*2 without the

permission of the copyright holder. When using the

content, consult with a copyright expert.

If you create music or perform with the contents

through the original use of the product, and then

record and distribute them, the permission of Yamaha

Corporation is not required regardless of whether the

distribution method is paid or free of charge.

*1: The word “content” includes a computer program, audio

data, Accompaniment Style data, MIDI data, waveform

data, voice recording data, music score, and score data,

etc.

*2: The phrase “reproduce or divert” includes taking out the

content itself in this product, or recording and distributing it

without changes in a similar manner.

About functions/data bundled with

the product

• Some of the preset songs have been edited for length

or arrangement, and may not be exactly the same as

the original.

• This device is capable of using various types/formats

of music data by optimizing them to the proper format

music data for use with the device in advance. As a

result, this device may not play them back precisely as

their producers or composers originally intended.

About this manual

• Unless indicated otherwise, the illustrations and

displays as shown in this manual are based on the

CVP-909 (in English). These are for instructional

purposes only.

• The letters at the end of the model name (such as “B,”

“PE,” “GP”) indicate the color, finish or shape of the

instrument. Since they simply indicate the appearance,

these letters are omitted in this manual.

• Windows is a registered trademark of Microsoft®

Corporation in the United States and other countries.

• Wi-Fi is a registered trademark of Wi-Fi Alliance®.

CVP-909/CVP-905 Owner’s Manual

• The Bluetooth® word mark and logos are registered

trademarks owned by Bluetooth SIG, Inc. and any use

of such marks by Yamaha Corporation is under

license.

• The company names and product names in this

manual are the trademarks or registered trademarks of

their respective companies.

Tuning

• Unlike an acoustic piano, this instrument does not

need to be tuned by an expert (although the pitch can

be user-adjusted to match other instruments). This is

because the pitch of digital instruments is always

maintained perfectly.

About disposal

• When disposing of this product, please contact the

appropriate local authorities.

Compatible formats for this

instrument

GM2

“GM (General MIDI)” is one of the most common

Voice allocation formats. “GM System Level 2” is a

standard specification that enhances the original

“GM” and improves Song data compatibility. It

provides for increased polyphony, greater Voice

selection, expanded Voice parameters, and

integrated effect processing.

XG

XG is a major enhancement of the GM System

Level 1 format, and was developed by Yamaha

specifically to provide more Voices and variations,

as well as greater expressive control over Voices

and effects, and to ensure compatibility of data well

into the future.

GS

GS was developed by the Roland Corporation. In

the same way as Yamaha XG, GS is a major

enhancement of the GM specifically to provide more

Voices and Drum kits and their variations, as well as

greater expressive control over Voices and effects.

XF

The Yamaha XF format enhances the SMF

(Standard MIDI File) standard with greater

functionality and open-ended expandability for the

future. This instrument is capable of displaying lyrics

when an XF file containing lyric data is played.

SFF GE (Guitar Edition)

“SFF (Style File Format)” is an original Style file

format by Yamaha which uses a unique conversion

system to provide high-quality automatic

accompaniment based on a wide range of chord

types. “SFF GE (Guitar Edition)” is an enhanced

format of SFF, which features improved note

transposition for guitar tracks.

CVP-909/CVP-905 Owner’s Manual 9

About the Manuals

This instrument has the following documents and instructional materials.

Supplied with the instrument

Owner’s Manual (this book)

Explains the basic operations and functions of this instrument. Please read this manual first.

Available on the website

Reference Manual (only in English, French, German and Spanish)

Explains advanced functions and operations for each icon shown in the Menu display (page 28). Please

read this manual after reading the Owner’s Manual.

Data List

Contains various important preset content lists such as Voices, Styles, etc., as well as MIDI-related

information of this instrument.

Smart Device Connection Manual

Explains how to connect the instrument to a smart device such as smartphone or tablet, etc.

Computer-related Operations

Includes instructions on connecting this instrument to a computer, and other operations.

Included Accessories

Owner’s Manual (this book)

“50 Classical Music Masterpieces” (Music Book)

Online Member Product Registration

Power cord

Bench*

* May not be included depending on your area. Check with your Yamaha dealer.

To obtain these manuals, access the Yamaha website below:

Yamaha Downloads

https://download.yamaha.com/

Enter the model name for searching the desired manuals.

CVP-909/CVP-905 Owner’s Manual

Contents

PRECAUTIONS..................................................................................................................................5

NOTICE........................................................................................................................................................ 7

Information ................................................................................................................................................... 7

Compatible formats for this instrument ........................................................................................................ 8

About the Manuals ....................................................................................................................................... 9

Included Accessories ................................................................................................................................... 9

Welcome to the World of CVP! 12

Panel Controls 14

Starting Up 16

Opening/Closing the Key Cover................................................................................................................. 16

Using the Music Rest ................................................................................................................................. 16

Opening/Closing the Lid (CVP-909 Grand Piano type).............................................................................. 17

Power Supply............................................................................................................................................. 18

Turning the Power On/Off .......................................................................................................................... 19

Adjusting the Master Volume ..................................................................................................................... 20

Using Headphones..................................................................................................................................... 20

Making Basic Settings................................................................................................................................ 22

Changing the Brightness of Display........................................................................................................... 23

1 Basic Operations 24

Display Structure........................................................................................................................................ 24

Display Configuration................................................................................................................................. 26

Closing the Current Display ....................................................................................................................... 28

Display-based Controls.............................................................................................................................. 29

Using the ASSIGNABLE Buttons............................................................................................................... 31

File Management ....................................................................................................................................... 32

Entering Characters ................................................................................................................................... 36

Using the Pedals........................................................................................................................................ 38

Using the Metronome................................................................................................................................. 39

Adjusting the Tempo .................................................................................................................................. 39

Setting the Touch Sensitivity of the Keyboard ........................................................................................... 40

Transposing the Pitch in Semitones........................................................................................................... 41

Adjusting the Volume Balance ................................................................................................................... 42

Restoring the Factory-programmed Settings (Initializing).......................................................................... 42

Data Backup............................................................................................................................................... 43

2 Piano Room – Enjoying the Piano Performance – 44

Playing a Piano Performance in the Piano Room...................................................................................... 44

Playing the Piano in Session with Other Instruments ................................................................................ 45

Changing/Resetting the Piano Room Settings........................................................................................... 47

Recording your Performance in the Piano Room....................................................................................... 48

3 Voices – Playing the Keyboard – 49

Playing Preset Voices ................................................................................................................................ 49

Setting the Split Point................................................................................................................................. 54

Playing Super Articulation Voices .............................................................................................................. 55

Creating Original Organ Flutes Voices....................................................................................................... 56

CVP-909/CVP-905 Owner’s Manual 11

4 Styles – Playing Rhythm and Accompaniment – 58

Playing with a Style.................................................................................................................................... 58

Style Control Operations............................................................................................................................ 60

Calling up Panel Settings Appropriate for the Current Style (One Touch Setting)..................................... 63

Changing the Chord Fingering Type.......................................................................................................... 65

5 Song Playback – Playing and Practice Songs – 67

Playback of Songs ..................................................................................................................................... 67

Displaying Music Notation (Score)............................................................................................................. 70

Displaying Lyrics ........................................................................................................................................ 71

One-handed Practice with the Guide Function .......................................................................................... 72

Repeat Playback........................................................................................................................................ 73

Adjusting the Pitch in Semitones (Pitch Shift)............................................................................................ 74

Adjusting the Playback Speed (Time Stretch)............................................................................................ 75

Canceling the Vocal Part (Vocal Cancel)................................................................................................... 75

6 Song Recording – Recording Your Performance – 76

Basic Procedure for Recording (MIDI/Audio Recording)............................................................................ 76

Independently Recording the Right- and Left-hand Parts (MIDI Recording).............................................. 79

Recording to Specific Channels (MIDI Recording)..................................................................................... 82

Converting a MIDI Song to an Audio Song ................................................................................................ 85

7 Microphone – Adding Vocal Harmony Effects to Your Singing – 86

Connecting a Microphone .......................................................................................................................... 86

Applying Vocal Harmony Effects to Your Voice ......................................................................................... 87

8 Registration Memory/Playlist – Saving and Recalling Custom Panel Setups – 89

Saving and Recalling Custom Panel Setups with Registration Memory.................................................... 90

Using Playlists to Manage a Large Repertoire of Panel Setups ................................................................ 94

9 Mixer – Editing the Volume and Tonal Balance – 98

Basic Procedure for the Mixer.................................................................................................................... 98

Turning Each Channel of the Style or MIDI Song On/Off......................................................................... 100

10 Connections – Using Your Instrument with Other Devices – 101

I/O Connectors......................................................................................................................................... 101

Connecting USB Devices ([USB TO DEVICE] terminal).......................................................................... 103

Connecting to a Computer ([USB TO HOST] terminal)............................................................................ 105

Connecting to a Smart Device ([AUX IN] jack/Bluetooth/[USB TO HOST] terminal/Wireless LAN) ........ 106

Listening to Audio Playback by the External Device through the Instrument’s Speaker

([AUX IN] jack/Bluetooth/[USB TO HOST] terminal)................................................................................ 107

Using an External Speaker System for Playback (AUX OUT [L/L+R]/[R] jacks)...................................... 110

Connecting External MIDI Devices (MIDI terminals)................................................................................ 111

Viewing the Instrument’s Display on an External Monitor........................................................................ 111

Connecting a Microphone or Guitar ([MIC/LINE IN] jack) ........................................................................ 112

Connecting a Footswitch/Foot Controller ([AUX PEDAL] jack)................................................................ 112

Menu Display Function List 113

CVP-909 (Grand piano type) Assembly 116

CVP-909 Assembly 120

CVP-905 Assembly 124

Troubleshooting 126

Specifications 130

Index 133

CVP-909/CVP-905 Owner’s Manual

Welcome to the World of CVP!

This new CVP model is equipped with a convenient touch screen, enabling visual and intuitive control over

virtually all instrument functions. Simply by touching this large and easy-to-see display, you can select

desired items, enable and control various features, or edit parameter values—with greater ease and speed

than ever before!

The instrument also has many advanced features that enhance your musical enjoyment and expand your

creative and performance possibilities. Let’s take a look…

This instrument features gorgeous piano Voices, created with

samples of the Yamaha CFX flagship concert grand piano and the

famous Bösendorfer* concert grand piano, as well as the

GrandTouch Keyboard and GrandTouch Pedal mechanisms which

reproduce the authentic touch and feel of an actual grand piano, and

provide exceptionally expressive control from pianissimo to

fortissimo. The instrument also features VRM technology which

accurately recreates the acoustic resonance of a grand piano, which

changes subtly by the timing and strength of the player’s touch and

pedal operation. This enables expression of even the most delicate

performance nuances and responds minutely to your pedal use and

key playing. Moreover, advanced technologies such as Binaural

Sampling give you the impression of being thoroughly immersed in the sound, as if it was actually emanating from the

piano—even when listening to the sound through headphones.

When you want to immerse yourself in piano performance with the features above, we recommend that you use the

Piano Room. Piano Room lets you select the desired piano type as well as different room ambiences—enabling a

complete, realistic piano experience, as if you were playing an actual piano. What’s more, you can play along with other

virtual “session” players, and enjoy a convincing band-like performance experience with other musical instruments.

* Bösendorfer is a subsidiary company of Yamaha.

Page 44

Naturally, the CVP provides many realistic piano Voices for your playing enjoyment. But it also features a wide variety of

authentic instruments, both acoustic and electronic, including organ, guitar, sax, and others used in many music

genres—letting you convincingly perform in any desired music style. Moreover, the special Super Articulation Voices

realistically recreate many of the performance techniques and characteristic sounds generated when an artist plays an

instrument. The result is superbly detailed expression—such as the realistic sound of finger slides on guitar, and the

expressive breath noises of saxophone and other wind instruments.

Page 49

Full Backing Band Accompaniment

Even if you’re playing alone, the CVP can put an entire backing

band behind you! Simply playing chords automatically triggers

and controls the auto accompaniment backing (Style function).

Select an accompaniment Style—such as pop, jazz, Latin, and

various other music genres in the world—and let the Clavinova be

your complete backing band! You can change arrangements on

the fly, instantly selecting different rhythm variations and breaks

in real time, including Intro, Ending, and Fill-in, during your performance.

Page 58

True Acoustic Piano Feel

Play in Various Music Genres

CVP-909/CVP-905 Owner’s Manual 13

Welcome to the World of CVP!

The Lesson features are a fun way to learn and master Songs,

with notation shown on the display. Moreover, each key of the

keyboard has a guide lamp, which lights to indicate the notes to

be played, letting you practice melodies and phrases

smoothly—even if you are a beginner or have trouble reading

notation.

Page 72

Since a microphone can be connected to the Clavinova and

Song lyrics can be shown on the display, you can enjoy singing

along with your keyboard performance or along with Song

playback. Moreover, a powerful Vocal Harmony effect

automatically applies lush, authentic sounding vocal harmonies

to your singing voice. You can also cancel the vocal part on

audio recordings, letting you sing along with (or instead of!)

your favorite artists and groups, and enjoy performing even

more.

Pages 71, 86

Enjoyable Song Lesson Features—with Score Display and Guide Lamps

Sing Along with Song Playback or Your Own Performance

Want to learn more about the

Clavinova’s features?

Press the [DEMO] button and start

the demonstration!

To stop the demonstration, press the [HOME]

button located at right of the display.

CVP-909/CVP-905 Owner’s Manual

Panel Controls

1[USB TO DEVICE] terminal .........page 103

For connecting a USB flash drive, USB wireless

LAN adaptor or USB display adaptor. This

terminal is also located at the bottom of the

instrument.

2[P] (Standby/On) switch ...............page 19

For turning the power on or setting it to standby.

3[MASTER VOLUME] control .........page 20

For adjusting the overall volume.

4[DEMO] button ...............................page 13

For calling up the Demo display.

5[MIC] lamp.......................................page 86

For checking the input level of the microphone.

6[METRONOME ON/OFF] button ...page 39

For turning the metronome on or off.

7TRANSPOSE buttons ....................page 41

For transposing the pitch in semitone steps.

8[TAP TEMPO]/TEMPO [−]/[+] buttons

.........................................................page 39

For controlling the tempo for Style, MIDI Song and

metronome playback.

9STYLE buttons ..............................page 58

For selecting a Style category.

)ASSIGNABLE buttons....................page 31

For assigning shortcuts to often used functions.

!STYLE CONTROL buttons............ page 60

For controlling Style playback.

@LCD (touch screen) ....................... page 24

Allows you to select or change the parameters by

simply touching the ‘virtual’ buttons or sliders on

the display.

#Data dial ......................................... page 30

For selecting an item or changing the value.

$[HOME] button............................... page 30

For calling up the Home display, or the first

display when the power is turned on.

%[PIANO ROOM] button .................. page 44

For instantly calling up the optimum piano-related

settings for playing the instrument simply as a

piano.

^SONG CONTROL buttons............. page 69

For controlling Song playback.

&VOICE buttons ............................... page 49

For selecting a keyboard part or a Voice category.

*REGISTRATION MEMORY buttons... page 89

For registering and recalling panel setups.

(ONE TOUCH SETTING buttons .... page 63

For calling up the appropriate panel settings for

the Style.

Panel Setup (Panel Settings)

These settings of the instrument made by using the controls on the panel are together referred to as “panel setup” or

“panel settings” in this manual.

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3

CVP-909/CVP-905 Owner’s Manual 15

Panel Controls

F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

Key cover (page 16)

Guide lamps

(page 72)

I/O connectors

(page 101)

Sheet music braces

(page 17)

Music rest (page 17)

Music rest (page 16)

Sheet music braces

(page 16)

I/O connectors

(page 101)

Key cover

(page 16)

Guide lamps

(page 72)

Pedals

(page 38)

Music rest

(page 17)

Sheet music braces

(page 17)

I/O connectors

(page 101)

Key cover (page 16)

Guide lamps (page 72)

Pedals (page 38)

Lid (page 17)

[AC IN] jack (page 18)

For connecting the

power cord.

[AC IN] jack

(page 18)

For connecting

the power cord.

CVP-909 CVP-905

CVP-909

(Grand Piano type)

[AC IN] jack (page 18)

For connecting the power cord.

CVP-909/CVP-905 Owner’s Manual

Starting Up

For information on assembling the instrument, refer to the instructions on pages 116, 120 or 124.

To open the key cover, hold the hand grip with both hands, and then lift the key cover slightly, and push it up

and back.

To close the key cover, lower the key cover back in place gently with both hands.

CAUTION

• Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be

careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit.

• Do not place anything (such as metal objects or pieces of paper) on top of the key cover. Small objects placed on the

key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. Once inside, they

could cause electric shock, short circuit, fire or other serious damage to the instrument.

CVP-909 Grand Piano type

To raise the music rest:

1Pull the music rest up and toward yourself as far

as it will go.

2Flip down the two metal supports at the left and

right on the rear of the music rest.

3Lower the music rest so that the metal supports

latch into place.

4Music braces allow you to hold the pages of

music books in place.

CAUTION

Do not try to use the music rest in a half-raised position. Also,

when raising or lowering the music rest, do not release your

hands from the music rest until it is all the way up or down.

Opening/Closing the Key Cover

Using the Music Rest

CAUTION

Be careful to avoid catching your fingers when opening/closing the cover.

Music braces

CVP-909/CVP-905 Owner’s Manual 17

Starting Up

To lower the music rest:

Close the Music braces if they are open, and then lower

the music rest by following the instructions below.

1Pull the music rest toward yourself as far as it

will go.

2Raise the two metal supports (at the rear of the

music rest).

3Gently lower the music rest backward until it is

all the way down.

CVP-909/CVP-905

Pull the music rest toward yourself as far as it will go.

When raised, the music rest locks in place at a certain

angle and cannot be adjusted. The braces allow you to

hold the pages of music books in place.

CAUTION

When raising or lowering the music rest, do not release your

hands from the music rest until it is all the way up or down.

To lower the music rest, close the sheet music braces,

and then lift the music rest slightly, and turn it back

slowly.

CAUTION

Before lowering the music rest, close the sheet music

braces. Otherwise you may catch your fingers between the

music rest and the music braces and injure them.

One long stay and one short stay are provided on the lid. Use one of them to hold the lid open at the desired

angle.

Opening the Lid

1Raise the music rest.

2Raise and hold the right side of the lid (viewed from

the keyboard end of the instrument).

3Raise the lid stay and carefully lower the lid so that

the end of the stay fits into the recess in the lid.

CAUTION

Do not let children open or close the lid. Also, be careful to avoid

catching fingers (yours or others, and especially those of children)

when raising or lowering the lid.

Opening/Closing the Lid (CVP-909 Grand Piano type)

Music braces

Sheet music braces

CAUTION

Be careful to avoid catching

your fingers.

Close the sheet

music braces

CVP-909/CVP-905 Owner’s Manual

For the longer stay, use the inner recess, and for the shorter stay, use the outer recess to support the lid.

CAUTION

• Do not use the outer recess for the longer stay. Doing so makes the lid unstable and may cause it to fall, resulting in

damage or injury.

• Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid

may fall, causing damage or injury.

• Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess

causing the lid to fall.

Closing the Lid

1Hold the lid stay and carefully raise the lid.

2Continue to hold the lid in its raised position and

lower the lid stay.

3Carefully lower the lid.

Connect the plugs of the power cord in the order shown in the illustration.

In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your

area.

WARNING

• Use only the supplied power cord. Do not use the power cord for other products.

• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or

malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.

NOTE

When disconnecting the power cord, first turn off the power, and then follow this procedure in reverse order.

Power Supply

Longer stay Shorter stay

AC Outlet

The shape of the plug and

outlet differ depending on

your locale.

[AC IN] jack

CVP-909/CVP-905 Owner’s Manual 19

Starting Up

1Turn down the [MASTER VOLUME] control to “MIN.”

2Press the [P] (Standby/On) switch to turn the power on.

The [MIC] lamp located at right of the [MASTER VOLUME] control and the

display light up. After a while, the Home display (page 26) is shown and the

instrument starts up. Adjust the volume as desired while playing the keyboard.

NOTE

Before the Home display is shown, no sound is emitted when the keys are pressed. Moreover, the power does not turn off

even when the [P] (Standby/On) switch is pressed in this condition.

3Press and hold the [P] (Standby/On) switch for about a second to turn the

power off.

CAUTION

Even when the [P] (Standby/On) switch is in standby status, electricity is still flowing to the instrument at the

minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended

periods of time, or during electrical storms.

NOTICE

While recording or editing, or while a message is displayed, the power cannot be turned off even if you press the

[P] (Standby/On) switch. If you want to turn off the power, press the [P] (Standby/On) switch after recording,

editing, or after the message has disappeared. If you need to force-quit the instrument, hold down the

[P] (Standby/On) switch for longer than three seconds. Note that the force-quit operation might cause data loss

and damage to the instrument.

Auto Power Off function

To prevent unnecessary power consumption, this instrument features an Auto Power Off function that

automatically turns the power off if the instrument is not operated for a specified period of time. The amount

of time that elapses before the power is automatically turned off is approximately 30 minutes by default;

however, you can change the setting (page 22).

NOTICE

Any data which is not saved via the Save operation will be lost if the power automatically turns off. Make sure to save

your data before this happens.

Turning the Power On/Off

Disabling Auto Power Off (simple method)

Turn the power on while holding down the lowest key on the keyboard. An “Auto power off disabled” message

appears briefly and Auto Power Off is disabled.

A-1

CVP-909/CVP-905 Owner’s Manual

To adjust the volume of the entire keyboard sound, use the [MASTER VOLUME] control while playing the

keyboard.

CAUTION

Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause

permanent hearing loss.

Intelligent Acoustic Control (IAC)

IAC is a function which automatically adjusts and controls the sound quality according to the overall volume

of the instrument. Even when the volume is low, it permits both low sounds and high sounds to be clearly

heard. IAC Control affects only the sound output of the instrument speakers. The default setting for this

function is on. You can turn the IAC setting on or off, and set the depth. For details, refer to the “Utility”

section in the Reference Manual on the website (page 9).

Connect a pair of headphones to the [PHONES] jack. Since this instrument is equipped with two [PHONES]

jacks, you can connect two pairs of headphones. If you are using only one pair, insert the plug into either of

these jacks.

CAUTION

Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause

permanent hearing loss.

NOTE

If you are using an adaptor plug, be sure to remove this as well when unplugging the headphones. No sound will come out of the

instrument’s speakers if the adaptor plug is left connected.

Adjusting the Master Volume

Using Headphones

Stereo mini plug

Headphone hanger

Adaptor plug (standard stereo phone plug)

CVP-909/CVP-905 Owner’s Manual 21

Starting Up

Reproducing a Natural Sound Distance Sensation (even when using

Headphones)—Binaural Sampling and Stereophonic Optimizer

This instrument features two advanced technologies that allow you to enjoy exceptionally realistic, natural

sound, even though listening on headphones.

Binaural Sampling

Binaural Sampling is a method that uses two special microphones set at the ear position of a performer and

records the sound from a piano as it would actually be heard. Listening to the sound with this effect through

headphones gives the impression of being immersed in the sound, as if it was actually emanating from the

piano. Moreover, you can enjoy the sound naturally for a long time without ear fatigue. When the “CFX

Concert Grand” or “Bösendorfer Grand” Voice is selected, connecting the headphones automatically

enables the binaural sampling sound.

Sampling

A technology which records the sounds of an acoustic instrument then stores them to the tone generator to be played based on information

received from the keyboard.

Stereophonic Optimizer

Stereophonic Optimizer is an effect which reproduces the natural sound distance, like with the sound of

Binaural Sampling, even though you are listening to it on headphones. When one of the VRM Voices

(page 53) other than “CFX Concert Grand” or “Bösendorfer Grand” is selected, connecting the headphones

automatically enables the Stereophonic Optimizer.

Using the Headphone Hanger

A headphone hanger is included in the instrument package so that you can hang the headphones on the

instrument. Install the headphone hanger by following the instructions on pages 119, 122 or 125.

NOTICE

Do not hang anything other than the headphones on the hanger. Otherwise, the instrument or the hanger may be

damaged.

When headphones are connected, the VRM Voices (page 53) automatically change to the sound of Binaural

Sampling or the sound enhanced with the Stereophonic Optimizer, by the default settings. However, when

headphones are connected, these functions also affect the sound from the external speaker connected to the

AUX OUT jacks or the sound for Audio recording (page 76), and may result in unusual or unnatural sound. If

this happens, turn this function off.

You can turn this function on or off on the display called up via [Menu]  [Utility]  [Speaker/Connectivity]. For

details, refer to the Reference Manual on the website (page 9).

CVP-909/CVP-905 Owner’s Manual

As necessary, make basic settings for the instrument, such as the language shown on the display.

1Call up the operation display (Utility).

First, touch [Menu] at the bottom right corner of the Home display which is shown when the

power is turned on. Then touch [] to move to page 2 (if necessary), and touch [Utility].

2Touch [System] on the display.

3Make the necessary settings by touching the display.

For information on page 2/2 of this display, refer to the “Utility” section in the Reference Manual

on the website (page 9).

Making Basic Settings

Version Indicates the firmware version of this instrument.

Yamaha may from time to time update firmware of the product without notice

for improvement in functions and usability. To take full advantage of this

instrument, we recommend that you upgrade your instrument to the latest

version. The latest firmware can be downloaded from the website below:

https://download.yamaha.com/

Licenses Touch here to call up license information of the open source software which is

used on this instrument.

Language Determines the language used in the display for menu names and messages.

Touch this setting to call up the language list, and then select the desired one.

Owner Name Lets you input your name which appears in the opening display (called up

when the power is turned on). Touch this setting to call up the character entry

window, and then input your name (page 36).

Auto Power

Off

Lets you set the amount of time that elapses before the power is turned off by

the Auto Power Off function (page 19). Touch this to call up the list of settings,

and then select the desired one. To disable Auto Power Off, select “Disabled”

here.

CVP-909/CVP-905 Owner’s Manual 23

Starting Up

Here you can change certain display settings as desired, including brightness.

1Call up the operation display (Utility) (step 1 on page 22).

2Touch [Touch Screen/Display] on the display.

3Change the settings by touching the display.

For information on the other items in this display, refer to the “Utility” section in the Reference

Manual on the website (page 9).

Changing the Brightness of Display

Touch

Screen

Sound Determines whether or not touching the display will trigger the click

sound.

Calibration Lets you calibrate the display when it does not respond properly to

your touching (Normally, you do not need this operation, since it is

calibrated by factory default). Touch here to call up the Calibration

display, then touch the center of the plus marks (+) in order.

Brightness Screen Move the slider to adjust the brightness of the display.

Button

Lamps

Touch [L]/[R] to adjust the brightness of the button lamps on the

control panel.

NOTE

The brightness of the guide lamps cannot be adjusted.

CVP-909/CVP-905 Owner’s Manual

Basic Operations

Turning on this instrument calls up the Home display, from which you can call up the File Selection display

and Menu display, providing you convenient access to various functions and allowing you to make various

settings. For detailed instructions on the display, refer to page 26.

Display Structure

File Selection

display (page 27)

You can call up the

desired type of display by

touching the Style name,

Voice name or Song name

on the Home display.

Home display (page 26)

This is the portal or home base of the

instrument’s display structure.

By expanding the Style area, you can

call up the playback-related controls

on the display.

Menu display

(page 28)

By touching each of the icons,

you can call up various

functions, such as Song Score,

Volume Balance and other

detailed settings.

Style Selection display

Voice Selection display

Touch here

to expand.

CVP-909/CVP-905 Owner’s Manual 25

Basic Operations

By expanding the Song area, you can

call up the playback-related controls on

the display.

Song Selection display

Touch here

to expand.

CVP-909/CVP-905 Owner’s Manual

This section covers the most often used displays: Home, File Selection and Menu. The Home display

appears when the power is turned on. The File Selection display and Menu display can be called up from

the Home display.

Home Display

Appears when the power is turned on, and can be called up when the [HOME] button is pressed. This

display shows the current basic settings such as the current Voice and Style, allowing you to see them at a

single glance. Because of this, you should normally have the Home display shown when you perform on the

keyboard.

1Voice area

Indicates the current Voices for each of the keyboard parts (Main, Left and Layer) and the on/off status

of these parts (page 49). Touching a Voice name calls up the Voice Selection display.

NOTE

On the Voice area, Style area or Song area, flicking right expands the Style area, while flicking left expands the Song area.

2Style area

Indicates the current Style (page 58). Touching a Style name calls up the Style Selection display. Touch

[] at the upper left of this area to expand the area. To reset the area to the default status, touch [],

which appears at the upper right of the Voice area.

3Song area

Indicates the current Song (page 67). Touching a Song name calls up the Song Selection display.

Touch [] at the upper right of this area to expand the area. To reset the area to the default status,

touch [], which appears at the upper left of the Voice area.

If a recorded or edited Song exists but has not yet been saved, (Save) is shown. Touching it calls up

the display for saving the data (page 32).

4Registration area

Indicates the currently selected Registration Memory Bank name, Registration name and Registration

Sequence when it is active (page 90). Touching this area calls up the Registration Bank Selection

display. You can hide or show this area by touching [] or [] in the area.

NOTE

Flicking right or left on the Registration area can also hide or show this area.

5Menu area

Contains the shortcut icons which let you call up various functions with a single touch. Touching a

shortcut icon will call up the display of the corresponding function. Touch [Menu] icon at the right end to

call up the Menu display (page 28), from which you can register shortcut icons as desired here.

Display Configuration

CVP-909/CVP-905 Owner’s Manual 27

Basic Operations

File Selection Display

The File Selection display is for selecting a Voice, Style, Song, and other data. You can call up this display

by touching the name of the Voice, Style or Song on the Home display, or by pressing one of the VOICE or

STYLE buttons, etc.

1Category

A wide variety of data such as Voices and Styles are divided into several categories (tabs) according to

the data type. Except for the following two, all tabs are referred to as “preset” tabs, since they contain

preset data.

2Sub Category / Folder (Path)

• When one of the preset tabs is selected, the sub categories are shown here according to the data

type. For example, various piano types such as Grand Piano and Electric Piano are shown when you

touch the “Piano” tab on the Voice Selection display.

• When the Favorite tab is selected, this is not available.

• When the User tab is selected, the current path or folder is shown here according to the folder

structure.

3Selectable data (files)

The files that can be selected are shown. If two or more pages are available, you can call up another

page by touching [] or [] at the right.

NOTE

You can call up another page also by flicking vertically on the list.

4Operation icons

The functions (save, copy, delete, etc.) which can be operated via the File Selection display are shown.

The icons shown here differ depending on which File Selection display is selected. For detailed

instructions, refer to pages 32 – 36, or the instructions for each function’s File Selection display.

(Favorite tab)

Location where the Voices or Styles which you have registered as Favorites are shown

(page 35). This tab is available only for Voices and Styles.

(User tab)

Location where recorded or edited data is saved. Data saved to the instrument are shown

in “USER” (User memory), while data in the connected USB flash drive are shown in

“USB.” In this manual, data in the User tab is referred to as “User data.”

Path To the upper folder

CVP-909/CVP-905 Owner’s Manual

Menu Display

This is the portal display for using various functions and can be called up by touching the [Menu] icon at the

bottom right corner of the Home display.

1Function list

Various convenient functions are shown via icons. Touching each of them calls up the corresponding

function. This list consists of two pages, which you can select by pressing [] or [].

For information on each function, refer to the “Menu Display Function List” (page 113) or the Reference

Manual on the website (page 9).

NOTE

You can also change pages by flicking horizontally.

2Shortcuts

By registering often used functions here as Shortcuts, you can call up them quickly from the Menu area

of the Home display. To register as a Shortcut, first touch and hold the icon on the Function list until the

Shortcut list changes color, then touch the desired location for entering the function. For details, refer to

the “Contents” in the Reference Manual on the website (page 9).

To close the current display, touch [×] at the upper right of the display (or window) or [Close] at the lower

right of the display (or window). When a message (information or confirmation dialog) appears, touching the

appropriate item such as “Yes” or “No” closes the message.

If you want to quickly return to the Home display press the [HOME] button on the panel.

Instruction conventions for the Menu display

Throughout this manual, instructions with multiple steps are given in convenient shorthand, with arrows

indicating the proper sequence.

Example: [Menu]  [Utility]  [System]  [Language]

The example above describes a three step operation:

1) From the Menu display, touch [Utility].

2) Touch [System].

3) Touch [Language].

Closing the Current Display

CVP-909/CVP-905 Owner’s Manual 29

Basic Operations

The display of this instrument is a special touch screen that allows you to select or change the desired

parameter by simply touching the corresponding setting on the display. The Data dial and the [HOME]

button can also be used.

Using the Display (Touch Screen)

NOTICE

Do not use any sharp or hard tools to operate the touch screen. Doing so may damage the display.

NOTE

Keep in mind that operation by simultaneously touching two or more points on the display is not possible.

Touch

To select an item, lightly touch the corresponding indication on

the display.

NOTE

You can turn on/off system sounds produced when touching the display (page 23).

Slide

Hold down the display slider, then slide your finger vertically or

horizontally to change the parameter value.

Slide your finger vertically or horizontally on the display to turn

pages, or to show or hide some part of a particular display.

Display-based Controls

Data dial

[HOME] button

Display

CVP-909/CVP-905 Owner’s Manual

Rotate

Touch and hold the display knob, and rotate your finger around

the knob to change the parameter value.

Touch and hold

This instruction means to touch the object in the display and hold

it for a while.

When setting values by using []/[], a slider or a knob, you can

restore the default value by touching and holding the value on

the display.

Rotating the Data Dial

Depending on the display, the Data dial can be used in the following two ways.

Adjusting the parameter values

After selecting the desired parameter, use the Data dial to adjust the value. This is useful if you have

difficulty adjusting by touching on the display, or want finer control over the adjustment.

Selecting an item from a list

In File Selection displays (page 27) and the List windows for setting parameters, use the Data dial to select

an item.

Pressing the [HOME] Button

You can quickly return to the Home display (the display shown when the power is turned on) by pressing the

[HOME] button whenever you want.

Data dial

CVP-909/CVP-905 Owner’s Manual 31

Basic Operations

You can assign the functions which you use frequently to these four panel buttons at the left side of the

display. Also, any of the functions listed on the Menu display (page 28) can be assigned here as a shortcut.

1Call up the operation display via [Menu]  [Assignable]  [Assignable].

2Touch the desired button number to call up the list.

3Select the desired item from the functions and shortcuts (equivalent to the

functions in the Menu display).

NOTE

For details about the functions which can be assigned to these buttons, refer to the Reference Manual on the website

(page 9).

Using the ASSIGNABLE Buttons

CVP-909/CVP-905 Owner’s Manual

Data you have created such as recorded Song and edited Voice can be saved as files to the instrument

(referred to as “User memory”) and a USB flash drive. If you’ve saved a lot of files, you may have trouble

finding the desired file quickly. To make operation easier, you can organize your files in folders, or you can

use the search function. These operations are done in the File Selection display.

NOTE

Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

Saving a File

You can save your original data (such as Songs you’ve recorded and Voices you’ve edited) as a file to the

instrument or USB flash drive.

1In the relevant display, touch (Save) to call up the display for selecting the

saving destination.

2Select the location to which you want to save the file.

To show the next higher level folder, touch (Above).

You can create a new folder by touching (New Folder).

3Touch [Save here] to call up the Character Entry window.

NOTE

To cancel this operation, touch [Cancel].

4Enter the file name (page 36).

Even if you skip this step, you can rename the file at any time (page 33) after saving.

5Touch [OK] in the Character Entry window to actually save the file.

The saved file will be automatically located at the appropriate position among the files in

alphabetical order.

File Management

CVP-909/CVP-905 Owner’s Manual 33

Basic Operations

Creating a New Folder

Folders can be created, named and organized as desired, making it easier to find and select your original

data.

NOTE

• The maximum total number of files/folders which can be saved to the User memory differs depending on the file size and the length of

the file/folder names.

• The maximum number of files/folders which can be stored in a folder is 2,500.

1In the File Selection display, touch the User tab (page 27) then select the

location to which you want to create a new folder.

To show the next higher level folder, touch (Above).

NOTE

You cannot create a new folder in the “Piano Room” folder (page 48).

2Touch [File] to call up the File Management icons.

NOTE

• To cancel the file operation, touch [] at right corner to hide the File Management icons.

• You can hide or show the File Management icons by flicking the bottom of the display horizontally.

3Touch (New Folder) to call up the Character Entry window.

4Input the name of the new folder (page 36).

Renaming a File/Folder

You can rename files/folders.

NOTE

• Files in the Preset tabs cannot be renamed.

• The “Piano Room” folder (page 48) cannot be renamed.

1Call up the File Selection display, on which the desired file/folder is shown.

2Touch [File] to call up the File Management icons.

NOTE

• To cancel the file operation, touch [] at right corner to hide the File Management icons.

• You can hide or show the File Management icons by flicking the bottom of the display horizontally.

3Enter a checkmark to the desired file or folder by touching it.

4Touch (Rename) to call up the Character Entry window.

NOTE

Only one file or folder can be renamed at a time.

5Input the name of the selected file or folder (page 36).

File Management icons

CVP-909/CVP-905 Owner’s Manual

Copying or Moving Files

You can copy or cut a file and paste it to another location (folder). You can also copy a folder (but not move

it) by using the same procedure.

NOTE

• Files in the Preset tabs cannot be moved.

• Copying of commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for

your personal use. Commercially available Song data may be copy protected to prevent illegal copying or accidental erasure.

• Preset Songs copied to the User tab are indicated by (key icon) at the left side of the Song name on the Song Selection display.

These cannot be copied or moved to USB flash drives.

1Call up the appropriate File Selection display, on which the desired files/folders

are shown.

2Touch [File] to call up the File Management icons (page 33).

NOTE

• To cancel the file operation, touch [] at right corner to hide the File Management icons.

• You can hide or show the File Management icons by flicking the bottom of the display horizontally.

3Enter checkmarks to the desired files/folders by touching each item.

One or more files/folders can be checked. When you want to enter checkmarks to all displayed

items, touch (Check All). Touch (Check All) again to remove all the checkmarks.

4Touch (Copy) or (Move), to call up the display for selecting the destination.

5Select the desired destination (path) to paste the files/ folders.

You can create a new folder by touching (New Folder).

NOTE

To cancel this operation, touch [Cancel] before going to step 6.

6Touch [CopyHere] or [MoveHere] to paste the files/folders you’ve selected in

step 3.

The pasted file/folder appears on the display at the appropriate position among the files in

alphabetical order.

Deleting Files/Folders

You can delete files/folders.

NOTE

• Files in the Preset tabs cannot be deleted.

• The “Piano Room” folder (page 48) cannot be deleted.

1Call up the appropriate File Selection display, on which the desired files/folders

are shown.

2Touch [File] to call up the File Management icons (page 33).

NOTE

• To cancel the file operation, touch [] at right corner to hide the File Management icons.

• You can hide or show the File Management icons by flicking the bottom of the display horizontally.

3Enter checkmarks to the desired files/folders by touching each item.

One or more files/folders can be checked. When you want to enter checkmarks to all displayed

items, touch (Check All). Touch (Check All) again to remove all the checkmarks.

4Touch (Delete).

5After the confirmation message appears, touch [Yes] to actually delete the files/

folders you’ve selected in step 3.

To cancel this operation, touch [No] instead of [Yes].

CVP-909/CVP-905 Owner’s Manual 35

Basic Operations

Registering Files to the Favorite Tab

You can call up your favorite or often used Voices or Styles quickly by registering them to the Favorite tab.

Touch the star mark ( ) at the right side of each file to register the corresponding file to the Favorite tab.

To remove the registered file from the Favorite tab, touch the colored star mark ( ) in the Favorite tab or in

the tab which actually contains the corresponding file.

NOTE

• If you change the name of the original file or move/delete the original file, touching the corresponding file name in the Favorite tab

cannot call up the file.

• Within the Favorite tab, to actually remove the file, you need to touch the colored star then close or switch the display.

Sorting the File Order in the Favorite Tab

You can change the order of the files such as Voices and Styles in the Favorite tab.

1In the Voice Selection display or Style Selection display, touch the Favorite tab.

2Touch (Order) to call up the Order Edit display.

3Touch the file you want to move.

4Touch the location to which you want to move the file selected in step 3.

5Repeat steps 3 – 4 as necessary.

6Touch [Complete] to exit from the Order Edit display.

Favorite tab

Registered

Not

registered

CVP-909/CVP-905 Owner’s Manual

Searching for Files

1In the File Selection display, touch (Search) to call up the Search display.

2Touch the Search box to call up the Character Entry window.

3Enter the file name or the folder name (or just a part of it) to start searching

(page 37).

If you want to enter multiple words, insert a space between each word.

After the search is complete, the resulting list appears. If no files are listed, try this step again

with another word.

NOTE

On the Registration Bank Selection display, you can narrow the search by filtering. For details, refer to page 92.

4Select the desired file.

After selecting the file, touch the appropriate button such as [OK] or [Add to Playlist] for desired

operation. Touching [Cancel] calls up the display which was opened before the Search display

was called up.

This section covers how to enter characters for naming your files/folders and inputting words for searching

files. Entering characters is done in the display shown below.

Entering Characters

Search box

CVP-909/CVP-905 Owner’s Manual 37

Basic Operations

1Touch the character type.

When the Language (page 22) is set to other than Japanese:

When the Language (page 22) is set to Japanese:

2Touch []/[] or rotate the Data dial to move the cursor to the desired location.

3Input the desired character one by one.

To delete a single character, touch [Delete]; to delete all characters at once, touch and hold

[Delete]. To enter a space, touch the space key indicated in the illustration on the previous

page.

NOTE

• Depending on the display for character entry you are working in, some types of characters cannot be entered.

• A file name can contain up to 46 characters and a folder name can contain up to 50 characters.

• The following characters (half size) cannot be used: \ / : * ? " < > I

To input letters with auxiliary symbols (when Language is set to other than

Japanese):

You can input letters with auxiliary symbols such as umlaut by touching and holding a letter to

call up a list. For example, touch and hold “E” to enter “Ё” from the list.

To convert into Kanji (when the Language is set to Japanese):

When the entered “hiragana” characters are shown in reverse display (highlighted), touch

[ ] several times to call up the conversion options. You can change the reversed area by

touching [] or []. When you find the desired Kanji, touch [ ].

To change the converted kanji back to “hiragana,” touch [ ].

To clear the reversed area at once, touch [ ].

NOTE

To cancel this operation, touch [Cancel] before going on to step 4.

4Touch [OK] to finalize the characters (file name, etc.) you have input.

Touching [Symbol] (or [abc]) switches between entering symbols or Roman letters (and numbers).

To switch between entering capital letters or small letters, touch (Shift).

• : Roman letters and numbers in half size (full size)

• : Symbols in half size (full size)

• : Katakana in full size (half size)

• : Hiragana and Kanji

To switch between full size or half size, touch and hold the Character Type. For example, [ ]

can be called up by holding [ ].

When entering Roman letters, you can switch between capital and small letters by touching

(Shift).

CVP-909/CVP-905 Owner’s Manual

NOTE

• The pedals are protected with vinyl covers when shipped from the factory.

Remove the covers from the pedals before using to ensure optimum use

of the pedal effects.

• If the pedal box rattles or gives way when you step on the pedals, turn the

adjuster so that it is set firmly against the floor (pages 119, 122, 125).

Damper Pedal (Right)

Pressing this pedal sustains notes. Releasing this pedal immediately stops

(damps) any sustained notes. Pressing this pedal while you play a VRM Voice

(page 53) recreates the characteristic string resonance of a real acoustic

piano.

NOTE

• Certain Voices, such as strings and brass, sustain continuously when the damper/sostenuto pedal

is pressed.

• Certain Voices such as drum kits may not be affected by use of the damper/sostenuto pedal.

Half-pedal function

A “half-pedal” function of the damper pedal creates partial sustain effects, depending on how far down you

press the pedal. The farther you press the pedal, the more the sound sustains. For example, if you press

the damper pedal and the notes you play sound a bit murky and loud with too much sustain, you can

partially release the pedal to lessen the sustain (murkiness).

Since the pressing sensation may vary depending on the situation, including the location where the

instrument is installed, you can adjust the half-pedal point to the desired setting on the display called up via

[Menu]  [Assignable]  [Pedal]. For details, refer to the Reference Manual on the website (page 9).

Sostenuto Pedal (Center)

When the Piano Voice is selected, if you play a note or chord on the keyboard

and press this pedal while holding the note(s), the notes will sustain as long as

the pedal is held. All subsequent notes will not sustain.

When a Voice other than piano is selected, a specific function appropriate for

the Voice is automatically assigned to the center pedal.

Soft Pedal (Left)

When the Piano Voice is selected, pressing this pedal reduces the volume and slightly changes the timbre

of the notes you play. When a Voice other than piano is selected, a specific function appropriate for the

Voice is automatically assigned to the left pedal.

You can adjust the depth of the Soft pedal effect on the display called up via [Menu]  [Assignable] 

[Pedal]. For details, refer to the Reference Manual on the website (page 9).

Using the Pedals

GP Response Damper (CVP-909 only)

The damper pedal of the CVP-909 has been designed to provide enhanced tactile response and, when

pressed, is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience

the half-pedal point and more easily apply the half-pedal effect than other pedals.

Assigning a function to each pedal

Various functions can be assigned to each of the three pedals and a foot controller/footswitch (sold separately)

— including start/stop of Song playback and controlling a Super Articulation Voice. These can be set on the

display called up via [Menu]  [Assignable]  [Pedal]. For details, refer to the Reference Manual on the

website (page 9).

Damper PedalSostenuto Pedal

Soft Pedal

If you press and hold the damper

pedal here, all the notes shown

will be sustained.

If you press and hold the

sostenuto pedal here, only the

notes held at this timing will be

sustained.

CVP-909/CVP-905 Owner’s Manual 39

Basic Operations

The [METRONOME ON/OFF] button lets you start or stop the metronome. The metronome provides a click

sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific

tempo sounds.

NOTE

You can also change the time signature, volume and sound of the metronome on the display called up via [Menu]  [Metronome] 

[Metronome].

The TEMPO [−] and [+] buttons let you change the playback tempo of Metronome, Style and MIDI Song.

The tempo of the Style and MIDI Song can also be adjusted via the [TAP TEMPO] button.

NOTE

If you want to adjust the tempo of an Audio Song, use the Time Stretch function on page 75.

TEMPO [−]/[+] buttons

Press the TEMPO [−] or [+] button to call up the Tempo pop-up display.

Use the TEMPO [−]/[+] buttons to decrease or increase the tempo over a

range of 5 – 500 beats per minute. Holding down either button changes

the value continuously. Pressing both TEMPO [−] and [+] buttons calls up

the default tempo of the last selected Style or Song.

[TAP TEMPO] button

During playback of a Style or MIDI Song, you can change the tempo by tapping the [TAP TEMPO] button

twice at the desired tempo. When Style and Song are stopped, tapping the [TAP TEMPO] button (four times

for a 4/4 time signature) starts playback of the rhythm part of the Style at the tempo you tapped.

NOTE

You can change the sound type or volume of the sound caused when tapping the [TAP TEMPO] button via [Menu]  [Metronome]  [Tap

Tempo].

Using the Metronome

Adjusting the Tempo

CVP-909/CVP-905 Owner’s Manual

Touch Sensitivity determines how the sound responds to your playing strength. This setting does not

change the weight of the keyboard.

1Call up the display via [Menu]  [Keyboard].

2Make the settings by touching the display.

For details on the Left Hold function, refer to page 52.

Setting the Touch Sensitivity of the Keyboard

Touch Curve Enter checkmarks to the boxes of the desired keyboard parts, then touch here to

call up the setting window and select the Touch Sensitivity type. If you remove

the checkmark, playing the corresponding part will produce a fixed velocity

regardless of your playing strength.

NOTE

The Touch Sensitivity settings may have no effect with certain Voices.

•Hard2: Requires strong playing to produce high volume. Best for players with

a heavy touch.

•Hard1: Requires moderately strong playing for high volume.

•Medium: Standard Touch Sensitivity.

•Soft1: Produces high volume with moderate playing strength.

•Soft2: Produces relatively high volume even with light playing strength. Best

for players with a light touch.

Fixed

Velocity

Make sure that the box of the desired keyboard parts are checked, and then

touch here to call up the setting window and set the velocity with which you play

the keys, which stays fixed regardless of your playing strength.

CVP-909/CVP-905 Owner’s Manual 41

Basic Operations

The TRANSPOSE [−]/[+] buttons transpose the overall pitch of the instrument (the keyboard sound, Style

playback, MIDI Song playback, and so on) in semitone steps (from −12 to 12). Pressing the [−] and [+]

buttons simultaneously resets the value to 0.

NOTE

• If you want to transpose the pitch of the Audio Song, use the Pitch Shift parameter on page 74.

• The Transpose functions do not affect the Drum Kit or SFX Kit Voices.

You can independently select the part to be transposed as desired. Touch the Transpose pop-up several

times until the desired part appears, then use the TRANSPOSE [−]/[+] buttons to transpose it.

NOTE

Transpose can be done on the display also via [Menu]  [Transpose].

Transposing the Pitch in Semitones

Master Transposes the pitch of the entire sound with the exception of the Audio Song, the input

sound from the [MIC/LINE IN] jack and the Audio Input Sound from the external device.

Keyboard Transposes the keyboard pitch including the chord root for triggering Style playback.

Song Transposes the pitch of the MIDI Song.

Fine tuning the pitch

By default, the pitch of the entire instrument is set to 440.0 Hz according to equal temperament. This setup

can be changed from the display called up via [Menu]  [Tuning]. For details, refer to the Reference Manual

on the website (page 9).

Hz (Hertz):

This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.

CVP-909/CVP-905 Owner’s Manual

From the Balance display called up via [Menu]  [Balance], you can adjust the volume balance among the

keyboard parts (Main, Layer, Left), the Style, the Song, the microphone sound, and the Audio Input Sound

from the external device (page 107). Slide your finger vertically for each part to adjust the volume.

Since the volume of MIDI Songs and Audio Songs are handled individually, you need to set the volume

balance for each case (when a MIDI Song is selected, or when an Audio Song is selected).

While holding the C7 key (right-most key on the keyboard), turn the power on. This restores (or initialize) all

of the settings to their factory defaults, with the exception of “Language” (page 22), “Owner Name”

(page 22) and Bluetooth pairing information (page 109).

NOTE

You can also restore the factory default value of specified settings or delete all files/folders in the User memory on the display called up via

[Menu]  [Utility]  [Factory Reset/Backup]  page 1/2. For details, refer to the Reference Manual on the website (page 9).

Adjusting the Volume Balance

Restoring the Factory-programmed Settings (Initializing)

To restore the default value of any parameter you’ve changed

Touch and Hold the value on the display (page 30).

CVP-909/CVP-905 Owner’s Manual 43

Basic Operations

You can back up all data in the User memory of this instrument (except for Protected Songs) and all settings

to the USB flash drive as a single file (file extension: .bup). This procedure is recommended for data

security and backup in case of damage.

NOTE

• For information on the settings that can be backed up, refer to the “Backup/Restore” column of the “Parameter Chart” in the Data List on

the website (page 9).

• Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

• You can back up User data such as Voice, Song, Style, Registration Memory and Playlist by copying them individually to USB flash

drive. For instructions, refer to page 34.

• You can back up the System settings, MIDI settings and User Effect settings individually. For details, refer to the “Utility” section in the

Reference Manual on the website (page 9).

1Connect the USB flash drive to the [USB TO DEVICE] terminal as backup

destination.

2Call up the display via [Menu]  [Utility]  [Factory Reset/ Backup]  page 2/2.

If you want to back up the Audio Songs (WAV/MP3) saved to the User memory, enter a

checkmark to the “Include Audio Files” box. Since audio files use large memory, remove the

checkmark if you do not want to save them.

3Touch [Backup] to save the backup file to the USB flash drive and follow the

on-screen instructions.

Restoring the Backup File

To do this, touch [Restore] in step 3 above. When the operation is complete, the instrument will be restarted

automatically.

NOTICE

• If any of the files (such as Songs or Styles) in the User memory of the instrument have the same name with the data

contained in the backup file, the data are overwritten by restoring the backup file. Move or copy the files in the User

memory of the instrument to USB flash drive before restoring (page 34).

• Completing the backup/restore operation may take a few minutes. Do not turn off the power during backup or

restoring. If you turn off the power during backup or restoring, data may be lost or damaged.

Data Backup

CVP-909/CVP-905 Owner’s Manual

Piano Room

– Enjoying the Piano Performance –

The Piano Room function is for those who want to simply, conveniently, and fully enjoy playing the

instrument as a piano. No matter what settings you’ve made from the panel, you can instantly call up the

optimum settings for piano performance with a single button press. You can also change the piano settings

as you like, or you can enjoy playing the piano as if you are in a small ensemble.

1Press the [PIANO ROOM] button to call up the Piano Room display.

This calls up the relevant panel settings for piano performance. All buttons on the control panel

with the exception of the [PIANO ROOM] and [HOME] buttons are disabled.

2Play the keyboard.

Change the piano settings, such as Piano Type, Environment (Reverb Type), etc., according to

the type of music you want to play.

Selecting a Piano Type

Touch the picture of the piano to call up the piano list, and then select the desired one. When

a grand piano Voice is selected, you can open or close the lid by sliding up or down on the lid

or by rotating the Data dial.

Selecting an Environment (Reverb Type)

Touch the background picture of the piano to call up the environment list, and then select the

desired one. This sets the Reverb Type for the selected Environment.

Using the Metronome

Touch (Metronome) to call up the pop-up display. You can turn the metronome on or off,

or change its tempo. You can also change the tempo by tapping [Tap] in the pop-up display

twice at the desired tempo.

To close a list or a setting display, touch anywhere outside of the list or setting display.

3Press the [PIANO ROOM] button or [HOME] button to exit the Piano Room

display.

All panel settings are restored to those which were set before the Piano Room display was

called up.

Playing a Piano Performance in the Piano Room

Accompaniment (page 45)

Detailed settings (page 47)Recording/playback (page 48)

CVP-909/CVP-905 Owner’s Manual 45

Piano Room – Enjoying the Piano Performance –

1Press the [PIANO ROOM] button to call up the Piano Room display.

2Touch (Accompaniment) at the upper right of the display.

Session players appear in the display. Session players can be shown or hidden by touching

(Accompaniment) or (Piano).

3Select the type of accompaniment.

Touch the picture of the session players to call up the list for selecting the desired

accompaniment. To close the list, touch anywhere outside of the list.

4Touch (Start).

The Intro starts playing back.

If you want to adjust the tempo, touch [L] or [R] in the display called up in step 3. Tapping [Tap]

twice at the desired tempo can also change the tempo.

5Play the keyboard following the Intro.

The Session players provide accompaniment for your performance. Jazz or Pop is

recommended.

6Touch (Stop) to stop the accompaniment.

Accompaniment stops after an ending part is played.

NOTE

The function of accompaniment is available outside the Piano Room. For details, refer to page 58.

Playing the Piano in Session with Other Instruments

Session

players

Accompaniment Type

To scroll through pages of the list, slide it horizontally.

Accompaniment tempo

CVP-909/CVP-905 Owner’s Manual

Changing the Accompaniment Settings

Touch (Settings) at the bottom of the accompaniment type list of step 3 on page 45, to call up the

setting display.

1Turns all parts, except those of rhythm and bass, on or off.

2Turns the rhythm parts and bass parts on or off.

3Turns the bass part on or off.

4Move the slider to adjust the volume of the accompaniment.

5Touch here to go back to the accompaniment type list.

CVP-909/CVP-905 Owner’s Manual 47

Piano Room – Enjoying the Piano Performance –

You can change various Piano Room settings as you like. You can also restore all Piano Room settings to

the default.

1Press the [PIANO ROOM] button to call up

the Piano Room display.

To change the settings of the accompaniment,

touch (Accompaniment) to call up the session

players.

2Touch (Settings) to change the

settings.

Shaded items in the list below are available only when session players are displayed. To close

the setting display, touch anywhere outside of the setting display.

The settings marked with * (asterisk) will be maintained even if you exit from this display or turn

off the power. Pressing the [PIANO ROOM] button next time will call up the Piano Room

settings which were made the previous time.

Changing/Resetting the Piano Room Settings

Environment* For selecting the environment (Reverb Type).

Lid Position* Determines how much the Lid is opened. Available only when a grand

piano Voice is selected.

Tune Determines the pitch of this instrument in 1 Hz steps.

Dynamics Control Determines how the volume of the accompaniment responds to the

strength with which you play the keys.

Off ........... The accompaniment volume does not respond to your playing

strength.

Narrow .... The accompaniment volume changes over a narrow range in

response to your playing strength. In other words, you must

play very strongly or softly to have the volume change.

Medium ... The accompaniment volume changes normally in response to

your playing strength.

Wide ........ The accompaniment volume changes over a wide range in

response to your playing strength. In other words, playing

strongly or softly produces greater changes in the volume.

Section Control* Turning this on calls up buttons for changing variations (Sections) of

accompaniment (A, B, C, D) in the display. By using these sections

effectively, you can easily add variations to your performance.

Fingering Type* Set the Fingering type (page 65) to “AI Full Keyboard” or “AI Fingered.”

Split Point* Set the Style Split Point (page 54) when the “AI Fingered” is selected in

Fingering Type above.

Reset Restores all settings of Piano Room to the default.

CVP-909/CVP-905 Owner’s Manual

You can record your performance in Piano Room as a MIDI Song (page 67) to the User memory of the

instrument.

1Press the [PIANO ROOM] button to call up the Piano Room display.

Make any necessary settings, such as the type of piano, calling up the session players, and so

on.

2Touch [I] (Rec) to start recording, and

then play the keyboard.

If you want to record from the Intro section of the

accompaniment, start the accompaniment.

3Touch [J] (Stop) to stop recording.

4After a message appears prompting you

to save, touch “Yes” to save the file.

NOTICE

The recorded data will be lost if you turn the power off

without executing the save operation.

5To hear the recorded performance, touch (Song), and then touch [R] (Play)

on the display that is called up.

Touch [J] (Stop) to stop playback.

NOTE

The Songs recorded in the Piano Room are shown in the “PianoRoom” folder in the User tab (MIDI) on the Song Selection

display (page 68).

Playing Back Recorded Songs, Changing Song Names, Deleting Songs

1Touch (Song) on the Piano Room

display to call up the Song list.

2Touch the desired Song.

3Touch the desired icon.

•[R] (Play): Starts playback of the selected

Song. To stop playback, touch [J] (Stop).

• (Rename): Changes the name of the

selected Song. For details on entering

characters, refer to page 36.

• (Delete): Deletes the selected Song.

NOTE

The Songs recorded in the Piano Room can be selected and played back from the “PianoRoom” folder in the User tab

(MIDI) on the Song Selection display (page 68).

Recording your Performance in the Piano Room

2 5

CVP-909/CVP-905 Owner’s Manual 49

Voices – Playing the Keyboard –

Voices

– Playing the Keyboard –

The instrument features a wide variety of exceptionally realistic instrumental Voices, including piano, guitar,

strings, brass, wind instruments and more.

The Voices can be played via three keyboard parts: Main, Layer and Left. These playing modes allow you to

play just one single Voice (Main), play two different Voices in layer (Main and Layer), or play different

Voices in the right- and left-hand areas of the keyboard (Main/Layer and Left). By combining these three

parts, you can create luscious instrument textures and convenient performance combinations.

When the Left part is turned off, the entire keyboard is used for the Main and Layer parts. When the Left part

is turned on, the FP2 and lower keys are used for the Left part while the upper keys (excluding FP2) are used

for the Main and Layer parts. The key which divides the keyboard into the left-hand and right-hand areas is

referred to as “Split Point” and its guide lamp lights when the Left part is turned on. The Voices of the parts

which are turned on can be confirmed on the Home display.

NOTE

• You can also play only the Layer part by turning the Main part off.

• The Split Point can be changed (page 54).

• The guide lamp lights up also at the Style Split Point, when the STYLE CONTROL [ACMP ON/OFF] button is turned on.

1Select the keyboard part then call up the Voice Selection display.

Do this to select a Voice for each keyboard part.

Touching the display

1-1 On the Home display, touch [Main], [Left], or [Layer] to turn on the desired keyboard

part.

The center of the display shows the keyboard parts which are turned on and their

corresponding Voices.

1-2 Touch the Voice of the desired part to call up the Voice Selection display.

Playing Preset Voices

Left part Layer part

Main part

Split Point (F#2 as default)

Keyboard parts

which are turned on

and their Voices

On/off status of the

keyboard parts

CVP-909/CVP-905 Owner’s Manual

Using the panel buttons

1-1 To select the keyboard part, press the VOICE [MAIN/LAYER/LEFT] button repeatedly

if necessary until the desired part’s lamp lights.

1-2 Press one of the desired VOICE category buttons to call up the Voice Selection

display.

NOTE

• You can select Voices for the Main and Layer parts simply by using the Voice category selection buttons. While holding

down one of the Voice category selection buttons, press another Voice category selection button. The Voice

corresponding to the first pressed button is assigned to the Main part while the Voice of the second pressed button is

assigned to the Layer part.

• You can change the sub category by pressing the same Voice category button twice or more.

2 Touch the desired Voice.

NOTE

The “Others” tab contains XG Voices and so on. For details about how to select those Voices, refer to the “VoiceSetting”

section in the Reference Manual on the website (page 9).

3Make sure that the desired keyboard part is turned on.

The on/off setting for the keyboard part can be made as described in step 1-1 in “Touching the

display.”

4Play the keyboard.

To hear the characteristics of the Voices:

Touch (Demo) to start demo playback of the selected Voice. Touch (Demo) again to stop

playback.

Touch (Information) to call up the Voice Information window, which may or may not be

available depending on the Voice.

1-1 1-2

CVP-909/CVP-905 Owner’s Manual 51

Voices – Playing the Keyboard –

Displaying the Instruments Assigned to the Keyboard (Drum Kit Tutor)

For Drums Voices in which (Drum Kit Tutor) is appeared on the Voice area of the Home display or below

the Voice Selection display, you can call up the key assignment by touching the icon.

1Touch (Drum Kit Tutor) to call up the Drum Kit Tutor window.

2Press the desired key to check the key assignment.

The illustration and the name of the instrument assigned to the key appear on the Drum Kit

Tutor window. Touch [L]/[R] to shift the illustration and instrument names by octaves (or press

the desired key outside the displayed range).

Voice Characteristics

At the left side of each Voice name on the Voice Selection display, the

icon which represents its defining characteristic is indicated.

There are various Voice characteristics; however, only the following

ones are covered here. For detailed explanations, refer to the

“VoiceSetting” section in the Reference Manual on the website (page 9).

• : VRM Voices (page 53)

These recreate the characteristic string resonance of a real acoustic piano.

• / : Super Articulation (S.Art, S.Art2) Voices (page 55)

The word “articulation” in music usually refers to the transition or continuity between notes. This is often

reflected in specific performance techniques, such as staccato, legato and slur.

• : Organ Flutes Voices (page 56)

Lets you recreate all of the classic organ sounds by adjusting the flute footage levels and the percussive

sounds, just like on conventional organs.

• / / : Drum Voices, / / : SFX Voices

Lets you play various drums and percussion instruments or SFX (sound effects) sounds which are assigned

to each key. For details on the Key assignments, refer to the “Drum/Key Assignment List” in the Data List on

the website (page 9). On some Drum and SFX Voices, you can use the Drum Kit Tutor function to see the

Key assignment on the display as described below.

CVP-909/CVP-905 Owner’s Manual

Maintaining the Left Voice even when releasing the keys (Left Hold)

When the Left Hold function is set to “On” via [Menu]  [Keyboard], the Voice for the Left part is held even

when the keys are released. Non-decaying Voices such as strings are held continuously, while decay-type

Voices such as piano decay more slowly (as if the sustain pedal has been pressed).

When the Left Hold is “On,” an “H” indication appears at the left side of the keyboard illustration in the center

of the Home display.

Calling up the Appropriate Settings for Piano Performance (Piano Reset)

You can easily reset to appropriate settings for playing the instrument as a piano, no matter what settings

you’ve made from the panel. This function called “Piano Reset” allows you to play the “CFX Concert Grand”

Voice across the entire keyboard.

NOTE

This function cannot be used while the Piano Room display (page 44) or the Piano Lock display (see below) is shown.

1Press and hold down the [PIANO ROOM] button for two seconds or longer.

A message appears in the display.

2Touch [Reset] to call up the appropriate settings for playing as a piano.

Locking the Settings for Piano Performance (Piano Lock)

You can “lock” the panel settings to the appropriate settings for playing the instrument as a piano instantly,

no matter what settings you’ve made from the panel. Once locked, the instrument stays in the default piano

settings, even if other buttons are pressed — only allowing you to play the keyboard, use the pedals, or

adjust the master volume. In other words, Piano Lock prevents you from accidentally selecting and playing

another sound during your piano performance.

1Press and hold down the [PIANO ROOM] button for two seconds or longer.

A message appears in the display.

2Touch [Lock] to call up the Piano Lock display.

The panel settings will be locked in the appropriate settings for playing as a piano.

To disable Piano Lock, press and hold the [PIANO ROOM] button again for two seconds or longer.

If you turn off the power with Piano Lock enabled, turning on the power next time will call up the Piano Lock

display.

CVP-909/CVP-905 Owner’s Manual 53

Voices – Playing the Keyboard –

Playing Realistic Resonance-enhanced Piano Sounds (VRM Voices)

Simply by selecting a VRM Voice, you can enjoy the VRM effect (see below). An icon [VRM] is shown at the

left side of the Voice name of a VRM Voice on the Voice Selection display.

The default setting of the VRM effect is on. You can turn it on or off, and adjust the depth via [Menu] 

[Voice Setting]  [Piano]  1/2 page. For details, refer to the Reference Manual on the website (page 9).

Reproducing tonal variations that respond to subtle changes in touch

(Grand Expression Modeling)

When the Voice of “CFX Concert Grand” or “Bösendorfer Grand” is selected, the Grand Expression

Modeling effect is automatically added, and it faithfully reflects nuances of your playing touch to tonal

variations, just as on a real grand piano.

VRM (Virtual Resonance Modeling)

On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the

pressed key vibrate, it also causes other strings and the soundboard to vibrate, with each influencing the rest,

creating a rich and brilliant resonance that sustains and expands. The VRM (Virtual Resonance Modeling)

technology featured in this instrument reproduces the complicated interaction between both string and

soundboard resonance, and make the sound more like that of a real acoustic piano. Since resonance

instantaneously occurs depending on the action of the keys and pedal, you can expressively vary the sound

by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.

Grand Expression Modeling

On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch

from when you press a key to when you release it. For example, when you press a key all the way to its

bottom, the key hits the keybed underneath and the noise reaches the strings, changing the sound slightly.

Furthermore, the tone when the damper is lowered onto strings to mute the sound is changed by how quickly

you release the key. Grand Expression Modeling technology recreates these subtle changes in the sound that

respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly

to produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering

sound produced when releasing the keys slowly.

CVP-909/CVP-905 Owner’s Manual

The key which divides the keyboard into two or three areas is referred to as “Split Point.” There are two

types of Split Point: “Left Split Point” and “Style Split Point.” The “Left Split Point” divides the keyboard into

the Left part area and Main part area while the “Style Split Point” divides the keyboard into the Chord

section for Style playback (page 59) and the Main or Left part area. Though both Split Points are at the

same key (FP2) by default, you can also set them individually (as shown).

NOTE

The guide lamp located at the Split Point lights up when the Left part is turned on or the [ACMP ON/OFF] button is turned on.

1Call up the Split Point/Fingering window: [Menu]  [Split&Fingering].

NOTE

The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.

2Touch [Left] or [Style] to turn it on.

If you want to set both Split Points to the same key, turn both of them on.

3Touch []/[] to select the desired key as Split Point.

You can set the Split Point also by pressing the actual key while holding down the keyboard

illustration on the display.

NOTE

The Left Split Point cannot be set lower than the Style Split Point.

Setting the Split Point

Style Split Point

Left Split Point

Chord section

Left part

Left part, Main (and Layer) part

Main (and Layer) part

Style

Split Point

Left Split Point

CVP-909/CVP-905 Owner’s Manual 55

Voices – Playing the Keyboard –

The Super Articulation Voices (S.Art Voices and S.Art2 Voices) enable you to create subtle, very realistic

musical expressions, simply by how you play. The [S.Art]/[S.Art2] icons are shown beside the Voice name

of Super Articulation Voices (S.Art, S.Art2) on the Voice Selection display or the Home display. For specific

performance instructions on certain Voices, you can call up the Information window of the selected S.Art

Voice or S.Art2 Voice by touching this icon on the Home display.

S.Art Voices

The S.Art Voices provide many benefits with great playability and expressive control in real time.

• Example: Saxophone Voice

If you play a C note and then an adjacent D in a very legato way, you will hear the

note change seamlessly, as though a saxophone player played it in a single breath.

• Example: Guitar Voice

If you play a C note and then the E just above in a very legato but firm way, the pitch

slides up from C to E.

S.Art2 Voices (CVP-909 only)

For wind instrument Voices and string instrument Voices, a special technology called AEM has been used,

which features detailed samples of special expressive techniques used on those specific instruments — to

bend or slide into notes, to “join” different notes together, or to add expressive nuances at the end of a note,

etc.

NOTE

AEM is a technology that simulates the sound of acoustic instruments naturally by smoothly joining the most appropriate sound samples

selected from the data base in realtime during performance.

• Example: Clarinet Voice

If you hold a C note and play the BR above, you’ll hear a glissando up to the BR.

NOTE

• S.Art and S.Art2 Voices are only compatible with other models which have those types of Voices installed. Any Song or Style data you’ve

created on the instrument using these Voices will not sound properly when played back on other instruments.

• S.Art and S.Art2 Voices sound differently depending on the keyboard range, velocity, touch, etc. Hence, if you turn on a Keyboard

Harmony effect, change the transpose setting or change the Voice Settings, unexpected or undesired sounds may result.

• The characteristics of S.Art2 Voices (default vibrato setting and articulation effects applied by the pedals) are effective for real-time

performance; however, these effects may not be completely reproduced when you play back a Song which has been recorded using

S.Art2 Voices.

Playing Super Articulation Voices

Adding Articulation Effects by Using the Pedal

When you assign an S.Art or S.Art2 Voice to the Main part, the function of the center or/and left pedals are

switched to control articulation effects. Pressing a pedal triggers different playing effects, separate from your

keyboard playing. For example, pressing a pedal for a saxophone Voice can produce breath noises or key

noises, while doing the same for a guitar Voice can produce fret noises or body-tapping sounds. You can

effectively intersperse these into the notes as you play.

When an S.Art2 Voice is selected, pressing a pedal and playing/releasing a note enables you to add

articulation effects, such as bend up/down, glissando up/down, brass falls, etc.

NOTE

• For some Super Articulation Voices, articulation effects are not assigned to pedals.

• If you want to lock the pedal function regardless of the Voice, turn off the Switch With Main Voice parameter called up via [Menu] 

[Assignable]  [Pedal]  [Switch With Main Voice (Center & Left)].

• If you assign the Articulation function to the ASSIGNABLE buttons (page 31), you can control articulation effects by using the

buttons instead of the pedals.

CVP-909/CVP-905 Owner’s Manual

The instrument uses advanced digital technology to recreate the legendary sound of vintage organs. Just

as on a traditional organ, you can create your own sound by increasing and decreasing the levels of the

flute footages. The created Voice can be saved for future recall.

NOTE

The term “footage” is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different

lengths (in feet).

There are three organ types, and each organ type has its own display, which beautifully recreates the actual

appearance of an actual instrument. Each type provides realistic, intuitive control over the sound with

special footage levers, tabs and switches—letting you adjust the sound with much the same feel as on an

actual instrument.

•Vintage: Simulating the iconic sound of an American vintage jazz and rock organ.

•Euro: A well known European Pops organ with the iconic rotary sound captured in the sample.

•Home: A traditional American tabs organ of the 70s and 80s suited for middle-of-the road standards.

1On the Voice Selection display, select the desired Organ Flutes Voice.

Touch the [Organ Flutes] tab in the [Organ] category, and then select the desired Organ Voice.

2Return to the Home display, and then touch (Organ Flutes) located at the

upper right of the Voice name to call up the Organ Flutes Voice Edit display.

3Slide the Footage levers to adjust the footage settings.

The footage settings determine the basic sound of the Organ Flutes.

If you want, you can change the settings such as Rotary Speaker and Vibrato.

Creating Original Organ Flutes Voices

Vintage Euro Home

CVP-909/CVP-905 Owner’s Manual 57

Voices – Playing the Keyboard –

The parameters indicated by “*” are available only for the Vintage and Home type.

NOTE

You can also make Effects and EQ (equalizer) settings. For details, refer to the “VoiceEdit” section in the Reference Manual

on the website (page 9).

4Touch (Save) and save the created Organ Voice.

For instructions on saving, refer to page 32.

NOTICE

The settings will be lost if you select another Voice or turn the power to the instrument off without executing the

Save operation.

NOTE

In addition to the Organ Flutes Voices, other Voices can be edited by calling up the Voice Edit display from the Menu after

selecting the desired Voice. For details, refer to the Reference Manual on the website (page 9).

1Volume Determines the volume of the entire Organ Flutes sound.

2Rotary/

Tremolo*

Alternately switches the Rotary Speaker speed between “Slow” and “Fast.” This

parameter is available only when an effect type which contains “Rotary” in its name

is applied.

3Vibrato* Turns the vibrato on or off, and allows you to adjust the vibrato depth and vibrato

speed.

4Response Adjusts the response speed of both the Attack and Release portions of the sound.

5Attack Switches between two different Attack modes: First and Each, and determines the

length of the Attack sound.

CVP-909/CVP-905 Owner’s Manual

Styles

– Playing Rhythm and Accompaniment –

The instrument features a variety of accompaniment and rhythmic backing patterns (called “Styles”) in a

variety of different musical genres including pop, jazz, and many others. Each Style features Auto

Accompaniment, letting you produce automatic accompaniment playback simply by playing “chords” with

your left hand. This lets you automatically recreate the sound of a full band or orchestra — even if you’re

playing by yourself.

Try out Style accompaniment with the following song. After you understand how to use the Style, try out

other songs by using various Styles.

Mary Had a Little Lamb (Style: Country 8Beat 2)

NOTE

The Fingering type (page 65) of “Multi Finger” (default setting) or “Single Finger” can be used for the example score here; the instructions

hereafter assume one or the other is used.

1On the Home display, touch the Style name to call up the Style Selection

display.

Playing with a Style

CCFC

Ending

CVP-909/CVP-905 Owner’s Manual 59

Styles – Playing Rhythm and Accompaniment –

2Touch the desired Style.

For the example score above, touch [Country & Blues] category and touch [Modern Country],

and then touch [Country 8Beat 2].

The Style category can be selected also by pressing one of the

STYLE buttons.

NOTE

You can change the sub category by pressing the same Style category button

twice or more.

3Make sure that the STYLE CONTROL [ACMP ON/OFF] button is turned on.

When turned on, the specific left-hand section of the keyboard can be used as the Chord

section, and chords played in this section are automatically detected and used as a basis for

fully automatic accompaniment with the selected Style.

NOTE

• The Split Point can be changed as desired (page 54).

• By default, the chord section (Chord Detection Area) is set to the left-hand section, but you can change it to the right-

hand section (page 66) if desired.

• When the [ACMP ON/OFF] button is off, only the rhythm part is played back (auto accompaniment is not played back).

4Return to the Home display, touch [] at the upper left to expand the Style area,

and then touch [ ] (SYNC START) to enable Sync Start.

Here and in the later steps, the operation in the Style area of the Home display can be

controlled by the STYLE CONTROL buttons (page 60).

5Play a chord with your left hand to start the selected Style.

Referring to the notation on page 58, play chords with your left hand and a melody with your

right.

6Touch [R/J] (START/STOP) to stop Style playback.

You can also stop playback by pressing one of the ENDING/rit. [I] – [III] buttons at the “Ending”

location on the notation (page 61).

Chord section

Split Point (FP2 as default)

CVP-909/CVP-905 Owner’s Manual

A Style generally consists of eight parts (channels): rhythm, bass, etc. You can add variations and change

the feeling of a Style by selectively turning channels on/off or by changing the Voices (page 100).

Style File Compatibility

This instrument uses the SFF GE file format (page 8) and can play back existing SFF files; however, they will be saved in the SFF GE

format when the file is saved (or loaded) in this instrument. Please keep in mind that the saved file can only be played back on instruments

that are compatible with the SFF GE format.

To do this, use the on-screen buttons called up by touching [L] in the Style area of the Home display, or

use the STYLE CONTROL buttons.

NOTE

For instructions on adjusting the tempo, refer to page 39.

[ACMP ON/OFF], [AUTO FILL IN] and [SYNC STOP] can be controlled only by using the panel buttons.

Style Characteristics

The Style type and its defining characteristics are indicated on the

Preset Style icon (such as Pro and Session).

For details about these icons, refer to the “StyleSetting” section in the

Reference Manual on the website (page 9).

Style Control Operations

Style Control Style Control

While Style is stopped While Style is playing

STYLE CONTROL buttons

Home display

CVP-909/CVP-905 Owner’s Manual 61

Styles – Playing Rhythm and Accompaniment –

To Start/Stop Playing

[R/J] (START/STOP)

Starts playback of the rhythm part of the current Style. To stop playback, press this

button again.

[ ] (SYNC START)

This puts the Style playback in standby. The Style starts playing back when you play

a chord with your left hand (when [ACMP ON/OFF] is on) or you press any note on

the keyboard (when [ACMP ON/OFF] is off). During Style playback, pressing this

button stops the Style and puts playback in standby.

[SYNC STOP] button

You can start and stop the Style anytime you want by simply playing

or releasing the keys in the chord section of the keyboard. Make sure

that the [ACMP ON/OFF] button is on, press the [SYNC STOP]

button, and then play the keyboard.

NOTE

When the Fingering type (page 65) is set to “Full Keyboard” or “AI Full Keyboard,” Sync Stop cannot be turned on.

INTRO [I] – [III]

The instrument features three different Intro sections to add an introduction before

starting Style playback. After pressing (or touching) one of the INTRO [I] – [III]

buttons, start playback of the Style. When the Intro finishes playing, Style playback

automatically shifts to the Main section.

NOTE

When you select INTRO [II] or [III], you need to play chords in the chord section to play the complete Intro section.

ENDING/rit. [I] – [III]

The instrument features three different Ending sections to add an ending before

stopping Style playback. When you press (or touch) one of the ENDING/rit. [I] – [III]

buttons while a Style is playing back, the Style will automatically stop after the ending

is played. You can have the ending gradually slow down (ritardando) by pressing the

same ENDING/rit. button once again, while the ending is playing.

NOTE

If you press the ENDING/rit. [I] button when the Style is playing, a fill-in automatically plays before ENDING/rit. [I].

Playing back both rhythm and auto accompaniment ([ACMP ON/OFF]

button)

If you turn on the [ACMP ON/OFF] button, both the rhythm part and auto accompaniment

can be played back when playing chords in the chord section during Style playback.

NOTE

• The rhythm does not sound for some Styles. When you want to use any of these Styles, always make sure

that [ACMP ON/OFF] button is turned on.

• By default, [ACMP ON/OFF] is turned on when you turn the power on. You can set whether the [ACMP ON/OFF] button is on or off

when the power is turned on via [Menu]  [StyleSetting]  [Setting]  [ACMP On/Off default].

CVP-909/CVP-905 Owner’s Manual

Changing Variation (Sections) During Style Playback

Each Style features four different Main sections, four Fill-in sections and a Break section. By using these

sections effectively, you can easily make your performance sound more dynamic and professional. The

section can be freely changed while the Style is playing back.

MAIN VARIATION [A] − [D]

Press (or touch) one of the MAIN VARIATION [A] – [D] to select the desired Main section (the button lights

in red). Each is an accompaniment pattern of a few measures and it plays indefinitely. Pressing the selected

MAIN VARIATION button again maintains the same section, but plays an appropriate fill-in pattern to spice

up the rhythm and break the repetition.

[ ] (BREAK)

This lets you add dynamic breaks in the rhythm of the accompaniment. Press this

button during Style playback. When the one-measure Break pattern finishes playing,

the Style playback automatically shifts to the Main section.

Playing Styles Automatically with Custom Chord Progressions

(Chord Looper)

Normally, while playing along with a Style, you play chords in the chord section of the keyboard. However,

by using the Chord Looper function, you can record chord progressions you want to play over, and the Style

can be played back in a loop responding to the chord progression data. For example, if you play the chords

C, F, G and C in order and record it, the Style loops and keeps playing back as “C / F / G / C  C / F / G / C

...” —without the need for you to play chords in the chord section of the keyboard. This extends your

performance capability, letting you play freely with both your left and right hands.

For details, refer to the “ChordLooper” section in the Reference Manual on the website (page 9).

Adding a Fill-in when changing the Main section ([AUTO FILL IN]

button)

When the [AUTO FILL IN] button is turned on, pressing any of the Main [A] − [D] buttons

as you play automatically plays a fill-in section.

About the lamp status of the section buttons (INTRO/MAIN VARIATION/BREAK/

ENDING)

•White: The section is currently selected.

•White (flashing): The section will be played next, following the currently selected section.

* The Main [A] − [D] button lamps also flash in white.

•Blue: The section contains data but is not currently selected.

•Off: The section contains no data and cannot be played.

Press the selected Main section

(lit in white) again.

The fill-in of the selected Main section plays

(flashes in white).

CVP-909/CVP-905 Owner’s Manual 63

Styles – Playing Rhythm and Accompaniment –

One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate

panel settings (Voices or effects, etc.) for the currently selected Style, with the touch of a single button. If

you’ve already decided which Style you wish to use, you can have One Touch Setting automatically select

the appropriate Voice for you.

1Select the desired Style (steps 1– 2 on page 58).

2Press one of the ONE TOUCH SETTING [1] − [4] buttons.

Not only does this instantly call up all the settings (Voices, effects, etc.) that match the current

Style, it also automatically turns on ACMP and SYNC START, so that you can immediately start

playing the Style.

3As soon as you play a chord with your left hand, the selected Style starts.

Each Style has four One Touch Setting setups. Press the other ONE TOUCH SETTING [1] − [4]

buttons to try out other setups.

NOTE

You can change the timing in which the One Touch Settings change with MAIN VARIATION [A] − [D] changes. To do this,

touch [Menu]  [StyleSetting]  [Setting] then set the OTS Link Timing parameter. For details, refer to the Reference

Manual on the website (page 9).

Calling up Panel Settings Appropriate for the Current Style

(One Touch Setting)

Confirming the One Touch Setting Contents

In the Style Selection display, touch (Information) to call up the Information window that shows

what Voices are assigned to the ONE TOUCH SETTING [1] – [4] buttons for the current Style.

You can call up the desired settings also by touching one of the One Touch Settings 1– 4 directly

on the Information window.

NOTE

Gray color for a Voice name indicates that the corresponding Voice part is currently turned off.

Automatically Changing One Touch Settings with the Main Sections

The convenient OTS (One Touch Setting) Link function lets you automatically have

One Touch Settings change when you select a different Main section (A − D). The

Main sections A, B, C and D correspond to One Touch Settings 1, 2, 3 and 4

respectively. To use the OTS Link function, turn the [OTS LINK] button on.

CVP-909/CVP-905 Owner’s Manual

Memorizing original settings to One Touch Setting

You can memorize your original panel settings to the One Touch Setting. The newly created One Touch

Setting will be saved in the User tab as a User Style, and you can call up the One Touch Setting as a part of

the Style file.

1Select the desired Style to memorize your One Touch Setting.

2Make the desired panel settings, such as those for Voices and Effects.

3Press the [MEMORY] button of REGISTRATION MEMORY.

4Press one of the ONE TOUCH SETTING [1] – [4] buttons.

A message appears prompting you to save the panel settings.

5Touch [Yes] to call up the Style Selection display for saving your data, and then

save the current settings as a User Style.

For instructions on saving, refer to page 32.

NOTE

To cancel this operation, touch [No].

NOTICE

The memorized One Touch Setting will be lost if you change to another Style or you turn the power off without

executing the save operation.

CVP-909/CVP-905 Owner’s Manual 65

Styles – Playing Rhythm and Accompaniment –

You can change the Chord Fingering type depending on your playing style.

1Call up the Split Point/Fingering window: [Menu]  [Split&Fingering].

NOTE

The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.

2Touch []/[] to select the desired Fingering Type.

Changing the Chord Fingering Type

Single Finger Lets you easily play chords in the accompaniment range of the keyboard using

only one, two or three fingers. This type is available only for Style playback.

Major chord

Press the root key only.

Minor chord

Simultaneously press the root key and a black key to its left.

Seventh chord

Simultaneously press the root key and a white key to its left.

Minor seventh chord

Simultaneously press the root key and both a white and black

key to its left.

Multi Finger Automatically detects Single Finger or Fingered chord fingerings, so you can

use either type of fingering without having to switch fingering types.

Fingered Lets you finger your own chords on the chord section of the keyboard, while the

instrument supplies appropriately orchestrated rhythm, bass, and chord

accompaniment in the selected Style. The Fingered type recognizes the

various chord types which are listed on the “Split&Fingering” section in the

Reference Manual on the website (page 9) and can be looked up using the

Chord Tutor function called up via [Menu]  [ChordTutor].

Fingered On

Bass

Accepts the same fingerings as Fingered, but the lowest note played in the

Chord section of the keyboard is used as the bass note, allowing you to play

“on bass” chords. (In the Fingered mode, the root of the chord is always used

as the bass note.)

Full Keyboard Detects chords in the entire key range. Chords are detected in a way similar to

Fingered, even if you split the notes between your left and right hands — for

example, playing a bass note with your left hand and a chord with your right, or

by playing a chord with your left hand and a melody note with your right.

CVP-909/CVP-905 Owner’s Manual

NOTE

When the Chord Detection Area is set to “Upper” (see below), only “Fingered*” is available. This type is basically same as

“Fingered,” except that “1+5,” “1+8” and Chord Cancel are not available.

AI Fingered

Basically the same as Fingered, with the exception that less than three notes can

be played to indicate the chords (based on the previously played chord, etc.).

NOTE

Only in the Piano Room, your performance in the Chord section produces the sound of the

selected Voice as well as that of the accompaniment.

AI Full

Keyboard

When this advanced fingering type is engaged, the instrument will

automatically create appropriate accompaniment while you play just about

anything, anywhere on the keyboard using both hands. You don’t have to worry

about specifying the Style chords. Although the AI Full Keyboard type is

designed to work with many songs, some arrangements may not be suitable for

use with this feature. This type is similar to Full Keyboard, with the exception

that less than three notes can be played to indicate the chords (based on the

previously played chord, etc.). 9th, 11th and 13th chords cannot be played.

This type is available only for Style playback.

Specifying Chords with Your Right Hand for Style Playback (Changing the Chord

Detection Area)

By changing the Chord Detection Area from the left-hand section (“Lower”) to the right-hand section (“Upper”),

you can play the bass line with your left hand while using your right hand to control Style playback. For details,

refer to the “Split&Fingering” section in the Reference Manual on the website (page 9).

Major

Minor

Seventh Minor Seventh Major Seventh

Cm7

Dm7

Em7

Fm7

Gm7

Am7

GM7

AM7

BM7

CM7

DM7

EM7

FM7

Bm7

For users who are unfamiliar with chords, this handy chart features common

chords for your quick reference. Since there are many useful chords and many

different ways to use them musically, refer to commercially available chord books

for further details.  Indicates the root note.

Chords

CVP-909/CVP-905 Owner’s Manual 67

Song Playback – Playing and Practice Songs –

Song Playback

– Playing and Practice Songs –

For the Clavinova, “Song” refers to MIDI or audio data which include preset songs, commercially available

music files, etc. Not only can you play back a Song and listen to it, but you can also play the keyboard along

with Song playback.

There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and

Audio Songs.

• MIDI Song

A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual

sound itself. The performance information refers to which keys are played, at what timing, and at what

strength — just as in a musical score. Based on the recorded performance information, the tone generator

(of the Clavinova, etc.) outputs the corresponding sound. Since MIDI Song data contains the information

such as keyboard part and Voice, you can practice effectively by viewing the score, turning the particular

part on or off, or changing Voices.

• Audio Song

An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that

used with voice recorders, etc. Audio data in WAV or MP3 format can be played back on this instrument just

like playing it on your smartphone or portable music player, etc.

Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons

indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.

Example: … Indicates explanation applies only to MIDI Songs.

You can play back the following types of Songs.

• Preset Songs (MIDI Songs)

• Your own recorded Songs (see page 76 for instructions on recording)

• Commercially available Songs: MIDI files in SMF (Standard MIDI File) format, Audio files in WAV or MP3

format.

NOTE

For information on compatible MIDI formats, refer to page 8.

If you want to play back a Song in a USB flash drive, connect the USB flash drive containing Song data to

the [USB TO DEVICE] terminal beforehand.

NOTE

Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

Playback of Songs

WAV 44.1 kHz sample rate, 16 bit resolution, stereo

MP3 MPEG-1 Audio Layer-3: 44.1/48.0 kHz sample rate, 128 – 320 kbps and variable bit rate, mono/

stereo

MIDI Audio

CVP-909/CVP-905 Owner’s Manual

1On the Home display, touch the Song name to call up the Song Selection

display.

2Touch the desired Song on the display to select it.

A Preset Song can be selected from one of the following tabs:

•60 Popular: Various popular Songs divided into several categories

•50 Classics: Various classical Songs included in the “50 Classical Music Masterpieces”

(Music book)

•Lesson: Various Songs suitable for piano practice

The Songs you recorded or the commercially available songs can be selected from one of the

following tabs:

• : Calls up a list of the MIDI Songs

• : Calls up a list of the Audio Songs

NOTE

• The “PianoRoom” folder in the User tab (MIDI) contains the Songs recorded in the Piano Room (page 48).

• On the Song Selection display or the Home display, you can distinguish the data format of the Audio Song by the icon

shown next to the Song name. If it is in MP3 format, “MP3” appears in the icon, and in case of WAV format, nothing is

shown.

3Return to the Home display, touch [R] at the upper right to expand the Song

area, and then touch [R/K] (Play/Pause) to start playback.

Here and in the later steps, the operation in the Song area of the Home display can be

controlled by the SONG CONTROL buttons (page 69).

Viewing Audio Song information

When an Audio Song is selected, touching (Information) on the Song Selection display calls

up the Song Information window which shows the Song title, artist name, etc.

CVP-909/CVP-905 Owner’s Manual 69

Song Playback – Playing and Practice Songs –

4Touch [J] (Stop) to stop playback.

Song Control Operations

To control Song playback, you can use the on-screen buttons called up by touching [R] in the Song area of

the Home display, or use the SONG CONTROL buttons on the panel.

Keep in mind that, unlike with certain panel button operations, you cannot touch two buttons simultaneously

on the display.

NOTE

• For instructions on adjusting the tempo, refer to page 39 for MIDI Songs, and page 75 for Audio Songs.

•For information about [I] (Rec), refer to page 76.

Pause

Press (or touch) [R/K] (Play/Pause) during playback. Pressing it again resumes Song playback from the

current position.

Rewind/Fast Forward

Press (or touch) [LL] (Rewind) or [RR] (Fast forward) during playback or while the Song stopped.

Pressing one of them once moves one measure back/forward for MIDI Songs, or one second for Audio

Songs. Holding one of them scrolls backward/forward continuously.

When you press (or touch) [LL] (Rewind) or [RR] (Fast forward), a setting display appears showing the

current position of the Song.

The Phrase Mark number appears only when a MIDI Song containing Phrase Marks is selected. You can

choose to rewind/fast forward the Song in “Bar” or “Phrase Mark” units by touching the setting display

beforehand.

Queuing the next Song for playback (MIDI Song only)

While a MIDI Song is playing back, you can queue up the next MIDI Song for playback. This is

convenient for chaining it to the next Song smoothly during stage performance. Select the Song

you want to play next in the Song Selection display, while a Song is playing back. The [Next] icon

appears at the right side of the corresponding Song name. To cancel this setting, touch the [Next]

icon.

Song Control

Home display SONG CONTROL buttons

For MIDI Songs For Audio Songs

Current measure number

Phrase Mark number

Elapsed time

CVP-909/CVP-905 Owner’s Manual

NOTE

• The pop-up window mentioned here does not appear when you rewind or fast forward a MIDI Song not having Phrase Marks or an

Audio Song by touching on the display.

•Phrase Mark is a pre-programmed marker in certain MIDI Song data, which specifies a specific location in the Song.

Synchro Start (MIDI Song)

You can conveniently start playback of a MIDI Song as soon as you start

playing the keyboard. While playback is stopped, hold down the SONG

CONTROL [J] (Stop) button and press the [R/K] (Play/Pause) button.

To cancel the Synchro Start function, repeat the same operation.

NOTE

You can also enable the Synchro Start function by holding [R/K] (Play/Pause) in the Song area (when expanded) of the Home display.

You can view the music notation (score) of the selected Song. We suggest that you read through the music

notation before starting to practice.

1Select a MIDI Song (steps 1 − 2 on page 68).

2Call up the Score display via [Menu]  [Score].

You can look through the entire notation by touching [L] or [R] when the Song playback is

stopped. As starting playback, the “ball” bounces along through the score, indicating the current

position.

NOTE

• The instrument can generate and display music notation for MIDI Songs, such as preset Songs, commercially available

music data, and even your recorded performances.

• The displayed notation is generated by the instrument based on the Song data. As a result, it may not be exactly the

same as commercially available sheet music of the same song — especially when displaying notation of complicated

passages or many short notes.

Moving the Song Playback

Position

In the Song area (when expanded) of the

Home display, the current position of the

Song playback is shown. This can be

moved forward or backward by moving

the slider on the display.

Displaying Music Notation (Score)

When an Audio Song is selected:When a MIDI Song is selected:

Current measure

number

Last measure

number Elapsed time Total time

MIDI Audio

For changing the page. For changing the settings of the Score display.

CVP-909/CVP-905 Owner’s Manual 71

Song Playback – Playing and Practice Songs –

Changing the Size of the Score/Displaying Lyrics in a Score

By touching (View Settings) shown on the lower right of the display, you can change the settings of the

Score display, such as changing the size of the score, or displaying note names or lyrics within the score,

and so on. For details on the Score display, refer to the Reference Manual on the website (page 9).

NOTE

Lyrics can be shown only when the MIDI Song contains lyric data.

When the selected Song contains lyric data (for Audio Songs, only those of MP3 format are compatible),

you can view it on the instrument’s display during playback.

1Select a Song (steps 1 − 2 on page 68).

2Call up the Lyrics display via [Menu]  [Lyrics].

When the Song data contains lyrics data, the lyrics are shown on the display. You can look

through the entire lyrics by touching [L] or [R] when Song playback is stopped. As Song

playback starts, the color of the lyrics changes, indicating the current position.

NOTE

The Lyrics can be displayed on an external monitor or television (page 111).

For details on the Lyrics display, refer to the Reference Manual on the website (page 9).

Displaying Lyrics

Displaying Text

Regardless of whether a Song is selected or not, you can view the text file (.txt) created by using a computer

on the instrument’s display ([Menu]  [TextViewer]). This feature enables various useful possibilities, such as

the showing of lyrics, chord names, and text notes. For details on the Text display, refer to the Reference

Manual on the website (page 9).

MIDI Audio

For changing the page.

CVP-909/CVP-905 Owner’s Manual

You can mute the right-hand part to try practicing that part on your own. The explanations here apply when

you practice the right-hand part with “Follow Lights” of the Guide functions. The guide lamps indicate the

notes you should play and when you should play them. You can also practice at your own pace — since the

accompaniment waits for you to play the notes correctly.

NOTE

When the [ACMP ON/OFF] button is turned on, the guide lamps for the left-hand part do not work. As necessary, turn off the [ACMP ON/

OFF] button when using it.

1Select a MIDI Song and call up the Score display (page 70).

2Touch (Playback Settings) to call up the Playback Settings menu.

NOTE

The Playback Settings can also be controlled from the Home display and Lyrics display.

3Touch [Guide] to turn it on.

4Touch [Right] to turn off the right-hand part.

The right-hand part is muted and the Guide for the right-hand part is enabled.

NOTE

Usually, Ch 1 is assigned to [Right], Ch 2 is assigned to [Left], and Ch 3 − 16 are assigned to [Extra], but you can change

which channel is assigned to the right- or left- hand part via [Menu]  [SongSetting]  [Part Ch]. You can turn each

channel on or off from the Mixer display (page 100).

5Press the SONG CONTROL [R/K] (Play/Pause) button to start playback.

Practice the right-hand part at your own pace along with the guide lamps. The playback of the

Left and Extra parts will wait for you to play the notes correctly.

NOTE

The guide lamps light in white for the white keys and in blue for the black keys.

After you’ve finished practicing, touch [Guide] to turn off the Guide function.

One-handed Practice with the Guide Function

MIDI Audio

234

CVP-909/CVP-905 Owner’s Manual 73

Song Playback – Playing and Practice Songs –

The Song Repeat functions can be used to repeatedly play back a Song or a specific range of measures in

a Song. This function controlled in the Song area (when expanded) of the Home display is useful for

repeated practicing of difficult-to-play phrases.

NOTE

When a MIDI Song is selected, you can control Repeat playback also on the Playback Settings menu called up from the Score display or

Lyrics display (page 72).

Playing an Entire Song Repeatedly

To repeat an entire Song, turn on (A-B Repeat) in the display and start playback of the Song.

To cancel Repeat playback, turn off (A-B Repeat).

Specifying a Range of Measures and Playing them Back Repeatedly (A-B

Repeat)

1Select a Song (steps 1 − 2 on page 68).

2Touch [R/K] (Play/Pause) to start playback.

3Specify the repeat range.

When playback reaches the point you want to specify as the starting point (A), turn on (A-B

Repeat). When playback reaches the point you want to specify as the ending point (B), touch

(A-B Repeat) again. The range from Point A to Point B will be played back repeatedly. For

MIDI Songs, an automatic lead-in (to help guide you into the phrase) is added before Point A.

Other guide functions

In addition to the “Follow Lights” function explained above, there are more functions in the Guide features, for

practicing the timing of playing the keys (Any Key mode), for Karaoke or for practicing a song at your own

pace (Your Tempo). You can select the functions via [Menu]  [SongSetting]  [Guide]  [Type].

For more information, refer to the Reference Manual on the website (page 9).

Repeat Playback

MIDI Audio

CVP-909/CVP-905 Owner’s Manual

NOTE

• When you want to repeat from the top of the song to somewhere in the middle of the song:

1. Turn on the A-B Repeat icon, and then start Song playback.

2. Touch the A-B Repeat icon again at the desired ending point (B).

• Specifying only Point A results in repeat playback between Point A and the end of the Song.

4Touch [J] (Stop) to stop playback.

The Song position will return to Point A.

After your practice, turn off (A-B Repeat).

Playing Multiple Songs Repeatedly

You can play several songs repeatedly. Select “All” or “Random” in “Repeat Mode” ([Menu]  [SongSetting]

 [Play]), and then touch [R/K] (Play/Pause) to start playback. All Songs saved in a designated folder will

then be played repeatedly in either consecutive order or random order. To reset the repeat setting, select

“Off” in “Repeat Mode.”

Like the Transpose function (page 41) of the MIDI Song, the pitch of an Audio Song in the USB flash drive

can be adjusted in semitone steps (from −12 to 12) on the Home display.

1Connect the USB flash drive containing Audio Songs to the [USB TO DEVICE]

terminal.

NOTE

Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

2Select an Audio Song (steps 1 – 2 on page 68).

Specifying the repeat range while Songs are stopped

1. Fast-forward the Song to Point A then turn on (A-B Repeat).

2. Fast-forward the Song to Point B then touch (A-B Repeat) again.

Adjusting the Pitch in Semitones (Pitch Shift)

Top of the Song End of the Song

MIDI Audio

CVP-909/CVP-905 Owner’s Manual 75

Song Playback – Playing and Practice Songs –

3In the Song area (when expanded) of the Home display, touch (Pitch Shift)

to call up the Setup window.

NOTE

Pitch Shift cannot be applied to MP3 files of 48.0 kHz sample rate.

4 Set the value by touching [L]/[R].

Like Tempo adjustment of a MIDI Song (page 39), you can adjust the playback

speed of an Audio Song in USB flash drive by stretching or compressing it.

To do this, select an Audio Song then touch (Time Stretch) in the Song area of

the Home display to call up the Setup window. Touch [L]/[R] in this window to set

the value (from 70% to 160%). Higher values result in a faster tempo.

NOTE

Playback speed cannot be changed for MP3 files of 48.0 kHz sampling rate.

You can cancel or attenuate the center position of the stereo sound. This lets you

sing “karaoke” style with just instrumental backing, or play the melody part on the

keyboard, since the vocal sound is usually at the center of the stereo image in most

recordings.

To turn the Vocal Cancel function on/off, first select an Audio Song, and then turn on/

off (Vocal Cancel) in the Song area of the Home display.

NOTE

•Though the Vocal Cancel function is highly effective on most audio recordings, the vocal sound on some songs may not be completely

canceled.

•Vocal cancel does not affect the Audio Input Sound (page 107) from external devices.

Adjusting the Playback Speed (Time Stretch)

Canceling the Vocal Part (Vocal Cancel)

MIDI Audio

CVP-909/CVP-905 Owner’s Manual

Song Recording

– Recording Your Performance –

This instrument allows you to record your performance in the following two methods.

• MIDI Recording

With this method, recorded performances are saved to the User memory of the instrument or a USB flash drive as

an SMF (format 0) MIDI file. If you want to re-record a specific section or change Voices and edit other

parameters, use this method. Also if you want to record your performance to each channel one by one, execute

Multi Track Recording of the MIDI recording method. Since a MIDI Song can be converted to an Audio Song after

recording (page 85), you may want to use MIDI recording (with overdubbing and multiple parts) to first create a

complex arrangement you would not otherwise be able to play live, and then convert it to an Audio Song. This

instrument allows you to record approximately 3 MB per Song.

• Audio Recording

With this method, recorded performances are saved to the User memory of the instrument or a USB flash drive as

Audio files. Since they are saved in stereo WAV format of normal CD quality resolution (44.1 kHz/16-bit) by

default, they can be transmitted to and played on portable music players by using a computer. The sound input

from [MIC/LINE IN] jack, [AUX IN] jack, etc. is also recorded, so you can record your singing voice through the

microphone or the sound played back on the connected audio device. The file format can be changed to MP3 via

[Menu]  [SongSetting]  [Rec]  [Audio Rec Format]. This instrument allows you to record up to 80 minutes per

single recording.

NOTE

For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the website (page 9).

Before recording, make the necessary settings such as Voice/Style selection (for MIDI Recording and Audio

Recording) and the microphone connection (only for Audio Recording, if you want to record your vocal). As

necessary, connect the USB flash drive to the [USB TO DEVICE] terminal, especially if you want to execute

Audio Recording.

NOTE

Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

Quick and easy recording of your piano performance

If you simply want to play a piano piece and record it without having to make any complicated settings, you

can do this by recording in the Piano Room. In this special display, you can start recording with just a single

touch. For details, refer to page 48.

Basic Procedure for Recording (MIDI/Audio Recording)

Before starting Audio Recording:

In Audio Recording, the performance data is automatically saved to the USB flash drive or User memory while

recording. If you want to save the data to a USB flash drive, connect the USB flash drive to the [USB TO

DEVICE] terminal beforehand. If it is not connected, the recorded data is automatically saved to User memory.

CVP-909/CVP-905 Owner’s Manual 77

Song Recording – Recording Your Performance –

1Make the necessary settings such as Voice and Style selection.

2On the Home display, touch [] at the upper right to expand the Song area, and

then touch [I] (Rec) to call up the Song Recording window.

NOTE

•The Song Recording window can be called up also by pressing the SONG CONTROL [I] (Rec) button. Here and in the

later steps, the operation in the Song area of the Home display can be controlled by the SONG CONTROL buttons

(page 69).

• On the Song Recording window, touching the triangle at the left of “Channel” lets you expand or close the Channel (part)

area.

3Touch [New MIDI] for MIDI recording, or [New Audio] for Audio recording to

select the desired recording type.

When a MIDI Song has been selected, [Overwrite MIDI] also appears in the window. Selecting it

allows you to add or overwrite data of the selected MIDI Song.

NOTE

If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before going

on to the next step.

4Start recording.

With MIDI Recording, you can start recording either by playing the keyboard or touching [Rec

Start]. With Audio Recording, start recording by touching [Rec Start].

You can also start recording by pressing the SONG CONTROL [R/K] (Play/Pause) button.

Part Assignment to Channels (MIDI Recording)

With MIDI Recording, you can record your performance to each channel one by one (page 82). When you execute MIDI

Recording without specifying the part as explained here, the keyboard parts will be recorded to channels 1 – 3 and the Style

parts will be recorded to channels 9 – 16.

5Play the keyboard.

CVP-909/CVP-905 Owner’s Manual

6After you finish your performance, touch [J] (Stop) on the Home display to stop

recording.

7To hear the recorded performance, touch [R/K] (Play/Pause).

8Save the recorded performance.

In MIDI Recording

After recording, (Save) appears in the Song area of the Home display. This icon indicates

that recorded data exists but has not yet been saved.

8-1 On the Home display, touch (Save) shown in the Song area to call up the

display for selecting a destination to save the recorded Song.

8-2 Save the recorded data as a file by following the instructions on page 32,

steps 2 – 5.

MIDI Songs can be saved to (User MIDI Song tab).

NOTICE

The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the

save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).

In Audio Recording

Since the Audio Song file is automatically saved to the USB flash drive or User memory while

recording, the Save operation is not required. The recorded Audio Song will appear in the

(User Audio Song tab) on the Song Selection display. If desired, rename the file

name by following the instructions on page 33.

Re-recording a Specific Section of the MIDI Song

You can re-record a specific section of an already-recorded MIDI Song. For details, refer to the

“SongSetting” section in the Reference Manual on the website (page 9).

(MIDI Recording only)

CVP-909/CVP-905 Owner’s Manual 79

Song Recording – Recording Your Performance –

With MIDI Recording, you can create a MIDI Song which consists of 16 channels (parts) by recording each

channel independently, allowing you create a complete piece which may be difficult to play live. For

example, you can record the right-hand part first and then record the left-hand part while listening to the

already recorded right-hand part, or you can record the Style playback first and then record melodies while

listening to the already recorded Style playback.

Here, you will learn how to record right-hand and left-hand parts separately. If you want to specify the

channels and parts to record, refer to page 82 for instructions.

1Make necessary settings and call up the Song Recording window, and then

touch [New MIDI] (steps 1 − 3 on page 77).

2Touch [R] at the left of “Channel” to expand the Channel area.

3Touch [Right Hand] to specify the target channels for recording the right-hand

parts.

Touching [Right Hand] sets “Main” and “Layer” to [Rec], and other parts to [Off]. The target

channel for recording is automatically set in this way: Main part to channel 1, and Layer part to

channel 3. If the Layer part is turned off from the Home display, the Layer part will not be

recorded even when the Layer part is set to [Rec] here (silence will be recorded to the channel).

NOTE

• The target channels are automatically set here, however, you can also specify the channels to which each part will be

recorded (page 82).

• If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before

going on to the next step. The [Rec]/[Off] and channel settings will also be canceled.

4Play the keyboard with your right hand to start recording.

You can also start recording by touching [Rec Start] or pressing the SONG CONTROL [R/K]

(Play/Pause) button.

Independently Recording the Right- and Left-hand Parts

(MIDI Recording)

CVP-909/CVP-905 Owner’s Manual

5After you finish your performance, touch [J] (Stop) on the Home display to stop

recording.

6To hear the recorded performance, touch [R/K] (Play/Pause).

If you want to record the right-hand performance from scratch, return to step 1.

Since recording of the right-hand part is completed, go on to the next step to record the left-

hand part.

7Touch [I] (Rec) to call up the Song Recording window, and then confirm that

[Overwrite MIDI] is selected.

8Touch [Left Hand] to specify the target channel for recording the left-hand part.

When the Left part is turned off from the Home display

Touching [Left Hand] sets “Main” and “Layer” to [Rec], and other parts to [Off]. The target

channel for recording is automatically set in this way: Main part to channel 2, and Layer part to

channel 4. If the Layer part is turned off from the Home display, the Layer part will not be

recorded even when the Layer part is set to [Rec] here (silence will be recorded to the channel).

CVP-909/CVP-905 Owner’s Manual 81

Song Recording – Recording Your Performance –

When the Left part is turned on from the Home display

Touching [Left Hand] sets only “Left” to [Rec], and other parts to [Off]. The target channel for

recording Left part is automatically set to channel 2.

NOTICE

Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To

check whether each channel has recorded data or not, first cancel recording, and then play back the Song while

viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain

data will flash during Song playback.

NOTE

If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before going

on to the next step.

9Play the keyboard with your left hand to start recording.

You can also start recording by touching [Rec Start] or pressing the SONG CONTROL [R/K]

(Play/Pause) button.

10 After you finish your performance, touch [J] (Stop) on the Home display to stop

recording.

11 To hear the recorded performance, touch [R/K] (Play/Pause).

If you want to re-record only the left-hand performance, return to step 7.

12 On the Home display, touch (Save) shown in the Song area to save the

recorded performance.

When the display for selecting a destination appears, save the recorded data as a file by

following the instructions on page 32, steps 2 – 5.

NOTICE

The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the

save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).

CVP-909/CVP-905 Owner’s Manual

With MIDI Recording, you can create a MIDI Song which consists of 16 channels (parts) by recording each

channel independently, allowing you create a complete piece. By default, keyboard parts are assigned to

channels 1 − 3, and Style parts such as rhythm and bass are assigned to channels 9 − 16. Here, you will

learn how to specify the channel and part for recording as you like, and overdub the channels one by one.

NOTE

If you want to add channel data to an existing Song, select the desired Song, make necessary settings, and then go on to step 7 here.

1Make necessary settings and call up the Song Recording window, and then

touch [New MIDI] (steps 1 – 3 on page 77).

If you want to re-record an existing MIDI Song, select the desired MIDI Song before calling up

the Song Recording window. After doing that, touch [Overwrite MIDI].

2Touch [] at the left of “Channel” to expand the Channel area.

3Specify the target channel and part for recording.

3-1 From the display, set the part or parts you intend to record to [Rec], and set

all other parts to [Off].

For example, if you want to record only the Style parts, set all Style parts to [Rec], and all

keyboard parts to [Off].

3-2 Touch the channel number under the part(s) you set to [Rec] in step 3-1. In

the setting display that appears, specify the channel (1 – 16) for recording.

NOTICE

Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To

check whether each channel has recorded data or not, first cancel recording, and then play back the Song while

viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain

data will flash during Song playback.

NOTE

• Multiple parts can not be recorded to one channel.

•If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [I] (Rec) button before

going on to the next step. The [Rec]/[Off] and channel settings will also be canceled.

Recording to Specific Channels (MIDI Recording)

3-1

3-2

For quickly specifying recording parts

CVP-909/CVP-905 Owner’s Manual 83

Song Recording – Recording Your Performance –

4Play the keyboard to start recording.

Make sure to play the part(s) you specified in step 4. You can also start recording by touching

[Rec Start] or pressing the SONG CONTROL [R/K] (Play/Pause) button.

5After you finish your performance, touch [] (Stop) on the Home display to stop

recording.

6To hear the recorded performance, touch [R/K] (Play/Pause).

Since recording of the first part is now completed, you can record another part. Make sure to

make any necessary settings, and then go on to the next step.

Specifying recording parts quickly

Touching the buttons at the bottom left ([Keyboard All], [Style All], [Left Hand] or [Right Hand]) can

set [Rec]/[Off] for multiple parts at once. This is convenient when you to separately record the

Style parts and the keyboard parts, or the right-hand parts and the left-hand part.

•[Keyboard All]: You can turn all of the Keyboard parts (Main, Left and Layer) [Rec] or [Off]

together.

•[Style All]: You can turn all of the Style parts [Rec] or [Off] together.

•[Right Hand]: This can be selected when recording only the right-hand part. The Main part of

the Voice will be recorded to channel 1, and the Layer part will be recorded to channel 3.

•[Left Hand]: This can be selected when recording only the left-hand part. The Left part of the

Voice will be recorded to channel 2. When the Left part of the Voice is off, the Main part will be

recorded to channel 2 and the Layer part will be recorded to channel 4.

CVP-909/CVP-905 Owner’s Manual

7Touch [I] (Rec) to call up the Song Recording window, and then confirm that

[Overwrite MIDI] is selected.

8Specify the next target channel and part for recording, and record your

performance (steps 3 – 6).

As soon as you start recording, the previously recorded channel also starts playback. You can

set whether to play back the previously recorded channel(s) in the Mixer display (page 100).

NOTICE

Previously recorded data will be overwritten if you set channels which already have recorded data to [Rec]. To

check whether each channel has recorded data or not, first cancel recording, and then play back the Song while

viewing the [Song Ch1-8] tab and [Song Ch9-16] tab on the Mixer display. The lamps of the channels which contain

data will flash during Song playback.

9As necessary, repeat steps 7 – 8 to record other channels.

NOTE

To delete the recorded channel data, select the desired channel and start recording, and then touch [J] (Stop) to stop

recording without playing the keyboard.

10 On the Home display, touch (Save) shown in the Song area to save the

recorded performance.

When the display for selecting a destination appears, save the recorded data as a file by

following the instructions on page 32, steps 2 – 5.

NOTICE

The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the

save operation. This also occurs when the power is turned off by the Auto Power Off function (page 19).

CVP-909/CVP-905 Owner’s Manual 85

Song Recording – Recording Your Performance –

You can convert a recorded MIDI Song in the User memory or USB flash drive to an Audio Song.

Conversion is executed by playing back the MIDI Song and re-recording it as an Audio Song. By default, the

converted data is saved in WAV format, in the same way as Audio recording (page 76).

NOTE

Before using a USB flash drive, be sure to read “Connecting USB Devices” on page 103.

1Call up the Song Selection display which contains the MIDI Song to be

converted.

2Touch [File] to call up the File Management icons.

3Enter a checkmark to the MIDI Song to be converted.

NOTE

Audio Conversion can only be done one file at a time.

4Touch (Audio Convert) to call up the Song Selection display for selecting

the Save destination.

5Specify the Save destination location.

To show the next higher level folder, touch (Above).

You can add a new folder by touching (New Folder).

6Touch [Convert] to start conversion.

This operation starts playback and conversion from MIDI to audio. If you play the keyboard or

input audio signals via a microphone, the [AUX IN] jack, etc. during conversion, these sounds

will also be recorded.

When conversion is completed, the message indicating that the conversion is being executed

will no longer be shown in the display, and the newly created new Audio Song is shown in the

Song Selection display.

Converting a MIDI Song to an Audio Song

2 43

CVP-909/CVP-905 Owner’s Manual

Microphone

– Adding Vocal Harmony Effects to Your Singing –

By connecting a microphone to the [MIC/LINE IN] jack (standard mono phone jack), you can enjoy singing

along with your keyboard performance or with Song playback. The instrument outputs your vocals through

the built-in speakers. Moreover, you can automatically apply various Vocal Harmony effects to your voice as

you sing.

1Before turning on the power of the

instrument, set the [INPUT VOLUME]

knob to the minimum position.

2Connect the microphone to the [MIC/

LINE IN] jack.

NOTE

Make sure you have a conventional dynamic microphone.

3Set the [MIC/LINE] switch to “MIC.”

4Turn on the power of the instrument.

5(If necessary, turn on the microphone.)

Adjust the [INPUT VOLUME] knob

while singing into the microphone.

Adjust the control while checking the [MIC] lamp on the panel. Make sure to adjust the control

so the lamp lights in blue. Make sure that the lamp does not light in red, since this indicates that

the input level is too high.

6On the Balance display (page 42), adjust the volume balance between the

microphone sound and the instrument sound.

NOTE

Before turning the power off, make sure to set the [INPUT VOLUME] knob to the minimum position.

Connecting a Microphone

Disconnecting the microphone

1. Set the [INPUT VOLUME] knob to the minimum position.

2. Disconnect the microphone from the [MIC/LINE IN] jack.

Standard mono phone

plug (1/4")

CVP-909/CVP-905 Owner’s Manual 87

Microphone – Adding Vocal Harmony Effects to Your Singing –

The Vocal Harmony feature lets you add harmonies to your singing voice, input via the microphone sound.

1Connect the microphone to the instrument (page 86).

2Call up the Vocal Harmony display via [Menu]  [VocalHarmony].

NOTE

The display shown at left is called up when the Harmony Mode is set to “Vocoder.” A different display appears when the

Harmony Mode is set to “Chordal.”

3Make sure that Harmony is set to “On.”

4Touch the Vocal Harmony name to call up the Vocal Harmony Selection display.

5Select a Vocal Harmony type.

The Vocal Harmony features three different Modes which can be selected automatically by

selecting a Vocal Harmony type.

Harmony mode

Icons shown in the Vocal Harmony Selection display indicate the following meanings.

• (Blue): Vocal Harmony type of Chordal mode.

• : Vocal Harmony type of Vocoder mode.

• : Vocal Harmony type having unusual effects, such as a robotic voice.

• (Gray): Vocal Harmony type without any effect.

NOTE

For details on Vocal Harmony types, refer to the Data List on the website (page 9).

Applying Vocal Harmony Effects to Your Voice

Chordal The harmony notes are determined by the chords you play in the chord

section (with [ACMP ON/OFF] turned on), the left hand section (with [ACMP

ON/OFF] turned off and the Left part turned on) or chord data of Song.

Vocoder The microphone sound is output via the notes you play on the keyboard or

the Song playback notes.

Vocoder-Mono Same as the Vocoder basically. In this mode, only single-note melodies or

lines can be played back (with last-note priority).

6-1

Mode

Vocal Harmony

name

(When the Mode is set to “Vocoder” or

“Vocoder Mono”)

CVP-909/CVP-905 Owner’s Manual

6Follow the steps below, depending on which Type (and mode) you selected.

If you selected the Chordal type:

6-1 Make sure that the [ACMP ON/OFF] button is turned on.

6-2 Play back a Style, or play back a Song which contains chords.

Vocal harmonies based on the chords are applied to your singing.

If you selected the Vocoder or Vocoder-Mono type:

6-1 As necessary, change the “Keyboard” setting to “Off,” “Upper,” or “Lower.”

When “Upper” or “Lower” is selected, playing the right-hand or left-hand section of the

keyboard will control the Vocoder effect. When “Off” is selected, playing the keyboard will

not control the Vocoder effect.

6-2 Play melodies on the keyboard or play back a Song, and sing into the

microphone.

You’ll notice that you don’t actually have to sing pitched notes. The Vocoder effect takes

the words you say and applies them to the pitch of the instrument sounds.

Using the Talk Function

This function lets you instantly change the microphone settings for talking or making

announcements between song performances.

To call up the Talk setting, touch [Talk] located at the left on the Vocal Harmony display. To

recall the Vocal Harmony settings, touch [Vocal] and turn it on.

NOTE

You can adjust the microphone settings for Talk on the Mic Setting display called up via [Menu]  [MicSetting].

To get the most convenient use of this function, assign one of the pedals or ASSIGNABLE buttons to “Talk

On/Off” ([Menu]  [Assignable]). For details, refer to the Reference Manual on the website (page 9).

Useful functions for Karaoke

• Lyrics on the display ..........page 71

• Transpose, Pitch Shift ........pages 41, 74

• Vocal Cancel......................page 75

CVP-909/CVP-905 Owner’s Manual 89

Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –

Registration Memory/Playlist

– Saving and Recalling Custom Panel Setups –

The Registration Memory function allows you to save (or “register”) panel settings such as Voice and Style

to a Registration Memory button, and then instantly recall your custom panel settings by simply pressing a

single button. When you’ve saved lots of data to the Registration Memory, use the Playlist to manage your

repertoire so that you can quickly call up the desired Registration Memory for each piece of music.

Registration Memory (page 90)

You can register your custom panel settings to each of the Registration Memory [1] – [8] buttons. You can

also save all eight registered panel setups as a single Registration Memory Bank file. If you select a

Registration Memory Bank file beforehand, you can easily call up the registered settings simply by pressing

a button during your performance.

Playlist (page 94)

The Playlist function allows you to create custom performance lists. A Playlist contains links to call up

Registration Memory Bank files for each piece you play. Each link to the Registration Memory is called a

“Record,” and you can collectively store the Playlist Records as a single Playlist file. Each Playlist Record

can directly recall a specified Registration Memory number in the selected Registration Memory Bank file.

By using the Playlist, you can select only the desired files from the huge number of the Registration Memory

Bank files without changing the bank file configuration.

NOTE

By importing Music Finder Records (.mfd) used on previous Yamaha digital pianos (such as CVP-709, CVP-705, etc.), you can use the

Records on the Playlist of this instrument, just like using the Music Finder function on those other instruments. For details, refer to the

“Playlist” section in the Reference Manual on the website (page 9). For details on using Music Finder, refer to the Owner’s Manual of the

Yamaha digital piano which contains your desired Music Finder Records.

Panel settings can be saved to a single button.

Bank 01

Save

Recall Registration

Bank file

Playlist file 01

: Link to call up

Record 01

Record 02

Record 03

Registration Memory Bank files

Bank 01

Bank 02

CVP-909/CVP-905 Owner’s Manual

Registering Your Panel Setups

1Set up the panel controls (such as Voice, Style and so on) as desired.

Refer to “Parameter Chart” in the Data List on the website (page 9) for a list of parameters that

can be registered with the Registration Memory function.

2Press the [MEMORY] button in the REGISTRATION MEMORY section to call up

the Registration Memory window.

3Press the desired REGISTRATION MEMORY [1] – [8] button to which you wish

to memorize the panel setup.

Memorized buttons are lit in red, indicating that the number button contains data and its number

is selected.

NOTICE

If you select the button whose lamp is lit in red or green here, the panel setup previously memorized to the button

will be erased and replaced by the new settings. Hence, you should memorize panel setups only to buttons that are

turned off.

4Register various panel setups to other buttons by repeating steps 1 – 3.

The registered panel setups can be recalled by simply pressing the desired number button.

NOTE

You can also disable recall of specific item(s) when calling up the registered panel setups: [Menu]  [RegistFreeze].

Saving and Recalling Custom Panel Setups with Registration

Memory

Selecting the items to be registered

Touching [] at the bottom left of the window calls up the list for selecting the items to be

registered. Before going on to step 3, enter or remove checkmarks by touching the desired items.

Items having checkmarks will be registered.

About the lamp status

•White: Data registered and currently selected

•Blue: Data registered but not currently selected

•Off: No data registered

Displays or hides the list of items

CVP-909/CVP-905 Owner’s Manual 91

Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –

Saving the Registration Memory as a Bank File

All of the panel settings are registered to the eight Registration Memory buttons as a single Bank file.

1On the Home display, touch [] at the upper right corner to show the

Registration area, and then touch the area to call up the Registration Bank

Selection display.

NOTE

In general, Registration Memory data (Bank files) is compatible between the CVP-909/CVP-905 and CVP-809/CVP-805.

However, the data may not be perfectly compatible, depending on the specifications of each model.

The Registration Bank Selection display can be called up also by pressing the REGIST BANK

[+] and [−] buttons simultaneously.

2Touch (Save) to save the Bank file.

For instructions on saving, refer to page 32.

NOTE

If you rename, move or delete the Registration Bank file which is linked to a Playlist Record, the Registration Memory Bank

cannot be called up from the Playlist.

Recalling a Registered Panel Setup

The saved Registration Memory Bank files can be recalled by using the REGIST BANK [−]/[+] buttons or the

following procedure.

NOTE

• When recalling setups that include Song, Style or text files selected from a USB flash drive, make sure that the appropriate USB flash

drive containing the registered Song, Style or text is connected into the [USB TO DEVICE] terminal. Before using a USB flash drive, be

sure to read “Connecting USB Devices” on page 103.

• You can also call up the eight setups by using pedals in any order you specify via [Menu]  [RegistSeq]. For details, refer to the

Reference Manual on the website (page 9).

1Call up the Registration Bank Selection display (step 1 on page 91).

2Touch and select the desired Bank on the display.

You can also use the REGIST BANK [−]/[+] buttons to select a Bank.

3Press one of the blue-lit numbered buttons ([1] – [8]) in the Registration Memory

section.

CVP-909/CVP-905 Owner’s Manual

Confirming the Registration Memory Information

You can call up the information window to confirm which Voices and Style are memorized to the [1] – [8]

buttons of a Registration Memory Bank.

1Call up the Registration Bank Selection display, and then select the desired

Bank.

2Touch (Information) to call up the Registration Bank Information window.

This display consists of two pages: Voice-related and Style-related. You can alternate between

the two via []/[].

NOTE

If a certain Voice part is set to off, the Voice name for the corresponding part is shown in gray.

Select one of the Registration Memory numbers and touch the following icon to edit it.

• : Rename it.

• : Delete the data.

• : Add Tags (page 93) or edit it.

Filtering a Search for Registration Bank Files

On the Registration Bank Selection display, you can quickly find a desired file by filtering the search results

(page 36).

1On the Search display for the Registration Memory Bank files (page 36), touch

(Filter).

For switching the pages.

CVP-909/CVP-905 Owner’s Manual 93

Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –

2Enter the search options in the box.

•Tag: Enter tags (see below) to the box, or select tags from the list by touching [Existing Tag

List]. If you want to enter multiple tags to the box, insert a space between each tag.

•Song: Enter the Song name.

•Style: Enter the Style name.

•Style Tempo: Enter the Style tempo range.

To clear each search query, touch [Clear]. To clear all, touch [All Clear].

3Touch (Filter) to show the search result.

Adding Tags on Registration Memory Bank for Search

The tags of Registration Memory Banks help you to quickly find desired files when searching.

1On the Registration Bank Information window (page 92), touch (Tag) to call

up the Tag Edit window.

2Touch [New Tag] to call up the Character Entry window, and then enter the

desired text.

If you have already added any tags to another Registration Memory Bank file, existing tags

appear in the list and can be selected by entering checkmarks. It may take some time for the list

to be shown.

3Touch (Save) to register the tag information to the Registration Memory

Bank file.

Existing tag list

CVP-909/CVP-905 Owner’s Manual

The Playlist is useful for managing multiple set lists for your performances. You can select only the desired

files from a large repertoire (the huge number of the Registration Memory Bank files) and create a new set

list for each performance.

Adding a Record (Link to a Bank file) to a Playlist

By adding Records to a Playlist, you can directly recall desired Registration Memory Bank files from the

Playlist for each performance.

1Call up the Playlist display via [Menu]  [Playlist].

The Playlist file which was selected the last time appears. (The sample preset Playlist will

appear for the first time.)

2If you want to create a new Playlist, touch (New).

3Add a Record to the Playlist.

To add a Record via the Registration Bank Selection display:

3-1 Touch Add Record [List] to call up the Registration Bank Selection display.

3-2 Select the desired Bank file to register as a Playlist Record. Touching [Add

to Playlist] closes the display, and the new Record is added to the bottom of

the Playlist.

To add a Record by using the search function

3-1 Touch Add Record [Search] to search for the desired Registration Bank file.

3-2 From the search result, select the desired file. Touching [Add to Playlist]

closes the display, and the new Record is added to the bottom of the

Playlist.

Using Playlists to Manage a Large Repertoire of Panel Setups

CVP-909/CVP-905 Owner’s Manual 95

Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –

4If necessary, edit the Record.

The newly added Playlist Record simply recalls the selected registration Bank file. If you want to

set more detailed settings (such as directly recalling a specified Registration Memory number),

you can edit the Record.

4-1 Touch [Edit] to call up the Record Edit window.

4-2 Touch to edit the Record.

4-3 Touch [Close] to close the Record Edit display.

5Touch (Save) to save the added Record to the current Playlist file.

To recall the registered Record, select the desired Record on the Playlist display (page 96).

(Record

name)

Determines the name of the Record. Touching [Rename] calls up the Character

Entry window.

Action Additional actions after selecting the Record and recalling the Bank.

•Load Registration Memory: Recalls the Registration Memory corresponding to

the number selected here. When no item is selected, no Registration Memory is

recalled.

•View: Displays the view (score, lyrics or text) selected here. When no item is

selected, no view is displayed.

NOTE

This setting is shown at right of the Record name on the Playlist display.

Record name

File path of the Registration

Bank file linked to the Record.

This file will be recalled by

selecting the Record.

CVP-909/CVP-905 Owner’s Manual

Recalling Custom Panel Setups via the Playlist

1Call up the Playlist display via [Menu]  [Playlist].

2Touch the Playlist name to call up the Playlist Selection display.

3Select the desired Playlist file.

4Select the Record name on the Playlist display, and then touch [Load].

The Registration Memory Bank registered as the Playlist Record is recalled and the Action

you’ve made (page 95) is executed. You can load the Record also by touching the desired

Record name twice.

Touching [Info] calls up the Registration Bank Information window (page 92).

Changing the Order of the Records in the Playlist

1On the Playlist display, touch the desired Record to move.

2Touch [Up] or [Down] to move the Record you selected in step 1.

3Touch (Save) to save the edited Playlist file.

Disabling Recall of Specific Panel Setups in the Registration Memory

Touching (Freeze) at the upper right of the display calls up the Registration Freeze display.

For details, refer to the “RegistFreeze” section in the Reference Manual on the website (page 9).

Registration Memory number called up

when the Record is loaded.

Display called up after loading the Record.

CVP-909/CVP-905 Owner’s Manual 97

Registration Memory/Playlist – Saving and Recalling Custom Panel Setups –

Deleting the Record from the Playlist

1On the Playlist display, touch the desired Record to delete.

2Touch [Delete].

A confirmation message appears. If you want to cancel the operation, touch [No] here.

3Touch [Yes] to delete the Record.

4Touch (Save) to save the edited Playlist file.

Copying the Playlist Records from Another Playlist (Append Playlist)

“Append Playlist” allows you to copy the existing Playlist file and add it to the current Playlist file.

1Touch [Append Playlist] to call up the Playlist File Selection display.

2Touch the desired Playlist file to append.

A confirmation message appears. If you want to cancel the operation, touch [No] here.

3Touch [Yes] to add the Records.

All Records in the selected Playlist file are added at the bottom of the current Playlist.

4Touch (Save) to save the appended Records to the current Playlist file.

CVP-909/CVP-905 Owner’s Manual

Mixer

– Editing the Volume and Tonal Balance –

The Mixer gives you intuitive control over aspects of the keyboard parts and Song/Style channels, including

volume balance and the timbre of the sounds. It lets you adjust the levels and stereo position (pan) of each

Voice to set the optimum balance and stereo image, and lets you set how the effects are applied.

This chapter covers the basic procedures for the Mixer. For details, refer to the Reference Manual on the

website (page 9).

1Call up the Mixer display via [Menu]  [Mixer].

2Touch a tab for editing the balance among the desired parts.

Basic Procedure for the Mixer

Panel Use this display when you want to adjust the balance among the entire Song

part, entire Style part, Mic part, Audio Input part, Main part, Layer part and Left

part.

Style Use this display when you want to adjust the balance among the parts of the

Style.

• Rhythm1, Rhythm2

These are the basic parts of the Style, containing the drum and percussion

rhythm patterns.

• Bass

The bass part uses various appropriate instrument sounds to match the Style.

• Chord1, Chord2

These comprise the rhythmic chord backing, commonly consisting of piano or

guitar Voices.

• Pad

This part is used for sustained instruments such as strings, organ, choir, etc.

• Phrase1, Phrase2

These parts are used for punchy brass stabs, arpeggiated chords, and other

extras that make the accompaniment more interesting.

Song Ch1-8 /

9-16

Use this display when you want to adjust the balance among all the parts of the

MIDI Song. This is available only when a MIDI Song is selected.

CVP-909/CVP-905 Owner’s Manual 99

Mixer – Editing the Volume and Tonal Balance –

3Touch a tab for editing the desired parameters.

When a tab other than “Master” is selected in step 2:

When “Master” is selected in step 2:

4Set the value of each parameter.

NOTE

To reset each parameter to the default value, touch the number value or setting and hold it.

5Save your Mixer settings.

To save the “Panel” Mixer settings:

To save the “Style” Mixer settings:

Save them as a Style file to the User memory or USB flash drive. If you want to recall the

settings for future use, select the Style file saved here.

1. Call up the operation display via [Menu]  [StyleCreator].

2. Touch (Save) to call up the Style Selection display, and then save as a

Style file (page 32).

To save the “Song Ch 1-8/9-16” Mixer settings:

First register the edited settings as part of the Song data (Setup), and then save the Song to the

User memory or USB flash drive. If you want to recall the settings for future use, select the Song

file saved here.

1. Call up the operation display via [Menu]  [SongCreator]  [Channel Edit].

2. Touch [Setup].

3. Touch [Execute] to execute the Setup.

Audio Use this display when you want to adjust the balance among audio sounds

input via the USB Audio Interface function and Bluetooth Audio function, etc.

(page 107).

Master Unlike the other displays, use this display when you want to adjust the tonal

characteristics of the entire sound (except for Audio Songs) of this instrument.

Filter For adjusting the Harmonic Content (resonance) and sound brightness.

EQ For adjusting equalization parameters to correct the tone or timbre of the

sound.

Effect For selecting an Effect type and adjusting its depth for each part.

Chorus/Reverb For selecting a Chorus/Reverb type and adjusts its depth for each part.

Pan/Volume For adjusting panning and volume for each part.

Compressor

Lets you turn the Master Compressor (which is applied to the entire

sound) on or off, select the Master Compressor type, and edit the related

parameters. Your original edits can be saved as the Master Compressor

type.

EQ Lets you select the Master EQ type applied to the entire sound and edit

the related parameters. Your original edits can be saved as the Master

EQ type.

CVP-909/CVP-905 Owner’s Manual

100

4. Touch (Save) to call up the Song Selection display, and then save as a

Song file (page 32).

To save the “Audio” Mixer settings:

Saving operation is not necessary. Audio Mixer settings are retained even when the power is

turned off.

To store the “Master” Mixer settings:

Your original edits can be stored as a Master Compressor type and Master EQ type. If you want

to recall the settings for future use, select the corresponding type at the upper right of each

display.

1. Touch (Save) in the “Compressor” display or “EQ” display.

2. Select one of User1 – User30, and then touch [Save] to call up the Character

Entry window.

3. On the Character Entry window, change the name as necessary, and then

touch [OK] to save the data.

The Mixer display lets you turn each channel of the current Style or MIDI Song on or off.

1In the Mixer display, touch the [Style] tab, [Song Ch 1-8] tab or [Song Ch 9-16]

tab.

2Touch the Channel which you want to turn on or off.

If you want to solo a specific channel, touch and hold the desired channel until the number turns

green. To cancel solo, simply touch the (green) channel number again.

3As necessary, make other settings then save them as a Style file or Song file

(step 5 on page 99).

Turning Each Channel of the Style or MIDI Song On/Off

To change the Voice for each channel:

Touch the instrument icon below the channel number to call up the Voice Selection display, and

then select the desired Voice.

Channel

Voice

CVP-909/CVP-905 Owner’s Manual 101

Connections – Using Your Instrument with Other Devices –

Connections

– Using Your Instrument with Other Devices –

CAUTION

Before connecting the instrument to other electronic devices, turn off the power of all the devices. Also, before turning any

devices on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even

permanent hearing loss may occur.

NOTICE

Do not place any devices in an unstable position. Doing so may cause the device to fall and result in damage.

To see where these connectors are located on the instrument, refer to page 15.

CVP-909 Grand Piano type

CVP-909/CVP-905

I/O Connectors

Right

(higher-key side)

Left

(lower-key side)

Front (keyboard side)

Right

(higher-key side)

Left

(lower-key side)

Front (keyboard side)

Right

(higher-key side)

Left

(lower-key side)

Front (keyboard side)

CVP-909 Grand Piano type/

CVP-909/CVP-905

CVP-909/CVP-905 Owner’s Manual

102

1[AUX PEDAL] jack

For connecting a separately sold foot controller or footswitch (page 112).

2MIDI terminals

For connecting to a computer or external MIDI device, such as a synthesizer or a sequencer (page 111).

3[USB TO HOST] terminal

For connecting to a computer or smart device such as smartphone or tablet (page 105).

4AUX OUT [L/L+R]/[R] jacks

For connecting to external powered speaker systems (page 110).

5[USB TO DEVICE] terminal

For connecting a USB flash drive (page 103), USB display adaptor (page 111) or USB wireless LAN

adaptor (page 106). Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when

using the [USB TO DEVICE] terminal” on page 103.

6[MIC/LINE IN] jack, [MIC/LINE] switch, [INPUT VOLUME] knob

For connecting a microphone or guitar (pages 86 and 112).

7[PHONES] jacks

For connecting headphones (page 20).

8[AUX IN] jack

For connecting an audio player (page 107).

CVP-909/CVP-905 Owner’s Manual 103

Connections – Using Your Instrument with Other Devices –

You can connect a USB flash drive, USB display adaptor or a USB wireless LAN adaptor to the [USB TO

DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash drive (page 32), as

well as connect to an external monitor by using a USB display adaptor to show the instrument’s display

(page 111) or connect the instrument to a smart device via USB wireless LAN adaptor (page 106).

Connecting USB Devices ([USB TO DEVICE] terminal)

Precautions when using the [USB TO

DEVICE] terminal

This instrument features a built-in [USB TO

DEVICE] terminal. When connecting a USB device

to the terminal, be sure to handle the USB device

with care. Follow the important precautions below.

NOTE

For more information about the handling of USB devices, refer

to the owner’s manual of the USB device.

 Compatible USB devices

• USB flash drive

• USB display adaptor

• USB wireless LAN adaptor (UD-WL01; sold

separately)

Other USB devices such as a USB hub, computer

keyboard or mouse cannot be used.

The instrument does not necessarily support all

commercially available USB devices. Yamaha

cannot guarantee operation of USB devices that

you purchase. Before purchasing a USB device for

use with this instrument, please visit the following

web page:

https://download.yamaha.com/

Although USB devices 2.0 or 3.0 can be used on

this instrument, the amount of time for saving to or

loading from the USB device may differ depending

on the type of data or the status of the instrument.

NOTICE

The rating of the [USB TO DEVICE] terminal is a maximum

of 5V/500mA. Do not connect USB devices having a rating

above this, since this can cause damage to the instrument

itself.

 Connecting a USB device

When connecting a USB

device to the [USB TO

DEVICE] terminal, make

sure that the connector

on the device is

appropriate and that it is

connected in the proper

direction.

NOTICE

• When connecting a USB device to the [USB TO DEVICE]

terminal on the top panel, remove it before closing the

key cover. If the key cover is closed with the USB device

connected, the USB device may be damaged.

• Avoid connecting or disconnecting the USB device while

executing playback/recording and file management

operations (such as Save, Copy, Delete and Format), or

when accessing the USB device. Failure to observe this

may result in “freezing” of the operation of the

instrument or corruption of the USB device and the data.

• When connecting then disconnecting the USB device

(and vice versa), make sure to wait a few seconds

between the two operations.

• Do not use an extension cable when connecting a USB

device.

Using USB flash drives

By connecting the instrument to a USB flash drive,

you can save data you’ve created to the connected

device, as well as read data from the connected

USB flash drive.

 Maximum number of USB flash drives

Up to two USB flash drives can be connected to the

[USB TO DEVICE] terminals.

 Formatting USB flash drives

You should format the USB flash drive only with this

instrument (page 104). A USB flash drive formatted

on another device may not operate properly.

NOTICE

The format operation overwrites any previously existing

data. Make sure that the USB flash drive you are formatting

does not contain important data.

 To protect your data (write-protect)

To prevent important data from being inadvertently

erased, apply the write-protect provided with each

USB flash drive. If you are saving data to the USB

flash drive, make sure to disable write-protect.

 Turning off the instrument

When turning off the instrument, make sure that the

instrument is NOT accessing the USB flash drive by

playback/recording or file management (such as

during Save, Copy, Delete and Format operations).

Failure to do so may corrupt the USB flash drive

and the data.

CVP-909/CVP-905 Owner’s Manual

104

Formatting a USB Flash Drive

When a USB flash drive is connected, a message may appear indicating that the connected USB flash drive

is not formatted. If so, execute the format operation.

NOTICE

The Format operation deletes any previously existing data. Make sure that the USB flash drive you are formatting does not

contain important data. Proceed with caution, especially when connecting multiple USB flash drives.

1Connect a USB flash drive for formatting to the [USB TO DEVICE] terminal.

2Call up the operation display via [Menu]  [Utility]  [Storage].

3Touch the name of the USB flash drive to be formatted in the device list.

The indications USB 1, USB 2, etc. are displayed depending on the number of the connected

devices. USER indicates the User memory of this instrument.

4Touch [Format] to execute the Format operation.

CVP-909/CVP-905 Owner’s Manual 105

Connections – Using Your Instrument with Other Devices –

By connecting a computer to the [USB TO HOST] terminal, you can transmit/receive MIDI data or Audio

data between the instrument and the computer. For details on using a computer with this instrument, refer

to the “Computer-related Operations” on the website (page 9).

CAUTION

If you are using a DAW (digital audio workstation) application with this instrument, set the Audio Loopback function (page 105)

to off. Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.

NOTICE

Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.

NOTE

• When using a USB cable to connect the instrument to your computer, make the connection directly without passing through a USB hub.

• The instrument will begin transmission a short time after the computer is connected.

• Unexpected sounds may occur if you edit MIDI data related to the Grand Expression Modeling (page 53) on a computer.

Transmitting/Receiving Audio Data (USB Audio Interface function)

By connecting a computer or a smart device to the [USB TO HOST] terminal via a USB cable, digital audio

data can be transmitted/received. This USB Audio Interface function provides the following advantages:

Playing back audio data with high sound quality

This gives you direct, clear sound in which the sound quality has less noise and deterioration than that from

the [AUX IN] jack.

Recording performance on the instrument as audio data by using a recording

software or a music production software

The recorded audio data can be played back on the computer or smart device.

NOTE

• When transmitting or receiving audio signals by using a computer running Windows, the Yamaha Steinberg USB Driver should be

installed to the computer. For details, refer to the “Computer-related Operations” on the website.

• For instructions on connecting to a smart device, refer to the “Smart Device Connection Manual” on the website.

Turning Audio Loopback On/Off

This allows you to set whether Audio Input Sound (page 107) from the external device is output to a

computer or a smart device or not along with the performance played on the instrument. To output the Audio

Input Sound, set the Audio Loopback to “On.”

For example, if you want to record the Audio Input Sound as well as the sound played on the instrument by

using the connected computer or smart device, set this to “On.” If you intend to record only the sound

played on the instrument by using the computer or smart device, set this to “Off.”

The setting can be made via [Menu]  [Utility]  [Speaker/Connectivity]  [Audio Loopback].

NOTE

• With Audio Recording (page 76), the Audio Input Sound from the external device is recorded when this is set to “On,” and not recorded

when set to “Off.”

• The sound cannot be output to a device connected by the [AUX IN] jack or Bluetooth.

Connecting to a Computer ([USB TO HOST] terminal)

Computer

USB terminal

Instrument

USB cable

Example

CVP-909/CVP-905 Owner’s Manual

106

Connecting a smart device such as a smartphone or tablet provides the following advantages:

• By connecting via the [AUX IN] jack (page 107) or Bluetooth (page 108), you can hear the sound of the

smart device through the built-in speakers of the instrument.

• By connecting via the [USB TO HOST] terminal, you can transmit/receive audio data (USB Audio

Interface function; page 105).

• By connecting via a USB wireless LAN adaptor (UD-WL01; sold separately) or USB cable, you can use

compatible smart device apps.

For instructions on connection by using a method other than via [AUX IN] jack or Bluetooth, refer to the

“Smart Device Connection Manual” on the website (page 9).

NOTICE

• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.

• Do not connect this product to a public Wi-Fi and/or Internet service directly. Only connect this product to the Internet through

a router with strong password protections. Consult your router manufacturer for information on optimum security practices.

NOTE

• The USB wireless LAN adaptor (UD-WL01) may not be available depending on your area.

• When you use your smart device near the instrument, we recommend that you enable “Airplane Mode” on the device to avoid noise

caused by communication. When wirelessly connecting a smart device with this product, make sure that the Wi-Fi or Bluetooth setting

on the device is turned on.

• Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 103.

• When using a USB cable to connect the instrument to your smart device, make the connection directly without passing through a USB

hub.

• The instrument will begin transmission a short time after the smart device is connected.

• You can set whether Audio Input Sound from the external device is output to a computer or smart device or not along with the

performance played on the instrument. For details, refer to the section on Audio Loopback on page 105.

Using a Smart Device App

By connecting this instrument to a smart device, you can use the apps below to make using it more

convenient and more enjoyable.

Smart Pianist

This app lets you record your performance to the smart device, or use the “Audio to Score” function which

allows you to view the score of the audio data in the smart device.

Rec'n'Share

This app lets you record audio and video of your performance in high sound quality (without noise such as

voices around you), and share the recorded data on the Internet.

For details on these apps and compatible smart devices, access the web page of the respective apps on the

following page:

https://www.yamaha.com/kbdapps/

Connecting to a Smart Device ([AUX IN] jack/Bluetooth/[USB

TO HOST] terminal/Wireless LAN)

Example

Instrument USB wireless LAN

adaptor (UD-WL01)

Wireless LAN Smart device

CVP-909/CVP-905 Owner’s Manual 107

Connections – Using Your Instrument with Other Devices –

Audio playback by the connected device can be output from the instrument’s speaker. To input audio,

connect an external device by one of the following methods.

• Connecting to the [AUX IN] jack by using an audio cable

• Connecting by Bluetooth (Bluetooth Audio function)

• Connecting to the [USB TO HOST] terminal by using a USB cable (USB Audio Interface function;

page 105)

When connecting to a smart device, you can also connect by using a USB wireless LAN adaptor

(UD-WL01; sold separately). For information about connection with a smart device, refer to page 106.

NOTE

• The volume of the Audio Input Sound can be adjusted from the external device.

• You can adjust the volume balance among the sounds of the instrument and the Audio Input Sound in the Balance display (page 42).

• You can set whether Audio Input Sound from the external device is output to a computer or a smart device or not along with the

performance played on the instrument. For details, refer to “Turning Audio Loopback On/Off” on page 105.

Connecting to an Audio Player by using an Audio Cable ([AUX IN] jack)

You can connect the headphone jack of an audio player such as a smartphone and portable audio player to

the instrument’s [AUX IN] jack. Audio playback on the connected device is output from the built-in speakers

of this instrument.

NOTICE

To avoid damage to the devices, first turn on the power to the external device, and then to the instrument. When turning off the

power, first turn off the power to the instrument, and then to the external device.

NOTE

Use audio cables and adaptor plugs having no (zero) resistance.

Listening to Audio Playback by the External Device through

the Instrument’s Speaker ([AUX IN] jack/Bluetooth/[USB TO

HOST] terminal)

Audio Input Sound:

In this manual, “Audio Input Sound” refers to audio input to the instrument from the external devices

connected by these methods.

Minimizing noise of the input sound via Noise Gate

By default, this instrument cuts unwanted noise from the input sound. However, this may result in wanted

sounds also being cut, such as the soft decay sound of a piano or acoustic guitar. To avoid this, set the Noise

Gate to off via [Menu]  [Utility]  [Speaker/Connectivity]  [AUX IN Noise Gate].

Instrument Audio player

Headphone jack

Phone plug

(stereo mini)

Phone plug

(stereo mini)

Audio cable

Audio signal

Example

CVP-909/CVP-905 Owner’s Manual

108

Listening to Audio data from a Bluetooth-equipped device through this

instrument (Bluetooth Audio Function)

You can play the sound of audio data saved in a Bluetooth-equipped device, such as a smartphone or

portable audio player, on this instrument and listen to it through the built-in speaker of the instrument.

Bluetooth-equipped device:

In this manual, “Bluetooth-equipped device” refers to a device that can transmit audio data saved in it to the instrument using the Bluetooth

function, via wireless communication. For proper operation, the device must be compatible with A2DP (Advanced Audio Distribution

Profile). The Bluetooth Audio function is explained here by using a smart device as an example of such Bluetooth-equipped devices.

1Call up the Bluetooth display via [Menu]  [Bluetooth].

2Make sure that the Bluetooth function is set to “On.”

Before using the Bluetooth function, be sure to read “About Bluetooth” on page 109.

Bluetooth capability

Depending on the country in which you purchased the

product, the instrument may not have Bluetooth

capability.

If the Bluetooth icon is shown in the Menu display, this

means that the product is equipped with Bluetooth

functionality.

Instrument

Bluetooth-equipped

device

Bluetooth

Audio

Example

Bluetooth

icon

Device name

CVP-909/CVP-905 Owner’s Manual 109

Connections – Using Your Instrument with Other Devices –

3Touch [Pairing] to pair with a Bluetooth-equipped device.

If you wish to connect your Bluetooth-equipped device to the instrument, the device needs to be

paired with the instrument first. Once the device has been paired with this instrument, there is

no need to perform pairing again.

NOTE

• “Pairing” means to register Bluetooth-equipped devices on this instrument, and establish the mutual recognition for

wireless communication between the two.

• Only one smart device can be connected to this instrument at a time (although up to 8 smart devices can be paired to this

instrument). When pairing with the 9th smart device has succeeded, pairing data for the device with the oldest

connection date will be deleted.

• Bluetooth headphones or speakers cannot be paired.

4On the Bluetooth-equipped device, set the Bluetooth function to on and select

this instrument (the device name is shown on the display in step 1) from the

connection list.

After pairing is completed, the name of the Bluetooth-equipped device and “Connected” are

shown in the display.

NOTE

If you are required to enter a passkey, enter the numerals “0000.”

5Play back audio data on the Bluetooth-equipped device to confirm that the built-

in speakers of the instrument can output the audio sound.

When you turn on the instrument the next time, the last-connected Bluetooth-equipped device

will be connected to this instrument automatically, if the Bluetooth function of the Bluetooth-

equipped device and the instrument is set to on. If it is not connected automatically, select this

instrument from the connection list on the Bluetooth-equipped device.

About Bluetooth

Bluetooth is a technology for wireless communication between devices within an area of about 10 meters

(33 ft.) employing the 2.4 GHz frequency band.

Handling Bluetooth communications

The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by many types of

equipment. While Bluetooth compatible devices use a technology minimizing the influence of other

components using the same radio band, such influence may reduce the speed or distance of

communications and in some cases interrupt communications.

• The speed of signal transfer and the distance at which communication is possible differs according to the

distance between the communicating devices, the presence of obstacles, radio wave conditions and the

type of equipment.

• Yamaha does not guarantee all wireless connections between this unit and devices compatible with

Bluetooth function.

CVP-909/CVP-905 Owner’s Manual

110

You can connect a stereo system to amplify the instrument’s sound by using the AUX OUT [L/L+R]/[R]

jacks. The microphone or guitar sound connected to the instrument’s [MIC/LINE IN] jack is output at the

same time.

NOTICE

• To avoid possible damage, first turn on the power to the instrument, and then to the external device. When turning off the

power, first turn off the power to the external device, and then to the instrument. Since this instrument’s power may

automatically be turned off due to the Auto Power Off function (page 19), turn off the power to the external device, or disable

Auto Power Off when you do not intend to operate the instrument.

• Do not route the output from the AUX OUT jacks to the [AUX IN] jack. If you make this connection, the signal input at the [AUX

IN] jack is output from the AUX OUT jacks. These connections could result in a feedback loop that will make normal

performance impossible, and may even damage the equipment.

NOTE

• Use audio cables and adaptor plugs having no (zero) resistance.

• Use only the [L/L+R] jack for connection with a monaural device.

• Use an appropriate adaptor plug if the input jack of the powered speaker does not match the phone plug of the audio cable.

• When you are monitoring the sound output via the AUX OUT jacks from headphones connected to the instrument, we recommend that

you set the Binaural Sampling and Stereophonic Optimizer functions to off. For details, refer to page 21.

Using an External Speaker System for Playback

(AUX OUT [L/L+R]/[R] jacks)

Instrument Powered speaker

Audio cable

Audio signal

Standard phone

plug (1/4")

Standard phone

plug (1/4")

Input jack

Example

CVP-909/CVP-905 Owner’s Manual 111

Connections – Using Your Instrument with Other Devices –

By using MIDI cables and connecting to an external MIDI device (keyboard, sequencer, etc.) or a computer,

you can control the MIDI device from the instrument or control the instrument from the MIDI device.

•MIDI [IN]: Receives MIDI messages from another MIDI device.

•MIDI [OUT]: Transmits MIDI messages generated by the instrument to another MIDI device.

•MIDI [THRU]: Simply relays the MIDI messages received at MIDI IN.

The MIDI settings such as transmit/receive channels on the instrument can be set via [Menu]  [MIDI]. For

details, refer to the Reference Manual on the website (page 9).

NOTE

• For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the website (page 9).

• For information on setting up your sequence software, refer to the owner’s manual of the relevant software.

• When transmitting MIDI data from this instrument to an external MIDI device, unexpected sounds may occur because of data related to

the Grand Expression Modeling (page 53).

By connecting with an external monitor such as a television, you can duplicate the instrument display

(mirroring) or separately show the lyrics/text on an external monitor. Use a USB display adaptor and a

display cable which are compatible with both this instrument and the monitor to connect to the [USB TO

DEVICE] terminal of this instrument. For a list of compatible USB display adaptors, visit the following

website:

https://download.yamaha.com/

NOTE

Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 103.

Set the display content that is to be output via [Menu]  [Utility]  [Speaker/Connectivity]  page 2/2.

Connecting External MIDI Devices (MIDI terminals)

Viewing the Instrument’s Display on an External Monitor

Lyrics/Text Only the lyrics of the Song or text files (whichever you used last time) are output, regardless

of the display that is called up on the instrument.

Mirroring The currently selected display is output.

External MIDI deviceInstrument

MIDI reception

MIDI OUT MIDI INMIDI OUTMIDI IN

MIDI transmission

MIDI cables

Example

USB display adaptor

External monitorInstrument

Display cable

Example

CVP-909/CVP-905 Owner’s Manual

112

To the [MIC/LINE IN] jack (standard 1/4" phone jack), you can connect a microphone, guitar, or other

various equipment. For instructions on connecting a microphone, refer to page 86.

Note that you need to select “MIC” or “LINE IN” depending on the connected equipment. When the output

level of the connected equipment (such as a microphone, guitar, bass) is low, set the [MIC/LINE] switch to

“MIC.” When the output level of the connected equipment (such as a synthesizer, keyboard, CD player) is

high, set the [MIC/LINE] switch to “LINE.”

The FC4A or FC5 footswitches and the FC7 foot controller (sold separately) can be connected to [AUX

PEDAL] jack. A footswitch can be used for switching functions on and off, while a foot controller controls

continuous parameters such as volume.

Example 1: Using a foot controller to control the volume of the performance

data played on the keyboard.

Connect an FC7 foot controller to the [AUX PEDAL] jack. With the initial factory settings, no special setup is

necessary.

Example 2: Using a footswitch to control Song Start/Stop.

Connect a footswitch (FC4A or FC5) to the [AUX PEDAL] jack. To assign the function to the connected

pedal, select “Song Play/Pause” in the operation display: [Menu]  [Assignable]  [Pedal].

NOTE

• Make sure to connect or disconnect the pedal only when the power is off.

• Do not press the footswitch/foot pedal while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting

in reversed footswitch operation.

Connecting a Microphone or Guitar ([MIC/LINE IN] jack)

Connecting a Footswitch/Foot Controller ([AUX PEDAL] jack)

Foot Pedals (sold separately)

Footswitch FC4A Footswitch FC5 Foot Controller FC7

CVP-909/CVP-905 Owner’s Manual 113

Menu Display Function List

This section explains simply and very briefly explains what you can do in the displays which are called up by

touching each icon on the Menu display. Some functions are described in this Owner’s Manual on the

pages indicated below. For details about each function, refer to the Reference Manual on the website

(page 9).

Menu Description Pages

Tempo

For adjusting the tempo of MIDI Song, Style or Metronome. The same

operation as using TEMPO [−]/[+] and [TAP TEMPO] buttons can be done on

the display. 39

Transpose For transposing the pitch of the entire sound in semitones, or just the sound

of the keyboard or MIDI Song. 41

Split Point & Fingering Type Lets you set the Split Point or change the Chord Fingering type and Chord

Detection Area. 54, 65

Chord Tutor Shows you an example of how to play a chord that corresponds to the

specified chord name. –

Balance

For adjusting the volume balance among the keyboard parts (Main, Layer,

Left), Style, Song, and the sound input via the microphone, [AUX IN] jack,

etc. 42

Mixer

Filter For adjusting the Harmonic Content (resonance) and sound brightness.

EQ For adjusting equalization parameters to correct the tone or timbre of the

sound.

Effect For selecting an Effect type and adjusts its depth for each part.

Chorus/Reverb For selecting a Chorus/Reverb type and adjusts its depth for each part.

Pan/Volume For adjusting panning and volume for each part.

(Master)

Compressor Lets you turn on/off the Master Compressor, and edit related parameters.

(Master) EQ For editing the Master EQ.

Score For displaying the music notation (score) of the current MIDI Song. 70

Lyrics For displaying the lyrics of the current MIDI Song. 71

Text Viewer For displaying text files created on your computer. –

Keyboard Harmony For adding the Harmony effect to the right-hand section of the keyboard.

Parameters such as Harmony type can be set. –

Mic Setting Makes settings for the microphone sound. –

Vocal Harmony For adding Vocal Harmony effects to your singing. You can edit the Vocal

Harmony and save as your original harmony. 87

Playlist

For creating your own repertoire list in which the links to the Registration

Memory Bank file for each performance are registered. You can conveniently

select just the panel settings you want (as a Record) for your performance

from the huge number of Registration Memory Bank files.

Registration Sequence Determines the order for calling up Registration Memory settings when using

the pedal or ASSIGNABLE button. –

Registration Freeze Determines the item(s) to be unchanged even when you call up panel setups

from the Registration Memory. –

CVP-909/CVP-905 Owner’s Manual

114

Chord Looper

By recording chord progressions you play, the Style can be played back

automatically in response to the chord progression data—without the need

for you to play chords in the chord section of the keyboard. –

Assignable Pedal Determines the functions assigned to the pedals. –

Assignable Determines the functions assigned to the ASSIGNABLE [1] – [4] buttons. 31

Voice Edit

Lets you edit the preset Voices to create your own Voices. The display differs

depending on whether an Organ Flutes Voice or another kind of Voice is

selected. 56

Style Creator Lets you create a Style by editing the preset Style, or by recording Style

channels one by one. –

Song Creator Lets you create a Song by “writing” it down one event at a time, or by editing

an existing recorded Song. –

Voice

Setting

Tune For adjusting the pitch for each keyboard part (Main/Layer/Left).

–

Piano For editing the parameters of the piano Voices, including VRM and Grand

Expression Modeling.

Each Key

Setting

For adjusting the pitch or the volume of each note (or key) individually for the

Main part’s Voice.

Voice Set Determines which settings (effects, etc.) linked to the Voices are not called

up when selecting a Voice.

Other Setting Determines how the Voice Selection display is opened when one of the

VOICE category buttons is pressed. Also determines whether to add

articulation effects or not when selecting an S.Art2 Voice (CVP-909 only).

Style

Setting

Setting For editing parameters for Style playback such as Stop ACMP (Stop

Accompaniment) and OTS Link Timing. –

Change

Behavior

Determines the Style condition (sections, tempo, etc.) when selecting a

different Style.

Song

Setting

Guide For selecting the type of the Guide function, or changes the guide lamp

settings.

–

Part Ch Determines which MIDI channel in the Song data is used for the right-hand/

left-hand part.

Lyrics Determines the language of the displayed lyrics.

Play For editing parameters for Song playback such as Repeat Playback and the

Performance Assistant Technology.

Rec For editing parameters for re-recording of MIDI Songs, or setting the file

format for Audio recording.

Tuning

Master Tune For fine-tuning the pitch of the entire instrument in approx. 0.2 Hz steps.

–

Scale Tune For selecting the scale type and tuning the pitch of the desired note (key) in

cents.

Keyboard Setting Determines the Touch Response of the keyboard, or turns the Left Hold

function on/off. 40, 52

Metronome

Setting

Metronome Determines the metronome volume, sound and time signature.

–

Tap Tempo Determines the volume and sound type of the sound caused when the [TAP

TEMPO] button is pressed.

MIDI Setting

System For editing the parameters for MIDI system messages.

–

Transmit For editing the parameters for MIDI transmission.

Receive For editing the parameters for MIDI reception.

On Bass Note Determines the bass note for Style playback based on the note messages

received via MIDI.

Chord Detect Determines the chord type for Style playback based on the note messages

received via MIDI.

Menu Description Pages

CVP-909/CVP-905 Owner’s Manual 115

Menu Display Function List

*1 This icon appears only if the instrument is equipped with Bluetooth functionality. Depending on the country in which you purchased it,

Bluetooth may not be available.

*2 These icons appear only when the USB wireless LAN adaptor (UD-WL01; sold separately) has been connected once.

Utility

Speaker/

Connectivity

For making the settings for the instrument’s speakers and the external

monitor. 111

Touch Screen/

Display

For editing the parameters for the display settings, such as the theme of the

home display, brightness, and touch panel calibration. 23

Parameter Lock Determines which parameters (effect, Split Point, etc.) will not be changed

when the panel setups are changed via Registration Memory. –

Storage Indicates the capacity of the User memory and the connected USB flash

drive or allows you to format it. 104

System Indicates the firmware version of this instrument, and lets you make basic

settings, such as the language for the display and voice guide. 22

Factory Reset/

Backup

For initializing the instrument to the factory default, or backing up the data

stored in the instrument. 43

Bluetooth*1 For connecting to a Bluetooth-equipped device. 108

Wireless LAN Settings*2 For making settings for connecting the instrument to a smart device, such as

a smartphone or tablet, via a USB wireless LAN adaptor. –

Time*2 For making settings of the time shown on the display. –

Menu Description Pages

CVP-909/CVP-905 Owner’s Manual

116

CVP-909 (Grand piano type) Assembly

CAUTION

• Assemble the unit on a hard and flat floor with ample space.

• Be careful not to confuse or misplace the parts, and be sure to

install all parts in the correct orientation. Please assemble the

unit in accordance with the sequence described here.

• Assembly should be carried out by at least four persons.

• Be sure to use only the included screws of the specified sizes.

Do not use any other screws. Use of incorrect screws can cause

damage or malfunction of the product.

• Be sure to tighten all screws upon completing assembly of each

unit.

• To disassemble the unit, reverse the assembly sequence.

Remove all parts from the package and make sure you

have all of the items.

1Lean the main unit against the wall as

shown.

1Spread a large soft cloth, such as a blanket, as shown

to protect the floor and wall surfaces.

2Lean the main unit against the wall with the key cover

closed and the keyboard side on the bottom.

CAUTION

Be careful not to pinch your fingers.

Have a Phillips-head (+) screwdriver of the appropriate size

ready.

Power cord

Legs

To prevent the key cover from accidentally opening during assembly,

press down on the key cover, making sure that the sheets (shown) remain

in place.

MIC-HPJ

To prevent damage to the MIC-HPJ unit located at the bottom of main unit,

make sure to place main unit on the styrofoam pads.

Also, make sure that the pads do not touch the MIC-HPJ.

Pedal box

Bundled pedal cord inside.

The pedals are protected with

vinyl covers when shipped from

the factory. Remove the covers

from the pedals before using to

ensure optimum use of the

pedal effects.

Leg beams

Lyre braces

Cord holder

6 × 40 mm fixing screws × 12

NOTICE

Do not place the main unit as shown in the illustration here.

6 × 20 mm fixing screws × 4

Protective pads × 2

Headphone hanger

4 × 10 mm

thin screws × 2

4 × 10 mm thin screws × 12

4 × 16 mm thin screws × 4

Large soft cloth

Styrofoam pads

Protective pads

Incorrect Incorrect

Incorrect

CVP-909/CVP-905 Owner’s Manual 117

CVP-909 (Grand piano type) Assembly

2Attach the three legs and three leg

beams.

Refer to the diagram below to verify the orientation

of the legs.

1Install and tighten four screws on each leg, starting

with one of the front legs.

2Slide the leg beams over the legs, and attach them to

each of the legs using four thin screws (4 × 10 mm).

Make sure that the gradually inclined side of the leg

beams faces the inside of the unit as shown.

3Attach the lyre braces.

1Attach the lyre braces using the four thin screws (4 ×

16 mm).

4Raise the unit to the standing position.

Use the front legs as support to raise the unit.

Rear leg

Front leg Front leg

6 × 40 mm fixing screws

The gradually

inclined side faces

the inside.

4 × 10 mm

thin screws

4 × 16 mm

thin screws

CVP-909/CVP-905 Owner’s Manual

118

5Install the pedal box.

1Remove the twist tie and tape that affix the pedal cord

to the upper portion of the pedal box.

2Attach the front side of the pedal box to the bottom of

the unit by finger-tightening the two fixing screws (6 ×

20 mm).

3Insert the lyre braces into the pedal box recesses and

make sure they fit securely.

4Align the cord with the groove on the unit and attach

the backside of the pedal box using the two fixing

screws (6 × 20 mm), and then securely tighten the

two screws of the front side of the pedal box that were

attached in step 5-2.

5Loosen the four screws that were attached in step 3,

and then securely tighten the four screws again while

pushing the lyre braces in the direction of arrows as

illustrated.

6Insert the pedal cord plug into the pedal connector.

Insert the plug so the arrow side faces front (toward

the keyboard).

If the plug will not go in easily, do not force it. Double-

check the orientation of the plug, then try again.

7Attach the cord holder to the bottom of the main unit

as shown, then clip the holder around the cord.

Twist tie

Tape

6 × 20 mm

fixing screws

6 × 20 mm fixing screws

Insert the pedal

cord securely

until the metal

part of the cord

plug disappears

from view.

Otherwise, the

pedal may not

function properly.

CVP-909/CVP-905 Owner’s Manual 119

CVP-909 (Grand piano type) Assembly

6Rotate the adjuster until it comes in

firm contact with the floor surface.

7Plug the power cord into the [AC IN]

jack.

8Attach the headphone hanger.

Attach the headphone hanger using two thin screws

(4 × 10 mm) as shown in the illustration.

CAUTION

To disassemble the unit, reverse the assembly sequence.

Failure to do so can result in damage to the instrument or

personal injury. In particular, if you lay down the main unit

without detaching the pedal box, the pedals will break.

Right leg on the bottom

of the main unit, when

viewed from front.

4 × 10 mm thin screws

After completing the assembly, please check the

following.

• Are there any parts left over?

 Review the assembly procedure and correct any errors.

• Is the instrument clear of doors and other

movable fixtures?

 Move the instrument to an appropriate location.

• Does the instrument make a rattling noise when

you shake it?

 Tighten all screws.

• Does the pedal box rattle or give way when you

step on the pedals?

 Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely

into the sockets?

Transporting

CAUTION

When moving the instrument, always hold the bottom of the

main unit. Do not hold the key cover or top portion. Improper

handling can result in damage to the instrument or personal

injury.

If you move to another location, you can transport the

instrument along with other belongings. You can move

the unit as it is (assembled) or you can disassemble the

unit down to the condition it was in when you first took it

out of the box. Transport the keyboard horizontally. Do

not lean it up against a wall or stand it up on its side. Do

not subject the instrument to excessive vibration or

shock. When transporting the assembled instrument,

make sure all screws are properly tightened and have not

been loosened by moving the instrument.

CAUTION

If the unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten

all screws.

Do not hold

here.

Do not hold here.

CVP-909/CVP-905 Owner’s Manual

120

CVP-909 Assembly

CAUTION

• Assemble the unit on a hard and flat floor with ample space.

• Be careful not to confuse or misplace the parts, and be sure to

install all parts in the correct orientation. Please assemble the

unit in accordance with the sequence described here.

• Assembly should be carried out by at least two persons.

• Be sure to use only the included screws of the specified sizes.

Do not use any other screws. Use of incorrect screws can cause

damage or malfunction of the product.

• Be sure to tighten all screws upon completing assembly of each

unit.

• To disassemble the unit, reverse the assembly sequence.

Remove all parts from the package and make sure you

have all of the items.

1Lean unit A against the wall as shown.

1Spread a large soft cloth, such as a blanket, as shown

to protect the floor and wall surfaces.

2Lean unit A against the wall with the key cover closed

and the keyboard side on the bottom.

CAUTION

Be careful not to pinch your fingers.

NOTICE

• The top part of the music rest is not fixed. Support the music

rest with your hand so that the music rest will not fall.

• Do not place the main unit upside down or with the rear side

facing down.

Have a Phillips-head (+) screwdriver of the appropriate size

ready.

5 × 30 mm × 4

4 × 20 mm × 3

4 × 10 mm × 2

To prevent the key cover from accidentally opening during assembly,

press down on the key cover, making sure that the sheets (shown) remain

in place.

To prevent damage to the speaker box located at the bottom of unit A,

make sure to place unit A on the styrofoam pads. Also, make sure that the

pads do not touch the speaker box.

Bundled pedal cord

inside. The pedals are

protected with vinyl

covers when shipped

from the factory.

Remove the covers

from the pedals before

using to ensure

optimum use of the

pedal effects.

Power cordProtective pads × 2 Headphone

hanger

5 × 18 mm × 10

4 × 10 mm × 2 5 × 15 × 1.2 mm × 4

Large soft cloth

Styrofoam

pads

NOTICE

Do not touch the speaker net.

Doing so may damage the

speaker inside.

Protective pads

CVP-909/CVP-905 Owner’s Manual 121

CVP-909 Assembly

2Attach units B and C to unit A.

1Align units B and A so that the protrusion fits into the

hole.

2Fix unit B to the bottom surface of unit A using two

screws H.

Attach the parts, pressing unit B onto unit A so that

the two fit tightly together.

3Fix unit B to the speaker box of unit A using two

screws J.

If the screw holes do not align, loosen the other

screws and adjust the position of unit B.

4Fasten unit C to unit A in the same way.

3Attach unit E to unit D.

Fix unit E to unit D using two screws J.

4Attach unit D to unit A.

1Fix unit D to the bottom surface of unit A using two

screws J.

2Fix unit D to the speaker box of unit A using two

screws J.

If the screw holes do not align, loosen the other

screws and adjust the position of unit D.

5Raise unit A into the upright position.

CAUTION

• Be careful not to pinch your fingers.

• When you raise the unit, do not hold the key cover.

6Install unit F.

1Remove the cover from unit D.

2Untie and straighten out the bundled cord.

CVP-909/CVP-905 Owner’s Manual

122

3Pass the pedal cord from under unit D to the backside

of the main unit.

4Place unit F on the bracket of unit D.

5Attach unit F to unit D using three screws M.

7Connect the pedal cord.

4Attach unit G using two screws N.

8Insert the AC power cord plug into the

[AC IN] jack.

9Rotate the adjuster until it comes in

firm contact with the floor surface.

10 Attach the headphone hanger.

Attach the headphone hanger using two screws P

as shown in the illustration.

1Insert the pedal cord plug into

the pedal connector.

Insert the pedal cord securely

until the metal part of the cord

plug disappears from view.

Otherwise, the pedal may not

function properly.

2Pass the pedal

cord between

units D and E.

3Align the pedal cord into the

groove on unit D, then install

the cover onto the groove

correctly.

Correct

Incorrect

After completing the assembly, please check the

following.

• Are there any parts left over?

 Review the assembly procedure and correct any errors.

• Is the instrument clear of doors and other

movable fixtures?

 Move the instrument to an appropriate location.

• Does the instrument make a rattling noise when

you shake it?

 Tighten all screws.

• Does the pedal box rattle or give way when you

step on the pedals?

 Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely

into the sockets?

CVP-909/CVP-905 Owner’s Manual 123

CVP-909 Assembly

Transporting

CAUTION

When moving the instrument, always hold the bottom of the

main unit. Do not hold the key cover or top portion. Improper

handling can result in damage to the instrument or personal

injury.

If you move to another location, you can transport the

instrument along with other belongings. You can move

the unit as it is (assembled) or you can disassemble the

unit down to the condition it was in when you first took it

out of the box. Transport the keyboard horizontally. Do

not lean it up against a wall or stand it up on its side. Do

not subject the instrument to excessive vibration or

shock. When transporting the assembled instrument,

make sure all screws are properly tightened and have not

been loosened by moving the instrument.

CAUTION

If the unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten

all screws.

Hold here.

Do not hold here.

CVP-909/CVP-905 Owner’s Manual

124

CVP-905 Assembly

CAUTION

• Assemble the unit on a hard and flat floor with ample space.

• Be careful not to confuse or misplace the parts, and be sure to

install all parts in the correct orientation. Please assemble the

unit in accordance with the sequence described here.

• Assembly should be carried out by at least two persons.

• Be sure to use only the included screws of the specified sizes.

Do not use any other screws. Use of incorrect screws can cause

damage or malfunction of the product.

• Be sure to tighten all screws upon completing assembly of each

unit.

• To disassemble the unit, reverse the assembly sequence.

Remove all parts from the package and make sure you

have all of the items.

1Attach C to D and E.

1Place C, D and E as shown in the illustration.

2Untie and straighten out the bundled pedal cord.

Do not discard the vinyl tie. You will need the vinyl tie

later in step 5.

3Secure D and E to C using four screws F.

Press D and E toward C while securing.

2Attach B.

1Align the holes on the upper side of B with the bracket

holes on D and E, then attach the upper corners of B

to D and E by finger-tightening two screws G. These

screws will be securely tightened in step 4-3.

2Secure the bottom end of B using four screws H.

3Mount A.

Be sure to place your hands at least 15 cm from

either end of A when positioning it. The projections

on top of D and E should be inserted to the holes on

the bottom of A.

CAUTION

• Be extra careful not to drop the unit or let your fingers be

pinched by the main unit.

• Do not hold the main unit in any position other than the position

specified here.

Have a Phillips-head (+) screwdriver of the appropriate size

ready.

6 × 20 mm × 10

4 × 12 mm × 2

4 × 20 mm × 4

4 × 10

× 2

Remove foamed styrol pads from the package, position them on

the floor, then place A on top of them. Position the pads so that

they will not block the speaker box on the bottom of A.

Bundled pedal cord inside here.

Cord holders × 2

Headphone hanger

Power cord

Speaker box

E4-

Projections

15 cm or further in

CVP-909/CVP-905 Owner’s Manual 125

CVP-905 Assembly

4Secure A.

1Adjust the position of A so that the inner lines of the

side boards of A and D/E are aligned as shown in the

illustration.

2Attach A using six screws F.

3Securely tighten the screws G on the top of B that

were attached in step 2-1.

5Connect the pedal cord and power

cord.

1Insert the pedal cord plug into the pedal connector.

Insert the pedal cord securely

until the metal part of the cord

plug disappears from view.

Otherwise, the pedal may not

function properly.

2Attach the cord holders to the rear panel as shown,

then clip the cord into the holders.

3Use a vinyl tie to take up any slack in the pedal cord.

4Insert the AC power cord plug into the [AC IN] jack.

6Rotate the adjuster until it comes in

firm contact with the floor surface.

7Attach the headphone hanger.

Attach the headphone hanger using two screws J

as shown in the illustration.

After completing the assembly, please check the

following.

• Are there any parts left over?

 Review the assembly procedure and correct any errors.

• Is the instrument clear of doors and other

movable fixtures?

 Move the instrument to an appropriate location.

• Does the instrument make a rattling noise when

you shake it?

 Tighten all screws.

• Does the pedal box rattle or give way when you

step on the pedals?

 Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely

into the sockets?

Transporting

CAUTION

When moving the instrument, always hold the bottom of the

main unit. Do not hold the key cover or top portion. Improper

handling can result in damage to the instrument or personal

injury.

If you move to another location, you can transport the

instrument along with other belongings. You can move the unit

as it is (assembled) or you can disassemble the unit down to

the condition it was in when you first took it out of the box.

Transport the keyboard horizontally. Do not lean it up against a

wall or stand it up on its side. Do not subject the instrument to

excessive vibration or shock. When transporting the

assembled instrument, make sure all screws are properly

tightened and have not been loosened by moving the

instrument.

CAUTION

If the unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten all

screws.

Do not hold here.

Hold here.

CVP-909/CVP-905 Owner’s Manual

126

Troubleshooting

Overall

A click or pop is heard when the power is

turned on or off.

Electrical current is being applied to the instrument. This is normal.

The power is automatically turned off. This is normal and due to the Auto Power Off function. If necessary, set the

parameter of the Auto Power Off function (page 19).

Noise is heard from the instrument’s

speakers.

Noise may be heard if a mobile phone is used near the instrument or if the

phone is ringing. Turn off the mobile phone, or use it further away from the

instrument.

Noise is heard from the instrument’s

speakers or headphones when using the

instrument with the app on the smart device

such as smartphone or tablet.

When you use the instrument along with the app on your smart device, we

recommend that you enable “Airplane Mode” on the device to avoid noise

caused by communication. When wirelessly connecting a smart device with

this product, make sure that the Wi-Fi or Bluetooth setting on the device is

turned on.

In the LCD, there are some specific points

that are always lit or unlit.

These are the result of defective pixels and occasionally occur in TFT-

LCDs; they do not indicate a problem in operation.

Mechanical noise is heard during

performance.

The keyboard mechanism of this instrument simulates the keyboard

mechanism of an actual piano. Mechanical noise is also heard on a piano.

There is a slight difference in sound quality

among different notes played on the

keyboard.

This is normal and is a result of the instrument’s sampling system.

Some Voices have a looping sound.

Some noise or vibrato is noticeable at higher

pitches, depending upon the Voice.

The overall volume is too low or no sound is

heard.

The master volume may be set too low. Set it to an appropriate level with

the [MASTER VOLUME] control (page 20).

All keyboard parts are set to off. On the Home display, touch [Main]/[Layer]/

[Left] to turn on the part (page 49).

The volume of the individual parts may be set too low. Raise the volume in

the Balance display (page 42).

Make sure the desired channel is set to on (page 100).

Make sure a pair of headphones or an adapter plug is not connected to the

[PHONES] jack.

Make sure that the “Speaker” is set to “On” from [Menu]  [Utility] 

[Speaker/Connectivity].

The sound is distorted or noisy. The volume may be turned up too high. Make sure all relevant volume

settings are appropriate.

This may be caused by certain effects or filter resonance settings. Check

the effect or filter settings and change them accordingly in the Mixer display,

referring to the Reference Manual on the website (page 9).

Not all simultaneously played notes sound, or

the sound of Style or Song seems to be cut

off.

You are probably exceeding the maximum polyphony (page 130) of the

instrument. When the maximum polyphony is exceeded, the earliest played

notes will stop sounding, letting the latest played notes sound.

The keyboard volume is lower than the Song/

Style playback volume.

The volume of the keyboard parts may be set too low. Raise the keyboard

volume (Main/Layer/Left), or lower the Song/Style volume in the Balance

display (page 42).

Some characters of the file/folder name are

garbled.

The language settings have been changed. Set the appropriate language

for the file/folder name (page 22).

CVP-909/CVP-905 Owner’s Manual 127

Troubleshooting

An existing file is not shown on the display. The file extension (.MID, etc.) may have been changed or deleted.

Manually rename the file on a computer, adding the appropriate extension.

Data files with names of more than 50 characters cannot be handled by the

instrument. Rename the file, reducing the number of characters to 50 or

less.

Metronome, MIDI Song or Style goes out of

tempo slightly when you play the keyboard.

This occurs infrequently when Grand Expression Modeling is set to

“Dynamic.” If this happens, set Grand Expression Modeling to “Static” via

[Menu]  [Voice Setting]  [Piano].

Voice

The Voice selected from the Voice Selection

display does not sound.

Check whether or not the selected part is turned on (page 49).

A strange “flanging” or “doubling” sound

occurs. The sound is slightly different each

time the keys are played.

The Main and Layer parts are set to on, and both parts are set to play the

same Voice. Turn off the Layer part or change the Voice of one of the parts.

Some Voices will jump an octave in pitch

when played in the upper or lower registers.

This is normal. Some Voices have a pitch limit which, when reached,

causes this type of pitch shift.

No sound is heard or sound is strange in the

left-hand section.

If the “Stop ACMP” parameter is set to something other than “Disabled” via

[Menu]  [StyleSetting]  [Setting], the Voice on the chord section does

not sound normally when the [ACMP ON/OFF] button is on. Set the “Stop

ACMP” parameter to “Disabled” or turn the [ACMP ON/OFF] button off. For

details about the Stop ACMP function, refer to the Reference Manual on the

website (page 9).

Style

The Style does not start even when the

[START/STOP] button is pressed.

The Rhythm channel of the selected Style may not contain any data. Turn

the [ACMP ON/OFF] button on and play in the left-hand section on the

keyboard to sound the accompaniment part of the Style.

Only the rhythm channel plays;

accompaniment sounds are not heard.

Make sure the Auto Accompaniment function is turned on; press the

[ACMP ON/OFF] button.

Make sure to play keys in the chord section of the keyboard (page 59).

Styles in a USB flash drive cannot be

selected.

If the size of the Style data is large (about 120 KB or greater), the Style

cannot be selected because the data is too large to be read by the

instrument.

Song

Songs cannot be selected. This may be because the language settings have been changed. Set the

appropriate language for the Song file name (page 22).

If the size of the Song data is large (about 3 MB or greater), the Song

cannot be selected because the data is too large to be read by the

instrument.

The file format is not supported. Refer to page 67 for details on supported

Song formats.

Song playback does not start. The Song has been stopped at the end of the Song data. Return to the

beginning of the Song by pressing the SONG CONTROL [J] (Stop) button.

(MIDI)

Song playback stops before the Song is

finished.

The Guide function is turned on. (In this case, playback is “waiting” for the

correct key to be played.) Turn off the Guide function (page 72).

Overall

CVP-909/CVP-905 Owner’s Manual

128

(MIDI)

The measure number is different from that of

the score in the Song Position display, shown

by pressing the [LL] (Rewind)/[RR] (Fast

forward) buttons.

This happens when playing back music data for which a specific, fixed

tempo is set.

(MIDI)

When playing back a Song, some channels

do not play.

Playback of these channels may be set to off. Turn playback on for those

channels that are set to off (page 100).

The guide lamps do not light during Song

playback, even after turning on the Guide

function.

The Guide function can be used only when a MIDI Song is played back.

It is not available for Audio Songs.

Any notes outside of the 88-key range cannot be indicated by the guide

lamps.

When the [ACMP ON/OFF] button is turned on, the guide lamps for the left-

hand part do not work. As necessary, turn off the [ACMP ON/OFF] button

when using it.

(MIDI)

The guide lamps light an octave or two lower/

higher than the actual pitch.

The guide lamps sometimes light an octave or two lower/higher than the

actual pitch depending on the selected Voice.

(MIDI)

The tempo, beat, measure and music notation

is not displayed correctly.

Some Song data for the instrument has been recorded with special “free

tempo” settings. For such Song data, the tempo, beat, measure and music

notation will not be displayed correctly.

(MIDI)

When viewing the lyrics on the Score display,

some lyrics are omitted and cannot be seen.

There is not enough space to show the lyrics. Change the size of the Score

to other than “Medium” via the View Setting (page 71).

A message indicating the USB flash drive is

unavailable appears, and the recording is

aborted.

Make sure to use a compatible USB flash drive (page 103).

Make sure that the USB flash drive has enough memory (page 104).

If you are using a USB flash drive to which data has already been recorded,

check first that no important data remains on the device, and then format it

(page 104) and try recording again.

The Song playback volume differs depending

on the selected Song.

The volume of MIDI Songs and Audio Songs are set independently. Adjust

the volume in the Balance display (page 42) after selecting a Voice.

Microphone

The microphone input signal cannot be

recorded.

The microphone input signal cannot be recorded by MIDI Recording.

Record by using Audio recording (page 76).

Harmony can be heard in addition to the

microphone sound.

Vocal Harmony is set to “On.” Turn Vocal Harmony off (page 87).

The Vocal Harmony effect sounds distorted or

out-of-tune.

Your vocal microphone may be picking up extraneous sounds, such as the

Style sound from the instrument. In particular, bass sounds can cause

mistracking of Vocal Harmony. To remedy this:

• Sing as closely to the microphone as possible.

• Use a unidirectional microphone.

• Turn down the Master volume, or adjust the volume balance on the

Balance display (page 42).

The Vocal Harmony effect is not applied even

when it is turned on.

In the Chordal mode, Vocal Harmony is added only when chords are

detected. Try one of the following:

• Turn on the [ACMP ON/OFF] button and play chords in the chord section

during Style playback.

• Turn on the Left part and play chords in the left hand section.

• Play back a Song which contains chords.

• Set the “Stop ACMP” parameter to something other than “Disabled” via

[Menu]  [StyleSetting]  [Setting]. For details, refer to the Reference

Manual on the website (page 9).

Song

CVP-909/CVP-905 Owner’s Manual 129

Troubleshooting

Mixer

The sound seems strange or different than

expected when changing a rhythm Voice

(drum kit, etc.) of the Style or Song from the

Mixer.

When changing the rhythm/percussion Voices (drum kits, etc.) of the Style

and Song from the VOICE parameter, the detailed settings related to the

drum voice are reset, and in some cases you may be unable to restore the

original sound. You can restore the original sound by selecting the same

Song or Style again.

Pedal/AUX Pedal

The damper, sostenuto and soft functions do

not work for the relevant pedals.

The pedal cord plug is not connected to the pedal jack securely. Securely

insert the pedal cord plug into the proper jack (pages 118, 122, 125).

Make sure that each pedal is properly assigned to “Sustain,” “Sostenuto”

and “Soft” (page 38).

The on/off setting of the footswitch/foot

controller connected to the [AUX PEDAL] jack

is reversed.

Turn the instrument’s power off, and then turn it on again without pressing

the footswitch/foot controller, or change the Polarity parameter from [Menu]

 [Assignable]  [Pedal].

The damper pedal does not function properly. The power of the instrument may have been turned on while the damper

pedal was pressed. Press and release the damper pedal to restore proper

operation.

Connection

The speakers do not switch off when a pair of

headphones is connected to the [PHONES]

jack.

The Speaker setting is “On.” Set the speaker setting to “Headphone Switch”

via [Menu]  [Utility]  [Speaker/Connectivity].

The Wireless LAN icon is not shown in the

Menu display even though the USB wireless

LAN adaptor is connected.

Disconnect the USB wireless LAN adaptor and connect it again.

The Bluetooth-equipped device cannot be

paired with nor connected to the instrument.

Check the Bluetooth function of the Bluetooth-equipped device is activated.

To connect the Bluetooth-equipped device and the instrument, Bluetooth

function of both devices need to be turned on.

The Bluetooth-equipped device and the instrument need to be paired to

connect each other via Bluetooth (page 108).

In case there is a device (microwave oven, wireless LAN device, etc.) that

outputs signals in the 2.4 GHz frequency band nearby, move this

instrument away from the device that is emitting radio-frequency signals.

Sound input to the [AUX IN] jack is

interrupted.

The output volume of the external device connected to the [AUX IN] jack of

this instrument is too low. Increase the output volume of the external

device. The volume level reproduced via this instrument’s speakers can be

adjusted by using the [MASTER VOLUME] control.

The Noise Gate function may be cutting the soft sounds. If this happens,

turn off the “AUX IN Noise Gate” parameter (page 107).

CVP-909/CVP-905 Owner’s Manual

130

Specifications

CVP-909GP

(Grand Piano type)

CVP-909 CVP-905

Product Name Digital Piano

Size/Weight Width

[For models with polished finish] [1,430 mm (56-5/16")] 1,426 mm (56-1/8")

[1,429 mm (56-1/4")] 1,420 mm (55-15/16")

[1,423 mm (56-0")]

Height

[For models with

polished finish]

With music rest closed [913 mm (35-15/16")] 868 mm (34-3/16")

[872 mm (34-5/16")] 868 mm (34-3/16")

[871 mm (34-5/16")]

With music rest raised [1,076 mm (42-3/8")] 1,027 mm (40-7/16")

[1,028 mm (40-1/2")] 1,026 mm (40-3/8")

[1,027 mm (40-7/16")]

With lid up [1,554 mm (61-3/16")] –

Depth

[For models with polished finish] [1,236 mm (48-11/16")] 612 mm (24-1/8")

[612 mm (24-1/8")] 592 mm (23-5/16")

[593 mm (23-3/8")]

Weight

[For models with polished finish] [130 kg (286 lb, 10 oz)] 82 kg (180 lb, 12 oz)

[85 kg (187 lb, 6 oz)] 82 kg (180 lb, 12 oz)

[84 kg (185 lb, 3 oz)]

Control

Interface Keyboard Number of Keys 88

Type GrandTouch Keyboard: wooden keys (white only), synthetic ebony and ivory key tops,

escapement

88-key Linear Graded

Hammers Yes

Counter Weight Yes –

Touch Response Hard2/Hard1/Medium/Soft1/Soft2

Pedal Number of Pedals 3: Damper (with Half-pedal function), Sostenuto, Soft

GrandTouch Pedals Yes (with GP Response Damper) Yes

Assignable Functions Sustain, Sostenuto, Soft, Glide, Song Play/Pause, Style Start/Stop, Volume, etc.

Display Type TFT Color LCD (Touch Screen)

Size 800 × 480 dots

9.0 inch 800 × 480 dots

7.0 inch

Score/Lyrics/Text

Display Function Yes

Language English, German, French, Spanish, Italian, Japanese

Panel Language English

Cabinet Key Cover Style Folding

Music Rest Yes (with music braces)

Voices Tone Generation Piano Sound Yamaha CFX, Bösendorfer Imperial

Binaural Sampling Yes (“CFX Concert Grand” and “Bösendorfer Grand” Voice only)

Piano Effects VRM Yes

Grand Expression

Modeling Yes

Key-off Samples Yes

Smooth Release Yes

Polyphony (max.) 256

Preset Number of Voices 1,605 Voices + 58 Drum/SFX Kits + 480 XG Voices 1,315 Voices + 49 Drum/

SFX Kits + 480 XG Voices

Number of VRM Voices 17 14

Number of Super

Articulation Voices S.Art2: 36, S.Art: 301 S.Art: 227

Custom Voice Edit Yes

Compatibility XG, GS (for Song playback), GM, GM2

Other Features Mono/Poly Yes

CVP-909/CVP-905 Owner’s Manual 131

Specifications

Effects Types Reverb 65 Preset + 30 User

Chorus 107 Preset + 30 User 106 Preset + 30 User

Insertion Effect 358 Preset + 30 User 322 Preset + 30 User

Variation Effect 358 Preset + 30 User 322 Preset + 30 User

Master Compressor 5 Preset + 30 User

Master EQ 5 Preset + 30 User

Part EQ 27 Parts

Vocal Harmony 54 Preset + 60 User

Intelligent Acoustic

Control (IAC) Yes

Stereophonic Optimizer

Yes

Functions Dual (Layer) Yes

Split Yes

Styles Preset Number of Styles 675 525

Fingering Types Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, Full Keyboard,

AI Full Keyboard

Style Control INTRO × 3, MAIN VARIATION × 4, FILL × 4, BREAK, ENDING × 3

Custom Style Creator Yes

Other Features

One Touch Setting (OTS)

4 for each Style

Chord Looper Yes

Compatibility Style File Format (SFF), Style File Format GE (SFF GE)

Songs (MIDI) Preset

Number of Preset Songs

50 Classics + 303 Lesson Songs + 60 Popular

Recording Number of Tracks 16

Data Capacity approx. 3 MB/Song

Song Creator Yes

Format Playback SMF (Format 0, Format 1), XF

Recording SMF (Format 0)

Songs (Audio) Recording Time (max.) 80 minutes/Song

Format Playback WAV (44.1kHz, 16bit, stereo), MP3 (MPEG-1 Audio Layer-3)

Recording WAV (44.1kHz, 16bit, stereo), MP3 (MPEG-1 Audio Layer-3)

Functions Time Stretch,

Pitch Shift,

Vocal Cancel

Yes

Functions Registration

Memory Number of Buttons 8

Control Registration Sequence, Freeze

Playlist Number of Records

(max.) 2,500

Lesson/Guide Follow Lights, Any Key, Karao-Key, Your Tempo (with guide lamps)

Overall Controls Metronome Yes

Tempo Range 5 – 500, Tap Tempo

Transpose −12 – 0 – +12

Tuning 414.8 – 440 – 466.8 Hz (approx. 0.2 Hz increments)

Scale Type 9 Types

CVP-909GP

(Grand Piano type)

CVP-909 CVP-905

CVP-909/CVP-905 Owner’s Manual

132

The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then

download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your

Yamaha dealer.

Functions Bluetooth

(May not have

this functionality

depending on the

country in which

you purchased

the product.)

Bluetooth version 4.2

Supported profile A2DP

Compatible codec SBC

Wireless output Bluetooth class 2

Maximum communication

distance

Approx. 10 m

Radio Frequency 2,401 – 2,481 MHz

Maximum output power

(EIRP) 4 dBm

Type of modulation FHSS

Miscellaneous Piano Room Yes

Display output to an

external monitor Yes (by using a commercially available USB display adaptor*)

* For a list of compatible devices, access the “Yamaha Downloads” website.

Brightness Adjustment Yes (display/button lamps)

USB audio interface 44.1 kHz, 24 bit, stereo

Storage and

Connectivity Storage Internal Memory approx. 2 GB

External Drives USB flash drive

Connectivity Headphones Standard stereo phone jack (× 2)

Microphone Mic/Line in (standard mono phone jack), Input volume

MIDI IN, OUT, THRU

AUX IN Stereo mini jack

AUX OUT L/L+R, R

AUX PEDAL Yes

USB TO DEVICE Yes (× 2)

USB TO HOST Yes

Sound

System Amplifiers (40W + 30W + 20W) × 2 + 80W (45 W + 20 W) × 2

Speakers (16 cm + 5 cm + 2.5 cm (dome)) × 2 + 20 cm,

Spruce Cone Speaker, Twisted Flare Port (16 cm + 2.5 cm (dome)) × 2

Power Supply Auto Power Off Yes

Included Accessories Owner’s Manual, Music Book, Online Member Product Registration, Power cord, Bench*

* May not be included depending on your area. Check with your Yamaha dealer.

Separately Sold Accessories

(May not be available depending on your area.) Headphones (HPH-150/HPH-100/HPH-50), Footswitches (FC4A/FC5),

Foot controller (FC7), USB wireless LAN adaptor (UD-WL01)

CVP-909GP

(Grand Piano type)

CVP-909 CVP-905

CVP-909/CVP-905 Owner’s Manual 133

Index

A-B Repeat ................................................................73

Accessories .................................................................9

ACMP ON/OFF button ..................................................61

AI Fingered ................................................................66

AI Full Keyboard .........................................................66

Assembly ................................................116, 120, 124

ASSIGNABLE buttons ..................................................31

Audio conversion .........................................................85

Audio Input Sound .....................................................107

Audio Loopback ........................................................105

Audio recording ...........................................................76

Audio Song ................................................................67

Auto Accompaniment ...................................................58

Auto Power Off ...........................................................19

AUX IN ...................................................................107

Backup .....................................................................43

Balance .....................................................................42

Bank .........................................................................91

Binaural Sampling .......................................................21

Bluetooth Audio ........................................................108

Break ........................................................................62

Brightness .................................................................23

Channel ............................................................82, 100

Character entry ...........................................................36

Chord .......................................................................66

Chord Looper .............................................................62

Chord section .............................................................59

Chordal .....................................................................87

Chorus ......................................................................99

Compressor ...............................................................99

Computer ................................................................105

Connection ..............................................................101

Copy ........................................................................34

Damper Pedal ............................................................38

Data dial ....................................................................30

Delete .......................................................................34

Demo .......................................................................13

Display ......................................................................26

Edit (Song) ..........................................................78, 99

Effect ........................................................................99

Ending section ............................................................61

EQ ...........................................................................99

Factory Reset .............................................................42

Fast Forward ..............................................................69

Favorite .....................................................................35

File ...........................................................................32

File Selection display ....................................................27

Fill-in ........................................................................62

Filter .........................................................................99

Fingered ....................................................................65

Fingered On Bass ........................................................65

Fingering type .............................................................65

Fixed Velocity .............................................................40

Folder .......................................................................33

Foot Controller ..........................................................112

Footswitch ...............................................................112

Force-quit ..................................................................19

Format ................................................................8, 104

Full Keyboard .............................................................65

GP Response Damper ..................................................38

Grand Expression Modeling ...........................................53

Guide ........................................................................72

Half-pedal ..................................................................38

Headphones ...............................................................20

Home display ..............................................................26

IAC (Intelligent Acoustic Control) .....................................20

Initialize (Factory Reset) ................................................42

Intro section ...............................................................61

Karaoke ....................................................................88

Key cover ..................................................................16

Language ..................................................................22

Layer part ..................................................................49

Left Hold ....................................................................52

Left part .....................................................................49

Left Split Point ............................................................54

Lid ............................................................................17

Lyrics ........................................................................71

Main part ...................................................................49

Main section ...............................................................62

Master Compressor ......................................................99

Master volume ............................................................20

Menu area .................................................................26

Menu display ......................................................28, 113

CVP-909/CVP-905 Owner’s Manual

134

Metronome ................................................................39

Microphone ................................................................86

MIDI connection ........................................................111

MIDI Recording ...........................................................76

MIDI Song .................................................................67

Mixer ........................................................................98

Monitor ...................................................................111

Move ........................................................................34

MP3 .........................................................................76

Multi channel recording .................................................82

Multi Finger ................................................................65

Music notation ............................................................70

Music rest ..................................................................16

Noise Gate ..............................................................107

One Touch Setting .......................................................63

Organ Flutes Voice ......................................................56

OTS .........................................................................63

Owner Name ..............................................................22

Pairing ....................................................................109

Pan ..........................................................................99

Pause .......................................................................69

Pedal ................................................................38, 112

Piano Lock .................................................................52

Piano Reset ...............................................................52

Piano Room ...............................................................44

Pitch .........................................................................41

Pitch Shift ..................................................................74

Playback (Song) ..........................................................67

Playback (Style) ..........................................................61

Playlist ......................................................................89

Power .......................................................................18

Record ......................................................................94

Recording (Piano Room) ...............................................48

Recording (Song) ........................................................76

Reference Manual .........................................................9

Registration area .........................................................26

Registration Memory ....................................................89

Rename ....................................................................33

Repeat ......................................................................73

Restore .....................................................................42

Reverb ......................................................................99

Rewind .....................................................................69

Rotary Speaker ...........................................................57

S.Art/S.Art2 Voice .......................................................55

Save .........................................................................32

Score ........................................................................70

Search ......................................................................36

Single Finger ..............................................................65

Soft Pedal ..................................................................38

Song ........................................................................67

Song area ..................................................................26

Sostenuto Pedal ..........................................................38

Speed (Tempo) ...........................................................75

Split Point ..................................................................54

Stereophonic Optimizer .................................................21

Style .........................................................................58

Style area ..................................................................26

Style Split Point ...........................................................54

Super Articulation Voice ................................................55

Synchro Start (MIDI Song) .............................................70

Synchro Start (Style) ....................................................61

Synchro Stop ..............................................................61

Tag ..........................................................................93

Talk ..........................................................................88

Tempo ......................................................................39

Text ..........................................................................71

Time Stretch ...............................................................75

Touch Curve ...............................................................40

Touch Response .........................................................40

Touch screen ..............................................................29

Touch Sensitivity .........................................................40

Transpose .................................................................41

Troubleshooting ........................................................126

Tuning ......................................................................41

USB Audio Interface ...................................................105

USB flash drive .........................................................103

USB TO DEVICE .......................................................103

USB TO HOST .........................................................105

USB wireless LAN adaptor ..........................................106

User data ...................................................................27

Version .....................................................................22

Vocal Cancel ..............................................................75

Vocal Harmony ...........................................................87

Vocoder ....................................................................87

Vocoder-Mono ............................................................87

Voice ........................................................................49

Voice area .................................................................26

Volume .....................................................................20

Volume (Song) ............................................................42

Volume (Style) ............................................................42

Volume Balance ..........................................................42

VRM .........................................................................53

WAV .........................................................................76

CVP-909/CVP-905 Owner’s Manual 135

MEMO

136

GNU GENERAL PUBLIC LICENSE

Version 2, June 1991

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How to Apply These Terms to Your New

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141

libpng

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libpng versions 1.0.7, July 1, 2000 through 1.6.28, January 5, 2017 are

derived from libpng-1.0.6, and are distributed according to the same

disclaimer and license as libpng-1.0.6 with the following individuals added to

the list of Contributing Authors:

Simon-Pierre Cadieux

Eric S. Raymond

Mans Rullgard

Cosmin Truta

Gilles Vollant

James Yu

Mandar Sahastrabuddhe

and with the following additions to the disclaimer:

There is no warranty against interference with your enjoyment of the

library or against infringement. There is no warranty that our efforts or the

library will fulfill any of your particular purposes or needs. This library is

provided with all faults, and the entire risk of satisfactory quality,

performance, accuracy, and effort is with the user.

Some files in the “contrib” directory and some configure-generated files that

are distributed with libpng have other copyright owners and are released

under other open source licenses.

libpng versions 0.97, January 1998, through 1.0.6, March 20, 2000, are

0.96, and are distributed according to the same disclaimer and license as

libpng-0.96, with the following individuals added to the list of Contributing

Authors:

Tom Lane

Glenn Randers-Pehrson

Willem van Schaik

1996-1997 Andreas Dilger, are derived from libpng-0.88, and are distributed

according to the same disclaimer and license as libpng-0.88, with the

following individuals added to the list of Contributing Authors:

John Bowler

Kevin Bracey

Sam Bushell

Magnus Holmgren

Greg Roelofs

Tom Tanner

Some files in the “scripts” directory have other copyright owners but are

released under this license.

1995-1996 Guy Eric Schalnat, Group 42, Inc.

For the purposes of this copyright and license, “Contributing Authors” is

defined as the following set of individuals:

Andreas Dilger

Dave Martindale

Guy Eric Schalnat

Paul Schmidt

Tim Wegner

The PNG Reference Library is supplied “AS IS”. The Contributing Authors and

Group 42, Inc. disclaim all warranties, expressed or implied, including, without

limitation, the warranties of merchantability and of fitness for any purpose.

The Contributing Authors and Group 42, Inc. assume no liability for direct,

indirect, incidental, special, exemplary, or consequential damages, which may

result from the use of the PNG Reference Library, even if advised of the

possibility of such damage.

Permission is hereby granted to use, copy, modify, and distribute this source

code, or portions hereof, for any purpose, without fee, subject to the following

restrictions:

1. The origin of this source code must not be misrepresented.

2. Altered versions must be plainly marked as such and must not be

misrepresented as being the original source.

3. This Copyright notice may not be removed or altered from any source

or altered source distribution.

The Contributing Authors and Group 42, Inc. specifically permit, without fee,

and encourage the use of this source code as a component to supporting the

PNG file format in commercial products. If you use this source code in a

product, acknowledgment is not required but would be appreciated.

END OF COPYRIGHT NOTICE, DISCLAIMER, and LICENSE.

TRADEMARK:

The name “libpng” has not been registered by the Copyright owner as a

trademark in any jurisdiction. However, because libpng has been distributed

claims “common-law trademark protection” in any jurisdiction where common-

law trademark is recognized.

OSI CERTIFICATION:

Libpng is OSI Certified Open Source Software. OSI Certified Open Source is

a certification mark of the Open Source Initiative. OSI has not addressed the

additional disclaimers inserted at version 1.0.7.

EXPORT CONTROL:

The Copyright owner believes that the Export Control Classification Number

(ECCN) for libpng is EAR99, which means not subject to export controls or

International Traffic in Arms Regulations (ITAR) because it is open source,

publicly available software, that does not contain any encryption software.

See the EAR, paragraphs 734.3(b)(3) and 734.7(b).

Glenn Randers-Pehrson

glennrp at users.sourceforge.net

January 5, 2017

libuuid

1999 Andreas Dilger ([email protected])

Redistribution and use in source and binary forms, with or without

modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, and

the entire permission notice in its entirety, including the disclaimer of

warranties.

2. Redistributions in binary form must reproduce the above copyright notice,

this list of conditions and the following disclaimer in the documentation

and/or other materials provided with the distribution.

3. The name of the author may not be used to endorse or promote products

derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED “AS IS” AND ANY EXPRESS OR IMPLIED

WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A

PARTICULAR PURPOSE, ALL OF WHICH ARE HEREBY DISCLAIMED. IN

NO EVENT SHALL THE AUTHOR BE LIABLE FOR ANY DIRECT,

INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL

DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF

SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR

PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON

ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT

LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)

ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF

NOT ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

libjpeg

This software is based in part on the work of the Independent JPEG Group.

imagemagick

Licensed under the ImageMagick License (the “License”); you may not use

this file except in compliance with the License. You may obtain a copy of the

License at

https://www.imagemagick.org/script/license.php

Unless required by applicable law or agreed to in writing, software distributed

under the License is distributed on an “AS IS” BASIS, WITHOUT

WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.

See the License for the specific language governing permissions and

limitations under the License.

FreeType

ICU

Distributed under the Terms of Use in http://www.unicode.org/copyright.html.

Permission is hereby granted, free of charge, to any person obtaining a copy

of the Unicode data files and any associated documentation (the “Data Files”)

or Unicode software and any associated documentation (the “Software”) to

deal in the Data Files or Software without restriction, including without

limitation the rights to use, copy, modify, merge, publish, distribute, and/or sell

copies of the Data Files or Software, and to permit persons to whom the Data

142

Files or Software are furnished to do so, provided that either

(a) this copyright and permission notice appear with all copies of the Data

Files or Software, or

(b) this copyright and permission notice appear in associated Documentation.

THE DATA FILES AND SOFTWARE ARE PROVIDED “AS IS”, WITHOUT

WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT

LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A

PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY

RIGHTS.

IN NO EVENT SHALL THE COPYRIGHT HOLDER OR HOLDERS

INCLUDED IN THIS NOTICE BE LIABLE FOR ANY CLAIM, OR ANY

SPECIAL INDIRECT OR CONSEQUENTIAL DAMAGES, OR ANY

DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR

PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR

OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION

WITH THE USE OR PERFORMANCE OF THE DATA FILES OR

SOFTWARE.

Except as contained in this notice, the name of a copyright holder shall not be

used in advertising or otherwise to promote the sale, use or other dealings in

these Data Files or Software without prior written authorization of the

jemalloc

Redistribution and use in source and binary forms, with or without

modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice(s),

this list of conditions and the following disclaimer.

2. Redistributions in binary form must reproduce the above copyright

notice(s), this list of conditions and the following disclaimer in the

documentation and/or other materials provided with the distribution.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDER(S) “AS IS”

AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT

LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND

FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO

EVENT SHALL THE COPYRIGHT HOLDER(S) BE LIABLE FOR ANY

DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR

CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,

PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF

USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER

CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN

CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR

OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS

SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH

DAMAGE.

libss2 / libcomerr2

Massachusetts Institute of Technology

Permission to use, copy, modify, and distribute this software and its

documentation for any purpose and without fee is hereby granted, provided

that the above copyright notice appear in all copies and that both that

documentation, and that the names of M.I.T. and the M.I.T. S.I.P.B. not be

used in advertising or publicity pertaining to distribution of the software without

specific, written prior permission.

M.I.T. and the M.I.T. S.I.P.B. make no representations about the suitability of

this software for any purpose. It is provided “as is” without express or implied

warranty.

libpopt0

Permission is hereby granted, free of charge, to any person obtaining a copy

of this software and associated documentation files (the “Software”), to deal in

the Software without restriction, including without limitation the rights to use,

copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the

Software, and to permit persons to whom the Software is furnished to do so,

subject to the following conditions:

The above copyright notice and this permission notice shall be included in all

copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY

KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE

WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR

PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE X

CONSORTIUM BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER

LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR

OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE

SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

Except as contained in this notice, the name of the X Consortium shall not be

used in advertising or otherwise to promote the sale, use or other dealings in

this Software without prior written authorization from the X Consortium.

pcre

PCRE LICENCE

PCRE is a library of functions to support regular expressions whose syntax

and semantics are as close as possible to those of the Perl 5 language.

Release 8 of PCRE is distributed under the terms of the “BSD” licence, as

specified below. The documentation for PCRE, supplied in the “doc” directory,

is distributed under the same terms as the software itself.

The basic library functions are written in C and are freestanding. Also included

in the distribution is a set of C++ wrapper functions, and a just-in-time

compiler that can be used to optimize pattern matching. These are both

optional features that can be omitted when the library is built.

THE BASIC LIBRARY FUNCTIONS

Written by: Philip Hazel

Email local part: ph10

Email domain: cam.ac.uk

University of Cambridge Computing Service,

Cambridge, England.

PCRE JUST-IN-TIME COMPILATION SUPPORT

Written by: Zoltan Herczeg

Email local part: hzmester

Email domain: freemail.hu

STACK-LESS JUST-IN-TIME COMPILER

Written by: Zoltan Herczeg

Email local part: hzmester

Email domain: freemail.hu

THE C++ WRAPPER FUNCTIONS

Contributed by: Google Inc.

THE “BSD” LICENCE

Redistribution and use in source and binary forms, with or without

modification, are permitted provided that the following conditions are met:

* Redistributions of source code must retain the above copyright notice,

this list of conditions and the following disclaimer.

* Redistributions in binary form must reproduce the above copyright

notice, this list of conditions and the following disclaimer in the

documentation and/or other materials provided with the distribution.

* Neither the name of the University of Cambridge nor the name of

Google Inc. nor the names of their contributors may be used to endorse

or promote products derived from this software without specific prior

written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND

CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED

WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A

PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE

INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL

DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF

SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR

PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON

ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT

LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE)

ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF

ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

End

Gen Shin Gothic

• Gen Shin Gothic is a variant of Source Han Sans that also contains some

glyphs derived from M+ OUTLINE FONTS.

• The copyrights to the glyphs in the font data derived from Source Han Sans

belong to Adobe.

• The copyrights to the glyphs in the font data derived from M+ OUTLINE

FONTS belong to M+ FONTS PROJECT.

• The Gen Shin Gothic font files can be used under the same license as

Source Han Sans, SIL Open Font License 1.1.

143

This Font Software is licensed under the SIL Open Font License, Version 1.1.

This license is copied below, and is also available with a FAQ at:

http://scripts.sil.org/OFL

SIL OPEN FONT LICENSE Version 1.1

- 26 February 2007

PREAMBLE

The goals of the Open Font License (OFL) are to stimulate worldwide

development of collaborative font projects, to support the font creation efforts

of academic and linguistic communities, and to provide a free and open

framework in which fonts may be shared and improved in partnership with

others.

The OFL allows the licensed fonts to be used, studied, modified and

redistributed freely as long as they are not sold by themselves. The fonts,

including any derivative works, can be bundled, embedded, redistributed and/

or sold with any software provided that any reserved names are not used by

derivative works. The fonts and derivatives, however, cannot be released

under any other type of license. The requirement for fonts to remain under this

license does not apply to any document created using the fonts or their

derivatives.

DEFINITIONS

“Font Software” refers to the set of files released by the Copyright Holder(s)

under this license and clearly marked as such. This may include source files,

build scripts and documentation.

“Reserved Font Name” refers to any names specified as such after the

“Original Version” refers to the collection of Font Software components as

distributed by the Copyright Holder(s).

“Modified Version” refers to any derivative made by adding to, deleting, or

substituting -- in part or in whole -- any of the components of the Original

Version, by changing formats or by porting the Font Software to a new

environment.

“Author” refers to any designer, engineer, programmer, technical writer or

other person who contributed to the Font Software.

PERMISSION & CONDITIONS

Permission is hereby granted, free of charge, to any person obtaining a copy

of the Font Software, to use, study, copy, merge, embed, modify, redistribute,

and sell modified and unmodified copies of the Font Software, subject to the

following conditions:

1) Neither the Font Software nor any of its individual components, in Original

or Modified Versions, may be sold by itself.

2) Original or Modified Versions of the Font Software may be bundled,

redistributed and/or sold with any software, provided that each copy contains

the above copyright notice and this license. These can be included either as

stand-alone text files, human-readable headers or in the appropriate machine-

readable metadata fields within text or binary files as long as those fields can

be easily viewed by the user.

3) No Modified Version of the Font Software may use the Reserved Font

Name(s) unless explicit written permission is granted by the corresponding

presented to the users.

4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font

Software shall not be used to promote, endorse or advertise any Modified

Version, except to acknowledge the contribution(s) of the Copyright Holder(s)

and the Author(s) or with their explicit written permission.

5) The Font Software, modified or unmodified, in part or in whole, must be

distributed entirely under this license, and must not be distributed under any

other license. The requirement for fonts to remain under this license does not

apply to any document created using the Font Software.

TERMINATION

This license becomes null and void if any of the above conditions are not met.

DISCLAIMER

THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF

ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO

ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A

PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT,

PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE

OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT,

INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN

ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT

OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM

OTHER DEALINGS IN THE FONT SOFTWARE.

Apache License2.0

SPDX-License-Identifier: Apache-2.0

Licensed under the Apache License, Version 2.0 (the License); you may not

use this file except in compliance with the License. You may obtain a copy of

the License at

www.apache.org/licenses/LICENSE-2.0

Unless required by applicable law or agreed to in writing, software distributed

under the License is distributed on an AS IS BASIS, WITHOUT

WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.

See the License for the specific language governing permissions and

limitations under the License.

Modified BSD license

Redistribution and use in source and binary forms, with or without

modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this

list of conditions and the following disclaimer.

2. Redistributions in binary form must reproduce the above copyright notice,

this list of conditions and the following disclaimer in the documentation and/or

other materials provided with the distribution.

3. Neither the name of STMicroelectronics nor the names of its contributors

may be used to endorse or promote products derived from this software

without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND

CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED

WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A

PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE

DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR

CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,

PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF

USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER

CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN

CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR

OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS

SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH

DAMAGE.

144

Credits and Copyrights for the pre-installed

Songs

All I Want For Christmas Is You

Words and Music by Mariah Carey and Walter

Afanasieff

BEYONDIDOLIZATION, SONY MUSIC

PUBLISHING (US) LLC, TAMAL VISTA MUSIC

and KOBALT MUSIC COPYRIGHTS SARL

All Rights for BEYONDIDOLIZATION

Administered by UNIVERSAL TUNES

All Rights for SONY MUSIC PUBLISHING (US)

LLC and TAMAL VISTA MUSIC Administered

by SONY MUSIC PUBLISHING (US) LLC, 424

Church Street, Suite 1200, Nashville, TN 37219

All Rights for KOBALT MUSIC COPYRIGHTS

SARL Administered Worldwide by KOBALT

SONGS MUSIC PUBLISHING

All The Things You Are

Lyrics by Oscar Hammerstein II

Music by Jerome Kern

INTERNATIONAL PUBLISHING, INC.

Autumn Leaves

English lyric by Johnny Mercer

French lyric by Jacques Prevert

Music by Joseph Kosma

Sole Selling Agent for U.S. and Canada:

MORLEY MUSIC CO., by agreement with

ENOCH ET CIE

Back For Good

Words and Music by Gary Barlow

Limited

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Bad Day

Words and Music by Daniel Powter

All Rights Administered by BMG Rights

Management (US) LLC

Ballade Pour Adeline

By Paul de Senneville

Delphine, Inc. (ASCAP)

All Rights Administered by Regent Music

Corporation (BMI)

International Copyright Secured All Rights

Reserved

Used by Permission

Beauty And The Beast

from BEAUTY AND THE BEAST

Music by Alan Menken

Lyrics by Howard Ashman

Walt Disney Music Company

Billie Jean

Words and Music by Michael Jackson

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Blinding Lights

Words and Music by Abel Tesfaye, Max Martin,

Jason Quenneville, Oscar Holter and Ahmad

Balshe

SCSp, MXM, Universal Music Corp., Sal And

Co LP, WC Music Corp. and Songs Of Wolf

Cousins

All Rights for KMR Music Royalties II SCSp and

MXM Administered Worldwide by Kobalt Songs

Music Publishing

All Rights for Sal And Co LP Administered by

Universal Music Corp.

All Rights for Songs Of Wolf Cousins

Administered by WC Music Corp.

Can’t Take My Eyes Off Of You

Words and Music by Bob Crewe and Bob

Gaudio

Songs Of Universal, Inc., PW Ballads and

Seasons Four Music

All Rights on behalf of EMI Longitude Music

Administered by Sony Music Publishing (US)

LLC, 424 Church Street, Suite 1200, Nashville,

TN 37219

All Rights on behalf of PW Ballads and

Seasons Four Music Administered by Songs Of

Universal, Inc.

International Copyright Secured All Rights

Reserved

Candle In The Wind

Words and Music by Elton John and Bernie

Taupin

MUSIC LTD.

All Rights in the United States and Canada

Controlled and Administered by UNIVERSAL -

SONGS OF POLYGRAM INTERNATIONAL,

INC.

Clocks

Words and Music by Guy Berryman, Jon

Buckland, Will Champion and Chris Martin

Publishing MGB Ltd.

All Rights in the United States Administered by

Universal Music - MGB Songs

International Copyright Secured All Rights

Reserved

Cold Heart (PNAU Remix)

Words and Music by Elton John, Bernard J.P.

Taupin, Nicholas Littlemore, Peter Mayes, Sam

Littlemore, Dean Meredith and Andrew John

Meecham

PUBLISHING LTD., COW DOG MUSIC, INC.,

HST PUBLISHING LTD., CHENFELD LTD.,

UNIVERSAL MUSIC PUBLISHING PTY LTD.

and BMG RIGHTS MANAGEMENT (UK) LTD.

All Rights for UNIVERSAL MUSIC

PUBLISHING LTD., COW DOG MUSIC, INC.

and CHENFELD LTD. in the United States

Administered by UNIVERSAL - POLYGRAM

INTERNATIONAL PUBLISHING, INC.

All Rights for HST PUBLISHING LTD. and

UNIVERSAL MUSIC PUBLISHING PTY LTD.

in the United States Administered by

UNIVERSAL - SONGS OF POLYGRAM

INTERNATIONAL, INC.

All Rights for BMG RIGHTS MANAGEMENT

(UK) LTD. Administered by BMG RIGHTS

MANAGEMENT (US) LLC

- Contains elements of “Sacrifice” and “Rocket

Man (I Think It’s Gonna Be A Long Long Time)”

by Elton John and Bernie Taupin

Dancing Queen

Words and Music by Benny Andersson, Bjorn

Ulvaeus and Stig Anderson

SONGS MUSIKFORLAG AB

All Rights in the United States and Canada

Administered by UNIVERSAL - POLYGRAM

INTERNATIONAL PUBLISHING, INC. and EMI

GROVE PARK MUSIC, INC.

Don’t You Worry ’Bout A Thing

Words and Music by Stevie Wonder

Black Bull Music

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Eternal Flame

Words and Music by Billy Steinberg, Tom Kelly

and Susanna Hoffs

LLC and Bangophile Music

All Rights on behalf of Sony Music Publishing

(US) LLC Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

All Rights on behalf of Bangophile Music

Controlled and Administered by Songs Of

Universal, Inc.

International Copyright Secured All Rights

Reserved

Every Breath You Take

Music and Lyrics by Sting

INC.

Fields Of Gold

Music and Lyrics by Sting

INC.

Final Countdown

Words and Music by Joey Tempest

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

The Girl From Ipanema (Garôta De

Ipanema)

Music by Antônio Carlos Jobim

English Words by Norman Gimbel

Original Words by Vinícius De Moraes

and VINICIUS DE MORAES, Brazil

SONGS OF UNIVERSAL, INC. and WORDS

WEST LLC

English Words Renewed 1991 by NORMAN

GIMBEL for the World and Assigned to

WORDS WEST LLC (P.O. Box 15187, Beverly

Hills, CA 90209 USA)

Hallelujah

Words and Music by Leonard Cohen

LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

145

Hey Jude

Words and Music by John Lennon and Paul

McCartney

LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Higher Love

Words and Music by Will Jennings and Steve

Winwood

and F.S. MUSIC LTD.

All Rights for BLUE SKY RIDER SONGS

Administered by IRVING MUSIC, INC.

All Rights for F.S. MUSIC LTD. Administered

Worldwide by SONGS OF KOBALT MUSIC

PUBLISHING

The House Of The Rising Sun

Words and Music by Alan Price

Publishing Co., Ltd. and Anthem Cantaloupe

Music

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

I Will Always Love You

Words and Music by Dolly Parton

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

In The Mood

By Joe Garland

Co., Inc., New York

All Rights Administered Worldwide by

Reservoir Media Management, Inc.

Into The Unknown

from FROZEN 2

Music and Lyrics by Kristen Anderson-Lopez

and Robert Lopez

It Must Have Been Love

Words and Music by Per Gessle

All Rights Administered in the United States

and Canada by UNIVERSAL - SONGS OF

POLYGRAM INTERNATIONAL, INC.

Just The Way You Are

Words and Music by Billy Joel

All Rights Administered by ALMO MUSIC

CORP.

La Bamba

By Richard Valenzuela

Valens Heirs Designee

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Let It Be

Words and Music by John Lennon and Paul

McCartney

LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Let It Go

from FROZEN

Music and Lyrics by Kristen Anderson-Lopez

and Robert Lopez

Let There Be Love

Lyric by Ian Grant

Music by Lionel Rand

Inc., New York

All Rights Administered Worldwide by

Reservoir Media Management, Inc.

Lover

Words and Music by Taylor Swift

LLC and Taylor Swift Music

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Mas Que Nada

Words and Music by Jorge Ben

Edições Musicais Ltda.

All Rights Administered by Peer International

Corporation

International Copyright Secured All Rights

Reserved

Moon River

from the Paramount Picture BREAKFAST AT

TIFFANY'S

Words by Johnny Mercer

Music by Henry Mancini

LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Moves Like Jagger

Words and Music by Adam Levine, Benjamin

Levin, Ammar Malik and Shellback

Careers, Sudgee Music, Matza Ball Music,

Where Da Kasz At, Maru Cha Cha and MXM

All Rights for Sudgee Music Administered by

Universal Music - Careers

All Rights for Matza Ball Music Administered by

Concord Avenue c/o Concord Music Publishing

All Rights for Where Da Kasz At and Maru Cha

Cha Administered Worldwide by Songs Of

Kobalt Music Publishing

All Rights for MXM Administered Worldwide by

Kobalt Songs Music Publishing

International Copyright Secured All Rights

Reserved

My Heart Will Go On (Love Theme From

‘Titanic’)

from the Paramount and Twentieth Century Fox

Motion Picture TITANIC

Music by James Horner

Lyric by Will Jennings

Melody, T C F Music Publishing, Inc., Fox Film

Music Corporation and Blue Sky Rider Songs

All Rights on behalf of Sony Harmony and Sony

Melody Administered by Sony Music Publishing

(US) LLC, 424 Church Street, Suite 1200,

Nashville, TN 37219

All Rights on behalf of Blue Sky Rider Songs

Administered by Irving Music, Inc.

International Copyright Secured All Rights

Reserved

My Life

Words and Music by Billy Joel

All Rights Administered by ALMO MUSIC

CORP.

Perfect

Words and Music by Ed Sheeran

Limited

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Poker Face

Words and Music by Stefani Germanotta and

RedOne

LLC, House Of Gaga Publishing Inc. and

RedOne Productions, LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Pride And Joy

Written by Stevie Ray Vaughan

(ASCAP)

All Rights Administered by Wixen Music

Publishing, Inc.

Route 66

By Bobby Troup

1974 to Londontown Music

All Rights outside the U.S.A. controlled by

Edwin H. Morris & Company, A Division of MPL

Music Publishing, Inc.

International Copyright Secured All Rights

Reserved

Señorita

Words and Music by Camila Cabello, Charlotte

Aitchison, Jack Patterson, Shawn Mendes,

Magnus Hoiberg, Benjamin Levin, Ali Tamposi

and Andrew Wotman

Songs, Stellar Songs Ltd., EMI Music

Publishing Ltd., Songs Of Universal, Inc.,

Mendes Music, Infinite Stripes, Back Hair Music

Publishing, Universal Music Works, Please

Don’t Forget To Pay Me Music, Reservoir 416

and Andrew Watt Music

All Rights on behalf of Maidmetal Limited,

Milamoon Songs, Stellar Songs Ltd. and EMI

Music Publishing Ltd. Administered by Sony

Music Publishing (US) LLC, 424 Church Street,

Suite 1200, Nashville, TN 37219

All Rights on behalf of Mendes Music, Infinite

Stripes and Back Hair Music Publishing

Administered by Songs Of Universal, Inc.

146

All Rights on behalf of Please Don’t Forget To

Pay Me Music Administered by Universal Music

Works

All Rights on behalf of Reservoir 416

Administered Worldwide by Reservoir Media

Management, Inc.

All Rights on behalf of Andrew Watt Music

Administered Worldwide by Songs Of Kobalt

Music Publishing

International Copyright Secured All Rights

Reserved

Shallow

from A STAR IS BORN

Words and Music by Stefani Germanotta, Mark

Ronson, Andrew Wyatt and Anthony

Rossomando

LLC, SG Songs Worldwide, Concord

Copyrights, Songs Of Zelig, Concord Road,

White Bull Music Group, Concord Boulevard,

Stephaniesays Music, Warner-Barham Music,

LLC and Warner-Olive Music, LLC

All Rights on behalf of Sony Music Publishing

(US) LLC and SG Songs Worldwide

Administered by Sony Music Publishing (US)

LLC, 424 Church Street, Suite 1200, Nashville,

TN 37219

All Rights on behalf of Songs Of Zelig

Administered by Concord Copyrights c/o

Concord Music Publishing

All Rights on behalf of White Bull Music Group

Administered by Concord Road c/o Concord

Music Publishing

All Rights on behalf of Stephaniesays Music

Administered by Concord Boulevard c/o

Concord Music Publishing

All Rights (Excluding Print) on behalf of

Warner-Barham Music, LLC Administered by

Songs Of Universal, Inc.

All Rights (Excluding Print) on behalf of

Warner-Olive Music, LLC Administered by

Universal Music Corp.

Exclusive Worldwide Print Rights on behalf of

Warner-Barham Music, LLC and Warner-Olive

Music, LLC Administered by Alfred Music

International Copyright Secured All Rights

Reserved

Someone Like You

Words and Music by Adele Adkins and Dan

Wilson

PUBLISHING LTD., BMG MONARCH and

SUGAR LAKE MUSIC

All Rights for MELTED STONE PUBLISHING

LTD. in the U.S. and Canada Administered by

UNIVERSAL - POLYGRAM INTERNATIONAL

TUNES, INC.

All Rights for BMG MONARCH and SUGAR

LAKE MUSIC Administered by BMG RIGHTS

MANAGEMENT (US) LLC

Someone You Loved

Words and Music by Lewis Capaldi, Benjamin

Kohn, Peter Kelleher, Thomas Barnes and

Samuel Roman

Rights Management (UK) Ltd., Sony Music

Publishing (UK) Limited and EMI Music

Publishing Ltd.

All Rights for BMG Gold Songs and BMG

Rights Management (UK) Ltd. Administered by

BMG Rights Management (US) LLC

All Rights for Sony Music Publishing (UK)

Limited and EMI Music Publishing Ltd.

Administered by Sony Music Publishing (US)

LLC, 424 Church Street, Suite 1200, Nashville,

TN 37219

Spanish Eyes

Words by Charles Singleton and Eddie Snyder

Music by Bert Kaempfert

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

10,000 Hours

Words and Music by Dan Smyers, Jordan

Reynolds, Shay Mooney, Justin Bieber, Jason

Boyd and Jessie Jo Dillon

BANJOS, BUCKEYE26, JREYNMUSIC,

WARNER-TAMERLANE PUBLISHING CORP.,

SHAY MOONEY MUSIC, UNIVERSAL MUSIC

CORP., BIEBER TIME PUBLISHING, BMG

GOLD SONGS, POO BZ PUBLISHING INC.,

BIG MUSIC MACHINE and BIG ASS PILE OF

DIMES MUSIC

All Rights for BEATS AND BANJOS,

BUCKEYE26 and JREYNMUSIC Administered

by WC MUSIC CORP.

All Rights for SHAY MOONEY MUSIC

Administered by WARNER-TAMERLANE

PUBLISHING CORP.

All Rights for BIEBER TIME PUBLISHING

Administered by UNIVERSAL MUSIC CORP.

All Rights for BMG GOLD SONGS and POO

BZ PUBLISHING INC. Administered by BMG

RIGHTS MANAGEMENT (US) LLC

Unchained Melody

Lyric by Hy Zaret

Music by Alex North

(SESAC) and HZUM Publishing (SESAC) c/o

Unchained Melody Publishing, LLC

Up Where We Belong

from the Paramount Picture AN OFFICER AND

A GENTLEMAN

Words by Will Jennings

Music by Buffy Sainte-Marie and Jack Nitzsche

LLC

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

What A Wonderful World

Words and Music by George David Weiss and

Bob Thiele

Quartet Music and Abilene Music

All Rights for Range Road Music Inc.

Administered by Round Hill Carlin, LLC

All Rights for Quartet Music Administered by

BMG Rights Management (US) LLC

All Rights for Abilene Music Administered by

Concord Sounds c/o Concord Music Publishing

International Copyright Secured All Rights

Reserved

Used by Permission

White Christmas

from the Motion Picture Irving Berlin’s

HOLIDAY INN

Words and Music by Irving Berlin

International Copyright Secured All Rights

Reserved

Wonderful Tonight

Words and Music by Eric Clapton

International Copyright Secured All Rights

Reserved

Wonderwall

Words and Music by Noel Gallagher

Limited and Oasis Music

All Rights Administered by Sony Music

Publishing (US) LLC, 424 Church Street, Suite

1200, Nashville, TN 37219

International Copyright Secured All Rights

Reserved

You’ve Lost That Lovin’ Feelin’

Words and Music by Barry Mann, Cynthia Weil

and Phil Spector

Music Inc., Dyad Music Ltd. and Mother Bertha

Music

All Rights on behalf of Screen Gems-EMI Music

Inc. Administered by Sony Music Publishing

(US) LLC, 424 Church Street, Suite 1200,

Nashville, TN 37219

International Copyright Secured All Rights

Reserved

Your Song

Words and Music by Elton John and Bernie

Taupin

MUSIC LTD.

All Rights in the United States and Canada

Controlled and Administered by UNIVERSAL -

SONGS OF POLYGRAM INTERNATIONAL,

INC.

147

For U.S.A.

For Canada

This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.

(554-M01 FCC transmitter 01)

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the

FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to

comply without testing of specific absorption rate (SAR).

(554-M04 FCC portable 01)

Important Notice:

U.S. LIMITED WARRANTY for Customers in the United States

For detailed information about this Yamaha product and warranty service, please either visit the following

website address (printable file is available at our website) or contact Customer Service at the address or

telephone number identified below.

Website Address:

Yamaha.io/ClavinovaWarranty

Customer Service:

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620-1273

Telephone: 800-854-1569

This equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment and meets

RSS-102 of the ISED radio frequency (RF) Exposure rules as this equipment has very low levels of RF energy.

Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non

contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’ISDE puisque cet

appareil a une niveau tres bas d’energie RF.

(0555-M05_ised_portable_01)

This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic

Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:

1. This device may not cause interference.

2. This device must accept any interference, including interference that may cause undesired operation of the

device.

L’émetteur/récepteur exempt de licence contenu dans le présent appareil est conforme aux CNR d’Innovation,

Sciences et Développement économique Canada applicables aux appareils radio exempts de licence. L’exploitation

est autorisée aux deux conditions suivantes :

1. L’appareil ne doit pas produire de brouillage ;

2. L’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en

compromettre le fonctionnement.

(555-M13 ISED RSS 01)

148

For European Union and United Kingdom

EN SIMPLIFIED EU DECLARATION OF CONFORMITY / SIMPLIFIED UK DECLARATION OF CONFORMITY

Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [CVP-909GP, CVP-909, CVP-905] is in compliance with

Directive 2014/53/EU and the radio equipment regulations of UK. The full texts of the EU declaration of conformity and the UK

declaration of conformity are available at the following internet address:

https://europe.yamaha.com/en/support/compliance/doc.html

FR DECLARATION UE DE CONFORMITE SIMPLIFIEE

Le soussigné, Yamaha Music Europe GmbH, déclare que l'équipement radioélectrique du type [CVP-909GP, CVP-909, CVP-905] est

conforme à la directive 2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante :

https://europe.yamaha.com/en/support/compliance/doc.html

DE VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG

Hiermit erklärt Yamaha Music Europe GmbH, dass der Funkanlagentyp [CVP-909GP, CVP-909, CVP-905] der Richtlinie 2014/53/EU

entspricht. Der vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar:

https://europe.yamaha.com/en/support/compliance/doc.html

SV FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE

Härmed försäkrar Yamaha Music Europe GmbH att denna typ av radioutrustning [CVP-909GP, CVP-909, CVP-905] överensstämmer

med direktiv 2014/53/EU. Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:

https://europe.yamaha.com/en/support/compliance/doc.html

IT DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA

Il fabbricante, Yamaha Music Europe GmbH, dichiara che il tipo di apparecchiatura radio [CVP-909GP, CVP-909, CVP-905] è

conforme alla direttiva 2014/53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet:

https://europe.yamaha.com/en/support/compliance/doc.html

ES DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA

Por la presente, Yamaha Music Europe GmbH declara que el tipo de equipo radioeléctrico [CVP-909GP, CVP-909, CVP-905] es

conforme con la Directiva 2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la dirección Internet

https://europe.yamaha.com/en/support/compliance/doc.html

PT DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA

O(a) abaixo assinado(a) Yamaha Music Europe GmbH declara que o presente tipo de equipamento de rádio [CVP-909GP, CVP-909,

CVP-905] está em conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no

seguinte endereço de Internet:

https://europe.yamaha.com/en/support/compliance/doc.html

NL VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING

Hierbij verklaar ik, Yamaha Music Europe GmbH, dat het type radioapparatuur [CVP-909GP, CVP-909, CVP-905] conform is met

Richtlijn 2014/53/EU. De volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:

https://europe.yamaha.com/en/support/compliance/doc.html

BG ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ

С настоящото Yamaha Music Europe GmbH декларира, че този тип радиосъоръжение [CVP-909GP, CVP-909, CVP-905] е в

съответствие с Директива 2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се намери на следния

интернет адрес:

https://europe.yamaha.com/en/support/compliance/doc.html

CS ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ

Tímto Yamaha Music Europe GmbH prohlašuje, že typ rádiového zařízení [CVP-909GP, CVP-909, CVP-905] je v souladu se směrnicí

2014/53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:

https://europe.yamaha.com/en/support/compliance/doc.html

DA FORENKLET EU-OVERENSSTEMMELSESERKLÆRING

Hermed erklærer Yamaha Music Europe GmbH, at radioudstyrstypen [CVP-909GP, CVP-909, CVP-905] er i overensstemmelse med

direktiv 2014/53/EU. EU-overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse:

https://europe.yamaha.com/en/support/compliance/doc.html

149

(559-M01 RED DoC URL 02)

ET LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON

Käesolevaga deklareerib Yamaha Music Europe GmbH, et käesolev raadioseadme tüüp [CVP-909GP, CVP-909, CVP-905] vastab

direktiivi 2014/53/EL nõuetele. ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil:

https://europe.yamaha.com/en/support/compliance/doc.html

EL ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ

Με την παρούσα ο/η Yamaha Music Europe GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [CVP-909GP, CVP-909, CVP-905] πληροί την

οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:

https://europe.yamaha.com/en/support/compliance/doc.html

HR POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI

Yamaha Music Europe GmbH ovime izjavljuje da je radijska oprema tipa [CVP-909GP, CVP-909, CVP-905] u skladu s Direktivom

2014/53/EU. Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljedećoj internetskoj adresi:

https://europe.yamaha.com/en/support/compliance/doc.html

LV VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA

Ar šo Yamaha Music Europe GmbH deklarē, ka radioiekārta [CVP-909GP, CVP-909, CVP-905] atbilst Direktīvai 2014/53/ES. Pilns ES

atbilstības deklarācijas teksts ir pieejams šādā interneta vietnē:

https://europe.yamaha.com/en/support/compliance/doc.html

LT SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA

Aš, Yamaha Music Europe GmbH, patvirtinu, kad radijo įrenginių tipas [CVP-909GP, CVP-909, CVP-905] atitinka Direktyvą 2014/53/

ES. Visas ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu:

https://europe.yamaha.com/en/support/compliance/doc.html

HU EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT

Yamaha Music Europe GmbH igazolja, hogy a [CVP-909GP, CVP-909, CVP-905] típusú rádióberendezés megfelel a 2014/53/EU

irányelvnek. Az EU-megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen:

https://europe.yamaha.com/en/support/compliance/doc.html

PL UPROSZCZONA DEKLARACJA ZGODNOŚCI UE

Yamaha Music Europe GmbH niniejszym oświadcza, że typ urządzenia radiowego [CVP-909GP, CVP-909, CVP-905] jest zgodny z

dyrektywą 2014/53/UE. Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:

https://europe.yamaha.com/en/support/compliance/doc.html

RO DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ

Prin prezenta, Yamaha Music Europe GmbH declară că tipul de echipamente radio [CVP-909GP, CVP-909, CVP-905] este în

conformitate cu Directiva 2014/53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea adresă internet:

https://europe.yamaha.com/en/support/compliance/doc.html

SK ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE

Yamaha Music Europe GmbH týmto vyhlasuje, že rádiové zariadenie typu [CVP-909GP, CVP-909, CVP-905] je v súlade so smernicou

2014/53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese:

https://europe.yamaha.com/en/support/compliance/doc.html

SL POENOSTAVLJENA IZJAVA EU O SKLADNOSTI

Yamaha Music Europe GmbH potrjuje, da je tip radijske opreme [CVP-909GP, CVP-909, CVP-905] skladen z Direktivo 2014/53/EU.

Celotno besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:

https://europe.yamaha.com/en/support/compliance/doc.html

FI YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS

Yamaha Music Europe GmbH vakuuttaa, että radiolaitetyyppi [CVP-909GP, CVP-909, CVP-905] on direktiivin 2014/53/EU mukainen.

EU-vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa:

https://europe.yamaha.com/en/support/compliance/doc.html

TR BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ

İşbu belge ile, Yamaha Music Europe GmbH, radyo cihaz tipinin [CVP-909GP, CVP-909, CVP-905], Direktif 2014/53/ AB'ye

uygunluğunu beyan eder. AB uyumu beyanının tam metni aşağıdaki internet adresinden edinilebilir:

https://europe.yamaha.com/en/support/compliance/doc.html

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à

Yamaha ou au distributeur le plus proche de vous figurant dans la

liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den

jeweiligen Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más

cercana o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Toronto, Ontario M1S 3R1,

Canada

Tel: +1-416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park,

CA 90620, U.S.A.

Tel: +1-714-522-9011

MEXICO

Yamaha de México, S.A. de C.V.

Av. Insurgentes Sur 1647 Piso 9, Col. San José

Insurgentes, Delegación Benito Juárez, CDMX,

C.P. 03900, México

Tel: +52-55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Praça Professor José Lannes, 40-Cjs 21 e 22,

Brooklin Paulista Novo CEP 04571-100 – São

Paulo – SP, Brazil

Tel: +55-11-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.,

Sucursal Argentina

Olga Cossettini 1553, Piso 4 Norte,

Madero Este-C1107CEK,

Buenos Aires, Argentina

Tel: +54-11-4119-7000

PANAMA AND OTHER LATIN AMERICAN

REGIONS/CARIBBEAN REGIONS

Yamaha Music Latin America, S.A.

Edificio Torre Davivienda, Piso: 20 Avenida

Balboa, Marbella, Corregimiento de Bella Vista,

Ciudad de Panamá, Rep. de Panamá

Tel: +507-269-5311

THE UNITED KINGDOM/IRELAND

Yamaha Music Europe GmbH (UK)

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, U.K.

Tel: +44-1908-366700

GERMANY

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany

Tel: +49-4101-303-0

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Europe GmbH, Branch

Switzerland in Thalwil

Seestrasse 18a, 8800 Thalwil, Switzerland

Tel: +41-44-3878080

AUSTRIA/CROATIA/

CZECH REPUBLIC

HUNGARY/ROMANIA/SLOVAKIA/

SLOVENIA

Yamaha Music Europe GmbH, Branch Austria

Schleiergasse 20, 1100 Wien, Austria

Tel: +43-1-60203900

POLAND

Yamaha Music Europe

Sp.z o.o. Oddział w Polsce

ul. Młynarska 48, 01-171 Warszawa, Poland

Tel: +48-22-880-08-88

BULGARIA

Dinacord Bulgaria LTD.

Bul.Iskarsko Schose 7 Targowski Zentar

Ewropa 1528 Sofia, Bulgaria

Tel: +359-2-978-20-25

MALTA

Olimpus Music Ltd.

Valletta Road, Mosta MST9010, Malta

Tel: +356-2133-2093

NETHERLANDS/BELGIUM/

LUXEMBOURG

Yamaha Music Europe, Branch Benelux

Wattbaan 1 3439ML Nieuwegein,

The Netherlands

Tel: +31-347-358040

FRANCE

Yamaha Music Europe

7 rue Ambroise Croizat, Zone d'activités de

Pariest, 77183 Croissy-Beaubourg, France

Tel: +33-1-6461-4000

ITALY

Yamaha Music Europe GmbH, Branch Italy

Via Tinelli N.67/69 20855 Gerno di Lesmo (MB),

Italy

Tel: +39-039-9065-1

SPAIN/PORTUGAL

Yamaha Music Europe GmbH Ibérica,

Sucursal en España

Ctra. de la Coruña km. 17,200, 28231

Las Rozas de Madrid, Spain

Tel: +34-91-639-88-88

GREECE

Philippos Nakas S.A. The Music House

19th klm. Leof. Lavriou 190 02 Peania – Attiki,

Greece

Tel: +30-210-6686260

SWEDEN

Yamaha Music Europe GmbH Germany Filial

Scandinavia

JA Wettergrensgata 1, 400 43 Göteborg, Sweden

Tel: +46-31-89-34-00

DENMARK

Yamaha Music Denmark,

Fillial of Yamaha Music Europe GmbH, Tyskland

Generatorvej 8C, ST. TH., 2860 Søborg, Denmark

Tel: +45-44-92-49-00

FINLAND

F-Musiikki Oy

Antaksentie 4

FI-01510 Vantaa, Finland

Tel: +358 (0)96185111

NORWAY

Yamaha Music Europe GmbH Germany -

Norwegian Branch

c/o Box 30053, 400 43 Göteborg, Sweden

Tel: +47-6716-7800

ICELAND

Hljodfaerahusid Ehf.

Sidumula 20

IS-108 Reykjavik, Iceland

Tel: +354-525-5050

CYPRUS

Nakas Music Cyprus Ltd.

Nikis Ave 2k

1086 Nicosia

Tel: + 357-22-511080

Major Music Center

21 Ali Riza Ave. Ortakoy

P.O.Box 475 Lefkoşa, Cyprus

Tel: (392) 227 9213

RUSSIA

Yamaha Music (Russia) LLC.

Room 37, entrance 7, bld. 7, Kievskaya street,

Moscow, 121059, Russia

Tel: +7-495-626-5005

OTHER EUROPEAN REGIONS

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany

Tel: +49-4101-303-0

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328,

Jebel Ali FZE, Dubai, UAE

Tel: +971-4-801-1500

TURKEY

Dore Muzik

Yeni Sülün Sokak No. 10

Levent İstanbul / Turkiye

Tel: +90-212-236-3640

Fax: +90-212-259-5567

ISRAEL

RBX International Co., Ltd.

P.O Box 10245, Petach-Tikva, 49002

Tel: (972) 3-925-6900

OTHER REGIONS

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328,

Jebel Ali FZE, Dubai, UAE

Tel: +971-4-801-1500

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co., Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

Shanghai, China

Tel: +86-400-051-7700

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: +852-2737-7688

INDIA

Yamaha Music India Private Limited

P-401, JMD Megapolis, Sector-48, Sohna Road,

Gurugram-122018, Haryana, India

Tel: +91-124-485-3300

INDONESIA

PT Yamaha Musik Indonesia Distributor

Yamaha Music Center Bldg. Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: +62-21-520-2577

KOREA

Yamaha Music Korea Ltd.

11F, Prudential Tower, 298, Gangnam-daero,

Gangnam-gu, Seoul, 06253, Korea

Tel: +82-2-3467-3300

MALAYSIA

Yamaha Music (Malaysia) Sdn. Bhd.

No.8, Jalan Perbandaran, Kelana Jaya, 47301

Petaling Jaya, Selangor, Malaysia

Tel: +60-3-78030900

SINGAPORE

Yamaha Music (Asia) Private Limited

Block 202 Hougang Street 21, #02-00,

Singapore 530202, Singapore

Tel: +65-6740-9200

TAIWAN

Yamaha Music & Electronics Taiwan Co., Ltd.

2F., No.1, Yuandong Rd., Banqiao Dist.,

New Taipei City 22063, Taiwan (R.O.C.)

Tel: +886-2-7741-8888

THAILAND

Siam Music Yamaha Co., Ltd.

3, 4, 15, 16th Fl., Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: +66-2215-2622

VIETNAM

Yamaha Music Vietnam Company Limited

15th Floor, Nam A Bank Tower, 201-203 Cach

Mang Thang Tam St., Ward 4, Dist.3,

Ho Chi Minh City, Vietnam

Tel: +84-28-3818-1122

OTHER ASIAN REGIONS

https://asia.yamaha.com/

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 80 Market Street, South Melbourne,

VIC 3205 Australia

Tel: +61-3-9693-5111

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680,

New Zealand

Tel: +64-9-634-0099

REGIONS AND TRUST TERRITORIES IN

PACIFIC OCEAN

https://asia.yamaha.com/

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

DMI31

Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan

Importer (European Union): Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany

Importer (United Kingdom): Yamaha Music Europe GmbH (UK) Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, United Kingdom

Published 02/2023 MWMA-A0

VFT3090

Yamaha Global Site

https://www.yamaha.com/

Yamaha Downloads

https://download.yamaha.com/

Yamaha CVP-905 de handleiding

Merk: Yamaha

Model: CVP-905

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

CVP-909

PDF downloaden

rapport

in andere talen

italiano: Yamaha CVP-905 Manuale del proprietario
русский: Yamaha CVP-905 Инструкция по применению
français: Yamaha CVP-905 Le manuel du propriétaire
español: Yamaha CVP-905 El manual del propietario
Deutsch: Yamaha CVP-905 Bedienungsanleitung
português: Yamaha CVP-905 Manual do proprietário
dansk: Yamaha CVP-905 Brugervejledning
suomi: Yamaha CVP-905 Omistajan opas
čeština: Yamaha CVP-905 Návod k obsluze
svenska: Yamaha CVP-905 Bruksanvisning
polski: Yamaha CVP-905 Instrukcja obsługi
română: Yamaha CVP-905 Manualul proprietarului

Yamaha CVP-905 de handleiding

Deze handleiding is ook geschikt voor

Yamaha CVP-905 de handleiding

in andere talen

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