Yamaha HTR-5230RDS Handleiding

Merk: Yamaha

Model: HTR-5230RDS

Type: Handleiding

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

HTR-5230RDS

Natural Sound AV Receiver

Ampli-tuner audio-vidéo

HTR-5230RDS

G B

1/20/0, 6:22 PM

CAUTION

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2. Install this unit in a cool, dry, clean place — away

from windows, heat sources, sources of excessive

vibration, dust, moisture and cold. Avoid sources of

humming (transformers, motors). To prevent fire or

electrical shock, do not expose the unit to rain or

water.

3. Never open the cabinet. If something drops into the

unit, contact your dealer.

4. Do not use force on switches, controls or connection

wires. When moving the unit, first disconnect the

power cord and then the wires connected to other

component. Never pull the wires themselves.

5. The openings on the cover assure proper ventilation

of the unit. If these openings are obstructed, the

temperature inside the unit will rise rapidly.

Therefore, avoid placing objects against these

openings, and install the unit in a well-ventilated area

to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind,

20 cm on both sides and 30 cm above the top panel

of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified

on this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for

any damage resulting from the use of this unit with a

voltage other than that specified.

7. Digital signals generated by this unit may interfere

with other component such as tuners, receivers and

TVs. Move this unit farther away from such

component if interference is observed.

8. Always set VOLUME to the “m” position before

starting the audio source play. Increase the volume

gradually to an appropriate level after playback has

been started.

9. Do not attempt to clean the unit with chemical

solvents; this might damage the finish. Use a clean,

dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before

concluding that the unit is faulty.

11. When not planning to use this unit for a long period

of time (e.g., a vacation), disconnect the AC power

cord from the wall outlet.

12. To prevent lightning damage, disconnect the AC

power cord and disconnect the antenna cable when

there is an electrical storm.

13. Grounding or polarization — Precautions should be

taken so that the grounding or polarization of the unit

is not defeated.

14. AC outlet — Do not connect audio component to the

AC outlet on the rear panel if that component

requires more power than the outlet is rated to

provide.

This unit is not disconnected from the AC power source

as long as it is connected to the wall outlet, even if this

unit itself is turned off. This state is called the standby

mode. In this state, this unit is designed to consume a

very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the

instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a

plug with bared flexible cord is hazardous if engaged in a live

socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured

markings identifying the terminals in your plug, proceed

as follows:

The wire which is coloured BLUE must be connected to

the terminal which is marked with the letter N or

coloured BLACK. The wire which is coloured BROWN

must be connected to the terminal which is marked with

the letter L or coloured RED.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz)

Main: 60 W + 60 W (8 Ω)

Center: 60 W (8 Ω)

Rear: 60 W + 60 W (8 Ω)

Multi-mode Digital Sound Field

Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Digital Decoder

◆ Dolby Pro Logic Decoder

◆ CINEMA DSP: Theater-like Sound Experience by

the Combination of YAMAHA DSP Technology

and Dolby Digital or Dolby Pro Logic

◆ Automatic Input Balance Control for Dolby Pro

Logic decoding

Sophisticated FM/AM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset Editing)

◆ Multi-Functions for RDS Broadcast Reception

Other Features

◆ “SET MENU” which Provides You with 10 Items

for Optimizing This Unit for Your Audio/Video

System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ 2 Optical/1 Coaxial Digital Signal Input Terminals

◆ SLEEP Timer

◆ Remote Control Capability

INTRODUCTION

CONTENTS

Manufactured under license from Dolby

Laboratories. “Dolby”, “Pro Logic” and the

double-D symbol are trademarks of Dolby

Laboratories. Confidential Unpublished Works.

rights reserved.

PREPARATION

SPEAKER SETUP....................................................... 8

CONNECTIONS.......................................................... 9

ADJUSTING THE SPEAKER BALANCE ............ 17

BASIC OPERATION

PLAYING A SOURCE .............................................. 19

DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT .................................................................. 22

SOUND FIELD PROGRAM .................................... 23

TUNING ..................................................................... 26

RECEIVING RDS STATIONS................................. 30

RECORDING A SOURCE ON TAPE, MD OR

VIDEO CASSETTE ............................................... 33

ADVANCED OPERATION

SET MENU................................................................. 34

DELAY TIME AND SPEAKER

OUTPUT LEVELS ................................................. 38

SLEEP TIMER .......................................................... 40

APPENDIX

TROUBLESHOOTING ............................................ 41

SPECIFICATIONS.................................................... 44

GLOSSARY................................................................ 45

INDEX ........................................................................ 46

INTRODUCTION

FEATURES .................................................................. 1

CONTENTS ................................................................. 1

GETTING STARTED ................................................. 2

CONTROLS AND FUNCTIONS ............................... 4

y indicates a tip for your operation.

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GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control Batteries (AA, R06, UM-3 type) 75-ohm/300-ohm antenna adapter

(U.K. model only)

Indoor FM antenna

Connection guide

AM loop antenna

Battery Installation in the Remote

Control

1 Turn the remote control over and slide the

battery compartment cover in the direction of

the arrow.

2 Insert the batteries (AA, R06 or UM-3 type)

according the polarity markings on the inside

of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the

unit, the batteries are weak. Replace all the batteries with

new ones.

Notes

• Use only AA, R06 or UM-3 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside

the battery compartment.)

• Remove the batteries if the remote control will not be used for an

extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid

touching the leaked material or letting it come into contact with

clothing, etc. Clean the battery compartment thoroughly before

installing new batteries.

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

Using the Remote Control

The remote control transmits a directional infrared beam. Be

sure to aim the remote control directly at the infrared sensor

during operation. When the sensor is covered or there is a

large object between the remote control and the sensor, the

sensor cannot receive signals. The sensor may not be able to

receive signals properly when it is exposed to direct sunlight

or a strong artificial light (such as a fluorescent or strobe

light). In this case, change the direction of the light or

reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following

conditions:

– high humidity or temperature such as near a heater, stove or

bath;

– dusty places; or

– extremely low temperature.

GETTING STARTED

Remote control

sensor

Within approximately 6 m

(20 feet)

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–

12 3 8 094 5 76

qwertyuiopa s d

6 EON

Press this button to select the desired program type (NEWS,

INFO, AFFAIRS, SPORT) when you want to tune in to a

radio program of that type automatically.

7 PTY SEEK START

Press this button to begin searching for a station after the

desired program type has been selected in the PTY SEEK

mode.

8 INPUT MODE

Press this button to select the input mode between AUTO

and ANALOG for the DVD/LD, TV/digital TV and satellite

tuner sources.

9 INPUT

Turn this selector to select the input source (VCR, SAT/D-

TV, DVD/LD, TUNER, CD, AUX) that you want to listen

to or watch. The name of the selected input source appears

on the display.

0 VOLUME

Turn this control to turn up or down the volume.

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set

this unit in the standby mode. Before turning the power on,

set VOLUME to the “m” position.

Standby mode

In this mode, this unit consumes a very small quantity of

power to receive infrared-signals from the remote

control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 6 for

details.)

4 PTY SEEK MODE

Press this button to set the unit in the PTY SEEK mode.

5 RDS MODE/FREQ

When an RDS station is received, press this button to

change the display mode among the PS mode, PTY mode,

RT mode, CT mode (if the station offers those RDS data

services) and/or frequency display mode in turn.

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

q PHONES jack

Connect the headphones to the PHONES jack. You can

listen to the sound to be output from the main speakers

through the headphones.

When using headphones only, set both SPEAKERS A and B

to the OFF position and press EFFECT to turn off the effect

speakers (center and rear) (so that no DSP program

indicator lights up on the display).

w SPEAKERS

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) that you want to use.

Set the button(s) to the OFF position for the main speaker

system that you don’t want to use.

e PROGRAM selector

Press l or h to select a DSP program when the effect

speakers (center, rear and subwoofer) are turned on. The

selected program indicator lights up on the display.

r EFFECT

Press this button to turn on or off the effect speakers (center

and rear). If you turn them off, all Dolby Digital audio

signals are directed to the right and left main speakers. In

that case, the output levels of the right and left speakers may

not match.

t Tone controls

These controls are only effective for the sound from the

main speakers.

a) BASS

Turn this control clockwise to increase or counterclockwise

to decrease the low-frequency response. The “0” position

produces a flat response.

b) TREBLE

Turn this control clockwise to increase or counterclockwise

to decrease the high-frequency response. The “0” position

produces a flat response.

y TAPE/MD MON / EXT. DECODER

Press this button to select a tape or an MD source. The

“TAPE/MD MONITOR” indicator lights up on the display.

When you press the button next, the “TAPE/MD

MONITOR” indicator goes off, “EXT. DECODER” appears

on the display and you can listen to a source connected to

the EXTERNAL DECODER INPUT terminals.

u BALANCE

This control is only effective for the sound from the main

speakers.

Turn the control to adjust the balance of the output volume

from the right and left main speakers to compensate for

sound imbalance caused by the speaker location or listening

room conditions.

i A/B/C/D/E

Press this button to select one of a group (A to E) of preset

stations.

o PRESET/TUNING

When “ z ” appears

This button is used to select a preset station number (1 to 8).

Press h to select a higher and l to select a lower preset

station number.

When “ z ” goes off

This button is used for tuning. Press h to tune in to higher

frequencies, and l to tune in to lower frequencies.

When this unit is in the PTY SEEK mode, press this button

to select a program type.

p PRESET/TUNING, EDIT

Press this button to turn on or off “ z ” on the display and

switch the function between for storing a broadcasting

station (preset tuning) and for tuning. This button is also

used to exchange the assignment of two preset stations with

each other.

a FM/AM

Press this button to switch the reception band between FM

and AM.

s MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations. Hold

down this button for more than three seconds to begin

automatic preset tuning.

d TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode between

automatic and manual. To use the automatic tuning method,

press this button so that the “AUTO” indicator lights up on

the display. To use the manual tuning method, press this

button so that the “AUTO” indicator goes off.

CONTROLS AND FUNCTIONS

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Display

8 RDS mode indicators

The name(s) of the RDS data offered by the currently

received RDS station light(s) up. Illumination of the red

indicator next to the RDS data name shows that the

corresponding RDS mode is now selected.

9 AUTO indicator

This lights up when the unit is in the automatic tuning

mode.

0 PTY HOLD indicator

This lights up while searching for stations in the PTY SEEK

mode.

q EON indicator

This lights up when an RDS station that offers the EON data

service is being received.

w Program type name indicators

The name of the selected program type lights up when the

“EON” indicator lights up.

e STEREO indicator

This lights up when an FM stereo broadcast with sufficient

signal strength is being received.

r Signal-level indicator

This indicates the signal level of the station being received.

If multipath interference is detected, the indication

decreases.

890

CONTROLS AND FUNCTIONS

1 g and o indicators

“ g ” lights up when the built-in Dolby Digital

decoder is on and the signals of the selected source are

encoded with Dolby Digital. “ o ” lights up when

the built-in Dolby Pro Logic decoder is on.

2 DSP program indicators

The name of the selected DSP program lights up.

3 Multi-information display

This display shows various information: for example the

name of the selected input source and the various settings

during adjustment with the SET MENU. The current station

frequency and band (FM or AM) also appear when the tuner

is selected as the input source.

4 SLEEP indicator

This lights up while the built-in SLEEP timer is on.

5 TAPE/MD MONITOR indicator

This lights up when the tape deck or MD recorder, etc. is

selected as the input source by pressing TAPE/MD MON /

EXT. DECODER (or TAPE/MD).

6 x indicator

“ x ” lights up when the built-in digital sound

field processor is on.

7 MEMORY indicator

This flashes for about five seconds after pressing

MEMORY. During this period, the displayed station can be

stored in the memory.

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

Remote Control

CONTROLS AND FUNCTIONS

The provided remote control is designed to control all most

commonly used functions of this unit. If a YAMAHA tape

deck or CD player designed for remote control

compatibility is connected to this unit, this remote control

can also control various functions of that component.

■ Controlling this unit

1 POWER

Each time you press this button, the unit switches between

the power on and standby mode.

2 TIME/LEVEL

Press this button to select the item in the TIME/LEVEL

mode.

3 +/–

These buttons adjust the settings of the SET MENU and

TIME/LEVEL mode.

4 TEST

Press this button to output the test tone for each speaker.

5 A/B/C/D/E, PRESET +/–

These buttons are used to select a preset station.

A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET +/–: To select a preset station number (1 to 8)

6 SLEEP

Press this button to set the SLEEP timer.

7 VOLUME

These buttons are used to adjust the volume level.

: To turn up the volume

: To turn down the volume

8 SET MENU

Press this button to select the items in the SET MENU.

9 DSP PRG+, PRG–

Press these buttons to select a DSP program.

0 EFFECT

Press this button to turn on or off the effect speakers (center

and rear).

q Input selector buttons

These buttons select the input source.

CD: To play a CD

TUNER: To listen to an FM (RDS) or AM broadcast

TAPE/MD: To play a tape or MD

DVD/LD: To play a DVD or LD

SAT/D-TV: To watch a TV or satellite broadcast

VCR: To play a video cassette

AUX: To use another audio component

w EXT. DEC.

Press this button to select another multi-channel source.

■ Controlling a YAMAHA tape deck or

CD player

Identify the remote control buttons with your component’s

buttons. If these buttons are identical, their functions will be

the same. Refer to the instructions for each button function

supplied with your component.

! Tape deck buttons

These buttons are used for controlling a tape deck.

• DECK A/B, DIR A and DIR B are only available for a

double cassette tape deck.

• For a single cassette tape deck with an automatic reverse

function, press DIR A to reverse the direction of tape

running.

@ CD player buttons

These buttons are used for controlling a CD player

• DISC SKIP is only available for a CD player with a CD

changer.

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SPEAKER SETUP

Speaker Placement

Refer to the following diagram when you place the

speakers.

Speakers to Be Used

This unit is designed to provide the best sound-field quality

with a 5-speaker system, using main speakers, rear speakers

and a center speaker. If you use different brands of speakers

(with different tonal qualities) in your system, the tone of a

moving human voice and other types of sound may not shift

smoothly. We recommend that you use speakers from the

same manufacture or speakers with the same tonal quality.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it

is not practical to use a center speaker, you can do without

it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and

have enough power-handling capacity to accept the

maximum output of your audio system. The other speakers

do not have to be equal to the main speakers. For precise

sound localization, however, it is ideal to use high-

performance models that can reproduce sounds over the full

range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is effective

not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency

effect) channel with high fidelity when playing back a

source encoded with Dolby Digital. The YAMAHA Active

Servo Processing Subwoofer System is ideal for natural and

lively bass reproduction.

Main

speaker (L)

Center speaker

Main speaker (R)

Subwoofer

Rear speaker (L)

Rear speaker (R)

1.8 m

■ Main speakers

Place the right and left main speakers an equal distance

from the ideal listening position. The distance of each

speaker from each side of the TV monitor should be the

same.

■ Rear speakers

Place these speakers behind your listening position, facing

slightly inwards, nearly 1.8 m (approx. 6 feet) above the

floor.

■ Center speaker

Align the front face of the center speaker with the front face

of your TV monitor. Place the speaker as close to the

monitor as possible, such as directly over or under the

monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the sound will be heard from the

right and left main speakers. In that case, “CENTER SP” in the

SET MENU is set to the NONE position. (Refer to page 35 for

details.)

■ Subwoofer

The position of the subwoofer is not so critical, because low

bass sounds are not highly directional. But it is better to

place the subwoofer near the main speakers. Turn it slightly

toward the center of the room to reduce the wall reflections.

CAUTION

Some types of speakers interfere with a TV monitor. If

this problem occurs, move the speakers away from the

monitor. If you cannot avoid installing the center speaker

or subwoofer near the TV monitor, use magnetically

shielded speakers.

PREPARATION

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been

completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some

components require different connection methods and have different terminal names. Refer to the instructions for each

component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect

it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output terminals for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

MAINS

MAIN A OR B

4ΩMIN. /SPEAKER

8ΩMIN. /SPEAKER

CENTER : 6ΩMIN. /SPEAKER

REAR : 6ΩMIN. /SPEAKER

MAIN A OR B

8ΩMIN. /SPEAKER

I6ΩMIN. /SPEAKER

CENTER : 8ΩMIN. /SPEAKER

REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN

––++

–

100W MAX. TOTAL

SWITCHED

Connecting an Audio

Component (page 12)

Connecting a Video

Component (page 13)

IMPEDANCE SELECTOR

switch (page 16)

Connecting the

Antenna (page 10)

Connecting to an External

Decoder (page 12)

Connecting Speakers

(page 14)

Connecting the Power

Supply Cords (page 16)

(Europe model)

V V

C C

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Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal

strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may improve the quality.

Connect each antenna correctly to the designated terminals.

■ Indoor FM antenna (included)

Firmly insert the connector into the FM ANT terminal. The

indoor FM antenna is only a simple antenna. For reception

with better sound quality, installing the outdoor FM antenna

(commercially available) is recommended.

Note

• Do not connect an outdoor FM antenna and the indoor FM

antenna at the same time.

■ Outdoor FM antenna

You may be unable to obtain good FM radio reception

depending on your local conditions (distance from the

broadcasting station, interposing buildings and

mountains, etc.). Consult your dealer or authorized service

center and be sure to install an antenna that suits your local

conditions.

Install the outdoor FM antenna (commercially available) in

a high place as far away from any roads as possible to avoid

being affected by automobile ignition noise.

■ Connecting a coaxial cable to the included 75-ohm/300-ohm antenna

adapter (U.K. model only)

1 Open the cover of the included 75-ohm/

300-ohm antenna adapter.

2 Cut the external sleeve of the 75-ohm coaxial

cable and prepare it for connection.

3 Cut the lead wire and remove it.

4 Insert the cable wire into the slot, and clamp it

with pliers.

5 Snap the cover into place.

CONNECTIONS

75-ohm/300-ohm antenna

adapter (included for U.K.

model)

75-ohm coaxial cable

75-ohm/300-ohm antenna

adapter (included for U.K.

model)

300-ohm feeder

Unit: mm

(inch)

11 (7/16)

8 (5/16)

6 (1/14)

Lead wire

Insert the wire

into the slot.

Clamp with

pliers.

Clamp with

pliers.

Cover

Indoor FM

antenna

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

■ AM loop antenna (included)

The AM loop antenna can be removed from the stand and

attached to a wall, etc. However, note that the reception

sensitivity may deteriorate if the antenna is attached to a

metal or steel reinforced wall.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an

outdoor AM antenna is connected to this unit.

■ Connecting the AM loop antenna

1 Press the tab and unlock the terminal hole.

2 Insert the AM loop antenna lead wires into the

AM ANT and GND terminals.

3 Return the tab to its original position to lock

the lead wires. Lightly pull the lead wires to

confirm a good connection.

4 Attach the loop antenna to the antenna stand.

5 Orient the AM loop antenna so that the best

reception is obtained.

■ Outdoor AM antenna

If you cannot obtain good reception with the AM loop

antenna, connect 5 m to 10 m of vinyl covered wire to the

AM ANT terminal and extend it outdoors from a window.

■ Ground (GND terminal)

For maximum safety and minimum interference, connect

the antenna GND terminal to a good earth ground. A good

earth ground is a metal stake driven into moist earth.

CONNECTIONS

Antenna stand

AM loop antenna

Vinyl covered wire (5 m to 10 m)

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Connecting an Audio Component

CONNECTIONS

Be sure to connect the right channel (R), left channel (L),

input (IN) and output (OUT) properly.

Tape deck or

MD recorder

L R L R L R

OUTPUT LINE OUT LINE IN

(Europe model)

CD player

Analog signal

Signal flow

Connecting to an External Decoder

This unit has additional 6-channel audio signal input

terminals for connecting an external decoder to this unit.

Connect the 6-channel audio signal output terminals of the

decoder to the EXTERNAL DECODER INPUT terminals

of this unit.

Notes

• When a source connected to these terminals is selected, the digital

sound field processor cannot be used.

• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and

“BASS OUT” in the SET MENU have no effect on a source

connected to these terminals. The setting of “MAIN LVL” is

effective. (Refer to pages 35 and 36 for details.)

L R L R

MAIN

OUT

SURROUND

OUT

CENTER

OUT

SUBWOOFER

OUT

External decoder

(Europe model)

0103V396RDS08-18_EN 1/6/0, 7:33 PM12

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

CONNECTIONS

Connecting a Video Component

■ Audio signal terminals

Be sure to connect the right channel (R), left channel (L),

input (IN) and output (OUT) properly.

■ Video signal terminals

Be sure to connect the input (IN) and output (OUT)

properly.

■ Digital audio signal terminals

If your DVD/LD player, TV/digital TV or satellite

tuner, etc. has coaxial or optical digital signal output

terminals, they can be connected to this unit’s COAXIAL

and/or OPTICAL digital signal input terminals. To make a

connection between the optical digital signal terminals,

remove the cover from each terminal, and then connect

them by using a commercially available optical fiber cable

that conforms to EIA standards. Other cables might not

function correctly.

When making connections between the digital signal

terminals, you should connect the components to the same-

named analog audio signal terminals of this unit, because a

digital signal cannot be recorded by a tape deck, MD

recorder or VCR connected to this unit.

■ TV monitor with a 21-pin connector

Make a connection as shown above with a commercially

available SCART-plug connector cable.

Notes

• Be sure to attach the covers when the OPTICAL terminals are not

being used in order to protect them from dust.

• If your LD player has a Dolby Digital RF signal output terminal,

be sure to use the RF demodulator (separately purchased).

• No sound will be heard when connecting your LD player’s Dolby

Digital RF signal output terminal directly to this unit’s COAXIAL

DVD/LD digital signal input terminal.

• The input signal from the DVD/LD input terminals is selected in

the following order of priority with the input mode set to AUTO:

COAXIAL terminal → OPTICAL terminal → Analog terminal.

Refer to page 21 for details.

• All digital signal input terminals are applicable to sampling

frequencies of 32 kHz, 44.1 kHz and 48 kHz.

L R

L R V V

ANALOG

AUDIO OUT

AUDIO

OUT

AUDIO

VIDEO

OUT

VIDEO

ANALOG

AUDIO OUT

VIDEO

OUT

VIDEO

OUT

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

DVD/LD player TV/digital TV, satellite tuner, cable TV

(Europe model)

SCART-plug

No connection

VCR

Analog signal

Video signal

Digital signal

(optical)

Digital signal

(coaxial)

Signal flow

TV monitor

0103V396RDS08-18_EN 1/6/0, 7:34 PM13

Connecting Speakers

Be sure to connect the right channel (R), left channel (L),

“+” (red) and “–” (black) properly. If the connections are

faulty, no sound will be heard from the speakers, and if the

polarity of the speaker connections is incorrect, the sound

will be unnatural and lack bass.

CAUTIONS

• Use speakers with the specified impedance shown on

the rear panel of this unit.

• Do not let the bare speaker wires touch each other and

do not let them touch any metal part of this unit. This

could damage the unit and/or speakers.

■ Main speaker terminals

One or two speaker systems can be connected to these

terminals. If you use only one speaker system, connect it to

either of the SPEAKERS A or B terminals.

■ Rear speaker terminals

A rear speaker system can be connected to these terminals.

■ Center speaker terminal

A center speaker can be connected to this terminal.

CONNECTIONS

MAINS

MAIN A OR B

4ΩMIN. /SPEAKER

8ΩMIN. /SPEAKER

CENTER : 6ΩMIN. /SPEAKER

REAR : 6ΩMIN. /SPEAKER

MAIN A OR B

8ΩMIN. /SPEAKER

I6ΩMIN. /SPEAKER

CENTER : 8ΩMIN. /SPEAKER

REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN

––++

–

100W MAX. TOTAL

SWITCHED

Main speakers A

Right Left

Main speakers B

Right Left

(Europe model)

Center speaker Rear speakers

Right Left

Subwoofer connection

If you have a subwoofer with built-

in amplifier, including the

YAMAHA Active Servo Processing

Subwoofer System, connect the

input terminal of the subwoofer

system to the SUBWOOFER

OUTPUT terminal of this unit.

0103V396RDS08-18_EN 1/6/0, 7:34 PM14

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

■ Speaker cables

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cable.

2 Twist the exposed wires of the cable together

to prevent short circuits.

■ Connecting to the MAIN SPEAKERS terminals

1 Unscrew the knob.

2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

■ Connecting to the REAR and CENTER SPEAKERS terminals

1 Open the tab.

2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

CONNECTIONS

10 mm (3/8”)

Red: positive (+)

Black: negative (–)

Red: positive (+)

Black: negative (–)

0103V396RDS08-18_EN 1/6/0, 7:34 PM15

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be

damaged.

If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide

to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only

when this unit is in the standby mode.

Connecting the Power Supply Cords

After completing all connections, connect the AC power

cord to an AC power outlet. Disconnect the AC power cord

if you will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

Europe model .................................................... 2 OUTLETS

U.K. model.......................................................... 1 OUTLET

Use these outlets to connect the power cords from your

components to this unit. The power to the AC OUTLET(S)

is controlled by this unit’s STANDBY/ON (or POWER).

These outlets will supply power to any connected

component whenever this unit is turned on. The maximum

power (total power consumption of components) that can be

connected to the AC OUTLET(S) is 100 W.

If you use left position right position

Center

speaker

The impedance must be 6 Ω

or higher.

The impedance must be 8 Ω

or higher.

Rear

speakers

The impedance of each

speaker must be 6 Ω or

higher.

The impedance of each

speaker must be 8 Ω or

higher.

If you use two pairs of main

speakers, the impedance of

each speaker must be 8 Ω or

higher.

If you use two pairs of main

speakers, the impedance of

each speaker must be 16 Ω or

higher.

Main

speakers

If you use one pair of main

speakers, the impedance of

each speaker must be 4 Ω or

higher.

If you use one pair of main

speakers, the impedance of

each speaker must be 8 Ω or

higher.

CONNECTIONS

(Europe model)

MAINS

MAIN A OR B

4ΩMIN. /SPEAKER

8ΩMIN. /SPEAKER

CENTER : 6ΩMIN. /SPEAKER

REAR : 6ΩMIN. /SPEAKER

MAIN A OR B

8ΩMIN. /SPEAKER

I6ΩMIN. /SPEAKER

CENTER : 8ΩMIN. /SPEAKER

REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

100W MAX. TOTAL

SWITCHED

(Europe model)

To AC outlet

MAINS

MAIN A OR B

4ΩMIN. /SPEAKER

8ΩMIN. /SPEAKER

CENTER : 6ΩMIN. /SPEAKER

REAR : 6ΩMIN. /SPEAKER

MAIN A OR B

8ΩMIN. /SPEAKER

I6ΩMIN. /SPEAKER

CENTER : 8ΩMIN. /SPEAKER

REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

100W MAX. TOTAL

SWITCHED

IMPEDANCE

SELECTOR

0103V396RDS08-18_EN 1/6/0, 7:34 PM16

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

Using the Test Tone

The adjustment of each speaker sound output level should

be performed at your listening position with the remote

control. After completing the adjustments, use VOLUME

(

/ ) at your listening position to check if the

adjustments are satisfactory.

1 Press TEST.

“TEST LEFT” appears on the display.

2 Turn up the volume.

You will hear a test tone (like pink noise) from each

speaker for about two seconds in following order: left

main speaker, center speaker, right main speaker, right

rear speaker and left rear speaker. The display changes

as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit

in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the

setting of “CENTER SP” in the SET MENU.

This procedure lets you adjust the sound output level

balance between the main, center and rear speakers by using

the built-in test tone generator. When this adjustment is

performed, the sound output level heard at the listening

position will be the same from each speaker. This is

important for the best performance of the digital sound field

processor, the Dolby Pro Logic decoder and Dolby Digital

decoder.

Before You Start Adjusting

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main

speakers to be used.

If you use two main speaker

systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the “0”

position.

ADJUSTING THE SPEAKER BALANCE

–+–+

1,6

TEST

LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

0103V396RDS08-18_EN 1/6/0, 7:34 PM17

3 Adjust BALANCE on the

front panel so that the

sound output level of the

right main speaker and the

left main speaker is the

same.

4 Press TIME/LEVEL

repeatedly to select the

speaker to be adjusted.

“CENTER”, “R SUR.” or

“L SUR.” appears on the

display.

5 Press + to raise and – to

lower the level. Adjust the

sound output levels of the

center speaker and the

rear speakers so that they

become almost the same

as that of the main

speakers.

While adjusting, the test tone is

heard from the selected speaker.

Note

• You cannot adjust the delay time while the test tone is being heard

even if “DELAY” appears on the display.

6 When the adjustment is complete, press TEST.

“TEST OFF” appears on the display and the test tone

stops.

Note

• If “CENTER SP” in the SET MENU is set to the NONE position,

the sound output level of the center speaker cannot be adjusted in

step 5. The center channel sound is automatically output from the

right and left main speakers.

• Once you have completed the adjustments, you can only adjust

the overall volume level of your audio system by using VOLUME

(or VOLUME ( / )).

• If there is insufficient sound output from the center and rear

speakers, you may decrease the main speaker output level by

setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to

page 36 for details.)

ADJUSTING THE SPEAKER BALANCE

Front panel

0103V396RDS08-18_EN 1/6/0, 7:34 PM18

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main

speakers to be used.

If you use two main speaker

systems, press both A and B.

PLAYING A SOURCE

–+–+

1,6

4 Select the desired input

source with INPUT (or the

input selector buttons).

(Turn on the TV monitor for

video sources.)

The name of the selected input

source appears on the display.

a. To select a tape or an MD source

Press TAPE/MD MON / EXT.

DECODER (or TAPE/MD) so

that the “TAPE/MD

MONITOR” indicator lights up

on the display.

b. To select a source connected to the

EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER repeatedly

(or EXT. DEC.) until “EXT. DECODER” appears on

the display.

Notes

• An audio source can not be played if the “TAPE/MD MONITOR”

indicator lights up or if “EXT. DECODER” appears. Press TAPE/

MD MON / EXT. DECODER twice (or TAPE/MD once) to turn

off the “TAPE/MD MONITOR” indicator. Press TAPE/MD

MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT.

DECODER”.

• If you select and play a video source when the “TAPE/MD

MONITOR” indicator lights up or “EXT. DECODER” appears,

the play back result will be a video image from the video source

and the sound from the audio source selected by using TAPE/MD

MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).

For the DVD/LD, TV/digital TV and satellite tuner sources, the

current input mode is also shown. Refer to page 21 for details about

the input mode.

Front panel

Remote control

Front panel

Input source

BASIC OPERATION

Front panel Remote control

0104V396RDS19-22_EN 1/6/0, 7:35 PM19

5 Play the source.

Refer to the instructions for the source component (and

page 26 for details about tuning).

6 Adjust the volume to the desired output level.

If desired, adjust BASS, TREBLE, BALANCE, etc.

These controls are only effective for the sound from the

main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume

from the right and left main speakers.

7 Use the digital sound field processor.

Refer to page 22.

■ When you have finished using this

unit

Press STANDBY/ON (or POWER) to set this unit in the

standby mode.

■ BGV (background video) function

The BGV function allows you to combine a video image

from a video source with a sound from an audio source.

(For example, you can listen to classical music while you

are watching a video.) This function can only be controlled

with the remote control.

Play a video source, and then select an audio source with

the input selector buttons on the remote control. The BGV

function does not work if you select the audio source with

INPUT on the front panel.

PLAYING A SOURCE

Front panel Remote control

–+–+

Front panel

Front panel Remote control

0104V396RDS19-22_EN 1/6/0, 7:35 PM20

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

Input Mode (for the DVD/LD and TV/

digital TV and satellite tuner

sources)

This unit allows you to switch the input mode for sources

that send both digital and analog signals to this unit. The

AUTO and ANALOG input modes are provided.

When you turn on the power of this unit, the input mode for

the DVD/LD source is always set to AUTO and for TV/

digital TV or satellite tuner source is set according to “SAT

INPUT” in the SET MENU. (Refer to page 37 for details.)

■ AUTO

In this mode, the input signal is selected in the following

order of priority:

1. Digital signal encoded with Dolby Digital

2. Normal digital signal (PCM)

3. Analog signal (ANALOG)

Note

• If digital signals are input from both the OPTICAL and

COAXIAL terminals, the digital signal from the COAXIAL

terminal is selected.

■ ANALOG

In this mode, only an analog signal is selected, even if a

digital signal is being input at the same time. Select this

mode when you want to use an analog signal instead of a

digital signal.

PLAYING A SOURCE

Front panel Remote control

■ Switching the input mode

Press INPUT MODE (or the input selector

button that you have pressed to select the

input source on the remote control) repeatedly

until the desired input mode is shown on the

display.

Notes

• Set the input mode to AUTO to play a DVD/LD source encoded

with Dolby Digital.

• Set the input mode to ANALOG to play a normal 2-channel

source with a Dolby Surround program.

• The sound output may be interrupted for some LD and DVD

players in the following situation: The input mode is set to

AUTO. A search is performed while playing the disc encoded

with Dolby Digital, and then disc playing is restored. The sound

output is interrupted for a moment because the digital signal was

selected again.

• The input mode cannot be changed for the CD, TUNER, TAPE/

MD, VCR and AUX sources because only analog signals are used

for these.

• The current input mode appears on the display when the DVD/

LD, TV/digital TV or satellite tuner source is selected or the input

mode is changed.

■ Notes on playing an LD source

• Some audio/video component, such as LD player, output different

audio signals through their analog and digital terminals. Change

the input mode as necessary.

• If the input mode is set to AUTO for the LD source, this unit

automatically determines which type of signal the LD source

contains. If this unit detects a Dolby Digital signal, the decoder

automatically switches to the appropriate setting and reproduces

5.1 channel sound.

• If the LD player is transmitting signals by a non-normal method,

this unit cannot detect the Dolby Digital signal. In this case, the

decoder automatically switches to PCM or analog.

• If the LD source does not contain a digital soundtrack, connect

the LD player to the analog terminals.

• While you are operating the LD player, if you switch from the

pause or chapter forwarding function to normal playback, you

may hear the PCM or analog sound an instant before the Dolby

Digital sound is played.

0104V396RDS19-22_EN 1/6/0, 7:35 PM21

If desired, adjust the delay time and the sound output level of each

speaker. (Refer to pages 38 and 39 for details.)

Notes

• You can select a DSP program for each of the input sources. Once

you select a program, it is linked with the input source selected at

that time. So, when you select the input source next time, the

same program is automatically selected.

• When a monaural source is being played with PRO LOGIC/

Normal or PRO LOGIC/ENHANCED, no sound will be heard

from the main speakers and the rear speakers. Sound can only be

heard from the center speaker. However, if “CENTER SP” in the

SET MENU is set to the NONE position, the center channel

sound is output from the main speakers.

• When a source connected to the EXTERNAL DECODER INPUT

terminals of this unit is selected, the digital sound field processor

cannot be used.

Canceling the Sound Effect (turning

off the effect speakers)

Press EFFECT to cancel

the sound effect and

monitor only the main

sound.

Press EFFECT again to turn the

sound effect back on.

Notes

• If the sound effect is canceled when Dolby Digital is decoding,

the sounds of all channels are mixed and output from the main

speakers.

• If you turn off the sound effect when Dolby Digital is decoding, it

may happen that the sound is output faintly or not output

normally, depending on the source. In that case, turn back on the

sound effect.

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Selecting a DSP Program

You can enhance your listening experience by selecting a

DSP program. Refer to pages 23 to 25 for details about each

program.

–+–+

Front panel

Remote control

1 Make sure that the effect speakers (center,

rear, and subwoofer) are turned on.

2 Press PROGRAM h or l (or DSP PRG+ or

PRG– ) repeatedly to select the desired

program.

The name of the selected program appears for a

moment and the selected DSP program indicator lights

up on the display.

DSP program indicator

Front panel

Remote control

0104V396RDS19-22_EN 1/6/0, 7:35 PM22

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

[3] PRO LOGIC/ENHANCED

( ox)

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 4 channels

• DSP: 1 (surround)

[4] DOLBY DIGITAL/ENHANCED

( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

This program ideally simulates the multi-

surround speaker systems of the 35 mm-film

movie theater. Dolby Pro Logic decoding or

Dolby Digital decoding and digital sound

field processing are precisely performed

without altering the original sound

orientation.

The surround effect produced by the sound

field folds around the viewer naturally from

the rear to the right and left and toward the

screen.

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to

electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-

like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this

will, of course, depend on what you are listening to).

When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic and Dolby Digital) is turned on

according to which type of signals the source being played contains.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that

most of these are precise digital re-creations of actual acoustic environments.

■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP

programs)

No. PROGRAM SUBPROGRAM FEATURES

1 q SURROUND [1] PRO LOGIC/Normal ( o )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 4 channels

• DSP: —

[2] DOLBY DIGITAL/Normal ( g )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: —

The built-in Dolby Pro Logic decoder or

Dolby Digital decoder precisely reproduces

the sound and effect of a source encoded with

Dolby Surround or Dolby Digital.

The realization of a highly efficient decoding

process improves cross talk and channel

separation, and makes sound positioning

smoother and more precise.

In this program, the digital sound field

processor is not turned on.

0105V396RDS23-25_EN 1/6/0, 7:35 PM23

No. PROGRAM SUBPROGRAM FEATURES

2 MOVIE

THEATER 1

3 MOVIE

THEATER 2

[1] 70 mm SPECTACLE

( ox)

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL SPECTACLE

( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program creates the extremely wide sound

field of a movie theater. It precisely reproduces

the source sound in detail, giving both the video

and the sound field incredible reality. It is ideal

for any kind of video source encoded with

Dolby Surround or Dolby Digital (especially

large-scale movie productions).

[1] 70 mm ADVENTURE

( ox )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL ADVENTURE

( gx)

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Ideal for precisely reproducing the sound of the

newest multi-track films. The sound field is

made to be similar to that of the newest movie

theaters, so the reverberations of the sound field

itself are restrained as much as possible. The

data for the sound field of an opera house are

used for the front presence, so the three-

dimensional feeling of the sound field is

emphasized, and dialog is precisely oriented on

the screen. By using the data for the sound field

of a concert hall on the surround sound field,

powerful reverberations are generated. You can

enjoy watching action, adventure movies, etc.

with strong presence.

SOUND FIELD PROGRAM

[3] 70 mm SCI-FI ( o x )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[4] DGTL SCI-FI ( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Clearly reproduces dialog and sound effects in

the latest sound form of science fiction films,

thus creating a broad and expansive cinematic

space amid the silence. You can enjoy science

fiction films in a virtual-space sound field that

includes Dolby Surround and Dolby Digital-

encoded software employing the most advanced

techniques.

[3] 70 mm GENERAL ( ox )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[4] DGTL GENERAL ( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program is for reproducing sounds on a

multi-track film, and is characterized by a soft

and extensive sound field. The front presence of

the sound field is relatively narrow. It spatially

spreads all around and toward the screen,

restraining echo effect of conversations without

losing clarity. For the surround sound field, the

harmony of music or chorus sounds beautifully

in a wide space at the rear of the sound field.

0105V396RDS23-25_EN 1/6/0, 7:35 PM24

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

No. PROGRAM FEATURES

4 MONO MOVIE

• Input source: Monaural

• Output channel: 1 channel

• DSP: 1

This program is designed specifically to enhance monaural

sources. Compared to a strictly mono setting, the sound image

is wider and slightly forward of the speaker pair, lending an

immediacy to the overall sound. It is particularly effective for

old mono movie, news broadcasts and dialog.

5 TV SPORTS

• Input source: Audio/Video

• Output channel: 2 to 5.1 channels

• DSP: 2 to 3 (presence & surround)

This program is furnished with a tight sound field in which the

sound will not spread excessively at the front, but the rear

surround produces dynamic sound expansion. It is the most

suitable for sports programs.

■ For Hi-Fi audio sources

No. PROGRAM FEATURES

6 DISCO

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program simulates the acoustic environment of a disco in

the heart of a lively city. The sound is dense and highly

concentrated.

7 ROCK CONCERT

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program is ideally suited for rock music. You will

experience a dynamic and lively sound field.

8 CONCERT HALL

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program creates the expansive ambience of a large concert

hall. It is suited for orchestra and opera music.

CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP

■ Dolby Pro Logic + 2 digital sound fields

Digital sound fields are created in both the presence and

rear surround zones of the Dolby Pro Logic-decoded sound

field. They create a wide acoustic environment and

emphasize the surround effect in the room, letting you feel

as much presence as if you were watching a movie in a

popular Dolby Stereo theater.

■ Dolby Digital + 3 digital sound fields

Digital sound fields are created in the presence zone and

independently on the left and right surround zones of the

Dolby Digital-decoded sound field. They create a wide

acoustic environment and strong surround effect in the room

without losing high channel separation. With the wide

dynamic range of Dolby Digital sound, this sound field

combination lets you feel as if you were watching a movie

in the newest Dolby Digital theater. This is the most ideal

home theater sound at the present time.

SOUND FIELD PROGRAM

0105V396RDS23-25_EN 1/6/0, 7:35 PM25

5 Press PRESET/TUNING h once to tune in to a

higher frequency and l once to tune in to a

lower frequency.

Press the button again if the tuning search does not stop

at the desired station.

Note

• If you tune in manually to an FM station, it will be automatically

received in monaural mode to increase the signal quality.

• Use the manual tuning method if the tuning search does not stop

at the desired station (because the signal from the station is weak).

• When tuned in to a station, the frequency of the received station is

shown on the display. If an RDS station that offers the PS data

service is being received, the station name is shown instead of the

frequency on the display.

Manual Tuning

1 Use INPUT to select the

tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “AUTO”

indicator goes off.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

5 Press PRESET/TUNING h or l to tune in to

the desired station.

To continue the tuning search, hold down the button.

TUNING

Automatic tuning is effective when station signals are

strong and there is no interference. However, if the signal

from the station you want to select is weak, you must tune

in to it manually (manual tuning).

Automatic Tuning

1 Use INPUT to select the

tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “AUTO”

indicator lights up on the display.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

Lights up

Goes off

Turn “ z ” off

–+–+

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

Automatic Preset Tuning (for RDS

stations only)

You can make use of the automatic preset tuning function

for RDS stations only. This function enables the unit to

automatically tune in with strong signals and to sequentially

store up to 40 RDS stations (5 groups x 8 stations). (Refer to

pages 30 to 32 for details on RDS stations.)

1 Press FM/AM to select the FM band.

2 Press TUNING MODE so that the “AUTO”

indicator lights up on the display.

3 Hold down MEMORY for about three seconds.

The preset number, the “MEMORY” and “AUTO”

indicators flash. After about five seconds, automatic

preset tuning begins from the frequency currently

displayed toward the higher frequencies.

Received stations are sequentially stored as A1, A2 ...

A8. If more than 8 stations have been tuned, they are

stored as preset station numbers in other groups (B, C,

D and E) in that order.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost when this unit is set in the standby mode.

If, however, the power cord is disconnected from the AC

power outlet or the power is cut for more than one week,

the memory will be erased. If so, store the stations again

by using preset tuning methods.

–+–+

21 3

■ Automatic preset tuning options

You can select the preset number from which the unit will

store RDS stations and/or begin tuning toward lower

frequencies. Before automatic preset tuning begins (after

pressing MEMORY in step 3),

1. Press A/B/C/D/E and PRESET/TUNING to select the

preset number with which the first station will be stored.

The automatic preset tuning will stop when stations have

all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn “ z ” off and

then press PRESET/TUNING l to begin tuning toward

lower frequencies.

■ When automatic preset tuning is

completed

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by

following the procedure in the section “To Recall a Preset

Station” on page 28.

Notes

• A new setting can be stored in place of the former one.

• You can manually replace a preset station with another FM or AM

station by simply using the manual preset tuning method.

• Automatic preset tuning will be performed for all RDS network

stations until all have been stored up to E8. Even if the number of

received stations is not enough to be stored up to E8, automatic

preset tuning is automatically ended after searching for all

stations.

• Only RDS stations with sufficient signal strength are stored by

automatic preset tuning. If the station you want to store is weak in

signal strength, tune in to it manually in monaural mode and store

it by using the manual preset tuning method. (There may be a

case that this unit cannot receive a station which could be

received by using the automatic tuning method. This is because

this unit receives a large amount of PI (Program Identification)

data along with the station.)

TUNING

Lights up

Flashes

0106V396RDS26-29_EN 1/18/0, 3:11 PM27

TUNING

To Recall a Preset Station

You can recall any desired station simply by selecting the

preset station number with which it was stored. You can also

recall a preset station with the remote control.

1 Press A/B/C/D/E to select the required group

of preset stations.

Make sure that “ z ” appears on the display.

2 Press PRESET/TUNING h or l (or PRESET

+/–) to select a preset station number (1 to 8).

The preset group and number appear on the display

along with the reception band, frequency and signal

strength information.

–+–+

1 2

Flashes

Front panel

Remote control

Front panel

Remote control

–+–+

3 2,54

Manual Preset Tuning

You can also store up to 40 stations (5 groups x 8 stations)

manually.

1 Tune in to the desired station.

Refer to page 26 for the tuning procedure.

2 Press MEMORY.

The “MEMORY” indicator flashes for about five

seconds.

3 Press A/B/C/D/E repeatedly to select the

desired group (A to E) of preset stations

before the “MEMORY” indicator goes off.

Make sure that “ z ” appears on the display. The

selected group appears on the display.

4 Press PRESET/TUNING h or l to select a

preset station number (1 to 8) with which you

want to store the station before the “MEMORY”

indicator goes off.

Press h to select a higher

preset station number and l to

select a lower preset station

number.

5 Press MEMORY before the “MEMORY”

indicator goes off.

The displayed station has been stored as the preset

group and number you have selected, and the reception

band and frequency appear on the display.

6 Repeat steps 1 to 5 to store other stations.

Notes

• A new setting can be stored in place of the former one.

• The reception mode (stereo or monaural) is stored along with the

station frequency.

0106V396RDS26-29_EN 1/6/0, 7:35 PM28

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

–+–+

2,4

Exchanging Preset Stations

You can exchange the assignment of two preset stations

with each other.

■ Example: If you want to exchange

preset station “E1” with “A5”.

1 Recall preset station “E1”.

Refer to the procedure in the section “To Recall a

Preset Station” on page 28.

2 Hold down (PRESET/TUNING) EDIT for about

three second.

“E1” and the “MEMORY” indicator flash.

3 Recall preset station “A5” by using the buttons

on the front panel.

“A5” and the “MEMORY”

indicator flash.

4 Press (PRESET/TUNING) EDIT again.

The display shows the exchange of stations has been

completed.

TUNING

Flashes

0106V396RDS26-29_EN 1/18/0, 3:11 PM29

RECEIVING RDS STATIONS

Radio Data System (RDS) is a data transmission system by

FM stations in many countries. Stations using this system

transmit an inaudible stream of data in addition to the

normal radio signal.

RDS data contains various information such as PI (Program

Identification), PS (Program Service name), PTY (Program

Type), RT (Radio Text), CT (Clock Time), EON (Enhanced

Other Networks), etc. The RDS function is carried out

among the network stations.

Description of RDS Data

This unit can receive PI, PS, PTY, RT, CT, and EON data

when receiving RDS broadcasting stations.

■ PS (Program Service name) mode:

The name of the RDS station being received is displayed.

■ PTY (Program Type) mode:

The program type on the RDS station being received is

displayed. There are 15 program types to classify RDS

stations. You can make this unit search for a station which is

broadcasting a program of the desired type. Refer to page 31

for details.

■ RT (Radio Text) mode:

Information about the program (such as the title of the song,

name of the singer, etc.) on the RDS station being received

is displayed by a maximum of 64 alphanumeric characters,

including the umlaut symbol. If other characters are used for

RT data, they are displayed with under-bars.

■ CT (Clock Time) mode:

The current time is displayed and updated every minute. If

the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks):

Refer to page 32.

Changing the RDS Mode

The four modes are available in this unit for displaying RDS

data. When an RDS station is being received, PS, PTY, RT

and/or CT that correspond to the RDS data services offered

by the station light up on the display. Press RDS MODE/

FREQ repeatedly to change the display mode among the

RDS data offered by the transmitting station in the order

shown below. Illumination of the red indicator next to the

RDS mode indicator shows that the corresponding RDS

mode is now selected.

Notes

• When an RDS station is being received, do not press RDS

MODE/FREQ until one or more RDS mode indicators light up on

the display. If you press the button before the indicators light up

on the display, the mode cannot be changed. This is because the

unit has not yet received all of the RDS data on the station.

• RDS data not offered by the station cannot be selected.

• The RDS data service cannot be utilized by this unit if the

received signal is not strong enough. In particular, the RT mode

requires a large amount of data to be received, so it is possible

that the RT mode may not be displayed even if other RDS modes

(PS, PTY, etc.) are displayed.

• RDS data cannot sometimes be receive under poor reception

conditions. If so, press TUNING MODE so that the “AUTO”

indicator goes off from the display. Although the reception mode

is changed to monaural by this operation, when you change the

display to RDS mode, RDS data may be displayed.

• If the signal strength is weakened by external interference during

the reception of an RDS station, the RDS data service may be cut

off suddenly and “...WAIT” will appear on the display.

PS mode

PTY mode

RT mode

CT mode

Frequency

display mode

0107V396RDS30-33_EN 1/6/0, 7:36 PM30

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

PTY SEEK Function

If you select the desired program type, the unit

automatically searches all preset RDS stations that are

broadcasting a program of the required type.

1 Press PTY SEEK MODE to set the unit in the

PTY SEEK mode.

The program type of the station being received or

“NEWS” flashes on the display.

2 Press PRESET/TUNING h or l to select the

desired program type.

The selected program type appears on the display.

3 Press PTY SEEK START to begin searching all

preset RDS stations.

The selected program type flashes and the “PTY

HOLD” indicator lights up on the display while

searching for stations.

• If a station that is broadcasting a program of the

required type is found, the unit stops at that station.

• If the called station is not the desired one, press PTY

SEEK START again. The unit begins searching for

another station that is broadcasting a program of the

same type.

RECEIVING RDS STATIONS

■ To cancel this function

Press PTY SEEK MODE twice.

■ Program types in the PTY mode

There are 15 program types to classify RDS stations.

NEWS News

AFFAIRS Current affairs

INFO General information

SPORT Sports

EDUCATE Education

DRAMA Drama

CULTURE Culture

SCIENCE Science

VARIED Light entertainment

POP M Pops

ROCK M Rock

M.O.R. M Middle-of-the-road music (easy-listening)

LIGHT M Light classics

CLASSICS Serious classics

OTHER M Other music

–+–+

Flashes

The selected

program type

flashes.

Light up

0107V396RDS30-33_EN 9/28/0, 3:18 PM31

EON Function

This function uses the EON data service on the RDS station

network. If you simply select the desired program type

(NEWS, INFO, AFFAIRS or SPORT), the unit

automatically searches for all preset RDS stations that are

scheduled to broadcast a program of the required type and

switches from the station being currently received to the

new station when the broadcasts starts.

Note

• This function can only be used when an RDS station that offers

the EON data service is being received. When such a station is

being received, the “EON” indicator lights up on the display.

1 Make sure that the “EON” indicator lights up

on the display.

If the “EON” indicator does not light up, tune in to

another RDS station so that the “EON” indicator lights

up.

–+–+

2 Press EON repeatedly to select the desired

program type (NEWS, INFO, AFFAIRS or

SPORT).

The selected program type name indicator lights up on

the display.

• If a preset RDS station of the selected program type

starts broadcasting, the unit will automatically switch

from the program being currently received to that

program. The program type name indicator flashes.

• When broadcasting of the required program ends, the

previously received station (or another program on

the same station) is recalled.

■ To cancel this function

Press EON repeatedly until no program type name lights up

on the display.

RECEIVING RDS STATIONS

Lights up

Flashes

Lights up

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

–+–+

1,42

Recording adjustments and other operations are performed

from the tape deck, MD recorder or VCR. Refer to the

instructions for these components.

1 Set VOLUME to the “m”

position.

2 Select the source you want to record.

3 Begin recording by the tape deck, MD recorder

or VCR connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

If a tape deck or MD recorder is being used for recording, you can

monitor the sounds being recorded by pressing TAPE/MD MON /

EXT. DECODER (or TAPE/MD).

Notes

• The DSP program and the setting of VOLUME, BASS, TREBLE

and BALANCE have no effect on the material being recorded.

• A source connected to this unit only through the digital terminals

cannot be recorded by the tape deck, MD recorder or VCR

connected to this unit.

• A source connected to the EXTERNAL DECODER INPUT

terminals of this unit cannot be recorded.

• Check the copyright laws in your country to record from records,

CDs, radio, etc. Recording of copyrighted material may infringe

If you play back a video source that uses scrambled or

encoded signals to prevent it from being dubbed, the

picture itself may be disturbed due to those signals.

Remote controlFront panel

Front panel

Remote control

0107V396RDS30-33_EN 1/6/0, 7:36 PM33

SET MENU

This unit provides you with the following items in the SET

MENU to maximize the performance of your system and

expand your enjoyment for audio listening and video

watching.

1. CENTER SP

2. REAR SP

3. MAIN SP

4. BASS OUT

5. MAIN LVL

6. D.D. LFE

7. D-RANGE

8. CNTR DELAY

9. MEM. GUARD

10.SAT INPUT

Adjusting Items in the SET MENU

Adjustments should be performed with the remote control

while watching the information on the display.

1 Press SET MENU

repeatedly to select the

item you want to adjust.

The selected item appears on

the display.

2 Press + or – repeatedly to

adjust the setting.

3 Repeat steps 1 and 2 to adjust the setting of

any other item in the same way.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost when this unit is set in the standby mode.

If, however, the power cord is disconnected from the AC

power outlet or the power is cut for more than one week,

the settings of the SET MENU will automatically return

to the preset positions and values. If so, adjust the

settings of the SET MENU again.

ADVANCED OPERATION

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

Description of Each Item

1. CENTER SP

Choices: LRG (Large)/SML (Small)/NONE

Preset position: LRG (Large)

LRG (Large)

Select this position if your center speaker is approximately

the same size as the main speakers. In this position, full-

range signals on the center channel are directed to the center

speaker.

SML (Small)

Select this position if you use a center speaker that is

smaller than the main speakers. In this position, low bass

signals (below 90 Hz) on the center channel are distributed

to the SUBWOOFER OUTPUT terminal (or to the right and

left main speakers if “BASS OUT” is set to the MAIN

position).

NONE

Select this position if you do not have a center speaker

(4-speaker system). In this position, full-range signals on

the center channel are directed to the right and left main

speakers.

2. REAR SP

Choices: LARGE/SMALL

Preset position: LARGE

LARGE

Select this position if your rear speakers have high ability

for bass reproduction, or if a subwoofer is connected in

parallel to the rear speaker. In this position, full-range

signals on the rear channels are directed to the rear speakers.

SMALL

Select this position if your rear speakers do not have high

ability for bass reproduction. In this position, low bass

signals (below 90 Hz) on the rear channels are distributed to

the SUBWOOFER OUTPUT terminal (or to the right and

left main speakers if “BASS OUT” is set to the MAIN

position).

3. MAIN SP

Choices: LARGE/SMALL

Preset position: LARGE

LARGE

Select this position if your main speakers have high ability

for bass reproduction. In this position, full-range signals on

the main channels are directed to the right and left main

speakers.

SMALL

Select this position if your main speakers do not have high

ability for bass reproduction. However, if your system does

not include a subwoofer, do not select this position. In this

position, low bass signals (below 90 Hz) on the main

channels are distributed to the SUBWOOFER OUTPUT

terminal if “BASS OUT” is set to the SW or BOTH

position.

4. BASS OUT

Choices: SW/MAIN/BOTH

Preset position: BOTH

Select this position if your system includes a subwoofer. In

this position, signals on the LFE channel and other low bass

signals that are distributed from other channels are directed

to the SUBWOOFER OUTPUT terminal when playing a

source encoded with Dobly Digital.

Note

• When playing a 2-channel source (tape, MD, CD, video

cassette etc.), select the BOTH position to direct low bass signals

(below 90 Hz) to the SUBWOOFER OUTPUT terminals.

MAIN

Select this position if your system does not include a

subwoofer. In this position, besides full-range signals on the

main channels, signals on the LFE channel and other low

bass signals (below 90 Hz) that are distributed from other

channels are directed to the right and left main speakers.

BOTH

Select this position if your system includes a subwoofer. In

this position, signals on the LFE channel are directed to the

SUBWOOFER OUTPUT terminal. Low bass signals on the

main channels are directed to both the main speakers and

the SUBWOOFER OUTPUT terminal.

SET MENU

0108V396RDS34-40_EN 1/6/0, 7:36 PM35

7. D-RANGE (Adjusting the dynamic

range)

Choices: MAX/STD (Standard)/MIN

Preset position: MAX

Note

• This adjustment is only effective when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum

level and the minimum level of sounds. Sounds on a movie

originally designed for movie theaters feature a very wide

dynamic range. Dolby Digital technology can modify the

original sound track into a home audio format with this

wide dynamic range unchanged. Powerful sounds of

extremely wide dynamic range are not always suitable for

home use. Depending on the condition of your listening

environment, it may not be possible to increase the sound

output to a level as high as that in a movie theater. However,

at the normal level suitable for listening in your room, the

low-level parts of source sound often cannot be heard well

because they will be lost among noise in your environment.

Dolby Digital technology has also made it possible to

reduce an original sound track’s dynamic range for a home

audio format by “compressing” the sound data.

MAX

In this position, a source encoded with Dolby Digital is

reproduced in the original sound track’s wide dynamic

range to provide you with powerful sounds just like those in

a movie theater. Selecting this position will be even better if

you can listen to a source at a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard)

In this position, a source encoded with Dolby Digital is

reproduced in the “compressed” dynamic range of the

source that is suitable for low-level listening.

MIN

In this position, the dynamic range is more reduced than in

the STD position. Selecting this position will be effective

when you must listen to a source at a low level.

Note

• It may happen that sound is output faintly or not output normally

depending on the source. In that case, select the MAX or STD

position.

5. MAIN LVL

Choices: NORM (Normal)/–10 dB

Preset position: NORM (Normal)

NORM (Normal)

Normally select this position.

–10 dB

Select this position if the sound output from the main

speakers is too loud and cannot be balanced with the sound

output from the center and rear speakers. In this position,

the sound output from the main speakers is attenuated.

Notes

• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and

“BASS OUT” have no effect on a source connected to the

EXTERNAL DECODER INPUT terminals on the rear of this

unit.

• Once you have adjusted appropriately for “CENTER SP”, “REAR

SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not

have to change any settings unless your speaker system is

modified.

6. D.D. LFE (Adjusting the output

level of the LFE channel for Dolby

Digital)

Control range: –20 dB to 0 dB (in 1 dB steps)

Preset value: 0 dB

Note

• This adjustment is only effective when Dolby Digital is being

decoded and the selected source encoded with Dolby Digital

contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they

are directed to the same speakers, the ratio of the LFE signal

level to the level of the other signals can be adjusted.

SET MENU

0108V396RDS34-40_EN 1/6/0, 7:36 PM36

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

8. CNTR DELAY (Adjusting the delay

of the center sound)

Control range: 0 ms to 5 ms (in 1 ms steps)

Preset value: 0 ms

Note

• This adjustment is only effective when Dolby Digital is being

decoded and the selected source encoded with Dolby Digital

contains center channel signals.

This adjusts the delay between the main sound (on the main

channels) and dialog, etc. (on the center channel). The larger

the value, the later the dialog, etc. is generated.

This makes sounds from the left main, center and right main

speakers reach your listening position at the same time. This

is achieved by delaying the sound from the center speaker if

the distance from the center speaker to your listening

position is shorter than the distance from the right and left

main speaker to your listening position.

9. MEM. GUARD (Locking the

settings)

Choices: ON/OFF

Preset position: OFF

If you wish to prevent accidental alterations to the settings

of the SET MENU and other adjustments on this unit, select

the ON position. The following settings on this unit can be

locked:

• Settings of other items in the SET MENU

• Settings in the TIME/LEVEL mode

• Settings when using TEST

10.SAT INPUT (Selecting the initial

input mode for a source connected

to the SAT/D-TV input terminals)

Choices: AUTO/LAST

Preset position: AUTO

The input mode for a source connected to the SAT/D-TV

input terminals of this unit can be automatically set when

the power of this unit is turned on. Refer to page 21 for

details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that

selected the last time when the power of this unit was turned

on.

SET MENU

0108V396RDS34-40_EN 1/6/0, 7:36 PM37

1. PRO LOGIC/Normal 15 to 30 20

DOLBY DIGITAL/Normal 0 to 15 5

PRO LOGIC/ENHANCED 15 to 30 20

DOLBY DIGITAL/ENHANCED 0 to 15 5

2. 70 mm SPECTACLE 15 to 30 23

DGTL SPECTACLE 1 to 99 15

70 mm SCI-FI 15 to 30 20

DGTL SCI-FI 1 to 99 16

3. 70 mm ADVENTURE 15 to 30 20

DGTL ADVENTURE 1 to 99 15

70 mm GENERAL 15 to 30 20

DGTL GENERAL 1 to 99 15

4. MONO MOVIE 1 to 99 49

5. TV SPORTS 1 to 99 9

6. DISCO 1 to 99 40

7. ROCK CONCERT 1 to 99 16

8. CONCERT HALL 1 to 99 44

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby

Pro Logic decoder or Dolby Digital decoder, you can adjust

the delay time between the main sound and sound effect,

and each speaker’s output level as you wish.

Delay Time

You can adjust the time difference between the beginning of

the sound from the main speakers and the beginning of the

sound effect from the rear speakers. The larger the value,

the later the sound effect is generated. The delay time can be

individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some

sources.

• The sound is momentarily interrupted while adjusting the delay

time.

Sound Output Level of the Center,

Right Rear and Left Rear Speakers,

and Subwoofer

If desired, you can adjust the sound output level of each

speaker even if it has already been adjusted in

“ADJUSTING THE SPEAKER BALANCE” on pages 17

and 18.

Notes

• The sound output level of the center speaker cannot be adjusted

when the input signal is analog, PCM audio, or encoded with

Dolby Digital in 2-channel.

• If “CENTER SP” in the SET MENU is set to the NONE position,

the sound output level of the center speaker cannot be adjusted.

This is because the center channel sound is automatically output

from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be

the same for all DSP programs.

Speaker Control range (dB) Preset value

Center –20 to +10 0

Right rear –20 to +10 0

Left rear –20 to +10 0

Subwoofer –20 to 0 0

Program

Control

range (ms)

Preset

value

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EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

Adjusting Method

Adjustments should be performed with the remote control

while watching the information on the display.

1 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item

changes and appears on the display as below.

Note

• Depending on the setting of the SET MENU, you may not be able

to select all these items.

2 Press + or – to adjust the

delay time or speaker

output levels.

3 Repeat steps 1 and 2 to adjust the settings of

any other item.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost when this unit is set in the standby mode.

If, however, the power cord is disconnected from the AC

power outlet or the power is cut for more than one week,

the latest values for the delay time and the center/rear/

subwoofer output levels that were set will automatically

return to the preset values. If so, adjust the delay time

and output levels again.

DELAY TIME AND SPEAKER OUTPUT LEVELS

DELAY

CENTER

R SUR.

L SUR.

SWFR

0108V396RDS34-40_EN 1/6/0, 7:36 PM39

SLEEP TIMER

Canceling the Selected SLEEP

Timer

Press SLEEP repeatedly until “SLEEP OFF”

appears on the display.

It will soon disappear and the “SLEEP” indicator will

go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the

standby mode by using POWER on the remote control (or

STANDBY/ON), or by disconnecting the AC power cord from

the AC power outlet.

The SLEEP timer can be used to automatically set this unit

in the standby mode. This timer is useful when you are

going to sleep while enjoying a broadcast or other desired

input source. The SLEEP timer can only be set with the

remote control.

Note

• The SLEEP timer is effective for the components connected to the

AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Press SLEEP repeatedly to

select the desired SLEEP

time.

Each time you press SLEEP, the

SLEEP time will change as

below:

3 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

Lights up

Flashes

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

0108V396RDS34-40_EN 1/6/0, 7:37 PM40

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power

cord and contact your authorized YAMAHA dealer or service center.

■ General

SYMPTOM CAUSE REMEDY

The unit does not work

normally.

No sound and/or no

picture.

The power cord is not connected or the plug is

not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the

rear panel is not fully set to the right or left

position.

Set the switch fully to the right or left position

when the unit is in the standby mode.

The internal microcomputer has been frozen by

an external electric shock (lightning, excessive

static electricity, etc.) or by a power supply with

low voltage.

Set the unit in the standby mode and disconnect

the AC power cord from the AC power outlet.

After about 30 seconds have passed, connect

the power and operate the unit again.

The speaker connections are not secure.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been

selected.

Select an appropriate input source with INPUT

or TAPE/MD MON / EXT. DECODER (or the

input selector buttons).

Secure the connections.

SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers

in use to the ON position.

Play a source whose signals this unit can

reproduce.

Digital signals other than PCM audio and the

signals encoded with Dolby Digital which this

unit cannot reproduce are being input to this unit

by a CD-ROM, etc.

The sound suddenly

goes off.

The protection circuit has been activated

because of a short circuit, etc.

Set the unit in the standby mode and then turn

on to reset the protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source again.

Refer to

page

APPENDIX

Select the appropriate program.

—

12, 13

—

The unit fails to turn on

when STANDBY/ON is

pressed, or enters in the

standby mode soon after

the power has been

turned on.

23, 24, 25

Only the speaker on one

side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of BALANCE. Adjust it to the appropriate position.

No sound from the effect

speakers.

The sound effect is off. Press EFFECT to turn it on.

A Dolby Surround or Dolby Digital decoding

DSP program is being used with material not

encoded with Dolby Surround or Dolby Digital.

Select another DSP program.

No sound from the

center speaker.

The sound output level of the center speaker is

set to minimum.

Raise the level of the center speaker.

“CENTER SP” in the SET MENU is set to the

NONE position.

Select the LRG or SML position.

Incorrect DSP program is selected.

The source encoded with Dolby Digital does not

have a center channel signal.

No sound from the rear

speakers.

The output level of the rear speakers is set to

minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the PRO

LOGIC/Normal or PRO LOGIC/ENHANCED

program.

Select another DSP program suitable for the

monaural source.

0109V396RDS41-46_EN 1/6/0, 7:37 PM41

SYMPTOM CAUSE REMEDY

Incorrect cable connections. Firmly connect the audio plugs. If the problem

persists, the cables may be defective.

The DVD/LD, TV/digital TV

or satellite tuner source

cannot be recorded by

tape deck, MD recorder

or VCR connected to this

unit.

The DVD/LD player, TV/digital TV or satellite

tuner is connected to the unit only through the

digital terminals.

Make additional connections between the

analog terminals.

Previously preset

stations can no

longer be tuned in.

The unit has been disconnected for a long

period.

Re-store the stations.

Refer to

page

Adjusting this unit by

using SET MENU, TIME/

LEVEL or TEST cannot

be performed.

“MEM. GUARD” in the SET MENU is set to

the ON position.

Set “MEM. GUARD” to the OFF position.

■ Tuner

SYMPTOM CAUSE REMEDY

FM stereo reception

is noisy.

The characteristics of FM stereo broadcasts

may cause this problem when the transmitter is

too far away or the antenna input is poor.

Check the antenna connections.

Try using a high-quality directional FM

antenna.

Use the manual tuning method.

There is distortion,

and clear reception

cannot be obtained

even with a good FM

antenna.

There is multipath interference.

Adjust the antenna position to eliminate

multipath interference.

The desired station

cannot be tuned in

with the automatic

tuning method.

The station is too weak.

Use the manual tuning method.

Use a high-quality directional FM antenna.

The desired station

cannot be tuned in

with the automatic

tuning method.

The signal is weak or the antenna connections

are loose.

Tighten the AM loop antenna connections and

orient it for best reception.

Use the manual tuning method.

Refer to

page

There are continuous

crackling and hissing

noises.

Noises result from lightning, fluorescent lamps,

motors, thermostats and other electrical

equipment.

Use an outdoor antenna and a ground wire. This

will help somewhat, but it is difficult to

eliminate all noise.

A “humming” sound can

be heard.

TROUBLESHOOTING

Select the BOTH position.

The source does not contain low bass signals

(below 90 Hz).

No sound from the

subwoofer.

“BASS OUT” in the SET MENU is set to the

SW or MAIN position when playing a 2-channel

source.

10, 26

11, 26

—

There are buzzing and

whining noises

(especially in the

evening).

A TV set is being used nearby.

Move this unit away from the TV.

—

The volume level cannot

be increased, or the

sound is distorted.

The component connected to the TAPE/MD

OUT (REC) terminals of this unit is in the

standby mode.

Turn on the power to the component.

The sound effect cannot

be recorded.

It is not possible to record the sound effect by a

tape deck or MD recorder connected to the

TAPE/MD OUT (REC) terminals of this unit.

12, 13

—

0109V396RDS41-46_EN 1/6/0, 7:37 PM42

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

■ Remote control

This unit is in the standby mode. Turn on the power of the unit.

SYMPTOM CAUSE REMEDY

Refer to

page

The remote control does

not work.

Direct sunlight or lighting (from an inverter

type of fluorescent lamp, etc.) is striking the

remote control sensor of this unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

■ Others

SYMPTOM CAUSE REMEDY

Refer to

page

The sound is degraded

when listening with

headphones to a tape

deck or CD player

connected to this unit.

There is noise

interference from digital

or high-frequency

equipment, or the unit.

The unit is too close to the digital or high-

frequency equipment.

Move the unit further away from such

equipment.

TROUBLESHOOTING

—

0109V396RDS41-46_EN 1/6/0, 7:37 PM43

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power

20 Hz to 20 kHz, 0.06% THD, 8 ohms

Main L/R, Center, Rear L/R .....................................................60 W

1 kHz, 0.09% THD, 8 ohms

Main L/R, Center, Rear L/R ....................................... 70 W*/65 W

• Maximum Output Power (EIAJ)

1 kHz, 10% THD, 8 ohms .......................................................... 95 W

• DIN Standard Output Power

1 kHz, 0.7% THD, 4 ohms ......................................................... 90 W

• IEC Output Power

1 kHz, 0.06% THD, 8 ohms ....................................................... 65 W

• Dynamic Power (IHF)

8/6/4/2 ohms ...................... 90/110/130/150 W*, 85/105/125/145 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................................ 60

• Frequency Response

CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB

• Total Harmonic Distortion (20 Hz to 20 kHz)

CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%

• Signal-to-Noise Ratio (IHF-A Network)

CD etc. to MAIN L/R

(150 mV, Input Shorted) ......................................................... 96 dB

(250 mV, Input Shorted) ....................................................... 100 dB

• Residual Noise (IHF-A Network)

MAIN L/R .............................................................................. 150 µV

• Input Sensitivity/Impedance

CD etc. ................................................................. 150 mV/47 k-ohms

EXT. DECODER......................................... 150 mV/40 – 47 k-ohms

• Output Level/Impedance

REC OUT ........................................................... 150 mV/1.2 k-ohms

SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms

PHONES ................................................................. 0.47 V/390 ohms

• Channel Separation (Vol. –30 dB)

CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

..................................................................................... 60 dB/45 dB

• Tone Control Characteristics

BASS: Boost/cut .......................................................... ±10 dB/50 Hz

TREBLE: Boost/cut ................................................... ±10 dB/20 kHz

* for U.S.A. and Canada models

VIDEO SECTION

• Video Signal Type ...........................................................NTSC or PAL

• Video Signal Level ...................................................... 1 Vp-p/75 ohms

• Signal-to-Noise Ratio .................................................................. 50 dB

• Monitor Out Frequency Response....................5 Hz to 10 MHz, –3 dB

FM SECTION

• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz

• Usable Sensitivity (DIN)

Mono (S/N 26 dB) ................................................................... 0.9 µV

Stereo (S/N 46 dB) ................................................................... 28 µV

• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB

• Signal-to-Noise Ratio (Mono/Stereo)

DIN ................................................................................. 75 dB/69 dB

IHF ................................................................................. 81 dB/75 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ........................................................................ 0.1/0.2%

• Stereo Separation (1 kHz) ........................................................... 48 dB

• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB

• Antenna Input ......................................................75 ohms, Unbalanced

AM SECTION

• Tuning Range ............................................530/531 to 1,710/1,611 kHz

• Usable Sensitivity................................................................. 300 µV/m

• Signal-to-Noise Ratio ...................................................................52 dB

• Antenna ........................................................................... Loop antenna

GENERAL

• Power Supply

[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz

[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz

[Australia model]..................................................... AC 240 V, 50 Hz

[China model]......................................................... AC 220 V, 50 Hz

[General model].............................AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ...................................................... approx. 190 W

• AC Outlets (100 W max. total)

[U.K. and Australia models] ..................................... 1 (SWITCHED)

[Other models].......................................................... 2 (SWITCHED)

• Dimensions (W x H x D)

.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)

• Weight ............................................................................ 10 kg (22 lbs.)

• Accessories ................................................................ AM loop antenna

.......................................................................... Indoor FM antenna

.....................75-ohm/300-ohm antenna adapter (U.K. model only)

........................ Antenna adapter (U.S.A. and Canada models only)

.................................................................................Remote control

........................................................................................... Batteries

Specifications are subject to change without notice.

0109V396RDS41-46_EN 9/28/0, 3:19 PM44

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

GLOSSARY

CINEMA DSP

■ Dolby Surround

Dolby Surround uses four discrete channels and five

speakers to reproduce realistic and dynamic sound effects:

two main channels (left and right), a center channel for

dialog, and a rear channel for special sound effects. The rear

channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround

encoding, as do many TV and cable broadcasts. The Dolby

Pro Logic decoder built into this unit employs a digital

signal processing system that stabilizes each channel for

even more accurate sound positioning than is available with

standard analog processors.

■ Dolby Digital

Dolby Digital is a digital surround sound system that

provides completely independent multi-channel audio to

you. Dolby Digital provides five full-range channels in what

is sometimes referred to as a “3/2” configuration: three front

channels (left, center and right), and two surround channels.

A sixth bass-only effect channel is also provided for output

of LFE (low frequency effect), or low bass effects that are

independent of other channels. (This is called the “LFE

channel”.) This channel is counted as 0.1, thus giving rise to

the term 5.1 channels in total.

The wide dynamic range of sound reproduced by the five

full-range channels and precise sound orientation by digital

sound processing provides listeners with excitement and

realism that have never been experienced before.

■ CINEMA DSP

The Dolby Surround and Dolby Digital sound systems show

their full ability in a large movie theater, because movie

sounds are originally designed to be reproduced in a large

movie theater that uses a multitude of speakers. Trying to

create a sound environment similar to that of a movie theater

in your home is difficult because of the room size, material

inside the walls, the number of speakers, and so on. In other

words, your listening room is very different from a movie

theater.

However, YAMAHA DSP technology allows you to create

nearly the same sound experience as that of a large movie

theater in your home by compensating for the lack of

presence and dynamics in the listening room with original

digital sound fields combined with Dolby Surround or

Dolby Digital.

The YAMAHA “CINEMA DSP” logo indicates those

programs that are created by the combination of YAMAHA

DSP technology and Dolby Surround or Dolby Digital.

■ LFE 0.1 Channel

This channel is for reproduction of low bass signals. The

frequency range for this channel is 20 Hz to 120 Hz. This

channel is called the channel 0.1 because it only reproduces

a low frequency range compared to the full-range from

20 Hz to 20 kHz that is reproduced by the 5 channels in a

Dolby Digital 5.1 channel system.

0109V396RDS41-46_EN 1/6/0, 7:37 PM45

INDEX

Accessories .......................................................................... 2

AC outlet ........................................................................... 16

Antennas ...................................................................... 10, 11

BALANCE ........................................................................ 20

BGV (background video) function .................................... 20

Canceling sound effect ...................................................... 22

CINEMA DSP ............................................................. 25, 45

Connections

Antennas................................................................ 10, 11

Audio components (tape deck/MD recorder and CD

player) ......................................................................... 12

Digital connections...................................................... 13

Speakers ...................................................................... 14

TV monitor .................................................................. 13

Video components (DVD/LD player, VCR and TV/

digital TV, satellite tuner) ............................................ 13

Delay time (TIME/LEVEL mode) .................................... 38

Display................................................................................. 6

Dolby Digital ..................................................................... 45

Dolby Surround ................................................................. 45

DSP program ............................................................ 22 to 25

External decoder ................................................................ 12

Front panel........................................................................... 4

IMPEDANCE SELECTOR switch ................................... 16

Input mode......................................................................... 21

LFE .............................................................................. 36, 45

Playing ............................................................................... 19

Preset stations

To recall a preset station.............................................. 28

Exchanging preset stations .......................................... 29

Preset tuning

Automatic preset tuning .............................................. 27

Manual preset tuning................................................... 28

RDS mode

EON function .............................................................. 32

PTY SEEK function .................................................... 31

Recording .......................................................................... 33

Remote control

Basic operations ............................................................ 7

Batteries......................................................................... 2

SET MENU ....................................................................... 34

Sleep timer......................................................................... 40

Speaker

Output levels (TIME/LEVEL mode) .......................... 38

Output mode (SET MENU) .................................. 35, 36

Speaker balance (test tone).......................................... 17

Placement ...................................................................... 8

STANDBY/ON.................................................................... 4

Test tone....................................................................... 17, 18

Tone controls ..................................................................... 20

Tuning

Automatic tuning......................................................... 26

Manual tuning ............................................................. 26

0109V396RDS41-46_EN 1/6/0, 7:37 PM46

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V502810-2

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

HTR-5230RDS

Natural Sound AV Receiver

Ampli-tuner audio-vidéo

HTR-5230RDS

G B

INDEX

Aansluitingen

Antennes................................................................ 10, 11

Audiocomponenten (tapedeck/MD-recorder en

CD-speler) ................................................................... 12

Digitale aansluitingen.................................................. 13

Luidsprekers ................................................................ 14

TV-monitor .................................................................. 13

Videocomponenten (DVD/LD-speler, videorecorder

en TV/digitale TV, satelliettuner) ................................ 13

Accessoires .......................................................................... 2

Afspelen............................................................................. 19

Afstandsbediening

Basisbedieningen........................................................... 7

Batterijen ....................................................................... 2

Afstemming

Automatische afstemming........................................... 26

Handmatige afstemming ............................................. 26

Afstemming van voorkeuzezenders

Automatische afstemming van de

voorkeuzezenders ........................................................ 27

Handmatige afstemming van voorkeuzezenders......... 28

Annuleren van het geluidseffect ........................................ 22

Antennes ...................................................................... 10, 11

BALANCE ........................................................................ 20

BGV (achtergrondvideo)-functie....................................... 20

CINEMA DSP ............................................................. 25, 45

Display................................................................................. 6

Dolby Digital ..................................................................... 45

Dolby Surround ................................................................. 45

DSP-programma ........................................................ 22 – 25

Externe decoder ................................................................. 12

IMPEDANCE SELECTOR-schakelaar ............................ 16

Ingangsfunctie ................................................................... 21

LFE .............................................................................. 36, 45

Luidspreker

Luidsprekerbalans (testtoon) ....................................... 17

Plaatsing ........................................................................ 8

Uitgangsfunctie (SET MENU).............................. 35, 36

Uitgangsniveaus (TIME/LEVEL-functie) .................. 38

Netspanningsaansluiting.................................................... 16

Opnemen ........................................................................... 33

RDS-functie

EON-functie ................................................................ 32

PTY SEEK-functie ...................................................... 31

SET MENU ....................................................................... 34

SLEEP-timer ..................................................................... 40

STANDBY/ON.................................................................... 4

Testtoon ....................................................................... 17, 18

Toonregelaars .................................................................... 20

Vertragingstijd (TIME/LEVEL functie) ............................ 38

Voorkeuzezenders

Afstemmen op voorkeuzezenders ............................... 28

Verwisselen van voorkeuzezenders ............................. 29

Voorpaneel ........................................................................... 4

00HTR-5230RDS-cv1/4 9/28/0, 4:02 PM1

L R COAXIAL OPTICAL

DIGITAL OUT

AUDIO OUT VIDEO OUT DOLBY

DIGITAL

RF OUT

MAIN A OR B



:

4W MIN. /SPEAKER

B

:

8W MIN. /SPEAKER

MAIN A OR B

:

8W MIN. /SPEAKER

B

:

I6W MIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN– – ++

–

ANALOG

AUDIO OUT

VIDEO IN

VIDEO

OUT

COAXIAL

DIGITAL OUT

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

DOLBY DIGITAL

RF IN

DOLBY DIGITAL

RF OUT

R L R L

R L

DVD player LD player

Main speakers A Main speakers B

Rear speakers

Digital signal

(coaxial)

V573010 396

Digital signal

(optical)

Signal flow

Center speaker

Subwoofer

system

TV Monitor

Connection Guide (when listening to a digital 5.1-channel source)

Analog signal

(U.S.A. model)

Video signal

L R

RF demodulator

Yamaha HTR-5230RDS Handleiding

Merk: Yamaha

Model: HTR-5230RDS

Type: Handleiding

Download PDF

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