Yamaha E3 de handleiding

Merk: Yamaha

Model: E3

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electron-

ic products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these

graphics appears on this page. Please observe all cau-

tions indicated on this page and those indicated on the

safety instruction section.

SEE BOTTOM OF ENCLOSURE OR LOWER FRONT

PANEL FOR GRAPHIC SYMBOL MARKINGS

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important operat-

ing and maintenance (servicing) instruc-

tions in the literature accompanying the

product.

The lightning flash with arrowhead

symbol within the equilateral triangle

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure

that may be of sufficient magnitude to

constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that

when it is properly installed and used in its normal and

customary manner, all foreseeable risks have been elimi-

nated. DO NOT modify this unit or commission others

to do so unless specifically authorized by Yamaha. Prod-

uct performance and/or safety standards may be dimin-

ished. Claims filed under the expressed warranty may be

denied if the unit is/has been modified. Implied warran-

ties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha re-

serves the right to change or modify any of the specifica-

tions without notice or obligation to update existing

units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmental-

ly friendly. We sincerely believe that our products and

the production methods used to produce them, meet

these goals. In keeping with both the letter and the spirit

of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

cessary, contact a qualified service representative to

perform the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is con-

sidered to be at an end, please observe all local, state,

and federal regulations that relate to the disposal of prod-

ucts that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of

knowledge relating to how a function or effect works

(when the unit is operating as designed) are not covered

by the manufacturer’s warranty, and are therefore the

owners responsibility. Please study this manual carefully

and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

Model _________________________________________

Serial No. ______________________________________

Purchase Date __________________________________

92-469

YAMAHA CORPORATION

MADE IN JAPAN

PATENTS

SECTION DE MESSAGE SPÉCIAL

INSCRIPTIONS DE SÉCURITÉ DU PRODUIT: Les

produits électroniques Yamaha peuvent comporter des

étiquettes semblables aux représentations graphiques in-

diquées ci-dessous ou fac-similés moulés/estampés de

ces représentations graphiques sur l’encoffrement. L’ex-

plication de ces représentations graphiques apparaît à

cette page. Veuillez respecter toutes les précautions in-

diquées à cette page et celles indiquées dans la section

des directives de sécurité.

VOIR SOUS L’ENCOFFREMENT OU EN BAS DU

PANNEAU FRONTAL EN CE QUI CONCERNE LES

INSCRIPTIONS DE SYMBOLE GRAPHIQUES

Le point d’exclamation placé dans un tri-

angle équilatéral est destiné à alerter

l’utilisateur de la présence de directives

importantes sur l’utilisation et l’entretien

(dépannage) dans la documentation qui

accompagne le produit.

L’éclair de foudre avec le symbole en

pointe de flèche dans un triangle équi-

latéral est destiné à alerter l’utilisateur

de la présence d’une “tension dan-

gereuse” non isolée circulant dans

l’encoffrement du produit et qui peut

avoir une puissance suffisante pour

constituer un risque d’électrocution.

NOTIFICATION IMPORTANTE: Tous les produits

électroniques Yamaha sont vérifiés et approuvés par un

laboratoire de contrôle de sécurité indépendant pour que

vous puissiez être sûr que quand il est correctement in-

stallé et utilisé de façon normale et habituelle, tous les

risques prévisibles ont été éliminés. NE modifiez PAS

cet appareil ni déléguez d’autres personnes à le faire à

moins d’être autorisé spécifiquement par Yamaha à le

faire. Les performances de ce produit et/ou les normes

de sécurité peuvent être diminuées. Les réclamations

soumises sous les termes de la garantie exprimée peu-

vent être refusées si l’appareil est ou a été modifié. Des

garanties implicites peuvent également être affectées.

CARACTÉRISTIQUES SUJETTES À MODIFICA-

TION: On pense que les informations contenues dans ce

manuel sont correctes au moment de l’impression.

Cependant, Yamaha se réserve le droit de changer ou de

modifier toute caractéristique sans avis préalable ni obli-

gation de mettre à jour les appareils existants.

PUBLICATION SUR L’ENVIRONNEMENT: Yama-

ha s’efforce de produire des appareils qui réunissent à la

fois la sécurité à utilisateur et constituent un environnement

convivial. Nous croyons sincèrement que nos produits et

les méthodes de production les produisaient, atteignent ces

buts. En accord avec la lettre et l’esprit de la loi, nous vou-

lons que vous vous rendiez compte de ce qui suit :

Notification relative à la batterie: Ce produit PEUT con-

tenir une petite batterie non-rechargeable qui (quand ceci

est applicable) est soudée en place. La durée moyenne de

ce type de batterie est approximativement de cinq ans.

Quand le remplacement devient nécessaire, prenez contact

avec un technicien qualifié pour exécuter le remplacement.

Avertissement: N’essayez pas de recharger, démonter

ou incinérer ce type de batterie. Maintenez toutes les bat-

teries hors de la portée des enfants. Mettez les batteries

usées au rebut et promptement conformément aux obli-

gations imposées par les lois applicables. Remarque:

Dans certains secteurs, il est exigé par la loi que le pré-

posé à l’entretien renvoie les pièces défectueuses.

Cependant, vous avez l’option que le préposé à l’entre-

tien mette ces pièces au rebut pour vous.

Notification de mise au rebut: Si ce produit était en-

dommagé au delà de la possibilité du dépannage, ou

pour quelque raison si sa durée de vie utile est con-

sidérée comme arrivant à terme, veuillez respecter la ré-

glementations d’état, locale et fédérale et qui est

associée à la mise au rebut des produits qui contiennent

du plomb, des batteries, des plastiques, etc.

NOTIFICATION: Les frais administratifs encourus en

raison d’un manque de connaissance concernant la façon

dont une fonction ou des effets réagissent (quand l’appa-

reil est utilisé comme conçu) ne sont pas couverts par la

garantie du constructeur, et incombent pour cette raison

la responsabilité des propriétaires. Veuillez étudier at-

tentivement ce manuel et consultez votre distributeur

avant de demander un dépannage.

EMPLACEMENT DE LA PLAQUE SIGNALÉ-

TIQUE: La représentation graphique ci-dessous indique

l’emplacement de la plaque signalétique. Le numéro de

modèle, le numéro de série, les conditions d’alimenta-

tion électrique, etc., sont mentionnées sur cette plaque.

Vous devriez enregistrer le numéro de modèle, le

numéro de série et la date de l’achat dans les espaces

fournis ci-dessous et conserver ce manuel comme relevé

permanent de votre achat.

Modèle ________________________________________

Numéro de série ________________________________

Date d’achat ____________________________________

92-469

YAMAHA CORPORATION

MADE IN JAPAN

PATENTS

IMPORTANT SAFETY INSTRUCTIONS

WARNING — When using any electrical or electronic

product, basic precautions should always be followed. These

precautions include, but are not limited to, the following:

Read these instructions.

Keep these instructions.

Heed all warnings.

Follow all instructions.

Do not use this apparatus near water.

Clean only with dry cloth.

Do not block any ventilation openings. Install in ac-

cordance with the manufacturer’s instructions.

Do not install near any heat sources such as radia-

tors, heat registers, stoves, or other apparatus (in-

cluding amplifiers) that produce heat.

Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two

blades with one wider than the other. A grounding

type plug has two blades and a third grounding

prong. The wide blade or the third prong are pro-

vided for your safety. If the provided plug does not

fit into your outlet, consult an electrician for re-

placement of the obsolete outlet.

Protect the power cord from being walked on or

pinched particularly at plugs, convenience recepta-

cles, and the point where they exit from the apparatus.

Only use attachments/accessories specified by the

manufacturer.

Use only with the cart, stand, tripod,

bracket, or table specified by the

manufacturer, or sold with the appa-

ratus. When a cart is used, use caution

when moving the cart/apparatus com-

bination to avoid injury from tip-over.

Unplug this apparatus during lightning storms or

when unused for long periods of time.

Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power-supply cord or

plug is damaged, liquid has been spilled or objects

have fallen into the apparatus, the apparatus has

been exposed to rain or moisture, does not operate

normally, or has been dropped.

This product shall not be exposed to dripping or

splashing and that no objects filled with liquids,

such as vases, shall be placed on the apparatus.

Do not put burning items, such as candles, on the

apparatus.

Do not place this product or any other objects on

the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over

power or connecting cords of any kind. The use of

an extension cord is not recommended! If you must

use an extension cord, the minimum wire size for a

25’ cord (or less) is 18 AWG. NOTE: The smaller

the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local

electrician.

WARNING — To reduce the risk of fire or electric

shock, do not expose this apparatus to rain or mois-

ture.

Care should be taken that objects do not fall and liq-

uids are not spilled into the enclosure through any

openings that may exist.

This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be ca-

pable of producing sound levels that could cause

permanent hearing loss. DO NOT operate for a long

period of time at a high volume level or at a level

that is uncomfortable. If you experience any hear-

ing loss or ringing in the ears, you should consult an

audiologist. IMPORTANT: The louder the sound,

the shorter the time period before damage occurs.

Some Yamaha products may have benches and/or

accessory mounting fixtures that are either supplied

as a part or the product or as optional accessories.

Some of these items are designed to be dealer as-

sembled or installed. Please make sure that benches

are stable and any optional fixtures (where applica-

ble) are well secured BEFORE using. Benches sup-

plied by Yamaha are designed for seating only. No

other uses are recommended.

This product shall be connected to a MAINS socket

outlet with a protective earthing connection.

This product has a power switch for shutting off all

system. The switch is located on the Power Supply

Unit nearby the entrance of the AC cord. Note that

the switch on the Controller does not shutdown all

system.

Make sure that the plug of the Power Supply Unit’s

power cable can easily be disconnected from the

AC outlet as a measure of precaution.

Battery

– Danger of explosion if battery incorrectly replaced.

Replace only with the same type.

Outlets for Speakers

– Connect speakers of 2A or less of totals. Do not con-

nect other products except speakers.

– Consult Yamaha service technician when using the

outlets outside the purchased area.

92-469-DK

PLEASE KEEP THIS MANUAL

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

INSTRUCTIONS DE SÉCURITÉ IMPORTANTES

AVERTISSEMENT — Lors de l’utilisation de n’importe

quel appareil électrique ou électronique, les précautions

fondamentales devraient toujours être suivies. Ces précau-

tions comprennent, mais ne sont pas limitées à, ce qui suit:

Lisez ces directives.

Conservez ces directives.

Observez tous les avertissements.

Suivez toutes les directives.

N’utilisez pas cet appareil près de l’eau.

Nettoyez seulement avec un tissu sec.

Ne bloquez aucune des ouvertures de ventilation. In-

stallez conformément aux directives du constructeur.

N’installez près d’aucune source de chaleur telle que

des radiateurs, des registres de chaleur, des appareils

de chauffage ou d’autres appareils (amplificateurs y

compris) qui produisent de la chaleur.

N’asservissez pas l’objectif de sécurité de la prise de

type polarisée ou de mise à la terre. Une prise polar-

isée a deux lames avec une plus large que l’autre. Une

prise de type à mise à la terre a deux lames et une

troisième lame de mise à la terre. La lame large ou la

troisième lame est prévue pour votre sécurité. Si la

prise fournie ne s’ajuste pas dans votre prise secteur,

consultez un électricien pour le remplacement de l’an-

cien modèle de prise.

Protégez le cordon d’alimentation de secteur afin que

personne ne puisse marcher ni le pincer en particulier

les prises, les prises de courant et la position où il quit-

te de l’appareil.

Utilisez seulement les équipements ou accessoires in-

diqués par le constructeur.

Utilisez seulement avec le chariot, le

support, le trépied, la platine de fixa-

tion ou la table indiquée par le con-

structeur, ou vendue avec l’appareil.

Quand un chariot est utilisé, faites at-

tention en déplaçant la combinaison

chariot/appareil pour éviter de se

blesser en renversant l’appareil.

Débranchez cet appareil pendant les orages et la fou-

dre ou s’il est inutilisé pendant de longues périodes.

Confiez toutes les opérations d’entretien au personnel

de service qualifié. L’entretien est exigé quand l’appar-

eil a été endommagé de quelque façon que ce soit,

comme par exemple l’endommagement du cordon ou

de la prise d’alimentation secteur, quand du liquide a

été renversé ou que des objets sont tombés dans l’appa-

reil, l’appareil a été exposé à la pluie ou à l’humidité,

ne fonctionne pas normalement ou est tombé par terre.

Ce produit ne doit pas être exposé à un suintement ou

des éclaboussures et aucun objet rempli de liquide, tels

que des vases, ne doit être mis sur l’appareil.

Ne mettez pas des articles brûlants, tels que des bou-

gies, sur l’appareil.

Ne placez ce produit ni aucun autre objet sur le cordon

d’alimentation secteur ou ne le placez pas dans une po-

sition où n’importe qui pourrait marcher dessus,

trébucher dedans ou faire rouler n’importe quoi sur les

cordons d’alimentation en aucune manière. L’utilisa-

tion d’un cordon prolongateur n’est pas recommandée

! Si vous devez utiliser un cordon prolongateur, la taille

minimum du calibre de fil du cordon pour un cordon de

25 pouces (ou moins) est de 18 du calibrage américain

normalisé. REMARQUE: Plus le numéro du calibrage

américain normalisé est petit, plus la capacité de ges-

tion de l’intensité est grande. Pour de plus longs cor-

dons prolongateurs, consultez un électricien local.

AVERTISSEMENT — Pour réduire les risques d’in-

cendie ou de décharge électrique, n’exposez pas cet

appareil à la pluie ou à l’humidité.

Un soin tout particulier devrait être pris pour qu’aucun

objet ne tombe et que des liquides ne soient renversés

dans l’encoffrement par aucune des ouvertures qui

peuvent exister.

Ce produit, individuel ou en combinaison avec un am-

plificateur et des écouteurs ou le ou les haut-parleurs,

risque de produire des niveaux sonores qui pourraient

causer une perte d’auditive permanente. NE PAS

mettre en service pendant une longue période à un

niveau de volume élevé ou à un niveau qui est incon-

fortable. Si vous éprouvez n’importe quelle sorte de

perte auditive ou de sonnerie dans les oreilles, vous

devriez consulter un audiologiste. IMPORTANT :

Plus le son est fort, plus la période de temps avant que

les dégâts se produisent est courte.

Certains produits Yamaha peuvent avoir des supports et/

ou des accessoires d’installation complémentaires qui

sont fournis comme partie du produit ou en tant qu’ac-

cessoires optionnels. Certains de ces articles sont conçus

pour être montés ou installés par le distributeur. Veuillez

vous assurer que les supports sont stables et que tous les

accessoires optionnels (quand ceci est applicable) sont

bien fixés AVANT l’utilisation. Les supports fournis

par Yamaha sont conçus pour un positionnement seule-

ment. Aucune autre utilisation n’est recommandée.

Ce produit doit être connecté à une prise de sortie secteur

munie d’une connexion protectrice par la mise à la terre.

Ce produit est muni d’un interrupteur d’alimentation

permettant de couper l’alimentation de tout le

système. L’interrupteur d’alimentation est installé sur

le bloc d’alimentation tout près l’entrée du cordon

d’alimentation secteur. Notez que l’interrupteur d’ali-

mentation sur le contrôleur n’arrête tout le système.

Assurez-vous que la prise du cordon d’alimentation

électrique du bloc d’alimentation peut facilement être

débranchée de la prise de sortie secteur comme mesure

de précaution.

Batterie

– Risque d’explosion si la batterie n’est pas remplacée comme

il faut. Remplacez seulement par le même type de batterie.

Prises de sortie pour des haut-parleurs

– Connectez des haut-parleurs de 2A ou moins au total. Ne

connectez aucun autre produit excepté des haut-parleurs.

– Consultez le technicien de service Yamaha quand des

prises sont utilisées en dehors du secteur d’achet.

92-469-DK VEUILLEZ CONSERVER CE MANUEL

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

The control unit is classified as a Class 1 laser product. One of the

labels below is located on the inside of the CD drive unit.

L’unité de commande est classée produit laser de Classe 1. Une des

étiquettes ci-dessous ou une étiquette similaire se trouve à l’intérieur

du lecteur de CD.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT: The wires in mains lead are coloured in accordance

with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the

terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter

E or by the safety earth symbol or coloured GREEN and

YELLOW.

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Laser Diode Properties

* Material: GaAIAs

* Wavelength: 783 nm

* Laser Output Power at the lens of the Laser Pickup Unit: max.

130.7 mW

Propriétés de la diode à semi-conducteur

* Matériau : GaAlAs

* Longueur d’ondes : 783 nm

* Puissance de sortie laser à la lentille du capteur laser : 130.7 mW

max.

CAUTION—Use of controls or adjustments or performance of

procedures other than those specified herein may result in

hazardous radiation exposure.

ATTENTION—L’utilisation de commandes ou de réglages, ou

l’exécution de procédures, autres que celles qui sont spécifiées ici

peuvent conduire à une exposition à des rayonnements dangereux.

CLASS 1 LASER PRODUCT

LASER KLASSE 1

㉏▔ܝѻક

CAUTION - CLASS 3B VISIBLE AND INVISIBLE LASER RADIATION

WHEN OPEN.

AVOID EXPOSURE TO THE BEAM.

VORSICHT - SICHTBARE UND UNSICHTBARE LASERSTRAHLUNG

KLASSE 3B, WHEN GEÖFFNET.

NICHT DEM STRAHL AUSSETZEN.

⊼ᛣ - ᠧᓔᯊ᳝3B ㉏ৃ㾕ঞϡৃ㾕▔ܝ䕤ᇘ

䙓ܡܝᴳ✻ᇘ

Information for Users on Collection and Disposal of Old Equipment and used Batteries

These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic

products and batteries should not be mixed with general household waste.

For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable

collection points, in accordance with your national legislation and the Directives 2002/96/EC and 2006/66/EC.

By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any

potential negative effects on human health and the environment which could otherwise arise from inappropriate

waste handling.

For more information about collection and recycling of old products and batteries, please contact your local

municipality, your waste disposal service or the point of sale where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further

information.

[Information on Disposal in other Countries outside the European Union]

These symbols are only valid in the European Union. If you wish to discard these items, please contact your local

authorities or dealer and ask for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):

This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set

by the Directive for the chemical involved.

Information concernant la Collecte et le Traitement des piles usagées et des déchets d’équipements

électriques et électroniques

Les symboles sur les produits, l’emballage et/ou les documents joints signifient que les produits électriques ou

électroniques usagés ainsi que les piles ne doivent pas être mélangés avec les déchets domestiques habituels.

Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et

électroniques et des piles usagées, veuillez les déposer aux points de collecte prévus à cet effet, conformément à la

réglementation nationale et aux Directives 2002/96/EC et 2006/66/EC.

En vous débarrassant correctement des déchets d’équipements électriques et électroniques et des piles usagées, vous

contribuerez à la sauvegarde de précieuses ressources et à la prévention de potentiels effets négatifs sur la santé

humaine qui pourraient advenir lors d’un traitement inapproprié des déchets.

Pour plus d’informations à propos de la collecte et du recyclage des déchets d’équipements électriques et

électroniques et des piles usagées, veuillez contacter votre municipalité, votre service de traitement des déchets ou le

point de vente où vous avez acheté les produits.

[Pour les professionnels dans l’Union Européenne]

Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques veuillez contacter votre

vendeur ou fournisseur pour plus d’informations.

[Information sur le traitement dans d’autres pays en dehors de l’Union Européenne]

Ces symboles sont seulement valables dans l’Union Européenne. Si vous souhaitez vous débarrasser de déchets

d’équipements électriques et électroniques ou de piles usagées, veuillez contacter les autorités locales ou votre

fournisseur et demander la méthode de traitement appropriée.

Note pour le symbole « pile » (deux exemples de symbole ci-dessous) :

Ce symbole peut être utilisé en combinaison avec un symbole chimique. Dans ce cas il respecte les exigences établies

par la Directive pour le produit chimique en question.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Avenue, Buena Park, CA 90620 USA

Telephone : 1-714-522-9011

Fax : 1-714-522-9301

Type of Equipment : Player Piano

Model Name : DGB1KE3, DGC1E3, DGC2E3, DC1E3, DC2E3, DU1E3, DYUS1E3, 200E3, 200CSE3

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly

approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied

with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use

this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential

environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not

installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic

devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be

the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of

the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to

coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If

you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe

Ave, Buena Park, CA 90620

Mounting the Control Unit to the Grand Piano

Installation du boîtier de commande sur un piano à queue

(1) Remove the four screws from the sides of the

control unit.

(2) Place the metal suspension bracket, supplied

with the Disklavier grand model, over the

control unit, then secure the metal suspension

bracket to the control unit using the four screws

(4  10) supplied with the Disklavier.

(3) Insert the three restraining screws (5  12) into

the marked nuts underneath the bass side key

bed, then tighten the screws, leaving a gap of

about 5 mm between head of the screw and

piano body.

(1) Retirer les quatre vis sur les côtés du boîtier de

commande.

(2) Placez la platine de fixation de suspension en

métal, fournie avec le modèle Grand

Disklavier, au-dessus du boîtier de commande,

puis fixez la platine de fixation de suspension

en métal au boîtier de commande en utilisant

les quatre vis (4  10) fournies avec le

Disklavier.

(3) Introduire les trois vis de fixation (5  12) dans

les écrous marqués sous le clavier du côtés de la

basse, puis serrer les vis en laissant un espace

d’environ 5 mm entre la tête de la vis et le corps

du piano.

Leave 5 mm of

the shank

(1) (2) (3)

Notes:

1) Handle the metal suspension bracket and the

control unit carefully to avoid scratches.

2) Screws;

For suspension bracket installation:

Flat head (4



10)



For control unit suspension:

Bind head (5



12)



3) When mounted correctly, the control unit is

angled approximately 18° above horizontal.

Remarques:

1) Manipuler soigneusement le support

métallique et le boîtier de commande pour

éviter les rayures.

2) Vis de fixation;

Pour l'installation de la platine de fixation de

suspension:

Tête plate (4



10)



Pour la suspension du unité de commande:

Tête de grippage (5



12)



3) Lorsqu’il est monté correctement, le boîtier

de commande est incliné d’environ 18° sur

l’horizontale.

(4) Fit the “slots” of the metal suspension bracket

containing the control unit to the screws

mentioned in step (3).

(5) After mounting the control unit, push the

control unit back as far as it will go and then

tighten the three screws to secure the bracket.

(6) Connect the cables extending from the piano to

the appropriate connectors/jacks on the rear

panel of the control unit.

• Coaxial cable: to the TO PIANO connectors

• Speaker cord*: to the OUTPUT jacks

* Only for models supplied with the monitor speakers.

(4) Glisser les « fentes » du support métallique

contenant le boîtier de commande sur les vis

mentionnées à l’étape (3).

(5) Après avoir installé le boîtier de commande,

l’enfoncer jusqu’à l’extrémité et serrer les trois

vis pour fixer le support.

(6) Connectez les câbles sortant du piano aux

connecteurs ou aux prises appropriées sur le

panneau arrière de l’unité de commande.

• Câble coaxial : aux connecteurs TO PIANO

• Cordon de haut-parleur*: aux prises OUTPUT

* Seulement pour les modèles fournis avec les haut-

parleurs de contrôle.

(4) (5) (6)

Mounting an Optional USB Floppy Disk Drive to the

Grand Piano

Installation d’unité de disquette USB optionnelle sur le

piano à queue

(1) Remove the backing papers from the adhesive

tape inside the case, and fit the floppy disk

drive into the case.

(2) Attach the drive and case assembly to the

bottom of the control unit, using the four

screws (3  6) supplied with the Disklavier.

(3) Connect the USB cable extending from the

drive to the USB port on the rear panel of the

control unit.

(1) Enlevez les papiers arrière du ruban adhésif à

l’intérieur du boîtier et insérez l’unité de

disquette dans le boîtier.

(2) Fixez l’ensemble de lecteur et de boîtier au

fond de l’unité de commande en utilisant les

quatre vis (3  6) fournies avec le Disklavier.

(3) Raccordez le câble USB sortant du lecteur au

port USB sur le panneau arrière de l’unité de

commande.

USB cable

Câble USB

Adhesive tape

Ruban adhésif

(1) (2) (3)

Notes:

1) The case is supplied with the USB floppy disk

drive.

2) Use the screws (3



6) supplied with the

Disklavier when attaching.

Remarques:

1) Le boîtier est fourni avec l’unité de disquette

USB.

2) Utilisez les vis de fixation (3



6) fournies

avec le Disklavier au moment de faire la

fixation.

English

Operation manual

English

Thank you for purchasing the Yamaha Disklavier piano!

The Disklavier is a fascinating instrument that integrates a classic Yamaha acoustic piano with innovative

electronics to suit your entertainment, educational, and creative needs, while retaining the tone, touch and

long-term value that have long made Yamaha pianos the world’s finest.

Before using your Disklavier piano, please read this manual thoroughly and retain it for future reference.

■ Notes on Source Code Distribution

For three years after the factory shipment, you may request from Yamaha the source code for any portions

of the product which are licensed under the GNU General Public License by writing to the following address:

10-1 Nakazawa-cho, Naka-ku, Hamamatsu, Shizuoka, 430-8650, JAPAN

Piano Development Department, Yamaha Corporation

The source code will be provided at no charge; however, we may require you to reimburse Yamaha for the

cost of delivering the source code to you.

The source code download is also available on the following website:

http://download.yamaha.com/sourcecodes/disklavier_e3/

• Note that we shall bear no responsibility whatsoever for any damage arising from changes (additions/

deletions) made to the software for this product by a third party other than Yamaha (or party authorized by

Yamaha).

• Note that re-use of source code released to the public domain by Yamaha is unguaranteed, and Yamaha

shall not bear any responsibility whatsoever for the source code.

■ Trademarks & Copyrights

• The contents of this operation manual and the copyrights thereof are under exclusive ownership by

Yamaha Corporation.

• Yamaha, Disklavier, DisklavierRadio, Silent, PianoSoft, PianoSoft·Plus, and PianoSoft·PlusAudio are

trademarks of Yamaha Corporation.

• SmartKey, CueTIME, and You Are The Artist are trademarks of Yamaha Corporation or Yamaha

Corporation of America.

• This contains programs licensed under the GNU General Public License, GNU Lesser General Public

License, the BSD Copyright, the Artistic License, and the others.

• This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit.

(http://www.openssl.org/)

• Windows is a registered trademark of Microsoft Corporation in the United States and other countries.

• Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries.

• The company names and product names in this operation manual are the trademarks or registered

trademarks of their respective companies.

Welcome to the Yamaha Disklavier

Read the following before operating the Disklavier.

■ Warnings

• Do not locate the Disklavier in a place subject to

excessive heat, low temperatures, or direct

sunlight. This could be a fire hazard and may

damage the finish and internal parts.

• Excessive humidity or dust can lead to fire or

electric shock.

• Connect the plug on the Disklavier power cable

to a compatible AC outlet. Failure to do so will

present a fire and electric shock hazard. If the

power cable plug is not compatible with your AC

outlet, consult your dealer.

• Do not plug several devices into the same AC

outlet. This can overload the AC outlet, and lead

to fire and electric shock hazard. It may also

affect the performance of some devices.

• Do not place heavy objects on the power cable.

A damaged power cable is a potential fire and

electric shock hazard. If the power cable runs

under a carpet, make sure heavy objects,

including the Disklavier, are not placed on top of

the cable.

• If the power cable is damaged (i.e. cut or a bare

wire is exposed), ask your dealer for a

replacement. Using the Disklavier in this

condition is a fire and shock hazard.

• When disconnecting the power cable from an

AC outlet, always pull from the plug. Never pull

the cable. Damaging the cable in this way is a

potential fire and electric shock hazard.

• The cover of the unit should be removed only by

qualified service technicians.

• Do not place liquid containers such as vases,

potted plants, glasses, cosmetic bottles,

medicines, etc., on top of the Disklavier.

• Do not try to modify the Disklavier, as this could

lead to fire or electric shock hazard.

• When moving the Disklavier to another location,

turn off the power, remove the power plug from

the AC outlet, and remove all cables connected

to external devices.

■ Cautions

• Turn off all audio devices when connecting to

the Disklavier. Refer to the user’s guide for each

device. Use the correct cables and connect as

specified.

• Set the volume level on all the devices to

minimum before applying power.

• Do not play the Disklavier at a high volume for

extended periods; you may damage your

hearing. This is especially important when using

headphones. If you think your hearing ability is

impaired, consult your doctor.

• If the Disklavier is worked extremely hard —that

is, prolonged playback of very “busy” songs —

the Disklavier’s thermal relay may trip. The

thermal relay will automatically reset when the

Disklavier has cooled down.

• If you notice any abnormality — such as smoke,

odor, or noise — turn off the Disklavier

immediately, and remove the power plug from

the AC outlet. Consult your dealer for repair.

• If a foreign object or water gets inside the

Disklavier turn it off immediately, and remove

the power plug from the AC outlet. Consult your

dealer.

• If you plan not to use the Disklavier for a long

period of time (such as when you are on

vacation), disconnect the electrical mains.

• Always remove the power plug from the AC

outlet before cleaning the Disklavier. Leaving the

power plug connected presents a risk of electric

shock.

• Do not use benzene, thinner, cleaning

detergent, or a chemical cloth to clean the

Disklavier.

• Do not place metal objects with rubber feet on

top of the Disklavier. The color and finish of the

Disklavier can be damaged.

• Do not place heavy objects on the Disklavier.

Doing so can damage the Disklavier.

• Use a soft, dry cloth to clean the Disklavier.

However, if you discover a stain, carefully use a

soft damp cloth to remove it.

Important Precautions

English

iii

■ Interference

• The Disklavier uses high-frequency digital

circuits that may cause interference to radios

and TVs placed close to it. If interference does

occur, relocate the affected equipment.

■ Handling Batteries

The remote control of this unit is powered by dry

batteries. Improper use or misuse of the dry

batteries can cause the dry batteries to heat up,

leak electrolyte or burst which in turn may result in

a fire, damage to equipment and/or nearby objects

or in burns, injury or other bodily harm. Read

through and familiarize yourself with the following

safety precautions prior to use to ensure correct

usage.

• Do not directly touch the chemicals (electrolyte)

which have leaked from dry batteries.

1. If electrolyte from dry batteries has made

contact with your eyes, rinse your eyes

thoroughly with clean water and seek medical

treatment from a physician immediately.

2. If electrolyte from dry batteries has touched

your skin or clothing, rinse it off immediately

with clean water.

3. If electrolyte from dry batteries has found its

way inside your mouth, gargle immediately

and consult a physician.

• Do not install the dry batteries with the “+” and

“–” poles reversed. Misaligning the poles of dry

batteries can lead the dry batteries to be

charged or shorted or it can cause them to heat

up, leak electrolyte or burst which in turn may

result in a fire, damage to nearby objects or in

burns, injury or other bodily harm.

• Use only the designated batteries. Do not use

used batteries with unused batteries or different

types of batteries together. This can cause them

to heat up, leak electrolyte or burst which in turn

may result in a fire or in burns, injury or other

bodily harm. Replace all the dry batteries at the

same time. Do not use new and old dry batteries

together. Do not use different types of batteries

(alkaline and manganese batteries, batteries

made by different manufacturers or different

battery products made by the same

manufacturer) together: this can cause them to

heat up, ignite or leak electrolyte.

• When the battery-powered unit is not going to be

used for a prolonged period of time, remove the

dry batteries from the unit. Otherwise the

batteries will run down and their electrolyte may

leak, resulting in damage to the unit.

• Remove spent batteries immediately from

equipment. Otherwise, batteries will

overdischarge, causing them to heat up, leak

electrolyte or burst which in turn may result in

damage to nearby objects or in burns, injury or

other bodily harm.

• Dispose of batteries in accordance with the

applicable regulations and ordinances.

• The batteries shall not be exposed to excessive

heat such as sunshine, fire or the like.

Please keep this manual for future reference.

Table of Contents

Chapter 1 Introduction

Features.................................................................1

Items Supplied with the Disklavier .........................1

Names of Parts and Their Functions .....................2

Basic Disklavier Terminology.................................7

Chapter 2 Getting Started

Connecting the Control Unit...................................8

Connecting the AC Power Cable ...........................8

Using the Remote Control......................................9

Turning On the Disklavier ....................................10

Setting the Internal Calendar ...............................11

Turning Off the Disklavier (Standby Mode)..........14

Shutting Down the Disklavier ...............................14

Compatible Media Format for the Removable

Media ...................................................................14

Compatible File Format........................................15

Basic Precautions for Using CDs.........................15

Chapter 3 Basic Song Playback

Types of Playable Software .................................16

Selecting Medium and Their Contents.................17

Using the Number Keypad...................................19

Starting Playback .................................................19

Stopping Playback ...............................................21

Pausing Playback ................................................21

Fast Preview & Review ........................................22

Fast Forward & Reverse ......................................23

Searching a Specific Section of a Song...............24

Listening to the DisklavierRadio™ .......................25

Adjusting the Volume ...........................................26

Chapter 4 Advanced Song Playback

Changing the Playback Tempo............................27

Playing Back Songs in a Different Key

(Transposition) .....................................................27

Repeating Song Playback....................................28

Repeating a Specific Section of a Song

(A-B Repeat) ........................................................29

Playing Back Only the Desired Piano Part...........30

Adjusting the Volume Balance among the

Keyboard Playing, Ensemble Sound, and

Software Playback ...............................................31

Adjusting the Pitch of Audio .................................33

Adjusting the L/R Balance of Audio..................... 34

Using the Timer Play........................................... 35

Skipping the Blank Part at the Beginning of a

Song.................................................................... 38

Video Synchronized Playback............................. 39

Adding Disklavier Accompaniment to Commercial

CD Songs (PianoSmart™ Playback)................... 40

SmartKey™ Playback ......................................... 40

Chapter 5 Advanced Piano Playing

Playing the Disklavier along with the Internal

Metronome .......................................................... 42

Playing the Disklavier with an Ensemble Voice... 43

Chapter 6 Basic Recording

Recording a New Song ....................................... 45

Titling a Song at the Start of Recording .............. 46

Chapter 7 Advanced Recording

Recording with the Internal Metronome .............. 48

Recording the Left and Right Parts Separately... 50

Recording the Left and Right Parts Together

(Setting a Split Point) .......................................... 52

Re-Recording One Part....................................... 54

Changing the Default Tempo .............................. 55

Video Synchronized Recording........................... 57

CD Synchronized Recording............................... 61

Chapter 8 Media Management

Managing Albums ............................................... 62

Making Copies of Albums ................................... 62

Deleting Albums .................................................. 64

Creating a New Album ........................................ 65

Renaming an Album............................................ 66

Rearranging the Order of Albums ....................... 67

Managing Songs ................................................. 68

Making Copies of Songs ..................................... 69

Deleting Songs.................................................... 70

Renaming a Song ............................................... 71

Rearranging the Order of Songs ......................... 72

Converting Song Format ..................................... 73

Changing the Counter Display ............................ 74

Converting MIDI Data to a Standard Form

(Strip XP)............................................................. 75

English

Managing Playlists ...............................................76

Adding Songs/Albums to the Playlist ...................77

Deleting a Playlist.................................................78

Creating a New Playlist........................................79

Renaming a Playlist .............................................80

Managing Media...................................................81

Making Copies of the Entire Contents in a

Medium ................................................................82

Deleting the Entire Contents in a Medium............83

Copying Song File from a Personal Computer to

the Disklavier........................................................84

Refreshing the Contents in [FromToPC]..............88

Formatting the Floppy Disk (Optional) .................89

Making Backups of Songs....................................90

Restoring the Backups.........................................91

Chapter 9 Internet Direct Connection

(IDC)

What is Internet Direct Connection (IDC)?...........93

Obtaining an ID and Password for the IDC Service

(IDC Registration) ................................................93

Connecting the Disklavier to the Internet .............93

Accessing the Internet..........................................95

Checking Your Account Information.....................96

Updating the Disklavier Using the Internet...........97

Setting the Disklavier for the Internet

Connection...........................................................99

Initializing Internet Settings ................................100

Chapter 10 Enhancing the Disklavier by

Hooking Up Other Devices

Hooking Up Audio Equipment............................101

Setting the Disklavier for Audio Data

Reception/Transmission.....................................102

Hooking Up MIDI Devices..................................104

Setting the Disklavier for MIDI Data

Reception...........................................................105

Setting the Disklavier for MIDI Data

Transmission......................................................107

Setting the Disklavier for Keyboard Playing

Data Transmission .............................................108

Chapter 11 Other Settings

Tuning the Tone Generator

(TG Master Tune).............................................. 110

Assigning Frequently-used Functions to the

Number Keypad on the Remote Control ........... 111

Setting the Passcode to Prevent Unauthorized

Access............................................................... 114

Adjusting the Brightness of the Display............. 116

Switching the Languages for the Screen........... 117

Resetting the Disklavier..................................... 118

Diagnosing the Disklavier

(Maintenance Mode) ......................................... 120

Updating the Disklavier ..................................... 121

Chapter 12 Internal Tone Generator

Voices

Internal GM/XG Tone Generator Basic Voice

List..................................................................... 123

Internal TG3 Tone Generator Basic Voice

List..................................................................... 126

Chapter 13 Troubleshooting .................. 128

Chapter 14 Error Messages ................... 131

Chapter 15 Glossary................................. 132

Chapter 16 Specifications

General Specifications ...................................... 135

Function & Controls........................................... 136

Appendix Software License Notice....A-1

MIDI Data Format..............A-21

MIDI IMPLEMENTATION CHART

English

Chapter

Introduction

The Disklavier E3 offers the valuable features that open up your musical possibility to explore. Here are brief

explanations of such features:

Advanced Features for Your Listening Pleasure

• Special music CDs, contain over 17 hours of fantastic music, let you start listening on the day the

Disklavier E3 arrives at your home.

• DisklavierRadio; you can listen to over 11 music channel by streaming broadcasts over the Internet.

Convenient Recording Features to Preserve Your Musical Memories

• Total 128 megabytes of internal memory comes with the Disklavier E3 to preserve your valuable data.

• Connecting external USB devices to the Disklavier E3 allows you to record your performance directly onto

them, or even make backups of your valuable data in the internal memory.

• Video synchronization features offer great listening experience with sights. You can see as well as hear

performances with perfectly synchronized audio and video.

• Your valuable music data on the floppy disk can be played back with the optional floppy disk drive (UD-

FD01).

Simple and Easy-to-use Features Enhancing Your Performance

• The remote control, with clear and logical layout of buttons, lets you quickly enjoy the features of the

Disklavier E3.

• The display on the front panel employs an organic electro-luminescent display which makes it brighter

and more easily readable than ever.

Check that the following items are supplied with your Disklavier:

• 1 Control unit

• 1 Control unit suspension bracket*

• 4 Screws for control unit suspension bracket

installation (4 10)*

• 3 Screws for control unit suspension (5 12)*

• 4 Screws for optional USB floppy disk drive

installation (3 6)*

• 2 Monitor speakers*

• 1 Monitor speaker installation kit*

• 2 Speaker cords*

• 1 Remote control

• 2 Batteries for remote control

• 2 Sample PianoSoft CD software

• 1 Quick reference

• 1 Operation manual

• 1 PianoSoft CD song list

• 1 Music book “50 greats for the Piano”

Only for grand pianos

Only for models supplied with the monitor speakers

Features

Items Supplied with the Disklavier

Introduction

Chapter

[ON/OFF] button

Turns on or shuts down the Disklavier. Press once

to turn it on, and once again to shut it down.

USB port

Used to connect a USB flash memory, etc.

Remote control sensor

When using the remote control, point it toward this

sensor.

CD drive

Insert a PianoSoft·PlusAudio or other audio or

audio/MIDI CD here.

CD eject button

Used to open the CD drive.

[PLAY/PAUSE] button

(



pages 19 and 21)

Used to start and pause playback.

[STOP] button (



page 21)

Used to stop playback and recording.

[RECORD] button (



page 45)

Used to engage the record standby mode before

recording starts.

[SELECT] button

Used to select media.

Cursor/[ENTER] buttons

Cursor: Used to select options and parameters.

[ENTER]: Used to execute the selection.

Display

Shows various information.

Dial

Used to adjust the volume, and to set parameter

values.

Names of Parts and Their Functions

■ Control Unit — Front Panel

12 63

78 910 11 12

Press this button inclining

slightly upward/downward/left/

right.

Press straight the center of

this button.

Introduction

English

Chapter

USB TO DEVICE port

Used to connect a USB flash memory, an optional

USB floppy disk drive, etc.

LAN port

Used to connect to the Internet.

OUTPUT jacks

Used to connect the speaker cord from the monitor

speakers*

ANALOG MIDI IN jacks

Used to connect the audio equipment such as an

external CD changer.

OMNI (SYNC) OUT jacks

Used to connect the microphone/line input of a

camcorder.

OMNI (SYNC) IN jacks

Used to connect the audio output of a camcorder.

TO PIANO connectors

Used to connect the piano.

DC-IN 12V connector

Used to connect to the power supply unit.

USB TO HOST port

Used to connect the USB cable from a computer.

MIDI OUT terminal

Used to connect external MIDI equipment for

outputting MIDI data.

MIDI IN terminal

Used to connect external MIDI equipment for

inputting MIDI data.

* Only for models supplied with the monitor speakers.

■ Control Unit — Rear Panel

789 1011

12 4356

Introduction

Chapter

[ON/STANDBY] button

Turns on the Disklavier or puts it in the standby

mode.

Number keypad

Used for direct album/song selection and to enter a

start time for song playback.

[SYSTEM] button

Used to access the system menu.

[VOICE] button (



page 43)

Used to access the voice function.

[RECORD] button (



page 45)

Used to engage the record standby mode before

recording starts.

[PLAY] button (



page 19)

Used to start playback.

[REVERSE]/[FORWARD] buttons

In the play mode: used to fast preview and review.

In the pause mode: used to fast forward and

reverse.

Cursor buttons

Used to select options and parameters.

■ Remote Control

1 13

Introduction

English

Chapter

[BACK] button

Used to cancel the selection, and return to the

previous screen.

[VOLUME] buttons (



page 26)

Used to adjust the volume.

[–] lowers the volume, [+] raises the volume.

[TEMPO] buttons

Used to change the playback tempo.

[–] decreases the tempo, [+] increases the tempo,

and [0] resets the tempo to 00.

[TRANSPOSE] buttons

Used to transpose song playback.

[–] transposes down, [+] transposes up, and [0]

resets the transposition value to 00.

[INTERNET] button

Used to access the Internet menu.

[SEARCH] button

Used to access the search function.

[SETUP] button

Used to access the setup menu.

[METRONOME] button

Used to access the metronome function.

[REPEAT] button

Used to select one of the repeat modes: ALL, RPT,

RND, or OFF.

[A-B] button

Used to enter A and B points for the A-B repeat

mode.

[PART SELECT] buttons

For L/R and ensemble songs, these buttons are

used to choose which part will play: left-hand part,

right-hand part, or both parts.

They are also used to select a part for recording.

[PAUSE] button (



page 21)

Used to pause playback.

[STOP] button (



page 21)

Used to stop playback and recording.

[ENTER] button

Used to execute the selection.

[FUNC.] button

Used to access the function menu.

[SELECT] button

Used to select media.

[+/YES]/[–/NO] buttons

Used to select parameters, adjust setting values,

and execute or cancel the selected functions.

[BALANCE] button

Used to adjust the TG, audio and voice balance.

Color buttons

Green: Used to execute the shortcut assigned to

the number keypad.

Yellow: Used to switch character types when titling

albums and songs.

Other: For future use.

Introduction

Chapter

LOW/HIGH volume controls

Adjust the base/treble sound volume.

Power indicator

Lights up while the speaker is turned on.

LINE1/2 volume controls

Adjust the sound volume for each line input.

Note: For normal use, turn down the LINE2 volume completely,

and turn up the LINE1 volume at the three o’clock

position.

* Only for models supplied with the monitor speakers.

■ Monitor Speaker*

LOW HIGH LINE

1 2

132

Introduction

English

Chapter

The following is a list of several basic Disklavier

words that you may need to know before

proceeding with operational procedures in this

manual. For additional Disklavier terminology, see

the glossary provided in Chapter 15.

Ensemble Song

An ensemble song contains the same left- and

right-hand parts as an L/R song, and extra tracks

that are played by the internal XG tone generator.

Accompanying tracks can include acoustic bass,

drums, strings, vibes, etc.

Internal Flash Memory

The Disklavier has a total of 128 megabytes of

internal flash memory that allow you to store song

data without a floppy disk.

L/R Song

In a L/R song, the left-hand piano part is stored on

track 1 (L) and the right-hand piano part is stored

on track 2 (R). During playback you can cancel

either part, and practice that part yourself. When

recording an L/R song, you can record the two

parts simultaneously or separately.

MIDI

An acronym for Musical Instrument Digital

Interface. MIDI allows electronic musical

instruments to communicate with each other.

PianoSoft

The PianoSoft Disk Collection is a

library of prerecorded song disks made by Yamaha

for use with the Disklavier series. Many titles are

available, and among the many musical styles

included are classical, jazz, and popular. The disk

includes songs for listening enjoyment, piano study

disks for the piano student, and accompaniment

disks for vocal and instrumental practice. PianoSoft

is sometimes used as a generic term for PianoSoft

and PianoSoft·Plus.

PianoSoft·Plus

PianoSoft·Plus software contains

prerecorded ensemble songs featuring

instrumental accompaniment that can be played

back on the Disklavier. See your Disklavier dealer

for a PianoSoft catalog.

PianoSoft·PlusAudio

CD software made by Yamaha

containing audio and MIDI

signals for playing back on the Disklavier.

SmartPianoSoft

Software made by Yamaha

containing MIDI signals for

playing back along with standard audio CDs.

Song

A “song” usually means a short piece of music with

lyrics. However, in the Disklavier manuals the term

“song” is used to refer to any piece of music.

Tone Generator

An electronic device that generates instrument

voices. The Disklavier has an internal XG tone

generator that can produce nearly 700 instrumental

and percussion voices.

Voice

The sounds produced by a tone generator

expressing various instruments.

Yamaha XG is an extension of the GM

(General MIDI) format. With greater polyphony,

more voice, and effects, it improves song

compatibility between MIDI devices. When a song

in the Yamaha XG format is played on another XG

compatible tone generator or synthesizer, it will

play and sound as the original composer/creator

intended.

Basic Disklavier Terminology

Chapter

Getting Started

Note:

The cables should be connected to

the control unit when the Disklavier

is installed. If, however, it is not,

carefully connect them to the

appropriate connectors or jacks on

the rear panel of the control unit.

Make sure that the cables extending from the piano is connected to the

appropriate connectors or jacks on the rear panel of the control unit.

Note:

For grand piano models, be sure to

mount the control unit to the

underside of the bass side key bed.

* Only for models supplied with

the monitor speakers.

Connect the power cord extending from the power supply unit

of the piano to the DC-IN 12V connector of the control unit.

Important:

Make sure that the voltage of the AC

wall outlet matches that marked on

the Disklavier’s Serial No. plate.

Connect the AC power cable extending from the piano to

the AC wall outlet.

Connecting the Control Unit

Connecting the AC Power Cable

Getting Started

English

Chapter

The Disklavier is equipped with a remote control which allows convenient

control from almost anywhere in the room. This chapter provides notes on

handling the remote control.

■ Installing Batteries in the Remote Control

Before the remote control can be used, the two batteries supplied with the

Disklavier must be installed.

Remove the battery cover from the rear of the remote control, install the

batteries, and then replace the cover.

A diagram inside the battery compartment shows which way the batteries

should be installed. Make sure you insert them correctly.

■ Battery Replacement

Important:

Be sure to read the section on

“Handling Batteries” on page iii for

details on the safe handling of dry

batteries.

When the remote control fails to work from a distance, replace the

batteries.

• Replacement batteries should be UM-3, AA, R6P, or LR6 type.

• Do not use new and old dry batteries together.

• Do not use different types of batteries (alkaline and manganese

batteries, batteries made by different manufacturers or different battery

products made by the same manufacturer) together.

• Remove spent batteries immediately from the remote control.

Otherwise, batteries will overdischarge, causing them to leak electrolyte

or burst which in turn may result in damage to nearby objects or in

burns, injury or other bodily harm.

• Dispose of batteries in accordance with the applicable regulations and

ordinances.

• If the remote control is not to be used for a prolonged period of time,

remove the batteries to prevent possible damage by battery leakage.

• If the batteries have leaked, dispose of them immediately. Avoid

touching the leaked electrolyte or letting it come into contact with skin or

clothing. Clean the battery compartment thoroughly before installing

new batteries.

Using the Remote Control

Getting Started

Chapter

■ Using the Remote Control

To use the remote control, point it at the remote control sensor on the

control unit.

Make sure that the main switch on the power supply unit is

turned on.

Approx. 5 m (16 ft.)

30˚

Turning On the Disklavier

ON OFF

MAINS

Power supply unit

(located on the bottom)

(Grand piano)

Power supply unit

(located on the rear)

(Upright piano)

Getting Started

English

Chapter

Press [ON/OFF] on the control unit.



See Chapter 2 “Getting Started –

Turning Off the Disklavier (Standby

Mode)” on page 14.

While the control unit is in the standby mode, you can also turn on

the Disklavier by pressing [ON/STANDBY] on the remote control.

The following message appears on the display, and [ON/OFF] on

the control unit lights green.

After several seconds, the loading screen will appear, and last

selected song will be loaded.

Your Disklavier is now ready for use.



Setting the correct time is also

important for engaging timer-

controlled programs. See Chapter 4

“Advanced Song Playback – Using

the Timer Play” on page 35.

The Disklavier has an internal calendar that can be set from 1/1/1985

00:00:00 to 12/31/2084 23:59:59. Set the calendar accurately so that the

Disklavier displays the correct current time during the stop mode.

Time is displayed in 24-hour format.

■ Time Zone

Press [SYSTEM] on the remote control.

The system menu screen appears.

PLEASE WAIT

Setting the Internal Calendar

[SYSTEM] “TimeZone” and “Clock Adj.”

Getting Started

Chapter

Select “TimeZone” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The time zone setup screen appears.

Press [+/YES] and [–/NO] to change the time zone.

Note:

The time zone listed here should be

used only as a guide. For more

details, contact your local

observatories.

Examples of Time Zone

The chart below shows the correspondence between the time zone

setting on the Disklavier and actual time zone used in the U.S. and

Canada.

Press [ENTER].

The time zone is set, and the display returns to the system menu.

Proceed to the calendar setting.

Setting Actual Time Zone

GMT-10 Hawaii-Aleutian Standard Time

GMT-9 Alaska Standard Time (AKST)

GMT-8 Alaska Daylight Time (AKDT)

Pacific Standard Time (PST)

GMT-7 Pacific Daylight Time (PDT)

Mountain Standard Time (MST)

GMT-6 Mountain Daylight Time (MDT)

Central Standard Time (CST)

GMT-5 Central Daylight Time (CDT)

Eastern Standard Time (EST)

GMT-4 Eastern Daylight Time (EDT)

Getting Started

English

Chapter

■ Calendar

Select “Clock Adj.” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The current date and time appear.

Press [ENTER].

The time setup screen appears with the cursor flashing on the

hours display.

Select year, month, date, hours, minutes, and seconds

with the cursor buttons ([ ] [ ]), then press [+/YES] and

[–/NO] to set a value.

Press [ENTER].

The date and time are stored in the internal calendar, and the

display returns to the current time screen.

Press [BACK] on the remote control.

The display returns to the system menu screen.

Getting Started

Chapter

Note:

Press [ON/STANDBY] on the

remote control to turn the Disklavier

back on.

Press [ON/STANDBY] on the remote control.

The ending screen appears, and [ON/OFF] on the control unit lights

red.

Note:

Be sure to wait 5 seconds before

turning the Disklavier back on.

Press [ON/OFF] on the control unit.

The ending screen appears, and [ON/OFF] on the control unit turns

off.

Note:

If the external medium contains a

number of albums or songs, it may

take some time for the Disklavier to

recognize them.

Compact Disc

The Disklavier can play songs on commercial audio CDs and data CDs

(such as PianoSoft·PlusAudio).

• The audio CDs should be formatted in CD-DA.

• The data CDs should be formatted in ISO 9660 Level 1.

Note:

Yamaha does not assure the

operation of commercially available

USB flash memories or USB hard

disk drives. For a list of compatible

products, please visit:

www.yamaha.com/disklavier/

USB Flash Memory

You can use commercially available USB flash memories to store song

data. The USB flash memory should be formatted in FAT16 or FAT32 file

system.

USB Hard Disk

Note:

Do not insert or remove the USB

media while reading or writing data.

Make sure that reading or writing

has finished before doing so.

You can use commercially available USB hard disk drives to store song

data or make a backup of song data. The USB hard disk drive should be

formatted in FAT32 file system.

Floppy Disk (Optional)

With the optional USB floppy disk drive, you can use 3.5” 2DD or 2HD

floppy disks to store song data. The floppy disk should be formatted in MS-

DOS.

Turning Off the Disklavier (Standby Mode)

See you again

Shutting Down the Disklavier

See you again

Compatible Media Format for the Removable Media

Getting Started

English

Chapter

The Disklavier can handle these three types of file format:

SMF0

Standard MIDI File format 0 for playback and recording. The name of the

file should have an extension as “.MID” or “.mid.”

SMF1

Standard MIDI File format 1 for playback only. The name of the file should

have an extension as “.MID” or “.mid.”

E-SEQ

Format developed by Yamaha, for playback only. The name of the file

should have an extension as “.FIL” or “.fil.”

■ Handling CDs

In order to protect data stored on compact discs from damage or loss,

handle them with care, and observe the following precautions.

• Do not touch the surface of a CD.

• Do not expose CDs to extreme temperatures or humidity. The working

temperature range is between 4°C and 52°C (40°F and 125°F).

• Wipe CDs with a clean, dry cloth before playback.

• Remove the CD from the CD drive before turning off the Disklavier.

■ Loading a CD

Press the CD eject button on the control unit to open the

CD tray.

Place a CD on the tray, and then close the tray.

Compatible File Format

Basic Precautions for Using CDs

CD eject button

Chapter

Basic Song Playback

* Only for models supplied with

the monitor speakers.

PianoSoft and PianoSoft·Plus

When piano songs such as those contained in

PianoSoft and PianoSoft·Plus software are played back

on the Disklavier, the piano parts are actually played by the Disklavier

keyboard, and the keys move up and down as though they were being

played by an invisible performer. The ensemble parts (contained in

PianoSoft·Plus software) are played by the internal tone generator and are

heard from the monitor speakers*.

PianoSoft·PlusAudio

PianoSoft·PlusAudio songs are recorded using two

channels, an analog MIDI channel for the piano parts

and an audio channel for instrumentals and vocals. When they are played

back on the Disklavier, the piano parts area played by the Disklavier

keyboard as with PianoSoft and PianoSoft·Plus songs, and all other

instrumental and vocal parts are heard from the monitor speakers* just like

a normal stereo system.

SmartPianoSoft

SmartPianoSoft contains a recorded piano

accompaniment to the commercial CDs, and the acoustic

accompaniment will play back matching with the commercial CD. You can

also record your own accompaniment for your favorite commercial CDs at

home; play your Disklavier as you listen to a CD, and SmartPianoSoft will

match the music together during playback, essentially adding you to

famous performances.

Standard Audio CDs

Standard audio CDs contain two audio channels (L and R), and are both

heard from the monitor speakers* just like a normal stereo system. In other

words, the Disklavier can be used to play CDs in place of a stereo system.

Types of Playable Software

Basic Song Playback

English

Chapter

Insert a desired medium.

Press [SELECT].

The media selection screen appears with the current selected

medium highlighted.

Select a desired medium with the cursor buttons ([ ]

[ ]).

The following media are available:



See Chapter 3 “Basic Song Playback

– Listening to the

DisklavierRadio™” on page 25.



See Chapter 8 “Media Management

– Copying Song File from a

Personal Computer to the

Disklavier” on page 84.

Selecting Medium and Their Contents

[SELECT]

CD eject button

USB flash memory

USB port

Control unit Remote control

Memory CD 

=MEDIA SELECT=



Medium Description

Memory

Internal flash memory

Audio CD or data CD

USB1,

USB2

USB flash memory or USB HDD (USB1 indicates the

first inserted one, and USB2 indicates the second.)

Playlist

Playlist in the internal flash memory

D-Radio

DisklavierRadio

FromToPC

Network folder in the internal flash memory

Basic Song Playback

Chapter

Press [ENTER] or [ ].

The album selection screen appears.

Note:

The maximum number of the

selectable albums in a medium is 99.

Select a desired album with the cursor buttons ([ ] [ ]).

Note:

You can also select albums directly

using the number keypad on the

remote control. See Chapter 3

“Basic Song Playback – Using the

Number Keypad” on page 19.

To return to the media selection screen, press [ ].

Press [ENTER] or [ ].

The song selection screen appears.

Note:

The maximum number of the

selectable songs in an album is 999.

Select a desired song with the cursor buttons ([ ] [ ]).

Note:

You can also select songs directly

using the number keypad on the

remote control. See Chapter 3

“Basic Song Playback – Using the

Number Keypad” on page 19.

To return to the album selection screen, press [ ].

Press [ENTER].

The selected song is loaded.

01:50 Greats for t

=ALBUM SELECT=



01:50 Greats for t

=ALBUM SELECT=

?=]

Album number Album title

001:Invention 1

=SONG SELECT=



001:Invention 1

=SONG SELECT=

Song number Song title

?=]

Basic Song Playback

English

Chapter

You can also select albums or songs directly with the number keypad on

the remote control.

Note:

If you enter a number higher than

the existed, the last album or song

appears.

Press the corresponding number button, then press

[ENTER].

For example, to select album number 5, first press [0], then [5],

then [ENTER].

To select song number 36, first press [0], then [3], then [6], then

[ENTER].

Press [PLAY/PAUSE] on the control unit or [PLAY] on the

remote control.

[PLAY/PAUSE] on the control unit lights green, and the numerical

value of the counter advances.

At the end of the song, the Disklavier selects the next song

automatically and continues playback.

After playback the last song in the album, playback stops.

Using the Number Keypad

Album or song selection screen Number button

05:

=ALBUM SELECT=

0-9/ENT

Starting Playback

[PLAY]

Control unit Remote control

Piano Sonate

=Memory=

<00:01>

LR SO V+00

A02-001

Basic Song Playback

Chapter

■ Song Playback Screen

Here are a few things that you will often see during playback.

Media

The selected medium is displayed here.

Album/Song Number

The number of the selected album and song is

displayed here.

Counter

Playing time is indicated in one of two formats.

Song Type

The type of the selected songs is displayed here.

Song Format

The format of the selected song is displayed here.

Volume

The current volume setting is displayed here.

Song Title

The title of the selected song is displayed here. If

the title is long, it scrolls across the display.

1 4 5 6

Display Description

Axx-yyy

xx: album number (01 to 99)

yyy: song number (001 to 999)

Pxx-yyy

xx: playlist number (01 to 99)

yyy: song number (001 to 999)

Display Description

xx:yy

Minutes (xx) and seconds (yy)

xxx-y

Measures (xxx) and beats (y)

Display Description

PianoSoft

PianoSoft recorded on the PRO model

SmartPianoSoft

SmartKey

PianoSoft·PlusAudio

Stereo audio

Display Description

SMF (Standard MIDI File) format 0

SMF (Standard MIDI File) format 1

E-SEQ format

Basic Song Playback

English

Chapter

Press [STOP].

Playback stops, and the song returns to the beginning.

[PLAY/PAUSE] on the control unit turns off, and the counter is reset

to “00:00” or “001-1.”

Press [PLAY/PAUSE] on the control unit, or [PAUSE] on

the remote control.

Playback pauses.

[PLAY/PAUSE] on the control unit flashes, and the counter stops

counting.

Press [PLAY/PAUSE] on the control unit or [PLAY] on the

remote control to continue playback.

Stopping Playback

During playback [STOP]

Control unit Remote control

Pausing Playback

[PAUSE]During playback

Control unit Remote control

Basic Song Playback

Chapter

Note:

No sound is produced by the piano

when fast-previewing or reviewing

PianoSoft·PlusAudio CDs.

During playback, fast preview and review allow you to quickly search

through a song while listening to the sound. This is useful for locating a

desired position within a song.

■ Fast Preview

To preview, hold [ ] on the control unit or press

[FORWARD] on the remote control.

Release [ ] on the control unit, or press [FORWARD] on

the remote control again to return to normal playback.

If a song is previewed all the way to the end, it will be paused at the

end of the song.

■ Fast Review

To review, hold [ ] on the control unit or press

[REVERSE] on the remote control.

Release [ ] on the control unit, or press [REVERSE] on

the remote control again to return to normal playback.

If a song is reviewed all the way to the beginning, it will be paused

at the beginning of the song.

Fast Preview & Review

[FORWARD] or [REVERSE]During playback

Control unit Remote control

Basic Song Playback

English

Chapter

In the stop or pause mode, fast forward and reverse allow you to quickly

locate a desired position in a song.

Reverse can also be used to return a song to the beginning, ready to play

again.

■ Fast Forward

In the stop or pause mode, hold [ ] on the control unit or

press [FORWARD] on the remote control.

[PLAY/PAUSE] on the control unit flashes quickly and the counter

shows the current position.

Release [ ] on the control unit, or press [FORWARD] on

the remote control again to return to the pause mode.

If you fast forward a song all the way to the end, it will be paused at

the end of the song.

■ Fast Reverse

In the pause mode, hold [ ] on the control unit or press

[REVERSE] on the remote control.

[PLAY/PAUSE] on the control unit flashes quickly and the counter

shows the current position.

Release [ ] on the control unit, or press [REVERSE] on

the remote control again to return to the pause mode.

If you reverse a song all the way to the beginning, it will be paused

at the beginning of the song.

Fast Forward & Reverse

Stop or pause mode [FORWARD] or [REVERSE]

Control unit Remote control

<00:15> FORWARD

=Memory=

LR SO V+00

Control unit Remote control

<02:22> REWIND

=Memory=

LR SO V+00

Basic Song Playback

Chapter

Playback can be started from a specified point in a song. Instead of using

fast forward or preview, you can use this function to go directly to a desired

point within a song.

If the current song uses the minutes and seconds time format, you specify

the point in minutes and seconds. If it uses the measures and beats time

format, you specify the point in measures and beats.

Press [SEARCH] on the remote control.

The song search screen appears with the counter flashing.

The song will be paused at the exact point as you press [SEARCH].

Note:

If you enter a value higher than the

entire song time, the search goes to

the end of the song.

Enter the time that you want to search for with the number

keypad.

For example, to search for 2:56 (minutes and seconds), first press

[0], then [2], [5], and [6].

For example, to search for 52-3 (measures and beats), first press

[0], then [5], [2], and [3].

Press [SEARCH] again.

The position of the song goes to the specified point.

Searching a Specific Section of a Song

During playback or stop/pause mode [SEARCH]

Flashes

Basic Song Playback

English

Chapter



To enjoy the DisklavierRadio, first

you need to connect to the Internet.

See Chapter 9 “Internet Direct

Connection (IDC) – Connecting the

Disklavier to the Internet” on

page 93.

You can listen to streaming broadcasts of music, with many channels of

music contents.

Select “D-Radio” in the media selection screen.



To select a medium, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

The channel selection screen appears.

Press [ ] or [ ] or [+/YES] or [–/NO] to select a channel.

Press [ENTER] or [ ] to begin the broadcast of the

selected channel.

The DisklavierRadio screen appears.

Press [ ] twice to stop the broadcast and return to the

media selection screen.

Listening to the DisklavierRadio™

Media selection screen “D-Radio”

01:Complimentary C

=RADIO SELECT=



02:Classical and S

=RADIO SELECT=



My Funny Val

=D-Radio=

Jazz

V+00

CH-08:

Channel Title

Volume

Medium

Channel

Number

Song Title

×2

Basic Song Playback

Chapter

■ Muting the Sound

Note:

Streaming broadcasts continue

during muting. Therefore, the song

broadcasted when releasing muting

may differ from the one when

muting.

Press [PAUSE] or [STOP].

“MUTE” appears on the upper right of the screen.

Press [PAUSE] or [STOP] again to release muting.

Note:

This setting does not affect manual

playing.

You can adjust volume with the control unit or with the remote control as

described below. Since all piano songs are recorded at the maximum

volume level of 0, volume can be decreased down to –10, the softest

volume at which the piano can play.



See Chapter 4 “Advanced Song

Playback – Adjusting the Volume

Balance among the Keyboard

Playing, Ensemble Sound, and

Software Playback” on page 31.

For ensemble songs, the volume of the piano and internal XG tone

generator are adjusted simultaneously, so it is a good idea to first balance

the volume of the piano and XG tone generator.

For songs on PianoSoft·PlusAudio, you should first balance the volume of

the MIDI piano and audio parts.

Press [VOLUME +] or [VOLUME –] on the remote control.

The main volume setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the volume.

Press [VOLUME +] or [VOLUME –] to adjust the volume.

Note:

When the volume is set to –10, there

may be a slight delay in sound

production following key strokes,

and the Disklavier may skip some

notes. Furthermore, at this volume

setting, touch strength does not

affect note dynamics.

Volume can be adjusted in a range of –10 to 0.

My Funny Val

=D-Radio=

Jazz

MUTE

CH-08:

Adjusting the Volume

[VOLUME +] or [VOLUME –]

MAIN VOLUME -01

=BALANCE=

VOLUME-/+

English

Chapter

Advanced Song Playback

Note:

You cannot change the playback

tempo of songs on audio CDs.

You can speed up or slow down the playback tempo. Slowing down the

playback tempo can be useful when practicing a difficult piano part.



Tempo changes to songs that you

have recorded yourself can be made

permanent. See Chapter 7

“Advanced Recording – Changing

the Default Tempo” on page 55.

These tempo settings remain in effect until recording is started, another

medium or album is selected, or the Disklavier is turned off.

Press [TEMPO –] or [TEMPO +] on the remote control.

The tempo setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the tempo.

Press [TEMPO –] or [TEMPO +] to adjust the tempo.

Playback tempo can be adjusted from –50% to +50% in 1%

increments.

Press [TEMPO 0] to set to the original tempo.

Note:

This function cannot be used to

transpose songs from external

devices connected to the OMNI IN

jacks, or on audio CDs.

Playback can be transposed up or down by up to two octaves. This is

useful, for example, when you want to sing along (karaoke) in a different

key from the original recording.

Transposition changes remain in effect until recording is started, another

medium or album is selected, or the Disklavier is turned off.

Changing the Playback Tempo

[TEMPO –] or [TEMPO +]

TEMPO +01%

=Memory=

TEMPO-/0/+

Playing Back Songs in a Different Key (Transposition)

[TRANSPOSE –] or [TRANSPOSE +]

Advanced Song Playback

Chapter

Press [TRANSPOSE –] or [TRANSPOSE +] on the remote

control.

The transposition setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the key.

Press [TRANSPOSE –] or [TRANSPOSE +] to change the

key.

Playback can be transposed in half-step increments up or down

two octaves (–24 key to +24 key)

Press [TRANSPOSE 0] to set to the original key.

There are three repeat modes (ALL, RPT, RND) as described below. You

can use these functions for entertainment or study purpose.

Repeat mode settings remain in effect until recording is started, another

medium or album is selected, or the Disklavier is tuned off.

Press [REPEAT] on the remote control.

The repeat setting screen appears.

Press [REPEAT] to select repeat modes.

The following options are available:

TRANS +01key

=Memory=

TRANS-/0/+

Repeating Song Playback

[REPEAT]

Option Description

ALL

Repeats all songs on the selected album.

RPT

Repeats selected song.

RND

Shuffles the order of songs on the selected album and

repeats the cycle.

OFF

Plays back songs normally.

REPEAT ALL

=Memory=

REPEAT

Advanced Song Playback

English

Chapter

Press [PLAY] to start repeat playback.

To cancel the repeat mode, press [REPEAT] until “OFF”

appears on the screen.

In the A-B repeat, playback is repeated between two specified points in a

song: point A and point B. This function is useful when practicing or

memorizing a difficult section of a song.

Once specified, points A and B are saved until another song is selected,

recording is started, or the Disklavier is turned off.

To set point A, play back a song and press [A-B] on the

remote control when the desired point is reached.

Point A is set.

The A-B repeat setting screen appears with the “B” flashing.

Note:

You cannot set point B that is

beyond the selected song.

To set point B, press [A-B] again.

Point B is set.

Playback starts from point A, continues up to point B and, returns to

point A and playback starts repeatedly.

Repeating a Specific Section of a Song (A-B Repeat)

During playback [A-B]

Flashes

<02:22> A-B

=Memory=

A-B

Point B

SONG 1 SONG 2 SONG 3

Point A

Start

Cycle

Advanced Song Playback

Chapter

Note:

The A-B repeat is cancelled if you

escape from the A-B repeat setting

screen by other operations.

To cancel the A-B repeat, press [A-B] so that “OFF”

flashes on the screen.

Pressing [BACK] also cancels the point setting, and returns to the

song playback screen.

This could be useful, for example, when listening carefully to one part, and

also when you practice only the left- or right-hand part while the Disklavier

plays the other.

■ Cancelling the Piano Part



To select a song, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

Select the desired song.

Press [PART SELECT L] or [PART SELECT R] on the

remote control to cancel a part.

The part cancellation screen appears with the corresponding part

canceled.

Note:

For the SmartKey song, “ON”,

“OFF” and “G” appear sequentially

each time you press [PART

SELECT L] or [PART SELECT R].

Notes of displays:

To replay the cancelled part, press [PART SELECT L] or

[PART SELECT R] again so that “ON” appears on the screen.

Press [BACK] to return to the song playback screen.

Flashes

Playing Back Only the Desired Piano Part

[PART SELECT L] or [PART SELECT R]

L=ON R=OFF P=ON

=Piano Part=

L/R

Display Description

L Left hand part

R Right hand part

P Pedal part

ON Plays part

OFF Cancels part

G Plays part with guide (only for SmartKey song)

--- No plays on part

L=ON R=ON P=ON

=Piano Part=

L/R

Advanced Song Playback

English

Chapter

■ Cancelling the Pedal Part

On the part cancellation screen, press [ ] to select “P=.”

Press [–/NO] to cancel a pedal part.

To replay the pedal part, press [+/YES] with the cursor is

on “P=.”

Press [BACK] to return to the song playback screen.

Note:

You cannot adjust the volume

balance during the DisklavierRadio

playback.

Besides adjusting the overall volume, the volume balance among the

different sound sources as described below can be adjustable.

TG: Adjusts the volume of the ensemble sound reproduced by the

tone generator (TG) of the Disklavier.

Audio: Adjusts the volume of the accompaniment or standard audio

sound pre-recorded in the software (CDs).



See Chapter 5 “Advanced Piano

Playing – Playing the Disklavier

with an Ensemble Voice” on

page 43.

Voice: Adjusts the volume of the ensemble voice when you play using

the voice function.

L=ON R=OFF P=ON

=Piano Part=

L/R

L=ON R=OFF P=OFF

=Piano Part=

L/R

Adjusting the Volume Balance among the Keyboard Playing,

Ensemble Sound, and Software Playback

[BALANCE]

Advanced Song Playback

Chapter

■ Adjusting the TG Balance

Press [BALANCE] on the remote control.

The TG balance setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the volume.

Press [+/YES] and [–/NO] to adjust the volume of the tone

generator.

Tone generator volume can be adjusted in a range of 10 to 127.

■ Adjusting the Audio Balance

Press [BALANCE] twice on the remote control.

The audio balance setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the volume.

Press [+/YES] and [–/NO] to adjust the volume of the

audio.

Audio volume can be adjusted in a range of 10 to 127.

TG BALANCE 100

=BALANCE=

-/+

×2

AUDIO BALANCE 100

=BALANCE=

-/+

Advanced Song Playback

English

Chapter

■ Adjusting the Voice Balance

Press [BALANCE] three times on the remote control.

The voice balance setting screen appears.

Note:

You can also use the dial on the

control unit to adjust the volume.

Press [+/YES] and [–/NO] to adjust the volume of the voice.

Voice volume can be adjusted in a range of 0 to 127.

Note:

This function cannot be used to

adjust the pitch of external audio

CDs connected to the OMNI IN

jacks.

You can temporarily adjust the pitch of the song contains audio

(PianoSoft·PlusAudio, SmartPianoSoft) or an audio CD for your listening

pleasure.

Pitch adjustments are effective until another medium or album is selected,

recording is started, or the Disklavier is turned off.

During the song playback, press [FUNC.] on the remote

control.

The audio pitch setting screen appears.

Press [+/YES] and [–/NO] to change the audio pitch.

Audio pitch can be adjusted in a range of –50 cent to +50 cent (one

semitone as 100 cents).

×3

VOICE BALANCE 100

=BALANCE=

-/+

Adjusting the Pitch of Audio

During playback [FUNC.]

AudioPitch=+00cent

=CD=

-+ENT

AudioPitch=+01cent

=CD=

-+ENT

Advanced Song Playback

Chapter

You can temporarily adjust the L/R balance of an audio CD.

Balance adjustments are effective until another song is selected, recording

is started, or the Disklavier is turned off.

During the song playback, press [FUNC.] several times.

The audio pan setting screen appears.

Press [+/YES] and [–/NO] to change the audio pan.

The following pan settings are available:

Adjusting the L/R Balance of Audio

During playback [FUNC.]

Option Description

Left

Audio of the L channel is output to both of the L and R

channels.

Center

Audio of the L channel is output to the L channel, and the

R channel is output to the R channel.

Right

Audio of the R channel is output to both of the L and R

channels.

AudioPan=Center

=CD=

-+ENT

AudioPan=Left

=CD=

-+ENT

Advanced Song Playback

English

Chapter

Note:

The internal calendar must be set in

advance in order for the timer play

to function. See Chapter 2 “Getting

Started – Setting the Internal

Calendar” on page 11.

You can program your Disklavier to start or stop playback of a song at

various specified times. All you need to do is register up to a maximum of

99 timer settings, and your Disklavier will perform them unattended. This

function is called “timer play.”

Note:

The control unit must be turned on

in advance in order for the timer

play to function. The timer play

cannot turn on/off the control unit.

The following describes how to play back the first album in the internal

flash memory at 8:15 AM.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “TimerPlay” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The timer play setting screen appears.

Confirm that the cursor is on the timer switch, then press

[+/YES] and [–/NO] to switch the timer play on and off.

Using the Timer Play

“TimerPlay”[SETUP]

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



>TimerPlay=OFF

01[### ##:## ---- ]

=TimerPlay=

_?]

Program

number

Timer switch

FunctionTimeDay Album

selection

>TimerPlay=ON

01[### ##:## ---- ]

=TimerPlay=



Advanced Song Playback

Chapter

Press [ ] and [ ] to select the desired program number.

The cursor moves to the function parameter.

Press [ ] and [ ] to move the cursor to the function

parameter, then press [+/YES] and [–/NO] to select the

desired function.

The following functions are available:

When “PLAY” or “RND” is selected, the album selection parameter

appears.

Press [ ] to move the cursor to the album selection

parameter, then press [+/YES] and [–/NO] to select the

desired album.

Note:

You cannot select “Radio” if you

select “RND” in step 5.

The following selections are available:

Note:

When “Radio” is selected, the

Disklavier will connect to the

Internet one minute prior to the time

you have set, and the channel

selection screen appears.

DisklavierRadio will begin to play

at the designated time.

PLAY

Starts playback of songs.

STOP

Stops playback of songs.

RND

Starts playback of songs at random.

OFF

Turns off the Disklavier (standby mode).

>TimerPlay=ON

01[### ##:## PLAY -----]

=TimerPlay=



>TimerPlay=ON

01[### ##:## PLAY Mem01]

=TimerPlay=



Mem01 -

Mem99

Albums (01 - 99) in the internal flash memory.

Lst01 -

Lst99

Playlists (01 - 99) created in the internal flash memory.

Radio

The last DisklavierRadio channel you have listened to.

-----

Current selected song.

Advanced Song Playback

English

Chapter

Press [ ] to move the cursor to the day parameter, then

press [+/YES] and [–/NO] to select the desired day.

The following day settings are available:

Press [ ] to move the cursor to the hour parameter, then

press [+/YES] and [–/NO] to set hours.

Press [ ] to move the cursor to the minute parameter,

then press [+/YES] and [–/NO] to set minutes.

Press [ENTER] to return to the setup menu screen.

ALL

The timer play functions on every day of the week.

MON

The timer play functions only on Monday.

TUE

The timer play functions only on Tuesday.

WED

The timer play functions only on Wednesday.

THU

The timer play functions only on Thursday.

FRI

The timer play functions only on Friday.

SAT

The timer play functions only on Saturday.

SUN

The timer play functions only on Sunday.

M-F

The timer play functions on Monday thru Friday.

M-S

The timer play functions on Monday thru Saturday.

>TimerPlay=ON

01[M-F ##:## PLAY Mem01]

=TimerPlay=

_?=]

>TimerPlay=ON

01[M-F 08:00 PLAY Mem01]

=TimerPlay=



>TimerPlay=ON

01[M-F 08:15 PLAY Mem01]

=TimerPlay=



Advanced Song Playback

Chapter

■ About Song Playback Screen

When the song playback is stopped — with the timer play function is set to

ON and the current time is displayed — “T” flashes to the right side of the

current time.

When there is a blank part created at the beginning of the recorded song,

turning on this function automatically skips the unwanted part and starts

playback from the actual beginning of the song.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “Playback” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The playback setting screen appears with the cursor flashing.

Press [+/YES] and [–/NO] to change setting.

Indicates that the timer play is on.

Skipping the Blank Part at the Beginning of a Song

“Playback”[SETUP]

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)

*Network *Playback

*Shortcut

=SETUP MENU=

(2/3)



>SkipSpace=OFF

=Playback=

>SkipSpace=ON

=Playback=

Advanced Song Playback

English

Chapter

Press [ENTER] to return to the setup menu screen.



For details on video synchronized

recording, see Chapter 7 “Advanced

Recording – Video Synchronized

Recording” on page 57.

You can enjoy piano playback with the video recorded on the DVD

recorder.

Perform the video synchronized recording in advance.

Note:

Be sure to rewind the video cassette

to locate the beginning of the

recording. It may take some time

before piano playback starts if you

start playback halfway through the

video.

Make sure that the OMNI IN setting is set to “AutoDetect”.

Turn down the volume completely on the TV if you

connect the audio output of the DVD recorder to the TV.

Note:

When using the song copied to the

USB flash memory, it may take

some time until the Disklavier

recognizes the information for

synchronization.

Turn down the volume completely on the camcorder if you use the

camcorder only.



See “Setting for Video

Synchronized Recording” on

page 57.

Start playback on the DVD recorder.

Start playback on the camcorder if you use the camcorder only.

Note:

When searching for songs for video

synchronized playback from a USB

flash memory, you can search from

a maximum of 150 songs per USB

flash memory. It is therefore

recommended that you copy songs

for video synchronized playback

onto the internal memory. When

saving onto a USB flash memory, it

is recommended that you do not

exceed a total of 150 saved songs

per memory.

The Disklavier automatically searches and selects the song paired

with the video, and then starts playback as well.

If the piano playing is not synchronized with the video

Adjust the offset time for synchronization. See Chapter 10 “Enhancing the

Disklavier by Hooking Up Other Devices – Setting the Disklavier for Audio

Data Reception/Transmission” on page 102.

Note:

You cannot operate the Disklavier

using the control unit or remote

control during video synchronized

playback. If you want to stop

playback of the song, stop playback

on the DVD recorder (or the

camcorder).

If noises (synchronized signal) are heard during playback

Turn down the signal level and re-record. See Chapter 10 “Enhancing the

Disklavier by Hooking Up Other Devices – Setting the Disklavier for Audio

Data Reception/Transmission” on page 102.

Video Synchronized Playback

Advanced Song Playback

Chapter



To record the piano performance to

add, see Chapter 7 “Advanced

Recording – CD Synchronized

Recording” on page 61.

You can add a Disklavier piano performance you recorded or on

commercially available SmartPianoSoft software to the playback of songs

on your favorite CDs.

Insert a desired CD that you want to synchronize with the

SmartPianoSoft song.



To select a song, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

Select a desired SmartPianoSoft song.

Press [PLAY].

Playback begins with the CD playback.



To cancel the SmartKey playback,

see Chapter 4 “Advanced Song

Playback – Playing Back Only the

Desired Piano Part” on page 30.

Special SmartKey software uses all the “SmartKey” features to create an

exciting way in which non-players can learn to play simple melodies, one

note at a time, without the need for written music. SmartKey software does

this by partially depressing the piano key to signal which note should be

played. The Disklavier then waits for you to press this key before it

continues to the next note in the melody (If you miss the movement of the

key, the Disklavier will repeat the movement until you press the key).

When you press the key, the Disklavier will reward you with ear tickling

phrases, incredible harmonies, and lush arpeggios to give you the aural

and visual image of a complete high-quality performance. In short, it

SHOWS you which key to play, WAITS for you to play that key before it

continues, and REWARDS you with music. It is like having an eternally

patient music teacher showing your fingers which notes to play.



To select a song, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

Select a desired SmartKey song.

Adding Disklavier Accompaniment to Commercial CD Songs

(PianoSmart™ Playback)

Insert a CD [PLAY]Select a SmartPianoSoft song

SmartKey™ Playback

Select a SmartKey song [PLAY]

Advanced Song Playback

English

Chapter

Press [PLAY].

Playback stops, and the key to play next moves slightly.

The key to play flashes in the counter.

Play the key that the keyboard indicates.

This will continue until the song is finished. Notice that the

Disklavier patiently waits for you to play the right key before

proceeding to the next key. Also, notice that if you happen to miss

the cue, it will gently remind you what the key is every few seconds

until you play the right key.

■ Key Notation

As a reference, “C3” is middle “C”, which means “C4” is an octave above

middle “C” and so on.

Key moves slightly

Flashes

C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4

2D2F2G 2A 2C3D3F3G 3A 3C4

Middle C

Chapter

Advanced Piano Playing

Note:

The tempo parameter displayed on

the metronome setting screen

indicates the number of beats in a

minute, and one beat represents a

quarter. When you play a song

written in different measure unit

from quarter note, change the setting

(e.g.When playing a song in 3/2, set

beat to 6/4).

The internal metronome helps you playing along the meter (beat) and the

tempo you set. Also the volume of the metronome can be adjusted.

Press [METRONOME] on the remote control.

The metronome setting screen appears and the metronome starts

to click.

To change the tempo, move the cursor to the tempo

parameter (“TEMPO”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The tempo can be adjusted in a range of 30 bpm to 400 bpm.

To change the beat, move the cursor to the beat parameter

(“”) with the cursor buttons ([ ] [ ] [ ] [ ]), then

press [+/YES] and [–/NO].

The following beat settings are available: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4,

7/4, 8/4, 9/4.

Playing the Disklavier along with the Internal Metronome

[METRONOME]

TEMPO=117bpm =4/4

VOLUME=VOLUME= SOUND=BUZZER





=METRONOME=



TEMPO=125bpm =4/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

Advanced Piano Playing

English

Chapter

To change the volume, move the cursor to the volume

parameter (“VOLUME”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The volume can be adjusted in 4 steps.

To change the sound, move the cursor to the sound

parameter (“SOUND”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The following sound settings are available: BUZZER, TG

To cancel this function, press [METRONOME] again.



For details on voice groups and

voices, see Chapter 12 “Internal

Tone Generator Voices” on

page 123.

The Disklavier’s [VOICE] lets you assign a voice from the internal XG tone

generator to accompany the piano while you play. You will hear in unison

the piano sound coming from the Disklavier and an ensemble voice

produced by the internal XG tone generator. This is sometimes referred to

as voice layering or unison.

The internal XG tone generator offers 480 instrumental voices and 11

drum kits for playing the keyboard.

Press [VOICE] on the remote control.

The voice selection screen appears, and the voice function is

activated.

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=TG



=METRONOME=

_?=]

Playing the Disklavier with an Ensemble Voice

[VOICE]

Advanced Piano Playing

Chapter

Press [+/YES] and [–/NO] to select a voice group.

Changing the voice group displays the top voice of that group in the

voice parameters.

To change the voice, press [ ] to move the cursor to the

voice parameter (“Voice”), then press [+/YES] and [–/NO].



See Chapter 4 “Advanced Song

Playback – Adjusting the Volume

Balance among the Keyboard

Playing, Ensemble Sound, and

Software Playback” on page 31.

If necessary, adjust the volume of the voice in the voice balance

setting screen.

To inactivate this function, press [VOICE] again.

Note:

The voice function is inactivated if

you escape from the voice selection

screen by other operations.

English

Chapter

Basic Recording

A song that you play on the Disklavier can be recorded and the recorded song can be easily

saved for the selected medium. Furthermore, you can title your new recording for simple

distinguish before recording.

Note:

Up to 999 songs can be recorded in a

medium.

You can save a new song that you play for an album.



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a destination medium and album.

Press [RECORD].

Note:

You cannot select “CD” as the

destination medium.

The recording standby screen appears, and [RECORD] on the

control unit lights red and [PLAY/PAUSE] flashes in green.

The level appears in the format section as soon as you play a

keyboard or press a pedal.

Press [PLAY].

[PLAY/PAUSE] stops flashing.

The Disklavier is now ready for you to play.

Start playing your song.

Recording will start automatically as soon as you touch a key. The

counter starts to advance.

Press [STOP] when you finish playing your song.

The recorded song is loaded.

Recording a New Song

[RECORD]

(New Song)

=Memory=

<00:00>

LR 99%S0

A01-039

(New Song)

=Memory=

<00:01>

LR 99%S0

A01-039

Basic Recording

Chapter

Title a new song before you start recording.



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a destination medium and album.



To rename the existing song, see

Chapter 8 “Media Management –

Renaming a Song” on page 71.

Press [RECORD].

Press [FUNC.] twice in the recording standby screen.

The song title editing screen appears.

Enter a title to a new song.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on next page.

Press [PLAY] after title determined.

Recording begins.

Titling a Song at the Start of Recording

[FUNC.]×2[RECORD]

×2

=Memory= [A-Z]

Chopin

=Memory= [a-z]

Basic Recording

English

Chapter

■ Entering Characters

How to Enter Characters with the Remote Control

The following illustration shows how to enter characters with the remote control.

Available Characters

The following table shows which characters are available.

Character Type Characters

Letters

(Upper Case)

[A-Z]

Space A B C D E F G H I J K L

M N O P Q R S T U V W X Y Z

Letters

(Lower Case)

[a-z]

Space a b c d e f g h i j k l

m n o p q r s t u v w x y z

Symbols

[etc]

Space ! ” # $ % & ’ ( ) * + ,

- . / : ; < = > ? _ @

Numbers

[0-9]

Space 0 1 2 3 4 5 6 7 8 9

Number keypad

Overwrites a number.

[SEARCH] button

Overwrites a dot (.).

[REVERSE] button

Deletes a character. The characters on the right of the deleted one

move to the left for one character space.

[FORWARD] button

Inserts a space.

[ ]/[ ] buttons

Moves the cursor left and right.

[+/YES]/[–/NO] buttons

Selects the character. Pressing these keys simultaneously

overwrites a space.

Yellow button

Switches the character types.

The character type cycles as follows each time you press this button:

[A-Z]: letters (upper case)

[a-z]: letters (lower case)

[etc]: symbols

[0-9]: numbers

Chapter

Advanced Recording

This chapter describes further functions for the advanced piano recording such as playing and

measuring the current playing song tempo with the metronome, recording the left-hand part

and the right-hand part separately.

Note:

The tempo parameter displayed on

the metronome setting screen

indicates the number of beats in a

minute, and one beat represents a

quarter. When you play a song

written in different measure unit

from quarter note, change the setting

(e.g. When playing a song in 3/2, set

beat to 6/4).

You can use the metronome to record songs.

Songs recorded with the metronome will be in the measures and beats

format.

All metronome parameters are reset when the Disklavier is switched off.

Press [METRONOME] on the remote control.

The metronome setting screen appears.

To change the tempo, move the cursor to the tempo

parameter (“TEMPO”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The tempo can be adjusted in a range of 30 bpm to 400 bpm.

To change the beat, move the cursor to the beat parameter

(“”) with the cursor buttons ([ ] [ ] [ ] [ ]), then

press [+/YES] and [–/NO].

The following beat settings are available: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4,

7/4, 8/4, 9/4.

Recording with the Internal Metronome

[METRONOME] [RECORD]

TEMPO=117bpm =4/4

VOLUME=VOLUME= SOUND=BUZZER





=METRONOME=



TEMPO=125bpm =4/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

Advanced Recording

English

Chapter

To change the volume, move the cursor to the volume

parameter (“VOLUME”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The volume can be adjusted in 4 steps.

To change the sound, move the cursor to the sound

parameter (“SOUND”) with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO].

The following sound settings are available: BUZZER, TG

Press [RECORD] in the metronome setting screen.

The metronome recording setting screen appears.

Press [PLAY]

Recording begins immediately.

[PLAY/PAUSE], [REC] and [SELECT] on the control unit flash

simultaneously at the first beat of the metronome.

Start playing your song.

Press [STOP] when you finish playing your song.

The recorded song is loaded.

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=BUZZER



=METRONOME=

_?=]

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=TG



=METRONOME=

_?=]

TEMPO=125bpm =3/4

VOLUME=VOLUME= SOUND=TG



=Memory=

_?=]

Advanced Recording

Chapter

When recording an L/R song, the left- and right-hand parts can be

recorded separately. Either part can be recorded first, and the pedals can

be recorded with the first part.

While you record the second part, the first part will play back for

monitoring.

If the left-hand or right-hand part is difficult to play at normal speed, the first

part can be recorded at a slow tempo, and then the tempo changed

afterwards to record the second part at the normal song speed.

This section describes how to record the left-hand part first then the

right-hand part second.



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a destination medium and album.



In the case you want to title your

new song before recording, see

Chapter 6 “Basic Recording –

Titling a Song at the Start of

Recording” on page 46, to rename

the title after recording, see Chapter

8 “Media Management – Renaming

a Song” on page 71.

Press [RECORD].

Press [FUNC.] in the recording standby screen.

The part selection screen appears.



If you want to record your L/R song

using the metronome, see Chapter 7

“Advanced Recording – Recording

with the Internal Metronome” on

page 48.

Make sure that the left-hand part is set to be recorded

(“L=REC”), then press [PLAY].

This Disklavier is now ready for you to play the left-hand part.

Start playing your song.

Recording will start as soon as you touch a key.

Press [STOP] when you finish playing your song.

The L/R song with the left-hand part recorded is saved onto the

selected album.

Next, record the right-hand part overwriting the left-hand part that

you have just recorded.

Recording the Left and Right Parts Separately

[FUNC.][RECORD]

L=REC R=OFF

=Memory=

Advanced Recording

English

Chapter

Press [RECORD].

Press [ ] and [ ] to select the L/R song with the left-

hand part that you have just recorded, then press

[ENTER].

Press [FUNC.] in the recording standby screen.

The part selection screen appears.

The part that has already been recorded is displayed as “L=PLY.”

Press [PART SELECT R] to record the right-hand part.

The part set to “REC” will be recorded.

Press [PLAY].

Playback of the left-hand recorded part starts immediately, so be

sure that you are ready to play the right-hand part along with it.

L=PLY R=OFF

=Memory=

L=PLY R=REC

=Memory=

Advanced Recording

Chapter

Press [STOP] when you finish playing your song.

The following screen appears.

The following table gives a description of each of the options.

Press [ ] and [ ] to select an option, then press

[ENTER].

The right-hand part is saved as indicated or canceled.

You can also record an L/R song by playing the left- and right-hand parts

simultaneously. In this case, a keyboard split point is set, and the notes

played on the left-hand side of the split point are saved as the left-hand

part, and notes played on the right-hand side of the split point are saved as

the right-hand part.



To select a medium or album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a destination medium and album.

Press [RECORD].



In the case you want to title your

new song before recording, see

Chapter 6 “Basic Recording –

Titling a Song at the Start of

Recording” on page 46, to rename

the title after recording, see Chapter

8 “Media Management – Renaming

a Song” on page 71.

Press [FUNC.] in the recording standby screen.

The part selection screen appears.



If you want to record your L/R song

using the metronome, see Chapter 7

“Advanced Recording – Recording

with the Internal Metronome” on

page 48.

Option Description

SAVE

The second part is saved with the first part under the

current song number, overwriting the previously saved

first part.

NEW

The second part is saved under a new song number. The

first part is kept under the previous song number.

CANCEL

The second part is discarded. The first part is kept under

the previous song number.

Save to Disk?

*SAVE *NEW *CANCEL

=Memory=

ENT



Recording the Left and Right Parts Together (Setting a Split Point)

[FUNC.][RECORD]

L=REC R=OFF

=Memory=

Advanced Recording

English

Chapter

Press [PART SELECT R] to set both parts to record.

The split point setting screen appears.

The above display shows that the default keyboard split point is

note C3, or middle C. In this case, note C3 and notes below are

saved as the left-hand part and notes above C3 are saved as the

right-hand part, as shown in the following figure.

To change the split point, press a key on the keyboard or

[+/YES] and [–/NO] to select a different key.

The split point can be set from note A-1 to note C7.

Press [PLAY].

The Disklavier is now ready for you to play.

Starts playing your song with the left- and right-hand parts

and the pedal part simultaneously.

Recording will start as soon as you touch a key.

Press [STOP] when you finish playing your song.

The recorded song is loaded.

LR=REC SPLIT=C3

=Memory=

Left-hand part Right-hand part

Advanced Recording

Chapter

You can re-record the only one part left-hand or the right-hand of the

existing L/R song.



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a desired medium and album.

Press [RECORD].

Press [ ] and [ ] to select the L/R song that you want to

re-record, then press [ENTER].

Press [PART SELECT L] or [PART SELECT R] to select the

part to re-record.

The part set to “REC” will be re-recorded.

Press [PLAY].

Recording will start immediately, so be sure that you are ready to

play the part.

Press [STOP] when you finish playing your song.

The following screen appears.

Re-Recording One Part

[PART SELECT L] or [PART SELECT R]Select the L/R song[RECORD]

Save to Disk?

*SAVE *NEW *CANCEL

=Memory=

ENT



Advanced Recording

English

Chapter

The following table gives a description of each of the options.

Press [ ] and [ ] to select an option, then press

[ENTER].

The re-recorded part is saved as indicated or canceled.

This function allows you to change the default tempo of a song and save

the change. It should not be confused with the playback tempo function

described in Chapter 4 “Advanced Song Playback – Changing the

Playback Tempo” in which tempo changes are lost when the Disklavier is

turned off.

The tempo of a song can be changed many times. This function can be

used when recording a very complex song that is difficult to play at a fast

tempo. First, record the song at a tempo you can manage, then change the

tempo afterwards. For example, you could record a difficult left-hand part

at a slow tempo, use this function to change the tempo, then record the

right-hand part at the normal tempo.

If a song’s time format is minutes and seconds, tempo changes are

specified as a percentage of the original tempo.

If a song’s time format is measures and beats, tempo changes are

specified in beats per minute.



To select a medium or album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a desired medium and album.

Press [RECORD].

Option Description

SAVE

The re-recorded part is saved with the other existing

part under the current song number.

NEW

The re-recorded part is saved under a new song

number. The existing parts are kept under the current

song number.

CANCEL

The re-recorded part is discarded. The existing parts

are kept under the current song number.

Changing the Default Tempo

Select the song[RECORD] [FUNC.]×3

Advanced Recording

Chapter

Press [ ] and [ ] to select the song in which you want

to change the tempo, then press [ENTER].

Press [FUNC.] three times.

Note:

You cannot change the beat setting

on the prerecorded songs.

For measures and beats, the current song tempo (bpm) is shown.

For minutes and seconds, the current song tempo is shown as

“000%.”

Press [+/YES] and [–/NO] to change the tempo.

[+/YES] increases the tempo, and [–/NO] decreases the tempo.

For measure and beats, the tempo range is from 30 bpm to 400

bpm.

For minutes and seconds, the tempo range is from –75% to

+242%.

Press [STOP] to save the tempo change.

The following screen appears.

The following table gives a description of each of the options.

×3

Option Description

SAVE

The song is saved at its new tempo under the current

song number.

NEW

The song is saved at its new tempo under a new song

number. The original song is kept under the previous

song number.

CANCEL

The song with a new tempo is discarded. The original

song is kept under the previous song number.

TEMPO=117bpm =4/4

VOLUME=

=Memory=



SOUND=BUZZER





TEMPO=+000%

=Memory=

Save to Disk?

*SAVE *NEW *CANCEL

=Memory=

ENT



Advanced Recording

English

Chapter

Press [ ] and [ ] to select an option, then press [ENTER].

To change the tempo again or to reset the original tempo, repeat

steps 1 to 6.



For details on video synchronized

playback, see Chapter 4 “Advanced

Song Playback – Video

Synchronized Playback” on page 39.

By recording a song played on the Disklavier synchronized with the video

recording, later on, you can enjoy piano playback with the video. First set

up the camcorder, the DVD recorder, and the Disklavier, and then start

recording by following the procedures below.

■ Setting for Video Synchronized Recording

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “AudioI/O” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The audio I/O setting screen appears.

Video Synchronized Recording

Connect a camcorder and a DVD recorder[SETUP] “AudioI/O”

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



Advanced Recording

Chapter

Select “OMNI IN” with the cursor buttons ([ ] [ ]), then

press [+/YES] and [–/NO] to change setting to “Auto

Detect”.

Select “OMNI OUT” with the cursor buttons ([ ] [ ]),

then press [+/YES] and [–/NO] to change setting to

“SYNC”.

Press [ENTER] to complete the operation.

Note:

Confirm the shape of input/output

connectors on the camcorder and the

DVD recorder, and prepare the

cables fit to them.

Connect a camcorder and a DVD recorder to the control

unit.

(for displaying)

RCA cord

(not supplied)

Control unit

RCA cord

(not supplied)

audio

output

To video

input

audio

input

To A/V

output

To video

input

video

output

DVD recorder

(for recording and playback)

Video

connector

(yellow)

Video cord

(not supplied)

A/V cord

(supplied with the

camcorder)

Camcorder

(for shooting)

Advanced Recording

English

Chapter

■ Starting Video Synchronized Recording



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Select a destination medium and album.

Press [RECORD].

The video synchronized recording standby screen appears, and

[RECORD] on the control unit lights red, and [PLAY/PAUSE]

flashed in green.

Set the camcorder to video shooting mode.

Select the video input on the DVD recorder which the

camcorder is connected to, then start recording on the

DVD recorder.

Press [PLAY].

[PLAY/PAUSE] stops flashing, and the counter starts to advance.

Note:

This step is necessary for

synchronization of the song and the

video playback, and should not be

omitted.

Wait for approximately ten seconds, and then start playing

your song.

Press [STOP] when you finish playing your song.

Stop recording on the DVD recorder.

(New Song)

=Memory=(SYNC) SO

<00:00>

LR 99%

A01-005

(New Song)

=Memory=(SYNC) SO

<00:00>

LR 99%

A01-005

Advanced Recording

Chapter

■ Using the Camcorder only

If your camcorder has both mic input and audio output, you can

perform video synchronized recording using the camcorder only.

1. Set the Disklavier following the procedures 1 to 5 on page 57.

2. Connect a camcorder to the control unit.

3. Select a destination medium and album.

4. Press [RECORD].

5. Start recording on the camcorder.

6. Press [PLAY].

7. Wait for approximately ten seconds, and then start playing your

song.

8. Press [STOP] when you finish playing your song.

9. Stop recording on the camcorder.

Camcorder

RCA cord with

resistance

(not supplied)

To mic/line

input

To audio

output

Control unit

RCA cord

(not supplied)

Advanced Recording

English

Chapter

You can record a Disklavier piano performance along with the playback of

songs on commercial CDs.

Note:

The Disklavier recognizes the

destination album by selecting the

song in it. Note that the selected

song is not overwritten by this

procedure.

Select a destination medium and album, then song in the

selected album.



To select a medium and album, see

Chapter 3 “Basic Song Playback –

Selecting Medium and Their

Contents” on page 17.

Insert an audio CD and select the song that you want to

synchronize with.

Press [RECORD].

The SPS recording standby screen appears, and [RECORD] on the

control unit lights red, and [PLAY/PAUSE] flashes in green.

Select the desired part of a song, then press [PLAY] to

start synchronizing.

Recording begins with the CD playback.

Start playing the Disklavier along with the CD playback.



To play back the performance

recorded with this feature, see

Chapter 4 “Advanced Song

Playback – Adding Disklavier

Accompaniment to Commercial CD

Songs (PianoSmart™ Playback)” on

page 40.

Press [STOP] to stop recording.

The recorded song is loaded.

CD Synchronized Recording

Insert an audio CD [RECORD]

(New Song)

=Memory=(SPS)

<00:00>

LR 99%

A01-038

Chapter

Media Management

This chapter describes how to manage contents inside the media, such as managing albums,

songs and playlists.



To select a album, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You can use the album function menu for creating, deleting and copying

albums inside a medium.

Press [FUNC.] in the album selection screen.

The album function menu screen appears.

Note:

Available functions vary depending

on the medium you selected.

Select a desired function with the cursor buttons ([ ]

[ ] [ ] [ ]), then press [ENTER].



About playlists, see Chapter 8

“Media Management – Managing

Playlists” on page 76.

The following functions are available:

- CopyAlbum

- DeleteAlbum

- NewAlbum

- RenameAlbum

- SortAlbum

- AddToPList

- DeleteList

- NewList

- RenameList

Note:

Up to 99 albums can be saved in a

medium.

You can make copies of the album to the different medium.

This function is available for albums on [Memory], [CD](CD-ROM), [USB1],

[USB2] and [FromToPC].

Managing Albums

[FUNC.]Album selection screen

*CopyAlbum

*NewAlbum

*DeleteAlbum

*RenameAlbum

=ALBUM MENU=

(1/2)



Making Copies of Albums

“CopyAlbum”[FUNC.]Album selection screen

Media Management

English

Chapter

Select “CopyAlbum” in the album function menu, then

press [ENTER].

The CopyAlbum screen appears.

Select a destination medium with [+/YES] and [–/NO].

To copy to the new album, press [ENTER].

“OK?” flashes in the first line of the screen.

To add to the existing album, press [ ] to move the

cursor to the album, and press [+/YES] and [–/NO] to

select the album, then press [ENTER].

“OK?” flashes in the first line of the screen.

*CopyAlbum

*NewAlbum

*DeleteAlbum

*RenameAlbum

=ALBUM MENU=

(1/2)



Media Management

Chapter

Press [+/YES] to make a copy, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen.

You can delete the albums.

This function is available for albums on [Memory], [USB1], [USB2] and

[FromToPC].

Select “DeleteAlbum” in the album function menu, then

press [ENTER].

The DeleteAlbum screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to delete the album, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen.

Executing...

=CopyAlbum=

Completed.

Press any button.

=CopyAlbum=

ANY

Deleting Albums

“DeleteAlbum”[FUNC.]Album selection screen

*CopyAlbum

*NewAlbum

*DeleteAlbum

*RenameAlbum

=ALBUM MENU=

(1/2)



Executing...

=DeleteAlbum=

Completed.

Press any button.

=DeleteAlbum=

ANY

Media Management

English

Chapter

Note:

Up to 99 albums can be created in a

medium.

You can create a new album into the selected medium.

This function is available for albums on [Memory], [USB1] and [USB2].

Note:

If you enter the same title as the

album already exists, the new album

is titled in the form of “album title

xx” (“xx” indicates the number).

Select the “NewAlbum” in the album function menu, then

press [ENTER].

The NewAlbum screen appears.

Press [ENTER].

The album title editing screen appears.

Enter a title to a new album.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on page 47.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Creating a New Album

“NewAlbum”[FUNC.]Album selection screen

*CopyAlbum

*NewAlbum

*DeleteAlbum

*RenameAlbum

=ALBUM MENU=

(1/2)



03:(no title)

=NewAlbum=

ENT

Media Management

Chapter

Press [+/YES] to create a new album, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen.

You can rename the albums which already named.

This function is available only for albums on [Memory].

Select “RenameAlbum” in the album function menu, then

press [ENTER].

The RenameAlbum screen appears.

Press [ENTER].

The album title editing screen appears.

Enter a new title to the selected album.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on page 47.

Executing...

=NewAlbum=

Completed.

Press any button.

=NewAlbum=

ANY

Renaming an Album

“RenameAlbum”[FUNC.]Album selection screen

*CopyAlbum

*NewAlbum

*DeleteAlbum

*RenameAlbum

=ALBUM MENU=

(1/2)



Media Management

English

Chapter

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to rename, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return the album selection screen.

You can rearrange the order of albums that you selected.

This function is available only for albums on [Memory].

Select “SortAlbum” in the album function menu, then

press [ENTER].

The SortAlbum screen appears.

Press [ ] and [ ] to move the albums to the desired

position.

Executing...

=RenameAlbum=

Completed.

Press any button.

=RenameAlbum=

ANY

Rearranging the Order of Albums

“SortAlbum”[FUNC.]Album selection screen

06:Favorite Latin Select

07:Free Flight

=SortAlbum=

ENT



06:Favorite Latin Select

07:Free Flight

=SortAlbum=

ENT



07:Free Flight

06:Favorite Latin Select

=SortAlbum=

ENT



Media Management

Chapter

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to rearrange, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen.



To select the song, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You can use the song function menu for managing the copy or the deletion

songs inside the album.

Press [FUNC.] in the song selection screen.

The song function menu screen appears.

Note:

Available functions vary depending

on the medium you selected.

Select a desired function with the cursor buttons ([ ]

[ ] [ ] [ ]), then press [ENTER].

Note:

If there is no available function or

no song, the song function menu

screen does not appear although

pressing [FUNC.].



About playlists, see Chapter 8

“Media Management – Managing

Playlists” on page 76.

The following functions are available:

- CopySong

- DeleteSong

- RenameSong

- SortSong

- AddToPList

- ConvertSong

- Counter

- Strip XP

08:Mike Garson Trio-Live

06:Favorite Latin Select

=SortAlbum=

OK? YES/NO

Executing...

=SortAlbum=

Completed.

Press any button.

=SortAlbum=

ANY

Managing Songs

[FUNC.]Song selection screen

*CopySong

*RenameSong

*DeleteSong

=SONG MENU=

(1/2)



*SortSong

Media Management

English

Chapter

Note:

Copy-protected songs, such as

PianoSoft songs, cannot be copied to

a removable medium.

You can copy songs stored on an album to another.

This function is available for song in the album on [Memory], [CD](CD-

ROM), [USB1], [USB2] and [FromToPC].

Note:

Up to 999 songs can be saved in an

album.

Select “CopySong” in the song function menu, then press

[ENTER].

The CopySong screen appears.

Select a destination medium with [+/YES] and [–/NO].

Press [ ] to move the cursor to the album, and press

[+/YES] and [–/NO] to select a destination album.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Making Copies of Songs

[FUNC.]Song selection screen “CopySong”

*CopySong

*RenameSong

*DeleteSong

=SONG MENU=

(1/2)



*SortSong

Media Management

Chapter

Press [+/YES] to make a copy, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

You can delete songs stored on an album.

This function is available for songs in the album on [Memory], [USB1],

[USB2], [Playlist] and [FromToPC].

Select “DeleteSong” in the song function menu, then

press [ENTER].

The DeleteSong screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to delete the song, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

Executing...

=CopySong=

Completed.

Press any button.

=CopySong=

ANY

Deleting Songs

[FUNC.]Song selection screen “DeleteSong”

*CopySong

*RenameSong

*DeleteSong

=SONG MENU=

(1/2)



*SortSong

Executing...

=DeleteSong=

Completed.

Press any button.

=DeleteSong=

ANY

Media Management

English

Chapter

You can rename the songs which already named.

This function is available for songs in the album on [Memory], [USB1],

[USB2] and [FromToPC].

Select “RenameSong” in the song function menu, then

press [ENTER].

The RenameSong screen appears.

Press [ENTER].

The song title editing screen appears.

Enter a new title to the selected song.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on page 47.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Renaming a Song

[FUNC.]Song selection screen “RenameSong”

*CopySong

*RenameSong

*DeleteSong

=SONG MENU=

(1/2)



*SortSong

006:Toccata

=RenameSong=

ENT

006:Toccata and Fugue

=RenameSong= OK? YES/NO

Media Management

Chapter

Press [+/YES] to rename, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

You can rearrange the order of songs in an album.

This function is available only for songs in the album on [Memory] and

[Playlist].

Select “SortSong” in the song function menu, then press

[ENTER].

The SortSong screen appears.

Press [ ] and [ ] to move the songs to the desired

position.

Executing...

=RenameSong=

Completed.

Press any button.

=RenameSong=

ANY

Rearranging the Order of Songs

[FUNC.]Song selection screen “SortSong”

*CopySong

*RenameSong

*DeleteSong

=SONG MENU=

(1/2)



*SortSong

006:Toccata and Fugue

007:Admiration

=SortSong=

ENT



006:Toccata and Fugue

007:Admiration

=SortSong=

ENT



007:Admiration

006:Toccata and Fugue

=SortSong=

ENT



Media Management

English

Chapter

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to rearrange, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

Note:

The converted song will be newly

added to the end of the album.

The song format can be converted to other format.

This function is available for songs in the album on [Memory], [USB1],

[USB2] and [FromToPC].

Select “ConvertSong” in the song function menu, then

press [ENTER].

The ConvertSong screen appears.

008:Interaction

006:Toccata and Fugue

=SortSong= OK? YES/NO

Executing...

=SortSong=

Completed.

Press any button.

=SortSong=

ANY

Converting Song Format

[FUNC.]Song selection screen “ConvertSong”

001:Song For Students

SMF0 E-SEQ

=ConvertSong=

-+ENT

Media Management

Chapter

Press [+/YES] and [–/NO] to select a song format.

This following options are available:

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to convert, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

The counter display of a song can be changed from “measures and

beats”(metronome) to “minutes and seconds” or vice versa.

This function is available for songs in the album on [Memory], [USB1],

[USB2] and [FromToPC].

Option Song Format

E-SEQ

E-SEQ format

SMF0

SMF (Standard MIDI File) format 0

SMF1

SMF (Standard MIDI File) format 1

Piano1

E-SEQ format to play on all Disklavier in correct tempo

001:Song For Students

SMF0 Piano1

=ConvertSong=

-+ENT

001:Song For Students

SMF0 Piano1

=ConvertSong=OK? YES/NO

Executing...

=ConvertSong=

Completed.

Press any button.

=ConvertSong=

ANY

Changing the Counter Display

[FUNC.]Song selection screen “Counter”

Media Management

English

Chapter

Select “Counter” in the song function menu, then press

[ENTER].

The CounterChange screen appears.

TIME: minutes and seconds display

METRONOME: measures and beats display

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to change, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.

Note:

Once the XP event is stripped, the

original data cannot be restored.

Before converting valuable music

data, be sure to backup the original

data.

Some Disklavier pianos record highly precise control information (XP

events) that becomes part of the MIDI song files. This data is used to

achieve accurate playback on the Disklavier PRO model, but is not used

when the file is played back on general MIDI devices. When you edit the

song with external MIDI devices (for example a software sequencer), the

relationship between the note data and the XP event as well as the actual

performance may not be maintained. There may be cases in which songs

edited in this manner cannot be played back normally, depending on the

instrument’s settings. In such cases, use the Strip XP function to remove

the XP event to convert the song to standard MIDI format before using it

for playback. Strip XP also makes it possible to reduce the size of MIDI

files when desired.

001:Song For Students

TIME METRONOME

=CounterChange=

ENT

001:Song For Students

TIME METRONOME

=CounterChange=OK?YES/NO

Executing...

=CounterChange=

Completed.

Press any button.

=CounterChange=

ANY

Converting MIDI Data to a Standard Form (Strip XP)

[FUNC.]Song selection screen “Strip XP”

Media Management

Chapter

Select “Strip XP” in the song function menu, then press

[ENTER].

The Strip XP screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to execute, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the song selection screen.



To create a playlist, see Chapter 8

“Media Management – Creating a

New Playlist” on page 79.

By creating lists of your favorite songs, you can program your Disklavier to

automatically play back a series of songs.

At the initial factory settings, no playlist is created in the internal flash

memory. First create your own playlist, then play back that list.

Managing Playlists

Media Management

English

Chapter

Note:

Up to 999 songs can be added to a

playlist.

This function is available only for songs/albums on [Memory].

Note:

You cannot add songs on media

other than [Memory] directly to the

playlist. First copy songs to the

internal flash memory.

Select “AddToPList” in the album or song function menu,

then press [ENTER].

The AddToPList screen appears.

Note:

If “New Playlist” is selected in step

2, the title of added album is copied

to that playlist.

Select a destination playlist with [+/YES] and [–/NO].

Note:

If you select “New Playlist” and add

songs to it, the playlist is titled as

“My Playlist.”

Note:

The new playlist created in this

procedure can be selected from

“Playlist” in the media selection

screen.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to add, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album or song selection screen.

Adding Songs/Albums to the Playlist

[FUNC.]Media selection screen “AddToPList”Album or song selection screen“Memory”

Executing...

=AddToPList=

Completed.

Press any button.

=AddToPList=

ANY

Media Management

Chapter

Note:

Even if you delete the playlist, songs

or albums added to that playlist

remain in the internal flash memory.

You can delete the playlists which already registered.

Select “DeleteList” in the album function menu for the

playlist, then press [ENTER].

The DeleteList screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to delete the playlist, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen for the

playlist.

Deleting a Playlist

[FUNC.]Album selection screen “DeleteList”Media selection screen “Playlist”

*DeleteList

*RenameList

*NewList

=ALBUM MENU=

(1/1)

02:My Best Collection

=DeleteList=

ENT

02:My Best Collection

=DeleteList= OK? YES/NO

Executing...

=DeleteList=

Completed.

Press any button.

=DeleteList=

ANY

Media Management

English

Chapter

Note:

Up to 99 playlists can be created.

You can create a new playlist for playing back your favorite songs in your

selected order.

Note:

If you enter the same title as the

playlist already exists, the new

playlist is titled in the form of

“playlist title [xx]” (“xx” indicates

the number).

Select “NewList” in the album function menu for the

playlist, then press [ENTER].

The NewList screen appears.

Press [ENTER].

The playlist title editing screen appears.

Enter a title to a new playlist.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on page 47.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Creating a New Playlist

[FUNC.]Album selection screen “NewList”Media selection screen “Playlist”

*DeleteList

*RenameList

*NewList

=ALBUM MENU=

(1/1)

03:(no title)

=NewList=

ENT

03:My Best Collection

=NewList= OK? YES/NO

Media Management

Chapter

Note:

The new playlist created in this

procedure can be selected from

“Playlist” in the media selection

screen.

Press [+/YES] to create a new playlist, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen for the

playlist.

You can rename a playlist which already registered.

Select “RenameList” in the album function menu for the

playlist, then press [ENTER].

The RenameList screen appears.

Press [ENTER].

The playlist title editing screen appears.

Enter a new title to the selected playlist.

You can enter up to 64 characters.

Follow the instructions in “Entering Characters” on page 47.

Executing...

=NewList=

Completed.

Press any button.

=NewList=

ANY

Renaming a Playlist

[FUNC.]Album selection screen “RenameList”Media selection screen “Playlist”

*DeleteList

*RenameList

*NewList

=ALBUM MENU=

(1/1)

My Best Collection

=RenameList=

ENT

Media Management

English

Chapter

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to rename, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the album selection screen for the

playlist.



To select a media, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You can use the media function menu for copying or deleting entire

contents inside the media.

Press [FUNC.] in the media selection screen.

The media function menu screen appears.

Note:

Available functions vary depending

on the medium you selected.

Select a desired function with the cursor buttons ([ ]

[ ] [ ] [ ]), then press [ENTER].

Note:

If there is no available functions, the

media function menu screen does

not appears although pressing

[FUNC.].

The following functions are available:

- CopyAll

- DeleteAll

- Format

- Refresh

=RenameList=

My Best Hit Collection

OK? YES/NO

Executing...

=RenameList=

Completed.

Press any button.

=RenameList=

ANY

Managing Media

[FUNC.]Media selection screen

*CopyAll *DeleteAll

=MEDIA MENU=

Media Management

Chapter



To select a medium, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You can copy the entire contents in a medium to the another medium.

The function is available for [Memory], [CD](CD-ROM), [USB1], [USB2]

and [FromToPC].

Select “CopyAll” in the media function menu, then press

[ENTER].

The CopyAll screen appears.

Note:

Confirm that the destination

medium has enough space to store

the contents.

Select a destination medium with [+/YES] and [–/NO].

Press [ENTER].

“OK?” flashes in the first line of the screen.

Note:

If the maximum number of the

albums in the destination medium

exceeds 99, copying stops.

Press [+/YES] to make a copy, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the media selection screen.

Making Copies of the Entire Contents in a Medium

[FUNC.]Media selection screen “CopyAll”

*CopyAll *DeleteAll

=MEDIA MENU=

USB1 Memory

=CopyAll=

-+ENT

USB1 Memory

=CopyAll=

-+ENT

USB1 Memory

=CopyAll= OK? YES/NO

Executing...

=CopyAll=

Completed.

Press any button.

=CopyAll=

ANY

Media Management

English

Chapter



To select a medium, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You can delete the entire contents in a medium.

This function is available for [Memory], [USB1], [USB2] and [FromToPC].

Select “DeleteAll” in the media function menu, then press

[ENTER].

The DeleteAll screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to delete, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the media selection screen.

Deleting the Entire Contents in a Medium

[FUNC.]Media selection screen “DeleteAll”

*CopyAll *DeleteAll

=MEDIA MENU=

Media=Memory

=DeleteAll=

ENT

Media=Memory

=DeleteAll= OK? YES/NO

Executing...

=DeleteAll=

Completed.

Press any button.

=DeleteAll=

ANY

Media Management

Chapter

Note:

Copy-protected files, such as

PianoSoft and PianoSoft·Plus songs,

cannot be copied to the [FromToPC]

folder.

You can copy song files from a Windows or Macintosh computer to a

special folder on the Disklavier called [FromToPC] and then play them on

the Disklavier.

Note:

Do not copy the files other than

Disklavier song files.

Note:

Do not access the [FromToPC]

folder while the Disklavier is

engaged in another operation (such

as file copying or deleting).

Connect the control unit to a LAN (local area network) to

which a personal computer with a song file is also

connected.

Note:

It is necessary to configure the

Disklavier properly for network

communications by enabling it to

get a DHCP IP address

automatically (recommended) or by

assigning an appropriate address

manually. The procedure is the same

as the one used for setting up the

Disklavier for Internet

communications. Please follow the

instructions in Chapter 9 “Internet

Direct Connection (IDC) – Setting

the Disklavier for the Internet

Connection” on page 99.

Note:

Use an STP (shielded twisted pair)

cable for connection. For details, see

Chapter 9 “Internet Direct

Connection (IDC) – Connecting the

Disklavier to the Internet” on

page 93.

Note:

For information about configuring a

personal computer for network

communications, please refer to the

documentation that came with the

computer.

Copying Song File from a Personal Computer to the Disklavier

Personal computer

Control unit

LAN

Router

Media Management

English

Chapter

For Windows

Note:

[Dkv******] differs depending on

each Disklavier.

On the computer screen, click [Start] and then select [My

Network Places].

The [My Network Places] window appears. Confirm that the

[Dkv******] icon is shown in the [My Network Places] window.

Note:

The folder or icon name differs

depending on the version of your

operating system.

Double-click the [Dkv*******] icon.

The [Dkv*******] folder opens. Confirm that the [FromToPC] icon is

shown in the [Dkv******] folder.

Double-click the [FromToPC] icon.

The [FromToPC] folder opens.

Copy the desired song files to the [FromToPC] folder.



See Chapter 8 “Media Management

– Refreshing the Contents in

[FromToPC]” on page 88.

Refresh the contents in the folder.

■ For Windows: In case that you cannot find

the [Dkv******] icon

1. Press [SETUP] on the remote control.

2. Select “Network” in the setup menu screen.

3. Select “Information” to display the information of network

settings.

4. Press [ ] several times to display “NAME=DKV******” and

memorize that name.

5. Open the [My Network Places] on the computer, and then click

the [Search] icon on the top of the window.

6. Enter the name confirmed in step 4 in the [Computer name] box,

and then click [Search] to start searching.

7. Open [Dkv******] and confirm that the [FromToPC] folder is

shown under that.

8. Copy the desired song files to the [FromToPC] folder.

Media Management

Chapter

For Mac OS X 10.3 or 10.4

Click the [Finder] icon in the dock, and then click the

[Network] icon in the left side of the window.

The [Network] window appears. Confirm that the [Dkv] icon is

shown in the [Network] window.

Note:

[Dkv******] differs depending on

each Disklavier.

Click the [Dkv] icon.

The [Dkv] folder opens. Confirm that the [Dkv******] icon is shown

in the [Dkv] folder.

Click the [Dkv******] icon.

Note:

If the user ID and password are

required during the process, enter

any name for the ID and leave the

space for the password blank.

In the first dialog that appears, select [FromToPC] from

the mini-menu and click [OK].

Click [OK] again in the next dialog that appears.

Connection process completes and the [FromToPC] icon appears

in the left side of the window.

Click the [FromToPC] icon.

The [FromToPC] folder opens.

Copy the desired song files to the [FromToPC] folder.



See Chapter 8 “Media Management

– Refreshing the Contents in

[FromToPC]” on page 88.

Refresh the contents in the folder.

Media Management

English

Chapter

■ For Mac OS X 10.5 or later

Note:

[Dkv******] differs depending on

each Disklavier.

Click the [Finder] icon in the dock, and then select [Go]

and then [Network] from the menu bar.

The [Network] window appears. Confirm that the [Dkv******] icon is

shown in the [Network] window.

Note:

If the user ID and password are

required during the process, enter

any name for the ID and leave the

space for the password blank.

Click the [Dkv*******] icon.

The [Dkv*******] folder opens. Confirm that the [FromToPC] icon is

shown in the [Dkv******] folder.

Click the [FromToPC] icon.

The [FromToPC] folder opens.

Copy the desired song files to the [FromToPC] folder.



See Chapter 8 “Media Management

– Refreshing the Contents in

[FromToPC]” on page 88.

Refresh the contents in the folder.

■ For Macintosh: In case that you cannot find

the [Dkv******] icon

1. Press [SETUP] on the remote control.

2. Select “Network” in the setup menu screen.

3. Select “Information” to display the information of network

settings.

4. Press [ ] several times to display “NAME=DKV******” and

memorize that name.

5. Select [Go] and then [Connect to Server] from the menu bar on

the computer.

6. Enter the name confirmed in step 4 in the address field, and

then click [Connect]. Use syntax “smb://” when entering the

name (“smb://Dkv******”).

7. Select [FromToPC] from the mini-menu in the first window

appears and click [OK]. Click [OK] again in the next window that

appears.

8. Copy the desired song files to the [FromToPC] folder on the left

side of the finder window.

Media Management

Chapter



To select a medium, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

You must refresh the contents in the [FromToPC] folder after copying song

files from a personal computer, in order to play them on the Disklavier.

Select “Refresh” in the media function menu, then press

[ENTER].

The Refresh screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to refresh, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the media selection screen.

Refreshing the Contents in [FromToPC]

[FUNC.] “Refresh”“FromToPC”Media selection screen

Media=FromToPC

=Refresh=

ENT

Media=FromToPC

=Refresh= OK? YES/NO

Executing...

=Refresh=

Completed.

Press any button.

=Refresh=

ANY

Media Management

English

Chapter

Important:

Formatting a floppy disk erases all

data that stored in the disk, so make

sure that the disk you are going to

format does not contain the data you

want to keep.

In the case of using the unformatted floppy disk on the floppy drive

(optional) or deleting the entire contents on the floppy disk, format the

floppy disk.



To select a medium, see Chapter 3

“Basic Song Playback – Selecting

Medium and Their Contents” on

page 17.

Connect the floppy drive (optional) to the USB port on the

control unit.

Note:

If you are formatting a floppy disk,

make sure that the floppy disk’s

erasure protection tab is set to

“unprotected.”

Insert a floppy disk to the floppy drive.

Select “Format” in the media function menu, then press

[ENTER].

The Format screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to format, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the media selection screen.

Formatting the Floppy Disk (Optional)

[FUNC.]Select the floppy disk “Format”

Media=FD

=Format=

ENT

Media=FD

=Format= OK? YES/NO

Executing...

=Format=

Completed.

Press any button.

=Format=

ANY

Media Management

Chapter

■ Floppy Disk Accidental Erasure Protection

Floppy disks have an erasure protection tab located on the reverse side of

the disk in the bottom right-hand corner. When formatting a disk, make

sure that its erasure protection tab is set to “unprotected.”

Note:

Be sure to use the USB medium

described in Chapter 2 “Getting

Started – Compatible Media Format

for the Removable Media” on

page 14.

You can make a backup copy of the songs and playlists. In order to protect

your valuable music data, Yamaha strongly recommends that you backup

your memory on regular basis.

If the floppy disk is inserted to the optional floppy disk drive, eject it before

you start making backups.

Note:

Make sure that the USB medium has

enough space to save the backup

data.

Connect an external USB medium to the USB port on the

control unit.

Press [SYSTEM] on the remote control.

The system menu screen appears.

Protected

Unprotected

When the tab window is open,

formatting and recording are

not possible.

When the tab window is closed,

formatting and recording are

possible.

Making Backups of Songs

[SYSTEM] “Backup”

Media Management

English

Chapter

Select “Backup” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The Backup screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to make a backup, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the system menu screen.



To make a backup, see Chapter 8

“Media Management – Making

Backups of Songs” on page 90.

You can restore the current condition of the internal memory to the

previous condition that you made a backup copy.

Connect an external USB medium in which you made

backup last time to the USB port on the control unit.

Press [SYSTEM] on the remote control.

The system menu screen appears.

Backup song data?

=Backup= OK? YES/NO

Completed.

Press any button.

=Backup=

ANY

Restoring the Backups

[SYSTEM] “Restore”

Media Management

Chapter

Select “Restore” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The Restore screen appears.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to restore, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the system menu screen.

Restore this data?

Date:2007-10-22 15:42:00

=Restore= OK? YES/NO

Completed.

Press any button.

=Restore=

ANY

English

Chapter

Internet Direct Connection (IDC)

By connecting to the Internet, you can enjoy a streaming broadcast or download update

programs directly.

Internet Direct Connection (IDC) is a feature that allows you to connect

your Disklavier directly to the Internet. Internet Direct Connection users are

able to listen to a streaming broadcast (DisklavierRadio), and receive

valuable information such as product updates. Your Disklavier can be

upgraded remotely as new technologies and services are developed

through the IDC service.

Note:

If you have already registered for

the IDC service with any other

instrument (such as the Clavinova),

you do not need to register again.

You can use your ID and password

obtained through that registration.

To use the IDC service, initial registration is required using an Internet-

connected computer.

Please register at the following website:

https://member.yamaha.com/myproduct/regist/

Note:

Some IDC service functions do not

require an ID and password.

Once you have an IDC account, you will interact with that account using

the remote control. To use the full IDC service, you are required to enter

your registered ID (e-mail address) and password with the remote control.

You can connect the Disklavier to a full-time online Internet connection

(ADSL, optical fiber, cable Internet, etc.) via a router or a modem equipped

with a router.

■ Preparations

• To use the Internet connection, you will first need to subscribe to an

Internet service or provider.

• Use a computer to obtain and configure Internet service. You cannot

obtain Internet service or configure router settings on a local area

network using the Disklavier itself.

• Use an STP (shielded twisted pair) cable to connect the control unit and

a router.

• Before connecting the LAN cable, make sure to turn off (or shut down)

the Disklavier.

What is Internet Direct Connection (IDC)?

Obtaining an ID and Password for the IDC Service

(IDC Registration)

Connecting the Disklavier to the Internet

Internet Direct Connection (IDC)

Chapter

Note:

Depending on the contract with your

Internet provider, you may not be

able to connect two or more devices

(for example, a computer and the

Disklavier) to the Internet. Please

check your contract or contact your

Internet provider for further

information.

■ Connecting the Control Unit to the Internet

Connection example 1:

Using a modem with router function

Note:

Some types of modems (such as

ADSL modems or cable modems)

have multiple ports for connecting

two or more devices (such as

computer, musical instrument, etc.).

If your modems have only one port,

an optional router or hub is required

in order to connect several devices

simultaneously.

Note:

Use an STP (shielded twisted pair)

cable for connection.

Connection example 2:

Using a modem without router function

Control unit

Modem

(with router function)

Other device

(such as computer)

LAN

cable

Control unit

Modem

(without router

function)

Other device

(such as computer)

LAN

cable

Router

Internet Direct Connection (IDC)

English

Chapter

For further information on the Internet connection (only a wired LAN

connection is supported), visit the Yamaha Disklavier website:

http://services.music.yamaha.com/radio/

■ Notes on Network Security

The Disklavier E3 attempts to achieve a balance between security and

usability in its network implementation. However, a determined hacker may

be able to defeat these security measures and utilize the network of the

purchaser in an unauthorized manner. Since each network is different,

only the purchaser can determine whether the security measures

discussed here will adequately protect their network.

The purchaser acknowledges that connection to the Internet and use of the

Disklavier E3 Internet features is done at the risk of the purchaser. In no

event shall Yamaha, its subsidiaries or Yamaha’s and/or its subsidiaries’

directors, officers, or employees be responsible for unauthorized access,

loss or alteration of the data of the purchaser or be liable for any damage

from intrusions.

Note:

Free contents that do not require an

ID and password are available.

Once you have established an IDC account and successfully connected

your Disklavier to the Internet, you can access a special Disklavier website

where you can access the DisklavierRadio, and download software

updates.

Note:

The service contents are subject to

change without prior notice.



See Chapter 3 “Basic Song Playback

– Listening to the

DisklavierRadio™” on page 25.

D-Radio

Select this to listen to streaming broadcasts of music, with many channels

of music content. You can enjoy listening to piano performances that play

continuously.

MyAccount

Select this to log in to the IDC service. You can also refer to the help

information from this option.

Update

Select this to update the Disklavier using Internet connection.

Accessing the Internet

[INTERNET]

Internet Direct Connection (IDC)

Chapter

Press [INTERNET] on the remote control.

The Internet menu screen appears.

Select a desired menu with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [ENTER].

Perform operations on the screen that appears.

You can confirm your current account information of IDC service. You can

also log out from the IDC service.

Note:

ID and password are not required for

free contents (such as free channel

of DisklavierRadio).

Select this to log in to the IDC service. You need to enter your ID and

password.

Logout

If you wish to use another IDC account or prevent the current account from

being used by others, select this to log out from the IDC service.

Account Information

Select this to confirm your account information.

Subscription Status

Select this to confirm your DisklavierRadio subscription status.

Press [INTERNET] on the remote control.

The Internet menu screen appears.

*D-Radio

*Update

*MyAccount

=Internet=

(1/1)

Checking Your Account Information

“MyAccount”[INTERNET]

*D-Radio

*Update

*MyAccount

=Internet= (1/1)

Internet Direct Connection (IDC)

English

Chapter

Select “MyAccount” with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [ENTER].

The MyAccount screen appears.

Select a desired option with the cursor buttons ([ ] [ ]),

then press [ENTER].

Perform operations on the screen that appears.

You can download the update program directly from the Internet and

update the firmware of the Disklavier.

Press [INTERNET] on the remote control.

The Internet menu screen appears.

*D-Radio

*Update

*MyAccount

=Internet=

(1/1)

Updating the Disklavier Using the Internet

“Update”[INTERNET]

Internet Direct Connection (IDC)

Chapter

Select “Update” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The update screen appears if there is any update program

available.

You can scroll the screen up or down with the cursor buttons ([ ]

[]).

Following the instructions on the screen, select the option

with the cursor buttons ([ ] [ ] [ ] [ ]), then press

[ENTER].

The download process of the update program starts.

Shut down the Disklavier with [ON/OFF] on the control unit

after the download process is completed.

The update program is now prepared.

Update the firmware following the procedures in Chapter 11 “Other

Settings – Updating the Disklavier” on page 121.

*D-Radio

*Update

*MyAccount

=Internet=

(1/1)

------------------------

*Update Fir

=Update= 

*Cancel



Internet Direct Connection (IDC)

English

Chapter



To use the Internet connection,

inquire of your Internet service

provider.

You can change various settings related to the Internet connection. In most

cases, you do not have to change the default factory settings.

Note:

For information about DNS server

address, IP address, subnet mask

and gateway server address, inquire

of your internet service provider.

Information

You can confirm the information of network settings.

Use DHCP

Select the method to determine several addresses. If your router has

DHCP server function, we recommend that you to select “DHCP” or

“DHCP+DNS.”

DNS1/DNS2

Enter the address of the primary and secondary DNS server. These

settings must be made when Use DHCP is set to “DHCP+DNS” or

“MANUAL.”

IPAddr./SubMask/Gateway

Enter the address of the control unit, subnet mask and gateway server.

These settings must be made when Use DHCP is set to “MANUAL.”

Proxy/Proxy Port

Enter the name and the port number for the proxy server. These settings

are necessary only when a proxy server is located in your local network.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “Network” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The network setting screen appears.

Setting the Disklavier for the Internet Connection

[SETUP] “Network”

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*Network *Playback

*Shortcut

=SETUP MENU=

(2/3)



Internet Direct Connection (IDC)

Chapter

100

Select a desired option with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [+/YES] and [–/NO] to change

setting.

If you select “Information” on the network setting screen, the

current network setting appears. To return to the network setting

screen, press [ENTER] after confirming.

Press [ENTER] to complete the operation.



For details on cookies, see Chapter

15 “Glossary” on page 132.

If you want to initialize the Internet settings, first you must reset the

Disklavier to its initial factory setting.

However, cookies are still remain after parameter resetting. To delete

cookies, perform the appropriate operation on the reset screen.



See Chapter 11 “Other Settings –

Resetting the Disklavier” on

page 118.

Initializing Internet Settings

[SETUP] “Reset”

101

English

Chapter

Enhancing the Disklavier by Hooking

Up Other Devices

If you connect the Disklavier to an audio system, you can hear the sound

played/played back on the Disklavier from the connected audio system,

and the sound played back on the connected audio system from the

Disklavier.

Hooking Up Audio Equipment

Control unit

AV amplifier

To audio

inputs

CD player, etc.

To audio

outputs

RCA cord

(not supplied)

RCA cord

(not supplied)

Enhancing the Disklavier by Hooking Up Other Devices

Chapter

102

You can select the kind of the incoming/outgoing audio signals. The

following options should be set up in advance.

OMNI IN

Selects the appropriate option to match the incoming data input to the

OMNI (SYNC) IN jacks.

Auto Detect:

Select this to have the Disklavier detect the input signal

automatically.

* Only for models supplied with

the monitor speakers.

Audio: Select this when you play back audio from a connected CD

player, etc. and reproduce the sound from the monitor

speakers*.

OFF: Select this when you cancel the data reception from the OMNI

(SYNC) IN jacks.

OMNI IN Vol

Adjust the volume of the incoming audio signals to the OMNI (SYNC) IN

jacks. The volume can be set in a range of 000 to 127.

OMNI OUT

Selects the desired data to be output from the OMNI (SYNC) OUT jacks.

* Only for models supplied with

the monitor speakers.

Output: Select this when you output the same audio signals as the

ones for the monitor speakers*.

SYNC: Select this when you output the SMPTE signal used for video

synchronization playback.

OFF: Select this when you cancel the data transmission from the

OMNI (SYNC) OUT jacks.

OMNI OUT Vol

Note:

“M-Volume” is the next increment

on the OMNI OUT Vol setting

above 127.

Adjust the volume of the outgoing audio signals to the OMNI (SYNC) OUT

jacks. The volume can be set in a range of 000 to 127, or to “M-Volume.”

When you set to “M-Volume”, the OMNI OUT volume works with the main

volume.

ANALOG MIDI IN Vol

Adjust the volume of the incoming audio signals to the ANALOG MIDI IN

jacks. The volume can be set in a range of 000 to 127.

A-MIDI IN Offset

For some display devices, the video images may be displayed a little bit

later than the piano playing when playing back the video synchronized

software that contains the analog MIDI signal. To eliminate this delay, you

can adjust the offset time that leads the actual playback of the piano. A

delay is applied to the incoming analog MIDI signal. The offset time can be

set in a range of –500 ms to 0 ms. Decrease this value to delay the piano

playing, and increase to advance the piano playing.

Setting the Disklavier for Audio Data Reception/Transmission

[SETUP] “AudioI/O”

000

127

M-Volume

OMNI OUT

Vol parameter

[–/NO]

[+/YES]

Enhancing the Disklavier by Hooking Up Other Devices

English

Chapter

103

SYNC IN Offset

Adjusts the length of the offset time that leads the actual playback of the

entire recording. The offset time can be set in a range of –500ms to

+500ms. Decrease this value to delay the piano playing, and increase to

advance the piano playing.

SYNC OUT Level

Adjusts the output level of the SMPTE signal. For normal use, the

adjustment of this option is not required. If noises (synchronized signal) are

output from the OUTPUT jacks during video synchronized playback, turn

down the level and re-record.

OUTPUT Offset

For some speakers or digital amplifiers, the audio from the Disklavier may

be output a little bit later than the acoustic piano playing. To eliminate this

delay, you can adjust the offset time for the sound output. This setting is

applied to the outgoing audio signal from the OUTPUT jacks and OMNI

(SYNC) OUT jacks. Decrease this value to advance the sound output. The

offset time can be set in a range of –100 ms to 0 ms. Decrease this value

to delay the piano playing, and increase to advance the piano playing.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “AudioI/O” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The audio I/O setting screen appears.

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



Enhancing the Disklavier by Hooking Up Other Devices

Chapter

104

Select a desired option with the cursor buttons ([ ] [ ]),

then press [+/YES] and [–/NO] to change setting.

Press [ENTER] to complete the operation.

Note:

When you use the USB connection,

it is required to install the USB

driver to the connected device. In

such a case, visit the following

website and download the driver.

http://download.yamaha.com/

MIDI (an acronym for Musical Instrument Digital Interface) allows

electronic device (synthesizers, etc.) to interact and work in

synchronization with other MIDI compatible device. The Disklavier enables

you to enjoy a variety of MIDI features by connecting a MIDI device or

computer to the Disklavier’s control unit.

Note:

Be sure to use the commercially

available MIDI cable with the L-

shaped connector on the control unit

end.

Hooking Up MIDI Devices

Control unit

MIDI device (sequencer, synthesizer, etc.) or computer

To MIDI

input

To MIDI

output

MIDI cable

(not supplied)

To USB

port

USB cable

(not supplied)

Enhancing the Disklavier by Hooking Up Other Devices

English

Chapter

105

The Disklavier can play back the MIDI data being received from the

connected MIDI device as well as the software loaded or stored in the

Disklavier itself. The following options should be set up in advance.

MIDI IN Port

Selects the terminal/port used for the data reception.

MIDI: Select this when the MIDI device is connected to MIDI IN

terminal.

USB: Select this when the MIDI device is connected to USB port.

Piano Rcv Ch

The MIDI data consists of multi channels that are respectively assigned to

a certain instrument’s part. This option assigns the desired channel(s) to

the piano part(s) that is (are) played back on the Disklavier’s keyboard.

01 thru 16:

Select

the desired channel to which you assign the piano part.

1+2: Select this when the “01” and “02” channels are assigned to the

piano parts.

Prg: Select the smallest number channel assigned to the piano

group voice (see page 123) to be played on the Disklavier.

Prg(All): Select all channels assigned to the piano group voice (see

page 123) to be played on the Disklavier.

MIDI IN Delay

When the Disklavier receives two kinds of data (strong and weak note) at

the same time, the weak note sounds a little bit later than the strong one

due to the characteristics of the Disklavier’s mechanism. To eliminate this

delay in the sound reproduction so that the notes are sounded in accurate

timing at 500 milliseconds after the data reception, usually a delay is

applied to the incoming MIDI data.

ON: Select this when you apply this delay to the incoming MIDI

data.

OFF: Select this when you do not apply this delay.

Setting the Disklavier for MIDI Data Reception

[SETUP] “MIDI”

Enhancing the Disklavier by Hooking Up Other Devices

Chapter

106

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “MIDI” with the cursor buttons ([ ] [ ] [ ] [ ]),

then press [ENTER].

The MIDI setting screen appears.

Select a desired option with the cursor buttons ([ ] [ ]),

then press [+/YES] and [–/NO] to change setting.

Press [ENTER] to complete the operation.

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



Enhancing the Disklavier by Hooking Up Other Devices

English

Chapter

107

The Disklavier can transmit the information of piano playing/ensemble part

playback on the Disklavier as the MIDI data to the connected MIDI device

to reproduce the sound with its sound generator, etc. or to record the MIDI

data. The following options should be set up in advance.

MIDI OUT Port

Selects the terminal/port used for the data transmission.

MIDI: Select this when the MIDI device is connected to MIDI OUT

terminal.

USB: Select this when the MIDI device is connected to USB port.

MIDI OUT

Selects one of the following parts to be transmitted to the connected MIDI

device.

ESBL Out:Select this when you transmit the ensemble part played back

on the Disklavier.

KBD Out: Select this when you transmit the piano part played on the

Disklavier.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “MIDI” with the cursor buttons ([ ] [ ] [ ] [ ]),

then press [ENTER].

The MIDI setting screen appears.

Setting the Disklavier for MIDI Data Transmission

[SETUP] “MIDI”

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



Enhancing the Disklavier by Hooking Up Other Devices

Chapter

108

Select a desired option with the cursor buttons ([ ] [ ]),

then press [+/YES] and [–/NO] to change setting.

Press [ENTER] to complete the operation.

Besides the MIDI OUT options, more detailed setups for the keyboard

playing data transmission are available. The following options should be

set up in advance.

KBD OUT CH

Assigns the piano part to the desired channels.

01 thru 16:

Select the desired channel to which you assign the piano part.

Local

Selects whether you reproduce or not the piano part playing with the

Disklavier’s internal tone generator.

ON: Select this when you reproduce the piano part with the

Disklavier’s internal tone generator.

OFF: Select this when you reproduce the song (played on the

Disklavier) on the external MIDI device. This option inactivates

the internal tone generator to prevent both the internal and

external tone generator sound at the same time.

Setting the Disklavier for Keyboard Playing Data Transmission

[SETUP] “MIDI”

Enhancing the Disklavier by Hooking Up Other Devices

English

Chapter

109

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “MIDI” with the cursor buttons ([ ] [ ] [ ] [ ]),

then press [ENTER].

The MIDI setting screen appears.

Select a desired option with the cursor buttons ([ ] [ ]),

then press [+/YES] and [–/NO] to change setting.

Press [ENTER] to complete the operation.

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



110

Chapter

Other Settings

The internal XG tone generator has already been tuned to match the

acoustic piano (A3=440 Hz). However, you can re-tune the internal XG

tone generator in accordance with the pitch of the acoustic piano by

following the procedure below.

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “M-Tune” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The TG Master Tune setting screen appears.

Playing the keyboard, press [+/YES] and [–/NO] to tune the

pitch of the internal XG tone generator.

The same note will sound simultaneously on the XG tone

generator’s digital piano and on the acoustic piano as soon as you

play the keyboard.

The pitch of the internal XG tone generator can be adjusted in a

range of –50 cent to +50 cent.

Tuning the Tone Generator (TG Master Tune)

[SETUP] “M–Tune”

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



>Tune= 000cent

=TG Master Tune=

Other Settings

English

Chapter

111

Note:

To reset to the default factory pitch

settings, see Chapter 11 “Other

Settings – Resetting the Disklavier”

on page 118.

Press [ENTER] to complete the operation.

You can assign the number keypad of the remote control ([1] thru [9] and

[0]) a series of procedures for often used functions.

■ Assigning Functions

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “Shortcut” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The shortcut setting screen appears.

Press [ ] and [ ] to select the desired number.

Assigning Frequently-used Functions to the Number Keypad on

the Remote Control

[SETUP] “Shortcut”

*TimerPlay *AudioI/O

*M-Tune*MIDI

=SETUP MENU= (1/3)]

*Network *Playback

*Shortcut

=SETUP MENU= _(2/3)]

=Shortcut=

1[----- ]

?-+

2[----- ]

=Shortcut=

3[----- ]

?=-+

4[----- ]

Other Settings

Chapter

112

Press [+/YES] and [–/NO] to select the desired function.

The following functions are available:

When functions other than “POWER” are selected, the detailed

setting parameter appears.

Press [ ] to move the cursor to the detailed setting

parameter, then press [+/YES] and [–/NO] to select the

desired setting.

You can set two sets of parameter depending on the function you

have selected.

When “PLAY” is selected:

Option Description

PLAY

Starts playback of songs in the selected album or playlist.

RPT

Starts repeat playback of a song or songs in the selected

album or playlist.

RND

Starts playback of songs in the selected album or playlist

at random.

RADIO

Starts playback of the selected DisklavierRadio channel.

BLNC

Adjusts the volume balance among the different sound

sources (tone generator or audio).

POWER

Turns on and off the Disklavier.

Option 1 Option 2 Description

Mem01 -

Mem99

---

Starts playback from the first song in the

album selected for option 1.

001 - 999

Starts playback from the song selected for

option 2 in the album selected for option 1.

Lst01 -

Lst99

---

Starts playback from the first song in the

playlist selected for option 1.

001 - 999

Starts playback from the song selected for

option 2 in the playlist selected for option 1.

=Shortcut=

3[----- ]

?=]-+

4[PLAY Mem01 --- ]

=Shortcut=

3[----- ]

_?=]-+

4[PLAY Mem02 --- ]

Other Settings

English

Chapter

113

When “RPT” is selected:

When “RND” is selected:

When “RADIO” is selected:

When “BLNC” is selected:

When “POWER” is selected:

Details settings are not required.

Press [ENTER] to complete the operation.

Option 1 Option 2 Description

Mem01 -

Mem99

---

Starts repeat playback of all songs in the

album selected for option 1 from the first

song.

001 - 999

Starts repeat playback of the song selected

for option 2 in the album selected for option

Lst01 -

Lst99

---

Starts repeat playback of all songs in the

playlist selected for option 1 from the first

song.

001 - 999

Starts repeat playback of the song selected

for option 2 in the playlist selected for

option 1.

Option Description

Mem01 -

Mem99

Starts playback of songs in the selected album at

random.

Lst01 -

Lst99

Starts playback of songs in the selected playlist at

random.

Option Description

CH01 -

CH99

Starts playback of the selected DisklavierRadio channel.

Option 1 Option 2 Description

TG UP

Raises the volume of the tone generator.

DOWN

Lowers the volume of the tone generator.

AUDIO UP

Raises the volume of the audio.

DOWN

Lowers the volume of the audio.

Other Settings

Chapter

114

■ Using the Shortcut

Holding the green button on the remote control, press the corresponding

number button on the number keypad to execute the assigned function.

Note:

These settings are not required for

the use of the remote control of this

unit. In case of using an external

remote controller, refer to the user’s

guide for that remote controller.

You can enter the 4-digit passcode to prevent unauthorized access from

the commercially available external remote controller, or you can also set

the MAC address of the external remote controller to allow it to access

your Disklavier without entering the passcode.

Note:

If changes are inappropriately made

for these settings, the external

remote controller may not function

properly. In such cases, enter

“####” to reset the passcode setting.

■ Setting the Passcode

Press [SETUP] on the remote control.

The setup menu screen appears.

Select “Passcode” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The passcode setting screen appears.

Press [ ] and [ ] to move the cursor left and right.

Setting the Passcode to Prevent Unauthorized Access

[SETUP] “Passcode”

*TimerPlay *AudioI/O

*M-Tune*MIDI

=SETUP MENU= (1/3)]

*Passcode *Reset

=SETUP MENU= _(3/3)

>Passcode=####

=Passcode= ]-+

Other Settings

English

Chapter

115

Note:

You can also use [+/YES] and

[–/NO] on the remote control, or the

dial on the control unit to enter the

code.

Enter the 4-digit code with the number keypad.

Press [ENTER] to complete the operation.

■ Setting the MAC Address

If you feel inconvenient to enter the passcode each time you access from

the external remote controller, you can set the MAC address of the

external remote controller. This will allow the external remote controller

with the registered MAC address to access your Disklavier without

entering the passcode.

With the passcode properly set, press [ ] to select

“MAdr1.”

Press [ ] and [ ] to move the cursor left and right.

Note:

You can also use the dial on the

control unit to enter the address.

Enter the address with [+/YES] and [–/NO].

You can set up to three addresses.

Press [ENTER] to complete the operation.

>Passcode=1234

>MAdr1=##:##:##:##:##:##

=Passcode= _?-+

>Passcode=1234

>MAdr1=##:##:##:##:##:##

=Passcode= ?=]-+

>Passcode=1234

>MAdr1=01:AB:23:C#:##:##

=Passcode= _?=]-+

Other Settings

Chapter

116

You can adjust the brightness of the display. You can also set the display

to dim after the elapse of a certain time if there is no operation.

Press [SYSTEM] on the remote control.

The system menu screen appears.

Select “Display” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The display setting screen appears.

Press [+/YES] and [–/NO] to change the brightness.

The following brightness settings are available: 40%, 60%, 80%,

100%.

Adjusting the Brightness of the Display

[SETUP] “Display”

*Clock Adj.

*Backup

*TimeZone

*Restore

=STSTEM MENU= (1/2)]

*Language

*Display

*Maintenance

=STSTEM MENU= _(2/2)

*Brightness=100%

*Dim light=OFF

=Display= ?=-+ENT

*Brightness=80%

*Dim light=OFF

=Display= ?=-+ENT

Other Settings

English

Chapter

117

Note:

The brightness of the display will

return to its original setting when

you press any buttons, insert media,

or eject media.

To set the time for the display to dim, press [ ] to move

the cursor to the dim light parameter, then press

[+/YES] and [–/NO].

The following time settings are available: OFF, 1min, 2min, 3min,

5min, 10min, 15min, 30min, 45min, 60min.

If there is no operation for the time set above, the display dims to

half the brightness of its original setting.

Press [ENTER] to complete the operation.

Press [SYSTEM] on the remote control.

The system menu screen appears.

Select “Language” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The language setting screen appears.

*Brightness=100%

*Dim light=1min.

=Display= ?=-+ENT

Switching the Languages for the Screen

[SYSTEM] “Language”

*Language *Maintenance

=SYSTEM MENU=

(2/2)



*Display

Other Settings

Chapter

118

Press [+/YES] and [–/NO] to select the language.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to set the language, and return to the

system menu screen.

Important:

If you reset your Disklavier,

depending upon the option you

select, you may lose all parameters

or all data in the internal memory, or

both of these. For normal use, you

do not have to reset. If you must

reset your Disklavier, Yamaha

strongly recommends that you

backup your songs in the internal

memory. However, you cannot

backup your various parameter

settings.

If you want to return your Disklavier to its initial factory settings, follow the

procedure below.

Press [SETUP] on the remote control.

The setup menu screen appears.



To make a backup copy of the songs

which are in the internal memory,

see Chapter 8 “Media Management

– Making Backups of Songs” on

page 90.

Select “Reset” with the cursor buttons ([ ] [ ] [ ]

[ ]), then press [ENTER].

The reset screen appears.

Resetting the Disklavier

[SETUP] “Reset”

*TimerPlay

*MIDI

*AudioI/O

*M-Tune

=SETUP MENU=

(1/3)



*Passcode *Reset

=SETUP MENU=

(3/3)



>Reset=Parameter

=Reset=

-+ENT

Other Settings

English

Chapter

119

Press [+/YES] and [–/NO] to select the option that you

want to reset.

Press [ENTER].

“OK?” flashes in the first line of the screen.

Press [+/YES] to reset, [–/NO] to cancel.

After a while, the completion message appears.

Press any button to return to the setup menu screen.

Option Description

Parameter

Reset all parameters, excluding the clock setting

and the Internet setting.

Memory

Reset the internal memory.

Factory Init.

Reset the Disklavier to its initial factory setting.

DeleteCookies

Delete the contents of all saved cookies.

>Reset=Factory Init.

=Reset= OK? YES/NO

Executing...

=Reset=

Completed.

Press any button.

=Reset=

ANY

Other Settings

Chapter

120

The piano diagnostics may be required as the occasion demands. In such

a case, follow the instructions of your Yamaha dealer and perform the

following procedure.

Press [SYSTEM] on the remote control.

The system menu screen appears.

Select “Maintenance” with the cursor buttons ([ ] [ ]

[ ] [ ]), then press [ENTER].

The maintenance screen appears.

Press [ENTER].

The maintenance options appears.

Diagnosing the Disklavier (Maintenance Mode)

[SYSTEM] “Maintenance”

(Grand piano)

(Upright piano)

*Language

=SYSTEM MENU=

(2/2)



*Maintenance

*Display

2.Program Versions

3.Pedal Calibration

1.Post Delivery Check

Other Settings

English

Chapter

121

Note:

Do not execute these options with

no instructions from the service

personnel.

Select a desired option with the cursor buttons ([ ] [ ]),

then press [ENTER].

The selected option is executed.

Press [STOP] to complete the operation.

Note:

For this operation you have to insert

the CD-ROM or USB flash memory

in which the update program is

saved or download update program

via Internet, and shut down the

Disklavier.

You can update the Disklavier firmware using update program (saved on

the CD-ROM or USB flash memory, or downloaded via Internet).

You can download the update program from the following website:

http://download.yamaha.com/

Note:

Depending on the version or

specification of the Disklavier, the

actual indications for the version

and module names may differ from

ones depicted here.

Make sure that Disklavier is shut down.

Holding [PLAY/PAUSE] on the control unit, press [ON/OFF].

The current version information of each module appears one after

the other.

Make sure that the update program is prepared, then press

[ENTER] on the control unit.

The starting screen appears.

Press [ENTER] on the control unit again.

After a while, the update confirmation message of each module

appears.

Updating the Disklavier

Shut down the Disklavier [PLAY/PAUSE] and [ON/OFF]

Hold

CTRL system v2.20

(ENT)*UPDATE

v2.20

(PLAY,STOP)MC -SURE?

v3.00

Other Settings

Chapter

122

Important:

DO NOT turn off this unit during

update.

Press [PLAY/PAUSE] to start the update.

Important:

Be sure to update all the modules.

The update process of the first module takes approximately 3

minutes.

When the update of the first module completes, the following

confirmation message appears.

Confirmation message of the second module

Press [PLAY/PAUSE] to start the update of the second module.

The update process of the second module takes approximately 3

minutes.

A total of four modules needs to be updated. Repeat this step to

complete the update.

Confirmation message of the third module

The update process of the third module takes approximately 2

minutes.

Confirmation message of the fourth module

The update process of the fourth module takes approximately 2

minutes.

The closing screen appears when the update for all modules

completes.

Restart the Disklavier.

MC v2.20

DO NOT REMOVE DISK!

v3.00



v2.10

(PLAY,STOP)CTRL-SURE?

v3.00



v2.01

(PLAY,STOP)APE -SURE?

v3.00



v2.10

(PLAY,STOP)CSP -SURE?

v3.00



123

English

Chapter

Internal Tone Generator Voices

The following table lists the basic voices for the internal GM/XG and TG3 tone generator.

Internal GM/XG Tone Generator Basic Voice List

Voice # Display Name

01 Piano

001 GrandPno

002 GrndPnoK

003 MelloGrP

004 PianoStr

005 Dream

006 BritePno

007 BritPnoK

008 E.Grand

009 EIGrPnoK

010 Det.CP80

011 ElGrPno1

012 ElGrPno2

013 HnkyTonk

014 HnkyTnkK

015 E.Piano1

016 El.Pno1K

017 MelloEP1

018 Chor.EP1

019 HardEl.P

020 VX El.P1

021 60sEl.P

022 E.Piano2

023 El.Pno2K

024 Chor.EP2

025 DX Hard

026 DXLegend

027 DX Phase

028 DX+Analg

029 DXKotoEP

030 VX El.P2

031 Harpsi.

032 Harpsi.K

033 Harpsi.2

034 Harpsi.3

035 Clavi.

036 Clavi.K

037 ClaviWah

038 PulseClv

039 PierceCl

02 ChromaticPerc

040 Celesta

041 Glocken

042 MusicBox

043 Orgel

044 Vibes

045 VibesK

046 HardVibe

047 Marimba

048 MarimbaK

049 SineMrmb

050 Balafon2

051 Log Drum

052 Xylophon

053 TubulBel

054 ChrchBel

055 Carillon

056 Dulcimer

057 Dulcimr2

058 Cimbalom

059 Santur

03 Organ

060 DrawOrgn

061 DetDrwOr

062 60sDrOr1

063 60sDrOr2

064 70sDrOr1

065 DrawOrg2

066 60sDrOr3

067 EvenBar

068 16+2”2/3

069 Organ Ba

070 70sDrOr2

071 CheezOrg

072 DrawOrg3

073 PercOrgn

074 70sPcOr1

075 DetPrcOr

076 LiteOrg

077 PercOrg2

078 RockOrgn

079 RotaryOr

080 SloRotar

081 FstRotar

082 ChrchOrg

083 ChurOrg3

084 ChurOrg2

085 NotreDam

Voice # Display Name

086 OrgFlute

087 TrmOrgFl

088 ReedOrgn

089 Puff Org

090 Acordion

091 Accordlt

092 Harmnica

093 Harmo 2

094 TangoAcd

095 TngoAcd2

04 Guitar

096 NylonGtr

097 NylonGt2

098 NylonGt3

099 VelGtHrm

100 Ukulele

101 SteelGtr

102 SteelGt2

103 12StrGtr

104 Nyln&Stl

105 Stl&Body

106 Mandolin

107 Jazz Gtr

108 MelloGtr

109 JazzAmp

110 CleanGtr

111 ChorusGt

112 Mute.Gtr

113 FunkGtr1

114 MuteStlG

115 FunkGtr2

116 Jazz Man

117 Ovrdrive

118 Gt.Pinch

119 Dist.Gtr

120 FeedbkGt

121 FeedbGt2

122 GtrHarmo

123 GtFeedbk

124 GtrHrmo2

05 Bass

125 Aco.Bass

126 JazzRthm

127 VXUprght

Voice # Display Name

Internal Tone Generator Voices

Chapter

124

128 FngrBass

129 FingrDrk

130 FlangeBa

131 Ba&DstEG

132 FngrSlap

133 FngBass2

134 ModAlem

135 PickBass

136 MutePkBa

137 Fretless

138 Fretles2

139 Fretles3

140 Fretles4

141 SynFretl

142 Smooth

143 SlapBas1

144 ResoSlap

145 PunchThm

146 SlapBas2

147 VeloSlap

148 SynBass1

149 SynBa1Dk

150 FastResB

151 AcidBass

152 Clv Bass

153 TeknoBa

154 Oscar

155 SqrBass

156 RubberBa

157 Hammer

158 SynBass2

159 MelloSB1

160 Seq Bass

161 ClkSynBa

162 SynBa2Dk

163 SmthBa 2

164 ModulrBa

165 DX Bass

166 X WireBa

06 Strings

167 Violin

168 SlowVln

169 Viola

170 Cello

171 Contrabs

172 Trem.Str

173 SlwTrStr

174 Susp Str

175 Pizz.Str

176 Harp

177 YangChin

Voice # Display Name

178 Timpani

07 Ensemble

179 Strings1

180 S.Strngs

181 SlowStr

182 ArcoStr

183 60sStrng

184 Orchestr

185 Orchstr2

186 TremOrch

187 VeloStr

188 Strings2

189 S.SlwStr

190 LegatoSt

191 Warm Str

192 Kingdom

193 70s Str

194 Str Ens3

195 Syn.Str1

196 ResoStr

197 Syn Str4

198 SS Str

199 Syn.Str2

200 ChoirAah

201 S.Choir

202 Ch.Aahs2

203 MelChoir

204 ChoirStr

205 VoiceOoh

206 SynVoice

207 SynVox2

208 Choral

209 AnaVoice

210 Orch.Hit

211 OrchHit2

212 Impact

08 Brass

213 Trumpet

214 Trumpet2

215 BriteTrp

216 WarmTrp

217 Trombone

218 Trmbone2

219 Tuba

220 Tuba 2

221 Mute.Trp

222 Fr.Horn

223 FrHrSolo

224 FrHorn2

225 HornOrch

226 BrasSect

Voice # Display Name

227 Tp&TbSec

228 BrssSec2

229 HiBrass

230 MelloBrs

231 SynBras1

232 QuackBr

233 RezSynBr

234 PolyBrss

235 SynBras3

236 JumpBrss

237 AnaVelBr

238 AnaBrss1

239 SynBras2

240 Soft Brs

241 SynBras4

242 ChorBrss

243 VelBras2

244 AnaBrss2

09 Reed

245 SprnoSax

246 Alto Sax

247 Sax Sect

248 HyprAlto

249 TenorSax

250 BrthTnSx

251 SoftTenr

252 TnrSax 2

253 Bari.Sax

254 Oboe

255 Eng.Horn

256 Bassoon

257 Clarinet

10 Pipe

258 Piccolo

259 Flute

260 Recorder

261 PanFlute

262 Bottle

263 Shakhchi

264 Whistle

265 Ocarina

11 Synth Lead

266 SquareLd

267 Square 2

268 LMSquare

269 Hollow

270 Shmoog

271 Mellow

272 SoloSine

273 SineLead

274 Saw.Lead

Voice # Display Name

Internal Tone Generator Voices

English

Chapter

125

275 Saw 2

276 ThickSaw

277 DynaSaw

278 DigiSaw

279 Big Lead

280 HeavySyn

281 WaspySyn

282 PulseSaw

283 Dr. Lead

284 VeloLead

285 Seq Ana

286 CaliopLd

287 Pure Pad

288 Chiff Ld

289 Rubby

290 CharanLd

291 DistLead

292 WireLead

293 Voice Ld

294 SynthAah

295 VoxLead

296 Fifth Ld

297 Big Five

298 Bass &Ld

299 Big&Low

300 Fat&Prky

301 SoftWurl

12 Synth Pad

302 NewAgePd

303 Fantasy2

304 Warm Pad

305 ThickPad

306 Soft Pad

307 SinePad

308 Horn Pad

309 RotarStr

310 PolySyPd

311 PolyPd80

312 ClickPad

313 Ana Pad

314 SquarPad

315 ChoirPad

316 Heaven2

317 ltopia

318 CC Pad

319 BowedPad

320 Glacier

321 GlassPad

322 MetalPad

323 Tine Pad

324 Pan Pad

Voice # Display Name

325 Halo Pad

326 SweepPad

327 Shwimmer

328 Converge

329 PolarPad

330 Celstial

13 Synth Effects

331 Rain

332 ClaviPad

333 HrmoRain

334 AfrcnWnd

335 Caribean

336 SoundTrk

337 Prologue

338 Ancestrl

339 Crystal

340 SynDrCmp

341 Popcorn

342 TinyBell

343 RndGlock

344 GlockChi

345 ClearBel

346 ChorBell

347 SynMalet

348 SftCryst

349 LoudGlok

350 XmasBell

351 VibeBell

352 DigiBell

353 AirBells

354 BellHarp

355 Gamelmba

356 Atmosphr

357 WarmAtms

358 HollwRls

359 NylonEP

360 NylnHarp

361 Harp Vox

362 AtmosPad

363 Planet

364 Bright

365 FantaBel

366 Smokey

367 Goblins

368 GobSyn

369 50sSciFi

370 Ring Pad

371 Ritual

372 ToHeaven

373 Night

374 Glisten

Voice # Display Name

375 BelChoir

376 Echoes

377 EchoPad2

378 Echo Pan

379 EchoBell

380 Big Pan

381 SynPiano

382 Creation

383 Stardust

384 Reso Pan

385 Sci-Fi

386 Starz

14 Ethnic

387 Sitar

388 DetSitar

389 Sitar 2

390 Tambra

391 Tamboura

392 Banjo

393 MuteBnjo

394 Rabab

395 Gopichnt

396 Oud

397 Shamisen

398 Koto

399 T.Koto

400 Kanoon

401 Kalimba

402 Bagpipe

403 Fiddle

404 Shanai

405 Shanai2

406 Pungi

407 Hichriki

15 Percussive

408 TnklBell

409 Bonang

410 Gender

411 Gamelan

412 S.Gamlan

413 Rama Cym

414 AsianBel

415 Agogo

416 SteelDrm

417 GlasPerc

418 ThaiBell

419 WoodBlok

420 Castanet

421 TaikoDrm

422 Gr.Cassa

423 MelodTom

Voice # Display Name

Internal Tone Generator Voices

Chapter

126

Internal GM/XG Tone

Generator Drum Voice

List

424 Mel Tom2

425 Real Tom

426 Rock Tom

427 Syn.Drum

428 Ana Tom

429 ElecPerc

430 RevCymbl

16 Sound Effects

431 FretNoiz

432 BrthNoiz

433 Seashore

434 Tweet

435 Telphone

436 Helicptr

437 Applause

438 Gunshot

18 SFX Voice

450 CuttngNz

451 CttngNz2

452 Str Slap

453 Fl.KClik

454 Rain

455 Thunder

456 Wind

457 Stream

458 Bubble

Voice # Display Name

459 Feed

460 Dog

461 Horse

462 Bird 2

463 Ghost

464 Maou

465 Tel.Dial

466 DoorSqek

467 DoorSlam

468 Scratch

469 Scratch2

470 WindChm

471 Telphon2

472 CarEngin

473 Car Stop

474 Car Pass

475 CarCrash

476 Siren

477 Train

478 Jetplane

479 Starship

480 Burst

481 Coaster

482 SbMarine

483 Laughing

484 Scream

Voice # Display Name

485 Punch

486 Heart

487 FootStep

488 MchinGun

489 LaserGun

490 Xplosion

491 FireWork

Voice # Display Name

17 Drum Kit

439 StandKit

440 Stnd2Kit

441 Room Kit

442 Rock Kit

443 ElectKit

444 AnalgKit

445 Jazz Kit

446 BrushKit

447 ClascKit

448 SFX Kit1

449 SFX Kit2

Voice # Display Name

Internal TG3 Tone Generator Basic Voice List

Voice # Display Name

01 Piano

001 GrandPno

002 BritePno

003 E.Grand

004 HnkyTonk

005 E.Piano1

006 E.Piano2

007 Harpsi.

008 Clavi.

02 ChromaticPerc

009 Celesta

010 Glocken

011 MusicBox

012 Vibes

013 Marimba

014 Xylophon

015 TubulBel

016 Dulcimer

03 Organ

017 DrawOrgn

018 PercOrgn

019 RockOrgn

020 ChrchOrg

021 ReedOrgn

022 Acordion

023 Harmnica

024 TangoAcd

04 Guitar

025 NylonGtr

026 SteelGtr

027 Jazz Gtr

028 CleanGtr

029 Mute.Gtr

030 Ovrdrive

Voice # Display Name

031 Dist.Gtr

032 GtrHarmo

05 Bass

033 Aco.Bass

034 FngrBass

035 PickBass

036 Fretless

037 SlapBas1

038 SlapBas2

039 SynBass1

040 SynBass2

06 Strings

041 Violin

042 Viola

043 Cello

044 Contrabs

045 Trem.Str

Voice # Display Name

Internal Tone Generator Voices

English

Chapter

127

Internal TG3 Tone

Generator Drum Voice

List

046 Pizz.Str

047 Harp

048 Timpani

07 Ensemble

049 Strings1

050 Strings2

051 Syn.Str1

052 Syn.Str2

053 ChoirAah

054 VoiceOoh

055 SynVoice

056 Orch.Hit

08 Brass

057 Trumpet

058 Trombone

059 Tuba

060 Mute.Trp

061 Fr.Horn

062 BrasSect

063 SynBras1

064 SynBras2

09 Reed

065 SprnoSax

066 Alto Sax

067 TenorSax

068 Bari.Sax

069 Oboe

070 Eng.Horn

071 Bassoon

072 Clarinet

10 Pipe

073 Piccolo

074 Flute

075 Recorder

076 PanFlute

077 Bottle

078 Shakhchi

079 Whistle

080 Ocarina

11 Synth Lead

081 SquareLd

082 Saw.Lead

083 CaliopLd

084 Chiff Ld

085 CharanLd

086 Voice Ld

087 Fifth Ld

088 Bass &Ld

12 Synth Pad

089 NewAgePd

090 Warm Pad

Voice # Display Name

091 PolySyPd

092 ChoirPad

093 BowedPad

094 MetalPad

095 Halo Pad

096 SweepPad

13 Synth Effects

097 Rain

098 SoundTrk

099 Crystal

100 Atmosphr

101 Bright

102 Goblins

103 Echoes

104 Sci-Fi

14 Ethnic

105 Sitar

106 Banjo

107 Shamisen

108 Koto

109 Kalimba

110 Bagpipe

111 Fiddle

112 Shanai

15 Percussive

113 TnklBell

114 Agogo

115 SteelDrm

116 WoodBlok

117 TaikoDrm

118 MelodTom

119 Syn.Drum

120 RevCymbl

16 Sound Effects

121 FretNoiz

122 BrthNoiz

123 Seashore

124 Tweet

125 Telphone

126 Helicptr

127 Applause

128 Gunshot

Voice # Display Name

17 Drum Kit

129 StandKit

Voice # Display Name

128

Chapter

Troubleshooting

If you are having difficulty operating the Disklavier, see if any of the symptoms listed below

apply to your problem and follow the recommended remedy.

* Only for models supplied with the monitor speakers.

Power

Symptom Remedy

The Diskalvier does not turn on. Make sure that the main switch on the power supply

unit is turned on.

Make sure that the AC power cable is securely

connected to a suitable AC wall outlet.

If the Disklavier still cannot be turned on, disconnect it

from the AC wall outlet, and consult your Disklavier

dealer.

Control Unit

Symptom Remedy

The control unit does not appear to work correctly. Turn off the control unit, wait 5 seconds, then turn it

back on. If the problem continues, consult your

Disklavier dealer.

The control unit becomes hot. Although the chassis of the control unit may become

hot while the Disklavier is turned on (also in the standby

mode), this is not a malfunction.

Remote Control

Symptom Remedy

You cannot control the Disklavier using the remote

control.

Make sure that you are pointing the remote control at

the control unit’s remote control sensor.

Make sure that you are within the remote control’s

specified operating range (approx. 5 m (16.4 ft)).

Make sure that the remote control’s batteries have

been installed correctly.

Check the condition of the remote control’s batteries.

Monitor Speakers*

Symptom Remedy

No sound is heard from the monitor speakers. Make sure that the POWER switches on both monitor

speakers are turned on.

Make sure that the monitor speakers are connected to

the OUTPUT jacks on the control unit with the supplied

speaker cords.

Make sure that the overall volume is adequately turned

up.

Make sure that the volume of the internal tone

generator, audio and voice are adequately turned up.

Certain model does not come with the monitor

speakers. In such a case, prepare active speakers

equivalent to the monitor speakers.

Troubleshooting

English

Chapter

129

Playback

Symptom Remedy

None of the playback functions can be used. Insert a medium that contains songs into the Disklavier.

The Disklavier does not read a song file. The maximum number of the readable files in an album

is 999.

Make sure that the name of the SMF song has an

extension as “.MID” or “.mid” and the E-SEQ song has

“.FIL” or “.fil.”

Songs are played back at the wrong tempo or in the

wrong key.

Reset the tempo or transposition changes. Once the

tempo or transposition have been changed, they will

affect playback of all songs on an album, until another

medium or album is selected, the recording standby

mode is engaged, the Disklavier is turned off, or they

are reset.

Songs are not played back in the normal song order. Make sure that the random repeat mode is off.

The playback order differs from the order on another

device.

The playback order depends on the recording software

or other factors. Naming the file starting from numbers

such as 01, 02, etc. may solve the problem.

When selecting a song using the remote control’s

number keypad, but the last song on the album is

selected.

If a song number higher than the last song number on

the album is specified, the last song will be selected.

When specifying a search time using the remote

control’s number keypad, but the end of the song is

selected.

If a time value higher than the total length of the song is

specified, the end of the song will be selected.

Some notes drop out during playback. When a piano song is played back at a low volume,

complex note trills and faint pianissimo passages

sometimes drop out. In such case, increase the

Disklavier’s volume level.

PianoSmart™ playback cannot be performed. Make sure that an appropriate SmartPianoSoft song,

which is paired with the song on commercial CDs, is

selected.

The pedals do not operate during playback. Make sure that the pedal part is not canceled.

Tone Generator

Symptom Remedy

The ensemble parts cannot be heard during ensemble

song playback.

Make sure that the TG balance is set to an appropriate

level and readjust it.

The pitch of the Disklavier and the internal tone

generator do not match.

Use the TG Master Tune function to tune the internal

tone generator.

Recording

Symptom Remedy

You cannot re-record. Re-recording is not possible on protected songs such

as PianoSoft and PianoSoft·Plus songs.

Troubleshooting

Chapter

130

Media

Symptom Remedy

The Disklavier does not recognize a USB flash

memory.

Certain USB storage devices may not function properly

with the Disklavier. For a list of compatible products,

please visit: www.yamaha.com/disklavier/

The Disklavier does not read a CD-R/RW disc. The audio CD should be formatted in CD-DA, and the

data CD in ISO 9660 Level1. The Disklavier may not

read a CD-R/RW disc other than this format.

Connection with External Devices

Symptom Remedy

The Disklavier cannot send or receive MIDI data with

other MIDI instruments.

Make sure that the MIDI cables or USB cable are

connected properly.

A MIDI loop was accidentally created when you

connected a computer to the MIDI OUT terminal on

your Disklavier, so that song data is sent back and forth

between the computer and the Disklavier.

Configure the setting for the MIDI OUT terminal to

“KBD OUT.”

Video Synchronized Recording/Playback

Symptom Remedy

Synchronized songs are not played back. Make sure that the audio channels of the DVD recorder

are correctly connected to the Disklavier.

Make sure that the input and output of the DVD

recorder are correctly connected to the Disklavier.

Make sure that the “OMNI IN” option on the Disklavier

is set to “AutoDetect.”

Make sure that the “OMNI OUT” option on the

Disklavier is set to “SYNC.”

Noises are heard during recording. Turn down the volume of the TV connected to the DVD

recorder.

Disconnect the left side connector of the RCA cord from

the OMNI OUT (L) jack on the Disklavier. This will not

affect the functionality of video synchronized recording.

Noises are heard during playback. The level of the synchronized signal (SMPTE) from the

Disklavier may be too high. Turn down the level with the

“SYNC OUT Level” option and re-record.

The piano playback is not synchronized with the video

picture.

The video picture may be delayed on the projection

device. Adjust the offset time with the “SYNC IN Offset”

to match the piano playing and the video picture.

The beginning of the piano performance is dropped out

when you play back the synchronized song.

It may take some time until the Disklavier recognizes

the synchronized signal and the piano begins to play

back. Select the synchronized song in advance, and

then start playback on the DVD recorder. Note that you

should wait for a while before playing the piano after

recording begins on the DVD recorder.

131

English

Chapter

Error Messages

While operating your Disklavier, an error message may appear in the display. If an error

message appears, refer to the table below for an explanation of the message.

Media Selection / Playback

File Operation

Recording

Timer Play

Error Messages Situation Remedy

NO MEDIA! You selected the medium that has not

been inserted.

Insert the medium or select another

medium.

DIFFERENT CD! Your CD is not paired with the selected

SmartPianoSoft song.

Insert appropriate CD that is paired with

the SmartPianoSoft song.

Error Messages Situation Remedy

CANNOT EXECUTE.

NOT ENOUGH DISK SPACE

You tried to copy a song to the medium

that has no disk space.

Try another medium or delete songs on

the media to make disk space.

CANNOT EXECUTE.

NO DESTINATION MEDIUM

You selected the destination medium

that has not been inserted when

copying the album.

Insert the destination medium and

select it.

DISK WRITE PROTECTED! You tried to copy songs or albums to

the medium with the protection tab set

to “protected”.

Set the protection tab of the medium to

“unprotected”.

CANNOT EXECUTE.

PROTECTED FILE

You tried to copy the protected song file

to the removable medium such as a

USB flash memory.

You cannot copy the protected file to

the removable medium.

Deleted all songs in this album You tried to delete the album with sub

folders on the external medium.

CANNOT EXECUTE TO CREATE

MORE THAN 99 ALBUMS

You tried to create a new album on the

medium that already contains 99

albums.

No more than 99 albums can be created

on the medium.

CANNOT EXECUTE TO CREATE

MORE THAN 999 SONGS

You tried to create a new song in the

album that already contains 999 songs.

No more than 999 songs can be created

in the album.

CANNOT EXECUTE.

SAME TITLE EXISTS

You tried to rename an album as same

as the album that already exists.

Enter the different title to an album.

You tried to rename a playlist as same

as the playlist that already exists.

Enter the different title to a playlist.

Error Messages Situation Remedy

SELECT REC TRACK You tried to start re-recording with no

part selected.

Select the part to record before starting

re-recording.

Error Messages Situation Remedy

SAME TIME EVENT EXISTS!

CHANGE THE TIME

You tried to set two different

programs with the same time for

timer playback.

You cannot set two different program with the

same time.

132

Chapter

Glossary

This glossary provides basic definitions of terms used frequently in Disklavier manuals.

Continuous Pedal

See “Incremental Pedal.”

A computer data file that stores certain information

for use when revisiting a website. In the case of the

Disklavier, cookies are used to store ID and

password for the IDC service.

DHCP

This is a standard or protocol by which IP

addresses and other low-level network

configuration information can be dynamically and

automatically assigned each time a connection is

made to the Internet.

DNS

A system that translates names of computers

connected to a network to their corresponding IP

addresses.

Ensemble Song

A song which contains piano parts and

accompanying instrumental voices. An ensemble

song contains the same left- and right-hand parts

as an L/R song, and in addition, up to 13

accompanying instrument tracks. These extra

tracks are played by the internal XG tone

generator. The accompanying tracks may be used

for acoustic bass, drums, strings, vibes, etc.

E-SEQ Song Format

A song file format developed by Yamaha for saving

songs.

Floppy Disk

The magnetic storage medium that the Disklavier

uses to save songs. With the optional USB floppy

drive, you can use the 3.5 inch 2DD and 2HD

floppy disks commonly used for computers.

Gateway

A system which links different networks or systems,

and makes possible data transfer and conversion

despite differing communications standards.

General MIDI (GM)

An addition to the MIDI standard that simplifies the

transfer of MIDI song files between instruments of

different manufacturers. A MIDI song recorded

using a GM compatible tone generator should play

back correctly when used with any GM compatible

tone generator. The standard specifies that a GM

compatible tone generator must support 24-note

polyphony, 16 parts, and 128 standard voices.

Half Pedal

See “Incremental Pedal.”

Incremental Pedal

Piano pedals are not always completely up or down

and may be held somewhere in-between. Using

incremental pedal data (also called continuous or

half pedal data) the Disklavier precisely records the

up and down movement of the piano pedals.

Internet

A huge network made up of networks, the Internet

allows high-speed data transfer among computers,

mobile phones and other devices.

IP Address

A string of numbers assigned to each computer

connected to a network, and indicating the device’s

location on the network.

LAN

Short for Local Area Network, this is a data-transfer

network that connects a group of computers at a

single location (such as an office or home) by

means of a special cable.

L/R Song

In a L/R song, the left-hand piano part is stored on

track 1 (L) and the right-hand piano part is stored

on track 2 (R). During playback you can cancel

either part, and then play that part yourself. When

recording an L/R song, you can record the two

parts simultaneously or separately.

Glossary

English

Chapter

133

MIDI

An acronym for Musical Instrument Digital

Interface. MIDI allows electronic musical

instruments to communicate with each other.

Modem

A device which connects and allows data transfer

between a conventional telephone line and a

computer. It converts the digital signals from the

computer to analog audio for sending over the

phone line, and vice versa.

Piano Parts

Refer to the left- and right-hand piano parts of a

song. The left-hand piano part is recorded onto

track 1 and the right-hand piano part is recorded

onto track 2.

PianoSoft™

The PianoSoft Disk Collection is a library of

prerecorded song disks made by Yamaha

specifically for use with the Disklavier.

PianoSoft·Plus™

PianoSoft·Plus disks contain Ensemble songs that

can be played on the Disklavier.

Polyphony

The maximum number of voices (or sounds) that

can be produced at a time from MIDI instruments.

Provider

A communications business that offers Internet

connection services. In order to connect to the

Internet, it is necessary to contract to a provider.

Proxy

A proxy server is a server that all computers on a

local network have to go through before accessing

information on the Internet. It intercepts all or

designated requests to the real server to see if it

can fulfill the requests itself. If not, it forwards the

request to the real server. Proxy servers are used

to improve performance and speed, and to filter

requests, usually for security and to prevent

unauthorized access to an internal network.

Router

A device for connecting multiple computer

networks. For example, a router is necessary when

connecting several computers in a house or office,

to allow all of them access the Internet and share

data. A router is usually connected between a

modem and a computer, although some modems

have a built-in router.

Sequencer

A sequencer can be used with the Disklavier to play

back and record MIDI data.

Server

A hardware system or computer used as a central

point for a network, providing access to files and

services.

SmartPianoSoft™

Software made by Yamaha containing MIDI signals

for playing back along with standard audio CDs.

SMF

Abbreviation for Standard MIDI File.

SMF Song Format

A song file format supported by MIDI sequencers

and music software.

Song

Normally, a short piece of music with lyrics.

However, for clarity in Disklavier manuals, the term

is used to refer to any piece of music of any genre.

Standard MIDI File

A file of MIDI data that can be read and used by a

number of different MIDI devices and computers.

Subnet Mask

A setting used to divide a large-scale network into

several smaller networks.

TG Master Tune

The function that allows you to tune the internal XG

tone generator, and if connected, an external tone

generator simultaneously so that their tunings

match that of the Disklavier.

Glossary

Chapter

134

Tone Generator

An electronic device that can generate tones or

instrument voices.

Transpose

Changing the key of a song. For example, a song in

the key of C is transposed to the key of D when it is

moved up two semitones.

USB

An interface for connecting an external device with

plug and play. The Disklavier supplies with 2 TO

DEVICE terminal with USB 1.1 standard and 1 TO

HOST terminal. You can use as the external

memory media if connected a USB flash memory or

a USB hard disk to TO DEVICE terminal. Also the

Disklavier enables you to enjoy a variety of MIDI

features by connecting a computer to TO HOST

terminal.

Voice

The sounds produced by a tone generator

expressing various instruments.

Web Page

Refers to each individual page that makes up a

website.

Website

This refers to the group of web pages that are

opened together. For example, the collection of

web pages whose addresses begin with “http://

www.yamaha.com/ ” is referred to as the Yamaha

site.

Yamaha XG is an extension of the GM (General

MIDI) format. Its greater polyphony, more voices,

and use of effects enhances the compatibility

between MIDI devices. When a song in the

Yamaha XG format is played on another XG-

compatible tone generator or synthesizer, it plays

and sounds as the original composer/creator

intended.

135

English

Chapter

Specifications

General Specifications

Upright Piano Grand Piano

Sensor System

Key Sensors

Noncontact optical fiber/grayscale shutter sensing system for 88 keys

(senses the key position, keying velocity, and key releasing velocity)

Pedal Sensors

Damper & soft pedals: Noncontact

optical position-sensing system

Damper & shift pedals:

Noncontact optical position-

sensing system

Sostenuto pedal: Optical ON/OFF

detection sensing system

Drive System

Keys DSP servo drive system (servocontrolled solenoids)

Pedals DSP servo drive system (servocontrolled solenoids)

Data Storage Internal Memory 128 MB

Removable Media

Compact Disc Audio CD (CD-DA), Data CD (ISO 9660 Level1-compliant)

USB Flash Memory

FAT16 or FAT32 format

Yamaha does not assure the operation of the commercially available

USB flash memories.

USB Hard Disk

FAT32 format

Yamaha does not assure the operation of the commercially available

USB hard disks.

Floppy Disk 3.5” 2DD (720 KB) or 2HD (1.44 MB) floppy disk

File Format

Standard MIDI File (SMF) format 0, Standard MIDI File (SMF) format 1,

E-SEQ format

Song Format

PianoSoft (Solo), PianoSoft·Plus, PianoSoft·PlusAudio,

SmartPianoSoft, SmartKey (CueTIME)

Control Unit

Drive CD (read only)

Dimensions (W × H × D) 292 × 49 × 216 mm (11-1/2” × 1-15/16” × 8-1/2”)

Weight 2.7 kg (5.95 lb)

Monitor Speaker

Rated Power Output 20 W × 2 with tone and volume controls

Drivers 10 cm (3-15/16”) woofer × 2, 2.2 cm (7/8”) tweeter × 2

Dimensions (W × H × D) 144 × 236 × 167 mm (5-11/16” × 9-5/16” × 6-9/16”)

Weight 4.4 kg (9.70 lb)

Connectors

MIDI MIDI IN, MIDI OUT

Audio OUTPUT, ANALOG MIDI IN, OMNI IN, OMNI OUT

Others LAN, USB (1 × TO HOST, 2 × TO DEVICE)

Pitch Control Set at A=440 Hz, tunable -50 to +50 cents in 1 cent increment

Ensemble Tone

Type Advanced Wave Memory 2 (AWM2)

Polyphony 32 notes (max.)

Ensemble Parts 16 parts

Voice Module Modes XG, GM

Normal Voices 676 voices (480 voices can be used for playing)

Drum Voices 21 kits (11 kits can be used for playing)

Power Source Local AC current, 120V, 60 Hz

Supplied Accessories

Control unit (1), control unit suspension bracket (1)

, screw for control unit

suspension bracket installation (4 × 10) (4)

, screw for control unit

suspension (5 × 12) (3)

, screw for optional USB floppy disk drive

installation (3 × 6) (4)

, monitor speaker (2)

, monitor speaker installation

kit (1)

, speaker cord (2)

, remote control (1), battery for remote control (2),

sample PianoSoft CD software (2), quick reference (1), operation manual

(1), PianoSoft CD song list (1), Music book “50 greats for the piano” (1)

Optional Accessories USB floppy disk drive (UD-FD01)

Specifications

Chapter

136

Specifications are subject to change without prior notice.

Note:

Not equipped on some models.

Possible for optional floppy disk drive (UD-FD01).

Only for models supplied with the monitor speakers.

Only for grand pianos.

Function & Controls

Playback Functions

Media Select Internal memory, CD, USB media (including floppy disk)

Song Select

Cursor buttons (control unit), cursor buttons/numeric section (remote

control)

Basic Functions Play, stop, pause

Song Search

Reverse/forward w/sound (MIDI songs), reverse/forward w/o sound

(audio songs), directly by time or measure.

Repeat

ALL (all songs in current album), RPT (current song), RND (all songs in

current album in random order), A-B

Part Cancel L (left), R (right), pedal

Timer Playback See page 35.

Video Synchronization See page 39.

SmartKey™ Playback See page 40.

PianoSmart™ Playback See page 40.

Playback Controls

Volume 11 levels (–10 to 0)

Tempo –50 to 50% in 1% increment

Transposition –24 to +24 semitones (2 octaves) in 1 semitone increment

Balance (TG, Audio) 10 to 127

Recording

Functions

Piano Part Recording L/R overwrite, split

Metronome Mode

Recording

See page 48.

Tempo Changing See page 55.

Video Synchronization See page 57.

Audio CD Synchronization See page 61.

Piano Playing

Functions

XG Voices Approx. 500 voices

Metronome

Range 30 to 400 beats per minute

Time Signatures 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 8/4, 9/4

Volume Controllable

Utility Functions

Song

Copy, delete, rename, sort, add to playlist, type convert, time format

convert, strip XP

Album Copy, delete, create, rename, sort, add to playlist

Playlist Create, delete, rename

Backup/Restore See pages 90 and 91.

Floppy Disk

Format

Network Functions

DisklavierRadio See pages 25 and 95.

FromToPC See pages 84 and 88.

Network Update See page 97.

Update

Firmware update with media (CD-ROM or USB flash memory) or via the

Internet

Appendix

A-1

Appendix Software License Notice

Software License Notice

Version 2, June 1991

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document,

but changing it is not allowed.

■ Preamble

The licenses for most software are designed to take away your freedom to share and change it. By

contrast, the GNU General Public License is intended to guarantee your freedom to share and

change free software — to make sure the software is free for all its users. This General Public

License applies to most of the Free Software Foundation’s software and to any other program

whose authors commit to using it. (Some other Free Software Foundation software is covered by

the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public

Licenses are designed to make sure that you have the freedom to distribute copies of free

software (and charge for this service if you wish), that you receive source code or can get it if you

want it, that you can change the software or use pieces of it in new free programs; and that you

know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or

to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if

you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give

the recipients all the rights that you have. You must make sure that they, too, receive or can get

the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license

which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author’s protection and ours, we want to make certain that everyone understands

that there is no warranty for this free software. If the software is modified by someone else and

passed on, we want its recipients to know that what they have is not the original, so that any

problems introduced by others will not reflect on the original authors’ reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the

danger that redistributors of a free program will individually obtain patent licenses, in effect making

the program proprietary.

To prevent this, we have made it clear that any patent must be licensed for everyone’s free use or

not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.

GNU GENERAL PUBLIC LICENSE

Software License Notice

A-2

■ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND

MODIFICATION

0 This License applies to any program or other work which contains a notice placed by the

The “Program”, below, refers to any such program or work, and a “work based on the

Program” means either the Program or any derivative work under copyright law: that is to say,

a work containing the Program or a portion of it, either verbatim or with modifications and/or

translated into another language. (Hereinafter, translation is included without limitation in the

term modification.) Each licensee is addressed as “you”.

Activities other than copying, distribution and modification are not covered by this License;

they are outside its scope. The act of running the Program is not restricted, and the output

from the Program is covered only if its contents constitute a work based on the Program

(independent of having been made by running the Program). Whether that is true depends on

what the Program does.

1. You may copy and distribute verbatim copies of the Program’s source code as you receive it,

in any medium, provided that you conspicuously and appropriately publish on each copy an

appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to

this License and to the absence of any warranty; and give any other recipients of the Program

a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option

offer warranty protection in exchange for a fee.

2. You may modify your copy or copies of the Program or any portion of it, thus forming a work

based on the Program, and copy and distribute such modifications or work under the terms of

Section 1 above, provided that you also meet all of these conditions:

a) You must cause the modified files to carry prominent notices stating that you changed the

files and the date of any change.

b) You must cause any work that you distribute or publish, that in whole or in part contains or

is derived from the Program or any part thereof, to be licensed as a whole at no charge to all

third parties under the terms of this License.

c) If the modified program normally reads commands interactively when run, you must cause

it, when started running for such interactive use in the most ordinary way, to print or display

an announcement including an appropriate copyright notice and a notice that there is no

warranty (or else, saying that you provide a warranty) and that users may redistribute the

program under these conditions, and telling the user how to view a copy of this License.

(Exception: if the Program itself is interactive but does not normally print such an

announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are

not derived from the Program, and can be reasonably considered independent and separate

works in themselves, then this License, and its terms, do not apply to those sections when you

distribute them as separate works. But when you distribute the same sections as part of a whole

which is a work based on the Program, the distribution of the whole must be on the terms of this

License, whose permissions for other licensees extend to the entire whole, and thus to each and

every part regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely

by you; rather, the intent is to exercise the right to control the distribution of derivative or collective

works based on the Program.

In addition, mere aggregation of another work not based on the Program with the Program (or with

a work based on the Program) on a volume of a storage or distribution medium does not bring the

other work under the scope of this License.

Software License Notice

Appendix

A-3

Software License Notice

3. You may copy and distribute the Program (or a work based on it, under Section 2) in object

code or executable form under the terms of Sections 1 and 2 above provided that you also do

one of the following:

a) Accompany it with the complete corresponding machine-readable source code, which must

be distributed under the terms of Sections 1 and 2 above on a medium customarily used for

software interchange; or,

b) Accompany it with a written offer, valid for at least three years, to give any third party, for a

charge no more than your cost of physically performing source distribution, a complete

machine-readable copy of the corresponding source code, to be distributed under the terms

of Sections 1 and 2 above on a medium customarily used for software interchange; or,

c) Accompany it with the information you received as to the offer to distribute corresponding

source code.

(This alternative is allowed only for noncommercial distribution and only if you received the

program in object code or executable form with such an offer, in accord with Subsection b

above.)

The source code for a work means the preferred form of the work for making modifications to it.

For an executable work, complete source code means all the source code for all modules it

contains, plus any associated interface definition files, plus the scripts used to control compilation

and installation of the executable.

However, as a special exception, the source code distributed need not include anything that is

normally distributed (in either source or binary form) with the major components (compiler, kernel,

and so on) of the operating system on which the executable runs, unless that component itself

accompanies the executable.

If distribution of executable or object code is made by offering access to copy from a designated

place, then offering equivalent access to copy the source code from the same place counts as

distribution of the source code, even though third parties are not compelled to copy the source

along with the object code.

4. You may not copy, modify, sublicense, or distribute the Program except as expressly provided

under this License. Any attempt otherwise to copy, modify, sublicense or distribute the

Program is void, and will automatically terminate your rights under this License. However,

parties who have received copies, or rights, from you under this License will not have their

licenses terminated so long as such parties remain in full compliance.

5. You are not required to accept this License, since you have not signed it. However, nothing

else grants you permission to modify or distribute the Program or its derivative works. These

actions are prohibited by law if you do not accept this License. Therefore, by modifying or

distributing the Program (or any work based on the Program), you indicate your acceptance of

this License to do so, and all its terms and conditions for copying, distributing or modifying the

Program or works based on it.

6. Each time you redistribute the Program (or any work based on the Program), the recipient

automatically receives a license from the original licensor to copy, distribute or modify the

Program subject to these terms and conditions. You may not impose any further restrictions

on the recipients’ exercise of the rights granted herein. You are not responsible for enforcing

compliance by third parties to this License.

7. If, as a consequence of a court judgment or allegation of patent infringement or for any other

reason (not limited to patent issues), conditions are imposed on you (whether by court order,

agreement or otherwise) that contradict the conditions of this License, they do not excuse you

from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your

obligations under this License and any other pertinent obligations, then as a consequence you

may not distribute the Program at all. For example, if a patent license would not permit royalty-

free redistribution of the Program by all those who receive copies directly or indirectly through

you, then the only way you could satisfy both it and this License would be to refrain entirely

from distribution of the Program.

Software License Notice

A-4

If any portion of this section is held invalid or unenforceable under any particular circumstance, the

balance of the section is intended to apply and the section as a whole is intended to apply in other

circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right

claims or to contest validity of any such claims; this section has the sole purpose of protecting the

integrity of the free software distribution system, which is implemented by public license practices.

Many people have made generous contributions to the wide range of software distributed through

that system in reliance on consistent application of that system; it is up to the author/donor to

decide if he or she is willing to distribute software through any other system and a licensee cannot

impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest

of this License.

8. If the distribution and/or use of the Program is restricted in certain countries either by patents

or by copyrighted interfaces, the original copyright holder who places the Program under this

License may add an explicit geographical distribution limitation excluding those countries, so

that distribution is permitted only in or among countries not thus excluded. In such case, this

License incorporates the limitation as if written in the body of this License.

9. The Free Software Foundation may publish revised and/or new versions of the General Public

License from time to time. Such new versions will be similar in spirit to the present version, but

may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Program specifies a version number

of this License which applies to it and “any later version”, you have the option of following the

terms and conditions either of that version or of any later version published by the Free Software

Foundation. If the Program does not specify a version number of this License, you may choose

any version ever published by the Free Software Foundation.

10. If you wish to incorporate parts of the Program into other free programs whose distribution

conditions are different, write to the author to ask for permission.

For software which is copyrighted by the Free Software Foundation, write to the Free Software

Foundation; we sometimes make exceptions for this.

Our decision will be guided by the two goals of preserving the free status of all derivatives of

our free software and of promoting the sharing and reuse of software generally.

NO WARRANTY

11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY

FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT

WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER

PARTIES PROVIDE THE PROGRAM “AS IS” WITHOUT WARRANTY OF ANY KIND,

EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.

THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS

WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF

ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING

WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR

REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR

DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL

DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM

(INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED

INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF

THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER

OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Software License Notice

Appendix

A-5

Software License Notice

Version 2.1, February 1999

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but

changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU

Library Public License, version 2, hence the version number 2.1.]

■ Preamble

The licenses for most software are designed to take away your freedom to share and change it. By

contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and

change free software — to make sure the software is free for all its users.

This license, the Lesser General Public License, applies to some specially designated software

packages — typically libraries — of the Free Software Foundation and other authors who decide

to use it. You can use it too, but we suggest you first think carefully about whether this license or

the ordinary General Public License is the better strategy to use in any particular case, based on

the explanations below.

When we speak of free software, we are referring to freedom of use, not price. Our General Public

Licenses are designed to make sure that you have the freedom to distribute copies of free

software (and charge for this service if you wish); that you receive source code or can get it if you

want it; that you can change the software and use pieces of it in new free programs; and that you

are informed that you can do these things.

To protect your rights, we need to make restrictions that forbid distributors to deny you these rights

or to ask you to surrender these rights. These restrictions translate to certain responsibilities for

you if you distribute copies of the library or if you modify it.

For example, if you distribute copies of the library, whether gratis or for a fee, you must give the

recipients all the rights that we gave you. You must make sure that they, too, receive or can get

the source code. If you link other code with the library, you must provide complete object files to

the recipients, so that they can relink them with the library after making changes to the library and

recompiling it. And you must show them these terms so they know their rights.

We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you

this license, which gives you legal permission to copy, distribute and/or modify the library.

To protect each distributor, we want to make it very clear that there is no warranty for the free

library. Also, if the library is modified by someone else and passed on, the recipients should know

that what they have is not the original version, so that the original author’s reputation will not be

affected by problems that might be introduced by others.

Finally, software patents pose a constant threat to the existence of any free program. We wish to

make sure that a company cannot effectively restrict the users of a free program by obtaining a

restrictive license from a patent holder. Therefore, we insist that any patent license obtained for a

version of the library must be consistent with the full freedom of use specified in this license.

Most GNU software, including some libraries, is covered by the ordinary GNU General Public

License. This license, the GNU Lesser General Public License, applies to certain designated

libraries, and is quite different from the ordinary General Public License. We use this license for

certain libraries in order to permit linking those libraries into non-free programs.

GNU LESSER GENERAL PUBLIC LICENSE

Software License Notice

A-6

When a program is linked with a library, whether statically or using a shared library, the

combination of the two is legally speaking a combined work, a derivative of the original library. The

ordinary General Public License therefore permits such linking only if the entire combination fits its

criteria of freedom. The Lesser General Public License permits more lax criteria for linking other

code with the library.

We call this license the “Lesser” General Public License because it does Less to protect the user’s

freedom than the ordinary General Public License. It also provides other free software developers

Less of an advantage over competing non-free programs. These disadvantages are the reason

we use the ordinary General Public License for many libraries. However, the Lesser license

provides advantages in certain special circumstances.

For example, on rare occasions, there may be a special need to encourage the widest possible

use of a certain library, so that it becomes a de-facto standard. To achieve this, non-free programs

must be allowed to use the library. A more frequent case is that a free library does the same job as

widely used non-free libraries. In this case, there is little to gain by limiting the free library to free

software only, so we use the Lesser General Public License.

In other cases, permission to use a particular library in non-free programs enables a greater

number of people to use a large body of free software. For example, permission to use the GNU C

Library in non-free programs enables many more people to use the whole GNU operating system,

as well as its variant, the GNU/Linux operating system.

Although the Lesser General Public License is Less protective of the users’ freedom, it does

ensure that the user of a program that is linked with the Library has the freedom and the

wherewithal to run that program using a modified version of the Library.

The precise terms and conditions for copying, distribution and modification follow. Pay close

attention to the difference between a “work based on the library” and a “work that uses the library”.

The former contains code derived from the library, whereas the latter must be combined with the

library in order to run.

■ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND

MODIFICATION

0. This License Agreement applies to any software library or other program which contains a

notice placed by the copyright holder or other authorized party saying it may be distributed

under the terms of this Lesser General Public License (also called “this License”). Each

licensee is addressed as “you”.

A “library” means a collection of software functions and/or data prepared so as to be conveniently

linked with application programs (which use some of those functions and data) to form

executables.

The “Library”, below, refers to any such software library or work which has been distributed under

these terms. A “work based on the Library” means either the Library or any derivative work under

modifications and/or translated straightforwardly into another language. (Hereinafter, translation is

included without limitation in the term “modification”.)

“Source code” for a work means the preferred form of the work for making modifications to it. For a

library, complete source code means all the source code for all modules it contains, plus any

associated interface definition files, plus the scripts used to control compilation and installation of

the library.

Activities other than copying, distribution and modification are not covered by this License; they

are outside its scope. The act of running a program using the Library is not restricted, and output

from such a program is covered only if its contents constitute a work based on the Library

(independent of the use of the Library in a tool for writing it). Whether that is true depends on what

the Library does and what the program that uses the Library does.

Software License Notice

Appendix

A-7

Software License Notice

1. You may copy and distribute verbatim copies of the Library’s complete source code as you

receive it, in any medium, provided that you conspicuously and appropriately publish on each

copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that

refer to this License and to the absence of any warranty; and distribute a copy of this License

along with the Library.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer

warranty protection in exchange for a fee.

2. You may modify your copy or copies of the Library or any portion of it, thus forming a work

based on the Library, and copy and distribute such modifications or work under the terms of

Section 1 above, provided that you also meet all of these conditions:

a) The modified work must itself be a software library.

b) You must cause the files modified to carry prominent notices stating that you changed the

files and the date of any change.

c) You must cause the whole of the work to be licensed at no charge to all third parties under

the terms of this License.

d) If a facility in the modified Library refers to a function or a table of data to be supplied by an

application program that uses the facility, other than as an argument passed when the

facility is invoked, then you must make a good faith effort to ensure that, in the event an

application does not supply such function or table, the facility still operates, and performs

whatever part of its purpose remains meaningful.

(For example, a function in a library to compute square roots has a purpose that is entirely

well-defined independent of the application. Therefore, Subsection 2d requires that any

application-supplied function or table used by this function must be optional: if the application

does not supply it, the square root function must still compute square roots.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are

not derived from the Library, and can be reasonably considered independent and separate works

in themselves, then this License, and its terms, do not apply to those sections when you distribute

them as separate works. But when you distribute the same sections as part of a whole which is a

work based on the Library, the distribution of the whole must be on the terms of this License,

whose permissions for other licensees extend to the entire whole, and thus to each and every part

regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely

by you; rather, the intent is to exercise the right to control the distribution of derivative or collective

works based on the Library.

In addition, mere aggregation of another work not based on the Library with the Library (or with a

work based on the Library) on a volume of a storage or distribution medium does not bring the

other work under the scope of this License.

3. You may opt to apply the terms of the ordinary GNU General Public License instead of this

License to a given copy of the Library. To do this, you must alter all the notices that refer to

this License, so that they refer to the ordinary GNU General Public License, version 2, instead

of to this License. (If a newer version than version 2 of the ordinary GNU General Public

License has appeared, then you can specify that version instead if you wish.) Do not make

any other change in these notices.

Once this change is made in a given copy, it is irreversible for that copy, so the ordinary GNU

General Public License applies to all subsequent copies and derivative works made from that

copy.

This option is useful when you wish to copy part of the code of the Library into a program that is

not a library.

Software License Notice

A-8

4. You may copy and distribute the Library (or a portion or derivative of it, under Section 2) in

object code or executable form under the terms of Sections 1 and 2 above provided that you

accompany it with the complete corresponding machine-readable source code, which must be

distributed under the terms of Sections 1 and 2 above on a medium customarily used for

software interchange.

If distribution of object code is made by offering access to copy from a designated place, then

offering equivalent access to copy the source code from the same place satisfies the requirement

to distribute the source code, even though third parties are not compelled to copy the source along

with the object code.

5. A program that contains no derivative of any portion of the Library, but is designed to work with

the Library by being compiled or linked with it, is called a “work that uses the Library”. Such a

work, in isolation, is not a derivative work of the Library, and therefore falls outside the scope

of this License.

However, linking a “work that uses the Library” with the Library creates an executable that is a

derivative of the Library (because it contains portions of the Library), rather than a “work that uses

the library”. The executable is therefore covered by this License. Section 6 states terms for

distribution of such executables.

When a “work that uses the Library” uses material from a header file that is part of the Library, the

object code for the work may be a derivative work of the Library even though the source code is

not. Whether this is true is especially significant if the work can be linked without the Library, or if

the work is itself a library. The threshold for this to be true is not precisely defined by law.

If such an object file uses only numerical parameters, data structure layouts and accessors, and

small macros and small inline functions (ten lines or less in length), then the use of the object file

is unrestricted, regardless of whether it is legally a derivative work. (Executables containing this

object code plus portions of the Library will still fall under Section 6.)

Otherwise, if the work is a derivative of the Library, you may distribute the object code for the work

under the terms of Section 6. Any executables containing that work also fall under Section 6,

whether or not they are linked directly with the Library itself.

6. As an exception to the Sections above, you may also combine or link a “work that uses the

Library” with the Library to produce a work containing portions of the Library, and distribute

that work under terms of your choice, provided that the terms permit modification of the work

for the customer’s own use and reverse engineering for debugging such modifications.

You must give prominent notice with each copy of the work that the Library is used in it and that

the Library and its use are covered by this License. You must supply a copy of this License. If the

work during execution displays copyright notices, you must include the copyright notice for the

Library among them, as well as a reference directing the user to the copy of this License.

Also, you must do one of these things:

a) Accompany the work with the complete corresponding machine-readable source code for

the Library including whatever changes were used in the work (which must be distributed

under Sections 1 and 2 above); and, if the work is an executable linked with the Library, with

the complete machine-readable “work that uses the Library”, as object code and/or source

code, so that the user can modify the Library and then relink to produce a modified

executable containing the modified Library. (It is understood that the user who changes the

contents of definitions files in the Library will not necessarily be able to recompile the

application to use the modified definitions.)

b) Use a suitable shared library mechanism for linking with the Library. A suitable mechanism

is one that (1) uses at run time a copy of the library already present on the user’s computer

system, rather than copying library functions into the executable, and (2) will operate

properly with a modified version of the library, if the user installs one, as long as the

modified version is interface-compatible with the version that the work was made with.

Software License Notice

Appendix

A-9

Software License Notice

c) Accompany the work with a written offer, valid for at least three years, to give the same user

the materials specified in Subsection 6a, above, for a charge no more than the cost of

performing this distribution.

d) If distribution of the work is made by offering access to copy from a designated place, offer

equivalent access to copy the above specified materials from the same place.

e) Verify that the user has already received a copy of these materials or that you have already

sent this user a copy.

For an executable, the required form of the “work that uses the Library” must include any data and

utility programs needed for reproducing the executable from it.

However, as a special exception, the materials to be distributed need not include anything that is

normally distributed (in either source or binary form) with the major components (compiler, kernel,

and so on) of the operating system on which the executable runs, unless that component itself

accompanies the executable.

It may happen that this requirement contradicts the license restrictions of other proprietary

libraries that do not normally accompany the operating system. Such a contradiction means you

cannot use both them and the Library together in an executable that you distribute.

7. You may place library facilities that are a work based on the Library side-by-side in a single

library together with other library facilities not covered by this License, and distribute such a

combined library, provided that the separate distribution of the work based on the Library and

of the other library facilities is otherwise permitted, and provided that you do these two things:

a) Accompany the combined library with a copy of the same work based on the Library,

uncombined with any other library facilities. This must be distributed under the terms of the

Sections above.

b) Give prominent notice with the combined library of the fact that part of it is a work based on

the Library, and explaining where to find the accompanying uncombined form of the same

work.

8. You may not copy, modify, sublicense, link with, or distribute the Library except as expressly

provided under this License. Any attempt otherwise to copy, modify, sublicense, link with, or

distribute the Library is void, and will automatically terminate your rights under this License.

However, parties who have received copies, or rights, from you under this License will not

have their licenses terminated so long as such parties remain in full compliance.

9. You are not required to accept this License, since you have not signed it. However, nothing

else grants you permission to modify or distribute the Library or its derivative works. These

actions are prohibited by law if you do not accept this License. Therefore, by modifying or

distributing the Library (or any work based on the Library), you indicate your acceptance of this

License to do so, and all its terms and conditions for copying, distributing or modifying the

Library or works based on it.

10. Each time you redistribute the Library (or any work based on the Library), the recipient

automatically receives a license from the original licensor to copy, distribute, link with or

modify the Library subject to these terms and conditions. You may not impose any further

restrictions on the recipients’ exercise of the rights granted herein. You are not responsible for

enforcing compliance by third parties with this License.

11. If, as a consequence of a court judgment or allegation of patent infringement or for any other

reason (not limited to patent issues), conditions are imposed on you (whether by court order,

agreement or otherwise) that contradict the conditions of this License, they do not excuse you

from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your

obligations under this License and any other pertinent obligations, then as a consequence you

may not distribute the Library at all. For example, if a patent license would not permit royalty-

free redistribution of the Library by all those who receive copies directly or indirectly through

you, then the only way you could satisfy both it and this License would be to refrain entirely

from distribution of the Library.

Software License Notice

A-10

If any portion of this section is held invalid or unenforceable under any particular circumstance, the

balance of the section is intended to apply, and the section as a whole is intended to apply in other

circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right

claims or to contest validity of any such claims; this section has the sole purpose of protecting the

integrity of the free software distribution system which is implemented by public license practices.

Many people have made generous contributions to the wide range of software distributed through

that system in reliance on consistent application of that system; it is up to the author/donor to

decide if he or she is willing to distribute software through any other system and a licensee cannot

impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest

of this License.

12. If the distribution and/or use of the Library is restricted in certain countries either by patents or

by copyrighted interfaces, the original copyright holder who places the Library under this

License may add an explicit geographical distribution limitation excluding those countries, so

that distribution is permitted only in or among countries not thus excluded. In such case, this

License incorporates the limitation as if written in the body of this License.

13. The Free Software Foundation may publish revised and/or new versions of the Lesser

General Public License from time to time. Such new versions will be similar in spirit to the

present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Library specifies a version number of

this License which applies to it and “any later version”, you have the option of following the terms

and conditions either of that version or of any later version published by the Free Software

Foundation. If the Library does not specify a license version number, you may choose any version

ever published by the Free Software Foundation.

14. If you wish to incorporate parts of the Library into other free programs whose distribution

conditions are incompatible with these, write to the author to ask for permission. For software

which is copyrighted by the Free Software Foundation, write to the Free Software Foundation;

we sometimes make exceptions for this. Our decision will be guided by the two goals of

preserving the free status of all derivatives of our free software and of promoting the sharing

and reuse of software generally.

NO WARRANTY

15. BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY

FOR THE LIBRARY, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT

WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER

PARTIES PROVIDE THE LIBRARY “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER

EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.

THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE LIBRARY IS WITH

YOU. SHOULD THE LIBRARY PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL

NECESSARY SERVICING, REPAIR OR CORRECTION.

16. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING

WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR

REDISTRIBUTE THE LIBRARY AS PERMITTED ABOVE, BE LIABLE TO YOU FOR

DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL

DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE LIBRARY

(INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED

INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF

THE LIBRARY TO OPERATE WITH ANY OTHER SOFTWARE), EVEN IF SUCH HOLDER

OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Software License Notice

Appendix

A-11

Software License Notice

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and

associated documentation files (the “Software”), to deal in the Software without restriction,

including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense,

and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do

so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial

portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR

IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,

FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.

IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY

CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT

OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR

THE USE OR OTHER DEALINGS IN THE SOFTWARE.

This file contains the copying permission notices for various files in the GNU C Library distribution

that have copyright owners other than the Free Software Foundation. These notices all require

that a copy of the notice be included in the accompanying documentation and be distributed with

binary distributions of the code, so be sure to include this file along with any binary distributions

derived from the GNU C Library.

All code incorporated from 4.4 BSD is distributed under the following license:

Redistribution and use in source and binary forms, with or without modification, are permitted

provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions

and the following disclaimer.

2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions

and the following disclaimer in the documentation and/or other materials provided with the

distribution.

3. [This condition was removed.]

4. Neither the name of the University nor the names of its contributors may be used to endorse or

promote products derived from this software without specific prior written permission.

expat

glibc

Software License Notice

A-12

THIS SOFTWARE IS PROVIDED BY THE REGENTS AND CONTRIBUTORS “AS IS” AND ANY

EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE

DISCLAIMED. IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE FOR

ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL

DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS

OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)

HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,

STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY

WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF

SUCH DAMAGE.

The DNS resolver code, taken from BIND 4.9.5, is copyrighted both by UC Berkeley and by Digital

Equipment Corporation. The DEC portions are under the following license:

Permission to use, copy, modify, and distribute this software for any purpose with or without fee is

hereby granted, provided that the above copyright notice and this permission notice appear in all

copies, and that the name of Digital Equipment Corporation not be used in advertising or publicity

pertaining to distribution of the document or software without specific, written prior permission.

THE SOFTWARE IS PROVIDED “AS IS” AND DIGITAL EQUIPMENT CORP. DISCLAIMS ALL

WARRANTIES WITH REGARD TO THIS SOFTWARE, INCLUDING ALL IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS. IN NO EVENT SHALL DIGITAL

EQUIPMENT CORPORATION BE LIABLE FOR ANY SPECIAL, DIRECT, INDIRECT, OR

CONSEQUENTIAL DAMAGES OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS

OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR

OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION WITH THE USE OR

PERFORMANCE OF THIS SOFTWARE.

The Sun RPC support (from rpcsrc-4.0) is covered by the following license:

Sun RPC is a product of Sun Microsystems, Inc. and is provided for unrestricted use provided that

this legend is included on all tape media and as a part of the software program in whole or part.

Users may copy or modify Sun RPC without charge, but are not authorized to license or distribute

it to anyone else except as part of a product or program developed by the user.

SUN RPC IS PROVIDED AS IS WITH NO WARRANTIES OF ANY KIND INCLUDING THE

WARRANTIES OF DESIGN, MERCHANTIBILITY AND FITNESS FOR A PARTICULAR

PURPOSE, OR ARISING FROM A COURSE OF DEALING, USAGE OR TRADE PRACTICE.

Sun RPC is provided with no support and without any obligation on the part of Sun Microsystems,

Inc. to assist in its use, correction, modification or enhancement.

SUN MICROSYSTEMS, INC. SHALL HAVE NO LIABILITY WITH RESPECT TO THE

INFRINGEMENT OF COPYRIGHTS, TRADE SECRETS OR ANY PATENTS BY SUN RPC OR

ANY PART THEREOF.

In no event will Sun Microsystems, Inc. be liable for any lost revenue or profits or other special,

indirect and consequential damages, even if Sun has been advised of the possibility of such

damages.

The following CMU license covers some of the support code for Mach, derived from Mach 3.0:

Mach Operating System

Permission to use, copy, modify and distribute this software and its documentation is hereby

granted, provided that both the copyright notice and this permission notice appear in all copies of

the software, derivative works or modified versions, and any portions thereof, and that both

notices appear in supporting documentation.

Software License Notice

Appendix

A-13

Software License Notice

CARNEGIE MELLON ALLOWS FREE USE OF THIS SOFTWARE IN ITS “AS IS” CONDITION.

CARNEGIE MELLON DISCLAIMS ANY LIABILITY OF ANY KIND FOR ANY DAMAGES

WHATSOEVER RESULTING FROM THE USE OF THIS SOFTWARE.

Carnegie Mellon requests users of this software to return to

Software Distribution Coordinator

School of Computer Science

Carnegie Mellon University

Pittsburgh PA 15213-3890

or Software.Distribution@CS.CMU.EDU any improvements or extensions that they make and

grant Carnegie Mellon the rights to redistribute these changes.

The file if_ppp.h is under the following CMU license:

Redistribution and use in source and binary forms, with or without modification, are permitted

provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions

and the following disclaimer.

2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions

and the following disclaimer in the documentation and/or other materials provided with the

distribution.

3. Neither the name of the University nor the names of its contributors may be used to endorse or

promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY CARNEGIE MELLON UNIVERSITY AND

CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT

NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A

PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE UNIVERSITY OR

CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL,

EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,

PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR

PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF

LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING

NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS

SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

The following license covers the files from Intel’s “Highly Optimized Mathematical Functions for

Itanium” collection:

Intel License Agreement

Redistribution and use in source and binary forms, with or without modification, are permitted

provided that the following conditions are met:

* Redistributions of source code must retain the above copyright notice, this list of conditions and

the following disclaimer.

* Redistributions in binary form must reproduce the above copyright notice, this list of conditions

and the following disclaimer in the documentation and/or other materials provided with the

distribution.

* The name of Intel Corporation may not be used to endorse or promote products derived from

this software without specific prior written permission.

Software License Notice

A-14

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS

IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO,

THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR

PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL INTEL OR CONTRIBUTORS BE LIABLE

FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL

DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS

OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)

HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,

STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY

WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF

SUCH DAMAGE.

are distributed under the following license:

The Inner Net License, Version 2.00

The author(s) grant permission for redistribution and use in source and binary forms, with or

without modification, of the software and documentation provided that the following conditions are

met:

0. If you receive a version of the software that is specifically labelled as not being for

redistribution (check the version message and/or README), you are not permitted to

redistribute that version of the software in any way or form.

1. All terms of the all other applicable copyrights and licenses must be followed.

2. Redistributions of source code must retain the authors’ copyright notice(s), this list of

conditions, and the following disclaimer.

3. Redistributions in binary form must reproduce the authors’ copyright notice(s), this list of

conditions, and the following disclaimer in the documentation and/or other materials provided

with the distribution.

4. [The copyright holder has authorized the removal of this clause.]

5. Neither the name(s) of the author(s) nor the names of its contributors may be used to endorse

or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY ITS AUTHORS AND CONTRIBUTORS “AS IS” AND ANY

EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE

DISCLAIMED. IN NO EVENT SHALL THE AUTHORS OR CONTRIBUTORS BE LIABLE FOR

ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL

DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS

OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)

HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT,

STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY

WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF

SUCH DAMAGE.

If these license terms cause you a real problem, contact the author.

Unless otherwise *explicitly* stated, the following text describes the licensed conditions under

which the contents of this libcap release may be used and distributed:

Redistribution and use in source and binary forms of libcap, with or without modification, are

permitted provided that the following conditions are met:

libcap

Software License Notice

Appendix

A-15

Software License Notice

1. Redistributions of source code must retain any existing copyright notice, and this entire

permission notice in its entirety, including the disclaimer of warranties.

2. Redistributions in binary form must reproduce all prior and current copyright notices, this list of

conditions, and the following disclaimer in the documentation and/or other materials provided

with the distribution.

3. The name of any author may not be used to endorse or promote products derived from this

software without their specific prior written permission.

ALTERNATIVELY, this product may be distributed under the terms of the GNU General Public

License, in which case the provisions of the GNU GPL are required INSTEAD OF the above

restrictions. (This clause is necessary due to a potential conflict between the GNU GPL and the

restrictions contained in a BSD-style copyright.)

THIS SOFTWARE IS PROVIDED “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES,

INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY

AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.

IN NO EVENT SHALL THE AUTHOR(S) BE LIABLE FOR ANY DIRECT, INDIRECT,

INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT

NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE,

DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY

THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT

(INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF

THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

Redistribution and use in source and binary forms, with or without modification, are permitted

provided that the following conditions are met:

* Redistributions of source code must retain the above copyright notice, this list of conditions and

the following disclaimer.

* Redistributions in binary form must reproduce the above copyright notice, this list of conditions

and the following disclaimer in the documentation and/or other materials provided with the

distribution.

* Neither name of Intel Corporation nor the names of its contributors may be used to endorse or