Yamaha CLP-950 de handleiding

Merk: Yamaha

Model: CLP-950

Categorie: Digitale piano's

Type: de handleiding

Deze handleiding is ook geschikt voor

IMPORTANT

Check your power supply

Make sure that your local AC

mains voltage matches the volt-

age specified on the name plate

on the bottom panel. In some ar-

eas a voltage selector may be

provided on the bottom panel of

the main keyboard unit near the

power cord. Make sure that the

voltage selector is set for the volt-

age in your area. The voltage se-

lector is set at 240V when the unit

is initially shipped. To change the

setting use a “minus” screwdriver

to rotate the selector dial so that

the correct voltage appears next

to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung

Vergewissern Sie sich vor dem An-

schließen an das Stromnetz, daß die

örtliche Netzspannung den

Betriebsspannungswerten auf dem

Typenschild an der Unterseite des In-

struments entspricht. In bestimmten

Verkaufsgebieten ist das Instrument

mit einem Spannungswähler an der

Unterseite neben der Netzkabel-

durchführung ausgestattet. Falls vor-

handen, muß der Spannungswähler

auf die örtliche Netzspannung einge-

stellt werden. Der Spannungswähler

wurde werkseitig auf 240 V voreinge-

stellt. Zum Verstellen drehen Sie den

Spannungsregler mit einem Schlitz-

schraubendreher, bis der Zeiger auf

den korrekten Spannungswert weist.

IMPORTANT

Contrôler la source d’alimentation

Vérifiez que la tension spécifiée sur

le panneau inférieur correspond à

la tension du secteur. Dans certai-

nes régions, l’instrument peut être

équipé d’un sélecteur de tension si-

tué sur le panneau inférieur du cla-

vier à proximité du cordon d’alimen-

tation. Vérifiez que ce sélecteur est

bien réglé en fonction de la tension

secteur de votre région. Le sélec-

teur de tension est réglé sur 240 V

au départ d’usine. Pour modifier ce

réglage, utilisez un tournevis à lame

plate pour tourner le sélecteur afin

de mettre l’indication correspondant

à la tension de votre région vis à vis

du repère triangulaire situé sur le

panneau.

IMPORTANTE

Verifique la alimentación de

corriente

Asegúrese de que tensión de ali-

mentación de CA de su área corres-

ponde con la tensión especificada en

la placa de características del panel

inferior. En algunas zonas puede

haberse incorporado un selector de

tensión en el panel inferior de la

unidad del teclado principal, cerca del

cable de alimentación. Asegúrese de

que el selector de tensión esté

ajustado a la tensión de su área. El

selector de tensión se ajusta a 240V

cuando la unidad sale de fábrica. Para

cambiar el ajuste, emplee un destorni-

llador de cabeza “recta” para girar el

selector de modo que aparezca la

tensión correcta al lado del indicador

del panel.

ENGLISH

DEUTSCH

FRANÇAIS

ESPAÑOL

92-469 1

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

SPECIAL MESSAGE SECTION

CLP-950/950M/950C

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

CLP-930

CLP-950/930

• Take care that the key cover does not pinch your fingers, and do not insert a

finger or hand in the key cover gap.

• Never insert or drop paper or metallic or other objects between the slits of

the key cover and the keyboard. If this happens, immediately turn off the

power and remove the electric plug from the outlet and have the instrument

inspected by qualified Yamaha service personnel.

• Do not place the instrument against a wall (allow at least 3 cm/one-inch

from the wall), since this can cause inadequate air circulation, and possibly

result in the instrument overheating.

• Read carefully the attached documentation explaining the assembly pro-

cess. Failure to assemble the instrument in the proper sequence might re-

sult in damage to the instrument or even injury.

• Do not operate the instrument for a long period of time at a high or uncom-

fortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

■USING THE BENCH (if included)

• Do not play carelessly with or stand on the bench. Using it as a tool or step-

ladder or for any other purpose might result in accident or injury.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• If the bench screws become loose due to extensive long-term use, tighten

them periodically using the included tool.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,

in order to help prevent the loss of important data due to a malfunction or

user operating error.

Yamaha cannot be held responsible for damage caused by improper use or modi-

fications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts.

If it should appear to be malfunctioning, discontinue use immediately and

have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the electric plug from the outlet, and have the instrument

inspected by qualified Yamaha service personnel.

• Only use the voltage specified as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy

objects on it, or place it in a position where anyone could walk on, trip over,

or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord. Pulling by the cord can damage it.

• Do not connect the instrument to an electrical outlet using a multiple-con-

nector. Doing so can result in lower sound quality, or possibly cause over-

heating in the outlet.

• Remove the electric plug from the outlet when the instrument is not to be

used for extended periods of time, or during electrical storms.

• Before connecting the instrument to other electronic components, turn off

the power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening

level.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during the

day) to prevent the possibility of panel disfiguration or damage to the inter-

nal components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Do not place the instrument in an unstable position where it might acciden-

tally fall over.

• Before moving the instrument, remove all connected cables.

• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not

use paint thinners, solvents, cleaning fluids, or chemical-impregnated wip-

ing cloths. Also, do not place vinyl, plastic or rubber objects on the instru-

ment, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

(1)B-6

CLP-950/930

Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs

advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of

musical pleasure.

● The Clavinova CLP-950/930 digital piano offers unmatched sonic realism and natural

grand-piano type playability with Yamaha’s original “AWM Dynamic Stereo Sampling” tone

generation technology on the CLP-950 and “AWM Stereo Sampling” on the CLP-930 for

rich, musical voices, and a special “Graded Hammer” keyboard which provides graded key

weight and response throughout the keyboard range. The grand piano voices feature totally

new samples painstakingly recorded from a full concert grand piano.

The CLP-950 GRAND PIANO 1 voice features multiple velocity-switched samples (Dy-

namic Sampling), a “Soundboard Reverb” effect which accurately simulates the resonance

of a piano soundboard, special “Sustain Samples” which recreate the unique resonance of

an acoustic grand piano’s soundboard and strings when the damper pedal is pressed, and

“Key-off Samples” that add the subtle sound produced when the keys are released.

● Dual mode allows 2 voices to be played simultaneously.

● Split mode (CLP-950) allows different voices to be played by the left and right hands.

● Metronome feature with variable tempo facilitates practice.

● 2-track digital recorder lets you record and play back anything you play on the keyboard.

● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of

advanced MIDI music systems.

● Built-in computer interface for direct connection to personal computers running advanced

music software. The music stand can be removed to allow placement of a laptop-type

personal computer or other equipment on top of the instrument.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

* The models CLP-950M and CLP-950C will be referred to as the CLP-950 in this Owner’s Manual.

Included Accessories

● Owner’s Manual

● Bench (included or optional depending on locale)

● “50 greats for the Clavinova” Score Collection

■ Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

• Windows is the registered trademark of Microsoft® Corporation.

All other trademarks are the property of their respective holders.

“The Clavinova-Computer Connection” is a supplementary guidebook that

describes, for beginners, what you can do with your Clavinova and a

personal computer and how to set up a Clavinova-Computer system (the

manual is not written for any specific models). The document is available as

a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-950/930

Contents

The Control Panel .......................................................... 6

Connections ................................................................... 8

Key Cover & Music Stand ............................................ 10

Selecting & Playing Voices .......................................... 11

Playing the Demonstration Tunes ................................ 12

■

Voice Demo .............................................................. 12

■

Preset Song ............................................................. 13

■

Preset Song A-B Repeat......................................... 14

■

Preset Song Part Cancel ........................................15

●

Synchro Start..................................................... 15

●

Left Pedal Start/Stop ......................................... 15

The Dual Mode ............................................................ 16

●

Other Dual Mode Functions...............................16

The Split Mode (CLP-950) ............................................... 17

●

Selecting the Right and Left Voices ...................17

●

Setting the Split Point ........................................ 17

●

Other Split Mode Functions ............................... 17

Reverb ........................................................................ 18

●

Adjusting Reverb Depth ..................................... 18

The Effect .................................................................... 19

●

Adjusting Effect Depth ....................................... 19

Brilliance (CLP-950) ........................................................ 19

The Pedals................................................................... 20

●

Damper (Right) Pedal ........................................ 20

●

Sostenuto (Center) Pedal .................................. 20

●

Soft (Left) Pedal ................................................. 20

Touch Sensitivity ......................................................... 21

Transposition ............................................................... 21

Tuning ......................................................................... 22

●

Tuning Up........................................................... 22

●

Tuning Down ...................................................... 22

●

To Restore Standard Pitch ................................. 22

The Metronome & Tempo Control ................................ 23

■

The Metronome........................................................ 23

●

Metronome Time Signature ............................... 23

●

Metronome Volume Function ............................. 23

■

Tempo Control ......................................................... 23

Using the User Song Recorder ..................................... 24

■

Recording ................................................................ 24

●

Changing the Initial Settings .............................. 25

●

Erasing a Single Track ....................................... 25

■

Playback................................................................... 26

●

Synchro Start..................................................... 26

●

Left Pedal Start/Stop ......................................... 26

The Function Mode ...................................................... 27

●

To Select a Function …...................................... 27

■

F1: Tuning ................................................................ 28

■

F2: Scale .................................................................. 28

F2.1: Scale ........................................................... 28

F2.2: Base Note ................................................... 28

■

F3: Dual Mode Functions ....................................... 29

F3.1: Dual Balance ............................................... 29

F3.2: Dual Detune ................................................ 29

F3.3: 1st Voice Octave Shift ................................. 29

F3.4: 2nd Voice Octave Shift ................................ 29

F3.5: 1st Voice Effect Depth ................................. 30

F3.6: 2nd Voice Effect Depth ................................ 30

F3.7: Reset ...........................................................30

■

F4: CLP-950 Split Mode Functions ........................ 30

F4.1: Split Point .................................................... 30

F4.2: Split Balance ............................................... 30

F4.3: Right Voice Octave Shift .............................. 31

F4.4: Left Voice Octave Shift ................................ 31

F4.5: Right Voice Effect Depth .............................. 31

F4.6: Left Voice Effect Depth ................................ 31

F4.7: Damper Range ............................................ 31

F4.8: Reset ...........................................................31

■

F4: CLP-930 Left Pedal Mode ................................. 31

■

F5: CLP-950 Pedal Functions ................................. 32

F5.1: Left Pedal Mode .......................................... 32

F5.2: Sustain Sample Depth ................................ 32

■

F5: CLP-930 Metronome Volume ............................ 32

■

F6: CLP-950 Metronome Volume ............................ 32

■

F6: CLP-930 Preset Song Part Cancel Volume ..... 32

■

F7: CLP-950 Preset Song Part Cancel Volume ..... 32

■

F7: CLP-930 MIDI Functions................................... 33

■

F8: CLP-950 MIDI Functions................................... 33

●

A Brief Introduction to MIDI ............................... 33

F7.1/F8.1: MIDI Transmit Channel Selection ........ 33

F7.2/F8.2: MIDI Receive Channel Selection ........ 33

F7.3/F8.3: Local Control ON/OFF ........................ 34

F7.4/F8.4: Program Change ON/OFF .................. 34

F7.5/F8.5: Control Change ON/OFF .................... 35

F7.6/F8.6: MIDI Transmit Transpose ..................... 35

F7.7/F8.7: Panel/Status Transmit ......................... 35

F7.8/F8.8: Bulk Data Dump .................................. 35

■

F8: CLP-930 Backup Functions ............................. 36

■

F9: CLP-950 Backup Functions ............................. 36

F8.1/F9.1: Voice ................................................... 36

F8.2/F9.2: MIDI .................................................... 36

F8.3/F9.3: Tuning .................................................. 36

F8.4/F9.4: Pedal ................................................... 36

Connecting to a Personal Computer ............................. 37

●

Connecting to an Apple Macintosh Series Computer

.... 37

●

Connecting to an IBM-PC/AT Series Computer

........ 38

●

Using a USB Interface (such as the Yamaha UX256)

.... 39

Factory Preset Recall .................................................. 40

Troubleshooting........................................................... 40

Options & Expander Modules ...................................... 40

Voice Descriptions .............................................................41

Demo Song List .................................................................. 42

Factory Setting List............................................................ 42

MIDI Data Format................................................................ 43

MIDI Implementation Chart ............................................... 47

CLP-950: Keyboard Stand Assembly ............................... 48

CLP-930: Keyboard Stand Assembly ............................... 54

Specifications ..................................................................... 60

CLP-950/930

CLP-

950

MIN MELLOW BRIGHT

ON ON –/NO PRESET

SONG

TRACK

/YESSTART/

STOP

START/

STOP

RECTEMPO/FUNCTION TEMPO/FUNCTION/SONG

MAX

MASTER VOLUME BRILLIANCE DEMO

FUNCTION

METRONOME SONG VOICE REVERB TOUCHEFFECT

TRANSPOSE

GRAND

PIANO 1

GRAND

PIANO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS CHOIR WOOD

BASS

E. BASS SPLIT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

PHASER

TREMOLO

DELAY

HARD

MEDIUM

SOFT

POWER

B0A0G0F0E0D0C0B-1A-1

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6

D6 E6 F6 G6 A6 B6 C7

CLP-950

The Control Panel

1 [POWER] Switch

Press the [POWER] switch once to turn the

power ON, a second time to turn the power OFF.

When the power is initially turned ON, a voice

selector LED will light, and the power indicator

located below the left end of the keyboard will light.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the

volume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER

VOLUME] control also adjusts headphone volume

when a pair of headphones is plugged into the

PHONES jack (page 10).

3 [BRILLIANCE] Control (CLP-950)

The [BRILLIANCE] Control adjusts the tonality

or “timbre” of the output sound from a mellow tone

to a bright tone.

4 [DEMO] Button

Activates the demo playback mode in which you

can select playback of different demonstration

sequences for each of the Clavinova’s voices. See

page 12 for details.

5 [TRANSPOSE] Button

The [TRANSPOSE] button allows access to the

Clavinova’s TRANSPOSE function (to shift the

pitch of the entire keyboard up or down in semitone

intervals).

6 [FUNCTION] Button

This button accesses a range of utility functions

— including the MIDI functions — that significantly

enhance versatility and playability. See page 27 for

details.

7 METRONOME [START/STOP] Button

Turns the metronome sound on and off. The

[TEMPO/FUNCTION ▼, ▲] buttons are used to

set the tempo of the metronome sound. The [–/NO]

and [+/YES] buttons are used to change the time

signature (beat) of the metronome if used while the

METRONOME [START/STOP] button is held —

page 23.

PHONES jacks on bottom panel (see page 10)

Tuning keys (See page 22)

CLP-950

67 8 9 0

CLP-930

67 8 9 0

CLP-

950

MIN MELLOW BRIGHT

ON ON –/NO PRESET

SONG

TRACK

/YESSTART/

STOP

START/

STOP

RECTEMPO/FUNCTION TEMPO/FUNCTION/SONG

MAX

MASTER VOLUME BRILLIANCE DEMO

FUNCTION

METRONOME SONG

TRANSPOSE

CLP-

930

MIN

ON ON –/NO PRESET

SONG

TRACK

/YESSTART/

STOP

START/

STOP

RECTEMPO/FUNCTION TEMPO/FUNCTION/SONG

MAX

MASTER VOLUME DEMO

FUNCTION

METRONOME SONG

TRANSPOSE

CLP-950/930

The Control Panel

8 [TEMPO/FUNCTION ▼, ▲] Buttons

These buttons adjust the tempo of the metronome

function as well as the playback tempo of the re-

corder function. The tempo range is from 32 to 280

beats per minute — page 23. These same buttons are

also used to select functions — page 27.

9 [–/NO], [+/YES] Buttons

These buttons select a preset song number for

playback, and are also used to adjust a range of other

parameters.

0 [PRESET SONG] Button

This button enters the preset song mode. While in

this mode you can use the [–/NO] and [+/YES]

buttons to select from 50 songs.

! TRACK [1] and [2] Buttons

The Clavinova has a 2-track recorder, and these

buttons are used to select the track(s) to be recorded

or played back. See page 24 for details.

@ SONG [START/STOP] and [REC] Buttons

These buttons control the Clavinova’s user song

recorder, letting you record and play back just about

anything you play on the keyboard.

# Voice Selectors

Simply press any of the voice selectors to select

the corresponding voice. The voice selector LED

will light to indicate which voice is currently se-

lected.

There is also a dual mode in which two voices

can be played simultaneously across the full range of

the keyboard (see page 16 for details), and a split

mode on the CLP-950 which allows different voices

to be played by the left and right hands (see page 17

for details).

$ [SPLIT] Button (CLP-950)

Engages the split mode, in which different voices

can be played on the left- and right-hand sections of

the keyboard. See page 17 for details.

% [REVERB] Button

The [REVERB] button selects a number of

digital reverb effects that you can use for extra depth

and expressive power. See page 18 for details.

^ [EFFECT] Button

This button selects a number of effects which can

give your sound greater depth and animation.

& [TOUCH] Button

The [TOUCH] button makes it easy to adjust the

touch response of the Clavinova to match your

playing style. See page 21 for details.

* Pedals

The soft (left), sostenuto (center) and damper

(right) pedals provide a range of expressive control

capabilities similar to the pedal functions on an

acoustic piano. See page 20 for details.

Soft pedal

Damper pedal

Sostenuto pedal

VOICE REVERB TOUCHEFFECT

GRAND

PIANO 1

GRAND

PIANO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS CHOIR WOOD

BASS

E. BASS SPLIT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

PHASER

TREMOLO

DELAY

HARD

MEDIUM

SOFT

VOICE REVERB TOUCHEFFECT

GRAND

PIANO

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

STRINGS CHOIR

ROOM

HALL 1

HALL 2

STAGE

CHORUS

PHASER

TREMOLO

DELAY

HARD

MEDIUM

SOFT

CLP-950/930

Connections

1 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova

for connection to an instrument amplifier, mixing console, PA system, or

recording equipment. If you will be connecting the Clavinova to a monaural

sound system, use only the L/L+R jack. When a plug is inserted into the L/

L+R jack only, the left- and right-channel signals are combined and deliv-

ered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

CAUTION

• When the Clavinova’s AUX OUT jacks are connected to an external sound system,

first turn the Clavinova power on, and then the power to the external amplifier/

speaker system. Reverse this order when turning the power off.

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly

or through external equipment.

• The AUX OUT jack signal is not controlled by the Clavinova’s volume or

brilliance (CLP-950) control. Use the volume control on the external audio

equipment to adjust the level.

2 AUX IN L/L+R and R Jacks

These jacks are intended for use with an external tone generator module

such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from

the external tone generator module are connected to the AUX IN L/L+R

and R jacks, allowing the sound of the tone generator to be reproduced via

the Clavinova’s internal sound system and speakers. A line-level mono

source can be connected to the L/L+R jack.

CAUTION

• When the Clavinova’s AUX IN jacks are connected to an external source, first turn the

power to the external device on, and then the power to the Clavinova. Reverse this

order when turning the power off.

• The input signal from the AUX IN jacks is controlled by the Clavinova’s volume

and brilliance (CLP-950) controls. Reverb and effect functions will have no

affect.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

12 3 4 5

TO HOST HOST SELECT

PC-1 PC-2

Mac

MIDI

PEDAL

AUX IN

L+R

AUX OUT

L+R

MIDI

INOUTTHRU

HOST SELECT TO HOST

PC-1PC-2

MacMIDI

MIDI

IN OUT THRU

AUX IN

L+R

AUX OUT

L+R

CLP-930 Bottom Panel

CLP-950 Bottom Panel

1234

AUX OUT

L+R

Stereo System

AUX IN

L+R

DOU-10

CLP-930

• Before connecting the Clavinova to other electronic components, turn off the power for all compo-

nents. Before turning the power on or off for all components, set all-volume levels to minimum.

CAUTION

CLP-950/930

3 TO HOST Connector & HOST SELECT Switch

This jack and selector switch allow direct connection to a per-

sonal computer for sequencing and other music applications —

without the need for a separate MIDI interface. See page 37 for

details.

4 MIDI IN, THRU and OUT Connectors

The MIDI IN connector receives MIDI data from an external

MIDI device (such as the DOU-10 Disk Orchestra Unit) which can

be used to control the Clavinova. The MIDI THRU connector re-

transmits any data received at the MIDI IN connector, allowing

“chaining” of several MIDI instruments or other devices. The MIDI

OUT connector transmits MIDI data generated by the Clavinova

(e.g. note and velocity data produced by playing the Clavinova

keyboard).

More details on MIDI are given in “MIDI Functions” on page 33.

5 PEDAL Jack (CLP-930)

This terminal is for connecting the pedal cord from the pedal box

(refer to the “Keyboard Stand Assembly” on pages 55-59).

● PHONES Jacks

(Bottom Panel)

Two sets of standard stereo headphones can be plugged in here

for private practice or late-night playing. The internal speaker

system is automatically shut off when a pair of headphones is

plugged into either of the PHONES jacks.

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Tone Generator

MIDI

INOUTTHRU

DOU-10

Personal Computer

Connections

CLP-930

CLP-950/930

To open the key cover:

ZLift the cover slightly.

XSlide the cover open.

CAUTION

• Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed.

Be careful to avoid catching fingers (yours or others) between the cover and main unit.

• Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside

the main unit when the cover is opened and may not be able to be removed. This could cause electric

shock, short circuit, fire or other serious damage to the instrument.

To close the key cover:

ZSlide the cover toward you.

XGently lower the cover over the keys.

Be careful to avoid catching your

fingers when opening or closing

the cover.

Key Cover & Music Stand

Key Cover

Music Stand

The Clavinova is supplied with a music stand that can be attached to

the instrument by inserting it into the holes at the top of panel.

NOTE

• The music stand can be removed to allow placement of a laptop-type

personal computer or other equipment on top of the instrument.

CLP-930

CLP-950/930

After making sure that the Clavinova’s AC cord is properly plugged

into the Clavinova itself and plugged into a convenient AC wall outlet,

press the [POWER] switch located to the right of the keyboard to turn

the power ON. In some areas a plug adaptor may be provided to match

the pin configuration of the AC wall outlets in your area.

When the power is turned ON, one of the voice selector LEDs will

light, and the power indicator located below the left end of the keyboard

will light.

Set the Volume ..................................................................................................

Initially set the [MASTER VOLUME] control about half way

between the “MIN” and “MAX” settings. Then, when you start playing,

re-adjust the [MASTER VOLUME] control for the most comfortable

listening level.

Select a Voice .....................................................................................................

Select the desired voice by pressing one of the voice selectors.

NOTE

• See “Voice Descriptions” on page 41.

CLP-950

Play................................................................................................................................

The Clavinova also offers keyboard touch response, so the volume

and timbre of notes played can be controlled according to how “hard”

you play the keys. The amount of variation available depends on the

selected voice.

NOTE

• Some voices do not have keyboard touch response. See “Voice Descrip-

tions” on page 41 for details.

Add Effects As Required .......................................................................

You can add or change reverb, effects and brilliance (CLP-950) as

desired by using the [REVERB] button (page 18), [EFFECT] button

(page 19) and the [BRILLIANCE] control (page 19).

Turn Power On...................................................................................................

Selecting & Playing Voices

POWER

MIN MAX

MASTER VOLUME

VOICE

GRAND

PIANO 1

GRAND

PIANO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS CHOIR WOOD

BASS

E. BASS

REVERB

ROOM

HALL 1

HALL 2

STAGE

EFFECT

CHORUS

PHASER

TREMOLO

DELAY

MELLOW BRIGHT

BRILLIANCE

CLP-950/930

Demonstration tunes are provided that effectively demonstrate each of the

Clavinova’s voices. There are also 50 preset songs that you can play individually,

all in sequence, or in random order. The “50 greats for the Clavinova” score

collection provided with the Clavinova includes the written scores for all 50

preset songs. Here’s how you can select and play the demo tunes.

NOTE

• The demo or preset song mode cannot be engaged while a user song recorder (page 24) is in

use.

• No MIDI reception occurs in the demo/preset song mode.

• The demo/preset song data is not transmitted via the MIDI connectors.

* See page 42 for a complete listing of the demo tunes.

Playing the Demonstration Tunes

Engage the Demo Mode .........................................................................

Play a Voice Demo.........................................................................................

Press one of the voice selectors to start playback of all songs starting

from the corresponding voice demo tune — featuring the voice nor-

mally selected by that voice selector button. (If you press the SONG

[START/STOP] button instead of a voice selector button, the GRAND

PIANO 1 (GRAND PIANO: CLP-930) demo tune will begin play-

back.) The indicator of the selected voice selector button will flash

during playback, and “- - -” will appear on the LED display. You can

start playback of any other voice demo tune during playback by simply

pressing the corresponding voice selector. You can stop playback at any

time by pressing the SONG [START/STOP] button or the voice

selector of the currently playing demo.

NOTE

• Use the [MASTER VOLUME] control to adjust the volume and the

[BRILLIANCE] control (CLP-950) to adjust the brilliance (page 19).

Press the [DEMO] button to engage the demo mode — the voice

selector indicators will flash in sequence.

CLP-930

Voice Demo

Exit From the Demo Mode....................................................................

Press the [DEMO] button to exit from the demo mode and return to

the normal play mode.

DEMO

VOICE

GRAND

PIANO

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

STRINGS CHOIR

DEMO

CLP-950/930

Engage the Preset Song Mode .......................................................

Play a Preset Song .......................................................................................

To play any of the 50 preset songs provided, use the [–/NO], [+/YES]

buttons to select the number of the tune you want to play (the number will

appear on the LED display), then press the SONG [START/STOP] button.

Playback will stop automatically when playback of the selected preset song

has finished.

Select “ALL” instead of a number to play all preset songs in sequence, or

select “rnd” to continuously play all preset songs in random order. Press

the SONG [START/STOP] button to stop playback.

• Use the [MASTER VOLUME] control to adjust the volume.

• You can use the [TEMPO/FUNCTION

▼

▲

] buttons to adjust the

playback tempo as required. This produces a relative tempo variation,

with a range from “-50” through “- - -” to “50” at maximum; the range will

differ depending on the selected song.

• The default tempo “- - -” is automatically selected whenever a new preset

song is selected, or playback of a new preset song begins during “

ALL

” or

“

rnd

” playback.

• You can play the keyboard along with the preset song playback. The voice

playing on the keyboard can be changed.

• You can change the Brilliance control (CLP-950) and Reverb type that is

applied to the voice you play on the keyboard and for the preset song

playback. You can change the Effect type and Touch sensitivity that is

applied to the voice you play on the keyboard. When a new preset song is

selected or a new preset song is automatically started in continuous play,

the HALL 1 reverb type will automatically be selected.

Press the [PRESET SONG] button to engage the preset song mode

— the [PRESET SONG], TRACK [1] and [2] indicators will light.

Preset Song

Exit From the Preset Song Mode..................................................

Press the [PRESET SONG] button to exit from the preset song mode,

the indicator will go off, and return to the normal play mode.

Playing the Demonstration Tunes

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

TEMPO/FUNCTION/SONG

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

CLP-950/930

Preset Song A-B Repeat

The A-B Repeat function can be used to continuously repeat a

specified phrase within a preset song. Combined with the Part Cancel

function described below, this provides an excellent way to practice

difficult phrases.

Specify the Beginning (A) of the Phrase..............................

Select and play a preset song, then press the [FUNCTION] button

at the beginning of the phrase you want to repeat. This sets the “A”

point (“A-” will appear on the display).

To set the “A” point at the very beginning of the song, press the

[FUNCTION] button before starting playback.

Specify the End (B) of the Phrase ...............................................

Press the [FUNCTION] button a second time at the end of the

phrase. This sets the “B” point (“A-b” will appear on the display). At

this point repeat playback will begin between the specified A and B

points. The metronome will sound when playback begins to give you a

tempo reference. However, if playback repeats from the beginning of

the song, there will be no tempo reference from metronome.

To set the B point at the song’s end, press the [FUNCTION] button

after song playback is complete and before “A- ” disappears from the

display.

Stop Playback....................................................................................................

Press the SONG [START/STOP] button to stop playback while

retaining the specified A and B points. A-B repeat playback will resume

if the SONG [START/STOP] button is then pressed again.

To cancel the A and B points press the [FUNCTION] button once.

NOTE

• The A and B points are automatically canceled when a new song is

selected.

• The A-B Repeat function cannot be used during “

ALL

” or “

rnd

” playback.

FUNCTION

TEMPO/FUNCTION/SONG

FUNCTION

TEMPO/FUNCTION/SONG

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

Playing the Demonstration Tunes

CLP-950/930

Preset Song Part Cancel

The 50 preset songs have separate left- and right-hand parts that can

be turned on and off as required so you can practice the corresponding

part on the keyboard. The right-hand part is played by TRACK [1]

track, and the left-hand part is played by TRACK [2] track.

Turn the Desired Part Off.......................................................................

Press the TRACK [1] or [2] button to turn the corresponding part off

— the corresponding indicator will go out (these buttons alternately

toggle the corresponding part on and off).

NOTE

• The parts can be turned on or off even during playback.

• The Preset Song Part Cancel function cannot be used during “

ALL

” or

“

rnd

” playback.

• The “Preset Song Part Cancel Volume” function described on page 32

can be used to set the canceled part so that it plays at a volume from “0”

(no sound) to “20”. The default setting is “5”.

• Both parts are automatically turned ON whenever a new song is selected.

Start/Stop Playback.....................................................................................

Press the SONG [START/STOP] button to start and stop playback

as required.

Synchro Start .....................................................................................................

When the Synchro Start function is engaged, playback of the se-

lected preset song will begin automatically as soon as you start playing

on the keyboard.

To engage the Synchro Start function press the SONG [START/

STOP] button while holding the part button corresponding to the part

which is ON. A dot will appear in the lower right corner of the display.

(Repeat the previous operation to disengage the Syncro Start function.)

Playback will then start as soon as you begin playing on the key-

board.

NOTE

• If you hold a track button which is OFF while pressing the SONG [START/

STOP] button, that track will be turned ON and the Synchro Start mode

will be engaged.

Left Pedal Start/Stop ..................................................................................

The left pedal can be assigned to start and stop preset song playback

via the “Left Pedal Mode” function described on pages 31 (CLP-930)

and 32 (CLP-950).

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

–/NO PRESET

SONG

TRACK

/YES START/

STOP

REC

SONG

TEMPO/FUNCTION/SONG

Playing the Demonstration Tunes

CLP-950/930

The Dual Mode

The dual mode makes it possible to play two voices simultaneously across

the entire range of the keyboard.

To activate the dual mode simply press two voice selectors at the

same time (or press one voice selector while holding another). The

voice indicators of both selected voices will light when the dual mode is

active. To return to the normal single-voice play mode, press any single

voice selector.

According to the voice numbering priority as shown in the diagram

on the left, lower valued voice numbers will be designated as the 1st

Voice (the other voice will be designated as the 2nd Voice).

NOTE

• The dual and split modes (CLP-950) cannot be engaged at the same

time.

• [EFFECT] in the Dual Mode

Depending upon the conditions one effect type will take priority over the

other. Depth will be decided according to the depth default value of the

voice combination. However, using function F3 (see page 29) you can

change the depth value for each voice as you like.

Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/

YES] buttons while holding the [EFFECT] button — see page 19) will be

applied to the 1st Voice only.

• [REVERB] in the Dual Mode

The reverb type assigned to the 1st Voice will take priority over the other.

(If the reverb is set to OFF, the 2nd Voice’s reverb type will be in affect.)

Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/

YES] buttons while holding the [REVERB] button — see page 18) will be

applied to the 1st Voice only.

Other Dual Mode Functions ...............................................................

The Clavinova Function mode provides access to a number of other

dual-mode functions, listed below. See the corresponding pages for

details.

• Dual Balance ................................................. 29

• Dual Detune .................................................. 29

• 1st Voice Octave Shift ................................... 29

• 2nd Voice Octave Shift .................................. 29

• 1st Voice Effect Depth ................................... 30

• 2nd Voice Effect Depth .................................. 30

• Reset ............................................................. 30

Voice numbering priority

AND

NO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHU

1 2 3 4 5 6 7 8 9 10 11 12

VOICE

GRAND

PIANO 1

GRAND

PIANO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS CHOIR WOOD

BASS

E. BASS

CLP-950

CLP-950/930

The Split Mode (CLP-950)

The split mode makes it possible to play two different voices on the keyboard

— one with the left hand and another with the right hand. The Left Voice is

played on all keys to the left of (and including) a specified “split point” key, while

the Right Voice is played on all keys to the right of the split point key.

To activate the split mode simply press the [SPLIT] button so that its

indicator lights. The split mode can be turned off at any time by pressing the

[SPLIT] button again so that its indicator goes out.

NOTE

• The dual and split modes cannot be engaged at the same time.

Selecting the Right and Left Voices.....................................................

The voice that was selected before the split mode was engaged becomes

the Right Voice in the split mode. (The Right Voice can also be changed while

in the split mode, by simply pressing the corresponding voice selector.)

To select a Left Voice press the corresponding voice selector while

holding the [SPLIT] button (default: [WOOD BASS]). The indicator of the

Left Voice selector will light while the [SPLIT] button is pressed, then only

the Right Voice selector and [SPLIT] button indicators will remain lit.

NOTE

• [EFFECT] in the Split Mode

Depending upon the conditions, one effect type will take priority over the other.

Depth will be decided according to the depth default value of the voice

combination. However, using function F4 (see page 30) you can change the

depth value for each voice as you like.

Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]

buttons while holding the [EFFECT] button — see page 19) will be applied to

the Right Voice only.

• [REVERB] in the Split Mode

The reverb type assigned to the Right Voice will take priority over the other. (If

the reverb is set to OFF, the Left Voice’s reverb type will be in affect.)

Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]

buttons while holding the [REVERB] button — see page 18) will be applied to

the Right Voice only.

Setting the Split Point .........................................................................................

The split point is initially set at the F#2 key by default. You can change

the split point to any other key by pressing the key while holding the

[SPLIT] button (the name of the current split-point key appears on the LED

display while the [SPLIT] button is held). The split point can also be set via

the Function mode (see below).

Other Split Mode Functions .........................................................................

The Clavinova Function mode provides access to a number of other

split-mode functions, listed below. See the corresponding pages for details.

• Split Point ...................................................... 30

• Split Balance ................................................. 30

• Right Voice Octave Shift ................................ 31

• Left Voice Octave Shift .................................. 31

• Right Voice Effect Depth................................ 31

• Left Voice Effect Depth .................................. 31

• Damper Range .............................................. 31

• Reset ............................................................. 31

A-1 b=1 C 2 F~2

A-1 Bb-1 C2 F#2

Example:

•“b” is indicated with a lower “_”.

•“#” is indicated with an upper “~”.

SPLIT

VOICE

PSI-

VIBRA-

PHONE

CHURCH

ORGAN

JAZZ

ORGAN

STRI

SPLIT

CLP-950/930

Reverb

The [REVERB] button selects a number of digital reverb effects that you can

use for extra depth and expressive power.

To select a reverb type press the [REVERB] button a few times until

the indicator corresponding to the desired type lights (the indicators

light in sequence each time the [REVERB] button is pressed). No

reverb is produced when all indicators are off.

OFF

No reverb effect is selected when no REVERB indicator is lit.

ROOM

This setting add a continuous reverb effect to the sound that is similar

to the type of acoustic reverberation you would hear in a room.

HALL 1

For a “bigger” reverb sound, use the HALL 1 setting. This effect

simulates the natural reverberation of a small-size concert hall.

HALL 2

For a really spacious reverb sound, use the HALL 2 setting. This effect

simulates the natural reverberation of a large concert hall.

STAGE

A simulation of the type of reverb produced in a stage environment.

NOTE

• The default reverb type (including OFF) and depth settings are different

for each voice.

• Even if the REVERB effect is OFF, a “soundboard reverb” effect will be

applied when the CLP-950 GRAND PIANO 1 voice is selected.

Adjusting Reverb Depth .........................................................................

Adjust the reverb depth for the selected voice by using the [–/NO]

and [+/YES] buttons while holding the [REVERB] button. The depth

range is from 0 through 20 (the current depth setting appears on the

LED display while the [REVERB] button is held). A setting of “0”

produces no effect, while a setting of “20” produces maximum reverb

depth. Press the [–/NO] and [+/YES] buttons simultaneously while

holding the [REVERB] button to recall the default setting for the

current voice (default depth settings are different for each voice).

REVERB

ROOM

HALL 1

HALL 2

STAGE

REVERB

ROOM

HALL 1

HALL 2

STAGE

TEMPO/FUNCTION/SONG

–/NO

/YES

CLP-950/930

Brilliance (CLP-950)

For a brighter or “sharper” tone, slide the control towards the

BRIGHT position. For a “rounder” more mellow tone, slide the control

towards the MELLOW position.

NOTE

• When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly

louder. If the MASTER VOLUME is set at a high level the sound may

become distorted. If so, lower the MASTER VOLUME level.

This control can be used to change the tonality or “timbre” of the sound

output. The control range is from MELLOW to BRIGHT.

The Effect

The [EFFECT] button allows you to select one of the effects that can give

your sound greater depth and animation.

To select an effect type press the [EFFECT] button a few times until

the indicator corresponding to the desired type lights (the indicators

light in sequence each time the [EFFECT] button is pressed). No effect

is produced when all indicators are off.

OFF

No effect is selected when no EFFECT indicator is lit.

CHORUS

Shimmering, broadening effect

PHASER

Adds depth to the sound.

TREMOLO

Tremolo effect

DELAY

Echo effect

NOTE

• The default effect type (including OFF) and depth settings are different for

each voice.

Adjusting Effect Depth.............................................................................

Effect depth can be individually adjusted for the selected voice by

using the [–/NO] and [+/YES] buttons while holding the [EFFECT]

button. The depth range is from 0 through 20 (the current depth setting

appears on the LED display while the [EFFECT] button is held). A

setting of “0” produces no effect, while a setting of “20” produces

maximum effect depth. Press the [–/NO] and [+/YES] buttons simulta-

neously while holding the [EFFECT] button to recall the default

setting for the current voice (the default depth settings are different for

each voice).

EFFECT

CHORUS

PHASER

TREMOLO

DELAY

TEMPO/FUNCTION/SONG

–/NO

/YES

EFFECT

CHORUS

PHASER

TREMOLO

DELAY

MELLOW BRIGHT

BRILLIANCE

CLP-950/930

The Pedals

Soft (Left) Pedal ...............................................................................................

The soft pedal reduces the volume and slightly changes the timbre of

notes played while the pedal is pressed. The soft pedal will not affect

notes which are already playing when it is pressed.

The left pedal can also be assigned to song start/stop operation via

the “Left Pedal Mode” described on pages 31 (CLP-930) and 32 (CLP-

950).

The Clavinova has three foot pedals that produce a range of expressive

effects similar to those produced by the pedals on an acoustic piano.

Soft pedal

Damper pedal

Sostenuto pedal

Sostenuto (Center) Pedal ......................................................................

If you play a note or chord on the keyboard and press the sostenuto

pedal while the note(s) are held, those notes will be sustained as long as

the pedal is held (as if the damper pedal had been pressed) but all

subsequently played notes will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are played “staccato.”

NOTE

• Organ, string and choir voices will continue to sound for as long as the

sostenuto pedal is depressed.

Damper (Right) Pedal ................................................................................

The damper pedal functions in the same way as a damper pedal on

an acoustic piano. When the damper pedal is pressed notes played have

a long sustain. Releasing the pedal immediately stops (damps) any

sustained notes.

When the GRAND PIANO 1 voice is selected on the CLP-950,

pressing the damper pedal activates the instrument’s special “Sustain

Samples” to accurately recreate the unique resonance of an acoustic

grand piano’s soundboard and strings.

NOTE

• On the CLP-950 the depth of the effect produced by the “Sustain

Samples” can be adjusted via the “Pedal Functions” (page 32) in the

function mode.

• If the damper pedal doesn’t work, or notes are sustained even when the

pedal is not pressed, make sure that the pedal cord is properly plugged

into the main unit (page 58: CLP-930, page 50: CLP-950).

CLP-950/930

Touch Sensitivity

Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT

or FIXED — can be selected to match different playing styles and preferences.

To select a touch sensitivity type press the [TOUCH] button a few

times until the indicator corresponding to the desired type lights (the

indicators light in sequence each time the [TOUCH] button is pressed).

HARD

The HARD setting requires the keys to be played quite hard to

produce maximum loudness.

MEDIUM

The MEDIUM setting produces a fairly “standard” keyboard response.

This is the initial factory default setting.

SOFT

The SOFT setting allows maximum loudness to be produced with

relatively light key pressure.

FIXED (no indicator lit)

All notes are produced at the same volume no matter how hard the

keyboard is played.

When the FIXED type is selected, the volume of notes played in the

FIXED mode can be set by using the [–/NO] and [+/YES] buttons while

the [TOUCH] button is held (the current volume level appears on the

display). The volume range is from 1 through 127. The default setting

is 64.

NOTE

• This setting does not change the weight of the keyboard.

• The touch sensitivity type and volume set in the FIXED mode will become

the common setting for all voices. However, the touch sensitivity settings

may have little or no effect with certain voices which are not normally

responsive to keyboard dynamics (Refer to the “Voice Descriptions” on

page 41).

Transposition

Use the [–/NO] or [+/YES] button while holding the [TRANS-

POSE] button to transpose down or up as required. The transposition

range is from “–12” (down one octave) through “0” (normal pitch) to

“12” (up one octave). The amount of transposition appears on the LED

display while the [TRANSPOSE] button is held. The default transpose

setting is “0”.

NOTE

• The [TRANSPOSE] button indicator remains lit when a transpose setting

other than “0” is selected.

• Notes below and above the A-1 … C7 range of the Clavinova sound one

octave higher and lower, respectively.

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the

entire keyboard up or down in semitone intervals up to a maximum of 12 semitones

(i.e. a maximum of one octave up or down). “Transposing” the pitch of the Clavinova

keyboard facilitates playing in difficult key signatures, and you can easily match the

pitch of the keyboard to the range of a singer or other instrumentalist.

TOUCH

HARD

MEDIUM

SOFT

TEMPO/FUNCTION/SONG

–/NO

/YES

TRANSPOSE

CLP-950/930

Tuning

Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz

… 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2

Hertz intervals. Pitch control is useful for tuning the Clavinova to match other

instruments or recorded music.

Tuning Up ...............................................................................................................

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 0.2 Hz.

The [–/NO] and [+/YES] buttons can also be used to tune down or up,

respectively, in

approximately

1 Hz increments. Press the [–/NO] and

[+/YES] buttons simultaneously to recall standard tuning (A3 = 440

Hz).

CRelease the A-1 and B-1 keys.

Tuning Down .......................................................................................................

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simulta-

neously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 0.2 Hz.

The [–/NO] and [+/YES] buttons can also be used to tune down or up,

respectively, in

approximately

1 Hz increments. Press the [–/NO] and

[+/YES] buttons simultaneously to recall standard tuning (A3 = 440

Hz).

CRelease the A-1 and A#-1 keys.

To Restore Standard Pitch...................................................................

ZTo restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1 and

B-1 keys simultaneously.

XPress any key between C3 and B3.

(Pressing once will restore the keyboard to standard pitch, regard-

less of the amount of pitch adjustment.)

CRelease the A-1, A#-1 and B-1 keys.

In terms of “Hertz”, the overall tuning range is from 427.0 Hz to 453.0

Hz. The current tuning setting is shown on the LED display while the tuning

is being adjusted. Tenths of a Hertz are indicated on the LED display by the

appearance and position of one or two dots, as in the following example:

NOTE

• An alternative tuning method is available in the Function mode — page 28.

Display Value

440 440.0

4.40 440.2

44.0 440.4

440. 440.6

4.40. 440.8

-1

–/NO

/YES

-1

–/NO

/YES

-1

CLP-950/930

START/

STOP

TEMPO/FUNCTION

METRONOME

TEMPO/FUNCTION/SONG

The Metronome & Tempo Control

The Clavinova built-in metronome is a convenient feature for practice, and it

can also provide a solid rhythmic guide when recording using the User Song

Recorder feature, described in the next section.

The Metronome

The metronome sound is alternately turned on and off by pressing

the METRONOME [START/STOP] button. When on, the beat

indicator flashes at the current tempo.

Metronome Time Signature.................................................................

The time signature (beat) of the metronome can be set by using the

[–/NO] and [+/YES] buttons while holding the METRONOME

[START/STOP] button. You can set the beat to 0, 2, 3, 4, 5 or 6 (the

current setting appears on the LED display while the METRONOME

[START/STOP] button is held). Press the [–/NO] and [+/YES] buttons

simultaneously while holding the METRONOME [START/STOP]

button to recall the default setting “0” (no accent).

Metronome Volume Function ............................................................

The volume of the metronome sound can be adjusted via the Metro-

nome Volume function in the Function mode—page 32.

Tempo Control

The tempo of the metronome and user song recorder playback (the

recorder is described in the next section) can be set from 32 to 280

beats per minute by using the [TEMPO/FUNCTION t, s] buttons.

The selected tempo will appear on the LED display while in the normal

play mode and while the [TEMPO/FUNCTION t, s] buttons are

being used to adjust the tempo in the recording/playback mode. The

default tempo (120 or the recorded song tempo when the recorder

contains data and the playback track indicator is lit) can be recalled by

simultaneously pressing the [t] and [s] buttons.

Beat indicator

START/

STOP

TEMPO/FUNCTION

METRONOME

TEMPO/FUNCTION/SONG

–/NO

/YES

TEMPO/FUNCTION TEMPO/FUNCTION/SONG

CLP-950/930

Using the User Song Recorder

The ability to record and play back what you’ve played on the Clavinova

keyboard can be an effective practice aid. You can, for example, record just the

left-hand part, and then practice the right-hand part while playing back the re-

corded left-hand part. Or, since you can record up to two tracks separately, you

could record the left- and right-hand parts separately, or record both parts of a

duet and hear how they sound when played back.

The user song recorder actually records the following data:

■ Entire Song

● Tempo ● Time signature (beat) ● Reverb type (including OFF) ● Effect type

■ Individual Tracks

● Notes played ● Voice selection

● Dual mode voices ● Split mode voices (CLP-950)

● Damper pedal ● Soft pedal

● Sostenuto pedal (not recorded as an initial setting)

● Effect depth ● Reverb depth

● Dual balance (F3) ● Dual detune (F3) ● Dual octave shift (F3)

● Split balance (F4: CLP-950) ● Split octave shift (F4: CLP-950)

Recording

Make All Necessary Initial Settings ...........................................

Before actually beginning to record, select the voice you want to

record with (or voices if you will be using the dual or split mode). You

might also want to set the volume and tempo controls.

Engage the Record Ready Mode ..................................................

Press the [REC] button to engage the record ready mode (recording

does not actually start yet). The record ready mode can be disengaged

before recording by pressing the [REC] button a second time.

• The record ready mode cannot be engaged while the demo/preset song

mode is engaged.

Select the Record Track ..........................................................................

When the record mode is engaged in the previous step, the last-

recorded track will automatically be selected for recording and its indica-

tor — i.e. the TRACK [1] or [2] button indicator — will glow red. If you

want to record on a different track, press the appropriate track button so

that its indicator glows red.

• The track button indicators of tracks which contain previously recorded data

will glow green (unless the track is turned off as described below). The

previously-recorded data on the non-record track will normally be played

back as you record, so you can play along with a previously-recorded track.

If you don’t want to hear the previously recorded track as you record (when

you want to record a song different from what you recorded on the previous

track etc.,), press the playback track button before pressing the [REC]

button (step 1, above) so that its indicator goes out.

• Recording on a track which already contains data will erase all previous

data on that track.

• When the record mode is engaged the amount of memory available for

recording will be shown on the LED display in approximate kilobytes

(starting at “50”), and the rightmost dot on the LED display will flash at the

current METRONOME tempo setting.

CLP-950

VOICE

GRAND

PIANO 1

GRAND

PIANO 2

E. PIANO

HARPSI-

CHORD

VIBRA-

PHONE

CHURCH

ORGAN

ESET

TRACK

START/

STOP

REC

SONG

ESET

TRACK

START/

STOP

REC

SONG

TEMPO/FUNCTION/SONG

CLP-950/930

Using the User Song Recorder

Start Recording................................................................................................

Recording will begin automatically as soon as you play a note on the

keyboard or press the SONG [START/STOP] button. The current

measure number will appear on the display while recording.

• The left pedal can be assigned to start and stop recording via the “Left

Pedal Mode” function described on pages 31 (CLP-930) and 32 (CLP-

950).

• If the metronome was on when you started recording, you’ll be able to

keep time with the metronome while recording, but the metronome sound

will not be recorded.

• You can record up to a maximum of about 10,000 notes on the Clavinova,

depending on pedal usage and other factors. The record track indicator

will begin to flash when recorder memory is almost full. If the memory

becomes full during recording, “

FUL

” will appear on the display and

recording will stop automatically. (All recorded data up to that point will be

retained.)

Stop Recording ................................................................................................

Press either the [REC] or SONG [START/STOP] button to stop

recording.

The indicator of the recorded track will glow green to indicate that it

now contains data.

Erasing a Single Track ..............................................................................

All data can be erased from either of the recorder’s tracks by engag-

ing the record mode, selecting the track you want to erase, and then

pressing the SONG [START/STOP] button twice without recording

any data.

Changing the Initial Settings.............................................................

The initial voice, tempo, reverb type, reverb depth, and effect settings

made in step 1 of the recording procedure are actually recorded by the

Clavinova.

These initial settings can be changed after the recording is finished by

pressing the [REC] button to engage the record ready mode, pressing the

appropriate track button, making the required changes, and then pressing

the [REC] button again to exit from the record ready mode and register

the changes.

If you do this, be careful not to press the SONG [START/STOP]

button or a key on the keyboard, either of which will start recording and

erase all previous recorded data on the selected track.

It is possible to cancel the operation even after changes have been

made: change tracks and then press the [REC] button to exit from the

record mode (this also cancels data for the entire song).

• The following data for initial settings cannot be changed: “Dual balance

(F3)”, “Dual detune (F3)”, “Dual octave shift (F3)”, “Split balance (F4:CLP-

950)” or “Split octave shift (F4:CLP-950)”.

Press twice.

ESET

TRACK

START/

STOP

REC

SONG

ESET

TRACK

START/

STOP

REC

SONG

ESET

TRACK

START/

STOP

REC

SONG

ESET

TRACK

START/

STOP

REC

SONG

CLP-950/930

Playback

To play back what you’ve recorded, first make sure that the green track indica-

tors of the tracks you want to play are lit. If not, press the corresponding track

button(s) so that they are lit. Then press the SONG [START/STOP] button.

Playback starts from the beginning of the recorded data, and will stop automati-

cally at the end of the recorded data. You can also stop playback at any time by

pressing the SONG [START/STOP] button.

To mute a track so that it doesn’t play back, press the corresponding track

button so that its indicator goes out (press again to turn the track back on).

The current measure number appears on the display during playback.

• It is possible to play along on the keyboard during playback. In this case, the playback

voice and the voice you play on the keyboard are not the same. The playback voice is

the voice that was set when the data was recorded. The voice you play on the keyboard

is the voice that is selected on the panel.

• The playback volume and tempo can be adjusted by using the [MASTER VOLUME]

control and [TEMPO/FUNCTION

▼

▲

] buttons (press both [TEMPO/FUNCTION

▼

▲

]

buttons simultaneously to recall the default tempo).

• All user song recorder data will be retained in memory for about one week after the

power is turned off. If you want to keep your recorded data for longer periods, turn the

power on for a few minutes at least once a week. It is also possible to store it to an

external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the

Bulk Data Dump function described on page 35.

• The track indicators will not light automatically when the power is turned on even if the

user song recorder contains data. It is therefore necessary to press the track buttons so

that the corresponding green indicators light before starting recorder playback. It is also

a good idea to press the track buttons to check if the tracks contain data before

recording. If the green indicator lights when the corresponding track button is pressed,

that track contains data which will be erased and replaced by the newly-recorded data.

• If the metronome is being used during playback, the metronome will automatically stop

when playback is stopped.

• During recorder playback, the volume of a track which is turned off will always be “0”

(i.e. the “Preset Song Part Cancel Volume” function — page 32 — only affects preset

song playback.

• The playback data is not transmitted via the MIDI OUT connector.

• Playback cannot be started when the demo/preset song mode is engaged.

• Playback cannot be started when the recorder contains no data, or when both track

buttons are off.

• If the REVERB type is changed via the panel controls during playback, both the

playback and keyboard reverb effects will be changed.

• If the EFFECT type is changed via the panel controls during playback, the playback

effect may be switched off in some cases.

When the Synchro Start function is engaged, recorder playback will begin

automatically as soon as you start playing on the keyboard.

To engage the Synchro Start function press the SONG [START/STOP] button

while holding a track button which is ON. The rightmost dot on the display will

flash at the current tempo. (Repeat the previous operation to disengage the Syncro

Start function.) Playback will then start as soon as you begin playing on the key-

board.

If you hold a track button which is OFF while pressing the SONG [START/STOP]

button, that track will be turned ON and the Synchro Start mode will be engaged.

Synchro Start ............................................................................................................................

Left Pedal Start/Stop .........................................................................................................

The left pedal can be assigned to start and stop recorder playback via the “Left Pedal

Mode” function described on pages 31 (CLP-930) and 32 (CLP-950). This is conve-

nient for starting playback of the recorded part anytime after you have started playing.

ESET

TRACK

START/

STOP

REC

SONG

ESET

TRACK

START/

STOP

REC

SONG

TEMPO/FUNCTION/SONG

Using the User Song Recorder

CLP-950/930

The Function Mode

The [FUNCTION] button provides access to a range of functions that give the

Clavinova extraordinary versatility. The functions are categorized in groups as

follows:

CLP-930 CLP-950

F1 F1 Tuning ............................................................. 28

F2 F2 Scale ............................................................... 28

F3 F3 Dual Mode Functions .................................... 29

– F4 Split Mode Functions .................................... 30

F4 – Left Pedal Mode ............................................. 31

– F5 Pedal Functions ............................................. 32

F5 F6 Metronome Volume ........................................ 32

F6 F7 Preset Song Part Cancel Volume.................. 32

F7 F8 MIDI Functions ............................................... 33

F8 F9 Backup Functions.......................................... 36

To Select a Function … ...........................................................................

ZPress the [FUNCTION] button so that its indicator lights.

NOTE

• Functions cannot be selected during demo/preset song playback or when

the user song recorder is in operation.

XUse the [TEMPO/FUNCTION t, s] buttons to select the desired

function: F1 through F8 on the CLP-930; F1 through F9 on the

CLP-950.

CIn the case of the Scale (F2), Dual Mode (F3), Split Mode (F4:

CLP-950), Pedal Functions (F5: CLP-950), MIDI (F7: CLP-930,

F8: CLP-950), and Backup (F8: CLP-930, F9: CLP-950) functions,

you will have to press the [+/YES] button once to enter the respec-

tive sub-mode after the function has been selected, and then use the

[TEMPO/FUNCTION t, s] buttons again to select the desired

sub-function.

NOTE

• The Dual or Split (CLP-950) mode must be engaged before the F3 and

F4 functions can be selected, respectively. If the corresponding mode is

not engaged, “

F3.-

” or “

F4.-

” will appear on the display and the corre-

sponding sub-mode will not be available.

• The Dual mode can be engaged while in the Function mode, but the

Function mode must be exited before the Split mode (CLP-950) can be

engaged.

VSet the function as required by using the [–/NO] and [+/YES]

buttons (see the individual function descriptions, below).

NOTE

• After selecting the function, the current setting will be displayed when the

[–/NO] or [+/YES] button is pressed for the first time.

BPress the [FUNCTION] button so that its indicator goes out to exit

from the function mode.

● Operation Example

(sub-mode)

Press [+/YES]

Use [TEMPO/

FUNCTION t, s]

Use [–/NO], [+/YES]

Press [–/NO] or [+/YES]

once

FUNCTION

START/

STOP

TEMPO/FUNCTION

METRONOME

FUNCTION

START/

STOP

TEMPO/FUNCTION

METRONOME

CLP-950/930

The Function Mode

Tuning

Scale

In addition to the tuning method described on page 22, overall tuning can also be accom-

plished via the F1 function.

After selecting “F1”, use the [–/NO] and [+/YES] buttons to lower or raise the pitch in

approximately 0.2 Hz increments (the first time the [–/NO] or [+/YES] button is pressed

simply switches to the tuning value display without actually changing the tuning). The overall

tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note’s Hz). Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default value “440 Hz”.

Tenths of a Hertz are indicated on the LED display by the appearance and position of one

or two dots, as in the following example:

After selecting “F2.Y”, press the [+/YES] button to engage the scale function sub-mode,

then use the [TEMPO/FUNCTION t, s] buttons to select the desired scale function, as

listed below.

Display Value

440 440.0

4.40 440.2

44.0 440.4

440. 440.6

4.40. 440.8

F2.1: Scale ..........................................................................................................................................................

In addition to the standard Equal Temperament tuning, the Clavinova includes 6 classic

tunings that you can select and use to play music of the corresponding period, or experiment

with in a more modern context. The tunings are:

1: Equal Temperament 5: Mean Tone

2: Pure Major 6: Werckmeister

3: Pure Minor 7: Kirnberger

4: Pythagorean

Use the [–/NO] and [+/YES] buttons to select the number of the desired tuning. Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default settings (Equal Temperament

tuning).

F2.2: Base Note.............................................................................................................................................

Unlike Equal Temperament tuning, these classic tunings must be tuned to a specific key.

Use the [–/NO] and [+/YES] buttons to select the key you want the previously selected tuning

to be based. The selected key will appear on the display, followed by a low bar if flat (e.g.

“A_”) or a high bar if sharp (e.g. “F~”).

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default settings “C”.

NOTE

• The base note setting is effective for tunings other than the Equal Temperament tuning.

CLP-950/930

Dual Mode Functions

After selecting “F3.Y”, press the [+/YES] button to engage the dual-mode function sub-

mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired dual mode

function, as listed below.

If the Dual mode is not engaged “F3.-” will appear instead of “F3.Y” and the Dual mode

functions cannot be selected. If this happens engage the Dual mode and proceed.

■ SHORTCUT: You can jump directly to the dual-mode functions (F3) by pressing the

[FUNCTION] button while holding the two dual-mode voice selectors.

NOTE

• Dual mode function settings are set individually for each voice combination.

F3.1: Dual Balance.....................................................................................................................................

The volume levels of the two voices combined in the dual mode can be adjusted as re-

quired by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as

required. The balance range is from 0 through 20. A setting of “10” produces equal balance

between the two dual-mode voices. Settings below “10” increase the volume of the 2nd Voice

in relation to the 1st Voice, and settings above “10” increase the volume of the 1st Voice in

relation to the 2nd Voice (“1st” and “2nd” is explained on page 16). Press the [–/NO] and [+/

YES] buttons simultaneously to recall the default setting (different for each voice combina-

tion).

You can set one voice as the main voice, and another voice as a softer, mixed voice.

F3.2: Dual Detune .......................................................................................................................................

This function makes it possible to detune the 1st and 2nd dual-mode Voices to create a

thicker sound. Use the [–/NO] and [+/YES] buttons to set the amount of detuning as required.

The detune range is from –10 through 10. A setting of “0” sets both voices to the same pitch.

“+” values raise the pitch of the 1st voice while lowering the pitch of the 2nd voice, and “-”

values raise the pitch of the 2nd voice while lowering the pitch of the 1st voice. (“1st” and

“2nd” is explained on page 16). Press the [–/NO] and [+/YES] buttons simultaneously to

recall the default setting (different for each voice combination).

NOTE

• The maximum amount of pitch variation increases toward the lower key range (

60 cents at the A-1

key), and decreases toward the higher key range (

5 cents at the C7 key). 100 cents = 1 semitone.

F3.3: 1st Voice Octave Shift .............................................................................................................

F3.4: 2nd Voice Octave Shift ...........................................................................................................

Depending on which voices you combine using the dual mode, the combination may sound

better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES]

buttons to set the octave of the 1st or 2nd Voice as required (“1st” and “2nd” is explained on

page 16). The available settings are “0” for normal pitch, “–1” to shift the pitch down one

octave, and “1” to shift the pitch up one octave. Press the [–/NO] and [+/YES] buttons simul-

taneously to recall the default setting (different for each voice combination).

The Function Mode

CLP-950/930

F4.2: Split Balance.....................................................................................................................................

The volume levels of the two voices combined in the split mode can be adjusted as re-

quired by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as

required. The balance range is from 0 through 20. A setting of “10” produces equal balance

between the two split-mode voices. Settings below “10” increase the volume of the Left Voice

in relation to the Right Voice, and settings above “10” increase the volume of the Right Voice

in relation to the Left Voice. Press the [–/NO] and [+/YES] buttons simultaneously to recall

the default setting (different for each voice combination).

F3.5: 1st Voice Effect Depth.............................................................................................................

F3.6: 2nd Voice Effect Depth ...........................................................................................................

These functions make it possible to individually set the depth of the effect for the 1st and

2nd dual-mode Voices (“1st” and “2nd” is explained on page 16). Use the [–/NO] and [+/

YES] buttons to set the effect depth for the corresponding voice as required. The depth range

is from 0 through 20. A setting of “0” produces no effect, while a setting of “20” produces

maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously to recall the

default setting (different for each voice combination).

NOTE

• The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be

exited before EFFECT can be turned ON.

F3.7: Reset..........................................................................................................................................................

This function resets all dual-mode functions to their default values. Press the [+/YES]

button to reset the values. “End” will appear on the display when all functions have been

reset.

CLP-950 Split Mode Functions

After selecting “F4.Y”, press the [+/YES] button to engage the split-mode function sub-

mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired split mode

function, as listed below.

If the Split mode is not engaged “F4.-” will appear instead of “F4.Y” and the Split mode

functions cannot be selected. Also note that you must exit from the Function mode before the

Split mode can be engaged.

■ SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the

[FUNCTION] button while holding the [SPLIT] button.

NOTE

• Split mode function settings are set individually for each voice combination.

F4.1: Split Point .............................................................................................................................................

In addition to the split point setting method described on page 17, the split point can be set

via this function. Use the [–/NO] and [+/YES] buttons to set the split point as required, or

simply press the appropriate key on the keyboard: from “A-1” to “C7”. Press the [–/NO] and

[+/YES] buttons simultaneously to recall the default setting “F#2”.

The Function Mode

CLP-950/930

F4.3: Right Voice Octave Shift.......................................................................................................

F4.4: Left Voice Octave Shift...........................................................................................................

Depending on which voices you combine using the split mode, the combination may sound

better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES]

buttons to set the octave of the Left or Right Voice as required. The available settings are “0”

for normal pitch, “–1” to shift the pitch down one octave, and “1” to shift the pitch up one

octave. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting

(different for each voice combination).

Set according to the pitch extent for the song you want to play.

F4.5: Right Voice Effect Depth ......................................................................................................

F4.6: Left Voice Effect Depth...........................................................................................................

These functions make it possible to individually set the depth of the effect for the Left and

Right split-mode Voices. Use the [–/NO] and [+/YES] buttons to set the effect depth for the

corresponding voice as required. The depth range is from 0 through 20. A setting of “0”

produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/NO]

and [+/YES] buttons simultaneously to recall the default setting (different for each voice

combination).

NOTE

• The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be

exited before EFFECT can be turned ON.

F4.7: Damper Range ................................................................................................................................

The Damper Range function determines whether the damper pedal affects the Right Voice,

the Left Voice, or both the Left and Right Voices in the split mode. Use the [–/NO] and [+/

YES] buttons to select “2” for the Left Voice, “1” for the Right Voice, or “ALL” for both

voices. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting

“ALL”.

F4.8: Reset..........................................................................................................................................................

This function resets all split-mode functions to their default values. Press the [+/YES]

button to reset the values. “End” will appear on the display when all functions have been

reset.

This function sets the left pedal for normal soft-pedal operation or for song start/stop

operation. Use the [–/NO] and [+/YES] buttons to select the desired left-pedal mode. “1” is

the normal soft-pedal mode, and “2” is the start/stop mode. When the start/stop mode is

selected, the left pedal functions in the same way as the panel SONG [START/STOP] button.

Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default setting “1”.

CLP-930 Left Pedal Mode

The Function Mode

CLP-950/930

CLP-950 Metronome Volume

The volume of the metronome sound can be changed. After selecting “F5” or “F6”, use

the [–/NO] and [+/YES] buttons to set the metronome volume as required. The volume range

is from 1 through 20. A setting of “1” produces minimum sound, while a setting of “20”

produces maximum metronome volume. Press the [–/NO] and [+/YES] buttons simulta-

neously to recall the default setting “10”.

CLP-930 Metronome Volume

CLP-950 Pedal Functions

After selecting “F5.Y”, press the [+/YES] button to engage the pedal functions sub-mode,

then use the [TEMPO/FUNCTION t, s] buttons to select the desired pedal functions, as

listed below.

CLP-930 Preset Song Part Cancel Volume

This function sets the volume at which a “canceled” part is played during preset song

playback (see page 15 for information on the “part-cancel” function). Use the [–/NO] and [+/

YES] buttons to set the volume as required. The volume range is from 0 through 20. A setting

of “0” produces no sound, while a setting of “20” produces maximum volume. Press the [–/

NO] and [+/YES] buttons simultaneously to recall the default setting “5”.

Adjust the part volume to a comfortable level to use the “canceled” part as a guide to play

along with. Set to “0” if you don’t want to hear the part.

■ SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNC-

TION] button while holding the METRONOME [START/STOP] button.

F5.1: Left Pedal Mode.............................................................................................................................

This function conveniently lets you set the left pedal for normal soft pedal operation, or for

song start/stop operation. Use the [–/NO] and [+/YES] buttons to select the desired left-

pedal mode. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default

setting “1”.

1: Soft The left pedal functions as the soft pedal.

2: Start/Stop The left pedal functions in the same manner as the SONG [START/STOP] button.

F5.2: Sustain Sample Depth............................................................................................................

The CLP-950 GRAND PIANO 1 voice features special “Sustain Samples” which recreate the

unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is

pressed. This function lets you adjust the depth of this effect. Use the [–/NO] and [+/YES]

buttons to set the effect depth as required. The effect depth range is from 0 through 20. A setting

of “0” produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/

NO] and [+/YES] buttons simultaneously to recall the default setting “12”.

CLP-950 Preset Song Part Cancel Volume

The Function Mode

CLP-950/930

CLP-950 MIDI Functions

● A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-

standard communication interface that allows MIDI-compatible

musical instruments and equipment to share musical information and

control one another. This makes it possible to create “systems” of

MIDI instruments and equipment that offer far greater versatility and

control than is available with isolated instruments. For example, most

MIDI keyboards (including the Clavinova, of course) transmit note

and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the

keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer,

etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will

respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively

play two instruments at once, providing thick multi-instrument sounds.

This same type of musical information transfer is used for MIDI

sequence recording. A sequence recorder can be used to “record”

MIDI data received from a Clavinova, for example. When the

recorded data is played back, the Clavinova automatically “plays”

the recorded performance in precise detail.

The examples given above really only scratch the surface. MIDI

can do much, much more. The Clavinova MIDI functions allow it to

be used in fairly sophisticated MIDI systems.

DOU-10

MIDI Cable

MIDI INMIDI OUT

Clavinova

DOU-10

Clavinova

Data Being Recorded

Playback Data

MIDI IN MIDI INMIDI OUTMIDI OUT

After selecting “F7.Y” or “F8.Y”, press the [+/YES] button to engage the MIDI function sub-

mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired MIDI function, as

listed below.

NOTE

• The bottom-panel HOST SELECT switch must be set to “MIDI” in order to use the MIDI connectors. When you

use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer

you are using (see page 37). In this situation, all MIDI settings described below will have affect on the MIDI

signal in and out of the TO HOST connector.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer

than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

CLP-930 MIDI Functions

F7.1/F8.1: MIDI Transmit Channel Selection ..............................................................................

F7.2/F8.2: MIDI Receive Channel Selection................................................................................

The MIDI system allows transmission

and reception of MIDI data on 16 differ-

ent channels. Multiple channels have

been implemented to allow selective

control of certain instruments or devices

connected in series. For example, a single

MIDI sequence recorder could be used to “play” two different instruments or tone generators. One of

the instruments or tone generators could be set to receive only on channel 1, while the other is set to

receive on channel 2. In this situation the first instrument or tone generator will respond only to

channel-1 information transmitted by the sequence recorder, while the second instrument or tone

generator will respond only to channel-2 information. This allows the sequence recorder to “play”

two completely different parts on the receiving instruments or tone generators.

Tone Generator

MIDI IN

MIDI IN MIDI THRU

DOU-10

MIDI OUT

Clavinova

(Set to receive on MIDI channel 1)

(Set to receive on MIDI

channel 2)

The Function Mode

CLP-950/930

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must

be matched for proper data transfer. A “Multi-timbre” receive mode is also available, which allows

simultaneous reception of different parts on all 16 MIDI channels, allowing the Clavinova to play

multi-channel song data received from a music computer or sequencer. There’s also a “1-2” mode

which allows simultaneous reception on channels 1 and 2.

Use the [–/NO] and [+/YES] buttons to select the desired transmit or receive channel. The trans-

mit channel parameter can also be turned “OFF” if you don’t want the Clavinova to transmit any

MIDI data. To select the multi-timbre receive mode, set the receive channel to “ALL”. Select “1-2”

for multi-timbre reception on channels 1 and 2 only.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting: transmit = “1”;

receive = “ALL”.

NOTE

• In the dual mode first voice data is transmitted on its set channel, and in the split mode right voice data is

transmitted on its set channel. In the dual mode second voice data is transmitted on the next greater channel

number of the set channel, and in the split mode left voice data is transmitted on the next greater channel

number of the set channel. In either mode, no data is transmitted if the transmit channel is set to “OFF”.

• Demo/preset song data and recorder playback data are not transmitted via MIDI.

• No MIDI reception occurs when the demo/preset song mode is engaged.

• Program change and other like channel messages received will not affect the Clavinova’s panel settings or

what is being played on the keyboard.

F7.3/F8.3: Local Control ON/OFF...........................................................................................................

“Local Control” refers to the fact that, normally, the

Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from

the keyboard. This situation is “Local Control On”

since the internal tone generator is controlled locally by

its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the

internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connec-

tor when notes are played on the keyboard. At the same time, the internal tone generator responds to

MIDI information received via the MIDI IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control

should be turned OFF when recording using the DOU-10 voices only, and ON when recording the

Clavinova voices while listening to playback of the DOU-10 voices.

Use the [–/NO] and [+/YES] buttons to turn local control “On” or “OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

DOU-10

OUT PUT

AUX IN

RMIDI OUT

MIDI

Clavinova

F7.4/F8.4: Program Change ON/OFF .................................................................................................

Normally the Clavinova will respond to MIDI program change numbers received from an exter-

nal keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on

the corresponding channel (the keyboard voice does not change). The Clavinova will normally also

send a MIDI program change number whenever one of its voices is selected, causing the correspond-

ingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so

that voices can be selected on the Clavinova without affecting the external MIDI device.

Use the [–/NO] and [+/YES] buttons to turn program change transmission and reception “On” or

“OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

NOTE

• For information on program change numbers for each of the Clavinova’s voices, refer to page 44 in the MIDI

Data Format section.

The Function Mode

CLP-950/930

F7.5/F8.5: Control Change ON/OFF.........................................................................................

Normally the Clavinova will respond to MIDI control change data received from an exter-

nal MIDI device or keyboard, causing the voice on the corresponding channel to be affected

by pedal and other “control” settings received from the controlling device (the keyboard voice

is not affected). The Clavinova also transmits MIDI control change information when one of

its pedals or other appropriate controls are operated.

This function makes it possible to cancel control change data reception and transmission so

that, for example, the Clavinova pedals and other controls can be operated without affecting an

external MIDI device.

Use the [–/NO] and [+/YES] buttons to turn control change transmission and reception

“On” or “OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

NOTE

• For information on control changes that can be used with the Clavinova, refer to the MIDI Data Format

on page 43.

F7.6/F8.6: MIDI Transmit Transpose ........................................................................................

This function allows the MIDI note data transmitted by the Clavinova to be transposed up

or down in semitone increments by up to plus or minus 12 semitones. The pitch of the

Clavinova itself is not affected.

Use the [–/NO] and [+/YES] buttons to set the desired amount of MIDI transmit transposi-

tion. The range is from “–12” (down one octave) through “0” (no transposition) to “12” (up

one octave).

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “0”.

F7.7/F8.7: Panel/Status Transmit ................................................................................................

This function causes all the current Clavinova panel settings (selected voice, etc.) to be

transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording

performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which

will be used to control the Clavinova on playback. By transmitting the Clavinova panel set-

tings and recording them on the MIDI sequence recorder prior to the actual performance data,

the Clavinova will be automatically restored to the same settings when the performance is

played back.

Press the [+/YES] button to transmit the panel/status data. “End” will appear on the LED

display when the data has been successfully transmitted.

NOTE

• See page 44 for list of the “Panel Data Contents” transmitted by this function.

• Panel setting data that is transmitted to an external device can only be reloaded on a model of the

same type. Panel setting data can also be directly transferred to or from instruments of the same

model type.

F7.8/F8.8: Bulk Data Dump ...............................................................................................................

This function is used to transmit all data stored in the Recorder memory to a MIDI data

storage device such as the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI

compatible computers.

Press the [+/YES] button to begin bulk transmission. “End” will appear on the LED

display when the data has been successfully transmitted.

NOTE

• User song recorder data that is transmitted to an external device can only be reloaded on a model of

the same type. Recorder data can also be directly transferred to or from instruments of the same

model type.

• The reload operation cannot be executed when the demo/preset song mode or user song recorder is

in operation, or when the Function mode is engaged.

•

No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.

The Function Mode

CLP-950/930

CLP-950 Backup Functions

After selecting “F8.Y” or “F9.Y”, press the [+/YES] button to engage the backup function

sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired backup

function, as listed below.

NOTE

• The backup settings themselves, and the contents of the user song recorder memory, are always

backed up.

• Even if the Backup is turned on, factory presets can be recalled at any time (see page 40). The factory

setting list is found on page 42.

Even if backup is turned on via one of the functions described below, the data will only be

retained in memory for about 1 week if the power is not turned on during this time. If the

backup period is exceeded, all settings will be reset to their default values. If you want to

retain the backup settings for longer periods, be sure to turn the power switch on for a few

minutes at least once a week.

F8.2/F9.2: MIDI................................................................................................................................................

Turns backup of the MIDI functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Channel (Transmit, Receive) • Local ON/OFF

• Program Change ON/OFF • Control Change ON/OFF

• MIDI Transmit Transpose

F8.3/F9.3: Tuning..........................................................................................................................................

Turns backup of the tuning functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Transpose • Tuning • Scale (including base note)

F8.4/F9.4: Pedal.............................................................................................................................................

Turns backup of the pedal functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Left Pedal Mode • Sustain Sample Depth (CLP-950)

F8.1/F9.1: Voice..............................................................................................................................................

Turns backup of the voice functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Voice (Keyboard, Dual, and Split: CLP-950)

• Dual (ON/OFF, Voice, and Dual Functions for each voice combination)

• Split (ON/OFF, Voice, and Split Functions for each voice combination : CLP-950)

• Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each voice)

• Touch Sensitivity (including the FIXED volume)

• Metronome (Beat, Volume)

• Preset Song Part Cancel Volume

CLP-930 Backup Functions

The Function Mode

CLP-950/930

Connecting to a Personal Computer

Although the Clavinova can be connected to a personal computer via the

MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and

HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT

personal computers for sequencing and other music applications without the

need for a separate MIDI interface.

Connect the TO HOST connector of the Clavinova to the modem or

printer port on your Macintosh, depending on which port your MIDI

software is using for MIDI data communication, using a standard

Macintosh 8-pin system peripheral cable. Set the HOST SELECT

switch to the “Mac” position.

You may also have to make other MIDI interface settings on the

computer side, depending on the type of software you use (refer to your

software owner’s manual). In any case the clock speed should be set to

1 MHz.

Connecting to an Apple Macintosh Series

Computer

................................................................................................................

● “Mac” Cable Connections

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

NOTE

• When connecting the Clavinova to a personal computer, first turn the power to both the Clavinova and the computer

OFF before connecting the cable and setting the HOST SELECT switch. After connecting the cable and making the

appropriate HOST SELECT switch setting, turn the power to the computer on first, then turn on the Clavinova.

• When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST]

terminal. If the cable is left connected, the Clavinova may not function properly.

•“

HS(

” will appear in the display if the host computer is not turned on, the connecting cable is not properly con-

nected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In

this case, turn the power off on both the Clavinova and the computer, and check the cable connection and the

position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the

power of the computer on first, then the Clavinova, to check if the MIDI driver and MIDI application function properly.

• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors.

To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Apple Macintosh

Series Computer

Set to the “Mac” position.

CLP-930

“The Clavinova-Computer Connection” is a supplementary guidebook that describes, for

beginners, what you can do with your Clavinova and a personal computer and how to set up a

Clavinova-Computer system (the manual is not written for any specific models). The document

is available as a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-950/930

Connecting to an IBM-PC/AT Series Computer ............

Connect the TO HOST connector of the Clavinova to the RS-232C port

on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB

cross cable. Set the HOST SELECT switch to the “PC-2” position.

Refer to your software owner’s manual for information on any

settings you might have to make on the computer side.

Connecting to a Personal Computer

● “PC-2” Cable Connections

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

• 8-pin mini DIN

→

9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

● Connector Pin Numbers

678

MINI DIN 8-PIN

D-SUB 9-PIN

NOTE

• If your system doesn’t work properly with the connections and settings listed above, your software may require

different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the

HOST SELECT switch to “PC-1”.

• When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must

be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the

World Wide Web, <http://www.yamaha.co.jp/english/xg/>.

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

IBM-PC/AT

Series Computer

Set to the “PC-2” position.

CLP-930

CLP-950/930

Connecting to a Personal Computer

Using a USB Interface (such as the Yamaha UX256)

Connect the USB interface (Yamaha UX256 or equivalent) to your

computer using a USB cable. Install the driver software supplied with

the interface (or other appropriate driver software) on your computer

according to the supplied instructions. Connect your instrument to the

USB interface using either a standard Macintosh 8-pin system periph-

eral cable or MIDI cables. Refer to the manual supplied with your USB

interface for details.

Computer

USB cable

UX256 or equivalent

Clavinova

MIDI cables

MIDI

INOUT

HOST SELECT

MIDI

● Connecting the USB Interface and Instrument via a Serial Cable

● Connecting the USB Interface and Instrument via MIDI Cables

Computer

USB cable

UX256 or equivalent

Mini-DIN 8-pin

Clavinova

HOST SELECT

PC-1

HOST SELECT

Mac

Standard Macintosh 8-pin system peripheral cable

CLP-950/930

Factory Preset Recall

Options & Expander Modules

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha

Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones

with extra-soft ear pads.

All dual mode, split mode, reverb, effect, touch sensitivity, tuning

settings, and the settings affected by the Backup Functions can be

restored to their original factory preset values by holding the C7 key

(rightmost key on the keyboard) while turning the [POWER] switch

ON. This also erases all recorder data, and sets all Backup on/off

settings (F8: CLP-930, F9: CLP-950) to “OFF”.

NOTE

• The factory setting list is found on page 42.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming

that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to the Clavinova

and an AC wall outlet? Check the AC connection

carefully. Is the CLP-950 speaker cord properly

plugged into the connector? (page 50) Is the MAS-

TER VOLUME control turned up to a reasonable

listening level?

Also make sure that a pair of headphones is not

plugged into the PHONES jack, and that the Local

Control (page 34) is ON.

2. The Damper Pedal Doesn’t Work

If the damper pedal doesn’t work, or notes are sus-

tained even when the pedal is not pressed, make sure

that the pedal cord is properly plugged into the main

unit (page 58: CLP-930, page 50: CLP-950).

3. The Clavinova Reproduces Radio or TV

Sound

This can occur if there is a high-power transmitter in

your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning ON or OFF a household

appliance or other electronic equipment which is fed

by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets

Located Near the Clavinova

The Clavinova contains digital circuitry which can

generate radio-frequency noise. The solution is to

move the Clavinova further away from the affected

equipment, or vice versa.

6. Noise is heard from the Clavinova’s speak-

ers.

The noise may be due to interference caused by the

use of a mobile phone in close proximity to the

Clavinova.

Turn off the mobile phone, or use it further away

from the Clavinova.

7. Distorted Sound When the Clavinova is

Connected to An External Amplifier/Speaker

System

If the Clavinova is connected to a stereo system or

instrument amplifier and the sound is distorted,

reduce the volume of the external equipment to a

level at which the distortion ceases.

● If “Scn” appears on the display an internal

malfunction has occurred. In this case,

contact your Yamaha dealer.

● Expander Modules

DOU-10 Disk Orchestra Unit

A range of MIDI recording and playback func-

tions, plus Yamaha DOC software, Disklavier

PianoSoft™, and General MIDI/Standard MIDI File

disk playback capability.

POWER

CLP-950/930

Voice

CLP- CLP- Stereo/

Touch

Dynamic

Voice Descriptions

950 930 Mono

Response Sampling*

Newly-recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that

requires acoustic piano.

Neu aufgezeichnete Samples eines echten Konzertflügels. Perfekt für klassische Kompositionen sowie viele andere

Musikrichtungen, für die ein akustischer Klavierklang wichtig ist.

Nouveaux échantillons enregistrés d’un vrai piano de concert. Parfaits pour les compositions classiques comme pour tout

autre style nécessitant un piano acoustique.

Muestras nuevas grabadas en un piano de cola para conciertos. Son perfectas para composiciones clásicas así como

para otros estilos que requieren piano acústico.

Newly-recorded samples from a full concert grand piano. Also includes dynamic sampling, sustain samples, and key-off

samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other

style that requires acoustic piano.

Neu aufgezeichnete Samples eines echten Konzertflügels. Mit “Dynamic Sampling”, “Sustain Samples” und “Key-off

Samples” für einen außergewöhnlich realistischen Konzertflügelklang. Perfekt für klassische Kompositionen sowie viele

andere Musikrichtungen, für die ein akustischer Klavierklang wichtig ist.

Échantillons nouvellement enregistrés à partir d’un vrai piano à queue de concert. Inclus également des échantillons

dynamique, sustain et hors touche destinés à produire une sonorité acoustique réaliste d’un vrai piano à queue de

concert. Parfaits pour les compositions classiques comme pour tout autre style nécessitant un piano acoustique.

Muestras nuevas grabadas en un piano de cola para conciertos. Incluyen también muestras dinámicas, muestras de

sostenido, y muestras de soltado de cuerdas para ofrecer un sondo de piano de cola acústico muy realista. Son

perfectas para composiciones clásicas así como para otros estilos que requieren piano acústico.

A bright, expansive piano sound which is ideal for rock and popular genres.

Ein heller, weiträumiger Pianosound, der sich ideal für Rock und andere populäre Musikgenres eignet.

Sonorité de piano brillante et expansive idéale pour les genres de musiques rock et populaire.

Sonido de piano claro y con expansión que es ideal para música rock y popular.

An electronic piano sound created by FM synthesis. Extremely “musical” response with varying timbre according to

keyboard dynamics.

Ein elektronischer Pianosound, der durch FM-Synthese erzeugt wird. Äußerst “musikalische” Ansprache mit

anschlagstärkeabhängiger Klangfärbung.

Sonorité de piano électronique créée par synthèse FM. Réponse extrêmement “musicale” avec un timbre variant en

proportion de la dynamique du clavier.

Sonido de piano electrónico creado con síntesis de FM. Tiene una respuesta muy “musical” con variación del timbre de

acuerdo con la dinámica del teclado.

The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when played lightly, and an aggressive

tone when played hard.

Der Sound eines elektrischen Pianos mit metallischen “Hammeranschlag-Spitzen”. Bei leichtem Anschlagen erhält man

einen weichen Klang, mit zunehmender Anschlagstärke einen aggressiveren Sound.

Sonorité de piano électrique se servant de “pointes” métalliques de frappe de marteau. Sonorité atténuée lorsque les

touches sont frappées légèrement et sonorité agressive lorsque le jeu est plus dur.

Sonido de piano eléctrico que usa los tonos metálicos de golpe de martillo. Es un tono suave cuando se toca con

delicadeza, y es un tono agresivo cuando se toca con fuerza.

The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There

is, however, a characteristic additional sound when the keys are released.

Cembalo, das maßgebliche Instrument der Barockmusik. Da die Saiten bei diesem Instrument angezupft werden, spricht

diese Stimme nicht auf Anschlagdynamik an. Beim Freigeben der Tasten ist jedoch ein zusätzlicher charakteristischer

Klang zu hören.

L’instrument définitif pour la musique baroque. Étant donné que la harpe se sert de cordes pincer, il n’existe aucune réponse

de touche. Cependant, cette sonorité supplémentaire caractéristique est obtenue lorsque les touches sont relâchées.

El instrumento perfecto para música barroca. Puesto que el clavicordio emplea cuerdas de punteado, no hay respuesta a

la pulsación. Sin embargo, hay un sonido característico adicional al soltar las teclas.

Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play.

Das Vibraphon wird mit relativ weichen Schlegeln gespielt. Je härter der Anschlag, um so metallischer wirkt der Klang.

Vibraphone joué avec des maillets relativement souples. La sonorité devient plus métallique au fur et à mesure que le jeu

des touches est plus dur.

Vibráfono tocado con mazos relativamente blandos. El tono pasa a ser más metálico a medida que se toca con más fuerza.

A soft pipe-organ type voice that is ideal for hymn accompaniment and other styles.

Ein sanfter pfeifenorgelähnlicher Klang, der sich ideal für Hymnenbegleitung und andere Musikstile eignet.

Voix de type orgue à tuyaux et sonorité enveloppée convenant parfaitement pour l’accompagnement d’un hymne ou

d’autres styles.

Una voz del tipo de órgano de tubos que es ideal para acompañamientos de himnos y otros estilos.

The sound of a “tonewheel” type electric organ. Often heard in jazz and rock idioms.

Der Sound einer “Tonewheel”-Elektroorgel. In Jazz- und Rockidiomen weit verbreitet.

Sonorité d’une molette de courbure du son de type orgue électrique. Souvent entendue dans les dialectes de jazz et de rock.

Sonido de un órgano eléctrico del tipo “rueda fónica”. Se oye normalmente en estilos de jazz y rock.

A large string ensemble. Try combining this voice with piano in the DUAL mode.

Ein großes Streicherensemble. Probieren Sie diese Stimme einmal kombiniert mit Piano im Dualmodus aus.

Grand ensemble à cordes. Essayez d’associer cette voix avec le piano en mode DUAL.

Un conjunto de instrumentos de cuerdas grande. Pruebe combinando esta voz con la de piano en el modo DUAL.

A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces.

Ein satter, reichhaltiger Klang. Perfekt zur Erzeugung voller Harmonien in Stücken mit langsamem Tempo.

Une ample et spacieuse voix de chœur. Convient parfaitement pour créer de riches harmoniques dans les passages lents.

Una voz de coros grande y espaciosa. Es perfecta para crear ricas armonías de piezas lentas.

An upright bass played fingerstyle. Ideal for jazz and Latin music.

Ein mit den Fingern gespielter Kontrabaß. Ideal für Jazz und lateinamerikanische Musik.

Sorte de doigté de basse droite. Convient parfaitement pour la musique de jazz et la musique latine.

Contrabajo tocado con punteado. Es ideal para jazz y música latina.

Electric bass for a wide range of music styles, jazz, rock, popular, and more.

E-Baß für eine Reihe von Musikrichtungen wie Jazz, Rock, Pop usw.

Basse électrique destinée à une vaste gamme de styles de musique de jazz, rock, populaire et autres.

Bajo eléctrico para una amplia variedad de estilos de música, jazz, rock, popular, y otros.

* Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic piano.

* “Dynamic Sampling” hält mehrere “Velocity-switched Samples” bereit, die anschlagdynamisch gesteuert wiedergegeben werden

und so die bei unterschiedlicher Anschlagstärke erzeugten klanglichen Variationen eines akustischen Instruments reproduzieren.

* L’échantillonnage dynamique procure des échantillons multiples commutés permettant de simuler avec une précision remarquable

le timbre d’un piano acoustique.

* El muestreo dinámico proporciona múltiples muestras de velocidad cambiada para simular con precisión la respuesta del timbre

de un piano acústico.

Voice Descriptions/Beschreibung der Stimmen/

Description des voix/Descripciones de las voces

Stereo

–

GRAND

PIANO

Stereo

–

GRAND

PIANO 1

Stereo

–

GRAND

PIANO 2

Stereo

E.PIANO 1

Mono

OOOO

E.PIANO 2

Stereo

HARPSI-

CHORD

Stereo

VIBRA-

PHONE

Stereo

CHURCH

ORGAN

Mono

–

JAZZ

ORGAN

Stereo

STRINGS

Stereo

XOO

CHOIR

Mono

–

WOOD

BASS

E.BASS

Mono

–

CLP-950/930

Function

CLP-950 CLP-930

Function Default

Backup Group

CLP-950 CLP-930

F1 F1 Tuning A3=440Hz

F2.1 F2.1 Scale 1 (Equal Temperament) F9.3 F8.3

F2.2 F2.2 Base Note C

F3.1 F3.1 Dual Balance Preset for each voice combination

F3.2 F3.2 Dual Detune Preset for each voice combination

F3.3, F3.4 F3.3, F3.4 Dual Octave Shift Preset for each voice combination

F3.5, F.3.6 F3.5, F.3.6 Dual Effect Depth Preset for each voice combination

F4.1 — Split Point F#2 F9.1 F8.1

F4.2 — Split Balance Preset for each voice combination

F4.3, F4.4 — Split Octave Shift Preset for each voice combination

F4.5, F4.6 — Split Effect Depth Preset for each voice combination

F4.7 — Damper Range ALL

F5.1 F4 Left Pedal Mode 1 (soft pedal)

F9.4 F8.4

F5.2 — Sustain Sample Depth 12

F6 F5 Metronome Volume 10

F9.1 F8.1

F7 F6 Preset Song Part Cancel Volume 5

F8.1 F7.1 MIDI Transmit Channel 1

F8.2 F7.2 MIDI Receive Channel ALL

F8.3 F7.3 Local Control ON

F9.2 F8.2

F8.4 F7.4 Program Change Send & Receive ON

F8.5 F7.5 Control Change Send & Receive ON

F8.6 F7.6 MIDI Transmit Transpose 0

F9 F8 Backup All OFF

Always backed up Always backed up

Factory Setting List/Liste der Vorgabeeinstellungen/

Liste des réglages/Lista de ajustes de fábrica

CLP-950 CLP-930

Backup Group

CLP-950 CLP-930

Voice GRAND PIANO 1 GRAND PIANO

Dual Mode OFF OFF

Split Mode OFF —

Split Mode Left Voice BASS —

Reverb Type Preset for each voice Preset for each voice

F9.1 F8.1

Reverb Depth Preset for each voice Preset for each voice

Effect Type Preset for each voice Preset for each voice

Effect Depth Preset for each voice Preset for each voice

Touch Sensitivity MEDIUM MEDIUM

Volume in the FIXED Mode 64 64

Metronome OFF OFF — —

Metronome Time Signature 0 (no accent) 0 (no accent) F9.1 F8.1

Tempo 120 120 — —

Transpose 0 0 F9.3 F8.3

“—”: Not memorized

Voice Name

CLP-930 CLP-950

Title Composer

GRAND PIANO O – Valse op.64-1 “Petit chien” F.F.Chopin

GRAND PIANO 1 – O Nocturne op.9-2 F.F.Chopin

GRAND PIANO 2 – O Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven

E.PIANO1 O O Clair de lune C.A.Debussy

E.PIANO2 O O Scherzo-valsa (Pièces Pittoresques) E.Chabrier

HARPSICHORD O O Le Coucou L-C.Daquin

VIBRAPHONE O O Study in A minor Georges Pheiffer

CHURCH ORGAN O O Organ Concerto Op.4 No.2 G.F.Händel

JAZZ ORGAN – O Trolltog (Lyriske Småstykker No.5) E.H.Grieg

STRINGS O O Brandenburgisches Konzert No.3 J.S.Bach

CHOIR O O Kantate Nr.140 J.S.Bach

WOOD BASS – O L’Eléphant Saint-Saëns

E.BASS – O In The Kings Hall E.H.Grieg

Voice Demo Tune Titles

Demo Song List/Verzeichnis der Demo-Songs/

Liste des morceaux de démonstration/Lista de canciones de demostración

• Some of the demonstration pieces listed above are short rearranged excerpts from the original compositions.

• Bei manchen der oben aufgeführten Demo-Stücke handelt es sich um kurze, umgestaltete Auszüge aus den Originalkompositionen.

• Certains des morceaux de démonstration cités ci-dessus sont de courts extraits arrangés des compositions originales.

• Algunas de las piezas de demostración arriba mencionadas son pasajes cortos arreglados de las composiciones originales.

CLP-950/930

3 MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note On

and Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H

Reset All Controllers

00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the specified

channel. Any notes being held by the damper or sostenuto pedal

will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When control change reception is turned OFF in the Function

mode, control change data will not be transmitted or received

except for Bank Select and Mode messages.

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

• When a voice bank MSB/LSB is received, the number is stored

in the internal buffer regardless of the received order, then the

stored value is used to select the appropriate voice when a

program change message is received.

• The Multi-timbre and Poly modes are always active. No change

occurs when OMNI ON, OMNI OFF, MONO, or POLY mode

messages are received.

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos

proporcionados en esta sección le ayudarán a controlar la

Clavinova.

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer-

generated MIDI messages, the data provided in this section

can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Compu-

ter zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

Clavinovas nach den im folgenden Abschnitt aufgeführten

Spezifikationen richten.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the selected

voice, the note is adjusted by the necessary number of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of next

Program Change message.

(2) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(3) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(4) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(5) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Effect1 Depth ( Reverb Send Level )

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(8) Effect4 Depth ( Variation Effect Send Level )

ccH Parameter Data Range (vvH)

5EH Effect4 Depth 00H...7FH

MIDI Data Format/MIDI-Datenformat/

Format des données MIDI/Formato de datos MIDI

CLP-950/930

• Panel Data Contents

MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

5. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

Data Transmission Reception

F8H Transmitted every Received as 96-clock tempo timing

96 clocks when MIDI clock is set to External

FAH Recorder start Recorder start

Not received when the MIDI clock

is set to Internal.

FCH Recorder stop Recorder stop

Not received when the MIDI clock

is set to Internal.

FEH Transmitted every If a signal is not received via MIDI

200 milliseconds for more than 400 milliseconds, the

same processing will take place for

All Sound Off, All Notes Off and

Reset All Controllers as when those

signals are received.

• Caution: If an error occurs during MIDI reception, the Damper, Sostenuto,

and Soft effects for all channels are turned off and an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... ->

[F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, 2AH (

data length

)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 30H (CLP-950/930)

30H, 30H (version x, y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H

• When program change reception is turned OFF in the Function

mode, no program change data is transmitted or received.

Also, Bank MSB/LSB is not transmitted or received.

CLP-950 CLP-930

MSB LSB

P.C.#

MSB LSB

P.C.#

GRAND PIANO 1* 0 112 0 0 112 0

GRAND PIANO 2 0 112 1

E.PIANO 1 0 112 5 0 112 5

E.PIANO 2 0 112 4 0 112 4

HARPSICHORD 0 112 6 0 112 6

VIBRAPHONE 0 112 11 0 112 11

CHURCH ORGAN 0 112 19 0 112 19

JAZZ ORGAN 0 112 16

STRINGS 0 112 48 0 112 48

CHOIR 0 112 52 0 112 52

WOOD BASS 0 112 32

E.BASS 0 112 33

* Indicated as GRAND PIANO on the CLP-930

P.C.#=Program Change number

7. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[ll H] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

CLP-950

CLP-930

(1) 1'st Voice OO

(2) Dual On/Off OO

(3) Dual Voice OO

(4) Dual Balance OO

(5) Dual Detune OO

(6) Dual Voice1 Octave OO

(7) Dual Voice2 Octave OO

(8) Dual Voice1 Effect Depth OO

(9) Dual Voice2 Effect Depth OO

(10) Split On/Off OX

(11) Split Voice OX

(12) Split Point OX

(13) Split Balance OX

(14) Split Voice1 Octave OX

(15) Split Voice2 Octave OX

(16) Split Voice1 Effect Depth OX

(17) Split Voice2 Effect Depth OX

(18) Split Dumper Mode OX

(19) Reverb Type 1 OO

(20) Reverb Type 2 OO

(21) Reverb Depth1 OO

(22) Reverb Depth2 OO

(23) Effect Type 1 OO

(24) Effect Type 2 OO

(25) Effect Depth OO

(26) Touch Sensitivity OO

(27) Fixed Data OO

(28) Left Pedal Function OO

(29) Absolute tempo low byte OO

(30) Absolute tempo high byte OO

• “X” indicates no affect.

• Panel data send requests cannot be received.

CLP-950/930

(2) Universal Non-Realtime Message (GM 0n)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the MIDI

system will be reset to its default settings.

This message requires approximately 50ms to execute, so suffi-

cient time should be allowed before the next message is sent.

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [ll H] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH = Address Mid

ll H = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size.

When the XG System On message is received, the MIDI system

will be reset to its default settings.

The message requires approximately 50ms to execute, so suffi-

cient time should be allowed before the next message is sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->

[ddH] ->...-> [ccH] -> [F7H]

F0H Exclusive status

43H YAMAHA ID

0nH When received, n=0~F.

When transmitted, n=0.

4CH Model ID of XG

aaH ByteCount

bbH ByteCount

hhH Address High

mmH Address Mid

ll H Address Low

ddH Data

| |

ccH Check sum

F7H End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitialization

of relevant parameters and Control Change values. Allow suffi-

cient time for processing to execute (about 50 msec) before

sending the Clavinova another message.

• XG Native Parameter Change message may contain two or four

bytes of parameter data (depending on the parameter size).

• For information about the Address and Byte Count values, refer

to Table 1 below. Note that the table’s Total Size value gives the

size of a bulk block. Only the top address of the block (00H, 00H,

00H) is valid as a bulk data address.

9. SYSTEM EXCLUSIVE MESSAGES

(Clavinova MIDI Format)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] ->

[F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

xxH = Product ID (CLP-950/930 common ID: 67H or

CLP common ID: 01H)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

06H Bulk Data (the bulk data follows 06H)

F7H = End of Exclusive

* When nn=02H or 03H, Clavinova common ID (01H) is

recognized as well as 50H.

BULK DUMP FORMAT

F0H, 43H, 73H

xxH =Product ID (CLP-950: 6BH,

CLP-930: 6AH)

06H =Bulk ID

05H =Sequence data

0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH =Data length

[BULK DATA] =

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H = End of Exclusive

10. SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

67H = CLP-950/930 common ID

11H = Clavinova special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control 0n ccH vvH

Split Point Always 00H 14H 14H :

Split Key Number

(CLP-950)

Metronome Always 00H 1BH 00H : off

01H : –

02H : 2/4

03H : 3/4

04H : 4/4

05H : 5/4

06H : 6/4

7FH : No accent

Damper Level ch: 00H-0FH 3DH (Sets the Damper Level

for each channel:

CLP-950

)

00H-7FH

Channel Detune ch: 00H-0FH 43H (Sets the Detune value for

each channel)

00H-7FH

Voice Reserve ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

* When Volume, Expression is received for Reserve On, they will

be effective from the next Key On. Reserve Off is normal.

11. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] ->

[00H] -> [00H] -> [mmH] -> [ll H] -> [ccH] ->

[F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = Transmission from n=CLP is always 0. 0-F is received.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH = Master Tune MSB

ll H = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

CLP-950/930

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

Sound board 03H 12H (CLP-950)

EFFECT

MSB LSB

CHORUS 42H 10H

PHASER 48H 10H

TREMOLO 42H 12H

DELAY 05H 10H

● Effect MIDI Map

MIDI Parameter Change table ( SYSTEM )

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4

020C - 05F4(*1)

MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 → bit 15 - 12 400

02 2nd bit 3 - 0 → bit 11 - 8

03 3rd bit 3 - 0 → bit 7 - 4

4th bit 3 - 0 → bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 ——

06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40

7E 00 XG SYSTEM ON 00=XG sytem ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

MIDI Parameter Change table ( EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01(=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table ( MULTI PART )

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

CLP-950/930

YAMAHA [Clavinova] Date: 1 March, 2000

Model: CLP-950/930 MIDI Implementation Chart Version: 1.0

Function Transmitted Recognized Remarks

Basic Default 1 1

Channel Changed 1~16 1~16

Default 3 1 *1 Poly Mode only

Mode Messages XX

Altered ***************** X

Note 9~120 0~127

Number : True voice ***************** 21~108

Velocity Note on O 9nH, v=1~127 O v=1~127

Note off X 9nH, v=0 X

After key’s XX

Touch Ch’s XX

Pitch Bender XX

Control Change

0, 32 OOBank Select

07 XOVolume

11 OOExpression

64 OODamper

66 OOSostenuto

67 OOSoft pedal

91 OOReverb Depth

94 OOEffect Depth

120 XOAll sounds off

121 XOReset All Controllers

Program OO

Change : True # *****************

System Exclusive OO

System : Song Position XX

: Song Select XX

Common : Tune XX

System : Clock OO

Real Time : Commands OO

Aux : Local ON/OFF XO

: All Notes Off OO (123~127)

Messages : Active Sense OO

: Reset XX

Notes : *1 = Recieve Mode is always multi timbre and Poly mode.

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O: Yes

Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X: No

CLP-950/930

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each

unit.

• To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

The parts shown in the “Assembly Parts” illustration will

be used. Follow the assembly instructions and select the

parts as needed.

Attach the side panels (B) to the pedal box

(C).

Align the holes on the side of the pedal box (C) with those on

the side panels (B), attach the pedal box to the side panels using

the four 6 x 25 millimeter round-head screws 1 — two screws

on each side. Make sure the pedals extend in the same direction

as the feet.

Attach the front panel (D).

The front panel attaches to the front end of the pedal box and

side panels. Fit the front panel into position. Align the small hole

in each six brackets and attach the front panel using the six 4 x 12

millimeter round-head screws 2.

VORSICHT

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle Teile in

der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in der angegebe-

nen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es oben

gezeigt ist. Die Verwendung der falschen Schrauben kann zu Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle Schrauben

festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt werden.

Sie benötigen einen Kreuzschlitzschraubendreher (+).

Es werden die in der “Bauteile”-Zeichnung abgebildeten

Teile verwendet. Folgen Sie beim Zusammenbau den

Anweisungen, und wählen Sie die jeweils benötigten Teile.

Befestigen Sie die Seitenwände (B) am Pedal-

kasten (C).

Bringen Sie die Schraubenbohrungen an der Seite des Pedal-

kastens (C) mit denen an den Seitenwänden (B) zur Deckung, und

schrauben Sie den Pedalkasten mit den vier 6 x 25 mm Halbrund-

schrauben 1, jeweils zwei Schrauben links und rechts, an den

Seitenwänden fest. Achten Sie dabei darauf, daß die Pedale in diesel-

be Richtung weisen wie die vorspringenden Teile der Füße.

Montieren Sie die Stirnwand (D).

Die Stirnwand wird am vorderen Ende des Pedalkastens und der

Seitenwände angebracht. Setzen Sie die Stirnwand an. Bringen Sie

die

kleinen Bohrungen der sechs Halterungen mit denen in der Stirn-

wand aus, und schrauben Sie die Stirnwand mit den sechs 4 x 12 mm

Halbrundschrauben 2 fest.

CLP-950: Zusammenbau und Aufstellung

CLP-950: Keyboard Stand Assembly

6 x 25 mm round-head screws

6 x 25 mm Halbrundschrauben

Vis à tête ronde de 6 x 25 mm

Tornillos de cabeza redonda

de 6 x 25 mm

4 x 12 mm round-head screws

4 x 12 mm Halbrundschrauben

Vis à tête ronde de 4 x 12 mm

Tornillos de cabeza redonda

de 4 x 12 mm

6 x 16 mm flat-head screws

6 x 16 mm Senkschrauben

Vis à tête plate de 6 x 16 mm

Tornillos de cabeza plana de

6 x 16 mm

4 x 20 mm tapping screws

4 x 20 mm Schneidschrauben

Vis auto-taraudeuses 4 x 20 mm

Tornillos de autoenrosque de

4 x 20 mm

Pedal cord

Pedalkabel

Cordon de pédalier

Cable de pedales

x 4 1

x 8 2

x 4 3

x 4 4

● Cord holders x 2

● Kabelhalter x 2

● Serre-câble x 2

● Soportes de cable x 2

● AC power cord

● Netzkabel

● Cordon d’alimentation

● Cable de alimentación de CA

Assembly Parts / Bauteile / Éléments à assembler / Partes del conjunto

● The music stand is packaged in cardboard, and included

inside the box. Do not forget to remove it from the box.

● Der Notenständer ist in einer separaten Verpackung im

Karton enthalten. Vergessen Sie beim Auspacken nicht,

auch den Notenständer aus dem Karton zu nehmen.

● Le pupitre à partition est emballé dans du carton et se

trouve dans la boîte. Ne pas oublier de le retirer la boîte.

● El atril está embalado con cartón y se encuentra dentro de

la caja. No se olvide de sacarlo de la caja.

CLP-950/930

CLP-950: Assemblage du support de clavier

PRECAUTION

• Veiller à ne pas mélanger les pièces et à les installer dans le sens

correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous.

• La présence de deux personnes minimum est nécessaire pour procéder

au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué

cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en effet

endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de chaque

élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données ci-

dessous.

Munissez-vous d’un tournevis Phillips (cruciforme).

Les éléments qui sont représentés sur la figure intitulée

“Éléments à assembler” seront utilisés. Veuillez vous con-

former aux instructions d’assemblage et sélectionner les

éléments nécessaires.

Fixez les panneaux latéraux (B) au pédalier (C)

Faites correspondre les trous visibles sur le flanc du pédalier (C)

avec deux des panneaux latéraux (B), puis fixer le pédalier sur les

panneaux latéraux à l’aide de quatre vis de fixation à tête ronde de 6

x 25 millimètres 1 - soit deux vis de chaque côté. Veillez à ce que

les pédales soient dirigées dans le même sens que les supports infé-

rieurs.

Fixez le panneau avant (D).

Le panneau avant se fixe sur le bord avant du logement de

pédalier et sur les panneaux latéraux. Montez le panneau avant dans

la position voulue. Alignez les trous de

faible diamètre percés dans

chacune des platines de fixation puis fixer le panneau avant en

utilisant les six vis de fixation à tete ronde de 4 x 12 millimètres 2.

CLP-950: Conjunto del soporte del teclado

CUIDADO

• Observe cuidado para no confundir las piezas, y asegúrese de montar

todas ellas en el sentido correcto. Proceda al montaje en el orden

indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica

arriba. El empleo de tornillos inadecuados puede ocasionar daños en

el instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar cada

unidad.

• Para desmontar las unidades, invierta la secuencia de montaje facilita-

da a continuación.

Tenga preparado un destornillador de cabeza en cruz (+).

Se usarán las partes mostradas en la ilustración de

“Partes del conjunto”. Siga las instrucciones de montaje y

seleccione las partes a medida que se requieran.

Acople los paneles laterales (B) en la caja de

pedales (C).

Alinee los orificios del lado de la caja de pedales (C) con los de

los paneles laterales (B), y acople la caja de pedales a los paneles

laterales empleando los cuatro tornillos de cabeza redonda de 6 x

25 milímetros 1 — dos tornillos en cada lado. Asegúrese de que

el pedal se extiende en la misma dirección que la pata.

Monte el panel frontal (D).

El panel frontal se coloca en el extremo frontal de la caja de

pedales y los paneles laterales. Adapte el panel frontal en su posi-

ción. Alinee el orificio

pequeño de cada una de las seis ménsulas y

monte el panel frontal empleando los seis tornillos de cabeza re-

donda de 4 x 12 milímetros 2.

6 x 25 mm round-head screws 1

6 x 25 mm Halbrundschrauben 1

Vis à tête ronde de 6 x 25 mm 1

Tornillos de cabeza redonda de 6 x 25 mm 1

● Remove the vinyl tie from the folded pedal cord. Do

not remove the vinyl tie located next to the hole.

● Entfernen Sie den Kabelbinder vom

zusammengelegten Pedalkabel. Der Kabelbinder

neben der Durchführung darf nicht entfernt werden!

● Retirez l’attache en vinyle du cordon de pédale plié.

Ne retirez pas l’attache en vinyle placée près de

l’ouverture.

● Extraiga la abrazadera de plástico del cable del pedal

plegado. No extraiga la abrazadera de plástico que

está al lado del orificio.

4 x 12 mm round-head screws 2

4 x 12 mm Halbrundschrauben 2

Vis à tête ronde de 4 x 12 mm 2

Tornillos de cabeza redonda de 4 x 12 mm 2

CLP-950/930

6 x 16 mm flat-head screws 3

6 x 16 mm Senkschrauben 3

Vis à tête plate de 6 x 16 mm 3

Tornillos de cabeza plana de 6 x 16 mm 3

Montieren Sie die Tastatureinheit (A).

Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer,

daß die beiden Schrauben an ihrer Unterseite hinter den Winkel-

blechen mit Führungsschlitz an der Hinterseite des Ständers zu

liegen kommen. Schieben Sie die Tastatureinheit dann bis zum

Anschlag in die Schlitze. KLEMMEN SIE IHRE FINGER

DABEI NICHT EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite der

Tastatureinheit mit den Bohrungen der Winkelbleche aus

(achten

Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der

Abbildung gezeigt), um die Tastatureinheit dann mit den vier 6 x

16 mm Senkschrauben 3 festzuschrauben. Die vier Schrauben

können von der Rückseite her eingeführt werden.

VORSICHT

• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!

• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatur-

einheit und den Seitenwänden bzw. der Rückwand einklemmen —

die Tastatureinheit könnte dadurch zu Fall kommen!

Schließen Sie das Lautsprecherkabel an.

Das vom Lautsprecher kommende Kabel wird an die entspre-

chende Buchse an der Tastatrureinheit angeschlossen. Der Kabel-

stecker paßt nur in einer Ausrichtung in die Buchse (mit der

Führungsnase zur Rückseite des Instruments weisend, wie in der

Abbildung verdeutlicht). Versuchen Sie nicht, den Stecker falsch

herum mit Gewalt in die Buchse zu drücken!

Schließen Sie das Pedalkabel an.

Das vom Pedalkasten kommende Pedalkabel wird an die PE-

DAL-Buchse hinten an der Unterseite der Tastatureinheit ange-

schlossen. Bringen Sie nach dem Anschluß die Kabelhalter an der

Seitenwand an, um das Kabel dann in diese Halter zu klemmen.

Install the main unit (A).

Place the main unit (A) on the side panels (B) with the screws

on its bottom panel (toward the rear of the main unit) just behind

the grooves in the brackets located at the top of the side panels.

Then slide the main unit forward until it stops. WATCH YOUR

FINGERS WHEN DOING THIS!!

Align the holes on the bottom panel of the main unit with the

holes in the brackets on the side panels

(also center the main unit

to produce equal clearance on the left and right sides, as shown in

the illustration), then use the four 6 x 16 millimeter flat-head

screws 3 to attach the main unit. The four screws can be at-

tached from the rear.

CAUTION

• Do not hold the keyboard in any position other than the position

shown in the above illustration.

• Fingers can become pinched between the main unit and the rear or

side panels, be extra careful so as not to drop the main unit.

Connect the speaker cord.

The speaker cord from the speaker box must be plugged into

the corresponding connector in the main unit. The plug only goes

in one way (the lug on the connector should face the rear of the

main unit, as shown in the illustration), so don’t try to force it in

the wrong way around.

Connect the pedal cord.

The pedal cord from the pedal box must be plugged into the

PEDAL connector located at the rear of the main unit’s under-

side. Once connected, attach the cord holders to the side panel as

shown, then clip the cord into the holders.

10 cm

● Be sure to place your hands at least 10 centimeters from

either end of the main unit when positioning it.

● Mindestens 10 cm innen unter die Tastatureinheit greifen.

● Placez bien vos mains à 10 cm au moins des extrémités

du clavier, lors de sa mise en place.

● Asegúrese de colocar las manos por lo menos a 10

centímetros desde los extremos de la unidad principal

cuando la sitúe.

10 cm

● The bracket on the front has 2 holes. Insert the screws into

the holes on the front panel side of the bracket.

● Die vorderen Winkelbleche haben zwei

Schraubenbohrungen. Führen Sie die Schraube jeweils in

die Bohrung an der Stirnwandseite ein.

● La partie avant de la ferrure comporte deux trous.

Introduisez les vis de fixation dans les trois du côté du

panneau avant de la ferrure.

●La ménsula de la parte frontal tiene 2 orificios. Inserte los

tornillos en los orificios del lado del panel frontal de la

ménsula.

CLP-950/930

Installez le clavier (A)

Placez le clavier sur les panneaux latéraux (B), avec les vis de

son panneau inférieur (situées vers l’arrière du clavier) placées

immédiatement derrière les rainures des ferrures situées à la

partie supérieure des panneaux latéraux (B), puis faites glisser le

clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES

ATTENTION A VOS DOIGTS EN EXECUTANT CETTE

OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les trous

des ferrures des panneaux latéraux

(centrez également le clavier

de manière à avoir un jeu identique de chaque côté) utilisez en-

suite quatre vis de fixation à tête plate de 6 x 16 millimètres 3

pour immobiliser le clavier. Les quatre vis peuvent être fixées par

l’arrière.

PRECAUTION

• Ne tenez pas le clavier d’une autre manière que celle indiquée sur

l’illustration ci-dessus.

• Attention car vous risquez de vous faire pincer les doigts entre le

clavier et les panneaux arrière ou latéraux de sorte que vous devez

veiller à ne pas faire tomber le clavier.

Raccordez le câble de haut-parleur

Le câble de haut-parleur qui sort du logement de haut-parleur

doit être raccordé au connecteur correspondant du clavier. La

prise ne s’enclenche que d’une seule manière (la cosse du con-

necteur doit être orientée vers l’arrière du clavier, comme indiqué

sur l’illustration), aussi, n’essayez pas de la faire entrer de force

dans le mauvais sens.

Raccordez le câble du pédalier

Le câble du pédalier qui sort du logement de pédalier doit être

raccordé au connecteur PEDAL implanté à l’arrière du panneau

de dessus de l’instrument. Une fois branché, fixez les attaches de

câble sur le panneau latéral en procédant de la façon représentée

sur la figure, puis emboîtez le câble dans les attaches.

Instale la unidad principal (A).

Coloque la unidad principal en los paneles laterales (B) con

los tornillos de su panel inferior (hacia la parte posterior de la

unidad principal) justo detrás de las ranuras de la ménsula ubica-

da en la parte superior de los paneles laterales (B), después desli-

ce el teclado hacia adelante hasta que se pare. ¡TENGA CUIDA-

DO CON SUS DEDOS MIENTRAS LO HACE!

Alinee los orificios del panel inferior de la unidad principal

con los orificios de las ménsulas de los paneles laterales

(también

centre la unidad principal para producir una holgura igual en los

lados derecho e izquierdo, como se muestra en la ilustración), y

emplee entonces los cuatro tornillos de cabeza plana de 6 x 16

milímetros 3 para montar la unidad principal. Los cuatro torni-

llos pueden colocarse desde detrás.

CUIDADO

• No sostenga el teclado en ninguna posición que no sea la posición

mostrada en la ilustración de arriba.

• Podría pillarse los dedos ente la unidad principal y los paneles trase-

ros o laterales, por lo que deberá tener mucho cuidado que no se

caiga la unidad principal.

Conecte el cable de altavoz.

El cable de altavoz procedente de la caja de altavoces debe

enchufarse al conector correspondiente de la unidad principal. La

clavija sólo entra en un sentido (la lengüeta del conector debe

orientarse hacia atrás de la unidad principal, como se muestra en

la ilustración), por lo que no deberá forzarla al revés. Una vez

conectada, coloque los soportes de cable en el panel trasero como

se muestra, y enganche el cable en los soportes.

Conecte el cable de los pedales.

El cable de los pedales procedente de la caja de pedales debe

enchufarse al conector PEDAL situado en la parte posterior del lado

inferior de la unidad principal. Una vez se ha conectado, coloque los

soportes de cable del panel lateral como se muestra, y sujete el cable en

los soportes.

● Before connecting the speaker cord, remove the vinyl tie

attaching the speaker cord to the front panel.

● Entfernen Sie vor dem Anschluß des Lautsprecherkabels

den Kabelbinder, mit dem das Kabel an der Stirnwand

festgemacht ist.

● Avant de raccorder le cordon de haut-parleur, retirez

l’attache en vinyle qui immobilise le cordon de haut-parleur

sur le panneau avant.

● Antes de conectar el cable de altavoz, extraiga la

abrazadera de plástico que fija el cable de altavoz al panel

frontal.

Cord holder

Kabelhalter

Serre-câble

Soporte del

cable

CLP-950/930

● A voltage selector is provided in some areas.

● Spannungswähler

(nur in bestimmten Verkaufsgebieten)

● Un sélecteur de tension est prévu pour

certaines régions

● El selector de tensión está provisto para

ciertos destinos.

240

127

110

220

4 x 20 mm tapping screws 4

4 x 20 mm Schneidschrauben 4

Vis auto-taraudeuses 4 x 20 mm 4

Tornillos de autoenrosque de 4 x 20 mm 4

4 x 12 mm round-head screws 2

4 x 12 mm Halbrundschrauben 2

Vis à tête ronde de 4 x 12 mm 2

Tornillos de cabeza redonda de 4 x 12 mm 2

Voltage Selector

Before connecting the AC power cord, check the setting of the

voltage selector which is provided in some areas. To set the selec-

tor for 110V, 127V, 220V or 240V main voltages, use a “minus”

screwdriver to rotate the selector dial so that the correct voltage for

your region appears next to the pointer on the panel. The voltage

selector is set at 240V when the unit is initially shipped.

After the proper voltage has been selected, connect the AC

power cord to the AC INLET.

CAUTION

• An improper voltage setting can cause serious damage to the

Clavinova or result in improper operation.

Attach the rear panel (E).

With the rear panel slightly angled as shown in the illustration,

lower it onto the feet’s protruding edge at the rear of the pedal

box. At this time, run the AC power cord through the cutout on the

rear panel. Then, secure the top of the rear panel to the side panel

brackets using two 4 x 12 mm round-head screws 2. Finally,

secure the bottom of the rear panel to the pedal box using four 4 x

20 mm tapping screws 4.

Move the instrument to the location where it will be used and

connect the AC power cord to an AC wall outlet. A plug adaptor

may be also provided in some areas to match the pin configuration

of the AC wall outlets in your area

■ After completing the assembly, please check

the following.

• Are there any parts left over?

➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

➔ Tighten all screws.

• Are the pedal and power cords inserted securely into the sockets?

➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten all

screws.

Den Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den Spannungs-

wähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum

Verstellen drehen Sie den Spannungswähler mit einem Schlitz-

schraubendreher, bis der richtige Spannungswert (110, 127, 220 oder

240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle

Instrumente mit Spannungswähler auf “240” voreingestellt.

Nachdem Sie den Spannungswähler auf den richtigen Spannungswert

eingestellt haben, stecken Sie das Netzkabel in die AC INLET-Buchse.

VORSICHT

• Eine falsche Spannungseinstellung kann das Clavinova schwer beschädi-

gen und Funktionsstörungen zur Folge haben.

Montieren Sie die Rückwand (E).

Setzen Sie die Rückwand leicht abgewinkelt, wie in der Abbildung

gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der

Füße auf. Verlegen Sie das Netzkabel dabei durch den Ausschnitt in

der Rückwand. Schrauben Sie dann die Rückwand oben mit zwei 4 x

12 mm Halbrundschrauben 2 fest. Schrauben Sie die Rückwand

abschließend noch mit vier 4 x 20 mm Schneidschrauben 4 an den

Pedalkasten.

Bringen Sie das Instrument an seinen Stellplatz, und schließen Sie

das Netzkabel an eine Steckdose an. In manchen Gebieten wird ein

Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschied-

lich geformte Steckdose zu ermöglichen.

■ Wenn der Zusammenbau beendet ist, prüfen

Sie bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch und

korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen bewegli-

chen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔ Ziehen Sie alle Schrauben fest.

• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?

➔ Prüfen Sie die Verbindung.

• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie

die Abbildungen und ziehen Sie alle Schrauben noch einmal nach.

● Nach dem Zusammenbau müssen Sie den Tastatur-Sicherungsdraht

entfernen. Diese Arbeit wird nur einmal ausgeführt, und der Draht

braucht später nicht wieder angebracht zu werden. Anweisungen hierzu

entnehmen Sie bitte dem unter der Tastaturabdeckung auf den Tasten

liegenden Hinweisblatt (siehe Seite 10).

● After assembly is complete, it will be necessary to remove the keyboard

string. This procedure is performed once only and the string will never

have to be reattached again. For instructions on its removal, refer to the

paper titled "REQUEST" that can be found on the keys underneath the

key cover (see page 10).

CLP-950/930

Sélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le réglage

du sélecteur de tension qui est prévu pour certaines régions. Pour

régler le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un

tournevis à lame plate pour tourner le cadran du sélecteur afin de

mettre l’indication correspondant à la tension de votre région vis à

vis du repère triangulaire situé sur le panneau. Le sélecteur de ten-

sion est réglé sur 240 V au départ d’usine.

Après avoir choisi la tension appropriée, branchez le cordon d’ali-

mentation secteur dans la prise AC INLET de l’instrument.

PRECAUTION

• Vous risquez de sérieusement endommager le Clavinova ou de provo-

quer un fonctionnement anormal de l’instrument en ne choisissant pas

correctement la tension d’alimentation.

Fixez le panneau arrière (E)

En inclinant légèrement en angle le panneau arrière, comme men-

tionné sur l’illustration, abaissez-le sur le rebord des pieds, à l’arrière du

pédalier. Faire passer à ce moment-là le cordon d’alimentation secteur

dans l’échancrure aménagée dans le panneau arrière. Puis fixez le haut

du panneau arrière sur les supports des panneaux latéraux à l’aide de

deux vis à tête ronde 4 x 12 mm 2. Et finalement, fixez le bas du pan-

neau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 4.

Déplacez l’instrument jusqu’à l’emplacement où il est prévue de l’uti-

liser, puis raccorder le cordon d’alimentation secteur à une prise de sortie

secteur. Un adaptateur de prise peut également être fourni dans certaines

régions pour pouvoir brancher le cordon à la prise secteur murale.

■ Lorsque le montage est terminé, veuillez me-

ner à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis?

➔ Serrer convenablement toutes les vis.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le

clavier, consulter les diagrammes de montage et resserrer toutes les vis.

Selector de tensión

Antes de conectar el cable de alimentación de CA, compruebe el

ajuste del selector de tensión que se incorpora para ciertos destinos.

Para ajustar el selector a 110V, 127V, 220V ó 240V de la red de

alimentación, emplee un destornillador de cabeza recta “-” para girar

el selector de modo que la tensión correcta de su zona aparezca al

lado del indicador del panel. El selector de tensión se ajusta a 240V

cuando la unidad sale de fábrica.

Después de haber seleccionado la tensión correcta, enchufe el

cable de alimentación de CA a la toma AC INLET.

CUIDADO

• Un ajuste incorrecto de la tensión puede causar daños serios a la

Clavinova o ser motivo de mal funcionamiento.

Monte el panel trasero (E).

Con el panel trasero un poco inclinado en ángulo como se muestra en

la ilustración, bájelo al borde saliente de las patas de la parte posterior de

la caja de pedales. Entonces, pase el cable de alimentación de CA por el

corte del panel posterior. Entonces, fije la parte superior del panel trasero

a las ménsulas de panel lateral usando dos tornillos de cabeza redonda de

4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja

de pedales usando cuatro tornillos de autoenrosque de 4 x 20 mm 4.

Mueva el instrumento al lugar donde deba utilizarse y conecte el cable

de alimentación de CA a una toma de corriente de CA de la pared. En

algunas zonas puede suministrarse también un adaptador para adaptar la

configuración de las patillas de los tomacorrientes de CA de su localidad.

■ Cuando haya concluido el montaje, comprue-

be los siguientes puntos:

•¿Ha quedado alguna pieza sin instalar?

➔ Revise el procedimiento de montaje y corrija cualquier error que se haya

podido cometer.

•¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔ Traslade el Clavinova a una posición adecuada.

•¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔ Apriete con firmeza todos los tornillos.

•¿Están perfectamente insertados los cables de pedal y alimentación en los

conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad cuando se

toca el teclado, consulte los esquemas de montajee y vuelva a apretar todos

los tornillos.

CAUTION

• When moving the instrument after assembly, always hold in-

strument by the lower surface in the front of the main unit and

by the handles in the rear panel. NEVER the top portion or

keyboard cover. Improper handling can result in damage to the

instrument or personal injury.

VORSICHT

• Fassen Sie zum Umstellen des Instruments nach dem Zusam-

menbau vorne unter die Unterseite der Tastatureinheit und

hinten in die Griffmulden; heben Sie es NIEMALS am oberen

Teil des Gehäuses oder am Tastaturdeckel. Bei Nicht-

beachtung dieses Punkts kann das Instrument beschädigt und

im Extremfall eine Verletzung hervorgerufen werden.

PRECAUTION

• Lorsque l’instrument doit être déplacé après avoir été assemblé,

saisissez-le toujours par la surface inférieure de l’instrument pro-

prement dit et par les poignées du panneau arrière. JAMAIS par sa

partie supérieure ou par le protège-clavier. Une mauvaise manipu-

lation peut provoquer des dommages ou des blessures.

CUIDADO

• Cuando mueva el instrumento después del montaje, sostenga

siempre el instrumento por la superficie inferior de delante de la

unidad principal y por las asas del panel posterior. NUNCA la

parte superior de la cubierta del teclado. La manipulación

indebida puede causar daños en el instrumento o personales.

● Dès que l’assemblage est complètement terminé, la corde de clavier

doit être retirée. Ceci n’est exécuté qu’une seule fois et il ne sera plus

nécessaire de fixer la corde à nouveau. En ce qui concerne les instruc-

tions pour retirer cette corde, veuillez vous référer à la page intitulée

“REQUEST” qui est placée sur les touches du clavier sous le couvre-

clavier (voir page 10).

● Después de haber terminado el montaje, será necesario extraer la

cuerda del teclado. Este procedimiento sólo se lleva a cabo una vez y

la cuerda no se tendrá que volver a atar nunca más. Para las instruc-

ciones sobre la extracción de la cuerda, consulte el documento titulado

“RUEGO” que encontrará sobre las teclas debajo de la cubierta del

teclado (vea la página 10).

CLP-950/930

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each

unit.

• To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

The parts shown in the “Assembly Parts” illustration will

be used. Follow the assembly instructions and select the

parts as needed.

Attach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out the

bundled cord attached to the bottom of the pedal box. Don’t dis-

card the vinyl tie, you’ll need it later in step V.

Align the holes on the side of the pedal box (C) with those on

the side panels (D), attach the pedal box to the side panels using

the four 6 x 25 millimeter round-head screws 1 — two screws

on each side. Make sure the pedals extend in the same direction

as the feet.

VORSICHT

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle Teile in

der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in der angegebenen

Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es oben gezeigt

ist. Die Verwendung der falschen Schrauben kann zu Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle Schrauben

festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt werden.

Sie benötigen einen Kreuzschlitzschraubendreher (+).

Es werden die in der “Bauteile”-Zeichnung abgebildeten

Teile verwendet. Folgen Sie beim Zusammenbau den

Anweisungen, und wählen Sie die jeweils benötigten Teile.

Befestigen Sie die Seitenwände (D) am Pedal-

kasten (C).

Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das

gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder und

ziehen das Kabel dann gerade aus. Werfen Sie den Kabelbinder nicht

wg, er wird in Schritt V wieder gebraucht.

Bringen Sie die Schraubenbohrungen an der Seite des Pedalkastens

Sie den Pedalkasten mit den vier 6 x 25 mm Halbrundschrauben 1,

jeweils zwei Schrauben links und rechts, an den Seitenwänden fest.

Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen

wie die vorspringenden Teile der Füße.

CLP-930: Zusammenbau und Aufstellung

CLP-930: Keyboard Stand Assembly

6 x 25 mm round-head screws

6 x 25 mm Halbrundschrauben

Vis à tête ronde de 6 x 25 mm

Tornillos de cabeza redonda

de 6 x 25 mm

4 x 12 mm round-head screws

4 x 12 mm Halbrundschrauben

Vis à tête ronde de 4 x 12 mm

Tornillos de cabeza redonda

de 4 x 12 mm

4 x 20 mm tapping screws

4 x 20 mm Schneidschrauben

Vis auto-taraudeuses 4 x 20 mm

Tornillos de autoenrosque de

4 x 20 mm

6 x 16 mm flat-head screws

6 x 16 mm Senkschrauben

Vis à tête plate de 6 x 16 mm

Tornillos de cabeza plana de

6 x 16 mm

Bundled pedal cord inside

Gebündeltes Pedalkabel

Cordon de pédalier enroulé à l’intérieur

Cable de pedales enrollado en el interior

x 4 1

x 2 2

x 4 3

x 4 4

● Cord holders x 2

● Kabelhalter x 2

● Serre-câble x 2

● Soportes de cable x 2

● AC power cord

● Netzkabel

● Cordon d’alimentation

● Cable de alimentación de CA

Assembly Parts / Bauteile / Éléments à assembler / Partes del conjunto

● The music stand is packaged in cardboard, and included

inside the box. Do not forget to remove it from the box.

● Der Notenständer ist in einer separaten Verpackung im

Karton enthalten. Vergessen Sie beim Auspacken nicht,

auch den Notenständer aus dem Karton zu nehmen.

● Le pupitre à partition est emballé dans du carton et se

trouve dans la boîte. Ne pas oublier de le retirer la boîte.

● El atril está embalado con cartón y se encuentra dentro de

la caja. No se olvide de sacarlo de la caja.

CLP-950/930

CLP-930: Assemblage du support de clavier

PRECAUTION

•

Veiller à ne pas mélanger les pièces et à les installer dans le sens correct. Veuillez

assembler l’instrument dans l’ordre indiqué ci-dessous.

•

La présence de deux personnes minimum est nécessaire pour procéder au montage.

•

Toujours utiliser des vis aux dimensions correctes, comme indiqué cidessus. I’utilisation

de vis aux dimensions incorrectes pourrait en effet endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de chaque élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données ci-dessous.

Munissez-vous d’un tournevis Phillips (cruciforme).

Les éléments qui sont représentés sur la figure intitulée

“Éléments à assembler” seront utilisés. Veuillez vous con-

former aux instructions d’assemblage et sélectionner les

éléments nécessaires.

Fixez les panneaux latéraux (D) au pédalier

(C)

Avant de poser le pédalier, détacher le cordon de la partie infé-

rieure du pédalier et le dérouler. Ne jetez pas l’attache en vinyle,

vous la réutiliserez ultérieurement à l’étape V.

Faites correspondre les trous visibles sur le flanc du pédalier (C)

avec deux des panneaux latéraux (D), puis fixer le pédalier sur les

panneaux latéraux à l’aide de quatre vis de fixation à tête ronde de

6 x 25 millimètres 1 - soit deux vis de chaque côté. Veillez à ce

que les pédales soient dirigées dans le même sens que les supports

inférieurs.

CLP-930: Conjunto del soporte del teclado

CUIDADO

•

Observe cuidado para no confundir las piezas, y asegúrese de montar todas ellas

en el sentido correcto. Proceda al montaje en el orden indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica arriba. El

empleo de tornillos inadecuados puede ocasionar daños en el instrumento.

•

Asegúrese de apretar bien todos los tornillos después de montar cada unidad.

• Para desmontar las unidades, invierta la secuencia de montaje facilitada a

continuación.

Tenga preparado un destornillador de cabeza en cruz (+).

Se usarán las partes mostradas en la ilustración de

“Partes del conjunto”. Siga las instrucciones de montaje y

seleccione las partes a medida que se requieran.

Acople los paneles laterales (D) en la caja de

pedales (C).

Antes de instalar la caja de pedales, desate y enderezca el cable

plegado unido a la parte inferior de la caja de pedales. No tire la

abrazadera de vinilo, porque la necesitará en el paso V de más

adelante.

Alinee los orificios del lado de la caja de pedales (C) con los de

los paneles laterales (D), y acople la caja de pedales a los paneles

laterales empleando los cuatro tornillos de cabeza redonda de 6 x 25

milímetros 1 — dos tornillos en cada lado. Asegúrese de que el

pedal se extiende en la misma dirección que la pata.

6 x 25 mm round-head screws 1

6 x 25 mm Halbrundschrauben 1

Vis à tête ronde de 6 x 25 mm 1

Tornillos de cabeza redonda de 6 x 25 mm 1

CLP-950/930

Montieren Sie die Rückwand (B).

Setzen Sie die Rückwand leicht abgewinkelt, wie in der Abbil-

dung gezeigt, hinter dem Pedalkasten auf die hervorspringenden

Teile der Füße auf. Schrauben Sie dann die Rückwand oben mit

zwei 4 x 12 mm Halbrundschrauben 2 so an den Seitenwänden

fest, daß kein Spiel zwischen Rückwand und Seitenwänden ver-

bleibt. Schrauben Sie die Rückwand abschließend noch mit vier 4

x 20 mm Schneidschrauben 3 an den Pedalkasten.

Montieren Sie die Tastatureinheit (A).

Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer,

daß die beiden Schrauben an ihrer Unterseite hinter den Winkel-

blechen mit Führungsschlitz an der Hinterseite des Ständers zu

liegen kommen. Schieben Sie die Tastatureinheit dann bis zum

Anschlag in die Schlitze. KLEMMEN SIE IHRE FINGER

DABEI NICHT EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite der

Tastatureinheit mit den Bohrungen der Winkelbleche aus

(achten

Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der

Abbildung gezeigt), um die Tastatureinheit dann mit den vier 6 x

16 mm Senkschrauben 4 festzuschrauben. Die vier Schrauben

können von der Vorderseite her eingedreht werden.

VORSICHT

• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!

• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatur-

einheit und den Seitenwänden bzw. der Rückwand einklemmen —

die Tastatureinheit könnte dadurch zu Fall kommen!

Attach the rear panel (B).

With the rear panel slightly angled as shown in the illustration,

lower it onto the feet’s protruding edge at the rear of the pedal

box. Then, while eliminating any gaps between the rear and side

panels, secure the top of the rear panel to the side panel brackets

using two 4 x 12 mm round-head screws 2. Finally, secure the

bottom of the rear panel to the pedal box using four 4 x 20 mm

tapping screws 3.

Install the main unit (A).

Place the main unit (A) on the side panels (D) with the screws

on its bottom panel (toward the rear of the main unit) just behind

the grooves in the brackets located at the top of the side panels.

Then slide the main unit forward until it stops. WATCH YOUR

FINGERS WHEN DOING THIS!!

Align the holes on the bottom panel of the main unit with the

holes in the brackets on the side panels

(also center the main unit

to produce equal clearance on the left and right sides, as shown in

the illustration), then use the four 6 x 16 millimeter flat-head

screws 4 to attach the main unit. The four screws can be at-

tached from the front.

CAUTION

• Do not hold the keyboard in any position other than the position

shown in the above illustration.

• Fingers can become pinched between the main unit and the rear or

side panels, be extra careful so as not to drop the main unit.

4 x 20 mm tapping screws 3

4 x 20 mm Schneidschrauben 3

Vis auto-taraudeuses 4 x 20 mm 3

Tornillos de autoenrosque de 4 x 20 mm 3

4 x 12 mm round-head screws 2

4 x 12 mm Halbrundschrauben 2

Vis à tête ronde de 4 x 12 mm 2

Tornillos de cabeza redonda de 4 x 12 mm 2

CLP-950/930

Fixez le panneau arrière (B)

En inclinant légèrement en angle le panneau arrière, comme

mentionné sur l’illustration, abaissez-le sur le rebord des pieds, à

l’arrière du pédalier. Puis, tout en éliminant les espaces entre les

panneaux arrière et latéraux, fixez le haut du panneau arrière sur

les supports des panneaux latéraux à l’aide de deux vis à tête

ronde 4 x 12 mm 2. Et finalement, fixez le bas du panneau ar-

rière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.

Installez le clavier (A)

Placez le clavier sur les panneaux latéraux (D), avec les vis de

son panneau inférieur (situées vers l’arrière du clavier) placées

immédiatement derrière les rainures des ferrures situées à la

partie supérieure des panneaux latéraux (D), puis faites glisser le

clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES

ATTENTION A VOS DOIGTS EN EXECUTANT CETTE

OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les trous

des ferrures des panneaux latéraux

(centrez également le clavier

de manière à avoir un jeu identique de chaque côté) utilisez en-

suite quatre vis de fixation à tête plate de 6 x 16 millimètres 4

pour immobiliser le clavier. Les quatre vis peuvent être fixées par

l’avant.

PRECAUTION

• Ne tenez pas le clavier d’une autre manière que celle indiquée sur

l’illustration ci-dessus.

• Attention car vous risquez de vous faire pincer les doigts entre le

clavier et les panneaux arrière ou latéraux de sorte que vous devez

veiller à ne pas faire tomber le clavier.

Monte el panel trasero (B).

Con el panel trasero un poco inclinado en ángulo como se

muestra en la ilustración, bájelo al borde saliente de las patas de

la parte posterior de la caja de pedales. Entonces, mientras elimi-

na los huelgos entre los paneles trasero y lateral, fije la parte

superior del panel trasero a las ménsulas de panel lateral usando

dos tornillos de cabeza redonda de 4 x 12 mm 2. Finalmente,

fije la parte inferior del panel trasero a la caja de pedales usando

cuatro tornillos de autoenrosque de 4 x 20 mm 3.

Instale la unidad principal (A).

Coloque la unidad principal en los paneles laterales (D) con

los tornillos de su panel inferior (hacia la parte posterior de la

unidad principal) justo detrás de las ranuras de la ménsula ubica-

da en la parte superior de los paneles laterales (D), después desli-

ce el teclado hacia adelante hasta que se pare. ¡TENGA CUIDA-

DO CON SUS DEDOS MIENTRAS LO HACE!

Alinee los orificios del panel inferior de la unidad principal

con los orificios de las ménsulas de los paneles laterales

(también

centre la unidad principal para producir una holgura igual en los

lados derecho e izquierdo, como se muestra en la ilustración), y

emplee entonces los cuatro tornillos de cabeza plana de 6 x 16

milímetros 4 para montar la unidad principal. Los cuatro torni-

llos pueden colocarse desde delante.

CUIDADO

• No sostenga el teclado en ninguna posición que no sea la posición

mostrada en la ilustración de arriba.

• Podría pillarse los dedos ente la unidad principal y los paneles trase-

ros o laterales, por lo que deberá tener mucho cuidado que no se

caiga la unidad principal.

10 cm

● Be sure to place your

hands at least 10

centimeters from either

end of the main unit

when positioning it.

● Mindestens 10 cm innen

unter die Tastatureinheit

greifen.

● Placez bien vos mains à

10 cm au moins des

extrémités du clavier, lors

de sa mise en place.

● Asegúrese de colocar las

manos por lo menos a 10

centímetros desde los

extremos de la unidad

principal cuando la sitúe.

6 x 16 mm flat-head screws 4

6 x 16 mm Senkschrauben 4

Vis à tête plate de 6 x 16 mm 4

Tornillos de cabeza plana de 6 x 16 mm 4

CLP-950/930

4 5

Schließen Sie das Pedalkabel an.

Das vom Pedalkasten kommende Pedalkabel wird an die PEDAL-

Buchse hinten an der Unterseite der Tastatureinheit angeschlossen.

Bringen Sie nach dem Anschluß die Kabelhalter an der Rückwand an,

um das Kabel dann in diese Halter zu klemmen.

Den Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den

Spannungswähler (falls vorhanden) auf die örtliche Netzspannung ein-

stellen. Zum Verstellen drehen Sie den Spannungswähler mit einem

Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220

oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden

alle Instrumente mit Spannungswähler auf “240” voreingestellt.

Nachdem Sie den Spannungswähler auf den richtigen Spannungswert

eingestellt haben, stecken Sie das Netzkabel in die AC INLET-Buchse

und schließen es an eine Steckdose an. In manchen Gebieten wird ein

Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschiedlich

geformte Steckdose zu ermöglichen.

VORSICHT

• Eine falsche Spannungseinstellung kann das Clavinova schwer beschädi-

gen und Funktionsstörungen zur Folge haben.

Justieren Sie schließlich noch den Höhenversteller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens (C) ein

Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus,

bis er fest auf dem Fußboden steht. Der Höhenversteller sorgt für stabile

Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungs-

hubs. Wenn er nicht fest auf dem Boden steht, können beim Treten der

Pedale Klangverzerrungen auftreten.

■ Wenn der Zusammenbau beendet ist, prüfen Sie

bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch und

korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen bewegli-

chen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔ Ziehen Sie alle Schrauben fest.

• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal treten?

➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden steht.

• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?

➔ Prüfen Sie die Verbindung.

• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie

die Abbildungen und ziehen Sie alle Schrauben noch einmal nach.

240

127

110

220

AC INLET

Cord holder

Kabelhalter

Serre-câble

Soporte del cable

● A voltage selector is provided in some

areas.

● Spannungswähler

(nur in bestimmten Verkaufsgebieten)

● Un sélecteur de tension est prévu

pour certaines régions

● El selector de tensión está provisto

para ciertos destinos.

Connect the pedal cord.

The pedal cord from the pedal box must be plugged into the

PEDAL connector located at the rear of the main unit’s under-

side. Once connected, attach the cord holders to the rear panel

as shown, then clip the cord into the holders.

Voltage Selector

Before connecting the AC power cord, check the setting of

the voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the cor-

rect voltage for your region appears next to the pointer on the

panel. The voltage selector is set at 240V when the unit is ini-

tially shipped.

After the proper voltage has been selected, connect the AC

power cord to the AC INLET and an AC wall outlet. A plug

adaptor may be also provided in some areas to match the pin

configuration of the AC wall outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the

Clavinova or result in improper operation.

Set the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (C). Rotate the adjuster until it comes in firm contact

with the floor surface. The adjuster ensures stable pedal opera-

tion and facilitates pedal effect control. If the adjuster is not in

firm contact with the floor surface, distorted sound may result.

■ After completing the assembly, please

check the following.

• Are there any parts left over?

➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets?

➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the

keyboard, refer to the assembly diagrams and retighten all screws.

● Use the vinyl tie that was removed from the bundled pedal cord in

step

to tie up any slack in the pedal cord.

● Nehmen Sie überlanges Kabel mit dem in Schritt

entfernten

Kabelbinder auf.

● Utilisez l’attache en vinyle qui a été enlevée du cordon de pédalier à

l’étape

pour attacher le fil excédentaire du cordon de pédalier.

● Emplee la abrazadera de vinilo que se sacó del cale plegado de los

pedales en el paso

para fijar el cable de pedales sobrante.

C-

C-2

Mac

IDI

● Nach dem Zusammenbau müssen Sie den Tastatur-Sicherungsdraht

entfernen. Diese Arbeit wird nur einmal ausgeführt, und der Draht

braucht später nicht wieder angebracht zu werden. Anweisungen hierzu

entnehmen Sie bitte dem unter der Tastaturabdeckung auf den Tasten

liegenden Hinweisblatt (siehe Seite 10).

● After assembly is complete, it will be necessary to remove the key-

board string. This procedure is performed once only and the string

will never have to be reattached again. For instructions on its re-

moval, refer to the paper titled "REQUEST" that can be found on the

keys underneath the key cover (see page 10).

CLP-950/930

Raccordez le câble du pédalier

Le câble du pédalier qui sort du logement de pédalier doit être

raccordé au connecteur PEDAL implanté à l’arrière du panneau de

dessus de l’instrument. Une fois branché, fixez les attaches de câble

sur la face arrière en procédant de la façon représentée sur la figure

puis emboîtez le câble dans les attaches.

Sélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le réglage du

sélecteur de tension qui est prévu pour certaines régions. Pour régler le

sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à lame

plate pour tourner le cadran du sélecteur afin de mettre l’indication corres-

pondant à la tension de votre région vis à vis du repère triangulaire situé sur

le panneau. Le sélecteur de tension est réglé sur 240 V au départ d’usine.

Après avoir choisi la tension appropriée, branchez le cordon d’alimenta-

tion secteur dans la prise AC INLET de l’instrument et une prise de sortie

secteur. Un adaptateur de prise peut également être fourni dans certaines

régions pour pouvoir brancher le cordon à la prise secteur murale.

PRECAUTION

• Vous risquez de sérieusement endommager le Clavinova ou de provoquer

un fonctionnement anormal de l’instrument en ne choisissant pas correc-

tement la tension d’alimentation.

N’oubliez pas de régler la hauteur du pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de réglage a été

prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en

contact ferme avec la surface du sol. Ce dispositif assure la stabilité du

pédalier lors de son utilisation et facilite la commande au pied des effets.

Si ce dispositif n’est pas en contact ferme avec le sol, il pourra se produire

une distorsion du son.

■ Lorsque le montage est terminé, veuillez mener

à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis?

➔ Serrer convenablement toutes les vis.

• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur les pédales?

➔ Tourner le stabilisateur de sorte que le Clavinova repose fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le

clavier, consulter les diagrammes de montage et resserrer toutes les vis.

Conecte el cable de los pedales.

El cable de los pedales procedente de la caja de pedales debe enchufarse

al conector PEDAL situado en la parte posterior del lado inferior de la

unidad principal. Una vez se ha conectado, coloque los soportes de cable del

panel posterior como se muestra, y sujete el cable en los soportes.

Selector de tensión

Antes de conectar el cable de alimentación de CA, compruebe el ajuste

del selector de tensión que se incorpora para ciertos destinos. Para ajustar el

selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee un

destornillador de cabeza recta “-” para girar el selector de modo que la

tensión correcta de su zona aparezca al lado del indicador del panel. El

selector de tensión se ajusta a 240V cuando la unidad sale de fábrica.

Después de haber seleccionado la tensión correcta, enchufe el cable de

alimentación de CA a la toma AC INLET y a una toma de corriente de la

pared. En algunas zonas puede suministrarse también un adaptador para

adaptar la configuración de las patillas de los tomacorrientes de CA de su

localidad.

CUIDADO

• Un ajuste incorrecto de la tensión puede causar daños serios a la

Clavinova o ser motivo de mal funcionamiento.

Asegúrese de ajustar el ajustador.

Para la estabilidad del aparato, se proporciona un ajustador en la parte

inferior de la caja de pedales (C). Gire el ajustador hasta que contacte

firmemente con el suelo. El ajustador asegura una operación estable de los

pedales y facilita el control del efecto de los pedales. Si el ajustador no

contacta firmemente con el suelo, puede resultar en sonido distorsionado.

■ Cuando haya concluido el montaje, comprue-

be los siguientes puntos:

•¿Ha quedado alguna pieza sin instalar?

➔ Revise el procedimiento de montaje y corrija cualquier error que se

haya podido cometer.

•¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔ Traslade el Clavinova a una posición adecuada.

•¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔ Apriete con firmeza todos los tornillos.

•¿Vibra o cede la caja de pedales cuando se pisan los pedales?

➔ Gire el estabilizador hasta que apoye firmemente sobre el suelo.

•¿Están perfectamente insertados los cables de pedal y alimentación en

los conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad

cuando se toca el teclado, consulte los esquemas de montajee y vuelva

a apretar todos los tornillos.

CAUTION

• When moving the instrument after assembly, always

hold the lower surface of the main unit, NEVER the

top portion or keyboard cover. Improper handling can

result in damage to the instrument or personal injury.

VORSICHT

• Fassen Sie zum Umstellen des Instruments nach

dem Zusammenbau stets unter das Gehäuse; heben

Sie es NIEMALS am oberen Teil des Gehäuses oder

am Tastaturdeckel. Bei Nichtbeachtung dieses

Punkts kann das Instrument beschädigt und im

Extremfall eine Verletzung hervorgerufen werden.

PRECAUTION

• Pour déplacer l’instrument après le montage, tou-

jours tenir l’instrument par la surface inférieure,

JAMAIS par sa partie supérieure ou par le protège-

clavier. Une mauvaise manipulation peut provoquer

des dommages ou des blessures.

CUIDADO

• Cuando mueva el instrumento después del montaje,

sostenga siempre la superficie inferior de la unidad

principal, y NUNCA la parte superior de la cubierta

del teclado. La manipulación indebida puede causar

daños en el instrumento o personales.

● Dès que l’assemblage est complètement terminé, la corde de clavier

doit être retirée. Ceci n’est exécuté qu’une seule fois et il ne sera plus

nécessaire de fixer la corde à nouveau. En ce qui concerne les instruc-

tions pour retirer cette corde, veuillez vous référer à la page intitulée

“REQUEST” qui est placée sur les touches du clavier sous le couvre-

clavier (voir page 10).

● Después de haber terminado el montaje, será necesario extraer la

cuerda del teclado. Este procedimiento sólo se lleva a cabo una vez y

la cuerda no se tendrá que volver a atar nunca más. Para las instruc-

ciones sobre la extracción de la cuerda, consulte el documento titulado

“RUEGO” que encontrará sobre las teclas debajo de la cubierta del

teclado (vea la página 10).

CLP-950/930

KEYBOARD

POLYPHONY

VOICE SELECTORS

REVERB

EFFECT

TOUCH SENSITIVITY

SONG CONTROLS

PEDAL CONTROLS

OTHER CONTROLS

JACKS/CONNECTORS

INPUT & OUTPUT

LEVEL/IMPEDANCE

MAIN AMPLIFIERS

SPEAKERS

DIMENTIONS

without music stand

(W x D x H)

with music stand

WEIGHT

CLP-950/950M/950C CLP-930

88 KEYS (A-1 ~ C7)

64 NOTES MAX.

12 voices 8 voices

ROOM, HALL 1, HALL 2, STAGE

CHORUS, PHASER, TREMOLO, DELAY

HARD, MEDIUM, SOFT, FIXED

TRACK 1, TRACK 2, SONG [START/STOP], REC

SOFT, SOSTENUTO, DAMPER

MASTER VOLUME, BRILLIANCE (CLP-950), DEMO, TRANSPOSE, FUNCTION,

METRONOME [START/STOP], TEMPO/FUNCTION [t]/[s], [–/NO]/[[+/YES],

PRESET SONG, SPLIT (CLP-950), LED Display

PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L/L+R,

MIDI IN/OUT/THRU, HOST SELECT, TO HOST, PEDAL*

AUX OUT: Output impedance 600 Ω

AUX IN: Input impedance 10 kΩ / Input sensitivity 0.26V

60W x 2 20W x 2

14 cm x 2, 5 cm x 2 16 cm x 2

1372 x 504 x 843 mm (54" x 19-7/8" x 33-1/4") 1370 x 501 x 843 mm (54" x 19-3/4" x 33-1/4")

1372 x 504 x 1028 mm (54" x 19-7/8" x 40-1/2") 1370 x 501 x 1030 mm (54" x 19-3/4" x 40-1/2")

68.0 kg (149.9 lbs.) 50.0 kg (110.2 lbs.)

Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

• Specifications and descriptions in this owner’s manual are for information purposes only.

Yamaha Corp. reserves the right to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or options may not be the same in

every locale, please check with your Yamaha dealer.

• Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der

Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische

Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die

technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,

setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

• Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que

pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et

leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les

caractéristiques techniques, les équipements et les options peuvent différer d’un pays à

l’autre, adressez-vous au distributeur Yamaha le plus proche.

• Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito

de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o

modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.

Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos

los mercados, solicite información a su distribuidor Yamaha.

* The CLP-950 PEDAL connector is not accessible from the outside of the instrument’s cabinet (it is

internally connected to the pedal unit during the assembly procedure).

* Die PEDAL-Buchse des CLP-950 ist im Gehäuse verborgen und von außen her nicht zugänglich (der

Kabelstecker muß beim Zusammenbau des Instruments angeschlossen werden).

* Le connecteur de pédale CLP-950 PEDAL n’est pas accessible de l’extérieur de l’ébénisterie de

l’instrument (il est connecté au pédalier par connexion interne au cours des opérations d’assemblage).

* El conector de PEDAL del CLP-950 no puede accederse desde fuera de la caja del instrumento (se

conecta internamente a la unidad de pedales durante el procedimiento de montaje).

CLP-950/930

MEMO

NOTIZEN

NOTES

MEMORANDUM ..............................................................................................................................

MEMO

NOTIZEN

NOTES

MEMORANDUM ..............................................................................................................................

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightning and/or electrical storm

activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

IMPORTANT SAFETY INSTRUCTIONS

PLEASE KEEP THIS MANUAL

92-469-2

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference harmful

to the operation of other electronic devices. Compliance with FCC

regulations does not guarantee that interference will not occur in

all installations. If this product is found to be the source of inter-

ference, which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one of the

following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

(class B)

(2 wires)

(polarity)

For details of products, please contact your nearest Yamaha or the

authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America,

Keyboard Division

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: 507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

FRANCE

Yamaha Musique France,

Division Claviers

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.,

Home Keyboard Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid) Spain

Tel: 91-201-0700

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece

Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: 971-4-881-5868

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Cosmos Corporation

1461-9, Seocho Dong, Seocho Gu, Seoul, Korea

Tel: 02-3486-0011

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building,

Singapore

Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad,

Taipei, Taiwan, R.O.C.

Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank, Victoria

3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-3273

[CL] 21

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

V495600 0??POZC??.?-??B0 Printed in Indonesia

Clavinova Web site (English only)

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (English versions only)

http://www2.yamaha.co.jp/manual/english/

Documenttranscriptie

ENGLISH DEUTSCH FRANÇAIS ESPAÑOL IMPORTANT WICHTIG IMPORTANT IMPORTANTE Check your power supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a “minus” screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel. Überprüfung der Stromversorgung Vergewissern Sie sich vor dem Anschließen an das Stromnetz, daß die örtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswähler an der Unterseite neben der Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der Spannungswähler auf die örtliche Netzspannung eingestellt werden. Der Spannungswähler wurde werkseitig auf 240 V voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist. Contrôler la source d’alimentation Vérifiez que la tension spécifiée sur le panneau inférieur correspond à la tension du secteur. Dans certaines régions, l’instrument peut être équipé d’un sélecteur de tension situé sur le panneau inférieur du clavier à proximité du cordon d’alimentation. Vérifiez que ce sélecteur est bien réglé en fonction de la tension secteur de votre région. Le sélecteur de tension est réglé sur 240 V au départ d’usine. Pour modifier ce réglage, utilisez un tournevis à lame plate pour tourner le sélecteur afin de mettre l’indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau. Verifique la alimentación de corriente Asegúrese de que tensión de alimentación de CA de su área corresponde con la tensión especificada en la placa de características del panel inferior. En algunas zonas puede haberse incorporado un selector de tensión en el panel inferior de la unidad del teclado principal, cerca del cable de alimentación. Asegúrese de que el selector de tensión esté ajustado a la tensión de su área. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Para cambiar el ajuste, emplee un destornillador de cabeza “recta” para girar el selector de modo que aparezca la tensión correcta al lado del indicador del panel. SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. See bottom of Keyboard enclosure for graphic symbol markings Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. CLP-950/950M/950C SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. CLP-930 ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 1 Model _____________________________________ Serial No. __________________________________ Purchase Date ______________________________ PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: • Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in the key cover gap. • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Never insert or drop paper or metallic or other objects between the slits of the key cover and the keyboard. If this happens, immediately turn off the power and remove the electric plug from the outlet and have the instrument inspected by qualified Yamaha service personnel. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not place the instrument against a wall (allow at least 3 cm/one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating. • Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. • Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury. • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. ■USING THE BENCH (if included) • Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury. • Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury. • Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. • If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool. • Do not place the instrument in an unstable position where it might accidentally fall over. • Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a malfunction or user operating error. • Before moving the instrument, remove all connected cables. • When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. ■SAVING USER DATA Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. (1)B-6 CLP-950/930 3 Introduction Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure. ● The Clavinova CLP-950/930 digital piano offers unmatched sonic realism and natural grand-piano type playability with Yamaha’s original “AWM Dynamic Stereo Sampling” tone generation technology on the CLP-950 and “AWM Stereo Sampling” on the CLP-930 for rich, musical voices, and a special “Graded Hammer” keyboard which provides graded key weight and response throughout the keyboard range. The grand piano voices feature totally new samples painstakingly recorded from a full concert grand piano. The CLP-950 GRAND PIANO 1 voice features multiple velocity-switched samples (Dynamic Sampling), a “Soundboard Reverb” effect which accurately simulates the resonance of a piano soundboard, special “Sustain Samples” which recreate the unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is pressed, and “Key-off Samples” that add the subtle sound produced when the keys are released. ● Dual mode allows 2 voices to be played simultaneously. ● Split mode (CLP-950) allows different voices to be played by the left and right hands. ● Metronome feature with variable tempo facilitates practice. ● 2-track digital recorder lets you record and play back anything you play on the keyboard. ● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems. ● Built-in computer interface for direct connection to personal computers running advanced music software. The music stand can be removed to allow placement of a laptop-type personal computer or other equipment on top of the instrument. In order to make the most of your Clavinova’s performance potential and features, we urge you to read this Owner’s Manual thoroughly, and keep it in a safe place for later reference. * The models CLP-950M and CLP-950C will be referred to as the CLP-950 in this Owner’s Manual. ■ Trademarks • Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. • IBM-PC/AT is a trademark of International Business Machines Corporation. • Windows is the registered trademark of Microsoft® Corporation. All other trademarks are the property of their respective holders. Included Accessories ● Owner’s Manual ● Bench (included or optional depending on locale) ● “50 greats for the Clavinova” Score Collection “The Clavinova-Computer Connection” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address: Clavinova Home Page: http://www.yamaha.co.jp/english/product/cl/ Yamaha Manual Library (Electronic Musical Instruments) http://www2.yamaha.co.jp/manual/english/ 4 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Contents The Control Panel .......................................................... 6 Connections ................................................................... 8 Key Cover & Music Stand ............................................ 10 Selecting & Playing Voices .......................................... 11 Playing the Demonstration Tunes ................................ 12 ■ Voice Demo .............................................................. 12 Preset Song ............................................................. 13 ■ Preset Song A-B Repeat ......................................... 14 ■ Preset Song Part Cancel ........................................ 15 ● Synchro Start ..................................................... 15 ● Left Pedal Start/Stop ......................................... 15 ■ The Dual Mode ............................................................ 16 ● Other Dual Mode Functions ............................... 16 The Split Mode (CLP-950) ............................................... 17 Selecting the Right and Left Voices ................... 17 Setting the Split Point ........................................ 17 ● Other Split Mode Functions ............................... 17 F3.4: 2nd Voice Octave Shift ................................ 29 F3.5: 1st Voice Effect Depth ................................. 30 F3.6: 2nd Voice Effect Depth ................................ 30 F3.7: Reset ........................................................... 30 ■ F4: CLP-950 Split Mode Functions ........................ 30 F4.1: Split Point .................................................... 30 F4.2: Split Balance ............................................... 30 F4.3: Right Voice Octave Shift .............................. 31 F4.4: Left Voice Octave Shift ................................ 31 F4.5: Right Voice Effect Depth .............................. 31 F4.6: Left Voice Effect Depth ................................ 31 F4.7: Damper Range ............................................ 31 F4.8: Reset ........................................................... 31 ■ ■ F4: CLP-930 Left Pedal Mode ................................. 31 F5: CLP-950 Pedal Functions ................................. 32 F5.1: Left Pedal Mode .......................................... 32 F5.2: Sustain Sample Depth ................................ 32 ■ ■ F5: CLP-930 Metronome Volume ............................ 32 F6: CLP-950 Metronome Volume ............................ 32 ■ ■ F6: CLP-930 Preset Song Part Cancel Volume ..... 32 F7: CLP-950 Preset Song Part Cancel Volume ..... 32 ● ● Reverb ........................................................................ 18 ● Adjusting Reverb Depth ..................................... 18 The Effect .................................................................... 19 ● Adjusting Effect Depth ....................................... 19 Brilliance (CLP-950) ........................................................ 19 The Pedals ................................................................... 20 Damper (Right) Pedal ........................................ 20 Sostenuto (Center) Pedal .................................. 20 ● Soft (Left) Pedal ................................................. 20 ● ● Touch Sensitivity ......................................................... 21 Transposition ............................................................... 21 Tuning ......................................................................... 22 Tuning Up ........................................................... 22 Tuning Down ...................................................... 22 ● To Restore Standard Pitch ................................. 22 ● ● The Metronome & Tempo Control ................................ 23 ■ The Metronome ........................................................ 23 Metronome Time Signature ............................... 23 ● Metronome Volume Function ............................. 23 ■ Tempo Control ......................................................... 23 ● Using the User Song Recorder ..................................... 24 ■ Recording ................................................................ 24 ● Changing the Initial Settings .............................. 25 ● Erasing a Single Track ....................................... 25 ■ Playback ................................................................... 26 ● Synchro Start ..................................................... 26 ● Left Pedal Start/Stop ......................................... 26 ■ ■ F7: CLP-930 MIDI Functions ................................... 33 F8: CLP-950 MIDI Functions ................................... 33 ● A Brief Introduction to MIDI ............................... 33 F7.1/F8.1: MIDI Transmit Channel Selection ........ 33 F7.2/F8.2: MIDI Receive Channel Selection ........ 33 F7.3/F8.3: Local Control ON/OFF ........................ 34 F7.4/F8.4: Program Change ON/OFF .................. 34 F7.5/F8.5: Control Change ON/OFF .................... 35 F7.6/F8.6: MIDI Transmit Transpose ..................... 35 F7.7/F8.7: Panel/Status Transmit ......................... 35 F7.8/F8.8: Bulk Data Dump .................................. 35 ■ F8: CLP-930 Backup Functions ............................. 36 ■ F9: CLP-950 Backup Functions ............................. 36 F8.1/F9.1: Voice ................................................... 36 F8.2/F9.2: MIDI .................................................... 36 F8.3/F9.3: Tuning .................................................. 36 F8.4/F9.4: Pedal ................................................... 36 Connecting to a Personal Computer ............................. 37 Connecting to an Apple Macintosh Series Computer .... 37 Connecting to an IBM-PC/AT Series Computer ........ 38 ● Using a USB Interface (such as the Yamaha UX256) .... 39 ● ● Factory Preset Recall .................................................. 40 Troubleshooting ........................................................... 40 Options & Expander Modules ...................................... 40 The Function Mode ...................................................... 27 ● To Select a Function … ...................................... 27 F1: Tuning ................................................................ 28 ■ F2: Scale .................................................................. 28 F2.1: Scale ........................................................... 28 F2.2: Base Note ................................................... 28 ■ F3: Dual Mode Functions ....................................... 29 F3.1: Dual Balance ............................................... 29 F3.2: Dual Detune ................................................ 29 F3.3: 1st Voice Octave Shift ................................. 29 ■ Voice Descriptions ............................................................. 41 Demo Song List .................................................................. 42 Factory Setting List ............................................................ 42 MIDI Data Format ................................................................ 43 MIDI Implementation Chart ............................................... 47 CLP-950: Keyboard Stand Assembly ............................... 48 CLP-930: Keyboard Stand Assembly ............................... 54 Specifications ..................................................................... 60 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 5 The Control Panel CLP-930 CLP-930 ON MIN ON START/ STOP TEMPO/FUNCTION TEMPO/FUNCTION/SONG –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC MAX MASTER VOLUME DEMO TRANSPOSE FUNCTION 2 5 4 METRONOME SONG 6 7 8 9 ON START/ STOP TEMPO/FUNCTION 0 ! @ CLP-950 CLP-950 ON MIN MAX MELLOW MASTER VOLUME BRILLIANCE 2 DEMO TRANSPOSE FUNCTION 3 CLP-950 MIN MELLOW ON START/ STOP TEMPO/FUNCTION TEMPO/FUNCTION/SONG 6 5 4 ON MAX MASTER VOLUME TEMPO/FUNCTION/SONG –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC BRIGHT –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC METRONOME 7 GRAND GRAND E. PIANO E. PIANO HARPSIPIANO 1 PIANO 2 1 2 CHORD VIBRA- CHURCH JAZZ STRINGS PHONE ORGAN ORGAN BRIGHT BRILLIANCE DEMO TRANSPOSE FUNCTION METRONOME SONG SONG 8 VOICE CHOIR 9 WOOD BASS E. BASS SPLIT ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT 0 ! @ HARD MEDIUM SOFT TOUCH POWER 1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 Tuning keys (See page 22) CLP-950 PHONES jacks on bottom panel (see page 10) 1 [POWER] Switch Press the [POWER] switch once to turn the power ON, a second time to turn the power OFF. When the power is initially turned ON, a voice selector LED will light, and the power indicator located below the left end of the keyboard will light. 2 [MASTER VOLUME] Control The [MASTER VOLUME] control adjusts the volume (level) of sound produced by the Clavinova’s internal stereo sound system. The [MASTER VOLUME] control also adjusts headphone volume when a pair of headphones is plugged into the PHONES jack (page 10). 3 [BRILLIANCE] Control (CLP-950) The [BRILLIANCE] Control adjusts the tonality or “timbre” of the output sound from a mellow tone to a bright tone. 4 [DEMO] Button Activates the demo playback mode in which you can select playback of different demonstration 6 CLP-950/930 sequences for each of the Clavinova’s voices. See page 12 for details. 5 [TRANSPOSE] Button The [TRANSPOSE] button allows access to the Clavinova’s TRANSPOSE function (to shift the pitch of the entire keyboard up or down in semitone intervals). 6 [FUNCTION] Button This button accesses a range of utility functions — including the MIDI functions — that significantly enhance versatility and playability. See page 27 for details. 7 METRONOME [START/STOP] Button Turns the metronome sound on and off. The [TEMPO/FUNCTION ▼, ▲] buttons are used to set the tempo of the metronome sound. The [–/NO] and [+/YES] buttons are used to change the time signature (beat) of the metronome if used while the METRONOME [START/STOP] button is held — page 23. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Control Panel GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH STRINGS CHOIR PIANO 1 2 CHORD PHONE ORGAN ROOM HALL 1 HALL 2 STAGE VOICE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT REVERB EFFECT TOUCH % ^ & ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD # * Soft pedal GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 1 2 CHORD PHONE ORGAN ORGAN WOOD BASS E. BASS SPLIT VOICE # MEDIUM SOFT REVERB EFFECT TOUCH % ^ & $ Damper pedal Sostenuto pedal 8 [TEMPO/FUNCTION ▼, ▲] Buttons These buttons adjust the tempo of the metronome function as well as the playback tempo of the recorder function. The tempo range is from 32 to 280 beats per minute — page 23. These same buttons are also used to select functions — page 27. There is also a dual mode in which two voices can be played simultaneously across the full range of the keyboard (see page 16 for details), and a split mode on the CLP-950 which allows different voices to be played by the left and right hands (see page 17 for details). 9 [–/NO], [+/YES] Buttons These buttons select a preset song number for playback, and are also used to adjust a range of other parameters. $ [SPLIT] Button (CLP-950) Engages the split mode, in which different voices can be played on the left- and right-hand sections of the keyboard. See page 17 for details. 0 [PRESET SONG] Button This button enters the preset song mode. While in this mode you can use the [–/NO] and [+/YES] buttons to select from 50 songs. % [REVERB] Button The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. See page 18 for details. ! TRACK [1] and [2] Buttons The Clavinova has a 2-track recorder, and these buttons are used to select the track(s) to be recorded or played back. See page 24 for details. ^ [EFFECT] Button This button selects a number of effects which can give your sound greater depth and animation. @ SONG [START/STOP] and [REC] Buttons These buttons control the Clavinova’s user song recorder, letting you record and play back just about anything you play on the keyboard. # Voice Selectors Simply press any of the voice selectors to select the corresponding voice. The voice selector LED will light to indicate which voice is currently selected. & [TOUCH] Button The [TOUCH] button makes it easy to adjust the touch response of the Clavinova to match your playing style. See page 21 for details. * Pedals The soft (left), sostenuto (center) and damper (right) pedals provide a range of expressive control capabilities similar to the pedal functions on an acoustic piano. See page 20 for details. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 7 Connections CAUTION • Before connecting the Clavinova to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all-volume levels to minimum. CLP-930 Bottom Panel MIDI THRU Mac PC-1 R L/L+R R OUT IN MIDI PC-2 L/L+R AUX OUT AUX IN 1 TO HOST 2 PEDAL HOST SELECT 3 4 5 CLP-950 Bottom Panel IN OUT THRU L/L+R PC-2 MIDI MIDI HOST SELECT 4 TO HOST 3 L/L+R R AUX IN 2 AUX OUT 1 1 AUX OUT L/L+R and R Jacks The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for connection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/ L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound. Stereo System R R PC-1 Mac CAUTION L/L+R CLP-930 AUX OUT • When the Clavinova’s AUX OUT jacks are connected to an external sound system, first turn the Clavinova power on, and then the power to the external amplifier/ speaker system. Reverse this order when turning the power off. • The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment. • The AUX OUT jack signal is not controlled by the Clavinova’s volume or brilliance (CLP-950) control. Use the volume control on the external audio equipment to adjust the level. DOU-10 R L/L+R AUX IN CLP-930 2 AUX IN L/L+R and R Jacks These jacks are intended for use with an external tone generator module such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from the external tone generator module are connected to the AUX IN L/L+R and R jacks, allowing the sound of the tone generator to be reproduced via the Clavinova’s internal sound system and speakers. A line-level mono source can be connected to the L/L+R jack. CAUTION • When the Clavinova’s AUX IN jacks are connected to an external source, first turn the power to the external device on, and then the power to the Clavinova. Reverse this order when turning the power off. • The input signal from the AUX IN jacks is controlled by the Clavinova’s volume and brilliance (CLP-950) controls. Reverb and effect functions will have no affect. • The input signal from the AUX IN jacks is delivered to the AUX OUT jacks. 8 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Connections 3 TO HOST Connector & HOST SELECT Switch This jack and selector switch allow direct connection to a personal computer for sequencing and other music applications — without the need for a separate MIDI interface. See page 37 for details. Personal Computer Mac PC-1 TO HOST MIDI PC-2 CLP-930 HOST SELECT MIDI THRU OUT IN Tone Generator DOU-10 CLP-930 4 MIDI IN, THRU and OUT Connectors The MIDI IN connector receives MIDI data from an external MIDI device (such as the DOU-10 Disk Orchestra Unit) which can be used to control the Clavinova. The MIDI THRU connector retransmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard). More details on MIDI are given in “MIDI Functions” on page 33. 5 PEDAL Jack (CLP-930) This terminal is for connecting the pedal cord from the pedal box (refer to the “Keyboard Stand Assembly” on pages 55-59). ● PHONES Jacks (Bottom Panel) Two sets of standard stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either of the PHONES jacks. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 9 Key Cover & Music Stand Key Cover To open the key cover: Z Lift the cover slightly. Be careful to avoid catching your fingers when opening or closing the cover. X Slide the cover open. To close the key cover: Z Slide the cover toward you. X Gently lower the cover over the keys. CLP-930 CAUTION • Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit. • Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main unit when the cover is opened and may not be able to be removed. This could cause electric shock, short circuit, fire or other serious damage to the instrument. Music Stand The Clavinova is supplied with a music stand that can be attached to the instrument by inserting it into the holes at the top of panel. NOTE • The music stand can be removed to allow placement of a laptop-type personal computer or other equipment on top of the instrument. CLP-930 10 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Selecting & Playing Voices Turn Power On ................................................................................................... After making sure that the Clavinova’s AC cord is properly plugged into the Clavinova itself and plugged into a convenient AC wall outlet, press the [POWER] switch located to the right of the keyboard to turn the power ON. In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area. When the power is turned ON, one of the voice selector LEDs will light, and the power indicator located below the left end of the keyboard will light. POWER Set the Volume .................................................................................................. MIN MAX Initially set the [MASTER VOLUME] control about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level. MASTER VOLUME Select a Voice ..................................................................................................... Select the desired voice by pressing one of the voice selectors. NOTE • See “Voice Descriptions” on page 41. CLP-950 GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 1 2 CHORD PHONE ORGAN ORGAN WOOD BASS E. BASS VOICE Play ................................................................................................................................ The Clavinova also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of variation available depends on the selected voice. NOTE ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT MELLOW • Some voices do not have keyboard touch response. See “Voice Descriptions” on page 41 for details. Add Effects As Required ....................................................................... You can add or change reverb, effects and brilliance (CLP-950) as desired by using the [REVERB] button (page 18), [EFFECT] button (page 19) and the [BRILLIANCE] control (page 19). BRIGHT BRILLIANCE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 11 Playing the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the Clavinova’s voices. There are also 50 preset songs that you can play individually, all in sequence, or in random order. The “50 greats for the Clavinova” score collection provided with the Clavinova includes the written scores for all 50 preset songs. Here’s how you can select and play the demo tunes. NOTE • The demo or preset song mode cannot be engaged while a user song recorder (page 24) is in use. • No MIDI reception occurs in the demo/preset song mode. • The demo/preset song data is not transmitted via the MIDI connectors. * See page 42 for a complete listing of the demo tunes. Voice Demo Engage the Demo Mode ......................................................................... DEMO Press the [DEMO] button to engage the demo mode — the voice selector indicators will flash in sequence. Play a Voice Demo ......................................................................................... CLP-930 GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH STRINGS CHOIR PIANO 1 2 CHORD PHONE ORGAN VOICE Press one of the voice selectors to start playback of all songs starting from the corresponding voice demo tune — featuring the voice normally selected by that voice selector button. (If you press the SONG [START/STOP] button instead of a voice selector button, the GRAND PIANO 1 (GRAND PIANO: CLP-930) demo tune will begin playback.) The indicator of the selected voice selector button will flash during playback, and “- - -” will appear on the LED display. You can start playback of any other voice demo tune during playback by simply pressing the corresponding voice selector. You can stop playback at any time by pressing the SONG [START/STOP] button or the voice selector of the currently playing demo. NOTE • Use the [MASTER VOLUME] control to adjust the volume and the [BRILLIANCE] control (CLP-950) to adjust the brilliance (page 19). Exit From the Demo Mode .................................................................... DEMO 12 CLP-950/930 Press the [DEMO] button to exit from the demo mode and return to the normal play mode. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Playing the Demonstration Tunes Preset Song –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC Engage the Preset Song Mode ....................................................... Press the [PRESET SONG] button to engage the preset song mode — the [PRESET SONG], TRACK [1] and [2] indicators will light. SONG Play a Preset Song ....................................................................................... –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC SONG TEMPO/FUNCTION/SONG To play any of the 50 preset songs provided, use the [–/NO], [+/YES] buttons to select the number of the tune you want to play (the number will appear on the LED display), then press the SONG [START/STOP] button. Playback will stop automatically when playback of the selected preset song has finished. Select “ALL” instead of a number to play all preset songs in sequence, or select “rnd” to continuously play all preset songs in random order. Press the SONG [START/STOP] button to stop playback. • Use the [MASTER VOLUME] control to adjust the volume. • You can use the [TEMPO/FUNCTION ▼,▲] buttons to adjust the playback tempo as required. This produces a relative tempo variation, with a range from “-50” through “- - -” to “50” at maximum; the range will differ depending on the selected song. • The default tempo “- - -” is automatically selected whenever a new preset song is selected, or playback of a new preset song begins during “ALL” or “rnd” playback. • You can play the keyboard along with the preset song playback. The voice playing on the keyboard can be changed. • You can change the Brilliance control (CLP-950) and Reverb type that is applied to the voice you play on the keyboard and for the preset song playback. You can change the Effect type and Touch sensitivity that is applied to the voice you play on the keyboard. When a new preset song is selected or a new preset song is automatically started in continuous play, the HALL 1 reverb type will automatically be selected. –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC Exit From the Preset Song Mode .................................................. Press the [PRESET SONG] button to exit from the preset song mode, the indicator will go off, and return to the normal play mode. SONG ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 13 Playing the Demonstration Tunes Preset Song A-B Repeat The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases. Specify the Beginning (A) of the Phrase .............................. ON TEMPO/FUNCTION/SONG Select and play a preset song, then press the [FUNCTION] button at the beginning of the phrase you want to repeat. This sets the “A” point (“A-” will appear on the display). To set the “A” point at the very beginning of the song, press the [FUNCTION] button before starting playback. FUNCTION Specify the End (B) of the Phrase ............................................... ON TEMPO/FUNCTION/SONG Press the [FUNCTION] button a second time at the end of the phrase. This sets the “B” point (“A-b” will appear on the display). At this point repeat playback will begin between the specified A and B points. The metronome will sound when playback begins to give you a tempo reference. However, if playback repeats from the beginning of the song, there will be no tempo reference from metronome. To set the B point at the song’s end, press the [FUNCTION] button after song playback is complete and before “A- ” disappears from the display. FUNCTION Stop Playback .................................................................................................... –/NO +/YES PRESET SONG TRACK 1 SONG TRACK 2 START/ STOP REC Press the SONG [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if the SONG [START/STOP] button is then pressed again. To cancel the A and B points press the [FUNCTION] button once. NOTE • The A and B points are automatically canceled when a new song is selected. • The A-B Repeat function cannot be used during “ALL” or “rnd” playback. 14 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Playing the Demonstration Tunes Preset Song Part Cancel The 50 preset songs have separate left- and right-hand parts that can be turned on and off as required so you can practice the corresponding part on the keyboard. The right-hand part is played by TRACK [1] track, and the left-hand part is played by TRACK [2] track. Turn the Desired Part Off ....................................................................... –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC Press the TRACK [1] or [2] button to turn the corresponding part off — the corresponding indicator will go out (these buttons alternately toggle the corresponding part on and off). SONG NOTE • The parts can be turned on or off even during playback. • The Preset Song Part Cancel function cannot be used during “ALL” or “rnd” playback. • The “Preset Song Part Cancel Volume” function described on page 32 can be used to set the canceled part so that it plays at a volume from “0” (no sound) to “20”. The default setting is “5”. • Both parts are automatically turned ON whenever a new song is selected. –/NO +/YES PRESET SONG TRACK 1 TRACK 2 START/ STOP REC Start/Stop Playback ..................................................................................... Press the SONG [START/STOP] button to start and stop playback as required. SONG Synchro Start ..................................................................................................... –/NO +/YES PRESET SONG TRACK 1 TRACK 2 SONG TEMPO/FUNCTION/SONG START/ STOP REC When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the SONG [START/ STOP] button while holding the part button corresponding to the part which is ON. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Syncro Start function.) Playback will then start as soon as you begin playing on the keyboard. NOTE • If you hold a track button which is OFF while pressing the SONG [START/ STOP] button, that track will be turned ON and the Synchro Start mode will be engaged. Left Pedal Start/Stop .................................................................................. The left pedal can be assigned to start and stop preset song playback via the “Left Pedal Mode” function described on pages 31 (CLP-930) and 32 (CLP-950). ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 15 The Dual Mode The dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the dual mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the dual mode is active. To return to the normal single-voice play mode, press any single voice selector. According to the voice numbering priority as shown in the diagram on the left, lower valued voice numbers will be designated as the 1st Voice (the other voice will be designated as the 2nd Voice). AND E. PIANO E. PIANO HARPSI- VIBRA- CHU NO 2 1 2 CHORD PHONE ORG Voice numbering priority 1 2 3 4 5 6 7 8 9 10 11 12 GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 1 2 CHORD PHONE ORGAN ORGAN WOOD BASS • The dual and split modes (CLP-950) cannot be engaged at the same time. NOTE • [EFFECT] in the Dual Mode Depending upon the conditions one effect type will take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F3 (see page 29) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/ YES] buttons while holding the [EFFECT] button — see page 19) will be applied to the 1st Voice only. E. BASS VOICE CLP-950 • [REVERB] in the Dual Mode The reverb type assigned to the 1st Voice will take priority over the other. (If the reverb is set to OFF, the 2nd Voice’s reverb type will be in affect.) Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/ YES] buttons while holding the [REVERB] button — see page 18) will be applied to the 1st Voice only. Other Dual Mode Functions ............................................................... The Clavinova Function mode provides access to a number of other dual-mode functions, listed below. See the corresponding pages for details. • • • • • • • 16 CLP-950/930 Dual Balance ................................................. Dual Detune .................................................. 1st Voice Octave Shift ................................... 2nd Voice Octave Shift .................................. 1st Voice Effect Depth ................................... 2nd Voice Effect Depth .................................. Reset ............................................................. 29 29 29 29 30 30 30 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Split Mode (CLP-950) The split mode makes it possible to play two different voices on the keyboard — one with the left hand and another with the right hand. The Left Voice is played on all keys to the left of (and including) a specified “split point” key, while the Right Voice is played on all keys to the right of the split point key. To activate the split mode simply press the [SPLIT] button so that its indicator lights. The split mode can be turned off at any time by pressing the [SPLIT] button again so that its indicator goes out. SPLIT • The dual and split modes cannot be engaged at the same time. NOTE Selecting the Right and Left Voices ..................................................... RPSI- VIBRA- CHURCH JAZZ STRIN ORD PHONE ORGAN ORGAN SPLIT VOICE The voice that was selected before the split mode was engaged becomes the Right Voice in the split mode. (The Right Voice can also be changed while in the split mode, by simply pressing the corresponding voice selector.) To select a Left Voice press the corresponding voice selector while holding the [SPLIT] button (default: [WOOD BASS]). The indicator of the Left Voice selector will light while the [SPLIT] button is pressed, then only the Right Voice selector and [SPLIT] button indicators will remain lit. • [EFFECT] in the Split Mode Depending upon the conditions, one effect type will take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F4 (see page 30) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES] buttons while holding the [EFFECT] button — see page 19) will be applied to the Right Voice only. NOTE • [REVERB] in the Split Mode The reverb type assigned to the Right Voice will take priority over the other. (If the reverb is set to OFF, the Left Voice’s reverb type will be in affect.) Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES] buttons while holding the [REVERB] button — see page 18) will be applied to the Right Voice only. SPLIT The split point is initially set at the F#2 key by default. You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held). The split point can also be set via the Function mode (see below). Example: A-1 b=1 C 2 A-1 Bb-1 Setting the Split Point ......................................................................................... C2 F~2 F#2 • “b” is indicated with a lower “_”. • “#” is indicated with an upper “~”. Other Split Mode Functions ......................................................................... The Clavinova Function mode provides access to a number of other split-mode functions, listed below. See the corresponding pages for details. • • • • • • • • Split Point ...................................................... Split Balance ................................................. Right Voice Octave Shift ................................ Left Voice Octave Shift .................................. Right Voice Effect Depth ................................ Left Voice Effect Depth .................................. Damper Range .............................................. Reset ............................................................. 30 30 31 31 31 31 31 31 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 17 Reverb The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb is produced when all indicators are off. ROOM HALL 1 HALL 2 STAGE REVERB OFF No reverb effect is selected when no REVERB indicator is lit. ROOM This setting add a continuous reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a room. HALL 1 For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2 For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. STAGE A simulation of the type of reverb produced in a stage environment. NOTE • The default reverb type (including OFF) and depth settings are different for each voice. • Even if the REVERB effect is OFF, a “soundboard reverb” effect will be applied when the CLP-950 GRAND PIANO 1 voice is selected. Adjusting Reverb Depth ......................................................................... –/NO +/YES ROOM HALL 1 HALL 2 STAGE REVERB TEMPO/FUNCTION/SONG 18 CLP-950/930 Adjust the reverb depth for the selected voice by using the [–/NO] and [+/YES] buttons while holding the [REVERB] button. The depth range is from 0 through 20 (the current depth setting appears on the LED display while the [REVERB] button is held). A setting of “0” produces no effect, while a setting of “20” produces maximum reverb depth. Press the [–/NO] and [+/YES] buttons simultaneously while holding the [REVERB] button to recall the default setting for the current voice (default depth settings are different for each voice). ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Effect The [EFFECT] button allows you to select one of the effects that can give your sound greater depth and animation. To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [EFFECT] button is pressed). No effect is produced when all indicators are off. CHORUS PHASER TREMOLO DELAY EFFECT OFF No effect is selected when no EFFECT indicator is lit. CHORUS Shimmering, broadening effect PHASER Adds depth to the sound. TREMOLO Tremolo effect DELAY Echo effect NOTE –/NO +/YES CHORUS PHASER TREMOLO DELAY EFFECT TEMPO/FUNCTION/SONG • The default effect type (including OFF) and depth settings are different for each voice. Adjusting Effect Depth ............................................................................. Effect depth can be individually adjusted for the selected voice by using the [–/NO] and [+/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20 (the current depth setting appears on the LED display while the [EFFECT] button is held). A setting of “0” produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously while holding the [EFFECT] button to recall the default setting for the current voice (the default depth settings are different for each voice). Brilliance (CLP-950) This control can be used to change the tonality or “timbre” of the sound output. The control range is from MELLOW to BRIGHT. MELLOW BRIGHT For a brighter or “sharper” tone, slide the control towards the BRIGHT position. For a “rounder” more mellow tone, slide the control towards the MELLOW position. BRILLIANCE NOTE • When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 19 The Pedals The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano. Damper (Right) Pedal ................................................................................ Soft pedal Damper pedal Sostenuto pedal The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes. When the GRAND PIANO 1 voice is selected on the CLP-950, pressing the damper pedal activates the instrument’s special “Sustain Samples” to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings. NOTE • On the CLP-950 the depth of the effect produced by the “Sustain Samples” can be adjusted via the “Pedal Functions” (page 32) in the function mode. • If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure that the pedal cord is properly plugged into the main unit (page 58: CLP-930, page 50: CLP-950). Sostenuto (Center) Pedal ...................................................................... If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.” NOTE • Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed. Soft (Left) Pedal ............................................................................................... The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes which are already playing when it is pressed. The left pedal can also be assigned to song start/stop operation via the “Left Pedal Mode” described on pages 31 (CLP-930) and 32 (CLP950). 20 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Touch Sensitivity Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — can be selected to match different playing styles and preferences. To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). HARD MEDIUM SOFT HARD TOUCH The HARD setting requires the keys to be played quite hard to produce maximum loudness. MEDIUM The MEDIUM setting produces a fairly “standard” keyboard response. This is the initial factory default setting. SOFT The SOFT setting allows maximum loudness to be produced with relatively light key pressure. FIXED (no indicator lit) All notes are produced at the same volume no matter how hard the keyboard is played. When the FIXED type is selected, the volume of notes played in the FIXED mode can be set by using the [–/NO] and [+/YES] buttons while the [TOUCH] button is held (the current volume level appears on the display). The volume range is from 1 through 127. The default setting is 64. NOTE • This setting does not change the weight of the keyboard. • The touch sensitivity type and volume set in the FIXED mode will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices which are not normally responsive to keyboard dynamics (Refer to the “Voice Descriptions” on page 41). Transposition The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of 12 semitones (i.e. a maximum of one octave up or down). “Transposing” the pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily match the pitch of the keyboard to the range of a singer or other instrumentalist. –/NO ON TRANSPOSE +/YES Use the [–/NO] or [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The transposition range is from “–12” (down one octave) through “0” (normal pitch) to “12” (up one octave). The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is “0”. TEMPO/FUNCTION/SONG NOTE • The [TRANSPOSE] button indicator remains lit when a transpose setting other than “0” is selected. • Notes below and above the A-1 … C7 range of the Clavinova sound one octave higher and lower, respectively. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 21 Tuning Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz … 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2 Hertz intervals. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music. A -1 B -1 C3 B3 Tuning Up ............................................................................................................... Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously. X Press any key between C3 and B3. Each time a key in this range is –/NO pressed the pitch is increased by approximately 0.2 Hz. The [–/NO] and [+/YES] buttons can also be used to tune down or up, respectively, in approximately 1 Hz increments. Press the [–/NO] and [+/YES] buttons simultaneously to recall standard tuning (A3 = 440 Hz). +/YES C Release the A-1 and B-1 keys. Tuning Down ....................................................................................................... A# -1 A -1 C3 B3 Z To tune down (lower pitch), hold the A-1 and A#-1 keys simultaneously. X Press any key between C3 and B3. Each time a key in this range is –/NO pressed the pitch is decreased by approximately 0.2 Hz. The [–/NO] and [+/YES] buttons can also be used to tune down or up, respectively, in approximately 1 Hz increments. Press the [–/NO] and [+/YES] buttons simultaneously to recall standard tuning (A3 = 440 Hz). +/YES C Release the A-1 and A#-1 keys. A# -1 A -1 B -1 C3 B3 To Restore Standard Pitch ................................................................... Z To restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1 and B-1 keys simultaneously. X Press any key between C3 and B3. (Pressing once will restore the keyboard to standard pitch, regardless of the amount of pitch adjustment.) C Release the A-1, A#-1 and B-1 keys. In terms of “Hertz”, the overall tuning range is from 427.0 Hz to 453.0 Hz. The current tuning setting is shown on the LED display while the tuning is being adjusted. Tenths of a Hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example: Display 440 4.40 44.0 440. 4.40. NOTE 22 CLP-950/930 Value 440.0 440.2 440.4 440.6 440.8 • An alternative tuning method is available in the Function mode — page 28. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Metronome & Tempo Control The Clavinova built-in metronome is a convenient feature for practice, and it can also provide a solid rhythmic guide when recording using the User Song Recorder feature, described in the next section. The Metronome START/ STOP TEMPO/FUNCTION TEMPO/FUNCTION/SONG The metronome sound is alternately turned on and off by pressing the METRONOME [START/STOP] button. When on, the beat indicator flashes at the current tempo. METRONOME Beat indicator START/ STOP TEMPO/FUNCTION –/NO +/YES METRONOME TEMPO/FUNCTION/SONG Metronome Time Signature ................................................................. The time signature (beat) of the metronome can be set by using the [–/NO] and [+/YES] buttons while holding the METRONOME [START/STOP] button. You can set the beat to 0, 2, 3, 4, 5 or 6 (the current setting appears on the LED display while the METRONOME [START/STOP] button is held). Press the [–/NO] and [+/YES] buttons simultaneously while holding the METRONOME [START/STOP] button to recall the default setting “0” (no accent). Metronome Volume Function ............................................................ The volume of the metronome sound can be adjusted via the Metronome Volume function in the Function mode—page 32. Tempo Control TEMPO/FUNCTION TEMPO/FUNCTION/SONG The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO/FUNCTION t, s] buttons. The selected tempo will appear on the LED display while in the normal play mode and while the [TEMPO/FUNCTION t, s] buttons are being used to adjust the tempo in the recording/playback mode. The default tempo (120 or the recorded song tempo when the recorder contains data and the playback track indicator is lit) can be recalled by simultaneously pressing the [t] and [s] buttons. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 23 Using the User Song Recorder The ability to record and play back what you’ve played on the Clavinova keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right-hand parts separately, or record both parts of a duet and hear how they sound when played back. The user song recorder actually records the following data: ■ Entire Song ● Tempo ● Time signature (beat) ● Reverb type (including OFF) ● Effect type ■ Individual Tracks ● Notes played ● Voice selection ● Dual mode voices ● Split mode voices (CLP-950) ● Damper pedal ● Soft pedal ● Sostenuto pedal (not recorded as an initial setting) ● Effect depth ● Reverb depth ● Dual balance (F3) ● Dual detune (F3) ● Dual octave shift (F3) ● Split balance (F4: CLP-950) ● Split octave shift (F4: CLP-950) Recording Make All Necessary Initial Settings ........................................... CLP-950 GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZ PIANO 1 PIANO 2 1 2 CHORD PHONE ORGAN ORG Before actually beginning to record, select the voice you want to record with (or voices if you will be using the dual or split mode). You might also want to set the volume and tempo controls. VOICE Engage the Record Ready Mode .................................................. ESET ONG TRACK 1 TRACK 2 START/ STOP REC Press the [REC] button to engage the record ready mode (recording does not actually start yet). The record ready mode can be disengaged before recording by pressing the [REC] button a second time. • The record ready mode cannot be engaged while the demo/preset song mode is engaged. SONG Select the Record Track .......................................................................... ESET ONG TRACK 1 TRACK 2 START/ STOP SONG REC When the record mode is engaged in the previous step, the lastrecorded track will automatically be selected for recording and its indicator — i.e. the TRACK [1] or [2] button indicator — will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red. • The track button indicators of tracks which contain previously recorded data will glow green (unless the track is turned off as described below). The previously-recorded data on the non-record track will normally be played back as you record, so you can play along with a previously-recorded track. If you don’t want to hear the previously recorded track as you record (when you want to record a song different from what you recorded on the previous track etc.,), press the playback track button before pressing the [REC] button (step 1, above) so that its indicator goes out. TEMPO/FUNCTION/SONG • Recording on a track which already contains data will erase all previous data on that track. • When the record mode is engaged the amount of memory available for recording will be shown on the LED display in approximate kilobytes (starting at “50”), and the rightmost dot on the LED display will flash at the current METRONOME tempo setting. 24 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Using the User Song Recorder Start Recording ................................................................................................ Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording. ESET ONG TRACK 1 TRACK 2 START/ STOP REC TRACK 2 START/ STOP REC SONG • The left pedal can be assigned to start and stop recording via the “Left Pedal Mode” function described on pages 31 (CLP-930) and 32 (CLP950). • If the metronome was on when you started recording, you’ll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. • You can record up to a maximum of about 10,000 notes on the Clavinova, depending on pedal usage and other factors. The record track indicator will begin to flash when recorder memory is almost full. If the memory becomes full during recording, “ FUL” will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.) Stop Recording ................................................................................................ ESET ONG TRACK 1 SONG Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now contains data. Changing the Initial Settings ............................................................. ESET ONG TRACK 1 TRACK 2 START/ STOP REC SONG The initial voice, tempo, reverb type, reverb depth, and effect settings made in step 1 of the recording procedure are actually recorded by the Clavinova. These initial settings can be changed after the recording is finished by pressing the [REC] button to engage the record ready mode, pressing the appropriate track button, making the required changes, and then pressing the [REC] button again to exit from the record ready mode and register the changes. If you do this, be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previous recorded data on the selected track. It is possible to cancel the operation even after changes have been made: change tracks and then press the [REC] button to exit from the record mode (this also cancels data for the entire song). • The following data for initial settings cannot be changed: “Dual balance (F3)”, “Dual detune (F3)”, “Dual octave shift (F3)”, “Split balance (F4:CLP950)” or “Split octave shift (F4:CLP-950)”. Erasing a Single Track .............................................................................. ESET ONG TRACK 1 TRACK 2 START/ STOP SONG REC All data can be erased from either of the recorder’s tracks by engaging the record mode, selecting the track you want to erase, and then pressing the SONG [START/STOP] button twice without recording any data. Press twice. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 25 Using the User Song Recorder Playback ESET ONG TRACK 1 TRACK 2 START/ STOP REC SONG To play back what you’ve recorded, first make sure that the green track indicators of the tracks you want to play are lit. If not, press the corresponding track button(s) so that they are lit. Then press the SONG [START/STOP] button. Playback starts from the beginning of the recorded data, and will stop automatically at the end of the recorded data. You can also stop playback at any time by pressing the SONG [START/STOP] button. To mute a track so that it doesn’t play back, press the corresponding track button so that its indicator goes out (press again to turn the track back on). The current measure number appears on the display during playback. • It is possible to play along on the keyboard during playback. In this case, the playback voice and the voice you play on the keyboard are not the same. The playback voice is the voice that was set when the data was recorded. The voice you play on the keyboard is the voice that is selected on the panel. • The playback volume and tempo can be adjusted by using the [MASTER VOLUME] control and [TEMPO/FUNCTION ▼, ▲] buttons (press both [TEMPO/FUNCTION ▼, ▲] buttons simultaneously to recall the default tempo). • All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods, turn the power on for a few minutes at least once a week. It is also possible to store it to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 35. • The track indicators will not light automatically when the power is turned on even if the user song recorder contains data. It is therefore necessary to press the track buttons so that the corresponding green indicators light before starting recorder playback. It is also a good idea to press the track buttons to check if the tracks contain data before recording. If the green indicator lights when the corresponding track button is pressed, that track contains data which will be erased and replaced by the newly-recorded data. • If the metronome is being used during playback, the metronome will automatically stop when playback is stopped. • During recorder playback, the volume of a track which is turned off will always be “0” (i.e. the “Preset Song Part Cancel Volume” function — page 32 — only affects preset song playback. • The playback data is not transmitted via the MIDI OUT connector. • Playback cannot be started when the demo/preset song mode is engaged. • Playback cannot be started when the recorder contains no data, or when both track buttons are off. • If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed. • If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases. Synchro Start ............................................................................................................................ ESET ONG TRACK 1 TRACK 2 START/ STOP SONG TEMPO/FUNCTION/SONG REC When the Synchro Start function is engaged, recorder playback will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the SONG [START/STOP] button while holding a track button which is ON. The rightmost dot on the display will flash at the current tempo. (Repeat the previous operation to disengage the Syncro Start function.) Playback will then start as soon as you begin playing on the keyboard. If you hold a track button which is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the Synchro Start mode will be engaged. Left Pedal Start/Stop ......................................................................................................... The left pedal can be assigned to start and stop recorder playback via the “Left Pedal Mode” function described on pages 31 (CLP-930) and 32 (CLP-950). This is convenient for starting playback of the recorded part anytime after you have started playing. 26 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Function Mode The [FUNCTION] button provides access to a range of functions that give the Clavinova extraordinary versatility. The functions are categorized in groups as follows: CLP-930 CLP-950 F1 F2 F3 – F4 – F5 F6 F7 F8 ON START/ STOP F1 F2 F3 F4 – F5 F6 F7 F8 F9 TEMPO/FUNCTION Tuning ............................................................. Scale ............................................................... Dual Mode Functions .................................... Split Mode Functions .................................... Left Pedal Mode ............................................. Pedal Functions ............................................. Metronome Volume ........................................ Preset Song Part Cancel Volume .................. MIDI Functions ............................................... Backup Functions .......................................... 28 28 29 30 31 32 32 32 33 36 To Select a Function … ........................................................................... Z Press the [FUNCTION] button so that its indicator lights. FUNCTION ON FUNCTION METRONOME START/ STOP TEMPO/FUNCTION METRONOME ● Operation Example Press [+/YES] (sub-mode) NOTE • Functions cannot be selected during demo/preset song playback or when the user song recorder is in operation. X Use the [TEMPO/FUNCTION t, s] buttons to select the desired function: F1 through F8 on the CLP-930; F1 through F9 on the CLP-950. C In the case of the Scale (F2), Dual Mode (F3), Split Mode (F4: CLP-950), Pedal Functions (F5: CLP-950), MIDI (F7: CLP-930, F8: CLP-950), and Backup (F8: CLP-930, F9: CLP-950) functions, you will have to press the [+/YES] button once to enter the respective sub-mode after the function has been selected, and then use the [TEMPO/FUNCTION t, s] buttons again to select the desired sub-function. NOTE Use [TEMPO/ FUNCTION t, s] • The Dual or Split (CLP-950) mode must be engaged before the F3 and F4 functions can be selected, respectively. If the corresponding mode is not engaged, “F3.-” or “F4.-” will appear on the display and the corresponding sub-mode will not be available. • The Dual mode can be engaged while in the Function mode, but the Function mode must be exited before the Split mode (CLP-950) can be engaged. Press [–/NO] or [+/YES] once V Set the function as required by using the [–/NO] and [+/YES] Use [–/NO], [+/YES] buttons (see the individual function descriptions, below). NOTE • After selecting the function, the current setting will be displayed when the [–/NO] or [+/YES] button is pressed for the first time. B Press the [FUNCTION] button so that its indicator goes out to exit from the function mode. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 27 The Function Mode F1 Tuning In addition to the tuning method described on page 22, overall tuning can also be accomplished via the F1 function. After selecting “F1”, use the [–/NO] and [+/YES] buttons to lower or raise the pitch in approximately 0.2 Hz increments (the first time the [–/NO] or [+/YES] button is pressed simply switches to the tuning value display without actually changing the tuning). The overall tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note’s Hz). Press the [–/NO] and [+/YES] buttons simultaneously to recall the default value “440 Hz”. Tenths of a Hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example: Display 440 4.40 44.0 440. 4.40. Value 440.0 440.2 440.4 440.6 440.8 F2 Scale After selecting “F2.Y”, press the [+/YES] button to engage the scale function sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired scale function, as listed below. F2.1: Scale .......................................................................................................................................................... In addition to the standard Equal Temperament tuning, the Clavinova includes 6 classic tunings that you can select and use to play music of the corresponding period, or experiment with in a more modern context. The tunings are: 1: Equal Temperament 2: Pure Major 3: Pure Minor 4: Pythagorean 5: Mean Tone 6: Werckmeister 7: Kirnberger Use the [–/NO] and [+/YES] buttons to select the number of the desired tuning. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default settings (Equal Temperament tuning). F2.2: Base Note ............................................................................................................................................. Unlike Equal Temperament tuning, these classic tunings must be tuned to a specific key. Use the [–/NO] and [+/YES] buttons to select the key you want the previously selected tuning to be based. The selected key will appear on the display, followed by a low bar if flat (e.g. “A_”) or a high bar if sharp (e.g. “F~”). Press the [–/NO] and [+/YES] buttons simultaneously to recall the default settings “C”. NOTE 28 CLP-950/930 • The base note setting is effective for tunings other than the Equal Temperament tuning. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Function Mode F3 Dual Mode Functions After selecting “F3.Y”, press the [+/YES] button to engage the dual-mode function submode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired dual mode function, as listed below. If the Dual mode is not engaged “F3.-” will appear instead of “F3.Y” and the Dual mode functions cannot be selected. If this happens engage the Dual mode and proceed. ■ SHORTCUT: You can jump directly to the dual-mode functions (F3) by pressing the [FUNCTION] button while holding the two dual-mode voice selectors. NOTE • Dual mode function settings are set individually for each voice combination. F3.1: Dual Balance ..................................................................................................................................... The volume levels of the two voices combined in the dual mode can be adjusted as required by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of “10” produces equal balance between the two dual-mode voices. Settings below “10” increase the volume of the 2nd Voice in relation to the 1st Voice, and settings above “10” increase the volume of the 1st Voice in relation to the 2nd Voice (“1st” and “2nd” is explained on page 16). Press the [–/NO] and [+/ YES] buttons simultaneously to recall the default setting (different for each voice combination). You can set one voice as the main voice, and another voice as a softer, mixed voice. F3.2: Dual Detune ....................................................................................................................................... This function makes it possible to detune the 1st and 2nd dual-mode Voices to create a thicker sound. Use the [–/NO] and [+/YES] buttons to set the amount of detuning as required. The detune range is from –10 through 10. A setting of “0” sets both voices to the same pitch. “+” values raise the pitch of the 1st voice while lowering the pitch of the 2nd voice, and “-” values raise the pitch of the 2nd voice while lowering the pitch of the 1st voice. (“1st” and “2nd” is explained on page 16). Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). NOTE • The maximum amount of pitch variation increases toward the lower key range (±60 cents at the A-1 key), and decreases toward the higher key range (± 5 cents at the C7 key). 100 cents = 1 semitone. F3.3: 1st Voice Octave Shift ............................................................................................................. F3.4: 2nd Voice Octave Shift ........................................................................................................... Depending on which voices you combine using the dual mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES] buttons to set the octave of the 1st or 2nd Voice as required (“1st” and “2nd” is explained on page 16). The available settings are “0” for normal pitch, “–1” to shift the pitch down one octave, and “1” to shift the pitch up one octave. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 29 The Function Mode F3.5: 1st Voice Effect Depth ............................................................................................................. F3.6: 2nd Voice Effect Depth ........................................................................................................... These functions make it possible to individually set the depth of the effect for the 1st and 2nd dual-mode Voices (“1st” and “2nd” is explained on page 16). Use the [–/NO] and [+/ YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of “0” produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). NOTE • The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON. F3.7: Reset .......................................................................................................................................................... This function resets all dual-mode functions to their default values. Press the [+/YES] button to reset the values. “End” will appear on the display when all functions have been reset. F4 CLP-950 Split Mode Functions After selecting “F4.Y”, press the [+/YES] button to engage the split-mode function submode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired split mode function, as listed below. If the Split mode is not engaged “F4.-” will appear instead of “F4.Y” and the Split mode functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged. ■ SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the [FUNCTION] button while holding the [SPLIT] button. NOTE • Split mode function settings are set individually for each voice combination. F4.1: Split Point ............................................................................................................................................. In addition to the split point setting method described on page 17, the split point can be set via this function. Use the [–/NO] and [+/YES] buttons to set the split point as required, or simply press the appropriate key on the keyboard: from “A-1” to “C7”. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “F#2”. F4.2: Split Balance ..................................................................................................................................... The volume levels of the two voices combined in the split mode can be adjusted as required by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of “10” produces equal balance between the two split-mode voices. Settings below “10” increase the volume of the Left Voice in relation to the Right Voice, and settings above “10” increase the volume of the Right Voice in relation to the Left Voice. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). 30 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Function Mode F4.3: Right Voice Octave Shift ....................................................................................................... F4.4: Left Voice Octave Shift ........................................................................................................... Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES] buttons to set the octave of the Left or Right Voice as required. The available settings are “0” for normal pitch, “–1” to shift the pitch down one octave, and “1” to shift the pitch up one octave. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). Set according to the pitch extent for the song you want to play. F4.5: Right Voice Effect Depth ...................................................................................................... F4.6: Left Voice Effect Depth ........................................................................................................... These functions make it possible to individually set the depth of the effect for the Left and Right split-mode Voices. Use the [–/NO] and [+/YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of “0” produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). NOTE • The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON. F4.7: Damper Range ................................................................................................................................ The Damper Range function determines whether the damper pedal affects the Right Voice, the Left Voice, or both the Left and Right Voices in the split mode. Use the [–/NO] and [+/ YES] buttons to select “2” for the Left Voice, “1” for the Right Voice, or “ALL” for both voices. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “ALL”. F4.8: Reset .......................................................................................................................................................... This function resets all split-mode functions to their default values. Press the [+/YES] button to reset the values. “End” will appear on the display when all functions have been reset. F4 CLP-930 Left Pedal Mode This function sets the left pedal for normal soft-pedal operation or for song start/stop operation. Use the [–/NO] and [+/YES] buttons to select the desired left-pedal mode. “1” is the normal soft-pedal mode, and “2” is the start/stop mode. When the start/stop mode is selected, the left pedal functions in the same way as the panel SONG [START/STOP] button. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “1”. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 31 The Function Mode F5 CLP-950 Pedal Functions After selecting “F5.Y”, press the [+/YES] button to engage the pedal functions sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired pedal functions, as listed below. F5.1: Left Pedal Mode ............................................................................................................................. This function conveniently lets you set the left pedal for normal soft pedal operation, or for song start/stop operation. Use the [–/NO] and [+/YES] buttons to select the desired leftpedal mode. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “1”. 1: Soft The left pedal functions as the soft pedal. 2: Start/Stop The left pedal functions in the same manner as the SONG [START/STOP] button. F5.2: Sustain Sample Depth ............................................................................................................ The CLP-950 GRAND PIANO 1 voice features special “Sustain Samples” which recreate the unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is pressed. This function lets you adjust the depth of this effect. Use the [–/NO] and [+/YES] buttons to set the effect depth as required. The effect depth range is from 0 through 20. A setting of “0” produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/ NO] and [+/YES] buttons simultaneously to recall the default setting “12”. F5 CLP-930 Metronome Volume F6 CLP-950 Metronome Volume ■ SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNCTION] button while holding the METRONOME [START/STOP] button. The volume of the metronome sound can be changed. After selecting “F5” or “F6”, use the [–/NO] and [+/YES] buttons to set the metronome volume as required. The volume range is from 1 through 20. A setting of “1” produces minimum sound, while a setting of “20” produces maximum metronome volume. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “10”. F6 CLP-930 Preset Song Part Cancel Volume F7 CLP-950 Preset Song Part Cancel Volume This function sets the volume at which a “canceled” part is played during preset song playback (see page 15 for information on the “part-cancel” function). Use the [–/NO] and [+/ YES] buttons to set the volume as required. The volume range is from 0 through 20. A setting of “0” produces no sound, while a setting of “20” produces maximum volume. Press the [–/ NO] and [+/YES] buttons simultaneously to recall the default setting “5”. Adjust the part volume to a comfortable level to use the “canceled” part as a guide to play along with. Set to “0” if you don’t want to hear the part. 32 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Function Mode F7 CLP-930 MIDI Functions F8 CLP-950 MIDI Functions ● A Brief Introduction to MIDI MIDI, the Musical Instrument Digital Interface, is a worldstandard communication interface that allows MIDI-compatible MIDI Cable musical instruments and equipment to share musical information and MIDI OUT MIDI IN control one another. This makes it possible to create “systems” of DOU-10 MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. For example, most Clavinova MIDI keyboards (including the Clavinova, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multi-instrument sounds. This same type of musical information transfer is used for MIDI sequence recording. A sequence recorder can be used to “record” Data Being Recorded MIDI data received from a Clavinova, for example. When the Playback Data recorded data is played back, the Clavinova automatically “plays” MIDI OUT MIDI IN MIDI OUT MIDI IN the recorded performance in precise detail. DOU-10 The examples given above really only scratch the surface. MIDI can do much, much more. The Clavinova MIDI functions allow it to Clavinova be used in fairly sophisticated MIDI systems. After selecting “F7.Y” or “F8.Y”, press the [+/YES] button to engage the MIDI function submode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired MIDI function, as listed below. NOTE • The bottom-panel HOST SELECT switch must be set to “MIDI” in order to use the MIDI connectors. When you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer you are using (see page 37). In this situation, all MIDI settings described below will have affect on the MIDI signal in and out of the TO HOST connector. • Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors. F7.1/F8.1: MIDI Transmit Channel Selection .............................................................................. F7.2/F8.2: MIDI Receive Channel Selection ................................................................................ The MIDI system allows transmission and reception of MIDI data on 16 different channels. Multiple channels have Tone Generator DOU-10 been implemented to allow selective (Set to receive on MIDI channel 2) Clavinova control of certain instruments or devices (Set to receive on MIDI channel 1) connected in series. For example, a single MIDI sequence recorder could be used to “play” two different instruments or tone generators. One of the instruments or tone generators could be set to receive only on channel 1, while the other is set to receive on channel 2. In this situation the first instrument or tone generator will respond only to channel-1 information transmitted by the sequence recorder, while the second instrument or tone generator will respond only to channel-2 information. This allows the sequence recorder to “play” two completely different parts on the receiving instruments or tone generators. MIDI OUT MIDI IN MIDI IN MIDI THRU ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 33 The Function Mode In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. A “Multi-timbre” receive mode is also available, which allows simultaneous reception of different parts on all 16 MIDI channels, allowing the Clavinova to play multi-channel song data received from a music computer or sequencer. There’s also a “1-2” mode which allows simultaneous reception on channels 1 and 2. Use the [–/NO] and [+/YES] buttons to select the desired transmit or receive channel. The transmit channel parameter can also be turned “OFF” if you don’t want the Clavinova to transmit any MIDI data. To select the multi-timbre receive mode, set the receive channel to “ALL”. Select “1-2” for multi-timbre reception on channels 1 and 2 only. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting: transmit = “1”; receive = “ALL”. NOTE • In the dual mode first voice data is transmitted on its set channel, and in the split mode right voice data is transmitted on its set channel. In the dual mode second voice data is transmitted on the next greater channel number of the set channel, and in the split mode left voice data is transmitted on the next greater channel number of the set channel. In either mode, no data is transmitted if the transmit channel is set to “OFF”. • Demo/preset song data and recorder playback data are not transmitted via MIDI. • No MIDI reception occurs when the demo/preset song mode is engaged. • Program change and other like channel messages received will not affect the Clavinova’s panel settings or what is being played on the keyboard. F7.3/F8.3: Local Control ON/OFF ........................................................................................................... “Local Control” refers to the fact that, normally, the AUX IN OUT PUT MIDI Clavinova keyboard controls its internal tone generator, MIDI OUT R L L R IN allowing the internal voices to be played directly from DOU-10 the keyboard. This situation is “Local Control On” since the internal tone generator is controlled locally by Clavinova its own keyboard. Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control should be turned OFF when recording using the DOU-10 voices only, and ON when recording the Clavinova voices while listening to playback of the DOU-10 voices. Use the [–/NO] and [+/YES] buttons to turn local control “On” or “OFF”. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”. F7.4/F8.4: Program Change ON/OFF ................................................................................................. Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device. Use the [–/NO] and [+/YES] buttons to turn program change transmission and reception “On” or “OFF”. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”. NOTE 34 CLP-950/930 • For information on program change numbers for each of the Clavinova’s voices, refer to page 44 in the MIDI Data Format section. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ The Function Mode F7.5/F8.5: Control Change ON/OFF ......................................................................................... Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The Clavinova also transmits MIDI control change information when one of its pedals or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the Clavinova pedals and other controls can be operated without affecting an external MIDI device. Use the [–/NO] and [+/YES] buttons to turn control change transmission and reception “On” or “OFF”. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”. NOTE • For information on control changes that can be used with the Clavinova, refer to the MIDI Data Format on page 43. F7.6/F8.6: MIDI Transmit Transpose ........................................................................................ This function allows the MIDI note data transmitted by the Clavinova to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the Clavinova itself is not affected. Use the [–/NO] and [+/YES] buttons to set the desired amount of MIDI transmit transposition. The range is from “–12” (down one octave) through “0” (no transposition) to “12” (up one octave). Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “0”. F7.7/F8.7: Panel/Status Transmit ................................................................................................ This function causes all the current Clavinova panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be automatically restored to the same settings when the performance is played back. Press the [+/YES] button to transmit the panel/status data. “End” will appear on the LED display when the data has been successfully transmitted. NOTE • See page 44 for list of the “Panel Data Contents” transmitted by this function. • Panel setting data that is transmitted to an external device can only be reloaded on a model of the same type. Panel setting data can also be directly transferred to or from instruments of the same model type. F7.8/F8.8: Bulk Data Dump ............................................................................................................... This function is used to transmit all data stored in the Recorder memory to a MIDI data storage device such as the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI compatible computers. Press the [+/YES] button to begin bulk transmission. “End” will appear on the LED display when the data has been successfully transmitted. NOTE • User song recorder data that is transmitted to an external device can only be reloaded on a model of the same type. Recorder data can also be directly transferred to or from instruments of the same model type. • The reload operation cannot be executed when the demo/preset song mode or user song recorder is in operation, or when the Function mode is engaged. • No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 35 The Function Mode F8 CLP-930 Backup Functions F9 CLP-950 Backup Functions After selecting “F8.Y” or “F9.Y”, press the [+/YES] button to engage the backup function sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired backup function, as listed below. • The backup settings themselves, and the contents of the user song recorder memory, are always backed up. NOTE • Even if the Backup is turned on, factory presets can be recalled at any time (see page 40). The factory setting list is found on page 42. Even if backup is turned on via one of the functions described below, the data will only be retained in memory for about 1 week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer periods, be sure to turn the power switch on for a few minutes at least once a week. F8.1/F9.1: Voice .............................................................................................................................................. Turns backup of the voice functions listed below on or off. Use the [–/NO] and [+/YES] buttons to turn backup “On” or “OFF”. The default backup mode is “OFF”. • • • • • • • • Voice (Keyboard, Dual, and Split: CLP-950) Dual (ON/OFF, Voice, and Dual Functions for each voice combination) Split (ON/OFF, Voice, and Split Functions for each voice combination : CLP-950) Reverb (ON/OFF, Type, and Depth for each voice) Effect (ON/OFF, Type, and Depth for each voice) Touch Sensitivity (including the FIXED volume) Metronome (Beat, Volume) Preset Song Part Cancel Volume F8.2/F9.2: MIDI ................................................................................................................................................ Turns backup of the MIDI functions listed below on or off. Use the [–/NO] and [+/YES] buttons to turn backup “On” or “OFF”. The default backup mode is “OFF”. • Channel (Transmit, Receive) • Program Change ON/OFF • MIDI Transmit Transpose • Local ON/OFF • Control Change ON/OFF F8.3/F9.3: Tuning .......................................................................................................................................... Turns backup of the tuning functions listed below on or off. Use the [–/NO] and [+/YES] buttons to turn backup “On” or “OFF”. The default backup mode is “OFF”. • Transpose • Tuning • Scale (including base note) F8.4/F9.4: Pedal ............................................................................................................................................. Turns backup of the pedal functions listed below on or off. Use the [–/NO] and [+/YES] buttons to turn backup “On” or “OFF”. The default backup mode is “OFF”. • Left Pedal Mode 36 CLP-950/930 • Sustain Sample Depth (CLP-950) ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Connecting to a Personal Computer Although the Clavinova can be connected to a personal computer via the MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT personal computers for sequencing and other music applications without the need for a separate MIDI interface. “The Clavinova-Computer Connection” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address: Clavinova Home Page: http://www.yamaha.co.jp/english/product/cl/ Yamaha Manual Library (Electronic Musical Instruments) http://www2.yamaha.co.jp/manual/english/ • When connecting the Clavinova to a personal computer, first turn the power to both the Clavinova and the computer OFF before connecting the cable and setting the HOST SELECT switch. After connecting the cable and making the appropriate HOST SELECT switch setting, turn the power to the computer on first, then turn on the Clavinova. NOTE • When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST] terminal. If the cable is left connected, the Clavinova may not function properly. • “ HS(” will appear in the display if the host computer is not turned on, the connecting cable is not properly connected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this case, turn the power off on both the Clavinova and the computer, and check the cable connection and the position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the power of the computer on first, then the Clavinova, to check if the MIDI driver and MIDI application function properly. • When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors. To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”. Connecting to an Apple Macintosh Series Computer ................................................................................................................ Apple Macintosh Series Computer Set to the “Mac” position. Mac PC-1 TO HOST MIDI PC-2 HOST SELECT CLP-930 Connect the TO HOST connector of the Clavinova to the modem or printer port on your Macintosh, depending on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch to the “Mac” position. You may also have to make other MIDI interface settings on the computer side, depending on the type of software you use (refer to your software owner’s manual). In any case the clock speed should be set to 1 MHz. ● “Mac” Cable Connections MINI DIN 8-PIN 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) MINI DIN 8-PIN • 8-pin system peripheral cable. • Data transfer rate: 31,250 bps. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 37 Connecting to a Personal Computer Connecting to an IBM-PC/AT Series Computer ............ IBM-PC/AT Series Computer Set to the “PC-2” position. Mac PC-1 TO HOST Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT switch to the “PC-2” position. Refer to your software owner’s manual for information on any settings you might have to make on the computer side. MIDI PC-2 HOST SELECT ● “PC-2” Cable Connections CLP-930 MINI DIN 8-PIN 1 2 3 4 8 5 8 (CTS) 7 (RST) 2 (RxD) 5 (GND) D-SUB 9-PIN 3 (TxD) • 8-pin mini DIN → 9-pin D-SUB cable. • Data transfer rate: 38,400 bps. NOTE • If your system doesn’t work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the HOST SELECT switch to “PC-1”. • When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the World Wide Web, <http://www.yamaha.co.jp/english/xg/>. ● Connector Pin Numbers MINI DIN 8-PIN 6 7 8 3 4 5 1 2 D-SUB 9-PIN 5 4 3 2 1 9 8 7 6 38 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Connecting to a Personal Computer Using a USB Interface (such as the Yamaha UX256) Connect the USB interface (Yamaha UX256 or equivalent) to your computer using a USB cable. Install the driver software supplied with the interface (or other appropriate driver software) on your computer according to the supplied instructions. Connect your instrument to the USB interface using either a standard Macintosh 8-pin system peripheral cable or MIDI cables. Refer to the manual supplied with your USB interface for details. ● Connecting the USB Interface and Instrument via a Serial Cable or PC-1 HOST SELECT Mac HOST SELECT Standard Macintosh 8-pin system peripheral cable USB cable Mini-DIN 8-pin UX256 or equivalent Clavinova Computer ● Connecting the USB Interface and Instrument via MIDI Cables MIDI OUT IN MIDI HOST SELECT MIDI cables USB cable UX256 or equivalent Clavinova Computer ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 39 Factory Preset Recall POWER All dual mode, split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the Backup Functions can be restored to their original factory preset values by holding the C7 key (rightmost key on the keyboard) while turning the [POWER] switch ON. This also erases all recorder data, and sets all Backup on/off settings (F8: CLP-930, F9: CLP-950) to “OFF”. NOTE • The factory setting list is found on page 42. Troubleshooting If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty. 1. No Sound When the Power is Turned ON Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection carefully. Is the CLP-950 speaker cord properly plugged into the connector? (page 50) Is the MASTER VOLUME control turned up to a reasonable listening level? Also make sure that a pair of headphones is not plugged into the PHONES jack, and that the Local Control (page 34) is ON. 2. The Damper Pedal Doesn’t Work If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure that the pedal cord is properly plugged into the main unit (page 58: CLP-930, page 50: CLP-950). 3. The Clavinova Reproduces Radio or TV Sound This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer. 4. Intermittent Static Noise This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova. 5. Interference Appears On Radio or TV Sets Located Near the Clavinova The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa. 6. Noise is heard from the Clavinova’s speakers. The noise may be due to interference caused by the use of a mobile phone in close proximity to the Clavinova. Turn off the mobile phone, or use it further away from the Clavinova. 7. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the volume of the external equipment to a level at which the distortion ceases. ● If “Scn” appears on the display an internal malfunction has occurred. In this case, contact your Yamaha dealer. Options & Expander Modules ● Options ● Expander Modules BC-8 Bench A comfortable bench styled to match your Yamaha Clavinova. HPE-160 Stereo Headphones High-performance lightweight dynamic headphones with extra-soft ear pads. 40 CLP-950/930 DOU-10 Disk Orchestra Unit A range of MIDI recording and playback functions, plus Yamaha DOC software, Disklavier PianoSoft™, and General MIDI/Standard MIDI File disk playback capability. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ Voice Descriptions/Beschreibung der Stimmen/ Description des voix/Descripciones de las voces Voice CLP- CLP- Stereo/ Touch Dynamic 950 930 Mono Response Sampling* GRAND PIANO – O Stereo O X GRAND PIANO 1 O – Stereo O O GRAND PIANO 2 O – Stereo O X E.PIANO 1 O O Stereo O O E.PIANO 2 O O Mono O O HARPSICHORD O O Stereo X X VIBRAPHONE O O Stereo O O CHURCH ORGAN O O Stereo X X JAZZ ORGAN O – Mono X X STRINGS O O Stereo O X CHOIR O O Stereo O X WOOD BASS O – Mono O X E.BASS O – Mono O X Voice Descriptions Newly-recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Neu aufgezeichnete Samples eines echten Konzertflügels. Perfekt für klassische Kompositionen sowie viele andere Musikrichtungen, für die ein akustischer Klavierklang wichtig ist. Nouveaux échantillons enregistrés d’un vrai piano de concert. Parfaits pour les compositions classiques comme pour tout autre style nécessitant un piano acoustique. Muestras nuevas grabadas en un piano de cola para conciertos. Son perfectas para composiciones clásicas así como para otros estilos que requieren piano acústico. Newly-recorded samples from a full concert grand piano. Also includes dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. Neu aufgezeichnete Samples eines echten Konzertflügels. Mit “Dynamic Sampling”, “Sustain Samples” und “Key-off Samples” für einen außergewöhnlich realistischen Konzertflügelklang. Perfekt für klassische Kompositionen sowie viele andere Musikrichtungen, für die ein akustischer Klavierklang wichtig ist. Échantillons nouvellement enregistrés à partir d’un vrai piano à queue de concert. Inclus également des échantillons dynamique, sustain et hors touche destinés à produire une sonorité acoustique réaliste d’un vrai piano à queue de concert. Parfaits pour les compositions classiques comme pour tout autre style nécessitant un piano acoustique. Muestras nuevas grabadas en un piano de cola para conciertos. Incluyen también muestras dinámicas, muestras de sostenido, y muestras de soltado de cuerdas para ofrecer un sondo de piano de cola acústico muy realista. Son perfectas para composiciones clásicas así como para otros estilos que requieren piano acústico. A bright, expansive piano sound which is ideal for rock and popular genres. Ein heller, weiträumiger Pianosound, der sich ideal für Rock und andere populäre Musikgenres eignet. Sonorité de piano brillante et expansive idéale pour les genres de musiques rock et populaire. Sonido de piano claro y con expansión que es ideal para música rock y popular. An electronic piano sound created by FM synthesis. Extremely “musical” response with varying timbre according to keyboard dynamics. Ein elektronischer Pianosound, der durch FM-Synthese erzeugt wird. Äußerst “musikalische” Ansprache mit anschlagstärkeabhängiger Klangfärbung. Sonorité de piano électronique créée par synthèse FM. Réponse extrêmement “musicale” avec un timbre variant en proportion de la dynamique du clavier. Sonido de piano electrónico creado con síntesis de FM. Tiene una respuesta muy “musical” con variación del timbre de acuerdo con la dinámica del teclado. The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when played lightly, and an aggressive tone when played hard. Der Sound eines elektrischen Pianos mit metallischen “Hammeranschlag-Spitzen”. Bei leichtem Anschlagen erhält man einen weichen Klang, mit zunehmender Anschlagstärke einen aggressiveren Sound. Sonorité de piano électrique se servant de “pointes” métalliques de frappe de marteau. Sonorité atténuée lorsque les touches sont frappées légèrement et sonorité agressive lorsque le jeu est plus dur. Sonido de piano eléctrico que usa los tonos metálicos de golpe de martillo. Es un tono suave cuando se toca con delicadeza, y es un tono agresivo cuando se toca con fuerza. The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. Cembalo, das maßgebliche Instrument der Barockmusik. Da die Saiten bei diesem Instrument angezupft werden, spricht diese Stimme nicht auf Anschlagdynamik an. Beim Freigeben der Tasten ist jedoch ein zusätzlicher charakteristischer Klang zu hören. L’instrument définitif pour la musique baroque. Étant donné que la harpe se sert de cordes pincer, il n’existe aucune réponse de touche. Cependant, cette sonorité supplémentaire caractéristique est obtenue lorsque les touches sont relâchées. El instrumento perfecto para música barroca. Puesto que el clavicordio emplea cuerdas de punteado, no hay respuesta a la pulsación. Sin embargo, hay un sonido característico adicional al soltar las teclas. Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. Das Vibraphon wird mit relativ weichen Schlegeln gespielt. Je härter der Anschlag, um so metallischer wirkt der Klang. Vibraphone joué avec des maillets relativement souples. La sonorité devient plus métallique au fur et à mesure que le jeu des touches est plus dur. Vibráfono tocado con mazos relativamente blandos. El tono pasa a ser más metálico a medida que se toca con más fuerza. A soft pipe-organ type voice that is ideal for hymn accompaniment and other styles. Ein sanfter pfeifenorgelähnlicher Klang, der sich ideal für Hymnenbegleitung und andere Musikstile eignet. Voix de type orgue à tuyaux et sonorité enveloppée convenant parfaitement pour l’accompagnement d’un hymne ou d’autres styles. Una voz del tipo de órgano de tubos que es ideal para acompañamientos de himnos y otros estilos. The sound of a “tonewheel” type electric organ. Often heard in jazz and rock idioms. Der Sound einer “Tonewheel”-Elektroorgel. In Jazz- und Rockidiomen weit verbreitet. Sonorité d’une molette de courbure du son de type orgue électrique. Souvent entendue dans les dialectes de jazz et de rock. Sonido de un órgano eléctrico del tipo “rueda fónica”. Se oye normalmente en estilos de jazz y rock. A large string ensemble. Try combining this voice with piano in the DUAL mode. Ein großes Streicherensemble. Probieren Sie diese Stimme einmal kombiniert mit Piano im Dualmodus aus. Grand ensemble à cordes. Essayez d’associer cette voix avec le piano en mode DUAL. Un conjunto de instrumentos de cuerdas grande. Pruebe combinando esta voz con la de piano en el modo DUAL. A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. Ein satter, reichhaltiger Klang. Perfekt zur Erzeugung voller Harmonien in Stücken mit langsamem Tempo. Une ample et spacieuse voix de chœur. Convient parfaitement pour créer de riches harmoniques dans les passages lents. Una voz de coros grande y espaciosa. Es perfecta para crear ricas armonías de piezas lentas. An upright bass played fingerstyle. Ideal for jazz and Latin music. Ein mit den Fingern gespielter Kontrabaß. Ideal für Jazz und lateinamerikanische Musik. Sorte de doigté de basse droite. Convient parfaitement pour la musique de jazz et la musique latine. Contrabajo tocado con punteado. Es ideal para jazz y música latina. Electric bass for a wide range of music styles, jazz, rock, popular, and more. E-Baß für eine Reihe von Musikrichtungen wie Jazz, Rock, Pop usw. Basse électrique destinée à une vaste gamme de styles de musique de jazz, rock, populaire et autres. Bajo eléctrico para una amplia variedad de estilos de música, jazz, rock, popular, y otros. * Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic piano. * “Dynamic Sampling” hält mehrere “Velocity-switched Samples” bereit, die anschlagdynamisch gesteuert wiedergegeben werden und so die bei unterschiedlicher Anschlagstärke erzeugten klanglichen Variationen eines akustischen Instruments reproduzieren. * L’échantillonnage dynamique procure des échantillons multiples commutés permettant de simuler avec une précision remarquable le timbre d’un piano acoustique. * El muestreo dinámico proporciona múltiples muestras de velocidad cambiada para simular con precisión la respuesta del timbre de un piano acústico. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 41 Demo Song List/Verzeichnis der Demo-Songs/ Liste des morceaux de démonstration/Lista de canciones de demostración Voice Demo Tune Titles Voice Name GRAND PIANO GRAND PIANO 1 GRAND PIANO 2 E.PIANO1 E.PIANO2 HARPSICHORD VIBRAPHONE CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS • • • • CLP-930 CLP-950 O – – O – O O O O O O O O O O O – O O O O O – O – O Title Valse op.64-1 “Petit chien” Nocturne op.9-2 Piano Sonate op.13 “Pathétique” 2nd mov. Clair de lune Scherzo-valsa (Pièces Pittoresques) Le Coucou Study in A minor Organ Concerto Op.4 No.2 Trolltog (Lyriske Småstykker No.5) Brandenburgisches Konzert No.3 Kantate Nr.140 L’Eléphant In The Kings Hall Composer F.F.Chopin F.F.Chopin L.v.Beethoven C.A.Debussy E.Chabrier L-C.Daquin Georges Pheiffer G.F.Händel E.H.Grieg J.S.Bach J.S.Bach Saint-Saëns E.H.Grieg Some of the demonstration pieces listed above are short rearranged excerpts from the original compositions. Bei manchen der oben aufgeführten Demo-Stücke handelt es sich um kurze, umgestaltete Auszüge aus den Originalkompositionen. Certains des morceaux de démonstration cités ci-dessus sont de courts extraits arrangés des compositions originales. Algunas de las piezas de demostración arriba mencionadas son pasajes cortos arreglados de las composiciones originales. Factory Setting List/Liste der Vorgabeeinstellungen/ Liste des réglages/Lista de ajustes de fábrica Voice Dual Mode Split Mode Split Mode Left Voice Reverb Type Reverb Depth Effect Type Effect Depth Touch Sensitivity Volume in the FIXED Mode Metronome Metronome Time Signature Tempo Transpose CLP-950 CLP-930 GRAND PIANO 1 OFF OFF BASS Preset for each voice Preset for each voice Preset for each voice Preset for each voice MEDIUM 64 OFF 0 (no accent) 120 0 GRAND PIANO OFF — — Preset for each voice Preset for each voice Preset for each voice Preset for each voice MEDIUM 64 OFF 0 (no accent) 120 0 Backup Group CLP-950 CLP-930 F9.1 F8.1 — F9.1 — F9.3 — F8.1 — F8.3 “—”: Not memorized Function CLP-950 CLP-930 F1 F2.1 F2.2 F3.1 F3.2 F3.3, F3.4 F3.5, F.3.6 F4.1 F4.2 F4.3, F4.4 F4.5, F4.6 F4.7 F5.1 F5.2 F6 F7 F8.1 F8.2 F8.3 F8.4 F8.5 F8.6 F9 F1 F2.1 F2.2 F3.1 F3.2 F3.3, F3.4 F3.5, F.3.6 — — — — — F4 — F5 F6 F7.1 F7.2 F7.3 F7.4 F7.5 F7.6 F8 42 CLP-950/930 Function Default Tuning Scale Base Note Dual Balance Dual Detune Dual Octave Shift Dual Effect Depth Split Point Split Balance Split Octave Shift Split Effect Depth Damper Range Left Pedal Mode Sustain Sample Depth Metronome Volume Preset Song Part Cancel Volume MIDI Transmit Channel MIDI Receive Channel Local Control Program Change Send & Receive Control Change Send & Receive MIDI Transmit Transpose Backup A3=440Hz 1 (Equal Temperament) C Preset for each voice combination Preset for each voice combination Preset for each voice combination Preset for each voice combination F#2 Preset for each voice combination Preset for each voice combination Preset for each voice combination ALL 1 (soft pedal) 12 10 5 1 ALL ON ON ON 0 All OFF Backup Group CLP-950 CLP-930 F9.3 F8.3 F9.1 F8.1 F9.4 F8.4 F9.1 F8.1 F9.2 F8.2 Always backed up Always backed up ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ MIDI Data Format/MIDI-Datenformat/ Format des données MIDI/Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergenerated MIDI messages, the data provided in this section can help you to control the Clavinova. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden, können Sie sich zur Steuerung des Clavinovas nach den im folgenden Abschnitt aufgeführten Spezifikationen richten. 1. NOTE ON/OFF Data format: [9nH] -> [kk] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves. 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH 00H 20H (2) Main Volume (reception only) Parameter Volume MSB Data Range (vvH) 00H...7FH (3) Expression ccH 0BH Parameter Expression MSB Parameter Damper MSB Parameter Sostenuto Data Range (vvH) 00H...7FH Parameter Soft Pedal Parameter Effect1 Depth Data Range (vvH) 00H-3FH:off, 40H-7FH:on Data Range (vvH) 00H...7FH Adjusts the reverb send level. (8) Effect4 Depth ( Variation Effect Send Level ) ccH 5EH Parameter Effect4 Depth ccH 78H Parameter All Sound Off Data Range (vvH) 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH 79H Parameter Data Range (vvH) Reset All Controllers 00H Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal ccH 7AH Value 127 (max) 0 (off) 0 (off) 0 (off) Parameter Local Control Data Range (vvH) 00H (off), 7FH (on) (4) All Notes Off ccH 7BH Parameter All Notes Off Data Range (vvH) 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. ccH 7CH Parameter Omni Off Data Range (vvH) 00H (6) Omni On (reception only) ccH 7DH Parameter Omni On Data Range (vvH) 00H (7) Mono (reception only) ccH 7EH (7) Effect1 Depth ( Reverb Send Level ) ccH 5BH (1) All Sound Off Same processing as for All Notes Off. Data Range (vvH) 00H-3FH:off, 40H-7FH:on (6) Soft Pedal ccH 43H BnH = Control event (n = channel number) cc = Control number vv = Data Range Same processing as for All Notes Off. (5) Sostenuto ccH 42H 3 MODE MESSAGES Data format: [BnH] -> [cc] -> [vv] (5) Omni Off (reception only) Data Range (vvH) 00H...7FH (4) Damper ccH 40H SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la Clavinova. (3) Local Control (reception only) Parameter Data Range (vvH) Bank Select MSB 00H:Normal Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. ccH 07H Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le Clavinova. Data Range (vvH) 00H...7FH Parameter Mono Data Range (vvH) 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH 7FH Parameter Poly Data Range (vvH) 00H Same processing as for All Sound Off. • When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 43 MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI 4. PROGRAM CHANGE Data format: [CnH] -> [ppH] • Panel Data Contents CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number GRAND PIANO 1* GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD VIBRAPHONE CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS MSB 0 0 0 0 0 0 0 0 0 0 0 0 CLP-950 LSB P.C.# 112 0 112 1 112 5 112 4 112 6 112 11 112 19 112 16 112 48 112 52 112 32 112 33 MSB 0 CLP-930 LSB P.C.# 112 0 0 0 0 0 0 112 112 112 112 112 5 4 6 11 19 0 0 112 112 48 52 * Indicated as GRAND PIANO on the CLP-930 • When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data Transmission Reception F8H Transmitted every 96 clocks Received as 96-clock tempo timing when MIDI clock is set to External FAH Recorder start Recorder start Not received when the MIDI clock is set to Internal. FCH FEH Recorder stop Transmitted every 200 milliseconds Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. 6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H] F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2AH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 30H (CLP-950/930) 30H, 30H (version x, y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H 44 CLP-950/930 (1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth1 (22) Reverb Depth2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Touch Sensitivity (27) Fixed Data (28) Left Pedal Function (29) Absolute tempo low byte (30) Absolute tempo high byte CLP-950 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O CLP-930 O O O O O O O O O X X X X X X X X X O O O O O O O O O O O O • “X” indicates no affect. • Panel data send requests cannot be received. 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [ll H] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H 7FH 7FH 04H 01H ll H mmH F7H or F0H 7FH XnH 04H 01H ll H mmH F7H = Exclusive status = Universal Realtime = ID of target device = Sub-ID #1=Device Control Message = Sub-ID #2=Master Volume = Volume LSB = Volume MSB = End of Exclusive = Exclusive status = Universal Realtime = When n is received n=0~F, whichever is received. X = don’t care = Sub-ID #1=Device Control Message = Sub-ID #2=Master Volume = Volume LSB = Volume MSB = End of Exclusive ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ (2) Universal Non-Realtime Message (GM 0n) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H 7EH 7FH 09H 01H F7H = Exclusive status = Universal Non-Realtime = ID of target device = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of Exclusive or F0H 7EH XnH 09H 01H F7H = Exclusive status = Universal Non-Realtime = When received, n=0~F. X = don’t care = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of Exclusive 9. SYSTEM EXCLUSIVE MESSAGES (Clavinova MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H] F0H 43H 73H xxH = Exclusive status = Yamaha ID = Clavinova ID = Product ID (CLP-950/930 common ID: 67H or CLP common ID: 01H) nnH = Substatus nn Control 02H Internal MIDI clock 03H External MIDI clock 06H Bulk Data (the bulk data follows 06H) F7H = End of Exclusive * When nn=02H or 03H, Clavinova common ID (01H) is recognized as well as 50H. BULK DUMP FORMAT F0H, 43H, 73H xxH When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. =Product ID (CLP-950: 6BH, CLP-930: 6AH) 06H =Bulk ID 05H =Sequence data 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH =Data length [BULK DATA] = [CHECK SUM (1byte)] = 0-sum (BULK DATA) F7H = End of Exclusive 8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [ll H] -> [ddH] -> [F7H] F0H 43H 1nH 4CH hhH mmH ll H ddH | F7H = Exclusive status = YAMAHA ID = When received, n=0~F. When transmitted, n=0. = Model ID of XG = Address High = Address Mid = Address Low = Data = End of Exclusive Data size must match parameter size. When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 10. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H 43H 73H 67H 11H 0nH cc vv F7H = Exclusive status = Yamaha ID = Clavinova ID = CLP-950/930 common ID = Clavinova special control = Control MIDI change (n=channel number) = Control number = Value = End of Exclusive Control Split Point 0n Always 00H Metronome Always 00H Damper Level ch: 00H-0FH Channel Detune ch: 00H-0FH Voice Reserve ch: 00H-0FH (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [ll H] -> [ddH] ->...-> [ccH] -> [F7H] F0H 43H 0nH 4CH aaH bbH hhH mmH ll H ddH | | ccH F7H Exclusive status YAMAHA ID When received, n=0~F. When transmitted, n=0. Model ID of XG ByteCount ByteCount Address High Address Mid Address Low Data | | Check sum End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the Clavinova another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. ccH 14H vvH 14H : Split Key Number (CLP-950) 1BH 00H : off 01H : – 02H : 2/4 03H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent 3DH (Sets the Damper Level for each channel: CLP-950) 00H-7FH 43H (Sets the Detune value for each channel) 00H-7FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [ll H] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H 43H 1nH 27H 30H 00H 00H mmH ll H ccH F7H = Exclusive Status = Yamaha ID = Transmission from n=CLP is always 0. 0-F is received. = Model ID of TG100 = Sub ID = = = Master Tune MSB = Master Tune LSB = don’t care (under 7FH) = End of Exclusive ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 45 MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI <Table 1> MIDI Parameter Change table ( SYSTEM ) Address (H) 00 00 00 01 02 03 Size (H) 4 Data (H) Parameter 020C - 05F4(*1) MASTER TUNE 04 05 06 7E 7F TOTAL SIZE 1 1 1 00 - 7F — 34 - 4C(*2) 00 00 MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 → bit 15 - 12 2nd bit 3 - 0 → bit 11 - 8 3rd bit 3 - 0 → bit 7 - 4 4th bit 3 - 0 → bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) 40 7F 07 *1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12. <Table 2> MIDI Parameter Change table ( EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01(=HALL1) 00 02 01 40 2 00-7F 00-7F VARIATION TYPE MSB VARIATION TYPE LSB Refer to Effect MIDI Map 00 : basic type 00(=Effect off) 00 Description 0 - 127 Default value (H) 7F • “VARIATION” refers to the EFFECT on the panel. <Table 3> MIDI Parameter Change table ( MULTI PART ) Address (H) 08 nn 11 Size (H) 1 Data (H) 00 - 7F Parameter DRY LEVEL nn = Part Number ● Effect MIDI Map REVERB ROOM HALL 1 HALL 2 STAGE Sound board MSB 02H 01H 01H 03H 03H LSB 10H 10H 11H 10H 12H (CLP-950) MSB 42H 48H 42H 05H LSB 10H 10H 12H 10H EFFECT CHORUS PHASER TREMOLO DELAY 46 CLP-950/930 ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ YAMAHA [Clavinova] Date: 1 March, 2000 MIDI Implementation Chart Model: CLP-950/930 Function Transmitted Basic Default Channel Changed Version: 1.0 Recognized Remarks 1 1~16 1 1~16 Default Messages Altered 3 X ***************** 1 X X : True voice 9~120 ***************** 0~127 21~108 Velocity Note on Note off O 9nH, v=1~127 X 9nH, v=0 O v=1~127 X After Touch key’s Ch’s X X X X X X 0, 32 07 11 64 66 67 91 94 O X O O O O O O O O O O O O O O Bank Select Volume Expression Damper Sostenuto Soft pedal Reverb Depth Effect Depth 120 121 X X O O All sounds off Reset All Controllers Program Change : True # O ***************** O System Exclusive O O System : Song Position : Song Select Common : Tune X X X X X X System : Clock Real Time : Commands O O O O Aux X O O X O O (123~127) O X Mode Note Number Pitch Bender *1 Poly Mode only Control Change : Local ON/OFF : All Notes Off Messages : Active Sense : Reset Notes : *1 = Recieve Mode is always multi timbre and Poly mode. Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ O: Yes X: No CLP-950/930 47 Assembly Parts / Bauteile / Éléments à assembler / Partes del conjunto 6 x 25 mm round-head screws 6 x 25 mm Halbrundschrauben Vis à tête ronde de 6 x 25 mm Tornillos de cabeza redonda de 6 x 25 mm x4 1 x8 2 D 4 x 12 mm round-head screws 4 x 12 mm Halbrundschrauben Vis à tête ronde de 4 x 12 mm Tornillos de cabeza redonda de 4 x 12 mm x4 3 E 6 x 16 mm flat-head screws 6 x 16 mm Senkschrauben Vis à tête plate de 6 x 16 mm Tornillos de cabeza plana de 6 x 16 mm 4 x 20 mm tapping screws 4 x 20 mm Schneidschrauben Vis auto-taraudeuses 4 x 20 mm Tornillos de autoenrosque de 4 x 20 mm x4 4 A B B C Pedal cord Pedalkabel Cordon de pédalier Cable de pedales ● Cord holders x 2 ● Kabelhalter x 2 ● Serre-câble x 2 ● Soportes de cable x 2 ● AC power cord ● Netzkabel ● Cordon d’alimentation ● Cable de alimentación de CA ● The music stand is packaged in cardboard, and included inside the box. Do not forget to remove it from the box. ● Der Notenständer ist in einer separaten Verpackung im Karton enthalten. Vergessen Sie beim Auspacken nicht, auch den Notenständer aus dem Karton zu nehmen. ● Le pupitre à partition est emballé dans du carton et se trouve dans la boîte. Ne pas oublier de le retirer la boîte. ● El atril está embalado con cartón y se encuentra dentro de la caja. No se olvide de sacarlo de la caja. CLP-950: Keyboard Stand Assembly CLP-950: Zusammenbau und Aufstellung CAUTION • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. • Be sure to tighten up all screws upon completing assembly of each unit. • To disassemble, reverse the assembly sequence given below. VORSICHT • Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in der angegebenen Reihenfolge vor. • Die Montage sollte von mindestens zwei Personen vorgenommen werden. • Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu Schäden führen. • Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle Schrauben festzuziehen. • Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt werden. Have a Phillips-head (+) screwdriver ready. Sie benötigen einen Kreuzschlitzschraubendreher (+). The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly instructions and select the parts as needed. Es werden die in der “Bauteile”-Zeichnung abgebildeten Teile verwendet. Folgen Sie beim Zusammenbau den Anweisungen, und wählen Sie die jeweils benötigten Teile. the side panels (B) to the pedal box Z Attach (C). Sie die Seitenwände (B) am PedalZ Befestigen kasten (C). Align the holes on the side of the pedal box (C) with those on the side panels (B), attach the pedal box to the side panels using the four 6 x 25 millimeter round-head screws 1 — two screws on each side. Make sure the pedals extend in the same direction as the feet. Bringen Sie die Schraubenbohrungen an der Seite des Pedalkastens (C) mit denen an den Seitenwänden (B) zur Deckung, und schrauben Sie den Pedalkasten mit den vier 6 x 25 mm Halbrundschrauben 1, jeweils zwei Schrauben links und rechts, an den Seitenwänden fest. Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die vorspringenden Teile der Füße. X Attach the front panel (D). The front panel attaches to the front end of the pedal box and side panels. Fit the front panel into position. Align the small hole in each six brackets and attach the front panel using the six 4 x 12 millimeter round-head screws 2. 48 CLP-950/930 X Montieren Sie die Stirnwand (D). Die Stirnwand wird am vorderen Ende des Pedalkastens und der Seitenwände angebracht. Setzen Sie die Stirnwand an. Bringen Sie die kleinen Bohrungen der sechs Halterungen mit denen in der Stirnwand aus, und schrauben Sie die Stirnwand mit den sechs 4 x 12 mm Halbrundschrauben 2 fest. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 1 ● Remove the vinyl tie from the folded pedal cord. Do not remove the vinyl tie located next to the hole. ● Entfernen Sie den Kabelbinder vom zusammengelegten Pedalkabel. Der Kabelbinder neben der Durchführung darf nicht entfernt werden! ● Retirez l’attache en vinyle du cordon de pédale plié. Ne retirez pas l’attache en vinyle placée près de l’ouverture. ● Extraiga la abrazadera de plástico del cable del pedal plegado. No extraiga la abrazadera de plástico que está al lado del orificio. 2 B R D B B L C B 6 x 25 mm round-head screws 1 6 x 25 mm Halbrundschrauben 1 Vis à tête ronde de 6 x 25 mm 1 Tornillos de cabeza redonda de 6 x 25 mm 1 CLP-950: Assemblage du support de clavier • • • • • PRECAUTION Veiller à ne pas mélanger les pièces et à les installer dans le sens correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous. La présence de deux personnes minimum est nécessaire pour procéder au montage. Toujours utiliser des vis aux dimensions correctes, comme indiqué cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en effet endommager l’instrument. Resserrer convenablement toutes les vis après le montage de chaque élément. Pour démonter le Clavinova, inverser l’ordre des indications données cidessous. Munissez-vous d’un tournevis Phillips (cruciforme). Les éléments qui sont représentés sur la figure intitulée “Éléments à assembler” seront utilisés. Veuillez vous conformer aux instructions d’assemblage et sélectionner les éléments nécessaires. Z Fixez les panneaux latéraux (B) au pédalier (C) Faites correspondre les trous visibles sur le flanc du pédalier (C) avec deux des panneaux latéraux (B), puis fixer le pédalier sur les panneaux latéraux à l’aide de quatre vis de fixation à tête ronde de 6 x 25 millimètres 1 - soit deux vis de chaque côté. Veillez à ce que les pédales soient dirigées dans le même sens que les supports inférieurs. X Fixez le panneau avant (D). Le panneau avant se fixe sur le bord avant du logement de pédalier et sur les panneaux latéraux. Montez le panneau avant dans la position voulue. Alignez les trous de faible diamètre percés dans chacune des platines de fixation puis fixer le panneau avant en utilisant les six vis de fixation à tete ronde de 4 x 12 millimètres 2. 4 x 12 mm round-head screws 2 4 x 12 mm Halbrundschrauben 2 Vis à tête ronde de 4 x 12 mm 2 Tornillos de cabeza redonda de 4 x 12 mm 2 CLP-950: Conjunto del soporte del teclado CUIDADO • Observe cuidado para no confundir las piezas, y asegúrese de montar todas ellas en el sentido correcto. Proceda al montaje en el orden indicado a continuación. • El montaje deberá realizarse al menos por dos personas. • Procure utilizar los tornillos del tamaño adecuado, según se indica arriba. El empleo de tornillos inadecuados puede ocasionar daños en el instrumento. • Asegúrese de apretar bien todos los tornillos después de montar cada unidad. • Para desmontar las unidades, invierta la secuencia de montaje facilitada a continuación. Tenga preparado un destornillador de cabeza en cruz (+). Se usarán las partes mostradas en la ilustración de “Partes del conjunto”. Siga las instrucciones de montaje y seleccione las partes a medida que se requieran. los paneles laterales (B) en la caja de Z Acople pedales (C). Alinee los orificios del lado de la caja de pedales (C) con los de los paneles laterales (B), y acople la caja de pedales a los paneles laterales empleando los cuatro tornillos de cabeza redonda de 6 x 25 milímetros 1 — dos tornillos en cada lado. Asegúrese de que el pedal se extiende en la misma dirección que la pata. X Monte el panel frontal (D). El panel frontal se coloca en el extremo frontal de la caja de pedales y los paneles laterales. Adapte el panel frontal en su posición. Alinee el orificio pequeño de cada una de las seis ménsulas y monte el panel frontal empleando los seis tornillos de cabeza redonda de 4 x 12 milímetros 2. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 49 3 ● The bracket on the front has 2 holes. Insert the screws into the holes on the front panel side of the bracket. ● Die vorderen Winkelbleche haben zwei Schraubenbohrungen. Führen Sie die Schraube jeweils in die Bohrung an der Stirnwandseite ein. ● La partie avant de la ferrure comporte deux trous. Introduisez les vis de fixation dans les trois du côté du panneau avant de la ferrure. ●La ménsula de la parte frontal tiene 2 orificios. Inserte los tornillos en los orificios del lado del panel frontal de la ménsula. 10 cm 10 cm A ● Be sure to place your hands at least 10 centimeters from either end of the main unit when positioning it. ● Mindestens 10 cm innen unter die Tastatureinheit greifen. ● Placez bien vos mains à 10 cm au moins des extrémités du clavier, lors de sa mise en place. ● Asegúrese de colocar las manos por lo menos a 10 centímetros desde los extremos de la unidad principal cuando la sitúe. 6 x 16 mm flat-head screws 3 6 x 16 mm Senkschrauben 3 Vis à tête plate de 6 x 16 mm 3 Tornillos de cabeza plana de 6 x 16 mm 3 C Install the main unit (A). C Montieren Sie die Tastatureinheit (A). Place the main unit (A) on the side panels (B) with the screws on its bottom panel (toward the rear of the main unit) just behind the grooves in the brackets located at the top of the side panels. Then slide the main unit forward until it stops. WATCH YOUR FINGERS WHEN DOING THIS!! Align the holes on the bottom panel of the main unit with the holes in the brackets on the side panels (also center the main unit to produce equal clearance on the left and right sides, as shown in the illustration), then use the four 6 x 16 millimeter flat-head screws 3 to attach the main unit. The four screws can be attached from the rear. Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer, daß die beiden Schrauben an ihrer Unterseite hinter den Winkelblechen mit Führungsschlitz an der Hinterseite des Ständers zu liegen kommen. Schieben Sie die Tastatureinheit dann bis zum Anschlag in die Schlitze. KLEMMEN SIE IHRE FINGER DABEI NICHT EIN!! Richten Sie die Schraubenbohrungen an der Unterseite der Tastatureinheit mit den Bohrungen der Winkelbleche aus (achten Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der Abbildung gezeigt), um die Tastatureinheit dann mit den vier 6 x 16 mm Senkschrauben 3 festzuschrauben. Die vier Schrauben können von der Rückseite her eingeführt werden. CAUTION • Do not hold the keyboard in any position other than the position shown in the above illustration. • Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. V Connect the speaker cord. The speaker cord from the speaker box must be plugged into the corresponding connector in the main unit. The plug only goes in one way (the lug on the connector should face the rear of the main unit, as shown in the illustration), so don’t try to force it in the wrong way around. B Connect the pedal cord. The pedal cord from the pedal box must be plugged into the PEDAL connector located at the rear of the main unit’s underside. Once connected, attach the cord holders to the side panel as shown, then clip the cord into the holders. 50 CLP-950/930 VORSICHT • Halten Sie die Tastatureinheit nur wie in der obigen Abbildung! • Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatureinheit und den Seitenwänden bzw. der Rückwand einklemmen — die Tastatureinheit könnte dadurch zu Fall kommen! V Schließen Sie das Lautsprecherkabel an. Das vom Lautsprecher kommende Kabel wird an die entsprechende Buchse an der Tastatrureinheit angeschlossen. Der Kabelstecker paßt nur in einer Ausrichtung in die Buchse (mit der Führungsnase zur Rückseite des Instruments weisend, wie in der Abbildung verdeutlicht). Versuchen Sie nicht, den Stecker falsch herum mit Gewalt in die Buchse zu drücken! B Schließen Sie das Pedalkabel an. Das vom Pedalkasten kommende Pedalkabel wird an die PEDAL-Buchse hinten an der Unterseite der Tastatureinheit angeschlossen. Bringen Sie nach dem Anschluß die Kabelhalter an der Seitenwand an, um das Kabel dann in diese Halter zu klemmen. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 4 5 PEDAL PEDA L ● Before connecting the speaker cord, remove the vinyl tie attaching the speaker cord to the front panel. ● Entfernen Sie vor dem Anschluß des Lautsprecherkabels den Kabelbinder, mit dem das Kabel an der Stirnwand festgemacht ist. ● Avant de raccorder le cordon de haut-parleur, retirez l’attache en vinyle qui immobilise le cordon de haut-parleur sur le panneau avant. ● Antes de conectar el cable de altavoz, extraiga la abrazadera de plástico que fija el cable de altavoz al panel frontal. Cord holder Kabelhalter Serre-câble Soporte del cable C Installez le clavier (A) C Instale la unidad principal (A). Placez le clavier sur les panneaux latéraux (B), avec les vis de son panneau inférieur (situées vers l’arrière du clavier) placées immédiatement derrière les rainures des ferrures situées à la partie supérieure des panneaux latéraux (B), puis faites glisser le clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES ATTENTION A VOS DOIGTS EN EXECUTANT CETTE OPERATION!! Alignez les trous du panneau inférieur du clavier sur les trous des ferrures des panneaux latéraux (centrez également le clavier de manière à avoir un jeu identique de chaque côté) utilisez ensuite quatre vis de fixation à tête plate de 6 x 16 millimètres 3 pour immobiliser le clavier. Les quatre vis peuvent être fixées par l’arrière. Coloque la unidad principal en los paneles laterales (B) con los tornillos de su panel inferior (hacia la parte posterior de la unidad principal) justo detrás de las ranuras de la ménsula ubicada en la parte superior de los paneles laterales (B), después deslice el teclado hacia adelante hasta que se pare. ¡TENGA CUIDADO CON SUS DEDOS MIENTRAS LO HACE! Alinee los orificios del panel inferior de la unidad principal con los orificios de las ménsulas de los paneles laterales (también centre la unidad principal para producir una holgura igual en los lados derecho e izquierdo, como se muestra en la ilustración), y emplee entonces los cuatro tornillos de cabeza plana de 6 x 16 milímetros 3 para montar la unidad principal. Los cuatro tornillos pueden colocarse desde detrás. PRECAUTION • Ne tenez pas le clavier d’une autre manière que celle indiquée sur l’illustration ci-dessus. • Attention car vous risquez de vous faire pincer les doigts entre le clavier et les panneaux arrière ou latéraux de sorte que vous devez veiller à ne pas faire tomber le clavier. V Raccordez le câble de haut-parleur Le câble de haut-parleur qui sort du logement de haut-parleur doit être raccordé au connecteur correspondant du clavier. La prise ne s’enclenche que d’une seule manière (la cosse du connecteur doit être orientée vers l’arrière du clavier, comme indiqué sur l’illustration), aussi, n’essayez pas de la faire entrer de force dans le mauvais sens. B Raccordez le câble du pédalier Le câble du pédalier qui sort du logement de pédalier doit être raccordé au connecteur PEDAL implanté à l’arrière du panneau de dessus de l’instrument. Une fois branché, fixez les attaches de câble sur le panneau latéral en procédant de la façon représentée sur la figure, puis emboîtez le câble dans les attaches. CUIDADO • No sostenga el teclado en ninguna posición que no sea la posición mostrada en la ilustración de arriba. • Podría pillarse los dedos ente la unidad principal y los paneles traseros o laterales, por lo que deberá tener mucho cuidado que no se caiga la unidad principal. V Conecte el cable de altavoz. El cable de altavoz procedente de la caja de altavoces debe enchufarse al conector correspondiente de la unidad principal. La clavija sólo entra en un sentido (la lengüeta del conector debe orientarse hacia atrás de la unidad principal, como se muestra en la ilustración), por lo que no deberá forzarla al revés. Una vez conectada, coloque los soportes de cable en el panel trasero como se muestra, y enganche el cable en los soportes. B Conecte el cable de los pedales. El cable de los pedales procedente de la caja de pedales debe enchufarse al conector PEDAL situado en la parte posterior del lado inferior de la unidad principal. Una vez se ha conectado, coloque los soportes de cable del panel lateral como se muestra, y sujete el cable en los soportes. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 51 6 7 4 x 12 mm round-head screws 2 4 x 12 mm Halbrundschrauben 2 Vis à tête ronde de 4 x 12 mm 2 Tornillos de cabeza redonda de 4 x 12 mm 2 ● A voltage selector is provided in some areas. ● Spannungswähler (nur in bestimmten Verkaufsgebieten) ● Un sélecteur de tension est prévu pour certaines régions ● El selector de tensión está provisto para ciertos destinos. B E 220 240 110 127 4 x 20 mm tapping screws 4 4 x 20 mm Schneidschrauben 4 Vis auto-taraudeuses 4 x 20 mm 4 Tornillos de autoenrosque de 4 x 20 mm 4 N Voltage Selector N Den Spannungswähler einstellen. Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET. Bevor Sie nun das Netzkabel anschließen, müssen Sie den Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswähler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswähler auf “240” voreingestellt. Nachdem Sie den Spannungswähler auf den richtigen Spannungswert eingestellt haben, stecken Sie das Netzkabel in die AC INLET-Buchse. CAUTION • An improper voltage setting can cause serious damage to the Clavinova or result in improper operation. • Eine falsche Spannungseinstellung kann das Clavinova schwer beschädigen und Funktionsstörungen zur Folge haben. M Attach the rear panel (E). With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear of the pedal box. At this time, run the AC power cord through the cutout on the rear panel. Then, secure the top of the rear panel to the side panel brackets using two 4 x 12 mm round-head screws 2. Finally, secure the bottom of the rear panel to the pedal box using four 4 x 20 mm tapping screws 4. Move the instrument to the location where it will be used and connect the AC power cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area ■ After completing the assembly, please check the following. • Are there any parts left over? ➔ Review the assembly procedure and correct any errors. • Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location. • Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws. • Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection. • If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws. ● After assembly is complete, it will be necessary to remove the keyboard string. This procedure is performed once only and the string will never have to be reattached again. For instructions on its removal, refer to the paper titled "REQUEST" that can be found on the keys underneath the key cover (see page 10). 52 CLP-950/930 VORSICHT M Montieren Sie die Rückwand (E). Setzen Sie die Rückwand leicht abgewinkelt, wie in der Abbildung gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der Füße auf. Verlegen Sie das Netzkabel dabei durch den Ausschnitt in der Rückwand. Schrauben Sie dann die Rückwand oben mit zwei 4 x 12 mm Halbrundschrauben 2 fest. Schrauben Sie die Rückwand abschließend noch mit vier 4 x 20 mm Schneidschrauben 4 an den Pedalkasten. Bringen Sie das Instrument an seinen Stellplatz, und schließen Sie das Netzkabel an eine Steckdose an. In manchen Gebieten wird ein Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschiedlich geformte Steckdose zu ermöglichen. ■ Wenn der Zusammenbau beendet ist, prüfen Sie bitte folgende Dinge: • Sind Teile übrig geblieben? ➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch und korrigieren Sie eventuelle Fehler. • Befindet sich das Clavinova weit genug von Türen und anderen beweglichen Vorrichtungen entfernt? ➔ Bewegen Sie das Clavinova an einen entsprechend sicheren Ort. • Macht das Clavinova Klappergeräusche, wenn Sie es schütteln? ➔ Ziehen Sie alle Schrauben fest. • Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen? ➔ Prüfen Sie die Verbindung. • Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal nach. ● Nach dem Zusammenbau müssen Sie den Tastatur-Sicherungsdraht entfernen. Diese Arbeit wird nur einmal ausgeführt, und der Draht braucht später nicht wieder angebracht zu werden. Anweisungen hierzu entnehmen Sie bitte dem unter der Tastaturabdeckung auf den Tasten liegenden Hinweisblatt (siehe Seite 10). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ CAUTION • When moving the instrument after assembly, always hold instrument by the lower surface in the front of the main unit and by the handles in the rear panel. NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury. VORSICHT • Fassen Sie zum Umstellen des Instruments nach dem Zusammenbau vorne unter die Unterseite der Tastatureinheit und hinten in die Griffmulden; heben Sie es NIEMALS am oberen Teil des Gehäuses oder am Tastaturdeckel. Bei Nichtbeachtung dieses Punkts kann das Instrument beschädigt und im Extremfall eine Verletzung hervorgerufen werden. PRECAUTION • Lorsque l’instrument doit être déplacé après avoir été assemblé, saisissez-le toujours par la surface inférieure de l’instrument proprement dit et par les poignées du panneau arrière. JAMAIS par sa partie supérieure ou par le protège-clavier. Une mauvaise manipulation peut provoquer des dommages ou des blessures. CUIDADO • Cuando mueva el instrumento después del montaje, sostenga siempre el instrumento por la superficie inferior de delante de la unidad principal y por las asas del panel posterior. NUNCA la parte superior de la cubierta del teclado. La manipulación indebida puede causar daños en el instrumento o personales. N Sélecteur de tension N Selector de tensión Avant de connecter le cordon d’alimentation, vérifiez le réglage du sélecteur de tension qui est prévu pour certaines régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau. Le sélecteur de tension est réglé sur 240 V au départ d’usine. Après avoir choisi la tension appropriée, branchez le cordon d’alimentation secteur dans la prise AC INLET de l’instrument. Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para ciertos destinos. Para ajustar el selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee un destornillador de cabeza recta “-” para girar el selector de modo que la tensión correcta de su zona aparezca al lado del indicador del panel. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Después de haber seleccionado la tensión correcta, enchufe el cable de alimentación de CA a la toma AC INLET. PRECAUTION • Vous risquez de sérieusement endommager le Clavinova ou de provoquer un fonctionnement anormal de l’instrument en ne choisissant pas correctement la tension d’alimentation. M Fixez le panneau arrière (E) En inclinant légèrement en angle le panneau arrière, comme mentionné sur l’illustration, abaissez-le sur le rebord des pieds, à l’arrière du pédalier. Faire passer à ce moment-là le cordon d’alimentation secteur dans l’échancrure aménagée dans le panneau arrière. Puis fixez le haut du panneau arrière sur les supports des panneaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm 2. Et finalement, fixez le bas du panneau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 4. Déplacez l’instrument jusqu’à l’emplacement où il est prévue de l’utiliser, puis raccorder le cordon d’alimentation secteur à une prise de sortie secteur. Un adaptateur de prise peut également être fourni dans certaines régions pour pouvoir brancher le cordon à la prise secteur murale. ■ Lorsque le montage est terminé, veuillez mener à bien les vérifications suivantes. • Reste-t-il des pièces non utilisées? ➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle. • Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile? ➔ Déplacer le Clavinova vers un emplacement approprié. • Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis? ➔ Serrer convenablement toutes les vis. • Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises? ➔ Vérifier toutes les connexions. • Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le clavier, consulter les diagrammes de montage et resserrer toutes les vis. ● Dès que l’assemblage est complètement terminé, la corde de clavier doit être retirée. Ceci n’est exécuté qu’une seule fois et il ne sera plus nécessaire de fixer la corde à nouveau. En ce qui concerne les instructions pour retirer cette corde, veuillez vous référer à la page intitulée “REQUEST” qui est placée sur les touches du clavier sous le couvreclavier (voir page 10). CUIDADO • Un ajuste incorrecto de la tensión puede causar daños serios a la Clavinova o ser motivo de mal funcionamiento. M Monte el panel trasero (E). Con el panel trasero un poco inclinado en ángulo como se muestra en la ilustración, bájelo al borde saliente de las patas de la parte posterior de la caja de pedales. Entonces, pase el cable de alimentación de CA por el corte del panel posterior. Entonces, fije la parte superior del panel trasero a las ménsulas de panel lateral usando dos tornillos de cabeza redonda de 4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja de pedales usando cuatro tornillos de autoenrosque de 4 x 20 mm 4. Mueva el instrumento al lugar donde deba utilizarse y conecte el cable de alimentación de CA a una toma de corriente de CA de la pared. En algunas zonas puede suministrarse también un adaptador para adaptar la configuración de las patillas de los tomacorrientes de CA de su localidad. ■ Cuando haya concluido el montaje, compruebe los siguientes puntos: • ¿Ha quedado alguna pieza sin instalar? ➔ Revise el procedimiento de montaje y corrija cualquier error que se haya podido cometer. • ¿Está el Clavinova alejado del recorrido de puertas y muebles? ➔ Traslade el Clavinova a una posición adecuada. • ¿Suena algún ruido de holgura cuando se mueve el Clavinova? ➔ Apriete con firmeza todos los tornillos. • ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores? ➔ Revise las conexiones. • Si la unidad principal cruje o presenta algún signo de inestabilidad cuando se toca el teclado, consulte los esquemas de montajee y vuelva a apretar todos los tornillos. ● Después de haber terminado el montaje, será necesario extraer la cuerda del teclado. Este procedimiento sólo se lleva a cabo una vez y la cuerda no se tendrá que volver a atar nunca más. Para las instrucciones sobre la extracción de la cuerda, consulte el documento titulado “RUEGO” que encontrará sobre las teclas debajo de la cubierta del teclado (vea la página 10). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 53 Assembly Parts / Bauteile / Éléments à assembler / Partes del conjunto A D D B C Bundled pedal cord inside Gebündeltes Pedalkabel Cordon de pédalier enroulé à l’intérieur Cable de pedales enrollado en el interior ● Cord holders x 2 ● Kabelhalter x 2 ● Serre-câble x 2 ● Soportes de cable x 2 ● AC power cord ● Netzkabel ● Cordon d’alimentation ● Cable de alimentación de CA CLP-930: Keyboard Stand Assembly CAUTION • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. • Be sure to tighten up all screws upon completing assembly of each unit. • To disassemble, reverse the assembly sequence given below. Have a Phillips-head (+) screwdriver ready. The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly instructions and select the parts as needed. the side panels (D) to the pedal box Z Attach (C). Before installing the pedal box, untie and straighten out the bundled cord attached to the bottom of the pedal box. Don’t discard the vinyl tie, you’ll need it later in step V. Align the holes on the side of the pedal box (C) with those on the side panels (D), attach the pedal box to the side panels using the four 6 x 25 millimeter round-head screws 1 — two screws on each side. Make sure the pedals extend in the same direction as the feet. 54 CLP-950/930 6 x 25 mm round-head screws 6 x 25 mm Halbrundschrauben Vis à tête ronde de 6 x 25 mm Tornillos de cabeza redonda de 6 x 25 mm x4 1 4 x 12 mm round-head screws 4 x 12 mm Halbrundschrauben Vis à tête ronde de 4 x 12 mm Tornillos de cabeza redonda de 4 x 12 mm x2 2 4 x 20 mm tapping screws 4 x 20 mm Schneidschrauben Vis auto-taraudeuses 4 x 20 mm Tornillos de autoenrosque de 4 x 20 mm x4 3 6 x 16 mm flat-head screws 6 x 16 mm Senkschrauben Vis à tête plate de 6 x 16 mm Tornillos de cabeza plana de 6 x 16 mm x4 4 ● The music stand is packaged in cardboard, and included inside the box. Do not forget to remove it from the box. ● Der Notenständer ist in einer separaten Verpackung im Karton enthalten. Vergessen Sie beim Auspacken nicht, auch den Notenständer aus dem Karton zu nehmen. ● Le pupitre à partition est emballé dans du carton et se trouve dans la boîte. Ne pas oublier de le retirer la boîte. ● El atril está embalado con cartón y se encuentra dentro de la caja. No se olvide de sacarlo de la caja. CLP-930: Zusammenbau und Aufstellung VORSICHT • Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in der angegebenen Reihenfolge vor. • Die Montage sollte von mindestens zwei Personen vorgenommen werden. • Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu Schäden führen. • Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle Schrauben festzuziehen. • Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt werden. Sie benötigen einen Kreuzschlitzschraubendreher (+). Es werden die in der “Bauteile”-Zeichnung abgebildeten Teile verwendet. Folgen Sie beim Zusammenbau den Anweisungen, und wählen Sie die jeweils benötigten Teile. Sie die Seitenwände (D) am PedalZ Befestigen kasten (C). Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder und ziehen das Kabel dann gerade aus. Werfen Sie den Kabelbinder nicht wg, er wird in Schritt V wieder gebraucht. Bringen Sie die Schraubenbohrungen an der Seite des Pedalkastens (C) mit denen an den Seitenwänden (D) zur Deckung, und schrauben Sie den Pedalkasten mit den vier 6 x 25 mm Halbrundschrauben 1, jeweils zwei Schrauben links und rechts, an den Seitenwänden fest. Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die vorspringenden Teile der Füße. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 1 D D C 6 x 25 mm round-head screws 1 6 x 25 mm Halbrundschrauben 1 Vis à tête ronde de 6 x 25 mm 1 Tornillos de cabeza redonda de 6 x 25 mm 1 CLP-930: Assemblage du support de clavier PRECAUTION • Veiller à ne pas mélanger les pièces et à les installer dans le sens correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous. • La présence de deux personnes minimum est nécessaire pour procéder au montage. • Toujours utiliser des vis aux dimensions correctes, comme indiqué cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en effet endommager l’instrument. • Resserrer convenablement toutes les vis après le montage de chaque élément. • Pour démonter le Clavinova, inverser l’ordre des indications données ci-dessous. Munissez-vous d’un tournevis Phillips (cruciforme). CLP-930: Conjunto del soporte del teclado CUIDADO • Observe cuidado para no confundir las piezas, y asegúrese de montar todas ellas en el sentido correcto. Proceda al montaje en el orden indicado a continuación. • El montaje deberá realizarse al menos por dos personas. • Procure utilizar los tornillos del tamaño adecuado, según se indica arriba. El empleo de tornillos inadecuados puede ocasionar daños en el instrumento. • Asegúrese de apretar bien todos los tornillos después de montar cada unidad. • Para desmontar las unidades, invierta la secuencia de montaje facilitada a continuación. Tenga preparado un destornillador de cabeza en cruz (+). Les éléments qui sont représentés sur la figure intitulée “Éléments à assembler” seront utilisés. Veuillez vous conformer aux instructions d’assemblage et sélectionner les éléments nécessaires. Se usarán las partes mostradas en la ilustración de “Partes del conjunto”. Siga las instrucciones de montaje y seleccione las partes a medida que se requieran. les panneaux latéraux (D) au pédalier Z Fixez (C) los paneles laterales (D) en la caja de Z Acople pedales (C). Avant de poser le pédalier, détacher le cordon de la partie inférieure du pédalier et le dérouler. Ne jetez pas l’attache en vinyle, vous la réutiliserez ultérieurement à l’étape V. Faites correspondre les trous visibles sur le flanc du pédalier (C) avec deux des panneaux latéraux (D), puis fixer le pédalier sur les panneaux latéraux à l’aide de quatre vis de fixation à tête ronde de 6 x 25 millimètres 1 - soit deux vis de chaque côté. Veillez à ce que les pédales soient dirigées dans le même sens que les supports inférieurs. Antes de instalar la caja de pedales, desate y enderezca el cable plegado unido a la parte inferior de la caja de pedales. No tire la abrazadera de vinilo, porque la necesitará en el paso V de más adelante. Alinee los orificios del lado de la caja de pedales (C) con los de los paneles laterales (D), y acople la caja de pedales a los paneles laterales empleando los cuatro tornillos de cabeza redonda de 6 x 25 milímetros 1 — dos tornillos en cada lado. Asegúrese de que el pedal se extiende en la misma dirección que la pata. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 55 2 4 x 12 mm round-head screws 2 4 x 12 mm Halbrundschrauben 2 Vis à tête ronde de 4 x 12 mm 2 Tornillos de cabeza redonda de 4 x 12 mm 2 B B D 4 x 20 mm tapping screws 3 4 x 20 mm Schneidschrauben 3 Vis auto-taraudeuses 4 x 20 mm 3 Tornillos de autoenrosque de 4 x 20 mm 3 X Attach the rear panel (B). X Montieren Sie die Rückwand (B). With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear panel to the side panel brackets using two 4 x 12 mm round-head screws 2. Finally, secure the bottom of the rear panel to the pedal box using four 4 x 20 mm tapping screws 3. Setzen Sie die Rückwand leicht abgewinkelt, wie in der Abbildung gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der Füße auf. Schrauben Sie dann die Rückwand oben mit zwei 4 x 12 mm Halbrundschrauben 2 so an den Seitenwänden fest, daß kein Spiel zwischen Rückwand und Seitenwänden verbleibt. Schrauben Sie die Rückwand abschließend noch mit vier 4 x 20 mm Schneidschrauben 3 an den Pedalkasten. C Install the main unit (A). C Montieren Sie die Tastatureinheit (A). Place the main unit (A) on the side panels (D) with the screws on its bottom panel (toward the rear of the main unit) just behind the grooves in the brackets located at the top of the side panels. Then slide the main unit forward until it stops. WATCH YOUR FINGERS WHEN DOING THIS!! Align the holes on the bottom panel of the main unit with the holes in the brackets on the side panels (also center the main unit to produce equal clearance on the left and right sides, as shown in the illustration), then use the four 6 x 16 millimeter flat-head screws 4 to attach the main unit. The four screws can be attached from the front. Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer, daß die beiden Schrauben an ihrer Unterseite hinter den Winkelblechen mit Führungsschlitz an der Hinterseite des Ständers zu liegen kommen. Schieben Sie die Tastatureinheit dann bis zum Anschlag in die Schlitze. KLEMMEN SIE IHRE FINGER DABEI NICHT EIN!! Richten Sie die Schraubenbohrungen an der Unterseite der Tastatureinheit mit den Bohrungen der Winkelbleche aus (achten Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der Abbildung gezeigt), um die Tastatureinheit dann mit den vier 6 x 16 mm Senkschrauben 4 festzuschrauben. Die vier Schrauben können von der Vorderseite her eingedreht werden. CAUTION • Do not hold the keyboard in any position other than the position shown in the above illustration. • Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. 56 CLP-950/930 VORSICHT • Halten Sie die Tastatureinheit nur wie in der obigen Abbildung! • Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatureinheit und den Seitenwänden bzw. der Rückwand einklemmen — die Tastatureinheit könnte dadurch zu Fall kommen! ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 3 6 x 16 mm flat-head screws 4 6 x 16 mm Senkschrauben 4 Vis à tête plate de 6 x 16 mm 4 Tornillos de cabeza plana de 6 x 16 mm 4 10 cm A 10 cm ● Be sure to place your hands at least 10 centimeters from either end of the main unit when positioning it. ● Mindestens 10 cm innen unter die Tastatureinheit greifen. ● Placez bien vos mains à 10 cm au moins des extrémités du clavier, lors de sa mise en place. ● Asegúrese de colocar las manos por lo menos a 10 centímetros desde los extremos de la unidad principal cuando la sitúe. A D X Fixez le panneau arrière (B) X Monte el panel trasero (B). En inclinant légèrement en angle le panneau arrière, comme mentionné sur l’illustration, abaissez-le sur le rebord des pieds, à l’arrière du pédalier. Puis, tout en éliminant les espaces entre les panneaux arrière et latéraux, fixez le haut du panneau arrière sur les supports des panneaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm 2. Et finalement, fixez le bas du panneau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 3. Con el panel trasero un poco inclinado en ángulo como se muestra en la ilustración, bájelo al borde saliente de las patas de la parte posterior de la caja de pedales. Entonces, mientras elimina los huelgos entre los paneles trasero y lateral, fije la parte superior del panel trasero a las ménsulas de panel lateral usando dos tornillos de cabeza redonda de 4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja de pedales usando cuatro tornillos de autoenrosque de 4 x 20 mm 3. C Installez le clavier (A) Placez le clavier sur les panneaux latéraux (D), avec les vis de son panneau inférieur (situées vers l’arrière du clavier) placées immédiatement derrière les rainures des ferrures situées à la partie supérieure des panneaux latéraux (D), puis faites glisser le clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES ATTENTION A VOS DOIGTS EN EXECUTANT CETTE OPERATION!! Alignez les trous du panneau inférieur du clavier sur les trous des ferrures des panneaux latéraux (centrez également le clavier de manière à avoir un jeu identique de chaque côté) utilisez ensuite quatre vis de fixation à tête plate de 6 x 16 millimètres 4 pour immobiliser le clavier. Les quatre vis peuvent être fixées par l’avant. PRECAUTION • Ne tenez pas le clavier d’une autre manière que celle indiquée sur l’illustration ci-dessus. • Attention car vous risquez de vous faire pincer les doigts entre le clavier et les panneaux arrière ou latéraux de sorte que vous devez veiller à ne pas faire tomber le clavier. C Instale la unidad principal (A). Coloque la unidad principal en los paneles laterales (D) con los tornillos de su panel inferior (hacia la parte posterior de la unidad principal) justo detrás de las ranuras de la ménsula ubicada en la parte superior de los paneles laterales (D), después deslice el teclado hacia adelante hasta que se pare. ¡TENGA CUIDADO CON SUS DEDOS MIENTRAS LO HACE! Alinee los orificios del panel inferior de la unidad principal con los orificios de las ménsulas de los paneles laterales (también centre la unidad principal para producir una holgura igual en los lados derecho e izquierdo, como se muestra en la ilustración), y emplee entonces los cuatro tornillos de cabeza plana de 6 x 16 milímetros 4 para montar la unidad principal. Los cuatro tornillos pueden colocarse desde delante. CUIDADO • No sostenga el teclado en ninguna posición que no sea la posición mostrada en la ilustración de arriba. • Podría pillarse los dedos ente la unidad principal y los paneles traseros o laterales, por lo que deberá tener mucho cuidado que no se caiga la unidad principal. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 57 MIDIPC-1 4 Cord holder Kabelhalter Serre-câble Soporte del cable 5 ● A voltage selector is provided in some areas. ● Spannungswähler (nur in bestimmten Verkaufsgebieten) ● Un sélecteur de tension est prévu pour certaines régions ● El selector de tensión está provisto para ciertos destinos. PC-2 Mac PEDA L AC INLE T MIDIPC-1 PC-2 Mac ● Use the vinyl tie that was removed from the bundled pedal cord in step Z to tie up any slack in the pedal cord. ● Nehmen Sie überlanges Kabel mit dem in Schritt Z entfernten Kabelbinder auf. ● Utilisez l’attache en vinyle qui a été enlevée du cordon de pédalier à l’étape Z pour attacher le fil excédentaire du cordon de pédalier. ● Emplee la abrazadera de vinilo que se sacó del cale plegado de los pedales en el paso Z para fijar el cable de pedales sobrante. AC INLET 220 240 110 127 V Connect the pedal cord. V Schließen Sie das Pedalkabel an. The pedal cord from the pedal box must be plugged into the PEDAL connector located at the rear of the main unit’s underside. Once connected, attach the cord holders to the rear panel as shown, then clip the cord into the holders. Das vom Pedalkasten kommende Pedalkabel wird an die PEDALBuchse hinten an der Unterseite der Tastatureinheit angeschlossen. Bringen Sie nach dem Anschluß die Kabelhalter an der Rückwand an, um das Kabel dann in diese Halter zu klemmen. B Voltage Selector B Den Spannungswähler einstellen. Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area. Bevor Sie nun das Netzkabel anschließen, müssen Sie den Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswähler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswähler auf “240” voreingestellt. Nachdem Sie den Spannungswähler auf den richtigen Spannungswert eingestellt haben, stecken Sie das Netzkabel in die AC INLET-Buchse und schließen es an eine Steckdose an. In manchen Gebieten wird ein Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschiedlich geformte Steckdose zu ermöglichen. VORSICHT CAUTION • An improper voltage setting can cause serious damage to the Clavinova or result in improper operation. N Set the adjuster. • Eine falsche Spannungseinstellung kann das Clavinova schwer beschädigen und Funktionsstörungen zur Folge haben. N Justieren Sie schließlich noch den Höhenversteller. For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. Zur Stabilisierung ist an der Unterseite des Pedalkastens (C) ein Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus, bis er fest auf dem Fußboden steht. Der Höhenversteller sorgt für stabile Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungshubs. Wenn er nicht fest auf dem Boden steht, können beim Treten der Pedale Klangverzerrungen auftreten. ■ After completing the assembly, please check the following. ■ Wenn der Zusammenbau beendet ist, prüfen Sie bitte folgende Dinge: • Are there any parts left over? ➔ Review the assembly procedure and correct any errors. • Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location. • Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws. • Does the pedal box rattle or give way when you step on the pedals? ➔ Turn the adjuster so that it is set firmly against the floor. • Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection. • If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws. ● After assembly is complete, it will be necessary to remove the keyboard string. This procedure is performed once only and the string will never have to be reattached again. For instructions on its removal, refer to the paper titled "REQUEST" that can be found on the keys underneath the key cover (see page 10). 58 CLP-950/930 • Sind Teile übrig geblieben? ➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch und korrigieren Sie eventuelle Fehler. • Befindet sich das Clavinova weit genug von Türen und anderen beweglichen Vorrichtungen entfernt? ➔ Bewegen Sie das Clavinova an einen entsprechend sicheren Ort. • Macht das Clavinova Klappergeräusche, wenn Sie es schütteln? ➔ Ziehen Sie alle Schrauben fest. • Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal treten? ➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden steht. • Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen? ➔ Prüfen Sie die Verbindung. • Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal nach. ● Nach dem Zusammenbau müssen Sie den Tastatur-Sicherungsdraht entfernen. Diese Arbeit wird nur einmal ausgeführt, und der Draht braucht später nicht wieder angebracht zu werden. Anweisungen hierzu entnehmen Sie bitte dem unter der Tastaturabdeckung auf den Tasten liegenden Hinweisblatt (siehe Seite 10). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 6 CAUTION • When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury. C VORSICHT • Fassen Sie zum Umstellen des Instruments nach dem Zusammenbau stets unter das Gehäuse; heben Sie es NIEMALS am oberen Teil des Gehäuses oder am Tastaturdeckel. Bei Nichtbeachtung dieses Punkts kann das Instrument beschädigt und im Extremfall eine Verletzung hervorgerufen werden. PRECAUTION • Pour déplacer l’instrument après le montage, toujours tenir l’instrument par la surface inférieure, JAMAIS par sa partie supérieure ou par le protègeclavier. Une mauvaise manipulation peut provoquer des dommages ou des blessures. CUIDADO • Cuando mueva el instrumento después del montaje, sostenga siempre la superficie inferior de la unidad principal, y NUNCA la parte superior de la cubierta del teclado. La manipulación indebida puede causar daños en el instrumento o personales. V Raccordez le câble du pédalier Le câble du pédalier qui sort du logement de pédalier doit être raccordé au connecteur PEDAL implanté à l’arrière du panneau de dessus de l’instrument. Une fois branché, fixez les attaches de câble sur la face arrière en procédant de la façon représentée sur la figure puis emboîtez le câble dans les attaches. B Sélecteur de tension Avant de connecter le cordon d’alimentation, vérifiez le réglage du sélecteur de tension qui est prévu pour certaines régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau. Le sélecteur de tension est réglé sur 240 V au départ d’usine. Après avoir choisi la tension appropriée, branchez le cordon d’alimentation secteur dans la prise AC INLET de l’instrument et une prise de sortie secteur. Un adaptateur de prise peut également être fourni dans certaines régions pour pouvoir brancher le cordon à la prise secteur murale. PRECAUTION • Vous risquez de sérieusement endommager le Clavinova ou de provoquer un fonctionnement anormal de l’instrument en ne choisissant pas correctement la tension d’alimentation. N N’oubliez pas de régler la hauteur du pédalier Pour assurer la stabilité du pédalier (C), un dispositif de réglage a été prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en contact ferme avec la surface du sol. Ce dispositif assure la stabilité du pédalier lors de son utilisation et facilite la commande au pied des effets. Si ce dispositif n’est pas en contact ferme avec le sol, il pourra se produire une distorsion du son. ■ Lorsque le montage est terminé, veuillez mener à bien les vérifications suivantes. • Reste-t-il des pièces non utilisées? ➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle. • Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile? ➔ Déplacer le Clavinova vers un emplacement approprié. • Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis? ➔ Serrer convenablement toutes les vis. • Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur les pédales? ➔ Tourner le stabilisateur de sorte que le Clavinova repose fermement sur le sol. • Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises? ➔ Vérifier toutes les connexions. • Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le clavier, consulter les diagrammes de montage et resserrer toutes les vis. ● Dès que l’assemblage est complètement terminé, la corde de clavier doit être retirée. Ceci n’est exécuté qu’une seule fois et il ne sera plus nécessaire de fixer la corde à nouveau. En ce qui concerne les instructions pour retirer cette corde, veuillez vous référer à la page intitulée “REQUEST” qui est placée sur les touches du clavier sous le couvreclavier (voir page 10). V Conecte el cable de los pedales. El cable de los pedales procedente de la caja de pedales debe enchufarse al conector PEDAL situado en la parte posterior del lado inferior de la unidad principal. Una vez se ha conectado, coloque los soportes de cable del panel posterior como se muestra, y sujete el cable en los soportes. B Selector de tensión Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para ciertos destinos. Para ajustar el selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee un destornillador de cabeza recta “-” para girar el selector de modo que la tensión correcta de su zona aparezca al lado del indicador del panel. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Después de haber seleccionado la tensión correcta, enchufe el cable de alimentación de CA a la toma AC INLET y a una toma de corriente de la pared. En algunas zonas puede suministrarse también un adaptador para adaptar la configuración de las patillas de los tomacorrientes de CA de su localidad. CUIDADO • Un ajuste incorrecto de la tensión puede causar daños serios a la Clavinova o ser motivo de mal funcionamiento. N Asegúrese de ajustar el ajustador. Para la estabilidad del aparato, se proporciona un ajustador en la parte inferior de la caja de pedales (C). Gire el ajustador hasta que contacte firmemente con el suelo. El ajustador asegura una operación estable de los pedales y facilita el control del efecto de los pedales. Si el ajustador no contacta firmemente con el suelo, puede resultar en sonido distorsionado. ■ Cuando haya concluido el montaje, compruebe los siguientes puntos: • ¿Ha quedado alguna pieza sin instalar? ➔ Revise el procedimiento de montaje y corrija cualquier error que se haya podido cometer. • ¿Está el Clavinova alejado del recorrido de puertas y muebles? ➔ Traslade el Clavinova a una posición adecuada. • ¿Suena algún ruido de holgura cuando se mueve el Clavinova? ➔ Apriete con firmeza todos los tornillos. • ¿Vibra o cede la caja de pedales cuando se pisan los pedales? ➔ Gire el estabilizador hasta que apoye firmemente sobre el suelo. • ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores? ➔ Revise las conexiones. • Si la unidad principal cruje o presenta algún signo de inestabilidad cuando se toca el teclado, consulte los esquemas de montajee y vuelva a apretar todos los tornillos. ● Después de haber terminado el montaje, será necesario extraer la cuerda del teclado. Este procedimiento sólo se lleva a cabo una vez y la cuerda no se tendrá que volver a atar nunca más. Para las instrucciones sobre la extracción de la cuerda, consulte el documento titulado “RUEGO” que encontrará sobre las teclas debajo de la cubierta del teclado (vea la página 10). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 59 Specifications/Technische Daten/Caractéristiques techniques/Especificaciones CLP-950/950M/950C CLP-930 88 KEYS (A-1 ~ C7) KEYBOARD 64 NOTES MAX. POLYPHONY VOICE SELECTORS 12 voices 8 voices REVERB ROOM, HALL 1, HALL 2, STAGE EFFECT CHORUS, PHASER, TREMOLO, DELAY HARD, MEDIUM, SOFT, FIXED TOUCH SENSITIVITY SONG CONTROLS TRACK 1, TRACK 2, SONG [START/STOP], REC PEDAL CONTROLS SOFT, SOSTENUTO, DAMPER OTHER CONTROLS MASTER VOLUME, BRILLIANCE (CLP-950), DEMO, TRANSPOSE, FUNCTION, METRONOME [START/STOP], TEMPO/FUNCTION [t]/[s], [–/NO]/[[+/YES], PRESET SONG, SPLIT (CLP-950), LED Display JACKS/CONNECTORS INPUT & OUTPUT LEVEL/IMPEDANCE MAIN AMPLIFIERS WEIGHT AUX OUT: Output impedance 600 Ω AUX IN: Input impedance 10 kΩ / Input sensitivity 0.26V 60W x 2 20W x 2 14 cm x 2, 5 cm x 2 16 cm x 2 without music stand 1372 x 504 x 843 mm (54" x 19-7/8" x 33-1/4") 1370 x 501 x 843 mm (54" x 19-3/4" x 33-1/4") with music stand 1372 x 504 x 1028 mm (54" x 19-7/8" x 40-1/2") 1370 x 501 x 1030 mm (54" x 19-3/4" x 40-1/2") 68.0 kg (149.9 lbs.) 50.0 kg (110.2 lbs.) SPEAKERS DIMENTIONS (W x D x H) PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L/L+R, MIDI IN/OUT/THRU, HOST SELECT, TO HOST, PEDAL* * The CLP-950 PEDAL connector is not accessible from the outside of the instrument’s cabinet (it is internally connected to the pedal unit during the assembly procedure). * Die PEDAL-Buchse des CLP-950 ist im Gehäuse verborgen und von außen her nicht zugänglich (der Kabelstecker muß beim Zusammenbau des Instruments angeschlossen werden). * Le connecteur de pédale CLP-950 PEDAL n’est pas accessible de l’extérieur de l’ébénisterie de l’instrument (il est connecté au pédalier par connexion interne au cours des opérations d’assemblage). * El conector de PEDAL del CLP-950 no puede accederse desde fuera de la caja del instrumento (se conecta internamente a la unidad de pedales durante el procedimiento de montaje). • Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. • Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung. 60 CLP-950/930 • Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche. • Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha. ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○ MEMO NOTIZEN NOTES MEMORANDUM .............................................................................................................................. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 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○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ CLP-950/930 61 MEMO NOTIZEN NOTES MEMORANDUM .............................................................................................................................. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 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○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 92-469-2 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America, Keyboard Division 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRAZIL Yamaha Musical do Brasil LTDA. Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377 ARGENTINA Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: 507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY/SWITZERLAND Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AUSTRIA Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411 BELGIUM Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ASIA FRANCE Yamaha Musique France, Division Claviers BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A., Home Keyboard Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Electronica Musical, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid) Spain Tel: 91-201-0700 GREECE Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Cosmos Corporation 1461-9, Seocho Dong, Seocho Gu, Seoul, Korea Tel: 02-3486-0011 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 SINGAPORE Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 THAILAND Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES OTHER EUROPEAN COUNTRIES Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-881-5868 Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 PHILIPPINES DENMARK OTHER COUNTRIES HONG KONG Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-3273 [CL] 21 Clavinova Web site (English only) http://www.yamaha.co.jp/english/product/cl/ Yamaha Manual Library (English versions only) http://www2.yamaha.co.jp/manual/english/ M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2000 Yamaha Corporation V495600 0??POZC??.?-??B0 Printed in Indonesia