Yamaha P-90 de handleiding

Merk: Yamaha

Model: P-90

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2003 Yamaha Corporation

WB00060 303APAP2.3-01A0 Printed in Japan

This document is printed on recycled chlorine free (ECF) paper with soy ink.

Auf Recycling-Umweltpapier mit Sojatinte gedruckt.

Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre

d'huile de soja.

Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.

Yamaha Web Site (English only)

http://www.yamahasynth.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply or

adapter other than one described in the manual, on the name

plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone

could walk on, trip over ,or roll anything over power or connecting

cords of any kind. The use of an extension cord is not recom-

mended! IF you must use an extension cord, the minimum wire

size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by Yamaha. If a cart,

etc., is used, please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right to

change or modify any of the speciﬁcations without notice or obliga-

tion to update existing units.

This product, either alone or in combination with an ampliﬁer and

headphones or speaker/s, may be capable of producing sound lev-

els that could cause permanent hearing loss. DO NOT operate for

long periods of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Some Yamaha products may have benches and / or accessory

mounting ﬁxtures that are either supplied with the product or as

optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No

other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study this manual care-

fully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products

and the production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which

(if applicable) is soldered in place. The average life span of this

type of battery is approximately ﬁve years. When replacement

becomes necessary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is intended for

the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed correctly.

Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly

and as regulated by the laws in your area. Note: Check with any

retailer of household type batteries in your area for battery dis-

posal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some

reason its useful life is considered to be at an end, please observe

all local, state, and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on

this plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and retain

this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

P-90

PRECAUTIONS

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-3C or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

• Do not place objects in front of the instrument's air vent, since this may prevent

adequate ventilation of the internal components, and possibly result in the

instrument overheating.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor Location

(3)-7

1/2

P-90

PRECAUTIONS

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Saving and backing up your data

• Depending upon the Backup Functions (page 42) settings, internal data is

retained for about 1 week after the power is turned off. If the period is exceeded,

the data will be lost. Be sure to turn the power switch on for a few minutes at

least once a week. The data could be lost due to malfunction or incorrect

operation. Save important data to external media such as the Yamaha MDF3

MIDI data ﬁler.

Backing up the external media

•To protect against data loss through media damage, we recommend that you

save your important data onto two external media.

Always turn the power off when the instrument is not in use.

Even when the power switch ([STANDBY/ON] switch) is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using

the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Make sure to discard used batteries according to local regulations.

Connections

Maintenance

Handling caution

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

(3)-7

2/2

P-90

Table of Contents

ENGLISH

Table of Contents

Accessories.............................................6

Application Index ..................................7

Features .................................................8

Before using the P-90............................9

Music Rest ............................................................9

Connecting the AC Power Adaptor and external

equipment ........................................................9

Turning the power on........................................11

Adjusting the volume.........................................11

Control Panel.......................................12

Listening to the Demonstration

Tunes.................................................14

Listening to 50 Piano Preset Songs .....15

Practicing a One-Hand Part Using 50 Preset

Songs (Part Cancel Function) .......................16

A-B Repeat for 50 Preset Songs .........................18

Selecting & Playing Voices ..................19

Selecting Voices..................................................19

Adding Variations to the Sound –

[VARIATION]/[BRILLIANCE]/[REVERB]/

[EFFECT] .......................................................19

Touch Sensitivity – [TOUCH] ..........................21

Transposition – [TRANSPOSE]........................22

Combining Two Voices (Dual mode)...............23

Splitting the Keyboard Range and Playing Two

Different Voices (Split mode) .......................24

Using the Metronome........................................25

Recording Your Performance..............26

Recording to the First Track..............................26

Re-recording to the First Track.........................27

Recording to the Second Track .........................28

Changing the Initial Settings (Data recorded at

the beginning of a song) ................................29

Playing Back Recorded Songs .............30

Playing Back a Song ...........................................30

Useful Playback Functions.................................31

Detailed Settings – [FUNCTION]......... 32

Basic Procedure in Function Mode .................. 33

About Each Function......................................... 35

F1. Fine Tuning of the Pitch....................... 35

F2. Selecting a Scale..................................... 36

F3. Dual Mode Functions ........................... 37

F4. Split Mode Functions............................ 38

F5. Other Functions .................................... 39

F6. Metronome Volume ............................. 39

F7. Preset Song Part Cancel Volume.......... 39

F8. MIDI Functions..................................... 40

F9. Backup Functions.................................. 42

About MIDI.......................................... 44

Connecting a Personal Computer....... 45

Troubleshooting.................................. 49

Preset Voice List .................................. 50

Demo Song List ................................... 52

Preset Song List...................................52

Index.................................................... 53

Factory Setting List.............................. 55

MIDI Data Format ............................... 56

MIDI Implementation Chart ............... 60

Specifications....................................... 61

P-90

Accessories

ENGLISH

Thank you for purchasing the Yamaha P-90 Electronic Piano!

We recommend that you read this manual carefully

so that you can fully take advantage of the advanced

and convenient functions of the P-90.

We also recommend that you keep this manual

in a safe and handy place for future reference.

*The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear

somewhat different from those on your instrument.

Trademarks:

•Apple and Macintosh are trademarks of Apple Computer, Inc.

•Windows is a registered trademark of Microsoft® Corporation.

•All other trademarks are the property of their respective holders.

Accessories

• Owner’s Manual

• Music Rest

• Sustain Pedal

•PA-3C AC Power Adaptor (Included or optional depending on locale)

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with

respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all

computer software, MIDI ﬁles, WAVE data. Any unauthorized use of such programs and contents outside of personal

use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DIS-

TRIBUTE OR USE ILLEGAL COPIES.

P-90

Application Index

ENGLISH

Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices....................................... “Listening to the Demonstration Tunes” on page 14

Listening to songs from “50 Greats for the Piano” ...................................... “Listening to 50 Piano Preset Songs” on page 15

Listening to my recorded performance.................................................................“Playing Back Recorded Songs” on page 30

Playing

Using a included pedal...........................................“Connecting the AC Power Adaptor and external equipment” on page 9

Playing an accompaniment that matches pitch................................................“Transposition – [TRANSPOSE]” on page 22

Selecting a touch sensitivity type......................................................................... “Touch Sensitivity – [TOUCH]” on page 21

Fine tuning the pitch of the entire instrument when you play the P-90 along

with other instruments or CD music............................................................................. “Fine tuning of the pitch” on page 35

Changing voices

Viewing the list of voices..............................................................................................................“Preset Voice List” on page 50

Simulating a concert hall ..................................................................................................................... “[REVERB]” on page 19

Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 23

Playing different sounds with left and right hands

...................................................“Splitting the Keyboard Range and Playing Two Different Voices (Split mode)” on page 24

Making the sound more brilliant or mellower ........................................................................... “[BRILLIANCE]” on page 20

Adding spread or swell to the sound .................................................................................................... “[EFFECT]” on page 20

Enhancing the sound with effects..................................................................................................“[VARIATION]” on page 19

Practicing

Muting the right- or left-hand part

...................................................... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 16

Practicing a speciﬁed phrase repeatedly..............................................................“A-B Repeat for 50 Preset Songs” on page 18

Practicing with an accurate and steady tempo .................................................................“Using the Metronome” on page 25

Practicing using your recorded song..................................................................... “Recording Your Performance” on page 26

Recording

Recording your performance................................................................................. “Recording Your Performance” on page 26

Settings

Adjusting the P-90 settings ............................................................................“Detailed Settings – [FUNCTION]” on page 32

Connecting the P-90 to other devices

What is MIDI? ....................................................................................................................................“About MIDI” on page 44

Connecting a computer ..................................................................................“Connecting a Personal Computer” on page 45

P-90

Features

ENGLISH

Features

The Yamaha P-90 Electronic Piano offers unmatched sonic realism and natural grand-piano type playability as well as

Yamaha’s original “AWM Dynamic Stereo Sampling” tone-generation technology for rich, musical voices, and a special

“Graded Hammer” keyboard that provides graded key weight and response throughout the keyboard range.

The GrandPiano1 and 2 voices feature samples recorded from a full concert grand piano. The GrandPiano1 voice features

three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” that samples the unique resonance of

an acoustic grand piano’s soundboard and strings when the sustain pedal is pressed, and “Keyoff Samples” that add the

subtle sound produced when the keys are released. The P-90 comes much closer to the sound of a true acoustic piano.

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

SUSTAIN IN MIDI OUT HOST SELECT TO HOST

MIDI Mac

PC-2 PC-1

DC IN 12V

STANDBY / ON

OUTPUT PHONES

LR L /L+R R

This jack and selector switch allow di-

rect connection to a personal computer

for sequencing and other music applica-

tions (pages 45–48).

A set of standard stereo headphones

can be plugged in here for private prac-

tice (page 10).

These jacks output the sound of the P-90 to your keyboard

amp, stereo, mixing console, or tape recorder.

Connect the

included pedal

to this jack.

While this pedal

is pressed,

notes you play

will be sustained

even if you take

your finger off

the key.

[MASTER VOLUME]

control

Adjust the volume

level using this slider

(page 11).

[METRONOME] buttons

Control the metronome

functions (page 25).

[TEMPO/FUNCTION# ▼▲] buttons

[FUNCTION] button

You can change the song tempo (speed) and select

useful functions using this buttons (pages 32–43).

[TOUCH] button

Fine-tune the touch response (page 22).

[REVERB] / [EFFECT] buttons

Add reverb (reverberation) and

effects to the sound (pages 20, 21).

[SPLIT] button

You can play different voices on the left- and right-hand

sections of the keyboard (page 24).

[TRANSPOSE] button

You can shift the pitch of the entire

keyboard up or down so that the

pitch will match that of another in-

strument or singer, while you play

the same, unshifted keys (page 22).

[VOICE] buttons

Select voices from 24

internal sounds including

variation (page 19). You

can also combine two

voices at the same time

(page 23).

[SONG] buttons

This section enables

you to listen to these

songs, practice using a

convenient practice

function, and record

and play back your

performance (pages

15–18, 26–31).

[DEMO] button

Demonstration play-

back is available for

each voice (page 14).

[BRILLIANCE] control

Adjust the brightness of the tone

using this slider (page 20).

Connect a MIDI device here to use

various MIDI functions (pages 40–42).

(About MIDI ➝ page 44)

P-90

Before using the P-90

ENGLISH

Before using the P-90

Music Rest

Attach the music rest to the instrument by inserting it into the slot at the rear

of the control panal.

Connecting the AC Power Adaptor and external

equipment

[DC IN 12 V] connector

Connect the included PA-3C AC Power Adaptor here.

1. Make sure that the

[STANDBY/ON]

switch is off (in the “STANDBY”

position).

2. Insert the plug of the PA-3C cable into the

[DC IN 12V]

connector.

3. Plug the PA-3C into an AC outlet of the correct voltage.

When disconnecting the PA-3C, you must reverse this procedure.

WARNING

Use ONLY a Yamaha PA-3C AC Power Adaptor (or other adaptor speciﬁ-

cally recommended by Yamaha) to power your instrument from the AC

mains. The use of other adaptors may result in irreparable damage to both

the adaptor and the P-90.

WARNING

Unplug the AC Power Adaptor when not using the P-90, or during electri-

cal storms.

SUSTAIN IN MIDI OUT HOST SELECT TO HOST

MIDI Mac

PC-2 PC-1

DC IN 12V

STANDBY / ON

OUTPUT PHONES

LR L /L+R R

56 7

DC IN 12V

PA-3C

AC outlet

P-90

Before using the P-90

ENGLISH

[STANDBY/ON] switch

This is the power switch. Refer to “Turning the power on” (page 11).

OUTPUT [L][R] jacks (RCA phono jacks), [L/L+R] [R]

jacks (phone jacks)

You can use audio cables to connect an external audio device to these jacks.

The audio output of the P-90 is sent from the OUTPUT jacks, allowing you

to play it from an external audio device.

For monaural output, use

[L/L+R]

(phone jack).

CAUTION

Before connecting the P-90 to other electronic components, turn off the

power for all components. Before turning the power on or off for all com-

ponents, set all-volume levels to minimum.

CAUTION

When turning the power on, ﬁrst turn the P-90’s power on and then turn

the power on of the external ampliﬁer/speaker system.

When turning the power off, simply reverse the order.

Since the P-90 does not contain speakers, you will need to connect external audio

equipment or use headphones in order to hear its sounds.

[PHONES] jacks (1/4-inch stereo phone jacks)

You can connect headphones to these jacks.

Since there are two

[PHONES]

jacks, you can connect two pairs of head-

phones so that two people can listen. (If connecting only one pair of head-

phones, you may use either jack.)

CAUTION

Do not use the P-90 at a high volume level for a long period of time, or

your hearing may be damaged.

[SUSTAIN] jack

You can connect the included pedal to this jack. While this pedal is pressed,

notes you play will be sustained even if you take your ﬁnger off the key. Since

half-pedaling is supported, pressing the pedal more deeply will produce

longer sustain. On the

[GRAND PIANO 1]

voices (including its variation),

pressing this pedal will also add sympathetic resonances of the sound board

and strings (sustain sampling).

Tu rn off the power before connecting or disconnecting the pedal.

If the foot pedal seems to produce effects opposite to your intensions, make sure

that the foot pedal plug is properly connected to the [SUSTAIN] jack before turning

on the power to the P-90. Do not press the pedal while turning on the power to the

P-90.

You can adjust the depth of the sound board and string resonance effect (page 39).

OUTPUT

LR L /L+R R

Stereo System

OUTPUT

LR L /L+R R

Instrument amplifier

PHONES

SUSTAIN















When you press the pedal

here, the notes you play

before you release the pedal

have a longer sustain.

1-4.fm Page 10 Tuesday, December 21, 2004 9:17 AM

P-90

Before using the P-90

ENGLISH

6 MIDI [IN] [OUT] connectors

You can use MIDI cables to connect external MIDI devices.

If using these MIDI connectors, set the [HOST SELECT] switch to “MIDI.”

Refer to page 44 “About MIDI.”

7 [TO HOST] connector and [HOST SELECT] switch

You can connect your personal computer to the [TO HOST] connector.

If you are using the MIDI connectors, set the [HOST SELECT] switch to

“MIDI.” If you have connected your personal computer to the [TO HOST]

connector, set this switch to the setting (other than “MIDI”) appropriate for

your model of computer.

For details on connecting a personal computer, refer to page 45 “Connecting

a Personal Computer.”

Tur ning the power on

For details on connecting the AC power adaptor and external equipment, refer to

page 9–11.

CAUTION

You must turn the volume of connected devices to the minimum setting

(zero) before turning the power on or off. When turning the power on,

ﬁrst turn on the P-90 and then any external audio devices. When turning

the power off, ﬁrst turn off any external audio devices and then the P-90.

Failing to observe the correct order may cause malfunctions or electrical

shock.

Make sure that the AC Power adaptor is connected correctly, and press the

[STANDBY/ON] switch located on the left side panel.

•The display will become active.

To turn off the power, press the [STANDBY/ON] switch again.

CAUTION

Even when the switch is in the “STANDBY” position, electricity is still ﬂow-

ing to the instrument at the minimum level.

CAUTION

When you are not using the P-90 for a long time, make sure you unplug

the AC power adaptor from the wall AC outlet.

Adjusting the volume

If an external audio device is connected, use the P-90’s [MASTER VOL-

UME] control and the volume control of your external audio device to adjust

the volume while you play the keyboard to produce sound.

If you are using headphones, gradually raise the P-90’s [MASTER VOL-

UME] control while playing the keyboard.

If the sound is distorted at high volume, lower the [MASTER VOLUME] control and/

or external audio device volume control until the sound is no longer distorted.

STANDBY / ON

MASTER VOLUME

MIN MAX

P-90 Control Panel

ENGLISH

Control Panel

B0A0G0F0E0D0C0B-1A-1

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRE

METRONOME

TEMPO/ OTHER VALUE

FUNCTION

– / NO + / YES

MASTER VOLUME

BRILLIANCE

MIN MAX

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

TRANS

REVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

23456 ABC

1 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the P-90’s

output volume (level). The [MASTER VOLUME]

control also adjusts headphone volume when a pair

of headphones is plugged into the [PHONES] jack

(page 10).

2 [BRILLIANCE] Control

The [BRILLIANCE] Control adjusts the tonality or

“timbre” of the output sound from a mellow tone to

a bright tone.

3 [DEMO] Button

Activates the demo playback mode in which you can

select playback of different demonstration sequences

for each of the P-90’s voices. See page 14 for details.

4 METRONOME [START/STOP] Button

Tur ns the metronome sound on and off. The

[TEMPO/FUNCTION#▲,▼]buttons, are used to

set the tempo of the metronome sound. The [–/

NO▼] and [+/YES▲] buttons are used to change

the time signature (beat) of the metronome, if used

while the METRONOME [START/STOP] button is

held — page 25.

5 [TEMPO/FUNCTION#▲,▼] Buttons

These buttons adjust the tempo of the metronome

function as well as the playback tempo of the song-

function. The tempo range is from 32 to 280 beats

per minute — page 25. These same buttons are also

used to select functions — page 33.

6 [FUNCTION] Button

This button accesses a range of utility functions—

including the MIDI functions — that signiﬁcantly

enhance versatility and playability. See page 33 for-

details.

7 [–/NO▼], [+/YES▲] Buttons

These buttons select a preset song number for play-

back, and are also used to adjust a range of other

parameters (i.e. their “–/NO” and “+/YES” func-

tions).

8 SONG [PRESET] Button

This button enters the preset song mode. While in

this mode you can use the [–/NO▼], [+/YES▲] but-

tons to select from 50 songs.

P-90 Control Panel

ENGLISH

9 TRACK [1] and [2] Buttons

The P-90 has a 2-track recorder, and these but-tons

are used to select the track(s) to be recorded or

played back. See page 27 for details.

SONG [START/STOP] and [REC] Buttons

These buttons control the P-90’s user song recorder,

letting you record and play back just about anything

you play on the keyboard.

A [REVERB] Button

The [REVERB] button selects a number of digital

reverb effects that you can use for extra depth and

expressive power. See page 20 for details.

B [EFFECT] Button

This button selects a number of effects which can

give your sound greater depth and animation.

C [TOUCH] Button

The [TOUCH] button makes it easy to adjust the

touch response of the P-90 to match your playing-

style. See page 21 for details.

D [TRANSPOSE] Button

The [TRANSPOSE] button allows access to the P-

90’s TRANSPOSE function (to shift the pitch of the

entire keyboard up or down in semitone intervals).

E VOICE Buttons & [VARIATION] Button

Simply press any of the voice selectors to select the

corresponding voice. The voice selector LED will

light to indicate which voice is currently selected.

Press the [VARIATION] button so that its indicator

lights to select a variation of the currently selected

voice.

There is also a dual mode in which two voices can be

played simultaneously across the full range of the

keyboard (see page 23 for details), and a split mode

which allows different voices to be played by the left

and right hands (see page 24 for details).

F [SPLIT] Button

Engages the split mode, in which different voices can

be played on the left- and right-hand sections of the

keyboard. See page 24 for details.

2B2C3D3E3F3G3A3B3C4D4E4F4G4A4B4C5D5E5F5G5A5B5C6

D6 E6 F6 G6 A6 B6 C7

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERB

R VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

– / NO + / YES

REC

START/

STOP

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSETOUCH

HARD

MEDIUM

SOFT

Tempo

(Normal indication)

A song number of

“50 Greats for the Piano”

Function number Parameter value

Display

•Check the operation on the display in the center of the top panel as

you proceed.

•The display indicates different values, as shown below, depending

on the operation.

P-90 Listening to the Demonstration Tunes

ENGLISH

Listening to the Demonstration Tunes

Demonstration tunes are provided that effectively demonstrate each of the P-90’s voices.

1. Turn the power on.

(In case the power is not turned ON) Press the [STANDBY/ON] switch.

When the power is turned ON, one of the voice button LEDs will light.

Initially set the [MASTER VOLUME] control about half way between the “MIN”

and “MAX” settings. Then, when you start playing, re-adjust the [MASTER

VOLUME]

control to the most comfortable listening level.

2. Engage Demo mode.

Press the [DEMO] button to engage Demo mode. The voice button indicators

will ﬂash in sequence.

3. Play a Voice demo.

Press one of the voice buttons to start playback of all songs starting from the

corresponding voice demo tune — featuring the voice normally selected by that

voice button. (If you press the SONG [START/STOP] button instead of a voice

button, the [GRAND PIANO 1] demo tune will begin playback.)

Adjust the volume/brilliance

Use the [MASTER VOLUME] control to adjust the volume and the [BRIL-

LIANCE]

control to adjust the brilliance (page 20).

4. Stop the Voice demo.

Press the SONG [START/STOP] button or the voice button of the currently-

playing demo to stop playback.

5. Exit from Demo mode.

Press the [DEMO] button to exit from Demo mode and return to normal play

mode.

The voice button indicators will stop ﬂashing in sequence.

425

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

MIDI reception is not possible in

Demo Song mode.

Demo song data is not transmit-

ted via the MIDI connectors.

Demo mode cannot be

engaged while a user song

recorder (page 26) or user song

playback (page 30) is in use.

Mode:

A mode is a status under which

you can execute a certain func-

tion. In Demo mode, you can

play back demonstration tunes.

You cannot adjust the tempo of

demo songs.

You cannot use the part cancel

function (page 39) or the song

A–B repeat function (page 18)

in Demo mode.

You can demo the piano voices

with various effects by pressing

the [VARIATION] button, then

pressing the desired voice but-

ton. Refer to the “Piano Voice

Demo Description” on page 52

for the complete list of demo

sounds for the piano voices with

various effects.

P-90 Listening to 50 Piano Preset Songs

ENGLISH

Listening to 50 Piano Preset Songs

The P-90 provides performance data of 50 piano songs. You can simply listen to these songs

(page 15) or use them for practice (page 16). Voice demo songs consist entirely of Yamaha original

1. Engage Preset Song mode.

Press the [PRESET] button to engage Preset Song mode. The [PRESET],

[TRACK1] and [TRACK2] indicators will light.

2. Play any of the 50 preset songs.

2-1 Press the [–/NO], [+/YES] buttons to select the number

of the tune you want to play (the number will appear

on the LED display).

1 – 50: Select a preset song number and play only

the song.

ALL: Play all preset songs in sequence.

rnd: Play all preset songs continuously in random order.

2-2 Press the SONG [START/STOP] button to start playback.

Adjust the Volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjust the tempo

You can use the [TEMPO/FUNCTION# ▼

▲]

buttons to adjust the playback tempo

as required. The default tempo can be

recalled by simultaneously pressing the

[▼] and [▲] buttons.

3. Stop playback.

Playback will stop automatically when the selected preset song has ﬁnished. To

stop the song during playback (or continuous playback), press the SONG

[START/STOP]

button.

•To play back another song continuously, see procedure 2 above.

-1

223

-2

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

Preset Song mode cannot be

engaged while the unit is in

Demo Song mode (page 14),

while a song is playing back

(page 30), or when the user

song recorder (page 26) is in

use.

Song:

On the P-90, performance data

is called a “Song.” This includes

demonstration tunes and piano

preset tunes.

You can play the keyboard

along with the preset song. You

can change the voice playing on

the keyboard.

You can adjust the Brilliance

control (page 20) and Reverb

type (page 20) that is applied to

the voice you play on the key-

board and for the preset song

playback. You can change the

Effect type (page 20) and Touch

sensitivity (page 21) for the key-

board voice.

The default tempo “---” is auto-

matically selected whenever a

new preset song is selected, or

when playback of a new preset

song begins during “ALL” or

“rnd” playback.

When you select a different

song (or a different song is

selected during chained play-

back), an appropriate reverb

type will be selected accord-

ingly.

song number

This produces a relative tempo vari-

ation, with a range from “–50”

through “---” to “50” at maximum;

the range will differ depending on

the selected song.

P-90 Listening to 50 Piano Preset Songs

ENGLISH

4. Exit from Preset Song mode.

Press the [PRESET] button to exit Preset Song mode. The indicator turns off,

and the unit returns to normal play mode.

How to use the practice functions

You can turn the left- and right-hand parts on or off as required so you can practice the

corresponding part (part cancel function) and continuously repeat a speciﬁed phrase

within a song (song A-B repeat function). For more information, see pages 16–18.

Practicing a One-Hand Part Using 50 Preset Songs

(Part Cancel Function)

The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the

left- and right-hand parts on or off as required so you can practice the corresponding part (the part

that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand

part is played by [TRACK2].

1. Turn off the playback part you wish to practice.

After you select a song to practice, press the [TRACK1] or [TRACK2] button to

turn off the corresponding part.

When you ﬁrst select a song, both [TRACK1] and [TRACK2] indicators light up,

indicating that you can play back both parts. When you press one of the buttons

to turn off playback, the corresponding button indicator turns off and the cor-

responding part playback is muted.

•Pressing the buttons repeatedly toggles playback between on and off.

2. Start playback and playing.

Press the SONG [START/STOP] button to start playback. Play the part you just

turned off.

MIDI reception is not possible in

Piano Song mode.

Piano song data is not transmit-

ted via the MIDI connectors.

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

The Preset Song Part Cancel

function cannot be used during

“ALL” or “rnd” (page 15) play-

back.

The parts can be turned on or

off even during playback.

The “Preset Song Part Cancel

Volume” function described on

page 39 can be used to set the

canceled part so that it plays at

a volume from “0” (no sound) to

“20”. The normal setting is “5”.

P-90 Listening to 50 Piano Preset Songs

ENGLISH

Starting playback automatically as you start playing the keyboard

(Synchro Start)

When the Synchro Start function is engaged, play-

back of the selected preset song will begin automati-

cally as soon as you start playing on the keyboard.

To engage the Synchro Start function press the

SONG [START/STOP] button while holding the

part button for the ON part. A dot will appear in the

lower right corner of the display.

(Repeat the previous operation to disengage the Synchro Start function.)

Playback will then start as soon as you begin playing on the keyboard.

3. Stop playback.

When playback is complete, it automatically stops and the P-90 locates the top

of the song. If you wish to stop playback in the middle of a song, press the

SONG[START/STOP] button.

If you hold a track button that is

OFF while pressing the SONG

[START/STOP] button, that

track will be turned ON and the

unit will engage Synchro Start

mode.

Both parts are automatically

turned ON whenever a new

song is selected.

synchro start mark

song number

P-90 Listening to 50 Piano Preset Songs

ENGLISH

A-B Repeat for 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a speciﬁed phrase within a preset song.

Combined with the Part Cancel function described below, this provides an excellent way to practice

difﬁcult phrases.

1. Specify the beginning (A) and the end (B) of the

phrase, and start practicing.

Select and play a preset song, then press the [FUNC-

TION]

button at the beginning of the phrase you want

to repeat.

This sets the “A” point ( will appear on the dis-

play).

To specify the end (B) of the phrase, press the [FUNC-

TION]

button a second time at the end of the phrase.

This sets the “B” point ( will appear on the dis-

play).

At this point, repeat playback will begin between the

speciﬁed A and B points.

2. Stop playback.

Press the SONG [START/STOP] button to stop playback while retaining the

speciﬁed A and B points. A-B repeat playback will resume if you press the SONG

[START/STOP]

button again.

To cancel the A and B points, press the [FUNCTION] button once.

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

The A-B Repeat function cannot

be used during “ALL” or “rnd”

(page 15) playback.

•To set the “A” point at the

very beginning of the song,

press the [FUNCTION] but-

ton before starting playback.

•To set the B point at the

song’s end, press the [FUNC-

TION] button after song play-

back is complete and before

disappears from the

display.

An automatic lead-in (to help

guide you into the phrase) starts

at the A point of the song. How-

ever, when the A point is set at

the beginning of the song, the

automatic lead-in is not played.

The A and B points are auto-

matically canceled when a new

song is selected.

P-90 Selecting & Playing Voices

ENGLISH

Selecting & Playing Voices

Selecting Voices

Select the desired voice by pressing one of the [VOICE] buttons.

Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most

comfortable listening level.

Adding Variations to the Sound – [VARIATION]/

[BRILLIANCE]/[REVERB]/[EFFECT]

[VARIATION]

Lets you alter another aspect of the effect, depending on the selected type.

Refer to “Preset Voice List” on page 50 for more information on the characteristics of

each variation.

Pressing the [VARIATION] or selected voice button toggles the variation on and off.

The indicator lights (ON) each time the

[VARIATION] button is pressed.

[VOICE]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

To learn characteristics of the

voices, listen to demo songs for

each voice (page 14). Refer to

“Preset Voice List” on page 50

for more information on the

characteristics of each preset

voice.

Voice:

On the P-90, a voice means a

“tone” or “tonal color.”

You can control the loudness of

a voice by adjusting the force

with which you strike the keys,

although different playing styles

(touch sensitivities) have little or

no effect with certain musical

instruments.

Refer to “Preset Voice List” on

page 50.

[BRILLIANCE]

[–/NO] [+/YES]

[EFFECT][REVERB] [VARIATION]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Normal setting = OFF

Normal setting:

The “Normal setting” refers to

the default setting (factory set-

ting) obtained when you ﬁrst

turn on the power to the P-90.

Procedure

P-90 Selecting & Playing Voices

ENGLISH

[BRILLIANCE]

This control can be used to change the tonality or “timbre” of the sound output.

The control range is from MELLOW to BRIGHT.

[REVERB]

This control enables you to select various digital reverb effects that would add extra

depth and expression to the sound to create a realistic acoustic ambience.

OFF: When no reverb effect is selected, no REVERB indicator is lit.

ROOM: This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall.

HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-

lates the natural reverberation of a large concert hall.

STAGE: Simulates the reverb of a stage environment.

Pressing the [REVERB] button repeatedly toggles the reverb on and off.

The indicators light in sequence each time the [REVERB] button is pressed. No effect is

produced when all indicators are off.

Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when

the [GRAND PIANO 1] voices are selected.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by using the

[–/NO] [+/YES] buttons while holding the [REVERB] but-

ton. The depth range is from 0 through 20. The current

depth setting appears on the LED display while the

[REVERB] button is held.

[EFFECT]

The [EFFECT] button allows you to select an effect to give your

sound greater depth and animation.

OFF: When no effect is selected, no EFFECT indicator is lit.

CHORUS: A shimmering, broadening effect

PHASER: Adds a sweeping effect to the sound.

TREMOLO: Tremolo effect

DELAY: Echo effect

When the BRILLIANCE is set to

BRIGHT, the overall sound will

be slightly louder. If the MAS-

TER VOLUME is set at a high

level the sound may become

distorted. If so, lower the MAS-

TER VOLUME level.

The default reverb type (includ-

ing OFF) and depth settings are

different for each voice.

Procedure

Releasing the [REVERB] but-

ton changes the reverb type.

If you are changing the reverb

depth by holding the [REVERB]

button, pressing the [REVERB]

button will not change the

reverb type.

depth 0: no effect

depth 20: maximum reverb

depth

Default depth settings are differ-

ent for each voice.

The default effect type (includ-

ing OFF) and depth settings are

different for each voice.

depth

P-90 Selecting & Playing Voices

ENGLISH

To select an effect type press the [EFFECT] button a few times until the indicator corre-

sponding to the desired type lights (the indicators light in sequence each time you press

the

[EFFECT] button). No effect is produced when all indicators are off.

Adjusting Effect Depth

You can adjust the effect depth for the selected voice by

using the

[–/NO] and [+/YES] buttons while holding the

[EFFECT] button.

The depth range is from 0 through 20. The current depth

setting appears on the LED display while the [EFFECT]

button is held.

Touch Sensitivity – [TOUCH]

You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED

— to match different playing styles and preferences.

HARD: Requires that the keys be played quite hard to produce maximum loud-

ness.

MEDIUM: Produces a fairly “standard” keyboard response.

SOFT: Allows maximum loudness to be produced with relatively light key pres-

sure.

FIXED: All notes are produced at the same volume no matter how hard the key-

board is played.

You can adjust the volume.

To select a touch sensitivity type press the [TOUCH] button a few times until the indica-

tor corresponding to the desired type lights (the indicators light in sequence each time

the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.

Procedure

Releasing the [EFFECT] button

changes the effect type.

If you are changing the depth

settings by holding the

[EFFECT] button, pressing the

[EFFECT] button will not

change the effect type.

depth 0: no effect

depth 20: maximum effect

depth

Default depth settings are differ-

ent for each voice.

depth

This setting does not change

the weight of the keyboard.

Normal setting = MEDIUM

The touch sensitivity type will

become the common setting for

all voices. However, the touch

sensitivity settings may have lit-

tle or no effect with certain

voices that are not normally

responsive to keyboard dynam-

ics. (Refer to the “Preset Voice

List” on page 50.)

[TOUCH]

[–/NO] [+/YES]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

P-90 Selecting & Playing Voices

ENGLISH

Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes

played in FIXED mode by using the [–/NO] and [+/YES] but-

tons while you hold the [TOUCH] button. The current vol-

ume level appears on the display. The volume range is from 1

through 127. The default setting is 64.

Transposition – [TRANSPOSE]

The P-90’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down

in semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily match the

pitch of the keyboard to the range of a singer or other instruments. For example, if you set the

transposition amount to “5,” playing key C produces pitch F. In this way, you can play a song as

though it were in C major, and the P-90 will transpose it to the key of F.

Use the [–/NO] and [+/YES] button while holding the

[TRANSPOSE]

button to transpose down or up as required.

The amount of transposition appears on the LED display

while the

[TRANSPOSE] button is held. The default transpose

setting is “0”.

The [TRANSPOSE] button indicator remains lit when a transpose setting other than

“0” is selected. Every time the

[TRANSPOSE] button is pressed after that switches the

transpose function ON or OFF.

1: minimum volume

127: maximum volume

The touch volume set in FIXED

mode will become the common

setting for all voices.

Releasing the [TOUCH] button

changes the touch type.

If you are changing the volume

by holding the [TOUCH] button,

pressing the [TOUCH] button

will not change the touch sensi-

tivity type. (FIXED mode will

remain selected.)

volume range

[TRANSPOSE]

[–/NO] [+/YES]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

Transpose:

Changing the key signature of a

song. On the P-90, transposing

shifts the pitch of the entire key-

board.

The transposition range:

–12: –12 semitones

(down one octave)

0: normal pitch

12: 12 semitones

(up one octave)

Notes below and above the A-1

…. C7 range of the P-90 sound

one octave higher and lower,

respectively.

transposition

P-90 Selecting & Playing Voices

ENGLISH

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you

can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode.

Press two voice buttons at the same time (or press one voice button while hold-

ing another). The voice indicators of both selected voices will light when Dual

mode is active.

•According to the voice numbering

priority shown in the diagram on

the right, the lower value voice

number will be designated as Voice

1 (the other voice will be desig-

nated as Voice 2).

The P-90 Function mode provides access to a number of other Dual mode func-

tions, such as volume balance setting or octave setting (page 37). (If you do not

set Dual mode functions, the appropriate setting will be set in each voice by

default.)

2. Exit Dual mode and return to normal play mode.

To return to the normal single-voice play mode, press any single voice button.

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

Dual and Split (page 24) modes

cannot be engaged at the same

time.

[VARIATION] in Dual Mode

The [VARIATION] button’s indi-

cator will light if the variation is

engaged for either or both of the

Dual mode voices. While Dual

mode is engaged, the [VARIA-

TION] button can be used to

turn the variation for both voices

on or off.

To turn the variation on or off for

only one of the voices, hold the

voice button for the other voice

and press the button of the voice

for which you want to change

the variation.

[REVERB] in Dual Mode

The reverb type assigned to

Voice 1 will take priority over the

other. (If the reverb is set to OFF,

Voice 2 reverb type will be in

effect.) Reverb depth setting via

the panel controls (i.e., pressing

the [–/NO] or [+/YES] buttons

while holding the [REVERB] but-

ton — see page 20) will be

applied only to Voice 1.

[EFFECT] in Dual Mode

Depending on the conditions,

one effect type may take priority

over the other. Depth will be

decided according to the depth

default value of the voice combi-

nation. However, using function

F3 (page 37) you can adjust the

depth value for each voice to

your liking.

Effect depth setting via the panel

controls (i.e., pressing the [–/

NO] or [+/YES] buttons while

holding the [EFFECT] button —

see page 20) will be applied only

to Voice 1.

123456

789101112

Voice numbering priority

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

VOICE

P-90 Selecting & Playing Voices

ENGLISH

Splitting the Keyboard Range and Playing Two Dif-

ferent Voices (Split mode)

Split mode enables you to play two different voices on the keyboard — one with the left hand and

another with the right hand. For example, you can play a bass part using the Wood Bass or Electric

Bass voice with the left hand, and a melody with the right hand.

1. Engage Split mode.

Press the [SPLIT] button so that its indicator lights. The default setting (WOOD

BASE)

will be selected for the left-hand voice at ﬁrst.

The Function mode provides access to a number of other Split mode functions

(page 38). (If you make no settings for Split mode functions, the appropriate

setting will be set in each voice by default.)

2. Specify the split point (the border between the

right-and left-hand range).

You can change the split point to any other key by pressing the key while hold-

ing the [SPLIT] button (the name of the current split-point key appears on the

LED display while the [SPLIT] button is held).

The split point is initially set at the F



2 key by default.

If you do not need to change the split point, skip this procedure.

3. Select a voice for the right hand.

Press a voice button.

4. Select a voice for the left hand.

Press the corresponding voice button while holding the [SPLIT] button. (The

indicator of the Left Voice button will light while the [SPLIT] button is pressed.)

To turn the variation on or off for the split voice, hold the [SPLIT] button and

press the [VARIATION] button or the currently-selected voice button.

[VOICE]

[SPLIT]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

Dual (page 23) and Split

(page 23) modes cannot be

engaged simultaneously.

A speciﬁed “split point” key is

included in the left-hand range.

The split point can also be set

via Function 4 (page 38).

[VARIATION] in Split Mode

You can turn the variation on or

off for Split mode voices. Nor-

mally, the voice indicator of the

right voice lights in Split mode.

The [VARIATION] can be used

to turn the variation for the right

voice on or off as required.

While the [SPLIT] button is

held, however, the voice indica-

tor of the left voice lights. In this

state the [VARIATION] button

turns the variation for the left

voice on or off.

[REVERB] in Split Mode

The reverb type assigned to the

right voice will take priority over

the other. (If the reverb is set to

OFF, the left voice’s reverb type

will be in effect.) Reverb depth

setting via the panel controls

(i.e. pressing the [–/NO] or [+/

YES] buttons while holding the

[REVERB] button — see

page 20) will be applied to the

right voice only.

An example of split-point key display

followed by a high bar if sharp

(G2) (A 2)

followed by a low bar if flat

P-90 Selecting & Playing Voices

ENGLISH

5. Exit Split mode and return to normal play mode.

Press the [SPLIT] button again so that its indicator goes out.

Using the Metronome

The P-90 features a built-in metronome (a device that keeps an accurate tempo) that is convenient

for practicing.

1. Start the metronome.

The metronome sound is turned on by pressing

the METRONOME [START/STOP] button.

Adjusting the tempo

The tempo of the metronome and user song recorder playback (the recorder is

described in the next section) can be set from 32 to 280 beats per minute by

using the [TEMPO/FUNCTION# ▼, ▲] buttons (when the [FUNCTION] button

indicator is dark).

Adjusting the time signature

The time signature (beat) of the metronome can be

set by using the [–/NO] and [+/YES] buttons while

holding the METRONOME [START/STOP] button.

You can set the beat to 0, 2, 3, 4, 5 or 6. The current

setting appears on the LED display while you are

holding the METRONOME [START/STOP] button.

2. Stop the metronome.

Turn off the metronome by pressing the METRONOME [START/STOP] button.

[EFFECT] in Split Mode

Depending on the conditions,

one effect type will take priority

over the other. The depth will be

decided according to the depth

default value of the voice combi-

nation. However, using function

F4 (page 38) you can change

the depth value for each voice

as you like. Effect depth setting

via the panel controls (i.e.

pressing the [–/NO] or [+/YES]

buttons while holding the

[EFFECT] button — see

page 20) will be applied to the

right voice only.

[TEMPO/FUNCTION# ▲▼]

[–/NO] [+/YES]

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

The beat indicator flashes

at the current tempo.

If the [FUNCTION] button indi-

cator is lit, press the [FUNC-

TION] button to dark it.

The volume of the metronome

can be adjusted via the Metro-

nome Volume function in Func-

tion mode (page 39).

beat

P-90 Recording Your Performance

ENGLISH

Recording Your Performance

The ability to record and play back what you’ve played on the P-90

keyboard can be an effective practice aid. You can, for example, record

just the left-hand part, and then practice the right-hand part while

playing back the recorded left-hand part. Or, since you can record up

to two tracks separately, you could record the left- and right-hand parts

separately, or record both parts of a duet and hear how they sound

when played back. The P-90’s two-track Song Recorder allows the

recording of one User Song.

Recording to the First Track

CAUTION

Notes on recording

All user song recorder data will be retained in memory for about one week after

the power is turned off. If you want to keep your recorded data for longer peri-

ods of time, turn the power on for a few minutes at least once a week.

It is also possible to store the data to an external MIDI storage device such as the

Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described

on page 42.

1. Make all the initial settings.

Before you begin to record, select the voice you want to record (or voices if you

will be using Dual or Split mode). Make any other desired settings (tempo,

reverb, etc.) as well. You might also want to set the volume.

You can also adjust the playback volume using [MASTER VOLUME].

You can record your perfor-

mance (audio data) to a cas-

sette tape recorder or other

recording device via the OUT-

PUT connector (page 10).

Recording vs. Saving:

The format of performance data

recorded on a cassette tape dif-

fers from that of data recorded

on the P-90. A cassette tape

records audio signals. The P-90

“saves” information regarding

note timing, voices, and a

tempo value, but not audio sig-

nals. When you play back

recorded songs, the P-90 pro-

duces sound based on the

saved information. Therefore,

recording on the P-90 may be

more accurately called “saving

information.” However, this book

often uses the word “recording”

because it seems to make more

sense.

43562

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

When the unit is in Demo Song

or Preset Song mode, Record

mode cannot be engaged.

To avoid erasing data from

the track:

Press the [TRACK1/2] button. If

the indicator lights up green, the

track already contains data.

Note that the existing data will

be erased if you record new

data on the track.

Procedure

P-90 Recording Your Performance

ENGLISH

2. Engage Record Ready mode.

Press the [REC] button to engage Record Ready

mode. Recording does not actually start yet.

The

[TRACK1] or the [TRACK2] indicator ﬂashes in

red.

The amount of memory available for recording will

be shown on the LED display in approximate kilo-

bytes, and the right-most dot on the LED display

will ﬂash at the current METRONOME tempo setting.

Record Ready mode can be disengaged before recording by pressing the

[REC]

button a second time.

3. Select the record track.

When Record mode is engaged in the previous step, the last-recorded track will

automatically be selected for recording and its indicator — i.e. the [TRACK1] or

[TRACK2] button indicator — will glow red. If you want to record on a different

track, press the appropriate track button so that its indicator glows red.

4. Start recording.

Recording will begin automatically as soon as you play a note on the keyboard

or press the SONG [START/STOP] button. The current measure number will

appear on the display while recording.

5. Stop recording.

Press either the [REC] or SONG [START/STOP] button to stop recording.

The indicator of the recorded track will glow green to indicate that it now con-

tains data. (Record mode is disengaged automatically.)

6. Play back the recorded performance.

Press the SONG[START/STOP] button to play back the recorded performance.

To stop playback in the middle of a song, press the SONG[START/STOP] but-

ton.

Re-recording to the First Track

This section explains how to record again in case your performance was not satisfactory.

1. Select a voice or voices (and other settings) for recording, if necessary.

Repeat Step 1 on page 26 if you wish to change the previous settings.

2. Re-engage Record Ready mode.

Press the [REC] button, again.

The selected track’s indicator ﬂashes in red.

Follow the procedure from Step 4 above to re-record.

The amount of memory avail-

able for recording:

This value in kilobytes (a unit

used of measurement for data)

indicates how much space

remains available for recording

on the P-90. You can record up

to a maximum of about 9,400

notes on the P-90 depending on

pedal usage and other factors.

If the metronome was on when

you started recording, you’ll be

able to keep time with the met-

ronome while recording, but the

metronome sound will not be

recorded.

For more recording information,

see page 28.

The record track indicator will

begin to ﬂash when the recorder

memory is almost full. If the

memory becomes full during

recording, “FUL” will appear on

the display and recording will

stop automatically. (All recorded

data up to that point will be

retained.)

Pressing the SONG [START/

STOP] button to start recording,

then pressing it again to stop

recording will erase all previ-

ously-recorded data on the

selected track.

flash

If you want to change the

tempo, time signature, reverb

type, or effect type when re-

recording a track or when

recording to another track, do

so after you engage Record

Ready mode (step 2).

You cannot re-record in the

middle of a song.

P-90 Recording Your Performance

ENGLISH

Recording to the Second Track

This section explains how to record another part on the second track.

1. Select a voice or voices (and other settings) for the recording.

Select a voice (or voices) for recording. Select other settings, if necessary.

2. Re-engage Record Ready mode.

Press the [REC] button again.

The selected track’s indicator ﬂashes in red.

3. Select a recording track.

Select a track that you have not already used for recording. The selected track’s indi-

cator lights up red. (The indicator of a track that contains previously-recorded data

will glow green.)

You can record new sounds and notes on each pass while listening to the recorded

track.

Follow the procedure from Step 5 on page 27 to record.

The user song recorder records the following data:

Data in addition to the notes and voices you play is recorded.

This data includes “Individual Tracks” and “Entire Song.” See below.

Individual Tracks

Entire Song

If you want to change the

tempo, time signature, reverb

type, or effect type when re-

recording a track or when

recording to another track, do

so after entering Record Ready

mode (step 2).

If you don’t want to hear the

previously-recorded track while

you record (for example, when

you want to record a song differ-

ent from what you recorded on

the previous track), press the

playback track button before

pressing the [REC] button (step

2, on page 27, 28) so that its

indicator is turned off.

•Notes played

•Voice selection

•[VARIATION] ON/OFF

•Pedal (Sustain)

• [REVERB] depth

• [EFFECT] depth

•Dual mode voices

•Dual balance (F3)

•Dual detune (F3)

•Dual octave shift (F3)

• Split mode voices

• Split balance (F4)

• Split octave shift (F4)

•Tempo

•Time signature (beat)

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

P-90 Recording Your Performance

ENGLISH

Changing the Initial Settings (Data recorded at the

beginning of a song)

The initial settings (data recorded at the beginning of a song) can be changed after the recording.

For example, after recording, you can change the voice to create a different ambience or adjust the

song tempo to your taste.

You can change the following initial settings.

Individual Tracks

•Voice selection

•[VARIATION] ON/OFF

• [REVERB] depth

• [EFFECT] depth

•Dual mode voices

• Split mode voices

Entire Song

•Tempo

•Time signature (beat)

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

1. Engage Record mode and select a track to change the initial settings.

The indicator glows red. (Data shared by two tracks can be changed via either track.)

2. Change the settings via the panel controls.

For example, if you wish to change the recorded voice from [E. PIANO 1] to

[E. PIANO 2], press the [E. PIANO 2] button.

Be careful not to press the SONG [START/STOP] button or a key on the keyboard,

either of which will start recording and erase all previously-recorded data on the

selected track.

3. Press the [REC] button to exit Record mode.

Be careful not to press the SONG [START/STOP] button or a key on the keyboard,

either of which will start recording and erase all previously-recorded data on the

selected track.

You can cancel changes made

to the initial settings by select-

ing a different track after Step 2,

then exiting Record mode dur-

ing Step 3 without pressing the

[REC] button. (Changes made

to the data shared by two tracks

are also canceled.)

P-90 Playing Back Recorded Songs

ENGLISH

Playing Back Recorded Songs

You can play back songs recorded using the Record function

(pages 26–29). You can also play the keyboard along with the play-

back.

Playing Back a Song

1. Start playback.

Press the SONG [START/STOP] button.

The current measure number appears on the display during playback.

•You can play the keyboard while the P-90 is playing back a song. You can also

play the notes in a voice different from the playback voice by selecting a voice

from the panel.

Adjust the volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjust the tempo

You can use the [TEMPO/FUNCTION# ▼, ▲] buttons to adjust the playback

tempo as required before or during playback. The default tempo (the song’s

original tempo) is set when you press the [▼] and [▲] buttons simultaneously.

2. Stop playback.

When playback is complete, the P-90 automatically stops and locates the top of

the song. To stop playback in the middle of a song, press the SONG [START/

STOP]

button.

Song data is not transmitted via

the MIDI connectors.

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

When the unit is in Demo Song

or Preset Song mode, you can-

not play back recorded songs.

The track indicators will not light

up green automatically when

the power is turned on to the P-

90, even if the user song

recorder contains data. Make

sure that you press the track

buttons before you start play-

back.

Playback cannot be started

when the recorder contains no

data.

You can also enjoy playing

duets with yourself by recording

one part of a duet or a song for

two pianos, then playing the

other part while the recorded

part plays back.

If the metronome is being used

during playback, the metro-

nome will automatically stop

when playback is stopped.

If the REVERB type is changed

via the panel controls during

playback, both the playback and

keyboard reverb effects will be

changed.

If the EFFECT type is changed

via the panel controls during

playback, the playback effect may

be switched off in some cases.

Procedure

P-90 Playing Back Recorded Songs

ENGLISH

Useful Playback Functions

Turning track playback on and off

When you select a song on the P-90, the indicators for tracks that contain

data (one of [TRACK1] [TRACK2] or both) are lit in green. While the P-90 is playing or

stopped, pressing these track buttons turns off the indicators, and the data on those

tracks is not played. Pressing the track buttons toggles track playback on and off.

Starting playback automatically when you start playing the keyboard

(Synchro Start)

You can start playback as soon as you start playing the keyboard. This is called the

“Synchro Start” function.

To engage the Synchro Start function, press the SONG [START/STOP] button while

holding a track button that is ON.

The right-most dot on the display will ﬂash at the current

tempo.

(Repeat the previous operation to disengage the Synchro

Start function.)

Playback will then start as soon as you begin playing on the keyboard.

This function is useful when you wish to match the timing of the beginning of the play-

back sound and the start of your own performance.

Tracks can be turned on or off

before or during playback.

If both tracks are turned off on

the P-90, playback will not start

(or the playback will stop).

You can adjust the volume of a

part of a song from “50 Greats

for the Piano” for which play-

back is turned off

(pages 16, 39).

During recorder playback, the

volume of a track that is turned

off will always be “0.”

If you press the SONG [START/

STOP] button while holding

down a track button that is OFF,

track playback is turned on and

the Synchro Start function is

placed on stand-by.

Synchro:

Synchronous; occurring at the

same time

Flash

P-90 Detailed Settings – [FUNCTION]

ENGLISH

Detailed Settings – [FUNCTION]

You can set various parameters to make the best use of P-90 functions, such as ﬁne tuning the pitch, selecting a voice for

the metronome, repeating playback, etc.

The following parameters are available.

The P-90 has nine main functions.

Some of these main functions consist of a set of sub-modes.

Parameter List

Function Sub-Mode P-90 Reference page

Fine Tuning of the Pitch

—F135

Selecting a Scale

Scale F2.1 36

Base Note F2.2 36

Dual Mode Functions

Dual Balance F3.1 37

Dual Detune F3.2 37

Voice 1 Octave Shift F3.3 37

Voice 2 Octave Shift F3.4 37

Voice 1 Effect Depth F3.5 37

Voice 2 Effect Depth F3.6 37

Reset F3.7 37

Split Mode Functions

Split Point F4.1 38

Split Balance F4.2 38

Right Voice Octave Shift F4.3 38

Left Voice Octave Shift F4.4 38

Right Voice Effect Depth F4.5 38

Left Voice Effect Depth F4.6 38

Sustain Pedal Range F4.7 38

Reset F4.8 38

Other Functions

Sustain Sample Depth F5.1 39

Keyoff Sample Volume F5.2 39

Metronome Volume

— F6 39

Preset Song Part Cancel Volume

—F739

MIDI Functions

MIDI Transmit Channel Selection F8.1 40

MIDI Receive Channel Selection F8.2 40

Local Control ON/OFF F8.3 40

Program Change ON/OFF F8.4 41

Control Change ON/OFF F8.5 41

MIDI Transmit Transpose F8.6 41

Panel/Status Transmit F8.7 41

Bulk Data Dump F8.8 42

Backup Functions

Voice F9.1 42

MIDI F9.2 42

Tuning F9.3 42

Others F9.4 42

P-90 Detailed Settings – [FUNCTION]

ENGLISH

Basic Procedure in Function Mode

Follow the steps below to use the functions.

(If you become lost while using a function, return to this page and read the basic procedure.)

1. Engage Function mode.

Press the [FUNCTION] button so that its [FUNCTION] indicator lights.

will appear on the display. (The indication of “ ” varies depending on

the status of the unit and usage.)

2. Select a function.

Use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired function

from F1–F9.

3. Use the [–/NO] [+/YES] buttons.

If the function does not include sub-modes, start setting the parameters.

If the function includes sub-modes, press the [+/YES] button once to enter the

respective sub-mode.

4. Operate the desired function using the following

two buttons.

1 [TEMPO/FUNCTION# ▼, ▲]

Selects the desired function/sub-mode.

2 [–/NO] or [+/YES]

After you select the desired function or sub-mode, set the ON/OFF, select

the type, or change the value, accordingly.

Depending on the setting, the default setting (which is used when you

ﬁrst turn on the power to the P-90) is recalled by pressing the [–/NO] and

[+/YES] buttons simultaneously.

124 45

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/ OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

Procedure

Functions cannot be selected

during Demo/Preset Song

mode or when the user song

recorder is in operation.

To cancel the function in Step 2,

3, or 4, press the [TEMPO/

FUNCTION# ▼, ▲] button any

time to exit Function mode.

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

After you select the function, the

current setting will be displayed

when the [–/NO] or [+/YES] but-

ton is pressed for the ﬁrst time.

P-90 Detailed Settings – [FUNCTION]

ENGLISH

Operation Example 1 (F1. Fine tuning of the pitch)

Operation Example 2 (F3.1 “Dual Balance”)

5. Do the following when you ﬁnish using the func-

tion.

Press the [FUNCTION] button to exit function mode. The [FUNCTION] but-

ton indicator will go dark.

Change the value.

Engage Function mode.

Select a desired function.

–

NO +

YES

LCD indication

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

Engage the respective

sub-mode.

Engage function mode.

Select a desired function.

Select a desired sub-mode.

Change the value.

LCD indication

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

START/

STOP

TEMPO/

FUNCTION#

FUNCTION

– / NO + / YES

+ / YES

P-90 Detailed Settings – [FUNCTION]

ENGLISH

About Each Function

You can ﬁne tune the pitch of the entire instru-

ment. This function is useful when you play

the P-90 along with other instruments or CD

music.

1. Engage Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to lower

or raise the pitch of the A3 key in approxi-

mately 0.2 Hz increments.

..... .....

Te nths of a hertz are indicated on the LED display by

the appearance and position of one or two dots, as in

the following example:

Hz (Hertz):

This unit of measurement refers to the frequency of a sound

and represents the number of times a sound wave vibrates in

a second.

You can also use the keyboard to set the pitch (in any

mode other than Function mode).

To tune up (in about 0.2Hz steps): Hold the A-1 and B-1

keys (two white keys at the left end) simultaneously and press

any key between C3 and B3.

To tune down (in about 0.2Hz steps): Hold the A-1 and A



-1

keys (a white and a black key at the left end) simultaneously

and press any key between C3 and B3.

To restore standard pitch: Hold the A-1, A



-1 and B-1 (two

white keys and one black key at the left end) simultaneously

and press any key between C3 and B3.

•Refer to “Part Names” on page 12 for information on

the key and key name assignment.

(During the procedure described above, the display indi-

cates a value in Hz < … >. After the proce-

dure, the display returns to the previous indication.)

You can also tune in about 1Hz steps (in any mode other

than Function mode).

To tune down or up, respectively, in approximately 1 Hz

increments: Hold the A-1 and A



-1 keys (a white and a black

key at the left end) or A-1 and B-1 keys (two white keys at the

left end) simultaneously and press the [–/NO] or [+/YES] but-

ton.

To restore standard pitch: Hold the A-1 and A



-1 keys (a

white and a black key at the left end) or A-1 and B-1 keys (two

white keys at the left end) simultaneously and press the [–/

NO] [+/YES] buttons simultaneously.

(During the procedure described above, the display indi-

cates a value in Hz < … >. After the proce-

dure, the display returns to the previous indication.)

F1. Fine Tuning of the Pitch

Display Value

440.0

Setting range:

440.2

427.0–453.0 (Hz)

440.4

Normal setting:

440.6

440.0 (Hz)

440.8

P-90 Detailed Settings – [FUNCTION]

ENGLISH

You can select various scales.

Equal Temperament is the most common con-

temporary piano tuning scale. However, his-

tory has known numerous other scales, many

of which serve as the basis for certain genres of

music.

1. Engage Function mode and select .

2. Press the [+/YES] button to engage the scale

function’s sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] and [+/YES] buttons to select

the number of the desired tuning.

Sub-mode

F2.1: Scale

Setting range: 1: Equal Temperament

2: Pure Major

3: Pure Minor

4: Pythagorean

5: Mean Tone

6: Werckmeister

7: Kirnberger

Normal setting: 1: Equal Temperament

F2.2: Base Note

If you select a scale other than Equal Temperament, you

need to specify the root. (You can specify the root note

with Equal Temperament selected, but it is not effective.

The base note setting is effective for tunings other than

the Equal Temperament tuning.)

Setting range:

Normal setting:

•Root indication example

Equal:

One octave is divided into twelve equal intervals. Currently the

most popular piano tuning scale.

PureMajor/PureMinor:

Based on natural overtones, three major chords using these

scales produce a beautiful, pure sound. They are sometimes

used for chorus parts.

Pythagorean:

This scale, designed by Pythagoras, a Greek philosopher, is

based on the interval of a perfect 5th.

The 3rd produces swells, but the 4th and 5th are beautiful and

suitable for some leads.

MeanTone:

This scale is an improvement of the Pythagorean in that the

swell of the 3rd has been eliminated. The scale became popu-

lar during the late 16th century through the late 18th century,

and was used by Handel.

WerckMeister/KirnBerger:

These scales combine Mean Tone and Pythagorean in differ-

ent ways. With these scales, modulation changes the impres-

sion and feel of the songs. They were often used in the era of

Bach and Beethoven. They are often used today to reproduce

the music of that era on harpsichords.

F2. Selecting a Scale



) (G)

followed by

a high bar if sharp



)

followed by

a low bar if flat

P-90 Detailed Settings – [FUNCTION]

ENGLISH

You can set various parameters for Dual mode

to optimize the settings for the songs you play,

such as adjusting the volume balance between

two voices.

Dual mode function settings are set individu-

ally for each voice combination.

1. Select the voices in Dual mode and engage

Function mode and select .

2. Press the [+/YES] button to engage the Dual

mode function’s sub-mode, then use the

[TEMPO/FUNCTION# ▼, ▲] buttons to select

the desired sub-mode. Press the [–/NO] [+/

YES] button to assign values.

If Dual mode is not engaged, will appear instead of

and you will be unable to select Dual mode functions.

You can switch from Function mode to Dual mode.

Sub-mode

F3.1: Dual Balance

Setting range: 0 – 20

A setting of “10” produces an equal balance between

the two Dual mode voices. Settings below “10”

increase the volume of Voice 2 in relation to Voice 1,

and settings above “10” increase the volume of Voice 1

in relation to Voice 2.

Normal setting: Different for each voice combina-

tion.

You can set one voice as the main voice, and another

voice as a softer, mixed voice.

F3.2: Dual Detune

Setting range: -10 – 0 – 10

With positive values, the pitch of Voice 1 is raised and

the pitch of Voice 2 is lowered. With negative values,

the pitch of Voice 1 is lowered and the pitch of Voice 2

is raised.

The available setting range is wider in the lower range (± 60

cents for A-1), and narrower in the higher range (± 5 cents for

C7). (100 cents equal one semitone.)

Normal setting: Different for each voice combina-

tion.

Detune Voice 1 and Voice 2 for Dual mode to create a

thicker sound.

F3.3: Voice 1 Octave Shift

F3.4: Voice 2 Octave Shift

Setting range: –1, 0, 1

Normal setting: Different for each voice combina-

tion.

You can shift the pitch up and down in octave steps for

Vo ice 1 and Voice 2 independently. Depending on which

voices you combine in Dual mode, the combination may

sound better if one of the voices is shifted up or down an

octave.

F3.5: Voice 1 Effect Depth

F3.6: Voice 2 Effect Depth

Setting range: 0 – 20

Normal setting: Different for each voice combina-

tion.

These functions make it possible to individually set the

depth of the effect for Voices 1 and 2 for Dual mode.

(The effect depth settings cannot be changed unless the

[EFFECT] is ON. Function mode must be exited before

the [EFFECT] can be turned ON.)

•“Vo ice 1” and “Voice 2” are explained on page 23.

F3.7: Reset

This function resets all Dual mode functions to their

default values. Press the [+/YES] button to reset the val-

ues.

SHORTCUT:

You can jump directly to the Dual mode functions by

pressing the [FUNCTION] button while holding the two Dual

mode voice buttons.

Even if you entered a Function mode via a shortcut, you must

use the usual method to exit (i.e., press [FUNCTION] button

to make the function indicator go dark).

F3. Dual Mode Functions

P-90 Detailed Settings – [FUNCTION]

ENGLISH

This menu enables you to make various

detailed settings for Split mode.

By changing the split point or other setting,

you can optimize the settings for the songs

you play.

1. Select the voices in Split mode and engage

Function mode and select .

2. Press the [+/YES] button to engage the Split

mode function’s sub-mode, then use the

[TEMPO/FUNCTION# ▼, ▲] buttons to select

the desired sub-mode. Press the [–/NO] [+/

YES] button to assign values.

If Split mode is not engaged, will appear instead of

and you will be unable to select Split mode functions.

Also note that you must exit Function mode before you can

engage Split mode.

Sub-mode

F4.1: Split Point

Setting range: The entire keyboard

Normal setting: F



Set the point on the keyboard that separates the right and

left-hand sections (split point). The pressed key is

included in the left-hand range.

•Instead of pressing the [–/NO] [+/YES] buttons, you

can engage the split point by pressing the appropriate

key on the keyboard.

•If Function mode is not engaged, you can change the

split point to any other key by pressing the key while

holding the [SPLIT] button (page 24).

•An example of a key name indication for a split point

F4.2: Split Balance

Setting range: 0 – 20

A setting of “10” produces an equal balance between

the two Split mode voices. Settings below “10”

increase the volume of the left voice in relation to the

right voice, and settings above “10” increase the vol-

ume of the right voice in relation to the left voice.

Normal setting: Different for each voice combina-

tion.

The volume level of the two voices combined in Split

mode can be adjusted as required.

You can make this setting for each combination of the

songs you play.

F4.3: Right Voice Octave Shift

F4.4: Left Voice Octave Shift

Setting range: –1, 0, 1

Normal setting: Different for each voice combination

You can shift the pitch up and down in octave steps for

the Right Voice and Left Voice independently. Make a set-

ting depending on the note range of the songs you play.

You can make these settings for each combination of

voices individually.

F4.5: Right Voice Effect Depth

F4.6: Left Voice Effect Depth

Setting range: 0 – 20

Normal setting: Different for each voice combination

These functions make it possible to individually set the

depth of the effect for the left and right Split mode

voices.

You can make these settings for each combination of

voices individually.

The effect depth settings cannot be changed unless the

[EFFECT] is ON. You must exit Function mode before

you can turn on an [EFFECT].

F4.7: Sustain Pedal Range

Setting range: ALL (for both voices)

1 (for the right Voice)

2 (for the left Voice)

Normal setting: ALL

The Sustain Pedal Range function determines whether

the sustain pedal affects the right voice, the left voice, or

both the left and right voices in Split mode.

F4.8: Reset

This function resets all Split mode functions to their

default values. Press the [+/YES] button to reset the val-

ues.

SHORTCUT:

You can jump directly to Split mode functions by press-

ing the [FUNCTION] button while holding the [SPLIT] button.

Even if you entered a Function mode via a shortcut, you must

use the usual method to exit (i.e., press [FUNCTION] button

to make the function indicator go dark).

F4. Split Mode Functions



2) (G2)

followed by

a high bar if sharp



followed by

a low bar if flat

P-90 Detailed Settings – [FUNCTION]

ENGLISH

This function conveniently lets you set opera-

tion of the sustain pedal to one of the modes

listed below.

1. Engage Function mode and select .

2. Press the [+/YES] button to engage the other

functions’ sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] or [+/YES] button to select

the desired pedal function or assign the val-

ues.

Sub-mode

F5.3

Sustain Sample Depth

Setting range: 0 – 20

Normal setting: 12

The [GRAND PIANO 1] voices feature special “Sustain

Samples” that recreate the unique resonance of an acous-

tic grand piano’s soundboard and strings when the sus-

tain pedal is pressed. This function lets you adjust the

depth of this effect.

F5.4 Key-off Sample Volume

Setting range: 0 – 20

Normal setting: 10

You can adjust the volume of the keyoff sound (the sub-

tle sound produced when the keys are released) for voices

[GRAND PIANO1], [CLAVI./HARPSI.] (including their

variations).

You can change the volume of the metronome

sound.

Use this function to adjust the metronome vol-

ume.

1. Engage Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to set the

metronome volume as required.

Setting range: 1 – 20

Normal setting: 10

SHORTCUT:

You can jump directly to the metronome functions by

pressing the [FUNCTION] button while holding the METRO-

NOME [START/STOP] button.

Even if you entered a Function mode via a shortcut, you must

use the usual method to exit (i.e., press [FUNCTION] button

to make the function indicator go dark).

This function sets the volume at which a “can-

celed” part is played during preset song play-

back. Adjust the part volume to a comfortable

level and use the “canceled” part as a guide

with which to play along.

1. Engage Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to set the

volume as required.

Setting range: 0 – 20

Normal setting: 5

F5. Other Functions F6. Metronome Volume

F7. Preset Song Part Cancel Volume

P-90 Detailed Settings – [FUNCTION]

ENGLISH

You can make detailed adjustments to MIDI

settings.

For more information about MIDI, see the

“About MIDI” section (page 44).

The [HOST SELECT] switch on the bottom surface must be

set to “MIDI” to enable the MIDI connectors. When you use the

[TO HOST] connector, set the [HOST SELECT] switch to the

appropriate position for the type of computer you are using

(pages 44–48). In this situation, all MIDI settings described

below will affect the MIDI signal in and out of the [TO HOST]

connector.

1. Engage Function mode and select .

2. Press the [+/YES] button to engage the MIDI

function’s sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] or [+/YES] button to set a

selected parameter.

Sub-mode

F8.1: MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving equipment must be matched

for proper data transfer.

This parameter enables you to specify the channel on

which the P-90 transmits MIDI data.

Setting range: 1 – 16, OFF (not transmitted)

Normal setting: 1

In Dual mode, Voice 1 data is transmitted on its speciﬁed

channel. In Split mode, right voice data is transmitted on its

speciﬁed channel. In Dual mode, Voice 2 data is transmitted

on the next greater channel number relative to the speciﬁed

channel. In Split mode, left voice data is transmitted on the

next greater channel number relative to the speciﬁed channel.

In either mode, no data is transmitted if the transmit channel is

set to “OFF”.

Demo/preset song data and recorder playback data are not

transmitted via MIDI.

F8.2: MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving equipment must be matched

for proper data transfer. This parameter enables you to

specify the channel on which the P-90 receives MIDI

data.

Setting range: ALL, 1&2, 1 – 16

Normal setting: ALL

ALL:

A “Multi-timbre” Receive mode is available. It allows simulta-

neous reception of different parts on all 16 MIDI channels,

enabling the P-90 to play multi-channel song data received

from a music computer or sequencer.

1&2:

A “1&2” Receive mode is available. It allows simultaneous

reception on channels 1 and 2 only, enabling the P-90 to play

1 and 2 channel song data received from a music computer or

sequencer.

Program change and other like channel messages received

will not affect the P-90’s panel settings or the notes you play

on the keyboard.

No MIDI reception occurs when Demo/Preset Song mode is

engaged.

F8.3: Local Control ON/OFF

“Local Control” refers to the fact that, normally, the P-90

keyboard controls its internal tone generator, allowing

the internal voices to be played directly from the key-

board. This situation is “Local Control On,” since the

internal tone generator is controlled locally by its own

keyboard.

Local control can be turned OFF, however, so that the P-

90 keyboard does not play the internal voices, but the

appropriate MIDI information is still transmitted via the

MIDI OUT connector when notes are played on the key-

board. At the same time, the internal tone generator

responds to MIDI information received via the MIDI IN

connector.

Setting range: ON/OFF

Normal setting: ON

F8. MIDI Functions

P-90 Detailed Settings – [FUNCTION]

ENGLISH

F8.4: Program Change ON/OFF

Normally the P-90 will respond to MIDI program

change numbers received from an external keyboard or

other MIDI device, causing the correspondingly-num-

bered voice to be selected on the corresponding channel

(the keyboard voice does not change). The P-90 will nor-

mally also send a MIDI program change number when-

ever one of its voices is selected, causing the

correspondingly-numbered voice or program to be

selected on the external MIDI device if the device is set

up to receive and respond to MIDI program change

numbers.

This function makes it possible to cancel program

change number reception and transmission so that

voices can be selected on the P-90 without affecting the

external MIDI device.

For information on program change numbers for each of the

P-90’s voices, refer to page 56 in the MIDI Data Format sec-

tion.

Setting range: ON/OFF

Normal setting: ON

F8.5: Control Change ON/OFF

Normally the P-90 will respond to MIDI control change

data received from an external MIDI device or keyboard,

causing the voice on the corresponding channel to be

affected by pedal and other “control” settings received

from the controlling device (the keyboard voice is not

affected).

The P-90 also transmits MIDI control change informa-

tion when the pedal or other appropriate controls are

operated.

This function makes it possible to cancel control change

data reception and transmission so that, for example, the

P-90’s pedal and other controls can be operated without

affecting an external MIDI device.

For information on control changes that can be used with the

P-90, refer to the MIDI Data Format on page 56.

Setting range: ON/OFF

Normal setting: ON

F8.6: MIDI Transmit Transpose

This function allows the MIDI note data transmitted by

the P-90 to be transposed up or down in semitone incre-

ments by up to plus or minus 12 semitones. The pitch of

the P-90 itself is not affected.

Setting range: -12 – 0 – 12 (in semitones)

Normal setting: 0

F8.7: Panel/Status Transmit

This function causes all the current P-90 panel settings

(selected voice, etc.) to be transmitted via the MIDI OUT

terminal. This is particularly useful if you will be record-

ing performances to a MIDI sequence recorder, such as

the Yamaha MIDI Data Filer MDF3, which will be used

to control the P-90 on playback. By transmitting the P-90

panel settings and recording them on the MIDI sequence

recorder prior to the actual performance data, the P-90

will be automatically restored to the same settings when

the performance is played back.

Setup Data:

Data that contains a set of panel settings for the P-90.

Procedure

1. Set up the panel controls as desired.

2. Connect the P-90 to a sequencer via MIDI, and set up

the sequencer so it can receive the setup data.

3. Engage Function mode and select .

4. Press the [+/YES] button to transmit the panel/status

data.

will appear on the LED display when the data has

been successfully transmitted.

See page 57 for a list of the “Panel Data Contents” transmitted

by this function.

Receiving the transmitted data:

1. Connect the P-90 via MIDI to the device to which the setup

data was transmitted previously.

2. Start sending the setup data from the device.

The P-90 automatically receives the setup data, which will be

reﬂected in the panel settings.

(For the data to be accepted, the P-90 that receives the setup

data should be the same model as the one that transmitted

the setup data to the sequencer.)

For more information on transmitting and receiving setup data

via MIDI, refer to the owner’s manual for the connected MIDI

device.

P-90 Detailed Settings – [FUNCTION]

ENGLISH

F8.8: Bulk Data Dump

You can save current song data on the P-90 as MIDI bulk

data by transferring it to a connected MIDI data ﬁler

(such as an MDF3) or a sequencer. To play back the saved

song data, send the bulk data back from the storage

device to the P-90 and follow the usual playback proce-

dure.

Bulk Data:

A complete set or extended sequence of data

Procedure

1. Record your performance on the P-90.

2. Connect the P-90 to MDF3, a MIDI data ﬁler via

MIDI, and set up the MDF3 so it will receive bulk

data.

3. Engage Function mode and select .

4. Press the [+/YES] button to begin bulk transmission.

will appear on the LED display when the data has

been successfully transmitted.

No MIDI note/panel data transmission or data reception

occurs during a bulk data dump transmit operation.

Receiving (returning) the transmitted data:

1. Connect the P-90 via MIDI to the device to which the data

was previously transmitted.

2. Start sending the data from the device.

The P-90 automatically receives the data from the unit. (At

this time, any data previously stored in the P-90 will be

erased.)

Then, follow the usual playback procedure.

(For the data to be accepted, the P-90 that receives the data

should be the same model as the one from which the data

was once transmitted to the MIDI data ﬁler.)

The reload operation cannot be executed when Demo/Preset

Song mode or the user song recorder is in operation, or when

Function mode is engaged.

For more information on transmitting and receiving bulk data

via MIDI, refer to the owner’s manual for the connected MIDI

device.

Backup:

You can back up some settings, such as voice selection and

reverb type, so that they will not be lost when you turn off the

power to the P-90.

If the backup function is turned on, the settings at power off

are effective. If the backup function is turned off, the settings

in memory are erased when you turn off the power. In this

case, when you turn on the power to the unit, the default set-

tings (the initial settings) will be used. (The factory setting

default list is found on page 55.)

However, the backup settings themselves, and the contents of

the user song recorder memory, are always backed up.

CAUTION

Even if the backup function is turned on via one of the

functions described below, the data will be retained in

memory for only about one week if the power is not

turned on during this time. If the backup period is

exceeded, all settings will be reset to their default val-

ues. If you want to retain the backup settings for

longer periods, be sure to turn the power on for a few

minutes at least once a week.

You can turn the backup function on or off for

each function group (each of the following

sub-mode functions).

1. Engage Function mode and select .

2. Press the [+/YES] button to engage the

backup function’s sub-mode, then use the

[TEMPO/FUNCTION# ▼, ▲] buttons to select

the desired sub-mode.

Press the [–/NO] or [+/YES] button to turn the

backup function on or off.

Sub-mode

F9.1: Voice

F9.2: MIDI

F9.3: Tuning

F9.4: Others

Setting range: ON/OFF

Normal setting: OFF (all groups)

F9. Backup Functions

P-90 Detailed Settings – [FUNCTION]

ENGLISH

Description of sub-modes

Voice

•Voice (Keyboard, Dual, and Split)

•Dual (ON/OFF, Voice, and Dual Functions for each

voice combination)

• Split (ON/OFF, Voice, and Split Functions for each

voice combination)

•Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each voice)

•Touch Sensitivity (including the FIXED volume)

•Metronome (Beat, Volume < settings>)

•Preset Song Part Cancel Volume ( settings)

F9.2: MIDI

•The MIDI functions ( settings)

(expect for the )

F9.3: Tuning

•Transpose

•Tuning ( settings)

• Scale (including base note) ( settings)

F9.4: Others

•Other functions ( )

Factory Preset Recall

All Dual mode, Split mode, reverb, effect, touch sensitiv-

ity, tuning settings, and the settings affected by the

Backup Functions can be restored to their original fac-

tory preset values by holding the C7 key (right-most key

on the keyboard) while turning the [STANDBY/ON]

switch ON. This also erases all user song recorder data,

and sets all backup on/off settings (F9) to “OFF”. (The

factory setting list is found on page 55.)

P-90 About MIDI

ENGLISH

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for

data transmission/reception. It enables the transfer of performance

data and commands between MIDI devices and personal computers.

Using MIDI, you can control a connected MIDI device from the P-90, or

control the P-90 from a connected MIDI device or computer.

MIDI connectors

MIDI [IN]: Receives MIDI data.

MIDI [OUT]: Transmits MIDI data.

MIDI cables

Prepare dedicated MIDI cables.

[TO HOST] connector

Use this connector to connect the P-90 to a computer.

MIDI performance data and

commands are transferred in

the form of numeric values.

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to ﬁnd out

what MIDI data and commands

your devices can transmit or

receive. The P-90’s MIDI Imple-

mentation Chart appears on

page 60.

IN MIDI OUT HOST SELECT

MIDI Mac

PC-2 PC-1

When you are using the MIDI

connectors, set the [HOST

SELECT] switch to “MIDI”

(page 47).

When you are using the [TO

HOST] connector, set the

[HOST SELECT] switch,

according to the type of com-

puter you are using (page 47).

You can also obtain detailed

information about MIDI from

various music books and other

publications.

HOST SELECT TO HOST

MIDI Mac

PC-2 PC-1

P-90 Connecting a Personal Computer

ENGLISH

Connecting a Personal Computer

You can enjoy computer music data on the P-90 by connecting a computer to the [TO HOST] (or

MIDI) connector.

There are three methods by which to connect the P-90 to a personal computer:

1. Connect the serial port on the computer to the P-90’s [TO HOST] connector (page 46).

2. Use a MIDI interface and the P-90’s MIDI connectors (page 47).

3. Use the USB port on the computer and the UX256, UX96, or UX16, a USB interface (page 48).

For more information, refer to the speciﬁed pages.

When the P-90 is used as a tone module, performance data with voices that are not found on the P-90 will not be played

correctly.

When connecting the P-90 to a personal computer, ﬁrst turn off the power to both the P-90 and the computer before you

connect any cables or set the [HOST SELECT] switch. After making the connections and switch settings, turn on the

power to the computer ﬁrst, then to the P-90.

If you do not use the [TO HOST] connector of the P-90, make sure you disconnect the cable from the jack. If the cable

is left connected, the P-90 may not function properly.

will appear in the display if the host computer is not turned on, the connecting cable is not properly connected,

the [HOST SELECT] switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this situ-

ation, turn the power off to both the P-90 and the computer, and check the cable connection and the position of the

[HOST SELECT] switch. Once the connection and [HOST SELECT] switch position is veriﬁed, turn the power of the

computer on ﬁrst, then the P-90, and check whether the MIDI driver and MIDI application function properly.

When the [HOST SELECT] switch is set to “PC-1,” PC-2,” or “Mac,” you can use the [TO HOST] connector, but the MIDI

connectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the [HOST

SELECT] switch is set to “MIDI,” you can use the MIDI connectors, but not the [TO HOST] connector since no data is

transferred via the [TO HOST] connector.

P-90 Connecting a Personal Computer

ENGLISH

1. Connecting the serial port on the computer to the P-90’s [TO HOST] connector

Connect the computer’s serial port (RS-232C or RS-422) to the P-90’s [TO HOST] connector.

With this connection, the P-90 functions as a MIDI interface. Therefore, you do not need a special MIDI interface.

Connection

Use a special serial cable (page 46) to connect the computer’s serial port (RS-232C or RS-422) to the P-90’s [TO HOST]

connector.

Type of serial cables and connection pin assignments

Depending on the type of computer you connect, use one of the following serial cables.

Note for Windows users

(regarding the MIDI driver)

To transfer data via the computer’s

serial port and the P-90’s [TO

HOST] connector, you need to

install a speciﬁc MIDI driver (the

Yamaha CBX driver for Windows).

You can download this driver from

the following XG Library on the

Yamaha web site:

http://www.yamaha-xg.com

P-90

TO HOST

Windows Windows Macintosh

modem portRS-232C (D-sub 9-pin) RS-232C (D-sub 25-pin)

HOST SELECT TO HOST

MIDI Mac

PC-2 PC-1

Windows (with a serial port of D-sub 9-pin)

8-pin mini DIN plug ➝ D-sub 9-pin plug

(Yamaha CCJ-PC2 or equivalent)

Macintosh

System peripheral plug ➝ 8-pin plug

(Yamaha CCJ-MAC or equivalent)

Windows (with a serial port of D-sub 25-pin)

8-pin mini DIN plug ➝ D-sub 25-pin plug

(Yamaha CCJ-PC1NF or equivalent)

Pin assignment

The following diagram shows the pin assignments for each cable.

8 (CTS)

7 (RTS)

2 (RxD)

5 (GND)

3 (TxD)

mini DIN

8-pin

D-sub

9-pin

2 (HSK i)

1 (HSK O)

5 (RxD-)

4 (GND)

3 (TxD-)

8 (RxD+)

7 (GP-)

6 (TxD+)

mini DIN

8-pin

mini DIN

8-pin

5 (CTS)

4 (RTS)

3 (RxD)

7 (GND)

2 (TxD)

mini DIN

8-pin

D-sub

25-pin

mini DIN 8-pin

D-sub 25-pin

Pin numbers (view from front)

D-sub 9-pin

P-90 Connecting a Personal Computer

ENGLISH

P-90 [HOST SELECT] switch setting

Set the P-90 [HOST SELECT] switch properly according to the type of connected computer.

• Macintosh: “Mac” (data transfer rate: 31,250bps, 1MHz clock)

• Windows: “PC-2” (data transfer rate: 38,400bps)

2. Using a MIDI interface and the P-90’s MIDI connectors

Connection

Use a MIDI interface device to connect a computer to the P-90 using special MIDI cables.

P-90 [HOST SELECT] switch setting

Set the P-90 [HOST SELECT] switch to “MIDI.”

If your system does not work properly with the connections and settings listed above, your software may require differ-

ent settings. Check your software operation manual and set the [HOST SELECT] switch to the proper data transfer rate.

(Data transfer rate of “PC-1” is 31,250bps.)

MIDI OUT

MIDI

OUT

MIDI

MIDI IN

MIDI

OUT

MIDI

Windows Macintosh

P-90

MIDI interface

IN MIDI OUT HOST SELECT

MIDI Mac

PC-2 PC-1

P-90 Connecting a Personal Computer

ENGLISH

3. Connecting the computer’s USB port to the P-90 via a USB interface, such as the

UX256, UX96, or UX16

Connect the computer’s USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install

the driver (that came with the USB interface) on the computer, and connect the USB interface to the P-90 using a serial

cable or MIDI cables.

For more information, refer to the instruction manual for the USB interface.

An example of connecting the USB interface to the P-90 using a serial cable

An example of connecting the USB interface to the P-90 using MIDI cables

USB interface

P-90

USB cable

computer

Standard Machintosh 8-pin system peripheral cable

HOST SELECTTO HOST

MIDI Mac

PC-2 PC-1

MIDI Mac

PC-2 PC-1

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

USB cable

MIDI cables

P-90

USB interface

computer

IN MIDI OUT HOST SELECT

MIDI Mac

PC-2 PC-1

MASTER VOLUME

MIN MAX

BRILLIANCE

MELLOW BRIGHT

DEMO

START/

STOP

TEMPO/

FUNCTION#

PRESET TRACK

GRAND

PIANO 1

GRAND

PIANO 2

VIBES/

GUITAR

CLAVI./

HARPSI.

E. PIANO

CHURCH

ORGAN STRINGS CHOIR E.BASS

JAZZ

ORGAN

WOOD

BASS

ELECTRONIC PIANO

VARIATION SPLIT

VOICETRANSPOSEREVERBMETRONOME

TEMPO/OTHER VALUE

SONG EFFECT TOUCH

ROOM

HALL 1

HALL 2

STAGE

PHASER

CHORUS

TREMOLO

DELAY

HARD

MEDIUM

SOFT

FUNCTION

– / NO + / YES

REC

START/

STOP

P-90 Troubleshooting

ENGLISH

Troubleshooting

Problem Possible Cause and Solution

The P-90 does not turn on. The P-90 has not been plugged in properly. Insert the adaptor plug into an AC outlet

and the adaptor socket into the unit securely. (page 8).

A click or pop is heard when the power is

turned on or off.

This is normal when electrical current is being applied to the instrument.

Noise from the speakers or headphones is

audible.

The noise may be due to interference caused by the use of a mobile phone in close

proximity to the P-90. Turn off the mobile phone, or move it further away from the P-90.

The overall volume is low, or no sound is

heard.

• The Master Volume is set too low. Set it to an appropriate level using the [MASTER

VOLUME] control.

• Make sure that Local Control (page 40) is ON.

The foot pedal has no effect, or the sound

continuously sustains even when the foot

pedal is not pressed.

The pedal cord may not be properly connected. Make sure to securely insert the pedal

cord into the [SUSTAIN] jack (page 10).

The foot pedal seems to produce the opposite

effect. For example, pressing the foot switch

cuts off the sound and releasing it sustains

the sounds.

The polarity of the foot pedal is reversed. Make sure that the foot pedal plug is properly

connected to the [SUSTAIN] jack before turning on the power.

Do not press the pedal while turning the power on.

If appears on the display, an internal malfunction has occurred. In this case, contact your Yamaha dealer.

P-90 Demo Song List/Preset Song List

ENGLISH

Preset Voice List

Printed on

the panel

[VARIATION]

button

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

GRAND

PIANO 1

OFF

GrandPiano

✓✓✓✓

Recorded samples from a full con-

cert grand piano. Also includes

three levels of dynamic sampling,

sustain samples, and key-off sam-

ples for exceptionally realistic

acoustic grand piano sound. Per-

fect for classical compositions as

well as any other style that requires

acoustic piano.

ON (Variation)

✓✓✓✓

Warm and mellow piano. Good for

classical compositions.

GRAND

PIANO 2

OFF

GrandPiano

✓✓

Spacious and clear piano with

bright reverb. Good for popular

music.

ON (Variation)

✓✓

Bright, spacious piano. Good for

popular or rock music.

E.PIANO1

OFF E.Piano1

✓✓

An electronic piano sound created

by FM synthesis. Extremely “musi-

cal” response with varying timbre

according to keyboard dynamics.

Good for standard popular music.

ON (Variation)

✓

A synth-generated type electronic

piano sound often heard in popular

music. Used in the DUAL mode it

blends well with an acoustic piano

voice.

E.PIANO2

OFF E.Piano2

✓✓

The sound of an electric piano

using hammer-struck metallic

“tines”. Soft tone when played

lightly, and an aggressive tone

when played hard.

ON (Variation)

✓

A slightly different electric piano

sound often heard in rock and pop-

ular music.

CLAVI./

HARPSI.

OFF Clavi.

✓✓

A hammer-struck keyboard instru-

ment that utilizes an electric pickup

that is often heard in funk and soul

music. Its tone is noted for the

unique sound produced when the

keys are released.

Harpsi-

chord

✓✓

The deﬁnitive instrument for

baroque music. Since harpsichord

uses plucked strings, there is no

touch response. There is, however,

a characteristic additional sound

when the keys are released.

VIBES/

GUITAR

OFF Vibraphone

✓✓✓

Vibraphone played with relatively

soft mallets. The tone becomes

more metallic the harder you play.

ON NylonGuitar

✓

Warm and natural-sounding nylon

guitar. Enjoy the quiet ambience of

nylon strings.

P-90 Demo Song List/Preset Song List

ENGLISH

CHURCH

ORGAN

OFF

ChurchOr-

gan

✓

This is a typical pipe organ sound

(8 feet + 4 feet + 2 feet). Good for

sacred music from the Baroque

period.

ON (Variation)

✓

This is the organ’s full coupler

sound often associated with

Beach’s “Toccata and Fugue”.

JAZZ

ORGAN

OFF JazzOrgan

The sound of a “tonewheel” type

electric organ. Often heard in jazz

and rock idioms.

ON (Variation)

Uses a rotary speaker effect with a

different speed. The variations

speed is faster. If the variation is

selected while holding a chord, the

speed of the effect will gradually

change.

STRINGS

OFF Strings

✓✓

Stereo-sampled, large-scale

strings ensemble with realistic

reverb. Try combining this voice

with piano in the DUAL mode.

ON SlowStrings

✓

Spacious strings ensemble with a

slow attack. Try combining this

voice with a piano or electric piano

in the DUAL mode.

CHOIR

OFF Choir

✓

A big, spacious choir voice. Perfect

for creating rich harmonies in slow

pieces.

ON SlowChoir

✓

A choir voice with a slow attack. Try

combining this voice with a piano or

electric piano in the DUAL mode.

WOOD

BASS

OFF WoodBass

✓

An upright bass played ﬁngerstyle.

Ideal for jazz and Latin music.

ON (Variation)

✓

Adds a cymbal voice to the bass

sound. Ideal for walking bass lines

in jazz tunes.

E.BASS

OFF E.Bass

✓

Electric bass for a wide range of

music styles, jazz, rock, popular,

and more.

ON (Variation)

✓

A fretless bass good for styles such

as jazz, fusion, etc.

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response

of an acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

Printed on

the panel

[VARIATION]

button

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

P-90 Demo Song List/Preset Song List

ENGLISH

Demo Song List

Piano Voice Demo Description

Preset Song List

Printed on the panel Piano Voice Demo

GRAND PIANO1 Stereo sampling

GRAND PIANO2 Monaural sampling

E.PIANO1 Dynamic sampling; mezzo piano

E.PIANO2 Dynamic sampling; mezzo forte

CLAVI./HARPSI. Dynamic sampling; forte

VIBES/GUITAR With sustain sampling

CHURCH ORGAN Without sustain sampling

JAZZ ORGAN

With key-off sampling

STRINGS

Without key-off sampling

No. Title Composer

1 Invention No. 1 J.S.Bach

2 Invention No. 8 J.S.Bach

3 Gavotte J.S.Bach

4 Prelude (Wohltemperierte Klavier I No.1) J.S.Bach

5 Menuett G dur BWV.Anh.114 J.S.Bach

6 Le Coucou L-C.Daquin

7 Piano Sonate No.15 K.545 1st mov W.A.Mozart

8Turkish March W.A.Mozart

9 Menuett G dur W.A.Mozart

10 Little Serenade J.Haydn

11 Perpetuum mobile C.M.v.Weber

12 Ecossaise L.v.Beethoven

13 Für Elise L.v.Beethoven

14 Marcia alla Turca L.v.Beethoven

15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven

16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven

17 Piano Sonate op.49-2 1st mov. L.v.Beethoven

18 Impromptu op.90-2 F.P.Schubert

19 Moments Musicaux op.94-3 F.P.Schubert

20 Frühlingslied op.62-2 J.L.F.Mendelssohn

21 Jägerlied op.19b-3 J.L.F.Mendelssohn

22 Fantaisie-Impromptu F.F.Chopin

23 Prelude op.28-15 “Raindrop” F.F.Chopin

24 Etude op.10-5 “Black keys” F.F.Chopin

25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin

No. Title Composer

26 Etude op.10-12 “Revolutionary” F.F.Chopin

27 Valse op.64-1 “Petit chien” F.F.Chopin

28 Valse op.64-2 F.F.Chopin

29 Valse op.69-1 “L’adieu” F.F.Chopin

30 Nocturne op.9-2 F.F.Chopin

31 Träumerei R.Schumann

32 Fröhlicher Landmann R.Schumann

33 La prière d’une Vierge T.Badarzewska

34 Dolly’s Dreaming and Awakening T.Oesten

35 Arabesque J.F.Burgmüller

36 Pastorale J.F.Burgmüller

37 La chevaleresque J.F.Burgmüller

38 Liebesträume Nr.3 F.Liszt

39 Blumenlied G.Lange

40 Barcarolle P.I.Tchaikovsky

41 Melody in F A.Rubinstein

42 Humoresque A.Dvorák

43 Tango (España) I.Albéniz

44 The Entertainer S.Joplin

45 Maple Leaf Rag S.Joplin

46 La Fille aux Cheveux de Lin C.A.Debussy

47 Arabesque 1 C.A.Debussy

48 Clair de lune C.A.Debussy

49 Rêverie C.A.Debussy

50 Golliwog’s Cakewalk C.A.Debussy

P-90 Index

ENGLISH

Index

Numerics

50 Piano Preset Songs .....................................................15

A-B Repeat for 50 Preset Songs ......................................18

AC Power Adaptor ............................................................9

Accessories.........................................................................6

Adding Variations ...........................................................19

Adjust

Brilliance ..............................................................14, 20

Tempo (50 Piano Preset Songs) ...............................15

Tempo (Recorded Songs) .........................................30

Volume.......................................................................11

Volume (50 Piano Preset Songs) ..............................15

Volume (Demo) ........................................................14

Volume (Metronome) ..............................................39

Volume (Recorded Songs)........................................31

ALL (LED display) ..........................................................15

Backup Functions............................................................42

[BRILLIANCE] control...................................................20

Combining Two Voices (Dual mode)............................23

Connecting a Personal Computer..................................45

[DC IN 12V] connector....................................................9

[DEMO] button ..............................................................14

Demo Song List ...............................................................52

Detailed Settings (FUNCTION).....................................32

Dual mode .................................................................23, 37

[EFFECT] button ............................................................20

Factory Setting List..........................................................55

Fine Tuning of the Pitch .................................................35

FUL (LED display) ..........................................................27

FUNCTION...............................................................35–42

Basic Procedure.........................................................33

Function Parameter List .................................................55

[HOST SELECT] switch ...........................................11, 47

HST (LED display).......................................................... 45

List

Demo Song ................................................................52

Factory Setting........................................................... 55

Functions...................................................................32

Preset Song List .........................................................52

Preset Voice .........................................................50–51

METRONOME ...............................................................25

Metronome Volume .......................................................39

MIDI ................................................................................44

MIDI [IN] [OUT] connectors ...........................11, 44, 47

MIDI cables ......................................................... 44, 47, 48

MIDI Data Format..........................................................56

MIDI driver .....................................................................46

MIDI Functions ..............................................................40

Music Rest .........................................................................9

Normal setting ................................................................19

OUTPUT [L][R] jacks, [L/L+R][R] jacks .....................10

[PHONES] jacks .............................................................10

Piano Voice Demo Description .....................................52

Pitch ➝ Fine Tuning of the Pitch ..................................35

Practicing a One-Hand Part Using 50 Preset Songs .....16

Precautions....................................................................3–4

PRESET............................................................................15

Preset Song List ...............................................................52

Preset Song Part ..............................................................39

Preset Voice List........................................................50–51

P-90 Index

ENGLISH

REC ➝ Recording ...........................................................27

Recording.........................................................................26

Initial Settings............................................................29

Re-recording....................................................................27

[REVERB] button ...........................................................20

rnd (LED display)............................................................15

Scale..................................................................................36

Scn (LED display)............................................................49

Serial cable .................................................................46, 48

Specifications...................................................................61

SPLIT ...............................................................................38

[SPLIT] button................................................................24

[STANDBY/ON] switch .................................................10

[START/STOP] button (Demo) ....................................14

[START/STOP] button (METRONOME) ....................25

Start/Stop playback

50 Piano Preset Songs................................................15

Demonstration Tunes ...............................................14

Recorded Songs .........................................................30

Useful Playback Functions........................................31

Start/Stop recording........................................................27

[SUSTAIN] jack ..............................................................10

Sustain Pedal..............................................................38, 39

Synchro Start

50 Piano Preset Songs................................................17

Recorded Songs .........................................................31

TEMPO......................................................................15, 30

[TO HOST] connector..............................................11, 44

TOUCH ...........................................................................21

Touch Sensitivity.............................................................21

Track Playback On and Off ............................................31

TRACK1/2 (50 Piano Preset Songs)...............................16

TRACK1/2 (Recording)..................................................27

TRANSPOSE ...................................................................22

Troubleshooting..............................................................49

Tuning ➝ Fine Tuning of the Pitch ...............................35

Turning the power on .....................................................11

USB ..................................................................................48

[VARIATION] button.................................................... 19

[VOICE] buttons ............................................................19

P-90

Factory Setting List / Liste der Vorgabeeinstellungen /

Liste des réglages / Lista de ajustes de fábrica

Function Mode

Function Default Backup Group

Voice [GRAND PIANO 1]

F9.1

Dual Mode OFF

Split Mode OFF

Split Mode Left Voice WOOD BASS

Reverb Type Preset for each voice

Reverb Depth Preset for each voice

Effect Type Preset for each voice

Effect Depth Preset for each voice

Touch Sensitivity MEDIUM

Volume in the FIXED Mode 64

Metronome OFF —

Metronome Time Signature 0 (no accent) F9.1

Tempo 120 —

Transpose 0 F9.3

Function Default Backup Group

F1 Tuning A3=440Hz

F9.3F2.1 Scale 1 (Equal Temperament)

F2.2 Base Note C

F3.1 Dual Balance Preset for each voice combination

F9.1

F3.2 Dual Detune Preset for each voice combination

F3.3, F3.4 Dual Octave Shift Preset for each voice combination

F3.5, F.3.6 Dual Effect Depth Preset for each voice combination

F4.1 Split Point F



F4.2 Split Balance Preset for each voice combination

F4.3, F4.4 Split Octave Shift Preset for each voice combination

F4.5, F4.6 Split Effect Depth Preset for each voice combination

F4.7 Sustain Pedal Range ALL

F5.1 Sustain Sample Depth 12

F9.4

F5.2 Keyoff Sample Volume 10

F6 Metronome Volume 10

F9.1

F7 Preset Song Part Cancel Volume 5

F8.1 MIDI Transmit Channel 1

F9.2

F8.2 MIDI Receive Channel ALL

F8.3 Local Control ON

F8.4 Program Change Send & Receive ON

F8.5 Control Change Send & Receive ON

F8.6 MIDI Transmit Transpose 0

F9 Backup All OFF Always backed up

P-90

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer

generated MIDI messages, the data provided in this section

can help you to control the P-90.

Falls Sie bereits mit MIDI vertraut sind oder einen

Computer zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

P-90 nach den im folgenden Abschnitt aufgeführten

Speziﬁkationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le P-90.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos

proporcionados en esta sección le ayudarán a controlar la

P-90.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the

selected voice, the note is adjusted by the necessary num-

ber of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of

next Program Change message.

(2) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(3) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(4) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(5) Sostenuto (reception only)

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal (reception only)

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Effect1 Depth (Reverb Send Level)

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(8) Effect4 Depth (Variation Effect Send Level)

ccH Parameter Data Range (vvH)

5EH Effect4 Depth 00H...7FH

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note

On and Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H Reset All Controllers 00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the spec-

iﬁed channel. Any notes being held by the damper or soste-

nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When control change reception is turned OFF in the Function

mode, control change data will not be transmitted or received

except for Bank Select and Mode messages.

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

• The Multi-timbre and Poly modes are always active. No

change occurs when OMNI ON, OMNI OFF, MONO, or POLY

mode messages are received.

P-90

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P.C.#=Program Change number

• When program change reception is turned OFF in the Func-

tion mode, no program change data is transmitted or

received. Also, Bank MSB/LSB is not transmitted or received.

5. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Damper,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, 2BH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 33H (CLP’03)

30H, 30H (version x, y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H

• Panel Data Contents

•Panel data send requests cannot be received.

7. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

H = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

H = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

Printed on the

panel

[VARIATION]

button

Voice Name

MSB

(0-127)

LSB

(0-127)

P.C#

(1-128)

GRANDPIANO 1

OFF GrandPiano1 0 122 1

ON (Variation) 0 123 1

GRANDPIANO 2

OFF GrandPiano2 0 112 1

ON (Variation) 0 112 2

E.PIANO1

OFF E.Piano1 0 122 6

ON (Variation) 0 122 89

E.PIANO2

OFF E.Piano2 0 122 5

ON (Variation) 0 123 5

CLAVI./HARPSI.

OFF Clavi. 0 122 8

ON Harpsichord 0 122 7

VIBES/GUITAR

OFF Vibraphone 0 122 12

ON NylonGuitar 0 122 25

CHURCH

ORGAN

OFF ChurchOrgan 0 123 20

ON (Variation) 0 122 20

JAZZ ORGAN

OFF JazzOrgan 0 122 17

ON (Variation) 0 123 17

STRINGS

OFF Strings 0 122 49

ON SlowStrings 0 122 50

CHOIR

OFF Choir 0 122 53

ON SlowChoir 0 123 53

WOOD BASS

OFF WoodBass 0 122 33

ON (Variation) 0 124 33

E.BASS

OFF E.Bass 0 122 34

ON (Variation) 0 122 36

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External

FAH Recorder start

Recorder start

Not received when the MIDI clock is

set to Internal.

FCH Recorder stop

Recorder stop

Not received when the MIDI clock is

set to Internal.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the same

processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1'st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

(11) Split Voice

(12) Split Point

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Dumper Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) Variation On/Off

(27) Touch Sensitivity

(28) Fixed Data

(29) Absolute tempo low byte

(30) Absolute tempo high byte

(31) Key-Off Sampling Depth

P-90

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the

MIDI system will be reset to its default settings.

This message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When the XG System On message is received, the MIDI sys-

tem will be reset to its default settings.

The message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->

[ccH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

0nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

aaH = ByteCount

bbH = ByteCount

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

| |

ccH = Check sum

F7H = End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitializa-

tion of relevant parameters and Control Change values. Allow

sufﬁcient time for processing to execute (about 50 msec)

before sending the P-90 another message.

• XG Native Parameter Change message may contain two or

four bytes of parameter data (depending on the parameter

size).

•For information about the Address and Byte Count values,

refer to Table 1 below. Note that the table’s Total Size value

gives the size of a bulk block. Only the top address of the

block (00H, 00H, 00H) is valid as a bulk data address.

9. SYSTEM EXCLUSIVE MESSAGES

(P-90 MIDI Format)

Data format:

[F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

01H = Product ID (CLP common)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

F7H = End of Exclusive

Data format:

[F0H] -> [43H] -> [73H] -> [7FH] -> [xxH] -> [nnH]

-> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

7FH= Extended Product ID

xxH = Product ID (P-90: 32H)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

06H Bulk Data (the bulk data follows 06H)

F7H = End of Exclusive

BULK DUMP FORMAT

F0H, 43H, 73H

7FH = Extended Product ID

xxH = Product ID (P-90: 32H)

06H = Bulk ID

05H = Sequence data

0nH, 0nH, 0nH, 0nH = Data length

[BULK DATA]

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H = End of Exclusive

10.

SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [7FH] -> [xxH] ->

[11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

7FH = Extended Product ID

xxH = Product ID (P-90: 32H)

11H = Special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control 0n ccH vvH

Split Point Always 00H 14H 14H : Split Key Number

Metronome Always 00H 1BH 00H : off

01H : –

02H : 2/4

03H : 3/4

04H : 4/4

05H : 5/4

06H : 6/4

7FH : No accent

Damper Level

ch: 00H-0FH 3DH(Sets the Damper Level

for each channel)

00H-7FH

Channel Detune

ch: 00H-0FH 43H (Sets the Detune value

for each channel)

00H-7FH

Voice Reserve

ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

When Volume, Expression is received for Reserve On, they

will be effective from the next Key On. Reserve Off is normal.

P-90

11.SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [

H] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = When received, n=0~F.

When transmitted, n=0.

27H = Model ID of TG100

30H = Sub ID

00H

mmH =Master Tune MSB

llH = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4 020C - 05F4(*1) MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 ➝ bit 15 - 12 400

02 2nd bit 3 - 0 ➝ bit 11 - 8

03 3rd bit 3 - 0 ➝ bit 7 - 4

4th bit 3 - 0 ➝ bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 — —

06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40

7E 00 XG SYSTEM ON 00=XG system ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

MIDI Parameter Change table (EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01(=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

• Effect MIDI Map

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

Sound board 03H 12H

EFFECT

MSB LSB

CHORUS 42H 10H

PHASER 48H 10H

TREMOLO 46H 10H

DELAY 05H 10H

P-90

MIDI Implementation Chart

TransmittedFunction... Recognized Remarks

Basic

Channel

Note

Number : True voice

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change : True #

System Exclusive

Common : Song Pos.

: Song Sel.

: Tune

System : Clock

Real Time : Commands

: All Sound Off

Aux :

Reset

All

Cntrls

: Local ON/OFF

Mes- : All Notes OFF

sages: Active Sense

: Reset

Notes: *1= Receive Mode is always multi timbre and Poly mode.

Mode

Default

Changed

Note ON

Note OFF

Key's

Ch's

0,32

1 - 16

Ø 9nH,v=1-127

˛ 9nH,v=0

**************

9 - 120

**************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

1 - 16

Ø 9nH,v=1-127

9nH,v=0 or 8nH

Ø (120,126,127)

Ø (121)

Ø (122)

Ø (123-125)

0 - 127

Ø : Yes

˛ : No

Default

Messages

Altered

Poly Mode only

YAMAHA [ Electronic Piano ] Date : 08,Jan 2003

Model P-90 MIDI Implementation Chart

Version : 1.0

Bank Select

Volume

Expression

Damper

Sostenuto

Soft pedal

Reverb Depth

Effect Depth

P-90

Speciﬁcations / Technische Daten /

Caractéristiques techniques / Especiﬁcaciones

*Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change

or modify products or speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the

same in every locale, please check with your Yamaha dealer.

*Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich

das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modiﬁzieren. Da

die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit

Ihrem Yamaha-Händler in Verbindung.

*Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se

réserve le droit de changer ou modiﬁer les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que

les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur

Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha

Corp. se reserva el derecho a efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cualquier momento sin pre-

vio aviso. Puesto que las especiﬁcaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información

a su distribuidor Yamaha.

Item Speciﬁcation

KEYBOARD 88 Keys (A-1–C7)

SOUND SOURCE AWM Dynamic Stereo Sampling

POLYPHONY 64 Notes Max.

VOICE SELECTION 24 voices (including Variation)

REVERB ROOM, HALL 1, HALL 2, STAGE

EFFECT CHORUS, PHASER, TREMOLO, DELAY

DEMO SONGS 12 Voice Demo Songs, 9 Piano Voice Demo Songs, 50 Preset Songs

TOUCH SENSITIVITY HARD, MEDIUM, SOFT, FIXED

SONG CONTROLS PRESET, TRACK 1, 2, START/STOP, REC

PEDAL CONTROL SUSTAIN

OTHER CONTROLS

MASTER VOLUME, BRILLIANCE, DEMO, TRANSPOSE, SPLIT,

METRONOME START/STOP, TEMPO/FUNCTION#, FUNCTION, –/NO, +/YES, LED Display

HOST SELECT

JACKS/CONNECTORS

OUTPUT: L and R Pin Jacks, L/L+R and R Phone Jacks,

MIDI IN/OUT, TO HOST, PHONES x 2, SUSTAIN, DC IN 12V

POWER SUPPLY Yamaha PA-3C power adaptor

DIMENTIONS (W x D x H) 1347 x 285 x 128 mm (53" x 11-1/4" x 5")

WEIGHT 16.9 kg (37 lbs., 4oz)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc-

tions contained in this manual, meets FCC require-

ments. Modiﬁcations not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT: When connecting this product to acces-

sories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions. Fail-

ure to follow instructions could void your FCC authoriza-

tion to use this product in the USA.

3. NOTE: This product has been tested and found to com-

ply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices. This equipment generates/

uses radio frequencies and, if not installed and used

according to the instructions found in the users manual,

may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not occur

in all installations. If this product is found to be the

source of interference, which can be determined by

turning the unit “OFF” and “ON”, please try to eliminate

the problem by using one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfac-

tory results, please contact the local retailer authorized

to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Corpo-

ration of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply or

adapter other than one described in the manual, on the name

plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone

could walk on, trip over ,or roll anything over power or connecting

cords of any kind. The use of an extension cord is not recom-

mended! IF you must use an extension cord, the minimum wire

size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by Yamaha. If a cart,

etc., is used, please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right to

change or modify any of the speciﬁcations without notice or obliga-

tion to update existing units.

This product, either alone or in combination with an ampliﬁer and

headphones or speaker/s, may be capable of producing sound lev-

els that could cause permanent hearing loss. DO NOT operate for

long periods of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Some Yamaha products may have benches and / or accessory

mounting ﬁxtures that are either supplied with the product or as

optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No

other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study this manual care-

fully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products

and the production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which

(if applicable) is soldered in place. The average life span of this

type of battery is approximately ﬁve years. When replacement

becomes necessary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is intended for

the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed correctly.

Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly

and as regulated by the laws in your area. Note: Check with any

retailer of household type batteries in your area for battery dis-

posal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some

reason its useful life is considered to be at an end, please observe

all local, state, and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on

this plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and retain

this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

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CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Sao Paulo-SP. Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS

Yamaha Music Central Europe,

Branch Nederland

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Belgium

Rue de Geneve (Genevastraat) 10, 1140 - Brussels,

Belgium

Tel: 02-726 6032

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE

Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2445

SY36

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2003 Yamaha Corporation

WB00060 501APAP2.3-05C0 Printed in Japan

This document is printed on recycled chlorine free (ECF) paper with soy ink.

Auf Recycling-Umweltpapier mit Sojatinte gedruckt.

Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre

d'huile de soja.

Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.

Yamaha Web Site (English only)

http://www.yamahasynth.com

Yamaha Manual Library

http://www.yamaha.co.jp/manual/english/

Documenttranscriptie

Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ This document is printed on recycled chlorine free (ECF) paper with soy ink. Auf Recycling-Umweltpapier mit Sojatinte gedruckt. Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre d'huile de soja. Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja. M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2003 Yamaha Corporation WB00060 303APAP2.3-01A0 Printed in Japan Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NAME PLATE LOCATION: NOTICE: Model Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Serial No. ENVIRONMENTAL ISSUES: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Purchase Date Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: PLEASE KEEP THIS MANUAL 92-BP (bottom) PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Water warning • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (PA-3C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Do not open • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • Never insert or remove an electric plug with wet hands. ENGLISH Power supply/AC power adaptor Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If you notice any abnormality • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Location • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. • Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. • Do not place objects in front of the instrument's air vent, since this may prevent adequate ventilation of the internal components, and possibly result in the instrument overheating. (3)-7 1/2 P-90 PRECAUTIONS 3 Connections Saving data • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Maintenance • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. ENGLISH Handling caution Saving and backing up your data • Depending upon the Backup Functions (page 42) settings, internal data is retained for about 1 week after the power is turned off. If the period is exceeded, the data will be lost. Be sure to turn the power switch on for a few minutes at least once a week. The data could be lost due to malfunction or incorrect operation. Save important data to external media such as the Yamaha MDF3 MIDI data filer. Backing up the external media • To protect against data loss through media damage, we recommend that you save your important data onto two external media. • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the power switch ([STANDBY/ON] switch) is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Make sure to discard used batteries according to local regulations. (3)-7 4 P-90 PRECAUTIONS 2/2 Table of Contents Music Rest ............................................................9 Connecting the AC Power Adaptor and external equipment ........................................................9 Turning the power on........................................11 Adjusting the volume.........................................11 Control Panel.......................................12 Listening to the Demonstration Tunes .................................................14 Listening to 50 Piano Preset Songs .....15 Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) .......................16 A-B Repeat for 50 Preset Songs .........................18 Selecting & Playing Voices ..................19 Selecting Voices ..................................................19 Adding Variations to the Sound – [VARIATION]/[BRILLIANCE]/[REVERB]/ [EFFECT] .......................................................19 Touch Sensitivity – [TOUCH] ..........................21 Transposition – [TRANSPOSE]........................22 Combining Two Voices (Dual mode)...............23 Splitting the Keyboard Range and Playing Two Different Voices (Split mode) .......................24 Using the Metronome........................................25 Detailed Settings – [FUNCTION]......... 32 Basic Procedure in Function Mode .................. 33 About Each Function......................................... 35 F1. Fine Tuning of the Pitch ....................... 35 F2. Selecting a Scale..................................... 36 F3. Dual Mode Functions ........................... 37 F4. Split Mode Functions............................ 38 F5. Other Functions .................................... 39 F6. Metronome Volume ............................. 39 F7. Preset Song Part Cancel Volume.......... 39 F8. MIDI Functions..................................... 40 F9. Backup Functions.................................. 42 ENGLISH Accessories.............................................6 Application Index ..................................7 Features .................................................8 Before using the P-90 ............................9 About MIDI.......................................... 44 Connecting a Personal Computer....... 45 Troubleshooting.................................. 49 Preset Voice List .................................. 50 Demo Song List ................................... 52 Preset Song List................................... 52 Index.................................................... 53 Factory Setting List.............................. 55 MIDI Data Format ............................... 56 MIDI Implementation Chart ............... 60 Specifications....................................... 61 Recording Your Performance..............26 Recording to the First Track..............................26 Re-recording to the First Track .........................27 Recording to the Second Track .........................28 Changing the Initial Settings (Data recorded at the beginning of a song) ................................29 Playing Back Recorded Songs .............30 Playing Back a Song ...........................................30 Useful Playback Functions.................................31 P-90 Table of Contents 5 Thank you for purchasing the Yamaha P-90 Electronic Piano! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the P-90. We also recommend that you keep this manual in a safe and handy place for future reference. ENGLISH * The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat different from those on your instrument. COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI files, WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Trademarks: • • • Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft® Corporation. All other trademarks are the property of their respective holders. Accessories • Owner’s Manual • Music Rest • Sustain Pedal • PA-3C AC Power Adaptor (Included or optional depending on locale) 6 P-90 Accessories Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening Listening to demo songs with different voices....................................... “Listening to the Demonstration Tunes” on page 14 Listening to songs from “50 Greats for the Piano” ...................................... “Listening to 50 Piano Preset Songs” on page 15 Listening to my recorded performance .................................................................“Playing Back Recorded Songs” on page 30 Using a included pedal ........................................... “Connecting the AC Power Adaptor and external equipment” on page 9 Playing an accompaniment that matches pitch ................................................“Transposition – [TRANSPOSE]” on page 22 Selecting a touch sensitivity type......................................................................... “Touch Sensitivity – [TOUCH]” on page 21 Fine tuning the pitch of the entire instrument when you play the P-90 along with other instruments or CD music. ............................................................................ “Fine tuning of the pitch” on page 35 ENGLISH Playing Changing voices Viewing the list of voices..............................................................................................................“Preset Voice List” on page 50 Simulating a concert hall ..................................................................................................................... “[REVERB]” on page 19 Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 23 Playing different sounds with left and right hands ...................................................“Splitting the Keyboard Range and Playing Two Different Voices (Split mode)” on page 24 Making the sound more brilliant or mellower ........................................................................... “[BRILLIANCE]” on page 20 Adding spread or swell to the sound .................................................................................................... “[EFFECT]” on page 20 Enhancing the sound with effects..................................................................................................“[VARIATION]” on page 19 Practicing Muting the right- or left-hand part ...................................................... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 16 Practicing a specified phrase repeatedly..............................................................“A-B Repeat for 50 Preset Songs” on page 18 Practicing with an accurate and steady tempo .................................................................“Using the Metronome” on page 25 Practicing using your recorded song ..................................................................... “Recording Your Performance” on page 26 Recording Recording your performance................................................................................. “Recording Your Performance” on page 26 Settings Adjusting the P-90 settings ............................................................................ “Detailed Settings – [FUNCTION]” on page 32 Connecting the P-90 to other devices What is MIDI? ....................................................................................................................................“About MIDI” on page 44 Connecting a computer ..................................................................................“Connecting a Personal Computer” on page 45 P-90 Application Index 7 Features The Yamaha P-90 Electronic Piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original “AWM Dynamic Stereo Sampling” tone-generation technology for rich, musical voices, and a special “Graded Hammer” keyboard that provides graded key weight and response throughout the keyboard range. The GrandPiano1 and 2 voices feature samples recorded from a full concert grand piano. The GrandPiano1 voice features three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” that samples the unique resonance of an acoustic grand piano’s soundboard and strings when the sustain pedal is pressed, and “Keyoff Samples” that add the subtle sound produced when the keys are released. The P-90 comes much closer to the sound of a true acoustic piano. ENGLISH [VOICE] buttons [TEMPO/FUNCTION# ▼▲] buttons [FUNCTION] button [REVERB] / [EFFECT] buttons You can change the song tempo (speed) and select useful functions using this buttons (pages 32–43). Add reverb (reverberation) and effects to the sound (pages 20, 21). [METRONOME] buttons [TOUCH] button Control the metronome functions (page 25). [SONG] buttons Demonstration playback is available for each voice (page 14). MIN MASTER VOLUME MELLOW BRILLIANCE Fine-tune the touch response (page 22). This section enables you to listen to these songs, practice using a convenient practice function, and record and play back your performance (pages 15–18, 26–31). [DEMO] button MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION – / NO METRONOME + / YES PRESET START/ STOP TRACK REC SONG TEMPO/ OTHER VALUE [TRANSPOSE] button You can shift the pitch of the entire keyboard up or down so that the pitch will match that of another instrument or singer, while you play the same, unshifted keys (page 22). ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS TRANSPOSE VOICE VARIATION SPLIT ELECTRONIC PIANO [BRILLIANCE] control [SPLIT] button Adjust the brightness of the tone using this slider (page 20). You can play different voices on the left- and right-hand sections of the keyboard (page 24). [MASTER VOLUME] control MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT Adjust the volume level using this slider (page 11). Connect the included pedal to this jack. While this pedal is pressed, notes you play will be sustained even if you take your finger off the key. DEMO START/ STOP TEMPO/ FUNCTION# METRONOME FUNCTION – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK START/ STOP REC SONG Connect a MIDI device here to use various MIDI functions (pages 40–42). (About MIDI ➝ page 44) SUSTAIN IN MIDI OUT HOST SELECT MIDI PC-2 DC IN 12V STANDBY / ON TO HOST R CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE P-90 Features VARIATION SPLIT ELECTRONIC PIANO This jack and selector switch allow direct connection to a personal computer for sequencing and other music applications (pages 45–48). Mac PC-1 OUTPUT L ROOM HALL 1 HALL 2 STAGE REVERB L /L+R PHONES R A set of standard stereo headphones can be plugged in here for private practice (page 10). These jacks output the sound of the P-90 to your keyboard amp, stereo, mixing console, or tape recorder. 8 Select voices from 24 internal sounds including variation (page 19). You can also combine two voices at the same time (page 23). Before using the P-90 Music Rest ENGLISH Attach the music rest to the instrument by inserting it into the slot at the rear of the control panal. Connecting the AC Power Adaptor and external equipment SUSTAIN IN MIDI OUT HOST SELECT MIDI PC-2 5 DC IN 12V 6 STANDBY / TO HOST Mac PC-1 7 ON OUTPUT PHONES 1 2 L R 3 L /L+R R 4 DC IN 12V 1 [DC IN 12 V] connector Connect the included PA-3C AC Power Adaptor here. 1. Make sure that the [STANDBY/ON] switch is off (in the “STANDBY” position). DC IN 12V AC outlet PA-3C 2. Insert the plug of the PA-3C cable into the [DC IN 12V] connector. 3. Plug the PA-3C into an AC outlet of the correct voltage. When disconnecting the PA-3C, you must reverse this procedure. WARNING Use ONLY a Yamaha PA-3C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-90. WARNING Unplug the AC Power Adaptor when not using the P-90, or during electrical storms. P-90 Before using the P-90 9 1-4.fm Page 10 Tuesday, December 21, 2004 9:17 AM 2 [STANDBY/ON] switch OUTPUT This is the power switch. Refer to “Turning the power on” (page 11). L R L /L+R R 3 OUTPUT [L][R] jacks (RCA phono jacks), [L/L+R] [R] jacks (phone jacks) You can use audio cables to connect an external audio device to these jacks. The audio output of the P-90 is sent from the OUTPUT jacks, allowing you to play it from an external audio device. For monaural output, use [L/L+R] (phone jack). Stereo System OUTPUT ENGLISH CAUTION Before connecting the P-90 to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all-volume levels to minimum. L R L /L+R R CAUTION When turning the power on, first turn the P-90’s power on and then turn the power on of the external amplifier/speaker system. When turning the power off, simply reverse the order. Since the P-90 does not contain speakers, you will need to connect external audio equipment or use headphones in order to hear its sounds. Instrument amplifier 4 [PHONES] jacks (1/4-inch stereo phone jacks) You can connect headphones to these jacks. Since there are two [PHONES] jacks, you can connect two pairs of headphones so that two people can listen. (If connecting only one pair of headphones, you may use either jack.) PHONES CAUTION Do not use the P-90 at a high volume level for a long period of time, or your hearing may be damaged. 5 [SUSTAIN] jack SUSTAIN You can connect the included pedal to this jack. While this pedal is pressed, notes you play will be sustained even if you take your finger off the key. Since half-pedaling is supported, pressing the pedal more deeply will produce longer sustain. On the [GRAND PIANO 1] voices (including its variation), pressing this pedal will also add sympathetic resonances of the sound board and strings (sustain sampling). Turn off the power before connecting or disconnecting the pedal. If the foot pedal seems to produce effects opposite to your intensions, make sure that the foot pedal plug is properly connected to the [SUSTAIN] jack before turning on the power to the P-90. Do not press the pedal while turning on the power to the P-90. You can adjust the depth of the sound board and string resonance effect (page 39). 10 P-90 Before using the P-90 When you press the pedal here, the notes you play before you release the pedal have a longer sustain. 6 MIDI [IN] [OUT] connectors You can use MIDI cables to connect external MIDI devices. If using these MIDI connectors, set the [HOST SELECT] switch to “MIDI.” Refer to page 44 “About MIDI.” You can connect your personal computer to the [TO HOST] connector. If you are using the MIDI connectors, set the [HOST SELECT] switch to “MIDI.” If you have connected your personal computer to the [TO HOST] connector, set this switch to the setting (other than “MIDI”) appropriate for your model of computer. For details on connecting a personal computer, refer to page 45 “Connecting a Personal Computer.” STANDBY / Turning the power on ON ENGLISH 7 [TO HOST] connector and [HOST SELECT] switch For details on connecting the AC power adaptor and external equipment, refer to page 9–11. CAUTION You must turn the volume of connected devices to the minimum setting (zero) before turning the power on or off. When turning the power on, first turn on the P-90 and then any external audio devices. When turning the power off, first turn off any external audio devices and then the P-90. Failing to observe the correct order may cause malfunctions or electrical shock. Make sure that the AC Power adaptor is connected correctly, and press the [STANDBY/ON] switch located on the left side panel. • The display will become active. To turn off the power, press the [STANDBY/ON] switch again. CAUTION Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. CAUTION When you are not using the P-90 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Adjusting the volume MIN MASTER VOLUME MAX If an external audio device is connected, use the P-90’s [MASTER VOLUME] control and the volume control of your external audio device to adjust the volume while you play the keyboard to produce sound. If you are using headphones, gradually raise the P-90’s [MASTER VOLUME] control while playing the keyboard. If the sound is distorted at high volume, lower the [MASTER VOLUME] control and/ or external audio device volume control until the sound is no longer distorted. P-90 Before using the P-90 11 ENGLISH Control Panel 1 MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# 9 FUNCTION METRONOME 2 3 4 5 – / NO + / YES TEMPO/ OTHER VALUE 6 PRESET TRACK START/ STOP SONG 8 MIN MASTER VOLUME MELLOW BRILLIANCE ROOM HALL 1 HALL 2 STAGE REC REVERB 0 CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSP A B C D MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRES TEMPO/ OTHER VALUE A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 1 [MASTER VOLUME] Control The [MASTER VOLUME] control adjusts the P-90’s output volume (level). The [MASTER VOLUME] control also adjusts headphone volume when a pair of headphones is plugged into the [PHONES] jack (page 10). 2 [BRILLIANCE] Control The [BRILLIANCE] Control adjusts the tonality or “timbre” of the output sound from a mellow tone to a bright tone. 3 [DEMO] Button Activates the demo playback mode in which you can select playback of different demonstration sequences for each of the P-90’s voices. See page 14 for details. 4 METRONOME [START/STOP] Button Turns the metronome sound on and off. The [TEMPO/FUNCTION#▲,▼]buttons, are used to set the tempo of the metronome sound. The [–/ NO▼] and [+/YES▲] buttons are used to change the time signature (beat) of the metronome, if used while the METRONOME [START/STOP] button is held — page 25. 12 P-90 Control Panel 5 [TEMPO/FUNCTION#▲,▼] Buttons These buttons adjust the tempo of the metronome function as well as the playback tempo of the songfunction. The tempo range is from 32 to 280 beats per minute — page 25. These same buttons are also used to select functions — page 33. 6 [FUNCTION] Button This button accesses a range of utility functions— including the MIDI functions — that significantly enhance versatility and playability. See page 33 fordetails. 7 [–/NO▼], [+/YES▲] Buttons These buttons select a preset song number for playback, and are also used to adjust a range of other parameters (i.e. their “–/NO” and “+/YES” functions). 8 SONG [PRESET] Button This button enters the preset song mode. While in this mode you can use the [–/NO▼], [+/YES▲] buttons to select from 50 songs. Tempo (Normal indication) A song number of “50 Greats for the Piano” Function number Parameter value ENGLISH Display • Check the operation on the display in the center of the top panel as you proceed. • The display indicates different values, as shown below, depending on the operation. E HARD MEDIUM SOFT TOUCH ON GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS TRANSPOSE E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS F VARIATION VOICE SPLIT ELECTRONIC PIANO C D – / NO ER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 9 TRACK [1] and [2] Buttons The P-90 has a 2-track recorder, and these but-tons are used to select the track(s) to be recorded or played back. See page 27 for details. 0 SONG [START/STOP] and [REC] Buttons These buttons control the P-90’s user song recorder, letting you record and play back just about anything you play on the keyboard. A [REVERB] Button The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. See page 20 for details. B [EFFECT] Button This button selects a number of effects which can give your sound greater depth and animation. C [TOUCH] Button The [TOUCH] button makes it easy to adjust the touch response of the P-90 to match your playingstyle. See page 21 for details. D [TRANSPOSE] Button The [TRANSPOSE] button allows access to the P90’s TRANSPOSE function (to shift the pitch of the entire keyboard up or down in semitone intervals). E VOICE Buttons & [VARIATION] Button Simply press any of the voice selectors to select the corresponding voice. The voice selector LED will light to indicate which voice is currently selected. Press the [VARIATION] button so that its indicator lights to select a variation of the currently selected voice. There is also a dual mode in which two voices can be played simultaneously across the full range of the keyboard (see page 23 for details), and a split mode which allows different voices to be played by the left and right hands (see page 24 for details). F [SPLIT] Button Engages the split mode, in which different voices can be played on the left- and right-hand sections of the keyboard. See page 24 for details. P-90 Control Panel 13 Listening to the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the P-90’s voices. 2 5 MIN MELLOW MASTER VOLUME BRILLIANCE 4 3 MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO ENGLISH Procedure 1. Turn the power on. (In case the power is not turned ON) Press the [STANDBY/ON] switch. When the power is turned ON, one of the voice button LEDs will light. Initially set the [MASTER VOLUME] control about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level. 2. Engage Demo mode. Press the [DEMO] button to engage Demo mode. The voice button indicators will flash in sequence. 3. Play a Voice demo. Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune — featuring the voice normally selected by that voice button. (If you press the SONG [START/STOP] button instead of a voice button, the [GRAND PIANO 1] demo tune will begin playback.) MIDI reception is not possible in Demo Song mode. Demo song data is not transmitted via the MIDI connectors. Demo mode cannot be engaged while a user song recorder (page 26) or user song playback (page 30) is in use. Mode: A mode is a status under which you can execute a certain function. In Demo mode, you can play back demonstration tunes. Adjust the volume/brilliance Use the [MASTER VOLUME] control to adjust the volume and the [BRILLIANCE] control to adjust the brilliance (page 20). 4. Stop the Voice demo. Press the SONG [START/STOP] button or the voice button of the currentlyplaying demo to stop playback. 5. Exit from Demo mode. Press the [DEMO] button to exit from Demo mode and return to normal play mode. The voice button indicators will stop flashing in sequence. 14 P-90 Listening to the Demonstration Tunes You cannot adjust the tempo of demo songs. You cannot use the part cancel function (page 39) or the song A–B repeat function (page 18) in Demo mode. You can demo the piano voices with various effects by pressing the [VARIATION] button, then pressing the desired voice button. Refer to the “Piano Voice Demo Description” on page 52 for the complete list of demo sounds for the piano voices with various effects. Listening to 50 Piano Preset Songs The P-90 provides performance data of 50 piano songs. You can simply listen to these songs (page 15) or use them for practice (page 16). Voice demo songs consist entirely of Yamaha original songs (© 2001-2002 Yamaha Corporation). See page 52 for a complete listing of the preset songs. 2 -1 MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME FUNCTION – / NO + / YES PRESET TRACK START/ STOP REC SONG TEMPO/ OTHER VALUE CHORUS PHASER TREMOLO DELAY ROOM HALL 1 HALL 2 STAGE REVERB EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO ENGLISH MIN 2 -2 3 1 4 Procedure 1. Engage Preset Song mode. Preset Song mode cannot be engaged while the unit is in Demo Song mode (page 14), while a song is playing back (page 30), or when the user song recorder (page 26) is in use. Press the [PRESET] button to engage Preset Song mode. The [PRESET], [TRACK1] and [TRACK2] indicators will light. 2. Play any of the 50 preset songs. 2-1 2-2 Press the [–/NO], [+/YES] buttons to select the number of the tune you want to play (the number will appear on the LED display). 1 – 50: Select a preset song number and play only the song. ALL: Play all preset songs in sequence. rnd: Play all preset songs continuously in random order. song number Press the SONG [START/STOP] button to start playback. Song: On the P-90, performance data is called a “Song.” This includes demonstration tunes and piano preset tunes. You can play the keyboard along with the preset song. You can change the voice playing on the keyboard. Adjust the Volume Use the [MASTER VOLUME] control to adjust the volume. Adjust the tempo You can use the [TEMPO/FUNCTION# ▼ ▲] buttons to adjust the playback tempo as required. The default tempo can be recalled by simultaneously pressing the [▼] and [▲] buttons. 3. Stop playback. This produces a relative tempo variation, with a range from “–50” through “---” to “50” at maximum; the range will differ depending on the selected song. Playback will stop automatically when the selected preset song has finished. To stop the song during playback (or continuous playback), press the SONG [START/STOP] button. • To play back another song continuously, see procedure 2 above. You can adjust the Brilliance control (page 20) and Reverb type (page 20) that is applied to the voice you play on the keyboard and for the preset song playback. You can change the Effect type (page 20) and Touch sensitivity (page 21) for the keyboard voice. The default tempo “---” is automatically selected whenever a new preset song is selected, or when playback of a new preset song begins during “ALL” or “rnd” playback. When you select a different song (or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly. P-90 Listening to 50 Piano Preset Songs 15 4. Exit from Preset Song mode. Press the [PRESET] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode. MIDI reception is not possible in Piano Song mode. Piano song data is not transmitted via the MIDI connectors. ENGLISH How to use the practice functions You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (part cancel function) and continuously repeat a specified phrase within a song (song A-B repeat function). For more information, see pages 16–18. Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand part is played by [TRACK2]. 1 2 3 MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME FUNCTION – / NO + / YES TEMPO/ OTHER VALUE PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure 1. Turn off the playback part you wish to practice. After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part. When you first select a song, both [TRACK1] and [TRACK2] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the corresponding part playback is muted. • Pressing the buttons repeatedly toggles playback between on and off. 2. Start playback and playing. Press the SONG [START/STOP] button to start playback. Play the part you just turned off. 16 P-90 Listening to 50 Piano Preset Songs The Preset Song Part Cancel function cannot be used during “ALL” or “rnd” (page 15) playback. The parts can be turned on or off even during playback. The “Preset Song Part Cancel Volume” function described on page 39 can be used to set the canceled part so that it plays at a volume from “0” (no sound) to “20”. The normal setting is “5”. Starting playback automatically as you start playing the keyboard (Synchro Start) If you hold a track button that is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the unit will engage Synchro Start mode. 3. Stop playback. When playback is complete, it automatically stops and the P-90 locates the top of the song. If you wish to stop playback in the middle of a song, press the SONG[START/STOP] button. Both parts are automatically turned ON whenever a new song is selected. P-90 Listening to 50 Piano Preset Songs ENGLISH When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the song number SONG [START/STOP] button while holding the synchro start mark part button for the ON part. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard. 17 A-B Repeat for 50 Preset Songs The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases. 1 MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME ENGLISH 2 FUNCTION – / NO + / YES PRESET TRACK TEMPO/ OTHER VALUE SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure 1. Specify the beginning (A) and the end (B) of the phrase, and start practicing. Select and play a preset song, then press the [FUNCTION] button at the beginning of the phrase you want to repeat. This sets the “A” point ( play). will appear on the dis- To specify the end (B) of the phrase, press the [FUNCTION] button a second time at the end of the phrase. This sets the “B” point ( will appear on the display). At this point, repeat playback will begin between the specified A and B points. 2. Stop playback. Press the SONG [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if you press the SONG [START/STOP] button again. The A-B Repeat function cannot be used during “ALL” or “rnd” (page 15) playback. • To set the “A” point at the very beginning of the song, press the [FUNCTION] button before starting playback. • To set the B point at the song’s end, press the [FUNCTION] button after song playback is complete and before disappears from the display. An automatic lead-in (to help guide you into the phrase) starts at the A point of the song. However, when the A point is set at the beginning of the song, the automatic lead-in is not played. To cancel the A and B points, press the [FUNCTION] button once. The A and B points are automatically canceled when a new song is selected. 18 P-90 Listening to 50 Piano Preset Songs Selecting & Playing Voices Selecting Voices [VOICE] MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRESET TRACK START/ STOP REC SONG TEMPO/ OTHER VALUE CHORUS PHASER TREMOLO DELAY ROOM HALL 1 HALL 2 STAGE REVERB EFFECT HARD MEDIUM SOFT TOUCH ON GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN TRANSPOSE E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VARIATION VOICE SPLIT ELECTRONIC PIANO Procedure Select the desired voice by pressing one of the [VOICE] buttons. To learn characteristics of the voices, listen to demo songs for each voice (page 14). Refer to “Preset Voice List” on page 50 for more information on the characteristics of each preset voice. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level. ENGLISH MIN Voice: On the P-90, a voice means a “tone” or “tonal color.” You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments. Refer to “Preset Voice List” on page 50. Adding Variations to the Sound – [VARIATION]/ [BRILLIANCE]/[REVERB]/[EFFECT] [–/NO] [+/YES] [BRILLIANCE] MIN MELLOW MASTER VOLUME BRILLIANCE [REVERB] MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME FUNCTION – / NO TEMPO/OTHER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT [EFFECT] HARD MEDIUM SOFT ON TOUCH TRANSPOSE [VARIATION] GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VARIATION VOICE SPLIT ELECTRONIC PIANO [VARIATION] Lets you alter another aspect of the effect, depending on the selected type. Refer to “Preset Voice List” on page 50 for more information on the characteristics of each variation. Normal setting = OFF Procedure Pressing the [VARIATION] or selected voice button toggles the variation on and off. The indicator lights (ON) each time the [VARIATION] button is pressed. Normal setting: The “Normal setting” refers to the default setting (factory setting) obtained when you first turn on the power to the P-90. P-90 Selecting & Playing Voices 19 [BRILLIANCE] This control can be used to change the tonality or “timbre” of the sound output. The control range is from MELLOW to BRIGHT. [REVERB] ENGLISH This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience. OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. STAGE: Simulates the reverb of a stage environment. When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level. The default reverb type (including OFF) and depth settings are different for each voice. Procedure Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off. Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when the [GRAND PIANO 1] voices are selected. Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the [–/NO] [+/YES] buttons while holding the [REVERB] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [REVERB] button is held. [EFFECT] The [EFFECT] button allows you to select an effect to give your sound greater depth and animation. OFF: CHORUS: PHASER: TREMOLO: DELAY: 20 When no effect is selected, no EFFECT indicator is lit. A shimmering, broadening effect Adds a sweeping effect to the sound. Tremolo effect Echo effect P-90 Selecting & Playing Voices Releasing the [REVERB] button changes the reverb type. If you are changing the reverb depth by holding the [REVERB] button, pressing the [REVERB] button will not change the reverb type. depth 0: no effect depth 20: maximum reverb depth depth Default depth settings are different for each voice. The default effect type (including OFF) and depth settings are different for each voice. Procedure To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [EFFECT] button is held. Releasing the [EFFECT] button changes the effect type. If you are changing the depth settings by holding the [EFFECT] button, pressing the [EFFECT] button will not change the effect type. depth 0: no effect depth 20: maximum effect depth Default depth settings are different for each voice. ENGLISH depth Touch Sensitivity – [TOUCH] You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences. HARD: MEDIUM: SOFT: FIXED: Requires that the keys be played quite hard to produce maximum loudness. Produces a fairly “standard” keyboard response. Allows maximum loudness to be produced with relatively light key pressure. All notes are produced at the same volume no matter how hard the keyboard is played. You can adjust the volume. This setting does not change the weight of the keyboard. Normal setting = MEDIUM The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the “Preset Voice List” on page 50.) [–/NO] [+/YES] MIN MELLOW MASTER VOLUME BRILLIANCE [TOUCH] MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME FUNCTION – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected. P-90 Selecting & Playing Voices 21 Changing the volume when FIXED is selected When you select FIXED, you can set the volume for notes played in FIXED mode by using the [–/NO] and [+/YES] buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume range is from 1 through 127. The default setting is 64. 1: minimum volume 127: maximum volume volume range The touch volume set in FIXED mode will become the common setting for all voices. ENGLISH Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, pressing the [TOUCH] button will not change the touch sensitivity type. (FIXED mode will remain selected.) Transposition – [TRANSPOSE] The P-90’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-90 will transpose it to the key of F. [–/NO] [+/YES] MIN MELLOW MASTER VOLUME BRILLIANCE [TRANSPOSE] MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure Use the [–/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is “0”. transposition The [TRANSPOSE] button indicator remains lit when a transpose setting other than “0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF. Transpose: Changing the key signature of a song. On the P-90, transposing shifts the pitch of the entire keyboard. The transposition range: –12: –12 semitones (down one octave) 0: normal pitch 12: 12 semitones (up one octave) Notes below and above the A-1 …. C7 range of the P-90 sound one octave higher and lower, respectively. 22 P-90 Selecting & Playing Voices Combining Two Voices (Dual mode) You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound. MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRESET START/ STOP TRACK REC SONG TEMPO/ OTHER VALUE CHORUS PHASER TREMOLO DELAY ROOM HALL 1 HALL 2 STAGE REVERB EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN 2 E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure 1. Engage Dual mode. Press two voice buttons at the same time (or press one voice button while holding another). The voice indicators of both selected voices will light when Dual mode is active. • According to the voice numbering priority shown in the diagram on the right, the lower value voice number will be designated as Voice 1 (the other voice will be designated as Voice 2). Voice numbering priority 1 2 3 4 5 6 GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS 11 12 VOICE 7 8 9 10 The P-90 Function mode provides access to a number of other Dual mode functions, such as volume balance setting or octave setting (page 37). (If you do not set Dual mode functions, the appropriate setting will be set in each voice by default.) 2. Exit Dual mode and return to normal play mode. To return to the normal single-voice play mode, press any single voice button. Dual and Split (page 24) modes cannot be engaged at the same time. ENGLISH 1 [VARIATION] in Dual Mode The [VARIATION] button’s indicator will light if the variation is engaged for either or both of the Dual mode voices. While Dual mode is engaged, the [VARIATION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button for the other voice and press the button of the voice for which you want to change the variation. [REVERB] in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting via the panel controls (i.e., pressing the [–/NO] or [+/YES] buttons while holding the [REVERB] button — see page 20) will be applied only to Voice 1. [EFFECT] in Dual Mode Depending on the conditions, one effect type may take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F3 (page 37) you can adjust the depth value for each voice to your liking. Effect depth setting via the panel controls (i.e., pressing the [–/ NO] or [+/YES] buttons while holding the [EFFECT] button — see page 20) will be applied only to Voice 1. P-90 Selecting & Playing Voices 23 Splitting the Keyboard Range and Playing Two Different Voices (Split mode) Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand. [VOICE] MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION ENGLISH METRONOME – / NO + / YES PRESET TRACK START/ STOP REC SONG TEMPO/ OTHER VALUE ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS [SPLIT] E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure 1. Engage Split mode. Press the [SPLIT] button so that its indicator lights. The default setting (WOOD BASE) will be selected for the left-hand voice at first. The Function mode provides access to a number of other Split mode functions (page 38). (If you make no settings for Split mode functions, the appropriate setting will be set in each voice by default.) Dual (page 23) and Split (page 23) modes cannot be engaged simultaneously. 2. Specify the split point (the border between the right-and left-hand range). You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held). An example of split-point key display (F 2) (G2) followed by a high bar if sharp (A 2) followed by a low bar if flat The split point is initially set at the F 2 key by default. If you do not need to change the split point, skip this procedure. 3. Select a voice for the right hand. Press a voice button. 4. Select a voice for the left hand. Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button. 24 P-90 Selecting & Playing Voices A specified “split point” key is included in the left-hand range. The split point can also be set via Function 4 (page 38). [VARIATION] in Split Mode You can turn the variation on or off for Split mode voices. Normally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indicator of the left voice lights. In this state the [VARIATION] button turns the variation for the left voice on or off. [REVERB] in Split Mode The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voice’s reverb type will be in effect.) Reverb depth setting via the panel controls (i.e. pressing the [–/NO] or [+/ YES] buttons while holding the [REVERB] button — see page 20) will be applied to the right voice only. 5. Exit Split mode and return to normal play mode. [EFFECT] in Split Mode Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the depth default value of the voice combination. However, using function F4 (page 38) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [–/NO] or [+/YES] buttons while holding the [EFFECT] button — see page 20) will be applied to the right voice only. Using the Metronome ENGLISH Press the [SPLIT] button again so that its indicator goes out. The P-90 features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing. 1 2 MIN MELLOW MASTER VOLUME BRILLIANCE [TEMPO/FUNCTION# ▲▼] [–/NO] [+/YES] MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRESET TRACK TEMPO/ OTHER VALUE SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure 1. Start the metronome. The metronome sound is turned on by pressing the METRONOME [START/STOP] button. The beat indicator flashes at the current tempo. Adjusting the tempo The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO/FUNCTION# ▼, ▲] buttons (when the [FUNCTION] button indicator is dark). If the [FUNCTION] button indicator is lit, press the [FUNCTION] button to dark it. Adjusting the time signature The time signature (beat) of the metronome can be set by using the [–/NO] and [+/YES] buttons while holding the METRONOME [START/STOP] button. You can set the beat to 0, 2, 3, 4, 5 or 6. The current setting appears on the LED display while you are holding the METRONOME [START/STOP] button. beat The volume of the metronome can be adjusted via the Metronome Volume function in Function mode (page 39). 2. Stop the metronome. Turn off the metronome by pressing the METRONOME [START/STOP] button. P-90 Selecting & Playing Voices 25 Recording Your Performance The ability to record and play back what you’ve played on the P-90 keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right-hand parts separately, or record both parts of a duet and hear how they sound when played back. The P-90’s two-track Song Recorder allows the recording of one User Song. You can record your performance (audio data) to a cassette tape recorder or other recording device via the OUTPUT connector (page 10). ENGLISH Recording vs. Saving: The format of performance data recorded on a cassette tape differs from that of data recorded on the P-90. A cassette tape records audio signals. The P-90 “saves” information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the P-90 produces sound based on the saved information. Therefore, recording on the P-90 may be more accurately called “saving information.” However, this book often uses the word “recording” because it seems to make more sense. Recording to the First Track 3 4 5 6 MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES TEMPO/ OTHER VALUE PRESET TRACK SONG START/ STOP REC 1 2 ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Procedure CAUTION Notes on recording All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods of time, turn the power on for a few minutes at least once a week. It is also possible to store the data to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 42. 1. Make all the initial settings. Before you begin to record, select the voice you want to record (or voices if you will be using Dual or Split mode). Make any other desired settings (tempo, reverb, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using [MASTER VOLUME]. 26 P-90 Recording Your Performance When the unit is in Demo Song or Preset Song mode, Record mode cannot be engaged. To avoid erasing data from the track: Press the [TRACK1/2] button. If the indicator lights up green, the track already contains data. Note that the existing data will be erased if you record new data on the track. 2. Engage Record Ready mode. The amount of memory available for recording: This value in kilobytes (a unit used of measurement for data) indicates how much space remains available for recording on the P-90. You can record up to a maximum of about 9,400 notes on the P-90 depending on pedal usage and other factors. flash Record Ready mode can be disengaged before recording by pressing the [REC] button a second time. 3. Select the record track. When Record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator — i.e. the [TRACK1] or [TRACK2] button indicator — will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red. 4. Start recording. Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording. If the metronome was on when you started recording, you’ll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. ENGLISH Press the [REC] button to engage Record Ready mode. Recording does not actually start yet. The [TRACK1] or the [TRACK2] indicator flashes in red. The amount of memory available for recording will be shown on the LED display in approximate kilobytes, and the right-most dot on the LED display will flash at the current METRONOME tempo setting. For more recording information, see page 28. The record track indicator will begin to flash when the recorder memory is almost full. If the memory becomes full during recording, “FUL” will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.) 5. Stop recording. Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now contains data. (Record mode is disengaged automatically.) Pressing the SONG [START/ STOP] button to start recording, then pressing it again to stop recording will erase all previously-recorded data on the selected track. 6. Play back the recorded performance. Press the SONG[START/STOP] button to play back the recorded performance. To stop playback in the middle of a song, press the SONG[START/STOP] button. Re-recording to the First Track This section explains how to record again in case your performance was not satisfactory. 1. Select a voice or voices (and other settings) for recording, if necessary. Repeat Step 1 on page 26 if you wish to change the previous settings. 2. Re-engage Record Ready mode. Press the [REC] button, again. The selected track’s indicator flashes in red. If you want to change the tempo, time signature, reverb type, or effect type when rerecording a track or when recording to another track, do so after you engage Record Ready mode (step 2). Follow the procedure from Step 4 above to re-record. You cannot re-record in the middle of a song. P-90 Recording Your Performance 27 Recording to the Second Track This section explains how to record another part on the second track. 1. Select a voice or voices (and other settings) for the recording. Select a voice (or voices) for recording. Select other settings, if necessary. ENGLISH 2. Re-engage Record Ready mode. Press the [REC] button again. The selected track’s indicator flashes in red. 3. Select a recording track. Select a track that you have not already used for recording. The selected track’s indicator lights up red. (The indicator of a track that contains previously-recorded data will glow green.) You can record new sounds and notes on each pass while listening to the recorded track. Follow the procedure from Step 5 on page 27 to record. The user song recorder records the following data: Data in addition to the notes and voices you play is recorded. This data includes “Individual Tracks” and “Entire Song.” See below. Individual Tracks • Notes played • Voice selection • [VARIATION] ON/OFF • Pedal (Sustain) • [REVERB] depth • [EFFECT] depth • Dual mode voices Entire Song • Tempo • Time signature (beat) 28 P-90 Recording Your Performance • • • • • • Dual balance (F3) Dual detune (F3) Dual octave shift (F3) Split mode voices Split balance (F4) Split octave shift (F4) • [REVERB] type (including OFF) • [EFFECT] type (including OFF) If you want to change the tempo, time signature, reverb type, or effect type when rerecording a track or when recording to another track, do so after entering Record Ready mode (step 2). If you don’t want to hear the previously-recorded track while you record (for example, when you want to record a song different from what you recorded on the previous track), press the playback track button before pressing the [REC] button (step 2, on page 27, 28) so that its indicator is turned off. Changing the Initial Settings (Data recorded at the beginning of a song) The initial settings (data recorded at the beginning of a song) can be changed after the recording. For example, after recording, you can change the voice to create a different ambience or adjust the song tempo to your taste. You can change the following initial settings. ENGLISH Individual Tracks • Voice selection • [VARIATION] ON/OFF • [REVERB] depth • [EFFECT] depth • Dual mode voices • Split mode voices Entire Song • Tempo • Time signature (beat) • [REVERB] type (including OFF) • [EFFECT] type (including OFF) 1. Engage Record mode and select a track to change the initial settings. The indicator glows red. (Data shared by two tracks can be changed via either track.) 2. Change the settings via the panel controls. For example, if you wish to change the recorded voice from [E. PIANO 1] to [E. PIANO 2], press the [E. PIANO 2] button. Be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previously-recorded data on the selected track. You can cancel changes made to the initial settings by selecting a different track after Step 2, then exiting Record mode during Step 3 without pressing the [REC] button. (Changes made to the data shared by two tracks are also canceled.) 3. Press the [REC] button to exit Record mode. Be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previously-recorded data on the selected track. P-90 Recording Your Performance 29 Playing Back Recorded Songs You can play back songs recorded using the Record function (pages 26–29). You can also play the keyboard along with the playback. Song data is not transmitted via the MIDI connectors. Playing Back a Song ENGLISH 1 2 MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK START/ STOP SONG REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE Procedure 1. Start playback. Press the SONG [START/STOP] button. The current measure number appears on the display during playback. • You can play the keyboard while the P-90 is playing back a song. You can also play the notes in a voice different from the playback voice by selecting a voice from the panel. Adjust the volume Use the [MASTER VOLUME] control to adjust the volume. GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E. PIANO 1 STRINGS E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO When the unit is in Demo Song or Preset Song mode, you cannot play back recorded songs. The track indicators will not light up green automatically when the power is turned on to the P90, even if the user song recorder contains data. Make sure that you press the track buttons before you start playback. Playback cannot be started when the recorder contains no data. Adjust the tempo You can use the [TEMPO/FUNCTION# ▼, ▲] buttons to adjust the playback tempo as required before or during playback. The default tempo (the song’s original tempo) is set when you press the [▼] and [▲] buttons simultaneously. 2. Stop playback. When playback is complete, the P-90 automatically stops and locates the top of the song. To stop playback in the middle of a song, press the SONG [START/ STOP] button. You can also enjoy playing duets with yourself by recording one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back. If the metronome is being used during playback, the metronome will automatically stop when playback is stopped. If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed. If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases. 30 P-90 Playing Back Recorded Songs Useful Playback Functions Starting playback automatically when you start playing the keyboard (Synchro Start) You can start playback as soon as you start playing the keyboard. This is called the “Synchro Start” function. To engage the Synchro Start function, press the SONG [START/STOP] button while holding a track button that is ON. The right-most dot on the display will flash at the current tempo. (Repeat the previous operation to disengage the Synchro Start function.) Tracks can be turned on or off before or during playback. If both tracks are turned off on the P-90, playback will not start (or the playback will stop). You can adjust the volume of a part of a song from “50 Greats for the Piano” for which playback is turned off (pages 16, 39). During recorder playback, the volume of a track that is turned off will always be “0.” Flash Playback will then start as soon as you begin playing on the keyboard. ENGLISH Turning track playback on and off When you select a song on the P-90, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the P-90 is playing or stopped, pressing these track buttons turns off the indicators, and the data on those tracks is not played. Pressing the track buttons toggles track playback on and off. If you press the SONG [START/ STOP] button while holding down a track button that is OFF, track playback is turned on and the Synchro Start function is placed on stand-by. This function is useful when you wish to match the timing of the beginning of the playback sound and the start of your own performance. Synchro: Synchronous; occurring at the same time P-90 Playing Back Recorded Songs 31 Detailed Settings – [FUNCTION] You can set various parameters to make the best use of P-90 functions, such as fine tuning the pitch, selecting a voice for the metronome, repeating playback, etc. The following parameters are available. The P-90 has nine main functions. Some of these main functions consist of a set of sub-modes. Parameter List ENGLISH Function P-90 Reference page Fine Tuning of the Pitch — F1 35 Selecting a Scale Scale F2.1 36 Base Note F2.2 36 Dual Balance F3.1 37 Dual Mode Functions Split Mode Functions Other Functions Dual Detune F3.2 37 Voice 1 Octave Shift F3.3 37 Voice 2 Octave Shift F3.4 37 Voice 1 Effect Depth F3.5 37 Voice 2 Effect Depth F3.6 37 Reset F3.7 37 Split Point F4.1 38 Split Balance F4.2 38 Right Voice Octave Shift F4.3 38 Left Voice Octave Shift F4.4 38 Right Voice Effect Depth F4.5 38 Left Voice Effect Depth F4.6 38 Sustain Pedal Range F4.7 38 Reset F4.8 38 Sustain Sample Depth F5.1 39 Keyoff Sample Volume F5.2 39 F6 39 Metronome Volume — Preset Song Part Cancel Volume — F7 39 MIDI Functions MIDI Transmit Channel Selection F8.1 40 MIDI Receive Channel Selection F8.2 40 Local Control ON/OFF F8.3 40 Program Change ON/OFF F8.4 41 Control Change ON/OFF F8.5 41 MIDI Transmit Transpose F8.6 41 Panel/Status Transmit F8.7 41 Backup Functions 32 Sub-Mode P-90 Detailed Settings – [FUNCTION] Bulk Data Dump F8.8 42 Voice F9.1 42 MIDI F9.2 42 Tuning F9.3 42 Others F9.4 42 Basic Procedure in Function Mode Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure.) 2 4 MIN MELLOW MASTER VOLUME BRILLIANCE 1 5 3 4 MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRESET TEMPO/ OTHER VALUE TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO ENGLISH Procedure 1. Engage Function mode. Press the [FUNCTION] button so that its [FUNCTION] indicator lights. will appear on the display. (The indication of “ the status of the unit and usage.) ” varies depending on Functions cannot be selected during Demo/Preset Song mode or when the user song recorder is in operation. 2. Select a function. Use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired function from F1–F9. START/ STOP TEMPO/ FUNCTION# FUNCTION To cancel the function in Step 2, 3, or 4, press the [TEMPO/ FUNCTION# ▼, ▲] button any time to exit Function mode. 3. Use the [–/NO] [+/YES] buttons. If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode. 4. Operate the desired function using the following After you select the function, the current setting will be displayed when the [–/NO] or [+/YES] button is pressed for the first time. two buttons. 1 [TEMPO/FUNCTION# ▼, ▲] Selects the desired function/sub-mode. 2 [–/NO] or [+/YES] After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Depending on the setting, the default setting (which is used when you first turn on the power to the P-90) is recalled by pressing the [–/NO] and [+/YES] buttons simultaneously. P-90 Detailed Settings – [FUNCTION] 33 Operation Example 1 (F1. Fine tuning of the pitch) START/ STOP TEMPO/ FUNCTION# START/ STOP FUNCTION Engage Function mode. – /NO TEMPO/ FUNCTION# LCD indication FUNCTION Select a desired function. LCD indication +/ YES Change the value. ENGLISH Operation Example 2 (F3.1 “Dual Balance”) START/ STOP TEMPO/ FUNCTION# START/ STOP FUNCTION Engage function mode. Engage the respective sub-mode. LCD indication FUNCTION Select a desired function. START/ STOP + / YES TEMPO/ FUNCTION# TEMPO/ FUNCTION# LCD indication FUNCTION Select a desired sub-mode. LCD indication – / NO + / YES Change the value. 5. Do the following when you finish using the function. Press the [FUNCTION] button to exit function mode. The [FUNCTION] button indicator will go dark. 34 P-90 Detailed Settings – [FUNCTION] About Each Function F1. Fine Tuning of the Pitch 1. Engage Function mode and select . 2. Use the [–/NO] and [+/YES] buttons to lower or raise the pitch of the A3 key in approximately 0.2 Hz increments. ..... ..... Tenths of a hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example: Display You can also tune in about 1Hz steps (in any mode other than Function mode). To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1 and A-1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [–/NO] or [+/YES] button. To restore standard pitch: Hold the A-1 and A-1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [–/ NO] [+/YES] buttons simultaneously. (During the procedure described above, the display indicates a value in Hz < … >. After the procedure, the display returns to the previous indication.) ENGLISH You can fine tune the pitch of the entire instrument. This function is useful when you play the P-90 along with other instruments or CD music. Value 440.0 Setting range: 440.2 427.0–453.0 (Hz) 440.4 Normal setting: 440.6 440.0 (Hz) 440.8 Hz (Hertz): This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. You can also use the keyboard to set the pitch (in any mode other than Function mode). To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys (two white keys at the left end) simultaneously and press any key between C3 and B3. To tune down (in about 0.2Hz steps): Hold the A-1 and A-1 keys (a white and a black key at the left end) simultaneously and press any key between C3 and B3. To restore standard pitch: Hold the A-1, A -1 and B-1 (two white keys and one black key at the left end) simultaneously and press any key between C3 and B3. • Refer to “Part Names” on page 12 for information on the key and key name assignment. (During the procedure described above, the display indicates a value in Hz < … >. After the procedure, the display returns to the previous indication.) P-90 Detailed Settings – [FUNCTION] 35 F2. Selecting a Scale You can select various scales. Equal Temperament is the most common contemporary piano tuning scale. However, history has known numerous other scales, many of which serve as the basis for certain genres of music. ENGLISH 1. Engage Function mode and select . 2. Press the [+/YES] button to engage the scale function’s sub-mode, then use the [TEMPO/ FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] and [+/YES] buttons to select the number of the desired tuning. Sub-mode F2.1: Scale Setting range: 1: Equal Temperament 2: Pure Major 3: Pure Minor 4: Pythagorean 5: Mean Tone 6: Werckmeister 7: Kirnberger Normal setting: 1: Equal Temperament F2.2: Base Note If you select a scale other than Equal Temperament, you need to specify the root. (You can specify the root note with Equal Temperament selected, but it is not effective. The base note setting is effective for tunings other than the Equal Temperament tuning.) Setting range: Normal setting: • Root indication example (F) (G) followed by a high bar if sharp 36 (A ) followed by a low bar if flat P-90 Detailed Settings – [FUNCTION] Equal: One octave is divided into twelve equal intervals. Currently the most popular piano tuning scale. PureMajor/PureMinor: Based on natural overtones, three major chords using these scales produce a beautiful, pure sound. They are sometimes used for chorus parts. Pythagorean: This scale, designed by Pythagoras, a Greek philosopher, is based on the interval of a perfect 5th. The 3rd produces swells, but the 4th and 5th are beautiful and suitable for some leads. MeanTone: This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated. The scale became popular during the late 16th century through the late 18th century, and was used by Handel. WerckMeister/KirnBerger: These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the songs. They were often used in the era of Bach and Beethoven. They are often used today to reproduce the music of that era on harpsichords. You can set various parameters for Dual mode to optimize the settings for the songs you play, such as adjusting the volume balance between two voices. Dual mode function settings are set individually for each voice combination. 1. Select the voices in Dual mode and engage Function mode and select . 2. Press the [+/YES] button to engage the Dual mode function’s sub-mode, then use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] [+/ YES] button to assign values. If Dual mode is not engaged, will appear instead of and you will be unable to select Dual mode functions. You can switch from Function mode to Dual mode. Sub-mode F3.3: Voice 1 Octave Shift F3.4: Voice 2 Octave Shift Setting range: –1, 0, 1 Normal setting: Different for each voice combination. You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave. F3.5: Voice 1 Effect Depth F3.6: Voice 2 Effect Depth Setting range: 0 – 20 Normal setting: Different for each voice combination. These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual mode. (The effect depth settings cannot be changed unless the [EFFECT] is ON. Function mode must be exited before the [EFFECT] can be turned ON.) ENGLISH F3. Dual Mode Functions • “Voice 1” and “Voice 2” are explained on page 23. F3.1: Dual Balance Setting range: 0 – 20 A setting of “10” produces an equal balance between the two Dual mode voices. Settings below “10” increase the volume of Voice 2 in relation to Voice 1, and settings above “10” increase the volume of Voice 1 in relation to Voice 2. Normal setting: Different for each voice combination. You can set one voice as the main voice, and another voice as a softer, mixed voice. F3.2: Dual Detune F3.7: Reset This function resets all Dual mode functions to their default values. Press the [+/YES] button to reset the values. SHORTCUT: You can jump directly to the Dual mode functions by pressing the [FUNCTION] button while holding the two Dual mode voice buttons. Even if you entered a Function mode via a shortcut, you must use the usual method to exit (i.e., press [FUNCTION] button to make the function indicator go dark). Setting range: -10 – 0 – 10 With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With negative values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised. The available setting range is wider in the lower range (± 60 cents for A-1), and narrower in the higher range (± 5 cents for C7). (100 cents equal one semitone.) Normal setting: Different for each voice combination. Detune Voice 1 and Voice 2 for Dual mode to create a thicker sound. P-90 Detailed Settings – [FUNCTION] 37 F4. Split Mode Functions This menu enables you to make various detailed settings for Split mode. By changing the split point or other setting, you can optimize the settings for the songs you play. ENGLISH 1. Select the voices in Split mode and engage Function mode and select . 2. Press the [+/YES] button to engage the Split mode function’s sub-mode, then use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] [+/ YES] button to assign values. F4.3: Right Voice Octave Shift F4.4: Left Voice Octave Shift Setting range: –1, 0, 1 Normal setting: Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently. Make a setting depending on the note range of the songs you play. You can make these settings for each combination of voices individually. F4.5: Right Voice Effect Depth If Split mode is not engaged, will appear instead of and you will be unable to select Split mode functions. Also note that you must exit Function mode before you can engage Split mode. Sub-mode F4.1: Split Point Setting range: The entire keyboard Normal setting: F 2 Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. • Instead of pressing the [–/NO] [+/YES] buttons, you can engage the split point by pressing the appropriate key on the keyboard. • If Function mode is not engaged, you can change the split point to any other key by pressing the key while holding the [SPLIT] button (page 24). • An example of a key name indication for a split point (F2) (G2) followed by a high bar if sharp (A 2) followed by a low bar if flat F4.2: Split Balance Setting range: 0 – 20 A setting of “10” produces an equal balance between the two Split mode voices. Settings below “10” increase the volume of the left voice in relation to the right voice, and settings above “10” increase the volume of the right voice in relation to the left voice. Normal setting: Different for each voice combination. 38 The volume level of the two voices combined in Split mode can be adjusted as required. You can make this setting for each combination of the songs you play. P-90 Detailed Settings – [FUNCTION] F4.6: Left Voice Effect Depth Setting range: 0 – 20 Normal setting: Different for each voice combination These functions make it possible to individually set the depth of the effect for the left and right Split mode voices. You can make these settings for each combination of voices individually. The effect depth settings cannot be changed unless the [EFFECT] is ON. You must exit Function mode before you can turn on an [EFFECT]. F4.7: Sustain Pedal Range Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice) Normal setting: ALL The Sustain Pedal Range function determines whether the sustain pedal affects the right voice, the left voice, or both the left and right voices in Split mode. F4.8: Reset This function resets all Split mode functions to their default values. Press the [+/YES] button to reset the values. SHORTCUT: You can jump directly to Split mode functions by pressing the [FUNCTION] button while holding the [SPLIT] button. Even if you entered a Function mode via a shortcut, you must use the usual method to exit (i.e., press [FUNCTION] button to make the function indicator go dark). F6. Metronome Volume This function conveniently lets you set operation of the sustain pedal to one of the modes listed below. 1. Engage Function mode and select . 2. Press the [+/YES] button to engage the other functions’ sub-mode, then use the [TEMPO/ FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] or [+/YES] button to select the desired pedal function or assign the values. Sub-mode F5.3 Sustain Sample Depth Setting range: 0 – 20 Normal setting: 12 The [GRAND PIANO 1] voices feature special “Sustain Samples” that recreate the unique resonance of an acoustic grand piano’s soundboard and strings when the sustain pedal is pressed. This function lets you adjust the depth of this effect. F5.4 Key-off Sample Volume Setting range: 0 – 20 Normal setting: 10 You can adjust the volume of the keyoff sound (the subtle sound produced when the keys are released) for voices [GRAND PIANO1], [CLAVI./HARPSI.] (including their variations). You can change the volume of the metronome sound. Use this function to adjust the metronome volume. 1. Engage Function mode and select . 2. Use the [–/NO] and [+/YES] buttons to set the metronome volume as required. Setting range: 1 – 20 Normal setting: 10 SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNCTION] button while holding the METRONOME [START/STOP] button. Even if you entered a Function mode via a shortcut, you must use the usual method to exit (i.e., press [FUNCTION] button to make the function indicator go dark). ENGLISH F5. Other Functions F7. Preset Song Part Cancel Volume This function sets the volume at which a “canceled” part is played during preset song playback. Adjust the part volume to a comfortable level and use the “canceled” part as a guide with which to play along. 1. Engage Function mode and select . 2. Use the [–/NO] and [+/YES] buttons to set the volume as required. Setting range: 0 – 20 Normal setting: 5 P-90 Detailed Settings – [FUNCTION] 39 F8.2: MIDI Receive Channel Selection F8. MIDI Functions ENGLISH You can make detailed adjustments to MIDI settings. For more information about MIDI, see the “About MIDI” section (page 44). The [HOST SELECT] switch on the bottom surface must be set to “MIDI” to enable the MIDI connectors. When you use the [TO HOST] connector, set the [HOST SELECT] switch to the appropriate position for the type of computer you are using (pages 44–48). In this situation, all MIDI settings described below will affect the MIDI signal in and out of the [TO HOST] connector. 1. Engage Function mode and select . 2. Press the [+/YES] button to engage the MIDI function’s sub-mode, then use the [TEMPO/ FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] or [+/YES] button to set a selected parameter. Sub-mode In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the P-90 receives MIDI data. Setting range: ALL, 1&2, 1 – 16 Normal setting: ALL ALL: A “Multi-timbre” Receive mode is available. It allows simultaneous reception of different parts on all 16 MIDI channels, enabling the P-90 to play multi-channel song data received from a music computer or sequencer. 1&2: A “1&2” Receive mode is available. It allows simultaneous reception on channels 1 and 2 only, enabling the P-90 to play 1 and 2 channel song data received from a music computer or sequencer. Program change and other like channel messages received will not affect the P-90’s panel settings or the notes you play on the keyboard. No MIDI reception occurs when Demo/Preset Song mode is engaged. F8.1: MIDI Transmit Channel Selection In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the P-90 transmits MIDI data. Setting range: 1 – 16, OFF (not transmitted) Normal setting: 1 In Dual mode, Voice 1 data is transmitted on its specified channel. In Split mode, right voice data is transmitted on its specified channel. In Dual mode, Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In Split mode, left voice data is transmitted on the next greater channel number relative to the specified channel. In either mode, no data is transmitted if the transmit channel is set to “OFF”. Demo/preset song data and recorder playback data are not transmitted via MIDI. 40 P-90 Detailed Settings – [FUNCTION] F8.3: Local Control ON/OFF “Local Control” refers to the fact that, normally, the P-90 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the P90 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. Setting range: ON/OFF Normal setting: ON F8.4: Program Change ON/OFF F8.6: MIDI Transmit Transpose Normally the P-90 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly-numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The P-90 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly-numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the P-90 without affecting the external MIDI device. This function allows the MIDI note data transmitted by the P-90 to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the P-90 itself is not affected. Setting range: -12 – 0 – 12 (in semitones) Normal setting: 0 For information on program change numbers for each of the P-90’s voices, refer to page 56 in the MIDI Data Format section. Setting range: ON/OFF Normal setting: ON F8.5: Control Change ON/OFF Normally the P-90 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The P-90 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the P-90’s pedal and other controls can be operated without affecting an external MIDI device. For information on control changes that can be used with the P-90, refer to the MIDI Data Format on page 56. Setting range: ON/OFF Normal setting: ON This function causes all the current P-90 panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder, such as the Yamaha MIDI Data Filer MDF3, which will be used to control the P-90 on playback. By transmitting the P-90 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the P-90 will be automatically restored to the same settings when the performance is played back. ENGLISH F8.7: Panel/Status Transmit Setup Data: Data that contains a set of panel settings for the P-90. Procedure 1. Set up the panel controls as desired. 2. Connect the P-90 to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Engage Function mode and select . 4. Press the [+/YES] button to transmit the panel/status data. will appear on the LED display when the data has been successfully transmitted. See page 57 for a list of the “Panel Data Contents” transmitted by this function. Receiving the transmitted data: 1. Connect the P-90 via MIDI to the device to which the setup data was transmitted previously. 2. Start sending the setup data from the device. The P-90 automatically receives the setup data, which will be reflected in the panel settings. (For the data to be accepted, the P-90 that receives the setup data should be the same model as the one that transmitted the setup data to the sequencer.) For more information on transmitting and receiving setup data via MIDI, refer to the owner’s manual for the connected MIDI device. P-90 Detailed Settings – [FUNCTION] 41 F8.8: Bulk Data Dump You can save current song data on the P-90 as MIDI bulk data by transferring it to a connected MIDI data filer (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the P-90 and follow the usual playback procedure. Bulk Data: A complete set or extended sequence of data ENGLISH Procedure 1. Record your performance on the P-90. 2. Connect the P-90 to MDF3, a MIDI data filer via MIDI, and set up the MDF3 so it will receive bulk data. 3. Engage Function mode and select . 4. Press the [+/YES] button to begin bulk transmission. will appear on the LED display when the data has been successfully transmitted. No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation. Receiving (returning) the transmitted data: 1. Connect the P-90 via MIDI to the device to which the data was previously transmitted. 2. Start sending the data from the device. The P-90 automatically receives the data from the unit. (At this time, any data previously stored in the P-90 will be erased.) Then, follow the usual playback procedure. (For the data to be accepted, the P-90 that receives the data should be the same model as the one from which the data was once transmitted to the MIDI data filer.) F9. Backup Functions Backup: You can back up some settings, such as voice selection and reverb type, so that they will not be lost when you turn off the power to the P-90. If the backup function is turned on, the settings at power off are effective. If the backup function is turned off, the settings in memory are erased when you turn off the power. In this case, when you turn on the power to the unit, the default settings (the initial settings) will be used. (The factory setting default list is found on page 55.) However, the backup settings themselves, and the contents of the user song recorder memory, are always backed up. CAUTION Even if the backup function is turned on via one of the functions described below, the data will be retained in memory for only about one week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer periods, be sure to turn the power on for a few minutes at least once a week. You can turn the backup function on or off for each function group (each of the following sub-mode functions). 1. Engage Function mode and select 2. Press the [+/YES] button to engage the backup function’s sub-mode, then use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] or [+/YES] button to turn the backup function on or off. Sub-mode The reload operation cannot be executed when Demo/Preset Song mode or the user song recorder is in operation, or when Function mode is engaged. F9.1: Voice F9.2: MIDI For more information on transmitting and receiving bulk data via MIDI, refer to the owner’s manual for the connected MIDI device. F9.3: Tuning F9.4: Others Setting range: ON/OFF Normal setting: OFF (all groups) 42 P-90 Detailed Settings – [FUNCTION] . Description of sub-modes Voice ENGLISH • Voice (Keyboard, Dual, and Split) • Dual (ON/OFF, Voice, and Dual Functions for each voice combination) • Split (ON/OFF, Voice, and Split Functions for each voice combination) • Reverb (ON/OFF, Type, and Depth for each voice) • Effect (ON/OFF, Type, and Depth for each voice) • Touch Sensitivity (including the FIXED volume) • Metronome (Beat, Volume < settings>) • Preset Song Part Cancel Volume ( settings) F9.2: MIDI • The MIDI functions ( settings) (expect for the ) F9.3: Tuning • Transpose • Tuning ( settings) • Scale (including base note) ( settings) F9.4: Others • Other functions ( ) Factory Preset Recall All Dual mode, Split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the Backup Functions can be restored to their original factory preset values by holding the C7 key (right-most key on the keyboard) while turning the [STANDBY/ON] switch ON. This also erases all user song recorder data, and sets all backup on/off settings (F9) to “OFF”. (The factory setting list is found on page 55.) P-90 Detailed Settings – [FUNCTION] 43 About MIDI MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the P-90, or control the P-90 from a connected MIDI device or computer. ENGLISH MIDI connectors IN MIDI OUT HOST SELECT MIDI PC-2 MIDI [IN]: MIDI [OUT]: Mac PC-1 MIDI performance data and commands are transferred in the form of numeric values. Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive. The P-90’s MIDI Implementation Chart appears on page 60. Receives MIDI data. Transmits MIDI data. When you are using the MIDI connectors, set the [HOST SELECT] switch to “MIDI” (page 47). MIDI cables Prepare dedicated MIDI cables. [TO HOST] connector Use this connector to connect the P-90 to a computer. HOST SELECT MIDI PC-2 Mac PC-1 TO HOST When you are using the [TO HOST] connector, set the [HOST SELECT] switch, according to the type of computer you are using (page 47). You can also obtain detailed information about MIDI from various music books and other publications. 44 P-90 About MIDI Connecting a Personal Computer You can enjoy computer music data on the P-90 by connecting a computer to the [TO HOST] (or MIDI) connector. There are three methods by which to connect the P-90 to a personal computer: 1. Connect the serial port on the computer to the P-90’s [TO HOST] connector (page 46). 2. Use a MIDI interface and the P-90’s MIDI connectors (page 47). 3. Use the USB port on the computer and the UX256, UX96, or UX16, a USB interface (page 48). For more information, refer to the specified pages. ENGLISH When the P-90 is used as a tone module, performance data with voices that are not found on the P-90 will not be played correctly. When connecting the P-90 to a personal computer, first turn off the power to both the P-90 and the computer before you connect any cables or set the [HOST SELECT] switch. After making the connections and switch settings, turn on the power to the computer first, then to the P-90. If you do not use the [TO HOST] connector of the P-90, make sure you disconnect the cable from the jack. If the cable is left connected, the P-90 may not function properly. will appear in the display if the host computer is not turned on, the connecting cable is not properly connected, the [HOST SELECT] switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this situation, turn the power off to both the P-90 and the computer, and check the cable connection and the position of the [HOST SELECT] switch. Once the connection and [HOST SELECT] switch position is verified, turn the power of the computer on first, then the P-90, and check whether the MIDI driver and MIDI application function properly. When the [HOST SELECT] switch is set to “PC-1,” PC-2,” or “Mac,” you can use the [TO HOST] connector, but the MIDI connectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the [HOST SELECT] switch is set to “MIDI,” you can use the MIDI connectors, but not the [TO HOST] connector since no data is transferred via the [TO HOST] connector. P-90 Connecting a Personal Computer 45 1. Connecting the serial port on the computer to the P-90’s [TO HOST] connector Connect the computer’s serial port (RS-232C or RS-422) to the P-90’s [TO HOST] connector. With this connection, the P-90 functions as a MIDI interface. Therefore, you do not need a special MIDI interface. Connection Use a special serial cable (page 46) to connect the computer’s serial port (RS-232C or RS-422) to the P-90’s [TO HOST] connector. P-90 HOST SELECT ENGLISH MIDI PC-2 TO HOST Note for Windows users (regarding the MIDI driver) To transfer data via the computer’s serial port and the P-90’s [TO HOST] connector, you need to install a specific MIDI driver (the Yamaha CBX driver for Windows). You can download this driver from the following XG Library on the Yamaha web site: http://www.yamaha-xg.com Mac PC-1 TO HOST RS-232C (D-sub 9-pin) RS-232C (D-sub 25-pin) modem port Windows Windows Macintosh Type of serial cables and connection pin assignments Depending on the type of computer you connect, use one of the following serial cables. Windows (with a serial port of D-sub 9-pin) 8-pin mini DIN plug ➝ D-sub 9-pin plug (Yamaha CCJ-PC2 or equivalent) mini DIN 1 2 8-pin 8 (CTS) 7 (RTS) 2 (RxD) 5 (GND) 3 4 8 5 Macintosh System peripheral plug ➝ 8-pin plug (Yamaha CCJ-MAC or equivalent) D-sub 9-pin mini DIN 1 2 8-pin 3 (TxD) Windows (with a serial port of D-sub 25-pin) 8-pin mini DIN plug ➝ D-sub 25-pin plug (Yamaha CCJ-PC1NF or equivalent) Pin assignment The following diagram shows the pin assignments for each cable. Pin numbers (view from front) mini DIN 8-pin mini DIN 8-pin 46 1 2 3 4 8 5 5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) 2 (TxD) P-90 Connecting a Personal Computer 2 (HSK i) mini DIN 1 (HSK O) 8-pin 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP-) 6 (TxD+) 3 4 5 6 7 8 D-sub 25-pin D-sub 25-pin D-sub 9-pin P-90 [HOST SELECT] switch setting Set the P-90 [HOST SELECT] switch properly according to the type of connected computer. • Macintosh: “Mac” (data transfer rate: 31,250bps, 1MHz clock) • Windows: “PC-2” (data transfer rate: 38,400bps) If your system does not work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and set the [HOST SELECT] switch to the proper data transfer rate. (Data transfer rate of “PC-1” is 31,250bps.) Connection Use a MIDI interface device to connect a computer to the P-90 using special MIDI cables. P-90 IN MIDI OUT HOST SELECT MIDI PC-2 MIDI IN MIDI IN Mac PC-1 MIDI OUT MIDI OUT MIDI OUT ENGLISH 2. Using a MIDI interface and the P-90’s MIDI connectors MIDI IN MIDI interface MIDI interface Windows Macintosh P-90 [HOST SELECT] switch setting Set the P-90 [HOST SELECT] switch to “MIDI.” P-90 Connecting a Personal Computer 47 3. Connecting the computer’s USB port to the P-90 via a USB interface, such as the UX256, UX96, or UX16 Connect the computer’s USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the P-90 using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface. An example of connecting the USB interface to the P-90 using a serial cable TO HOST HOST SELECT ENGLISH or MIDI PC-2 USB cable Mac PC-1 MIDI PC-2 Mac PC-1 Standard Machintosh 8-pin system peripheral cable computer P-90 USB interface MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# FUNCTION METRONOME – / NO + / YES PRESET TRACK START/ STOP REC SONG TEMPO/ OTHER VALUE ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY REVERB EFFECT HARD MEDIUM SOFT TOUCH ON GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS TRANSPOSE VOICE VARIATION SPLIT ELECTRONIC PIANO An example of connecting the USB interface to the P-90 using MIDI cables IN MIDI OUT HOST SELECT MIDI PC-2 Mac PC-1 USB cable MIDI cables computer P-90 USB interface MIN MELLOW MASTER VOLUME BRILLIANCE MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# METRONOME 48 P-90 Connecting a Personal Computer FUNCTION – / NO TEMPO/ OTHER VALUE + / YES PRESET TRACK SONG START/ STOP REC ROOM HALL 1 HALL 2 STAGE REVERB CHORUS PHASER TREMOLO DELAY EFFECT HARD MEDIUM SOFT TOUCH ON TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 CLAVI./ HARPSI. VIBES/ GUITAR CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS VOICE VARIATION SPLIT ELECTRONIC PIANO Troubleshooting Possible Cause and Solution The P-90 does not turn on. The P-90 has not been plugged in properly. Insert the adaptor plug into an AC outlet and the adaptor socket into the unit securely. (page 8). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise from the speakers or headphones is audible. The noise may be due to interference caused by the use of a mobile phone in close proximity to the P-90. Turn off the mobile phone, or move it further away from the P-90. The overall volume is low, or no sound is heard. • The Master Volume is set too low. Set it to an appropriate level using the [MASTER VOLUME] control. • Make sure that Local Control (page 40) is ON. The foot pedal has no effect, or the sound continuously sustains even when the foot pedal is not pressed. The pedal cord may not be properly connected. Make sure to securely insert the pedal cord into the [SUSTAIN] jack (page 10). The foot pedal seems to produce the opposite effect. For example, pressing the foot switch cuts off the sound and releasing it sustains the sounds. The polarity of the foot pedal is reversed. Make sure that the foot pedal plug is properly connected to the [SUSTAIN] jack before turning on the power. Do not press the pedal while turning the power on. If ENGLISH Problem appears on the display, an internal malfunction has occurred. In this case, contact your Yamaha dealer. P-90 Troubleshooting 49 Preset Voice List Printed on the panel [VARIATION] button Stereo Sampling Touch Response Dynamic Sampling*1 Key-Off Sampling*2 Voice Descriptions OFF GrandPiano 1 ✓ ✓ ✓ ✓ Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. ON (Variation) ✓ ✓ ✓ ✓ Warm and mellow piano. Good for classical compositions. OFF GrandPiano 2 ✓ ✓ Spacious and clear piano with bright reverb. Good for popular music. ON (Variation) ✓ ✓ Bright, spacious piano. Good for popular or rock music. ✓ An electronic piano sound created by FM synthesis. Extremely “musical” response with varying timbre according to keyboard dynamics. Good for standard popular music. GRAND PIANO 1 ENGLISH Voice Name GRAND PIANO 2 OFF E.Piano1 ✓ E.PIANO1 ON (Variation) ✓ A synth-generated type electronic piano sound often heard in popular music. Used in the DUAL mode it blends well with an acoustic piano voice. The sound of an electric piano using hammer-struck metallic “tines”. Soft tone when played lightly, and an aggressive tone when played hard. OFF E.Piano2 ✓ ✓ ON (Variation) ✓ A slightly different electric piano sound often heard in rock and popular music. ✓ ✓ A hammer-struck keyboard instrument that utilizes an electric pickup that is often heard in funk and soul music. Its tone is noted for the unique sound produced when the keys are released. ✓ The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. E.PIANO2 OFF Clavi. CLAVI./ HARPSI. ON Harpsichord ✓ OFF Vibraphone ✓ ON NylonGuitar ✓ VIBES/ GUITAR 50 P-90 Demo Song List/Preset Song List ✓ ✓ Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. [VARIATION] button Voice Name Stereo Sampling Touch Response OFF ChurchOrgan ✓ This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. ON (Variation) ✓ This is the organ’s full coupler sound often associated with Beach’s “Toccata and Fugue”. OFF JazzOrgan The sound of a “tonewheel” type electric organ. Often heard in jazz and rock idioms. (Variation) Uses a rotary speaker effect with a different speed. The variations speed is faster. If the variation is selected while holding a chord, the speed of the effect will gradually change. CHURCH ORGAN JAZZ ORGAN ON Dynamic Sampling*1 Key-Off Sampling*2 Voice Descriptions ✓ Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode. SlowStrings ✓ Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. OFF Choir ✓ A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. ON SlowChoir ✓ A choir voice with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. OFF WoodBass ✓ An upright bass played fingerstyle. Ideal for jazz and Latin music. ON (Variation) ✓ Adds a cymbal voice to the bass sound. Ideal for walking bass lines in jazz tunes. OFF E.Bass ✓ Electric bass for a wide range of music styles, jazz, rock, popular, and more. ON (Variation) ✓ A fretless bass good for styles such as jazz, fusion, etc. OFF Strings ON ✓ ENGLISH Printed on the panel STRINGS CHOIR WOOD BASS E.BASS *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released. P-90 Demo Song List/Preset Song List 51 Demo Song List Piano Voice Demo Description ENGLISH Printed on the panel Piano Voice Demo GRAND PIANO1 Stereo sampling GRAND PIANO2 Monaural sampling E.PIANO1 Dynamic sampling; mezzo piano E.PIANO2 Dynamic sampling; mezzo forte CLAVI./HARPSI. Dynamic sampling; forte VIBES/GUITAR With sustain sampling CHURCH ORGAN Without sustain sampling JAZZ ORGAN With key-off sampling STRINGS Without key-off sampling Preset Song List No. 52 Title Composer No. Title Composer 1 Invention No. 1 J.S.Bach 26 Etude op.10-12 “Revolutionary” F.F.Chopin 2 Invention No. 8 J.S.Bach 27 Valse op.64-1 “Petit chien” F.F.Chopin 3 Gavotte J.S.Bach 28 Valse op.64-2 F.F.Chopin 4 Prelude (Wohltemperierte Klavier I No.1) J.S.Bach 29 Valse op.69-1 “L’adieu” F.F.Chopin 5 Menuett G dur BWV.Anh.114 J.S.Bach 30 Nocturne op.9-2 F.F.Chopin 6 Le Coucou L-C.Daquin 31 Träumerei R.Schumann 7 Piano Sonate No.15 K.545 1st mov W.A.Mozart 32 Fröhlicher Landmann R.Schumann 8 Turkish March W.A.Mozart 33 La prière d’une Vierge T.Badarzewska 9 Menuett G dur W.A.Mozart 34 Dolly’s Dreaming and Awakening T.Oesten 10 Little Serenade J.Haydn 35 Arabesque J.F.Burgmüller 11 Perpetuum mobile C.M.v.Weber 36 Pastorale J.F.Burgmüller 12 Ecossaise L.v.Beethoven 37 La chevaleresque J.F.Burgmüller 13 Für Elise L.v.Beethoven 38 Liebesträume Nr.3 F.Liszt 14 Marcia alla Turca L.v.Beethoven 39 Blumenlied G.Lange 15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven 40 Barcarolle P.I.Tchaikovsky 16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven 41 Melody in F A.Rubinstein 17 Piano Sonate op.49-2 1st mov. L.v.Beethoven 42 Humoresque A.Dvorák 18 Impromptu op.90-2 F.P.Schubert 43 Tango (España) I.Albéniz 19 Moments Musicaux op.94-3 F.P.Schubert 44 The Entertainer S.Joplin 20 Frühlingslied op.62-2 J.L.F.Mendelssohn 45 Maple Leaf Rag S.Joplin 21 Jägerlied op.19b-3 J.L.F.Mendelssohn 46 La Fille aux Cheveux de Lin C.A.Debussy 22 Fantaisie-Impromptu F.F.Chopin 47 Arabesque 1 C.A.Debussy 23 Prelude op.28-15 “Raindrop” F.F.Chopin 48 Clair de lune C.A.Debussy 24 Etude op.10-5 “Black keys” F.F.Chopin 49 Rêverie C.A.Debussy 25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin 50 Golliwog’s Cakewalk C.A.Debussy P-90 Demo Song List/Preset Song List Index Numerics A A-B Repeat for 50 Preset Songs ......................................18 AC Power Adaptor ............................................................9 Accessories .........................................................................6 Adding Variations ...........................................................19 Function Parameter List ................................................. 55 H [HOST SELECT] switch ........................................... 11, 47 HST (LED display).......................................................... 45 L Adjust Brilliance ..............................................................14, 20 Tempo (50 Piano Preset Songs) ...............................15 Tempo (Recorded Songs) .........................................30 Volume.......................................................................11 Volume (50 Piano Preset Songs) ..............................15 Volume (Demo) ........................................................14 Volume (Metronome) ..............................................39 Volume (Recorded Songs)........................................31 List Demo Song ................................................................ 52 Factory Setting........................................................... 55 Functions ................................................................... 32 Preset Song List ......................................................... 52 Preset Voice .........................................................50–51 ALL (LED display) ..........................................................15 METRONOME ............................................................... 25 ENGLISH 50 Piano Preset Songs .....................................................15 Basic Procedure......................................................... 33 M Metronome Volume ....................................................... 39 B Backup Functions............................................................42 [BRILLIANCE] control...................................................20 C Combining Two Voices (Dual mode)............................23 MIDI ................................................................................ 44 MIDI [IN] [OUT] connectors ........................... 11, 44, 47 MIDI cables ......................................................... 44, 47, 48 MIDI Data Format.......................................................... 56 MIDI driver ..................................................................... 46 MIDI Functions .............................................................. 40 Music Rest ......................................................................... 9 Connecting a Personal Computer ..................................45 N D Normal setting ................................................................ 19 [DC IN 12V] connector ....................................................9 [DEMO] button ..............................................................14 Demo Song List ...............................................................52 Detailed Settings (FUNCTION).....................................32 Dual mode .................................................................23, 37 E [EFFECT] button ............................................................20 F O OUTPUT [L][R] jacks, [L/L+R][R] jacks ..................... 10 P [PHONES] jacks ............................................................. 10 Piano Voice Demo Description ..................................... 52 Pitch ➝ Fine Tuning of the Pitch .................................. 35 Practicing a One-Hand Part Using 50 Preset Songs ..... 16 Precautions....................................................................3–4 Factory Setting List..........................................................55 PRESET............................................................................ 15 Fine Tuning of the Pitch .................................................35 Preset Song List ............................................................... 52 FUL (LED display) ..........................................................27 Preset Song Part .............................................................. 39 FUNCTION...............................................................35–42 Preset Voice List ........................................................50–51 P-90 Index 53 R V REC ➝ Recording ...........................................................27 [VARIATION] button.................................................... 19 Recording.........................................................................26 Initial Settings............................................................29 [VOICE] buttons ............................................................ 19 Re-recording....................................................................27 [REVERB] button ...........................................................20 rnd (LED display)............................................................15 S ENGLISH Scale..................................................................................36 Scn (LED display)............................................................49 Serial cable .................................................................46, 48 Specifications...................................................................61 SPLIT ...............................................................................38 [SPLIT] button ................................................................24 [STANDBY/ON] switch .................................................10 [START/STOP] button (Demo) ....................................14 [START/STOP] button (METRONOME) ....................25 Start/Stop playback 50 Piano Preset Songs................................................15 Demonstration Tunes ...............................................14 Recorded Songs .........................................................30 Useful Playback Functions........................................31 Start/Stop recording........................................................27 [SUSTAIN] jack ..............................................................10 Sustain Pedal..............................................................38, 39 Synchro Start 50 Piano Preset Songs................................................17 Recorded Songs .........................................................31 T TEMPO......................................................................15, 30 [TO HOST] connector..............................................11, 44 TOUCH ...........................................................................21 Touch Sensitivity.............................................................21 Track Playback On and Off ............................................31 TRACK1/2 (50 Piano Preset Songs)...............................16 TRACK1/2 (Recording) ..................................................27 TRANSPOSE ...................................................................22 Troubleshooting..............................................................49 Tuning ➝ Fine Tuning of the Pitch ...............................35 Turning the power on .....................................................11 U USB ..................................................................................48 54 P-90 Index Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica Function Default Voice Backup Group [GRAND PIANO 1] Dual Mode OFF Split Mode OFF Split Mode Left Voice WOOD BASS Reverb Type Preset for each voice Reverb Depth Preset for each voice Effect Type Preset for each voice Effect Depth Preset for each voice Touch Sensitivity F9.1 MEDIUM Volume in the FIXED Mode 64 Metronome Metronome Time Signature Tempo Transpose OFF — 0 (no accent) F9.1 120 — 0 F9.3 Function Mode Function Default F1 Tuning F2.1 Scale 1 (Equal Temperament) F2.2 Base Note C F3.1 Dual Balance Preset for each voice combination F3.2 Dual Detune Preset for each voice combination F3.3, F3.4 Dual Octave Shift Preset for each voice combination F3.5, F.3.6 Dual Effect Depth F4.1 Split Point Preset for each voice combination F2 F4.2 Split Balance Preset for each voice combination F4.3, F4.4 Split Octave Shift Preset for each voice combination F4.5, F4.6 Split Effect Depth Preset for each voice combination F4.7 Sustain Pedal Range ALL F5.1 Sustain Sample Depth 12 F5.2 Keyoff Sample Volume 10 F6 Metronome Volume 10 F7 Preset Song Part Cancel Volume 5 F8.1 MIDI Transmit Channel 1 F8.2 MIDI Receive Channel ALL F8.3 Local Control ON F8.4 Program Change Send & Receive ON F8.5 Control Change Send & Receive ON F8.6 MIDI Transmit Transpose 0 F9 Backup All OFF Backup Group A3=440Hz F9.3 F9.1 F9.4 F9.1 F9.2 Always backed up P-90 55 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer generated MIDI messages, the data provided in this section can help you to control the P-90. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden, können Sie sich zur Steuerung des P-90 nach den im folgenden Abschnitt aufgeführten Spezifikationen richten. Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le P-90. SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la P-90. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves. 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H...7FH (3) Expression ccH Parameter 0BH Expression MSB Data Range (vvH) 00H...7FH (4) Damper ccH Parameter 40H Damper MSB Data Range (vvH) 00H...7FH (5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H-3FH:off, 40H-7FH:on P-90 (1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H-3FH:off, 40H-7FH:on (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. (8) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH 56 BnH = Control event (n = channel number) cc = Control number vv = Data Range • When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. 4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number Printed on the panel [VARIATION] button OFF GRANDPIANO 1 ON OFF GRANDPIANO 2 ON OFF E.PIANO1 ON OFF E.PIANO2 ON OFF CLAVI./HARPSI. ON OFF VIBES/GUITAR ON CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON Voice Name MSB LSB P.C# (0-127) (0-127) (1-128) GrandPiano1 (Variation) GrandPiano2 (Variation) E.Piano1 (Variation) E.Piano2 (Variation) Clavi. Harpsichord Vibraphone NylonGuitar 0 0 0 0 0 0 0 0 0 0 0 0 122 123 112 112 122 122 122 123 122 122 122 122 1 1 1 2 6 89 5 5 8 7 12 25 ChurchOrgan (Variation) JazzOrgan (Variation) Strings SlowStrings Choir SlowChoir WoodBass (Variation) E.Bass (Variation) 0 0 0 0 0 0 0 0 0 0 0 0 123 122 122 123 122 122 122 123 122 124 122 122 20 20 17 17 49 50 53 53 33 33 34 36 • When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data Transmission F8H Transmitted every 96 clocks FAH Recorder start FCH Recorder stop FEH Transmitted every 200 milliseconds Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H] F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2BH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 33H (CLP’03) 30H, 30H (version x, y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H • Panel Data Contents (1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Variation On/Off (27) Touch Sensitivity (28) Fixed Data (29) Absolute tempo low byte (30) Absolute tempo high byte (31) Key-Off Sampling Depth • Panel data send requests cannot be received. 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = don’t care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. P-90 57 (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = don’t care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the P-90 another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 58 P-90 9. SYSTEM EXCLUSIVE MESSAGES (P-90 MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H] F0H = 43H = 73H = 01H = nnH = nn 02H 03H F7H = or Exclusive status Yamaha ID Clavinova ID Product ID (CLP common) Substatus Control Internal MIDI clock External MIDI clock End of Exclusive Data format: [F0H] -> [43H] -> [73H] -> [7FH] -> [xxH] -> [nnH] -> [F7H] F0H = 43H = 73H = 7FH= xxH = nnH = nn 02H 03H 06H F7H = Exclusive status Yamaha ID Clavinova ID Extended Product ID Product ID (P-90: 32H) Substatus Control Internal MIDI clock External MIDI clock Bulk Data (the bulk data follows 06H) End of Exclusive BULK DUMP FORMAT F0H, 43H, 73H 7FH xxH 06H 05H 0nH, 0nH, 0nH, 0nH [BULK DATA] [CHECK SUM (1byte)] F7H = Extended Product ID = Product ID (P-90: 32H) = Bulk ID = Sequence data = Data length = 0-sum (BULK DATA) = End of Exclusive 10. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [7FH] -> [xxH] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H = 43H = 73H = 7FH = xxH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Clavinova ID Extended Product ID Product ID (P-90: 32H) Special control Control MIDI change (n=channel number) Control number Value End of Exclusive Control Split Point Metronome 0n Always 00H Always 00H ccH 14H 1BH vvH 14H : Split Key Number 00H : off 01H : – 02H : 2/4 03H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent Damper Level ch: 00H-0FH 3DH(Sets the Damper Level for each channel) 00H-7FH Channel Detune ch: 00H-0FH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H 00H mmH = Master Tune MSB llH = Master Tune LSB ccH = don’t care (under 7FH) F7H = End of Exclusive <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4(*1) 01 02 03 04 1 05 1 06 1 7E 7F TOTAL SIZE 07 00 - 7F — 34 - 4C(*2) 00 00 Parameter MASTER TUNE MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 -12 - +12[semitones] 00=XG system ON 00=ON (receive only) 40 7F *1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12. <Table 2> MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 02 01 40 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB 00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB • “VARIATION” refers to the EFFECT on the panel. Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01(=HALL1) 00 Refer to Effect MIDI Map 00 : basic type 00(=Effect off) 00 Description 0 - 127 Default value (H) 7F <Table 3> MIDI Parameter Change table (MULTI PART) Address (H) Size (H) 08 nn 11 1 nn = Part Number Data (H) 00 - 7F Parameter DRY LEVEL • Effect MIDI Map REVERB ROOM HALL 1 HALL 2 STAGE Sound board MSB 02H 01H 01H 03H 03H LSB 10H 10H 11H 10H 12H MSB 42H 48H 46H 05H LSB 10H 10H 10H 10H EFFECT CHORUS PHASER TREMOLO DELAY P-90 59 [ Electronic Piano ] Chart MIDI Implementation Model P-90 MIDI Implementation YAMAHA Function... Date : 08,Jan 2003 Version : 1.0 Chart Transmitted Recognized Basic Channel Default Changed 1 1 - 16 1 1 - 16 Mode Default Messages Altered 3 1 ˛ ************** ˛ ˛ 9 - 120 ************** 0 - 127 0 - 127 Note Number : True voice Velocity Note ON Ø 9nH,v=1-127 Note OFF ˛ 9nH,v=0 Ø ˛ After Touch Key's Ch's ˛ ˛ ˛ ˛ ˛ ˛ Ø Ø Ø Ø ˛ ˛ Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Pitch Bend Control Change Prog Change 0,32 7 11 64 66 67 91 94 : True # System Exclusive Common Ø Ø : Song Pos. ˛ : Song Sel. ˛ : Tune ˛ ˛ ˛ ˛ Ø Ø Ø Ø : : : Mes- : sages: : Ø Ø ˛ Ø Ø ˛ Ø Ø Ø Ø Ø ˛ All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset *1 Poly Mode only 9nH,v=1-127 9nH,v=0 or 8nH Bank Select Volume Expression Damper Sostenuto Soft pedal Reverb Depth Effect Depth ************** System : Clock Real Time : Commands Aux Remarks (120,126,127) (121) (122) (123-125) Notes: *1= Receive Mode is always multi timbre and Poly mode. Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY 60 P-90 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø ˛ : Yes : No Specifications / Technische Daten / Caractéristiques techniques / Especificaciones Item KEYBOARD SOUND SOURCE POLYPHONY VOICE SELECTION Specification 88 Keys (A-1–C7) AWM Dynamic Stereo Sampling 64 Notes Max. 24 voices (including Variation) REVERB ROOM, HALL 1, HALL 2, STAGE EFFECT CHORUS, PHASER, TREMOLO, DELAY DEMO SONGS TOUCH SENSITIVITY 12 Voice Demo Songs, 9 Piano Voice Demo Songs, 50 Preset Songs HARD, MEDIUM, SOFT, FIXED SONG CONTROLS PRESET, TRACK 1, 2, START/STOP, REC PEDAL CONTROL SUSTAIN OTHER CONTROLS JACKS/CONNECTORS POWER SUPPLY DIMENTIONS (W x D x H) WEIGHT MASTER VOLUME, BRILLIANCE, DEMO, TRANSPOSE, SPLIT, METRONOME START/STOP, TEMPO/FUNCTION#, FUNCTION, –/NO, +/YES, LED Display, HOST SELECT OUTPUT: L and R Pin Jacks, L/L+R and R Phone Jacks, MIDI IN/OUT, TO HOST, PHONES x 2, SUSTAIN, DC IN 12V Yamaha PA-3C power adaptor 1347 x 285 x 128 mm (53" x 11-1/4" x 5") 16.9 kg (37 lbs., 4oz) * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung. * Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche. * Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha. P-90 61 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NOTICE: ENVIRONMENTAL ISSUES: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. CANADA This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. U.S.A. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. NORTH AMERICA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Serial No. Purchase Date PLEASE KEEP THIS MANUAL Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 ASIA BELGIUM/LUXEMBOURG Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 FRANCE EUROPE Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-BP (bottom) Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Battery Notice: Model Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 PHILIPPINES DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 floor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 POLAND Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 THE NETHERLANDS Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 OCEANIA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445 SY36 Yamaha Web Site (English only) http://www.yamahasynth.com Yamaha Manual Library http://www.yamaha.co.jp/manual/english/ This document is printed on recycled chlorine free (ECF) paper with soy ink. Auf Recycling-Umweltpapier mit Sojatinte gedruckt. Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre d'huile de soja. Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja. U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2003 Yamaha Corporation WB00060 501APAP2.3-05C0 Printed in Japan Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones