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DSP-A592 DSP-A492 Natural Sound AV Amplifier Amplificateur audiovisuel “Son Naturel” Natural Sound AV-Verstärker Natural Sound AV-förstärkare Amplificatore AV a suono naturale Amplificador AV de Sonido Natural Natural Sound AV Versterker OWNER’S MANUAL MODE D’EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHORTEILE MEDFOLJANDE TILLBEHOR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES ● ● ● ● ● ● ● After unpacking, check that the following parts are included. Après le déballage, vérifier que les pièces suivantes sont incluses. Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind. Kontrollera efter det apparaten packats upp att följande delar finns med. Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio. Desembale el aparato y verificar que los siguientes accesorios están en la caja. Controleer na het uitpakken of de volgende onderdelen voorhanden zijn. ● ● ● ● ● ● ● Remote Control Transmitter Emetteur de télécommande Fernbedienungsgeber Fjärrkontrollsändare Telecomando Transmisor del control remoto Afstandbediening DSP-A592 TIME/ LEVEL – + PROGRAM V–AUX DIR A DELAY/CENTER /REAR/SWFR TEST VCR TV/DBS DIR B REC/PAUSE PRESET + ● ● ● ● ● DSP-A492 TIME/ LEVEL – + PROGRAM ON/OFF PLAY A/B/C/D/E DISC ● PLAY DELAY/CENTER TEST /REAR VCR DIR A DIR B REC/PAUSE – + PRESET PLAY A/B/C/D/E DISC CD PLAY POWER 2 VOLUME TAPE TUNER CD PHONO PHONO SLEEP ON/OFF TV/DBS DVD/LD A/B TAPE TUNER EFFECT PROLOGIC ENHANCED DVD/LD 2CH/6CH A/B – EFFECT PROLOGIC ENHANCED ● POWER SLEEP VOLUME Batteries (size AA, R6, UM-3) Piles (taille AA, R6, UM-3) Batterien (Größe AA, R6, UM-3) Batterier (storlek AA, R6, UM-3) Batterie (dimensioni AA, R6, UM-3) Pilas (tamaño AA, R6, UM-3) Batterijen (maat AA, R6, UM-3) FEATURES ● 5 Speaker Configuration DSP-A592 ● Test Tone Generator for Easier Speaker Balance Adjustment 70W + 70W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz Center: 70W (8Ω) RMS Output Power, 0.07% THD, 1 kHz Rear: 35W + 35W (8Ω) RMS Output Power, 0.3% THD, 1 kHz DSP-A492 ● 3 Center Channel Modes (NORMAL/WIDE/PHANTOM) Main: DSP-A592 only Main: 65W + 65W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz Center: 65W (8Ω) RMS Output Power, 0.09% THD, 1 kHz Rear: 20W + 20W (8Ω) RMS Output Power, 0.7% THD, 1 kHz ● Digital Sound Field Processor ● Dolby Pro Logic Surround Decoder ● Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP) ● Automatic Input Balance Control for Dolby Pro Logic Surround English Thank you for selecting this YAMAHA AV Amplifier. ● Video Signal Input/Output Capability ● SLEEP Timer ● Remote Control Capability ● BASS EXTENSION Switch for Reinforcing Bass Response ● 6-Channel Discrete Input Terminals for Connecting with a Dolby Digital (AC-3) Decoder ● Two S VIDEO Output and One S VIDEO Input Terminals ● Auxiliary Audio and Video Input Terminals (Including a S VIDEO Terminal) on the Front Panel CONTENTS Supplied Accessories ......................................2 Speaker Balance Adjustment ........................20 Caution ............................................................4 Basic Operations ...........................................23 Notes about the Remote Control Transmitter Using Digital Sound Field Processor (DSP) ........................................................................5 ......................................................................27 Profile of This Unit ...........................................6 Setting the SLEEP Timer ..............................31 Speaker Setup ................................................7 Troubleshooting .............................................32 Connections ....................................................8 Specifications ................................................33 Controls and Their Functions ........................15 3 CAUTION : READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 3. Never open the cabinet. If something drops into the set, contact your dealer. 4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves. 5. The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire. 6. Always set the VOLUME control to “– ∞” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started. 7. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 8. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty. 9. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 10. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. IMPORTANT Please record the serial number of this unit in the space below. Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. For U.K. customers If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet. Special Instructions for U.K. Model IMPORTANT THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: Blue: NEUTRAL Brown: LIVE As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug. 11. Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated. 12. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide. 13. Voltage Selector (General Model only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz. 4 The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off. FREQUENCY STEP switch (General Model only) Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet. Battery installation Remote control transmitter operation range English NOTES ABOUT THE REMOTE CONTROL TRANSMITTER l6 20 l2 28 8 4 40 2 60 0 –dB 2 Remote control sensor 1 3 Within approximately 6 m (19.7 feet) 30° 30° Battery replacement If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes ● Use only AA, R6, UM-3 batteries for replacement. ● Be sure the polarities are correct. (See the illustration inside the battery compartment.) ● Remove the batteries if the remote control transmitter will not be used for an extended period of time. ● If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. Notes ● There should be no large obstacles between the remote control transmitter and the main unit. ● If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting. 5 PROFILE OF THIS UNIT You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround Decoder. Please read this operation manual carefully and store it in a safe place for later reference. Digital Sound Field Processing What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home. Dolby Pro Logic Surround This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment. Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Dolby Pro Logic Surround + DSP Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field. 6 The combination of Dolby Pro Logic Surround and DSP is used on the sound field program “ PRO LOGIC ENHANCED”. CINEMA DSP The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology. English SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.) The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit. SPEAKER CONFIGURATION 5-Speaker Configuration 4-Speaker Configuration This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent. • Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 21.) The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. • Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 21.) Front Main L Center FrontRR Main Front Main L Dialogue Main FrontRR Dialogue Surround sound Surround sound Rear L Rear R Rear L Rear R SPEAKER PLACEMENT The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following. Main: In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.) Front R Main R Center Front L Main L TV set Rear R Rear L 7 CONNECTIONS Never plug in this unit and other components until all connections are completed. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit. DSP-A592 Monitor TV VIDEO OUT AUDIO OUT LD player etc. VIDEO IN GND OUTPUT Turntable 2 * (Europe model) MAIN 6CH DISCRETE INPUT DVD/LD TV/DBS GND MAIN C D DUAL SINGLE VIDEO SIGNAL REAR (SURROUND) REAR 6ΩMIN./SPEAKER CENTER SINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKER MAIN A OR B:4ΩMIN./SPEAKER A B:8ΩMIN./SPEAKER CENTER SUB WOOFER CENTER IMPEDANCE SELECTOR REAR (SURROUND) CENTER SURROUND REAR 8ΩMIN./SPEAKER CENTER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKER MAIN A OR B:8ΩMIN./SPEAKER A B:I6ΩMIN./SPEAKER MAINS SUB WOOFER OUTPUT CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. MONITOR VCR IN OUT OUT S VIDEO MONITOR DVD/LD TV/DBS OUT VIDEO VCR IN A OUT A AUDIO SIGNAL 1 B PHONO 1 2 REC 3 TAPE PB 4 OUT CD TUNER TAPE ( MD ) IN DVD/LD TV/DBS OUT B MAIN VCR * SWITCHED I00W MAX. TOTAL SPEAKERSAC OUTLETS CD player 8 Tuner Tape deck, MD recorder, etc. TV/Satellite tuner VIDEO OUT VIDEO IN AUDIO IN AUDIO OUT AUDIO OUT VIDEO OUT LINE IN LINE OUT OUTPUT OUTPUT To AC outlet Video cassette recorder English DSP-A492 TV/Satellite tuner VIDEO OUT AUDIO IN VIDEO IN AUDIO OUT VIDEO OUT VIDEO IN GND OUTPUT Video cassette recorder AUDIO OUT Monitor TV Turntable 2 * (Europe model) IMPEDANCE SELECTOR REAR 6ΩMIN./SPEAKER OUTPUT GND CENTER VIDEO SIGNAL MAIN REAR MONITOR OUT DVD/LD IN VCR OUT TV/DBS DUAL A OR B:4ΩMIN./SPEAKER A B:8ΩMIN./SPEAKER CENTER REAR 8ΩMIN./SPEAKER CENTER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKER MAIN A OR B:8ΩMIN./SPEAKER A B:I6ΩMIN./SPEAKER CENTER C SINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKER D 1 SUB WOOFER SINGLE * MAINS A PHONO TAPE TAPE REC PB ( MD ) OUT 3 DVD/LD IN VCR OUT TV/DBS 4 AUDIO SIGNAL B l l0 dB 0 dB MAIN 1 CD 2 CAUTION SEE INSTRUCTIONI00W MANUALMAX. FOR CORRECT SETTING. TOTAL TUNER SWITCHED MAIN LEVEL SPEAKERS AC OUTLETS See page 13. Tape deck, MD recorder, etc. CD player LD player etc. 1 * AC OUTLET(S) (SWITCHED) (Europe and General models) .......... 2 SWITCHED OUTLETS (U.K. model) ........................................ 1 SWITCHED OUTLET Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts. * OUTPUT OUTPUT AUDIO OUT VIDEO OUT LINE IN LINE OUT To AC outlet Tuner 2 GND terminal (For turntable use) Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected. 9 DSP-A592 only CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL) These terminals are used to connect any video input source such as a camcorder to this unit. VIDEO AUX S VIDEO VIDEO L AUDIO R AUDIO OUT R R AUDIO OUT L L VIDEO OUT VIDEO Camcorder S VIDEO OUT S VIDEO DSP-A592 only CONNECTING TO S VIDEO TERMINALS If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s S VIDEO VCR IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal. Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals independently. Monitor TV S VIDEO IN VIDEO IN VIDEO SIGNAL Video cassette recorder 10 IN VCR OUT VIDEO IN VIDEO OUT MONITOR DVD/LD TV/DBS OUT VIDEO S VIDEO IN S VIDEO OUT MONITOR VCR IN OUT OUT S VIDEO English DSP-A592 only Connecting with a Dolby Digital (AC-3) Decoder If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete outputs can be connected to this unit. 6CH DISCRETE OUTPUT MAIN CENTER SURROUND Dolby Digital (AC-3) Decoder unit DIGITAL IN SUB WOOFER 6CH DISCRETE INPUT DVD/LD TV/DBS GND MAIN CENTER SURROUND DIGITAL OUT RF Demodulator SUB WOOFER VIDEO SIGNAL MONITOR VCR IN OUT OUT S VIDEO MONITOR DVD/LD TV/DBS OUT VIDEO IN VCR OUT AUDIO SIGNAL PHONO 1 2 REC 3 TAPE PB 4 OUT CD TUNER TAPE ( MD ) AC-3 RF IN IN DVD/LD TV/DBS OUT VCR AC-3 RF OUT VIDEO OUT AUDIO OUT Laserdisc player with AC-3 RF output or another unit with AC-3 RF output Notes The laserdisc player (or another unit) must be also connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals of this unit for playing a source with the Dolby Pro Logic Surround decoded or in normal stereo (or monaural). • The discrete signals input to this unit cannot be recorded by a tape deck, MD recorder or VCR. To record a source played on the laserdisc player (or another unit), it must be connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO SIGNAL input terminals of this unit. • • If you made no connection to the SUBWOOFER input terminal of this unit or you will not use a subwoofer, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit. (For details, refer to the owner’s manual for the Dolby Digital (AC-3) Decoder unit. 11 CONNECTING SPEAKERS Rear speaker DSP-A592 Rear speaker Subwoofer system Left Right Center speaker (Europe model) MAIN CENTER REAR (SURROUND) IMPEDANCE SELECTOR REAR (SURROUND) REAR 6ΩMIN./SPEAKER CENTER SINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKER MAIN A OR B:4ΩMIN./SPEAKER A B:8ΩMIN./SPEAKER CENTER C REAR 8ΩMIN./SPEAKER CENTER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKER MAIN A OR B:8ΩMIN./SPEAKER A B:I6ΩMIN./SPEAKER D DUAL SUB WOOFER SINGLE OUTPUT CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. Main speakers B A B B Left Left l Right A MAIN l0 dB 0 dB MAIN LEVEL Right See the next page. SPEAKERS Main speakers A Subwoofer system DSP-A492 Rear speaker Rear speaker Left Right Center speaker (Europe model) IMPEDANCE SELECTOR OUTPUT CENTER REAR REAR 6ΩMIN./SPEAKER CENTER SINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKER MAIN A OR B:4ΩMIN./SPEAKER A B:8ΩMIN./SPEAKER REAR 8ΩMIN./SPEAKER CENTER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKER MAIN A OR B:8ΩMIN./SPEAKER A B:I6ΩMIN./SPEAKER CENTER C DUAL D SUB WOOFER SINGLE Main speakers B A Left B Right Left MAIN CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. SPEAKERS Main speakers A 12 Right Note on main speaker connections: One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals. Note on a subwoofer connection: You may wish to add a subwoofer to reinforce low frequencies. Connect the SUBWOOFER OUTPUT terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. English Note Use speakers with the specified impedance shown on the rear of this unit. Note on center speaker connection: One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below. DSP-A592 DSP-A492 REAR (SURROUND) REAR CENTER CENTER C D DUAL C D DUAL SINGLE SINGLE Center speakers Center speakers How to Connect: Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers. For connecting to the MAIN SPEAKERS terminals Red: positive (+) Black: negative (–) 2 1 3 For connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative (–) ➀ Unscrew the knob. ➁ Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Tighten the knob and secure the wire. <General model only> ➀ Press the tab. ➁ Insert the bare wire. ➀ ➂ [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Release the tab and secure the wire. ➁ Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal. <U.K. and Europe models only> Normally set to “0 dB”. If desired, you can decrease the output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”. MAIN LEVEL switch 13 OUTPUT terminals (for driving speakers with external amplifiers) DSP-A592 DSP-A492 REAR (SURROUND) OUTPUT terminals DSP-A592 only MAIN CENTER REAR (SURROUND) OUTPUT CENTER SUB WOOFER SUB WOOFER OUTPUT MAIN OUTPUT terminals These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. SUBWOOFER OUTPUT terminal DSP-A592 only These terminals are for main channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. * Output signals from the MAIN OUTPUT terminals only are affected by the use of BASS, TREBLE, BALANCE controls and BASS EXTENSION switch. CENTER OUTPUT terminal This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal. This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer. DSP-A592 When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 150 Hz (200 Hz for General model only) from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel. DSP-A492 This terminal outputs only frequencies below 150 Hz (200 Hz for General model only) from the main and center channels. Note Output level of signals from all of these terminals are adjusted by the use of VOLUME control on the front panel or VOLUME keys on the remote control transmitter. IMPEDANCE SELECTOR switch IMPEDANCE SELECTOR REAR 6ΩMIN./SPEAKER CENTER SINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKER MAIN A OR B:4ΩMIN./SPEAKER A B:8ΩMIN./SPEAKER Be sure to switch this only when the power of this unit is turned off. Select the position whose requirements your speaker system meets. REAR 8ΩMIN./SPEAKER CENTER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKER MAIN A OR B:8ΩMIN./SPEAKER A B:I6ΩMIN./SPEAKER (Europe model) (Upper position) Rear: The impedance of each speaker must be 6Ω or higher. (Lower position) Rear: The impedance of each speaker must be 8Ω or higher. Center: If you use one center speaker, the impedance of the speaker must be 6Ω or higher. If you use two center speakers, the impedance of each speaker must be 3Ω or higher. Center: If you use one center speaker, the impedance of the speaker must be 8Ω or higher. If you use two center speakers, the impedance of each speaker must be 4Ω or higher. Main: Main: 14 If you use one pair of main speakers, the impedance of each speaker must be 4Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8Ω or higher. If you use one pair of main speakers, the impedance of each speaker must be 8Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16Ω or higher. English CONTROLS AND THEIR FUNCTIONS FRONT PANEL DSP-A592 1 2 3 NATURAL SOUND 4 AV AMPLIFIER 5 6 7 CINEMA DSP DSP–A592 VOLUME l6 VCR PRESET SLEEP ms dB STEREO POWER kHz MHz MEMORY AUTO PTY HOLD INFO AFFAIRS SPORT PTY RT CT EON NEWS PS 0 20 40 60 l00 PRO LOGIC ENHANCED 20 DVD/LD l2 28 8 60 2 NORMAL WIDE PHANTOM EFFECT OFF VIDEO AUX TAPE (MD) MON 4 40 2CH/6CH TAPE MONITOR PRO LOGIC CONCERT MONO DISCO ROCK CONCERT VIDEO MOVIE STADIUM CONCERT HALL ENHANCED TUNER EFFECT TV/DBS CONCERT VIDEO MONO MOVIE STADIUM DISCO ROCK CONCERT PHONO CD CONCERT HALL 0 –dB PHONES SPEAKERS BASS EXTENSION BASS 0 l l B A 2 TREBLE 0 l l 2 3 ON ON OFF 4 5 8 9 0A 2 3 4 OFF 2 3 5 2 3 4 5 B 2 3 4 VIDEO AUX BALANCE 0 l l CENTER DELAY/CENTER MODE /REAR/SWFR 3 4 5 TIME/LEVEL 4 L5 C 5R S VIDEO D E VIDEO L AUDIO R G F DSP-A492 2 3 1 NATURAL SOUND 4 AV AMPLIFIER 5 7 CINEMA DSP DSP–A492 VOLUME l6 VCR TV/DBS 20 DVD/LD l2 28 PRESET ms dB STEREO POWER kHz MHz MEMORY AUTO PTY HOLD PS INFO AFFAIRS SPORT PTY RT CT EON NEWS 0 20 40 60 l00 NORMAL SLEEP WIDE PHANTOM EFFECT OFF TAPE (MD) MONITOR PRO LOGIC ENHANCED 4 TAPE MONITOR PRO LOGIC CONCERT MONO DISCO ROCK CONCERT VIDEO MOVIE STADIUM CONCERT HALL ENHANCED TUNER EFFECT 8 40 CONCERT VIDEO MONO MOVIE STADIUM DISCO ROCK CONCERT PHONO CD 2 60 CONCERT HALL 0 –dB PHONES SPEAKERS BASS 0 l 2 2 3 ON 4 5 8 9 0 B 2 3 4 OFF TREBLE 0 l l l B A 3 3 4 5 4 5 C BALANCE 0 l l 2 5 2 2 3 3 4 CENTER DELAY/ MODE CENTER/REAR TIME/LEVEL 4 L5 5R D E F 15 1 POWER switch 0 EFFECT button Press this switch to switch the power on. Press it again to switch the power off. Switches on/off the digital sound field processor (including the Dolby Pro Logic Surround decoder). 2 Standby mode indicator While the power is on, pressing the POWER key on the remote control transmitter switches the unit to the standby mode. In this mode, this indicator is illuminated. A BASS EXTENSION switch 3 Remote control sensor Receives signals from the remote control transmitter. 4 Display panel Shows various information. (Refer to page 17 for details.) 5 Input selector buttons Select a program source to listen to or watch. When a button is pressed, the name of selected source appears on the display. 6 2CH/6CH selector button DSP-A592 only When the TV/DBS or DVD/LD input source is selected, pressing this button switches the input signals between 2 channel stereo signals and 6 channel discrete signals. When switched to “6CH”, discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. 7 VOLUME control Used to raise or lower the volume level. 8 PHONES jack When you listen with headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT button. PHONES DSP-A592 only When this switch is pressed inward (ON), boosts bass frequency response at the main left and main right channels while maintaining overall tonal balance. If you do not have a subwoofer, the use of this switch will be effective to reinforce the bass frequencies. B DSP program selector buttons Select a DSP program. When a button is pressed, the name of selected program lights up on the display. C Tone controls These controls are effective only for the sound from the main speakers. BASS Used to increase or decrease the low frequency response. The 0 position produces flat response. TREBLE Used to increase or decrease the high frequency response. The 0 position produces flat response. D BALANCE control Adjusts the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. E CENTER MODE button Selects a center channel output mode (NORMAL, WIDE or PHANTOM). (For details, refer to page 21.) F DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/– buttons DSP-A592 Adjust the delay time (DELAY), the rear channel output level (REAR), center channel output level (CENTER) and the output level to the SUBWOOFER OUTPUT terminal (SWFR). Select the item which you want to adjust by pressing the DELAY/CENTER/REAR/SWFR button and adjust its time or level by pressing the TIME/LEVEL +/– button. DELAY/CENTER/REAR and TIME/LEVEL +/– buttons DSP-A492 9 SPEAKERS switches Set the switch A or B (or both A and B) for the main speaker system (connected to this unit) you will use to the ON position. Set the switch for the main speaker system you will not use to the OFF position. 16 Adjust the delay time (DELAY), the rear channel output level (REAR) and the center channel output level (CENTER). Select the item which you want to adjust by pressing the DELAY/CENTER/REAR button and adjust its time or level by pressing the TIME/LEVEL +/– button. G VIDEO AUX terminals DSP-A592 only Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. If the connected video unit has a S video output terminal, connect it to the S VIDEO terminal to obtain a high resolution picture. The source connected to these terminals can be selected by the corresponding input selector button. English DISPLAY PANEL DSP-A592 1 2 SLEEP ms dB 3 4 NORMAL WIDE PHANTOM EFFECT OFF TAPE MONITOR PRO LOGIC CONCERT MONO DISCO ENHANCED ROCK CONCERT VIDEO MOVIE STADIUM CONCERT HALL 5 DSP-A492 6 1 2 SLEEP NORM WIDE PHANTOM EFFECT OFF PRO LOGIC CONCERT MONO DISCO ROCK CONCERT ENHANCED VIDEO MOVIE STADIUM CONCERT HALL ms dB TAPE MON 5 1 Multi-information display Displays various information, for example name of selected DSP program and name of selected input source. 2 SLEEP indicator Lights up while the built-in SLEEP timer is functioning. 3 Center channel mode indicators The name of a selected center channel mode lights up only when a program which uses the Dolby Pro Logic Surround decoder is selected. 4 EFFECT OFF indicator RX-V592RDS only Lights up if neither the digital sound field processor nor the Dolby Pro Logic Surround decoder is on. In this state, sound output is 2-channel stereo. 3 4 6 5 TAPE MONITOR indicator DSP-A592 Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing the TAPE (MD) MON button. TAPE MON indicator DSP-A492 Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing the TAPE (MD) MONITOR button. 6 DSP program indicators The name of a selected DSP program lights up when the builtin digital sound field processor and/or the Dolby Pro Logic Surround decoder is on. 17 REMOTE CONTROL TRANSMITTER The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the CD player, tuner and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this remote control transmitter will also control various functions of each component. DSP-A592 DSP-A492 9 1 TIME/ LEVEL – DELAY/CENTER + /REAR/SWFR TEST PROGRAM 2 V–AUX DIR A PROLOGIC ENHANCED TV/DBS VCR DIR B REC/PAUSE 1 2 PRESET + PLAY 3 4 18 1 – PROLOGIC ENHANCED VCR DIR B REC/PAUSE 1 TAPE TUNER CD DELAY/CENTER + /REAR TEST PROGRAM DIR A 2 2 PRESET + A/B/C/D/E DISC POWER 3 5 4 8 7 PLAY TAPE TUNER 2 CD PHONO VOLUME SLEEP ON/OFF PLAY A/B – EFFECT TV/DBS DVD/LD 3 PHONO POWER 3 8 7 6 PLAY A/B/C/D/E DISC ON/OFF DVD/LD 2CH/6CH A/B – EFFECT 9 TIME/ LEVEL VOLUME SLEEP 5 8 EFFECT ON/OFF key 1 DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/– Switches on/off the digital sound field processor (including the Dolby Pro Logic Surround decoder). keys DSP-A592 Adjust the delay time (DELAY), the rear channel output level (REAR), center channel output level (CENTER) and the output level to the SUBWOOFER OUTPUT terminal (SWFR). Select the item which you want to adjust by pressing the DELAY/CENTER/REAR/SWFR key and adjust its time or level by pressing the TIME/LEVEL +/– key. DELAY/CENTER/REAR and TIME/LEVEL +/– keys DSP-A492 Adjust the delay time (DELAY), the rear channel output level (REAR) and the center channel output level (CENTER). Select the item which you want to adjust by pressing the DELAY/CENTER/REAR key and adjust its time or level by pressing the TIME/LEVEL +/– key. 2 Input selector keys Selects input source. 3 SLEEP timer key This key is used to turn the built-in SLEEP timer on and off, and to set the SLEEP time. (See page 31 for details.) 4 POWER key Turns the power on/off. * While the power is on, pressing the POWER key on the remote control transmitter switches the unit from the poweron mode to the standby mode, and vice versa. (In the standby mode, the standby mode indicator on the front panel is illuminated.) 5 VOLUME +/– keys Turns the volume level up/down. 6 2CH/6CH selector key DSP-A592 only When the TV/DBS or DVD/LD input source is selected, pressing this key switches the input signals between 2 channel stereo signals and 6 channel discrete signals. When switched to “6CH”, discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. English For Control of This Unit 9 TEST key Used for speaker balance adjustment. (For details, refer to page 20–22.) For Other Component Control Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their functions will be the same. On each key function, refer to the corresponding instruction on your component’s manual. 1 Tape deck keys Controls tape deck. * DIR A, B and A/B are applicable only to double cassette tape deck. * For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running. 2 Tuner keys Controls tuner. +: Selects higher preset station number. –: Selects lower preset station number. A/B/C/D/E: Selects the group (A – E) of preset station numbers. 3 CD player keys Controls compact disc player. * DISC is applicable only to compact disc changer. 7 Program selector keys PROGRAM: When the built-in digital sound field processor (including the Dolby Pro Logic Surround decoder) is on, this key changes the currently selected DSP program whenever the right or left side of this key is pressed. PROLOGIC: Directly selects the PRO LOGIC program. ENHANCED: Directly selects the PRO LOGIC ENHANCED program. 19 SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround decoder. The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. Otherwise, the result may not be satisfactory. DSP-A592 1 2 5 TIME/ LEVEL – l6 20 DELAY/CENTER + /REAR/SWFR TEST PROGRAM l2 28 5 – EFFECT PROLOGIC ENHANCED TIME/ LEVEL ON/OFF + PROGRAM DELAY/CENTER TEST /REAR PROLOGIC ENHANCED EFFECT ON/OFF 8 V–AUX 4 40 TV/DBS VCR DVD/LD 2CH/6CH VCR TV/DBS DVD/LD 2 60 DIR A 0 –dB DIR B REC/PAUSE PLAY A/B – PRESET + A/B/C/D/E DISC 3 4 DSP-A492 4 DIR B REC/PAUSE – + PLAY A/B TUNER PLAY DIR A TAPE PRESET CD A/B/C/D/E DISC PLAY PHONO POWER TAPE TUNER CD PHONO VOLUME POWER SLEEP VOLUME SLEEP : Provided for DSP-A592 only. 1 3 Select the main speakers to be used. SPEAKERS VOLUME A l6 20 B l2 28 8 ON OFF 4 40 2 60 0 * If you use two main speaker systems, press both the A and B switches. –dB Set to the “∞” position. 2 4 DSP-A592 only BASS EXTENSION BASS 0 l l Turn the power on. 2 2 3 3 4 4 5 POWER 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 2 3 3 4 4 L5 Set to the “0” position. 5 20 TREBLE 0 l l TEST ON OFF 5R Set to the “OFF ( )”. TIME/ LEVEL – + PROGRAM V–AUX DIR A l6 20 DSP-A492 DELAY/CENTER /REAR/SWFR TEST TV/DBS DIR B REC/PAUSE ON/OFF + PROGRAM DELAY/CENTER TEST /REAR PROLOGIC ENHANCED DVD/LD 2CH/6CH VCR PLAY l2 28 TIME/ LEVEL – EFFECT PROLOGIC ENHANCED VCR DIR A DIR B REC/PAUSE – + A/B 4 PLAY TAPE – 0 PRESET + A/B/C/D/E A/B TUNER –dB DISC PLAY PRESET CD A/B/C/D/E PLAY DISC PHONO TAPE POWER TUNER CD PHONO VOLUME POWER SLEEP VOLUME SLEEP 6 7 Select the center channel output mode suitable for your speaker configuration. (Refer to “SPEAKER CONFIGURATION” on page 7.) CENTER MODE ON/OFF TV/DBS DVD/LD 2 60 6 EFFECT 8 40 8 English DSP-A592 7 7 Turn up the volume. VOLUME NORMAL WIDE PHANTOM You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, and then the rear speakers, for about two seconds each. The display changes as shown below. On the feature of each mode, refer to the “Note” shown below. Center Main (L) Note In step 6, when you select a center channel output mode, note the following. For 5 speaker configuration) NORMAL: Select this mode when you use a center speaker that is smaller than the main speakers. In this mode, the bass tone will be output from the main speakers. WIDE: Select this mode when you use the center speaker approximately same sized as the main speakers. For 4 speaker configuration) PHANTOM: Select this mode when you do not use the center speaker. The center sound will be output from the left and right main speakers. Rear (L and R) * 8 Main (R) The test tone from the left rear speaker and the right rear speaker will be heard at the same time. Adjust the BALANCE control so that the effect sound output level of the left main speaker and the right main speaker are the same. BALANCE 0 l l 2 2 3 3 4 4 L5 5R CONTINUED 21 DSP-A592 TIME/ LEVEL – + PROGRAM 9 V–AUX DIR A TV/DBS DIR B REC/PAUSE + DISC ON/OFF 9 PLAY PLAY 10 + PROGRAM DVD/LD 2CH/6CH A/B/C/D/E TIME/ LEVEL – EFFECT PROLOGIC ENHANCED VCR PRESET 10 DELAY/CENTER /REAR/SWFR TEST A/B – DSP-A492 DELAY/CENTER TEST /REAR PROLOGIC ENHANCED VCR DIR A DIR B REC/PAUSE – + TAPE PRESET CD PLAY A/B/C/D/E DISC PLAY PHONO POWER a) b) VOLUME 22 CD POWER VOLUME SLEEP Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers. 10 DSP-A592 DSP-A492 DELAY/CENTER /REAR/SWFR DELAY/CENTER /REAR Adjust its level. * Pressing the + side raises and the – side lowers the level. TIME/ LEVEL Cancel the test tone. TEST Press once or more so that “CENTER” or “REAR” appears on the display. * Select “CENTER” to adjust the output level of the center speaker, and select “REAR” to adjust the output level of the rear speakers. – TAPE TUNER PHONO SLEEP 9 ON/OFF TV/DBS DVD/LD A/B TUNER EFFECT Disappears. Notes Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the VOLUME keys on the remote control transmitter) only. ● If you use external power amplifiers, you may also use their volume controls to achieve proper balance. ● In step 9, if the center channel mode is in the “PHANTOM” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers. ● <U.K. and Europe models only> + ● If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting the MAIN LEVEL switch on the rear panel to “–10 dB”. English BASIC OPERATIONS TO PLAY A SOURCE 3 2 1, 6 l6 20 l2 28 8 4 40 2 60 0 –dB 4 : Provided for DSP-A592 only. 1 7 4 VOLUME Select the main speakers to be used. l6 20 l2 SPEAKERS 28 8 A B 4 40 ON OFF 2 60 0 –dB Set to the “∞” position. 2 Turn the power on. * 5 6 POWER If you use two main speaker systems, press both the A and B switches. Play the source. VOLUME l6 20 l2 28 3 Select the desired input source by using the input selector buttons. (For video sources, turn the TV/monitor ON.) 8 4 40 2 60 0 TUNER PHONO –dB CD Adjust to the desired output level. 7 * The name of the selected input source will appear on the display. If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 26) and use the digital sound field processor. (Refer to page 28.) To turn off the power Press the POWER switch again. 23 Notes on using the input selector buttons DSP-A592 ● Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. * To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. ● The selection of TAPE (MD) MON cannot be canceled by pressing another input selector button. To cancel it, press TAPE (MD) MON again so that “TAPE MONITOR” disappears from the display. When you select a button other than TAPE (MD) MON, make sure that “TAPE MONITOR” is not illuminated on the display. ● If you select the input selector button for a video source without canceling the selection of TAPE (MD) MON, the playback result will be the video image from the video source and the sound from the audio tape (or MD etc.). ● Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected. DSP-A492 ● Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. ● The selection of TAPE (MD) MONITOR cannot be canceled by pressing another input selector button. To cancel it, press TAPE (MD) MONITOR again so that “TAPE MON” disappears from the display. When you select a button other than TAPE (MD) MONITOR, make sure that “TAPE MON” is not illuminated on the display. ● If you select the input selector button for a video source without canceling the selection of TAPE (MD) MONITOR, the playback result will be the video image from the video source and the sound from the audio tape (or MD etc.). ● Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected. DSP-A592 only To listen to a decoded source using Dolby Digital (AC-3) by reproducing the signals input to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit. In step 3, select TV/DBS or DVD/LD, and then press the 2CH/6CH button so that “6ch” appears on the display. Discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. 2CH/6CH To cancel it, press the 2CH/6CH button again or select another input source. Note for reproducing discrete signals with Dolby Digital (AC-3) decoded: 1. Your speaker system must include a center speaker. 2. Your speaker system must include a subwoofer. * Connect a subwoofer which has a built-in amplifier to the SUBWOOFER OUTPUT terminal of this unit. * You can do without using a subwoofer. If you do so, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit. For details, refer to the owner’s manual for the Dolby Digital (AC-3) Decoder unit. Notes When you switch to the “6CH” mode, the built-in Digital Sound Field processor will not work and adjustment of delay time cannot be made. ● ● 24 Switching this unit to the “6CH” mode will input no signal to this unit if there is no connection to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit. English TO RECORD A SOURCE TO TAPE (OR MD) 1 4 2 l6 20 l2 28 8 4 40 2 60 0 –dB 1 Notes DSP-A592 Select the source to be recorded. The settings of DSP and the VOLUME, BASS, TREBLE, BALANCE controls and the BASS EXTENSION switch have no effect on the material being recorded. ● In step 1, do not make an input source selection so that “6ch” appears on the display. Signals input to this unit’s 6CH DISCRETE INPUT DVD/LD TV/DBS terminals cannot be recorded by a tape deck, MD recorder or VCR. DSP-A492 ● TUNER 2 PHONO CD Play the source and then turn the VOLUME control up to confirm the input source. VOLUME l6 20 ● The settings of DSP and the VOLUME, BASS, TREBLE and BALANCE controls have no effect on the material being recorded. l2 28 8 4 40 2 60 0 –dB 3 4 Begin recording on the tape deck (or MD recorder etc.) or VCR connected to this unit. DSP-A592 If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sounds being recorded by pressing TAPE (MD) MON so that “TAPE MONITOR” lights up on the display. VIDEO AUX TAPE (MD) MON 2CH/6CH TUNER PHONO CD DSP-A492 If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sounds being recorded by pressing TAPE (MD) MONITOR so that “TAPE MON” lights up on the display. TAPE (MD) MONITOR TUNER PHONO CD 25 Selecting the SPEAKER system Because one or two speaker systems (as main speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once. Adjusting the BASS and TREBLE controls BASS 0 l TREBLE 0 l l l 2 SPEAKERS A ON 2 3 3 4 B 2 4 5 2 3 3 4 5 4 5 5 OFF BASS Adjusting the BALANCE control Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response. TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response. Note These controls are effective only for the sound from the main speakers. BALANCE 0 l l 2 2 3 3 4 4 L5 5R Note This control is effective only for the sound from the main speakers. Using the BASS EXTENSION switch DSP-A592 only You can boost bass frequency response by setting this switch to the “ON” position. This switch is effective only on the sound from the main speakers. BASS EXTENSION ON 26 OFF This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you will be listening to), and adding desired adjustments. English USING DIGITAL SOUND FIELD PROCESSOR (DSP) In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround. Brief Overview of Digital Sound Field Programs The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments. PROGRAM FEATURE PRO LOGIC This program is used for playback of sources encoded with Dolby Surround. The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers the sound source more smoothly and precisely, as compared to conventional types. PRO LOGIC ENHANCED This program is also used for playback of sources encoded with Dolby Surround. Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the sound stage with an improved presence image. This program is used for musical based movies, as well as drama and comedy based movies. CONCERT VIDEO This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. MONO MOVIE This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. STADIUM This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium. DISCO This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound. ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. CONCERT HALL In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field. 27 To play a source with the digital sound field processor DSP-A592 TIME/ LEVEL – l6 20 28 + PROGRAM l2 DELAY/CENTER /REAR/SWFR TEST V–AUX 4 DIR A 0 –dB VCR TV/DBS – DIR B REC/PAUSE PRESET + 2 PROLOGIC ENHANCED POWER CONCERT VIDEO EFFECT ON/OFF 2 TV/DBS DVD/LD DIR B REC/PAUSE – + PLAY A/B TUNER PLAY DIR A TAPE PRESET CD A/B/C/D/E DISC PLAY CD VOLUME POWER VOLUME SLEEP ● When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the main speakers output the sound of the center channel. ● When this unit’s Dolby Pro Logic Surround decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. ● To select a DSP program on the remote control transmitter, first turn the DSP on so that a program name lights up on the display by pressing the EFFECT key. Next, select a desired DSP program by pressing the or side of PROGRAM key. MONO MOVIE DSP-A492 TAPE TUNER PHONO SLEEP Select the desired program that is suitable for the source. PRO LOGIC PROGRAM DELAY/CENTER TEST /REAR PHONO Follow steps 1 – 6 shown in “BASIC OPERATIONS” on page 23. DSP-A592 + VCR PLAY A/B/C/D/E DISC ENHANCED 2 TIME/ LEVEL – DVD/LD 2CH/6CH A/B PRO LOGIC ON/OFF 2 60 2 EFFECT PROLOGIC ENHANCED 8 40 1 DSP-A492 PRO LOGIC PROGRAM EFFECT The selected program name is shown on the display. ON/OFF 3 If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on page 29 and 30.) Notes Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called. ● If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. ● When CONCERT VIDEO, MONO MOVIE, DISCO, STADIUM, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker. * Pressing the PROLOGIC or ENHANCED key turns the DSP on and selects the corresponding program directly. ● 28 PROLOGIC ENHANCED English Adjustment of the CENTER LEVEL If desired, you can adjust the sound output level of the center speaker even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on page 22. 1 Notes ● This adjustment can be made only when the digital sound field program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, or the “6CH” input source mode is selected. Press once or more so that “CENTER” appears on the display. DSP-A592 DSP-A492 DELAY/CENTER /REAR/SWFR DELAY/CENTER /REAR DSP-A592 DSP-A492 This adjustment can be made only when the digital sound field program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected. ● 2 Once the output level is adjusted, the level value will be the same in all the digital sound field programs mentioned above. By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the level value changes continuously. The value stops changing momentarily at the preset point (0 dB). TIME/LEVEL Adjustable Control range: MIN, –20 to +10 dB Adjustment of the REAR LEVEL If desired, you can adjust the sound output level of the rear speakers even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on page 22. 1 Notes ● This adjustment can be made only when the built-in digital sound field processor is on, or the “6CH” input source mode is selected. Press once or more so that “REAR” appears on the display. DSP-A592 DSP-A492 DELAY/CENTER /REAR/SWFR DELAY/CENTER /REAR DSP-A492 This adjustment can be made only when the built-in digital sound field processor is on. ● 2 DSP-A592 Once the output level is adjusted, the level value will be the same in all the digital sound field programs. By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the level value changes continuously. The value stops changing momentarily at the preset point (0 dB). TIME/LEVEL Adjustable Control range: MIN, –20 to +10 dB 29 Adjustment of DELAY TIME You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear speakers. The larger the value, the later the effect sound is generated. This adjustment can be made to all programs individually. PRO LOGIC PRO LOGIC ENHANCED CONCERT VIDEO MONO MOVIE STADIUM DISCO ROCK CONCERT CONCERT HALL : from 15 to 30 milliseconds (Preset value: 20 milliseconds) : from 15 to 30 milliseconds (Preset value: 20 milliseconds) : from 1 to 100 milliseconds (Preset value: 28 milliseconds) : from 1 to 100 milliseconds (Preset value: 20 milliseconds) : from 1 to 50 milliseconds (Preset value: 45 milliseconds) : from 1 to 100 milliseconds (Preset value: 14 milliseconds) : from 1 to 100 milliseconds (Preset value: 17 milliseconds) : from 1 to 100 milliseconds (Preset value: 30 milliseconds) 1 Press once or more so that “DELAY” appears on the display. DSP-A592 DELAY/CENTER /REAR/SWFR ms DSP-A492 DELAY/CENTER /REAR 2 By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the value changes continuously. The value stops changing momentarily at the preset point. Adjustable TIME/LEVEL ms Notes Adding too much delay will cause an unnatural effect with some sources. ● ● Note The values of the delay time, center level and rear level you set the last time will remain memorized even when the power of this unit is off. However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings. 30 When the TIME/LEVEL button is pressed, sound is momentarily interrupted. English SETTING THE SLEEP TIMER If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful. Notes ● The SLEEP timer can be controlled only with the remote control transmitter. ● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit. To set the SLEEP time To cancel the selected SLEEP time 1 SLEEP SLEEP Press once or more to select the desired SLEEP time. Press once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.) Note The SLEEP timer setting can also be canceled by turning off the power with the POWER switch or disconnecting the power plug of this unit from the AC outlet. Indicates the SLEEP time. SLEEP Lights up. Whenever the SLEEP key is pressed, the SLEEP time will change as follows. (Minutes) 120 90 60 30 The SLEEP timer is off (OFF). (The state before the SLEEP key is pressed.) After a while, the display returns to the indication before the SLEEP timer is set. 2 The unit will be turned off automatically at the selected SLEEP time. 31 TROUBLESHOOTING If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. SYMPTOM Firmly plug in the power cord. The IMPEDANCE SELECTOR switch on the rear panel is not set to the upper or the lower end exactly. Set the switch to the upper or the lower end exactly. No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Appropriate input source is not selected. Select an appropriate input source with the input selector buttons. The SPEAKERS switches are not set properly. Set the SPEAKERS switch which corresponds to the speakers to be used to the ON position. Speaker connections are not secure. Secure the connections. The protection circuit has been activated because of short circuit etc. Turning the unit off and then on will reset the protection circuit. The SLEEP timer has functioned. Cancel the SLEEP timer function. Incorrect setting of the BALANCE control. Adjust it to the appropriate position. Incorrect cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Incorrect cord connections. Firmly connect the audio plugs. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The player should be connected to the unit through the MC head amplifier. The volume level cannot be increased, or sound is distorted. The power to the component connected to the REC OUT terminals of this unit is off. Turn the power to the component on. No sound from the rear speakers. The sound output level to the rear speakers is set to minimum. Raise the sound output level to the rear speakers. The monaural sound source is played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. Select another program suitable for the monaural sound source. The sound output level to the center speaker is set to minimum. Raise the sound output level to the center speaker. The center channel mode is in PHANTOM mode. Select NORMAL or WIDE. Incorrect sound field program selection. Select the appropriate program. Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit. Change the position of the main unit. The batteries of this remote control transmitter are too weak. Replace the batteries with new ones. The power to this unit is off. Turn the power to this unit on. Amplifier Only one side speaker outputs the sound. Sound “hums”. Remote control transmitter No sound from the center speaker. Others REMEDY Power cord is not plugged in or is not completely inserted. The sound suddenly goes off. 32 CAUSE The unit fails to turn on when the POWER switch is pressed, or turns off suddenly soon after the power is turned on. The remote control transmitter does not work. The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit. AUDIO SECTION Minimum RMS Output Power per Channel Main L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD <DSP-A592> ............................70W+70W <DSP-A492> ............................65W+65W Center <DSP-A592> 8 ohms, 1 kHz, 0.07% THD..................70W <DSP-A492> 8 ohms, 1 kHz, 0.09% THD..................65W Rear <DSP-A592> 8 ohms, 1 kHz, 0.3% THD ..........35W+35W <DSP-A492> 8 ohms, 1 kHz, 0.7% THD ..........20W+20W Maximum Power [General model only] 8 ohms, 1 kHz, 10% THD Main L, R <DSP-A592>......................110W+110W <DSP-A492>......................100W+100W Center <DSP-A592> .................................110W <DSP-A492> .................................100W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) <DSP-A592> 8/6/4/2 ohms...................95/120/150/170W <DSP-A492> 8/6/4/2 ohms...................95/115/145/165W DIN Standard Output Power per Channel 4 ohms, 1 kHz, 0.7% THD [Europe model only] <DSP-A592> .................................110W <DSP-A492> ...................................95W IEC Power 8 ohms, 1 kHz, 0.1% THD [Europe model only] <DSP-A592> ...................................85W <DSP-A492> ...................................80W Power Band Width <DSP-A592> 8 ohms, 30W, 0.08% THD ..........................................10 Hz to 50 kHz <DSP-A492> 8 ohms, 30W, 0.1% THD ..........................................10 Hz to 50 kHz Damping Factor (SPEAKERS A) 8 ohms, 20 Hz to 20 kHz ..............80 or more Input Sensitivity/Impedance PHONO MM .....................2.5 mV/47 k-ohms CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR ........................................150 mV/47 k-ohms 6CH DISCRETE INPUT DVD/LD TV/DBS <DSP-A592 only> .......150 mV/50 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.5% THD <DSP-A592> ..............................115 mV <DSP-A492> ..............................100 mV CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR 1 kHz, 0.5% THD <DSP-A592> (EFFECT ON) ...........2.2V <DSP-A492> (EFFECT OFF)..........2.5V Output Level/Impedance REC OUT .......................150 mV/2.5 k-ohms PRE OUT (MAIN) <DSP-A592 only> ...........2.2V/1.2 k-ohms PRE OUT (REAR) <DSP-A592 only> ...........1.6V/1.2 k-ohms SUBWOOFER (EFFECT OFF) <DSP-A592> ...................6.0V/1.5 k-ohms <DSP-A492> ......................3.5V/1 k-ohms Headphone Jack Rated Output/Impedance Output Level (8 ohms, 0.04% THD) <DSP-A592>......................................0.5V <DSP-A492>....................................0.45V Impedance <DSP-A592> .............................390 ohms <DSP-A492> .............................330 ohms Frequency Response (20 Hz to 20 kHz) CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR ........................................................0±0.5 dB RIAA Equalization Deviation PHONO MM....................................0±0.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1V .....................................................0.02% CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR to SP OUT 30W/8 ohms <DSP-A592> ................................0.02% <DSP-A492> ................................0.03% Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV Input Shorted) <DSP-A592> [Europe and U.K. models]...............82 dB [General model] ..............................85 dB <DSP-A492>....................................80 dB CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR to SP OUT (Shorted) <DSP-A592>....................................99 dB <DSP-A492>....................................93 dB Residual Noise (IHF-A Network) MAIN L/R ...........................................140 µV Channel Separation (Vol. –30 dB, EFFECT OFF) PHONO MM (Input Shorted) <DSP-A592> 1 kHz/10 kHz ........................60 dB/50 dB <DSP-A492> 1 kHz...............................................60 dB CD/TUNER/TAPE/DVD·LD/TV·DBS/VCR (Input 5.1 k-ohms Terminated) <DSP-A592> 1 kHz/10 kHz ........................60 dB/45 dB <DSP-A492> 1 kHz...............................................60 dB VIDEO SECTION Video Signal Type [Europe and U.K. models] ......................PAL [General model] ...........................NTSC/PAL English SPECIFICATIONS Video Signal Level..................1 Vp-p/75 ohms S-Video Signal Level <DSP-A592 only> Y ........................................1 Vp-p/75 ohms C.................................0.286 Vp-p/75 ohms Maximum Input Level............1.5 Vp-p or more Signal-to-Noise Ratio ................50 dB or more Monitor Out Frequency Response ..................................5 Hz to 10 MHz, –3 dB GENERAL Power Supply [Europe and U.K. models] ..............................................AC 230V, 50 Hz [General model] ....................AC 110/120/220/240V, 60/50 Hz Power Consumption <DSP-A592> ......................................270W <DSP-A492> ......................................230W Maximum Power Consumption (8 ohms, 1 kHz, 10% THD, When 5 channels are driven:) [General model only] <DSP-A592> .................................630W <DSP-A492> .................................540W AC Outlets 3 SWITCHED OUTLETS [General model] ................100W max. total 2 SWITCHED OUTLETS [Europe model] .................100W max. total 1 SWITCHED OUTLET [U.K. model] ......................100W max. total Dimensions (W x H x D) <DSP-A592> ............435 x 151 x 379.5 mm (17-1/8” x 5-15/16” x 14-15/16”) <DSP-A492> ............435 x 151 x 266.5 mm (17-1/8” x 5-15/16” x 10-1/2”) Weight <DSP-A592> .............11.0 kg (24 lbs. 3 oz.) <DSP-A492> ...............8.7 kg (19 lbs. 2 oz.) Accessories ...........Remote control transmitter Batteries Specifications are subject to change without notice. Tone Control Characteristics BASS: Boost/cut ................±10 dB (50 Hz) Turnover Frequency .........(350 Hz) TREBLE: Boost/cut...........±10 dB (20 kHz) Turnover Frequency.....(3.5 kHz) Bass Extension <DSP-A592 only>..................+6 dB (50 Hz) Gain Tracking Error (0 to –60 dB) ............3 dB 33 YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA VV58000