Yamaha R-V702 Handleiding
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OWNER’S MANUAL
MODE D’EMPLOI
MANUAL DE INSTRUCCIONES
Natural Sound AV Receiver
Récepteur audiovisuel “Son Naturel”
Receptor AV de Sonido Natural
R-V702
R-V502
Thank you for selecting this YAMAHA AV receiver.
Nous vous remercions d’avoir porté votre choix sur ce récepteur audiovisuel YAMAHA.
Muchas gracias por haber adquirido este receptor AV YAMAHA.
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and
cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources – The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or
exhibits a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
SAFETY INSTRUCTIONS
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.
•
Explanation of Graphical Symbols
CAUTION
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
1
English
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
SPECIAL NOTES FOR FCC COMPOSITE
DEVICE (for US customers only)
This device is a composite system. The digital device
component may not cause harmful interference.
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC – NATIONAL ELECTRICAL CODE
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
FCC INFORMATION (for US customers only)
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring
or distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.
We Want You Listening For A Lifetime (for US customers only)
CONTENTS
2
Safety Instructions ...............Inside the Front Cover
Supplied Accessories ......................................2
Features ..........................................................3
Caution ............................................................4
Notes about the Remote Control Transmitter
........................................................................5
Profile of This Unit ...........................................6
Speaker Setup ................................................7
Connections ....................................................8
Controls and Their Functions ........................14
Speaker Balance Adjustment ........................20
Basic Operations ...........................................23
Tuning Operations .........................................26
Preset Tuning ................................................27
Using Digital Sound Field Processor (DSP)
......................................................................30
Setting the SLEEP Timer ..............................34
Troubleshooting .............................................35
Specifications ................................................36
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are included.
Indoor FM Antenna
AM Loop Antenna
Antenna adapter (U.S.A. and Canada models only)
Batteries (size AA, R6, UM-3)
Remote Control Transmitter
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
R-V702 R-V502
FEATURES
3
English
●
5 Speaker Configuration
R-V702
<
U.S.A. and Canada models
>
Main: 80W + 80W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Center: 80W (8Ω) RMS Output
Power, 0.09% THD,
1 kHz
Rear: 20W + 20W (8Ω) RMS Output
Power, 0.7% THD, 1 kHz
<
Australia and General models
>
Main: 80W + 80W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Center: 80W (8Ω) RMS Output
Power, 0.09% THD,
1 kHz
Rear: 20W + 20W (8Ω) RMS Output
Power, 0.7% THD, 1 kHz
R-V502
<
U.S.A. model
>
Main: 70W + 70W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Center: 70W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Rear: 20W + 20W (8Ω) RMS Output
Power, 0.7% THD, 1 kHz
<
Australia, Canada and General
models
>
Main: 60W + 60W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Center: 60W (8Ω) RMS Output
Power, 0.09% THD, 1 kHz
Rear: 20W + 20W (8Ω) RMS Output
Power, 0.7% THD, 1 kHz
●
Digital Sound Field Processor
●
Dolby Pro Logic Surround Decoder
●
Theater-like Sound Experience by the
Combination of Dolby Pro Logic and
YAMAHA DSP Technology (CINEMA DSP)
●
Automatic Input Balance Control for
Dolby Pro Logic Surround
●
Test Tone Generator for Easier Speaker
Balance Adjustment
●
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
● Preset Station Shifting Capability (Preset
Editing)
● IF Count Direct PLL Synthesizer Tuning
System
● Video Signal Input/Output Capability
● SLEEP Timer
● Remote Control Capability
4
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the cabinet assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the cabinet will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in well-
ventilated condition. Make sure to allow a space of at least
10 cm behind, 20 cm on the both sides and 30 cm above
the top panel of the unit. Otherwise it may not only damage
the unit, but also cause fire.
6. Always set the VOLUME control to “–
∞
” before starting
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.
10.To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
11.Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not
defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
13.Voltage Selector (General Model only)
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
IMPORTANT
Please record the serial number of this unit in the space
below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
FOR CANADIAN CUSTOMERS
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
OF PLUG TO WIDE SLOT AND FULLY INSERT.
THIS CLASS B DIGITAL APPARATUS MEETS ALL
REQUIREMENTS OF THE CANADIAN INTERFERENCE-
CAUSING EQUIPMENT REGULATIONS.
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even if
the apparatus itself is turned off.
FREQUENCY STEP switch (General Model only)
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
5
English
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation
Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
●
Use only AA, R6, UM-3 batteries for replacement.
●
Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
●
Remove the batteries if the remote control transmitter will not
be used for an extended period of time.
●
If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.
Remote control transmitter operation range
Notes
●
There should be no large obstacles between the remote
control transmitter and the main unit.
●
If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the main unit to avoid direct
lighting.
1
3
2
l6
20
28
40
60
l2
8
4
2
0
–dB
l6
20
28
40
60
l2
8
4
2
0
–dB
30°
30°
Remote control
sensor
Within approximately
6 m (19.7 feet)
R-V502
R-V702
6
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround
Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar
to professional Dolby Stereo decoders used in many movie
theaters. By using the Dolby Pro Logic Surround decoder, you
can experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic employs a four channel five speaker system. The Pro
Logic Surround system divides the input signal into four levels:
the left and right main channels, the center channel (used for
dialog), and the rear surround sound channels (used for sound
effects, background noise, and other ambient noises). The
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from the action on the
screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded
video tapes, laser discs, and some TV/cable broadcasts. When
you play a source encoded with Dolby Surround on this unit,
the Dolby Pro Logic Surround decoder decodes the signal and
distributes the surround-sound effects.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system improves the stability of
sound at each channel and minimizes crosstalk between
channels, so that positioning of sounds around the room is
more accurate compared with conventional analog signal
processing systems.
In addition, this unit features a built-in automatic input balance
control. This always assures you the best performance without
manual adjustment.
Manufactured under license from Dolby Laboratories Licensing
Corporation. “Dolby”, the double-D symbol and “Pro Logic” are
trademarks of Dolby Laboratories Licensing Corporation.
Dolby Pro Logic Surround + DSP
Dolby Surround sound system shows its full ability in a large
movie theater, because movie sounds are originally designed
to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room is much different from those of a
movie theater.
Yamaha DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for lack of
presence and dynamics in your listening room with its original
digital sound fields combined with Dolby Surround sound field.
The combination of Dolby Pro Logic Surround and DSP is used
on the sound field program “ PRO LOGIC ENHANCED”.
The YAMAHA “CINEMA DSP” logo indicates these programs are
created by the combination of Dolby Pro Logic and YAMAHA
DSP technology.
CINEMA DSP
7
English
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the program DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED is selected, conversations
will be output from the center speaker and the ambience will be
excellent.
• Set the center channel mode to the “NORMAL” or “WIDE”
position. (For details, refer to page 21.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, the center sound is output from the
left and the right main speakers. However, the sound effect of
other programs can be the same as that of the 5-speaker
configuration.
• Be sure to set the center channel mode to the “PHANTOM”
position. (For details, refer to page 21.)
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Main: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
Main L
Main R
Main L
Main R
Main L
Main R
8
CONNECTIONS
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
*
1
,
*
2
: See the next page.
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
GND
MONITOR OUT
DVD/LD
TV/DBSIN OUTVCR
VIDEO SIGNAL
CD
TAPE
( MD )
DVD/LDPHONO
TV/DBS
VCR
TAPE
PB
REC
OUT
IN OUT
AUDIO SIGNAL
3 4
1
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
MAINS
REAR
6ΩMIN./SPEAKER
SINGLE
:
6ΩMIN./SPEAKER
DUAL
:3ΩMIN./SPEAKER
A OR B
:4ΩMIN./SPEAKER
A B
:8ΩMIN./SPEAKER
CENTER
MAIN
REAR
8ΩMIN./SPEAKER
SINGLE
:
8ΩMIN./SPEAKER
DUAL
:4ΩMIN./SPEAKER
A OR B
:8ΩMIN./SPEAKER
A B
:
I6
Ω
MIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
GND
OUTPUT
AUDIO IN
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO OUT
VIDEO OUT
LINE OUT
LINE IN
OUTPUT
VIDEO OUT
AUDIO OUT
I20V 60Hz
I00W MAX. TOTAL
SWITCHED
AC OUTLETS
(U.S.A. model)
To AC outlet
Turntable
LD player etc.
Video cassette recorder
TV/Satellite tuner
Tape deck,
MD recorder, etc.
CD player
Monitor TV
*
2
*
1
R-V702
9
English
AC OUTLET(S) (SWITCHED)
(U.S.A., Canada and General models)
.......................................................... 2 SWITCHED OUTLETS
(Australia model) ................................. 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases better
results may be obtained with the ground wire disconnected.
*
1
*
2
R-V502
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
GND
MONITOR OUT
VIDEO
IN OUTVCR
VIDEO SIGNAL
CD
TAPE
( MD )
VIDEOPHONO VCR
TAPE
PB
REC
OUT
IN OUT
AUDIO SIGNAL
3 4
1
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
MAINS
REAR
6ΩMIN./SPEAKER
SINGLE
:
6ΩMIN./SPEAKER
DUAL
:3ΩMIN./SPEAKER
A OR B
:4ΩMIN./SPEAKER
A B
:8ΩMIN./SPEAKER
REAR
8ΩMIN./SPEAKER
SINGLE
:
8ΩMIN./SPEAKER
DUAL
:4ΩMIN./SPEAKER
A OR B
:8ΩMIN./SPEAKER
A B
:
I6
Ω
MIN./SPEAKER
CENTER
MAIN
CENTER
MAIN
IMPEDANCE SELECTOR
GND
OUTPUT
LINE OUT
LINE IN
OUTPUT
AUDIO IN
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO IN
VIDEO OUT
AUDIO OUT
I20V 60Hz
I00W MAX. TOTAL
SWITCHED
AC OUTLETS
(U.S.A. model)
To AC outlet
Turntable
LD player etc.
Video cassette recorder
Tape deck,
MD recorder, etc.
CD player
Monitor TV
*
2
*
1
10
CONNECTING SPEAKERS
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
REAR
6ΩMIN./SPEAKER
SINGLE
:
6ΩMIN./SPEAKER
DUAL
:3ΩMIN./SPEAKER
A OR B
:4ΩMIN./SPEAKER
A B
:8ΩMIN./SPEAKER
CENTER
MAIN
REAR
8ΩMIN./SPEAKER
SINGLE
:
8ΩMIN./SPEAKER
DUAL
:4ΩMIN./SPEAKER
A OR B
:8ΩMIN./SPEAKER
A B
:
I6
Ω
MIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
Rear speaker Rear speaker
Center speaker
Main speakers B
Left
Right
Left
Right
Main speakers A
Subwoofer system
Left
Right
Note
Use speakers with the specified impedance shown on the rear
of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies.
Connect the SUBWOOFER OUTPUT terminal of this unit to
the INPUT terminal of the subwoofer amplifier, and connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If
you cannot place the center speaker on or under the TV, it is
recommended to use two center speakers and place them on
both sides of the TV to orient the center sound at the center
position. For connecting two center speakers, follow the
method shown below.
REAR
CENTER
CD
DUAL
SINGLE
Center speaker
Center speaker
(U.S.A. model)
11
English
For connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
➀
Unscrew the knob.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Tighten the knob and
secure the wire.
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
➀
Press the tab.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Release the tab and
secure the wire.
➁
➂
➀
1
2
3
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage
this unit and/or speakers.
12
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
SUBWOOFER OUTPUT terminal
This terminal is for connecting with the input terminal of an
amplifier for driving a subwoofer.
This terminal outputs only frequencies below 200 Hz from the
main and center channels.
Note
Output level of signals from these terminals are adjusted
by the use of VOLUME control on the front panel or VOLUME
keys on the remote control transmitter.
OUTPUT terminals (for driving speakers with external amplifiers)
Be sure to switch this only when the power of this unit is turned
off.
Select the position whose requirements your speaker system
meets.
(Upper position)
Rear: The impedance of each speaker must be 6Ω or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 6Ω or higher.
If you use two center speakers, the impedance of
each speaker must be 3Ω or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8Ω or higher.
(Lower position)
Rear: The impedance of each speaker must be 8Ω or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 8Ω or higher.
If you use two center speakers, the impedance of
each speaker must be 4Ω or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 8Ω or higher.
<Except Canada model>
If you use two pairs of main speakers, the impedance
of each speaker must be 16Ω or higher.
IMPEDANCE SELECTOR switch
REAR
6ΩMIN./SPEAKER
SINGLE
:
6ΩMIN./SPEAKER
DUAL
:3ΩMIN./SPEAKER
A OR B
:4ΩMIN./SPEAKER
A B
:8ΩMIN./SPEAKER
CENTER
MAIN
REAR
8ΩMIN./SPEAKER
SINGLE
:
8ΩMIN./SPEAKER
DUAL
:4ΩMIN./SPEAKER
A OR B
:8ΩMIN./SPEAKER
A B
:
I6
Ω
MIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
CENTER
OUTPUT
SUB
WOOFER
(U.S.A. model)
13
English
ANTENNA CONNECTIONS
●
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
●
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is
a metal stake driven into moist earth.
Notes
●
When connecting the indoor
FM antenna, insert its
connector into the FM ANT
terminal firmly.
●
If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
GND
➀
➁
➂
Orient so that the best
reception is obtained.
1 2 3
Outdoor FM antenna
Outdoor AM antenna
AM loop
antenna
(included)
Ground
75-ohm/300-ohm
antenna adapter
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
300-ohm feeder
Indoor FM
antenna
(included)
14
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
POWER
NATURAL SOUND AV RECEIVER
R–V702
SPEAKERSPHONES
A
ON
B
OFF
BASS TREBLE BALANCE
VOLUME
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
CINEMA DSP
55
4
3
2
l
0
l
2
3
4
DELAY/
CENTER/REAR
FM
/
AM
MAN'L
/
AUTO FM
TUNING
MODE
AUTO
/
MAN'L MONO
CENTER
MODE
DISCO
CONCERT
HALL
ROCK
CONCERT
EFFECT
DOWN
TUNING
UP
MEMORY
EDIT
TIME
/
LEVEL
A
/
B
/
C
/
D
/
E
1
2 3 4 5 6 7 8
VCR DVD
/
LDTV
/
DBS
TAPE (MD)
MONITOR
TUNER
CD
PHONO
1
90 A B C D FGI JK
EH
23 4 5 6 8
7
POWER
NATURAL SOUND AV RECEIVER
R–V502
SPEAKERSPHONES
A
ON
B
OFF
BASS TREBLE BALANCE
VOLUME
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
CINEMA DSP
55
4
3
2
l
0
l
2
3
4
FM
/
AM
MAN'L
/
AUTO FM
TUNING
MODE
AUTO
/
MAN'L MONO
CENTER
MODE
DOWN
TUNING
UP
EFFECT
MEMORY
EDIT
PROGRAM
A
/
B
/
C
/
D
/
E
1
2 3 4 5 6 7 8
TAPE (MD)
MONITOR
VIDEOVCR
TUNER
CD
PHONO
REAR
LEVEL
CENTER
LEVEL
0l0 0l0
1
90 A B C D FGI L
M NK
E
7H
23 4 5 8
R-V702
R-V502
15
English
1 POWER switch
Press this switch to switch the power on. Press it again to
switch the power off.
2 Standby mode indicator
(Except U.S.A. and Canada models)
While the power is on, pressing the SYSTEM POWER OFF
key on the remote control transmitter switches the unit to the
standby mode. In this mode, this indicator is illuminated.
3 Remote control sensor
Receives signals from the remote control transmitter.
4 Display panel
Shows various information. (Refer to page 17 for details.)
5 Input selector buttons
Select a program source to listen to or watch. When a button is
pressed, the name of selected source appears on the display.
6 DSP program selector buttons
R-V702 only
Select a DSP program. When a button is pressed, the name of
selected program lights up on the display.
7 EFFECT button
Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).
8 VOLUME control
Used to raise or lower the volume level.
9 PHONES jack
When you listen with headphones, connect the headphones to
the PHONES jack. You can listen to the sound to be output
from the main speakers through headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
button.
0 SPEAKERS switches
Set the switch A or B (or both A and B) for the main speaker
system (connected to this unit) you will use to the ON position.
Set the switch for the main speaker system you will not use to
the OFF position.
A A/B/C/D/E button
Press this button to select a desired group (A–E) of preset
stations.
B Preset station number selector buttons
Select a preset station number (1 to 8).
C Tone controls
These controls are effective only for the sound from the main
speakers.
BASS
Used to increase or decrease the low frequency response.
The 0 position produces flat response.
TREBLE
Used to increase or decrease the high frequency response.
The 0 position produces flat response.
D BALANCE control
Adjusts the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
E FM/AM buttons
Press this button to switch the reception band to FM or AM.
PHONES
16
F MEMORY (MAN’L/AUTO FM) button
When this button is pressed, the MEMORY indicator flashes for
about 5 seconds. During this period, select a desired preset
station number by pressing the corresponding preset station
number selector button to enter the displayed station into the
memory.
When this button is pressed and held for about 3 seconds, the
automatic preset tuning begins. (Refer to page 28 for details.)
G EDIT button
This button is used to exchange the places of two preset
stations with each other.
H TUNING DOWN/UP button
Used for tuning. Press the “UP” side to tune in to higher
frequencies, and press the “DOWN” side to tune in to lower
frequencies.
I TUNING MODE (AUTO/MAN’L MONO) button
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this
button so that “AUTO” lights up on the display. To select the
manual tuning mode, press this button so that “AUTO” goes
off.
J DELAY/CENTER/REAR and TIME/LEVEL +/– buttons
R-V702 only
Adjust the delay time (DELAY), the rear channel output level
(REAR) and the center channel output level (CENTER).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR button and adjust its time or level by
pressing the TIME/LEVEL +/– button.
K CENTER MODE button
Selects a center channel output mode (NORMAL, WIDE or
PHANTOM). (For details, refer to page 21.)
L PROGRAM selector button
R-V502 only
When the built-in digital sound field processor (including the
Dolby Pro Logic Surround decoder) is on, this button changes
the currently selected DSP program whenever the right or left
side of this button is pressed.
M CENTER LEVEL control
R-V502 only
Adjusts the sound output level of the center speaker.
N REAR LEVEL control
R-V502 only
Adjusts the sound output level of the rear speakers.
17
English
DISPLAY PANEL
PRESET
kHz
MHz
MEMORY
AUTO
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
123
56
9
0
87
4
1 Multi-information display
Displays various information, for example station frequency,
preset station number and name of selected input source.
2 STEREO indicator
Lights up when an FM stereo broadcast with sufficient signal
strength is received.
3 Signal-level meter
Indicates the signal level of the received station.
If multipath interference is detected, the indication decreases.
4 SLEEP indicator
Lights up while the built-in SLEEP timer is functioning.
5 Center channel mode indicators
The name of a selected center channel mode lights up only
when a program which uses the Dolby Pro Logic Surround
decoder is selected.
6 EFFECT OFF indicator
Lights up if neither the digital sound field processor nor the
Dolby Pro Logic Surround decoder is on. In this state, sound
output is 2-channel stereo.
7 AUTO indicator
Lights up when this unit is in the automatic tuning mode.
8 MEMORY indicator
When the MEMORY button is pressed, this indicator flashes
for about 5 seconds. During this period, the displayed station
can be programmed to the memory by using the A/B/C/D/E
button and the preset station number selector buttons.
9 TAPE MON indicator
Lights up when the tape deck (or MD recorder etc.) is selected
as the input source by pressing the TAPE (MD) MONITOR
button.
0 DSP program indicators
The name of a selected DSP program lights up when the built-
in digital sound field processor and/or the Dolby Pro Logic
Surround decoder is on.
18
REMOTE CONTROL TRANSMITTER
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this
remote control transmitter will also control various functions of each component.
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
2
3
4
2
8
9
6
7
5
1
1
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
2
3
4
2
8
9
6
7
5
1
1
R-V502
R-V702
19
English
For Control of This Unit
1 DELAY/CENTER/REAR and TIME/LEVEL +/– keys
R-V702 only
Adjust the delay time (DELAY), the rear channel output level
(REAR) and the center channel output level (CENTER).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR key and adjust its time or level by
pressing the TIME/LEVEL +/– key.
DELAY TIME +/– key
R-V502 only
Adjusts the delay time, or the time difference between the
begining of source sound and the begining of effect sound.
(For details, refer to page 33.)
2 Tuner keys
Controls tuner.
+: Selects higher preset station number.
–: Selects lower preset station number.
A/B/C/D/E: Selects the group (A – E) of preset station
numbers.
3 SLEEP timer key
This key is used to turn the built-in SLEEP timer on and off,
and to set the SLEEP time. (See page 34 for details.)
4 POWER key
Turns the power on/off.
* (Except U.S.A. and Canada models)
While the power is on, pressing the POWER key on the
remote control transmitter switches the unit from the power-
on mode to the standby mode, and vice versa. (In the
standby mode, the standby mode indicator on the front panel
is illuminated.)
5 VOLUME +/– keys
Turns the volume level up/down.
6 Input selector keys
Selects input source.
7 Program selector keys
PROGRAM:
When the built-in digital sound field processor (including the
Dolby Pro Logic Surround decoder) is on, this key changes the
currently selected DSP program whenever the right or left side
of this key is pressed.
PROLOGIC:
Directly selects the PRO LOGIC program.
ENHANCED:
Directly selects the PRO LOGIC ENHANCED program.
8 EFFECT ON/OFF key
Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).
9 TEST key
Used for speaker balance adjustment. (For details, refer to
page 20–22.)
For Other Component Control
Identify the remote control transmitter keys with your
component’s keys. If these keys are identical, their functions
will be the same. On each key function, refer to the
corresponding instruction on your component’s manual.
1 Tape deck keys
Controls tape deck.
* DIR A, B and A/B are applicable only to double
cassette tape deck.
* For a single cassette deck with automatic reverse
function, pressing DIR A will reverse the direction of
tape running.
2 CD player keys
Controls compact disc player.
* DISC is applicable only to compact disc changer.
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
20
1
Set to the “
∞
” position.
2 Turn the power on.
3 Select the main speakers to be used.
* If you use two main speaker systems, press both the A
and B switches.
4
Set to the “0” position.
5
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround
decoder.
SPEAKERS
A
ON
OFF
B
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
POWER
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
1
2
3
l6
20
28
40
60
l2
8
4
2
0
–dB
R-V502
R-V702
4
5
5
TEST
21
English
l6
20
28
40
60
l2
8
4
2
0
–dB
6 Select the center channel output mode suitable for your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 7.)
On the feature of each mode, refer to the “Note” shown
below.
Note
In step 6, when you select a center channel output mode, note
the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the main speakers. In this
mode, the bass tone will be output from the main
speakers.
WIDE: Select this mode when you use the center speaker
approximately same sized as the main speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right main speakers.
7 Turn up the volume.
You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main
speaker, and then the rear speakers, for about two seconds
each. The display changes as shown below.
* The test tone from the left rear speaker and the right
rear speaker will be heard at the same time.
8 Adjust the BALANCE control so that the effect sound
output level of the left main speaker and the right main
speaker are the same.
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
CENTER
MODE
NORMAL
WIDE
PHANTOM
6
8
7
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
R-V502
R-V702
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
7 7
CONTINUED
Main (L)
Main (R)
Center
Rear (L and R)
9 Adjust the sound output levels of the center speaker and
the rear speakers so that they become almost as same
as that of the main speakers.
Make the adjustment of each speaker output level at your
listening position with the remote control transmitter.
a) Press once or more so that “CENTER” or “REAR”
appears on the display.
* Select “CENTER” to adjust the output level of the
center speaker, and select “REAR” to adjust the
output level of the rear speakers.
b) Adjust its level.
* Pressing the + side raises and the – side lowers the
level.
10 Cancel the test tone.
Notes
●
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the VOLUME keys on the remote
control transmitter) only.
●
If you use external power amplifiers, you may also use
their volume controls to achieve proper balance.
●
R-V702 only
In step 9, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this
mode, the center sound is automatically output from the
left and right main speakers.
22
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
R-V502
R-V702
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
10
10
9
R-V502
TIME/
LEVEL
–+
R-V702
DELAY/CENTER
/REAR/SWFR
Disappears.
TEST
CENTER
LEVEL
0l0
REAR
LEVEL
0l0
l6
20
28
40
60
l2
8
4
2
0
–dB
9
23
English
1
Set to the “
∞
” position.
2 Turn the power on.
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear on
the display.
4 Select the main speakers to be used.
* If you use two main speaker systems, press both the A
and B switches.
5 Play the source. (For detailed information on the
tuning operation, refer to page 26.)
6
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE and BALANCE
controls (refer to page 25), and use the digital sound
field processor. (Refer to page 31.)
Notes on using the input selector buttons
●
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
●
The selection of TAPE (MD) MONITOR cannot be
canceled by pressing another input selector button. To
cancel it, press TAPE (MD) MONITOR again so that
“TAPE MON” disappears from the display.
When you select a button other than TAPE (MD)
MONITOR, make sure that “TAPE MON” is not illuminated
on the display.
●
If you select the input selector button for a video source
without canceling the selection of TAPE (MD) MONITOR,
the playback result will be the video image from the video
source and the sound from the audio tape (or MD etc.).
●
Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
BASIC OPERATIONS
TO PLAY A SOURCE
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
SPEAKERS
A
ON
OFF
B
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
TUNER
CD
PHONO
POWER
1, 6
2
4
7
l6
20
28
40
60
l2
8
4
2
0
–dB
3
24
1 Select the source to be recorded.
2 Play the source and then turn the VOLUME control up
to confirm the input source. (For detailed information
on the tuning operations, refer to the page 26.)
3 Begin recording on the tape deck (or MD recorder etc.)
or VCR connected to this unit.
4 If the tape deck (or MD recorder etc.) is used for
recording, you can monitor the sounds being recorded
by pressing TAPE (MD) MONITOR so that “TAPE
MON” lights up on the display.
Note
The settings of DSP and the VOLUME, BASS, TREBLE and
BALANCE controls have no effect on the material being
recorded.
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
TO RECORD A SOURCE TO TAPE (OR MD)
2
l6
20
28
40
60
l2
8
4
2
0
–dB
1 4
TUNER
CD
PHONO
DVD
/
LDTV
/
DBS
TAPE (MD)
MONITOR
CD
PHONO
2
l6
20
28
40
60
l2
8
4
2
0
–dB
14
R-V502
R-V702
R-V502R-V702
TAPE (MD)
MONITOR
VCR
TUNER PHONO
25
English
Selecting the SPEAKER system
Because one or two speaker systems (as main speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the main
speakers.
Adjusting the BASS and TREBLE
controls
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the main
speakers.
SPEAKERS
A
ON
OFF
B
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
26
1 Select the reception band (FM or AM) confirming it on
the display.
2
3 Tune to a desired station manually.
* To continue tuning search, press and hold the button.
1 Select the reception band (FM or AM) confirming it on
the display.
2
3
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Note
If you tune to an FM station manually, it is received in monaural
mode automatically to increase the signal quality.
AUTOMATIC TUNING MANUAL TUNING
FM
/
AM
TUNING
MODE
AUTO
/
MAN’L MONO
TUNING
MODE
AUTO
/
MAN’L MONO
DOWN
TUNING
UP
DOWN
TUNING
UP
Turn “AUTO” off.
1
l6
20
28
40
60
l2
8
4
2
0
–dB
23
or
FM
/
AM
or
AUTO
27
English
1 Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2 Select a desired group (A – E) of preset stations
confirming it on the display.
3
4 Select a preset station number where you want to
program the station before “MEMORY” goes off from the
display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to preset station numbers
on other groups in the same way by selecting other groups
in step 2.
11 Select the group of preset stations.
22 Select the preset station number.
Notes
• A new setting can be programmed in place of the former
one.
• For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.
MANUAL PRESET TUNING
This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only
selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.
PRESET TUNING
To store stations
To recall a preset station
2, 11 34, 22
MAN’L
/
AUTO FM
MEMORY
MEMORY
A
/
B
/
C
/
D
/
E
PRESET
A
/
B
/
C
/
D
/
E
Flashes on and off
for about 5 seconds.
PRESET
MHz
AUTO
STEREO
0
20
l00
CONCERT HALL
Shows the displayed station has been
programmed to A1.
l6
20
28
40
60
l2
8
4
2
0
–dB
1
2 3 4 5 6 7 8
1
2 3 4 5 6 7 8
28
1
2
3
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed, in a while, the
automatic preset tuning begins automatically toward higher
frequencies.
The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
programmed to the preset station numbers on other groups
(B, C, D and E) in that order.
If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
If stations are stored up to E8, the automatic preset tuning is
finished automatically.
When the automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 27.
To recall a preset station
Simply follow the procedure of the section “To recall a preset
station” on page 27.
Notes
●
You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 27.
●
If the number of received stations is not enough to be stored
up to E8, the search is finished automatically after searching
all frequencies.
●
With this function, only FM stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 27.
AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic
tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 27.
To store stations
Press and hold for
about 3 seconds.
FM
/
AM
MAN’L
/
AUTO FM
MEMORY
l6
20
28
40
60
l2
8
4
2
0
–dB
132
Flashes.
DOWN
TUNING
UP
PRESET
MEMORY
AUTO
29
English
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example)
If you want to shift the preset station on E1 to A5, and vice
versa.
1 Recall the preset station on E1 (by following the method
of “To recall a preset station” on page 27).
2
3 Next, recall the preset station on A5 by following the
same method with step 1.
4
Shows the exchange of stations is completed.
Flashes.
Flashes.
EDIT
EDIT
MEMORY
PRESET
MEMORY
PRESET
2, 4
l6
20
28
40
60
l2
8
4
2
0
–dB
30
Brief Overview of Digital Sound Field Programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
PROGRAM FEATURE
This program is used for playback of sources encoded with Dolby Surround.
PRO LOGIC The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers
the sound source more smoothly and precisely, as compared to conventional types.
This program is also used for playback of sources encoded with Dolby Surround.
PRO LOGIC
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
ENHANCED
systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the
sound stage with an improved presence image. This program is used for musical based movies, as well as
drama and comedy based movies.
CONCERT VIDEO
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
MONO MOVIE
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.
STADIUM
This program gives you long delays between direct sounds and effect sounds, and extraordinarily
spacious feel of a large stadium.
DISCO
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The
sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.
CONCERT HALL
In this program, the center will appear to be deep behind the main speakers, creating an expansive large
hall ambience. Orchestra and opera music are suited for this sound field.
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with
Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP
program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround.
31
English
1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on
page 23.
2 Select the desired program that is suitable for the
source.
a)
Turn the DSP on so that a
program name lights up on
the display.
b)
Select a desired program
confirming it on the display.
The selected program name is shown on the display.
3 If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 32 and 33.)
Notes
●
Program selection can be made to individual input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called.
●
If you prefer to cancel the DSP, press the EFFECT button.
The sound will be the normal 2-channel stereo without
surround sound effect.
●
When CONCERT VIDEO, MONO MOVIE, DISCO,
STADIUM, ROCK CONCERT or CONCERT HALL is
selected, no sound is heard from the center speaker.
●
When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is
heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if
the center channel mode is in PHANTOM, the main
speakers output the sound of the center channel.
●
When this unit’s Dolby Pro Logic Surround decoder is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE control, the
relationship between the center and rear channels may
produce an unnatural effect.
●
To select a DSP program on the remote control transmitter,
first turn the DSP on so that a program name lights up on
the display by pressing the EFFECT key. Next, select a
desired DSP program by pressing the or side of
PROGRAM key.
* Pressing the PROLOGIC or ENHANCED key turns
the DSP on and selects the corresponding program
directly.
To play a source with the digital sound field processor
PROGRAM
PRO LOGIC
l6
20
28
40
60
l2
8
4
2
0
–dB
2
EFFECT
ON/OFF
PROLOGIC
ENHANCED
l6
20
28
40
60
l2
8
4
2
0
–dB
2
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
R-V502
R-V702
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
2
2
R-V502R-V702
PRO LOGIC
PRO LOGIC
ENHANCED
EFFECT
PROGRAM
32
If desired, you can adjust the sound output level of the center
speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 22.
1 Press once or more so that “CENTER” appears on the
display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the level value changes continuously.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
Notes
●
This adjustment can be made only when the digital sound
field program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs mentioned
above.
Note
This adjustment is useful only when the digital sound field
program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected.
Adjustment of the CENTER LEVEL
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
Adjustment of the REAR LEVEL
If desired, you can adjust the sound output level of the rear
speakers even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 22.
1 Press once or more so that “REAR” appears on the display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the level value changes continuously.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
Notes
●
This adjustment can be made only when the built-in digital
sound field processor is on.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
Note
If no digital sound field program is used, this adjustment is
useless.
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
R-V702
R-V502
R-V702
R-V502
CENTER
LEVEL
0l0
REAR
LEVEL
0l0
33
English
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
effect sound from the rear speakers.
The larger the value, the later the effect sound is generated.
This adjustment can be made to all programs individually.
PRO LOGIC : from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
PRO LOGIC : from 15 to 30 milliseconds
ENHANCED (Preset value: 20 milliseconds)
CONCERT VIDEO : from 1 to 100 milliseconds
(Preset value: 28 milliseconds)
MONO MOVIE : from 1 to 100 milliseconds
(Preset value: 20 milliseconds)
STADIUM : from 1 to 50 milliseconds
(Preset value: 45 milliseconds)
DISCO : from 1 to 100 milliseconds
(Preset value: 14 milliseconds)
ROCK CONCERT : from 1 to 100 milliseconds
(Preset value: 17 milliseconds)
CONCERT HALL : from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
1 Press once or more so that “DELAY” appears on the
display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the value changes continuously.
The value stops changing momentarily at the preset point.
* When the TIME/LEVEL button is pressed, sound is
momentarily interrupted.
This adjustment can be made by only using the remote control
transmitter.
* When the DELAY TIME key is pressed, sound is
momentarily interrupted.
Note
Adding too much delay will cause an unnatural effect with
some sources.
Notes
R-V702 only
The values of the delay time, center level and rear level you set
the last time will remain memorized even when the power of
this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.
R-V502 only
The value of the delay time you set the last time will remain
memorized even when the power of this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
R-V702
R-V502
ms
ms
DELAY TIME
Adjustable
ms
34
1
Whenever the SLEEP key is pressed, the SLEEP time will
change as follows.
After a while, the display returns to the indication before
the SLEEP timer is set.
2 The unit will be turned off automatically at the selected
SLEEP time.
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a
broadcast or other desired input source, this timer function is helpful.
Notes
●
The SLEEP timer can be controlled only with the remote control transmitter.
●
The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
To set the SLEEP time
Press once or more to select the desired
SLEEP time.
To cancel the selected SLEEP time
Press once or more so that “SLEEP OFF” appears on the
display. (It will soon disappear and the “SLEEP” indicator will
go off from the display.)
Note
The SLEEP timer setting can also be canceled by turning off
the power with the POWER switch or disconnecting the power
plug of this unit from the AC outlet.
Indicates the SLEEP time.
Lights up.
120 90 60 30
The SLEEP timer is off (OFF).
(The state before the SLEEP key
is pressed.)
(Minutes)
SLEEP
SLEEP
SLEEP
35
English
AmplifierFM
AMOthers
Remote control
transmitter
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when the POWER
switch is pressed, or turns off suddenly soon
after the power is turned on.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs the sound.
Sound “hums”.
The volume level is low while playing a record.
The volume level cannot be increased, or
sound is distorted.
No sound from the rear speakers.
No sound from the center speaker.
FM stereo reception is noisy.
There is distortion and clear reception cannot
be obtained even with a good FM antenna.
A desired station cannot be tuned in with the
automatic tuning method.
Previously preset stations can no longer be
tuned in.
A desired station cannot be tuned in with the
automatic tuning method.
There are continuous crackling and hissing
noises.
There are buzzing and whining noises
(especially in the evening).
The remote control transmitter does not work.
The sound is degraded when listening with the
headphones connected to the compact disc
player or cassette deck that are connected with
this unit.
CAUSE
Power cord is not plugged in or is not completely
inserted.
The IMPEDANCE SELECTOR switch on the rear
panel is not set to the upper or the lower end
exactly.
Incorrect output cord connections.
Appropriate input source is not selected.
The SPEAKERS switches are not set properly.
Speaker connections are not secure.
The protection circuit has been activated because
of short circuit etc.
The SLEEP timer has functioned.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the GND
terminal.
The record is being played on a turntable with an
MC cartridge.
The power to the component connected to the REC
OUT terminals of this unit is off.
The sound output level to the rear speakers is set
to 0.
The monaural sound source is played in DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED
mode.
The sound output level to the center speaker is set
to 0.
The center channel mode is in PHANTOM mode.
Incorrect sound field program selection.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is
poor.
There is multipath interference.
The station is too weak.
This unit has been unplugged for a long period.
Weak signal or loose antenna connections.
Noises will result from ligtning, fluorescent lamps,
motors, thermostats and other electrical equipment.
A television set is being used nearby.
Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.
The batteries of this remote control transmitter are
too weak.
The power to this unit is off.
REMEDY
Firmly plug in the power cord.
Set the switch to the upper or the lower end exactly.
Connect the cords properly. If the problem persists,
the cords may be defective.
Select an appropriate input source with the input
selector buttons.
Set the SPEAKERS switch which corresponds to
the speakers to be used to the ON position.
Secure the connections.
Turning the unit off and then on will reset the
protection circuit.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists,
the cords may be defective.
Firmly connect the audio plugs. If the problem
persists, the cords may be defective.
Make the GND connection between the turntable
and this unit.
The player should be connected to the unit through
the MC head amplifier.
Turn the power to the component on.
Raise the sound output level to the rear speakers.
Select another program suitable for the monaural
sound source.
Raise the sound output level to the center speaker.
Select NORMAL or WIDE.
Select the appropriate program.
Check the antenna connections.
Try using a high quality directional FM antenna.
Set the TUNING MODE button to the manual tuning
mode.
Adjust antenna placement to eliminate multipath
interference.
Use the manual tuning method.
Use a high quality directional FM antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna connections and
rotate it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
Relocate this unit away from the TV.
Change the position of the main unit.
Replace the batteries with new ones.
Turn the power to this unit on.
36
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power per Channel
Main L, R
8 ohms, 1 kHz, 0.09% THD
<R-V702>...............................80W + 80W
<R-V502>
[U.S.A. model]..........................70W + 70W
[Australia Canada and General models]
.................................................60W + 60W
Center
8 ohms, 1 kHz, 0.09% THD
<R-V702>..........................................80W
<R-V502>
[U.S.A. model].....................................70W
[Australia Canada and General models]
............................................................60W
Rear
8 ohms, 1 kHz, 0.7% THD..........20W + 20W
Maximum Power [General model only]
(8 ohms, 1 kHz, 10% THD)
Main L, R
<R-V702>...........................100W + 100W
<R-V502>...............................75W + 75W
Center
<R-V702>...........................100W + 100W
<R-V502>...............................75W + 75W
Rear ...........................................30W + 30W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring
method)
<R-V702>
[U.S.A. and Canada models]
8/6/4/2 ohms..............100/120/150/175W
[Australia and General models]
8/6/4/2 ohms................95/115/145/165W
<R-V502>
[U.S.A. model]
8/6/4/2 ohms................90/110/140/170W
[Australia, Canada and General models]
8/6/4/2 ohms................80/100/120/135W
Dynamic Headroom (8 ohms)
[U.S.A. and Canada models only]
<R-V702>.....................................1.55 dB
<R-V502>
[U.S.A. model only].........................1.76 dB
[Canada model only] ......................2.04 dB
Power Band Width
<R-V702>
8 ohms, 30W, 0.1% THD
..........................................10 Hz to 50 kHz
<R-V502>
8 ohms, 25W, 0.1% THD
..........................................10 Hz to 50 kHz
Damping Factor (SPEAKERS A)
8 ohms, 20 Hz to 20 kHz .............80 or more
Input Sensitivity/Impedance
PHONO MM.....................2.5 mV/47 k-ohms
CD/TAPE/DVD·LD/TV·DBS/VCR
........................................150 mV/47 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.5% THD............................100 mV
CD/TAPE/DVD·LD/TV·DBS//VCR
(EFFECT OFF)
1 kHz, 0.5% THD.................................2.5V
Output Level/Impedance
REC OUT.......................150 mV/2.5 k-ohms
SUBWOOFER (EFFECT OFF)
...............................................3.5V/1 k-ohms
Headphone Jack Rated Output/Impedance
Output Level (8 ohms, 0.04% THD).....0.45V
Impedance.....................................330 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE/DVD·LD/TV·DBS//VCR
........................................................0±0.5 dB
RIAA Equalization Deviation
PHONO MM....................................0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1V.....................................................0.02%
CD/TAPE/DVD·LD/TV·DBS/VCR
to SP OUT
30W/8 ohms .....................................0.03%
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
(5 mV Input Shorted) ...........................80 dB
CD/TAPE/DVD·LD/TV·DBS/VCR
to SP OUT
(Shorted)..............................................93 dB
Residual Noise (IHF-A Network)
MAIN L/R...........................................140 µV
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted, 1 kHz)
..........................................................60 dB
CD/TAPE/DVD·LD/TV·DBS/VCR
(Input 5.1 k-ohms Terminated,
1 kHz)................................................60 dB
Tone Control Characteristics
BASS: Boost/cut................±10 dB (50 Hz)
Turnover Frequency.........(350 Hz)
TREBLE: Boost/cut...........±10 dB (20 kHz)
Turnover Frequency.....(3.5 kHz)
Gain Tracking Error (0 to –60 dB)............3 dB
VIDEO SECTION
Video Signal Type
[U.S.A., Canada and General models]
.....................................................NTSC/PAL
[Australia model].....................................PAL
Video Signal Level..................1 Vp-p/75 ohms
Maximum Input Level............1.5 Vp-p or more
Signal-to-Noise Ratio................50 dB or more
Monitor Out Frequency Response
.....................................5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
..........................................87.5 to 107.9 MHz
[Australia and General models]
..........................................87.5 to 108.0 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
[U.S.A., Canada and General models only]
Mono...............................1.55 µV (15.1 dBf)
Stereo................................21 µV (37.7 dBf)
Usable Sensitivity
DIN, Mono (S/N 26 dB)
[Australia model]
...............................0.9 µV
DIN, Stereo (S/N 46 dB)
[Australia model]
................................24 µV
Image Response Ratio
[U.S.A., Canada and General models]
..............................................................45 dB
[Australia model]
...................................80 dB
IF Response Ratio
[U.S.A., Canada and General models]
.............................................................70 dB
[Australia model]..................................80 dB
Spurious Response Ratio........................70 dB
AM Suppression Ratio.............................55 dB
Capture Ratio..........................................1.5 dB
37
English
Alternate Channel Selectivity
[U.S.A., Canada and General models]
..............................................................85 dB
Selectivity (two signals, 40 kHz Dev.
±
300 kHz)
[Australia model]
...................................70 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo
[U.S.A., Canada and General models]
.................................................80 dB/75 dB
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[Australia models]
....................75 dB/70 dB
Harmonic Distortion
Mono/Stereo (1 kHz) ........................0.1/0.2%
Stereo Separation (1 kHz)......................50 dB
Frequency Response
20 Hz to 15 kHz.............................0 ±1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models]
.............................................530 to 1,710 kHz
[Australia model]
.................531 to 1,611 kHz
Usable Sensitivity.............................100 µV/m
Selectivity...............................................32 dB
Signal-to-Noise Ratio .............................50 dB
Image Response Ratio...........................40 dB
Spurious Response Ratio.......................50 dB
Harmonic Distortion (1 kHz) ....................0.3%
AUDIO SECTION
Output Level/Impedance
FM (100% mod., 1 kHz)
[U.S.A., Canada and General models]
......................................500 mV/2.2 k-ohms
[Australia model]
...........400 mV/2.2 k-ohms
AM (30% mod., 1 kHz)
.........................................150 mV/2.2 k-ohms
GENERAL
Power Supply
[U.S.A. and Canada models]
..............................................AC 120V, 60 Hz
[Australia model]...................AC 240V, 50 Hz
[General model]
....................AC 110/120/220/240V, 50/60 Hz
Power Consumption
<R-V702>
[U.S.A. model]...................................220W
[Australia, Canada and General models]
..........................................................230W
<R-V502>
[U.S.A. model]...................................190W
[Canada model].................................210W
[Australia and General models].........200W
Maximum Power Consumption
(8 ohms, 1 kHz, 10% THD, When 5 channels
are driven:)
[General model only]
<R-V702>......................................540W
<R-V502>......................................430W
AC Outlets
2 SWITCHED OUTLETS
[U.S.A., Canada and General models]
..........................................100W max. total
1 SWITCHED OUTLET
[Australia model]...............100W max. total
Dimensions (W x H x D)
.....................................435 x 151 x 266.5 mm
(17-1/8” x 5-15/16” x 10-1/2”)
Weight
<R-V702>....................8.7 kg (19 lbs. 2 oz.)
<R-V502>....................7.8 kg (17 lbs. 3 oz.)
Accessories..........................AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
Antenna adapter
(U.S.A. and Canada models only)
Specifications are subject to change without
notice.
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VV57220
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Yamaha R-V702 Handleiding
- Categorie
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- Type
- Handleiding
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- English: Yamaha R-V702 User manual
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- français: Yamaha R-V702 Manuel utilisateur
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