Documenttranscriptie
EEEngine
Owner’s Manual
2
1
3
HIGH
HIGH
+15
–15
+15
–15
MID
MID
4
HIGH
+15
–15
MID
6
5
HIGH
HIGH
+15
–15
HIGH
+15
–15
MID
MID
DIGITAL
EFFECT
+15
–15
MID
VOCAL ECHO 1
+12
6
6
0
0
6
6
-5
ON
–12
–12
-10
OFF
125
+15
–15
+15
–15
LOW
LOW
+15
–15
+15
–15
MONITOR
MONITOR
+15
–15
LOW
+15
–15
+15
–15
MONITOR
+15
–15
LOW
LOW
+15
–15
+15
–15
MONITOR
MONITOR
+15
–15
LOW
500
250
1k
VOCAL ECHO 2
+15
EFFECT
EFFECT
0
0
+15
EFFECT
0
+15
+15
–15
EFFECT
EFFECT
8k
POWER AMP
LIMITER
0
0
10
0
+15
EFFECT
10
LEVEL
LEVEL
10
0
LEVEL
10
0
PAD
PAD
+15
0
LEVEL
LEVEL
10
0
PAD
+15
0
+15
0
MAIN
MAIN
+12
+12
+6
6
6
+3
ROOM
0
PLATE
–12
0
10
0
10
2
3
4
Hi-Z
Hi-Z
Hi-Z
Hi-Z
Low-Z
0
10
0
0
10
Low-Z
2k
6
4k
-5
-10
A
B
YAMAHA
SPEAKER
PROCESSING
10
2TR IN
0
10
MASTER
power
MAIN
EFFECT
Super Hi-Z
1
1
2
2
INPUT TO MAIN
OUT PUT
EFFECT OUT
MIC
0
6
–12
8k
0
10
AUX IN
PAD
5
LINE
Low-Z
1k
ON
EFFECT RTN
PAD
PAD
1
Low-Z
500
250
MON
MAIN
MAIN
BRIDGE
GEQ
LEVEL
0
125
+15
0
MASTER
MONITOR
6
+15
0
+15
0
10
0
2TR IN
EFFECT RTN
MONITOR
+15
4k
0
GEQ
VOCAL
REVERB 2
HALL 2
0
+15
2k
PHANTOM
+3
VOCAL
REVERB 1
HALL 1
0
+6
+12
MIC
FOOT SW
ON /
OFF
EEEngine
2TR
IN
REC
OUT
1
1
2
2
MAIN
AUX IN
MONITOR
SEE REAR PANEL CAUTION
Keep This Manual For Future Reference.
E
The Owner’s Manual Revisions
E
Thank you for purchasing Yamaha EMX66M Powered Mixer. Parts of the EMX66M owner’s manual have been revised. Please refer
to the following revisions rather than the corresponding sections of the original owner’s manual.
P.10
P.28
■ MAIN section
■ Block and Level diagram
+12
+12
+6
6
6
+3
0
0
0
6
–12
125
250
500
1k
2k
4k
6
-5
–12
-10
PA
C
SPEAKERS OUT
MAXIMUM OUTPUT [300W/4Ω]
8k
NOMINAL OUTPUT [60W/4Ω]
GEQ
+20dB
C Level Meter
+11dB
This LED display shows the level of signals received at the
MAIN OUT jack (input/output panel 6).
Note: The SPEAKERS 1 & 2 jacks (rear panel 1) output the signals received at the MAIN OUT jack via the
internal power amplifier. Check the output signal level
via the LIMITER indicator (I).
P.11
■ MONITOR section
+12
+12
+6
6
6
+3
0
0
6
6
-5
–12
–12
-10
125
250
+30dB
500
1k
2k
4k
+4dB
+10dB
0dB
Power Amplifier output section level diagram (bottom right)
These plots show the nominal output and maximum output
levels of signals received at the SPEAKERS jacks. If the output
level is +4dB (Level Meter “0”), the internal power amplifier
will deliver 60W into a 4Ω load. If the output level is +11dB
(LIMITER indicator lights), the internal amplifier will deliver
a maximum of 300W into a 4Ω load. If you are using the
BRIDGE jack, the internal power amplifier will deliver 120W
into an 8Ω load with a +4dB signal, and a maximum of 600W
into an 8Ω load with a +11dB signal.
H
0
8k
GEQ
H Level Meter
This LED display shows the level of signals received at the
MONITOR OUT jack (input/output panel 6).
Note: The SPEAKERS 1 & 2 jacks (rear panel 1) output the signals received at the MONITOR OUT jack via
the internal power amplifier. Check the output signal
level via the LIMITER indicator (I).
■ POWER AMP section
I LIMITER indicator
If the output level of signals
received at the SPEAKERS output
jacks (output of the internal power
amplifier) reaches maximum, the
indicator will light.
POWER AMP
LIMITER
MAIN
MAIN
I
MON
MAIN
MAIN
Caution: If the LIMITER indicator flashes continuously, the internal power amplifier section is being excessively overloaded and may malfunction. Reduce the
output level at the Master control (BG) below the level
that the indicator flashes only briefly on the highest
transient peaks.
EMX66M
1
CH INPUT
[CH6]
CH INPUT
[CH5]
2TR IN
[-10dB]
[-7.8dB]
AUX IN
[-10dB]
[-10dB]
[-10dB]
BA
[-16dB]
[-22dB]
AUX IN
LEVEL
ON
MONTOR
[-22dB]
[-16dB]
[0dB]
[0dB]
AUX,2TR [0dB]
EFFECT RETURN
[-6dB]
EFFECT RETURN
[-6dB]
INV
SUM
MONITOR
[-16dB]
EFFECT
MONITOR
[-16dB]
EFFECT
[-22dB]
[-16dB]
MAIN
EFFECT
MONITOR
MAIN
EFFECT
MONITOR
BA
[+4dB]
REC OUT [-10dBV] [-7.8dB]
BA
SUM
[-6dB]
BA
[+4dB]
[+4dB]
REC OUT
[-10dB]
2 [-7.8dB]
1
MASTER
[-6dB]
[-6dB]
MASTER
SUM
[0dB]
[0dB]
7-Stage GEQ
7-Stage GEQ
1
2
1
2
1
2
1
2
1
2
NOMINAL OUTPUT [60W/4Ω]
SPEAKERS OUT
MAXIMUM OUTPUT [300W/4Ω]
EFFECT OUT
[+4dB]
MONITOR OUT
[+4dB]
LIMITER
LIMITER
MAIN OUT
[+4dB]
YSP ON/OFF
MAIN OUT
[+4dB]
MONITOR OUT [+4dB]
EFFECT OUT [+4dB]
LED METER(5 point)
POWER AMP
MAIN-MON
MAIN-MAIN
MAIN-BRIDGE
INV
YSP ON/OFF
LED METER(5 point)
+30dB
+40dB
2
1
2
1
-50dB
-40dB
-30dB
+20dB
-10dB
MIC(CH5,6]
[-50dB]
Low-Z PAD:OFF[-50dB]
Hi-Z PAD:OFF[-40dB]
SUPER Hi-Z(CH6)[-30dB]
Low-Z PAD: ON[-20dB]
AUX IN
[-10dB]
CH5,6 [-22dB]
2TR IN
EFFECT
EFFECT [-22dB]
MAIN, MONITOR [-16dB]
-50dB
-40dB
-30dB
+20dB
-10dB
0dB
B
[300W/4Ω]
BRIDGE
[600W/8Ω]
A
[300W/4Ω]
SPEAKERS OUT
+10dB
0dB
[-10dBV(-7.8dB)]
[0dB]
[-22dB]
[-22dB]
DIGITAL EFFECT ON
2TR IN
LEVEL
LEVEL
SUM
125Hz
+20dB
Clip Level [+20dB]
3-Stage EQ
AUX IN [-16dB]
[-10dB]
[-22dB]
BA
3-Stage EQ
[-10dB]
BA
DIGITAL EFFECT MITE
2
1
BA
BA
HA
[-10dB]
[-10dB]
[-22dB]
[-16dB]
MONITOR
[-16dB]
EFFECT
8kHz
+10dB
2TR IN
FOOT SW
PLATE
ROOM
HALL1
HALL2
VOCAL REVERB2
VOCAL REVERB1
VOCAL ECHO2
VOCAL ECHO1
LINE(CH5)[-10dB]
Hi-z PAD: ON[-10dB]
2
1
2
1
HA
LEVEL
8kHz
+20dB
+30dB
+40dB
SUPER Hi-Z
[-30dB]
MIC
[-50dB]
LINE
[-10dB]
MIC
[-50dB]
[10dB]
PAD
[30dB]
LOW
LOW
Hi-Z
[-40/-10dB]
LOW
3-Stage EQ
MID
MID
MID
[-10dB]
HIGH
HIGH
HA
250Hz
125Hz
CH INPUT
(CH1-4)
ON
500Hz
250Hz
Low-Z
[-50/-20dB]
4kHz
+15V
1kHz
500Hz
HIGH
DIGITAL
EFFECT
2kHz
1kHz
EMX66M
2kHz
6
4kHz
PHANTOM
OFF
■ Block and Level diagram
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
• Explanation of Graphical Symbols
CAUTION
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a risk of electric shock to
persons.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The exclamation point within an equilateral triangle is intended to alert the user to
the presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
The above warning is located on the
rear of the unit.
WARNING: THIS APPARATUS MUST BE EARTHED
SPEAKERS
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW :
EARTH
BLUE :
NEUTRAL
BROWN :
LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol
or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
BRIDGE
B
2
1
A
2
1
European Specifications Only
This mark indicates a dangerous electrically live terminal.
When connecting an external wire to this terminal, it is
necessary either to have “a person who have received
appropriate guidance on handling” make the connection or to
use leads or a cord that have been manufactured in such a way
that the connection can be made simply and without problem.
3
Precautions
WARNING
Installation
• Connect this unit’s power cord only to an AC outlet of the type
stated in this Owner’s Manual or as marked on the unit. Failure
to do so is a fire and electrical shock hazard.
• Do not allow water to enter this unit or allow the unit to
become wet. Fire or electrical shock may result.
• Do not place a container with liquid or small metal objects on
top of this unit. Liquid or metal objects inside this unit are a fire
and electrical shock hazard.
• Do not place heavy objects, including this unit, on top of the
power cord. A damaged power cord is a fire and electrical shock
hazard. In particular, be careful not to place heavy objects on a
power cord covered by a carpet.
• The power to this device is not completely shut off even when
the power switch is turned off. Locate the device close to the AC
outlet so you can easily reach the power plug.
• Use only the included power cord for this unit. Using other
types may be a fire and electrical shock hazard.
Operation
• Do not scratch, bend, twist, pull, or heat the power cord. A
damaged power cord is a fire and electrical shock hazard.
• Do not remove the unit’s cover. You could receive an electrical
shock. If you think internal inspection, maintenance, or repair
is necessary, contact your dealer.
• Do not modify the unit. Doing so is a fire and electrical shock
hazard.
• If lightning begins to occur, turn off the power switch of the
unit as soon as possible, and unplug the power cable plug from
the electrical outlet.
• If there is a possibility of lightning, do not touch the power
cable plug if it is still connected. Doing so may be an electrical
shock hazard.
In case an abnormality occurs during operation
• If the power cord is damaged (i.e., cut or a bare wire is
exposed), ask your dealer for a replacement. Using the unit
with a damaged power cord is a fire and electrical shock hazard.
• Should this unit be dropped or the cabinet be damaged, turn the
power switch off, remove the power plug from the AC outlet,
and contact your dealer. If you continue using the unit without
heeding this instruction, fire or electrical shock may result.
• If you notice any abnormality, such as smoke, odor, or noise, or
if a foreign object or liquid gets inside the unit, turn it off
immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a
fire and electrical shock hazard.
CAUTION
Installation
• Hold the power cord plug when disconnecting it from an AC
outlet. Never pull the cord. A damaged power cord is a potential fire and electrical shock hazard.
• Do not touch the power plug with wet hands. Doing so is a
potential electrical shock hazard.
• This unit has ventilation holes at the rear to prevent the internal
temperature rising too high. Do not block them. Blocked ventilation holes are a fire hazard.
• When rack-mounting the unit, allow enough free space around
the unit for normal ventilation. This should be10 cm at the
sides, 15 cm behind, and 25 cm above.
For normal ventilation during use, remove the rear of the rack
or open a ventilation hole.
If the airflow is not adequate, the unit will heat up inside and
may cause a fire.
PRECAUTIONS FOR OPERATION
Connector pin assignments
• XLR-type connectors are wired as follows: pin 1: ground, pin 2:
hot (+), and pin 3: cold (-).
Replacing abrasive parts
• The performance of components with moving contacts, such
switches, rotary controls, faders, and connectors, deteriorates
over time. The rate of deterioration depends on the operating
environment and is unavoidable. Consult your dealer about
replacing defective components.
Operation
• Use only speaker cables when connecting speakers to amplifier
outputs. Using other types of cables is a fire hazard.
Maintenance
• Clean the contacts of the phone plug before connecting it to the
SPEAKERS jack of this unit. Dirty contacts may generate heat.
– FOR CORRECT OPERATION –
Influence on cell phone usage
• Using a cell phone (mobile telephone) near this unit may induce
noise. If noise occurs, use the telephone away from the unit.
Volume level setting
• Do not set all equalizer controls and faders to maximum.
Doing so may cause oscillation depending on the condition of
the connected unit and speakers, and may damage the speakers.
EMX66M—Owner’s Manual
4
EMX66M—Owner’s Manual
5
Introduction
Thank you for purchasing the Yamaha EMX66M Powered Mixer.
In order to take full advantage of the EMX66M and enjoy long and trouble-free performance, please read this owner’s manual carefully, and keep it in a safe place for future
reference.
Features
• The EMX66M provides six input channels compatible with mic/line signals, including highimpedance input suitable for an electric-acoustic
guitar. The EMX66M has ample power, with a
maximum output of 300 W+300 W (600 W with
bridge connection), and is suitable for a wide
range of applications from installed systems to
small-scale PA systems.
• A two-channel power amp is built-in. The input
signals for the two channels can be selected as
MAIN+MAIN, MAIN+MONITOR, or MAIN
(bridge connection).
• Independent 7-band graphic EQ is provided for
both the MONITOR section and the MAIN section. This allows the volume and frequency
response to be adjusted separately for the main
speakers and monitor speakers.
• The power amp section has a limiter circuit to
prevent sound distortion and protect the speakers.
• A digital effect with eight selectable effect types is
built-in. A variety of effects can be applied to add
reverberation or ambiance to vocals or instrumental sounds.
• The EMX66M has implemented “EEEngine”,
Yamaha’s epochal amp drive technology to create
an unrivaled high-efficiency drive.
The EEEngine’s energy-saver/low-heat-generation design has reduced power consumption to
50% or less, and reduced heat generation to 35%
or less (in field applications, compared to
Yamaha’s previous models), and has lead to a
reduction in energy cost and to less-restrictive
installation requirements related to heat generation.
Contents
Introduction............................................................ 5
Features ................................................................ 5
EMX66M Quick Guide ................................................ 6
Front and rear panel ................................................... 9
Control panel ........................................................ 9
Input/output panel............................................... 13
Rear panel .......................................................... 15
Installation/Connection ............................................. 16
Installation ......................................................... 16
Connection ........................................................ 16
Basic Operation ........................................................ 19
Connecting microphones and instruments ......... 19
Monitoring ........................................................... 19
Using the digital effect ........................................ 19
Example setups ........................................................ 20
As a conference PA system/
installed sound system ...................................... 20
As a band PA...................................................... 21
Installing an optional rack mount kit ......................... 23
Troubleshooting ....................................................... 24
Specifications ........................................................... 25
General specifications ........................................ 25
Input specifications ............................................. 26
Output specifications .......................................... 26
Dimensions ......................................................... 27
Block and Level diagram .................................... 28
EMX66M—Owner’s Manual
6
EMX66M Quick Guide
EMX66M Quick Guide
The following steps (1–5) explain the basic connection and operation of the EMX66M.
Also, please read “Front and Rear Panel” and
“Basic Operation” following this Quick Guide
section to learn more about using the EMX66M.
SPEAKERS
STEP 1 Connection
BRIDGE
B
Connecting speakers
Using speaker cables, connect each speaker to the
A 1 or 2 jack and to the B 1 or 2 jack in the
SPEAKERS jack section on the rear panel of the
EMX66M.
2
A
1
2
1
EMX66M
Setting the power amplifier mode
Set the power amp select switch (located on the
right corner on the panel) to MAIN-MAIN.
EMX66M
MAIN
MAIN
MON
MAIN
MAIN
BRIDGE
Power amp select switch
• This Quick Guide assumes that two main speakers
are connected. Refer to pages 16–17 for other connections and power amp select switch settings.
SPEAKERS
SPEAKERS
BRIDGE
BRIDGE
B
B
2
2
A
A
1
1
2
2
1
1
EMX66M
EMX66M
• You may connect to either of the two jacks on the
speakers.
• Be sure to use a cable designed for speaker connection.
Never connect the speakers in the manner shown
below. Otherwise, the EMX66M’s built-in power
amplifier will be damaged.
Connecting a microphone
Make sure that the power is turned off to the
EMX66M.
Connect a microphone to the Low-Z jack of
channel 1–4.
EMX66M
Hi-Z
Hi-Z
Hi-Z
Hi-Z
Low
-Z
Low
-Z
Low
-Z
Low
-Z
Microphone
Using a condenser microphone
Turn on the PHANTOM switch (located in the upper
right corner on the panel).
SPEAKERS
EMX66M
BRIDGE
PHANTOM
A
ON
2
1
OFF
EMX66M
PHANTOM switch
• Do not connect or disconnect a condenser microphone while the power to the unit is on and the
PHANTOM switch has been turned on.
EMX66M—Owner’s Manual
EMX66M Quick Guide
Connecting a CD player, MD player, and/or cassette
deck
Connect a CD player or MD player to the 2TR IN
jacks. Refer to the operation manual of the corresponding device for more information on the
input and output of the device.
EMX66M
INPUT TO MAIN
OUT PUT
2TR
IN
REC
OUT
1
1
2
2
CD player
7
Connecting an electronic musical instrument
To the EMX66M’s LINE jacks, you can connect
an electronic musical instrument such as a synthesizer, drum machine, signal processor connected to an electric guitar, etc. Refer to the
diagram below to make a stereo connection from
the output jacks (such as L/MONO and R) of an
electronic musical instrument to the LINE jacks
in stereo.
EMX66M
Su
per Hi-Z
LINE
1
1
2
2
Recorder
(Cassette, DAT, MD)
• To connect a second player, use the LINE jack or HiZ jack.
• You cannot use the Hi-Z jack and the Low-Z jack for
the same channel at the same time. If a microphone
has already been connected to the Low-Z jack of a
channel, you cannot connect a player to the Hi-Z
jack of the channel.
• Connect a recorder to the REC OUT jacks.
Connecting an electric acoustic guitar or electric bass
Connect an electric acoustic guitar or electric
bass to the Super Hi-Z jacks.
You can use either or both of the 1 and 2 jacks.
Synthesizer, drum machine, guitar processor, etc.
If you wish to connect multiple instruments,
make a monaural connection as shown below.
EMX66M
LINE
Su
per Hi-Z
1
1
2
2
EMX66M
LINE
Su
per Hi-Z
1
1
2
2
Electric-acoustic
guitar
• You can also use the Hi-Z jacks and Super Hi-Z jacks
to connect multiple instruments. You cannot use the
Hi-Z jack and the Low-Z jack for the same channel at
the same time. If a microphone has already been connected to the Low-Z jack of a channel, you cannot
connect an instrument to the Hi-Z jack of the channel.
Electric
bass
• If you wish to use a guitar signal processor or bass
effect unit, connect them to the Hi-Z jack or LINE
jack. You cannot use the Hi-Z jack and the Low-Z
jack for the same channel at the same time. If a
microphone has already been connected to the LowZ jack of a channel, you cannot connect the effect
unit to the Hi-Z jack of the channel.
EMX66M—Owner’s Manual
8
EMX66M Quick Guide
STEP 2 Power on
STEP 4 Applying built-in effects
1 Turn on the power to all external devices connected to the EMX66M.
2 Make sure that the MASTER controls in the
MONITOR section and the MAIN section are set
to “0,” then press the POWER switch on the
EMX66M to turn on the power.
1 Turn on the ON switch in the DIGITAL EFFECT
section. The ON switch indicator lights up.
2 Select one of eight effect types, then press the
switch.
3 Adjust the amount of effect applied by using the
EFFECT control of the target channel and the
EFFECT RTN control in the MAIN section.
+12
EMX66M
500
1k
2k
4k
+12
+6
6
+3
0
0
6
6
6
-5
–12
–12
—12
-10
6
0
EMX66M
125
500
250
1k
2k
GEQ
8k
GEQ
0
0
10
0
10
EFFECT RTN
10
0
2TR IN
MAIN
MONITOR
+12
+6
6
+3
0
500
1k
2k
4k
10
AUX IN
MASTER
0
6
-5
—12
-10
5
+15
EFFECT
EFFECT
8k
EFFECT
0
+15
+15
EFFECT
EFFECT
EFFECT
GEQ
0
0
10
AUX IN
0
10
2TR IN
0
+15
0
+15
0
+15
0
+15
0
+15
0
+15
10
MASTER
MAIN
• Be sure to follow the power up sequence specified
above to prevent the speakers from being damaged.
STEP 3 Sound output
Set the MASTER control in the MAIN section to
√ ,” then while playing an instrument con“√
nected to a channel to be checked (or while
speaking to a connected microphone), adjust the
LEVEL control of the corresponding channel so
that the 0 LED of the peak level indicator in the
MAIN section will light up momentarily.
• Do not press the PAD switch if sound is input from
the microphone. Otherwise, press the PAD switch
on.
EMX66M
PAD
1
• To correct the low range, turn on the YAMAHA
SPEAKER PROCESSING switch on the right of the
panel.
• Note that if the LIMITER indicator stays lit for a long
time, the built-in amplifier and speakers may be
damaged.
EMX66M—Owner’s Manual
STEP 5 Power off
1 Press the POWER switch of the EMX66M to turn
off the power to the unit.
2 Turn off the power to all connected devices.
• Be sure to follow the power off sequence specified
above to prevent the speakers from being damaged.
• Set the MASTER controls in the MAIN section
and the MONITOR section to “0” for use next
time (so that a loud noise will not sound the next
time you turn on the power to the unit).
Front and rear panel
9
Front and rear panel
Control panel
■ Channel section
In this section, you can adjust equalization (frequency response), volume level, effect and monitor output levels for the input signal of each
channel.
1
HIGH
+15
–15
2 Monitor control (MONITOR)
For each channel, this controls the amount of signal that is sent to the MONITOR bus.
The signal of the MONITOR bus is sent to the
speakers connected to the SPEAKERS B 1/2 jacks
(only if the power amp select switch is in the
MAIN-MON position) and to the MONITOR
jacks (input/output panel 6).
MID
1
+15
–15
LOW
+15
–15
MONITOR
2
0
+15
EFFECT
3
+15
0
LEVEL
4
10
0
5
PAD
1
1 Equalizer controls (HIGH, MID, LOW)
This is a 3-band equalizer that adjusts the high
frequency range, mid frequency range, and low
frequency range of each channel. Response is flat
when the knobs are in the “▼” position. Rotating
it toward the right will boost the corresponding
frequency band, and rotating it toward the left
will cut it.
The base frequency (or center frequency), range
of boost or cut, and equalizer type of each band
are as follows.
HIGH: 10 kHz ±15 dB shelving type
MID:
2.5 kHz ±15 dB peaking type
LOW:
100 Hz ±15 dB shelving type
Note: The signal is sent to the MONITOR bus
from a location before the level control (4) of
each channel. This means that it will not be affected by the setting of the LEVEL control.
3 Effect control (EFFECT)
For each channel, this controls the amount of signal that is sent to the EFFECT bus.
The signal of the EFFECT bus is sent to the builtin effect and to the EFFECT OUT jacks (input/
output panel 3).
Note: The signal is sent to the EFFECT bus
from a location after the level control (4) of
each channel. This means that the amount of
signal that is sent to the EFFECT bus will be affected not only by the setting of the effect control, but also by the setting of the level control.
4 Level control (LEVEL)
This control adjusts the level of signals routed
from each channel to the MAIN bus and to the
built-in power amplifier.
The MAIN bus signal is sent to the MAIN jacks
(input/output panel 6) and the SPEAKERS jacks
on the rear panel 1.
5 Pad switch (PAD) (Channel 1–4 only)
This switch attenuates the input signal by 30 dB.
When connecting a line level device to channels
1–4, or if the mic input is distorted, turn this
switch on (the pressed-in position).
EMX66M—Owner’s Manual
10
Front and rear panel
■ DIGITAL EFFECT section
■ MAIN section
This section allows you to turn the built-in digital
effect on/off and to select the effect type.
This section allows you to adjust the tone and
volume of the MAIN bus, the mix level of the
built-in effect, and the mix level of the external
input.
DIGITAL
EFFECT
8
VOCAL ECHO 1
+12
+12
+6
6
6
+3
0
0
0
6
6
-5
—12
—12
-10
125
VOCAL ECHO 2
250
500
1k
2k
4k
C
8k
GEQ
VOCAL
REVERB 1
B
VOCAL
REVERB 2
HALL 1
0
6
HALL 2
10
EFFECT RTN
0
10
AUX IN
0
10
2TR IN
0
10
MASTER
MAIN
9
0
A
ROOM
8 Graphic equalizer
PLATE
ON
7
EFFECT
6 Effect select switch and indicator
Select the effect type for the built-in digital effect.
The indicator of the selected effect type lights up.
7 DIGITAL EFFECT ON switch and indicator
When this switch is on (pressed), the indicator
lights up and the built-in digital effect can be
used. In that case, the signal processed by the digital effect will be sent to the MAIN/MONITOR
bus. The mix level of the effect sound is adjusted
by the EFFECT RTN control of the MAIN and
MONITOR sections.
You can switch the built-in digital effect on and
off by stepping on an optional foot switch connected to the FOOT SW jack.
This is a 7-band graphic equalizer that allows you
to adjust the frequency response of the MAIN
bus signal, providing a maximum of ±12 dB of
cut/boost for each frequency band.
This graphic equalizer affects both the MAIN bus
signal that is output to the speakers and the line
level signal which is output from the MAIN jack
(input/output panel 6).
9 EFFECT RTN control
This adjusts the level of the effect signal which is
returned from the built-in digital effect to the
MAIN bus.
0 AUX IN control
This adjusts the amount of signal that is sent
from the AUX IN jack to the MAIN bus.
A 2TR IN control
This adjusts the amount of signal that is sent
from the 2TR IN jacks to the MAIN bus.
B MASTER control
This adjusts the final level of the MAIN bus. It
affects both the MAIN bus signal which is output
from the speakers, and the line level signal which
is output from the MAIN jack (input/output
panel 6).
C Peak level indicator
This indicator allows you to monitor the level of
the signal which is output from the MAIN jack
(input/output panel 6).
Note: To avoid distortion, adjust the MASTER
control (B) so that the 0 indicator lights occasionally.
EMX66M—Owner’s Manual
Front and rear panel
■ MONITOR section
■ POWER AMP section
This section allows you to adjust the tone and
volume of the MONITOR bus, and specify the
mix level of the built-in effect and the external
input signals.
D
This section allows you to select the signals that
will be input to the built-in two-channel power
amplifier.
POWER AMP
+12
+12
+6
6
6
+3
0
0
0
6
6
-5
—12
—12
-10
125
250
500
1k
2k
4k
H
MAIN
MAIN
8k
0
10
10
2TR IN
EFFECT RTN
0
10
MASTER
MON
MAIN
MAIN
BRIDGE
G
F
E
I
J
LIMITER
GEQ
0
11
A
B
MONITOR
D Graphic equalizer
This is a 7-band graphic equalizer that allows you
to adjust the frequency response of the MONITOR bus signal, providing a maximum of ±12 dB
of cut/boost for each frequency band.
You can use these sliders to reduce the level of frequency bands at which feedback easily occurs. Frequency response is flat when a slider is in the center
position. Moving a slider in the positive direction
will boost, and in the negative direction will cut.
This graphic equalizer affects both the MONITOR bus signal that is output to the speakers and
the line level signal which is output from the
MONITOR jack (input/output panel 6).
E EFFECT RTN control
This controls the level of the effect sound which
is returned from the built-in digital effect to the
MONITOR bus.
F 2TR IN control
This controls the level of the signal routed from
the 2TR IN jack (input/output panel 5) to the
MONITOR bus.
G MASTER control
This adjusts the final level of the MONITOR bus.
It affects both the MONITOR bus signal which is
output to the speakers and the line level signal
which is output to the MONITOR jack (input/
output panel 6).
H Peak level indicator
This indicator allows you to monitor the level of
the signal which is output from the MONITOR
jack (input/output panel 6).
Note: To avoid distortion, adjust the MASTER
control (G) so that the 0 indicator lights occasionally.
I LIMITER indicator
This indicator lights up when the level of the signal output from the power amp section reaches
the maximum and the limiter is activated. Adjust
appropriate control so that the indicator lights up
for only a short while when the signal reaches the
maximum level.
Note: The indicator lights up or flashes for a
longer duration if the power amp section is significantly overloaded, which could result in
malfunction. Avoid such a situation.
J Power amp select switch
Select one of the following three settings to route
the signals to the appropriate jacks, depending on
the speaker connection at the SPEAKERS jacks
(rear panel 1).
• MAIN-MON
With this setting, the MAIN bus signal will be
output from the SPEAKERS A 1/2 jacks and the
MONITOR bus signal is output from the
SPEAKERS B 1/2 jacks. The MASTER controls
(B, G) in the MAIN and MONITOR sections
are both effective.
• MAIN-MAIN
With this setting, the MAIN bus signal will be
output from the SPEAKERS A 1/2 jacks and
from the SPEAKERS B 1/2 jacks. Only the MASTER control B in the MAIN section becomes
effective.
• MAIN BRIDGE
With this setting, the MAIN bus signal will be
output from the BRIDGE jack. The two power
amp channels will be bridge connected. Only the
MASTER control B in the MAIN section
becomes effective.
EMX66M—Owner’s Manual
12
Front and rear panel
■ PHANTOM switch and indicator
PHANTOM
K
ON
OFF
K PHANTOM switch and indicator
This switch turns the phantom power supply on/
off for the Low-Z input jacks of channels 1–4 and
MIC input jacks of channels 5–6. When the
switch is turned on, the indicator lights up.
Turn this switch off if you do not use it.
■ YAMAHA SPEAKER PROCESSING
L ON/OFF switch
This switch enables you to compensate the low
range of the speakers. The low range balance
when this switch is on varies depending on the
speakers.
First, check the low range balance by auditioning
the resultant sound, then set this switch to on or
off.
YAMAHA
SPEAKER
PROCESSING
L
■ Power switch and indicator
power
ON /
OFF
M
M Power ON/OFF switch and indicator
This switch turns the power of the EMX66M on/
off. When the switch is turned on, the indicator
lights up.
Note: Before turning the EMX66M on/off, turn
down the MASTER controls of the MONITOR
and MAIN section.
EMX66M—Owner’s Manual
Front and rear panel
13
Input/output panel
6
5
Super Hi-Z
LINE
Hi-Z
Hi-Z
Low-Z
Low-Z
Hi-Z
OUT PUT
EFFECT OUT
Hi-Z
MIC
Low-Z
MIC
FOOT SW
ON /
OFF
EEEngine
2TR
IN
2
2
Low-Z
INPUT TO MAIN
1
1
REC
OUT
1
1
2
2
MAIN
AUX IN
MONITOR
SEE REAR PANEL CAUTION
1
2
1 Hi-Z, Low-Z input jacks
2 MIC, LINE, Super Hi-Z input jacks
These are the input jacks for channels 1–4.
By using the PAD switches (control panel 5) you
can connect any of the jacks to a wide range of
sources from mics to line level devices (synthesizers or rhythm boxes etc.). The Low-Z jacks can
provide +15 V phantom power, allowing you to
use condenser microphones.
Both Hi-Z and Low-Z are balanced, and are compatible with microphones of output impedance
50–600Ω or line level devices of 600Ω. The nominal input level is –40 dB – –10 dB for the Hi-Z
jacks, and –50 dB – –20 dB for the Low-Z jacks.
Pin connections for the Hi-Z and Low-Z jacks are
as follows.
Low-Z jacks
(XLR type)
Hi-Z jacks
(TRS phone jacks)
Pin 1: ground
Sleeve: ground
Pin 2: hot (+)
Tip: hot (+)
Pin 3: cold (–)
Ring: cold (–)
S
+ - GND
3 4
R T
GND -
+
Note: It is not possible to simultaneously use
both the Hi-Z and Low-Z inputs of a given
channel. For each channel, use only one of the
inputs as appropriate for the input source.
Phantom power is switched on/off simultaneously for the Low-Z jacks of channels 1-4 and
the MIC jacks of channels 5-6. For this reason,
any devices other than condenser microphones
must be connected to the Hi-Z or LINE jacks if
the PHANTOM switch (control panel K) is on.
These are the input jacks for channels 5–6.
Microphones can be connected to the MIC jacks,
and stereo line level devices (such as synthesizers
or rhythm boxes) can be connected to the LINE
jacks.
The MIC jacks are balanced, and are compatible
with microphones of output impedance 50–
600Ω.
The LINE 1 & 2 jacks are unbalanced, and are
compatible with line level devices of 600Ω output
impedance. These two input jacks can be used
simultaneously.
Nominal input level is –50 dB for the MIC jacks
and –10 dB for the LINE jacks.
Super Hi-Z 1 & 2 jacks are unbalanced, can be
used simultaneously, and their high input impedance makes them ideal for use with instruments
such as electric-acoustic guitar and electric bass.
They can also be used with line-level sources,
such as synthesizers and drum machines. Nominal input level is –30 dB.
Note: It is possible to simultaneously use both
the MIC and LINE inputs for channel 5, and the
MIC and Super Hi-Z inputs for channel 6.
3 Effect output jack (EFFECT OUT)
The input of an external effect such as a delay or
echo can be connected to this jack.
The signal adjusted by the EFFECT control (control panel 3) of each channel will be sent to the
EFFECT bus, and output from this jack.
The nominal output level and conforming
impedance are +4 dB/10 kΩ.
EMX66M—Owner’s Manual
14
Front and rear panel
4 Foot switch jack (FOOT SW)
A separately sold Yamaha FC5 foot switch can be
connected to this jack. If a foot switch is connected to this jack, you can use your foot to
switch the built-in digital effect on/off.
5 AUX IN/2TR IN—INPUT TO MAIN jacks
These are input jacks that allow the signal from
an external device to be added to the MAIN output. Monaural output devices such as external
effects can be connected to the AUX IN jack, and
stereo output devices such as cassette recorder or
CD players can be connected to the 2TR IN jacks.
The nominal input level and impedance are –10 dB/
600Ω for the AUX IN jack, and –10 dBV/600Ω for
the 2TR IN jacks.
6 REC OUT/MAIN/MONITOR—OUTPUT jacks
These are output jacks which send line level signals from the EMX66M to external devices.
A stereo recording device such as a cassette deck,
DAT or MD recorder can be connected to the
REC OUT jacks, and a playback device such a
power amp can be connected to the MONITOR
and MAIN jacks. The signals sent from each jack
are as follows.
• REC OUT jacks: The MAIN bus signal before it
has passed through the MASTER control and
graphic equalizer
• MAIN jack: The MAIN bus signal which has
passed through the Main MASTER control and
graphic equalizer
• MONITOR jack: The MONITOR bus signal
which has passed through the Monitor MASTER control and graphic equalizer
The nominal output level and impedance are
–10 dBV/10 kΩ for the REC OUT jacks, and
+4 dB/10 kΩ for the MONITOR/MAIN jacks.
EMX66M—Owner’s Manual
Front and rear panel
15
Rear panel
1
2
SPEAKERS
AC IN
BRIDGE
B
2
1 Speaker output jacks (SPEAKERS)
Connect speakers here. The EMX66M has two
internal power amplifiers. There are three ways in
which speakers can be connected to the
EMX66M.
1
A
2
1
2 AC IN socket
Connect the included power cord to this socket.
Connect the plug of the power cord to an AC outlet that meets the requirements stated in the specifications in this document.
• Two-channel connection
• Two-channel parallel connection
• Bridge connection
At this time, use the power amp select switch J
on the control panel to select a signal sent to the
correct jacks.
Refer to the “Speaker connection” section on the
next page.
EMX66M—Owner’s Manual
16
Installation/Connection
Installation/Connection
Installation
The EMX66M uses a forced cooling system with intake on the bottom of the rear panel and exhaust on the
top of the rear panel to avoid blocking the heated air flow.
Front
15cm
or less
NO
NO
Exhaust
Intake
Front
Connection
When connecting various devices, be sure to use cables and plugs of the appropriate standard.
Use dedicated speaker cables to connect the speakers to the speaker jacks.
Speaker connection
There are three ways in which speakers can be connected to the EMX66M.
The speaker impedance requirement varies depending on how you connect the speakers. Refer to the diagrams below to make sure the speaker impedance will not be lower than the specified value.
■ When the power amp select switch is set to MAIN-MON or MAIN-MAIN:
• Two-channel connection
Two 4-8Ω speakers can be connected to either SPEAKERS jack 1 or jack 2 of channels A and B. If you are
using speakers rated at 4Ω, the maximum output would be 300W + 300W.
• Two-channel parallel connection
Two 8-16Ω speakers can be connected to both SPEAKERS jack 1 and jack 2 of channels A and B. If you are
using speakers rated at 8Ω, the maximum output would be 300W + 300W.
Two-channel connection
MAIN
MAIN
SPEAKERS
MON
MAIN
MAIN
BRIDGE
Two-channel parallel connection
B
SPEAKERS
B
A
BRIDGE
2
1
connection
A
BRIDGE
No
No
2
1
2
1
connection
2
1
or
MAIN
MAIN
MON
MAIN
MAIN
BRIDGE
EMX66M—Owner’s Manual
4Ω–8Ω
Main/Monitor
Speaker
4Ω–8Ω
Main
Speaker
8Ω–16Ω 8Ω–16Ω
Main/Monitor
Speakers
8Ω–16Ω 8Ω–16Ω
Main
Speakers
Installation/Connection
17
■ When the power amp select switch is set to MAIN BRIDGE
• Bridge connection
One 8-16Ω speaker can be connected to the BRIDGE jack. If you are using a speaker rated at 8Ω, the maximum output would be 600W.
Bridge connection
SPEAKERS
B
MAIN
MAIN
MON
MAIN
No
connection
2
1
A
BRIDGE
No
connection
2
1
MAIN
BRIDGE
8Ω–16Ω
Main Speaker
Caution:
When using a bridge connection, do not connect anything to the SPEAKERS A and SPEAKERS B jacks. Likewise, when using the SPEAKERS A and/or SPEAKERS B jacks, do not connect anything to the BRIDGE jack.
The BRIDGE jack has a protective cap that prevents a speaker from being accidentally connected to it when
you are using two-channel or two-channel parallel connections. Remove this protective cap only when making a bridge connection.
EMX66M—Owner’s Manual
18
Installation/Connection
■ Example connections
Recorder (Cassette, DAT, MD)
CD player
Effects processor
88
Synthesizer,
Drum machine,
Guitar processor
Main Speakers
Power AMP
LINE
Hi-Z
Low-Z
Low-Z
Hi-Z
INPUT TO MAIN
Low-Z
OUT PUT
EFFECT OUT
Hi-Z
2
Low-Z
Super Hi-Z
1
1
Hi-Z
2
MIC
MIC
FOOT SW
ON /
OFF
EEEngine
2TR
IN
REC
OUT
1
1
2
2
MAIN
AUX IN
MONITOR
SEE REAR PANEL CAUTION
*1
Footswitch
(YAMAHA FC5)
Microphone
Electric-acoustic
guitar
Electric bass
The figure above shows appropriate jacks to
connect each instrument.
* The Low-Z and Hi-Z input of each channel cannot be used simultaneously.
*1. Although this example shows an external effects
processor and footswitch, which is used to turn
on and off the built-in digital effects processor,
connected to the EMX66M, in practice, only one
effects processor, internal or external, will be
used at a time, so the footswitch is not required
when using external effects.
EMX66M—Owner’s Manual
Monitors Speakers
Normally, connect speakers to the
jacks on the rear panel. If more
speaker outputs are needed, use the
MAIN jack and the MONITOR jack for
additional outputs.
Basic Operation
19
Basic Operation
This section explains basic operation of the EMX66M.
Connecting microphones
and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off.
Also make sure that the level controls of
each channel of the EMX66M and the
MASTER control of the MAIN section are
turned down.
2 Connect cables to your mics and instruments, and insert the other end of the
cable firmly into the appropriate Low-Z/
Hi-Z jack (channels 1–4) or the MIC jack
(channels 5–6), LINE jack (channels 5),
Super Hi-Z jack (channels 6).
Note: When connecting a line level device to
channels 1–4, turn on the PAD switch.
You cannot use a channel’s Low-Z and Hi-Z
jacks at the same time. The MIC and LINE
jacks, or the MIC and Super Hi-Z jacks, however, can be used at the same time.
3 Turn the power on in the order of peripheral devices ➞ EMX66M.
Note: When turning the power off, reverse this
sequence.
4 Set the MAIN section MASTER control to
√” position.
the “√
5 While speaking into the mic (while playing the instrument), adjust the channel
LEVEL control so that the 0 LED of the
MAIN section peak level meter lights
occasionally.
Repeat this step for each channel.
6 If you wish to adjust the tone of each
channel, rotate the equalizer controls as
desired.
7 Use the MAIN section graphic equalizer
to adjust the tone.
8 Use the MAIN MASTER control to adjust
the overall volume.
Monitoring
By connecting a powered monitor speaker to the
MONITOR OUTPUT, you can create a monitor
mix independent of the MAIN mix, since the
input channel MONITOR controls are not
affected by the LEVEL controls.
√”
1 Set the MONI MASTER control to the “√
position.
2 While speaking into a connected mic, or
playing a connected instrument, adjust
the MONITOR control of the input channel that you want to monitor.
Repeat this procedure for each channel.
3 Use the MONI MASTER control to set the
overall level of the monitor mix.
Using the digital effect
The EMX66M has a built-in digital effect, allowing reverberation or ambiance to be added to
vocals or instrumental sounds.
1 Press the DIGITAL EFFECT ON switch of
the DIGITAL EFFECT section.
2 Use the effect select switches of the DIGITAL EFFECT section to select the effect
type.
VOCAL ECHO 1, 2 .....Echo appropriate for vocals.
VOCAL REVERB 1, 2 ...Reverb appropriate for vocals.
HALL 1, 2 .................. Reverb typical of a hall.
ROOM ....................... Reverb typical of a room.
PLATE .........................Plate echo-like reverberation
3 Set the MAIN EFFECT RTN control to the
√” position.
“√
4 Raise the EFFECT control of the channels
to which you wish to apply the digital
effect.
5 Use the MAIN/MONITOR section EFFECT
RTN control to adjust the level of the
sound processed by the effect.
Note: If the effect sound is distorted even if the
EFFECT RTN turned all the way down, lower
the EFFECT controls of each channel.
EMX66M—Owner’s Manual
20
Example setups
Example setups
This section provides some ways in which the EMX66M can be used, and explains connections and operation.
As a conference PA system/installed sound system
Here is an example of using the EMX66M as a conference PA system or as an installed sound system.
Main Speakers
SPEAKERS A 1 or 2
2
1
3
HIGH
HIGH
+15
–15
+15
MID
MID
5
4
HIGH
–15
+15
MID
6
HIGH
HIGH
–15
SPEAKERS B 1 or 2
+15
–15
HIGH
+15
–15
MID
MID
DIGITAL
EFFECT
+15
–15
MID
VOCAL ECHO 1
+12
6
6
0
0
6
6
-5
ON
–12
–12
-10
OFF
125
+15
–15
+15
–15
LOW
LOW
+15
–15
+15
–15
MONITOR
MONITOR
+15
–15
LOW
+15
–15
+15
–15
MONITOR
+15
–15
LOW
LOW
+15
–15
+15
–15
MONITOR
MONITOR
+15
–15
LOW
500
250
1k
VOCAL ECHO 2
+15
–15
0
+15
+15
EFFECT
0
0
+15
EFFECT
0
+15
+15
EFFECT
EFFECT
0
0
10
LEVEL
+15
0
LEVEL
+15
0
+15
0
LEVEL
LEVEL
ROOM
10
0
MASTER
MAIN
MAIN
+12
+12
+6
6
6
+3
0
0
0
6
6
-5
–12
-10
–12
125
+15
0
10
2TR IN
MONITOR
+15
EFFECT
500
250
1k
2k
4k
MON
MAIN
MON
MAIN
MAIN
BRIDGE
A
B
MAIN
BRIDGE
YAMAHA
SPEAKER
PROCESSING
8k
GEQ
LEVEL
MAIN
MAIN
LIMITER
0
Power amp
select switch
8k
POWER AMP
EFFECT RTN
PLATE
+15
0
+15
0
LEVEL
4k
0
GEQ
VOCAL
REVERB 2
MONITOR
HALL 2
0
2k
PHANTOM
+3
VOCAL
REVERB 1
HALL 1
EFFECT
+6
+12
ON
ON
OFF
10
0
10
0
PAD
PAD
10
0
PAD
10
0
10
0
2
3
4
Hi-Z
Hi-Z
Hi-Z
Hi-Z
Low-Z
Low-Z
0
10
6
0
10
AUX IN
PAD
5
LINE
Low-Z
0
10
0
EFFECT RTN
PAD
PAD
1
10
2TR IN
1
2
2
INPUT TO MAIN
OUT PUT
EFFECT OUT
MIC
10
MASTER
power
Super Hi-Z
1
Low-Z
0
MAIN
EFFECT
MIC
FOOT SW
ON /
OFF
EEEngine
2TR
IN
REC
OUT
1
1
2
2
MAIN
AUX IN
MONITOR
SEE REAR PANEL CAUTION
Microphone
Connections
• Connect mics to channel inputs 1–6.
• If you wish to use an external device such as a CD
player or MD player, connect the outputs of the
device to the 2TR IN jacks of the EMX66M.
Note: A CD/MD player or cassette deck can also
be connected to the LINE jacks of channel 5.
• If you wish to record the audio to a cassette deck,
connect the REC OUT jacks of the EMX66M to
the input jacks of the cassette deck.
• Connect the main speakers to the SPEAKERS A
1/2 and B 1/2 jacks, then set the power amp select
switch to “MAIN-MAIN.”
EMX66M—Owner’s Manual
CD Player
Cassette Deck
Playing back a CD player
1 Turn the power on in the order of peripheral devices ➞ EMX66M.
2 Adjust the MASTER control of the MAIN
√” position.
section to the “√
3 Start playback on the CD player, and use
the MAIN section 2TR IN control to adjust
the level so that the 0 LED of the MAIN
section peak level meter does not light.
Example setups
21
As a band PA
Here is an example of using the EMX66M as a small PA for a band. In this example, the monitor speakers are
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
Connections
Note: Set the power amp select switch of the POWER AMP section to the “MAIN MON” position. If
you are using an external effect, we recommend that
you turn down the EFFECT RTN controls of the
MAIN and MONITOR sections. If the external effect has a stereo output, it is possible to connect its
output jacks to the LINE jacks of channels 5. However in this case, be sure that the EFFECT controls
are turned all the way down for the channels into
which the effect sound is being input. If the EFFECT
controls are raised, feedback will occur, and your
speakers may be damaged.
• Connect mics or instruments, such as keyboards,
to the channel input jacks 1–6.
• Connect the main speakers to the SPEAKERS A
1/2 jacks, and connect the monitor speakers to
the SPEAKERS B 1/2 jacks. Then, set the power
amp select switch to “MAIN-MON.”
• If you will be using an external effect such as
delay or reverb, connect the EMX66M’s EFFECT
OUT jack to the input jack of the external effect,
and connect the output jack of the external effect
to the EMX66M’s AUX IN jack.
Main Speakers
SPEAKERS A
1
2
1
3
HIGH
HIGH
+15
–15
+15
–15
+15
MID
+15
–15
+15
–15
DIGITAL
EFFECT
+12
+12
+6
6
6
+3
0
0
0
6
6
-5
–12
-10
+15
–15
MID
VOCAL ECHO 1
–12
125
+15
–15
+15
–15
LOW
LOW
+15
–15
+15
–15
MONITOR
MONITOR
+15
–15
LOW
+15
–15
+15
–15
MONITOR
+15
–15
LOW
LOW
+15
–15
+15
–15
LOW
+15
–15
MONITOR
MONITOR
500
250
1k
VOCAL ECHO 2
0
+15
+15
EFFECT
0
0
+15
EFFECT
0
+15
+15
–15
+15
LEVEL
10
0
10
0
PAD
PAD
+15
0
LEVEL
0
0
0
10
10
LEVEL
10
0
PAD
10
0
MAIN
MAIN
+12
+12
+6
6
6
+3
ROOM
0
PLATE
–12
0
10
2
3
4
Hi-Z
Hi-Z
Hi-Z
Hi-Z
Low-Z
Low-Z
1k
2k
4k
0
0
10
6
0
10
AUX IN
PAD
-5
-10
A
B
YAMAHA
SPEAKER
PROCESSING
10
2TR IN
0
10
MASTER
power
MAIN
EFFECT
Super Hi-Z
1
1
2
2
INPUT TO MAIN
OUT PUT
EFFECT OUT
MIC
0
6
–12
8k
ON
10
0
5
LINE
Low-Z
500
250
EFFECT RTN
PAD
PAD
1
Low-Z
125
MAIN
BRIDGE
MON
MAIN
MAIN
BRIDGE
GEQ
LEVEL
0
MASTER
MONITOR
+15
0
MON
MAIN
10
0
2TR IN
EFFECT RTN
+15
EFFECT
+15
0
+15
0
LEVEL
MAIN
MAIN
POWER AMP
6
+15
0
+15
0
LEVEL
OFF
8k
LIMITER
VOCAL
REVERB 2
MONITOR
EFFECT
EFFECT
4k
GEQ
HALL 1
0
2k
Power amp
select switch
PHANTOM
ON
VOCAL
REVERB 1
HALL 2
EFFECT
2
6
HIGH
MID
MID
SPEAKERS B
1
5
HIGH
HIGH
–15
2
4
HIGH
MID
MID
Monitors Speakers
MIC
ON /
OFF
EEEngine
2TR
IN
FOOT SW
REC
OUT
1
1
2
2
MAIN
AUX IN
MONITOR
SEE REAR PANEL CAUTION
88
Microphone
Effects Processor
*1
Footswitch
(YAMAHA FC5)
Keyboard
Electric
bass
*1. Although this example shows an external effects processor and footswitch, which is used to turn on and
Electric-acoustic
off the built-in digital effects procesguitar
sor, connected to the EMX66M, in
practice, only one effects processor,
internal or external, will be used at a
time, so the footswitch is not required
when using external effects.
EMX66M—Owner’s Manual
22
Example setups
Sending an independent mix to the
monitor speakers
1 Set the MONITOR section MASTER con√” position.
trol to the “√
2 Raise the MONITOR controls for the channels that you wish to hear from the monitor speakers.
Note: The MONITOR controls are not affected
by the level settings of each channel. This allows
you to create a mix that is independent of the
MAIN section.
3 Use the graphic equalizers and MASTER
controls of the MAIN/MONITOR sections
to adjust the overall volume and tone.
EMX66M—Owner’s Manual
Using an external effect
1 Raise the EFFECT controls for the channels
to which you want the external effect to
be applied.
2 Adjust the input level of the external
effect so that the sound is not distorted at
the input of the external effect.
3 Use the MAIN section AUX IN control to
adjust the level of the sound processed by
the effect.
Installing an optional rack mount kit
23
Installing an optional rack mount kit
You can rack-mount the EMX66M using an
optional rack mount kit (RK-88).
Rack mount kit RK-88
Installing the rack mount bracket
1 Remove the carrying handle by loosening and
removing four screws.
• Bracket × 2
• Screw × 6
Before you rack-mount the EMX66M, make sure
that sufficient ventilation will be maintained.
(Never install the unit in a sealed rack.)
If you are going to install multiple devices including the unit in a rack, keep a 1U space or more
between the devices. Use a blank panel with holes
for ventilation if you wish to insert a panel
between the devices.
You will need a 7U space to install the rack
mount. After installation, the unit will project 62
mm from the front surface of the rack.
62
2 Attach one of the rack mount brackets to the side
of the EMX66M using three included screws.
3 Attach the other rack mount bracket in the same
way.
EMX66M—Owner’s Manual
24
Troubleshooting
Troubleshooting
The following table describes the possible malfunctions of this device, and the appropriate actions to be taken in
each case.
Problem
Sound is no
longer output from the
speakers.
The POWER
indicator is
lit.
Cause
Action
Please wait. When the device cools off, normal
operation will resume automatically. However,
please check the following three points to prevent
The load on the amplifier of this device the problem from recurring.
was too great, and the protection cir• If the level setting is excessive, lower it to the
cuit for the amplifier has operated.
nominal level. You can refer to the peak level indiPossible reasons for the excessive load
cators of the main section when doing so.
are an excessive level setting in the
• If the device is not ventilated sufficiently, refer to
channel control section or main section,
the cautions given at the beginning of this manual
insufficient ventilation, or insufficient
and take appropriate measures to insure adeload impedance of the connected speak- quate ventilation.
ers.
• If the load impedance (including a short) is too
low, refer to the chapter on connections (page 16)
and change the connections so that the impedance is correct.
Connections between devices have
come loose.
Inspect the connections, and correct any faulty connections.
Other
The device may have malfunctioned. Please contact your dealer.
Other
Powered Mixer Q&A
Q: The built-in effect is not effective.
A: The ON switch in the DIGITAL EFFECT section may
not be turned on. Or, you have adjusted the EFFECT
control in the Channel section or the EFFECT RTN
control in the MAIN section.
Q: The monitoring sound from the speakers is not powerful enough relative to the level of the input sound.
A: The equalizer LOW control for each channel may be set
to negative values.
Q: The stereo output from the synthesizer has been routed
to the Super Hi-Z jack of channel 6, but the monitoring
sound is not stereo.
A: You can use Super Hi-Z (or LINE) 1 and 2 jacks at the
same time.
However, they are internally routed into a mono channel, and therefore the signals from 1 and 2 jacks are
output as mono signal.
Q: The signal is sent from the EFFECT OUT jack to the
connected effect processor. Then the effect sound is
returned to the AUX IN jack. However, no signal is input
to the mixer.
A: The AUX IN control in the MAIN section may not be
rotated to right.
Q: An external powered speaker is connected to the MONITOR-OUTPUT jack.
However, the signal is not sent to the speaker even
when the MASTER control in the MONITOR section is
turned.
A: The MONITOR controls for input channels may not
have been adjusted.
Q: Can the Low-Z jack and the Hi-Z jack be used at the
same time?
A: You cannot use the Low-Z jack and the Hi-Z jack for the
same channel at the same time.
Q: Can a single speaker be connected to the mixer?
A: Yes. Use a speaker with an impedance of 4–8 Ω.
EMX66M—Owner’s Manual
Specifications
25
Specifications
■ General specifications
Maximum output power
300 W + 300 W/4Ω @0.5% THD at 1 kHz (SPEAKERS OUT A, B)
205 W + 205 W/8Ω @0.5% THD at 1 kHz (SPEAKERS OUT A, B)
600 W/8Ω @0.5% THD at 1 kHz (BRIDGE)
Frequency response
20 Hz–20 kHz +1 dB, –3 dB @1 W output into 8Ω (SPEAKERS OUT)
20 Hz–20 kHz +1 dB, –3 dB @+4 dB output into 10 kΩ (MAIN OUT, MONITOR OUT, EFFECT SEND)
Total harmonic distortion
Less than 0.5% @20 Hz–20 kHz, 150 W output into 4Ω (SPEAKERS OUT A, B)
Less than 0.3% @20 Hz–20 kHz, +14 dB output into 10 kΩ (MAIN OUT, MONITOR OUT, EFFECT OUT)
–124 dB equivalent input noise, –65 dB residual output noise (SPEAKERS OUT)
–88 dB residual output noise (MAIN OUT, MONITOR OUT)
Hum & noise
(Average, Rs=150Ω)
(with 20 Hz–20 kHz BPF)
–79 dB (83 dB S/N)
MAIN OUT, MONITOR OUT
Master level control at nominal level and all channel
level controls at minimum.
–69 dB (73 dB S/N)
MAIN OUT, MONITOR OUT
Master level control at nominal level and 1 channel
level control at nominal level.
–75 dB (79 dB S/N)
EFFECT SEND
All channel level controls at minimum.
–69 dB (73 dB S/N)
EFFECT SEND
1 channel level control at nominal level.
Maximum voltage gain
88 dB CH IN (Low-Z) to SPEAKERS OUT (CH1–4)
66 dB CH IN (Low-Z) to MAIN OUT, MONITOR OUT (CH1–4)
72 dB CH IN (Low-Z) to EFFECT OUT (CH1–4)
48 dB CH IN (Low-Z) to REC OUT (CH1–4)
56 dB CH IN (Hi-Z) to MAIN OUT, MONITOR OUT (CH1–4)
26 dB AUX IN to MAIN OUT
24 dB 2TR IN to MAIN OUT
66 dB MIC IN to MAIN OUT, MONITOR OUT (CH5•6)
26 dB LINE IN to MAIN OUT, MONITOR OUT (CH5)
46 dB Super Hi-Z IN to MAIN OUT, MONITOR OUT (CH6)
Crosstalk at 1 kHz
65 dB adjacent input, 65 dB input to output
Input channel equalization
±15 dB Maximum
HIGH
10 kHz shelving*
MID
2.5 kHz peaking
LOW
100 Hz shelving*
*Turn over/roll-off frequency of shelving: 3 dB below maximum variable level.
Meters
5 POINTS LED METER (–10, –5, 0, +3, +6 dB) (MAIN OUT, MONITOR OUT)
Graphic equalizer
7 bands (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz), ±12 dB Maximum (MAIN OUT, MONITOR OUT)
Internal digital effect
8 programs (VO.ECHO 1, VO.ECHO 2, VO.REVERB 1, VO.REVERB 2, HALL 1, HALL 2, ROOM,
PLATE)
Phantom power
+15 V is supplied to electrically balanced inputs for powering condenser microphones via 2.4 kΩ
current limiting/isolation resisters.
Limiter
Comp. : THD≥0.5% (SPEAKERS OUT)
LIMIT indicators
Turns on. : THD≥0.5% (SPEAKERS OUT)
Protection Circuit (Power Amp.)
POWER Switch on/off Mute, DC Detection, Temp (Heatsink Temp≥90˚C)
Foot switch (FC5)
DIGITAL EFFECT MUTE : on/off
Optional accessories
RK-88, FC5
Power requirement/Power
consumption
USA and Canada
Europe
Other
Dimensions (WxHxD)
482 × 305 × 328 mm
Weight
15 kg
Supplied accessories
AC power cord, Owner’s Manual
•
120 V AC 60 Hz/250 W
230 V AC 50 Hz/300 W
240 V AC 50 Hz/300 W
0 dB=0.775 Vrms
EMX66M—Owner’s Manual
26
Specifications
■ Input specifications
Input level
Input connectors
PAD
CH INPUT (Low-Z) OFF
(CH1–4)
ON
CH INPUT (Hi-Z)
(CH1–4)
Actual load
impedance
3 kΩ
OFF
10 kΩ
Nominal
impedance
Sensitivity1
Connector
type
Max. before
cliping
Nominal level
50–600Ω
Mics
–62 dB (0.616 mV) –50 dB (2.45 mV)
600Ω Lines
–32 dB (19.5 mV)
–20 dB (77.5 mV)
+10 dB (2.45 V)
50–600Ω
Mics
–52 dB (1.95 mV)
–40 dB (7.75 mV)
–10 dB (245 mV)
600Ω Lines
–22 dB (61.6 mV)
–10 dB (245 mV)
+20 dB (7.75 V)
–20 dB (77.5 mV)
XLR-3-31 type2
Phone jack
(TRS)2
ON
MIC INPUT (CH5•6)
3 kΩ
50–600Ω
Mics
–62 dB (0.616 mV) –50 dB (2.45 mV)
–20 dB (77.5 mV)
XLR-3-31 type2
LINE INPUT (CH5) (1, 2)
10 kΩ
600Ω Lines
–22 dB (61.6 mV)
–10 dB (245 mV)
+20 dB (7.75 V)
Phone jack3
Super Hi-Z (CH6) (1, 2)
470 kΩ
1 kΩ
–42 dB (6.16 mV)
–30 dB (24.5 mV)
0 dB (0.775 V)
Phone jack3
AUX IN
10 kΩ
600Ω Lines
–22 dB (61.6 mV)
–10 dB (245 mV)
+20 dB (7.75 V)
Phone jack3
2TR IN (1, 2)
10 kΩ
600Ω Lines
–22 dBV (79.4 mV) –10 dBV (316 mV) +17.8 dBV (7.76 V)
RCA phono
jack3
1. Sensitivity is the lowest level that can produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set at maximum gain.
(All level controls are at maximum position.)
2. Balanced
3. Unbalanced
• 0 dB=0.775 Vrms, 0 dBV=1 Vrms.
■ Output specifications
Output connectors
Actual source
impedance
Nominal
impedance
Output level
Connector type
Nominal
Max. before cliping
POWER AMP OUT (1•2) (A, B)
0.1Ω
4/8Ω Speaker
60 W/4Ω
(300 W/4Ω)
Phone jack
BRIDGE OUT
0.1Ω
8Ω Speaker
120 W/8Ω
(600 W/8Ω)
Phone jack
MAIN OUT
600Ω
10 kΩ Lines
+4 dB (1.23 V)
+20 dB (7.75 V)
Phone jack
MONITOR OUT
600Ω
10 kΩ Lines
+4 dB (1.23 V)
+20 dB (7.75 V)
Phone jack
EFFECT OUT
600Ω
10 kΩ Lines
+4 dB (1.23 V)
+20 dB (7.75 V)
Phone jack
REC OUT (1, 2)
600Ω
10 kΩ Lines
–10 dBV (316 mV)
+10 dBV (3.16 V)
RCA phono jack
•
•
All output jacks are unbalanced.
0 dB=0.775 Vrms, 0 dBV=1 Vrms.
Specifications are subject to change without prior notice.
For European Model
Purchaser/User Information specified in EN55103-1 and EN55103-2.
Inrush Current: 85A
Conformed Environment: E1, E2, E3 and E4
EMX66M—Owner’s Manual
Specifications
27
■ Dimensions
328
305
482
Unit: mm
EMX66M—Owner’s Manual
CH INPUT
[CH6]
CH INPUT
[CH5]
BA
[-16dB]
[-22dB]
[0dB]
[-22dB]
[-22dB]
AUX IN
LEVEL
ON
DIGITAL EFFECT ON
2TR IN
MONTOR
LEVEL
LEVEL
[-22dB]
[-16dB]
[0dB]
[0dB]
AUX,2TR [0dB]
EFFECT RETURN
[-6dB]
EFFECT RETURN
[-6dB]
INV
SUM
MONITOR
[-16dB]
EFFECT
MONITOR
[-16dB]
EFFECT
[-22dB]
[-16dB]
MAIN
EFFECT
MONITOR
MAIN
EFFECT
MONITOR
BA
[+4dB]
REC OUT [-10dBV] [-7.8dB]
BA
SUM
[-6dB]
BA
[+4dB]
[+4dB]
REC OUT
[-10dB]
2 [-7.8dB]
1
MASTER
[-6dB]
[-6dB]
MASTER
SUM
[0dB]
[0dB]
7-Stage GEQ
7-Stage GEQ
EFFECT OUT
[+4dB]
MONITOR OUT
[+4dB]
LIMITER
LIMITER
MAIN OUT
[+4dB]
YSP ON/OFF
MAIN OUT
[+4dB]
MONITOR OUT [+4dB]
EFFECT OUT [+4dB]
LED METER(5 point)
POWER AMP
MAIN-MON
MAIN-MAIN
MAIN-BRIDGE
INV
YSP ON/OFF
LED METER(5 point)
1
2
1
2
1
2
1
2
1
2
-50dB
-40dB
-30dB
+20dB
-10dB
0dB
+10dB
+20dB
MIC(CH5,6]
[-50dB]
Low-Z PAD:OFF[-50dB]
Hi-Z PAD:OFF[-40dB]
SUPER Hi-Z(CH6)[-30dB]
Low-Z PAD: ON[-20dB]
LINE(CH5)[-10dB]
Hi-z PAD: ON[-10dB]
AUX IN
[-10dB]
2TR IN
CH5,6 [-22dB]
[-10dBV(-7.8dB)]
2TR IN
EFFECT
EFFECT [-22dB]
MAIN, MONITOR [-16dB]
SPEAKERS OUT [60W/4Ω]
Clip Level [+20dB]
3-Stage EQ
AUX IN [-16dB]
[-10dB]
[-22dB]
BA
3-Stage EQ
[-10dB]
BA
DIGITAL EFFECT MITE
2
1
[-10dB]
[-10dB]
[-10dB]
[-10dB]
SUM
125Hz
MAXIMUM OUTPUT POWER
[300W/4Ω]
FOOT SW
PLATE
ROOM
HALL1
HALL2
VOCAL REVERB2
VOCAL REVERB1
VOCAL ECHO2
VOCAL ECHO1
2TR IN
[-10dB]
[-7.8dB]
AUX IN
[-10dB]
BA
BA
HA
HA
[-22dB]
[-16dB]
MONITOR
[-16dB]
EFFECT
8kHz
+30dB
2
1
2
1
[10dB]
PAD
[30dB]
LEVEL
8kHz
+40dB
SUPER Hi-Z
[-30dB]
MIC
[-50dB]
LINE
[-10dB]
MIC
[-50dB]
Hi-Z
[-40/-10dB]
LOW
LOW
CH INPUT
(CH1-4)
LOW
3-Stage EQ
MID
MID
MID
[-10dB]
HIGH
HIGH
HA
250Hz
125Hz
+15V
500Hz
250Hz
Low-Z
[-50/-20dB]
ON
1kHz
500Hz
PHANTOM
OFF
2kHz
1kHz
HIGH
DIGITAL
EFFECT
4kHz
2kHz
EMX66M—Owner’s Manual
4kHz
-50dB
-40dB
-30dB
+20dB
-10dB
0dB
+10dB
+20dB
+30dB
+40dB
2
1
2
1
B
[300W/4Ω]
BRIDGE
[600W/8Ω]
A
[300W/4Ω]
SPEAKERS OUT
28
Specifications
■ Block and Level diagram
YAMAHA CORPORATION
V832720 R0 1 AP 32
NP Printed in Taiwan
Pwro Audio & Digital Musical Instrument Division
P.O. Box 3, Hamamatsu, 430-8651, Japan