Yamaha DD-55 de handleiding

Merk: Yamaha

Model: DD-55

Categorie: Muziekinstrumenten

Type: de handleiding

Deze handleiding is ook geschikt voor

Owner’s Manual

PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power supply (adapter). DO NOT

connect this product to any power supply or adapter other than one described

in the manual, on the name plate, or speciﬁcally recommended by Yamaha.

This product should be used only with the components supplied or; a cart,

rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please

observe all safety markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time

of printing. However, Yamaha reserves the right to change or modify any of

the speciﬁcations without notice or obligation to update existing units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that could

cause permanent hearing loss. DO NOT operate for long periods of time at a

high volume level or at a level that is uncomfortable. If you experience any

hearing loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before dam-

age occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a func-

tion or effect works (when the unit is operating as designed) are not covered

by the manufacturer’s warranty, and are therefore the owners responsibility.

Please study this manual carefully and consult your dealer before requesting

service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmen-

tally friendly. We sincerely believe that our products and the production meth-

ods used to produce them, meet these goals. In keeping with both the letter

and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applica-

ble) is soldered in place. The average life span of this type of battery is

approximately ﬁve years. When replacement becomes necessary, contact a

qualiﬁed service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be

rechargeable. Make sure that the battery being charged is a rechargeable

type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a

different type. Batteries MUST be installed correctly. Mismatches or incorrect

installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries

away from children. Dispose of used batteries promptly and as regulated by

the laws in your area. Note: Check with any retailer of household type batter-

ies in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its

useful life is considered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products that contain lead,

batteries, plastics, etc. If your dealer is unable to assist you, please contact

Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number,

serial number, power requirements, etc., are located on this plate. You should

record the model number, serial number, and the date of purchase in the

spaces provided below and retain this manual as a permanent record of your

purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP (bottom)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in

this manual, meets FCC requirements. Modiﬁcations not expressly

approved by Yamaha may void your authority, granted by the FCC, to use

the product.

2. IMPORTANT: When connecting this product to accessories and/or

another product use only high quality shielded cables. Cable/s supplied

with this product MUST be used. Follow all installation instructions. Failure

to follow instructions could void your FCC authorization to use this product

in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reasonable level

of assurance that your use of this product in a residential environment will

not result in harmful interference with other electronic devices. This equip-

ment generates/uses radio frequencies and, if not installed and used

according to the instructions found in the users manual, may cause inter-

ference harmful to the operation of other electronic devices. Compliance

with FCC regulations does not guarantee that interference will not occur in

all installations. If this product is found to be the source of interference,

which can be determined by turning the unit “OFF” and “ON”, please try to

eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the

interference.

Utilize power outlets that are on different branch (circuit breaker or fuse)

circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the

antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial

type cable.

If these corrective measures do not produce satisfactory results, please

contact the local retailer authorized to distribute this type of product. If you

can not locate the appropriate retailer, please contact Yamaha Corpora-

tion of America, Electronic Service Division, 6600 Orangethorpe Ave,

Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder

Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam-

melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren

Sie sich bei Ihrer Kommune.

(class B)

(battery)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar

ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge

netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or

slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta

verkosta.

(standby)

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable

parts. If it should appear to be malfunctioning, discontinue use immedi-

ately and have it inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual

smells or smoke should appear to be caused by it, immediately turn off the

power switch, disconnect the adaptor plug from the outlet, and have the

instrument inspected by qualiﬁed Yamaha service personnel.

• Use the speciﬁed adaptor (PA-5D, PA-5C or an equivalent recommended

by Yamaha) only. Using the wrong adaptor can result in damage to the

instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord,

place heavy objects on it, or place it in a position where anyone could walk

on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-con-

nector. Doing so can result in lower sound quality, or possibly cause over-

heating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Always make sure all batteries are inserted in conformity with the +/-

polarity markings. Failure to do so might result in overheating, ﬁre, or bat-

tery ﬂuid leakage.

• Always replace all batteries at the same time. Do not use new batteries

together with old ones. Also, do not mix battery types, such as alkaline bat-

teries with manganese batteries, or batteries from different makers, or dif-

ferent types of batteries from the same maker, since this can cause

overheating, ﬁre, or battery ﬂuid leakage.

• Do not dispose of batteries in ﬁre.

• Do not attempt to recharge batteries that are not intended to be charged.

• When the batteries run out, or if the instrument is not to be used for a long

time, remove the batteries from the instrument to prevent possible leakage

of the battery ﬂuid.

• Keep batteries away from children.

• If the batteries do leak, avoid contact with the leaked ﬂuid. If the battery

ﬂuid should come in contact with your eyes, mouth, or skin, wash immedi-

ately with water and consult a doctor. Battery ﬂuid is corrosive and may

possibly cause loss of sight or chemical burns.

• Before connecting the instrument to other electronic components, turn off

the power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening

level.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during the

day) to prevent the possibility of panel disﬁguration or damage to the inter-

nal components.

• Do not use the instrument near other electrical products such as televi-

sions, radios, or speakers, since this might cause interference which can

affect proper operation of the other products.

• Do not place the instrument in an unstable position where it might acci-

dentally fall over.

• Before moving the instrument, remove all connected adaptor and other

cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thin-

ners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

Also, do not place vinyl, plastic or rubber objects on the instrument, since

this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and

do not use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or uncom-

fortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

■DATA BACK-UP AND STORAGE

•Yamaha recommends that you regularly save data using an external device

such as the ﬂoppy disk-based Yamaha MIDI data ﬁler MDF3, and storing

the ﬂoppy disks in a safe, cool, dry place. YAMAHA CANNOT BE HELD

RESPONSIBLE FOR THE ACCIDENTAL LOSS OF IMPORTANT MUSIC

DATA! Regarding the data you have created, as long as fresh batteries are

inserted in (or an AC power adaptor is connected to) the instrument, the

data will be retained, even when the power is turned off. It will also be

retained long enough to exchange an old set of batteries for a new set. If

you have important data in the instrument which you don’t want to lose,

please take care to keep fresh batteries inserted in (or keep an AC power

adaptor connected to) the instrument, and to regularly save data.

Always turn the power off when the instrument is not in use.

Make sure to discard used batteries according to local regulations.

Yamaha cannot be held responsible for damage caused by improper

use or modiﬁcations to the instrument, or data that is lost or destroyed.

* The illustrations and LED displays as shown in this owner’s manual

are for instructional purposes only, and may be different from the

ones on your instrument.

* Any mention or reference to the DD-55 in this manual also applies to

the model DD-55C.

(4)-7

Setting Up 5

Power Requirements .............................................5

Panel Controls 6

Playing the Demo Song 8

Play the Pads/Pedals 9

Pad Names ............................................................9

Hand Percussion ON/OFF ...................................10

Assigning a Drum Kit to the Pads and Pedals .....10

Assigning a Voice to Individual Pads and Pedals

(“CU” Custom Kit)............................................11

Reverb ON/OFF...................................................12

Setting the Pad Sensitivity ...................................13

Adjusting the Pad Volume....................................14

Click ON/OFF.......................................................14

Playing a Song 15

Select the Song and Play.....................................15

Tap Start ..............................................................16

Auto Kit Select ON/OFF Setting...........................16

Adjusting the Tempo ............................................17

Play along with a Song 18

Track ON/OFF .....................................................18

Break....................................................................18

A-B Repeat ..........................................................19

Recording a Song 20

Recording............................................................ 20

Playback.............................................................. 20

MIDI Functions 21

What’s MIDI?....................................................... 21

What You Can Do With MIDI .............................. 23

Connecting to a Computer .................................. 24

Enter/Exit the MIDI/Utility Mode .......................... 25

Setting the Clock ................................................. 25

Local ON/OFF ..................................................... 26

Setting the MIDI Transmit Channel ..................... 27

Setting the MIDI Note Number ............................ 28

Saving and Loading Song Data .......................... 29

Appendix 31

Initialize ............................................................... 31

Troubleshooting .................................................. 32

Drum Voice List................................................... 33

Song List ............................................................. 35

Drum Kit List........................................................ 36

Drum Map ........................................................... 38

GM Voice List...................................................... 40

MIDI Implementation Chart ................................. 41

Specifications ...................................................... 44

● Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and

other countries.

•Windows is the registered trademark of Microsoft

Corporation.

All other trademarks are the property of their respective holders.

Contents

● Supplied Accesoories

• Drum Stick (x2)

• Foot Pedal 1 & 2

• Owner’s Manual

Congratulations!

Thank you for purchasing the Yamaha DD-55. The DD-55 has been developed

to respond and play like a drum set - but with greater ease, ﬂexibility and

sophisticated functions. Before you use the instrument, we recommend that you

carefully read through this manual.

Setting Up

This section contains information about setting up your DD-55 for playing. Make sure

to read this section carefully before using the instrument.

Although the DD-55 will run either from an optional AC adaptor or batteries, Yamaha recommends

use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than bat-

teries and does not deplete resources.

q Make sure that the [STANDBY/ON] switch of the DD-55

is set to STANDBY.

w Connect the AC adaptor (PA-5D, PA-5C or other adaptor

speciﬁcally recommended by Yamaha) to the power supply

jack.

e Plug the AC adaptor into an AC outlet.

•Never interrupt the power supply (e.g. remove the batteries or

unplug the AC adaptor) during any DD-55 record operation!

Doing so can result in a loss of data.

• Use ONLY a Yamaha PA-5D or PA-5C AC Power Adaptor (or

other adaptor speciﬁcally recommended by Yamaha) to power

your instrument from the AC mains. The use of other adaptors

may result in irreparable damage to both the adaptor and the

DD-55.

• Unplug the AC Power Adaptor when not using the DD-55, or

during electrical storms.

For battery operation the DD-55 requires six 1.5V “C” size,

R14P (LR14) or equivalent batteries. (Alkaline batteries are

recommended.) When the batteries need to be replaced, the

volume may be reduced, the sound may be distorted, and other

problems may occur. When this happens, turn the power off

and replace the batteries, as described below.

q Open the battery compartment cover located on the instru-

ment’s bottom panel.

w Insert the six new batteries, being careful to follow the

polarity markings on the inside of the compartment.

e Replace the compartment cover, making sure that it locks

ﬁrmly in place.

• When the batteries run down, replace them with a complete set of six new batteries.

NEVER mix old and new batteries.

• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same

time.

• If the instrument is not to be in use for a long time, remove the batteries from it, in

order to prevent possible ﬂuid leakage from the battery.

• Plugging or unplugging the AC power adaptor while the batteries are installed will

reset the DD-55 to the defaults.

Power Requirements

Using an AC Power Adaptor

Using Batteries

PA-5D or

PA-5C

Panel Controls

Front Panel

q DEMO button ......................................... 8, 25

w CLICK button ............................................. 14

e DISPLAY ..................................................... 10

r VOLUME [▲], [▼] buttons........................... 8

t HAND PERC button................................... 10

y DRUM 1 - 3 buttons ................................... 18

u BACKING button........................................ 18

i PAD button..................................... 11, 14, 27

o KIT button ............................................ 10, 28

!0 SONG button ............................. 8, 15, 16, 17

!1 TEMPO button........................................... 17

!2 START/STOP button........................ 8, 15, 25

!3 A-B REPEAT button .................................. 19

!4 BREAK/TAP button ............................. 16, 18

!5 REC button ................................................ 20

!6 STANDBY/ON Switch............................ 8, 31

!7 DIAL............................................................ 10

!8 Drum Pads (x7)............................................ 9

888

y ut

oi !0 !1

Front Panel

Pedal 2 Pedal 1

Panel Controls

Side Panel (Left)

!9 DC IN 12V (AC Adaptor) Jack..................... 5

@0 PHONES/OUTPUT Jack .............................. 7

@1 PEDAL 2 Jack .............................................. 7

Side Panel (Right)

@2 MIDI IN Terminal......................................... 22

@3 MIDI OUT Terminal..................................... 22

@4 PEDAL 1 Jack .............................................. 7

Side Panel (Left)

Side Panel (Right)

Using a pair of headphones

A standard pair of stereo headphones can be

plugged in here for private practice or late-night

playing. The internal stereo speaker system is

automatically shut off when a pair of head phones

is plugged into the PHONES/OUTPUT jack.

Do not listen with the headphones at high volume for long peri-

ods of time. Doing so may cause hearing loss.

• Connect the DD-55 to external equipment only after turning off

power for all devices. To prevent damage to the speakers, set the

volume of the external devices at the minimum setting before con-

necting them. Failure to observe these cautions may result in elec-

tric shock or equipment damage.

• Since speakers are built into the

DD-55, you should be careful to

never leave any video tapes,

cassette tapes, ﬂoppy disks or

any kind of magnetic storage

media on the panel — doing so

may result in data loss or dam-

age to the items. Also avoid

using the DD-55 near a televi-

sion or computer monitor, since

interference may result.

• Use the sticks with caution. Do

not use them for anything other

than playing the instrument.

Also, to avoid damage or injury,

refrain from waving them reck-

lessly or throwing them.

Using the Foot Pedals (1/2)

When connected, these pedals can be used simulta-

neously play the drum set’s hi-hat pedal or bass drum

voices — or they can also be assigned to play other

voices as well. Connect the supplied Pedal 1 to the

PEDAL 1 jack @4 and Pedal 2 to the PEDAL 2 jack @1.

• Make sure that the pedal plugs are properly connected

to the PEDAL jacks before turning on the power.

• Do not press Pedal 2 while turning the power on.

Doing this changes the recognized polarity of the

pedal, resulting in reversed pedal operation.

•Avoid using the pedals directly on a soft ﬂoor, since

they may scratch the surface of the ﬂoor.

•Avoid getting caught in or tripping over the pedal

cords; this may cause the instrument to fall and result

in damage or injury.

Playing the Demo Song

The DD-55 features a demonstration song, specially created to show you the dynamic

possibilities of the instrument.

1 Turn on the power.

2 Start the Demo Song.

3 Stop the Demo Song.

Turn the [STANDBY/ON] switch ON.

• Even when the switch is in the “STANDBY” position, electricity is still ﬂow-

ing to the instrument at the minimum level. When you are not using the DD-

55 for a long time, make sure you unplug the AC power adaptor from the

wall AC outlet, and/or remove the batteries from the instrument.

Press the [DEMO] button and the demo song starts playing.

● MASTER VOLUME

The overall volume level of the DD-55 is controlled by two VOLUME

[▲], [▼] buttons (10 volume levels L0 - L9).

Press the VOLUME [▲] button to increase the overall volume by one

level. Press the VOLUME [▼] button to decrease the overall volume

by one level. Holding down either of the buttons increases or decreases

the volume level rapidly.

To stop playback, press the [DEMO] button again or press the

[START/STOP] button.

Large

Small

L0 ← L5 → L9

Small ← Volume Level → Large

* When the VOLUME is set to L0, no sound is produced.

● SONG VOLUME

To control the volume level of the song, press the

[SONG]

button and the

song starts playing, simultaneously hold down the

[SONG]

button and use

the

VOLUME

[

▲

]

[

▼

]

buttons (levels L0 - L9).

(For more information on songs, see page 15.)

The SONG VOLUME can be used to adjust the balance between the

song accompaniment and your own performance on the pads.

Simultaneously hold down the

[SONG]

button and press the

VOLUME

[

▲

]

button to increase the song volume by one level. Hold down the

[SONG]

button and press the

VOLUME [

▼

]

button to decrease the song

volume by one level. Holding either of the buttons (while holding down the

[SONG]

button) increases or decreases the song volume level rapidly.

L0 ← L5 → L9

Small ← Volume Level → Large

* When the VOLUME is set to L0, no sound is produced by the song.

Play the Pads/Pedals

Strike the pad with the supplied drum sticks or your hands to play the drum voices.

When playing the pads with your hands, turn the Hand Percussion feature on by press-

ing the [HAND PERC] button (the lamp lights).

The volume of the pads’ sounds responds to your playing; when you play soft the vol-

ume is soft, and when you play strongly the volume is loud.

The actual loudness of the sound may vary according to which part of the pad is

struck.

Pad Names

The bass drum voice is controlled by

pressing Foot Pedal 1.

Pedal 1 features touch response; the

volume responds to how hard you

press the pedal.

Use Foot Pedal 2 to control the Hi-hat.

(This is in the case of Drum Kit 00.)

A hi-hat sound is assigned to Small Pad 3 (Drum Kit

00). Striking Small Pad 3 while pressing Pedal 2 pro-

duces a closed hi-hat sound.

Striking the pad without pressing the pedal produces

an open hi-hat sound.

Pad 2

061: Mid Tom (High)

Small Pad 2

110: Ride

Cymbal 1

Small Pad 1

107: Crash

Cymbal 2

Small Pad 3

102: Hi-Hat

Closed/Open

Pad 3

063: Low Tom

Pad 1

053: Open Rim Shot

Pad 4

065: Floor Tom (Low)

Ex. shown, Drum Kit 00

Pedal 2

102: Hi-Hat Pedal

Pedal 1

001: Bass Drum (Hard)

Play the Pads/Pedals

You can play the pads of the DD-55 either with the supplied sticks or with your hands.

1 Press the [HAND PERC] button.

The DD-55 allows you to choose from 45 different Drum Kits (00 - 44 : see the “Drum Kit List”

page 36) quickly and easily. 45 of the kits have preset voice combinations that will be set to the pads

and pedals when the kit is selected.

Select some different kits and try playing them.

The DD-55 also has one Custom Drum Kit allowing you to assign the desired voices to the seven

pads or two pedals (see “Assigning a Voice to Individual Pads and Pedals” page 11).

For some drum kits (35 - 44), the sound changes each time you strike the pad.

1 Press the [KIT] button.

2 Select a Drum Kit Number.

Hand Percussion ON/OFF

When you press the [HAND PERC] button, the button’s lamp lights,

and the pad sensitivity is automatically adjusted for optimum playing

by hand.

• When HAND PERCUSSION is on, the DD-55 automatically selects an

appropriate song (#94) and kit (#29), ideal for playing by hand and using

with the Hand Percussion feature.

• When Hand Percussion is on, do not strike the pads with drumsticks or

anything other than your hands.

Assigning a Drum Kit to the Pads and Pedals

When you press the [KIT] button, the currently selected Drum Kit

number appears on the display.

Turn the DIAL to select a Drum Kit number. Drum Kit numbers will

increase as the DIAL is turned to the right (clockwise), and decrease

as the DIAL is turned to the left (counter-clockwise).

•Drum Kit number 00 is normally selected when the power is turned on.

However, if Auto Kit Select is set to OFF, the last Drum Kit selected before

turning the power OFF, is automatically selected when the power is turned

on. (See “Auto Kit Select ON/OFF Setting ” on page 16.)

• The “ CU” Drum Kit is the Custom Kit. Changes made to any one of the

preset drum kits will be saved here. (See “Assigning a Voice to Individual

Pads and Pedals” page 11.)

Hand Percussion on

00 CU01 44

Play the Pads/Pedals

The DD-55 contains a total of 212 high quality drum sounds (see the “Drum Voice List” page 33) —

and you can assign these freely to each of the 7 drum pads and 2 foot pedals. Try assigning some dif-

ferent voices and create your own “CU” Custom Drum Kit.

•Any changes made to one of the preset drum kits will automatically be saved in

the “ CU” Custom Drum Kit.

• Both the Custom and “00” drum kit contents are the same until modiﬁed (see

the “Drum Kit List” page 36).

1 Press the [PAD] button.

2 Select the pad or pedal to be assigned.

3 Select a Voice Number.

4 Play the Pads and Pedals.

Assigning a Voice to Individual Pads and Pedals (“CU” Custom Kit)

When you press the [PAD] button, Pad 1’s currently assigned voice

number is shown in the display.

Strike any pad one time (or press a pedal), and the currently assigned

voice number for that pad/pedal is shown in the display.

You can select the voice by repeatedly striking the pad or repeatedly

pressing the pedal (while listening to the voice), or by turning the

DIAL.

● Striking the pad or pressing the pedal to select a voice.

Every time the pad is struck or a pedal is pressed, voice numbers will

increase by a value of one (1).

● Using the DIAL to select a voice.

Turn the DIAL to the right (clockwise), and voice numbers will

increase. Turn the DIAL to the left (counter-clockwise), and voice

numbers will decrease.

Repeat the previous steps 2 and 3 for any or all of the DD-55’s pads

and pedals.

After assigning a voice to the desired pad/pedal, press the [KIT] but-

ton. You can now play the voice you have assigned to the pad/pedal.

After you’ve assigned the voice, the DD-55 will automatically be set to

the custom kit.

008

020

000 211001 210

Play the Pads/Pedals

Different depths of the DD-55’s reverb effect can be added to the DD-55’s overall sound.

1 Display the Reverb On/Off Setting.

2 Set the Reverb On/Off.

3 Exit the Reverb On/Off Setting.

Reverb ON/OFF

Simultaneously press the [DEMO] and [START/STOP] button to

enter the MIDI/Utility mode, then press the [DRUM3] button. The

current Reverb setting appears in the display.

To set to “on” (Reverb ON), turn the DIAL to the right (clockwise), to

set to “oFF” (Reverb OFF), turn the DIAL to the left (counter-clock-

wise).

After setting the Reverb ON/OFF, simultaneously press the [DEMO]

and [START/STOP] button to exit the MIDI/Utility mode.

onoFF

Reverb on

Play the Pads/Pedals

The DD-55 allows you to custom-set the sensitivity of the pads (range 0 - 2).

When set to a value of 2, the pad sensitivity is the highest, providing the most dynamic range for

your playing (softest to loudest volume).

1 Display the current pad sensitivity setting.

2 Set the sensitivity value.

3 Exit the sensitivity setting.

Setting the Pad Sensitivity

Simultaneously press the [DEMO] and [START/STOP] button to

enter the MIDI/Utility mode, then press the [HAND PERC] button.

The current pad sensitivity setting appears in the display.

To raise the value, turn the DIAL to the right (clockwise), and to lower

it, turn the DIAL to the left (counter-clockwise).

• Default setting is “1.”

After setting the sensitivity, simultaneously press the [DEMO] and

[START/STOP] button to exit the MIDI/Utility mode.

021

DD-55 Sound Triggering

The DD-55 is ﬁtted with sensors underneath each pad. When struck, each pad/sensor produces velocity data. However,

striking one pad very strongly may inadvertently trigger the sounds of other pads, because the sensors of those pads

pick up the vibrations of the struck pad. To prevent this from happening, the DD-55 is set to ignore hits of low velocity.

(It assumes the low velocity is “noise.”) However, some noise may get through and trigger the sensors.

Here is another related problem: When you strike two pads simultaneously and hit one with less force than the other, the

pad struck weakly may not sound because the DD-55 assumes the hit to be noise.

These problems may be solved by changing the DD-55 settings or altering your playing technique (as described below).

● Striking two pads simultaneously results in one of the pads not sounding.

→ Set the pad sensitivity level to 2. This may solve the problem if you strike one of the pads weakly.

Better yet, try striking both pads with the same force.

● Striking one pad results in other pads also sounding, even though they were not

struck.

→ Set the pad sensitivity level to 0. With this setting, any pads that are not struck may not respond to

the vibrations of your playing.

Play the Pads/Pedals

The DD-55 lets you adjust the volume of each pad (range: L0 - L9), allowing you to set the overall

balance of the kit.

1 Press and hold the [PAD] button and strike the

pad whose volume you want to adjust.

2 Press and hold down the [PAD] button and simul-

taneously press VOLUME [▲] or [▼] to adjust the

designated pad’s volume.

Adjusting the Pad Volume

The corresponding pad is selected for changing volume.

• The default Pad volume is “ L9.”

Click ON/OFF

Press the [CLICK] button.

The click sounds in rhythm at the current tempo. (See “Adjusting the

Tempo” on page 17.)

To turn the click off, press the button once again.

Pad Volume

Playing a Song

The DD-55 features 100 different songs that can be used to provide accompaniment.

(See the “Song List” on page 35.)

Select one of the songs and have listen.

1 Press the [SONG] button.

2 Select a Song Number.

3 Press the [START/STOP] button.

Select the Song and Play

When you press the [SONG] button, the current song number appears

in the display.

Use the DIAL to select a song number. Song numbers will increase as

the DIAL is turned to the right (clockwise), and decrease as the DIAL

is turned to the left (counter-clockwise). (See the “Song List” on page

35.)

• Song number “ 00” is automatically selected whenever the power is

turned ON.

• With the Auto Kit Select feature turned on, selecting a song will also auto-

matically select the best suited Drum Kit for that song. (See “Auto Kit

Select ON/OFF Setting” on page 16.)

• Song numbers are arranged in each category according to their complex-

ity. Smaller numbers are easier to play than larger numbers.

When you press the [START/STOP] button, a one- or two-measure

count-in plays, and the song starts playing.

As the song is playing, the Song’s current measure will be shown in

the display. Try playing the pads and pedals along with the song.

To stop playback of the song, press the [START/STOP] button once

again.

•You can also use the TAP START function to start songs (see page 16).

00 CU01 99

Playing a Song

The Tap Start function allows you to set the song’s overall tempo as well as start the accompaniment

— simply by tapping out the rhythm.

The accompaniment will playback at the tempo with which the pads are struck or the pedals are

pressed.

1 Press the [BREAK/TAP] button.

2 Play the Tap Start.

3 Stop the Song Playback.

The Auto Kit Select function automatically selects the best matching drum kit for the selected song.

You can deactivate this feature by setting the Auto Kit Select to OFF.

Setting the Auto Kit Select to ON/OFF.

2 Select ON/OFF.

Tap Start

While song playback is stopped, press the [BREAK/TAP] button. All

three of the beat lamps ﬂash, indicating the DD-55 is set to Tap Start

standby.

To cancel the Tap Start mode, simply press the [BREAK/TAP] button

once again (the beat lamps will turn off).

In the case of a song in 4/4, strike any pad or press any pedal four

times, and the accompaniment will start at the desired tempo.

• The number of times needed to strike the pad will change according to the

following time signatures; 5/4, 5 times; 4/4, 4 times; 3/4, 3 times; 6/8, 2

times.

Press the [START/STOP] button and the song accompaniment will

stop.

Auto Kit Select ON/OFF Setting

Simultaneously press the [DEMO] and [START/STOP] button to

enter the MIDI/Utility mode. An “mm” appears in the display indicat-

ing the MIDI/Utility mode.

Next, press the [SONG] button. The current ON/OFF setting appears

in the display.

Turn the DIAL to the right (clockwise) to activate the Auto Kit Select

(on). Turn to the left (counter-clockwise) to deactivate the Auto Kit

Select (oFF).

onoFF

Auto Kit Select is turned on.

Playing a Song

3 Exit the Auto Kit Select.

The song tempo can be set anywhere from 32 to 280 beats per minute. The higher the tempo value,

the faster the tempo.

1 Press the [TEMPO] button.

2 Set the Tempo.

Press the [DEMO] and [START/STOP] buttons simultaneously once

again to exit the MIDI/Utility mode.

• The Auto Kit Select is automatically set to “oFF” when the MIDI Transmit

Channel setting is changed (see “Setting the MIDI Note Number” on page

28).

Adjusting the Tempo

When you press the [TEMPO] button, the current tempo value (32 -

280) appears in the display.

Use the DIAL to select the TEMPO. Turn the DIAL to the right

(clockwise) to increase the Tempo value, and turn it to the left

(counter-clockwise) to decrease the value. (The Tempo range is 32 -

280.) Press the [SONG] button to exit from the Tempo setting mode.

• When both the [SONG] and [TEMPO] buttons are pressed simultaneously,

the preset tempo of the currently selected song is automatically applied.

● About the Beat Indicator

During song playback, the three beat lamps in the display will ﬂash in

a speciﬁc pattern to help you in keeping the beat.

120

032 280033 279

120 120 120 120

For a song in 4/4 time at a tempo of 120 bpm:

1st beat 2nd beat 3rd beat 4th beat

Play along with a Song

Use the pads and pedals to play along with the song accompaniment.

• The DD-55 can play a total of 32 notes simultaneously. That includes notes pro-

duced by song accompaniment, pads, foot pedals, and note data received

through the MIDI IN jack.

The DD-55’s song accompaniment consists of 4 tracks: Drum tracks 1, 2, and 3, and the Backing

track.

Pressing a Track button ([DRUM 1], [DRUM 2], [DRUM 3],

[BACKING]) will mute (turn off the sound) the corresponding track

and its indicator lamp will turn off.

Muting DRUM 1, DRUM 2 and DRUM 3 tracks allows you to play

along with the song and practice the missing part.

With the Break function, you can liven up songs by adding your own solos or ﬁlls, whenever you

want.

Striking a pad while in the Break mode, the song’s accompaniment will be muted until the end of the

measure you have ﬁnished your ﬁll or solo in.

1 During song playback, press the [BREAK/TAP]

button.

2 Play the Break.

3 Exit the Break mode.

Track ON/OFF

Break

During song playback, press the [BREAK/TAP] button. The three

beat lamps in the display ﬂash, indicating the DD-55 is in Break

standby mode.

To cancel the Break mode, simply press the [BREAK/TAP] button

once again. (The beat lamps ﬂash in tempo.)

Strike any pad or pedal, and the accompaniment will mute until the end

of the measure you played in. You can play a drum ﬁll or drum solo

during this break.

The DD-55 returns to the Break standby mode when the Break mea-

sure is completed.

To exit the Break mode, press the [BREAK/TAP] button.

The Break mode is also exited when the song is stopped.

DRUM 1 Bass Drum

DRUM 2 Snare Drum

DRUM 3 Cymbal

BACKING Backing

When drum 3 is

muted.

Play along with a Song

If you want to practice a particular section of a song, you can specify that section’s “A” (start repeat)

and “B” (end repeat) points. The accompaniment will continuously repeat between points “A” and

“B” allowing you to practice between those points for as long as you like.

1 Set the “A” (start repeat) point.

2 Set the “B” (end repeat) point.

3 Stop the A-B REPEAT.

A-B Repeat

When the song playback has reached the start of the section you want

to practice, press the [A-B REPEAT] button and the “A” repeat point

is set. An “A” will appear in the display.

When the song playback has reached the end point of the section you

want to practice, press the [A-B REPEAT] button once again to set the

“B” point (“b” appears in the display). A one-measure count-in plays

(“A-b” appears in the display), then the speciﬁed section plays back

repeatedly. The current measure number will appear in the display

during repeat playback.

• The A-B Repeat start and end points can only be set in measure steps.

Press the [START/STOP] button and the song accompaniment will

stop.

“A-b” will appear in the display indicating the A-B REPEAT mode is

still engaged.

Press the [START/STOP] button once again and the accompaniment

will again repeat between the set points.

• Repeat is canceled when a different song is selected.

● Exit the Repeat

To exit the A-B Repeat function, press the [A-B REPEAT] button dur-

ing playback (“A-b” is indicated), and the A-B Repeat mode will be

canceled (the A-B Repeat points will also be canceled) and normal

playback of the accompaniment will continue.

A03

b05

A-b

Recording a Song

The DD-55’s Custom Song feature (song number “CU”) allows you to record and play-

back one original song (20000 notes approximately).

Data that can be recorded in the Custom Song Mode

• Drum pad and pedal data

• Song data (the number cannot be changed while in the RECORD Mode)

• Track ON/OFF settings

• Tempo setting (The tempo cannot be changed while in the RECORD mode)

• Song Volume setting

1 Prepare to Record.

2 Start Recording.

3 Stop Recording.

The recorded Custom Song (CU) can be played back in the same manner as any song (song numbers

00 - 99).

Recording

Select the desired song, drum kit, tempo and track on/off setting.

•Any song from 00 - 99 can be selected. After recording, the data is auto-

matically saved to the “ CU” song. (Recording cannot be done if the “ CU”

song is selected.)

Press the [REC] button to start recording. A count-in sound plays,

guiding you into the start of the recording.

The following indication appears (for a time signature of 4/4):

• Press the [CLICK] button to turn the click sound on or off during recording.

To stop recording, press the [START/STOP] button.

•Any previously recorded data will be replaced with new data.

• If the memory becomes full while recording is in progress, “ FL” will appear

in the display and recording will automatically stop.

Playback

Song number “CU” follows Song number “99” (or prior to “00”).

• The A-B Repeat function (see page 19) cannot be used in the Custom

Song Mode.

MIDI Functions

The MIDI IN and MIDI OUT terminals, located on the DD-55’s right side panel, offer

broadened musical possibilities through use of MIDI. What is MIDI? What can you do

with MIDI? And how can you use MIDI with the DD-55? Here are some answers to

those questions...

No doubt you have heard the terms “acoustic instrument” and “digital instrument.” In the world

today, these are the two main categories of instruments.

Let’s consider an acoustic piano and a classical guitar as representative acoustic instruments. With

the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar,

you directly pluck a string and the note sounds.

But how does a digital instrument go about playing a note?

As shown in the illustration above, in an electronic instrument the sampling note (previously

recorded note) stored in the tone generator section (electronic circuit) is played based on information

received from the pads and pedals. So then what is the information from the pads and pedals that

becomes the basis for note production?

For example, let’s say you play a “C” quarter note using the grand piano sound on the keyboard.

Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out infor-

mation from the keyboard such as with what voice, with which key, about how strong, when was it

pressed and when was it released. Then each piece of information is changed into a number value

and sent to the tone generator. Using these numbers as a basis, the tone generator plays the stored

sampling note.

What’s MIDI?

● Acoustic guitar note production ● Digital instrument note production

Pluck a string and the body reso-

nates the sound.

Based on playing information from the pads and

pedals, a sampling note stored in the tone genera-

tor is played through the speakers.

Playing the

pads

Tone Generator

(Electronic

circuit)

Sampling

Note

Sampling

Note

● Example of Keyboard Information

Voice number (with what voice) 01 (grand piano)

Note number (with which key) 60 (C3)

Note on (when was it pressed) and note off

(when was it released)

Timing expressed numerically

(quarter note)

Velocity (about how strong) 120 (strong)

MIDI Functions

MIDI is an acronym that stands for Musical Instrument Digital Interface, which allows electronic

musical instruments to communicate with each other, by sending and receiving compatible Note,

Control Change, Program Change and various other types of MIDI data, or messages.

The DD-55 can control a MIDI device by transmitting note related data and various types of control-

ler data.

The DD-55 can be controlled by the incoming MIDI messages which automatically determine tone

generator mode, select MIDI channels, voices and effects, change parameter values and of course

play the voices speciﬁed for the various parts.

MIDI messages can be divided into two groups: Channel messages and System messages.

● Channel Messages

The DD-55 is an electronic instrument that can handle 16 channels. This is usually expressed

as “it can play 16 instruments at the same time.” Channel messages transmit information such

as Note ON/OFF, Program Change, for each of the 16 channels.

● System Messages

This is data that is used in common by the entire MIDI system. System messages include mes-

sages like Exclusive Messages that transmit data unique to each instrument manufacturer and

Realtime Messages that control the MIDI device.

The messages transmitted/received by the DD-55 are shown in the MIDI Implementation Chart on

page 41.

Message Name DD-55 Operation/Panel Setting

Note ON/OFF Messages which are generated when the pad or pedal is played.

Each message includes a speciﬁc note number which corresponds to the

pad which is struck, plus a velocity value based on how hard the pad is

struck.

Program Change Voice setting (control change bank select MSB/LSB setting; only receive

is available)

Control Change Voice setting (volume, pan pot, etc.; only receive is available)

Message Name DD-55 Operation/Panel Setting

Exclusive Message Reverb/Chorus/DSP settings, etc.

Realtime Messages Clock setting

Start/stop operation

About MIDI terminals

In order to exchange MIDI data between multiple devices, each device must be connected by a MIDI cable.

The DD-55 is equipped with two types of MIDI terminals, both of which are located on the right side panel.

MIDI IN .................... Data transmitted from other MIDI instruments via MIDI, is received at

this terminal.

MIDI OUT ................ Data produced by the DD-55, is transmitted to other MIDI instruments

via MIDI from this terminal.

•Never use MIDI cables longer

than about 15 meters. Cables

longer than this can pick up

noise which can cause data

errors.

MIDI Functions

The DD-55 also features side panel MIDI terminals (MIDI IN and MIDI OUT) as well as a compre-

hensive set of MIDI functions, that let you use the instrument in a variety of recording and perfor-

mance applications.

In all cases, make sure to properly set the MIDI Transmit Channels on the DD-55. Also make appro-

priate settings on the connected instruments. (Refer to the relevant owner’s manuals for details.)

● You can play the voices and sounds of the DD-55 from another MIDI instrument

This setup allows you to control the DD-55 from a MIDI keyboard controller — espe-

cially one not having a tone generator. Connect the MIDI IN terminal on the DD-55 to

the MIDI OUT terminal on the other instrument.

● You can play the voices and sounds of another MIDI instrument from the DD-55

In this setup, you can play another MIDI instrument or tone generator from the DD-55.

For example, this lets you mix two different sounds together when you play a pad on the

DD-55. Connect the MIDI OUT terminal on the DD-55 to the MIDI IN terminal on the

other instrument.

● You can record your performance on the DD-55 to a connected sequencer or

computer

Here, you can record all your playing, along with the DD-55’s auto accompaniment, to

a connected computer or sequencer. Naturally, you can use the sophisticated functions

of the computer or sequencer to edit your data, and play it back using the sounds of the

DD-55. The DD-55 also lets you play back up to 16 different channels — letting you

create complex recordings and compositions.

To set up, connect the MIDI OUT terminal on the DD-55 to the MIDI IN terminal on

the sequencer or computer (allowing you to record). Also, connect the MIDI IN termi-

nal on the DD-55 to the MIDI OUT terminal on the sequencer or computer (allowing

playback). You may need to set Local On/Off (page 26) to off, for best results.

• When using a computer, special software (sequencer software) is needed.

What You Can Do With MIDI

DD-55

MIDI OUTMIDI IN

MIDI instrument

MIDI receive

DD-55

MIDI INMIDI OUT

MIDI instrument

MIDI transmit

DD-55

MIDI OUTMIDI IN

MIDI INMIDI OUT

MIDI receive

(playback)

MIDI transmit

Computer

(sequencer software)

MIDI Functions

You can enjoy using personal computer music software when you connect your DD-55’s MIDI ter-

minals to a personal computer. Make sure to use only special MIDI cables.

● Connect the MIDI terminals of the DD-55 to the MIDI terminals of the MIDI inter-

face installed to your computer.

● When using a MIDI interface with a Macintosh series computer, connect the RS-422

terminal of the computer (modem or printer terminal) to the MIDI interface, as shown

in the diagram below.

● When connecting to a computer with a USB interface, use the Yamaha UX16 USB/

MIDI Interface. Connect the UX16 and the computer with a standard USB cable,

then make the proper MIDI connections between the DD-55 and the UX16.

• If you use the Yamaha UX16, be sure to install the supplied driver on your com-

puter.

Connecting to a Computer

MIDI OUTMIDI IN

MIDI INMIDI OUT

DD-55

Computer

(sequencer software)

MIDI OUT

RS-422

MIDI IN

DD-55

Computer

(sequencer software)

MIDI

Interface

DD-55

OUT

MIDI IN

USB

MIDI OUT

UX16

Computer

(sequencer software)

MIDI Functions

Simultaneously press the [DEMO] and [START/STOP] button to enter the MIDI/Utility mode. An

“mm” appears in the display indicating the MIDI/Utility mode.

When the DD-55 is connected via MIDI to another MIDI device — such as a sequencer or rhythm

machine — you can have the two devices play back in perfect synchronization. To do this properly,

you have to make sure that the time based functions (song playback, etc.) on each device are properly

set, as to whether they are controlled by internal clock or external clock. When the internal clock (I)

is enabled on the DD-55, timing will be controlled by the DD-55’s internal clock. When external

clock (E) selected, the DD-55 will synchronize to the external sequencer’s or computer’s clock.

I (Internal) ...............The DD-55’s clock is used as the timing clock.

E (External)...............The external clock is used as the timing clock (If the clock is set to

external without being connected to another MIDI device, the DD-55’s

Song Play or Demo functions will not operate.)

1 Display the clock setting.

2 Set the Clock to External/Internal.

3 Exit the MIDI/Utility mode.

Enter/Exit the MIDI/Utility Mode

•Pads and pedals do not sound while in the MIDI/Utility mode.

To exit the MIDI mode, once again simultaneously press the [DEMO]

and [START/STOP] buttons. The DD-55 exits from the MIDI mode

and returns to the normal play mode.

Setting the Clock

After entering the MIDI/Utility mode, press the [DRUM 1] button to

see the current setting for the MIDI clock.

To set the clock to “I” (external), turn the DIAL to the right (clock-

wise). To set the clock to “E” (internal), turn the DIAL to the left

(counter-clockwise).

After the clock is set, exit the MIDI/Utility mode.

• The default MIDI clock setting is “I” (internal).

MIDI Functions

The Local ON/OFF setting determines whether or not the internal voices respond to the notes you

play on the DD-55’s pads. Setting this to OFF disconnects the DD-55’s pads from the voices. How-

ever, data produced by the DD-55 is transmitted via the MIDI OUT terminal.

on (Local ON) ..........The internal voices will be played and controlled by the DD-55 and its

pads. Data received via MIDI will also be played by the DD-55.

oFF (Local OFF) .....Striking the pads will not produce any sound from the voices. However,

the data will be transmitted through the MIDI OUT. However, data

received via MIDI will be played by the DD-55.

• Normally, this should be set to “on” — since you’ll want to hear the sound of the

DD-55 as you play it. However, for external sequencer applications, you may

need to set this to “oFF” to avoid getting “double” notes, in which the sounds of

the DD-55 are played twice — once from the pads and once again by the pad

data routed through the sequencer.

1 Display the Local On/Off Setting.

2 Set the Local On/Off.

3 Exit the MIDI/Utility mode.

Local ON/OFF

After entering the MIDI/Utility mode, press the [DRUM 2] button and

the current Local ON /OFF setting will appear in the display.

To set to “on” (Local ON), turn the DIAL to the right (clockwise), to

set to “oFF”(Local OFF), turn the DIAL to the left (counter-clock-

wise).

After setting the Local ON/OFF, exit the MIDI/Utility mode.

• Regardless of the Local ON/OFF setting, the DD-55’s performance data

(including demo song data) is always sent to the MIDI OUT terminals for

transmission to external MIDI devices.

• The default Local ON/OFF setting is ON (Local ON).

onoFF

MIDI Functions

Each of the pads/pedals (a total of 9) can be assigned to transmit on any of the 16 MIDI channels, or

turned off (indicated as “oFF” in the display).Also, song transmit channels are as shown below:

1 Display the MIDI Transmit Channel Number.

2 Select a pad to be assigned a MIDI Transmit

Number.

3 Set the MIDI Transmit Channel Number.

4 Exit the MIDI/Utility mode.

Setting the MIDI Transmit Channel

After entering the MIDI/Utility mode, press the [PAD] button and the

current Pad 1 transmit channel will be displayed.

To select the pad you want to assign a MIDI transmit channel, strike

the appropriate pad. That pad’s currently selected MIDI transmit chan-

nel will appear in the display.

Turn the DIAL to the right (clockwise) to increase the MIDI transmit

channel value, or turn it to the left (counter-clockwise) to decrease the

value.

•You can also select the MIDI transmit channel by striking the pad repeat-

edly. Every time the pad is struck the MIDI transmit channel number will

increase by 1.

After you’ve assigned each pad to a MIDI transmit channel as desired,

exit the MIDI/Utility mode.

•For further information on what type of data is transmitted via MIDI, see

the “MIDI Implementation Chart” (page 41).

Transmit Channel Default

Pad/Pedal 1 - 16 10

Drum (Song) 10 (Fixed) 10

Backing (Song) 11 - 16 (Fixed) 11 - 16

Pad/Pedal (Custom ) 10 (Fixed) 10

01 oFF02 16

MIDI Functions

Each pad and pedal (9 total) can be assigned a speciﬁc MIDI note number anywhere from C-2 to G8.

1 Display the MIDI Note Number.

2 Select the pad to be assigned a MIDI Note Num-

ber.

3 Assign a MIDI Note Number.

4 Exit the MIDI/Utility mode.

Setting the MIDI Note Number

After entering the MIDI/Utility mode, press the [KIT] button, the

MIDI note number currently assigned to Pad 1 will appear in the dis-

play.

Strike any pad to see the currently assigned MIDI note number for the

pad in the display.

Sharp notes are indicated by a beat lamp on the right side of the dis-

play.

To select the desired MIDI note number, turn the DIAL to the right

(clockwise) and the MIDI note numbers will increase. Turn the DIAL

to the left (counter-clockwise) and MIDI note numbers will decrease.

•You can also select the MIDI note number by striking the pad repeatedly.

Every time the pad is struck, the value will increase by semitone steps.

After you’ve assigned each pad to a MIDI note number as desired, exit

the MIDI/Utility mode.

•For information on transmit notes and voices, refer to the DD-55 “Drum

Map” on page 38.

• When the Pad Assign or Kit Assign is set, the MIDI Note Number will be

applied to the preset value. If the Auto Kit Select is set to ON and another

Song is selected, the MIDI Note Number will be applied to the preset

value.

•Auto Kit Select is automatically turned off when a MIDI Note Number is

changed.

-C2

#(sharp)

-C2 G8-C,2F,8

(C-2) (C#-2) (F#8) (G8)

MIDI Functions

The DD-55 lets you save and load song data to/from a connected computer. Once the song is loaded,

you can play or practice them in the same way as with the preset songs.

To transfer song data between the DD-55 and the connected computer, you must ﬁrst install the spe-

cial Song Filer software to the computer.

DD-55 song data that can be loaded and saved:

• Number of songs: 1 song (song number “CU”)

• Available memory: 100 Kbytes

• Data format: SMF Format 0

■ Installing Song Filer...........................................................................

You can download the Song Filer software from the following Yamaha PK CLUB website. Make

sure that your computer has an Internet connection.

System requirements for Song Filer

[Windows]

OS: Windows 95/98/Me/2000/XP

CPU: Pentium/100MHz or faster

Available Memory: 8MB or more

Free space in Hard Disk: 2MB or more

Display: 800 x 600, 256 colors or more

[Macintosh]

OS: Mac OS 7.5 - 9.2.2 (OS X is not supported)

CPU: Power PC or higher

Available Memory: 8MB or more

Free space in Hard Disk: 2MB or more

Display: 800 x 600, 256 colors or more

• Visit the Yamaha PK CLUB website for more information on the latest version of

Song Filer and how to install it.

Saving and Loading Song Data

Yamaha PK CLUB (Portable Keyboard Home Page)

http://www.yamahaPKclub.com/

MIDI Functions

■ Song Filer Functions .........................................................................

After you install Song Filer on the computer and connect the DD-55 to the computer, you can use the

two functions described below.

Refer to page 24 for information on connecting the DD-55 to a computer.

For more information on using Song Filer, refer to the PDF manual included with the Song Filer

application download.

● Managing Data on DD-55

The DD-55’s custom song data can be deleted by using your computer. You should delete this cus-

tom song data before sending data from the computer to the DD-55.

● Transmitting and Receiving Files

You can transfer a song ﬁle between the DD-55 and your computer.

DD-55

MIDI OUTMIDI IN

MIDI INMIDI OUT

Receive

Transmit

Computer

Appendix

Initialize.....................................................................................

The DD-55’s Custom Song, Custom Kit, and Panel Setting data are backed up so long

as power is supplied to the DD-55 by means of batteries or an AC adaptor.

Initialize is the term which refers to this data being restored to its original factory set-

tings. To initialize the DD-55, follow the procedure below.

•Keep in mind that initializing the data erases any and all of the original data you

saved to the instrument.

q Turn the power off. (Move the [STANDBY/ON] switch to the

STANDBY position.)

w While holding down the [DEMO] button, turn the power on again.

(Move the [STANDBY/ON] switch to the ON position.)

The DD-55 will be initialized to its factory settings. “C|r” will

appear in the display when the initialization process is complete.

C|r

The following data will remain in memory, as long as batteries are

installed or an AC adaptor is connected, even if the power is turned

off.

• Custom Song

• Custom Kit

• Auto Kit Selection

• MIDI Transmit Channel for the PAD

• MIDI Transmit Note for the PAD

• Pad Sensitivity

Appendix

Troubleshooting.......................................................................

In many cases, problems or malfunctions that occur during use can be remedied easily.

Please check the following list before deciding that your DD-55 is damaged.

If the suggested remedy is ineffective, take the DD-55 to an authorized Yamaha dealer

for proper diagnosis and repair. Do not attempt to repair this digital instrument by

yourself as serious damage may occur.

Problem Cause/Solution

A buzz or click occurs momentarily when the

DD-55 is turned ON or OFF

This is a normal power surge noise that occurs when the

POWER switch is operated.

The LED display is completely dark. When the

pads are struck, the display is dark and returns

to “000”.

The batteries are low and should be replaced with a com-

plete set of six new batteries immediately. Ideally, an

optional AC adaptor PA-5D or PA-5C should be used to

power the DD-55 (see page 5).

The custom pad voice assignments have disap-

peared or defaulted.

No sound comes from the speakers. • The volume is set too low. Adjust the volume (see page 8).

•A plug is inserted into the PHONES/OUTPUT jack and

should be taken out (see page 7).

• The LOCAL ON/OFF is set to OFF. Set the LOCAL ON/

OFF to ON (see page 26).

•You are in the MIDI/Utility mode. Exit the MIDI/Utility

mode (see page 25).

Striking two pads simultaneously results in one

of the pads not sounding.

Refer to “DD-55 Sound Triggering” to resolve the problem

(see page 13).

Striking a pad results in other pads also sound-

ing, though they were not struck.

The selected voice does not sound when the

pad is struck.

The desired voice has not been assigned to the pad.

Use the PAD ASSIGN function to program the desired voice

to the appropriate pad (see page 11).

The song or Demo does not start playback. The MIDI clock has been set to “E” (external).

Change the MIDI clock setting to “I” (internal) (see page

25).

“C|r” appears in the display when the

POWER switch is turned ON, and backed up

data has been erased.

Backed up data is initialized if batteries are not installed or

AC adaptor is disconnected while the power is turned off

(see page 31).

Appendix

Drum Voice List ........................................................................

● Panel Voice List

Voice

No.

Voice Name

000 Bass Drum Soft

001 Bass Drum Hard

002 Bass Drum

003 Bass Drum Soft

004 Bass Drum Hard

005 Bass Drum

006 Bass Drum 2

007 Room Bass Drum

008 Rock Bass Drum Soft

009 Rock Bass Drum Hard

010 Rock Bass Drum

011 Elec. Bass Drum Hard

012 Elec. Bass Drum

013 Dance Bass Drum Soft

014 Dance Bass Drum Hard

015 Dance Bass Drum

016 Jazz Bass Drum Soft

017 Jazz Bass Drum Hard

018 Jazz Bass Drum

019 Snare H Soft

020 Snare M

021 Snare H Hard

022 Snare H Soft

023 Snare M

024 Snare H Hard

025 Snare H Soft 2

026 Snare M 2

027 Snare H Hard 2

028 Room Snare H Soft

029 Room Snare M

030 Room Snare H Hard

031 Rock Snare H Soft

032 Rock Snare M

033 Rock Snare H Hard

034 Snare L

035 Elec. Snare M

036 Elec. Snare H

037 Dance Snare Snappy

038 Dance Snare M

039 Dance Snare H Hard

040 Jazz Snare H Soft

041 Jazz Snare M

042 Jazz Snare H Hard

043 Brush Tap

044 Brush Slap

045 Brush Tap

046 Brush Slap

047 Side Sticks

048 Side Sticks

049 Side Sticks 2

050 Room Side Sticks

051 Dance Side Sticks

052 Jazz Side Sticks

053 Open Rim Shot

054 Open Rim Shot

055 Open Rim Shot 2

056 Room Open Rim Shot

057 Dance Open Rim Shot

058 Jazz Open Rim Shot

059 Sticks

060 High Tom

061 Mid Tom H

062 Mid Tom L

063 Low Tom

064 Floor Tom H

065 Floor Tom L

066 High Tom

067 Mid Tom H

068 Mid Tom L

069 Low Tom

070 Floor Tom H

071 Floor Tom L

072 Room High Tom

073 Room Mid Tom H

074 Room Mid Tom L

075 Room Low Tom

Voice

No.

Voice Name

076 Room Floor Tom H

077 Room Floor Tom L

078 Rock High Tom

079 Rock Mid Tom H

080 Rock Mid Tom L

081 Rock Low Tom

082 Rock Floor Tom H

083 Rock Floor Tom L

084 Elec. High Tom

085 Elec. Mid Tom H

086 Elec. Mid Tom L

087 Elec. Low Tom

088 Elec. Floor Tom H

089 Elec. Floor Tom L

090 Dance High Tom

091 Dance Mid Tom H

092 Dance Mid Tom L

093 Dance Low Tom

094 Dance Floor Tom H

095 Dance Floor Tom L

096 Jazz High Tom

097 Jazz Mid Tom H

098 Jazz Mid Tom L

099 Jazz Low Tom

100 Jazz Floor Tom H

101 Jazz Floor Tom L

102 Hi-Hat Closed/Open *

103 Hi-Hat Open

104 Hi-Hat Closed/Open *

105 Hi-Hat Open

106 Crash Cymbal 1

107 Crash Cymbal 2

108 Crash Cymbal 1

109 Crash Cymbal 2

110 Dance Cymbal

111 Ride Cymbal 1

112 Ride Cymbal 2

113 Ride Cymbal 1

Voice

No.

Voice Name

* By assigning Closed and Open Hi-Hat voices to both the Pad and Pedal, those voices can be con-

trolled with the foot pedal as follows:

• Strike the pad while pressing the Foot Pedal, the “Closed” Hi-Hat voice will sound.

• Strike the pad without pressing the Foot Pedal, the “Open” Hi-Hat voice will sound.

• Press the Foot Pedal without striking the pad, the Hi-Hat “Pedal” voice will sound.

• If these voices have been assigned to more than one pad, only the left-most pad can be used with

the Pedal function (Closed/Open).

Appendix

114 Ride Cymbal 2

115 Ride Cymbal Cup

116 Ride Cymbal Cup

117 Chinese Cymbal

118 Chinese Cymbal

119 Splash Cymbal

120 Splash Cymbal

121 Hand Clap

122 Finger Snap

123 Tambourine

124 Tambourine

125 Cowbell

126 Cowbell

127 Dance Cowbell

128 Jazz Cowbell

129 Conga H Close

130 Conga H Open

131 Conga L

132 Conga H Close

133 Conga H Open

134 Conga L

135 Dance Conga H Mute

136 Dance Conga H Open

137 Dance Conga L

138 Jazz Conga H Close

139 Jazz Conga H Open

140 Jazz Conga L

141 Bongo H

142 Bongo L

143 Bongo H

144 Bongo L

145 Timbale H

146 Timbale L

147 Timbale H

148 Timbale L

149 Agogo H

150 Agogo L

151 Cabasa

152 Cabasa

Voice

No.

Voice Name

153 Maracas

154 Maracas

155 Shaker

156 Shaker

157 Claves

158 Tr iangle Mute

159 Tr iangle Open

160 Guiro Short

161 Guiro Short

162 Guiro Long

163 Cuica Mute

164 Cuica Open

165 Castanet

166 Jazz Castanet

167 Vibraslap

168 Wood Block H

169 Wood Block L

170 Jingle Bell

171 Bell Tree

172 Pandiero Keto

173 Pandiero Solto

174 Pandiero Ponta

175 Pandiero Calcanhar

176 Tamborim Solto

177 Tamborim Ponta

178 Tamborim Nylon Volta

179 Conga Muff

180 Surdo Mute

181 Surdo Open

182 Hi Q

183 Hi Q Low

184 Whip Slap

185 Scratch Push

186 Scratch Pull

187 Click Noise

188 Metronome Click

189 Metronome Bell

190 Seq Click L

191 Seq Click H

Voice

No.

Voice Name

Voice

Number

Phrase Name

192 Simple Rock

193 Pop Rock

194 Rock’n’ Roll

195 Groove Rock

196 Hard Rock

197 Contemporary R&B

198 Hard Sufﬂe

199 Blues Shufﬂe

200 A.O.R

201 Soul

202 Club Mix

203 House

204 Jazz Funk

205 Ballad

206 R & B

207 Motor Town

208 Swing Jazz

209 Urban Funk

210 Fusion

211 Fusion Samba

NOTE:

• Phrase data cannot be transmitted.

• The pan data for each voice is ﬁxed and cannot be changed, regardless of the pad assign-

ments. For example, if a voice containing a “left” pan setting is assigned to a right pad, the

actual sound will come from the left.

Appendix

Song List ..................................................................................

Song

No.

Song Name

Difﬁ-

culty

Demo

00 Technical Funk

—

01 Heavy Metal

02 Hyper Dance Mix

03 Latin Fusion

04 Straight Ahead

Pattern

05 Simple Rock

Easy

06 Pop Rock

07 R&R 1

08 R&R 2

09 Groove Rock Nomal

10 Hard Rock 1 Easy

11 Hard Rock 2

Nomal

12 Contemporary R&B

13 Hard Shufﬂe

14 Blues Shufﬂe

15 A.O.R 1

16 A.O.R 2

17 Soul 1

18 Soul 2

19 Club Mix

20 House

21 Jazz Funk 1

Difﬁcult

22 Jazz Funk 2

23 Ballad Easy

24 R&B

Nomal

25 Motor Town

26 Urban Funk

Difﬁcult

27 Fusion 1

28 Fusion 2

29 Fusion Samba

30 Swing Jazz 1

Nomal

31 Swing Jazz 2

Fill in

32 Simple Rock Easy

33 Pop Rock 1

Easy

34 Pop Rock 2

35 R&R 1

36 R&R 2

37 Groove Rock 1

Nomal

38 Groove Rock 2

39 Hard Rock 1 Easy

40 Hard Rock 2

Nomal

41 Contemporary R&B

42 Hard Shufﬂe 1

43 Hard Shufﬂe 2

44 Blues Shufﬂe 1

45 Blues Shufﬂe 2

46 A.O.R 1

47 A.O.R 2

48 Soul 1

49 Soul 2

50 Club Mix 2

51 Club Mix 2

52 House 1

53 House 2

54 Jazz Funk 1

Difﬁcult

55 Jazz Funk 2

56 Ballad 1

Easy

57 Ballad 2

58 R&B 1 Difﬁcult

59 R&B 2

Nomal60 Motor Town 1

61 Motor Town 2

62 Urban Funk 1

Difﬁcult

63 Urban Funk 2

64 Fusion 1

65 Fusion 2

66 Fusion Samba 1

67 Fusion Samba 2

68 Swing Jazz 1 Nomal

Song

No.

Song Name

Difﬁ-

culty

69 Swing Jazz 2 Nomal

Song

70 Simple Rock

Easy71 Pop Rock

72 R&R

73 Groove Rock

Nomal

74 Hard Rock

75 Contemporary R&B Difﬁcult

76 Hard Shufﬂe

Nomal

77 Blues Shufﬂe

78 A.O.R Difﬁcult

79 Soul

Nomal80 Club Mix

81 House

82 Jazz Funk Difﬁcult

83 Ballad Easy

84 R&B Difﬁcult

85 Motor Town Nomal

86 Urban Funk

Difﬁcult87 Fusion

88 Fusion Samba

89 Swing Jazz Nomal

Latin

90 Mambo

Difﬁcult91 Rhumba Guaguanco

92 Bossa-Nova

93 Samba Batucada

Nomal

94 Cha-Cha

95 Compatsa

Difﬁcult96 Songo

97 Mozanbique

98 Reggae Nomal

99 Bemde(African 6/8) Difﬁcult

Song

No.

Song Name

Difﬁ-

culty

Demo: These songs demonstrate the drum sounds and rhythms.

Pattern: These are special loop-repeating patterns for drum practice. A variety of basic patterns are

included in this type.

Fill in: These are special ﬁll patterns appropriate for use with many rhythms.

Song: These include drum and ﬁll-in patterns, and are ideal for general practice purposes.

Latin: These are special loop-repeating Latin rhythm patterns.

Appendix

Drum Kit List ............................................................................

Cate-

gory

Kit

No.

Kit Name Pad 1 Pad 2 Pad 3 Pad 4

Demo

00 Stereo Kit 1 053 Open Rim Shot 061 Mid Tom H 063 Low Tom 065 Floor Tom L

01 Heavy Metal Kit 032 Rock Snare M 080 Rock Mid Tom L 081 Rock Low Tom 083 Rock Floor Tom L

02 Dance Kit 057 Dance Open Rim Shot 147 Timbale H 148 Timbale L 015 Dance Bass Drum

03 Latin Kit 130 Conga H Open 145 Timbale H 146 Timbale L 134 Conga L

04 Stereo Kit 2 053 Open Rim Shot 060 High Tom 062 Mid Tom L 064 Floor Tom H

Song

05 Standard Kit 1 024 Snare H Hard 067 Mid Tom H 068 Mid Tom L 070 Floor Tom H

06 Rock Kit 1 033 Rock Snare H Hard 078 Rock High Tom 080 Rock Mid Tom L 081 Rock Low Tom

07 R & R Kit 023 Snare M 067 Mid Tom H 069 Low Tom 071 Floor Tom L

08 Rock Kit 2 032 Rock Snare M 080 Rock Mid Tom L 081 Rock Low Tom 083 Rock Floor Tom L

09 Hard Rock Kit 024 Snare H Hard 067 Mid Tom H 068 Mid Tom L 070 Floor Tom H

10 R & B Kit 1 032 Rock Snare M 048 Side Sticks 081 Rock Low Tom 083 Rock Floor Tom L

11 Shufﬂe Kit 053 Open Rim Shot 061 Mid Tom H 063 Low Tom 065 Floor Tom L

12 Blues Kit 053 Open Rim Shot 060 High Tom 062 Mid Tom L 064 Floor Tom H

13 A.O.R. Kit 053 Open Rim Shot 061 Mid Tom H 063 Low Tom 064 Floor Tom H

14 Soul Kit 033 Rock Snare H Hard 079 Rock Mid Tom H 081 Rock Low Tom 083 Rock Floor Tom L

15 Club Kit 030 Room Snare H Hard 074 Room Mid Tom L 075 Room Low Tom 077 Room Floor Tom L

16 House Kit 057 Dance Open Rim Shot 092 Dance Mid Tom L 093 Dance Low Tom 094 Dance Floor Tom H

17 Jazz Funk Kit 024 Snare H Hard 067 Mid Tom H 069 Low Tom 070 Floor Tom H

18 Ballad Kit 030 Room Snare H Hard 072 Room High Tom 074 Room Mid Tom L 076 Room Floor Tom H

19 R & B Kit 2 023 Snare M 068 Mid Tom L 069 Low Tom 070 Floor Tom H

20 R & B Kit 3 024 Snare H Hard 067 Mid Tom H 069 Low Tom 071 Floor Tom L

21 Funk Kit 054 Open Rim Shot 081 Rock Low Tom 120 Splash Cymbal 083 Rock Floor Tom L

22 Fusion Kit 1 053 Open Rim Shot 061 Mid Tom H 063 Low Tom 064 Floor Tom H

23 Fusion Kit 2 024 Snare H Hard 066 High Tom 068 Mid Tom L 069 Low Tom

24 Jazz Kit 055 Open Rim Shot 2 096 Jazz High Tom 098 Jazz Mid Tom L 100 Jazz Floor Tom H

Latin

25 Mambo Kit 048 Side Sticks 066 High Tom 068 Mid Tom L 069 Low Tom

26 Rumba Kit 048 Side Sticks 066 High Tom 069 Low Tom 070 Floor Tom H

27 Bossa Nova Kit 048 Side Sticks 066 High Tom 068 Mid Tom L 069 Low Tom

28 Samba Kit 176 Tamborim Solto 164 Cuica Open 163 Cuica Mute 178 Tamborim Nylon Volta

29 Cha Cha Cha Kit 130 Conga H Open 141 Bongo H 142 Bongo L 131 Conga L

30 Comparsa Kit 054 Open Rim Shot 066 High Tom 068 Mid Tom L 069 Low Tom

31 Songo Kit 054 Open Rim Shot 066 High Tom 069 Low Tom 070 Floor Tom H

32 Conga Kit 130 Conga H Open 141 Bongo H 142 Bongo L 131 Conga L

33 Reggae Kit 048 Side Sticks 024 Snare H Hard 067 Mid Tom H 069 Low Tom

34 Bembe Kit 024 Snare H Hard 067 Mid Tom H 069 Low Tom 070 Floor Tom H

Sequen-

tial Kit

35 Sequence Kit 1

The Sequential Kit features complete rhythm pattern phrases that you can play simply by hitting a pad on the DD-

55. No need to worry if you hit a pad repeatedly or hit more than one pad — the DD-55 plays the phrase through

once and stops, until you hit a pad again.

36 Sequence Kit 2

37 Sequence Kit 3

38 Sequence Kit 4

39 Sequence Kit 5

40 Sequence Kit 6

41 Sequence Kit 7

42 Sequence Kit 8

43 Sequence Kit 9

44 Sequence Kit 10

Pad 1

Pad 2 Pad 3

Small

Pad 2

Small

Pad 1

Small

Pad 3

Pad 4

Pedal 1Pedal 2

Appendix

Small Pad 1 Small Pad 2 Small Pad 3 Pedal 1 Pedal 2

106 Crash Cymbal 1 111 Ride Cymbal 1 102 Hi-Hat Closed/Open * 001 Bass Drum Hard 102 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 105 Hi-Hat Open 010 Rock Bass Drum 010 Rock Bass Drum

120 Splash Cymbal 182 Hi Q 104 Hi-Hat Closed/Open * 014 Dance Bass Drum Hard 104 Hi-Hat Closed/Open *

106 Crash Cymbal 1 125 Cowbell 129 Conga H Close 000 Bass Drum Soft 157 Claves

106 Crash Cymbal 1 111 Ride Cymbal 1 102 Hi-Hat Closed/Open * 001 Bass Drum Hard 102 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 008 Rock Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 104 Hi-Hat Closed/Open * 010 Rock Bass Drum 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 104 Hi-Hat Closed/Open * 005 Bass Drum 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 009 Rock Bass Drum Hard 104 Hi-Hat Closed/Open *

106 Crash Cymbal 1 115 Ride Cymbal Cup 102 Hi-Hat Closed/Open * 001 Bass Drum Hard 102 Hi-Hat Closed/Open *

106 Crash Cymbal 1 111 Ride Cymbal 1 102 Hi-Hat Closed/Open * 001 Bass Drum Hard 102 Hi-Hat Closed/Open *

106 Crash Cymbal 1 111 Ride Cymbal 1 102 Hi-Hat Closed/Open * 002 Bass Drum 102 Hi-Hat Closed/Open *

108 Crash Cymbal 1 121 Hand Clap 104 Hi-Hat Closed/Open * 008 Rock Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 120 Splash Cymbal 104 Hi-Hat Closed/Open * 007 Room Bass Drum 104 Hi-Hat Closed/Open *

013 Dance Bass Drum Soft 109 Crash Cymbal 2 121 Hand Clap 015 Dance Bass Drum 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 104 Hi-Hat Closed/Open * 005 Bass Drum 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 114 Ride Cymbal 2 104 Hi-Hat Closed/Open * 005 Bass Drum 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 113 Ride Cymbal 1 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

106 Crash Cymbal 1 111 Ride Cymbal 1 102 Hi-Hat Closed/Open * 002 Bass Drum 102 Hi-Hat Closed/Open *

108 Crash Cymbal 1 114 Ride Cymbal 2 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 114 Ride Cymbal 2 052 Jazz Side Sticks 016 Jazz Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 126 Cowbell 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 104 Hi-Hat Closed/Open * 157 Claves 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

120 Splash Cymbal 114 Ride Cymbal 2 104 Hi-Hat Closed/Open * 003 Bass Drum Soft 104 Hi-Hat Closed/Open *

149 Agogo H 150 Agogo L 177 Tamborim Ponta 180 Surdo Mute 181 Surdo Open

162 Guiro Long 161 Guiro Short 129 Conga H Close 157 Claves 153 Maracas

157 Claves 114 Ride Cymbal 2 126 Cowbell 004 Bass Drum Hard 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 120 Splash Cymbal 005 Bass Drum 104 Hi-Hat Closed/Open *

157 Claves 125 Cowbell 129 Conga H Close 161 Guiro Short 162 Guiro Long

108 Crash Cymbal 1 114 Ride Cymbal 2 104 Hi-Hat Closed/Open * 004 Bass Drum Hard 104 Hi-Hat Closed/Open *

108 Crash Cymbal 1 116 Ride Cymbal Cup 048 Side Sticks 005 Bass Drum 104 Hi-Hat Closed/Open *

Appendix

Drum Map .................................................................................

• “<——” indicates that in the column on the immediate left.

• Each percussion voice uses one note.

• The MIDI Note # and Note are actually one octave lower than listed. For example, in “GM Standard 1”,

the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).

(MSB=127, LSB=000)

Program Change No. 000 001 008 016 024 027 032 119

Keyboard MIDI GM Standard 1 Standard 2 Room Rock Electronic Kit Dance Jazz Stereo & Latin

25 C# 013C# -1 Surdo Mute <—— <—— <—— <—— <—— <—— <——

26 D 0 14 D -1 Surdo Open <—— <—— <—— <—— <—— <—— <——

27 D# 015D# -1 Hi Q <—— <—— <—— <—— <—— <—— <——

28 E 0 16 E -1 Whip Slap <—— <—— <—— <—— <—— <—— <——

29 F 0 17 F -1 Scratch Push <—— <—— <—— <—— <—— <—— <——

30 F# 018F# -1 Scratch Pull <—— <—— <—— <—— <—— <—— <——

31 G 0 19 G -1 Finger Snap <—— <—— <—— <—— <—— <—— <——

32 G# 020G# -1 Click Noise <—— <—— <—— <—— <—— <—— <——

33 A 0 21 A -1 Metronome Click <—— <—— <—— <—— <—— <—— <——

34 A# 022A# -1 Metronome Bell <—— <—— <—— <—— <—— <—— <——

35 B 0 23 B -1 Seq Click L <—— <—— <—— <—— <—— <—— <——

36 C 1 24 C 0 Seq Click H <—— <—— <—— <—— <—— <—— <——

37 C# 125C# 0Brush Tap <—— <—— <—— <—— <—— <—— Brush Tap

38 D 1 26 D 0 Brush Swirl <—— <—— <—— <—— <—— <—— Brush Swirl

39 D# 127D# 0Brush Slap <—— <—— <—— <—— <—— <—— Brush Slap

40 E 1 28 E 0 Brush Tap Swirl <—— <—— <—— Reverse Cymbal <—— Brush Tap Swirl Brush Tap Swirl

41 F 1 29 F 0 Snare Roll <—— <—— <—— <—— <—— <—— Snare Roll

42 F# 130F# 0 Castanet <—— <—— <—— Hi Q Low <—— Jazz Castanet <——

43 G 1 31 G 0 Snare H Soft Snare H Soft 2 Snare H Soft Snare Rock H Snare L AnSD Snappy Jazz Snare H Soft Snare H Soft

44 G# 132G# 0 Sticks <—— <—— <—— <—— <—— <—— <——

45 A 1 33 A 0 Bass Drum Soft <—— <—— Rock Bass Drum Soft <—— Dance Bass Drum Soft

Jazz Bass Drum Soft

Bass Drum Soft

46 A# 134A# 0 Open Rim Shot Open Rim Shot 2 Open Rim Shot <—— <—— Dance Open Rim Shot

Jazz Open Rim Shot 2

Open Rim Shot

47 B 1 35 B 0 Bass Drum Hard <—— <—— Rock Bass Drum Hard Elec. Bass Drum Hard Dance Bass Drum Hard

Jazz Bass Drum Hard

Bass Drum Hard

48 C 2 36 C 1 Bass Drum Bass Drum 2 Room Bass Drum Rock Bass Drum Elec. Bass Drum Dance Bass Drum Jazz Bass Drum Bass Drum

49 C# 237C# 1 Side Sticks Side Sticks 2 Side Sticks <—— <—— Dance Side Sticks Jazz Side Sticks 2 Side Sticks

50 D 2 38 D 1 Snare M Snare M 2 Room Snare M Rock Snare M Elec. Snare Drum M Dance Snare M Jazz Snare M Snare M

51 D# 239D# 1 Hand Clap <—— <—— <—— <—— <—— <—— <——

52 E 2 40 E 1 Snare H Hard Snare H Hard 2 Room Snare H Hard Rock Snare H Hard Elec. Snare Drum H Dance Snare H Hard Jazz Snare H Hard Snare H Hard

53 F 2 41 F 1 Floor Tom L <—— Room Floor Tom L Rock Floor Tom L Elec. Floor Tom L Dance Floor Tom L Jazz Floor Tom L Floor Tom L

54 F# 242F# 1 Hi-Hat Closed <—— <—— <—— <—— <—— <—— Hi-Hat Closed

55 G 2 43 G 1 Floor Tom H <—— Room Floor Tom H Rock Floor Tom H Elec. Floor Tom H Dance Floor Tom H Jazz Floor Tom H Floor Tom H

56 G# 244G# 1 Hi-Hat Pedal <—— <—— <—— <—— <—— <—— Hi-Hat Pedal

57 A 2 45 A 1 Low Tom <—— Room Low Tom Rock Low Tom Elec. Low Tom Dance Low Tom Jazz Low Tom Low Tom

58 A# 246A# 1 Hi-Hat Open <—— <—— <—— <—— <—— <—— Hi-Hat Open

59 B 2 47 B 1 Mid Tom L <—— Room Mid Tom L Rock Mid Tom L Elec. Mid Tom L Dance Mid Tom L Jazz Mid Tom L Mid Tom L

60 C 3 48 C 2 Mid Tom H <—— Room Mid Tom H Rock Mid Tom H Elec. Mid Tom H Dance Mid Tom H Jazz Mid Tom H Mid Tom H

61 C# 349C# 2Crash Cymbal 1 <—— <—— <—— <—— Dance Cymbal Crash Cymbal 1 Crash Cymbal 1

62 D 3 50 D 2 High Tom <—— Room High Tom Rock High Tom Elec. High Tom Dance High Tom Jazz High Tom High Tom

63 D# 351D# 2 Ride Cymbal 1 <—— <—— <—— <—— <—— <—— Ride Cymbal 1

64 E 3 52 E 2 Chinese Cymbal <—— <—— <—— <—— <—— <—— Chinese Cymbal

65 F 3 53 F 2 Ride Cymbal Cup <—— <—— <—— <—— <—— <—— Ride Cymbal Cup

66 F# 354F# 2Tambourine <—— <—— <—— <—— <—— <—— Tambourine

67 G 3 55 G 2 Splash Cymbal <—— <—— <—— <—— <—— <—— Splash Cymbal

68 G# 356G# 2Cowbell <—— <—— <—— <—— Dance Cowbell Jazz Cowbell Cowbell

69 A 3 57 A 2 Crash Cymbal 2 <—— <—— <—— <—— <—— <—— Crash Cymbal 2

70 A# 358A# 2 Vibraslap <—— <—— <—— <—— <—— <—— <——

71 B 3 59 B 2 Ride Cymbal 2 <—— <—— <—— <—— <—— <—— Ride Cymbal 2

72 C 4 60 C 3 Bongo H <—— <—— <—— <—— <—— <—— Bongo H

73 C# 461C# 3 Bongo L <—— <—— <—— <—— <—— <—— Bongo L

74 D 4 62 D 3 Conga H Mute <—— <—— <—— <—— Dance Conga H Mute

Jazz Conga H Close

Conga H Close

75 D# 463D# 3 Conga H Open <—— <—— <—— <—— Dance Conga H Open

Jazz Conga H Open

Conga H Open

76 E 4 64 E 3 Conga L <—— <—— <—— <—— Dance Conga L Jazz Conga L Conga L

77 F 4 65 F 3 Timbale H <—— <—— <—— <—— <—— <—— Timbale H

78 F# 466F# 3 Timbale L <—— <—— <—— <—— <—— <—— Timbale L

79 G 4 67 G 3 Agogo H <—— <—— <—— <—— <—— <—— <——

80 G# 468G# 3 Agogo L <—— <—— <—— <—— <—— <—— <——

81 A 4 69 A 3 Cabasa <—— <—— <—— <—— <—— <—— Cabasa

82 A# 470A# 3 Maracas <—— <—— <—— <—— <—— <—— Maracas

83 B 4 71 B 3 Samba Whistle H <—— <—— <—— <—— <—— <—— Samba Whistle H

84 C 5 72 C 4 Samba Whistle L <—— <—— <—— <—— <—— <—— Samba Whistle L

85 C# 573C# 4 Guiro Short <—— <—— <—— <—— <—— <—— Guiro Short

86 D 5 74 D 4 Guiro Long <—— <—— <—— <—— <—— <—— <——

87 D# 575D# 4 Claves <—— <—— <—— <—— <—— <—— <——

88 E 5 76 E 4 Wood Block H <—— <—— <—— <—— <—— <—— <——

89 F 5 77 F 4 Wood Block L <—— <—— <—— <—— <—— <—— <——

90 F# 578F# 4 Cuica Mute <—— <—— <—— <—— <—— <—— <——

91 G 5 79 G 4 Cuica Open <—— <—— <—— <—— <—— <—— <——

92 G# 580G# 4Triangle Mute <—— <—— <—— <—— <—— <—— <——

93 A 5 81 A 4 Triangle Open <—— <—— <—— <—— <—— <—— <——

94 A# 582A# 4 Shaker <—— <—— <—— <—— <—— <—— Shaker

95 B 5 83 B 4 Jingle Bell <—— <—— <—— <—— <—— <—— <——

96 C 6 84 C 5 Bell Tree <—— <—— <—— <—— <—— <—— <——

97 C# 685C# 5 Pandiero Keto

98 D 6 86 D 5 Pandiero Solto

99 D# 687D# 5 Pandiero Ponta

100 E 6 88 E 5 Pandiero Calcanhar

101 F 6 89 F 5 Tamborim Solto

102 F# 690F# 5 Ta mborim Ponta

103 G 6 91 G 5

Tamborim Nylon Volta

104 G# 692G# 5 Conga Muff

Appendix

Program Change No. 120 121 122 123 124 125 126 127

Keyboard MIDI Pad Standard 1 Pad Standard 2 Pad Room Pad Rock Pad Electronic Pad Dance Pad Jazz Pad Stereo & Latin

25 C# 013C# -1 <—— <—— <—— <—— <—— <—— <—— <——

26 D 0 14 D -1 <—— <—— <—— <—— <—— <—— <—— <——

27 D# 015D# -1 <—— <—— <—— <—— <—— <—— <—— <——

28 E 0 16 E -1 <—— <—— <—— <—— <—— <—— <—— <——

29 F 0 17 F -1 <—— <—— <—— <—— <—— <—— <—— <——

30 F# 018F# -1 <—— <—— <—— <—— <—— <—— <—— <——

31 G 0 19 G -1 <—— <—— <—— <—— <—— <—— <—— <——

32 G# 020G# -1 <—— <—— <—— <—— <—— <—— <—— <——

33 A 0 21 A -1 <—— <—— <—— <—— <—— <—— <—— <——

34 A# 022A# -1 <—— <—— <—— <—— <—— <—— <—— <——

35 B 0 23 B -1 <—— <—— <—— <—— <—— <—— <—— <——

36 C 1 24 C 0 <—— <—— <—— <—— <—— <—— <—— <——

37 C# 125C# 0Brush Tap <—— <—— <—— <—— <—— <—— Brush Tap

38 D 1 26 D 0 (Brush Swirl) <—— <—— <—— <—— <—— (Brush Swirl) (Brush Swirl)

39 D# 127D# 0Brush Slap <—— <—— <—— <—— <—— Brush Slap Brush Slap

40 E 1 28 E 0 (Brush Tap Swirl) <—— <—— <—— (Reverse Cymbal) <—— (Brush Tap Swirl) (Brush Tap Swirl)

41 F 1 29 F 0 (Snare Roll) <—— <—— <—— <—— <—— (Snare Roll) (Snare Roll)

42 F# 130F# 0<—— <—— <—— <—— Hi Q Low <—— Jazz Castanet <——

43 G 1 31 G 0 Snare H Soft Snare H Soft 2 Room Snare H Soft Rock Snare H Snare L Dance Snare Snappy Jazz Snare H Soft Snare H Soft

44 G# 132G# 0<—— <—— <—— <—— <—— <—— <—— <——

45 A 1 33 A 0 Bass Drum Soft <—— <—— Rock Bass Drum Soft <—— Dance Bass Drum Soft

Jazz Bass Drum Soft

Bass Drum Soft

46 A# 134A# 0 Open Rim Shot Open Rim Shot 2

Room Open Rim Shot

<—— <—— Dance Open Rim Shot

Jazz Open Rim Shot 2

Open Rim Shot

47 B 1 35 B 0 Bass Drum Hard <—— <—— Rock Bass Drum Hard Elec. Bass Drum Hard Dance Bass Drum Hard

Jazz Bass Drum Hard

Bass Drum Hard

48 C 2 36 C 1 Bass Drum Bass Drum 2 Room Bass Drum Rock Bass Drum Elec. Bass Drum Dance Bass Drum Jazz Bass Drum Bass Drum

49 C# 237C# 1 Side Sticks Side Sticks 2 Room Side Sticks <—— <—— Dance Side Sticks Jazz Side Sticks 2 Side Sticks

50 D 2 38 D 1 Snare M Snare M 2 Room Snare M Rock Snare M Elec. Snare Drum M Dance Snare M Jazz Snare M Snare M

51 D# 239D# 1<—— <—— <—— <—— <—— <—— <—— <——

52 E 2 40 E 1 Snare H Hard Snare H Hard 2 Room Snare H Hard Rock Snare H Hard Elec. Snare Drum H Dance Snare H Hard Jazz Snare H Hard Snare H Hard

53 F 2 41 F 1 Floor Tom L <—— Room Floor Tom L Rock Floor Tom L Elec. Floor Tom L Dance Floor Tom L Jazz Floor Tom L Floor Tom L

54 F# 242F# 1 Hi-Hat Closed <—— <—— <—— <—— Dance Hi-Hat Closed Hi-Hat Closed Hi-Hat Closed

55 G 2 43 G 1 Floor Tom H <—— Room Floor Tom H Rock Floor Tom H Elec. Floor Tom H Dance Floor Tom H Jazz Floor Tom H Floor Tom H

56 G# 244G# 1 Hi-Hat Pedal <—— <—— <—— <—— Dance Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal

57 A 2 45 A 1 Low Tom <—— Room Low Tom Rock Low Tom Elec. Low Tom Dance Low Tom Jazz Low Tom Low Tom

58 A# 246A# 1 Hi-Hat Open <—— <—— <—— <—— Dance Hi-Hat Open Hi-Hat Open Hi-Hat Open

59 B 2 47 B 1 Mid Tom L <—— Room Mid Tom L Rock Mid Tom L Elec. Mid Tom L Dance Mid Tom L Jazz Mid Tom L Mid Tom L

60 C 3 48 C 2 Mid Tom H <—— Room Mid Tom H Rock Mid Tom H Elec. Mid Tom H Dance Mid Tom H Jazz Mid Tom H Mid Tom H

61 C# 349C# 2Crash Cymbal 1 <—— <—— <—— <—— Dance Cymbal Crash Cymbal 1 Crash Cymbal 1

62 D 3 50 D 2 High Tom <—— Room High Tom Rock High Tom Elec. High Tom Dance High Tom Jazz High Tom High Tom

63 D# 351D# 2 Ride Cymbal 1 <—— <—— <—— <—— <—— <—— Ride Cymbal 1

64 E 3 52 E 2 Chinese Cymbal <—— <—— <—— <—— <—— <—— Chinese Cymbal

65 F 3 53 F 2 Ride Cymbal Cup <—— <—— <—— <—— <—— <—— Ride Cymbal Cup

66 F# 354F# 2Tambourine <—— <—— <—— <—— <—— <—— Tambourine

67 G 3 55 G 2 Splash Cymbal <—— <—— <—— <—— <—— <—— Splash Cymbal

68 G# 356G# 2Cowbell <—— <—— <—— <—— Dance Cowbell Jazz Cowbell Cowbell

69 A 3 57 A 2 Crash Cymbal 2 <—— <—— <—— <—— <—— <—— Crash Cymbal 2

70 A# 358A# 2<—— <—— <—— <—— <—— <—— <—— <——

71 B 3 59 B 2 Ride Cymbal 2 <—— <—— <—— <—— <—— <—— Ride Cymbal 2

72 C 4 60 C 3 Bongo H <—— <—— <—— <—— <—— <—— Bongo H

73 C# 461C# 3 Bongo L <—— <—— <—— <—— <—— <—— Bongo L

74 D 4 62 D 3 Conga H Close <—— <—— <—— <—— Dance Conga H Mute

Jazz Conga H Close

Conga H Close

75 D# 463D# 3 Conga H Open <—— <—— <—— <—— Dance Conga H Open

Jazz Conga H Open

Conga H Open

76 E 4 64 E 3 Conga L <—— <—— <—— <—— Dance Conga L Jazz Conga L Conga L

77 F 4 65 F 3 Timbale H <—— <—— <—— <—— <—— <—— Timbale H

78 F# 466F# 3 Timbale L <—— <—— <—— <—— <—— <—— Timbale L

79 G 4 67 G 3 <—— <—— <—— <—— <—— <—— <—— <——

80 G# 468G# 3<—— <—— <—— <—— <—— <—— <—— <——

81 A 4 69 A 3 Cabasa <—— <—— <—— <—— <—— <—— Cabasa

82 A# 470A# 3 Maracas <—— <—— <—— <—— <—— <—— Maracas

83 B 4 71 B 3

(Samba Whistle H)

<—— <—— <—— <—— <—— <—— <——

84 C 5 72 C 4

(Samba Whistle L)

<—— <—— <—— <—— <—— <—— <——

85 C# 573C# 4 Guiro Short <—— <—— <—— <—— <—— <—— Guiro Short

86 D 5 74 D 4 <—— <—— <—— <—— <—— <—— <—— <——

87 D# 575D# 4<—— <—— <—— <—— <—— <—— <—— <——

88 E 5 76 E 4 <—— <—— <—— <—— <—— <—— <—— <——

89 F 5 77 F 4 <—— <—— <—— <—— <—— <—— <—— <——

90 F# 578F# 4<—— <—— <—— <—— <—— <—— <—— <——

91 G 5 79 G 4 <—— <—— <—— <—— <—— <—— <—— <——

92 G# 580G# 4<—— <—— <—— <—— <—— <—— <—— <——

93 A 5 81 A 4 <—— <—— <—— <—— <—— <—— <—— <——

94 A# 582A# 4 Shaker <—— <—— <—— <—— <—— <—— Shaker

95 B 5 83 B 4 <—— <—— <—— <—— <—— <—— <—— <——

96 C 6 84 C 5 <—— <—— <—— <—— <—— <—— <—— <——

97 C# 685C# 5 Pandiero Keto

98 D 6 86 D 5 Pandiero Solto

99 D# 687D# 5 Pandiero Ponta

100 E 6 88 E 5 Pandiero Calcanhar

101 F 6 89 F 5 Tamborim Solto

102 F# 690F# 5 Ta mborim Ponta

103 G 6 91 G 5

Tamborim Nylon Volta

104 G# 692G# 5 Conga Muff

Appendix

GM Voice List............................................................................

(MSB=000, LSB=000)

Program

Change

No.

Voice Name

000 Grand Piano

001 Bright Piano

002 ElecGrandPno

003 Honkytonk

004 El.Piano 1

005 El.Piano 2

006 Harpsichord

007 Clavi.

008 Celesta

009 Glockenspiel

010 Music Box

011 Vibraphone

012 Marimba

013 Xylophone

014 Tu bularBells

015 Dulcimer

016 DrawbarOrgan

017 Perc.Organ

018 Rock Organ

019 Church Organ

020 Reed Organ

021 Accordion

022 Harmonica

023 Tango Accord

024 Nylon Guitar

025 Steel Guitar

026 Jazz Guitar

027 Clean Guitar

028 Muted Guitar

029 Overdriven

030 Distortion

031 GtrHarmonics

032 AcousticBass

033 Finger Bass

034 Pick Bass

035 FretlessBass

036 Slap Bass 1

037 Slap Bass 2

038 Synth Bass 1

039 Synth Bass 2

040 Violin

041 Viola

042 Cello

043 Contrabass

044 Trem.Strings

045 PizzicatoStr

046 Orch.Harp

047 Timpani

048 Strings 1

049 Strings 2

050 SynStrings1

051 SynStrings2

052 Choir Aahs

053 Voice Oohs

054 Synth Voice

055 OrchestraHit

056 Tr umpet

057 Trombone

058 Tuba

059 MutedTrumpet

060 French Horn

061 BrassSection

062 SynthBrass1

063 SynthBrass2

064 Soprano Sax

065 Alto Sax

066 Tenor Sax

067 Baritone Sax

068 Oboe

069 English Horn

070 Bassoon

071 Clarinet

072 Piccolo

073 Flute

074 Recorder

075 Pan Flute

076 Blown Bottle

077 Shakuhachi

078 Whistle

079 Ocarina

080 Square Lead

081 SawtoothLead

082 CalliopeLead

083 Chiff Lead

084 Charang Lead

085 Voice Lead

086 Fifths Lead

087 Bass & Lead

088 New Age Pad

089 Warm Pad

090 PolySynthPad

091 Choir Pad

092 Bowed Pad

093 Metallic Pad

094 Halo Pad

095 Sweep Pad

Program

Change

No.

Voice Name

096 Rain

097 Sound Track

098 Crystal

099 Atmosphere

100 Brightness

101 Goblins

102 Echoes

103 Sci-Fi

104 Sitar

105 Banjo

106 Shamisen

107 Koto

108 Kalimba

109 Bagpipe

110 Fiddle

111 Shanai

112 Tinkle Bell

113 Agogo

114 Steel Drums

115 Woodblock

116 Taiko Drum

117 Melodic Tom

118 Synth Drum

119 Rev.Cymbal

120 GtrFretNoise

121 Breath Noise

122 Seashore

123 Bird Tweet

124 TelephonRing

125 Helicopter

126 Applause

127 Gunshot

Program

Change

No.

Voice Name

Appendix

YAMAHA [ DIGITAL PERCUSSION ] Date:07-FEB-2001

Model DD-55 MIDI Implementation Chart Version : 1.0

Transmitted Recognized Remarks

Function...

Basic Default 1O - 16 1 - 16

Channel Changed 1 - 16 1 - 16

Default 3 3

Mode Messages x x

Altered ************** x

Note 0 - 127 13 - 96

Number : True voice ************** 13 - 96

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Note OFF o 9nH,v=0 o 9nH,v=0

After Key’s x x

Touch Ch’s x x

Pitch Bend o *3 o

Prog o o 0 - 127

Change : True # **************

System Exclusive o *4 o *4

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock o o

Real Time: Commands o o *2

Aux :All Sound OFF x o(120)

:Reset All Cntrls x o(121)

:Local ON/OFF x x

:All Notes OFF x x

Mes- :Active Sense o o

sages:Reset x x

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

0,32 o o Bank Select

1o *3 o Modulation

6,38 o *3 o Data Entry

7o o Volume

10 o *1 o Pan

11 o o Expression

Control 64 o *3 o Sustain

71 o *3 o Harmonic Content

72 o *3 o Release Time

Change 73 o *3 o Brightness

84 o *3 o Portament Cntrl

91 o o Reverb Depth

93 o *3 o Chorus Depth

94 o *3 o Variation Depth

96,97 o *3 o Data Inc,Dec

100,101 o *3 o RPN LSB,MSB

MIDI Implementation Chart

Appendix

NOTE:

*1 Value of Pan for each drum pad and foot pedal is not transmitted via MIDI.

*2 The DD-55 can accept Start/Stop signals, received via MIDI, by setting the MIDI clock to “External”.

*3 This data is transmitted only when it is contained in the song data.

*4 Exclusive

<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

• This message automatically restores all default settings for the instrument, with the exception of MIDI

Master Tuning.

<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

• This message allows the volume of all channels to be changed simultaneously (Universal System

Exclusive).

• The values of “mm” is used for MIDI Master Tuning. (Values for “ll” are ignored.)

<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H

• mm : Reverb Type MSB

• ll : Reverb Type LSB

Refer to the Effect Map (page 43) for details.

<Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH, llH, F7H

• mm : Chorus Type MSB

• ll : Chorus Type LSB

Refer to the Effect Map (page 43) for details.

<DSP Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 40H, mmH, llH, F7H

• mm : DSP Type MSB

• ll : DSP Type LSB

Refer to the Effect Map (page 43) for details.

<DRY Level> F0H, 43H, 1nH, 4CH, 08H, 0mH, 11H, llH, F7H

• ll : Dry Level

• 0m : Channel Number

*5 Recording to an external sequencer from the DD-55 and playing back the data may result in selection of a

different Reverb effect or a different kit.

Sending MIDI data from the DD-55 to an external tone generator may result in an unexpected voice, partic-

ularly if the tone generator doesn’t have the same kind of voice as the DD-55.

Appendix

■ Effect map

* If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0.

* The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.

* By using an external sequencer, which is capable of editing and transmitting the system exclusive messages and param-

eter changes, you can select the Reverb, Chorus and DSP effect types which are not accessible from the DD-55 panel

itself.

● REVERB

● CHORUS

● DSP

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000 No Effect

001 (1)Hall1 (2)Hall2

002 Room (3)Room1 (4)Room2

003 Stage (5)Stage1 (6)Stage2

004 Plate (7)Plate1 (8)Plate2

005...127 No Effect

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000...064 No Effect

065 Chorus Chorus2

066 Celeste Chorus1

067 Flanger Flanger1 Flanger2

068...127 No Effect

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000 No Effect

001 (1)Hall1 (2)Hall2

002 Room (3)Room1 (4)Room2

003 Stage (5)Stage1 (6)Stage2

004 Plate (7)Plate1 (8)Plate2

005 Delay L,C,R (26)Delay L,C,R

006 (27)Delay L,R

007 (28)Echo

008 (29)Cross Delay

009

(9)Early Reflection1 (10)Early Reflection2

010 (11)Gate Reverb

011 (12)Reverse Gate

012...019 No Effect

020 (30)Karaoke

021...064 No Effect

065 Chorus (14)Chorus2

066 Celeste (13)Chorus1

067 Flanger

(15)Flanger1

(16)Flanger2

068 Symphonic (17)Symphonic

069 Rotary Speaker

(19)Rotary Speaker1

070 Tremolo (21)Tremolo1

071 Auto Pan (24)Auto Pan

(20)Rotary Speaker2

(22)Tremolo2

(23)Guitar Tremolo

072 (18)Phaser

073 Distortion

074 (33)Overdrive

075

(34)Amp Simulation

(31)Distortion Hard

(32)Distortion Soft

076 (36)3Band EQ

(35)EQ Telephone

077 (37)2Band EQ

078 Auto Wah (25)Auto Wah

079...127 No Effect

Appendix

Speciﬁcations ..........................................................................

Drum Pads

7 pads (125mm x 4, 88mm x 3), Touch Sensitive

Maximum Polyphony

Drum Kits

45 Preset +1 Custom

Songs

100

Tracks

4 (DRUM 1/DRUM 2/DRUM 3/BACKING)

Custom Song

1 Song (approximately 20,000 notes)

Voices

Drum Voices 192 + GM Voices 128 + Drum Kits 8

Functions

Track ON/OFF, TAP START, BREAK, A-B REPEAT,

DEMO

Panel Controls

[STANDBY/ON] switch, [PAD] button, [KIT] button,

[SONG] button, [TEMPO] button, VOLUME [▲], [▼] but-

tons, [HAND PERC] button, TRACK (DRUM 1/DRUM 2/

DRUM 3/BACKING) button, [DEMO] button, [CLICK] but-

ton, [START/STOP] button, [A-B REPEAT] button,

[BREAK/TAP] button, [REC] button, DIAL

LED Display

Song/Drum Kit/Tempo etc.

Auxiliary jacks

DC IN12 V, PHONES/OUTPUT, MIDI IN/OUT, PEDAL 1/2

Main Ampliﬁer

5W + 5W

Speaker

8 cm x 2

Power Consumption

16 W

Power Supply

Adaptor : DC12V (Yamaha PA-5D or PA-5C sold sepa-

rately)

Batteries: Six “C” size, R14P (LR14), or equivalent bat-

teries (sold separately)

Dimensions (WxDxH)

558 x 355 x 174 mm (22” x 14” x 6” 7/8)

Weight

3.9 kg (8 Ibs. 10 oz)

Supplied Accessories

Drum Stick x 2, Foot Pedal 1 & 2, Owner’s Manual

Optional Accessories

Headphones HPE-150

USB-MIDI Interface UX16

* Speciﬁcations and descriptions in this owner’s manual are for information

purposes only. Yamaha Corp. reserves the right to change or modify prod-

ucts or speciﬁcations at any time without prior notice. Since speciﬁcations,

equipment or options may not be the same in every locale, please check

with your Yamaha dealer.

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed

below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models

included in the following series of products:

DD SERIES OF DIGITAL PERCUSSION

If during the ﬁrst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect

in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject

to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the

consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as

warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PROD-

UCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY

IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY

EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these

limitations and exclusions may not apply to you.

This warranty gives you speciﬁc legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for

assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation

of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts

under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the ﬁrst 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a

tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and

to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to fail-

ures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modiﬁcation or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an

authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,

and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

[PK] 33

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Sao Paulo-SP. Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Central Europe,

Branch Nederland

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Belgium

Rue de Geneve (Genevastraat) 10, 1140 - Brussels,

Belgium

Tel: 02-726 6032

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WD47990 ???PO???.?-01A0 Printed in Malaysia

Yamaha PK CLUB (Portable Keyboard Home Page, English only)

http://www.yamahaPKclub.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

Documenttranscriptie

Owner’s Manual SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. SPECIFICATIONS SUBJECT TO CHANGE: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. 92-BP (bottom) Warning: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Model Serial No. Purchase Date PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) OBSERVERA! Entsorgung leerer Batterien (nur innerhalb Deutschlands) Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune. ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) 2 with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: (battery) PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. • Use the specified adaptor (PA-5D, PA-5C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Always make sure all batteries are inserted in conformity with the +/polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage. • Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage. • Do not dispose of batteries in fire. • Do not attempt to recharge batteries that are not intended to be charged. • When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid. • Keep batteries away from children. • If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns. • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. (4)-7 • Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. ■DATA BACK-UP AND STORAGE • Yamaha recommends that you regularly save data using an external device such as the floppy disk-based Yamaha MIDI data filer MDF3, and storing the floppy disks in a safe, cool, dry place. YAMAHA CANNOT BE HELD RESPONSIBLE FOR THE ACCIDENTAL LOSS OF IMPORTANT MUSIC DATA! Regarding the data you have created, as long as fresh batteries are inserted in (or an AC power adaptor is connected to) the instrument, the data will be retained, even when the power is turned off. It will also be retained long enough to exchange an old set of batteries for a new set. If you have important data in the instrument which you don’t want to lose, please take care to keep fresh batteries inserted in (or keep an AC power adaptor connected to) the instrument, and to regularly save data. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Make sure to discard used batteries according to local regulations. * The illustrations and LED displays as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your instrument. * Any mention or reference to the DD-55 in this manual also applies to the model DD-55C. 3 Congratulations! Thank you for purchasing the Yamaha DD-55. The DD-55 has been developed to respond and play like a drum set - but with greater ease, flexibility and sophisticated functions. Before you use the instrument, we recommend that you carefully read through this manual. Contents Setting Up 5 Power Requirements .............................................5 Panel Controls 6 Recording a Song 20 Recording............................................................ 20 Playback.............................................................. 20 MIDI Functions Playing the Demo Song 8 Play the Pads/Pedals 9 Pad Names ............................................................9 Hand Percussion ON/OFF ...................................10 Assigning a Drum Kit to the Pads and Pedals .....10 Assigning a Voice to Individual Pads and Pedals (“CU” Custom Kit)............................................11 Reverb ON/OFF ...................................................12 Setting the Pad Sensitivity ...................................13 Adjusting the Pad Volume....................................14 Click ON/OFF.......................................................14 Playing a Song 15 Select the Song and Play.....................................15 Tap Start ..............................................................16 Auto Kit Select ON/OFF Setting...........................16 Adjusting the Tempo ............................................17 Play along with a Song 18 Track ON/OFF .....................................................18 Break....................................................................18 A-B Repeat ..........................................................19 What’s MIDI?....................................................... 21 What You Can Do With MIDI .............................. 23 Connecting to a Computer .................................. 24 Enter/Exit the MIDI/Utility Mode .......................... 25 Setting the Clock ................................................. 25 Local ON/OFF ..................................................... 26 Setting the MIDI Transmit Channel ..................... 27 Setting the MIDI Note Number ............................ 28 Saving and Loading Song Data .......................... 29 Appendix 4 31 Initialize ............................................................... 31 Troubleshooting .................................................. 32 Drum Voice List................................................... 33 Song List ............................................................. 35 Drum Kit List........................................................ 36 Drum Map ........................................................... 38 GM Voice List...................................................... 40 MIDI Implementation Chart ................................. 41 Specifications ...................................................... 44 ● Trademarks • Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. • Windows is the registered trademark of Microsoft® Corporation. All other trademarks are the property of their respective holders. 21 ● Supplied Accesoories • Drum Stick (x2) • Foot Pedal 1 & 2 • Owner’s Manual Setting Up This section contains information about setting up your DD-55 for playing. Make sure to read this section carefully before using the instrument. Power Requirements Although the DD-55 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. Using an AC Power Adaptor q Make sure that the [STANDBY/ON] switch of the DD-55 is set to STANDBY. w Connect the AC adaptor (PA-5D, PA-5C or other adaptor specifically recommended by Yamaha) to the power supply jack. e Plug the AC adaptor into an AC outlet. • Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any DD-55 record operation! Doing so can result in a loss of data. PA-5D or PA-5C • Use ONLY a Yamaha PA-5D or PA-5C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the DD-55. • Unplug the AC Power Adaptor when not using the DD-55, or during electrical storms. Using Batteries For battery operation the DD-55 requires six 1.5V “C” size, R14P (LR14) or equivalent batteries. (Alkaline batteries are recommended.) When the batteries need to be replaced, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries, as described below. q Open the battery compartment cover located on the instrument’s bottom panel. w Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. e Replace the compartment cover, making sure that it locks firmly in place. • When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. • Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. • If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery. • Plugging or unplugging the AC power adaptor while the batteries are installed will reset the DD-55 to the defaults. 5 Panel Controls Front Panel !8 888 Pedal 2 Pedal 1 !5 !2 e q w 888 t !4 r y u i o !0 !1 !3 !7 !6 Front Panel q w e r t y u i o 6 DEMO button ......................................... 8, 25 CLICK button ............................................. 14 DISPLAY ..................................................... 10 VOLUME [▲], [▼] buttons........................... 8 HAND PERC button................................... 10 DRUM 1 - 3 buttons ................................... 18 BACKING button........................................ 18 PAD button..................................... 11, 14, 27 KIT button ............................................ 10, 28 !0 !1 !2 !3 !4 !5 !6 !7 !8 SONG button ............................. 8, 15, 16, 17 TEMPO button ........................................... 17 START/STOP button........................ 8, 15, 25 A-B REPEAT button .................................. 19 BREAK/TAP button ............................. 16, 18 REC button ................................................ 20 STANDBY/ON Switch ............................ 8, 31 DIAL............................................................ 10 Drum Pads (x7)............................................ 9 Panel Controls Using a pair of headphones A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of head phones is plugged into the PHONES/OUTPUT jack. Do not listen with the headphones at high volume for long periods of time. Doing so may cause hearing loss. Side Panel (Left) • Connect the DD-55 to external equipment only after turning off power for all devices. To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. !9 @0 Side Panel (Right) @2 @4 @3 Side Panel (Left) !9 DC IN 12V (AC Adaptor) Jack..................... 5 @0 PHONES/OUTPUT Jack .............................. 7 @1 PEDAL 2 Jack .............................................. 7 Side Panel (Right) @2 MIDI IN Terminal......................................... 22 @3 MIDI OUT Terminal..................................... 22 @4 PEDAL 1 Jack .............................................. 7 @1 • Since speakers are built into the DD-55, you should be careful to never leave any video tapes, cassette tapes, floppy disks or any kind of magnetic storage media on the panel — doing so may result in data loss or damage to the items. Also avoid using the DD-55 near a television or computer monitor, since interference may result. • Use the sticks with caution. Do not use them for anything other than playing the instrument. Also, to avoid damage or injury, refrain from waving them recklessly or throwing them. Using the Foot Pedals (1/2) When connected, these pedals can be used simultaneously play the drum set’s hi-hat pedal or bass drum voices — or they can also be assigned to play other voices as well. Connect the supplied Pedal 1 to the PEDAL 1 jack @4 and Pedal 2 to the PEDAL 2 jack @1. • Make sure that the pedal plugs are properly connected to the PEDAL jacks before turning on the power. • Do not press Pedal 2 while turning the power on. Doing this changes the recognized polarity of the pedal, resulting in reversed pedal operation. • Avoid using the pedals directly on a soft floor, since they may scratch the surface of the floor. • Avoid getting caught in or tripping over the pedal cords; this may cause the instrument to fall and result in damage or injury. 7 Playing the Demo Song The DD-55 features a demonstration song, specially created to show you the dynamic possibilities of the instrument. 1 Turn on the power. Turn the [STANDBY/ON] switch ON. • Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the DD55 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument. 2 Start the Demo Song. Press the [DEMO] button and the demo song starts playing. ● MASTER VOLUME The overall volume level of the DD-55 is controlled by two VOLUME [▲], [▼] buttons (10 volume levels L0 - L9). Large Small Press the VOLUME [▲] button to increase the overall volume by one level. Press the VOLUME [▼] button to decrease the overall volume by one level. Holding down either of the buttons increases or decreases the volume level rapidly. L0 ← L5 → L9 Small ← Volume Level → Large * When the VOLUME is set to L0, no sound is produced. 3 Stop the Demo Song. To stop playback, press the [DEMO] button again or press the [START/STOP] button. ● SONG VOLUME To control the volume level of the song, press the [SONG] button and the song starts playing, simultaneously hold down the [SONG] button and use the VOLUME [▲], [▼] buttons (levels L0 - L9). (For more information on songs, see page 15.) The SONG VOLUME can be used to adjust the balance between the song accompaniment and your own performance on the pads. Simultaneously hold down the [SONG] button and press the VOLUME [▲] button to increase the song volume by one level. Hold down the [SONG] button and press the VOLUME [▼] button to decrease the song volume by one level. Holding either of the buttons (while holding down the [SONG] button) increases or decreases the song volume level rapidly. L0 ← L5 → L9 Small ← Volume Level → Large * When the VOLUME is set to L0, no sound is produced by the song. 8 Play the Pads/Pedals Strike the pad with the supplied drum sticks or your hands to play the drum voices. When playing the pads with your hands, turn the Hand Percussion feature on by pressing the [HAND PERC] button (the lamp lights). The volume of the pads’ sounds responds to your playing; when you play soft the volume is soft, and when you play strongly the volume is loud. The actual loudness of the sound may vary according to which part of the pad is struck. Pad Names A hi-hat sound is assigned to Small Pad 3 (Drum Kit 00). Striking Small Pad 3 while pressing Pedal 2 produces a closed hi-hat sound. Striking the pad without pressing the pedal produces an open hi-hat sound. Small Pad 1 Small Pad 2 107: Crash Cymbal 2 110: Ride Cymbal 1 Pad 2 Pad 3 061: Mid Tom (High) 063: Low Tom Small Pad 3 Pad 1 102: Hi-Hat Closed/Open 053: Open Rim Shot Pad 4 065: Floor Tom (Low) Ex. shown, Drum Kit 00 Pedal 2 102: Hi-Hat Pedal The bass drum voice is controlled by pressing Foot Pedal 1. Pedal 1 features touch response; the volume responds to how hard you press the pedal. Use Foot Pedal 2 to control the Hi-hat. (This is in the case of Drum Kit 00.) Pedal 1 001: Bass Drum (Hard) 9 Play the Pads/Pedals Hand Percussion ON/OFF You can play the pads of the DD-55 either with the supplied sticks or with your hands. 1 Press the [HAND PERC] button. When you press the [HAND PERC] button, the button’s lamp lights, and the pad sensitivity is automatically adjusted for optimum playing by hand. Hand Percussion on • When HAND PERCUSSION is on, the DD-55 automatically selects an appropriate song (#94) and kit (#29), ideal for playing by hand and using with the Hand Percussion feature. • When Hand Percussion is on, do not strike the pads with drumsticks or anything other than your hands. Assigning a Drum Kit to the Pads and Pedals The DD-55 allows you to choose from 45 different Drum Kits (00 - 44 : see the “Drum Kit List” page 36) quickly and easily. 45 of the kits have preset voice combinations that will be set to the pads and pedals when the kit is selected. Select some different kits and try playing them. The DD-55 also has one Custom Drum Kit allowing you to assign the desired voices to the seven pads or two pedals (see “Assigning a Voice to Individual Pads and Pedals” page 11). For some drum kits (35 - 44), the sound changes each time you strike the pad. 1 00 Press the [KIT] button. When you press the [KIT] button, the currently selected Drum Kit number appears on the display. 2 Select a Drum Kit Number. Turn the DIAL to select a Drum Kit number. Drum Kit numbers will increase as the DIAL is turned to the right (clockwise), and decrease as the DIAL is turned to the left (counter-clockwise). 00 10 01 44 CU • Drum Kit number 00 is normally selected when the power is turned on. However, if Auto Kit Select is set to OFF, the last Drum Kit selected before turning the power OFF, is automatically selected when the power is turned on. (See “Auto Kit Select ON/OFF Setting ” on page 16.) • The “ CU” Drum Kit is the Custom Kit. Changes made to any one of the preset drum kits will be saved here. (See “Assigning a Voice to Individual Pads and Pedals” page 11.) Play the Pads/Pedals Assigning a Voice to Individual Pads and Pedals (“CU” Custom Kit) The DD-55 contains a total of 212 high quality drum sounds (see the “Drum Voice List” page 33) — and you can assign these freely to each of the 7 drum pads and 2 foot pedals. Try assigning some different voices and create your own “CU” Custom Drum Kit. • Any changes made to one of the preset drum kits will automatically be saved in the “ CU” Custom Drum Kit. • Both the Custom and “00” drum kit contents are the same until modified (see the “Drum Kit List” page 36). 1 008 Press the [PAD] button. When you press the [PAD] button, Pad 1’s currently assigned voice number is shown in the display. 2 020 Select the pad or pedal to be assigned. Strike any pad one time (or press a pedal), and the currently assigned voice number for that pad/pedal is shown in the display. 3 Select a Voice Number. You can select the voice by repeatedly striking the pad or repeatedly pressing the pedal (while listening to the voice), or by turning the DIAL. 000 001 210 211 ● Striking the pad or pressing the pedal to select a voice. Every time the pad is struck or a pedal is pressed, voice numbers will increase by a value of one (1). ● Using the DIAL to select a voice. Turn the DIAL to the right (clockwise), and voice numbers will increase. Turn the DIAL to the left (counter-clockwise), and voice numbers will decrease. 000 001 210 211 Repeat the previous steps 2 and 3 for any or all of the DD-55’s pads and pedals. 4 CU Play the Pads and Pedals. After assigning a voice to the desired pad/pedal, press the [KIT] button. You can now play the voice you have assigned to the pad/pedal. After you’ve assigned the voice, the DD-55 will automatically be set to the custom kit. 11 Play the Pads/Pedals Reverb ON/OFF Different depths of the DD-55’s reverb effect can be added to the DD-55’s overall sound. 1 Display the Reverb On/Off Setting. Simultaneously press the [DEMO] and [START/STOP] button to enter the MIDI/Utility mode, then press the [DRUM3] button. The current Reverb setting appears in the display. on 2 Reverb on Set the Reverb On/Off. To set to “on” (Reverb ON), turn the DIAL to the right (clockwise), to set to “oFF” (Reverb OFF), turn the DIAL to the left (counter-clockwise). oFF on 3 Exit the Reverb On/Off Setting. After setting the Reverb ON/OFF, simultaneously press the [DEMO] and [START/STOP] button to exit the MIDI/Utility mode. 12 Play the Pads/Pedals Setting the Pad Sensitivity The DD-55 allows you to custom-set the sensitivity of the pads (range 0 - 2). When set to a value of 2, the pad sensitivity is the highest, providing the most dynamic range for your playing (softest to loudest volume). 1 Display the current pad sensitivity setting. Simultaneously press the [DEMO] and [START/STOP] button to enter the MIDI/Utility mode, then press the [HAND PERC] button. The current pad sensitivity setting appears in the display. 1 2 Set the sensitivity value. To raise the value, turn the DIAL to the right (clockwise), and to lower it, turn the DIAL to the left (counter-clockwise). • Default setting is “1.” 0 1 2 3 Exit the sensitivity setting. After setting the sensitivity, simultaneously press the [DEMO] and [START/STOP] button to exit the MIDI/Utility mode. DD-55 Sound Triggering The DD-55 is fitted with sensors underneath each pad. When struck, each pad/sensor produces velocity data. However, striking one pad very strongly may inadvertently trigger the sounds of other pads, because the sensors of those pads pick up the vibrations of the struck pad. To prevent this from happening, the DD-55 is set to ignore hits of low velocity. (It assumes the low velocity is “noise.”) However, some noise may get through and trigger the sensors. Here is another related problem: When you strike two pads simultaneously and hit one with less force than the other, the pad struck weakly may not sound because the DD-55 assumes the hit to be noise. These problems may be solved by changing the DD-55 settings or altering your playing technique (as described below). ● Striking two pads simultaneously results in one of the pads not sounding. → Set the pad sensitivity level to 2. This may solve the problem if you strike one of the pads weakly. Better yet, try striking both pads with the same force. ● Striking one pad results in other pads also sounding, even though they were not struck. → Set the pad sensitivity level to 0. With this setting, any pads that are not struck may not respond to the vibrations of your playing. 13 Play the Pads/Pedals Adjusting the Pad Volume The DD-55 lets you adjust the volume of each pad (range: L0 - L9), allowing you to set the overall balance of the kit. 1 Press and hold the [PAD] button and strike the pad whose volume you want to adjust. The corresponding pad is selected for changing volume. 2 Press and hold down the [PAD] button and simultaneously press VOLUME [▲] or [▼] to adjust the designated pad’s volume. • The default Pad volume is “ L9.” L5 Pad Volume Click ON/OFF Press the [CLICK] button. The click sounds in rhythm at the current tempo. (See “Adjusting the Tempo” on page 17.) To turn the click off, press the button once again. 14 Playing a Song The DD-55 features 100 different songs that can be used to provide accompaniment. (See the “Song List” on page 35.) Select one of the songs and have listen. Select the Song and Play 1 10 Press the [SONG] button. When you press the [SONG] button, the current song number appears in the display. 2 Select a Song Number. Use the DIAL to select a song number. Song numbers will increase as the DIAL is turned to the right (clockwise), and decrease as the DIAL is turned to the left (counter-clockwise). (See the “Song List” on page 35.) 00 01 99 • Song number “ 00” is automatically selected whenever the power is turned ON. • With the Auto Kit Select feature turned on, selecting a song will also automatically select the best suited Drum Kit for that song. (See “Auto Kit Select ON/OFF Setting” on page 16.) • Song numbers are arranged in each category according to their complexity. Smaller numbers are easier to play than larger numbers. CU 3 Press the [START/STOP] button. When you press the [START/STOP] button, a one- or two-measure count-in plays, and the song starts playing. As the song is playing, the Song’s current measure will be shown in the display. Try playing the pads and pedals along with the song. To stop playback of the song, press the [START/STOP] button once again. • You can also use the TAP START function to start songs (see page 16). 15 Playing a Song Tap Start The Tap Start function allows you to set the song’s overall tempo as well as start the accompaniment — simply by tapping out the rhythm. The accompaniment will playback at the tempo with which the pads are struck or the pedals are pressed. 1 Press the [BREAK/TAP] button. While song playback is stopped, press the [BREAK/TAP] button. All three of the beat lamps flash, indicating the DD-55 is set to Tap Start standby. To cancel the Tap Start mode, simply press the [BREAK/TAP] button once again (the beat lamps will turn off). 10 2 1 2 3 4 Play the Tap Start. In the case of a song in 4/4, strike any pad or press any pedal four times, and the accompaniment will start at the desired tempo. • The number of times needed to strike the pad will change according to the following time signatures; 5/4, 5 times; 4/4, 4 times; 3/4, 3 times; 6/8, 2 times. 3 Stop the Song Playback. Press the [START/STOP] button and the song accompaniment will stop. Auto Kit Select ON/OFF Setting The Auto Kit Select function automatically selects the best matching drum kit for the selected song. You can deactivate this feature by setting the Auto Kit Select to OFF. 1 Setting the Auto Kit Select to ON/OFF. Simultaneously press the [DEMO] and [START/STOP] button to enter the MIDI/Utility mode. An “mm” appears in the display indicating the MIDI/Utility mode. Next, press the [SONG] button. The current ON/OFF setting appears in the display. on 2 Auto Kit Select is turned on. Select ON/OFF. Turn the DIAL to the right (clockwise) to activate the Auto Kit Select (on). Turn to the left (counter-clockwise) to deactivate the Auto Kit Select (oFF). 16 oFF on Playing a Song 3 Exit the Auto Kit Select. Press the [DEMO] and [START/STOP] buttons simultaneously once again to exit the MIDI/Utility mode. • The Auto Kit Select is automatically set to “oFF” when the MIDI Transmit Channel setting is changed (see “Setting the MIDI Note Number” on page 28). Adjusting the Tempo The song tempo can be set anywhere from 32 to 280 beats per minute. The higher the tempo value, the faster the tempo. 1 120 Press the [TEMPO] button. When you press the [TEMPO] button, the current tempo value (32 280) appears in the display. 2 Set the Tempo. Use the DIAL to select the TEMPO. Turn the DIAL to the right (clockwise) to increase the Tempo value, and turn it to the left (counter-clockwise) to decrease the value. (The Tempo range is 32 280.) Press the [SONG] button to exit from the Tempo setting mode. • When both the [SONG] and [TEMPO] buttons are pressed simultaneously, the preset tempo of the currently selected song is automatically applied. 032 033 279 280 ● About the Beat Indicator During song playback, the three beat lamps in the display will flash in a specific pattern to help you in keeping the beat. For a song in 4/4 time at a tempo of 120 bpm: 1st beat 2nd beat 3rd beat 4th beat 120 120 120 120 17 Play along with a Song Use the pads and pedals to play along with the song accompaniment. • The DD-55 can play a total of 32 notes simultaneously. That includes notes produced by song accompaniment, pads, foot pedals, and note data received through the MIDI IN jack. Track ON/OFF The DD-55’s song accompaniment consists of 4 tracks: Drum tracks 1, 2, and 3, and the Backing track. DRUM 1 Bass Drum DRUM 2 Snare Drum DRUM 3 Cymbal BACKING Backing Pressing a Track button ([DRUM 1], [DRUM 2], [DRUM 3], [BACKING]) will mute (turn off the sound) the corresponding track and its indicator lamp will turn off. Muting DRUM 1, DRUM 2 and DRUM 3 tracks allows you to play along with the song and practice the missing part. When drum 3 is muted. Break With the Break function, you can liven up songs by adding your own solos or fills, whenever you want. Striking a pad while in the Break mode, the song’s accompaniment will be muted until the end of the measure you have finished your fill or solo in. 1 During song playback, press the [BREAK/TAP] button. During song playback, press the [BREAK/TAP] button. The three beat lamps in the display flash, indicating the DD-55 is in Break standby mode. To cancel the Break mode, simply press the [BREAK/TAP] button once again. (The beat lamps flash in tempo.) 2 Play the Break. Strike any pad or pedal, and the accompaniment will mute until the end of the measure you played in. You can play a drum fill or drum solo during this break. The DD-55 returns to the Break standby mode when the Break measure is completed. 3 Exit the Break mode. To exit the Break mode, press the [BREAK/TAP] button. The Break mode is also exited when the song is stopped. 18 Play along with a Song A-B Repeat If you want to practice a particular section of a song, you can specify that section’s “A” (start repeat) and “B” (end repeat) points. The accompaniment will continuously repeat between points “A” and “B” allowing you to practice between those points for as long as you like. 1 A03 Set the “A” (start repeat) point. When the song playback has reached the start of the section you want to practice, press the [A-B REPEAT] button and the “A” repeat point is set. An “A” will appear in the display. 2 b05 Set the “B” (end repeat) point. When the song playback has reached the end point of the section you want to practice, press the [A-B REPEAT] button once again to set the “B” point (“b” appears in the display). A one-measure count-in plays (“A-b” appears in the display), then the specified section plays back repeatedly. The current measure number will appear in the display during repeat playback. • The A-B Repeat start and end points can only be set in measure steps. 3 A-b Stop the A-B REPEAT. Press the [START/STOP] button and the song accompaniment will stop. “A-b” will appear in the display indicating the A-B REPEAT mode is still engaged. Press the [START/STOP] button once again and the accompaniment will again repeat between the set points. • Repeat is canceled when a different song is selected. ● Exit the Repeat To exit the A-B Repeat function, press the [A-B REPEAT] button during playback (“A-b” is indicated), and the A-B Repeat mode will be canceled (the A-B Repeat points will also be canceled) and normal playback of the accompaniment will continue. 19 Recording a Song The DD-55’s Custom Song feature (song number “CU”) allows you to record and playback one original song (20000 notes approximately). Data that can be recorded in the Custom Song Mode • Drum pad and pedal data • Song data (the number cannot be changed while in the RECORD Mode) • Track ON/OFF settings • Tempo setting (The tempo cannot be changed while in the RECORD mode) • Song Volume setting Recording 1 Prepare to Record. Select the desired song, drum kit, tempo and track on/off setting. • Any song from 00 - 99 can be selected. After recording, the data is automatically saved to the “ CU” song. (Recording cannot be done if the “ CU” song is selected.) 2 Start Recording. Press the [REC] button to start recording. A count-in sound plays, guiding you into the start of the recording. The following indication appears (for a time signature of 4/4): • Press the [CLICK] button to turn the click sound on or off during recording. 3 Stop Recording. To stop recording, press the [START/STOP] button. • Any previously recorded data will be replaced with new data. • If the memory becomes full while recording is in progress, “ FL” will appear in the display and recording will automatically stop. Playback The recorded Custom Song (CU) can be played back in the same manner as any song (song numbers 00 - 99). CU 20 Song number “CU” follows Song number “99” (or prior to “00”). • The A-B Repeat function (see page 19) cannot be used in the Custom Song Mode. MIDI Functions The MIDI IN and MIDI OUT terminals, located on the DD-55’s right side panel, offer broadened musical possibilities through use of MIDI. What is MIDI? What can you do with MIDI? And how can you use MIDI with the DD-55? Here are some answers to those questions... What’s MIDI? No doubt you have heard the terms “acoustic instrument” and “digital instrument.” In the world today, these are the two main categories of instruments. Let’s consider an acoustic piano and a classical guitar as representative acoustic instruments. With the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar, you directly pluck a string and the note sounds. But how does a digital instrument go about playing a note? ● Acoustic guitar note production ● Digital instrument note production Sampling Note Tone Generator (Electronic circuit) Sampling Note Playing the pads Pluck a string and the body resonates the sound. Based on playing information from the pads and pedals, a sampling note stored in the tone generator is played through the speakers. As shown in the illustration above, in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the pads and pedals. So then what is the information from the pads and pedals that becomes the basis for note production? For example, let’s say you play a “C” quarter note using the grand piano sound on the keyboard. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as with what voice, with which key, about how strong, when was it pressed and when was it released. Then each piece of information is changed into a number value and sent to the tone generator. Using these numbers as a basis, the tone generator plays the stored sampling note. ● Example of Keyboard Information Voice number (with what voice) 01 (grand piano) Note number (with which key) 60 (C3) Note on (when was it pressed) and note off (when was it released) Timing expressed numerically (quarter note) Velocity (about how strong) 120 (strong) 21 MIDI Functions MIDI is an acronym that stands for Musical Instrument Digital Interface, which allows electronic musical instruments to communicate with each other, by sending and receiving compatible Note, Control Change, Program Change and various other types of MIDI data, or messages. The DD-55 can control a MIDI device by transmitting note related data and various types of controller data. The DD-55 can be controlled by the incoming MIDI messages which automatically determine tone generator mode, select MIDI channels, voices and effects, change parameter values and of course play the voices specified for the various parts. MIDI messages can be divided into two groups: Channel messages and System messages. ● Channel Messages The DD-55 is an electronic instrument that can handle 16 channels. This is usually expressed as “it can play 16 instruments at the same time.” Channel messages transmit information such as Note ON/OFF, Program Change, for each of the 16 channels. Message Name DD-55 Operation/Panel Setting Note ON/OFF Messages which are generated when the pad or pedal is played. Each message includes a specific note number which corresponds to the pad which is struck, plus a velocity value based on how hard the pad is struck. Program Change Voice setting (control change bank select MSB/LSB setting; only receive is available) Control Change Voice setting (volume, pan pot, etc.; only receive is available) ● System Messages This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device. Message Name DD-55 Operation/Panel Setting Exclusive Message Reverb/Chorus/DSP settings, etc. Realtime Messages Clock setting Start/stop operation The messages transmitted/received by the DD-55 are shown in the MIDI Implementation Chart on page 41. About MIDI terminals In order to exchange MIDI data between multiple devices, each device must be connected by a MIDI cable. The DD-55 is equipped with two types of MIDI terminals, both of which are located on the right side panel. MIDI IN .................... Data transmitted from other MIDI instruments via MIDI, is received at this terminal. MIDI OUT ................ Data produced by the DD-55, is transmitted to other MIDI instruments via MIDI from this terminal. • Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors. 22 MIDI Functions What You Can Do With MIDI The DD-55 also features side panel MIDI terminals (MIDI IN and MIDI OUT) as well as a comprehensive set of MIDI functions, that let you use the instrument in a variety of recording and performance applications. In all cases, make sure to properly set the MIDI Transmit Channels on the DD-55. Also make appropriate settings on the connected instruments. (Refer to the relevant owner’s manuals for details.) ● You can play the voices and sounds of the DD-55 from another MIDI instrument This setup allows you to control the DD-55 from a MIDI keyboard controller — especially one not having a tone generator. Connect the MIDI IN terminal on the DD-55 to the MIDI OUT terminal on the other instrument. DD-55 MIDI receive MIDI IN MIDI OUT MIDI instrument ● You can play the voices and sounds of another MIDI instrument from the DD-55 In this setup, you can play another MIDI instrument or tone generator from the DD-55. For example, this lets you mix two different sounds together when you play a pad on the DD-55. Connect the MIDI OUT terminal on the DD-55 to the MIDI IN terminal on the other instrument. DD-55 MIDI transmit MIDI OUT MIDI IN MIDI instrument ● You can record your performance on the DD-55 to a connected sequencer or computer Here, you can record all your playing, along with the DD-55’s auto accompaniment, to a connected computer or sequencer. Naturally, you can use the sophisticated functions of the computer or sequencer to edit your data, and play it back using the sounds of the DD-55. The DD-55 also lets you play back up to 16 different channels — letting you create complex recordings and compositions. To set up, connect the MIDI OUT terminal on the DD-55 to the MIDI IN terminal on the sequencer or computer (allowing you to record). Also, connect the MIDI IN terminal on the DD-55 to the MIDI OUT terminal on the sequencer or computer (allowing playback). You may need to set Local On/Off (page 26) to off, for best results. Computer (sequencer software) MIDI receive (playback) DD-55 MIDI IN MIDI OUT MIDI OUT MIDI IN MIDI transmit • When using a computer, special software (sequencer software) is needed. 23 MIDI Functions Connecting to a Computer You can enjoy using personal computer music software when you connect your DD-55’s MIDI terminals to a personal computer. Make sure to use only special MIDI cables. ● Connect the MIDI terminals of the DD-55 to the MIDI terminals of the MIDI interface installed to your computer. Computer (sequencer software) DD-55 MIDI IN MIDI OUT MIDI OUT MIDI IN ● When using a MIDI interface with a Macintosh series computer, connect the RS-422 terminal of the computer (modem or printer terminal) to the MIDI interface, as shown in the diagram below. Computer (sequencer software) DD-55 MIDI Interface RS-422 MIDI OUT MIDI IN ● When connecting to a computer with a USB interface, use the Yamaha UX16 USB/ MIDI Interface. Connect the UX16 and the computer with a standard USB cable, then make the proper MIDI connections between the DD-55 and the UX16. DD-55 UX16 MIDI OUT IN OUT USB MIDI IN Computer (sequencer software) • If you use the Yamaha UX16, be sure to install the supplied driver on your computer. 24 MIDI Functions Enter/Exit the MIDI/Utility Mode Simultaneously press the [DEMO] and [START/STOP] button to enter the MIDI/Utility mode. An “mm” appears in the display indicating the MIDI/Utility mode. • Pads and pedals do not sound while in the MIDI/Utility mode. To exit the MIDI mode, once again simultaneously press the [DEMO] and [START/STOP] buttons. The DD-55 exits from the MIDI mode and returns to the normal play mode. mm Setting the Clock When the DD-55 is connected via MIDI to another MIDI device — such as a sequencer or rhythm machine — you can have the two devices play back in perfect synchronization. To do this properly, you have to make sure that the time based functions (song playback, etc.) on each device are properly set, as to whether they are controlled by internal clock or external clock. When the internal clock (I) is enabled on the DD-55, timing will be controlled by the DD-55’s internal clock. When external clock (E) selected, the DD-55 will synchronize to the external sequencer’s or computer’s clock. I (Internal) ...............The DD-55’s clock is used as the timing clock. E (External)...............The external clock is used as the timing clock (If the clock is set to external without being connected to another MIDI device, the DD-55’s Song Play or Demo functions will not operate.) I 1 Display the clock setting. After entering the MIDI/Utility mode, press the [DRUM 1] button to see the current setting for the MIDI clock. 2 Set the Clock to External/Internal. To set the clock to “I” (external), turn the DIAL to the right (clockwise). To set the clock to “E” (internal), turn the DIAL to the left (counter-clockwise). E I 3 Exit the MIDI/Utility mode. After the clock is set, exit the MIDI/Utility mode. • The default MIDI clock setting is “I” (internal). 25 MIDI Functions Local ON/OFF The Local ON/OFF setting determines whether or not the internal voices respond to the notes you play on the DD-55’s pads. Setting this to OFF disconnects the DD-55’s pads from the voices. However, data produced by the DD-55 is transmitted via the MIDI OUT terminal. on (Local ON) ..........The internal voices will be played and controlled by the DD-55 and its pads. Data received via MIDI will also be played by the DD-55. oFF (Local OFF) .....Striking the pads will not produce any sound from the voices. However, the data will be transmitted through the MIDI OUT. However, data received via MIDI will be played by the DD-55. • Normally, this should be set to “on” — since you’ll want to hear the sound of the DD-55 as you play it. However, for external sequencer applications, you may need to set this to “oFF” to avoid getting “double” notes, in which the sounds of the DD-55 are played twice — once from the pads and once again by the pad data routed through the sequencer. 1 on Display the Local On/Off Setting. After entering the MIDI/Utility mode, press the [DRUM 2] button and the current Local ON /OFF setting will appear in the display. 2 Set the Local On/Off. To set to “on” (Local ON), turn the DIAL to the right (clockwise), to set to “oFF”(Local OFF), turn the DIAL to the left (counter-clockwise). oFF on 3 Exit the MIDI/Utility mode. After setting the Local ON/OFF, exit the MIDI/Utility mode. • Regardless of the Local ON/OFF setting, the DD-55’s performance data (including demo song data) is always sent to the MIDI OUT terminals for transmission to external MIDI devices. • The default Local ON/OFF setting is ON (Local ON). 26 MIDI Functions Setting the MIDI Transmit Channel Each of the pads/pedals (a total of 9) can be assigned to transmit on any of the 16 MIDI channels, or turned off (indicated as “oFF” in the display).Also, song transmit channels are as shown below: Transmit Channel Pad/Pedal 1 - 16 Drum (Song) Backing (Song) Pad/Pedal (Custom ) 1 10 10 10 (Fixed) 10 11 - 16 (Fixed) 11 - 16 10 (Fixed) 10 Display the MIDI Transmit Channel Number. After entering the MIDI/Utility mode, press the [PAD] button and the current Pad 1 transmit channel will be displayed. 2 10 Default Select a pad to be assigned a MIDI Transmit Number. To select the pad you want to assign a MIDI transmit channel, strike the appropriate pad. That pad’s currently selected MIDI transmit channel will appear in the display. 3 Set the MIDI Transmit Channel Number. Turn the DIAL to the right (clockwise) to increase the MIDI transmit channel value, or turn it to the left (counter-clockwise) to decrease the value. 01 02 16 • You can also select the MIDI transmit channel by striking the pad repeatedly. Every time the pad is struck the MIDI transmit channel number will increase by 1. oFF 4 Exit the MIDI/Utility mode. After you’ve assigned each pad to a MIDI transmit channel as desired, exit the MIDI/Utility mode. • For further information on what type of data is transmitted via MIDI, see the “MIDI Implementation Chart” (page 41). 27 MIDI Functions Setting the MIDI Note Number Each pad and pedal (9 total) can be assigned a specific MIDI note number anywhere from C-2 to G8. 1 d1 Display the MIDI Note Number. After entering the MIDI/Utility mode, press the [KIT] button, the MIDI note number currently assigned to Pad 1 will appear in the display. 2 A1 Select the pad to be assigned a MIDI Note Number. Strike any pad to see the currently assigned MIDI note number for the pad in the display. Sharp notes are indicated by a beat lamp on the right side of the display. #(sharp) -C2 3 Assign a MIDI Note Number. To select the desired MIDI note number, turn the DIAL to the right (clockwise) and the MIDI note numbers will increase. Turn the DIAL to the left (counter-clockwise) and MIDI note numbers will decrease. (C-2) (C#-2) (F#8) (G8) -C2 -C,2 F,8 G8 • You can also select the MIDI note number by striking the pad repeatedly. Every time the pad is struck, the value will increase by semitone steps. 4 Exit the MIDI/Utility mode. After you’ve assigned each pad to a MIDI note number as desired, exit the MIDI/Utility mode. • For information on transmit notes and voices, refer to the DD-55 “Drum Map” on page 38. • When the Pad Assign or Kit Assign is set, the MIDI Note Number will be applied to the preset value. If the Auto Kit Select is set to ON and another Song is selected, the MIDI Note Number will be applied to the preset value. • Auto Kit Select is automatically turned off when a MIDI Note Number is changed. 28 MIDI Functions Saving and Loading Song Data The DD-55 lets you save and load song data to/from a connected computer. Once the song is loaded, you can play or practice them in the same way as with the preset songs. To transfer song data between the DD-55 and the connected computer, you must first install the special Song Filer software to the computer. DD-55 song data that can be loaded and saved: • Number of songs: 1 song (song number “CU”) • Available memory: 100 Kbytes • Data format: SMF Format 0 ■ Installing Song Filer........................................................................... You can download the Song Filer software from the following Yamaha PK CLUB website. Make sure that your computer has an Internet connection. Yamaha PK CLUB (Portable Keyboard Home Page) http://www.yamahaPKclub.com/ System requirements for Song Filer [Windows] OS: CPU: Available Memory: Free space in Hard Disk: Display: Windows 95/98/Me/2000/XP Pentium/100MHz or faster 8MB or more 2MB or more 800 x 600, 256 colors or more [Macintosh] OS: CPU: Available Memory: Free space in Hard Disk: Display: Mac OS 7.5 - 9.2.2 (OS X is not supported) Power PC or higher 8MB or more 2MB or more 800 x 600, 256 colors or more • Visit the Yamaha PK CLUB website for more information on the latest version of Song Filer and how to install it. 29 MIDI Functions ■ Song Filer Functions ......................................................................... After you install Song Filer on the computer and connect the DD-55 to the computer, you can use the two functions described below. Refer to page 24 for information on connecting the DD-55 to a computer. For more information on using Song Filer, refer to the PDF manual included with the Song Filer application download. ● Managing Data on DD-55 The DD-55’s custom song data can be deleted by using your computer. You should delete this custom song data before sending data from the computer to the DD-55. ● Transmitting and Receiving Files You can transfer a song file between the DD-55 and your computer. Computer DD-55 Receive MIDI IN MIDI OUT MIDI OUT MIDI IN Transmit 30 Appendix Initialize..................................................................................... The DD-55’s Custom Song, Custom Kit, and Panel Setting data are backed up so long as power is supplied to the DD-55 by means of batteries or an AC adaptor. Initialize is the term which refers to this data being restored to its original factory settings. To initialize the DD-55, follow the procedure below. • Keep in mind that initializing the data erases any and all of the original data you saved to the instrument. q Turn the power off. (Move the [STANDBY/ON] switch to the STANDBY position.) w While holding down the [DEMO] button, turn the power on again. (Move the [STANDBY/ON] switch to the ON position.) The DD-55 will be initialized to its factory settings. “C|r” will appear in the display when the initialization process is complete. C|r The following data will remain in memory, as long as batteries are installed or an AC adaptor is connected, even if the power is turned off. • Custom Song • Custom Kit • Auto Kit Selection • MIDI Transmit Channel for the PAD • MIDI Transmit Note for the PAD • Pad Sensitivity 31 Appendix Troubleshooting ....................................................................... In many cases, problems or malfunctions that occur during use can be remedied easily. Please check the following list before deciding that your DD-55 is damaged. If the suggested remedy is ineffective, take the DD-55 to an authorized Yamaha dealer for proper diagnosis and repair. Do not attempt to repair this digital instrument by yourself as serious damage may occur. Problem Cause/Solution A buzz or click occurs momentarily when the DD-55 is turned ON or OFF This is a normal power surge noise that occurs when the POWER switch is operated. The LED display is completely dark. When the pads are struck, the display is dark and returns to “000”. The batteries are low and should be replaced with a complete set of six new batteries immediately. Ideally, an optional AC adaptor PA-5D or PA-5C should be used to power the DD-55 (see page 5). The custom pad voice assignments have disappeared or defaulted. No sound comes from the speakers. • The volume is set too low. Adjust the volume (see page 8). • A plug is inserted into the PHONES/OUTPUT jack and should be taken out (see page 7). • The LOCAL ON/OFF is set to OFF. Set the LOCAL ON/ OFF to ON (see page 26). • You are in the MIDI/Utility mode. Exit the MIDI/Utility mode (see page 25). Striking two pads simultaneously results in one of the pads not sounding. Refer to “DD-55 Sound Triggering” to resolve the problem (see page 13). Striking a pad results in other pads also sounding, though they were not struck. 32 The selected voice does not sound when the pad is struck. The desired voice has not been assigned to the pad. Use the PAD ASSIGN function to program the desired voice to the appropriate pad (see page 11). The song or Demo does not start playback. The MIDI clock has been set to “E” (external). Change the MIDI clock setting to “I” (internal) (see page 25). “C|r” appears in the display when the POWER switch is turned ON, and backed up data has been erased. Backed up data is initialized if batteries are not installed or AC adaptor is disconnected while the power is turned off (see page 31). Appendix Drum Voice List ........................................................................ ● Panel Voice List Voice No. 000 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 Voice Name Bass Drum Soft Bass Drum Hard Bass Drum Bass Drum Soft Bass Drum Hard Bass Drum Bass Drum 2 Room Bass Drum Rock Bass Drum Soft Rock Bass Drum Hard Rock Bass Drum Elec. Bass Drum Hard Elec. Bass Drum Dance Bass Drum Soft Dance Bass Drum Hard Dance Bass Drum Jazz Bass Drum Soft Jazz Bass Drum Hard Jazz Bass Drum Snare H Soft Snare M Snare H Hard Snare H Soft Snare M Snare H Hard Snare H Soft 2 Snare M 2 Snare H Hard 2 Room Snare H Soft Room Snare M Room Snare H Hard Rock Snare H Soft Rock Snare M Rock Snare H Hard Snare L Elec. Snare M Elec. Snare H Dance Snare Snappy Voice No. 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 Voice Name Dance Snare M Dance Snare H Hard Jazz Snare H Soft Jazz Snare M Jazz Snare H Hard Brush Tap Brush Slap Brush Tap Brush Slap Side Sticks Side Sticks Side Sticks 2 Room Side Sticks Dance Side Sticks Jazz Side Sticks Open Rim Shot Open Rim Shot Open Rim Shot 2 Room Open Rim Shot Dance Open Rim Shot Jazz Open Rim Shot Sticks High Tom Mid Tom H Mid Tom L Low Tom Floor Tom H Floor Tom L High Tom Mid Tom H Mid Tom L Low Tom Floor Tom H Floor Tom L Room High Tom Room Mid Tom H Room Mid Tom L Room Low Tom Voice No. 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 Voice Name Room Floor Tom H Room Floor Tom L Rock High Tom Rock Mid Tom H Rock Mid Tom L Rock Low Tom Rock Floor Tom H Rock Floor Tom L Elec. High Tom Elec. Mid Tom H Elec. Mid Tom L Elec. Low Tom Elec. Floor Tom H Elec. Floor Tom L Dance High Tom Dance Mid Tom H Dance Mid Tom L Dance Low Tom Dance Floor Tom H Dance Floor Tom L Jazz High Tom Jazz Mid Tom H Jazz Mid Tom L Jazz Low Tom Jazz Floor Tom H Jazz Floor Tom L Hi-Hat Closed/Open * Hi-Hat Open Hi-Hat Closed/Open * Hi-Hat Open Crash Cymbal 1 Crash Cymbal 2 Crash Cymbal 1 Crash Cymbal 2 Dance Cymbal Ride Cymbal 1 Ride Cymbal 2 Ride Cymbal 1 * By assigning Closed and Open Hi-Hat voices to both the Pad and Pedal, those voices can be controlled with the foot pedal as follows: • Strike the pad while pressing the Foot Pedal, the “Closed” Hi-Hat voice will sound. • Strike the pad without pressing the Foot Pedal, the “Open” Hi-Hat voice will sound. • Press the Foot Pedal without striking the pad, the Hi-Hat “Pedal” voice will sound. • If these voices have been assigned to more than one pad, only the left-most pad can be used with the Pedal function (Closed/Open). 33 Appendix Voice No. 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 Voice Name Ride Cymbal 2 Ride Cymbal Cup Ride Cymbal Cup Chinese Cymbal Chinese Cymbal Splash Cymbal Splash Cymbal Hand Clap Finger Snap Tambourine Tambourine Cowbell Cowbell Dance Cowbell Jazz Cowbell Conga H Close Conga H Open Conga L Conga H Close Conga H Open Conga L Dance Conga H Mute Dance Conga H Open Dance Conga L Jazz Conga H Close Jazz Conga H Open Jazz Conga L Bongo H Bongo L Bongo H Bongo L Timbale H Timbale L Timbale H Timbale L Agogo H Agogo L Cabasa Cabasa Voice No. 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 Voice Name Maracas Maracas Shaker Shaker Claves Triangle Mute Triangle Open Guiro Short Guiro Short Guiro Long Cuica Mute Cuica Open Castanet Jazz Castanet Vibraslap Wood Block H Wood Block L Jingle Bell Bell Tree Pandiero Keto Pandiero Solto Pandiero Ponta Pandiero Calcanhar Tamborim Solto Tamborim Ponta Tamborim Nylon Volta Conga Muff Surdo Mute Surdo Open Hi Q Hi Q Low Whip Slap Scratch Push Scratch Pull Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H NOTE: • Phrase data cannot be transmitted. • The pan data for each voice is fixed and cannot be changed, regardless of the pad assignments. For example, if a voice containing a “left” pan setting is assigned to a right pad, the actual sound will come from the left. 34 Voice Number 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 Phrase Name Simple Rock Pop Rock Rock’n’ Roll Groove Rock Hard Rock Contemporary R&B Hard Suffle Blues Shuffle A.O.R Soul Club Mix House Jazz Funk Ballad R&B Motor Town Swing Jazz Urban Funk Fusion Fusion Samba Appendix Song List .................................................................................. Song No. 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 Song Name Demo Technical Funk Heavy Metal Hyper Dance Mix Latin Fusion Straight Ahead Pattern Simple Rock Pop Rock R&R 1 R&R 2 Groove Rock Hard Rock 1 Hard Rock 2 Contemporary R&B Hard Shuffle Blues Shuffle A.O.R 1 A.O.R 2 Soul 1 Soul 2 Club Mix House Jazz Funk 1 Jazz Funk 2 Ballad R&B Motor Town Urban Funk Fusion 1 Fusion 2 Fusion Samba Swing Jazz 1 Swing Jazz 2 Fill in Simple Rock Difficulty — Easy Nomal Easy Nomal Difficult Easy Nomal Difficult Nomal Easy Song No. 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 Song Name Pop Rock 1 Pop Rock 2 R&R 1 R&R 2 Groove Rock 1 Groove Rock 2 Hard Rock 1 Hard Rock 2 Contemporary R&B Hard Shuffle 1 Hard Shuffle 2 Blues Shuffle 1 Blues Shuffle 2 A.O.R 1 A.O.R 2 Soul 1 Soul 2 Club Mix 2 Club Mix 2 House 1 House 2 Jazz Funk 1 Jazz Funk 2 Ballad 1 Ballad 2 R&B 1 R&B 2 Motor Town 1 Motor Town 2 Urban Funk 1 Urban Funk 2 Fusion 1 Fusion 2 Fusion Samba 1 Fusion Samba 2 Swing Jazz 1 Difficulty Easy Nomal Easy Nomal Difficult Easy Difficult Nomal Difficult Song Song Name No. 69 Swing Jazz 2 Song 70 Simple Rock 71 Pop Rock 72 R&R 73 Groove Rock 74 Hard Rock 75 Contemporary R&B 76 Hard Shuffle 77 Blues Shuffle 78 A.O.R 79 Soul 80 Club Mix 81 House 82 Jazz Funk 83 Ballad 84 R&B 85 Motor Town 86 Urban Funk 87 Fusion 88 Fusion Samba 89 Swing Jazz Latin 90 Mambo 91 Rhumba Guaguanco 92 Bossa-Nova 93 Samba Batucada 94 Cha-Cha 95 Compatsa 96 Songo 97 Mozanbique 98 Reggae 99 Bemde(African 6/8) Difficulty Nomal Easy Nomal Difficult Nomal Difficult Nomal Difficult Easy Difficult Nomal Difficult Nomal Difficult Nomal Difficult Nomal Difficult Nomal Demo: These songs demonstrate the drum sounds and rhythms. Pattern: These are special loop-repeating patterns for drum practice. A variety of basic patterns are included in this type. Fill in: These are special fill patterns appropriate for use with many rhythms. Song: These include drum and fill-in patterns, and are ideal for general practice purposes. Latin: These are special loop-repeating Latin rhythm patterns. 35 Appendix Drum Kit List ............................................................................ Small Pad 1 Small Pad 2 Pad 2 Pad 3 Small Pad 3 Pad 4 Pad 1 Pedal 2 Category Kit No. 00 01 Demo 02 03 04 05 06 07 08 09 10 11 12 13 14 Song 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 Latin 30 31 32 33 34 35 36 37 38 Sequen- 39 tial Kit 40 41 42 43 44 36 Kit Name Stereo Kit 1 Heavy Metal Kit Dance Kit Latin Kit Stereo Kit 2 Standard Kit 1 Rock Kit 1 R & R Kit Rock Kit 2 Hard Rock Kit R & B Kit 1 Shuffle Kit Blues Kit A.O.R. Kit Soul Kit Club Kit House Kit Jazz Funk Kit Ballad Kit R & B Kit 2 R & B Kit 3 Funk Kit Fusion Kit 1 Fusion Kit 2 Jazz Kit Mambo Kit Rumba Kit Bossa Nova Kit Samba Kit Cha Cha Cha Kit Comparsa Kit Songo Kit Conga Kit Reggae Kit Bembe Kit Sequence Kit 1 Sequence Kit 2 Sequence Kit 3 Sequence Kit 4 Sequence Kit 5 Sequence Kit 6 Sequence Kit 7 Sequence Kit 8 Sequence Kit 9 Sequence Kit 10 Pedal 1 Pad 1 053 032 057 130 053 024 033 023 032 024 032 053 053 053 033 030 057 024 030 023 024 054 053 024 055 048 048 048 176 130 054 054 130 048 024 Open Rim Shot Rock Snare M Dance Open Rim Shot Conga H Open Open Rim Shot Snare H Hard Rock Snare H Hard Snare M Rock Snare M Snare H Hard Rock Snare M Open Rim Shot Open Rim Shot Open Rim Shot Rock Snare H Hard Room Snare H Hard Dance Open Rim Shot Snare H Hard Room Snare H Hard Snare M Snare H Hard Open Rim Shot Open Rim Shot Snare H Hard Open Rim Shot 2 Side Sticks Side Sticks Side Sticks Tamborim Solto Conga H Open Open Rim Shot Open Rim Shot Conga H Open Side Sticks Snare H Hard Pad 2 061 080 147 145 060 067 078 067 080 067 048 061 060 061 079 074 092 067 072 068 067 081 061 066 096 066 066 066 164 141 066 066 141 024 067 Mid Tom H Rock Mid Tom L Timbale H Timbale H High Tom Mid Tom H Rock High Tom Mid Tom H Rock Mid Tom L Mid Tom H Side Sticks Mid Tom H High Tom Mid Tom H Rock Mid Tom H Room Mid Tom L Dance Mid Tom L Mid Tom H Room High Tom Mid Tom L Mid Tom H Rock Low Tom Mid Tom H High Tom Jazz High Tom High Tom High Tom High Tom Cuica Open Bongo H High Tom High Tom Bongo H Snare H Hard Mid Tom H Pad 3 063 081 148 146 062 068 080 069 081 068 081 063 062 063 081 075 093 069 074 069 069 120 063 068 098 068 069 068 163 142 068 069 142 067 069 Low Tom Rock Low Tom Timbale L Timbale L Mid Tom L Mid Tom L Rock Mid Tom L Low Tom Rock Low Tom Mid Tom L Rock Low Tom Low Tom Mid Tom L Low Tom Rock Low Tom Room Low Tom Dance Low Tom Low Tom Room Mid Tom L Low Tom Low Tom Splash Cymbal Low Tom Mid Tom L Jazz Mid Tom L Mid Tom L Low Tom Mid Tom L Cuica Mute Bongo L Mid Tom L Low Tom Bongo L Mid Tom H Low Tom Pad 4 065 083 015 134 064 070 081 071 083 070 083 065 064 064 083 077 094 070 076 070 071 083 064 069 100 069 070 069 178 131 069 070 131 069 070 Floor Tom L Rock Floor Tom L Dance Bass Drum Conga L Floor Tom H Floor Tom H Rock Low Tom Floor Tom L Rock Floor Tom L Floor Tom H Rock Floor Tom L Floor Tom L Floor Tom H Floor Tom H Rock Floor Tom L Room Floor Tom L Dance Floor Tom H Floor Tom H Room Floor Tom H Floor Tom H Floor Tom L Rock Floor Tom L Floor Tom H Low Tom Jazz Floor Tom H Low Tom Floor Tom H Low Tom Tamborim Nylon Volta Conga L Low Tom Floor Tom H Conga L Low Tom Floor Tom H The Sequential Kit features complete rhythm pattern phrases that you can play simply by hitting a pad on the DD55. No need to worry if you hit a pad repeatedly or hit more than one pad — the DD-55 plays the phrase through once and stops, until you hit a pad again. Appendix 106 108 120 106 106 108 108 108 108 108 108 106 106 106 108 108 013 108 108 108 108 108 106 108 108 108 108 120 149 162 157 108 157 108 108 Small Pad 1 Crash Cymbal 1 Crash Cymbal 1 Splash Cymbal Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Dance Bass Drum Soft Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Splash Cymbal Agogo H Guiro Long Claves Crash Cymbal 1 Claves Crash Cymbal 1 Crash Cymbal 1 111 116 182 125 111 113 113 113 116 116 113 115 111 111 121 120 109 116 113 114 113 116 111 114 114 116 104 114 150 161 114 116 125 114 116 Small Pad 2 Ride Cymbal 1 Ride Cymbal Cup Hi Q Cowbell Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal Cup Ride Cymbal Cup Ride Cymbal 1 Ride Cymbal Cup Ride Cymbal 1 Ride Cymbal 1 Hand Clap Splash Cymbal Crash Cymbal 2 Ride Cymbal Cup Ride Cymbal 1 Ride Cymbal 2 Ride Cymbal 1 Ride Cymbal Cup Ride Cymbal 1 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal Cup Hi-Hat Closed/Open * Ride Cymbal 2 Agogo L Guiro Short Ride Cymbal 2 Ride Cymbal Cup Cowbell Ride Cymbal 2 Ride Cymbal Cup 102 105 104 129 102 104 104 104 104 104 104 102 102 102 104 104 121 104 104 104 104 104 102 104 052 126 157 104 177 129 126 120 129 104 048 Small Pad 3 Hi-Hat Closed/Open * Hi-Hat Open Hi-Hat Closed/Open * Conga H Close Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hand Clap Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Jazz Side Sticks Cowbell Claves Hi-Hat Closed/Open * Tamborim Ponta Conga H Close Cowbell Splash Cymbal Conga H Close Hi-Hat Closed/Open * Side Sticks 001 010 014 000 001 003 008 003 010 005 009 001 001 002 008 007 015 005 003 005 003 003 002 003 016 003 003 003 180 157 004 005 161 004 005 Pedal 1 Bass Drum Hard Rock Bass Drum Dance Bass Drum Hard Bass Drum Soft Bass Drum Hard Bass Drum Soft Rock Bass Drum Soft Bass Drum Soft Rock Bass Drum Bass Drum Rock Bass Drum Hard Bass Drum Hard Bass Drum Hard Bass Drum Rock Bass Drum Soft Room Bass Drum Dance Bass Drum Bass Drum Bass Drum Soft Bass Drum Bass Drum Soft Bass Drum Soft Bass Drum Bass Drum Soft Jazz Bass Drum Soft Bass Drum Soft Bass Drum Soft Bass Drum Soft Surdo Mute Claves Bass Drum Hard Bass Drum Guiro Short Bass Drum Hard Bass Drum 102 010 104 157 102 104 104 104 104 104 104 102 102 102 104 104 104 104 104 104 104 104 102 104 104 104 104 104 181 153 104 104 162 104 104 Pedal 2 Hi-Hat Closed/Open * Rock Bass Drum Hi-Hat Closed/Open * Claves Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Hi-Hat Closed/Open * Surdo Open Maracas Hi-Hat Closed/Open * Hi-Hat Closed/Open * Guiro Long Hi-Hat Closed/Open * Hi-Hat Closed/Open * 37 Appendix Drum Map ................................................................................. • “<——” indicates that in the column on the immediate left. • Each percussion voice uses one note. • The MIDI Note # and Note are actually one octave lower than listed. For example, in “GM Standard 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0). (MSB=127, LSB=000) Program Change No. Keyboard MIDI 25 C# 0 13 C# -1 26 D 0 14 D -1 27 D# 0 15 D# -1 28 E 0 16 E -1 29 F 0 17 F -1 30 F# 0 18 F# -1 31 G 0 19 G -1 32 G# 0 20 G# -1 33 A 0 21 A -1 34 A# 0 22 A# -1 35 B 0 23 B -1 36 C 1 24 C 0 37 C# 1 25 C# 0 38 D 1 26 D 0 39 D# 1 27 D# 0 40 E 1 28 E 0 41 F 1 29 F 0 42 F# 1 30 F# 0 43 G 1 31 G 0 44 G# 1 32 G# 0 45 A 1 33 A 0 46 A# 1 34 A# 0 47 B 1 35 B 0 48 C 2 36 C 1 49 C# 2 37 C# 1 50 D 2 38 D 1 51 D# 2 39 D# 1 52 E 2 40 E 1 53 F 2 41 F 1 54 F# 2 42 F# 1 55 G 2 43 G 1 56 G# 2 44 G# 1 57 A 2 45 A 1 58 A# 2 46 A# 1 59 B 2 47 B 1 60 C 3 48 C 2 61 C# 3 49 C# 2 62 D 3 50 D 2 63 D# 3 51 D# 2 64 E 3 52 E 2 65 F 3 53 F 2 66 F# 3 54 F# 2 67 G 3 55 G 2 68 G# 3 56 G# 2 69 A 3 57 A 2 70 A# 3 58 A# 2 71 B 3 59 B 2 72 C 4 60 C 3 73 C# 4 61 C# 3 74 D 4 62 D 3 75 D# 4 63 D# 3 76 E 4 64 E 3 77 F 4 65 F 3 78 F# 4 66 F# 3 79 G 4 67 G 3 80 G# 4 68 G# 3 81 A 4 69 A 3 82 A# 4 70 A# 3 83 B 4 71 B 3 84 C 5 72 C 4 85 C# 5 73 C# 4 86 D 5 74 D 4 87 D# 5 75 D# 4 88 E 5 76 E 4 89 F 5 77 F 4 90 F# 5 78 F# 4 91 G 5 79 G 4 92 G# 5 80 G# 4 93 A 5 81 A 4 94 A# 5 82 A# 4 95 B 5 83 B 4 96 C 6 84 C 5 97 C# 6 85 C# 5 98 D 6 86 D 5 99 D# 6 87 D# 5 100 E 6 88 E 5 101 F 6 89 F 5 102 F# 6 90 F# 5 103 G 6 91 G 5 104 G# 6 92 G# 5 38 000 GM Standard 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Sticks Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree 001 Standard 2 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Snare H Soft 2 <—— <—— Open Rim Shot 2 <—— Bass Drum 2 Side Sticks 2 Snare M 2 <—— Snare H Hard 2 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 008 Room 016 Rock 024 Electronic Kit <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Reverse Cymbal <—— <—— <—— <—— <—— Hi Q Low Snare H Soft Snare Rock H Snare L <—— <—— <—— <—— Rock Bass Drum Soft <—— Open Rim Shot <—— <—— <—— Rock Bass Drum Hard Elec. Bass Drum Hard Room Bass Drum Rock Bass Drum Elec. Bass Drum Side Sticks <—— <—— Room Snare M Rock Snare M Elec. Snare Drum M <—— <—— <—— Room Snare H Hard Rock Snare H Hard Elec. Snare Drum H Room Floor Tom L Rock Floor Tom L Elec. Floor Tom L <—— <—— <—— Room Floor Tom H Rock Floor Tom H Elec. Floor Tom H <—— <—— <—— Room Low Tom Rock Low Tom Elec. Low Tom <—— <—— <—— Room Mid Tom L Rock Mid Tom L Elec. Mid Tom L Room Mid Tom H Rock Mid Tom H Elec. Mid Tom H <—— <—— <—— Room High Tom Rock High Tom Elec. High Tom <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 027 Dance 032 Jazz <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— AnSD Snappy <—— Dance Bass Drum Soft Dance Open Rim Shot Dance Bass Drum Hard Dance Bass Drum Dance Side Sticks Dance Snare M <—— Dance Snare H Hard Dance Floor Tom L <—— Dance Floor Tom H <—— Dance Low Tom <—— Dance Mid Tom L Dance Mid Tom H Dance Cymbal Dance High Tom <—— <—— <—— <—— <—— Dance Cowbell <—— <—— <—— <—— <—— Dance Conga H Mute Dance Conga H Open Dance Conga L <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Brush Tap Swirl <—— Jazz Castanet Jazz Snare H Soft <—— Jazz Bass Drum Soft Jazz Open Rim Shot 2 Jazz Bass Drum Hard Jazz Bass Drum Jazz Side Sticks 2 Jazz Snare M <—— Jazz Snare H Hard Jazz Floor Tom L <—— Jazz Floor Tom H <—— Jazz Low Tom <—— Jazz Mid Tom L Jazz Mid Tom H Crash Cymbal 1 Jazz High Tom <—— <—— <—— <—— <—— Jazz Cowbell <—— <—— <—— <—— <—— Jazz Conga H Close Jazz Conga H Open Jazz Conga L <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 119 Stereo & Latin <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll <—— Snare H Soft <—— Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Sticks Snare M <—— Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 <—— Ride Cymbal 2 Bongo H Bongo L Conga H Close Conga H Open Conga L Timbale H Timbale L <—— <—— Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short <—— <—— <—— <—— <—— <—— <—— <—— Shaker <—— <—— Pandiero Keto Pandiero Solto Pandiero Ponta Pandiero Calcanhar Tamborim Solto Tamborim Ponta Tamborim Nylon Volta Conga Muff Appendix Program Change No. Keyboard MIDI 25 C# 0 13 C# -1 26 D 0 14 D -1 27 D# 0 15 D# -1 28 E 0 16 E -1 29 F 0 17 F -1 30 F# 0 18 F# -1 31 G 0 19 G -1 32 G# 0 20 G# -1 33 A 0 21 A -1 34 A# 0 22 A# -1 35 B 0 23 B -1 36 C 1 24 C 0 37 C# 1 25 C# 0 38 D 1 26 D 0 39 D# 1 27 D# 0 40 E 1 28 E 0 41 F 1 29 F 0 42 F# 1 30 F# 0 43 G 1 31 G 0 44 G# 1 32 G# 0 45 A 1 33 A 0 46 A# 1 34 A# 0 47 B 1 35 B 0 48 C 2 36 C 1 49 C# 2 37 C# 1 50 D 2 38 D 1 51 D# 2 39 D# 1 52 E 2 40 E 1 53 F 2 41 F 1 54 F# 2 42 F# 1 55 G 2 43 G 1 56 G# 2 44 G# 1 57 A 2 45 A 1 58 A# 2 46 A# 1 59 B 2 47 B 1 60 C 3 48 C 2 61 C# 3 49 C# 2 62 D 3 50 D 2 63 D# 3 51 D# 2 64 E 3 52 E 2 65 F 3 53 F 2 66 F# 3 54 F# 2 67 G 3 55 G 2 68 G# 3 56 G# 2 69 A 3 57 A 2 70 A# 3 58 A# 2 71 B 3 59 B 2 72 C 4 60 C 3 73 C# 4 61 C# 3 74 D 4 62 D 3 75 D# 4 63 D# 3 76 E 4 64 E 3 77 F 4 65 F 3 78 F# 4 66 F# 3 79 G 4 67 G 3 80 G# 4 68 G# 3 81 A 4 69 A 3 82 A# 4 70 A# 3 83 B 4 71 B 3 84 C 5 72 C 4 85 C# 5 73 C# 4 86 D 5 74 D 4 87 D# 5 75 D# 4 88 E 5 76 E 4 89 F 5 77 F 4 90 F# 5 78 F# 4 91 G 5 79 G 4 92 G# 5 80 G# 4 93 A 5 81 A 4 94 A# 5 82 A# 4 95 B 5 83 B 4 96 C 6 84 C 5 97 C# 6 85 C# 5 98 D 6 86 D 5 99 D# 6 87 D# 5 100 E 6 88 E 5 101 F 6 89 F 5 102 F# 6 90 F# 5 103 G 6 91 G 5 104 G# 6 92 G# 5 120 Pad Standard 1 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Brush Tap (Brush Swirl) Brush Slap (Brush Tap Swirl) (Snare Roll) <—— Snare H Soft <—— Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Sticks Snare M <—— Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 <—— Ride Cymbal 2 Bongo H Bongo L Conga H Close Conga H Open Conga L Timbale H Timbale L <—— <—— Cabasa Maracas (Samba Whistle H) (Samba Whistle L) Guiro Short <—— <—— <—— <—— <—— <—— <—— <—— Shaker <—— <—— 121 Pad Standard 2 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Snare H Soft 2 <—— <—— Open Rim Shot 2 <—— Bass Drum 2 Side Sticks 2 Snare M 2 <—— Snare H Hard 2 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 122 Pad Room <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Room Snare H Soft <—— <—— Room Open Rim Shot <—— Room Bass Drum Room Side Sticks Room Snare M <—— Room Snare H Hard Room Floor Tom L <—— Room Floor Tom H <—— Room Low Tom <—— Room Mid Tom L Room Mid Tom H <—— Room High Tom <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 123 Pad Rock 124 Pad Electronic <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— (Reverse Cymbal) <—— <—— <—— Hi Q Low Rock Snare H Snare L <—— <—— Rock Bass Drum Soft <—— <—— <—— Rock Bass Drum Hard Elec. Bass Drum Hard Rock Bass Drum Elec. Bass Drum <—— <—— Rock Snare M Elec. Snare Drum M <—— <—— Rock Snare H Hard Elec. Snare Drum H Rock Floor Tom L Elec. Floor Tom L <—— <—— Rock Floor Tom H Elec. Floor Tom H <—— <—— Rock Low Tom Elec. Low Tom <—— <—— Rock Mid Tom L Elec. Mid Tom L Rock Mid Tom H Elec. Mid Tom H <—— <—— Rock High Tom Elec. High Tom <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 125 Pad Dance 126 Pad Jazz <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— (Brush Swirl) <—— Brush Slap <—— (Brush Tap Swirl) <—— (Snare Roll) <—— Jazz Castanet Dance Snare Snappy Jazz Snare H Soft <—— <—— Dance Bass Drum Soft Jazz Bass Drum Soft Dance Open Rim Shot Jazz Open Rim Shot 2 Dance Bass Drum Hard Jazz Bass Drum Hard Dance Bass Drum Jazz Bass Drum Dance Side Sticks Jazz Side Sticks 2 Dance Snare M Jazz Snare M <—— <—— Dance Snare H Hard Jazz Snare H Hard Dance Floor Tom L Jazz Floor Tom L Dance Hi-Hat Closed Hi-Hat Closed Dance Floor Tom H Jazz Floor Tom H Dance Hi-Hat Pedal Hi-Hat Pedal Dance Low Tom Jazz Low Tom Dance Hi-Hat Open Hi-Hat Open Dance Mid Tom L Jazz Mid Tom L Dance Mid Tom H Jazz Mid Tom H Dance Cymbal Crash Cymbal 1 Dance High Tom Jazz High Tom <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Dance Cowbell Jazz Cowbell <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Dance Conga H Mute Jazz Conga H Close Dance Conga H Open Jazz Conga H Open Dance Conga L Jazz Conga L <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— 127 Pad Stereo & Latin <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— Brush Tap (Brush Swirl) Brush Slap (Brush Tap Swirl) (Snare Roll) <—— Snare H Soft <—— Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Sticks Snare M <—— Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 <—— Ride Cymbal 2 Bongo H Bongo L Conga H Close Conga H Open Conga L Timbale H Timbale L <—— <—— Cabasa Maracas <—— <—— Guiro Short <—— <—— <—— <—— <—— <—— <—— <—— Shaker <—— <—— Pandiero Keto Pandiero Solto Pandiero Ponta Pandiero Calcanhar Tamborim Solto Tamborim Ponta Tamborim Nylon Volta Conga Muff 39 Appendix GM Voice List............................................................................ (MSB=000, LSB=000) Program Change No. 000 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 40 Voice Name Grand Piano Bright Piano ElecGrandPno Honkytonk El.Piano 1 El.Piano 2 Harpsichord Clavi. Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone TubularBells Dulcimer DrawbarOrgan Perc.Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Tango Accord Nylon Guitar Steel Guitar Jazz Guitar Clean Guitar Muted Guitar Overdriven Distortion GtrHarmonics AcousticBass Finger Bass Pick Bass FretlessBass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Trem.Strings PizzicatoStr Orch.Harp Timpani Program Change No. 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 Voice Name Strings 1 Strings 2 SynStrings1 SynStrings2 Choir Aahs Voice Oohs Synth Voice OrchestraHit Trumpet Trombone Tuba MutedTrumpet French Horn BrassSection SynthBrass1 SynthBrass2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Square Lead SawtoothLead CalliopeLead Chiff Lead Charang Lead Voice Lead Fifths Lead Bass & Lead New Age Pad Warm Pad PolySynthPad Choir Pad Bowed Pad Metallic Pad Halo Pad Sweep Pad Program Change No. 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 Voice Name Rain Sound Track Crystal Atmosphere Brightness Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Rev.Cymbal GtrFretNoise Breath Noise Seashore Bird Tweet TelephonRing Helicopter Applause Gunshot Appendix MIDI Implementation Chart YAMAHA [ DIGITAL PERCUSSION ] Model DD-55 MIDI Implementation Chart Transmitted Date:07-FEB-2001 Version : 1.0 Recognized Remarks Function... Basic Channel Default Changed 1O - 16 1 - 16 1 - 16 1 - 16 Mode Default Messages Altered 3 x ************** 3 x x 0 - 127 : True voice ************** Note Number 13 - 96 13 - 96 Velocity Note ON Note OFF o 9nH,v=1-127 o 9nH,v=0 o 9nH,v=1-127 o 9nH,v=0 After Touch Key’s Ch’s x x x x Pitch Bend Control Change Prog Change o 0,32 1 6,38 7 10 11 64 71 72 73 84 91 93 94 96,97 100,101 : True # System Exclusive *3 *3 *1 *3 *3 *3 *3 *3 *3 *3 *3 *3 o o o o o o o o o o o o o o o o o o ************** o 0 - 127 o o *4 x x x x x x System : Clock Real Time: Commands o o o o Aux x x x x o x o(120) o(121) x x o x Common : Song Pos. : Song Sel. : Tune o o o o o o o o o o o o o o o o *3 :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Bank Select Modulation Data Entry Volume Pan Expression Sustain Harmonic Content Release Time Brightness Portament Cntrl Reverb Depth Chorus Depth Variation Depth Data Inc,Dec RPN LSB,MSB *4 *2 o : Yes x : No 41 Appendix NOTE: *1 Value of Pan for each drum pad and foot pedal is not transmitted via MIDI. *2 The DD-55 can accept Start/Stop signals, received via MIDI, by setting the MIDI clock to “External”. *3 This data is transmitted only when it is contained in the song data. *4 Exclusive <GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H • This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H • This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive). • The values of “mm” is used for MIDI Master Tuning. (Values for “ll” are ignored.) <Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H • mm : Reverb Type MSB • ll : Reverb Type LSB Refer to the Effect Map (page 43) for details. <Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH, llH, F7H • mm : Chorus Type MSB • ll : Chorus Type LSB Refer to the Effect Map (page 43) for details. <DSP Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 40H, mmH, llH, F7H • mm : DSP Type MSB • ll : DSP Type LSB Refer to the Effect Map (page 43) for details. <DRY Level> F0H, 43H, 1nH, 4CH, 08H, 0mH, 11H, llH, F7H • ll : Dry Level • 0m : Channel Number *5 Recording to an external sequencer from the DD-55 and playing back the data may result in selection of a different Reverb effect or a different kit. Sending MIDI data from the DD-55 to an external tone generator may result in an unexpected voice, particularly if the tone generator doesn’t have the same kind of voice as the DD-55. 42 Appendix ■ Effect map * If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display. * By using an external sequencer, which is capable of editing and transmitting the system exclusive messages and parameter changes, you can select the Reverb, Chorus and DSP effect types which are not accessible from the DD-55 panel itself. ● REVERB TYPE MSB 00 000 No Effect 001 (1)Hall1 002 Room 003 Stage 004 Plate 005...127 No Effect 01 02 08 TYPE LSB 16 (5)Stage1 (7)Plate1 17 18 (2)Hall2 (3)Room1 (6)Stage2 (8)Plate2 19 20 (4)Room2 ● CHORUS TYPE MSB 00 000...064 No Effect 065 Chorus 066 Celeste 067 Flanger 068...127 No Effect 01 02 08 TYPE LSB 16 17 18 19 20 18 19 20 Chorus2 Flanger1 Chorus1 Flanger2 ● DSP TYPE LSB 00 01 02 08 16 000 No Effect 001 (1)Hall1 002 Room 003 Stage (5)Stage1 004 Plate (7)Plate1 005 Delay L,C,R (26)Delay L,C,R 006 (27)Delay L,R 007 (28)Echo 008 (29)Cross Delay (9)Early Reflection1 (10)Early Reflection2 009 010 (11)Gate Reverb 011 (12)Reverse Gate 012...019 No Effect 020 (30)Karaoke 021...064 No Effect 065 Chorus (14)Chorus2 066 Celeste (15)Flanger1 067 Flanger 068 Symphonic (17)Symphonic (19)Rotary Speaker1 069 Rotary Speaker 070 Tremolo (21)Tremolo1 071 Auto Pan (24)Auto Pan 072 (18)Phaser 073 Distortion 074 (33)Overdrive (34)Amp Simulation (31)Distortion Hard 075 076 (36)3Band EQ 077 (37)2Band EQ 078 Auto Wah (25)Auto Wah 079...127 No Effect TYPE MSB 17 (2)Hall2 (3)Room1 (6)Stage2 (8)Plate2 (4)Room2 (13)Chorus1 (16)Flanger2 (20)Rotary Speaker2 (22)Tremolo2 (23)Guitar Tremolo (32)Distortion Soft (35)EQ Telephone 43 Appendix Specifications .......................................................................... Drum Pads 7 pads (125mm x 4, 88mm x 3), Touch Sensitive Maximum Polyphony 32 Drum Kits 45 Preset +1 Custom Songs 100 Tracks 4 (DRUM 1/DRUM 2/DRUM 3/BACKING) Custom Song 1 Song (approximately 20,000 notes) Voices Drum Voices 192 + GM Voices 128 + Drum Kits 8 Functions Power Consumption 16 W Power Supply Adaptor : DC12V (Yamaha PA-5D or PA-5C sold separately) Batteries: Six “C” size, R14P (LR14), or equivalent batteries (sold separately) Dimensions (WxDxH) 558 x 355 x 174 mm (22” x 14” x 6” 7/8) Weight 3.9 kg (8 Ibs. 10 oz) Supplied Accessories Drum Stick x 2, Foot Pedal 1 & 2, Owner’s Manual Optional Accessories Headphones HPE-150 USB-MIDI Interface UX16 Track ON/OFF, TAP START, BREAK, A-B REPEAT, DEMO Panel Controls [STANDBY/ON] switch, [PAD] button, [KIT] button, [SONG] button, [TEMPO] button, VOLUME [▲], [▼] buttons, [HAND PERC] button, TRACK (DRUM 1/DRUM 2/ DRUM 3/BACKING) button, [DEMO] button, [CLICK] button, [START/STOP] button, [A-B REPEAT] button, [BREAK/TAP] button, [REC] button, DIAL LED Display Song/Drum Kit/Tempo etc. Auxiliary jacks DC IN12 V, PHONES/OUTPUT, MIDI IN/OUT, PEDAL 1/2 Main Amplifier 5W + 5W Speaker 8 cm x 2 44 * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. Limited Warranty 90 DAYS LABOR 1 YEAR PARTS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products: DD SERIES OF DIGITAL PERCUSSION If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specific legal rights. You may also have other rights which vary from state to state. CONSUMERS RESPONSIBILITIES If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the first 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions. EXCLUSIONS This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________ Purchased from____________________________________________________________ (Retailer) Date______________________________________ YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620 KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL! For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. 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The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 Yamaha Scandinavia AB J. A. 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Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 [PK] 33 Yamaha PK CLUB (Portable Keyboard Home Page, English only) http://www.yamahaPKclub.com/ Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2004 Yamaha Corporation WD47990 ???PO???.?-01A0 Printed in Malaysia