Yamaha DSP-A5 de handleiding

Categorie
Versterker voor muziekinstrumenten
Type
de handleiding
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V472000
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
DSP-A5
Natural Sound AV Amplifier
Amplificateur audio-vidéo
DSP-A5
G B
00DSP-A5-cv(ML) 3/1/0, 10:50 AM1
CAUTION
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors). To prevent fire or
electrical shock, do not expose the unit to rain or
water.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
cables. When moving the unit, first disconnect the
power cord and then the cables connected to other
component. Never pull the cables themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
Be sure to allow a space of at least 20 cm behind,
20 cm on both sides and 30 cm above the top panel
of the unit to prevent fire and damage.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
Note
The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
1
FEATURES
5-Channel Power Amplification
Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
Main: 70 W +70 W (8 )
Center: 70 W (8 )
Rear: 70 W + 70 W (8 )
Multi-Mode Digital Sound Field
Processing
Digital Sound Field Processor (DSP)
Dolby Pro Logic Decoder
Dolby Digital Decoder
DTS Decoder
CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Pro Logic, Dolby Digital or
DTS
Other Features
96-kHz/24-bit D/A Converter
“SET MENU” which Provides You with 12 Items
for Optimizing This Unit for Your Audio/Video
System
Test Tone Generator for Easier Speaker Balance
Adjustment
6-Channel External Decoder Input for Other Future
Formats
S Video Signal Input/Output Capability
3 Optical/2 Coaxial Digital Signal Input Terminals
SLEEP Timer
Remote Control with Preset Manufacturer Codes
INTRODUCTION
CONTENTS
PREPARATION
SPEAKER SETUP....................................................... 9
CONNECTIONS........................................................ 10
ADJUSTING THE SPEAKER BALANCE ............ 17
BASIC OPERATION
PLAYING A SOURCE .............................................. 19
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 23
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 25
ADVANCED OPERATION
SOUND FIELD PROGRAM .................................... 26
SET MENU................................................................. 29
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 33
SLEEP TIMER .......................................................... 35
PRESET REMOTE CONTROL .............................. 36
APPENDIX
TROUBLESHOOTING ............................................ 44
SPECIFICATIONS.................................................... 48
GLOSSARY................................................................ 49
INDEX ........................................................................ 50
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
y indicates a tip for your operation.
When buttons on this unit and the remote control are
noted together in this Owner’s Manual, these button
names are in principle noted in the order of “button name
(remote control button name)”.
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2
GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Remote control
Batteries (AAA, R03, UM-4 type)
Quick reference card
Connection guide
Battery Installation in the Remote
Control
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3 Close the battery compartment cover.
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes set for the
remote control will return to the factory settings. (Refer
to pages 36 to 43 about the remote control.)
Notes
Use only AAA, R03 or UM-4 batteries for replacement.
Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
Remove the batteries if the remote control will not be used for an
extended period of time.
If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
1
2
3
Quick Reference Card
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ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Using the Remote Control
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
Handle the remote control with care.
Do not spill water, tea or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following
conditions:
high humidity or temperature such as near a heater, stove or
bath;
dusty places; or
extremely low temperature.
GETTING STARTED
Remote control
sensor
Within approximately 6 m
(20 feet)
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4
LR
+
+
12 3 4 65
7890qwert y
5
INPUT SELECTOR
Turn this selector to select the input source (TUNER, CD,
PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that
you want to listen to or watch. The arrow for the selected
input source indicator lights up on the display.
6 VOLUME
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When listening with headphones privately, set both
SPEAKERS A and B to the OFF position, press EFFECT to
turn off the effect speakers (center and rear) and set “BASS
OUT” on the SET MENU to the MAIN position (so that no
DSP program name appears on the display).
CONTROLS AND FUNCTIONS
Front Panel
1 STANDBY/ON
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, TV/digital TV and
cable TV/satellite tuner sources.
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ADVANCED OPERA
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INTRODUCTION PREPARATION
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
9 SET MENU +/–
Press these buttons to adjust the setting on the SET MENU.
0 NEXT
This button is used to shift the selection to the next item on
the SET MENU.
q Tone controls
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
b) TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
w TAPE/MD MON / EXT. DECODER
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button again, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
e BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
r EFFECT
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, the signals of the center and
rear channels are directed to the right and left main speakers
when playing a source encoded with Dolby Digital and
DTS. In this case, the output levels of the right and left
speakers may not match.
t PROGRAM selector
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
y VIDEO AUX terminals
Connect an auxiliary audio or video input source such as a
camcorder to these terminals. If the connected video unit
has an S video output terminal, connect it to the S VIDEO
terminal to obtain a high-resolution picture. Use INPUT
SELECTOR to select the source connected to these
terminals.
CONTROLS AND FUNCTIONS
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6
Display
4 Input source indicators
One of the arrows for these indicators lights up depending
on which source is selected.
5 TAPE/MD MONITOR indicator
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
6 g and o indicators
g ” lights up when the built-in Dolby Digital
decoder is on. “ o ” lights up when the built-in
Dolby Pro Logic decoder is on.
7 x indicator
x ” lights up when the built-in digital sound
field processor is on.
8 SLEEP indicator
This lights up while the built-in SLEEP timer is on.
CONTROLS AND FUNCTIONS
1 t indicator
The “t” indicator lights up when the built-in DTS
decoder is on.
2 DSP program indicators
These indicators light up when DSP program No. 2, 3 or the
subprogram “ENHANCED” of No. 1 is selected.
3 Multi-information display
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU.
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ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Remote Control
CONTROLS AND FUNCTIONS
1
2
8
9
0
3
q
4
w
6
r
e
t
y
u
7
5
TV VOLUME
TV POWER
TV INPUT
EFFECT
Select the
AMP/TUN
position.
This section describes the basic operation of this unit with
the remote control. First, set the selector dial to the AMP/
TUN position. Refer to “PRESET REMOTE CONTROL”
on page 36 for full details.
1 DSP
Press this button to switch the function of the numeric
buttons to the DSP program selector. (Refer to page 8.)
2 Indicator window
This displays the name of components which can be
controlled.
3 Numeric buttons (Input selector buttons)
These buttons select the input source.
CD: To play a CD
TUNER: To listen to an FM (RDS) or AM broadcast
TAPE/MD: To play a tape or MD
DVD/LD: To play a DVD or LD
D-TV: To watch a TV
VCR: To play a video cassette
PHONO: To play an analog record
CBL/SAT: To watch cable TV or satellite broadcast
V-AUX: To use a camcorder
EXT. DEC.: To play another multi-channel source
Refer to page 8 for details.
4 TEST
Press this button to output the test tone for each speaker.
5 j (left), i (right)
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
6 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
7 SLEEP
Press this button to set the SLEEP timer.
8 INPUT
Press this button to switch the function of the numeric
buttons to the input selector. (Refer to page 8.)
9 Indicator
This flashes in red when pressing a button on the remote
control.
0 Selector dial
Turn this dial to select the position for the component to be
controlled. (The proper code must be set for your
component. Refer to “Setup codes” on page 42.) When the
position is selected, the remote control is set to that
component operation mode.
Refer to
page 8.
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8
q A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station when using
the YAMAHA tuner.
A/B/C/D/E: To select one of a group (A to E) of preset
stations
PRESET +/–: To select a preset station number (1 to 8)
w d (next), u (back)
These buttons are used to advance or go back one selection
on the SET MENU and TIME/LEVEL mode.
e SET MENU
Press this button to select the items on the SET MENU.
r POWER
Press this button to turn this unit on.
t STANDBY
Press this button to set this unit in the standby mode.
y VOLUME (+/–)
These buttons are used to adjust the volume level.
u MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
EFFECT
Press this button to turn on or off the effect speakers (center
and rear) in the following cases:
When the selector dial is set to the DSP/TUN position.
While the indicator is lit for about three seconds after
pressing DSP.
Description of the Numeric Buttons
The Numeric buttons function in various ways depending
on the position of the selector dial or the combination of
other instructions.
When selecting an input source
1 Press INPUT regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2 You can select an input source with the
numeric buttons while the indicator is lit.
CONTROLS AND FUNCTIONS
When selecting a DSP program
and turning on or off the effect
speakers (center and rear)
A
1 Press DSP regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2 You can select a DSP program with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT while the indicator is lit.
B
1 Set the selector dial to the DSP/TUN position.
2 You can select a DSP program directly with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT.
A
B
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
SPEAKER SETUP
Speaker Placement
Refer to the following diagram when you place the
speakers.
Speakers to Be Used
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
Use of a subwoofer expands your
sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Main
speaker (L)
Center speaker
Main speaker (R)
Subwoofer
Rear speaker (L)
Rear speaker (R)
1.8 m
Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
If the center speaker is not used, the center channel sound will be
heard from the right and left main speakers. In that case,
“CENTER SP” on the SET MENU is set to the NONE position.
(Refer to page 30 for details.)
Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
PREPARATION
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10
CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
Yellow video signals (composite)
White analog audio signals for the left channel
Red analog audio signals for the right channel
coaxial digital signals
After completing all connections, check them again to make sure they are correct.
A
B
Connecting an Audio
Component (page 11)
Connecting a Video
Component (pages 12 and 13)
IMPEDANCE SELECTOR
switch (page 16)
Connecting to an External
Decoder (page 13)
Connecting the Speakers
(pages 14 and 15)
Connecting the Power
Supply Cords (page 16)
(Europe model)
V V
C C
L
R
L
R
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ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Connecting an Audio Component
PHONO terminals
These terminals are used to connect a turntable with an MM
or high-output MC cartridge. If you have a turntable with a
low-output MC cartridge, use an inline boosting transformer
or MC head amplifier when connecting to these terminals.
y
Connecting the ground (earth) wire of the turntable to the GND
terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
CONNECTIONS
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
Tape deck or
MD recorder
L R
L R
L R
L
R
OUTPUT
L R L R
OUTPUT OUTPUT
LINE OUT
LINE IN
GND
Turntable
(Europe model)
CD player
Analog signal
Signal flow
Tuner
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12
Connecting a Video Component
Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
S Video signal terminals
Use a special S VIDEO cable (commercially available) for
the S VIDEO connection.
Digital audio signal terminals
If your DVD/LD player, TV/digital TV or cable TV/satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
When making connections between the digital signal
terminals, you should connect the components to the same-
named analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
Notes
Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
No sound will be heard when connecting your LD players Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
y
The input signal from the DVD/LD or CBL/SAT input terminals
is selected in the following order of priority with the input mode
set to AUTO: COAXIAL terminal OPTICAL terminal
Analog terminal. Refer to page 21 for details.
All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to
page 22 about 96-kHz sampling 24-bit digital signals.)
CONNECTIONS
L R
L
R
C
C
L R
L R
ANALOG
AUDIO OUT
AUDIO
IN
ANALOG
AUDIO OUT
AUDIO
OUT
S VIDEO
OUT
S VIDEO
OUT
OPTICAL
DIGITAL OUT
S VIDEO
IN
S VIDEO
OUT
S VIDEO
IN
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
O
O
O
S S
S
SS
S
L R
L R
ANALOG
AUDIO OUT
S VIDEO
OUT
OPTICAL
DIGITAL OUT
O
S
C
COAXIAL
DIGITAL OUT
DVD/LD player Cable TV/satellite tuner
(Europe model)
Analog signal
S Video signal
Digital signal
(optical)
Digital signal
(coaxial)
Signal flow
TV monitor
TV/digital TV
VCR
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ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
VIDEO terminals (composite)
If your video components do not have “S” video terminals,
they can be connected to this unit’s VIDEO terminals. Be
sure to connect the input (IN) and output (OUT) properly.
Note
If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
TV monitor with a 21-pin connector
Make a connection as shown above with a commercially available SCART-plug connector cable.
VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source
such as a camcorder to this unit.
Connecting to an External Decoder
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
Notes
When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” on the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 30 and 31 for details.)
Adjustment of the output level of the center speaker, rear speakers
and subwoofer is effective when a source connected to these
terminals is selected as the input source. (Refer to page 33 for
details.)
CONNECTIONS
L R
V
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
S VIDEO OUT
S
DVD/LD player
L R L R
MAIN
OUT
SURROUND
OUT
CENTER
OUT
SUBWOOFER
OUT
External decoder
(Europe model)
V
V
VIDEO
IN
V
L R
V
VIDEO OUT
V
VIDEO OUT
V
VIDEO
OUT
V
VIDEO
OUT
V
VIDEO
IN
Cable TV/satellite tuner
TV/digital TV
VCR
SCART-plug
No
connection
Video signal
Signal flow
Camcorder
TV monitor
0103DSP-A509-18_EN 2/29/0, 4:53 PM13
14
Connecting the Speakers
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTIONS
Use speakers with the specified impedance shown on
the rear panel of this unit.
Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
MAIN SPEAKERS terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
REAR SPEAKERS terminals
A rear speaker system can be connected to these terminals.
CENTER SPEAKER terminals
A center speaker can be connected to these terminals.
CONNECTIONS
R
L
Main speakers A
Right Left
Main speakers B
Right Left
(Europe model)
Center speaker Rear speakers
Right Left
Subwoofer connection
When using a subwoofer with built-
in amplifier, including the
YAMAHA Active Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
Low bass signals distributed from
the main, center and/or rear
channels are directed to this
terminal. (The cut-off frequency of
this terminals is 90 Hz.) The LFE
(low frequency effect) signals
generated when Dolby Digital or
DTS is decoded are also directed if
they are assigned to this terminal.
Subwoofer
system
0103DSP-A509-18_EN 2/29/0, 4:53 PM14
15
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Speaker cables
1 Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cables.
2 Twist the exposed wires of the cable together
to prevent short circuits.
Connecting to the MAIN SPEAKERS terminals
1 Unscrew the knob.
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
Connecting to the REAR and CENTER SPEAKERS terminals
1 Open the tab.
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
Connecting to an external amplifier
The speaker connections described on page 14 are fine for most applications. If you wish to drive your existing amplifier, the
following terminals are available for connecting an external amplifier(s) to this unit.
Note
Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.
CONNECTIONS
2
1
3
Red: positive (+)
Black: negative (–)
2
3
1
Red: positive (+)
Black: negative (–)
1 MAIN OUTPUT terminals
These terminals are for the main channel line output.
Connect the input terminals of the external amplifier to
these terminals.
2 CENTER OUTPUT terminals
These terminals are for the center channel line output.
Connect the input terminals of the external amplifier to
these terminals.
3 REAR (SURROUND) OUTPUT terminals
These terminals are for the rear channel line output.
Connect the input terminals of the external amplifier to
these terminals.
Note
If an external amplifier is connected to the MAIN, CENTER or
REAR OUTPUT terminals, disconnect the corresponding
speakers (main, center or rear) from the SPEAKERS terminals.
1
23
12
10 mm (3/8”)
(Europe model)
0103DSP-A509-18_EN 2/29/0, 4:53 PM15
16
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
AC OUTLETS (SWITCHED)
Europe model .................................................... 2 OUTLETS
U.K. model.......................................................... 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER and
STANDBY). These outlets will supply power to any
connected component whenever this unit is turned on. The
maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 W.
If you use left position right position
CONNECTIONS
(Europe model)
SWITCHED
(Europe model)
To AC outlet
IMPEDANCE
SELECTOR
Rear speakers The impedance of each
speaker must be 6 or
higher.
The impedance of each
speaker must be 8 or
higher.
Center
speaker
The impedance must be 6
or higher.
The impedance must be 8
or higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 4 or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 8 or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 8 or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 16 or
higher.
Main
speakers
0103DSP-A509-18_EN 2/29/0, 4:53 PM16
17
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(+/–) at your listening position to check if the adjustments
are satisfactory.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press TEST.
“TEST LEFT” appears on the display.
3 Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in the following order:
left main speaker, center speaker, right main speaker,
right rear speaker and left rear speaker. The display
changes as shown below.
Notes
If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” on the SET MENU.
ADJUSTING THE SPEAKER BALANCE
1
2,7
5
3
6
TEST
LEFT
TEST
RIGHT
TEST L SUR. TEST R SUR.
TEST CENTER
This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
Before You Start Adjusting
1 Set VOLUME to the m
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
4 Set BASS, TREBLE and BALANCE to the “0”
position.
LR
–+–+
12
4
3
LR
–+–+
0103DSP-A509-18_EN 2/29/0, 4:53 PM17
18
4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
y
After pressing TIME/LEVEL once, you can also select the item by
pressing d. (Pressing u changes the selection in the reverse order.)
6 Press i to raise and j to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
ADJUSTING THE SPEAKER BALANCE
Front panel
LR
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (+/–)).
If you use external amplifiers, you may also use their volume
controls to achieve the proper balance.
If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to
page 31 for details.)
0103DSP-A509-18_EN 2/29/0, 4:53 PM18
19
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
When using the remote control, set the selector dial to
the AMP/TUN position.
1 Set VOLUME to the m
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
PLAYING A SOURCE
LR
–+–+
1,6
4
2
6
7
3
4 Select the desired input
source with INPUT
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
a. To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
that the “TAPE/MD
MONITOR” indicator lights up
on the display.
b. To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
Notes
If the “TAPE/MD MONITOR” indicator lights up or “EXT.
DECODER” is shown on the display, no other audio source
except a tape/MD source and a source connected to the
EXTERNAL DECODER INPUT terminals can be played. To
select another input source with INPUT SELECTOR (or the input
selector buttons):
Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD
once) to turn off the “TAPE/MD MONITOR” indicator.
Press TAPE/MD MON / EXT. DECODER once (or EXT.
DEC.) to turn off “EXT. DECODER”.
If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up, the play back result will be a
video image from the video source and the sound from the audio
source connected to the TAPE/MD IN (PLAY) terminals.
A video source cannot be selected when “EXT. DECODER” is
shown on the display. If you want to enjoy an audio source
connected to the EXTERNAL DECODER INPUT terminals
together with a video source, first select a video source and then
select the source connected to the EXTERNAL DECODER
INPUT terminals.
y
For the DVD/LD, TV/digital TV and cable TV/satellite tuner
sources, the current input mode is also shown. Refer to page 21 for
details about the input mode.
Front panel
Front panel
Front panel
or
Remote control
Front panel
Input source
BASIC OPERATION
Front panel Remote control
or
7
4
6
2
0104DSP-A519-24_EN 2/29/0, 4:53 PM19
20
5 Play the source.
Refer to the instructions for the source component.
Note
When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, set the selector dial to the appropriate position (TAPE/
MD, CD, DVD/LD, etc.), corresponding to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 36.
6 Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for sound from the
main speakers.
BASS controls the low-frequency response.
TREBLE controls the high-frequency response.
BALANCE adjusts the balance of the output volume
from the right and left main speakers.
7 Use the digital sound field processor.
Refer to page 23.
PLAYING A SOURCE
To mute the sound
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
During muting, “MUTE ON” appears on the display.
When you have finished using this
unit
Press STANDBY/ON (or STANDBY) to set this unit in the
standby mode.
BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
Remote controlFront panel
or
LR
–+–+
Front panel
Front panel Remote control
or
0104DSP-A519-24_EN 2/29/0, 4:54 PM20
21
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Input Mode (for the DVD/LD, TV/
digital TV and cable TV/satellite
tuner sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or cable TV/satellite tuner source is set according
to “TV INPUT” and “CBL INPUT” on the SET MENU.
(Refer to page 32 for details.)
AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
PLAYING A SOURCE
Switching the input mode
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
Notes
Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital or DTS, and then disc playing is restored. The
sound output is interrupted for a moment because the digital
signal was selected again.
The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR, PHONO and VIDEO AUX sources because only
analog signals are used for these.
The current input mode appears on the display when the DVD/
LD, TV/digital TV or cable TV/satellite tuner source is selected,
or the input mode is changed.
Front panel Remote control
or
0104DSP-A519-24_EN 2/29/0, 4:54 PM21
22
Notes on playing a source
encoded with DTS
If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
If you switch the input mode to ANALOG while playing a source
encoded with a DTS signal, this unit reproduces no sound.
If you play a source encoded with DTS and set the input mode to
AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play a source
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) The “t
indicator will flash immediately after playback of a source
encoded with DTS has finished. Only a source encoded with DTS
can be played back while this indicator is flashing. If you want to
play a normal PCM source soon, set the input mode back to
AUTO.
PLAYING A SOURCE
Notes on playing an LD source
Some audio/video components, such as an LD player, output
different audio signals through their analog and digital terminals.
Change the input mode as necessary.
If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
While you are operating the LD player and playing a disc encoded
with Dolby Digital, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM
or analog sound an instant before the Dolby Digital sound is
played.
Notes on the digital signal
The digital input terminal of this unit can also handle
96-kHz sampling 24-bit digital signals. (To utilize this, use a
source that supports 96-kHz sampling 24-bit digital signals
and set the player for digital output. Refer to the instructions
for the player.) Note the following when a 96-kHz sampling
24-bit digital signal is input to this unit.
1. The following indicator will appear on the display.
2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound using only the right
and left main speakers.
3. Delay time and speaker output level cannot be adjusted.
0104DSP-A519-24_EN 9/29/0, 10:49 AM22
23
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
On the remote control
1 Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2 Press DSP.
The indicator lights up for about
three seconds.
3 Use the numeric buttons
(1 to 8) to select the
desired program before the
indicator goes off.
The name of the selected
program appears on the display.
If the selector dial is set to the DSP/TUN position, you
can select a DSP program directly with the numeric
buttons.
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 33 and 34 for details.)
Notes
You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” on the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, no DSP program can be selected and the sound is only
output from right and left main speakers as a normal 2-channel
stereo sound.
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to pages 26 to 28 for details about each
program.
On the front panel
1 Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2 Press PROGRAM h or l
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
LR
–+–+
2
2
3
DSP program name
DSP program name
0104DSP-A519-24_EN 2/29/0, 4:54 PM23
24
Canceling the Sound Effect (turning
off the effect speakers)
Press EFFECT to cancel
the sound effect and
monitor only the main
sound.
Press EFFECT again to turn the
sound effect back on.
y
If the selector dial is set to a position other than the DSP/TUN
position, first press DSP and then EFFECT on the remote control.
Notes
If you turn off the sound effect when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In this case, turn sound
effect back on.
Front panel
or
Remote control
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
0104DSP-A519-24_EN 2/29/0, 4:54 PM24
25
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
LR
–+–+
1,42
Recording adjustments and other operations are performed
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
1 Set VOLUME to the “m
position.
2 Select the source you want to record.
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
Notes
The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
2
4
Remote controlFront panel
or
Front panel
Front panel
or
Remote control
0105DSP-A525_EN 2/29/0, 4:54 PM25
26
[4] PRO LOGIC/ENHANCED
( ox)
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 4 channels
DSP: 1 (surround)
[5] DOLBY DIGITAL/ENHANCED
( gx )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 2 (surround L, R)
[6] DTS DGTL SUR/ENHANCED
( tx)
Input source: DTS
Output channel: 5.1 channels
DSP: 2 (surround L, R)
This program ideally simulates the multi-
surround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left, and toward the
screen.
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
The input source given in the following table for programs 4 through 8 indicates that input source which each program
is best suited for.
Select the DSP program that you feel sounds best regardless of the name and description given for it below.
For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No. PROGRAM SUBPROGRAM FEATURES
1 q/DTS
SURROUND
[1] PRO LOGIC/Normal ( o )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 4 channels
DSP:
[2] DOLBY DIGITAL/Normal ( g )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP:
[3] DTS DGTL SUR/Normal ( t )
Input source: DTS
Output channel: 5.1 channels
DSP:
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
In this program, the digital sound field
processor is not turned on.
ADVANCED OPERATION
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
No. PROGRAM SUBPROGRAM FEATURES
2 MOVIE
THEATER 1
3 MOVIE
THEATER 2
[1] 70 mm SPECTACLE
( ox)
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[2] DGTL SPECTACLE
( g x )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[3] DTS SPECTACLE ( tx )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
(especially large-scale movie productions).
[1] 70 mm ADVENTURE
( ox )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[2] DGTL ADVENTURE
( gx)
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the three-
dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
[4] 70 mm GENERAL ( ox )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[5] DGTL GENERAL ( gx )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
[4] 70 mm SCI-FI ( o x )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[5] DGTL SCI-FI ( g x )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
SOUND FIELD PROGRAM
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No. PROGRAM FEATURES
4 MONO MOVIE ( x )
Input source: Monaural
Output channel: 1 channel
DSP: 1
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
5 TV SPORTS ( x )
Input source: Audio/Video
Output channel: 2 to 5.1 channels
DSP: 2 to 3 (presence & surround)
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
For Hi-Fi audio sources
No. PROGRAM FEATURES
6 DISCO ( x )
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
7 ROCK CONCERT ( x )
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
8 CONCERT HALL ( x )
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
SOUND FIELD PROGRAM
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
SET MENU
1
2
3
This unit provides you with the following items on the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. DTS LFE
9. CNTR DELAY
10.MEM. GUARD
11.TV INPUT
12.CBL INPUT
Adjusting Items on the SET MENU
Adjustments should be performed with the remote control
while watching the information on the display.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
y
After pressing SET MENU once, you can also select the item by
pressing d. (Pressing u goes back one selection.)
You can also select the item by using NEXT on the front panel.
3 Press i or j repeatedly to
adjust the setting.
y
You can also adjust the setting by using SET MENU +/– on the
front panel.
4 Repeat steps 2 and 3 to adjust the setting of
any other item in the same way.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
Front panel
Front panel
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Description of Each Item
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, full-
range signals on the center channel are directed to the center
speaker.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
3. MAIN SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW position.
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
SW/BOTH
Select either the SW or BOTH position if your system
includes a subwoofer. In either position, signals on the LFE
channel and low bass signals (below 90 Hz) on the center
and rear channels are directed to the SUBWOOFER
OUTPUT terminal if “CENTER SP” is set to the SML or
NONE position and “REAR SP” is set to the SMALL
position. In the SW position, low bass signals on the main
channels are directed to the SUBWOOFER OUTPUT
terminal if “MAIN SP” is set to the SMALL position. In the
BOTH position, low bass signals on the main channels are
directed to both the main speakers and the SUBWOOFER
OUTPUT terminal.
Note
When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminal.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
SET MENU
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
Note
This adjustment is only effective when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
NORM (Normal)
Normally select this position.
–10 dB
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
Notes
The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
Note
This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
SET MENU
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8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
Note
This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
9. CNTR DELAY (Adjusting the delay
of the sound from the center
speaker)
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
10.MEM. GUARD (Locking the
settings)
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
Settings of other items on the SET MENU
Settings in the TIME/LEVEL mode
Settings when using TEST
11.TV INPUT (Selecting the initial
input mode for a source connected
to the D-TV input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the D-TV input
terminals of this unit can be automatically set when the
power of this unit is turned on. Refer to page 21 for details
about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
12.CBL INPUT (Selecting the initial
input mode for a source connected
to the CBL/SAT input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the CBL/SAT
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 21 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
SET MENU
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
1. PRO LOGIC/Normal 15 to 30 20
DOLBY DIGITAL/Normal 0 to 15 5
DTS DGTL SUR/Normal 0 to 15 5
PRO LOGIC/ENHANCED 15 to 30 20
DOLBY DIGITAL/ENHANCED 0 to 15 5
DTS DGTL SUR/ENHANCED 0 to 15 5
2. 70 mm SPECTACLE 15 to 30 23
DGTL SPECTACLE 1 to 99 15
DTS SPECTACLE 1 to 99 15
70 mm SCI-FI 15 to 30 20
DGTL SCI-FI 1 to 99 16
DTS SCI-FI 1 to 99 16
3. 70 mm ADVENTURE 15 to 30 20
DGTL ADVENTURE 1 to 99 15
DTS ADVENTURE 1 to 99 15
70 mm GENERAL 15 to 30 20
DGTL GENERAL 1 to 99 15
DTS GENERAL 1 to 99 15
4. MONO MOVIE 1 to 99 49
5. TV SPORTS 1 to 99 9
6. DISCO 1 to 99 40
7. ROCK CONCERT 1 to 99 16
8. CONCERT HALL 1 to 99 44
DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
Note
When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, the delay time and speaker output levels cannot be
adjusted.
Delay Time
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
Notes
Adding too much delay will cause an unnatural effect with some
sources.
The sound is momentarily interrupted while adjusting the delay
time.
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 17
and 18.
Notes
The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Speaker Control range (dB) Preset value
Center MIN, –20 to +10 0
Right rear MIN, –20 to +10 0
Left rear MIN, –20 to +10 0
Subwoofer MIN, –20 to 0 0
Program
Control
range (ms)
Preset
value
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34
Adjusting Method
Adjustments should be performed with the remote control
while watching the information on the display.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as shown below.
y
You can also select the item by pressing d. (Pressing u changes
the selection in the reverse order.)
Note
Depending on the setting of the SET MENU, you may not be able
to select all these items.
DELAY TIME AND SPEAKER OUTPUT LEVELS
1
2
3
3 Press i or j to adjust the
delay time or speaker
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
Delay time
Center speaker output level
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
DELAY
CENTER
R SUR.
L SUR.
SWFR
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
SLEEP TIMER
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
Note
The SLEEP timer can also be canceled by setting the unit in the
standby mode by using STANDBY on the remote control (or
STANDBY/ON on the front panel), or by disconnecting the AC
power cord from the AC power outlet.
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying the desired input source. The
SLEEP timer can only be set with the remote control.
Note
The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
going to sleep.
2 Set the selector dial to a
position other than the TV
position.
3 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the SLEEP time will
change as below:
4 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
Lights up
Flashes
120 90 60 30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
2
3
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36
PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
Selector Dial
There are nine positions that you can select to control connected components with this remote control. For example, if the CD
position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons
on the remote control. When turning the selector dial, the position changes as follows:
Note
The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.
Commonly used buttons in any position of the selector dial
Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.
Note
You have to set the code for your TV before you can control the TV.
Controlling this unit
Refer to pages 7 and 8.
1 STANDBY
2 POWER
3 VOLUME (+/–)
4 SLEEP
Note
If you have set the code for your TV and set the selector dial to
the TV position, this button is used to set the SLEEP timer for the
TV.
5 MUTE
Note
If you have set the code for your TV and set the selector dial to
the TV position, this button is used to mute the TV sound.
Controlling your TV
! TV POWER
@ TV INPUT
# TV VOLUME
2
1
3
5
4
@
#
!
AMP/TUN
You can perform the basic operations of
this unit. Refer to pages 7 and 8.
CD
The code for a YAMAHA CD
player is factory set.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
VCR
A VCR can be controlled.
TV
A TV can be controlled.
TAPE/MD
The code for a YAMAHA tape deck is factory set.
(Be sure to set the proper code when operating an
MD recorder.)
DVD/LD & DVD MENU
An LD player can be controlled in the DVD/
LD position. A DVD player can be controlled
in the DVD/LD and DVD MENU positions.
The code for a YAMAHA DVD player is
factory set. If the remote control does not
operate your YAMAHA DVD player, you need
to set the code number “0048”.
DSP/TUN
This unit can be controlled and DSP programs can be
selected directly.
Selector
dial
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
2
5
4
3
7
6
Controlling the Components
Connected to This Unit
Example: To control a YAMAHA CD
player
1 Make sure that VOLUME is set to the m
position.
2 Set the selector dial to the
CD position.
3 Turn on the power.
4 Press INPUT.
The indicator lights up for
about three second.
5 Press CD (number 1) while
the indicator is lit.
6 Press p.
Refer to page 39 for the CD
player operation buttons.
7 Adjust the volume.
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 42 for details.
PRESET REMOTE CONTROL
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38
Description of Each Position
TAPE/MD position
The dark-shaded buttons do not function.
If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
Select the TAPE/MD position.
r REC/PAUSE
This button gives a pause in recording on a
tape deck or MD recorder.
p PLAY
This button plays a tape or an MD.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD)
This button skips to the beginning of the previous
track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on the
track that is playing to find the point from which
you want to listen.
Numeric buttons (MD)
+10 (MD)
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
DECK A/B (TAPE)
This button selects deck A or B on a double-
cassette tape deck.
DISPLAY (MD)
e PAUSE (MD)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of
deck B.
SKIP+ (MD)
This button skips to the beginning of the next
track.
s STOP
This button stops operation on a tape deck or
MD recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
AV POWER
(TAPE) This button turns on the tape deck
that has a remote control with a power button
if you have set the code for another
manufacturer.
(MD) This button turns on the MD recorder
that has a remote control with a power button
if you have set the code for another
manufacturer.
0108DSP-A536-43_EN 2/29/0, 4:54 PM38
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
CD position
The dark-shaded buttons do not function.
If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
y
PAUSE/STOP function
Press the button once to give a pause in operation and press once more to stop operation.
Select the CD position.
DISC SKIP+/–
(for a CD player with CD changer)
These buttons skip to the next or previous CD.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the
previous track.
w SEARCH
This button initiates a backward search on the
track that is playing to find the point from
which you want to listen.
Numeric buttons
DISPLAY
INDEX
+10
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
e PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for
operating a YAMAHA CD player under
factory setting.
a SKIP+
This button skips to the beginning of the next
track.
s STOP
This button stops operation. The button
functions as PAUSE/STOP* for operating
YAMAHA CD player under factory setting.
f SEARCH
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
AV POWER
This button turns on the CD player that has a
remote control with a power button if you
have set the code for another manufacturer.
0108DSP-A536-43_EN 2/29/0, 4:54 PM39
40
DVD/LD position
DVD MENU position
Note
DVD MENU operations cannot be performed for some DVD players.
The dark-shaded buttons do not function.
If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
DISC SKIP+/–
RETURN
TITLE/INDEX
+10
DISPLAY
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
TITLE
Select the DVD MENU position.
AV POWER
This button turns on the YAMAHA DVD player if you have
set the code number “0048”. Also this button turns on the
DVD player that has a remote control with a power button if
you have set the code for another manufacturer.
Numeric buttons
DISC SKIP+/–
TITLE/INDEX
+10
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
PLAY
SKIP–
SEARCH
Select the DVD/LD position.
AV POWER
(DVD) This button turns on the YAMAHA DVD player if
you have set the code number “0048”. Also this button turns
on the DVD player that has a remote control with a power
button if you have set the code for another manufacturer.
(LD) This button turns on the LD player that has a remote
control with a power button if you have set the
code for another manufacturer.
Numeric buttons
0108DSP-A536-43_EN 2/29/0, 4:54 PM40
41
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
VCR position CBL/SAT position
TV position
Note
You can control your VCR if you have set the code for it.
The dark-shaded buttons do not function.
If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
VCR REC
Press this button
twice to start
recording.
AV POWER
This button turns on a VCR
that has a remote control
with a power button if you
have set the code for your
VCR.
Select the CBL/SAT
position.
CHANNEL +/–
ENTER
+10
DISPLAY/
GUIDE (SAT)
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
RECALL
Select the TV position.
Numeric buttons
AV POWER
This button turns on a
cable TV/satellite tuner
that has a remote
control with a power
button if you have set
the code for your cable
TV/satellite tuner.
TV POWER
This button turns on a TV that
has a remote control with a
power button if you have set
the code for your TV.
Numeric buttons
Numeric buttons
Select the
VCR position.
CHANNEL +/–
ENTER/RECALL
+10
DISPLAY
PAUSE
STOP
FAST
FORWARD
PLAY
REWIND
VCR REC
Press this button twice.
TV INPUT
TV VOL
CHANNEL +/–
ENTER/RECALL
+10
DISPLAY
VCR PAUSE
VCR STOP
VCR FAST
FORWARD
VCR POWER
TV SLEEP
TV MUTE
VCR PLAY
VCR REWIND
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42
Advanced Information
Setup codes
You can set the code for the manufacturer of your
component in each position of the selector dial.
1 Turn on your component to be used.
2 Set the selector dial to the
desired position for the
component (TAPE/MD, CD,
DVD/LD, etc.).
3 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
5 Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
Notes
You can set only one code for one position.
In the DVD/LD and DVD MENU positions:
Be sure to set the selector dial to the DVD/LD position before
entering the code for the DVD/LD player. The code set in the
DVD/LD position is also simultaneously set in the DVD MENU
position. You cannot set the code for a DVD player when the
selector dial is set to the DVD MENU position.
If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
PRESET REMOTE CONTROL
To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU positions if a cable TV or satellite tuner,
or DVD player is not being used.
Note
If you want to control a second (and third) VCR in the DVD
MENU position, you must set the code for an LD player in the
DVD/LD position.
1 Turn on the VCR to be used.
2 Set the selector dial to the
CBL/SAT or DVD MENU
position.
3 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
5 Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
0108DSP-A536-43_EN 2/29/0, 4:55 PM42
43
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
Returning to the factory-set codes
To return to the factory-set codes in all positions, follow
these steps.
1 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
2 Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
PRESET REMOTE CONTROL
To return to the factory-set codes in each position, follow
these steps.
1 Set the selector dial to the
position for the
component to be returned
to the factory-set code.
2 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
3 Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Selector dial
position
Component
Code
TV TV 0101
CBL/SAT Satellite tuner 0006
VCR VCR 0002
DVD/LD DVD player 0008 (YAMAHA DVD player)
CD CD player 0005 (YAMAHA CD player)
TAPE/MD Tape deck 0004 (YAMAHA Tape deck)
AMP/TUN this unit 0003
DSP/TUN this unit 0013
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
0108DSP-A536-43_EN 2/29/0, 4:55 PM43
44
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
General
SYMPTOM CAUSE REMEDY
The unit does not work
normally.
No sound and/or no
picture.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
The speaker connections are not secure.
Incorrect input or output cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / EXT.
DECODER (or the input selector buttons).
Secure the connections.
SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers
in use to the ON position.
No picture. There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
Only the speaker on one
side can be heard.
Incorrect cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
Incorrect setting of BALANCE. Adjust it to the appropriate position.
No sound from the effect
speakers.
The sound effect is off. Press EFFECT to turn it on.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
Select another DSP program.
The sound is muted.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
The SLEEP timer has functioned.
Turn on the power, and play the source again.
Refer to
page
APPENDIX
16
11, 12
19
14
19
20
12
35
14
20
24
28
The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.
16
The 96-kHz sampling 24-bit digital signals are
input to this unit.
22
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45
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SYMPTOM CAUSE REMEDY
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
Refer to
page
TROUBLESHOOTING
26, 27, 28
33
28
30
30
11, 12
No sound from the
center speaker.
The sound output level of the center speaker is
set to minimum.
Raise the level of the center speaker.
“CENTER SP” on the SET MENU is set to the
NONE position.
Select the LRG or SML position.
Incorrect DSP program is selected. Select the appropriate program.
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
No sound from the rear
speakers.
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
A monaural source is being played with the PRO
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
Select another DSP program suitable for the
monaural source.
Select the BOTH position.
The source does not contain low bass signals
(below 90 Hz).
No sound from the
subwoofer.
“BASS OUT” on the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
33
Incorrect cable connections. Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the
turntable and this unit.
A “humming” sound can
be heard.
The volume level is low
while playing a record.
The record is being played on a turntable with an
MC cartridge.
The turntable should be connected to the unit
through the MC head amplifier.
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
11
11
The DVD/LD, TV/digital TV
or cable TV/satellite tuner
source cannot be
recorded by a tape deck,
MD recorder or VCR
connected to this unit.
The DVD/LD player, TV/digital TV or cable
TV/satellite tuner is connected to the unit only
through the digital terminals.
Make additional connections between the
analog terminals.
25
12
Adjusting this unit by
using SET MENU, TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” on the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position.
32
0109DSP-A544-48_EN 2/29/0, 4:55 PM45
46
Remote control
This unit is in the standby mode. Turn on the power of the unit.
SYMPTOM CAUSE REMEDY
Refer to
page
The remote control does
not work.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
Reposition the unit.
The batteries are weak. Replace all batteries with new ones.
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Set the selector dial to the appropriate position,
corresponding to the component to be
controlled.
The remote control cannot control system
components.
The manufacturer’s code has not been set
properly.
Others
SYMPTOM CAUSE REMEDY
Refer to
page
The sound is degraded
when listening with
headphones to a tape
deck or CD player
connected to this unit.
There is noise
interference from digital
or high-frequency
equipment, or the unit.
The unit is too close to the digital or high-
frequency equipment.
Move the unit further away from such
equipment.
TROUBLESHOOTING
3
2
36
42
Enter the code again.
Try setting another code for the same
manufacturer.
Depending on the manufacturer or the model,
some components cannot be controlled with this
unit’s remote control even though the code has
been set properly.
Use the original remote control supplied with
your component.
0109DSP-A544-48_EN 2/29/0, 4:55 PM46
47
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SYMPTOM CAUSE REMEDY
When playing back a source encoded with DTS
Refer to
page
A loud hissing noise is
heard when playing back
a source encoded with
DTS.
The player which plays back the source is not
connected to a digital audio signal input
terminal of this unit.
The player must be connected to a digital audio
signal input terminal of this unit besides the
analog audio signal terminal connections.
The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in
DTS decoder.
A percussive noise is
heard when playing back
a source encoded with
DTS.
If the input mode is set to AUTO, depending on
some sources, there may be a noise heard while
this unit is identifying the format of the input
signal.
Set the input mode of the currently selected
input source to DTS.
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than
“maximum,” “neutral” or “ineffective.”
Set the players digital volume control at the
maximum, neutral or ineffective position.
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
encoded with DTS.
A source encoded with DTS cannot be recorded
on an MD or DAT.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
Set the input mode to AUTO again.
Notes
It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to
PCM digital signal input mode and the “t” indicator will go out.
12
21
21
22
TROUBLESHOOTING
0109DSP-A544-48_EN 2/29/0, 4:55 PM47
48
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R .....................................................70 W
1 kHz, 0.09% THD, 8 ohms
Main L/R, Center, Rear L/R .....................................................80 W
Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms ........................................................ 105 W
DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W
IEC Output Power
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W
Dynamic Power (IHF)
8/6/4/2 ohms ......................................................... 90/110/135/160 W
Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 80
Frequency Response
CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%
Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ......................................................... 99 dB
(250 mV, Input Shorted) ....................................................... 103 dB
Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER......................................... 150 mV/40 – 47 k-ohms
Output Level/Impedance
REC OUT ........................................................... 150 mV/1.2 k-ohms
PRE OUT ............................................................... 2.1 V/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES ................................................................. 0.34 V/560 ohms
Channel Separation (Vol. –30 dB)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
Tone Control Characteristics
BASS: Boost/cut ..........................................................±10 dB/50 Hz
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz
VIDEO SECTION
Video Signal Type ........................................................... NTSC or PAL
Video Signal Level ...................................................... 1 Vp-p/75 ohms
Signal-to-Noise Ratio .................................................................. 50 dB
Monitor Out Frequency Response.................... 5 Hz to 10 MHz, –3 dB
GENERAL
Power Supply
[Europe and U.K. models]....................................... AC 230 V, 50 Hz
[China model]......................................................... AC 220 V, 50 Hz
[General model].............................AC 110/120/220/240 V, 50/60 Hz
Power Consumption ...................................................... approx. 310 W
Power Consumption (standby mode) .................................approx. 1 W
AC Outlets (100 W max. total)
[U.K. model] ............................................................ 1 (SWITCHED)
[Europe model] ......................................................... 2 (SWITCHED)
[China and general models]...................................... 3 (SWITCHED)
Dimensions (W x H x D)
.....................435 x 151 x 391 mm (17-1/8’ x 5-15/16’ x 15-3/8’’)
Weight ......................................................................... 11.2 kg (25 lbs.)
Accessories ....................................................................Remote control
........................................................................................... Batteries
Specifications are subject to change without notice.
0109DSP-A544-48_EN 9/29/0, 10:50 AM48
49
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
GLOSSARY
CINEMA DSP
Dolby Surround
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
DTS (Digital Theater System)
Digital Surround
DTS was developed to replace the analog soundtracks of
movies with six discrete channels of digital soundtracks,
and it is now installed in many theaters around the world.
The DTS digital playback system changed the way we
experienced movies in theaters with six discrete channels of
superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode
discrete technology to home audio surround-sound
entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio;
technically, it is 5.1 channels, which means 5 full-range
(left, center, right and two surround) channels, plus a
subwoofer (LFE) channel (as “0.1”). It is compatible with
the 5.1 speaker configurations that are currently available
for home theater systems.
CINEMA DSP
The Dolby Surround and Dolby Digital sound and DTS
systems show their full ability in a large movie theater,
because movie sounds are originally designed to be
reproduced in a large movie theater that uses a multitude of
speakers. Trying to create a sound environment similar to
that of a movie theater in your home is difficult because of
the room size, material inside the walls, the number of
speakers, and so on. In other words, your listening room is
very different from a movie theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround, Dolby
Digital or DTS Digital Surround sounds.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround, Dolby Digital or
DTS.
LFE 0.1 Channel
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital or DTS 5.1 channel system.
S VIDEO Signal
The S VIDEO signal is separated and transmitted as the Y
signal which indicates the luminance and the C signal which
indicates the chroma of the video signal (composite signal).
Using the S VIDEO terminal eliminates video signal
transmission loss and allows recording and playback of
even more beautiful images.
0109DSP-A544-48_EN 2/29/0, 4:55 PM49
50
INDEX
A
Accessories .......................................................................... 2
AC outlet ........................................................................... 16
B
BALANCE ........................................................................ 20
BGV (background video) function .................................... 20
C
Canceling sound effect ...................................................... 24
CINEMA DSP ............................................................. 28, 49
Connections
Audio components (tape deck/MD recorder, CD player,
turntable and tuner) ..................................................... 11
Digital connections...................................................... 12
Speakers ...................................................................... 14
TV monitor .................................................................. 12
Video components (DVD/LD player, VCR, TV/digital
TV and cable TV/satellite tuner) ................................. 12
D
Delay time (TIME/LEVEL mode) .................................... 33
Display................................................................................. 6
Dolby Digital ..................................................................... 49
Dolby Surround ................................................................. 49
DSP program ...................................................... 23, 26 to 28
DTS Digital Surround ....................................................... 49
E
External decoder ................................................................ 13
F
Front panel........................................................................... 4
I
IMPEDANCE SELECTOR switch ................................... 16
Input mode......................................................................... 21
L
LFE ........................................................................ 31, 32, 49
M
Muting ............................................................................... 20
P
Playing ............................................................................... 19
R
Recording .......................................................................... 25
Remote control
Basic operations ........................................................ 7, 8
Batteries......................................................................... 2
Factory-set code .......................................................... 43
Manufacturers codes .......... i (at the end of this manual)
Selector dial............................................................. 7, 36
Setup codes.................................................................. 42
S
SET MENU ....................................................................... 29
Sleep timer......................................................................... 35
Speaker
Output levels (TIME/LEVEL mode) .......................... 33
Output mode (SET MENU) .................................. 30, 31
Speaker balance (test tone).......................................... 17
Placement ...................................................................... 9
STANDBY/ON.................................................................... 4
T
Test tone....................................................................... 17, 18
Tone controls ..................................................................... 20
0109DSP-A544-48_EN 2/29/0, 4:55 PM50
i
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
TV
ADMIRAL 0411, 0451, 0911,
1021, 1081
AIKO 0891
AKAI 0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981
AKURA 1331
ALBA 1241, 1331, 2361
ALBIRAL 1971
AMSTRAD 1301, 1511
ANAM 1171
ARC EN CIEL 0571
ARCAM 0571, 0761
ARISTONA 0751
ARTHUR MARTIN 0451, 1641
ASA 0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551
ASTRA 1511
ATANTIC 0761
ATLANTIC 0761
ATORI 1511
AUDIOSONIC 1181, 1321, 1511
AUSIND 0491, 1411
AUTOVOX 0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421
BAIRD 1101, 1351
BANG & OLUFSEN 1081
BASIC LINE 1321, 1331
BAUER 1451
BAUR 0041, 0061, 0121,
0131, 0221, 1561
BEKO 2491, 2501
BLAUPUNKT 0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
BRANDT 0571, 0651, 0731,
0901, 1821
BRIONVEGA 1021, 1051, 1081
BRITANNIA 0761
BRUNS 0821, 0991, 1021,
1081
BSR 0391, 0691, 1621,
1901, 1981
BUSH 0451, 1241, 1331,
1641, 1741, 2131,
2151
BUSH (UK) 0481, 1561, 1611
CANDLE 0791
CENTURY 1021, 1081
CGE 0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271
CITIZEN 0791
CLARIVOX 0821, 0961, 1971
CLATRONIC 1181, 1331
CONCERTO 0791
CONDOR 0761
CONTEC 0151, 1171
CONTINENTAL EDISON
0571, 0651, 0901
CRAIG 1171
CROSLEY 0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271
CROWN 2541
CTC CLATRONIC 0261
CXC 1171
DAEWOO 0101, 1501, 1511,
2611
DANSAI 0101
DECCA 0271, 0581, 0601,
0971, 1101, 1691
DECCA (UK) 0271, 0581, 0601,
1101, 1681
DEGRAAF 0451, 1351
DIXI 0991, 1511
DOMEOS 0101
DORIC 1031
DUAL 0091, 0601, 1611,
1641, 2101
DUAL-TEC 0601, 1511, 1621,
2111
DUMONT 0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151
DYNATRON 0101
ELBE 1551, 1971, 2031
ELECTRO TECH 1511
ELEKTRONSKA 0771
ELMAN 0261, 1621
ELTA 1511
EMERSON 0921, 1021, 1081,
1121, 1171, 1261,
1301
ERRES 0101
ETRON 1981
EUROPHON 0261, 0581, 0601,
0771, 1091, 1621,
2001
FENNER 0101, 1511
FERGUSON 0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341
FIDELITY 0451, 0761, 2281
FIDELITY (UK) 0561, 0591,
1931, 2281
FILMNET 1141
FINLANDIA 0451, 2321
FINLUX 0021, 0261, 0491,
0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551
FIRST LINE 1981
FISHER 0021, 0091, 0141,
0511, 0601, 0801,
0821, 0981, 1021,
1081, 1981, 2091
FORGESTONE 2281
FORMENTI 0451, 0491, 0761,
1081, 1451, 1541,
1981
FORMENTI-PHOENIX
0021, 0431, 0451,
0591, 1411
FORTRESS 1081
FRONTECH 0451, 1181, 1981
FUJITSU 1261
FUNAI 0391, 0691, 1171,
1181, 1261
FUTURETECH 1171
GBC 0021, 0141, 1321,
1511, 1621, 1981
GEC 0451, 1101, 1281,
2321
GEC (UK) 0031, 0081, 0581,
0601, 1101, 1281,
1561
GELOSO 0021, 0411, 0451,
1321, 1511, 1621,
1981
GENERAL TECHNIC2681
GENEXXA 0451, 1331
GOLDSTAR 0591, 0601, 0761,
0791, 1371, 1491,
1511, 1561, 1621,
1641
GOODMANS 0141, 1101, 1371,
1641, 2301
GORENJE 0981, 1061
GRAETZ 0451
GRANADA 0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321
GRANADA (UK) 0081, 0141,
0451, 0491,
0581, 0601,
1031, 1311,
1521, 1561,
1641
GRUNDIG 0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151
HANSEATIC 0021, 0121, 0141,
0431, 0591, 1561
HANTAREX 0581
HEMMERMANN 0061
HIFIVOX 0331, 0571
HINARI 0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011
HITACHI 0001, 0011, 0031,
0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341
HYPER 0591, 0601, 1511,
1621
IMPERIAL 0451, 0491, 0811,
0981, 1401, 1611,
1621, 2201, 2251,
2271
INGERSOL 1511
INNO HIT 0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011
INNOVATION 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781
INTERFUNK 0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231
IRRADIO 0491, 1321, 1331,
1371, 1411, 1511,
2011
ISUKAI 1331
ITT 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
ITT-NOKIA 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
JVC 0071, 0721, 1441,
1581, 1591, 1741,
1791
KAISUI 0591, 1321, 1331
KAMOSONIC 0601
KARCHER 0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051
KAWASHO 0761
KENDO 0261
KENNEDY 0021, 0351, 0951,
1981
KONKA 2701
KORTING 0431, 1011, 1021,
1081, 1541
08DSP-A5code(EU) 3/2/0, 10:59 AM1
ii
KTV 0601, 1171
LENOIR 0601, 1511
LEYEO 1181
LIFETEC 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781
LOEWE OPTA 0121, 0131, 0581,
0611, 1081
LOGIC 1691, 2281
LOGIK 0551, 1681, 2281
LOWEWE 0831
LUMA 0351, 0451, 1901
LUXMAN 0791
LUXMAN STEREO TUNER
0791
LUXOR 0001, 0061, 0181,
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981
LYCO 1181
MAGNADYNE 0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981
MAGNAFON 0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001
MANESTH 0101
MARANTZ 0101
MARELLI 1081
MARK 0101
MATSUI 0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691
MAXIMAL 0071, 1981
MCMICHAEL 1281
MEDION 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781
MEMOREX 1511
METZ 0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081
MGA 1231
MICROMAXX 2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781
MINERVA 0221, 0231, 0491,
1381, 2141, 2151
MISTRAL 2281
MITSUBISHI 0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741
MIVAR 0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031
MTC 0791
MULTITECH 0261, 0581, 0601,
0641, 0981, 1321,
1511
MURPHY 0451, 2091
MURPHY (UK) 0081, 1031
N.E.I. 0101, 0961
NAD 1341
NEC 0141, 1711, 1721,
1731
NECKERMANN 0451, 0601,
0981, 1081,
1561, 1931,
1981, 2211,
2231, 2241
NEDIATOR 0101
NICAMAGIC 0761
NIKKAI 1101, 1331, 1641,
1701, 2011
NOBLIKO 0261, 0491, 0591,
0641, 1381, 1411
NOGAMATIC 0571
NOKIA 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791
NORDMENDE 0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631
OCEANIC 0321, 1651, 1981
OCEANIC (F) 0031, 0061, 0321,
0441, 1661
ONCEAS 0601
ONWA 1171
ORION 0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421
OSAKA 2011
OSAKI 1101, 1331, 2011
OSUME 0151
OTTO VERSAND 0021, 0121,
0141, 0221,
0601, 1561,
1741, 1981
PAEL 0591, 1411
PANASONIC 0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741
PANORAMIC 2351
PATHE MARCONI 0571
PATHE’ CINEMA (F) 0431, 0591,
1621, 1661,
1971
PAUSA 1511
PAUZA 1511
PERDIO 0891, 1101
PHILCO 0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471
PHILIPS 0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731
PHOENIX 1081
PHONOLA 0751, 1081
PIONEER 0291, 0451, 1341,
1821
PRANDONI-PRINCE 0411, 0451,
0491, 0581,
1411
PRANDONI-PROMCE
0451, 0491, 0581
PRIMA 0451
PROFEX 1981
PROTECH 0641, 1181, 1981
QUELLE 0041, 0061, 0121,
0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581
REDIOMARELLI 0101, 0451,
0661, 0771,
1081
RADIONETTE 0031, 2051, 2091
RADIOLA 2291
RANK 0481, 2151
RBM 2131, 2151
RBM (UK) 0481
REDIFFUSION 0451, 0661, 1641,
1981, 2331
REDIFFUSION (UK) 0061, 0081,
1031
REX 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
RFT 0991, 2511
ROADSTAR 1321, 1511
ROTEL 0151
SABA 0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631
SACCS 1971
SAISHO 0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691
SALORA 0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321
SAMBERS 0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001
SAMSUNG 0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011
SANYO 0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551
SBR 0681, 0751, 1281,
2281
SCHAUB LORENZ 0451
SCHNEIDER 0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291
SCOTT 1171, 1261
SEG 0261, 0601, 0821,
0991
SEI 0641, 0691, 1081,
1301, 1481, 1981
SELECO 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
SENTRA 1601
SHARP 0141, 0151, 0191,
1761, 1781
SIAREM 0021, 0261, 0581,
0641, 1021, 1081,
1981
SICATEL 1971
SIEMENS 0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
SILVER 1181
SINGER 0021, 0261, 1021,
1081
SINUDYNE 0021, 0061, 0101,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
SKANTIC 0451
SOLAVOX 0451, 1641, 2011
SONOKO 0101, 1181, 1511
SONY 0141, 0171, 1121,
1681, 1691, 2751
SOUNDESIGN 1171
SSS 1171
STERN 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
SUNKAI 0691
SUPRA 0791
TANDBERG 0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081
TANDY 0191, 0451, 1331,
1531
TASHIKO 0141
TATUNG 0271, 0581, 0601,
0971, 1101, 1681,
1691
TCM 2621, 2641, 2711,
2761, 2771, 2781
TECHNICS 1311
TECHWOOD 0791
TEKNIKA 1171, 1231, 1261
TELE 1141
TELEAVIA 0571, 0651, 0731,
1821
TELEFUNKEN 0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631
TELETECH 1511
TEMPEST 2381, 2391, 2401,
2411
TENSAI 1331, 2091
TEXET 0601
THOMSON 0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
THORN 0741, 0861, 2091,
2251, 2271, 2281
08DSP-A5code(EU) 3/2/0, 10:59 AM2
iii
THORN-FERGUSON 0281, 0371,
0551, 0651,
0781, 0861,
0881, 1131,
1181, 1361,
1461, 1971,
1991, 2281
TMK 0141, 0791, 1471
TOSHIBA 0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811
TRANS CONTINENS
0451
TRISTAR 2281
TRIUMPH 0481, 0581, 2121
UHER 0431, 0451, 0481,
0491, 0511, 1311,
1541
ULTRAVOX 0021, 0261, 0591,
1021, 1081, 1981
UNIVERSUM 1181, 2051
UNIVOX 1971
VEGAVOX 0811
VEXA 0101, 1511
VICTOR 1441, 1591
VIDEOTON 2481
VORTEC 0101, 0651
VOXSON 0411, 0451, 0491,
1021, 1081
WALTHAM 0451
WATSON 0431, 2201, 2241
WATT RADIO 0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001
WEGA 0141, 1081, 1981
WEGA COLOR 1021
WELTBLICK 0101
WESTON 1621
WHITE WESTINGHOUSE
0101, 0261, 0431,
0591, 0761, 1401,
1541
YOKO 0601, 1511
ZANUSSI 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
ZOPPAS 0451
CABLE TV
CABLETIME 1446, 1456, 1476
CLYDE CABLEVISION
1426
FILMNET 1396, 1436
FRANCE TELECOM 1386
GEC 1426
JERROLD 1416
MOVIE TIME 1466
NSC 1466
PHILIPS 1386
PIONEER 0006
SAMSUNG 1496
SCIENTIFIC ATLANTA
1486, 1506
STARCOM 1416
STS 1466
TANDBERG 1366
TELE 1436
TELE +1 1436
TELESERVICE 1406, 1476
TUDI 1376
UNITED CABLE 1416
ZENITH 1406
SATELLITE TUNER
AKAI 1276
ALBA 0826, 1276
AMSTRAD 0166, 0796, 1016,
1026, 1296
ANKARO 0476
AST 0406
ASTRA 0126
BARCOM 0476
BLAUPUNKT 0966
BMC SATELLITE 0106
BRITISH TELECOM 1276
BUSH 0826
BUSH (UK) 0956
CAMBRIDGE 0196, 1276
CANAL PLUS (FRANCE)
1536
CHAPARRAL 0016, 0696, 1006
COLUMBUS 0616
CONNEXIONS 0306, 0426
DISCUS ELIPSE 0856, 0866
DISKXPRESS 0426, 0476
DRAKE 1516
ECHOSTAR 0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106
ELTA 1286
ELTA SAT 0146
EURODEC 1226, 1236, 1246
FERGUSON 0046, 0176, 0186,
0296, 0846, 0956,
1306
FINLUX 0976
FRACARRO 0026, 0536, 0776
FUBA 0476, 0616, 0636,
1056
GIUCAR RECORD 0206, 0336
GRUNDIG 0176, 0946, 0956,
0966
HIGH PERFORMANCE
0916
HIRSCHMANN 0756, 0966
HITACHI 0446, 0516, 0706,
0946
ICX INTERNATIONAL 0886
ITT 0066, 0126, 0176,
0446, 1156
ITT/NOKIA 0066, 0126, 0176,
0446, 1156
JEEMON 0146
JERROLD 0846, 0986
JOHANSSON 0246
JVC 1276
KATHREIN 0116, 0266, 0276,
0366
KOSMOS 0266
KYOSTAR 1036, 1086
LENG 0246
LIFESAT 1326, 1346, 1356
LUXOR 0126, 0136, 0446,
0466, 0506, 1156
MACAB 0356
MASPRO 0016, 0116, 0256,
0956
MEDION 1326, 1346
METZ 0966
MICROMAXX 1326, 1346
MITSUBISHI 0966
MORGANS 0596
MURATTO 0406
NEC 0286, 0316, 0766,
0786, 0836
NETWORK 0046
NIKKO 1136, 1146
NOKIA 0066, 0126, 0176,
0446, 1156, 1166,
1336
NORSAT 0786
OTTO VERSAND 0966
PACE 0046, 0176, 0296,
0936, 0956, 1306,
1566, 1576
PACE MSS 0946
PALCOM 0616, 0686, 0706
PALSAT 0396
PALTEC 0706
PANASONIC 0806, 1306
PANSAT 1076
PHILIPS 0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316
PROSAT 1176
PTT TELECOM 0306, 0896
QUELLE 0966
RADIX 1056
REDIFFUSION 0316, 0786
RFT 1186, 1196, 1206,
1216
SAGEM 1256, 1546
SAKURA 0566, 0816
SALORA 0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576
SAMSUNG 0746, 0756
SAT 0406
SATCOM 0896
SATECO 0646
SECTOR 1266
SEDEA 1096
SENTRA 0416
SIEMENS 0896, 0966
SINTRACK 0906
SKY DIGITAL BOX 1526
SKYLAB 0476
SKYSCAN 0876
SONY 0736, 0946
STELLA 0306
STRONG 0156, 0396, 1036,
1086
STV 0636
TANDBERG 1116
TANDY 0916
TANTEC 0616
TATUNG 0516, 0546
TECHNISAT 0086, 0096, 0526,
0556, 1056
TELECOM 0306
TELEMAX 0586
THORN-FERGUSON 0046, 0076,
0176, 0186,
0956
TOSHIBA 0946
TPS (FRANCE) 1546
TRIAD 0406
UNIDEN 0036, 0216, 0676,
0716, 0726
US ELECTRONICS 0886
VORTEC 0756, 1036, 1076
VTECH 0436
WINERSAT 0246
WISI 0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156
WOLSEY 0916
XCOM MULTIMEDIA 1556
XSAT (FRANCE) 1556
ZEHNDER 0266, 0406
ZENDER 0406
VCR
AIWA 0042, 0352, 0432
AKAI 0042, 0422, 0492,
0582, 0612, 0642,
0652, 0762, 0912
ALBA 0002, 0112, 0282,
0332, 0342, 0972
AMSTRAD 0322, 0432, 0452
ANITECH 0002
ANITSCH 1002
ASA 0012, 0052
AUDIOSONIC 0002
BAIRD 0042, 0282, 0492
BANG & OLUFSEN 0042
BAUR 0052, 0062, 0812
BLAUPUNKT 0062, 0092, 0252,
0462, 0672, 0992
BRIONVEGA 0032
BUSH 0002, 0282, 0332,
0342, 0512, 0972
BUSH (UK) 0812
CAPEHART 0112
CGE 0042, 0432, 0762
CRAIG 0072, 0482
CROWN 0112, 0282, 0622
DAEWOO 0112, 0282, 0622
DANSAI 0012
DAYTRON 0112
DECCA 0042, 0052, 0432,
0942
DECCA (UK) 0052
DEGRAAF 0052, 0132, 0432,
0532, 0602
DIXI 0442
DUAL 0042, 0632
DUMONT 0052, 0432, 0532
DYNATECH 0432
DYNATRON 0012
ELBE 0122
ELIN 0072
EMERSON 0012, 0162, 0202,
0432, 0512, 0522
ERRES 0012
FERGUSON 0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082
FIDELITY 0432
FINLANDIA 0052, 0532
FINLUX 0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912
FIRST LINE 0002, 0912
FISHER 0162, 0482, 0532,
0542, 0572, 0592
FORMENTI-PHOENIX
0012, 0052
FRONTECH 0112
FUNAI 0432
GBC 0002
GEC (UK) 0022, 0052
GELOSO 0002
GENERAL TECHNIC1172
GOLDSTAR 0012, 0122, 0812,
0952
GOODMANS 0002, 0072, 0282,
0432, 0502
GOODMANS (UK) 0002
GRAETZ 0022, 0042
GRANADA 0052, 0132, 0532,
0572
GRANADA (UK) 0052, 0092,
0462, 0602,
0812, 0822
08DSP-A5code(EU) 3/2/0, 10:59 AM3
iv
GRUNDIG 0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802
HANSEATIC 0052, 0812
HARMAN/KARDON 0122, 0922
HCM 0002
HINARI 0002, 0202, 0412,
0442, 0522
HITACHI 0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022
IMPERIAL 0072, 0432
INGERSOL 0442
INNO HIT 0002, 0052, 0072
INNOVATION 1142, 1162, 1172
INTERFUNK 0022, 0052
IRRADIO 0002, 0012
ITT 0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
ITT-NOKIA 0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
JENSEN 0042
JVC 0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902
KARCHER 0052, 0072, 0812
KENDO 0492
KENWOOD 0042, 0142, 0572
LIFETEC 1142, 1162, 1172
LLOYD 0432
LOEWE OPTA 0052, 0092, 0152
LOGIK 0002, 0072, 0442
LUMA 0162
LUXOR 0492, 0572, 0812
M ELECTRONIC 0432
MAGNADYNE 0052
MAGNASONIC 0572
MANESTH 0012
MARANTZ 0012, 0052, 0092,
0122, 0502
MARK 0012
MARTA 0012
MATSUI 0012, 0442, 0512,
0522, 0812, 0972
MEDION 1142, 1162, 1172
MEMOREX 0012, 0132, 0432,
0482, 0532, 0572
METZ 0062, 0092, 0932
MGA 0912
MICROMAXX 1142, 1162, 1172
MINERVA 0062, 0092, 0252
MINOLTA 0172, 0602
MITSUBISHI 0052, 0062, 0142,
0912, 0922
MTC 0072, 0432
MULTITECH 0002, 0052, 0062,
0282, 0432
MURPHY 0432
N.E.I. 0012, 0052
NATIONAL 0462
NEC 0042, 0122, 0142,
1202
NECKERMANN 0032, 0042,
0052, 0072,
0092, 0202,
0522, 0572,
0762, 0812
NIKKAI 0112
NOBLIKO 0092
NOKIA 0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762,
1152
NORDMENDE 0042, 0102, 0142,
0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
OLYMPUS 0462
OPTONICA 0132, 0502
ORION 0162, 0202, 0312,
0442, 0512, 0522,
0982
OSAKA 0432
OSAKI 0002, 0012, 0432
OTTO VERSAND 0052, 0062,
0812
PANASONIC 0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182
PENTAX 0172, 0602
PERDIO 0432
PHILCO 1062
PHILIPS 0052, 0082, 0092,
0152, 0182, 0362,
0372, 0382, 0472,
0502, 1072
PHONOLA 0052, 0152
PILOT 0012
PIONEER 0052, 0142, 0372,
0472
PORTLAND 0112
PROLINE 0432
PYE 0052, 0152
QUARTZ 0572
QUELLE 0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0522, 0942
RADIONETTE 0022
REALISTIC 0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572
RET 1072
REX 0042, 0742, 0782
RICOH 0952
SABA 0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872
SAISHO 0162, 0202, 0292,
0442, 0512, 0522,
0972
SALORA 0192, 0572, 0812,
0822, 0912
SAMSUNG 0052, 0072, 0622,
0652, 1192
SANSUI 0042, 0142
SANYO 0482, 0532, 0562,
0572
SBR 0052, 0152, 0182
SCHAUB LORENZ 0022, 0042
SCHNEIDER 0002, 0012, 0052,
0072, 0432
SEG 0002, 0072
SEI-SINUDYNE 0442
SELECO 0042
SENTRA 0112
SHARP 0132, 0502, 0702
SHINTOM 0002
SIEMENS 0062, 0092, 0252,
0572
SINUDYNE 0052, 0382, 0442,
0932
SONOKO 0282
SONY 0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132
STS 0602
SUNKAI 0512
SUNSTAR 0432
SYLVANIA 0432, 0912
SYMPHONIC 0432, 0912
TANDBERG 0062, 0162, 0522,
0932
TASHIKO 0132, 0432
TATUNG 0042, 0052, 0432,
0922
TCM 1142, 1162, 1172
TEAC 0042, 0432
TECHNICS 0462
TEKNIKA 0012, 0432
TELEFUNKEN 0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892
TEMPEST 1032, 1042, 1052
TENOSAL 0002
THOMSON 0042, 0102, 0142,
0192, 0402, 0632,
0762
THORN 0042, 0902
THORN-FERGUSON 0042, 0222,
0302, 0712,
0722, 0742,
0762, 0852,
0862, 0872,
0902
TMK 0522
TONSAI 0002
TOSHIBA 0042, 0622, 0912,
1212
TOTEVISION 0012, 0072
TRIUMPH 0922
UHER 0042, 0072
ULTRAVOX 0032
UNITECH 0072
VECTOR RESEARCH
0122
VICTOR 0042, 0102, 0142
VIDEON 1162, 1172
WELTBLICK 0012
WHITE WESTINGHOUSE
0032
XENON 0162
YOKO 0012, 0062, 0072
DVD PLAYER
AKAI 0108
JVC 0168, 0348
KENWOOD 0288
MAGNAVOX 0248
MITSUBISHI 0268
ONKYO 0128, 0248
PANASONIC 0048
PHILIPS 0188, 0248
PIONEER 0208, 0228
PROSCAN 0308
RCA 0308
SAMSUNG 0148
SHARP 0068
SONY 0028
TECHNICS 0048
THOMSON 0328
TOSHIBA 0088, 0248
YAMAHA 0008, 0048
ZENITH 0248
LD PLAYER
AIWA 0137
FUNAI 0137
HITACHI 0047
MAGNAVOX 0077
PANASONIC 0027
PIONEER 0037
RCA 0067
REALISTIC 0137
SAMSUNG 0017, 0087
SONY 0057, 0097, 0107,
0117
VICTOR 0127
YAMAHA 0007
CD PLAYER
ACCUPHASE 0315
ADC 0865
ADCOM 0785, 1015
AKAI 0115, 0125, 0725,
0735, 0745, 0935,
1155
ARCAM 1875
ARCAM-ROTEL 0165
AUDIO-TECHNICA 0835
AUDIOSONIC 0155
AIWA 1105, 1235, 1245,
1765, 1915, 1935
BSR 0875
CALIFORNIA AUDIO LAB
1075
CARRERA 0555, 0875
CARVER 0825, 1415
CYRUS-ROTEL 0205
DENON 0045, 0955, 1045,
1595, 1795, 1805
DUAL 1005
ELIN 0185
EMERSON 1015, 1285, 1675
FISHER 0105, 0595, 0605,
0825, 1165, 1175
GENEXXA 0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825
GOLDSTAR 0555, 1185, 1195,
1585
GRUNDIG 0175
HARMAN KARDON 0325, 0495,
0565, 1135,
1145, 1155
HITACHI 0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545
INNOVATION 1995, 2005, 2015
ITT-NOKIA 0185
JVC 0385, 0395, 0455,
0575, 0585
KARCHER 0485
KENWOOD 0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825
KORTING 0175
LIFETEC 2015
LIGHT CONTROL 1155, 1645,
1655, 1665
LINN 0165, 1875
LUXMAN 0265, 0275, 0795,
0805, 1295, 1305,
1555, 1925
08DSP-A5code(EU) 3/2/0, 10:59 AM4
v
LUXOR 0185, 1895, 1905
MAGNAVOX 1865, 1875
MARANTZ 0165, 0175, 0545,
0665, 1275, 1335,
1405, 1505, 1875,
1955
MATSUSHITA 1095, 1605
MCS 0535
MEDION 0075, 1995, 2005,
2015
MEMOREX 0525, 1015, 1265,
1275, 1285, 1675
MGA 1125
MICROMAXX 2015
MISSION 0165, 1875
MITSUBISHI 1125, 1205
NAD 0135, 0255, 0285,
0295, 0305, 0345,
0755, 0765, 1315,
1325
NAKAMICHI 0635, 0645, 1565
NEC 0405, 0535, 0775,
0785
NECKERMAN 0155, 0225
NIKKO 0835, 1165
OCEANIC 0185
OKANO 0155, 0225
ONKYO 0885, 1385, 1425,
1455, 1515
PANASONIC 1055, 1075, 1615,
1625
PHILIPS 0165, 0175, 0195,
1865, 1875
PIONEER 0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945
PROTON 0905, 1875
QUASAR 1075
RADIOLA 1845, 1855
RADIOTONE 0485
REALISTIC 0825, 1015, 1265,
1275, 1285, 1575
ROTEL 1875
SABA 1005
SAE 1875
SALORA 0185
SANSUI 0415, 0965, 0975,
0985, 1255, 1675,
1875
SANYO 0625, 0825, 0845,
0915
SCHNEIDER 1845, 1855
SCOTT 1285, 1675
SHARP 0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835
SHERWOOD 1275, 1445
SIEMENS 1085
SIGNATURE 1155
SONY 0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745
SYLVANIA 1875
TANDBERG 1885
TASHIKO 1525
TCM 1985, 2015
TEAC 0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475
TECHNICS 0465, 0475, 1065,
1075, 1625
TELEFUNKEN 1005
THETA DIGITAL 1865
THOMSON 1005
TOSHIBA 0755, 0765
VECTOR RESEARCH
0555, 0865
VICTOR 0575
YAMAHA 0005, 0015, 1815
MD RECORDER
YAMAHA 0024, 0224
KENWOOD 0214
SONY 0224
TAPE DECK
AKAI 0124
DENON 0204
GRUNDIG 0134
HARMAN 0044
JVC 0194
KENWOOD 0164
KORTING 0134
LUXMAN 0054, 0064, 0074,
0084
MARANTZ 0134, 0144
NAD 0174
ONKYO 0184
PHILIPS 0134, 0144, 0154
PIONEER 0034, 0114
SONY 0094, 0104
YAMAHA 0004, 0014
08DSP-A5code(EU) 3/2/0, 10:59 AM5
08DSP-A5code(EU) 3/2/0, 10:59 AM6
08DSP-A5code(EU) 3/2/0, 10:59 AM7
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V472000-1
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
DSP-A5
Natural Sound AV Amplifier
Amplificateur audio-vidéo
DSP-A5
G B
00DSP-A5-cv(ML) 9/29/0, 12:41 PM1
Quick Reference Card
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
V479260
*1 Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
DISC SKIP+/–
DSP
DVD/LD DVD MENU
CBL/SAT
TV
VCR
TITLE/INDEX
INPUT
Numeric buttons
Numeric
buttons
Numeric
buttons
+10
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
AV POWER
AV POWER
Numeric
buttons
AV POWER
Numeric buttons
AV POWER
PLAY
SKIP–
SEARCH
DISC SKIP+/–
RETURN
DSP
TITLE/INDEX
+10
INPUT
DISPLAY
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
TITLE
ENTER/
RECALL
INPUT
DISPLAY
+10
PAUSE
STOP
FAST
FORWARD
PLAY
REWIND
TV INPUT
TV VOL
TV
POWER
CHANNEL
+/–
DSP
ENTER/
RECALL
+10
INPUT
DISPLAY
VCR PAUSE
VCR STOP
VCR FAST
FORWARD
VCR POWER
TV SLEEP
TV MUTE
VCR PLAY
VCR REC
VCR
REWIND
CHANNEL
+/–
DSP
VCR REC
CHANNEL
+/–
DSP
ENTER
INPUT
+10
DISPLAY/
GUIDE
(SAT)
MENU UP
MENU
RIGHT
MENU
DOWN
MENU
MENU
SELECT
MENU LEFT
RECALL
*1
*1
A
B
*
*
DSP-A5 only
L R COAXIAL OPTICAL
DIGITAL OUT
AUDIO OUT S VIDEO
OUT
VIDEO
OUT
DOLBY
DIGITAL
RF OUT
C
V
ANALOG
AUDIO OUT
S VIDEO INVIDEO IN
S VIDEO
OUT
VIDEO
OUT
COAXIAL
DIGITAL OUT
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
DOLBY DIGITAL
RF IN
DOLBY DIGITAL
RF OUT
R L R L
R L
DVD player LD player
Main speakers A Main speakers B
Rear speakers
Video signal
V573050 RX-V596/DSP-A5
Digital signal
(coaxial)
Digital signal
(optical)
Signal flow
Center speaker
Subwoofer
system
TV Monitor
C
L
R
V
Analog signal
(Europe model)
S Video signal
L R
S
S
S
RF demodulator
C
O
O
V
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Yamaha DSP-A5 de handleiding

Categorie
Versterker voor muziekinstrumenten
Type
de handleiding