Yamaha P-525 de handleiding

Merk: Yamaha

Model: P-525

Categorie: Digitale piano's

Type: de handleiding

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Owner’s Manual

Mode d’emploi

Manual de instrucciones

PIANO DIGITAL

PIANO NUMÉRIQUE

DIGITAL PIANO

P-525

Merci d'avoir acheté ce Piano numérique de Yamaha !

Cet instrument offre une qualité de son et une expressivité exceptionnelles pour votre plus grand plaisir.

Nous vous conseillons de lire attentivement ce mode d'emploi afin de tirer pleinement profit des fonctions avancées

et très pratiques de votre instrument.

Nous vous recommandons également de garder ce manuel à portée de main pour toute référence ultérieure.

Avant d’utiliser l’instrument, lisez attentivement la section « PRÉCAUTIONS D’USAGE » aux pages 3 et 4.

Thank you for purchasing this Yamaha Digital Piano!

This instrument provides exceptionally high-quality sound and expressive control for your playing enjoyment.

We recommend that you read this manual carefully so that you can fully take advantage of the advanced and

convenient functions of the instrument.

We also recommend that you keep this manual in a safe and handy place for future reference.

Before using the instrument, be sure to read “PRECAUTIONS” on pages 3−4.

Le damos las gracias por adquirir este Piano Digital Yamaha.

Este instrumento ofrece un sonido de alta calidad y un control expresivo excepcionales para que disfrute tocando.

Le aconsejamos que lea detenidamente este manual para poder disfrutar de las útiles y avanzadas funciones del

instrumento.

Recomendamos guardar el manual en un lugar seguro y accesible, para futuras consultas.

Antes de utilizar el instrumento, lea las “PRECAUCIONES”, en las páginas 3-4.

P-525 Owner’s Manual

(529-M02 FCC sdoc YCA 02)

COMPLIANCE INFORMATION STATEMENT

(Supplierʼs declaration of conformity procedure)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, CA 90620, U.S.A.

Telephone : 714-522-9011

Type of Equipment : Digital Piano

Model Name : P-525

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that may cause undesired operation.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements.

Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded

cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow

instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part

15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that

your use of this product in a residential environment will not result in harmful interference with other electronic

devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference harmful to the operation of other electronic devices. Com-

pliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is

found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to

eliminate the problem by using one of the following measures:

- Relocate either this product or the device that is being affected by the interference.

- Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

- In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to dis-

tribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of

America, 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsid-

iaries.

(529-M04 FCC class B YCA 02)

FCC INFORMATION (U.S.A.)

The model number, serial number, power requirements, etc., may be

found on or near the name plate, which is at the bottom of the unit. You

should note this serial number in the space provided below and retain

this manual as a permanent record of your purchase to aid identification

in the event of theft.

Model No.

Serial No.

(1003-M06 plate bottom en 01)

The name plate is located on the bottom of the unit.

P-525 Owner’s Manual

PLEASE READ CAREFULLY

BEFORE PROCEEDING

Especially in the case of children, a guardian should

provide guidance on how to properly use and han-

dle the product before actual use.

Please keep this manual in a safe and handy place

for future reference.

WARNING

Always follow the basic precautions listed

below to avoid the possibility of serious injury

or even death from electrical shock, short-

circuiting, damages, fire or other hazards.

These precautions include, but are not limited

to, the following:

Power supply

• Do not place the power cord near heat sources

such as heaters or radiators. Also, do not

excessively bend or otherwise damage the cord,

or place heavy objects on it.

• Do not touch the product or the power plug during

an electrical storm.

• Use only the correct voltage specified for the

product. The required voltage is printed on the

name plate of the product.

• Use only the supplied or the specified AC adaptor

(page 118)/power cord. Do not use the AC

adaptor/power cord for other devices.

• Check the power plug periodically and remove

any dirt or dust which may have accumulated on

it.

• Insert the power plug firmly all the way into the

AC outlet. Using the product when it is not

plugged in sufficiently can cause dust to

accumulate on the plug, possibly resulting in fire

or skin burns.

• When setting up the product, make sure that the

AC outlet you are using is easily accessible. If

some trouble or malfunction occurs, immediately

turn off the power switch and disconnect the plug

from the outlet. Even when the power switch is

turned off, as long as the power cord is not

unplugged from the wall AC outlet, the product

will not be disconnected from the power source.

• Do not connect the product to an electrical outlet

using a multi-plug outlet extender. Doing so can

result in lower sound quality, or possibly cause

overheating in the outlet.

• When disconnecting the power plug, always hold

the plug itself and not the cord. Pulling by the

cord can damage it and cause electric shocks or

a fire.

• If not using the product for long periods of time,

be sure to pull the power plug from the AC outlet.

Do not disassemble

• This product contains no user-serviceable parts.

Do not attempt to disassemble the internal parts

or modify them in any way.

Water warning

• Do not expose the product to rain, use it near

water or in damp or wet conditions, or place on it

any containers (such as vases, bottles or

glasses) containing liquids which might spill into

any openings or places where water may drop. A

liquid such as water getting into the product may

cause a fire, electric shocks, or malfunctions.

• Use the AC adaptor indoors only. Do not use in

any wet environments.

• Never insert or remove a power plug with wet

hands.

Fire warning

• Do not place any burning items or open flames

near the product, since they may cause a fire.

Wireless unit

• Radio waves from this product may affect electro-

medical devices, such as a heart pacemaker

implant or defibrillator implant.

- Do not use the product near medical devices or

inside medical facilities. Radio waves from this

product may affect electro-medical devices.

- Do not use the product within 15 cm (6 in.) of

persons with a heart pacemaker implant or a

defibrillator implant.

Connections

• Be sure to read the manual of the device to be

connected, and follow the instructions. Failure to

observe this may cause a fire, overheating,

explosion, or malfunction.

PRECAUTIONS

4P-525 Owner’s Manual

If you notice any abnormality

• If any of the following problems occur,

immediately turn off the power switch and

disconnect the power plug from the outlet.

Finally have the device inspected by Yamaha service

personnel.

- The power cord or plug becomes frayed or

damaged.

- Unusual smells or smoke are emitted.

- Some object, or water has been dropped into

the product.

- There is a sudden loss of sound during use of

the product.

- Cracks or other visible damage appear on the

product.

CAUTION

Always follow the basic precautions listed

below to avoid the possibility of physical injury

to you or others, or damage to the instrument or

other property. These precautions include, but

are not limited to, the following:

Location

• Do not place the product in an unstable position

or a location with excessive vibration, where it

might accidentally fall over and cause injury.

• Do not go near the product during an earthquake.

Strong shaking during an earthquake could

cause the product to move or tip over, resulting in

damage to the product or its parts, and possibly

causing injury.

• When transporting or moving the product, always

use two or more people. Attempting to lift the

product by yourself may result in injuries, such as

back injuries, or cause the product to be dropped

and broken, which could lead to other injuries.

• Before moving the product, remove all connected

cables, to prevent damage to the cables or injury

to anyone who might trip over them.

• Use only the stand specified for the product.

When attaching it, use the provided screws only.

Failure to do so could cause damage to the

internal components or result in the product

falling over.

Connections

• Before connecting the product to other devices,

turn off the power for all devices. Before turning

the power on or off for all devices, set all volume

levels to minimum.

• Be sure to set the volumes of all devices at their

minimum levels and gradually raise the volume

controls while playing the product to set the

desired listening level.

Handling

• Do not insert foreign materials such as metal or

paper into any openings or gaps of the product.

Failure to observe this may cause a fire, electric

shocks, or malfunctions.

• Do not rest your weight on, or place heavy

objects on the product, and do not use excessive

force on the buttons, switches or connectors.

• Do not use the product or headphones for a long

period of time at a high or uncomfortable volume

level, since this can cause permanent hearing

loss. If you experience any hearing loss or ringing

in the ears, consult a physician.

• Remove the power plug from the AC outlet before

cleaning the unit. Failure to observe this may

cause electric shocks.

Always turn the power off when the instrument is

not in use.

Even when the [ ] (Standby/On) switch is in

standby status (power lamp is off), electricity is still

flowing to the instrument at the minimum level.

When you are not using the instrument for a long

time, make sure you unplug the power cord from

the wall AC outlet.

(DMI-11)

Yamaha cannot be held responsible for damage

caused by improper use or modifications to the

product, or data that is lost or destroyed.

P-525 Owner’s Manual

NOTICE

To avoid the possibility of malfunction/ damage to the

product, damage to data, or damage to other property,

follow the notices below.

Handling

• Do not connect this product to a public Wi-Fi and/or Internet

service directly. Only connect this product to the Internet

through a router with strong password protections. Consult

your router manufacturer for information on optimum

security practices.

• Do not use this product in the vicinity of a TV, radio, stereo

equipment, mobile phone, or other electric devices.

Otherwise, this product or the other device may generate

noise.

• When you use the product along with an app on your smart

device, such as a smartphone or tablet, we recommend that

you enable “Airplane Mode” on the device to avoid noise

caused by communication. When turning on airplane mode,

Bluetooth® settings may be turned off. Make sure that the

setting is turned on before use.

• Do not expose the product to excessive dust or vibrations, or

extreme cold or heat (such as in direct sunlight, near a heater,

or in a car during the day) to prevent the possibility of

disfiguration, damage to the internal components or unstable

operation. (Verified operating temperature range: 5° – 40°C,

or 41° – 104°F.)

• Do not place vinyl, plastic or rubber objects on the product,

since this might discolor the product.

Maintenance

• When cleaning the product, use a soft and dry (or slightly

damp) cloth. Do not use paint thinners, solvents, alcohol,

cleaning fluids, or chemical-impregnated wiping cloths.

• During extreme changes in temperature or humidity,

condensation may occur and water may collect on the surface

of the product. If water is left, the wooden parts may absorb

the water and be damaged. Make sure to wipe any water off

immediately with a soft cloth.

Saving data

• Some of the data of this product (page 90) and the Song data

saved to the internal memory of this instrument (page 54) are

retained when the power is turned off. However, the saved

data may be lost due to some failure, an operational mistake,

etc. Save your important data onto USB flash drive/an

external device such as a computer (pages 68, 90). Before

using a USB flash drive, make sure to refer to page 75.

• To protect against data loss through USB flash drive damage,

we recommend that you save your important data onto spare

USB flash drive or an external device such as a computer as

backup data.

Information

About copyrights

• The copyright of the “content”*1 installed in this product

belongs to Yamaha Corporation or its copyright holder.

Except as permitted by copyright laws and other relevant

laws, such as copying for personal use, it is prohibited to

“reproduce or divert”*2 without the permission of the

If you create music or perform with the contents through the

original use of the product, and then record and distribute

them, the permission of Yamaha Corporation is not required

regardless of whether the distribution method is paid or free

of charge.

*1: The word “content” includes a computer program, audio

data, Accompaniment Style data, MIDI data, waveform

data, voice recording data, music score, and score data, etc.

*2: The phrase “reproduce or divert” includes taking out the

content itself in this product, or recording and distributing

it without changes in a similar manner.

About functions/data bundled with the

product

• Some of the preset Songs have been edited for length or

arrangement, and may not be exactly the same as the original.

• This device is capable of using various types/formats of music

data by optimizing them to the proper format music data for

use with the device in advance. As a result, this device may

not play them back precisely as their producers or composers

originally intended.

• The bitmap fonts used in this product have been provided by

and are the property of Ricoh Co., Ltd.

About this manual

• The illustrations and LCD screens as shown in this manual

are for instructional purposes only.

Tuning

• Unlike an acoustic piano, this instrument does not need to be

tuned by an expert (although the pitch can be user-adjusted to

match other instruments). This is because the pitch of digital

instruments is always maintained perfectly.

About disposal

• When disposing of this product, please contact the

appropriate local authorities.

6P-525 Owner’s Manual

Thank you for purchasing this Yamaha Digital Piano!

This instrument provides exceptionally high-quality sound and expressive control for your playing

enjoyment. In order to make the most of your instrument’s performance potential and features, please read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

About the Manuals

This instrument has the following manuals.

Supplied with the instrument

P-525 Owner’s Manual

Explains how to use this instrument.

General contents of the notes

Available on the website

Smart Pianist User Guide

Explains how to set up and use a smart device with the dedicated Smart Pianist app (page 81) for controlling this

instrument.

Smart Device Connection Manual

Explains how to connect the instrument to smart devices, such as a smartphone, tablet, etc.

Data List

Contains list of XG Voices and XG Drum Kit and MIDI-related information.

WARNING Important information to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards.

CAUTION Important information to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property.

NOTICE Important information to avoid the possibility of malfunction or damage to the product, damage to

data, or damage to other property.

NOTE Helpful information and tips.

Means that operating procedure or explanation continues to the next page.

To obtain these manuals, access the Yamaha website below:

Yama h a D ow n l o ads

https://download.yamaha.com/

After selecting your country and clicking on “Manual Library,” enter the model name, etc.

to search for the desired files.

* For a general overview of MIDI and how you can effectively use it, search for “MIDI Basics” (only in English, German, French

and Spanish) on the website above.

P-525 Owner’s Manual

Included Accessories

Owner’s Manual (this book) × 1

Online Member Product Registration × 1

Foot Pedal ×1

Power cord*, AC adaptor* ×1

* May not be included depending on your particular area. Please check with your Yamaha dealer.

Music Rest ×1

Compatible Formats

GM System Level 2

“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level 2” is a

standard specification that enhances the original “GM” and improves Song data compatibility. It provides

for increased polyphony, greater Voice selection, expanded Voice parameters, and integrated effect

processing.

XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically

to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to

ensure compatibility of data well into the future.

GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major enhancement

of the GM specifically to provide more Voices and Drum kits and their variations, as well as greater

expressive control over Voices and effects.

NOTICE

After removing the music rest from the instrument, do not leave it on the

instrument for long time. Doing so may cause color transference or glue to

adhere to it.

Insert into the hole without removing the cap.

8P-525 Owner’s Manual

Table of Contents

PRECAUTIONS ....................................................3

NOTICE ......................................................................5

Information ................................................................5

About the Manuals .....................................................6

Included Accessories ..................................................7

Compatible Formats ...................................................7

Features .......................................................................9

Panel Controls and Terminals .................................10

Setting Up .................................................................12

Power Requirements ............................................................12

Turning the Power On or Off .............................................12

Setting the Volume — [VOLUME] ...................................13

Using Headphones ...............................................................14

Using the Pedals ....................................................................15

Basic Operations on Display ....................................18

Playing Various Musical Instrument Sounds (Voices)

....................................................................................20

Selecting Voices ....................................................................20

Listening to the Voice Demos .............................................22

Customizing the Sound and the Touch Response of Piano

Voices (Piano Room) ...........................................................23

Enhancing and Customizing the Sound ............................26

Playing Two Voices Simultaneously (Dual) .....................29

Splitting the Keyboard Range and Playing Two Different

Voices (Split Mode) ..............................................................30

Using Dual and Split Simultaneously ................................31

Playing Duo ...........................................................................32

Transposing the Pitch in Semitones (Transpose) ............34

Fine Tuning the Pitch (Master Tune) ................................35

Changing the Touch Sensitivity (Touch) ..........................36

Boosting the Overall Sound (Sound Boost) ......................37

Adjusting the Sound (Master EQ) ......................................38

Locking the Front Panel ......................................................40

Using the Metronome ..........................................................41

Playing the Keyboard along with Rhythm Playback 43

Playing and Practicing Songs ...................................44

Playback of Songs .................................................................45

Playing a One-hand Part — Part Cancel Function (MIDI

Songs) .....................................................................................48

Playing Back a Song Repeatedly .........................................49

Adjusting the Volume Balance ...........................................52

Useful Playback Functions ..................................................53

Recording Your Performance ..................................54

Recording Methods ..............................................................54

Quick MIDI Recording ........................................................55

MIDI Recording — Independent Tracks ..........................57

MIDI Recording to the USB Flash Drive ..........................59

Audio Recording to the USB Flash Drive .........................61

Other Recording Techniques ..............................................62

Handling Song Files .................................................66

Song Types and File Operation Limitations .................... 66

Basic Song File Operation ................................................... 67

Deleting Files — Delete ....................................................... 68

Copying Files — Copy ......................................................... 68

Moving Files — Move ......................................................... 69

Converting a MIDI Song to an Audio Song during Playback

— MIDI to Audio ................................................................ 70

Renaming Files — Rename ................................................. 71

Saving and Recalling Desired Settings (Registration

Memory) ...................................................................72

Saving the Settings to the Registration Memory ............. 72

Recalling a Registered Setting ............................................ 73

Connecting to Other Devices ...................................74

Connectors ............................................................................ 74

Connecting USB Devices ([ ] (USB TO DEVICE)

Terminal) .............................................................................. 75

Connecting to an Audio Player ([AUX IN] jack) ............ 76

Using an External Speaker System for Playback (AUX OUT

[L/L+R]/[R] jacks) ............................................................... 76

Connecting to a Computer or Smart Device .................... 77

Transmitting/Receiving Audio Data (USB Audio Interface

Function) ............................................................................... 78

Listening to Audio Data from a Smart Device through this

Instrument (Bluetooth Audio Function) .......................... 79

Using Smart Device Apps with a Connected Smart Device

................................................................................................. 81

Connecting External MIDI Devices (MIDI Terminals) . 89

Backup and Initialization .........................................90

Performing Live ........................................................92

Detailed Settings (MENU Display) ..........................94

Common Operations in the Menu Displays .................... 94

Voice Menu ........................................................................... 95

Song Menu ............................................................................ 98

Metronome/Rhythm Menu .............................................. 101

Recording Menu ................................................................. 102

System Menu ...................................................................... 103

Appendix ................................................................110

Preset Voice List ................................................................. 110

Song List .............................................................................. 112

Rhythm List ........................................................................ 112

Message List ........................................................................ 113

Troubleshooting ................................................................. 115

Specifications ...................................................................... 117

Index .......................................................................119

*For information on whether Bluetooth functionality is

included or not, refer to page 80.

P-525 Owner’s Manual

Truly Portable electric piano,

ideal for wide variety of

applications

The P-525 digital piano is exceptionally portable—

allowing you practice it in your bedroom, or perform

with it at a party. You can enjoy it like a normal piano

when using it with the separately sold keyboard stand

(L-515) and pedal unit (LP-1). You can also enjoy

authentic live performances when using it with the

portable pedal unit (FC35).

Yamaha CFX and Bösendorfer

Imperial piano samples

The P-525 features gorgeous piano sounds created with

samples of the Yamaha CFX flagship concert grand piano

and famed Vienna-made Bösendorfer* grand piano.

These piano samples bring two world’s finest and most

prominent concert grand pianos to your fingertips.

* Bösendorfer is a subsidiary company of Yamaha.

Grand Expression Modeling

and Virtual Resonance

Modeling (VRM) — two

powerful, expressive grand

piano-like features (page 24)

“Grand Expression Modeling” technology recreates the

subtle changes in the sound that are produced by

changing your touch from when you press a key to when

you release it. The VRM technology featured in this

instrument reproduces the complicated interaction of

both string and soundboard resonance and makes the

sound more like a real acoustic piano. These two

technologies enables a wide variety of performance

expression.

GrandTouch-S™ keyboard with

real wood keys provides the feel

of an acoustic grand piano

The P-525 features white keys made from select quality

wood and fitted with the highest quality synthetic ivory,

while the black keys are finished in synthetic ebony. This

keyboard features a broad dynamic range and faithful

response to every nuance of touch that puts a wide

expanse of tone—from delicate to bold—at the pianist’s

fingertips.

Dynamic Rhythm Tracks

(page 43)

The P-525 comes complete with forty rhythm patterns

(drums and bass accompaniment) that are perfectly

suited to many types of music regularly performed on

the piano, for even greater performance potential. Simply

playing with your favorite rhythm pattern automatically

triggers and controls the drums and bass accompani-

ment, and you can enjoy the feeling of playing with a

backing band.

Convenient on-stage

performance functions

(page 92)

The P-525 also features the following useful functions for

performing on stage or in live spaces.

• Sound Boost (page 37)

This helps your sound stand out when playing along with

other instruments or in noisy environments.

• Panel Lock (page 40)

This allows you temporarily disable the front panel

buttons to prevent them being operated unintentionally

while performing.

• Registration Memory (page 72)

This allows you to save (register) your favorite settings to

buttons on the front panel, and then instantly recall the

settings while performing.

Comprehensive compatibility

with smart devices

Connecting the P-525 with a smart device, such as a

smartphone or tablet, gives you even greater musical

enjoyment and performance control.

• Powerful, convenient smart device apps

(page 81)

The P-525 is compatible with two highly convenient

apps: Smart Pianist and Rec'n'Share. Smart Pianist lets

you operate the instrument from your smart device and

even display the notation of Songs, while Rec'n'Share

enables you to film, record, and edit your performances.

• Bluetooth audio function enables audio

playback from a smart device (page 79)

You can use the P-525 as an audio device, and listen to

music from your Bluetooth-equipped device, such as a

smart device, and even enjoy performing with your

favorite music.

Features

10 P-525 Owner’s Manual

Panel Controls and Terminals

Front Panel

[] (Standby/On) switch.................... page 12

For turning the power on or setting it to standby.

[VOLUME] slider................................ page 13

For adjusting the overall volume.

[DEMO/SONG] button................pages 22, 44

Calls up Song List folders for selecting Songs for

playback, etc.

[REC] button....................................... page 54

For recording your keyboard performance.

[PLAY/PAUSE] button........................ page 45

For alternately playing back and pausing the Preset

Songs or your recorded material.

[METRONOME] button ..................... page 41

For using the metronome functions.

[RHYTHM] button............................. page 43

For using the rhythm functions.

[TEMPO] button................................. page 41

For setting the tempo.

[MENU] button................................... page 94

Pressing this button alternates the displays among

the “Voice,” “Song,” “Metronome/Rhythm,”

“Recording” and “System” menus, from which you

can make detailed settings for the related functions.

(Bluetooth)............................... pages 79, 82

The Bluetooth function enables you to listen to audio

data from a smart phone, or use the smart device app

“Smart Pianist.”

[]/[ ]/[ ]/[ ] buttons, display..... page 18

For selecting an item or setting a value using the

buttons corresponding to the display indication.

[EXIT] button

Pressing this button exits from the current display, or

returns to the Voice or Song display.

[PIANO ROOM] button..................... page 23

Calls up the Piano Room display where you can

select an optimum piano sound and adjust the touch

response.

Voice buttons ...................................... page 20

For selecting the Voice (keyboard sound).

Registration Memory related buttons

............................................................. page 72

For registering and recalling settings.

qwe r t y u i o !0

Front Panel

Bluetooth capability

Depending on the country in which you purchased

the product, the instrument may not have Bluetooth

capability. If the Bluetooth logo is shown or printed

on the control panel, this means that the product is

equipped with Bluetooth functionality.

Panel Controls and Terminals

P-525 Owner’s Manual

[DUAL/SPLIT] button ........... pages 29, 30, 31

For playing two Voices simultaneously, or different

Voices on the left- and right-hand sections of the

keyboard.

[SOUND BOOST/EQ] button .....pages 37, 38

Calls up the Sound Boost or Master EQ display.

These allow you to raise the volume and enhance the

presence of your performance (Sound Boost), or

adjust the tone of the sound (Master EQ).

[REVERB] button ............................... page 26

Calls up the Reverb display, for adding and changing

reverberation in the sound.

[PANEL LOCK] buttons ..................... page 40

For temporarily disabling the front panel buttons to

prevent them being operated unintentionally while

performing.

[PHONES] jacks.................................. page 14

For connecting a pair of headphones.

[ ] (USB TO DEVICE) terminal

......................................................pages 74, 75

For connecting a USB flash drive or using a USB

wireless LAN adaptor to connect with a smart device

such as a smartphone.

Rear Panel

[AUX IN] jack .............................. pages 74, 76

For connecting an audio player, such as a portable

audio player.

AUX OUT [R]/[L/L+R] jacks....... pages 74, 76

For connecting to external powered speaker systems,

etc.

[USB TO HOST] terminal........... pages 74, 77

For connecting a computer or a smart device, such as

a smartphone or tablet.

MIDI [IN] [OUT] terminals........ pages 74, 89

For connecting external MIDI devices, such as a

synthesizer or a sequencer.

[AUX PEDAL] jack ...................... pages 15, 74

For connecting an included foot pedal, or separately

sold foot switch.

[PEDAL UNIT] terminal.................... page 15

Connecting a separately sold pedal unit.

DC IN jack .......................................... page 12

For connecting the included or specified AC adaptor.

!2 !3 !6 !7

@2 @3 @4 @8

Rear Panel

12 P-525 Owner’s Manual

Setting Up

Connect the AC adaptor and the power cord in the order shown

in the illustration.

1. Turn down the [VOLUME] slider at the right end of the

front panel to “MIN.”

2. Press the [] (Standby/On) switch to turn the power on.

The [] (Standby/On) switch lights up and the Voice display appears on the

display at the center of the front panel.

3. Press and hold the [] (Standby/On) switch for a second

to turn the power off.

The display and the [ ] (Standby/On) button lamp both turn off.

Power Requirements

Turning the Power On or Off

adaptor

AC outlet

DC IN jack

(page 11)

Power cord

DC plug

AC plug

[] (Standby/On)

switch

The power indicator

lights up.

WARNING

• Use only the AC power cord

supplied with your

instrument. If the supplied

cord is lost or damaged and

needs to be replaced,

contact your Yamaha dealer.

The use of an inappropriate

replacement can pose a fire

and shock hazard!

• When setting up the

product, make sure that the

AC outlet you are using is

easily accessible. If some

trouble or malfunction

occurs, immediately turn off

the power switch and

disconnect the plug from

the outlet.

NOTE

When disconnecting the power

cord/AC adaptor, first turn off

the power, then follow this

procedure in reverse order.

NOTICE

Press only the [] (Standby/On)

switch when turning the power

on. Any other operations, such

as pressing the keys, buttons or

pedals may cause the

instrument to malfunction.

WARNING

Even when the instrument is

turned off, electricity is still

flowing to the instrument at

the minimum level. When you

are not using the instrument

for a long time or during

electrical storms, make sure

you unplug the AC power

plug from the wall AC outlet.

NOTICE

Turning the power off while

recording or editing might cause

data loss. If you need to force-

quit the instrument, hold down

the [ ] (Standby/On) switch for

longer than three seconds. Note

that the force-quit operation

might cause loss of the Paring

information for Bluetooth audio

function.

P-525 Owner’s Manual

Setting Up

Auto Power Off function

To prevent unnecessary power consumption, this instrument features an Auto

Power Off function that automatically turns the power off if the instrument is

not operated for a specified period of time. The amount of time that elapses

before the power is automatically turned off is approximately 30 minutes by

default; however, you can change the setting (page 106).

To adjust the volume, use the [VOLUME] slider located at the right of the

panel. Play the keyboard to actually produce sound while you adjust the

volume.

Adjusting the [VOLUME] slider also affects the output level of the [PHONES]

jacks (page 14) and the output level of the AUX OUT jacks (page 76).

Intelligent Acoustic Control (IAC)

IAC is a function which automatically adjusts and controls the sound quality

according to the overall volume of the instrument. IAC Control is effective only

on the sound output of the instrument speakers or headphones. Even when the

volume is low, this lets you hear both low sounds and high sounds clearly.

Especially when using the headphones, the burden on the ears is reduced

without raising the overall volume excessively.

You can set the IAC setting On or Off and its depth. For details, refer to “IAC”

and “IAC depth” on page 105. The default setting for this function is “On.”

Disabling Auto Power Off (simple method)

Turn the power on while holding down the lowest key on the keyboard. An

“Auto power off disabled” message appears briefly and Auto Power Off is

disabled.

Setting the Volume — [VOLUME]

The lowest key

CAUTION

Do not use the instrument at

a high volume level for a long

period of time, or your

hearing may be damaged.

Decreases

the level.

Increases

the level.

NOTICE

• Any data which are not saved

will be lost if the power

automatically turns off. Make

sure to save your data before

this happens.

• Depending on the instrument

status, the power may not turn

off automatically, even after

the specified period of time

elapses. Always turn off the

power manually when the

instrument is not in use.

14 P-525 Owner’s Manual

Setting Up

You can connect two pairs of headphones to the [PHONES] jacks. If you are

using only one pair, insert the plug into either of these jacks.

Reproducing the Natural Sensation of Sound Distance

—Binaural Sampling and Stereophonic Optimizer

This instrument features two advanced technologies that allow you to enjoy

exceptionally realistic, natural sound, even when listening on headphones.

Binaural Sampling (“CFX Grand” Voice only)

Binaural sampling is a method that uses two special microphones set at the ear

position of a performer and records the sound from a piano as it is. Listening to

the sound with this effect through headphones gives the impression of being

immersed in the sound, as if it was actually emanating from the piano. When

“CFX Grand” (page 110) is selected, connecting the headphones automatically

enables binaural sampling sound.

Stereophonic Optimizer (Voices in the Piano group other than

“CFX Grand”)

The Stereophonic Optimizer is an effect which reproduces natural sound

distance like the sound of binaural sampling even though you hear it on

headphones. When any other Voice in the Piano group besides “CFX Grand” is

selected, connecting the headphones automatically enables the Stereophonic

Optimizer.

Using Headphones

CAUTION

Do not use headphones at a

high volume for an extended

period of time. Doing so may

cause hearing loss.

Adaptor plug

(3.5 mm  6.3 mm)

Stereo mini plug

(3.5 mm)

Sampling

A technology which records the

sounds of an acoustic

instrument then stores them to

the tone generator to be played

based on information received

from the keyboard.

NOTE

Voices in the Piano group are

those contained in the “Piano”

category in the Preset Voice

List (page 110). For details

about selecting Voices, refer to

page 20.

NOTE

Before connecting an external

powered speaker system, be

sure to read “Connecting to

Other Devices” (page 74).

This function is turned on by default. Note that when the “Speaker” setting

(page 106) is “On,” this function will always be disabled. Since these sounds are

optimized for listening with headphones, we recommend that you set this function

to “Off” in the following situations.

• Playing the piano sound of this instrument with an external powered speaker

system, while monitoring the sound output from this instrument on connected

headphones.

• Making an audio recording (page 61) while using headphones, and then playing

that recorded audio Song through speakers of this instrument. (Make sure to turn

off these functions before audio recording.)

For details on setting this On or Off, refer to “Binaural” on page 105.

P-525 Owner’s Manual

Setting Up

Using the Foot Pedal

You can switch various selected functions on/off by using the included FC3A

foot pedal connected to the [AUX PEDAL] jack. Also a separately sold FC4A or

FC5 footswitch can be connected to the jack. To select the function, use the

“Aux Assign” (page 104) in the “System” menu display.

Using the Pedal Unit (sold separately)

The [PEDAL UNIT] jack is for connecting a separately sold LP-1 or FC35 pedal

unit. When connecting the LP-1 pedal unit, make sure to also assemble the unit

on a separately sold keyboard stand (L-515). When connecting the FC35 pedal

unit, a keyboard stand is unnecessary.

Using the Pedals

NOTE

Make sure that power is off

when connecting or

disconnecting the foot pedal or

footswitch.

Half-pedal function

This function can be used when an included FC3A foot pedal or separately sold

LP-1 or FC-35 pedal unit (see below) is connected and it allows you to vary the

sustain length depending on how far the pedal is pressed. The farther down you

press the pedal, the more the sound sustains. You can specify the point to which

you must depress the foot pedal connected to the [AUX PEDAL] jack or the

damper pedal of the pedal unit (Half Pedal Point). To do this, press the [MENU]

button repeatedly to call up the “System” menu display: “Pedal” → “Half Pedal

Point” (page 104).

NOTE

Make sure that power is off

when connecting or

disconnecting the pedal unit.

L-515

(sold separately)

LP-1

(sold separately)

Insert the connector of the

unit securely until the metal

part of the cord plug

disappears from view in the

same direction as shown in

the illustration.

Otherwise, the connector

may be broken and the pedal

may not function properly.

16 P-525 Owner’s Manual

Setting Up

Damper pedal (right pedal)

When you press the damper pedal, the notes you play

have a longer sustain. When you select a Voice in the

Piano group, pressing the damper pedal activates the

VRM (page 24) to accurately recreate the unique

resonance of an acoustic grand piano’s soundboard

and strings. This pedal features Half-pedal function.

Sostenuto pedal (center pedal)

If you play a note or chord on the keyboard and press

the sostenuto pedal while holding the note(s), the

notes will sustain as long as the pedal is held. All

subsequent notes will not sustain.

Soft pedal (left pedal)

The soft pedal reduces the volume and slightly changes the timbre of notes

played while the pedal is pressed. The soft pedal will not affect notes that are

already playing when it is pressed. In order to apply this effect, play notes after

pressing the pedal.

Keep in mind that this pedal function will be changed from the Soft pedal

depending on the selected Voice (page 20). When “Jazz Organ” or “Rock

Organ” is selected, this pedal switches the Rotary Speaker speed between slow

and fast (“Rotary Speed” on page 96). When “Vibraphone” is selected, this

pedal switches Vibrato on and off (“VibeRotor” on page 96).

Assigning Functions to the Pedals

You can assign a different function to the foot pedal or footswitch connected to

the [AUX PEDAL] jack or left/center/right pedal connected to the [PEDAL

UNIT] jack.

Assigning to the foot pedal/footswitch

Press the [MENU] button repeatedly to call up the “System” menu, and then

select “Pedal” → “Aux Assign” to make the assignment.

Assigning to each pedal of the pedal unit

Press the [MENU] button repeatedly to call up the “Voice” menu, and then

select “Pedal Assign” to make the assignment.

When you press the damper

pedal here, the notes you

play before you release the

pedal have a longer sustain.

NOTE

While the sostenuto (center)

pedal is held, a sustained (non-

decaying) type of Voice such

as strings or organ may sound

continuously without decay

after the notes have been

released.

When you press the

sostenuto pedal here while

holding the note(s), the notes

will sustain as long as you

hold the pedal.

NOTE

You can assign the Song Play/

Pause function (the same

function as the [PLAY/PAUSE]

button on the front panel) to the

included foot pedal connected

to the [AUX PEDAL] jack or the

footswitch (sold separately) or

the center or left pedal of the

pedal unit (sold separately). For

details, refer to page 104.

NOTE

Voices in the Piano group are

those contained in the “Piano”

category in the Preset Voice

List (page 110). For details

about selecting Voices, refer to

page 20.

P-525 Owner’s Manual

Setting Up

The default function for the Left pedal differs depending on the current Voice.

Jazz Organ, Rock Organ: Rotary Speed, Vibraphone: VibeRotor, Voices other than the above: Soft

*: When you want to assign a function indicated by * to the pedal connected to the [AUX PEDAL] jack, you should use a separately

sold foot pedal (page 15).

**: The functions marked with ** are assigned to the Left pedal automatically when you select the Jazz Organ, Rock Organ, or

Vibraphone Voice.

***: The functions marked with *** is the default function when foot pedal/footswitch/pedal unit is connected.

Pedal Function List

Function Description

Available pedal

(: Can be assigned, ×: Cannot)

Pedal Unit

Foot pedal or

Footswitch

Left

pedal

Center

pedal

Right

pedal

Sustain (Switch) A function that sustains the notes you play

while pressing the pedal, even after

releasing your fingers from the keyboard

   

Sustain (Continuous)* A function that varies the sustain length

depending on how far the pedal is pressed

× × *** ***

Sostenuto Sostenuto (page 16)  ***  

Soft Soft (page 16)    

PitchBend Up* A function that smoothly raises the pitch × ×  

PitchBend Down* A function that smoothly lowers the pitch × ×  

Rotary Speed** Changes the rotational speed of the Jazz

Organ or Rock Organ rotary speaker

(switches between fast and slow each time

you press the pedal)

   

VibeRotor** Switches the vibraphone vibrato on/off

(switches on/off each time you press the

pedal)

   

18 P-525 Owner’s Manual

Basic Operations on Display

In addition to the front panel buttons, the instrument also features detailed control via the display menus—

allowing you to select from the wealth of Voices and Songs included, as well as changing various detailed

instrument settings, for even greater playability and performance potential.

Voice display (page20)

This indicates the current position

in the Voice group.

1.Press a Voice button to call up the Voice

display.

Menu icon

Menu name

2.Use the [ ]/[ ] buttons to select the previous or

next Voice. Press the [ ]/[ ] buttons

simultaneously to select the first Voice in the

Voice group.

Song display (page44)

1.Press the [DEMO/SONG] button

to call up the Song category list. 2.Use the [ ]/[ ] buttons to select

a Song category.

Press [ ] to select a

Song category.

Press [ ] to return.

Detailed settings (Menu) display (page94)

1.Press the [MENU] button repeatedly

to select the desired menu. 2.Use the [ ]/[ ] buttons to select a parameter of

the current menu.

You can also select the desired menu by using these alternate steps:

1. Press the [MENU] button once to call up

the detailed setting display.

2. Press the [ ] button to highlight the menu icon,

and then use the [ ]/[ ] buttons to select the

desired menu.

Note that the hierarchy

depth differs depending on

the selected parameter.

Voice display

Basic Operations on Display

P-525 Owner’s Manual

Press [ ] to select a Song.

Press [ ] to return.

Press [ ] to detailed settings.

Press [EXIT] to return to the

previous display.

Press [ ] to detailed settings.

Press [ ] to return.

A checkmark is shown at

the right of the selection.

3.Use the [ ]/[ ] buttons to

select a Song.

4.Press [PLAY/PAUSE] button to playback

the Song.

Use the [ ] or [ ] buttons to select the previous

or next bars.

When this is shown here,

you can scroll through the

display vertically.

NOTE

Depending the instrument's color, the display background is white and the characters and other marks are black.

Adjusting the value on the slider pop-up window

3.Use the [ ]/[ ] buttons to adjust the value,

press the [EXIT] button to close the pop-up window.

To reset the default value, press the [

] and [

] buttons

simultaneously.

3.Use the [ ]/[ ] buttons or the [ ] button to select

a setting.

Press the [ ] button to return to the previous display.

Selecting a value from a list

Song display

Voice display : For selecting the Voice (the sound when playing the keyboard).

Song display: For selecting the Song to playback on this instrument.

Detailed setting display: For making detailed settings for about the keyboard performance, such as Voice, or Song

playback, etc. (page94)

20 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

You can select and play other musical instrument sounds (Voices), such as piano, organ, or stringed

instruments.

The Voices of the instrument are conveniently divided into groups of

instrument types. Select a desired Voice and play the piano.

You can also select a Voice from the XG Voices. For instructions, refer to

page 21.

1. Press one of the Voice buttons to select the desired Voice

group.

2. Use the [ ] or [ ] button to select the desired Voice.

Press the [ ] and [ ] buttons simultaneously to select the first Voice in

the Voice group.

3. Play the keyboard.

Selecting Voices

NOTE

To hear and experience the

characteristics of the Voices,

listen to the Demo Songs for

each Voice (page 22) or refer to

“Preset Voice List” on

page 110.

Voice buttons[]/[ ]/[ ]/[ ]

buttons

NOTE

For information about the

Voices, refer to the “Preset

Voice List” (page 110).

Voice button

Voice group

Voice display

This indicates the current position in the Voice group.

The Voice display of the currently

selected Voice appears.

NOTE

You can specify the Touch

Sensitivity (how the sound

responds to the way you play

the keys). For details, refer to

page 36.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Selecting XG Voices

XG Voice is for playing the XG (page 7) format compatible Song data.

After the Voice display is called up, select a Voice from the XG Voices, following

the instructions below.

1. Press the [BASS/OTHERS] button twice to call up the XG

Voice group list display.

2. Use the [ ]/[ ] buttons to select one of the XG Voice groups,

then press the [ ] button.

3. Use the [ ]/[ ] buttons to select the desired XG Voice, then

press the [ ] button.

To return from the XG Voice name display to the XG Voice list display,

press the [ ] button.

To return from the XG Voice list display to the XG Voice group list

display (step 2), press the [ ] button.

*For details on XG Voices, refer to the “XG Voice list” in the Data List on the website (see page 6).

When this is shown here, you can

scroll through the display vertically.

XG Voice group list display

22 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

For each Voice group, the instrument contains several Demo recordings that

showcase the special characteristics of the corresponding Voices. For

information about the Voices which feature Demos that can be played back,

refer to the Preset Voice List on page 110.

1. Press the [DEMO/SONG] button to call up the Song list

display.

2. Use the [ ]/[ ] buttons to select “Demo,” and then press

the [ ] button to call up the next display.

3. Use the [ ]/[ ] buttons to select the desired Voice Demo,

and then press the [ ] button to call up the “Demo”

display.

The currently selected Voice Demo name is shown in the display.

4. Press the [PLAY/PAUSE] button to start playback.

5. Press the [PLAY/PAUSE] button again to stop playback.

The Piano Demo stops automatically when Piano Demo playback reaches

the end.

Selecting Other Demos

Press the [ ] button to return to the Song list display, then repeat steps 3–

4 of this section. This operation is available even during playback.

Listening to the Voice Demos

[DEMO/SONG]

button

[]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

“Demo” display

NOTE

Recording operations cannot

be used during Voice Demo

playback.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

The Piano Room function is for those who want to simply, conveniently, and

fully enjoy playing the instrument as a piano. No matter what Voice or other

settings you've made, you can instantly call up the optimum settings for piano

performance with a single button press. Try creating a custom piano sound by

adjusting the various parameters, such as lid position, string resonance, damper

resonance, touch response and so on.

1. Press the [PIANO ROOM] button to call up the Piano

Room display.

2. Press the [ ]/[ ] buttons to select items (page 24).

3. Press the [ ]/[ ] buttons to change the settings (page 24).

4. Press the [EXIT] button to exit from the Piano Room

display.

Customizing the Sound and the Touch Response of

Piano Voices (Piano Room)

NOTE

Voices in the Piano group are

those contained in the “Piano”

category in the Preset Voice

List (page 110). For details

about selecting Voices, refer to

page 20.

[PIANO ROOM]

button

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button

NOTE

• If a Voice other than one in the

Piano group is selected,

pressing the [PIANO ROOM]

button changes it to “CFX

Grand.”

• Pressing the [PIANO ROOM]

button disables the Dual/Split/

Duo functions.

Piano Room display

24 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Parameters you can set in the Piano Room

Item Icon Descriptions Default

settings Setting range

Lid Position Recreates the differences in sound depending on how high

the (virtual) grand piano lid is opened.

Full Full, Half, Close

Brightness Adjusts the brilliance of sound. Differs

depending on

the Voice.

0 – 10

Touch Determines how the sound responds to your playing

strength. You should adjust this setting according to the

specific Voice you’re playing or the particular Song you’re

performing, as desired.

Medium Soft2, Soft1,

Medium, Hard1,

Hard2, Fixed

Reverb Determines the Reverb type which is applied to all the entire

sound including the keyboard performance, Song playback

and MIDI data input from an external MIDI device.

Differs

depending on

the Voice.

Refer to the

Reverb Type

List (page 26)

Reverb

Depth

Adjusts the Reverb depth. When “Reverb” is set to “off” or a

value of “0,” no effect is produced.

Differs

depending on

the Voice.

0 – 40

Master Tune Fine tunes the pitch of the entire instrument. This function is

useful when you play this instrument along with other

instruments or CD music.

A3 = 440.0 Hz A3 = 414.8 Hz –

466.8 Hz

(approx. 0.2 Hz

steps)

VRM Turns the VRM effect on/off. For information about the VRM

function, refer to page 25.

Listening to the VRM Demo

Press the [PLAY/PAUSE] button

while this display is open to play

back the VRM Demo Song. You

can hear the Demo Song with and

without the effect (VRM on or off).

The five parameters below can be set when “VRM” is On.

On On, Off

Damper

Resonance

Determines the depth of the string resonance effect which is

applied when the damper pedal is pressed.

50 – 10

Damper

Noise

Turns the Damper Noise produced by the VRM function On/

Off. For details on damper noise, refer to page 25.

This function will be disabled when “Damper Resonance” is

set to “0.”

On On, Off

String

Resonance

Determines the depth of the string resonance effect which is

applied when a note on the keyboard is pressed.

50 – 10

Duplex Scale

Resonance

Adjusts the sympathetic vibrations of the duplex scaling

resonance effect in VRM. For details about duplex scaling,

refer to page 25.

50 – 10

Body

Resonance

Adjusts the resonance of the piano itself (the soundboard,

the sides, the frame and so on) in VRM.

50 – 10

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

NOTE

• If you wish to keep the Piano Room settings even after turning off the power, set “Voice” and “Other” in the “Backup” setting to “On.” For

details, refer to page 90.

• The items listed above can also be set in the “Voice” menu (page 95) or the “System” menu (page 103). When you change these

settings in the Piano Room display, the settings in the menu displays will also be changed. Conversely, changing the settings in the

menu displays will also change the settings in the Piano Room display.

• To restore the default value, press the [ ] and [ ] buttons simultaneously while the setting value is shown.

Glossary of terms

Grand Expression Selects the type of the Grand Expression Modeling effects,

which simulates the physical sound transitions of an actual

piano. When this feature is set to “Dynamic,” you can control

extremely subtle nuances in the performance and sound by

changing your playing strength or touch. When set to

“Static,” the nuances are generally fixed. For details about

Grand Expression Modeling, refer to the below.

NOTE

Grand Expression Modeling is effective only for the Voices of

“CFX Grand” and “Bösendorfer.”

Listening to the Demo

Press the [PLAY/PAUSE] button

while this display is open to play

back the Demo Song of this

function. You can listen to the

Demo song with “Dynamic” or

“Static.”

Dynamic Dynamic, Static

Half Pedal Point Specify the point to which you must depress the pedal before

the effect of “Sustain (Continuous)” begins to be applied.

This setting applies only to the “Sustain (Continuous)” effect

(page 17) that is assigned to the right pedal connected to the

[PEDAL UNIT] jack or the foot pedal/footswitch connected to

the [AUX PEDAL] jack.

-2 (effective with

the shallowest

press) – 0 – +4

(effective with the

deepest press)

Item Icon Descriptions Default

settings Setting range

Term Description

Damper Noise Damper noise is the sound made on an acoustic piano when the damper pedal is pressed. The damper

noise changes in tone and volume depending on how quickly the damper pedal is pressed down. Pressing

the damper pedal slowly will make a quieter sound when the damper heads are released from the strings.

Pressing the damper pedal with force will transmit the vibrations to the strings, which adds a lower and

louder sound.

Duplex Scale Duplex scaling is a stringing method for pianos that uses extra, un-struck strings in the upper octaves to

enhance the tone. These strings sympathetically vibrate with other strings in an acoustic piano, resonating

with overtones, and adding richness, brilliance and complex color to the sound. Since the dampers do not

touch them, they will continue sounding even after you release your hands from the keyboard.

Grand Expression

Modeling

On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing

touch from when you press a key to when you release it. For example, when you press a key all the way to

its bottom, the key hits the keybed underneath and the noise reaches the strings, changing the sound

slightly. Furthermore, the tone when the damper is lowered onto strings to mute the sound is changed by

how quickly you release the key. Grand Expression Modeling technology recreates these subtle changes in

the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance

by playing softly to produce superbly expressive sound. A crisp tone can be heard when playing staccato

as well as a lingering sound produced when releasing the keys slowly.

VRM

(Virtual Resonance

Modeling)

The VRM (Virtual Resonance Modeling) function uses sophisticated physical modeling to simulate the

actual string resonance sound that occurs when the damper pedal on a real piano is pressed or keys are

played and held. On an actual acoustic piano, if you press the damper pedal and play a key, not only does

the string of the pressed key vibrate, it also causes other strings and the soundboard to vibrate, each

influencing the rest and creating a rich and brilliant resonance that sustains and spreads. The VRM (Virtual

Resonance Modeling) technology featured in this instrument reproduces the complicated interaction of

both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling),

and makes the sound more like a real acoustic piano. Since instantaneous resonance is made at the

moment according to the state of the keyboard or pedal, you can vary the sound expressively by changing

the timing of your pressing the keys, and the timing and depth of your pressing the pedal.

26 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Applying the following effects gives you greater and richer expressive

capabilities.

Adding reverberation to the Sound (Reverb)

Adding reverberation to the Sound enables you enjoy the realistic feeling of

playing in a concert hall. When you select a Voice, the optimum Reverb Type is

automatically selected, but you can also select it yourself. The Reverb type

selected here is applied to the entire sound, including the keyboard performance,

Song playback and MIDI data input from an external device.

1. Press the [REVERB] button to call up the “Reverb” display.

The Reverb type for Voices in the Piano group can also be set in the Piano

Room display (page 24).

2. Use the [ ]/[ ] buttons to select the Reverb type.

You can adjust the Reverb depth for the selected Voice from the “Voice”

menu: “Voice Edit” → “Reverb Depth” (page 96).

3. Press the [EXIT] button to exit from the “Reverb” display.

Enhancing and Customizing the Sound

[]/[ ]/[ ]/[ ]

buttons

[DUAL/SPLIT]

button

[EXIT] button[MENU] button

“Reverb” display

Default setting: Differs

depending on the Voice or

Voice combination.

Reverb Type List

Reverb type Effect

Off No effect

Recital Hall Simulates clear reverberation in a mid-sized hall suitable for piano recital.

Concert Hall Simulates brilliant reverberation in a large hall for public orchestra

performances.

Chamber Simulates the elegant reverberation in a small room suitable for chamber music.

Room Simulates the soft reverberation of a smaller performance space, such as a

room or lounge.

Cathedral Simulates the solemn reverberation in a high-ceiling stone-made cathedral.

Club Simulates the lively reverberation in a jazz club or a small bar.

Plate Simulates the bright sound of vintage reverb equipment used in recording

studios.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Adding Chorus effect to the Sound

The Chorus adds warmth and spaciousness to the sound. The ideal Chorus

type is automatically selected whenever you select a Voice, but you can select

any of the available Chorus types. This setting is applied to the entire sound,

including the keyboard performance, Song playback and MIDI data input from

an external device.

1. Press the [MENU] button repeatedly to call up the “Voice”

menu display.

2. Use the [ ]/[ ] buttons to select “Chorus,” and then press

the [ ] button.

3. Use the [ ]/[ ] buttons to select the Chorus type.

You can adjust the Chorus depth for the selected Voice from the “Voice”

menu: “Voice Edit” →“Chorus Depth” (page 96).

4. Press the [EXIT] button to exit from the “Chorus” display.

“Voice” menu display

Default setting: Differs

depending on the Voice or

Voice combination.

NOTE

When you want to apply the

Chorus effect to a Voice whose

Chorus type is set to off by

default, set the Chorus type to

something other than “Off,”

then set the Chorus depth value

as desired (greater than “0”).

Chorus Type List

Chorus type Effect

Off No effect

Chorus Adds a rich, spacious sound.

Celeste Adds swell and a spacious sound.

Flanger Adds swell effects similar to the sound of an ascending or descending jet plane.

28 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Applying Effects

This instrument features a wide variety of Effects, letting you apply

enhancements such as Echo or Tremolo to the selected Voice for your keyboard

performance.

1. Select the target Voice.

2. Press the [MENU] button repeatedly to call up the “Voice”

menu display, and then use the [ ]/[ ] buttons to select

“Voice Edit.”

3. Use the [ ]/[ ] buttons to select “Effect,” and then press

the [ ] button.

4. Use the [ ]/[ ] buttons to select the Effect type.

5. Press the [EXIT] button to exit from the “Effect” display.

“Voice” menu display

“Voice Edit” display

Default setting:

Differs depending on the Voice

or Voice combination.

Effect Type List

Effect type Effect

Off No effect.

DelayLCR Delay applied at left, center, and right positions.

DelayLR Delay applied at left and right positions.

Echo Echo-like delay

CrossDelay Left and right delays cross each other in alternation.

Symphonic Adds a rich and deep acoustic effect.

Rotary Adds the vibrato effect of a rotary speaker.

Tremolo The volume level changes in rapid cycles.

VibeRotor The vibrato effect of a vibraphone.

AutoPan The sound pans left to right and back and forth.

Phaser The phase changes periodically, swelling the sound.

AutoWah The center frequency of the wah filter changes periodically.

Distortion Distorts the sound.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Two Voices can be played simultaneously. You can create warm and richly

textured Voices by using Voices from different groups simultaneously in a layer,

or by using Voices in the same group.

1. To enter the Dual mode, press the [DUAL/SPLIT] button

once.

The [DUAL/SPLIT] button lights up.

The Voice which is displayed at top is Voice 1, and the one at bottom is

Voice 2.

2. Select the Voices for layering.

2-1. Use the [ ]/[ ] buttons to highlight (Voice 1) in the

display.

2-2. Press one of the Voice buttons to select the desired Voice

group, and then use the [ ]/[ ] button to select the desired

Voice (page 20).

2-3. Use the [ ]/[ ] buttons to highlight (Voice 2), and then

select a Voice according to step 2-2.

3. Play the keyboard.

4. To exit from the Dual mode, press the [DUAL/SPLIT]

button repeatedly until its lamp turns off.

Playing Two Voices Simultaneously (Dual)

[]/[ ]/[ ]/[ ]

buttons

[DUAL/SPLIT]

button

NOTE

You can also enter the Dual

mode by pressing the two Voice

buttons simultaneously.

Voice 1

Voice 2

Lit

30 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Split mode enables you to play two different Voices on the keyboard—one with

your left hand and another with your right.

1. To enter the Split mode, press the [DUAL/SPLIT] button

twice.

The [DUAL/SPLIT] button lights.

The Voice which is displayed at top is Voice R, and the one at bottom is

Voice L.

2. Select a Voice for the right-hand area and left-hand area.

The border between the right- and left-hand ranges is referred to as “Split

Point.” The Split Point key (F 2 as default) is included in the left-hand

range.

2-1. Use the [ ]/[ ] buttons to highlight (Voice R) in the

display.

2-2. Press one of the Voice buttons to select the desired Voice

group, and then use the [ ]/[ ] button to select the desired

Voice (page 20).

2-3. Use the [ ]/[ ] buttons to highlight (Voice L), and then

select a Voice according to step 2-2.

3. Play the keyboard.

Splitting the Keyboard Range and Playing Two

Different Voices (Split Mode)

[]/[ ]/[ ]/[ ]

buttons

[DUAL/SPLIT]

button

Voice R

Voice L

Lit

NOTE

The Split Point can also be set

via the “System” menu display:

Press the [MENU] button

repeatedly to call up the

“System” menu display 

“Keyboard”  “Split Point”

(page 104).

Changing the Split Point

You can change the Split Point from the default setting “F 2” to any other key.

While in the Split mode, hold down the [DUAL/SPLIT] button, and press the

key you wish to assign as the Split Point.

Center “C”

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

4. To exit from the Split mode, press the [DUAL/SPLIT]

button repeatedly until its lamp turns off.

1. To use both the Dual and Split modes simultaneously,

press the [DUAL/SPLIT] button three times.

The [DUAL/SPLIT] button lights.

The Voice which is displayed at top is Voice R1, and the one in the middle

is Voice R2, and the one at bottom is Voice L.

2. Select the Voices for layering and for the left-hand area.

2-1. Use the [ ]/[ ] buttons to highlight (Voice R1) in the

display.

2-2. Press one of the Voice buttons to select the desired Voice

group, and then use the [ ]/[ ] button to select the desired

Voice (page 20).

2-3. Use the [ ]/[ ] button to highlight (Voice R2) or

(Voice L), and then select Voices according to step 2-2.

3. Play the keyboard.

4. To exit from the Dual and Split modes, press the [DUAL/

SPLIT] button repeatedly until its lamp turns off.

Using Dual and Split Simultaneously

[]/[ ]/[ ]/[ ]

buttons

[DUAL/SPLIT]

button

Voice R1

Voice R2

Lit

Voice L

NOTE

The specified Split Point key is

included in the left-hand range.

NOTE

For the information on setting

the Split Point, refer to page 30.

32 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

This function allows two different players to play the instrument, one on the

left and the other on the right. This is convenient for practicing duets over the

same octave range.

1. Press the [MENU] button repeatedly to call up the

“System” menu display, and then select the highlighted

item in each display as illustrated below.

The keyboard is divided into two sections, with the E3 key as the Split

Point.

When using the separately sold pedal unit, the pedal function changes as

follows.

Playing Duo

[]/[ ]/[ ]/[ ]

buttons

[DUAL/SPLIT]

button

[EXIT] button[MENU] button

“System” menu display

1-1. Use the [ ]/[ ] buttons

to select “Keyboard.”

1-2. Press the [ ] button to

call up the next display.

1-3. Use the [ ]/[ ] buttons

to select “Duo.”

1-4. Press the [ ] button to

select “On.”

“Keyboard” display

NOTE

• When Duo is on, the Dual

(page 29), Split (page 30),

and the VRM (page 24)

functions are turned off.

• When the Duo - Type

(page 104) is set to

“Separated,” the Reverb

Depth (page 96) is set to 0

and the Binaural Sampling

function (page 14) is turned

off.

NOTE

• The specified Split Point key

is included in the left-hand

range.

• The Split Point can be

changed. For details on

setting the Split Point, refer to

page 30.

Right Pedal Damper pedal for the right-player range

Center Pedal Damper pedal for both the right-player and left-player ranges

Left Pedal Damper pedal for the left-player range

Left player

Split Point E3Equivalent to C3 (middle C) Equivalent to C3 (middle C)

Right player

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

2. Press the [EXIT] button to call up the Voice display.

When Duo is on, the [Duo] indication is shown on the Voice display.

Press one of the Voice buttons to select the desired Voice as necessary

(page 20).

3. Play the keyboard.

By default, the sound of the left player range is emitted from the left

speaker, the sound of the right player range is emitted from the right

speaker.

4. Press the [DUAL/SPLIT] button to exit from the Duo

mode.

NOTE

The sounds played by both

Right and Left players can be

output through both speakers,

with a natural balance of sound.

You can set this from the

“System” menu: “Keyboard” 

“Duo - Type” (page 104).

34 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

You can shift the pitch of the entire keyboard up or down in semitone intervals

to facilitate playing in difficult key signatures, and to let you easily match the

pitch of the keyboard to the range of a singer or other instruments. For

example, if you set this parameter to “5”, playing key C produces pitch F. In this

way, you can play the F major song as if it were in C major.

1. Press the [MENU] button repeatedly to call up the “Voice”

menu display. Select “Transpose,” and then press the [ ]

button.

2. Set the Transpose amount by using the [ ]/[ ] buttons.

To reset the parameter to the default setting, press the [ ] and [ ]

buttons simultaneously.

3. Press the [EXIT] button to close the “Transpose” display.

Transposing the Pitch in Semitones (Transpose)

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[MENU] button

“Voice” menu display

Default setting: 0

Setting range: -12 (-1 octave)

– 0 (normal pitch) – +12 (+1

octave)

NOTE

The setting made here does

not affect Song playback.

If you want to transpose Song

playback, use the Transpose

parameter in the “Song” menu

(page 98).

NOTE

Your keyboard performance

data will be transmitted with the

transposed note numbers while

MIDI note numbers received

from an external MIDI device or

computer will not be affected

by the Transpose setting.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

You can fine-tune the pitch of the entire instrument. This function is useful

when you play this instrument along with other instruments or recorded

music.

1. Press the [MENU] button repeatedly to call up the

“System” menu display. Select “Tuning” by using the [ ]/

[] buttons and then press the [ ] button.

2. Use the [ ]/[ ] buttons to select the “Master Tune,” then

press the [ ] button.

3. Set the tuning value by using the [ ]/[ ] buttons.

To reset the value to the default setting (A3=440.0Hz), press the [ ]/[ ]

buttons simultaneously.

4. Press the [EXIT] button to close the “Master Tune” display.

Fine Tuning the Pitch (Master Tune)

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[MENU] button

“System” menu display

Default setting: A3=440.0Hz

Setting range: A3=414.8Hz –

440.0Hz – 466.8Hz (in

approximately 0.2 Hz

increments)

NOTE

• If you change the tuning

value here, the value in the

Piano Room display

(page 24) is also changed.

• These settings will not be

applied to the Drum Kit

Voices or Audio Song. Also,

these settings will not be

recorded to a MIDI Song.

36 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

You can determine how the sound responds to your playing strength. This

setting does not change the weight of the keyboard.

1. Press the [MENU] button repeatedly to call up the

“System” menu display. Select “Keyboard” by using the

[]/[ ] buttons, and then press the [ ] button.

2. Select “Touch” by using the [ ]/[ ] buttons, and then

press the [ ] button.

3. Use the [ ]/[ ] buttons to determine the touch sensitivity.

Touch Sensitivity list

4. Press the [EXIT] button to exit from the “Touch” display.

Changing the Touch Sensitivity (Touch)

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[MENU] button

NOTE

When playing with Piano

Voices, you can also determine

the touch sensitivity in the

Piano Room display.

For details, refer to

“Parameters you can set in the

Piano Room” on page 24.

“System” menu display

Default setting: Medium

NOTE

• If you change the touch

sensitivity here, the setting in

the Piano Room display

(page 24) is also changed

• The setting here will not be

recorded to a MIDI Song nor

be transmitted as MIDI

messages.

• The touch sensitivity settings

may have no effect with

Organ or Harpsichord

Voices.

Soft 2 Produces relatively high volume even with light playing strength.

Soft 1 Produces high volume with moderate playing strength.

Medium Standard touch sensitivity.

Hard 1 Requires moderately strong playing for high volume.

Hard 2 Requires strong playing to produce high volume.

Fixed No touch response. The volume level will be the same regardless of

how hard you play the keys.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

By using the Sound Boost function when playing along with other instruments,

you can raise the volume and enhance the presence of your performance

without losing any of the expressive range. This function is particularly useful

when you want all the notes you play—both loud and soft—to be clearly

audible.

1. Press the [SOUND BOOST/EQ] button repeatedly to call

up the “Sound Boost” display, and then press the [ ]

button to highlight “On/Off.”

2. Press the [ ] button to turn on the Sound Boost function.

The [SOUND BOOST/EQ] button lights.

3. Press the [ ] button to highlight “Type.”

4. Press the [ ] button to call up the “Type” display, then use

the [ ]/[ ] buttons to select the Sound Boost type.

Sound Boost type list

5. Press the [EXIT] button to exit from the “Type” display.

Boosting the Overall Sound (Sound Boost)

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button [SOUND BOOST/

EQ] button

Default setting: Off

“Sound Boost” display

Default setting: 2

1Producing smooth dynamics, this type is ideal for solo performances

of energetic songs.

2This type produces a smoother, clearer sound than Type 1, making it

the perfect choice when singing and playing at the same time.

3In addition to brighter, more-powerful sound than Type 2, this type also

has a clearer attack — ideal when performing as part of a band.

38 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

The EQ (Equalizer) processes the sound by dividing the frequency spectrum

into multiple bands, allowing you to boost or cut them as required to tailor the

overall frequency response and provide optimum sound when listening

through the instrument’s internal speaker, or headphones, etc.

This instrument possesses a three-band digital EQ. You can select one of the

three preset EQ types in the “Master EQ” display. You can even create your own

custom EQ settings by adjusting the frequency bands, and save the settings to

the User Master EQ.

Selecting the Master EQ type

1. Press the [SOUND BOOST/EQ] button repeatedly to call

up the “Master EQ” display.

2. Use the [ ]/[ ] buttons to select the Master EQ type.

Master EQ type list

3. Press the [EXIT] button to exit from the “Master EQ”

display.

Adjusting the Sound (Master EQ)

[]/[ ]/[ ]/[ ]

buttons

[SOUND BOOST/EQ]

button

[EXIT] button

Default setting: Flat

Flat Flat, unprocessed EQ settings.

Bright EQ settings providing bright sound.

Mellow EQ settings providing mellow sound.

User Your own custom EQ settings saved in “Setting the User Master EQ”

(page 39).

“Master EQ” display

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Setting the User Master EQ

1. Press the [ ] button to select “User” in the “Master EQ”

display, then press the [ ] button to call up the User

display in which the three bands can be boosted or cut.

2. Use the [ ]/[ ] buttons to select a band, then use [ ]/[ ]

buttons to boost or cut it.

To reset the setting to the default, press the [ ]/[ ] buttons

simultaneously.

3. Press the [EXIT] button to close the “User” display.

Default setting: 0 dB

Setting range: -6 dB – 0 – +6

40 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

This instrument features a convenient Panel Lock function that allows you to

temporarily disable the front panel buttons to prevent them being operated

unintentionally while performing.

1. Press the [PANEL LOCK] buttons simultaneously to lock

the front panel.

The Voice display appears on the instrument’s display, and the lock icon is

shown at the lower right on the display.

All front panel buttons with the exception of the [ ] (Standby/On)

switch and [VOLUME] slider will be disabled.

2. Press the [PANEL LOCK] buttons simultaneously again to

unlock the front panel.

Locking the Front Panel

[PANEL LOCK] buttons

NOTE

• It is impossible to lock the

front panel during Song

playback and recording.

• When the front panel is

locked during playback of

the metronome, rhythm, and

Song, playback cannot be

stopped until the panel is

unlocked.

• When the front panel is

locked, it is impossible to

switch between Song

playback/pause by using the

Aux pedal function

(page 104).

• Even if the front panel is

locked, when the Auto Power

Off function (page 13) is on,

the power is automatically

turned off.

P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

The instrument has a built-in metronome (a device that keeps an accurate

tempo)—a convenient tool for practice.

1. Press the [METRONOME] button to start the metronome.

This calls up the “Tempo” display, from which you can adjust the tempo.

For information on setting the time signature, refer to page 42.

You can set the metronome volume, BPM and so on from the

“Metronome/Rhythm” menu display (page 101).

2. Press the [METRONOME] button again to stop the

metronome.

To exit from the “Tempo” display, press the [EXIT] button.

Adjusting the Tempo

1. Press the [TEMPO] button to call up the “Tempo” display.

2. Use the [ ]/[ ] buttons to adjust the tempo.

To reset the tempo to the default setting, press the [ ] and [ ] buttons

simultaneously.

3. Press the [EXIT] button to exit from the Tempo display.

Using the Metronome

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[METRONOME]

button

[TEMPO]

button

BPM

You can determine whether the

note type of the tempo

indication is affected by the

metronome time signature

(page 101) or not.

Te m po va lu e

Default setting: 120

Setting range: Depends on the

time signature (page 42).

42 P-525 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

Setting the metronome time signature

1. Press the [MENU] button repeatedly to call up the

“Metronome/Rhythm” menu display. Select the “Time

Sig.”, and then press the [ ] button.

2. Use the [ ]/[ ] buttons to select the desired time

signature.

Setting range: 2/2, 3/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8,

12/8

Default setting: 4/4 (Selecting a MIDI Song will change the tempo value to

that specified in the selected MIDI Song data.)

Tempo indication and Setting range

When pressing the [TEMPO] button, the tempo is displayed as “note

type=xxx” (For example: =120). Selecting the Time Signature changes

the available parameters as follows.

* When the tempo value of the selected MIDI Song is outside the setting range on the instrument,

the value will be changed to fit within the setting range.

* Note type will be fixed to quarter note as long as the “BPM” parameter in the “Metronome/Rhythm”

menu display is set to “Crotchet” regardless of the Time Signature you set.

You can playback the metronome with a Bell sound on the first beat of

each measure according to the selected Time Signature.

For details, refer to “Bell” in the “Metronome/Rhythm” menu (page 101).

3. Press the [EXIT] button to exit from the “Metronome/

Rhythm” menu display.

Note type Time Signature Setting range

2/2, 3/2 3 – 250

1/4, 2/4, 3/4, 4/4, 5/4,6/4, 7/4 5 – 500

6/8, 9/8, 12/8 4 – 332 (even numbers only)

3/8, 7/8 10 – 998 (even numbers only)

and 999

Time Signature

Time Signature display

“Metronome/Rhythm”

menu display

Half note

Quarter note

Dotted quarter note

Eighth note

Note type

The length of one beat

Metronome detailed

settings

You can set the metronome

volume, BPM and so on from

the “Metronome/Rhythm” menu

display (page 101).

P-525 Owner’s Manual

Playing the Keyboard along with Rhythm Playback

You can select a Rhythm from a variety of musical genres, such as Pops and Jazz, and play along with it.

Refer to “Rhythm List” on page 112.

For this instrument, Rhythm consists of drums and bass accompaniment.

1. Press the [RHYTHM] button to start Rhythm playback.

Intro playback starts followed by the Rhythm playback.

To set the Intro/Ending on or off:

“Intro” and “Ending” allow you to vary the arrangement of the

accompaniment. You can set “Intro” and “Ending” on/off via “Intro” or

“Ending” in the “Metronome/Rhythm” menu display (page 101).

2. Use the [ ]/[ ] buttons to call up the desired Rhythm.

For details on the available Rhythms, refer to the Rhythm List (page 112).

3. Play the keyboard along with Rhythm playback.

The instrument will automatically create appropriate accompaniment

bass sound while you play, based on the chords you play.

To set the bass sound on/off:

The default setting of the bass sound is “On.”

If you don’t want to have the bass accompaniment sound, set it to “Off.”

You can set “Bass” in the “Metronome/Rhythm” menu display (page 101).

4. To stop Rhythm playback, press the [RHYTHM] button

again.

The Rhythm will automatically stop after the Ending is played.

5. Press the [EXIT] button to exit from the “Rhythm” display.

[RHYTHM]

button

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button

About the Rhythm Tempo

• The Rhythm tempo is

equivalent to that set for the

Metronome (page 41).

• Although you set the Rhythm

tempo, selecting a MIDI Song

will change the tempo value

to that specified in the

selected MIDI Song data.

• When you press the [TEMPO]

button to call up the “Tempo”

display to change the

Rhythm tempo, during

Rhythm playback, press the

[EXIT] button to return to the

“Rhythm” display from the

“Tempo” display.

Detailed Settings for the

Rhythm

From the “Metronome/Rhythm”

menu display (page 101), you

can set detailed parameters,

such as Rhythm volume and

Sync Start, with which pressing

a key will start Rhythm

playback.

NOTE

The “Rhythm” display cannot

be called up during the Song

playback or recording.

NOTE

• Some arrangements may not

be suitable for use with this

feature.

• 9th, 11th and 13th chords

cannot be played.

• For details on how to play

chords, refer to commercially

available chord books.

44 P-525 Owner’s Manual

Playing and Practicing Songs

This instrument can play Preset Songs, Songs you recorded on this instrument, or commercially available

Songs. In addition to listening to these Songs, you can play the keyboard as the Song plays back.

There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and

Audio Songs.

You can play back the following types of Songs in this instrument.

• Voice Demo Songs (Voice Demo).

•P

reset Songs: 50 classical Preset Songs (“50 Classics”)

• Your own recorded Songs (see page 54 for instructions on recording)

• Commercially available MIDI Song data: SMF (Standard MIDI File)

The maximum size for playback on this instrument is approx. 500 KB per single MIDI Song.

• Commercially available Audio Song data: Wav (file extension = .wav with 44.1 kHz sample rate, 16-bit

resolution, stereo, and maximum 80 minutes length)

•MIDI Song

A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual

sound itself. The performance information refers to which keys are played, at what timing, and at what

strength—just as in a musical score. Based on the recorded performance information, the tone generator

outputs the corresponding sound. A MIDI Song uses a small amount of data capacity in comparison to an

Audio song, and allows you to easily change aspects of the sound, such as Voices used, etc.

•Audio Song

An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used

with voice recorders, etc. This data can be played with a portable music player, etc., allowing you to easily let

other people hear your performance.

Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons

indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.

Example:

MIDI

Audio

MIDI Audio

Indicates explanation applies only to MIDI Songs

P-525 Owner’s Manual

Playing and Practicing Songs

1. If you want to play back a Song in a USB flash drive,

connect the USB flash drive containing Song data to the

[ ] (USB TO DEVICE) terminal beforehand.

2. Press the [DEMO/SONG] button to call up the Song List

display, then select the desired category using [ ]/[ ]

buttons.

Select the desired one from “50 Classics,” “User” or “USB” referring to the

category descriptions below.

3. Press the [ ] button to display the Songs in the specified

category, and then select a desired Song using the [ ]/[ ]

buttons.

When “User” or “USB” category is selected, the icon indicating Song

types are shown to the left of the Song name.

Playback of Songs

MIDI Audio

[DEMO/SONG]

button

[]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

NOTE

• Before using a USB flash

drive, be sure to read

“Connecting USB Devices

([ ] (USB TO DEVICE)

terminal)” on page 75.

• The instrument can

automatically select a Song

file saved in the root directory

of the USB flash drive as soon

as the USB flash drive is

connected. For instructions,

refer to “USB Autoload” on

page 106.

NOTE

USB folder appears only when

USB flash drive is connected to

the [ ] (USB TO DEVICE)

terminal.

Demo

Voice Demos let you experience the characteristics of the Voices

(MIDI Song). Refer to page 22 for how to play back the Demo. For Song

names, refer to the “Voice Demo List” on page 111.

50 Classics 50 classical Preset Songs (MIDI Songs).

For details, refer to the “Song List” on page 112.

User

MIDI Songs which have been recorded and saved to the instrument by

using the Recording function (page 54), and MIDI Songs which have been

copied/moved to the instrument using File operations (page 66).

USB

MIDI/Audio Songs saved to the USB flash drive by recording them with this

instrument or Audio Songs converted from MIDI Songs (page 70), or MIDI/

Audio Songs saved to the USB flash drive.

Song category

[]/[ ] buttons

NOTE

Press the [ ] button to return to

the category/folder.

NOTE

“NoSong” will be shown in the

display when no data exists in

that folder.

46 P-525 Owner’s Manual

Playing and Practicing Songs

To select a recorded Song saved to USB flash drive:

When you record a Song and save it to a USB flash drive, the recorded

Song will automatically be saved to the USER FILES folder on a USB flash

drive. If you want to select the Song from the USER FILES folder, select

USB in step 2, and USER FILES folder in step 3.

4. Press the [ ] button to select the desired Song.

The Song display is shown letting you to see the currently selected Song

name and its category name.

5. Press the [PLAY/PAUSE] button to start playback.

The current position of the Song playback will be shown.

You can play the keyboard along with Song playback. You can also change

the Voice for your keyboard performance. To adjust the volume balance

between your keyboard performance and MIDI Song playback, or to

adjust the Audio Volume, set the appropriate Volume parameters

individually in the “Song” menu display (page 52).

6. Press the [PLAY/PAUSE] button again to stop playback.

Even if you don’t press the [PLAY/PAUSE] button, the Song stops

automatically when Song playback reaches the end.

Icon

Song List

icon Data format

Folder

MIDI Songs

Audio Songs

When Songs cannot be

read from a USB flash drive

If the song cannot be read, you

may need to change the

Language setting for the Song

name in the “System” menu

display (page 107).

NOTE

• Press the [ ] button to return

to the Song list.

• When the Song title is too

long to be displayed, hold

down the [ ] button to see

the full title on the pop-up

window.

Song

name

Song display: MIDI Song Song display: Audio Song

Song

name

Category name Category name

NOTE

Songs having titles longer than

48 characters cannot be played

on this instrument.

Song display: MIDI Song Song display: Audio Song

Current position Current position

NOTE

If a Song has been selected,

the original tempo of the Song

is used, and the Metronome

setting (page 41) will be

ignored.

NOTE

Useful playback functions are

described on pages 48 – 53.

P-525 Owner’s Manual

Playing and Practicing Songs

Rewind/Fast forward/Returning to the top of the Song

Rewind/Fast forward

Use the [ ] and [ ] buttons to move back or forth through the Song (in bars or

seconds), while the Song display is shown.

Holding one of the buttons scrolls backward/forward continuously.

Returning to the top of the Song

Pressing the [ ] and [ ] buttons simultaneously returns to the top position of

the Song.

Adjusting the tempo

You can adjust the playback tempo of a Song.

1. Press the [TEMPO] button to call up the “Tempo” display.

For a MIDI Song, press the [TEMPO] button during Song playback or

while the Song display is shown. For an Audio Song, press the [TEMPO]

button during Song playback.

2. Change the Tempo value using the [ ]/[ ] buttons.

The original tempo of the current Song can be recalled by pressing the

[] and [ ] buttons simultaneously.

For MIDI Songs

The tempo range differs depending on the Time Signature for the selected

MIDI Song. Available setting values may only include even numbers

(multiples of 2), depending on the Time Signature. For more information,

refer to page 42.

For Audio Songs

The tempo range is between 75% – 125%. 100% is the original tempo

value. Higher values result in a faster tempo.

3. Press the [EXIT] button to exit from the “Tempo” display.

Song display: MIDI Song Song display: Audio Song

Measure number Elapsed time

NOTE

Changing the tempo of an

Audio Song may change its

tonal characteristics.

MIDI Song Audio Song

Tempo Tempo

48 P-525 Owner’s Manual

Playing and Practicing Songs

Some MIDI Songs, such as Preset Songs, are divided into right-hand and left-

hand parts. By using such Song data, you can practice the left hand by turning

on only the right-hand part, and practice the right hand by turning on only the

left-hand part—allowing you to practice parts separately for easy mastery of

difficult material.

1. Select a Song for practicing.

For instructions, refer to page 45. The Song category “50 Classics” is

recommended.

2. Select a part you want to practice.

Press the [MENU] button repeatedly to call up the “Song” menu display,

then select the highlighted item in each display as illustrated below.

In the “L/R” display, select the part (track) you want to mute for

practicing. Select “R” for practicing the right-hand part, or “L” for the left-

hand part.

3. Use the [ ] button to select “Off” for the selected part.

4. Press the [PLAY/PAUSE] button to start playback.

Play and practice the part you just muted.

5. Press the [PLAY/PAUSE] button again to stop playback.

Even if you don’t press the [PLAY/PAUSE] button, the Song stops

automatically when Song playback reaches the end.

Playing a One-hand Part — Part Cancel Function

(MIDI Songs)

MIDI Audio

[]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

[MENU] button

NOTE

Some songs in “50 Classics”

are duet songs. Refer to

page 112 about part

assignment for the duet songs.

NOTE

• The parts can be turned on or

off even during playback.

• Usually, Channel 1 is

assigned to “R,” Channel 2 is

assigned to “L,” and

Channels 3 – 16 are assigned

to “Extra.” However, the

assignments may differ

depending on the particular

Song. Channels assigned to

“Extra” cannot be set to on or

off individually.

• Whenever you select another

MIDI Song, both parts are

automatically turned on.

“Song” menu display

2-1. Use the [ ]/[ ] buttons

to select “L/R.”

2-2. Press the [ ] button to

call up the next display.

2-3. Use the [ ]/[ ] buttons

to select desired track.

“L/R” display

P-525 Owner’s Manual

Playing and Practicing Songs

There are three Repeat items as follows. These are convenient for repeatedly

practicing difficult phrases. It is a good idea to use this function and the Part

Cancel function (above) for practicing difficult phrases, in the case of MIDI

Songs.

•AB Repeat ............. Plays the specified range of the selected MIDI Song

repeatedly.

•Phrase Repeat...... Plays a specific phrase of a MIDI Song containing

Phrase Marks repeatedly.

•Song Repeat.......... Plays a MIDI/Audio Song repeatedly, or plays all

MIDI/Audio Songs saved in a selected category (folder)

repeatedly either in order or in random order.

The explanations here apply only to AB Repeat and Song Repeat. For Phrase

Repeat, refer to page 98.

1. Select a Song to be played back.

For instructions, refer to page 45.

2. Call up the “Repeat” display.

Press the [MENU] button repeatedly to call up the “Song” menu display.

Select “Repeat,” then press the [ ] button.

3. In the “Repeat” display, select a desired item using the [ ]/

[] buttons, then press the [ ] button.

Select “A–B” for AB Repeat, select “Phrase” for Phrase Repeat, or select

“Song” for Song Repeat.

4. Set in the appropriate setting display.

•AB Repeat .................See page 50.

•Phrase Repeat............See page 98 (“Phrase” section in “Repeat”).

•Song Repeat...............See page 51.

Playing Back a Song Repeatedly

Phrase mark

A pre-programmed marker in

certain MIDI Song data, which

specifies a specific location in

the Song.

[]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

[MENU] button

“Song” menu display “Repeat” display

50 P-525 Owner’s Manual

Playing and Practicing Songs

AB Repeat setting

See page 49 for information on basic operations. Continuing from step 4 on

that page, follow the procedure below.

4-1. Press the [PLAY/PAUSE] button to start Song playback.

4-2. Press the [ ] button at the starting point (A) of the

range to be repeated.

Specifying the top of a Song as Point A

Specify Point A before starting playback, then start playback and

specify Point B.

4-3. Press the [ ] button again at the ending point (B).

After an automatic lead-in (to help guide you into the phrase), the

range from Point A to Point B is played back repeatedly.

Specifying the end of a Song as Point B

Specifying only Point A results in repeat playback between Point A and

the Song end (as Point B).

To turn off the Repeat function, press the [ ] button

while “Repeat Off” is highlighted, or select another Song

MIDI Audio

NOTE

You can also specify the repeat

range by the following

procedure.

1Highlight the measure

number using the [ ] button,

then fast-forward the Song to

Point A using the [ ]/[ ]

buttons.

2Highlight “Set A” using the

[] button, then press the [ ]

button.

After specifying Point A, the

display for specifying Point B

is called up.

3Specify Point B in the same

way as Point A.

“A-B” display

P-525 Owner’s Manual

Playing and Practicing Songs

Song Repeat setting

See page 49 for information on basic operations. Continuing from step 4 on

that page, follow the procedure below.

4-1. Select the desired Repeat type using the [ ]/[ ] buttons

in the setting display.

4-2. Press the [PLAY/PAUSE] button to start Repeat

playback.

Icons corresponding to each Repeat setting are shown on the Song

display.

While the Repeat setting is on, (Single), (All), or

(Random) is shown in the upper right corner of the Song display.

5. To turn off the Repeat function, press the [PLAY/PAUSE]

button again to stop playback, and then select “Off” in

step 4-1.

MIDI Audio

Default setting: Off

Off Disables Repeat playback. The Song stops automatically when playback

of the selected Song reaches the end.

Single Plays through the selected Song repeatedly.

All Continuously plays back all Songs in the selected category in order.

Random Continuously plays back all Songs in the selected category in random

order.

Setting display

Checkmark

Icon

52 P-525 Owner’s Manual

Playing and Practicing Songs

When a MIDI Song is selected, you can adjust the Volume balance between the

Song playback and the sound you are playing on the keyboard, or between the

Right and Left parts of the selected Song. When an Audio Song is selected, you

can adjust the Audio Song volume.

1. Select the desired Song beforehand. (page 45)

2. Press the [MENU] button repeatedly to call up the “Song”

menu display. Select “Volume”, and then press the [ ]

button.

3. When a MIDI Song is selected, select “Song – Keyboard”

or “Song L – R” using the [ ]/[ ] buttons, then press the

[] button to call up the setting display.

When an Audio Song is selected, use the [ ]/[ ] buttons

to set the Audio playback volume. After setting the value,

go on to step 5.

Adjusting the Volume Balance

MIDI Audio

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[MENU] button

(When a MIDI Song is selected)

“Song” menu display

(When an Audio Song is selected)

“Song” menu display

NOTE

Some commercially available

music data (MIDI Song) play

back at extremely high levels.

When using such data, adjust

the “Song - Keyboard” setting.

Song – Keyboard Adjust the Volume balance between the MIDI Song playback and

your keyboard performance.

Song L – R Adjust the Volume balance between the Right and Left parts of the

selected MIDI Song.

(When a MIDI Song is selected) (When an Audio Song is selected)

P-525 Owner’s Manual

Playing and Practicing Songs

4. Adjust the Volume balance by using the [ ]/[ ] buttons.

5. Press the [EXIT] button twice to exit from “Song” menu

display.

Whenever you select another MIDI Song, the setting for “Song L – R” is

restored to its default setting. As for “Song – Keyboard” and Audio

Volume, selecting another Song will not reset the value.

Starting/pausing playback by using a pedal

You can assign the Song Play/Pause function (the same function as the [PLAY/

PAUSE] button on the front panel) to the included foot pedal or the footswitch

(sold separately) connected to the [AUX PEDAL] jack, or the center or left

pedal of the pedal unit (sold separately) connected to the [PEDAL UNIT] jack.

Press the [MENU] button repeatedly to call up the “System” menu display, and

then select “Pedal” → “Play/Pause” to make the assignment.

This is convenient for starting or pausing playback when you are performing

and can’t take your hands from the keyboard.

Transposing the pitch of a Song

You can shift the pitch of Song playback up or down in semitone intervals. You

can change the settings via the “Song” menu display: Press the [MENU] button

repeatedly to call up the “Song” menu display → “Transpose” (page 98).

In the case of

“Song – Keyboard”:

In the case of

“Song L – R”:

R part volume

will be lower.

L part volume

will be lower.

The volume of your

keyboard performance

will be lower.

The Song

playback volume

will be lower.

Song - Keyboard

Default setting: 0

Setting range: Key+64 – 0 –

Song+64

Song L - R

Default setting: 0

Setting range: L+64 – 0 –

R+64

NOTE

The selected parameters of

“Song – Keyboard” will be

maintained (Backup Setting)

even when the power is turned

off. Make sure not to set the

volume levels to minimum.

Otherwise the sound of

keyboard or songs will not be

played. You can change the

settings to maintain the

selected parameter or not. For

details, refer to “Backup

Setting” on page 90.

Useful Playback Functions

MIDI Audio

NOTE

The audio sound input from an

external device (page 54)

cannot be transposed.

54 P-525 Owner’s Manual

Recording Your Performance

This instrument allows you to record your performance in the following two methods.

• MIDI Recording

With this method, your performances are recorded as an SMF (format 0) MIDI file and saved to the

instrument or a USB flash drive. If you want to re-record a specific section or edit parameters such as Voice,

use this method. Also you can record your performance to each Track one by one. Since a MIDI Song can

be converted to an Audio Song after recording (page 70), you may want to use MIDI recording (with

overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to

play live, then convert it to an Audio Song. This instrument allows you to record approximately 500 KB of

data per Song.

•Audio Recording

With this method, recorded performances are saved to a USB flash drive as an Audio file. Recording is done

without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality

resolution (44.1 kHz/16 bit), it can be transmitted to and played on portable music players by using a

computer. Because the audio sound input* from the external device is also recorded, you can record your

keyboard performance along with the performance sound of the connected audio device, computer, or

smart device, etc. This instrument allows you to record up to 80 minutes per single recording.

* Audio sound input (Audio input sound):

Audio data sent to this instrument from the external devices such as a computer or a smart device, etc., when connecting the instrument

with the devices via [AUX IN] jack, [USB TO HOST] terminal, wireless LAN, or Bluetooth). For connection with these devices, refer to the

“Connecting to Other Devices” section from page 74.

For details about the difference between MIDI Songs and Audio Songs, refer to page 44.

This chapter covers the following four methods. Note that the created data

format differs depending on the method, MIDI or Audio.

• Quick MIDI Recording ....................................... page 55

This method lets you start recording most quickly. Your performance will be

recorded and saved to the “User” category (page 45) in this instrument’s

internal memory.

• MIDI Recording — Independent Tracks ............ page 57

This lets you record the right, left and extra parts separately. Since you can

record the left part while playing back the right, this is useful for recording both

parts of a duet. Since you can record up to sixteen parts separately, record the

performance of each instrument part one by one and create fully orchestrated

compositions.

• MIDI Recording to the USB Flash Drive ............ page 59

This method is useful when you want to overwrite the already recorded MIDI

Song in the USB flash drive or create a New MIDI Song on the USB flash drive.

• Audio Recording to the USB Flash Drive ...........page 61

This method lets you record your performance as Audio data to the USB flash

drive connected to the [ ] (USB TO DEVICE) terminal.

MIDI

Audio

Recording Methods

NOTE

You can re-record a specific

range of the MIDI Song or

change the tempo or the Voice

of the recorded Song. For

details, refer to “Other

Recording Techniques”

(page 62).

MIDI

Audio

P-525 Owner’s Manual

Recording Your Performance

This method is the quickest way to start recording.

1. Make the necessary settings such as Voice selection and

time signature.

For details on how to select a Voice, refer to page 20.

Before starting the Recording operation, turn Dual/Split/Duo on or off as

desired and select a Reverb/Chorus/Effect type as desired.

Since you can also use the Metronome/Rhythm while recording, set the

tempo and time signature of the Metronome/Rhythm (page 41) before

starting recording.

2. Press the [REC] button to enable Recording ready.

The blank new Song for recording is automatically set.

The [PLAY/PAUSE] button will flash at the current tempo.

To exit from the Recording mode, press the [REC] button again.

3. Play the keyboard to start recording.

When you wish to record an empty section at the start of the Song, press

the [PLAY/PAUSE] button to start recording.

4. After you finish your performance, press the [REC] button

again to stop recording.

This operation exits from the Recording mode and calls up the display for

saving the recorded performance data.

Quick MIDI Recording

MIDI

[REC] button [ ]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

NOTE

If you want to record the left-

hand and right-hand parts

individually, refer to “MIDI

Recording—independent

Tracks” (page 57), since the

Recording method here

assumes that both the left and

right parts are being recorded

together.

NOTE

• You can use the Metronome/

Rhythm while recording.

While the Metronome sound

cannot be recorded, the

Rhythm sound can. Make

sure to start enter the

Recording mode before

starting Rhythm playback,

since entering the Recording

mode during playback of the

Rhythm stops its playback.

• The “Song – Keyboard”

Volume Balance (page 52)

will not be recorded.

• With MIDI recording, the

performance will be recorded

to Track 1. However, in the

Dual/Split/Duo mode, the

tracks assigned for recording

and the tracks actually used

for recording are different.

For details refer to

“Recording Track

Assignment” on page 57.

NOTE

Pressing and holding the [REC]

button for a second will call up

the display which lists the

Recording Target Songs. In this

case, select “New Song” then

press the [ ] button. For

details, refer to the table on

page 60.

NOTE

• When a Rhythm (page 43) is

selected, press the

[RHYTHM] button to start

Rhythm playback and MIDI

recording simultaneously.

• If desired, you can change

the Voice, turn the Dual/Split

on, or recall the settings

registered to the Registration

Memory.

Measure number

“REC” display

“REC” display (during recording)

56 P-525 Owner’s Manual

Recording Your Performance

5. Select “Save” or “Retry” or “Cancel” for the recorded

performance in the “Confirm” display.

• If you want to save the recorded performance, select “Save,” then press

the [ ] button.

• If you are not satisfied with your performance and want to record

again, highlight “Retry” then press the [ ] button. Try recording again

from step 3.

• If you do not want to save the recorded data, highlight “Cancel” then

press the [ ] button.

After the Save operation is completed, the display shows “Save

Completed” then returns to the Song display. The recorded Song will be

named “USERSONGxxx” (xxx: number) and saved in the “User”

category.

6. To hear the recorded performance, press the [PLAY/

PAUSE] button.

NOTICE

The recorded MIDI Song will be

lost if you change to another

Song or you turn the power off

without executing the Save

operation.

Renaming the recorded

Song

The recorded Songs are

named automatically, but you

can rename Songs as you like

(page 71).

NOTE

Refer to page 68 for how to

delete a Song.

Data that can be recorded to MIDI Songs

Data for each Track

• Note data (your keyboard performance)

•Voice selection

• Pedal operations (Damper/Soft/Sostenuto)

•Reverb Depth

•Chorus Depth

•Effect Type

•Effect Depth

• Sound brightness — “Brightness”

• Resonance effect setting — “Harmonic Cont”

•Octave

• Volume setting for each Voice — “Volume”

•Pan for each Voice

•Detune

• Touch Sensitivity — “Touch Sens.”

• Grand Expression Modeling data

Data commonly for all

Tracks

•Scale

•Tempo

•Time Signature

• Reverb Type

•Chorus Type

NOTE

Parameter settings other than

Voice and Tempo, such as note

data, pedal (Damper/Soft/

Sostenuto) data, octave setting

and time signature, cannot be

changed after recording.

P-525 Owner’s Manual

Recording Your Performance

With MIDI Recording, you can create a MIDI Song consisting of 16 tracks by

recording your performance to each track one by one. In recording a piano

piece, for example, you can record the right-hand part to Track 1 then record

the left-hand part to Track 2, allowing you create a complete piece which may

be difficult to play live with both hands together. To record a performance with

Rhythm playback, for example, record Rhythm playback, then record melodies

to Track 1 while listening to the already recorded Rhythm playback. In this way,

you can create an entire Song which would otherwise be difficult, or even

impossible, to play live.

1. Execute the same operations as in step 1 and step 2 on

page 55 to enter the Recording mode with a new blank

Song selected.

2. Use the [ ]/[ ] buttons to select a Recording Track.

Rhythm cannot be added to a recorded Song. When you want to record

Rhythm, make sure to record the Rhythm playback first.

When you want to record the right-hand part, highlight “R” (Track 1).

When you want to record the left-hand part, highlight “L” (Track 2).

Alternately, when you want to record your performance to Tracks 3 – 16,

call up the desired one by pressing the [ ]/[ ] buttons repeatedly.

If the Rhythm playback was recorded first before other tracks, it is

automatically recorded to one of the Tracks 9 – 11 (or all the three tracks).

If this is the case, select the desired track for recording from any except

for these tracks.

MIDI Recording — Independent Tracks

MIDI

NOTE

If you want to record your

performance to the USB flash

drive or you want to add the

recording to the MIDI Song in

the USB flash drive, refer to

“MIDI Recording to the USB

flash drive” (page 59).

When you want to record a new track of an already recorded MIDI Song:

1. Execute the same operation in step 1 in “Quick MIDI Recording”

(page 55).

2. Select the target MIDI Song (steps 1–4 on page 45).

3. Press and hold the [REC] button for a second to call up the display

which lists recording target Songs (page 59).

4. Select the 4th item (the selected MIDI Song), press the [ ] button,

and then go to step 2 on this page.

12345678910111213141516

Example:

Right-hand part

Left-hand part Rhythm

Recording Track

Assignment

•When recording the Rhythm,

you cannot freely select

desired tracks. The Rhythm is

recorded to Tracks 9 – 11.

•When Dual/Split/Duo is on, only

the R1 Voice performance will

be recorded to the selected

Track, and the R2 Voice

performance will be recorded

to the Track number which is 6

plus the selected Track, and

the L Voice performance of

Split/Duo will be recorded to

the Track number which is 3

plus the selected Track.

Rhythm playback will be

recorded to Tracks 9 – 11.

58 P-525 Owner’s Manual

Recording Your Performance

3. Start recording.

Play the keyboard to start recording.

When you want to record the Rhythm playback first, press the

[RHYTHM] button to start recording.

When you want to record an empty section at the start of the Song, press

the [PLAY/PAUSE] button to start recording.

4. After you finish your performance, press the [REC] button

to stop recording.

This operation exits from the Recording mode and calls up the display for

saving the recorded performance data.

5. If you want to save the recorded performance, press the

[] button to execute the Save operation while “Save” is

highlighted.

• If you save the recorded performance, select “Save,” then press the [ ]

button.

• If you are not satisfied with your performance and want to record

again, highlight the cursor to “Retry” then press the [ ] button. Try

recording again from step 3.

• If you do not want to save the recorded data, highlight “Cancel” then

press the [ ] button.

After the Save operation is completed, the display shows “Save

Completed” then returns to the Song display. The recorded Song will be

named “USERSONGxxx” (xxx: number) and saved in the “User”

category.

6. To hear the recorded performance, press the [PLAY/

PAUSE] button.

Recording Track

Contains data.

Contains no data.

Track Data Status

NOTICE

Note that recording your

performance to a Track

containing data will overwrite

the previously recorded data.

NOTE

Because bass accompaniment

of the Rhythm sounds only

when playing the keyboard, in

order to record the bass

accompaniment, it is necessary

to record keyboard

performance with it as well.

NOTICE

The recorded MIDI Song will be

lost if you change to another

Song or you turn the power off

without executing the save

operation.

NOTE

After saving your recorded

performance, if you want to

record it again, refer to “Re-

recording a MIDI Song in

parts” (page 62).

Renaming the recorded

Song

The recorded Songs are

named automatically, but you

can rename Songs as desired

(page 71).

NOTE

For instructions on rewinding,

fast-forwarding and returning

to the top of the Song during

Song playback, refer to

page 47.

P-525 Owner’s Manual

Recording Your Performance

7. To record another Track, enter the Song Recording mode

again.

7-1. Press and hold the [REC] (Record) button for a second.

The Recording Target Songs will be listed on the display.

7-2. Use the [ ] button to select existing MIDI Song (at the

bottom of the list), then press the [ ] button.

You can check whether or not each Track contains recorded data by the

indication that appears at the upper right of each Track. For details on the

indication, refer to “Track Data Status” on page 58.

8. Record your performance to another track by repeating

steps 2 – 6 of this section.

In step 2, select a track which has no recorded data. In step 3, play the

keyboard while listening to the already recorded data.

These instructions describe how to overwrite an already recorded MIDI Song

in the USB flash drive or how to create a New MIDI Song on the USB flash

drive.

1. Connect the USB flash drive to the [ ] (USB TO

DEVICE) terminal.

2. Select a MIDI Song as Recording target, then enter the

Recording mode.

2-1. If you want to record an additional Track to the already

recorded MIDI Song, select the desired MIDI Song in the USB

flash drive.

If you want to record from scratch, skip this step.

2-2. Press and hold the [REC] button for a second to call up the

display which lists the Recording Target Songs.

NOTICE

Note that recording your

performance to a Track

containing data will overwrite

the previously recorded data.

NOTE

Refer to page 68 for how to

delete a Song. Refer to “Track

Delete” on page 99 for how to

delete a track.

MIDI Recording to the USB Flash Drive

MIDI

NOTE

• To connect a USB flash drive,

be sure to read the section

“Connecting USB Devices”

on page 75.

• Before starting the Recording

operation, check the

remaining memory capacity

of the USB flash drive.

“System” menu: “Utility” 

“USB Properties” (page 106).

60 P-525 Owner’s Manual

Recording Your Performance

2-3. From the Recording Target Songs, select “New Song (USB)”

or the MIDI Song selected in step 2-1 (4th item below) using

the [ ]/[ ] buttons, then press the [ ] button to enter the

Recording mode.

* Can be selected only when the USB flash drive is connected to the [ ] (USB TO

DEVICE) terminal.

** Will not be shown when an already recorded MIDI Song is not selected in step 2-1 above,

or when a Preset Song is selected in step 2-1.

3. Execute the Recording operation, then save the recorded

performance.

• When you want to record additionally to the currently

selected MIDI Song, or record to a specified track on a

blank MIDI Song:

Execute steps 2 – 8 in “MIDI Recording—Independent Tracks” on

page 57.

• When you want to quick record to a blank MIDI Song:

Execute steps 3 – 6 in “Quick MIDI Recording” on page 55.

Recording Target

Song Description

New Song Select this when you want to record your performance to a

blank MIDI Song and save to “User” category in this

instrument’s internal memory.

New Song (USB)* Select this when you want to record your performance to a

blank MIDI Song and save to the USB flash drive.

New Audio (USB)* Select this when you want to record your performance to

blank audio data and save to the USB flash drive.

XXXXXX (MIDI Song

selected in step 2-1

above)**

Select this when you want to record additionally to/overwrite

the currently selected MIDI Song.

NOTICE

Note that recording your

performance to a Track

containing data will overwrite

the previously recorded data.

NOTE

The time signature and tempo

cannot be changed when

replacing the part of an

existing MIDI Song.

P-525 Owner’s Manual

Recording Your Performance

These instructions describe how to record your performance as audio data.

Note that an audio file to which your performance is to be recorded can be

saved only to a USB flash drive. This is why you should prepare your USB flash

drive device before starting the Recording operation.

1. Connect the USB flash drive to the [ ] (USB TO

DEVICE) terminal.

2. Press and hold the [REC] (Record) button for a second to

call up the display which lists the Recording Target Songs.

3. Use the [ ]/[ ] buttons to select “New Audio (USB)” then

press the [ ] button.

4. Execute steps 3 – 6 in “Quick MIDI Recording” (page 55).

Unlike with MIDI Recording, the elapsed time is shown on the display

while Audio Recording is being executed.

Along with Audio recording, other audio input sounds (via Bluetooth,

[AUX IN] etc.) from the external device (page 54) are also recorded.

Audio Recording to the USB Flash Drive

Audio

NOTE

To connect a USB flash drive,

be sure to read the section

“Connecting USB Devices” on

page 75.

NOTE

Before starting the Recording

operation, check the remaining

memory capacity of the USB

flash drive. “System” menu:

“Utility”  “USB Properties”

(page 106).

NOTE

With Audio recording, distorted

sound may be produced if the

Voice Volume is set to the value

higher than the default setting.

Make sure to set the Voice

Volume to the default value or

less before recording from the

“Voice” menu display: “Voice

Edit”  “Volume” (page 95).

62 P-525 Owner’s Manual

Recording Your Performance

Re-recording a MIDI Song in parts

You can re-record a specific range of the MIDI Song. This is useful when

editing MIDI Songs you have recorded yourself.

1. Set the parameters which determine how recording starts

and stops.

1-1. Press the [MENU] button repeatedly to call up the

“Recording” menu display.

1-2. Use the [ ]/[ ] buttons to select “RecStart,” then select the

value which determines how recording starts by using the [ ]

button.

1-3. Use the [ ]/[ ] buttons to select “RecEnd,” then select the

value which determines how recording stops by using the [ ]

button.

Other Recording Techniques

MIDI

[DEMO SONG]

button

[]/[ ]/[ ]/[ ]

buttons

[PLAY/PAUSE]

button

[MENU] button

[REC] button

Default setting: Normal

Normal The already recorded data will be replaced with the new one as

soon as recording starts.

KeyOn The already recorded data will be maintained until you press a

key, and actual recording starts as soon as you press a key.

Default setting: Replace

Replace The data after the point you stop recording will also be erased.

PunchOut The data after the point you stop recording will remain.

P-525 Owner’s Manual

Recording Your Performance

2. Press the [DEMO/SONG] button to call up the Song

category list display.

3. Select the desired MIDI Song.

For instructions, refer to page 45.

4. Specify the start point you wish to re-record.

Use the [ ]/[ ] buttons to move the playback position (measure

number) to the desired point. Alternately, press the [PLAY/PAUSE]

button to start playback, then press the [PLAY/PAUSE] button again

slightly prior to the desired point.

If necessary, select the settings (Voice and other parameters).

The time signature cannot be changed when replacing the part of an

existing Song.

5. Press and hold the [REC] button for a second to call up the

display which lists the Recording Target Songs, then select

the 4th item (Song selected in step 3), then press the [ ]

button to enter the recording mode.

6. Use the [ ]/[ ] buttons to select a Track for re-recording.

7. Play the keyboard or press the [PLAY/PAUSE] button to

start recording.

8. Press the [REC] button to stop recording.

9. Save the recorded performance by following step 5 on

page 56.

10.To hear the recorded performance, press the [PLAY/

PAUSE] button.

Examples of re-recording with various settings for starting/

stopping recording

This instrument features several different ways you can re-record a MIDI

Song.

12345678

Recording Start setting

Recording Stop setting

12345 Deleted

Deleted

Start overwrite recording

Previously recorded original data

Stop recording

Previously recorded original data

Newly overwritten data

Deleted data

Normal

Replace

12345

Play back original data

Play the keyboard to start

overwrite recording

Play the keyboard to start

overwrite recording

KeyOn

Replace

KeyOn

Punch Out

12345678

*1 To avoid overwriting measures 1 – 2, start recording from measure 3.

*2 To stop recording, press the [REC] button at the end of measure 5.

*1 *2

Stop recording *2

64 P-525 Owner’s Manual

Recording Your Performance

Changing the tempo or the Voice of a previously

recorded MIDI Song

For MIDI Songs, you can change the tempo and Voice after recording to change

a feel or to set a more suitable tempo.

To change t he temp o:

1. Select the MIDI Song you wish to change.

For instructions, refer to page 45.

2. Press the [TEMPO] button to call up the “Tempo” display,

then set the desired Tempo.

For instructions, refer to page 41.

3. Press the [MENU] button repeatedly to call up the “Song”

menu display, then select the highlighted item in each

display as illustrated below.

4. Apply the selected Tempo value to the current MIDI Song

data.

Press the [ ] button to highlight “Execute,” then press the [ ] button to

apply the new Tempo value to the current MIDI Song data.

When this operation is completed, “Completed” is shown on the display,

and the “Tempo Change” display will be restored after a while.

Press the [EXIT] button to exit from the “Song” menu display.

MIDI

[TEMPO]

button

[MENU] button [EXIT] button

“Song” menu display

3-1. Use the [ ]/[ ] buttons

to select “Edit.”

3-2. Press the [ ] button to

call up the next display.

3-3. Use the [ ]/[ ] buttons

to select “Tempo Change.”

3-4. Press the [ ] button to call

up the next display.

“Edit” display

P-525 Owner’s Manual

Recording Your Performance

To change the Voice:

1. Select the MIDI Song you wish to change.

For instructions, refer to page 45.

2. Select the desired Voice.

For instructions, refer to page 20.

3. Press the [MENU] button repeatedly to call up the “Song”

menu display, then select the highlighted item in each

display as illustrated below.

Press the [ ] button to call up the setting display, then

select the desired Track using the [ ]/[ ] buttons.

5. After pressing the [ ] button to return to the “Voice

Change” display, press the [ ] button to highlight

“Execute,” and then press the [ ] button.

The Voice selected in step 2 is applied to the Track selected in step 4.

When this operation is completed, “Completed” is shown on the display,

and the “Voice Change” display will be restored after a while.

6. Press the [EXIT] button to exit from the “Song” menu

display.

“Song” menu display

3-1. Use the [ ]/[ ] buttons

to select “Edit.”

3-2. Press the [ ] button to

call up the next display.

3-3. Use the [ ]/[ ] buttons

to select “Voice Change.”

3-4. Press the [ ] button to

call up the next display.

“Edit” display

“Voice Change” display

66 P-525 Owner’s Manual

Handling Song Files

The “File” menu in the “Song” menu display (page 98) enables you to apply various operations to Song files

— Songs you recorded on this instrument or commercially available Songs.

connect a USB flash drive, be sure to read the section “Precautions when using the [ ] (USB TO

DEVICE)

terminal” on page 75.

Settings marked with a “*” are effective only when a MIDI Song is selected.

Song types are indicated as the category name and

icon in the Song display. The following chart shows

the Song type and restrictions on File operations.

* The icon appears only when you select a Song in the “User” or

“USB” category.

: Yes, ×: No

Range of the Copy/Move operation

As for a MIDI Song in the “User” category in the instrument, you can Copy/

Move it only to the USER FILES folder on a USB flash drive. Selecting a MIDI

Song from “User” for copying/moving automatically specifies the USER FILES

folder as the destination.

As for a MIDI Song in a USB flash drive, you can Copy/Move it to the “User”

category in the instrument.

Operation File menu Page

Deleting files Delete pages 67, 68

Copying files *Copy pages 67, 68

Moving files *Move pages 67, 69

Converting a MIDI Song to an Audio Song during playback *MIDI to Audio pages 67, 70

Renaming files Rename pages 67, 71

File

A file contains a group of data.

On this instrument, a Song file

includes Song data and a Song

name.

Song Types and File Operation Limitations

Song name

Icon*

Category name

Data Location Song Type Delete Copy Move MIDI to

Audio Rename

Category Icon

Instrument Demo Demo (Voice Demo) –×××××

50 Classics

50 classical Preset Songs –×××××

User Your own recorded Songs (MIDI) 

USB flash

drive device

USB MIDI Songs 

Audio Songs ×××

Instrument

USB flash drive

User

Can be copied/moved.

Root

USER FILES

folder

USER FILES folder

If the USB flash drive device

plugged into the instrument

contains no USER FILES folder,

one will be created

automatically when you format

or record a Song to that device.

The recorded Song will then be

saved in that folder.

NOTE

• Please note that the copy

features are intended for your

personal use only.

• Folders cannot be copied.

Root:

The highest level of a

hierarchical structure. This

indicates an area which does

not belong to a folder.

P-525 Owner’s Manual

Handling Song Files

Song files can be handled via the instructions shown below.

1. Connect the appropriate USB flash drive containing the

desired files to the [ ] (USB TO DEVICE) terminal as

necessary.

2. Select a Song for handling.

For information on selecting a Song, see page 45.

3. Select the desired operation.

3-1. Press the [MENU] button repeatedly to call up the “Song”

menu display. Use the [ ]/[ ] buttons to select “File,” and

then press the [ ] button.

3-2. Use the [ ]/[ ] buttons to select the desired operation from

“Delete,” “Copy,” “Move,” “MIDI to Audio” or “Rename.”

From here, if you wish to exit from the “File” display, press the [EXIT]

button once or twice.

4. Execute the selected operation.

For specific instructions, refer to the corresponding section.

•Delete ............................page 68

•Copy...............................page 68

•Move ..............................page 69

•MIDI to Audio..........page 70

•Rename.........................page 71

During operation, messages (information, confirmation, etc.) may be

shown on the display. For explanations and details, refer to “Message List”

on page 113.

5. Press the [EXIT] button to exit from the “File” display.

Basic Song File Operation

“Song” menu display

“File” display

[]/[ ] buttons

NOTICE

Do not disconnect the USB

flash drive during file

handling or when a USB flash

drive is mounted. Doing so

may delete all data in the

USB flash drive and the

instrument.

68 P-525 Owner’s Manual

Handling Song Files

For details about Song types which can be deleted, refer to page 66.

See page 67 for information on basic operations.

The following is a detailed procedure of step 4 on that page.

4-1. While “Delete” is highlighted, press the [ ] button.

The setting display is called up.

4-2. Highlight “Execute” by pressing [ ] button, and then

press the [ ] button.

After the Song is deleted, the display returns to the Song List display.

For details about Song types and ranges that can be copied, refer to page 66.

See page 67 for information on basic operations.

The following is a detailed procedure of step 4 on that page.

4-1. While “Copy” is highlighted, press the [ ] button.

The setting display is called up.

“USB” will be shown when the copy destination is the USB flash drive

or “User” when the instrument is the copy destination. A file copied to

the USB flash drive is stored to the USER FILES folder on it.

4-2. Highlight “Execute” by pressing [ ] button, then press

the [ ] button.

The selected Song will be copied to the destination with the same name

as the copy source file.

Deleting Files — Delete

NOTICE

Do not turn off the power or

eject the USB flash drive

while “Executing” is shown in

the display.

Copying Files — Copy

NOTE

A message appears when a

Song with the same name

already exists in the copy

destination. Select “Overwrite”

when you want to overwrite the

selected Song, or “Cancel” to

cancel by using the [ ]/[ ]

buttons, and then press the [ ]

button.

NOTICE

• Overwrite operations erase

any existing data of the

copy destination file and

overwrite with data of the

copy source file.

• Do not turn off the power or

eject the USB flash drive

while “Executing” is shown

in the display.

File

name

Copy destination

P-525 Owner’s Manual

Handling Song Files

For details about Song types and range that can be moved, refer to page 66.

See page 67 for information on basic operations.

The following is a detailed procedure of step 4 on that page.

4-1. While “Move” is highlighted, press the [ ] button.

The setting display is called up.

“USB” will be shown when the move destination is the USB flash drive

or “User” when the instrument is the move destination. A file moved to

the USB flash drive is stored to the USER FILES folder on it.

4-2. Highlight “Execute” by pressing the [ ] button, then

press the [ ] button.

The selected Song will be moved to the destination and the display

returns to the Song list display.

Moving Files — Move

NOTE

A message appears when a

Song with same name already

exists in the move destination.

Select “Overwrite” when you

want to overwrite the selected

Song, or “Cancel” to cancel by

using the [ ]/[ ] buttons, then

press the [ ] button.

NOTICE

• Overwrite operations erase

any existing data of the

move destination file and

overwrite with data of the

move source file.

• Do not turn off the power or

eject the USB flash drive

while “Executing” is shown

in the display.

Move destination

File

name

70 P-525 Owner’s Manual

Handling Song Files

A MIDI Song in the User memory of the instrument or on a USB flash drive

can be converted to an Audio Song. Since an Audio Song can be saved only to a

USB flash drive, you should start conversion only after connecting the USB

flash drive to the instrument. For information about which Song types can be

converted, refer to page 66.

See page 67 for information on basic operations.

The following is a detailed procedure of step 4 on that page.

4-1. While “MIDI to Audio” is highlighted, press the

[] button.

The setting display is called up.

4-2. Highlight “Execute” by pressing the [ ] button, then

press the [ ] button.

This operation starts playback and conversion from MIDI to Audio.

This is basically the same as that of Audio Song Recording, which

allows you to record your keyboard performance and other audio input

sounds (via Bluetooth, [AUX IN] etc.) from the external device

(page 54). After you convert the Song, a message “Convert completed”

will be shown and the display returns to Song List display.

The Audio Song converted from a MIDI Song is saved with the same

name as the MIDI Song. The icon displayed to the left of the Song name

on the instrument display is changed, and the Song file extension on

the computer is changed to “.wav”.

Converting a MIDI Song to an Audio Song during

Playback — MIDI to Audio

NOTE

• After conversion, the MIDI

Song remains in the original

data location.

• If you start conversion before

connecting the USB flash

drive to the instrument, an

error message appears on

the display.

NOTICE

Do not turn off the power or

disconnect the USB flash

drive during the conversion.

Otherwise the data will be

lost.

NOTE

• A message appears when a

Song with same name

already exists in the copy

destination. Select

“Overwrite” when you want to

overwrite the selected Song

by using the [ ]/[ ] buttons,

then press the [ ] button.

• To cancel this operation,

press the [EXIT] button

during the conversion. When

the operation is canceled, the

converted Audio Song will

not be saved.

P-525 Owner’s Manual

Handling Song Files

For details about Song types which can be renamed, refer to page 66.

See page 67 for information on basic operations.

The following is a detailed procedure of step 4 on that page.

4-1. While “Rename” is highlighted, press the [ ] button.

The setting display is called up.

4-2. Assign a name to the Song.

Use the [ ]/[ ] buttons to move the highlight (underline).

Use the [ ]/[ ] buttons to change the character at the current cursor

position. Pressing both buttons simultaneously will delete the character

at the current cursor position.

A Song name can contain up to 48 characters. Characters which extend

beyond the display capacity and are not visible can be viewed by

moving the highlight by using the [ ]/[ ] buttons.

4-3. Press the [MENU] button to actually rename the file.

After the Song is renamed, the display returns to Song List display

where the renamed Song can be selected.

Renaming Files — Rename

Cursor

NOTE

For information about the

character types available for

the Song name, refer to

“Language” on page 107.

NOTICE

Do not turn off the power or

eject the USB flash drive

while “Executing” is shown

in the display.

72 P-525 Owner’s Manual

Saving and Recalling Desired Settings

(Registration Memory)

The Registration Memory function allows you to save (or “register”) settings such as Voice and Style to

buttons on the front panel, and then instantly recall your desired settings. This instrument has four

memory spaces; Bank A–D and the six settings can be saved to each bank. If a bank has already been

selected, you can recall the saved settings only by holding down the [REGIST] button and pressing one of

[1]–[6] buttons.

1. Set up the panel controls (such as Voices, Rhythms and so

on) as desired.

2. While holding down the [REGIST] button, use the [ ]/[ ]

buttons to select the bank.

3. Press both of the [MEMORY] buttons to call up the

“Registration Memory” display.

[]/[ ]/[ ]/[ ] buttons [REGIST] button

[MEMORY] buttons [1]–[6] buttons

Bank A–D The settings are registered.

Recall

Save

Saving the Settings to the Registration Memory

Parameters that can be

saved to Registration

Memory

• Voice (page 20)

• Dual (page 29)

• Split (page 30)

• Sound Boost (page 37):

On/Off, type

• Master EQ type (page 38),

User Master EQ setting

(page 39)

• Song tempo (page 47)

• Metronome tempo (page 41)

• Rhythm (page 43)

• Voice menu (all menus,

page 95)

• Metronome/Rhythm menu

(page 101)

-Volume

-Intro

-Ending

-Bass

• System menu (page 103)

- Tuning

- Keyboard

- Pedal: Pitch Bend Range,

AUX Polarity, Aux assign,

Aux Area

P-525 Owner’s Manual

Saving and Recalling Desired Settings (Registration Memory)

4. Press the one of the [1]–[6] button which you want to

The display for registering the setting.

5. Press the [ ] button to actually register the setting.

When this operation is completed, “Completed” is shown on the display,

and operation returns to the Voice display will be restored after a while.

To cancel this operation, press the [ ] button to select “Cancel,” and then

press the [ ] button.

1. While holding down the [REGIST] button, use the [ ]/[ ]

buttons to select the bank to which the settings are saved.

2. While holding down the [REGIST] button, press the

appropriate [1]–[6] button to which the setting is

registered.

The number of the pressed button appears next to “Memory” in the

display and the registered setting is recalled.

NOTICE

If you press a button to which

a setting is already registered,

new setting will replace

already saved setting. If you

want to check whether the

settings are registered to the

corresponding button before

“Recalling a Registered

Setting.”

NOTICE

If the power is turned off

during this operation, the

setting registered to the

Registration Memory may be

lost.

NOTE

It is impossible to check the

registered settings in the list

etc. on this instrument. This is

why, we recommend that you

make a note of the settings you

have registered.

Recalling a Registered Setting

When the setting is registered When the setting is not registered

74 P-525 Owner’s Manual

Connecting to Other Devices

You can connect other devices to this instrument’s connectors. For information about location of these

connectors, refer to “Panel Controls and Terminals” on page 11.

CAUTION

Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning

any components on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the components, electrical

shock, or even permanent hearing loss may occur.

[ ] (USB TO DEVICE) terminal

You can connect a USB flash drive to this terminal, or use a USB wireless LAN adaptor

UD-WL01 (sold separately) to connect with a smart device such as a smartphone. For

details, refer to “Connecting USB Devices” (page 75) or “Connecting to a Computer or

Smart Device” (page 77). Before using the [USB TO DEVICE] terminal, be sure to read

“Precautions when using the [ ] (USB TO DEVICE) terminal” on page 75.

[AUX IN] jack

This jack is used to connect an audio player, such as a smartphone or portable audio

player. For details, refer to “Connecting to an Audio Player” on page 76.

AUX OUT [R] [L/L+R] jacks

These jacks are used to connect to external powered speaker systems (page 76).

[USB TO HOST] terminal

This terminal allows connection to a computer or a smart device, such as smartphone or

tablet. For details, refer to “Connecting to a Computer or Smart Device” (page 77).

MIDI [IN], [OUT] terminals

These terminals are used to connect external MIDI devices, such as a synthesizer or a

sequencer. For details, refer to “Connecting External MIDI Devices” on page 89.

[AUX PEDAL] jack

An included FC3A foot pedal, or a separately sold FC4A or FC5 foot switch can be

connected to this jack. For details on the functions assigned to the pedals, refer to “Pedal

Function List” (page 17). To select a different function to be controlled, use “Aux Assign”

(page 104) in the “System” menu display.

Connectors

w e ytr

Rear PanelFront Panel

[PEDAL UNIT] jack

(page 15)

DC IN jack

(page 12)

NOTE

There are two different types of

USB terminals on the

instrument: [ ] (USB TO

DEVICE) and [USB TO HOST].

Take care not to confuse the

two terminals and the

corresponding cable

connectors. Be careful to

connect the proper plug in the

proper direction.

P-525 Owner’s Manual

Connecting to Other Devices

You can connect a USB flash drive or a USB wireless LAN adaptor UD-WL01 (sold separately) to the

[] (USB TO DEVICE) terminal. You can save data you’ve recorded on the instrument to the USB flash

drive (pages 66, 90), or you can connect the instrument to a smart device such as a smartphone via wireless

LAN (page 83).

Connecting USB Devices ([ ] (USB TO DEVICE) Terminal)

Precautions when using the [ ]

(USB TO DEVICE) terminal

This instrument features a built-in [ ] (USB TO

DEVICE) terminal. When connecting a USB device to

the terminal, be sure to handle the USB device with

care. Follow the important precautions below.

NOTE

For more information about the handling of USB devices, refer

to the owner’s manual of the USB device.

Compatible USB devices

•USB flash drive

• USB wireless LAN adaptor UD-WL01 (sold

separately; may not be available in some areas)

Other USB devices such as a computer keyboard or

mouse cannot be used.

The instrument does not necessarily support all

commercially available USB devices. Yamaha cannot

guarantee operation of USB devices that you

purchase. Before purchasing a USB device for use with

this instrument, please visit the following web page:

https://download.yamaha.com/

Although USB devices 2.0 to 3.0 can be used on this

instrument, the amount of time for saving to or

loading from the USB device may differ depending on

the type of data or the status of the instrument. USB

1.1 devices cannot be used on this instrument.

NOTICE

The rating of the [ ] (USB TO DEVICE) terminal is a

maximum of 5 V/500 mA. Do not connect USB devices

having a rating above this, since this can cause damage to

the instrument itself.

Connecting a USB device

When connecting a USB device to

the

[ ] (USB TO DEVICE)

terminal, make sure that the

connector on the device is

appropriate and that it is

connected in the proper direction.

NOTICE

• Avoid connecting or disconnecting the USB device

during playback/recording and file management

operations (such as Save, Copy, Delete and Format), or

when accessing the USB device. Failure to observe this

may result in “freezing” of the operation of the

instrument or corruption of the USB device and the data.

• When connecting then disconnecting the USB device

(and vice versa), make sure to wait a few seconds

between the two operations.

• Do not use an extension cable when connecting a USB

device.

Using USB Flash Drives

By connecting the instrument to a USB flash drive,

you can save data you’ve created to the connected

device, as well as read data from the connected USB

flash drive.



Number of USB flash drives that can be used

Only one USB storage device can be connected to the

[ ] (USB TO DEVICE)

terminal.

Formatting a USB flash drive

You should format the USB flash drive only with this

instrument (page 107). A USB flash drive formatted

on another device may not operate properly.

NOTICE

The format operation overwrites any previously existing

data. Make sure that the USB flash drive you are formatting

does not contain important data.

To protect your data (write-protect)

To prevent important data from being inadvertently

erased, apply the write-protect provided with each

USB flash drive. If you are saving data to the USB flash

drive, make sure to disable write-protect.

Turning off the instrument

When turning off the instrument, make sure that the

instrument is NOT accessing the USB flash drive by

playback/recording or file management (such as

during Save, Copy, Delete and Format operations).

Failure to do so may corrupt the USB flash drive and

the data.

76 P-525 Owner’s Manual

Connecting to Other Devices

You can connect the headphone jack of an audio player, such as a smartphone

or portable audio player, to the instrument’s [AUX IN] jack. Audio playback on

the connected device is output from the built-in speakers of this instrument.

NOTICE

To avoid damage to the devices, first turn on the power to the external device, and then to the

instrument. When turning off the power, first turn off the power to the instrument, and then to

the external device.

These jacks let you connect the instrument to external powered speaker

systems, for playing in larger venues at higher volumes.

NOTICE

• To avoid possible damage, first turn on the power to the instrument, then to the external

device. When turning off the power, first turn off the power to the external device, then to the

instrument. Since this instrument’s power may automatically be turned off due to the Auto

Power Off function (page 13), turn off the power to the external device, or disable Auto Power

Off when you do not intend to operate the instrument.

• Do not route the output from the AUX OUT jacks to the [AUX IN] jack. If you make this

connection, the signal input at the [AUX IN] jack is output from the AUX OUT jacks. These

connections could result in a feedback loop that will make normal performance impossible,

and may even damage the equipment.

The output volume from the AUX OUT jacks can be adjusted by the

[VOLUME] slider on the instrument. If you want to mute the speaker of the

instrument while the external speakers are connected to the AUX OUT jacks,

set the “Speaker” parameter to off via the “System” menu: “Utility” → “Speaker”

(page 106).

Connecting to an Audio Player ([AUX IN] jack)

NOTE

• The instrument’s [VOLUME]

setting affects the input signal

from the [AUX IN] jack.

• Use audio cables and

adaptor plugs having no

(zero) resistance.

Using an External Speaker System for Playback

(AUX OUT [L/L+R]/[R] jacks)

Instrument

Phone plug (stereo mini) Phone plug (stereo mini)

Portable audio player

Audio cable

Headphone jack

Audio signal

Example

NOTE

• Use only the [L/L+R] jack for

connection with a monaural

device.

• Use audio cables and

adaptor plugs having no

(zero) resistance.

• When you are monitoring the

sound output via the AUX

OUT jacks from headphones

connected to the instrument,

we recommend that you set

the Binaural Sampling and

Stereophonic Optimizer

functions to off. For details,

refer to page 14.

Instrument

AUX OUT Input jack

Powered speaker

Audio cable

Phone plug (standard) Phone plug (standard)

Audio signal

Example

P-525 Owner’s Manual

Connecting to Other Devices

Connecting a computer or a smart device such as a smartphone or tablet allows

you to enjoy the features shown below. The method of connections varies

depending on the connected device or your intended use.

• Transmitting/receiving audio data (USB Audio interface

function)

Connect a computer or a smart device to the [USB TO HOST] terminal via a

USB cable. For details, refer to page 78.

• Listening to audio data from a smart device through this

instrument (Bluetooth audio function)

Connect a smart device and this instrument via Bluetooth. For details, refer

to page 79.

• Using smart device apps by connecting to a smart device

The two powerful apps, “Smart Pianist” and “Rec'n'Share,” can be used with

this instrument.

Refer to page 81 for “Smart Pianist” and page 88 for “Rec'n'Share.”

Connecting to a computer

By connecting a computer to the [USB TO HOST] terminal via a USB cable,

you can transfer MIDI data or Audio data between the instrument and the

computer. For instructions on connecting to a computer, refer to page 78.

Connecting to a Smart Device

The smart device such as a smartphone or tablet can be connected to this

instrument via the following methods.

• Connecting via USB cables

Connect the smart device to the [USB TO HOST] terminal via USB cables.

For details, refer to page 88.

• Connecting via Bluetooth

Connect the smart device to this instrument wirelessly via Bluetooth.

For details, refer to pages 79 and 82.

• Connecting via Wi-Fi (by using the USB wireless LAN adaptor)

Connect the smart device to this instrument via Wi-Fi by using the

separately sold USB wireless LAN adaptor, UD-WL01.

For details, refer to page 83.

*The USB wireless LAN adaptor UD-WL01 may not be available depending on your area.

Connecting to a Computer or Smart Device

NOTICE

Do not place your smart

device in an unstable

position. Doing so may cause

the device to fall and result in

damage.

78 P-525 Owner’s Manual

Connecting to Other Devices

By connecting a computer or a smart device to the [USB TO HOST] terminal

via a USB cable shown in the illustration, digital audio data can be transmitted/

received. This USB Audio Interface function provides the following advantages:

• Playing back audio data with high sound quality

This gives you direct, clear sound in which the sound quality has less noise

and deterioration than that from the [AUX IN] jack.

• Recording performance on the instrument as audio data by

using a recording software or a music production software

The recorded audio data can be played back on the computer or smart

device.

Example:

Audio Loopback On/Off

This allows you to set whether audio sound input from the connected

computer or smart device, via the USB audio interface function, or Bluetooth

Audio (page 79) / wireless LAN (page 83) / [AUX IN] jack (page 76), is output

to a computer or a smart device or not along with the performance played on

the instrument. To output the audio input sound, set the Audio Loopback to

“On.” However, input sounds via Bluetooth Audio or [AUX IN] jack are always

output regardless of this Audio Loopback on/off setting.

For example, if you want to record the audio input sound as well as the sound

played on the instrument by using the computer or the smart device, set this to

“On.” If you intend to record only the sound played on the instrument by using

the computer or the smart device, set this to “Off.”

For details on the settings, refer to “Audio Loopback” on page 106.

Transmitting/Receiving Audio Data (USB Audio

Interface Function)

Computer

USB cable

(Type C - Type A)

USB terminal (Type C)

P-525

USB terminal (Type A)

Computer

USB cable

(Type C - Type C)

NOTE

• The audio input sounds are

not output to devices

connected via the Bluetooth

Audio or [AUX IN] jack.

• The playback sound of an

Audio Song (page 44) is also

output to a computer or smart

device when this is set to

“On,” while the sound is not

output when this is set to

“Off.”

• With Audio Recording

(page 54), the audio input

sound from the connected

computer or smart device is

recorded when this is set to

“On,” while the sound is not

recorded when this is set to

“Off.” However, when the

devices are connected via the

Bluetooth Audio or [AUX IN]

jack, the input sounds are

always recorded regardless

of the Audio Loopback on/off

setting.

NOTE

• When transmitting or

receiving audio signals by

using a computer running

Windows, the Yamaha

Steinberg USB Driver should

be installed to the computer.

• The volume of the audio

sound input can be adjusted

from a computer or smart

device.

• When using a USB cable to

connect the instrument to

your computer, make the

connections directly without

passing through a USB hub.

• Unexpected sounds may

occur if you edit MIDI data

related to the Grand

Expression Modeling

(page 25) on a computer.

NOTICE

• Use an CC or AC type USB

cable of less than 3 meters.

The cable must be a

communication cable

compliant with USB

standards, and not a

charging-only cable.

• If you are using a DAW

(digital audio workstation)

application with this

instrument, set the Audio

Loopback function to off.

Otherwise, a loud sound

may occur, depending on

the settings of the

computer.

P-525 Owner’s Manual

Connecting to Other Devices

You can input the sound of the audio data saved in a Bluetooth-equipped

device, such as a smart phone or digital audio player, to this instrument and

listen to it through the built-in speaker of the instrument.

To use this function, make sure that Bluetooth is set to “On” (page 80) on the

instrument (default setting: On).

1. Hold down the [MENU] button for 3 seconds.

The pop-up window will appear which indicates that the instrument is

standing by for pairing.

To cancel the pairing, press the [EXIT] button.

2. On the smart device, set the Bluetooth function to on and

select “P-525 AUDIO” from the connection list.

For details, refer to the smart device owner’s manual.

After pairing is completed, the connection status will be shown in the

display.

3. Play back audio data on the smart device to confirm that

the built-in speakers of the instrument can output the

audio sound.

When you turn on the instrument the next time, the last-connected smart

device will be connected to this instrument automatically, if the Bluetooth

function of the smart device and the instrument is set to on. If it is not

connected automatically, select the model name of the instrument from

the connection list on the smart device.

Listening to Audio Data from a Smart Device

through this Instrument (Bluetooth Audio Function)

Before using the Bluetooth function, be sure to read “About Bluetooth” on page 80.

NOTE

• In this manual, a smart device

is used as an example of a

Bluetooth-equipped device

which allows Bluetooth

transmission of contained

audio data to the instrument,

via wireless communication.

For proper operation, the

device must be compatible

with A2DP (Advanced Audio

Distribution Profile). The

Bluetooth Audio function is

explained here by using a

smart device as an example

of such Bluetooth-equipped

devices.

• Refer to page 82 for

transmitting/receiving the

MIDI data between the

instrument and the smart

device via Bluetooth.

• Bluetooth headphones or

speakers cannot be paired.

Pairing

“Pairing” means to register

Bluetooth-equipped smart

devices on this instrument, and

establish the mutual recognition

for wireless communication

between the two.

NOTE

• Only one smart device can be

connected to this instrument

at a time (although up to 8

smart devices can be paired

to this instrument). When

pairing with the 9th smart

device has succeeded,

pairing data for the device

with the oldest connection

date will be deleted.

• Make sure to complete the

settings on the smart device

within 5 minutes.

• If you are required to enter a

passkey, enter the numerals

“0000.”

NOTE

You can adjust the volume of

the sound input via Bluetooth

by the [VOLUME] slider. To

adjust the volume balance

between your keyboard

performance and the input

sound via Bluetooth, adjust the

volume on the smart device.

[MENU] button [EXIT] button

Can receive audio data

80 P-525 Owner’s Manual

Connecting to Other Devices

Switching the Bluetooth Function On/Off

By default, the Bluetooth function will be on right after turning the

instrument’s power on, however you can set the function to off.

1. Press the [MENU] button repeatedly to call up the

“System” menu display, then select the highlighted item in

each display as illustrated below.

2. Press the [ ] button to switch on/off.

To exit from the “System” menu display, press the [EXIT] button.

About Bluetooth

Bluetooth is a technology for wireless communication between devices within an area of

about 10 meters (33 ft.) employing the 2.4 GHz frequency band.

Handling Bluetooth communications

• The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by

many types of equipment. While Bluetooth compatible devices use a technology

minimizing the influence of other components using the same radio band, such

influence may reduce the speed or distance of communications and in some cases

interrupt communications.

• The speed of signal transfer and the distance at which communication is possible

differs according to the distance between the communicating devices, the presence of

obstacles, radio wave conditions and the type of equipment.

• Yamaha does not guarantee all wireless connections between this unit and devices

compatible with Bluetooth function.

Before using the Bluetooth function, be sure to read “About Bluetooth” (see below).

Bluetooth capability

Depending on the country in which you

purchased the product, the instrument may not

have Bluetooth capability. If the Bluetooth logo is

printed on the front panel, this means that the

product is equipped with Bluetooth functionality.

“System” menu display

1-1. Confirm that “Bluetooth”

is selected.

1-2. Press the [ ] button to

call up the next display.

1-3. Confirm that “Bluetooth” is

selected.

“Bluetooth” display

Bluetooth logo

P-525 Owner’s Manual

Connecting to Other Devices

You can use the two smart device apps, “Smart Pianist” and “Rec'n'Share”

(page 88) by connecting a smart device such as a smartphone or tablet.

For details on each app, access the website below and visit the page for each

app.

https:/www.yamaha.com/2/apps/

Operating the Instrument with a Smart Device

(Smart Pianist)

By using the Smart Pianist app, you can view the score of the preset Songs on

the smart device, record your performance to the smart device, and perform

other convenient operations. The intuitive visual also helps you easily to

confirm the current settings of the instrument.

After installing the “Smart Pianist” app on your smart device from the website

above, connect this instrument to the device via the following three methods.

• Connecting via Bluetooth (page 82)

• Connecting via USB cables (page 82)

• Connecting via Wi-Fi (by using the separately sold UD-WL01 wireless LAN

adaptor) (page 83)

The “Connection Wizard” of Smart Pianist guides you in properly connecting

the smart device to the instrument properly.

For more information on how to connect the device and use the app, refer to

the “Smart Pianist User Guide” on the following website.

https://manual.yamaha.com/mi/app/smartpianist/

Using Smart Device Apps with a Connected

Smart Device

NOTICE

• Activating the “Smart

Pianist” app while the

instrument is connected to

the smart device overwrites

the settings on the

instrument by that of

“Smart Pianist.” Save your

important setup data as a

backup file to a USB flash

drive (page 90).

• Do not place your smart

device in an unstable

position. Doing so may

cause the device to fall and

result in damage.

NOTE

When using the “Smart Pianist”

app, you cannot use any

buttons on the instrument other

than the [EXIT] button.

Control the instrument by using

“Smart Pianist.”

Pressing the [EXIT] button on

the instrument disconnects the

instrument from the “Smart

Pianist” app, and enables you

to control the instrument by

using its buttons.

82 P-525 Owner’s Manual

Connecting to Other Devices

Connecting via Bluetooth

Two different types of Bluetooth connection are available: “Bluetooth MIDI”

and “Bluetooth Audio” (page 79).

Although a Bluetooth MIDI connection is required for using the Smart Pianist,

a Bluetooth Audio connection is also required for playing back audio data in

your smart device on the Smart Pianist. Connect via Bluetooth Audio first, and

then connect via Bluetooth MIDI.

1. Make the Bluetooth Audio function settings on this

instrument to receive audio data (page 79).

2. Connect with the smart device via Bluetooth MIDI by

using the “Connection Wizard” on the Smart Pianist.

When connecting, select “P-525 MIDI” on Smart Pianist as the device for

connection.

When the Bluetooth connection is made successfully, the connection

status is shown on the Voice display.

Connecting via USB cables

Connect the smart device to the [USB TO HOST] terminal via USB cables.

With this method, audio data as well as MIDI data can be transmitted or

received between the instrument and the smart device. This allows you to play

the audio data in the smart device through Smart Pianist, and also allows you

to record your keyboard performance as audio format on Smart Pianist.

For instructions on how to connect a smart device to this instrument, refer to

the example on page 88.

Before using the Bluetooth function, be sure to read “About Bluetooth” on page 80.

NOTE

If the Bluetooth function of this

instrument is set to Off (default

setting: On), the Bluetooth

connection cannot be made.

For information on the setting,

refer to page 80.

Can transmit and receive MIDI data

Can transmit and receive MIDI data,

and receive audio data

“Voice” display

P-525 Owner’s Manual

Connecting to Other Devices

Connecting via Wi-Fi (by using the separately sold

USB wireless LAN adaptor)

*The USB wireless LAN adaptor UD-WL01 may not be available depending on your area.

Connect the smart device via Wi-Fi by connecting the USB wireless LAN

adaptor UD-WL01 (sold separately) to the [ ](USB TO DEVICE) terminal.

With this method, audio data as well as MIDI data can be transmitted or

received between the instrument and the smart device. This allows you to play

the audio data in the smart device through Smart Pianist, and also allows you

to record your keyboard performance as audio format on Smart Pianist.

There are two types of connections via Wi-Fi as described below. The

“Connection Wizard” of Smart Pianist guides you in properly connecting the

smart device to the instrument properly.

Connecting by the Infrastructure mode

The Infrastructure mode uses an access point for data communication between

a USB wireless LAN adaptor and a network. You can use this mode when you

connect to another network while a smart device is connected to the

instrument.

• Displaying the Wireless LAN networks and connecting to a network

(page 84)

• Automatic Setup by WPS (page 85)

• Manual Setup (page 85)

Connecting by the Accesspoint mode (page 87)

The Accesspoint mode allows you to directly connect the USB wireless LAN

adaptor and a smart device, without the need for using an access point. You can

use this mode when no access point is available for connection to the

instrument, or when it is unnecessary to connect to another network while a

smart device is connected to the instrument.

When connected by this mode, Internet access is disabled on your smart

device, and some functions of Smart Pianist cannot be used.

NOTICE

Do not connect this product

to a public Wi-Fi and/or

Internet service directly. Only

connect this product to the

Internet through a router with

strong password protections.

Consult your router

manufacturer for information

on optimum security

practices.

84 P-525 Owner’s Manual

Connecting to Other Devices

• Displaying the Wireless LAN Networks and connecting to

a Network

Make sure to connect the USB wireless LAN adaptor (sold separately) to the

[ ] (USB TO DEVICE) terminal, otherwise the displays for setup below

will not be shown.

1. Press the [MENU] button repeatedly to call up the

“System” menu display, and then select the highlighted

item in each display as illustrated below.

2. Press the [ ] button to call up the network list.

For a network with a lock icon , you need to enter the proper

password.

3. Connect the instrument to the Network.

3-1. Select the desired network, then press the [ ] button.

The name of the selected network will be fully shown in the display,

letting you confirm this is the network you want to use.

3-2. Press the [ ] button.

• For a network without a lock icon:

Connecting starts.

• For a network with a lock icon:

You need to enter the proper password. For details on how to enter

characters, refer to the “Renaming Files — Rename” on page 71.

After entering the password, press the [MENU] button to finalize the

setting. This operation starts connecting automatically.

NOTE

If the menus shown in the

Wireless LAN display are

different from the instruction

here, the instrument is in the

Accesspoint mode. Set the

Wireless LAN Mode parameter

to “Infrastructure Mode” by

following the step 1 on

page 87.

[]/[ ]/[ ]/[ ]

buttons

[MENU] button

“System” menu display

1-1. Use the [ ]/[ ] buttons

to select “Utility.”

1-2. Press the [ ] button to

call up the next display.

1-3. Use the [ ]/[ ] buttons

to select “Wireless LAN.”

1-4. Press the [ ] button to

call up the next display.

1-5. Use the [ ]/[ ] buttons

to select “Select

Network.”

“Utility” display “Wireless LAN” display

NOTE

If no signal from the access

point is received, the access

point cannot be listed. Also,

closed access points cannot

be listed.

P-525 Owner’s Manual

Connecting to Other Devices

When connection is done successfully, “Completed” is shown in the

display, and returns to the “Select Network” display.

4. Connect the smart device to the access point.

Open the Wi-Fi settings on your smart device, and select the network

containing “P-525” in the name field.

If a password is requested, input it to connect.

•Automatic Setup by WPS

Please make sure to connect the USB wireless LAN adaptor (sold separately) to

the [ ] (USB TO DEVICE) terminal, otherwise the displays for setup will

not be shown.

If your access point supports WPS, you can easily connect the instrument to

access point by WPS, without making settings, such as password input, etc.

Press the WPS button on the USB wireless LAN adaptor more than 3 seconds,

and press the WPS button on your access point within two minutes.

When connection is done successfully, “Completed” is shown in the display,

and the Voice display will be shown.

Finally, connect the smart device to the access point (step 4 above).

•Manual Setup

Make sure to connect the USB wireless LAN adaptor (sold separately) to the

[ ] (USB TO DEVICE) terminal, otherwise the displays for setup will not

be shown.

1. To call up the network list, perform steps 1 – 2 in the

“Displaying the Wireless LAN Networks and connecting to

a Network” (page 84).

2. Select “Other” at the bottom of the network list, then press

the [ ] button.

NOTE

WPS setup is not available

while the instrument is in the

following modes or conditions:

• While a Song or a Demo

Song is playing back or

being paused temporarily, or

while the instrument is in the

Song Recording mode.

• When Wireless LAN mode is

set to “Accesspoint Mode” in

the “System” menu.

86 P-525 Owner’s Manual

Connecting to Other Devices

3. Set the SSID, Security and Password to the same as the

settings on the access point.

3-1. Select the “SSID” then press the [ ] button to call up the

display for SSID input, then enter the SSID.

For details on how to enter the characters, refer to “Renaming Files —

Rename” on page 71. After entering the SSID, press the [MENU]

button to finalize the setting. Operation returns to the “Other” display.

3-2. Select “Security” then press the [ ] button to call up the

Security list. Select the security then return to the “Other”

display by pressing the [ ] button.

3-3. Select “Password,” then set the password in the same way as

SSID.

4. Select “Connect >” at the bottom of the display shown in

step 3, then press the [ ] button to start connecting.

When connection is done successfully, “Completed” is shown in the

display, and returns to the “Select Network” display.

5. Connect the smart device to the access point.

This operation is the same as step 4 on page 85.

NOTE

The password cannot be set

when you select “NONE” for

the security setting.

P-525 Owner’s Manual

Connecting to Other Devices

• Connecting by the Accesspoint Mode

1. Switch the instrument to the “Accesspoint Mode.”

Press the [MENU] button repeatedly to call up the “System” menu

display, then select the highlighted item in each display as illustrated

below.

When mode change is done successfully, “Completed” is shown in the

display, operation returns to the “Wireless LAN Mode” display.

2. Set SSID, Security, Password and Channel.

2-1. From the “System” menu display, select the highlighted item

in each display as illustrated below.

2-2. Set the SSID, Security, Password and Channel.

Select and enter each value/setting in the same way as in step 3 in

“Manual Setup.” For the setting range for each item, refer to “Wireless

LAN” (In the Accesspoint mode) on page 108.

[]/[ ]/[ ]/[ ]

buttons

[MENU] button

“System” menu display

1-1. Use the [ ]/[ ] buttons

to select “Utility.”

1-2. Press the [ ] button to

call up the next display.

1-3. Use the [ ]/[ ] buttons to

select “Wireless LAN Option.”

1-4. Press the [ ] button to call up

the next display.

1-5. Use the [ ]/[ ] buttons to

select “Wireless LAN Mode.”

1-6. Press the [ ] button to call

up the next display.

“Utility” display

“Wireless LAN Option” display

1-7. Use the [ ]/[ ] buttons to

select “Accesspoint Mode.”

“Wireless LAN Mode” display

“System” menu display “Utility” display “Wireless LAN” display

88 P-525 Owner’s Manual

Connecting to Other Devices

3. Save the setting.

Select “Save >” at the bottom of the “Wireless LAN” display, then press

the [ ] button to start saving.

When saving is done successfully, “Completed” is shown in the display,

and operation returns to the “Utility” display.

4. Connect the smart device to the instrument (as an access

point).

This operation is the same as step 4 on page 85.

Filming, Recording, and Editing Your Performance

(Rec'n'Share)

Rec'n'Share is a smart device app which allows you to film, record, and edit

your performance and helps in uploading the edited data to SNS, etc. For

instructions on how to obtain it, refer to page 81.

To use Rec'n'Share, connect this instrument to your smart device with a

commercially available USB cable (CC or AC type) or a USB conversion

adaptor that matches the connector shape.

Example

NOTICE

Use a CC or AC type USB

cable of less than 3 meters.

The cable must be a

communication cable

compliant with USB

standards, and not a

charging-only cable.

iPad or Android device with

Type C connector

USB cable

(Type C - Type A)

P-525

USB cable

(Type C - Type C)

iPhone or iPad with

Lightning connector

USB conversion adaptor

(Type A - Lightning)

P-525 Owner’s Manual

Connecting to Other Devices

The sophisticated MIDI functions give you powerful tools to expand your

music performance and creation possibilities. Use the MIDI terminals and

standard MIDI cables to connect external MIDI devices (keyboard, sequencer,

etc.)

•MIDI [IN]: Receives MIDI messages from another MIDI device.

•MIDI [OUT]: Transmits MIDI messages generated on this instrument to

another MIDI device.

Connecting External MIDI Devices (MIDI

Terminals)

CAUTION

Before connecting the

instrument to other MIDI

devices, turn off the power of

all the components.

NOTE

• For details about MIDI, refer

to “MIDI Basics”

downloadable from the

Yamaha website (page 6).

• Since MIDI data that can be

transmitted or received varies

depending on the type of

MIDI device, check the MIDI

Data Format to find out what

MIDI data and commands

your devices can transmit or

receive. The MIDI Data

Format is contained in the

“Data List” downloadable

from the Yamaha website

(page 6).

• When transmitting MIDI data

from this instrument to an

external MIDI device,

unexpected sounds may

occur because of data

related to the Grand

Expression Modeling.

Instrument

MIDI IN MIDI INMIDI OUT MIDI OUT

MIDI transmit

MIDI receive

External MIDI device

90 P-525 Owner’s Manual

Backup and Initialization

This lets you set whether some settings of the

Backup Setting (below) are maintained or not

when the power is turned off. The Backup Setting

consists of two groups, “Voice” (including Voice

related settings such as Voice selection) and

“Other” (including various settings such as Song

Repeat and Tuning), which can be set individually.

* For information on whether Bluetooth functionality

is included with the instrument or not, refer to page

page 80.

1. Press the [MENU] button several times to

select “System” menu.

2. Use the [ ]/[ ] buttons to select “Backup,”

use the [ ] button to call up the next display,

then press the [ ] button to select “Backup

Setting.”

3. Use the [ ] button to call up the next display,

select “Voice,” then use the [ ] button to

select “On” or “Off.”

Each “Voice” contains the following settings:

• Voice selection for R1, R2 and L

• All the parameters other than Transpose in the

“Voice” menu

4. Press the [ ] button to select “Other,” then

use the [ ] button to select “On” or “Off.”

The “Other” contains the following settings:

•“Song” menu (page 98): Song Repeat, Volume

(Song-Keyboard), Audio Volume, Quick Play, Play

Track

•“Metronome/Rhythm” menu (page 101): Volu me,

BPM, Bell On/Off, Intro, Ending, Bass

•“System” menu (page 103): Tuning, Keyboard

(except “Duo” and “Duo Type”), Pedal, Sound,

MIDI

• Sound Boost, Master EQ

5. Press the [EXIT] button to exit from the

“System” menu display.

This lets you save data on internal memory to the

connected USB flash drive as a backup file (named

“p-525.bup”). This backup file can be loaded to the

instrument via the Restore function (page 91) for

future. Note that Registration Memory (page 72) is

not included in the backup file.

NOTICE

• It may take 1–2 minutes to complete this operation. Never

turn off the power during this operation (while “Executing”

is shown). Doing so could result in damage to the data.

• If the same backup file (p-525.bup) is already saved in the

USB flash drive, this operation will overwrite or replace this

file with new one.

1. Connect the USB flash drive to the [ ]

(USB TO DEVICE) terminal.

2. Press the [MENU] button several times to

select “System” menu.

3. Use the [ ]/[ ] buttons to select “Backup,”

use the [ ] button to call up the next display,

then use the [ ]/[ ] buttons to select

“Backup.”

4. Use the [ ] button to call up the next display,

then press the [ ] button to select “Execute.”

5. Press the [ ] button to execute the Backup

operation.

6. Press the [EXIT] button to exit from the

“System” menu display.

NOTE

When you want to restore the settings in the backup file, execute

the Restore function (page 91).

Backup Setting

(Selecting parameters maintained even when the

power is turned off)

Data and settings maintained even when the

power is turned off

• MIDI Song saved in “User” category (page 45)

• “System” menu (page 103)

Bluetooth* On/Off

Keyboard (Duo Type only)

Utility

•Backup Setting (explained here)

• Registration Memory (page 72)

Backup

(Saving the Backup file for internal data)

Backup and Initialization

P-525 Owner’s Manual

This lets you load the backup file (p-525.bup)

saved via the Backup function (page 90) to the

instrument on.

NOTICE

• It may take 1 – 2 minutes to complete this operation. Never

turn off the power during this operation (while “Executing”

is shown). Doing so could result in damage to the data.

• If recorded Songs reside on “User” memory, make sure to

move the Songs to the USB flash drive by following the

instructions page 69 before executing this operation. If you

do not, the Songs will be deleted via this operation.

1. Connect the USB flash drive containing the

Backup file to the [ ] (USB TO DEVICE)

terminal.

2. Press the [MENU] button several times to

select “System” menu.

3. Use the [ ]/[ ] buttons to select “Backup,”

use the [ ] button to call up the next display,

then use the [ ]/[ ] buttons to select

“Restore.”

4. Use the [ ] button to call up the next display,

then press the [ ] button select “Execute.”

5. Press the [ ] button to execute the Restore

operation.

A message indicating that the operation is

completed appears, then the instrument will restart

after a while.

This lets you reset the Backup settings (page 90) to

their factory defaults (the initial settings

preprogrammed when shipped from the factory),

which are called up when you first turn on the

power to this instrument.

The following settings are not reset.

• MIDI Song saved in the User category (page 45).

• Bluetooth* pairing information (page 79).

• Registration Memory (page 72)

* For information on whether Bluetooth functionality is included

with the instrument or not, refer to page 80.

NOTICE

Never turn off the power during this operation (while “Factory

reset executing” is shown). Doing so could result in damage

to the data.

1. Press the [MENU] button several times to

select “System” menu.

2. Use the [ ]/[ ] buttons to select “Backup,”

use the [ ] button to call up the next display,

then use the [ ]/[ ] buttons to select

“Factory Reset.”

3. Use the [ ] button to call up the next display,

then press the [ ] button to select “Execute.”

4. Press the [ ] button to execute the Restore

operation.

A message indicating that the operation is

completed appears, then the instrument will restart

after a while.

Alternate method for restoring the default

settings

Press and hold down the white key on the right end

(C7) and press the [] (Standby/On) switch to turn

on the power to this instrument. This operation will

not delete any Songs in the User category, Bluetooth

paring information, and Registration Memory.

Restore

(Restarting the instrument with the Backup file

loaded)

Factory Reset

(Restarting the instrument with the initial

factory settings loaded)

Restoring all data and settings to their

factory defaults—All Memory Clear

While holding down the F#5, G5 and A#5 keys

together of the, press the [] (Standby/On) switch

to reset the following data in addition to the

Backup Settings to the factory default settings.

• MIDI Song saved in “User” category

• Bluetooth pairing information

• Registration memory

NOTICE

This operation deletes all data in this instrument. If you have

important data in the instrument that you do not want to delete,

copy and save them to a USB flash drive, etc. (page 90) before

performing this operation.

[] Standby/On switch

C7 (Highest key)

F♯5 A♯5

92 P-525 Owner’s Manual

Performing Live

Your instrument features a number of convenient functions for use when setting it up on stage in order to

perform live. In order to provide a practical description of the connections and settings required in this

type of situation.

Stage setup and signal flow

The sound from your instrument will be sent to a PA mixer, then the mixed

sound is amplified and sent to the front-of house speakers so that the audience

can hear it. Monitor speakers may be placed on the floor in front of the

musicians so that they can more clearly hear their own sound and that of the

other instruments.

Connect your footswitch/foot pedal, or pedal unit.

For details on using foot pedal/footswitch or pedal unit and the functions that

can be assigned to each pedal, refer to page 15.

Connect the instrument’s output to the PA mixer.

In order to be heard, your instrument will need to be connected to the PA

mixer’s inputs. Normally, this connection is made via a DI box (direct box)

located onstage. Connect the AUX OUT [R] and [L/L+R] jacks on the

instrument’s rear panel to the DI box inputs using commercially available

standard mono audio cables.

1 Set the [VOLUME] slider to the MIN position.

2 Check with the PA operator whether you can connect the instrument to the PA

mixer or not.

3 Connect the instrument as the following illustration.

Your instrument should now be fully connected. The next step will be to

balance your performance sounds.

DI box

P-525

PA m ixer

Power amp

Front-of-house

speaker

Foot switch

or pedal

Front-of-house

speaker

Monitor

speaker

Vocal

microphone

Drums

Guitar Bass

DI box

P-525 Rear panel To t he

PA m i xe r DI box

Plug configuration:

Mono

(single line)

Input jack

(“IN”, etc.)

Input jack

(“IN”, etc.)

To t he

PA m i xe r

Commercially available standard mono audio cable

NOTICE

Please read the following

before setting up.

• Ensure that the instrument

is turned off before making

any connections.

• Make sure to check with the

PA operator when

connecting or

disconnecting cables or

turning on/off. Failure to do

so may damage to the PA

system.

NOTE

• When playing the piano

sound of this instrument with

an external powered speaker,

and while monitoring the

sound output from this

instrument on connected

headphones, we recommend

that you set the “Binaural

Sampling” or “Stereophonic

Optimizer” functions to “OFF”

(page 14).

• If only one of the DI box

channels is available for use

with your instrument, connect

it to the AUX OUT [L/L+R]

jack using a standard mono

audio cable. In this

configuration, your left and

right signals will be mixed

and output from the

instrument in mono.

• If DI boxes are not being

used, connect the AUX OUT

[R] and [L/L+R] jacks to the

input jacks on the PA mixer or

an on-stage sub-mixer.

P-525 Owner’s Manual

Performing Live

Sound setup

Once all of the instruments and microphones have been connected, the PA

operator will ask each musician in turn to play his or her instrument. You

should get ready as follows.

Turn on your instrument.

Set the [VOLUME] slider to the MIN position. Check with the PA operator whether you

can turn on the instrument, then press the [] (Standby/On) switch.

Check your settings.

• Once turned on, ensure that your instrument is set up as follows.

- Tuned to match the other instruments (Master tuning, page 35).

- Auto Power-Off function disabled (page 13).

- Footswitch or foot pedal is operating correctly as an assigned function (page 17).

- Reverb is turned off (page 26).

• Turn off the speaker sound of your instrument (page 106) as necessary.

• Recall the settings saved to Registration Memory (page 72) as necessary.

Determine the optimum levels.

When asked by the PA operator to output a sound, play the digital piano as you would

when performing and determine the best settings for the following.

• Volume when you are playing accompaniment

• Volume when you are playing loudest, such as during a keyboard solo

• Volume of each Voice to be used

Master Volume Setting

Roughly speaking, the [VOLUME] slider should be set between 5 and 7 for playing

accompaniment and to 8 or 9 when you need to play louder. If set too high, your sound

may become distorted; if too low, any background noise will be more noticeable.

Sound Boost (page 37) Setting

Turn on the Sound Boost function if you are finding it difficult to make your instrument

heard within the overall mix. Choose from three different Sound Boost types.

Master EQ (page 38) Setting

The Master EQ function may help in making the optimum sound for performing live.

Balance the overall sound of the band.

After the levels of the various instruments have been set, the PA operator will have

everyone play together in order to balance the overall sound of the band. At this time,

you should listen to the nearest monitor speaker and ensure that you can hear

everything you need to in order to play well. If, for example, you cannot hear your own

sound, the singer, or another instrument well enough, ask the PA operator to raise the

corresponding level in your monitor’s mix.

This completes the setup process. You should now be ready to play live.

Lock the front panel to prevent mistakes.

Your instrument’s Panel Lock function allows you to temporarily disable front

panel buttons to prevent them being operated unintentionally while performing.

For details on this function, refer to page 40.

94 P-525 Owner’s Manual

Detailed Settings (MENU Display)

Pressing the [MENU] button opens one of the five menu displays (Voice, Song, Metronome/Rhythm,

Recording and System). You can make settings for various functions from these menu displays.

1. As necessary, select the desired Voice or Song for editing.

• If you want to edit Voice-related parameters (by calling up the “Voice” menu), select a Voice.

• If you want to edit parameters related to the R1/R2/L voice (pages 29-32), such as volume balance,

turn on Dual/Split/Duo, then select the desired Voices.

• If you want to set Song playback parameters, such as Repeat, select a Song.

• If you want to edit your recorded MIDI Song data select the recorded MIDI Song.

2. Press the [MENU] button several times to select the desired menu.

Pressing the [MENU] button repeatedly will call up the following menu displays in order, according

to the vertical menu at the left of the display.

Voice menu (page 95)

Song menu (page 98)

Metronome/Rhythm menu (page 101)

Recording menu (page 102)

/System menu (page103)

3. Use the [ ]/[ ]/[ ]/[ ] buttons to select the

desired parameter.

While referring as needed to the parameter list on each page

listed in step 2, use the [ ]/[ ] buttons to navigate through

the display vertically and use the [ ]/[ ] buttons to

navigate through display horizontally.

4. In the display called up in step 3, select a value

or execute the operation.

Most displays allow you to select a value by simply using the

[]/[ ] buttons, although some, such as Edit in the “Song”

menu and Backup in the “System” menu, let you execute an

operation.

If a pop-up window is shown, set the value with the [ ]/[ ]

buttons, then exit from the window using the [EXIT] button.

Also, when the selected parameter provides only two options (on and off, for example), simply

pressing the [ ] button will alternate the value between the two options.

5. To exit from the menu display, press the [EXIT] button.

Common Operations in the Menu Displays

[]/[ ]/[ ]/[ ]

buttons

[EXIT] button[MENU] button

Pop-up display

Detailed Settings (MENU Display)

P-525 Owner’s Manual

This menu lets you edit or set various parameters related to keyboard performance, such as Voice

parameters. By turning on Dual/Split/Duo, you can make the settings for each Voice or each Voice

combination. While playing the keyboard and hearing the sound, change a parameter value to find your

desired sound. Note that you should turn on Dual/Split/Duo before calling up the “Voice” menu display.

NOTE

Parameters with * are shown only when Dual/Split/Duo is on.

Voice Menu

To call up the desired parameter:

Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [MENU] button several times to select “Voice”

menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired parameter.

[ ]

[ ] Description Default setting Setting range

Transpose (Pop-up

window)

– Refer to the description of “Transposing the Pitch in Semitones (Transpose)” on page 34.

Piano

Setting

Lid Position (Setting

display)

Refer to the description of “Lid Position” on page 24.

VRM – Refer to the description of “VRM” on page 24. Demo cannot be played in “Voice” menu.

NOTE

VRM is effective only for Voices in the Piano group (page 110).

Damper

Res.

(Resonance)

(Setting

display)

Damper

Noise

–

String Res.

(Resonance)

(Setting

display)

Duplex

Scale Res.

(Resonance)

(Setting

display)

Body Res.

(Resonance)

(Setting

display)

Grand Exp.

(Expression)

– Refer to the description of “Grand Expression” on page 25. Demo cannot be played in “Voice”

menu.

NOTE

Grand Expression Modeling is effective only for the “CFX Grand” Voice.

Reverb (Setting

display)

– Refer to the description of “Reverb” on page 26.

Chorus (Setting

display)

– Refer to the description of “Chorus” on page 27.

Voice Edit (Voice names)* Octave Shifts the pitch of the keyboard up and down in octave

steps. This parameter can be set for each Voices when

Dual/Split/Duo is on.

Differs depending

on the Voice or

Voice

combination.

−2 (two octaves

lower) – 0 (no

pitch shift) – +2

(two octaves

higher)

Volume Adjusts the volume for each of the R1/R2/L Voices. This

lets you adjust the balance between the R1/R2/L Voices

when Dual/Split/Duo is on.

Differs depending

on the Voice or

Voice

combination.

0 – 127

Detailed Settings (MENU Display)

96 P-525 Owner’s Manual

Voice Edit (Voice names)* Reverb Depth

(page 26)

Adjusts the Reverb depth for each of the R1/R2/L Voices.

This lets you adjust the balance between the R1/R2/L

Voices when Dual/Split/Duo is on. The “0” setting will

produce no effect.

NOTE

When a VRM Voice is used for several parts simultaneously,

unexpected sounds may result since the Reverb depth for a

part which has priority will become the common setting for the

parts. During Song playback, setting for a Song part is used

(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a

keyboard part is used when Song playback is stopped

(priority order: R1, L and R2 Voices).

Differs depending

on the Voice or

Voice

combination.

0 – 40

Chorus Depth

(page 27)

Adjusts the Chorus depth for each of the R1/R2/L Voices.

This lets you adjust the balance between the R1/R2/L

Voices when Dual/Split/Duo is on. The “0” setting will

produce no effect.

NOTE

When a VRM Voice is used for several parts simultaneously,

unexpected sounds may result since the Chorus depth for a

part which has priority will become the common setting for the

parts. During Song playback, setting for a Song part is used

(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a

keyboard part is used when Song playback is stopped

(priority order: R1, L and R2 Voices).

Differs depending

on the Voice or

Voice

combination.

0 – 127

Effect Refer to the description of “Effect” on page 28.

Rotary Speed Available only for the Voice of which the Effect Type is set

to “Rotary.” This parameter determines the rotation

speed of the Rotary Speaker effect.

Differs depending

on the Voice or

Voice

combination.

Fast, Slow

VibeRotor Available only for the Voice of which the Effect Type is set

to “VibeRotor.” This parameter turns on or off the

VibeRotor effect.

Differs depending

on the Voice or

Voice

combination.

On, Off

VibeRotor

Speed

Available only for the Voice of which the Effect Type is set

to “VibeRotor.” This parameter determines the speed of

the Vibraphone vibrato effect.

Differs depending

on the Voice or

Voice

combination.

1 – 10

Effect Depth Adjusts the Effect depth for each of the R1/R2/L Voices.

Note that some Effect types do not allow you to adjust the

depth.

Differs depending

on the Voice or

Voice

combination.

1 – 127

Pan Adjusts the stereo pan position for each of the selected

R1/R2/L Voices.

Differs depending

on the Voice or

Voice

combination.

L64 (leftmost) – C

(center) – R63

(rightmost)

Harmonic Cont Produces a distinctive “peaky” tone by raising the

Resonance value of the Filter. This parameter can be set

for each of the selected R1/R2/L Voices when Dual/Split/

Duo is on.

NOTE

Harmonic content may have little audible effect or not be

applied to some Voices.

Differs depending

on the Voice or

Voice

combination.

-64 – +63

Brightness Adjusts the brightness of the selected R1/R2/L Voices

independently.

Differs depending

on the Voice or

Voice

combination.

-64 – +63

To call up the desired parameter:

Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [MENU] button several times to select “Voice”

menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired parameter.

[ ]

[ ] Description Default setting Setting range

Detailed Settings (MENU Display)

P-525 Owner’s Manual

Voice Edit (Voice names)* Touch Sens. Determines the degree to which the volume level

changes in response to your touch on the keyboard (how

hard you play). Since the volume level of some Voices

such as Harpsichord and Organ do not change

regardless of how you play the keyboard, the default

setting for these Voices is 127.

Differs depending

on the Voice or

Voice

combination.

0 (softest) – 64

(largest changes in

the level) – 127

(which produces the

loudest volume

regardless of how

you play the

keyboard)

RPedal Turns the Right pedal function on or off for each of the

selected R1/R2/L Voices. This parameter is useful when

you want to ensure, for example, that the pedal function

affects the Right section but does not affect the Left

section.

Differs depending

on the Voice or

Voice

combination.

On, Off

CPedal Turns the Center pedal function on or off for each of the

selected R1/R2/L Voices. This parameter is useful when

you want to ensure, for example, that the pedal function

affects the Right section but does not affect the Left

section.

Differs depending

on the Voice or

Voice

combination.

On, Off

LPedal Turns the Left pedal function on or off for each of the

selected R1/R2/L Voices. This parameter is useful when

you want to ensure, for example, that the pedal function

affects the Right section but does not affect the Left

section.

Differs depending

on the Voice or

Voice

combination.

On, Off

Pedal

Assign

(When

using the

separately

sold pedal

unit,

page 15)

Right (Setting

display)

Assigns one of various functions (other than the original

one) to the Right pedal.

Sustain (Cont.) Refer to the Pedal

Function List

(page 17).

Center (Setting

display)

Assigns one of various functions (other than the original

one) to the Center pedal.

Sostenuto Refer to the Pedal

Function List

(page 17).

Left (Setting

display)

Assigns one of various functions (other than the original

one) to the Left pedal.

Rotary Speed

(Jazz Organ,

Rock Organ),

VibeRotor

(Vibraphone), Soft

(other Voices)

Refer to the Pedal

Function List

(page 17).

Balance* Volume

R2 – R1*

(Pop-up

window)

Adjusts the volume balance between R1 and R2 Voices

when Dual is on. After adjusting this with the [ ]/[ ]

buttons, press the [EXIT] button to exit from the pop-up

window.

Differs depending

on the Voice or

Voice

combination.

R2+10 – 0 –

R1+10

Volume L – R* (Pop-up

window)

Adjusts the volume balance between the right and left

sections when Split/Duo is on. After adjusting via the [ ]/

[] buttons, press the [EXIT] button to exit from the pop-

up window.

Differs depending

on the Voice or

Voice

combination.

L+10 – 0 – R+10

Detune* (Pop-up

window)

Detunes the R1 Voice and R2 Voice in Dual mode to

create a thicker sound.

On the display, move the slider rightward via the [ ]

button will raise the R1 Voice pitch and lower the R2

Voice pitch, and vice versa. After adjusting this, press the

[EXIT] button to exit from the pop-up window.

Differs depending

on the Voice or

Voice

combination.

R2+20 – 0 –

R1+20

To call up the desired parameter:

Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [MENU] button several times to select “Voice”

menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired parameter.

[ ]

[ ] Description Default setting Setting range

Detailed Settings (MENU Display)

98 P-525 Owner’s Manual

This menu lets you set various parameters related to Song playback and edit the Song data. Select a desired

Song before beginning the operation.

NOTE

• The parameters marked with * will be available only when a MIDI Song is selected. These parameters are not shown when an Audio

Song is selected.

• The parameters marked with ** will be available only when an Audio Song is selected.

• When using the “Edit” menu, select a MIDI Song other than the preset Song.

• Execute is a function that edits or changes the current Song data. Note that pressing the [ ] button will actually change the Song data.

• The content of the “Song” menu differs depending on the type of Song currently selected (MIDI/Audio).

Song Menu

To call up the desired parameter:

Press the [MENU] button several times to select “Song” menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

L/R*

(page 48)

R, L, Extra – Turns on (Play) or off (Mute) each of the Song tracks. On On, Off

Repeat

(page 49)

A – B* (Setting display) Lets you play back a specified range (from Point A to B)

of the current Song repeatedly.

Off On, Off

Phrase* Phrase Mark This parameter is available only when a MIDI Song

containing the Phrase Mark. By specifying a Phrase

number here, you can play back the current Song from

the mark point, or to play back the corresponding

phrase repeatedly. If you start Song playback with a

Phrase set to “On,” the countdown starts, followed by

repeated playback of the specified phrase or phrases

until you press the [PLAY/PAUSE] button.

000 000 – the last

phrase number of

the Song

Repeat Off On (repeat

playback)/Off (no

repeat)

Song (Setting display) By setting this parameter, you can play back only a

specific Song, or specific Songs in order repeatedly or

randomly.

Off Off, Single, All,

Random

Volume

(page 52)

Song –

Keyboard*

(Pop-up

window)

Adjusts the volume balance between the Song

playback sound and keyboard performance.

0 Song+64 – 0 –

Key+64

Song L – R* (Pop-up

window)

Adjusts the volume balance between the right-hand

part left-hand parts of Song playback.

0 L+64 – 0 – R+64

(Pop-up window)** Adjusts the Audio volume. 100 0 – 127

Transpose

(page 53)

(Setting display) – Shifts the pitch of Song playback up or down in

semitone intervals. For example, if you set this

parameter to “5,” a Song created in C major will be

played back in F major.

NOTE

• The Transpose setting will not affect the audio signals,

such as those input from the [AUX IN] jack.

• MIDI Song playback data will be transmitted with the

transposed note numbers while MIDI note numbers

received from an external MIDI device or computer will not

be affected by the Transpose setting.

• Applying transpose to an Audio Song may change its

tonal characteristics.

0 -12 (-1 octave) – 0

(normal pitch) –

+12 (+1 octave)

File Delete

(page 68)

Cancel Deletes a specific Song. For details about Song types

which can be deleted, refer to page 66.

––

Execute ––

Copy*

(page 68)

Cancel Copies a specific MIDI Song then saves it to a different

location. For details about Song types which can be

copied, refer to page 66.

––

Execute ––

Detailed Settings (MENU Display)

P-525 Owner’s Manual

NOTE

Tempo of Song playback can be set on the display called up by pressing the [TEMPO] button. For instructions, refer to page 47.

File Move*

(page 69)

Cancel Moves a MIDI Song to a different location. For details

about Song types which can be moved, refer to

page 66.

––

Execute ––

MIDI to Audio*

(page 70)

Cancel Converts a MIDI Song to an Audio file. For details about

Song types which can be converted, refer to page 66.

––

Execute ––

Rename

(page 71)

(Setting display) Edits a Song name. For details about Song types which

can be renamed, refer to page 66.

––

Edit* Quantize Quantize The Quantize function allows you to align all the notes in

the current MIDI Song to the correct timing, such as 8th

note or 16th note.

1. Set the Quantize value to the smallest notes in the

MIDI Song.

2. Set the Strength value which determines how

strongly the notes will be quantized.

3. Move the highlight to “Execute” then press the

[] button to actually change the MIDI Song data.

1/16 Refer to “Quantize

setting range.”

(page 100)

Strength 100% 0% – 100%

Refer to “Strength

setting range.”

(page 100)

Execute ––

Track Delete Track Deletes a specific track data of the current MIDI Song.

1. Select the desired track to be deleted.

2. Move the highlight to “Execute,” then press the

[] button to actually delete the specified track data.

Track 1 Track 1 – Track 16

Execute ––

Tempo Change Cancel Changes the tempo value of the current MIDI Song as

data. Before calling up the “Song” menu display, set the

desired Tempo value for changing.

Move the highlight to “Execute,” then press the

[] button to actually change the Tempo value as MIDI

Song data.

Differs depending

on the Song

–

Execute ––

Voice Change Track Changes the Voice of a specific track in the current

MIDI Song to the current Voice as data.

1. Select a track of which the Voice will be changed.

2. Move the highlight to “Execute,” then press the

[] button to actually change the Voice as MIDI Song

data.

Track 1 Track 1 – Track 16

Execute ––

Others* Quick Play – This parameter enables you to specify whether a Song

that starts from the middle of a bar, or a Song with a

silence prior to the first note, should be played from the

first note or from the top of the bar (rest or blank). This

parameter is useful for a MIDI Song that starts with a

short one-or two-beat pick-up or lead-in.

On On, Off

Track Listen Track This lets you play back only the selected Track to listen

to its contents. To do this, select a Track, move the

highlight to “Start,” then press and hold the [ ] button

to start playback from the first note. Playback continues

while holding the [ ] button.

Track 1 Track 1 – Track 16

Start

Play Track – This parameter enables you to specify the tracks for

playing back on this instrument. When “1&2” is

selected, only tracks 1 and 2 will be played back, while

tracks 3 to 16 will be transmitted via MIDI. When “All” is

selected, all tracks will be played back on this

instrument.

All All, 1&2

To call up the desired parameter:

Press the [MENU] button several times to select “Song” menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

100 P-525 Owner’s Manual

Detailed Settings (MENU Display)

Quantize Supplementary

Quantize setting range

The three Quantize settings marked with asterisks (*) are exceptionally

convenient, since they allow you to quantize two different note values

at the same time. For example, when the straight eighth notes and

eighth notes triplet are contained in the same part, if you quantize by

straight eighth notes, all notes in the part are quantized to straight

eighth notes—completely eliminating any triplet feel. However, if you

use the eighth note + eighth note triplet setting, both the straight and

triplet notes will be quantized correctly.

Strength setting range

1/4................

1/8................

1/16..............

1/6................

1/12..............

1/24..............

1/8+1/12.......

1/16+1/24.....

1/32..............

1/16+1/12.....

quarter note

quarter note triplet

eighth note

eighth note triplet

sixteenth note

sixteenth note triplet

thirty-second note

eighth note + eighth note triplet*

sixteenth note + eighth note triplet*

sixteenth note + sixteenth triplet*

Original data

Quantizing strength = 100

Quantizing strength = 50

Quarter-note length

Detailed Settings (MENU Display)

101

P-525 Owner’s Manual

This menu lets you set the volume and tempo indication format of the Metronome (page 41) or Rhythm

(page 43). In addition, you can set the bell sound of the Metronome to play back at the first beat and adjust

parameters related to Rhythm playback variation.

Metronome/Rhythm Menu

To call up the desired parameter:

Press the [MENU] button several times to select “Metronome/Rhythm” menu, then use the [ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Time Sig.

(Time

Signature)

(Setting display) – Determines the time signature of the metronome. When

you select or playback MIDI Songs, this will automatically

be changed to the time signature of the selected songs.

4/4 2/2, 3/2, 1/4, 2/4,

3/4, 4/4, 5/4, 6/4,

7/4, 3/8, 6/8, 7/8,

9/8, 12/8

Volume (Pop-up

window)

– Determines the volume of the Metronome or Rhythm. You

can adjust the volume balance between the keyboard

performance and Metronome/Rhythm playback.

82 0 – 127

BPM – – Determines whether the note type of the tempo indication

is affected by the Metronome Time Signature (page 42)

or not (crotchet). When “Time Sig.” is selected, the

denominator of the Time Signature is shown as the note

type of the tempo indication. (The dotted quarter note is

shown as the note type of the tempo indication only when

the Time Signature is set to “6/8,” “9/8,” or “12/8.”)

Time Sig. Time Sig.,

Crotchet

Bell – – Determines whether or not the bell sound is played back

at the first beat of the specified Time Signature.

Off On, Off

Intro – – Determines whether the Intro is played back or not

before the Rhythm pattern is started.

NOTE

During Song playback, the Intro cannot be played back even

if you start the Rhythm with this parameter set to “On.”

On On, Off

Ending – – Determines whether the Ending is played back or not

before the Rhythm pattern is stopped.

On On, Off

SyncStart – – When this is set to “On,” you can start Rhythm playback

also by pressing any note on the keyboard.

When you want to use this function, follow the instructions

below:

1. Set this function to on.

2. Press the [RHYTHM] button to enter the Synchro start

standby mode.

The [RHYTHM] button flashes.

3. Press any key to start with the rhythm.

Off On, Off

Bass – – Determines whether the auto bass accompaniment for

the Rhythm is on or off.

On On, Off

Detailed Settings (MENU Display)

102 P-525 Owner’s Manual

This menu lets you make detailed settings related to MIDI Recording (page 54). The settings here will not

affect Audio Recording.

Recording Menu

To call up the desired parameter:

Press the [MENU] button several times to select “Recording” menu, then use the [ ]/[ ] buttons to select the desired parameter.

[ ]

[ ] Description Default setting Setting range

RecStart – – This parameter, which is used when you overwrite the

already recorded MIDI Song, determines when the actual

MIDI Recording starts after you execute the Recording

Start operation. For details, refer to page 62.

Normal Normal, KeyOn

RecEnd – – This parameter, which is used when you overwrite the

already recorded MIDI Song, determines whether the

existing data after the point at which you stop recording

will be erased or not. For details, refer to page 62.

Replace Replace,

PunchOut

RecRhythm – – Determines whether or not Rhythm playback will be

recorded during MIDI Recording.

On On, Off

Detailed Settings (MENU Display)

103

P-525 Owner’s Manual

This menu lets you make the overall settings applied to the entire instrument.

Bluetooth compatibility is indicated by the following icons. (For details on Bluetooth compatibility, see

page 80.)

: models equipped with Bluetooth

: models not equipped with Bluetooth

NOTE

Parameters marked with * are available only if the instrument is equipped with Bluetooth functionality.

Scale Tune List (Temperament List)

System Menu

To call up the desired parameter:

Press the [MENU] button several times to select “System” menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Bluetooth*

(pages 79

– 80)

Bluetooth (Setting display) Switches the Bluetooth function on/off (page 80). On On, Off

Pairing (Setting display) For registering (pairing) the Bluetooth-equipped device

(page 79).

This parameter is shown only when “Bluetooth” (above)

is set to “On.”

––

Tuning Master Tune

(page 35)

(Pop-up

window)

Fine tunes the pitch of the entire instrument. A3 = 440.0 Hz A3 = 414.8 Hz –

466.8 Hz (approx.

0.2 Hz steps)

Scale Tune (Setting display) Modern acoustic pianos are tuned almost exclusively in

equal temperament, which divides one octave into

twelve equal intervals. Likewise, this digital piano

employs equal temperament, but it can be changed at

the touch of a button to play in historical temperaments

used in the 16th to 19th centuries.

Equal Refer to the

“Scale Tune List”

below.

Base Note (Setting display) Determines the base note for the Scale selected above.

When the base note is changed, the pitch of the

keyboard is transposed, yet maintains the original pitch

relationship between the notes. This setting is

necessary when Scale Tune is set to something other

than “Equal.”

NOTE

When Scale Tune is set to “Equal,” “---” is shown on the

display and this parameter cannot be edited.

C C, C , D, E , E, F,

F , G, A , A, B ,

Equal (Temperament) One octave is divided into twelve equal intervals. Currently most popular piano tuning scale.

PureMajor/PureMinor Based on natural overtones, three major chords using these scales produce a beautiful, pure sound.

Pythagorean This scale was devised by Pythagoras, the famous Greek philosopher and is created from a series of perfect fifths,

which are collapsed into a single octave. The 3rd in this tuning is slightly unstable, but the 4th and 5th are beautiful and

suitable for some leads.

MeanTone This scale was created as an improvement on the Pythagorean scale, by making the major third interval more “in tune.”

It was especially popular from the 16th century to the 18th century. Handel, among others, used this scale.

Werckmeister/

Kirnberger

These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the

impression and feel of the Songs. They were often used in the era of Bach and Beethoven. They are also often used now

to reproduce the music of that era on harpsichords.

Detailed Settings (MENU Display)

104 P-525 Owner’s Manual

To call up the desired parameter:

Press the [MENU] button several times to select System menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Keyboard Touch

(page 36)

(Setting display) Determines how the sound responds to your playing

strength. This setting does not change the weight of the

keyboard.

Medium Soft 2, Soft 1,

Medium, Hard 1,

Hard 2, Fixed

Fixed Velocity (Pop-up

window)

Determines the velocity with which you play the keys

when Touch (above) is set to “Fixed.”

NOTE

The setting here will not be recorded to a MIDI Song and not

be transmitted as MIDI messages.

64 1 – 127

Duo

(page 32)

(Setting display) Splits the keyboard into two ranges, allowing you to play

duets over the same octave range.

Off On, Off

Duo - Type – Selects the sound balance between the left and right

speakers while Duo is on.

•Separated: The sound played by the left player is

output from the left speaker(s), and the sound played

by the right player is output from the right speaker(s).

•Balanced: The sounds played by the right and left

players are output through both speakers, with a

natural balance of sound.

Separated Separated,

Balanced

Split Point

(page 30)

(Setting display) Determines the Split Point (the boundary between the

right-hand and left-hand keyboard areas). F 2 (Split),

E3 (Duo)

A-1 – C7

Pedal Half Pedal Point

(page 15)

(Pop-up

window)

Here you can specify the point to which you must

depress the right pedal or a pedal connected to the

[AUX PEDAL] jack before the assigned effect begins to

be applied. This setting applies only to the “Sustain

(Continuous)” effect (page 17) that is assigned to the

right or AUX pedal.

0 -2 (effective with

the shallowest

press) – 0 – +4

(effective with the

deepest press)

Soft Pedal

Depth

(Pop-up

window)

Determines how deeply the Soft pedal effect is applied.

This parameter is available only for the pedal to which

“Soft” (page 17) is assigned.

51 – 10

Pitch Bend

Range

(Pop-up

window)

Determines the range of the pitch bend that is produced

via the pedal in semitone steps. This setting is available

only for the pedal to which “PitchBend Up” or

“PitchBend Down” (page 17) is assigned.

NOTE

For some Voices, the pitch may not be changed according to

the Pitch Bend Range value set here.

2 0 – +12 (pressing

the pedal will

raise/lower the

pitch by 12

semitones

[1 octave])

Aux Polarity

(page 15)

– A pedal connected to the [AUX PEDAL] jack may switch

on and off differently. For example, some pedals turn the

effects on and others turn them off when you press

them. Use this parameter to reverse this mechanism.

Make Make, Break

Aux Assign (Setting display) Assigns a function to the pedal connected to the [AUX

PEDAL] jack.

Sustain

(Continuous)

Refer to the Pedal

Function List

(page 17).

Aux Area (Setting display) Determines the keyboard area to which the function of

the pedal connected to the [AUX PEDAL] jack is

applied.

All All, Right, Left

Play/Pause (Setting display) Assigns the [PLAY/PAUSE] button’s function to one of

the Left pedal, Center pedal and pedal connected to the

[AUX PEDAL] jack. If a value other than “Off” is selected

here, the corresponding pedal's function assigned in

the “Voice” menu (page 97) is disabled.

Off Off, Left, Center,

AUX

Detailed Settings (MENU Display)

105

P-525 Owner’s Manual

Sound IAC (page 13) – Turns the IAC effect on or off. On On, Off

IAC depth (Pop-up

window)

Determines the depth of the IAC. The higher the value,

the more clearly the low/high sounds at lower volume

levels.

0-3 – +3

Binaural

(page 14)

– Turns the Binaural Sampling function (when

headphones are connected) on or off. When the

function is on and headphones are connected, the

sound from this instrument changes to the sound of

Binaural Sampling or the sound enhanced with the

Stereophonic Optimizer, allowing you to enjoy more

realistic sound.

NOTE

When the “Speaker” setting (page 106) is on, this function

will always be disabled even when headphones are

connected.

On On, Off

MIDI MIDI OUT (Setting display) Determines the MIDI channel on which the MIDI

messages generated via the keyboard performance will

be transmitted from the MIDI [OUT] or [USB TO HOST]

terminal. When Dual/Split/Duo is on, the MIDI channels

are assigned as follows.

• Performance via the R1 Voice = n (setting value)

• Performance via the R2 Voice = n+2

• Performance via the L Voice = n+1

Ch1 Ch1 – Ch16, Off

(not transmitted)

MIDI IN (Setting display) Determines which part of the instrument will be

controlled by each channel data of the MIDI messages

coming from the MIDI [IN] and [USB TO HOST] terminal.

•Song: Song part is controlled by the MIDI messages.

•Keyboard: The entire keyboard is controlled

regardless of the Dual/Split/Duo setting.

•R1: The keyboard performance via the R1 Voice is

controlled.

•R2: The keyboard performance via the R2 Voice is

controlled.

•L: The keyboard performance via the L Voice is

controlled.

•Off: No part is controlled.

“Song” for each of

all MIDI channels

For each MIDI

channel:

•Song

•Keyboard

•R1

•R2

•L

•Off

Local Control – “Local Control On” is a state in which this instrument

produces the sound from its tone generator when you

play the keyboard. In “Local Control Off” state, the

keyboard and the tone generator are cut off from each

other. This means that even if you play the keyboard,

this instrument will produce no sound. Instead, the

keyboard data can be transmitted via MIDI to a

connected MIDI device or computer, which can

produce the sound. The “Local Control Off” setting is

useful when you wish to play only an external sound

source while playing the keys on this instrument.

On On, Off

Receive Param. (Setting display) Determines which types of MIDI messages can be

received or recognized by this instrument.

MIDI message types:

Note on/off, Control Change, Program Change, Pitch

Bend, System Exclusive

On (for all the

MIDI messages)

On, Off (for each

MIDI message)

Transmit Param. (Setting display) Determines which types of MIDI messages can be

transmitted from this instrument.

MIDI message types:

Note on/off, Control Change, Program Change, Pitch

Bend, SystemRealTime, System Exclusive

On (for all the

messages)

On, Off (for each

message)

To call up the desired parameter:

Press the [MENU] button several times to select System menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Detailed Settings (MENU Display)

106 P-525 Owner’s Manual

MIDI Initial Setup Cancel Transmits the current panel settings such as Voice

selection to a connected MIDI device or computer.

Before you start recording your performance to a

connected MIDI device or computer, execute this

operation to record the current panel settings at the

beginning of your performance data. It causes that the

same panel settings are called up when the recorded

performance is played back.

Operation:

Move the highlight to “Execute,” then press the [ ]

button to transmit the panel settings as MIDI messages.

––

Execute

Backup Backup Setting – For instructions about these functions, refer to pages 90

– 91.

––

Backup –

Restore –

Factory Reset –

Utility Speaker (Setting display) Lets you switch the speaker on/off.

•Normal

The speaker will sound only if headphones are not

connected.

•On

The speaker will always sound.

•Off

The speaker will not sound.

NOTE

When this setting is on, “Binaural” (page 14) will always be

disabled.

Normal Normal, On, Off

Audio

Loopback

(page 78)

– Determines whether audio input from the connected

computer or smart device is output to a computer or a

smart device or not.

Off On, Off

Auto Power Off

(page 13)

(Setting display) Lets you set the amount of time that elapses before the

power is turned off by Auto Power Off function.

To disable Auto Power Off, select “Off.”

30 (minutes) Off, 5, 10, 15, 30,

60, 120 (minutes)

USB Properties – Shows the amount of free space and entire memory in

the USB flash drive connected to the [ ] (USB TO

DEVICE) terminal.

––

USB Autoload – When this is set to “On,” the Song saved in the root

directory can be selected automatically as soon as the

USB flash drive is connected to the [ ] (USB TO

DEVICE) terminal.

Off On, Off

To call up the desired parameter:

Press the [MENU] button several times to select System menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Amount of

free space

Amount of

entire memory

Detailed Settings (MENU Display)

107

P-525 Owner’s Manual

Utility USB Format Cancel This lets you format or initialize the USB flash drive

connected to the [ ] (USB TO DEVICE) terminal.

NOTICE

Executing the Format operation will delete all data saved in

the USB flash drive. Save important data to a computer or

another storage device.

NOTE

When connecting the USB flash drive to the [ ] (USB

TO DEVICE) terminal, a message prompting you to execute

the Format operation may appear. If such a case occurs,

execute the Format operation.

Operation

Move the highlight to “Execute,” then press the [ ]

button to start the Format operation. After Formatting is

completed, a message appears then the instrument

returns to the Utility display after a while.

NOTICE

Never turn off the power or disconnect the USB flash drive

while “Executing” is shown in the display.

––

Execute

Contrast (Pop-up

window)

Adjusts the contrast of the display. 0 -5 – +5

Language System Determines the type of characters shown on the display

for the System (general indication other than Song

name) and Song (Song name) individually.

Character list

International Japanese,

International

Song

Version – Displays the model name and the firmware version of

this instrument.

––

Wireless LAN These parameters are shown only when the USB

wireless LAN adaptor UD-WL01 (sold separately) is

connected to the [ ] (USB TO DEVICE) terminal

on this instrument. For details, refer to page 108.

Wireless LAN

Option

To call up the desired parameter:

Press the [MENU] button several times to select System menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default setting Setting range

Japanese

International

Detailed Settings (MENU Display)

108 P-525 Owner’s Manual

Wireless LAN Settings

The following parameters are shown only when the USB wireless LAN adaptor UD-WL01 (sold separately)

is connected to the [ ] (USB TO DEVICE) terminal on this instrument.

* “Wireless LAN” parameters differ depending on the “Wireless LAN Mode” setting (“Infrastructure” or “Accesspoint”). By default, it is set to “Infrastructure.”

To call up the desired parameter:

Press the [MENU] button several times to select “System” menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default

setting Setting range

Utility Wireless LAN*

(In the

“Infrastructure”

mode)

Select

Network

(Networks) Connects to an access point by

selecting the network.

––

Other SSID Sets the SSID. – Up to 32 characters (half

size), alphanumeric

characters, marks

Security Sets the Security. NONE NONE, WEP,

WPA-PSK (TKIP),

WPA-PSK (AES),

WPA2-PSK (AES),

WPA/WPA2 mixed PSK

Password Sets the Password. – Up to 64 characters (half

size), alphanumeric

characters, marks

Connect Connects using the settings in

“Other” display.

––

Detail DHCP Sets the wireless LAN detailed

settings. IP Address, Subnet

Mask, Gateway, DNS Server1,

DNS Server2 can be set when

DHCP is set to Off while cannot be

set when DHCP set to On. Use the

[]/[ ] buttons to select each

octet in the entry display, then

enter the value using the [ ]/[ ]

buttons. To finalize the setting,

press the [MENU] button.

On On/Off

IP Address 0.0.0.0 0.0.0.0-255.255.255.255

Subnet Mask 0.0.0.0 0.0.0.0-255.255.255.255

Gateway 0.0.0.0 0.0.0.0-255.255.255.255

DNS Server1 0.0.0.0 0.0.0.0-255.255.255.255

DNS Server2 0.0.0.0 0.0.0.0-255.255.255.255

Save Saves the settings in the “Detail”

display. Move the highlight to

“Save,” then press the [ ] button

to execute the Saving.

––

Wireless LAN*

(In the

“Accesspoint”

mode)

SSID Sets the SSID as an access point. ap-[P-525]-

[xxxxxx (MAC

address lower

6 figure)]

Up to 32 characters (half

size), alphanumeric

characters, marks

Security Sets the Security as an access

point.

WPA2-PSK

(AES)

NONE, WEP,

WPA-PSK (TKIP),

WPA-PSK (AES),

WPA2-PSK (AES),

WPA/WPA2 mixed PSK

Password Sets the Password as an access

point.

00000000 Up to 64 characters (half

size), alphanumeric

characters, marks

Detailed Settings (MENU Display)

109

P-525 Owner’s Manual

Utility Wireless LAN*

(In the

“Accesspoint”

mode)

Channel Sets the channel as an access

point.

11 Differs depending on the

USB wireless LAN

adaptor models.

• Models for United

States and Canada:

1–11

• Others: 1–13

When no USB wireless

LAN adaptor is

connected, setting

range is channels 1–13.

DHCP Server Sets the IP address related

settings.

On On, Off

IP Address 192.168.0.1 192. 168. 0-255. 1-254.

Subnet Mask 255.255.255.0 255.255.0.0,

255.255.128.0,

255.255.192.0,

255.255.224.0,

255.255.240.0,

255.255.248.0,

255.255.252.0,

255.255.254.0,

255.255.255.0

Save Saves the settings you set in the

“Wireless LAN” display (in the

“Accesspoint” mode)

––

Wireless LAN

Option

Wireless LAN

Mode

Infrastructure Mode Determines whether the access

point is used for wireless LAN

connection (Infrastructure Mode)

or not (Accesspoint Mode).

Infrastructure

Mode

–

Accesspoint Mode

Initialize Cancel Initializes the settings in the

“Wireless LAN” display. Move the

highlight to “Execute,” then press

the [ ] button to execute the

initialization.

Cancel –

Execute

Detail Host Name Sets the Host name. [P-525]-

[xxxxxx (MAC

address lower

6 figure)]

Up to 57 characters (half

size) including

alphanumeric

characters, the

“_” (underscore) and

“-” (hyphen) character.

Mac Address Displays the MAC address of the

USB wireless LAN adaptor.

––

Status Displays the error code of network

function.

––

To call up the desired parameter:

Press the [MENU] button several times to select “System” menu, then use the [ ]/[ ]/[ ]/[ ] buttons to select the desired

parameter.

[ ]

[ ] Description Default

setting Setting range

110 P-525 Owner’s Manual

Appendix

Preset Voice List

Voice

Group Voice Name Stereo

Sampling

Touch

Sense

Key-off

Sampling VRM Voice

Demo Voice description

Piano CFX Grand

(Binaural

included)

(CFX)

Yamaha’s CFX concert grand piano sound with a wide dynamic range for maximum

expressive control. Suitable for playing in any music genre and style.

(Binaural)

Yamaha’s CFX concert grand piano sound sampled by Binaural Sampling, the method

optimized for headphone use. Listening this through headphones gives the impression of

being immersed in the sound, as if it was actually emanating from the piano. This Voice is

selected automatically when headphones are connected.

Bösendorfer 

(1) The famed sound of the Vienna-made Bösendorfer Imperial concert grand piano. Its spacious

sound evokes the size of the instrument, and is ideal for expressing tenderness in

compositions.

Studio Grand The sound of Yamaha’s C7 grand piano, which is often used in recording studios. Its bright

and clear sound is good for popular styles.

Bright Grand 

—Bright piano sound. Good for clear expression and “cutting through” other instruments in an

ensemble.

Ballad Grand 

—Grand piano sound with a soft and warm tone. Good for playing ballads.

Warm Grand ——Warm and soft piano sound. Good for relaxing music.

Pop Grand 

—A slightly brighter piano sound. Good for popular styles.

Jazz Grand ——A piano sound with unique tonal character. Good for jazz styles.

Rock Grand 

—A bright-sounding piano. Ideal for rock styles.

Dance Grand 

—A brighter piano sound commonly used in dance music.

Old School Pf 

—Compressed sound often used in popular music in the 1960s.

HonkyTonk Pf ——A honky-tonk style piano. Enjoy a tonal character that is quite different than a grand piano.

E.Piano Stage E.Piano —

—The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when played

lightly, and an aggressive tone when played hard.

DX E.Piano ———

An electronic piano sound produced by an FM synthesizer. The tone will change as you vary

your playing touch. Ideal for popular music.

Vintage E.Piano —

—A different type of electric piano sound than Stage E.piano. Widely used in rock and popular

music.

Auto Pan EP 

——

An electric piano sound with unique panning effect.

Soft EP —

——

Good for playing quiet ballads.

Phaser EP —

——

A distinctive phaser effect makes this ideal for fusion styles.

Dyno E.Piano 

——

An electric piano sound with unique attack characteristics, often heard in the 1980s.

DX Bright ————

A variation of electronic piano sound produced by an FM synthesizer. Its bright and sparkling

sound character spice up the music.

Tremolo Vintage —

——

Includes tremolo ideal for Vintage EP. Frequently used in rock music.

Organ Jazz Organ 1 ————

The sound of an electric organ often heard in jazz and rock idioms. A slightly brighter sound in

which the Rotary effect is set to a slow speed.

* Connecting the separately sold pedal unit (LP-1 or FC35) enables you to switch the speed of

the Rotary effect between slow and fast by pressing the left pedal of the unit.

Jazz Organ 2 —————

The sound of an electric organ often heard in jazz and rock idioms. The Rotary effect is set to

a fast speed.

* Connecting the separately sold pedal unit (LP-1 or FC35) enables you to switch the speed of

the Rotary effect between slow and fast by pressing the left pedal of the unit.

Rock Organ ————

Bright and sharp electric organ sound. Optimum for rock music.

Vintage Organ —————

The sound of transistor organs popular in the 1960s.

Organ Principal ———

(2) This Voice features the combination of pipes (8'+4'+2') of a principal (brass instrument)

organ. It is suitable for Baroque church music.

Organ Tutti ———

This Voice features a full coupler of a pipe organ, famous for the sound used in Toccata and

Fugue by Bach.

Appendix

111

P-525 Owner’s Manual

VRM

Simulated string resonance sound with physical modeling when the damper pedal is pressed or keys are pressed.

Key-off Sampling

Samples of the very delicate noises that are produced when keys are released.

Voice Demo List

The Voice Demos with () listed above are short rearranged excerpts of the original compositions. All other Demo Songs are Yamaha original (© Yamaha Corporation).

CLV./VIB. Harpsichord 8' —— (3) The sound of the instrument frequently used in baroque music. Variations in playing touch

will not affect the volume, and a characteristic sound will be heard when you release the key.

Harpsi.8'+4' ———

A harpsichord with an added upper octave. Produces a more brilliant sound.

E.Clavichord —

—This is the voice of a keyboard that produces sound by striking strings and using magnetic

pickups. This ‘funky’ sound is popular in soul and rhythm and blues music. Because of its

unique mechanism, the instrument produces a peculiar sound when you release the keys.

Vibraphone ——

A Vibraphone sound, sampled in stereo. Its spacious and clear sound is ideal for popular

music.

Strings Strings ——

Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this Voice

with piano in the Dual mode.

Slow Strings ———

The sound of a string ensemble, with a slow attack. Suitable for use in Dual mode with piano

or electric piano.

Choir ———

A big, spacious choir Voice. Perfect for creating rich harmonies in slow pieces.

Slow Choir ————

The sound of a choir with a slow attack. Suitable for use in Dual mode with piano or electric

piano.

Dark Pad ———

Warm and spacious synth sound. Ideal for sustained parts in the background of an ensemble,

or for use in Dual mode with piano or electric piano.

Lite Pad ————

Bright and spacious synth sound. Ideal for sustained parts in the background of an ensemble,

or for use in Dual mode with piano or electric piano.

Bell Pad ———

Synth sound with a crisp, bell-like sound. Ideal for layering in Dual mode with a piano or

electric piano sound, but also produces a bright, gorgeous sound on its own.

Others Acoustic Bass ———

The sound of a finger-plucked acoustic bass. Frequently used in jazz and Latin music.

Electric Bass ———

The sound of an electric bass. Frequently used in jazz, rock, and popular music.

Bass & Cymbal ————

The sound of a cymbal layerd with acoustic bass. Effective when used for jazz walking-bass

lines.

Fretless Bass ———

The sound of a fretless bass. Suitable for styles such as jazz and fusion.

Nylon Guitar ——

Stereo-sampled, nylon-string guitar with natural reality. Suitable for any style of musics.

Steel Guitar ————

A bright steel-string guitar sound. Ideal for popular music.

XG XG ———

For details on XG Voices, refer to the “XG Voice list” in the Data List on the website (page 6).

Voice Group Voice Name Title Composer

(1) Piano Bösendorfer Mädchens Wunsch (6 Chants polonaise S.480 R.145) F. Liszt / F. F. Chopin

(2) Organ Organ Principal Herr Christ, der ein'ge Gottes-Sohn, BWV 601 J. S. Bach

(3) CLV./VIB. Harpsichord 8' Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV 1058 J. S. Bach

Voice

Group Voice Name Stereo

Sampling

Touch

Sense

Key-off

Sampling VRM Voice

Demo Voice description

112 P-525 Owner’s Manual

Appendix

50 Classics

* Regarding the “Duets” Songs, the right-hand part is for the right hand of

the first player, the left-hand part is for the left hand of the first player, and

Extra part is for the both hands of the second player.

Song List

No. Song Title Composer

Arrangements

1 Canon D dur J. Pachelbel

2 Air On the G String J. S. Bach

3 Jesus, Joy of Man's Desiring J. S. Bach

4 Twinkle, Twinkle, Little Star Traditional

5 Piano Sonate op.31-2 "Tempest" 3rd mov. L. v. Beethoven

6 Ode to Joy L. v. Beethoven

7 Wiegenlied op.98-2 F. P. Schubert

8 Grande Valse Brillante F. F. Chopin

9 Polonaise op.53 “Héroïque” F. F. Chopin

10 La Campanella F. Liszt

11 Salut d'amour op.12 E. Elgar

12 From the New World A. Dvořák

13 Sicilienne G. U. Fauré

14 Clair de lune C. A. Debussy

15 Jupiter (The Planets) G. Holst

Duets*

16 Menuett (Eine kleine Nachtmusik K.525) W. A. Mozart

17 Menuett G dur L. v. Beethoven

18 Marcia alla Turca L. v. Beethoven

19 Piano Concerto No.1 op.11 2nd mov. F. F. Chopin

20 The Nutcracker Medley P. I. Tchaikovsky

Original Compositions

21 Prelude (Wohltemperierte Klavier I No.1) J. S. Bach

22 Menuett G dur BWV Anh.114 J. S. Bach

23 Piano Sonate No.15 K.545 1st mov. W. A. Mozart

24 Turkish March W. A. Mozart

25 Piano Sonate op.13 "Pathétique" 2nd mov. L. v. Beethoven

26 Für Elise L. v. Beethoven

27 Piano Sonate op.27-2 "Mondschein" 1st mov. L. v. Beethoven

28 Impromptu op.90-2 F. P. Schubert

29 Frühlingslied op.62-6 J. L. F.

Mendelssohn

30 Fantaisie-Impromptu F. F. Chopin

31 Etude op.10-3 "Chanson de l'adieu" F. F. Chopin

32 Etude op.10-12 “Revolutionary” F. F. Chopin

33 Valse op.64-1 “Petit chien” F. F. Chopin

34 Nocturne op.9-2 F. F. Chopin

35 Nocturne KK4a-16/BI 49 [Posth.] F. F. Chopin

36 Träumerei R. Schumann

37 Barcarolle P. I. Tchaikovsky

38 La prière d’une Vierge T. Badarzewska

39 Liebesträume No.3 F. Liszt

40 Blumenlied G. Lange

41 Humoresque A. Dvořák

42 Arietta E. H. Grieg

43 Tango (España) I. Albéniz

44 The Entertainer S. Joplin

45 Maple Leaf Rag S. Joplin

46 La Fille aux Cheveux de Lin C. A. Debussy

47 Arabesque No.1 C. A. Debussy

48 Cakewalk C. A. Debussy

49 Je te veux E. Satie

50 Gymnopédies No.1 E. Satie

Rhythm List

Category No. Name

Pop&Rock 1 8Beat1

28Beat2

38Beat3

416Beat1

516Beat2

6Shuffle1

7Shuffle2

8Shuffle3

9Shuffle4

10 8BeatBallad1

11 8BeatBallad2

12 16BeatBallad

13 6-8Ballad1

14 6-8Ballad2

15 PopWaltz

16 Funk

17 Disco

18 Twist

19 Dance

20 ChillOut

Jazz 21 FastJazz1

22 FastJazz2

23 FastJazz3

24 SlowJazz1

25 SlowJazz2

26 SlowJazz3

27 JazzWaltz

28 Five-Four

World 29 Country

30 Gospel

31 Samba

32 BossaNova

33 Rumba

34 Salsa

35 AfroCuban

36 Reggae

Kids&Holiday 37 KidsPop

38 6-8March

39 ChristmasSwing

40 Christmas3-4

Appendix

113

P-525 Owner’s Manual

Some message display remains open. In this case, press the [EXIT] button to close message display.

Message List

Message Meaning

Access error The operation has failed. The following causes can be considered. If the following are not responsible, the

file may be damaged.

• The file operation is wrong. Follow the instructions in “Handling Song Files” (page 66) or “Backup”/

“Restore” (pages 90 – 91).

• The connected USB flash drive is not compatible with this instrument. For information on compatible USB

flash drive, see page 75.

• The protected Song on which you attempted the operation is defective.

Bluetooth pairing... The instrument is standing by for Bluetooth pairing. Refer to the instructions on page 79.

Cannot be executed The operation has failed. The following causes can be considered. Solve the causes, and try again.

• The file operation you attempted cannot be executed to Preset Songs or an Audio Song. For information

on the limitation of handling Song files, see page 66.

Change to Current Tempo This message indicates that you are applying the current tempo to the selected Song.

Change to Current Voice This message indicates that you are changing the Voice of the Song with the current Voice.

Completed This message indicates that the operation is completed. Go on to the next step.

Completed

Restart now

Restore is completed. The instrument is automatically turned on again.

Convert canceled This message appears when the convert operation is canceled.

Convert completed to USB/

USERFILES/

This message appears when the convert operation to the “USER FILES” folder on a USB flash drive is

completed.

Convert to Audio This message appears during the convert operation.

Copy completed to USB/

USERFILES/

This message appears when the copy operation to the “USER FILES” folder on a USB flash drive is

completed.

Copy completed to User This message appears when the copy operation to the “User” on this instrument is completed.

Device busy The operation, such as converting to the Audio Song or Audio Song playback/recording, has failed. This

message appears when you attempt to use a USB flash drive to which recording/deleting operations are

repeated. Execute the Format operation after making sure there is no important data in the USB flash drive

(page 107), and try again.

Device removed This message appears when the USB flash drive is removed from the instrument.

Duplicate name This message indicates that an identically named file already exists. Rename the file (page 71).

Executing The instrument is executing the operation. Wait until the message disappears, then go on to the next step.

Factory reset executing

Memory Song excluded

The default settings (except the Songs in the “User” category) have been restored (page 91).

This message also appears if you press and hold down the C7 key and turn on the power to the instrument.

Factory reset executing

Memory Song included

This message appears when the All Memory Clear (page 91) operation is completed.

All settings of this instrument have been reset to the default settings. The Songs in the “User” category

(page 45) and the Registration Memory (page 72) settings are deleted.

Incompatible device This message appears when an incompatible USB flash drive is connected. Use a device whose

compatibility has been confirmed by Yamaha (page 75).

Internal hardware error A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor.

Last power off invalid

Checking memory

This message appears when the power is turned on after turning off the power while handling a Song file

(page 66) or saving a backup file (page 90). The internal memory is being checked while this message

appears. If the internal settings are damaged, they will be reset to the default settings. If the Songs in the

“User” are damaged, they will be deleted.

Maximum no. of devices

exceeded

The number of devices exceed the limitation. Only one USB device can be connected. For details, see

page 75.

Memory full Since the capacity and the number of files in the “User”/USB flash drive are full, the operation cannot be

completed. Delete some Songs in the “User”/USB flash drive (page 68) or move Songs to another USB

flash drive (page 69), and try again.

Move completed to USB/

USERFILES/

This message appears when the move operation to the “USER FILES” folder on a USB flash drive is

completed.

Move completed to User This message appears when the move operation to “User” on the instrument is completed.

Appendix

114 P-525 Owner’s Manual

No device A USB flash drive was not connected to the instrument when you attempted to perform a device-related

operation. Connect the device, and try again.

No response

from USB device

The instrument cannot communicate with the connected USB device. Redo the connection (page 75). If

you still see this message, the USB device may be damaged.

Please wait The instrument is processing the data. Wait until the message disappears, then go on to the next step.

Protected device This message appears when you attempt a file operation (page 66), record your performance or save the

data on a read-only USB flash drive. Cancel the read-only setting, if possible, and try again. If you still see

this message, the USB flash drive is internally protected (such as commercially available music data). You

cannot make the file operation or record your performance to such a device.

Read-only file You attempted a file operation to a read-only file. Use a read-only file after overriding the read-only setting.

Remaining space

on drive is low

Since the remaining space on the “User”/USB flash drive is low, delete any unnecessary files (page 68)

before recording.

Same file name exists This message appears to prompt you to confirm if overwriting or not when executing a Copy/Move/

MIDI to Audio operation.

Song error This message appears, if a problem is found with the Song data when you select a Song or while the Song

is playing. In this case, reselect the Song, and try again to play back. If the message still appears, the Song

data may have been damaged.

Song too large The size of Song data (MIDI/Audio) exceeds the limitation. The following causes can be considered.

• The Song size you attempt to play back exceeds the limitation. The limitation for playback is approx.

500KB (MIDI), 80 minutes (Audio).

• The Song size exceeds the limitation during recording. The limitation for recording is approx. 500KB

(MIDI), 80 minutes (Audio). The recording will end automatically and the recorded data before the end is

saved.

• The Song size exceeds the limitation during converting a MIDI Song to an Audio Song. The limitation is 80

minutes (Audio).

System limit This message appears when the number of files exceeds the system limit. The maximum number of files

and folders which can be saved in a folder is 250. Try again after deleting/moving the unnecessary file(s).

This data format is not

supported

This message appears when you attempted to load a Song of unsupported format to this instrument. Refer

to the page 7 about supported Song formats.

Unformatted device This message appears when you attempt to use an unformatted USB flash drive. Format it (page 107), and

try again.

Unsupported device This message appears when an unsupported USB flash drive is connected. Use a device whose

compatibility has been confirmed by Yamaha (page 75).

USB device

overcurrent error

Communication with the USB device has been cut off because of an abnormal power surge to the device.

Disconnect the USB device from the [ ] (USB TO DEVICE) terminal and turn the [] (Standby/On)

switch of the instrument standby and on again.

USB hub cannot be used This instrument does not support a USB hub.

USB power consumption

exceeded

When this message appears,

use a device whose compatibility

has been confirmed by Yamaha (page 75).

Wrong device The file operation cannot be made to the connected USB flash drive. The following causes can be

considered.

• The USB flash drive is not formatted. Format it (page 107), and try again.

• The number of files exceeds the system limit. The maximum number of files and folders which can be

saved in a folder is 250. Try again after deleting/moving the unnecessary file(s).

Wrong name The Song name is not appropriate. This message appears during the “Renaming files” (page 71) operation

because of the following causes. Rename the Song correctly.

• No character has been input.

• You used a period or space at the beginning/ending of a Song name.

Message Meaning

Appendix

115

P-525 Owner’s Manual

When a message is displayed, refer to the “Message List” (page 113) for troubleshooting aid.

Troubleshooting

Problem Possible Cause and Solution

The instrument does not turn

on.

The instrument has not been plugged in properly. Securely connect the AC adaptor to the DC IN jack on the

instrument and to the AC outlet (page 12).

The power is automatically

turned off.

This is normal and due to the Auto Power Off function. If necessary, set the parameter of the Auto Power Off

function (page 13).

The message “USB device

overcurrent error” is shown

and the USB device does not

respond.

Communication with the USB device has been shut down because of the overcurrent to the USB device.

Disconnect the device from the [ ] (USB TO DEVICE) terminal, then turn on the power of the instrument.

Noise is heard from the

speakers or headphones.

The noise may be due to interference caused by the use of a mobile phone in close proximity to the instrument.

Turn off the mobile phone, or use it further away from the instrument.

Noise is heard from the

instrument’s speakers or

headphones when using the

instrument with your smart

device, such as an iPhone/

iPad.

When you use the instrument along with your smart device, we recommend that you set that device’s “Airplane

Mode” to “ON” and then the Wi-Fi/Bluetooth setting to “ON” on your smart device in order to avoid noise caused

by communication.

The overall volume is low, or

no sound is heard.

The Master Volume is set too low; set it to an appropriate level using the [VOLUME] slider (page 13).

The volume level for the keyboard performance is set too low. Adjust the volume balance to increase the

keyboard volume via the “Song” menu display: “Volume”  “Song - Keyboard” (page 52).

Headphones are connected when the Speaker setting is “Normal” (page 106). Disconnect the headphone plug.

The Speaker setting is “Off.” Set the Speaker to “Normal” or “On” via the “System” menu display: “Utility” 

“Speaker” (page 106).

Local Control is “Off.” Set Local Control “On” via the “System” menu display: “MIDI”  “Local Control”

(page 105).

The speakers do not switch

off when a pair of

headphones is connected to

the [PHONES] jack.

The Speaker setting is “On.” Set the speaker setting to “Normal” via the “System” menu display: “Utility” 

“Speaker” (page 106).

Pedals do not function. The pedal cord may not be securely connected to the [PEDAL UNIT] jack. Be sure to insert the pedal cord all the

way until the metal part of the cord plug disappears from view.

The on/off setting of the pedal

connected to the AUX PEDAL

jack is reversed.

Some types of pedals may turn on and off in opposite fashion. Set to the appropriate parameter via the “System”

menu display: “Pedal”  “Aux Polarity” (page 104).

The keyboard volume is

lower than the Song playback

volume.

The volume level for the keyboard performance is set too low. Adjust the volume balance to increase the

keyboard volume via the “Song” menu display: “Volume”  “Song - Keyboard” (page 52).

The buttons do not respond. While you are using a function, some buttons not used for the function are disabled. If the Song is playing, stop

playback. Otherwise, press the [EXIT] button to return to the Voice or Song display, Then, perform the desired

operation.

Higher or lower notes do not

sound correctly when the

transpose or octave setting is

made.

This instrument can cover the range of C -2 – G8 when you set the transposition or octave. If notes lower than

C -2 are played, the sound is moved one octave higher. If notes higher than G8 are played, the sound is moved

one octave lower.

Performance in Dual/Split/

Duo mode is not recorded, or

part data is lost

unexpectedly.

Switching to Dual/Split/Duo mode in the middle of the Song is not recorded. Also, the recording part for the Voice

2 (Dual mode) or the left Voice (Split/Duo mode) is automatically assigned (page 57). If the assigned part

already has data, the data will be overwritten and deleted when you record.

Depending on the selected

Voice, the keyboard sound in

Duo mode may be output

from only one speaker.

This is because the default pan setting differs depending on the Voice.

Change the settings from the “Voice” menu  “Voice Edit”  “Voice name”  “Pan” (page 96).

Appendix

116 P-525 Owner’s Manual

*For information on whether Bluetooth functionality is included or not, refer to page 80.

The Song title is not correct. The “Language” setting may be different than that is selected when you named the Song. Also, if the Song was

recorded on another instrument, the title might be displayed incorrectly. Set the “Language” parameter

(page 107) via the “System” menu display: “Utility”  “Language”  “Song” to change the setting. However, if

the Song was recorded on another instrument, changing the “Language” parameter setting may not resolve the

problem.

Menu display cannot be

called up.

When Song is being played back, menu display other than “Voice” menu and “Song” menu will not appear. Stop

the Song by pressing the [PLAY/PAUSE] button. Also, in the recording ready mode, only “Recording” menu

display will appear.

Rhythm does not start. “SyncStart” setting is on. Set “SyncStart” off in the “Metronome/Rhythm” menu display.

The contents of the Wireless

LAN is not shown in the

display even though the USB

wireless LAN adaptor is

connected.

Disconnect the USB wireless LAN adaptor and connect it again.

The Bluetooth-equipped

smart device cannot be

paired with nor connected to

the instrument.

Check the Bluetooth function of the smart device is activated. To connect the smart device and the instrument

via Bluetooth, both devices need to be functional.

The smart device and the instrument need to be paired to connect each other via Bluetooth (page 79).

In case there is a device (microwave oven, wireless LAN device, etc.) that outputs signals in the 2.4 GHz

frequency band nearby, move this instrument away from the device that is emitting radio-frequency signals.

Sound input via the [AUX IN]

jack or Bluetooth is

interrupted.

The Noise Gate function of this instrument cuts unwanted noise from the input sound. However, this may result in

wanted sounds also being cut, such as the soft decay sound of a piano. This is normal and not a sign of

malfunction.

Problem Possible Cause and Solution

Appendix

117

P-525 Owner’s Manual

Specifications

Product Name Digital Piano

Size/Weight

Dimensions Dimensions (W × H × D) 1,336 mm × 145 mm × 376 mm (52-5/8" × 5-11/16" × 14-13/16")

Weight Weight 22.0 kg (48 lb, 8 oz)

Control Interface

Keyboard Number of Keys 88

Type GrandTouch-S™ Keyboard: wooden keys (white only), synthetic ebony and

ivory key tops, escapement

Touch Sensitivity Hard2/Hard1/Medium/Soft1/Soft2/Fixed

Pedal Number of pedals 3 (When using the pedal unit, LP-1/FC35)

Assignable Functions Sustain (Switch), Sustain (Continuous), Sostenuto, Soft, Pitch Bend Up, Pitch Bend

Down, Rotary Speed, Vibe Rotor, Song Play/Pause

Display Type Full Dots LCD

Size 198 × 100 dots

Language English, Japanese

Panel Language English

Voices

Tone Generator Piano Sound Yamaha CFX, Bösendorfer Imperial

Binaural Sampling Yes (“CFX Grand” Voice only)

Virtual Resonance Modeling (VRM) Yes

Grand Expression Modeling Yes

Polyphony (max.) 256

Preset Number of Voices 44 Voices + 18 Drum/SFX Kits + 480 XG Voices

Compatibility XG (GM), GS (for Song playback), GM2 (for Song playback)

Effects

Types Reverb 7 types

Chorus 3 types

Master EQ 3 Preset + 1 User

Insertion Effect 12 types

Intelligent Acoustic Control (IAC) Yes

Stereophonic Optimizer Yes

Sound Boost 3 types

Functions Dual Yes

Split Yes

Duo Yes

Songs

Preset Number of Preset Songs 21 Voice Demo Songs + 50 Classics

MIDI Recording Number of Songs 250

Number of Tracks 16

Data Capacity Approx. 500 KB/Song

Audio Recording (USB memory) Recording Time (max.) 80 minutes/Song

Compatible Data Format Playback SMF (Format 0, Format 1), WAV (44.1 kHz sample rate, 16-bit resolution, stereo)

Recording SMF (Format 0), WAV (44.1 kHz sample rate, 16-bit resolution, stereo)

Appendix

118 P-525 Owner’s Manual

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then

download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your

Yamaha dealer.

Functions

Piano Room Yes

Rhythm Number of Rhythms 40

Registration Memory Number of Buttons 6 (×4 banks)

Overall Controls Metronome Yes

Tempo Range 5 – 500

Transpose −12 – 0 – +12

Tuning 414.8 – 440.0 – 466.8 Hz (approx. 0.2 Hz increments)

Scale Type 7 types

USB Audio Interface 44.1 kHz, 24 bit, Stereo

Bluetooth

(May not have this functionality

depending on the country in which

you purchased the product.)

Audio Supported profile: A2DP, Compatible codec: SBC

MIDI Comply with Bluetooth Low Energy MIDI Specification

Bluetooth version 5.0

Wireless output Bluetooth Class 2

Maximum communication distance Approx. 10 m

Radio Frequency 2,401 – 2,481 MHz

Maximum output power (EIRP) 4 dBm

Type of modulation GFSK

Storage and Connectivity

Storage Internal Memory Total maximum size approx. 1.4 MB

External Drives USB flash drive

Connectivity Headphones Standard stereo phone jack (× 2)

MIDI IN, OUT

AUX IN Stereo mini jack

AUX OUT Standard phone jack (L/L+R, R)

AUX PEDAL Yes

USB TO DEVICE Type A

USB TO HOST Type C

DC IN 16 V

PEDAL UNIT Yes

Amplifiers and Speakers

Amplifiers (20 W + 6 W) × 2

Speakers (Oval (12 cm × 6 cm) + 2.5 cm (dome)) × 2

Power Supply

AC Adaptor PA-300C (Output: DC 16 V, 2.4 A)

Power Consumption 18 W (When using PA-300C AC adaptor)

Included Accessories • Owner’s Manual

• Online Member Product Registration

•Music rest

• Foot pedal: FC3A

• Power cord*, AC adaptor PA-300C*

* May not be included depending on your area. Check with your Yamaha dealer.

Separately Sold Accessories

(May not be available depending on your area.)

• Keyboard stand: L-515

• Pedal unit: LP-1/FC35

• Headphones: HPH-50/HPH-100/HPH-150

• Footswitches: FC4A/FC5

• Foot pedal: FC3A

• AC adaptor: PA-300C

• USB wireless LAN adaptor: UD-WL01

119

P-525 Owner’s Manual

Index

Numerics

50 Classics .......................................................... 45, 66, 112

AB Repeat ..........................................................................50

Accesspoint mode ............................................................83

App .....................................................................................81

Audio Loopback ...................................................... 78, 106

Audio Recording ..............................................................54

Audio Song ........................................................................44

Auto Power Off ....................................................... 13, 106

AUX IN .............................................................................76

AUX OUT .........................................................................76

Backup ...............................................................................90

Balance ........................................................................ 52, 97

Bass ............................................................................ 43, 101

Bell ....................................................................................101

Binaural Sampling ............................................................14

Bluetooth .................................................................... 79, 82

Body Resonance ...............................................................24

Brightness ..........................................................................24

Chorus ...............................................................................27

Chorus Type List ..............................................................27

Computer ..........................................................................77

Connectors ........................................................................74

Contrast ...........................................................................107

Convert ..............................................................................70

Copy ............................................................................ 66, 68

Damper Noise ............................................................ 24, 25

Damper pedal ...................................................................16

Damper Resonance ..........................................................24

Delete .................................................................................68

Demo .................................................................... 22, 45, 66

Detailed settings ...............................................................94

Display ...............................................................................18

Dual ............................................................................. 29, 31

Duo .....................................................................................32

Duplex Scale ......................................................................25

Duplex Scale Resonance ..................................................24

Edit (Song) ........................................................................99

Edit (Voice) .......................................................................95

Effect ..................................................................................28

Effect Type List .................................................................28

Ending ...................................................................... 43, 101

Factory Reset .....................................................................91

Fast forward ......................................................................47

File ................................................................................66, 98

Foot pedal ..........................................................................15

Footswitch .........................................................................15

Grand Expression ............................................................25

Grand Expression Modeling ..........................................25

Half Pedal Point ...................................................... 25, 104

Half-pedal .........................................................................15

Headphones ......................................................................14

Infrastructure mode .........................................................83

Initialization ......................................................................90

Intelligent Acoustic Control (IAC) ...............................13

Intro .......................................................................... 43, 101

Language .........................................................................107

Lid Position .......................................................................24

Local Control ..................................................................105

Master EQ .........................................................................38

Master EQ type list ..........................................................38

Master Tune ................................................................24, 35

Menu ..................................................................................94

Message List ....................................................................113

Metronome .............................................................. 41, 101

MIDI ......................................................................... 89, 105

MIDI Recording ...............................................................54

MIDI Song ........................................................................44

Move ............................................................................66, 69

120 P-525 Owner’s Manual

Index

Octave ................................................................................95

Panel Lock .........................................................................40

Part Cancel ........................................................................48

Pedal ...................................................................................15

Pedal Function List ..........................................................17

Pedal unit ..........................................................................15

Piano Room ......................................................................23

Piano Setting .....................................................................95

Playback (Rhythm) ..........................................................43

Playback (Song) ......................................................... 45, 53

Power .................................................................................12

Preset Voice List .............................................................110

Rec'n'Share ........................................................................88

Recording ................................................................. 54, 102

Registration Memory .......................................................72

Rename ..............................................................................71

Repeat ......................................................................... 49, 98

Restore ...............................................................................91

Reverb ......................................................................... 24, 26

Reverb Depth ....................................................................24

Reverb Type List ...............................................................26

Rewind ...............................................................................47

Rhythm ..................................................................... 43, 101

Rhythm List .....................................................................112

Scale Tune .......................................................................103

Smart device ............................................................... 77, 81

Smart Pianist .....................................................................81

Soft pedal ...........................................................................16

Song ....................................................................... 44, 66, 98

Song category ....................................................................45

Song List ..........................................................................112

Song Repeat .......................................................................51

Sostenuto pedal ................................................................16

Sound ...............................................................................105

Sound Boost ......................................................................37

Sound Boost type list .......................................................37

Speaker .............................................................................106

Split ............................................................................. 30, 31

Split Point ........................................................... 30, 32, 104

Stage setup .........................................................................92

Stereophonic Optimizer ..................................................14

String Resonance ..............................................................24

System ..............................................................................103

Tempo ................................................................................41

Tempo (Song) ...................................................................47

Time Signature .................................................................42

Touch .................................................................. 24, 36, 104

Touch Sensitivity ..............................................................36

Touch Sensitivity list .......................................................36

Track ..................................................................................57

Transpose ....................................................................95, 98

Transpose (Keyboard) .....................................................34

Transpose (Song) .............................................................53

Troubleshooting .............................................................115

Tuning ...............................................................................35

USB ..............................................................................45, 66

USB Audio Interface ........................................................78

USB flash drive .................................................................75

User ..............................................................................45, 66

User Master EQ ................................................................39

Version ............................................................................107

Voice ............................................................................20, 95

Voice Demo ....................................................................111

Voice Demo List .............................................................111

Voice Edit ..........................................................................95

Volume ..............................................................................13

Volume (Metronome) ...................................................101

Volume (Song) .................................................................98

Volume balance ................................................................52

VRM .............................................................................24, 25

Wi-Fi ..................................................................................83

Wireless LAN .......................................................... 84, 108

Wireless LAN Option ....................................................109

WPS ...................................................................................85

XG ......................................................................................21

121

P-525 Owner’s Manual

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• iPhone, iPad, and Lightning are trademarks of Apple Inc., registered in the U.S. and other countries.

• Android is trademark of Google LLC.

• Wi-Fi is a registered trademark of Wi-Fi Alliance®.

• The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such

marks by Yamaha Corporation is under license.

• The company names and product names in this manual are the trademarks or registered trademarks of their respective

companies.

For Open Source Software

The firmware of this product contains open source software. For copyright information and terms of use for each open

source software, access the Yamaha website below and select your country. Then, click on “Documents and Data” and

enter the model name.

Yamaha Downloads

https://download.yamaha.com/

122

For U.S.A.

For Canada

For Mexico

For United Kingdom

This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.

(554-M01 FCC transmitter 01)

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the

FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to

comply without testing of specific absorption rate (SAR).

(554-M04 FCC portable 01)

This equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment and meets

RSS-102 of the ISED radio frequency (RF) Exposure rules as this equipment has very low levels of RF energy.

Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non

contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’ISDE puisque cet

appareil a une niveau tres bas d’energie RF.

(0555-M05_ised_portable_01)

This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic

Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:

1. This device may not cause interference.

2. This device must accept any interference, including interference that may cause undesired operation of the

device.

L’émetteur/récepteur exempt de licence contenu dans le présent appareil est conforme aux CNR d’Innovation,

Sciences et Développement économique Canada applicables aux appareils radio exempts de licence. L’exploitation

est autorisée aux deux conditions suivantes :

1. L’appareil ne doit pas produire de brouillage ;

2. L’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en

compromettre le fonctionnement.

(555-M13 ISED RSS 01)

La operación de este equipo está sujeta a las siguientes dos condiciones: (1) es posible que este equipo o

dispositivo no cause interferencia perjudicial y (2) este equipo o dispositivo debe aceptar cualquier interferencia,

incluyendo la que pueda causar su operación no deseada.

(556-M02 MX operating condition 01)

SIMPLIFIED UK DECLARATION OF CONFORMITY

Hereby, Yamaha Corporation declares that the [P-525] is in compliance with the Product Security and

Telecommunications Infrastructure Regulations. The full text of the UK Declaration of Conformity is available at the

following internet address:

https://europe.yamaha.com/en/support/compliance/doc.html

123

For European Union and United Kingdom

EN SIMPLIFIED EU DECLARATION OF CONFORMITY / SIMPLIFIED UK DECLARATION OF CONFORMITY

Hereby, Yamaha Corporation declares that the radio equipment type [P-525] is in compliance with Directive 2014/53/EU and the radio

equipment regulations of UK. The full texts of the EU declaration of conformity and the UK declaration of conformity are available at the

following internet address:

https://europe.yamaha.com/en/support/compliance/doc.html

FR DECLARATION UE DE CONFORMITE SIMPLIFIEE

Le soussigné, Yamaha Corporation, déclare que l'équipement radioélectrique du type [P-525] est conforme à la directive 2014/53/UE.

Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante :

https://europe.yamaha.com/en/support/compliance/doc.html

DE VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG

Hiermit erklärt Yamaha Corporation, dass der Funkanlagentyp [P-525] der Richtlinie 2014/53/EU entspricht. Der vollständige Text der

EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar:

https://europe.yamaha.com/en/support/compliance/doc.html

SV FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE

Härmed försäkrar Yamaha Corporation att denna typ av radioutrustning [P-525] överensstämmer med direktiv 2014/53/EU. Den

fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:

https://europe.yamaha.com/en/support/compliance/doc.html

IT DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA

Il fabbricante, Yamaha Corporation, dichiara che il tipo di apparecchiatura radio [P-525] è conforme alla direttiva 2014/53/UE. Il testo

completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet:

https://europe.yamaha.com/en/support/compliance/doc.html

ES DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA

Por la presente, Yamaha Corporation declara que el tipo de equipo radioeléctrico [P-525] es conforme con la Directiva 2014/53/UE. El

texto completo de la declaración UE de conformidad está disponible en la dirección Internet siguiente:

https://europe.yamaha.com/en/support/compliance/doc.html

PT DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA

O(a) abaixo assinado(a) Yamaha Corporation declara que o presente tipo de equipamento de rádio [P-525] está em conformidade

com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no seguinte endereço de Internet:

https://europe.yamaha.com/en/support/compliance/doc.html

NL VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING

Hierbij verklaar ik, Yamaha Corporation, dat het type radioapparatuur [P-525] conform is met Richtlijn 2014/53/EU. De volledige tekst

van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:

https://europe.yamaha.com/en/support/compliance/doc.html

BG ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ

С настоящото Yamaha Corporation декларира, че този тип радиосъоръжение [P-525] е в съответствие с Директива 2014/53/ЕС.

Цялостният текст на ЕС декларацията за съответствие може да се намери на следния интернет адрес:

https://europe.yamaha.com/en/support/compliance/doc.html

CS ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ

Tímto Yamaha Corporation prohlašuje, že typ rádiového zařízení [P-525] je v souladu se směrnicí 2014/53/EU. Úplné znění EU

prohlášení o shodě je k dispozici na této internetové adrese:

https://europe.yamaha.com/en/support/compliance/doc.html

DA FORENKLET EU-OVERENSSTEMMELSESERKLÆRING

Hermed erklærer Yamaha Corporation, at radioudstyrstypen [P-525] er i overensstemmelse med direktiv 2014/53/EU. EU-

overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse:

https://europe.yamaha.com/en/support/compliance/doc.html

124

(559-M01 RED DoC URL 03)

ET LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON

Käesolevaga deklareerib Yamaha Corporation, et käesolev raadioseadme tüüp [P-525] vastab direktiivi 2014/53/EL nõuetele. ELi

vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil:

https://europe.yamaha.com/en/support/compliance/doc.html

EL ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ

Με την παρούσα ο/η Yamaha Corporation, δηλώνει ότι ο ραδιοεξοπλισμός [P-525] πληροί την οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο

της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:

https://europe.yamaha.com/en/support/compliance/doc.html

HR POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI

Yamaha Corporation ovime izjavljuje da je radijska oprema tipa [P-525] u skladu s Direktivom 2014/53/EU. Cjeloviti tekst EU izjave o

sukladnosti dostupan je na sljedećoj internetskoj adresi:

https://europe.yamaha.com/en/support/compliance/doc.html

LV VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA

Ar šo Yamaha Corporation deklarē, ka radioiekārta [P-525] atbilst Direktīvai 2014/53/ES. Pilns ES atbilstības deklarācijas teksts ir

pieejams šādā interneta vietnē:

https://europe.yamaha.com/en/support/compliance/doc.html

LT SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA

Aš, Yamaha Corporation, patvirtinu, kad radijo įrenginių tipas [P-525] atitinka Direktyvą 2014/53/ES. Visas ES atitikties deklaracijos

tekstas prieinamas šiuo interneto adresu:

https://europe.yamaha.com/en/support/compliance/doc.html

HU EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT

Yamaha Corporation igazolja, hogy a [P-525] típusú rádióberendezés megfelel a 2014/53/EU irányelvnek. Az EU-megfelelőségi

nyilatkozat teljes szövege elérhető a következő internetes címen:

https://europe.yamaha.com/en/support/compliance/doc.html

PL UPROSZCZONA DEKLARACJA ZGODNOŚCI UE

Yamaha Corporation niniejszym oświadcza, że typ urządzenia radiowego [P-525] jest zgodny z dyrektywą 2014/53/UE. Pełny tekst

deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:

https://europe.yamaha.com/en/support/compliance/doc.html

RO DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ

Prin prezenta, Yamaha Corporation declară că tipul de echipamente radio [P-525] este în conformitate cu Directiva 2014/53/UE. Textul

integral al declarației UE de conformitate este disponibil la următoarea adresă internet:

https://europe.yamaha.com/en/support/compliance/doc.html

SK ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE

Yamaha Corporation týmto vyhlasuje, že rádiové zariadenie typu [P-525] je v súlade so smernicou 2014/53/EÚ. Úplné EÚ vyhlásenie

o zhode je k dispozícii na tejto internetovej adrese:

https://europe.yamaha.com/en/support/compliance/doc.html

SL POENOSTAVLJENA IZJAVA EU O SKLADNOSTI

Yamaha Corporation potrjuje, da je tip radijske opreme [P-525] skladen z Direktivo 2014/53/EU. Celotno besedilo izjave EU o

skladnosti je na voljo na naslednjem spletnem naslovu:

https://europe.yamaha.com/en/support/compliance/doc.html

FI YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS

Yamaha Corporation vakuuttaa, että radiolaitetyyppi [P-525] on direktiivin 2014/53/EU mukainen. EU-

vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa:

https://europe.yamaha.com/en/support/compliance/doc.html

TR BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ

İşbu belge ile, Yamaha Corporation, radyo cihaz tipinin [P-525], Direktif 2014/53/ AB'ye uygunluğunu beyan eder. AB uyumu beyanının

tam metni aşağıdaki internet adresinden edinilebilir:

https://europe.yamaha.com/en/support/compliance/doc.html

125

Information for users on collection and disposal of old equipment:

This symbol on the products, packaging, and/or accompanying documents means that used

electrical and electronic products should not be mixed with general household waste.

For proper treatment, recovery and recycling of old products, please take them to applicable

collection points, in accordance with your national legislation.

By disposing of these products correctly, you will help to save valuable resources and prevent any

potential negative effects on human health and the environment which could otherwise arise from

inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local

municipality, your waste disposal service or the point of sale where you purchased the items.

For business users in the European Union:

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for

further information.

Information on Disposal in other Countries outside the European Union:

This symbol is only valid in the European Union. If you wish to discard these items, please contact

your local authorities or dealer and ask for the correct method of disposal.

(58-M02 WEEE en 01)

Informations concernant la collecte et le traitement des déchets d’équipements

électriques et électroniques

Le symbole sur les produits, l'emballage et/ou les documents joints signifie que les produits électriques ou

électroniques usagés ne doivent pas être mélangés avec les déchets domestiques habituels.

Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et

électroniques, veuillez les déposer aux points de collecte prévus à cet effet, conformément à la réglementation

nationale.

En vous débarrassant correctement des déchets d’équipements électriques et électroniques, vous contribuerez à

la sauvegarde de précieuses ressources et à la prévention de potentiels effets négatifs sur la santé humaine qui

pourraient advenir lors d'un traitement inapproprié des déchets.

Pour plus d'informations à propos de la collecte et du recyclage des déchets d’équipements électriques et

électroniques, veuillez contacter votre municipalité, votre service de traitement des déchets ou le point de vente où

vous avez acheté les produits.

Pour les professionnels dans l'Union européenne :

Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques, veuillez contacter

votre vendeur ou fournisseur pour plus d'informations.

Informations sur la mise au rebut dans d'autres pays en dehors de l'Union européenne :

Ce symbole est seulement valable dans l'Union européenne. Si vous souhaitez vous débarrasser de déchets

d’équipements électriques et électroniques, veuillez contacter les autorités locales ou votre fournisseur et

demander la méthode de traitement appropriée.

(58-M02 WEEE fr 01)

Información para usuarios sobre la recogida y eliminación de los equipos

antiguos

Este símbolo en los productos, embalajes y documentos anexos significa que los productos eléctricos y

electrónicos no deben mezclarse con los desperdicios domésticos normales.

Para el tratamiento, recuperación y reciclaje apropiados de los productos antiguos, llévelos a puntos de reciclaje

correspondientes, de acuerdo con la legislación nacional.

Al deshacerse de estos productos de forma correcta, ayudará a ahorrar recursos valiosos y a impedir los posibles

efectos desfavorables en la salud humana y en el entorno que de otro modo se producirían si se trataran los

desperdicios de modo inapropiado.

Para obtener más información acerca de la recogida y el reciclaje de los productos antiguos, póngase en contacto

con las autoridades locales, con el servicio de eliminación de basuras o con el punto de venta donde adquirió los

artículos.

Para los usuarios empresariales de la Unión Europea:

Si desea desechar equipos eléctricos y electrónicos, póngase en contacto con su vendedor o proveedor para

obtener más información.

Información sobre la eliminación en otros países fuera de la Unión Europea:

Este símbolo solo es válido en la Unión Europea. Si desea desechar estos artículos, póngase en contacto con las

autoridades locales o con el vendedor y pregúnteles el método correcto.

(58-M02 WEEE es 01)

126

Important Notice:

U.S. LIMITED WARRANTY for Customers in the United States

For detailed information about this Yamaha product and warranty service,

please either visit the following website address (printable file is available at our website)

or contact Customer Service at the address or telephone number identified below.

Website Address:

Yamaha.io/PSeriesWarranty

Customer Service:

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620

Telephone: 800-854-1569

127

Yamaha Global Site

https://www.yamaha.com/

Yamaha Downloads

https://download.yamaha.com/

Published 11/2023 MWMA-C1

VHC0460

Yamaha Worldwide Representative Offices

For details on the product(s), contact your nearest Yamaha representative or the authorized distributor,

found by accessing the 2D barcode below.

English

Wenden Sie sich für nähere Informationen zu Produkten an eine Yamaha-Vertretung oder einen

autorisierten Händler in Ihrer Nähe. Diese finden Sie mithilfe des unten abgebildeten 2D-Strichodes.

Deutsch

Pour obtenir des informations sur le ou les produits, contactez votre représentant ou revendeur agréé

Yamaha le plus proche. Vous le trouverez à l'aide du code-barres 2D ci-dessous.

Français

Para ver información detallada sobre el producto, contacte con su representante o distribuidor autorizado

Yamaha más cercano. Lo encontrará escaneando el siguiente código de barras 2D.

Español

Per dettagli sui prodotti, contattare il rappresentante Yamaha o il distributore autorizzato più vicino, che è

possibile trovare tramite il codice a barre 2D in basso.

Italiano

Para mais informações sobre o(s) produto(s), fale com seu representante da Yamaha mais próximo ou com

o distribuidor autorizado acessando o código de barras 2D abaixo.

Português

ɑɬɨɛɵɭɡɧɚɬɶɩɨɞɪɨɛɧɟɟɨɩɪɨɞɭɤɬɟɩɪɨɞɭɤɬɚɯɫɜɹɠɢɬɟɫɶɫɛɥɢɠɚɣɲɢɦɩɪɟɞɫɬɚɜɢɬɟɥɟɦɢɥɢ

ɚɜɬɨɪɢɡɨɜɚɧɧɵɦɞɢɫɬɪɢɛɶɸɬɨɪɨɦ<DPDKDɜɨɫɩɨɥɶɡɨɜɚɜɲɢɫɶɞɜɭɯɦɟɪɧɵɦɲɬɪɢɯɤɨɞɨɦɧɢɠɟ

Ɋɭɫɫɤɢɣ

㞝꧎僗⪩◲⿁氳陣篱⟔䕜陴纭硍饄䖻僄鲤氳 :BNBIB ♏辑䡝䪧儹篺ꛖら⺎鵠鲋阼ꠋ┖亡氳◅簟溞䤓⮽鲹◙

♏辑䡝篺ꛖら氳⟔䕜ն

甏⛮╈乄

㞞ꧏ榣⿁氳鎌碸鞴銻鑃绤礙艃䖼ꦗ鲥氳:BNBIBꊸす♏辑䡝䪧垷祺ꊸり䖼⺎♓䬟┖亡氳◅禵半澰刨

洇注꟯绤礙鞴乣

竵냉╈乄

혗폋샻햋켳혐쫯삏팿얓%쨏󼑐싗폋폌켳킟폧맻뱇풯:BNBIB샯샴쟟혋쐋삏뫰탘샻잧혋폋

줳핓탨탗퐟

뭨펯

https://manual.yamaha.com/dmi/address_list/

Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Chuo-ku, Hamamatsu, 430-8650, Japan

Importer (European Union): Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany

Importer (United Kingdom): Yamaha Music Europe GmbH (UK) Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, United Kingdom

DMI35

Yamaha P-525 de handleiding

Merk: Yamaha

Model: P-525

Categorie: Digitale piano's

Type: de handleiding

Download PDF

rapport

in andere talen

English: Yamaha P-525 Owner's manual
italiano: Yamaha P-525 Manuale del proprietario
русский: Yamaha P-525 Инструкция по применению
français: Yamaha P-525 Le manuel du propriétaire
español: Yamaha P-525 El manual del propietario
Deutsch: Yamaha P-525 Bedienungsanleitung
português: Yamaha P-525 Manual do proprietário
dansk: Yamaha P-525 Brugervejledning
suomi: Yamaha P-525 Omistajan opas
čeština: Yamaha P-525 Návod k obsluze
日本語: Yamaha P-525 取扱説明書
svenska: Yamaha P-525 Bruksanvisning
polski: Yamaha P-525 Instrukcja obsługi
română: Yamaha P-525 Manualul proprietarului

Yamaha P-525 de handleiding

Yamaha P-525 de handleiding

in andere talen

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