Documenttranscriptie
DIGITAL KEYBOARD
Owner’s Manual
EN
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less ) is 18
AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional
accessories. Some of these items are designed to be dealer assembled
or installed. Please make sure that benches are stable and any optional
fixtures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, never mix old batteries with new ones, and
never mix different types of batteries. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
NOTICE:
Model
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
Serial No.
Purchase Date
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
92-BP (bottom)
2
PLEASE KEEP THIS MANUAL
YPT-420 Owner’s Manual
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential
environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt,
sålæenge netledningen siddr i en stikkontakt, som er t endt — også
selvom der or slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko
laitetta verkosta.
(standby)
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien
oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei
einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif.
90620
Telephone : 714-522-9011
Type of Equipment : Digital Keyboard
Model Name : YPT-420
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception is
suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
1
(battery)
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YPT-420 Owner’s Manual
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Battery
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Always replace all batteries at the same time. Do not use new batteries together
with old ones.
• Do not mix battery types, such as alkaline batteries with manganese batteries, or
batteries from different makers, or different types of batteries from the same
maker, since this can cause overheating, fire, or battery fluid leakage.
• Do not tamper with or disassemble batteries.
• Use the specified adaptor (page 102) only. Using the wrong adaptor can result
in damage to the instrument or overheating.
• Do not dispose of batteries in fire.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Keep batteries away from children.
Do not open
• This instrument contains no user-serviceable parts. Do not open the instrument
or attempt to disassemble or modify the internal components in any way. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings. If any liquid such as water seeps into the instrument, turn off the
power immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not attempt to recharge batteries that are not intended to be charged.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid
should come in contact with your eyes, mouth, or skin, wash immediately with
water and consult a doctor. Battery fluid is corrosive and may possibly cause
loss of sight or chemical burns.
• Always make sure all batteries are inserted in conformity with the +/ - polarity
markings. Failure to do so might result in overheating, fire, or battery fluid
leakage.
• When the batteries run out, or if the instrument is not to be used for a long time,
remove the batteries from the instrument to prevent possible leakage of the
battery fluid.
If you notice any abnormality
• When one of the following problems occur, immediately turn off the power
switch and disconnect the electric plug from the outlet. (If you are using
batteries, remove all batteries from the instrument.) Then have the device
inspected by Yamaha service personnel.
• The power cord or plug becomes frayed or damaged.
• It emits unusual smells or smoke.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
• Some object has been dropped into the instrument.
• There is a sudden loss of sound during use of the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Location
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
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• Before moving the instrument, remove all connected cables.
Connections
Handling caution
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not insert a finger or hand in any gaps on the instrument.
• Be sure to set the volumes of all components at their minimum levels and
gradually raise the volume controls while playing the instrument to set the
desired listening level.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the [ ] (Standby/On) switch is in the “Standby” position, electricity is still flowing to the instrument at the minimum level. When you are not
using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
NOTICE
To avoid the possibility of damage to the product, data or other property, follow the notices below.
■ Handling and Maintenance
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of
panel disfiguration or damage to the internal components.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• When cleaning the instrument, use a soft cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
■ Saving data
• The panel settings and some other types of data is lost when you turn off the power to the instrument. Save the data to the Registration Memory (page 80).
Saved data may be lost due to malfunction or incorrect operation. Save important data to external device such as a computer.
• To protect against data loss through media damage, we recommend that you save your important data onto two external media.
Information
● About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
• Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
The serial number of this product may be found on the bottom of the
unit. You should note this serial number in the space provided below
and retain this manual as a permanent record of your purchase to aid
identification in the event of theft.
Model No.
Serial No.
(bottom)
Information for Users on Collection and Disposal of Old Equipment and used Batteries
These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and
batteries should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in
accordance with your national legislation and the Directives 2002/96/EC and 2006/66/EC.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative
effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste
disposal service or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or
dealer and ask for the correct method of disposal.
Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set by the Directive
for the chemical involved.
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YPT-420 Owner’s Manual
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Copyright Notice
The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:
Composition Title : Against All Odds
Composer’s Name : Collins 0007403
Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD AND HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with
respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all
computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of
such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright
has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is
strictly prohibited except for your personal use.
Panel Logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music
data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM
mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format.
Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that
some songs may play back differently compared to the original data, due to the reduced set of control
parameters and effects.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with
peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).
Stereo Sampled Piano
The instrument has a special Portable Grand Piano Voice—created by state-of-the-art stereo sampling technology and using Yamaha’s sophisticated AWM (Advanced Wave memory) tone generation system.
Touch Response
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives you
maximum expressive level control over the voices. It also works in conjunction with the Dynamic Filter,
which dynamically adjusts the timbre or tone of a voice according to your playing strength—just a like a
real musical instrument!
STYLE FILE
The Style File Format is Yamaha’s original style file format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.
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YPT-420 Owner’s Manual
Congratulations and thank you for purchasing
the Yamaha Digital Keyboard!
Please read this owner’s manual carefully before using the instrument
in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading,
and refer to it often when you need to better understand an operation or function.
About the Manuals
This instrument has the following documents and instructional materials.
● Included Documents
• Owner’s Manual (this book)
Provides overall explanations of this instrument.
• Data List
Contains various important preset content lists such as Voices, Styles and Effects.
● Online Materials (Downloadable from the web)
The following instructional materials are available for downloading from the Yamaha Manual Library. Access the
Yamaha Manual Library, then enter your model name (YPT-420, for example) in the Model Name area to search the
manuals.
Yamaha Manual Library http://www.yamaha.co.jp/manual/
• MIDI Reference
The MIDI Reference contains MIDI related information, such as the MIDI Data Format and MIDI Implementation
chart.
• MIDI Basics
If you want to know more about MIDI and how to use it, refer to this introductory book.
Included Accessories
The package includes the following items. Please check that you have them all.
• Owner’s Manual
• Data List
• Music rest
• Accessory CD-ROM
• AC Power Adaptor
* May not be included depending on your particular area. Please
check with your Yamaha dealer.
• My Yamaha Product User Registration
* The PRODUCT ID on the sheet will be needed when you fill out
the User Registration form.
● Music Rest
5
Insert the music rest
into the slots as shown.
YPT-420 Owner’s Manual
7
Special Features
■ Creating New Sounds
Page 18
By adjusting just two knobs you can add varying degrees of distortion,
“sweetness,” or other characteristics to a sound to change it subtly or drastically. Parameters that can be assigned to the knobs include effect, filter, envelope generator and more. You can create new sounds in real time!
■ Arpeggio Function
Page 14
Similar to the arpeggio functions provided on some synthesizers, this function automatically produces arpeggios (broken chords) when you simply play
the appropriate notes on the keyboard. A variety of arpeggios can be produced by changing your fingering or the arpeggio type.
■ Performance assistant technology
Page 23
Play along with a song on the instrument’s keyboard and produce a perfect
performance every time ... even if you play wrong notes! All you have to do
is play on the keyboard—alternately on the left- and right-hand ranges of the
keyboard, for example—and you’ll sound like a pro as long as you play in
time with the music.
■ Play a Variety of Instrument Voices
Page 28
The instrument voice that sounds when you play the keyboard can be
changed to violin, flute, harp, or any of an extensive range of voices. You can
change the mood of a song written for piano, for example, by using violin to
play it instead. Experience a whole new world of musical variety.
■ Play Along with Styles
Page 33
Want to play with full accompaniment? Try the auto-accompaniment Styles.
The accompaniment styles provide the equivalent of a full backing band covering a wide variety of styles from waltzes to 8-beat to euro-trance ... and
much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.
PopBossa
092
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YPT-420 Owner’s Manual
Contents
Copyright Notice .................................................................... 6
Panel Logos ........................................................................... 6
About the Manuals ................................................................. 7
Included Accessories ............................................................. 7
Special Features .................................................................... 8
Setting Up
10
Power Requirements ........................................................... 10
Connecting Headphones (PHONES/OUTPUT Jack)........... 11
Connecting a Footswitch (SUSTAIN Jack) .......................... 11
Connecting to a Computer (USB Terminal) ......................... 11
Turning the Power On.......................................................... 11
Panel Controls and Terminals
12
Front Panel .......................................................................... 12
Rear Panel ........................................................................... 13
Quick Guide
Creating Arpeggios
14
Create Original Sounds
18
Reference
Adding Effects
60
Harmony............................................................................... 60
Adding Reverb ..................................................................... 61
Adding Chorus ..................................................................... 62
Handy Performance Features
Style (Auto-accompaniment) Functions
Assigning Effects to the Knobs ............................................ 18
Using the Knobs................................................................... 21
The Easy Way to Play Piano
23
Play with Both Hands........................................................... 23
Change the Song Tempo..................................................... 27
Try Playing a Variety of Instrument Voices
28
Select and Play a Voice—MAIN .......................................... 28
Play Two Voices Simultaneously—DUAL............................ 29
Play Different Voices with the Left and Right Hands
—SPLIT .......................................................................... 30
Play the Grand Piano Voice................................................. 31
Drum Kits
32
Select and Play the Drum Kit ............................................... 32
Playing Styles
33
Select a Style Rhythm.......................................................... 33
Play Along with a Style ........................................................ 34
Playing Auto-accompaniment Chords.................................. 38
Using Songs
39
Select and Listen to a Song ................................................. 39
Song Fast Forward, Fast Reverse, and Pause.................... 40
Types of Songs .................................................................... 42
Select a Song For a Lesson
43
Lesson 1—Waiting............................................................... 43
Lesson 2—Your Tempo ....................................................... 46
Lesson 3—Minus One ......................................................... 47
Practice Makes Perfect—Repeat and Learn........................ 48
Play Using the Music Database
49
Change a Song’s Style
50
Listen to the DEMO Song for Easy Song Arranger.............. 50
Using the Easy Song Arranger ............................................ 50
Record Your Own Performance
52
63
The Metronome.................................................................... 63
Setting the Number of Beats per Measure,
and the Length of Each Beat .......................................... 64
Adjusting the Metronome Volume ........................................ 64
Tap Start .............................................................................. 65
Touch Response Sensitivity................................................. 65
Pitch Bend............................................................................ 66
Pitch Controls....................................................................... 66
Controlling Arpeggio Volume with Keyboard Dynamics....... 67
One Touch Setting ............................................................... 68
Adjusting the Harmony Volume............................................ 69
Select an EQ Setting for the Best Sound ............................. 69
70
Pattern Variation (Sections) ................................................. 70
Adjusting the Style Volume .................................................. 72
Setting the Split Point........................................................... 72
Play a Style with Chords but No Rhythm
(Stop Accompaniment) ................................................... 73
Loading Style Files............................................................... 74
Chord Basics........................................................................ 75
Looking Up Chords Using the Chord Dictionary .................. 77
Song Settings
78
Song Volume........................................................................ 78
A-B Repeat........................................................................... 78
Muting Independent Song Parts........................................... 79
Change the Melody Voice .................................................... 79
Memorize Your Favorite Panel Settings
80
Saving to the Registration Memory ...................................... 80
Recalling a Registration Memory ......................................... 81
The Functions
82
Selecting and Setting Functions........................................... 82
Connecting to a Computer
85
What Is MIDI? ...................................................................... 85
Connecting a Personal Computer ........................................ 86
Transferring Performance Data to and from a Computer..... 87
Remote Control of MIDI Devices.......................................... 88
Initial Send ........................................................................... 89
Transferring Data between the Computer and Instrument... 89
Accessory CD-ROM Installation Guide
92
Important Notices about the CD-ROM ................................. 92
CD-ROM Contents ............................................................... 93
System Requirements.......................................................... 94
Software Installation............................................................. 94
Appendix
Troubleshooting................................................................. 99
Index.................................................................................. 100
Specifications................................................................... 102
Track Configuration.............................................................. 52
Recording Procedure ........................................................... 52
Song Clear—Deleting User Songs ...................................... 55
Track Clear—Deleting a Specified Track
from a User Song............................................................ 55
Backup and Initialization
56
Backup ................................................................................. 56
Initialization .......................................................................... 56
Basic Operation and Displays
57
7
Basic Operation ................................................................... 57
Display Items ....................................................................... 59
YPT-420 Owner’s Manual
9
Setting Up
Be sure to do the following operations BEFORE turning on the power.
Power Requirements
Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC
adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete
resources.
■ Using an AC Power Adaptor
Make sure that the [ ] (Standby/On) switch of the
instrument is set to Standby.
WARNING
• Use the specified adaptor (page 102) only. The use of other
adaptors may result in irreparable damage to both the adaptor
and the instrument.
Connect the AC adaptor to the power supply jack.
Plug the AC adaptor into an AC outlet.
CAUTION
• Unplug the AC Power Adaptor when not using the instrument,
or during electrical storms.
AC adaptor
AC outlet
For battery operation the instrument requires six 1.5V
“D” size, R20P (LR20) or equivalent batteries. (Alkaline
batteries are recommended.) When battery power
becomes too low for proper operation, make sure to
replace all batteries, following the precautions listed
below.
If necessary, also make sure to save all important User
data (see page 56), since custom panel settings are
lost when the batteries are removed.
CAUTION
■ Using Batteries
Open the battery compartment cover located on the
instrument’s bottom panel.
Insert the six new batteries, being careful to follow
the polarity markings on the inside of the compartment.
Replace the compartment cover, making sure that it
locks firmly in place.
NOTE
• Connecting the AC power adaptor automatically supplies power from
the adaptor and overrides battery power, even when batteries are
installed.
• Use only manganese or alkaline batteries for this instrument.
Other types of batteries (including rechargeable batteries) may
exhibit a sudden drop in power when the batteries are low, possibly resulting in a loss of flash memory data.
• Be sure to install the batteries in the same direction, maintaining
the correct polarity (as shown). Incorrect battery installation may
result in heat, fire and/or leaking of corrosive chemicals.
• When the batteries run down, replace them with a complete set of
six new batteries. NEVER mix old and new batteries. Do not use
different kinds of batteries (e.g. alkaline and manganese) at the
same time.
• If the instrument will not be used for an extended period of time,
remove the batteries to prevent possible fluid leakage.
• Please use the power adaptor when transferring data to flash
memory. Batteries (including rechargeable types) can be drained
rapidly by this type of operation. If the batteries do become
drained during a data transfer, both the data being transferred and
the data currently in the transfer destination will be lost.
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YPT-420 Owner’s Manual
Setting Up
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
Connecting to a Computer (USB Terminal)
The internal speakers are automatically shut off when a
plug is inserted into this jack.
The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT
jack to a keyboard amplifier, stereo system, mixer, tape
recorder, or other line-level audio device to send the
instrument’s output signal to that device.
WARNING
• Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be
damaging to your hearing.
CAUTION
• To prevent damage to the speakers, set the volume of the external
devices at the minimum setting before connecting them. Failure to
observe these cautions may result in electric shock or equipment
damage. Also, be sure to set the volumes of all devices at their
minimum levels and gradually raise the volume controls while
playing the instrument to set the desired listening level.
Connect the instrument’s USB terminal to the USB terminal of a computer, and you can transfer performance
data and song files between the two (page 86). To use
the USB data-transfer features you’ll need to do the following:
• First, make sure the POWER switch on the instrument is set to OFF, then use a USB cable to connect the instrument to the computer. After making
the connections, turn on the power of the instrument.
• Install the USB MIDI driver on your computer.
Installation of the USB MIDI driver is described on
page 94.
NOTE
• Make sure to purchase a quality USB cable at a musical instrument
store, computer store or electrical appliance store.
Turning the Power On
Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain
as you play by pressing a footswitch. Plug the Yamaha
FC4 or FC5 footswitch into this jack and use it to switch
sustain on and off.
NOTE
• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this
changes the recognized polarity of the footswitch, resulting in reversed
footswitch operation.
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [ ] (Standby/On)
switch to turn on the power. Press the [ ] (Standby/On)
switch again to turn the power OFF.
Backup data in the flash memory is loaded to the instrument when the power is turned on. If no backup data
exists on flash memory, all instrument settings are
restored to the initial factory defaults when the power is
turned on.
CAUTION
• Even when the [ ] (Standby/On) switch is in the “Standby” position, electricity is still flowing to the instrument at the minimum
level. When you are not using the instrument for a long time, make
sure you unplug the AC power adaptor from the wall AC outlet,
and/or remove the batteries from the instrument.
CAUTION
9
• Never attempt to turn the power off when a “WRITING!” message
is shown in the display. Doing so can damage the flash memory
and result in data loss.
YPT-420 Owner’s Manual
11
Panel Controls and Terminals
Front Panel
Song Category List
(page 41)
q
w
@3
@4
@5
e
r
t
y
u
i
!0
@6
@7 @8
Style Category List
(separate Data List)
!2
!3
!4
!5
o
!1
@9
#0
Display
(page 59)
GrandPno
001
001
#1
#4
w [MASTER VOLUME] control.... pages 11, 24
e [TOUCH ON/OFF] button ................ page 65
r [HARMONY ON/OFF] button .......... page 60
t [DUAL ON/OFF] button ................... page 29
!5 [PORTABLE GRAND] button .......... page 31
!6 Dial ............................................pages 58, 82
!7 CATEGORY [ ] and [ ]
buttons......................................pages 58, 82
r
q [ ] (Standby/On) switch ................. page 11
!4 [METRONOME ON/OFF] button ..... page 63
f
Front Panel
!8 [SONG] button................................. page 39
y [SPLIT ON/OFF] button ................... page 30
!9 [EASY SONG ARRANGER]
button............................................... page 50
u [DEMO] button ................................. page 40
@0 [STYLE] button................................ page 33
i LESSON [START] button ................ page 44
@1 [VOICE] button ................................ page 28
o LESSON [L/R] button ...................... page 44
@2 Number buttons [0]–[9],
[+] and [-] buttons ....................pages 58, 82
!0 [ARPEGGIO ON/OFF] button.......... page 14
!1 [PERFORMANCE
ASSISTANT ON/OFF] button .......... page 23
@3 [ASSIGN] button.............................. page 18
!2 [FUNCTION] button ......................... page 82
@5 [
](REPEAT & LEARN)/
[ACMP ON/OFF] button ...........pages 48, 34
!3 [MUSIC DATABASE] button ............ page 49
@4 [A] and [B] knobs ............................ page 21
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YPT-420 Owner’s Manual
Panel Controls and Terminals
Music Database List
(separate Data List)
!7
!6
#2
Voice Category List
(separate Data List)
!8
!9
@0
@1
@2
#3
#5
Rear Panel
#6
@6 [A-B REPEAT]/
[SYNC STOP] button ............... pages 78, 71
@7 [PAUSE]/
[SYNC START] button ............. pages 40, 70
@8 [REW]/
[INTRO/ENDING/rit.] button .... pages 40, 71
#7
#8
#9
Rear Panel
#6 USB terminal ............................pages 11, 86
#7 SUSTAIN jack................................... page 11
#8 PHONES/OUTPUT jack ................... page 11
#9 DC IN jack ........................................ page 10
@9 [FF]/
[MAIN/AUTO FILL] button ....... pages 40, 71
#0 [START/STOP] button ....... pages 33, 40, 58
#1 [TEMPO/TAP] button ....................... page 27
#2 REGIST MEMORY
[●] (MEMORY/BANK),
[1], [2] buttons ................................. page 80
#3 SONG MEMORY
[REC], [1]–[5], [A] buttons............... page 52
NOTE
• Only the following four buttons light up when selected. (Other buttons do
not light up even if selected.)
!8
!9
@0
@1
[SONG] button
[EASY SONG ARRANGER] button
[STYLE] button
[VOICE] button
11
#4 PITCH BEND wheel ......................... page 66
#5 Drum Kit icons................................. page 32
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Creating Arpeggios
Quick Guide
The arpeggio function lets you create arpeggios (broken chords) by
simply playing the required notes on the keyboard. For example, you
could play the notes of a triad—the root, third, and fifth—and the arpeggio function will automatically create a variety of interesting arpeggiotype phrases. By changing the arpeggio type and the notes you play it
is possible to create a wide range of patterns and phrases that can be
used for music production as well as performance.
1
Press the [ARPEGGIO ON/OFF] button to turn the arpeggio function on.
GrandPno
001
001
The ARPEGGIO icon appears when
the arpeggio function is on.
● Voices and the Arpeggio Function
This instrument lets you select a variety of “voices” that you can play
via the keyboard. When you select a voice number between 129 and 143
the arpeggio function will automatically be engaged so you can start
playing arpeggios immediately. The arpeggio function will automatically be turned off when you select any other voice.
NOTE
• See “Try Playing a Variety of
Instrument Voices” on page 28.
If you want to use voices 129–143 for normal performance without the
arpeggio function, press the [ARPEGGIO ON/OFF] button to turn the
arpeggio function off after selecting the voice.
● Voices for which the arpeggio function is automatically turned on.
Voice No.
129
130
131
132
133
134
135
136
Voice Name
Synth Sequence
Sawtooth Lead Arpeggio
Analog Sequence
Chord Sequence
Sawtooth
Square Pulse
Trance
Synth Echo
Voice No.
137
138
139
140
141
142
143
Voice Name
Piano Arpeggio
Ballad Electric Piano
Guitar Chord
Guitar Arpeggio
Acid Synth
Arabic Loop
Massive Percussion
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YPT-420 Owner’s Manual
Creating Arpeggios
2
Select an arpeggio type.
The most suitable arpeggio type is automatically selected when you
select a voice, but you can easily select any other arpeggio type.
ARP Type
Hold for longer
than a second
DownOct1
02
The currently selected
arpeggio type
Hold the [ARPEGGIO ON/OFF] button for longer than a second and
the name of the current arpeggio type will appear in the display. Rotate
the dial to select the desired arpeggio type. A list of the available arpeggio types is provided in the separate Data List.
3
Play the keyboard.
The sound of the arpeggio produced will change according to the number of notes you play and the area of the keyboard you play in. You can
save the instrument’s settings at this point and then recall them at any
time you want to repeat your performance (page 80). You can also
record your performance (page 52).
NOTE
• Make sure that you are not
pressing any of the keyboard’s
keys while turning the arpeggio
function on or off.
The arpeggio function applies only to the main and dual voices, and
does not affect split voices. The arpeggio function cannot be used at the
same time as the harmony function.
13
4
When you have finished playing with the arpeggio function, press the [ARPEGGIO ON/OFF] button to turn it off.
YPT-420 Owner’s Manual
15
Creating Arpeggios
Create a Pop Tune
You can play a style and specify the style chords with your left hand while playing arpeggios with your
right hand to create interesting sonic textures and backgrounds.
1
Select the keyboard voice (page 28).
For this example we’ll use a grand piano voice, so press the [PORTABLE GRAND]
button. This convenient voice selection method lets you instantly select a voice with a
single button press.
2
After turning the arpeggio function on, select an arpeggio type (steps 1
and 2 on the preceding page).
For this example select “02 DownOct1”.
That completes preparation to use the arpeggio function.
3
Select the style you want to play along with the arpeggio function.
A “style” is an automatic accompaniment pattern.
Press the [STYLE] button and the name of the currently selected style will appear in the
display. Rotate the dial to select the desired style. For this example we’ll use the “001
8BtModrn” (8 Beat Modern) style.
8BtModrn
001
NOTE
• Refer to “Playing Styles” on page 33.
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YPT-420 Owner’s Manual
Creating Arpeggios
4
Press the [ACMP ON/OFF] button to turn auto accompaniment on.
8BtModrn
001
The ACMP ON icon will
appear.
When auto accompaniment is turned on, the left-hand section of the keyboard is used only
for specifying accompaniment chords.
NOTE
• Refer to “When automatic accompaniment is on ...” on page 34.
5
Press the [START/STOP] button.
The rhythm accompaniment will start.
6
Begin playing.
C
Am
F
G7sus4
Listen carefully to the rhythm of the style, then play the notes shown in the score at the
beginning of a measure. The style and arpeggio will begin playing together.
The accompaniment will change accordingly each time you play a new left-hand chord.
Of course you can also change your right-hand fingering to produce interesting changes.
If you’re not comfortable with right-hand playing yet, you could use the performance
assistant technology feature described on page 23. When the performance assistant feature
is on, playing any right-hand key will always produce musically appropriate notes!
Split point
15
Whenever you’re playing a style as well as a right-hand part, be sure that your left hand
plays only to the left of the split point and your right hand plays only to the right of the
split point. (page 30)
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Create Original Sounds
The two knobs located in the lower left area of the panel can be used to
add variations to the sound being played, transforming the sound in a
variety of musical ways. Filter, envelope generator, and other effects
can be assigned to the two knobs as required. In this section we’ll
explain how effects can be assigned to the knobs, and provide a few
tips for their use.
Assigning Effects to the Knobs
Repeatedly press the [ASSIGN] button to sequentially select the five effect combinations provided: z →
x → c → v → b → z → ... etc. The currently selected combination is shown in the display.
GrandPno
001
001
Number/Effect
Knob A
Knob B
z Filter
Filter Cutoff
Filter Resonance
x Effect
Reverb Send Level
Chorus Send Level
c EG
Attack Time
Release Time
v Style Filter
Filter Cutoff
Filter Resonance
b Style Tempo
Tempo
–No Effect–
The assignable knob effects are pre-programmed in the pairs listed above.
It is not possible to assign different effect combinations.
z–c affect the main and dual voices only. Split voices will not be affected. Styles and songs will also not
be affected.
v–b affect styles only.
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YPT-420 Owner’s Manual
Create Original Sounds
z Filter
Filter effects shape sound by allowing only a specified range of frequencies
to pass and/or by producing a resonance peak at the filter’s “cutoff” frequency. Filter effects can be used to create a range of synthesizer-like
sounds.
* Filter effects can sometimes cause distortion in the bass frequencies.
Some hints for using the filter effects are provided on page 22.
Filter Cutoff
Filter Resonance
Knob A adjusts the filter’s cutoff frequency, and therefore the brightness of
the sound.
Level
Cutoff Frequency
Frequency
Frequencies in this
range are passed.
Frequencies in this
range are cut off.
Knob B adjusts the amount of resonance applied at the filter’s cutoff frequency. Increasing the resonance emphasizes the frequencies at the cutoff
frequency, and thus “strengthens” the perceived effect of the filter.
Level
Resonance
Frequency
x Effect
Reverb reproduces the acoustic ambience of a concert hall or club, while
chorus produces a layered “multi-instrument” effect.
Reverb Send
Level
Chorus Send
Level
17
Knob A adjusts the depth of the reverb effect, and Knob B adjusts the depth
of the chorus effect.
YPT-420 Owner’s Manual
19
Create Original Sounds
c EG (Envelope Generator)
Envelope Generator effects determine how the level of the sound varies over
time. You can make the attack faster for a more percussive sound or slower
for a violin-like sound, for example. Or you can lengthen or shorten the sustain to most ideally match the music.
Attack Time
Release Time
Knob A adjusts attack time (the amount of time it takes the sound to reach
maximum level when a key is played).
Knob B adjusts release time (the amount of time it takes for the sound to
decay to silence after a key is released).
Level
Sustain Level
ATTACK
DECAY
Key Played
RELEASE
Time
Key Released
v Style Filter
Filter Cutoff
Filter Resonance
In this case the knobs apply the filter effect to the style being played. Knob A
and Knob B have the same functions as for “z Filter” described on the preceding page.
b Style Tempo
Tempo
–No Effect–
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob
clockwise increases the tempo while rotating it counterclockwise decreases
the tempo. The knob’s center position produces the initial default tempo.
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YPT-420 Owner’s Manual
Create Original Sounds
Using the Knobs
1
Select the voice you want to play on the keyboard.
SquareLd
097
The name of the currently selected voice will appear in the display when
you press the [VOICE] button. Use the dial to select the desired voice.
For this example we want to use a synth-lead type voice, so select “97
SquareLd” (Square-wave Lead).
2
Press the [ASSIGN] button as many times as necessary to
select “z FILTER” (“z” will appear in the display).
SquareLd
097
“z” appears here.
Knob A can now be used to adjust the filter cutoff frequency, and Knob
B can be used to adjust the resonance.
3
Rotate Knob B to its maximum setting (all the way to the
right).
Filter
Cutoff
Filter
Resonance
19
Rotating the knob to the right while the volume is set to a high level can
result in distortion. If this occurs, reduce the volume level.
YPT-420 Owner’s Manual
21
Create Original Sounds
4
Play with the right hand while operating Knob A with the
left hand.
Filter
Cutoff
Filter
Resonance
If you select a different keyboard voice the knobs will be reset and the
ideal settings for the selected voice will be automatically recalled. In the
same way, if the “v STYLE FILTER” effect is selected, the knobs will
be reset if a different style is selected. If you create an original setting
you like, it might be a good idea to save it in the instrument’s Registration Memory (page 80) so you can recall the same settings again at any
time. You can also record performances using original sounds you’ve
created (page 52).
The chart below lists some interesting ways to use the various effects
that can be assigned to the knobs.
Changing the knob settings does not immediately change the sound. Newly
assigned effects will only change the sound when the knobs are first
operated after the new effect has been selected.
● Some Ideas for Using the Knobs
Number/Effect
Try This
z FILTER
Select a synth-type lead or pad voice (see the separate Data List for the Voice List). Turn Knob B
all the way up and operate Knob A while playing for some spacey, floating 1980’s effects.
x EFFECT
Select a voice that sounds as though it already has reverb and chorus effects applied, and turn
Knob A and Knob B all the way down to hear the “direct” sound of the voice. You can then turn the
Knob A and Knob B settings up to add extra impact and richness to the voice.
c EG
Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 o’clock position.
This should give you a majestic, organ-like sound. The attack time is quite long so play the keys
and hold them to let the sound come in fully. Ideal for slow pieces.
v STYLE FILTER
Select style 31, Euro Trance. Turn accompaniment on and start style playback (page 34). Set
Knob B to about 3 o’clock, and Knob A to about 8 o’clock. The overall sound of the style should be
a bit muffled, with the drums emphasized for solid rhythmic impact.
b STYLE TEMPO
Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.
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The Easy Way to Play Piano
This instrument includes a performance assistant technology feature
that lets you play along with a song and sound like a great pianist (even
though you might be making lots of mistakes)! In fact, you can play any
notes and still sound good!
So even if you can’t play piano and can’t read a note of music, you can
have some musical fun. It’s never too late to start learning!
Refer to page 25 for more information on using performance assistant technology to help you play.
Play with Both Hands
1
Press the [PERFORMANCE ASSISTANT ON/OFF] button.
This turns on the performance assistant technology feature.
The P.A.T. icon will appear after “PERFORMANCE ASSISTANT”.
Nocturne
011
Icon will appear when performance
assistant technology is on.
Press the [PERFORMANCE ASSISTANT ON/
OFF] button to turn the function on or off.
2
Select a song.
Press the [SONG] button, and the song number and name will be displayed. You can use the dial or other selection controls to select a different song.
For this example try selecting the “010 AveMaria”.
Song name
AveMaria
010
The song displayed here
will be played.
21
Song number
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23
The Easy Way to Play Piano
● What is a “Song”?
Of course you know the normal meaning of the word, but for this
instrument the term “song” also refers to the data that makes up a piece of
music. You can listen to the songs, use them for lessons, and use them with
a range of other functions (page 39).
3
Press the [START/STOP] button.
Adjusts volume.
Song playback will begin.
The basic pattern will repeat. Listen to four measures while memorizing
the basic pattern. It’s your turn to play the part from the fifth measure.
4
Play on the keyboard.
Before
After
Play the score on the left along with the accompaniment using both
hands. You can even play the same keys over and over: C, E, G, C, E, G,
C, E. Performance assistant technology will make sure that the notes
will come out as if they were played according to the score on the right.
Keep playing, and performance assistant technology will continue to
“correct” the notes that you play.
You can stop song playback at any time by pressing the [START/STOP]
button.
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YPT-420 Owner’s Manual
The Easy Way to Play Piano
5
Press the [PERFORMANCE ASSISTANT ON/OFF] button to
turn the performance assistant technology feature off.
The complete score for Ave Maria is provided in the separate Data List.
Use the Performance Assistant to Play Like a Pro!
To begin, try to feel the rhythm of the song. Then, with your hands
spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
You will get even better
results if you match your
left-hand rhythm to the
rhythm of the chord indicator in the display.
Sounds like you’re
playing the right
notes!
How does it sound? You’ll get acceptable results no matter where
you play thanks to performance assistant technology!
Next try the three playing methods illustrated below. Different ways
of playing produce different results.
● Play with the left and right hands
at the same timing—type 1.
Play 3 notes at once
with your right hand.
● Play with the left and right hands
at the same timing—type 2.
● Play alternately with the left and
right hands—type 3.
Play 1 note at a time with your right
hand (for example: index finger →
middle finger → ring finger).
Play 3 notes at once with
your right hand.
Once you get a feel for it, try playing chords with your left hand and
a melody with your right ... or any other combination.
23
To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a
style with auto accompaniment on.
If a song includes the required data, the chords are shown on the right side of the display (page 59).
YPT-420 Owner’s Manual
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The Easy Way to Play Piano
Next try playing the Chopin Nocturne.
1
The procedure is that same as that described for playing
Ave Maria on pages 23–25. Select “011 Nocturne”.
Nocturne
011
2
Listen to eight measures, then begin playing from the
ninth measure.
Play the keys shown in the illustration. Keep playing F, A and C with
your left hand and the correct notes will sound as the song proceeds.
When you get used to playing the left hand part, refer to “The Easy Way
to Play Piano” on page 23 and try adding the right-hand part.
3
Press the [PERFORMANCE ASSISTANT ON/OFF] button to
turn the performance assistant technology feature off.
The complete score for Nocturne is provided in the separate Data List.
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YPT-420 Owner’s Manual
The Easy Way to Play Piano
Change the Song Tempo
When using the performance assistant technology or in other situations in which the tempo of the song is
too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The
tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons
to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.
Tempo
090
Current tempo value
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.
● About the Beat Display
The arrow marks in the beat display flash in time with the rhythm of the song or style.
First beat of measure
Fourth beat
25
Second beat
Third beat
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Try Playing a Variety of Instrument Voices
In addition to piano, organ, and other “standard” keyboard instruments,
this instrument has a large range of voices that includes guitar, bass,
strings, sax, trumpet, drums and percussion, sound effects … a wide
variety of musical sounds.
Select and Play a Voice—MAIN
This procedure selects the main voice you will play on the keyboard.
1
Press the [VOICE] button.
The voice number and name will be displayed.
Voice name
GrandPno
001
Appears when the Voice mode
is engaged.
Voice number
Select the voice you want to play.
NOTE
• You can also select the voice
using the CATEGORY [ ] and
[ ] buttons after pressing the
[VOICE] button. (page 58)
f
While watching the displayed voice name rotate the dial. The available
voices will be selected and displayed in sequence. The voice selected
here becomes the main voice.
For this example select the “092 Flute” voice.
r
2
Flute
092
3
Select 092 Flute
Play the keyboard.
Try selecting and playing a variety of voices.
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YPT-420 Owner’s Manual
Try Playing a Variety of Instrument Voices
Play Two Voices Simultaneously—DUAL
You can select a second voice which will play in addition to the main voice when you play the keyboard.
The second voice is known as the “dual” voice.
1
Press the [DUAL ON/OFF] button.
The [DUAL ON/OFF] button turns the dual voice on or off.
When turned on the dual voice icon will appear in the display. The currently selected dual voice will sound in addition to the main voice when
you play the keyboard.
NOTE
• The dual voice feature cannot
be used during a song lesson
(page 43).
Flute
092
Dual voice icon
D.Voice
Hold for longer
than a second
Marimba
110
3
NOTE
• You can also select the Dual
Voice display by pressing the
[FUNCTION] button and then
using the CATEGORY [ ] and
[ ] buttons to select the
“D.Voice” item.
f
“D.VOICE” appears in the display for a few seconds, then the currently
selected dual voice will be displayed.
r
2
Press and hold the [DUAL ON/OFF] button for longer than
a second.
The currently selected
dual voice
Select the desired dual voice.
Watch the displayed dual voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the dual voice.
For this example try selecting the “109 Vibraphone” voice.
Vibes
27
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YPT-420 Owner’s Manual
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Try Playing a Variety of Instrument Voices
4
Play the keyboard.
Two voices will sound at the same time.
Try selecting and playing a range of dual voices.
Play Different Voices with the Left and Right Hands—SPLIT
In the split mode you can play different voices to the left and right of the keyboard “split point”. The main
and dual voices can be played to the right of the split point, while the voice played to the left of the split
point is known as the “split voice”. The split point setting can be changed as required (page 72).
Split point
Split voice
1
Main voice and dual voice
Press the [SPLIT ON/OFF] button.
The [SPLIT ON/OFF] button turns the split voice on or off.
When turned on the split voice icon will appear in the display. The currently selected split voice will sound to the left of the keyboard split
point.
NOTE
• The split voice feature cannot
be used during a song lesson
(page 43).
Flute
092
Split voice icon
S.Voice
NOTE
• You can also select the Split
Voice display by pressing the
[FUNCTION] button and then
using the CATEGORY [ ] and
[ ] buttons to select the
“S.Voice” item.
f
“S.VOICE” appears in the display for a few seconds, then the currently
selected split voice will be displayed.
r
2
Press and hold the [SPLIT ON/OFF] button for longer than
a second.
FngrBass
Hold for longer
than a second
042
The currently selected
SPLIT voice
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YPT-420 Owner’s Manual
Try Playing a Variety of Instrument Voices
3
Select the desired split voice.
Watch the displayed split voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the split voice
which will play to the left of the keyboard split point. For this example
try selecting the “033 Folk Guitar” voice.
Folk Gtr
033
4
Play the keyboard.
Try selecting and playing a range of split voices.
Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
The “001 Grand Piano” voice will be selected.
NOTE
29
• When you press the [PORTABLE GRAND] button all settings
other than touch sensitivity are
turned off. The dual and split
voices will also be turned off, so
only the Grand Piano voice will
play over the entire keyboard.
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Drum Kits
This instrument includes a range of drum kits and unique sound effects
you can use for entertainment. Laughter, babbling brooks, jet fly-bys,
eerie effects, and much more. These sounds can be a great way to
enhance the mood at parties.
Select and Play the Drum Kit
Drum kits are collections of drum and percussion instruments.
When drum kits (Voice numbers 117–128) are selected, you can play different percussion sounds directly
from the keyboard.
1
2
Press the [VOICE] button.
Select the desired Drum kit.
Select one of the Voice numbers from 117–128 by rotating the dial.
Example: 117 Standard Kit 1
Std.Kit1
ui
ca
Tr Mut
ia
ng e
l
Sh e M
u
ak
er te
C
G
C
o
L
ar
ac
as
M
og
Ag
ui
ro
Sh
o
la
ve rt
s
n
pe
L
O
le
H
ba
m
Ti
L
o
ga
ng
on
C
Bo
H
H
i-H
at
C
lo
se
d
Pe
i-H
da
l
at
O
pe
n
C
ra
sh
C
R
ym
id
e
ba
C
ym l 1
ba
Ta
l1
m
bo
u
C
ow rine
be
ll
Vi
br
as
la
p
p
at
C
d
i-H
H
H
an
St
la
ick
im
n
de
Si
pe
O
ne
s
ick
St
ta
as
C
R
t
ap
Sl
Ta
p
h
h
us
us
Br
Br
Sh
ot
117
H
lic
k
h
C
h
us
q
us
Br
Br
Se
S
Ta wir
l
p
Sn Sw
ar irl
e
Sn R
ar oll
e
S
Ki oft
ck
Ki Sof
t
ck
Ti
gh
t
Ki
ck
S n Sn
ar are
e
Fl
T
oo igh
r
t
Fl Tom
oo
rT L
om
Lo H
w
M To
id m
T
M om
id
L
To
C
H mH
hi
ig
n
h
R ese To
id
C m
e
C ym
y
Sp mb bal
l a al C
C sh C up
ra
sh ym
ba
C
y
R
id mb l
e
C al 2
ym
ba
C Bo l 2
on ng
ga o
H H
M
C ute
on
Ti ga
m
L
ba
l
Ag e H
og
o
Sa
C H
m
ba ab
Sa W asa
h
m
ba istl
W eH
h
G istle
W uiro L
oo L
d on
W Blo g
oo ck
d
B H
C loc
ui
ca k L
Tr
O
ia
ng pe
n
le
Ji Op
ng en
le
B
Be ells
ll T
re
e
C3
* When Voice number 117 is selected, the icons printed above the keyboard indicates the instruments assigned to each key.
3
Try out each key.
You’ll hear bongo drums, congas, maracas, and more-a comprehensive
variety of drum and percussion sounds.
Details on the instruments and key assignments of each drum kit can be
found in the Drum Kit List in the separate Data List.
● Drum Kit List
117
118
119
120
Standard Kit 1
Standard Kit 2
Room Kit
Rock Kit
121
122
123
124
Electronic Kit
Analog Kit
Dance Kit
Jazz Kit
125
126
127
128
Brush Kit
Symphony Kit
SFX Kit 1
SFX Kit 2
30
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YPT-420 Owner’s Manual
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Playing Styles
This instrument has an auto accompaniment feature that produces
accompaniment (rhythm + bass + chords) in the style you choose to
match chords you play with your left hand. You can select from 155 different styles covering a range of musical genres and time signatures
(see the separate Data List for a complete list of the available styles).
In this section we’ll learn how to use the auto accompaniment features.
Select a Style Rhythm
Most styles includes a rhythm part. You can select from a wide variety of rhythmic types—rock, blues, Euro
trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played
using percussion instruments only.
1
Press the [STYLE] button.
The style number and name will appear in the display.
Style Name
8BtModrn
001
This icon appears when a style
number and name is displayed.
Style Number
2
Select a style.
Use the dial to select the style you want to use.
A list of all the available styles is provided in the separate Data List.
PopBossa
092
Press the [START/STOP] button.
The style rhythm will start playing.
Press the [START/STOP] button a second time when you want to stop
playback.
NOTE
• Style numbers 131, 143–155
have no rhythm part and therefore no rhythm will play if you
use them for the above example. For these styles first turn
auto accompaniment on as
described on page 34, press the
[START/STOP] button, and the
accompaniment bass and chord
parts will begin playing when
you play a key to the left of the
keyboard split point.
31
3
NOTE
• An external style file loaded to
style number 156 can be
selected and used in the same
way as the internal styles. The
style file must be loaded to style
number 156 after transferring it
to the instrument from a computer. For details, refer to the
section “Loading Style Files” on
page 74.
YPT-420 Owner’s Manual
33
Playing Styles
Play Along with a Style
You learned how to select a style rhythm on the preceding page.
Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.
1
2
Press the [STYLE] button and select the desired style.
Turn automatic accompaniment on.
Press the [ACMP ON/OFF] button.
Pressing this button a second time will turn automatic accompaniment
off.
PopBossa
092
This icon appears when automatic accompaniment is on.
NOTE
● When automatic accompaniment is on ...
The area of the keyboard to the left of the split point (54 : F#2) becomes the
“auto accompaniment region” and is used only for specifying the
accompaniment chords.
• The keyboard split point can be
changed as required: refer to
page 72.
Split point (54 : F#2)
Auto accompaniment region
3
Turn sync start on.
Press the [SYNC START] button to turn the sync start function on.
PopBossa
092
Flashes when sync
start is on.
When sync start is on, the bass and chord accompaniment included in a
style will start playing as soon as you play a note to left of the keyboard
split point. Press the button a second time to turn the sync start function
off.
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YPT-420 Owner’s Manual
Playing Styles
4
Play a left-hand chord to start the style.
You can still “play” chords even if you don’t actually know any chords.
This instrument will recognize even a single note as a chord. Try playing from one to three notes at the same time to the left of the split point.
The accompaniment will change according to the left-hand notes you
play.
Try this!
Scores for some chord progressions are provided on page 36.
These examples should help you get a feel for what types of chord
progressions sound good with the styles.
Split point
Auto accompaniment region
5
Play a variety of left-hand chords while playing a melody
with your right hand.
Split point
Auto accompaniment region
6
Press the [START/STOP] button to stop style playback
when you’re done.
33
You can switch style “sections” to add variety to the accompaniment.
Refer to “Pattern Variation (Sections)” on page 70.
YPT-420 Owner’s Manual
35
Playing Styles
Styles Are More Fun When You Understand Chords
Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.
In this section we’ll take a look at sequences of different chords played one after another, or “chord
sequences.” Since each chord has it’s own unique “color”—even if it’s different fingerings of the same
chord—the chords you choose to use in your chord progressions have a huge influence on the overall
feel of the music you play.
On page 34 you learned how to play colorful accompaniments using styles. Chord progressions are vital
to creating interesting accompaniments, and with a little chord know-how you should be able to take
your accompaniments to a new level.
On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the
instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively
creating a complete song.
■ Playing the Chord Progressions ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Play the scores with the left hand.
Before playing the scores follow steps 1 through 3 of “Play Along with a Style” on page 34.
* The scores provided here are not standard song scores, but rather simplified scores that indicate which notes to play to
produce the chord progressions.
Split point
Play to the left of the split point.
Recommended Style
031 Euro Trance
—Dance music with simple chords—
Press the [INTRO/ENDING/rit.] button.
F
C
G
Am
This is a simple-but-effective chord progression. When you play through to the end of the score, start
again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button
and the auto accompaniment function will create a perfect ending.
34
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YPT-420 Owner’s Manual
Playing Styles
Recommended Style
148 Piano Boogie
—3-chord boogie-woogie—
Press the [INTRO/ENDING/rit.] button.
C
F
C
G
F
C
Press the [INTRO/ENDING/rit.] button.
This progression provides varied harmonic backing with just three chords. When you get a feel for the
progression in the score, try changing the order of the chords!
Recommended Style
091 Bossa Nova
—Bossa nova with jazz-style chords—
Press the [INTRO/ENDING/rit.] button.
Dm
Bm7 5
G7
CM7
FM7
E7
Am
A7
35
This progression includes jazzy “two-five” (II-V) changes. Try playing it through several times. When
you’re ready to stop playing press the [INTRO/ENDING/rit.] button.
YPT-420 Owner’s Manual
37
Playing Styles
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
● Easy Chords
● Standard Chords
The instrument will automatically recognize the different chord types. This function is called Multi Fingering.
Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 34). The keyboard to the left of
the split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in
this area of the keyboard.
Split point (default: 54/F#2)
Db Eb
F# G# Bb
Db Eb
F#
C D E F GA B C D E F
Accompaniment
range
Root notes and the corresponding keys
■ Easy Chords
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
This method lets you easily play chords in the
accompaniment range of the keyboard using only
one, two, or three fingers.
■ Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ●
This method lets you produce accompaniment by
playing chords using normal fingerings in the
accompaniment range of the keyboard.
● How to play Standard Chords [Example for “C” chords]
C
(9)
C
C
C M7
C M7
(9)
C6
C6
(b5)
C7
(#11)
(9)
C M7
C sus4
Cm
Cm
C
(b5)
)
)
C M7
(
(
)
• To play a minor chord
Press the root note together with the
nearest black key to the left of it.
(
Cm
(
(
)
)
• To play a major chord
Press the root note of the chord.
C aug
C M7aug
C m6
C m7
C mM7
C mM7
(
)
(
• To play a minor seventh chord
Press the root note together with the
nearest white and black keys to the left
of it (three keys altogether).
(9)
(9)
(11)
C m7
C m7
(9)
(b5)
C m7
C mM7
C7
C7
)
(9)
C7
)
)
C7
(#9)
(b5)
C7
(
C 7sus4
C7
)
)
)
(
(
)
(13)
C7
(
C sus2
(
)
C 7aug
(b13)
(b9)
(
(#11)
C7
C dim7
C dim
(
(b5)
(
)
(
)
(
(
)
(
)
C m7
)
• To play a seventh chord
Press the root note together with the
nearest white key to the left of it.
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YPT-420 Owner’s Manual
36
* Notes enclosed in parentheses ( ) are optional; the chords
will be recognized without them.
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Using Songs
With this instrument the term “song” refers the data that makes up a
piece of music. You can simply enjoy listening to the 30 internal songs,
or use them with just about any of the many functions provided—the
performance assistant technology feature, lessons, and more. The
songs are organized by category.
In this section we’ll learn how to select and play songs, and briefly
describe the 30 songs provided.
Song
Listen
Lesson
Record
Select and Listen to a Song
1
Press the [SONG] button.
The song number and name will be displayed.
You can use the dial to select a different song.
Nocturne
011
The currently selected song
and number are displayed
2
Select a song.
Select a song after referring to the preset song category list on page 41.
Use the dial to select the song you want to listen to.
ForElise
NOTE
• You can also play songs you
have recorded yourself (User
Songs) or songs that have been
transferred to the instrument
from a computer in the same
way that you play the internal
songs.
012
37
The song displayed here
can be played
YPT-420 Owner’s Manual
39
Using Songs
3
001–030
Built in Songs (see next page)
031–035
User Songs (Songs you record yourself).
036–
Songs transferred from a computer (pages 89–91)
Listen to the song.
Press the [START/STOP] button to begin playback of the selected song.
You can stop playback at any time by pressing the [START/STOP] button again.
Song start!
● Using the [DEMO] button
Press the [DEMO] button to play Songs 001–008 in sequence. Playback
will continue repeatedly starting again from the first Song (001).
You can select a song by using the [-] and [+] buttons after pressing the
[DEMO] button.
You can stop playback at any time by pressing the [DEMO] button.
Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],
rewind [REW] and pause [PAUSE] playback of the song.
NOTE
• When an A-B repeat range is
specified the fast reverse and
forward function will only work
within that range.
PAUSE
Press the pause button to pause playback.
REW
Press the fast reverse
button to rapidly
return to an earlier
point in the song.
FF
Press the fast forward
button to rapidly skip
ahead to a later point
in the song.
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YPT-420 Owner’s Manual
Using Songs
● Song List
These 30 songs include songs that effectively demonstrate the instrument’s easy song arranger feature,
songs that are ideally suited for use with the performance assistant technology feature, and more. The “Suggested Uses” column provides some ideas as to how the songs can most effectively used.
Category
Main Demo
Voice Demo
Function Demo
Piano Solo
Piano Ensemble
Piano Accompaniment
CHORD
No.
Name
1
CHORD
Groove It
2
CHORD
Winter Serenade
3
CHORD
Synth Zone
4
CHORD
Grand Piano Demo
5
CHORD
Sweet! Tenor Sax Demo
6
CHORD
Cool! Rotor Organ Demo
7
CHORD
Cool! Galaxy Electric Piano Demo
8
CHORD
Modern Harp & Sweet! Soprano Demo
9
CHORD
Hallelujah Chorus
10
CHORD
Ave Maria
11
CHORD
Nocturne op.9-2
12
For Elise
13
Maple Leaf Rag
14
The Last Rose of Summer
15
CHORD
Amazing Grace
16
CHORD
Die Lorelei
17
Piano Concerto No.21 2nd mov.
18
CHORD
Scarborough Fair
19
CHORD
Old Folks at Home
20
CHORD
Ac Ballad
(Against All Odds: Collins 0007403)
21
CHORD
Ep Ballad
22
CHORD
Boogie Woogie
23
CHORD
Rock Piano
24
CHORD
Salsa
25
CHORD
Country Piano
26
CHORD
Gospel R&B
27
CHORD
Medium Swing
28
CHORD
Jazz Waltz
29
CHORD
Medium Bossa
30
CHORD
SlowRock
Suggested Uses
The songs in this category have been created to
give you an idea of the advanced capabilities of
this instrument. They’re great for listening, or for
use with the performance assistant technology
feature.
These songs features some of the instrument’s
many useful voices. They make maximum use of
the characteristics of each voice, and might serve
as inspiration for your own compositions.
Use these songs to experience some of the
instrument’s advanced features: song number 9
for the easy song arranger, and songs 10 and 11
for the performance assistant technology feature.
These piano solo pieces are ideally suited for use
as lesson songs.
A selection of piano ensemble songs that are also
well suited for use as lesson songs.
When you need to practice backing
(accompaniment) patterns, these are the songs to
do it with. This is ability you’ll need if you’re invited
to play with a band. These songs allow you to
practice backing parts one hand at a time, which
can be the easiest way to master this important
skill.
: Includes chord data.
39
The scores for the internal songs—except for songs 1–11, 30 and song 20 which is copyrighted, are provided in the Song Book
on the CD-ROM. The scores for songs 9–11 are provided in the separate Data List.
Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same
as the original.
YPT-420 Owner’s Manual
41
Using Songs
Types of Songs
The following three types of songs can be used.
● Preset Songs (the 30 songs built into the instrument) ................Song numbers 001–030.
● User Songs (recordings of your own performances) ..................Song numbers 031–035.
● External song files (song data transferred from a computer*) ...Song numbers 036–.
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 90 for instructions on how to
transfer the songs to the instrument.
The chart below shows the basic processes flow for using the preset songs, user songs, and external song
files—from storage to playback.
Computer
Your own performance
External song file
Record
Transfer
(page 52)
(page 90)
External song files
can be saved to flash
memory (036–).
Song Storage locations
in the instrument
Preset Songs
(001–030)
User Songs
(031–035)
Flash Memory
(036–)
The 30 songs built
into the instrument.
Stored in the internal flash memory.
Save to internal
flash memory. Currently available.
NOTE
• Different flash memory areas
are used to store user songs
and external song files transferred from a computer. User
songs cannot be directly transferred to the external song file
flash memory area, and vice
versa.
Play
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YPT-420 Owner’s Manual
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Select a Song For a Lesson
Yamaha Education Suite
You can select song you like and use it for a left-hand, right-hand, or
both-hands lesson. You can also use songs (only SMF format 0) downloaded from the Internet and saved to flash memory. (pages 89–91) During the lesson you can play as slowly as you like, and you can even play
wrong notes. Song playback will slow down to a speed you can handle.
It’s never too late to start learning!
Lesson Flow:
Select a song from the Piano Solo, Piano Ensemble category!
Select the
song you want
to learn.
Select the part you want
to work on (right hand,
left hand, both hands).
Select lesson
1, 2, or 3.
The practice methods:
● Lesson 1 ..............Learn to play the correct notes.
● Lesson 2 ..............Learn to play the correct notes with the correct timing.
● Lesson 3 ..............Learn to play the correct notes at the correct timing
along with the song.
Lesson
start!
NOTE
• Song numbers 10 and 11 are
function demos for performance assistant. The lesson
function cannot be used with
them..
Lesson 1—Waiting
In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you
play the right note.
1
Select a song for your lesson.
Press the [SONG] button, and rotate the dial to select the song you want
to use for your lesson. As listed on page 42 there are a variety of song
types. For this example try selecting the “012 ForElise”.
ForElise
41
012
YPT-420 Owner’s Manual
43
Select a Song For a Lesson
2
3
Select the part you want to practice.
Each time you press the LESSON [L/R] button the parts are selected in
sequence: right hand → left hand → both hands → right hand ....
The currently selected part is shown in the display.
Right
Right-hand lesson
Left
Left-hand lesson
BothHand
Both-hands lesson
Start Lesson 1.
Press the LESSON [START] button to select Lesson 1. Each time the
LESSON [START] button is pressed the lesson modes are selected in
sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 …. The
currently selected mode is shown in the display.
Waiting
(Lesson 1)
r1
YourTemp
(Lesson 2)
r2
MinusOne
(Lesson 3)
r3
ForElise
(Song Lesson off)
012
Song playback will begin automatically when you select Lesson 1.
Start the lesson!
42
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YPT-420 Owner’s Manual
Select a Song For a Lesson
Play the note shown in the display. When you play the correct note, the
next note you need play is shown. The song will wait until you play the
correct note.
Waiting
r1
Left-hand part
In this case “r1” indicate that right-hand
lesson 1 has been selected.
007
Right-hand part
(In the case of a right-hand lesson)
4
Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 1, move on to Lesson 2.
■ See How You’ve Done ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
~~~~~~~~
Excellent
Very Good ~~~~~~
~~~~
Good
~~
OK
When the lesson song has played all the way through your
performance will be evaluated in 4 levels: OK, Good, Very
Good, or Excellent. “Excellent!” is the highest evaluation.
NOTE
• The evaluation feature can be
turned off via the FUNCTION
Grade item (page 84).
43
After the evaluation display has appeared, the lesson will start again
from the beginning.
YPT-420 Owner’s Manual
45
Select a Song For a Lesson
Lesson 2—Your Tempo
Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed
you are playing at. The song will slow down when you play wrong notes, so you can learn at your own
pace.
1
Select the song and part you want to practice (steps 1 and
2 on pages 43, 44).
2
Start Lesson 2.
Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ...
YourTemp
r2
Song playback will begin automatically when Lesson 2 is selected.
In this case “r2” indicate that righthand lesson 2 has been selected.
Start the lesson!
Play the note shown in the display. Try to play the notes at the correct
timing. As you learn to play the right notes at the right timing the tempo
will increase until eventually you’ll be playing at the song’s original
tempo.
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
3
Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 2, move on to Lesson 3.
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YPT-420 Owner’s Manual
Select a Song For a Lesson
Lesson 3—Minus One
Here’s where you can perfect your technique.
The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening
to the song.
1
Select the song and part you want to practice (steps 1 and
2 on pages 43, 44).
2
Start Lesson 3.
Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ...
MinusOne
r3
Song playback will begin automatically when Lesson 3 is selected.
In this case “r3” indicate that righthand lesson 3 has been selected.
Start the lesson!
Play the note shown in the display.
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
45
3
Stop the Lesson mode.
YPT-420 Owner’s Manual
47
Select a Song For a Lesson
Practice Makes Perfect—Repeat and Learn
Use this feature when you want to start again just ahead of a section on which you made a mistake, or to
repeatedly practice a section you find difficult.
Press the [
] (REPEAT & LEARN) button during a lesson.
The song location will move back four measures from the point at
which you pressed the button, and playback will begin after a one-measure count-in. Playback will continue up to the point at which you
pressed the [
] (REPEAT & LEARN) button, and then jump back
four measures and begin again after a count-in. This process will repeat,
so all you have to do is press the [
] (REPEAT & LEARN) button
when you make a mistake in order to repeat practice of that section until
you get it right.
NOTE
• You can change the number of
measures the Repeat and learn
function jumps back by pressing
a number button [1]–[9] during
repeat playback.
e Jump back 4 measures and repeat playback
q
w
Song playback
direction
Press immediately
Oops!
A mistake!
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YPT-420 Owner’s Manual
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Play Using the Music Database
You want to play music in your favorite style, but you’re not sure how to
select the best voice and style for the type of music you want to play ...
simply select the appropriate style from the Music Database. The panel
settings will automatically be adjusted for the ideal combination of
sounds and style!
1
Press the [MUSIC DATABASE] button.
AlvFever
001
A Music Database name will appear in the display.
2
Select a Music Database.
Referring to the list on the panel or Music Database List in the separate
Data List, use the dial to select a music database. Select one that
matches the image of the song you intend to play.
For this example select the “124 DayOfW&R”.
DayOfW&R
124
3
Play the chords with your left hand and melody with your
right.
The jazz style will start playing when you play a left-hand chord to the
left of the split point (page 30). Refer to page 38 for information about
playing chords.
Split Point
47
Press the [START/STOP] button to stop playback.
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Change a Song’s Style
In addition to each song’s default style, you can select any other style
to play the song with the Easy Song Arranger feature. This means that
you can play a song that is normally a ballad, for example, as a bossa
nova, as a hip-hop tune, etc. You can create totally different arrangements by changing the style with which a song is played.
You can also change the song’s melody voice and the keyboard voice
for a complete change of image.
Listen to the DEMO Song for Easy Song Arranger
The “Hallelujah Chorus” in the preset songs lets you experience the Easy Song Arranger. Playing it.
Press the [SONG] button, then select a “009 Hallelujah
Chorus” by using the dial. Press the [START/STOP] button
to play it.
Halleluj
009
As the song progresses, you will see only the style changes while the
song remains the same.
Keep in mind that you can enjoy using Easy Song Arranger with other
songs as well—any songs that include chord data.
Using the Easy Song Arranger
1
Press the [EASY SONG ARRANGER] button.
The song number and name will be displayed. You can use the dial to
select a different song.
Halleluj
009
2
The currently selected song number
and name are displayed here.
Select a Song.
Use the dial to select the song you want to arrange.
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Change a Song’s Style
3
Listen to the song.
Press the [START/STOP] button to begin playback of the song. Move
on to the next step while the song is playing.
Song start!
4
NOTE
• When playing song numbers
010, 011 and 020 to 030 while
using the Easy Song Arranger,
melody tracks will be automatically muted and no melody will
sound. In order to hear the melody tracks you will need to
press the SONG MEMORY buttons [3] to [5].
Press the [EASY SONG ARRANGER] button.
The style number and name will be displayed. You can use the dial to
select a different style.
PopShf 1
015
5
6
The currently selected style number
and name are displayed here.
Select a style.
Rotate the dial and listen to how the song sounds with different styles.
As you select different styles the song will remain the same while only
the styles change. When you have selected a suitable style move on to
the next step while the song is still playing (if you have stopped the
song, start it again by pressing the [START/STOP] button).
Select a voice you want to play as a song melody.
NOTE
• Because the Easy Song
Arranger uses song data you
can’t specify chords by playing
in the accompaniment range of
the keyboard. The [ACMP ON/
OFF] button will not function.
• If the time signature of the song
and style are different, the time
signature of the song will be
used.
Press the [VOICE] button. The currently selected voice number and
name will be displayed. Use the dial to select a different voice.
GrandPno
001
7
The currently selected voice number
and name are displayed here.
Change the song’s melody voice.
Press and hold the [VOICE] button for longer than a second. After
SONG MELODY VOICE appears on the display the voice you selected
in step 6 becomes the song’s melody voice.
SONG MEL
49
Hold for longer than a second
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Record Your Own Performance
You can record up to 5 of your own performances and save them as
user songs 031 through 035. The recorded song can be played back on
the instrument.
■ Recordable Data
You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track.
Each track can be recorded individually.
● Melody Track [1]–[5].......... Record the melody parts.
● Style Track [A] ................... Records the chord part.
NOTE
• Up to approximately 10,000
notes can be recorded if you
record only to the melody
tracks. Up to approximately
5,500 chord changes can be
recorded if you record only to
the style track.
Track Configuration
To record your own performance, first use the SONG MEMORY [1]–[5] and [A] buttons to specify the
track(s) you want to record on. The track you record on determines the part that plays back later.
Melody
• Track [1]—Will play back as the right-hand melody
part (MELODY R)
Chords
Specify
track(s) and
record
• Track [2]—Will play back as the left-hand melody
part (MELODY L)
• Tracks [3]–[5]—Will play back as “other” performance data.
Track
1
Track
2
Track
3
Track
4
Track
5
• Track [A]—Will play back as the Style (auto-accompaniment) part.
Track
A
NOTE
Right-hand
melody
Left-hand
melody
Other performance data
• The Difference Between MELODY R and MELODY L …
Songs are a combination of a melody and an auto-accompaniment style. Normally “melody” refers to the right-hand
part, but in this instrument “melody” parts are provided for
both the right and left hands. MELODY R is the melody
part played by the right hand, and MELODY L is the melody part played by the left hand.
Style
The parts played by each track
when a user song is played back.
Recording Procedure
1
Press the [SONG] button, then use the dial to select the
user song number (031–035) you want to record to.
User 1
031
Rotate the dial to select a song
number between 031 and 035.
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Record Your Own Performance
2
Select the track(s) you want to record to and confirm your
selection on the display.
◆ Record a Melody Track and the Accompaniment Track
Together
Press the melody track button [1]–[5] you want to record to while holding the [REC] button.
Next, press the [A] button while holding the [REC] button.
The selected tracks will flash in the display.
NOTE
• Style accompaniment is automatically turned on when you
select the style track [A] for
recording.
• Style accompaniment cannot
turned on or off while recording
is in progress.
User 1
001
rEC
CAUTION
• If you record to a track that
contains previously-recorded
data the previous data will be
overwritten and lost.
Press and hold
◆ Record a Melody track
Press the melody track button [1]–[5] you want to record to while holding the [REC] button.
The selected track will flash in the display.
User 1
• If you use a split voice for
recording, notes played to the
left of the split point will not be
recorded.
NOTE
• If style accompaniment is on
and track [A] has not yet been
recorded, the style track [A] will
automatically be selected for
recording when a melody track
is selected. If you only want to
record a melody track, be sure
to turn the style track [A] off.
001
rEC
To cancel recording to a selected track, press that track button a
second time. Style accompaniment cannot be turned on or off
while recording is in progress.
3
Recording will start when you play on the keyboard.
NOTE
You can also start recording by pressing the [START/STOP] button.
The current measure will be shown on the display during recording.
User 1
rEC
003
• If the memory becomes full during recording a warning message will appear and recording
will stop automatically. Use the
song clear or track clear (page
55) function to delete unwanted
data and make more room available for recording, then do the
recording again.
Recording
starts
Current measure
4
Stop recording by pressing the [START/STOP] or [REC]
button.
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Record Your Own Performance
If you press the [INTRO/ENDING/rit.] button while recording the style
track an appropriate ending pattern will play and then recording will
stop. When recording stops the current measure number will return to
001 and the recorded track numbers in the display will light.
● To Record Other Tracks
Repeat steps 2 through 4 to record any of the remaining tracks.
By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],
[A]—you can record the new track while listening to previously recorded
tracks (the playback tracks will appear in the display). You can also mute
previously recorded tracks (the muted tracks will not appear in the display)
while recording new tracks.
● To Re-record a Track
Simple select the track you want to re-record for recording in the normal
way.
The new material will overwrite the previous data.
5
When the recording is done ...
◆ To Play Back a User Song
User songs are played back in the same way as regular songs (page 39).
1 Press the [SONG] button.
2 The current song number/name will be displayed—use the dial
to select the user song (031–035) you want to play.
3 Press the [START/STOP] button to start playback.
● Data Recording Limitations
• The split voice cannot be recorded.
• The following data are recorded at the beginning of the track. Changes
made during the song will not be recorded.
reverb type, chorus type, time signature, style number, style volume,
tempo
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Record Your Own Performance
Song Clear—Deleting User Songs
This function clears an entire user song (all tracks).
1
2
NOTE
Press the [SONG] button, then select the user song (031–
035) you want to clear.
• If you only want to clear a specific track from a user song use
the Track Clear function.
Press and hold the SONG MEMORY [1] button for longer
than a second while holding the SONG MEMORY [A] button.
A confirmation message will appear on the display.
ClrUser1
Hold for longer
than a second
Press and hold
3
Press the [+] button.
4
Press the [+] button to clear the song.
YES
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.
NOTE
• To execute the Song Clear function press the [+] button. Press
[-] to cancel the Song Clear
operation.
The clear-in-progress message will appear briefly on the display while
the song is being cleared.
Track Clear—Deleting a Specified Track from a User Song
This function lets you delete a specified track from a user song.
1
2
Press the [SONG] button, then select the user song (031–
035) you want to clear.
Press and hold the SONG MEMORY track button ([1]–[5],
[A]) corresponding to the track you want to clear for
longer than a second.
A confirmation message will appear on the display.
ClrTr1
YES
Hold for longer than a second
3
Press the [+] button.
4
Press the [+] button to clear the track.
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.
NOTE
• To execute the Track Clear function press the [+] button. Press
[-] to cancel the Track Clear
operation.
53
The clear-in-progress message will appear briefly on the display while
the track is being cleared.
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55
Backup and Initialization
Backup
The following settings are always backed up, and are maintained even when the power is turned off.
If you want to initialize the settings, use the Initialize operation as explained below.
● The Backup Parameters
• User Songs
• Style Files
• Touch Response on/off
• Registration Memory
• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume,
Song Volume, Metronome Volume, Grade, Demo Cancel,
Master EQ type, Arpeggio Velocity
Initialization
This function erases all backup data in the instrument’s flash memory and restores the initial default settings. The following initialization procedures are provided.
■ Backup Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear data backed up to the internal flash memory—panel user setting, registration memory, user songs, style file 156—turn the power on by pressing the
[ ] (Standby/On) switch while holding the highest white key on the keyboard.
The backed up data will be erased and the default values restored.
■ Flash Clear
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear song data and style files that have been transferred to the internal flash
memory from a computer, turn the power on by pressing the [ ] (Standby/On)
switch while simultaneously holding the highest white key on the keyboard
and the three highest black keys.
CAUTION
• When you execute the Flash
Clear operation, song data
you have purchased will also
be cleared. Be sure to save
data you want to keep to a
computer.
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Basic Operation and Displays
Basic Operation
Overall control of the instrument is based on the following simple operations.
1 Press a button to select a basic function.
2 Use the dial to select an item or value.
3 Start a function.
3 Start a function.
2 Select an item or value.
1 Select a basic function.
Display (page 59)
GrandPno
001
001
● Volume Adjustment
Adjusts the volume of the sound heard via the
instrument’s speakers or a pair of headphones
plugged into the PHONES jack.
Rotate counterclockwise to lower
the volume.
1
Rotate clockwise
to increase the
volume.
The “Press & Hold” Symbol
The “
” symbol that appears next to
some buttons indicates that the button can be
pressed and held for longer than a second to
call up a related function. This provides convenient direct access to a range of functions.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson.
Select an auto-accompaniment style.
55
Select a voice you want to play on the keyboard.
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57
Basic Operation and Displays
2
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can
then use the dial or the number buttons [0]–[9] to select the desired item.
ForElise
012
This portion of the display indicates the name and number of
the currently selected song,
voice and style. It also displays
the name and current setting/
value of other functions.
f
● CATEGORY [
Rotate the dial clockwise to increase the
value of the selected item, or counterclockwise to decrease it’s value. Rotate
the dial continuously to continuously
increase or decrease the value.
Increase
] and [
] buttons
When selecting a song, style, or voice,
you can use these buttons to jump to the
first item in the next or previous category.
f
Decrease
r
● Dial
r
■ Changing Values ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
The CATEGORY [ ] and [ ] buttons
are useful for selecting categorized items,
as in the example below.
● [+] and [-] Buttons
Press the [+] button briefly to increment the value by 1, or press the [-]
button briefly to decrement the value
by 1. Press and hold either button to
continuously increment or decrement the value in the corresponding
direction.
Jump to the
first item in
the next or
previous
category.
Example: VOICE SELECT
SweetFlt
Press
briefly to
decrement.
Press
briefly to
increment.
090
The first voice in the selected
category is selected.
● Number Buttons [0]–[9]
Example: Song number “003”
can be entered in three ways.
• [0] → [0] → [3]
• [0] → [3]
(“003” will appear on the display after a brief delay)
• [3]
(“003” will appear on the display after a brief delay)
3
Press number buttons
[0], [0], [3].
r
In a display in which a category appears, selection is easy if you
first use the CATEGORY [ ] and [ ] buttons to select the category containing the desired item, then use the dial or [+] and [-]
buttons to select the item. This can be particularly handy when
you have to select from a large number of voices.
f
The number buttons can be used to directly enter a song number
or parameter value.
Hundreds or tens digits that are “0” can be omitted (see below).
In most procedures described throughout this owner’s
manual the dial is recommended for selection simply
because it is the easiest and most intuitive selection
method. Please note however, that most items or values
that can be selected using the dial can also be selected
using the [+] and [-] buttons.
Start a function.
This is the [START/STOP] button.
Press the [START/STOP] button after pressing the [SONG] or [STYLE]
button to start playback of the selected song or style (rhythm).
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YPT-420 Owner’s Manual
Basic Operation and Displays
Display Items
The display shows all of the current basic settings: song, style, voice.
It also includes a range of indicators that show the on/off status of a range of functions.
Notation
Displays the melody and chord
notes of a song when the Song
Lesson function is in use, or the
notes of chords you specify when
the Dictionary function is in use. At
other times the notes you play on
the keyboard are displayed.
BEAT number and MEASURE
Indicates the beat number in a measure during the Metronome function.
Indicates the current measure during playback of a song or style, and
the currently set Tempo value for the
song or style. (see page 27)
001
Chord Display
NOTE
• Any notes occurring below or above the staff are indicated by “8va” in the notation.
• For a few specific chords, not all notes may be shown in
the notation section of the display. This is due to space
limitations in the display.
TOUCH
Indicates that Touch response
is turned on. (see page 65)
HARMONY
Indicates that Harmony is
turned on. (see page 60)
Indicates the name of the chord currently being played back, or the
name of the chord being played on
the keyboard.
Song Track Display
Information related to the song tracks is shown here. (see
page 52, 79)
GrandPno
001
001
DUAL
Indicates that the Dual voice is
turned on. (see page 29)
SPLIT
Indicates that the Split voice is
turned on. (see page 30)
ARPEGGIO
Beat Display
Indicates the current style or song
beat with flashing arrows. (see page
27)
Indicates that the Arpeggio is
turned on. (see page 14)
Knob Assign Display
Performance assistant technology
Indicates that performance
assistant technology is turned
on. (see page 23)
This display allows you to visually
confirm parameters assigned to the
knobs. (see page 18)
ACMP ON
Indicates that Accompaniment
is turned on. (see page 34)
SYNC STOP
57
Indicates that SYNC STOP is
turned on. (see page 71)
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Reference
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Adding Effects
Harmony
This feature adds harmony notes to the main voice.
1 Press the [HARMONY ON/OFF] button
to turn Harmony feature on.
To turn Harmony off, press the [HARMONY
ON/OFF] button again.
When harmony is on the
harmony icon will appear
in the display.
3 Use the dial to select a harmony type.
Refer to the Effect Type List in the separate
Data List for information about the available
harmony types. Try playing the keyboard with
the harmony function. The effect and operation
of each Harmony Type is different-refer to the
below section “How to sound each Harmony
Type” as well as the Effect Type List for
details.
When you press the [HARMONY ON/OFF]
button to turn this feature on, the appropriate
harmony type for the currently selected main
voice is automatically selected.
2 Press and hold the [HARMONY ON/
OFF] button for longer than a second so
that the Harmony Type item appears.
“HarmType” appears in the display for a few
seconds, and the currently selected harmony
type will be displayed. Use the dial to select a
different harmony type.
NOTE
• The harmony notes can be added only to the Main Voice, not to Dual
or Split Voices.
• The keys left of the Split Point of the keyboard produce no harmony
notes when the auto accompaniment is on (ACMP ON is lit).
HarmType
Hold for longer
than a second.
Trio
02
The currently selected harmony type
● How to sound each Harmony Type
• Harmony type 13 to 19 (Tremolo)
• Harmony type 01 to 05
Keep holding down the keys.
Press the right-hand keys while playing chords in the
auto accompaniment range of the keyboard when
the Auto Accompaniment is on (page 34).
• Harmony type 20 to 26 (Echo)
• Harmony type 06 to 12 (Trill)
Keep holding down the keys.
Hold down two keys.
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60
You can adjust the Harmony Volume in the
Function Settings (page 69).
Adding Effects
Adding Reverb
Reverb lets you play with a rich concert hall type ambience. When you select a style or song the optimum
reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the
procedure described below.
1 Press the [FUNCTION] button.
3 Use the dial to select a reverb type.
You can check how the selected reverb type
sounds by playing on the keyboard.
StyleVol
100
r
f
2
Hall3
Use the CATEGORY [ ] and [ ] buttons
to select the Reverb Type item.
“Reverb” appears in the display for a few seconds, and the currently selected reverb type
will be displayed.
03
Selected reverb type
Refer to the Effect Type List in the separate
Data List for information about the available
reverb types.
● Adjusting the Reverb Send Level
You can individually adjust the amount of reverb
that is applied to the main, dual, and split voices.
(See page 83.)
Reverb
Hall2
02
59
The currently selected reverb type
YPT-420 Owner’s Manual
61
Adding Effects
Adding Chorus
The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.
When you select a style or song the optimum chorus type for the voice used is automatically selected. If
you want to select a different chorus type, use the procedure described below.
1 Press the [FUNCTION] button.
3 Use the dial to select a chorus type.
You can check how the selected chorus type
sounds by playing on the keyboard.
2 Use the CATEGORY [
r
f
] and [ ] buttons
to select the Chorus Type item.
“Chorus” appears in the display for a few seconds, and the currently selected chorus type
will be displayed.
Chorus2
2
Selected chorus type
Refer to the Effect Type List in the separate
Data List for information about the available
chorus types.
Chorus
● Adjusting the Chorus Send Level
You can individually adjust the amount of chorus
that is applied to the main, dual, and split voices.
(See page 83.)
Chorus1
1
The currently selected chorus type
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Handy Performance Features
The Metronome
The instrument includes a metronome with adjustable tempo and time signature.
Use it to set the tempo that is most comfortable for you.
■ Start the metronome ● ● ● ● ● ● ● ● ● ●
Turn the metronome on and start it by
pressing the [METRONOME ON/OFF]
button.
To stop the metronome, press the [METRONOME ON/OFF] button again.
■ Adjusting the Metronome
Tempo ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
1 Press the [TEMPO/TAP] button to call
up the tempo setting.
Tempo
GrandPno
001
090
1
Current Tempo setting
2 Use the dial to select a tempo from 11 to
280.
1
61
Indicates the beat number
in the measure
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Handy Performance Features
Setting the Number of Beats per Measure, and the Length of Each Beat
In this example we’ll set up a 5/8 time signature.
The available range is from 0 through 60.
Select 5 for this example.
NOTE
• The metronome time signature will synchronize to a style or song
that is playing, so these parameters cannot be changed while a style
or song is playing.
3 Press the CATEGORY [
] and [ ] buttons as many times as necessary to
select the beat length function
“TimesigD”.
The currently selected beat length will be displayed.
f
OFF] button for longer than a second to
select the number of beats per measure
function “TimesigN”.
r
1 Press and hold the [METRONOME ON/
Hold for longer than
a second.
TimesigN
04
Number of beats per measure.
TimesigD
2 Use the dial to select the number of
beats per measure.
A chime will sound on the first beat of each
measure while the other beats will click. All
beats will simply click with no chime at the
beginning of each measure if you set this
parameter to “00”.
04
The length of one beat.
4 Use the dial to select the beat length.
Select the required length for each beat: 2, 4, 8,
or 16 (half note, quarter note, eighth note, or
16th note). Select 8 for this example.
Adjusting the Metronome Volume
1 Press the [FUNCTION] button.
2 Use the CATEGORY [
3 Use the dial to set the metronome volume as required.
f
r
] and [ ] buttons to select the Metronome Volume
item.
MtrVol
100
Metronome
volume
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YPT-420 Owner’s Manual
Handy Performance Features
Tap Start
You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at
any tempo—4 times for time signatures in 4, and 3 times for time signatures in 3—and the selected style/
song will begin playing at the tapped tempo.
Touch Response Sensitivity
When touch response is on you can adjust the keyboard’s sensitivity to dynamics in three steps.
1 Press the [TOUCH ON/OFF] button to
turn touch response on.
The touch response icon will appear in the display when touch response is on (page 59).
GrandPno
001
3 Use the dial in response to keyboard
dynamics to select a touch sensitivity
setting between 1 and 3. Higher values
produce greater (easier) volume variation in response to keyboard dynamics—i.e. greater sensitivity.
NOTE
• The initial default touch sensitivity setting is “2”.
Touch response icon
2 Press and hold the [TOUCH ON/OFF]
button for longer than a second so that
the Touch Sensitivity item appears.
“TouchSns” appears in the display for a few
seconds, and the currently selected touch sensitivity will be displayed.
TouchSns
Hold for longer
than a second.
Medium
2
63
Touch Sensitivity
YPT-420 Owner’s Manual
65
Handy Performance Features
Pitch Bend
The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll
the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice
such as the “040 Overdriven” guitar voice, you can produce remarkably realistic string-bending effects.
Pitch Controls
◆ Large Pitch Changes (Transpose)
The overall pitch of the instrument can by shifted
up or down by a maximum of 1 octave in semitone
increments.
◆ Small Pitch Changes (Tuning)
The overall tuning of the instrument can by shifted
up or down by a maximum of 100 cents in 1-cent
increments (100 cents = 1 semitone).
1 Press the [FUNCTION] button.
1 Press the [FUNCTION] button.
2 Use the CATEGORY [
2 Use the CATEGORY [
Transpos
00
3 Use the dial to set the transpose value
between -12 and +12 as required.
NOTE
• The pitch of Drum Kits voices cannot be changed.
r
] and [ ] buttons to select the Tuning item.
f
r
f
] and [ ] buttons to select the Transpose item.
Tuning
000
3 Use the dial to set the tuning value
between -100 and +100 as required.
NOTE
• The pitch of Drum Kits voices cannot be changed.
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Handy Performance Features
Controlling Arpeggio Volume with Keyboard Dynamics
1 Press the [FUNCTION] button.
3 Use the dial to select “2 Thru”.
When “1 Original” is selected the arpeggio volume is the same regardless of changes in keyboard velocity.
2 Press the CATEGORY [
r
f
] and [ ] buttons as many times as necessary to
select the arpeggio velocity function
“ARP Velo”.
“ARP Velo” will be shown in the display for a
few seconds, then the currently selected arpeggio velocity setting will appear.
ARP Velo
Original
1
65
The currently selected
arpeggio velocity.
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Handy Performance Features
One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting
feature automatically selects a well-balanced voice for you when you select a style or song. Simply select
voice number “000” to activate this feature.
1 Select voice number “000” (steps 1 to 2
on page 28).
4 Use the dial to change songs, then play
the keyboard and listen to the voice.
SweetSpr
000
Use the dial to select voice number 000.
2 Select and play back any song (steps 1
to 3 on page 39).
3 Play the keyboard and remember the
You should hear a different keyboard voice
than you played in step 3. Press the [VOICE]
button after changing songs to see the name of
the voice being used.
sound of the voice.
If you have stopped playback at some point
during this procedure press the [START/STOP]
button to start playback again.
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Handy Performance Features
Adjusting the Harmony Volume
1 Press the [FUNCTION] button.
2 Use the CATEGORY [
3 Use the dial to set the harmony volume
between 000 and 127.
f
r
] and [ ] buttons to select the Harmony Volume
item.
HarmVol
080
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systems—the instrument’s internal speakers, headphones, or an external
speaker system.
1 Press the [FUNCTION] button.
The currently selected function will appear in
the display.
MasterEQ
Speakerl
2 Press the CATEGORY [
r
1
The currently selected
master EQ type.
3 Use the dial to select the desired Master
EQ setting.
Five settings are available: 1–5. Settings 1 and
2 are best for listening via the instrument’s
built-in speakers, setting 3 is for headphones,
and settings 4 and 5 are ideal for listening via
external speakers.
67
f
] and [ ] buttons as many times as necessary to
select the master EQ type function
“MasterEQ”.
“MasterEQ” will be shown in the display for a
few seconds, then the currently selected EQ
type will appear.
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Style (Auto-accompaniment) Functions
Basic operation of the Style (auto-accompaniment) feature is described on page 33 of
the Quick Guide.
Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
This instrument features a wide variety of style “sections” that allow you to vary the arrangement of the
accompaniment to match the song you are playing.
Intro
Main A/B
Ending
Auto fill
● INTRO section
This is used for the beginning of the Song. When the intro finishes playing, accompaniment shifts to the main section. The length of the intro (in measures) differs depending on the selected Style.
● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indefinitely
until another section’s button is pressed. There are two variations on the basic pattern (A and B), and the Style
playback sound changes harmonically based on the chords you play with your left hand.
● Fill-in section
This is automatically added before changing to section A or B.
● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops automatically.
The length of the ending (in measures) differs depending on the selected Style.
1 Press the [STYLE] button and then
select a style.
3 Press the [SYNC START] button to turn
synchro start on.
2 Press the [ACMP ON/OFF] button to
turn auto accompaniment on.
Beat arrows will flash when
the synchro start standby
mode is engaged
Appears when Auto
Accompaniment is on.
● Synchro Start
When the synchro start standby mode is engaged,
style playback will begin as soon as you play a
chord in the accompaniment range of the keyboard.
You can disengage the synchro-start standby mode
by pressing the [SYNC START] button again.
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Style (Auto-accompaniment) Functions
4 Press the [MAIN/AUTO FILL] button.
8 Press the [INTRO/ENDING/rit.] button.
MAIN A
ENDING
The name of the selected section—
MAIN A or MAIN B—will be displayed.
5 Press the [INTRO/ENDING/rit.] button.
INTRO≥A
You’re now ready to play the intro.
6 As soon as you play a chord with your
This switches to the ending section.
When the ending is finished, the auto accompaniment stops automatically. You can have the
ending gradually slow down (ritardando) by
pressing the [INTRO/ENDING/rit.] button
again while the ending is playing back.
● Synchro Stop
When this function is selected the accompaniment
style will only play while you are playing chords
in the accompaniment range of the keyboard.
Style playback will stop when you release the
keys. To turn the function on, press the [SYNC
STOP] button.
left hand, the Intro of the selected Style
starts.
For this example, play a C major chord (as
shown below). For information on how to enter
chords, see “Playing Auto-accompaniment
Chords” on page 38.
Split point
Appears when the synchro-stop function is
engaged.
Accompaniment
range
7 Press the [MAIN/AUTO FILL] button.
The style will play
while you are playing
the keys
Style playback will
stop when you
release the keys
FILL A≥B
69
When the fill-in is finished, it leads smoothly
into the selected main section A/B.
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Style (Auto-accompaniment) Functions
Adjusting the Style Volume
2 Use the CATEGORY [
r
] and [ ] buttons to select the Style Volume item.
f
Press the [STYLE] button to engage the
style function.
1 Press the [FUNCTION] button.
StyleVol
100
3 Use the dial to set the style volume
between 000 and 127.
Setting the Split Point
The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the
procedure described below.
1 Press the [STYLE] button.
2 Press and hold the [ACMP ON/OFF] for
3 Use the dial to set the split point to any
key from 000 through 127.
longer than a second so that the Split
point item appears.
Split point (54 : F#2)
Main voice
Split voice
Hold for longer than a second
SplitPnt
NOTE
• When you change the split point the auto-accompaniment split point
also changes.
• The split point cannot be changed during a song lesson.
r
NOTE
• You can also access the Split Point item by pressing the [FUNCTION]
button and using the CATEGORY [ ] and [ ] buttons to locate the
item (page 82).
f
054
Split point
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Style (Auto-accompaniment) Functions
Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play
chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the
accompaniment chords. This is “Stop Accompaniment”, and any of the chord fingerings recognized by the
instrument can be used (page 38).
Press the [STYLE] button to engage the
style function, then press the [ACMP ON/
OFF] button to turn the auto accompaniment on.
PopBossa
092
Appears when auto accompaniment is on
71
Accompaniment
range
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Style (Auto-accompaniment) Functions
Loading Style Files
This instrument features 155 internal styles, but other styles, such as those provided on the CD-ROM and
others that can be obtained from the internet (only styles with the “.sty” suffix), can be loaded into style
number 156 and used in the same way as the internal styles.
In order to use the style file load function, the file must already have been transferred from the computer to
the instrument. The procedure for transferring files from a computer to the instrument is described on page
89 (“Transferring Data between the Computer and Instrument”).
The procedure described below loads a style file that has already been transferred from a computer to the
instrument into style number 156.
1 Press the [FUNCTION] button.
3 Execute the load operation.
The currently selected function will appear in
the display.
2 Press the CATEGORY [
r
f
] and [ ] buttons as many times as necessary to
select the style file load function “Sff
Load”.
With the name of the style file you want to load
shown in the display, press the number [0] button.
4 A confirmation message for the load
operation will appear. Press the [+/YES]
button to actually load the file.
Sff Load
After about 2 seconds the name of a loadable
style file will appear in the display.
If multiple loadable style files have been transferred to the instrument, you can use the dial or
the [+] and [-] buttons to select the other files in
sequence.
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Style (Auto-accompaniment) Functions
Chord Basics
Two or more notes played together constitute a “chord”.
The most basic chord type is the “triad” consisting of three notes: the
root, third, and fifth degrees of the corresponding scale. A C major triad,
for example, is made up of the notes C (the root), E (the third note of the
C major scale), and G (the fifth note of the C major scale).
3rd
3rd
Root
In the C major triad shown above, the lowest note is the “root” of the
chord (this is the chord’s “root position” ... using other chord notes for
the lowest note results in “inversions”). The root is the central sound of the chord, which supports and
anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major third–four half steps (semitones)
Minor third–three half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad
is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.
Major chord
CM
Minor 3rd
Minor chord
Cm
Major 3rd
Augmented chord
C aug
Minor 3rd
Major 3rd
Major 3rd
Major 3rd
Diminished chord
C dim
Minor 3rd
Minor 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create
different inversions. Successive chords in a chord progression can be smoothly connected, for example, by
choosing the appropriate inversions (or chord “voicings”).
● Reading Chord Names
Chord names tell you just about everything you need to know about a chord
(other than the inversion/voicing). The chord name tells you what the root of the
chord is, whether it is a major, minor, or diminished chord, whether it requires a
major or flatted seventh, what alterations or tensions it uses ... all at a glance.
Cm
Root note
Chord type
● Some Chord Types (These are just some of the “Standard” chord types recognized by this instrument.)
Suspended 4 th
7 th
C sus4
Perfect 5 th
Perfect 4 th
Minor/major 7 th
Flatted 7 th
Major chord
Flatted 7 th
Minor chord
Minor 7 th, flatted 5 th
(b5)
(b5)
C m7
C7
Flatted 5 th
C M7
7 th chord
Flatted 5 th
Minor 7 th chord
Major 7 th
Major chord
7 th, suspended 4 th
C 7sus4
Flatted 7 th
Suspended
4 th chord
73
Minor chord
Major 7 th
C m7
7 th, flatted 5 th
C mM7
Major 7 th
Minor 7 th
C7
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Style (Auto-accompaniment) Functions
■ Recognized Standard Chords
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are “C-root” chords.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Major [M]
1-3-5
C
Add ninth [(9)]
1-2-3-5
C
Sixth [6]
1 - (3) - 5 - 6
C6
Display
C
(9)
C(9)
C6
(9)
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6
C6(9) *
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
C M7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
C M7
Major seventh add sharp eleventh [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
C M7
Flatted fifth [(b5)]
1 - 3 - b5
C
(9)
CM7 (9) *
(#11)
CM7(#11) *
(b5)
Cb5 *
(b5)
Major seventh flatted fifth [M7b5]
1 - 3 - b5 - 7
C M7
CM7b5 *
Suspended fourth [sus4]
1-4-5
C sus4
Csus4
Augmented [aug]
1 - 3 - #5
C aug
Caug
Major seventh augmented [M7aug]
1 - (3) - #5 - 7
C M7aug
CM7aug *
Minor [m]
1 - b3 - 5
Cm
Minor add ninth [m(9)]
1 - 2 - b3 - 5
Cm
Cm(9)
Minor sixth [m6]
1 - b3 - 5 - 6
C m6
Cm6
Minor seventh [m7]
1 - b3 - (5) - b7
C m7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 - b3 - (5) - b7
Cm
(9)
(9)
C m7
(11)
Cm7(9)
1 - (2) - b3 - 4 - 5 - (b7)
C m7
Cm7(11) *
Minor major seventh [mM7]
1 - b3 - (5) - 7
C mM7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 - b3 - (5) - 7
Minor seventh add eleventh [m7(11)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
1 - b3 - b5 - b7
1 - b3 - b5 - 7
(9)
C mM7
(b5)
C m7
(b5)
CmM7(9) *
Cm7b5
CmM7b5 *
Diminished [dim]
1 - b3 - b5
C mM7
C dim
Diminished seventh [dim7]
1 - b3 - b5 - 6
C dim7
Cdim7
Seventh [7]
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7
C7
Seventh flatted ninth [7(b9)]
1 - b2 - 3 - (5) - b7
Cdim
(b9)
C7(b9)
(b13)
C7(b13)
(9)
C7(9)
(#11)
C7(#11)
(13)
C7(13)
(#9)
C7
Seventh add flatted thirteenth [7(b13)]
1 - 3 - 5 - b6 - b7
Seventh ninth [7(9)]
1 - 2 - 3 - (5) - b7
C7
Seventh add sharp eleventh [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 - b7
C7
C7
Seventh sharp ninth [7(#9)]
1 - #2 - 3 - (5) - b7
C7
C7(#9)
Seventh flatted fifth [7b5]
1 - 3 - b5 - b7
C 7b5
C7b5 *
Seventh augmented [7aug]
1 - 3 - #5 - b7
C 7aug
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) - b7
C 7sus4
C7sus4
Suspended second [sus2]
1-2-5
C sus2
C*
* These chords are not shown in the Dictionary function.
NOTE
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.
• A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), sus2.
NOTE
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
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Style (Auto-accompaniment) Functions
Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.
It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
1 Press and hold the LESSON [START]
button for longer than a second.
Hold for longer than
a second
Dict.
3 Press the “M7” (major seventh) key in
the section of the keyboard labeled
“CHORD TYPE”. (The note doesn’t
sound.) The notes you should play for
the specified chord (root note and
chord type) are shown in the display,
both as notation and in the keyboard
diagram.
2 As an example, we’ll learn how to play a
GM7 (G major seventh) chord. Press the
“G” key in the section of the keyboard
labeled “ROOT”. (The note doesn’t
sound.) The root note you set is shown
in the display.
Notation of chord
Chord name (root and type)
Dict.
001
Individual notes of chord (keyboard)
To call up possible inversions of the chord,
press the [+]/[-] buttons.
Dict.
001
NOTE
• About major chords: Simple major chords are usually indicated only
by the root note. For example, “C” refers to C major. However, when
specifying major chords here, make sure to select “M” (major) after
pressing the root note.
4 Try playing a chord in the auto accom-
75
paniment section of the keyboard,
checking the indications in the display.
When you’ve played the chord properly,
a bell sound signals your success and
the chord name in the display flash.
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Song Settings
Song Volume
1 Press the [FUNCTION] button.
3 Use the dial to set the song volume
between 000 and 127.
NOTE
• Song volume can be adjusted while a song is selected.
2 Use the CATEGORY [
f
r
] and [ ] buttons to select the Song Volume item.
SongVol
100
Song volume
A-B Repeat
You can specify a section of a song—“A” is the
start point and “B” is the end point—for repeat
playback.
A
2 Press the [A-B REPEAT] button a sec-
ond time at the end of the section you
want to repeat (the “B” point).
B
1 Play the song (page 39) and press the
[A-B REPEAT] button at the beginning
of the section you want to repeat (the
“A” point).
3 The specified A-B section of the song
will now play repeatedly.
You can stop repeat playback at any time by
pressing the [A-B REPEAT] button.
NOTE
• The repeat start and end points can be specified in one-measure
increments.
• The current measure number is shown in the display during playback.
• If you want to set the start point “A” at the very beginning of the song
press the [A-B REPEAT] button before starting playback of the song.
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Song Settings
Muting Independent Song Parts
Each “track” of a song plays a different part of the
song—melody, percussion, accompaniment, etc.
You can mute individual tracks and play the muted
part on the keyboard yourself, or simply mute
tracks other than the ones you want to listen to.
Use the SONG MEMORY [1]–[5] and [A] buttons
to mute or un-mute the corresponding tracks. The
track number in the display disappears when that
track is muted. Refer to page 52 for information
about the song track configuration.
Track number on—Track will playback
Track number off—Track is muted or
contains no data
Change the Melody Voice
You can change a song’s melody voice to any other voice you prefer.
NOTE
• You cannot change the melody voice of a user song.
1 Select the song and play it.
2 Rotate the dial to select the voice you
3 Press the [VOICE] button for longer
than a second.
“SONG MELODY VOICE” appears in the
display for a few seconds, indicating
that the voice selected in step #2 has
replaced the song’s original melody
voice.
want to listen to after pressing the
[VOICE] button.
Strings
SONG MEL
77
050
Hold for longer than
a second
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Memorize Your Favorite Panel Settings
This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever they’re needed. Up to 16 complete setups can be saved
(8 banks of two setups each).
8 Banks
Memory 1
Memory 2
Up to 16 presets (eight
banks of two each) can be
memorized.
Saving to the Registration Memory
1 Set the panel controls as required—
select a voice, accompaniment style,
etc.
2 Press the [●] (MEMORY/BANK) button.
4 Press the REGIST MEMORY [1] or [2]
button while holding the [●] (MEMORY/
BANK) button to store the current panel
settings to the specified registration
memory.
A bank number will appear in the display when you release the button.
Writing!
Bank
1
Bank number
3 Use the dial or the [1]–[8] number but-
tons to select a bank number from 1 to
8.
NOTE
• If you select a Registration Memory number that already contains
data, the previous data is deleted and overwritten by the new data.
CAUTION
• Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.
NOTE
• Data cannot be saved to the registration memory during song playback.
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Memorize Your Favorite Panel Settings
Recalling a Registration Memory
1 Press the [●] (MEMORY/BANK) button.
A bank number will appear in the display when you release the button.
● Settings That Can be Saved to the Registration Memory
• Style settings*
Style number, Auto Accompaniment ON/OFF,
Split Point, Style settings (Main A/B),
Style Volume, Tempo
Bank
1
Bank number
2
Use the dial or the [1]–[8] number buttons to select bank you want to recall.
• Voice settings
Main Voice setting (Voice number, Volume,
Octave, Pan, Reverb Send Level, Attack Time,
Release Time, Filter Cutoff, Filter Resonance,
Chorus Send Level), Dual Voice settings
(Dual ON/OFF, Voice number, Volume, Octave,
Pan, Reverb Send Level, Chorus Send Level,
Attack Time, Release Time, Filter Cutoff, Filter
Resonance), Split Voice settings (Split ON/OFF,
Voice number, Volume, Octave, Pan,
Reverb Send Level, Chorus Send Level)
• Effect settings
Reverb Type, Chorus Type
• Arpeggio settings
Arpeggio Type, Arpeggio ON/OFF
• Harmony settings
Harmony ON/OFF, Harmony Type,
Harmony Volume
• Other settings
Transpose, Pitch Bend Range, Knob Assign
* Style settings are not available for Registration Memory when
using the Song features.
3 Press the REGIST MEMORY button, [1]
or [2], containing the settings you want
to recall. The recalled REGIST MEMORY
number appears in the display for a few
seconds. The panel controls will be
instantly set accordingly.
REGIST 1
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The Functions
The “Functions” provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. There are 54 function parameters in all.
When you locate a function you want to set up, simply select the function’s display
name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions
1 Find the function you want to set in the
list that begins on page 83.
2 Press the [FUNCTION] button.
4 Use the dial, the [+] and [-] buttons, or
the [0]–[9] number buttons to set the
selected function as required.
The [+] and [-] buttons are used to make ON/
OFF type settings: [+] = ON, [-] = OFF.
In some cases the [+] button will initiate execution of the selected function, and the [-] will
cancel the selection.
StyleVol
100
3 Select a function.
r
f
Press the CATEGORY [ ] and [ ] buttons as
many times as necessary until the function’s
display name appears in the display.
Direct numeric
entry.
• Decrement value by 1.
• OFF
• Cancel
Transpos
• Increment value by 1.
• ON
• Execute
Press simultaneously to
recall the default setting.
00
The selected function.
Some function settings are stored in memory as
soon as they are changed. See “The Backup
Parameters” on page 56 for information on the
function settings that are stored on the instrument. To restore all initial factor default settings perform the “Backup Clear” procedure
described in the “Initialization” section on page
56.
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The Functions
● Function Setting List
Setting
Item title
Range/Settings
Description
StyleVol
000–127
Determines the volume of the Style.
Song Volume
SongVol
000–127
Determines the volume of the Song.
Transpose
Transpos
-12–12
Determines the pitch of the instrument by semitone increments.
Tuning
Tuning
-100–100
Sets the pitch of the instrument’s sound in 1-cent increments.
Pitch Bend Range
PBRange
01–12
Sets the pitch bend range in semitone increments.
Split Point
SplitPnt
000–127
(C-2–G8)
Determines the highest key for the Split voice and sets the Split “point”—
in other words, the key that separates the Split (lower) and Main (upper)
voices. The Split Point setting and Accompaniment Split Point setting are
automatically set to the same value.
Touch Sensitivity
TouchSns
1(Soft),
2(Medium),
3(Hard)
When Touch Response is on, this determines the sensitivity of the
feature.
Main Voice Volume
M.Volume
000–127
Determines the volume of the Main voice.
Main Voice Octave
M.Octave
-2–+2
Determines the octave range for the Main voice.
Main Voice Pan
M.Pan
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Main voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Main Voice Reverb Level
M.Reverb
000–127
Determines how much of the Main voice’s signal is sent to the Reverb
effect.
Main Voice Chorus Level
M.Chorus
000–127
Determines how much of the Main voice’s signal is sent to the Chorus
effect.
Main Voice Attack Time
M.Attack
000–127
Sets the Main voice attack time.
Main Voice Release Time
M.Releas
000–127
Sets the Main voice release time.
Main Voice Filter Cutoff
M.Cutoff
000–127
Sets the Main voice filter cutoff frequency.
Main Voice Filter
Resonance
M.Reso.
000–127
Sets the Main voice filter resonance.
Dual Voice
D.Voice
001–504
Selects the Dual voice.
Dual Voice Volume
D.Volume
000–127
Determines the volume of the Dual voice.
Dual Voice Octave
D.Octave
-2–+2
Determines the octave range for the Dual voice.
Dual Voice Pan
D.Pan
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Dual voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Dual Voice Reverb Level
D.Reverb
000–127
Determines how much of the Dual voice’s signal is sent to the Reverb
effect.
Dual Voice Chorus Level
D.Chorus
000–127
Determines how much of the Dual voice’s signal is sent to the Chorus
effect.
Dual Voice Attack Time
D.Attack
000–127
Sets the Dual voice attack time.
Dual Voice Release Time
D.Releas
000–127
Sets the Dual voice release time.
Dual Voice Filter Cutoff
D.Cutoff
000–127
Sets the Dual voice filter cutoff frequency.
Dual Voice Filter
Resonance
D.Reso.
000–127
Sets the Dual voice filter resonance.
Split Voice
S.Voice
001–504
Selects the Split voice.
Split Voice Volume
S.Volume
000–127
Determines the volume of the Split voice.
Split Voice Octave
S.Octave
-2–+2
Determines the octave range for the Split voice.
Split Voice Pan
S.Pan
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Split voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127”
results in the sound being panned full right.
Split Voice Reverb Level
S.Reverb
000–127
Determines how much of the Split voice’s signal is sent to the Reverb
effect.
Split Voice Chorus Level
S.Chorus
000–127
Determines how much of the Split voice’s signal is sent to the Chorus
effect.
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Style Volume
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83
The Functions
Setting
Item title
Range/Settings
Description
Reverb Type
Reverb
01–10
Determines the Reverb type, including off (10). (See the list in the
separate Data List.)
Chorus Type
Chorus
01–05
Determines the Chorus type, including off (05). (See the list in the
separate Data List.)
Master EQ Type
MasterEQ
Speaker1,
Speaker2,
Headphone,
Line Out1,
Line Out2
Sets the equalizer applied to the speaker output for optimum sound in
different listening situations.
Harmony Type
HarmType
01–26
Determines the Harmony type. (See the list in the separate Data List.)
Harmony Volume
HarmVol
000–127
Determines the volume of the Harmony effect.
Arpeggio Type
ARP Type
01–50
Determines the Arpeggio type. (See the list on page 14)
Arpeggio Velocity
ARP Velo
1 (Original),
2 (Thru)
Sets the velocity mode for arpeggio playback.
Style File Load
Sff Load
001–nnn
Loads a Style file.
PC mode
PC mode
PC1/PC2/OFF
Optimizes the MIDI settings when you connect to a computer (page 88).
Local On/Off
Local
ON/OFF
Determines whether the instrument’s keyboard controls the internal tone
generator (ON) or not (OFF). (page 87)
External Clock
ExtClock
ON/OFF
Determines whether the instrument synchronizes to the internal clock
(OFF) or an external clock (ON). (page 87)
Keyboard Out
KbdOut
ON/OFF
Determines whether keyboard performance data of the instrument is
transmitted (ON) or not (OFF).
Style Out
StyleOut
ON/OFF
Determines whether Style data is transmitted (ON) via USB or not (OFF)
during Style playback.
Song Out
SongOut
ON/OFF
Determines whether Song data is transmitted (ON) via USB or not (OFF)
during Song playback.
Initial Send
InitSend
YES/NO
Lets you send the data of the panel settings to a computer. Press [+] to
send, or press [-] to cancel.
Time Signature
Numerator
TimesigN
00–60
Determines the time signature of the Metronome.
Time Signature
Denominator
TimesigD
Half note,
Quarter note,
Eighth note,
Sixteenth note
Sets the length of each metronome beat.
Metronome Volume
MtrVol
000–127
Determines the volume of the Metronome.
Lesson Track (R)
R-Part
GuideTrack
1–16
Determines the guide track number for your right hand lesson. The
setting is only effective for songs in SMF format 0 transferred from a
computer.
Lesson Track (L)
L-Part
GuideTrack
1–16
Determines the guide track number for your left hand lesson. The setting
is only effective for songs in SMF format 0 transferred from a computer.
Grade
Grade
ON/OFF
Determines whether the Grade function is on or off.
Demo Cancel
D-Cancel
ON/OFF
Determines whether Demo cancel is enabled or not. When this is set to
ON, the Demo Song will not play, even if the [DEMO] button is pressed.
* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is
Initial Send, which is an operation, not a setting.)
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Connecting to a Computer
Nearly all of the electronic musical instruments made today—particularly synthesizers,
sequencers and computer music related devices—use MIDI. MIDI is a worldwide standard that allows these devices to send and receive performance and setting data. Naturally, this instrument lets you save or send your keyboard performance as MIDI data, as
well as the songs, styles and panel settings.
The potential MIDI holds for your live performances and music creation/production is
enormous—simply by connecting this instrument to a computer and transmitting MIDI
data. In this section, you’ll learn the basics of MIDI and the specific MIDI functions provided by this instrument.
What Is MIDI?
No doubt you have heard the terms “acoustic
instrument” and “digital instrument”. In the world
today, these are the two main categories of instruments. Let’s consider a grand piano and a classical
guitar as representative acoustic instruments. They
are easy to understand. With the piano, you strike a
key, and a hammer inside hits some strings and
plays a note. With the guitar, you directly pluck a
string and the note sounds. But how does a digital
instrument go about playing a note?
● Acoustic guitar note production
For example, let’s say you play a “C” quarter note
using the grand piano sound on the instrument.
Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as “with what
voice”, “with which key”, “about how strong”,
“when was it pressed”, and “when was it released”.
Then each piece of information is changed into a
number value and sent to the tone generator. Using
these numbers as a basis, the tone generator plays
the stored sampling note.
Example of Keyboard Information
Pluck a string and the body
resonates the sound.
● Digital instrument note production
L
Tone Generator
Sampling (Electronic circuit) Sampling
Note
Note
R
Playing the keyboard
Based on playing information from the keyboard, a sampling note
stored in the tone generator is played through the speakers.
1 (grand piano)
Note number (with which key)
60 (C3)
Note on (when was it pressed) and
note off (when was it released)
Timing expressed
numerically (quarter note)
Velocity (about how strong)
120 (strong)
Your keyboard performance and all panel operations of this instrument are processed as MIDI
data. The songs, auto accompaniment (styles), and
User songs are also made up of MIDI data.
MIDI is an acronym that stands for Musical Instrument Digital Interface and it allows different musical instruments and devices to instantly
communicate with each other, via digital data. The
MIDI standard is used all over the world and was
designed to transmit performance data between
electronic musical instruments (or computers).
Thanks to MIDI, you can control one instrument
from another and transmit performance data
between the devices-taking your creative and performance potential to even higher levels.
MIDI messages can be divided into two groups:
Channel messages and System messages.
83
As shown in the illustration above, in an electronic
instrument the sampling note (previously recorded
note) stored in the tone generator section (electronic circuit) is played based on information
received from the keyboard. So then what is the
information from the keyboard that becomes the
basis for note production?
Voice number (with what voice)
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85
Connecting to a Computer
● Channel Messages
This instrument is capable of handling 16 MIDI
channels simultaneously—meaning it can play up
to sixteen different instruments at the same time.
Channel messages transmit information such as
Note ON/OFF, Program Change, for each of the 16
channels.
Message Name
● System Messages
This is data that is used in common by the entire
MIDI system. System messages include messages
like Exclusive Messages that transmit data unique
to each instrument manufacturer and Realtime
Messages that control the MIDI device.
Message Name
Instrument Operation/Panel Setting
Instrument Operation/Panel Setting
Exclusive Message
Reverb/chorus settings, etc.
Note ON/OFF
Performance data of the keyboard (contains
note number and velocity data)
Realtime Messages
Start/stop operation
Program Change
Instrument selection (including bank select
MSB/LSB, if necessary)
Control Change
Instrument settings (volume, pan, etc.)
Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
● Performance data can be transferred between the instrument and the computer (page 87).
● Files can be transferred between the instrument and the computer (page 89).
The connection procedure is as follows:
1 Install the USB-MIDI driver on your com-
puter.
The USB–MIDI driver is included on the CD-ROM.
Installation of the USB MIDI driver is described on
page 92.
2 Connect the USB terminal of the computer
to the USB terminal on the instrument using
a standard USB cable (USB cable sold separately).
The supplied CD-ROM also includes a Musicsoft
Downloader application that allows you to transfer
song files from your computer to the instrument’s
flash memory. For instructions about how to install
Musicsoft Downloader and how to transfer song
files, see page 90.
■ Precautions when using the [USB] terminal
When connecting the computer to the [USB] terminal, make sure to observe the following points.
Failing to do so risks freezing the computer and
corrupting or losing the data. If the computer or the
instrument freezes, restart the application software
or the computer OS, or turn the power to the instrument off then on again.
CAUTION
• Use an AB type USB cable of less than about 3 meters.
• Before connecting the computer to the [USB] terminal, exit from
any power-saving mode of the computer (such as suspended,
sleep, standby).
• Before turning on the power to the instrument, connect the computer to the [USB] terminal.
• Execute the following before turning the power to the instrument
on/off or plugging/unplugging the USB cable to/from the [USB]
terminal.
• Quit any open application software on the computer.
• Make sure that data is not being transmitted from the instrument. (Data is transmitted whenever you play notes on the
keyboard or play back a song, etc.)
• While a USB device is connected to the instrument, you should
wait for six seconds or more between these operations: (1) when
turning the power of the instrument off then on again, or (2) when
alternately connecting/disconnecting the USB cable.
Instrument
USB cable
NOTE
• The Musicsoft Downloader application may not be able to access the
instrument in the following cases:
• During style playback.
• During song playback.
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Connecting to a Computer
Transferring Performance Data to and from a Computer
By connecting the instrument to a computer, the instrument’s performance data can be used on the computer, and performance data from the computer can be played on the instrument.
● When the instrument is connected with computer,
it transmits/receives performance data.
USB terminal
USB terminal
Instrument
USB cable
■ MIDI settings ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
These settings pertain to performance data transmission and reception.
Range/Settings
Description
Local
ON/OFF
Local control determines whether or not notes played on the instrument are sounded by its internal
tone generator system: the internal tone generator is active when local control is on, and inactive when
local control is off.
External Clock
ON/OFF
These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to
a clock signal from an external device (ON).
Keyboard Out
ON/OFF
These settings determine whether keyboard performance data of the instrument is transmitted (ON) or
not (OFF).
Style Out
ON/OFF
These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.
Song Out
ON/OFF
These settings determine whether Song data is transmitted (ON) or not (OFF) during Song playback.
• If you can’t get any sound out of the instrument, the most likely
cause is that Local Control has been set to off.
2 Use the CATEGORY [
] and [ ] buttons
to select the item you want to change its
value.
r
CAUTION
f
Item
CAUTION
• If External Clock is ON and no clock signal is being received from
an external device, the song, style, and metronome functions will
not start.
1 Press the [FUNCTION] button.
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3 Use the dial to select ON or OFF.
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Connecting to a Computer
■ PC Mode
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
A number of MIDI settings need to be made when
you want to transfer performance data between the
computer and the instrument. The PC Mode item
can conveniently make multiple settings for you in
one operation. Three settings are available: PC1,
PC2, and OFF.
This setting is not necessary when transferring
song or backup files between the computer and the
instrument.
* Set the PC mode to PC2 when using Digital Music Notebook.
PC1
PC2*
OFF
Local
OFF
OFF
ON
External Clock
ON
OFF
OFF
Song Out
OFF
OFF
OFF
Style Out
OFF
OFF
OFF
Keyboard Out
OFF
ON
ON
1 Press and hold the [DEMO] button for
longer than a second so that the PC
Mode item appears.
PC mode
oFF
2 Use the dial to select PC1, PC2, or OFF.
NOTE
• When the PC2 setting is selected the instrument’s style, song, demo,
song recording, and lesson features cannot be used.
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NOTE
• You can also access the PC Mode item by first pressing the [FUNCTION] button and then using the CATEGORY [ ] and [ ] buttons to
locate it (page 82).
Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on
your computer (via the USB connection)—controlling playback, stop and transport functions from the
panel.
■ Remote control keys ● ● ● ● ● ● ● ● ● ●
To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key
(shown below).
C#1
C1
C6: Fast forward
B5: Start
A5: Stop
G5: Rewind
F5: Top (move to the beginning
of the song)
E5: Metronome ON/OFF
NOTE
• Remote control of MIDI devices will function independently of the PC2
mode.
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YPT-420 Owner’s Manual
Connecting to a Computer
Initial Send
This function lets you send the panel setup data to a computer. Before you record performance data to a
sequencer application running on your computer, it is a good idea to first send and record the panel setup
data before the actual performance data.
1 Press the [FUNCTION] button.
2 Use the CATEGORY [
3 Press [+/YES] to send, or press [-/NO]
to cancel.
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f
] and [ ] buttons
to select the Initial Send item.
Transferring Data between the Computer and Instrument
MIDI songs residing on a computer, as well as the
70 MIDI songs and 5 Style files provided on the
CD-ROM, can be transferred to the instrument.
Backup files can also be transferred from the
instrument to the computer and back. Songs and
styles transferred to the instrument can be used
with the instrument’s lesson and other functions.
In order to transfer songs between your computer
and the instrument you will need to install the
Musicsoft Downloader application and the USBMIDI Driver included on the Accessory CD-ROM
on your computer. Refer to the Accessory CDROM Installation Guide on page 92 for installation
details.
■ With the Musicsoft
Downloader You Can:
● ● ● ● ● ● ● ● ●
● Transfer MIDI songs you have downloaded
from the Internet or created on your computer
from the computer to the instrument’s flash
memory.
⇒ refer to the procedure described on
page 90.
The procedure for transferring songs included
on the Accessory CD-ROM from your computer to the instrument is given as an example.
87
● Data that can be transferred from a computer
to this instrument.
• Song Capacity (max.): Flash memory 99 songs
(Song 036–)
• Data Capacity: Flash memory 373 kb
• Data Format: SMF format 0,
style file (extension: .sty),
Backup File (06PK61.BUP)
● What is SMF (Standard MIDI File)?
The SMF (Standard MIDI File) format is one of the
most common and widely compatible sequence
formats used for storing sequence data. There are
two variations: Format 0 and Format 1. A large
number of MIDI devices are compatible with SMF
Format 0, and most commercially available MIDI
sequence data is provided in SMF Format 0.
YPT-420 Owner’s Manual
89
Connecting to a Computer
● Backup files can be transferred from the instrument to a computer and back.
⇒ refer to the procedure described on
page 91.
q Click the CD-ROM drive
Use the Musicsoft Downloader application with
Internet Explorer 5.5 or higher.
■ Use Musicsoft Downloader
To Transfer Songs From the
Accessory CD-ROM To the
Instrument’s flash memory● ● ● ● ●
NOTE
• If a song or style is being played, stop playback before proceeding.
1 Install the Musicsoft Downloader and
USB MIDI driver to your computer, then
connect the computer and the instrument (page 94).
w Double-click “SampleData” Folder
→ “SongData” Folder, and click the
desired song file.
e Click “Open”
6 A copy of the selected MIDI song file
will appear in the “List of files stored
temporarily” at the top of the window.
The memory medium will also be displayed at
the bottom of the window to specify the destination for the transfer. Click the “Electronic
Musical Instruments”, and then “Flash memory.”
2 Insert the included CD-ROM into the
CD-ROM drive.
A start window will appear automatically.
3 Double-click the Musicsoft Downloader
shortcut icon that is created on the
desktop.
This will launch the Musicsoft Downloader
application and the main window will appear.
NOTE
• The instrument cannot be operated while the Musicsoft Downloader
is running.
4 Click the “Add File” button and the Add
File window will appear.
5 Click the button to the right of “Look in”
and select the CD-ROM drive from the dropdown menu that appears. Double-click the
“SampleData” Folder on the window. Select
the file from the specific “SongData” folder
you want to transfer to the instrument, and
click “Open”.
q Click the “Electronic Musical Instruments”,
and then “Flash Memory”
7 After selecting the file in the “List of
files stored temporarily”, click the
downward [Move] button and a confirmation message will appear. Click [OK]
and the song will be transferred from
the “List of files stored temporarily” to
the instrument’s memory.
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YPT-420 Owner’s Manual
Connecting to a Computer
8 Close the window to end the Musicsoft
Downloader.
NOTE
• End the Musicsoft Downloader to playback the song transferred
from your computer.
9 To playback a song stored in flash
memory, press the [SONG] button.
Use the dial to select the song you want
to play, then press the [START/STOP]
button to start playback.
Style files (files with the “.STY” extension) can
be transferred to Flash memory using the same
procedure as described above. Style files transferred to the Flash Memory can be loaded into
style number 156 and then played (page 74).
■ Transfer a backup file from
the instrument to a computer ● ● ●
You can use the Musicsoft Downloader to transfer
“Backup Files” containing backup data (page 56),
including the five User Songs stored on the instrument, to a computer. If you click “Electronic Musical Instruments” in the Musicsoft Downloader
display, and then “System Drive”, a file named
“06PK61.BUP” will appear in the lower right corner of the Musicsoft Downloader display. This is
the backup file. For details about how to transmit
backup file using the Musicsoft Downloader application, refer to the Online help in the application.
NOTE
• Preset Song data cannot be transmitted from the instrument.
CAUTION
• Do not unplug the USB cable during a data transfer. Not only
will the data not be transferred and saved, but operation of the
memory media may become unstable and its contents may disappear completely when the power is turned on or off.
CAUTION
• Store data can be lost due to equipment malfunction or
improper operation. For safety we recommend that you keep a
copy of all important data stored on your computer.
• We recommend that you use a power adaptor rather than batteries when transferring data. The data can be corrupted if the
batteries fail during the transfer.
CAUTION
• The backup data, including the five User Songs is transmitted/
received as a single file. As a result, all backup data will be overwritten every time you transmit or receive. Keep this in mind when
transferring data.
CAUTION
• Do not rename the backup file on the computer. If you do so, it will
not be recognized when transferred to the instrument.
● To Use transferred Songs For Lessons...
In order to use songs (only SMF format 0)
transferred from a computer for lessons it is
necessary to specify which channels are to be
played back as the right-hand and left-hand parts.
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f
1 Press the [SONG] button and select the song
(036–) residing in flash memory for which you
want to set the guide track.
2 Press the [FUNCTION] button.
3 Use the CATEGORY [ ] and [ ] buttons to
select the R-Part or L-Part item.
4 Use the dial to select the channel you want to
play back as the specified right- or left-hand
part.
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We recommend that you select channel 1 for the
right-hand part and channel 2 for the left-hand part.
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Accessory CD-ROM Installation Guide
SPECIAL NOTICES
• The software and this manual are the exclusive copyrights of Yamaha Corporation.
• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon
breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement on page 98
before installing the application.)
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden
without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software.
• This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.).
Do not attempt to use the disk on equipment other than a computer.
• The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different
from the screens which appear on your computer.
• Software such as the USB-MIDI driver may be revised and updated without prior notice. Make sure to check and
download the latest version of the software from the following site.
http://music.yamaha.com/download/
• Future upgrades of application and system software and any changes in specifications and functions will be
announced separately.
Important Notices about the CD-ROM
● Data Types
This CD-ROM includes application software. Please refer to page 94 for software installation instructions.
CAUTION
• Do not attempt to play this CD-ROM on equipment other than a
computer. The result high-volume noise can potentially cause
hearing damage or damage your equipment.
● Operating System (OS)
The applications in this CD-ROM are provided in versions for Windows operating systems.
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Accessory CD-ROM Installation Guide
CD-ROM Contents
When the included CD-ROM is inserted into the CD-ROM drive, the following start window will appear
automatically. (If the start window does not appear automatically, open the “My computer” folder and double click “Start.exe” in the CD-ROM drive.)
q
w
Folder Name
q MSD_
Application / Data Name
Musicsoft Downloader
USBdrv32_
USB-MIDI Driver
(for 32-bit version Windows
2000/XP/Vista/7)
USBdrv64_
USB-MIDI Driver
(for 64-bit version
Windows XP/Vista/7)
w
e SongBook
SampleData
Song Book
e
Contents
This application can be used to download MIDI song data from the Internet
and transfer it from the computer to the instrument’s memory.
Refer to page 96 for installation instructions.
This driver software is necessary to connect MIDI devices to your computer
via USB.
Refer to page 94 for installation instructions.
Includes score data for the 30 internal songs provided on the instrument as
well as 70 MIDI songs provided on the CD-ROM. The exceptions are songs
1–11, 30 and song 20 which is copyrighted. The scores for songs 9–11 are
provided in the separate Data List.
SongData
MIDI 70 songs
StyleData
5 style files
These songs, styles, or data* can be transferred to the instrument and
played or used with the instrument’s functions.
MDB
5 Music Database data
* This instrument does not support Music Database data.
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In order to view PDF scores, you will need to install Adobe Reader in your computer.
Adobe Reader can be downloaded free at the Adobe website.
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Accessory CD-ROM Installation Guide
System Requirements
Data
OS
Musicsoft Downloader
Memory
Hard Disk
Display
233 MHz or higher; Intel
Pentium/Celeron
Processor family
(500 MHz or higher is
recommended)
64 MB or more
(256 MB or more
is recommended)
128 MB or more (at
least 512 MB of free
space is
recommended)
800 x 600
HighColor
(16-bit)
Windows XP Professional
(SP2/SP3)/XP Home
Edition (SP2/SP3)/2000
(SP4)
166 MHz or higher; Intel
Core/Pentium/Celeron
processor
32 MB or more
(64 MB or more is
recommended)
10 MB or more
—
Windows XP Professional
x64 Edition (SP2)
Intel 64 compatible
processor
256 MB or more
10 MB or more
—
Windows Vista (SP0/SP1/
SP2)
800 MHz or higher; Intel
Core/Pentium/Celeron
processor or Intel 64
compatible processor
512 MB or more
10 MB or more
—
Windows 7
1.4 GHz or higher; Intel
Core/Pentium/Celeron
processor or Intel 64
compatible processor
1 GB or more
(32-bit)/2 GB or
more (64-bit)
10 MB or more
—
Windows 2000/XP Home
Edition/XP Professional/
Vista
* Only 32-bit is supported.
Windows 7
USB Driver for Windows
Computer
Software Installation
If you have any problems with the installation,
refer to the troubleshooting section on page 96.
1 Disconnect all USB devices from the com-
■ Installing / Updating the USB-MIDI
Driver ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
2
In order to be able to communicate with and use
MIDI instruments connected to your computer, the
appropriate driver software must be properly
installed on your computer.
The USB-MIDI driver allows sequence software
and similar applications on your computer to transmit and receive MIDI data to and from instruments
via a USB cable.
3
4
5
puter except for the mouse and computer
keyboard.
Start the computer and use the “Administrator” account to log on to Windows.
Close all applications and windows that are open.
Insert the Accessory CD-ROM into your
computer’s CD-ROM drive.
Turn off the power of the instrument.
Connect the USB connector of the computer to the USB terminal of the MIDI
instrument with a standard USB cable.
NOTE
• Do not use a USB hub for connecting multiple USB devices.
NOTE
Computer
Sequence
software
USB
Cable
MIDI instrument
Driver
• If you are using several MIDI instruments with USB connection at
the same time, connect all the instruments to the computer and turn
on the power for all of them, then perform the following installation
procedure.
6 Turn on the power of the instrument(s).
7 When the “Found New Hardware Wizard”
window appears, click [Cancel].
Follow the steps below to install (or update) the
USB-MIDI driver.
NOTE
• On some computers, it may take a few minutes before this screen
appears.
92
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YPT-420 Owner’s Manual
Accessory CD-ROM Installation Guide
NOTE
• This screen will not appear on Windows 7. When the message
“Device driver software was not successfully installed.” appears,
continue the installation procedure.
Windows XP
NOTE
• This screen will not appear if you are updating the USB-MIDI driver
from the previous version. Continue the installation procedure.
8 Open the following folder from the CD-
ROM drive in your “My Computer” folder,
and double click “setup.exe.”
• For users of 32 bit version Windows 2000/XP/
Vista/7: “USBdrv32_”
• For users of 64 bit version Windows XP/Vista/7:
“USBdrv64_”
Windows Vista/7
*Select [Start] menu → [Control Panel] → [System] to
check the system. (Windows XP: “x64 Edition” appears
on the 64 bit version, and does not appear on the 32 bit
version.)
9 When the “File Download” window
appears, click [Run] or [Open].
The “Preparing to install” window appears. The
next window will appear after finishing this preparation.
NOTE
• The messages that appear in this window may differ somewhat
depending on your browser.
NOTE
• (Windows XP) If the “Security Warning” window appears, click
[Run].
NOTE
• (Windows Vista/7) If the “User Account Control” window appears,
click [Continue] or [Yes].
10 When the “Welcome to the InstallShield
Wizard for Yamaha USB-MIDI Driver”
window appears, click [Next].
If the warning message below appears during the
installation, click [Yes], [Continue Anyway], or
[Install].
Windows 2000
11 When a message appears indicating
that the driver has been successfully
installed, click [Finish].
NOTE
• On some computers, it may take a few minutes before this screen
appears.
12 When a window appears prompting you
to restart the computer, do so.
Restart the computer by following the on-screen
directions.
NOTE
• This display will not appear when using Windows XP x64/Vista/7.
No restart is necessary.
● Checking the version of the driver
Open the “Control Panel” and double-click the
“Yamaha USB-MIDI Driver” icon.
A window appears and the driver version is
indicated in the lower left of the window.
93
NOTE
• When using Windows XP x64/Vista/7, double-click the “Yamaha
USB-MIDI Driver (WDM)” icon.
YPT-420 Owner’s Manual
95
Accessory CD-ROM Installation Guide
■ Installing the Musicsoft
Downloader ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
IMPORTANT
• You will need to log on with administrator (root) privileges in order
to install Musicsoft Downloader on a computer running Windows
2000, XP, Vista or 7.
1 Insert the Accessory CD-ROM into your
computer’s CD-ROM drive.
The start window will appear automatically
showing software applications.
NOTE
• If the start window does not appear automatically, open the “My
Computer” folder and double click “Start.exe” in the CD-ROM drive.
Then, proceed to step 2 below.
2 Click [Musicsoft Downloader].
3 Click the [Install] button, and follow the
on-screen instructions to install the software.
For Musicsoft Downloader operating instructions
see the Help menu: launch the Musicsoft Downloader application and click “Help”.
* You can obtain the latest version of the Musicsoft
Downloader at the following web site.
http://music.yamaha.com/download/
IMPORTANT
• Only Musicsoft Downloader can be used to transfer files between
this instrument and a computer. No other file transfer application
can be used.
■ Troubleshooting
The driver cannot be installed.
• Is the USB cable connected correctly?
Check the USB cable connection. Disconnect the
USB cable, then connect it again.
• Is the USB function enabled on your computer?
When you connect the instrument to the
computer for the first time, if the “Add (Found)
New Hardware Wizard” or the “Found New
Hardware” window does not appear, the USB
function on the computer may be disabled.
Perform the following steps.
1
Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Windows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista/7).
* Classic View only in Windows XP.
2
Make sure that no “!” or “x” marks appear
at “Universal serial bus controller” or
“USB Root Hub”. If you see an “!” or “x”
mark, the USB controller is disabled.
• Is any unknown device registered?
If driver installation fails, the instrument will be
marked as an “Unknown device”, and you will
not be able to install the driver. Delete the
“Unknown device” by following the steps below.
1
Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Windows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista/7).
* Classic View only in Windows XP.
2
Look for “Other devices” in the menu
“View devices by type”.
3
If you find “Other devices”, double-click it
to extend the tree to look for “Unknown
device”. If one appears, select it and click
the [Remove] button.
4
Remove the USB cable from the instrument, and make the connection again.
5
Install the driver again. (pages 94–95)
94
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YPT-420 Owner’s Manual
Accessory CD-ROM Installation Guide
When controlling the instrument from your
computer via USB, the instrument does not
operate correctly or no sound is heard.
• Did you install the driver? (page 94)
• Is the USB cable connected correctly?
How can I remove the software?
[Windows 2000/XP]
1
Disconnect all USB devices from the computer except for the mouse and keyboard.
2
Start the computer and log on to the
Administrator account.
• Are the volume settings of the instrument,
playback device, and application program set
to the appropriate levels?
Exit from any open applications and close all
open windows.
3
• Are you using the latest USB MIDI driver?
The latest driver can be downloaded from the
following web site.
http://music.yamaha.com/download/
From the [Start] menu, select ([Settings]
➔) [Control Panel] ➔ [Add or Remove Programs] to display the Add or Remove Programs panel.
4
Playback response is delayed.
• Does your computer satisfy the system
requirements?
Click “Change or Remove Programs”
located in the upper left, then select
“Yamaha USB-MIDI Driver” or “Yamaha
Musicsoft Downloader” from the list in the
right panel.
5
Click [Remove].
• Have you selected an appropriate port in the
sequence software?
A dialog box appears. Follow the instructions
to remove the software.
• Is any other application or device driver running?
[Windows Vista/7]
Cannot suspend or resume the
computer correctly.
• Do not suspend the computer while the MIDI
application is running.
If you are using Windows 2000, you may not be
able to suspend/resume normally, depending on
the particular environment (USB Host
Controller, etc.). Even so, simply disconnecting
and connecting the USB cable will allow you to
use the instrument functions again.
1
Disconnect all USB devices from the computer except for the mouse and keyboard.
2
Start the computer and log on to the
Administrator account.
Exit from any open applications and close all
open windows.
3
From the [Start] menu, select the [Control
Panel] ➔ [Programs and Features] or
[Uninstall a program] to display the “Uninstall or change a program” window.
4
Select “Yamaha USB-MIDI Driver” or
“Yamaha Musicsoft Downloader” from the
list.
5
Click [Uninstall].
95
If the “User Account Control” window
appears, click [Allow] or [Continue].
A dialog box appears. Follow the instructions
to remove the software.
YPT-420 Owner’s Manual
97
Accessory CD-ROM Installation Guide
ATTENTION
SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE
ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE
TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS
BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND
YAMAHA CORPORATION (“YAMAHA”).
BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO
BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE
WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS
SOFTWARE.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use one copy of the software program(s)
and data (“SOFTWARE”) accompanying this Agreement. The term SOFTWARE shall encompass any updates to the accompanying software and data.
The SOFTWARE is owned by Yamaha and/or Yamaha’s licensor(s), and is protected by relevant copyright laws and all applicable treaty provisions. While
you are entitled to claim ownership of the data created with the use of SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights.
• You may use the SOFTWARE on a single computer.
• You may make one copy of the SOFTWARE in machine-readable form for
backup purposes only, if the SOFTWARE is on media where such backup
copy is permitted. On the backup copy, you must reproduce Yamaha’s copyright notice and any other proprietary legends that were on the original copy
of the SOFTWARE.
• You may permanently transfer to a third party all your rights in the SOFTWARE, provided that you do not retain any copies and the recipient reads
and agrees to the terms of this Agreement.
2. RESTRICTIONS
• You may not engage in reverse engineering, disassembly, decompilation or
otherwise deriving a source code form of the SOFTWARE by any method
whatsoever.
• You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE.
• You may not electronically transmit the SOFTWARE from one computer to
another or share the SOFTWARE in a network with other computers.
• You may not use the SOFTWARE to distribute illegal data or data that violates public policy.
• You may not initiate services based on the use of the SOFTWARE without
permission by Yamaha Corporation.
Copyrighted data, including but not limited to MIDI data for songs, obtained
by means of the SOFTWARE, are subject to the following restrictions which
you must observe.
• Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner.
• Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public
without permission of the copyright owner.
• The encryption of data received by means of the SOFTWARE may not be
removed nor may the electronic watermark be modified without permission
of the copyright owner.
3. TERMINATION
This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate
automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof.
and without warranty of any kind. NOTWITHSTANDING ANY OTHER
PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND
IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS.
SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING,
YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET
YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE
WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN
THE SOFTWARE WILL BE CORRECTED.
6. LIMITATION OF LIABILITY
YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO
EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY
DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES,
EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall
Yamaha’s total liability to you for all damages, losses and causes of action
(whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE.
7. THIRD PARTY SOFTWARE
Third party software and data (“THIRD PARTY SOFTWARE”) may be
attached to the SOFTWARE. If, in the written materials or the electronic data
accompanying the Software, Yamaha identifies any software and data as
THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide
by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is
responsible for any warranty or liability related to or arising from the THIRD
PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD
PARTY SOFTWARE or your use thereof.
• Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL
IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.
• Yamaha shall not provide you with any service or maintenance as to the
THIRD PARTY SOFTWARE.
• Yamaha is not liable to you or any other person for any damages, including,
without limitation, any direct, indirect, incidental or consequential damages,
expenses, lost profits, lost data or other damages arising out of the use, misuse or inability to use the THIRD PARTY SOFTWARE.
8. GENERAL
This Agreement shall be interpreted according to and governed by Japanese
law without reference to principles of conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a
court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and
effect.
9. COMPLETE AGREEMENT
This Agreement constitutes the entire agreement between the parties with
respect to use of the SOFTWARE and any accompanying written materials and
supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or
revision of this Agreement will be binding unless in writing and signed by a
fully authorized representative of Yamaha.
4. LIMITED WARRANTY ON MEDIA
As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible
media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days
from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire
liability and your exclusive remedy will be replacement of the defective media
if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days
with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT
PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY
IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE.
5. DISCLAIMER OF WARRANTY ON SOFTWARE
98
YPT-420 Owner’s Manual
96
You expressly acknowledge and agree that use of the SOFTWARE is at your
sole risk. The SOFTWARE and related documentation are provided “AS IS”
Appendix
Troubleshooting
Problem
Possible Cause and Solution
When the instrument is turned on or off, a popping
sound is temporarily produced.
This is normal and indicates that the instrument is receiving electrical power.
When using a mobile phone, noise is produced.
Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the
instrument.
There is no sound even when the keyboard is played or
when a song or style is being played back.
Check that nothing is connected to the PHONES/OUTPUT jack on the rear
panel. When a set of headphones is plugged into this jack, no sound is output.
Check the Local Control on/off. (See page 87.)
Playing keys in the right hand area of the keyboard
does not produce any sound.
•
•
•
•
When using the Dictionary function (page 77), the keys in the right hand area
are used only for entering the chord root and type.
The volume is too soft.
The sound quality is poor.
The rhythm stops unexpectedly or will not play.
The recorded data of the song, etc. does not play correctly.
• The LCD display suddenly goes dark, and all panel
settings are reset.
The batteries are low or dead. Replace all six batteries with completely new
ones, or use the optional AC adaptor.
The style or song does not play back when the
[START/STOP] button is pressed.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to
“External Clock” on page 87.
Make sure that the Style Volume (page 83) is set to an appropriate level.
The style does not sound properly.
Is the split point set at an appropriate key for the cords you are playing? Set the
split point at an appropriate key (page 72).
Is the “ACMP ON” indicator showing in the display? If it is not showing press the
[ACMP ON/OFF] button so that it does show.
This is not a malfunction. Style number 131 and style numbers 143–155 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin
playing when you play a chord in the accompaniment range of the keyboard if
style playback is turned on.
Not all of the voices seem to sound, or the sound
seems to be cut off.
The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or
Split voice is being used and a style or song is playing back at the same time,
some notes/sounds may be omitted (or “stolen”) from the accompaniment or
song.
Some notes don’t sound when playing multiple notes
simultaneously on the keyboard, or some notes don’t
sound when playing arpeggios.
You have exceeded 32 simultaneous notes, which is the maximum polyphony
(the maximum number of notes that can be played simultaneously) of the
instrument. The instrument will play normally as long as no more than 32 notes
are being played at once, both on the keyboard and by any automatic playback
functions.
The footswitch (for sustain) seems to produce the
opposite effect. For example, pressing the footswitch
cuts off the sound and releasing it sustains the sounds.
The polarity of the footswitch is reversed. Make sure that the footswitch plug is
properly connected to the SUSTAIN jack before turning on the power.
The sound of the voice changes from note to note.
This is normal. The AWM tone generation method uses multiple recordings
(samples) of an instrument across the range of the keyboard; thus, the actual
sound of the voice may be slightly different from note to note.
The wrong notes sound when the keyboard is played.
Perhaps the performance assistant technology is turned on.
Press the [PERFORMANCE ASSISTANT] button to turn it off.
The ACMP ON indicator does not appear when the
[ACMP ON/OFF] button is pressed.
Is the [STYLE] button lit? Always press the [STYLE] button first when you are
going to use any style-related function.
There is no harmony sound.
The harmony effects (01–26) behave differently according to their type. Types
01–05 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range.
Types 06–26 will function whether style playback is on or off. For types 06–12
you need to play two notes at the same time.
97
No rhythm accompaniment plays when the [START/
STOP] button is pressed after selecting style number
131 or a style between 143 and 155 (Pianist).
YPT-420 Owner’s Manual
99
Index
Panel controls and terminals
r
f
[ ](Standby/On) ............................ 11–12
+, - .................................................. 12, 58
........................................................ 57
0–9 .................................................. 12, 58
A-B REPEAT ................................. 13, 78
ACMP ON/OFF ............................. 12, 34
ARPEGGIO ON/OFF .................... 12, 14
ASSIGN ......................................... 12, 18
CATEGORY [ ] and [ ] .......... 12, 58
DC IN ............................................. 10, 13
DEMO ............................................ 12, 40
Dial ................................................. 12, 58
DUAL ON/OFF ............................. 12, 29
EASY SONG ARRANGER .......... 12, 50
FF ................................................... 13, 40
FUNCTION .................................... 12, 82
HARMONY ON/OFF .................... 12, 60
INTRO/ENDING/rit. ...................... 13, 71
KNOB A, B .................................... 12, 18
LESSON L/R ................................. 12, 44
LESSON START ........................... 12, 44
MAIN/AUTO FILL ........................ 13, 71
MASTER VOLUME ..................... 12, 24
MEMORY/BANK, 1, 2 ................. 13, 80
METRONOME ON/OFF ............... 12, 63
MUSIC DATABASE ..................... 12, 49
PAUSE ........................................... 13, 40
PERFORMANCE ASSISTANT
ON/OFF ...................................... 12, 23
PHONES/OUTPUT ....................... 11, 13
PITCH BEND wheel ...................... 13, 66
PORTABLE GRAND .................... 12, 31
REC, 1–5, A ................................... 13, 52
REGIST MEMORY ....................... 13, 80
REPEAT & LEARN ............... 12, 48
REW ............................................... 13, 40
SONG ............................................. 12, 39
SONG MEMORY .......................... 13, 52
SPLIT ON/OFF .............................. 12, 30
START/STOP ................................ 13, 58
STYLE ........................................... 12, 33
SUSTAIN ....................................... 11, 13
SYNC START ............................... 13, 70
SYNC STOP .................................. 13, 71
TEMPO/TAP .................................. 13, 27
TOUCH ON/OFF ........................... 12, 65
USB ................................................ 13, 86
VOICE ............................................ 12, 28
Alphabetical order
A
G
A-B Repeat ...........................................78
Accessories .............................................7
ACMP ...................................................34
Arpeggio ...............................................14
Arpeggio Type ......................................15
Arpeggio Velocity ................................67
Attack ....................................................20
Auto Accompaniment Range ................34
Auto-Accompaniment ..........................34
AWM ......................................................6
Grade .................................................... 45
H
Harmony ............................................... 60
Harmony Type ..................................... 60
Harmony Volume ................................. 69
Headphones .......................................... 11
I
B
Backup ..................................................56
C
CD-ROM ..............................................92
Channel Message ..................................86
Chord ..................................36, 38, 75–76
Chord Dictionary ..................................77
CHORD ROOT ....................................77
CHORD TYPE .....................................77
Chorus .............................................19, 62
Chorus Type .........................................62
Computer ..............................................86
Cutoff ....................................................19
D
Default Setting ......................................82
Delete (Song Track) ..............................55
Delete (User Song) ...............................55
Demo ....................................................40
Demo Cancel ........................................84
Display ..................................................59
Drum Kit ...............................................32
Dual Voice ............................................29
Dual Voice Chorus Level .....................83
Dual Voice Octave ................................83
Dual Voice Pan .....................................83
Dual Voice Reverb Level .....................83
Dual Voice Volume ..............................83
Initial Send ..................................... 84, 89
Initialization ......................................... 56
K
Keyboard Out ....................................... 87
L
Lesson .................................................. 43
Load SFF .............................................. 74
Local ..................................................... 87
L-Part ................................................... 91
M
Main Voice ........................................... 28
Main Voice Chorus Level .................... 83
Main Voice Octave .............................. 83
Main Voice Pan .................................... 83
Main Voice Reverb Level .................... 83
Main Voice Volume ............................. 83
Master EQ Type ................................... 69
Measure ................................................ 59
Melody Voice ................................. 51, 79
Metronome ........................................... 63
MIDI ..................................................... 85
Music Database .................................... 49
Music Rest .............................................. 7
Mute ..................................................... 79
N
E
Notation ................................................ 59
Easy Chords ..........................................38
Easy Song Arranger ..............................50
External Song .......................................42
O
One Touch Setting ............................... 68
F
Filter ......................................................19
Filter (Style) ..........................................20
Flash Memory .......................................42
Foot Switch ...........................................11
Function ..........................................82–83
P
PC Mode .............................................. 88
Performance assistant technology ........ 23
Pitch Bend Range ................................. 83
Power Adaptor ..................................... 10
Preset Song ............................... 39, 41–42
98
100
YPT-420 Owner’s Manual
Index
R
U
Recording ............................................. 52
Registration Memory ........................... 80
Release ................................................. 20
Remote control ..................................... 88
Repeat ................................................... 48
Resonance ............................................ 19
Reverb ............................................ 19, 61
R-Part ................................................... 91
USB ......................................................86
User Song .............................................52
V
Voice .....................................................28
X
S
XGlite .....................................................6
Save (Backup File) ............................... 91
Save (Panel Setting) ............................. 80
SMF (Standard MIDI File) ................... 89
Software Licensing Agreement ............ 98
Song ...................................................... 39
Song Clear ............................................ 55
Song List .............................................. 41
Song Memory ....................................... 52
Song Out ............................................... 87
Song Volume ........................................ 78
Specifications ..................................... 102
Split Point ....................................... 30, 72
Split Voice ............................................ 30
Split Voice Chorus Level ..................... 83
Split Voice Octave ............................... 83
Split Voice Pan ..................................... 83
Split Voice Reverb Level ..................... 83
Split Voice Volume .............................. 83
Standard Chords ................................... 38
Style .......................................... 33–37, 70
Style File .............................................. 74
Style Out ............................................... 87
Style Tempo ......................................... 20
Style Volume ........................................ 72
Sustain (Footswitch) ............................. 11
Synchro Start ............................ 34, 36, 70
Synchro Stop ........................................ 71
System Message ................................... 86
T
99
Tempo .................................................. 27
Time Denominator ............................... 64
Time Numerator ................................... 64
Time Signature ..................................... 63
Touch Response ................................... 65
Touch Sensitivity ................................. 65
Track .............................................. 52–55
Track Clear ........................................... 55
Transfer .......................................... 89–91
Transpose ............................................. 66
Troubleshooting (Installation) .............. 96
Troubleshooting (Instrument) .............. 99
Tuning .................................................. 66
YPT-420 Owner’s Manual
101
Specifications
Specifications
Recording
Keyboards
• 61 standard-size keys (C1–C6), with Touch Response.
Display
• LCD display (backlit)
• Song
User Song:
5 Songs
Recording Tracks: 1, 2, 3, 4, 5, STYLE
MIDI
Setup
•
(Standby/On)
• MASTER VOLUME: MIN–MAX
Realtime Control
• Pitch Bend Wheel
• Knobs A, B
A: Cutoff, Reverb, Attack, Style Cutoff, Style Tempo
B: Resonance, Chorus, Release, Style Resonance
Voice
• Local On/Off
• Keyboard Out
• Initial Send
• Style Out
• External Clock
• Song Out
Auxiliary jacks
• PHONES/OUTPUT, DC IN, USB, SUSTAIN
Amplifier
• 2.5W + 2.5W
Speakers
• 12cm x 2 + 3cm x 2
• 116 panel voices + 12 drum/SFX kits + 361 XGlite voices
+ 15 arpeggio voices
• Polyphony: 32
• DUAL
• SPLIT
Style
• 155 Preset Styles + 1 User Style File
• Style Control: ACMP ON/OFF, SYNC STOP,
SYNC START, START/STOP,
INTRO/ENDING/rit., MAIN/AUTO FILL
• Fingering:
Multi Finger
• Style Volume
Music Database
Power Consumption
• 7W (PA-130)
• 10W (PA-3C)
Power Supply
• Adaptor: Yamaha PA-130, PA-3C, or an equivalent
• Batteries: Six “D” size, R20P (LR20) or equivalent batteries
Dimensions (W x D x H)
• 952 x 388 x 146 mm (37-1/2" x 15-1/4" x 5-3/4")
Weight
• 7.0kg (15 lbs. 7 oz.) (not including batteries)
Included Accessories
• AC Power Adaptor (PA-130, PA-3C or an equivalent)
• 256
Education Feature
• Dictionary
• Lesson 1–3, Repeat & Learn
Registration Memory
• 8 banks x 2 types
* May not be included depending on your particular area. Please
check with your Yamaha dealer.
•
•
•
•
•
Music Rest
Accessory CD-ROM
Owner’s Manual
Data List
My Yamaha Product User Registration
Function
• VOLUME:
• OVERALL:
•
•
•
•
•
•
•
•
•
Style Volume, Song Volume
Tuning, Transpose, Split Point, Touch Sensitivity, Pitch Bend Range
MAIN VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level, Attack Time, Release Time,
Filter Cutoff, Filter Resonance
DUAL VOICE: Voice, Volume, Octave, Pan, Reverb Level,
Chorus Level, Attack Time, Release Time,
Filter Cutoff, Filter Resonance
SPLIT VOICE: Voice, Volume, Octave, Pan, Reverb Level,
Chorus Level, Attack Time, Release Time,
Filter Cutoff, Filter Resonance
EFFECT:
Reverb Type, Chorus Type, Master EQ Type
HARMONY:
Harmony Type, Harmony Volume
ARPEGGIO:
SFF Load:
PC:
MIDI:
Optional Accessories
•
•
•
•
AC Power Adaptor:
Footswitch:
Keyboard Stand:
Headphones:
PA-130, PA-3C or an equivalent
FC4/FC5
L-2C/L-2L
HPE-150/HPE-30
* Specifications and descriptions in this owner’s manual are for
information purposes only. Yamaha Corp. reserves the right
to change or modify products or specifications at any time
without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with
your Yamaha dealer.
Arpeggio Type, Arpeggio Velocity
Style File Load
PC Mode
Local On/Off, External Clock, Initial Send,
Keyboard Out, Style Out, Song Out
• METRONOME: Time Signature Numerator, Time Signature
Denominator, Metronome Volume
• LESSON:
Lesson Track (R), Lesson Track (L)
• UTILITY:
Grade, Demo Cancel
Effects
•
•
•
•
Reverb:
Chorus:
Harmony:
Arpeggio:
9 types
4 types
26 types
50 types
Song
• 30 Preset Songs + 5 User Songs + Accessory CD-ROM
Songs (70)
• Song Clear, Track Clear
• Song Volume
• Song Control:
, A-B REPEAT, PAUSE, REW, FF,
START/STOP
Performance assistant technology
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395
103
396
104
LIMITED 1-YEAR WARRANTY ON
PORTABLE KEYBOARDS
(NP, PSR-E, YPG AND YPT SERIES)
Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free
performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and
every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer
you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from
Yamaha’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in
the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized
Yamaha dealer or Yamaha Customer Service if you have any questions.
Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions
or otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor
or materials. Repairs may be performed using new or refurbished parts that meet or exceed Yamaha specifications for new parts. If
Yamaha elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or
removal charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, Yamaha will
pay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not
cover (a) damage, deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation
or failure to follow instructions according to the Owner’s Manual for this product; any shipment of the product (claims must be
presented to the carrier); repair or attempted repair by anyone other than Yamaha or an authorized Yamaha Service Center; (b) any
unit which has been altered or on which the serial number has been defaced, modified or removed; (c) normal wear and any periodic
maintenance; (d) deterioration due to perspiration, corrosive atmosphere or other external causes such as extremes in temperature
or humidity; (e) damages attributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f)
RFI/EMI (Interference/noise) caused by improper grounding or the improper use of either certified or uncertified equipment, if
applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause this warranty to be void. This
warranty covers only the Original Owner and is not transferable.
In Order to Obtain Warranty Service:
Warranty service will only be provided for defective products within the Warranted
Area. Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful,
contact Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective
product to a local authorized Yamaha Servicer or authorize return of the defective product to Yamaha for repair. If you are uncertain
as to whether a dealer has been authorized by Yamaha, please contact Yamaha’s Service Department at the number shown below, or
check Yamaha’s website at www.Yamaha.com. Product(s) shipped for service should be packed securely and must be
accompanied by a detailed explanation of the problem(s) requiring service, together with the original or a machine reproduction of
the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any
product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be
accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment.
Limitation of Implied Warranties and Exclusion of Damages:
ANY IMPLIED WARRANTIES, INCLUDING
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE
APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR
CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER
EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES.
YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT
YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE
EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY
NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.
This is the only express warranty applicable to the product specified herein; Yamaha neither assumes nor authorizes anyone to
assume for it any other express warranty.
If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please
contact:
CUSTOMER SERVICE
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, California 90620-1373
Telephone: 800-854-1569
www.yamaha.com
Do not return any product to the above address without a written Return Authorization issued by Yamaha.
105
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para obter detalhes de produtos, entre em contato com o representante mais próximo da Yamaha ou com o distribuidor autorizado relacionado a seguir.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 044-387 8080
AUSTRIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
EKB50
Yamaha Home Keyboards Home Page
http://music.yamaha.com/homekeyboard/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2009 Yamaha Corporation
WT69320 002POXXX.X-XXC0
Printed in China