Yamaha PortaTone PSR-220 de handleiding
- Categorie
- Digitale piano's
- Type
- de handleiding
OWNER'S MANUAL
BEDIENUNGSANLEITUNG
MODE D'EMPLOI
MANUAL DE INSTRUCCIONES
DEUTSCHFRANÇAISESPAÑOL
ENGLISH
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT
connect this product to any power supply or adapter other than one described
in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack,
or stand that is recommended by Yamaha. If a cart, etc., is used, please
observe all safety markings and instructions that accompany the accessory
product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of
printing. However, Yamaha reserves the right to change or modify any of the
specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones
or speaker/s, may be capable of producing sound levels that could cause
permanent hearing loss. DO NOT operate for long periods of time at a high
volume level or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function
or effect works (when the unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners responsibility. Please
study this manual carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is
approximately five years. When replacement becomes necessary, contact a
qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable type
and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a
different type. Batteries MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries
away from children. Dispose of used batteries promptly and as regulated by the
laws in your area. Note: Check with any retailer of household type batteries in
your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for
some reason its useful life is considered to be at an end, please observe all
local, state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist you,
please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number,
serial number, power requirements, etc., are located on this plate. You should
record the model number, serial number, and the date of purchase in the
spaces provided below and retain this manual as a permanent record of your
purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this
manual, meets FCC requirements. Modifications n ot expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
IMPORTANT:
When connecting this product to accessories and/or another product use only
high quality shielded cables. Cable/s supplied with this product MUST be
used. Follow all installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.
NOTE:
This product has been tested and found to comply with the requirements listed
in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of
this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation of other
electronic devices. Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product is found to be the
source of interference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the following
measures:
• Relocate either this product or the device that is being affected by the
interference.
• Utilize power outlets that are on different branch(circuit breaker or fuse)
circuits or install AC line filter/s.
• In the case of radio or TV interference, relocate/reorient the antenna. If
the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-
axial type cable.
If these corrective measures do not produce satisfactory results, please contact
the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America,
Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
• This applies only to products distributed by Yamaha Corporation of America.
Congratulations on your purchase of the Yamaha PortaTone!
You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-of-
use in a highly compact package. Its outstanding features also make it a remarkably expressive and
versatile instrument.
Read this Owner’s Manual carefully while playing your new PortaTone in order to take full advantage of its
various features.
CONTENTS
Main Features 1
Precautions — Taking Care of Your PortaTone
2
Setting Up 3
Power Requirements ..........................................3
PHONES/AUX OUT Jack ....................................4
SUSTAIN Jack......................................................4
Music Stand ........................................................4
Getting Started — Playing the Demo Songs
5
Panel Controls and Terminals 6
Basic Display Operations 8
Playing Voices — The Voice Mode 10
Selecting and Playing a Voice — Main Voice Mode....
10
Main Voice Sub Menu..............................................11
Percussion Kit Voice Chart ........................................12
Playing Two Voices — Dual Voice Mode ........12
Dual Voice Sub Menu ..............................................13
Playing Two Voices — Split Voice Mode ........14
Split Voice Sub Menu ..............................................15
Other Voice Controls 16
Chorus ..............................................................16
Harmony/Echo ................................................16
Harmony/Echo Sub Menu ........................................17
Reverb ..............................................................18
Touch Response ..............................................18
Overall Controls ..............................................19
Reverb/Others Sub Menu ........................................19
Playing Auto Accompaniment — The Style Mode
20
Selecting a Style and Playing an Auto Accompaniment
........
20
About the METRONOME Icon ..................................21
Sync-Stop Function ..................................................24
Changing the Fingering Mode ........................24
Fingered ................................................................25
Full ........................................................................26
Single Finger ..........................................................26
Changing the Accompaniment Split Point ......26
One Touch Setting ............................................27
Playing Songs — Tne Song Mode 28
Selecting and Playing a Song ........................28
Using the Repeat Play Function ......................29
Using the Guide Function (PSR-230 only) ......30
Using the Minus One Function ........................31
Selecting individual channels for Minus One ..............31
Song Sub Menu ......................................................32
Song Volume ..........................................................32
One Touch Setting in the Song Mode ........................33
Recording User Songs — Easy Chord Memory
33
Real-time Recording ........................................34
Step Recording..................................................35
Song Clear ........................................................35
User Song Playback ........................................35
Music Cartridge (PSR-230) 36
Inserting a Music Cartridge..............................36
Music Cartridge Precautions......................................36
Selecting Styles on a Music Cartridge ............37
Selecting Songs on a Music Cartridge ............37
MIDI Functions 38
MIDI Basics ........................................................38
MIDI Sub Menu ......................................................40
Appendix 41
Data Backup and Initialization........................41
Initialize Operation..................................................41
Voice List ..........................................................42
Voice Polyphony......................................................42
Panel Voice List ......................................................42
GM Voice List..........................................................43
Troubleshooting ................................................44
Index ................................................................45
MIDI Implementation Chart ............................46
Specifications ....................................................48
1
Main Features
The PortaTone is a sophisticated yet easy-to-use keyboard with the following features and
functions:
Exceptionally realistic, high-quality Voices (100 Panel, 129 GM Voices (128 Voices +
1 Percussion Kit)), created with AWM (Advanced Wave Memory) technology, which utilizes
digital recordings of actual instruments.
A convenient Voice Set function that automatically calls up the most suitable Voice-related
settings whenever you select a Panel Voice.
100 auto accompaniment Styles, each with different Intro, Main A and B, four Fill-ins,
and Ending sections. Each of the 100 Styles also features a special Jam Track section,
providing stylistically appropriate chord progressions and section changes for playing along
with.
Large custom LCD gives you easy, at-a-glance confirmation of all important settings.
One Touch Setting buttons, for automatically calling up an appropriate Voice (along with
matching effect and other settings) for playing with the Style you select. Each of the 100
Styles features four different One Touch Settings.
Touch Response function for natural, expressive control over the Voices.
Rich, luscious-sounding effects — including Reverb, Chorus, Harmony and Echo — for
enhancing the Voices.
Easy Chord Memory for recording your own chord progressions — letting you create
automatic backing for your original songs.
Guide lamps (on PSR-230), and the Minus One and Repeat Play functions provide
convenient, powerful tools for learning new songs and improving your keyboard technique.
Music Cartridge slot (on PSR-230) lets you plug in optional Yamaha Music Cartridges for
adding new accompaniment Styles and Songs.
Comprehensive MIDI control, including 16-part multi-timbral capacity and full General
MIDI compatibility.
Built-in high-quality stereo amplifier/speaker system.
2
Precautions —
Taking Care of Your PortaTone
Your new PortaTone is a fine musical instrument — and should be treated as such. Handle it with care and
common sense, and it will give you years of enjoyment.
Location ------------------------------------------------------------------
• Avoid exposure to direct sunlight or other sources of heat. Never leave it inside a car where it can get
very hot. Also avoid highly humid or dusty places.
Interference From Electromagnetic Fields------------------------
• Do not use your PortaTone close to television sets, radios or similar equipment since this may cause
interference noise in the other appliance.
Handling ----------------------------------------------------------------
• Protect your PortaTone from strong impact. Be careful not to drop it or place heavy objects on it.
Avoid applying excessive force to the controls and keys.
• Always unplug cables by gripping the plug firmly, and not by pulling on the cable.
Turn Power Off When Making Connections --------------------
• To avoid damage to the PortaTone or other equipment, turn off the power of all related equipment —
including the PortaTone — before connecting or disconnecting any cables.
When Not Using the PortaTone ------------------------------------
• After use, always turn off the POWER switch. When not using your PortaTone for long periods, be sure
to remove the batteries to avoid damage through battery leakage. When using the PortaTone with an AC
adaptor, unplug the adaptor from the electrical outlet, if the instrument is not to be used for a long period
of time, or during electrical storms.
Cleaning------------------------------------------------------------------
• Clean the exterior with a soft, dry cloth. To remove stubborn stains, use a slightly moistened cloth.
• Never use alcohol, thinner, or other chemical solvents, since they will damage the finish. Also, do not
leave vinyl chloride material on the PortaTone for a long time, since it may adhere to the exterior.
Service and Modification --------------------------------------------
• Your PortaTone contains no user-serviceable parts. Opening it or tampering with it in any way may
result in damage and even electrical shock. Refer all servicing to qualified Yamaha personnel.
• Yamaha is not responsible for damage caused by improper usage.
NOTE
Setting Up
This section contains information about setting up your PortaTone for playing. Make sure to read this section
carefully before using the instrument.
Power Requirements
Your PortaTone can run either on batteries (sold separately) or on normal household current by using the optional
Yamaha PA-3/3B Power Adaptor (or another adaptor specifically recommended by Yamaha).
Using an AC Power Adaptor
To connect your PortaTone to a wall socket, you will need the optionally available Yamaha PA-3/3B
Power Adaptor. Use of other AC adaptors could result in damage to the instrument, so be sure to ask for
the right kind. Plug the adaptor into a convenient wall outlet and its connector into the DC IN 10-12V
jack on the back of your PortaTone.
Using Batteries
Inserting Batteries
Turn the instrument upside-down and remove the battery compartment lid. Insert six 1.5-volt size “D”
batteries as shown in the illustration, making sure that the positive and negative terminals are properly
aligned, and replace the lid.
When the Batteries Run Down
When the batteries run low and the battery voltage drops below a certain level, the PortaTone may not
sound or function properly, or it may reset to the default status. As soon as this happens, replace them
with a complete set of six new batteries. Never mix old and new batteries or different types of batteries
(e.g., alkaline and manganese).
• To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for
an extended period of time.
NOTE
DC IN 10-12V
3
4
PHONES/AUX OUT Jack
Using Headphones
For private practicing and playing without disturbing others, connect a set of stereo headphones to the
rear panel PHONES/AUX OUT jack. Sound from the built-in speaker system is automatically cut off when
you insert a headphone plug into this jack.
Connecting a Keyboard Amplifier or Stereo System
Though the PortaTone is equipped with a built-in speaker system, you can also play it through an
external amplifier/speaker system. First, make sure the PortaTone and any external devices are turned off,
then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and
the other end to the rear panel PHONES/AUX OUT jack on the PortaTone.
SUSTAIN Jack
An optional Yamaha FC4 or FC5 footswitch can be connected to the rear panel SUSTAIN jack for sustain
control. The footswitch functions like the damper switch on a piano: press and hold to sustain the sound,
and release for normal decay.
For normal operation, turn the power off before connecting the footswitch, then turn the PortaTone on
without pressing the footswitch. Also, do not disconnect the switch while the power is on.
• Make sure to turn the power off before connecting or disconnecting the footswitch.
Music Stand
Insert the bottom edge of the included music stand into the slot located at the top rear of the PortaTone control panel.
(PSR-230)
NOTE
SUSTAIN
PHONES /
AUX OUT
Getting Started —
Playing the Demo Songs
The PortaTone has sixteen various Demo Songs, specially recorded to showcase the dynamic sounds and
rhythms and give you an idea of what you can do with the instrument.
1
First, turn on the power.
Press the POWER ON/OFF button. Whenever the power is turned on, the Voice mode is
automatically called up and set to play Voice 01 (GRAND PIANO).
2
Set the Volume.
Initially, turn the VOLUME control about a third of the way up. You can adjust the control for
optimum level once you start playing.
3
Press the DEMO button.
The Demo Songs will play in sequence from Song number 01. You can also play along on the
keyboard with the Songs.
• When Demo Songs that use the internal accompaniment Styles are played back, chord names are indicated in the
display as the chords of the Song change.
To stop playback, press the DEMO button again or press the START/STOP button.
START/STOP
START/STOP
DEMO
NOTE
DEMO
VOLUME
MAXMIN
POWER
5
Panel Controls and Terminals
6
12
PSR-230
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICESTYLE
CART
6 5aug
A
B JAM
CART
43
GrandPno
321 4
PSR-230
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
SONG
CLEAR
REC/
END
EASY
CHORD
MEMORY
NO YES
CARTRIGE
1
4
7
2
5
8
0
3
6
9
VOICE
STYLE
SONG
MAIN MENU
SYNC-START
START/STOP
INTRO MAIN/AUTO FILL ENDING
JAM TRACK
SYNC-
STOP
LARGE/
SMALL
MEASURE
BEAT
MINUS ONE
GUIDE
ONE TOUCH SETTING
EASY CHORD MEMORY
START/STOP
REPEAT PLAY
POWER VOLUME
DEMO
MAX
TEMPO
TEMPO
RESET
SUB MENU
SPLIT FINGERING
MIN
ACCOMPANIMENT
SONG
KEYBOARD
VOLUME
VOLUME
TOUCH
RESPONSE
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
INTRO MAIN A MAIN B ENDING JAM TRACK
STYLE
EASY CHORD
MEMORY
RESET
PIANO ORGAN
REED
01 GRAND PIANO
02 HONKY-TONK
03 FUNKY E PNO
04 DX E PIANO
05 MIDI GRAND
06 HYPER E PNO
07 BELL E PNO
09 HARPSI CPL
10 CLAVI
11 CELESTA
12 VIBRAPHONE
13 MARIMBA
14 XYLOPHONE
15 TUBE BELLS
08 HARPSICHORD
22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2
40 DIST GUITAR
25 16+2 ORGAN
26 16+4 ORGAN
19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3
37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR
41 ACC BASS
42 FINGER BASS
43 FRETLESS
47 CHAMBER STR
48 SYNTH STRS
44 SLAP BASS
45 SYNTH BASS
46 STRINGS
49 SLOW STRS16 TIMPANI
17 STEEL DRUMS
18 MUSIC BOX
32 CLASSIC GTR
27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD
33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR
MALLETS
31 BANDONEON
GUITAR
BASS
ENSEMBLE
52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT
58 VIOLIN
73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET
80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA
84 PICCOLO
78 SAX+TRB
79 OBOE
59 CELLO
60 CONTRABASS
63 MUTE TRP
62 TRUMPET
64 TROMBONE
65 TRB SECTION
66 FRENCH HORN
61 HARP
BRASS
69 BRASS+SAX
70 BRASS+TRB
67 TUBA
68 BRASS SECT
71 BRASS+TRP
72 SYNTH BRASS
PIPE
SYNTH LEAD
85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA
91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD
89 SQUARE LEAD
90 SAWTOOTH LD
SYNTH PAD
96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON
00 DRUM KIT
95 FANTASIA
DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS
STRINGS
POP
DANCE CONTEMP JAZZ
C & W
MARCH STYLE
BALLROOM STD
01 8BEAT POP
02 8 UPBT POP
03 LIGHT POP
04 FOLKROCK
05 DETROIT POP
06 UP POP SHFL
07 POP RHUMBA
09 8BEAT LIGHT
10 SLOW BALLAD
11 EPIC BALLAD
12 16BEAT BLD 1
13 PNO BALLAD
14 6
/
8 BALLAD 1
15 6
/
8 BALLAD 2
08 SHOWTUNE
22 ACID JAZZ
23 70S DISCO
24 DISCO PARTY
36 COOL JAZZ
37 JAZZ BALLAD
38 JAZZ WALTZ
25 DISCO TROP
26 POLKA POP
17 LITE RK BLD
18 LATIN ROCK
19 6
/
8HVY ROCK
20 6
/
8 GOSPEL
21 SLOW ROCK
33 B B BALLAD 49 REGGAE 16
34 SWING
35 CHARLESTON
39 FAST BOSSA
40 SLOW BOSSA
41 SAMBA 1
42 JAZZ SAMBA
43 MAMBO
47 BOLERO LNTO
48 REGGAE 12
44 BEGUINE
45 MERENGUE
46 SON
16 ROCK BALLAD 32 BIG BAND
POP BALLAD
ROCK
27 ROCK&ROLL 1
28 ROCK&ROLL 2
29 BOOGIE
30 TWIST
ROCK & ROLL
31 DIXIELAND
TRAD JAZZ
LATIN
50 BLUEGRASS
51 C ROCK 1
52 C ROCK 2
53 COWBOY BOOG
54 C BALLAD
55 C SHUFFLE
56 TWO STEP
57 C WALTZ 1
58 C WALTZ 2
69 TANGO ARGN
70 FOXTROT
71 JIVE
72 QUICKSTEP
73 SLOWFOX
BALLROOM LTN
76 CHA CHA
77 RHUMBA
78 SAMBA 2
79 CONGA
80 PASODOBLE
74 SLOW WALTZ
75 VIEN WALTZ
59 POLKA 1
60 POLKA 2
61 ESPAGNOLE
62 TARANTELLA
63 TRAD WALTZ 1
64 TRAD WALTZ 2
WORLD MUSIC
65 MARCH 1
66 MARCH 2
67 6
/
8 MARCH 1
68 6
/
8 MARCH 2
81 POP ROCK
82 POP SHUFFLE
83 ROCK POP
84 ROCK SHUFFL
85 16BEAT POP
86 16BEAT BLD 2
87 TECHNO
88 DANCE POP
89 POP RAP
90 EUROBEAT
91 DISCO POP
92 DISCO SOUL
93 R&B
94 SOUL
95 FUNK
96 6
/
8 BLUES
97 FUSION
98 POP BOSSA
99 SALSA
00 POP RAGGAE
!" #
$
%
&
'
(
)
*
+
3
5
NAME / SUB MENU MAIN MENU
PSR-220
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICESTYLE
CART
6 5aug
GrandPno
321 4
A
B
JAM
POWER VOLUME
DEMO
SUB MENU
MIN MAX
ACCOMPANIMENT
SONG
KEYBOARD
ONE TOUCH SETTING
EASY CHORD MEMORY
VOLUME
RESET
TEMPO
VOLUME
TEMPO
RESET
SYNC-START
START/STOP
INTRO MAIN/AUTO FILL ENDING
JAM TRACK
START/STOP
SPLIT FINGERING
TOUCH
RESPONSE
MEASURE
REPEAT PLAY
MINUS ONE
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
INTRO MAIN A MAIN B ENDING JAM TRACK
STYLE
EASY CHORD
MEMORY
BEAT
SYNC-
STOP
LARGE/
SMALL
VOICE
MAIN MENU
STYLE
SONG
1
4
7
2
5
8
0
3
6
9
NO YES
EASY CHORD MEMORY
General MIDI compatible
Reverb and chorus effects
Touch responsive keys
REC/
END
SONG
CLEAR
PSR-220
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
1234
PIANO ORGAN
REED
01 GRAND PIANO
02 HONKY-TONK
03 FUNKY E PNO
04 DX E PIANO
05 MIDI GRAND
06 HYPER E PNO
07 BELL E PNO
09 HARPSI CPL
10 CLAVI
11 CELESTA
12 VIBRAPHONE
13 MARIMBA
14 XYLOPHONE
15 TUBE BELLS
08 HARPSICHORD
22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2
40 DIST GUITAR
25 16+2 ORGAN
26 16+4 ORGAN
19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3
37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR
41 ACC BASS
42 FINGER BASS
43 FRETLESS
47 CHAMBER STR
48 SYNTH STRS
44 SLAP BASS
45 SYNTH BASS
46 STRINGS
49 SLOW STRS16 TIMPANI
17 STEEL DRUMS
18 MUSIC BOX
32 CLASSIC GTR
27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD
33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR
MALLETS
31 BANDONEON
GUITAR
BASS
ENSEMBLE
52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT
58 VIOLIN
73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET
80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA
84 PICCOLO
78 SAX+TRB
79 OBOE
59 CELLO
60 CONTRABASS
63 MUTE TRP
62 TRUMPET
64 TROMBONE
65 TRB SECTION
66 FRENCH HORN
61 HARP
BRASS
69 BRASS+SAX
70 BRASS+TRB
67 TUBA
68 BRASS SECT
71 BRASS+TRP
72 SYNTH BRASS
PIPE
SYNTH LEAD
85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA
91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD
89 SQUARE LEAD
90 SAWTOOTH LD
SYNTH PAD
96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON
00 DRUM KIT
95 FANTASIA
DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS
STRINGS
POP
DANCE CONTEMP JAZZ
C & W
MARCH STYLE
BALLROOM STD
01 8BEAT POP
02 8 UPBT POP
03 LIGHT POP
04 FOLKROCK
05 DETROIT POP
06 UP POP SHFL
07 POP RHUMBA
09 8BEAT LIGHT
10 SLOW BALLAD
11 EPIC BALLAD
12 16BEAT BLD 1
13 PNO BALLAD
14 6
/
8 BALLAD 1
15 6
/
8 BALLAD 2
08 SHOWTUNE
22 ACID JAZZ
23 70S DISCO
24 DISCO PARTY
36 COOL JAZZ
37 JAZZ BALLAD
38 JAZZ WALTZ
25 DISCO TROP
26 POLKA POP
17 LITE RK BLD
18 LATIN ROCK
19 6
/
8HVY ROCK
20 6
/
8 GOSPEL
21 SLOW ROCK
33 B B BALLAD 49 REGGAE 16
34 SWING
35 CHARLESTON
39 FAST BOSSA
40 SLOW BOSSA
41 SAMBA 1
42 JAZZ SAMBA
43 MAMBO
47 BOLERO LNTO
48 REGGAE 12
44 BEGUINE
45 MERENGUE
46 SON
16 ROCK BALLAD 32 BIG BAND
POP BALLAD
ROCK
27 ROCK&ROLL 1
28 ROCK&ROLL 2
29 BOOGIE
30 TWIST
ROCK & ROLL
31 DIXIELAND
TRAD JAZZ
LATIN
50 BLUEGRASS
51 C ROCK 1
52 C ROCK 2
53 COWBOY BOOG
54 C BALLAD
55 C SHUFFLE
56 TWO STEP
57 C WALTZ 1
58 C WALTZ 2
69 TANGO ARGN
70 FOXTROT
71 JIVE
72 QUICKSTEP
73 SLOWFOX
BALLROOM LTN
76 CHA CHA
77 RHUMBA
78 SAMBA 2
79 CONGA
80 PASODOBLE
74 SLOW WALTZ
75 VIEN WALTZ
59 POLKA 1
60 POLKA 2
61 ESPAGNOLE
62 TARANTELLA
63 TRAD WALTZ 1
64 TRAD WALTZ 2
WORLD MUSIC
65 MARCH 1
66 MARCH 2
67 6
/
8 MARCH 1
68 6
/
8 MARCH 2
81 POP ROCK
82 POP SHUFFLE
83 ROCK POP
84 ROCK SHUFFL
85 16BEAT POP
86 16BEAT BLD 2
87 TECHNO
88 DANCE POP
89 POP RAP
90 EUROBEAT
91 DISCO POP
92 DISCO SOUL
93 R&B
94 SOUL
95 FUNK
96 6
/
8 BLUES
97 FUSION
98 POP BOSSA
99 SALSA
00 POP RAGGAE
!" #
%
&
'
(
)
*
+
5
MIDI DC IN 10-12
SUSTAIN
PHONES/
AUX OUT
OUT IN
+ -
9678
Top Panel Controls
! POWER switch ..........................................................................page 5
" VOLUME control ........................................................................page 5
# DEMO button ............................................................................page 5
$ ACCOMPANIMENT/SONG VOLUME controls ................pages 23, 32
% ACCOMPANIMENT/SONG TEMPO controls ........................ page 22
& KEYBOARD controls
• TOUCH RESPONSE button ..................................................page 18
• SPLIT button ........................................................................ page 14
• FINGERING button ..............................................................page 24
' SUB MENU buttons .......................................................... pages 8, 11
( Panel Display .......................................................................... page 8
) MAIN MENU buttons ...................................................... pages 8, 11
* ACCOMPANIMENT controls
• SYNC-START button ............................................................page 21
• START/STOP button ............................................................ page 21
• INTRO button ...................................................................... page 21
• MAIN/AUTO FILL A, B buttons .................................. pages 21, 22
• ENDING button .................................................................. page 24
• JAM TRACK button ............................................................ page 23
• SYNC-STOP button ............................................................ page 24
• LARGE/SMALL button ........................................................ page 23
+ SONG controls
• START/STOP button ............................................................ page 29
• REPEAT PLAY button .......................................................... page 29
• MINUS ONE button ............................................................ page 31
• GUIDE button (PSR-230 only) ............................................ page 30
, VOICE Mode button ................................................................page 10
- STYLE Mode button ................................................................ page 20
. SONG Mode button .............................................................. page 28
/ ONE TOUCH SETTING 1 - 4 buttons ............................ pages 27, 33
(also:) EASY CHORD MEMORY controls ................................ page 35
• MEASURE +/- buttons ........................................................ page 35
• BEAT +/- buttons ................................................................ page 35
0 Numeric keypad .................................................................... page 10
1 -/NO, +/YES buttons ............................................................ page 11
2 CARTRIDGE button (PSR-230) ................................................ page 37
3 Music Cartridge slot (PSR-230) ............................................ page 36
4 EASY CHORD MEMORY (REC/END) button .......................... page 34
5 VOICE EFFECT controls
• DUAL/CHORUS button .............................................. pages 12, 16
(also:) SONG CLEAR button for Easy Chord Memory .................. page 35
• HARMONY/ECHO button .................................................. page 16
• REVERB button .................................................................... page 18
Rear Panel Terminals
6 MIDI IN/OUT terminals .......................................................... page 38
7 SUSTAIN jack .......................................................................... page 4
8 PHONES/AUX OUT jack .......................................................... page 4
9 DC IN 10-12V jack ................................................................ page 3
7
CART
PSR-230
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
SONG
CLEAR
REC/
END
EASY
CHORD
MEMORY
NO YES
CARTRIGE
1
4
7
2
5
8
0
3
6
9
ORGAN
REED
22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2
40 DIST GUITAR
25 16+2 ORGAN
26 16+4 ORGAN
19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3
37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR
41 ACC BASS
42 FINGER BASS
43 FRETLESS
47 CHAMBER STR
48 SYNTH STRS
44 SLAP BASS
45 SYNTH BASS
46 STRINGS
49 SLOW STRS
32 CLASSIC GTR
27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD
33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR
31 BANDONEON
GUITAR
BASS
ENSEMBLE
52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT
58 VIOLIN
73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET
80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA
84 PICCOLO
78 SAX+TRB
79 OBOE
59 CELLO
60 CONTRABASS
63 MUTE TRP
62 TRUMPET
64 TROMBONE
65 TRB SECTION
66 FRENCH HORN
61 HARP
BRASS
69 BRASS+SAX
70 BRASS+TRB
67 TUBA
68 BRASS SECT
71 BRASS+TRP
72 SYNTH BRASS
PIPE
SYNTH LEAD
85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA
91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD
89 SQUARE LEAD
90 SAWTOOTH LD
SYNTH PAD
96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON
00 DRUM KIT
95 FANTASIA
DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS
STRINGS
3
5
1
4
7
2
5
8
0
3
6
9
NO YES
EASY CHORD MEMORY
General MIDI compatible
Reverb and chorus effects
Touch responsive keys
REC/
END
SONG
CLEAR
PSR-220
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
ORGAN
REED
22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2
40 DIST GUITAR
25 16+2 ORGAN
26 16+4 ORGAN
19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3
37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR
41 ACC BASS
42 FINGER BASS
43 FRETLESS
47 CHAMBER STR
48 SYNTH STRS
44 SLAP BASS
45 SYNTH BASS
46 STRINGS
49 SLOW STRS
32 CLASSIC GTR
27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD
33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR
31 BANDONEON
GUITAR
BASS
ENSEMBLE
52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT
58 VIOLIN
73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET
80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA
84 PICCOLO
78 SAX+TRB
79 OBOE
59 CELLO
60 CONTRABASS
63 MUTE TRP
62 TRUMPET
64 TROMBONE
65 TRB SECTION
66 FRENCH HORN
61 HARP
BRASS
69 BRASS+SAX
70 BRASS+TRB
67 TUBA
68 BRASS SECT
71 BRASS+TRP
72 SYNTH BRASS
PIPE
SYNTH LEAD
85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA
91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD
89 SQUARE LEAD
90 SAWTOOTH LD
SYNTH PAD
96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON
00 DRUM KIT
95 FANTASIA
DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS
STRINGS
5
IDI DC IN 10-12
SUSTAIN
PHONES/
AUX OUT
IN
+ -
9678
8
Basic Display Operations
The PortaTone features a large multi-function display that shows all important settings for the instrument. The
section below briefly explains the various icons and indications in the display.
A B
FINGERINGSPLITTOUCH
GUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
minMaj7s
dim
SONGVOICESTYLE
6
NAME / SUB
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
CART
Gra
A
B
21
EASY CHORD MEMSONGVOICESTYLE
MODE
This section indicates which mode is selected — Voice,
Style, Song, or Easy Chord Memory. To select the desired
mode, press the corresponding button: VOICE, STYLE,
SONG, or EASY CHORD MEMORY (REC/END).
ONE TOUCH SETTING
This indicates which of the One Touch Settings have been
called up. To select a One Touch Setting, press one of the
ONE TOUCH SETTING buttons. (See pages 27, 33.)
STYLE SECTION
This indicates playba
rhythm/accompanim
“sections” — Intro, M
and Jam Track — eac
as it plays. These can
appropriate button du
page 22.)
KEYBOARD
This section contains indications for the keyboard-related
functions: Touch Response (page 18), Split mode (page
14), and Fingering (page 24). Pressing the appropriate
button in the KEYBOARD section of the panel turns the
corresponding function on/off. (The display indication
appears or disappears accordingly.)
SPLIT FINGERINGTOUCH
SONG
This section contains indications for the Song-related
functions: Repeat Play (page 29), Minus One (page 31),
and Guide (PSR-230 only) (page 30). Pressing the
appropriate button on the panel turns the corresponding
function on/off. (The display indication appears or
disappears accordingly.)
MINUS ONE
A B
REPEAT GUIDE
•General MIDI
When a GM Voice is se
icon appears.
CART
•CART (Cartridge) (P
When a Music Cartridg
Style is selected, this ic
EASY CHORD MEMORY
This section contains indications for the Easy Chord Memory
function (page 33). These include the current measure and
beat, as well as the chord name entered at the current
position. The chord name is also displayed when playing
chords in the Auto Accompaniment section of the keyboard
(page 22). The current measure and beat are also displayed
during Song playback (page 28).
minMaj7sus4
dim
6 5aug
STYLE
This section contains indications for the Style-related
functions: Sync Stop (page 24), Large/Small (page 23), and
Tempo (page 22). Pressing the SYNC-STOP button turns that
function on/off. Pressing the LARGE/SMALL button switches
between the two accompaniment ensemble “sizes”: Large and
Small. Using the TEMPO controls changes the playback
speed and the TEMPO value in the display. The metronome
icon flashes in time with the current tempo.
TEMPO
SYNC
STOP
LARGE/SMALL
Main Menus and S
• Main Voice (page 11)
— Main Voice Name
— Main Voice Volum
— Main Voice Octave
— Main Voice Pan
— Main Voice Reverb
— GM Voice
MAIN MENU • NAME/SUB MENU
The Main Menu and the Sub Menus give you access to the detailed settings for the PortaTone. These include settings for the
Main, Dual and Split Voices, as well as various settings for the Styles, Songs and effects. They also include MIDI settings and
overall controls. The display indicates the selected Main Menu item, and shows the name and number of the selected Voice,
Style, or Song, or the selected Sub Menu parameter.
Use the MAIN MENU buttons to select a Main Menu item, and the SUB MENU buttons to select a Sub Menu item. The first Sub
Menu item can be directly selected by pressing both SUB MENU buttons simultaneously.
A
321 4
9
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICESTYLE
6 5aug
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
CART
GrandPno
JAM
A
B JAM
321 4
EASY CHORD MEM
s selected — Voice,
To select the desired
on: VOICE, STYLE,
Y (REC/END).
uch Settings have been
etting, press one of the
ee pages 27, 33.)
STYLE SECTION
This indicates playback of the Styles, or the
rhythm/accompaniment patterns. Each Style has different
“sections” — Intro, Main A and B, four Fill-ins, Ending,
and Jam Track — each of which is indicated in the display
as it plays. These can be played by pressing the
appropriate button during accompaniment playback. (See
page 22.)
VOLUME
This graphic indication shows the Accompaniment and
Song volume.
VOLUME
EFFECT
This section contains indications for the Voice effect-
related functions: Dual mode (page 12), Chorus (page 16),
Harmony/Echo (page 16), and Reverb (page 18). Pressing
the appropriate button in the VOICE EFFECT section of
the panel turns the corresponding function on/off. (The
display indication appears or disappears accordingly.)
REVERB
CHORUS
HARMONY
DUAL
•General MIDI
When a GM Voice is selected, this
icon appears.
CART
•CART (Cartridge) (PSR-230 only)
When a Music Cartridge Song or
Style is selected, this icon appears.
e-related
(page 23), and
button turns that
L button switches
“sizes”: Large and
he playback
The metronome
Main Menus and Sub Menus
• Main Voice (page 11)
— Main Voice Name
— Main Voice Volume
— Main Voice Octave
— Main Voice Pan
— Main Voice Reverb Level
— GM Voice
• Dual Voice (page 13)
— Dual Voice Name
— Dual Voice Volume
— Dual Voice Octave
— Dual Voice Pan
— Dual Voice Reverb Level
— GM Voice
• Split Voice (page 15)
— Split Voice Name
— Split Voice Volume
— Split Voice Octave
— Split Voice Pan
— Split Voice Reverb Level
— Split Point 1
— Split Point 2
— GM Voice
• Style (page 20, 26)
— Style Name
— Accompaniment Split Point
• Song (page 32)
— Song Name
— Minus One Part
— Minus One Right Hand Channel
— Minus One Left Hand Channel
• Harmony/Echo (page 17)
— Type Name
— Harmony Volume
— Echo Speed
• MIDI (page 40)
— Remote Channel
— Keyboard Out
— Accompaniment Out
— Receive Channel Select
— Receive Switch
— Local Control
— External Clock
• Reverb/Others (page 19)
— Reverb Type Name
— Transpose
— Tuning
— Voice Set
— Touch Sensitivity
— Guide Lamp (PSR-230 only)
— Metronome
settings for the
DI settings and
selected Voice,
em. The first Sub
A
B JAM
4
Playing Voices —The Voice Mode
The PortaTone features a wealth of dynamic, realistic Voices — 100 Panel Voices, or 129 GM Voices (128
Voices + 1 Percussion Kit). (See pages 42, 43.) The Voice mode gives you many powerful and versatile
tools for playing and enhancing these Voices.
The Voice mode is actually divided into three separate modes: Main, Dual and Split. In the Main Voice mode (see
below), you can play a single Voice over the entire range of the keyboard. The Dual Voice mode (page 12) allows
you to “layer” two different Voices together for rich, complex sounds. The Split Voice mode (page 14) lets you set
up two different Voices for playing from separate sections of the keyboard. Moreover, a special Voice Effect
section (page 16 - 18) lets you enhance the sound of the Voice or Voices with Chorus, Harmony, Echo, and Reverb
effects.
Selecting and Playing a Voice — Main Voice Mode
1
Select the Voice mode.
Press the VOICE button. (The VOICE indications appear in the display, indicating that the Voice
mode and Main Voice menu are selected.)
• You can quickly select the first parameter in the Main Voice menu (Main Voice Volume) by pressing and holding
the VOICE button.
• Selecting MAIN VOICE (or DUAL VOICE, SPLIT VOICE) with the Main Menu buttons does not change the selected
mode; the Style or Song mode is still active, but the appropriate Voice menu is called up.
2
Select the desired Voice number.
Use the numeric keypad. Available Voices are listed on the upper right of the panel.
You can either enter the Voice number directly with the number buttons, or step up and down
through the Voices by using the +/- buttons.
Using the number buttons
Be sure to enter a two-digit number, as is printed next to each Voice name on the panel. For
example, to select Voice 09, first press “0” on the numeric keypad, then “9.”
For GM Voices, make sure to enter three-digit numbers.
1
4
7
2
5
8
0
3
6
9
NO YES
1
4
7
2
5
8
0
3
6
9
NO YES
NOTE
VOICE
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
MODE
ONE TOUCH SETTING
KEYBOARD
EFFECT
CHORUSDUALFINGERINGSPLITTOUCH
EASY CHORD MEMSONGVOICESTYLE
CART
3214
GrandPno
10
11
Using the +/- buttons
Press the + button to select the next Voice, and press the - button to select the previous Voice.
Holding down either button continuously scrolls up or down through the numbers. The +/- buttons
have a “wrap around” feature. For example, pressing the + button from the last number returns to
Voice 01.
About Panel Voices and GM Voices
Keep in mind that the PortaTone has two separate sets of Voices: 100 Panel Voices and 129 GM
(General MIDI) Voices. The GM Voices can also be used for optimum playback of GM-
compatible song data. This means that any GM song data (played from a sequencer or other
MIDI device) will sound just as the composer or programmer intended.
To change between Panel and GM Voices, use the Sub Menu in the Main, Dual, or Split Voice
modes (see pages 11, 13, 15).
3
Play the selected Voice.
To change to another Voice, repeat step 2 above.
• You can also play rhythm Styles in the Voice mode by simply pressing the START/STOP button. The Style last selected
from the Style mode will be played.
4
Change other settings for the Voice — Volume, Octave,
Pan, etc. — if you wish.
Whenever you select a Panel Voice for the Main Voice, the Sub Menu parameters for that Voice are
automatically set to values that best suit the Voice. This is the Voice Set function. (See page 19.)
However, you can change the Voice settings if you wish by using the Sub Menu. First, select the
desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/-
buttons to change the setting.
Main Voice Sub Menu
Display Name
—
M.Volume
M.Octave
M.Pan
M.RevLvl
GMvoice
Parameter Name
Main Voice Name
Main Voice Volume
Main Voice Octave
Main Voice Pan
Main Voice Reverb
Level
GM Voice
Range
01 - 00/001 - 129
000 - 127
-2 - +2 octaves
-7 (full left) - +7
(full right)
000 - 127
on, off
Description
This determines the Main Voice. Panel Voices are
from 01 - 00, and GM Voices are from 001 - 129. (To
change between Panel and GM Voices, use the GM
Voice parameter below.)
This determines the volume of the Main Voice, letting
you create the optimum blend with the Dual Voice.
This determines the octave range for the Main Voice.
This determines the pan position of the Main Voice in
the stereo image.
This determines how much of the Main Voice’s signal
is sent to the Reverb effect. Higher values result in a
louder Reverb effect.
This determines whether the Main Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.
SUB MENU
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
STYLE
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDEMINUS ONEREPEAT
REVERB
EASY CHORD MEMSONGVOICESTYLE
CART
3214
M.Volume
NOTE
12
• The Main Voice Volume parameter can be directly selected by pressing and holding down the VOICE button.
• The Main Voice Name parameter can be directly selected by pressing both MAIN MENU buttons simultaneously.
• Reset to default settings
To reset the selected Main Voice parameter to its default settings, simultaneously press the +/- buttons.
• Negative values
To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.
Percussion Kit Voice Chart
The PortaTone also has a special Percussion Kit Voice (Panel Voice #00, or GM Voice #129) that lets you
play various drum and percussion sounds from the keyboard. Symbols for the sounds are also printed
above the keyboard, conveniently indicating which sounds are played from which keys.
• The corresponding MIDI note numbers for the notes are actually one octave lower. For example, the MIDI note
number for note
36 (C1) is note
24 (C0).
Playing Two Voices — Dual Voice Mode
The Dual Voice mode lets you create richly textured sounds by “layering” two different Voices together — one
Voice being the Main Voice selected in the normal way (page 10), and the other a Dual Voice selected as described
below.
1
Turn on the Dual Voice mode.
Press the DUAL/CHORUS button (in the VOICE EFFECT section) once, or repeatedly until the Dual
Voice icon appears in the display.
When you play the keyboard, both the currently selected Main and Dual Voices will be heard.
DUAL/CHORUS button DUAL icon in display
SONG
CLEAR
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
DUAL
NOTE
Brush Tap
Brush Slap
Castanet
Sticks
Open Rim Shot
Closed Rim Shot
Hand Clap
Hi-Hat Closed
Hi-Hat Pedal
Hi-Hat Open
Crash Cymbal 1
Ride Cymbal 1
Tambourine
Cowbell
Vibraslap
Bongo L
Conga H Open
Timbale L
Agogo L
Maracas
Guiro Short
Claves
Cuica Mute
Triangle Mute
Shaker
C
lick
B
ru
sh
S
w
irl
B
ru
sh
S
w
irl W
/A
ttack
S
n
are R
o
ll
S
n
are 1
B
ass D
rum
1
B
ass D
ru
m
2
B
ass D
ru
m
3
S
n
are 2
S
n
are 3
F
lo
o
r To
m
L
F
loo
r T
o
m
H
L
o
w
To
m
M
id T
om
L
M
id T
om
H
H
ig
h
T
o
m
C
h
inese C
ym
b
al
R
id
e C
ym
b
al C
u
p
S
p
lash
C
ym
bal
C
rash
C
ym
b
al 2
R
id
e C
ym
b
al 2
B
o
ng
o H
C
o
ng
a H
M
u
te
C
on
ga L
T
im
b
ale H
A
g
o
g
o
H
C
ab
asa
S
am
b
a W
h
istle H
S
am
ba W
h
istle L
G
u
iro L
on
g
W
o
o
d B
lo
ck H
W
o
o
d
B
lo
ck L
C
u
ica O
p
en
T
rian
gle O
p
en
Jin
gle B
ell
B
ell T
ree
NOTE
13
2
Select the desired Dual Voice and make other settings for the Voice,
if desired.
First, use the MAIN MENU buttons to select DUAL VOICE in the display.
Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric
keypad or +/- buttons to change the setting.
Dual Voice Sub Menu
• If the Voice Set function (page 19) is on, the Dual Voice parameters will change automatically whenever a different
Panel Voice is selected in the Main Voice menu.
• The Dual Voice Name parameter can be directly selected by pressing and holding down the DUAL/CHORUS button.
• Reset to default settings
To reset the selected Dual Voice parameter to its default settings, simultaneously press the +/- buttons.
• Negative values
To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.
NOTE
Display Name
—
D.Volume
D.Octave
D.Pan
D.RevLvl
GMvoice
Parameter Name
Dual Voice Name
Dual Voice Volume
Dual Voice Octave
Dual Voice Pan
Dual Voice Reverb
Level
GM Voice
Range
01 - 00/001 - 129
000 - 127
-2 - +2 octaves
-7 (full left) - +7
(full right), --
(opposite of
Main Voice)
000 - 127
on, off
Description
This determines the Dual Voice. Panel Voices are
from 01 - 00, and GM Voices are from 001 - 129. (To
change between Panel and GM Voices, use the GM
Voice parameter below.)
This determines the volume of the Dual Voice
(relative to the Main Voice’s volume), letting you
create the optimum blend with the Main Voice.
This determines the octave range for the Dual Voice
(relative to the Main Voice’s octave setting).
This determines the pan position of the Dual Voice in
the stereo image. To set Dual Voice Pan to the
opposite of that of the Main Voice (“--”), press the +
or - button (past +7 or -7).
This determines how much of the Dual Voice’s signal
is sent to the Reverb effect. Higher values result in a
louder Reverb effect for the Dual Voice.
This determines whether the Dual Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
STYLE
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
EASY CHORD MEMSONGVOICESTYLE
CART
3214
D.Volume
SUB MENU
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDEMINUS ONEREPEAT
REVERB
EASY CHORD MEMSONGVOICESTYLE
CART
3214
ViolinSt
MAIN MENU
14
Playing Two Voices — Split Voice Mode
In the Split Voice mode, you can assign two different Voices to opposite sections of the keyboard, and play one
Voice with your left hand while your right plays another. For example, you could play bass with the left hand and
play piano with the right. The right-hand (or upper) Voice is selected in the Main Voice mode, and the left-hand (or
lower) Voice is selected in the Split Voice mode, as described below.
1
Turn on the Split Voice mode.
Press the SPLIT button (in the KEYBOARD section) so that the Split Voice icon appears in the
display.
When you play the keyboard, both the currently selected Main and Split Voices will be heard.
2
Select the desired Split Voice and make other settings for the Voice, if
desired.
First, use the MAIN MENU buttons to select SPLIT VOICE in the display.
Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric
keypad or +/- buttons to change the setting.
• Dual Voice and Split Voice can be used together. You can have the Split Voice play in the lower section of the
keyboard and play the Main and Dual Voices together in the upper.
NOTE
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
STYLE
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
EASY CHORD MEMSONGVOICESTYLE
CART
3214
S.Volume
A B
SUB MENU
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
STYLE
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDEMINUS ONEREPEAT
REVERB
EASY CHORD MEMSONGVOICESTYLE
CART
3214
FngrBass
A B
MAIN MENU
SPLIT icon in display
KEYBOARD
SPLIT FINGERING
TOUCH
RESPONSE
SPLIT
SPLIT button
15
Split Voice Sub Menu
• If the Voice Set function (page 19) is on, the Split Voice parameters (excepting Split Points 1 and 2) will change
automatically whenever a different Panel Voice is selected in the Main Voice menu.
• The Split Voice Name parameter can be directly selected by pressing and holding down the SPLIT button.
• Split Point 2 cannot be set lower than the Accompaniment Split Point. (See page 26.)
• The Split Point 1 and 2 settings are retained in memory when power is turned off, as long as batteries are installed
or an AC adaptor is connected.
• Reset to default settings
To reset the selected Split Voice parameter to its default settings, simultaneously press the +/- buttons.
• Negative values
To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.
NOTE
Display Name
—
S.Volume
S.Octave
S.Pan
S.RevLvl
SpltPnt1
SpltPnt2
GMvoice
Parameter Name
Split Voice Name
Split Voice Volume
Split Voice Octave
Split Voice Pan
Split Voice Reverb
Level
Split Point 1
Split Point 2
GM Voice
Range
01 - 00/001 - 129
000 - 127
-2 - +2 octaves
-7 (full left) - +7
(full right)
000 - 127
36 - 96 (C1 - C6)
37 - 96 (C
#
1 - C6)
on, off
Description
This determines the Split (lower) Voice. Panel Voices
are from 01 - 00, and GM Voices are from 001 - 129.
(To change between Panel and GM Voices, use the
GM Voice parameter below.)
This determines the volume of the Split (lower) Voice,
letting you create the optimum blend with the Main
(upper) Voice.
This determines the octave range for the Split (lower)
Voice.
This determines the pan position of the Split (lower)
Voice in the stereo image.
This determines how much of the Split (lower) Voice’s
signal is sent to the Reverb effect. Higher values
result in a louder Reverb effect for the Split Voice.
This determines the Split Point — i.e., the key that
separates the Split (lower) and Main (upper) Voices
— when the Voice mode or Song mode is active.
(The Split Voice sounds up to and including the Split
Point key.) The default for Split Point 1 is 59 (B2).
Split Point 1 can also be set directly by pressing the
desired key while this parameter is selected.
This determines the Split Point — i.e., the key that
separates the Split (lower) and Main (upper) Voices
— when the Style mode is active. (The Split Voice
sounds up to and including the Split Point key.) The
default for Split Point 2 is 71 (B3). Split Point 2 can
also be set directly by pressing the desired key while
this parameter is selected.
This determines whether the Split Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.
Other Voice Controls
Chorus
The Chorus effect lets you enhance the sound of a Voice with chorus modulation. This slightly detunes the Voice
with itself, creating a thicker and warmer sound.
Turn on the Chorus effect.
Press the DUAL/CHORUS button once or twice, or until the CHORUS icon appears in the display.
• The Chorus effect can be applied to the Main Voice.
Harmony/Echo
Harmony and Echo are two separate effects that can be applied to a Voice. Harmony is used in conjunction with
the auto accompaniment features (page 20), and creates automatic harmonies (for notes played in the upper section
of the keyboard) to match the accompaniment chords. Echo produces delayed repeats of the sound for special
effects. Various settings for the two effects can be changed in the Sub Menus.
To use Harmony or Echo:
1
Turn on the Harmony/Echo effect.
Press the HARMONY/ECHO button. (The HARMONY icon appears in the display.)
When you play the keyboard, the currently selected Harmony or Echo effect will be heard.
HARMONY/ECHO button HARMONY icon in display
SONG
CLEAR
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
HARMONY
NOTE
DUAL/CHORUS button CHORUS icon in display
SONG
CLEAR
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
CHORUS
16
2
Change the Harmony/Echo type and make other settings for the
effect, if desired.
Use the MAIN MENU buttons to select the HARMONY/ECHO menu, and select the desired Sub
Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to
change the setting.
Harmony/Echo Sub Menu
• The Harmony effect is not available in the Voice mode, nor when the Auto Accompaniment Chord Cancel function
(page 25) is on.
• If the Voice Set function (page 19) is on, the Harmony/Echo parameters will change automatically whenever a
different Panel Voice is selected in the Main Voice menu.
• The Harmony/Echo Type Name parameter can be directly selected by pressing and holding down the
HARMONY/ECHO button.
• Reset to default settings
To reset the selected Harmony/Echo parameter to its default settings, simultaneously press the +/- buttons.
• Harmony/Echo is not available when the Full Fingering mode (page 26) is on, and will automatically be turned off
when the Full Fingering mode is selected.
NOTE
Display Name
—
HarmVol
EchoSpd
Parameter Name
Type Name
Harmony Volume
Echo Speed
Range
1 - 8 (1-5:
Harmony types;
6-8: Echo types)
000 - 127
1 - 7
Description
This determines the type of effect for Harmony or
Echo. The Harmony types are (1) Duet, (2) Trio, (3)
Block, (4) Country, and (5) Octave. The Echo types
are (6) Trill, (7) Tremolo, and (8) Echo.
This determines the volume of the Harmony effect,
letting you create the optimum blend with the original
note.
This determines the “speed” of the Echo effect, or the
amount of time between the delayed repeats — which
is based on note values. The actual Echo speed
depends on the selected tempo.
Settings:
1 — 04: 1/4 note
2 — 06: 1/4 note triplets
3 — 08: 1/8 note
4 — 12: 1/8 note triplets
5 — 16: 1/16 note
6 — 24: 1/16 note triplets
7 — 32: 1/32 note
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
MODE
ONE TOUCH SETTING
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
FINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
7
dim
EASY CHORD MEMSONGVOICESTYLE
CART
6 5aug
3214
Duet
CHORUSDUAL
A B
MAIN MENU
17
18
Reverb
The Reverb effect reproduces the natural ambient “wash” that occurs when a sound is heard in a room or concert
hall. Several different Reverb types are available in the Sub Menus.
To use Reverb:
1
Turn on the Reverb effect.
Press the REVERB button. (The REVERB icon appears in the display.)
When you play the keyboard, the currently selected Reverb effect will be heard.
2
Change the Reverb type, if desired.
First, select REVERB/OTHERS in the Main Menu, then select the Reverb Type Name parameter with
the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For
details, see the REVERB/OTHERS Sub Menu chart on page 19.)
• The Reverb Type will change automatically whenever a different Style is selected in the Style menu.
• The Reverb Type Name parameter can be directly selected by pressing and holding down the REVERB button.
• Reverb is turned on whenever the power is turned on.
•
The Reverb Send Level can be ajusted independently for each of the Main, Dual and Split Voice modes. (See pages 11, 13 and 15)
•
If Reverb Type 9 (No Effect) is selected. Reverb will not be applied to the Sound, even when the REVERB button is pressed.
Touch Response
The PortaTone keyboard has a Touch Response feature, letting you expressively play the Voices, controlling the
volume by how soft or hard you strike the keys. Touch Response can be turned on or off, and the Touch Sensitivity
(the degree of Touch Response) can be adjusted.
1
Turn on the Touch Response feature.
Press the TOUCH RESPONSE button. (The TOUCH icon appears in the display.)
2
Change the Touch Sensitivity, if desired.
First, select REVERB/OTHERS in the Main Menu, then select the Touch Sensitivity parameter with
the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For
details, see the REVERB/OTHERS Sub Menu chart on page 19.)
• The Touch Sensitivity parameter can be directly selected by pressing and holding down the TOUCH RESPONSE button.
• The Touch Response on/off setting is retained in memory when power is turned off, as long as batteries are installed
or an AC adaptor is connected.
NOTE
TOUCH RESPONSE icon in display
KEYBOARD
SPLIT FINGERING
TOUCH
RESPONSE
TOUCH RESPONSE button
TOUCH
NOTE
REVERB button REVERB icon in display
SONG
CLEAR
VOICE EFFECT
DUAL/
CHORUS
HARMONY/
ECHO
REVERB
REVERB
19
Overall Controls
Various controls related to the overall operation of the PortaTone are contained in the Reverb/Others menu. These
include the Reverb Type parameter as well as the following overall parameters: Transpose, Tuning, Voice Set, Touch
Sensitivity, Guide Lamp (PSR-230 only), and Metronome.
Reverb/Others Sub Menu
First, use the MAIN MENU buttons to select the Reverb/Others menu, and select the desired Sub Menu
parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the
setting.
• Reset to default settings
To reset the selected parameter to its default settings, simultaneously press the +/- buttons.
• Negative values
To directly enter negative values (for Transpose and Tuning parameters), press the desired number button while
holding down the - button.
• The following settings are retained in memory when power is turned off, as long as batteries are installed or an AC
adaptor is connected: Tuning, Voice Set, Touch Sensitivity, Guide Lamp (PSR-230 only), and Metronome.
• Transpose cannot be changed during Accompaniment or Song playback, or when the keyboard is being played.
NOTE
Display Name
—
Transpos
Tuning
VoiceSet
TouchSns
Lamp
Metronom
Parameter Name
Reverb Type Name
Transpose
Tuning
Voice Set
Touch Sensitivity
Guide Lamp (PSR-
230 only)
Metronome
Range
1 - 9
-12 - +12 semitones
(+/- 1 octave)
-50 - +50 cents (+/-
approx. 1 semitone)
on/off
0 - 9
on/off
on/off
Description
This determines the type of Reverb effect. The Reverb types
are (1) Hall 1, (2) Hall 2, (3) Room 1, (4) Room 2, (5) Plate
1, (6) Plate 2, (7) Delay 1, (8) Delay 2, and (9) No Effect.
This determines the overall pitch of the instrument, up
or down in semitone increments.
This determines the overall fine pitch setting of the
instrument.
This determines whether the Voice Set feature is on or
off. When Voice Set is on (default), selecting a Panel
Voice in the Main Voice menu automatically sets the
Voice-related parameters to values that best match the
selected Voice. (Voice Set includes all parameters for
the Main, Dual, and Split Voices — with the exception
of Split Points 1 and 2 — as well as all Harmony/Echo
parameters.)
This determines the degree of touch sensitivity for the
keyboard (when Touch Response is on). (See page
18.) Higher values result in a wider dynamic range
and give you more expressive control over the level of
the Voices. The default Touch Sensitivity setting is 5.
This turns the keyboard guide lamps on or off. Red
lamps correspond to the white keys and green lamps
to the black keys. (See page 30.)
This turns the metronome function on or off. When
set to on, the metronome sounds during Auto
Accompaniment and Song playback.
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
TEMPOLARGE/SMALL
SYNC
STOP
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICE
A
B
STYLE
JAM
CART
6 5aug
3214
Hall1
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDEMINUS ONEREPEAT
REVERB
MAIN MENU
20
Playing Auto Accompaniment —
The Style Mode
The Style mode provides rhythm/accompaniment patterns for various popular music styles, as listed on the panel.
A total of 100 different Styles are available. Each Style is made up of different “sections” — Intro, Main A and B,
four Fill-ins, Ending, and Jam Track — letting you call different accompaniment patterns as you perform.
Each Style’s Jam Track section features specially programmed chord progressions and section changes that are
ideal for the selected musical Style. If you’re a novice and not familiar with playing chords, the convenient Jam
Track section automatically plays stylistically appropriate chord and section changes for you to “jam” over.
The Auto Accompaniment features that are built into the rhythms add the excitement of instrumental backing to
your performance, letting you control the accompaniment by the chords you play.
• The default split point for the Auto Accompaniment section is 54 (F
2). However, this can be changed in the Style
Sub Menu. (See page 26.)
Selecting a Style and Playing an Auto Accompaniment
1
Select the Style mode.
Press the STYLE button. (The STYLE indications appear in the display, indicating that the Style
mode and the Style menu are selected.)
• Selecting STYLE with the Main Menu buttons does not change the selected mode; the Voice or Song mode is still
active, but the Style menu is called up.
2
Select the desired Style number.
Use the numeric keypad. Available Styles are listed on the upper left of the panel.
You can either enter the Style number directly with the number buttons, or step up and down
through the Styles by using the +/- buttons.
1
4
7
2
5
8
0
3
6
9
NO YES
NOTE
STYLE
NAME / SUB MENU
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
CHORUSFINGERINGTOUCH
TEMPOLARGE/SMALL
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICE
A
B
STYLE
JAM
CART
6 5aug
3214
8BeatPop
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MAIN MENU
A B
DUALSPLIT
HARMONYGUIDEMINUS ONEREPEAT
SYNC
STOP
NOTE
21
• Dynamic Style
The Style numbers 81~00 are the Dynamic Styles, which play more complex and interesting accompaniment patterns
than the others since they may contain tension notes and so on. Because the note other than the notes derived from
the chord you designated may be played back, some Dynamic Styles may not match the song you play.
3
Start the selected Style.
You can do this in one of three ways:
Pressing the START/STOP button
The rhythm starts playing immediately without bass and chord accompaniment. The currently
selected Main A or B section will play. (You can select either pattern by pressing the appropriate
button — MAIN/AUTO FILL A or B — before pressing the START/STOP button.)
Using Synchro Start
The PortaTone also has a Synchro Start function that allows you to start the rhythm/accompaniment
by simply playing a chord on the keyboard. To use Synchro Start, first press the SYNC-START
button (the metronome icon flashes to indicate Synchro Start stand-by), then play a chord in the Auto
Accompaniment section of the keyboard.
Using Synchro Start with an Intro pattern
First, press one of the section buttons — MAIN/AUTO FILL A, B, or JAM — to select which pattern
follows the Intro. Next, press the INTRO button, followed by the SYNC-START button. (The INTRO
indication in the display lights, and the metronome icon and the MAIN A /B/JAM indication flashes to
indicate Synchro Start stand-by.) To actually start the Intro pattern and accompaniment, play a chord
in the Auto Accompaniment section of the keyboard.
• Selecting the Style mode by pressing the STYLE button automatically sets Synchro Start to stand-by.
• Pressing the SYNC-START button during accompaniment playback automatically stops the accompaniment and sets
Synchro Start to stand-by.
About the METRONOME Icon
The METRONOME icon in the display moves in time with the current tempo during playback of an
accompaniment Style (or Song). The flashing pattern provides a visual indication of both the tempo and
time signature of the Style or Song. The icon flashes at the first beat of each measure.
• The metronome sound can be turned on or off as needed. (See page 19.)
NOTE
NOTE
START/STOP
SYNC-START
START/STOP
START/STOP
NOTE
22
4
Change chords using the Auto Accompaniment feature.
Try playing some chords in the Auto Accompaniment section of the keyboard, and notice how the
bass and chord accompaniment change with each chord you play. (Refer to the section “Changing
the Fingering Mode” on page 24 for more information.) The chord name recognized will be shown
in the display.
• When the Single or Fingered Fingering mode (pages 25, 26) is selected, chords played in the Auto Accompaniment
section of the keyboard are also detected and played when the accompaniment is stopped. In this condition (Stopped
Accompaniment function), the Voices used for the bass and chords are automatically selected.
•
The range of the Auto Accompaniment section can be changed; see “Changing the Accompaniment Split Point” (page 26).
5
Change the tempo of the Style, if you wish.
Use the TEMPO buttons to change the tempo of the Style.
Press TEMPO to increase the speed and TEMPO to decrease it; holding down the appropriate
button continuously increases/decreases the speed. The tempo value appears in the display. Tempo
range is from 32 to 280 bpm (in 1 bpm steps).
To reset the tempo to its original default setting, press both TEMPO buttons simultaneously.
• Default Tempos — Each Song and Style has been given a default or standard tempo. If you change the tempo,
you can set it back to the original default setting, by pressing both TEMPO buttons simultaneously. Also, the tempo
of a Song or Style returns to the default setting when selecting a different Song or Style. If a Style is playing and the
One Touch Setting is off (see page 27), the set tempo remains even when switching Styles. When you turn on the
power of the PortaTone, the tempo is automatically set to the default setting of Style 01.
6
Change the Style section (Main A , Main B, or Jam Track), if you wish.
Main A and Main B
While the Style is playing, you can add variation in the rhythm/accompaniment by pressing the
MAIN/AUTO FILL A or B button. This automatically plays one of four Fill-in patterns, and smoothly
leads into the next section — even if it is the same section.
MAIN/AUTO FILL
MAIN/AUTO FILL A or B buttons A indication in display
A
A
NOTE
TEMPO
TEMPO
RESET
NOTE
23
Jam Track
The Jam Track is a special accompaniment pattern that includes automatic chord progressions and
section changes that match the selected Style. Press the JAM TRACK button during playback, and
the accompaniment will continue, changing chords according to the programmed progression and
sections letting you “jam” or play along with the changes.
Since the Jam Track progression is based on the last chord played, you may want to play the root
chord before pressing JAM TRACK. (For example, if you are playing a song in the key of E, play an
E chord before pressing JAM TRACK.)
• If you press the MAIN A or B button, the Fill-in will begin immediately, and the new section will actually begin
playing from the top of the next measure — unless the MAIN A or B button is pressed during the last beat of the
measure, in which case the Fill-in will begin from the first beat of the next measure.
7
Change the accompaniment ensemble “size”
(LARGE/SMALL), if you wish.
Press the LARGE/SMALL button.
This switches between “large” ensemble and “small” ensemble accompaniment, allowing you change
the instrumental texture and dynamics of the Auto Accompaniment as you play. (The icon shows
four people when set to LARGE, and one person when set to SMALL.)
• LARGE is selected whenever the power is turned on.
8
Change Set the Accompaniment Volume, if you wish.
You may want to adjust the accompaniment volume, separate from the overall instrument volume.
To do this, use the VOLUME buttons in the STYLE mode.
Press VOLUME to increase the accompaniment volume and VOLUME to decrease it; holding
down the appropriate button continuously increases/decreases the accompaniment volume. The level
is shown in the display.
To reset the accompaniment volume to its original default setting, press both VOLUME buttons
simultaneously.
VOLUME
VOLUME
VOLUME
RESET
ACCOMPANIMENT
SONG
NOTE
LARGE/SMALL button LARGE icon SMALL icon
SYNC-
STOP
LARGE/
SMALL
SYNC-
STOP
LARGE/
SMALL
LARGE/SMALL LARGE/SMALL
NOTE
JAM indication in displayJAM TRACK button
JAM TRACK
JAM JAM
24
9
Stop the Style.
You can do this in one of two ways:
Pressing the START/STOP button
The rhythm/accompaniment stops playing immediately.
Using an Ending pattern
Press the ENDING button (the ENDING indication in the display flashes). An ending pattern plays
from the next measure, then playback stops.
Sync-Stop Function
The Sync-Stop function lets you easily add natural sounding breaks and pauses in the accompaniment as
you play.
To use Sync-Stop:
1
Turn on the Sync-Stop function.
Press the SYNC-STOP button. (The SYNC-STOP icon appears in the display.)
2
While playing the accompaniment, release your fingers from the
keyboard in the Auto Accompaniment section.
This automatically stops the accompaniment, and sets Synchro Start to stand-by. (The SYNC-STOP
icon flashes.) You can resume accompaniment playback of the selected section by playing the
keyboard again.
Changing the Fingering Mode
The PortaTone provides three different fingering modes for controlling the Auto Accompaniment function: Fingered,
Full, and Single Fingered. To select among the three, press the FINGERING button in the KEYBOARD section until
the appropriate mode is called up.
• The Fingering mode setting is retained in memory when power is turned off, as long as batteries are installed or an
AC adaptor is connected.
NOTE
Full
KEYBOARD
SPLIT FINGERING
TOUCH
RESPONSE
FINGERING button
FINGERING FINGERING FINGERING
Single Finger Fingered
SYNC-STOP button SYNC-STOP icon in display
SYNC
STOP
SYNC-
STOP
LARGE/
SMALL
SYNC-
STOP
LARGE/
SMALL
25
Fingered
In the Fingered mode, you can play complete three- or four-note chords yourself in the Auto
Accompaniment section of the keyboard and the PortaTone will produce full accompaniment in the
selected Style.
Using the key of C as an example, the chart below shows the types of chords that can be recognized in
the Fingered mode. (Notes in parentheses may be omitted.)
• If the chord is inverted (i.e., C-E-G is played as G-C-E), the PortaTone will still recognize it as a C chord.
•
Chord fingerings are listed here in “root” position; however, other inversions can be used — with the following exceptions:
* Major 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th.
* Minor 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th flatted 5th.
* One + two + five chords are recognized only in root position. All other inversions are interpreted as suspended 4th.
* If augmented chord is inverted, the lowest note will be recognized as the root.
* For 7th flatted 5th chords, the lowest note played is recognized as the root or the flatted 7th.
• 7th augmented and diminished 7th chords are interpreted as simple augmented and diminished.
• For one+two+five chords, only the root is displayed.
• Chord Cancel function
The PortaTone also has a Chord Cancel function to stop the chord accompaniment but allow the rhythm pattern to
continue playing. To use Chord Cancel, simultaneously press any three consecutive notes in the Auto
Accompaniment section; for example, C, C
#
and D.
NOTE
Diminished [dim]
( Diminished seventh [dim7]
Example for "C" chords Abbreviation
Major [M]
Minor [m]
Normal Voicing
1-3-5
1-
3-5
Major seventh [M7]
Major sixth [6]
1-3-(5)-7
1-(3)-5-6
CM7 C6
Suspended fourth [sus4]
Minor sixth [m6]
1-4-5
1-
3-5-6
Csus4 Cm6
Minor seventh [m7]
Minor seventh flatted fifth [m7]
1-
3-(5)-
7
1-
3-
5-
7
Cm7 Cm7
5
Minor major seventh [mM7]
Seventh [7]
1-
3-(5)-7
1-3-(5)-
7
CmM7 C7
Seventh flatted fifth [7
5]
Seventh suspended fourth [7sus4]
1-3-
5-
7
1-4-5-
7
C7
5
C7sus4
Caug C7aug
Augmented [aug]
( Seventh augmented [7aug]
1-
3-
5
1-
3-
5-6 )
1-2-5
Cdim Cdim7
C1+2+5
One + Two + Five
C Cm
1-3-
5
1-3-
5-
7 )
26
Full
In the Full mode, chords played anywhere on the keyboard are recognized for producing Auto
Accompaniment. Here, the PortaTone “intelligently” distinguishes between the playing of your right and
left hands and produces accompaniment. (A single note eleven notes higher than the lowest note of the
chord is recognized as a right-hand or melody note.) Chords recognized are the same as in Fingered
above.
• The Harmony/Echo effect is not available when the Full mode is selected.
Single Finger
Single Finger mode makes it easy to produce fully orchestrated accompaniment by simply playing a one-,
two- or three-finger chord indication (in the Auto Accompaniment section), as shown below. The key of C is
used here as an example; other keys follow the same rules. For example, B
b
7 is played as B
b
and A.
Changing the Accompaniment Split Point
This function allows you to set the highest key in the Auto Accompaniment section of the keyboard. (All keys
below and including this point will be used for Auto Accompaniment.) Accompaniment Split Point is the only
parameter in the Style menu.
1
Call up the Accompaniment Split Point parameter.
Select STYLE in the Main Menu (with the MAIN MENU buttons) and use the SUB MENU buttons to
select Accompaniment Split Point.
You can also directly select the Accompaniment Split Point parameter by pressing and holding either
the STYLE or FINGERING button.
2
Set the parameter.
Set this directly by pressing the desired key on the keyboard. You can also use the numeric keypad
or +/- buttons to enter the key number. The lowest key on the keyboard (C1) is 36, while middle C
(C3) is 60, and the highest key (B5) is 95.
• The default Accompaniment Split Point is F
#
2 (54) and can be restored by simultaneously pressing the +/- buttons.
• The Accompaniment Split Point cannot be set higher than the Split Point 2 parameter (page 15).
• The Accompaniment Split Point setting is retained in memory when power is turned off, as long as batteries are
installed or an AC adaptor is connected.
NOTE
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
FINGERINGTOUCH
HARMONY
TEMPOLARGE/SMALL
SYNC
STOP
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICE
A
B
STYLE
JAM
CART
6 5aug
3214
AccSpPnt
CHORUSDUALSPLIT
A B
GUIDEMINUS ONEREPEAT
Split Point 2
Accompaniment Split Point
Split Point 1
C7
C
Press the root note of the chord.
Major chord: Seventh chord: Minor chord: Minor seventh chord:
Cm
Press the root note together with
any black key to the left of it.
Cm7
Press the root note together with
any white and black key to the
left of it (three keys altogether).
Press the root note together with
any white key to the left of it.
NOTE
27
One Touch Setting
The One Touch Setting function automatically selects an appropriate Voice (or Voices) and other important settings
for playing with the Style you select. In other words, when one of the One Touch Settings is turned on, the Voice
and other settings automatically change when you change the Style. (See list below.)
To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the STYLE mode to select
the desired type. (The selected One Touch Setting is indicated in the display, and other settings may change
accordingly.)
To change to a different One Touch Setting, press a different numbered ONE TOUCH SETTING button.
The following parameters and settings may be changed when selecting a One Touch Setting:
• Main Voice — all settings
• Dual Voice — all settings
• Dual/Chorus — on/off
• Split Voice — all settings (excepting Split Points 1 & 2)
• Harmony/Echo — on/off, all settings
• Reverb — on/off
• Accompaniment Volume
• Accompaniment Large/Small
• Tempo
• Synchro Start — set to on
Changing any of the panel settings while a One Touch Setting is active turns off the selected ONE TOUCH SETTING
indication.
• A “No OTS” indication appears in the display if you have selected a One Touch Setting for an optional Music
Cartridge which has no One Touch Setting data (PSR-230 only).
NOTE
ONE TOUCH SETTING
12 43
ONE TOUCH SETTING button
ONE TOUCH SETTING indication
1
Playing Songs —
The Song Mode
The Song mode features special Songs that have been created using the rich and dynamic sounds of the
PortaTone.
These Songs (#01 - #16) are generally for your listening enjoyment; however, you can also play along with them
on the keyboard. By using the Minus One function, you can “mute” the original melody and play it manually on
the keyboard yourself. The Song mode also features convenient practice tools such as the Repeat Play function
— which lets you repeat playback of any portion of a Song — and the Guide lamps (PSR-230 only) — which
show you which melody notes to play, and waits for you to play them.
The Song mode also lets you create and save your own original Songs. This is done with the four User Songs
(#17 - #20), to which you can record your own chord and section changes by using the Easy Chord Memory
function. (See page 33.)
Selecting and Playing a Song
1
Select the Song mode.
Press the SONG button. The Song mode and the Song menu are selected. (The SONG indications
light in the display.)
2
Select the desired Song number.
Use the numeric keypad.
You can either enter the Song number (two digits) directly with the number buttons, or step up and
down through the Songs by using the +/- buttons. Songs 01 - 16 are the Demo Songs, and Songs 17
- 20 are User Songs. (For more information on User Songs, see page 33.)
1
4
7
2
5
8
0
3
6
9
NO YES
SONG
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
FINGERINGTOUCH
TEMPOLARGE/SMALL
SYNC
STOP
REVERB
VOLUME
minMaj7sus4
dim
EASY CHORD MEMSONGVOICE
A
B
STYLE
JAM
CART
6 5aug
3214
Piano&EP
CHORUSDUALSPLIT
A B
HARMONYGUIDEMINUS ONEREPEAT
28
29
3
Start the selected Song.
Press the START/STOP button.
• You can play along with the Song using the currently selected Voice, or even select a different Voice for playing
along. Simply select MAIN VOICE in the Main Menu while the Song is playing back and select the desired Voice.
• Pressing the VOICE or STYLE button during Song playback selects the VOICE or STYLE menu but does not change
the mode; the Song mode is still active.
4
If you want to change to another Song, repeat step 2 above.
5
Stop the Song.
Press the START/STOP button. If playback was started by pressing the START/STOP button, the
selected Song stops automatically at the end.
• If you start Song playback with the DEMO button, all Songs play back repeatedly in succession (starting with Song
#01), indefinitely.
Using the Repeat Play Function
The Repeat Play function in the Song mode lets you continuously repeat playback of any portion of a Song. This
comes in particularly handy when practicing a Song with the Minus One and/or Guide (PSR-230 only) functions.
For example, you could have the verse portion of a Song repeatedly play back while you practice with it.
While the Song is playing, press the REPEAT PLAY button twice — once to set the beginning point for the
repeat and a second time to set the end point.
Press the REPEAT PLAY button once at the beginning of the section to be repeated (the REPEAT “A” indication
lights), and a second time at the end of the section (the REPEAT “B” indication lights).
As soon as the end point (B) has been selected, the specified section begins playing back repeatedly. To stop
playback, press the START/STOP button. You can use START/STOP to alternately start and stop Repeat Play of the
specified section. To cancel Repeat Play at any time, press the REPEAT PLAY button again.
• When only the A point is set, playback repeats from the A point to the end of the Song.
• Repeat playback is per measure.
• The end point (B) tempo or your manually adjusted tempo will be used during Repeat playback.
NOTE
REPEAT PLAY "A" and
REPEAT PLAY "A–B" indicators
REPEAT PLAY button
INTRO
REPEAT PLAY
REPEAT
A
REPEAT
A B
NOTE
NOTE
30
Using the Guide Function (PSR-230 only)
The Guide function in the Song mode serves as an automatic music “tutor,” showing you which notes to play on
the keyboard. It even waits for you to play each note, before going on to the next. This lets you learn to play the
Songs of the Song mode at your own pace, and makes practicing the Songs extremely natural (and fun!).
1
Select a Song.
Press the SONG button to enter the Song mode, then use the numeric keypad to select the desired Song.
2
Select the desired “guided” part.
The Guide function lets you choose which part of a Song is to be guided. For example, you can
select the right-hand melody part to be guided — in which case, the guide lamps will light to help
you play the right-hand melody part. Or, you could select the left-hand chord backing part.
With “MinusMod” selected in the Song menu, select the desired Minus One Part (guided part setting).
(See page 32.)
• The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and
holding the GUIDE button.
3
Press the GUIDE button.
The GUIDE icon appears in the display, indicating that the Guide function is on.
4
Start playback.
When you press the START/STOP button to begin playback, the Song introduction will automatically
play up to the first note(s) of the main section of the Song, and pause until you play the next note(s).
The notes to be played are indicated by the Guide lamps above each key (red for the white keys and
green for the black). As you play each correct note, Song playback will continue, pausing until you
play the correct notes each time.
5
If desired, turn on the Minus One function to mute the guided part.
Normally, the guided part also plays back along with your performance. You can mute this part,
however, and play the guided part yourself. To do this, press the MINUS ONE button. (The Minus
One icon appears in the display.)
Song playback stops automatically when the end is reached. To stop the Song manually, press the
START/STOP button.
• Turning off the Guide lamps
If you find the Guide lamps distracting or wish to play the part without them, use the Lamp parameter in the
REVERB/OTHERS Menu (page 19) to turn the Guide lamps off. (Keep in mind that this doesn’t turn off the Guide
function, but only the lamps.)
NOTE
GUIDE button GUIDE icon in display
MAIN/AUTO FILL
GUIDE
GUIDE
NOTE
Using the Minus One Function
Minus One, as its name implies, takes away (or mutes) a part of the Song, allowing you to play that part yourself.
You can turn Minus One on before starting a Song, or do it even while a Song is playing.
1
Select a Song.
2
Select the part of the Song you wish to mute.
Minus One lets you choose which part of a Song is to be muted. For example, you can mute the
right-hand melody part and play it yourself, or do the same for the left-hand chord backing part.
With “MinusMod” selected in the Song menu, select the desired Minus One Part setting: left-hand,
right-hand, or both. (See page 32.)
• The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and
holding the GUIDE button (PSR-230).
Selecting individual channels for Minus One
Each Song actually has more than just one right-hand and one left-hand part. For example, one Song
may be made up of a melody, a harmony, chord backing, pad, and rhythm parts — each on a different
channel. Also, the right-hand and left-hand parts have different channels. Minus One lets you specify
which channel you wish to mute, for both the right-hand and left-hand parts.
With “MinusChR” or “MinusChL” selected in the Song menu, select an individual channel for the Minus
One right-hand and left-hand parts. Also, set the desired Minus One Part setting: left-hand, right-hand, or
both. (See “SONG Sub Menu” chart below.)
• The “MinusChR” parameter in the Song menu can be directly selected (in Song mode only) by pressing and holding
the MINUS ONE button.
• If the selected Song contains Minus One right- and left-hand channel settings, the channel for the corresponding
parts will be automatically selected.(A “--” indication appears in the display.)
3
Turn on the Minus One function.
Press the MINUS ONE button. (The Minus One icon appears in the display.)
4
Start playback.
Play the appropriate part along with the Song. Song playback stops automatically when the end is
reached. To stop the Song manually, press the START/STOP button.
MINUS ONE button MINUS ONE icon in display
MAIN/AUTO FILL
MINUS ONE
MINUS ONE
NOTE
NOTE
31
32
SONG Sub Menu
First, use the MAIN MENU buttons to select the Song menu, and select the desired Sub Menu parameter
with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting.
Song Volume
The Song Volume can be adjusted separately from the main instrument volume. This is particularly useful
when using Minus One, since it lets you control the balance between the Song and the Voice you play on
the keyboard. To change the Song Volume, use the VOLUME buttons in the song mode.
Press VOLUME to increase the song volume and VOLUME to decrease it; holding down the
appropriate button continuously increases/decreases the song volume. The level is shown in the display.
To reset the Song Volume to its original default setting, press both VOLUME buttons simultaneously.
VOLUME
VOLUME
VOLUME
RESET
ACCOMPANIMENT
SONG
Display Name
—
MinusMod
MinusChR
MinusChL
Parameter Name
Song Name
Minus One Part
Minus One Right
Hand Channel
Minus One Left
Hand Channel
Range
01 - 20
L, r, L_r
01 - 16
01 - 16
Description
This determines the Song to be played (or edited).
Songs 01 - 16 are the Demo songs, and Songs 17 - 20
are User Songs (for use with Easy Chord Memory).
Music Cartridge Songs can be selected by pressing the
CARTRIDGE button (PSR-230 only). (See page 37)
This determines which part of the Song is to be
turned off for the Minus One function: the left-hand
(L), the right-hand (r), or both (L_r). It also
determines which part is used with the Guide function
(page 30). The default Minus One Part is “r.”
This determines the channel of the right-hand part
which is to be muted with the Minus One function.
To reset to the default channel (01), press the +/-
buttons simultaneously.
This determines the channel of the left-hand part
which is to be muted with the Minus One function.
To reset to the default channel (02), press the +/-
buttons simultaneously.
33
One Touch Setting in the Song Mode
The One Touch Setting function is convenient when used with the Minus One function, and lets you
automatically select an appropriate Voice for playing the Minus One Part along with the Song you select.
Also, if you’ve specified Minus One channels (see page 32), One Touch Setting automatically selects
appropriate Voices for those channels.
To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the song mode.
(The selected One Touch Setting is indicated in the display.)
To turn the function off, press the same button again.
• Keep in mind that even with the One Touch Setting function on, there are some Songs which change the selected
Voice in the middle of the Song.
• For some Music Cartridge Songs, use of One Touch Setting will call up the piano Voice regardless of the Minus One
Channel settings (PSR-230 only).
Recording User Songs —
Easy Chord Memory
The Easy Chord Memory feature lets you record your own chord progressions (or chord “sequences”) and create
automatic backing tracks for your original songs. Once you’ve recorded and saved your own chord sequences
(to User Songs 17 - 20), you can perform along with them — playing the melody part, for example, over the
custom backing tracks.
You can record Songs in two different ways: Real-time and Step. Real-time recording lets you play the chord
changes normally as the rhythm accompaniment plays back, while Step recording lets you manually enter each
chord at specific positions in the Song. (Each beat can have a different chord.) Generally, Real-time recording is
the basic recording method, while Step recording is used to edit Songs already recorded in real time.
Easy Chord Memory has a capacity up to about 120 measures (total for all four User Songs, in 4/4 time).
Easy Chord Memory records the following data to User Songs (17 - 20):
• Chord changes and timing (per beat)
• Style number* (incl. Cartridge Styles; PSR-230 only)
• Section changes (Fill-ins: per beat; others: per measure)
• Accompaniment Volume setting*
• Tempo setting*
• Large/Small setting*
* Recorded only at the beginning of a Song; changes cannot be made during recording.
• Section changes cannot be entered in Step recording.
• Material recorded in Easy Chord Memory is retained in memory even when power is turned off — as long as an AC
adaptor is connected or a set of batteries is installed. However, if the batteries fail and the AC adaptor is
disconnected, the recorded data will be lost.
NOTE
NOTE
ONE TOUCH SETTING
12 43
ONE TOUCH SETTING button
ONE TOUCH SETTING indication
1
34
Real-time Recording
In Real-time recording, you can record chord changes for a Song by simply playing them along with the rhythm.
1
Select a User Song number.
Select one of the User Song numbers 17 - 20. (See page 28.)
2
Select a Style and set other parameters, if desired.
Select a Style. (See page 20.) Also, make settings for Accompaniment Volume, Tempo, and
Large/Small, if desired.
3
Enter the Easy Chord Memory mode.
Press the EASY CHORD MEMORY (REC/END) button.
• If you press the EASY CHORD MEMORY (REC/END) button when a non-User Song number has been selected, an
“empty “ User Song number (one not containing data) will automatically be selected. If all User Songs contain
data, User Song number 17 will be selected.
4
Record the chord sequence.
Recording begins as soon as you play a chord in the Auto Accompaniment section of the keyboard.
The recognized chord name appears in the display.
• If you wish to record only the rhythm, use the Chord Cancel function.(See page 25)
5
Stop recording.
Press the EASY CHORD MEMORY (REC/END) button. (The display returns to the beginning of the
Song: measure number 01, beat number 1.)
To record an Ending section at the end of the Song, first press the ENDING button, then (after the
Ending has played back) press the EASY CHORD MEMORY (REC/END) button.
Operation automatically returns to the Song mode.
• Easy Chord Memory automatically changes to Step Record Ready mode in the following conditions:
* When an Ending section has been recorded and the accompaniment is stopped.
* When the memory is full. (A “Full” message appears in the display.) In this case, you can use the Song Clear
operation (see below) to delete the Song.
* When the recording is stopped by pressing the START/STOP button.
• Timing is important when stopping Real-time recording. If you press the START/STOP button before the second beat
of the intended final measure, the actual end of the Song will be at the previous measure. However, if you press the
button after the second beat, the Song will end properly at that measure.
NOTE
NOTE
chord indication
dim
6 5aug
minMaj7sus4
NOTE
NAME / SUB MENU MAIN MENU
MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS
MODE
ONE TOUCH SETTING
STYLE SECTION
KEYBOARD
SONG
EFFECT
STYLE
EASY CHORD
MEMORY
A B
CHORUSDUALFINGERINGSPLITTOUCH
HARMONYGUIDE
TEMPOLARGE/SMALL
MINUS ONEREPEAT
SYNC
STOP
REVERB
minMaj7sus4
dim
EASY CHORD MEMSONGVOICE
A
B
STYLE
JAM
CART
6 5aug
3214
ECM1
Easy Chord Memory
mode indication
Record Stand-by indication
(metronome icon flashes at current tempo)
Start of Song indication
EASY
CHORD
MEMORY
REC/
END
(PSR-230)
Step Recording
Step recording allows you to manually enter chord changes to a Song, one by one. As such, it’s convenient for
editing and making precise changes to an existing Song. In general, use Real-time recording to create a Song, and
use Step recording to polish it up and finish it.
1
Enter the Step Record Ready mode.
With the desired Song selected and record stand-by engaged (see Real-time Recording, steps 2 and 3),
press the SYNC-START button.
•
You can also enter the Step Record Ready mode by pressing the START/STOP button during Real-time recording.
2
Specify the desired position in the Song.
Use the MEASURE +/- and BEAT +/- buttons to specify the exact place in the Song to which the
desired chord is to be entered. Press the appropriate button to step through the values, or hold
down the button to continuously advance or reverse through the values.
3
Enter a chord.
Play a chord in the Auto Accompaniment section of the keyboard. The recognized chord name
appears in the display and is entered at the selected measure/beat.
4
Stop recording.
Press the EASY CHORD MEMORY (REC/END) button. (Operation automatically returns to the Song mode.)
• Section changes cannot be entered in Step recording.
• You can play back the User Song within Step recording by pressing the START/STOP button.
Song Clear
The Song Clear operation lets you delete selected User Song data.
To clear data of a Song:
1
Select the User Song to be cleared.
2
Enter the Easy Chord Memory mode.
Press the EASY CHORD MEMORY (REC/END) button. Make sure to disengage recording stand-by
by pressing the SYNC-START button.
3
Press the SONG CLEAR button.
A “Clear ?” message appears, prompting you for confirmation. Press the +/YES button to clear the
selected Song, or press the -/NO button to cancel.
• Song Clear cannot be executed during Real-time recording and recording stand-by states. Also, Song Clear is
available only in Easy Chord Memory mode.
User Song Playback
Playback of User Songs is exactly the same as with other Songs. (See page 28.) Remember, that you can play along
on the keyboard with your original chord accompaniment — making your performances more dynamic and
enjoyable.
NOTE
NOTE
MEASURE
BEAT
12 43
NOTE
35
36
Music Cartridge (PSR-230)
The PSR-230 features a cartridge slot for use with special Yamaha Music Cartridges containing accompaniment
Style and Song data. These Cartridges give you instant access to an ever-expanding library of new Styles and
Songs. The PSR-230 includes a sample Music Cartridge. To obtain other Cartridges, see your Yamaha dealer.
Inserting a Music Cartridge
With the power off, insert the Music Cartridge into the cartridge slot as shown, and press down firmly until the
Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot
one way - don’t try to force it in the wrong way. Turn the power back on again after inserting.
Music Cartridge Precautions
• Do not leave Music Cartridges in locations which are subject to excessive heat or humidity.
• Do not drop Music Cartridges or subject them to strong shock.
• Do not disassemble Music Cartridges.
• Do not directly touch the Music Cartridge’s electrical contacts. Static electricity can cause loss of data
and unreliable operation.
• Do not insert objects or cartridges other than Yamaha Music Cartridges in the cartridge slot. Doing so
can result in serious damage to the instrument.
• Do not insert Music Cartridges in other instruments or devices. Doing so can result in serious damage
to the Cartridges.
• Never attempt to insert or remove a Music Cartridge when the power is on. Doing so may result in
loss of data or unreliable operation.
• Dust or foreign particles on the electrical contacts of the Music Cartridge may prevent proper selection
or playback of Cartridge data. If this occurs, insert and remove the Cartridge several times, and try the
operation again. If the problem persists, clean the electrical contacts with a soft, dry cloth.
• Make sure that the Music Cartridge is properly inserted when playing back a Song based on Cartridge data.
Otherwise, the Song may not play back, and a “No Cart” or “WrongCrt” message may appear.
NOTE
The triangular mark on the front of the
Cartridge should be completely below the panel
edge when the Cartridge is properly seated.
For Cartridges without the mark, the bottom of the
serrated edges of the Cartridge should be even with the
panel edge (not above it).
37
Selecting Styles on a Music Cartridge
1
Select the Style mode.
Press the STYLE button. (The Style mode and Style menu are selected.)
2
Select a Style from the Cartridge.
First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the
upper left of the display.) Then, enter the Cartridge Style number directly with the number buttons,
or step up and down through the Styles by using the +/- buttons.
Cartridge Styles are used in exactly the same way as the internal accompaniment Styles. (See page 20.)
• The cartridge styles can be selected by using the +/- buttons to go beyond the highest or lowest internal style numbers
—e.g. pressing the + button while internal style number 00 is selected will select cartridge style number 01.
• The cartridge styles have no Jam Track Sections.
• A “No OTS” message appears in the display if the selected Cartridge Styles have no One Touch Setting data.
Selecting Songs on a Music Cartridge
1
Select the Song mode.
Press the SONG button. (The Song mode and Song menu are selected.)
2
Select a Song from the Cartridge.
First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the
upper left of the display.) Then, enter the Cartridge Song number directly with the number buttons,
or step up and down through the Songs by using the +/- buttons.
Cartridge Songs are used in exactly the same way as the internal Songs. (See page 28.)
• For Cartridge Songs created with Cartridge accompaniment Styles:
* Chord names are indicated in the display as the chords of the Cartridge Song change.
* The Harmony effect can be applied when playing along with the chord progression of the Song.
• The Minus One, Repeat Play, and Guide (PSR-230 only) functions can be used with Cartridge Songs.
NOTE
Cartridge icon in displayCARTRIDGE button
CARTRIGE
CART
NOTE
Cartridge icon in displayCARTRIDGE button
CARTRIGE
CART
38
MIDI Functions
The PortaTone is MIDI-compatible and provides a variety of MIDI-related controls. What is MIDI? MIDI —
Musical Instrument Digital Interface — is a worldwide standard that makes it possible for various electronic
musical instruments and other devices to “communicate” with each other. For example, you could connect a
computer or sequencer to the PortaTone and play back a song on the sequencer using the PortaTone’s
Voices.
The PortaTone is also compatible with the GM (General MIDI System Level 1) format. One of the most
important features of General MIDI is in the standardization of Voices. This means that a song recorded in
GM format can be played back on any GM-compatible instrument and sound just as the composer intended.
With the GM-compatible PortaTone and a computer or sequencer, you can take advantage of the vast wealth
of musical material recorded in that format.
MIDI Basics
MIDI is a huge, complex subject, and it would be impossible to cover all its aspects here. However, this short
section will introduce you to some MIDI basics, and help you use this powerful tool in your own system.
MIDI Terminals
The MIDI terminals are located on the rear panel of the PortaTone. MIDI IN receives MIDI data from an
external device, and MIDI OUT transmits MIDI data from the PortaTone — which includes, for example,
performance data when you play the keyboard.
MIDI Channels
MIDI data is usually sent and received over one of sixteen MIDI channels. In order to get two devices to
properly communicate with each other, you should set them to the same MIDI channel. On the
PortaTone, the relevant parameters are Keyboard Out and Receive Channel Select in the MIDI Sub Menu
(page 40).
You can also use the PortaTone as a sixteen-channel multi-timbral sound source. This means that you can
play song data on a connected MIDI sequencer (see “Using with a Computer or Sequencer” below) and
have up to sixteen different instrument Voices sound simultaneously. To do this, make sure that the MIDI
Receive Switch is set to “on” (see MIDI Sub Menu page 40), and set Remote Channel (also MIDI Sub
Menu) to “off.”
MIDI
OUT IN
39
Using with a MIDI Tone Generator or Second Keyboard
In the simple MIDI connection shown below, the PortaTone is used to play sounds on a tone generator
(essentially a synthesizer without a keyboard). This lets you play both instruments at once, giving you
thick multi-instrument sounds. Depending on how the other device is set up, this system also lets you
change sounds on the tone generator from the PortaTone’s panel (via program change messages).
In a similar example, the PortaTone is connected to a second MIDI keyboard. This allows you to play
and control the PortaTone from the other keyboard. In this application, first make sure that the MIDI
Receive Switch is set to “on” (see MIDI Sub Menu below), then set the Remote Channel (also MIDI Sub
Menu below) and the MIDI Send Channel on the other keyboard to the same value.
Using with a Computer or Sequencer
If you have a sequencer or a computer with a MIDI interface, you can easily and instantly integrate the
PortaTone into your system. And with its GM-compatibility, the PortaTone is a natural for
multimedia/computer music applications, letting you playback any GM song data with the high-quality
Voices.
• To avoid a MIDI feedback loop, check that the MIDI Thru (or MIDI Echo) setting on the external device and the Local
Control setting on the PortaTone are set appropriately. If both are set to ON, MIDI feedback may occur.
NOTE
PortaTone PSR-230/220
MIDI IN MIDI OUT
MIDI OUT MIDI IN
MUSIC
Computer
PortaTone PSR-230/220 MIDI KEYBOARD
MIDI IN MIDI OUT
PortaTone PSR-230/220
TONE GENERATOR
MIDI OUT MIDI IN
40
MIDI Sub Menu
First, use the MAIN MENU buttons to select the MIDI menu, and select the desired Sub Menu parameter
with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting.
• Whenever using a MIDI device to control the PortaTone, make sure that the Receive Switch is set to “on” for the
appropriate channel or channels.
• For the Keyboard Out parameter, performance data of the Main Voice can be sent over the specified MIDI channel,
but the other Voices are fixed as follows:
Dual Voice — channel 11
Split Voice — channel 2
Auto Accompaniment — channels 3 - 10
• To reset any parameter to its default setting, press the +/- buttons simultaneously.
• All settings in the MIDI Sub Menu are retained in memory when the power is turned off, as long as batteries are
installed or an AC adaptor is connected.
• In the Song or Easy Chord Memory mode, MIDI data cannot be transmitted or received, and none of the MIDI menu
settings have any effect.
NOTE
Display Name
RemoteCh
KeybdOut
AcompOut
RcvChSel
Rcv SW
Local
ExtClock
Parameter Name
Remote Channel
Keyboard Out
Accompaniment
Out
Receive Channel
Select
Receive Switch
Local Control
External Clock
Range
off, 01 - 16
off, 01 - 16
on/off
01-16
on/off
on/off
on/off
Description
This determines how the PortaTone is controlled by a
“remote” (external) MIDI keyboard. Set this to one of
the 16 channels (01 - 16) for using an external
keyboard to remotely control the PortaTone functions
over the selected channel. (The remaining 15
channels can be used for multi-timbral operation.)
When this is set to “off,” the PortaTone can be used as
a full 16-channel multi-timbral sound source. The
default setting is “off.”
This determines over which channel keyboard data
for the Main Voice is transmitted. The default setting
is channel 01.
This determines whether Auto Accompaniment data is
transmitted via MIDI OUT or not. When set to “on,”
Auto Accompaniment data is transmitted over
channels 3 - 10. The default setting is “off.”
This determines over which channel MIDI data is
received. The default setting is channel 01 .
This determines whether MIDI data is received over
the selected MIDI channel or not, set in Receive
Channel Select above. (This parameter works in
tandem with Receive Channel Select.)
This determines whether the keyboard is “connected”
to the internal Voices of the PortaTone. When set to
“on,” the Voices respond to notes played from the
keyboard. When set to “off,” the Voices respond only
to incoming MIDI data (via MIDI IN). The default
setting is “on.” If you are routing the MIDI OUT on
the PortaTone to a sequencer and back to the MIDI
IN, you may want to set this to “off” to avoid MIDI
“feedback.”
This determines whether the Style and Song playback
functions are controlled by the PortaTone’s internal
clock (off) or by MIDI clock data from an external
sequencer or computer (on). This should be set to
“on” when you want to have Style or Song playback
follow the external device. The default setting is “off.”
Appendix
Data Backup and Initialization
Except for the settings listed below, all PortaTone panel settings are reset to their initial settings whenever the power
is turned on. The parameter settings listed below are retained in memory as long as an AC adaptor is connected or
a set of “live” batteries is installed.
• Touch Response on/off
• Touch Sensitivity
• Fingering mode
• Split Points 1 and 2, Auto Accompaniment Split Point
• Easy Chord Memory (User Song)
• All MIDI Sub Menu settings
• Tuning
• Voice Set on/off
• Guide Lamp on/off (PSR-230 only)
• Metronome on/off
Initialize Operation
All data can be initialized and restored to the factory preset condition by simultaneously holding the +\-
buttons and turning on the power. (A “Clr All!” message appears briefly in the display.)
• If operation of the PortaTone “hangs up” or “freezes” due to static electricity or other causes, turn the power off and
execute the Initialize operation.
NOTE
41
Voice List
Voice Polyphony
The PortaTone has a maximum polyphony of 28 — in other words, it can play up to 28 individual notes
at the same time. This includes all Voices used: Dual, Split, Auto Accompaniment, and Song. If the
maximum polyphony is exceeded, some notes and sounds may be cut off.
Another feature affecting polyphony is the fact that some Voices are actually made up of two Voices (as
indicated in the list below). Using these Voices correspondingly reduces the available polyphony.
Panel Voice List
42
Voice
MIDI
Number
Voice
MIDI
Number
Bank Select
*Program
Voice Name of Notes Bank Select
*Program
Voice Name of Notes
Number
MSB LSB
Number
Used
Number
MSB LSB
Number
Used
PIANO
01 0 0 0 Grand Piano 1
02 0 0 1 Honky-tonk Piano 2
03 0 0 2 Funky Electric Piano 2
04 0 0 3 DX Electric Piano 2
05 0 0 4 MIDI Grand Piano 2
06 0 0 5 Hyper Electric Piano 2
07 0 0 6 Bell Electric Piano 2
08 0 0 7 Harpsichord 1
09 0 0 8 Harpsichord Coupled 2
10 0 0 9 Clavi 1
11 0 0 10 Celesta 1
MALLETS
12 0 0 11 Vibraphone 1
13 0 0 12 Marimba 1
14 0 0 13 Xylophone 1
15 0 0 14 Tubular Bells 1
16 0 0 15 Timpani 1
17 0 0 16 Steel Drums 2
18 0 0 17 Music Box 2
ORGAN
19 0 0 18 Jazz Organ 1 2
20 0 0 19 Jazz Organ 2 2
21 0 0 20 Jazz Organ 3 2
22 0 0 21 Full Organ 2
23 0 0 22 Rock Organ 1 2
24 0 0 23 Rock Organ 2 2
25 0 0 24 16'+2' Organ 2
26 0 0 25 16'+4' Organ 2
27 0 0 26 Church Organ 2
28 0 0 27 Reed Organ 2
29 0 0 28 Musette Accordion 2
30 0 0 29 Traditional Accordion 2
31 0 0 30 Bandoneon 2
GUITAR
32 0 0 31 Classical Guitar 1
33 0 0 32 Folk Guitar 1
34 0 0 33 12Strings Guitar 2
35 0 0 34 Jazz Guitar 2
36 0 0 35 Octave Guitar 2
37 0 0 36 Clean Guitar 2
38 0 0 37 Muted Guitar 1
39 0 0 38 Overdriven Guitar 2
40 0 0 39 Distortion Guitar 2
BASS
41 0 0 40 Acoustic Bass 1
42 0 0 41 Finger Bass 1
43 0 0 42 Fretless Bass 1
44 0 0 43 Slap Bass 1
45 0 0 44 Synth Bass 2
ENSEMBLE
46 0 0 45 Strings 2
47 0 0 46 Chamber Strings 2
48 0 0 47 Synth Strings 2
49 0 0 48 Slow Strings 2
50 0 0 49 Tremolo Strings 2
51 0 0 50 Violin+Strings 2
52 0 0 51 Pizzicato Strings 1
53 0 0 52 Choir 2
54 0 0 53 Choir Aahs 2
55 0 0 54 Choir Oohs 2
56 0 0 55 Synth Choir 2
57 0 0 56 Orchestra Hit 2
STRINGS
58 0 0 57 Violin 1
59 0 0 58 Cello 1
60 0 0 59 Contrabass 1
61 0 0 60 Harp 2
BRASS
62 0 0 61 Trumpet 1
63 0 0 62 Muted Trumpet 1
64 0 0 63 Trombone 1
65 0 0 64 Trombone Section 2
66 0 0 65 French Horn 1
67 0 0 66 Tuba 1
68 0 0 67 Brass Section 2
69 0 0 68 Brass+Sax 2
70 0 0 69 Brass+Trombone 2
71 0 0 70 Brass+Trumpet 2
72 0 0 71 Synth Brass 2
REED
73 0 0 72 Soprano Sax 1
74 0 0 73 Alto Sax 1
75 0 0 74 Tenor Sax 1
76 0 0 75 Baritone Sax 1
77 0 0 76 Sax+Clarinet 2
78 0 0 77 Sax+Trombone 2
79 0 0 78 Oboe 1
80 0 0 79 English Horn 1
81 0 0 80 Bassoon 1
82 0 0 81 Clarinet 1
83 0 0 82 Harmonica 1
PIPE
84 0 0 83 Piccolo 1
85 0 0 84 Flute 1
86 0 0 85 Pan Flute 1
87 0 0 86 Recorder 1
88 0 0 87 Ocarina 1
SYNTH LEAD
89 0 0 88 Square Lead 2
90 0 0 89 Sawtooth Lead 2
91 0 0 90 Voice Lead 2
92 0 0 91 Crystal 2
93 0 0 92 Brightness 2
94 0 0 93 Analog Lead 2
SYNTH PAD
95 0 0 94 Fantasia 2
96 0 0 95 Bell Pad 2
97 0 0 96 Xenon Pad 2
98 0 0 97 Angels 2
99 0 0 98 Dark Moon 2
DRUM KIT
00 0 0 99 Drum Kit 1
* The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an
external MIDI device.
43
GM Voice List
Voice
MIDI
Voice
MIDI
Bank Select
*Program
Voice Name Bank Select
*Program
Voice Name
Number
MSB LSB
Number
Number
MSB LSB
Number
Piano Reed
001 0 0 0 Acoustic Grand Piano 1 065 0 0 64 Soprano Sax 1
002 0 0 1 Bright Acoustic Piano 1 066 0 0 65 Alto Sax 1
003 0 0 2 Electric Grand Piano 2 067 0 0 66 Tenor Sax 1
004 0 0 3 Honky-tonk Piano 2 068 0 0 67 Baritone Sax 1
005 0 0 4 Electric Piano 1 2 069 0 0 68 Oboe 1
006 0 0 5 Electric Piano 2 2 070 0 0 69 English Horn 1
007 0 0 6 Harpsichord 1 071 0 0 70 Bassoon 1
008 0 0 7 Clavi 1 072 0 0 71 Clarinet 1
Chromatic Percussion Pipe
009 0 0 8 Celesta 1 073 0 0 72 Piccolo 1
010 0 0 9 Glockenspiel 1 074 0 0 73 Flute 1
011 0 0 10 Music Box 2 075 0 0 74 Recorder 1
012 0 0 11 Vibraphone 1 076 0 0 75 Pan Flute 1
013 0 0 12 Marimba 1 077 0 0 76 Blown Bottle 2
014 0 0 13 Xylophone 1 078 0 0 77 Shakuhachi 1
015 0 0 14 Tubular Bells 1 079 0 0 78 Whistle 1
016 0 0 15 Dulcimer 2 080 0 0 79 Ocarina 1
Organ Synth Lead
017 0 0 16 Drawbar Organ 2 081 0 0 80 Lead 1 (square) 2
018 0 0 17 Percussive Organ 2 082 0 0 81 Lead 2 (sawtooth) 2
019 0 0 18 Rock Organ 2 083 0 0 82 Lead 3 (calliope) 2
020 0 0 19 Church Organ 2 084 0 0 83 Lead 4 (chiff) 2
021 0 0 20 Reed Organ 1 085 0 0 84 Lead 5 (charang) 2
022 0 0 21 Accordion 2 086 0 0 85 Lead 6 (voice) 2
023 0 0 22 Harmonica 1 087 0 0 86 Lead 7 (fifth) 2
024 0 0 23 Bandoneon 2 088 0 0 87 Lead 8 (bass+Lead ) 2
Guitar Synth Pad
025 0 0 24 Acoustic Guitar (nylon) 1 089 0 0 88 Pad 1 (new age) 2
026 0 0 25 Acoustic Guitar (steel) 1 090 0 0 89 Pad 2 (warm) 2
027 0 0 26 Electric Guitar (jazz) 1 091 0 0 90 Pad 3 (polysynth) 2
028 0 0 27 Electric Guitar (clean) 2 092 0 0 91 Pad 4 (choir) 2
029 0 0 28 Electric Guitar (muted) 1 093 0 0 92 Pad 5 (bowed) 2
030 0 0 29 Overdriven Guitar 1 094 0 0 93 Pad 6 (metallic) 2
031 0 0 30 Distortion Guitar 1 095 0 0 94 Pad 7 (halo) 2
032 0 0 31 Guitar Harmonics 1 096 0 0 95 Pad 8 (sweep) 2
Bass Synth Effects
033 0 0 32 Acoustic Bass 1 097 0 0 96 FX 1 (rain) 2
034 0 0 33 Electric Bass (finger) 1 098 0 0 97 FX 2 (soundtrack) 2
035 0 0 34 Electric Bass (pick) 1 099 0 0 98 FX 3 (crystal) 2
036 0 0 35 Fretless Bass 1 100 0 0 99 FX 4 (atmosphere) 2
037 0 0 36 Slap Bass 1 1 101 0 0 100 FX 5 (brightness) 2
038 0 0 37 Slap Bass 2 1 102 0 0 101 FX 6 (goblins) 2
039 0 0 38 Synth Bass 1 1 103 0 0 102 FX 7 (echoes) 2
040 0 0 39 Synth Bass 2 1 104 0 0 103 FX 8 (sci-fi) 2
Strings Ethnic
041 0 0 40 Violin 1 105 0 0 104 Sitar 1
042 0 0 41 Viola 1 106 0 0 105 Banjo 1
043 0 0 42 Cello 1 107 0 0 106 Shamisen 1
044 0 0 43 Contrabass 1 108 0 0 107 Koto 1
045 0 0 44 Tremolo Strings 2 109 0 0 108 Kalimba 1
046 0 0 45 Pizzicato Strings 2 110 0 0 109 Bagpipe 2
047 0 0 46 Orchestral Harp 1 111 0 0 110 Fiddle 1
048 0 0 47 Timpani 1 112 0 0 111 Shanai 1
Ensemble Percussive
049 48 Strings Ensemble 1 1 113 0 0 112 Tinkle Bell 2
050 49 Strings Ensemble 2 1 114 0 0 113 Agogo 1
051 50 Synth Strings 1 2 115 0 0 114 Steel Drums 2
052 51 Synth Strings 2 2 116 0 0 115 Woodblock 1
053 52 Choir Aahs 1 117 0 0 116 Taiko Drum 1
054 53 Voice Oohs 1 118 0 0 117 Melodic Tom 1
055 54 Synth Voice 1 119 0 0 118 Synth Drum 1
056 55 Orchestra Hit 1 120 0 0 119 Reverse Cymbal 1
Brass Sound Effects
057 56 Trumpet 1 121 0 0 120 Guitar Fret Noise 1
058 57 Trombone 1 122 0 0 121 Breath Noise 1
059 58 Tuba 1 123 0 0 122 Seashore 2
060 59 Muted Trumpet 1 124 0 0 123 Bird Tweet 2
061 60 French Horn 1 125 0 0 124 Telephone Ring 1
062 61 Brass Section 1 126 0 0 125 Helicopter 2
063 62 Synth Brass 1 2 127 0 0 126 Applause 2
064 63 Synth Brass 2 2 128 0 0 127 Gunshot 1
Percussion Kit
129 127 0 0 Standard Kit 1
Number
of Notes
Used
Number
of Notes
Used
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
* The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an
external MIDI device.
* The following voices use only one voice in the indicated ranges : 46 (Pizzicato Strings) : all notes below C
#
2 and
above F5, 110 (Bagpipe) : all notes above A
#
2.
44
Troubleshooting
Problem
When the PortaTone is turned on or off, a buzzing or popping
sound is temporarily produced.
The sound of the Voices or rhythms seems unusual or strange.
The display has gone out and the panel settings have been
returned to default.
Not all notes are heard when playing a number of notes
simultaneously.
There is no sound when the keyboard is played.
The Auto Accompaniment does not function properly. Chords
played in the lower section of the keyboard do not sound or
sound different than expected.
There is no sound even when the keyboard is played or when
a Song is being played back.
The selected Voice does not sound properly.
The selected Accompaniment Style or Song does not sound
properly.
Split Point 2 cannot be entered, or the
Accompaniment Split Point cannot be entered.
The footswitch operation is reversed; releasing the footswitch
causes sustain.
Cartridge data cannot be selected or properly played back.
The Harmony effect cannot be heard properly.
The Harmony or Echo effect cannot be used.
The PortaTone does not respond to or work with a connected
MIDI device.
MIDI data cannot be transmitted or received.
The mode cannot be changed.
Possible Cause and Solution
This is normal and indicates that the PortaTone is receiving electrical
power.
The battery power is too low. Replace all batteries with new ones of
the same type. (See page 3.)
Too many keys are pressed at the same time. The PortaTone is
polyphonic up to a maximum of 28 notes. (See page 42.)
The Local Control setting could be off. Make sure Local Control is
turned on. (See page 40.)
Make sure that you’re playing in the Auto Accompaniment section of
the keyboard. (See page 22.)
Also, make sure that you’re using the proper Fingering mode and that
you’re playing “legal” chords that the PortaTone can recognize. For
example, when playing Single Finger chords, make sure that the Single
Finger mode is selected. (See page 26.)
Check that nothing is connected to the PHONES/AUX OUT jack on the
rear panel. When a set of headphones is plugged into this jack, no
sound is output.
Make sure that the following settings are appropriate: Main Voice
Volume (page 11), Dual Voice Volume (page 13), and Split Voice
Volume (page 15)
Make sure that the Accompaniment Volume or Song Volume is set to
an appropriate level. (See pages 23, 32.)
Split Point 2 (page 15) cannot be set lower than the Accompaniment
Split Point (page 26). Also, the Accompaniment Split Point cannot be
set higher than Split Point 2.
Connecting the footswitch after power is on reverses the footswitch
operation (polarity). For normal operation, turn off the power,
connect the footswitch, then turn the power back on (without pressing
the footswitch).
Make sure that an appropriate Yamaha Music Cartridge is properly
inserted into the Cartridge slot. Also, make sure that the electrical
contacts on the Cartridge are clean and free from foreign particles.
Insert and remove the Cartridge several times, and try the operation
again. If the problem persists, clean the contacts with a soft, dry cloth.
Make sure that the Harmony Volume is set to an appropriate level.
(See page 17.)
Harmony/Echo is not available when the Full Fingering mode (page
26) is on, and will automatically be turned off when the Full Fingering
mode is selected.
Whenever using a MIDI device to control the PortaTone, make sure
that the Receive Switch is set to “on” for the appropriate channel or
channels. (See page 40.)
When the Song or Easy Chord Memory mode is selected, MIDI data
cannot be transmitted or received, and none of the MIDI menu settings
have any effect. Select another mode (Voice or Style).
While a Song or Rhythm/Accompaniment are being played back, the
mode cannot be changed. Stop the Song or Rhythm/Accompanyment
and press the VOICE, STYLE, SONG, or EASY CHORD MEMORY
(REC/END) button.
45
A
AC power adaptor ................................3
Accompaniment Out ..........................40
Accompaniment Split Point................26
Accompaniment Volume ............... 9, 23
Auto Accompaniment ........................20
B
batteries ..............................................3
C
Cartridge ..................................... 9, 36
Chorus................................................16
D
data backup .......................................41
data initialization ...............................41
Demo....................................................5
Demo Songs.........................................5
Dual Voice GM Voice ..........................13
Dual Voice menu ................................13
Dual Voice mode ................................12
Dual Voice Octave .............................13
Dual Voice Pan ...................................13
Dual Voice Reverb Level ....................13
Dual Voice Volume .............................13
E
Easy Chord Memory ....................... 8, 33
Echo Speed ........................................17
Effect controls .....................................9
Ending section ...................................24
External Clock ....................................40
F
Fill-in section ......................................22
Fingered .............................................25
Fingering modes ................................24
Full (Fingering mode) .........................26
G
GM Voice, Dual Voice .........................13
GM Voice, Main Voice ........................11
GM Voice, Split Voice .........................15
Guide Lamps (PSR-230 only) .............30
H
Harmony Volume ...............................17
Harmony/Echo ...................................16
Harmony/Echo type...........................16
Harmony/Echo menu .........................17
headphones..........................................4
I
Intro section ......................................21
J
Jam Track section..............................23
K
Keyboard controls ................................8
Keyboard Out.....................................40
L
Large/Small .......................................23
Local Control .....................................40
M
Main A and B sections ..................... 21, 22
Main Voice GM Voice .........................11
Main Voice menu................................11
Main Voice Octave .............................11
Main Voice Pan ...................................11
Main Voice Reverb Level ....................11
Main Voice Volume ............................11
Metronome...................................... 19, 21
MIDI ....................................................38
MIDI Implementation Chart.................46
MIDI menu ..........................................40
Minus One ..........................................31
Minus One Channel
Settings (Left, Right) ..................... 31, 32
Minus One Part Setting ................... 31, 32
Music Cartridge (PSR-230 only) ........36
Music Stand ..........................................4
N
numeric keypad .................................10
O
Octave, Dual Voice ............................13
Octave, Main Voice ............................11
Octave, Split Voice ............................15
One Touch Setting, Song ...................33
One Touch Setting, Style ...................27
P
Pan, Dual Voice ..................................13
Pan, Main Voice ..................................11
Pan, Split Voice ..................................15
Percussion Kit Voice ..........................12
PHONES/AUX OUT................................4
Power switch ........................................5
R
Real-time recording ............................34
REC/END (Easy Chord Memory).........34
Receive Channel Select ......................40
Receive Switch ...................................40
Recording, Real-time ..........................34
Recording, Step .................................35
Remote Channel .................................40
Repeat Play ........................................29
Reverb................................................18
Reverb Level, Dual Voice ...................13
Reverb Level, Main Voice ...................11
Reverb Level, Split Voice ...................15
Reverb Type.......................................19
Reverb/Others menu .........................19
S
sections ......................................... 9, 22
Single Finger ......................................26
Song Clear..........................................35
Song menu.........................................32
Song Volume ................................. 9, 32
Songs, Demo ........................................5
Songs, selecting .................................28
Songs, User ........................................33
Split Point 1, 2 ...................................15
Split Voice GM Voice ..........................15
Split Voice menu ................................15
Split Voice mode ................................14
Split Voice Octave .............................15
Split Voice Pan ...................................15
Split Voice Reverb Level ....................15
Split Voice Volume ............................15
Start/Stop ............................ 21, 24, 29
Step recording ...................................35
Stopped Accompaniment function ....22
Style menu .........................................26
Style mode.........................................20
Styles, selecting ................................20
Sustain .................................................4
Sync-Stop ..........................................24
Synchro Start .....................................21
T
Tempo................................................22
Touch Response.................................18
Touch Sensitivity ...............................19
Transpose ..........................................19
Troubleshoooting ...............................44
Tuning ................................................19
U
User Songs .........................................33
V
Voice List ...........................................42
Voice Polyphony ................................42
Voice Set ...........................................19
Voices, selecting ................................10
Volume control ....................................5
Volume, Accompaniment .............. 9, 23
Volume, Dual Voice ............................13
Volume, Main Voice ...........................11
Volume, Song ................................ 9, 32
Volume, Split Voice ...........................15
Index
46
MIDI Implementation Chart / Implementierungstablle / Table d
: True number
: Song Position
: Song Select
: Tune
: Clock
: Commands
: Local On/Off
: All Notes Off
: Active Sense
: Reset
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
0,32
1
6,38
7
10
11
64
66
84
90
91
96
97
100, 101
120
121
Control Change
Bank select MSB, LSB
Modulation depth
Data entry MSB, LSB
Volume
Pan
Expression
Sustain
Sostenuto
Portament control
Dry send level
Reverb depth
RPN data increment
RPN data decrement
RPN LSB, MSB
All sound off
Reset All Controllers
Default
Changed
Default
Messages
Altered
: True voice
Note on
Note off
Key's
Ch's
Basic
Channel
Mode
Note
Number
Velocity
After
Touch
Pitch Bender
Function Transmitted Recognized Remarks
YAMAHA [ Portable Keyboard ]
Model : PSR-220 / 230
Date: 14-Feb-1996
Version: 1.0
47
*0 PSR-220/230 function as 16 MIDI channel multi-timbral
tone generator.
The Remote Keyboard channel can be set by the panel
settings.
The designated channels on the PSR-220/230 can be
controlled by an external device and receive the
following data:
• Note Off
• Note On
• Contorl Chanage:
Bank select MSB, LSB
Volume
Pan
Sustain
Reverb depth
All sounds off
Reset all controllers
• Program Change
• Exclusive ( Panel voice / GM voice select )
*1 Bank select transmission: The LSB is fixed at 00H.
Bank select reception: The bank select MSB is used for
melody voice and rhythm voice switching.
MSB 00H: Melody voice.
MSB 7FH: Rhythm voice.
The bank select LSB is ignored.
The bank select on the channel 10 is ignored.
No voice change will occur when only a bank select is
received.
When a program change is received, the latest bank
select value is used.
*2 RPN transmits and receives the following data:
Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H
Fine tuning: BnH, 64H, 01H, 65H, 00H
Coarse tuning: BnH, 64H, 02H, 65H, 00H
Null: BnH, 64H, 7FH, 65H, 7FH
*3 Reset all controllers.
Pitch bend, modulation, expression, sustain, sostenuto,
and registered parameter number are returned to their
default values.
Portamento is reset.
*4 Exclusive.
< GM1 System On >
F0H, 7EH, 7FH, 09H, 01H, F7H
All parameters except MIDI Master Tuning are reset to
their default values.
< DISK ORCHESTRA ON >
F0H, 43H, 73H, 01H, 14H, F7H
< DISK ORCHESTRA OFF >
F0H, 43H, 73H, 01H, 13H, F7H
< MIDI Master Volume >
F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
Allows the volume of all channels to be changed
simultaneously (universal system exclusive).
“mm” is used as the MIDI Master Volume value (“ll” is
ignored).
The relation between MIDI Master Volume value and the
actual volume is the same as the one between control
change master volume value and the actual volume.
The default value for “mm” is 7FH.
This value is reset by a GM1 System On message.
< MIDI Master Tuning >
F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H
Allows the pitch of all channels to be changed
simultaneously.
“mm, ll” is used as the MIDI Master Tuning value, and
the actual tuning value is represented as follows:
T = M x 200 / 256 - 100
Where T is the actual tuning value in cents. M is decimal
value represented by 1-byte using bits 0..3 of “mm” as
the MSB and bits 0..3 of “ll” as the LSB.
The default values of “mm” and “ll” are 07H and 0FH,
respectively.
“n” and “cc” are also recognized.
This value is not reset by a GM1 System On or Reset All
Controllers message.
< Panel Voice >
F0H, 43H, 76H, 1BH, cc, vv, F7H
This message alternately selects Panel voice or GM
voice.
cc: MIDI channel
vv: 00 = GM voice mode, 01 = Panel voice mode
*5 Internal / External clock selectable.
*6 Start / Stop message is transmitted.
Start / Stop message is received as a message for
“STYLE”.
ablle / Table d'implémentation / Gráfico de implememtación
GM System Level 1
The existing MIDI protocol allows performance and other data to be transferred between different instruments, even
if they are from different manufacturers. This means, for example, that sequence data that was originally created to
control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer
B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate
program change data must be transmitted to select the right voices.
The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing
software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in
which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current
standard recognized by the International MIDI Association is known as “GM System Level 1.” The PSR-230/220 voice
allocation complies with the GM System Level 1 standard.
48
Keyboard:
61 standard-size keys (C1-C6) with touch response
(with Touch Sensitivity parameter).
Display:
Large multi-function display
Voice:
AWM 100 (Panel) / 128 + 1 Percussion Kit (GM)
Maximum Polyphony: 28 notes
Modes: Main, Dual, Split
Parameters: Volume, Octave, Pan,
Reverb Send Level, GM on/off, Split Points 1 & 2
Effect:
•Chorus
•Harmony/Echo: 5 types Harmony, 3 types Echo
(with Harmony Volume, Echo Speed parameters)
•9 types Reverb
Style
100 Styles
Auto Accompaniment
Fingering Modes: Fingered, Full, Single Finger
Sections: Intro, Main A, Main B, Fill-in x 4, Ending
100 Jam Track (1 per Style)
Other Controls: Tempo (32 - 280), Large/Small,
Accompaniment Volume, Accompaniment Split Point
400 One Touch Setting (4 per Style)
Song
Song: 16 Preset, 4 User
Minus One
Repeat
Guide (PSR-230 only)
Song Volume
One Touch Setting
Easy Chord Memory
4 User Songs: Real-time Recording, Step Recording,
Song Clear
Overall Controls
Transpose
Tuning
Metronome
Music Cartridge
PSR-230: Yes
PSR-220: No
Guide Lamps
PSR-230: Yes
PSR-220: No
Controls
POWER, VOLUME, DEMO, SUB MENU, MAIN
MENU, TOUCH RESPONSE, SPLIT, FINGERING,
VOLUME, TEMPO, SYNC-START, START/STOP,
INTRO/REPEAT PLAY, MAIN/AUTO FILL A and B
[also MINUS ONE, GUIDE (PSR-230 only)],
ENDING, JAM TRACK, SYNC-STOP,
LARGE/SMALL, ONE TOUCH SETTING 1 - 4
(MEASURE +/-, BEAT +/-), VOICE, STYLE, SONG,
Numeric Keypad, CARTRIDGE (PSR-230 only),
EASY CHORD MEMORY (REC/END),
DUAL/CHORUS, HARMONY/ECHO, REVERB
Other Terminals & Fittings
Music Cartridge slot (PSR-230 only)
DC IN 10-12V jack
PHONES/AUX OUT jack
SUSTAIN jack
MIDI IN/OUT terminals
Music Stand slot
Amplifier
Stereo: 3.0 W + 3.0 W (with PA-3B adaptor);
6.0 W+6.0 W (with batteries)
PHONES/AUX OUT Output
48 Ω impedance ±5%
Speakers
10 cm x 2
Power Consumption
12 W (with PA-3B adaptor)
Rated Power Supply
DC 10-12 V: 6 “D” size / R-20 / SUM-1 (1.5 V) batteries,
or PA-3/3B Power Adaptor
Dimensions (W x D x H)
933 x 372 x 126mm (36-3/4" x 14-5/8" x 5")
Weight
PSR-230: 7.1 Kg (15.7 lbs.) excluding batteries
PSR-220: 7.0 Kg (15.4 lbs.) excluding batteries
Supplied Accessories
• Music Stand
• Owner’s Manual
• Music Cartridge (PSR-230 only)
Optional Accessories
Headphones: HPE-3 or HPE-150
AC Power Adaptor: PA-3 or PA-3B
Keyboard Stand: L-2L or L-2C
* Specifications are subject to change without notice.
* Änderungen ohne Vorankündigung vorbehalten,
* Sous toute réserve de modification des caractéristiques sans préavis.
* Especificaciones sujetas a cambios sin previo aviso.
Specifications / Technische Daten / Spécifications /
Especificaciones
Limited Warranty
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:
PSR SERIES OF PORTASOUND ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in
material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to
the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED
WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE
EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of
the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under
warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service shold be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will
be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system
if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to
follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures
and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extermes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and
Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________
(Retailer)
YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
Documenttranscriptie
ENGLISH DEUTSCH FRANÇAIS ESPAÑOL OWNER'S MANUAL BEDIENUNGSANLEITUNG MODE D'EMPLOI MANUAL DE INSTRUCCIONES SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NOTICE: NAME PLATE LOCATION: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Model Serial No. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is Purchase Date PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications n ot expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. • Relocate either this product or the device that is being affected by the interference. NOTE: • In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other • This applies only to products distributed by Yamaha Corporation of America. • Utilize power outlets that are on different branch(circuit breaker or fuse) circuits or install AC line filter/s. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 Congratulations on your purchase of the Yamaha PortaTone! You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-ofuse in a highly compact package. Its outstanding features also make it a remarkably expressive and versatile instrument. Read this Owner’s Manual carefully while playing your new PortaTone in order to take full advantage of its various features. CONTENTS Main Features 1 Precautions — Taking Care of Your PortaTone 2 Setting Up 3 Power Requirements ..........................................3 PHONES/AUX OUT Jack ....................................4 SUSTAIN Jack ......................................................4 Music Stand ........................................................4 Getting Started — Playing the Demo Songs 5 Panel Controls and Terminals 6 Basic Display Operations 8 Playing Voices — The Voice Mode 10 Selecting and Playing a Voice — Main Voice Mode....10 ■ Main Voice Sub Menu..............................................11 ■ Percussion Kit Voice Chart ........................................12 Playing Two Voices — Dual Voice Mode ........12 ■ Dual Voice Sub Menu ..............................................13 Playing Two Voices — Split Voice Mode ........14 ■ Split Voice Sub Menu ..............................................15 Other Voice Controls 16 Chorus ..............................................................16 Harmony/Echo ................................................16 ■ Harmony/Echo Sub Menu ........................................17 Reverb ..............................................................18 Touch Response ..............................................18 Overall Controls ..............................................19 ■ Reverb/Others Sub Menu ........................................19 Playing Songs — Tne Song Mode Selecting and Playing a Song ........................28 Using the Repeat Play Function ......................29 Using the Guide Function (PSR-230 only) ......30 Using the Minus One Function ........................31 ■ Selecting Playing Auto Accompaniment — The Style Mode 20 ■ About the METRONOME Icon ..................................21 ■ Sync-Stop Function ..................................................24 Changing the Fingering Mode ........................24 ■ Fingered ■ Full ................................................................25 ........................................................................26 ■ Single Finger ..........................................................26 Changing the Accompaniment Split Point ......26 One Touch Setting ............................................27 individual channels for Minus One ..............31 ■ Song Sub Menu ......................................................32 ■ Song Volume ..........................................................32 ■ One Touch Setting in the Song Mode ........................33 Recording User Songs — Easy Chord Memory 33 Real-time Recording ........................................34 Step Recording ..................................................35 Song Clear ........................................................35 User Song Playback ........................................35 Music Cartridge (PSR-230) 36 Inserting a Music Cartridge..............................36 ■ Music Cartridge Precautions......................................36 Selecting Styles on a Music Cartridge ............37 Selecting Songs on a Music Cartridge ............37 MIDI Functions 38 MIDI Basics ........................................................38 ■ MIDI Sub Menu ......................................................40 Appendix 41 Data Backup and Initialization........................41 ■ Initialize Operation ..................................................41 Voice List ..........................................................42 ■ Voice Polyphony......................................................42 ■ Panel Voice List ......................................................42 ■ GM Selecting a Style and Playing an Auto Accompaniment........20 28 Voice List..........................................................43 Troubleshooting ................................................44 Index ................................................................45 MIDI Implementation Chart ............................46 Specifications ....................................................48 Main Features The PortaTone is a sophisticated yet easy-to-use keyboard with the following features and functions: ■ Exceptionally realistic, high-quality Voices (100 Panel, 129 GM Voices (128 Voices + 1 Percussion Kit)), created with AWM (Advanced Wave Memory) technology, which utilizes digital recordings of actual instruments. ■A convenient Voice Set function that automatically calls up the most suitable Voice-related settings whenever you select a Panel Voice. ■ 100 auto accompaniment Styles, each with different Intro, Main A and B, four Fill-ins, and Ending sections. Each of the 100 Styles also features a special Jam Track section, providing stylistically appropriate chord progressions and section changes for playing along with. ■ Large custom LCD gives you easy, at-a-glance confirmation of all important settings. ■ One Touch Setting buttons, for automatically calling up an appropriate Voice (along with matching effect and other settings) for playing with the Style you select. Each of the 100 Styles features four different One Touch Settings. ■ Touch Response function for natural, expressive control over the Voices. ■ Rich, luscious-sounding effects — including Reverb, Chorus, Harmony and Echo — for enhancing the Voices. ■ Easy Chord Memory for recording your own chord progressions — letting you create automatic backing for your original songs. ■ Guide lamps (on PSR-230), and the Minus One and Repeat Play functions provide convenient, powerful tools for learning new songs and improving your keyboard technique. ■ Music Cartridge slot (on PSR-230) lets you plug in optional Yamaha Music Cartridges for adding new accompaniment Styles and Songs. ■ Comprehensive MIDI control, including 16-part multi-timbral capacity and full General MIDI compatibility. ■ Built-in high-quality stereo amplifier/speaker system. 1 Precautions — Taking Care of Your PortaTone Your new PortaTone is a fine musical instrument — and should be treated as such. Handle it with care and common sense, and it will give you years of enjoyment. Location -----------------------------------------------------------------• Avoid exposure to direct sunlight or other sources of heat. Never leave it inside a car where it can get very hot. Also avoid highly humid or dusty places. Interference From Electromagnetic Fields-----------------------• Do not use your PortaTone close to television sets, radios or similar equipment since this may cause interference noise in the other appliance. Handling ---------------------------------------------------------------• Protect your PortaTone from strong impact. Be careful not to drop it or place heavy objects on it. Avoid applying excessive force to the controls and keys. • Always unplug cables by gripping the plug firmly, and not by pulling on the cable. Turn Power Off When Making Connections -------------------• To avoid damage to the PortaTone or other equipment, turn off the power of all related equipment — including the PortaTone — before connecting or disconnecting any cables. When Not Using the PortaTone -----------------------------------• After use, always turn off the POWER switch. When not using your PortaTone for long periods, be sure to remove the batteries to avoid damage through battery leakage. When using the PortaTone with an AC adaptor, unplug the adaptor from the electrical outlet, if the instrument is not to be used for a long period of time, or during electrical storms. Cleaning-----------------------------------------------------------------• Clean the exterior with a soft, dry cloth. To remove stubborn stains, use a slightly moistened cloth. • Never use alcohol, thinner, or other chemical solvents, since they will damage the finish. Also, do not leave vinyl chloride material on the PortaTone for a long time, since it may adhere to the exterior. Service and Modification -------------------------------------------• Your PortaTone contains no user-serviceable parts. Opening it or tampering with it in any way may result in damage and even electrical shock. Refer all servicing to qualified Yamaha personnel. NOTE • Yamaha is not responsible for damage caused by improper usage. 2 Setting Up This section contains information about setting up your PortaTone for playing. Make sure to read this section carefully before using the instrument. Power Requirements Your PortaTone can run either on batteries (sold separately) or on normal household current by using the optional Yamaha PA-3/3B Power Adaptor (or another adaptor specifically recommended by Yamaha). ■ Using an AC Power Adaptor To connect your PortaTone to a wall socket, you will need the optionally available Yamaha PA-3/3B Power Adaptor. Use of other AC adaptors could result in damage to the instrument, so be sure to ask for the right kind. Plug the adaptor into a convenient wall outlet and its connector into the DC IN 10-12V jack on the back of your PortaTone. DC IN 10-12V ■ Using Batteries Inserting Batteries Turn the instrument upside-down and remove the battery compartment lid. Insert six 1.5-volt size “D” batteries as shown in the illustration, making sure that the positive and negative terminals are properly aligned, and replace the lid. When the Batteries Run Down When the batteries run low and the battery voltage drops below a certain level, the PortaTone may not sound or function properly, or it may reset to the default status. As soon as this happens, replace them with a complete set of six new batteries. Never mix old and new batteries or different types of batteries (e.g., alkaline and manganese). NOTE • To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time. 3 PHONES/AUX OUT Jack ■ Using Headphones For private practicing and playing without disturbing others, connect a set of stereo headphones to the rear panel PHONES/AUX OUT jack. Sound from the built-in speaker system is automatically cut off when you insert a headphone plug into this jack. PHONES / AUX OUT ■ Connecting a Keyboard Amplifier or Stereo System Though the PortaTone is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the PortaTone and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/AUX OUT jack on the PortaTone. SUSTAIN Jack An optional Yamaha FC4 or FC5 footswitch can be connected to the rear panel SUSTAIN jack for sustain control. The footswitch functions like the damper switch on a piano: press and hold to sustain the sound, and release for normal decay. For normal operation, turn the power off before connecting the footswitch, then turn the PortaTone on without pressing the footswitch. Also, do not disconnect the switch while the power is on. SUSTAIN NOTE • Make sure to turn the power off before connecting or disconnecting the footswitch. Music Stand Insert the bottom edge of the included music stand into the slot located at the top rear of the PortaTone control panel. (PSR-230) 4 Getting Started — Playing the Demo Songs The PortaTone has sixteen various Demo Songs, specially recorded to showcase the dynamic sounds and rhythms and give you an idea of what you can do with the instrument. 1 First, turn on the power. Press the POWER ON/OFF button. Whenever the power is turned on, the Voice mode is automatically called up and set to play Voice 01 (GRAND PIANO). POWER 2 Set the Volume. Initially, turn the VOLUME control about a third of the way up. You can adjust the control for optimum level once you start playing. VOLUME MIN MAX 3 Press the DEMO button. The Demo Songs will play in sequence from Song number 01. You can also play along on the keyboard with the Songs. DEMO NOTE • When Demo Songs that use the internal accompaniment Styles are played back, chord names are indicated in the display as the chords of the Song change. To stop playback, press the DEMO button again or press the START/STOP button. DEMO START/STOP START/STOP 5 Panel Controls and Terminals PSR-230 POP 01 8BEAT POP 02 8 UPBT POP 03 LIGHT POP 04 FOLKROCK 05 DETROIT POP 06 UP POP SHFL 07 POP RHUMBA 08 SHOWTUNE POP BALLAD 09 8BEAT LIGHT 10 SLOW BALLAD 11 EPIC BALLAD 12 16BEAT BLD 1 13 PNO BALLAD 14 6/8 BALLAD 1 15 6/8 BALLAD 2 ROCK 16 ROCK BALLAD 17 LITE RK BLD 18 LATIN ROCK 19 6/8HVY ROCK 20 6/8 GOSPEL 21 SLOW ROCK DANCE 33 B B BALLAD 34 SWING 35 CHARLESTON CONTEMP JAZZ 22 ACID JAZZ 23 70S DISCO 24 DISCO PARTY 25 DISCO TROP 26 POLKA POP ROCK & ROLL 36 COOL JAZZ 37 JAZZ BALLAD 38 JAZZ WALTZ LATIN 39 FAST BOSSA 40 SLOW BOSSA 41 SAMBA 1 42 JAZZ SAMBA 43 MAMBO 44 BEGUINE 45 MERENGUE 46 SON 47 BOLERO LNTO 48 REGGAE 12 27 ROCK&ROLL 1 28 ROCK&ROLL 2 29 BOOGIE 30 TWIST TRAD JAZZ 31 DIXIELAND 32 BIG BAND 50 BLUEGRASS 51 C ROCK 1 52 C ROCK 2 53 COWBOY BOOG 54 C BALLAD 55 C SHUFFLE 56 TWO STEP 57 C WALTZ 1 58 C WALTZ 2 WORLD MUSIC 69 TANGO ARGN 70 FOXTROT 71 JIVE 72 QUICKSTEP 73 SLOWFOX 74 SLOW WALTZ 75 VIEN WALTZ BALLROOM LTN 59 POLKA 1 60 POLKA 2 61 ESPAGNOLE 62 TARANTELLA 63 TRAD WALTZ 1 64 TRAD WALTZ 2 POWER ! MARCH 65 MARCH 1 66 MARCH 2 67 6/8 MARCH 1 68 6/8 MARCH 2 BALLROOM STD 49 REGGAE 16 C&W 76 CHA CHA 77 RHUMBA 78 SAMBA 2 79 CONGA 80 PASODOBLE DEMO VOLUME " PIANO STYLE 81 POP ROCK 82 POP SHUFFLE 83 ROCK POP 84 ROCK SHUFFL 85 16BEAT POP 86 16BEAT BLD 2 87 TECHNO 88 DANCE POP 89 POP RAP 90 EUROBEAT 91 DISCO POP 92 DISCO SOUL 93 R&B 94 SOUL 95 FUNK 96 6/8 BLUES 97 FUSION 98 POP BOSSA 99 SALSA 00 POP RAGGAE ( MODE NAME / SUB MENU STYLE KEYBOARD TOUCH A SPLIT SUB MENU ' DUAL VOICE EASY CHORD MEM 3 FINGERING 4 DUAL CHORUS STYLE REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL STYLE GUIDE HARMONY 12 VIBRAPHONE 13 MARIMBA 14 XYLOPHONE 15 TUBE BELLS 16 TIMPANI 17 STEEL DRUMS 18 MUSIC BOX HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION # SONG 2 SPLIT VOICE EFFECT SONG VOICE 1 ONE TOUCH SETTING MAIN VOICE TEMPO 6 5aug dim minMaj 7 sus4 MIDI VOLUME B A REVERB/OTHERS JAM ACCOMPANIMENT MIN VOLUME RESET % MAIN A MAIN B ENDING ) JAM TRACK MAX * TEMPO RESET SYNC-START START/STOP 19 JAZZ ORG 1 20 JAZZ ORG 2 21 JAZZ ORG 3 22 FULL ORGAN 23 ROCK ORG 1 24 ROCK ORG 2 25 16+2 ORGAN 26 16+4 ORGAN 27 CHURCH ORG 28 REED ORGAN 29 MUSETTE 30 TRAD ACCORD 31 BANDONEON GUITAR 52 PIZZ STR 53 CHOIR 54 CHOIR AAHS 55 CHOIR OOHS 56 SYNTH CHOIR 57 ORCH HIT STRINGS 37 CLEAN GTR 38 MUTE GUITAR 39 OVRDRV GTR 40 DIST GUITAR BASS 41 ACC BASS 42 FINGER BASS 43 FRETLESS 44 SLAP BASS 45 SYNTH BASS ENSEMBLE 32 CLASSIC GTR 33 FOLK GUITAR 34 12ST GUITAR 35 JAZZ GUITAR 36 OCTAVE GTR 46 STRINGS 47 CHAMBER STR 48 SYNTH STRS 49 SLOW STRS 50 TREMOLO STR 51 VIOLIN+STRS 1 2 3 4 5 6 7 8 9 58 VIOLIN 59 CELLO 60 CONTRABASS 61 HARP BRASS 62 TRUMPET 63 MUTE TRP 64 TROMBONE 65 TRB SECTION 66 FRENCH HORN INTRO MAIN/AUTO FILL JAM TRACK ENDING SYNCSTOP LARGE/ SMALL & START/STOP ONE TOUCH SETTING KEYBOARD TOUCH RESPONSE SPLIT FINGERING 95 FANTASIA 96 BELL PAD 97 XENON PAD 98 ANGELS 99 DARK MOON DRUM KIT 84 PICCOLO 00 DRUM KIT PSR-230 STYLE 5 VOICE EFFECT 0 + TEMPO 89 SQUARE LEAD 90 SAWTOOTH LD 91 VOICE LEAD 92 CRYSTAL 93 BRIGHTNESS 94 ANALOG LEAD SYNTH PAD 73 SOPRANO SAX 74 ALTO SAX 75 TENOR SAX 76 BARI SAX 77 SAX+CLARNET 78 SAX+TRB 79 OBOE 80 ENG HORN 81 BASSOON 82 CLARINET 83 HARMONICA PIPE 3 SONG VOLUME 85 FLUTE 86 PAN FLUTE 87 RECORDER 88 OCARINA SYNTH LEAD MAIN MENU INTRO VOICE $ 67 TUBA 68 BRASS SECT 69 BRASS+SAX 70 BRASS+TRB 71 BRASS+TRP 72 SYNTH BRASS REED ORGAN 01 GRAND PIANO 02 HONKY-TONK 03 FUNKY E PNO 04 DX E PIANO 05 MIDI GRAND 06 HYPER E PNO 07 BELL E PNO 08 HARPSICHORD 09 HARPSI CPL 10 CLAVI 11 CELESTA MALLETS MAIN MENU GrandPno CART REPEAT PLAY MINUS ONE 1 GUIDE SONG 2 EASY CHORD MEMORY 3 NO YES CARTRIGE 4 DUAL/ CHORUS REC/ END SONG CLEAR HARMONY/ ECHO REVERB CART BEAT MEASURE EASY CHORD MEMORY PSR-220 POP 01 8BEAT POP 02 8 UPBT POP 03 LIGHT POP 04 FOLKROCK 05 DETROIT POP 06 UP POP SHFL 07 POP RHUMBA 08 SHOWTUNE POP BALLAD 09 8BEAT LIGHT 10 SLOW BALLAD 11 EPIC BALLAD 12 16BEAT BLD 1 13 PNO BALLAD 14 6/8 BALLAD 1 15 6/8 BALLAD 2 ROCK 16 ROCK BALLAD 17 LITE RK BLD 18 LATIN ROCK 19 6/8HVY ROCK 20 6/8 GOSPEL 21 SLOW ROCK DANCE 33 B B BALLAD 34 SWING 35 CHARLESTON CONTEMP JAZZ 22 ACID JAZZ 23 70S DISCO 24 DISCO PARTY 25 DISCO TROP 26 POLKA POP ROCK & ROLL 36 COOL JAZZ 37 JAZZ BALLAD 38 JAZZ WALTZ LATIN 39 FAST BOSSA 40 SLOW BOSSA 41 SAMBA 1 42 JAZZ SAMBA 43 MAMBO 44 BEGUINE 45 MERENGUE 46 SON 47 BOLERO LNTO 48 REGGAE 12 27 ROCK&ROLL 1 28 ROCK&ROLL 2 29 BOOGIE 30 TWIST TRAD JAZZ 31 DIXIELAND 32 BIG BAND 49 REGGAE 16 C&W 50 BLUEGRASS 51 C ROCK 1 52 C ROCK 2 53 COWBOY BOOG 54 C BALLAD 55 C SHUFFLE 56 TWO STEP 57 C WALTZ 1 58 C WALTZ 2 WORLD MUSIC 59 POLKA 1 60 POLKA 2 61 ESPAGNOLE 62 TARANTELLA 63 TRAD WALTZ 1 64 TRAD WALTZ 2 POWER ! MARCH 65 MARCH 1 66 MARCH 2 67 6/8 MARCH 1 68 6/8 MARCH 2 BALLROOM STD 69 TANGO ARGN 70 FOXTROT 71 JIVE 72 QUICKSTEP 73 SLOWFOX 74 SLOW WALTZ 75 VIEN WALTZ BALLROOM LTN 76 CHA CHA 77 RHUMBA 78 SAMBA 2 79 CONGA 80 PASODOBLE VOLUME " DEMO PIANO STYLE 81 POP ROCK 82 POP SHUFFLE 83 ROCK POP 84 ROCK SHUFFL 85 16BEAT POP 86 16BEAT BLD 2 87 TECHNO 88 DANCE POP 89 POP RAP 90 EUROBEAT 91 DISCO POP 92 DISCO SOUL 93 R&B 94 SOUL 95 FUNK 96 6/8 BLUES 97 FUSION 98 POP BOSSA 99 SALSA 00 POP RAGGAE MODE NAME / SUB MENU STYLE EFFECT KEYBOARD TOUCH MAIN VOICE DUAL VOICE EASY CHORD MEM 3 4 SPLIT FINGERING DUAL CHORUS STYLE REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL STYLE GUIDE HARMONY 12 VIBRAPHONE 13 MARIMBA 14 XYLOPHONE 15 TUBE BELLS 16 TIMPANI 17 STEEL DRUMS 18 MUSIC BOX HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION ' SONG 2 SPLIT VOICE A SONG VOICE 1 TEMPO 6 5aug dim minMaj 7 sus4 A MIDI VOLUME B REVERB/OTHERS JAM MAIN A MAIN B ENDING ) JAM TRACK ACCOMPANIMENT RESET MAX % TEMPO RESET * SYNC-START START/STOP 19 JAZZ ORG 1 20 JAZZ ORG 2 21 JAZZ ORG 3 22 FULL ORGAN 23 ROCK ORG 1 24 ROCK ORG 2 25 16+2 ORGAN 26 16+4 ORGAN 27 CHURCH ORG 28 REED ORGAN 29 MUSETTE 30 TRAD ACCORD 31 BANDONEON GUITAR 37 CLEAN GTR 38 MUTE GUITAR 39 OVRDRV GTR 40 DIST GUITAR BASS 41 ACC BASS 42 FINGER BASS 43 FRETLESS 44 SLAP BASS 45 SYNTH BASS ENSEMBLE 32 CLASSIC GTR 33 FOLK GUITAR 34 12ST GUITAR 35 JAZZ GUITAR 36 OCTAVE GTR 46 STRINGS 47 CHAMBER STR 48 SYNTH STRS 49 SLOW STRS 50 TREMOLO STR 51 VIOLIN+STRS 1 2 3 4 5 6 7 8 9 52 PIZZ STR 53 CHOIR 54 CHOIR AAHS 55 CHOIR OOHS 56 SYNTH CHOIR 57 ORCH HIT STRINGS 58 VIOLIN 59 CELLO 60 CONTRABASS 61 HARP BRASS 62 TRUMPET 63 MUTE TRP 64 TROMBONE 65 TRB SECTION 66 FRENCH HORN TEMPO INTRO MAIN/AUTO FILL ENDING JAM TRACK SYNCSTOP LARGE/ SMALL STYLE ONE TOUCH SETTING KEYBOARD & START/STOP TOUCH RESPONSE SPLIT FINGERING EASY CHORD MEMORY REPEAT PLAY MINUS ONE 1 2 MEASURE SONG 3 4 NO DUAL/ CHORUS YES HARMONY/ ECHO EASY CHORD MEMORY REC/ END BEAT MIDI OUT IN 6 6 89 SQUARE LEAD 90 SAWTOOTH LD 91 VOICE LEAD 92 CRYSTAL 93 BRIGHTNESS 94 ANALOG LEAD SYNTH PAD 95 FANTASIA 96 BELL PAD 97 XENON PAD 98 ANGELS 99 DARK MOON DRUM KIT 00 DRUM KIT PSR-220 5 VOICE EFFECT 0 + 84 PICCOLO General MIDI compatible Reverb and chorus effects Touch responsive keys SONG VOLUME 73 SOPRANO SAX 74 ALTO SAX 75 TENOR SAX 76 BARI SAX 77 SAX+CLARNET 78 SAX+TRB 79 OBOE 80 ENG HORN 81 BASSOON 82 CLARINET 83 HARMONICA PIPE 85 FLUTE 86 PAN FLUTE 87 RECORDER 88 OCARINA SYNTH LEAD MAIN MENU INTRO VOICE MIN VOLUME 67 TUBA 68 BRASS SECT 69 BRASS+SAX 70 BRASS+TRB 71 BRASS+TRP 72 SYNTH BRASS REED ORGAN 01 GRAND PIANO 02 HONKY-TONK 03 FUNKY E PNO 04 DX E PIANO 05 MIDI GRAND 06 HYPER E PNO 07 BELL E PNO 08 HARPSICHORD 09 HARPSI CPL 10 CLAVI 11 CELESTA MALLETS MAIN MENU GrandPno CART ONE TOUCH SETTING SUB MENU # ( SONG CLEAR SUSTAIN PHONES/ AUX OUT DC IN 10-12 + - 7 8 9 REVERB Top Panel Controls ! POWER switch ..........................................................................page 5 " VOLUME control ........................................................................page 5 # DEMO button ............................................................................page 5 $ ACCOMPANIMENT/SONG VOLUME controls ................pages 23, 32 % ACCOMPANIMENT/SONG TEMPO controls ........................ page 22 & KEYBOARD controls 67 TUBA 68 BRASS SECT 69 BRASS+SAX 70 BRASS+TRB 71 BRASS+TRP 72 SYNTH BRASS REED ORGAN 19 JAZZ ORG 1 20 JAZZ ORG 2 21 JAZZ ORG 3 22 FULL ORGAN 23 ROCK ORG 1 24 ROCK ORG 2 25 16+2 ORGAN 26 16+4 ORGAN 27 CHURCH ORG 28 REED ORGAN 29 MUSETTE 30 TRAD ACCORD 31 BANDONEON GUITAR 52 PIZZ STR 53 CHOIR 54 CHOIR AAHS 55 CHOIR OOHS 56 SYNTH CHOIR 57 ORCH HIT STRINGS 37 CLEAN GTR 38 MUTE GUITAR 39 OVRDRV GTR 40 DIST GUITAR BASS 41 ACC BASS 42 FINGER BASS 43 FRETLESS 44 SLAP BASS 45 SYNTH BASS ENSEMBLE 32 CLASSIC GTR 33 FOLK GUITAR 34 12ST GUITAR 35 JAZZ GUITAR 36 OCTAVE GTR 46 STRINGS 47 CHAMBER STR 48 SYNTH STRS 49 SLOW STRS 50 TREMOLO STR 51 VIOLIN+STRS 1 2 3 4 5 6 7 8 9 58 VIOLIN 59 CELLO 60 CONTRABASS 61 HARP BRASS 62 TRUMPET 63 MUTE TRP 64 TROMBONE 65 TRB SECTION 66 FRENCH HORN 89 SQUARE LEAD 90 SAWTOOTH LD 91 VOICE LEAD 92 CRYSTAL 93 BRIGHTNESS 94 ANALOG LEAD SYNTH PAD 73 SOPRANO SAX 74 ALTO SAX 75 TENOR SAX 76 BARI SAX 77 SAX+CLARNET 78 SAX+TRB 79 OBOE 80 ENG HORN 81 BASSOON 82 CLARINET 83 HARMONICA PIPE 95 FANTASIA 96 BELL PAD 97 XENON PAD 98 ANGELS 99 DARK MOON DRUM KIT 84 PICCOLO 00 DRUM KIT PSR-230 5 VOICE EFFECT YES CARTRIGE • TOUCH RESPONSE button ..................................................page 18 • SPLIT button ........................................................................ page 14 • FINGERING button ..............................................................page 24 ' SUB MENU buttons .......................................................... pages 8, 11 3 0 NO 85 FLUTE 86 PAN FLUTE 87 RECORDER 88 OCARINA SYNTH LEAD EASY CHORD MEMORY DUAL/ CHORUS REC/ END SONG CLEAR HARMONY/ ECHO ( Panel Display .......................................................................... page 8 ) MAIN MENU buttons ...................................................... pages 8, 11 REVERB CART * ACCOMPANIMENT controls • SYNC-START button ............................................................page 21 • START/STOP button ............................................................ page 21 • INTRO button ...................................................................... page 21 • MAIN/AUTO FILL A, B buttons .................................. pages 21, 22 • ENDING button .................................................................. page 24 • JAM TRACK button ............................................................ page 23 • SYNC-STOP button ............................................................ page 24 • LARGE/SMALL button ........................................................ page 23 + SONG controls • START/STOP button ............................................................ page 29 • REPEAT PLAY button .......................................................... page 29 • MINUS ONE button ............................................................ page 31 • GUIDE button (PSR-230 only) ............................................ page 30 67 TUBA 68 BRASS SECT 69 BRASS+SAX 70 BRASS+TRB 71 BRASS+TRP 72 SYNTH BRASS REED ORGAN 19 JAZZ ORG 1 20 JAZZ ORG 2 21 JAZZ ORG 3 22 FULL ORGAN 23 ROCK ORG 1 24 ROCK ORG 2 25 16+2 ORGAN 26 16+4 ORGAN 27 CHURCH ORG 28 REED ORGAN 29 MUSETTE 30 TRAD ACCORD 31 BANDONEON GUITAR 37 CLEAN GTR 38 MUTE GUITAR 39 OVRDRV GTR 40 DIST GUITAR BASS 41 ACC BASS 42 FINGER BASS 43 FRETLESS 44 SLAP BASS 45 SYNTH BASS ENSEMBLE 32 CLASSIC GTR 33 FOLK GUITAR 34 12ST GUITAR 35 JAZZ GUITAR 36 OCTAVE GTR 46 STRINGS 47 CHAMBER STR 48 SYNTH STRS 49 SLOW STRS 50 TREMOLO STR 51 VIOLIN+STRS 1 2 3 4 5 6 7 8 9 52 PIZZ STR 53 CHOIR 54 CHOIR AAHS 55 CHOIR OOHS 56 SYNTH CHOIR 57 ORCH HIT STRINGS 58 VIOLIN 59 CELLO 60 CONTRABASS 61 HARP BRASS 62 TRUMPET 63 MUTE TRP 64 TROMBONE 65 TRB SECTION 66 FRENCH HORN 84 PICCOLO General MIDI compatible Reverb and chorus effects Touch responsive keys 89 SQUARE LEAD 90 SAWTOOTH LD 91 VOICE LEAD 92 CRYSTAL 93 BRIGHTNESS 94 ANALOG LEAD SYNTH PAD 95 FANTASIA 96 BELL PAD 97 XENON PAD 98 ANGELS 99 DARK MOON DRUM KIT 00 DRUM KIT PSR-220 DUAL/ CHORUS YES HARMONY/ ECHO , VOICE Mode button ................................................................page 10 - STYLE Mode button ................................................................ page 20 . SONG Mode button .............................................................. page 28 / ONE TOUCH SETTING 1 - 4 buttons ............................ pages 27, 33 (also:) EASY CHORD MEMORY controls ................................ page 35 • MEASURE +/- buttons ........................................................ page 35 5 VOICE EFFECT 0 NO 73 SOPRANO SAX 74 ALTO SAX 75 TENOR SAX 76 BARI SAX 77 SAX+CLARNET 78 SAX+TRB 79 OBOE 80 ENG HORN 81 BASSOON 82 CLARINET 83 HARMONICA PIPE 85 FLUTE 86 PAN FLUTE 87 RECORDER 88 OCARINA SYNTH LEAD REVERB • BEAT +/- buttons ................................................................ page 35 EASY CHORD MEMORY REC/ END 0 Numeric keypad .................................................................... page 10 SONG CLEAR 1 -/NO, +/YES buttons ............................................................ page 11 2 CARTRIDGE button (PSR-230) ................................................ page 37 3 Music Cartridge slot (PSR-230) ............................................ page 36 4 EASY CHORD MEMORY (REC/END) button .......................... page 34 5 VOICE EFFECT controls • DUAL/CHORUS button .............................................. pages 12, 16 (also:) SONG CLEAR button for Easy Chord Memory .................. page 35 • HARMONY/ECHO button .................................................. page 16 • REVERB button .................................................................... page 18 Rear Panel Terminals IDI 6 IN SUSTAIN PHONES/ AUX OUT DC IN 10-12 + - 7 8 9 6 MIDI IN/OUT terminals .......................................................... page 38 7 SUSTAIN jack .......................................................................... page 4 8 PHONES/AUX OUT jack .......................................................... page 4 9 DC IN 10-12V jack ................................................................ page 3 7 Basic Display Operations The PortaTone features a large multi-function display that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display. Main Menus and S MAIN MENU • NAME/SUB MENU The Main Menu and the Sub Menus give you access to the detailed settings for the PortaTone. These include settings for the Main, Dual and Split Voices, as well as various settings for the Styles, Songs and effects. They also include MIDI settings and overall controls. The display indicates the selected Main Menu item, and shows the name and number of the selected Voice, Style, or Song, or the selected Sub Menu parameter. • Main Voice (page 11) — Main Voice Name — Main Voice Volum — Main Voice Octave — Main Voice Pan — Main Voice Reverb — GM Voice Use the MAIN MENU buttons to select a Main Menu item, and the SUB MENU buttons to select a Sub Menu item. The first Sub Menu item can be directly selected by pressing both SUB MENU buttons simultaneously. KEYBOARD MODE This section contains indications for the keyboard-related functions: Touch Response (page 18), Split mode (page 14), and Fingering (page 24). Pressing the appropriate button in the KEYBOARD section of the panel turns the corresponding function on/off. (The display indication appears or disappears accordingly.) •CART (Cartridge) (P When a Music Cartridg Style is selected, this ic This section indicates which mode is selected — Voice, Style, Song, or Easy Chord Memory. To select the desired mode, press the corresponding button: VOICE, STYLE, SONG, or EASY CHORD MEMORY (REC/END). CART STYLE VOICE SONG EASY CHORD MEM •General MIDI When a GM Voice is se icon appears. ONE TOUCH SETTING TOUCH SPLIT This indicates which of the One Touch Settings have been called up. To select a One Touch Setting, press one of the ONE TOUCH SETTING buttons. (See pages 27, 33.) FINGERING SONG 1 This section contains indications for the Song-related functions: Repeat Play (page 29), Minus One (page 31), and Guide (PSR-230 only) (page 30). Pressing the appropriate button on the panel turns the corresponding function on/off. (The display indication appears or disappears accordingly.) 2 3 4 NAME / SUB MODE Gra CART STYLE ONE TOUCH SETTING A B REPEAT KEYBOARD MINUS ONE GUIDE EFFECT STYLE EASY CHORD MEMORY STYLE This section contains indications for the Easy Chord Memory function (page 33). These include the current measure and beat, as well as the chord name entered at the current position. The chord name is also displayed when playing chords in the Auto Accompaniment section of the keyboard (page 22). The current measure and beat are also displayed during Song playback (page 28). 6 5aug dim minMaj 7 sus4 8 TOUCH A SONG This section contains indications for the Style-related functions: Sync Stop (page 24), Large/Small (page 23), and Tempo (page 22). Pressing the SYNC-STOP button turns that function on/off. Pressing the LARGE/SMALL button switches between the two accompaniment ensemble “sizes”: Large and Small. Using the TEMPO controls changes the playback speed and the TEMPO value in the display. The metronome icon flashes in time with the current tempo. SYNC STOP LARGE/SMALL TEMPO EASY CHORD MEMORY STYLE SECTION VOICE SONG 1 2 SPLIT FINGERING B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE TEMPO 6 dim minMaj 7 s B A STYLE SECTION This indicates playba rhythm/accompanim “sections” — Intro, M and Jam Track — eac as it plays. These can appropriate button du page 22.) A Main Menus and Sub Menus settings for the DI settings and selected Voice, em. The first Sub • MIDI (page 40) — Remote Channel — Keyboard Out — Accompaniment Out — Receive Channel Select — Receive Switch — Local Control — External Clock • Split Voice (page 15) — Split Voice Name — Split Voice Volume — Split Voice Octave — Split Voice Pan — Split Voice Reverb Level — Split Point 1 — Split Point 2 — GM Voice •CART (Cartridge) (PSR-230 only) When a Music Cartridge Song or Style is selected, this icon appears. s selected — Voice, To select the desired on: VOICE, STYLE, Y (REC/END). • Harmony/Echo (page 17) — Type Name — Harmony Volume — Echo Speed • Dual Voice (page 13) — Dual Voice Name — Dual Voice Volume — Dual Voice Octave — Dual Voice Pan — Dual Voice Reverb Level — GM Voice • Main Voice (page 11) — Main Voice Name — Main Voice Volume — Main Voice Octave — Main Voice Pan — Main Voice Reverb Level — GM Voice CART EASY CHORD MEM • Style (page 20, 26) — Style Name — Accompaniment Split Point •General MIDI When a GM Voice is selected, this icon appears. uch Settings have been etting, press one of the ee pages 27, 33.) • Song (page 32) — Song Name — Minus One Part — Minus One Right Hand Channel — Minus One Left Hand Channel 4 e-related (page 23), and button turns that L button switches “sizes”: Large and he playback The metronome NAME / SUB MENU MODE STYLE EFFECT STYLE EASY CHORD MEMORY STYLE SECTION SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU GrandPno CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE • Reverb/Others (page 19) — Reverb Type Name — Transpose — Tuning — Voice Set — Touch Sensitivity — Guide Lamp (PSR-230 only) — Metronome EFFECT This section contains indications for the Voice effectrelated functions: Dual mode (page 12), Chorus (page 16), Harmony/Echo (page 16), and Reverb (page 18). Pressing the appropriate button in the VOICE EFFECT section of the panel turns the corresponding function on/off. (The display indication appears or disappears accordingly.) HARMONY/ECHO TEMPO 6 5aug dim minMaj 7 sus4 MIDI VOLUME B A JAM REVERB/OTHERS DUAL CHORUS HARMONY REVERB JAM STYLE SECTION This indicates playback of the Styles, or the rhythm/accompaniment patterns. Each Style has different “sections” — Intro, Main A and B, four Fill-ins, Ending, and Jam Track — each of which is indicated in the display as it plays. These can be played by pressing the appropriate button during accompaniment playback. (See page 22.) A B VOLUME This graphic indication shows the Accompaniment and Song volume. JAM VOLUME 9 Playing Voices —The Voice Mode The PortaTone features a wealth of dynamic, realistic Voices — 100 Panel Voices, or 129 GM Voices (128 Voices + 1 Percussion Kit). (See pages 42, 43.) The Voice mode gives you many powerful and versatile tools for playing and enhancing these Voices. The Voice mode is actually divided into three separate modes: Main, Dual and Split. In the Main Voice mode (see below), you can play a single Voice over the entire range of the keyboard. The Dual Voice mode (page 12) allows you to “layer” two different Voices together for rich, complex sounds. The Split Voice mode (page 14) lets you set up two different Voices for playing from separate sections of the keyboard. Moreover, a special Voice Effect section (page 16 - 18) lets you enhance the sound of the Voice or Voices with Chorus, Harmony, Echo, and Reverb effects. Selecting and Playing a Voice — Main Voice Mode 1 Select the Voice mode. Press the VOICE button. (The VOICE indications appear in the display, indicating that the Voice mode and Main Voice menu are selected.) VOICE NAME / SUB MENU MODE STYLE KEYBOARD EFFECT VOICE 1 ONE TOUCH SETTING MAIN MENU GrandPno CART SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH SPLIT FINGERING DUAL CHORUS STYLE NOTE • You can quickly select the first parameter in the Main Voice menu (Main Voice Volume) by pressing and holding the VOICE button. • Selecting MAIN VOICE (or DUAL VOICE, SPLIT VOICE) with the Main Menu buttons does not change the selected mode; the Style or Song mode is still active, but the appropriate Voice menu is called up. 2 Select the desired Voice number. Use the numeric keypad. Available Voices are listed on the upper right of the panel. You can either enter the Voice number directly with the number buttons, or step up and down through the Voices by using the +/- buttons. Using the number buttons Be sure to enter a two-digit number, as is printed next to each Voice name on the panel. For example, to select Voice 09, first press “0” on the numeric keypad, then “9.” 1 2 3 1 2 3 4 5 6 4 5 6 7 8 9 7 8 9 0 NO 0 YES NO For GM Voices, make sure to enter three-digit numbers. 10 YES Using the +/- buttons Press the + button to select the next Voice, and press the - button to select the previous Voice. Holding down either button continuously scrolls up or down through the numbers. The +/- buttons have a “wrap around” feature. For example, pressing the + button from the last number returns to Voice 01. About Panel Voices and GM Voices Keep in mind that the PortaTone has two separate sets of Voices: 100 Panel Voices and 129 GM (General MIDI) Voices. The GM Voices can also be used for optimum playback of GMcompatible song data. This means that any GM song data (played from a sequencer or other MIDI device) will sound just as the composer or programmer intended. To change between Panel and GM Voices, use the Sub Menu in the Main, Dual, or Split Voice modes (see pages 11, 13, 15). 3 Play the selected Voice. To change to another Voice, repeat step 2 above. NOTE • You can also play rhythm Styles in the Voice mode by simply pressing the START/STOP button. The Style last selected from the Style mode will be played. other settings for the Voice — Volume, Octave, 4 Change Pan, etc. — if you wish. Whenever you select a Panel Voice for the Main Voice, the Sub Menu parameters for that Voice are automatically set to values that best suit the Voice. This is the Voice Set function. (See page 19.) However, you can change the Voice settings if you wish by using the Sub Menu. First, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/buttons to change the setting. SUB MENU NAME / SUB MENU MODE STYLE EFFECT SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU M.Volume CART REPEAT STYLE SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B MINUS ONE GUIDE HARMONY/ECHO ■ Main Voice Sub Menu Parameter Name Display Name Range Description Main Voice Name — 01 - 00/001 - 129 This determines the Main Voice. Panel Voices are from 01 - 00, and GM Voices are from 001 - 129. (To change between Panel and GM Voices, use the GM Voice parameter below.) Main Voice Volume M.Volume 000 - 127 This determines the volume of the Main Voice, letting you create the optimum blend with the Dual Voice. Main Voice Octave M.Octave -2 - +2 octaves This determines the octave range for the Main Voice. Main Voice Pan M.Pan -7 (full left) - +7 (full right) This determines the pan position of the Main Voice in the stereo image. Main Voice Reverb Level M.RevLvl 000 - 127 This determines how much of the Main Voice’s signal is sent to the Reverb effect. Higher values result in a louder Reverb effect. GM Voice GMvoice on, off This determines whether the Main Voice is selected from the Panel Voices (off), or from the GM Voices (on). When GM Voice is on, the General MIDI icon will appear at the left of the Voice number in the display. 11 NOTE • The Main Voice Volume parameter can be directly selected by pressing and holding down the VOICE button. • The Main Voice Name parameter can be directly selected by pressing both MAIN MENU buttons simultaneously. • Reset to default settings To reset the selected Main Voice parameter to its default settings, simultaneously press the +/- buttons. • Negative values To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding down the - button. ■ Percussion Kit Voice Chart Mu te eM Sh ut ak e er gl ca ian Cu i Tr Br us h Cl Br i Sw ush ck S irl W wirl /A Sn ttac k ar eR ol S l n Ba ss are 1 Ba Dru m ss 1 Ba Dru m ss Dr 2 um Sn 3 ar e Sn 2 Fl oo are rT 3 Fl oo om L rT o Lo m H w Mi Tom d T Mi om d To L Ch Hig m H in h Ri ese Tom de C Cy ym b Sp mba al lC la Cr sh C up as h ymb Ri Cym al de b Cy al 2 m ba l Co Bon 2 g ng aH oH M Co ute n Ti ga L m ba l Ag e H og o Sa m Ca H b ba Sa a W sa h m ba istl eH W hi Gu stle L W iro oo Lo d Bl ng W o oo ck d H B Cu lock i Tr ca O L ian gl pen e Jin Ope n gl eB Be ell ll T re e Br u sh Ta Br p us h Sl ap Ca st an et St ick s Op en Ri m Sh Cl ot os ed R Ha im nd Sh Cl ot ap Hi -H at Cl Hi os -H ed at Pe Hi da -H l at Op en Cr as h Cy Ri m de ba l1 Cy m ba Ta l1 m bo ur Co i wb ne ell Vi br as lap Bo ng o L Co ng aH Op Ti en m ba le Ag L og o L Ma ra ca s Gu iro Sh or Cl t av es The PortaTone also has a special Percussion Kit Voice (Panel Voice #00, or GM Voice #129) that lets you play various drum and percussion sounds from the keyboard. Symbols for the sounds are also printed above the keyboard, conveniently indicating which sounds are played from which keys. NOTE • The corresponding MIDI note numbers for the notes are actually one octave lower. For example, the MIDI note number for note 36 (C1) is note 24 (C0). Playing Two Voices — Dual Voice Mode The Dual Voice mode lets you create richly textured sounds by “layering” two different Voices together — one Voice being the Main Voice selected in the normal way (page 10), and the other a Dual Voice selected as described below. 1 Turn on the Dual Voice mode. Press the DUAL/CHORUS button (in the VOICE EFFECT section) once, or repeatedly until the Dual Voice icon appears in the display. VOICE EFFECT DUAL/ CHORUS HARMONY/ ECHO REVERB SONG CLEAR DUAL/CHORUS button DUAL DUAL icon in display When you play the keyboard, both the currently selected Main and Dual Voices will be heard. 12 the desired Dual Voice and make other settings for the Voice, 2 ifSelect desired. First, use the MAIN MENU buttons to select DUAL VOICE in the display. MAIN MENU NAME / SUB MENU MODE STYLE EFFECT SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU ViolinSt CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE GUIDE HARMONY/ECHO Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. SUB MENU NAME / SUB MENU MODE STYLE EFFECT STYLE SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU D.Volume CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE HARMONY/ECHO TEMPO MIDI ■ Dual Voice Sub Menu Parameter Name Display Name Range Description Dual Voice Name — 01 - 00/001 - 129 This determines the Dual Voice. Panel Voices are from 01 - 00, and GM Voices are from 001 - 129. (To change between Panel and GM Voices, use the GM Voice parameter below.) Dual Voice Volume D.Volume 000 - 127 This determines the volume of the Dual Voice (relative to the Main Voice’s volume), letting you create the optimum blend with the Main Voice. Dual Voice Octave D.Octave -2 - +2 octaves This determines the octave range for the Dual Voice (relative to the Main Voice’s octave setting). Dual Voice Pan D.Pan -7 (full left) - +7 (full right), -(opposite of Main Voice) This determines the pan position of the Dual Voice in the stereo image. To set Dual Voice Pan to the opposite of that of the Main Voice (“--”), press the + or - button (past +7 or -7). Dual Voice Reverb Level D.RevLvl 000 - 127 This determines how much of the Dual Voice’s signal is sent to the Reverb effect. Higher values result in a louder Reverb effect for the Dual Voice. GM Voice GMvoice on, off This determines whether the Dual Voice is selected from the Panel Voices (off), or from the GM Voices (on). When GM Voice is on, the General MIDI icon will appear at the left of the Voice number in the display. NOTE • If the Voice Set function (page 19) is on, the Dual Voice parameters will change automatically whenever a different Panel Voice is selected in the Main Voice menu. • The Dual Voice Name parameter can be directly selected by pressing and holding down the DUAL/CHORUS button. • Reset to default settings To reset the selected Dual Voice parameter to its default settings, simultaneously press the +/- buttons. • Negative values To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding down the - button. 13 Playing Two Voices — Split Voice Mode In the Split Voice mode, you can assign two different Voices to opposite sections of the keyboard, and play one Voice with your left hand while your right plays another. For example, you could play bass with the left hand and play piano with the right. The right-hand (or upper) Voice is selected in the Main Voice mode, and the left-hand (or lower) Voice is selected in the Split Voice mode, as described below. 1 Turn on the Split Voice mode. Press the SPLIT button (in the KEYBOARD section) so that the Split Voice icon appears in the display. KEYBOARD TOUCH RESPONSE SPLIT FINGERING SPLIT SPLIT button SPLIT icon in display When you play the keyboard, both the currently selected Main and Split Voices will be heard. Select the desired Split Voice and make other settings for the Voice, if 2 desired. First, use the MAIN MENU buttons to select SPLIT VOICE in the display. MAIN MENU NAME / SUB MENU MODE STYLE EFFECT SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU FngrBass CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE GUIDE HARMONY/ECHO STYLE Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. SUB MENU NAME / SUB MENU MODE STYLE EFFECT STYLE SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU S.Volume CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE HARMONY/ECHO TEMPO NOTE • Dual Voice and Split Voice can be used together. You can have the Split Voice play in the lower section of the keyboard and play the Main and Dual Voices together in the upper. 14 ■ Split Voice Sub Menu Parameter Name Display Name Range Description Split Voice Name — 01 - 00/001 - 129 This determines the Split (lower) Voice. Panel Voices are from 01 - 00, and GM Voices are from 001 - 129. (To change between Panel and GM Voices, use the GM Voice parameter below.) Split Voice Volume S.Volume 000 - 127 This determines the volume of the Split (lower) Voice, letting you create the optimum blend with the Main (upper) Voice. Split Voice Octave S.Octave -2 - +2 octaves This determines the octave range for the Split (lower) Voice. Split Voice Pan S.Pan -7 (full left) - +7 (full right) This determines the pan position of the Split (lower) Voice in the stereo image. Split Voice Reverb Level S.RevLvl 000 - 127 This determines how much of the Split (lower) Voice’s signal is sent to the Reverb effect. Higher values result in a louder Reverb effect for the Split Voice. Split Point 1 SpltPnt1 36 - 96 (C1 - C6) This determines the Split Point — i.e., the key that separates the Split (lower) and Main (upper) Voices — when the Voice mode or Song mode is active. (The Split Voice sounds up to and including the Split Point key.) The default for Split Point 1 is 59 (B2). Split Point 1 can also be set directly by pressing the desired key while this parameter is selected. Split Point 2 SpltPnt2 37 - 96 (C#1 - C6) This determines the Split Point — i.e., the key that separates the Split (lower) and Main (upper) Voices — when the Style mode is active. (The Split Voice sounds up to and including the Split Point key.) The default for Split Point 2 is 71 (B3). Split Point 2 can also be set directly by pressing the desired key while this parameter is selected. GM Voice GMvoice on, off This determines whether the Split Voice is selected from the Panel Voices (off), or from the GM Voices (on). When GM Voice is on, the General MIDI icon will appear at the left of the Voice number in the display. NOTE • If the Voice Set function (page 19) is on, the Split Voice parameters (excepting Split Points 1 and 2) will change automatically whenever a different Panel Voice is selected in the Main Voice menu. • The Split Voice Name parameter can be directly selected by pressing and holding down the SPLIT button. • Split Point 2 cannot be set lower than the Accompaniment Split Point. (See page 26.) • The Split Point 1 and 2 settings are retained in memory when power is turned off, as long as batteries are installed or an AC adaptor is connected. • Reset to default settings To reset the selected Split Voice parameter to its default settings, simultaneously press the +/- buttons. • Negative values To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding down the - button. 15 Other Voice Controls Chorus The Chorus effect lets you enhance the sound of a Voice with chorus modulation. This slightly detunes the Voice with itself, creating a thicker and warmer sound. Turn on the Chorus effect. Press the DUAL/CHORUS button once or twice, or until the CHORUS icon appears in the display. VOICE EFFECT DUAL/ CHORUS HARMONY/ ECHO REVERB SONG CLEAR CHORUS DUAL/CHORUS button CHORUS icon in display NOTE • The Chorus effect can be applied to the Main Voice. Harmony/Echo Harmony and Echo are two separate effects that can be applied to a Voice. Harmony is used in conjunction with the auto accompaniment features (page 20), and creates automatic harmonies (for notes played in the upper section of the keyboard) to match the accompaniment chords. Echo produces delayed repeats of the sound for special effects. Various settings for the two effects can be changed in the Sub Menus. To use Harmony or Echo: 1 Turn on the Harmony/Echo effect. Press the HARMONY/ECHO button. (The HARMONY icon appears in the display.) VOICE EFFECT DUAL/ CHORUS HARMONY/ ECHO REVERB SONG CLEAR HARMONY/ECHO button HARMONY HARMONY icon in display When you play the keyboard, the currently selected Harmony or Echo effect will be heard. 16 the Harmony/Echo type and make other settings for the 2 Change effect, if desired. Use the MAIN MENU buttons to select the HARMONY/ECHO menu, and select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. MAIN MENU NAME / SUB MENU MODE STYLE EFFECT STYLE SONG 2 MAIN VOICE EASY CHORD MEM 3 DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU Duet CART SPLIT FINGERING REPEAT MINUS ONE SYNC STOP LARGE/SMALL EASY CHORD MEMORY DUAL CHORUS STYLE HARMONY REVERB SONG B GUIDE HARMONY/ECHO TEMPO dim 6 7 5aug MIDI ■ Harmony/Echo Sub Menu Parameter Name Display Name Range Description Type Name — 1 - 8 (1-5: Harmony types; 6-8: Echo types) This determines the type of effect for Harmony or Echo. The Harmony types are (1) Duet, (2) Trio, (3) Block, (4) Country, and (5) Octave. The Echo types are (6) Trill, (7) Tremolo, and (8) Echo. Harmony Volume HarmVol 000 - 127 This determines the volume of the Harmony effect, letting you create the optimum blend with the original note. Echo Speed EchoSpd 1-7 This determines the “speed” of the Echo effect, or the amount of time between the delayed repeats — which is based on note values. The actual Echo speed depends on the selected tempo. Settings: 1 — 04: 1/4 note 2 — 06: 1/4 note triplets 3 — 08: 1/8 note 4 — 12: 1/8 note triplets 5 — 16: 1/16 note 6 — 24: 1/16 note triplets 7 — 32: 1/32 note NOTE • The Harmony effect is not available in the Voice mode, nor when the Auto Accompaniment Chord Cancel function (page 25) is on. • If the Voice Set function (page 19) is on, the Harmony/Echo parameters will change automatically whenever a different Panel Voice is selected in the Main Voice menu. • The Harmony/Echo Type Name parameter can be directly selected by pressing and holding down the HARMONY/ECHO button. • Reset to default settings To reset the selected Harmony/Echo parameter to its default settings, simultaneously press the +/- buttons. • Harmony/Echo is not available when the Full Fingering mode (page 26) is on, and will automatically be turned off when the Full Fingering mode is selected. 17 Reverb The Reverb effect reproduces the natural ambient “wash” that occurs when a sound is heard in a room or concert hall. Several different Reverb types are available in the Sub Menus. To use Reverb: 1 Turn on the Reverb effect. Press the REVERB button. (The REVERB icon appears in the display.) VOICE EFFECT DUAL/ CHORUS HARMONY/ ECHO REVERB SONG CLEAR REVERB REVERB button REVERB icon in display When you play the keyboard, the currently selected Reverb effect will be heard. 2 Change the Reverb type, if desired. First, select REVERB/OTHERS in the Main Menu, then select the Reverb Type Name parameter with the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For details, see the REVERB/OTHERS Sub Menu chart on page 19.) NOTE • The Reverb Type will change automatically whenever a different Style is selected in the Style menu. • The Reverb Type Name parameter can be directly selected by pressing and holding down the REVERB button. • Reverb is turned on whenever the power is turned on. • The Reverb Send Level can be ajusted independently for each of the Main, Dual and Split Voice modes. (See pages 11, 13 and 15) • If Reverb Type 9 (No Effect) is selected. Reverb will not be applied to the Sound, even when the REVERB button is pressed. Touch Response The PortaTone keyboard has a Touch Response feature, letting you expressively play the Voices, controlling the volume by how soft or hard you strike the keys. Touch Response can be turned on or off, and the Touch Sensitivity (the degree of Touch Response) can be adjusted. 1 Turn on the Touch Response feature. Press the TOUCH RESPONSE button. (The TOUCH icon appears in the display.) KEYBOARD TOUCH RESPONSE SPLIT FINGERING TOUCH TOUCH RESPONSE button TOUCH RESPONSE icon in display 2 Change the Touch Sensitivity, if desired. First, select REVERB/OTHERS in the Main Menu, then select the Touch Sensitivity parameter with the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For details, see the REVERB/OTHERS Sub Menu chart on page 19.) NOTE • The Touch Sensitivity parameter can be directly selected by pressing and holding down the TOUCH RESPONSE button. • The Touch Response on/off setting is retained in memory when power is turned off, as long as batteries are installed or an AC adaptor is connected. 18 Overall Controls Various controls related to the overall operation of the PortaTone are contained in the Reverb/Others menu. These include the Reverb Type parameter as well as the following overall parameters: Transpose, Tuning, Voice Set, Touch Sensitivity, Guide Lamp (PSR-230 only), and Metronome. ■ Reverb/Others Sub Menu First, use the MAIN MENU buttons to select the Reverb/Others menu, and select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. NAME / SUB MENU MAIN MENU MODE STYLE EFFECT STYLE SONG 2 MAIN VOICE EASY CHORD MEM 3 DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU Hall1 CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION Range TEMPO 6 5aug dim minMaj 7 sus4 A B MIDI VOLUME JAM REVERB/OTHERS Parameter Name Display Name Description Reverb Type Name — 1-9 This determines the type of Reverb effect. The Reverb types are (1) Hall 1, (2) Hall 2, (3) Room 1, (4) Room 2, (5) Plate 1, (6) Plate 2, (7) Delay 1, (8) Delay 2, and (9) No Effect. Transpose Transpos -12 - +12 semitones (+/- 1 octave) This determines the overall pitch of the instrument, up or down in semitone increments. Tuning Tuning -50 - +50 cents (+/approx. 1 semitone) This determines the overall fine pitch setting of the instrument. Voice Set VoiceSet on/off This determines whether the Voice Set feature is on or off. When Voice Set is on (default), selecting a Panel Voice in the Main Voice menu automatically sets the Voice-related parameters to values that best match the selected Voice. (Voice Set includes all parameters for the Main, Dual, and Split Voices — with the exception of Split Points 1 and 2 — as well as all Harmony/Echo parameters.) Touch Sensitivity TouchSns 0-9 This determines the degree of touch sensitivity for the keyboard (when Touch Response is on). (See page 18.) Higher values result in a wider dynamic range and give you more expressive control over the level of the Voices. The default Touch Sensitivity setting is 5. Guide Lamp (PSR230 only) Lamp on/off This turns the keyboard guide lamps on or off. Red lamps correspond to the white keys and green lamps to the black keys. (See page 30.) Metronome Metronom on/off This turns the metronome function on or off. When set to on, the metronome sounds during Auto Accompaniment and Song playback. NOTE • Reset to default settings To reset the selected parameter to its default settings, simultaneously press the +/- buttons. • Negative values To directly enter negative values (for Transpose and Tuning parameters), press the desired number button while holding down the - button. • The following settings are retained in memory when power is turned off, as long as batteries are installed or an AC adaptor is connected: Tuning, Voice Set, Touch Sensitivity, Guide Lamp (PSR-230 only), and Metronome. • Transpose cannot be changed during Accompaniment or Song playback, or when the keyboard is being played. 19 Playing Auto Accompaniment — The Style Mode The Style mode provides rhythm/accompaniment patterns for various popular music styles, as listed on the panel. A total of 100 different Styles are available. Each Style is made up of different “sections” — Intro, Main A and B, four Fill-ins, Ending, and Jam Track — letting you call different accompaniment patterns as you perform. Each Style’s Jam Track section features specially programmed chord progressions and section changes that are ideal for the selected musical Style. If you’re a novice and not familiar with playing chords, the convenient Jam Track section automatically plays stylistically appropriate chord and section changes for you to “jam” over. The Auto Accompaniment features that are built into the rhythms add the excitement of instrumental backing to your performance, letting you control the accompaniment by the chords you play. NOTE • The default split point for the Auto Accompaniment section is 54 (F 2). However, this can be changed in the Style Sub Menu. (See page 26.) Selecting a Style and Playing an Auto Accompaniment 1 Select the Style mode. Press the STYLE button. (The STYLE indications appear in the display, indicating that the Style mode and the Style menu are selected.) NAME / SUB MENU MODE STYLE STYLE EFFECT STYLE SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU 8BeatPop CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION TEMPO 6 5aug dim minMaj 7 sus4 A B MIDI VOLUME JAM REVERB/OTHERS NOTE • Selecting STYLE with the Main Menu buttons does not change the selected mode; the Voice or Song mode is still active, but the Style menu is called up. 2 Select the desired Style number. Use the numeric keypad. Available Styles are listed on the upper left of the panel. 1 2 3 4 5 6 7 8 9 0 NO YES You can either enter the Style number directly with the number buttons, or step up and down through the Styles by using the +/- buttons. 20 NOTE • Dynamic Style The Style numbers 81~00 are the Dynamic Styles, which play more complex and interesting accompaniment patterns than the others since they may contain tension notes and so on. Because the note other than the notes derived from the chord you designated may be played back, some Dynamic Styles may not match the song you play. 3 Start the selected Style. You can do this in one of three ways: Pressing the START/STOP button The rhythm starts playing immediately without bass and chord accompaniment. The currently selected Main A or B section will play. (You can select either pattern by pressing the appropriate button — MAIN/AUTO FILL A or B — before pressing the START/STOP button.) START/STOP START/STOP Using Synchro Start The PortaTone also has a Synchro Start function that allows you to start the rhythm/accompaniment by simply playing a chord on the keyboard. To use Synchro Start, first press the SYNC-START button (the metronome icon flashes to indicate Synchro Start stand-by), then play a chord in the Auto Accompaniment section of the keyboard. SYNC-START START/STOP Using Synchro Start with an Intro pattern First, press one of the section buttons — MAIN/AUTO FILL A, B, or JAM — to select which pattern follows the Intro. Next, press the INTRO button, followed by the SYNC-START button. (The INTRO indication in the display lights, and the metronome icon and the MAIN A /B/JAM indication flashes to indicate Synchro Start stand-by.) To actually start the Intro pattern and accompaniment, play a chord in the Auto Accompaniment section of the keyboard. NOTE • Selecting the Style mode by pressing the STYLE button automatically sets Synchro Start to stand-by. • Pressing the SYNC-START button during accompaniment playback automatically stops the accompaniment and sets Synchro Start to stand-by. ■ About the METRONOME Icon The METRONOME icon in the display moves in time with the current tempo during playback of an accompaniment Style (or Song). The flashing pattern provides a visual indication of both the tempo and time signature of the Style or Song. The icon flashes at the first beat of each measure. NOTE • The metronome sound can be turned on or off as needed. (See page 19.) 21 4 Change chords using the Auto Accompaniment feature. Try playing some chords in the Auto Accompaniment section of the keyboard, and notice how the bass and chord accompaniment change with each chord you play. (Refer to the section “Changing the Fingering Mode” on page 24 for more information.) The chord name recognized will be shown in the display. NOTE • When the Single or Fingered Fingering mode (pages 25, 26) is selected, chords played in the Auto Accompaniment section of the keyboard are also detected and played when the accompaniment is stopped. In this condition (Stopped Accompaniment function), the Voices used for the bass and chords are automatically selected. • The range of the Auto Accompaniment section can be changed; see “Changing the Accompaniment Split Point” (page 26). 5 Change the tempo of the Style, if you wish. Use the TEMPO buttons to change the tempo of the Style. TEMPO RESET TEMPO Press TEMPO▲ to increase the speed and TEMPO▼ to decrease it; holding down the appropriate button continuously increases/decreases the speed. The tempo value appears in the display. Tempo range is from 32 to 280 bpm (in 1 bpm steps). To reset the tempo to its original default setting, press both TEMPO buttons simultaneously. NOTE • Default Tempos — Each Song and Style has been given a default or standard tempo. If you change the tempo, you can set it back to the original default setting, by pressing both TEMPO buttons simultaneously. Also, the tempo of a Song or Style returns to the default setting when selecting a different Song or Style. If a Style is playing and the One Touch Setting is off (see page 27), the set tempo remains even when switching Styles. When you turn on the power of the PortaTone, the tempo is automatically set to the default setting of Style 01. 6 Change the Style section (Main A , Main B, or Jam Track), if you wish. Main A and Main B While the Style is playing, you can add variation in the rhythm/accompaniment by pressing the MAIN/AUTO FILL A or B button. This automatically plays one of four Fill-in patterns, and smoothly leads into the next section — even if it is the same section. MAIN/AUTO FILL A A MAIN/AUTO FILL A or B buttons 22 A indication in display Jam Track The Jam Track is a special accompaniment pattern that includes automatic chord progressions and section changes that match the selected Style. Press the JAM TRACK button during playback, and the accompaniment will continue, changing chords according to the programmed progression and sections letting you “jam” or play along with the changes. JAM TRACK JAM JAM TRACK button JAM JAM indication in display Since the Jam Track progression is based on the last chord played, you may want to play the root chord before pressing JAM TRACK. (For example, if you are playing a song in the key of E, play an E chord before pressing JAM TRACK.) NOTE • If you press the MAIN A or B button, the Fill-in will begin immediately, and the new section will actually begin playing from the top of the next measure — unless the MAIN A or B button is pressed during the last beat of the measure, in which case the Fill-in will begin from the first beat of the next measure. Change the accompaniment ensemble “size” 7 (LARGE/SMALL), if you wish. Press the LARGE/SMALL button. SYNCSTOP LARGE/ SMALL LARGE/SMALL button LARGE/SMALL LARGE/SMALL LARGE icon SMALL icon This switches between “large” ensemble and “small” ensemble accompaniment, allowing you change the instrumental texture and dynamics of the Auto Accompaniment as you play. (The icon shows four people when set to LARGE, and one person when set to SMALL.) NOTE • LARGE is selected whenever the power is turned on. 8 Change Set the Accompaniment Volume, if you wish. You may want to adjust the accompaniment volume, separate from the overall instrument volume. To do this, use the VOLUME buttons in the STYLE mode. ACCOMPANIMENT VOLUME RESET SONG VOLUME Press VOLUME▲ to increase the accompaniment volume and VOLUME▼ to decrease it; holding down the appropriate button continuously increases/decreases the accompaniment volume. The level is shown in the display. VOLUME To reset the accompaniment volume to its original default setting, press both VOLUME buttons simultaneously. 23 9 Stop the Style. You can do this in one of two ways: Pressing the START/STOP button The rhythm/accompaniment stops playing immediately. Using an Ending pattern Press the ENDING button (the ENDING indication in the display flashes). An ending pattern plays from the next measure, then playback stops. ■ Sync-Stop Function The Sync-Stop function lets you easily add natural sounding breaks and pauses in the accompaniment as you play. To use Sync-Stop: 1 Turn on the Sync-Stop function. Press the SYNC-STOP button. (The SYNC-STOP icon appears in the display.) SYNCSTOP LARGE/ SMALL SYNC STOP SYNC-STOP button SYNC-STOP icon in display playing the accompaniment, release your fingers from the 2 While keyboard in the Auto Accompaniment section. This automatically stops the accompaniment, and sets Synchro Start to stand-by. (The SYNC-STOP icon flashes.) You can resume accompaniment playback of the selected section by playing the keyboard again. Changing the Fingering Mode The PortaTone provides three different fingering modes for controlling the Auto Accompaniment function: Fingered, Full, and Single Fingered. To select among the three, press the FINGERING button in the KEYBOARD section until the appropriate mode is called up. KEYBOARD TOUCH RESPONSE SPLIT FINGERING FINGERING FINGERING FINGERING FINGERING button Single Finger Fingered Full NOTE • The Fingering mode setting is retained in memory when power is turned off, as long as batteries are installed or an AC adaptor is connected. 24 ■ Fingered In the Fingered mode, you can play complete three- or four-note chords yourself in the Auto Accompaniment section of the keyboard and the PortaTone will produce full accompaniment in the selected Style. Using the key of C as an example, the chart below shows the types of chords that can be recognized in the Fingered mode. (Notes in parentheses may be omitted.) Example for "C" chords C CM7 Csus4 Cm7 CmM7 C7♭5 Caug Cdim Abbreviation Normal Voicing Major [M] 1-3-5 Minor [m] 1- 3-5 Major seventh [M7] 1-3-(5)-7 Major sixth [6] 1-(3)-5-6 Suspended fourth [sus4] 1-4-5 Minor sixth [m6] 1- 3-5-6 Minor seventh [m7] 1- 3-(5)- 7 Minor seventh flatted fifth [m7] 1- 3- 5- 7 Minor major seventh [mM7] 1- 3-(5)-7 Seventh [7] 1-3-(5)- 7 Seventh flatted fifth [75] 1-3- 5- 7 Seventh suspended fourth [7sus4] 1-4-5- 7 Augmented [aug] 1-3- 5 ( Seventh augmented [7aug] 1-3- 5- 7 ) Diminished [dim] 1- 3- 5 ( Diminished seventh [dim7] 1- 3- 5-6 ) One + Two + Five 1-2-5 Cm C6 Cm6 Cm7♭5 C7 C7sus4 C7aug Cdim7 C1+2+5 NOTE • If the chord is inverted (i.e., C-E-G is played as G-C-E), the PortaTone will still recognize it as a C chord. • Chord fingerings are listed here in “root” position; however, other inversions can be used — with the following exceptions: * Major 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th. * Minor 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th flatted 5th. * One + two + five chords are recognized only in root position. All other inversions are interpreted as suspended 4th. * If augmented chord is inverted, the lowest note will be recognized as the root. * For 7th flatted 5th chords, the lowest note played is recognized as the root or the flatted 7th. • 7th augmented and diminished 7th chords are interpreted as simple augmented and diminished. • For one+two+five chords, only the root is displayed. • Chord Cancel function The PortaTone also has a Chord Cancel function to stop the chord accompaniment but allow the rhythm pattern to continue playing. To use Chord Cancel, simultaneously press any three consecutive notes in the Auto Accompaniment section; for example, C, C# and D. 25 ■ Full In the Full mode, chords played anywhere on the keyboard are recognized for producing Auto Accompaniment. Here, the PortaTone “intelligently” distinguishes between the playing of your right and left hands and produces accompaniment. (A single note eleven notes higher than the lowest note of the chord is recognized as a right-hand or melody note.) Chords recognized are the same as in Fingered above. NOTE • The Harmony/Echo effect is not available when the Full mode is selected. ■ Single Finger Single Finger mode makes it easy to produce fully orchestrated accompaniment by simply playing a one-, two- or three-finger chord indication (in the Auto Accompaniment section), as shown below. The key of C is used here as an example; other keys follow the same rules. For example, Bb7 is played as Bb and A. Major chord: Seventh chord: C Minor chord: Cm C7 Press the root note of the chord. Press the root note together with any white key to the left of it. Press the root note together with any black key to the left of it. Minor seventh chord: Cm7 Press the root note together with any white and black key to the left of it (three keys altogether). Changing the Accompaniment Split Point This function allows you to set the highest key in the Auto Accompaniment section of the keyboard. (All keys below and including this point will be used for Auto Accompaniment.) Accompaniment Split Point is the only parameter in the Style menu. 1 Call up the Accompaniment Split Point parameter. Select STYLE in the Main Menu (with the MAIN MENU buttons) and use the SUB MENU buttons to select Accompaniment Split Point. You can also directly select the Accompaniment Split Point parameter by pressing and holding either the STYLE or FINGERING button. 2 Set the parameter. Set this directly by pressing the desired key on the keyboard. You can also use the numeric keypad or +/- buttons to enter the key number. The lowest key on the keyboard (C1) is 36, while middle C (C3) is 60, and the highest key (B5) is 95. NAME / SUB MENU MODE STYLE EFFECT STYLE SONG 2 EASY CHORD MEM 3 MAIN VOICE Split Point 1 DUAL VOICE 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU AccSpPnt CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION TEMPO 6 5aug dim minMaj 7 sus4 A MIDI VOLUME B Accompaniment Split Point Split Point 2 REVERB/OTHERS JAM NOTE • The default Accompaniment Split Point is F# 2 (54) and can be restored by simultaneously pressing the +/- buttons. • The Accompaniment Split Point cannot be set higher than the Split Point 2 parameter (page 15). • The Accompaniment Split Point setting is retained in memory when power is turned off, as long as batteries are installed or an AC adaptor is connected. 26 One Touch Setting The One Touch Setting function automatically selects an appropriate Voice (or Voices) and other important settings for playing with the Style you select. In other words, when one of the One Touch Settings is turned on, the Voice and other settings automatically change when you change the Style. (See list below.) To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the STYLE mode to select the desired type. (The selected One Touch Setting is indicated in the display, and other settings may change accordingly.) ONE TOUCH SETTING 1 2 3 4 1 ONE TOUCH SETTING button ONE TOUCH SETTING indication To change to a different One Touch Setting, press a different numbered ONE TOUCH SETTING button. The following parameters and settings may be changed when selecting a One Touch Setting: • Main Voice — all settings • Dual Voice — all settings • Dual/Chorus — on/off • Split Voice — all settings (excepting Split Points 1 & 2) • Harmony/Echo — on/off, all settings • Reverb — on/off • Accompaniment Volume • Accompaniment Large/Small • Tempo • Synchro Start — set to on Changing any of the panel settings while a One Touch Setting is active turns off the selected ONE TOUCH SETTING indication. NOTE • A “No OTS” indication appears in the display if you have selected a One Touch Setting for an optional Music Cartridge which has no One Touch Setting data (PSR-230 only). 27 Playing Songs — The Song Mode The Song mode features special Songs that have been created using the rich and dynamic sounds of the PortaTone. These Songs (#01 - #16) are generally for your listening enjoyment; however, you can also play along with them on the keyboard. By using the Minus One function, you can “mute” the original melody and play it manually on the keyboard yourself. The Song mode also features convenient practice tools such as the Repeat Play function — which lets you repeat playback of any portion of a Song — and the Guide lamps (PSR-230 only) — which show you which melody notes to play, and waits for you to play them. The Song mode also lets you create and save your own original Songs. This is done with the four User Songs (#17 - #20), to which you can record your own chord and section changes by using the Easy Chord Memory function. (See page 33.) Selecting and Playing a Song 1 Select the Song mode. Press the SONG button. The Song mode and the Song menu are selected. (The SONG indications light in the display.) NAME / SUB MENU MODE SONG STYLE SONG 2 EASY CHORD MEM 3 MAIN VOICE DUAL VOICE 4 SPLIT VOICE EFFECT TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU Piano&EP CART SPLIT FINGERING REPEAT MINUS ONE SYNC STOP LARGE/SMALL STYLE DUAL CHORUS STYLE HARMONY REVERB SONG B GUIDE HARMONY/ECHO EASY CHORD MEMORY STYLE SECTION TEMPO 6 5aug dim minMaj 7 sus4 A B MIDI VOLUME JAM REVERB/OTHERS 2 Select the desired Song number. Use the numeric keypad. 1 2 3 4 5 6 8 9 7 0 NO YES You can either enter the Song number (two digits) directly with the number buttons, or step up and down through the Songs by using the +/- buttons. Songs 01 - 16 are the Demo Songs, and Songs 17 - 20 are User Songs. (For more information on User Songs, see page 33.) 28 3 Start the selected Song. Press the START/STOP button. NOTE • You can play along with the Song using the currently selected Voice, or even select a different Voice for playing along. Simply select MAIN VOICE in the Main Menu while the Song is playing back and select the desired Voice. • Pressing the VOICE or STYLE button during Song playback selects the VOICE or STYLE menu but does not change the mode; the Song mode is still active. 4 If you want to change to another Song, repeat step 2 above. 5 Stop the Song. Press the START/STOP button. If playback was started by pressing the START/STOP button, the selected Song stops automatically at the end. NOTE • If you start Song playback with the DEMO button, all Songs play back repeatedly in succession (starting with Song #01), indefinitely. Using the Repeat Play Function The Repeat Play function in the Song mode lets you continuously repeat playback of any portion of a Song. This comes in particularly handy when practicing a Song with the Minus One and/or Guide (PSR-230 only) functions. For example, you could have the verse portion of a Song repeatedly play back while you practice with it. While the Song is playing, press the REPEAT PLAY button twice — once to set the beginning point for the repeat and a second time to set the end point. Press the REPEAT PLAY button once at the beginning of the section to be repeated (the REPEAT “A” indication lights), and a second time at the end of the section (the REPEAT “B” indication lights). INTRO REPEAT PLAY A REPEAT REPEAT PLAY button A B REPEAT REPEAT PLAY "A" and REPEAT PLAY "A–B" indicators As soon as the end point (B) has been selected, the specified section begins playing back repeatedly. To stop playback, press the START/STOP button. You can use START/STOP to alternately start and stop Repeat Play of the specified section. To cancel Repeat Play at any time, press the REPEAT PLAY button again. NOTE • When only the A point is set, playback repeats from the A point to the end of the Song. • Repeat playback is per measure. • The end point (B) tempo or your manually adjusted tempo will be used during Repeat playback. 29 Using the Guide Function (PSR-230 only) The Guide function in the Song mode serves as an automatic music “tutor,” showing you which notes to play on the keyboard. It even waits for you to play each note, before going on to the next. This lets you learn to play the Songs of the Song mode at your own pace, and makes practicing the Songs extremely natural (and fun!). 1 Select a Song. 2 Select the desired “guided” part. Press the SONG button to enter the Song mode, then use the numeric keypad to select the desired Song. The Guide function lets you choose which part of a Song is to be guided. For example, you can select the right-hand melody part to be guided — in which case, the guide lamps will light to help you play the right-hand melody part. Or, you could select the left-hand chord backing part. With “MinusMod” selected in the Song menu, select the desired Minus One Part (guided part setting). (See page 32.) NOTE • The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and holding the GUIDE button. 3 Press the GUIDE button. The GUIDE icon appears in the display, indicating that the Guide function is on. MAIN/AUTO FILL GUIDE GUIDE GUIDE button GUIDE icon in display 4 Start playback. When you press the START/STOP button to begin playback, the Song introduction will automatically play up to the first note(s) of the main section of the Song, and pause until you play the next note(s). The notes to be played are indicated by the Guide lamps above each key (red for the white keys and green for the black). As you play each correct note, Song playback will continue, pausing until you play the correct notes each time. 5 If desired, turn on the Minus One function to mute the guided part. Normally, the guided part also plays back along with your performance. You can mute this part, however, and play the guided part yourself. To do this, press the MINUS ONE button. (The Minus One icon appears in the display.) Song playback stops automatically when the end is reached. To stop the Song manually, press the START/STOP button. NOTE • Turning off the Guide lamps If you find the Guide lamps distracting or wish to play the part without them, use the Lamp parameter in the REVERB/OTHERS Menu (page 19) to turn the Guide lamps off. (Keep in mind that this doesn’t turn off the Guide function, but only the lamps.) 30 Using the Minus One Function Minus One, as its name implies, takes away (or mutes) a part of the Song, allowing you to play that part yourself. You can turn Minus One on before starting a Song, or do it even while a Song is playing. 1 Select a Song. 2 Select the part of the Song you wish to mute. Minus One lets you choose which part of a Song is to be muted. For example, you can mute the right-hand melody part and play it yourself, or do the same for the left-hand chord backing part. With “MinusMod” selected in the Song menu, select the desired Minus One Part setting: left-hand, right-hand, or both. (See page 32.) NOTE • The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and holding the GUIDE button (PSR-230). ■ Selecting individual channels for Minus One Each Song actually has more than just one right-hand and one left-hand part. For example, one Song may be made up of a melody, a harmony, chord backing, pad, and rhythm parts — each on a different channel. Also, the right-hand and left-hand parts have different channels. Minus One lets you specify which channel you wish to mute, for both the right-hand and left-hand parts. With “MinusChR” or “MinusChL” selected in the Song menu, select an individual channel for the Minus One right-hand and left-hand parts. Also, set the desired Minus One Part setting: left-hand, right-hand, or both. (See “SONG Sub Menu” chart below.) NOTE • The “MinusChR” parameter in the Song menu can be directly selected (in Song mode only) by pressing and holding the MINUS ONE button. • If the selected Song contains Minus One right- and left-hand channel settings, the channel for the corresponding parts will be automatically selected.(A “--” indication appears in the display.) 3 Turn on the Minus One function. Press the MINUS ONE button. (The Minus One icon appears in the display.) MAIN/AUTO FILL MINUS ONE MINUS ONE MINUS ONE button MINUS ONE icon in display 4 Start playback. Play the appropriate part along with the Song. Song playback stops automatically when the end is reached. To stop the Song manually, press the START/STOP button. 31 ■ SONG Sub Menu First, use the MAIN MENU buttons to select the Song menu, and select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. Parameter Name Display Name Range Description Song Name — 01 - 20 This determines the Song to be played (or edited). Songs 01 - 16 are the Demo songs, and Songs 17 - 20 are User Songs (for use with Easy Chord Memory). Music Cartridge Songs can be selected by pressing the CARTRIDGE button (PSR-230 only). (See page 37) Minus One Part MinusMod L, r, L_r This determines which part of the Song is to be turned off for the Minus One function: the left-hand (L), the right-hand (r), or both (L_r). It also determines which part is used with the Guide function (page 30). The default Minus One Part is “r.” Minus One Right Hand Channel MinusChR 01 - 16 This determines the channel of the right-hand part which is to be muted with the Minus One function. To reset to the default channel (01), press the +/buttons simultaneously. Minus One Left Hand Channel MinusChL 01 - 16 This determines the channel of the left-hand part which is to be muted with the Minus One function. To reset to the default channel (02), press the +/buttons simultaneously. ■ Song Volume The Song Volume can be adjusted separately from the main instrument volume. This is particularly useful when using Minus One, since it lets you control the balance between the Song and the Voice you play on the keyboard. To change the Song Volume, use the VOLUME buttons in the song mode. ACCOMPANIMENT VOLUME RESET SONG VOLUME Press VOLUME▲ to increase the song volume and VOLUME▼ to decrease it; holding down the appropriate button continuously increases/decreases the song volume. The level is shown in the display. VOLUME To reset the Song Volume to its original default setting, press both VOLUME buttons simultaneously. 32 ■ One Touch Setting in the Song Mode The One Touch Setting function is convenient when used with the Minus One function, and lets you automatically select an appropriate Voice for playing the Minus One Part along with the Song you select. Also, if you’ve specified Minus One channels (see page 32), One Touch Setting automatically selects appropriate Voices for those channels. To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the song mode. (The selected One Touch Setting is indicated in the display.) ONE TOUCH SETTING 1 2 3 4 1 ONE TOUCH SETTING button ONE TOUCH SETTING indication To turn the function off, press the same button again. NOTE • Keep in mind that even with the One Touch Setting function on, there are some Songs which change the selected Voice in the middle of the Song. • For some Music Cartridge Songs, use of One Touch Setting will call up the piano Voice regardless of the Minus One Channel settings (PSR-230 only). Recording User Songs — Easy Chord Memory The Easy Chord Memory feature lets you record your own chord progressions (or chord “sequences”) and create automatic backing tracks for your original songs. Once you’ve recorded and saved your own chord sequences (to User Songs 17 - 20), you can perform along with them — playing the melody part, for example, over the custom backing tracks. You can record Songs in two different ways: Real-time and Step. Real-time recording lets you play the chord changes normally as the rhythm accompaniment plays back, while Step recording lets you manually enter each chord at specific positions in the Song. (Each beat can have a different chord.) Generally, Real-time recording is the basic recording method, while Step recording is used to edit Songs already recorded in real time. Easy Chord Memory has a capacity up to about 120 measures (total for all four User Songs, in 4/4 time). Easy Chord Memory records the following data to User Songs (17 - 20): • Chord changes and timing (per beat) • Style number* (incl. Cartridge Styles; PSR-230 only) • Section changes (Fill-ins: per beat; others: per measure) • Accompaniment Volume setting* • Tempo setting* • Large/Small setting* * Recorded only at the beginning of a Song; changes cannot be made during recording. NOTE • Section changes cannot be entered in Step recording. • Material recorded in Easy Chord Memory is retained in memory even when power is turned off — as long as an AC adaptor is connected or a set of batteries is installed. However, if the batteries fail and the AC adaptor is disconnected, the recorded data will be lost. 33 Real-time Recording In Real-time recording, you can record chord changes for a Song by simply playing them along with the rhythm. 1 Select a User Song number. 2 Select a Style and set other parameters, if desired. Select one of the User Song numbers 17 - 20. (See page 28.) Select a Style. (See page 20.) Also, make settings for Accompaniment Volume, Tempo, and Large/Small, if desired. 3 Enter the Easy Chord Memory mode. Press the EASY CHORD MEMORY (REC/END) button. NAME / SUB MENU EASY CHORD MEMORY MODE STYLE REC/ END EFFECT STYLE (PSR-230) EASY CHORD MEMORY STYLE SECTION SONG 2 MAIN VOICE DUAL VOICE EASY CHORD MEM 3 4 SPLIT VOICE TOUCH A SONG VOICE 1 ONE TOUCH SETTING KEYBOARD MAIN MENU ECM1 CART SPLIT FINGERING DUAL CHORUS STYLE HARMONY REVERB SONG B REPEAT MINUS ONE SYNC STOP LARGE/SMALL GUIDE Easy Chord Memory mode indication Record Stand-by indication (metronome icon flashes at current tempo) HARMONY/ECHO TEMPO MIDI 6 5aug dim minMaj 7 sus4 A B REVERB/OTHERS JAM Start of Song indication NOTE • If you press the EASY CHORD MEMORY (REC/END) button when a non-User Song number has been selected, an “empty “ User Song number (one not containing data) will automatically be selected. If all User Songs contain data, User Song number 17 will be selected. 4 Record the chord sequence. Recording begins as soon as you play a chord in the Auto Accompaniment section of the keyboard. The recognized chord name appears in the display. 6 5aug dim minMaj 7 sus4 chord indication NOTE • If you wish to record only the rhythm, use the Chord Cancel function.(See page 25) 5 Stop recording. Press the EASY CHORD MEMORY (REC/END) button. (The display returns to the beginning of the Song: measure number 01, beat number 1.) To record an Ending section at the end of the Song, first press the ENDING button, then (after the Ending has played back) press the EASY CHORD MEMORY (REC/END) button. Operation automatically returns to the Song mode. NOTE • Easy Chord Memory automatically changes to Step Record Ready mode in the following conditions: * When an Ending section has been recorded and the accompaniment is stopped. * When the memory is full. (A “Full” message appears in the display.) In this case, you can use the Song Clear operation (see below) to delete the Song. * When the recording is stopped by pressing the START/STOP button. • Timing is important when stopping Real-time recording. If you press the START/STOP button before the second beat of the intended final measure, the actual end of the Song will be at the previous measure. However, if you press the button after the second beat, the Song will end properly at that measure. 34 Step Recording Step recording allows you to manually enter chord changes to a Song, one by one. As such, it’s convenient for editing and making precise changes to an existing Song. In general, use Real-time recording to create a Song, and use Step recording to polish it up and finish it. 1 Enter the Step Record Ready mode. With the desired Song selected and record stand-by engaged (see Real-time Recording, steps 2 and 3), press the SYNC-START button. NOTE • You can also enter the Step Record Ready mode by pressing the START/STOP button during Real-time recording. 2 Specify the desired position in the Song. Use the MEASURE +/- and BEAT +/- buttons to specify the exact place in the Song to which the desired chord is to be entered. Press the appropriate button to step through the values, or hold down the button to continuously advance or reverse through the values. 1 2 3 MEASURE 4 BEAT 3 Enter a chord. Play a chord in the Auto Accompaniment section of the keyboard. The recognized chord name appears in the display and is entered at the selected measure/beat. 4 Stop recording. Press the EASY CHORD MEMORY (REC/END) button. (Operation automatically returns to the Song mode.) NOTE • Section changes cannot be entered in Step recording. • You can play back the User Song within Step recording by pressing the START/STOP button. Song Clear The Song Clear operation lets you delete selected User Song data. To clear data of a Song: 1 Select the User Song to be cleared. 2 Enter the Easy Chord Memory mode. Press the EASY CHORD MEMORY (REC/END) button. Make sure to disengage recording stand-by by pressing the SYNC-START button. 3 Press the SONG CLEAR button. A “Clear ?” message appears, prompting you for confirmation. Press the +/YES button to clear the selected Song, or press the -/NO button to cancel. NOTE • Song Clear cannot be executed during Real-time recording and recording stand-by states. Also, Song Clear is available only in Easy Chord Memory mode. User Song Playback Playback of User Songs is exactly the same as with other Songs. (See page 28.) Remember, that you can play along on the keyboard with your original chord accompaniment — making your performances more dynamic and enjoyable. 35 Music Cartridge (PSR-230) The PSR-230 features a cartridge slot for use with special Yamaha Music Cartridges containing accompaniment Style and Song data. These Cartridges give you instant access to an ever-expanding library of new Styles and Songs. The PSR-230 includes a sample Music Cartridge. To obtain other Cartridges, see your Yamaha dealer. Inserting a Music Cartridge With the power off, insert the Music Cartridge into the cartridge slot as shown, and press down firmly until the Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot one way - don’t try to force it in the wrong way. Turn the power back on again after inserting. The triangular mark on the front of the Cartridge should be completely below the panel edge when the Cartridge is properly seated. For Cartridges without the mark, the bottom of the serrated edges of the Cartridge should be even with the panel edge (not above it). ■ Music Cartridge Precautions • Do not leave Music Cartridges in locations which are subject to excessive heat or humidity. • Do not drop Music Cartridges or subject them to strong shock. • Do not disassemble Music Cartridges. • Do not directly touch the Music Cartridge’s electrical contacts. Static electricity can cause loss of data and unreliable operation. • Do not insert objects or cartridges other than Yamaha Music Cartridges in the cartridge slot. Doing so can result in serious damage to the instrument. • Do not insert Music Cartridges in other instruments or devices. Doing so can result in serious damage to the Cartridges. • Never attempt to insert or remove a Music Cartridge when the power is on. Doing so may result in loss of data or unreliable operation. • Dust or foreign particles on the electrical contacts of the Music Cartridge may prevent proper selection or playback of Cartridge data. If this occurs, insert and remove the Cartridge several times, and try the operation again. If the problem persists, clean the electrical contacts with a soft, dry cloth. NOTE • Make sure that the Music Cartridge is properly inserted when playing back a Song based on Cartridge data. Otherwise, the Song may not play back, and a “No Cart” or “WrongCrt” message may appear. 36 Selecting Styles on a Music Cartridge 1 Select the Style mode. 2 Select a Style from the Cartridge. Press the STYLE button. (The Style mode and Style menu are selected.) First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the upper left of the display.) Then, enter the Cartridge Style number directly with the number buttons, or step up and down through the Styles by using the +/- buttons. CARTRIGE CARTRIDGE button CART Cartridge icon in display Cartridge Styles are used in exactly the same way as the internal accompaniment Styles. (See page 20.) NOTE • The cartridge styles can be selected by using the +/- buttons to go beyond the highest or lowest internal style numbers —e.g. pressing the + button while internal style number 00 is selected will select cartridge style number 01. • The cartridge styles have no Jam Track Sections. • A “No OTS” message appears in the display if the selected Cartridge Styles have no One Touch Setting data. Selecting Songs on a Music Cartridge 1 Select the Song mode. 2 Select a Song from the Cartridge. Press the SONG button. (The Song mode and Song menu are selected.) First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the upper left of the display.) Then, enter the Cartridge Song number directly with the number buttons, or step up and down through the Songs by using the +/- buttons. CARTRIGE CARTRIDGE button CART Cartridge icon in display Cartridge Songs are used in exactly the same way as the internal Songs. (See page 28.) NOTE • For Cartridge Songs created with Cartridge accompaniment Styles: * Chord names are indicated in the display as the chords of the Cartridge Song change. * The Harmony effect can be applied when playing along with the chord progression of the Song. • The Minus One, Repeat Play, and Guide (PSR-230 only) functions can be used with Cartridge Songs. 37 MIDI Functions The PortaTone is MIDI-compatible and provides a variety of MIDI-related controls. What is MIDI? MIDI — Musical Instrument Digital Interface — is a worldwide standard that makes it possible for various electronic musical instruments and other devices to “communicate” with each other. For example, you could connect a computer or sequencer to the PortaTone and play back a song on the sequencer using the PortaTone’s Voices. The PortaTone is also compatible with the GM (General MIDI System Level 1) format. One of the most important features of General MIDI is in the standardization of Voices. This means that a song recorded in GM format can be played back on any GM-compatible instrument and sound just as the composer intended. With the GM-compatible PortaTone and a computer or sequencer, you can take advantage of the vast wealth of musical material recorded in that format. MIDI Basics MIDI is a huge, complex subject, and it would be impossible to cover all its aspects here. However, this short section will introduce you to some MIDI basics, and help you use this powerful tool in your own system. MIDI Terminals The MIDI terminals are located on the rear panel of the PortaTone. MIDI IN receives MIDI data from an external device, and MIDI OUT transmits MIDI data from the PortaTone — which includes, for example, performance data when you play the keyboard. MIDI OUT IN MIDI Channels MIDI data is usually sent and received over one of sixteen MIDI channels. In order to get two devices to properly communicate with each other, you should set them to the same MIDI channel. On the PortaTone, the relevant parameters are Keyboard Out and Receive Channel Select in the MIDI Sub Menu (page 40). You can also use the PortaTone as a sixteen-channel multi-timbral sound source. This means that you can play song data on a connected MIDI sequencer (see “Using with a Computer or Sequencer” below) and have up to sixteen different instrument Voices sound simultaneously. To do this, make sure that the MIDI Receive Switch is set to “on” (see MIDI Sub Menu page 40), and set Remote Channel (also MIDI Sub Menu) to “off.” 38 Using with a MIDI Tone Generator or Second Keyboard In the simple MIDI connection shown below, the PortaTone is used to play sounds on a tone generator (essentially a synthesizer without a keyboard). This lets you play both instruments at once, giving you thick multi-instrument sounds. Depending on how the other device is set up, this system also lets you change sounds on the tone generator from the PortaTone’s panel (via program change messages). PortaTone PSR-230/220 MIDI OUT MIDI IN TONE GENERATOR In a similar example, the PortaTone is connected to a second MIDI keyboard. This allows you to play and control the PortaTone from the other keyboard. In this application, first make sure that the MIDI Receive Switch is set to “on” (see MIDI Sub Menu below), then set the Remote Channel (also MIDI Sub Menu below) and the MIDI Send Channel on the other keyboard to the same value. PortaTone PSR-230/220 MIDI IN MIDI OUT MIDI KEYBOARD Using with a Computer or Sequencer If you have a sequencer or a computer with a MIDI interface, you can easily and instantly integrate the PortaTone into your system. And with its GM-compatibility, the PortaTone is a natural for multimedia/computer music applications, letting you playback any GM song data with the high-quality Voices. PortaTone PSR-230/220 MIDI OUT MIDI IN MIDI IN MUSIC Computer MIDI OUT NOTE • To avoid a MIDI feedback loop, check that the MIDI Thru (or MIDI Echo) setting on the external device and the Local Control setting on the PortaTone are set appropriately. If both are set to ON, MIDI feedback may occur. 39 ■ MIDI Sub Menu First, use the MAIN MENU buttons to select the MIDI menu, and select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting. Parameter Name Display Name Range Description Remote Channel RemoteCh off, 01 - 16 This determines how the PortaTone is controlled by a “remote” (external) MIDI keyboard. Set this to one of the 16 channels (01 - 16) for using an external keyboard to remotely control the PortaTone functions over the selected channel. (The remaining 15 channels can be used for multi-timbral operation.) When this is set to “off,” the PortaTone can be used as a full 16-channel multi-timbral sound source. The default setting is “off.” Keyboard Out KeybdOut off, 01 - 16 This determines over which channel keyboard data for the Main Voice is transmitted. The default setting is channel 01. Accompaniment Out AcompOut on/off This determines whether Auto Accompaniment data is transmitted via MIDI OUT or not. When set to “on,” Auto Accompaniment data is transmitted over channels 3 - 10. The default setting is “off.” Receive Channel Select RcvChSel 01-16 This determines over which channel MIDI data is received. The default setting is channel 01 . Receive Switch Rcv SW on/off This determines whether MIDI data is received over the selected MIDI channel or not, set in Receive Channel Select above. (This parameter works in tandem with Receive Channel Select.) Local Control Local on/off This determines whether the keyboard is “connected” to the internal Voices of the PortaTone. When set to “on,” the Voices respond to notes played from the keyboard. When set to “off,” the Voices respond only to incoming MIDI data (via MIDI IN). The default setting is “on.” If you are routing the MIDI OUT on the PortaTone to a sequencer and back to the MIDI IN, you may want to set this to “off” to avoid MIDI “feedback.” External Clock ExtClock on/off This determines whether the Style and Song playback functions are controlled by the PortaTone’s internal clock (off) or by MIDI clock data from an external sequencer or computer (on). This should be set to “on” when you want to have Style or Song playback follow the external device. The default setting is “off.” NOTE • Whenever using a MIDI device to control the PortaTone, make sure that the Receive Switch is set to “on” for the appropriate channel or channels. • For the Keyboard Out parameter, performance data of the Main Voice can be sent over the specified MIDI channel, but the other Voices are fixed as follows: Dual Voice — channel 11 Split Voice — channel 2 Auto Accompaniment — channels 3 - 10 • To reset any parameter to its default setting, press the +/- buttons simultaneously. • All settings in the MIDI Sub Menu are retained in memory when the power is turned off, as long as batteries are installed or an AC adaptor is connected. • In the Song or Easy Chord Memory mode, MIDI data cannot be transmitted or received, and none of the MIDI menu settings have any effect. 40 Appendix Data Backup and Initialization Except for the settings listed below, all PortaTone panel settings are reset to their initial settings whenever the power is turned on. The parameter settings listed below are retained in memory as long as an AC adaptor is connected or a set of “live” batteries is installed. • Touch Response on/off • Touch Sensitivity • Fingering mode • Split Points 1 and 2, Auto Accompaniment Split Point • Easy Chord Memory (User Song) • All MIDI Sub Menu settings • Tuning • Voice Set on/off • Guide Lamp on/off (PSR-230 only) • Metronome on/off ■ Initialize Operation All data can be initialized and restored to the factory preset condition by simultaneously holding the +\buttons and turning on the power. (A “Clr All!” message appears briefly in the display.) NOTE • If operation of the PortaTone “hangs up” or “freezes” due to static electricity or other causes, turn the power off and execute the Initialize operation. 41 Voice List ■ Voice Polyphony The PortaTone has a maximum polyphony of 28 — in other words, it can play up to 28 individual notes at the same time. This includes all Voices used: Dual, Split, Auto Accompaniment, and Song. If the maximum polyphony is exceeded, some notes and sounds may be cut off. Another feature affecting polyphony is the fact that some Voices are actually made up of two Voices (as indicated in the list below). Using these Voices correspondingly reduces the available polyphony. ■ Panel Voice List Voice Number MIDI Bank Select MSB LSB MIDI Bank Select MSB LSB Voice Name Number of Notes Used Voice Number Grand Piano Honky-tonk Piano Funky Electric Piano DX Electric Piano MIDI Grand Piano Hyper Electric Piano Bell Electric Piano Harpsichord Harpsichord Coupled Clavi Celesta 1 2 2 2 2 2 2 1 2 1 1 58 59 60 61 0 0 0 0 0 0 0 0 57 58 59 60 62 63 64 65 66 67 68 69 70 71 72 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 61 62 63 64 65 66 67 68 69 70 71 73 74 75 76 77 78 79 80 81 82 83 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 72 73 74 75 76 77 78 79 80 81 82 84 85 86 87 88 0 0 0 0 0 0 0 0 0 0 83 84 85 86 87 89 90 91 92 93 94 0 0 0 0 0 0 0 0 0 0 0 0 95 96 97 98 99 0 0 0 0 0 0 0 0 0 0 00 0 0 *Program Number PIANO 01 02 03 04 05 06 07 08 09 10 11 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 5 6 7 8 9 10 12 13 14 15 16 17 18 0 0 0 0 0 0 0 0 0 0 0 0 0 0 11 12 13 14 15 16 17 19 20 21 22 23 24 25 26 27 28 29 30 31 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 18 19 20 21 22 23 24 25 26 27 28 29 30 32 33 34 35 36 37 38 39 40 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 31 32 33 34 35 36 37 38 39 1 1 1 1 1 2 2 ORGAN Jazz Organ 1 Jazz Organ 2 Jazz Organ 3 Full Organ Rock Organ 1 Rock Organ 2 16'+2' Organ 16'+4' Organ Church Organ Reed Organ Musette Accordion Traditional Accordion Bandoneon 2 2 2 2 2 2 2 2 2 2 2 2 2 GUITAR Classical Guitar Folk Guitar 12Strings Guitar Jazz Guitar Octave Guitar Clean Guitar Muted Guitar Overdriven Guitar Distortion Guitar 1 1 2 2 2 2 1 2 2 BASS 41 42 43 44 45 0 0 0 0 0 0 0 0 0 0 40 41 42 43 44 Acoustic Bass Finger Bass Fretless Bass Slap Bass Synth Bass 1 1 1 1 2 ENSEMBLE 46 47 48 49 50 51 52 53 54 55 56 57 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 45 46 47 48 49 50 51 52 53 54 55 56 Strings Chamber Strings Synth Strings Slow Strings Tremolo Strings Violin+Strings Pizzicato Strings Choir Choir Aahs Choir Oohs Synth Choir Orchestra Hit Number of Notes Used STRINGS MALLETS Vibraphone Marimba Xylophone Tubular Bells Timpani Steel Drums Music Box Voice Name *Program Number Violin Cello Contrabass Harp 1 1 1 2 BRASS Trumpet Muted Trumpet Trombone Trombone Section French Horn Tuba Brass Section Brass+Sax Brass+Trombone Brass+Trumpet Synth Brass 1 1 1 2 1 1 2 2 2 2 2 REED Soprano Sax Alto Sax Tenor Sax Baritone Sax Sax+Clarinet Sax+Trombone Oboe English Horn Bassoon Clarinet Harmonica 1 1 1 1 2 2 1 1 1 1 1 PIPE Piccolo Flute Pan Flute Recorder Ocarina 1 1 1 1 1 SYNTH LEAD 88 89 90 91 92 93 Square Lead Sawtooth Lead Voice Lead Crystal Brightness Analog Lead 2 2 2 2 2 2 SYNTH PAD 94 95 96 97 98 Fantasia Bell Pad Xenon Pad Angels Dark Moon 2 2 2 2 2 DRUM KIT 99 Drum Kit 1 2 2 2 2 2 2 1 2 2 2 2 2 * The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an external MIDI device. 42 ■ GM Voice List Voice Number MIDI Bank Select MSB LSB MIDI Bank Select MSB LSB Voice Name Number of Notes Used Voice Number Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi 1 1 2 2 2 2 1 1 065 066 067 068 069 070 071 072 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 64 65 66 67 68 69 70 71 1 1 2 1 1 1 1 2 073 074 075 076 077 078 079 080 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 72 73 74 75 76 77 78 79 2 2 2 2 1 2 1 2 081 082 083 084 085 086 087 088 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 2 1 1 1 1 089 090 091 092 093 094 095 096 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 097 098 099 100 101 102 103 104 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 96 97 98 99 100 101 102 103 1 1 1 1 2 2 1 1 105 106 107 108 109 110 111 112 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 104 105 106 107 108 109 110 111 1 1 2 2 1 1 1 1 113 114 115 116 117 118 119 120 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 2 2 121 122 123 124 125 126 127 128 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 129 127 0 *Program Number Piano 001 002 003 004 005 006 007 008 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 5 6 7 009 010 011 012 013 014 015 016 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 9 10 11 12 13 14 15 017 018 019 020 021 022 023 024 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 16 17 18 19 20 21 22 23 025 026 027 028 029 030 031 032 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 24 25 26 27 28 29 30 31 033 034 035 036 037 038 039 040 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 32 33 34 35 36 37 38 39 041 042 043 044 045 046 047 048 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 40 41 42 43 44 45 46 47 049 050 051 052 053 054 055 056 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 48 49 50 51 52 53 54 55 057 058 059 060 061 062 063 064 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 56 57 58 59 60 61 62 63 Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifth) Lead 8 (bass+Lead ) 2 2 2 2 2 2 2 2 88 89 90 91 92 93 94 95 Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) 2 2 2 2 2 2 2 2 FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) 2 2 2 2 2 2 2 2 Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai 1 1 1 1 1 2 1 1 Percussive Brass Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2 80 81 82 83 84 85 86 87 Ethnic Ensemble Strings Ensemble 1 Strings Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit 1 1 1 1 2 1 1 1 Synth Effects Strings Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Synth Pad Bass Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 1 1 1 1 1 1 1 1 Synth Lead Guitar Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Pipe Organ Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Bandoneon Number of Notes Used Reed Chromatic Percussion Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Voice Name *Program Number 112 113 114 115 116 117 118 119 Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal 2 1 2 1 1 1 1 1 Sound Effects 120 121 122 123 124 125 126 127 Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot 1 1 2 2 1 2 2 1 Percussion Kit 0 Standard Kit 1 * The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an external MIDI device. * The following voices use only one voice in the indicated ranges : 46 (Pizzicato Strings) : all notes below C# 2 and above F5, 110 (Bagpipe) : all notes above A# 2. 43 Troubleshooting Problem 44 Possible Cause and Solution When the PortaTone is turned on or off, a buzzing or popping sound is temporarily produced. This is normal and indicates that the PortaTone is receiving electrical power. The sound of the Voices or rhythms seems unusual or strange. The display has gone out and the panel settings have been returned to default. The battery power is too low. Replace all batteries with new ones of the same type. (See page 3.) Not all notes are heard when playing a number of notes simultaneously. Too many keys are pressed at the same time. The PortaTone is polyphonic up to a maximum of 28 notes. (See page 42.) There is no sound when the keyboard is played. The Local Control setting could be off. Make sure Local Control is turned on. (See page 40.) The Auto Accompaniment does not function properly. Chords played in the lower section of the keyboard do not sound or sound different than expected. Make sure that you’re playing in the Auto Accompaniment section of the keyboard. (See page 22.) Also, make sure that you’re using the proper Fingering mode and that you’re playing “legal” chords that the PortaTone can recognize. For example, when playing Single Finger chords, make sure that the Single Finger mode is selected. (See page 26.) There is no sound even when the keyboard is played or when a Song is being played back. Check that nothing is connected to the PHONES/AUX OUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. The selected Voice does not sound properly. Make sure that the following settings are appropriate: Main Voice Volume (page 11), Dual Voice Volume (page 13), and Split Voice Volume (page 15) The selected Accompaniment Style or Song does not sound properly. Make sure that the Accompaniment Volume or Song Volume is set to an appropriate level. (See pages 23, 32.) Split Point 2 cannot be entered, or the Accompaniment Split Point cannot be entered. Split Point 2 (page 15) cannot be set lower than the Accompaniment Split Point (page 26). Also, the Accompaniment Split Point cannot be set higher than Split Point 2. The footswitch operation is reversed; releasing the footswitch causes sustain. Connecting the footswitch after power is on reverses the footswitch operation (polarity). For normal operation, turn off the power, connect the footswitch, then turn the power back on (without pressing the footswitch). Cartridge data cannot be selected or properly played back. Make sure that an appropriate Yamaha Music Cartridge is properly inserted into the Cartridge slot. Also, make sure that the electrical contacts on the Cartridge are clean and free from foreign particles. Insert and remove the Cartridge several times, and try the operation again. If the problem persists, clean the contacts with a soft, dry cloth. The Harmony effect cannot be heard properly. Make sure that the Harmony Volume is set to an appropriate level. (See page 17.) The Harmony or Echo effect cannot be used. Harmony/Echo is not available when the Full Fingering mode (page 26) is on, and will automatically be turned off when the Full Fingering mode is selected. The PortaTone does not respond to or work with a connected MIDI device. Whenever using a MIDI device to control the PortaTone, make sure that the Receive Switch is set to “on” for the appropriate channel or channels. (See page 40.) MIDI data cannot be transmitted or received. When the Song or Easy Chord Memory mode is selected, MIDI data cannot be transmitted or received, and none of the MIDI menu settings have any effect. Select another mode (Voice or Style). The mode cannot be changed. While a Song or Rhythm/Accompaniment are being played back, the mode cannot be changed. Stop the Song or Rhythm/Accompanyment and press the VOICE, STYLE, SONG, or EASY CHORD MEMORY (REC/END) button. Index A K S AC power adaptor................................ 3 Accompaniment Out .......................... 4 0 Accompaniment Split Point................ 2 6 Accompaniment Volume ............... 9, 23 Auto Accompaniment ........................ 2 0 Keyboard controls................................ 8 Keyboard Out..................................... 4 0 data backup ....................................... 4 1 data initialization ............................... 4 1 D e m o.................................................... 5 Demo Songs......................................... 5 Dual Voice GM Voice.......................... 1 3 Dual Voice menu ................................ 1 3 Dual Voice mode................................ 1 2 Dual Voice Octave ............................. 1 3 Dual Voice Pan ................................... 1 3 Dual Voice Reverb Level .................... 1 3 Dual Voice Volume............................. 1 3 Main A and B sections..................... 21, 22 Main Voice GM Voice ......................... 1 1 Main Voice menu................................ 1 1 Main Voice Octave ............................. 1 1 Main Voice Pan................................... 1 1 Main Voice Reverb Level .................... 1 1 Main Voice Volume ............................ 1 1 Metronome...................................... 19, 21 MIDI .................................................... 3 8 MIDI Implementation Chart................. 4 6 MIDI menu .......................................... 4 0 Minus One .......................................... 3 1 Minus One Channel Settings (Left, Right)..................... 31, 32 Minus One Part Setting ................... 31, 32 Music Cartridge (PSR-230 only) ........ 3 6 Music Stand.......................................... 4 sections ......................................... 9, 22 Single Finger ...................................... 2 6 Song Clear.......................................... 3 5 Song menu......................................... 3 2 Song Volume ................................. 9, 32 Songs, Demo........................................ 5 Songs, selecting................................. 2 8 Songs, User........................................ 3 3 Split Point 1, 2................................... 1 5 Split Voice GM Voice.......................... 1 5 Split Voice menu................................ 1 5 Split Voice mode................................ 1 4 Split Voice Octave ............................. 1 5 Split Voice Pan................................... 1 5 Split Voice Reverb Level .................... 1 5 Split Voice Volume ............................ 1 5 Start/Stop ............................ 21, 24, 29 Step recording ................................... 3 5 Stopped Accompaniment function .... 2 2 Style menu......................................... 2 6 Style mode......................................... 2 0 Styles, selecting ................................ 2 0 Sustain ................................................. 4 Sync-Stop .......................................... 2 4 Synchro Start..................................... 2 1 E N T Easy Chord Memory....................... 8, 33 Echo Speed ........................................ 1 7 Effect controls ..................................... 9 Ending section ................................... 2 4 External Clock .................................... 4 0 numeric keypad ................................. 1 0 Tempo................................................ 2 2 Touch Response................................. 1 8 Touch Sensitivity ............................... 1 9 Transpose .......................................... 1 9 Troubleshoooting............................... 4 4 Tuning................................................ 1 9 B batteries .............................................. 3 C Cartridge ..................................... 9, 36 Chorus................................................ 1 6 D F Fill-in section...................................... 2 2 Fingered ............................................. 2 5 Fingering modes ................................ 2 4 Full (Fingering mode)......................... 2 6 G GM Voice, Dual Voice......................... 1 3 GM Voice, Main Voice ........................ 1 1 GM Voice, Split Voice......................... 1 5 Guide Lamps (PSR-230 only)............. 3 0 H Harmony Volume ............................... 1 7 Harmony/Echo ................................... 1 6 Harmony/Echo type........................... 1 6 Harmony/Echo menu ......................... 1 7 headphones.......................................... 4 I Intro section ...................................... 2 1 J Jam Track section.............................. 2 3 L Large/Small ....................................... 2 3 Local Control ..................................... 4 0 M O Octave, Dual Voice ............................ 1 3 Octave, Main Voice ............................ 1 1 Octave, Split Voice ............................ 1 5 One Touch Setting, Song................... 3 3 One Touch Setting, Style................... 2 7 U User Songs......................................... 3 3 P Pan, Dual Voice .................................. 1 3 Pan, Main Voice.................................. 1 1 Pan, Split Voice.................................. 1 5 Percussion Kit Voice .......................... 1 2 PHONES/AUX OUT................................ 4 Power switch........................................ 5 R Real-time recording............................ 3 4 REC/END (Easy Chord Memory)......... 3 4 Receive Channel Select ...................... 4 0 Receive Switch................................... 4 0 Recording, Real-time .......................... 3 4 Recording, Step ................................. 3 5 Remote Channel................................. 4 0 Repeat Play ........................................ 2 9 Reverb................................................ 1 8 Reverb Level, Dual Voice ................... 1 3 Reverb Level, Main Voice ................... 1 1 Reverb Level, Split Voice ................... 1 5 Reverb Type....................................... 1 9 Reverb/Others menu ......................... 1 9 V Voice List........................................... 4 2 Voice Polyphony ................................ 4 2 Voice Set ........................................... 1 9 Voices, selecting................................ 1 0 Volume control .................................... 5 Volume, Accompaniment .............. 9, 23 Volume, Dual Voice............................ 1 3 Volume, Main Voice ........................... 1 1 Volume, Song ................................ 9, 32 Volume, Split Voice ........................... 1 5 45 MIDI Implementation Chart / Implementierungstablle YAMAHA [ Portable Keyboard ] Model : PSR-220 / 230 Function Transmitted Recognized Basic Channel Default Changed 1 - 16 1 - 16 1 - 16 (*0) 1 - 16 (*0) Mode Default Messages Altered Mode 3 × ＊＊＊＊＊＊＊ (*0) × × : True voice 0 - 127 ＊＊＊＊＊＊＊ 0 - 127 0 - 127 Velocity Note on Note off 〇 9nH, v = 1 - 127 × 9nH, v = 0 〇 9nH, v = 1 - 127 × 9nH, v = 0 or 8nH After Touch Key's Ch's × × × × 〇 〇 〇 (*1) 〇 〇 〇 〇 〇 〇 × 〇 × 〇 × × 〇 (*2) 〇 〇 〇 (*1) 〇 〇 〇 〇 〇 〇 〇 〇 × 〇 〇 〇 〇 (*2) 〇 〇 (*3) 〇 0 - 127 ＊＊＊＊＊＊＊ 〇 0 - 127 0 - 127 〇 (*4) 〇 (*4) Note Number Pitch Bender Control Change Program Change 0,32 1 6,38 7 10 11 64 66 84 90 91 96 97 100, 101 120 121 : True number System Exclusive System Common : Song Position : Song Select : Tune × × × × × × System Real Time : Clock : Commands 〇 〇 (*6) 〇 (*5) 〇 (*6) Aux Messages : Local On/Off : All Notes Off : Active Sense : Reset × × 〇 × × 〇 〇 × Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY 46 Date: 14-Feb-1996 Version: 1.0 Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO Remarks Bank select MSB, LSB Modulation depth Data entry MSB, LSB Volume Pan Expression Sustain Sostenuto Portament control Dry send level Reverb depth RPN data increment RPN data decrement RPN LSB, MSB All sound off Reset All Controllers 〇 : Yes × : No / Table d ablle / Table d'implémentation / Gráfico de implememtación *0 PSR-220/230 function as 16 MIDI channel multi-timbral tone generator. The Remote Keyboard channel can be set by the panel settings. The designated channels on the PSR-220/230 can be controlled by an external device and receive the following data: • Note Off • Note On • Contorl Chanage: Bank select MSB, LSB Volume Pan Sustain Reverb depth All sounds off Reset all controllers • Program Change • Exclusive ( Panel voice / GM voice select ) *1 Bank select transmission: The LSB is fixed at 00H. Bank select reception: The bank select MSB is used for melody voice and rhythm voice switching. MSB 00H: Melody voice. MSB 7FH: Rhythm voice. The bank select LSB is ignored. The bank select on the channel 10 is ignored. No voice change will occur when only a bank select is received. When a program change is received, the latest bank select value is used. *2 RPN transmits and receives the following data: Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H Fine tuning: BnH, 64H, 01H, 65H, 00H Coarse tuning: BnH, 64H, 02H, 65H, 00H Null: BnH, 64H, 7FH, 65H, 7FH *3 Reset all controllers. Pitch bend, modulation, expression, sustain, sostenuto, and registered parameter number are returned to their default values. Portamento is reset. *4 Exclusive. < GM1 System On > F0H, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI Master Tuning are reset to their default values. < DISK ORCHESTRA ON > F0H, 43H, 73H, 01H, 14H, F7H < DISK ORCHESTRA OFF > F0H, 43H, 73H, 01H, 13H, F7H < MIDI Master Volume > F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H Allows the volume of all channels to be changed simultaneously (universal system exclusive). “mm” is used as the MIDI Master Volume value (“ll” is ignored). The relation between MIDI Master Volume value and the actual volume is the same as the one between control change master volume value and the actual volume. The default value for “mm” is 7FH. This value is reset by a GM1 System On message. < MIDI Master Tuning > F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H Allows the pitch of all channels to be changed simultaneously. “mm, ll” is used as the MIDI Master Tuning value, and the actual tuning value is represented as follows: T = M x 200 / 256 - 100 Where T is the actual tuning value in cents. M is decimal value represented by 1-byte using bits 0..3 of “mm” as the MSB and bits 0..3 of “ll” as the LSB. The default values of “mm” and “ll” are 07H and 0FH, respectively. “n” and “cc” are also recognized. This value is not reset by a GM1 System On or Reset All Controllers message. < Panel Voice > F0H, 43H, 76H, 1BH, cc, vv, F7H This message alternately selects Panel voice or GM voice. cc: MIDI channel vv: 00 = GM voice mode, 01 = Panel voice mode *5 Internal / External clock selectable. *6 Start / Stop message is transmitted. Start / Stop message is received as a message for “STYLE”. GM System Level 1 The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices. The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as “GM System Level 1.” The PSR-230/220 voice allocation complies with the GM System Level 1 standard. 47 Specifications / Technische Daten / Spécifications / Especificaciones Keyboard: 61 standard-size keys (C1-C6) with touch response (with Touch Sensitivity parameter). Display: Large multi-function display Voice: AWM 100 (Panel) / 128 + 1 Percussion Kit (GM) Maximum Polyphony: 28 notes Modes: Main, Dual, Split Parameters: Volume, Octave, Pan, Reverb Send Level, GM on/off, Split Points 1 & 2 Effect: • Chorus • Harmony/Echo: 5 types Harmony, 3 types Echo (with Harmony Volume, Echo Speed parameters) • 9 types Reverb Style 100 Styles Auto Accompaniment Fingering Modes: Fingered, Full, Single Finger Sections: Intro, Main A, Main B, Fill-in x 4, Ending 100 Jam Track (1 per Style) Other Controls: Tempo (32 - 280), Large/Small, Accompaniment Volume, Accompaniment Split Point 400 One Touch Setting (4 per Style) Song Song: 16 Preset, 4 User Minus One Repeat Guide (PSR-230 only) Song Volume One Touch Setting Easy Chord Memory 4 User Songs: Real-time Recording, Step Recording, Song Clear Overall Controls Transpose Tuning Metronome Music Cartridge PSR-230: Yes PSR-220: No Guide Lamps PSR-230: Yes PSR-220: No Controls POWER, VOLUME, DEMO, SUB MENU, MAIN MENU, TOUCH RESPONSE, SPLIT, FINGERING, VOLUME, TEMPO, SYNC-START, START/STOP, INTRO/REPEAT PLAY, MAIN/AUTO FILL A and B [also MINUS ONE, GUIDE (PSR-230 only)], ENDING, JAM TRACK, SYNC-STOP, LARGE/SMALL, ONE TOUCH SETTING 1 - 4 (MEASURE +/-, BEAT +/-), VOICE, STYLE, SONG, Numeric Keypad, CARTRIDGE (PSR-230 only), EASY CHORD MEMORY (REC/END), DUAL/CHORUS, HARMONY/ECHO, REVERB Other Terminals & Fittings Music Cartridge slot (PSR-230 only) DC IN 10-12V jack PHONES/AUX OUT jack SUSTAIN jack MIDI IN/OUT terminals Music Stand slot Amplifier Stereo: 3.0 W + 3.0 W (with PA-3B adaptor); 6.0 W+6.0 W (with batteries) PHONES/AUX OUT Output 48 Ω impedance ±5% Speakers 10 cm x 2 Power Consumption 12 W (with PA-3B adaptor) Rated Power Supply DC 10-12 V: 6 “D” size / R-20 / SUM-1 (1.5 V) batteries, or PA-3/3B Power Adaptor Dimensions (W x D x H) 933 x 372 x 126mm (36-3/4" x 14-5/8" x 5") Weight PSR-230: 7.1 Kg (15.7 lbs.) excluding batteries PSR-220: 7.0 Kg (15.4 lbs.) excluding batteries Supplied Accessories • Music Stand • Owner’s Manual • Music Cartridge (PSR-230 only) Optional Accessories Headphones: HPE-3 or HPE-150 AC Power Adaptor: PA-3 or PA-3B Keyboard Stand: L-2L or L-2C * Specifications are subject to change without notice. * Änderungen ohne Vorankündigung vorbehalten, * Sous toute réserve de modification des caractéristiques sans préavis. * Especificaciones sujetas a cambios sin previo aviso. 48 Limited Warranty 90 DAYS LABOR 1 YEAR PARTS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products: PSR SERIES OF PORTASOUND ELECTRONIC KEYBOARDS If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specific legal rights. You may also have other rights which vary from state to state. CONSUMERS RESPONSIBILITIES If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service shold be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the first 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions. EXCLUSIONS This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modification or exposure to extermes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________ Purchased from____________________________________________________________ (Retailer) Date______________________________________ YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620 KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!-
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Yamaha PortaTone PSR-220 de handleiding
- Categorie
- Digitale piano's
- Type
- de handleiding
in andere talen
- English: Yamaha PortaTone PSR-220 Owner's manual
- italiano: Yamaha PortaTone PSR-220 Manuale del proprietario
- русский: Yamaha PortaTone PSR-220 Инструкция по применению
- français: Yamaha PortaTone PSR-220 Le manuel du propriétaire
- español: Yamaha PortaTone PSR-220 El manual del propietario
- Deutsch: Yamaha PortaTone PSR-220 Bedienungsanleitung
- português: Yamaha PortaTone PSR-220 Manual do proprietário
- dansk: Yamaha PortaTone PSR-220 Brugervejledning
- suomi: Yamaha PortaTone PSR-220 Omistajan opas
- čeština: Yamaha PortaTone PSR-220 Návod k obsluze
- svenska: Yamaha PortaTone PSR-220 Bruksanvisning
- Türkçe: Yamaha PortaTone PSR-220 El kitabı
- polski: Yamaha PortaTone PSR-220 Instrukcja obsługi
- română: Yamaha PortaTone PSR-220 Manualul proprietarului
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