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English SPEAKER SYSTEMS Français F12 F12M F15 F25 Deutsch SUBWOOFER F28 Thank you for purchasing a YAMAHA product. To obtain maximum performance from your YAMAHA speaker system and ensure many years of trouble-free operation, we recommend that you read this Owner’s Manual thoroughly before use and keep it for future reference. Contents Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Connection example. . . . . . . . . . . . . . . . . . . . . . . . .3 Hanging installation . . . . . . . . . . . . . . . . . . . . . . . . .4 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Technical Data . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Additions 取扱説明書 日本語 Español Owner’s Manual Mode d’emploi Bedienungsanleitung Manual de instrucciones  Precautions AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION When choosing a location for your speakers, avoid the following: • Direct sunlight, high temperatures (such as near heaters), or excessively low temperatures. • High humidity. • Areas subject to excessive dust accumulation and vibration. • Non-level or unstable surfaces. HOW TO POWER UP YOUR SOUND SYSTEM To avoid damage to your speakers and other parts of your system, when you turn on your system, ALWAYS turn the power amp on last! This will avoid loud, damaging pops that will annoy your audience, and blow your speakers. When you power down, the amplifier should ALWAYS be turned off first to avoid the same problems. ■ To protect your speakers When choosing a power amplifier to use with your speakers, make sure that its power output matches the speakers’ power capacity (refer to the “Specifications” on page 5). Even if the amplifier’s power output is lower than the speakers’ PGM (program) power capacity, the speakers may be damaged when clipping of a high input signal occurs. The following may cause damage to speakers: • Feedback caused when using a microphone. • Continuous high sound pressure level produced by electronic instruments. • Continuous high-power output distorted signals. • Popping noises caused by turning on equipment, or by connecting or disconnecting system components while the amplifier is turned on. MAKE SURE THE POWER IS OFF BEFORE MAKING OR REMOVING CONNECTIONS This product, when used in combination with amplification and/or additional loudspeakers, may be capable of producing sound levels that could cause permanent hearing loss. Always turn the power switches of system components OFF prior to connecting or disconnecting cables. Failure to do so may result in damage to speakers as well as to connected equipment. DO NOT operate at high volume levels or at a level that is uncomfortable. If you experience any discomfort or ringing in the ears, or suspect an hearing loss, you should consult an audiologist. DISCONNECT CABLES BEFORE MOVING THE SYSTEM To prevent short circuits or breakage of cables, always disconnect cables prior to moving system equipment. MATCH CONNECTOR POLARITY When using two or more speaker systems, be sure match the polarity (+/–) of the speaker system connectors to those at the amplifier. If the polarities do not match, the sounds produced by the speakers will interfere with each other, making it impossible to achieve a well-balanced sound field. KEEP THIS OWNER’S MANUAL IN A SAFE PLACE FOR FUTURE REFERENCE 2 SPEAKER HANDLES The handles on your speakers are for transportation. The F12M/F25/F28 models are not designed for suspension or hanging. Only the F12/F15 models are designed for suspension. Please consult a qualified engineer for proper hanging techniques. Fly-Ware Hang correctly according to the instructions on page 4.  Connection example • SPEAKER SYSTEMS: F12/F12M/F15/F25 • SUBWOOFER: F28 ●Stand alone Full-range position Mixer Power amp F12/F12M/ F15/F25 HF Bi-amp position Power amp F12/F12M/ F15/F25 Mixer LF ●Use combined with subwoofer Normal Power amp Français Polarity Reversed 2 Use as bi-amp speaker system Crossover 1.4 kHz (24 dB/oct., Gc=–3 dB) 1 2-way crossover Polarity Normal HF Full-range position Power amp F12/F15 Mixer LF Normal Power amp Crossover 80 Hz (18 dB/oct., Gc=–6 dB) Deutsch 1 Use as full-range speaker system English ■ Connections F28 2 3-way crossover Polarity Reversed HF Bi-amp position Power amp F12/F15 Mixer LF SLF Normal Power amp Español Normal Power amp F28 Crossover LF/HF; 1.4 kHz (24 dB/oct., Gc=–3 dB) SLF/LF; 80 Hz (18 dB/oct., Gc=–6 dB) ■ Speaker system and Neutrik NL4FC connector connections 1+ 2+ 1– Full-range operation + 1+ – 1– 2+ 2– Bi-amp operation LF+ 1+ LF– 1– HF+ 2+ HF– 2– Subwoofer + 1+ – 1– 2+ 2– 日本語 2– Neutrik NL4FC connector The F12/F12M/F15/F25 also support bi-amp drive. FULL-RANGE PIN 1±=INPUT 2±=N.C. BI-AMP PIN 1±=L.F. 2±=H.F. For bi-amp drive, switch the mode switch from FULL-RANGE to BI-AMP with a flat-bladed screwdriver. Caution: • Do not switch the mode switch during operation. 3 Additions ■ Bi-amp drive  Hanging installation The F12/F15 can be installed hanging. Remove the four countersunk screws on the top or bottom of the speaker system, screw in the four accessory eye bolts and hang with wire. When hanging the speaker system, carry out the work under the guidance of an expert with a safe method appropriate to the actual installation and environment. Eye bolt (3/8") Countersunk screw Warning: • Always use the accessory eye bolts. • Always hang with four eye bolts on one surface. • Do not use the handle to hang the speaker system. ■ Standards and use conditions for flying 1 Always hang from four points. (Figure 1) 2 Use the fittings for the F12/F15 with a total load no greater than 172 kg including the speakers, eye bolts, wires, etc. 3 Use with a hanging angle of no greater than 45°. (Figure 2) 4 When hanging in a vertical array, use no more than 4 levels of F12s or 3 levels of F15s. 5 Verify the strength of wire rope, ceiling fittings, and connection fittings. * 1–5 above are reference values. 45° maximum (Figure 1: Always hang from four points.) (Figure 2: Retraction angle 45° maximum) ■ Maintenance inspection Parts can deteriorate due to wear, corrosion, etc. during use. For the sake of safe usage, inspect periodically. 4  Specifications Model F12 F12M Frequency Range 55 Hz to 20 kHz 45 Hz to 20 kHz NOISE 350 W (EIA RS-426) PRGM 700 W 1400 W MAX 1400 W 2800 W Sensitivity 4Ω 98 dB (W, m) 99 dB (W, m) 60° 40° 60° Vertical 40° 60° 40° 1.5 kHz NEUTRIK NL4MPR ×2 Input Connectors Mode Switch Components 98 dB (W, m) Horizontal Crossover Frequency Full Range & Bi-Amp LF 12" cone (JAY5130) HF 15" cone (JAY6150) 15" cone × 2 (JAY6150) 3" Titanium diaphragm driver (JAY2120) Bass Reflex Type Dimensions (W × H × D) Weight Accessory 500 × 714 × 375 mm 705 × 465 × 447 mm 34 kg 3/8" Shoulder Eye Bolts × 4 pcs ■ SUBWOOFER Model 575 × 1225 × 550 mm 32.5 kg 40 kg 63 kg — 3/8" Shoulder Eye Bolts × 4 pcs — ✩ F12M floor mounting angle F28 NOISE 1000 W (EIA RS-426) PRGM 2000 W MAX 4000 W Sensitivity 4Ω Input Connectors NEUTRIK NL4MPR ×2 Components 18" cone ×2 (JAY7020) Enclosure Dimensions (W × H × D) 30° 98 dB (W, m) Bass Reflex Type 1225 × 585 × 655 mm 日本語 Nominal Impedance Español 35 Hz to 2 kHz 471 Frequency Range Power Capacity 575 × 855 × 435 mm Deutsch Enclosure Weight 700 W (EIA RS-426) 8Ω Nominal Impedance Nominal Dispersion F25 Français Power Capacity F15 English ■ SPEAKER SYSTEMS 72.5 kg Additions Specifications subject to change without notice. 5  Technical Data ■F12/F12M Frequency Response/Impedance 110 RESPONSE（dB） 100 90 16 80 8 70 60 4 2 20 100 1k 10k FREQUENCY（Hz） F12; Horizontal Directivity F12M;Vertical Directivity 0° 0° 10 20 30 0° 40 50 270° 40 0° 12 10 0 10 0 0 10 0 10 21 0° 20 30 40 30 40 180° 180° 15 21 0° 20 0° 0° 24 30 0° 0 15 0 0° 10 12 20 50 90° 24 30 0° 50 90° ° 60 40 30 ° 60 50 270° ° 0° 30 30 • 4kHz • 8kHz • 16kHz 0° 33 30 ° 0° 33 • 500Hz • 1kHz • 2kHz F12; Vertical Directivity F12M;Horizontal Directivity 0° 0° 0° 12 180° 21 15 0° 0° 24 32 40 50 270° 40 30 20 20 0° 24 0° 0° 30 15 20 180° 10 0° 0 21 0 0° 10 12 20 50 90° 30 0° 50 90° ° 60 40 30 ° 60 50 270° 30 ° 0° 0° 30 • 4kHz • 8kHz • 16kHz 33 0° 30 ° 33 • 500Hz • 1kHz • 2kHz  ■F15 Frequency Response/Impedance 110 RESPONSE（dB） 100 90 16 80 8 70 60 4 2 20 100 1k 10k FREQUENCY（Hz） Horizontal Directivity 0° 0° 10 20 30 0° 40 50 270° 40 0° 12 10 0 10 0 0 10 0 10 21 0° 20 30 40 30 40 180° 180° 15 21 0° 20 0° 0° 24 30 0° 0 15 0 0° 10 12 20 50 90° 24 30 0° 50 90° ° 60 40 30 ° 60 50 270° ° 0° 30 30 • 4kHz • 8kHz • 16kHz 0° 33 30 ° 0° 33 • 500Hz • 1kHz • 2kHz Vertical Directivity 0° 0° 24 30 20 20 0° 日本語 33 Additions 15 180° 40 0° 0° 0° 21 0° 50 270° 15 40 180° 0° 30 21 0° 20 12 10 0° 0 12 0 50 90° 10 50 90° ° 60 20 ° 24 30 0° 60 40 ° 50 270° 30 30 0° • 4kHz • 8kHz • 16kHz 0° 33 30 30 ° 0° 33 • 500Hz • 1kHz • 2kHz  ■F25 Frequency Response/Impedance 110 RESPONSE（dB） 100 90 16 80 8 70 60 4 2 20 100 1k 10k FREQUENCY（Hz） Horizontal Directivity 0° 0° 10 20 30 0° 24 40 50 270° 40 30 10 0 10 0 0 10 0 10 20 30 40 30 40 0° 0° 24 180° 180° 15 21 0° 0° 12 21 0° 20 0° 0 15 0 0° 10 12 20 50 90° 30 0° 50 90° ° 60 40 30 ° 60 50 270° ° 0° 30 30 • 4kHz • 8kHz • 16kHz 0° 33 30 ° 0° 33 • 500Hz • 1kHz • 2kHz Vertical Directivity 0° 0° 20 0° 40 0° 12 180° 15 21 0° 0° 24 34 30 50 270° 40 24 30 20 20 0° 0° 10 15 0 180° 0 21 0° 10 0° 20 12 30 50 90° 40 0° 50 90° ° 60 50 270° 30 ° 60 0° 30 ° 30 • 4kHz • 8kHz • 16kHz 0° 33 30 ° 0° 33 • 500Hz • 1kHz • 2kHz  ■F28 Frequency Response/Impedance 110 90 16 80 8 70 2 20 100 1k 10k FREQUENCY（Hz） 日本語 60 4 Additions RESPONSE（dB） 100 35  Dimensions F12 210 75 ° (106) D:375 (59) 242 354.7 H:714 W:500 F12M W:705 47 H:465 50 0 30° 1 60° D:447 36  日本語 ° 75 Additions D:550 H:855 (105) ° 75 H:1225 245 D:435 (85) F15 297 428 W:575 F25 287 W:575 37  H:585 F28 W:1225 D:655 Unit：mm 38  CJY0328 R1 1 AP 40 Printed in U.S.A. Pro Audio Division, #18/3 P.O. Box 3, Hamamatsu, 430-8651, Japan