Yamaha DSP-A595a de handleiding

Merk: Yamaha

Model: DSP-A595a

Categorie: AV-ontvangers

Type: de handleiding

DSP-A595a

Natural sound AV Amplifier

Amplificateur audio-vidéo

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

DSP-A595a

Printed in Malaysia ID

V403430

B G

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SUPPLIED ACCESSORIES

ACCESSOIRES FOURNIS

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter uppackningen att följande delar finns med.

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (formato AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

• Remote control

Before using the remote control, install the supplied

batteries. See page 40 for battery installation.

• Télécommande

Avant d’utiliser la télécommande, mettre les piles fournies en

place. Pour la mise en place des piles, voir page 84.

• Fernbedienung

Legen Sie vor Gebrauch der Fernbedienung die

mitgelieferten Batterien ein. Angaben zum Einlegen der

Batterien finden Sie auf Seite 128.

• Fjärrkontroll

Sätt i de medföljande batterierna innan du använder

fjärrkontrollen. Se sidan 172 om hur man sätter i dem.

• Telecomando

Prima di usare il telecomando, installare le batterie in

dotazione. Per l’installazione delle batterie vedere a

pagina 216.

• Control remoto

Antes de utilizar el transmisor de control remoto, instálele

las pilas suministradas. Para instalar las pilas, consulte la

página 260.

• Afstandsbediening

Alvorens u de afstandsbediening gaat gebruiken, moet u de

bijgeleverde batterijen plaatsen. Zie blz. 304 voor het

plaatsen van de batterijen.

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English

5-Channel Power Amplification

Minimum RMS Output

(0.04% THD, 20 Hz – 20 kHz)

Main: 65 W + 65 W (8 Ω)

Center: 65 W (8 Ω)

Rear: 65 W + 65 W (8 Ω)

Multi-mode Digital Sound Field Processing

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder

● Dolby Pro Logic Decoder

● DTS Decoder

● CINEMA DSP: Theater-like Sound

Experience by the Combination of

YAMAHA DSP Technology and Dolby

Digital, Dolby Pro Logic or DTS

SUPPLIED ACCESSORIES........................................... 2

FEATURES .................................................................... 3

CAUTION ....................................................................... 4

●Introduction

FEATURES OF THE SOUND EFFECTS....................... 5

CONTROLS AND THEIR FUNCTIONS ......................... 8

●Preparation

SPEAKER SETUP ....................................................... 11

CONNECTIONS........................................................... 12

ADJUSTMENTS BEFORE USING THIS UNIT............ 18

●Basic Operation

BASIC OPERATION .................................................... 23

SETTING THE SLEEP TIMER.....................................27

●Information about DSP

SOUND FIELD PROGRAM ......................................... 28

●Advanced Information

ADJUSTMENTS IN THE “SET MENU” MODE ............ 33

●Remote control

REMOTE CONTROL ...................................................35

SETUP CODES ........................................................... 41

TROUBLESHOOTING ................................................. 42

SPECIFICATIONS ....................................................... 45

LIST OF MANUFACTURERS’ CODES...................... 310

FEATURES

CONTENTS

● Automatic Input Balance Control for

Dolby Pro Logic decoding

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Selection

● 6-Channel External Decoder Input for

Other Future Formats

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control with Preset

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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

5. The openings on the cover assure proper ventilation of the

unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm

on both sides and 30 cm above the top panel of the unit to

prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for any

damage resulting from the use of this unit with a voltage

other than that specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers and TVs. Move

this unit farther away from such equipment if interference is

observed.

8. Always set the VOLUME control to “

” before starting the

audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11. When not planning to use this unit for a long period of time

(e.g., a vacation), disconnect the AC power plug from the

wall outlet.

12. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

13. Grounding or polarization – Precautions should be taken so

that the grounding or polarization of the unit is not

defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode. In

this state, this unit is designed to consume a very small

quantity of power.

For U.K. customers

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the instructions

described below.

Note: The plug severed from the mains lead must be

destroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured markings

identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L or

coloured RED.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

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English

FEATURES OF THE SOUND EFFECTS

Welcome to the exciting world of digital home entertainment.

This unit is one of the most complete and advanced AV

amplifiers available. Some of the more advanced features may

not be familiar to you, but they are easy to use. State-of-the-art

technologies such as Dolby Digital and Digital Theater Systems

(DTS) may be new to your home, but you have probably

experienced the amazing realism they bring to feature films in

theaters around the world.

To make the listening experience even more enjoyable, this unit

includes a number of exclusive, digitally created listening

environments known as digital sound fields. Choosing a sound

field program is like transporting yourself to such venues as an

outdoor arena, a European church, or a cozy jazz club. Take

some time now to read more about these features and enjoy

the new experiences this unit brings to your home theater.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but the chances are that you’ll

still notice something missing — the acoustic environment of

the live concert hall. Extensive research into the exact nature

of the sonic reflections that create the ambience of a large hall

has made it possible for YAMAHA engineers to bring you this

same sound to your listening room, so you’ll feel all the sound

of a live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any

one of these live performance environments, all in your own

home.

Dolby Surround has been used in movie theaters since the mid-

seventies. It has also been available in home entertainment

systems since the late eighties and continues to be a popular

format for home theater systems. It uses four discrete channels

and five speakers to reproduce realistic and dynamic sound

effects: two main channels (left and right), a center channel for

dialog, and a rear channel for special sound effects. The rear

channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround

encoding, as do many TV and cable broadcasts. The Dolby Pro

Logic decoder built into this unit employs a digital signal

processing system that stabilizes each channel for even more

accurate sound positioning than is available with standard

analog processors.

Introduction

Dolby Pro Logic

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Dolby Digital

Dolby Digital is the next level of the Dolby Surround sound

system that was developed for 35 mm-film movies by

employing low bit-rate audio coding.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to you. Dolby

Digital provides five full-range channels in what is sometimes

referred to as a “3/2” configuration: three front channels (left,

center and right), and two surround channels. A sixth bass-only

effect channel is also provided for output of LFE (low frequency

effect), or low bass effects that are independent of other

channels. (This is called the “LFE channel”.) This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in

total.

Compared to Dolby Surround, which is referred to a “3/1”

system (left front, center, right front and just one surround

channel), Dolby Digital features two surround channels, called

stereo or split surrounds, each offering the same full-range

fidelity as the three front channels.

By using the built-in Dolby Digital decoder, you can experience

the dramatic realism and impact of Dolby Digital theater sound

in your home.

The wide dynamic range of sound reproduced by the five full-

range channels and precise sound orientation by digital sound

processing provides listeners with excitement and realism that

have never been experienced before.

Dolby Digital forms 5.1 channels as already mentioned, but it

can also form fewer channels, for example 2-channel stereo

and monaural. You may be able to find some 2-channel stereo

and/or monaural sources encoded with Dolby Digital in the

market.

Laser disc and DVD are home audio/video program sources

that could benefit from Dolby Digital. In the near future, Dolby

Digital will also be applied to DBS, CATV and HDTV. The

ongoing release of Dolby Digital theatrical films now underway

will provide an immediate source of Dolby Digital encoded

video software.

Manufactured under license from Dolby Laboratories. “Dolby”,

“Pro Logic” and the double-D symbol are trademarks of Dolby

Laboratories.

DTS Digital Surround

DTS (Digital Theater Systems) was developed to replace

analog soundtracks of movies with six discrete channels of

digital soundtracks, and it is now installed in many theaters

around the world. The DTS digital playback system changed

the way we experienced movies in theaters with six discrete

channels of superb digital audio.

DTS technology, through intense research and development

has made it possible to deliver similar encode/decode discrete

technology to home audio surround-sound entertainment.

DTS Digital Surround is an encode/decode system which

delivers six channels of master-quality, 20-bit audio; technically,

it is 5.1 channels, which means 5 full-range (left, center, right

and two surround) channels, plus a subwoofer (LFE) channel

(as “0.1”). It is compatible with the 5.1 speaker configurations

that are currently available for home theater systems.

The DTS Digital Surround algorithm is designed to encode the

six channels of 20-bit audio on to some laser discs, compact

discs and DVDs with considerably less data compression.

By using the DTS decoder built into this unit, you can

experience the dramatic realism and impact of the DTS-

installed theater’s high quality sound in your home.

Laser disc, compact disc and DVD are home audio formats by

which DTS can present its high-quality multi-channel audio. (In

addition to movies on laser discs, many exciting new multi-

channel music recordings will also become available in the

form of DTS-encoded compact discs.)

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued

and pending. “DTS”, “DTS Digital Surround”, are trademarks of

01DSP-A595a-1 6/24/99, 12:14 PM6

English

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full

ability in a large movie theater, because movie sounds are

originally designed to be reproduced in a large movie theater

that uses a multitude of speakers. Trying to create a sound

environment similar to that of a movie theater in your home is

difficult because of the room size, material inside the walls, the

number of speakers, and so on. In other words, your listening

room is very different from a movie theater.

However, YAMAHA DSP technology allows you to create nearly

the same sound experience as that of a large movie theater in

your home by compensating for the lack of presence and

dynamics in the listening room with original digital sound fields

combined with Dolby Surround or DTS Digital Surround

sounds.

The YAMAHA “CINEMA DSP” logo indicates those programs

that are created by the combination of YAMAHA DSP

technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic-decoded sound

field, respectively. They create a wide acoustic environment

and emphasize the surround effect in the room, letting you

feel as much presence as if you were watching a movie in a

popular Dolby Stereo theater.

Refer to pages 28 to 29 for the DSP program.

CINEMA DSP

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital-

decoded or DTS-decoded sound field, respectively. They

create a wide acoustic environment and strong surround

effect in the room without losing high-channel separation. With

the wide dynamic range of Dolby Digital or DTS sound, this

sound field combination lets you feel as if you were watching

a movie in the newest Dolby Digital theater or DTS-installed

theater. This is the most ideal home theater sound at the

present time.

Refer to pages 28 to 29 for the DSP program.

01DSP-A595a-1 6/24/99, 12:14 PM7

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

STANDBY/ON

Press this switch to turn on the power of this unit. Press it

again to set this unit in the standby mode.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 10 for details.)

4 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

When you press the button next, the “TAPE/MD MON” indicator

goes off, “EXT. DECDR” appears on the display and you can

play the signal connected to the EXTERNAL DECODER

INPUT terminals.

5 INPUT

Turn this selector to select the input source (VCR, VIDEO AUX,

TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to

listen to or watch.

The name of the selected input source appears on the display.

6 VOLUME

This control is used to raise or lower the volume level.

7 PHONES jack

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from

the main speakers through the headphones.

When using headphones only, set both SPEAKERS A and B to

the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by

pressing EFFECT.

Refer to pages 35 to 40 for the remote control.

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English

8 SPEAKERS

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) that you want to use.

Set the button(s) for the main speaker system you don’t want to

use to the OFF position.

9 EFFECT

Press this button once to switch the effect speakers (center and

rear) on or off. If you turn off the effect by using EFFECT, all

Dolby Digital and DTS audio signals are directed to the main

left and right channels. In that case, the left and right channel

signal levels may not match.

0 PROGRAM selector

Press one of these buttons to select a DSP program.

The name of the selected program appears on the display.

q Tone controls

These controls are only effective for the sound from the main

speakers.

BASS

Use this control to increase or decrease the low-frequency

response. The “0” position produces a flat response.

TREBLE

Use this control to increase or decrease the high-frequency

response. The “0” position produces a flat response.

w BALANCE

This control is only effective for the sound from the main

speakers.

Turn the control to adjust the balance of the output volume to

the left and right speakers to compensate for sound imbalance

caused by the speaker location or listening room conditions.

e SET MENU

Press this button to select functions in the SET MENU mode.

r TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

t +/–

These buttons are used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,

press + to increase the delay time or speaker output level.

Press – to decrease the delay time or speaker output level.

y INPUT MODE

This button switches between the DVD/LD and TV/DBS input

signal modes.

u VIDEO AUX terminals

Connect an auxiliary video or audio input source such as a

camcorder to these terminals. If the connected video unit has

an S video output terminal, connect it to the S VIDEO terminal

to obtain a high-resolution picture. The source connected to

these terminals can be selected by INPUT.

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1 Multi-information display

This displays various information, for example the name of

selected DSP program and name of selected input source.

2 TAPE/MD MON indicator

This lights up when the tape deck (or MD recorder, etc.) is

selected as the input source by pressing TAPE/MD MON / EXT.

DECODER on the front panel or TAPE/MD on the remote control.

3 indicators

Either “dts” indicator lights up when the built-in DTS decoder is

turned on.

The red “dts” indicator lights up when playing a CD or LD

encoded with DTS.

The orange “dts” indicator lights up when playing a DVD

encoded with DTS.

* An orange “dts” indicator may light up when playing a CD or

LD encoded with DTS after playing a video-CD or DVD on a

DVD/LD combi-player.

DISPLAY PANEL

, and indicators

“

” lights up when the built-in Dolby Digital decoder is

on and the signals of the selected source encoded with Dolby

Digital are not in 2-channel. “ ” lights up when the built-in

digital sound field processor is on, and “

” lights up

when the built-in Dolby Pro Logic decoder is on. Depending on

the selected DSP program, both “ ” and “ ”, or

both “ ” and “ ” will light up.

5 SLEEP indicator

This lights up while the built-in SLEEP timer is functioning.

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English

SPEAKER SETUP

This unit is designed to provide the best sound-field quality with

a 5-speaker configuration, using main speakers, rear speakers

and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

The main speakers should be high-performance models and

have enough power-handling capacity to accept the maximum

output of your audio system.

The other speakers do not have to be equal to the main

speakers. For precise sound localization, however, it is ideal to

use high-performance models that can reproduce sounds over

the full range for the center speaker and the rear speakers.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is effective

not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency

effect) sound with high fidelity when playing back a source that

is Dolby Digital or DTS-decoded. The YAMAHA Active Servo

Processing Subwoofer System is ideal for natural and lively

bass reproduction.

SPEAKERS TO BE USED

SPEAKER PLACEMENT

Refer to the following diagram when you place the speakers.

Main: The position of your present stereo speaker

system.

Rear: Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the

floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.)

Subwoofer: The position of the subwoofer is not as critical,

because low bass tones are not highly directional.

Rear

speaker (R)

Main

speaker (R)

Center speaker

Subwoofer

Main

speaker (L)

Rear

speaker

(L)

Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and

right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 18

for details.)

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AC OUTLET(S) (SWITCHED)

Europe model......................................................... 2 OUTLETS

U.K. model ................................................................1 OUTLET

Use these to connect the power cords from your components to

this unit.

The power to the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON or the provided remote control’s POWER and

STANDBY. These outlets will supply power to any connected

component whenever this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the AC OUTLET(S) is 100 watts.

CONNECTIONS

Never plug in this unit and other components until all connections have been completed.

CONNECTIONS WITH OTHER COMPONENTS

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making

sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable Monitor TV

DVD player,

LD player, etc.

CD player Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

To AC outlet

(Europe model)

GND terminal (for turntable use)

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better

results may be obtained with the ground wire disconnected.

Tuner

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English

CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with

coaxial or optical digital audio signal output terminals, they can

be connected to this unit’s COAXIAL and/or OPTICAL digital

signal input terminals.

Digital audio signals are transmitted with less loss than analog

audio signals. In addition, digital audio signal connections are

necessary, especially for an LD player or a DVD player, to send

signals encoded with Dolby Digital or DTS to this unit.

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit

connected with the same-named analog audio signal terminals

of this unit, because a digital signal cannot be recorded by a

tape deck, MD recorder or VCR connected to this unit. You can

easily switch the selection of input signals between “digital” and

“analog.” (See page 25 for details.)

Notes

• When connecting an audio/video unit to both the digital and

analog terminals of this unit, make sure to connect between

both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals

are not being used in order to protect them from dust.

• The input signal from the DVD/LD input terminals is selected

in the following order of priority with the input mode set to the

AUTO position:

1 COAXIAL terminal

2 OPTICAL terminal

3 Analog terminal

• If the DIGITAL OUT data of the player has been processed in

any way, you may not be able to perform DTS playback even

if you make a digital connection between this unit and the

player.

• All digital audio signal input terminals are applicable to

sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

No sound will be generated when connecting your LD

player’s Dolby Digital RF signal output terminal directly to

this unit’s COAXIAL DVD/LD digital signal input terminal.

DVD or LD player*

* If your LD player has a Dolby Digital RF signal

output terminal, be sure to use the RF

demodulator (separately purchased).

TV/DBS tuner

(Europe model)

01DSP-A595a-2 6/24/99, 12:15 PM13

CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (high-

resolution) video terminals, those terminals can be connected

to this unit’s S VIDEO terminals. Connect the VCR’s “S” video

input and output terminals to this unit’s S VIDEO VCR OUT and

IN terminals, respectively, and connect the monitor’s “S” video

input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Otherwise, connect the VCR’s composite video terminals to this

unit’s composite video terminals, and connect the monitor’s

composite video input terminal to this unit’s composite

MONITOR OUT terminal.

In addition, if you have a DVD or LD player equipped with an

“S” video terminal, connect the DVD/LD player’s “S” video

output terminal to this unit’s S VIDEO DVD/LD terminal.

Note

If video signals are sent to both S VIDEO input and com-

posite input terminals, the signals will be sent to their

respective output terminals.

S VIDEO terminals

This unit provides you with S VIDEO terminals in addition

to standard VIDEO terminals.

S VIDEO terminals transmit video signals separated into

luminance (Y) signals and color (C) signals. In comparison

with S VIDEO terminals, standard VIDEO terminals transmit

“composite” video signals.

Monitor TV

S S S

Camcorder

CONNECTING TO VIDEO AUX TERMINALS

(ON THE FRONT PANEL)

These terminals are used to connect any video input source

such as a camcorder to this unit.

CONNECTING WITH A MONITOR TV THAT

USES A 21-PIN CONNECTOR FOR INPUT

Make a connection as shown below with a commercially

available SCART-plug connector cable.

Monitor TV

No connection

SCART-plug connector cable

DVD/LD player

S VIDEO cable

VCR

01DSP-A595a-2 6/24/99, 12:15 PM14

English

CONNECTING TO AN EXTERNAL DECODER

This unit is equipped with additional 6-channel audio signal

input terminals for inputting signals from an external decoder to

this unit.

Connect the 6-channel audio signal output terminals of the

decoder to the EXTERNAL DECODER INPUT terminals of this

unit.

Notes

• When signals input to these terminals are selected, the digital

sound field processor cannot be used.

• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the

SET MENU mode have no effect on the signals input to these

terminals. The setting of “M.LVL” is effective. (Refer to

page 18 for details.)

• Adjustment of the output level of the center speakers, rear

speakers and subwoofer is effective when the signals input to

these terminals are selected as the input source. (Refer to

page 31 for details.)

External decoder with

6-channel discrete

outputs

(Europe model)

WARNING

Do not change the IMPEDANCE SELECTOR switch setting

while the power to this unit is on, otherwise this unit may be

damaged.

If this unit fails to turn on when the STANDBY/ON switch is

pressed, the IMPEDANCE SELECTOR switch may not be

fully set to either end. If so, set the switch to either end fully

when this unit is in the standby mode.

Select the position whose requirements your speaker system

meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8 Ω or higher.

Center: The impedance of the speaker must be 6 Ω or higher.

Rear: The impedance of each speaker must be 6 Ω or

higher.

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16 Ω or higher.

Center: The impedance of the speaker must be 8 Ω or higher.

Rear: The impedance of each speaker must be 8 Ω or

higher.

IMPEDANCE SELECTOR SWITCH

IMPEDANCE SELECTOR

(Europe model)

01DSP-A595a-2 6/24/99, 12:15 PM15

Note

Use speakers with the specified impedance shown on the

rear panel of this unit.

Main speaker connections

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either of the

SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place

them to the rear of your listening position.

Center speaker connection

A center speaker can be connected to this unit. Place it on or

under the TV.

Subwoofer connection

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect

the SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer system.

CONNECTING SPEAKERS

Rear speakers

Subwoofer system

Center speaker

Right

Left

Main speakers A Main speakers B

Right

Left

Right Left

(Europe model)

01DSP-A595a-2 6/24/99, 12:15 PM16

English

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

Connecting to the MAIN SPEAKERS terminals

Red: positive (+)

Black: negative (–)

1 Unscrew the knob.

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

3 Tighten the knob to

secure the wire.

1 Press the tab.

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

3 Release the tab to

secure the wire.

Connecting to the REAR and CENTER

SPEAKERS terminals

Red: positive (+)

Black: negative (–)

OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)

The speaker connections described on page 16 are fine for

most applications. If for some reason, however, you wish to

drive main, center and/or rear speakers with your existing

amplifier, etc., the following terminals are available for

connecting an external amplifier(s) to this unit.

01DSP-A595a-2 6/24/99, 12:15 PM17

ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections have all been completed, select the proper setting for each function to make the

best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 33.)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE

Preset position: LARGE

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers.

In this position, low bass signals (below 90 Hz) on the

center channel are output from the main speakers (or

the SUBWOOFER OUTPUT terminal if the SMALL

position is selected for “MAIN” and the SW position is

selected for “BASS”).

NONE: Select this position when you do not have a center

speaker (four speaker system). The center channel

sound will be output from the left and right main

speakers.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have high

ability for bass reproduction, or if a subwoofer is

connected in parallel to the rear speaker.

In this position, full-range signals are output from the

rear speakers.

SMALL: Select this position if your rear speakers do not have

high ability for bass reproduction.

In this position, low bass signals (below 90 Hz) on

the rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected for “BASS”).

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your main speakers have high

ability for bass reproduction.

In this position, full-range signals present on the

main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have high ability for bass reproduction. However, if

your system does not include a subwoofer, do not

select this position.

In this position, low bass signals (below 90 Hz) on

the main channels are output from the

SUBWOOFER OUTPUT terminal if the SW or BOTH

position is selected for “BASS”.

BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH

Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer.

In this position, full-range signals present on the

main channels, signals from the LFE channel and

other low bass signals that are distributed from other

channels are output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your

system includes a subwoofer.

In either position, signals on the LFE channel and

other low bass signals that are distributed from other

channels are output from the SUBWOOFER

OUTPUT terminal.

When the LARGE position is selected for “MAIN”, in

the SW position, no signal is distributed from the

main channels to the SUBWOOFER OUTPUT

terminal; however, in the BOTH position, low bass

signals from the main channels are output to both

the main speakers and the SUBWOOFER OUTPUT

terminal.

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/–10 dB

Preset position: NRML (NORMAL)

NRML (NORMAL):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with

the sound output from the center and rear speakers.

In this position, the sound output from the main

speakers is attenuated.

Note

The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no

effect on the signals input to the EXTERNAL DECODER

INPUT terminals on the rear of this unit.

01DSP-A595a-2 6/24/99, 12:15 PM18

English

ADJUSTMENT METHOD

Adjustments should be made while watching the information on this unit’s display.

When adjusting with the remote control, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control.

1 Turn the power on.

Front panel Remote control

2 Press SET MENU once or more to select the function

“CNTR” on the display.

Front panel Remote control

* After pressing SET MENU once on the remote control, you

can also select the function by pressing

. (Pressing

goes back one selection.)

1 23

3 Press + or – once or more to select the setting you

want.

Front panel Remote control

4 Repeat steps 2 and 3 to change the settings for

“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same

way.

01DSP-A595a-2 6/24/99, 12:15 PM19

SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test

tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from

each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby

Pro Logic decoder and the DTS decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control.

After completing the adjustment of the output level for each speaker, use VOLUME (

) on the remote control at your

listening position to check if the adjustments are satisfactory.

Set the SELECTOR DIAL to the AMP/TUN or DSP position

on the remote control.

1 Set VOLUME to the “ ” position.

Front panel

2 1

4,74

5,9

2 Turn the power on.

Front panel Remote control

3 Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

01DSP-A595a-2 6/24/99, 12:15 PM20

English

6 Turn up the volume.

Remote control

You will hear a test tone (like pink noise) from each

speaker for about two seconds in following order: left main

speaker, center speaker, right main speaker, right rear

speaker and left rear speaker. The display changes as

shown below.

* If the function “CNTR” in the SET MENU mode is set to

the NONE position, you will hear the center channel test

tone from the left and right main speakers.

7 Adjust BALANCE so that the sound output level of the

left main speaker and the right main speaker is the

same.

Front panel

Main (L)

Center

Main (R)

Rear (R)

Rear (L)

4 Set BASS, TREBLE and BALANCE to the “0” position.

Front panel

5 Press TEST so that “TEST LEFT” appears on the

display.

Remote control

01DSP-A595a-2 6/24/99, 12:15 PM21

8 Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost the

same as that of the main speakers.

Press TIME/LEVEL once or more to select the speaker

to be adjusted so that “CENTER”, “R SUR.” or “L SUR.”

appears on the display.

Remote control

* You cannot adjust the delay time while the test tone is

sounding even if “DELAY” appears on the display

after pressing TIME/LEVEL once or more.

Adjust the level.

* Pressing

raises and lowers the level.

* While adjusting, the test tone is heard from the

selected speaker.

Remote control

9 When the adjustment is finished, press TEST again to

stop the test tone.

Remote control

Notes

• Once you have completed these adjustments, you can only

adjust the overall sound level of your audio system by using

VOLUME (or VOLUME (

) on the remote control).

• If you use external power amplifiers, you may also use their

volume controls to achieve the proper balance.

• If the function “CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted in step 8. The center sound is automati-

cally output from the left and right main speakers.

• If there is insufficient sound output from the center and rear

speakers, you may decrease the main speaker output level

by setting “M.LVL” to “–10 dB”.

01DSP-A595a-2 6/24/99, 12:15 PM22

English

BASIC OPERATION

TO PLAY A SOURCE

3 Select the desired input source by using INPUT.

(Turn on the monitor TV for video sources.)

Front panel Remote control

The name of the selected input source will appear on the

display.

To play a tape or an MD

Press TAPE/MD MON / EXT. DECODER

on the front panel or TAPE/MD on the

remote control so that the “TAPE/MD

MON” indicator lights up on the display.

To use a decoder connected to the EXTERNAL

DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER once or more on

the front panel or EXT. DEC. on the remote control so that

“EXT. DECDR” appears on the display.

When using the remote control

• Set the SELECTOR DIAL to the AMP/TUN position on the

remote control.

• To operate the tuner, the CD player, DVD/LD player, tape

deck, MD recorder, or other components with this remote

control, set the SELECTOR DIAL to the component to be

used. (See “SETUP CODES” on page 41.)

1 Set VOLUME to the “ ” position.

Front panel

2 Turn the power on.

Front panel Remote control

5 4

1,7

3,4

Front panel

01DSP-A595a-3 6/24/99, 12:15 PM23

8 If desired, adjust BASS, TREBLE, BALANCE, etc.

and use the digital sound field processor (see pages 28

to 29).

BASS: Turn this control clockwise to increase (or

counterclockwise to decrease) the low-

frequency response.

TREBLE: Turn this control clockwise to increase (or

counterclockwise to decrease) the high-

frequency response.

BALANCE: Adjust the balance of the output volume

from the left and right speakers to

compensate for any sound imbalance

caused by the speaker location or

listening room conditions.

Front panel

* These controls are only effective for the sound from the

main speakers.

Front panel

Remote control

When you have finished using this unit

Press STANDBY/ON on the front panel again or STANDBY on

the remote control to set this unit in the standby mode.

4 For a DVD/LD or TV/DBS source, the current input

mode is also shown.

* To change the input mode for the DVD/LD or TV/DBS

source, press INPUT MODE (or the button that you

have pressed to select the input source in step 3 on

the remote control) once or more until the desired

input mode is shown on the display. (See page 25 for

details on switching the input mode.)

Front panel Remote control

Input mode

5 Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

6 Play the source.

7 Adjust the volume to the desired output level.

Front panel Remote control

01DSP-A595a-3 6/24/99, 12:15 PM24

English

Notes on using INPUT

• The audio source selected by INPUT will not be played if the

“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is

displayed.

• If you select a video source by INPUT without canceling the

selection of TAPE/MD MON / EXT. DECODER on the front

panel (or TAPE/MD or EXT. DEC. on the remote control), the

play back result will be a video image from the video source

and the sound from the audio source selected by TAPE/MD

MON / EXT. DECODER on the front panel (or TAPE/MD or

EXT. DEC. on the remote control).

• If an audio source is selected by INPUT while watching a

video source, the selected audio source will be played, but

the video image will not be interrupted.

• When you select an input source by INPUT, the DSP

program (or no DSP program) that was being used when the

same input source was selected the last time will be auto-

matically recalled.

• If “DATA ERR” appears on the display while playing a CD or

LD encoded with DTS, stop playback and turn the player off

and then on again.

Switching the input mode

(for DVD/LD and TV/DBS)

This unit allows you to switch the input mode for sources that

send two or more types of signal to this unit.

The following three input modes are provided.

AUTO

This mode is automatically selected when you turn on the

power of this unit.

In this mode, the input signal is automatically selected in the

following order of priority:

1. Digital signal encoded with Dolby Digital or DTS, or normal

digital input signal (PCM)

2. Analog input signal (ANALOG)

* For a DVD/LD source, if digital signals are input from both the

OPTICAL and COAXIAL terminals, the digital signal from the

COAXIAL terminal is selected.

DTS

In this mode, only a digital input signal encoded with DTS is

selected, even though other signals are input at the same time.

ANALOG

In this mode, only an analog input signal is selected, even

though digital signals are input at the same time.

Select this mode when you want to use an analog input signal

instead of digital input signals.

Notes on input mode selection

• The input mode for a TV/DBS source is selected with the

function “INPUT” in the SET MENU mode. (See page 34 for

details.)

• Set the input mode to AUTO to play a DVD/LD source

encoded with Dolby Digital.

• Set the input mode to ANALOG to play a normal 2-channel

source with a Dolby Surround program.

• The sound output may be interrupted in some LD and DVD

players in the following situation:

The input mode is set to AUTO. A search is made while

playing the disc encoded with Dolby Digital or DTS, and then

disc playing is restored. The sound output is interrupted for a

moment because the digital input signal was selected again.

• The input mode cannot be changed for the PHONO, TUNER,

TAPE/MD, CD, VCR and VIDEO AUX sources because only

analog signals are used.

• The present input mode appears on the display when the

input source is changed to DVD/LD or TV/DBS, or the input

mode is changed.

Notes on playing a source encoded with DTS

If you play a CD or LD encoded with DTS while the AUTO

mode is selected, there will be a short noise at first while the

unit identifies the DTS signal and activates the DTS decoder.

This is not a malfunction, and can be avoided by setting the

input mode to DTS beforehand. In addition, If you continue

to play a CD or LD encoded with DTS with the input mode

setting left at AUTO, this unit automatically switches to the

“DTS-decoding” mode to prevent noise from being gener-

ated during future operation. (The red “dts” indicator lights

up on the display.)

No sound will be heard if a normal PCM CD or LD is played

in this mode. (The red “dts” indicator will flash.) To play a

normal disk, return the input mode from DTS to AUTO.

01DSP-A595a-3 6/24/99, 12:15 PM25

TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE

4 1 2

1 Select the source to be recorded.

Front panel Remote control

2 Play the source and then turn up the volume to confirm

the input source.

Front panel Remote control

3 Begin recording on the tape deck, MD recorder or VCR

connected to this unit.

4 When a tape deck or MD recorder is being used for

recording, you can monitor the sounds being recorded

by pressing TAPE/MD MON / EXT. DECODER on the

front panel or TAPE/MD on the remote control so that

the “TAPE/MD MON” indicator lights up on the display.

Front panel Remote control

Notes

• The settings of DSP and VOLUME, BASS, TREBLE and

BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording

or dubbing video signals, if your video source unit is con-

nected to provide only an S video (or only a composite video)

signal, you can record only an S video (or only a composite

video) signal on your VCR.

• A source that is connected to this unit only through the digital

terminals cannot be recorded on a tape deck, MD recorder or

VCR connected to this unit.

• A source of signals input to the EXTERNAL DECODER

INPUT terminals of this unit cannot be recorded.

• Please check the copyright laws in your country to record

from records, compact discs, radio, etc. Recording of

If you watch video software that uses scrambled or encoded

signals to prevent it from being dubbed, there may be a case

that the picture itself will be affected by those signals.

01DSP-A595a-3 6/24/99, 12:15 PM26

English

SETTING THE SLEEP TIMER

The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while

enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the

remote control.

Notes

• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for

your TV, set the SELECTOR DIAL to the TV position.

• The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of

this unit.

To set the SLEEP time

1 Play the source which you want to enjoy when you are

going to sleep and press SLEEP once or more to select

the desired SLEEP time.

Remote control

The SLEEP time is displayed.

Flashes

Each time you press SLEEP, the SLEEP time will change as

follows:

(Minutes)

120 90 60 30

The SLEEP timer is off (SLEEP OFF).

(This is the state before SLEEP is

pressed.)

The “SLEEP” indicator soon lights up and the display returns

to the indication before the SLEEP timer was set.

2 The unit will be switched to the standby mode automati-

cally at the selected SLEEP time.

To cancel the selected SLEEP time

Remote control

Press SLEEP once or more so that “SLEEP OFF” appears on

the display. (It will soon disappear and the “SLEEP” indicator

will go off from the display.)

Note

The SLEEP timer setting can also be canceled by setting the

unit in the standby mode with STANDBY/ON on the front panel

(or STANDBY on the remote control) or by disconnecting the

power plug of the unit from the AC outlet.

01DSP-A595a-3 6/24/99, 12:15 PM27

No. PROGRAM

1 Normal Program

[1] DOLBY PRO LOGIC (

)

• Input source : Dolby Surround

2-ch Dolby Digital

• Output channel : 4 channels

• DSP : —

[2] DOLBY DIGITAL (

)

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : —

[3] DTS (

)

• Input source : DTS

• Output channel : 5.1 channels

• DSP : —

2 Enhanced Program

[1] DOLBY PRO LOGIC/Enhanced (

)

• Input source : Dolby Surround

2-ch Dolby Digital

• Output channel : 4 channels

• DSP : 1 (surround)

[2] DOLBY DIGITAL/Enhanced (

)

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : 2 (surround L, R)

[3] DTS/Enhanced (

)

• Input source : DTS

• Output channel : 5.1 channels

• DSP : 2 (surround L, R)

FEATURES

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically

expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in

your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,

depend on what you are listening to) and adding any desired adjustments.

The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP

program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most

of these are precise digital re-creations of actual acoustic environments.

The built-in Dolby Pro Logic, Dolby Digital or DTS

decoder precisely reproduces the sound and effect of

the encoded source.

The realization of a highly efficient decoding process

improves cross talk and channel separation and makes

sound positioning smoother and more precise.

This program ideally simulates the multi-surround

speaker systems of the 35 mm-film movie theater. Each

decoding and digital sound field processing operation is

precisely performed without altering the original sound

orientation.

The surround effect produced by the sound field folds

around the viewer naturally from the rear to the left and

right and toward the screen.

For movie or audio/video sources

01DSP-A595a-4 6/24/99, 12:15 PM28

English

No. PROGRAM

3 CINEMA DSP Program

[1] 70 mm MOVIE THEATER (

)

• Input source : Dolby Surround

2-ch Dolby Digital

• Output channel : 3 channels

• DSP : 2 (presence & surround)

[2] 70 mm MOVIE THEATER – DOLBY D. (

)

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : 3 (presence & surround L, R)

[3] 70 mm MOVIE THEATER – DTS (

)

• Input source : DTS

• Output channel : 5.1 channels

• DSP : 3 (presence & surround L, R)

4 MONO MOVIE

• Input source : Monaural

• Output channel : 1

• DSP : 1

5 TV SPORTS

• Input source : Audio/Video

• Output channel : 2 to 5.1 channels

• DSP : 2 to 3 (presence & surround)

FEATURES

Creates the extremely wide sound field of a movie

theater. It precisely reproduces the source sound in

detail, giving both the video and the sound field

incredible reality. Any kind of video source encoded

with Dolby Digital or DTS (especially large-scale movie

productions) is ideal for use with this program.

This program is designed specifically to enhance

monaural sources. Compared to a strictly mono setting,

the sound image is wider and slightly forward of the

speaker pair, lending an immediacy to the overall

sound.

This program is furnished with a tight sound field in

which the sound will not spread excessively at the front,

but the rear surround produces dynamic sound

expansion.

No. PROGRAM

6 Hi-Fi DSP Program

• Input source : 2-ch PCM/Analog audio

• Output channel : 2 channels

• DSP : 1

[1] DISCO

[2] ROCK CONCERT

[3] CONCERT HALL

For Hi-Fi Audio sources

Simulates the acoustics of disco in the heart of a lively

city. The sound is dense and highly concentrated.

Ideally suited for rock music. You will experience a

dynamic and lively sound field.

Creates the expansive ambience of a large concert hall.

Orchestra and opera music are suited to this program.

FEATURES

01DSP-A595a-4 6/24/99, 12:15 PM29

PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT

Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on

pages 23 to 24.

Select the desired DSP program that is suitable for the source.

Front panel

Remote control

Press DSP. While the indicator is lit up for about

three seconds, select a DSP program with the

numeric buttons (1 to 8).

* If the SELECTOR DIAL is set to the DSP position, you can

also select a DSP program directly with the numeric

buttons (1 to 8).

The name of the selected program appears

on the display.

If desired, adjust the delay time and the output level of each

speaker. (See pages 31 and 32 for details.)

The following indicators on the display show you what sound

processing is being undertaken.

12 3 4 5

1 This lights up in orange when a DVD source encoded with

DTS is played back and DTS is decoded.

2 This lights up in red when an LD source or a CD source

encoded with DTS is played back and DTS is decoded.

3 This lights up when Dolby Digital is being decoded and the

signals of the selected source encoded with Dolby Digital is

not in 2-channel.

4 This lights up when the digital sound field processor is

turned on.

5 This lights up when Dolby Surround is being decoded by

Dolby Pro Logic.

TO CANCEL THE SOUND EFFECT

To cancel the sound effect and monitor only the main sound,

press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT

ON/OFF once more to turn sound effect back on.

Front panel Remote control

Notes

• You can select a program for each of the input sources.

Once you select a program, it is linked with the input source

selected at that time. So, when you select the input source

next time, the same program is automatically called up.

• When a monaural sound source is being played with DOLBY

PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound

will be heard from the main speakers and the rear speakers.

Sound can only be heard from the center speaker. However,

if the NONE position is selected for “CNTR” in the SET

MENU mode, the main speakers will output the sound of the

center channel.

• When the source of signals input to the EXTERNAL

DECODER INPUT terminals of this unit is selected, DSP

cannot be used.

• If the sound effect is canceled when signals encoded with

Dolby Digital or DTS are input to this unit, the signals of all

channels are mixed and are output from the main speakers.

• If EFFECT or EFCT ON/OFF is pressed to turn the sound

effects off when Dolby Digital or DTS is decoded, it may

happen that the sound is output faintly or not output normally,

depending on the source. In that case, press EFFECT or

EFCT ON/OFF to turn on the sound effects.

If you change the LD (or CD) being played back with DTS

being decoded to another disc that is not encoded with DTS

when the red “dts” indicator lights up, playing back the newly

selected disc will result in no sound output. In this state, the

red “dts” indicator flashes to show that this unit is locked in

the DTS-decoding mode.

To play back the disc normally, change the current DTS-

decoding mode to another mode by INPUT MODE on the

front panel or by INPUT on the remote control so that the red

“dts” indicator goes off.

01DSP-A595a-4 6/24/99, 12:15 PM30

English

2 Press + or – to adjust the settings for the delay time or

speaker output levels.

Front panel Remote control

3 Repeat steps 1 and 2 to adjust the settings of any other

item.

ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you

can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.

Adjustment method

When adjusting with the remote control, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control.

1 Press TIME/LEVEL once or more until the name of the

item which you want to adjust appears on the display.

Front panel Remote control

* After pressing TIME/LEVEL once on the remote control,

you can also select the name of item by pressing

When pressed, the selection changes as follows:

DELAY

CENTER

R SUR.

L SUR.

SWFR

* Pressing on the remote control changes the selection in

the reverse order.

* Depending on the setting in the SET MENU mode, you

may not be able to select all these items.

Delay time

Center speaker output level

Right rear speaker output level

Left rear speaker output level

Subwoofer output level

01DSP-A595a-4 6/24/99, 12:15 PM31

Adjusting the delay time

You can adjust the time difference between the beginning of the

sound from the main speakers and the beginning of the sound

effect from the rear speakers.

The larger the value, the later the sound effect is generated.

This adjustment can be individually made to all programs.

Notes

• Adding too much delay will cause an unnatural effect with

some sources.

• When + or – is pressed, the sound is momentarily inter-

rupted.

Adjusting the output level of the center, right rear and left rear speakers, and subwoofer

Program

1. DOLBY PRO LOGIC

DOLBY DIGITAL

DTS

2. DOLBY PRO LOGIC/Enhanced

DOLBY DIGITAL/Enhanced

DTS/Enhanced

3. 70 mm MOVIE THEATER

70 mm MOVIE THEATER – DOLBY D.

70 mm MOVIE THEATER – DTS

4. MONO MOVIE

5. TV SPORTS

6. DISCO

7. ROCK CONCERT

8. CONCERT HALL

If desired, you can adjust the sound output level of each

speaker even if the output level has already been set in

“SPEAKER BALANCE ADJUSTMENT” on pages 20 to 22.

Notes

• The output level of the center speaker cannot be adjusted

when the DISCO, ROCK CONCERT or CONCERT HALL

program is selected, and the input signal is analog, PCM

audio, or encoded with Dolby Digital in 2-channel.

• If the function “CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted. This is because, in this mode, the center

speaker sound is automatically output from the left and right

main speakers.

• Once the output level has been adjusted, the level will be the

same for all digital sound field programs.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the

power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest

values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If

so, they can be re-set by simply following the adjustment method on page 31.

Speaker

CENTER

RIGHT REAR

LEFT REAR

SUBWOOFER

Control range (dB)

MIN, –20 to +10

MIN, –20 to 0

Preset value

Control range (ms)

15 to 30

0 to 15

15 to 30

0 to 15

15 to 30

1 to 99

01DSP-A595a-4 6/24/99, 12:15 PM32

English

However, at the normal level suitable for listening in your room,

the low-level parts of source sound often cannot be heard well

because they will be lost among noise in your environment.

Dolby Digital technology has also made it possible to reduce an

original sound track’s dynamic range for a home audio format

by “compressing” the sound data.

MAX: In this position, a source encoded with Dolby Digital

is reproduced in the original sound track’s wide

dynamic range to provide you with powerful sounds

just like those in a movie theater.

Selecting this position will be even better if you can

listen to a source at a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard):

In this position, a source encoded with Dolby Digital

is reproduced in the “compressed” dynamic range of

the source that is suitable for low-level listening.

MIN: In this position, the dynamic range is more reduced

than in the STD position.

Selecting this position will be effective when you

must listen to a sound source at a low level.

* In this position, it may happen that sound is output

faintly or not output normally depending on the

source. In that case, select the MAX or STD

position.

DTS LFE (Adjusting the level of the LFE

channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps)

Preset value: 0 dB

* This adjustment is effective only when DTS is being decoded

and the signals of the selected source encoded with DTS

contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

(See page 6 for details about the LFE channel.)

ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening

and video watching.

1. CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS)

3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

6. D.D.LFE

(DOLBY DIGITAL LFE LEVEL)

For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,

see page 18. (Once you have selected the appropriate

settings, you do not have to change any settings unless an

alteration is made in your speaker system.)

D.D.LFE (Adjusting the level of the LFE

channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps)

Preset value: 0 dB

* This adjustment is effective only when Dolby Digital is being

decoded and the signals of the selected source encoded with

Dolby Digital contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

(See page 6 for details about the LFE channel.)

D.RNG (Adjusting the dynamic range)

Choices: MAX/STD/MIN

Preset position: MAX

* This adjustment is effective only when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum level

and the minimum level of sounds.

Sounds on a movie originally designed for movie theaters

feature a very wide dynamic range.

Dolby Digital technology can modify the original sound track

into a home audio format with this wide dynamic range un-

changed.

Powerful sounds of extremely wide dynamic range are not

always suitable for home use. Depending upon the condition of

your listening environment, it may not be possible to increase

the sound output to a level as high as that in a movie theater.

7. D.RNG (DYNAMIC RANGE)

8. DTS LFE (DTS LFE LEVEL)

9. C.DELAY (CENTER DELAY)

10. GUARD (MEMORY GUARD)

11. INPUT (INPUT MODE)

01DSP-A595a-5 6/24/99, 12:15 PM33

C.DELAY [Adjusting the delay of

center sounds (dialog, etc.)]

Control range: 0 ms to 5 ms (in 1 ms steps)

Preset value: 0 ms

* This adjustment is effective only when Dolby Digital or DTS is

being decoded and the signals of the selected source

encoded with Dolby Digital or DTS contain center-channel

signals.

This adjusts the delay between the main sound (on the main

channels) and dialog, etc. (on the center channel).

The larger the value, the later the dialog, etc. is generated.

This is for making sounds from the left main, center and right

main speakers reach your listening position at the same time.

This is achieved by delaying the sound from the center speaker

if the distance from the center speaker to your listening position

is shorter than the distance from the left or right main speaker

to your listening position.

GUARD (Memory guard)

Choices: ON/OFF

Preset position: OFF

If you wish to prevent accidental alterations to SET MENU and

other adjustments on this unit, select ON. The following

functions on this unit can be locked by this operation:

• Other functions in the SET MENU mode

• Functions in the TIME/LEVEL mode

• Functions when using TEST

INPUT

(Selecting the mode of the TV/DBS input)

Choices: AUTO/LAST

Preset position: AUTO

You can designate the input mode that is automatically selected

when the power of this unit is switched on for only the sources

connected to the TV/DBS input terminals of this unit.

AUTO: In this position, the AUTO input mode is always

selected when the power for this unit is switched on.

LAST: In this position, the input mode you selected last time

is memorized and will not be changed when the

power is switched on again.

* See page 25 for details on switching the input mode.

Adjustment method

Adjustments should be made while watching the information on

this unit’s display.

When adjusting with the remote control, set the SELECTOR

DIAL to the AMP/TUN or DSP position on the remote control.

Press SET MENU once or more so that the function which you

want to change appears on the display.

Front panel Remote control

* After pressing SET MENU once on the remote control, you

can also select the title by pressing

. (Pressing goes back

one selection.)

Press + or – to select any desired position or to edit parameters

of the chosen function.

Front panel Remote control

Repeat these steps to change or adjust the settings of any

other function.

Memory back-up

The memory back-up circuit prevents the stored data from

being lost when this unit is set in the standby mode. If,

however, the power plug is disconnected from the AC outlet or

the power is cut due to temporary power failure for more than

one week, the settings of the SET MENU mode will automati-

cally return to the factory settings. If so, they can be re-set by

simply following the procedure above.

01DSP-A595a-5 6/24/99, 12:15 PM34

English

You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory

set to control this unit and most YAMAHA audio components.

To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from

page 310.

2 Press the desired operation button.

Note: Press the button with the remote control aimed at

the front panel.

REMOTE CONTROL

Basic operation

1 Select the position for the component that you want to

control by turning the SELECTOR DIAL.

Note: Turn the SELECTOR DIAL until it stops with a click.

Components which can be controlled

There are nine positions that you can select to control connected components with this remote control. When turning the

SELECTOR DIAL, the position changes as follows:

SELECTOR

DIAL

Notes

1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.

Note that you can preset only one code for one position. (See “SETUP CODES” on page 41 for details).

2. DVD/LD and DVD MENU positions:

• Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The

code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the

code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.

• DVD MENU operations cannot be performed for some DVD players.

3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 41 for details.):

• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS

position.

• If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in

this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.

4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the

following pages for details.

DVD/LD & DVD MENU:

An LD player can be controlled by using the DVD/LD position.

A DVD player can be controlled by using the DVD/LD and

DVD MENU positions. The code for a YAMAHA DVD player is

preset. If the remote control will not operate your YAMAHA

DVD player, you need to preset code number “4490.”

AMP/TUN:

You can perform basic operations of

this unit and control a YAMAHA

tuner with the SELECTOR

DIAL set to this position.

TAPE/MD:

The code for a YAMAHA tape deck is preset.

(Be sure to preset the proper code when operating a YAMAHA

MD recorder.)

CD:

The code for a YAMAHA CD player is preset.

DSP:

This unit can be controlled and DSP programs can be selected

directly.

VCR:

A VCR can be controlled.

CBL/DBS:

A cable television or

DBS tuner can be

controlled.

TV:

A television can be

controlled.

Indicator

The indicator will flash when the button is

pressed.

The position name is displayed

in this window.

01DSP-A595a-6 6/24/99, 12:15 PM35

■ AMP/TUN Note: TV POWER and TV VOLUME function if you have preset the code for your TV.

1 POWER

This button turns the unit on.

2 INPUT

Press one of these buttons to select the required input source.

3 EXT. DEC.

Press this button when using an external decoder.

4 A/B/C/D/E

Press this button to select a group of preset stations when

using the YAMAHA tuner.

5 DSP

Press this button. While the indicator is lit up for about three

seconds, select a DSP program by using the number buttons (1

to 8). No DSP program can be selected after the indicator goes

off.

6 PRESET (+/–)

Press these buttons to select the preset station number when

using the YAMAHA tuner.

7 VOLUME ( )

Press these buttons to adjust the volume level.

8 MUTE

Press this button to mute the sound. To cancel mute, press this

button once more, or press the operation buttons of this unit.

9 SLEEP

Press this button to set the SLEEP timer.

0 (LEFT), (RIGHT)

These buttons are used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode.

q TIME/LEVEL

Press this button to set the unit in the TIME/LEVEL mode and to

select the item.

w STANDBY

Press this button to set this unit in the standby mode.

e TEST

Press this button to output a test tone for adjusting the output

level of the speakers.

r EFCT (EFFECT) ON/OFF

Press this button to turn on or off the DSP program which

includes the Dolby Pro Logic decoder, the Dolby Digital

decoder and the DTS decoder.

t (NEXT), (BACK)

These buttons are used to advance or back one selection in the

SET MENU mode and TIME/LEVEL mode.

y SET MENU

Press this button to set the unit in the SET MENU mode and to

select functions.

2 DSP program

Press one of these buttons to select the required DSP program

(1 to 8). When you select the input source, set the SELECTOR

DIAL to the AMP/TUN position.

Note: The function of all buttons other than DSP program is

the same as that with the AMP/TUN position.

■ DSP

Indicator:

Flashes in red

when the button

is pressed.

Indicator window:

Displays the names of

components which

can be controlled.

SELECTOR DIAL:

Selects the

position for the

component to be

controlled.

The lightly marked buttons do not function.

TV VOLUME

TV POWER

01DSP-A595a-6 6/24/99, 12:15 PM36

English

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

■CD

■TAPE/MD

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

1 POWER

This button turns the unit on under factory settings. If another code for your CD player

whose remote control has a power button is preset, the button will turn on the CD

player.

2 DISC SKIP (+/–) (for a CD player with a CD changer)

Press these buttons to skip to the next or previous CD.

3 , (SKIP)

Press

to skip to the beginning of the next track. Press to skip to the beginning

of the previous track.

4 (PLAY)

Press this button to play a CD.

5 (SEARCH)

This button initiates a backward search on the track that is playing to find the point

from which you want to listen.

6 (PAUSE)

Press this button to give a pause in operation. This button functions as PAUSE/

STOP* for operating YAMAHA CD players under factory settings.

7 (STOP)

Press this button to stop operation. This button functions as PAUSE/STOP* for

operating YAMAHA CD players under factory settings.

8 (SEARCH)

This button initiates a fast-forward search on the track that is playing to find the point

from which you want to listen.



Notes: •

TV POWER and TV VOLUME function if you have preset the code for your TV.

• Be sure to preset the proper code for your MD recorder.

TAPE

1 POWER

This button turns the unit on under factory settings. If another

code for your tape deck whose remote control has a power

button is preset, the button will turn on the tape deck.

2 (REC/PAUSE)

Press this button to give a pause in recording on the

tape deck.

3 DIR A

Press this button to select the playing direction of deck A.

4 (PLAY)

Press this button to play a tape.

5 (REWIND)

Press this button to rewind a tape.

7 DECK A/B

Press this button to select deck A or B on the double

cassette tape deck.

9 DIR B

Press this button to select the playing direction of deck B.

0 (STOP)

Press this button to stop the operation of a tape.

q (FAST FORWARD)

Press this button to fast forward a tape.

TV VOLUME

POWER

TV VOLUME

POWER

TV INPUT

DISPLAY

* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.

1 POWER

This button turns the unit on

if you have preset the code

for the YAMAHA MD

recorder. If another code

for your MD recorder whose

remote control has a power

button is preset, the button

will turn on the MD recorder.

2 (REC/PAUSE)

3 (SKIP)

4 (PLAY)

5 (SEARCH)

6 DISP (DISPLAY)

8 (PAUSE)

9 (SKIP)

0 (STOP)

q (SEARCH)

01DSP-A595a-6 6/24/99, 12:15 PM37

■DVD MENU

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

DISC SKIP

SKIP/SEARCH

PLAY

SUBTITLE (DVD)/SEARCH (LD)

SUBTITLE ON/OFF (DVD)

DISPLAY

PAUSE

STOP

ANGLE (DVD)/SEARCH (LD)

AUDIO (DVD)

Numeric buttons

+10

DISC SKIP

MENU LEFT

MENU SELECT

SET UP

TITLE

CLEAR

TITLE/INDEX

MENU UP

MENU RIGHT

MENU DOWN

RETURN

Note: TV POWER, TV VOLUME and TV INPUT

function if you have preset the code for your TV.

■DVD/LD

Note: TV POWER, TV VOLUME and TV INPUT

function if you have preset the code for your TV.

TV POWER

TV VOLUME

TV INPUT

TV POWER

TV VOLUME

TV INPUT

POWER

(DVD) This button turns the unit on under factory

settings. If another code for your DVD player

whose remote control has a power button is

preset, the button will turn on the DVD player.

(LD) This button turns the unit on if you have

preset the code for the YAMAHA LD player. If

another code for your LD player whose remote

control has a power button is preset, the button

will turn on the LD player.

POWER

This button turns the unit on under factory

settings. If another code for your DVD player

whose remote control has a power button is

preset, the button will turn on the DVD player.

01DSP-A595a-6 6/24/99, 12:15 PM38

English

■CBL/DBS

Note: TV POWER, TV VOLUME and TV

INPUT function if you have preset

the code for your TV.

■VCR

Note: TV POWER, TV VOLUME and TV INPUT function if you

have preset the code for your TV.

POWER

DISPLAY

CHANNEL

CHANNEL ENTER

VCR REC

Press this button twice

to start recording.

CHANNEL UP DOWN

PLAY

REWIND

PAUSE

STOP

FAST FORWARD

POWER

DISPLAY

CHANNEL

CHANNEL ENTER

MENU LEFT

CHANNEL UP DOWN

MENU SELECT

MENU UP

MENU RIGHT

MENU DOWN

+100

RECALL

■TV

Note: You can only control your VCR if you have preset the

code for it.

DISPLAY

CHANNEL

CHANNEL ENTER

TV MUTE

CHANNEL UP DOWN

TV SLEEP

TV POWER

TV INPUT

TV EFFECT ON/OFF

TV VOLUME

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

TV VOLUME

TV INPUT

TV POWER

TV VOLUME

TV INPUT

VCR REC

Press this button twice.

VCR REWIND

VCR PLAY

VCR PAUSE

VCR STOP

VCR FAST

FORWARD

TV POWER

POWER

01DSP-A595a-6 6/24/99, 12:15 PM39

Remote control operation range

Notes

• There should be no large obstacles between the remote

control and the unit.

• If the remote control sensor is directly illuminated by strong

lighting (especially from an inverter type of fluorescent lamp),

it might cause the remote control not to work correctly. In this

case, reposition the unit to avoid direct lighting.

NOTES ABOUT THE REMOTE CONTROL

Battery installation

1. Turn the remote control over and slide the battery compart-

ment cover in the direction of the arrow.

2. Insert the batteries (AA, R6 or UM-3 type) according the

polarity markings on the inside of the battery compartment.

3. Close the battery compartment cover.

Battery replacement

If the remote control operates only when it is close to the unit,

the batteries are weak. Replace all the batteries with new

ones.

Be sure to replace the batteries within about two minutes. If

it takes longer than two minutes, the codes preset for the

remote control will return to the factory settings.

Notes

• Use only AA, R6 or UM-3 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration

inside the battery compartment.)

• Remove the batteries if the remote control will not be used for

an extended period of time.

• If the batteries have leaked, dispose of them immediately.

Avoid touching the leaked material or letting it come into

contact with clothing, etc. Clean the battery compartment

thoroughly before installing new batteries.

Remote control

sensor

Within approximately

6 m (20 feet)

01DSP-A595a-6 6/24/99, 12:16 PM40

English

SETUP CODES

If you are using the DVD MENU position

for a second (or third) VCR, you must

preset the code for an LD player to the

DVD/LD position.

1. Turn on the VCR to be used.

2. Set the SELECTOR DIAL to the

CBL/DBS or DVD MENU position.

3. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

4. Press MUTE.

5. Use the numeric buttons to enter the

four-digit code for the second (or

third) VCR. Make sure that the

indicator flashes twice. If the

indicator does not flash, repeat

steps 3 and 4, and re-enter the

code.

6. Press POWER (or any other button)

on the remote control to check if you

have preset the code correctly. If

the VCR cannot be controlled with

the remote control, try entering

another code for the same manufac-

turer.

To control your components

(MD recorder, DVD player,

TV, etc.)

1. Turn on the component to be used.

2. Set the SELECTOR DIAL to the

desired position for the component

(TAPE/MD, DVD/LD, TV, etc.).

3. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

4. Use the numeric buttons to enter the

four-digit manufacturer’s code for

the component to be used. Make

sure that the indicator flashes twice.

If the indicator does not flash, repeat

step 3 and re-enter the code.

5. Press POWER (or any other button)

on the remote control to check if you

have preset the code correctly. If

the component cannot be controlled

with the remote control, try entering

another code for the same manufac-

turer.

To use a second (and third) VCR

You can use the CBL/DBS and/or DVD

MENU positions to control a second

(and/or third) VCR if a CBL (or DBS) or

DVD player is not being used.

Returning to the factory-set

codes

To return all components to the factory-

set codes, follow these steps.

1. Set the SELECTOR DIAL to a

position other than the AMP/TUN or

DSP position.

2. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

3. Enter code number “9987”.

4. Make sure that the indicator flashes

twice.

To return each component to the factory-

set code, follow these steps.

1. Set the SELECTOR DIAL to the

position for the component to be

returned to the factory-set code.

2. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

3. Enter code number “9999”.

4. Make sure that the indicator flashes

twice.

The following codes are preset as the

factory settings.

Factory-set codes

POSITION Component Code

TV TV 0037

CBL/DBS DBS tuner 2455

VCR VCR 3072

DVD/LD DVD player

4545 YAMAHA

CD CD player

6187 YAMAHA

TAPE/MD Tape deck

8524 YAMAHA

We recommend that you write all the

code numbers you have preset on the

“Quick Reference Card.”

Presetting the remote control

Perform the presetting procedure for each component you want to control with the remote control.

Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was

supplied with the component.

01DSP-A595a-6 6/24/99, 12:16 PM41

SYMPTOM

The unit fails to turn on when

STANDBY/ON is pressed, or set in

the standby mode suddenly soon

after the power has been turned on.

The unit does not work normally.

No sound or no picture.

No picture.

The sound suddenly goes off.

Only the speakers on one side can

be heard.

A “humming” sound can be heard.

The volume level is low while playing

a record.

The volume level cannot be

increased, or the sound is distorted.

CAUSE

The power cord is not plugged in or the

plug is not completely inserted.

The IMPEDANCE SELECTOR switch

on the rear panel is not fully set to the

upper or lower end.

The internal microcomputer has been

frozen by an external electric shock

(lightning, excessive static electricity,

etc.) or by a power supply with low

voltage.

Incorrect output cord connections.

An appropriate input source has not

been selected.

SPEAKERS have not been set

properly.

The speaker connections are not

secure.

Digital signals other than PCM audio

and Dolby Digital or DTS encoded

signals which this unit cannot

reproduce are input to this unit by

playing a CD-ROM etc.

There is no S video terminal connection

between this unit and the TV, although

S video signals are input to this unit.

The protection circuit has been

activated because of a short circuit, etc.

The SLEEP timer has functioned.

Incorrect setting of BALANCE.

Incorrect cord connections.

No connection from the turntable to the

GND terminal.

The record is being played on a

turntable with an MC cartridge.

The component connected to the REC

OUT terminals of this unit is in the

standby mode.

REMEDY

Firmly plug in the power cord.

Set the switch fully to the upper or

lower end when the unit is in the

standby mode.

Set the unit in the standby mode and

disconnect the AC power cord from the

AC outlet. After about 30 seconds have

passed, connect the power and operate

the unit again.

Connect the cords properly. If the

problem persists, the cords may be

defective.

Select an appropriate input source with

INPUT or TAPE/MD MON / EXT.

DECODER.

Set SPEAKERS corresponding to the

speakers in use to the ON position.

Secure the connections.

Play a source whose signals this unit

can reproduce.

Connect this unit’s S VIDEO MONITOR

OUT terminal to the TV’s S video input

terminal.

Set the unit in the standby mode and

then switch on again to reset the

protection circuit.

Turn on the power, and play the source

again.

Adjust it to the appropriate position.

Connect the cords properly. If the

problem persists, the cords may be

defective.

Firmly connect the audio plugs. If the

problem persists, the cords may be

defective.

Make the GND connection between the

turntable and this unit.

The turntable should be connected to

the unit through the MC head amplifier.

Turn on the power to the component.

Amplifier

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

01DSP-A595a-7 6/24/99, 12:16 PM42

English

SYMPTOM

No sound from the effect speakers.

No sound from the rear speakers.

No sound from the center speaker.

The sound field cannot be recorded.

The DVD/LD, TV or DBS source

cannot be recorded on a tape deck,

MD recorder or VCR connected to

this unit.

The remote control does not work.

The sound is degraded when

listening with the headphones to a

CD player or tape deck that is

connected to this unit.

There is noise interference from

digital or high-frequency equipment

or the unit.

CAUSE

The sound effect setting is off.

A Dolby Surround or DTS decoding

program is being used with material not

encoded with Dolby Surround or DTS.

The sound output level of the rear

speakers is set to minimum.

A monaural sound source is being

played in the DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED

program.

The sound output level of the center

speaker is set to minimum.

The function “CNTR” in the SET MENU

is set to the NONE position.

Incorrect sound field program selection.

The input signals of the source encoded

with Dolby Digital or DTS do not have

center channel signals.

It is not possible to record the sound

field on a tape deck or MD recorder

connected to the unit’s REC OUT

terminals.

The DVD/LD player, TV or DBS tuner is

connected to the unit by only the digital

terminals.

Direct sunlight or lighting (from an

inverter type of fluorescent lamp, etc.) is

striking the remote control sensor of this

unit.

The manufacturer’s code has not been

set properly.

The proper manufacturer’s code for the

component to be controlled has not

been set.

The component to be controlled has not

been selected.

This unit is in the standby mode.

The unit is too close to the digital or

high-frequency equipment.

REMEDY

Press EFFECT on the front panel or

EFCT ON/OFF on the remote control to

turn it on.

Use a different sound field program.

Raise the sound output level of the rear

speakers.

Select another sound field program

suitable for the monaural sound source.

Raise the sound output level of the

center speaker.

Select the LARGE or SMALL position.

Select the appropriate program.

Refer to the instructions for the source

being currently played.

Make additional connections between

the analog terminals.

Change the position of this unit.

Set the code again.

Try entering another code for the same

manufacturer.

Set the SELECTOR DIAL to the proper

position.

Turn on the power of the unit.

Move the unit further away from such

equipment.

Amplifier

Remote controlOthers

01DSP-A595a-7 6/24/99, 12:16 PM43

SYMPTOM

A loud hissing noise is heard when you

play back a source encoded with DTS.

A percussive noise is heard when you

begin playing back a source encoded

with DTS.

No sound is heard when you play back a

source encoded with DTS, even though

the AUTO input mode is selected on this

unit.

No sound is heard when you play back

an MD or DAT on to which you have

recorded a source encoded with DTS.

No sound is heard when you play back a

source (CD, etc.) even though the

currently selected input mode is AUTO.

CAUSE

The player which plays back the source

is not connected to a digital audio signal

input terminal of this unit.

The ANALOG input mode is selected on

this unit.

If the AUTO input mode is selected,

depending on some sources, there may

be a case that a noise is heard while

this unit is identifying the format of the

input signal.

The DTS decoder built into this unit

does not function because the player

has a digital volume control and it is set

at a position other than “maximum,”

“neutral” or “ineffective.”

A source encoded with DTS cannot be

recorded on to an MD or DAT.

In the AUTO mode, the DTS-decoding

mode cannot be automatically changed

to the normal (PCM) digital signal input

mode.

REMEDY

The player must be connected to a

digital audio signal input terminal of this

unit besides the analog audio signal

terminal connections.

Select a proper input mode on this unit

to turn on the DTS decoder built into

the unit.

Set the input mode of the currently

selected input source to DTS.

Set the player’s digital volume control

at the maximum, neutral or ineffective

position.

Press INPUT MODE on the front panel

or INPUT (for the currently selected

source) on the remote control so that

AUTO appears on the display.

When playing back a source encoded with DTS

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must

be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or

only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will

be heard.

• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the

display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode

to prevent a noise from being output.

01DSP-A595a-7 6/24/99, 12:16 PM44

English

AUDIO SECTION

Minimum RMS Output Power

8 ohms, 20 Hz to 20 kHz, 0.04% THD

MAIN L/R ............................. 65 W + 65 W

CENTER ........................................... 65 W

REAR L/R ............................ 65 W + 65 W

8 ohms, 1 kHz, 0.07% THD

MAIN L/R ............................. 80 W + 80 W

CENTER ........................................... 80 W

REAR L/R ............................ 80 W + 80 W

Maximum Power

[China and General models only]

8 ohms, 1 kHz, 10% THD

MAIN L/R ......................... 105 W + 105 W

CENTER ......................................... 105 W

REAR L/R ........................ 105 W + 105 W

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring

method)

MAIN L/R

8/6/4/2 ohms ................ 90/110/135/160 W

DIN Standard Output Power per Channel

[Europe model only]

4 ohms, 1 kHz, 0.7% THD ................. 110 W

IEC Power

[Europe model only]

8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W

Power Band Width

MAIN L/R

8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz

Damping Factor (SPEAKER A)

8 ohms, 20 Hz to 20 kHz ............ 60 or more

Input Sensitivity/Impedance

PHONO MM ................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX ................... 150 mV/47 k-ohms

EXT. DECODER

MAIN L/R .................... 150 mV/47 k-ohms

CENTER/SURROUND L/R/SUBWOOFER

.................................... 150 mV/40 k-ohms

Maximum Input Signal

PHONO MM

1 kHz, 0.1% THD .............100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT ON)

1 kHz, 0.5% THD .................2.2 V or more

Output Level/Impedance

REC OUT ..................... 150 mV/1.2 k-ohms

PRE OUT

[U.K. and Europe models only]

....................................... 2.1 V/1.2 k-ohms

SUBWOOFER

(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms

VIDEO SECTION

Video Signal Type

[U.K. and Europe models] ..................... PAL

[China and General models]....... NTSC/PAL

Video Signal Level ................ 1 Vp-p/75 ohms

S-Video Signal Level

Y ......................................... 1 Vp-p/75 ohms

C .................................. 0.286 Vp-p/75 ohms

Maximum Input Level .......... 1.5 Vp-p or more

Signal-to-Noise Ratio ...............50 dB or more

Monitor Out Frequency Response

.............................. 5 Hz to 10 MHz, –3 dB

GENERAL

Power Supply

[U.K. and Europe models]

........................................ AC 230 V, 50 Hz

[China model] .................... AC 220 V, 50 Hz

[General model]

.............. AC 110/120/220/240 V, 50/60 Hz

Power Consumption

[U.K. and Europe models] ................. 300 W

[China and General models].............. 310 W

Maximum Power Consumption

[General model only]

5-ch, 10% THD .................................. 650 W

AC Outlets

3 SWITCHED OUTLETS

[China and General models]

....................................... 100 W max. total

2 SWITCHED OUTLETS

[Europe model]............... 100 W max. total

1 SWITCHED OUTLET

[U.K. model] ........................... 100 W max.

Dimensions (W x H x D)

..................................435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Weight ..........................12.5 kg (27 lbs. 8 oz.)

Accessories............................ Remote control

Batteries

Specifications are subject to change without

notice.

SPECIFICATIONS

Headphones Jack Rated Output/Impedance

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX input,

1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX to MAIN L/R SP OUT

.................................................... 0±0.5 dB

RIAA Equalization Deviation

PHONO MM .................................. 0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1 V........................................0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT OFF) to MAIN SP OUT

35 W/8 ohms......................0.025% or less

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV, Input Shorted)

[U.K. and Europe models]...81 dB or more

[China and General models]

............................................86 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT OFF) to MAIN SP OUT

(150 mV, Input Shorted) ......96 dB or more

Residual Noise (IHF-A Network)

MAIN L/R SP OUT................ 150 µV or less

Channel Separation

(Vol. –30 dB, EFFECT OFF)

PHONO MM

(Input Shorted, 1 kHz/10 kHz)

....................60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX

(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

....................60 dB or more/45 dB or more

Tone Control Characteristics

BASS: Boost/cut ............. ±10 dB (50 Hz)

Turnover Frequency......... 350 Hz

TREBLE: Boost/cut ........... ±10 dB (20 kHz)

Turnover Frequency........ 3.5 kHz

Filter Characteristics

MAIN L/R, REAR L/R (SPEAKER: SMALL)

(H.P.F)..................... fc = 90 Hz, 12 dB/oct.

SUBWOOFER

(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.

01DSP-A595a-7 6/24/99, 12:16 PM45

310

Abex 0032

Acura 0009

Admiral 0093, 0163, 0213

Adyson 0217, 0032

Akai 0208, 0361

Akura 0218, 0264, 0369

Alaron 0216

Alba 0037, 0218, 0371, 0009, 0036, 0235

Allorgan 0294

Amplivision 0217

Amstrad 0371, 0009, 0362, 0369

Anam 0009, 0068

Anitech 0009, 0068, 0076

Arcam 0216, 0217

Asberg 0076

Asuka 0218

Atlantic 0206

Audiosonic 0037, 0109

Autovox 0206, 0076, 0336

BPL 0282

BSR 0294

BTC 0218

Baird 0343

Basic Line 0218, 0009

Baur 0037, 0010, 0554, 0349, 0361

Beko 0370

Beon 0037

Binatone 0217

Blaupunkt 0554, 0191, 0195, 0200,

0213, 0327, 0328

Blue Sky 0218

Blue Star 0282

Bondstec 0247

Boots 0217

Brandt 0109, 0196, 0198, 0205, 0333, 0335

Brionvega 0362

Britannia 0216

Bush 0037, 0218, 0374, 0371, 0294,

0009, 0282, 0036, 0349

CCE 0037, 0217

CGE 0074, 0076, 0084, 0247, 0306

CS Electronics 0216

CTC 0247

Carrefour 0036

Cascade 0009

Cathay 0037

Centurion 0037

Century 0213

Cimline 0009

Clarivox 0037

Clatronic 0370, 0076, 0247

Condor 0370, 0320

Contec 0216, 0009, 0036, 0157

Continental Edison 0196, 0198,

0205, 0333

Crosley 0074, 0076, 0084, 0213

Crown 0037, 0370, 0418, 0009, 0076

Crystal 0431

Curtis Mathes 0093

Cybertron 0218

Daewoo 0037, 0374, 0009

Dainichi 0218, 0215

Dansai 0037

Dayton 0009

De Graaf 0208

Decca 0037, 0072

Dixi 0037, 0009

Dual 0336, 0352

Dual Tec 0217

Dumont 0070

Elbe 0259

Elin 0037

Elite 0218, 0320

Elta 0009

Emerson 0282, 0213, 0361

Erres 0037, 0012

Expert 0206

Ferguson 0037, 0109, 0005, 0073, 0190,

0238, 0287, 0335, 0343

Fidelity 0216, 0361

Finlandia 0208, 0346, 0359

Finlux 0037, 0072, 0070, 0105, 0346

Firstline 0216, 0217, 0294, 0009,

0321, 0247

Fisher 0370, 0217, 0208, 0303

Flint 0455

Formenti 0037, 0320, 0213

Frontech 0264, 0431, 0163, 0247

Fujitsu 0072, 0206

Funai 0294, 0264, 0303

GE 0282, 0093

GEC 0037, 0217, 0072, 0043, 0205

GPM 0218

Geloso 0009, 0213

Genexxa 0218, 0163

GoldStar 0037, 0217, 0109,

0032, 0290

Goodmans 0037, 0217, 0374, 0371, 0072,

0036, 0235, 0317, 0343

Gorenje 0370

Gradiente 0053

Graetz 0163, 0361

Granada 0037, 0217, 0072, 0146,

0208, 0339, 0359

Grandin 0282

Grundig 0037, 0554, 0070, 0191,

0195, 0205

HCM 0009, 0282

Hanseatic 0037, 0320, 0361

Harley Davidson 0043

Harvard 0068

Hinari 0037, 0218, 0009, 0036

Hisawa 0282, 0455

Hitachi 0217, 0036, 0109, 0032, 0043,

0044, 0105, 0163, 0196,

0198, 0225, 0306, 0349

Huanyu 0216, 0374

Hypson 0037, 0282, 0264

ICE 0217, 0371, 0264

ICeS 0218

ITS 0371

ITT 0163, 0361

Imperial 0370, 0418, 0074, 0076,

0084, 0247

Indiana 0037

Ingelen 0163

Inno Hit 0072

Interbuy 0068

Interfunk 0037, 0163, 0247, 0361

Intervision 0037, 0217, 0264,

0102, 0068

Isukai 0218

JVC 0371, 0036, 0053, 0190, 0192

KTV 0217

Kaisui 0216, 0217, 0218, 0009, 0282

Kamp 0216

Kapsch 0206, 0163

Kawasho 0216

Kendo 0037, 0235, 0362

Kingsley 0216

Kneissel 0259

Korpel 0037

Koyoda 0009

Leyco 0037, 0294, 0072, 0264

Liesenk & Tter 0037

Lloytron 0032

Loewe 0075

Luma 0206

Luxor 0349, 0361

M Electronic 0037, 0217, 0374, 0009,

0109, 0068, 0105, 0163,

0287, 0346

MGA 0150

MTC 0216, 0349

Magnadyne 0102, 0247

Magnafon 0102, 0076, 0213

Magnavox 0036

Manesth 0217, 0320, 0264, 0235

Marantz 0037

Mark 0037

Matsui 0037, 0217, 0371, 0294,

0009, 0072, 0036, 0035,

0011, 0208, 0235

Matsushita 0250

McMichael 0043

Mediator 0037, 0012

Memorex 0009, 0250, 0150

Memphis 0337

Metz 0213, 0367

Midland 0032

Minerva 0554, 0070

Minoka 0369

Mitsubishi 0036, 0093, 0108, 0150

Mivar 0216, 0290, 0291, 0292

Motion 0076

Motorola 0093

Multitech 0216, 0217, 0009, 0102, 0076

LIST OF MANUFACTURERS’ CODES

LISTES DES CODES FABRICANT

VERZEICHNIS DER HERSTELLER CODES

LISTA ÖVER TILLVERKARKODER

ELENCO DEI CODICI DEL FABBRICANTE

LISTA DE CÓDIGOS DE FABRICANTES

LIJST VAN CODES VAN FABRIKANT

08DSP-A595a-CODE(EU) 6/24/99, 12:29 PM310

311

Sanyo 0072, 0036, 0011, 0146, 0157,

0208, 0213, 0339

Schaub Lorenz 0361

Schneider 0037, 0218, 0371, 0247,

0303, 0323, 0336, 0352

Sears 0146

Sei-Sinudyne 0010

Seleco 0206, 0163, 0259, 0362

Sentra 0035

Sharp 0036, 0093, 0157

Shorai 0294

Siarem 0102, 0213

Siemens 0037, 0554, 0157, 0191, 0195,

0200, 0213, 0327, 0328

Silver 0036

Sinudyne 0294, 0102, 0213, 0235

Solavox 0032, 0163

Sonitron 0208

Sonoko 0037, 0009

Sonolor 0163, 0208, 0215

Sontec 0037

Sony 0036, 0010, 0011

Soundwave 0037, 0418

Standard 0217, 0218, 0009

Stern 0206, 0163, 0259

Sunkai 0294, 0321

Susumu 0218

Sysline 0037

Tandy 0217, 0218, 0072, 0093, 0163

Tashiko 0217, 0036, 0043, 0359

Tatung 0037, 0217, 0072

Tec 0217, 0247

Technema 0320

Technics 0250

Teknika 0150

Teleavia 0205, 0333, 0343

Telefunken 0109, 0005, 0074, 0084,

0101, 0213, 0262, 0306,

0335, 0343

Telemeister 0320

Teletech 0009

Teleton 0217, 0206, 0349

Tensai 0218, 0294, 0320, 0317

Texet 0216, 0218

Thomson 0109, 0196, 0198, 0205,

0287, 0333, 0343, 0349

Thorn 0037, 0072, 0035, 0074,

0084, 0190, 0192, 0361

Thorn-Ferguson 0343

Tomashi 0282

Toshiba 0036, 0035, 0070, 0243

Trical 0157

Triumph 0243

Uher 0206, 0320, 0303

Ultra 0192

Ultravox 0102

Universum 0037, 0370, 0264, 0105, 0346

Vestel 0037

Victor 0053

Videosat 0247

Videotechnic 0217

Vidtech 0036

Vision 0320

Voxson 0163

Waltham 0217

Watson 0037, 0320

Watt Radio 0102

Wega 0036

White Westinghouse 0037, 0216, 0320

Yoko 0037, 0217, 0264, 0431

Zanussi 0206

NEC 0455, 0036

NEI 0037, 0431, 0337

Neckermann 0037, 0554, 0191, 0213, 0349

Nikkai 0037, 0216, 0218, 0072,

0264, 0035, 0032, 0337

Nikko 0317

Nobliko 0102, 0076

Nokia 0361

Nordmende 0109, 0196, 0198,

0213, 0287, 0343

Oceanic 0163, 0215, 0361

Optimus 0250

Optonica 0093

Orion 0037, 0294, 0320, 0321, 0235

Osaki 0217, 0218, 0072, 0264, 0032

Oso 0218

Osume 0072, 0032, 0157

Otake 0317

Otto Versand 0037, 0217, 0320, 0036,

0010, 0554, 0191, 0213,

0343, 0349

Palladium 0370, 0418

Panama 0217, 0264

Panasonic 0250, 0163, 0213, 0214,

0226, 0367

Pathe Cinema 0216, 0320, 0213, 0238

Pathe Marconi 0196, 0198, 0205, 0333

Pausa 0009

Penney 0032

Perdio 0320

Phase 0032

Philco 0074, 0076, 0084, 0213, 0247

Philips 0037, 0374, 0554, 0012,

0043, 0323

Phonola 0037, 0012

Pioneer 0109, 0163, 0287

Profex 0009, 0076, 0361

Proline 0321

Protech 0037, 0217, 0418, 0009, 0264,

0102, 0431, 0247, 0337

Pye 0012

Quasar 0250

Quelle 0037, 0010, 0554, 0011, 0070,

0074, 0084, 0200, 0213,

0306, 0327, 0328, 0361

Questa 0036

R-Line 0037

RBM 0070

RCA 0090, 0093

Radio Shack 0032

Radiola 0037, 0012, 0323

Rank Arena 0036

Realistic 0032

Rediffusion 0361

Revox 0037

Rex 0206, 0264, 0163, 0259

Rhapsody 0216

Roadstar 0218, 0418, 0009, 0264

SBR 0037, 0012, 0043

SEG 0217, 0264, 0036, 0076

SEI 0294, 0102, 0213

Saba 0109, 0075, 0163, 0196, 0198,

0205, 0213, 0287, 0335, 0343

Saccs 0238

Saisho 0009, 0264, 0431, 0011, 0235

Salora 0163, 0349, 0359, 0361

Sambers 0102, 0076, 0213

Sampo 0032

Samsung 0037, 0370, 0217, 0009,

0264, 0032, 0090, 0290

Sandra 0216

CABLE

ABC 1003, 1008, 1014, 1017

Birgmingham Cable Communications

1276

British Telecom 1003, 1105

Cabletime 1161, 1271, 1377

Clyde 1086

Contec 1019

Decsat 1423

Filmnet 1443

France Telecom 1451

GEC 1086

General Instrument 1276

GoldStar 1144

Jerrold 1003, 1276, 1014

MNet 1443, 1019

Magnavox 1032

Memorex 1000

Movie Time 1156

NSC 1156

Oak 1019

PVP Stereo Visual Matrix 1003

Panasonic 1000

Paragon 1000

Pioneer 1144, 1260

Pulsar 1000

Runco 1000

STS 1156

Salora 1382

Samsung 1144

Satbox 1375

Scientific Atlanta 1008, 1277, 1017

Starcom 1003

Tele+1 1443

Teleservice 1281

Toshiba 1000

Tudi 1286

United Cable 1003

Videoway 1250

Westminster 1105

Zenith 1000

DBS TUNER

AST 2321, 2351

Alba 2455, 2421, 2362, 2613

Aldes 2288

Allantide 2333

Amstrad 2080, 2252, 2345, 2461, 2501

Ankaro 2369, 2288, 2220, 2519, 2217

Anttron 2421, 2183

Arcon 2368

Armstrong 2243

Astra 2108, 2539

Astro 2520, 2173, 2358, 2501

Avalon 2396

Axis 2369, 2530

BT 2668

Barcom 2217

Beko 2189

Best 2369, 2217

Blaupunkt 2173

Boca 2243, 2513

Brain Wave 2332

Bush 2067

CNT 2520

Cambridge 2344

Channel Master 2362

Chaparral 2053, 2209

08DSP-A595a-CODE(EU) 6/24/99, 12:29 PM311

312

CityCom 2394

Commlink 2288

Connexions 2396

Crown 2243

Cyrus 2200

D-box 2723

DDC 2362

DNT 2396, 2200

Diskxpress 2217

Drake 2268

EIF 2417

Echostar 2396, 2871

Emanon 2421

FTE 2331

Ferguson 2183, 2067, 2189, 2336

Fidelity 2252

Finlux 2455, 2108, 2344, 2397

Fracarro 2871

Freecom 2421, 2335

Fuba 2421, 2369, 2396, 2217, 2297, 2417

G-Sat 2183

Galaxis 2288, 2834, 2863

Galaxisat 2321

GoldStar 2335

Gooding 2571

Goodmans 2189

Grothusen 2335

Grundig 2571, 2173, 2189, 2328

Harting und Helling 2333

Hinari 2183

Hirschmann 2502, 2173, 2573, 2287,

2333, 2397, 2398

Hitachi 2455

Houston 2668

Huth 2243, 2288, 2220, 2346

ITT 2108

InVideo 2871

Intervision 2592

JVC 2571

Johansson 2332

Kathrein 2173, 2200, 2092, 2331, 2358,

2394, 2442, 2480, 2504

Kosmos 2331, 2335

Kreiselmeyer 2173

Kyostar 2421

La Sat 2520, 2513, 2464

Lemon 2692

Lenco 2421, 2335

Lennox 2592

Lupus 2369

Luxor 2573, 2108

Manhattan 2455, 2592, 2520

Marantz 2200

Maspro 2092, 2328, 2336

Matsui 2571, 2344

Mediamarkt 2243

Micro Technology 2333, 2539

Minerva 2571

Morgan’s 2243, 2513

Multistar 2331, 2464

Muratto 2335

Navex 2332

Neuhaus 2501

Neusat 2692, 2834

Newhaus 2220

Nikko 2360

Nokia 2455, 2573, 2108, 2328, 2397, 2873

Nordmende 2362

Orbitech 2501

Oxford 2344

Pace 2455, 2183, 2067, 2328, 2336, 2791

Palcom 2297

Palladium 2571

Palsat 2501

Panda 2455

Philips 2455, 2571, 2200, 2292, 2328

Phonotrend 2288, 2592

Planet 2871

Plasmatic 2442

Polytron 2394

Promax 2455

Prosat 2288

Quadral 2362, 2519

RFT 2288, 2220, 2200

Radiola 2200

Radix 2396, 2882

SAT 2321, 2351, 2461

SEG 2421, 2369, 2539

STVI 2417

Saba 2520, 2336

Sabre 2455

Sagem 2820

Salora 2108

Samsung 2287

SatPartner 2421, 2332, 2520, 2502,

2335, 2692

Satcom 2605, 2346

Satec 2183, 2328

Satmaster 2346

Schwaiger 2183, 2394, 2504

Seemann 2396, 2530

Siemens 2173

Skymaster 2288, 2605, 2519

Star Trak 2421

Strong 2421

Sunstar 2513

TPS 2820

Tantec 2455, 2297, 2336

TechniSat 2262, 2501

Techniland 2346

Telefunken 2421

Teleka 2243, 2613

Telesat 2605

Thomson 2455

Tonna 2668, 2346

Triad 2321, 2333, 2335, 2351

Triasat 2501

Unitor 2332, 2217

Universum 2571, 2173

Vector 2333

Ventana 2200

Vortec 2421

Vtech 2351

Wevasat 2333

Winersat 2332

Wisi 2455, 2396, 2173, 2321,

2351, 2372, 2406, 2407

XSat 2889

Xcom Multimedia 2889

Zehnder 2520, 2321, 2331

VCR

ASA 3037, 3081

Admiral 3048

Adventura 3000

Aiko 3278

Aiwa 3000, 3037, 3307, 3348, 3352

Akai 3315, 3106, 3041, 3053

Akiba 3072

Alba 3072, 3020, 3278, 3209, 3315, 3352

Ambassador 3020

Amstrad 3000, 3278, 3325, 3332

Anitech 3072

Asha 3240

Asuka 3037

Audiovox 3037

Baird 3000, 3041, 3104, 3107

Basic Line 3072, 3020, 3278

Beaumark 3240

Bell & Howell 3104

Blaupunkt 3034, 3226, 3195, 3003, 3006,

3154, 3162, 3227, 3403

Brandt 3320, 3187, 3321

Brandt Electronic 3041

Broksonic 3209

Bush 3072, 3278, 3209, 3352

CCE 3072, 3278

CGE 3000

Calix 3037

Capehart 3020

Carver 3081

Catron 3020

Cimline 3072

Cineral 3278

Citizen 3037, 3278

Clatronic 3020

Colt 3072

Combitech 3352

Condor 3020

Craig 3072, 3037, 3047, 3240

Crown 3072, 3020, 3278

Curtis Mathes 3041, 3162

Cybernex 3240

Cyrus 3081

Daewoo 3020, 3278, 3045

Dansai 3072

Daytron 3020

De Graaf 3042, 3166

Decca 3000, 3081

Denon 3042

Dual 3041

Dumont 3000, 3081, 3104

Dynatech 3000

ESC 3278, 3240

Elbe 3038

Elcatech 3072

Electrohome 3037

Electrophonic 3037

Emerex 3032

Emerson 3000, 3037, 3278, 3209,

3036, 3043, 3088

Ferguson 3320, 3041, 3107, 3321

Fidelity 3000

Finlandia 3081, 3104

Finlux 3000, 3081, 3042, 3104

Firstline 3072, 3037, 3209, 3045, 3043

Fisher 3046, 3047, 3054, 3104

Frontech 3020

Fuji 3033

Funai 3000

GE 3048, 3240

GEC 3081

Garrard 3000

General 3020

Go Video 3432

GoldHand 3072

GoldStar 3037, 3038, 3225

Goodmans 3072, 3000, 3020,

3037, 3278, 3403

Gradiente 3000, 3008

Graetz 3005, 3041, 3104, 3240

Granada 3081, 3046, 3104

Grandin 3072, 3000, 3037

08DSP-A595a-CODE(EU) 6/24/99, 12:29 PM312

313

Grundig 3072, 3081, 3347, 3226, 3195,

3003, 3006, 3007, 3207, 3349, 3403

HCM 3072

HI-Q 3047

Hanseatic 3037

Harley Davidson 3000

Harman/Kardon 3038

Harwood 3072

Headquarter 3046

Hinari 3072, 3004, 3240, 3352

Hitachi 3000, 3004, 3042, 3041,

3166, 3235, 3240

Hypson 3072

ITT 3106, 3046, 3384, 3005,

3041, 3104, 3240

ITV 3037, 3278

Imperial 3000

Ingersol 3004

Interfunk 3081

JVC 3067, 3384, 3008, 3041,

3206, 3207, 3486

Jensen 3041

KEC 3037, 3278

KLH 3072

Kaisui 3072

Kendo 3209, 3106

Kenwood 3067, 3384, 3038, 3041

Kodak 3037

Korpel 3072

LXI 3037

Lenco 3278

Leyco 3072

LIoyd’s 3000

Loewe 3037, 3004, 3081, 3006

Logik 3072, 3004, 3240

Luxor 3106, 3048, 3046, 3043, 3104

M Electronic 3000

MGA 3043, 3240

MGN Technology 3240

MTC 3000, 3240

Magnasonic 3278

Magnavox 3000, 3081

Magnin 3240

Manesth 3072, 3045

Marantz 3081, 3003, 3006

Marta 3037

Matsui 3209, 3004, 3036, 3088, 3348, 3352

Matsushita 3162

Memorex 3000, 3037, 3048,3046, 3047,

3104, 3162, 3240, 3307

Memphis 3072

Metz 3347, 3195, 3003,

3006, 3162, 3227

Minerva 3195, 3006

Minolta 3042

Mitsubishi 3081, 3067, 3048, 3043

Motorola 3048

Multitech 3072, 3000

Murphy 3000

NEC 3067, 3038, 3041, 3104

Neckermann 3081

Nesco 3072

Nikko 3037

Nikon 3034

Noblex 3240

Nokia 3106, 3046, 3041, 3104, 3240

Nordmende 3320, 3384, 3041, 3297, 3321

Oceanic 3000, 3041

Okano 3315, 3348

Olympus 3226

Optimus 3037, 3432, 3048, 3104, 3162

Orion 3209, 3004, 3036, 3088, 3348, 3352

Osaki 3072, 3000, 3037

Otto Versand 3081

Palladium 3072, 3037, 3006, 3041

Panasonic 3226, 3162, 3225, 3227

Pathe Cinema 3036

Pathe Marconi 3041

Penney 3037, 3042, 3038, 3054, 3240

Pentax 3042

Perdio 3000

Philco 3209, 3038

Philips 3081, 3384, 3403

Phonola 3081

Pilot 3037

Pioneer 3081, 3067, 3162, 3235

Portland 3020

Profex 3322

Profitronic 3240

Proline 3000

Protec 3072

Pye 3081

Quarter 3046

Quartz 3046

Quasar 3162

Quelle 3081

RCA 3106, 3042, 3048, 3240

RFT 3403

Radio Shack 3000, 3037

Radiola 3081

Radix 3037

Randex 3037

Realistic 3000, 3037, 3048, 3046, 3047, 3104

Rex 3384, 3041

Ricoh 3034

Roadstar 3072, 3037, 3278, 3240

SBR 3081

SEG 3322, 3240

SEI 3004, 3081

STS 3042

Saba 3320, 3384, 3041, 3206,

3207, 3297, 3321

Saisho 3209, 3004, 3036, 3088

Salora 3106, 3046, 3043

Samsung 3432, 3045, 3053, 3240

Sanky 3048

Sansui 3000, 3067, 3041

Sanyo 3046, 3047, 3104, 3240

Saville 3352

Schaub Lorenz 3000, 3005, 3041, 3104

Schneider 3072, 3000, 3081

Scott 3045, 3043

Sears 3000, 3037, 3042, 3046,

3047, 3054, 3104

Seleco 3041

Semp 3045

Sentra 3020

Sharp 3048

Shintom 3072, 3104

Shogun 3240

Shorai 3004

Siemens 3037, 3081, 3195, 3003,

3006, 3054, 3104

Silva 3037

Singer 3072, 3045

Sinudyne 3004, 3081

Solavox 3020

Sonolor 3046

Sontec 3037

Sony 3000, 3032, 3033, 3034, 3011

Sunkai 3348

Sunstar 3000

Suntronic 3000

Sylvania 3000, 3081, 3043

Symphonic 3000

TMK 3036, 3240

Tashiko 3000

Tatung 3000, 3081, 3041

Teac 3000, 3041

Tec 3020

Technics 3226, 3162

Teknika 3000, 3037

Teleavia 3041

Telefunken 3320, 3384, 3041, 3187, 3321

Tenosal 3072

Tensai 3322, 3000

Thomas 3000

Thomson 3320, 3384, 3041

Thorn 3036, 3041, 3104

Toshiba 3081, 3045, 3384, 3041, 3043

Totevision 3037, 3240

Towada 3322

Uher 3240

Unitech 3240

Universum 3000, 3037, 3081, 3106,

3195, 3006, 3240, 3325

Vector 3045

Vector Research 3038

Video Concepts 3045

Videosonic 3240

Wards 3072, 3000, 3081, 3042,

3048, 3047, 3240

White Westinghouse 3278

XR-1000 3072, 3000

Yamaha 3038

Yamishi 3072

Yokan 3072

Yoko 3020, 3240

Zenith 3000, 3033, 3034

DVD PLAYER

Kenwood 4534

Magnavox 4503

Onkyo 4503

Panasonic 4490

Philips 4539, 4503

Pioneer 4525

Sony 4533

Technics 4490

Thomson 4551

Toshiba 4503

Yamaha 4490, 4545

Zenith 4503

LD PLAYER

Aiwa 5203

Carver 5064, 5194

Cyrus 5388

Denon 5059, 5172

Disco Vision 5023

Funai 5203

Hitachi 5023

Magnavox 5194, 5217

Marantz 5064, 5194

Mitsubishi 5059

NAD 5059

Panasonic 5204, 5496

Philips 5064, 5388, 5194

Pioneer 5023, 5059

08DSP-A595a-CODE(EU) 6/24/99, 12:29 PM313

314

Quasar 5204

Radiola 5388

Realistic 5203

Salora 5064

Sega 5023

Sharp 5001

Sony 5193, 5201

Technics 5204, 5496

Telefunken 5059

Theta Digital 5194

Thorn 5014

Yamaha 5217

CD PLAYER

Aiwa 6124, 6157, 6419

Akai 6108, 6156, 6199

Alba 6536, 6288, 6334

Arcam 6157

Audio Research 6157

Audio Ton 6157

Audiolab 6157

Audiomeca 6157

BSR 6134

Bestar 6164

Binatone 6452

California Audio Lab 6029

Carver 6157, 6179

Condor 6134, 6164

Cyrus 6157

DKK 6000

Denon 6003, 6034

Dual 6196

Emerson 6164

Fisher 6048, 6179, 6342

GE 6334

Genexxa 6032, 6164

GoldStar 6525, 6383

Goodmans 6536

Grundig 6157

Harman/Kardon 6108, 6173

Hitachi 6032, 6291

JVC 6072

Kenwood 6037, 6523, 6028,

6048, 6190

Kodak 6287

Krell 6157

Linn 6157

Luxman 6328

M Electronic 6525

MCS 6029

Magnavox 6157, 6038, 6129

Marantz 6157, 6029, 6038, 6129

Matsui 6157, 6288, 6307

Mclntosh 6287

Memorex 6032, 6164

Meridian 6157

Micromega 6157

Mission 6157

Mitsubishi 6108, 6156

NAD 6000

NSM 6157

Naim 6157

Nikko 6525, 6164

Onkyo 6101, 6102

Optimus 6000, 6032, 6037, 6536,

6048, 6179, 6196, 6342

Panasonic 6303, 6029, 6367

Philips 6157, 6274, 6287

Pioneer 6032

Poppy 6164

Proton 6157

QED 6157

Quad 6157

Quasar 6029

RCA 6179

Realistic 6164, 6179

Revox 6157, 6113

Roadstar 6461, 6525, 6527

Rotel 6157

SAE 6157

Sansui 6157, 6202, 6513

Sanyo 6048, 6179, 6342

Schneider 6134

Scott 6164

Sharp 6037, 6262, 6265

Sherwood 6114, 6196

Siemens 6516

Signature 6108

Sony 6000, 6490

Teac 6378

Technics 6207, 6303, 6029

Toshiba 6481

Universum 6157

Victor 6072

Wards 6157, 6108

Yamaha 6036, 6082, 6187, 6712

Yorx 6461

MD RECORDER

Kenwood 7826

Sony 7490

Yamaha 7888, 7490

TAPE DECK

Aiwa 8029, 8197, 8200

Akai 8188, 8189

Arcam 8076

Carver 8029

Denon 8076, 8412

Fisher 8074

Grundig 8029

Harman/Kardon 8182

JVC 8244, 8273, 8274

Kenwood 8070, 8071, 8092,

8205, 8233, 8234

Magnavox 8029

Marantz 8029, 8009

Memorex 8099, 8101

Mitsubishi 8189

Onkyo 8136, 8135

Optimus 8027, 8220

Panasonic 8229

Philips 8029

Pioneer 8027, 8099, 8101, 8220

Revox 8029

Sansui 8029, 8009

Sanyo 8074

Sharp 8205

Sony 8170, 8243

Technics 8229

Victor 8273, 8274

Wards 8027

Yamaha 8094, 8097, 8205, 8478, 8524

08DSP-A595a-CODE(EU) 6/24/99, 12:29 PM314

DSP-A595a

Natural sound AV Amplifier

Amplificateur audio-vidéo

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

DSP-A595a

Printed in Malaysia ID

V403430

B G

00DSP-A595a-cv1/4 6/28/99, 2:32 PM1

Quick Reference Card

AMP/TUN

DSP

TAPE/MD CD DVD/LD

POWER

INPUT

EXT. DEC.

A/B/C/D/E

DSP

PRESET

UP DOWN

VOLUME

MUTE

SLEEP

TV POWER

TIME/LEVEL

DSP program

STANDBY

SELECTOR

DIAL

TEST

EFFECT

ON/OFF

TV VOLUME

POWER

TV POWER

REC/PAUSE

PLAY

DIR A (TAPE)

SKIP (MD)

REWIND (TAPE)

SEARCH (MD)

INPUT

TV VOLUME

DISPLAY (MD)

PAUSE (MD)

DECK A/B (TAPE)

DIR B (TAPE)

SKIP (MD)

STOP

FAST

FORWARD (TAPE)

SEARCH (MD)

POWER

TV POWER

PLAY

SUBTITLE

ON/OFF (DVD)

SKIP/SEARCH

SUBTITLE (DVD)

SEARCH (LD)

INPUT

TV VOLUME

DISPLAY

PAUSE

TV INPUT

STOP

ANGLE (DVD)

SEARCH (LD)

AUDIO (DVD)

POWER

TV POWER

DISC SKIP DISC SKIP

PLAY

SKIP

INPUT

TV VOLUME

PAUSE

TV INPUT

STOP

DISPLAY

SET MENU

V404530

VCR CBL/DBS TVDVD MENU

TV POWER

VCR REC (*1)

PLAY

REWIND

CHANNEL

POWER

CHANNEL

ENTER

CHANNEL

UP DOWN

CHANNEL

ENTER

CHANNEL

UP DOWN

CHANNEL

ENTER

CHANNEL

UP DOWN

TV VOLUME

DISPLAY

PAUSE

TV INPUT

STOP

FAST FORWARD

POWER

TV POWER

+10

DISC SKIP

MENU SELECT

MENU LEFT

SET UP

TITLE

Numeric

buttons

TV VOLUME

CLEAR

TITLE/INDEX

MENU UP

TV INPUT

MENU RIGHT

MENU DOWN

RETURN

TV POWER

TV MUTE

TV SLEEP

VCR PLAY

VCR REC (*1)

VCR REWIND

CHANNEL

TV VOLUME

TV EFFECT

ON/OFF

DISPLAY

VCR PAUSE

TV INPUT

VCR STOP

VCR FAST

FORWARD

POWER

TV POWER

MENU SELECT

MENU LEFT

CHANNEL

TV VOLUME

+100

MENU UP

MENU RIGHT

TV INPUT

DISPLAY

MENU DOWN

RECALL

POWER

*1: Press this button twice to start recording.

*1: Appuyer deux fois sur cette touche pour démarrer l’enregistrement.

*1: Diese Taste zweimal drücken, um die Aufnahme zu starten.

*1: Tryck två gånger på denna knapp för att starta inspelningen.

*1: Premere due volte questo tasto per iniziare la registrazione.

*1: Presione dos veces este botón para empezar a grabar.

*1: Druk tweemaal op deze toets om met opnemen te beginnen.

Quick Reference Card

V404530

Yamaha DSP-A595a de handleiding

Merk: Yamaha

Model: DSP-A595a

Categorie: AV-ontvangers

Type: de handleiding

Download PDF

rapport

in andere talen

English: Yamaha DSP-A595a Owner's manual
italiano: Yamaha DSP-A595a Manuale del proprietario
français: Yamaha DSP-A595a Le manuel du propriétaire
Deutsch: Yamaha DSP-A595a Bedienungsanleitung
dansk: Yamaha DSP-A595a Brugervejledning
svenska: Yamaha DSP-A595a Bruksanvisning
Türkçe: Yamaha DSP-A595a El kitabı
română: Yamaha DSP-A595a Manualul proprietarului

Yamaha DSP-A595a de handleiding

Yamaha DSP-A595a de handleiding

in andere talen

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