Yamaha CLP-265GP de handleiding

Merk: Yamaha

Model: CLP-265GP

Categorie: Synthesizer

Type: de handleiding

Deze handleiding is ook geschikt voor

IMPORTANT

—Check your power supply—

Make sure that your local AC

mains voltage matches the

voltage specified on the name

plate on the bottom panel. In

some areas a voltage selector

may be provided on the bottom

panel of the main keyboard unit

near the power cord. Make sure

that the voltage selector is set for

the voltage in your area. The

voltage selector is set at 240V

when the unit is initially shipped.

To change the setting use a

"minus" screwdriver to rotate the

selector dial so that the correct

voltage appears next to the

pointer on the panel.

For information on assembling

the keyboard stand, refer to the

instructions at the end of this

manual.

WICHTIG

—Überprüfen Sie Ihren

Netzanschluss—

Vergewissern Sie sich, dass die

Spannung in Ihrem örtlichen

Stromnetz mit der Spannung

übereinstimmt, die auf dem

Typenschild auf der Unterseite

des Instruments angegeben ist. In

bestimmten Regionen ist auf der

Unterseite des Keyboards in der

Nähe des Netzkabels ein

Spannungswähler angebracht.

Vergewissern Sie sich, dass der

Spannungswähler auf die

Spannung Ihres lokalen

Stromnetzes eingestellt ist. Dieser

Spannungswähler ist bei

Auslieferung auf 240 V

eingestellt. Sie können die

Einstellung mit einem

Schlitzschraubenzieher ändern.

Drehen Sie dazu den

Wählschalter, bis der Pfeil auf

dem Instrument auf die richtige

Spannung zeigt.

Weitere Informationen über die

Montage des Keyboard-Ständers

erhalten Sie in den Anweisungen

am Ende dieses Handbuchs.

IMPORTANT

—Contrôler la source

d'alimentation—

Vérifiez que la tension spécifiée

sur le panneau inférieur

correspond à la tension du

secteur. Dans certaines régions,

l'instrument peut être équipé d'un

sélecteur de tension situé sur le

panneau inférieur du clavier à

proximité du cordon

d'alimentation.

Vérifiez que ce sélecteur est bien

réglé en fonction de la tension

secteur de votre région. Le

sélecteur de tension est réglé sur

240 V au départ d'usine. Pour

modifier ce réglage, utilisez un

tournevis à lame plate pour

tourner le sélecteur afin de mettre

l'indication correspondant à la

tension de votre région vis à vis

du repère triangulaire situé sur le

panneau.

Pour obtenir des informations sur

l'assemblage du support du

clavier, reportez-vous aux

instructions à la fin de ce manuel.

IMPORTANTE

—Verifique la alimentación de

corriente—

Asegúrese de que tensión de

alimentación de CA de su área

corresponde con la tensión

especificada en la placa de

características del panel inferior.

En algunas zonas puede haberse

incorporado un selector de

tensión en el panel inferior de la

unidad del teclado principal,

cerca del cable de alimentación.

Asegúrese de que el selector de

tensión esté ajustado a la tensión

de su área. El selector de tensión

se ajusta a 240V cuando la

unidad sale de fábrica. Para

cambiar el ajuste, emplee un

destornillador de cabeza "recta"

para girar el selector de modo

que aparezca la tensión correcta

al lado del indicador del panel.

Para información sobre el

montaje del soporte del teclado,

consulte las instrucciones al final

de este manual.

CLP-265GP

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

MANUAL DE INSTRUCCIONES

OWNER'S MANUAL

Before using the Clavinova, be sure to read “PRECAUTIONS” on pages 6-7.

Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN” auf Seite 6-7 durchzulesen.

Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6- 7.

Antes de utilizar el Clavinova, lea las “PRECAUCIONES” que debe tener en cuenta en las páginas 6 - 7.

ENGLISHDEUTSCHFRANÇAISESPAÑOL

Introduction

92-469 1 (bottom)

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these

graphics appears on this page. Please observe all cautions

indicated on this page and those indicated in the safety

instruction section.

See bottom of Keyboard enclosure for graphic symbol markings.

The exclamation point within the

equilateral triangle is intended to alert

the user to the presence of important

operating and maintenance (servic-

ing) instructions in the literature

accompanying the product.

The lightning ﬂash with arrowhead

symbol, within the equilateral trian-

gle, is intended to alert the user to the

presence of uninsulated “dangerous

voltage” within the product’s enclo-

sure that may be of sufﬁcient magni-

tude to constitute a risk of electrical

shock.

IMPORTANT NOTICE: All Yamaha electronic products

are tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO

NOT modify this unit or commission others to do so

unless speciﬁcally authorized by Yamaha. Product perfor-

mance and/or safety standards may be diminished.

Claims ﬁled under the expressed warranty may be denied

if the unit is/has been modiﬁed. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the speciﬁcations

without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is

approximately ﬁve years. When replacement becomes

necessary, contact a qualiﬁed service representative to

perform the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the man-

ufacturer’s warranty, and are therefore the owners respon-

sibility. Please study this manual carefully and consult

your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

CLP-265GP

Model

Serial No.

Purchase Date

CLP-265GP Owner’s Manual

ENGLISH

Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can

fully take advantage of the advanced and convenient functions of the Clavinova.

We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual

This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”

Introduction (page 2):

Please read this section ﬁrst.

Reference (page 14):

This section explains how to make detailed settings for the Clavinova’s various functions.

Appendix (page 59):

This section introduces reference material.

*The model CLP-265GP will be referred to as the CLP/Clavinova in this owner’s manual.

*The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat dif-

ferent from those on your instrument.

*Copying of commercially available software or music data for purposes other than your personal use is strictly prohibited.

Trademarks:

•Apple and Macintosh are trademarks of Apple Computer, Inc.

•Windows is a registered trademark of Microsoft® Corporation.

•SmartMedia is a trademark of Toshiba Corporation.

•All other trademarks are the property of their respective holders.

Accessories

• “50 Greats for the Piano” (Music Book)

• Owner’s Manual

This manual contains complete instructions for operating your Clavinova.

• Accessory CD-ROM for Windows

• Accessory CD-ROM for Windows Installation Guide

• Bench

A bench may be included or optional, depending on your locale.

Tuning

Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.

Transporting

If you move to another location, you can transport the Clavinova along with your other belongings. You can move the

unit as it is (assembled) or you can disassemble the unit.

Tr ansport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the

instrument to excessive vibration or shock.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to

which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software and

MIDI ﬁles, etc. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws.

Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

CLP-265GP Owner’s Manual

ENGLISH

Table of Contents

Introduction

About this Owner’s Manual ............................... 3

Accessories ......................................................... 3

Application Index ............................................... 5

Panel Controls and Terminals............................ 8

Before Using the Clavinova ............................. 10

Key Cover....................................................................10

Music Rest...................................................................10

Music Braces ...............................................................10

Lid................................................................................11

Turning the Power On ...............................................12

Setting the Volume.....................................................13

Using Headphones .....................................................13

Reference

Listening to the Demonstration Tunes............ 15

Listening to 50 Piano Preset Songs ................. 16

Practicing a One-Hand Part Using 50 Preset Songs

(Part Cancel Function)...............................................18

A-B Repeat for 50 Preset Songs .................................19

Selecting & Playing Voices............................... 20

Selecting Voices ..........................................................20

Using the Pedals..........................................................21

Adding Variations to the Sound – [BRILLIANCE]/

[REVERB]/[EFFECT] ................................................22

Touch Sensitivity – [TOUCH] ..................................24

Transposition – [TRANSPOSE] ................................25

Combining Two Voices (Dual mode).......................26

Using the Metronome ................................................27

Recording Your Performance .......................... 28

Recording a performance quickly..............................28

Re-recording a previously recorded song..................30

Recording to RIGHT/LEFT .......................................31

Changing the Initial Settings

(Data recorded at the beginning of a song) ..............33

Playing Back Songs .......................................... 34

Playing Back User Songs on the Instrument.............35

Detailed Settings – [FUNCTION]...................... 36

Basic Procedure in Function Mode...........................37

About Each Function ................................................. 39

F1. Fine Tuning of the Pitch............................... 39

F2. Selecting a Scale............................................. 40

F3. Dual Mode Functions ...................................41

F4. Other Functions ............................................ 42

F5. Metronome Volume ..................................... 42

F6. Song Part Cancel Volume.............................42

F7. MIDI Functions ............................................43

F8. Backup Functions..........................................45

F8.5 Character Code ...........................................45

Connections ..................................................... 46

Connectors .................................................................46

Connecting a Personal Computer.............................48

Data Backup ..................................................... 49

Message List ..................................................... 50

Troubleshooting............................................... 51

Options............................................................. 51

Keyboard Stand Assembly ............................... 52

Preset Voice List ............................................... 55

Demo Song List ................................................ 56

Index................................................................. 57

Appendix

Factory Setting List .......................................... 60

MIDI Data Format ............................................ 61

MIDI Implementation Chart ............................ 65

Specifications ................................................... 66

CLP-265GP Owner’s Manual

ENGLISH

Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices.................................................. “Listening to the Demonstration Tunes” on page 15

Listening to songs from “50 Greats for the Piano” ................................................. “Listening to 50 Piano Preset Songs” on page 16

Listening to my recorded performance............................................................................................“Playing Back Songs” on page 34

Playing

Using the three performance control pedals ........................................................................................ “Using the Pedals” on page 21

Playing an accompaniment that matches pitch...........................................................“Transposition – [TRANSPOSE]” on page 25

Selecting a touch sensitivity type.................................................................................... “Touch Sensitivity – [TOUCH]” on page 24

Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music

..................................................................................................................................................... “Fine tuning of the pitch” on page 39

Changing voices

Viewing the list of voices ........................................................................................................................“Preset Voice List” on page 55

Combining two voices ......................................................................................... “Combining Two Voices (Dual mode)” on page 26

Making the sound more brilliant or mellower ...................................................................................... “[BRILLIANCE]” on page 22

Simulating a concert hall ................................................................................................................................ “[REVERB]” on page 22

Adding spread or swell to the sound............................................................................................................... “[EFFECT]” on page 23

Practicing

Muting the right- or left-hand part....... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 18

Practicing a speciﬁed phrase repeatedly ........................................................................“A-B Repeat for 50 Preset Songs” on page 19

Practicing with an accurate and steady tempo ............................................................................“Using the Metronome” on page 27

Practicing using your recorded song................................................................................ “Recording Your Performance” on page 28

Recording

Recording your performance............................................................................................ “Recording Your Performance” on page 28

Settings

Adjusting the Clavinova settings ..............................................................................“Detailed Settings – [FUNCTION]” on page 36

Connecting the Clavinova to other devices

What is MIDI?...............................................................................................................................................“About MIDI” on page 47

Making detailed settings for MIDI ....................................................................................................... “MIDI Functions” on page 43

Recording your performance.........................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 46

Raising the volume.........................................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 46

Outputting other instruments’ sound from the Clavinova .................................................“AUX IN [L/L+R] [R] jacks” on page 47

Connecting a computer .............................................................................................“Connecting a Personal Computer” on page 48

Assembling

Assembling and disassembling the Clavinova ...................................................................... “Keyboard Stand Assembly” on page 52

CLP-265GP Owner’s Manual

ENGLISH

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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Use only the supplied power cord/plug.

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the instrument is not to be used

for extended periods of time, or during electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Read carefully the attached documentation explaining the assembly process.

Failure to assemble the instrument in the proper sequence might result in

damage to the instrument or even injury.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected cables.

• When setting up the product, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/Power cord

Assembly

Location

CLP-265GP Owner’s Manual

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• In the case of a model with a polished ﬁnish, gently remove dust and dirt with a

soft cloth. Do not wipe too hard since small particles of dirt can scratch the

instrument's ﬁnish.

• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use

paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping

cloths.

•Take care that the key cover does not pinch your ﬁngers, and do not insert a

ﬁnger or hand in any gaps on the key cover or instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the key

cover, panel or keyboard. If this happens, turn off the power immediately and

unplug the power cord from the AC outlet. Then have the instrument inspected

by qualiﬁed Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• In the case of a model with a polished ﬁnish, bumping the surface of the

instrument with metal, porcelain, or other hard objects can cause the ﬁnish to

crack or peel. Use caution.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not use the instrument/device or headphones for a long period of time at a

high or uncomfortable volume level, since this can cause permanent hearing

loss. If you experience any hearing loss or ringing in the ears, consult a

physician.

• Do not place the bench in an unstable position where it might accidentally fall

over.

• Do not play carelessly with or stand on the bench. Using it as a tool or step-

ladder or for any other purpose might result in accident or injury.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• If the bench screws become loose due to extensive long-term use, tighten them

periodically using the included tool.

Saving and backing up your data

• The panel settings and certain other types of data will be lost if the power is

turned off before they have been saved. Be sure to save (back up) data you want

to keep to the internal Flash Memory before turning off the power (page 45).

Keep in mind that this data is for temporary backup purposes and may be

inadvertently lost due to malfunction or incorrect operation. Make sure to save

all your important data to computer for permanent safekeeping (page 49).

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Connections

Maintenance

Handling caution

Using the bench (If included)

Saving data

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Panel Controls and Terminals

CLP-265GP

Owner’s Manual

ENGLISH

Panel Controls and Terminals

The Yamaha Clavinova CLP-265GP digital piano provides natural, expressive grand piano sound and playability, and fea-

tures Yamaha’s original “AWM Stereo Sampling ” tone-generation technology for rich, musical voices.

The CLP-265GP Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano. The

CLP-265GP also utilizes a “GH3 (Graded Hammer 3)” Keyboard that varies the key weight according to the key range.

Moreover, this specially crafted keyboard lets you use techniques only possible on grand pianos, such as playing the same

note successively and having the sounds blend smoothly even without use of the damper pedal, or playing the same key

quickly and having perfect articulation without the sound cutting off unnaturally. With these features, the CLP-265GP

comes much closer to the sound of a true acoustic piano.

(

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

OFF

TEMP

FUNCTI

TEMP

THER VALUE

USER

PRESET

TEMP

FUN

YES

—

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

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VIBRA

HARPSI-

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HARPSI

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GUITAR

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GRAND

PIA NO 1

CHURCH

ORGAN 1

CHURCH

ORGAN 2

GRAND

PIAN

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CLP

265GP

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CLP265GPE_1-4.fm Page 8 Monday, November 20, 2006 4:56 PM

Panel Controls and Terminals

CLP-265GP Owner’s Manual

ENGLISH

1 [POWER] switch........................... page 12

2 [MASTER VOLUME] slider ........... page 13

Adjust the volume level using this slider.

3 [DEMO] button............................ page 15

Demonstration playback is available for each voice.

4 [TRANSPOSE] button................... page 25

You can shift the pitch of the entire keyboard up or

down so that the pitch will match that of another

instrument or singer, while you play the same,

unshifted keys.

5 [REC] button ................................ page 28

For recording your keyboard performance.

6 [RIGHT], [LEFT] buttons .......pages 18, 31

For turning the left- and right-hand parts on or off as

required so you can practice the corresponding part

(the part that is turned off) on the keyboard.

7 [PLAY/PAUSE], [STOP] buttons

..............................................pages 16, 35

For playing back the preset songs, your recorded

material or commercially available music data, etc.

8 [SONG SELECT] button ........pages 16, 35

For selecting a song to play back or edit.

9 [TEMPO/FUNCTION#] button

..............................................pages 27, 37

For changing the song tempo (speed) and selecting

other useful functions (pages 36-55).

) [METRONOME] button.........pages 27, 42

For using the metronome.

! Display ......................................... page 12

CAUTION

Do not turn off the power to the instrument while

ﬂashing dashes appear in the display (indicating the

operation is in process). Doing so may damage the

data.

@ [–/NO], [+/YES] buttons

For setting values or performing ﬁle operations.

Pressing both buttons simultaneously for certain

value settings (Transpose, Tempo, etc.) restores the

default value.

# Voice group buttons.................... page 20

For selecting voices from 14 internal sounds includ-

ing Grand Piano 1 and 2. You can also combine two

voices and use them together.

$ [BRILLIANCE], [REVERB], [EFFECT]

buttons ........................................ page 22

For adjusting the brightness of the sound and adding

reverb and chorus effects to the sound.

% [TOUCH] button ..........................page 24

For ﬁne-tuning the touch response.

^ AUX OUT [L] [R] (LEVEL FIXED) jacks

.....................................................page 46

For outputting the sound of the Clavinova to an

external audio system, or connecting it to another

device (cassette tape recorder, etc.) to record your

performance.

& AUX IN [L/L+R] [R] jacks ..............page 47

For connecting an external tone generator, allowing

you to play the sound of that device via the Clavi-

nova’s internal sound system and speakers.

* USB [TO HOST] terminal .............page 47

For connecting the instrument to your computer,

allowing you to transfer MIDI data between the

Clavinova and the computer.

( MIDI [IN] [OUT] [THRU] terminals

.....................................................page 47

For connecting external MIDI devices, allowing the

use of various MIDI functions.

º [PHONES] jacks

.....................................................page 13

For connecting a set of standard stereo headphones,

allowing private practice.

¡ PEDALS.........................................page 21

For producing a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

The left pedal can also be assigned to a variety of

functions.

Before Using the Clavinova

CLP-265GP Owner’s Manual

ENGLISH

Before Using the Clavinova

Key Cover

To open the key cover:

Lift the cover slightly, then push and slide it open.

To close the key cover:

Slide the cover toward you and gently lower the cover over

the keys.

Music Rest

To raise the music rest:

1. Pull the music rest up and toward yourself as far as it will go.

2. Flip down the two metal supports at the left and right on the rear

of the music rest.

3. Lower the music rest so that it rests on the metal supports.

To lower the music rest:

1. Pull the music rest toward yourself as far as it will go.

2. Raise the two metal supports (at the rear of the music rest).

3. Gently lower the music rest backward until it is all the way down.

CAUTION

Do not try to use the music rest in a half-raised position. When low-

ering the music rest, do not release your hands from the music rest

until it is all the way down.

Music Braces

These braces are for holding the pages of music books in place.

CAUTION

Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be care-

ful to avoid catching ﬁngers (yours or others, especially children’s) between the cover and main unit.

CAUTION

Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover

may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric

shock, short circuit, ﬁre or other serious damage to the instrument.

CAUTION

Be careful to avoid catching your ﬁngers

when opening or closing the cover.

To open To close

Before Using the Clavinova

CLP-265GP

Owner’s Manual

ENGLISH

Lid

To open the lid:

Raise and hold the right side of the lid (viewed from the keyboard

end of the instrument).

Raise the lid stay and carefully lower the lid so that the end of the

stay ﬁts into the recess in the lid.

To close the lid:

Hold the lid stay and carefully raise the lid.

Hold the lid in its raised position and lower the lid stay.

Carefully lower the lid.

CAUTION

Make sure that the end of the stay ﬁts securely in the lid recess. If the stay is not properly seated in the recess, the lid may

fall, causing damage or injury.

CAUTION

Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess

causing the lid to fall.

CAUTION

Be careful to avoid catching ﬁngers (yours or others, especially children's) when raising or lowering the lid.

CLP265GPE_1-4.fm Page 11 Monday, November 20, 2006 4:56 PM

Before Using the Clavinova

CLP-265GP Owner’s Manual

ENGLISH

Tur ning the Power On

1.Connect the power cord.

Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC

outlet.

In some areas, a plug adaptor may be provided to match the pin conﬁguration of the AC wall outlets in your area.

CAUTION

Make sure your CLP-265GP is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on

the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main

keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit

to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!

Use only the AC power cord supplied with the CLP-265GP. If the supplied cord is lost or damaged and needs to be replaced,

contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre and shock hazard!

The type of AC power cord provided with the CLP-265GP may be different depending on the country in which it is pur-

chased. (In some areas a plug adaptor may be provided to match the pin conﬁguration of the AC wall outlets in your area.)

Do NOT modify the plug provided with the CLP-265GP. If the plug will not ﬁt the outlet, have a proper outlet installed by a

qualiﬁed electrician.

2.Turn the power on.

Press the [POWER] switch.

•The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.

When you’re ready to turn off the power, press the [POWER] switch again.

•The display and the power indicator turn off.

NOTE

Power indicator

If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is

still on.

1-2

(The shape of plug differs

depending on locale.)

1-1

(bottom surface)

Display

Normally indicates tempo.

[POWER]

Before Using the Clavinova

CLP-265GP Owner’s Manual

ENGLISH

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start

playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.

CAUTION

Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.

Using Headphones

Connect a pair of headphones to one of the [PHONES]

jacks.

Two [PHONES] jacks are provided.

You can connect two sets of standard stereo head-

phones. (If you are using only one pair of headphones,

you can plug them into either jack.)

Using the Headphone Hanger

A headphone hanger is included in the CLP-265GP

package so that you can hang the headphones on the

Clavinova. Install the headphone hanger using included

two screws (4 × 10mm) as shown in the ﬁgure.

CAUTION

Do not hang anything other than the headphones on

the hanger. Otherwise, the Clavinova or the hanger

may be damaged.

TERMINOLOGY

MASTER VOLUME:

The volume level of the entire keyboard sound

NOTE

You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME]

slider.

MASTER VOLUME

MIN MAX

The level decreases. The level increases.

CLP-265GP Owner’s Manual

ENGLISH

Reference

Listening to the Demonstration Tunes ............................ 15

Listening to 50 Piano Preset Songs................................... 16

Practicing a One-Hand Part Using 50 Preset Songs (Part

Cancel Function)................................................................... 18

A-B Repeat for 50 Preset Songs ............................................ 19

Selecting & Playing Voices ................................................ 20

Selecting Voices ..................................................................... 20

Using the Pedals .................................................................... 21

Adding Variations to the Sound – [BRILLIANCE]/

[REVERB]/[EFFECT]........................................................... 22

Touch Sensitivity – [TOUCH].............................................. 24

Tr ansposition – [TRANSPOSE]........................................... 25

Combining Two Voices (Dual mode)................................... 26

Using the Metronome........................................................... 27

Recording Your Performance ........................................... 28

Recording a performance quickly ........................................ 28

Re-recording a previously recorded song ............................ 30

Recording to RIGHT/LEFT .................................................. 31

Changing the Initial Settings (Data recorded at the beginning

of a song) ............................................................................... 33

Playing Back Songs ........................................................... 34

Playing Back User Songs on the Instrument ....................... 35

Detailed Settings – [FUNCTION] ................................... 36

Basic Procedure in Function Mode...................................... 37

About Each Function ............................................................ 39

F1. Fine Tuning of the Pitch ................................................. 39

F2. Selecting a Scale............................................................... 40

F3. Dual Mode Functions ..................................................... 41

F4. Other Functions .............................................................. 42

F5. Metronome Volume ........................................................ 42

F6. Song Part Cancel Volume ............................................... 42

F7. MIDI Functions .............................................................. 43

F8. Backup Functions............................................................ 45

F8.5 Character Code ............................................................. 45

Connections ...................................................................... 46

Connectors ............................................................................ 46

Connecting a Personal Computer ........................................ 48

Data Backup ...................................................................... 49

Message List....................................................................... 50

Troubleshooting ................................................................ 51

Options.............................................................................. 51

Keyboard Stand Assembly ................................................ 52

Preset Voice List................................................................. 55

Demo Song List................................................................. 56

Index .................................................................................. 57

This section explains how to make detailed settings for the

Clavinova’s various functions.

Listening to the Demonstration Tunes

CLP-265GP Owner’s Manual

ENGLISH

Listening to the Demonstration Tunes

Demonstration tunes are provided that effectively demonstrate each of the CLP-265GP’s voices.

1. Turn the power on.

(In case the power is not turned ON) Press the [POWER] switch.

When the power is turned ON, one of the voice button LEDs will light.

Initially set the [MASTER VOLUME] slider about half way between the “MIN”

and “MAX” settings. Then, when you start playing, re-adjust the [MASTER

VOLUME]

slider to the most comfortable listening level.

2. Engage Demo mode.

Press the [DEMO] button to engage Demo mode. The voice button indicators

will ﬂash in sequence.

3. Play a Voice demo.

Press one of the voice buttons to start playback of all songs starting from the

corresponding voice demo tune — featuring the voice normally selected by that

voice button. (If you press the SONG [PLAY/PAUSE] button instead of a voice

button, the GRAND PIANO 1 demo tune will begin playback.)

4. Stop the Voice demo and exit from Demo mode.

Press the [DEMO] or SONG [STOP] button.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

STR INGS

VIBRA

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

E.PIAN

GRAND

PI AN O 1

CHURCH

ORGAN 1

CHURCH

ORGAN 2

GRAND

PIA N

JAZZ

RGAN

STR INGS

ICE

CLP

265GP

Procedure

NOTE

For a list of the demo songs,

see page 56.

NOTE

MIDI reception is not possible in

Demo Song mode.

Demo song data is not trans-

mitted via the MIDI terminals.

NOTE

Demo mode cannot be

engaged during User song

recording (page 28).

TERMINOLOGY

Mode:

A mode is a status under which

you can execute a certain func-

tion. In Demo mode, you can

play back demonstration tunes.

NOTE

You cannot adjust the tempo

of demo songs.

You cannot use the part cancel

function (page 18) or the song

A-B repeat function (page 19)

in Demo mode.

Listening to 50 Piano Preset Songs

CLP-265GP Owner’s Manual

ENGLISH

Listening to 50 Piano Preset Songs

The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs

(page 16) or use them for practice (page 18). You can also refer to the included “50 Greats for the

Piano” that contains scores for 50 piano preset songs.

1. Engage Preset Song mode.

Press the [SONG SELECT] button a few times until the “PRESET” indicator

lights.

2. Play any of the 50 preset songs.

2-1 Press the [–/NO], [+/YES] buttons to select the number

of the tune you want to play (the number will appear

on the LED display).

1 – 50: Select a preset song number and play only

the song.

ALL: Play all preset songs in sequence.

rnd: Play all preset songs continuously in random order.

2-2 Press the

SONG [PLAY/PAUSE] button to start playback.

Adjust the Volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjust the tempo

You can use the [TEMPO/FUNCTION# ▼

▲]

buttons to adjust the playback tempo

as required. The default tempo can be

recalled by simultaneously pressing the

[▼] and [▲] buttons.

3. Stop playback.

Playback will stop automatically when the selected preset song has ﬁnished. To

stop the song during playback (or continuous playback), press the SONG

[STOP]

button. You can also pause playback by pressing the SONG [PLAY/

PAUSE]

button.

•To play back another song continuously, see procedure 2 above.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

-2

223

-1

Procedure

NOTE

Preset Song mode cannot be

engaged while the unit is in

Demo Song mode (page 15) or

during song playback

(page 35), User song recording

(page 28).

TERMINOLOGY

Song:

On the CLP-265GP, perfor-

mance data is called a “Song.”

This includes demonstration

tunes and piano preset tunes.

NOTE

You can play the keyboard

along with the preset song. You

can change the voice playing

on the keyboard.

NOTE

You can adjust the Brilliance

control (page 22) and Reverb

type (page 22) that is applied

to the voice you play on the

keyboard and for the preset

song playback. You can change

the Effect type (page 23) and

Touch sensitivity (page 24) for

the keyboard voice.

NOTE

The default tempo “0” is auto-

matically selected whenever a

new preset song is selected, or

when playback of a new preset

song begins during “ALL” or

“rnd” playback.

NOTE

When you select a different

song (or a different song is

selected during chained play-

back), appropriate reverb and

effect types will be selected

accordingly.

song number

This produces a relative tempo

variation, with a range from “–50”

through “0” to “50” at maximum;

the range will differ depending on

the selected song.

Listening to 50 Piano Preset Songs

CLP-265GP Owner’s Manual

ENGLISH

4. Exit from Preset Song mode.

Press the [SONG SELECT] button to exit Preset Song mode. The indicator turns

off, and the unit returns to normal play mode.

How to use the practice functions

You can turn the left- and right-hand parts on or off as required so you can practice the

corresponding part (part cancel function) and continuously repeat a speciﬁed phrase

within a song (song A-B repeat function). For more information, see pages 18–19.

Listening to 50 Piano Preset Songs

CLP-265GP Owner’s Manual

ENGLISH

Practicing a One-Hand Part Using 50 Preset Songs

(Part Cancel Function)

The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the

left- and right-hand parts on or off as required so you can practice the corresponding part (the part

that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part

is played by [LEFT].

1. Turn off the playback part you wish to practice.

After you select a song to practice, press the [RIGHT] or [LEFT] button to turn

off the corresponding part.

When you ﬁrst select a song, both [RIGHT] and [LEFT] indicators light up, indi-

cating that you can play back both parts. When you press one of the buttons to

turn off playback, the corresponding button indicator turns off and the corre-

sponding part playback is muted.

•Pressing the buttons repeatedly toggles playback between on and off.

2. Start playback and playing.

Press the SONG [PLAY/PAUSE] button to start playback. Play the part you just

turned off.

Starting playback automatically as you start playing the keyboard

(Sync Start)

When the Sync Start function is engaged, playback of the selected preset song

will begin automatically as soon as you start playing on the keyboard.

To engage the Sync Start function, simultaneously hold down the SONG [STOP]

and press the [PLAY/PAUSE] button.

(Repeat the previous operation to disengage the Sync Start function.)

Playback will then start as soon as you begin playing on the keyboard.

Left Pedal Play/Pause

The left pedal can be assigned to play and pause preset song playback via the

“Left Pedal Mode” function described on page 42.

3. Stop playback.

When playback is complete, it automatically stops and the Clavinova locates the

top of the song. If you wish to stop playback in the middle of a song, press the

SONG [STOP] button. You can also pause playback by pressing the SONG

[PLAY/PAUSE] button.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

NOTE

Appropriate channels in the

song will automatically be

assigned to [RIGHT] and

[LEFT]. Therefore, [RIGHT] may

be assigned to a part other

than channel 1, or [LEFT] to a

part other than channel 2.

NOTE

The Preset Song Part Cancel

function cannot be used during

“ALL” or “rnd” (page 16) play-

back.

NOTE

The parts can be turned on or

off even during playback.

NOTE

The “Song Part Cancel Volume”

function described on page 42

can be used to set the can-

celed part so that it plays at a

volume from “0” (no sound) to

“20”. The normal setting is

“5”.

Procedure

NOTE

Both parts are automatically

turned ON whenever a new

song is selected.

Listening to 50 Piano Preset Songs

CLP-265GP Owner’s Manual

ENGLISH

A-B Repeat for 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a speciﬁed phrase within a preset song.

Combined with the Part Cancel function described below, this provides an excellent way to practice

difﬁcult phrases.

1. Specify the beginning (A) and the end (B) of the

phrase, and start practicing.

Select and play a preset song, then press the [TEMPO/

FUNCTION#]

button at the beginning of the phrase

you want to repeat.

This sets the “A” point ( will appear on the dis-

play).

To specify the end (B) of the phrase, press the [TEMPO/

FUNCTION#]

button a second time at the end of the

phrase.

This sets the “B” point ( will appear on the dis-

play).

At this point, repeat playback will begin between the

speciﬁed A and B points.

2. Stop playback.

Press the SONG [STOP] button to stop playback while retaining the speciﬁed A

and B points. A-B repeat playback will resume if you press the SONG [PLAY/

PAUSE]

button.

To cancel the A and B points, press the [TEMPO/FUNCTION#] button once.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

Procedure

NOTE

The A-B Repeat function can-

not be used during “ALL” or

“rnd” (page 16) playback.

NOTE

• To set the “A” point at the

very beginning of the song,

press the [TEMPO/FUNC-

TION#] button before start-

ing playback.

• You can have the B point

automatically be set to the

song’s end, by setting the A

point and letting the song

play to the end.

NOTE

An automatic lead-in (to help

guide you into the phrase)

starts at the A point of the

song.

NOTE

The A and B points are auto-

matically canceled when a new

song is selected.

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Selecting & Playing Voices

Selecting Voices

Select the desired voice by pressing one of the Voice buttons.

Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most

comfortable listening level.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

Voice buttons

Procedure

NOTE

To learn characteristics of the

voices, listen to demo songs

for each voice (page 15). Refer

to “Preset Voice List” on

page 55 for more information

on the characteristics of each

preset voice.

TERMINOLOGY

Voice:

On the Clavinova, a voice

means a “tone” or “tonal

color.”

NOTE

You can control the loudness of

a voice by adjusting the force

with which you strike the keys,

although different playing

styles (touch sensitivities)

have little or no effect with

certain musical instruments.

Refer to “Preset Voice List” on

page 55.

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Using the Pedals

The Clavinova has three foot pedals that produce a range

of expressive effects similar to those produced by the

pedals on an acoustic piano.

Damper (Right) Pedal

The damper pedal functions in the same way as a

damper pedal on an acoustic piano. When the damper

pedal is pressed, notes sustain longer. Releasing the pedal

immediately stops (damps) any sustained notes.

A “half-pedal” effect lets you use the damper pedal to

create partial sustain effects, depending on how far down

you press the pedal.

Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the

sostenuto pedal while the note(s) are held, those notes

will sustain as long as you hold the pedal (as if the

damper pedal had been pressed) but all subsequently

played notes will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are

played “staccato.”

Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of notes played while

the pedal is pressed. The soft pedal will not affect notes that are already playing when it

is pressed.

NOTE

If the damper pedal doesn’t

work, make sure that the pedal

cord is properly plugged into

the main unit (page 53).















When you press the damper

pedal here, the notes you

play before you release the

pedal have a longer sustain.

NOTE

Organ, string and choir voices

will continue to sound for as

long as the sostenuto pedal is

depressed.















When you press the soste-

nuto pedal here while holding

the note, the note will sustain

as long as you hold the

edal.

NOTE

The left pedal can be assigned

to song play/pause operation

via the “Left Pedal Mode”

described on page 42.

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Adding Variations to the Sound – [BRILLIANCE]/

[REVERB]/[EFFECT]

[BRILLIANCE]

This control can be used to change the tonality or “timbre” of the sound output.

BRIGHT: Bright tone

NORMAL: Standard tone

MELLOW: Soft and mellow tone

To select a brilliance type, press the [BRILLIANCE] button a few times until the indica-

tor corresponding to the desired type lights (the indicator lights in sequence each time

you press the [BRILLIANCE] button). Brilliance can be selected among ﬁve types. When

two adjacent indicators are lit, the type that is between the two indicated types is

selected. For example, when both NORMAL and MELLOW are lit, the brilliance set-

ting between NORMAL and MELLOW is selected. This parameter affects the entire

sound of the instrument.

[REVERB]

This control enables you to select various digital reverb effects that would add extra

depth and expression to the sound to create a realistic acoustic ambience.

OFF: When no reverb effect is selected, no REVERB indicator is lit.

ROOM: This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall.

HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-

lates the natural reverberation of a large concert hall.

STAGE: Simulates the reverb of a stage environment.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

[–/NO] [+/YES]

buttons

[REVERB]

button

[BRILLIANCE]

button

[EFFECT]

button

TERMINOLOGY

Normal setting:

The “Normal setting” refers to

the default setting (factory

setting) obtained when you

first turn on the power to the

Clavinova.

NOTE

Normal setting = NORMAL

NOTE

When the BRILLIANCE is set to

BRIGHT, the overall sound will

be slightly louder. If the MAS-

TER VOLUME is set at a high

level the sound may become

distorted. If so, lower the MAS-

TER VOLUME level.

Procedure

NOTE

The default reverb type

(including OFF) and depth set-

tings are different for each

voice.

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Pressing the [REVERB] button repeatedly toggles the reverb on and off.

The indicators light in sequence each time the [REVERB] button is pressed. No effect is

produced when all indicators are off.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by using the [–/NO] [+/YES] buttons

while holding the [REVERB] button. The depth range is from 0 through 20. The current

depth setting appears on the LED display while the [REVERB] button is held.

[EFFECT]

The [EFFECT] button allows you to select an effect to give your sound greater depth and

animation.

OFF: When no effect is selected, no EFFECT indicator is lit.

CHORUS: A shimmering, broadening effect

PHASER: Adds a sweeping effect to the sound.

TREMOLO: Tremolo effect

ROTARY SP:Adds the vibrato effect of a rotary speaker.

To select an effect type, press the [EFFECT] button a few times until the indicator corre-

sponding to the desired type lights (the indicators light in sequence each time you press

the [EFFECT] button). No effect is produced when all indicators are off.

Adjusting Effect Depth

You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES]

buttons while holding the [EFFECT] button.

The depth range is from 0 through 20. The current depth setting appears on the LED

display while the [EFFECT] button is held.

Procedure

NOTE

Releasing the [REVERB] button

changes the reverb type.

If you are changing the reverb

depth by holding the [REVERB]

button, pressing the [REVERB]

button will not change the

reverb type.

NOTE

Depth 0: no effect

Depth 20: maximum reverb depth

NOTE

Default depth settings are dif-

ferent for each voice.

NOTE

The default effect type (includ-

ing OFF) and depth settings are

different for each voice.

Procedure

NOTE

Releasing the [EFFECT] button

changes the effect type.

If you are changing the depth

settings by holding the

[EFFECT] button, pressing the

[EFFECT] button will not

change the effect type.

NOTE

Depth 0: no effect

Depth 20: maximum effect depth

NOTE

Default depth settings are dif-

ferent for each voice.

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Touch Sensitivity – [TOUCH]

You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED

— to match different playing styles and preferences.

HARD: Requires that the keys be played quite hard to produce maximum loud-

ness.

MEDIUM: Produces a fairly “standard” keyboard response.

SOFT: Allows maximum loudness to be produced with relatively light key pres-

sure.

FIXED: All notes are produced at the same volume no matter how hard the key-

board is played. (No indicators are lit.) The ﬁxed volume can be changed.

To select a touch sensitivity type press the [TOUCH] button a few times until the indica-

tor corresponding to the desired type lights (the indicators light in sequence each time

the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.

Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes

played in FIXED mode by using the [–/NO] and [+/YES] but-

tons while you hold the [TOUCH] button. The current vol-

ume level appears on the display. The volume range is from 1

through 127. The default setting is 64.

NOTE

This setting does not change

the weight of the keyboard.

NOTE

Normal setting = MEDIUM

NOTE

The touch sensitivity type will

become the common setting

for all voices. However, the

touch sensitivity settings may

have little or no effect with

certain voices that are not nor-

mally responsive to keyboard

dynamics. (Refer to the “Preset

Voice List” on page 55.)

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

[–/NO] [+/YES] buttons

[TOUCH] button

Procedure

NOTE

1: minimum volume

127: maximum volume

NOTE

The touch volume set in FIXED

mode will become the common

setting for all voices.

NOTE

Releasing the [TOUCH] button

changes the touch type.

If you are changing the volume

by holding the [TOUCH] button,

pressing the [TOUCH] button

will not change the touch sensi-

tivity type. (FIXED mode will

remain selected.)

volume range

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Transposition – [TRANSPOSE]

The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or

down in semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily

match the pitch of the keyboard to the range of a singer or other instruments. For example, if you

set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a

song as though it were in C major, and the Clavinova will transpose it to the key of F.

Use the [–/NO] and [+/YES] button while holding the

[TRANSPOSE]

button to transpose down or up as required.

The amount of transposition appears on the LED display

while the [TRANSPOSE] button is held. The default transpose

setting is “0”.

The [TRANSPOSE] button indicator remains lit when a transpose setting other than

“0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the

transpose function ON or OFF.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

[–/NO] [+/YES] buttons[TRANSPOSE] button

Procedure

TERMINOLOGY

Transpose:

Changing the key signature of a

song. On the Clavinova, trans-

posing shifts the pitch of the

entire keyboard.

NOTE

The transposition range:

–12: –12 semitones

(down one octave)

0: normal pitch

12: 12 semitones

(up one octave)

transposition

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you

can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode.

Press two voice buttons at the same time (or press one voice button while hold-

ing another). The voice indicators of both selected voices will light when Dual

mode is active.

•According to the voice numbering

priority shown in the diagram on

the right, the lower value voice

number will be designated as Voice

1 (the other voice will be desig-

nated as Voice 2).

The CLP-265GP Function mode provides access to a number of other Dual

mode functions, such as volume balance setting or octave setting (page 41). (If

you do not set Dual mode functions, the appropriate setting will be set in each

voice by default.)

2. Exit Dual mode and return to normal play mode.

To return to the normal single-voice play mode, press any single voice button.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

Procedure

NOTE

[REVERB] in Dual Mode

The reverb type assigned to

Voice 1 will take priority over

the other. (If the reverb is set

to OFF, Voice 2 reverb type will

be in effect.)

NOTE

[EFFECT] in Dual Mode

Depending on the conditions,

one effect type may take prior-

ity over the other. Depth will

be decided according to the

depth default value of the

voice combination. However,

using function F3 (page 41)

you can adjust the depth value

for each voice to your liking.

STRINGS

VIBRA

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

E.PIAN

GRAND

PIA NO 1

CHURCH

ORGAN 1

CHURCH

ORGAN 2

GRAND

PIAN

JAZZ

RGAN

ICE

12 13 14

34567

891011

Voice numbering priority

Selecting & Playing Voices

CLP-265GP Owner’s Manual

ENGLISH

Using the Metronome

The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve-

nient for practicing.

1. Start the metronome.

The metronome sound is turned on by pressing

the METRONOME [ON/OFF] button.

Adjusting the tempo

The tempo of the metronome and user song recorder playback (the recorder is

described in the next section) can be set from 32 to 280 beats per minute by

using the [TEMPO/FUNCTION# ▼, ▲] buttons (when the [TEMPO/FUNC-

TION# ▼, ▲]

button’s [TEMPO] indicator is lit).

Adjusting the time signature

The time signature (beat) of the metronome can be

set by using the [–/NO] and [+/YES] buttons while

holding the METRONOME [ON/OFF] button. You

can set the beat from 0 to 15. The current setting

appears on the LED display while you are holding

the METRONOME [ON/OFF] button.

2. Stop the metronome.

Turn off the metronome by pressing the METRONOME [ON/OFF] button.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

[–/NO] [+/YES] buttons

[TEMPO/FUNCTION# ▲▼] buttons

Procedure

The beat indicator ﬂashes

at the current tempo.

NOTE

If the [TEMPO/FUNCTION#]

button’s [FUNCTION#] indicator

is lit, press the [TEMPO/FUNC-

TION#] button to light the

[TEMPO] indicator.

NOTE

The volume of the metronome

can be adjusted via the Metro-

nome Volume function in Func-

tion mode (page 42).

beat

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

Recording Your Performance

The ability to record and play back what you’ve played on the CLP-

265GP keyboard can be an effective practice aid. You can, for example,

record just the left-hand part, and then practice the right-hand part

while playing back the recorded left-hand part. Or, since you can

record up to two parts separately, you could record the left- and right-

hand parts separately, or record both parts of a duet and hear how they

sound when played back. The two-part Song Recorder on the CLP-

265GP allows the recording of up to three User songs (U01-U03) to the

instrument.

Recording a performance quickly

This convenient and simple recording method lets you quickly record

your performance without specifying the recording parts—useful, for

example, in recording solo piano pieces.

In this way, the performance is automatically recorded to right part.

CAUTION

To avoid erasing previously recorded song(s):

If the song contains data, the part indicator lights up green when you select a song.

Note that recording new data on this part will erase the existing data.

1. Make all the initial settings.

Before you begin to record, select the voice you want to record (or voices if you

will be using Dual mode). Make any other desired settings (reverb, effect, etc.)

as well. You might also want to set the volume.

You can also adjust the playback volume using the [MASTER VOLUME] slider.

NOTE

You can record your perfor-

mance (audio data) to a cas-

sette tape recorder or other

recording device via the AUX

OUT jack (page 46).

TERMINOLOGY

Recording vs. Saving:

The format of performance data recorded on a cassette tape differs from that of data recorded on the

Clavinova. A cassette tape records audio signals. The Clavinova “saves” information regarding note

timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the

Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova

may be more accurately called “saving information.” However, this book often uses the word “record-

ing” because it seems to make more sense.

NOTE

When the unit is in Demo Song

mode, Record mode cannot be

engaged.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

2 4

43 5

Procedure

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

2. Engage Record Ready mode.

Press the [REC] button to engage Record Ready mode. This automatically selects

an empty song for recording and makes the RIGHT part active. If an empty

song does not exist, Song U01 will be selected. Recording does not actually start

yet.

The amount of memory available for recording will be shown on the LED dis-

play in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will ﬂash at

the current METRONOME tempo setting.

You can turn on the metronome in this step, and adjust the tempo by using the

[TEMPO/FUNCTION# ▼, ▲] buttons. (Range: 32-280)

Record Ready mode can be disengaged before recording by pressing the [REC]

button again.

3. Start recording.

Recording will begin automatically as soon as you play a note on the keyboard

or press the SONG [PLAY/PAUSE] button. The current measure’s number will

appear on the display while recording.

4. Stop recording.

Press either [REC] or SONG [STOP] button to stop recording. When recording is

stopped, dashes appear in the display in succession to indicate that the recorded

data is being saved to the instrument automatically. After the data is saved, the

song name (U01-U03) appears in the display. The recorded part’s indicator will

glow green to indicate that it now contains data. (Record mode is disengaged

automatically.)

CAUTION

Do not turn off the power of the instrument when dashes appear in the display in suc-

cession. Doing so may delete all song data in the instrument, including external songs

(page 34).

5. Play back the recorded performance.

Press the SONG [PLAY/PAUSE] button to play back the recorded performance.

To stop playback in the middle of a song, press the SONG [STOP] button.

NOTE

The amount of memory avail-

able for recording:

This value in kilobytes (a unit

used of measurement for data)

indicates how much space

remains available for recording

on the Clavinova. You can

record up to a maximum of

about 11,000 notes on the

CLP-265GP depending on pedal

usage and other factors.

NOTE

If you have selected the LEFT

part previously in the same

song, the LEFT part will auto-

matically be made active when

pressing the [REC] button in

step 2.

NOTE

If the metronome was on when

you started recording, you’ll be

able to keep time with the met-

ronome while recording, but

the metronome sound will not

be recorded.

NOTE

For more recording informa-

tion, see page 32.

NOTE

The left pedal can be assigned

to start recording via the “Left

Pedal Mode” function described

on page 42.

NOTE

The record part indicator will

begin to flash when the

recorder memory is almost full.

If the memory becomes full

during recording, “Full” will

appear on the display and

recording will stop automati-

cally. (All recorded data up to

that point will be retained.)

NOTE

Pressing the SONG [PLAY/

PAUSE] button to start record-

ing, then pressing the SONG

[STOP] button to stop record-

ing will erase all previously-

recorded data on the selected

part.

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

Re-recording a previously recorded song

This section explains how to record again in case your performance was not satisfactory.

1. Select a voice or voices (and other settings) for

recording, if necessary.

Repeat Step 1 on page 28 if you wish to change the previous settings.

2. Re-engage Record Ready mode.

Press the [REC] button, again.

The selected part’s indicator lights in red.

Follow the procedure from Step 3 in “Recording a performance quickly” on

page 29 to re-record.

Procedure

NOTE

If you want to change the

tempo, time signature, reverb

type, or effect type when re-

recording a part or when

recording to another part, do

so after you engage Record

Ready mode.

NOTE

You cannot re-record in the

middle of a song.

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

Recording to RIGHT/LEFT

This lets you record the right and left parts separately. Since you can record the left part while play-

ing back the right, this is useful for recording both parts of a duet.

1. Make all the initial settings.

Same as step 1 in “Recording a performance quickly” on page 28.

2. Select a song to record.

Press the [SONG SELECT] button to light “USER” indicator on, then press the

[–/NO][+/YES] buttons to select a song for recording.

CAUTION

To avoid erasing previously recorded song(s):

If the song contains data, the part indicator lights up green when you select a song.

Note that recording new data on this part will erase the existing data.

3. Engage Record Ready mode.

Press the [REC] button and press the [RIGHT]/[LEFT] button to engage Record

Ready mode. Recording does not actually start yet.

The amount of memory available for recording will be shown on the LED dis-

play in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will ﬂash at

the current METRONOME tempo setting.

Record Ready mode can be disengaged before recording by pressing the [REC]

button again.

4. Start and stop recording.

Same as step 3-5 in “Recording a performance quickly” on page 29.

NOTE

Part button indications

Off: Contains no data

On (green): Contains data

On (red): Part is enabled for

recording

NOTE

The amount of memory avail-

able for recording:

This value in kilobytes (a unit

used of measurement for data)

indicates how much space

remains available for recording

on the Clavinova. You can

record up to a maximum of

about 11,000 notes on the

CLP-265GP depending on pedal

usage and other factors.

NOTE

If the metronome was on when

you started recording, you’ll be

able to keep time with the met-

ronome while recording, but

the metronome sound will not

be recorded.

NOTE

If you want to change the

tempo, time signature, reverb

type, or effect type when rere-

cording a part or when record-

ing to another part, do so after

entering Record Ready mode.

NOTE

If you don’t want to hear the

previously recorded part while

you record (for example, when

you want to record a song dif-

ferent from what you recorded

on the previous part), press

the playback part button

before pressing the [REC] but-

ton so that its indicator is

turned off.

NOTE

For more information on

recording, see page 32.

Procedure

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

The user song recorder records the following data:

Data in addition to the notes and voices you play is recorded.

This data includes “Individual Parts” and “Entire Song.” See below.

Individual Parts

•Notes played

•Voice selection

•Pedal (Damper/Soft/Sostenuto)

• [REVERB] depth

• [EFFECT] depth

•Dual mode voices

•Dual balance (F3)

•Dual detune (F3)

•Dual octave shift (F3)

Entire Song

•Tempo

•Time signature (beat)

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

Recording Your Performance

CLP-265GP Owner’s Manual

ENGLISH

Changing the Initial Settings (Data recorded at the

beginning of a song)

The initial settings (data recorded at the beginning of a song) can be changed after the recording.

For example, after recording, you can change the voice to create a different ambience or adjust the

song tempo to your taste.

You can change the following initial settings.

Individual Parts

•Voice selection

• [REVERB] depth

• [EFFECT] depth

•Dual mode voices

• Damper/soft pedal depth

Entire Song

•Tempo

• [REVERB] type (including OFF)

• [EFFECT] type (including OFF)

1. Engage Record mode and select a part to change the initial settings.

The indicator glows red. (Data shared by two parts can be changed via either part.)

2. Change the settings via the panel controls.

For example, if you wish to change the recorded voice from [E. PIANO 1] to

[E. PIANO 2], press the [E. PIANO 2] button. When you wish to change the damper/

soft pedal depth, press and hold the pedal.

Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,

either of which will start recording and erase all previously-recorded data on the

selected part.

3. Press the [REC] button to exit Record mode.

Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,

either of which will start recording and erase all previously-recorded data on the

selected part.

NOTE

You can cancel changes made

to the initial settings by select-

ing a different part after Step

2, then exiting Record mode by

pressing the [REC] button.

(Changes made to the data

shared by two parts are also

canceled.)

Playing Back Songs

CLP-265GP Owner’s Manual

ENGLISH

Playing Back Songs

You can play back songs recorded using the Record function (pages 28–33) or commercially avail-

able songs. You can also play the keyboard along with the playback.

• 50 Piano Preset Songs.........................................................................page 16

50 Piano Preset Songs in the instrument.

•User songs in the instrument............................................................. page 35

User songs which you recorded to the instrument by using the record function

(page 28).

• External songs in the instrument ...................................................... page 35

Songs transferred from a computer (including commercially available songs and

songs which have been edited on a computer). Songs can be transferred (saved) to

the instrument by using the included Musicsoft Downloader software. The songs are

saved to an area of the internal memory separate from the area for recorded User

songs. Up to 255 songs can be played back on this instrument (numbers 001-255).

NOTE

You cannot select songs in

Demo Song mode (page 15).

NOTE

When playing back songs con-

taining various voices or parts

(such as XG or GM songs), the

voices may not sound correct

or as intended on the original.

You may be able to remedy this

and make the playback sound

more natural or appropriate by

changing the Song Channel

Selection setting (page 42) to

“1&2,” so that only channels 1

and 2 will play back.

NOTE

If the song cannot be selected

or loaded, you may need to

change the Character Code

setting (page 45).

NOTE

Song data is not transmitted

via the MIDI connections. How-

ever, channels 3-16 of non-

protected External songs will

be transmitted via the MIDI

connections depending on the

Song Channel Selection setting

(page 42).

NOTE

Appropriate channels in the

song will automatically be

assigned to [RIGHT] and

[LEFT]. Therefore, [RIGHT] may

be assigned to a part other

than channel 1, or [LEFT] to a

part other than channel 2.

NOTE

If the metronome is being used

during playback, the metro-

nome will automatically stop

when playback is stopped.

NOTE

If the REVERB type is changed

via the panel controls during

playback, both the playback

and keyboard reverb effects

will be changed.

NOTE

If the EFFECT type is changed

via the panel controls during

playback, the playback effect

may be switched off in some

cases.

Sequence formats that can be played on the CLP-265GP

• SMF (Standard MIDI File) Formats 0 and 1

The SMF format is one of the most common and widely compatible sequence formats used

for storing sequence data. There are two variations: Format 0 and Format 1. A large number

of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI

sequence data is provided in SMF Format 0. The SMF format for sequence ﬁles allows you to

exchange song data between different sequencers.

Playing Back Songs

CLP-265GP Owner’s Manual

ENGLISH

Playing Back User Songs on the Instrument

1. Select the desired song.

Press the [SONG SELECT] button (the USER indicator lights). Then press the

[–/NO] [+/YES] buttons to select a song. The User songs are displayed as “Uxx*”

and External songs in the instrument are displayed as “xxx*.”

*The “U” indication in the User song name means “User.” The letters “xx” represent the song num-

ber.

2. Start playback.

Press the SONG [PLAY/PAUSE] button.

The current measure number appears on the display during playback.

•You can play the keyboard while the Clavinova is playing back a song. You

can also play the notes in a voice different from the playback voice by select-

ing a voice from the panel.

Adjust the volume

Use the [MASTER VOLUME] slider to adjust the volume.

Adjust the tempo

You can use the

[TEMPO/FUNCTION# ▼, ▲] buttons to adjust the playback

tempo as required before or during playback. The default tempo (the song’s

original tempo) is set when you press the

[▼] and [▲] buttons simultaneously.

3. Stop playback.

When playback is complete, the Clavinova automatically stops and locates the

top of the song. To stop playback in the middle of a song, press the

SONG

[STOP]

button. You can also pause playback by pressing the SONG [PLAY/

PAUSE]

button.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

213 1

Procedure

NOTE

User song playback cannot be

started when the recorder con-

tains no data.

NOTE

You can also enjoy playing

duets with yourself by record-

ing one part of a duet or a song

for two pianos, then playing

the other part while the

recorded part plays back.

NOTE

If you have External songs in

the instrument, you can use

the repeat function.

ALL: Play all External songs in

sequence.

rnd: Play all External songs con-

tinuously in random order.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

Detailed Settings – [FUNCTION]

You can set various parameters to make the best use of Clavinova functions, such as ﬁne tuning the pitch or selecting a

scale, etc.

The following parameters are available.

The CLP-265GP has eight main functions.

Some of these main functions consist of a set of sub-modes.

Parameter List

Function Sub-Mode Function # Reference page

Fine tuning of the pitch

—F139

Selecting a scale

Scale F2.1 40

Base Note F2.2 40

Dual mode functions

Dual Balance F3.1 41

Dual Detune F3.2 41

Voice 1 Octave Shift F3.3 41

Voice 2 Octave Shift F3.4 41

Voice 1 Effect Depth F3.5 41

Voice 2 Effect Depth F3.6 41

Reset F3.7 41

Other Functions

Left Pedal Mode F4.1 42

Soft Pedal Effect Depth F4.2 42

Song Channel Selection F4.3 42

Metronome volume

—F542

Song Part Cancel Volume

— F6 42

MIDI Functions

MIDI Transmit Channel Selection F7.1 43

MIDI Receive Channel Selection F7.2 43

Local Control ON/OFF F7.3 43

Program Change ON/OFF F7.4 44

Control Change ON/OFF F7.5 44

Panel/Status Transmit F7.6 44

Initial Setup Send F7.7 44

Backup Functions

Voice F8.1 45

MIDI F8.2 45

Tuning F8.3 45

Others F8.4 45

Character Code

— F8.5 45

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

Basic Procedure in Function Mode

Follow the steps below to use the functions.

(If you become lost while using a function, return to this page and read the basic procedure.)

1. Engage the Function mode.

Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator

lights.

will appear on the display. (The indication of “ ” varies depending on

the status of the unit and usage.)

2. Select a function.

Use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired function

from F1–F8.

3. Use the [–/NO] [+/YES] buttons.

If the function does not include sub-modes, start setting the parameters.

If the function includes sub-modes, press the [+/YES] button once to enter the

respective sub-mode.

4. Operate the desired function using the following

two buttons.

1 [TEMPO/FUNCTION# ▼, ▲]

Selects the desired function/sub-mode.

2 [–/NO] or

[+/YES]

After you select the desired function or sub-mode, set the ON/OFF, select

the type, or change the value, accordingly.

Depending on the setting, the default setting (which is used when you ﬁrst

turn on the power to the Clavinova) is recalled by pressing the [–/NO] and

[+/YES] buttons simultaneously.

MAX

MIN

MASTER V

LUME

TRANSPOSE

LEFT RIGHT

NG SELE

PLAY

PAU SESTOP

REC

SONG

SYNC START

METR

YES

—

OFF

TEMP

FUNCTI

TEMP

THER VA LUE

USER

PRESET

BRILLIAN

BRIGHT

RMAL

MELL

REVERB

HALL 1

HALL 2

STAGE

EFFECT

PHASER

RUS

TREM

TA R Y

TOUCH

HARD

MEDIUM

TEMP

FUN

VIBRA

E.PIAN

GRAND

PI AN O 1

GRAND

PIA N

ICE

CLP

265GP

STR INGS

HARPSI

RD 2

HARPSI

RD 1

IR GUITAR

CHURCH

ORGAN 1

CHURCH

ORGAN 2

JAZZ

RGAN

STR INGS

12 445

Procedure

NOTE

Functions cannot be selected

during Demo/Song Select

mode or when the user song

recorder is in operation.

NOTE

To cancel the function in Step

2, 3, or 4, press the [TEMPO/

FUNCTION# ▼, ▲] button any

time to exit Function mode.

TEMP

FUNCTI

TEMP

FUN

NOTE

After you select the function,

the current setting will be dis-

played when the [–/NO] or [+/

YES] button is pressed for the

first time.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

Operation Example 1 (F1. Fine tuning of the pitch)

Operation Example 2 (F3.1 “Dual Balance”)

After using the function, exit the function mode.

To exit the Function mode, press the [TEMPO/FUNCTION#] button so that its

[TEMPO] indicator lights.

TEMP

FUNCTI

TEMP

FUN

TEMP

FUNCTI

TEMP

FUN

YES

—

Engage the Function mode. Select a desired function. Change the value.

LED indication LED indication

TEMP

FUNCTI

TEMP

FUN

TEMP

FUNCTI

TEMP

FUN

TEMP

FUNCTI

TEMP

FUN

YES

—

NO +

YES

Engage the respective

sub-mode.

Select a desired sub-mode.

LED indication LED indication

LED indication

Select a desired function.Engage the Function mode.

Change the value.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

About Each Function

You can ﬁne tune the pitch of the entire instru-

ment. This function is useful when you play

the Clavinova along with other instruments or

CD music.

1. Engage the Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to lower

or raise the pitch of the A3 key in approxi-

mately 0.2 Hz increments.

..... .....

Te nths of a hertz are indicated on the LED display by

the appearance and position of one or two dots, as in

the following example:

•Each key has a note name; for example, the lowest

(farthest left) key on the keyboard corresponds to A-1,

and the highest (farthest right) key to C7.

During the procedure described above, the display indi-

cates a value in Hz < … >. After the proce-

dure, the display returns to the previous indication.

During the procedure described above, the display indi-

cates a value in Hz < … >. After the proce-

dure, the display returns to the previous indication.

F1. Fine Tuning of the Pitch

Display Value

440.0

Setting range:

440.2

427.0–453.0 (Hz)

440.4

Normal setting:

440.6

440.0 (Hz)

440.8

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers to the frequency of a

sound and represents the number of times a sound wave

vibrates in a second.

NOTE

You can also use the keyboard to set the pitch (in any mode

other than Function mode).

To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys

(two white keys at the left end) simultaneously and press

any key between C3 and B3.

To tune down (in about 0.2Hz steps): Hold the A-1 and A



-1

keys (a white and a black key at the left end) simulta-

neously and press any key between C3 and B3.

To restore standard pitch: Hold the A-1, A



-1 and B-1 (two

white keys and one black key at the left end) simulta-

neously and press any key between C3 and B3.

NOTE

You can also tune in about 1Hz steps (in any mode other

than Function mode).

To tune down or up, respectively, in approximately 1 Hz incre-

ments: Hold the A-1 and A



-1 keys (a white and a black key

at the left end) or A-1 and B-1 keys (two white keys at the

left end) simultaneously and press the [–/NO] or [+/YES]

button.

To restore standard pitch: Hold the A-1 and A



-1 keys (a

white and a black key at the left end) or A-1 and B-1 keys

(two white keys at the left end) simultaneously and press

the [–/NO] [+/YES] buttons simultaneously.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

You can select various scales.

Equal Temperament is the most common con-

temporary piano tuning scale. However, his-

tory has known numerous other scales, many

of which serve as the basis for certain genres of

music. You can experience these tunings with

the Clavinova.

Equal Temperament

One octave is divided into twelve equal intervals. Cur-

rently the most popular piano tuning scale.

PureMajor/PureMinor

Based on natural overtones, three major chords using

these scales produce a beautiful, pure sound.

Pythagorean

This scale, designed by Pythagoras, a Greek philosopher,

is based on the interval of a perfect 5th.

The 3rd produces swells, but the 4th and 5th are beauti-

ful and suitable for some leads.

MeanTone

This scale is an improvement of the Pythagorean in that

the swell of the 3rd has been eliminated. The scale

became popular during the late 16th century through the

late 18th century, and was used by Handel.

Werckmeister/Kirnberger

These scales combine Mean Tone and Pythagorean in

different ways. With these scales, modulation changes the

impression and feel of the songs. They were often used in

the era of Bach and Beethoven. They are often used today

to reproduce the music of that era on harpsichords.

1. Engage the Function mode and select .

2. Press the [+/YES] button to engage the scale

function’s sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] and [+/YES] buttons to select

the number of the desired tuning.

Sub-mode

F2.1: Scale

Setting range: 1: Equal Temperament

2: Pure Major

3: Pure Minor

4: Pythagorean

5: Mean Tone

6: Werckmeister

7: Kirnberger

Normal setting: 1: Equal Temperament

F2.2: Base Note

If you select a scale other than Equal Temperament, you

need to specify the root. (You can specify the root note

with Equal Temperament selected, but it is not effective.

The base note setting is effective for tunings other than

the Equal Temperament tuning.)

Setting range:

Normal setting:

•Root indication example

F2. Selecting a Scale



) (G) (A



)

followed by

a low bar if ﬂat

followed by

a high bar if sharp

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

You can set various parameters for Dual mode

to optimize the settings for the songs you play,

such as adjusting the volume balance between

two voices.

Dual mode function settings are set individu-

ally for each voice combination.

1. Select the voices in Dual mode, then engage

the Function mode and select .

2. Press the [+/YES] button to engage the Dual

mode function’s sub-mode, then use the

[TEMPO/FUNCTION# ▼, ▲] buttons to select

the desired sub-mode. Press the [–/NO] [+/

YES] button to assign values.

Sub-mode

F3.1: Dual Balance

Setting range: 0 – 20 (A setting of “10” produces an

equal balance between the two Dual

mode voices. Settings below “10”

increase the volume of Voice 2 in

relation to Voice 1, and settings

above “10” increase the volume of

Vo ic e 1 in relation to Voice 2.)

Normal setting: Different for each voice combina-

tion.

You can set one voice as the main voice, and another

voice as a softer, mixed voice.

F3.2: Dual Detune

Setting range: -10 – 0 – 10 (With positive values,

the pitch of Voice 1 is raised and the

pitch of Voice 2 is lowered. With neg-

ative values, the pitch of Voice 1 is

lowered and the pitch of Voice 2 is

raised.)

Normal setting: Different for each voice combina-

tion.

Detune Voice 1 and Voice 2 for Dual mode to create a

thicker sound.

F3.3: Voice 1 Octave Shift

F3.4: Voice 2 Octave Shift

Setting range: –1, 0, 1

Normal setting: Different for each voice combina-

tion.

You can shift the pitch up and down in octave steps for

Vo ice 1 and Voice 2 independently. Depending on which

voices you combine in Dual mode, the combination may

sound better if one of the voices is shifted up or down an

octave.

F3.5: Voice 1 Effect Depth

F3.6: Voice 2 Effect Depth

Setting range: 0 – 20

Normal setting: Different for each voice combina-

tion.

These functions make it possible to individually set the

depth of the effect for Voices 1 and 2 for Dual mode.

(The effect depth settings cannot be changed unless the

[EFFECT] is ON. Function mode must be exited before

the [EFFECT] can be turned ON.)

•“Vo ice 1” and “Voice 2” are explained on page 26.

F3.7: Reset

This function resets all Dual mode functions to their

default values. Press the [+/YES] button to reset the val-

ues.

F3. Dual Mode Functions

NOTE

If Dual mode is not engaged, will appear instead of

and you will be unable to select Dual mode functions.

You can switch from Function mode to Dual mode.

NOTE

The available setting range is wider in the lower range (± 60

cents for A-1), and narrower in the higher range (± 5 cents

for C7). (100 cents equal one semitone.)

NOTE

SHORTCUT:

You can jump directly to the Dual mode functions by

pressing the [TEMPO/FUNCTION#] button while holding the

two Dual mode voice buttons.

To exit Function mode, you still need to press the [TEMPO/

FUNCTION#] button so that the TEMPO indicator lights up.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

This section provides a variety of other func-

tions, including letting you assign the opera-

tion of the left pedal to one of several modes,

and allowing you to select speciﬁc song chan-

nels for playback.

1. Engage the Function mode and select .

2. Press the [+/YES] button to engage the other

functions’ sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] or [+/YES] button to select

the desired pedal function or assign the val-

ues.

Sub-mode

F4.1 Left Pedal Mode

Setting range:

1. Soft Pedal

The soft pedal reduces the volume and slightly

changes the timbre of notes played while the pedal is

pressed. The soft pedal will not affect notes that are

already playing.

2. Song Play/Pause

This mode allows you to start or pause song playback.

In this mode, the Left Pedal functions in the same

manner as the SONG [PLAY/PAUSE] button on the

panel.

F4.2 Soft Pedal Effect Depth

Setting range: 1 – 5

Normal setting: 3

This function sets the depth of the soft pedal effect.

F4.3 Song Channel Selection

Setting range: ALL, 1&2

Normal setting: ALL

The setting here only affects non-protected External

songs. You can specify which song channels will play

back on this instrument. When “ALL” is selected, chan-

nels 1-16 will be played back. When “1&2” is selected,

only channels 1 and 2 will be played back, while channels

3-16 will be transmitted via MIDI.

You can change the volume of the metronome

sound.

Use this function to adjust the metronome vol-

ume.

1. Engage the Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to set the

metronome volume as required.

Setting range: 1 – 20

Normal setting: 10

This function sets the volume at which a “can-

celed” part is played during song playback.

Adjust the part volume to a comfortable level

and use the “canceled” part as a guide with

which to play along.

1. Engage the Function mode and select .

2. Use the [–/NO] and [+/YES] buttons to set the

volume as required.

Setting range: 0 – 20

Normal setting: 5

F4. Other Functions F5. Metronome Volume

NOTE

SHORTCUT:

You can jump directly to the metronome functions by

pressing the [TEMPO/FUNCTION#] button while holding the

METRONOME [ON/OFF] button.

To exit the Function mode, you still need to press the

[TEMPO/FUNCTION#] button so that the TEMPO indicator

lights up.

F6. Song Part Cancel Volume

NOTE

This function cannot be used for Demo songs.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

You can make detailed adjustments to MIDI

settings.

For more information about MIDI, see the

“About MIDI” section (page 47).

1. Engage the Function mode and select .

2. Press the [+/YES] button to engage the MIDI

function’s sub-mode, then use the [TEMPO/

FUNCTION# ▼, ▲] buttons to select the

desired sub-mode.

Press the [–/NO] or [+/YES] button to set a

selected parameter.

Sub-mode

F7.1: MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving equipment must be matched

for proper data transfer.

This parameter enables you to specify the channel on

which the Clavinova transmits MIDI data.

Setting range: 1 – 16, OFF (not transmitted)

Normal setting: 1

F7.2: MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving equipment must be matched

for proper data transfer. This parameter enables you to

specify the channel on which the Clavinova receives

MIDI data.

Setting range: ALL, 1&2, 1 – 16

Normal setting: ALL

F7.3: Local Control ON/OFF

“Local Control” refers to the fact that, normally, the

CLP-265GP keyboard controls its internal tone genera-

tor, allowing the internal voices to be played directly

from the keyboard. This situation is “Local Control On,”

since the internal tone generator is controlled locally by

its own keyboard.

Local control can be turned OFF, however, so that the

CLP-265GP keyboard does not play the internal voices,

but the appropriate MIDI information is still transmitted

via the MIDI OUT terminal when notes are played on

the keyboard. At the same time, the internal tone genera-

tor responds to MIDI information received via the MIDI

IN terminal.

Setting range: ON/OFF

Normal setting: ON

F7. MIDI Functions

All MIDI settings described below will affect the MIDI signal

in and out of the USB [TO HOST] connector.

NOTE

In Dual mode, Voice 1 data is transmitted on its specified

channel. In Dual mode, Voice 2 data is transmitted on the

next greater channel number relative to the specified chan-

nel. In either mode, no data is transmitted if the transmit

channel is set to “OFF.”

NOTE

Song data is not transmitted via the MIDI connections. How-

ever, channels 3-16 of non-protected External songs will be

transmitted via the MIDI connections depending on the

Song Channel Selection setting (page 42).

NOTE

ALL:

“Multi-timbre” Receive mode. This allows simultaneous

reception of different parts on all 16 MIDI channels, enabling

the Clavinova to play multi-channel song data received from

a music computer or sequencer.

1&2:

“1&2” Receive mode. This allows simultaneous reception on

channels 1 and 2 only, enabling the Clavinova to play 1 and

2 channel song data received from a music computer or

sequencer.

NOTE

Program change and other like channel messages received

will not affect the CLP-265GP’s panel settings or the notes

you play on the keyboard.

NOTE

No MIDI reception occurs when Demo mode is engaged.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

F7.4: Program Change ON/OFF

Normally the CLP-265GP will respond to MIDI program

change numbers received from an external keyboard or

other MIDI device, causing the correspondingly-num-

bered voice to be selected on the corresponding channel

(the keyboard voice does not change). The CLP-265GP

will normally also send a MIDI program change number

whenever one of its voices is selected, causing the corre-

spondingly-numbered voice or program to be selected

on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program

change number reception and transmission so that

voices can be selected on the CLP-265GP without affect-

ing the external MIDI device.

Setting range: ON/OFF

Normal setting: ON

F7.5: Control Change ON/OFF

Normally the CLP-265GP will respond to MIDI control

change data received from an external MIDI device or

keyboard, causing the voice on the corresponding chan-

nel to be affected by pedal and other “control” settings

received from the controlling device (the keyboard voice

is not affected).

The CLP-265GP also transmits MIDI control change

information when the pedal or other appropriate con-

trols are operated.

This function makes it possible to cancel control change

data reception and transmission so that, for example, the

CLP-265GP’s pedal and other controls can be operated

without affecting an external MIDI device.

Setting range: ON/OFF

Normal setting: ON

F7.:

Panel/Status Transmit

This function causes all the current CLP-265GP panel

settings (selected voice, etc.) to be transmitted via the

MIDI OUT terminal.

Procedure

1. Set up the panel controls as desired.

2. Connect the Clavinova to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

3. Engage the Function mode and select .

4. Press the [+/YES] button to transmit the panel/status

data.

will appear on the LED display when the data has

been successfully transmitted.

F7.7:

Initial Setup Send

This function lets you send the data of the panel settings

to a computer. By transmitting the panel settings and

recording them on the MIDI sequence recorder prior to

the actual performance data, the instrument will be

automatically restored to the same settings when the per-

formance is played back. You can also use this function to

change the settings of a connected tone generator to the

same settings as the instrument.

Procedure

1. Set up the panel controls as desired.

2. Connect the Clavinova to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

3. Engage the Function mode and select .

4. Press the

[+/YES] button to transmit the panel/status

data.

will appear on the LED display when the data has

been successfully transmitted.

The following data can be sent.

•Voice selection

• [REVERB] type

• [REVERB] depth

• [EFFECT] type

• [EFFECT] depth

•Tuning (F1)

•Dual detune (F3.2)

NOTE

For information on program change numbers for each of the

CLP-265GP’s voices, refer to page 62 in the MIDI Data Format

section.

NOTE

For information on control changes that can be used with

the CLP-265GP, refer to the MIDI Data Format on page 61.

TERMINOLOGY

Setup Data:

Data that contains a set of panel settings for the Clavinova.

NOTE

See page 62 for a list of the “Panel Data Contents” transmitted by

this function.

NOTE

Receiving the transmitted data:

1. Connect the Clavinova via MIDI to the device to which

the setup data was transmitted previously.

2. Start sending the setup data from the device.

The Clavinova automatically receives the setup data, which

will be reflected in the panel settings.

(For the data to be accepted, the Clavinova that receives

the setup data should be the same model as the one that

transmitted the setup data to the sequencer.)

NOTE

For more information on transmitting and receiving setup

data via MIDI, refer to the owner’s manual for the connected

MIDI device.

Detailed Settings – [FUNCTION]

CLP-265GP Owner’s Manual

ENGLISH

However, the backup settings themselves, the contents of

the user song recorder memory, and character code set-

ting are always backed up.

You can turn the backup function on or off for

each function group (each of the following

sub-mode functions).

1. Engage the Function mode and select .

2. Press the [+/YES] button to engage the

backup function’s sub-mode, then use the

[TEMPO/FUNCTION# ▼, ▲] buttons to select

the desired sub-mode.

Press the [–/NO] or [+/YES] button to turn the

backup function on or off.

Sub-mode

F8.1: Voice

F8.2: MIDI

F8.3: Tuning

F8.4: Others

Setting range: ON/OFF

Normal setting: Vo ic e: OFF

MIDI – Others: ON

Description of sub-modes

F8.1: Voice

•Voice

•Dual (ON/OFF, Voice, and Dual Functions for each

voice combination)

•Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each voice)

•Touch Sensitivity (including the FIXED volume)

•Metronome (Beat, Volume < settings>)

•Song Part Cancel Volume ( settings)

F8.2: MIDI

The MIDI functions ( settings)

(expect for the )

F8.3: Tuning

•Transpose

•Tuning ( settings)

• Scale (including base note) ( settings)

F8.4: Others

•Other functions ( settings)

• BRILLIANCE setting

Factory Preset Recall

All Dual mode, reverb, effect, touch sensitivity, tuning

settings, and the settings affected by the Backup Func-

tions can be restored to their original factory preset val-

ues by holding the C7 key (right-most key on the

keyboard) while turning the [POWER] switch ON. This

also erases all user song recorder data, and sets all backup

on/off settings (F8) to the normal settings. (The factory

setting list is found on page 60.)

CAUTION

Do not turn off the power of the instrument when “CLr”

appears in the display. Doing so may delete all song data

in the instrument, including external songs (page 34).

If the song cannot be loaded, you may need to change the

character code setting.

Setting range: En (English)/JA (Japanese)

Normal setting: En

F8. Backup Functions

TERMINOLOGY

Backup:

You can back up some settings, such as voice selection and

reverb type, so that they will not be lost when you turn off

the power to the Clavinova.

If the backup function is turned on, the settings at power

off are effective. If the backup function is turned off, the

settings in memory are erased when you turn off the power.

In this case, when you turn on the power to the unit, the

default settings (the initial settings) will be used. (The fac-

tory setting default list is found on page 60.)

F8.5 Character Code

Connections

CLP-265GP Owner’s Manual

ENGLISH

Connections

Connectors

CAUTION

Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turn-

ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to

the components may result.

1 AUX OUT [R] [L] Pin jacks (LEVEL FIXED)

You can connect these jacks to a stereo system to amplify the Clavinova or to a cas-

sette tape recorder to record your performance. Refer to the diagram below and use

audio cables to make the connections.

CAUTION

When the Clavinova’s AUX OUT jacks are connected to an external audio system, ﬁrst turn on the

power to the Clavinova, then to the external audio system. Reverse this order when you turn the

power off.

1 2

3 4

NOTE

Use audio cables and adaptor

plugs with no resistance.

NOTE

The Clavinova’s [MASTER VOL-

UME] slider setting does not

affect the signal output from

the AUX OUT (LEVEL FIXED)

jacks.

NOTE

When the sound from the AUX

OUT jacks is routed to the AUX

IN jacks, the input sound will be

output from the speaker of the

CLP. The output sound may be

excessively loud and may cause

noise.

AUX OUT

(LEVEL FIXED)

When these are connected (with RCA pin plug; LEVEL FIXED), the sound

is output to the external device at a ﬁxed level, regardless of the [MASTER

VOLUME] slider setting.

Clavinova

AUX OUT

RCA pin plug

audio cable

Stereo

AUX IN

RCA pin plug

Connections

CLP-265GP Owner’s Manual

ENGLISH

2 AUX IN [R] [L/L+R] jacks

The stereo outputs from another instrument can be connected to these jacks,

allowing the sound of an external instrument to be reproduced via the Clavinova’s

speakers. Refer to the diagram below and use audio cables to make the connec-

tions.

CAUTION

When the Clavinova’s AUX IN jacks are connected to an external device, ﬁrst turn on the power to

the external device, then to the Clavinova. Reverse this order when you turn the power off.

3 USB [TO HOST] terminal

This terminal allows direct connection to a personal computer. Refer to “Connect-

ing a Personal Computer” on page 48 for more information.

4 MIDI [IN] [OUT] [THRU] terminals

Use MIDI cables to connect external MIDI devices to these connectors.

MIDI [IN]: Receives MIDI data.

MIDI [OUT]: Transmits MIDI data.

MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.

NOTE

The Clavinova’s [MASTER VOL-

UME] slider setting affect the

input signal from the AUX IN

jacks, but the [BRILLIANCE],

[REVERB], and [EFFECT] set-

tings do not.

NOTE

If you connect the Clavinova to

a monaural device, use only the

AUX IN [L/L+R] jack.

AUX IN

L/L+R

Clavinova

AUX OUT

phone plug

(standard)

Tone Generator

AUX IN

Plug shape depneds on the device.

audio cable

NOTE

There are two types of USB

connectors: A and B. The USB

jack on the Clavinova accepts a

B-type connector. Connect the

A-type connector of the USB

cable to the USB port on your

computer. Connect the B-type

connector to the USB jack on

the Clavinova.

NOTE

MIDI performance data and

commands are transferred in

the form of numeric values.

NOTE

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to find out

what MIDI data and commands

your devices can transmit or

receive. The Clavinova’s MIDI

Implementation Chart appears

on page 65.

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/

reception. It enables the transfer of performance data and commands between MIDI devices

and personal computers. Using MIDI, you can control a connected MIDI device from the

Clavinova, or control the Clavinova from a connected MIDI device or computer.

Connections

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ENGLISH

Connecting a Personal Computer

By connecting a computer to the Clavinova's USB [TO HOST] terminal, you can transfer data

between the instrument and the computer via MIDI. To do this, install the USB MIDI driver and

Musicsoft Downloader software from the included CD-ROM.

CAUTION

When connecting the Clavinova to a personal computer, ﬁrst turn off the power to both the Clavi-

nova and the computer before connecting any cables. After making connections, turn on the

power to the computer ﬁrst, then to the Clavinova.

CAUTION

If you are not using the connection between the Clavinova and your computer, you must discon-

nect the cable from the USB [TO HOST] terminal. The Clavinova may not operate correctly if a

cable is left connected.

Use a USB cable to connect the USB port on your computer to the USB [TO HOST]

terminal on the Clavinova.

TERMINOLOGY

Driver:

A driver is software that pro-

vides a data-transfer interface

between the computer’s oper-

ating system and a connected

hardware device. You need to

install a USB MIDI driver to con-

nect the computer and the

instrument.

NOTE

• The instrument will begin

transmission a short time

after the USB connection is

made.

• When using a USB cable to

connect the instrument to

your computer, make the

connection directly without

passing through a USB hub.

• For information on setting up

your sequence software,

refer to the owner’s manual

of the relevant software.

Precautions when using the USB [TO HOST] terminal

When connecting the computer to the USB [TO HOST] terminal, make sure to observe the

following points. Failing to do so risks freezing the computer and corrupting or even losing

the data. If the computer or the instrument freezes, turn the power to the instrument off or

restart the computer.

CAUTION

• Before connecting the computer to the USB [TO HOST] terminal, exit from any power-sav-

ing mode (such as suspended, sleep, standby) of the computer.

• Before turning on the power to the instrument, connect the computer to the USB [TO

HOST] terminal.

• Execute the following before turning the power to the instrument on/off or plugging/

unplugging the USB cable to/from the USB [TO HOST] terminal.

- Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer soft-

ware).

- Make sure that data is not being transmitted from the instrument. (Data is transmitted

only by playing notes on the keyboard or playing back a song.)

• While a USB device is connected to the instrument, you should wait for six seconds or

more between these operations: (1) when turning the power of the instrument off then on

again, or (2) when alternately connecting/disconnecting the USB cable.

Instrument

USB [TO HOST] terminal

USB cable

Computer

Data Backup

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ENGLISH

Data Backup

For maximum data security Yamaha recommends that you save your important data to your com-

puter by using the included application Musicsoft Downloader (MSD). This provides a convenient

backup if the internal memory is damaged.

Data that can be saved

1. Panel settings and recorded User songs

Panel settings are the same data that can be backed up using the Backup Functions

(page 45). You can save the panel settings and recorded User songs as one ﬁle.

2. External songs received via computer.

1. Install the USB MIDI driver and the MSD from the

included Accessory CD-ROM to your computer

(Windows), then connect the computer and the

instrument.

For installation, see the separate Installation Guide.

For connection, see page 46.

2. Move the data to the computer.

By using the MSD, save the “CLP-xxx.BUP” ﬁle from “System Drive” under

“Electronic Musical Instruments” to the computer.

The “CLP-xxx.BUP” ﬁle contains the panel settings and recorded User songs.

Also, if you store the external songs in the instrument from the computer, move

the songs from “Flash Memory” under “Electronic Musical Instruments” to the

computer via the MSD.

For instruction on using the MSD, see the Help in the MSD.

To recall the settings and load the songs to the instrument, move the “CLP-

xxx.BUP” ﬁle and the External songs under the folders to which you saved the

ﬁles.

Procedure

NOTE

When MSD is started on a com-

puter connected to the instru-

ment, “con (computer

connection)” appears in the

display. When this indication

appears, you cannot operate

the instrument.

NOTE

The Musicsoft Downloader can-

not be used when the instru-

ment is in the following state:

• During Demo mode.

• During song playback.

• During Record mode.

NOTE

The panel settings and User

songs (CLP-xxx.BUP file)

remain in the instrument after

being saved to the computer.

Message List

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ENGLISH

Message List

Message Comment

CLr Displayed after factory presets are recalled.

CAUTION

Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all song

data in the instrument, including external songs (page 34).

con Displayed when Musicsoft Downloader is started on a computer connected to the instrument.

When this message appears, you cannot operate the instrument.

E02 Displayed when the song data is damaged.

E04 Indicates that the song data is too large to be loaded.

End Displayed when the current operation is completed.

Err Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer con-

nected to the instrument.

FCL Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been

loaded from a computer are cleared, because the power has been turned off before the song save or load

operations were completed.

CAUTION

Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the

instrument to malfunction.

Full Displayed when internal memory becomes full during song recording.

Displayed when the total amount of ﬁles has become too large.

Lod Displayed when a protected song is loading.

n y Conﬁrms whether each operation is executed or not.

–

Reconﬁrms whether the overwriting, delete or format operation is executed or not.

Troubleshooting

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ENGLISH

Troubleshooting

Options

BC-100 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

Problem Possible Cause and Solution

The Clavinova does not turn on. The Clavinova has not been plugged in properly. Securely insert the female plug into

the socket on the Clavinova, and the male plug into a proper AC outlet (page 12).

A click or pop is heard when the power is

turned on or off.

This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or head-

phones.

The noise may be due to interference caused by the use of a mobile phone in close

proximity to the Clavinova. Turn off the mobile phone, or use it further away from the

Clavinova.

The overall volume is low, or no sound is

heard.

• The Master Volume is set too low; set it to an appropriate level using the [MASTER

VOLUME] control.

• Make sure a pair of headphones is not connected to the headphones jack.

• Make sure that Local Control (page 43) is ON.

The damper pedal has no effect, or the sound

continuously sustains even when the damper

pedal is not pressed.

The pedal cable/plug may not be properly connected. Make sure to securely insert the

pedal plug into the proper jack (page 53).

Keyboard Stand Assembly

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ENGLISH

Keyboard Stand Assembly

CAUTION

• Be careful not to confuse parts, and be sure to

install all parts in the correct orientation. Please

assemble in accordance with the sequence given

below.

• Assembly should be carried out by at least two per-

sons.

• Be sure to use the correct screw size, as indicated

below. Use of incorrect screws can damage the

stand.

• Be sure to tighten all screws upon completing the

assembly of each unit.

•To disassemble, reverse the assembly sequence

given below.

1. Remove all parts from the box. Conﬁrm

that all parts shown in the illustration are

included.

Main unit

How to position the main unit

Spread a large soft cloth, such as a blanket, on the ﬂoor.

Place the unit on the cloth with the key cover closed and

the keyboard side on the bottom and lean the unit

against the wall so that the unit will not fall or slip. Place

a soft cloth against the wall to protect the instrument and

the wall from scratches.

Have a Phillips-head (+) screwdriver ready.

Lean the unit against the

wall as shown at right.

Legs Pedal box 6 × 40 mm ﬁxing screws

× 12

Cord holderAC power cord 6 × 20 mm ﬁxing screws

× 4

CAUTION

• Be careful not to pinch your ﬁngers.

Be sure to position the keyboard side on the bottom.

CAUTION

• Do not place the main unit

with the rear side facing

down.

CAUTION

• Do not lay the main unit

upside down on the ﬂoor.

CAUTION

• Do not position the main

unit so that its bottom is in

contact with ﬂoor.

Keyboard Stand Assembly

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ENGLISH

2. Attach two front legs and a rear leg.

Refer to the diagram below to verify the orienta-

tion of the legs.

Install and tighten four 6 x 40 mm screws on each

leg, starting with one of the front legs.

3. Install the pedal box.

3-1Remove the twist tie that afﬁxes the pedal cord to

the upper portion of the pedal box.

3-2Align the cord with the groove on the unit, and

attach the pedal box using four 6 x 20 mm screws.

3-3Insert the pedal cord plug into the pedal connec-

tor. Insert the plug so the arrow side faces front

(toward the keyboard).

If the plug will not go in easily, do not force it.

Double-check the orientation of the plug, then

try again.

3-4Attach the cord holder on the unit as shown in

the illustration below, then use the cord holder to

afﬁx the pedal cord.

4. Raising the unit to the standing position.

Use the front legs as support to raise the unit.

Rear leg

Front leg Front leg

Twist tie

3-3

3-4

CAUTION

• Be careful not to pinch your ﬁngers.

• When you raise the unit, do not hold the key

cover.

Keyboard Stand Assembly

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ENGLISH

5. Connect the power cord.

Insert the AC power cord plug into the [AC

INLET].

6. Set the adjuster.

Rotate the adjuster until it comes in ﬁrm contact

with the ﬂoor surface.

After completing the assembly, please check the follow-

ing.

Voltage Selector

Before connecting the AC power cord, check the setting of

the voltage selector which is provided in some areas. To set

the selector for 110V, 127V, 220V or 240V main voltages, use

a “minus” screwdriver to rotate the selector dial so that the

correct voltage for your region appears next to the pointer on

the panel. The voltage selector is set at 240V when the unit is

initially shipped.

After the proper voltage has been selected, connect the AC

power cord to the [AC INLET] and an AC wall outlet. A plug

adaptor may be also provided in some areas to match the pin

conﬁguration of the AC wall outlets in your area.

WARNING

An improper voltage setting can cause serious damage to

the Clavinova or result in improper operation.

240

127

110

220

For models that feature a

voltage selector:

Set the voltage selector to an

appropriate voltage.

Right leg on the bottom of the main unit, when

viewed from front

• Are there any parts left over?

Review the assembly procedure and correct any

errors.

• Is the Clavinova clear of doors and other mov-

able ﬁxtures?

Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when

you shake it?

Tighten all screws.

• Does the pedal box rattle or give way when you

step on the pedals?

Turn the adjuster so that it is set ﬁrmly against the

ﬂoor.

• Are the pedal and power cords inserted securely

into the sockets?

Check the connection.

• If the main unit creaks or is otherwise unsteady

when you play on the keyboard, refer to the

assembly diagrams and retighten all screws.

When moving the instrument after assembly, always hold the

bottom of the main unit.

CAUTION

• Do not hold the key cover or top portion.

Improper handling can result in damage to the

instrument or personal injury.

Top portion

Key cover

Preset Voice List

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ENGLISH

Preset Voice List

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of

an acoustic instrument.

Key-Off

Sampling

*2. Contains a very subtle sample that is produced when the keys are released.

Voice Descriptions

GRANDPIANO 1

Recorded samples from a full concert grand piano. Perfect

for classical compositions as well as any other style that

requires acoustic piano.

GRANDPIANO 2

Spacious and clear piano with bright reverb. Good for popu-

lar music.

E.PIANO 1

An electronic piano sound created by FM synthesis. Good

for standard popular music.

E.PIANO 2

The sound of an electric piano using hammer-struck metallic

“tines”. Soft tone when played lightly, and an aggressive

tone when played hard.

HARPSICHORD 1

The deﬁnitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.

There is, however, a characteristic additional sound when

the keys are released.

HARPSICHORD 2

Mixes the same voice an octave higher for a more brilliant

tone.

VIBRAPHONE

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

CHURCH ORGAN 1

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

CHURCH ORGAN 2

This is the organ’s full coupler sound often associated with

Bach’s “Toccata and Fugue”.

JAZZ ORGAN

The sound of a “tonewheel” type electric organ. Often heard

in jazz and rock idioms.

STRINGS 1

Stereo-sampled, large-scale strings ensemble with realistic

reverb. Try combining this voice with piano in the DUAL

mode.

STRINGS 2

Spacious strings ensemble with a slow attack. Try combining

this voice with a piano or electric piano in the DUAL mode.

CHOIR

A big, spacious choir voice. Perfect for creating rich harmo-

nies in slow pieces.

GUITAR

Warm and natural-sounding nylon guitar. Enjoy the quiet

ambience of nylon strings.

: Yes

: No

Demo Song List

CLP-265GP Owner’s Manual

ENGLISH

Demo Song List

The demonstration pieces listed above are short rearranged excerpts of the original compositions.

Voice Name Title Composer

GRAND PIANO1 “Eintritt” Waldszenen Op.82 R. Schumann

HARPSICHORD1 Gavotte J.S. Bach

HARPSICHORD2 Invention No.1

Index

CLP-265GP Owner’s Manual

ENGLISH

Index

Numerics

50 Greats for the Piano ...................................................16

50 Piano Preset Songs .....................................................16

A-B Repeat.......................................................................19

Adjust

Tempo (50 Piano Preset Songs) ...............................16

Tempo (Recorded Songs) .........................................35

Volume (50 Piano Preset Songs) ..............................16

Volume (Metronome) ..............................................42

ALL (LED display) ..........................................................16

Assembly....................................................................52–54

AUX IN ............................................................................47

AUX OUT........................................................................46

Backup (data) ..................................................................49

Backup Functions............................................................45

[BRILLIANCE] button ...................................................22

Center Pedal ....................................................................21

Character Code................................................................45

Combining Two Voices (Dual mode)............................26

Connecting a Personal Computer..................................48

Connections.....................................................................46

Computer...................................................................48

Connectors ......................................................................46

Damper Pedal ..................................................................21

[DEMO] button ..............................................................15

Demo Song List ...............................................................56

Detailed Settings (FUNCTION).....................................36

Display .............................................................................12

Dual mode .................................................................26, 41

[EFFECT] button............................................................22

Effects...............................................................................23

Factory Setting List .........................................................60

Fine Tuning of the Pitch.................................................39

FUNCTION ..............................................................39–45

Basic Procedure......................................................... 37

Key Cover ........................................................................10

[LEFT] button...........................................................18, 31

Left Pedal...................................................................21, 42

List

Demo Song ................................................................56

Factory Setting........................................................... 60

Functions...................................................................36

Preset Voice ...............................................................55

[MASTER VOLUME] slider ..........................................13

Message List.....................................................................50

METRONOME [ON/OFF] button..........................27, 42

Metronome Volume .......................................................42

MIDI [IN] [OUT] [THRU] ...........................................47

MIDI Data Format..........................................................61

MIDI Functions ..............................................................43

MIDI Implementation Chart .........................................65

Music Braces....................................................................10

Music Rest .......................................................................10

Index

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ENGLISH

Normal setting.................................................................22

Part Cancel.......................................................................18

[PEDAL] jack...................................................................53

Pedals ...............................................................................21

PHONES..........................................................................13

Pitch ➝ Fine Tuning of the Pitch...................................39

PLAY/PAUSE (Demo) ....................................................15

[PLAY/PAUSE] button .............................................16, 35

Play/Pause playback

Demonstration Tunes ...............................................15

Recorded Songs .........................................................35

Playing Back Songs..........................................................34

[POWER] switch.............................................................12

Practicing a One-Hand Part Using 50 Preset Songs......18

Preset songs ➝ 50 Piano Preset Songs ...........................16

Preset Voice List ..............................................................55

[REC] button...................................................................28

Recording.........................................................................28

Initial Settings............................................................33

Repeat ........................................................................16, 19

Re-recording....................................................................32

[REVERB] button ...........................................................22

[RIGHT] button........................................................18, 31

Right Pedal.......................................................................21

RIGHT/LEFT (50 Piano Preset Songs) ..........................18

rnd (LED display)............................................................16

Scale..................................................................................40

Soft Pedal ...................................................................21, 42

Song Part Cancel Volume...............................................42

Song playback..................................................................34

[SONG SELECT] button ..........................................16, 35

Sostenuto Pedal ...............................................................21

Specifications...................................................................66

[STOP] button...........................................................16, 35

Sync Start .........................................................................18

TEMPO...................................................................... 16, 35

TEMPO (METRONOME) .............................................27

[TEMPO/FUNCTION#] button..............................27, 37

[TOUCH] button............................................................24

Touch Sensitivity.............................................................24

Transporting .....................................................................3

[TRANSPOSE] button....................................................25

Troubleshooting.............................................................. 51

Tuning ➝ Fine Tuning of the Pitch...............................39

USB [TO HOST] terminal .............................................47

VOICE ............................................................................. 20

Voice group buttons .......................................................20

CLP-265GP Owner’s Manual

Appendix

This section introduces reference material.

In diesem Abschnitt ﬁnden Sie Referenzmaterial.

Cette section présente le matériel de référence.

En esta sección se incluye material de referencia.

Factory Setting List

Liste der Vorgabeeinstellungen

Liste des réglages

Lista de ajustes de fábrica......................................... 60

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI ........................................... 61

MIDI Implementation Chart

MIDI Implementierung stabelle

Feuille d’implantation MIDI

Gráﬁca de implementación MIDI........................... 65

Speciﬁcations

Te c hnische Daten

Caractéristiques techniques

Especiﬁcaciones........................................................ 66

CLP-265GP Owner’s Manual

Factory Setting List / Liste der Vorgabeeinstellungen /

Liste des réglages / Lista de ajustes de fábrica

Function

Default Backup Group

Voice GRAND PIANO 1 F8.1

Dual Mode OFF F8.1

Brilliance NORMAL F8.4

Reverb Type Preset for each voice

F8.1

Reverb Depth Preset for each voice

Effect Type Preset for each voice

Effect Depth Preset for each voice

Touch Sensitivity MEDIUM

Volume in the FIXED Mode 64

Metronome OFF —

Metronome Time Signature 0 (no accent) F8.1

Tempo 120 —

Transpose 0 F8.3

Function # Function Default Backup Group

F1 Tuning A3=440Hz

F8.3F2.1 Scale 1 (Equal Temperament)

F2.2 Base Note C

F3.1 Dual Balance Preset for each voice combination

F8.1

F3.2 Dual Detune Preset for each voice combination

F3.3, F3.4 Dual Octave Shift Preset for each voice combination

F3.5, F.3.6 Dual Effect Depth Preset for each voice combination

F4.1 Left Pedal Mode 1 (Soft Pedal)

F8.4F4.2 Soft Pedal Effect Depth 3

F4.3 Song Channel Selection ALL

F5 Metronome Volume 10

F8.1

F6 Song Part Cancel Volume 5

F7.1 MIDI Transmit Channel 1

F8.2

F7.2 MIDI Receive Channel ALL

F7.3 Local Control ON

F7.4 Program Change Send & Receive ON

F7.5 Control Change Send & Receive ON

F8 Backup Voice: OFF

MIDI – Others: ON

Always backed up

F8.5 Character Code En

CLP-265GP Owner’s Manual

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI

messages, the data provided in this section can help you to control the CLP-265GP.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden,

können Sie sich zur Steuerung des CLP-265GP nach den im folgenden Abschnitt aufgeführten Speziﬁkationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de

messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le CLP-265GP.

SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI

generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la CLP-265GP.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the

selected voice, the note is adjusted by the necessary num-

ber of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H: Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of

next Program Change message.

(2) Modulation (reception only)

ccH Parameter Data Range (vvH)

01H Modulation 00H-7FH

(3) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(4) Panpot (reception only)

ccH Parameter Data Range (vvH)

0AH Panpot 00H-7FH

(5) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(6) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(7) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(8) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(9) Effect1 Depth (Reverb Send Level)

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(10) Effect4 Depth (Variation Effect Send Level)

ccH Parameter Data Range (vvH)

5EH Effect4 Depth 00H...7FH

(11) RPN

ccH Parameter Data Range (vvH)

65H RPN MSB Coarse Tune 02H,

Fine Tune 01H,

64H RPN LSB Pitch Bend Range 00H

06H Data Entry MSB

38H Data Entry LSB

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note

On and Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H Reset All Controllers 00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the spec-

iﬁed channel. Any notes being held by the damper or soste-

nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When control change reception is turned OFF in the Function

mode, control change data will not be transmitted or received.

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

CLP-265GP Owner’s Manual

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

• The Multi-timbre and Poly modes are always active. No

change occurs when OMNI ON, OMNI OFF, MONO, or POLY

mode messages are received.

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P. C .#=Program Change number

• When program change reception is turned OFF in the Func-

tion mode, no program change data is transmitted or

received. Also, Bank MSB/LSB is not transmitted or received.

5. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Damper,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, LLH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 35H (CLP05)

3xH, 3yH

aaH, bbH: Device No. aa=LSB, bb=MSB

aa=5BH, bb=16H

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H

• Panel Data Contents

•Panel data send requests cannot be received.

7. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

CLP-265GP MSB LSB

P.C.#

GRANDPIANO 1 0 122 0

GRANDPIANO 2 0 112 0

E.PIANO 1 0 122 5

E.PIANO 2 0 122 4

HARPSICHORD 1 0 122 6

HARPSICHORD 2 0 123 6

VIBRAPHONE 0 122 11

CHURCH ORGAN 1 0 123 19

CHURCH ORGAN 2 0 122 19

JAZZ ORGAN 0 122 16

STRINGS 1 0 122 48

STRINGS 2 0 122 49

CHOIR 0 122 52

GUITAR 0 122 24

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External

FAH Recorder start

Recorder start

Not received when the MIDI clock is

set to Internal.

FCH Recorder stop

Recorder stop

Not received when the MIDI clock is

set to Internal.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the

same processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1'st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) —

(11) —

(12) —

(13) —

(14) —

(15) —

(16) —

(17) —

(18) —

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) —

(27) Touch Sensitivity

(28) Fixed Data

(29) Left Pedal

(30) Soft Pedal Depth

(31) Absolute tempo low byte

(32) Absolute tempo high byte

(33) —

(34) —

(35) —

(36) Brilliance

CLP-265GP Owner’s Manual

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the

MIDI system will be reset to its default settings.

This message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When the XG System On message is received, the MIDI sys-

tem will be reset to its default settings.

The message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->

[ccH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

0nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

aaH = ByteCount

bbH = ByteCount

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

| |

ccH = Check sum

F7H = End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitializa-

tion of relevant parameters and Control Change values. Allow

sufﬁcient time for processing to execute (about 50 msec)

before sending the CLP-265GP another message.

• XG Native Parameter Change message may contain two or

four bytes of parameter data (depending on the parameter

size).

•For information about the Address and Byte Count values,

refer to Table 1 below. Note that the table’s Total Size value

gives the size of a bulk block. Only the top address of the

block (00H, 00H, 00H) is valid as a bulk data address.

9. SYSTEM EXCLUSIVE MESSAGES

(Clavinova MIDI Format)

Data format:

[F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

01H = Product ID (CLP common)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

F7H = End of Exclusive

10.

SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

7FH = Extended Product ID

xxH = Product ID 49H

11H = Special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control 0n ccH vvH

Metronome Always 00H 1BH 00H: No accent

01H-0FH: 1/4-15/4

7FH: off

Damper Level

ch: 00H-0FH 3DH (Sets the Damper Level

for each channel)

00H-7FH

Channel Detune

ch: 00H-0FH 43H (Sets the Detune value

for each channel)

00H-7FH

Voice Reserve

ch: 00H-0FH 45H 00H : Reserve off 7FH

: on*

When Volume, Expression is received for Reserve On, they

will be effective from the next Key On. Reserve Off is normal.

11. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [

H] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = When received, n=0~F.

When transmitted, n=0.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH = Master Tune MSB

llH = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

CLP-265GP Owner’s Manual

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4 020C - 05F4* MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 ➝ bit 15 - 12 400

02 2nd bit 3 - 0 ➝ bit 11 - 8

03 3rd bit 3 - 0 ➝ bit 7 - 4

4th bit 3 - 0 ➝ bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 — —

7E 00 XG SYSTEM ON 00=XG system ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

MIDI Parameter Change table (EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01 (=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

• Effect MIDI Map

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

OFF 00H 00H

EFFECT

MSB LSB

CHORUS 42H 10H

PHASER 48H 10H

TREMOLO 46H 10H

ROTARY SP 47H 10H

OFF 00H 00H

CLP-265GP Owner’s Manual

MIDI Implementation Chart

TransmittedFunction... Recognized Remarks

Basic

Channel

Note

Number : True voice

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change : True #

System Exclusive

Common : Song Pos.

: Song Sel.

: Tune

System : Clock

Real Time : Commands

: All Sound Off

Aux :

Reset

All

Cntrls

: Local ON/OFF

Mes- : All Notes OFF

sages: Active Sense

: Reset

Notes:

Mode

Default

Changed

Note ON

Note OFF

Key's

Ch's

0,32

6,38

64,66,67

91,94

96-97

100-101

1 - 16

Ø 9nH,v=1-127

˛ 9nH,v=0

˛ *1

0 - 127

**************

0 - 127

**************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

˛ *1 ˛ 0 - 24 semi

1 - 16

Ø 9nH,v=1-127

9nH,v=0 or 8nH

Ø (120,126,127)

Ø (121)

Ø (122)

Ø (123-125)

0 - 127

Ø : Yes

˛ : No

Default

Messages

Altered

YAMAHA [ Clavinova ] Date :16-DEC-2004

Model CLP-265GP MIDI Implementation Chart

Version : 1.0

Bank Select

Modulation

Main Volume

Panpot

Expression

Data Entry

Portamento Control

Effect Depth

RPN Inc,Dec

RPN LSB,MSB

Ø 0 - 127

*1= These Control Change messages cannot be transmitted by panel

operations, but can be transmitted by song playback data.

CLP-265GP Owner’s Manual

Speciﬁcations / Technische Daten /

Caractéristiques techniques / Especiﬁcaciones

*Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify

products or speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please

check with your Yamaha dealer.

*Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor,

Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modiﬁzieren. Da die technischen Daten, das

Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

*Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de

changer ou modiﬁer les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les

équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el

derecho a efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cualquier momento sin previo aviso. Puesto que las especiﬁca-

ciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.

CLP-265GP

Keyboard GH3 keyboard 88 keys (A-1 – C7)

Sound Source AWM Stereo Sampling

Polyphony (Max.) 64

Voice Selection 14

Effect Reverb, Effect, Brilliance

Volume Master Volume

Controls

Dual, Metronome, Transpose,

Touch (Hard/Medium/Soft/Fixed), Functions

Recording/Playback 2-part recording/playback (three user songs), Tempo Adjustment, Sync Start

Pedal Damper (with half-pedal effect), Sostenuto, Soft

Demo Songs 14 voice Demo Songs, 50 preset Songs

Jacks/Connectors

MIDI (IN/OUT/THRU), PHONES × 2, AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED)

(L, R), USB TO HOST

Memory Device

Internal Flash Memory (for saving User songs): 65 KB

(for saving External songs): 307 KB

Main Ampliﬁers 40W × 2

Speakers 16cm × 2 + 5cm x 2

Dimensions (W × D × H)

(Lid up)

1,434mm × 1,146mm × 931mm

[56 1/2" × 45 1/8" × 36 2/3"]

(1,434mm × 1,146mm × 1,400mm)

[56 1/2" × 45 1/8" × 55 1/8"]

Weight 97kg (213lbs., 14oz)

Accessories

Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for

Windows, Accessory CD-ROM for Windows Installation Guide,

Bench (included or optional depending on locale)

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product,

basic precautions should always be followed. These precautions

include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions

found in this manual BEFORE making any connections, includ-

ing connection to the main supply.

2. Main Power Supply Veriﬁcation: Yamaha products are

manufactured speciﬁcally for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact your

dealer for supply voltage veriﬁcation and (if applicable) instruc-

tions. The required supply voltage is printed on the name plate.

For name plate location, please refer to the graphic found in the

Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other). If you are unable to insert the plug

into the outlet, turn the plug over and try again. If the problem

persists, contact an electrician to have the obsolete outlet

replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies

or adapters. Do NOT connect this type of product to any power

supply or adapter other than one described in the owners manual,

on the name plate, or speciﬁcally recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone

could walk on, trip over, or roll anything over power or connect-

ing cords of any kind. The use of an extension cord is not recom-

mended! If you must use an extension cord, the minimum wire

size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the

AWG number, the larger the current handling capacity. For

longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless speciﬁcally

designed for enclosed installations, should be placed in locations

that do not interfere with proper ventilation. If instructions for

enclosed installations are not provided, it must be assumed that

unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not signiﬁcantly contribute to

their operating temperature. Placement of this product close to

heat sources such as; radiators, heat registers and other devices

that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain.

Examples of wet/damp locations are; near a swimming pool,

spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for

extended periods of time. Cords should also be disconnected

when there is a high probability of lightning and/or electrical

storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualiﬁed service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servic-

ing should be referred to qualiﬁed service personnel.

14. This product, either alone or in combination with an

ampliﬁer and headphones or speaker/s, may be capable of pro-

ducing sound levels that could cause permanent hearing loss.

DO NOT operate for a long period of time at a high volume level

or at a level that is uncomfortable. If you experience any hearing

loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or accessory

mounting ﬁxtures that are either supplied as a part of the product

or as optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-2

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

(2 wires)

• This applies only to products distributed by Yamaha-Kemble Music

(U.K.) Ltd.

(polarity)

• This applies only to products distributed by Yamaha Canada Music

Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada

Musique Ltée.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc-

tions contained in this manual, meets FCC require-

ments. Modiﬁcations not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT: When connecting this product to acces-

sories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions. Fail-

ure to follow instructions could void your FCC authori-

zation to use this product in the USA.

3. NOTE: This product has been tested and found to com-

ply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices. This equipment generates/

uses radio frequencies and, if not installed and used

according to the instructions found in the users manual,

may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not occur

in all installations. If this product is found to be the

source of interference, which can be determined by

turning the unit “OFF” and “ON”, please try to eliminate

the problem by using one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfac-

tory results, please contact the local retailer authorized

to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Corpo-

ration of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this appa-

ratus may not correspond with the coloured makings iden-

tifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to

the terminal which is marked with the letter N or coloured

BLACK.

The wire which is coloured BROWN must be connected to

the terminal which is marked with the letter L or coloured

RED.

Making sure that neither core is connected to the earth ter-

minal of the three pin plug.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH

WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-

TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE

LA FICHE DANS LA BORNE CORRESPONDANTE DE LA

PRISE ET POUSSER JUSQU’AU FOND.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park,

Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Electronic Piano

Model Name : CLP-265GP

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including

interference that may cause undesired operation.

See user manual instructions if interference to radio reception

is suspected.

(FCC DoC)

MEMO

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,

CEP 04534-013 Sao Paulo, SP. BRAZIL

Tel: 011-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

[CL] 38

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WH31790 606MW???.?-01B0 Printed in Indonesia

Clavinova Web site

http://music.yamaha.com/homekeyboard

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha CLP-265GP de handleiding

Merk: Yamaha

Model: CLP-265GP

Categorie: Synthesizer

Type: de handleiding

Deze handleiding is ook geschikt voor

Download PDF

rapport

in andere talen

English: Yamaha CLP-265GP Owner's manual
italiano: Yamaha CLP-265GP Manuale del proprietario
русский: Yamaha CLP-265GP Инструкция по применению
français: Yamaha CLP-265GP Le manuel du propriétaire
español: Yamaha CLP-265GP El manual del propietario
Deutsch: Yamaha CLP-265GP Bedienungsanleitung
português: Yamaha CLP-265GP Manual do proprietário
dansk: Yamaha CLP-265GP Brugervejledning
suomi: Yamaha CLP-265GP Omistajan opas
čeština: Yamaha CLP-265GP Návod k obsluze
svenska: Yamaha CLP-265GP Bruksanvisning
Türkçe: Yamaha CLP-265GP El kitabı
polski: Yamaha CLP-265GP Instrukcja obsługi
română: Yamaha CLP-265GP Manualul proprietarului

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