Documenttranscriptie
Precautions
● Do not expose the plug-in board to direct sunlight,
excessive humidity, high temperatures, excessive dust or
strong vibrations.
● Before handling the plug-in board, be sure to touch a
metal surface to discharge any static electricity which
may be in your body.
● When holding the plug-in board, do not touch the inside
area of the circuit board or apply excessive pressure to
the board, and be sure to protect the board from contact
with water or other liquids.
● Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your
computer.
● Before connecting the computer to other devices, turn
off the power switches of all devices.
● Yamaha is not responsible for loss of data through computer malfunctions or operator actions.
● The plug-in board contains no user-serviceable parts, so
never touch the inside area of the circuit board or
tamper with the electronic circuitry in any way. Doing
so may result in electrical shock or damage to the plugin board.
YAMAHA CANNOT BE HELD RESPONSIBLE
FOR DAMAGE CAUSED BY IMPROPER
CARE AND USE OF THE PLUG-IN BOARD.
* The company names and product names in this Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
* The screens as illustrated in this owner’s manual are for instructional purposes only, and may
appear somewhat different from the ones of your instrument.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications
not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class
”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product
in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses
radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will
not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit
”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this
type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
CANADA
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
2
Thank you for purchasing the Yamaha XG Plug-in Board PLG100-XG.
The PLG100-XG is a full-featured XG/GM tone generator providing complete compatibility with
commercially available XG/GM song data. The PLG100-XG is designed for use in MSPS (Modular Synthesis Plug-in System) compatible synthesizers and instruments, such as the CS6x and
S80, that do not have built-in XG tone generation.
To install your PLG100-XG correctly and to ensure full enjoyment of its sophisticated functions,
be sure to read this manual very carefully. When finished, keep the manual in a secure and
convenient place for future reference.
About the Modular Synthesis Plug-in System (MSPS)
The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for MSPS-compatible synthesizers, tone generators and sound cards. This enables you to
easily and effectively take advantage of the latest and most sophisticated synthesizer and effects
technology, allowing you to keep pace with the rapid and multi-faceted advances in modern
music production.
About the XG Plug-in System
The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively
take advantage of the latest and most sophisticated XG tone generation and effects technology,
allowing you to keep pace with the rapid and multi-faceted advances in modern music production.
3
Table of Contents
Overview of the PLG100-XG ....................................................................5
Main Features of the PLG100-XG ........................................................5
Installing the PLG100-XG .....................................................................5
Included Items ......................................................................................5
Required and Recommended Items .....................................................6
Specifications .......................................................................................6
About the Included CD-ROM and Floppy Disk .....................................6
Installing the Software ..........................................................................8
Playing XG Song Data / Editing XG Voices — Port Settings ...............8
Selecting XG Voices (Modular Synthesis Plug-in System) ..............11
Editing the XG Part Parameters
(Modular Synthesis Plug-in System) ..............................................12
Parameters ..............................................................................................13
Appendix....................................................................................................14
XG Voice List (Normal voice)................................................................14
XG Drum Map (Drum voice) ..................................................................18
Effect Parameter List .............................................................................20
Effect Data Assign Table.......................................................................23
XG Parameter List..................................................................................25
MIDI Data Format ...................................................................................26
MIDI Implementation Chart ...................................................................36
4
Overview of the PLG100-XG
Main Features of the PLG100-XG
● Exceptionally high-quality AWM2 tone generation system, with 480 instrument voices and 12
special drum voices. As a full tone generator in a single board, the PLG100-XG features maximum 32-note polyphony and 16-Part multi-timbral operation.
● Full-featured XG tone generator operation for non-XG-compatible instruments (such as the CS6x,
S80, and CS6R), for complete playback compatibility with commercially available XG/GM song
data, using a computer, sequencer, or other MIDI playback device. Since the PLG100-XG is also
compatible with special XG/GM “Minus-one” song data, you can easily mute the melody and play
it yourself (for practice or in performance), or sing along with the XG accompaniment.
● The PLG100-XG can also supplement even XG-compatible instruments, such as the MU2000,
providing an additional tone generator with 16 Parts and 32-note polyphony.
● The PLG100-XG also lets you conveniently and easily edit all parameters from your computer, by
using the included XGworks lite (Windows) or XG Editor (Macintosh).
Installing the PLG100-XG
To install your PLG100-XG board, refer to the manual that came with the “mother” or host synthesizer/tone generator (such as the CS6x or MU128). When using the CS6x, CS6R, or S80, make sure
to install the board to slot 2.
Included Items
The following items have been included in the package of your new PLG100-XG. Please make sure
that you have them all before starting to set up and use the instrument. If an item is missing, contact
the store or dealer from which you purchased the PLG100-XG.
• PLG100-XG board
• PLG100-XG Owner’s Manual (this book)
• CD-ROM
• Floppy disk
5
Overview of the PLG100-XG
Required and Recommended Items
In addition to the included items listed above, you should also have the following:
■ Synthesizer or Tone Generator Compatible with the Modular Synthesis
or XG Plug-in Systems
In order to use the PLG100-XG, you’ll need a synthesizer or tone generator that is compatible with
the Modular Synthesis Plug-in System (such as the CS6x) or the XG Plug-in System (such as the
MU128). The synthesizer/tone generator should have an available slot or space for installing the
PLG100-XG. Once, installed, the PLG100-XG functions seamlessly as a built-in tone generator for
the host device.
● XGworks or XGworks lite Music Sequencing Software
These software sequencers (for Windows) provide convenient tools for taking full advantage of the
PLG100-XG, letting you create and edit song data for automatically selecting and playing back the
XG voices. XGworks lite (version 3.0) is provided in the included CD-ROM.
Specifications
Tone Generation System : AWM2 (Advanced Wave Memory 2)
Polyphony :
32 (when using one-element voices)
Voices :
480 normal voices
12 drum voices
Interface :
Plug-in connector
Effects :
Reverb (11 types), Chorus (11 types), Variation (42 types)
Dimensions (W x H x D) : 138.5 x 89 x 8.5 mm
Weight :
56 g
Included Items :
Owner’s Manual, CD-ROM, floppy disk
* Specifications subject to change without notice.
About the Included CD-ROM and Floppy Disk
The following software is included on the CD-ROM:
● XGworks lite (ver. 3.0)
This sequencing software is the entry level progam for the full-version XGworks, and it allows you to
record your musical performances with a connected MIDI keyboard and freely edit the recorded data.
6
Overview of the PLG100-XG
● XG Editor for Mac (ver. 2.1)
This convenient software allows you to download voice data to your Macintosh computer and edit the
main XG parameters.
You can edit the various XG voice and effect parameters with the XG Editor, then and use them (in
either SMF or XF format) with your favorite sequencer software to change the sounds automatically
during song playback, or directly change the sounds on the XG tone generator.
The following data is included on the floppy disk:
● Demonstration Songs
These demonstration songs showcase the realistic and dynamic sounds of the PLG100-XG. To play
back the songs, you can use any compatible sequence software (such as XGworks or XGworks lite) or
a hardware sequencer (such as the Yamaha QY700). Also make sure that the instrument or tone generator with the installed PLG100-XG is properly connected to the sequencer.
Before playing the XG demonstration songs, you’ll need to make a few Port-related settings (see page
8). Also, if you are using the CS6x, CS6R, or S80, make sure to set the instrument to the Performance
mode.
• “03 blues”
By: Takeshi Fuse
This dynamic, powerful big band jazz piece showcases the highly realistic sounds and expresive potential
of the PLG100-XG. Here, pitch bend is used liberally in various phrases throughout the song to create
authentic sounding brass parts, while control change numbers 74 (Brightness) and 11 (Expression) are
applied many of the parts for a highly expressive, natural sound.
Even though the trumpet section is layered, the first trumpet stands out, and high notes are appropriately
shifted in pitch, just as would be played by real horn players. Also notice how the effects have been
applied to the sound and how they make it sound full and realistic without sacrificing the unique character
of each individual instrument.
• “Opus 7”
By: Etsuji Ogawa
As its name suggests, seven separate motifs have been combined to make up this piece. Notice how each
section concentrates on a specific genre of music and faithfully reproduces the feel and sound of the genre
with a minimum of instruments, and spotlights a wide variety of solo instruments.
• “Gale”
By: Katsumi Nagae
This techno/dance song shows what can be done with just the PLG100-XG and a little programming wizardry. Listen especially to the intricate use of dual hi hats and snare over the four-beat techno kick drum,
and check out the use of filter sweeps on the synth sounds for added dynamic effects and textures.
• “Endless Night”
By: Takashi Morio
This piece features several distinct musical sections and blends elements of funk, pop and R&B. To
strengthen the rhythm part in the middle section, overdrive (an Insertion effect) has been applied to the
drums, and the filter controls for the bass have been tweaked for added “fatness” — by increasing in the
resonance and lowering the cutoff frequency.
7
Overview of the PLG100-XG
Installing the Software
■ Installing XGworks lite 3.0 (for Windows 98/95 only)
Insert the included CD-ROM and double-click the “Setup.exe” file in the “XGworks” folder on the
CD-ROM. Follow the subsequent instructions on the screen to complete the installation.
■ Installing XG Editor for Mac 2.1 (for Macintosh only)
Installing XG Editor for Mac 2.1 (for Macintosh only) Insert the included CD-ROM and double-click
the “Install XG Editor 2.1E” file (folder: International → XG Editor) on the CD-ROM. Follow the
subsequent instructions on the screen to complete the installation.
Playing XG Song Data / Editing XG Voices — Port Settings
In order to properly play back XG song data with the PLG100-XG installed to a Plug-in-compatible
device, you’ll need to make a few settings, as described below. (The instruction steps below assume
that you are using XGworks V3.0 and the Yamaha CBX Driver software. If you are using another
sequence software and driver, refer to the owner’s manuals or online help of those programs.)
1
Set the Yamaha CBX Driver to Multiport operation.
Double-click on the Yamaha CBX Driver icon in the Windows Control Panel.
2
Select the appropriate port within XGworks.
Start XGworks, then open the System Setup dialog by clicking “System Setup” in the Setup
menu. Select the Device tab, and set the MIDI OUT ports (1 - 6) to the desired CBX Drivers (A E). (Which Driver letter applies to the PLG100-XG depends on your particular instrument; see
below for details.)
Any Driver letter A through E can be assigned to any MIDI OUT port number; however, the same
Driver letter cannot be assigned to two different ports. This means that one of the ports will be
left unassigned.
8
Overview of the PLG100-XG
3
Set the specific port (and driver) to be used, depending on your particular
application or instrument, as described below.
● When Playing XG Song Data from XGworks
In the Track View window of XGworks, set each track’s Port to the appropriate number for use
with the PLG100-XG. This will differ depending on your particular instrument.
• For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.),
select the Port corresponding to “Yamaha CBX A Driver.”
• For 64-Part XG tone generators (such as the MU128 or MU2000), select the Port corresponding to “Yamaha CBX E Driver.”
• For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corresponding to “Yamaha CBX C Driver.”
9
Overview of the PLG100-XG
● When Editing XG Voices Using the XG Editor in XGworks
Start the XG Editor (select “XG Editor” in the Window menu). From the XG Editor, select “XG
Editor Setup” in the Setup menu and set “Part 1 - 16” to the appropriate MIDI OUT Port for use
with the PLG100-XG. This will differ depending on your particular instrument.
• For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.),
select the Port corresponding to “Yamaha CBX A Driver.”
• For 64-Part XG tone generators (such as the MU100 or MU128 ), select the Port corresponding to “Yamaha CBX E Driver.”
• For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corresponding to “Yamaha CBX C Driver.”
10
Selecting XG Voices
(Modular Synthesis Plug-in System)
When the PLG100-XG is installed to a MSPS-compatible instrument, the XG voices can be selected
in much the same way as the internal voices of the instrument. A different voice can be selected for
each of the sixteen Parts, corresponding to the sixteen MIDI channels.
The example displays used in the following explanations are all taken from the CS6x.
1
Press the PERFORM button.
2
Press the EDIT button.
GEN Name) Ctgry
Common
3
a-Z
0-? Cursor
[Co:Rap Round ]
Use knob A to select the desired Part (from 17 - 32), then select the desired
voice by using the BANK and PROGRAM buttons.
MIX Vce)
Bank Number
Part17 NORM/000 001(A01)[--:GrandPno]
●
●
You can also use knobs B and C to select the bank number and program number, respectively.
When the cursor is at the bank number or program number position, you can also change the
respective number by using the DEC/INC buttons.
For a complete list of the available banks and their MSB/LSB values, refer to the “XG Voice List” on
page 14.
●
●
When using MU-series instruments (such as the MU100 or MU128), keep in mind that the PLG100-XG voices
can only be selected remotely from the connected computer, and not from the front panel of the instrument
itself.
When playing back song data (of any format) with the CS6X/CS6R/S80, you may find that even though the
voices change properly, the voice names shown in the LCD may not.
Also, after playing back song data of a format that is neither XG nor GM, you may find that the voices sound
correct but that the voice names shown in the LCD do not seem to match. In this case, you may want to reset
the instrument so that the voices display properly. To do this, send a XG System On or GM System On message (play back an XG or GM song; the appropriate message is at the beginning of the song), or turn the
power of the instrument off and on again.
11
Editing the XG Part Parameters
(Modular Synthesis Plug-in System)
Keep in mind that the XG Part parameter values and settings as edited in the manner below represent offsets of the actual voice settings. This means that adjustments made to the parameters may
not result in much change to the actual sound, depending on the original settings of the voice. For
parameter values, a setting of “0” results in no change, while positive and negative values increase
and decrease the value respectively.
1
Select the desired XG voice, as described in Selecting XG Voices on page
11.
2
Select the desired parameter for editing by using the PAGE knob.
TON EG)
Part16
3
Attack
+ 0
Decay Sustain Release
+ 0
+ 0
+ 0
Change the value/setting of the selected XG Part parameter by using the
appropriate knob (below the corresponding parameter) or by using the
DEC/INC buttons (when the cursor is at the corresponding parameter).
The actual parameter names may differ, depending on whether the instrument you are using is
XG Plug-in System compatible or Modular Synthesis Plug-in System compatible. For details,
refer to the Parameter List (XG/Modular Synthesis Plug-in System) on page 25.
XG Part parameter edits cannot be stored as voice data. However, if you are using the CS6x, CS6R,
or S80, you can store the data to a Memory Card. (Use the “Save” function in the Card mode; for
detailed instructions, refer to the owner’s manual of your particular instrument.)
12
Parameters
Performance Parameters
Bank Select MSB/LSB
0...127
Determines the bank number (by MSB and LSB) of the Part's voice.
Program Number
1...128
Determines the specific voice (by program number) of the Part.
Receive Channel
1...16, off
Determines the MIDI receive channel for the Performance.
Velocity Limit Low
1...127
Determines the lowest velocity at which the Part's voice will play.
Velocity Limit High
1...127
Determines the highest velocity at which the Part's voice will play.
Note Limit Low
C-2...G8
Determines the lowest responding note for the Part's voice.
Note Limit High
C-2...G8
Determines the highest responding note for the Part's voice.
Pitch Bend Range
-24...+24
Determines the pitch range of the MIDI Pitch Bend (in semitone steps).
Velocity Sense Depth
0...127
Determines the degree to which velocity affects the Part's voice.
Velocity Sense Offset
0...127
Boosts or reduces all velocity values for the Part's voice by the specified amount, letting you tailor
how the level responds to your playing touch.
Volume
0...127
Determines the overall level of the Part's voice.
Pan
RND, L63...C...R63
Determines the stereo position of the Part's voice.
Detune
-12.8...+12.7[Hz]
Determines the fine tuning of the Part's voice in 0.1-Hz increments.
Reverb Send
0...127
Determines the level of the Part's voice that is sent to the Reverb effect, letting you adjust the amount
of the Reverb applied to the voice.
Chorus Send
0...127
Determines the level of the Part's voice that is sent to the Chorus effect, letting you adjust the
amount of the Chorus applied to the voice.
Note Shift
-24...+24[semitone]
Determines the key transposition setting for the Part's voice (in semitone steps).
Filter Cutoff Frequency
-64...+63
Determines the cutoff frequency of the low pass filter.
Filter Resonance/Width
-64...+63
Determines the amount of filter resonance or emphasis of the Filter Cutoff Frequency above; it also
affects the width of the frequency range to which resonance is applied.
Portamento Switch
off, on
Determines whether Portamento (continuous pitch glide) is on or off for the Part's voice.
Portamento Time
0...127
Determines the time of the Portamento effect (how long it takes to slide the pitch from one note to the
next).
AEG Attack Time
-64...+63
Determines the time it takes for the sound to reach full volume when a note is played.
AEG Decay2 Time
-64...+63
Determines the time it takes for the sound to decrease in level to silence (as the note is held).
AEG Release Time
-64...+63
Determines the time it takes for the sound to decrease in level to silence (after the note is released).
MW Filter Control
-64...+63
Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency (low pass
filter).
MW Amplitude Control
-64...+63
Determines the degree to which the modulation wheel affects the volume (amplitude).
MW LFO Pitch
Modulation Depth
0...127
Determines the degree to which the modulation wheel affects the LFO-controlled pitch modulation.
MW LFO Filter
Modulation Depth
0...127
Determines the degree to which the modulation wheel affects the LFO-controlled Filter modulation
(produces a “wah-wah” effect).
MW LFO Amplitude
Modulation Depth
0...127
Determines the degree to which the modulation wheel affects the LFO-controlled amplitude (volume)
modulation.
CAT Pitch Control
-24...+24[semitone]
Determines the degree to which channel after touch affects the pitch.
CAT Filter Control
-64...+63
Determines the degree to which channel after touch affects the Filter.
CAT Amplitude Control
-64...+63
Determines the degree to which channel after touch affects the volume (amplitude).
CAT LFO Pitch
Modulation Depth
0...127
Determines the degree to which channel after touch affects the LFO-controlled pitch modulation.
CAT LFO Filter
Modulation Depth
0...127
Determines the degree to which channel after touch affects the LFO-controlled Filter modulation
(produces a “wah-wah” effect).
CAT LFO Amplitude
Modulation Depth
0...127
Determines the degree to which channel after touch affects the LFO-controlled amplitude (volume)
modulation.
AC1 Controller Number
0...95
Determines which MIDI control change number is assigned to Assignable Controller 1 (AC1) for the
selected Part.
AC1 Filter Control
-64...+63
Determines the degree to which Assignable Controller 1 (AC1) affects the Cutoff Frequency of the
Filter.
AC1 Amplitude Control
-64...+63
Determines the degree to which Assignable Controller 1 (AC1) affects the volume (amplitude).
AC1 LFO Pitch
Modulation Depth
0...127
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled pitch modulation.
AC1 LFO Filter
Modulation Depth
0...127
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled Filter modulation (produces a “wah-wah” effect).
AC1 LFO Amplitude
Modulation Depth
0...127
Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled amplitude
(volume) modulation.
Master Volume
0...127
Determines the overall volume of the PLG100-XG.
Master Note Shift
-24...+24[semitone]
Determines the overall key transposition setting of the PLG100-XG (in semitone steps).
Master Tune
-102.4...+102.3[cent]
Determines the overall fine tuning setting of the PLG100-XG (in 0.1-cent increments).
System Parameters
13
Appendix
XG Voice List (Normal voice)
■ Bank Select MSB=00
KSP
Instrument
Group
Piano
Pgm#
Chromatic
Percussion
Organ
Guitar
Bass
Strings
Ensemble
Brass
Reed
Pipe
Synth Lead
Synth Pad
Synth Effects
Ethnic
Percussive
Sound Effects
14
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Bank 0
Bank Select LSB=00
Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ 1
Percussive Organ
Rock Organ
Church Organ 1
Reed Organ
Accordion
Hamonica
Tango Accordion
Acoustic Guitar (nylon) 1
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
String Ensemble 1
String Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section 1
Synth Brass 1
Synth Brass 2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifths)
Lead 8 (bass+lead)
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (polysynth)
Pad 4 (choir)
Pad 5 (bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)
FX 1 (rain)
FX 2 (soundtrack)
FX 3 (crystal)
FX 4 (atmosphere)
FX 5 (brightness)
FX 6 (goblins)
FX 7 (echoes)
FX 8 (sci-fi)
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom 1
Synth Drum
Reverse Cymbal
Guitar Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
: Same as Bank 0
Stereo
Bank 0
E
Bank 1
E
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi.
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute.Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn.Str1
Syn.Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute.Trp
Fr. Horn
BrasSect
SynBrss1
SynBrss2
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
1
1
2
2
2
2
1
2
1
1
2
1
1
1
1
1
1
1
2
2
1
2
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
2
1
2
1
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
2
2
1
1
2
1
1
2
2
2
2
1
1
1
1
GrndPnoK
BritPnoK
ElGrPnoK
HnkyTnkK
El.Pno1K
El.Pno2K
Harpsi.K
Clav K
1
1
2
2
1
1
1
1
Vibes K
MarimbaK
1
1
Bank 3
Single
E
Bank 6
Slow
E
Bank 8
Fast Decay
E
Bank 12
Bright
Double Attack
E
Bank 14
E
Bank 16
NylonGt2
SteelGt2
MelloSBa
S.Strngs
S.SlwStr
2
2
S.Choir
2
FrHrSolo
1
Seq Bass
Slow Vln
1
SlwTrStr
1
Slow Str
LegatoSt
1
2
Bank 17
E
Bank 18
Rsonant
E
MelloGrP
1
MelloEP1
2
Bank 19
E
Bank 20
Attack
E
Bank 24
E
70sPcOr1
2
1 AcidBass
1
1
1
2
Ch.Aahs2
2
Trumpet2
1 BriteTrp
Tuba 2
1
MelloGtr
1
FingrDrk
2
SynBa1Dk
ClkSynBa
1
2 SynBa2Dk
FastResB
1
Arco Str
2
2 PolyBrss
2
2 HeavySyn
2
SynthAah
2
2
Trmbone2
2
Soft Brs
2
Hollow
Dyna Saw
1 Shroud
1 Digi Saw
1
Quack Br
SquarLd2
Saw Ld 2
Dark
E
1 LMSquare
1 ThickSaw
2
RezSynBr
2
2
Big&Low
2
ThickPad
2 Soft Pad
2 Sine Pad
2
2 Big Lead
2
Shwimmer
SynDrCmp 2 Popcorn
Echoes 2
: No sound
2
Echo Pan
2
2
E : Element number
TinyBell
2
WarmAtms 2 HollwRls
2
2
XG Voice List (Normal voice)
Release
Instrument
Group
Piano
Pgm#
Chromatic
Percussion
Organ
Guitar
Bass
Strings
Ensemble
Brass
Reed
Pipe
Synth Lead
Synth Pad
Synth Effects
Ethnic
Percussive
Sound Effects
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Bank 0
Bank Select LSB=00
Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ 1
Percussive Organ
Rock Organ
Church Organ 1
Reed Organ
Accordion
Hamonica
Tango Accordion
Acoustic Guitar (nylon) 1
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
String Ensemble 1
String Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section 1
Synth Brass 1
Synth Brass 2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifths)
Lead 8 (bass+lead)
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (polysynth)
Pad 4 (choir)
Pad 5 (bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)
FX 1 (rain)
FX 2 (soundtrack)
FX 3 (crystal)
FX 4 (atmosphere)
FX 5 (brightness)
FX 6 (goblins)
FX 7 (echoes)
FX 8 (sci-fi)
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom 1
Synth Drum
Reverse Cymbal
Guitar Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
: Same as Bank 0
Bank 0
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi.
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute.Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn.Str1
Syn.Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute.Trp
Fr. Horn
BrasSect
SynBrss1
SynBrss2
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
E
Bank 25
1
1
2
2
2
2
1 Harpsi.2
2
1
1
2
1
1
1
1
1
1
1
2
2
1
2
1
2
1 NylonGt3
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
2
1
2
1
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2 WaspySyn
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
2
2
1
1
2
1
1
2
2
2
2
1
1
1
1
Rezo Sweep
E
Bank 27
E
Muted
Bank 28
Detune 1
E
Bank 32
Detune 2
E
Bank 33
Detune 3
E
Bank 34
Octave 1
E
Bank 35
Octave 2
E
Bank 36
5th 1
E
Bank 37
5th 2
E
Bank 38
Bend
E
Bank 39
Tutti
E
Bank 40
PianoStr
Det.CP80
2
Chor.EP1
Chor.EP2
2
2 DX Hard
2 DXLegend
2
Harpsi.3
2
ClaviWah
E
2
LayerCP1
2
HardEl.P
DX Phase
2
2
16+2"2/3
2
2
2
DetDrwOr
DetPrcOr
2 60sDrOr1
2 Lite Org
ChurOrg3
2
AccordIt
Harmo. 2
2
2
Jazz Amp
ChorusGt
2
2
2 60sDrOr2
2
Dulcimr2
2 70sDrOr1
2
2 DrawOrg2
2 60sDrOr3
PercOrg2
2 Even Bar
2
2
ChurOrg2
2
NotreDam
Puff Org
2
2
12StrGtr
2
Nyln&Stl
2
2
FlangeBa
Fretles2
2 Fretles3
PunchThm 2
1
2 Fretles4
2
Clv Bass
2
TechnoBa
ModulrBa
2
60sStrng
2
OrchHit2
2
Tp&TbSec
2
2
2
Susp.Str
2
YangChin
2
Orchestr
Warm Str
2
2
2
MelChoir
Warm Trp
SynBrss3
2
1
SmthSynB
Reso Str
2
FeedbkGt
JazzRthm 2
Ba&DstEG 2
2
MutePkBa
ResoSlap
FunkGtr1
2
2
2
Prologue
2
FrHorn 2
1
JumpBrss
2
DetSitar
MuteBnjo
2
SyVoice2
2
BrssSec2
2
SynBrss4
2
Sax Sect
BrthTnSx
2
2
PulseSaw
2
GlockChi
Nylon EP
2
2
2
HornOrch
2
Converge
ChoirStr
2
Big Five
2
RndGlock
2
Sitar 2
2
2
1
: No sound
E : Element number
15
XG Voice List (Normal voice)
Velo-Switch
Instrument
Group
Piano
Pgm#
Chromatic
Percussion
Organ
Guitar
Bass
Strings
Ensemble
Brass
Reed
Pipe
Synth Lead
Synth Pad
Synth Effects
Ethnic
Percussive
Sound Effects
16
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Bank 0
Bank Select LSB=00
Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ 1
Percussive Organ
Rock Organ
Church Organ 1
Reed Organ
Accordion
Hamonica
Tango Accordion
Acoustic Guitar (nylon) 1
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
String Ensemble 1
String Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section 1
Synth Brass 1
Synth Brass 2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifths)
Lead 8 (bass+lead)
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (polysynth)
Pad 4 (choir)
Pad 5 (bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)
FX 1 (rain)
FX 2 (soundtrack)
FX 3 (crystal)
FX 4 (atmosphere)
FX 5 (brightness)
FX 6 (goblins)
FX 7 (echoes)
FX 8 (sci-fi)
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom 1
Synth Drum
Reverse Cymbal
Guitar Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
: Same as Bank 0
Bank 0
E
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi.
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute.Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn.Str1
Syn.Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute.Trp
Fr. Horn
BrasSect
SynBrss1
SynBrss2
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
1
1
2
2
2
2
1
2
1
1
2
1
1
1
1
1
1
1
2
2
1
2
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
2
1
2
1
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
2
2
1
1
2
1
1
2
2
2
2
1
1
1
1
Bank 41
E
Bank 42
E
2
Dream
2
LayerCP2
2
DX+Analg
2 DXKotoEP
Bank 43
Velo-Xfade
E
Bank 45
VX El.P1
VX El.P2
HardVibe
Stl&Body
2
MuteStlG
2
FeedbkG2
2
DX Bass
2
Orchstr2
Kingdom
2 TremOrch
2
Choral
2
Hi Brass
2 MelloBrs
ChoirBrs
2
SoftTenr
2
Dr. Lead
2
FunkGtr2
Gt.Pinch
2 Jazz Man
2
1
FngrSlap
VXUprght
2 FngBass2
2
2
VeloSlap
2
Velo.Str
Bank 65
E
Bank 66
E
Bank 67
E
2
Bank 68
E
Bank 69
E
Bank 70
E
Bank 71
E
1
PulseClv
1 PierceCl
Orgel
2
2
SineMrmb
2
Organ Ba
1 70sDrOr2
2 CheezOrg
2 DrawOrg3
RotaryOr
OrgFlute
2 SloRotar
2 TrmOrgFl
2 FstRotar
2
2
TngoAcd2
2
GtFeedbk
1 GtrHrmo2
1
Mod.Bass
2
Orbiter
X WireBa
2 Sqr.Bass
2
1 RubberBa
70s Str
Syn Str4
1 Strings3
2 Syn Str5
1
2
AnaVoice
Impact
1
2
2 AnaBrss1
2 AnaBrss2
2
2
TnrSax 2
1
Mellow
2 SoloSine
2 SineLead
PureLead
2
2 WireLead
2
2
Rubby
DistLead
Vox Lead
Fat&Prky
Fantasy
Horn Pad
PolyPd80
Heaven
Glacier
Tine Pad
2
2
2
2
2
2
2
PolarPad
2 HrmoRain
Ancestrl
SynMalet
NylnHarp
FantaBel
GobSynth
EchoBell
Starz
2
2
2
1
2
2
2
2
2
2
2
2
AnVelBr1
AnVelBr2
2
VeloLead
ClaviPad
2 ChorBell
E
2
2
2
Bank 64
2 60sEl.P1
2
VelGtHrm
HyprAlto
ClearBel
other wave
E
2
: No sound
1
2
2
Soft Wrl
2
RotarStr
ClickPad
GlassPad
Pan Pad
2
2 Ana. Pad
Itopia
2
2
AfrcnWnd
Celstial
2 Carib
2
2
SftCryst
Harp Vox
2 LoudGlok
2 AtmosPad
2 ChrstBel
2 Planet
2 VibeBell
2
2 DigiBell
Creeper
Big Pan
2 Ring Pad
2 SynPiano
2 Ritual
2 Creation
2 ToHeaven
2 StarDust
2
2 Reso&Pan
2 Rock Tom
2
2
Shanai 2
1
Mel Tom2
Ana Tom
1 Real Tom
1 ElecPerc
E : Element number
2 SquarPad
2 CC Pad
2
2
2 AirBells
Night
2
2 BellHarp
2
2 Glisten
2
XG Voice List (Normal voice)
■ Bank Select MSB=64
Instrument
Group
Piano
Pgm#
Chromatic
Percussion
Organ
Guitar
Bass
Strings
Ensemble
Brass
Reed
Pipe
Synth Lead
Synth Pad
Synth Effects
Ethnic
Percussive
Sound Effects
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Bank 0
Bank Select LSB=00
Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ 1
Percussive Organ
Rock Organ
Church Organ 1
Reed Organ
Accordion
Hamonica
Tango Accordion
Acoustic Guitar (nylon) 1
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
String Ensemble 1
String Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section 1
Synth Brass 1
Synth Brass 2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifths)
Lead 8 (bass+lead)
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (polysynth)
Pad 4 (choir)
Pad 5 (bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)
FX 1 (rain)
FX 2 (soundtrack)
FX 3 (crystal)
FX 4 (atmosphere)
FX 5 (brightness)
FX 6 (goblins)
FX 7 (echoes)
FX 8 (sci-fi)
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom 1
Synth Drum
Reverse Cymbal
Guitar Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
: Same as Bank 0
SFX
Bank 0
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi.
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute.Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn.Str1
Syn.Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute.Trp
Fr. Horn
BrasSect
SynBrss1
SynBrss2
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
E
Bank 72
E
Bank 96
1
1
2
2
2
2
1
2
1
1
2
1
1
1
1
ChrchBel
1
Cimbalom
1
1
2
2
1
2
1
2
1
Ukulele
1
Mandolin
1
1
1
1
1
1
1
1
1
1
SynFretl
1
1
1
Hammer
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
2
1
2
1
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2
Seq Ana.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2 Gamelmba 2
2
2
Smokey
2
BelChoir
2
2
1
Tambra
1
Rabab
1
1
Taisho-k
1
2
1
1
Pungi
2
Bonang
2
2
1
Castanet
1
Gr.Cassa
2
1
1
2
2
2
2
1
1
1
1
E
Bank 97
Balimba
2 Carillon
2 Santur
E
Bank 98
2 Log Drum
E
Bank 99
E
Bank 100
E Bank 101 E
2
2
2
1
2
2 SmthFrtl
2
2
2
2
2
2 Tamboura
2 Gopichnt
2
2 Oud
2 Kanoon
2
1 Hichriki
2 Altair
2
2 Gamelan
2 S.Gamlan
2 ThaiBell
2
GlasPerc
2
2 Rama Cym 2 AsianBel
1
1
: No sound
E : Element number
2
Pch#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Bank 0
E
CuttngNz
CttngNz2
1
2
Str Slap
1
Fl.KClik
1
Shower
Thunder
Wind
Stream
Bubble
Feed
1
1
1
2
2
2
Dog
Horse
Tweet 2
1
1
1
Ghost
Maou
2
2
PhonCall
DoorSqek
Door Slam
ScratchC
ScratchS
WindChim
Telphon2
1
1
1
1
2
1
1
CarEIgnt
CarTSqel
Car Pass
CarCrash
Siren
Train
JetPlane
Starship
Burst
Coaster
Submarin
1
1
1
1
2
1
2
2
2
2
2
Laugh
Scream
Punch
Heart
Footstep
1
1
1
1
1
MchinGun
LaserGun
Xplosion
Firework
1
2
2
2
17
XG Drum Map (Drum voice)
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Bank MSB#
Program #
Rcv
Note
Note off
C# -1
D
-1
D# -1
E
-1
F
-1
F# -1
G
-1
G# -1
A
-1
A# -1
B
-1
C
0
C# 0
D
0
O
D# 0
E
0
O
F
0
O
F#
0
G
0
G# 0
A
0
A#
0
B
0
C
1
C# 1
D
1
D# 1
E
1
F
1
F#
1
G
1
G# 1
A
1
A#
1
B
1
C
2
C# 2
D
2
D# 2
E
2
F
2
F#
2
G
2
G# 2
A
2
A#
2
B
2
C
3
C# 3
D
3
D# 3
E
3
F
3
F#
3
G
3
G# 3
A
3
A#
3
B
3
O
C
4
O
C# 4
D
4
O
D# 4
E
4
F
4
F#
4
G
4
G# 4
A
4
A#
4
B
4
C
5
C# 5
D
5
D# 5
E
5
F
5
F#
5
G
5
Alternate
Group
3
3
: Same as Standard Kit
18
4
4
1
1
1
2
2
127
1
127
2
127
9
127
17
127
25
127
26
StandKit
StndKit2
Room Kit
Rock Kit
ElctrKit
AnalgKit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-HatClosed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
CrashCymbal1
High Tom
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
ReversCymbal
ReversCymbal
Snare Noisy
Hi Q 2
SnrSnpyElctr
Hi Q 2
SnareNoisy 4
Kick Tight 2
Kick 3
Kick Tight 2
Kick 2
Kick Gate
Kick Gate
KckGateHeavy
KickAnlgShrt
Kick Analog
SideStickAn
SnareAnalog
Snare Roll 2
Snare Soft 2
RimShotHShrt
KickTghtShrt
Kick Short
Snare Short
Snare Snappy
Snare Rock
SnareNoisy 2
SnareTight H
SnrTightSnpy
Tom Room 1
Snare Rock Rim
Tom Rock 1
SnareNoisy 3
TomElectro 1
Tom Room 2
Tom Rock 2
TomElectro 2
Tom Room 3
Tom Rock 3
TomElectro 3
Tom Room 4
Tom Room 5
Tom Rock 4
Tom Rock 5
TomElectro 4
TomElectro 5
Tom Room 6
Tom Rock 6
TomElectro 6
SnareAnalog2
Tom Analog 1
HatCloseAnlg
Tom Analog 2
HatCloseAn 2
Tom Analog 3
HatOpen Anlg
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6
Cowbell Anlg
Conga Anlg H
Conga Anlg M
Conga Anlg L
Maracas 2
Claves 2
Scratch H 2
Scratch L 2
: No sound
Scratch H 2
Scratch L 2
XG Drum Map (Drum voice)
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Bank MSB#
Program #
Rcv
Note
Note off
C# -1
D
-1
D# -1
E
-1
F
-1
F# -1
G
-1
G# -1
A
-1
A# -1
B
-1
C
0
C# 0
D
0
O
D# 0
E
0
O
F
0
O
F#
0
G
0
G# 0
A
0
A#
0
B
0
C
1
C# 1
D
1
D# 1
E
1
F
1
F#
1
G
1
G# 1
A
1
A#
1
B
1
C
2
C# 2
D
2
D# 2
E
2
F
2
F#
2
G
2
G# 2
A
2
A#
2
B
2
C
3
C# 3
D
3
D# 3
E
3
F
3
F#
3
G
3
G# 3
A
3
A#
3
B
3
O
C
4
O
C# 4
D
4
O
D# 4
E
4
F
4
F#
4
G
4
G# 4
A
4
A#
4
B
4
C
5
C# 5
D
5
D# 5
E
5
F
5
F#
5
G
5
Alternate
Group
3
3
4
4
1
1
1
2
2
127
1
127
28
127
33
127
41
127
49
126
1
126
2
StandKit
DanceKit
Jazz Kit
BrushKit
SymphKit
SFXKit 1
SFXKit 2
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-HatClosed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
CrashCymbal1
High Tom
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
ReversCymbal
Hi Q 2
Snare Tchno 3
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno 2
Side Stick Analog
Snare Clap
Brush Slap 2
Kick Soft 2
Kick Small
Gran Cassa
GranCassa Mu
Brush Slap 3
Band Snare
Tom Jazz 1
Brush Tap 2
Tom Brush 1
Band Snare 2
Tom Jazz 1
Tom Jazz 2
Tom Brush 2
Tom Jazz 2
Tom Jazz 3
Tom Brush 3
Tom Jazz 3
Tom Jazz 4
Tom Jazz 5
Tom Brush 4
Tom Brush 5
Tom Jazz 6
Tom Brush 6
Tom Jazz 4
Tom Jazz 5
Hand Cymbal
Tom Jazz 6
HandCymShort
Kick Jazz
CuttingNoiz
CuttingNoiz
String Slap
Snare Dry 2
Tom Analog 1
Hi-Hat Closed 3
Tom Analog 2
HatCloseAn 2
Tom Analog 3
Hi-Hat Open 3
Tom Analog 4
Tom Analog 5
Clash Analog
Tom Analog 6
Fl.Key Click
CarEngnIgnit
CarTireSqeal
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Coaster
Submarine
Shower
Thunder
Wind
Stream
Bubble
Feed
Laugh
Scream
Punch
Heartbeat
Footsteps
Dog
Horse
Bird Tweet 2
Machine Gun
Laser Gun
Explosion
FireWork
Cowbell Anlg
HandCymbal 2
HandCym2Shrt
Conga Anlg H
Conga Anlg M
Conga Anlg L
Maracas 2
Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch H 3
Wind Chime
Telephone 2
Claves 2
Scratch H 2
Scratch L 3
Ghost
Maou
19
Effect Parameter List
Parameters marked with a ● in the “Control” column can be controlled from an AC1 (assignable controller 1) etc.
However, this is valid only for a Variation effect (when selected for Insertion).
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE (reverb, variation block)
Display
0.3 - 30.0s
0 - 10
0.1 - 99.3ms
Thru - 8.0kHz
1.0k - Thru
ECHO (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Value
0 - 69
0 - 10
0 - 63
0 - 52
34 - 60
Dry/Wet
D63>W - D=W - D<W63
1 - 127
11
12
13
14
15
16
Rev Delay
Density
Er/Rev Balance
0 - 63
0-3
E63>R - E=R - E<R63
0 - 63
0-3
1 - 127
Feedback Level
-63 - +63
1 - 127
See Table
table#4
Control
table#5
table#3
table#3
●
table#5
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Heigt
Depth
Wall Vary
Display
0.3 - 30.0s
0 - 10
0.1 - 99.3ms
Thru - 8.0kHz
1.0k - Thru
0.5 - 10.2m
0.5 - 20.2m
0.5 - 30.2m
0 - 30
Value
0 - 69
0 - 10
0 - 63
0 - 52
34 - 60
0 - 37
0 - 73
0 - 104
0 - 30
11
12
13
14
15
16
Rev Delay
Density
Er/Rev Balance
0 - 63
0-3
E63>R - E=R - E<R63
0 - 63
0-3
1 - 127
Feedback Level
-63 - +63
1 - 127
See Table
table#4
Control
table#5
table#3
table#3
table#8
table#8
table#8
table#5
11
12
13
14
15
16
20
Display
0.1 - 355.0ms (variation block)
-63 - +63
0.1 - 355.0ms (variation block)
-63 - +63
0.1 - 1.0
0.1 - 355.0ms (variation block)
0.1 - 355.0ms (variation block)
0 - 127
Value
1 - 3550
1 - 127
1 - 3550
1 - 127
1 - 10
1 - 3550
1 - 3550
0 - 127
Dry/Wet
D63>W - D=W - D<W63
1 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
See Table
Control
●
table#3
table#3
Parameter
L->R Delay
R->L Delay
Feedback Level
Input Select
High Damp
Display
0.1 - 355.0ms (variation block)
0.1 - 355.0ms (variation block)
-63 - +63
L,R,L&R
0.1 - 1.0
Value
1 - 3550
1 - 3550
1 - 127
0-2
1 - 10
Dry/Wet
D63>W - D=W - D<W63
1 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
See Table
Control
●
table#3
table#3
EARLY REF1,EARLY REF2(variation block)
Parameter
Lch Delay
Rch Delay
Cch Delay
Feedback Delay
Feedback Level
Cch Level
High Damp
Display
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
-63 - +63
0 - 127
0.1 - 1.0
Value
1 - 7150
1 - 7150
1 - 7150
1 - 7150
1 - 127
0 - 127
1 - 10
Dry/Wet
D63>W - D=W - D<W63
1 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
See Table
Control
●
Parameter
Lch Delay
Rch Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
High Damp
Display
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
0.1 - 715.0ms (variation block)
-63 - +63
0.1 - 1.0
Value
1 - 7150
1 - 7150
1 - 7150
1 - 7150
1 - 127
1 - 10
Dry/Wet
D63>W - D=W - D<W63
1 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1 - 7.0
0 - 10
0.1 - 99.3ms
-63 - +63
Thru - 8.0kHz
1.0k - Thru
Value
0-5
0 - 44
0 - 10
0 - 63
1 - 127
0 - 52
34 - 60
Dry/Wet
D63>W - D=W - D<W63
1 - 127
0 - 10
0-3
0.1 - 1.0
0 - 10
0-3
1 - 10
11 Liveness
12 Density
13 High Damp
14
15
16
See Table
Control
table#6
table#5
table#3
table#3
●
table#3
GATE REVERB
REVERSE GATE (variation block)
table#3
DELAY L,R (variation block)
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
DELAY L,C,R (variation block)
11
12
13
14
15
16
11
12
13
14
15
16
Parameter
Lch Delay1
Lch Feedback Level
Rch Delay1
Rch Feedback Level
High Damp
Lch Delay2
Rch Delay2
Delay2 Level
CROSS DELAY (variation block)
WHITE ROOM
TUNNEL
BASEMENT (reverb block)
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
See Table
Control
●
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
11 Liveness
12 Density
13 High Damp
14
15
16
Display
TypeA,TypeB
0.1 - 7.0
0 - 10
0.1 - 99.3ms
-63 - +63
Thru - 8.0kHz
1.0k - Thru
Value
0-1
0 - 44
0 - 10
0 - 63
1 - 127
0 - 52
34 - 60
D63>W - D=W - D<W63
1 - 127
0 - 10
0-3
0.1 - 1.0
0 - 10
0-3
1 - 10
See Table
Control
table#6
table#5
table#3
table#3
●
Effect Parameter List
KARAOKE1,2,3 (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Delay Time
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Display
0.1 - 400ms
-63 - +63
Thru - 8.0kHz
1.0k - Thru
D63>W - D=W - D<W63
ROTARY SPEAKER (variation block)
Value
0 - 127
1 - 127
0 - 52
34 - 60
See Table
table#7
Control
table#3
table#3
●
1 - 127
Parameter
LFO Frequency
LFO Depth
Display
0.00Hz - 39.7Hz
0 - 127
Value
0 - 127
0 - 127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
table#3
Control
●
table#3
11
12
13
14
15
16
11
12
13
14
15
16
CHORUS1,2,3,4
CELESTE1,2,3,4 (chorus, variation block)
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
TREMOLO (variation block)
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
Display
0.00Hz - 39.7Hz
0 - 127
-63 - +63
0.0 - 50
Value
0 - 127
0 - 127
1 - 127
0 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
11
12
13
14
15 Input Mode
16
mono/stereo
See Table
table#1
Control
table#2
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
AM Depth
PM Depth
Display
0.00Hz - 39.7Hz
0 - 127
0 - 127
Value
0 - 127
0 - 127
0 - 127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
table#3
4 - 124
0-1
resolution=3deg.
Control
●
table#3
●
11
12
13
14 LFO Phase Difference -180 - +180deg
15 Input Mode
mono/stereo
16
0-1
AUTO PAN (variation block)
FLANGER1,2,3 (chorus, variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
Display
0.00Hz - 39.7Hz
0 - 127
-63 - +63
0 - 63
Value
0 - 127
0 - 127
1 - 127
0 - 63
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
11
12
13
14 LFO Phase Difference -180 - +180deg
15
16
4 - 124
See Table
table#1
Control
table#2
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
Display
0.00Hz - 39.7Hz
0 - 127
0 - 127
L<->R,L->R,L<-R,Lturn,Rturn,L/R
Value
0 - 127
0 - 127
0 - 127
0-5
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
8 - 40
52 - 76
28 - 58
52 - 76
table#3
Control
●
table#3
●
11
12
13
14
15
16
resolution=3deg.
PHASER 1 (variation block)
SYMPHONIC (variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Delay Offset
Display
0.00Hz - 39.7Hz
0 - 127
0.0 - 50
Value
0 - 127
0 - 127
0 - 127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
See Table
table#1
Control
table#2
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
Display
0.00Hz - 39.7Hz
0 - 127
0 - 127
-63 - +63
Value
0 - 127
0 - 127
0 - 127
1 - 127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
table#3
6 - 10
6 - 10
Control
table#3
●
●
11 Stage
12
13
14
15
16
21
Effect Parameter List
PHASER 2 (variation block)
No.
1
2
3
4
5
6
7
8
9
10
2BAND EQ(STEREO) (variation block)
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
Display
0.00Hz - 39.7Hz
0 - 127
0 - 127
-63 - +63
Value
0 - 127
0 - 127
0 - 127
1 - 127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
table#3
11 Stage
3-5
12
13 LFO Phase Difference -180deg - +180deg
14
15
16
Control
table#3
●
resolution=3deg.
See Table
DISTORTION
OVERDRIVE (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Display
0 - 127
50Hz - 2.0kHz
-12 - +12dB
1.0k - Thru
0 - 127
Value
0 - 127
8 - 40
52 - 76
34 - 60
0 - 127
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
500Hz - 10.0kHz
-12 - +12dB
1.0 - 12.0
D63>W - D=W - D<W63
28 - 54 table#3
52 - 76
10 - 120
1 - 127
0 - 127
0 - 127
Control
●
table#3
table#3
Parameter
Drive
AMP Type
LPF Cutoff
Output Level
Display
0 - 127
Off,Stack,Combo,Tube
1.0k - Thru
0 - 127
Value
0 - 127
0-3
34 - 60
0 - 127
Dry/Wet
D63>W - D=W - D<W63
1 - 127
0 - 127
0 - 127
11 Edge(Clip Curve)
12
13
14
15
16
See Table
Control
●
table#3
mild - sharp
3BAND EQ(MONO) (variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
22
Parameter
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
EQ High Gain
EQ Low Frequency
EQ High Frequency
Display
-12 - +12dB
500Hz - 10.0kHz
-12 - +12dB
1.0 - 12.0
-12 - +12dB
50Hz - 2.0kHz
500Hz - 16.0kHz
Value
See Table
52 - 76
28 - 54 table#3
52 - 76
10 - 120
52 - 76
8 - 40 table#3
28 - 58 table#3
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
mild - sharp
AMP SIMULATOR (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Display
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
Value
8 - 40
52 - 76
28 - 58
52 - 76
See Table
table#3
Control
table#3
AUTO WAH (variation block)
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
11 Edge(Clip Curve)
12
13
14
15
16
Parameter
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
11
12
13
14
15
16
3-5
4 - 124
No.
1
2
3
4
5
6
7
8
9
10
Control
Parameter
LFO Frequency
LFO Depth
Cutoff Frequency Offset
Resonance
Display
0.00Hz - 39.7Hz
0 - 127
0 - 127
1.0 - 12.0
Value
See Table
0 - 127 table#1
0 - 127
0 - 127
10 - 120
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz - 2.0kHz
-12 - +12dB
500Hz - 16.0kHz
-12 - +12dB
D63>W - D=W - D<W63
8 - 40
52 - 76
28 - 58
52 - 76
1 - 127
table#3
table#3
Control
●
Effect Data Assign Table
table#1
LFO Frequency
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.00
0.04
0.08
0.12
0.16
0.21
0.25
0.29
0.33
0.37
0.42
0.46
0.50
0.54
0.58
0.63
0.67
0.71
0.75
0.79
0.84
0.88
0.92
0.96
1.00
1.05
1.09
1.13
1.17
1.22
1.26
1.30
1.34
1.38
1.43
1.47
1.51
1.55
1.59
1.64
1.68
1.72
1.76
1.80
1.85
1.89
1.93
1.97
2.01
2.06
2.10
2.14
2.18
2.22
2.27
2.31
2.35
2.39
2.43
2.48
2.52
2.56
2.60
2.65
table#2
Modulation Delay Offset
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Value
0.69
2.77
2.86
2.94
3.02
3.11
3.19
3.28
3.36
3.44
3.53
3.61
3.70
3.86
4.03
4.20
4.37
4.54
4.71
4.87
5.04
5.21
5.38
5.55
5.72
6.05
6.39
6.72
7.06
7.40
7.73
8.07
8.41
8.74
9.08
9.42
9.75
10.0
10.7
11.4
12.1
12.7
13.4
14.1
14.8
15.4
16.1
16.8
17.5
18.1
19.5
20.8
22.2
23.5
24.8
26.2
27.5
28.9
30.2
31.6
32.9
34.3
37.0
39.7
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
6.0
6.1
6.2
6.3
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
table#3
EQ Frequency
Value
6.4
6.5
6.6
6.7
6.8
6.9
7.0
7.1
7.2
7.3
7.4
7.5
7.6
7.7
7.8
7.9
8.0
8.1
8.2
8.3
8.4
8.5
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
9.6
9.7
9.8
9.9
10.0
11.1
12.2
13.3
14.4
15.5
17.1
18.6
20.2
21.8
23.3
24.9
26.5
28.0
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
Value
THRU(20)
22
25
28
32
36
40
45
50
56
63
70
80
90
100
110
125
140
160
180
200
225
250
280
315
355
400
450
500
560
630
700
800
900
1.0k
1.1k
1.2k
1.4k
1.6k
1.8k
2.0k
2.2k
2.5k
2.8k
3.2k
3.6k
4.0k
4.5k
5.0k
5.6k
6.3k
7.0k
8.0k
9.0k
10.0k
11.0k
12.0k
14.0k
16.0k
18.0k
THRU(20.0k)
table#4
Reverb time
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.5
6.0
6.5
7.0
7.5
8.0
8.5
9.0
9.5
10.0
11.0
12.0
13.0
14.0
15.0
16.0
table#5
Delay Time(200.0ms)
Data
64
65
66
67
68
69
Value
17.0
18.0
19.0
20.0
25.0
30.0
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.1
1.7
3.2
4.8
6.4
8.0
9.5
11.1
12.7
14.3
15.8
17.4
19.0
20.6
22.1
23.7
25.3
26.9
28.4
30.0
31.6
33.2
34.7
36.3
37.9
39.5
41.0
42.6
44.2
45.7
47.3
48.9
50.5
52.0
53.6
55.2
56.8
58.3
59.9
61.5
63.1
64.6
66.2
67.8
69.4
70.9
72.5
74.1
75.7
77.2
78.8
80.4
81.9
83.5
85.1
86.7
88.2
89.8
91.4
93.0
94.5
96.1
97.7
99.3
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Value
100.8
102.4
104.0
105.6
107.1
108.7
110.3
111.9
113.4
115.0
116.6
118.2
119.7
121.3
122.9
124.4
126.0
127.6
129.2
130.7
132.3
133.9
135.5
137.0
138.6
140.2
141.8
143.3
144.9
146.5
148.1
149.6
151.2
152.8
154.4
155.9
157.5
159.1
160.6
162.2
163.8
165.4
166.9
168.5
170.1
171.7
173.2
174.8
176.4
178.0
179.5
181.1
182.7
184.3
185.8
187.4
189.0
190.6
192.1
193.7
195.3
196.9
198.4
200.0
23
Effect Data Assign Table
table#6
Room Size
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
24
Value
0.1
0.3
0.4
0.6
0.7
0.9
1.0
1.2
1.4
1.5
1.7
1.8
2.0
2.1
2.3
2.5
2.6
2.8
2.9
3.1
3.2
3.4
3.5
3.7
3.9
4.0
4.2
4.3
4.5
4.6
4.8
5.0
5.1
5.3
5.4
5.6
5.7
5.9
6.1
6.2
6.4
6.5
6.7
6.8
7.0
table#7
Delay Time(400.0ms)
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.1
3.2
6.4
9.5
12.7
15.8
19.0
22.1
25.3
28.4
31.6
34.7
37.9
41.0
44.2
47.3
50.5
53.6
56.8
59.9
63.1
66.2
69.4
72.5
75.7
78.8
82.0
85.1
88.3
91.4
94.6
97.7
100.9
104.0
107.2
110.3
113.5
116.6
119.8
122.9
126.1
129.2
132.4
135.5
138.6
141.8
144.9
148.1
151.2
154.4
157.5
160.7
163.8
167.0
170.1
173.3
176.4
179.6
182.7
185.9
189.0
192.2
195.3
198.5
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
table#8
Reverb Width;Depth;Height
Value
201.6
204.8
207.9
211.1
214.2
217.4
220.5
223.7
226.8
230.0
233.1
236.3
239.4
242.6
245.7
248.9
252.0
255.2
258.3
261.5
264.6
267.7
270.9
274.0
277.2
280.3
283.5
286.6
289.8
292.9
296.1
299.2
302.4
305.5
308.7
311.8
315.0
318.1
321.3
324.4
327.6
330.7
333.9
337.0
340.2
343.3
346.5
349.6
352.8
355.9
359.1
362.2
365.4
368.5
371.7
374.8
378.0
381.1
384.3
387.4
390.6
393.7
396.9
400.0
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
0.5
0.8
1.0
1.3
1.5
1.8
2.0
2.3
2.6
2.8
3.1
3.3
3.6
3.9
4.1
4.4
4.6
4.9
5.2
5.4
5.7
5.9
6.2
6.5
6.7
7.0
7.2
7.5
7.8
8.0
8.3
8.6
8.8
9.1
9.4
9.6
9.9
10.2
10.4
10.7
11.0
11.2
11.5
11.8
12.1
12.3
12.6
12.9
13.1
13.4
13.7
14.0
14.2
14.5
14.8
15.1
15.4
15.6
15.9
16.2
16.5
16.8
17.1
17.3
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
Value
17.6
17.9
18.2
18.5
18.8
19.1
19.4
19.7
20.0
20.2
20.5
20.8
21.1
21.4
21.7
22.0
22.4
22.7
23.0
23.3
23.6
23.9
24.2
24.5
24.9
25.2
25.5
25.8
26.1
26.5
26.8
27.1
27.5
27.8
28.1
28.5
28.8
29.2
29.5
29.9
30.2
XG Parameter List
Modular Synthesis Plug-in System
XG Plug-in System
(LCD of CS6x/CS6R/S80/etc.)
Parameter Name
Parameter Name
Group
Parameter Name
Bank Select MSB
BANK SELECT MSB
MIX*Vce
Bank
Bank Select LSB
BANK SELECT LSB
MIX*Vce
Bank
Program Number
PROGRAM NUMBER
MIX*Vce
Number
Receive Channel
Rcv CHANNEL
LYR*Mode
RcvCh
Velocity Limit Low
VELOCITY LIMIT LOW
LYR*Limit
Vel Limit
Velocity Limit High
VELOCITY LIMIT HIGH
LYR*Limit
Vel Limit
Note Limit Low
NOTE LIMIT LOW
LYR*Limit
Note Limit
Note Limit High
NOTE LIMIT HIGH
LYR*Limit
Note Limit
Pitch Bend Range
BEND PITCH CONTROL
TON*Other
Pitch Bend
Velocity Sense Depth
VELOCITY SENSE DEPTH
TON*Other
VelDepth
Velocity Sense Offset
VELOCITY SENSE OFFSET
TON*Other
VelOffset
Volume
VOLUME
MIX*Level
Vol
Pan
PAN
MIX*Level
Pan
Detune
DETUNE
LYR*Tune
Detune
Reverb Send
REVERB SEND
MIX*Level
RevSend
Chorus Send
CHORUS SEND
MIX*Level
ChoSend
Note Shift
NOTE SHIFT
LYR*Tune
NoteShift
Filter Cutoff Frequency
LOW PASS FILTER CUTOFF FREQUENCY
TON*Filter
Cutoff
Filter Resonance/Width
LOW PASS FILTER RESONANCE
TON*Filter
Reso
Portamento Switch
PORTAMENTO SWITCH
TON*Portamento
Switch
Portamento Time
PORTAMENTO TIME
TON*Portamento
Time
AEG Attack Time (EG Attack Time)
EG ATTACK TIME
TON*EG
Attack
AEG Decay2 Time (EG Decay Time)
EG DECAY TIME
TON*EG
Decay
AEG Release Time (EG Release Time)
EG RELEASE TIME
TON*EG
Release
MW Filter Control
MW LOW PASS FILTER CONTROL
CTL*MW Control
Filter
MW Amplitude Control
MW AMPLITUDE CONTROL
CTL*MW Control
Amp
MW LFO Pitch Modulation Depth
MW LFO PMOD DEPTH
CTL*MW Modulation
PMod
MW LFO Filter Modulation Depth
MW LFO FMOD DEPTH
CTL*MW Modulation
FMod
MW LFO Amplitude Modulation Depth
MW LFO AMOD DEPTH
CTL*MW Modulation
AMod
CAT Pitch Control
CAT PITCH CONTROL
CTL*AT Control
Pitch
CAT Filter Control
CAT LOW PASS FILTER CONTROL
CTL*AT Control
Filter
CAT Amplitude Control
CAT AMPLITUDE CONTROL
CTL*AT Control
Amp
CAT LFO Pitch Modulation Depth
CAT LFO PMOD DEPTH
CTL*AT Modulation
PMod
CAT LFO Filter Modulation Depth
CAT LFO FMOD DEPTH
CTL*AT Modulation
FMod
CAT LFO Amplitude Modulation Depth
CAT LFO AMOD DEPTH
CTL*AT Modulation
AMod
AC1 Controller Number
AC1 CONTROLLER NUMBER
CTL*AC Control
Source
AC1 Filter Control
AC1 FILTER CONTROL
CTL*AC Control
Filter
AC1 Amplitude Control
AC1 AMPLITUDE CONTROL
CTL*AC Control
Amp
AC1 LFO Pitch Modulation Depth
AC1 LFO PMOD DEPTH
CTL*AC Modulation
PMod
AC1 LFO Filter Modulation Depth
AC1 LFO FMOD DEPTH
CTL*AC Modulation
FMod
AC1 LFO Amplitude Modulation Depth
AC1 LFO AMOD DEPTH
CTL*AC Modulation
AMod
25
MIDI Data Format
1. Channel messages
1.1 Note on/note off
1.2.5 Main Volume
These messages convey keyboard performance data.
Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)
Velocity range = 1...127 (Velocity is received only for note-on)
When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that part will
not receive these messages.
For a drum part*, key-off is not received if the DrumSetup parameter Rcv
NOTE OFF = OFF.
For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE
ON = OFF.
* Drum Part indicates that the Multi Part parameter PART MODE is “set
to DRUM, DRUMS1, DRUMS2.”
This message controls the volume of each part.
This is used to adjust the volume balance between parts.
Control# Parameter
7
Main Volume
When the Multi Part parameter Rcv VOLUME = OFF, that part will not
receive Main Volume.
With a value of 0 there will be no sound, and a value of 127 will be the maximum volume.
1.2.6 Panpot
This message control the panning (stereo location) of each part.
Control# Parameter
10
Pan
1.2 Control changes
These messages control volume or pan etc.
Their functions are differentiated by the control number (Ctrl#).
If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will
not receive control changes.
Data Range
0...127
Data Range
0...64...127
When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot.
0 is left, 64 is center, and 127 is right.
1.2.7 Expression
This message controls expression (dynamics within a musical line) for each
part.
It is used to create volume changes during a song.
1.2.1 Bank Select
This message selects the voice bank.
Control# Parameter
0
Bank Select MSB
32
Bank Select LSB
Data Range
0, 64, 126, 127 (Normal voice, SFX
voice, SFX kit, Drum kit)
0...127
The Bank Select data will be processed only after a Program Change is
received, and then voice bank will change at that time.
If you wish to change the voice bank as well as the voice, you must transmit
Bank Select and Program Change messages as a set, in the order of Bank
Select MSB, LSB, and Program Change.
Control# Parameter
11
Expression
If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not
receive Expression.
1.2.8 Hold1
This message controls sustain pedal on/off.
Control# Parameter
64
Hold1
1.2.2 Modulation
This message is used primarily to control the depth of vibrato, but the depth of
the following 7 types of effect can be controlled.
The effect of this message can be changed by the following parameters.
• Multi Part Parameter
1. MW PITCH CONTROL
2. MW FILTER CONTROL
3. MW AMPLITUDE CONTROL
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH
6. MW LFO AMOD DEPTH
• Effect1 Parameter
7. MW VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion)
By default, an LFO Pitch Modulation (PMOD) effect will apply.
Control# Parameter
1
Modulation
Data Range
0...127
Data Range
0...127
Data Range
0...63,64...127 (OFF, ON)
When this is ON, currently-sounding notes will continue to sound even if noteoff messages are received.
If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive
Hold1.
1.2.9 Portamento
This message controls portamento on/off.
Control# Parameter
65
Portamento
Data Range
0...63, 64...127 (OFF, ON)
When this is ON, the pitch will change smoothly between notes. The time over
which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also,
when the Multi Part parameter MONO/POLY MODE = MONO, the tone will
also change smoothly (legato) if Portamento = ON.
If any of the following Multi Part parameter settings apply, that part will not
receive Portamento.
• Rcv PORTAMENTO = OFF
• PART MODE = DRUM, DRUMS1, DRUMS2
If the Multi Part parameter Rcv MODULATION = OFF, that part will not
receive Modulation.
1.2.10 Sostenuto
This message controls sostenuto pedal on/off.
1.2.3 Portamento Time
This message controls the degree of Portamento (refer to 1.2.9).
Control# Parameter
5
Portamento Time
Data Range
0...127
When Portamento (control number 065) is ON, this regulates the speed of the
pitch change.
A value of 0 is the shortest portamento time, and 127 is the longest portamento
time.
If the receive channel is a drum part, Portamento Time is not received.
Control# Parameter
66
Sostenuto
Data Range
0...63,64...127 (OFF, ON)
If sostenuto is turned on while a note is sounding, that note will be sustained
until sostenuto is turned OFF.
If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive
Sostenuto.
1.2.11 Soft Pedal
This message controls soft pedal on/off.
1.2.4 Data Entry
This message sets the value of the parameter which was specified by RPN
MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21).
Control# Parameter
6
Data Entry MSB
38
Data Entry LSB
26
Data Range
0...127
0...127
Control# Parameter
67
Soft Pedal
Data Range
0...63, 64...127 (OFF, ON)
The sound will become mellower when Soft Pedal is ON.
If any of the following Multi Part parameter settings apply, that part will not
receive the Soft Pedal.
• Rcv SOFT PEDAL = OFF
• PART MODE = DRUM, DRUMS1, DRUMS2
MIDI Data Format
1.2.12 Harmonic Content
1.2.20 Data Increment/Decrement (for RPN)
This message increases or decreases the parameter value specified for RPN
(see 1.2.22), by increments of 1.
This message adjusts the resonance of the filter that is specified for the sound.
Control# Parameter
71
Harmonic Content
Data Range
0...64...127 (-64...0...+63)
Control# Parameter
96
RPN Increment
97
RPN Decrement
Since this is a relative change parameter, it specifies a boost or cut relative to
64.
Higher values will produce a more distinctive sound.
For some sounds, the effective range may be less than the possible range of
settings.
Data Range
---
The data byte is ignored.
1.2.21 NRPN (Non-registered parameter number)
This message is used to specify a sound parameter (such as vibrato, filter, EG,
drum setup etc.) as an offset value.
Use NRPN MSB and NRPN LSB to specify the parameter that you wish to
modify, and then use Data Entry (see 1.2.4) to set the value for the specified
parameter.
1.2.13 Release Time
This message adjusts the EG release time that was specified by the sound data.
Control# Parameter
72
Release Time
Data Range
0...64...127 (-64...0...+63)
Control# Parameter
98
NRPN LSB
99
NRPN MSB
Since this is a relative change parameter, it specifies an increase or decrease
relative to 64.
Increasing this value will lengthen the release that follows a note-off.
Data Range
0...127
0...127
If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.
The following NRPN messages can be received.
1.2.14 Attack Time
This message adjusts the EG attack time that was specified by the sound data.
Control# Parameter
73
Attack Time
Data Range
0...64...127 (-64...0...+63)
Since this a relative change parameter, it specifies an increase or decrease relative to 64.
Increasing this value will make the attack more gradual, and decreasing this
value will make the attack sharper.
NRPN
MSB LSB
01
08
Data Entry *1
MSB LSB
mm
-- *2
01
09
mm
--
01
10
mm
--
01
32
mm
--
01
33
mm
--
01
99
mm
--
01
100
mm
--
01
102
mm
--
20
rr
mm
--
21
rr
mm
--
22
rr
mm
--
23
rr
mm
--
24
rr
mm
--
25
rr
mm
--
26
rr
mm
--
28
rr
mm
--
29
rr
mm
--
30
rr
mm
--
31
rr
mm
--
1.2.15 Brightness
This message adjusts the cutoff frequency of the low pass filter specified by the
sound data.
Control# Parameter
74
Brightness
Data Range
0...64...127 (-64...0...+63)
Since this is a relative change parameter, it specifies an increase or decrease
relative to 64.
Lower values will produce a more mellow sound.
For some sounds, the effective range may be less than the possible range of
settings.
1.2.16 Portamento Control
This message specifies the portamento source key number (the key number at
which portamento will begin).
Data of 0...127 specifies the portamento source key.
When Portamento Control is received, the currently-sounding pitch will
change at a Portamento Time of 0 to the key of the next-received note-on of the
same channel.
Control# Parameter
84
Portamento Control
Data Range
0...127 (C-2...G8)
This is received even if Rcv PORTAMENTO = OFF.
1.2.17 Effect1 Depth(Reverb Send Level)
This message specifies the send level for the reverb effect.
Control# Parameter
91
Effect1 Depth
Data Range
0...127
Increasing this value will produce a richer reverb. The effect of the value will
depend on the state of the reverb effect.
1.2.18 Effect3 Depth(Chorus Send Level)
This message specifies the send level for the chorus effect.
Control# Parameter
93
Effect3 Depth
Data Range
0...127
Raising this value will increase the modulation or spaciousness. The effect of
the value will depend on the state of the chorus effect.
1.2.19 Effect4 Depth (Variation Effect Send Level)
This message specifies the send level for the variation effect.
Control# Parameter
94
Effect4 Depth
Data Range
0...127
However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion).
Parameter name and value range
Vibrato rate
mm: 00 - 64 - 127 (-64...0...+63)
Vibrato depth
mm: 00 - 64 - 127 (-64...0...+63)
Vibrato delay
mm: 00 - 64 - 127 (-64...0...+63)
Low pass filter cutoff frequency
mm: 00 - 64 - 127 (-64...0...+63)
Low pass filter resonance
mm : 00 - 64 - 127 (-64...0...+63)
EG attack time
mm: 00 - 64 - 127 (-64...0...+63)
EG decay time
mm: 00 - 64 - 127 (-64...0...+63)
EG release time
mm: 00 - 64 - 127 (-64...0...+63)
Drum low pass filter cutoff frequency
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
Drum low pass filter resonance
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
Drum EG attack rate
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
Drum EG decay rate
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
The effect will apply both to Decay 1 and 2.
Drum instrument pitch coarse
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
Drum instrument pitch fine
rr: drum instrument note number
mm: 00 - 64 - 127 (-64...0...+63)
Drum instrument level
rr: drum instrument note number
mm: 00 - 127(0...maximum)
Drum instrument panpot
rr: drum instrument note number
mm: 00, 01-64-127(RND, L63...C...R63)
Drum instrument reverb send level
rr: drum instrument note number
mm: 00 - 127(0...maximum)
Drum instrument chorus send level
rr: drum instrument note number
mm: 00 - 127(0...maximum)
Drum instrument variation send level
rr: drum instrument note number
mm: 00 - 127(0...maximum)
(when Variation Connection = SYSTEM)
mm: 00, 01-127 (OFF,ON)
(when Variation Connection = INSERTION)
MSB 20-31 (for drums) is received when Multi Part parameter PART MODE =
DRUMS1, 2.
*1 Refer to 1.2.4
*2 '--' indicates that the setting value is ignored.
27
MIDI Data Format
1.2.22 RPN (Registered parameter number)
This message is used to specify part parameters such as Pitch Bend Sensitivity
or Tuning etc. as an offset value.
Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter.
Control# Parameter
100
RPN LSB
101
RPN MSB
Data Range
0...127
0...127
If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.
The following RPN messages can be received.
RPN
MSB LSB
00
00
00
01
Data Entry *1
MSB LSB
mm
-- *2
mm
ll
00
02
mm
--
127
127
--
--
Parameter name and value range
Pitch bend sensitivity
mm: 00-24 (0...+24 semitones)
Specify up to 2 octaves in semitone steps
Fine tuning
mm ll: 00 00
-100 cents
:
:
mm ll: 64 00
0 cents
:
:
mm ll: 127 127
+100 cents
[Note] mm ll: 00 127 (=-87.5) cents is
followed by 01 00 (=-87.4) cents.
Coarse tuning
mm: 40 - 64 - 88 (-24...0...+24 semitones)
RPN Null
This sets RPN and NRPN numbers to an unset
state. Internal data is not affected.
1.3.2 Reset All Controllers
This message resets the following controllers to their default values.
Controller
Pitch bend change
Channel pressure
Polyphonic key pressure
Modulation
Expression
Hold
Portamento
Sostenuto
Soft pedal
Portamento control
RPN
NRPN
Value
±0 (center)
0 (off)
0 (off)
0 (off)
127 (maximum)
0 (off)
0 (off)
0 (off)
0 (off)
Reset the portamento source note number that was received
Number unset, internal data is not affected.
Number unset, internal data is not affected.
The following data is not changed
Parameter values specified by program change, bank select MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and NRPN.
Control# Parameter
121
Reset All Controllers
Data Range
0
1.3.3 All Note Off
This message turns off all notes which are currently on for the corresponding
part.
However, if Hold 1 or Sostenuto are on, notes will continue to sound until
these are turned off.
Control# Parameter
123
All Note Off
Data Range
0
*1 Refer to 1.2.4
*2 '--' indicates that the setting value is ignored.
1.3.4 Omni Off
Perform the same processing as when All Note Off is received.
1.2.23 Assignable controller
By assigning a control change number of 0...95 to a part, the specified effect
can be controlled.
This device allows two control change numbers (AC1 and AC2) to be specified
for each part.
The following parameters specify the effect of AC1 and AC2.
• Multi Part Parameter
1. AC1, AC2 PITCH CONTROL
2. AC1, AC2 FILTER CONTROL
3. AC1, AC2 AMPLITUDE CONTROL
4. AC1, AC2 LFO PMOD DEPTH
5. AC1, AC2 LFO FMOD DEPTH
6. AC1, AC2 LFO AMOD DEPTH
• Effect1 Parameter
7. AC1, AC2 VARIATION CONTROL DEPTH
(Valid if Variation Effect is assigned to a part as Insertion)
The AC1 control change number is specified by the Multi Part parameter AC1
CONTROLLER NUMBER, and the AC2 control change number is specified
by the Multi Part parameter AC2 CONTROLLER NUMBER.
1.3 Channel mode messages
These messages specify the basic operation of a part.
Control# Parameter
124
Omni Off
Data Range
0
1.3.5 Omni On
Perform the same processing as when All Note Off is received.
Control# Parameter
125
Omni On
Data Range
0
1.3.6 Mono
Perform the same processing as when All Sound Off is received, and if the
value (mono number) is in the range of 0...16, set the corresponding channel to
Mode4* (m = 1).
Control# Parameter
126
Mono
Data Range
0...16
* Mode4 is a state in which only channel messages on the specified
channel will be received, and notes will be sounded individually
(monophonically).
1.3.7 Poly
Perform the same processing as when All Sound Off is received, and set the
corresponding channel to Mode3*.
1.3.1 All Sound Off
This message silences all currently-sounding notes on the corresponding channel.
However, the settings of channel messages such as Hold 1 and Sostenuto will
be maintained.
Control# Parameter
120
All Sound Off
Data Range
0
Control# Parameter
127
Poly
Data Range
0
* Mode3 is when channel messages will be received only on the specified channel, and will be sounded polyphonically.
1.4 Program change
This message reports sound selection changes and changes the program number of the receiving channel.
In order to include changes to the voice bank, Program Change and Bank
Select messages must be sent as a set (see 1.2.1).
When RevPROGRAM CHANGE=OFF for Multi Part Parameter, the program
change for that part is not received.
28
MIDI Data Format
1.5 Pitch bend
This message conveys movements of the pitch bender.
This message is generally used to modify the pitch of a part, but the depth of
the following seven effects can be controlled.
The effect of this message can be modified by the following parameters.
• Multi Part Parameter
1. BEND PITCH CONTROL
2. BEND FILTER CONTROL
3. BEND AMPLITUDE CONTROL
4. BEND LFO PMOD DEPTH
5. BEND LFO FMOD DEPTH
6. BEND LFO AMOD DEPTH
• Effect1 Parameter
7. BEND VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion)
By default, the Pitch Control effect is applied.
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will
not receive pitch bend messages.
2. System exclusive messages
2.1 Parameter changes
This devices uses the following parameter changes.
[UNIVERSAL REALTIME MESSAGE]
1) Master Volume
[UNIVERSAL NON REALTIME MESSAGE]
1) General MIDI System On
[XG PARAMETER CHANGE]
1) XG System on
2) XG System parameter change
3) Multi Effect1 parameter change
4) Multi Part parameter change
5) Drums Setup parameter change
[MU128 NATIVE PARAMETER CHANGE 2]
1) Current Performance parameter change
[Others]
1) Master tuning
1.6 Channel aftertouch
This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The
pressure can be controlled for each part. This message will affect the currentlysounding notes.
The effect of this message will be determined by the settings of the following
parameters.
• Multi Part Parameter
1. CAT PITCH CONTROL
2. CAT FILTER CONTROL
3. CAT AMPLITUDE CONTROL
4. CAT LFO PMOD DEPTH
5. CAT LFO FMOD DEPTH
6. CAT LFO AMOD DEPTH
• Effect1 Parameter
7. CAT VARIATION CONTROL DEPTH
(Valid when the Variation Effect is assigned to a part as Insertion)
By default, there will be no effect.
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part
will not receive Channel Aftertouch.
2.1.1 Universal realtime messages
2.1.1.1 Master Volume
11110000
01111111
01111111
00000100
00000001
* 0sssssss
0ttttttt
11110111
or,
11110000
01111111
0xxxnnnn
00000100
00000001
0sssssss
0ttttttt
11110111
F0H
7FH
7FH
04H
01H
SSH
TTH
F7H
= Exclusive status
= Universal Real Time
= ID of target device
= Sub-ID #1 = Device Control Message
= Sub-ID #2 = Master Volume
= Volume LSB
= Volume MSB
= End of Exclusive
F0H
7FH
XNH
04H
01H
SSH
TTH
F7H
= Exclusive status
= Universal Real Time
= Device Number, xxx = don't care
= Sub-ID #1 = Device Control Message
= Sub-ID #2 = Master Volume
= Volume LSB
= Volume MSB
= End of Exclusive
When this is received, the Volume MSB will be reflected by the System
parameter MASTER VOLUME.
1.7 Polyphonic aftertouch
This message conveys the pressure that is applied to the keyboard after playing
a note (for individual note numbers).
The pressure can be controlled independently for each note. This message will
affect currently-sounding notes.
The effect of this message is determined by the following Multi Part parameters.
1.
2.
3.
4.
5.
6.
PAT PITCH CONTROL
PAT FILTER CONTROL
PAT AMPLITUDE CONTROL
PAT LFO PMOD DEPTH
PAT LFO FMOD DEPTH
PAT LFO AMOD DEPTH
By default, there will be no effect.
The effect will apply to note numbers 36...97.
In the case of either of the following Multi Part parameter settings, that part
will not receive Polyphonic Aftertouch.
• Rcv CHANNEL AFTER TOUCH = OFF
• PART MODE = DRUM, DRUMS1...4
* The binary expression 0sssssss is expressed in hexadecimal as SSH.
The same applies elsewhere.
2.1.2 Universal non-realtime messages
2.1.2.1 General MIDI System On
11110000
01111110
01111111
00001001
00000001
11110111
or,
11110000
01111110
0xxxnnnn
00001001
00000001
11110111
F0H
7EH
7FH
09H
01H
F7H
= Exclusive status
= Universal Non-Real Time
= ID of target device
= Sub-ID #1 = General MIDI Message
= Sub-ID #2 = General MIDI On
= End of Exclusive
F0H
7EH
XNH
09H
01H
F7H
= Exclusive status
= Universal Non-Real Time
= N:Device Number, X:don't care
= Sub-ID #1 = General MIDI Message
= Sub-ID #2 = General MIDI On
= End of Exclusive
When this message is received, the SOUND MODULE MODE is set to
XG, and all MIDI messages defined by GM will be received.
All data except for MIDI Master Tuning will be restored to the default
value.
However this message will not be received in any of the following cases.
Since approximately 50[ms] is required in order to process this message,
be sure to allow an appropriate interval before sending the next message.
29
MIDI Data Format
2.1.3 XG parameter change
This message sets XG-related parameters. Each message can set a single
parameter.
The message format is as follows.
11110000
01000011
0001nnnn
01001100
0ggggggg
0mmmmmmm
0lllllll
0sssssss
:
11110111
F0H
43H
1NH
4CH
GGH
MMH
LLH
SSH
:
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
For parameters whose Data Size is 2 or 4, the appropriate amount of data
will be transmitted as indicated by Size.
2.1.3.1 XG System On
11110000
01000011
0001nnnn
01001100
00000000
00000000
01111110
00000000
11110111
F0H
43H
1NH
4CH
00H
00H
7EH
00H
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
When On is received, the SOUND MODULE MODE will be set to XG.
Since approximately 50[ms] are required in order to execute this message,
please allow an appropriate interval before transmitting the next message.
2.2 Bulk dump
This device uses the following bulk dump messages.
[XG BULK DUMP]
1) XG System bulk dump
2) Multi Effect1 bulk dump
3) Multi Part bulk dump
4) Drums Setup bulk dump
2.2.1 XG bulk dump
This message sets XG-related parameters. Unlike parameter change messages,
a single message can modify multiple parameters. The message format is as
follows.
11110000
01000011
0000nnnn
01001100
0sssssss
0ttttttt
0ggggggg
0mmmmmmm
0lllllll
0vvvvvvv
:
0kkkkkkk
11110111
F0H
43H
0NH
4CH
SSH
TTH
GGH
MMH
LLH
VVH
:
KKH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
ByteCountMSB
ByteCountLSB
Address High
Address Mid
Address Low
Data
Check-sum
End of Exclusive
Address and Byte Count are given in tables 1-n. Byte Count is indicated by
the total size of the Data in tables 1-n.
Bulk dump and dump request messages are received when the beginning
of the block is specified as the 'Address'.
'Block' indicates the unit of the data string that is indicated in tables 1-n as
'Total size'.
Check sum is the value that produces a lower 7 bits of 0 when the Start
Address, Byte Count, Data, and the Check-sum itself are added.
2.1.3.2 XG System parameter change
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).
2.2.1.1 XG System bulk dump
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).
2.1.3.3 Multi Effect1 parameter change
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>,
<1 - 3>).
2.1.3.4 Multi Part parameter change
2.2.1.2 Multi Effect1 bulk dump
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>,
<1 - 3>).
This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>).
2.2.1.3 Multi Part bulk dump
2.1.3.5 Drums Setup parameter change
This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>).
This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 5>).
2.2.1.4 Drums Setup bulk dump
2.1.4 Other parameter changes
2.1.4.1 Master tuning
This message simultaneously modifies the tuning of all channels.
11110000
01000011
0001nnnn
00100111
00110000
00000000
00000000
0000mmmm
0000llll
0xxxxxxx
11110111
F0H
43H
1NH
27H
30H
00H
00H
0MH
0LH
XXH
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Master Tune MSB
Master Tune LSB
don't care
End of Exclusive
Normally, the XG SYSTEM message MASTER TUNE should be used
(refer to table <1-2>).
30
This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 - 5>).
3. Realtime messages
3.1 Active sensing
a) Transmission
not transmitted.
b) Receive
Once FE has been received, failure to receive any MIDI message for an
interval longer than approximately 300 msec will cause processing to
be performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET
ALL CONTROLLERS messages were received, and the unit will reset
to a condition in which FE was never received.
MIDI Data Format
< Table 1-1 >
Parameter Base Address
MODEL ID = 4C
Parameter
XG SYSTEM
EFFECT 1
MULTI PART
DRUM
(H)
00
00
00
00
02
08
:
08
30
31
Address
(M) (L)
00
00
00
7D
00
7E
00
7F
01
00
00
00
:
:
0F
00
0D
00
0D
00
Description
System
Drum setup Reset
XG System On
All Parameter Reset
Effect1(Reverb,Chorus,Variation )
Multi Part 1
:
Multi Part 16
Drum Setup 1
Drum Setup 2
Address
3n 0D 00
3n 0E 00
:
3n 5B 00
Parameter
note number 13
note number 14
:
note number 91
< Table 1-2 >
MIDI Parameter Change table ( XG SYSTEM )
Address
(H)
00 00 00
01
02
03
04
05
06
7D
7E
7F
TOTAL SIZE
Size
(H)
4
Data
(H)
00 - 0F
00 - 0F
00 - 0F
00 - 0F
1
1
1
1
1
1
07
00 - 7F
28 - 58
N
00
00
Parameter
Description
MASTER TUNE
-102.4...0...+102.3[cent]
1st bit3-0→bit15-12
2nd bit3-0→bit11-8
3rd bit3-0→bit7-4
4th bit3-0→bit3-0
0...127
7F
-24...0...+24[semitones]
N: Drum setup number(0,1)
00=XG system ON (receive only)
00=ON (receive only)
40
----
MASTER VOLUME
not used
TRANSPOSE
DRUM SETUP RESET
XG SYSTEM ON
ALL PARAMETER RESET
Default value
(H)
00 04 00 00
< Table 1-3 >
MIDI Parameter Change table ( EFFECT 1)
Address
(H)
02 01 00
Size
(H)
2
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
Parameter
Description
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER 1
REVERB PARAMETER 2
REVERB PARAMETER 3
REVERB PARAMETER 4
REVERB PARAMETER 5
REVERB PARAMETER 6
REVERB PARAMETER 7
REVERB PARAMETER 8
REVERB PARAMETER 9
REVERB PARAMETER 10
REVERB RETURN
REVERB PAN
refer to Effect Program List
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-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
Default value
(H)
01(=HALL1)
0
12(depends on reverb type)
0A(depends on reverb type)
08(depends on reverb type)
0D(depends on reverb type)
31(depends on reverb type)
00(depends on reverb type)
00(depends on reverb type)
00(depends on reverb type)
00(depends on reverb type)
00(depends on reverb type)
40
40
02
03
04
05
06
07
08
09
0A
0B
0C
0D
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
0E
02 01 10
11
12
13
14
15
TOTAL SIZE
1
1
1
1
1
1
6
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
REVERB PARAMETER 11
REVERB PARAMETER 12
REVERB PARAMETER 13
REVERB PARAMETER 14
REVERB PARAMETER 15
REVERB PARAMETER 16
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00(depends on reverb type)
04(depends on reverb type)
32(depends on reverb type)
08(depends on reverb type)
40(depends on reverb type)
00(depends on reverb type)
02 01 20
2
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
1
0F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
00 - 7F
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARAMETER 1
CHORUS PARAMETER 2
CHORUS PARAMETER 3
CHORUS PARAMETER 4
CHORUS PARAMETER 5
CHORUS PARAMETER 6
CHORUS PARAMETER 7
CHORUS PARAMETER 8
CHORUS PARAMETER 9
CHORUS PARAMETER 10
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
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-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
41(=CHORUS1)
0
06(depends on chorus type)
36(depends on chorus type)
4D(depends on chorus type)
6A(depends on chorus type)
00(depends on chorus type)
1C(depends on chorus type)
40(depends on chorus type)
2E(depends on chorus type)
40(depends on chorus type)
40(depends on chorus type)
40
40
0
31
MIDI Data Format
Address
(H)
02 01 30
31
32
33
34
35
TOTAL SIZE
Size
(H)
1
1
1
1
1
1
6
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
Description
Default value
(H)
2E(depends on chorus type)
40(depends on chorus type)
0A(depends on chorus type)
00(depends on chorus type)
00(depends on chorus type)
00(depends on chorus type)
CHORUS PARAMETER 11
CHORUS PARAMETER 12
CHORUS PARAMETER 13
CHORUS PARAMETER 14
CHORUS PARAMETER 15
CHORUS PARAMETER 16
refer to Effect Parameter List
refer to Effect Parameter List
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02 01 40
2
42
2
44
2
46
2
48
2
4A
2
4C
2
4E
2
50
2
52
2
54
2
56
57
58
59
5A
5B
1
1
1
1
1
1
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARAMETER 1 MSB
VARIATION PARAMETER 1 LSB
VARIATION PARAMETER 2 MSB
VARIATION PARAMETER 2 LSB
VARIATION PARAMETER 3 MSB
VARIATION PARAMETER 3 LSB
VARIATION PARAMETER 4 MSB
VARIATION PARAMETER 4 LSB
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 5 LSB
VARIATION PARAMETER 6 MSB
VARIATION PARAMETER 6 LSB
VARIATION PARAMETER 7 MSB
VARIATION PARAMETER 7 LSB
VARIATION PARAMETER 8 MSB
VARIATION PARAMETER 8 LSB
VARIATION PARAMETER 9 MSB
VARIATION PARAMETER 9 LSB
VARIATION PARAMETER 10 MSB
VARIATION PARAMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
VARIATION CONNECTION
VARIATION PART NUMBER
05(=DELAY L,C,R)
0
1A(depends on variation type)
05(depends on variation type)
0D(depends on variation type)
03(depends on variation type)
27(depends on variation type)
08(depends on variation type)
27(depends on variation type)
08(depends on variation type)
00(depends on variation type)
4A(depends on variation type)
00(depends on variation type)
64(depends on variation type)
00(depends on variation type)
0A(depends on variation type)
00(depends on variation type)
00(depends on variation type)
00(depends on variation type)
00(depends on variation type)
00(depends on variation type)
20(depends on variation type)
40
40
0
0
0
7F
5C
5D
5E
5F
60
TOTAL SIZE
1
1
1
1
1
21
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
MW VARIATION CONTROL DEPTH
BEND VARIATION CONTROL DEPTH
CAT VARIATION CONTROL DEPTH
AC1 VARIATION CONTROL DEPTH
AC2 VARIATION CONTROL DEPTH
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refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
refer to Effect Program List
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
-∞dB...0dB...+6dB(0...96...127)
INSERTION , SYSTEM
Part1
OFF(127)
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
02 01 70
71
72
73
74
75
TOTAL SIZE
1
1
1
1
1
1
6
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
VARIATION PARAMETER 11
VARIATION PARAMETER 12
VARIATION PARAMETER 13
VARIATION PARAMETER 14
VARIATION PARAMETER 15
VARIATION PARAMETER 16
refer to Effect Parameter List
refer to Effect Parameter List
refer to Effect Parameter List
refer to Effect Parameter List
refer to Effect Parameter List
refer to Effect Parameter List
00(depends on variation type)
3C(depends on variation type)
1C(depends on variation type)
40(depends on variation type)
2E(depends on variation type)
40(depends on variation type)
40
40
40
40
40
< Table 1-4 >
MIDI Parameter Change table ( MULTI PART )
Address
(H)
08 nn 00
32
Size
(H)
1
Data
(H)
00 - 20
Parameter
Description
ELEMENT RESERVE
0
nn 01
1
00 - 7F
BANK SELECT MSB
0...127
nn 02
nn 03
nn 04
1
1
1
00 - 7F
00 - 7F
00-0F,7F
BANK SELECT LSB
PROGRAM NUMBER
Rcv CHANNEL
0...127
1...128
A1...A16, OFF
Default value
(H)
part10 = 0
other parts =2
part10 = 7F
other parts=0
00
00
Part No.
nn 05
nn 06
1
1
00 - 01
00 - 02
MONO , POLY
SINGLE, MULTI, INST(for DRUM)
01
01
nn 07
1
00 - 03
MONO/POLY MODE
SAME NOTE NUMBER
KEY ON ASSIGN
PART MODE
NORMAL, DRUM, DRUMS1, 2
nn 08
nn 09
nn 0A
1
2
28 - 58
00 - 0F
00 - 0F
NOTE SHIFT
DETUNE
Part10=2
other parts=0
40
08 00
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
1
1
1
1
1
1
1
1
1
1
1
1
1
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
VOLUME
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PAN
NOTE LIMIT LOW
NOTE LIMIT HIGH
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
-24...0...+24[semitones]
-12.8...0...+12.7[Hz]
1st bit3-0→bit7-4
2nd bit3-0→bit3-0
0...127
0...127
0...127
RND, L63...C...R63
C-2...G8
C-2...G8
0...127
0...127
0...127
0...127
-64...0...+63
-64...0...+63
-64...0...+63
64
40
40
40
00
7F
7F
00
28
00
40
40(drum part ignores)
40(drum part ignores)
MIDI Data Format
Address
(H)
nn 18
nn 19
nn 1A
nn 1B
nn 1C
nn 1D
nn 1E
nn 1F
nn 20
nn 21
nn 22
nn 23
nn 24
nn 25
nn 26
nn 27
nn 28
TOTAL SIZE
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
TOTAL
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
50
51
52
53
54
55
56
57
58
59
5A
5B
5C
5D
5E
5F
60
61
62
63
64
65
66
67
68
69
6A
6B
6C
6D
6E
SIZE
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
29
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
Description
LOW PASS FILTER CUTOFF FREQUENCY
LOW PASS FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
MW PITCH CONTROL
MW LOW PASS FILTER CONTROL
MW AMPLITUDE CONTROL
MW LFO PMOD DEPTH
MW LFO FMOD DEPTH
MW LFO AMOD DEPTH
BEND PITCH CONTROL
BEND LOW PASS FILTER CONTROL
BEND AMPLITUDE CONTROL
BEND LFO PMOD DEPTH
BEND LFO FMOD DEPTH
BEND LFO AMOD DEPTH
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
Default value
(H)
40
40
40
40
40
40
40
40
0A
00
00
42
40
40
00
00
00
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
3F
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
01 - 7F
Rcv PITCH BEND
Rcv CH AFTER TOUCH(CAT)
Rcv PROGRAM CHANGE
Rcv CONTROL CHANGE
Rcv POLY AFTER TOUCH(PAT)
Rcv NOTE MESSAGE
Rcv RPN
Rcv NRPN
Rcv MODURATION
Rcv VOLUME
Rcv PAN
Rcv EXPRESSION
Rcv HOLD1
Rcv PORTAMENTO
Rcv SOSTENUTO
Rcv SOFT PEDAL
Rcv BANK SELECT
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
CAT PITCH CONTROL
CAT LOW PASS FILTER CONTROL
CAT AMPLITUDE CONTROL
CAT LFO PMOD DEPTH
CAT LFO FMOD DEPTH
CAT LFO AMOD DEPTH
PAT PITCH CONTROL
PAT LOW PASS FILTER CONTROL
PAT AMPLITUDE CONTROL
PAT LFO PMOD DEPTH
PAT LFO FMOD DEPTH
PAT LFO AMOD DEPTH
AC1 CONTROLLER NUMBER
AC1 PITCH CONTROL
AC1 LOW PASS FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO PMOD DEPTH
AC1 LFO FMOD DEPTH
AC1 LFO AMOD DEPTH
AC2 CONTROLLER NUMBER
AC2 PITCH CONTROL
AC2 LOW PASS FILTER CONTROL
AC2 AMPLITUDE CONTROL
AC2 LFO PMOD DEPTH
AC2 LFO FMOD DEPTH
AC2 LFO AMOD DEPTH
PORTAMENTO SWITCH
PORTAMENTO TIME
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
0...95
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
0...95
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
OFF, ON
0...127
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
1...127
1...127
01
01
01
01
01
01
01
XGmode=01, GMmode=00
01
01
01
01
01
01
01
01
XGmode=01, GMmode=00
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
00
00
00
40
40
40
00
00
00
10
40
40
40
00
00
00
11
40
40
40
00
00
00
00
00
40
40
40
40
01
7F
33
MIDI Data Format
nn = PART NUMBER
In the case of a DRUM PART, the following parameters will have no effect.
• BANK SELECT LSB
• MONO/POLY MODE
• SCALE TUNING
• PORTAMENTO
• PITCH EG
< Table 1-5 >
MIDI Parameter Change table ( DRUM SETUP )
Address
(H)
3n rr 00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
TOTAL SIZE
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
10
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 01
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
Description
PITCH COARSE
PITCH FINE
LEVEL
ALTERNATE GROUP
PAN
REVERB SEND
CHORUS SEND
VARIATION SEND
KEY ASSIGN
Rcv NOTE OFF
Rcv NOTE ON
LOW PASS FILTER CUTOFF FREQUENCY
LOW PASS FILTER RESONANCE
EG ATTACK RATE
EG DECAY1 RATE
EG DECAY2 RATE
-64...0...+63
-64...0...+63[cent]
0...127
OFF,1...127
RND,L63...C...R63
0...127
0...127
0...127
SINGLE , MULTI
OFF , ON
OFF , ON
-64...0...63
-64...0...63
-64...0...63
-64...0...63
-64...0...63
Default value
(H)
40
40
depend on the note
depend on the note
depend on the note
depend on the note
depend on the note
7F
00
depend on the note
01
40
40
40
40
40
n:Drum Setup Number(0 - 1)
rr:note number(0D - 5B)
In the following cases, all Drum Setups will be initialized.
XG SYSTEM ON received
GM SYSTEM ON received
DRUM SETUP RESET received (only setup applies)
[Note]
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes)will apply to all parts to which it is assigned.
34
MIDI Data Format
35
36
x
x
**************
Default
Messages
Altered
Mode
Key's
Ch's
After
Touch
Control
Change
0,32
1,5,7,10,11
6,38
64-67
71-74
84
91,93,94
96-97
98-99
100-101
Pitch Bend
Note ON
Note OFF
Velocity
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
: True voice **************
x
x
Default
Changed
Basic
Channel
Note
Number
*2
o
o
o
o
o
o
o
o
o
o
o 0-24 semi
o
o
o 9nH,v=1-127
x
0 - 127
0 - 127
3
3,4 (m=1)
x
1 - 16
1 - 16
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Sound Controller
Portamento Cntrl
Effect Depth
RPN Inc,Dec
NRPN LSB,MSB
RPN LSB,MSB
Data Entry
Bank Select
Remarks
Transmitted
Recognized
Date:19-OCT-1999
Version : 1.0
[ XG Plug-in Board ]
Model PLG100-XG MIDI Implementation Chart
Function...
YAMAHA
MIDI Implementation Chart
: True #
x
x
x
x
x
x
o(120,126,127)
o(121)
x
o(123-125)
o
x
x
x
x
x
x
o
o 0 - 127
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO
*1 receive if switch is on.
*2 m is always treated as "1" regardless of its value.
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
Notes:
:All Sound OFF
:Reset All Cntrls
:Local ON/OFF
:All Notes OFF
Mes- :Active Sense
sages:Reset
Aux
x
x
x
x
x
: Song Pos.
: Song Sel.
: Tune
x
x
**************
System
: Clock
Real Time: Commands
Common
System Exclusive
Prog
Change
o : Yes
x : No
MIDI Implementation Chart
37
SOFTWARE LICENSING AGREEMENT
The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed
Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein.
Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined
herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data
(“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included.
Therefore, you must treat the SOFTWARE like any other copyrighted materials.
2. RESTRICTIONS
The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the
SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network
the SOFTWARE with other computers.
You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement.
3. TERMINATION
The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If
any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.
4. PRODUCT WARRANTY
Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform
the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media
which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set
forth above, the SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with
respect to this software, including, without limitation the implied warranties of merchantability and fitness for a particular purpose.
5. LIMITED LIABILITY
Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any
other person for any damages, including without limitation any incidental or consequential damages, expenses, lost
profits, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an
authorized dealer has been advised of the possibility of such damages, or for any claim by any other party.
6. GENERAL
This license agreement shall be interpreted according to and governed by Japanese laws.
38
SOFTWARE-LIZENZVEREINBARUNG
Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha
Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm
ausschließlich zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig. Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an
Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet.
1. ERETILUNG VON LIZENZ UND COPYRIGHT
Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und
der darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen
sie nicht auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von
Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen
geschützt. Sie haben ein Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher
müssen Sie die SOFTWARE wie alle anderen durch Copyright geschützten Materialien behandeln.
2. EINSCHRÄNKUNGEN
Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden
reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modifizieren, verändern, gegen
Entgelt oder unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE
keine Ableitungen erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis
unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung einverstanden erklärt.
3. BEENDIGUNG
Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein
Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre
Kopien unverzüglich vernichten.
4. PRODUKTGARANTIE
Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin
bestehen wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht”
geliefert, und es werden keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software
übernommen, einschließlich, aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität
und Eignung für einen bestimmten Einsatzzweck.
5. BESCHRÄNKTE HAFTUNG
Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha
Ihnen oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige
Schäden oder Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die
aus der Verwendung der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für etwaige andere Ansprüche einer anderen Partei.
6. ALLGEMEINES
Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden.
39
CONTRAT DE LICENCE DE LOGICIEL
Ceci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ciinclus est concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues
aux présentes. Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez
l’ensemble des termes du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour
en obtenir le remboursement intégral.
1. CONCESSION DE LICENCE ET DROITS D’AUTEUR
Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments
sur plus d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en
droit de revendiquer l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout
autre élément protégé par le droit d’auteur.
2. RESTRICTIONS
Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à
reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modifier, prêter,
louer, revendre ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des fins de création dérivée.
Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau.
Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous
réserve que vous n’en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat.
3. RESILIATION
Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est
remis. Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées,
le contrat de licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement
détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées.
4. GARANTIE PRODUIT
Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel
fourni, Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul
recours opposable à Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et
toute autre garantie expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite
de qualité marchande et d’adéquation à un usage particulier, est exclue.
5. RESPONSABILITE LIMITEE
Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha
ne pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment
et de manière non limitative, de dommages indirects, frais, pertes de bénéfices, pertes de fonds ou d’autres dommages
résultant de l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été
prévenus de l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie.
6. REMARQUE GENERALE
Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété.
40
For details of products, please contact your nearest Yamaha or
the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à
Yamaha ou au distributeur le plus proche de vous figurant dans
la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif.
90620, U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más
cercana o el distribuidor autorizado que se lista debajo.
ITALY
Yamaha Musica Italia S.P.A.,
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Electronica Musical, S.A.
Jorge Juan 30, 28001, Madrid, Spain
Tel: 91-577-7270
GREECE
Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens,
Greece
Tel: 01-364-7111
BRAZIL
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
ARGENTINA
Yamaha Music Argentina S.A.
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panama S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panam*, Panam*
Tel: 507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands
Tel: 030-2828411
BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium
Tel: 02-7258220
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: 04101-3030
AFRICA
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 4308650
Tel: 053-460-2312
FRANCE
Yamaha Musique France,
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
SY20
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: 971-4-81-5868
KOREA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
10F, 150, Tun-Hwa Northroad,
Taipei, Taiwan, R.O.C.
Tel: 02-2713-8999
THAILAND
OTHER EUROPEAN COUNTRIES
OTHER COUNTRIES
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
SINGAPORE
AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria
Tel: 01-60203900
INDONESIA
MALAYSIA
DENMARK
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Cosmos Corporation
1461-9, Seocho Dong, Seocho Gu, Seoul, Korea
Tel: 02-3486-0011
SWEDEN
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
ASIA
HONG KONG
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic.
3205, Australia
Tel: 3-699-2388
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
International Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2312
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2445
This document is printed on chlorine free (ECF) paper.
Auf Umweltpapier gedruckt.
Ce document a été imprimé sur du papier non blanchi au chlore.
M.D.G., EMI Division, Yamaha Corporation
© 1999 Yamaha Corporation
V513900 912POCP5.2-01A0 Printed in Japan