PSR-S650

Yamaha PSR-S650 Handleiding

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DIGITAL WORKSTATION
Reference Manual
Explains advanced features of the PSR-S650. After reading the Owner’s Manual and
you want more detailed information about PSR-S650 features, refer to the Reference Manual.
EN
Reference Manual
2
Voice-Related Settings and Functions 3
Adjusting volume balance and timbre of the sounds for
each Voice.................................................................... 3
Voice Types...................................................................... 4
Voice Characteristics ............................................. 4
Metronome Setting ........................................................... 5
Muting the Bell ....................................................... 5
Adjusting the Metronome Volume .......................... 6
Setting the touch sensitivity of the keyboard .................... 7
EQ settings....................................................................... 8
Harmony/Effect-Related Settings 9
Selecting a Harmony type ................................................ 9
Selecting a Reverb type ................................................. 10
Selecting a Chorus type ................................................. 11
Selecting a DSP type ..................................................... 12
Style-Related Settings 14
Adjusting the Style Volume ............................................ 14
Muting Independent Style Parts ..................................... 15
Selecting Chord Fingering Type..................................... 16
Pattern Variation (Sections) ........................................... 18
Setting the Split Point ..................................................... 19
Stop Accompaniment function........................................ 20
Style Types..................................................................... 20
Creating Your Own One Touch Setting Setups.............. 21
Song-Related Settings 22
Adjusting the Song Volume ............................................ 22
Muting Independent Song Parts..................................... 23
Random Song Playback................................................. 24
Song Types .................................................................... 25
Editing Songs 26
Creating Original Styles (Style Creator) 30
Style Structure................................................................ 30
Using the Style Creator .................................................. 31
Calling up the Style Creator ........................................... 32
Beat settings .................................................................. 33
Section Settings ............................................................. 34
Copying a Section................................................ 34
Selecting a Section to be recorded...................... 36
Setting the Measure Length................................. 36
Part Settings .................................................................. 37
Selecting a Recording Part .................................. 37
Selecting a Voice ................................................. 37
Part Volume ......................................................... 37
Pan ...................................................................... 37
Reverb Level........................................................ 37
Chorus Level........................................................ 37
Recording part ............................................................... 38
Rhythm Part recording......................................... 38
Bass, Chord, Pad and Phrase Part recording...... 39
Editing (Quantize and part clear) ................................... 40
Quantize .............................................................. 40
Clearing a recorded Part...................................... 41
Saving the data .............................................................. 42
Exit from the Style Creator............................................. 43
The Functions 44
Basic Operation ............................................................. 44
Connecting to a Computer 48
MIDI Settings for transferring performance data
with a computer.......................................................... 48
PC Mode.............................................................. 48
MIDI Settings ....................................................... 49
Initial Setup .......................................................... 50
Transferring Data Between the Computer and
Instrument .................................................................. 51
Installing Musicsoft Downloader .......................... 51
Transferring Data by using the Musicsoft
Downloader...................................................... 51
Index.............................................................................. 53
The illustrations and displays as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
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NOTE
Contents
Reference Manual
3
Voice-Related Settings and Functions
When a Main, Dual or Left Voice is selected, suitable Voice parameters—such as Voice
Volume or effect send level—for each Voice are automatically recalled. However, you
can change these parameters as desired. This chapter explains how to set the Voice
parameters for each Voice and how to make other settings related to the keyboard per-
formance.
You can adjust the volume balance or other Voice parameters among Main, Dual and
Left Voices. You can also memorize the settings here to the Registration Memory for
easy and convenient future recall.
1
Press the [FUNCTION] button to call up the Function display.
The currently selected item will appear in the display.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to select the
item you want to change.
You can individually adjust the Voice setting (Volume, Octave, Pan, Reverb
Level, Chorus Level, DSP Level and Dry Level) that is applied to the Main,
Dual, and Left Voices. For example, if you wish to change the DSP Level for the
Main Voice, select “Main DSP Level.
Adjusting volume balance and timbre of the sounds for each Voice
Item (Display) Value
MAIN VOICE
Main Volume 000–127
Main Octave -2–+2
Main Pan
000–64–127
(left–center–right)
Main Reverb Level 000–127
Main Chorus Level 000–127
Main DSP Level 000–127
Main Dry Level 000–127
DUAL VOICE
Dual Volume 000–127
Dual Octave -2–+2
Dual Pan
000–64–127
(left–center–right)
Dual Reverb Level 000–127
Dual Chorus Level 000–127
Dual DSP Level 000–127
Dual Dry Level 000–127
LEFT VOICE
Left Volume 000–127
Left Octave -2–+2
Left Pan
000–64–127
(left–center–right)
Left Reverb Level 000–127
Left Chorus Level 000–127
Left DSP Level 000–127
Left Dry Level 000–127
Reference Manual
4
Voice-Related Settings and Functions
3
Use the dial or the [-/NO]/[+/YES] buttons to set the value as desired.
Play the keyboard and listen to the Voice.
4
Memorize the settings here to the Registration Memory as desired.
If you select a different keyboard Voice without saving, the parameters will be
reset and the ideal settings for the selected Voice will be automatically recalled.
The following two types of Voices can be used by this instrument.
Voice Characteristics
The Voice type and its defining characteristics are indicated in the Voice name.
Live! .............These acoustic instrument sounds were sampled in stereo, to produce a
truly authentic, rich sound—full of atmosphere and ambience.
Cool!.............These Voices capture the dynamic textures and subtle nuances of electric
instruments—thanks to a huge amount of memory and some very sophis-
ticated programming.
Sweet!...........These acoustic instrument sounds also benefit from Yamaha’s sophisti-
cated technology, and feature extremely detailed, natural and authentic
sound.
Kit.................Various drum and percussion sounds and special effect sounds are
assigned to individual keys.
Mega.............Mega Voices make special use of velocity switching. Each velocity range
(the measure of your playing strength) has a completely different sound.
For example, a guitar Mega Voice includes the sounds of various perfor-
mance techniques. In conventional instruments, different Voices having
those sounds would be called up via MIDI and played in combination to
achieve the desired effect. However, now with Mega Voices, a convincing
guitar part can be played with just a single Voice, using specific velocity
values to play the desired sounds. Because of the complex nature of these
Voices and the precise velocities need to play the sounds, they’re not
intended for playing from the keyboard. They are, however, very useful
and convenient when creating MIDI data—especially when you want to
avoid using several different Voices just for a single instrument part.
Voice Types
Preset Voices Voices built into the instrument
Expansion Voices Voices saved into the instrument by installing the Expansion Pack
Preset Voices
Expansion Voice
• Mega Voices are unique to
this instrument and are not
compatible with other mod-
els. Any Song or Style data
you’ve created on this instru-
ment using these Voices will
not sound properly when
played back on other instru-
ments.
• Mega Voices sound differ-
ently depending on the key-
board range, velocity, touch,
etc. Hence, if you apply
effects, change the trans-
pose setting or change the
Voice parameters, unex-
pected or undesired sounds
may result.
NOTE
Reference Manual
5
Voice-Related Settings and Functions
Muting the Bell
You can mute the Metronome bell which sounds at the first beat of each measure.
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
Metronome category function “Bell.
You can also call up Metronome category function display easily by holding the
[METRONOME] button for longer than a second.
3
Rotate the dial and select ON (sound) or OFF (mute).
Metronome Setting
Bell
ON/OFF status
Metronome category
Reference Manual
6
Voice-Related Settings and Functions
Adjusting the Metronome Volume
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Metronome Volume.
3
Use the dial to set the Metronome Volume.
Metronome Volume
Reference Manual
7
Voice-Related Settings and Functions
You can adjust the touch response of the instrument (how the sound responds to the way you play the keys).
1
Confirm that Touch Response is on.
You can see the on/off status for Touch Response in the Main display. The
[TOUCH] button alternately turns Touch Response on and off.
When Touch Response is set to off, all notes will be played at the same volume
no matter how hard or softly you play the keys.
2
Press and hold the [TOUCH] button for longer than a second to
call up “Touch Sensitivity.
3
Use the dial to select a Touch Sensitivity setting between 1 and 3.
Setting the touch sensitivity of the keyboard
Appears when Touch Response is on
Hold for longer
than a second
Touch Sensitivity
Value
• The initial default setting is 2.
NOTE
1 (Soft) Produces high volume with moderate playing strength.
2 (Medium) Standard touch response.
3 (Hard) Requires moderately strong playing for higher volume.
Reference Manual
8
Voice-Related Settings and Functions
You can select one of five Master equalizer (EQ) settings which are provided to give you the best possible sound
when listening through different reproduction systems: the instrument’s built-in speakers, headphones and exter-
nal speakers.
1
Press the [FUNCTION] button.
The currently selected function will appear in the display.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
Master EQ Type.
3
Use the dial to select an EQ Setting for the best sound.
Settings 1 and 2 are designed for optimum sound when using the built-in speak-
ers of the instrument. Setting 1 provides balanced reproduction throughout the
frequency spectrum, low to high. Setting 2 has a more powerful sound than 1,
and is ideal for local music from South America and the Middle East.
Setting 3 is designed for headphone listening, and has a relatively flatter
response than 1.
Settings 4 and 5 are designed for use with a mixer and external speaker system.
Setting 4 in particular has a flat response, and is suitable for relatively large-
scale PA applications and recording using a mixer. Setting 5 is more suitable for
small external speakers, and compared to 4, emphasizes the low and high fre-
quencies.
EQ settings
The currently selected EQ
type will appear.
Reference Manual
9
Harmony/Effect-Related Settings
Harmony and Effect (Reverb, Chorus and DSP) have their own suitable preset types
which are automatically recalled when a Main Voice or Style/Song is selected. However,
you can change the effect type as desired. This chapter explains how to set the effect
type.
This feature adds Harmony, Tremolo or Echo effects to the Main Voice when the Harmony is turned on. A suitable
Harmony type is automatically selected when you select a Main Voice, but you can easily select a different Har-
mony type.
1
Press the [HARMONY] button to turn the Harmony function on.
You can see the on/off status for the Harmony in the Main display. To turn Harmony
off, press the [HARMONY] button again.
2
Press and hold the [HARMONY] button for longer than a second to
call up the Harmony type select display.
The currently selected Harmony type will be displayed.
3
Use the dial to select a Harmony type.
Refer to the Effect Type List in the separate Data List for information about the
available Harmony types. Try playing the keyboard with the Harmony function.
The effect and operation of each Harmony type is different—for details, refer to
the section “How to play Each Harmony Type” in chapter 1 in the Owner’s
Manual.
4
Memorize the settings here to the Registration Memory as desired.
If you select a different Main Voice without saving, the settings in steps 2–3 will
be cleared.
Selecting a Harmony type
Appears when Harmony is on
Hold for longer
than a second
Harmony type
Selected Harmony type
• The Harmony notes can be
added only to the Main
Voice, not to Dual or Left
Voices.
• The keys left of the Split
Point of the keyboard pro-
duce no Harmony notes
when the Auto Accompani-
ment is on ([ACMP] button
lights).
• When chord fingering is set
to Full Keyboard, the Har-
mony function is turned off
automatically.
NOTE
Reference Manual
10
Harmony/Effect-Related Settings
Reverb enhances the sound of the Voices with the rich ambience of a concert hall. When you select a Style or
Song the optimum reverb type for the Voice used is automatically selected. If you want to select a different reverb
type, use the operation described below.
1
Press the [FUNCTION] button to call up the Function display.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Reverb Type.
The currently selected Reverb type will be displayed.
3
Use the dial to select a Reverb type.
Refer to the Effect Type List in the separate Data List for information about the
available Reverb types. Try playing the keyboard with the Reverb function.
Adjusting the Reverb Level
You can individually adjust the amount of reverb that is applied to the Main,
Dual, and Left Voices (see page 3).
4
Memorize the settings here to the Registration Memory as desired.
If you select a different Style without saving, the settings in steps 3 will be
cleared.
Selecting a Reverb type
Reverb type
Selected Reverb type
Reference Manual
11
Harmony/Effect-Related Settings
The Chorus effect creates a thick, textured sound that is similar to many of the same Voices being played in uni-
son. When you select a Style or Song the optimum Chorus Type for the Voice used is automatically selected. If
you want to select a different Chorus Type, use the procedure described below.
1
Press the [FUNCTION] button to call up the Function display.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Chorus Type.
The currently selected Chorus type will be displayed.
3
Use the dial to select a Chorus type.
Refer to the Effect Type List in the separate Data List for information about the
available Chorus types. Try playing the keyboard with the Chorus function.
Adjusting the Chorus Level
You can individually adjust the amount of Chorus that is applied to the Main,
Dual, and Left Voices (See page 3).
4
Memorize the settings here to the Registration Memory as desired.
If you select a different Style without saving, the settings in steps 3 will be
cleared.
Selecting a Chorus type
Chorus type
Selected Chorus type
Reference Manual
12
Harmony/Effect-Related Settings
In addition to the Reverb and Chorus effects, a wide variety of DSP (Digital Signal
Processor) effects let you enhance the sound, or completely transform it. Some DSP
types can be applied only to notes you play on the keyboard while the Reverb and
Chorus effects are applied to the entire instrument sound. When you select a Main
Voice, the optimum DSP Type for the Voice used is automatically selected. If you
want to select a different DSP type, use the procedure described below.
1
Press the [DSP] button to turn the DSP function on.
The [DSP] button lights when the DSP is turned on. To turn DSP off, press the
[DSP] button again.
2
Press and hold the [DSP] button for longer than a second to call
up the DSP type select display.
The currently selected DSP type will be displayed.
3
Use the dial to select a DSP type.
Refer to the Effect Type List in the separate Data List for information about the
available DSP types. Try playing the keyboard with the DSP function.
Adjusting the DSP Level
You can individually adjust the amount of DSP that is applied to the Main, Dual,
and Left Voices (see page 3).
4
Memorize the settings here to the Registration Memory as desired.
If you select a different Style without saving, the settings in steps 3 will be
cleared.
Selecting a DSP type
• DSP is an acronym for Digi-
tal Signal Processor and it
uses a micro processor to
change the audio in various
ways.
NOTE
• The volume of the currently
playing Voice changes when
turning DSP on or off. This is
not a malfunction. The
amount of change differs
depending on the selected
Voice.
• The DSP type is an overall
setting—only one type can
be selected. For this reason,
when you play a newly
loaded Song or Style, for
example, the currently play-
ing Voices may not sound as
expected. This is normal,
since the Song or Style has
its own DSP type which
replaces any selection
you’ve made before loading.
A similar phenomenon
occurs when you use the
[
f
], [
r
] buttons or A-B
Repeat function during
Song playback.
NOTE
Lights when the DSP is turned on.
DSP type
Selected DSP type
Hold for longer than a
second
Reference Manual
13
Harmony/Effect-Related Settings
Voice Sound and Effect Type
You can select one type from each effect (Reverb, Chorus and DSP) then individually
adjust the amount of effect that is applied to the Main, Dual, and Left Voices. How-
ever, the effect type cannot be applied independently to each Main, Dual or Left
Voice. Because of this, you should adjust the send level for each Voice when using
effects.
When the DSP function is on, the overall sound may be wrong or unexpected if the
Main Voice is changed. This is because the DSP type is automatically selected
according to the currently selected Main Voice and the same effect is applied to the
Dual Voice or Left Voice as well as the Main Voice. If you want to enhance the sound
using the DSP, determine the Main Voice first, then adjust the send level of the DSP
effect applied to each Voice.
The Reverb/Chorus type is automatically selected according to the currently selected
Style or Song, and the same effect is applied to the Dual Voice or Left Voice as well
as the Main Voice. If you want to create a custom sound using a favorite Voice, deter-
mine the Voices, effects and Voice parameters first, then memorize the settings to the
Registration Memory without changing the Style or Song.
Reference Manual
14
Style-Related Settings
This section gives detailed information on the Style playback functions not covered in
the Owner’s Manual.
This lets you adjust the volume balance between Style playback and the sound you play on the keyboard.
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Style Volume.
3
Use the dial to set the Style Volume.
Adjusting the Style Volume
Style Volume
Setting range is
000–127
• For instructions on adjust-
ing the volume of the key-
board performance, see
page 3.
NOTE
Reference Manual
15
Style-Related Settings
Each “track” of a Style plays a different part of the Style—chord, bass, etc. You can mute individual tracks and
play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to.
Use the [REGIST/PART [MIXER]] button to select the ACMP TR and use the STYLE PART [RHY 1]–[PHR 2]
buttons to mute or un-mute the corresponding tracks. Each track button is lit in green when that track is not muted,
and is unlit when the track is muted. Furthermore, the border around the track number in the display disappears
when that track is muted.
1
Press the [REGIST/PART [MIXER]] button until the desired track
is shown on the display.
The following items are selected on the display when you press the [REGIST/
PART [MIXER]] button. “REGIST” “ACMP. TR
In this state, you can use eight buttons as the Style track buttons.
2
Press the desired Track button(s) to set the mute track(s).
To cancel the mute, press the appropriate track button(s) again.
Muting Independent Style Parts
These are the basic parts of
the Style, containing the
drum and percussion rhythm
patterns.
The bass part uses various
appropriate instrument
sounds to match the Style.
These are the rhyth-
mic chord backing
parts, commonly
used with piano or
guitar Voices.
This part is used
for sustained
instruments such
as strings, organ,
choir, etc.
These parts are used for punchy brass
stabs, arpeggiated chords, and other
extras that make the accompaniment
more interesting.
REGIST
ACMP. TR
Lit in green ... Contains data and played
Unlit ... Contains no data or is muted
No track number ... No data.
Track number without border ... Track
contains data but is muted.
Track number with border ... Track
contains data and is not muted.
Reference Manual
16
Style-Related Settings
When the Auto Accompaniment is turned on, you can select one of three Chord Fingering types which detect
chords played with your left hand (in the auto accompaniment section of the keyboard).
1
Press and hold the [ACMP] button for longer than a second to
call up the Chord Fingering type select display.
2
Use the dial to select the type.
The default Fingering type is “Multi Finger.
AI” stands for “Artificial Intelligence.
Selecting Chord Fingering Type
1 Multi Finger
Recognizes the various chord types which are listed on page
17.
2 FullKeyboard
Detects chords in the entire key range. Chords are detected
in a way similar to Multi Finger.
3 AI Fingered
Basically the same as Multi Finger, with the exception that
less than three notes can be played to indicate the chords
(based on the previously played chord, etc.). However, Easy
chords described in chapter 2 in the Owner’s Manual cannot
be detected in the AI Fingered mode.
Reference Manual
17
Style-Related Settings
Chord Types Recognized in the Multi Finger
Chord Name/[Abbreviation] Normal Voicing Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C
add9
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6
9
Major seventh [M7] 1 - 3 - (5) - 7 CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7
9
Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 CM7
#11
Flatted fifth [(b5)] 1 - 3 - b5C
b5
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7
b5
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm add9
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7Cm7
9
Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7
11
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7
9
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7Cm7
b5
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7
b5
Diminished [dim] 1 - b3 - b5Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7C7
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7
b9
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7
b13
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C7
9
Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7C7
#11
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C7
13
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7
#9
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7C7
b5
Seventh augmented [7aug] 1 - 3 - #5 - b7C7aug
Seventh suspended fourth [7sus4] 1 - 4 - 5 - b7C7sus4
Suspended second [sus2]
1 - 2 - 5
Csus2
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
C
mM7
C
M7
C
6
C
sus4
C
aug
C
M7aug
C
7aug
C
7sus4
C
sus2
C
7
C
m
C
dim
C
dim7
C
7
C
mM7
(
9
)
C
M7
(
9
)
C
m7
(
9
)
C
7
(
b9
)
C
7
(
b13
)
C
m7
(
11
)
C
M7
(
#11
)
C
(
b5
)
(
9
)
C
6
C
m add9
(
9
)
C
7
(
#11
)
C
7
(
#9
)
C
7
(
13
)
C
7
C
m6
C
m7
C
(
b5
)
C
M7
(
b5
)
C
m7
(
b5
)
C
mM7
(
b5
)
C
add9
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
Reference Manual
18
Style-Related Settings
The instrument features a wide variety of Style “sections” that allow you to vary the arrangement of the accompa-
niment to match the Song you are playing.
Pattern Variation (Sections)
Play the Intro
Press one of the INTRO [I]–[III] but-
tons to add an introduction as soon as
Style Playback is started. When the
Intro finishes playing, Style playback
automatically shifts to the Main sec-
tion.
Play Main section
Pressing one of the MAIN VARIATION [A]–
[D] buttons during playback switches to the
other Main pattern. Press one of the MAIN
VARIATION [A]–[D] buttons before starting
Style playback to select the desired Main section
for playing.
Play the Ending
Press one of the ENDING/rit. [I]–[III] buttons to begin
playing an ending section. Playback will stop automati-
cally when the ending has played all the way through.
You can have the ending gradually slow down (ritar-
dando) by pressing the same ENDING/rit.button again
while the ending is playing back.
Play Fill-in
When the [AUTO FILL IN] button is turned on,
pressing any of the MAIN VARIATION [A]–[D]
buttons as you play automatically plays a fill-in sec-
tion, spicing up the auto accompaniment. Even
when the [AUTO FILL IN] is turned off, pressing
the same button of the currently playing section
automatically plays a fill-in before returning to the
same Main section.
Reference Manual
19
Style-Related Settings
Set the point on the keyboard that separates the right and left-hand sections (Split Point). When Auto Accompani-
ment is off, keys played in the left-hand section are used for playing the Left Voice. When Auto Accompaniment
is on, the left-hand section becomes the Chord section (Auto Accompaniment range) and the chords played in the
Chord section produce an appropriate Auto Accompaniment playback, and add the Harmony effect to the notes
played in the right-hand section.
The initial default Split Point is key number 54 (the F sharp 2 key), but you can change it to another key using the
procedure described below.
1
Press the [FUNCTION] button.
2
Use the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Split Point.
3
Use the dial to set the Split Point to any key from 036 (C1) through
096 (C6).
Setting the Split Point
• A specified “Split Point” key
is included in the Auto
Accompaniment range.
• You can also use the [-/NO]
and [+/YES] buttons to set
the Split Point. The Split
Point setting can be reset to
the initial default value by
pressing the [-/NO] and [+/
YES] buttons simultaneously.
NOTE
Split Point (54: F#2)
Auto Accompaniment range
Main Voice
Reference Manual
20
Style-Related Settings
When the Auto Accompaniment is turned on and Synchro Start is off, you can play chords in the Auto Accompa-
niment range of the keyboard with the style stopped, and still hear the accompaniment chord. In this condition —
called “Stop Accompaniment” — any valid chord fingerings are recognized and the chord root/type are shown in
the display. Since the instrument properly recognizes chords, you can also use the Harmony effect without having
to play back a Style.
The following four types of Styles can be used by this instrument.
The chart below shows the basic operation flow for using the preset Styles, User Styles, loaded Styles and USB
Styles from storage to playback.
Stop Accompaniment function
Style Types
Preset Styles Styles built into the instrument
User Style
Styles created by Style Creator function
Styles transferred from a computer
Styles loaded from the USB flash memory
Expansion Styles Styles saved into the instrument by installing the Expansion Pack
USB Style Styles in USB flash memory
[ACMP] button
lights
Auto Accompa-
niment range
Transfer
(page 51)
Style Creator
(page 30)
Connect
Style storage location
Preset Styles
Save
Play
Computer
USB flash memory
Expansion
Styles
User Style USB Style
Load
Your own performance
Expansion Styles and User Styles can be selected using the
[EXPANSION/USER] button.
USB flash
memory
Installation
(Owner’s Manual)
Reference Manual
21
Style-Related Settings
You can create your own One Touch Setting setups and save the setups to the User
Styles and USB Styles. Preset Styles and Expansion Styles cannot be used for the
save destination.
The setups you created will be saved as part of Style data.
1
Select the desired User Style or USB Style to which you want to
save your settings.
2
Make the panel settings for the desired Style selected in step 1.
3
While holding the [MEMORY] button, press one of the ONE TOUCH
SETTING [1]–[4] buttons to memorize the panel settings to the
One Touch Setting contained in the selected Style.
When the display prompts you whether you want to overwrite the existing file
with the new One Touch Setting, press [EXECUTE] or [+/YES] to overwrite the
file, or the [-/NO] to cancel.
Press one of the ONE TOUCH SETTING [1]–[4] buttons to call up the new One
Touch Setting in the Style.
Creating Your Own One Touch Setting Setups
• When the specified Style
contains One Touch Setting,
the previous One Touch Set-
ting will be erased and
replaced by the new data.
• Styles overwritten by the
new One Touch Setting is
automatically saved in SFF
GE format.
NOTICE
NOTE
Reference Manual
22
Song-Related Settings
This section gives detailed information on the Song playback functions not covered in
the Owner’s Manual.
This lets you adjust the volume balance between Song playback and the sound you play on the keyboard.
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Song Volume.
3
Use the dial to set the Song Volume.
Adjusting the Song Volume
• The explanations here only
apply to the Song mode.
NOTE
Song Volume
Setting range is
000–127
• For instructions on adjust-
ing the volume of the key-
board performance, see
page 3.
NOTE
Reference Manual
23
Song-Related Settings
A Song consists of 16 tracks. Each “track” of a Song plays a different part of the Song—melody, percussion,
accompaniment, etc.
You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than
the ones you want to listen to.
Use the [REGIST/PART [MIXER]] button to select the TR 1-8, TR 9-16 and use the SONG PART [1/9]–[8/16]
buttons to mute or un-mute the corresponding tracks ([1]–[8], [9]–[16]). Each track button is lit in green when that
track is not muted, and is unlit when the track is muted. Furthermore, the border around the track number in the
display disappears when that track is muted.
1
Select a Song, then press and hold the [REGIST/PART [MIXER]]
button until the desired track is shown on the display.
The following items are alternately selected on the display when you press the
[REGIST/PART [MIXER]] button. “REGIST” “TR 1-8” “TR 9-16.
In this state, you can use the eight buttons as the Song track buttons.
2
Press the desired TRACK [1/9]–[8/16] buttons to set the mute
track(s).
To cancel the mute, press the appropriate REGISTRATION MEMORY [1/9]–
[8/16] buttons again.
Muting Independent Song Parts
Display Setting
TR 1-8 Specify the mute tracks of 1–8 by pressing the [1/9]–[8/16] buttons.
TR 9-16
Specify the mute tracks of 9–16 by pressing the [1/9]–[8/16] but-
tons.
REGIST
TR 1-8
TR 9-16
Lit in green ... Contains data and is played
Unlit ... Contains no data or is muted.
No track number ... No data.
Track number without border ... Track
contains data but is muted.
Track number with border ... Track
contains data and is not muted.
Reference Manual
24
Song-Related Settings
This function lets you randomly play the Songs via the [DEMO] button—in other words, the Songs specified in
the Demo Group (page 47). The explanations here do not applied when the Demo Group is set to “Demo.
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to call up
“Demo Play Mode.
3
Use the dial to select “Random.
If you want to restore the normal playback mode, select “Normal.
4
Press the [DEMO] button to start random playback.
The Songs specified as the Demo Group will play back in random order.
You can stop playback at any time by pressing the [DEMO] or [START/STOP]
button.
Random Song Playback
Reference Manual
25
Song-Related Settings
The following three types of Songs can be used by this instrument.
The chart below shows the basic operation flow for using the Preset Songs, User Songs and USB Songs from stor-
age to playback.
Song Types
Preset Songs Songs built into the instrument
Preset Song
numbers 001–009
User Song
Songs you record yourself
User Song
numbers 001–005
Songs transferred from a computer
Songs loaded from the USB flash memory
User Song
numbers 006–
USB Song Songs in USB flash memory
Transfer
(page 51)
Record
(Owner’s Manual)
Connect
Song storage location
Preset Songs
(001–009)
Save
Play
Computer
USB flash memory
User Songs
(001–005)
User Songs
(006–)
USB Songs
Load
Your own performance
User Songs can be selected using the [USER] button.
Reference Manual
26
Editing Songs
As desired, edit the User Song and the USB Song for each track in the Song Edit func-
tion to finalize the Song data. Adjustable items (parameters) in the Song Edit function
are Voice, Pitch and Quantize. In addition to these parameters, you can use the Mixer
function to adjust individual track parameters and save the settings while the Song
Edit function is engaged.
1
Select a User Song or a Song on a USB flash memory that con-
tains the data you want to edit.
Available Songs are limited to SMF format with file extension: “.mid.” Preset
Songs cannot be used for editing.
2
Press and hold the [REC] button for longer than a second to call
up the Song Edit display.
The track (Part) selection display appears.
3
Use the dial to select the desired track for editing.
4
Edit the track selected in step 3, then press the [EXECUTE] button.
You can change the “Voice,” “Ch Transpose” and “Quantize” parameters for the
selected track. Use the CATEGORY buttons [
<
] and [
>
] to select “Voice,” “Ch
Transpose” or “Quantize,” then use the dial to adjust the value. As for “Ch Trans-
pose” and “Quantize,” press the [EXECUTE] button to confirm the change.
Repeat steps 3–4 to edit other tracks.
• If there is not enough capac-
ity left on the instrument to
save the data, an appropri-
ate message will appear in
the display. Erase unwanted
data from the instrument to
make more memory avail-
able.
• If a GM2 Song is selected
and step 2 is performed, a
message prompting you to
confirm conversion of the
Song data to the format of
this instrument will appear.
Press the [+/YES] button to
convert the Song data, or
the [-/NO] button to cancel.
• In the Song Mode, you can
edit Songs. If the [SONG
MODE] button is unlit, press
it to turn it on.
NOTE
NOTE
Hold for longer than
a second
Reference Manual
27
Editing Songs
Voice
Change the Voice for the selected track. When a Voice is selected, the suitable Voice
parameters (page 3) such as Voice Volume or effect send level for each Voice is automat-
ically recalled. However, the DSP level is set to 0.
Ch Transpose
This allows you to transpose the recorded data of individual channels up or down by a
maximum of two octaves in semitone increments.
Quantize
The Quantize function allows you to align the timing of all the notes in a track. For exam-
ple, if you record the musical phrase shown below, you may not play it with absolute pre-
cision, and your performance may have been slightly ahead of or behind the precise
timing. Quantize is a convenient way of correcting for this.
Select the quantize size (resolution). For optimum results, you should set the Quantize
size to the shortest note value in the track. For example, if eighth notes are the shortest in
the track, you should use eighth note as the Quantize size.
• Make sure not to transpose
channels 9 and 10. In gen-
eral, Drum kits are assigned
to these channels. If you
transpose the channels of
Drum kits, the instruments
assigned to each key will be
changed.
NOTE
After 1/8 note quantization
The three Quantize settings marked with asterisks (*) are exceptionally convenient, since they
allow you to quantize two different note values at the same time. For example, when the straight
eighth notes and eighth notes triplet are contained in the same channel, if you quantize by the
straight eighth notes, all notes in the channel are quantized to straight eighth notes—completely
eliminating any triplet feel. However, if you use the eighth note + eighth note triplet setting, both
the straight and triplet notes will be quantized correctly.
Settings Display
1/4 note 1/4
1/4 note triplet 1/6
1/8 note 1/8
1/8 note triplet 1/12
1/16 note 1/16
1/16 note triplet 1/24
1/32 note 1/32
1/8 note + 1/8 note triplet* 1/8+1/12
1/16 note + 1/8 note triplet* 1/16+1/12
1/16 note + 1/16 note triplet* 1/16+1/24
Reference Manual
28
Editing Songs
5
Edit the parameters in the Mixer display, and adjust the Tempo.
Press and hold the [REGIST/PART[MIXER]] button for longer than a second to
call up the Mixer display. For details on operation in the Mixer display, refer to
Chapter 6 in the Owner’s Manual.
Use the TEMPO buttons to adjust the Tempo.
To return to the Song Edit display, press the [EXIT] button.
6
Press the [ ] button to hear the result of your settings.
Repeat steps 3–5 as desired.
7
To select a save destination, press the CATEGORY [
<
] and [
>
]
buttons repeatedly to select “Save To USB” or “Save to USER.
Then press the [USB] button to switch the save destination, as
desired.
You can select a file save destination between USB flash memory and the instru-
ment’s internal memory. If you want to save to USB flash memory, select “Save
To USB”; if you want to save to internal memory, select “Save To USER” in the
display.
Pressing the [USB] button alternates the save destination between USB flash
memory and internal memory.
The Song name selected in step one will automatically be displayed.
Switching a save destination
Hold for longer than
a second
• If you wish to save the file to
a USB flash memory, ensure
beforehand that it is con-
nected to the instrument.
NOTE
File save destination
File name
Reference Manual
29
Editing Songs
8
Press the [EXECUTE] button to confirm the save destination.
9
Change the file name as necessary.
A cursor will appear below the first character in the file name.
The Registration Memory [1] button moves the cursor to the left, and the [2]
button moves it to the right.
Use the dial to select a character for the current cursor location. The following
different types of characters are available:
[A]–[Z], [a]–[z], [0]–[9], [!], [#], [$], [%], [&], ['], [(], [)], [-], [^], [@], [{],
[}], [_], [`]
The Registration Memory [8] button deletes the character at the cursor loca-
tion.
10
Press the [EXECUTE] button. When the display prompts you for
confirmation, press the [+/YES] button to execute the save oper-
ation, or the [-/NO] button if you want to cancel.
If an existing file name is specified, the display prompts you for confirma-
tion. Press [EXECUTE] or [+/YES] if it is OK to overwrite the file, or the
[-/NO] to cancel. When the operation is complete, a “Completed” message
appears briefly, then returns to the previous display.
11
Press the [EXIT] button to exit from the Song Edit display.
Cursor
left
Cursor
right
Delete
character
Select characters
Cursor
Reference Manual
30
Creating Original Styles (Style Creator)
This instrument has a Style Creator feature that lets you record and save your own
original Styles. Recorded Styles can be played in the same manner as the preset
Styles.
Style data consists of 14 sections, each of which has eight separate Parts.
With the Style Creator feature, you can create a Style by separately recording the parts, or by importing pattern
data from other existing Styles. Here are some of the aspects in which Style recording differs from Song record-
ing:
• Loop Recording
Style playback repeats the rhythm patterns of several measures in a “loop,” and Style
recording is also done using loops. For example, if you start recording with a two-mea-
sure MAIN section, the two measures are repeatedly recorded. Notes that you record will
play back from the next repetition (loop), letting you record while hearing previously
recorded material.
• Overdub Recording
This method records new material to a channel already containing recorded data, without
deleting the original data. In Style recording, the recorded data is not deleted, except
when using functions such as Rhythm Clear (page 39) and Part Clear (page 41). For
example, if you start recording with a two-measure Main section, the two measures are
repeated many times. Notes that you record will play back from the next repetition, let-
ting you overdub new material to the loop while hearing previously recorded material.
When creating a Style based on an existing internal Style, overdub recording is applied
only to the rhythm channels. For all other channels (except rhythm), you need to delete
the original data before recording.
Style Structure
Parts: Rhythm 1, Rhythm 2, Bass, Chord 1, Chord 2,
Pad, Phrase 1, Phrase 2
FILL IN A–D
INTRO 1–3 MAIN A–D ENDING 1–3
8 Parts in each
section
Par t 1
x 8
Reference Manual
31
Creating Original Styles (Style Creator)
* Press the [EXIT] button whenever you want to exit from the Style Creator (except during recording). When the saving operation of recorded data is
finished, you can exit from the Style Creator. When the saving operation of recorded data is not finished, a confirmation message appears asking if
you want to exit from the Style Creator without saving the data. Press the [+/YES] button to exit, or the [-/NO] button to cancel.
Using the Style Creator
* If you are creating a Style from scratch, this step is not necessary.
Select a preset Style which is most similar to the Style you want to record.
page 32
* A confirmation message appears asking if you want to create a Style from scratch.
Call up the Style Creator.
page 32
• Beat: 2/4, 3/4, 4/4, 5/4
* If you want to change the beat settings, you should clear all the previous data.
Beat settings
page 33
• Section: INTRO 1–3, MAIN A–D, FILL IN A–D, ENDING 1–3.
• Section Copy
• Measure Length: 1–32
Section settings
page 36
• Recording Part: RHY 1–2, BASS, CHD 1–2, PAD, PHR 1–2
• Voice: Select the recording Voice.
• Part Volume: Determines the Part volume.
• Pan: Determines the pan position.
• Reverb level
• Chorus level
Part Settings
page 37
• Recording start/stop
• Clear the recorded drum Voice
Recording the Part
page 38
• Quantize: 1/4, 1/6, 1/8, 1/12, 1/16, 1/24, 1/32
• Part clear
Editing
page 40
• Save to USB flash memory
• Save to internal memory
Saving
page 42
Exit from the Style Creator
page 43
Record another Part
Record another section
Reference Manual
32
Creating Original Styles (Style Creator)
\
1
Select a preset Style which is most similar to the Style you want
to record.
You can also select a Style from the User Styles or Styles on a USB flash mem-
ory (page 20).
If you are creating a Style from scratch, this step is not necessary. Make sure to
confirm that the instrument is in the Style Mode, then go on to the next step. (If
the [Song Mode] button is lit, press the button to switch to the Style Mode.)
2
Press the [REC] button to enter the Style Creator display.
A confirmation message appears asking if you want to clear (discard) the origi-
nal data and to create a Style from scratch.
3
If you are creating a Style from scratch, press the [+/YES] button. If
you are creating a Style by using data from a specified Style (step
1), press the [-/NO] button.
The Style Creator display will be shown.
Calling up the Style Creator
• If there is not enough
capacity left on the instru-
ment to save the data, an
appropriate message will
appear in the display. Erase
unwanted data from the
instrument to make more
memory available.
Adjust individual track vol-
umes before recording.
You can use the Mixer func-
tion to adjust individual track
volumes before proceeding
with step 2. For details, refer
to chapter 6 in the Owners
Manual.
NOTE
NOTE
When playing or recording,
the current measure number
appears
For example, set the beat num-
ber by using the dial
Currently selected function
by the CATEGORY [<]/[>]
buttons
Current tempo
Specified measure and beatCurrent section
Currently selected section and
selected Part in the section
Reference Manual
33
Creating Original Styles (Style Creator)
If you create a new Style from scratch, you need to set the Beat. If you use an existing Style with its original Beat,
no Beat setting is necessary; go on to “Section Setting.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Beat”
appears in the display.
2
Rotate the dial and select the Beat number.
Range: 2/4, 3/4, 4/4, 5/4
3
Press the [EXECUTE] button to set the Beat.
When you create a Style based on an existing Style, the following message
appears.
Press the [+/YES] button to clear (discard) all sections in the Style.
Beat settings
Reference Manual
34
Creating Original Styles (Style Creator)
The Style Creator provides following two basic ways:
Record parts from the keyboard (using Realtime Recording)
Perform “Select a section” and “Beat settings,” then go on to “Part Settings.
Assemble various sections from existing Styles
Perform “Section Copy.
Copying a Section
Use this function when you want to create your own section by changing an existing
section, or by assembling sections from other existing Styles.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Section
Copy” appears in the display.
2
Press the [EXECUTE] button to enter the Section Copy function.
3
Press the CATEGORY [
<
]/[
>
] buttons or directly press the SEC-
TION button in the STYLE CONTROL area to select the desired
section to which you want to copy (destination).
Settings: INTRO 1–3, MAIN A–D, FILL IN A–D, ENDING 1–3
Section Settings
Destination section
Reference Manual
35
Creating Original Styles (Style Creator)
4
Rotate the dial or directly press one the STYLE category buttons
to select a source Style.
You can select the currently edited Style. Use the dial to select [Current] in the
display.
5
Press the [EXECUTE] button to set the source Style.
Now you can select a source section.
6
Rotate the dial to select a source section.
Settings: INTRO 1–3, MAIN A–D, FILL IN A–D, ENDING 1–3
To cancel the Section Copy operation, press the [EXIT] button.
7
Press the [EXECUTE] button to execute the Section Copy opera-
tion.
8
Press the [EXIT] button to exit from the Section Copy function.
The display returns to the one in step 2 above.
• If the measure length differs
between the copy source
and copy destination sec-
tions, the copy source mea-
sure will be used. If the
beats differ, the copy desti-
nation beats will be used.
NOTE
Source section
• Depending on the data size
of source and destination
sections, the source section
may not be copied to the
destination properly
because of insufficient mem-
ory. In this case, some parts
in the source section may be
copied and other parts may
not.
NOTE
Reference Manual
36
Creating Original Styles (Style Creator)
Selecting a Section to be recorded
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Section
appears in the display.
2
Rotate the dial or directly press the SECTION button in the STYLE
CONTROL area to select a section to be recorded.
Settings: INTRO 1–3, MAIN A–D, FILL IN A–D, ENDING 1–3
3
Press the [EXECUTE] button to set the section.
The section button to be recorded lights in red. When you select the FILL IN A–
D section to be recorded, the corresponding MAIN VARIATION A–D button
flashes.
Setting the Measure Length
Make sure to set the measure length when you want to create a Style from scratch.
When using an existing Style, set as necessary. You cannot set the measure length for
the FILL IN section because the FILL IN section is fixed at one measure.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Length”
appears in the display.
2
Rotate the dial and select the Measure Length.
Range: 1–32
3
Press the [EXECUTE] button to set the Measure Length.
• You can also select the
desired FILL IN A–D section
by pressing the [AUTO FILL
IN] button and then select
FILL IN A–D by using the
dial.
NOTE
or
• If you set a length smaller
than that of the previous
one, any data existing
beyond the new length will
be deleted.
NOTE
Reference Manual
37
Creating Original Styles (Style Creator)
Selecting a Recording Part
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Part”
appears in the display.
2
Rotate the dial and select a recording Part.
Range: RHYTHM 1–2, BASS, CHORD 1–2, PAD, PHRASE 1–2
3
Press the [EXECUTE] button to set the Part.
The button corresponding to the Part to be recorded lights in red.
Selecting a Voice
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Voice”
appears in the display.
2
Press a desired VOICE Category button to select the Voice cate-
gory.
3
Rotate the dial to select a Voice.
Range: When RHY 1 is selected as the Part, all Voices can be selected.
When RHY 2 is selected as the Part, drum Voices can be selected.
When other Part is selected, all Voices excepting drums can be
selected.
Part Volume
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Part Vol-
ume” appears in the display.
2
Rotate the dial and set the Part Volume.
Range: 0–127
Pan
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Pan”
appears in the display.
2
Rotate the dial and set the Pan position.
Range: 0–64–127
Reverb Level
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Reverb
Level” appears in the display.
2
Rotate the dial and set the Reverb depth.
Range: 0–127
Chorus Level
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Chorus
Level” appears in the display.
2
Rotate the dial and set the Chorus depth.
Range: 0–127
Part Settings
• You can also select a part by
pressing the Part button
([RHY 1]–[PHR 2]) while
holding the [REC] button.
NOTE
Reference Manual
38
Creating Original Styles (Style Creator)
Rhythm Part recording
If you select a rhythm Part for recording on page 37, follow the instructions below.
1
Make sure that the desired rhythm Part “RHY 1” or “RHY 2” is
selected for recording.
The button corresponding to the Part to be recorded lights in red.
In this condition, a REC mark also appears at the recorded Part on the display.
Play the keyboard to check that the appropriate drum Voices can be heard. You
can mute the Parts during recording (except for the Part you’re recording) by
simply pressing the [PART] button so that the mute mark is indicated at the Part.
In this condition, the [PART] button also changes from green to unlit.
If you want to rehearse a part before recording, press the [EXECUTE] button.
The REC mark for the Part in the display will turn off. In this situation, you can
start rehearsing by pressing the [START/STOP] button. Return to the Part
record standby mode, after stopping rehearsal by pressing the [START/ STOP]
button, and then press the [EXECUTE] button again.
2
Press the [START/STOP] button to begin recording.
Recording part
Lit in red, recorded Part
Lit in green, contains data and selected as playing Part
Unlit, does not contain data or is a
non-playing Part (muted)
Part buttons indications
• The part you have selected
may be changed if you
select the section again.
NOTE
Contains no data
Current measure number
Contains data, sounds (Part ON)
Recorded part
Contains data, but is muted (Part OFF)
Reference Manual
39
Creating Original Styles (Style Creator)
3
Play the keyboard and record the drum Voices.
Since the entire Style plays repeatedly, you can record at any point you like.
4
Press the [START/STOP] button to stop recording.
Clear the recorded drum Voices
To clear the recorded drum Voices, after starting recording (refer to step 2 of the
recording operation above), follow the instructions below.
1 Press and hold the [-] button and play the key or keys that correspond to the
cleared Voice.
2 Press the [START/STOP] button to exit from the clear operation.
Bass, Chord, Pad and Phrase Part recording
If you select Parts other than a rhythm Part for recording part on page 38, follow the
instructions below.
1
Make sure that the desired Part (other than rhythm) is selected
for recording.
The button corresponding to the Part to be recorded lights in red.
In this condition, a REC mark also appears at the recorded Part on the display.
2
Press the [START/STOP] button to begin recording.
3
Play the keyboard and record your playing.
Rules for recording to non-rhythm Parts:
For information on recording to parts other than the rhythm parts (RHY1, 2),
refer to the section below, and perform using notes that match the chord CM7.
4
Press the [START/STOP] button to stop recording.
Record to other Parts in other sections.
5
Save the Style data (
page 42
).
• Only the rhythm Part can be
cleared in this operation;
other Parts (e.g., bass or
chord) cannot be cleared.
NOTE
• The Part you have selected
may be changed if you
select the section again.
NOTE
• Any desired chord or chord
progression can be used for
the INTRO and ENDING
sections. If you record each
sections keeping in mind the
section shifts (Intro Main
Fill in Main Ending),
you can achieve better
results.
NOTE
Use only the CM7 scale tones when recording the Bass and Phrase Parts (i.e.,
C, D, E, G, A, and B).
Use only the C chord tones when recording the Chord and Pad Parts (i.e., C,
E, G, and B).
Using the data recorded here, the auto accompaniment (Style playback) is
appropriately converted depending on the chord changes you make during your
performance. The chord which forms the basis for this note conversion is called
the Source Chord, and is set by default to CM7 (as in the example illustration
above)
C = Chord note
C, R = Recommended note
C R C C R C
Reference Manual
40
Creating Original Styles (Style Creator)
Quantize
This function allows you to automatically align the timing of all recorded notes.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Quan-
tize” appears in the display.
2
Rotate the dial and select the value.
Settings: 1/4, 1/6, 1/8, 1/12, 1/16, 1/24, 1/32
3
Press the [EXECUTE] button.
The “UNDO” message appears.
4
Press the [EXECUTE] button again if you want to replace with the
previous Quantize value.
Editing (Quantize and part clear)
1/2 3/41/4
1/41/8
1/21/4
Actual
recorded note
When Quantize
is set to 1/8
When Quantize
is set to 1/4
1 measure
• If the recorded Part is not
specified, Quantize cannot
be set. Specify the Part for
recording and then use the
Quantize function.
The undo icon on the display
will disappear if you exit
from the current display.
NOTE
Reference Manual
41
Creating Original Styles (Style Creator)
Clearing a recorded Part
Select a desired section for clearing, and then follow the instructions below.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Part
Clear” appears in the display.
2
To select a Part for clearing, press and hold the desired part but-
ton for longer than a second.
A confirmation message appears.
3
Press the [+/YES] button to clear the selected Part.
You can also select a Part by
rotating the dial. In this case,
press the [EXECUTE] button
to clear.
NOTE
Hold for longer
than a second
Reference Manual
42
Creating Original Styles (Style Creator)
Save the recorded data. You can select either USB flash memory or internal memory as the save destination. If
you want to save to USB flash memory, connect an appropriate USB flash memory to the USB TO DEVICE ter-
minal.
1
Press the CATEGORY [<]/[>] buttons repeatedly until “Save To
USB” or “Save To USER” appears in the display.
A new User Style number is applied automatically and indicated in the display.
2
Press the [USB] button to select a save destination as desired.
Pressing the [USB] button alternates the save destination between USB flash
memory and internal memory. If you want to save to USB flash memory, select
“Save To USB”; if you want to save to internal memory, select “Save To USER”
in the display.
A default file name will automatically be created.
If you select “Save To USER” as a save destination, the recorded data will be
saved to the [EXPANSION/USER] button.
If you want to overwrite the existing user Style file, select the file by
using the dial, then go on to step 3.
Saving the data
• If you select a User Style
Number that already con-
tains data, the previous
data is deleted and over-
written by the new data.
• If you want to exit from the
Style Creator without saving,
press the [EXIT] button then
press the [+/YES] button.
• A maximum of 50 Style files
can be saved.
NOTICE
NOTE
File name
Save destination
Reference Manual
43
Creating Original Styles (Style Creator)
3
Press the [EXECUTE] button to set the save destination.
A confirmation message appears.
4
Press the [+/YES] button to execute the save operation.
The following display appears when saving is complete.
The Style is automatically saved in SFF GE format.
You can go back and set other sections with the Section Settings (page 34) and
then record additional parts as desired.
Press the [EXIT] button to exit from the Style Creator.
If saving of the recorded data has not been done, a confirmation message appears
asking if you want to exit from the Style Creator without saving the data. Press the
[+/YES] button if it is OK to exit, or the [-/NO] button to cancel.
• If you select a User Style
Number that already con-
tains data, an “Overwrite?”
confirmation prompt
appears. If you wish to save
and overwrite, press the [+/
YES] button.
NOTE
Exit from the Style Creator
Deleting a User Style
1 Press the [FILE MENU] button.
2
Press the CATEGORY [
<
]/[
>
] buttons repeatedly until “User Delete” or “USB Delete”
appears in the display. Select “User Delete” if you want to delete a User Style from a
[EXPANSION/USER] button, or select “USB Delete” if you want to delete a User Style file
on a USB flash memory.
3
Use the Dial to select the User Style data you want to delete.
4
Press the [EXECUTE] button.
5
Press the [+/YES] button to delete the file.
Reference Manual
44
The Functions
The Function display lets you set the detailed settings for the instrument, such as fine
tuning the pitch, adjusting the volume balance between playback and your perfor-
mance, effect related settings, and more. A total of 60 items are available.
1
Press the [FUNCTION] button to call up the Function display.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly until the
functions display name appears in the display.
Take a look at the function list starting on page 45. The name of the previous
item in the list appears to the upper left, and the name of the next item in the list
appears to the upper right of the currently selected item.
3
Use the dial or the [-/NO] and [+/YES] buttons to set the parame-
ters.
The [-/NO] and [+/YES] buttons are used to make ON/ OFF type settings: [+/
YES] = ON, [-/NO] = OFF.
Press the [-/NO] and [+/YES] buttons simultaneously to recall the default set-
ting (excepting the initial setup of MIDI).
Some Function settings are stored in memory as soon as they are changed. To
restore all initial factor default settings perform the “Backup Clear” procedure
described in the “Initialization” section in the Owner’s Manual.
Basic Operation
Function
group
Previous item Next item
Current selected item Parameter
Press these simultaneously to recall the default setting.
• Decrement value by 1.
• OFF
• Increment value by 1.
• ON
Reference Manual
45
The Functions
Function List
Item (Display) Range/Settings Default setting Description
VOLUME
Style Volume 000–127 100 Determines the volume of the Style.
Song Volume 000–127 100 Determines the volume of the Song.
OVERALL
Tuning 415.3–466.2Hz 440.0Hz Sets the pitch of the instrument’s sound.
Pitch Bend Range 01–12 2 Sets the pitch bend range in semitone increments.
Split Point
036–096
(C1–C6)
054 (F#2)
Determines the highest key for the Split Voice and sets the Split
“point”—in other words, the key that separates the Split (lower) and
Main (upper) Voices. The Split Point setting and Accompaniment Split
Point setting are automatically set to the same value.
Touch Sensitivity
1 (Soft),
2 (Medium),
3 (Hard)
2 (Medium)
Determines the keyboard touch sensitivity. Small values will produce
a high volume level even if the key is hit softly. Large values require
that the keys be played relatively hard to produce maximum loudness.
Chord Fingering
1 (Multi Finger),
2 (FullKeyboard),
3 (AI Finger)
1 (Multi Finger)
Sets the chord detection mode. In the Multi Finger mode, both normal
chords and simple chords played to the left of the split point are
detected. In the Full Keyboard mode normal chords played anywhere
on the keyboard will be detected, and the notes played will sound as
well. The AI Finger mode is basically the same as Multi Finger, except
that less than three notes can be played to indicate the chords (based
on the previously played chord, etc.). However, Easy chords
described in the Owner’s Manual cannot be detected in the AI Finger
mode.
SCALE TUNE
Scale
EQUAL,
PURE MAJOR,
PURE MINOR,
PYTHAGOREAN,
MEAN-TONE,
WERCKMEISTER,
KIRNBERGER,
ARABIC1,
ARABIC2
EQUAL
Sets the Scale. Details for each Scale are explained in the Owner’s
Manual.
Base Note
C, C#, D, Eb, E, F, F#,
G, Ab, A, Bb, B
C Selects the Base Note for Scale Tune.
Scale Tune
Note:
C, C#, D, Eb, E, F,
F#, G, Ab, A, Bb, B
Cent: -64–63
Note: C
Cent: 0
Sets Scale note pitches individually to create an original Scale.
Part Select
MAIN/DUAL: ON/OFF
LEFT: ON/OFF
STYLE: ON/OFF
MAIN/DUAL: ON
LEFT: OFF
STYLE: OFF
Selects the part to which the preset Scale Tune or original Scale will
be applied. “MAIN/DUAL” and “LEFT” parts are keyboard Voices, and
“STYLE” Part is Style playback.
External Scale Tune
OFF,
ON (KEYBOARD)
Off
Selects the part to which the Scale Tune MIDI messages received
from an external MIDI device will be applied. With the default setting
of “OFF,” MIDI messages are applied to Song channels 1–16, but not
to the keyboard performance. If you set this to “ON (KEYBOARD),
the MIDI messages are applied to the keyboard performance as fol-
lows: Channel 1 = Main Voice, Channel 2 = Dual Voice, and Channel
3 = Left Voice; the other channels are not affected.
REGIST FREEZE
Freeze Group Setting
STYLE: ON/OFF
VOICE: ON/OFF
TEMPO: ON/OFF
TRANSPOSE: ON/OFF
SCALE: ON/OFF
STYLE: ON
VOICE: OFF
TEMPO: ON
TRANSPOSE: OFF
SCALE: OFF
Sets a Freeze Group which is not to be recalled.
MAIN VOICE
Main Volume 000–127 * Determines the volume of the Main Voice.
Main Octave -2–+2 * Determines the octave range for the Main Voice.
Main Pan
000–64–127
(Left - Center - Right)
*
Determines the pan position of the Main Voice in the stereo image.
A value of “0” results in the sound being panned full left, while “127”
results in the sound being panned full right.
Reference Manual
46
The Functions
Main Reverb Level 000–127 *
Determines how much of the Main Voice’s signal is sent to the Reverb
effect.
Main Chorus Level 000–127 *
Determines how much of the Main Voices signal is sent to the Chorus
effect.
Main DSP Level 000–127 *
Determines how much of the Main Voice’s signal is sent to the DSP
effect.
Main Dry Level 000–127 *
Determines how much of the Main Voice’s unprocessed signal
sounds (no Reverb, Chorus or DSP effect processing).
DUAL VOICE
Dual Volume 000–127 * Determines the volume of the Dual Voice.
Dual Octave -2–+2 * Determines the octave range for the Dual Voice.
Dual Pan
000–64–127
(Left - Center - Right)
*
Determines the pan position of the Dual Voice in the stereo image.
A value of “0” results in the sound being panned full left, while “127”
results in the sound being panned full right.
Dual Reverb Level 000–127 *
Determines how much of the Dual Voices signal is sent to the Reverb
effect.
Dual Chorus Level 000–127 *
Determines how much of the Dual Voices signal is sent to the Chorus
effect.
Dual DSP Level 000–127 *
Determines how much of the Dual Voices signal is sent to the DSP
effect.
Dual Dry Level 000–127 *
Determines how much of the Dual Voice’s unprocessed signal sounds
(no Reverb, Chorus or DSP effect processing).
LEFT VOICE
Left Volume 000–127 * Determines the volume of the Left Voice.
Left Octave -2–+2 * Determines the octave range for the Left Voice.
Left Pan
000–64–127
(Left - Center - Right)
*
Determines the pan position of the Left Voice in the stereo image.
A value of “0” results in the sound being panned full left, while “127”
results in the sound being panned full right.
Left Reverb Level 000–127 *
Determines how much of the Left Voice’s signal is sent to the Reverb
effect.
Left Chorus Level 000–127 *
Determines how much of the Left Voice’s signal is sent to the Chorus
effect.
Left DSP Level 000–127 *
Determines how much of the Left Voice’s signal is sent to the DSP
effect.
Left Dry Level 000–127 *
Determines how much of the Left Voice’s unprocessed signal sounds
(no Reverb, Chorus or DSP effect processing).
EFFECT
Reverb Type 01–36 ** Determines the Reverb type, including off (36).
Chorus Type 01–45 ** Determines the Chorus type, including off (45).
DSP Type 001–239 * Determines the DSP type, including off (239).
Master EQ Type
1 (Speaker 1),
2 (Speaker 2),
3 (Headphones),
4 (Line Out 1),
5 (Line Out 2)
1 (Speaker 1)
Selects one of five Master equalizer (EQ) settings which are provided
to give you the best possible sound when listening through different
reproduction systems: the instrument’s built-in speakers, headphones
and external speakers.
HARMONY
Harmony Type 01–26 * Determines the Harmony type.
Harmony Volume 000–127 * Determines the volume of the Harmony effect.
PC
PC Mode PC1/PC2/OFF OFF
Optimizes the MIDI settings for transmitting/receiving performance
data (MIDI) in one convenient operation.
MIDI
Local ON/OFF ON
Determines whether the instrument’s keyboard controls the internal
tone generator (ON) or not (OFF).
External Clock ON/OFF OFF
Determines whether the instrument synchronizes to the internal clock
(OFF) or an external clock (ON).
Item (Display) Range/Settings Default setting Description
Reference Manual
47
The Functions
* Different for each voice combination.
** Different for each Song or Style combination.
*** Different for preset value in the Song. If no value, 6 (1/16 note triplet) is selected.
Keyboard Out ON/OFF ON
Determines whether keyboard performance data of the instrument is
transmitted (ON) or not (OFF).
Style Out ON/OFF OFF
Determines whether Style data is transmitted (ON) via USB TO
HOST or not (OFF) during Style playback.
Song Out ON/OFF OFF
Determines whether Song data is transmitted (ON) via USB TO
HOST or not (OFF) during Song playback.
Initial Setup ON
Allows you to instantly send a MIDI data ‘snapshot’ of all panel set-
tings to a computer or sequencer. Press [+/YES] to send.
Use this function before starting to record your keyboard performance
to a sequencer (DAW, etc.) on the computer connected via USB TO
HOST terminal. This ensures that all settings will be reproduced just
as you made them, along with the rest of the recording.
METRONOME
Time Signature – Numerator
01–60 ** Determines the time signature of the Metronome.
Time Signature – Denominator
2, 4, 8, 16 ** Sets the length of each Metronome beat.
Bell ON/OFF ON
Determines whether the Metronome bell sounds at the first beat in
each measure or not.
Metronome Volume 000–127 100 Determines the volume of the Metronome.
SCORE
Quantize
1 (1/4 note),
2 (1/4 note triplet),
3 (1/8 note),
4 (1/8 note triplet),
5 (1/16 note),
6 (1/16 note triplet),
7 (1/32 note),
8 (1/32 note triplet)
***
Depending on the Song data, you can make the score more readable
by adjusting the timing of the notes. This determines the minimum
timing resolution used in the Song. For example, if there are both
quarter notes and eighth notes in the Song, you should set this value
to “eighth note.” Any notes or rests shorter than this value will not be
shown in the score.
Right - Part
GuideTrack 1–16,
OFF
CH1
Determines the guide track number for the right-hand part. This set-
ting applies to all Songs except for preset Songs. Songs recorded on
the instrument have the default setting.
Left - Part
GuideTrack 1–16,
OFF
CH2
Determines the guide track number for the left-hand part. This setting
applies to all Songs except for preset Songs. Songs recorded on the
instrument have the default setting.
DEMO
Demo Group
1 (Demo),
2 (Preset),
3 (User),
4 (Download),
5 (USB)
1 (Demo)
Determines the Songs played back via the [DEMO] button. Pressing
the [DEMO] buttons will play the Songs specified here in sequence.
Demo Play Mode
1 (Normal),
2 (Random)
1 (Normal) Determines the order of Song playback via the [DEMO] button.
Demo Cancel ON/OFF OFF
Determines whether Demo cancel is enabled or not. When this is set
to ON, no Song will play back, even if the [DEMO] button is pressed.
UTILITY
TG Mode XG/Normal NORMAL
Determines whether the external Song is played accurately in XG for-
mat or not. When it is set to XG, the external Song is played accu-
rately in XG format, but the Song data may cause unintended
changes to the sound of your keyboard played parts.
Auto Power off
OFF, 5, 10, 15, 30,
60, 120
30
Specifies the time that will elapse before the instrument’s power is
automatically turned off.
LANGUAGE
Language English/Japanese English
Determines the display language for the Song file names, lyrics and
certain display messages. All other messages and names are dis-
played in English. When this is set to Japanese, the file names are
displayed in the Japanese font. The lyrics display follows the lan-
guage setting originally made in the Song data; however, when no
such setting exists, the setting here is used.
Item (Display) Range/Settings Default setting Description
Reference Manual
48
Connecting to a Computer
This section gives detailed information on the MIDI settings necessary for transferring
performance data (MIDI) between the instrument and a computer, and how to transfer a
file. For details about connection with a computer and driver installation, refer to the
chapter “Connecting to a Computer” in the Owners Manual.
PC Mode
Setting “PC Mode” in the Function display makes the following multiple MIDI set-
tings in one convenient operation. Three settings are available: PC1, PC2, and OFF.
1
Press the [FUNCTION] button.
2
Press the CATEGORY [
<
] and [
>
] buttons repeatedly to select “PC
Mode.
3
Use the dial to select PC 1, PC 2 or OFF.
MIDI Settings for transferring performance data with a computer
• Preset Song data cannot be
transmitted from the instru-
ment by the Song Out func-
tion, but User Songs can.
• This setting is not necessary
when transferring a file
between the computer and
the instrument.
NOTE
PC1 PC2 OFF
Local OFF OFF ON
External Clock ON OFF OFF
Song Out OFF OFF OFF
Style Out OFF OFF OFF
Keyboard Out OFF ON ON
Reference Manual
49
Connecting to a Computer
MIDI Settings
These settings pertain to performance data transmission and reception.
1
Press the [FUNCTION] button.
2
Use the CATEGORY [
<
] and [
>
] buttons to select the item whose
value you want to change.
3
Use the dial to select ON or OFF.
• If Local is set to OFF, the
instrument will not produce
any sound when the key-
board is played.
• If External Clock is ON and
no clock signal is being
received from an external
device, the Song, Style, and
Metronome functions will not
start.
NOTE
Item
Range/
Settings
Description
Local ON/OFF
Local control determines whether or not notes played on the instru-
ment are sounded by its internal tone generator system: the internal
tone generator is active when local control is on, and inactive when
local control is off.
External Clock ON/OFF
These settings determine whether the instrument is synchronized to
its own internal clock (OFF), or to a clock signal from an external
device (ON).
Song Out ON/OFF
These settings determine whether Song data is transmitted (ON) or
not (OFF) during Song playback.
Style Out ON/OFF
These settings determine whether Style data is transmitted (ON) or
not (OFF) during Style playback.
Keyboard Out ON/OFF
These settings determine whether keyboard performance data of the
instrument is transmitted (ON) or not (OFF).
Reference Manual
50
Connecting to a Computer
Initial Setup
This function lets you send the panel setup data to an external sequencer or a com-
puter. Before you record performance data to an external sequencer or a sequencer
application running on your computer, it is a good idea to first send and record the
panel setup data before the actual performance data. This makes it possible to restore
the instrument panel setup and ensure that the same sound is produced upon play-
back.
1
Press the [FUNCTION] button.
2
Use the CATEGORY [
<
] and [
>
] buttons to select “Initial Setup.
3
Press [+/YES] to send.
• The playback sound of the
Drum Kit Voice may differ
from recording sound.
NOTE
Reference Manual
51
Connecting to a Computer
You can transfer data on the instrument, such as Songs and Styles you have recorded and the Backup data, to a
computer to save them, or from a computer to the instrument. You can also transfer the external Style, Song and
Music Database files on a computer to the instrument. In order to transfer files between your computer and the
instrument, you will need to download the “Musicsoft Downloader” application (free of charge) and install it on
your computer.
Installing Musicsoft Downloader
You can download the “Musicsoft Downloader” application from the following web-
site and install it on your computer. Make sure that your computer has an Internet
connection.
http://download.yamaha.com/
Please visit the URL above to get the information on the computer system require-
ments for Musicsoft Downloader.
Transferring Data by using the Musicsoft Downloader
For Musicsoft Downloader operating instructions see the Help menu: launch the
Musicsoft Downloader application and click “Help.
Data that can be transferred between the instrument and a computer
• Backup data (PSR-S650.BUP)
• Styles, Songs and Music Database other than preset data
(Data capacity: approx. 1,130 KB)
• Songs: (SMF format 0 and 1)
• Style: (SFF/SFF GE)
• Music Database: (.mfd)
• The number of files that can be shown on the display is as follows:
• Songs: 100
• Styles: 50
• Music Database: 50
* The SMF (Standard MIDI File) format is one of the most common and widely compatible
sequence formats used for storing sequence data. Most commercially available MIDI sequence
data is provided in SMF Format 0.
Transferring Data Between the Computer and Instrument
• Visit the Yamaha website for
more information on the latest
version of Musicsoft Down-
loader (version 5.6.1 or
higher) and how to install it.
NOTE
• Never turn the power off
and never plug/unplug the
AC power adaptor during
data transmission. Not only
will the data fail to be trans-
ferred and saved, but opera-
tion of the flash memory
may become unstable and
its contents may disappear
completely when the power
is turned on or off.
• Preset Style, Song and
Music Database cannot be
transmitted from the instru-
ment.
• Even if the number of files
transferred is less than the
maximum allowed, if the
amount of data exceeds 1,130
KB, the data cannot be trans-
ferred to the instrument.
• Before using Musicsoft
Downloader application to
access the instrument, make
sure to return to the MAIN
display, and stop playback if
a Song or Style is being
played back.
• Close the window to exit from
the Musicsoft Downloader
and re-enable control of the
instrument.
• When the “Language” is set
to English, files with names
using double-byte charac-
ters cannot be transferred to
the instrument.
NOTICE
NOTE
Reference Manual
52
Connecting to a Computer
Transferring Backup data to a computer
Operation
Using Musicsoft Downloader, move the “PSR-S650.BUP” file from “System
Drive” under “Electronic Musical Instruments” to a computer.
To recall the settings, move the “PSR-S650.BUP” file from a computer to “System
Drive” under “Electronic Musical Instruments.
Transferring Styles and Songs you have recorded on the instrument to a
computer
Operation
Using Musicsoft Downloader, move the file from “Flash Memory” under “Elec-
tronic Musical Instruments” to a computer.
To move a file back, move the file from a computer to “Flash Memory” under “Elec-
tronic Musical Instruments.
Transferring Style, Song and Music Database files, downloaded from the
Internet and saved on a computer, to the instrument
Operation
Using Musicsoft Downloader, move the file from a computer to “Flash Memory”
under “Electronic Musical Instruments.
To move a file back, perform the same operation as in “Transferring Styles and Songs
you have recorded on the instrument to a computer” above.
• The backup file is transmit-
ted/received as a single file
with the same name. As a
result, all registration mem-
ory data on the instrument
and the file saved on a com-
puter will be overwritten
every time you transmit or
receive. Keep this in mind
when transferring data.
• Do not rename the backup
file on the computer. If you
do so it will not be trans-
ferred to the instrument.
NOTICE
Using Songs with Notation
When using Songs with notation (SMF format 0/1 only) transferred from a computer
for practice, you can specify which channels are to be played back as the right-hand
and left-hand parts.
1 Press the [USER] button and select the Song residing in internal memory for which you
want to set the guide track.
2
Press the [FUNCTION] button.
3
Use the CATEGORY [
<
] and [
>
] buttons to select the R-Part or L-Part item.
4
Use the dial to select the channel you want to play back as the specified right- or left-hand
part.
We recommend that you select channel 1 for the right-hand part and channel 2 for the
left-hand part.
Reference Manual
53
A
AI Fingered .................................. 16
B
Backup .......................................... 52
Beat ............................................... 33
Bell .................................................. 5
C
Chord ................................ 16–17, 20
Chord Fingering ........................... 16
Chorus .......................................... 11
Chorus Level .................................. 3
Clear (Part) ................................... 41
Clear (Rhythm) ............................39
Computer ...................................... 48
D
Demo Cancel ............................... 47
Demo Group ................................ 47
Demo Play Mode .........................47
Dry Level ........................................ 3
DSP ............................................... 12
DSP Level ...................................... 3
E
Effects ............................................. 9
Expansion Style ........................... 20
Expansion Voice ............................ 4
External Clock ............................. 49
F
File Transition .............................. 51
Fingering ...................................... 16
FullKeyboard ............................... 16
Functions ...................................... 44
H
Harmony ......................................... 9
Harmony Volume ......................... 46
I
Initial Setup .................................. 50
K
Keyboard Out ............................... 49
L
Left-Part ..................................47, 52
Local On/Off ................................49
M
Master EQ .......................................8
Measure ........................................36
Mega Voice .....................................4
Metronome Volume .......................6
MIDI settings ...............................49
Multi Finger ...........................16–17
Mute ........................................15, 23
O
Octave .............................................3
One Touch Setting .......................21
P
Pan ...................................................3
Part ................................................37
Part Clear ......................................41
Part Recording ..............................38
Pattern ...........................................18
PC Mode .......................................48
Q
Quantize ..................................27, 40
R
Random Song Playback ..............24
Recording (Style) ...................38–39
Reverb ...........................................10
Reverb Level ..................................3
Rhythm Part ..................................38
Right Part ................................47, 52
S
Save (Song Edit) ..........................28
Save (Style Creator) .....................42
Section ....................................18, 34
Section Copy ................................34
Song Edit ......................................26
Song Out .......................................49
Song Parts .....................................23
Song Volume ................................22
Split Point .....................................19
Style Creator .................................30
Style Out .......................................49
Style Parts .................................... 15
Style Volume ................................ 14
T
Touch Sensitivity ........................... 7
U
USB Song .................................... 25
USB Style .................................... 20
User Song ..................................... 25
User Style ..................................... 20
V
Volume (Metronome) .................... 6
Volume (Song) ............................. 22
Volume (Style) ............................. 14
Volume (Voice) .............................. 3
Index
U.R.G., Digital Musical Instruments Division
© 2011 Yamaha Corporation
109PO A0
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