Yamaha PSR-I300 de handleiding

Merk: Yamaha

Model: PSR-I300

Categorie: Muziekinstrumenten

Type: de handleiding

Setting UpReferenceAppendix

Before using the instrument, be sure to read

“PRECAUTIONS” on pages 5-7.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions

contained in this manual, meets FCC requirements. Modifica-

tions not expressly approved by Yamaha may void your author-

ity, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories

and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all

installation instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15 for

Class “ B” digital devices. Compliance with these requirements

provides a reasonable level of assurance that your use of this

product in a residential environment will not result in harmful

interference with other electronic devices. This equipment gen-

erates/uses radio frequencies and, if not installed and used

according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic

devices. Compliance with FCC regulations does not guarantee

that interference will not occur in all installations. If this product

is found to be the source of interference, which can be deter-

mined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

- Relocate either this product or the device that is being

affected by the interference.

- Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

- In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to distribute

this type of product. If you cannot locate the appropriate

retailer, please contact Yamaha Corporation of America, 6600

Orangethorpe Avenue, Buena Park, CA 90620, U.S.A.

The above statements apply ONLY to those products distrib-

uted by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

(529-M04 FCC class B YCA 02)

COMPLIANCE INFORMATION STATEMENT

(Supplier’s declaration of conformity procedure)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Avenue, Buena Park, CA. 90620, U.S.A.

Telephone : 714-522-9011

Type of Equipment : Digital Keyboard

Model Name : PSR-I300

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received, including interference that may

cause undesired operation.

(529-M02 FCC sdoc YCA 02)

(1003-M06 plate bottom en 01)

The model number, serial number, power require-

ments, etc., may be found on or near the name

plate, which is at the bottom of the unit. You should

note this serial number in the space provided below

and retain this manual as a permanent record of

your purchase to aid identification in the event of

theft.

Model No.

Serial No.

PSR-I300 Owner’s Manual

For the AC adaptor

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

"dangerous voltage" within the product's

enclosure that may be of sufficient magni-

tude to constitute a risk of electric shock to

persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and main-

tenance (servicing) instructions in the liter-

ature accompanying the product.

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accor-

dance with the manufacturer's instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including

amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding type plug

has two blades and a third grounding prong. The wide

blade or the third prong are provided for your safety. If

the provided plug does not fit into your outlet, consult

an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience recepta-

cles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the

manufacturer.

12 Use only with the cart, stand, tri-

pod, bracket, or table specified

by the manufacturer, or sold with

the apparatus. When a cart is

used, use caution when moving

the cart/apparatus combination

to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of

time.

14 Refer all servicing to qualified service personnel. Ser-

vicing is required when the apparatus has been dam-

aged in any way, such as power-supply cord or plug is

damaged, liquid has been spilled or objects have

fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate nor-

mally, or has been dropped.

(502-M01 UL 60065-1 en 01)

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

IMPORTANT SAFETY INSTRUCTIONS

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(604-M02 SG adaptor 01)

For Singapore

Users are only allowed to use EN 50075 detachable and interchangeable 2-pin plugs or BS 1363-3 or SS

145-3 detachable and interchangeable 3-pin plugs that are approved and suitable to use in Singapore.

PSR-I300 Owner’s Manual 5

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

Especially in the case of children, a guardian should provide guidance on how to

properly use and handle the product before actual use.

Please keep this manual in a safe and handy place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or

even death from electrical shock, short-circuiting, damages, fire or other hazards. These

precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or

radiators. Also, do not excessively bend or otherwise damage the

cord, or place heavy objects on it.

• Do not touch the product or the power plug during an electrical

storm.

• Use only the correct voltage specified for the product. The

required voltage is printed on the name plate of the product.

• Use only the supplied or the specified AC adaptor (page 91). Do

not use the AC adaptor for other devices.

• Check the power plug periodically and remove any dirt or dust

which may have accumulated on it.

• Insert the power plug firmly all the way into the AC outlet. Using

the product when it is not plugged in sufficiently can cause dust

to accumulate on the plug, possibly resulting in fire or skin burns.

• When setting up the product, make sure that the AC outlet you are

using is easily accessible. If some trouble or malfunction occurs,

immediately turn off the power switch and disconnect the plug

from the outlet. Even when the power switch is turned off, as long

as the power cord is not unplugged from the wall AC outlet, the

product will not be disconnected from the power source.

• Do not connect the product to an electrical outlet using a multi-

plug outlet extender. Doing so can result in lower sound quality,

or possibly cause overheating in the outlet.

• When disconnecting the power plug, always hold the plug itself

and not the cord. Pulling by the cord can damage it and cause

electric shocks or a fire.

• If not using the product for long periods of time, be sure to pull

the power plug from the AC outlet.

• This product contains no user-serviceable parts. Do not attempt

to disassemble the internal parts or modify them in any way.

• Do not expose the product to rain, use it near water or in damp or

wet conditions, or place on it any containers (such as vases, bottles

or glasses) containing liquids which might spill into any openings

or places where water may drop. A liquid such as water getting into

the product may cause a fire, electric shocks, or malfunctions.

• Use the AC adaptor indoors only. Do not use in any wet

environments.

• Never insert or remove a power plug with wet hands.

• Do not place any burning items or open flames near the product,

since they may cause a fire.

• Magnetism from this product may affect electro-medical devices,

such as a heart pacemaker implant or defibrillator implant.

- Keep the product away from a heart pacemaker implant or a

defibrillator implant.

• Do not dispose of a battery in a fire.

• Do not expose the battery to conditions of extreme low air

pressure, cold or heat (such as in direct sunlight or a fire) or

excessive dust or humidity. Doing so may result in the battery

bursting, causing a fire or injury.

• Follow the precautions below. Failure to do so might result in

battery fluid leakage. If the contents of the battery gets on your

hands or in your eyes, it can cause blindness, chemical burns,

and damage of the product.

- Use the specified battery type (page 91) only.

- Do not use new batteries together with old ones.

- Do not mix battery types.

- Always make sure all batteries are inserted in conformity with

the +/- polarity markings.

- Do not disassemble a battery.

- When the batteries run out, or if the product is not to be used

for a long time, remove the batteries from the product.

- Do not attempt to recharge batteries that are not designed to be

charged.

Power supply

Do not disassemble

Water warning

Fire warning

Handling

Batteries

DMI-11 1/3

PSR-I300 Owner’s Manual

• If the batteries do leak, avoid contact with the leaked fluid. If the

battery fluid should come in contact with your eyes, mouth, or

skin, wash immediately with water and consult a doctor. Battery

fluid is corrosive and may possibly cause loss of sight or

chemical burns.

• When using rechargeable batteries, follow the instructions that

came with the batteries. Use only the specified charger device and

within the specified charging temperature range when charging.

Charging with an unspecified charger or at a temperature outside

the range may cause leakage, overheating, explosion, or

malfunction.

• Keep batteries away from children. A child could accidentally

swallow a battery. Failure to observe this may also cause

inflammation due to battery fluid leaks.

• Do not put batteries in a pocket or bag, or carry or store them

together with pieces of metal. Batteries kept in such condition

could short, burst, or leak, causing a fire or injury.

• If any of the following problems occur, immediately turn off the

power switch and disconnect the power plug from the outlet. If

you are using batteries, remove all batteries from the product.

Finally have the device inspected by Yamaha service personnel.

- The power cord or plug becomes frayed or damaged.

- Unusual smells or smoke are emitted.

- Some object, or water has been dropped into the product.

- There is a sudden loss of sound during use of the product.

- Cracks or other visible damage appear on the product.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you

or others, or damage to the product or other property. These precautions include, but are not

limited to, the following:

• Do not place the product in an unstable position or a location with

excessive vibration, where it might accidentally fall over and

cause injury.

• Before moving the product, remove all connected cables, to

prevent damage to the cables or injury to anyone who might trip

over them.

• Use only the stand specified for the product. When attaching it,

use the provided screws only. Failure to do so could cause

damage to the internal components or result in the product falling

over.

• Before connecting the product to other electronic components,

turn off the power for all components. Before turning the power on

or off for all components, set all volume levels to minimum.

• Be sure to set the volumes of all components at their minimum

levels and gradually raise the volume controls while playing the

product to set the desired listening level.

• Do not insert your finger or hand in any gaps on the product.

• Do not insert foreign materials such as metal or paper into any

openings or gaps of the product. Failure to observe this may

cause a fire, electric shocks, or malfunctions.

• Do not rest your weight on, or place heavy objects on the product,

and do not use excessive force on the buttons, switches or

connectors.

• Do not use the product or headphones for a long period of time at

a high or uncomfortable volume level, since this can cause

permanent hearing loss. If you experience any hearing loss or

ringing in the ears, consult a physician.

• Remove the power plug from the AC outlet before cleaning the

unit. Failure to observe this may cause electric shocks.

Always turn the power off when the product is not in use.

Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the product at the minimum level.

When you are not using the product for a long time, make sure you unplug the power cord from the wall AC outlet.

Make sure to discard used batteries according to local regulations.

If you notice any abnormality

Location

Connections

Handling

Yamaha cannot be held responsible for damage caused by improper use or modifications to the product, or data that is lost or destroyed.

DMI-11 2/3

PSR-I300 Owner’s Manual 7

NOTICE

To avoid the possibility of malfunction/ damage

to the product, damage to data, or damage to

other property, follow the notices below.

 Handling

• Do not use the instrument in the vicinity of a TV, radio,

stereo equipment, mobile phone, or other electric

devices. Otherwise, the instrument, TV, or radio may

generate noise.

• When you use the instrument along with an app on your

smart device, such as a smartphone or tablet, we

recommend that you enable “Airplane Mode” on the

device to avoid noise caused by communication.

• Depending on the condition of surrounding radio waves,

the instrument may possiblymalfunction.

• Do not expose the instrument to excessive dust or

vibrations, or extreme cold or heat (such as in direct

sunlight, near a heater, or in a car during the day) to

prevent the possibility of disfiguration, damage to the

internal components or unstable operation. (Verified

operating temperature range: 5° – 40°C, or 41° – 104°F.)

• Do not place vinyl, plastic or rubber objects on the

instrument, since this might discolor the instrument.

• Do not press the LCD screen with your finger because it

is a sensitive, precision-made part. Doing so might cause

an appearance abnormality, such as a stripe on the LCD,

although this abnormality should disappear again within

a short time.

 Maintenance

• When cleaning the instrument, use a soft and dry/slightly

damp cloth. Do not use paint thinners, solvents, alcohol,

cleaning fluids, or chemical-impregnated wiping cloths.

 Saving data

• Some of the data of this instrument (page 53) are retained

when the power is turned off. However, the saved data

may be lost due to some failure, an operation mistake,

etc. Save your important data onto an external device

such as a computer (page 52).

Information

 About copyrights

• The copyright of the “content”*1 installed in this product

belongs to Yamaha Corporation or its copyright holder.

Except as permitted by copyright laws and other relevant

laws, such as copying for personal use, it is prohibited to

“reproduce or divert”*2 without the permission of the

• If you create music or perform with the contents through

the original use of the product, and then record and

distribute them, the permission of Yamaha Corporation is

not required regardless of whether the distribution

method is paid or free of charge.

*1: The word “content” includes a computer program,

audio data, Accompaniment Style data, MIDI data,

waveform data, voice recording data, music score,

and score data, etc.

*2: The phrase “reproduce or divert” includes taking out

the content itself in this product, or recording and

distributing it without changes in a similar manner.

 About functions/data bundled with the

instrument

• Some of the preset Songs have been edited for length or

arrangement, and may not be exactly the same as the

original.

 About the appearance of this product

• This product may appear to have lines or scratches on the

surface.The apparent lines or scratches are called “weld

lines.”They occur during the process of modeling the

case and do not affect thefunctionality of the product.

 About this manual

• The illustrations and LCD screens as shown in this

manual are for instructional purposes only.

• iPhone, iPad are trademarks of Apple Inc., registered in

the U.S. and other countries.

• The company names and product names in this manual

are the trademarks or registered trademarks of their

respective companies.

 About this manual

• When disposing of this product, please contact the

appropriate local authorities.

• Make sure to discard used batteries according to local

regulations.

DMI-11 3/3

PSR-I300 Owner’s Manual

About the Manuals

In addition to this Owner’s Manual, the following Online materials (PDF files) are available.

Drum Kit List

This contains detailed information of the Drum Kit Voices (Voice Nos. 260–279; page 72). When you

select these Voices, various drum, percussion and SFX sounds listed here are assigned to each key.

MIDI Reference

This contains MIDI-related information, such as the MIDI Implementation Chart.

Computer-related Operations

This contains instructions about computer-related functions.

Smart Device Connection Manual

This explains how to connect the instrument to smart devices, such as smartphones, tablet

devices, etc.

To obtain these manuals, access the Yamaha Downloads page, and then enter the model name for

searching for the desired files.

Yamaha Downloads https://download.yamaha.com/

Song Book (only in English and French)

This contains music scores for the preset Songs (excluding the Demo Songs) of this instrument.

To obtain this Song Book, access the Yamaha website and download it from the product web page.

Yamaha Global Site https://www.yamaha.com

Included Accessories

• Owner’s Manual (this book)

• AC adaptor*

• Music rest

• Online Member Product Registration

* May not be included depending on your particular locale. Check

with your Yamaha dealer.

Formats and functions

GM System Level 1

“GM System Level 1” is an addition to the MIDI

standard which ensures that any GM-compati-

ble music data can be accurately played by any

GM-compatible tone generator, regardless of

manufacturer. The GM mark is affixed to all

software and hardware products that support

GM System Level.

XGlite

As its name implies, “XGlite” is a simplified ver-

sion of Yamaha’s high-quality XG tone genera-

tion format. Naturally, you can play back any

XG song data using an XGlite tone generator.

However, keep in mind that some songs may

play back differently compared to the original

data, due to the reduced set of control parame-

ters and effects.

Style File Format (SFF)

The Style File Format combines all of

Yamaha’s auto accompaniment know-how

into a single unified format.

USB

USB is an abbreviation for Universal Serial

Bus. It is a serial interface for connecting a

computer with peripheral devices. It allows

“hot swapping” (connecting peripheral

devices while the power to the computer is

on).

Touch Response

The exceptionally natural Touch Response

feature gives you maximum expressive con-

trol over the level of the Voices.

• For a general overview of MIDI and how you can effectively use it, search for “MIDI Basics” (only in English, Ger-

man, French and Spanish) on the website above.

NOTE

PSR-I300 Owner’s Manual 9

Setting UpAppendix Reference

About the Manuals.................................................... 8

Included Accessories................................................ 8

Formats and functions .............................................. 8

Setting Up

Panel Controls and Terminals 10

Setting Up 12

Power Requirements .............................................. 12

Turning the Power On ............................................ 13

Setting the Auto Power Off function ....................... 13

Adjusting the Master Volume.................................. 14

Connecting Headphones or External Speakers ..... 14

Using a Pedal ......................................................... 14

Using the Music Rest.............................................. 14

Display Items and Basic Operations 15

Display Items.......................................................... 15

Basic Operations .................................................... 15

Reference

Playing a Variety of Instrument Voices 16

Selecting a Main Voice........................................... 16

Playing the “Harmonium/Piano”.............................. 16

Using the Metronome ............................................. 16

Layering a Dual Voice ............................................ 17

Playing a Split Voice in the Left-hand Area ............ 17

Changing the Touch Response of the Keyboard.... 18

Pitch Controls—the [PITCH BEND] Wheel............. 18

Applying Effects to the Sound ................................ 19

Adding Harmony or Arpeggio ................................. 21

Playing the keyboard with two persons (Duo mode)

Playing Rhythm and Accompaniment (Style)

Fingering Type........................................................ 24

Setting the Fingering Type ..................................... 24

Setting the Smart Chord Key.................................. 24

Playing Styles ......................................................... 25

Style Variations....................................................... 26

Chord Types for Style Playback ............................. 27

Chords Heard When Smart Chord is Selected....... 28

Looking Up Chords Using the Chord Dictionary..... 29

Using the Music Database...................................... 30

Registering a Style File........................................... 30

Changing the Tempo .............................................. 31

Playing with Riyaz Lite 32

Playing Songs33

Listening to a Demo Song ...................................... 33

Selecting and Playing Back a Song........................ 33

BGM Playback........................................................ 34

Song Fast Forward, Fast Reverse, and Pause ...... 34

Changing the Melody Voice.................................... 34

A-B Repeat ............................................................. 35

Turning Each Part On/Off....................................... 35

Playing Songs Loaded From a Computer .............. 35

Using the Song Lesson Feature 36

Keys To Success ....................................................37

Phrase Repeat ........................................................39

Listening, Timing and Waiting.................................40

Learning How to Use “Touch” Control (Touch Tutor)

Hearing and Experiencing the Sound of

the Chords (Chord Study) 43

Hear and Experience a Sound of a Single Chord ... 43

Hear and Experience Basic Chord Progressions....43

Playing Chords Along with

Chord Progressions of a Song44

Playing Chords in Combination with

“Waiting” of the Lesson Function .......................44

Recording Your Performance 45

Track Structure of a Song .......................................45

Quick Recording .....................................................45

Recording to a Specific Track .................................46

Clearing a User Song..............................................46

Memorizing Your Favorite Panel Settings47

Recalling Panel Settings from the Registration Memory

...47

Memorizing Panel Settings to the Registration Memory

....48

Deleting the Registration Memory...........................48

Disabling Recall of Specific Items (Freeze) ............48

Selecting an EQ Setting for your Favorite Sound

Playing a Device with the Built-in Speakers

Lowering the Volume of a Melody Part

(Melody Suppressor).......................................... 51

Using with a Computer or Smart Device 52

Connecting to a computer.......................................52

Connecting a Smart Device .................................... 52

Backup and Initialization 53

Backup Parameters ................................................53

Initialization .............................................................53

The Functions 54

Appendix

Troubleshooting.............................................58

Song Book Sample.........................................60

Voice List ........................................................70

Drum Kit List (Indian Kit List)........................76

Drum Kit List (Standard Kit 1) .......................80

Song List .........................................................81

Style/Riyaz List ...............................................82

Music Database List.......................................84

Effect Type List...............................................86

Specifications .................................................90

Index ................................................................92

Contents

Thank you for purchasing this Yamaha Digital Keyboard!

This instrument is loaded with various sounds, preset Songs and many convenient functions—

so that even beginners can enjoy playing it right away.

We recommend that you read this manual carefully so you can fully take advantage of the advanced

and convenient functions of the instrument.

We also recommend that you keep this manual in a safe and handy place for future reference.

PSR-I300 Owner’s Manual

Setting Up

Panel Controls and Terminals

Front Panel

Setting Up

!1 !2 !3 !4 !5

@1 @2 @3

!9 @5

C1 C2 C3 C4 C5 C6

Voice List

(page 70)

Song List

(page 81)

Display

(page 15)

Style List

(page 82)

Riyaz

(page 83)

As illustrated, each note of

the keyboard has a specific

note number and name

(e.g., 036/C1), which is

used in making various set-

tings, such as Split Point

(page 25).

Panel Controls and Terminals

PSR-I300 Owner’s Manual 11

Setting Up

q[ ] (Standby/On) switch ....................page 13

w[MASTER VOLUME] dial ......................page 14

e[DEMO] button......................................page 33

r[METRONOME] button.........................page 16

t[TEMPO/TAP] button ............................page 31

yPART

[L] button ..............................................page 40

[R] button ..............................................page 40

y[REC TRACK 2] button.........................page 45

[REC TRACK 1] button.........................page 45

u[KEYS TO SUCCESS] button...............page 37

i[PHRASE REPEAT] button...................page 39

o[1 LISTENING 2 TIMING 3 WAITING] button

...............................................................page 40

!0 [A-B REPEAT] button ...........................page 35

!1 [REW] button ........................................page 34

!2 [FF] button ............................................page 34

!3 [PAUSE] button.....................................page 34

!0 [ACMP ON/OFF] button........................page 25

!1 [INTRO/ENDING/rit.] button.................page 26

!2 [MAIN/AUTO FILL] button ....................page 26

!3 [SYNC START] button ..........................page 25

!0 [TANPURA ON/OFF] button.................page 32

!1 [SECTION A] button .............................page 32

!2 [SECTION B] button .............................page 32

!3 [SECTION C] button .............................page 32

!4 [START/STOP] button...........................page 33

!5 [REC] button .........................................page 45

!6 [VOICE] button......................................page 16

!7 [SONG] button ......................................page 33

!8 [STYLE/RIYAZ] button..........................page 25

Number buttons [0]–[9], [+/YES], [-/NO]

....page 15

@0 [HARMONIUM/PIANO] button .............page 16

@1 [DSP] button .........................................page 19

@2 [ARTICULATION] button ......................page 19

@3 [REGIST MEMORY] button ..................page 47

@4 [FUNCTION] button ..............................page 54

@5 [MUSIC DATABASE] button .................page 30

@6 [DUAL] button.......................................page 17

@7 [SPLIT] button.......................................page 17

@8 [HARMONY/ARPEGGIO] button..........page 21

@9 [PITCH BEND] wheel............................page 18

#0 [SUSTAIN] jack .....................................page 14

#1 [PHONES/OUTPUT] jack......................page 14

#2 [AUX IN] jack.........................................page 50

#3 [USB TO HOST] terminal* ....................page 52

* For connecting to a computer. For details, refer to “Com-

puter-related Operations” (page 8) on the website. When

connecting, use an AB type USB cable of less than 3

meters. USB 3.0 cables cannot be used.

#4 DC IN jack .............................................page 12

In the Lesson mode

In the Recording mode

In the Song mode

In the Style mode

In the Riyaz mode

Panel Setup (Panel Settings)

By using the controls on the panel, you can make various

settings as described here. These settings of the instru-

ment are together referred to as “panel setup” or “panel

settings” in this manual.

The “Press and hold” Symbol

Buttons having this indication can be used to call

up an alternate function when the relevant button

is pressed and held. Hold down this button until

the function is called up.

#1 #2 #3

Rear Panel

PSR-I300 Owner’s Manual

Setting Up

Power Requirements

Although the instrument will run either from an AC

adaptor or batteries, Yamaha recommends use of an

AC adaptor whenever possible. An AC adaptor is

more environmentally friendly than batteries and

does not deplete resources.

Using an AC Adaptor

Connect the AC adaptor in the order shown in the

illustration.

Using Batteries

This instrument requires six “AA” size, Alkaline (LR6)/

Manganese (R6) batteries, or rechargeable nickel-

metal hydride batteries (rechargeable Ni-MH batter-

ies). The Alkaline batteries or rechargeable Ni-MH

batteries are recommended for this instrument, since

other types may result in poorer battery performance.

1Make sure that the power of the instrument is off.

2Open the battery compartment cover located on

the instrument’s bottom panel.

3Insert the six new batteries, being careful to follow

the polarity markings on the inside of the com-

partment.

4Replace the compartment cover, making sure that

it locks firmly in place.

Make sure to set the battery type correctly (page 13).

• Use the specified AC adaptor (page 91) only. Using the

wrong AC adaptor can result in damage to the instrument

or overheating.

• When using the AC adaptor with a removable plug, make

sure to keep the plug attached to the AC adaptor. Using the

plug alone can cause electric shock or fire.

• If the plug is accidentally removed from the AC adaptor,

slide it back in until it clicks into place, taking care to

avoid touching any internal metal parts. To avoid electric

shock, short circuit or damage, also be careful that there

is no dust between the AC adaptor and plug.

• When setting up the product, make sure that the AC outlet

you are using is easily accessible. If some trouble or mal-

function occurs, immediately turn the power off and dis-

connect the plug from the outlet.

• Follow the order shown above in reverse when disconnecting

the AC adaptor.

1DC IN jack

(page 11)

AC outlet

adaptor

WARNING

Plug

The shape of the plug differs depending on

your area.

Slide the plug as

indicated.

CAUTION

NOTE

• When the batteries run out, or if the instrument is not to be

used for a long time, remove the batteries from the instru-

ment.

• Connecting or disconnecting the AC adaptor with batter-

ies installed may turn the power off, resulting in loss of

data being recorded or transferred at the time.

• When battery power becomes too low for proper opera-

tion, the volume may be reduced, the sound may be dis-

torted, and other problems may occur. When this happens,

make sure to replace all batteries with new ones or already

recharged ones.

WARNING

NOTICE

Setting Up

PSR-I300 Owner’s Manual 13

Setting Up

Setting the battery type

Depending on the battery to be installed, you may

need to change the battery type setting, although

“Alkaline (and manganese)” is set by default. After

installing new batteries, call up Function number 063

(page 57), and then set the Battery Type (recharge-

able or not).

Turning the Power On

1Turn down the [MASTER VOLUME] dial to “MIN.”

2Press the [ ] (Standby/On) switch to turn the

power on.

The Voice name appears on the display. Adjust

the volume as desired while playing the key-

board.

3Press and hold the [ ] (Standby/On) switch for

about a second to set the instrument to standby

mode.

Setting the Auto Power Off

function

To prevent unnecessary power consumption, this

instrument turns off automatically if not operated for

30 minutes by default. This non-operation time can

be changed as desired.

To change the non-operation time

which enables Auto Power Off

Press the [FUNCTION] button several times until

“AutoOff” (Function 062; page 57) appears, and then

use the [+/YES] or [-/NO] button to select the desired

value.

Settings: OFF, 5, 10, 15, 30, 60, 120 (minutes)

Default value: 30 (minutes)



To cancel Auto Power Off when turning

on the instrument

Turn the power on while holding down the lowest key

on the keyboard. A message “oFF AutoOff” appears

briefly, then the instrument starts up with the Auto

Power Off function disabled.

• This instrument cannot charge the batteries. Use only the

specified charger device when charging.

• Power will be automatically drawn from the AC adaptor if an

AC adaptor is connected while batteries are installed in the

instrument.

• Failure to set the battery type may shorten the amount of

the battery life. Make sure to set the battery type correctly.

• Even when the [ ] (Standby/On) switch is in standby sta-

tus, electricity is still flowing to the product at the mini-

mum level. Remove the electric plug from the outlet when

the instrument is not to be used for extended periods of

time, or during electrical storms.

• Press only the [ ] (Standby/On) switch when turning the

power on. Any other operations such as pressing the pedal

are not allowed. Doing so may cause the instrument to

malfunction.

NOTE

NOTICE

CAUTION

NOTICE

• Depending on the instrument status, the power may not

turn off automatically, even after the elapse of the specified

period of time. Always turn off the power manually when

the instrument is not in use.

• When the instrument is not operated for a specified time

while connected to an external device such as an amplifier,

speaker or computer, make sure to turn off all connected

devices including the instrument, in order to protect the

devices from possible damage from power turning off

automatically. Alternately, if you want to avoid doing this,

simply disable the Auto Power Off function.

• Generally, the data and settings are maintained even when

the power is turned off with the Auto Power Off function. For

details, see page 53.

The lowest key

NOTICE

NOTE

Setting Up

PSR-I300 Owner’s Manual

Setting Up

Adjusting the Master Volume

To adjust the volume of the entire keyboard sound,

use the [MASTER VOLUME] dial while playing the

keyboard.

Connecting Headphones or

External Speakers

Connect a pair of headphones to the [PHONES/

OUTPUT] jack. This jack also functions as an exter-

nal output. By connecting to a keyboard amplifier,

recorder, or other audio device, you can output the

audio signal of this instrument to that external device.

The speakers of this instrument are automatically

shut off when a plug is inserted into this jack.

Using a Pedal

By using a pedal, you can control one of four func-

tions in real time as you play: Sustain, Articulation

(page 20), Arpeggio (page 22) and Sostenuto (page

56). Make sure the footswitch (FC5 or FC4A; sold

separately) plugged into the [SUSTAIN] jack. By

default, Sustain is assigned, so that the sound can

be heard for a long time even if you take your finger

off the keyboard while pressing the foot switch, like a

damper pedal on a piano. To use a function other

than Sustain, use the function settings (Function 031;

page 56).

Using the Music Rest

Insert the music rest into the slots as shown.

• Do not use the instrument for a long period of time at a

high or uncomfortable volume level, since this can cause

permanent hearing loss.

• Do not use the instrument or headphones for a long period

of time at a high or uncomfortable volume level, since this

can cause permanent hearing loss.

• Before connecting an external device via the [PHONES/

OUTPUT] jack, turn off both the device and the instrument.

After connecting, set all volume levels to minimum, and

then turn on/off both the device and the instrument. When

turning on, turn on the instrument first, and then the

device; when turning off, turn off the device and then the

instrument. Otherwise, damage to the instrument and

device or electrical shock may occur.

• When the [PHONES/OUTPUT] jack is connected, set the

Master EQ (page 49) to “3 Headphone.”

CAUTION

Standard stereo

phone plug

CAUTION

NOTE

• Plug or unplug the footswitch while the power is off. Also, do

not press the footswitch when turning the power on. Doing so

changes the polarity of the footswitch, resulting in reversed

operation.

• The sustain function does not affect Split Voices (page 17),

Style (automatic accompaniment; page 24) and Riyaz (page

32).

NOTE

PSR-I300 Owner’s Manual 15

Setting Up

Display Items and Basic Operations

Display Items

Basic Operations

Number buttons

Use the Number buttons to directly enter an item or

value. For numbers that start with one or two zeroes,

the first zeroes can be omitted.

[-/NO] and [+/YES] buttons

Press the [+/YES] button briefly to increase the value by 1,

or press the [-/NO] button briefly to decrease the value by 1.

Press and hold either button to continuously increase or

decrease the value in the corresponding direction.

003

Harmnum1

001

Voice/Song/Style

This area indicates the Lesson

related status.

Keys To Success

(page 37)

Phrase Repeat (page 39)

Chord Progression (page 44)

Indicates the Passing Status (page

38) of the Keys To Success lesson.

Lesson Indication

Harmony

(

page 21

)

Arpeggio

(

page 21

)

Dual (

page 17

)

Split (

page 17

)

DSP (

page 19

)

Duo (

page 23

)

Articulation (page 19)

Function status

Indicates the chord which is played in the Auto

Accompaniment range (page 25) of the keyboard, or

specified via Song playback.

Normally indicates the current measure number of the

current Style, Riyaz or Song. When the [FUNCTION] button

(page 54) is in use, this indicates the Function number.

Indicates the current beat of playback.

Indicates notes you are currently playing, or notes specified via the Song

Lesson function or Chord Dictionary function.

Chord

Function or Measure

Beat

Keyboard Display

027

003

Indicates the on/off status of Song

playback or target track of Song

recording (pages 35, 46).

Lit: Track contains data

Unlit: Track is muted or contains no data

Flashing: Track is selected as recording track

Appears when the A-B Repeat

function is active. (page 35)

Appears when the Auto

Accompaniment function is on.

(page 25)

Song Track status

A-B Repeat

Auto Accompaniment

(page 47)

Registration

Memory

Touch Response (page 18)

Strength Meter

is a meter that lights up

according to the strength with

which you play the keyboard.

(pages 18, 42)

represents the target

strength when practicing with

songs in the “Touch Tutor”

category. (page 42)

Touch Indication

Voice selection mode

Song mode

Style/Riyaz mode

is always shown while either or

is shown.

appears only when the settings of the corresponding

function can be edited.

Press number but-

tons [0], [0], [3], or

simply press [3].

Example: Selecting Voice 003,

Harmnum3.

Press briefly to

increase.

Press briefly to

decrease.

PSR-I300 Owner’s Manual

Reference

Playing a Variety of Instrument Voices

In addition to piano, organ, and other “conventional” keyboard instruments, this instru-

ment has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums

and percussion, and even sound effects—giving you a wide variety of musical sounds.

1Press the [VOICE] button.

The Voice number and name will be shown.

2Use the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons to select the

desired Voice.

Refer to the Voice List on page 70.

3Play the keyboard.

Preset Voice Types

When you want to reset various settings to default

and simply play a Harmonium sound, press the

[HARMONIUM/PIANO] button.

The Voice “001 Harmonium Single” is selected auto-

matically as the Main Voice. When “001 Harmonium

Single” is already selected, “031 Live! Concert Grand

Piano” is selected instead.

The instrument features a built-in metronome (a

device that keeps an accurate tempo), convenient for

practicing.

1Press the [METRONOME] button to start

the metronome.

2Press the [METRONOME] button again to

stop the metronome.

To change the tempo:

Press the [TEMPO/TAP] button to call up the Tempo

value, and then use the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons.

Press the [+/YES] and [-/NO] buttons simultaneously

to call up the default tempo value of the current Style,

Riyaz or Song.

To set the Time Signature:

Press and hold the [METRONOME] button to call up

“TimeSigN” (Functions 032; page 56), and then use

the number buttons, or [+/YES] and [-/NO] buttons.

To set the Metronome Volume:

Call up Function number 034 (page 56).

Selecting a Main Voice

• is not displayed alone. It is always displayed

with or . Refer to page 15.

001–030

(Indian Voices) Used for Indian music performance.

001–259 Instrument Voices (including sound effects).

260–279

(Drum Kit)

Various drum and percussion sounds are

assigned to individual keys, from which they can

be played. Details on the instruments and key

assignments of each Drum Kit can be found on

page 72.

280–299 Arpeggios are automatically reproduced by

simply playing the keyboard (page 21).

300–644 XGlite Voices (page 73)

000

One Touch Setting

The One Touch Setting feature automatically

selects the most suitable Voice when you

select a Style, Riyaz or Song (excepting Songs

and Styles input from other devices). Simply

select Voice number “000” to activate this fea-

ture.

Harmnum1

001

Voice name

The Voice shown here

becomes the Main

Voice for the instrument.

Voice number

Always

appears on

the display.

NOTE

Shehnai

004

Select the Voice you want to play

Playing the “Harmonium/Piano”

Using the Metronome

Tempo

090

Current Tempo value

Reference

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual 17

Reference

In addition to the Main Voice, you can layer a differ-

ent Voice over the entire keyboard as a “Dual Voice.”

1Press the [DUAL] button to turn Dual on.

2Play the keyboard.

3Press the [DUAL] button again to exit

from Dual.

To select a different Dual Voice:

Although turning on Dual will select a Dual Voice

suitable for the current Main Voice, you can easily

select a different Dual Voice by pressing and holding

the [DUAL] button to call up “D.Voice” (Function 009;

page 55), then using the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons.

By dividing the keyboard into two separate areas,

you can play a different Voice between the left-hand

and right-hand areas.

1Press the [SPLIT] button to turn on Split.

The keyboard is divided into left- and right-hand

areas.

You can play a “Split Voice” in the left-hand area

of the keyboard while playing a Main Voice and

Dual Voice in the right-hand area of the keyboard.

The highest key for the left-hand area is referred

to as the “SplitPnt” (Function 004;

page 54

) which

can be changed from the default F#2 key.

2Play the keyboard.

3Press the [SPLIT] button again to exit

from Split.

To select another Split Voice:

Press and hold the [SPLIT] button to call up “S.Voice”

(Function 013; page 55), and then use the number

buttons [0]–[9], or [+/YES] and [-/NO] buttons.

Layering a Dual Voice

Harmnum1

001

Appears when Dual

is on

Two Voices sound

together.

Playing a Split Voice in the Left-

hand Area

Harmnum1

001

Appears when Split

is on

Split Voice Main Voice and Dual Voice

Split Point default setting: 054 (F#2)

036

(C1)

048

(C2)

060

(C3)

072

(C4)

084

(C5)

096

(C6)

Left-hand area

Right-hand area

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual

Reference

The keyboard of this instrument is equipped with a

Touch Response feature that lets you dynamically

and expressively control the level of the Voices

according to your playing strength.

1Press the [FUNCTION] button several

times until “TouchRes” (Function 005;

page 54) appears.

After a few seconds, the current Touch Response

appears.

2Use the number buttons [1]–[4], [+/YES],

[-/NO] buttons to select a Touch

Response setting between 1 and 4.

Touch Response

3Play the keyboard.

The strength meter will light according to the

strength with which you play the keyboard.

The [PITCH BEND] wheel can be used to add

smooth pitch variations to notes you play on the key-

board. Roll the wheel upward to raise the pitch, or

downward to lower the pitch.

You can change the amount of pitch bend produced

by the wheel in the Function Settings (page 54, Func-

tion 003).

Changing the Touch Response of

the Keyboard

1Soft

Produces relatively high volume even with

light playing strength. Best for players with a

light touch who want to maintain a consis-

tent, relatively loud volume.

2Medium Produces a fairly “standard” keyboard

response.

3Hard

The keys must be played very strongly to

generate loud volume. This setting is best

for a wide dynamic range and optimum

expressive control of the sound, from pianis-

simo to fortissimo.

4Fixed All notes are produced at the same volume

no matter how hard the keyboard is played.

• When Touch Response is set to “Fixed,” the strength

meter is fixed at medium strength.

TouchRes

005

Medium

005

Appears when the Touch

Response is not “Fixed.”

When playing softly:

When playing at

medium strength:

When playing strongly:

NOTE

Pitch Controls

—the [PITCH BEND] Wheel

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual 19

Reference

This instrument can apply various Effects to the

instrument’s sound (as described below).

 DSP

This effect applies digital signal processing to the

Main Voice and Song part when a Voice or Song that

includes the DSP setting is selected. The DSP effect

can be turned on/off, and also features various Types

(page 88) which can be selected via the following

procedure.

1Press the [DSP] button to turn on the DSP.

Although the DSP type (page 88) is automatically

determined according to the current Main Voice,

you can select another type.

2Hold down the [DSP] button for a while until the

DSP-related indication appears.

3Use the number buttons [0]–[9], or [+/YES] and

[-/NO] buttons to select the desired type.

4Play the keyboard.

5Press the [DSP] button again to turn off the DSP.

 Articulation

This effect reproduces the sounds of playing meth-

ods that are unique to specific instruments. To enjoy

this effect, select one of the S.Art Lite Voices, indi-

cated by “***” in the Voice List (page 70), and then

play the keyboard while holding down the [ARTICU-

LATION] button.

Examples of the Articulation effect

If you select the following voices, you can realistically

reproduce the specific playing techniques below.

Example 1: Voice number 005 “S.Art Lite Sarangi”

When you play the keyboard while holding down the

[ARTICULATION] button, the attack part sounds with

the pitch bending up.

Example 2: Voice number 012 “S.Art Lite Santoor”

When you press the [ARTICULATION] button, trem-

olo sound is produced.

For Voices other than S.Art Lite Voices

Modulation or Portamento effects are suitably

assigned according to the characteristics of each

Voice. To use the Modulation effect, follow the same

manner as with Articulation. To use the Portamento

effect, follow the instructions below instead. For

details on Portamento, refer to page 20.

1To enable the Portamento effect, press the

[ARTICULATION] button before you start playing

the keyboard.

2To disable the Portamento effect, press the

[ARTICULATION] button again.

Applying Effects to the Sound

• Among the Voices in the keyboard performance, the

DSP effect is applied only to the Main Voice.

• The DSP cannot be turned on during lessons.

NOTE

Harmnum1

001

Appears when

the DSP is on.

DSPType

025

Tremolo

025

Current DSP type

Hold for longer

than a second.

Sarangi

005

Appears when the

S.Art Lite Voice is selected

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual

Reference

Adding the Articulation effect by using a pedal

If you assign the Articulation function to a pedal (foot

switch) with “PdlFunc” (Function 031; page 56), you

can apply the effect by pressing on the pedal.

 Portamento

Portamento is a function that creates a smooth tran-

sition in pitch from the first note played on the key-

board to the next. Using this function effectively

provides even greater expressive nuance to your per-

formance. On this instrument, Portamento is avail-

able on the following Voices.

To enable Portamento, press the [ARTICULATION]

button when one of the Voices above is selected.

 Reverb

Adds room ambience of a club or concert hall to the

sound. Although the best-suited Reverb type is

called up by selecting a Song, Style and Riyaz, you

can select another one via Function number 022

(page 55). You can also set the Reverb depth via

Function number 023 (page 55).

 Chorus

Makes the Voice sound richer, warmer and more

spacious. Although the best-suited Chorus type is

called up by selecting a Song, Style and Riyaz, you

can select another one via Function number 024

(page 55). You can also set the Chorus depth for

Voices only for keyboard performance via Function

numbers 008 (page 54), 012, 016 (page 55).

 Sustain

By turning on the Sustain parameter of Function num-

ber 026 (page 55), you can add a fixed, automatic

sustain to the Main/Dual Voices played on the key-

board. Or, you can produce a natural sustain as

desired with the footswitch (sold separately; page 14).

• The Articulation effect is applied only to the Main Voice.

• S.Art Lite Voices sound differently depending on the velocity,

etc.

006 S!Srangi

007 Pungi

008 S!Bansri

011 Sarod

016 IndBanjo

017 Mandolin

020 Rabab

154 Trombone

164 80sBrass

167 TechBras

168 SynBrass

171 SquareLd

172 Saw.Lead

174 UndrHeim

175 PortTone

176 Analogn1

177 Fargo 1

178 Analogn2

179 Fargo 2

181 Funky Ld

202 Timpani

214 Er Hu

NOTE

• Even if you turn on Sustain, there are some Voices to which

sustain is not applied.

NOTE

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual 21

Reference

You can add harmony or arpeggio notes to the Voice

played on the keyboard.

By specifying the Harmony Type, you can apply har-

mony parts, such as duet or trio, or add tremolo or

echo effects to the played sound of the Main Voice.

Also, when the Arpeggio Type is selected, arpeggios

(broken chords) are automatically played back when

you simply play the appropriate notes on the key-

board. For example, you could play the notes of a

triad—the root, third, and fifth—and the Arpeggio

function will automatically create a variety of interest-

ing phrases. This feature can be used creatively in

music production as well as performance.

1Press the [HARMONY/ARPEGGIO]

button to turn on the Harmony or Arpeg-

gio function.

When Harmony or the Arpeggio is turned on, the

most suitable type will be selected for the current

Main Voice.

If you want to select a specific type, select it by

operation steps 2 and 3 below.

2Hold down the [HARMONY/ARPEGGIO]

button for longer than a second until

“Harm/Arp” (Functions 028; page 55)

appears on the display.

After “Harm/Arp” is shown for a few seconds, the

current type appears.

3Use the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons to select the

desired type.

When you want to specify a Harmony Type, refer

to the Harmony Type list on page 86; to specify

an Arpeggio Type, refer to the Arpeggio Type list

on page 87.

4Press a note or notes on the keyboard to

trigger the Harmony or Arpeggio.

When a Harmony Type is selected, a harmony

part (for example, duet or trio) or an effect (for

example, tremolo or echo) can be added to the

played sound of the Main Voice.

When an Arpeggio Type is selected, arpeggios

(broken chords) are automatically played back

when you simply play the appropriate notes on

the keyboard. The particular arpeggio phrase dif-

fers depending on the number of pressed notes

and the area of the keyboard.

5To turn the Harmony or Arpeggio off,

press the [HARMONY/ARPEGGIO]

button again.

Adding Harmony or Arpeggio

NylnGtrH

074

L!CGrPno

031

Appears when

Harmony is turned on.

Appears when the

Arpeggio is turned on.

• When playing one of the Arpeggio Types 143 to 188,

select the corresponding Voice below as the Main Voice.

143–173: Select a Drum Kit (Voice No.260–270).

174 (China): Select “Chinese Kit.” (Voice No.271).

175 (Indian): Select “Indian Kit 1” (Voice No.27) or

“Indian Kit 2” (Voice No.28).

176 (Arabic): Select “Arabic Kit” (Voice No.275).

177–188: Select “Tabla Kit 1” (Voice No.25) or “Tabla Kit

2” (Voice No.26).

Harm/Arp

028

Trio

002

028

Current type

Hold for longer

than a second.

NOTE

Playing a Variety of Instrument Voices

PSR-I300 Owner’s Manual

Reference

To adjust the Harmony Volume:

Call up Function number 029 (page 55).

To adjust the Arpeggio Velocity:

Call up Function number 030 (page 55).

Holding the Arpeggio Playback via the

Footswitch (Hold)

You can set the instrument so that Arpeggio play-

back continues even after the note has been

released, by pressing the footswitch connected to the

[SUSTAIN] jack.

1Press the [FUNCTION] button a number

of times until the “PdlFunc” (Function

031; page 56) item appears on the dis-

play.

After “PdlFunc” is shown for a few seconds, the

current setting is shown.

2Use the number buttons [1]–[3], [+/YES],

[-/NO] buttons to select “ArpHold.”

If you want to restore the footswitch function to

sustain, select “Sustain.” If you want to use both

hold and sustain functions, select “Sus+ArpH.”

3Try playing the keyboard with Arpeggio

playback using the footswitch.

Even if you release the notes, Arpeggio playback

will continue. To stop Arpeggio playback, release

the footswitch.

How to play the various Types

• Harmony Types 001 to 005

Press the right-hand keys while playing chords in the

auto accompaniment range of the keyboard when

Auto Accompaniment or Riyaz Lite are on (page 25).

• Harmony Types 006 to 012 (Trill)

Hold down two keys.

• Harmony Types 013 to 019 (Tremolo)

Keep holding

down the keys.

• Harmony Types 020 to 026 (Echo)

Play the keys.

• Arpeggio Types 027 to 188

Arpeggio function applies to both the Main

Voice and Dual Voice.

Arpeggio function applies only to the Split

Voice.

When Split is off:

When Split is on:

• Selecting a Voice number between 280 and 299 as

the Main Voice will turn on Arpeggio and Split auto-

matically.

NOTE

For 01–05, the harmony notes are added to notes

played with the Main Voice by turning the Auto Accom-

paniment on and playing the chord in the left-hand

area. For 06–26, the corresponding effect is applied to

notes played with the Main Voice whether Auto Accom-

paniment is on or off. For 27 and later, Arpeggio play-

back is applied to notes played according to the Split

on/off status.

PdlFunc

031

Sustain

031

ArpHold

031

PSR-I300 Owner’s Manual 23

Reference

Playing the keyboard with two persons (Duo mode)

When the Duo mode is activated on this instrument, two different players can play the

instrument simultaneously, with the same sound, over the same octave range—one per-

son on the left and the other on the right. This is useful for learning applications, in

which one person (a teacher, for example) plays a model performance and the other

person watches and practices while sitting at the first person’s side.

1Press the [FUNCTION] button several

times until “DuoMode” (Function 050;

page 57) appears on the display.

2Use the [+/YES] button to select “on.”

The F#3 key becomes the Duo Split Point and the

keyboard is divided into two sections: one for the

left Voice and one for the right Voice.

3One person should play the left Voice

section of the keyboard while the other

plays the right Voice section.

4To exit from the Duo mode, select “oFF”

via “DuoMode” (Function 050; page 57)

by executing steps 1 and 2.

Changing the Left Voice

To change only the Left Voice, select the desired

Left Voice with “DuoLVc” (Function 051; page 57).

If the Left Voice is different from the Right Voice,

the Right Voice is shown on the display.

How sounds are output in the Duo mode

The performance sound of the left Voice will

sound from the left speaker, and the performance

sound of the right Voice will sound from the right

speaker, in the initial Duo mode setting. This out-

put setting can be changed from the “DuoType”

setting (Function 057; page 57).

Using sustain in the Duo mode

Sustain can be applied to the left and right Voice

sections in Duo mode just as it normally is by

using one of the following methods in the Duo

mode like the usual mode.

• Press the foot switch (page 14) connected to

the [SUSTAIN] jack.

• Set “Sustain” (Function 026; page 55) to on.

Sustain is applied to all notes.

• The right Voice section and the left Voice section of the

keyboard are both set to the same Voice (Main Voice).

• The Duo Split Point can be changed via Function number

052 (page 57).

DuoMode

Appears when

Duo is turned on.

Equivalent to C3

Duo Split Point

default setting: 066 (F#3)

Left Voice Right Voice

Equivalent to C3

NOTE

• Certain functions such as Lesson, Harmony/Arpeggio

and Dual cannot be used in the Duo mode.

• In the Duo mode, the pan, volume and tonal characteris-

tics of the stereo sound may differ from those in the nor-

mal mode, due to the setting of DuoType = “Separate”

(page 57). Particularly with Drum Kits, the difference may

be more obvious, since each key of a Drum Kit features a

different stereo pan position.

• Sustain cannot be applied independently to the left Voice

section and the right Voice section.

• While Sustain is on, the setting of hold is maintained even

when the power is turned off.

NOTE

PSR-I300 Owner’s Manual

Reference

Playing Rhythm and Accompaniment (Style)

This instrument includes an Auto Accompaniment feature that automatically plays

appropriate “Styles” (rhythm + bass + chord accompaniment), controlled simply by

playing root notes or chords with your left hand.

You can select how you want to play the chords from two ways: “SmartChord,” which

lets you play chords by playing a key with only one finger, and “Multi,” which lets you

play them normally, with all the constituent notes.

When playing the Styles, specify how to play chords

in the Auto Accompaniment range via “FingType”

(“Fingering Type” Function 019; page 55). With this

instrument, you can choose from two fingering types.

 “SmartChord” (Default setting)

You can play the Style by playing only the root

note of a chord.

 “Multi”

This is a way to play the Style by playing all notes

of a chord. However, major, minor, seventh, and

minor sevenths can also be easily played by

pressing one to three keys.

For information about chords, refer to “Chord Types

for Style Playback” (page 27) or use the Chord Dic-

tionary function (page 29).

1Press the [FUNCTION] button several

times until “FingType” (Function 019;

page 55) appears.

“FingType” is shown in the display for a few sec-

onds, followed by the current Fingering Type.

2Use the number buttons [0]-[9] or

[+/YES] and [-/NO] buttons to select

“SmartChd” or “Multi.”

3Press the [STYLE/RIYAZ] button to exit

from the Fingering Type settings.

If “SmartChd” is selected in the “FingType,” you need to

set the keys of the Songs you want to play in advance.

The specified key is called the Smart Chord Key.

1Use the [FUNCTION] button until

“S.ChdKey” (Function 020; page 55)

appears.

The current Smart Chord Key appears.

2Press the [+/YES] and [-/NO] buttons to

select the Smart Chord Key that

matches the score.

For example, when you want to play the music

score below, you need to set the Smart Chord

Key to “FL2” (2 flats) (page 28).

3Press the [STYLE/RIYAZ] button to exit

from the Smart Chord Key settings.

Fingering Type

Setting the Fingering Type

FingType

019

SmartChd

019

Setting the Smart Chord Key

S.ChdKey

SP0

020

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual 25

Reference

1Press the [STYLE/RIYAZ] button, and

then use the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons to select the

desired Style.

The Style List is provided on the front panel, or in

the Style List (page 82).

2Press the [ACMP ON/OFF] button to turn

on the Auto Accompaniment.

With this operation, the area of the keyboard to

the left of the Split Point (054: F#2) becomes the

“Auto Accompaniment range” and is used only for

specifying the chords.

You can change the Split Point via Function num-

ber 004 (page 54) by holding down the [ACMP

ON/OFF] button for longer than a second.

3Press the [SYNC START] button to turn

Synchro Start on.

This puts the Style playback in “standby” and the

Style starts playing back when you play the key-

board.

4Play a key in the Auto Accompaniment

range to start playback.

If “SmartChd” is selected, play the root note of a

chord with your left hand. If “Multi” is selected,

refer to page 27 for instructions on how to play.

Play a melody with your right hand and chords

with your left.

5Press the [START/STOP] button to stop

playback.

You can add intro, ending and rhythm variations

to Style playback by using “Sections.” For details,

refer to page 26.

Adjusting the Style Volume

To adjust the volume balance between Style play-

back and keyboard, you can adjust the Style Volume.

This can be set via Function number 018 (page 55).

Playing Styles

• The strength meter (page 18) does not respond to play-

ing in the Auto Accompaniment range.

RamBhajn

001

Style Name

Style Number

Appears when

Style mode is

active.

16Beat

052

This icon appears when automatic

accompaniment is on.

Split Point ... default setting: 054 (F#2)

Auto

Accompaniment

range

036

(C1)

048

(C2)

060

(C3)

072

(C4)

084

(C5)

096

(C6)

NOTE

To play back the rhythm part only

If you press the [START/STOP] button (without pressing

the [ACMP ON/OFF] button in step 2), only the rhythm

part can be played back, and you can play a melody

performance using the entire keyboard range.

16Beat

052

Flashes when sync start is on.

Split Point

• Since the Styles numbered 030, 216–224 have no

rhythm parts, no sound will be produced if you start

rhythm-only playback. When playing these Styles, make

sure to carry out Steps 2–4 on this page.

NOTE

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual

Reference

Each Style consists of “Sections” that allow you to

vary the arrangement of the accompaniment to

match the song you are playing.

 INTRO

This is used for the beginning of the Song. When the

Intro finishes, Style playback shifts to the Main sec-

tion. The length of the Intro (in measures) differs

depending on the selected Style.

 MAIN

This is used for playing the main part of the Song.

Playback of the Main section repeats indefinitely until

another Section’s button is pressed. There are two

variations (A and B), and the Style playback sound

changes harmonically in response on the chords you

play with your left hand.

 AUTO FILL

This is automatically added before changing to Main

A or B.

 ENDING

This is used for the ending of the Song. When the

Ending finishes, the Style playback stops automati-

cally. The length of the Ending (in measures) differs

depending on the selected Style.

1–3

Same as Steps 1–3 in page 25.

4Press the [MAIN/AUTO FILL] button to

select Main A or Main B.

5Press the [INTRO/ENDING/rit.] button.

Now, you’re ready to start Style playback from the

Intro section.

6Play a chord with your left hand to start

playback of the Intro.

For example, play a C major chord.

For information on how to enter chords, refer to

page 27.

7After the Intro finishes, play the key-

board according to the progression of

the Song you are playing.

Play chords with your left hand while playing mel-

odies with your right and press the [MAIN/AUTO

FILL] button as necessary. The Section will

change to Fill-in, and then Main A or B.

8Press the [INTRO/ENDING/rit.] button.

The Section switches to the Ending. When the

Ending is finished, Style playback stops automat-

ically. You can have the Ending gradually slow

down (ritardando) by pressing the [INTRO/END-

ING/rit.] button again while the Ending is playing

back.

Style Variations

MAIN A

Current Section

INTRO≥A

Split Point ... default setting: 054 (F#2)

Auto Accompa-

niment range

FILL A≥B

ENDING

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual 27

Reference

For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accom-

paniment range of the keyboard. Since there are many useful chords and many different ways to use them musi-

cally, refer to commercially available chord books for further details.

When Multi is selected, play the notes that make up the chord in the automatic accompaniment range. When

Smart Chord is selected, play the root note “” in the automatic accompaniment range.

 indicates the root note.

• Inversions can be used as well as in “root” position—with the following exceptions:

m7, m7

5, m7(11), 6, m6, sus4, aug, dim7, 7

5, 6(9), sus2

• Inversions of 7sus4 chords are not recognized if any constituent notes are omitted.

• When playing a chord which cannot be recognized by this instrument, nothing is shown on the display. In such a case, only a specific

part, such as the rhythm, will be played.

Chord Types for Style Playback

Major Minor Seventh Minor Seventh Major Seventh

Dm 7

Dm7

Em7

Fm 7

Fm7

Gm7

GM7

Am 7

Am7

BM7

When “Multi” is selected, major, minor, seventh, and minor seventh chords can also be easily played by pressing one to three keys.

Easy Chords for root “C”

To play a major triad

Press the root note ()

of the chord.

To play a minor triad

Press the root note

together with the nearest

black key to the left of it.

To play a seventh chord

Press the root note

together with the nearest

white key to the left of it.

To play a minor seventh chord

Press the root note together with the

nearest white and black keys to the

left of it (three keys altogether).

C7Cm7

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual

Reference

When you select Smart Chord and set the Smart Chord Key based on the composition of the score (page 24),

play just the root note in the automatic accompaniment range. Even if you don’t have knowledge of music the-

ory, this lets you play the chords below and easily create useful, musical chord progressions for the Smart

Chord Key.

Chords Heard When Smart Chord is Selected

Key

Signature on

the music

score

Smart

Chord Key

(Display)

Root Note

DbEbF#G#Bb

CDEFG AB

FL7 C dim Db m D

dim7

1+5 EF dim

F# 7GG# mA

Bb m7

b5B

FL6 C dim Db 7DEb mEF m7

b5F#G dim G# m A

dim7

1+5 B

FL5 C m7

b5DbD dim Eb m E

dim7 F 1+5 F#G dim G# 7ABb mB

FL4 C 1+5 DbD dim Eb 7E F mF#G m7

b5G#A dim Bb mB

dim7

FL3 C m DbD m7

b5EbE dim F m F#

dim7 G 1+5 G#A dim Bb 7B

FL2 C m Db

dim7 D 1+5 EbE dim F 7 F#G m G#A m7

b5BbB dim

FL1 C 7 DbD m EbE m7

b5FF#

dim G m G#

dim7 A 1+5 BbB dim

No key signature

SP0

(Default) CDb

dim D m Eb

dim7 E 1+5 F F#

dim G 7 G#A m BbB m7

SP1 C Db

dim D 7 EbE m F F# m7

b5GG#

dim A m Bb

dim7 B 1+5

SP2 C Db m7

b5DEb

dim E m F

dim7

1+5 GG#

dim A 7 BbB m

SP3 C

dim7

1+5 DEb

dim E 7 F F# mG

G# m7

b5ABb

dim B m

SP4 C Db mD

Eb m7

b5EF dim

F# m G

dim7

1+5 ABb

dim B 7

SP5 C dim Db m D

dim7

1+5 EF dim

F# 7GG# mA

Bb m7

b5B

SP6 C dim Db 7DEb mEF m7

b5F#G dim G# m A

dim7

1+5 B

SP7 C m7

b5DbD dim Eb m E

dim7 F 1+5 F#G dim G# 7ABb mB

• The “1+5” chord indication on the instrument’s display refers to chords whose 3rd note is omitted and can adapt to

both use cases in relative keys, which share the same key signature between a major key and a minor key.

NOTE

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual 29

Reference

The Dictionary function is useful when you know the

name of a certain chord and want to quickly learn

how to play it.

1Press and hold the [1 LISTENING

2 TIMING 3 WAITING] button for longer

than a second to call up “Dict.”

“Dict.” will appear in the display.

This operation will divide the entire keyboard into

the three ranges as illustrated below.

• The range to the right of “ ”:

Lets you specify the Chord Root, but produces

no sound.

• The range between “ ” and

“”:

Lets you specify the Chord Type, but produces

no sound.

• The range to the left of “ ”:

Lets you play and confirm the Chord specified

in the above two ranges.

2As an example, learn how to play a GM7

(GMaj7) chord.

2-1. Press the “G” key in the section to the right

of “ ” so that the “G” is shown as the

root note.

2-2. Press the key labeled “M7” in the section

between “ ” and “ .”

The notes you should play for the specified

chord are shown in the keyboard display.

To call up possible inversions of the chord, press

the [+/YES]/[-/NO] buttons.

3Following the notation and keyboard dia-

gram in the display, try playing a chord

in the range to the left of “ .”

When you’ve played the chord properly, a bell

sound signals your success and the chord name

in the display flashes.

4To exit from the Chord Dictionary mode,

press one of these buttons; [VOICE],

[SONG] or [STYLE/RIYAZ].

Looking Up Chords Using the

Chord Dictionary

Dict.

Hold for longer

than a second.

Chord Type range Root range Keyboard

playing range

• About major chords: As is common in music theory, major

triads are indicated only with the pitch names of each

chord root. However, when specifying major chords here,

make sure to select “M” (major) after pressing the root

note.

• These chords are not shown in the Chord Dictionary func-

tion: 6(9), M7(9), M7(

11) ,

5, M7

5, M7aug, m7(11),

mM7(9), mM7

5, 7

5, sus2

001

Dict.

001

Dict.

Chord name (root and type)

Individual notes of chord

(keyboard)

NOTE

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual

Reference

If you have difficulty finding and selecting the desired

Style and Voice, use this feature. From the Music

Database, just selecting the favorite music genre

calls up the ideal settings.

1Press the [MUSIC DATABASE] button.

Both Auto Accompaniment and Synchro Start are

automatically turned on.

2Use the number buttons [0]–[9], or

[+/YES] and [-/NO] buttons to select the

desired Music Database.

This operation calls up the panel settings (such

as Voice and Style) that are registered to the

selected Music Database. The category name of

Music Database List is provided on the front

panel, or in the Music Database List (page 84).

3Play the keyboard as described in Steps

4–5 on page 25.

Style data created on another instrument or com-

puter can be registered (loaded) to Style numbers

225–234, and you can play them just the same as

the internal preset Styles.

1Transfer the Style file (***.STY) from a

computer to this instrument by connect-

ing this instrument to a computer.

For instructions, refer to “Computer-related Oper-

ations” (page 8) on the website.

2Press the [FUNCTION] button several

times until “StyleReg” (Function 059;

page 57) appears.

After about two seconds, a registerable Style file

name will appear in the display.

3If necessary, select the desired Style by

using the [+/YES] or [-/NO] button.

4Press the [0] button.

As the Load destination, “***LoadTo?” (***: 225–

234) appears on the display. If desired, select a

different number using the [+/YES] or [-/NO] but-

ton.

5Press the [0] button.

A confirmation message will appear. To cancel

the operation, press the [-/NO] button.

6Press the [+/YES] button to actually load

the file.

After a while, a message indicating completion of

the operation appears.

Press the [STYLE/RIYAZ] button, use the

[+/YES] or [-/NO] button to select a Style

from 225–234, and then try playing it

back.

Using the Music Database

001

Vande

Registering a Style File

• The load operation cannot be cancelled during execu-

tion. Never turn off the power during the operation.

Doing so may result in data loss.

StyleReg

059

NOTICE

Playing Rhythm and Accompaniment (Style)

PSR-I300 Owner’s Manual 31

Reference

Press the [TEMPO/TAP] button to call up the Tempo

value, and then use the number buttons, [-/NO] and

[+/YES] buttons to adjust the Tempo value.

Press the [+/YES] and [-/NO] buttons simultaneously

to reset the value to the default tempo of the current

Style or Song.

Using the Tap function

While a Song, Style or Riyaz is playing back, press

the [TEMPO/TAP] button just twice at the desired

tempo to change the tempo. While Song or Style

playback is stopped, tap the [TEMPO/TAP] button

several times to start playback at the tapped tempo—

four times for a 4-beat Song or Style or three times

for a 3-beat Song or Style.

Changing the Tempo

090

Tempo

Current Tempo value

PSR-I300 Owner’s Manual

Reference

Playing with Riyaz Lite

This instrument provides 15 phrase patterns (consisting of several measures) using

authentic Tabla/Mridangam and Tanpura sounds with looped playback. By using

the Riyaz Lite function, try out conventional Indian music with the flexibility of changing

keys.

1While Style mode is active, press the

[STYLE/RIYAZ] button. Then, use the

number buttons [0]–[9] or [+/YES] and [-/

NO] buttons to select the desired Riyaz

pattern.

For the Riyaz List, see the front panel or page 83.

2Press the [START/STOP] button to start

looped playback.

At first, only the Tabla sound plays back. During

playback, enjoy creating sound variations via

the following operations.

Adding a Tanpura phrase

Press the [TANPURA ON/OFF] button to add the

Tanpura shared among all Riyaz patterns.To turn

off the Tanpura sound, press the [TANPURA ON/

OFF] button again.

Changing the Section

To change the Section, press the [SECTION A],

[SECTION B], and/or [SECTION C] buttons.

Transposing playback

To transpose the playback key, play the tonic note

of the key (the first note of the key scale) in the

Auto Accompaniment range.

3Press the [START/STOP] button to stop

playback.

TeenTaal

• The Riyaz performance cannot be recorded.

NOTE

PSR-I300 Owner’s Manual 33

Reference

Playing Songs

You can simply enjoy listening to the internal Songs, or use them with just about any of

the functions, such as Lesson.

Song Category

The Songs are organized by category as listed below.

Press the [DEMO] button to play the Demo

Songs in sequence.

When the Demo Songs (Song numbers 001 to 003)

are played back in sequence and the last Song (003)

is finished, playback will repeat continuously, starting

again from the first Song (001).

To stop playback, press the [DEMO] button or the

[START/STOP] button.

1Press the [SONG] button, and then use

the Number buttons to select the desired

Song.

Refer to the Song List (page 81).

2Press the [START/STOP] button to start

playback.

To stop playback, press the [START/STOP] but-

ton again.

To change the tempo:

Refer to “Changing the Tempo” on page 31.

Adjusting the Song Volume

To adjust the volume balance between Song play-

back and the keyboard, adjust the Song Volume.

This can be set via Function number 017 (page 55).

These demonstration songs showcase the various sounds of the instrument.

Practice Songs for studying the traditional scale of India.

Each of these songs has two variations: an easy one which even beginners can practice

with ease, and another more challenging version.

We’ve collected various folk songs from around the world which have been handed

down from through the generations, as well as famous classical pieces. Try playing the

melodies of these songs.

Enjoy performing a piece with Style accompaniment (automatic accompaniment data).

(Keys to Success is designed so that you master playing the melody with your right hand

first, and then learn the roots of the chords with your left hand.)

These songs feature solo instruments other than piano—letting you enjoy playing other

instrumental voices along with orchestral accompaniment.

These include famous pieces from around the world along with well-known piano

pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orches-

tral backing.

Learn how to use expressive “touch” control while playing the keyboard according to the

strength level displayed in the LCD.

Hear and experience the sound of chords and easy chord progressions while playing

the keyboard according to the LCD display indications.

Learn how to play chords with Songs featuring simple, fundamental chord progressions.

Songs (User Songs) you record yourself.

Songs transferred from a computer (refer to “Computer-related Operations,” page 8).

Listening to a Demo Song

• You can select the next or previous Song in order by using the

[+/YES]/[-/NO] buttons after pressing the [DEMO] button. The

selection range is all Songs in the selected Demo Group

(Function 060; page 57). For details on Demo Group, see

page 34.

Selecting and Playing Back a

Song

NOTE

Bilawal

004

Song name

Song number

Appears when

Song mode is

active.

Playing Songs

PSR-I300 Owner’s Manual

Reference

With the default setting, pressing the [DEMO] button

repeatedly will play back just the three internal Demo

Songs. This setting can be changed so that, for

example, all internal Songs automatically play back,

letting you use the instrument as a background

music source.

1Hold down the [DEMO] button for longer

than a second.

“DemoGrp” (Function 060; page 57) is shown in

the display for a few seconds, followed by the cur-

rent repeat playback target.

2Use the [+/YES] or [-/NO] button to select

a playback group.

3Press the [DEMO] button to start play-

back.

To stop playback, press the [DEMO] button again

or press the [START/STOP] button.

Random Song Playback

When the Demo Group (above) is set to something

other than “Demo,” the playback order via the

[DEMO] button can be changed between numerical

order and random order. To do this, press the

[FUNCTION] button several times until “PlayMode”

(Function 061; page 57) is called up, and then select

“Normal” or “Random.”

Like the transport controls on an audio player, this

instrument lets you fast forward (FF), rewind (REW)

and pause (PAUSE) playback of the Song.

You can change a Song’s melody Voice to any other

desired Voice.

1Select a Song.

2Select the desired Voice.

3Press and hold the [VOICE] button for

longer than a second.

“SONG MELODY VOICE” appears in the display

for a few seconds, and the selected Voice

replaces the Song’s original melody Voice.

BGM Playback

Demo Preset songs (001–003)

Preset All preset songs (001–112)

User All User songs (165–169)

Download All songs transferred from a computer

(170–)

• When User songs and Download songs data do not exist,

Demo songs are played back.

Hold for longer than

a second.

NOTE

Song Fast Forward, Fast

Reverse, and Pause

• When the A-B repeat (page 35) is specified, the Fast Reverse

and Fast Forward will only work within the range between A

and B.

• [REW], [FF] and [PAUSE] button cannot be used during Song

playback by using the [DEMO] button.

Changing the Melody Voice

• Selecting another Song will cancel the changed Melody

Voice.

• You cannot change the melody Voice of a User Song.

Fast Reverse

During playback, press

this button to rapidly

return to an earlier point

in the Song.

Fast Forward

During playback, press this

button to rapidly skip ahead to

a later point in the Song.

Pause

During playback, press

this button to pause play-

back, and press again to

start from that point.

NOTE

Playing Songs

PSR-I300 Owner’s Manual 35

Reference

You can repeatedly play back just one specific sec-

tion of a Song by setting the A point (start point) and

B point (end point) in one-measure increments.

1Start playback of the Song (page 33).

2When playback reaches to the point you

want to specify as the start point, press

the [A-B REPEAT] button to set the A

point.

3When playback reaches to the point you

want to specify as the end point, press

the [A-B REPEAT] button again to set the

B point.

The specified A-B section of the song will now

play repeatedly.

4To cancel repeat playback, press the

[A-B REPEAT] button.

To stop playback, press the [START/STOP] but-

ton.

As indicated above the panel buttons (shown below),

Songs other than Song numbers 135 to 164 consist

of two Parts, which can be turned on or off individu-

ally by pressing the corresponding button, L or R.

When a User Song (number 165-169; page

45) is selected

The L and R indicators light when the tracks contain

data, and are unlit when a track is muted or contains

no data.

When songs other than a User Song is

selected

The L and R indicators always light regardless of

whether a track contains data or not.

By turning the left- and right-hand parts on or off dur-

ing playback, you can listen to the Part (that is turned

on), or practice the other part (that is turned off) on

the keyboard.

By using a USB cable to connect the [USB TO

HOST] terminal of this instrument to a computer, you

can load song files from the computer.

For details, refer to the “Using with a Computer or

Smart Device” on page 52.

A-B Repeat

• You can also set the A-B Repeat function when the Song is

stopped. Simply use the [REW] and [FF] buttons to select

the desired measures, pressing the [A-B REPEAT] button

for each point, and then start playback.

• If you want to set the start point “A” at the top of the Song,

press the [A-B REPEAT] button before starting playback.

• The A-B Repeat function will be canceled when you select

another Song.

Repeat playback of this section

Appears when the

[A-B REPEAT] button

is pressed.

NOTE

Turning Each Part On/Off

• Selecting another Song will cancel the on/off status of the

Parts.

Playing Songs Loaded From a

Computer

010

FrereJac

030

NOTE

PSR-I300 Owner’s Manual

Reference

Using the Song Lesson Feature

Use these convenient features to practice the preset Songs and improve your playing

skills. The lessons are arranged for optimum, enjoyable learning, so select the one suit-

able for you, and take your keyboard skills higher, step by step.

You can select just the key phrases of the Song—the ones you like most or need to work on—and practice them

one by one. This lesson is ideal for beginning players.

Each Song consists of several Steps. Each time you play all the way through the current Step, your performance

will be evaluated. A score of “60” or more indicates that you passed this Step and you should try the next Step,

which begins automatically.

The passing status ★ is saved, but you can go on to the next Step even when you didn’t pass the Step, or you

can retry the Step later.

You can practice two or more phrases at once repeatedly by speci-

fying them, as desired. This is ideal as a finishing practice before

you try a last (finishing) Step to pass in the Keys to Success mode,

or when you just want to practice the difficult phrase(s) repeatedly.

You can practice the preset Songs in three steps, independently for the right or left hand, or both hands

together. This is ideal when you want to practice all the way through the Song with the selected part.

 Lesson 1 (Listening)....... Listen to the playback part you will play. Remember it as best as you can.

 Lesson 2 (Timing)........... Learn to play the notes with the correct timing. Even if you play wrong notes,

the correct notes will sound.

 Lesson 3 (Waiting).......... Learn to play the correct notes. The Song pauses until you play the right note.

You can combine the Keys to Success lesson (page 37) with the Listening, Timing or Waiting lesson (page 40).

If you feel it difficult to play the specific phrase in the Keys to Success lesson, use the Listening, Timing or Wait-

ing lesson to listen to the phrase, to practice only the timing to play, or to let the phrase pause until you play the

correct notes.

The passing status is not shown when the selected lesson playback starts in the Keys to Success mode.

You can refer to the music score in the Song Book (free downloadable scores). To obtain the SONG BOOK,

access the Yamaha website and download it from the product web page.

https://www.yamaha.com

Keys To Success (Page 37)

Select the

Song you want

to learn.

Practice Step 1

Practice

Steps 2, 3, 4...

and so on.

Practice the

last Step.

You’re

done!

Passed

★★★

Passed

★Passed

★★

Phrase Repeat (Page 39)

Phrase mark

Repeat playback of this section

Listening, Timing and Waiting(Page 40)

Select the Song you

want to learn.

Select the part you

want to work on (right

hand, left hand, both

hands).

Select lesson

1, 2, or 3.

Start the

lesson!

Using the Song Lesson Feature

PSR-I300 Owner’s Manual 37

Reference

In this lesson, you can practice individual phrases in

the Song (with each Step) to effectively master the

entire Song.

1Obtain the Song Book.

Download the Song Book from the Yamaha web-

site (page 8), or you can refer to the scores of

some Songs at the end of this manual.

The amount of Steps and lesson parts (which are

pre-programmed) will differ depending on the

Song. For details, refer to the Song Book.

2Press the [SONG] button, and then

select a Song for your lesson.

Here, select song “Für Elise (Basic)” from the

“LEARN TO PLAY” category, and then go to the

corresponding page of the Song Book.

3Press the [KEYS TO SUCCESS] button to

engage this lesson.

The keyboard icon, “Step01” and lesson part (“R”

or “L” or “LR”) appears on the display, indicating

that you are to start this lesson from scratch. If

you have already passed several Steps, the next

Step number appears on the display.

4Press the [START/STOP] button to start

Lesson.

After a lead-in, playback of the current Step

starts.

5Practice the phrase in the current Step.

Referring to the notation in the Song Book and

the keyboard indications shown on the display,

play the notes.

In addition, various learning functions are provided for your enjoyable playing experience as follows:

 Touch Tutor (page 42)

Lets you learn how hard or soft to play the keys for more expressive performances.

 Chord Study (page 43)

Lets you hear and experience the sound of the chords to use styles efficiently.

 Chord Progressions (page 44)

Lets you hear and experience standard chord progressions. Mastering the typical chord progressions in specific

musical genres enables you to play a wider variety of songs with the Style function.

Keys To Success

• All preset Songs 014 to 112 other than 001–003 and 113–

164 can be used with this mode, especially the “LEARN

TO PLAY” category Songs.

NOTE

Elise 1

014

• For your practice enjoyment, a special arrangement is

applied to each Song. This is why playback tempo may

be slower than original.

Step01

Appears when Keys to

Success is on

Lesson part

: Right-hand lesson

: Left-hand lesson

: Both-hands lesson

Current Step number

001

Step01

NOTE

Using the Song Lesson Feature

PSR-I300 Owner’s Manual

Reference

6Confirm the evaluation in the current

Step.

When the current Step reaches the end, your per-

formance will be evaluated and your score (from

0–100) is shown in the display.

A score between “0”–“59” indicates that you did

not pass this Step and you should try the same

Step again, which begins automatically. A score

of “60”–“100” indicates that you passed this Step

and you should try the next Step, which begins

automatically.

7Execute Step 02, 03, 04, and so on.

In the last Step of each Song, you will practice all

the way through the Song. When you pass all

Steps, the Keys to Success mode will automati-

cally be turned off and playback stops.

8To stop this Lesson, press the [KEYS TO

SUCCESS] button.

Confirming the Passing Status

You can confirm the passing status of each Song

simply by selecting a Song and each Step.

When Step is selected

When Song is selected

Clearing the Passing Status

You can clear existing passing status entries for the

entire Song or a specific Step of the Song.

To clear the passing status entries of all Steps:

Select the desired Song, and then hold down the

[KEYS TO SUCCESS] button for longer than three

seconds, with the Keys to Success mode disabled. A

“Cleared” message will appear on the display.

To clear the passing status entry for a specific

Step:

Select the desired Song, enable Keys to Success,

select the desired Step, and then hold down the

[KEYS TO SUCCESS] button for longer than three

seconds. A “Cleared” message will appear on the

display.

• If the specified part is both hands, you cannot pass the

Step until you play both hands, even if you play one of the

hands well. Only a message such as “Left Part is cor-

rect!” appears in the display.

• Even during a Lesson, you can select another Step by

using the [+/YES]/[-/NO] buttons.

Excellen

068

Displayed when you’ve

passed the Step.

NOTE

• This operation cannot be executed during playback.

001

Step01

★ : Passed

No information: Not yet passed

001

Elise 1

014

★✩✩ : There are one or more Steps not yet

passed in addition to the last Step

★✩★ : Only last Step passed

★★✩ : All Steps passed other than last Step

★★★ : All Steps passed

NOTE

Using the Song Lesson Feature

PSR-I300 Owner’s Manual 39

Reference

You can practice a difficult phrase repeatedly by

selecting a specific number of the Phrase Marks pre-

programmed in the Preset Songs (excepting the

Song numbers 001–003, 113–164). You can confirm

the Phrase Mark location in the Song Book (page 8).

Practicing only a single Phrase

During Song playback, press the [PHRASE REPEAT]

button at the phrase you want to practice. The corre-

sponding Phrase number will appear in the display

and, after a lead-in, repeat playback will start. Turn

off the L or R part (page 35), and then practice the

phrase which is turned off repeatedly until you are

satisfied.

Even during repeat playback, you can select any

other phrase number via the [+/YES] or [-/NO] but-

ton, and you can return to normal playback by press-

ing the [PHRASE REPEAT] button again.

Practicing two or more Phrases

By setting Phrase A (as the start point) and Phrase B

(as the end point), you can practice two or more

Phrases repeatedly. During Phrase Repeat playback,

press the [A-B REPEAT] button to assign the current

Phrase to Phrase A. When playback reaches to the

desired Phrase, press the [A-B REPEAT] button

again to assign Phrase B. “A-B Rep” appears on the

display, and Repeat playback between Phrases A

and B starts. To cancel this setting, press the [A-B

REPEAT] button again.

Phrase Repeat

• Phrase Mark is a pre-programmed marker in certain Song

data, which indicates a specific location in the Song.

NOTE

Phrase mark

Repeat playback of this

section

REPEAT

P03

Appears when the Phrase

Repeat function is on

Phrase number

• You can set Phrases A and B also when playback is stopped

by selecting the Phrase number via the [+/YES] and [-/NO]

buttons.

• Specifying only Point A results in repeat playback between

Point A and the end of the Song.

NOTE

Using the Song Lesson Feature

PSR-I300 Owner’s Manual

Reference

Lesson 1—Listening

In this Lesson, you need not play the keyboard. The

model melody/chords of the part you selected will

sound. Listen to it carefully and remember it well.

Lesson 2—Timing

In this Lesson, simply concentrate on playing the

notes with the correct timing. Even if you play wrong

notes, the correct notes shown in the display will

sound.

Lesson 3—Waiting

In this Lesson, try playing the correct notes shown on

the display. The Song pauses until you play the right

note, and playback tempo will change to match the

speed at which you are playing at.

1Press the [SONG] button then select a

Song for your lesson.

2Press either or both the [R] and [L] but-

tons to select the part you want to prac-

tice.

3Press the [1 LISTENING 2 TIMING

3 WAITING] button to start playback of

the Song Lesson.

Pressing this button repeatedly will change the

Lesson number from 1: LISTENING  2: TIMING

 3: WAITING  off  1…. Press this button

until the desired number is shown on the display.

4When Lesson playback reaches to the

end, check your evaluation Grade on the

display.

“2 Timing” and “3 Waiting” will evaluate your per-

formance in four levels.

After the evaluation display has appeared, the

Lesson will start again from the beginning.

5Stop the Lesson mode.

You can stop the Lesson mode at any time by

pressing the [START/STOP] button.

Listening, Timing and Waiting

• If you want to keep a steady playback tempo maintained dur-

ing Lesson 3: Waiting, set the Your Tempo parameter to OFF

via the Function number 037 (page 56).

• The Song Lesson can be applied also to the Songs trans-

ferred from a computer (page 52), but cannot be applied

to the User Songs.

• Songs 135 to 164 are not compatible with the Listening,

Timing and Waiting Lessons.

• In this step, “NoLPart” may appear, indicating that the

current Song does not contain a left-hand part.

NOTE

RightLeft

BothHand

Left-hand

lesson

Right-hand

lesson

Both-hands

lesson

NOTE

• During playback, you can change the Lesson mode by

pressing this button, and you can stop the Lesson at any

time by pressing the [START/STOP] button.

• When you play the Lesson song, the Main Voice changes

to “000” (One Touch Lesson page 16).

• When the melody Voice of the Song is changed, the key

position shown in the display may be shifted (in octave

units), depending on the selected Voice.

• The Dual or Split mode cannot be engaged during a Les-

son.

NOTE

~~~~~~~~

~~~~~~

~~~~

Excellent!

Very Good!

Good

NOTE

Using the Song Lesson Feature

PSR-I300 Owner’s Manual 41

Reference

Turning the Guide notes off

When the “Guide” function is on, you can hear Guide

notes while you are practicing with Lesson 3 (Wait-

ing), and this is ideal when you are not sure of which

keys to play next. The Guide note will sound slightly

behind the timing to indicate the correct note, when

you fail to play the correct note with the correct tim-

ing. When you play the correct note with the correct

timing, the Guide note will not sound and the play-

back continues.

If you don’t want to hear the Guide notes, turn the

function off in the following steps.

1Press the [FUNCTION] button several

times until “Guide” (Function 038; page

56) appears.

2Use the [+/YES] and [-/NO] buttons to

select the value “oFF.”

The default value of this function is “on” (Guide

note will sound.)

The Guide function can be used for all preset Songs,

except Songs in categories “FAVORITE WITH

STYLE” (left-hand part) and “CHORD PROGRES-

SION,” and No.89.

Keys to Success with Listening, Timing

or Waiting

You can combine the Keys to Success Lesson (page

37) with the Listening, Timing or Waiting Lesson

(page 40).

1Enable the Keys to Success Lesson.

Refer to Steps 1–3 on page 37.

Select the desired Step via the [+/YES]/[-/

NO] buttons, then press the [1 LISTENING

2 TIMING 3 WAITING] button repeatedly to

select the desired Lesson.

The selected lesson playback starts in the Keys

to Success mode. Practice the phrase of the cur-

rent Step with the selected Lesson. As evaluation

for each Step, just “Timing is correct!” or “Your

playing is correct!” appears, and the passing sta-

tus is not available.

3To return to only the Keys to Success

mode, press the [1 LISTENING 2 TIMING

3 WAITING] button repeatedly until

“StepXX” (XX: number) appears in the

display.

4To exit from the Lesson mode, press the

[KEYS TO SUCCESS] button.

Phrase Repeat with Listening, Timing

or Waiting

With Phrase Repeat set to On, press the [1 LISTEN-

ING 2 TIMING 3 WAITING] button once, twice or

three times to start and use Lesson playback with

Phrase Repeat. Pressing the same button again sev-

eral times to exit from the Lesson mode stops play-

back and allows use of just the Phrase Repeat

mode.

• The Guide setting cannot be changed during the Lesson

mode.

Guide

038

NOTE

• In this status, the evaluation function is not available.

NOTE

PSR-I300 Owner’s Manual

Reference

Learning How to Use “Touch” Control

(Touch Tutor)

This learning feature lets you practice how hard or soft to play the keys for musical

expression, referred to as “Touch” in this chapter, by playing back Song numbers 113 to

122 (in the “Touch Tutor” category). Playing back Songs from this category shows indi-

cations for the appropriate playing strength. Try playing according to the level dis-

played in the LCD as the Song progresses.

1Select a Song from Song numbers 113 to

122 in the “Touch Tutor” category by

executing Step 1 in “Selecting and Play-

ing Back a Song” on page 33.

To play with the same Voice that is used in a per-

formance data, select Voice number “000” (OTS;

page 16). After this operation, make sure to go

back to the Touch Tutor display by pressing the

[SONG] button.

2Press the [START/STOP] button to play

back the selected Song.

When the following display appears, play

the keyboard along with the keyboard indi-

cations shown in the display at the

strength level displayed in the LCD.

Play while watching the strength level.

Strength targets are indicated by “ ”.

Your actual playing “Touch” is indicated by “ .”

Try playing so that the indications below appear

(as target values) while you play.

The positions of “ ” and “ ” are displayed with

a gap when your touch is softer or harder than

the target value.

Your touch is harder than the target value

(Target value: medium; your touch: hard)

Your touch is same as the target value

(Target value: medium; your touch: medium)

Your touch is softer than the target value

(Target value: medium; your touch: soft)

When the playing is accurate, the instrument

evaluates the accuracy of the touch (velocity) and

indicates the following evaluation results on the

display. If you continue to play the keys accu-

rately, your grade will gradually increase. If you

continue to play the keys inaccurately, your grade

will gradually decrease.

Great! > VeryGood > Good > OK

4To stop playback, press the [START/

STOP] button.

To exit from the Touch Tutor mode, select a Song

from any other category, except “Touch Tutor.”

• Be sure to set the Touch Response parameter (page 18) to a

value other than “Fixed.” When set to “Fixed,” th e To u ch Tu to r

function is inactive.

NOTE

TTutor01

113

003

TTutor01

113

Strength level (Target value)

: Soft

: Medium

: Hard

The notes to play are indicated in

the graphic keyboard in the display.

• This function cannot be used with Keys To Success.

: Soft

: Medium

: Hard

Target value: medium

Your touch: hard

Target value: medium

Your touch: medium

Target value: medium

Your touch: soft

NOTE

PSR-I300 Owner’s Manual 43

Reference

Hearing and Experiencing the Sound of

the Chords (Chord Study)

You can hear and experience the sound of the chords used in a typical performance by

playing back Song numbers 123 to 134 (in the “Chord Study” category). Song numbers

123 to 129 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm;

respectively) played in various positions, letting you listen to and master the chords

one by one. On the other hand, Song numbers 130 to 134 consist of several chords

strung together in a pattern, for experiencing and understanding basic chord progres-

sions. Hear and experience the sound of simple chords and progressions by playing

back these Songs, and play the keyboard while following along with the keyboard indi-

cations shown in the display.

1Select a Song from Song numbers 123 to

129 in the “CHORD STUDY” category by

executing Step 1 in “Selecting and Play-

ing Back a Song” on page 33.

2Press the [START/STOP] button to play

back the selected Song.

3Play the keyboard while looking at the

keyboard indications shown on the dis-

play.

If you feel it difficult to play the notes, use the

Waiting function (page 40) to have the Song

automatically pause until you play the correct

notes. Press the [1 LISTENING 2 TIMING 3

WAITING] button repeatedly until “WAITING”

appears in the display. To exit from the Waiting

function, press the same button again.

4To stop playback, press the [START/

STOP] button.

1Select a Song from Song numbers 130 to

134 by pressing the [+/YES]/[-/NO] but-

tons.

2Press the [START/STOP] button to play

back the selected Song.

3Play the keyboard while looking at the

keyboard indications shown on the dis-

play.

Listen to the basic chord progression, and play

along with the Song repeatedly until you can

smoothly perform and play along with the chord

changes.

If you feel it difficult to play the notes, use the

Waiting function (page 40) to have the Song

automatically pause until you play the correct

notes. Press the [1 LISTENING 2 TIMING 3

WAITING] button repeatedly until “WAITING”

appears in the display. To exit from the Waiting

function, press the same button again.

4To stop playback, press the [START/

STOP] button.

Hear and Experience a Sound of

a Single Chord

001

ChdStd01

123

Hear and Experience Basic

Chord Progressions

PSR-I300 Owner’s Manual

Reference

Playing Chords Along with Chord Progressions of a Song

Song numbers 135 to 164 in the “Chord Progression” category are constructed from typi-

cal chord progressions. You can listen to and get a feel for the chord progressions by

playing back the Song and playing the keyboard while looking at the keyboard indications

shown on the display. The number of keys that are indicated for you to play progress in

sequence—from a single root note, to two notes, then three and four—getting you to

gradually and naturally memorize the chords. Also, you can change the key of the Song,

allowing you to practice the progressions in all keys for full mastery of the chords.

1Select a Song from Song numbers 135 to

164 in the “Chord Progression” category

by executing Step 1 in “Selecting and

Playing Back a Song” on page 33.

2Press the [PHRASE REPEAT] button.

After “CHORD PROGRESSION” scrolls across the

display, the tonic pitch of the selected Song and

the number of the keys to be pressed are shown.

Press the [+/YES]/[-/NO] buttons to select

the number of the keys to be played.

Each time the [+/YES] button is pressed, the

number of the keys to press is increased from just

one root note (1Note) to two notes (2Notes),

three notes (3Notes) and four notes (All).

4Press the [START/STOP] button to play

back the selected Song.

Play the keyboard while looking at the key-

board indications shown on the display.

Press the [PHRASE REPEAT] button again

to turn the Chord Progression function off.

To change the key of a Song:

When Chord Progression is on, press one of the

keys in the top octave (C5–B5; indicated to the right

of “ROOT” on the panel, just above the keys) to

change the tonic pitch of the Song.

For example, if you press the D5 key for a Song

in the key of C major, the key changes to D major.

You can practice the playing the chords in combina-

tion with “Waiting” (page 40) of the Lesson function

by simply pressing the [1 LISTENING 2 TIMING

3 WAITING] button once.

• The initial key setting is the key of C major or minor.

• The number of the keys to press can also be set by using

the number buttons [1]–[4].

• When you play the keyboard within the range of C5–B5,

the notes will not sound.

C 1Note

CP9

The tonic pitch of the selected Song: C

The number of the keys

to press: 1

Appears when Chord

Progression is on.

NOTE

C 2Notes

CP9

NOTE

001

C 1Note

CP9

NOTE

• The key of a Song cannot be changed during playback.

The number of the keys to be played

Only one root note (1Note)

Press only the root note of the chord.

Two notes (2Notes)

Press the 3rd note with the root note, and become

familiar with the difference between major chords and

minor chords.

Three notes (3Notes)

Press the 5th note with the root note and the 3rd note.

Four notes (All)

Press all the notes that make up the chord. Very

often, chords are played with just three notes; how-

ever, another interval (such as a 7th) is sometimes

added. Keep in mind how many notes constitute the

chord depends on its chord quality.

Playing Chords in Combination with

“Waiting” of the Lesson Function

• Even if you play notes in octaves outside of the notes shown on

the display (excluding the range of C5

–

B5, which are used to

change the key of a Song), as well as different inversions of the

chords, the playback will progress.

DEFGAB

Root range

NOTE

PSR-I300 Owner’s Manual 45

Reference

Recording Your Performance

You can record up to five of your performances as User Songs (User 1–5: Song num-

bers 165–169). The recorded User Songs can be played back on the instrument. The

recorded User Song can be played back in the same way as the preset Songs.

You can record your performance to the following two

tracks of a User Song individually or simultaneously.

Track 1:

Your melody performance is recorded to this track.

Track 2:

Your melody performance, or Style playback (Chord

changes and Section changes), is recorded to this

track.

Recording Data Capacity:

A total of approximately 10,000 notes can be

recorded to the five User Songs.

The operation is convenient for recording a new

Song without having to specify a track.

1Make the desired settings such as Voice

and Style settings.

If you want to record only the melody perfor-

mance, turn ACMP off (page 25). If you want to

record Style playback or Rhythm playback as well

as melody performance, turn ACMP on (page 25).

2Press the [REC] button to enter the

Record Ready mode.

This operation selects the lowest-numbered unre-

corded User Song (“User 1”–“User 5”) as the

recording target, if a User Song has not been speci-

fied in advance or if Record Ready mode has been

entered from the Style mode. If you want to select

another Song, use the [+/YES] and [-/NO] buttons.

To exit from the Record mode, press the [REC]

button again to stop the display from flashing.

3Play the keyboard to start recording.

If ACMP is turned on, you can independently

record just the rhythm sound of Style playback by

pressing the [START/STOP] button, and then

changing the Section (page 26).

4Press the [START/STOP] button to stop

recording.

When using a Style, you can stop recording also

by pressing the [INTRO/ENDING/rit.] button, and

then waiting until playback ends.

5To play back the recorded Song, press

the [START/STOP] button.

Track Structure of a Song

Quick Recording

001

User 1

User Song Number

Flashes

• If all User Songs contain recorded data, “User 1 (Song

Number 165)” will automatically be selected. In this

case, since you will record over and erase any previ-

ous data in “User 1,” we recommend that you save

your important data to a computer (see page 53).

• ACMP cannot be turned on or off in this status while you

can select another Style in this status by using the

[STYLE/RIYAZ] and Number buttons.

• After Recording stops, a “Writing!” message is shown

on the display for a while. Never attempt to turn the

power off while this is shown in the display. Doing so

can damage the internal memory and result in a loss

of data.

Limitations while Recording

• You cannot record the Reverb Level, metronome

click, or the Transpose and Tuning settings.

• The following settings and buttons are not available,

or if operated, the new settings will not be recorded:

ACMP ON/OFF, Split Point, Reverb Type, Chorus

Type, Harmony/Arpeggio Type, [FUNCTION] but-

ton, [HARMONIUM/PIANO] button.

• You can record the DSP effect only to Track 1.

NOTICE

NOTE

36 48 7260

Split Point ... default setting: 054 (F#2)

Auto Accompani-

ment range

NOTICE

Recording Your Performance

PSR-I300 Owner’s Manual

Reference

1Make the desired settings, such as those

of Voice or Style.

If you want to record the melody performance,

turn ACMP off (page 25). If you want to record

Style playback, turn ACMP on (page 25).

2While holding down the [REC] button,

press the desired Track button 1 or 2 to

engage the Record mode.

If you want to record Style playback, make sure to

select Track 2. If you want to record melody per-

formance, select either Track 1 or Track 2 as

desired. The illustration below is the example

when selecting Track 2.

The User Song appears on the display.

If Track 2 is selected as Recording target for

example and Track 1 contains already recorded

data, L flashes and R lights in the display. Turning

on or off R via the [REC TRACK 1] button will

determine whether you listen to a previously

recorded Track or not while recording a new

Tr a ck .

3Press the [+/YES], [-/NO] buttons to

select the User Song you want to record.

4Same as in Steps 3 to 5 (page 45) in

“Quick Recording.”

When playing back the recorded song, pressing

[REC TRACK 1] or [REC TRACK 2] button allows

you to mute Track 1 or Track 2. Each time the but-

ton is pressed, playback/mute is switched.

1Press the [SONG] button, and then

select the desired User Song by using

the Number buttons.

2Press and hold the [REC] button for lon-

ger than a second.

A confirmation message appears.

To cancel the operation, press the [-/NO] button.

3Press the [+/YES] button.

A confirmation message appears again.

To cancel the operation, press the [-/NO] button.

4Press the [+/YES] button to clear the

Song.

A “Writing!” message appears while the track is

being cleared.

Recording to a Specific Track

001

User 1

User Song

The L (TRACK 1) and R (TRACK 2) indicators light

when the respective track contains data.

They are unlit when the respective track contains no

data.

Even if a track contains data, it is unlit when the track is

muted.

In addition, they flash when the respective track is

selected as a Recording target.

Clearing a User Song

The L (TRACK 1) and R (TRACK 2)

indicators light when the respective

track contains data.

They are unlit when the respective track

is muted, even if the track contains data.

ClrUser1

YES

Hold for longer

than a second.

Sure?

YES

PSR-I300 Owner’s Manual 47

Reference

Memorizing Your Favorite Panel Settings

This instrument has a Registration Memory feature that lets you memorize your favorite

settings for easy recall whenever they’re needed. Up to nine complete setups can be

memorized and assigned to each number button 1–9. (Factory settings are recorded to

1-9.)

1Press the [REGIST MEMORY] button.

“LoadNo.?” appears on the display.

2Press one of the [1]–[9] buttons to call

up the panel settings you memorized.

The recalled Registration Memory number and

the Voice Name in the Memory appear on the

display.

The Registration Memory number can be

changed by pressing one of the other [1]–[9] but-

tons. To exit from Registration Memory, press the

[REGIST MEMORY] button.

Factory Settings

Recalling Panel Settings from

the Registration Memory

LoadNo.?

Appears after [REGIST MEMORY]

button is pressed.

Sitar l

Voice Name in MemoryRegistration Memory

Number

Registration Memory

Number Voice Name in Memory

RE1 S.Art Lite Sitar 1

RE2 S.Art Lite Sitar 2

RE3 S.Art Lite Sarangi

RE4 S.Art Lite Santoor

RE5 S.Art Lite Nylon Guitar Harmonics

RE6 S.Art Lite Distortion Guitar

RE7 S.Art Lite Slap Bass

RE8 S.Art Lite Gospel Choir

RE9 S.Art Lite Brass Section

Parameters that are memorized to Registration

Memory

Style settings*

Style number, ACMP on/off, Style volume, Tempo,

Main A/B, Fingering Type, Smart Chord Key

Riyaz settings*

Riyaz number, Riyaz volume, Section (A, B, C),

Te m p o .

Voice settings

Main Voice settings: Voice number and all settings

of the related Functions

Dual Voice settings: Dual on/off and all settings of

the related Functions

Split Voice settings: Split on/off and all settings of

the related Functions



Effect settings:

Reverb Type, Reverb level, Chorus

Ty p e

, DSP on/off, DSP Type, Sustain on/off

Harmony/Arpeggio settings: Harmony/Arpeggio

on/off and all settings of the related Functions



Other settings:

Transpose, Split Point, Pitch Bend

Range,

All settings for the Function “DUO”, Pedal

Function

* When a Song is selected, the Style and Riyaz settings

cannot be recorded or called up.

• During playback of a Style or Riyaz, [1]–[9] buttons are

sometimes not available until the beginning of the next

measure.

NOTICE

Memorizing Your Favorite Panel Settings

PSR-I300 Owner’s Manual

Reference

1Make the desired settings such as those

for Voice, Style or Riyaz.

2Press and hold down the [REGIST MEM-

ORY] button for longer than a second.

“MemNo.?” appears on the display.

3Press one of the [1]–[9] buttons to mem-

orize the current panel settings.

If you select a Registration Memory number that

already contains data, an “Overwrt?” message

appears in the display. To overwrite, press the

[+/YES] button; to cancel, press [-/NO].

When memorizing is completed, “MemOK” is dis-

played.

1Hold down the [REGIST MEMORY] but-

ton for longer than a second.

“MemNo?” is shown in the display.

2Hold down one of the [1]–[9] buttons cor-

responding to the Registration Memory

number you want to delete, for longer

than a second.

“ClrRegX?” (“X” represents the Registration

Memory number) is shown in the display.

3Press the [+/YES] button to delete the

Registration Memory.

Press the [-/NO] button to can-

cel deleting the Registration

Memory. When deleted, the

Registration Memory number

on the screen disappears.

Registration Memory lets you recall all the panel set-

ups you made with a single button press. However,

there may be times that you want certain items to

remain the same, even when switching Registration

Memory setups. When you want to switch the Voice

settings but still maintain the Style and Riyaz set-

tings, for example, you can “freeze” only the Style

and Riyaz settings and have the settings remain,

even when you select another Registration Memory

number.

Select the items you want to freeze via Function

numbers 047, 048 (page 57) and 049 (page 57).

Memorizing Panel Settings to

the Registration Memory

• If you select a Registration Memory number that

already contains data, the previous data is deleted and

overwritten by the new data.

• To restore all Registration Memories to the factory set-

tings, execute the Backup Clear operation.

• Do not turn off the power while memorizing settings to

the Registration Memory, otherwise the data may be

damaged or lost.

MemNo.?

Hold for

longer than

a second.

Flashes after the [REGIST MEMORY]

button is pressed and held for longer

than a second.

NOTICE

Deleting the Registration

Memory

Disabling Recall of Specific

Items (Freeze)

MemNo.?

Hold for

longer than

a second.

Flashes after the [REGIST MEMORY]

button is pressed and held for longer

than a second.

Hold for longer

than a second.

PSR-I300 Owner’s Manual 49

Reference

Selecting an EQ Setting for your Favorite Sound

Six different master equalizer (EQ) settings let you create the optimum sound when lis-

tening through different reproduction systems—the instrument’s internal speakers,

headphones, or an external speaker system.

1Press the [FUNCTION] button several

times until the “MasterEQ” (Function

027; page 55) item appears on the dis-

play.

“MasterEQ” is shown in the display for a few sec-

onds, and the current Master EQ type appears.

2Use the [+/YES] or [-/NO] button to select

the desired Master EQ type.

Master EQ Types

1 Speaker Optimum for listening via the instru-

ment’s built-in speakers.

2 India

Optimum for listening to Indian music.

The mid-range is slightly cut, to better

emphasize the characteristics of the

Indian instrument sounds, resulting in

clear and more powerful sounds.

3 Headphone Optimum for headphones, or for lis-

tening via external speakers.

4 Boost Features more powerful sound.

5 Piano Optimum for piano solo performance.

6 Bright Lowers the mid range for a brighter

sound.

MasterEQ

027

Speaker

027

Current Master

EQ type

PSR-I300 Owner’s Manual

Reference

Playing a Device with the Built-in Speakers

You can output the sound of an audio device, such as a smartphone, with the built-in

speakers of this instrument by connecting it via a cable. This lets you play the keyboard

along with playback of your music player.

1Turn off the power for both the external

audio device and this instrument.

2Connect the audio device to the instru-

ment’s [AUX IN] jack.

Use a cable having a stereo-mini plug on one end

for connecting to this instrument and a plug

matching the output jack of the external audio

device on the other end.

3Turn on the external audio device, and

then this instrument.

4Play back the connected external audio

device.

The sound of the audio device is output through

the speakers of this instrument.

Adjust the volume balance between the

external audio device and this instrument.

Adjust the audio playback volume on the audio

device, and then adjust the entire volume by

rotating the [MASTER VOLUME] control of the

instrument.

6Play the keyboard along with the sound

of the audio device.

You can cancel or lower the volume of the melody

part of audio playback. For details, refer to page

51.

7After finishing your performance or prac-

tice, stop playback of the audio device.

• Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or

off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent

hearing loss may occur.

CAUTION

• To avoid damage to the external audio device and this

instrument, first turn on the power to the external device,

and then to the instrument. When turning off the power,

first turn off the power to the instrument, and then to the

external device.

• If you are using a computer or a smart device such as an

iPhone/iPad, you can also connect it to the [USB TO

HOST] terminal (see “Connecting to a Computer” on

page 52).

NOTICE

Audio device

(smartphone, etc.)

Stereo-mini

plug

NOTE

• You can adjust the level of the input from the external

audio device by calling up “AuxInVol” via Function num-

ber 042 (page 56) and using the [0]–[9], [+/YES], [-/NO]

buttons.

NOTE

Playing a Device with the Built-in Speakers

PSR-I300 Owner’s Manual 51

Reference

When you output the audio sound of an external

audio device or a computer connected to the [AUX

IN] jack or the [USB TO HOST] terminal through this

instrument, you can cancel or lower the volume of

the melody part of audio playback. This lets you

practice the melody part along with audio playback.

1Play back audio on the connected exter-

nal device.

2Hold down the [FUNCTION] button for

longer than a second to call up “Melo-

dySP.”

3Press the [+/YES] button to select “on.”

4To cancel the Melody Suppressor func-

tion, select “oFF” via “MelodySP” (Func-

tion 045; page 57) by executing steps 2

and 3.

When the melody or vocal sound may not

be canceled (or lowered) as expected

1Press the [FUNCTION] button several

times to call up “SupprPan” (Function

046; page 57) while the Melody Suppres-

sor function is turned on.

2Adjust the pan position of the sound to

be cancelled (lowered) by using the [+/

YES], [-/NO] buttons.

Lowering the Volume of a Melody

Part (Melody Suppressor)

• When the instrument is connected to the [USB TO HOST]

terminal, and Audio Loop Back (page 57, Function 044)

is set to OFF, the Melody Suppressor function cannot be

used.

MelodySP

Appears when Melody

Suppressor is on

Hold for longer

than a second.

NOTE

SupprPan

046

L63 – C – R63

(Left – Center – Right)

• Depending on the particular music content, the melody

or vocal sound may not be canceled as expected even if

Melody Suppressor is turned on.

NOTE

PSR-I300 Owner’s Manual

Reference

Using with a Computer or Smart Device

Connecting the [USB TO HOST] terminal of this

instrument and the computer via a USB cable allows

you to do the following.



When Storage Mode (Function 058; page 57)

is set to on.

• File transfer (Song, Style, Backup)

When Storage Mode is set to off.

• Performance data communication by MIDI

• Audio data communication by USB

Simply by connecting the instrument and a computer

via a USB cable, the instrument is recognized by the

computer. However, a dedicated driver must be

installed for audio data communication. For details,

refer to “Computer-related Operations” on the web-

site (page 8).

By connecting a smart device such as an iPhone/

iPad to the instrument, you can take advantage of

various functions. For details on connections, refer to

the online PDF manual (page 8) “Smart Device Con-

nection Manual.” For information about the compati-

ble smart devices and application tools, access the

following page:

https://www.yamaha.com/kbdapps/

Connecting to a computer

• The volume for USB audio communication data cannot be

adjusted with the [MASTER VOLUME] dial.

• While Storage Mode is set to on, you cannot play the instru-

ment. Set Storage Mode to on, only when transmitting/receiv-

ing files to/from a computer.

• While Storage Mode is set to off, not only your keyboard per-

formance data but also automatic performance data (Style

and User Song) are transmitted to the computer via MIDI.

• If you are using with a music production application, such as

a DAW (Digital Audio Workstation), set “Loopback” (Function

044; page 57) to off. If this is instead set to on, a mix of the

audio data and the sound of the instrument is sent to DAW,

which may cause howling and unexpected loud sounds.

USB cable

USB

terminal

instrumentcomputer

[USB TO HOST]

terminal

NOTE

File transfer when Storage Mode is set to on

Operation method

Operate on a computer. Refer to “Computer-related

Operations” on the website (page 8).

Files that can be transferred

• Song files (Extension: .MID)

Song files created on other instruments or computers

can be transferred to this instrument. Note that user

songs created with this instrument cannot be trans-

ferred to a computer as a single file.

• Style files (Extension: .STY)

This instrument does not have a function for creating

Style files, but you can import a style file created on

another device. The maximum capacity per file is

50KB. Files that exceed the limit will not be recognized

on this instrument.

• Backup files (Extension: .BUP)

* You can transfer the data of “Parameters backed up as

needed” and “Parameters backed up when the power is

turned off” (excluding “Passing Status of Keys to Suc-

cess”) on page 53 to the computer and save the data

as a single backup file.

Connecting a Smart Device

• If you are using the instrument with a music production appli-

cation such as a DAW (Digital Audio Workstation), set “Loop-

back” (Function 044; page 57) to off. If it is set to on, a mix of

the audio data and the sound of the instrument is sent to DAW,

which may cause howling and unexpected loud sounds.

• Files up to a total of about 1.4 MB can be transferred to

this instrument.

• If you transfer a Style file to this instrument, you need to

refer to “Registering a Style File” (page 30).

• Files transferred to the instrument are listed in the instru-

ment in the order of symbol, number and alphabet.

NOTE

PSR-I300 Owner’s Manual 53

Reference

Backup and Initialization

The following Backup parameters will be maintained

even if the power is turned off.

In addition to the Backup parameters above, all the

data (including Style data that have not been loaded)

transferred from the connected computer will be

maintained even if you turn off the power.

Backup parameters other than “Passing Status of

Keys to Success” can be transferred and saved to a

computer as a single Backup file (with the extension:

.BUP). This backup file can be loaded to the instru-

ment for future.

For details on using a computer with this instrument,

refer to the online PDF manual (page 8) “Computer-

related Operations.”

Error during Backup operation

When connecting to a computer with Storage Mode

(Function 058; page 57) set to on, there may not be

enough free space on the instrument to create a

backup file for transferring to the computer. In this sit-

uation, the error message “Not enough storage for

backup” scrolls on the display. If you want to save a

backup file to the computer, delete unnecessary

Song files or Style files of the instrument to secure

free space and set Storage Mode to off and back to

on again. A backup file is created.

If you do not save a backup file on the computer,

there is no problem if an error message is displayed,

and you can ignore the message.

You can initialize your original data via the following

two methods.

Backup Clear

This operation initializes the backup parameters and

the Registration Memories.

While holding down the highest white key, press the

[ ] (Standby/On) switch to turn the power on.

Flash Clear

This operation deletes all the Songs and Styles that

have been transferred from a computer. Note that

Style data registered to Style numbers 225–234 will

be maintained. While simultaneously holding the

highest white key and the three highest black keys,

press the [ ] (Standby/On) switch to turn the power

on.

Backup Parameters

Parameters backed up as needed

• User Songs (page 45)

• Style Number 225–234 (page 30)

Parameters backed up when the power is turned off

• Registration Memory (page 47)

• FUNCTION Settings: (page 54)

Tuning, Split Point, Touch Response, Style Volume,

Riyaz Volume, Song Volume, Metronome Volume,

Your Tempo, Demo Group, Demo Play Mode, Mas-

ter EQ type, Sustain, Auto Power Off, Battery Type,

Guide, Audio Loop Back, Fingering Type, [AUX IN]

Audio Volume, [USB TO HOST] Audio Volume,

Style Freeze, Transpose Freeze, Voice Freeze

• Passing Status of Keys to Success (page 38)

• The size of a backup file varies depending on the amount of

data stored on the instrument. The maximum capacity is

about 620KB.

• Even if a backup file for transferring to a computer is not cre-

ated, the backup data is retained in the instrument.

NOTE

Initialization

• Keep in mind that Backup Clear and Flash Clear also

delete the data you have purchased. Be sure to save your

important data to a computer.

The highest white key

and the three highest

black keys

NOTICE

PSR-I300 Owner’s Manual

Reference

The Functions

The Functions settings provide access to a range of detailed instrument parameters

such as Tuning, Split Point, Voices and Effects.

1Press the [FUNCTION] button several

times until the desired item appears.

Each time the [FUNCTION] button is pressed, the

Function number increases one by one. To

decrease the Function number by one, simulta-

neously hold down the [FUNCTION] button and

press the [-/NO] button briefly. Simply pressing

only the [+/YES] or [-/NO] button does not

change the Function number.

After a few seconds, the Function name may be

replaced with the setting value depending on the

selected Function.

2Set the value by using the number but-

tons [0]–[9], or [+/YES] and [-/NO] but-

tons.

3To exit from the Function settings, press

one of these buttons; [VOICE], [SONG]

or [STYLE/RIYAZ].

Function List

• The Function number does not appear in the display dur-

ing Song, Style, Riyaz or metronome playback. The beat

value appears instead.

Transpos

001

Current value

Function number

Function name

Press several

times as

necessary

NOTE

Direct

numeric entry.

•Increment

value by 1.

•Yes

•On

Press simultaneously

to recall the default

setting.

• Decrement

value by 1.

•No

•Off

Function

Number

Function Name Display Range/SettingsDefault

Value Description

Overall

001 Transpose Transpos -12–12 00 Determines the pitch of the instrument in semitone increments.

002 Tuning Tuning 427.0Hz–453.0Hz 440.0Hz Determines the fine tuning of the pitch of the entire instrument in

approx. 0.2Hz increments.

003 Pitch Bend Range PBRange 01–12 2 Sets the range over which you can control pitch by using the

PITCH BEND wheel (page 18), in semitone increments.

004 Split Point SplitPnt 036–096 (C1–C6) 54 (F#2)

Determines the highest key for the Split Voice and sets the Split

“point”—in other words, the key that separates the Split (lower)

and Main (upper) Voices. The Split Point setting (page 17) and

Accompaniment Split Point setting (page 25) are automatically

set to the same value.

005 Touch Response TouchRes

1 (Soft),

2 (Medium),

3 (Hard),

4 (Fixed)

2 (Medium) Refer to page 18.

Main Voice (page 16)

006 Volume M.Volume 000–127 * Determines the volume of the keyboard performance when per-

forming along with a Song, a Style or a Riyaz.

007 Octave M.Octave -2 – +2 * Determines the octave range for the Main Voice.

008 Chorus Depth M.Chorus 000–127 * Determines how much of the Main Voice’s signal is sent to the

Chorus effect.

The Functions

PSR-I300 Owner’s Manual 55

Reference

Dual Voice (page 17)

009 Dual Voice D.Voice 001–644 * Determines the Dual Voice.

010 Volume D.Volume 000–127 * Determines the volume of the Dual Voice.

011 Octave D.Octave -2 – +2 * Determines the octave range for the Dual Voice.

012 Chorus Depth D.Chorus 000–127 * Determines how much of the Dual Voice’s signal is sent to the

Chorus effect.

Split Voice (page 17)

013 Split Voice S.Voice 001–644 * Determines the Split Voice.

014 Volume S.Volume 000–127 * Determines the volume of the Split Voice.

015 Octave S.Octave -2 – +2 * Determines the octave range for the Split Voice.

016 Chorus Depth S.Chorus 000–127 * Determines how much of the Split Voice’s signal is sent to the

Chorus effect.

Riyaz (page 33)

017 Song Volume SongVol 000–127 100 Determines the volume of the Song when a Song is selected

(page 33).

Style (page 24)

018 Style Volume StyleVol 000–127 100 Determines the volume of the Style while a Style is selected

(page 25).

019 Fingering Type FingType 1 (SmartChord)

2 (Multi)

(SmartChord)

Determines the method of chord detection in the Accompaniment

Section when playing with a Style.

020 Smart Chord Key S.ChdKey

FL7 (7 flats

) – SP0

(no key signature) –

SP7 (7 sharps

)

SP0 (No Key

Signature)

Determines the Key Signature when the Fingering Type is set to

“Smart Chord.” For example, if there are 2 sharps (#) in your

music score, press the [+/YES]/[-/NO] buttons until “SP2” appears

on the display.

Riyaz (page 32)

021 Riyaz Volume RiyazVol 000–127 100 Determines the volume of the Riyaz while a Riyaz is selected

(page 32).

Effects

022 Reverb Type Reverb

1–4 (Hall 1–4)

5 (Cathedral)

6–8 (Room 1–3)

9–10 (Stage 1–2)

11–12 (Plate 1–2)

13 (Off)

** Determines the Reverb type, including Off (page 88).

023 Reverb Level RevLevel 000–127 64 Determines how much of the Voice’s signal is sent to the Reverb

effect.

024 Chorus Type Chorus

1 (Chorus1)

2 (Chorus2)

3 (Chorus3)

4 (Flanger1)

5 (Flanger2)

6 (Off)

** Determines the Chorus type, including Off (page 88).

025 DSP Type DSPType 01–38 * Determines the DSP Type (page 88).

026 Sustain Sustain ON/OFF OFF Determines whether the Sustain function is on or off

(page 20).

027 Master EQ Type MasterEQ

1 (Speaker)

2 (India)

3 (Headphone)

4 (Boost)

5 (Piano)

6 (Bright)

1 (Speaker)

Determines what type of equalization is applied to the speaker

output or headphone output for optimum sound in different listen-

ing situations (page 49).

Harmony/Arpeggio (page 21)

028 Harmony/

Arpeggio Type Harm/Arp 001–026 (Harmony)

027–188 (Arpeggio) *Determines whether the Harmony type or Arpeggio type is

selected.

029 Harmony Volume HarmVol 000–127 * Determines the volume of the Harmony effect.

030 Arpeggio Velocity ArpVelo 1 (Original)

2 (Key) **

Determines the Arpeggio velocity. If “Key” is selected, arpeggios

will be played back at a volume matching the strength at which

you play the keyboard. If “Original” is selected, arpeggios will be

played back at their original volume regardless of your playing

strength.

Function

Number

Function Name Display Range/SettingsDefault

Value Description

The Functions

PSR-I300 Owner’s Manual

Reference

Pedal (pages 20, 22)

031 Pedal Function PdlFunc

1 (Sustain)

2 (ArpHold)

3 (Sus+ArpH)

4 (Articulation)

5 (Sostenuto)

1 (Sustain)

Sustain: Sustain will be applied to the Main Voice and Dual Voice

while the pedal is held down.

ArpHold: Arpeggio playback will continue while the pedal is held

down.

Sus + ArpH: Sustain will be produced and Arpeggio playback will

continue while the pedal is held down.

Articulation: Articulation effect will be produced while the pedal is

held down.

Sostenuto: When Split is turned on, Sostenuto will be applied to

the Split Voice while the pedal is held down. When Split is

turned off, Sostenuto will be applied to the Main Voice and

Dual Voice while the pedal is held down. When Duo mode

is turned on, Sostenuto will be applied to the Main Voice

and Duo L Voice while the pedal is held down.

Metronome (page 16)

032 Time Signature

Numerator TimeSigN 00–60 ** Determines the time signature of the Metronome.

033 Time Signature

Denominator TimeSigD

Half note, Quarter

note, Eighth note,

Sixteenth note

** Determines the length of each metronome beat.

034 Metronome

Volume MetroVol 000–127 100 Determines the volume of the Metronome.

Lesson (page 36)

035 Lesson Track (R) R-Part 01–16 01

Determines the guide track number for your right hand lesson.

The setting is only effective for Songs in SMF format 0 transferred

from a computer.

Select a Song you want to use for the lessons, select the “R-Part,”

and then use the number buttons [0]–[9], or [+/YES] and [-/NO]

buttons to select the channel you want to play back as the speci-

fied right-hand part. We recommend that you select channel 1 for

the right-hand part.

036 Lesson Track (L) L-Part 01–16 02

Determines the guide track number for your left hand lesson. The

setting is only effective for Songs in SMF format 0 transferred

from a computer.

Select a Song you want to use for the lessons, select the “L-Part,”

and then use the number buttons [0]–[9], or [+/YES] and [-/NO]

buttons to select the channel you want to play back as the speci-

fied left-hand part. We recommend that you select channel 2 for

the left part.

037 Your Tempo YourTemp ON/OFF ON

This parameter is for Lesson 3 “Waiting.” When this is set to ON,

playback tempo will change to match your playing speed. When

this is set to OFF, playback tempo will remain constant regardless

of your playing speed.

038 Guide Guide ON/OFF ON Determines whether the Guide note sounds (ON) or not (OFF)

during the “Waiting” lesson.

MIDI

039 Local Control Local ON/OFF ON

Determines whether the instrument’s keyboard controls the inter-

nal tone generator (ON) or not (OFF). When you are recording

your keyboard performance to application software on the com-

puter via MIDI, set this parameter to OFF.

040 External Clock ExtClock ON/OFF OFF

Determines whether the instrument synchronizes to the internal

clock (OFF) or an external clock (ON). When you are recording

your keyboard performance to application software on the com-

puter via MIDI, set this parameter to ON.

041 Initial Send InitSend YES/NO –

Allows you to send the data of the panel settings to a computer.

Press [+/YES] to send, or press [-/NO] to cancel. This operation

should be done immediately after starting the recording operation

on the computer.

Audio (pages 50, 51, 52)

042 [AUX IN] Audio

Volume AuxInVol 000–127

Determines the volume of audio playback, input from the [AUX

IN] jack (page 50).

043 [USB TO HOST]

Audio Volume USBInVol 000–127

100

Determines the volume of audio playback, input from the [USB

TO HOST] terminal (page 52).

Function

Number

Function Name Display Range/SettingsDefault

Value Description

The Functions

PSR-I300 Owner’s Manual 57

Reference

* The appropriate value is automatically set for each Voice combination.

** The appropriate value is automatically set for each Song, Style, Riyaz or Arpeggio.

044 Audio Loop Back Loopback ON/OFF

Determines whether Audio sound input from the [USB TO HOST]

terminal is returned to the computer or not with the performance

played on the instrument. If you want to output only the sound

played on this instrument to the computer, set this parameter to

OFF.

045

Melody Suppressor

MelodySP ON/OFF OFF

When you output the audio sound of an external audio device or

a computer connected to the [AUX IN] jack or the [USB TO

HOST] terminal through this instrument, select “ON” to cancel or

lower the volume of the melody part of audio playback.

046 Suppressor Pan SupprPan L63–C–R63 C Determines the position of the playback sound of the external

audio device to be canceled or lowered (page 51).

Regist Freeze (page 48)

047 Style Freeze StyleFrz ON/OFF OFF When you want to call up the Registration Memory without over-

writing the current Style and Riyaz settings select “ON.”

048 Transpose Freeze TransFrz ON/OFF OFF When you want to call up the Registration Memory without over-

writing the current Transpose setting, select “ON.”

049 Voice Freeze VoiceFrz ON/OFF OFF When you want to call up the Registration Memory without over-

writing the current Voice setting, select “ON.”

Duo (page 23)

050 Duo Mode DuoMode ON/OFF OFF Select “ON” to divide the keyboard range into the left section and

right section.

051 Duo L Voice DuoLVc 001–644 * Determines the Voice in the left section.

052 Duo Split Point DuoPnt 036–096 (C1–C6) 66 (F#3) Sets the boundary between the left section and right section.

053 Duo R Volume DuoRVol 000–127 * Determines the volume of the right section.

054 Duo L Volume DuoLVol 000–127 * Determines the volume of the left section.

055 Duo R Octave DuoROct -3 – +3 * Determines the pitch of the right section in octave units.

056 Duo L Octave DuoLOct -3 – +3 * Determines the pitch of the left section in octave units.

057 Duo Type DuoType 1 (Balance)

2 (Separate) 2 (Separate)

This function is effective in Duo Mode (page 23).

Balance: The performance sounds of the left section and the right

section will sound from both the left and right speakers.

Separate: The performance sound of the left section will sound

from the left speaker, and the performance sound of the right sec-

tion will sound from the right speaker.

Storage

058 Storage Mode Storage ON/OFF OFF

Select “ON” if you want the computer to recognize the instrument

as storage when it is connected to the computer. When “ON” is

selected, the operation of the instrument will be locked; for exam-

ple, no sound will be produced when you play the keyboard.

Select “OFF” if you want the computer to recognize the instru-

ment as a MIDI device when it is connected to the computer.

While Storage Mode is set to ON, you cannot play the instrument.

Set Storage Mode to ON only when transmitting/receiving files to/

from a computer.

Style File

059 Style Register StyleReg 001–nnn – Select and register a Style file from flash files that are loaded

from computer (page 30).

Demo (page 33)

060 Demo Group DemoGrp

1 (Demo)

2 (Preset)

3 (User)

4 (Download)

1 (Demo) Determines the repeat playback group.

061 Demo Play Mode PlayMode 1 (Normal)

2 (Random) 1 (Normal) Determines the repeat playback mode.

Auto Power Off (page 13)

062 Auto Power Off

Time AutoOff OFF, 5/10/15/30/60/

120 (minutes) 30 minutes Specifies the time that will elapse before the instrument’s power

is automatically turned off.

Battery (page 12)

063 Battery Type Battery 1 (Alkaline)

2 (Ni-MH) 1 (Alkaline)

Selects the type of batteries you have installed to this instrument.

Alkaline: Alkaline battery/manganese battery

Ni-MH: Rechargeable battery

Function

Number

Function Name Display Range/SettingsDefault

Value Description

PSR-I300 Owner’s Manual

Appendix

Problem Possible Cause and Solution

When the instrument is turned on or off, a popping

sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical

power.

When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce

interference. To prevent this, turn off the mobile phone or use it further

away from the instrument.

Noise is heard from the instrument’s speakers or

headphones when using the instrument with an

application on a smart device.

When you use the instrument along with the application on your smart

device, we recommend that you set “Airplane Mode” to “ON” on your

smart device in order to avoid noise caused by communication.

There is no sound even when the keyboard is

played or when a song or style is being played

back.

Check that nothing is connected to the [PHONES/OUTPUT] jack on the

rear panel. When a set of headphones is plugged into this jack, no

sound is output.

Check the Local Control on/off setting. (See page 56 Function 039.)

Make sure Local Control is set to ON.

The instrument does not respond when the instru-

ment is operated.

Is Storage Mode set to ON? Make sure Storage Mode is set to OFF;

refer to “Storage” on page 57 (Function 058).

Playing keys in the right hand area of the keyboard

does not produce any sound.

When using the Dictionary function (page 29), the keys in the right hand

area are used only for entering the chord root and type.

Not all of the voices seem to sound, or the sound

seems to be cut off.

The instrument is polyphonic up to a maximum of 48 notes—including

Dual voice, Split Voice, auto accompaniment, song, and Metronome.

Notes exceeding this limit will not sound.

The harmony doesn’t sound. The method of sounding the Harmony effect (001–026) differs depend-

ing on the selected type. For Types 001–005, turn the Auto Accompani-

ment on and play it by pressing a chord in the auto accompaniment

section of the keyboard, and then play some keys in the right-hand side

to produce the Harmony effect. For Types 006–026, turning auto accom-

paniment on or off has no effect. However, it is necessary to play two

notes simultaneously for Types 006–012.

The Style or Song does not play back when the

[START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF;

refer to “Function Settings” on page 56 (Function 040).

The ACMP ON indicator does not appear when the

[ACMP ON/OFF] button is pressed.

• Always press the [STYLE/RIYAZ] button first when you are going to

use any Style-related function.

• The ACMP ON indicator does not appear when the Duo mode is on.

The Style does not sound properly. Make sure that the Style Volume (page 55 Function 018) is set to an

appropriate level.

Is the Split Point set to an appropriate key for the chords you are play-

ing? Set the Split Point to an appropriate key (page 54 Function 004).

Is the “ACMP” indicator showing in the display? If it is not showing, press

the [ACMP ON/OFF] button so that it does show.

The Style does not sound as you play a chord. If the Fingering Type (Function 019; page 55) is set to Multi, the following

conditions will occur.

• The auto accompaniment will sometimes not change when related

chords are played in sequence (e.g., some minor chords followed by

the minor seventh).

• Two-note fingerings will produce a chord based on the previously

played chord.

• Playing two same root keys in the adjacent octaves produces accom-

paniment based only on the root.

The footswitch (for sustain) seems to produce the

opposite effect. For example, pressing the foot-

switch cuts off the sound and releasing it sustains

the sounds.

The polarity of the footswitch is reversed. Make sure that the footswitch

plug is properly connected to the [SUSTAIN] jack before turning on the

power.

The sound of the voice changes from note to note. This is normal. The AWM tone generation method uses multiple record-

ings (samples) of an instrument across the range of the keyboard; thus,

the actual sound of the voice may be slightly different from note to note.

Troubleshooting

Appendix

Troubleshooting

PSR-I300 Owner’s Manual 59

Appendix

• The volume is too soft.

• The sound quality is poor.

• The rhythm stops unexpectedly or will not play.

• The recorded data of the song, etc. does not play

correctly.

• The LCD display suddenly goes dark, and all

panel settings are reset.

The batteries are low or dead. Replace all six batteries with completely

new ones, or use the included AC adaptor.

Power suddenly and unexpectedly turns off. This is normal and the Auto Power Off function may have been activated

(page 13). If you need to disable the Auto Power Off function, select

“Off” in the Function settings (Function 062; page 57).

When the instrument is turned on, power is turned

off suddenly and unexpectedly.

The protection circuit has been activated due to over current. This may

occur when an AC adaptor other than the one specified is used, or an

AC adaptor is damaged. Use the specified adaptor (page 91) only. If it

should appear to be malfunctioning, discontinue use immediately and

have it inspected by qualified Yamaha service personnel.

The application on your smart device doesn’t rec-

ognize the instrument.

Is Storage Mode set to ON? Make sure that Storage Mode is set to

OFF; refer to “Function Settings” on page 57 (Function 058).

Some notes don’t sound properly when playing

back a User Song using A-B Repeat.

This is normal. It takes time to reset DSP settings every repeat when

playing back a User Song using A-B Repeat. To prevent this from occur-

ring, try the following when recording.

• Turn off the DSP

• Use other Voices

Problem Possible Cause and Solution

PSR-I300 Owner’s Manual

Appendix

Song Book Sample

This score is provided with the part of the song book (free downloadable scores).

The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important

points for your practice. To obtain this Song Book, access the Yamaha website and download it from the product web page.

* The Song book is provided in English and French.

This example introduces part of the English song book.

Yamaha Global Site https://www.yamaha.com

Für Elise

Für Elise is an all-time classical favorite.

The beautiful, well-known melody is repeated a number of times.

In each step you won’t be practicing alone. You have a wonderful orchestra to back you up!

First, listen to the example a few times. It won’t be long before you’ll want to start playing it yourself!

Für Elise With Step Map .......................................................................12

Song No.004

Basic

Warm-up Exercise - “The Semitone Mystery” ....................................14

Diligent Practice Time ................................................................ 15

Warm-up Exercise - “Basic Accompaniment” ..................................... 16

Diligent Practice Time ................................................................ 16

First Half Review ......................................................................17

Diligent Practice Time ................................................................ 17

Warm-up Exercise - “The Jump Competition” .................................... 18

“EEEEE!” ................................................................................ 18

“Left! Right! Left! Right!” ............................................................ 19

Second Half Review ................................................................... 19

Play the Whole Song! ................................................................. 19

L. v. Beethoven

014

Song Book Sample

PSR-I300 Owner’s Manual 61

Appendix

&#c

Before Playing...

Finger Numbering

Reading the Score

The Keyboard, Staff Lines, and Clef

Treble clef

Bass clef

1 octave

2 black keys 3 black keys

Accidentals

Key signature

Clef

Whole note Whole note rest

Dotted half note rest

Dotted quarter note rest

Dotted eighth note rest

Half note rest

Quarter note rest

Eighth note rest

Sixteenth note rest

Rest for the entire measure

Dotted half note

Half note

Quarter note

Triplet

Eighth note

Sixteenth note

Dotted quarter note

Dotted eighth note

Time signature

Notes and Rests

View from the side View from above

K Sit near the middle of the keyboard.

K Relax your shoulders and wrists, and play

in a comfortable posture.

C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E F G A B C

(Sharp) Raise by a semitone

(Flat) Lower by a semitone

(Natural) Return to the original pitch

Note Rest Length

4321

1.5

0.75

0.5

0.25

Playing Posture

Three evenly spaced notes in the space

of two eighth notes

Song Book Sample

PSR-I300 Owner’s Manual

Appendix

Song No.014

Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play.

Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as

you might think. Enjoy learning each section as you build proﬁciency.

Für Elise

Song No.004

Basic

With Step Map

From here...

Song Book Sample

PSR-I300 Owner’s Manual 63

Appendix

Song No.014 Für Elise Basic

...to here From here...

...to here

Für Elise

Song No.004 Basic

Song Book Sample

PSR-I300 Owner’s Manual

Appendix

Song No.014 Für Elise Basic

Für Elise

Song No.004 Basic

Warm-up Exercise - “The Semitone Mystery”

Let’s start with a warm-up exercise using three ﬁngers of the right hand.

We’ll start by ascending and descending the white and black keys. Check out the

illustrations until you understand how the fingers are supposed to move, then get

started!

You’ll ﬁnd it easier to play if you bend your ﬁngers slightly.

Right

Tip-toe

ABCD

A E

Go back to the beginning and play it again.

Song Book Sample

PSR-I300 Owner’s Manual 65

Appendix

Song No.014 Für Elise Basic

Für Elise

Song No.004 Basic

Diligent Practice Time

Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time.

The melody will be built up little by little.

Compare each line... notice that many of the shapes formed by the notes are very similar.

Short break

Almost done E

Song Book Sample

PSR-I300 Owner’s Manual

Appendix

Song No.014 Für Elise Basic

Für Elise

Song No.014 Basic

Warm-up Exercise - “Basic Accompaniment”

And now a warm-up exercise for the left hand.

It’s important to spread your ﬁngers widely from the start.

Don’t play the black keys too strongly.

Left hand

AEAE C

Diligent Practice Time

Connect the notes smoothly, as if the left hand were passing them to the right hand. You’ll be able to play

smoothly if you move the left hand into position for the next phrase as soon as it ﬁnishes playing the ﬁrst

phrase.

Song No.014

Song Book Sample

PSR-I300 Owner’s Manual 67

Appendix

Song No.014 Für Elise Basic

Für Elise

Song No.004 Basic

Diligent Practice Time

OK, let’s begin the second half!

You’ll be able to play the melody nicely if you lift your ﬁngers from the keyboard between the slurs.

It might be easier to grasp the key release timing if you sing along with the melody.

Don’t panic and play too strongly where the left hand has to play short notes.

First Half Review

You’ve reached the halfway step! Have you learned all the material provided in the preceding steps?

Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble

playing any of the material, go back and review the steps using the Step Map as a guide.

Always have left-hand ﬁnger 5 ready to play the next note!

Song Book Sample

PSR-I300 Owner’s Manual

Appendix

Song No.014 Für Elise Basic

Für Elise

Song No.004 Basic

EEE

Jump to the

next E!

And again!

Warm-up Exercise - “The Jump Competition”

The ﬁrst note has a staccato dot.

Spread your ﬁngers wide and jump quickly to the next note!

Left hand

“EEEEE!”

The only note in this step is E!

Make the connection between the left and right hands as smooth as possible.

Song Book Sample

PSR-I300 Owner’s Manual 69

Appendix

Song No.014 Für Elise Basic

Left

Right

Für Elise

Song No.004 Basic

“Left! Right! Left! Right!”

Play “D E” repeatedly, alternating the left and right hands.

Have the next hand ready in position to play D so you won’t have to rush.

Second Half Review

Try playing all the way through the second half.

As we did after the ﬁrst half, if there are places you can’t play with conﬁdence go back and review the steps.

Play the Whole Song!

This is the ﬁnishing step!

Don’t be afraid of making mistakes. Just concentrate on playing the entire song from start to finish.

Practice this with the lessons learned in each step in mind, and gradually you’ll master the whole song.

PSR-I300 Owner’s Manual

Appendix

Voice List

Panel Voice List

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

INDIAN

1 0 113 21 Harmonium Single

2 0 114 21 Harmonium Double

3 0 115 21 Harmonium Triple

4 0 123 112 Shehnai

5 8 96 79 S.Art Lite Sarangi ***

6 51 0 23 Sweet! Sarangi

7 0 124 112 Pungi

8 51 0 11 Sweet! Bansuri

9 8 97 127 S.Art Lite Sitar 1 ***

10 8 96 127 S.Art Lite Sitar 2 ***

11 0 115 105 Sarod

12 8 96 128 S.Art Lite Santoor ***

13 0 118 16 Santoor

14 51 0 24 Tanpura 1

15 0 114 105 Tanpura 2

16 0 120 108 Indian Banjo

17 0 124 26 Mandolin

18 0 121 108 Swarmandal

19 0 117 105 Ektara

20 0 118 105 East Rabab

21 0 113 10 Bell

22 0 127 89 Early Morning

23 0 117 12 Sun Vibes

24 0 116 117 Tabla

25 126 0 116 Tabla Kit 1

26 126 0 117 Tabla Kit 2

27 126 0 40 Indian Kit 1

28 126 0 115 Indian Kit 2

29 126 0 33 Indian Mix Kit

30 126 0 112 Animal Kit

PIANO

31 0 115 1 Live! Concert Grand Piano

32 0 112 1 Grand Piano

33 0 112 2 Bright Piano

34 0 112 7 Harpsichord

35 0 112 4 Honky Tonk Piano

36 0 112 3 MIDI Grand Piano

37 0 113 3 CP80

E.PIANO

38 0 118 5 Cool! Suitcase Electric Piano

39 0 118 6 Jazz Chorus Electric Piano

40 0 120 5 Phase Electric Piano

41 0 119 5 Cool! Tremolo Electric Piano

42 0 121 5 Cool! Electric Piano

43 0 117 5 Stage Electric Piano

44 0 114 5 Cool! Galaxy Electric Piano

45 0 113 6 Hyper Tines

46 0 112 5 Funky Electric Piano

47 0 112 6 DX Modern Electric Piano

48 0 114 6 Venus Electric Piano

49 0 112 8 Clavi

50 0 113 8 Wah Clavi

ORGAN

51 0 118 19 Cool! Organ

52 0 117 19 Cool! Rotor Organ

53 0 112 17 Jazz Organ 1

54 104 49 17 Jazz Organ 1 + Rotary Fast

55 0 113 17 Jazz Organ 2

56 104 50 17 Jazz Organ 2 + Rotary Fast

57 0 112 19 Rock Organ

58 0 120 19 Octave Shift Organ

59 0 114 19 Purple Organ

60 0 112 18 Click Organ

61 0 116 17 Bright Organ

62 0 127 19 Theatre Organ

63 0 121 20 16' + 2' Organ

64 0 120 20 16' + 4' Organ

65 0 113 20 Chapel Organ

66 0 112 20 Pipe Organ

67 0 112 21 Reed Organ

ACCORDION

68 0 112 22 Musette Accordion

69 0 113 22 Traditional Accordion

70 0 113 24 Bandoneon

71 0 113 23 Modern Harp

72 0 114 23 Blues Harp

73 0 115 23 Harmonica

GUITAR

74 8 96 1 S.Art Lite

Nylon Guitar Harmonics ***

75 8 96 2 S.Art Lite

Steel Guitar Harmonics ***

76 8 97 1 S.Art Lite Nylon Guitar Slide ***

77 8 97 2 S.Art Lite Steel Guitar Slide ***

78 8 96 6 S.Art Lite Distortion Guitar ***

79 0 116 25 Dynamic Nylon Guitar

80 0 118 30 Dynamic Overdriven

81 0 121 31 Dynamic Distortion Guitar

82 0 122 25 Nylon Guitar

83 0 112 25 Classical Guitar

84 104 25 26 Steel Guitar

85 0 112 26 Folk Guitar

86 0 112 27 Jazz Guitar

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Maximum Polyphony

The instrument has 48-note maximum polyphony. This means

that it can play a maximum of up to 48 notes at once,

regardless of what functions are used. Auto accompaniment

uses a number of the available notes, so when auto

accompaniment is used the total number of available notes for

playing on the keyboard is correspondingly reduced. The same

applies to the Split Voice and Song functions. If the maximum

polyphony is exceeded, earlier played notes will be cut off and

the most recent notes have priority (last note priority).

• The Voice List includes MIDI program change numbers for each

voice. Use these program change numbers when playing the

instrument via MIDI from an external device.

• Program change numbers are often specified as numbers “0–127.

”

For these cases, it is necessary to subtract 1 from the intended pro-

gram change number to select the appropriate sound, because this

list uses a “1–128” numbering system. For example, to select pro-

gram change number 38 in the list below, transmit program change

number 37.

• Some voices may sound continuously or have a long decay after

the notes have been released while the sustain pedal (footswitch) is

held.

NOTE

Voice List

PSR-I300 Owner’s Manual 71

Appendix

87 0 117 28 60s Clean Guitar

88 0 113 26 12Strings Guitar

89 0 112 28 Clean Guitar

90 0 127 28 Wah Guitar

91 0 113 27 Octave Guitar

92 0 112 29 Muted Guitar

93 0 112 30 Overdriven Guitar

94 0 112 31 Distortion Guitar

95 0 127 31 Wah Distortion Guitar

BASS

96 8 96 18 S.Art Lite Slap Bass ***

97 0 116 34 Dynamic Electric Bass

98 0 112 34 Finger Bass

99 0 112 33 Acoustic Bass

100 0 112 35 Pick Bass

101 0 112 36 Fretless Bass

102 0 112 37 Slap Bass

103 0 121 40 Funk Bass

104 0 112 39 Synth Bass

105 0 113 39 Hi-Q Bass

106 0 113 40 Dance Bass

STRINGS

107 8 96 50 S.Art Lite Strings ***

108 0 117 50 Live! Strings

109 104 23 49 Studio Strings

110 0 112 49 Strings

111 0 112 50 Chamber Strings

112 0 115 50 Marcato Strings

113 0 113 50 Slow Strings

114 0 112 45 Tremolo Strings

115 0 112 51 Synth Strings

116 0 112 46 Pizzicato Strings

117 0 116 46 Orchestra Pizzicato Strings

118 0 113 41 Sweet! Violin

119 0 112 41 Violin

120 0 112 43 Cello

121 0 112 44 Contrabass

122 0 112 47 Harp

123 0 112 56 Orchestra Hit

CHOIR

124 8 96 55 S.Art Lite Gospel Choir ***

125 0 112 53 Choir

126 104 12 54 Gospel Hmm

127 104 13 54 Gospel Wow

128 0 113 53 Vocal Ensemble

129 0 112 55 Air Choir

130 0 112 54 Vox Humana

WOODWIND

131 8 96 83 S.Art Lite Tenor Sax ***

132 0 122 67 Sax Section

133 0 117 67 Sweet! Tenor Sax

134 0 112 67 Tenor Sax

135 0 112 66 Alto Sax

136 0 112 65 Soprano Sax

137 0 112 68 Baritone Sax

138 0 114 67 Breathy Tenor Sax

139 0 116 66 Small Sax Section

140 0 112 72 Clarinet

141 0 112 69 Oboe

142 0 112 70 English Horn

143 0 112 71 Bassoon

144 8 96 74 S.Art Lite Flute ***

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

145 0 114 74 Sweet! Flute

146 0 115 74 Sweet! Classical Flute

147 0 112 74 Flute

148 0 112 73 Piccolo

149 0 112 76 Pan Flute

150 0 112 75 Recorder

151 0 112 80 Ocarina

BRASS

152 0 112 57 Trumpet

153 0 127 57 Distortion Trumpet

154 0 112 58 Trombone

155 0 113 58 Trombone Section

156 0 112 60 Muted Trumpet

157 0 112 61 French Horn

158 0 112 59 Tuba

159 8 96 57 S.Art Lite Brass Section ***

160 0 117 63 Live! Brass

161 0 112 62 Brass Section

162 0 113 62 Big Band Brass

163 0 116 62 Octave Brass

164 0 113 63 80s Brass

165 0 119 62 Mellow Horns

166 0 115 63 Funky Brass

167 0 114 63 Techno Brass

168 0 112 63 Synth Brass

SYNTH

169 104 20 91 Gemini

170 104 21 91 Hands Up!

171 0 112 81 Square Lead

172 0 112 82 Sawtooth Lead

173 0 108 82 RS Tech Saw

174 0 112 88 Under Heim

175 0 112 85 Portatone

176 0 115 82 Analogon 1

177 0 119 82 Fargo 1

178 104 53 82 Analogon 2

179 104 54 82 Fargo 2

180 0 112 86 Voice Lead

181 0 121 82 Funky Lead

182 0 118 89 Sweet Heaven

183 0 121 89 Dream Heaven

184 0 113 89 Symbiont

185 0 112 99 Stardust

186 0 112 101 Brightness

187 0 112 92 Xenon Pad

188 0 112 95 Equinox

189 0 112 89 Fantasia

190 0 113 90 Dark Moon

191 0 113 101 Bell Pad

192 0 126 90 RS Analog Pad

193 0 116 91 RS Short Resonance

PERCUSSION

194 0 112 12 Vibraphone

195 0 113 12 Jazz Vibes

196 0 112 13 Marimba

197 0 112 14 Xylophone

198 0 112 115 Steel Drums

199 0 112 9 Celesta

200 0 112 11 Music Box

201 0 112 15 Tubular Bells

202 0 112 48 Timpani

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

PSR-I300 Owner’s Manual

Appendix

* When you select a Voice of the DUAL category, two voices

sound at the same time.

** Selecting a Voice number between 280 and 299 will turn

on Arpeggio.

*** S.Art Lite voice (page 19)

WORLD

203 0 112 106 Banjo

204 0 0 111 Fiddle

205 0 0 110 Bagpipe

206 0 0 16 Dulcimer 1

207 0 35 16 Dulcimer 2

208 0 96 16 Cimbalom

209 0 121 16 Santur

210 0 97 108 Kanoon

211 0 98 106 Oud

212 0 96 106 Rabab

213 0 0 109 Kalimba

214 0 115 111 Er H u

215 0 118 74 Di Zi

216 0 116 106 Pi Pa

217 0 113 108 Gu Zheng

218 0 40 47 Yang Qin

219 0 120 111 Morin Khuur

220 0 124 74 Suling

221 0 0 107 Shamisen

222 0 0 108 Koto

223 0 96 108 Taisho-kin

DUAL*

224 0 115 1 Octave Piano

225 0 115 1 Piano & Strings

226 0 115 1 Piano Pad

227 0 112 7 Octave Harpsichord

228 0 113 6 Tiny Electric Piano

229 0 114 5 Electric Piano Pad

230 0 120 20 Full Organ

231 0 112 27 Octave Jazz Guitar

232 0 115 50 Octave Strings

233 0 112 49 Orchestra Section

234 0 116 46 Octave Pizzicato Strings

235 0 112 41 Strings Session

236 0 112 62 Brass Tutti

237 0 112 49 Orchestra Tutti

238 0 112 61 Octave French Horns

239 0 112 47 Octave Harp

240 0 112 56 Orchestra Hit & Timpani

241 0 112 53 Octave Choir

242 0 113 62 Jazz Brass Section

243 0 113 62 Jazz Section

244 0 116 66 Ballroom Sax Ensemble

245 0 113 62 Ballroom Brass

246 0 112 74 Flute & Clarinet

247 0 112 57 Trumpet & Trombone

248 0 113 63 Fat Synth Brass

249 0 112 88 Octave Lead

250 0 0 87 Super 5th Lead

SOUND EFFECT

251 0 0 121 Fret Noise

252 0 0 122 Breath Noise

253 0 0 123 Seashore

254 0 0 124 Bird Tweet

255 0 0 125 Telephone Ring

256 0 0 126 Helicopter

257 0 0 127 Applause

258 0 113 116 Hand Clap

259 0 0 128 Gunshot

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

DRUM KIT

260 127 0 88 Power Kit

261 127 0 1 Standard Kit 1

262 127 0 2 Standard Kit 2

263 127 0 9 Room Kit

264 127 0 17 Rock Kit

265 127 0 25 Electronic Kit

266 127 0 26 Analog Kit

267 127 0 113 Dance Kit

268 127 0 33 Jazz Kit

269 127 0 41 Brush Kit

270 127 0 49 Symphony Kit

271 126 0 128 Chinese kit

272 126 0 55 Indonesian Kit 1

273 126 0 56 Indonesian Kit 2

274 126 0 57 Indonesian Kit 3

275 126 0 37 Arabic Kit

276 126 0 41 Cuban Kit

277 126 0 1 SFX Kit 1

278 126 0 2 SFX Kit 2

279 126 0 113 Sound Effect Kit

ARPEGGIO**

280 0 112 49 Concerto

281 0 112 2 Latin Rock

282 0 112 62 Brass Section

283 0 112 1 Piano Ballad

284 0 96 82 Synth Sequence

285 0 117 28 Guitarist

286 0 112 26 Pickin'

287 0 112 25 Spanish

288 0 112 8 Funky Clavi

289 0 112 47 Harpeggio

290 0 112 1 Finger Bass Left

291 0 112 1 Combo Jazz Left

292 0 112 1 Paul's Bass Left

293 0 112 1 Trance Bass Left

294 0 112 1 Acid Bass Left

295 0 112 1 Piano Ballad Left

296 0 112 2 Salsa Piano Left

297 0 112 1 Piano Arpeggio Left

298 0 112 1 Guitar Arpeggio Left

299 0 112 1 Strum Left

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

PSR-I300 Owner’s Manual 73

Appendix

XGlite Voice List

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

XG PIANO

300 0 0 1 Grand Piano

301 0 1 1 Grand Piano KSP

302 0 40 1 Piano Strings

303 0 41 1 Dream

304 0 0 2 Bright Piano

305 0 1 2 Bright Piano KSP

306 0 0 3 Electric Grand Piano

307 0 1 3 Electric Grand Piano KSP

308 0 32 3 Detuned CP80

309 0 0 4 Honky Tonk Piano

310 0 1 4 Honky Tonk Piano KSP

311 0 0 5 Electric Piano 1

312 0 1 5 Electric Piano 1 KSP

313 0 32 5 Chorus Electric Piano 1

314 0 0 6 Electric Piano 2

315 0 1 6 Electric Piano 2 KSP

316 0 32 6 Chorus Electric Piano 2

317 0 41 6 DX + Analog Electric Piano

318 0 0 7 Harpsichord 1

319 0 1 7 Harpsichord KSP

320 0 35 7 Harpsichord 2

321 0 0 8 Clavi

322 0 1 8 Clavi KSP

XG CHROMATIC

323 0 0 9 Celesta

324 0 0 10 Glockenspiel

325 0 0 11 Music Box 1

326 0 64 11 Music Box 2

327 0 0 12 Vibraphone

328 0 1 12 Vibraphone KSP

329 0 0 13 Marimba

330 0 1 13 Marimba KSP

331 0 64 13 Sine Marimba

332 0 97 13 Balimba

333 0 98 13 Log Drums

334 0 0 14 Xylophone

335 0 0 15 Tubular Bells

336 0 96 15 Church Bells

337 0 97 15 Carillon

XG ORGAN

338 0 0 17 Drawbar Organ 1

339 0 32 17 Detuned Drawbar Organ

340 0 33 17 60s Drawbar Organ 1

341 0 34 17 60s Drawbar Organ 2

342 0 35 17 70s Drawbar Organ 1

343 0 37 17 60s Drawbar Organ 3

344 0 40 17 16' + 2'2/3 Organ

345 0 64 17 Organ Bass

346 0 65 17 70s Drawbar Organ 2

347 0 66 17 Cheezy Organ

348 0 67 17 Drawbar Organ 2

349 0 0 18 Percussive Organ 1

350 0 24 18 70s Percussive Organ

351 0 32 18 Detuned Percussive Organ

352 0 33 18 Light Organ

353 0 37 18 Percussive Organ 2

354 0 0 19 Rock Organ

355 0 64 19 Rotary Organ

356 0 65 19 Slow Rotary Organ

357 0 66 19 Fast Rotary Organ

358 0 0 20 Church Organ 1

359 0 32 20 Church Organ 3

360 0 35 20 Church Organ 2

361 0 40 20 Notre Dame

362 0 64 20 Organ Flute

363 0 65 20 Tremolo Organ Flute

364 0 0 21 Reed Organ

365 0 40 21 Puff Organ

366 0 0 22 Accordion

367 0 0 23 Harmonica 1

368 0 32 23 Harmonica 2

369 0 0 24 Tango Accordion 1

370 0 64 24 Tango Accordion 2

XG GUITAR

371 0 0 25 Nylon Guitar 1

372 0 25 25 Nylon Guitar 3

373 0 43 25 Velocity Guitar Harmonics

374 0 96 25 Ukulele

375 0 0 26 Steel Guitar

376 0 35 26 12Strings Guitar

377 0 40 26 Nylon & Steel Guitar

378 0 41 26 Steel Guitar with Body Sound

379 0 96 26 Mandolin

380 0 0 27 Jazz Guitar

381 0 32 27 Jazz Amp

382 0 0 28 Clean Guitar

383 0 32 28 Chorus Guitar

384 0 0 29 Muted Guitar

385 0 40 29 Funk Guitar

386 0 41 29 Muted Steel Guitar

387 0 45 29 Jazz Man

388 0 0 30 Overdriven Guitar

389 0 43 30 Guitar Pinch

390 0 0 31 Distortion Guitar

391 0 40 31 Feedback Guitar 1

392 0 41 31 Feedback Guitar 2

393 0 0 32 Guitar Harmonics 1

394 0 65 32 Guitar Feedback

395 0 66 32 Guitar Harmonics 2

XG BASS

396 0 0 33 Acoustic Bass

397 0 40 33 Jazz Rhythm

398 0 45 33 Velocity Crossfade Upright Bass

399 0 0 34 Finger Bass 1

400 0 18 34 Finger Bass Dark

401 0 40 34 Bass & Distorted Electric Guitar

402 0 43 34 Finger Slap Bass

403 0 45 34 Finger Bass 2

404 0 65 34 Modulated Bass

405 0 0 35 Pick Bass

406 0 28 35 Muted Pick Bass

407 0 0 36 Fretless Bass 1

408 0 32 36 Fretless Bass 2

409 0 33 36 Fretless Bass 3

410 0 34 36 Fretless Bass 4

411 0 0 37 Slap Bass 1

412 0 32 37 Punch Thumb Bass

413 0 0 38 Slap Bass 2

414 0 43 38 Velocity Switch Slap

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

PSR-I300 Owner’s Manual

Appendix

415 0 0 39 Synth Bass 1

416 0 40 39 Techno Synth Bass

417 0 0 40 Synth Bass 2

418 0 6 40 Mellow Synth Bass

419 0 12 40 Sequenced Bass

420 0 18 40 Click Synth Bass

421 0 19 40 Synth Bass 2 Dark

422 0 40 40 Modular Synth Bass

423 0 41 40 DX Bass

XG STRING

424 0 0 41 Violin

425 0 8 41 Slow Violin

426 0 0 42 Viola

427 0 0 43 Cello

428 0 0 44 Contrabass

429 0 0 45 Tremolo Strings

430 0 8 45 Slow Tremolo Strings

431 0 40 45 Suspense Strings

432 0 0 46 Pizzicato Strings

433 0 0 47 Orchestral Harp

434 0 0 48 Timpani

XG ENSEMBLE

435 0 0 49 Strings 1

436 0 3 49 Stereo Strings

437 0 8 49 Slow Strings

438 0 35 49 60s Strings

439 0 40 49 Orchestra 1

440 0 41 49 Orchestra 2

441 0 42 49 Tremolo Orchestra

442 0 45 49 Velocity Strings

443 0 0 50 Strings 2

444 0 3 50 Stereo Slow Strings

445 0 8 50 Legato Strings

446 0 40 50 Warm Strings

447 0 41 50 Kingdom

448 0 0 51 Synth Strings 1

449 0 64 51 Synth Strings 4

450 0 0 52 Synth Strings 2

451 0 0 53 Choir Aahs

452 0 3 53 Stereo Choir

453 0 32 53 Mellow Choir

454 0 40 53 Choir Strings

455 0 0 54 Voice Oohs

456 0 0 55 Synth Voice 1

457 0 40 55 Synth Voice 2

458 0 41 55 Choral

459 0 64 55 Analog Voice

460 0 0 56 Orchestra Hit 1

461 0 35 56 Orchestra Hit 2

462 0 64 56 Impact

XG BRASS

463 0 0 57 Trumpet

464 0 32 57 Warm Trumpet

465 0 0 58 Trombone 1

466 0 18 58 Trombone 2

467 0 0 59 Tuba

468 0 0 60 Muted Trumpet

469 0 0 61 French Horn 1

470 0 6 61 French Horn Solo

471 0 32 61 French Horn 2

472 0 37 61 Horn Orchestra

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

473 0 0 62 Brass Section

474 0 35 62 Trumpet & Trombone Section

475 0 0 63 Synth Brass 1

476 0 20 63 Resonant Synth Brass

477 0 0 64 Synth Brass 2

478 0 18 64 Soft Brass

479 0 41 64 Choir Brass

XG REED

480 0 0 65 Soprano Sax

481 0 0 66 Alto Sax

482 0 40 66 Sax Section

483 0 0 67 Tenor Sax

484 0 40 67 Breathy Tenor Sax

485 0 0 68 Baritone Sax

486 0 0 69 Oboe

487 0 0 70 English Horn

488 0 0 71 Bassoon

489 0 0 72 Clarinet

XG PIPE

490 0 0 73 Piccolo

491 0 0 74 Flute

492 0 0 75 Recorder

493 0 0 76 Pan Flute

494 0 0 77 Blown Bottle

495 0 0 79 Whistle

496 0 0 80 Ocarina

XG SYNTH LEAD

497 0 0 81 Square Lead 1

498 0 6 81 Square Lead 2

499 0 8 81 LM Square

500 0 18 81 Hollow

501 0 19 81 Shroud

502 0 64 81 Mellow

503 0 65 81 Solo Sine

504 0 66 81 Sine Lead

505 0 0 82 Sawtooth Lead 1

506 0 6 82 Sawtooth Lead 2

507 0 8 82 Thick Sawtooth

508 0 18 82 Dynamic Sawtooth

509 0 19 82 Digital Sawtooth

510 0 20 82 Big Lead

511 0 24 82 Heavy Synth

512 0 96 82 Sequenced Analog

513 0 0 83 Calliope Lead

514 0 65 83 Pure Lead

515 0 0 84 Chiff Lead

516 0 0 85 Charang Lead

517 0 64 85 Distorted Lead

518 0 0 86 Voice Lead

519 0 0 87 Fifths Lead

520 0 35 87 Big Five

521 0 0 88 Bass & Lead

522 0 16 88 Big & Low

523 0 64 88 Fat & Perky

524 0 65 88 Soft Whirl

XG SYNTH PAD

525 0 0 89 New Age Pad

526 0 64 89 Fantasy

527 0 0 90 Warm Pad

528 0 0 91 Poly Synth Pad

529 0 0 92 Choir Pad

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

PSR-I300 Owner’s Manual 75

Appendix

530 0 66 92 Itopia

531 0 0 93 Bowed Pad

532 0 0 94 Metallic Pad

533 0 0 95 Halo Pad

534 0 0 96 Sweep Pad

XG SYNTH EFFECTS

535 0 0 97 Rain

536 0 64 97 Harmo Rain

537 0 65 97 African Wind

538 0 66 97 Carib

539 0 0 98 Sound Track

540 0 27 98 Prologue

541 0 0 99 Crystal

542 0 12 99 Synth Drum Comp

543 0 14 99 Popcorn

544 0 18 99 Tiny Bells

545 0 35 99 Round Glockenspiel

546 0 40 99 Glockenspiel Chimes

547 0 41 99 Clear Bells

548 0 42 99 Chorus Bells

549 0 65 99 Soft Crystal

550 0 70 99 Air Bells

551 0 71 99 Bell Harp

552 0 72 99 Gamelimba

553 0 0 100 Atmosphere

554 0 18 100 Warm Atmosphere

555 0 19 100 Hollow Release

556 0 40 100 Nylon Electric Piano

557 0 64 100 Nylon Harp

558 0 65 100 Harp Vox

559 0 66 100 Atmosphere Pad

560 0 0 101 Brightness

561 0 0 102 Goblins

562 0 64 102 Goblins Synth

563 0 65 102 Creeper

564 0 67 102 Ritual

565 0 68 102 To Heaven

566 0 70 102 Night

567 0 71 102 Glisten

568 0 96 102 Bell Choir

569 0 0 103 Echoes

570 0 65 103 Big Pan

571 0 0 104 Sci-Fi

XG WORLD

572 0 0 78 Shakuhachi

573 0 97 105 Tamboura

574 0 0 106 Banjo

575 0 28 106 Muted Banjo

576 0 96 112 Pungi

577 0 0 105 Sitar 1

578 0 32 105 Detuned Sitar

579 0 35 105 Sitar 2

580 0 0 112 Shehnai

581 0 97 106 Gopichant

XG PERCUSSIVE

582 0 0 113 Tinkle Bell

583 0 96 113 Bonang

584 0 97 113 Altair

585 0 98 113 Gamelan Gongs

586 0 99 113 Stereo Gamelan Gongs

587 0 100 113 Rama Cymbal

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

588 0 0 114 Agogo

589 0 0 115 Steel Drums

590 0 97 115 Glass Percussion

591 0 98 115 Thai Bells

592 0 0 116 Woodblock

593 0 96 116 Castanets

594 0 0 117 Taiko Drum

595 0 96 117 Gran Cassa

596 0 0 118 Melodic Tom 1

597 0 64 118 Melodic Tom 2

598 0 65 118 Real Tom

599 0 66 118 Rock Tom

600 0 0 119 Synth Drum

601 0 64 119 Analog Tom

602 0 65 119 Electronic Percussion

603 0 0 120 Reverse Cymbal

XG SOUND EFFECTS

604 64 0 1 Cutting Noise 1

605 64 0 2 Cutting Noise 2

606 64 0 4 String Slap

607 64 0 17 Flute Key Click

608 64 0 33 Shower

609 64 0 34 Thunder

610 64 0 35 Wind

611 64 0 36 Stream

612 64 0 37 Bubble

613 64 0 38 Feed

614 64 0 49 Dog

615 64 0 50 Horse

616 64 0 51 Bird Tweet 2

617 64 0 56 Maou

618 64 0 65 Phone Call

619 64 0 66 Door Squeak

620 64 0 67 Door Slam

621 64 0 68 Scratch Cut

622 64 0 69 Scratch Split

623 64 0 70 Wind Chime

624 64 0 71 Telephone Ring 2

625 64 0 81 Car Engine Ignition

626 64 0 82 Car Tires Squeal

627 64 0 83 Car Passing

628 64 0 84 Car Crash

629 64 0 85 Siren

630 64 0 86 Train

631 64 0 87 Jet Plane

632 64 0 88 Starship

633 64 0 89 Burst

634 64 0 90 Roller Coaster

635 64 0 91 Submarine

636 64 0 97 Laugh

637 64 0 98 Scream

638 64 0 99 Punch

639 64 0 100 Heartbeat

640 64 0 101 Footsteps

641 64 0 113 Machine Gun

642 64 0 114 Laser Gun

643 64 0 115 Explosion

644 64 0 116 Firework

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

PSR-I300 Owner’s Manual

Appendix

Drum Kit List (Indian Kit List)

• To play the sounds in the lowest and highest octaves, set the M.Octave amount suitably (Functions 007; page 54).

• In the list, accidentals are marked with a sharp (#) on purpose. This is in acoordance with notation in the documents published

by MIDI-related industry organizations such as AMEI.

Tabla

Key Instrument

C#0

Baya Ke / Ge

(Velocity 1–47 /

48–127)

D#0

F#0

G#0

A#0

C#1

D#1

F#1

G#1

A#1

C#2

D#2

F#2

G#2

A#2

Baya Ka / Ghe

(Velocity 1–47 /

48–127)

C#3

D#3

F#3

G#3

A#3

Tabla Ne / Na

(Velocity 1–47 /

48–127)

C#4

D#4

F#4

G#4

A#4

Tabla Ne / Tin

(Velocity 1–47 /

48–127)

C#5

D#5

F#5

G#5

A#5

Tabla Ne / Di

(Velocity 1–47 /

48–127)

C#6

D#6

F#6

Key Instrument

Tabla Kit 1

Key Instrument

C#0-

D0 -

D#0-

E0A Tabla Na

F0A Tabla Tin

F#0

A Tabla Center Tin

G0A Tabla Ti 01

G#0A Tabla Ti 02

A0A Tabla Ri

A#0A Tabla Kat

B 0 A Tabl a Tu

C 1 Open Baya

C#1Mid Baya

D 1 Press Baya

D#1 Bend Baya Slow

E 1 Bend Baya Fast

F 1 Click

F#1 Open Click

G Low Tabla Tarang

G#1

G# Low Tabla Tarang

A Low Tabla Tarang

A#1

A# Low Tabla Tarang

B Low Tabla Tarang

C Low Tabla Tarang

C#2

C# Low Tabla Tarang

D Low Tabla Tarang

D#2

D# Low Tabla Tarang

E Low Tabla Tarang

F Low Tabla Tarang

F#2

Low Tabla Tarang

G Low Tabla Tarang

G#2

G# Low Tabla Tarang

A Low Tabla Tarang

A#2

A# Low Tabla Tarang

B Low Tabla Tarang

C 3 C Tabla Na

C#3C Tabla Tin

C Tabla Center Tin

D#3C Tabla Ti 01

E 3 C Tabla Ti 02

F 3 C Tabla Ri

F#3C Tabla Kat

G 3 C Ta bla Tu

G#3D Tabla Na

A3D Tabla Tin

A#3

D Tabla Center Tin

B3D Tabla Ti 01

C 4 D Tabla Ti 02

C#4D Tabla Ri

D4D Tabla Kat

D#4 D Ta bl a Tu

E4E Tabla Na

F4E Tabla Tin

F#4

E Tabla Center Tin

G4E Tabla Ti 01

G#4E Tabla Ti 02

A4E Tabla Ri

A#4E Tabla Kat

B 4 E Tabl a Tu

C5F Tabla Na

C#5F Tabla Tin

D 5 F Tabla Center Tin

D#5F Tabla Ti 01

E5F Tabla Ti 02

F5F Tabla Ri

F#5F Tabla Kat

G 5 F Ta bla Tu

G#5G Tabla Na

A5G Tabla Tin

A#5

G Tabla Center Tin

B 5 G Tabla Ti 01

C 6 G Tabla Ti 02

C#6G Tabla Ri

D6G Tabla Kat

D#6 G Ta bl a Tu

E6 -

F6 -

F#6-

G6 -

Key Instrument

Drum Kit List (Indian Kit List)

PSR-I300 Owner’s Manual 77

Appendix

Tabla Kit 2

Key Instrument

C#0-

D0 -

D#0-

E0A Tabla Na

F0A Tabla Tin

F#0

A Tabla Center Tin

G0A Tabla Ti 01

G#0 A Tabla Ti 02

A0A Tabla Ri

A#0A Tabla Kat

B 0 A Tab l a Tu

C 1 Open Baya

C#1Mid Baya

D1Press Baya

D#1 Bend Baya Slow

E 1 Bend Baya Fast

F 1 Click

F#1 Open Click

G Low Tabla Tarang

G#1

G# Low Tabla Tarang

A Low Tabla Tarang

A#1

A# Low Tabla Tarang

B Low Tabla Tarang

C Low Tabla Tarang

C#2

C# Low Tabla Tarang

D Low Tabla Tarang

D#2

D# Low Tabla Tarang

E Low Tabla Tarang

F Low Tabla Tarang

F#2

Low Tabla Tarang

G Low Tabla Tarang

G#2

G# Low Tabla Tarang

A Low Tabla Tarang

A#2

A# Low Tabla Tarang

B Low Tabla Tarang

C 3 C Tabla Na

C#3C Tabla Tin

C Tabla Center Tin

D#3C Tabla Ti 01

E 3 C Tabla Ti 02

F 3 C Tabla Ri

F#3C Tabla Kat

G 3 C Ta bla Tu

G#3D Tabla Na

A3D Tabla Tin

A#3

D Tabla Center Tin

B3D Tabla Ti 01

C 4 D Tabla Ti 02

C#4D Tabla Ri

D4D Tabla Kat

D#4 D Ta bla Tu

E4E Tabla Na

F4E Tabla Tin

F#4

E Tabla Center Tin

G4E Tabla Ti 01

G#4 E Tabla Ti 02

A4E Tabla Ri

A#4E Tabla Kat

B 4 E Tab l a Tu

C5F Tabla Na

C#5F Tabla Tin

D 5 F Tabla Center Tin

D#5F Tabla Ti 01

E 5 F Tabla Ti 02

F5F Tabla Ri

F#5F Tabla Kat

G 5 F Ta bla Tu

G#5G Tabla Na

A5G Tabla Tin

A#5

G Tabla Center Tin

B5G Tabla Ti 01

C 6 G Tabla Ti 02

C#6G Tabla Ri

D6G Tabla Kat

D#6 G Ta bl a Tu

E6 -

F6 -

F#6-

G6 -

Key Instrument

Indian Kit 1

Key Instrument

C#0-

D0 -

D#0-

E0 -

F0 -

F#0-

G0 -

G#0-

A0 -

A#0 Hateli Long

B 0 Hateli Short

C 1 Baya Ge

C#1Baya Ke

D 1 Baya Ghe

D#1Baya Ka

E1Tabla Na

F1Tabla Tin

F#1 Tablabaya Dha

G 1 Tab la Tu n

G#1 Tablabaya Dhin

A1Tabla Di

A#1 Tablabaya Dhe

B1Tabla Ti

C2Tabla Ne

C#2 Tabla Tarang

D 2 Ta bl a Ta k

D#2 Chipri

E 2 Kanjira Open

F 2 Kanjira Slap

F#2 Kanjira Mute

G 2 Kanjira Bendup

G#2 Kanjira Benddown

A 2 Dholak Open

A#2 Dholak Mute

B 2 Dholak Slap

C 3 Dhol Open

C#3 Dhol Mute

D 3 Dhol Slap

D#3 Dhol Slide

Mridangam Normal

F 3 Mridangam Open

F#3 Mridangam Mute

G 3 Mridangam Slap

G#3 Mridangam Rim

A 3 Chimta Open

A#3 Chimta Normal

B 3 Chimta Ring

C 4 Dholki Open

C#4 Dholki Mute

D 4 Dholki Slap

D#4 Dholki Slide

E 4 Dholki Rim

F 4 Khol Open

F#4 Khol Slide

G4Khol Mute

G#4 Manjira Open

A 4 Manjira Close

A#4 Jhanji Open

B 4 Jhanji Close

C 5 Mondira Open

C#5 Mondira Close

D 5 Mridang Open

D#5 Mridang Mute

E 5 Mridang Rim

F 5 Mridang Slide

F#5 Khomokh Normal

G 5 Khomokh Mute

G#5Khomokh Flam

A 5 Madal-A2

A#5 Madal-A#2

B 5 Madal-B2

C 6 Madal-C3

C#6 Madal-C#3

D 6 Madal-D3

D#6 Madal-D#3

E 6 Madal-E3

F 6 Madal-F3

F#6 Madal-F#3

G 6 Madal-G3

Key Instrument

Drum Kit List (Indian Kit List)

PSR-I300 Owner’s Manual

Appendix

Indian Kit 2

Key Instrument

C#0-

D0 -

D#0 Indian Hand Clap

E 0 Dafli Open

F 0 Dafli Slap

F#0 Dafli Rim

G 0 Duff Open

G#0 Duff Slap

A 0 Duff Rim

A#0 Hatheli Long

B 0 Hatheli Short

C 1 Baya Ge

C#1Baya Ke

D 1 Baya Ghe

D#1Baya Ka

E1Tabla Na

F1Tabla Tin

F#1 Tablabaya Dha

G 1 Dhol 1 Open

G#1 Dhol 1 Slap

A 1 Dhol 1 Mute

A#1 Dhol 1 Open Slap

B 1 Dhol 1 Roll

C 2 Dandia Short

C#2 Dandia Long

D2Chutki

D#2Chipri

E 2 Khanjira Open

F 2 Khanjira Slap

F#2 Khanjira Mute

G 2 Khanjira Bendup

G#2

Khanjira Benddown

A 2 Dholak 1 Open

A#2Dholak 1 Mute

B 2 Dholak 1 Slap

C 3 Dhol 2 Open

C#3 Dhol 2 Slap

D 3 Dhol 2 Rim

D#3 Mridangam Na

E 3 Mridangam Din

F 3 Mridangam Ki

F#3 Mridangam Ta

Mridangam Chapu

G#3

Mridangam Low Close

Mridangam Low Open

A#3 Chimta Normal

B 3 Chimta Ring

C 4 Dholki High Open

C#4 Dholki High Mute

D 4 Dholki Low Open

D#4 Dholki High Slap

E 4 Dholki Low Slide

F 4 Khol Open

F#4 Khol Slide

G 4 Khol Mute

G#4 Manjira Open

A 4 Manjira Close

A#4 Jhanji Open

B 4 Jhanji Close

C 5 Mondira Open

C#5 Mondira Close

Indian Bhangra Scat 1

D#5

Indian Bhangra Scat 2

Indian Bhangra Scat 3

Indian Bhangra Scat 4

F#5 Khomokh Normal

G 5 Khomokh Mute

G#5 Khomokh Flam

A 5 Thavil Open

A#5 Thavil Slap

B 5 Thavil Mute

C 6 Khartaal

C#6 Dholak 2 Open

D 6 Dholak 2 Slide

D#6 Dholak 2 Rim 1

E 6 Dholak 2 Rim 2

F 6 Dholak 2 Ring

F#6 Dholak 2 Slap

G6 -

Key Instrument

Indian Mix Kit

Key Instrument

C#0 Zarb Back mf

D 0 Zarb Tom f

D#0 Zarb Eshareh

E 0 Zarb Whipping

F 0 To mb ak To m f

F#0 Neghareh Tom f

G 0 Tombak Back f

G#0 Neghareh Back f

A 0 Tombak Snap f

A#0

Neghareh Pelang f

B 0 To mb ak Tr ill

C1Kick T9 1

C#1 Clap T9

D1Kick T9 2

D#1 Snare T8 1

E 1 Snare T8 2

F 1 Hi-Hat Close T8

F#1 Hi-Hat Open T9

Bass Drum Soft Low

G#1 Gran Cassa

A 1 Gran Cassa Mute

A#1 Band Snare 1

B 1 Band Snare 2

C 2 Hand Cymbal 1

C#2 Shaker

D 2 Snare Soft

D#2 Conga High Mute

E 2 Riq Tish

F 2 Riq Snouj 2

F#2 Riq Roll

G 2 Riq Snouj 1

G#2 Riq Sak

A 2 Riq Snouj 3

A#2 Riq Snouj 4

B 2 Luo big

C 3 Cavasa House

C#3 Maracas Slur

D 3 Dhol Baya Open

D#3 Dhol Baya Mute

Dhol Chatti Open 1

Dhol Chatti Open 2

F#3 Dhol Chatti Mute

G 3 Dhol Chatti Edge

G#3 Dhol Body Click

Dholak Low Dhoom

A#3 Dholak Low Dum

B 3 Dholak Low Kath

C 4 Dholak Low Dub

C#4

Dholak Low Gamak

Dholak Low Ghissa

D#4 Dholak High Ta

E 4 Dholak High Na

F 4 Dholak High Skin

F#4 Dholak High Chpi

G 4 Dholak High Slap

G#4 Dholak High Chlla

A 4 Dholak 2 Open

A#4 Dholak 2 Slide

B 4 Dholak 2 Rim 1

C 5 Dholak 2 Rim 2

C#5 Dholak 2 Ring

D 5 Dholak 2 Slap

D#5 Chutki

E 5 Chipri

F 5 Dafli Open

F#5 Dafli Slap

G 5 Dafli Rim

G#5 Duff Open

A5Duff Slap

A#5 Duff Rim

B 5 Hatheli Long

C 6 Hatheli Short

C#6 Manjira Open

D 6 Manjira Close

D#6 Jhanji Open

E 6 Jhanji Close

F 6 Mondira Open

F#6 Mondira Close

G 6 Wind Chime

Key Instrument

Drum Kit List (Indian Kit List)

PSR-I300 Owner’s Manual 79

Appendix

Animal Kit

Key Instrument

C#0-

D0 -

D#0-

E0 -

F0 -

F#0-

G0 -

G#0-

A0 -

A#0-

B0 -

C1 -

C#1-

D1 -

D#1-

E1 -

F1 -

F#1-

G1 -

G#1-

A1 -

A#1-

B1 -

C2 -

C#2-

D2 -

D#2-

E2 -

F2 -

F#2-

G2 -

G#2-

A2 -

A#2-

B2 -

C 3 Rooster

C#3-

D 3 Elephant

D#3-

E3Horse

F 3 Cricket

F#3-

G3Cow

G#3-

A 3 Tiger

A#3-

B 3 Rattlesnake

C4Monkeys

C#4-

D4Crow

D#4-

E4 -

F4 -

F#4-

G4 -

G#4-

A4 -

A#4-

B4 -

C5 -

C#5-

D5 -

D#5-

E5 -

F5 -

F#5-

G5 -

G#5-

A5 -

A#5-

B5 -

C6 -

C#6-

D6 -

D#6-

E6 -

F6 -

F#6-

G6 -

Key Instrument

PSR-I300 Owner’s Manual

Appendix

Drum Kit List (Standard Kit 1)

Key Instrument

C#0Surdo Mute

D 0 Surdo Open

D#0 Hi Q

E0Whip Slap

F0Scratch H

F#0 Scratch L

G 0 Finger Snap

G#0 Click Noise

A 0 Metronome Click

A#0 Metronome Bell

B 0 Seq Click L

C 1 Seq Click H

C#1 Brush Tap

D 1 Brush Swirl

D#1Brush Slap

E 1 Brush Tap Swirl

F 1 Snare Roll

F#1 Castanet

G 1 Snare Soft

G#1Sticks

A 1 Bass Drum Soft

A#1 Open Rim Shot

B 1 Bass Drum Hard

C 2 Bass Drum

C#2Side Stick

D 2 Snare

D#2 Hand Clap

E 2 Snare Tight

F 2 Floor Tom L

F#2 Hi-Hat Closed

G 2 Floor Tom H

G#2 Hi-Hat Pedal

A2Low Tom

A#2 Hi-Hat Open

B 2 Mid Tom L

C 3 Mid Tom H

C#3 Crash Cymbal 1

D 3 High Tom

D#3 Ride Cymbal 1

E 3 Chinese Cymbal

F 3 Ride Cymbal Cup

F#3 Tambourine

G 3 Splash Cymbal

G#3Cowbell

A 3 Crash Cymbal 2

A#3Vibraslap

B 3 Ride Cymbal 2

C 4 Bongo H

C#4 Bongo L

D 4 Conga H Mute

D#4 Conga H Open

E 4 Conga L

F 4 Timbale H

F#4 Timbale L

G 4 Agogo H

G#4 Agogo L

A 4 Cabasa

A#4 Maracas

B 4 Samba Whistle H

C 5 Samba Whistle L

C#5 Guiro Short

D 5 Guiro Long

D#5 Claves

E 5 Wood Block H

F 5 Wood Block L

F#5Cuica Mute

G 5 Cuica Open

G#5 Triangle Mute

A 5 Triangle Open

A#5 Shaker

B 5 Jingle Bells

C 6 Bell Tree

C#6-

D6 -

D#6-

E6 -

F6 -

F#6-

G6 -

Key Instrument

• To play the sounds in the lowest and highest octaves, set the M.Octave amount suitably (Functions 007; page 54).

• For drum kits other than Standard Kit 1, refer to “Drum Kit List” on the website (page 8).

• In the list, accidentals are marked with a sharp (#) on purpose. This is in acoordance with notation in the documents published

by MIDI-related industry organizations such as AMEI.

PSR-I300 Owner’s Manual 81

Appendix

Song List

• Some songs have been edited for length or for ease in learning, and

may not be exactly the same as the original.

• A song book (free downloadable scores) is available that includes

scores for all internal songs (excepting Songs 1–3). To obtain this

SONG BOOK, access the Yamaha website and download it from the

product web page.

https://www.yamaha.com

Song No. Song Name

DEMO

001 Demo 1 (Yamaha Original)

002 Demo 2 (Yamaha Original)

003 Demo 3 (Yamaha Original)

RAGA SCALE

004 Bilawal (Yamaha Original)

005 Khamaaj (Yamaha Original)

006 Bhairav (Yamaha Original)

007 Kalyan (Yamaha Original)

008 Asavari (Yamaha Original)

009 Kalyani (Yamaha Original)

010 Hamsadhvani (Yamaha Original)

011 Mohanam (Yamaha Original)

012 Hindolam (Yamaha Original)

013 Sankarabharanam (Yamaha Original)

LEARN TO PLAY

014 Für Elise (Basic) (L. v. Beethoven)

015 Für Elise (Advanced) (L. v. Beethoven)

016 Twinkle Twinkle Little Star (Basic) (Traditional)

017 Twinkle Twinkle Little Star (Advanced) (Traditional)

018 Turkish March (Basic) (W. A. Mozart)

019 Turkish March (Advanced) (W. A. Mozart)

020 Ode to Joy (Basic) (L. v. Beethoven)

021 Ode to Joy (Advanced) (L. v. Beethoven)

022 The Entertainer (Basic) (S. Joplin)

023 The Entertainer (Advanced) (S. Joplin)

024 Londonderry Air (Basic) (Traditional)

025 Londonderry Air (Advanced) (Traditional)

026 The Last Rose of Summer (Basic) (Traditional)

027 The Last Rose of Summer (Advanced) (Traditional)

028 Amazing Grace (Basic) (Traditional)

029 Amazing Grace (Advanced) (Traditional)

FAVORITE

030 Frère Jacques (Traditional)

031 Der Froschgesang (Traditional)

032 Aura Lee (Traditional)

033 London Bridge (Traditional)

034 Sur le pont d'Avignon (Traditional)

035 Nedelka (Traditional)

036 Aloha Oe (Q. Liliuokalani)

037 Sippin' Cider Through a Straw (Traditional)

038 Old Folks at Home (S. C. Foster)

039 Bury Me Not on the Lone Prairie (Traditional)

040 Old MacDonald Had a Farm (Traditional)

041 Santa Lucia (A. Longo)

042 If You're Happy and You Know It (Traditional)

043 Beautiful Dreamer (S. C. Foster)

044 Greensleeves (Traditional)

045 Kalinka (Traditional)

046 Holdilia Cook (Traditional)

047 Ring de Banjo (S. C. Foster)

048 Auld Lang Syne (Traditional)

049 Funiculi Funicula (L. Denza)

050 Largo (from the New World) (A. Dvořák)

051 Brahms' Lullaby (J. Brahms)

052 Liebesträume Nr.3 (F. Liszt)

053 Pomp and Circumstance (E. Elgar)

054 Chanson du Toreador (G. Bizet)

055 Jupiter, the Bringer of Jollity (G. Holst)

056 The Polovetsian Dances (A. Borodin)

057 Die Moldau (B. Smetana)

058 Salut d'Amour op.12 (E. Elgar)

059 Humoresques (A. Dvořák)

060

Symphony No.9 (from the New World - 4th movement) (A.

Dvořák

)

FAVORITE WITH STYLE

061 O du lieber Augustin (Traditional)

062 Mary Had a Little Lamb (Traditional)

063 When Irish Eyes Are Smiling (E. R. Ball)

064 Little Brown Jug (Traditional)

065 Ten Little Indians (Traditional)

066 On Top of Old Smoky (Traditional)

067 My Darling Clementine (P. Montrose)

068 Oh! Susanna (S. C. Foster)

069 Red River Valley (Traditional)

070 Turkey in the Straw (Traditional)

071 Muffin Man (R. A. King)

072 Pop Goes the Weasel (Traditional)

073 Grandfather's Clock (H. C. Work)

074 Camptown Races (S. C. Foster)

075 When the Saints Go Marching In (Traditional)

076 Yankee Doodle (Traditional)

077 Battle Hymn of the Republic (Traditional)

078 I've Been Working on the Railroad (Traditional)

079 American Patrol (F. W. Meacham)

080 Down by the Riverside (Traditional)

INSTRUMENT MASTER

081 Sicilienne/Fauré (G. Fauré)

082 Swan Lake (P. I. Tchaikovsky)

083 Grand March (Aida) (G. Verdi)

084 Serenade for Strings in C major, op.48 (P. I. Tchaikovsky)

085 Pizzicato Polka (J. Strauss II)

086 Romance de Amor (Traditional)

087 Menuett BWV Anh.114 (J. S. Bach)

088 Ave Verum Corpus (W. A. Mozart)

089 Radetzky Marsch (J. Strauss I)

PIANO REPERTOIRE

090 Wenn ich ein Vöglein wär (Traditional)

091 Die Lorelei (F. Silcher)

092 Home Sweet Home (H. R. Bishop)

093 Scarborough Fair (Traditional)

094 My Old Kentucky Home (Traditional)

095 Loch Lomond (Traditional)

096 Silent Night (F. Gruber)

097 Deck the Halls (Traditional)

098 O Christmas Tree (Traditional)

099

Sonata Pathétique 2nd Adagio Cantabile (L. v. Beethoven)

100

Ave Maria/J. S. Bach - Gounod (J. S. Bach/C. F. Gounod)

101 Jesus bleibet meine Freude (J. S. Bach)

102 Prelude op.28-15 "Raindrop" (F. Chopin)

103 Nocturne op.9-2 (F. Chopin)

104 Etude op.10-3 "Chanson de l'adieu" (F. Chopin)

105 Romanze (Serenade K.525) (W. A. Mozart)

106 Arabesque (J. F. Burgmüller)

107 La Chevaleresque (J. F. Burgmüller)

108 Für Elise (L. v. Beethoven)

109 Turkish March (W. A. Mozart)

110 24 Preludes op.28-7 (F. Chopin)

111 Annie Laurie (Traditional)

112 Jeanie with the Light Brown Hair (S. C. Foster)

Song No. Special Appendix

TOUCH TUTOR

113–122 Touch Tutor 01–Touch Tutor 10

CHORD STUDY

123–134 Chord Study 01–Chord Study 12

CHORD PROGRESSION

135–164 Chord Progression 01–Chord Progression 30

Song No. Song Name

PSR-I300 Owner’s Manual

Appendix

Style/Riyaz List

Style List

Style

No. Style Name

INDIAN

1 RamBhajan

2Navtra

3 Rang

4Patriotic

5 SandGroove

6 HouseTabla

7 Bollywood 1

8 Bollywood 2

9 Bollywood 3

10 Bollywood 4

11 HindiBallad

12 IndianWaltz

13 IndianDance 1

14 IndianDance 2

15 Tamil

16 Kerala

17 GoaGroove

18 Rajasthan

19 Dandiya

20 Garba

21 Bhangra 1

22 Bhangra 2

23 BaleBale

24 South

25 Bhajan 1

26 Bhajan 2

27 ModernQawwali

28 Qawwali

29 Gurbani

30 Prayer

POP & ROCK

31 BritPopRock

32 8BeatModern

33 Cool8Beat

34 Happy8Beat

35 Shake8Beat

36 BoyBandPop

37 SweetPop

38 ContemporaryRock

39 StadiumRock

40 70sRock

41 HardRock 1

42 60sGuitarPop

43 8BeatAdria

44 60s8Beat

45 8Beat

46 OffBeat

47 Folkrock

48 60sRock

49 HardRock 2

50 RockShuffle

51 8BeatRock

52 16Beat

53 DancehallPop

54 CinematicPop

55 PopShuffle

56 GuitarPop

57 16BeatUptempo

58 KoolShuffle

59 HipHopLight

BALLAD

60 70sGlamPiano

61 EpicDivaBallad

62 OrchestraRockBallad

63 PianoBallad

64 LoveSong

65 6/8ModernEP

66 6/8SlowRock

67 OrganBallad

68 PopBallad

69 16BeatBallad

DANCE

70 ClubBeat

71 SkyPop

72 AgagBeat

73 Electronica

74 FunkyHouse

75 RetroClub

76 USHipHop

77 MellowHipHop

78 Chillout

79 EuroTrance

80 Ibiza

81 SwingHouse

82 Clubdance

83 ClubLatin

84 Garage 1

85 Garage 2

86 TechnoParty

87 UKPop

88 HipHopGroove

89 HipShuffle

90 HipHopPop

91 ModernDisco

92 70sDisco

93 LatinDisco

94 SaturdayNight

Style

No. Style Name

95 DiscoHands

SWING & JAZZ

96 BigBandFast

97 BigBandBallad

98 AcousticJazz

99 AcidJazz

100 JazzClub

101 Swing 1

102 Swing 2

103 Five/Four

104 Dixieland

105 Ragtime

R&B

106 BluesRock

107 UKSoul

108 JustR&B

109 WorshipAcoustic 1

110 WorshipAcoustic 2

111 WorshipRockBallad

112 Soul

11 3 D e t r o it Po p

114 60sRock&Roll

115 6/8Soul

116 CrocoTwist

11 7 R o ck & R o l l

118 ComboBoogie

119 6/8Blues

COUNTRY

120 CountryPop

121 CountrySwing

122 Country2/4

123 Bluegrass

LATIN

124 BrazilianSamba

125 BrazilianBossa

126 Bachata

127 CubanSon

128 Guajira

129 BossaNova

130 Forro

131 Sertanejo 1

132 Sertanejo 2

133 Baião

134 TangoArgentino

135 CumbiaPeruana

136 CumbiaColombiana

137 Vallenato

138 Joropo

139 Parranda

Style

No. Style Name

Style/Riyaz List

PSR-I300 Owner’s Manual 83

Appendix

140 Merengue

141 ReggaetonPop

142 Reggaeton

143 Tijuana

144 PasoDuranguense

145 CumbiaGrupera

146 BaladaBanda

147 MexicanMambo

148 Mambo

149 Salsa

150 Beguine

151 Reggae

WORLD

152 Hawaiian

153 CelticDance

154 ScottishReel

155 4/4Standart

156 Rumba2/4

157 Saeidy

158 WehdaSaghira

159 IranianElec

160 Emarati

161 AfricanGospelReggae

162 HighLife 1

163 AfricanGospel

164 Makossa

165 ModernAfrobeat

166 HighLife 2

167 OrganHighLife

168 IgboHighLife

169 SocaCalypso

170 Azonto

171 ModernDangdut 1

172 Keroncong

173 ModernDangdut 2

174 DangdutUmum

175 DangdutSlowLegend

176 Dangdut3/4

177 KoploRampak

178 LanggamModern

179 DangdutJawa

180 Congdut

181 VietnamesePopBallad

182 Vietnamese6/8Ballad

183 XiQingLuoGu

184 YiZuMinGe

185 JingJuJieZou

BALLROOM

186 VienneseWaltz

Style

No. Style Name

187 EnglishWaltz

188 Slowfox

189 Foxtrot

190 Quickstep

191 Tango

192 Pasodoble

193 Samba

194 ChaChaCha

195 Rumba

196 Jive

TRADITIONAL

197 US March

198 6/8March

199 GermanMarch

200 PolkaPop

201 OberkrainerPolka

202 Tarantella

203 Showtune

204 ChristmasSwing

205 ChristmasWaltz

WALTZ

206 ItalianWaltz

207 SwingWaltz

208 JazzWaltz

209 ValsMexicano

210 CountryWaltz

211 OberkrainerWalzer

212 Musette

CHILDREN

213 Learning2/4

214 Learning4/4

215 Learning6/8

PIANIST

216 Stride

217 PianoSwing

218 PianoBoogie

219 Arpeggio

220 Habanera

221 SlowRock

222 8BeatPianoBallad

223 6/8PianoMarch

224 PianoWaltz

Style

No. Style Name

Riyaz List

Riyaz

No. Riyaz Name

1 Teen Taal

2 Rupak Taal

3 Jhap Taal

4 Ek Taal

5 Chau Taal

6 Chachar Taal

7 Adachau Taal

8 Deepchandi

9Dadra

10 Keherwa

11 Tis hra m

12 Chatushram

13 Khandam

14 Mishram

15 Sankeernam

PSR-I300 Owner’s Manual

Appendix

Music Database List

MDB No. MDB Name

INDIAN MOVIE

1 Vande

2 Holi Hai

3Sukh ke

4 Meher

5Shayad

6 Kadam

7Anna

8Dance Up

9 Nain Tkt

10 BaratYad

11 N a zr Ja

12 Soniya

13 Sapera

14 Asha

15 Ladki

16 Ho Kal

17 Pratna

18 Naata

19 Darmeya

20 Raate Ye

21 Dewana

22 NshaPhla

23 Raang

24 Akele

25 Mere Dil

26 Aaj Kal

27 Bade Dil

28 Nam Mera

29 Rani

30 Gale Se

31 NeelAmb

32 Sapne Ek

33 Sanm Tuj

34 Zulfo

35 Pop Jia

36 ShamMst

37 Mere Man

38 Kabhi

39 Chal

40 Tujhe

41 Chand

42 Janm

43 Raat Din

44 Subha

45 Tera Pyr

46 Mera Snm

47 Suun

48 Nain Kjr

49 Nachoo

50 Kya Khna

ALL TIME HITS

51 Jude Hey

52 Jumping

53 WrldRock

54 All OK

55 YourTune

56 USA Surf

57 JustCall

58 Get Home

59 GtrWheel

60 IWasBorn

61 Sailing

62 BluJeans

63 Holiday

64 Imagine

65 Marriage

66 WiteShde

67 NowNever

68 Hard Day

69 USA Pie

70 Norway

71 YesterBd

72 A Magic

POP & ROCK

73 UR Shape

74 L ove M e

75 Ideal

76 SweetPop

77 Just Way

78 Speed

79 Cheerful

80 SwftShke

81 Watches

82 PrtTmLvr

83 S Party

84 MoonShdw

85 NikitSng

86 GirlsMne

87 Radio

88 Attempt

89 OnAStrng

90 WhatWant

91 ThankFor

92 Tmbourin

93 RubyGirl

94 TopWorld

95 TeachSng

96 Each Min

97 ShakenUp

98 CrocRock

99 HurryLov

MDB No. MDB Name

100 Champion

101 Jailhous

102 Rock&Rll

103 HonkyTnk

104 JustU&Me

105 LveSmile

106 Wish I

BALLAD

107 StayWith

108 DontMiss

109 HiBallad

110 Red Lady

111 I v o r y A n d

112 T h e Wo r l d

113 Paradise

114 W h i s pe r

115 Woman

116 C n d l e W n d

117 Fl y Away

118 Love You

119 SavingAl

120 InTheDrk

121 Say You

122 Way Were

123 Inspirng

OLDIES

124 Diana's

125 Tonight

126 SandLter

127 No Rain

128 Ghetto

129 PrettyWm

130 Sherry

131 Sally's

DANCE & DISCO

132 SkyStars

133 Bad Love

134 PokerPop

135 FevrNite

136 StyAlive

137 Westerly

138 Run Free

139 DISCO

140 JoelLife

141 Coupled

142 SingBack

143 Janeiro

144 BoomRoom

145 DontHide

146 RewCraig

147 LondonRU

MDB No. MDB Name

Music Database List

PSR-I300 Owner’s Manual 85

Appendix

148 WerUBeen

149 MkeMusic

150 10,2 Sun

151 Trust

152 MarieClb

SWING & JAZZ

153 Moon Of

154 Patrol

155 Rhythm

156 CatSwing

157 Misbehav

158 Safari

159 SoWhatIs

160 TimeGone

161 TasteHny

162 Two Foot

163 Blk&Whte

164 EnterRag

165 TakeFour

166 Birdland

167 MistyFln

COUNTRY

168 OnTheRd

169 BlueSong

170 InMyMind

171 RoadHome

172 GreenGrs

173 EverNeed

174 Lucille

175 Tennesse

LATIN

176 LoveAmor

177 Brasil

178 ChryPink

179 MyShadow

180 BosaWave

181 DntWorry

182 I'm Pola

183 Mambo Jm

184 One Note

185 PasoCani

186 Beguine

187 Tijuana

188 Puntuali

189 Cielito

190 The Liar

191 Unfrgivn

ENTERTAINMENT

192 Raindrop

193 Califrag

194 CatMemry

MDB No. MDB Name

195 MyPrince

196 Showbiz

197 JinglBel

198 SilentNt

199 Christms

200 Favorite

201 RedRdolf

202 Moon Wlz

203 AroundWd

WALTZ & TRAD

204 DadClock

205 RockBaby

206 SomeLara

207 Doodah!

208 Dreamer

209 Birthday

210 Sunshine

211 Tex Rose

212 ThePolka

213 Yankee's

214 DanubeWz

215 D'amor

216 Reine de

217 MnchHaus

218 Comrades

219 Van Maas

220 ClariPka

MDB No. MDB Name

PSR-I300 Owner’s Manual

Appendix

Effect Type List

Harmony Types

No. Harmony Type Description

001 Duet

If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point

while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two

or three notes of harmony are automatically added to the note you play. When playing back a Song

that includes chord data, harmony is applied whichever keys are played.

002 Trio

003 Block

004 Country

005 Octave

006 Trill 1/4 note

If you keep holding down two different notes, the notes alternate (in a trill)

continuously.

(The trill speed differs depending on the selected type.)

007 Trill 1/6 note

008 Trill 1/8 note

009 Trill 1/12 note

010 Trill 1/16 note

011 Trill 1/24 note

012 Trill 1/32 note

013 Tremolo 1/4 note

If you keep holding down a note, the note is repeated continuously.

(The repeat speed differs depending on the selected type.)

014 Tremolo 1/6 note

015 Tremolo 1/8 note

016 Tremo lo 1 /12 note

017 Tremo lo 1 /16 note

018 Tremolo 1/24 note

019 Tremolo 1/32 note

020 Echo 1/4 note

If you play a note, echo is applied to the note played.

(The echo speed differs depending on the selected type.)

021 Echo 1/6 note

022 Echo 1/8 note

023 Echo 1/12 note

024 Echo 1/16 note

025 Echo 1/24 note

026 Echo 1/32 note

Effect Type List

PSR-I300 Owner’s Manual 87

Appendix

Arpeggio Types

• When playing one of the Arpeggio Types 143

to 188, select the corresponding Voice below

as the Main Voice.

143–173: Select a Drum Kit (Voice No.260–

270).

174 (China): Select “StdKit1 + Chinese

Perc.” (Voice No.271).

175 (Indian): Select “Indian Kit 1” (Voice

No.27) or “Indian Kit 2” (Voice No.28).

176 (Arabic): Select “Arabic Kit” (Voice

No.275).

177–188: Select “Tabla Kit 1” (Voice No.25)

or “Tabla Kit 2” (Voice No.26).

Arpeggio No. Arpeggio Name

027 UpOct

028 DownOct

029 UpDwnOct

030 SynArp1

031 SynArp2

032 SynArp3

033 SynArp4

034 SyncEcho

035 PulsLine

036 StepLine

037 Random

038 Down&Up

039 SuperArp

040 AcidLine

041 TekEcho

042 VelGruv

043 Planet

044 Trance1

045 Trance2

046 Trance3

047 ChordAlt

048 SynChrd1

049 SynChrd2

050 Syncopa

051 Hybrid1

052 Hybrid2

053 Hybrid3

054 Hybrid4

055 Hybrid5

056 PfArp1

057 PfArp2

058 PfArp3

059 PfArp4

060 PfClub1

061 PfClub2

062 PfBallad

063 PfChd8th

064 EPArp

065 PfShufle

066 PfRock

067 Clavi1

068 Clavi2

069 RocknPf

070 70RockPf

071 SlowflPf

072 SoulPf

073 ChordUp

074 ChdDance

075 LatinRck

076 Salsa1

077 Salsa2

078 Reggae1

079 Reggae2

080 Reggae3

081 6/8R&B

082 Gospel

083 BalladEP

084 Strum1

085 Strum2

086 Strum3

087 Strum4

088 Pickin1

089 Pickin2

090 Funky

091 GtrChrd1

092 GtrChrd2

093 GtrChrd3

094 GtrArp

095 FngrPck1

096 FngrPck2

097 CleanGtr

098 Slowfl

099 Samba1

100 Samba2

101 Spanish1

102 Spanish2

103 Harp1

104 Harp2

105 FngrBas1

106 FngrBas2

107 FngrBas3

108 CoolFunk

109 SlapBass

110 AcidBas1

111 AcidBas2

112 FunkyBas

113 C m b Ja z B 1

114 C m b Ja z B 2

115 C m b Ja z B 3

116 NewR&BBs

117 HipHopBs

118 SmoothBs

119 DreamBas

120 TranceBs

121 LatinBas

122 Strings1

123 Strings2

124 Strings3

125 Strings4

126 StrngDwn

127 StrngUp

128 OrcheStr

129 Jupiter

130 Pizz1

131 Pizz2

132 BrasSec1

133 BrasSec2

134 BrasSec3

135 FunkBras

136 SoulReed

137 DiscoLd

138 SmoothPd

139 PercArp

140 Trill

141 Cresendo

142 DiscoCP

143 Perc1

144 Perc2

145 R&B

146 Funk1

Arpeggio No. Arpeggio Name

147 Funk2

148 Funk3

149 Soul

150 ClscHip

151 Smooth

152 NewGospl

153 CmbJazz1

154 CmbJazz2

155 Bebop

156 JazzHop

157 FolkRock

158 Unpluggd

159 HipHop

160 Trance

161 Dream

162 2 Step

163 ClubHs1

164 ClubHs2

165 EuroTek

166 House

167 Ibiza1

168 Ibiza2

169 Ibiza3

170 Garage

171 Samba

172 African

173 Latin

174 China

175 Indian

176 Arabic

177 TeenTalC

178 TeenTalD

179 TeenTalE

180 TeenTalF

181 TeenTalG

182 TeenTalA

183 Dadra C

184 Dadra D

185 Dadra E

186 Dadra F

187 Dadra G

188 Dadra A

Arpeggio No. Arpeggio Name

Effect Type List

PSR-I300 Owner’s Manual

Appendix

Reverb Types

Chorus Types

DSP Types

No. Reverb Type Description

01–04 Hall 1–4 Concert hall reverb.

05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds.

06–08 Room 1–3 Small room reverb.

09–10 Stage 1–2 Reverb for solo instruments.

11–12 Plate 1–2 Simulated steel plate reverb.

13 Off No effect.

No. Chorus Type Description

1–3 Chorus 1–3 Conventional chorus program with rich, warm chorusing.

4–5 Flanger 1–2 This produces a rich, animated wavering effect in the sound.

6 Off No effect.

• Some Styles/Songs may have types that are not listed above.

• The Reverb/Chorus Type is reset when you select another Style/Song.

No. DSP Type Description

01 Dual Rotary Speaker Bright Slow

Simulates a rotary speaker.

02 Dual Rotary Speaker Bright Fast

03 Rotary Speaker Slow

04 Rotary Speaker Fast

05 Small Stereo Distortion Stereo distortion for guitar. Setting for distortion sound.

06 Small Stereo Overdrive Stereo distortion for guitar. Setting for overdrive sound.

07 Small Stereo Vintage Amp Stereo distortion for guitar. Setting for vintage sound.

08 British Combo Classic British combo amp simulator. Setting for classic sound.

09 British Combo Top Boost British combo amp simulator. Setting for "TOP BOOST" sound.

10 British Combo Heavy British combo amp simulator. Setting for heavy sound.

11 British Legend Blues British stack amp simulator. Setting for blues sound.

12 British Legend Heavy British stack amp simulator. Setting for heavy sound.

13 British Legend Clean British stack amp simulator. Setting for clean sound.

14 Stereo Amp Sim Crunch Stereo amp simulator.

15 Stereo Amp Sim Blues

16 Chorus 1

Conventional chorus program with rich, warm chorusing.

17 Chorus 3

18 Chorus 4

19 Chorus 5

20 Celeste 2 A 3-phase LFO adds modulation and spaciousness to the sound.

21 Symphonic Adds more stages to the modulation of Celeste.

22 Flanger 1 Creates a sound similar to that of a jet airplane.

23 Vintage Phaser Stereo This simulates an analog phaser, giving a strong vintage flavor to the sound. It is

effective in stereo.

24 Phaser Cyclically modulates the phase to add modulation to the sound.

25 E. Piano Phaser Cyclically modulates the phase to add modulation to the sound. For electric piano.

26 Auto Wah Cyclically modulates the center frequency of a wah filter.

27 Auto Wah + Distortion Distortion can be applied to the output of Auto Wah.

28 Clavi Touch Wah Clavinet Touch Wah

29 Tremolo

Rich Tremolo effect with both volume and pitch modulation.30 E. Piano Tremolo

31 Guitar Tremolo

32 Ensemble Detune Chorus effect without modulation, created by adding a slightly pitch-shifted sound.

NOTE

Effect Type List

PSR-I300 Owner’s Manual 89

Appendix

33 Tempo Auto Pan Tempo-synchronized auto pan.

34 Echo Two delayed sounds (L and R), and independent feedback delays for L and R.

35 Cross Delay The feedback of the two delayed sounds is crossed.

36 Compressor Medium Compressor with medium setting.

37 3Band EQ A mono EQ with adjustable LOW, MID, and HIGH equalization.

38 Harmonic Enhancer Adds new harmonics to the input signal to make the sound stand out.

No. DSP Type Description

PSR-I300 Owner’s Manual

Appendix

Specifications

Product Name Digital Keyboard

Size/Weight Dimensions (W x D x H) 945 mm x 369 mm x 118 mm (37-3/16” x 14-1/2” x 4-5/8”)

Weight 4.6 kg (10 lb 2 oz) (not including batteries)

Control Interface

Keyboard Number of Keys 61

Touch Response Soft, Medium, Hard, Fixed

Other Controllers Pitch Bend Wheel Yes

Articulation Switches Yes

Display Type LCD

Language English

Panel Language English

Voices

Tone Generation Tone Generation

Technology AWM Stereo Sampling

Polyphony (max.) 48

Preset

Number of Voices 644 (250 Panel Voices + 29 Drum/SFX kits + 20 Arpeggio +

345 XGlite Voices)

Featured Voices 15 Super Articulation lite Voices, 6 Sweet! Voices,

6 Cool! Voices, 3 Live! Voices

Compatibility GM/XGlite

Effects

Types

Reverb 12 types

Chorus 5 types

DSP 38 types

Master EQ 6 types

Functions Panel Sustain Yes

Melody Suppressor Yes

Accompaniment

Styles

Preset

Number of Styles 224

Fingering Smart Chord, Multi finger

Style Control ACMP ON/OFF, SYNC START, START/STOP,

INTRO/ENDING/rit., MAIN/AUTO FILL

External Styles 10

Other Features Music Database 220

One Touch Setting (OTS) Yes

Compatibility Style File Format (SFF)

Riyaz Lite Preset Number of Riyaz Lites 15

Number of Sections 3

Songs (MIDI)

Preset Number of Preset Songs 164

Recording

Number of Songs 5

Number of Tracks 2

Data Capacity Approx. 10,000 notes

Format Playback SMF Formats 0 & 1

Recording Original File Format

Functions

Voices

Dual Yes

Split Yes

Duo Yes

Harmony 26 types

Arpeggio 162 types

Registration Memory Number of Buttons 9

Control Freeze

Lesson

KEYS TO SUCCESS, Lesson 1–3 (Listening, Timing, Waiting),

Phrase Repeat, A-B Repeat, Chord Dictionary, Touch Tutor,

Chord Study, Chord Progression

Demo Yes

Overall Controls

Metronome Yes

Tempo Range 11–280

Transpose -12 to 0, 0 to +12

Tuning 427.0–440.0–453.0 Hz (approx. 0.2 Hz increments)

USB audio interface 44.1 kHz, 16 bit, stereo

Miscellaneous PIANO Button Yes (HARMONIUM/PIANO Button)

Storage and

Connectivity

Storage Internal Memory Approx. 1.4 MB

Connectivity

DC IN 12 V

Headphones/Output Standard stereo phone jack (PHONES/OUTPUT)

Sustain Pedal Yes

AUX IN Stereo mini jack

USB TO HOST Yes

Sound System Amplifiers 2.5 W + 2.5 W

Speakers 12 cm x 2

Specifications

PSR-I300 Owner’s Manual 91

Appendix

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha

website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale,

please check with your Yamaha dealer.

Power Supply

AC Adaptor PA-130 or an equivalent recommended by Yamaha

Batteries Six 1.5 V “AA” size alkaline (LR6), manganese (R6) or

six 1.2 V “AA” size Ni-MH rechargeable batteries (HR6)

Power Consumption 5 W (When using PA-130 AC adaptor)

Auto Power Off Yes

Included Accessories

•Music rest

• Owner’s Manual

• AC adaptor *1 (PA-130 or an equivalent recommended by

Yamaha)

• Online Member Product Registration

*1: May not be included depending on your particular area. Please

check with your Yamaha dealer.

Separately Sold Accessories

(May not be available depending on your area.)

• AC adaptor: PA-130 or an equivalent recommended by

Ya m a h a

• Keyboard stand: L-2C

• Headphones: HPH-50/HPH-100/HPH-150

• Footswitch: FC4A/FC5

• Wireless MIDI adaptor: UD-BT01

PSR-I300 Owner’s Manual

Appendix

Index

A-B Repeat ..............................35

AC Adaptor .............................. 12

Accessories .............................91

ACMP ......................................25

Arpeggio ..................................21

Arpeggio Type .........................87

Arpeggio Velocity.....................55

Articulation...............................19

audio........................................50

Audio data communication by

USB......................................52

Audio Device ...........................50

Auto Accompaniment...............24

Auto Accompaniment range ....25

AUTO FILL...............................26

Auto Power Off................... 13, 57

AUX IN.....................................50

Backup Clear ...........................53

Backup Parameters .................53

Batteries................................... 12

Battery Type....................... 13, 57

Beat .........................................15

BGM ........................................34

Chord.................................15, 27

Chord Dictionary......................29

Chord Progressions .................44

Chord Study.............................43

Chorus .....................................20

Chorus Type ......................55, 88

Clear (Backup parameters)......53

Clear (User Song) ...................46

computer..................................52

Computer-related Operations ....8

Demo.................................33, 57

Display.....................................15

DSP ......................................... 19

DSP Type.................................88

Dual Voice ..........................17, 55

Duo ..........................................23

Effect Type List ........................86

Effects...................................... 19

ENDING ..................................26

External Clock .........................56

Fast Forward............................34

Fast Reverse............................34

Fingering Type......................... 24

Flash Clear.............................. 53

Footswitch ......................... 14, 22

Function List ............................ 54

Functions................................. 54

GM System Level 1 ................... 8

Grade ...................................... 40

Guide Note .............................. 41

Harmonium/Piano ................... 16

Harmony ................................. 21

Harmony Type ................... 22, 86

Headphones............................ 14

Initial Send .............................. 56

Initialization ............................. 53

INTRO ..................................... 26

iPad ......................................... 52

iPhone ..................................... 52

Key  Transpose .................... 54

Keyboard Display .................... 15

Keys To Success ..................... 37

Lesson..................................... 36

Listening.................................. 40

Local Control ........................... 56

MAIN ....................................... 26

Main Voice............................... 16

Master EQ ............................... 49

Measure .................................. 15

Melody Suppressor ................. 51

Metronome .............................. 16

MIDI Basics ............................... 8

MIDI Reference ......................... 8

Multi......................................... 24

Music Database ...................... 30

Music Database List................ 84

music rest................................ 14

One Touch Setting................... 16

Part.......................................... 35

Passing Status ........................ 38

Pause ...................................... 34

Pedal ....................................... 14

Phrase Repeat........................ 39

Pitch Bend ...............................18

Pitch Bend Range................... 54

Pitch  Transpose .................. 54

Pitch  Tuning ........................ 54

Playback ................................. 34

Portamento ........................19, 20

Power Requirements................12

Random playback ................... 34

Recording................................ 45

Recording (track) .................... 46

Registration Memory............... 48

Reverb .................................... 20

Reverb Level ........................... 55

Reverb Type...................... 55, 88

rhythm..................................... 25

rit............................................. 26

Riyaz Lite ................................ 32

Sections .................................. 26

Smart Device .......................... 52

Smart Device Connection

Manual................................... 8

SmartChord ............................ 24

Song ....................................... 33

Song Book ................................ 8

Song Book Sample ................. 60

Song Category........................ 33

Song List................................. 81

Sostenuto................................ 56

Specifications.......................... 90

Split Point..................... 17, 25, 54

Split Voice .......................... 17, 55

Standard Kit 1 List .................. 80

Storage Mode ......................... 57

Strength meter .........................18

Style........................................ 24

Style File ............................. 8, 30

Style List ........................... 82, 83

Sustain...............................14, 20

Synchro Start .......................... 25

Tap function ............................ 31

Tempo ..........................16, 31, 33

Time Signature.........................16

Timing ..................................... 40

Touch Response ......................18

Touch Tutor ............................. 42

Track ....................................... 45

Transpose ............................... 54

Troubleshooting....................... 58

Tuning ..................................... 54

PSR-I300 Owner’s Manual 93

Appendix

Index

USB TO HOST ........................52

User Songs..............................45

Voice........................................ 16

Voice List .................................70

Volume.....................................14

Volume (Dual Voice) ................55

Volume (Harmony)...................55

Volume (Main Voice)................54

Volume (Metronome) ...............56

Volume (Split Voice) ................55

Waiting.....................................40

XGlite.........................................8

Your Tempo..............................56

(58-M03 WEEE battery en 01)

Information for users on collection and disposal of old equipment and used batteries:

For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal

service or the point of sale where you purchased the items.

These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries

should not be mixed with general household waste.

For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in

accordance with your national legislation.

By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on

human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal

service or the point of sale where you purchased the items.

For business users in the European Union:

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

Information on Disposal in other Countries outside the European Union:

These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask

for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):

This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set by the EU Battery

Directive for the chemical involved.

Important Notice:

U.S. LIMITED WARRANTY for Customers in the United States

For detailed information about this Yamaha product and warranty service, please either

visit the following website address (printable file is available at our website) or contact

Customer Service at the address or telephone number identified below.

Website Address:

Yamaha.io/SNEZDUUDQW\

Customer Service:

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620-1273

Telephone: 800-854-1569

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Toronto, Ontario M1S 3R1,

Canada

Tel: +1-416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620,

U.S.A.

Tel: +1-714-522-9011

MEXICO

Yamaha de México, S.A. de C.V.

Av. Insurgentes Sur 1647 Piso 9, Col. San José

Insurgentes, Delegación Benito Juárez, CDMX,

C.P. 03900, México

Tel: +52-55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Praça Professor José Lannes, 40-Cjs 21 e 22, Brooklin

Paulista Novo CEP 04571-100 – São Paulo – SP,

Brazil

Tel: +55-11-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.,

Sucursal Argentina

Olga Cossettini 1553, Piso 4 Norte,

Madero Este-C1107CEK,

Buenos Aires, Argentina

Tel: +54-11-4119-7000

PANAMA AND OTHER LATIN

AMERICAN REGIONS/

CARIBBEAN REGIONS

Yamaha Music Latin America, S.A.

Edificio Torre Davivienda, Piso: 20

Avenida Balboa, Marbella, Corregimiento de Bella

Vista, Ciudad de Panamá, Rep. de Panamá

Tel: +507-269-5311

THE UNITED KINGDOM/IRELAND

Yamaha Music Europe GmbH (UK)

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, U.K.

Tel: +44-1908-366700

GERMANY

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany

Tel: +49-4101-303-0

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Europe GmbH, Branch

Switzerland in Thalwil

Seestrasse 18a, 8800 Thalwil, Switzerland

Tel: +41-44-3878080

AUSTRIA/CROATIA/

CZECH REPUBLIC

HUNGARY/ROMANIA/SLOVAKIA/

SLOVENIA

Yamaha Music Europe GmbH, Branch Austria

Schleiergasse 20, 1100 Wien, Austria

Tel: +43-1-60203900

POLAND

Yamaha Music Europe

Sp.z o.o. Oddzia w Polsce

ul. Wielicka 52, 02-657 Warszawa, Poland

Tel: +48-22-880-08-88

BULGARIA

Dinacord Bulgaria LTD.

Bul.Iskarsko Schose 7 Targowski Zentar Ewropa

1528 Sofia, Bulgaria

Tel: +359-2-978-20-25

MALTA

Olimpus Music Ltd.

Valletta Road, Mosta MST9010, Malta

Tel: +356-2133-2093

NETHERLANDS/BELGIUM/

LUXEMBOURG

Yamaha Music Europe, Branch Benelux

Clarissenhof 5b, 4133 AB Vianen, The Netherlands

Tel: +31-347-358040

FRANCE

Yamaha Music Europe

7 rue Ambroise Croizat, Zone d'activités de Pariest,

77183 Croissy-Beaubourg, France

Tel: +33-1-6461-4000

ITALY

Yamaha Music Europe GmbH, Branch Italy

Via Tinelli N.67/69 20855 Gerno di Lesmo (MB),

Italy

Tel: +39-039-9065-1

SPAIN/PORTUGAL

Yamaha Music Europe GmbH Ibérica, Sucursal

en España

Ctra. de la Coruña km. 17,200, 28231

Las Rozas de Madrid, Spain

Tel: +34-91-639-88-88

GREECE

Philippos Nakas S.A. The Music House

19th klm. Leof. Lavriou 190 02 Peania – Attiki,

Greece

Tel: +30-210-6686260

SWEDEN

Yamaha Music Europe GmbH Germany Filial

Scandinavia

JA Wettergrensgata 1, 400 43 Göteborg, Sweden

Tel: +46-31-89-34-00

DENMARK

Yamaha Music Denmark,

Fillial of Yamaha Music Europe GmbH, Tyskland

Generatorvej 8C, ST. TH., 2860 Søborg, Denmark

Tel: +45-44-92-49-00

FINLAND

F-Musiikki Oy

Antaksentie 4

FI-01510 Vantaa, Finland

Tel: +358 (0)96185111

NORWAY

Yamaha Music Europe GmbH Germany -

Norwegian Branch

Grini Næringspark 1, 1332 Østerås, Norway

Tel: +47-6716-7800

ICELAND

Hljodfaerahusid Ehf.

Sidumula 20

IS-108 Reykjavik, Iceland

Tel: +354-525-5050

CYPRUS

Nakas Music Cyprus Ltd.

Nikis Ave 2k

1086 Nicosia

Tel: + 357-22-511080

Major Music Center

21 Ali Riza Ave. Ortakoy

P.O.Box 475 Lefkoa, Cyprus

Tel: (392) 227 9213

RUSSIA

Yamaha Music (Russia) LLC.

Room 37, entrance 7, bld. 7, Kievskaya street,

Moscow, 121059, Russia

Tel: +7-495-626-5005

OTHER EUROPEAN REGIONS

Yamaha Music Europe GmbH

Siemensstrasse 22-34, 25462 Rellingen, Germany

Tel: +49-4101-303-0

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328,

Jebel Ali FZE, Dubai, UAE

Tel: +971-4-801-1500

TURKEY

Yamaha Music Europe GmbH

Merkezi Almanya Türkiye stanbul ubesi

Mor Sumbul Sokak Varyap Meridian Business

1.Blok No:1 113-114-115

Bati Atasehir Istanbul, Turkey

Tel: +90-216-275-7960

ISRAEL

RBX International Co., Ltd.

P.O Box 10245, Petach-Tikva, 49002

Tel: (972) 3-925-6900

OTHER REGIONS

Yamaha Music Gulf FZE

JAFZA-16, Office 512, P.O.Box 17328,

Jebel Ali FZE, Dubai, UAE

Tel: +971-4-801-1500

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co., Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

Shanghai, China

Tel: +86-400-051-7700

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: +852-2737-7688

INDIA

Yamaha Music India Private Limited

P-401, JMD Megapolis, Sector-48, Sohna Road,

Gurugram-122018, Haryana, India

Tel: +91-124-485-3300

INDONESIA

PT Yamaha Musik Indonesia Distributor

Yamaha Music Center Bldg. Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: +62-21-520-2577

KOREA

Yamaha Music Korea Ltd.

11F, Prudential Tower, 298, Gangnam-daero,

Gangnam-gu, Seoul, 06253, Korea

Tel: +82-2-3467-3300

MALAYSIA

Yamaha Music (Malaysia) Sdn. Bhd.

No.8, Jalan Perbandaran, Kelana Jaya, 47301

Petaling Jaya, Selangor, Malaysia

Tel: +60-3-78030900

SINGAPORE

Yamaha Music (Asia) Private Limited

Block 202 Hougang Street 21, #02-00,

Singapore 530202, Singapore

Tel: +65-6740-9200

TAIWAN

Yamaha Music & Electronics Taiwan Co., Ltd.

2F., No.1, Yuandong Rd., Banqiao Dist.,

New Taipei City 22063, Taiwan (R.O.C.)

Tel: +886-2-7741-8888

THAILAND

Siam Music Yamaha Co., Ltd.

3, 4, 15, 16th Fl., Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: +66-2215-2622

VIETNAM

Yamaha Music Vietnam Company Limited

15th Floor, Nam A Bank Tower, 201-203 Cach

Mang Thang Tam St., Ward 4, Dist.3,

Ho Chi Minh City, Vietnam

Tel: +84-28-3818-1122

OTHER ASIAN REGIONS

https://asia-latinamerica-mea.yamaha.com/

index.html

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 80 Market Street, South Melbourne,

VIC 3205 Australia

Tel: +61-3-9693-5111

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680,

New Zealand

Tel: +64-9-634-0099

REGIONS AND TRUST

TERRITORIES IN PACIFIC OCEAN

https://asia-latinamerica-mea.yamaha.com/

index.html

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

DMI30

Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan

Importer (European Union): Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany

Importer (United Kingdom): Yamaha Music Europe GmbH (UK) Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, United Kingdom

Memo

Yamaha Global Site

https://www.yamaha.com/

Yamaha Downloads

https://download.yamaha.com/

Published 04/2023 POIN-A0

VFP1160

Yamaha PSR-I300 de handleiding

Merk: Yamaha

Model: PSR-I300

Categorie: Muziekinstrumenten

Type: de handleiding

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English: Yamaha PSR-I300 Owner's manual
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