3
Contents
Inhaltsangabe
Table des matières
Performance List
Liste der Performances
Liste des performances ............................................................4
Voice List
Liste der Voices
Liste des voix..............................................................................6
Preset Fseq List
Liste der vorprogrammierten Formant Sequenzen
Liste des séquences de formant programmées “FSeqs” ......10
Control List
Liste der Steuerbefehle
Liste des contrôleurs ................................................................11
Effect Type List
Liste mit Effekt-Typen
Liste des type d'effets................................................................12
Effect Parameter List
Liste mit Effekt-Parametern
Liste des Paramètres d'effets....................................................13
REVERB ............................................................................................13
VARIATION ........................................................................................17
INSERTION........................................................................................24
MIDI Data Format........................................................................35
MIDI Data Tables ........................................................................38
MIDI Implementation Chart........................................................43
DATA LIST
DATEN-LISTE
LISTE DE DONNÉES
Datalist/E 10/21/98 8:32 PM Page 3
4
No.
Performance Name Category
No. Performance Name Category No. Performance Name Category No. Performance Name Category
1
Teck Hook
Ld
65 Fifths Sc 1 Zap ! Se 65 Pure Fx
2
Yes No
Se
66 Sweepers Ld 2 Shaman Vo 66 Furry Bell Fx
3
Choir
Vo
67 Miracle Fx 3 Nightmare Fx 67 Replicant Fx
4
EP Wide
Pf
68 Platipus Ld 4 Acid King Ba 68 Miracle Fx
5
Bleep
Co
69 Backin Organ Or 5 Snow Decay Sc 69 Swarm Co
6
B-Rave
Ba
70 LoFi Acid Ba 6 Hollywood Co 70 Venus Co
7
Earth Lead
Ld
71 Zap ! Se 7 Yes No Se 71 Relaxxx Co
8
Ensemble
St
72 JMichel St 8 Fetish Ld 72 Mouth Pop Co
9
Full B3
Or
73 Stab Br 9 Platipus Ld 73 R.P.M. Co
10
Nebulous
Pd
74 Legend Vibe Cp 10 Bots Fx 74 Solstice Co
11
VocoTouch
Vo
75 Vox Move Vo 11 Sho Fx 75 Bleep Co
12
Bassline 1
Ba
76 Digital Ba 12 Technical Ba 76 Starship Pd
13
Nu Suitcase
Pf
77 Siam Prayer Et 13 Dirt Vocoder Vo 77 SuperPad Pd
14
StabbaBabb
Br
78 Mysterians Fx 14 Homy Vo 78 Moby II Pd
15
Dark
Se
79 Venus Co 15 BeatBox Dr 79 Spacy Pad Pd
16
Dog Bytes
Sq
80 Drum Kit 2 Dr 16 Magic Laugh Se 80 Pompeii Pd
17
FundaBass
Ba
81 Lead Horn Br 17 VocoTouch Vo 81 The Shadow Pd
18
Magic Laugh
Se
82 Mouth Pop Co 18 The Seeker Vo 82 Earth Wind Pd
19
Breathy 5th
Vo
83 Hard String Gt 19 Can You Give Vo 83 Nebulous Pd
20
Velvet Dyno
Pf
84 Baroque Ld 20 Vox Morph Vo 84 CineSweep Pd
21
Syncorgano
Ld
85 Swarm Co 21 Vox Phase Vo 85 Qwerty Pd
22
Acid King
Ba
86 Mitosis Ld 22 F-Sweep Vo 86 Warm Galaxy Pd
23
Taxi Brass
Br
87 Moving Fx 23 The Vocoder Vo 87 Octavian Pd
24
Moby II
Pd
88 Wind Pad Pd 24 Sand Voice Vo 88 Fat Line Sq
25
Nightmare
Fx
89 DistFeedback Gt 25 Everybody Vo 89 Metallic Sq
26
Zansyo
Sc
90 EP Soft Pf 26 HyperFuzz Ba 90 Superarp Sq
27
Homy
Vo
91 Shooby Do Vo 27 Dist Mini Ba 91 Noble Metal Sq
28
Optical
Ba
92 Furry Bell Fx 28 Strobe Ba 92 Perc Arp Sq
29
Digi Clav
Pf
93 Spiral Se 29 Digital Ba 93 Dog Bytes Sq
30
Relaxxx
Co
94 ChurchOrgan Or 30 Power Key Ba 94 Iron Man Sq
31
B3 Jazz Comp
Or
95 Accordion Or 31 Moon Bass Ba 95 Hard Pulse Sq
32
TekkSet
Dr
96 Drum Kit 3 Dr 32 LoFi Acid Ba 96 Zansyo Sc
33
Strobe
Ba
97 CP Hard Pf 33 Funk Bass Ba 97 Da Comp Sc
34
HyperFuzz
Ba
98 Warm Galaxy Pd 34 Matze Ba 98 Snow Pixy Sc
35
Sho
Fx
99 Superarp Sq 35 Glass Harp Ld 99 Fusion Sc
36
Kalimba
Et
100 Fetish Ld 36 Sweepers Ld 100 Funk Sc
37
DX-Soft
Br
101 B3 Perc 3rd Or 37 Nu Skool Ld 101 Manhattan Sc
38
Technical
Ba
102 Funky Tech Sc 38 Syncorgano Ld 102 Fifths Sc
39
Obie Strings
St
103 Fat Line Sq 39 Mitosis Ld 103 Vulcan Sc
40
Caravan
Fx
104 Can You Give Vo 40 Trance Cosmo Ld 104 Fluffy Sc
41
Brassetra
Br
105 Snow Pixy Sc 41 Glider Ld 105 Spellbound Sc
42
Snow Decay
Sc
106 Earth Wind Pd 42 Night Se 106 VeloSweep Sc
43
Bots
Fx
107 Prophet F Fx 43 To Warp Se 107 Raymond Sc
44
Plastic Bass
Ba
108 Obi Hornz Br 44 Space Bomb Se 108 Zapper Sc
45
Full Tines
Pf
109 Tremolo Pf 45 Open Se 109 Harry Sc
46
Pompeii
Pd
110 Open Se 46 Dark Se 110 Fast&Cheap Sc
47
To Warp
Se
111 Elise Pd 47 Walking Robo Se 111 Funky Tech Sc
48
BoomTchak
Dr
112 Drum Kit 9o9 Dr 48 Scaling Se 112 Pluck Glass Sc
49
Compu Saw
Ba
113 Matze Ba 49 Ghost Se 113 Komodo Sc
50
Dirt Vocoder
Vo
114 Strat 7II Gt 50 Saucer Se 114 Suikinkutsu Et
51
Lightyears
Vo
115 Morph Fx 51 Force Field Se 115 Gamelan Et
52
Nu Skool
Ld
116 Hollow Ld 52 Radio MW Se 116 Thai Boxing Et
53
EtherGuitar
Gt
117 Heimdal Pd 53 4-3-2-1 Se 117 Siam Prayer Et
54
Bassline 2
Ba
118 Zapper Sc 54 Slow Attack Se 118 EthnicPercs Et
55
Blazin' Jim
Or
119 LS Night Or 55 Spiral Se 119 Mukkuri Et
56
Shaman
Vo
120 Spacious St 56 Morph Fx 120 Kalimba Et
57
Emperor II
Pd
121 Perc Arp Sq 57 Moving Fx 121 Drum Kit 1 Dr
58
Da Comp
Sc
122 Spellbound Sc 58 Prophet F Fx 122 Drum Kit 2 Dr
59
Starship
Pd
123 Trance Cosmo Ld 59 Caravan Fx 123 Drum Kit 3 Dr
60
Jungle Bass
Ba
124 Moon Bass Ba 60 FormantSweep Fx 124 Drum Kit 9o9 Dr
61
Vulcan
Sc
125 Manhattan Sc 61 Mysterians Fx 125 TechBeat Dr
62
Sand Voice
Vo
126 Angel Bells Pd 62 DippeDut Fx 126 BoomTchak Dr
63
Hollywood
Co
127 Far West Cp 63 Glacial Fx 127 TechKicks Dr
64
Drum Kit 1
Dr
128
Spacy Aaah
Vo 64 Mizu Guitar Fx 128 TekkSet Dr
Performance List
Liste der Performances
Liste des performances
Preset AInternal
Datalist/E 10/21/98 8:32 PM Page 4
5
No. Performance Name Category No. Performance Name No. Performance Name Category No. Performance Name Category
1 Sweepy Voice Vo 65 Perc Organ Or 1 UprightPiano Pf 65 FM Lead Sax Rd
2 Breathy 5th Vo 66 Dirty Organ Or 2 FM Piano Pf 66 FM Dbl Reed Rd
3 Lightyears Vo 67 ByonOrgan Or 3 EP Wide Pf 67 Dark Clar Rd
4 Vox Move Vo 68 Blazin' Jim Or 4 CP Hard Pf 68 Moonweed Ld
5 Vox Tron Vo 69 Backin Organ Or 5 Velvet Dyno Pf 69 Hollow Ld
6 Spacy Aaah Vo 70 LS Night Or 6 Clear EP Pf 70 Tech Lead Ld
7 Celebration Vo 71 Fat organ Or 7 DX Harpscd Pf 71 Retronic Ld
8 Choir Vo 72 70s Organ Or 8 Digi Clav Pf 72 HyperFuzz Ba
9 Human Woo Vo 73 Jazz Organ Or 9 5th Piano Pf 73 FM Piccolo Pi
10 Human Ih Vo 74 Full Organ Or 10 Glocken Cp 74 FM Flute Pi
11 Human Eh Vo 75 The Lounge Or 11 MusicBox Cp 75 RecoBell Pi
12 Human Oh Vo 76 ChurchOrgan Or 12 Legend Vibe Cp 76 FM PanFlute Pi
13 Shooby Do Vo 77 Hard String Gt 13 Marimba Cp 77 FM Bottle Pi
14 Full Tines Pf 78 DX Jazz Gt 14 Xylophon Cp 78 Heavy Pipe Pi
15 DX Original Pf 79 EtherGuitar Gt 15 TubulBel Cp 79 Whistle Pi
16 Dyno Rose Pf 80 DistFeedback Gt 16 Dulcimer Cp 80 Ocarina Pi
17 EP 1980 Pf 81 Strat 7II Gt 17 B3 Perc 3rd Or 81 Earth Lead Ld
18 Crystal Rose Pf 82 Taxi Brass Br 18 B3 Jazz Comp Or 82 Platipus Ld
19 DX Phase Pf 83 BrightFilter Br 19 Old Rotary Or 83 FM Lead Ld
20 DX Classic Pf 84 Lead Horn Br 20 Full Organ Or 84 FM Lead 2 Ld
21 EP Reece Pf 85 Bright Br 21 Dist Organ Or 85 FM Lead 3 Ld
22 Nu Suitcase Pf 86 DX-Soft Br 22 Accordion Or 86 FM Lead 4 Ld
23 EP Wide Pf 87 Brassetra Br 23 Chorus Harp Or 87 Sunhead Ld
24 Velvet Dyno Pf 88 Oberhorn Br 24 ChurchOrgan Or 88 Teck Hook Ld
25 Tremolo Pf 89 Obi Brass Br 25 Nylon Guitar Gt 89 Space Harp Pd
26 EP Soft Pf 90 Obi Hornz Br 26 Steel Guitar Gt 90 Fat Pad Pd
27 Wurli Dirty Pf 91 Swell Br 27 Jazz Guitar Gt 91 Thermal Pd
28 Wurli Clean Pf 92 Stab Br 28 Clean Guitar Gt 92 Nebulous Pd
29 CP Hard Pf 93 Quackz Br 29 Mute Guitar Gt 93 Qwerty Pd
30 UprightPiano Pf 94 StabbaBabb Br 30 DistFeedback Gt 94 FM Pad Pd
31 Clavmann Pf 95 Fanfare Br 31 Dist Guitar Gt 95 Spacy Pad Pd
32 BryteClavman Pf 96 Wind Pad Pd 32 Punch Bass Ba 96 Spacewind Pd
33 Fat Clavmann Pf 97 Dark Pad Pd 33 Aco Bass Ba 97 Rain Sc
34 Digi Clav Pf 98 Thermal Pd 34 Plastic Bass Ba 98 Fifths Sc
35 Thin Clav Pf 99 Spacewind Pd 35 FM Slap Ba 99 Crystal Sc
36 Optical Ba 100 Elise Pd 36 Fretless Ba 100 Atmospher Sc
37 FundaBass Ba 101 OB Pad Pd 37 Pick Bass Ba 101 Bright Ens Pd
38 B-Rave Ba 102 Reflection Pd 38 FM Slap 2 Ba 102 Goblins Sc
39 Square Bass Ba 103 Emperor II Pd 39 Bassline 1 Ba 103 Harry Sc
40 Ethno Bass Ba 104 Fat Pad Pd 40 Compu Saw Ba 104 Sci-Fi Sc
41 Bassline 1 Ba 105 Polar Pd 41 Strobe Ba 105 Sitar 2 Et
42 Bassline 2 Ba 106 Sky Bells Pd 42 Acid King Ba 106 Suikinkutsu Et
43 JungleBass Ba 107 Heimdal Pd 43 Power Key Ba 107 Mukkuri Et
44 Plastic Bass Ba 108 Ice Score Pd 44 5th Funk Ba 108 Kalimba Et
45 Punch Bass Ba 109 Solair Pd 45 DX Solo Str St 109 Kalimba 2 Et
46 Compu Saw Ba 110 Angel Bells Pd 46 Tremolo Str St 110 Bag Pipe Et
47 Dry Syn Ba 111 Vesuvius Pd 47 FM Pizz St 111 Fiddle Et
48 Earth Lead Ld 112 Space Harp Pd 48 FM Harp St 112 Shanai Et
49 Hollow Ld 113 Ministry Pd 49 Spacious St 113 TnklBell Pc
50 Samplon Ld 114 Ensemble St 50 FM Strings En 114 Agogo Pc
51 Noodles Ld 115 Obie Strings St 51 JMichel St 115 SteelDrm Pc
52 BigAssSynth Ld 116 JMichel St 52 Ensemble St 116 WoodBlok Pc
53 Teck Hook Ld 117 Mild St 53 Vox Morph Vo 117 TaikoDrm Pc
54 Sunhead Ld 118 Spacious St 54 Vox Move Vo 118 Hollywood Co
55 Moonweed Ld 119 Oktavstrgs St 55 Vox Phase Vo 119 Bleep Co
56 Tech Lead Ld 120 Hit En 56 Hit En 120 4-3-2-1 Se
57 Retronic Ld 121 Accordion Or 57 FM Solo Tp Br 121 DippeDut Fx
58 Formo Whistl Ld 122 Sitar Et 58 Fanfare Br 122 Glacial Fx
59 Baroque Ld 123 Bag Pipe Et 59 DX-Soft Br 123
Ice
Fx
60 Full B3 Or 124 Alloy Cp 60 Lead Horn Br 124 Angle Fx
61 B3 Jazz Comp Or 125 Tubular Cp 61 Fr.Horn Br 125 Shooby Do Vo
62 B3 Perc 3rd Or 126 Far West Cp 62 FM Section Br 126
Everybody
Vo
63 J.Road Or 127 Small Bell Cp 63 Bright Br 127
Vox Move 2
Vo
64 Disto-Jam Or 128 Legend Vibe Cp 64 StabbaBabb Br 128
Drum Kit 2
Dr
Category
Preset B Preset C
Datalist/E 10/21/98 8:32 PM Page 5
6
1 Pf Ballad EP Et BagPipe Pf FortePno 1 Pf Harpsi 8 Cp DumBells Gt DX-AcstGt1 Ba BassNovo
2 Pf Clavmann Et BagPipe-dl Pf FortePno 2 Pf Harpsi 9 Cp MellowBell Gt DX-AcstGt2 Ba BassResWp
3 Pf Clavmann 2 Et Gamelan Pf MM-Piano 1 Pf HarpsiWire Cp Mini Bell Gt DX-AcstGt3 Ba Cutmandu
4 Pf Digi Clav Et Gamelan2 Pf MM-Piano 2 Pf AD 1600s 1 Cp Child Bell Gt DX-AcstGt4 Ba DX-Bass 1
5 Pf DX7Classic Et Mukkuri Pf Pianotone1 Pf AD 1600s 2 Cp PPP Thing Gt DX-AcstGt5 Ba DX-Bass 2
6 Pf Mtrial Pno Et SuikinStr Pf Pianotone2 Pf AD 1900s Cp Stonemetal Gt GuitarBell Ba DX-Bass 3
7 Pf MtrialPno2 Et Thai Boxin Pf Pianotone3 Pf Caffeine Cp Syn Chime Gt LuteGuitar Ba DX-Bass 4
8 Pf MtrialPno3 Et ThumKalimb Pf 5thPiano 1 Pf RazorWire Cp Air Bell Gt DX-PickGt1 Ba DX-Bass 5
9 Pf Real Rose Pc Big-Gamlan Pf 5thPiano 2 Pf Cembalim Cp WrapRound Gt DX-PickGt2 Ba DX-Bass 6
10 Pf Rose Att Pc Eth-Drum1 Pf PrprdPiano Pf Cembalo Cp TempleBel1 Gt DX-PickGt3 Ba WireBass 1
11 Pf Rose Sft1 Pc Eth-Drum2 Pf Claviano Pf ElecHarpsi Cp TempleBel2 Gt DX-PickGt4 Ba WireBass 2
12 Pf Rose Sft2 Se Beep VoX Pf BrightPno1 Pf Syn Harpsi Cp TempleBel3 Gt DX-PickGt5 Ba HardDXBass
13 Pf Suit Rose Se Dark Pf BrightPno2 Pf DX-Clavi 1 Cp TempleBel4 Gt DX-PickGt6 Ba SmakaBass
14 Pf Velvt Rose Se ForceField Pf BrightPno3 Pf DX-Clavi 2 Cp TempleBel5 Gt DX-PickGt7 Ba AnaBass 1
15 Pf 4 Op Clav Se Ghost Pf Dark Piano Pf DX-Clavi 3 Cp DX-Dlcm 1 Gt DX-PickGt8 Ba AnaBass 2
16 Cp Da Comp Se Ghost2 Pf Digi Piano Pf DX-Clavi 4 Cp DX-Dlcm 2 Gt Synhalon Ba AnaBass 3
17 Cp Synth Bell Se Magic Pf PianoDrops Pf DX-Clavi 5 Cp DX-Dlcm 3 Gt Picksynth Ba 81Z Bass
18 Cp Tabla Se Night Pf PowerPiano Pf DX-Clavi 6 Cp Frozentime Gt Compitar Ba DiscBass 1
19 Or B3JazzComp Se Open Fseq Pf CP70 1 Pf DX-Clavi 7 Cp MetalDlcmr Gt Stratish Ba DiscBass 2
20 Or B3Perc3rd Se RadioNoise Pf CP70 2 Pf MM-Clavi 1 Cp Silk Road Gt Banjitar Ba Hop Bass 1
21 Or DrawOrgn Se Reso SE Pf CP70 3 Pf MM-Clavi 2 Or Full Organ Gt Touch Mute Ba Hop Bass 2
22 Or DrawOrgn2 Se Saucer Pf El.Grand 1 Pf MM-Clavi 3 Or DrawOrgan1 Gt Firenze Ba After 88
23 Or DrawOrgn3 Se Scaling SE Pf El.Grand 2 Pf BrightClv1 Or DrawOrgan2 Gt Folknik Ba Cable Bass
24 Or Fs-Organ Se Slow Atk Pf El.Grand 3 Pf BrightClv2 Or DrawOrgan3 Gt FunkyPluck Ba Wood Rez
25 Or Full Drawb Se SpaceBomb Pf El.Grand 4 Pf BasoClavi Or DrawOrgan4 Gt Guitar Box Ba EazyAction
26 Or Ham Organ Se WalkinRobo Pf MM-ElGnd 1 Pf ChorusClav Or DrawOrgan5 Gt Long Nail Ba ExciteBass
27 Or OR-Right Se Warp1 Pf MM-ElGnd 2 Pf Clavecin Or DrawOrgan6 Gt Pianatar Ba PrkussBass
28 Or Organ Fseq Se Warp2 Pf E.Piano 1 Pf Clavi Comp Or DrawOrgan7 Gt RhythmPluk Ba Flapstick
29 Or The Lounge Dr 09 OpenHat Pf E.Piano 2 Pf ClaviExcel Or DrawOrgan8 Gt SteelyPick Ba Jackson
30 Gt Jazz Gtr Dr 09ClHatBel Pf E.Piano 3 Pf ClaviPluck Or DrawOrgan9 Gt TiteGuitar Ba NipponBass
31 Gt Stratmann Dr Beat BD Pf E.Piano 4 Pf ClaviStaff Or DrawOrgn10 Gt DX-JazzGt1 Ba Bass Knock
32 Ba Acid King Dr Beat Cym Pf E.Piano 5 Pf Mute Clavi Or DrawOrgn11 Gt DX-JazzGt2 Ba Ana Stevie
33 Ba Ana Bass Dr Beat SD Pf E.Piano 6 Pf Revinett Or DrawOrgn12 Gt DX-JazzGt3 Ba Munkhen
34 Ba AttackBass Dr Beat Zap Pf E.Piano 7 Pf SkeltonClv Or DrawOrgn13 Gt DX-JazzGt4 Ba Perc Bass
35 Ba B-Rave Dr Boom Pf E.Piano 8 Cp Celesta 1 Or DrawOrgn14 Gt DX-JazzGt5 Ba Remark
36 Ba Bassline 1 Dr Choos Pf E.Piano 9 Cp Celesta 2 Or DrawOrgn15 Gt Guitorgan Ba SmoothBass
37 Ba Bassline 2 Dr ClosedHat1 Pf E.Piano 10 Cp Celesta 3 Or DrawOrgn16 Gt DX-ClGt 1 Ba Ana Knock
38 Ba BlegBass Dr ClosedHat2 Pf E.Piano 11 Cp Celesta 4 Or Organsynth Gt DX-ClGt 2 Ba Jaco Syn
39 Ba DidgBass Dr DanceKick Pf E.Piano 12 Cp MM-Celesta Or ChorusOrgn Gt DX-ClGt 3 Ba Werksfunk
40 Ba Dry Syn Dr FS-Kick1 Pf E.Piano 13 Cp Halloween Or RotaryOrgn Gt DX-ClGt 4 Ba ZedRubba
41 Ba FM Bass Dr FS-Kick2 Pf E.Piano 14 Cp Glocken 1 Or CirkusOrgn Gt DX-ClGt 5 St DX-Violin1
42 Ba FundaBass Dr FS-Kick3 Pf E.Piano 15 Cp Glocken 2 Or JazzDrwbr Gt DX-ClGt 6 St DX-Violin2
43 Ba HyperFuzz Dr Hatty Pf E.Piano 16 Cp Glocken 3 Or Keyclick Gt DX-ClGt 7 St DX-Violin3
44 Ba JungleBass Dr Hihat Pf E.Piano 17 Cp Glocken 4 Or VibraOrgan Gt DX-ClGt 8 St DX-Violin4
45 Ba LoFiAcid Dr Nu Kick 1 Pf Aclectic Cp Glocken 5 Or Farf Out Gt DX-ClGt 9 St Violinz
46 Ba Matze Dr Nu Kick 2 Pf DX-Road 1 Cp Glocken 6 Or Grinder Gt DX-ClGt 10 St DX-Viola 1
47 Ba Moon Bass Dr Nu Kick 3 Pf DX-Road 2 Cp HamerGlock Or JazzOrgan1 Gt DX-ClGt 11 St DX-Viola 2
48 Ba Phone Bass Dr Nu Snare 1 Pf DX-Road 3 Cp Magiglokk Or JazzOrgan2 Gt DX-ClGt 12 St DX-Viola 3
49 Ba PlastBass Dr Nu Snare 2 Pf DX-Road 4 Cp AnvilGlock Or PercOrgan1 Gt Buzzstring St DX-Cello 1
50 Ba PunchBass Dr Nu Snare 3 Pf DX-Road 5 Cp MetalGlock Or PercOrgan2 Gt DX-MuteGt1 St DX-Cello 2
51 Ba Syn Bass Dr Open Hat 1 Pf BrightEP 1 Cp Perc Glock Or PercOrgan3 Gt DX-MuteGt2 St DX-Cello 3
52 Ba Technical Dr Open Hat 2 Pf BrightEP 2 Cp Glokenring Or PercOrgan4 Gt DX-MuteGt3 St DX-Cello 4
53 St FairyStrgs Dr PowerKick Pf EP 1967 Cp SynGlock 1 Or PercOrgan5 Gt DX-MuteGt4 St Rosin
54 St JMichel Dr Snare Pf EP 1970 Cp SynGlock 2 Or PercOrgan6 Gt Heavy Gage St DX-Str 1
55 St OB String Dr Tchak Pf EP 1980 Cp MusicBox 1 Or PercOrgan7 Gt DX-OvDrGt St DX-Str 2
56 St ResoStrgs Dr Tech BD Pf EP 1985 Cp MusicBox 2 Or PercOrgan8 Gt DX-DistGt1 St DX-Str 3
57 St Saws Dr Tech HH Pf Soft EP 1 Cp MusicBox 3 Or PercOrgan9 Gt DX-DistGt2 St DX-Str 4
58 St SloDu Saws Dr Tech Rim Pf Soft EP 2 Cp MusicBox 4 Or PercOrgn10 Gt DX-DistGt3 St DX-Str 5
59 St SS String Dr Tech SD Pf Soft EP 3 Cp MusicBox 5 Or PercOrgn11 Gt DX-DistGt4 St DX-Str 6
60 St SS String2 Dr TR Kick Pf Hard EP 1 Cp MusicBox 6 Or PercOrgn12 Gt DX-DistGt5 St DX-Str 7
61 En HitMatrial Dr TR Snare Pf Hard EP 2 Cp MusicBox 7 Or PercOrgn13 Gt Stortion1 St DX-Str 8
62 Br ANSweep Sc DigiSQ1R Pf Hard EP 3 Cp MusicBox 8 Or PercOrgn14 Gt Pluckoww St DX-Str 9
63 Br FS Brass Sc DigiSQ3 Pf Hard EP 4 Cp MusicBox 9 Or PercOrgn15 Gt Stortion2 St DX-Str 10
64 Br Hook Sc DogBytes Pf Clicky EP Cp MusicBox10 Or PercOrgn16 Gt FuzzGuitar St DX-Str 11
Bank Pre A Pre B Pre C Pre D Pre E Pre F Pre G
PGM# Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Voice List / Liste der Voices / Liste des voix
Program 1 ~ 64
Datalist/E 10/21/98 8:32 PM Page 6
7
Br DX-Trpt 3 Et Ukabanjo Co Orch Chime Fx MM-Shock 1
Br DX-Trpt 4 Et Xango Co Pno+Flute Fx MM-Shock 2
Br DX-Trpt 5 Et Xanu Co StringTine Fx Wallop 1
Br DX-Trpt 6 Et Zimbalon Co Xylo+Brass Fx Wallop 2
Br SilverTrpt Et DX-Banjo Ld DX-SynLd 1 Fx Angel
Br Solo Trpt Et Shamisen 1 Ld DX-SynLd 2 Fx BackSuir
Br SynTrumpet Et Shamisen 2 Ld DX-SynLd 3 Fx Bird View
Br Trumponica Et Shamisen 3 Ld DX-SynLd 4 Fx ChorusElms
Br DX-Trb 1 Et DX-Koto Ld DX-SynLd 5 Fx DX-Stars
Br DX-Trb 2 Et DX-Klmb 1 Ld DX-SynLd 6 Fx Electric
Br DX-Trb 3 Et DX-Klmb 2 Ld DX-SynLd 7 Fx Evolution
Br Mute Trb Et DX-Klmb 3 Ld DX-SynLd 8 Fx FM-Growth
Br DX-Tuba 1 Et DX-Klmb 4 Ld DX-SynLd 9 Fx Paddawire
Br DX-Tuba 2 Et DX-Klmb 5 Ld Pluck Lead Fx Fantasynt
Br DX-Tuba 3 Et DX-Bagpipe Ld Perka Lead Fx Fluv Push
Br DX-Horn Et DX-Fiddle Ld GuitsynLd Fx Fmilters
Br Hornz Et African Ld DXSynLd 1 Fx Glassy
Br Alps Horn Et Bali Ld DXSynLd 2 Fx Glastine
Br BlunchHorn Et Tibetan Ld DXSynLd 3 Fx Glocker
Br Horn Ens Et Charango Ld DXSynLd 4 Fx IceRevEcho
Br MelowHorn1 Et Gamelan 1 Ld DXSynLd 5 Fx InitEnsmbl
Br MelowHorn2 Et Gamelan 2 Ld DXSynLd 6 Fx MetalSweep
Br SimpleHorn Et Gamelan 3 Ld DXSynLd 7 Fx SquareModd
Br Syn Horns Et Kinzoku 1 Ld DXSynLd 8 Fx Mpndg Doom
Br Vibra Horn Et Kinzoku 2 Ld SqueezeLd Fx Mystrian
Br DX-Brass 1 Et ScotchTone Ld Mooganic Fx RepertRise
Br DX-Brass 2 Pc DX-Agogo 1 Ld BrassLead1 Fx Space Trip
Br Attack Brs Pc DX-Agogo 2 Ld BrassLead2 Fx Syn Rise
Br Brasstring Pc DX-Bongo Ld BrassLead3 Fx Glider
Br DX-BrsSec1 Pc Bongo Ld BrassLead4 Sc Anna DX
Br DX-BrsSec2 Pc DX-Clave Ld Saw Lead Sc Analog-X
Br MM-Brass 1 Pc DX-Perc Ld DX-SawLd 1 Sc DX-Atms 1
Br MM-Brass 2 Pc Block Ld DX-SawLd 2 Sc DX-Atms 2
Br MM-Brass 3 Pc Conga Drum Ld DX-Squar Sc DX-Bright1
Br 5th Brass Pc Cowbell Ld DX-VoiceLd Sc DX-Bright2
Br Blow Brass Pc Flexatone Ld DX-WahLead Sc 90 K
Br Brass Sect Pc Glaeser Ld DXAttackLd Sc 200 K
Br Chorus Brs Pc Log Drum Ld CaliopLd 1 Sc Arrow-X
Br Fanfare Pc SmlShaker Ld CaliopLd 2 Sc Attacker
Br Hard Brass Pc Metal Ld CaliopLd 3 Sc Harp Pad
Br Sample Brs Pc Percud Ld Fifths 1 Sc ChiLight
Br Single Brs Pc RefrsWhstl Ld Fifths 2 Sc Digi Calio
Br ThickBrass Pc Seq Pluck Ld LdSubHarm Sc Digitar
Br TightBrs 1 Pc BigShaker Ld Buzzer Sc Distracted
Br TightBrs 2 Pc Side Stick Ld Au Campo Sc FinerThing
Br DX-SynBr 1 Pc Perkabell Ld Bass Lead Sc Fuji Stabs
Br DX-SynBr 2 Pc Spoon Ld Comp Lead Sc TouchyEdgy
Br DX-SynBr 3 Pc DX-StelCan Ld EadgbeLead Sc Metal Box
Br DX-SynBr 4 Pc Steel Can Ld Flap Synth Sc MilkyWays
Br DX-SynBr 5 Pc DX-StelDr1 Ld FretlessLd Sc New Elms
Br DX-SynBr 6 Pc DX-StelDr2 Ld Giovanni Sc Pipebells
Br DX-SynBr 7 Pc SteelDrum1 Ld HarmoSynth Sc Synsitar
Br FilterHorn Pc SteelDrum2 Ld Lead Line Sc OctiLate
Br SharpBrass Pc Steel Band Ld Lead Phone Sc NoBoKuto
Br Synthorns Pc Jamaica Ld Lyle Lead Sc Syn Bright
Br CS80-Brs 1 Pc Tambarin Ld PekingLead Sc Ting Voice
Br CS80-Brs 2 Pc Triangle 1 Ld Puff Pipe Sc Bottlead
Br Ana Poly Pc Triangle 2 Ld Reed Lead Sc WhapSynth
Br AnaFatBrs Pc BellGliss1 Ld SingleLine Se DX-Flght
Br AnalogBrs Pc BellGliss2 Ld Super DX Se Take Off
Br Faze Brass Pc Twincle Ld Sweep Lead Se DX-Helicpt
Br Brassy Pc MetalBottl Ld Vibratoron Se Helicopter
Br Court Pc NipponDrm1 Ld DX-Vocoder Se DX-Ship
Br DX-FatBrs Pc NipponDrm2 Ld Winwood Se DX-Train
Pre H Pre I Pre J Pre K
Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Datalist/E 10/21/98 8:32 PM Page 7
8
65 Br ObiehornL Sc Fast&Cheap Pf Digitine Cp PercOrgn17 Ba DX-WoodBa1 St DX-Str 12
66 Br ObiehornR Sc Fmt-Pluck Pf Woody EP Cp XtraPerc Ba DX-WoodBa2 St DX-Str 13
67 Br Quackz Sc FunKey Pf Metaltine Cp Road Organ Ba DX-WoodBa3 St Quick Arco
68 Br Stab Sc Funky Tech Pf Tinesquawk Cp Fluteorgan Ba DX-WoodBa4 St MidString1
69 Br Swell Sc Fusion Pf FullTine 1 Cp ClickNoise Ba DX-WoodBa5 St MidString2
70 Pi Kuchibue Sc Metallic Pf FullTine 2 Cp Novalis Ba DX-WoodBa6 St LowString1
71 Ld Dual Saws2 Sc NoiseDecay Pf Wurli EP Cp TouchOrgan Ba DX-WoodBa7 St LowString2
72 Ld DualSquare Sc Raymond Pf Wurli Road Cp RockOrgan1 Ba DarkWodBa1 St MM-String
73 Ld Earth Lead Sc SawSaw Pf Dark Wurli Cp RockOrgan2 Ba DarkWodBa2 St DX-AnaSt 1
74 Ld Fetish Sc Snow Decay Pf Big Wurlt Cp RockOrgan3 Ba BoogieBass St DX-AnaSt 2
75 Ld Glass Harp Sc Snow Pixy Pf Andrian Cp RockOrgan4 Ba BassLegend St DX-AnaSt 3
76 Ld Glider Sc Spellbound Pf Blustig Cp RockOrgan5 Ba DX-FngrBa1 St DX-SynSt 1
77 Ld Lead Saw Sc Syncorgano Pf Woodmetal Cp RockOrgan6 Ba DX-FngrBa2 St DX-SynSt 2
78 Ld Mitosis Sc Thin Mini Pf CastePiano Cp RockOrgan7 Ba DX-FngrBa3 St DX-SynSt 3
79 Ld Retronic Sc VeloSweep Pf Chorus EP Cp RockOrgan8 Ba DX-FngrBa4 St DX-SynSt 4
80 Ld Score Pad Sc Vox Tron Pf BigJazzyEP Cp RockOrgan9 Ba Fusit Bass St DX-SynSt 5
81 Ld Tech Lead Sc Zansyo Pf ClearElPno Cp RockOrgn10 Ba FingerPick St DX-SynSt 6
82 Ld Trance Csm Sc Zapper Pf NiteclubEP Cp RockOrgn11 Ba HardFinger St DX-SynSt 7
83 Ld Voc Lead Vo Celebratn Pf CosaRosa Cp RockOrgn12 Ba Harm Bass St WarmStr 1
84 Pd Add Pad Vo Eh Human Pf DX-Ragtime Cp RockOrgn13 Ba Inorganic St WarmStr 2
85 Pd Beauty Vo FairyVoice Pf Digi Poly Cp RockOrgn14 Ba Nasty Bass St WarmStr 3
86 Pd Brassetra Vo FormSweep Pf Duke EP Cp RockOrgn15 Ba SkweekBass St WarmStr 4
87 Pd CineSweep Vo FS-Choir Pf DynoRoad Cp Vox Organ Ba DX-PickBa1 St Afternoon
88 Pd Fat Pad Vo FS-Sweep Pf Clavarpsi Cp SynOrgan 1 Ba DX-PickBa2 St Agitate
89 Pd FormantPad Vo Homy Pf Wack EP Cp SynOrgan 2 Ba DX-PickBa3 St AnnaString
90 Pd FormSweep1 Vo Human Pf HollowKeys Cp PlasticOrg Ba DX-PickBa4 St Bright Str
91 Pd FormSweep2 Vo Ih Human Pf HonkyTonk1 Cp PipeOrgan1 Ba Bass Magic St General
92 Pd FormSweep3 Vo Man_Eh Pf HonkyTonk2 Cp PipeOrgan2 Ba Chiff Bass St GentleMind
93 Pd FormSweep4 Vo NoisyVce Pf PotlidKeyz Cp PipeOrgan3 Ba Comped EB St Gypsy
94 Pd FS Moby II Vo Oh Human Pf Knock EP Cp PipeOrgan4 Ba Metal Bass St MaxiString
95 Pd Heimdal Vo Shaman Woo Pf Knock Wack Cp PipeOrgan5 Ba Owl Bass St Michelle
96 Pd LFO Pad Vo Spacy Aaah Pf Mark III Cp PipeOrgan6 Ba Pick Pluck St MoterDrive
97 Pd Moving Vo Spacy FX Pf XtremeTine Cp PipeOrgan7 Ba Plektrumbs St ReverbStrg
98 Pd Nebulous Vo SpacySweep Pf Mod ElPno Cp PipeOrgan8 Ba Wired Bass St StrMachine
99 Pd OBx Pad Vo SweepyVce Pf 3D Road Cp TheatreOrg Ba FretlesBa1 St Silk Hall
100 Pd OBx Pad2 Vo VocoSweep Pf PinchedEP Cp SmallPipes Ba FretlesBa2 St Small Sect
101 Pd Octavian Vo VocPhaseB Pf No Tines Cp ChorusPipe Ba FretlesBa3 St Soft Bow
102 Pd Paddy Sq AN Arp 1 Pf Old Jazz Cp Wedding Ba FretlesBa4 St Soline
103 Pd Qwerty Sq AN Arp 2 Pf Politti Cp DX-Chrch 1 Ba FretlesBa5 St Violtron
104 Pd Saws&Hold Sq Compu Saw Pf Pop Piano Cp DX-Chrch 2 Ba SlapString St DX-PizzSt
105 Pd Saws2 Sq DigiSQ1 Pf Prc ElPno Cp BrightOrgn Ba Lite Slap St PizzString
106 Pd SleepyPad Sq DigiSQ2 Pf Prds Piano Cp TamePipe Ba RoundWound St DX-Harp 1
107 Pd Spacy Pad Sq Drw-EuroDr Pf Ratio Dob Cp PuffOrgan1 Ba ImpactBass St DX-Harp 2
108 Pd Starship Sq Hard Pulse Pf ThinnerEP Cp PuffOrgan2 Ba Afresh St DX-Harp 3
109 Pd SuperPad Sq Harry Pf Rezzo EP Cp Late Down Ba WireString St Baroquen
110 Pd SweepersVx Sq New Key Pf RubbaRoad Cp SoftReedOr Ba Clakwire St Dbl Harp 1
111 Pd Tech Lead2 Sq Power Key Pf SawBellEP Cp SteamOrgan Ba SuperBass1 St Dbl Harp 2
112 Pd The Seeker Sq RythmLoop2 Pf QuikPlayEP Cp StreetOrgn Ba SuperBass2 St Apollon
113 Pd The Shadow Sq Saw Pad Pf Loud Piano Cp DX-Acrd 1 Ba DigiBass 1 St CembaHarp
114 Pd Thermal Sq TekBass Pf Urban Cp DX-Acrd 2 Ba DigiBass 2 St ElectrHarp
115 Pd VocPhaseA -- FseqBase01 Pf Vics EP Cp DX-Acrd 3 Ba Digit Bass St HarpStrum
116 Pd Win Pad -- FseqBase02 Pf DX Classic Cp DX-Acrd 4 Ba Draft Bass St Lute Harp
117 Pd Wind -- FseqBase03 Pf ToyPiano 1 Cp DX-Acrd 5 Ba Brainacus St Metal Harp
118 Fx Caravan -- FseqBase04 Pf ToyPiano 2 Cp DX-Acrd 6 Ba DX-SynBa 1 St Orch Harp
119 Fx DippeDut -- FseqBase05 Pf ToyPiano 3 Cp DX-TngAc Ba DX-SynBa 2 St Syn Harp
120 Fx Furry Bell -- FseqBase06 Pf ToyPiano 4 Cp DX-Hmnc 1 Ba DX-SynBa 3 St DX-Timpani
121 Fx Glacial -- FseqBase07 Pf Plasticky Cp DX-Hmnc 2 Ba DX-SynBa 4 St Timpanic!
122 Fx Miracle -- FseqBase08 Pf Harpsi 1 Cp DX-Hmnc 3 Ba DX-SynBa 5 St Iron Timpa
123 Fx MizuGuitar -- FseqBase09 Pf Harpsi 2 Cp DX-Hmnc 4 Ba DX-SynBa 6 En Ensemble
124 Fx Morph -- FseqBase10 Pf Harpsi 3 Cp Chromonica Ba DX-SynBa 7 En HallOrch 1
125 Fx Nightmare -- FseqBase11 Pf Harpsi 4 Cp FM-Hmnc 1 Ba DX-SynBa 8 En HallOrch 2
126 Fx RhythmLoop -- FseqBase12 Pf Harpsi 5 Cp FM-Hmnc 2 Ba DX-SynBa 9 En Orch Brass
127 Pd Sho -- FseqBase13 Pf Harpsi 6 Cp Bluesharp Ba AnalogBass Br DX-Trpt 1
128 Fx Spiral -- FseqBase14 Pf Harpsi 7 Cp
DX-Vibe 1
DX-Vibe 2
DX-Vibe 3
DX-Vibe 4
MM-Vibe 1
MM-Vibe 2
LFO Vibe
Vocal Vibe
Vibetron
VibraPhone
DX-Marimb1
DX-Marimb2
DX-Marimb3
DX-Marimb4
DX-Marimb5
DX-Marimb6
DX-Marimb7
TineMallet
Thumbpick
EchoMalet1
EchoMalet2
EchoMalet3
Congorimba
Bamburimba
BrightMrmb
Guitarimba
MellowMrmb
Metal Mrmb
DX-Xylo 1
DX-Xylo 2
DX-Xylo 3
DX-Xylo 4
DX-Xylo 5
DX-Xylo 6
Dual Xylo
Xylo Log
Syn Xylo
Digi Xylo
DX-Bell 1
DX-Bell 2
DX-Bell 3
DX-Bell 4
DX-Bell 5
DX-Bell 6
DX-Bell 7
DX-Bell 8
DX-Bell 9
DX-Bell 10
DX-Bell 11
DX-Bell 12
SparklBell
Wire Bell
DualSparkl
BellGlassy
MM-Bell
Crystal 1
Crystal 2
SoftBell 1
SoftBell 2
Bell Pluck
Blow Bell
Carillon
BellKeyzis
Digi Log
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or Buzzharp Ba Nharmonik Br DX-Trpt 2
Bank Pre A Pre B Pre C Pre D Pre E Pre F Pre G
PGM# Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Program 65 ~ 128
Datalist/E 10/21/98 8:32 PM Page 8
9
Br RezAttack Pc Janpany Pd DrkSweeper Se Mobile
Br FunkyRhytm Pc Nou Pd AnaBrsPad Se Motors
Br Chiffhorns Pc Sumoh Drum Pd 8bitStrPad Se MotorCycle
Br Juice Pc HandBell 1 Pd DX-ChoPad1 Se U Boat
Br Kingdom Pc HandBell 2 Pd DX-ChoPad2 Se Ambulance
Br PowerDrive Pc JingleBell Pd Bow Pad 1 Se Whiz By
Br Rahool Brs Pc Light Year Pd Bow Pad 2 Se Out-Da-Way
Br SyntiBrs Pc SlightBell Pd Bow Pad 3 Se Patrol Car
Br UltraDrive Pc TracerBell Pd Glassharp Se Sirens
Br Warm Brass Pc MM-SynDr 1 Pd Wineglass Se DX-TelBusy
Rd SopranoSax Pc MM-SynDr 2 Pd Ice Galaxy Se DX-TelCall
Rd DX-ASax 1 Pc Click Kick Pd Ice Heaven Se DX-TelTone
Rd DX-ASax 2 Pc Hexagon Pd Hit Pad 1 Se DX-TlRing1
Rd Alto Sax Pc Whapit Pd Hit Pad 2 Se DX-TlRing2
Rd DX-Tsax Pc Hi-Hat Pd SynBrsPad1 Se Bugs&Birds
Rd TenorSax Pc Deep Snare Pd SynBrsPad2 Se DX-Insect1
Rd Tenorsaxes Pc DX-MtlSnr Pd SynBrsPad3 Se DX-Insect2
Rd Oboe 1 Pc Snapie Pd SynBrsPad4 Se DX-Piyo
Rd Oboe 2 Pc Snare Pd SynBrsPad5 Se DX-Growl 1
Rd Oboe 3 Pc Soft Head Pd SynBrsPad6 Se DX-Growl 2
Rd Eng.Horn Pc StreetSD Pd SynBrsPad7 Se Animals
Rd Bassoon Pc Tom Herz Pd Vector Pad Se DX-Wolf
Rd DX-Clari 1 Pc DX-RevCym1 Pd Pada Perka Se ManEater
Rd DX-Clari 2 Pc DX-RevCym2 Pd DX-MetalPd Se Alarm !
Rd Clari Solo Vo DX-Chorus1 Pd DX-SawPad Se Aura
Rd Slow Clari Vo DX-Chorus2 Pd Anna Pad Se Chi-S&H
Rd VibratoCla Vo DX-Chorus3 Pd Baroque Se Closing
Pi Piccolo 1 Vo DX-Chorus4 Pd BrassyWarm Se Computer
Pi Piccolo 2 Vo DX-Chorus5 Pd Bright Pad Se Crasher
Pi DX-Flute 1 Vo DX-Chorus6 Pd Clavi Pad Se DX-BigBen
Pi DX-Flute 2 Vo DX-Chorus7 Pd Digi Pad Se DX-Wave
Pi DX-Flute 3 Vo DX-Chorus8 Pd Dispo Pad Se Descent
Pi DX-Flute 4 Vo DX-Chorus9 Pd Ethereal Se Doppler
Pi DX-Flute 5 Vo DX-Voice 1 Pd Film Pad Se Factory
Pi DX-Flute 6 Vo DX-Voice 2 Pd Fl.Cloud Se GhostLine
Pi DX-Flute 7 Vo MM-Voice 1 Pd Floating Se Heart Beat
Pi Air Blower Vo MM-Voice 2 Pd Forest99 Se Imaging
Pi MetalFlute Vo MM-Voice 3 Pd Gior Pad Se IronEcho 1
Pi Song Flute Vo MM-Voice 4 Pd GreenPeace Se IronEcho 2
Pi Recorder 1 Vo DbVoxFem Pd Grunge Pad Se MM-Fall
Pi Recorder 2 Vo Fem Voice Pd Hyper Sqr Se MachineGun
Pi Recorder 3 Vo Lady Vox Pd MM-Pretty Se MobbyDick
Pi DX-PnFlute Vo Space Vox Pd MonsterPad Se On the Run
Pi Harvest Vo Syn Vox Pd Orwell Se OuterLimit
Pi Fuhppps! Co Bell+Pno 1 Pd PhaseSweep Se Perc Shot
Pi DX-Bottle Co Bell+Pno 2 Pd Phasers Se Repeater
Pi Quena Co Bell+Vibe1 Pd Glass Pad Se Jet Cars 1
Pi Whistle 1 Co Bell+Str Pd Sanctus Se Scorchers
Pi Whistle 2 Co Bell+Vibe2 Pd StacHeaven Se Sci-Fi Too
Pi Whistle 3 Co Cho+Marimb Pd Sweep Pad Se Jet Cars 2
Pi Sukiyaki Co Clavi+Bass Pd Water Log Se Speak-One
Pi SambaWhstl Co DX-Ba+Lead Pd Spec-trail Se Stopper
Pi Cosmowhist Co DX-HpSt Pd Whaser Pad Se Super Foot
Pi DX-Ocrn 1 Co EP+Brass 1 Pd Whisper Se Talking DX
Pi DX-Ocrn 2 Co EP+Brass 2 Pd WhistlePad Se Transport
Pi DX-Ocrn 3 Co EP+Chime Fx DX-ScFi 1 Se Turn Table
Et DX-Sitar 1 Co EP+Clavi Fx DX-ScFi 2 Se UfoTakeOff
Et DX-Sitar 2 Co Elec Combi Fx DX-ScFi 3 Se Waterfall
Et Ethre Four Co Glock+Brs Fx Image 1 Se Whik Shot
Et India Co Glock+Pno Fx Image 2 Se Bubblets
Et Juice Harp Co Harp+Flute Fx Laser 1 Se Yes Talk
Et Syntholin Co Koto+Flute Fx Laser 2 Se Help me !
Et Pilgrim Co MalletHorn Fx Laser 3 Se Paranoir
Et Tenjiku Co Mrmb+Gtr Fx Ri-zer Se Screamy
Pre H Pre I Pre J Pre K
Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Datalist/E 10/21/98 8:32 PM Page 9
10
1 ShoobyDo 31 1BarBeat 61 ChowaUu
2 2BarBeat 32 1BrBeat2 62 Everybd2
3 D&B 33 Undo 63 Dodidowa
4 D&B Fill 34 RndArp4 64 Check123
5 4BarBeat 35 VoclRtm2 65 BranNewY
6 YouCanG 36 Reiyowha 66 BoomBoom
7 EBSayHey 37 RndArp5 67 Hi=Woo
8 RtmSynth 38 VocalArp 68 FreeForm
9 VocalRtm 39 CanYouGi 69 FreqPad
10 WooWaPa 40 Pu-Yo 70 YouKnow
11 UooLha 41 Yaof 71 OldTech
12 FemRtm 42 MyaOh 72 B/M
13 ByonRole 43 ChuckRtm 73 MiniJngl
14 WowYeah 44 ILoveYou 74 EveryB-S
15 ListenVo 45 Jan-On 75 IYaan
16 YAMAHAFS 46 Welcome 76 Yeah
17 Laugh 47 One-Two 77 ThankYou
18 Laugh2 48 Edokko 78 Yes=No
19 AreYouR 49 Everybdy 79 UnWaEDon
20 Oiyai 50 Uwau 80 MouthPop
21 Oiaiuo 51 YEEAAH 81 Fire
22 UuWaUu 52 4-3-2-1 82 TBLine
23 Wao 53 Test123 83 China
24 RndArp1 54 CheckSnd 84 Aeiou
25 FiltrArp 55 ShavaDo 85 YaYeYiYo
26 RndArp2 56 R-M-H-R 86 C7Seq
27 TechArp 57 HiSchool 87 SoundLib
28 RndArp3 58 M.Blastr 88 IYaan2
29 Voco-Seq 59 L&G MayI 89 Relax
30 PopTech 60 Hellow 90 PSYAMAHA
No. Fseq Name No. Fseq Name No. Fseq Name
Preset Fseq List
Liste der vorprogrammierten Formant Sequenzen
Liste des séquences de formant programmées “FSeqs”
Datalist/E 10/21/98 8:32 PM Page 10
11
Control Parameter (Destination) Explanation Notes
off No control even if the source controller is operated.
(Insertion Parameter 1) The source controller controls insertion effect parameters.
The parameters available depend on the selected insertion effect type.
See the effect parameter list (page 13) for details.
Nothing is controlled if (InsEF) appears on the display.
Controller operation directly controls
the tone generator without affecting
the edit buffer.
(i.e. the "E" edit mark will not appear)
(Insertion Parameter 2)
(Insertion Parameter 3)
(Insertion Parameter 4)
(Insertion Parameter 5)
(Insertion Parameter 6)
(Insertion Parameter 7)
(Insertion Parameter 8)
(Insertion Parameter 9)
(Insertion Parameter10)
(Insertion Parameter11)
(Insertion Parameter12)
(Insertion Parameter13)
(Insertion Parameter14)
Send Insertion to Reverb The source controller controls the Send Insertion To Reverb value.
Send Insertion to Variation The source controller controls the Send Insertion to Variation value.
Volume The source controller controls the PLAY-Volume(Part) value. Controller operation controls the part
parameters and therefore overwrites
the edit buffer.
(i.e. the "E" edit mark will appear)
Panpot The source controller controls the PLAY-Pan(Part) value.
Reverb Send The source controller controls the PLAY-RevSend(Part) value.
Variation Send The source controller controls the PLAY-VarSend(Part) value.
Filter Cutoff The source controller controls the EDIT[PERFORM]-PART-Tone-Filter Freq value.
Filter Resonance The source controller controls the EDIT[PERFORM]-PART-Tone-Filter Reso value.
Filter EG Depth The source controller controls the EDIT[PERFORM]-PART-Tone-Flt EGDepth value.
Attack Time The source controller controls the EDIT[PERFORM]-PART-EG-Attack Time value.
Decay Time The source controller controls the EDIT[PERFORM]-PART-EG-Decay Time value.
Release Time The source controller controls the EDIT[PERFORM]-PART-EG-Release Time value.
PEG Initial Level The source controller controls the EDIT[PERFORM]-PART-EG-PEG InitLvl value.
PEG Attack Time The source controller controls the EDIT[PERFORM]-PART-EG-PEGAtakTime value.
PEG Release Level The source controller controls the EDIT[PERFORM]-PART-EG-PEG ReleLvl value.
PEG Release Time The source controller controls the EDIT[PERFORM]-PART-EG-PEGReleTime value.
V/N Balance The source controller controls the EDIT[PERFORM]-PART-Tone-V/N Balance value.
Formant The source controller controls the EDIT[PERFORM]-PART-Tone-Formant value.
FM The source controller controls the EDIT[PERFORM]-PART-Tone-FM value.
Pitch Bias The source controller has the same effect as pitch bend. For example, if Vcn depth is set to
+2 then the maximum control value is + two semitones. If Vcn depth is set to +12 the maximum
controllable pitch rise is one octave.
Controller operation directly controls
the tone generator without affecting
the edit buffer.
(i.e. the “E” edit mark will not appear)Amplitude EG Bias The source controller controls Amplitude EG Bias. Sensitivity is set by the
EDIT[VOICE]-OPERATOR-Sns-Amp EG Bias parameter.
Frequency Bias The source controller controls the operator center frequency.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Freq Bias parameter.
Voiced Band Width The source controller controls voiced operator bandwidth.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Width Bias (voiced) parameter.
Unvoiced Band Width The source controller controls unvoiced operator bandwidth.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Width Bias (unvoiced) parameter.
LFO1 pitch mod The source controller applies LFO1 pitch modulation.
The controller value is added to the sum of the EDIT[PERFORM]-PART-LFO1 Pmod and
EDIT[VOICE]-COMMON-LFO1-PitchMod Dpt values.
LFO1 amp mod The source controller applies LFO1 amplitude modulation to the voice.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-AmpMod Dpt value.
LFO1 frequency mod The source controller applies LFO1 frequency modulation to the operator center frequency.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-FreqModDepth value.
LFO1 filter mod The source controller applies LFO1 cutoff frequency modulation to the voice.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-FilterModDpt value.
LFO1 Speed The source controller controls LFO1 speed.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO1Speed and
EDIT[VOICE]-COMMON-LFO1-Speed values.
LFO2 filter mod The source controller applies LFO2 cutoff frequency modulation to the voice.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO2 FltMod and
EDIT[VOICE]-COMMON-LFO2-FilterModDpt values.
LFO2 Speed The source controller controls LFO2 speed.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO2 Speed and
EDIT[VOICE]-COMMON-LFO2-Speed values.
Fseq Speed The source controller controls Fseq playback speed.
The controller value is added to the EDIT[PERFORM]-COMMON-FSeq-Speed value.
Formant scratch The source controller directly controls Fseq playback.
Effective when the EDIT[PERFORM]-COMMON-FSeq-Mode parameter is set to “scratch”.
Control List
Liste der Steuerbefehle
Liste des contrôleurs
Datalist/E 10/21/98 8:32 PM Page 11
12
Effect Type List
Liste mit Effekt-Typen
Liste des type d'effets
Reverb
Effect Type Remarks
No Effect Turn off the effect.
Hall1 Reverb simulating the acoustics of a hall.
Hall2
Room1 Reverb simulating the acoustics of a room.
Room2
Room3
Stage1 Reverb appropriate for a solo instrument.
Stage2
Plate Reverb simulating a metal plate reverb device.
White Room Unique short reverb with a slight initial delay.
Tunnel Simulation of a cylindrical space extending to left and right.
Basement Reverb with distinctive resonance following a slight initial delay.
Canyon A hypothetical acoustic space which extends without limit.
Delay LCR Three delay sounds L, R and C (center).
Delay L, R Two delay sounds L and R, with two feedback delays.
Echo Two delays L and R, with independent feedback delay for L and R.
CrossDelay This effect crosses the feedback of two delays.
Variation
Effect Type Remarks
No Effect Turns off the effect.
Chorus A standard chorus effect, adding natural spaciousness to the sound.
Celeste An effect which uses a 3-phase LFO to add modulation and
spaciousness to the sound.
Flanger An effect reminiscent of a jet airplane taking off and landing.
Symphonic A multi-stage version of CELESTE modulation.
Phaser1 Cyclically changes the phase to modulate the sound.
Phaser2
Ens Detune Chorus effect without modulation, created by adding a slightly
pitch-shifted sound.
Rotary SP Simulation of a rotary speaker.
Tremolo An effect which cyclically modulates the volume.
Auto Pan An effect which cyclically moves the sound between left/right and
front/back.
Auto Wah Cyclically changes the center frequency of a wah filter.
Touch Wah
Changes the center frequency of a wah filter according to the input level.
3-Band EQ EQ with equalization of LOW, MID and HIGH.
HM Enhncer This effect adds new overtones to the input signal to make the
sound stand out.
Noise Gate Gates the input when the input signal falls below a specified level.
Compressor Holds down the output when the input exceeds a specified level.
Can also be used to add a sense of attack to the sound.
Distortion Adds distortion with an edge to the sound.
Overdrive Adds mild distortion to the sound.
Amp Sim Simulation of a guitar amp.
Delay LCR Three delay sounds L, R and C (center).
Delay L, R Two delay sounds L and R, with two feedback delays.
Echo Two delays L and R, with independent feedback delay for L and R.
CrossDelay This effect crosses the feedback of two delays.
Karaoke Echo for karaoke.
Hall Reverb simulating the acoustics of a hall.
Room Reverb simulating the acoustics of a room.
Stage Reverb appropriate for a solo instrument.
Plate Reverb simulating a metal plate reverb device.
Insertion
Effect Type Remarks
Thru Bypass without applying an effect.
Chorus Conventional chorus effect which gives natural spaciousness to
the sound.
Celeste A three-phase LFO is used to give modulation and spaciousness
to the sound.
Flanger An effect reminiscent of a jet airplane taking off and landing.
Symphonic A multi-stage version of CELESTE modulation.
Phaser1 Cyclically changes the phase to modulate the sound.
Phaser2
Pitch Chng This effect changes the pitch of the input signal.
Ens Detune Chorus effect without modulation, created by adding a slightly
pitch-shifted sound.
Rotary SP Simulation of a rotary speaker.
2WayRotary
Tremolo An effect which cyclically modulates the volume.
Auto Pan An effect which cyclically moves the sound between left/right and
front/back.
Ambience An effect which adds spatial breadth by blurring the location of
the sound.
A-Wah+Dist
Applies DISTORTION to the output of AUTO WAH to distort the sound.
A-Wah+Odrv
Applies OVERDRIVE to the output of AUTO WAH to distort the sound.
T-Wah+Dist Applies OVERDRIVE to the output of TOUCH WAH to distort the
sound.
T-Wah+Odrv Changes the center frequency of a wah filter according to the input
level.
Wah+DS+Dly TOUCH WAH, DISTORTION and DELAY are connected in series.
Wah+OD+Dly TOUCH WAH, OVERDRIVE and DELAY are connected in series.
Lo-Fi Degrades the audio quality of the input signal.
3-Band EQ EQ with equalization of LOW, MID and HIGH.
HM Enhncer This effect adds new overtones to the input signal to make the
sound stand out.
Noise Gate Gates the input when the input signal falls below a specified level.
Compressor Holds down the output when the input exceeds a specified level.
Can also be used to add a sense of attack to the sound.
Comp+Dist Since a compressor is included in the first stage, distortion can be
applied evenly, regardless of the input level.
Cmp+DS+Dly
COMPRESSOR, DISTORTION and DELAY are connected in series.
Cmp+OD+Dly
COMPRESSOR, OVERDRIVE and DELAY are connected in series.
Distortion Adds distortion with an edge to the sound.
Dist+Delay DISTORTION and DELAY are connected in series.
Overdrive Adds mild distortion to the sound.
Odrv+Delay OVERDRIVE and DELAY are connected in series.
Amp Sim Simulation of a guitar amp.
Delay LCR Three delay sounds L, R and C (center).
Delay L, R Two delay sounds L and R, with two feedback delays.
Echo Two delays L and R, with independent feedback delay for L and R.
CrossDelay This effect crosses the feedback of two delays.
ER 1 This effect isolates only the early reflection components of the
reverb.
ER 2
Gate Rev Simulation of gated reverb.
Revrs Gate Simulation of gated reverb played back in reverse.
Datalist/E 10/21/98 8:32 PM Page 12
13
Effect Parameter List
Liste mit Effekt-Parametern
Liste des Paramètres d'effets
Param# matches the adress of a Pafermance Effect Parameter (mm, ll ) found in MIDI data table <Table 1 >.
REVERB
No Effect
Range(Default) Param# Description
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.0) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(14.3) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(315) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(5.6k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(53.6) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E<R 5) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Hall2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(3.0) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(44.2) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(40) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(4.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(44.2) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(3) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E<R36) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Room1 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.4) 50 Reverb length (sec)
Diffusion 0~10(8) 52 Spread of the reverb
InitDelay 0.1~200.0(19.0) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(355) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(9.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(23.7) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E<R10) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Room2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.2) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(12.7) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(110) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(thru) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(17.4) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E18>R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.7) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
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Room3 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.9) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(110) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(4.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(14.3) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E15>R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.5) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Stage1 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.5) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(25.3) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(45) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(7.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(45.7) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(3) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E 3>R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.5) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+15) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Stage2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.0) 50 Reverb length (sec)
Diffusion 0~10(10) 52 Spread of the reverb
InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(12.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(45.7) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E18>R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.6) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+9) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Plate Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.8) 50 Reverb length (sec)
Diffusion 0~10(5) 52 Spread of the reverb
InitDelay 0.1~200.0(11.1) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(40) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(10.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Rev Delay 0.1~99.3(3.2) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(3) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E=R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.7) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+20) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
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White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.4) 50 Reverb length (sec)
Diffusion 0~10(5) 52 Spread of the reverb
InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(70) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(1.6k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Width 0.5~10.2(4.6) 5A Width of the simulated room (m)
Height 0.5~20.2(20.2) 5C Height of the simulated room (m)
Depth 0.5~30.2(30.2) 5E Depth of the simulated room (m)
Wall Vary 0~30(6) 60 Wall surface of the simulated room
(higher values produce more random reflections)
Rev Delay 0.1~99.3(12.7) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E=R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.4) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 5) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Tunnel Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.3) 50 Reverb length (sec)
Diffusion 0~10(6) 52 Spread of the reverb
InitDelay 0.1~200.0(15.8) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(3.2k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Width 0.5~10.2(9.1) 5A Width of the simulated room (m)
Height 0.5~20.2(14.2) 5C Height of the simulated room (m)
Depth 0.5~30.2(19.4) 5E Depth of the simulated room (m)
Wall Vary 0~30(16) 60 Wall surface of the simulated room
(higher values produce more random reflections)
Rev Delay 0.1~99.3(31.6) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E10>R) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+43) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Basement Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.8) 50 Reverb length (sec)
Diffusion 0~10(6) 52 Spread of the reverb
InitDelay 0.1~200.0(4.8) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(1.0k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Width 0.5~10.2(7.2) 5A Width of the simulated room (m)
Height 0.5~20.2(0.5) 5C Height of the simulated room (m)
Depth 0.5~30.2(10.2) 5E Depth of the simulated room (m)
Wall Vary 0~30(15) 60 Wall surface of the simulated room
(higher values produce more random reflections)
Rev Delay 0.1~99.3(50.5) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(3) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E<R10) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(-28) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Canyon Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(12.0) 50 Reverb length (sec)
Diffusion 0~10(6) 52 Spread of the reverb
InitDelay 0.1~200.0(99.3) 54 Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(3.6k) 58 Frequency at which the low pass filter will cut the high range (Hz)
Width 0.5~10.2(9.4) 5A Width of the simulated room (m)
Height 0.5~20.2(17.1) 5C Height of the simulated room (m)
Depth 0.5~30.2(25.8) 5E Depth of the simulated room (m)
Wall Vary 0~30(13) 60 Wall surface of the simulated room
(higher values produce more random reflections)
Rev Delay 0.1~99.3(17.4) 62 Delay time from the early reflections until the reverberation (msec)
Density 0~4(4) 63 Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E<R 8) 64 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.4) 65 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+36) 66 Amount of feedback for the initial delay
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
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Delay LCR
Range(Default) Param# Description
LchDelay 0.1~1365.0(333.3) 50 Length of left channel delay (msec)
RchDelay 0.1~1365.0(166.7) 52 Length of right channel delay (msec)
CchDelay 0.1~1365.0(500.0) 54 Length of center channel delay (msec)
FB Delay 0.1~1365.0(500.0) 56 Length of feedback delay (msec)
FB Level -63~+63(+10) 58 Feedback amount
Cch Level 0~127(100) 5A Volume of center channel
High Damp 0.1~1.0(0.3) 5C High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(400) 64 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 66 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 67 Gain with which the EQ will boost/cut the high range (dB)
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Delay L,R
Range(Default) Param# Description
LchDelay 0.1~1365.0(250.0) 50 Length of left channel delay (msec)
RchDelay 0.1~1365.0(375.0) 52 Length of right channel delay (msec)
FBDelay1 0.1~1365.0(375.2) 54 Length of feedback delay 1 (msec)
FBDelay2 0.1~1365.0(375.0) 56 Length of feedback delay 2 (msec)
FB Level -63~+63(+23) 58 Amount of feedback
High Damp 0.1~1.0(0.3) 5A High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(400) 64 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 66 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 67 Gain with which the EQ will boost/cut the high range (dB)
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
Echo
Range(Default) Param# Description
LchDelay1 0.1~682.0(220.0) 50 Length of first delay of left channel (msec)
Lch FB Lvl -63~+63(+22) 52 Amount of feedback for left channel
RchDelay1 0.1~682.0(210.0) 54 Length of first delay of right channel (msec)
Rch FB Lvl -63~+63(+21) 56 Amount of feedback for right channel
High Damp 0.1~1.0(0.5) 58 High range attenuation
(lower values cause the high range to decay faster)
LchDelay2 0.1~682.0(230.0) 5A Length of second delay of left channel (msec)
RchDelay2 0.1~682.0(235.0) 5C Length of second delay of right channel (msec)
Delay2 Lvl 0~127(62) 5E Volume of second delay
EQ LowFreq 32~2.0k(280) 64 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(-6) 65 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 66 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(-1) 67 Gain with which the EQ will boost/cut the high range (dB)
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
CrossDelay
Range(Default) Param# Description
L>R Delay 0.1~682.0(365.0) 50 Delay time from left (input) to right (output) (msec)
R>L Delay 0.1~682.0(365.0) 52 Delay time from right (input) to left (output) (msec)
FB Level -63~+63(+24) 54 Amount of feedback
InputSelect L,R,L&R(R) 56 Input select
High Damp 0.1~1.0(0.5) 58 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(355) 64 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 66 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(- 2) 67 Gain with which the EQ will boost/cut the high range (dB)
Reverb Pan L63~ C ~R63 129 Reverb Pan
Rev Return 0~127 12A ReverbReturn Level
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VARIATION
No Effect
Range(Default) Param# Description
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Chorus
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.229) 68 Delay modulation frequency (Hz)
LFO Depth 0~127(46) 6A Delay modulation depth
FB Level -63~+63(+28) 6C Level at which the delay output is returned to the input
(negative values invert the phase)
Delay Ofst 0.0~50.0(1.0) 6E Offset value for delay modulation (ms)
EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Mode mono,stereo(stereo) 104 Mono/stereo selection for the input
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Celeste Same parameters for Chorus
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.687) 68 Delay modulation frequency (Hz)
LFO Depth 0~127(25) 6A Delay modulation depth
FB Level -63~+63(+30) 6C Level at which the delay output is returned to the input
(negative values invert the phase)
Delay Ofst 0.0~50.0(12.2) 6E Offset value for delay modulation (ms)
EQ LowFreq 32~2.0k(500) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Mode mono,stereo(stereo) 104 Mono/stereo selection for the input
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Flanger
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.504) 68 Frequency of delay modulation (Hz)
LFO Depth 0~127(30) 6A Depth of delay modulation
FB Level -63~+63(+40) 6C Level at which delay output is returned to the input
Delay Ofst 0.0~50.0(0.2) 6E Offset value for delay modulation (ms)
EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
LFO Phase -180~+180(-180) 102 L/R phase difference of modulation waveform
(no difference at 0 deg (=64))
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Symphonic
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.458) 68 Frequency of delay modulation (Hz)
LFO Depth 0~127(40) 6A Depth of delay modulation
Delay Ofst 0.0~50.0(0.0) 6C Delay modulation offset value (ms)
EQ LowFreq 32~2.0k(250) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Phaser1
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.916) 68 Frequency of phase modulation (Hz)
LFO Depth 0~127(111) 6A Depth of phase modulation
Phase Shift 0~127(76) 6C Phase shift offset value
FB Level -63~+63(+51) 6E Level at which phaser output will be returned to the input
(negative values invert the phase)
Stage 4~10(6) 7C Number of phaser shifter stages
Diffuse mono,stereo(stereo) 7E Diffusion
EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Phaser2
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.091) 68 Frequency of phase modulation (Hz)
LFO Depth 0~127(127) 6A Depth of phase modulation
Phase Shift 0~127(25) 6C Phase shift offset value
FB Level -63~+63(+51) 6E Level at which phaser output will be returned to the input
(negative values invert the phase)
Stage 3~5(5) 7C Number of phaser shifter stages
LFO Phase -180~+180(-180) 100 L/R phase difference in the modulation waveform
(no difference at 0 deg (=64))
EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(5.6k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Ens Detune
Range(Default) Param# Description
Detune -50~+50(-30) 68 Amount by which the pitch will be detuned (cent)
InitDelayL 0.0~50.0(1.0) 6A Length of left channel delay (msec)
InitDelayR 0.0~50.0(3.0) 6C Length of right channel delay (msec)
EQ LowFreq 32~2.0k(250) 7C Frequency at which the EQ will boost/cut the low range (Hz )
EQ Low Gain -12~+12(+ 0) 7E Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(5.0k) 100 Frequency at which the EQ will boost/cut the high range (Hz )
EQ Hi Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Rotary SP
Range(Default) Param# Description
LFO Freq 0.000~43.21(2.335) 68 Rotation frequency of the speaker (Hz)
LFO Depth 0~127(76) 6A Depth of modulation produced by speaker rotation
EQ LowFreq 32~2.0k(250) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Tremolo
Range(Default) Param# Description
LFO Freq 0.000~43.21(5.493) 68 Modulation frequency (Hz)
AM Depth 0~127(60) 6A Amplitude modulation depth
PM Depth 0~127(20) 6C Delay modulation depth
LFO Phase -180~+180(+0) 102 L/R phase difference of the modulation waveform
(no difference at 0 deg (=64))
EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(2.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Mode mono,stereo(mono) 104 Mono/stereo selection for the input
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Auto Pan
Range(Default) Param# Description
LFO Freq 0.000~43.21(4.028) 68 Auto pan frequency (Hz)
L/R Depth 0~127(127) 6A Left/right depth of panning
F/R Depth 0~127(32) 6C Front/rear depth of panning
PAN Dir L<>R,L>R,L<R,Lturn,Rturn,L/R(L/R) 6E Auto pan type (L<->R is sine wave, L/R is square wave)
EQ LowFreq 32~2.0k(225) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+12) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Auto Wah
Range(Default) Param# Description
LFO Freq 0.000~43.21(1.282) 68 Modulation frequency (Hz)
Modulation depth
LFO Depth 0~127(66) 6A
Cutoff Freq 0~127(33) 6C Cutoff Frequency (Hz)
Resonance 1.0~12.0(3.8) 6E Resonance
EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Touch Wah
Range(Default) Param# Description
Sensitivty 0~127(46) 68 Sensitivty
Cutoff Freq 0~127(28) 6A Cutoff Frequency (Hz)
Resonance 1.0~12.0(2.3) 6C Resonance
EQ LowFreq 32~2.0k(180) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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3-Band EQ
Range(Default) Param# Description
Low Freq 50~2.0k(180) 72 Frequency at which the EQ will boost/cut the low range (Hz)
Low Gain -12~+12(+ 0) 68 Amount of gain by which the EQ will boost/cut the low range (dB)
Mid Freq 100~10.0k(1.0k) 6A Frequency at which the EQ will boost/cut the mid range (Hz)
Mid Gain -12~+12(+ 0) 6C Amount of gain by which the EQ will boost/cut the mid range (dB)
Mid Q 1.0~12.0(5.0) 6E Mid Q
High Freq 500~16.0k(8.0k) 74 Frequency at which the EQ will boost/cut the high range (Hz)
High Gain -12~+12(+ 0) 70 Amount of gain by which the EQ will boost/cut the high range (dB)
Mode mono,stereo(mono) 104 Mono/stereo input mode selection
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
HM Enhncer
Range(Default) Param# Description
HPFCutoff 500~16.0k(5.6k) 68 Frequency at which the high pass filter will cut the low range of
the effect sound (Hz)
Drive 0~127(20) 6A Degree with which the exciter effect will be applied
Mix Level 0~127(30) 6C Level at which the effect sound will be mixed into the dry sound
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Noise Gate
Range(Default) Param# Description
Attack 1~40(1) 68 Time until when the gate begins to open (msec)
Release 10~680(140) 6A Time until the gate closes (msec)
Threshold -72~-30(-45) 6C Input level at which the gate begins to open (dB)
OutputLevel 0~127(50) 6E Output level
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Compressor
Range(Default) Param# Description
Attack 1~40(12) 68 Time until when the compressor begins to take effect (msec)
Release 10~680(25) 6A Time until the compressor effect disappears (msec)
Threshold -48~-6(-28) 6C Input level at which compression begins to be applied (dB)
Ratio 1.0~20.0(5.0) 6E Compression ratio of the compressor
OutputLevel 0~127(80) 70 Output level
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Distortion
Range(Default) Param# Description
Drive 0~127(60) 68 Degree of distortion
EQ LowFreq 32~2.0k(180) 6A Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 8) 6C Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq 100~10.0k(1.1k) 74 Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain -12~+12(+10) 76 Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q 1.0~12.0(1.0) 78 EQ Mid Q
LPFCutoff 1.0k~18.0k,thru(9.0k) 6E Frequency at which the filter will cut the high range (Hz)
Edge 0~127(80) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel 0~127(48) 70 Output level
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Overdrive Same parameters for Distortion
Range(Default) Param# Description
Drive 0~127(29) 68 Degree of distortion
EQ LowFreq 32~2.0k(315) 6A Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 4) 6C Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq 100~10.0k(1.2k) 74 Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain -12~+12(+ 8) 76 Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q 1.0~12.0(1.0) 78 EQ Mid Q
LPFCutoff 1.0k~18.0k,thru(4.0k) 6E Frequency at which the filter will cut the high range (Hz)
Edge 0~127(104) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel 0~127(55) 70 Output level
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Amp Sim
Range(Default) Param# Description
Drive 0~127(76) 68 Degree of distortion
Amp Type off,stack,combo,tube(tube) 6A Select the type of amp to be simulated
LPFCutoff 1.0k~18.0k,thru(2.5k) 6C Frequency at which the low pass filter will cut the high range (Hz)
Edge 0~127(102) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel 0~127(55) 6E Output level
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Delay LCR
Range(Default) Param# Description
LchDelay 0.1~1365.0(333.3) 68 Length of left channel delay (msec)
RchDelay 0.1~1365.0(166.7) 6A Length of right channel delay (msec)
CchDelay 0.1~1365.0(500.0) 6C Length of center channel delay (msec)
FB Delay 0.1~1365.0(500.0) 6E Length of feedback delay (msec)
FB Level -63~+63(+10) 70 Feedback amount
Cch Level 0~127(100) 72 Volume of center channel
High Damp 0.1~1.0(0.3) 74 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(400) 100 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 104 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 106 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Delay L,R
Range(Default) Param# Description
LchDelay 0.1~1365.0(250.0) 68 Length of left channel delay (msec)
RchDelay 0.1~1365.0(375.0) 6A Length of right channel delay (msec)
FBDelay1 0.1~1365.0(375.2) 6C Length of feedback delay 1 (msec)
FBDelay2 0.1~1365.0(375.0) 6E Length of feedback delay 2 (msec)
FB Level -63~+63(+23) 70 Amount of feedback
High Damp 0.1~1.0(0.3) 72 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(400) 100 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(4.0k) 104 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(+ 0) 106 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Echo
Range(Default) Param# Description
LchDelay1 0.1~682.0(220.0) 68 Length of first delay of left channel (msec)
Lch FB Lvl -63~+63(+22) 6A Amount of feedback for left channel
RchDelay1 0.1~682.0(210.0) 6C Length of first delay of right channel (msec)
Rch FB Lvl -63~+63(+21) 6E Amount of feedback for right channel
High Damp 0.1~1.0(0.5) 70 High range attenuation
(lower values cause the high range to decay faster)
LchDelay2 0.1~682.0(230.0) 72 Length of second delay of left channel (msec)
RchDelay2 0.1~682.0(235.0) 74 Length of second delay of right channel (msec)
Delay2 Lvl 0~127(62) 76 Volume of second delay
EQ LowFreq 32~2.0k(280) 100 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(- 6) 102 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 104 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(- 1) 106 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
CrossDelay
Range(Default) Param# Description
L>R Delay 0.1~682.0(365.0) 68 Delay time from left (input) to right (output) (msec)
R>L Delay 0.1~682.0(365.0) 6A Delay time from right (input) to left (output) (msec)
FB Level -63~+63(+24) 6C Amount of feedback
InputSelect L,R,L&R(R) 6E Input select
High Damp 0.1~1.0(0.5) 70 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq 32~2.0k(355) 100 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 104 Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain -12~+12(- 2) 106 Gain with which the EQ will boost/cut the high range (dB)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Karaoke
Range(Default) Param# Description
DelayTime 0.1~400.0(198.5) 68 DelayTime (msec)
FB Level -63~+63(+33) 6A Amount of feedback
HPF Cutoff thru,22~8.0k(thru) 6C Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(5.0k) 6E Frequency at which the low pass filter will cut the high range (Hz)
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.1) 68 Reverb length (sec)
Diffusion 0~10(10) 6A Spread of the reverb
InitDelay 0.1~200.0(12.7) 6C Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(90) 6E Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz)
Density 0~4(2) 7E Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E14>R) 100 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.8) 102 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Room Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.8) 68 Reverb length (sec)
Diffusion 0~10(10) 6A Spread of the reverb
InitDelay 0.1~200.0(25.3) 6C Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(32) 6E Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz)
Density 0~4(2) 7E Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.8) 102 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Stage Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.2) 68 Reverb length (sec)
Diffusion 0~10(10) 6A Spread of the reverb
InitDelay 0.1~200.0(25.3) 6C Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(45) 6E Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(10.0k) 70 Frequency at which the low pass filter will cut the high range (Hz)
Density 0~4(2) 7E Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.6) 102 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Plate Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.8) 68 Reverb length (sec)
Diffusion 0~10(10) 6A Spread of the reverb
InitDelay 0.1~200.0(9.5) 6C Delay time until the early reflections (msec)
HPF Cutoff thru,22~8.0k(50) 6E Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz)
Density 0~4(2) 7E Density of the reverberation
ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.5) 102 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay
Var Pan L63~ C ~R63 12C Variation Pan
Var Return 0~127 12D Variation Return Level
SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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INSERTION
Thru
Range(Default) Param# Ctrl Dest Description
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Chorus
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.275) 108 I:LFO Freq Delay modulation frequency (Hz)
LFO Depth *0~127(62) 10A I:LFO Depth Delay modulation depth
FB Level *-63~+63(+15) 10C I:FB Level Level at which the delay output is returned to the input
(negative values invert the phase)
Delay Ofst 0.0~50.0(8.0) 10E Offset value for delay modulation (ms)
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Mode *mono,stereo(mono) 124 I:Mode Mono/stereo selection for the input
Dry/Wet *D63>W,D=W,D<W63(D=W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Celeste Same parameters for Chorus
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.824) 108 I:LFO Freq Delay modulation frequency (Hz)
LFO Depth *0~127(28) 10A I:LFO Depth Delay modulation depth
FB Level *-63~+63(+ 0) 10C I:FB Level Level at which the delay output is returned to the input
(negative values invert the phase)
Delay Ofst 0.0~50.0(1.0) 10E Offset value for delay modulation (ms)
EQ LowFreq *32~2.0k(110) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(2.0k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(- 2) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Mode *mono,stereo(mono) 124 I:Mode Mono/stereo selection for the input
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Flanger
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.504) 108 I:LFO Freq Frequency of delay modulation (Hz)
LFO Depth *0~127(30) 10A I:LFO Depth Depth of delay modulation
FB Level *-63~+63(+40) 10C I:FB Level Level at which delay output is returned to the input
Delay Ofst 0.0~50.0(0.2) 10E Offset value for delay modulation (ms)
EQ LowFreq *32~2.0k(200) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
LFO Phase -180~+180(-180) 122 L/R phase difference of modulation waveform
(no difference at 0 deg (=64))
Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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Symphonic
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.458) 108 I:LFO Freq Frequency of delay modulation (Hz)
LFO Depth *0~127(40) 10A I:LFO Depth Depth of delay modulation
Delay Ofst 0.0~50.0(0.0) 10C Delay modulation offset value (ms)
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(4.0k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(- 3) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Phaser1
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.641) 108 I:LFO Freq Frequency of phase modulation (Hz)
LFO Depth *0~127(92) 10A I:LFO Depth Depth of phase modulation
Phase Shift 0~127(76) 10C Phase shift offset value
FB Level *-63~+63(+36) 10E I:FB Level Level at which phaser output will be returned to the input
(negative values invert the phase)
Stage *4~12(6) 11C I:Stage Number of phaser shifter stages
Diffuse mono,stereo(stereo) 11E Diffusion
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(2.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D<W34) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Phaser2
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.091) 108 I:LFO Freq Frequency of phase modulation (Hz)
LFO Depth *0~127(127) 10A I:LFO Depth Depth of phase modulation
Phase Shift 0~127(25) 10C Phase shift offset value
FB Level *-63~+63(+51) 10E I:FB Level Level at which phaser output will be returned to the input
(negative values invert the phase)
Stage *3~6(5) 11C I:Stage Number of phaser shifter stages
LFO Phase -180~+180(-180) 120 L/R phase difference in the modulation waveform
(no difference at 0 deg (=64))
EQ LowFreq *32~2.0k(200) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(5.6k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Pitch Chng
Range(Default) Param# Ctrl Dest Description
Pitch -24~+24(+ 0) 108 Pitch change in semitone steps
InitDelay 0.1~400.0(3.2) 10A Delay length (msec)
Fine1 -50~+50(+15) 10C Fine pitch setting for first unit (cent)
Fine2 -50~+50(-16) 10E Fine pitch setting for second unit (cent)
FB Level *-63~+63(+ 0) 110 I:FB Level Amount of feedback
Pan1 *L63~ C ~R63(L63) 11C I:Pan1 Panning of first unit
Out Level1 *0~127(125) 11E I:OutLevel1 Output level of first unit
Pan2 *L63~ C ~R63(R63) 120 I:Pan2 Panning of second unit
Out Level2 *0~127(127) 122 I:OutLevel2 Output level of second unit
Dry/Wet *D63>W,D=W,D<W63(D 3>W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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Ens Detune
Range(Default) Param# Ctrl Dest Description
Detune -50~+50(-30) 108 Amount by which the pitch will be detuned (cent)
InitDelayL 0.0~50.0(1.0) 10A Length of left channel delay (msec)
InitDelayR 0.0~50.0(3.0) 10C Length of right channel delay (msec)
EQ LowFreq *32~2.0k(250) 11C I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 11E I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(5.0k) 120 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 122 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D=W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Rotary SP
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(5.859) 108 I:LFO Freq Rotation frequency of the speaker (Hz)
LFO Depth *0~127(71) 10A I:LFO Depth Depth of modulation produced by speaker rotation
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(- 4) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(2.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(-12) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(2.4) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(-10) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
2WayRotary
Range(Default) Param# Ctrl Dest Description
Rotor Spd *0.000~43.21(6.958) 108 I:Rotor Spd Rotation frequency of the speaker (Hz)
Drive Low *0~127(89) 10A I:Drive Low Depth of modulation produced by low-range speaker rotation
Drive High *0~127(62) 10C I:DriveHigh Depth of modulation produced by high-range speaker rotation
Low/High *L63>H,L=H,L<H63(L46>H) 10E I:Low/High Volume balance between high-range speaker
and low-range speaker
Mic Angle 0~180(87) 11E L/R angle of mics which pick up the output (°)
CrossFreq 100~10.0k(700) 11C Crossover frequency between high-range speaker and
low-range speaker (Hz)
EQ LowFreq *32~2.0k(110) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq= *500~16.0k(3.2k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Tremolo
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.831) 108 I:LFO Freq Modulation frequency (Hz)
AM Depth *0~127(112) 10A I:AM Depth Amplitude modulation depth
PM Depth *0~127(0) 10C I:PM Depth Delay modulation depth
LFO Phase -180~+180(+ 0) 122 L/R phase difference of the modulation waveform
(no difference at 0 deg (=64))
EQ LowFreq *32~2.0k(100) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Mode mono,stereo(stereo) 124 Mono/stereo selection for the input
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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Auto Pan
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.877) 108 I:LFO Freq Auto pan frequency (Hz)
L/R Depth *0~127(80) 10A I:L/R Depth Left/right depth of panning
F/R Depth *0~127(32) 10C I:F/R Depth Front/rear depth of panning
PAN Dir
L<>R,L>R,L<R,Lturn,Rturn,L/R(L/R)
10E Auto pan type (L<->R is sine wave, L/R is square wave)
EQ LowFreq *32~2.0k(140) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q
EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Ambience
Range(Default) Param# Ctrl Dest Description
Delay Time 0.0~50.0(26.5) 108 Delay length (ms)
Phase *normal,inverse(inverse) 10A I:Phase Invert the phase of the effect sound between L/R
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(5.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(-10) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D<W10) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
A-Wah+Dist
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.465) 108 I:LFO Freq Modulation frequency (Hz)
LFO Depth *0~127(84) 10A I:LFO Depth Modulation Depth
Cutoff Freq *0~127(46) 10C I:CutofFreq Cutoff Frequency (Hz)
Resonance *1.0~12.0(3.4) 10E I:Resonance Resonance
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Drive *0~127(60) 11C I:Drive Degree of distortion
DS Low Gain *-12~+12(+ 8) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 4) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LPFCutoff *1.0k~18.0k,thru(8.0k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
OutputLevel *0~127(64) 124 I:Out Level Output Level
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
A-Wah+Odrv Same parameters for A-Wah+Dist
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.144) 108 I:LFO Freq Modulation frequency (Hz)
LFO Depth *0~127(64) 10A I:LFO Depth Modulation Depth
Cutoff Freq *0~127(32) 10C I:CutofFreq Cutoff Frequency (Hz)
Resonance *1.0~12.0(2.3) 10E I:Resonance Resonance
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Drive *0~127(16) 11C I:Drive Degree of distortion
DS Low Gain *-12~+12(+ 4) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 8) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LPFCutoff *1.0k~18.0k,thru(3.6k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
OutputLevel *0~127(68) 124 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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T-Wah+Dist
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(80) 108 I:Sens Sensitivity at which the wah filter will change in response to
the input level
Cutoff Freq *0~127(18) 10A I:CutofFreq Offset value for the wah filter control frequency (Hz)
Resonance *1.0~12.0(4.5) 10C I:Resonance Bandwidth of the wah filter
Release *10~680(170) 126 I:Release Time until the wah filter is closed (msec)
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain
Amount of gain by which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain
Amount of gain by which the EQ will boost/cut the high range (dB)
Drive *0~127(30) 11C I:Drive (Distortion) Degree of distortion
DS Low Gain *-12~+12(+ 8) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+10) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LPFCutoff *1.0k~18.0k,thru(9.0k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
OutputLevel *0~127(72) 124 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
T-Wah+Odrv Same parameters for T-Wah+Dist
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(61) 108 I:Sens Sensitivity at which the wah filter will change in response to
the input level
Cutoff Freq *0~127(30) 10A I:CutofFreq Offset value for the wah filter control frequency (Hz)
Resonance *1.0~12.0(4.1) 10C I:Resonance Bandwidth of the wah filter
Release *10~680(170) 126 I:Release Time until the wah filter is closed (msec)
EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain
Amount of gain by which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain
Amount of gain by which the EQ will boost/cut the high range (dB)
Drive *0~127(15) 11C I:Drive (Distortion) Degree of distortion
DS Low Gain *-12~+12(+ 4) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 8) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LPFCutoff *1.0k~18.0k,thru(5.6k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
OutputLevel *0~127(72) 124 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Wah+DS+Dly
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(102) 11C I:Sens Sensitivty
Cutoff Freq *0~127(20) 11E I:CutofFreq Cutoff Frequency (Hz)
Resonance *1.0~12.0(2.3) 120 I:Resonance Resonance
Release *10~680(75) 122 I:Release Time until the wah filter is closed (msec)
Drive *0~127(60) 10E I:Drive Degree of distortion
OutputLevel *0~127(53) 110 I:Out Level OutputLevel
DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 8) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
Delay 0.1~1365.0(190.0) 108 Delay time (msec)
FB Level *-63~+63(+20) 10A I:FB Level Feedback Level
Delay Mix *0~127(30) 10C I:Delay Mix Depth of delay effect
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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Wah+OD+Dly Same parameters for Wah+DS+Dly
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(80) 11C I:Sens Sensitivty
Cutoff Freq *0~127(35) 11E I:CutofFreq Cutoff Frequency (Hz)
Resonance *1.0~12.0(3.0) 120 I:Resonance Resonance
Release *10~680(170) 122 I:Release Time until the wah filter is closed (msec)
Drive *0~127(16) 10E I:Drive Degree of distortion
OutputLevel *0~127(87) 110 I:Out Level OutputLevel
DS Low Gain *-12~+12(+ 0) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 0) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
Delay 0.1~1365.0(160.0) 108 Delay time (msec)
FB Level *-63~+63(+20) 10A I:FB Level Feedback Level
Delay Mix *0~127(50) 10C I:Delay Mix Depth of delay effect
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Lo-Fi
Range(Default) Param# Ctrl Dest Description
Smpl Freq *48k~375(16.0k) 108 I:Smpl Freq Sampling Frequency (Hz)
Word Length *1~127(1) 10A I:Word Leng Differential bit length of DPCM
Output Gain *-6~+36(- 3) 10C I:Out Gain Output Gain
LPFCutoff *63~18.0k,thru(thru) 10E I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
LPF Reso *1.0~12.0(2.9) 112 I:LPF Reso Resonance of low pass filter
Filter
thru,pbass,radio,tel,clean,low(clean)
110 Characteristics (quality) of low pass filter
Bit Assign 0~6(1) 114 Input signal depth of DPCM
Emphasis off,on(off) 116 Adjustment of high frequency response
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
3-Band EQ
Range(Default) Param# Ctrl Dest Description
Low Freq *50~2.0k(180) 112 I:Low Freq Frequency at which the EQ will boost/cut the low range (Hz)
Low Gain *-12~+12(+ 0) 108 I:Low Gain
Amount of gain by which the EQ will boost/cut the low range (dB)
Mid Freq *100~10.0k(1.0k) 10A I:Mid Freq Frequency at which the EQ will boost/cut the mid range (Hz)
Mid Gain *-12~+12(+ 0) 10C I:Mid Gain
Amount of gain by which the EQ will boost/cut the mid range (dB)
Mid Q *1.0~12.0(5.0) 10E I:Mid Q Mid Q
High Freq *500~16.0k(8.0k) 114 I:High Freq Frequency at which the EQ will boost/cut the high range (Hz)
High Gain *-12~+12(+ 0) 110 I:High Gain
Amount of gain by which the EQ will boost/cut the high range (dB)
Mode mono,stereo(mono) 124 Mono/stereo input mode selection
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
HM Enhncer
Range(Default) Param# Ctrl Dest Description
HPFCutoff *500~16.0k(5.6k) 108 I:HPFCutoff Frequency at which the high pass filter will cut the low range
of the effect sound (Hz)
Drive *0~127(20) 10A I:Drive Degree with which the exciter effect will be applied
Mix Level *0~127(30) 10C I:Mix Level
Level at which the effect sound will be mixed into the dry sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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Noise Gate
Range(Default) Param# Ctrl Dest Description
Attack *1~40(1) 108 I:Attack Time until when the gate begins to open (msec)
Release *10~680(140) 10A I:Release Time until the gate closes (msec)
Threshold *-72~-30(-45) 10C I:Threshold Input level at which the gate begins to open (dB)
OutputLevel *0~127(50) 10E I:Out Level Output level
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Comp+Dist
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11E I:Attack Time until the compression takes effect (msec)
Release *10~680(25) 120 I:Release Time until the compression finishes (msec)
Threshold *-48~-6(-27) 122 I:Threshold Input level at which the compression takes effect (dB)
Ratio *1.0~20.0(7.0) 124 I:Ratio Ratio of compressed level to input level
Drive *0~127(60) 108 I:Drive Degree of distortion
EQ LowFreq *32~2.0k(250) 10A I:EQLowFreq EQ low frequency (Hz)
EQ Low Gain *-12~+12(+ 5) 10C I:EQLowGain EQ low gain (dB)
EQMidFreq *100~10.0k(4.0k) 114 I:EQMidFreq EQ middle frequency (Hz)
EQ Mid Gain *-12~+12(+ 8) 116 I:EQMidGain EQ middle gain (dB)
EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ middle Q
LPFCutoff *1.0k~18.0k,thru(9.0k) 10E I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
Edge *0~127(120) 11C I:Edge Sharpness of distorted sound
OutputLevel *0~127(70) 110 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Cmp+DS+Dly
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11C I:Attack Time until the compression takes effect (msec)
Release *10~680(140) 11E I:Release Time until the compression finishes (msec)
Threshold *-48~-6(-32) 120 I:Threshold Input level at which the compression takes effect (dB)
Ratio *1.0~20.0(7.0) 122 I:Ratio Ratio of compressed level to input level
Drive *0~127(60) 10E I:Drive Degree of distortion
OutputLevel *0~127(51) 110 I:Out Level OutputLevel
DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 8) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
Delay 0.1~1365.0(190.0) 108 Delay time (msec)
FB Level *-63~+63(+ 8) 10A I:FB Level Feedback level
Delay Mix *0~127(38) 10C I:Delay Mix Depth of delay effect
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Compressor
Range(Default) Param# Ctrl Dest Description
Attack *1~40(12) 108 I:Attack Time until when the compressor begins to take effect (msec)
Release *10~680(25) 10A I:Release Time until the compressor effect disappears (msec)
Threshold *-48~-6(-28) 10C I:Threshold Input level at which compression begins to be applied (dB)
Ratio *1.0~20.0(5.0) 10E I:Ratio Compression ratio of the compressor
OutputLevel *0~127(80) 110 I:Out Level Output level
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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31
Cmp+OD+Dly Same parameters for Cmp+DS+Dly
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11C I:Attack Time until the compression takes effect (msec)
Release *10~680(25) 11E I:Release Time until the compression finishes (msec)
Threshold *-48~-6(-32) 120 I:Threshold Input level at which the compression takes effect (dB)
Ratio *1.0~20.0(5.0) 122 I:Ratio Ratio of compressed level to input level
Drive *0~127(18) 10E I:Drive Degree of distortion
OutputLevel *0~127(65) 110 I:Out Level OutputLevel
DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 5) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
Delay 0.1~1365.0(190.0) 108 Delay time (msec)
FB Level *-63~+63(+10) 10A I:FB Level Feedback level
Delay Mix *0~127(50) 10C I:Delay Mix Depth of delay effect
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Distortion
Range(Default) Param# Ctrl Dest Description
Drive *0~127(60) 108 I:Drive Degree of distortion
EQ LowFreq *32~2.0k(180) 10A I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 8) 10C I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.1k) 114 I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+10) 116 I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ Mid Q
LPFCutoff *1.0k~18.0k,thru(9.0k) 10E I:LPFCutoff Frequency at which the filter will cut the high range (Hz)
Edge *0~127(80) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel *0~127(65) 110 I:Out Level Output level
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and the effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Dist+Delay
Range(Default) Param# Ctrl Dest Description
Drive *0~127(60) 112 I:Drive Degree of distortion
DS Low Gain *-12~+12(+ 8) 116 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+10) 118 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LchDelay 0.1~1365.0(50.0) 108 Left channel delay (msec)
RchDelay 0.1~1365.0(100.0) 10A Right channel delay (msec)
FB Delay 0.1~1365.0(200.0) 10C Feedback delay (msec)
FB Level *-63~+63(+20) 10E I:FB Level Feedback Level
Delay Mix *0~127(80) 110 I:Delay Mix Depth of delay effect
OutputLevel *0~127(42) 114 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Overdrive Same parameters for Distortion
Range(Default) Param# Ctrl Dest Description
Drive *0~127(29) 108 I:Drive Degree of distortion
EQ LowFreq *32~2.0k(315) 10A I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 4) 10C I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQMidFreq *100~10.0k(1.2k) 114 I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz)
EQ Mid Gain *-12~+12(+ 8) 116 I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB)
EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ Mid Q
LPFCutoff *1.0k~18.0k,thru(4.0k) 10E I:LPFCutoff Frequency at which the filter will cut the high range (Hz)
Edge *0~127(104) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel *0~127(80) 110 I:Out Level Output level
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and the effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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32
Odrv+Delay Same parameters for Dist+Delay
Range(Default) Param# Ctrl Dest Description
Drive *0~127(25) 112 I:Drive Degree of distortion
DS Low Gain *-12~+12(+ 4) 116 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB)
DS Mid Gain *-12~+12(+ 8) 118 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LchDelay 0.1~1365.0(50.0) 108 Left channel delay (msec)
RchDelay 0.1~1365.0(100.0) 10A Right channel delay (msec)
FB Delay 0.1~1365.0(200.0) 10C Feedback Delay (msec)
FB Level *-63~+63(+20) 10E I:FB Level Feedback Level
Delay Mix *0~127(64) 110 I:Delay Mix Depth of delay effect
OutputLevel *0~127(55) 114 I:Out Level OutputLevel
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Amp Sim
Range(Default) Param# Ctrl Dest Description
Drive *0~127(76) 108 I:Drive Degree of distortion
Amp Type off,stack,combo,tube(tube) 10A Select the type of amp to be simulated
LPFCutoff *1.0k~18.0k,thru(2.5k) 10C I:LPFCutoff Select the type of amp to be simulated (Hz)
Edge *0~127(102) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually)
OutputLevel *0~127(80) 10E I:Out Level Output level
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Delay L,R
Range(Default) Param# Ctrl Dest Description
LchDelay 0.1~1365.0(250.0) 108 Length of left channel delay (msec)
RchDelay 0.1~1365.0(375.0) 10A Length of right channel delay (msec)
FBDelay1 0.1~1365.0(375.2) 10C Length of feedback delay 1 (msec)
FBDelay2 0.1~1365.0(375.0) 10E Length of feedback delay 2 (msec)
FB Level *-63~+63(+23) 110 I:FB Level Amount of feedback
High Damp 0.1~1.0(0.3) 112 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq *32~2.0k(400) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Delay LCR
Range(Default) Param# Ctrl Dest Description
LchDelay 0.1~1365.0(333.3) 108 Length of left channel delay (msec)
RchDelay 0.1~1365.0(166.7) 10A Length of right channel delay (msec)
CchDelay 0.1~1365.0(500.0) 10C Length of center channel delay (msec)
FB Delay 0.1~1365.0(500.0) 10E Length of feedback delay (msec)
FB Level *-63~+63(+10) 110 I:FB Level Feedback amount
Cch Level *0~127(100) 112 I:Cch Level Volume of center channel
High Damp 0.1~1.0(0.3) 114 High range attenuation
(lower values cause the high range to decay faster)
EQ LowFreq *32~2.0k(400) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(4.0k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(+ 0) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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33
Echo
Range(Default) Param# Ctrl Dest Description
LchDelay1 0.1~682.0(220.0) 108 Length of first delay of left channel (msec)
Lch FB Lvl *-63~+63(+22) 10A I:Lch FBLvl Amount of feedback for left channel
RchDelay1 0.1~682.0(210.0) 10C Length of first delay of right channel (msec)
Rch FB Lvl *-63~+63(+21) 10E I:Rch FBLvl Amount of feedback for right channel
High Damp 0.1~1.0(0.5) 110 High range attenuation
(lower values cause the high range to decay faster)
LchDelay2 0.1~682.0(230.0) 112 Length of second delay of left channel (msec)
RchDelay2 0.1~682.0(235.0) 114 Length of second delay of right channel (msec)
Delay2 Lvl *0~127(62) 116 I:Delay2Lvl Volume of second delay
EQ LowFreq *32~2.0k(280) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(- 6) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(6.3k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(- 1) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
ER 1
Range(Default) Param# Ctrl Dest Description
Early Type S-H,L-H,rdm,rvs,plt,spr(S-H) 108 Type of early reflections
(small hall, large hall, random, reverse, plate, spring)
Room Size 0.1~20.0(4.0) 10A Room Size
Diffusion 0~10(5) 10C Diffusion
InitDelay 0.1~200.0(9.5) 10E Delay time until early reflections start (msec)
FB Level *-63~+63(+10) 110 I:FB Level Feedback Level
HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff *1.0k~18.0k,thru(4.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
Liveness 0~10(7) 11C Emphasis in high frequencies
Density 0~3(1) 11E Density of early reflections
High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster)
Dry/Wet *D63>W,D=W,D<W63(D35>W) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
CrossDelay
Range(Default) Param# Ctrl Dest Description
L>R Delay 0.1~682.0(365.0) 108 Delay time from left (input) to right (output) (msec)
R>L Delay 0.1~682.0(365.0) 10A Delay time from right (input) to left (output) (msec)
FB Level *-63~+63(+24) 10C I:FB Level Amount of feedback
InputSelect L,R,L&R(R) 10E Input select
High Damp 0.1~1.0(0.5) 110 High range attenuation
(lower values cause the high range to decay faster))
EQ LowFreq *32~2.0k(355) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq *500~16.0k(6.3k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz)
EQ Hi Gain *-12~+12(- 2) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB)
Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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34
ER 2 Same parameters for ER 1
Range(Default) Param# Ctrl Dest Description
Early Type S-H,L-H,rdm,rvs,plt,spr(rdm) 108 Type of early reflections
(Small Hall, Large Hall, random, reverse, plate, spring)
Room Size 0.1~20.0(2.0) 10A Room Size
Diffusion 0~10(8) 10C Diffusion
InitDelay 0.1~200.0(6.4) 10E Delay time until early reflections start (msec)
FB Level *-63~+63(+ 3) 110 I:FB Level Feedback Level
HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff *1.0k~18.0k,thru(12.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
Liveness 0~10(5) 11C Emphasis in high frequencies
Density 0~3(3) 11E Density of early reflections
High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster)
Dry/Wet *D63>W,D=W,D<W63(D35>W) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Gate Rev
Range(Default) Param# Ctrl Dest Description
Gate Type typeA,typeB(typeA) 108 Gate Reverb Type
Room Size 0.1~20.0(1.0) 10A Room Size
Diffusion 0~10(10) 10C Diffusion
InitDelay 0.1~200.0(0.1) 10E Delay time until early reflections start (msec)
FB Level *-63~+63(+ 0) 110 I:FB Level Feedback Level
HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff *1.0k~18.0k,thru(8.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
Liveness 0~10(5) 11C Emphasis in high frequencies
Density 0~3(3) 11E Density of early reflections
High Damp 0.1~1.0(0.5) 120 High range attenuation
(lower values cause the high range to decay faster)
Dry/Wet *D63>W,D=W,D<W63(D12>W) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
Revrs Gate Same parameters for Gate Rev
Range(Default) Param# Ctrl Dest Description
Gate Type typeA,typeB(typeB) 108 Gate Reverb Type
Room Size 0.1~20.0(2.5) 10A Room Size
Diffusion 0~10(8) 10C Diffusion
InitDelay 0.1~200.0(4.8) 10E Delay time until the early reflections (msec)
FB Level *-63~+63(+ 0) 110 I:FB Level Feedback Level
HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz)
LPFCutoff *1.0k~18.0k,thru(4.5k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz)
Liveness 0~10(6) 11C Emphasis in high frequencies
Density 0~3(3) 11E Density of early reflections
High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster)
Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound
Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level
SendIns-Var 0~127 132 Insertion-to-Variation Send Level
InsDryLevel 0~127 133 Insertion Dry Level
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1.MIDI Reception/Transmission Block Diagrams
< MIDI Reception Conditions > 1/2
Note: sw1: Selected from among all, odd, and even in a MIDI setting (Receive Note).
sw2: Switched on with a MIDI setting (Receive Program Change = on).
sw3: Switched on with a MIDI setting (Receive Bank Select = on).
< MIDI Reception Conditions > 2/2
Note: sw4: Switched on with a MIDI setting (Receive System Exclusive = on).
sw5: Switched on with a MIDI setting (Receive Bulk Dump = on).
< MIDI Transmission Conditions >
KNOB 1-4 $Bn
PERFORMANCE BULK
VOICE BULK
FSEQ BULK
SYSTEM BULK
PARAMETER CHANGE
Transmit Knob
on
<Tch>
transmit
ch
MIDI
<Dev No>
≠off
$F0,$43,$0n,$5E PERFORMANCE BULK
$F0,$43,$0n,$5E VOICE BULK
$F0,$43,$0n,$5E FSEQ BULK
$F0,$43,$0n,$5E SYSTEM BULK
$F0,$43,$0n,$00 DX VCED BULK
$F0,$43,$0n,$05 DX ACED BULK
$F0,$43,$1n,$5E PERFORMANCE
PARAMETER CHANGE
$F0,$43,$1n,$5E VOICE
PARAMETER CHANGE
$F0,$43,$1n,$5E FSEQ HEADER
PARAMETER CHANGE
$F0,$43,$1n,$5E SYSTEM
PARAMETER CHANGE
$F0,$43,$2n,$5E PERFORMANCE BULK
DUMP REQUEST
$F0,$43,$2n,$5E VOICE BULK
DUMP REQUEST
$F0,$43,$2n,$5E FSEQ BULK
DUMP REQUEST
$F0,$43,$2n,$5E SYSTEM BULK
DUMP REQUEST
$F0,$43,$3n,$5E PERFORMANCE
PARAMETER REQUEST
$F0,$43,$3n,$5E VOICE
PARAMETER REQUEST
$F0,$43,$3n,$5E FSEQ HEADER
PARAMETER REQUEST
$F0,$43,$3n,$5E SYSTEM
PARAMETER REQUEST
MIDI
sw4 sw5
<Dev No>
≠off
$8n NOTE OFF
$9n NOTE ON/OFF
$An AFTER TOUCH
(Note numbers are ignored.
)
$Bn,$xx each controller
$Bn,$xx
$Bn,$20
$Bn,$00 BANK SELECT
$Cn PROGRAM CHANGE
$Dn AFTER TOUCH
$En PITCH BENDER
$F8 TIMING CLOCK
$FE ACTIVE SENSING
MIDI
<each channel>
<each channel>
<each channel>
<each channel>
<each channel>
<each channel>
<each channel>
sw1
sw3
sw2
MIDI Data Format
Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or
binary numbers. Hexadecimal numbers may include the letter “H” as a suffix. The letter “n”
indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal/binary number.
Additional Notes
* For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on
messages for the channels 1 through 16 respectively. 176 - 191/BnH/1011 0000 - 1011 1111
indicate the control change messages for the channels 1 through 16 respectively. 192 -
207/CnH/1100 0000 - 1100 1111 indicate the program change messages for the channels 1
through 16 respectively. 240/F0H/1111 0000 is positioned at the beginning of data to indicate a
system exclusive message. 247/F7H/1111 0111 is positioned at the end of the system exclusive
message.
* aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists
of High, Mid and Low.
* bbH/0bbbbbbb indicates byte counts.
* ccH/0ccccccc indicates tcheck sums.
* ddH/0ddddddd indicates data/value.
Decimal Hexadecimal Binary Decimal Hexadecimal Binary
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
21
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
2F
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
0000 0000
0000 0001
0000 0010
0000 0011
0000 0100
0000 0101
0000 0110
0000 0111
0000 1000
0000 1001
0000 1010
0000 1011
0000 1100
0000 1101
0000 1110
0000 1111
0001 0000
0001 0001
0001 0010
0001 0011
0001 0100
0001 0101
0001 0110
0001 0111
0001 1000
0001 1001
0001 1010
0001 1011
0001 1100
0001 1101
0001 1110
0001 1111
0010 0000
0010 0001
0010 0010
0010 0011
0010 0100
0010 0101
0010 0110
0010 0111
0010 1000
0010 1001
0010 1010
0010 1011
0010 1100
0010 1101
0010 1110
0010 1111
0011 0000
0011 0001
0011 0010
0011 0011
0011 0100
0011 0101
0011 0110
0011 0111
0011 1000
0011 1001
0011 1010
0011 1011
0011 1100
0011 1101
0011 1110
0011 1111
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
40
41
42
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
50
51
52
53
54
55
56
57
58
59
5A
5B
5C
5D
5E
5F
60
61
62
63
64
65
66
67
68
69
6A
6B
6C
6D
6E
6F
70
71
72
73
74
75
76
77
78
79
7A
7B
7C
7D
7E
7F
0100 0000
0100 0001
0100 0010
0100 0011
0100 0100
0100 0101
0100 0110
0100 0111
0100 1000
0100 1001
0100 1010
0100 1011
0100 1100
0100 1101
0100 1110
0100 1111
0101 0000
0101 0001
0101 0010
0101 0011
0101 0100
0101 0101
0101 0110
0101 0111
0101 1000
0101 1001
0101 1010
0101 1011
0101 1100
0101 1101
0101 1110
0101 1111
0110 0000
0110 0001
0110 0010
0110 0011
0110 0100
0110 0101
0110 0110
0110 0111
0110 1000
0110 1001
0110 1010
0110 1011
0110 1100
0110 1101
0110 1110
0110 1111
0111 0000
0111 0001
0111 0010
0111 0011
0111 0100
0111 0101
0111 0110
0111 0111
0111 1000
0111 1001
0111 1010
0111 1011
0111 1100
0111 1101
0111 1110
0111 1111
Datalist/E 10/21/98 8:32 PM Page 35
36
2.Channel Messages
2.1 Transmission
2.1.1 Control Change
Assigned controller numbers are output when built-in knobs are turned.
Cntrl# Parameter Data Range
73 Attack Time 0~127
72 Release Time 0~127
1~31, 33~95 Formant Control 0~127
1~31, 33~95 FM Control 0~127
1~31, 33~95 Knob 1 0~127
1~31, 33~95 Knob 2 0~127
1~31, 33~95 Knob 3 0~127
1~31, 33~95 Knob 4 0~127
Note: Attack Time to FM Control are assigned to knobs with the upper LED lit. Knob 1 to 4
are assigned with the lower LED lit.
2.2 Reception
2.2.1 Note On/Off
2.2.1.1 Note Off
key range = C-2~G8
velocity range = not received
2.2.1.2 Note On / Off
key range = C-2~G8
velocity range = 0~127 (0 = Note off)
2.2.2 Control Change
Parameters in the following table are controllable using MIDI. A part that can receives multiple
channels operates by those channels in the received order.
Cntrl# Parameter Data Range
0 Bank Select MSB 0~127 *1
32 Bank Select LSB 0~127 *1
1 Modulation wheel 0~127
5 Portamento Time 0~127 *2
6 Data Entry 0~127 *2, *3
7 Volume 0~127 *2, *4
10 Pan 0~127 *2, *4
11 Expression 0~127
64 Sustain (Hold1) 0, 127
65 Portamento Switch 0, 127 *2
71 Harmonic Content 0~127 *2
72 Release Time 0~127 *2
73 Attack Time 0~127 *2
74 Brightness 0~127 *2
91 Reverb Send 0~127 *2
93 Variation Send 0~127 *2
1~31, 33~95 BC (default: 2) 0~127
1~31, 33~95 FC (default: 4) 0~127
1~31, 33~95 Formant Control 0~127 *2
1~31, 33~95 FM Control 0~127 *2
1~31, 33~95 Knob 1~4 0~127
1~31, 33~95 MIDI Control 1~4 0~127
98 NRPN LSB 8~102 *3
99 NRPN MSB 1 *3
100 RPN LSB 0~2 *3
101 RPN MSB 0 *3
*1: Refer to "2.2.3 Program Change."
*2: Corresponding parameter values directly change with control changes, without using the
control matrix. Those values become reference points for control changes routed by the control
matrix, which are not reset by Reset All Controllers.
*3: Parameters that follow are controllable using NRPN or RPN massages.
NRPN Data Entry Part Parameter Data Range
MSB LSB MSB
----------------------------------------------------------
01H 08H 00H~40H~7FH LFO1 Speed -64~+0~+63
01H 09H 00H~40H~7FH LFO1 Pmod -64~+0~+63
01H 0AH 00H~40H~7FH LFO1 Delay -64~+0~+63
01H 0BH 00H~40H~7FH LFO2 Speed -64~+0~+63
01H 0CH 00H~40H~7FH LFO2 FltMod -64~+0~+63
01H 20H 00H~40H~7FH Filter Freq -64~+0~+63
01H 21H 00H~40H~7FH Filter Reso -64~+0~+63
01H 63H 00H~40H~7FH Attack Time -64~+0~+63
01H 64H 00H~40H~7FH Decay Time -64~+0~+63
01H 66H 00H~40H~7FH ReleaseTime -64~+0~+63
RPN Data Entry Part Parameter Data Range
MSB LSB MSB
----------------------------------------------------------
00H 00H 00H~18H PB Range +0, +1~+24
PB Range Lo- 1~-24
00H 01H 0FH~40H~70H Detune -64~+0~+63
00H 02H 28H~40H~58H Note Shift -24~+0~+24
On reception of Pitch Bend Range, PB Range Lo is set to a minus value of received value.
*4: With "Program Change Mode = perform," Performance Volume and Pan are controllable using
Performance Channel. With "Program Change Mode = multi," Performance Volume and Pan
are controllable using Performance Channel while Part Volume and Pan are controllable using
Part Receivee Channel.
2.2.3 Program Change
On reception of Program Change, FS1R operates as follows.
Receives Program Change is received only in PLAY MODE.
In case "Receive Program Change = off" is selected in system setup, Bank Select and Program
Change are not received. With "Receive Program Change = on" and "Receive Bank Select = off,
"Bank Select is not received. On reception of Program Change, a voice or performance program
(1~128) , depending on the Program Change Mode setting, from the current bank is selected.
With "Program Change Mode = perform," a performance program is selected using Performance
Channel. With "Program Change Mode = multi," a performance program is selected using
Performance Channel and a voice program is selected using Part Receive Channel.
Bank Select and Program Change data bytes are as follow.
BANK SELECT $Bn, $00, $3F (MSB)
$Bn, $20, $00~$0B or $40~$43 (LSB)
PROGRAM CHANGE $Cn, $00~$7F
Bank Select other than found in the above table is ignored. Thus, any bank selection does not take place and a
following Program Change selects from the current bank that is not changed.
2.2.3.1 Performance Program Change
Bank Select or Program Change for a performance is received using Performance Channel, as
follows.
1-16 : Received only specified channel.
all : Received all channels (OMNI ON) .
off : Not received.
2.2.3.2 Voice Program Change
Bank Select or Program Change for a voice is received using Part Receive Channel (Part
Receive Channel to Part Receive Channel Max) . With "Part Receive Channel = pfm," Part
Receive Channel matches Performance Channel.
2.2.4 Pitch Bend Change
FS1R receives only Pitch Bend Change MSB. A part assigned with multiple channels can sound
separately according to Pitch Bend Change on different channels.
2.2.5 After Touch
After Touch is received on Receive Channel (s) specified. A part assigned with multiple channels
equivalently receives After Touch on different channels, giving proiority to last reception of this
message. The 3rd byte of Polyphonic After Touch is ignored and processed as Channel After
Touch.
2.2.6 Channel Mode Message
Cntrl# Parameter Data Range
120 All Sound Off 0
121 Reset All Controller 0 *1
123 ll Notes Off 0
126 Mono 0 *2
127 Pol 0
*1 A default value for each message reception is as follows.
$00 for Control Change other than Bank Select and After Touch. Control Changes set to route in
the control matrix to affect part parameters have their corresponding part parameter values
(last edited). Control Changes that can directly change parameters without the control matrix
are not reset by Reset All Controllers, since their values are referred to by other Control
Changes for the same parameters via the matrix.
Sustain = $00 (off)
Expression = $7F
RPN, NRPN = $7F (Null)
Pitch Bend = $00, $40 (Center)
*2 The 3rd byte is ignored.
Bank No.MSB / LSB PGM CNG No.
Voice INTERNAL 63($3F) / 0($00) 1~128($00~$7F)
PRESET A 63($3F) / 1($01)
: :
PRESET K 63($3F) / 11($0B)
Performance INTERNAL 63($3F) / 64($40) 1~128($00~$7F)
PRESET A 63($3F) / 65($41)
PRESET B 63($3F) / 66($42)
PRESET C 63($3F) / 67($43)
Datalist/E 10/21/98 8:32 PM Page 36
37
3. System Exclusive Message
3.1 Parameter Change and Parameter Request
FS1R transmits and receives its native parameter changes. FS1R also receives requests for
parameter changes for corresponding parameters, when "Receive System Exclusive = on" is set
and Device Number contained in System Exclusive massages matches the FS1R Device Number
setting. On reception of a request, FS1R transmits out the requested parameter.
FS1R receives a parameter constructed of 2 bytes (i.e. Fseq Speed Ratio) via an Address High.
Parameter Change
11110000 F0 Exclusive Status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01011110 5E Model ID
0gggpppp gggpppp *Parameter Address High (H)
0mmmmmmm mmmmmmm *Parameter Address Middle (M)
0lllllll lllllll *Parameter Address Low (L)
0vvvvvvv vvvvvvv Data Value MS 7bit
0vvvvvvv vvvvvvv Data Value LS 7bit
11110111 F7 End of Exclusive
Parameter Request
11110000 F0 Exclusive Status
01000011 43 YAMAHA ID
0011nnnn 3n Device Number
01011110 5E Model ID
0gggpppp gggpppp *Parameter Address High (H)
0mmmmmmm mmmmmmm *Parameter Address Middle (M)
0lllllll lllllll *Parameter Address Low (L)
11110111 F7 End of Exclusive
*Parameter Address (H) (M) (L) Description
SYSTEM 00 00 ll
PERFORM 10 mm ll Performance Common
/VOICE 30 00 ll Performance Part 1
31 00 ll Performance Part 2
32 00 ll Performance Part 3
33 00 ll Performance Part 4
40 00 ll Part 1 Voice Common
60 00 ll Part 1 Voice Operator 1
: :
07 ll Part 1 Voice Operator 8
: : :
43 00 ll Part 4 Voice Common
63 00 ll Part 4 Voice Operator 1
: :
07 ll Part 4 Voice Operator 8
FSEQ 70 00 ll Fseq Header
mm = Parameter Number MSB
ll = Parameter Number LSB
See MIDI data tables <Table 1> to <table 4> for details.
3.2 Bulk Data
FS1R transmits and receives 4 kinds of bulk data (1~4, FS1R native) in addition to reception of
Yamaha DX series' bulk data (5~6, VCED and ACED), with "Receive Bulk Dump = on" and Device
Number contained in System Exclusive massages matches the FS1R Device Number setting. On
reception of a request, FS1R transmits out the requested parameter change.
1. Performance bulk dump
2. Voice bulk dump
3. Fseq bulk dump
4. System bulk dump
5. DX Series VCED bulk dump
6. DX Series ACED bulk dump
3.2.1 FS1R Native Bulk Dump and Dump Request (1, 2, 3, 4)
FS1R Native Bulk Dump
11110000 F0 Exclusive Status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01011110 5E Model ID
0bbbbbbb bbbbbbb Byte Count High
0bbbbbbb bbbbbbb Byte Count Low
0hhhhhhh hhhhhhh *Address High (H)
0mmmmmmm mmmmmmm *Address Middle (M)
0lllllll lllllll *Address Low (L)
0ddddddd ddddddd Data
| | Byte Count
0ddddddd ddddddd Data
0ccccccc ccccccc Check-sum
11110111 F7 End of Exclusive
The Data section matches "vv" in the MIDI data tables <Table 1> to <Table 4>.
Check-sum is a value that makes "0" (zero) in lower 7 bits of an added value of Byte Count,
Address, Data, and Check-sum itself.
Dump Request
11110000 F0 Exclusive Status
01000011 43 YAMAHA ID
0010nnnn 2n Device Number
01011110 5E Model ID
0hhhhhhh hhhhhhh *Address High (H)
0mmmmmmm mmmmmmm *Address Middle (M)
0lllllll lllllll *Address Low (L)
11110111 F7 End of Exclusive
*Address (H) (M) (L) Description
SYSTEM 00 00 00
PERFORM 10 00 00 Current Performance Bulk
/VOICE 11 00 nn 1 Internal Performance Bulk
40 00 00 Part 1 Current Voice Bulk
: : : :
43 00 00 Part 4 Current Voice Bulk
51 00 nn 1 Internal Voice Bulk
6b 00 nn FSeq Bulk
b = Bank 0:Current, 1:Internal
nn = Memory No.
See the MIDI data tables <Table 1> to <Table 4> for more information of Address and Byte Count.
FSeq Bulk does not interpret Byte Count.
3.2.2 DX Series VCED and ACED Bulk Dump (5, 6)
11110000 F0
01000011 43
0000nnnn nnnn = Device Number
0ttttttt ttttttt = Format Number
0bbbbbbb bbbbbbb = Byte Count High
0bbbbbbb bbbbbbb = Byte Count Low
0ddddddd ddddddd = Data
| | Byte Count
0ddddddd ddddddd = Data
0ccccccc ccccccc = Check-sum
11110111 F7
See the MIDI data table <Table 5> for more information of Format Number and Byte Count.
VCED and ACED bulk data is received using the Part 1 Voice edit buffer. VCED data
represents Voice data for Yamaha DX7 while ACED data represents additions to DX7's Voice
data, which is available with DX7II, DX7S, and TX802.
4. Real Time Message
4.1 Active Sensing
a) Transmission
Not transmitted.
b) Reception
If an "FE" (Active Sensing status message) is received, FS1R starts to wait for next "FE." If the next
message does not arrive in approximately 500 msec., FS1R mutes the notes currently sounding.
4.2 Timing Clock
a) Transmission
Not transmitted.
b) Reception
Received and used as sync clock when "Fseq Speed = midi (1/4,1/2,1/1,2/1,4/1)" is selected.
Datalist/E 10/21/98 8:32 PM Page 37
38
MIDI Data Tables
<Table 1> Performance Parameter
Byte Count
common 80
effect data 112
part data 52 x 4 = 208
-------------------------------------
total 400
Performance Common Parameter (Byte Count: 80 bytes)
F0 43 1n 5E 10 00 ll vv vv F7
ll vv vv Description
00 20-7F NAME 0
01 20-7F NAME 1
02 20-7F NAME 2
03 20-7F NAME 3
04 20-7F NAME 4
05 20-7F NAME 5
06 20-7F NAME 6
07 20-7F NAME 7
08 20-7F NAME 8
09 20-7F NAME 9
0A 20-7F NAME 10
0B 20-7F NAME 11
0C reserved
0D reserved
0E 00-16 CATEGORY
0F reserved
10 00-7F performance volume
11 01-7F performance pan (L63~0~R63)
12 00-30 performance note shift (-24~0~+24)
13 reserved
14 00-02 individual out (0: off, 1: pre ins, 2: post ins)
15 00-04 FSEQ PART (0: off, 1~4: part)
16 00-01 FSEQ bank 0: int, 1: pre
17 00-59 FSEQ number int (0-5) , pre (0-89)
18 00-7F FSEQ Speed Ratio (10.0~500.0) / MIDI Clock (0-4)
MIDI Clock: 0: 1/4, 1: 1/2, 2: 1/1, 3: 2/1, 4: 4/1
1A 00-7F FSEQ start step offset (hi byte)
00-7F FSEQ start step offset (lo byte)
1C 00-7F FSEQ start step of loop point (hi byte)
00-7F FSEQ start step of loop point (lo byte)
1E 00-7F FSEQ end step of loop point (hi byte)
00-7F FSEQ end step of loop point (lo byte)
20 00-01 FSEQ loop mode (0: one way, 1: round)
21 01-02 FSEQ play mode (1: scratch, 2: fseq)
22 00-07 FSEQ velocity sensitivity for tempo
23 00-01 FSEQ formant pitch mode
24 00-01 FSEQ key on trigger (0: first, 1: all)
25 reserved
26 00-63 FSEQ formant seqence delay
27 00-7F FSEQ level velocity sensitivity (-64~+63)
28 00-0F controller 1 part switch [----pppp]
↓ ↓ ↓
2F 00-0F controller 8 part switch [----pppp]
30 00-7F controller 1 source switch (bitmap-high)
31 00-7F controller 1 source switch (bitmap-low)
↓ ↓ ↓
32 00-7F controller 8 source switch (bitmap-high)
3F 00-7F controller 8 source switch (bitmap-low)
40 00-2F controller 1 destination
↓ ↓ ↓
47 00-2F controller 8 destination
48 00-7F controller 1 depth (-64~+63)
↓ ↓ ↓
4F 00-7F controller 8 depth (-64~+63)
Performance Effect Parameter (Byte Count: 112 bytes)
F0 43 1n 5E 10 mm ll vv vv F7
mm ll vv vv Description
00 50 00-7F Reverb parameter (See "Effect Parameter List.")
00-7F Same as above. Same as above.
00 52 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 54 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 56 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 58 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 5A 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 5C 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 5E 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 60 00-7F Same as above. Same as above.
00 61 00-7F Reverb parameter (See "Effect Parameter List.")
00 62 00-7F Same as above. Same as above.
00 63 00-7F Same as above. Same as above.
00 64 00-7F Same as above. Same as above.
00 65 00-7F Same as above. Same as above.
00 66 00-7F Same as above. Same as above.
00 67 00-7F Same as above. Same as above.
00 68 00-7F Variation parameter (See "Effect Parameter List.")
00-7F Same as above. Same as above.
00 6A 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 6C 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 6E 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 70 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 72 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 74 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 76 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 78 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 7A 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 7C 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00 7E 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 00 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 02 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 04 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 06 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 08 00-7F Insertion parameter (See "Effect Parameter List.")
00-7F Same as above. Same as above.
01 0A 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 0C 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 0E 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 10 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 12 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 14 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 16 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 18 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 1A 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 1C 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 1E 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 20 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 22 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 24 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 26 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
01 28 00-10 Reverb type (See "Effect Type List.")
01 29 01-7F Reverb pan L63...C...R63 (1..64..127)
01 2A 00-7F Reverb return
01 2B 00-1C Variation type (See "Effect Type List.")
01 2C 01-7F Variation pan L63...C...R63 (1..64..127)
01 2D 00-7F Variation return
01 2E 00-7F Send Variation to Reverb
01 2F 00-28 Insertion type (See "Effect Type List.")
01 30 01-7F Insertion pan L63...C...R63 (1..64..127)
01 31 00-7F Send insertion to Reverb
01 32 00-7F Send insertion to Variation
01 33 00-7F Insertion level
01 34 34-4C EQ low gain -12~+12 [dB]
01 35 04-28 EQ low frequency 32~2000 [Hz]
01 36 01-78 EQ low Q 0.1~12.0
01 37 00-01 EQ low shape 00: shelving, 01: peaking
01 38 34-4C EQ mid gain -12~+12 [dB]
01 39 0E-36 EQ mid frequency 100~10.0 [kHz]
01 3A 01-78 EQ mid Q 0.1~12.0
Datalist/E 10/21/98 8:32 PM Page 38
39
01 3B 34-4C EQ high gain -12~+12 [dB]
01 3C 1C-3A EQ high frequency 0.5~16.0 [kHz]
01 3D 01-78 EQ high Q 0.1-12.0
01 3E 00-01 EQ high shape 00: shelving, 01: peaking
01 3F reserved
Performance Part Parameter (Byte Count : 52 x 4 = 208 bytes )
F0 43 1n 5E 3p 00 ll vv vv F7 p = 0..3 (Part1..3)
ll vv vv Description
00 00-20 NOTE RESERVE 0~32
01 00-0C BANK NUMBER off, Int, PrA~PrK
02 00-7F PROGRAM NUMBER 0~127
03 00-0F, 7F Rcv CHANNEL MAX A1~A16, off
04 00-0F, 10, 7F Rcv CHANNEL A1~A16, pfm, off
05 00-01 MONO/POLY MODE 0:MONO,1:POLY
06 00-03 MONO PRIORITY 0: last, 1: top, 2: bottom, 3: first
07 00-01 FilterSw 0: off, 1: on
08 00-30 NOTE SHIFT -24~+24 [semitones]
09 00-7F DETUNE -64~+63
0A 00-7F VOICED/UNVOICED BALANCE -64~+63
0B 00-7F VOLUME 0~127
0C 00-7F VELOCITY SENSE DEPTH 0~127
0D 00-7F VELOCITY SENSE OFFSET 0~127
0E 00-7F PAN Rnd, L63...C...R63 (0: random, 1~64 -127)
0F 00-7F NOTE LIMIT LOW C-2~G8
10 00-7F NOTE LIMIT HIGH C-2~G8
11 00-7F DRY LEVEL 0~127
12 00-7F VARIATION SEND 0~127
13 00-7F REVERB SEND 0~127
14 00-01 INSERTION SW off/on
15 00-7F LFO1 RATE -64~+63
16 00-7F LFO1 PITCH MOD DEPTH -64~+63
17 00-7F LFO1 DELAY -64~+63
18 00-7F FILTER CUTOFF FREQ -64~+63
19 00-7F FILTER RESONANCE -64~+63
1A 00-7F EG ATTACK TIME -64~+63
1B 00-7F EG DECAY TIME -64~+63
1C 00-7F EG RELEASE TIME -64~+63
1D 00-7F FORMANT -64~+63
1E 00-7F FM -64~+63
1F 00-7F FILTER EG DEPTH -64~+63
20 00-7F PITCH EG INITIAL LEVEL -64~+63
21 00-7F PITCH EG ATTACK TIME -64~+63
22 00-7F PITCH EG RELEASE LEVEL -64~+63
23 00-7F PITCH EG RELEASE TIME -64~+63
24 00-01/00-01 PORTAMENTO SWITCH/MODE
bit0: off/on
bit1: 0: fingerd, 1: fulltime
25 00-7F PORTAMENTO TIME 0~127
26 10-58 PITCH BEND RANGE HIGH -48~+24
27 10-58 PITCH BEND RANGE LOW -48~+24
28 00-64 PAN SCALING 0~100
29 00-63 PAN LFO DEPTH 0~99
2A 01-7F VELOCITY LIMIT LOW 1~127
2B 01-7F VELOCITY LIMIT HIGH 1~127
2C 00-7F EXPRESSION LOW LIMIT 0~127
2D 00-01 SUSTAIN Rcv SW off/on
2E 00-7F LFO2 RATE -64~+63
2F 00-7F LFO2 MOD DEPTH -64~+63
30 Reserved
31 Reserved
32 Reserved
33 Reserved
<Table 2> Voice Parameter
Byte Count
Common 112
OP data 62 x 8 = 496
--------------------------------------
total 608
Voice Common Parameter (Byte Count: 112 bytes)
F0 43 1n 5E 4p 00 ll vv vv F7 p = 0..3 (Part1..3)
ll vv vv Description
00 20-7F NAME 0
01 20-7F NAME 1
02 20-7F NAME 2
03 20-7F NAME 3
04 20-7F NAME 4
05 20-7F NAME 5
06 20-7F NAME 6
07 20-7F NAME 7
08 20-7F NAME 8
09 20-7F NAME 9
0A reserved
0B reserved
0C reserved
0D reserved
0E 00-16 CATEGORY
0F reserved
10 00-05 COMMON LFO1 - waveform
11 00-63 COMMON LFO1 - speed
12 00-63 COMMON LFO1 - delay
13 00-01 COMMON LFO1 - key sync
14 reserved
15 00-63 COMMON LFO1 - pitch modulation depth
16 00-63 COMMON LFO1 - amplitude modulation depth
17 00-63 COMMON LFO1 - frequency modulation depth
18 00-05 COMMON LFO2 - waveform
19 00-7F COMMON LFO2 - speed
1A reserved
1B reserved
1C 00-03 COMMON LFO2 - phase (0: 0, 1: 90, 2: 180, 3: 270)
1D 00-01 COMMON LFO2 - key sync
1E 00-30 COMMON Note shift (-24-0-+24)
1F 00-64 COMMON Pitch EG - level 0
20 00-64 COMMON Pitch EG - level 1
21 00-64 COMMON Pitch EG - level 2
22 00-64 COMMON Pitch EG - level 4
23 00-63 COMMON Pitch EG - time 1
24 00-63 COMMON Pitch EG - time 2
25 00-63 COMMON Pitch EG - time 3
26 00-63 COMMON Pitch EG - time 4
27 00-07 COMMON Pitch EG - velocity sensitivity
28 00-01 COMMON Fseq voiced op (8) switch -high
29 00-7F COMMON Fseq voiced op (1-7) switch -low
2A 00-01 COMMON Fseq unvoiced op (8) switch -high
2B 00-7F COMMON Fseq unvoiced op (1-7) switch -low
2C 00-57 COMMON Algorithm preset number
2D 00-0F COMMON Voiced op1 carrier level correction
2E 00-0F COMMON Voiced op2 carrier level correction
2F 00-0F COMMON Voiced op3 carrier level correction
30 00-0F COMMON Voiced op4 carrier level correction
31 00-0F COMMON Voiced op5 carrier level correction
32 00-0F COMMON Voiced op6 carrier level correction
33 00-0F COMMON Voiced op7 carrier level correction
34 00-0F COMMON Voiced op8 carrier level correction
35 reserved
↓ ↓
3A reserved
3B 00-03 COMMON Pitch EG - range (8va, 2va, 1va, 1/2va)
3C 00-07 COMMON Pitch EG - time scaling depth
3D 00-07 COMMON Voiced feedback level
3E 00-64 COMMON Pitch EG - level 3
3F reserved
40 00-03/00-01/00-07 COMMON Formant Control Destination 1
↓ ↓ dest (off,out,freq,width) /V/N/OP (1~8)
[--ddvooo]
44 ↓ COMMON Formant Control Destination 5
45 00-7F COMMON Formant Control Depth 1 (-64~+63)
↓ ↓ ↓
49 00-7F COMMON Formant Control Depth 5 (-64~+63)
4A 00-03/00-01/00-07 COMMON FM Control Destination 1
↓ ↓ dest (off,out,freq,width) /V/N/OP (1~8)
[--ddvooo]
4E ↓ COMMON FM Control Destination 5
4F 00-7F COMMON FM Control Depth 1 (-64~+63)
↓ ↓ ↓
53 00-7F COMMON FM Control Depth 5 (-64~+63)
54 00-05 COMMON Filter Type (LPF24, LPF18, LPF12, HPF, BPF, BEF)
55 00-74 COMMON Filter Resonance (-16~+100)
56 00-0E COMMON Filter Resonance Vel Sens (-7~+7)
57 00-7F COMMON Filter Cutoff Frequency
58 00-0E COMMON Filter EG Depth Vel Sens (-7~+7)
59 00-63 COMMON Filter Cutoff Frequency LFO1 Depth
5A 00-63 COMMON Filter Cutoff Frequency LFO2 Depth
5B 00-7F COMMON Flt Cutoff Frq. Key Scale Dpt (-64~+63)
5C 00-7F COMMON Filter Cutoff Frequency Key Scale Point
5D 00-18 COMMON Filter Input Gain (-12~+12)
5E reserved
↓ ↓
63 reserved
64 00-7F COMMON Filter EG - depth (-64~+63)
65 00-64 COMMON Filter EG - level4
66 00-64 COMMON Filter EG - level1
67 00-64 COMMON Filter EG - level2
68 00-64 COMMON Filter EG - level3
69 00-63 COMMON Filter EG - time1
6A 00-63 COMMON Filter EG - time2
6B 00-63 COMMON Filter EG - time3
6C 00-63 COMMON Filter EG - time4
6D reserved
6E 00-07/00-07 COMMON Filter EG - attack time vel/time scale
6F reserved
Datalist/E 10/21/98 8:32 PM Page 39
40
Voice Voiced Parameter (Byte Count : 35 bytes / op )
F0 43 1n 5E 6p mm ll vv vv F7 p = 0..3 (Part1..3), m = 0..7 (OP1..8)
ll vv Description
00 00-01/00-30 VOICED oscillator key sync/transpose
[-stttttt]
01 00-1F VOICED oscillator frequency - coarse
02 00-7F VOICED oscillator frequency - fine
03 00-63 VOICED oscillator frequency - note scaling
04 00-0E/00-07 VOICED oscillator
bw bias sense (-7~7) /spectral form [-llllfff]
05 00-01/00-07/00-07 VOICED oscillator mode/spectral skirt/
Operator fseq track number [-msssnnn]
06 00-63 VOICED oscillator freq. ratio of band spectrum
07 00-1E VOICED oscillator detune
08 00-64 VOICED oscillator frequency EG - initial value
09 00-64 VOICED oscillator frequency EG - attack value
0A 00-63 VOICED oscillator frequency EG - attack time
0B 00-63 VOICED oscillator frequency EG - decay time
0C 00-63 VOICED EG - level1
0D 00-63 VOICED EG - level2
0E 00-63 VOICED EG - level3
0F 00-63 VOICED EG - level4
10 00-63 VOICED EG - time1
11 00-63 VOICED EG - time2
12 00-63 VOICED EG - time3
13 00-63 VOICED EG - time4
14 00-63 VOICED EG - hold time
15 00-07 VOICED EG - time scaling
16 00-63 VOICED level scaling - total level
17 00-63 VOICED level scaling - break point (A-1~C8)
18 00-63 VOICED level scaling - left depth
19 00-63 VOICED level scaling - right depth
1A 00-03 VOICED level scaling - left curve
(0:-lin, 1:-exp, 2:+exp, 3:+lin )
1B 00-03 VOICED level scaling - right curve
(0:-lin, 1:-exp, 2:+exp, 3:+lin )
1C reserved
1D reserved
1E reserved
1F 00-0E/00-07 VOICED - freq bias sense/pitch mod sense
fbs : (-7~7) [-bbbbmmm]
20 00-07/00-0E VOICED - freq mod sense/freq velocity sense
fvs : (-7~7) [-fffvvvv]
21 00-07/00-0E VOICED - amp mod sense/amp velocity sense
vs : (-7~7) [-aaavvvv]
22 00-0E VOICED - EG bias sense (-7~7)
Voice Unvoiced Parameter (Byte Count : 27 bytes / op )
F0 43 1n 5E 6p mm ll vv vv F7 p = 0..3 (Part1..3) , m = 0..7 (OP1..8)
ll vv Description
23 00-30 UNVOICED formant pitch - transpose
24 00-02/00-15 UNVOICED formant pitch - mode /coarse
[-mmccccc]
25 00-7F UNVOICED formant pitch - fine
26 00-63 UNVOICED formant pitch - note scaling
27 00-63 UNVOICED formant shape - band width
28 00-0E UNVOICED formant shape - bw bias sense (-7~7)
29 00-07/00-07 UNVOICED formant resonance / formant skirt /nskt
[--rrrsss]
2A 00-64 UNVOICED frequency EG - initial value
2B 00-64 UNVOICED frequency EG - attack value
2C 00-63 UNVOICED frequency EG - attack time
2D 00-63 UNVOICED frequency EG - decay time
2E 00-63 UNVOICED level
2F 00-0E UNVOICED level - key scaling
30 00-63 UNVOICED EG - level1
31 00-63 UNVOICED EG - level2
32 00-63 UNVOICED EG - level3
33 00-63 UNVOICED EG - level4
34 00-63 UNVOICED EG - time1
35 00-63 UNVOICED EG - time2
36 00-63 UNVOICED EG - time3
37 00-63 UNVOICED EG - time4
38 00-63 UNVOICED EG - hold time
39 00-07 UNVOICED EG - time scaling
3A 00-0E UNVOICED - freq bias sense
nfbs : (-7~7) [----bbbb]
3B 00-07/00-0E UNVOICED - freq mod sense/freq velocity sense
nfvs : (-7~7) [-fffvvvv]
3C 00-07/00-0E UNVOICED - amp mod sense/amp velocity sense
nvs : (-7~7) [-aaavvvv]
3D 00-0E UNVOICED - EG bias sense (-7~7)
<Table 3> Fseq Parameter
F0 43 1n 5E 70 00 ll vv vv F7
Header Parameter
ll vv vv Description
00 20-7F NAME 0
01 20-7F NAME 1
02 20-7F NAME 2
03 20-7F NAME 3
04 20-7F NAME 4
05 20-7F NAME 5
06 20-7F NAME 6
07 20-7F NAME 7
08 reserved
09 reserved
0A reserved
0B reserved
0C reserved
0D reserved
0E reserved
0F reserved
10 00-7F Fseq - start step of loop point (hi byte)
Fseq - start step of loop point (lo byte)
12 00-7F Fseq - end step of loop point (hi byte)
Fseq - end step of loop point (lo byte)
14 00-01 Fseq - loop mode ( 0: one way, 1: round )
15 00-7F Fseq - speed adjust
16 00-07 Fseq - velocity sensitivity for tempo
17 00-01 Fseq - formant pitch mode
0: pitch, 1: non-pitch
18 00-7F Fseq - formant note assign
19 00-7E Fseq - formant pitch tuning (-63~63)
1A 00-63 Fseq - formant seqence delay
1B 00-03 Fseq - frame data format *1
1C reserved
1D reserved
1E 00-7F RMTC - end step of valid data (hi byte)
RMTC - end step of valid data (lo byte)
*1 frame data format
0: total of frames 128
1: total of frames 256
2: total of frames 384
3: total of frames 512
Frame Parameter
ll vv Description
10 00-7F Fseq - fundamental pitch (hi byte)
11 00-7F Fseq - fundamental pitch (lo byte)
12 00-7F Fseq - voiced formant frequency (hi byte)
↓ ↓ ↓
19 00-7F Fseq - voiced formant frequency (hi byte)
20 00-7F Fseq - voiced formant frequency (lo byte)
↓ ↓ ↓
21 00-7F Fseq - voiced formant frequency (lo byte)
22 00-7F Fseq - voiced formant level
↓ ↓ ↓
29 00-7F Fseq - voiced formant level
2A 00-7F Fseq - unvoiced formant frequency (hi byte)
↓ ↓ ↓
31 00-7F Fseq - unvoiced formant frequency (hi byte)
32 00-7F Fseq - unvoiced formant frequency (lo byte)
↓ ↓ ↓
39 00-7F Fseq - unvoiced formant frequency (lo byte)
3A 00-7F Fseq - unvoiced formant level
↓ ↓ ↓
41 00-7F Fseq - unvoiced formant level
Datalist/E 10/21/98 8:32 PM Page 40
41
<Table 4> System Parameter (Byte Count: 76 bytes )
F0 43 1n 5E 00 00 ll vv vv F7
ll vv Description
00 00-7F master tuning (-64~+63)
01 reserved
02 ↓
03 reserved
04 reserved
05 reserved
06 00-7F master note shift (-64~+63)
07 00-04 dump interval (50 msec ... 300 msec)
08 00-01 program change mode (0: pfm, 1: multi)
09 00-10,7F performance channel
(00-0F: 1-16, 10: all, 7F: off)
0A reserved
0B 00-01 knob control mode (0:abs, 1:rel)
0C reserved
0D 00-03 BC curve (0:thru, 1~3)
0E 00-04 velocity curve (thru, sft1, sft2, wid, hrd)
(default:thru)
0F reserved
10 00-01 Rx Excl. (Not changed with Parameter Change.)
11 00-02 note event receive sw (0~2: all/odd/even)
12 00-01 bank select receive sw
13 00-01 program change receive sw
14 00-01 knob receive sw (0~1: off/on)
15 00-01 knob transmit sw (0~1: off/on)
16 01-1F, 21-5F KN1 control number (default: 16)
17 01-1F, 21-5F KN2 control number (default: 17)
18 01-1F, 21-5F KN3 control number (default: 18)
19 01-1F, 21-5F KN4 control number (default: 19)
1A 01-1F, 21-5F MC1 control number (default: 20)
1B 01-1F, 21-5F MC2 control number (default: 21)
1C 01-1F, 21-5F MC3 control number (default: 22)
1D 01-1F, 21-5F MC4 control number (default: 13)
1E 01-1F, 21-5F FC control number (default: 4)
1F 01-1F, 21-5F BC control number (default: 2)
20 01-1F, 21-5F Formant control number (default: 80)
21 01-1F, 21-5F FM control number (default: 81)
22 00-7F play sound 1 note
23 00-7F play sound 1 velocity (0: off)
24 00-7F play sound 2 note
25 00-7F play sound 2 velocity (0: off)
26 00-7F play sound 3 note
27 00-7F play sound 3 velocity (0: off)
28 00-7F play sound 4 note
29 00-7F play sound 4 velocity (0: off)
2A not used
2B not used
2C not used
2D not used
2E not used
2F not used
30 not used
31 not used
32 not used
33 not used
34 not used
35 not used
36 not used
37 not used
38 not used
39 not used
3A not used
3B not used
3C not used
3D not used
3E not used
3F not used
40 not used
41 not used
42 not used
43 not used
44 not used
45 not used
Bulk Dump does not change the following.
46 0 fseq init command
Bulk Dump and Parameter Change do not change the following, ignoring Parameter Request.
47 00-01 memory allocation (0:128Voice/0FSeq, 1:64Voice/6FSeq)
48 00-07 LCD contrast
49 00-10, 7F system exclusive device number
(0-0F: 1-16, 10: all, 7F: off)
4A 00-01 bulk dump protect on/off switch (0~1:off/on)
4B not used
<Table 5> DX Bulk Data
FS1R can partly receive VCED or ACED bulk data for Yamaha DX series.
Since not all parameters and their value ranges for DX series are compatible to FS1R, it
automatically converts received DX bulk data into FS1R native data for original DX sound
reproduction to be available. ACED bulk data is not interpreted until its following VCED bulk data is
received.
DX Bulk Data
11110000 F0
01000011 43
0000nnnn nnnn = Device Number
0ttttttt ttttttt = Format No.
0bbbbbbb bbbbbbb = Byte Count High
0bbbbbbb bbbbbbb = Byte Count Low
0ddddddd ddddddd = Data
| | Byte Count
0ddddddd ddddddd = Data
0ccccccc ccccccc = Check-sum
11110111 F7
Format No. 00 VCED (Voice Edit Buffer)
05 ACED (Additional Edit Buffer)
Byte Count 1 55 bytes VCED (Voice Edit Buffer)
49 bytes ACED (Additional Edit Buffer)
VCED and ACED parameters (data structures) are as follow.
Parameter (Data) is described in the order of Parameter Group # to Parameter#.
Parameter
Group # g h
00 00 VCED (Voice Edit Buffer) 0~127
00 01 VCED (Voice Edit Buffer) 0~26
06 00 ACED (Additional Edit Buffer) 0~73
DX Voice Parameter (Data) - VCED format (Byte Count : 155 bytes)
Parameter
Group# Parameter# Data Range Description
g h OP6 OP5 OP4 OP3 OP2 OP1
00 00 00 15 2A 3F 54 69 00-63 EG rate1
00 00 01 16 2B 40 55 6A 00-63 EG rate2
00 00 02 17 2C 41 56 6B 00-63 EG rate3
00 00 03 18 2D 42 57 6C 00-63 EG rate4
00 00 04 19 2E 43 58 6D 00-63 EG lelel1
00 00 05 1A 2F 44 59 6E 00-63 EG lelel2
00 00 06 1B 30 45 5A 6F 00-63 EG lelel3
00 00 07 1C 31 46 5B 70 00-63 EG lelel4
00 00 08 1D 32 47 5C 71 00-63 Break Point
00 00 09 1E 33 48 5D 72 00-63 Left Depth
00 00 0A 1F 34 49 5E 73 00-63 Right Depth
00 00 0B 20 35 4A 5F 74 00-03 Left Curve
00 00 0C 21 36 4B 60 75 00-03 Right Curve
00 00 0D 22 37 4C 61 76 00-07 Rate Scaling
00 00 0E 23 38 4D 62 77 00-03 AMS
00 00 0F 24 39 4E 63 78 00-07 Touch Sens
00 00 10 25 3A 4F 64 79 00-63 Total Level
00 00 11 26 3B 50 65 7A 00-01 Freq Mode
00 00 12 27 3C 51 66 7B 00-1F Freq Course
00 00 13 28 3D 52 67 7C 00-63 Freq Fine
00 00 14 29 3E 53 68 7D 00-0E Detune
00 00 7E 00-63 PEG Rate1
00 00 7F 00-63 PEG Rate2
00 01 00 00-63 PEG Rate3
00 01 01 00-63 PEG Rate4
00 01 02 00-63 PEG Level1
00 01 03 00-63 PEG Level2
00 01 04 00-63 PEG Level3
00 01 05 00-63 PEG Level4
00 01 06 00-1F Algorithm 1~36
00 01 07 00-07 Feedback
00 01 08 00-01 OSC Sync
00 01 09 00-63 LFO Speed
00 01 0A 00-63 LFO Delay
00 01 0B 00-63 PMD
00 01 0C 00-63 AMD
00 01 0D 00-01 LFO Key Sync
00 01 0E 00-05 LFO Wave
00 01 0F 00-07 PMS
00 01 10 00-2F Transpose
00 01 11 25-58 Voice Name
00 01 12 25-58 Voice Name
00 01 13 25-58 Voice Name
00 01 14 25-58 Voice Name
00 01 15 25-58 Voice Name
00 01 16 25-58 Voice Name
00 01 17 25-58 Voice Name
00 01 18 25-58 Voice Name
00 01 19 25-58 Voice Name
00 01 1A 25-58 Voice Name
Datalist/E 10/21/98 8:32 PM Page 41
42
DX Voice Additional Parameter - ACED format(Byte Count : 49 bytes)
Param
Group# Parameter# Data Description
g h
06 00 00 not used
06 00 01 not used
06 00 02 not used
06 00 03 not used
06 00 04 not used
06 00 05 not used
06 00 06 00-07 OP6 AMS
06 00 07 00-07 OP5 AMS
06 00 08 00-07 OP4 AMS
06 00 09 00-07 OP3 AMS
06 00 0A 00-07 OP2 AMS
06 00 0B 00-07 OP1 AMS
06 00 0C 00-03 PEG Range
06 00 0D not used
06 00 0E 00-01 PEG Vel Switch
06 00 0F not used
06 00 10 not used
06 00 11 not used
06 00 12 not used
06 00 13 not used
06 00 14 not used
06 00 15 not used
06 00 16 not used
06 00 17 not used
06 00 18 not used
06 00 19 not used
06 00 1A not used
06 00 1B not used
06 00 1C not used
06 00 1D not used
06 00 1E not used
06 00 1F not used
06 00 20 not used
06 00 21 not used
06 00 22 not used
06 00 23 not used
06 00 24 not used
06 00 25 not used
06 00 26 00-07 PEG Rate Scaling
06 00 40 not used
06 00 41 not used
06 00 42 not used
06 00 43 not used
06 00 44 not used
06 00 45 not used
06 00 46 not used
06 00 47 not used
06 00 48 not used
06 00 49 not used
Datalist/E 10/21/98 8:32 PM Page 42
43
0,32
1
7, 10, 11, 64
5, 65
71, 74
72, 73
91, 93
16-19
2, 4,1 3, 20-22
80, 81
6, 98-101
120
121
True Voice
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
Ø *
3
˛
Ø *
3
˛
˛
˛
˛
***************
˛
˛
˛
˛
˛
˛
˛
˛
˛
*1
*2
*3
*4
Ignore Note number.
Receive if switch is on.
Assignable to 1-31,33-95.
Receive if Fseq Speed is set to midi.
˛
˛
***************
˛
***************
Ø
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
˛
1-16
1-16
Memorized
Ø 9nH, v=1-127
Ø 9nH, v=0
Ø *
1
Ø
Ø *
2
Ø
Ø
Ø
Ø
Ø
Ø
Ø *
3
Ø *
3
Ø *
3
Ø
Ø
Ø
Ø 0-127 *
2
Ø 0-127
˛
˛
˛
Ø *
4
˛
˛
Ø
Ø
˛
3, 4
3, 4
˛
Memorized
0-127
Ø *
2
Ø *
2
Bank Select
Modulation Wheel
Vol, Pan, Exp, Sus
Portamento Ctrl
Sound Control
Release, Attack
Rev, Var Send
Knob1-4 Control
BC, FC, MC4, MC1-3
Formant, FM Ctrl
Data Entry
All Sound Off
Reset All Ctrls
Ø : YES
˛ : NO
Date :16-JUL-1998
Version : 1.0
YAMAHA [ Tone Generator ] /
Model: FS1R MIDI Implementation Chart
Mode 2 : OMNI ON , MONO
Mode 4 : OMNI OFF, MONO
TransmittedFunction Recognized Remarks
Basic
Channel
Note Number
Velocity
After Touch
Pitch Bend
Control
Change
Program Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Mode
Note ON
Note OFF
Key's
Ch's
Clock
Commands
Local ON/OFF
All Notes OFF
Active Sense
Reset
Song Pos.
Song Sel.
Tune
True #
Default
Messages
Altered
Default
Changed
Datalist/E 10/21/98 8:32 PM Page 43
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in andere talen
- English: Yamaha FS1R Datasheet
- italiano: Yamaha FS1R Scheda dati
- русский: Yamaha FS1R Техническая спецификация
- français: Yamaha FS1R Fiche technique
- español: Yamaha FS1R Ficha de datos
- Deutsch: Yamaha FS1R Datenblatt
- português: Yamaha FS1R Ficha de dados
- dansk: Yamaha FS1R Blad
- suomi: Yamaha FS1R Datalehdet
- čeština: Yamaha FS1R list
- svenska: Yamaha FS1R Datablad
- Türkçe: Yamaha FS1R Veri Sayfası
- polski: Yamaha FS1R Karta katalogowa
- română: Yamaha FS1R Fișa cu date